WEBVTT - I Got a Lion

0:00:00.160 --> 0:00:02.719
<v Speaker 1>Family Secrets is a production of iHeartRadio.

0:00:06.000 --> 0:00:08.840
<v Speaker 2>Now that I knew my father's secret, I kept it

0:00:08.880 --> 0:00:11.440
<v Speaker 2>from him as he did for me, and.

0:00:11.520 --> 0:00:16.080
<v Speaker 1>Joined my parents and their subterfus. The heir of secrecy

0:00:16.200 --> 0:00:19.480
<v Speaker 1>was the oxygen I breathed, and the lies I told

0:00:19.520 --> 0:00:23.599
<v Speaker 1>in school were fodder for the petty crimes I'd continue

0:00:23.680 --> 0:00:24.160
<v Speaker 1>to commit.

0:00:27.480 --> 0:00:33.320
<v Speaker 3>That's Gryffin Dunn, actor, producer, director, writer, and author of

0:00:33.680 --> 0:00:38.720
<v Speaker 3>The Friday Afternoon Club, A family memoir. Griffin's is a

0:00:38.760 --> 0:00:43.400
<v Speaker 3>story about growing up in a storied storytelling family. His

0:00:43.440 --> 0:00:46.960
<v Speaker 3>father was the best selling writer Dominic Dunn. His aunt

0:00:47.080 --> 0:00:50.280
<v Speaker 3>was none other than the great Joan Didion. His uncle

0:00:50.360 --> 0:00:53.600
<v Speaker 3>was the writer John Gregory Dunn. It was a family

0:00:53.640 --> 0:00:57.560
<v Speaker 3>that lived at the intersection of Hollywood fame and literary glory.

0:00:58.360 --> 0:01:01.400
<v Speaker 3>A family who has had his share of shiny stardom,

0:01:01.960 --> 0:01:07.520
<v Speaker 3>along with a heavy dose of tragedy, ambition, privilege, ascents,

0:01:07.560 --> 0:01:11.280
<v Speaker 3>and falls from grace. It is also, at its core,

0:01:11.760 --> 0:01:26.440
<v Speaker 3>a story about secrets and how they shape us. I'm

0:01:26.520 --> 0:01:30.520
<v Speaker 3>Danny Shapiro, and this is family Secrets. The secrets that

0:01:30.560 --> 0:01:33.360
<v Speaker 3>are kept from us, the secrets we keep from others,

0:01:33.760 --> 0:01:37.760
<v Speaker 3>and the secrets we keep from ourselves. This episode was

0:01:37.800 --> 0:01:40.640
<v Speaker 3>recorded in front of a live audience at the Miami

0:01:40.680 --> 0:01:41.160
<v Speaker 3>Book Fair.

0:01:44.480 --> 0:01:46.520
<v Speaker 4>Tell me about the landscape of your childhood.

0:01:48.440 --> 0:01:51.280
<v Speaker 1>Well, I was born in New York. My father was

0:01:51.320 --> 0:01:55.120
<v Speaker 1>in live television. He was a stage manager for a

0:01:55.200 --> 0:01:58.880
<v Speaker 1>show called Howdy Duty, and he did felthy things with

0:01:58.920 --> 0:02:03.080
<v Speaker 1>his puppet right before on the air too. And he

0:02:03.120 --> 0:02:07.160
<v Speaker 1>moved his family, my mother and myself later my brother,

0:02:07.720 --> 0:02:10.040
<v Speaker 1>to Los Angeles, and we lived in a house in

0:02:10.080 --> 0:02:16.480
<v Speaker 1>Santa Monica and then to Beverly Hills. And my father

0:02:16.680 --> 0:02:22.359
<v Speaker 1>was from childhood enamored with celebrity and movie stars, and

0:02:22.520 --> 0:02:26.280
<v Speaker 1>you know, he's very, very social, and so my childhood

0:02:26.880 --> 0:02:31.760
<v Speaker 1>was very kind of regimented. That was the priority, particularly

0:02:31.880 --> 0:02:35.160
<v Speaker 1>most parents at that time. The priority was to be

0:02:36.000 --> 0:02:40.960
<v Speaker 1>not a parent, but to be in society and giving parties.

0:02:41.040 --> 0:02:44.560
<v Speaker 1>And my father's sort of quest for celebrity. He could

0:02:44.560 --> 0:02:47.640
<v Speaker 1>never believe as a movie fan that all these celebrities

0:02:47.639 --> 0:02:51.440
<v Speaker 1>would come to his house and drink his booze. And

0:02:51.440 --> 0:02:54.600
<v Speaker 1>on certain big parties, my brother, sister and I would

0:02:54.639 --> 0:02:59.320
<v Speaker 1>would be in our bathrobes and my sister would wear

0:02:59.320 --> 0:03:03.200
<v Speaker 1>a little Dickens like nightcap and we would come down

0:03:03.280 --> 0:03:07.120
<v Speaker 1>and bow and my sister would curtsey to the guests

0:03:07.120 --> 0:03:09.840
<v Speaker 1>and they'd all go ooh, that's so cute and then

0:03:09.880 --> 0:03:12.400
<v Speaker 1>send us back upstairs, or if it was a big party,

0:03:12.440 --> 0:03:16.120
<v Speaker 1>we'd be checked into a hotel. So it was like,

0:03:16.560 --> 0:03:19.320
<v Speaker 1>you know, half being a kid and half being part

0:03:19.360 --> 0:03:21.240
<v Speaker 1>of the guests, you know, part of the family.

0:03:21.840 --> 0:03:24.800
<v Speaker 3>Tell me a little bit about both of your parents,

0:03:25.960 --> 0:03:28.920
<v Speaker 3>as close as you can to being a kid, you know,

0:03:28.960 --> 0:03:32.160
<v Speaker 3>how did you perceive each of them when you were

0:03:32.160 --> 0:03:32.799
<v Speaker 3>at that stage.

0:03:32.600 --> 0:03:33.120
<v Speaker 4>In your life.

0:03:33.480 --> 0:03:35.680
<v Speaker 1>Well, I have a quote from my father, who was

0:03:35.840 --> 0:03:38.280
<v Speaker 1>very ended up, a very different man than the child

0:03:38.360 --> 0:03:41.600
<v Speaker 1>I grew up with. And I remember once saying I

0:03:41.680 --> 0:03:44.120
<v Speaker 1>was angry at him about something and he said, what

0:03:44.160 --> 0:03:46.480
<v Speaker 1>can I say, kid, I'm just a work in progress.

0:03:47.360 --> 0:03:49.760
<v Speaker 1>So he was very much a work in progress when

0:03:49.760 --> 0:03:53.480
<v Speaker 1>I was growing up. So my impression at that time

0:03:54.680 --> 0:03:58.320
<v Speaker 1>was my father, who was not terribly athletic, maybe even

0:03:58.320 --> 0:04:01.760
<v Speaker 1>accused of being a touch feminine, who loved movie stars

0:04:01.800 --> 0:04:05.760
<v Speaker 1>and wanted everything to be just so, you know, production

0:04:05.920 --> 0:04:09.760
<v Speaker 1>design wise. As a kid growing up, he was kind

0:04:09.760 --> 0:04:12.760
<v Speaker 1>of an embarrassment. I kind of wanted my friends, my

0:04:12.840 --> 0:04:16.640
<v Speaker 1>best friends, their fathers who were movie stars, you know,

0:04:16.760 --> 0:04:21.839
<v Speaker 1>one was Jack Paletz who almost killed Shane, and the

0:04:21.880 --> 0:04:25.120
<v Speaker 1>other was a guy named Howard Keel who was played Lumberjacks.

0:04:25.680 --> 0:04:28.039
<v Speaker 1>And then there was my dad. So a part of

0:04:28.040 --> 0:04:31.000
<v Speaker 1>me was a little embarrassed about, you know, his masculinity,

0:04:31.040 --> 0:04:34.479
<v Speaker 1>and it was I was such a kid I felt

0:04:34.480 --> 0:04:37.960
<v Speaker 1>identified by it. I remember one day I came to

0:04:37.960 --> 0:04:42.760
<v Speaker 1>school and told everybody my father was arrested for robbing

0:04:42.800 --> 0:04:48.279
<v Speaker 1>a bank, which everyone believed. And my father, you know,

0:04:48.320 --> 0:04:50.920
<v Speaker 1>got a call from the principal, you know, going Nick, oh,

0:04:50.960 --> 0:04:56.440
<v Speaker 1>you're out of jail. You know. My dad said, is

0:04:56.480 --> 0:04:58.919
<v Speaker 1>that something you'd like me to do? Rob a bank?

0:04:59.520 --> 0:05:02.640
<v Speaker 1>And I kind of it? Did you know? We later

0:05:02.839 --> 0:05:05.920
<v Speaker 1>played baseball. We threw a mit around a ball around

0:05:05.960 --> 0:05:08.279
<v Speaker 1>for a baseball game, a father son baseball game.

0:05:08.720 --> 0:05:12.120
<v Speaker 3>Wasn't that a direct outgrowth of absolutely?

0:05:12.200 --> 0:05:15.640
<v Speaker 4>You know, he understood that that.

0:05:15.680 --> 0:05:18.280
<v Speaker 3>Was a kind of cry for help in some way.

0:05:18.839 --> 0:05:21.640
<v Speaker 3>And then it became let's throw a baseball around. And

0:05:21.680 --> 0:05:25.680
<v Speaker 3>he didn't have the right glove, and he used your like,

0:05:25.960 --> 0:05:27.200
<v Speaker 3>was he a lefty or you're a lefty?

0:05:27.480 --> 0:05:30.039
<v Speaker 1>He was a righty. I was a lefty, and so

0:05:30.080 --> 0:05:32.040
<v Speaker 1>he was. When we were practicing, I had an extra Mi.

0:05:32.440 --> 0:05:35.479
<v Speaker 1>He would wear it on his other hand and I

0:05:35.480 --> 0:05:37.200
<v Speaker 1>would throw him the ball and it would just hit

0:05:37.240 --> 0:05:39.880
<v Speaker 1>the mitt and then pull up to the ground. You know,

0:05:40.160 --> 0:05:42.800
<v Speaker 1>our family dog was so embarrassed that he took the

0:05:42.880 --> 0:05:46.240
<v Speaker 1>dog to the ball away from us. But I put

0:05:46.320 --> 0:05:48.960
<v Speaker 1>him in right field. He was the last one chosen

0:05:48.960 --> 0:05:51.440
<v Speaker 1>of the fathers, and I put him in right field

0:05:51.440 --> 0:05:53.920
<v Speaker 1>because it was very rare that a lefty would would

0:05:53.960 --> 0:05:58.159
<v Speaker 1>be at bat. And my worst nightmare came true, which

0:05:58.480 --> 0:06:00.640
<v Speaker 1>there was a lefty. It was Jack Palant, by the way,

0:06:01.600 --> 0:06:05.279
<v Speaker 1>and it went right toward him and he wasn't paying attention.

0:06:05.400 --> 0:06:07.680
<v Speaker 1>He was like talking to Natalie Wood and eating a

0:06:07.680 --> 0:06:11.960
<v Speaker 1>hot dog and it went sailing over his head and

0:06:12.000 --> 0:06:14.240
<v Speaker 1>it was such an embarrassment to me. But you know,

0:06:15.120 --> 0:06:18.640
<v Speaker 1>he walked back after finally we got up a bat

0:06:19.839 --> 0:06:22.680
<v Speaker 1>and he said, sorry, kid, I know I fucked that up.

0:06:23.680 --> 0:06:26.440
<v Speaker 1>And it made me want to just hug him. And

0:06:26.480 --> 0:06:29.880
<v Speaker 1>I was looking for my friends. I was ready to

0:06:29.880 --> 0:06:32.880
<v Speaker 1>punch their face if they said anything because he was

0:06:32.920 --> 0:06:35.320
<v Speaker 1>just so disarming. You know, it just really touched me.

0:06:36.200 --> 0:06:40.320
<v Speaker 3>It's such a complicated stew of things, right to on

0:06:40.360 --> 0:06:44.680
<v Speaker 3>the one hand, see your father and in some way

0:06:44.800 --> 0:06:49.160
<v Speaker 3>have a sense of embarrassment because you're a kid, and

0:06:49.440 --> 0:06:52.680
<v Speaker 3>what kids want, kids want to be like other kids. Yeah,

0:06:53.320 --> 0:06:57.359
<v Speaker 3>and also to know that there's something so real and

0:06:57.480 --> 0:07:00.880
<v Speaker 3>genuine about him. He was owning who he was and

0:07:01.520 --> 0:07:03.360
<v Speaker 3>kind of saying, you know, sorry.

0:07:03.080 --> 0:07:05.000
<v Speaker 1>This is what she got, it's what you got.

0:07:09.400 --> 0:07:13.120
<v Speaker 3>As Griffin grows up, he spends more and more stories

0:07:13.840 --> 0:07:16.840
<v Speaker 3>the lie about his dad robbing a bank. That was

0:07:16.920 --> 0:07:17.560
<v Speaker 3>just the beginning.

0:07:18.880 --> 0:07:21.280
<v Speaker 1>I became a real fiber, a real kind of liar.

0:07:22.800 --> 0:07:26.800
<v Speaker 1>And my parents we went to church, a Catholic church

0:07:26.840 --> 0:07:30.160
<v Speaker 1>in Beverly Hills. We called our Lady of the Cadillacs

0:07:31.560 --> 0:07:34.560
<v Speaker 1>because of the extravagant cars that were in the parking lot.

0:07:34.680 --> 0:07:36.400
<v Speaker 1>And one day I just decided, I'm not going to

0:07:36.560 --> 0:07:38.880
<v Speaker 1>go to church. I don't want to do it. And

0:07:38.920 --> 0:07:40.280
<v Speaker 1>my dad is going, come on, get in the car,

0:07:40.280 --> 0:07:41.720
<v Speaker 1>get in the car, and I went, I'm not going.

0:07:41.720 --> 0:07:43.640
<v Speaker 1>I don't know what possessed me to say I'm not going.

0:07:44.640 --> 0:07:49.200
<v Speaker 1>And during this time I had a real, i no delusional,

0:07:49.280 --> 0:07:52.040
<v Speaker 1>relationship with the President John Kennedy, and I used to

0:07:52.080 --> 0:07:56.200
<v Speaker 1>write him letters and once I heard back from his secretary,

0:07:56.360 --> 0:07:59.440
<v Speaker 1>Missus Lincoln. Her name was and I used to think

0:07:59.440 --> 0:08:01.640
<v Speaker 1>about them time. Anyway, I said, I'm not going to

0:08:01.720 --> 0:08:04.160
<v Speaker 1>church and dang mine help fuck it.

0:08:04.600 --> 0:08:05.040
<v Speaker 2>It.

0:08:05.080 --> 0:08:07.280
<v Speaker 1>Gets in the car with my brother and sister. And

0:08:07.320 --> 0:08:10.440
<v Speaker 1>then when they drive back, my brother and sister comes

0:08:10.480 --> 0:08:14.240
<v Speaker 1>screaming into the living room. We just met the Kennedys.

0:08:14.320 --> 0:08:16.400
<v Speaker 1>We sat next to the Kennedys and we met them.

0:08:17.840 --> 0:08:23.360
<v Speaker 1>I thought, Wow, God must be really pissed and how

0:08:23.360 --> 0:08:26.119
<v Speaker 1>could he do that. I was bereft and I could

0:08:26.160 --> 0:08:28.800
<v Speaker 1>not I couldn't live with the fact that my brother

0:08:28.840 --> 0:08:31.080
<v Speaker 1>and sister met the Kennedys and I didn't. So I

0:08:31.120 --> 0:08:34.360
<v Speaker 1>went to school the next day and I told everybody

0:08:34.360 --> 0:08:37.079
<v Speaker 1>I met the Kennedy's and uh, you know, it was

0:08:37.160 --> 0:08:39.920
<v Speaker 1>old stage thing. I would like tap them, mister President,

0:08:39.920 --> 0:08:42.200
<v Speaker 1>I'm Griffin Dunn. And he turns to jack and goes,

0:08:42.360 --> 0:08:44.240
<v Speaker 1>oh my god, Jackie, this is a little boy who

0:08:44.240 --> 0:08:50.520
<v Speaker 1>wrote that letter. And I started to tell this over

0:08:50.559 --> 0:08:52.920
<v Speaker 1>and over. And I'm in the middle of, you know,

0:08:53.000 --> 0:08:56.320
<v Speaker 1>starting school the neighborhood playoffs with all my new actor friends,

0:08:56.320 --> 0:08:59.480
<v Speaker 1>and I'm starting to tell this story and I and

0:08:59.520 --> 0:09:03.040
<v Speaker 1>he turned to Jackie, you go, and I go, wait,

0:09:03.480 --> 0:09:05.800
<v Speaker 1>I didn't meet the Kennedys. I'm making all this up.

0:09:06.480 --> 0:09:08.160
<v Speaker 1>I don't know why I never met. And I'd start

0:09:08.160 --> 0:09:09.920
<v Speaker 1>to have like a breakdown about it. He goes, Okay,

0:09:09.960 --> 0:09:13.520
<v Speaker 1>nobody's saying you did. And I called my brother and

0:09:13.559 --> 0:09:18.000
<v Speaker 1>I said, you know, I almost told this story again.

0:09:18.040 --> 0:09:21.200
<v Speaker 1>I've been, you know, feasting off your experience and lying that.

0:09:21.440 --> 0:09:23.200
<v Speaker 1>He goes, what are you talking about? At that time?

0:09:23.280 --> 0:09:25.840
<v Speaker 1>You guys all met the Kennedys, and I never did.

0:09:27.800 --> 0:09:33.000
<v Speaker 1>Wait a minute, we didn't meet the Kennedys. Dad told

0:09:33.080 --> 0:09:37.719
<v Speaker 1>us to say we met the Kennedys. So I've been

0:09:37.720 --> 0:09:40.480
<v Speaker 1>telling a lie on top of a lie, you know,

0:09:41.080 --> 0:09:43.120
<v Speaker 1>for eighteen years or.

0:09:43.120 --> 0:09:51.360
<v Speaker 3>So, a lie on top of a lie. And what

0:09:51.400 --> 0:09:55.840
<v Speaker 3>do lies do? Really? They shift both our inward and

0:09:55.880 --> 0:10:00.520
<v Speaker 3>outward narratives. When we lie, after all, we're keeping a

0:10:00.640 --> 0:10:04.400
<v Speaker 3>kind of secret. We know we're lying, and even if

0:10:04.400 --> 0:10:07.600
<v Speaker 3>we're doing it really, really well, even if, as in

0:10:07.679 --> 0:10:12.319
<v Speaker 3>Griffin's case, we're an excellent actor, still we're aware on

0:10:12.360 --> 0:10:16.199
<v Speaker 3>some level that we're bringing other people into our own fabrication,

0:10:17.240 --> 0:10:19.839
<v Speaker 3>and that knowing is a very lonely place to be.

0:10:21.760 --> 0:10:25.640
<v Speaker 3>Griffin's childhood was lived in a house that pulsed with secrets,

0:10:26.120 --> 0:10:29.400
<v Speaker 3>and as children. Our lived experience is all we know

0:10:29.520 --> 0:10:30.080
<v Speaker 3>of the world.

0:10:31.360 --> 0:10:33.320
<v Speaker 1>As we were growing up, we had this, you know,

0:10:33.400 --> 0:10:35.720
<v Speaker 1>we were presenting one image. It was sort of based

0:10:35.760 --> 0:10:38.240
<v Speaker 1>on the Kennedy family, you know, this winning family of

0:10:38.840 --> 0:10:41.960
<v Speaker 1>two boys and a little girl and a young, handsome

0:10:42.040 --> 0:10:47.080
<v Speaker 1>couple and just with great social grace, and that this

0:10:47.160 --> 0:10:50.520
<v Speaker 1>loving couple was a loving couple was the first sort

0:10:50.520 --> 0:10:53.400
<v Speaker 1>of secret that you don't feel as a kid, but

0:10:54.400 --> 0:10:58.160
<v Speaker 1>you know, and you don't know that your father has

0:10:58.200 --> 0:11:01.000
<v Speaker 1>actually got a sort of see secret life, that he's

0:11:01.080 --> 0:11:04.840
<v Speaker 1>closeted men who had to keep this a secret, particularly

0:11:04.840 --> 0:11:09.240
<v Speaker 1>at this time in his standing in the industry and socially,

0:11:10.480 --> 0:11:12.880
<v Speaker 1>to be you know, exposed or out of the closet

0:11:12.920 --> 0:11:17.160
<v Speaker 1>would have been a terrible verdict with terrible consequences, and

0:11:17.280 --> 0:11:19.880
<v Speaker 1>especially growing up as a little boy and knowing that

0:11:20.400 --> 0:11:24.920
<v Speaker 1>you know that your preference is not heterosexual, and so

0:11:25.000 --> 0:11:27.880
<v Speaker 1>he had that shame. But you know, you don't know

0:11:28.120 --> 0:11:31.720
<v Speaker 1>you're thinking feeling shame. There's just something in the air.

0:11:31.840 --> 0:11:35.360
<v Speaker 1>There's an atmosphere that you kind of grieve, and you know,

0:11:35.400 --> 0:11:38.160
<v Speaker 1>my mother. The other thing we didn't know was that

0:11:38.160 --> 0:11:42.240
<v Speaker 1>my mother was terribly ill. She was getting sicker, and sicker,

0:11:42.240 --> 0:11:46.760
<v Speaker 1>and she eventually was diagnosed with MS as having MS.

0:11:47.160 --> 0:11:50.320
<v Speaker 1>But she took that pain and also the unhappiness of

0:11:50.720 --> 0:11:54.640
<v Speaker 1>her marriage, and probably the knowing and keeping the secret

0:11:54.679 --> 0:11:57.400
<v Speaker 1>of my father to herself, not even talking to him

0:11:57.440 --> 0:12:02.240
<v Speaker 1>about it. So it makes a a a rather thick

0:12:02.280 --> 0:12:04.760
<v Speaker 1>atmosphere that you know, you kind of grow up and

0:12:04.800 --> 0:12:07.800
<v Speaker 1>it results in you know, in my case, led to

0:12:07.840 --> 0:12:11.080
<v Speaker 1>me lying, telling these FIBs. I know the Kennedys, I

0:12:11.160 --> 0:12:14.320
<v Speaker 1>got a lion, I have a baby lion at home.

0:12:14.600 --> 0:12:17.200
<v Speaker 1>I you know, I mean, just crap and just fall

0:12:17.240 --> 0:12:17.880
<v Speaker 1>out of my mouth.

0:12:22.880 --> 0:12:34.880
<v Speaker 3>We'll be back in a moment with more family secrets.

0:12:37.640 --> 0:12:41.880
<v Speaker 3>When Griffin is eleven, he becomes a self described discipline

0:12:41.920 --> 0:12:44.720
<v Speaker 3>problem and is sent off to an all boys boarding

0:12:44.760 --> 0:12:49.160
<v Speaker 3>school in Massachusetts. This was very unusual in his family's

0:12:49.200 --> 0:12:51.880
<v Speaker 3>milieu to send a kid to boarding school at that

0:12:51.960 --> 0:12:55.240
<v Speaker 3>age on the other side of the country, and the

0:12:55.280 --> 0:12:59.640
<v Speaker 3>school was strict, really strict. It was there that Griffin

0:12:59.679 --> 0:13:06.000
<v Speaker 3>prof not only his lying, but his stealing as well.

0:13:06.120 --> 0:13:07.880
<v Speaker 1>I could look at someone in the eye and I

0:13:07.920 --> 0:13:12.480
<v Speaker 1>could just tell a total untruth and my pulse would

0:13:12.520 --> 0:13:15.520
<v Speaker 1>never rise. I'd have the pulse of a serial killer.

0:13:16.320 --> 0:13:19.560
<v Speaker 1>And all of that was I could trace to the

0:13:19.679 --> 0:13:22.120
<v Speaker 1>untruths in the I don't know the facade that I

0:13:22.240 --> 0:13:23.520
<v Speaker 1>was growing up with.

0:13:24.080 --> 0:13:28.280
<v Speaker 3>And at the same time, there was this moral center,

0:13:28.480 --> 0:13:31.640
<v Speaker 3>you know, at the core of the serial killer facade.

0:13:32.600 --> 0:13:35.560
<v Speaker 1>I did have a sense of morality and empathy. I

0:13:35.600 --> 0:13:38.160
<v Speaker 1>always had that, even though I didn't know quite about

0:13:38.200 --> 0:13:41.280
<v Speaker 1>like my dad's secrets, I kind of suspected it, so

0:13:41.320 --> 0:13:44.880
<v Speaker 1>I always had real sympathy and love for him. I

0:13:45.000 --> 0:13:49.400
<v Speaker 1>related to that much more than the social gadfly. That

0:13:49.520 --> 0:13:53.480
<v Speaker 1>was something real. And I then went to another school,

0:13:53.760 --> 0:13:55.920
<v Speaker 1>all boys, God forbid. I went to school with girls,

0:13:56.720 --> 0:14:00.280
<v Speaker 1>and I was That's when I found acting. And I

0:14:00.360 --> 0:14:03.960
<v Speaker 1>was playing at Yago in Othello, and the night before

0:14:04.640 --> 0:14:07.480
<v Speaker 1>I was to do the performance, my best friend, who

0:14:07.520 --> 0:14:10.480
<v Speaker 1>was I gravitated toward acting. He gravitated toward drugs, and

0:14:10.520 --> 0:14:13.320
<v Speaker 1>he came in. He went, man, we don't get high

0:14:13.400 --> 0:14:16.040
<v Speaker 1>anymore and you're just a joe actor, And he gilded

0:14:16.080 --> 0:14:19.400
<v Speaker 1>me into taking a hit a pot and teacher comes in.

0:14:19.480 --> 0:14:22.480
<v Speaker 1>I smell smoke and I go no, and this plume

0:14:22.600 --> 0:14:27.280
<v Speaker 1>comes out and it was immediate expulsion. And I was

0:14:27.320 --> 0:14:30.120
<v Speaker 1>taking to the headmaster that very night, to his home

0:14:31.040 --> 0:14:32.800
<v Speaker 1>and he wants to cut a deal. I mean, he

0:14:32.840 --> 0:14:36.160
<v Speaker 1>looks at me as like a fundraising tool of the future,

0:14:37.280 --> 0:14:40.000
<v Speaker 1>and he said, if you rat out John my friend,

0:14:41.240 --> 0:14:44.080
<v Speaker 1>you can do iago and just say he was the

0:14:44.080 --> 0:14:47.400
<v Speaker 1>only one smoking. And I don't know. I couldn't do it.

0:14:47.720 --> 0:14:49.440
<v Speaker 1>I couldn't do it, and I got kicked out of school.

0:14:49.440 --> 0:14:51.240
<v Speaker 1>And that was the last I ever set foot in

0:14:51.280 --> 0:14:54.840
<v Speaker 1>the school again. You know, it was in the tenth grade.

0:14:54.920 --> 0:14:56.720
<v Speaker 1>It would have been eleventh, but I was held back

0:14:56.760 --> 0:15:00.080
<v Speaker 1>because I was dyslexic. So you know, I went and

0:15:00.120 --> 0:15:04.280
<v Speaker 1>into the adult world feeling very uneducated, which led to

0:15:04.320 --> 0:15:07.640
<v Speaker 1>another fib that I went to college, which I never did.

0:15:07.760 --> 0:15:13.560
<v Speaker 1>But I did catch up on my reading somehow. Being dyslexic,

0:15:13.640 --> 0:15:16.360
<v Speaker 1>I was told, you're kind of a dummy, and we

0:15:16.400 --> 0:15:19.680
<v Speaker 1>feel sorry for you. But once I got out of school,

0:15:19.760 --> 0:15:22.400
<v Speaker 1>I didn't have that pressure. So I had to catch

0:15:22.480 --> 0:15:24.760
<v Speaker 1>up with my own lie and read the books I

0:15:24.800 --> 0:15:28.600
<v Speaker 1>would have read, and then I became a voracious reader.

0:15:32.200 --> 0:15:35.880
<v Speaker 3>Literature is perhaps the only art form that can offer

0:15:36.000 --> 0:15:39.800
<v Speaker 3>us direct access to inner lives other than our own.

0:15:41.040 --> 0:15:45.400
<v Speaker 3>We approach books as maps of sorts, guideposts to help

0:15:45.480 --> 0:15:49.120
<v Speaker 3>us navigate how we live inhabit a world of imaginative

0:15:49.120 --> 0:15:53.400
<v Speaker 3>empathy and understand how others live. So it makes a

0:15:53.440 --> 0:15:56.480
<v Speaker 3>lot of sense, especially that those of us who have

0:15:56.520 --> 0:16:00.360
<v Speaker 3>grown up with family secrets are drawn to reading. Read

0:16:00.560 --> 0:16:03.840
<v Speaker 3>to feel less alone, to peer into the windows of

0:16:03.880 --> 0:16:07.600
<v Speaker 3>other people's homes, to see what we recognize and what

0:16:07.640 --> 0:16:12.760
<v Speaker 3>we don't. Griffin is nearly twenty when he moved to

0:16:12.760 --> 0:16:16.680
<v Speaker 3>New York to start his career. He's waiting tables, going

0:16:16.680 --> 0:16:21.680
<v Speaker 3>to acting school and auditioning. Sounds like a fairly typical experience,

0:16:21.760 --> 0:16:25.240
<v Speaker 3>but there's more to it. His parents are now divorced,

0:16:25.880 --> 0:16:28.920
<v Speaker 3>and Griffin isn't only getting to know himself during this time,

0:16:29.440 --> 0:16:30.920
<v Speaker 3>he's getting to know his dad too.

0:16:32.280 --> 0:16:35.640
<v Speaker 1>When I first moved, he'd actually gone into self exile.

0:16:35.760 --> 0:16:38.760
<v Speaker 1>He'd lost all of his money, he'd sold all of

0:16:38.800 --> 0:16:41.200
<v Speaker 1>his belongings in a garage sale, and all the people

0:16:41.240 --> 0:16:44.480
<v Speaker 1>that he invited to his home and they all haggled

0:16:44.520 --> 0:16:46.760
<v Speaker 1>with him over ashtrays and end irons and stuff, and

0:16:46.840 --> 0:16:48.960
<v Speaker 1>he left quite humiliated. So when I was in New

0:16:49.040 --> 0:16:53.200
<v Speaker 1>York beginning my career, he had driven up the coast

0:16:53.240 --> 0:16:56.720
<v Speaker 1>of California into Oregon and lived in a cabin right

0:16:56.720 --> 0:16:58.560
<v Speaker 1>in front where his car broke down, and he lived

0:16:58.600 --> 0:17:02.600
<v Speaker 1>there and then really grew character. He was at that

0:17:02.680 --> 0:17:04.760
<v Speaker 1>point in his life and I was just beginning my

0:17:04.840 --> 0:17:10.000
<v Speaker 1>life as an actor. But it was also, you know,

0:17:10.320 --> 0:17:12.560
<v Speaker 1>an incredible I wanted to live in New York. From

0:17:12.640 --> 0:17:15.520
<v Speaker 1>the moment I first laid Iceland, I knew. I just

0:17:15.640 --> 0:17:19.720
<v Speaker 1>was counting the days, and I created a narrative of

0:17:20.040 --> 0:17:21.760
<v Speaker 1>really kind of a magical New York. You know, I

0:17:21.880 --> 0:17:24.760
<v Speaker 1>wasn't getting acting work, but I worked at Radio City

0:17:24.840 --> 0:17:28.520
<v Speaker 1>Music Hall, feeding in the popcorn concession are and I

0:17:28.520 --> 0:17:31.399
<v Speaker 1>had a little paper hat and one of my jobs

0:17:31.440 --> 0:17:34.359
<v Speaker 1>was to refill the popcorn and the Nativity scene. They

0:17:34.400 --> 0:17:37.800
<v Speaker 1>had a zoo downstairs, and I would feed the camel's

0:17:38.119 --> 0:17:42.920
<v Speaker 1>popcorn and wander around to the catacombs and Rockefeller Center.

0:17:42.960 --> 0:17:46.040
<v Speaker 1>And my roommate at the time was my best friend,

0:17:46.080 --> 0:17:49.919
<v Speaker 1>Carrie Fisher, who eventually said, I got this part in

0:17:49.960 --> 0:17:54.320
<v Speaker 1>a movie that's really stupid, and so I got to

0:17:54.359 --> 0:17:58.119
<v Speaker 1>go to England. And so she's like working and I'm

0:17:58.480 --> 0:18:01.359
<v Speaker 1>as an actress and I'm working as a waiter and

0:18:01.400 --> 0:18:04.520
<v Speaker 1>a popcorn concessionaire. So it was kind of great, and

0:18:04.560 --> 0:18:06.679
<v Speaker 1>she was, you know, in a Broadway show before in

0:18:06.720 --> 0:18:09.680
<v Speaker 1>the chorus, and I would go around backstage and I

0:18:09.760 --> 0:18:12.800
<v Speaker 1>knew all the stage hands and see them throwing snow

0:18:13.520 --> 0:18:16.960
<v Speaker 1>for the you know, the dancing scenes of the debut,

0:18:17.000 --> 0:18:20.679
<v Speaker 1>Reynolds dancing under a snow. So it was all, you know,

0:18:20.800 --> 0:18:23.400
<v Speaker 1>it's just the New York I wanted, you.

0:18:23.359 --> 0:18:25.840
<v Speaker 3>Know, Griffin, it's striking me that it's so much about

0:18:26.480 --> 0:18:29.639
<v Speaker 3>what things look like and what things really are. I mean,

0:18:29.640 --> 0:18:32.760
<v Speaker 3>there are all of these layers to that where I mean,

0:18:32.800 --> 0:18:36.240
<v Speaker 3>when you were living with Carrie Fisher in the Day's

0:18:36.320 --> 0:18:38.320
<v Speaker 3>Artists Building and you would go to the restaurant in

0:18:38.359 --> 0:18:40.800
<v Speaker 3>the Cafe Days Artists Building on West sixty seventh Street

0:18:41.080 --> 0:18:44.760
<v Speaker 3>in New York City, the very expensive, very expensive restaurant,

0:18:45.080 --> 0:18:48.240
<v Speaker 3>the may Treads thought that you were, you know, I

0:18:48.240 --> 0:18:54.879
<v Speaker 3>don't know, a viscount or a lord, and and you

0:18:54.920 --> 0:18:58.400
<v Speaker 3>know treated you as such and you didn't dissuade him.

0:18:58.880 --> 0:19:01.919
<v Speaker 3>There's constantly these things that are kind of turning on

0:19:02.000 --> 0:19:06.480
<v Speaker 3>their head. So tell me, like what was your relationship

0:19:06.520 --> 0:19:09.160
<v Speaker 3>with your father like during those years, and when did

0:19:09.200 --> 0:19:12.760
<v Speaker 3>you actually come to know, you know, sort of the

0:19:12.760 --> 0:19:15.960
<v Speaker 3>truth of his sexuality and which you kind of always

0:19:16.040 --> 0:19:19.000
<v Speaker 3>knew all along, but didn't know. Again, this being kind

0:19:19.000 --> 0:19:19.840
<v Speaker 3>of about the secrets we.

0:19:19.880 --> 0:19:24.000
<v Speaker 1>Keep from our sh sure well, growing as an individual,

0:19:24.400 --> 0:19:27.760
<v Speaker 1>you know, and finding out who you are. And I

0:19:27.760 --> 0:19:30.239
<v Speaker 1>always hope to find that, but never have to go

0:19:30.320 --> 0:19:33.920
<v Speaker 1>through the journey of finding myself that my father did.

0:19:34.440 --> 0:19:39.119
<v Speaker 1>I've never seen such public humiliation. And he really he

0:19:39.200 --> 0:19:44.280
<v Speaker 1>took that pain and that humiliation and his secrets and

0:19:44.359 --> 0:19:47.040
<v Speaker 1>he learned from it. And he lived in this cabin

0:19:47.200 --> 0:19:50.760
<v Speaker 1>and he wanted to be a writer and expressed itself

0:19:50.800 --> 0:19:55.119
<v Speaker 1>in these single space letters, just pages and pages that

0:19:55.200 --> 0:19:58.800
<v Speaker 1>were confessional and him really getting at the root of

0:19:58.800 --> 0:20:00.920
<v Speaker 1>who he was and how he got to this point

0:20:00.920 --> 0:20:03.760
<v Speaker 1>in his life. And he was also it was a

0:20:03.760 --> 0:20:06.080
<v Speaker 1>workshop for finding his voice, a voice that he would

0:20:06.080 --> 0:20:10.480
<v Speaker 1>eventually find as a very well known writer. So here

0:20:10.520 --> 0:20:12.720
<v Speaker 1>I was really getting to know him now. He never talked.

0:20:13.040 --> 0:20:16.919
<v Speaker 1>We'd never once had a discussion about being closeted or not.

0:20:17.080 --> 0:20:19.439
<v Speaker 1>I didn't feel the need to have that conversation. I

0:20:19.480 --> 0:20:24.480
<v Speaker 1>think he always assumed his sons knew. I know my

0:20:24.680 --> 0:20:29.080
<v Speaker 1>sister knew because when my dad was having this garage sale,

0:20:29.280 --> 0:20:32.959
<v Speaker 1>the lowest point in his life, my sister, who was

0:20:33.040 --> 0:20:36.439
<v Speaker 1>starting out as an actress, and immediately started working and

0:20:36.600 --> 0:20:39.920
<v Speaker 1>was making more money than him by far. Out of

0:20:39.960 --> 0:20:44.040
<v Speaker 1>the gate. She brought her her friend who was older

0:20:44.040 --> 0:20:47.520
<v Speaker 1>than her but younger than my father, a guy named Norman,

0:20:47.960 --> 0:20:50.600
<v Speaker 1>and he helped, you know, so Dad wouldn't have to

0:20:50.600 --> 0:20:53.720
<v Speaker 1>touch the money and everything. He tagged everything with Dominique

0:20:53.920 --> 0:20:57.440
<v Speaker 1>and did all the bartering for him. My sister, who

0:20:57.520 --> 0:20:59.640
<v Speaker 1>was one to really knew how to keep a secret,

0:21:00.160 --> 0:21:04.440
<v Speaker 1>she saw what was going on, and I never knew

0:21:04.480 --> 0:21:05.240
<v Speaker 1>anything about it.

0:21:12.040 --> 0:21:16.680
<v Speaker 3>On November fourth of nineteen eighty two, Griffin's sister, Dominique,

0:21:17.040 --> 0:21:22.280
<v Speaker 3>age twenty two, was brutally murdered. She was a beautiful,

0:21:22.480 --> 0:21:25.560
<v Speaker 3>talented young actress at the start of what was going

0:21:25.600 --> 0:21:28.879
<v Speaker 3>to be an exceptional life, and she died at the

0:21:28.960 --> 0:21:34.159
<v Speaker 3>hands literally of her ex boyfriend. This tragedy struck at

0:21:34.200 --> 0:21:37.480
<v Speaker 3>the very heart of the Dunn family, who attended the

0:21:37.520 --> 0:21:41.920
<v Speaker 3>media circus of the trial every day. Nick took notes

0:21:41.920 --> 0:21:46.119
<v Speaker 3>at the trial. His rage and grief funneled into Pristine's

0:21:46.160 --> 0:21:50.399
<v Speaker 3>sentences and razor sharp observations that later became a piece

0:21:50.400 --> 0:21:55.360
<v Speaker 3>for Vanity Fair. At the trial, Griffin was struck by

0:21:55.400 --> 0:21:59.120
<v Speaker 3>a peculiar distance Nick seemed to be keeping from Norman.

0:22:00.080 --> 0:22:02.560
<v Speaker 3>It would be years before he would find out why.

0:22:03.960 --> 0:22:07.760
<v Speaker 1>Norman was a witness at the trial of Dominique's murder

0:22:08.760 --> 0:22:12.320
<v Speaker 1>for the murderer, and that's the next time I saw him.

0:22:12.840 --> 0:22:16.520
<v Speaker 1>And then as my father has cancer, he's at an

0:22:16.520 --> 0:22:19.640
<v Speaker 1>experimental stem cell treatment place in Germany, and I fly

0:22:19.760 --> 0:22:23.520
<v Speaker 1>there to be with him, and I knock on his door.

0:22:24.640 --> 0:22:27.320
<v Speaker 1>When I arrived, I'm in the room next door, and

0:22:27.359 --> 0:22:31.120
<v Speaker 1>the door opens and there is Norman, the guy from

0:22:31.160 --> 0:22:34.399
<v Speaker 1>the trial, and my dad, who's quite ill, goes, you

0:22:34.440 --> 0:22:37.720
<v Speaker 1>remember Norman from the trial. Well, they'd been lovers for

0:22:37.760 --> 0:22:41.200
<v Speaker 1>over forty years. My dad was very weak, he was

0:22:41.280 --> 0:22:44.800
<v Speaker 1>very pale. He was in and out of sleep, and

0:22:44.840 --> 0:22:47.959
<v Speaker 1>Norman and I sat ordered a bottle of wine and

0:22:48.040 --> 0:22:50.480
<v Speaker 1>we talked. We brought me right up to speed from

0:22:50.480 --> 0:22:53.280
<v Speaker 1>the time they first met, and that Dominique was the

0:22:53.280 --> 0:22:56.720
<v Speaker 1>only one who knew and she thought she was tickled

0:22:56.720 --> 0:23:02.120
<v Speaker 1>pink that she set this relationship. But she never told us,

0:23:02.200 --> 0:23:05.679
<v Speaker 1>She never told her brothers, she never told anyone. So

0:23:05.920 --> 0:23:06.880
<v Speaker 1>that's how I found out.

0:23:07.720 --> 0:23:10.840
<v Speaker 3>It's such an amazing story, and I think, like some

0:23:10.920 --> 0:23:15.239
<v Speaker 3>of the work of becoming an adult, you know, that

0:23:15.480 --> 0:23:19.480
<v Speaker 3>is an ongoing work in progress is coming to know

0:23:19.560 --> 0:23:23.399
<v Speaker 3>our parents as people, you know, people that aren't our parents,

0:23:23.480 --> 0:23:26.840
<v Speaker 3>people who had lives before us, and you know, during

0:23:26.880 --> 0:23:29.800
<v Speaker 3>our lives that aren't just about about us.

0:23:29.840 --> 0:23:32.080
<v Speaker 4>And it was so striking and so moving.

0:23:32.119 --> 0:23:36.320
<v Speaker 3>And you're thinking back to Dominique's trial and your father

0:23:36.480 --> 0:23:39.399
<v Speaker 3>kept his distance from Norman in this very you know

0:23:39.440 --> 0:23:43.640
<v Speaker 3>in a way that you noticed and then understanding those

0:23:43.720 --> 0:23:49.360
<v Speaker 3>years later that he must have been absolutely terrified that

0:23:49.560 --> 0:23:52.200
<v Speaker 3>their relationship was going to come out on cross examination

0:23:52.280 --> 0:23:55.040
<v Speaker 3>of Norman. And you describe it as the longest day

0:23:55.040 --> 0:23:55.800
<v Speaker 3>of his life.

0:23:56.000 --> 0:23:59.720
<v Speaker 1>Which I was not aware of. I didn't know, of

0:23:59.760 --> 0:24:02.840
<v Speaker 1>course at this time, that my father and Norman knew

0:24:02.880 --> 0:24:05.639
<v Speaker 1>each other and kept in touch. But Norman was the

0:24:05.760 --> 0:24:08.280
<v Speaker 1>very first person on the when my sister was attacked,

0:24:08.280 --> 0:24:10.480
<v Speaker 1>when Dominique was attacked the first time by the same

0:24:10.520 --> 0:24:14.000
<v Speaker 1>man whould eventually killed her. He tried to strangle her.

0:24:14.280 --> 0:24:17.640
<v Speaker 1>He did strangle her, but she escaped and had scars

0:24:18.280 --> 0:24:21.440
<v Speaker 1>on her throat and rushed to Norman's house, who had

0:24:21.440 --> 0:24:24.639
<v Speaker 1>the wherewithal to take pictures which were used in the trial.

0:24:24.680 --> 0:24:27.320
<v Speaker 1>And then Norman was called as a witness to recount

0:24:27.359 --> 0:24:33.000
<v Speaker 1>that night and every day in this courtroom was a

0:24:35.440 --> 0:24:38.800
<v Speaker 1>was criminal to the way our family was treated by

0:24:38.840 --> 0:24:42.480
<v Speaker 1>the judge, by the defense attorney. We could not get

0:24:42.520 --> 0:24:47.200
<v Speaker 1>a break. It was relentless and our only day of

0:24:48.560 --> 0:24:52.399
<v Speaker 1>a victory, a small one that it was. Was Norman's testimony,

0:24:53.040 --> 0:24:58.320
<v Speaker 1>how his composure he kept under this hostile little defense attorney,

0:24:58.359 --> 0:25:02.639
<v Speaker 1>never losing his composure. And and at one point he

0:25:02.720 --> 0:25:04.879
<v Speaker 1>was pointing at the blow ups with the pictures of

0:25:04.920 --> 0:25:08.600
<v Speaker 1>Dominique's throat in her face, and at one point she's smiling, Well,

0:25:08.600 --> 0:25:10.880
<v Speaker 1>how do you explain if this is so serious, why

0:25:10.920 --> 0:25:15.600
<v Speaker 1>is she laughing? And he said, well, Dominique is an actress.

0:25:15.840 --> 0:25:18.439
<v Speaker 1>And the next day she was playing the part of

0:25:18.480 --> 0:25:21.320
<v Speaker 1>a battered housewife and she said, well, at least I

0:25:21.359 --> 0:25:30.680
<v Speaker 1>won't have to go into makeup. It was real victory

0:25:30.800 --> 0:25:35.640
<v Speaker 1>for us that day. But my father was oddly distant.

0:25:35.760 --> 0:25:38.240
<v Speaker 1>He didn't come to the lunch we all went every

0:25:38.320 --> 0:25:41.560
<v Speaker 1>day where we just you know, hugged Norman and thank Norman.

0:25:42.320 --> 0:25:44.520
<v Speaker 1>And I didn't find out till years later when I

0:25:44.560 --> 0:25:46.920
<v Speaker 1>started to write the book, and I was I got

0:25:46.920 --> 0:25:49.399
<v Speaker 1>to the part about, you know, covering the trial, that

0:25:49.440 --> 0:25:52.240
<v Speaker 1>I went to the Brisco Center in Austin, where my

0:25:52.280 --> 0:25:56.399
<v Speaker 1>father's papers were kept, and I found out, you know,

0:25:56.560 --> 0:26:00.480
<v Speaker 1>in his diary, an entry I'd never seen that He

0:26:00.600 --> 0:26:05.840
<v Speaker 1>was terrified that day that this defense attorney was going

0:26:05.880 --> 0:26:10.439
<v Speaker 1>to out him as a man who would date have

0:26:10.440 --> 0:26:16.560
<v Speaker 1>an affair with his daughter's best friend and make that

0:26:16.760 --> 0:26:19.960
<v Speaker 1>a meal and persperge his character. And that he wrote,

0:26:20.119 --> 0:26:24.040
<v Speaker 1>if I have done anything that will affect the outcome

0:26:24.080 --> 0:26:26.480
<v Speaker 1>of this trial in the favor of the killer, I'm

0:26:26.480 --> 0:26:33.239
<v Speaker 1>going to kill myself. And I never knew. I just

0:26:33.280 --> 0:26:38.240
<v Speaker 1>never knew, you know, the pain, Wow, horrible that day

0:26:38.320 --> 0:26:41.679
<v Speaker 1>must have been for him. I never knew that, but

0:26:41.720 --> 0:26:42.440
<v Speaker 1>it made sense.

0:26:49.000 --> 0:26:52.480
<v Speaker 3>Before Nick passes, he has one more reveal for his son.

0:26:53.440 --> 0:26:55.640
<v Speaker 3>He tells him that he had fought in the war

0:26:55.840 --> 0:26:58.840
<v Speaker 3>and says it was just not something he ever felt

0:26:58.840 --> 0:27:03.080
<v Speaker 3>he needed to share or say. Griffin is floored to

0:27:03.200 --> 0:27:06.960
<v Speaker 3>learn that his dad was indeed braver than Jack Palance

0:27:07.320 --> 0:27:11.479
<v Speaker 3>and all the actors playing war heroes, that he was

0:27:11.960 --> 0:27:14.280
<v Speaker 3>a war hero, the real deal.

0:27:18.119 --> 0:27:20.199
<v Speaker 1>It just says so much to his character. You know,

0:27:20.240 --> 0:27:24.200
<v Speaker 1>at that time, he was in the mid nineties, By

0:27:24.200 --> 0:27:27.479
<v Speaker 1>that time, he was famous. He always wanted to be famous,

0:27:27.520 --> 0:27:31.080
<v Speaker 1>and here he was famous. And you know, he loved

0:27:31.119 --> 0:27:34.840
<v Speaker 1>He was a joy to see enjoying his success. And

0:27:34.880 --> 0:27:38.600
<v Speaker 1>you know, he would recount a cab driver who recognized him.

0:27:38.680 --> 0:27:40.800
<v Speaker 1>Or one time he was at the chateau and he's

0:27:40.840 --> 0:27:43.600
<v Speaker 1>taking an elevator. He calls and leaves a voicemail. I

0:27:43.640 --> 0:27:47.480
<v Speaker 1>took the elevator up with Bono. Bono knows who I am,

0:27:48.560 --> 0:27:52.440
<v Speaker 1>and it was just a delight. So we would always

0:27:52.480 --> 0:27:54.560
<v Speaker 1>tell you everything, or I got to get another reward.

0:27:56.160 --> 0:28:00.679
<v Speaker 1>But one day he saw saving Private Ryan and he

0:28:00.760 --> 0:28:02.800
<v Speaker 1>calls me up and he says, get over here, get

0:28:02.840 --> 0:28:05.520
<v Speaker 1>over here. Now, I got to talk to you. And

0:28:05.800 --> 0:28:09.200
<v Speaker 1>I thought I had to do with the recent cancer diagnosis,

0:28:09.240 --> 0:28:11.639
<v Speaker 1>and so I rushed over and he said, you ever

0:28:11.680 --> 0:28:15.240
<v Speaker 1>see Private Ryan. I went, yeah, I did. He goes,

0:28:15.720 --> 0:28:19.480
<v Speaker 1>you know I fought in the war, and I realized,

0:28:19.840 --> 0:28:22.840
<v Speaker 1>you know, I'm kind of a history buff. I never

0:28:22.840 --> 0:28:25.760
<v Speaker 1>really thought about him, even in a uniform, let alone

0:28:25.800 --> 0:28:29.040
<v Speaker 1>on the way. I just never thought about it. And

0:28:29.080 --> 0:28:31.960
<v Speaker 1>he goes on to tell me about this night that

0:28:32.040 --> 0:28:36.520
<v Speaker 1>he and another person in his platoon whose masculinity was

0:28:36.560 --> 0:28:39.920
<v Speaker 1>also in question, and they were humiliated and mocked in

0:28:40.480 --> 0:28:44.840
<v Speaker 1>their group. They were called the gold Dust twins, and

0:28:44.920 --> 0:28:47.080
<v Speaker 1>he tells about a knight in the Arden Forest during

0:28:47.120 --> 0:28:51.080
<v Speaker 1>the Battle of the Bulch where his platoon retreats under

0:28:51.120 --> 0:28:56.000
<v Speaker 1>fire and they both see two wounded American soldiers, not

0:28:56.040 --> 0:29:00.720
<v Speaker 1>even from their platoon, behind enemy lines and counts this

0:29:01.080 --> 0:29:03.959
<v Speaker 1>incredible night and how scared he was, but how brave

0:29:04.120 --> 0:29:08.959
<v Speaker 1>he was. And then he takes out this metal and

0:29:09.000 --> 0:29:11.520
<v Speaker 1>he goes, you know, your old man won the bronze Star.

0:29:13.360 --> 0:29:15.640
<v Speaker 1>That was another moment. And what it struck me is

0:29:15.720 --> 0:29:21.320
<v Speaker 1>it's like, that's character. That's the real shit that he

0:29:21.440 --> 0:29:22.280
<v Speaker 1>kept to himself.

0:29:22.720 --> 0:29:24.920
<v Speaker 5>That he didn't need to brag, he didn't need to named,

0:29:24.920 --> 0:29:30.680
<v Speaker 5>he didn't need because that that fucking happened, and he

0:29:30.720 --> 0:29:33.560
<v Speaker 5>wanted me to know. And like many veterans of that time,

0:29:33.680 --> 0:29:36.760
<v Speaker 5>like many veterans of ward, it'll take a certain thing

0:29:36.840 --> 0:29:40.560
<v Speaker 5>that to loosen it up, this memory, and it was

0:29:40.600 --> 0:29:43.400
<v Speaker 5>in this case it was private Ryan, but it was

0:29:43.440 --> 0:29:47.160
<v Speaker 5>also just something that was real that he kept to himself.

0:29:51.720 --> 0:29:54.880
<v Speaker 3>There are secrets we keep, the ones that shape us

0:29:55.320 --> 0:29:58.400
<v Speaker 3>and those who love us. But then there's also a

0:29:58.480 --> 0:30:03.440
<v Speaker 3>kind of quiet, knowing a moral rectitude, one that bides

0:30:03.480 --> 0:30:08.479
<v Speaker 3>its time. Can we ever know another human being? No?

0:30:08.480 --> 0:30:12.880
<v Speaker 3>Matter how close to us a parent, a lover, a child.

0:30:13.720 --> 0:30:18.120
<v Speaker 3>We can valiantly try, we can let people in, open

0:30:18.160 --> 0:30:23.200
<v Speaker 3>ourselves to others, but ultimately our inner worlds are like

0:30:23.240 --> 0:30:26.920
<v Speaker 3>those nested Russian dolls that are nestled one inside the

0:30:26.960 --> 0:30:30.600
<v Speaker 3>next until we get to the tiniest one, hard as

0:30:30.600 --> 0:30:36.600
<v Speaker 3>a kernel, a piece of bedrock, truth, a gift. Here's

0:30:36.640 --> 0:30:40.840
<v Speaker 3>Griffin reading one last passage from his marvelous memoir.

0:30:43.360 --> 0:30:47.840
<v Speaker 2>Dad took inventory of the ongoing disrepair in his ex house.

0:30:48.680 --> 0:30:52.000
<v Speaker 2>The green satin sofa they bought New York as newlyweds

0:30:52.480 --> 0:30:55.840
<v Speaker 2>was stained with red wine, and the white drapes hid

0:30:55.880 --> 0:31:00.360
<v Speaker 2>Bosey's dried turs and smelled of cat piss. And the

0:31:00.360 --> 0:31:03.840
<v Speaker 2>painted flats of the English gardens, left over from the

0:31:03.840 --> 0:31:06.960
<v Speaker 2>Black and White Ball, still hung in our picture window,

0:31:07.560 --> 0:31:11.920
<v Speaker 2>their colors long since washed out by the sun. He

0:31:12.000 --> 0:31:16.120
<v Speaker 2>looked as sad as a bankrupt earl watching tourists parade

0:31:16.200 --> 0:31:20.840
<v Speaker 2>through this castle. Clinging to small talk, he asked me

0:31:20.920 --> 0:31:24.120
<v Speaker 2>how school had been, and I considered telling him how

0:31:24.160 --> 0:31:28.000
<v Speaker 2>I had been flogged and fondled, but didn't have the

0:31:28.040 --> 0:31:33.760
<v Speaker 2>heart in Dunn family tradition. I kept it pleasant and

0:31:33.800 --> 0:31:34.480
<v Speaker 2>my Secrets.

0:31:34.520 --> 0:31:54.320
<v Speaker 3>Close Family Secrets is a production of iHeartRadio. Molly's Accur

0:31:54.480 --> 0:31:57.720
<v Speaker 3>is the story editor and Dylan Fagan is the executive producer.

0:31:59.000 --> 0:32:01.000
<v Speaker 3>If you have a family seat you'd like to share,

0:32:01.400 --> 0:32:03.840
<v Speaker 3>please leave us a voicemail and your story could appear

0:32:03.840 --> 0:32:07.200
<v Speaker 3>on an upcoming episode. Our number is one eight eight

0:32:07.280 --> 0:32:11.480
<v Speaker 3>eight Secret zero. That's the number zero. You can also

0:32:11.560 --> 0:32:16.400
<v Speaker 3>find me on Instagram at Danny Ryder. And if you'd

0:32:16.400 --> 0:32:18.880
<v Speaker 3>like to know more about the story that inspired this podcast,

0:32:19.280 --> 0:32:21.160
<v Speaker 3>check out my memoir Inheritance.

0:32:37.720 --> 0:32:42.000
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:32:42.040 --> 0:32:44.080
<v Speaker 1>or wherever you listen to your favorite shows.