WEBVTT - 10. “It can never be a long time ago.”

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<v Speaker 1>This recording is being made in Laura Ingalls Wilder Library

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<v Speaker 1>of Mansfield, Missouri, the home of Missus Wilder.

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<v Speaker 2>In nineteen fifty three, nineteen years after the first Little

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<v Speaker 2>House book was released, librarians in California sent Laura Ingalls

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<v Speaker 2>Wilder a present for her eighty sixth birthday, and especially

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<v Speaker 2>they were homemade dolls of every member of the Ingles family.

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<v Speaker 2>To thank the librarians, Laura recorded a response in the Mansfield,

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<v Speaker 2>Missouri Library.

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<v Speaker 3>I certainly do appreciate the gift of these clanked little

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<v Speaker 3>figures that seemed to have walked out of my memory Chauvelona.

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<v Speaker 2>Though this is the only known recording of Laura's voice,

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<v Speaker 2>but more.

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<v Speaker 1>Than all, I value the understanding and love for me

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<v Speaker 1>and my family that prompted the gift.

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<v Speaker 2>Little House in the Big Woods, the first book in

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<v Speaker 2>the Little House on the Prairie series, was published ninety

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<v Speaker 2>years ago this year. As we talked about in our

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<v Speaker 2>very first episode, the last line of Big Woods reads.

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<v Speaker 4>Now is now it can never be a long time ago.

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<v Speaker 2>That line might be the most accurate description there is

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<v Speaker 2>of the Little House series. The books still saw millions

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<v Speaker 2>of copies, the television show still airs around the world.

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<v Speaker 2>Little House on the Prairie might be about another time,

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<v Speaker 2>but Laura's stories are very much alive in our time.

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<v Speaker 4>We can't seem to let her go.

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<v Speaker 5>Why is Laura still around?

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<v Speaker 6>She's just really honestly going to sound like a ridiculous answer,

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<v Speaker 6>but like why is a cup of tea still around?

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<v Speaker 4>It's she's so cozy.

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<v Speaker 2>A century and a half after a girl was born

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<v Speaker 2>in a little log cabin in the big Woods of Wisconsin,

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<v Speaker 2>her stories continue to hold some timeless truths.

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<v Speaker 7>There's a rich family in town at the store who

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<v Speaker 7>give them a hard time, and there's always a crop

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<v Speaker 7>failure or blizzard.

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<v Speaker 4>Her loco and they cling together and make it through.

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<v Speaker 7>I think it's that these are the problems that people

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<v Speaker 7>really deal with.

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<v Speaker 2>Laura is still relevant, although often in ways that can

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<v Speaker 2>be painful to consider.

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<v Speaker 8>Many of the issues that Wilder raises in the Little

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<v Speaker 8>House Books are issues that are still with us today,

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<v Speaker 8>and in that sense, her work is more relevant than ever.

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<v Speaker 2>We started this podcast in order to have an honest

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<v Speaker 2>look at the woman behind the books, and what we

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<v Speaker 2>discovered is that there is a lot more behind Laura

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<v Speaker 2>than the simple, heartwarming tale of a sixty five year

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<v Speaker 2>old farm wife deciding to sit down and write about

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<v Speaker 2>her life. There is mind blowing poverty, relentless hardship, a

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<v Speaker 2>father who made a lot of questionable decisions, an extremely complicated,

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<v Speaker 2>some might say, backstabbing daughter, an authorship conspiracy that won't

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<v Speaker 2>quite die, a Hollywood star with shiny hair, a perfect

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<v Speaker 2>jawline and glistening abs.

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<v Speaker 4>A lot of violent racism, and.

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<v Speaker 2>The funding of some extreme political figures, and an army

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<v Speaker 2>of fans that has fueled an entire international tourism industry.

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<v Speaker 2>But where does that leave us? And where does that

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<v Speaker 2>leave me? A person who has loved Laura so deeply

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<v Speaker 2>for so long. I went into this project not knowing

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<v Speaker 2>where our investigation would take us, and not knowing how

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<v Speaker 2>I would feel on the other side. And now we're here,

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<v Speaker 2>and what I feel is complicated, And I'm also shocked

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<v Speaker 2>at the things that ended up upsetting me the most

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<v Speaker 2>while making this show.

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<v Speaker 9>What if doing this episode makes me never read Little

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<v Speaker 9>House again?

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<v Speaker 2>What I do know is I don't love Laura Ingalls

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<v Speaker 2>wild or aney less, but I think about her and

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<v Speaker 2>myself very differently than I did a year ago. You

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<v Speaker 2>know what they say about truly loving something, sometimes you

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<v Speaker 2>have to let it go. I'm Glennis McNichol, and this

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<v Speaker 2>is the final episode of Wilder. We're going to start

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<v Speaker 2>by going right back to where this entire project began.

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<v Speaker 4>On the road. Oh that's you can see the beginning

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<v Speaker 4>of the bad Lands right over there.

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<v Speaker 10>Wow.

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<v Speaker 2>Last summer, when we were driving around the Midwest visiting

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<v Speaker 2>the lower Ingles houses, we didn't end our trip at

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<v Speaker 2>de smet South Dakota. Unlike the Ingles family, Emily and

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<v Speaker 2>I kept moving west. There are two sides to the

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<v Speaker 2>state of South Dakota. The eastern side, where the Ingles lived,

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<v Speaker 2>is largely farmland, but once you cross the Missouri River,

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<v Speaker 2>things open up. You pass through a number of Native

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<v Speaker 2>American reservations, including the Pine Ridge Reservation.

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<v Speaker 4>One of the largest in the United States, and Buffalo

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<v Speaker 4>Gap National Grassland.

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<v Speaker 2>A little further is the Badlands National Park, and beyond

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<v Speaker 2>that the Black Hills.

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<v Speaker 11>So that seems like the start of the real Western

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<v Speaker 11>landscape I've been imagining.

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<v Speaker 2>The idea of the American West is at the heart

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<v Speaker 2>of the idea of America, and despite never moving beyond

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<v Speaker 2>the actual Midwest, Little House is.

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<v Speaker 4>Very much a part of that narrative. Part of the

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<v Speaker 4>reason we.

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<v Speaker 2>Came out on the road was to try and walk

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<v Speaker 2>in Laura's shoes and see at least some of what

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<v Speaker 2>she saw.

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<v Speaker 4>But we also came out.

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<v Speaker 2>Here to get a better sense of the role Laura

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<v Speaker 2>plays in our understanding of this history. As we drove

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<v Speaker 2>further west, it became more apparent to us how Laura

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<v Speaker 2>is connected to American myth making and the sometimes violent

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<v Speaker 2>prioritizing of the white experience.

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<v Speaker 12>Well, I see it.

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<v Speaker 2>If you drive into the heart of the Black Hills

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<v Speaker 2>and follow the many, many signs pointing the way, you

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<v Speaker 2>will eventually come upon Mount Rushmore's just hollen than I.

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<v Speaker 4>That was entirely my first response to I thought, it

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<v Speaker 4>looks little to me.

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<v Speaker 12>I expected to be blown away.

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<v Speaker 2>By Mount Rushmore is an iconic American image carved into granite.

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<v Speaker 2>It's shorthand for the permanence of the American idea of democracy,

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<v Speaker 2>a tribute to its own greatness, a mascot for America,

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<v Speaker 2>if you will. It's also carved into an extremely sacred

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<v Speaker 2>place for Native Americans. And while we all know what

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<v Speaker 2>Mount Rushmore looks like, to encounter it in the midst

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<v Speaker 2>of the lush landscape of the Black Hills underscores both

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<v Speaker 2>its absurdity and the violation of Native American land by

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<v Speaker 2>the US government.

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<v Speaker 7>There's no reason for that to be there.

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<v Speaker 11>Other than, Hey, we're here now, so fuck you to

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<v Speaker 11>everyone who was here before.

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<v Speaker 2>In eighteen sixty eight, with the signing of the Fort

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<v Speaker 2>Laramie Treaty, the US government agreed that the Black Hills

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<v Speaker 2>would remain exclusively Native land, but once gold was found

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<v Speaker 2>in the Hills a few years later, the US broke

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<v Speaker 2>the treaty and white settlers flooded the area. By the

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<v Speaker 2>nineteen twenties, the Black Hills was a tourist destination for many.

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<v Speaker 2>To further capitalize on this, the faces of four American

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<v Speaker 2>presidents were carved in the face of a granite formation

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<v Speaker 2>known to the Lakota people as six Grandfather's Mountain. When

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<v Speaker 2>the monument was finished, this cliff was renamed Mount Rushmore.

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<v Speaker 2>In nineteen eighty, the US Supreme Court ruled that the

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<v Speaker 2>US had unlawfully taken control of the Black Hills and

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<v Speaker 2>offered more than one hundred million dollars to the Sioux Nation,

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<v Speaker 2>but the Sioux refused the money. To this day, they

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<v Speaker 2>reject it and insist they want their land back.

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<v Speaker 4>A little bit more.

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<v Speaker 2>I mean, look at this side without the presidents, Like,

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<v Speaker 2>look at George Washington's profile up there.

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<v Speaker 13>It's just here.

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<v Speaker 14>You up, get out, George.

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<v Speaker 4>It's so it's so sterile.

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<v Speaker 11>Also because you cut through and it's white compared to

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<v Speaker 11>the red and everything. You could just tell, Wow, it's

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<v Speaker 11>kind of like a permanent billboard for America. It's like

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<v Speaker 11>you carved a billboard for America into the Hills.

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<v Speaker 2>The Ingles family have a direct connection to the fate

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<v Speaker 2>of the Black Hills. Mount Rushmore was completed in nineteen

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<v Speaker 2>forty one. By this point, Laura's younger sister, Carrie was

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<v Speaker 2>married to a man named David N. Swansea, who was

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<v Speaker 2>known as the person who named Mount Rushmore, and Carrie's

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<v Speaker 2>step son Harold, helped carve it. But Laura's connections to

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<v Speaker 2>the Black Hills goes back even further than that, to

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<v Speaker 2>something called the Gordon Stockade. Yes, that's a stockade, right though,

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<v Speaker 2>Oh oh my god, your destination is all the right.

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<v Speaker 2>The Gordon Party was a private expedition that illegally ventured

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<v Speaker 2>into the Black Hills in eighteen seventy four, looking for gold.

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<v Speaker 2>The reason they did so is because a few months earlier,

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<v Speaker 2>Lieutenant Colonel George Custer had been sent there to scout

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<v Speaker 2>a good spot for a military post and reported back

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<v Speaker 2>that there was lots of gold. The Gordon Party set

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<v Speaker 2>out shortly thereafter, and once they reached their destination in

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<v Speaker 2>October eighteen seventy four, built a stockade and settled in.

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<v Speaker 4>For the winter.

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<v Speaker 2>Hardcore Little House fans will recognize the Gordon stockade from

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<v Speaker 2>the book These Happy Golden Years. When Laura's uncle Tom

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<v Speaker 2>visits the Ingles family and desmet in the chapter titled Springtime,

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<v Speaker 2>Laura comes home and finds a vaguely familiar man at

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<v Speaker 2>the table. That man is Tom Kuiner, Ma's youngest brother,

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<v Speaker 2>who Laura hasn't seen since she was a child. Uncle

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<v Speaker 2>Tom tells the family of his experience as a member

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<v Speaker 2>of the Gordon Party, when he was one of the

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<v Speaker 2>quote first white men that ever laid eyes on the

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<v Speaker 2>Black Hills. After surviving the winter, the Gordon Party was

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<v Speaker 2>forcefully removed by the US cavalry for illegally settling on

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<v Speaker 2>Native land, and when Uncle Tom gets to this part

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<v Speaker 2>of the story, it gets a big reaction out of

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<v Speaker 2>paw Paw was walking back and forth across the room.

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<v Speaker 2>I'll be darned if I could have taken it, he exclaimed,

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<v Speaker 2>Not without some kind of scrap. We couldn't fight the

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<v Speaker 2>whole United States Army, Uncle Tom said sensibly. But I

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<v Speaker 2>did hate to see that stockade go up and smoke,

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<v Speaker 2>I know, Ma said, to this day, I think of

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<v Speaker 2>the house we had to leave in Indian Territory, just

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<v Speaker 2>when Charles got glass windows into it.

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<v Speaker 4>As a kid.

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<v Speaker 2>PA's anger in this scene is the only thing that

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<v Speaker 2>stood out to me in a chapter that I was

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<v Speaker 2>otherwise bored by. But as Ma points out, pause anger

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<v Speaker 2>mirrors the outrage the Ingles felt at being removed from

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<v Speaker 2>Indian Territory. The lesson in both these instances seems to

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<v Speaker 2>be that white people have a right to land simply

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<v Speaker 2>because they want it, and in the Black Hills, the

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<v Speaker 2>history of this prioritization of white men and the decimation

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<v Speaker 2>of Native people's land was impossible to miss.

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<v Speaker 5>One west.

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<v Speaker 2>Three miles after leaving the Black Hills, Emily and I

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<v Speaker 2>continued on three hundred miles northwest to a spot that

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<v Speaker 2>represents one of the most extreme versions of this erasure,

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<v Speaker 2>The Little Big Horn Battlefield National Monument in southeastern Montana.

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<v Speaker 11>Little Bighorn Battlefield three miles.

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<v Speaker 2>In June eighteen seventy six, the Seventh Cavalry, led by

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<v Speaker 2>Custer was famously defeated by the Cheyenne, Lakota, and Arapahoe

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<v Speaker 2>tribes led by Crazy Horse and Sitting Bull. There are

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<v Speaker 2>a lot of complicated reasons that led to the Battle

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<v Speaker 2>of the Little Big Horn, including numerous treaties the government

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<v Speaker 2>made about control of the Black Hills that were not honored,

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<v Speaker 2>and we've included resources in the show notes for further

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<v Speaker 2>reading on this. Even though the Lakota, and Cheyenne and

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<v Speaker 2>arapa Hoe triumphed over Custer in the Battle of Greasy Grass,

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<v Speaker 2>as it is known in Native American culture, it was

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<v Speaker 2>in many ways the last stand of Native American independence

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<v Speaker 2>in the West.

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<v Speaker 4>In the aftermath of.

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<v Speaker 2>The battle, most of the remaining Native American tribes were

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<v Speaker 2>violently pushed onto reservations.

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<v Speaker 4>Today, it's widely.

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<v Speaker 2>Recognized that Custer's decision to ignore orders and go into

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<v Speaker 2>battle was foolish and unnecessary. And yet, despite this failure,

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<v Speaker 2>which resulted in the decimation of the Seventh Cavalry, for

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<v Speaker 2>many decades Custer was still centered as the hero in

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<v Speaker 2>this story. Until nineteen ninety one, the location of the

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<v Speaker 2>battle was known as Custer Battlefield National Monument.

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<v Speaker 9>It is wild, the Iron, Lost Cup, the pool, and

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<v Speaker 9>yet this is still named Custer does It's still glorified.

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<v Speaker 12>There's no way to spin this.

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<v Speaker 5>Like.

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<v Speaker 7>It takes some amazing myth making to make this seem

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<v Speaker 7>heroic in anyway, Not even Rose Wilderland.

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<v Speaker 4>I mean, this is like Rose level.

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<v Speaker 7>Of yeah, rewriting history, the gas lighted Yeah.

0:14:36.040 --> 0:14:39.400
<v Speaker 2>The Little Big Horn Battlefield National Monument is located on

0:14:39.480 --> 0:14:43.240
<v Speaker 2>the Crow Reservation. Every hour at the visitor center, one

0:14:43.240 --> 0:14:46.320
<v Speaker 2>of the park rangers gives a talk. There is also

0:14:46.360 --> 0:14:49.080
<v Speaker 2>a bus tour of the site run by the Crow Agency.

0:14:49.800 --> 0:14:52.920
<v Speaker 5>My name Story Chevis, you guys tour guide today.

0:14:53.000 --> 0:14:55.080
<v Speaker 2>The bus tour takes you right out into the fields

0:14:55.080 --> 0:14:57.800
<v Speaker 2>where the battle took place and looking out over all

0:14:57.840 --> 0:15:00.960
<v Speaker 2>the waving open grassland. It's not that hard to imagine

0:15:01.000 --> 0:15:02.800
<v Speaker 2>yourself back in eighteen seventy six.

0:15:03.520 --> 0:15:05.840
<v Speaker 10>After the right, we're passing the Little Big Porn River.

0:15:06.200 --> 0:15:08.160
<v Speaker 10>This is the only place in the whole world you'll

0:15:08.200 --> 0:15:10.920
<v Speaker 10>get to see a reenactment on the actual battle site.

0:15:11.000 --> 0:15:13.640
<v Speaker 10>They have that every year on the anniversary you just

0:15:13.640 --> 0:15:18.200
<v Speaker 10>basicedify Foople weekends. We'll also have seven Pobury reenactors who

0:15:18.200 --> 0:15:20.920
<v Speaker 10>will spend about two weeks, you know, living exactly the

0:15:20.920 --> 0:15:22.120
<v Speaker 10>way that those soldiers will have.

0:15:22.960 --> 0:15:24.360
<v Speaker 13>Pretty interesting.

0:15:25.960 --> 0:15:28.720
<v Speaker 2>Afterward, Emily and I stopped at the visitors center hoping

0:15:28.760 --> 0:15:32.240
<v Speaker 2>to catch one of the park rangers talks. Since we'd arrived,

0:15:32.360 --> 0:15:35.960
<v Speaker 2>we'd only encountered older, white male rangers, But when we

0:15:36.000 --> 0:15:39.880
<v Speaker 2>got to the talk, we met Ranger Tanya Gardner, who

0:15:39.960 --> 0:15:43.240
<v Speaker 2>was not what we were expecting in more ways than one.

0:15:43.520 --> 0:15:44.640
<v Speaker 13>The battles the Little.

0:15:44.400 --> 0:15:46.520
<v Speaker 15>Big Horn, Why did this battle take place?

0:15:47.440 --> 0:15:49.960
<v Speaker 16>What events set up to this battle?

0:15:51.000 --> 0:15:52.920
<v Speaker 17>Or I'd like to begin where I'd love to begin

0:15:53.000 --> 0:15:56.640
<v Speaker 17>this in fourteen ninety two Colma South, the Ocean Blue

0:15:57.280 --> 0:16:01.160
<v Speaker 17>here what this is up until eighteen sis.

0:16:02.320 --> 0:16:05.200
<v Speaker 2>It was immediately clear that Ranger Tanya wasn't just going

0:16:05.200 --> 0:16:07.960
<v Speaker 2>to tell us about this battle. She was going to

0:16:08.000 --> 0:16:10.560
<v Speaker 2>tell us how this battle was just one episode in

0:16:10.600 --> 0:16:14.239
<v Speaker 2>the century's long resistance of Native Americans against colonization.

0:16:15.400 --> 0:16:17.440
<v Speaker 4>It's the nineteen hundreds.

0:16:18.120 --> 0:16:21.480
<v Speaker 18>There are legal documents being signed out here land deals

0:16:22.160 --> 0:16:24.960
<v Speaker 18>in the form of what we're called treaties between the

0:16:25.000 --> 0:16:27.920
<v Speaker 18>people who are here, and the United States government.

0:16:29.600 --> 0:16:32.320
<v Speaker 2>When we got back to New York, we couldn't stop

0:16:32.360 --> 0:16:35.400
<v Speaker 2>thinking about Ranger Tanya's talk, so we called her.

0:16:36.280 --> 0:16:39.200
<v Speaker 18>I'm Tanya. My maiden name is plain Feather, and I'm

0:16:39.440 --> 0:16:41.880
<v Speaker 18>my married name is Gardner, and I'm married.

0:16:41.600 --> 0:16:42.400
<v Speaker 13>To a Cheyenne.

0:16:42.560 --> 0:16:45.080
<v Speaker 18>I'm I'm from Lodgegras, Montana.

0:16:45.120 --> 0:16:48.520
<v Speaker 4>Are you the only park ranger who is local or

0:16:48.560 --> 0:16:49.560
<v Speaker 4>who is Native American?

0:16:49.640 --> 0:16:50.440
<v Speaker 13>There?

0:16:50.320 --> 0:16:53.440
<v Speaker 18>There's a few that work there, but not like the

0:16:53.920 --> 0:16:57.480
<v Speaker 18>seasonal rangers there. I'm the only one, and there's been

0:16:57.520 --> 0:16:59.840
<v Speaker 18>like I don't know how many countless seasons where I've

0:16:59.840 --> 0:17:00.880
<v Speaker 18>been only female.

0:17:01.920 --> 0:17:03.680
<v Speaker 2>It had felt to both Emily and I when we

0:17:03.680 --> 0:17:06.720
<v Speaker 2>were at the site that Tanya was shouldering the enormous

0:17:06.760 --> 0:17:10.560
<v Speaker 2>responsibility of giving context to an event that had been

0:17:10.600 --> 0:17:16.120
<v Speaker 2>simplified to almost cartoonish proportions in American history, a history that,

0:17:16.400 --> 0:17:20.000
<v Speaker 2>like pause outrage over being removed from quote Indian territory,

0:17:20.560 --> 0:17:23.479
<v Speaker 2>centered the white experience as the only one of value.

0:17:24.080 --> 0:17:27.320
<v Speaker 2>What had struck us most strongly about Tanya was that

0:17:27.359 --> 0:17:30.399
<v Speaker 2>she'd immediately gone to the origins of the myth making

0:17:30.480 --> 0:17:33.159
<v Speaker 2>behind both Custer and America.

0:17:34.760 --> 0:17:36.639
<v Speaker 18>The event that led up to this battle I always

0:17:36.640 --> 0:17:40.639
<v Speaker 18>start with, didn't start in eighteen seventy six. We're going

0:17:40.680 --> 0:17:43.760
<v Speaker 18>to go all the way back to fourteen ninety two

0:17:43.960 --> 0:17:49.880
<v Speaker 18>Columbus South the Ocean blue, and he discovers America and

0:17:50.480 --> 0:17:52.960
<v Speaker 18>all the misconceptions that we have there with just that

0:17:53.040 --> 0:17:58.600
<v Speaker 18>statement and not knowing and not having that right information

0:17:58.640 --> 0:18:01.800
<v Speaker 18>in our history books. Where the way that they hold

0:18:01.840 --> 0:18:04.919
<v Speaker 18>him up to this high you know, he did all

0:18:04.960 --> 0:18:08.040
<v Speaker 18>these great things and he really didn't. That's where the

0:18:08.080 --> 0:18:09.160
<v Speaker 18>seed of that stuff.

0:18:09.640 --> 0:18:12.520
<v Speaker 4>I was curious whether Tanya received any sort of pushback

0:18:12.520 --> 0:18:15.600
<v Speaker 4>when she did her talks. She told us the response

0:18:15.800 --> 0:18:18.240
<v Speaker 4>very much shifts depending on the age of the visitors,

0:18:18.520 --> 0:18:21.199
<v Speaker 4>and that younger age groups that have had access to

0:18:21.280 --> 0:18:24.760
<v Speaker 4>more diverse cultural narratives have a much different take.

0:18:26.480 --> 0:18:28.920
<v Speaker 18>It goes with different age groups, and I think that

0:18:29.680 --> 0:18:33.040
<v Speaker 18>people that are my age, they come up and they're like, oh, this, yes,

0:18:33.560 --> 0:18:36.200
<v Speaker 18>this was crap. You know this, I can't believe. You

0:18:36.240 --> 0:18:38.600
<v Speaker 18>can't really tell you know what you really want to tell.

0:18:39.160 --> 0:18:42.399
<v Speaker 4>Older generations, on the other hand, feel a much closer

0:18:42.400 --> 0:18:43.320
<v Speaker 4>connection to Custer.

0:18:44.320 --> 0:18:47.360
<v Speaker 18>You have a lot of baby boomers, and they're kind

0:18:47.400 --> 0:18:49.760
<v Speaker 18>of like the last kind of old school I would

0:18:49.760 --> 0:18:52.640
<v Speaker 18>call them that there's still in love with Custer. There's

0:18:52.640 --> 0:18:54.879
<v Speaker 18>a tremendous amount of people out there that are custom Bucks.

0:18:54.960 --> 0:18:58.320
<v Speaker 18>They think he was right and he was honorable. But

0:18:58.520 --> 0:19:01.280
<v Speaker 18>we have to think back to that time when they

0:19:01.320 --> 0:19:05.719
<v Speaker 18>didn't have all these different types of heroes, so you know,

0:19:05.760 --> 0:19:08.040
<v Speaker 18>they looked to the types of things like.

0:19:08.000 --> 0:19:08.639
<v Speaker 13>A war hero.

0:19:10.160 --> 0:19:13.960
<v Speaker 2>This idea of needing a hero is where Custer overlapped

0:19:13.960 --> 0:19:17.879
<v Speaker 2>directly with Laura. For me, Tanya's observations reminded me of

0:19:17.960 --> 0:19:20.960
<v Speaker 2>something doctor w Reese had said when we talked to her.

0:19:21.920 --> 0:19:24.679
<v Speaker 5>Part of what I was realizing when I left our

0:19:24.760 --> 0:19:28.600
<v Speaker 5>reservation and went to graduate school was how ignorant people

0:19:29.160 --> 0:19:32.040
<v Speaker 5>are about who Native people are.

0:19:32.760 --> 0:19:35.880
<v Speaker 2>Doctor de Wie Reese is a scholar and educator who

0:19:35.960 --> 0:19:39.560
<v Speaker 2>runs a website called American Indians in Children's Literature.

0:19:40.760 --> 0:19:43.760
<v Speaker 5>And that became very clear at the University of Illinois

0:19:43.800 --> 0:19:47.240
<v Speaker 5>because it had a mascot that was quote unquote an Indian.

0:19:47.960 --> 0:19:50.560
<v Speaker 5>And when I got to Illinois and there was this mascot,

0:19:50.760 --> 0:19:53.640
<v Speaker 5>and people would invite me to come to their civic

0:19:53.760 --> 0:19:58.639
<v Speaker 5>organization or whatever it was, and they wanted me to dance,

0:19:58.840 --> 0:20:00.720
<v Speaker 5>and they wanted me to story and I said, well,

0:20:00.760 --> 0:20:04.520
<v Speaker 5>I'm not a dancer. I don't dance that way. We

0:20:04.640 --> 0:20:07.199
<v Speaker 5>dance in a spiritual way at a certain time of

0:20:07.200 --> 0:20:08.840
<v Speaker 5>the year in a certain place, and so no, I

0:20:08.880 --> 0:20:11.320
<v Speaker 5>won't dance. And they said, well can you? Can you

0:20:11.359 --> 0:20:13.680
<v Speaker 5>tell stories? And I said no, I'm not a storyteller either.

0:20:13.760 --> 0:20:16.080
<v Speaker 5>I am a professor. I want to be a professor.

0:20:16.480 --> 0:20:22.000
<v Speaker 5>Nobody wanted that. They wanted someone to perform Indians for them,

0:20:22.000 --> 0:20:24.840
<v Speaker 5>and I thought, what is going on? These are in theory,

0:20:25.080 --> 0:20:27.639
<v Speaker 5>very very smart people in this area.

0:20:27.720 --> 0:20:28.560
<v Speaker 13>But it was.

0:20:28.680 --> 0:20:35.960
<v Speaker 5>It was so it spoke to the power of the mascot.

0:20:34.480 --> 0:20:37.600
<v Speaker 4>A mascot and how do we wield mascots?

0:20:38.560 --> 0:20:40.760
<v Speaker 2>Anyone who's been to a sports game knows is with

0:20:40.880 --> 0:20:46.600
<v Speaker 2>bluntness and little space for anyone else. The Dictionary definition

0:20:46.640 --> 0:20:50.080
<v Speaker 2>of a mascot is quote a person, animal, or object

0:20:50.160 --> 0:20:53.000
<v Speaker 2>that is believed to bring good luck, or one that

0:20:53.080 --> 0:20:57.439
<v Speaker 2>represents an organization. A mascot is an image we rally

0:20:57.480 --> 0:21:00.960
<v Speaker 2>behind that represents a way of being and one that

0:21:01.000 --> 0:21:01.960
<v Speaker 2>gives us identity.

0:21:03.080 --> 0:21:04.920
<v Speaker 4>This idea of mascots was very.

0:21:04.880 --> 0:21:06.600
<v Speaker 2>Much on our mind when Emily and I went to

0:21:06.600 --> 0:21:09.919
<v Speaker 2>the Laura Ingalls House in Mansfield, Missouri, last September to

0:21:09.960 --> 0:21:14.200
<v Speaker 2>attend Wilder Days. We're much like the pageants people loved

0:21:14.280 --> 0:21:15.320
<v Speaker 2>dressing up as Laura.

0:21:16.600 --> 0:21:20.320
<v Speaker 4>Plenty of girls in prairie outfits, but there's a handful

0:21:20.359 --> 0:21:24.800
<v Speaker 4>of men, I would say, in.

0:21:24.720 --> 0:21:28.440
<v Speaker 19>Their fifties and sixties, wearing some guys wearing suspenders.

0:21:28.520 --> 0:21:29.360
<v Speaker 17>In Yah.

0:21:30.359 --> 0:21:33.399
<v Speaker 2>Of all the ways I'd considered Laura, it was only

0:21:33.440 --> 0:21:37.080
<v Speaker 2>after this conversation with Doctor Reese and our trips out

0:21:37.119 --> 0:21:40.080
<v Speaker 2>west and down South, but I began to think of

0:21:40.119 --> 0:21:45.320
<v Speaker 2>her as a mascot for many things, as a representative

0:21:45.320 --> 0:21:48.960
<v Speaker 2>of some sort of ideal. A girl with enormous agency,

0:21:49.720 --> 0:21:53.880
<v Speaker 2>frontier woman who lived with and against nature, a woman

0:21:53.920 --> 0:21:57.480
<v Speaker 2>who had it ventures and wrote them down. She was

0:21:57.520 --> 0:22:00.800
<v Speaker 2>an image I hoisted up as proof of identity, an

0:22:00.840 --> 0:22:04.199
<v Speaker 2>evidence of what was possible. I didn't put her on

0:22:04.240 --> 0:22:07.200
<v Speaker 2>a T shirt or a baseball cap, but I stabled

0:22:07.240 --> 0:22:10.679
<v Speaker 2>a whole lot of yarn braids to my hats. Laura

0:22:10.760 --> 0:22:13.000
<v Speaker 2>as the mascot for the team I wanted to be

0:22:13.119 --> 0:22:17.800
<v Speaker 2>on felt a lot closer to my own experience. But

0:22:17.880 --> 0:22:20.399
<v Speaker 2>to understand who I was willing to leave behind in

0:22:20.480 --> 0:22:23.880
<v Speaker 2>order to be a member of this team. What this

0:22:24.000 --> 0:22:28.280
<v Speaker 2>mascot of Laura's pioneer girlhood erased was something I had

0:22:28.320 --> 0:22:29.240
<v Speaker 2>to come to terms with.

0:22:44.160 --> 0:22:46.959
<v Speaker 7>I grew up completely obsessed with the Little House Books.

0:22:47.280 --> 0:22:50.320
<v Speaker 4>It all starts with Laura Ingalls right, my.

0:22:50.359 --> 0:22:53.119
<v Speaker 3>Little House Books for Christmas gifts, inscribed to me by

0:22:53.200 --> 0:22:53.560
<v Speaker 3>my mother.

0:22:54.119 --> 0:22:56.240
<v Speaker 13>I was six years old, and I loved those books.

0:22:56.680 --> 0:22:57.280
<v Speaker 13>I still do.

0:22:58.800 --> 0:23:02.080
<v Speaker 2>Considering Laura under the guys of a mascot felt like

0:23:02.160 --> 0:23:06.080
<v Speaker 2>the missing piece and the larger Little House puzzle. Mascots

0:23:06.119 --> 0:23:09.879
<v Speaker 2>are created by organizations. Many hands go into their making.

0:23:11.000 --> 0:23:13.399
<v Speaker 4>Part of the magic of the Little House Books, and

0:23:13.520 --> 0:23:13.840
<v Speaker 4>one of.

0:23:13.840 --> 0:23:18.080
<v Speaker 2>The reasons people including me, have such passionate feelings about

0:23:18.119 --> 0:23:21.919
<v Speaker 2>them is because they are so successful at creating intimacy.

0:23:22.760 --> 0:23:26.920
<v Speaker 2>We're not reading about Laura, We're living with Laura, and

0:23:27.040 --> 0:23:29.359
<v Speaker 2>yet we know this is not the case.

0:23:30.160 --> 0:23:31.520
<v Speaker 4>The Little House Books.

0:23:31.640 --> 0:23:35.359
<v Speaker 2>And their entire legacy were very carefully crafted by Laura,

0:23:35.840 --> 0:23:39.680
<v Speaker 2>indefinitely by Rose, then to a lesser extent, by the

0:23:39.720 --> 0:23:43.400
<v Speaker 2>book publishing industry. Then they were crafted again by Hollywood.

0:23:44.280 --> 0:23:46.920
<v Speaker 2>Laura the writer may have just wanted to recounter life,

0:23:47.720 --> 0:23:52.320
<v Speaker 2>but Laura Ingles, the character, very intentionally represents something larger.

0:23:55.640 --> 0:23:59.480
<v Speaker 2>This raises an important question if Laura is a mascot

0:23:59.600 --> 0:24:04.040
<v Speaker 2>for a team? What are the other teams and who

0:24:04.200 --> 0:24:08.280
<v Speaker 2>was representing them? What stories about girls and women in

0:24:08.320 --> 0:24:11.920
<v Speaker 2>this part of the country are we not telling. A

0:24:12.000 --> 0:24:14.399
<v Speaker 2>few years ago I stumbled across a story about the

0:24:14.440 --> 0:24:17.639
<v Speaker 2>Battle of the Little Big Horn. Included was in aside

0:24:17.720 --> 0:24:20.800
<v Speaker 2>that the Cheyenne believed a Cheyenne woman named Buffalo calf

0:24:21.000 --> 0:24:24.560
<v Speaker 2>Road Woman may have been the person who caused Custer's death.

0:24:26.080 --> 0:24:26.960
<v Speaker 4>This astounded me.

0:24:27.960 --> 0:24:31.400
<v Speaker 2>Why was this not a more well known fact, especially

0:24:31.520 --> 0:24:35.360
<v Speaker 2>considering the cultural footprint of Custer. I asked Tanya if

0:24:35.359 --> 0:24:39.000
<v Speaker 2>she knew about Buffalo calf Road Woman. It turns out

0:24:39.600 --> 0:24:42.800
<v Speaker 2>Buffalo calf Road Woman is quite famous in Cheyenne history.

0:24:43.960 --> 0:24:46.159
<v Speaker 18>She's also known for being part of the Battle of

0:24:46.160 --> 0:24:49.040
<v Speaker 18>the Rosebud or she picks up her brother because the

0:24:49.119 --> 0:24:51.200
<v Speaker 18>Chaya's called that the battle or the saved her brother.

0:24:51.600 --> 0:24:55.159
<v Speaker 18>That's what they refer to the Battle of the Rosebuda, the.

0:24:55.160 --> 0:24:58.240
<v Speaker 2>Battle of the Rosebud, or the battle where the girls

0:24:58.240 --> 0:25:01.240
<v Speaker 2>saved her brothers, the Cheyenne referred it took place a

0:25:01.320 --> 0:25:04.560
<v Speaker 2>week before the Battle of the Little Big Horn, during

0:25:04.640 --> 0:25:07.560
<v Speaker 2>the battle when all hope seemed to be lost for

0:25:07.640 --> 0:25:11.560
<v Speaker 2>the Cheyenne, Buffalo Calffrod Woman went out onto the battlefield

0:25:11.600 --> 0:25:16.919
<v Speaker 2>by herself to save her fallen brother. This action rallied

0:25:16.960 --> 0:25:20.240
<v Speaker 2>the Native American forces and they defeated the US cavalry

0:25:20.359 --> 0:25:23.680
<v Speaker 2>led by George Crook. This is why the Cheyenne named

0:25:23.720 --> 0:25:24.560
<v Speaker 2>the battle after her.

0:25:26.040 --> 0:25:28.240
<v Speaker 18>That's where I shine the light on her is in

0:25:28.320 --> 0:25:32.440
<v Speaker 18>the Battle of the Rosebud, because they actually named it

0:25:32.520 --> 0:25:33.040
<v Speaker 18>after her.

0:25:34.320 --> 0:25:36.560
<v Speaker 2>Whether or not it was Buffalo calff Road Woman who

0:25:36.680 --> 0:25:40.840
<v Speaker 2>was responsible for Custer's death, maybe secondary to why we

0:25:40.960 --> 0:25:44.560
<v Speaker 2>don't know who killed him. The Cheyenne passed down their

0:25:44.640 --> 0:25:48.439
<v Speaker 2>history orally, not in written form, but after the Battle

0:25:48.480 --> 0:25:51.480
<v Speaker 2>of the Little Big Horn, many participants went silent for

0:25:51.560 --> 0:25:54.800
<v Speaker 2>fear of retribution. It was only after a century of

0:25:54.840 --> 0:25:58.720
<v Speaker 2>self impost silence that the Cheyenne revealed Buffalo caff Road

0:25:58.760 --> 0:25:59.960
<v Speaker 2>Woman's role in the battle.

0:26:01.640 --> 0:26:04.159
<v Speaker 18>After the battle, the United States time is going to

0:26:04.200 --> 0:26:07.360
<v Speaker 18>spread noxense, going after anyone that's not on the reservation.

0:26:07.480 --> 0:26:09.760
<v Speaker 18>And then if they are on the reservation, they're still

0:26:09.800 --> 0:26:15.120
<v Speaker 18>going to come after you. And anybody associated with Custer

0:26:15.240 --> 0:26:17.320
<v Speaker 18>Battle that you know, that's what it's called back then,

0:26:18.400 --> 0:26:22.680
<v Speaker 18>would be horribly persecuted. So they didn't talk about it.

0:26:22.880 --> 0:26:23.560
<v Speaker 5>Nobody did.

0:26:26.600 --> 0:26:29.840
<v Speaker 2>The story of Buffalo Caffrod woman has all the heroic

0:26:29.960 --> 0:26:33.760
<v Speaker 2>elements of an epic American tale, far more than Custer,

0:26:34.840 --> 0:26:39.800
<v Speaker 2>and yet she remains nearly anonymous in mainstream culture. Women

0:26:39.960 --> 0:26:42.840
<v Speaker 2>not getting a fair shake from history is hardly new.

0:26:44.000 --> 0:26:46.359
<v Speaker 2>One of the reasons so many of us, and I

0:26:46.480 --> 0:26:50.600
<v Speaker 2>include myself here in the strongest terms, cling to Laura

0:26:50.880 --> 0:26:54.440
<v Speaker 2>is that she is a strong female role model, and

0:26:54.560 --> 0:26:57.360
<v Speaker 2>for most of history there have been very few of those.

0:26:59.000 --> 0:27:01.960
<v Speaker 2>The devotion so many of us feel towards Laura is

0:27:02.040 --> 0:27:06.440
<v Speaker 2>not surprising, but it becomes a concern when this sort

0:27:06.480 --> 0:27:10.600
<v Speaker 2>of devotion takes up so much space that it doesn't

0:27:10.680 --> 0:27:12.000
<v Speaker 2>leave room for other narratives.

0:27:21.960 --> 0:27:23.639
<v Speaker 4>I mean, Emily, what is your take on how empty

0:27:23.680 --> 0:27:23.879
<v Speaker 4>it is?

0:27:25.359 --> 0:27:26.080
<v Speaker 12>It's very empty.

0:27:26.200 --> 0:27:30.280
<v Speaker 7>We on the Wyoming side we were seeing like ruins

0:27:30.359 --> 0:27:34.200
<v Speaker 7>of ranches or active ranches, and now there's absolutely nothing.

0:27:35.400 --> 0:27:38.920
<v Speaker 2>This stretch of the country is notorious for modern day reasons,

0:27:39.359 --> 0:27:42.400
<v Speaker 2>having nothing to do with Custer or the so called

0:27:42.480 --> 0:27:43.080
<v Speaker 2>Old West.

0:27:44.119 --> 0:27:47.200
<v Speaker 15>In late twenty nineteen, the Crow tribe declared a state

0:27:47.320 --> 0:27:51.840
<v Speaker 15>of emergency. Tribal chairman aj not Afraid cited a list

0:27:51.960 --> 0:27:54.680
<v Speaker 15>of issues, including the failure to address the murdered and

0:27:54.800 --> 0:27:55.920
<v Speaker 15>missing women crisis.

0:27:56.960 --> 0:27:59.840
<v Speaker 2>In a story published earlier this year tied to a

0:28:00.080 --> 0:28:04.920
<v Speaker 2>docuseries called Murder and Bighorn about the epidemic, the Guardian

0:28:05.000 --> 0:28:08.840
<v Speaker 2>reported quote, Montana has one of the worst missing or

0:28:08.960 --> 0:28:13.920
<v Speaker 2>murdered rates for Indigenous women in the country. Driving back

0:28:13.960 --> 0:28:16.119
<v Speaker 2>and forth on this road, I thought a lot about

0:28:16.200 --> 0:28:19.400
<v Speaker 2>who is deemed worthy of a story, and this led

0:28:19.440 --> 0:28:23.240
<v Speaker 2>me to consider even more how the story of Laura

0:28:23.400 --> 0:28:26.399
<v Speaker 2>is wielded. What does Laura's appeal say about what we

0:28:26.520 --> 0:28:29.600
<v Speaker 2>want to believe and who are we willing to leave

0:28:29.680 --> 0:28:34.760
<v Speaker 2>out for that comfort Because to many people, Laura is

0:28:34.960 --> 0:28:35.640
<v Speaker 2>very comforting.

0:28:35.960 --> 0:28:40.680
<v Speaker 6>She fulfills these basic traits that we need, oh, you know,

0:28:41.280 --> 0:28:44.520
<v Speaker 6>putting a baby to sleep, or reading somebody a book,

0:28:44.800 --> 0:28:48.080
<v Speaker 6>or just you know, even though nothing about the books

0:28:48.120 --> 0:28:50.720
<v Speaker 6>that actually happens, it is comforting.

0:28:51.200 --> 0:28:55.520
<v Speaker 2>That's Lizzie Skernick, writer and children's literature professor at NYU.

0:28:56.120 --> 0:28:58.680
<v Speaker 4>There's nothing comforting about like living in a mud hut.

0:28:59.120 --> 0:29:05.440
<v Speaker 6>She's able to make everything comforting and cozy.

0:29:05.760 --> 0:29:10.600
<v Speaker 5>And I think that is a fundamental desire of human beings.

0:29:11.600 --> 0:29:14.840
<v Speaker 2>I have read the Little House Books hundreds of times

0:29:16.120 --> 0:29:18.520
<v Speaker 2>when I was a kid, the worst parts of the

0:29:18.560 --> 0:29:21.520
<v Speaker 2>books only flagged to me as evidence that Ma was

0:29:21.560 --> 0:29:26.080
<v Speaker 2>invested in Laura not enjoying herself, similar to how I

0:29:26.200 --> 0:29:30.440
<v Speaker 2>sometimes felt about my own mother, and that Paw was exciting,

0:29:31.560 --> 0:29:33.600
<v Speaker 2>which was similar to how I felt about my own

0:29:33.680 --> 0:29:38.280
<v Speaker 2>father as a child. As a grown up, I recognize

0:29:38.320 --> 0:29:43.280
<v Speaker 2>the racism in the books, and I also recognize that

0:29:43.600 --> 0:29:48.320
<v Speaker 2>so many cultural things we loved growing up are very problematic.

0:29:50.280 --> 0:29:52.200
<v Speaker 2>This is something that came up on our road trip

0:29:52.920 --> 0:29:57.600
<v Speaker 2>a lot. On our second night in man Cato, after

0:29:57.680 --> 0:30:00.320
<v Speaker 2>a long day of interviews, we just I had to

0:30:00.440 --> 0:30:03.320
<v Speaker 2>order room service and camped out in front of the TV.

0:30:05.320 --> 0:30:08.480
<v Speaker 4>Much to our delight, a childhood favorite of Joe.

0:30:08.360 --> 0:30:13.480
<v Speaker 2>And Minds was showing sixteen Candles, a sleepover staple that

0:30:13.680 --> 0:30:17.680
<v Speaker 2>neither of us had actually seen in years. It does

0:30:17.760 --> 0:30:22.760
<v Speaker 2>not hold up, to put it mildly, but Joe especially

0:30:22.840 --> 0:30:23.760
<v Speaker 2>had a strong reaction.

0:30:23.840 --> 0:30:25.720
<v Speaker 16>I mean, I'm like almost ready to start a petition

0:30:25.840 --> 0:30:27.720
<v Speaker 16>to make sixteen channels not being put out.

0:30:27.640 --> 0:30:28.120
<v Speaker 7>Of the times.

0:30:28.400 --> 0:30:34.080
<v Speaker 14>Wow, we need to put the mic out. Okay, what

0:30:34.240 --> 0:30:38.200
<v Speaker 14>a one eighty Joe. I was so horrified by that movie.

0:30:38.800 --> 0:30:42.840
<v Speaker 14>I do not want and I can actually see different

0:30:43.000 --> 0:30:44.880
<v Speaker 14>themes in my own life, and I was like, oh,

0:30:44.960 --> 0:30:47.240
<v Speaker 14>all right, you know whatever, you get black out drunk,

0:30:47.320 --> 0:30:50.360
<v Speaker 14>and like, who knows what happens. I don't think that

0:30:50.400 --> 0:30:51.760
<v Speaker 14>movie should be on television anymore.

0:30:53.800 --> 0:30:56.160
<v Speaker 2>There is no getting around the fact that looking at

0:30:56.240 --> 0:30:57.920
<v Speaker 2>some of the things that made us who we are

0:30:58.440 --> 0:31:02.600
<v Speaker 2>can be painful. Even with all this knowledge, it remains

0:31:02.680 --> 0:31:05.800
<v Speaker 2>impossible for me not to understand Laura as a source

0:31:05.840 --> 0:31:08.520
<v Speaker 2>of good in my own life. What she gave me

0:31:08.680 --> 0:31:13.040
<v Speaker 2>in terms of possibility, an example of how to be complicated,

0:31:13.760 --> 0:31:18.160
<v Speaker 2>a girl who loves it venture and clothes, who loves problematics,

0:31:18.240 --> 0:31:23.160
<v Speaker 2>sometimes damaging parents, and maybe most importantly, how to be

0:31:23.240 --> 0:31:27.720
<v Speaker 2>a writer. I was able to love these things because

0:31:27.760 --> 0:31:30.200
<v Speaker 2>the damaging parts of the book didn't feel like they

0:31:30.240 --> 0:31:33.880
<v Speaker 2>were doing damage to me, and even if they were,

0:31:34.920 --> 0:31:37.760
<v Speaker 2>how much I loved the rest of it made up

0:31:37.800 --> 0:31:42.160
<v Speaker 2>for that. And then, during the recording of the Problem

0:31:42.200 --> 0:31:45.280
<v Speaker 2>of Laura episode, I read out loud the parts of

0:31:45.320 --> 0:31:47.960
<v Speaker 2>the books that Little House comes under fire for the most.

0:31:49.240 --> 0:31:52.120
<v Speaker 2>As I said the words out loud, I was shocked

0:31:52.160 --> 0:31:57.240
<v Speaker 2>to discover that I actually felt physically ill. She says

0:31:57.280 --> 0:32:01.920
<v Speaker 2>to Pa quote Paw, get me that Little Indian Baby.

0:32:02.800 --> 0:32:05.040
<v Speaker 2>I want it, I want it, she begged.

0:32:06.240 --> 0:32:09.120
<v Speaker 13>Oh what if doing this.

0:32:09.200 --> 0:32:13.200
<v Speaker 9>Episode makes me never read Little House again? My reading

0:32:13.280 --> 0:32:17.080
<v Speaker 9>this out loud has actually been way more upsetting to

0:32:17.160 --> 0:32:22.160
<v Speaker 9>me than the reread. And it was not easy for

0:32:22.240 --> 0:32:23.560
<v Speaker 9>the producers in the room either.

0:32:24.600 --> 0:32:26.200
<v Speaker 4>Pah, when I look at you, guy, when you're like

0:32:26.280 --> 0:32:29.240
<v Speaker 4>this stressful to listen to this.

0:32:30.400 --> 0:32:34.080
<v Speaker 2>There is, after all, a difference between reading and saying,

0:32:35.320 --> 0:32:37.760
<v Speaker 2>between sliding over the parts with your eyes that are

0:32:37.800 --> 0:32:40.440
<v Speaker 2>a problem and putting them out in the world with

0:32:40.520 --> 0:32:44.120
<v Speaker 2>your own voice. And the saying out loud part was

0:32:44.200 --> 0:32:47.320
<v Speaker 2>where it turns out the buck stopped for me.

0:32:47.840 --> 0:32:51.560
<v Speaker 4>My god, this episode is really upsetting. It's so much

0:32:51.640 --> 0:32:56.080
<v Speaker 4>different to say it out loud. Maybe that's the thing.

0:32:56.120 --> 0:33:00.160
<v Speaker 4>Everyone should have to read these books out loud. I

0:33:00.240 --> 0:33:00.720
<v Speaker 4>considered it.

0:33:01.440 --> 0:33:04.239
<v Speaker 2>I realized I'd only read the books to myself all

0:33:04.280 --> 0:33:07.720
<v Speaker 2>these years that I had been able to internalize Laura

0:33:08.400 --> 0:33:13.120
<v Speaker 2>without much mediation. I immediately thought back to doctor Reese

0:33:13.600 --> 0:33:16.000
<v Speaker 2>and her belief that The Little Housebook should be taken

0:33:16.080 --> 0:33:17.400
<v Speaker 2>out of children's classrooms.

0:33:17.920 --> 0:33:21.720
<v Speaker 5>Part of what was shocking to me as I tried

0:33:21.760 --> 0:33:25.280
<v Speaker 5>to have conversations with people about the books is that

0:33:25.880 --> 0:33:29.200
<v Speaker 5>I had asked them to consider that sentence the only

0:33:29.280 --> 0:33:32.720
<v Speaker 5>good Indian is a dead Indian, and I'd asked them

0:33:33.760 --> 0:33:36.840
<v Speaker 5>to think about the impact that line has on that

0:33:37.200 --> 0:33:40.680
<v Speaker 5>Native child in the classroom, And I asked them, would

0:33:40.680 --> 0:33:43.520
<v Speaker 5>you really do that? You know, would you really do that?

0:33:44.240 --> 0:33:47.440
<v Speaker 5>And they say yes, I mean, without hesitation, it was yes,

0:33:47.920 --> 0:33:50.080
<v Speaker 5>because that's the way it was. That's the way they

0:33:50.160 --> 0:33:52.800
<v Speaker 5>thought back then, and had all kinds of rationalizations for that,

0:33:52.960 --> 0:33:58.920
<v Speaker 5>and none of the rationalizations centered on the experience of

0:33:59.040 --> 0:34:02.480
<v Speaker 5>that Native child. And that was really hard because part

0:34:02.520 --> 0:34:05.240
<v Speaker 5>of what I think that we as a society think

0:34:05.400 --> 0:34:08.120
<v Speaker 5>is that we send our kids to teachers in schools.

0:34:08.120 --> 0:34:12.320
<v Speaker 5>I mean, we're giving them our children, and we trust

0:34:12.880 --> 0:34:14.800
<v Speaker 5>in some way that they are not going to be

0:34:14.920 --> 0:34:17.760
<v Speaker 5>hurt by their teachers and what happens in their clussures.

0:34:20.200 --> 0:34:23.680
<v Speaker 2>What I was left with was this question, is the

0:34:23.800 --> 0:34:28.480
<v Speaker 2>fact the Little House Books brought me glynnis a lot

0:34:28.560 --> 0:34:32.239
<v Speaker 2>of joy enough to justify the violence they had the

0:34:32.360 --> 0:34:36.799
<v Speaker 2>power to inflict on others. After the break, we're going

0:34:36.880 --> 0:34:38.879
<v Speaker 2>to talk through how and where we think the Little

0:34:38.920 --> 0:34:43.040
<v Speaker 2>House Books belong and also hear from listeners on whether

0:34:43.160 --> 0:34:45.680
<v Speaker 2>they too are thinking about Laura and Little House. Differently,

0:34:52.160 --> 0:34:55.120
<v Speaker 2>what would you say to me that I struggled to

0:34:55.200 --> 0:34:56.759
<v Speaker 2>let go of my love for these books even as

0:34:56.800 --> 0:34:58.200
<v Speaker 2>I recognize the harm that they do.

0:34:59.239 --> 0:35:01.120
<v Speaker 5>I would tell you, and this is something that I

0:35:01.200 --> 0:35:03.920
<v Speaker 5>actually do in my workshops, is that I share my

0:35:04.080 --> 0:35:07.480
<v Speaker 5>own attachment to the Five Chinese Brothers. You know, I

0:35:07.560 --> 0:35:10.040
<v Speaker 5>can like smell that book when I say the title,

0:35:10.120 --> 0:35:12.160
<v Speaker 5>because it's one that I read, and what you know,

0:35:12.400 --> 0:35:14.520
<v Speaker 5>in first grade I learned to read this is one

0:35:14.520 --> 0:35:16.600
<v Speaker 5>of the books I read. I thought it was awesome.

0:35:17.080 --> 0:35:19.640
<v Speaker 5>But then when someone asked me to reconsider the book

0:35:19.640 --> 0:35:21.960
<v Speaker 5>and the images that they were in there, I'm like, yeah,

0:35:22.040 --> 0:35:25.120
<v Speaker 5>you're right, and I own that and I admit that,

0:35:25.719 --> 0:35:28.920
<v Speaker 5>And so I talk about that and how it kind

0:35:28.920 --> 0:35:30.520
<v Speaker 5>of stings, It kind of hurts, and you feel kind

0:35:30.520 --> 0:35:32.480
<v Speaker 5>of stupid because, yeah, why didn't I see that before?

0:35:33.440 --> 0:35:36.960
<v Speaker 5>But it does take a conversation to be able to

0:35:37.000 --> 0:35:39.880
<v Speaker 5>see something and start the journey of letting go of

0:35:40.200 --> 0:35:41.200
<v Speaker 5>a particular book.

0:35:42.320 --> 0:35:45.080
<v Speaker 2>I decided the best people to have this conversation with

0:35:45.840 --> 0:35:48.719
<v Speaker 2>were Joe and Emily, the two women who had come

0:35:48.760 --> 0:35:50.400
<v Speaker 2>out on the road with me more than a year

0:35:50.480 --> 0:35:56.920
<v Speaker 2>ago to try and figure out how I felt about Laura. So,

0:35:58.000 --> 0:36:02.319
<v Speaker 2>guys were at the end of the Wilder podcast, which

0:36:02.360 --> 0:36:04.839
<v Speaker 2>we started eighteen months ago.

0:36:06.280 --> 0:36:08.239
<v Speaker 4>We have read all the.

0:36:08.280 --> 0:36:11.640
<v Speaker 2>Books, We've talked to, all of the people, we have

0:36:11.800 --> 0:36:16.880
<v Speaker 2>driven around the country, We've done hundreds of hours of interviews,

0:36:17.880 --> 0:36:20.719
<v Speaker 2>and so I thought this would be a really good

0:36:20.800 --> 0:36:23.719
<v Speaker 2>time for us all to sort of sit down in

0:36:24.200 --> 0:36:28.520
<v Speaker 2>separate locations and sort of talk through what we've learned

0:36:28.600 --> 0:36:30.640
<v Speaker 2>and if our thinking has changed.

0:36:30.920 --> 0:36:32.320
<v Speaker 4>How does everyone feel?

0:36:33.400 --> 0:36:36.400
<v Speaker 16>Well, Glynn, I think you're the first person that should

0:36:36.600 --> 0:36:41.520
<v Speaker 16>answer that, because when we started this whole wild journey,

0:36:42.000 --> 0:36:45.440
<v Speaker 16>you weren't sure exactly what you were going to find

0:36:45.880 --> 0:36:51.839
<v Speaker 16>and whether after you've found whatever it was, you would

0:36:51.880 --> 0:36:54.600
<v Speaker 16>still be able to love Laura in the same way.

0:36:55.280 --> 0:37:00.320
<v Speaker 16>And after all of this, after this journey of epic proportions,

0:37:01.080 --> 0:37:04.359
<v Speaker 16>literally literally, how do you feel now?

0:37:05.320 --> 0:37:09.440
<v Speaker 2>I still I have such deep love for Laura the person,

0:37:09.719 --> 0:37:12.759
<v Speaker 2>like the individual writer who sat down and wrote it.

0:37:13.520 --> 0:37:17.000
<v Speaker 2>But I think coming to terms with the fact that

0:37:17.120 --> 0:37:22.200
<v Speaker 2>these books are not just a story that came directly

0:37:22.239 --> 0:37:24.400
<v Speaker 2>out of her head as she was experiencing it, and

0:37:24.520 --> 0:37:30.879
<v Speaker 2>really understanding that these books were a production of more

0:37:30.960 --> 0:37:33.560
<v Speaker 2>than a few people, some of them very unlikable, and

0:37:33.680 --> 0:37:38.120
<v Speaker 2>Laura has very unlikable parts of her, and so I

0:37:38.239 --> 0:37:42.120
<v Speaker 2>really sort of split my thinking between the person and

0:37:42.680 --> 0:37:43.320
<v Speaker 2>the product.

0:37:43.840 --> 0:37:48.200
<v Speaker 16>I really like what you just said about splitting your feelings,

0:37:49.239 --> 0:37:52.760
<v Speaker 16>and I think that's a very modern way of looking

0:37:53.000 --> 0:37:57.239
<v Speaker 16>at creative production at a brand. And that's what I

0:37:58.080 --> 0:38:00.880
<v Speaker 16>think about a lot when I think about celebrities or

0:38:00.920 --> 0:38:03.840
<v Speaker 16>when I think about influencers, And all right, can I

0:38:04.080 --> 0:38:08.719
<v Speaker 16>enjoy this movie that has been made by a director

0:38:09.040 --> 0:38:14.000
<v Speaker 16>who is terrible in real life? Can I enjoy Michael

0:38:14.080 --> 0:38:18.399
<v Speaker 16>Jackson with my kids, knowing what I know about him

0:38:18.440 --> 0:38:20.520
<v Speaker 16>as a human? And so I think that this is

0:38:20.600 --> 0:38:23.759
<v Speaker 16>a bigger thing that so many of us scrapple with

0:38:24.480 --> 0:38:24.960
<v Speaker 16>with art.

0:38:25.239 --> 0:38:26.319
<v Speaker 13>Can we enjoy art.

0:38:27.719 --> 0:38:31.440
<v Speaker 16>If we discover things we don't like about the human

0:38:31.560 --> 0:38:34.960
<v Speaker 16>being behind it, because all human beings are flawed in

0:38:35.040 --> 0:38:35.680
<v Speaker 16>different ways.

0:38:36.120 --> 0:38:38.919
<v Speaker 2>Yeah, And the interesting thing in this case is I'm

0:38:38.960 --> 0:38:42.440
<v Speaker 2>struggling less with Laura the individual. I recognize that she

0:38:42.600 --> 0:38:45.439
<v Speaker 2>was complicated and had a lot of problems, but that's

0:38:46.480 --> 0:38:49.320
<v Speaker 2>less difficult for me to accept because that just feels

0:38:49.400 --> 0:38:53.520
<v Speaker 2>like every human than her art, which I am struggling with.

0:38:54.239 --> 0:38:57.480
<v Speaker 2>And part of what's so complicated about that that we've

0:38:57.560 --> 0:39:00.359
<v Speaker 2>talked about is her art is so much about her.

0:39:00.880 --> 0:39:01.680
<v Speaker 4>That speaks to.

0:39:02.080 --> 0:39:04.080
<v Speaker 2>Something that has come up from a lot of listeners

0:39:04.160 --> 0:39:07.480
<v Speaker 2>too when we criticize Laura, which is she was a

0:39:07.560 --> 0:39:10.359
<v Speaker 2>person of her moment. She was writing what she knew

0:39:10.400 --> 0:39:14.520
<v Speaker 2>at the time, and when I think about the individual,

0:39:14.680 --> 0:39:19.120
<v Speaker 2>I can recognize there's some truth to that, although lots

0:39:19.160 --> 0:39:22.600
<v Speaker 2>of people in the nineteenth century knew that Indian removal

0:39:22.760 --> 0:39:25.480
<v Speaker 2>was bad, and we have to hold her to today's

0:39:25.520 --> 0:39:30.040
<v Speaker 2>standards because she exists as a relevant thing in twenty

0:39:30.120 --> 0:39:32.680
<v Speaker 2>twenty three. So I keep thinking of it like you're

0:39:32.719 --> 0:39:35.080
<v Speaker 2>allowed to look at an antique car and say, well,

0:39:35.120 --> 0:39:37.120
<v Speaker 2>it was built in nineteen twenty three, but it doesn't

0:39:37.160 --> 0:39:39.520
<v Speaker 2>mean it doesn't have to pass inspection to be allowed

0:39:39.560 --> 0:39:41.560
<v Speaker 2>on the road. And I feel like what we've been

0:39:41.600 --> 0:39:44.640
<v Speaker 2>doing with Laura is holding her up to twenty twenty

0:39:44.719 --> 0:39:48.520
<v Speaker 2>three inspection to say should you still be on the road.

0:39:49.320 --> 0:39:52.279
<v Speaker 4>Essentially, you know, do you pass this inspection? And if

0:39:52.320 --> 0:39:54.080
<v Speaker 4>you don't, what do we do about that.

0:39:54.840 --> 0:39:57.919
<v Speaker 2>I am so aware of all the good she brought

0:39:58.239 --> 0:40:04.440
<v Speaker 2>to my life, but my life as a little white

0:40:04.520 --> 0:40:08.200
<v Speaker 2>girl in suburban Toronto with highly educated parents and a

0:40:08.320 --> 0:40:12.920
<v Speaker 2>wealth of resources is not everyone's life. I might love

0:40:13.080 --> 0:40:15.400
<v Speaker 2>my nineteen twenty three car, but is it dangerous to

0:40:15.480 --> 0:40:17.920
<v Speaker 2>be on the road like it's it's yeah.

0:40:17.760 --> 0:40:19.720
<v Speaker 13>I don't think you shouldn't drive.

0:40:19.600 --> 0:40:21.000
<v Speaker 4>That car right right?

0:40:21.080 --> 0:40:23.600
<v Speaker 2>It has to be updated. And I also think, like

0:40:23.880 --> 0:40:27.720
<v Speaker 2>the flip side of that is, I can't unlove something

0:40:27.800 --> 0:40:31.400
<v Speaker 2>that had a positive effect on me to the degree

0:40:31.520 --> 0:40:36.840
<v Speaker 2>she did. I can only recognize that I loved her

0:40:36.920 --> 0:40:40.680
<v Speaker 2>so much. I was willing to gloss over and not

0:40:40.840 --> 0:40:43.880
<v Speaker 2>be bothered by all the problems. But I still you know,

0:40:44.000 --> 0:40:45.920
<v Speaker 2>even reading parts of the book. I mean, parts of

0:40:45.960 --> 0:40:49.040
<v Speaker 2>them are really upsetting, as we heard, but it's just

0:40:49.200 --> 0:40:52.040
<v Speaker 2>like there is a magic to them. I get why

0:40:52.120 --> 0:40:53.680
<v Speaker 2>I love them. I still love them.

0:40:54.440 --> 0:40:55.839
<v Speaker 13>I think you're allowed to still love them.

0:40:55.920 --> 0:40:58.239
<v Speaker 16>I think you're allowed to still love them and to

0:40:58.480 --> 0:41:03.160
<v Speaker 16>also think critically about them and to talk critically about them.

0:41:04.280 --> 0:41:06.200
<v Speaker 4>How do you guys feel, Joe, you came to this

0:41:06.320 --> 0:41:08.239
<v Speaker 4>with very little knowledge, so you have the coldest eye

0:41:08.320 --> 0:41:09.480
<v Speaker 4>on this of the three of us.

0:41:09.920 --> 0:41:13.560
<v Speaker 16>You know, what I really enjoyed during this journey was

0:41:13.840 --> 0:41:17.240
<v Speaker 16>experiencing the magic. It was actually really fun to experience

0:41:17.280 --> 0:41:20.320
<v Speaker 16>the magic through your eyes, but as an outsider, I

0:41:20.400 --> 0:41:26.080
<v Speaker 16>think the problems were always just so so clear to

0:41:26.200 --> 0:41:30.960
<v Speaker 16>me with the TV show with the books. But all

0:41:31.080 --> 0:41:35.400
<v Speaker 16>of that said, I don't think that they shouldn't be

0:41:35.560 --> 0:41:38.200
<v Speaker 16>read anymore. I don't think they should be banned. I

0:41:38.239 --> 0:41:40.800
<v Speaker 16>don't think they should be taken off library shelves. I

0:41:41.040 --> 0:41:45.120
<v Speaker 16>do think that they should be approached with critical discussion

0:41:45.239 --> 0:41:48.120
<v Speaker 16>and a critical eye. But I also think there's a

0:41:48.239 --> 0:41:53.360
<v Speaker 16>lot of good in there that it would be a

0:41:53.440 --> 0:41:55.560
<v Speaker 16>real shame to remove.

0:41:55.520 --> 0:41:56.080
<v Speaker 13>From the world.

0:41:57.960 --> 0:42:00.680
<v Speaker 4>Emily, what do you think You knew the show, You

0:42:00.760 --> 0:42:02.719
<v Speaker 4>were familiar with the books, but you love the show,

0:42:02.920 --> 0:42:05.160
<v Speaker 4>so yeah, yeah, I was a show lover.

0:42:05.360 --> 0:42:09.880
<v Speaker 7>But I've really done the crash course in all aspects

0:42:09.880 --> 0:42:12.279
<v Speaker 7>of Laura. In the past year. I reread all of

0:42:12.360 --> 0:42:15.520
<v Speaker 7>the books. We took the two week long and then

0:42:15.640 --> 0:42:18.759
<v Speaker 7>extra weekend road trip to all the sites, and to

0:42:18.880 --> 0:42:22.640
<v Speaker 7>keep going with your car passing inspection metaphor, I think

0:42:23.120 --> 0:42:25.000
<v Speaker 7>you have to make sure that everything is up to

0:42:25.080 --> 0:42:28.080
<v Speaker 7>your standards. But then it's so important to go out

0:42:28.160 --> 0:42:30.520
<v Speaker 7>there and get on the road because if we had

0:42:30.600 --> 0:42:33.840
<v Speaker 7>made this all just in a vacuum in the studio,

0:42:34.280 --> 0:42:36.839
<v Speaker 7>like it would be a completely different show. I think

0:42:37.000 --> 0:42:39.000
<v Speaker 7>like half the insights we got to we wouldn't have

0:42:39.040 --> 0:42:42.839
<v Speaker 7>even thought of because seeing how Laura landed in every

0:42:42.920 --> 0:42:46.760
<v Speaker 7>specific place, from like seeing her embraced at Laura's sites

0:42:46.840 --> 0:42:49.920
<v Speaker 7>like Walnack Grove and De Smet, but then going out

0:42:50.000 --> 0:42:53.720
<v Speaker 7>to Custer and being in the middle of Native reservations

0:42:53.960 --> 0:42:58.560
<v Speaker 7>and understanding how this lands differently with different audiences. Putting

0:42:58.600 --> 0:43:02.040
<v Speaker 7>yourself in the shoes of people who are not white

0:43:02.200 --> 0:43:05.560
<v Speaker 7>and who have been harmed by this narrative definitely has

0:43:05.640 --> 0:43:07.759
<v Speaker 7>made me come to the conclusion that I don't think

0:43:07.800 --> 0:43:10.520
<v Speaker 7>these should be taught in anything besides a higher level

0:43:11.120 --> 0:43:13.879
<v Speaker 7>literature class or history class. I don't think they should

0:43:13.920 --> 0:43:17.319
<v Speaker 7>be taught to young kids in classrooms. I think they

0:43:17.360 --> 0:43:20.319
<v Speaker 7>can still be read. I really hope that one day

0:43:20.840 --> 0:43:23.840
<v Speaker 7>there will be additions for children to understand all of

0:43:23.880 --> 0:43:26.560
<v Speaker 7>the context, so that that's what parents can read to

0:43:26.640 --> 0:43:30.080
<v Speaker 7>their children. But so, yeah, I don't think they should

0:43:30.080 --> 0:43:33.080
<v Speaker 7>be banned, but I do think we should filter how

0:43:33.120 --> 0:43:33.880
<v Speaker 7>they're understood.

0:43:35.080 --> 0:43:40.319
<v Speaker 2>Yeah, I think for me, the more painful conclusion I've

0:43:40.360 --> 0:43:43.240
<v Speaker 2>come to. I've given this book set to every friend

0:43:43.680 --> 0:43:46.160
<v Speaker 2>that's had a child. It was my go to you know,

0:43:46.640 --> 0:43:52.080
<v Speaker 2>baby gift for a long time, and I wouldn't do

0:43:52.200 --> 0:43:56.239
<v Speaker 2>that anymore. It's too violent. In in perfect world, how

0:43:56.239 --> 0:43:58.080
<v Speaker 2>I'd like to see these books package because I don't

0:43:58.080 --> 0:43:59.879
<v Speaker 2>think they should be taken off shelves. I think we're

0:44:00.239 --> 0:44:04.080
<v Speaker 2>we're seeing books being taken off shelves and I can't

0:44:04.560 --> 0:44:05.719
<v Speaker 2>support that at all.

0:44:06.200 --> 0:44:09.240
<v Speaker 4>But I think the books need to be packaged.

0:44:09.239 --> 0:44:11.120
<v Speaker 2>I think a lot of the Disney movies now, which

0:44:11.200 --> 0:44:13.319
<v Speaker 2>come when you start watching an old Disney movie, they

0:44:13.440 --> 0:44:17.160
<v Speaker 2>come with this It's almost like a content warning of like,

0:44:17.280 --> 0:44:19.440
<v Speaker 2>what you're about to watch is really problematic, and we

0:44:19.560 --> 0:44:22.400
<v Speaker 2>recognize that. I think the books themselves need to be

0:44:22.600 --> 0:44:29.960
<v Speaker 2>packaged with enormous context of who were the Native Americans

0:44:30.840 --> 0:44:35.600
<v Speaker 2>that Laura watched leave quote unquote Indian Territory and what

0:44:35.920 --> 0:44:37.960
<v Speaker 2>is their story? And it needs to be in the

0:44:38.040 --> 0:44:40.880
<v Speaker 2>books in a way that makes it just as engaging

0:44:40.920 --> 0:44:42.759
<v Speaker 2>as what you're reading. So I think it should be

0:44:42.840 --> 0:44:45.960
<v Speaker 2>included in every one of these box sets. But I

0:44:46.040 --> 0:44:48.320
<v Speaker 2>also think the largest solution to this is that, and

0:44:48.440 --> 0:44:51.560
<v Speaker 2>this is already happening. We know from talking to Lizzie's

0:44:51.560 --> 0:44:55.879
<v Speaker 2>college classes, the spotlight needs to be moved away from Laura, right,

0:44:56.200 --> 0:44:59.839
<v Speaker 2>like Laura shouldn't occupy this much space in children's classrooms

0:45:00.400 --> 0:45:01.520
<v Speaker 2>or in children's literature.

0:45:02.160 --> 0:45:05.719
<v Speaker 4>There needs to be so much more space for the

0:45:05.800 --> 0:45:06.440
<v Speaker 4>other stories.

0:45:06.520 --> 0:45:08.759
<v Speaker 2>And I think you know, Shena, one of our other

0:45:08.840 --> 0:45:11.440
<v Speaker 2>producers asked me earlier if I had the choice of

0:45:11.560 --> 0:45:13.960
<v Speaker 2>giving up Laura and substituting her with someone who is

0:45:14.080 --> 0:45:15.840
<v Speaker 2>less of a problem. And I think it brings me

0:45:16.000 --> 0:45:17.799
<v Speaker 2>joy right now to know that I can give other

0:45:17.880 --> 0:45:21.880
<v Speaker 2>books to kids with better representation, like I can let go.

0:45:22.040 --> 0:45:23.640
<v Speaker 2>That's what I think I meant at the beginning of

0:45:23.719 --> 0:45:25.839
<v Speaker 2>this when I say, you know, when you love something,

0:45:25.880 --> 0:45:26.600
<v Speaker 2>you have to let it go.

0:45:26.840 --> 0:45:27.759
<v Speaker 4>I can still love her.

0:45:27.880 --> 0:45:31.319
<v Speaker 2>Eight year old Glynnis loves her, but I can find

0:45:31.400 --> 0:45:33.440
<v Speaker 2>other things to give to other kids, and hopefully they

0:45:33.560 --> 0:45:36.719
<v Speaker 2>experience that degree of joy with stories that are less.

0:45:37.880 --> 0:45:42.040
<v Speaker 4>Violent and less capable of harm.

0:45:42.600 --> 0:45:45.120
<v Speaker 2>I guess I want kids to feel the degree of

0:45:45.480 --> 0:45:49.760
<v Speaker 2>joy and passion I felt, but about better in different stories,

0:45:49.880 --> 0:45:54.200
<v Speaker 2>and so then that becomes, you know, The challenge I think,

0:45:55.120 --> 0:45:57.279
<v Speaker 2>certainly for those of us devoted enough to Little House,

0:45:57.400 --> 0:46:00.480
<v Speaker 2>is to invest in finding what those others stories are

0:46:01.000 --> 0:46:04.200
<v Speaker 2>and providing those stories. I don't have to be giving

0:46:04.200 --> 0:46:06.400
<v Speaker 2>Little House out to anyone. I can just have my

0:46:06.480 --> 0:46:10.080
<v Speaker 2>Little House memory and don't need to pass it on,

0:46:10.280 --> 0:46:14.439
<v Speaker 2>I guess is my end result of this, which sort

0:46:14.480 --> 0:46:16.400
<v Speaker 2>of makes me a little sad, But it makes me

0:46:16.520 --> 0:46:19.960
<v Speaker 2>not sad too, because I think, oh, there's other stuff there.

0:46:20.120 --> 0:46:22.920
<v Speaker 2>There's other stuff out there, and there's other joys for

0:46:23.040 --> 0:46:25.360
<v Speaker 2>kids to have that I just want them to have

0:46:25.440 --> 0:46:25.759
<v Speaker 2>the joy.

0:46:25.800 --> 0:46:29.000
<v Speaker 4>It doesn't have to be about the same story I had.

0:46:29.880 --> 0:46:31.800
<v Speaker 7>Yeah, And I think one of the things that really

0:46:31.840 --> 0:46:34.040
<v Speaker 7>did change my mind about Little House, and I think

0:46:34.080 --> 0:46:35.839
<v Speaker 7>this is true for a lot of our listeners too,

0:46:36.760 --> 0:46:39.560
<v Speaker 7>is when we started to talk about Rose and all

0:46:39.640 --> 0:46:41.600
<v Speaker 7>of the ways that she was involved in writing and

0:46:41.760 --> 0:46:45.640
<v Speaker 7>editing the books. And there was one really key fact

0:46:46.400 --> 0:46:49.600
<v Speaker 7>about our favorite line now is now it can never

0:46:49.680 --> 0:46:51.680
<v Speaker 7>be a long time ago, which closes the end of

0:46:51.760 --> 0:46:56.120
<v Speaker 7>the first book, and it's that a lot of scholars,

0:46:56.239 --> 0:47:00.400
<v Speaker 7>like Caroline Fraser particularly, think that Rose might have written

0:47:00.480 --> 0:47:00.879
<v Speaker 7>that line.

0:47:01.800 --> 0:47:06.000
<v Speaker 4>What do you think about that? I mean, as a kid,

0:47:06.920 --> 0:47:10.080
<v Speaker 4>Rose would have devastated me. As a grown up, I

0:47:10.280 --> 0:47:12.480
<v Speaker 4>just recognized all the things Joe and I talked about

0:47:12.480 --> 0:47:15.839
<v Speaker 4>about having a great editor and complicated relationships.

0:47:16.000 --> 0:47:18.359
<v Speaker 2>So knowing Rose came up with that line. At this point,

0:47:18.400 --> 0:47:21.359
<v Speaker 2>I just think I have mainlined Rose in a way

0:47:21.400 --> 0:47:23.160
<v Speaker 2>that I this is. You know, when I talk about

0:47:23.200 --> 0:47:25.719
<v Speaker 2>inhaling these books, I thought I was mainlining Laura.

0:47:25.880 --> 0:47:27.720
<v Speaker 4>I was mainlining white a lot of Rose.

0:47:27.840 --> 0:47:31.920
<v Speaker 2>And of course Rose is responsible for the line that

0:47:32.440 --> 0:47:33.640
<v Speaker 2>sums up the entire book.

0:47:33.760 --> 0:47:37.520
<v Speaker 4>She enabled Laura to be a genius, and that is.

0:47:39.200 --> 0:47:43.360
<v Speaker 2>Extraordinary, and it might be that she articulated a truth

0:47:44.360 --> 0:47:48.640
<v Speaker 2>about Laura better than Laura did. So it kind of,

0:47:48.840 --> 0:47:50.880
<v Speaker 2>to be quite honest with you, it feels sort of

0:47:51.040 --> 0:47:53.719
<v Speaker 2>perfect that a woman who refused to be associated as

0:47:53.760 --> 0:47:56.120
<v Speaker 2>a writer of the book, who tried to undermine her

0:47:56.200 --> 0:47:59.920
<v Speaker 2>mother at every turn, is also responsible for the truest

0:48:00.160 --> 0:48:01.600
<v Speaker 2>line in the entire series.

0:48:01.960 --> 0:48:05.960
<v Speaker 4>So it's like, that's a perfect distillation of this entire series.

0:48:06.040 --> 0:48:10.000
<v Speaker 7>To be it is the perfect essence of I like

0:48:10.040 --> 0:48:13.800
<v Speaker 7>what you said, that was already in Laura's work, and

0:48:13.880 --> 0:48:16.800
<v Speaker 7>then Rose just was able to package the essence of it.

0:48:17.080 --> 0:48:20.000
<v Speaker 4>There's no Laura, there's Rose and Laura.

0:48:20.400 --> 0:48:23.759
<v Speaker 2>So in my DNA, when I talk about Laura's in

0:48:23.840 --> 0:48:25.520
<v Speaker 2>my DNA, like Rose is in there too.

0:48:26.239 --> 0:48:29.040
<v Speaker 7>Great Should we move on to listener comments.

0:48:29.080 --> 0:48:32.200
<v Speaker 2>Yes, it's been so interesting to read all the comments

0:48:32.239 --> 0:48:34.919
<v Speaker 2>and reviews from people, and it feels like they fall

0:48:35.000 --> 0:48:38.200
<v Speaker 2>into one of two camps of criticism, which is either

0:48:39.040 --> 0:48:42.000
<v Speaker 2>I still love Laura too much or we're being far

0:48:42.160 --> 0:48:45.480
<v Speaker 2>too critical of Laura. But I'm really interested to know,

0:48:45.800 --> 0:48:47.680
<v Speaker 2>you know, everyone who sent in their voice memos, and

0:48:47.719 --> 0:48:50.920
<v Speaker 2>we're so grateful for everyone who did, whether they have

0:48:51.040 --> 0:48:54.080
<v Speaker 2>been experiencing a similar struggle to what I've been going

0:48:54.200 --> 0:48:58.239
<v Speaker 2>through over the last year, and whether there's an overlap

0:48:58.480 --> 0:49:01.359
<v Speaker 2>in their respect this with mine.

0:49:04.719 --> 0:49:04.839
<v Speaker 17>Hi.

0:49:05.560 --> 0:49:07.600
<v Speaker 13>My name is Karen.

0:49:08.040 --> 0:49:12.520
<v Speaker 20>I am a black female who grew up in the

0:49:12.600 --> 0:49:18.200
<v Speaker 20>seventies and loved the Little House books, reading Little Town

0:49:18.320 --> 0:49:24.520
<v Speaker 20>on the Prairie and The Menstrual Show. When I was

0:49:24.600 --> 0:49:29.279
<v Speaker 20>a child, I always felt uncomfortable, but back then I

0:49:29.400 --> 0:49:33.560
<v Speaker 20>didn't have language for what was happening to me. But

0:49:33.800 --> 0:49:37.880
<v Speaker 20>reading Prairie Fires and listening to this podcast, I just

0:49:38.120 --> 0:49:45.320
<v Speaker 20>see the racism within those books and am very torn

0:49:45.680 --> 0:49:49.920
<v Speaker 20>about how I feel about them now High Wilder Podcast.

0:49:50.160 --> 0:49:51.120
<v Speaker 4>My name is Maddie.

0:49:51.560 --> 0:49:56.600
<v Speaker 21>I was raised in a very fundamentalist homeschooling community, religious

0:49:56.600 --> 0:50:01.600
<v Speaker 21>homeschooling community, and it's interesting as y'all were talking about

0:50:01.840 --> 0:50:04.719
<v Speaker 21>kind of these like libertarian ideals going over your head

0:50:04.760 --> 0:50:05.360
<v Speaker 21>as a child.

0:50:05.760 --> 0:50:07.480
<v Speaker 13>While I was reading them as a child, the.

0:50:07.800 --> 0:50:09.879
<v Speaker 21>Adults in my life who were encouraging me to read

0:50:09.880 --> 0:50:12.879
<v Speaker 21>these were drawing them my attention to them and using

0:50:12.920 --> 0:50:15.719
<v Speaker 21>it as an education like they are being forced out

0:50:15.719 --> 0:50:19.640
<v Speaker 21>of Indian territory because big government is bad, that kind

0:50:19.680 --> 0:50:20.000
<v Speaker 21>of thing.

0:50:20.400 --> 0:50:20.520
<v Speaker 5>You know.

0:50:20.560 --> 0:50:22.160
<v Speaker 13>I still have family in these communities.

0:50:22.239 --> 0:50:24.360
<v Speaker 4>I am not a part of it anymore.

0:50:25.000 --> 0:50:28.000
<v Speaker 21>But I talked to my nieces who are being homeschooled

0:50:28.040 --> 0:50:30.279
<v Speaker 21>in that community, and you know, talk to them a

0:50:30.320 --> 0:50:32.920
<v Speaker 21>little bit about their experience with the book, and they

0:50:32.960 --> 0:50:35.640
<v Speaker 21>said that it's still going on, that's still kind of

0:50:35.719 --> 0:50:40.480
<v Speaker 21>the message being attached with the books. I think that

0:50:40.600 --> 0:50:43.400
<v Speaker 21>it just adds a layer of complication on how we

0:50:43.520 --> 0:50:47.920
<v Speaker 21>should be approaching these books with children. I don't know

0:50:48.200 --> 0:50:51.520
<v Speaker 21>if I'll read them to mine, honestly, because I don't

0:50:51.520 --> 0:50:54.680
<v Speaker 21>know if I would want that propaganda shared with them

0:50:54.800 --> 0:50:56.600
<v Speaker 21>if they're not old enough to comprehend it.

0:50:57.040 --> 0:50:59.480
<v Speaker 22>My name is Caitlin. I was born into a family

0:50:59.560 --> 0:51:03.160
<v Speaker 22>that or the Little House series. Most of my ancestors

0:51:03.400 --> 0:51:06.000
<v Speaker 22>lived in eastern South Dakota at the same time she did.

0:51:06.600 --> 0:51:10.200
<v Speaker 22>People today talk about how important representation is to kids,

0:51:10.880 --> 0:51:14.040
<v Speaker 22>and I agree. I think that's why I adored Laura

0:51:14.200 --> 0:51:17.440
<v Speaker 22>so much. There aren't many famous people who come out

0:51:17.480 --> 0:51:20.920
<v Speaker 22>of South Dakota, but she was. She made me proud

0:51:20.920 --> 0:51:23.840
<v Speaker 22>of who I was and where I lived. She was me,

0:51:24.239 --> 0:51:26.759
<v Speaker 22>and if she could do great things, so could I.

0:51:27.360 --> 0:51:30.120
<v Speaker 22>Modern South Dakota can be like the one Laura lived in,

0:51:30.239 --> 0:51:33.080
<v Speaker 22>but can also be much different. A lot of your

0:51:33.160 --> 0:51:36.680
<v Speaker 22>podcast has discussed the return to the prairie esthetic, but

0:51:36.800 --> 0:51:40.279
<v Speaker 22>the prairies are emptying because of rural flight. There is

0:51:40.360 --> 0:51:43.200
<v Speaker 22>some sense of community, but it's mostly reserved for those

0:51:43.360 --> 0:51:48.280
<v Speaker 22>with the right last name. Outsiders are not very welcome.

0:51:49.680 --> 0:51:52.160
<v Speaker 22>So my opinion on Laura has changed with the times

0:51:52.200 --> 0:51:55.320
<v Speaker 22>and especially with this podcast. But I still want to

0:51:55.400 --> 0:51:58.400
<v Speaker 22>read these books to my kids someday because our ancestors

0:51:58.480 --> 0:52:00.919
<v Speaker 22>lived like Laura, and I feel it's important to teach

0:52:01.520 --> 0:52:04.960
<v Speaker 22>my future children about their past. But I feel that

0:52:05.160 --> 0:52:08.360
<v Speaker 22>I now have a more educated and mature view of

0:52:08.440 --> 0:52:10.440
<v Speaker 22>the books and now how to use it as an

0:52:10.560 --> 0:52:13.319
<v Speaker 22>educational tool rather than a propaganda tool.

0:52:14.400 --> 0:52:18.240
<v Speaker 3>Hello, my son is getting married soon and his bride

0:52:18.520 --> 0:52:24.320
<v Speaker 3>is Indigenous, and I imagined reading these things to my

0:52:24.480 --> 0:52:27.640
<v Speaker 3>future grandchildren who would be indigenous, and it was pretty

0:52:27.680 --> 0:52:32.000
<v Speaker 3>horrifying to see how it might be seen through their eyes.

0:52:32.560 --> 0:52:36.719
<v Speaker 3>Whereas before, when somebody would bring it up, I would think, well,

0:52:37.280 --> 0:52:40.800
<v Speaker 3>you can't apply modern sensibilities to the past.

0:52:41.320 --> 0:52:42.640
<v Speaker 13>People lived in their times.

0:52:42.880 --> 0:52:45.920
<v Speaker 3>There are things that our grandchildren will be horrified by

0:52:46.160 --> 0:52:51.319
<v Speaker 3>that we do every day without thought. But I don't

0:52:51.320 --> 0:52:54.760
<v Speaker 3>think it's appropriate for children anymore, and that sads me immensely.

0:52:56.280 --> 0:52:59.680
<v Speaker 1>I'm someone who loves the Little House Books and I've

0:52:59.719 --> 0:53:03.839
<v Speaker 1>written about them. I've thought of myself as pretty clear

0:53:03.880 --> 0:53:08.640
<v Speaker 1>eyed about these issues in the books, and I figured

0:53:08.800 --> 0:53:13.279
<v Speaker 1>I'd just done all that reconciliation work. So I have

0:53:13.400 --> 0:53:16.400
<v Speaker 1>to say I really was not prepared for episode seven

0:53:16.560 --> 0:53:19.160
<v Speaker 1>to hit me the way it did, you know, with

0:53:19.239 --> 0:53:22.840
<v Speaker 1>the college class and just hearing how the Little Housebooks

0:53:23.200 --> 0:53:25.160
<v Speaker 1>how they look to younger generations.

0:53:26.120 --> 0:53:29.320
<v Speaker 13>That was a little rough. But also I get it.

0:53:30.160 --> 0:53:31.800
<v Speaker 1>I think a lot of people who hold onto the

0:53:31.840 --> 0:53:37.360
<v Speaker 1>books a certain way really try everything to avoid those feelings.

0:53:37.480 --> 0:53:40.920
<v Speaker 1>And I get that too, But I'm thinking now that

0:53:41.120 --> 0:53:44.440
<v Speaker 1>the more you let yourself just have those feelings, the

0:53:44.520 --> 0:53:47.640
<v Speaker 1>more you realize how little it really costs you to

0:53:47.760 --> 0:53:50.839
<v Speaker 1>acknowledge the other perspectives you know and just give them

0:53:50.920 --> 0:53:54.440
<v Speaker 1>spacing your head. Okay, So, I guess here's a metaphor.

0:53:55.200 --> 0:53:59.799
<v Speaker 1>I actually made a pigs bladder balloon, and anyone who

0:54:00.520 --> 0:54:03.440
<v Speaker 1>who has done that knows how horrifying it is in

0:54:03.520 --> 0:54:07.520
<v Speaker 1>real life. I mean like it looks like something like

0:54:07.640 --> 0:54:11.160
<v Speaker 1>a serial killer would play with. But you can still

0:54:11.280 --> 0:54:13.759
<v Speaker 1>hold that idea you had when you were a kid

0:54:14.239 --> 0:54:17.239
<v Speaker 1>of you know, this pig ladder being just a fun

0:54:17.320 --> 0:54:20.360
<v Speaker 1>balloon that is inside a pig, like a cracker Jack prize,

0:54:21.160 --> 0:54:24.440
<v Speaker 1>and you can let that exist alongside the reality that

0:54:24.719 --> 0:54:25.920
<v Speaker 1>it looks disgusting.

0:54:27.000 --> 0:54:29.520
<v Speaker 2>What's so interesting about all this listener feedback is that

0:54:29.760 --> 0:54:33.160
<v Speaker 2>we all seem to be struggling with similar things, and

0:54:33.680 --> 0:54:40.080
<v Speaker 2>it's you know, further evidence that it's hard to interrogate

0:54:40.160 --> 0:54:42.239
<v Speaker 2>the things you loved as a kid because it's so

0:54:42.960 --> 0:54:45.840
<v Speaker 2>it runs so deep and it can be painful. So

0:54:45.960 --> 0:54:48.040
<v Speaker 2>many of us are in the same place of wanting

0:54:48.120 --> 0:54:51.880
<v Speaker 2>to do so and struggling to do so, and you know,

0:54:52.040 --> 0:54:57.200
<v Speaker 2>coming up with similar answers. Once again, Little House is

0:54:57.239 --> 0:55:02.719
<v Speaker 2>the zeitgeist of of reckoning with childhood love.

0:55:03.360 --> 0:55:04.920
<v Speaker 13>Once again. It's complicated.

0:55:05.080 --> 0:55:08.360
<v Speaker 7>Okay, well, Glennis, maybe one of the final questions I

0:55:08.480 --> 0:55:11.200
<v Speaker 7>have for you is how do you think about yourself differently?

0:55:11.480 --> 0:55:14.840
<v Speaker 7>Or what did you learn about yourself making this entire show.

0:55:17.239 --> 0:55:22.200
<v Speaker 2>I mean, really understanding the degree to which I allowed

0:55:23.040 --> 0:55:27.560
<v Speaker 2>things to be acceptable simply because I was so.

0:55:29.640 --> 0:55:31.520
<v Speaker 4>Relieved to see a.

0:55:31.600 --> 0:55:33.279
<v Speaker 2>Version of how I was in the world in a

0:55:33.440 --> 0:55:38.120
<v Speaker 2>character is upsetting and really makes you consider. I don't

0:55:38.120 --> 0:55:41.239
<v Speaker 2>know if selfishness is the right word, but all the

0:55:41.320 --> 0:55:44.680
<v Speaker 2>things we let pass by because of our own enjoyment

0:55:44.840 --> 0:55:48.440
<v Speaker 2>and enjoy and then subsequently flipping that and trying to

0:55:48.560 --> 0:55:51.959
<v Speaker 2>understand not just the pain of not seeing a version

0:55:52.000 --> 0:55:54.120
<v Speaker 2>of yourself in the world, but the pain of seeing

0:55:54.320 --> 0:55:56.600
<v Speaker 2>a terrible version of yourself in the world, which is

0:55:56.680 --> 0:56:01.040
<v Speaker 2>what happens in these books to not people and in

0:56:01.280 --> 0:56:04.840
<v Speaker 2>so much of the narratives we have, and thinking about,

0:56:04.960 --> 0:56:07.600
<v Speaker 2>you know, just what I was willing to tolerate for

0:56:07.760 --> 0:56:11.760
<v Speaker 2>my own pleasure into some degree survival.

0:56:12.960 --> 0:56:19.200
<v Speaker 4>Is something I continue to think about. But I also

0:56:19.280 --> 0:56:19.880
<v Speaker 4>think about this.

0:56:21.080 --> 0:56:23.120
<v Speaker 2>I lived in the Little House Books for most of

0:56:23.200 --> 0:56:26.760
<v Speaker 2>my childhood, and then the second I could, I stepped

0:56:26.800 --> 0:56:28.919
<v Speaker 2>through the map on my parents' family room floor.

0:56:32.560 --> 0:56:33.360
<v Speaker 18>You can see Lake.

0:56:33.280 --> 0:56:36.840
<v Speaker 2>Preston, and then right to the left of that is

0:56:36.880 --> 0:56:40.239
<v Speaker 2>to Smith and attempted to recreate what I had learned

0:56:40.280 --> 0:56:45.520
<v Speaker 2>from Laura. I wrote, I traveled, I had and continue

0:56:45.560 --> 0:56:48.800
<v Speaker 2>to have adventures, and I have a deep belief in

0:56:48.880 --> 0:56:51.440
<v Speaker 2>the value of even the smallest parts of these stories.

0:56:53.040 --> 0:56:55.080
<v Speaker 2>I took to heart some of the messages I found

0:56:55.120 --> 0:57:00.040
<v Speaker 2>in Little House about honesty, bravery, adventure, and then we

0:57:00.120 --> 0:57:01.880
<v Speaker 2>applied it to the person who gave it to me

0:57:01.960 --> 0:57:04.880
<v Speaker 2>in the first place. And you've been listening to us

0:57:04.960 --> 0:57:08.080
<v Speaker 2>do that. Thank you for coming along for the ride.

0:57:10.080 --> 0:57:15.839
<v Speaker 2>Laura was a complicated, resilient, fascinating person, and it's been

0:57:15.920 --> 0:57:20.400
<v Speaker 2>strangely wonderful to discover and accept that she is a problem.

0:57:21.560 --> 0:57:23.880
<v Speaker 4>You want to hold on to her. You have to

0:57:23.960 --> 0:57:27.240
<v Speaker 4>hold onto that too, and then keep going.

0:57:29.720 --> 0:57:34.160
<v Speaker 2>There are other stories, and there are other nails, and

0:57:34.280 --> 0:57:36.400
<v Speaker 2>it might be time for this to be a very

0:57:36.520 --> 0:57:37.200
<v Speaker 2>long time ago.

0:57:43.440 --> 0:57:44.320
<v Speaker 22>Let's just maybe think of it.

0:57:44.440 --> 0:57:45.960
<v Speaker 13>Okay, I don't actually know where her grave is, but

0:57:46.040 --> 0:57:47.400
<v Speaker 13>how big is this grape song? It's just that for

0:57:47.400 --> 0:57:49.360
<v Speaker 13>the ones that look flowered, maybe, yeah.

0:57:54.760 --> 0:58:01.760
<v Speaker 12>Wilder graves that way. It says it over there, oh here?

0:58:01.840 --> 0:58:03.600
<v Speaker 19>Sure, though, I still go through the graveyard behind my

0:58:03.640 --> 0:58:05.280
<v Speaker 19>house and try and find people who were born in.

0:58:05.280 --> 0:58:07.280
<v Speaker 4>Eighteen sixty seven, because they were born and the same.

0:58:07.160 --> 0:58:17.680
<v Speaker 23>Year Laura was yeah, yeah, Wilder, it's just a big stone,

0:58:17.720 --> 0:58:18.960
<v Speaker 23>that says Wilder.

0:58:20.120 --> 0:58:24.160
<v Speaker 12>Oh, here we go, they have more. Okay, that was

0:58:24.200 --> 0:58:29.600
<v Speaker 12>the backside. Apparently ninety is a solid a yeah for

0:58:29.760 --> 0:58:31.080
<v Speaker 12>what Laura ingles and.

0:58:33.080 --> 0:58:34.560
<v Speaker 13>I mean months was ninety two.

0:58:35.800 --> 0:58:36.000
<v Speaker 10>Yeah.

0:58:37.200 --> 0:58:38.360
<v Speaker 12>It's like everything in.

0:58:41.160 --> 0:58:43.400
<v Speaker 23>Those books they could they were so close to death

0:58:43.520 --> 0:58:48.000
<v Speaker 23>so many times, but she made it.

0:58:48.480 --> 0:58:49.360
<v Speaker 12>She made it right here.

0:58:50.520 --> 0:58:52.720
<v Speaker 19>I have to say I have no emotional connection to

0:58:52.760 --> 0:58:56.120
<v Speaker 19>people's graves, and because I grew up behind your graveyard

0:58:57.000 --> 0:58:59.720
<v Speaker 19>your people are buried does not have resonance for me

0:59:00.120 --> 0:59:00.880
<v Speaker 19>where they lived.

0:59:01.520 --> 0:59:04.840
<v Speaker 4>Like, yeah, going to dismess.

0:59:04.520 --> 0:59:06.320
<v Speaker 13>Is so much more emotional.

0:59:07.320 --> 0:59:10.360
<v Speaker 4>Or listening to pause fiddle and visiting a grave.

0:59:10.480 --> 0:59:10.840
<v Speaker 8>I don't know.

0:59:11.360 --> 0:59:13.120
<v Speaker 12>Isn't that kind of crazy that we're standing on top

0:59:13.160 --> 0:59:13.600
<v Speaker 12>of her them.

0:59:14.200 --> 0:59:15.720
<v Speaker 19>We're not sitting on top We're standing on top of

0:59:15.760 --> 0:59:16.400
<v Speaker 19>her remains.

0:59:17.680 --> 0:59:19.240
<v Speaker 4>This whole entire podcast is.

0:59:23.240 --> 0:59:25.600
<v Speaker 13>Standing on top of her right.

0:59:30.040 --> 0:59:34.520
<v Speaker 2>Wilder is written and hosted by me Glennis McNichol. Our

0:59:34.600 --> 0:59:38.920
<v Speaker 2>story editors are Emily Meronoff and Joe Piazza. Our senior

0:59:39.000 --> 0:59:42.640
<v Speaker 2>producer is Emily Meronoff. Our producers are Mary Do, She

0:59:42.840 --> 0:59:47.760
<v Speaker 2>Knows Zaki and Jessica Crinchich. Our associate producer is Lauren Phillip.

0:59:48.720 --> 0:59:52.920
<v Speaker 2>Production help from Asavarey Sharma, sound design and mixing by

0:59:52.920 --> 0:59:57.440
<v Speaker 2>Amanda Rose Smith. Our amazing theme song and additional music

0:59:57.680 --> 1:00:01.720
<v Speaker 2>was composed by Alice McCoy. We are executive produced by

1:00:01.840 --> 1:00:08.000
<v Speaker 2>Joe Piazza, Nikki Aetore, Ali Perry and Me. Final special

1:00:08.160 --> 1:00:13.640
<v Speaker 2>thanks to Ranger Tanya Gardner, Heatherley McFarlane and Pauline Facon

1:00:13.960 --> 1:00:18.680
<v Speaker 2>from Bonzen Studio in Paris, Laura Ingles Wilder Home Association

1:00:19.280 --> 1:00:23.600
<v Speaker 2>for the recording of Laura's voice Upsalquate tours at the

1:00:23.640 --> 1:00:28.080
<v Speaker 2>Little Big Horn Battlefilip National Monument, Doctor DeBie Reese and

1:00:28.160 --> 1:00:32.600
<v Speaker 2>Professor Lizzie Skernick, and every one of you who sent

1:00:32.680 --> 1:00:37.320
<v Speaker 2>in your thoughts and feedback. As always, please see our

1:00:37.360 --> 1:00:40.120
<v Speaker 2>show notes for further reading and links for the subjects

1:00:40.160 --> 1:00:41.520
<v Speaker 2>we discussed in this episode.

1:00:43.000 --> 1:00:46.080
<v Speaker 4>That's it for Wilder. Thank you so much for listening.

1:00:47.120 --> 1:00:50.160
<v Speaker 2>We're going to keep posting on Instagram and TikTok, so

1:00:50.360 --> 1:00:52.720
<v Speaker 2>keep an eye out. There may be more bonus content

1:00:52.840 --> 1:00:53.200
<v Speaker 2>and news.

1:01:01.480 --> 1:01:01.840
<v Speaker 13>Spre