WEBVTT - Reparations in the Food World

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<v Speaker 1>Hi, I'm Tom Collikio, and this is Citizen Chef. On

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<v Speaker 1>this podcast, we're looking at policy and ships in society

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<v Speaker 1>through the food system. This season, we're going over the

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<v Speaker 1>basics of the food system and how food policy affects

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<v Speaker 1>our daily lives. So far, we've talked to experts on immigration, slavery,

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<v Speaker 1>on the high seas, and food assistance programs. In this episode,

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<v Speaker 1>we're talking about an almost hundred and fifty year old idea,

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<v Speaker 1>and that's reparations. I'm Italian American. My grandfather came here

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<v Speaker 1>in nineteen o three when he was three years old.

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<v Speaker 1>My grand my great grandmother father brought him over and

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<v Speaker 1>my great grandfather went back and forth and made a

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<v Speaker 1>few trips while he was actually building a house um

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<v Speaker 1>back in the Lazza, Italy, where where my family is from,

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<v Speaker 1>my father's family is from. And now now I gotta

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<v Speaker 1>I think if if my ancestors were forced to come

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<v Speaker 1>to this country an enslaved, and when they were freed,

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<v Speaker 1>they were must forty acres of fertile soil somewhere, and

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<v Speaker 1>I knew that that going back in my life, in

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<v Speaker 1>my family, we would have been able to build some

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<v Speaker 1>sort of wealth based on these forty acres. If it

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<v Speaker 1>stayed in my family for a couple of generations, this

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<v Speaker 1>would have been how my family built wealth. And if

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<v Speaker 1>that were the case and it were stripped away from

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<v Speaker 1>them after four dred years of slavery, Jim Crow laws,

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<v Speaker 1>and redlining in other forms of discrimination, you better believe

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<v Speaker 1>I would take this personally, and you better believe this

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<v Speaker 1>is something that my family would live with, and this

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<v Speaker 1>is something that my family would think that possibly we

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<v Speaker 1>should we should get something from the government. We talked

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<v Speaker 1>about reparations. I think too often people think it's just

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<v Speaker 1>a pay out, but but what it really is is

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<v Speaker 1>repairing a relationship. And that's the relationship between African Americans

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<v Speaker 1>who were cheated out of land that was promised to them.

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<v Speaker 1>How do you how do you repair that that relationship?

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<v Speaker 1>How do you you know, men, those wounds that that's

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<v Speaker 1>that's what we're talking about here. How do you repair relationship?

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<v Speaker 1>You know? How do you make things right after years

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<v Speaker 1>centuries of getting them wrong? And what does a true

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<v Speaker 1>apology look like? So so, why why are we talking

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<v Speaker 1>reparations on on our food podcast? For a lot of reasons,

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<v Speaker 1>And I think we have a confluence of of three

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<v Speaker 1>different things happening. Obviously with the death of George Floyd

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<v Speaker 1>and the and the protests that we're seeing in the

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<v Speaker 1>Black Lives Matter movement really sort of you know, being

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<v Speaker 1>front and center in our news cycle. And then in

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<v Speaker 1>my opinion, a part of where we're gonna end up

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<v Speaker 1>with the movement is looking at reparations. So reparation is

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<v Speaker 1>becoming also prevalent in our news cycle, um, and I

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<v Speaker 1>believe in election it's going to play a pretty important

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<v Speaker 1>role as well. However, because the effects of racist systems

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<v Speaker 1>can be found in every crevice of American life, we

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<v Speaker 1>have to find where reparations are required in our corner

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<v Speaker 1>of the world. Well, my corner of the world is food.

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<v Speaker 1>So today we'll be talking about what chefs and the

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<v Speaker 1>food industry a black Americans. And because we are talking

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<v Speaker 1>about land, and because we're mostly talking about farmland, and

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<v Speaker 1>because our podcast has to do with food and food sovereignty,

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<v Speaker 1>well this this kind of runs headlong into our conversations

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<v Speaker 1>around food and around current topics. We're gonna jump right

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<v Speaker 1>in here. I had a conversation with chef and historian

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<v Speaker 1>Michael Twitter, and here we go. We we had planned

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<v Speaker 1>on doing an episode on reparations, uh, going back when

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<v Speaker 1>we first you know, started conceiving of the podcast. Um,

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<v Speaker 1>and obviously it takes a very different meaning right now,

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<v Speaker 1>I imagine. And that's why that's why I say I'm

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<v Speaker 1>nervous having this conversation is because um, so often, uh,

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<v Speaker 1>you know, white people like me get it wrong. I'm

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<v Speaker 1>not asking from a position of hey, I need help

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<v Speaker 1>help me as a white person understand this, but there's

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<v Speaker 1>so much we don't understand. And when reading through your

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<v Speaker 1>book and reading through your blog, um, man, I can't

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<v Speaker 1>walk a mile in your shoes. I can't walk in

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<v Speaker 1>your steps because there's there's too much history there, there's

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<v Speaker 1>too much pain there. But I can walk alongside you

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<v Speaker 1>and say, hey, I'm here to do whatever the hell

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<v Speaker 1>I can to to to to to to make things

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<v Speaker 1>better and to be an ally. But man, this is

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<v Speaker 1>it's really fraud. Um. But listen, let's just jump in,

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<v Speaker 1>because why the hell not? So I do want to

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<v Speaker 1>start by by asking a question, and it's actually a

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<v Speaker 1>couple of lines from your from your book, um, and

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<v Speaker 1>it says I think it's in the intro and says

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<v Speaker 1>I began to wonder if I ever really would be

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<v Speaker 1>able to locate myself in human experience? What good is

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<v Speaker 1>it to learn the flow of human history and to

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<v Speaker 1>speak of the dead if their stories don't speak to you?

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<v Speaker 1>What if food history and facts figures and flashpoints? What

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<v Speaker 1>good is your own position as a culinary historian if

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<v Speaker 1>you can't find yourself in the narrative of your food story,

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<v Speaker 1>and if you don't know who you are? So, Michael,

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<v Speaker 1>in your in your journey, Um, who who did you

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<v Speaker 1>find out? Who? Who are you? Who? What is your

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<v Speaker 1>role here? What is as a historian, as a as

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<v Speaker 1>a as a chef, as a as a cook, as

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<v Speaker 1>a someone who writes about food in a way where

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<v Speaker 1>you cannot help but want to cook with you alongside

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<v Speaker 1>you taste the food that you're cooking, and and and

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<v Speaker 1>understand your experience. So so who who are you? Um?

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<v Speaker 1>You know there was the the ah pooh, May he

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<v Speaker 1>rest in peace and power, um one said on The

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<v Speaker 1>Simpsons In response to Homer, Um pooh, how are you?

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<v Speaker 1>He says, I haven't slept. I was kept up by

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<v Speaker 1>the house of my ancestors. That's that's that's my life, um.

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<v Speaker 1>But it's also the new connection with other people. Um.

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<v Speaker 1>I think I joked with you when we met that

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<v Speaker 1>you know, I'm like one percent Italian and I and

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<v Speaker 1>I figured out how that was. One of my family's

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<v Speaker 1>uh wife folks was part Italian and part English. And um,

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<v Speaker 1>that kind of like global feeling that you get once

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<v Speaker 1>you do the whole DNA thing and discover those things

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<v Speaker 1>in your family tree. Really it's more than just a

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<v Speaker 1>percentage of the paper, you know that. And understanding that

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<v Speaker 1>I am as an African American, I am valid and

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<v Speaker 1>affirmed as I am. I think that I Um, I'm

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<v Speaker 1>very proud to be of African descent, and I'm very

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<v Speaker 1>I'm uplifted by the trips that I've made to West

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<v Speaker 1>Africa at this point of made um seven journeys and

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<v Speaker 1>eight countries. Um. But I guess the point is is

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<v Speaker 1>that I didn't realize that we you know, we we

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<v Speaker 1>get we get talked about. Really, you know, every time

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<v Speaker 1>something happens with us, someone has some smart ship to say,

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<v Speaker 1>so he's my friend. Somebody has something nasty to say

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<v Speaker 1>it's a qualifier, and I'm like, you know what, No,

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<v Speaker 1>we're we're an exceptional people and we're very proud people

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<v Speaker 1>among the many black people of the Black Atlantic UM.

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<v Speaker 1>And I guess you know, when I started out, the

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<v Speaker 1>reason why I said that quote in the book was

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<v Speaker 1>because I was in a field that was mostly white women,

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<v Speaker 1>white women of some privileged wealth and capital. Um. One

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<v Speaker 1>of the females. Definitely, every time I walk in the room,

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<v Speaker 1>I'm the raising and the coogle. You know, I'm just

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<v Speaker 1>not I'm just not in the majority. And then you know,

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<v Speaker 1>they would write about these people in history in a

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<v Speaker 1>sort of titillating fun way and never really placed himself.

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<v Speaker 1>And I said, that must be liberating to be able

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<v Speaker 1>to write about something and cook something and live something

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<v Speaker 1>and not wonder why am I here? Why am I

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<v Speaker 1>in this space doing what I'm doing? And then of

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<v Speaker 1>course there was this constant theme of the black cook

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<v Speaker 1>and the black cook during slavery. I've always been fascinated

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<v Speaker 1>by that. My ancestors from that time period are really

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<v Speaker 1>in me and my African It's really calling to me

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<v Speaker 1>because I guess I felt like, no, I didn't feel

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<v Speaker 1>like I knew they were being forgotten, nameless, you know,

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<v Speaker 1>slapped on boxes, um, given these monikers, and then they

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<v Speaker 1>were gonna fade away. And then you know, in a

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<v Speaker 1>space between white guilt and black trauma, you know, and

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<v Speaker 1>that's just what it is. So I started to decide

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<v Speaker 1>I'm gonna document this stuff. I'm gonna go through it.

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<v Speaker 1>At first it was like paper plates and plastics, booze

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<v Speaker 1>and stuff from the grocery store. And then it was like, no,

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<v Speaker 1>you can't even be rolling like that. You gotta you

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<v Speaker 1>really gotta really do the historical interpreter thing. And then

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<v Speaker 1>a couple of years ago, I was just like, Okay,

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<v Speaker 1>you can't just talk about the food and a sort

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<v Speaker 1>of like everybody else who you're talking about. You have

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<v Speaker 1>to you have to do it. You have to translate

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<v Speaker 1>what the folk culture into a language that culinary people

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<v Speaker 1>can understand so that they can really grasp what you're

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<v Speaker 1>trying to pass on. Otherwise they're not gonna get it.

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<v Speaker 1>And they can they can perceive, you know what I'm saying.

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<v Speaker 1>It could perceive it, but it's not the same language. Yeah,

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<v Speaker 1>everybody wants to tell their stories through food and they

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<v Speaker 1>have to communicate. And because that's that, that's the story

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<v Speaker 1>that people want to hear. They don't want to know

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<v Speaker 1>about a pretty a pretty plate of food. They want

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<v Speaker 1>to know the history behind it. They want to understand

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<v Speaker 1>why you're doing what you do, why you're cooking what

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<v Speaker 1>you're cooking, and so so yeah, trying to understand the

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<v Speaker 1>food that you you grew up cooking beside your your

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<v Speaker 1>grandmother and your mother, um, and then taking a deeper

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<v Speaker 1>dive into why those I mean, the story in your

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<v Speaker 1>book of of Homecoming, I thought, I thought that was,

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<v Speaker 1>you know, this idea of abundance and this food that

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<v Speaker 1>you're going to enjoy it it's your food, and it's

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<v Speaker 1>it's it's food that you dream of and it's it's

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<v Speaker 1>food that that means so much, UM, and just the

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<v Speaker 1>idea where you're going there and you're with your people

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<v Speaker 1>and you're having the time of your life and it's

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<v Speaker 1>all about food. And you know, I tell those stories

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<v Speaker 1>when I when I about growing up Italian and how

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<v Speaker 1>I've realized at a certain point that that's not necessarily

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<v Speaker 1>what's on the plate, but it brings people together, right.

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<v Speaker 1>And then once you're together, then you have those discussions

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<v Speaker 1>and whether you're talking politics or whether you're gossip. You

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<v Speaker 1>know this family gossip there you know, going back and

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<v Speaker 1>forth and and so you know, this is what it does.

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<v Speaker 1>And so you know, having that is is you know,

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<v Speaker 1>it is part of history, it is part of who

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<v Speaker 1>you are. So how what what made you start sort

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<v Speaker 1>of taking that deeper dive to to go to Africa

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<v Speaker 1>to really sort of finding um, the the I always say,

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<v Speaker 1>you know, when I went to Europe to learn how

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<v Speaker 1>to you know, cook out the French food or Italian food. Uh,

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<v Speaker 1>you know what I learned there was why not so

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<v Speaker 1>much what but why why you cook? Why certain things

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<v Speaker 1>are what they are? What? What did you what did

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<v Speaker 1>you find on those trips? I guess I guess my

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<v Speaker 1>word to be who who? I like it? You know who?

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<v Speaker 1>I was like, um, so yeah, you get there and

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<v Speaker 1>you see the staples and you go, I knew this

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<v Speaker 1>was coming, but it's nice to know with my own

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<v Speaker 1>two eyes and my mouth and my hands, it's all there.

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<v Speaker 1>But what I didn't know was how many things had

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<v Speaker 1>to be passed down and almost like in secret, Um,

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<v Speaker 1>the most momentous moment for me was tasting on my hand. Okay,

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<v Speaker 1>so like like I'm a I'm a I'm a dude.

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<v Speaker 1>So there I'm not the I'm not the cook women

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<v Speaker 1>and the cooks unless you roast une barbecue meat roast meat.

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<v Speaker 1>It's all the women thinks. So I'm going in and

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<v Speaker 1>these women are looking at me like weird, like why

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<v Speaker 1>is he even in our space? And so I took

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<v Speaker 1>the spoon and then I took the sauce or whatever,

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<v Speaker 1>and I put it on my hands and I licked

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<v Speaker 1>it off, and they all sort of getting very agitated

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<v Speaker 1>and very excited, and like hey, they started patting me

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<v Speaker 1>on the back and and hugging me and gissing me

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<v Speaker 1>on the cheek, and I'm like, what did I do?

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<v Speaker 1>I just thought there was taste of food though, And

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<v Speaker 1>then I said it and I started coming out of

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<v Speaker 1>my mouth, said the way my grandmother and the mother

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<v Speaker 1>taught me. And then I realized they were excited because

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<v Speaker 1>they realized that I had been taught the proper way

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<v Speaker 1>of generation to generation to generations. So you know, they're

0:12:22.200 --> 0:12:24.520
<v Speaker 1>like Africa. You look, you look your hand and looking

0:12:24.640 --> 0:12:26.720
<v Speaker 1>back your hand, and that was they were like, Okay,

0:12:26.760 --> 0:12:29.800
<v Speaker 1>he's not a black European from America. That's how they

0:12:29.800 --> 0:12:33.320
<v Speaker 1>think of us until proven otherwise. And then I was like,

0:12:33.320 --> 0:12:36.000
<v Speaker 1>oh my god, yeah, he's one of us. He's one

0:12:36.000 --> 0:12:39.280
<v Speaker 1>of us, one of us. He knows what's up um.

0:12:39.360 --> 0:12:42.439
<v Speaker 1>And that's that's then so they answered is who are they?

0:12:42.480 --> 0:12:46.480
<v Speaker 1>And who am i? Who am i? And then's this

0:12:46.679 --> 0:12:49.880
<v Speaker 1>you know, it's sort of technique culture of food. It's

0:12:49.880 --> 0:12:54.400
<v Speaker 1>more like it's more like, um, the circumstances and when

0:12:54.480 --> 0:12:56.800
<v Speaker 1>you eat the food, the season you eat the food,

0:12:57.440 --> 0:13:02.800
<v Speaker 1>the spiritual occasion, um. The feeling, the feeling around the

0:13:02.800 --> 0:13:07.080
<v Speaker 1>food is more important the process of making it. And

0:13:07.160 --> 0:13:10.160
<v Speaker 1>so that energy that you put into it, that soul

0:13:11.400 --> 0:13:15.080
<v Speaker 1>that you put into it, is a key ingredient. This

0:13:15.280 --> 0:13:18.800
<v Speaker 1>the the area. You know. You know, someone who is

0:13:18.840 --> 0:13:23.400
<v Speaker 1>a peaceable person doesn't grow your peppers in Africa. M

0:13:24.160 --> 0:13:27.520
<v Speaker 1>someone who is like from birth aligned with you know,

0:13:28.080 --> 0:13:32.079
<v Speaker 1>the deities that control war and blood and anger, that's

0:13:32.120 --> 0:13:35.120
<v Speaker 1>the one who should grow the peppers. You know. That's

0:13:35.160 --> 0:13:38.040
<v Speaker 1>that's It's like everything is congenital, everything is you know,

0:13:38.320 --> 0:13:41.640
<v Speaker 1>and also from heaven and so there's that and it's

0:13:41.679 --> 0:13:45.959
<v Speaker 1>just like, um, there's the rhythm and it kinesthetics like

0:13:46.040 --> 0:13:48.520
<v Speaker 1>food is. You know, your body goes into it. So

0:13:48.760 --> 0:13:51.760
<v Speaker 1>we joke around and saying in in Southern talk, someone

0:13:51.840 --> 0:13:54.839
<v Speaker 1>put their foot in it. M hm, Well that ship

0:13:54.960 --> 0:13:57.120
<v Speaker 1>is literal in Africa because when you make the locals

0:13:57.200 --> 0:13:59.720
<v Speaker 1>being paced there like it's like it's like in Italy,

0:13:59.760 --> 0:14:02.720
<v Speaker 1>you know, the stopping of the grapes, likeing ting tinging,

0:14:02.960 --> 0:14:04.960
<v Speaker 1>And so so I listened, So I started so I

0:14:05.000 --> 0:14:08.520
<v Speaker 1>stopped looking for techniques and I started listening for the

0:14:08.559 --> 0:14:11.600
<v Speaker 1>sound of it, the feeling in the body, the feeling

0:14:11.640 --> 0:14:14.560
<v Speaker 1>in the room, and and and that really got to me.

0:14:14.800 --> 0:14:19.640
<v Speaker 1>That made me understand why I didn't. I didn't always attach.

0:14:20.720 --> 0:14:22.600
<v Speaker 1>There's the color of the food and the color of

0:14:22.640 --> 0:14:25.640
<v Speaker 1>the ingredients and and just all of that, all that

0:14:25.680 --> 0:14:30.120
<v Speaker 1>mattered so much more than the process. Although that's definitely there.

0:14:30.400 --> 0:14:33.360
<v Speaker 1>It's very deep, and it's there, and there's things you

0:14:33.440 --> 0:14:36.000
<v Speaker 1>gotta know. But I guess for me, another part for

0:14:36.120 --> 0:14:41.080
<v Speaker 1>me was just like I was, I was seeing things

0:14:41.720 --> 0:14:44.600
<v Speaker 1>in reality that I had read about in books from

0:14:44.640 --> 0:14:48.800
<v Speaker 1>two to three years ago. And the fact that people

0:14:48.840 --> 0:14:52.880
<v Speaker 1>preferred to eat food cooked over the wood fire with

0:14:52.960 --> 0:14:56.520
<v Speaker 1>the with the three rocks. That's there's no such thing

0:14:56.560 --> 0:15:00.760
<v Speaker 1>as let's you know, modernizes food. It's almost like you

0:15:00.760 --> 0:15:03.080
<v Speaker 1>have to eat the food that was eaten at the

0:15:03.120 --> 0:15:06.800
<v Speaker 1>time our antestors left the continent got it. So how

0:15:06.800 --> 0:15:10.960
<v Speaker 1>did that change you as a cook? Oh? You know

0:15:11.000 --> 0:15:13.320
<v Speaker 1>what I said, I'll tell people all the time that

0:15:13.360 --> 0:15:15.840
<v Speaker 1>to be black American, the African American and go to

0:15:15.880 --> 0:15:19.680
<v Speaker 1>Africa is to suddenly drop all the awkwardness that she

0:15:19.800 --> 0:15:24.360
<v Speaker 1>felt about being black in America because it because it's

0:15:24.360 --> 0:15:30.360
<v Speaker 1>because it's you. The loudness, the spiciness, the greasiness, the fat,

0:15:30.400 --> 0:15:32.840
<v Speaker 1>frying and air, I mean, all that stuff, all the

0:15:32.880 --> 0:15:36.080
<v Speaker 1>all the it's queerness. Okay, I'm a I'm a queer

0:15:36.200 --> 0:15:38.400
<v Speaker 1>person because I'm because I'm gay. But I'm also a

0:15:38.440 --> 0:15:43.160
<v Speaker 1>queer person because in relationship to normative whiteness, being black

0:15:43.240 --> 0:15:47.760
<v Speaker 1>is queer in America, like being Italian was queer. It was,

0:15:48.520 --> 0:15:52.440
<v Speaker 1>and sometimes there is queer in America, you know, And

0:15:52.480 --> 0:15:54.320
<v Speaker 1>I want to specify that for everybody. Queer in no

0:15:54.440 --> 0:15:58.400
<v Speaker 1>sense means not normative and relationship to power. So when

0:15:58.400 --> 0:16:01.600
<v Speaker 1>you grow up here black, you feel out of Sometimes

0:16:01.640 --> 0:16:04.760
<v Speaker 1>you you're made to feel out of your skin. Doesn't

0:16:04.760 --> 0:16:10.160
<v Speaker 1>matter how much America appropriates blackness or uses blackness, black bodies,

0:16:10.240 --> 0:16:15.000
<v Speaker 1>black labor, black and black entertainment for whatever, you're still

0:16:15.040 --> 0:16:17.480
<v Speaker 1>you're still an outside. You're still an other. And so

0:16:17.520 --> 0:16:19.560
<v Speaker 1>you made me feel like you never quite fit, quite

0:16:19.560 --> 0:16:25.400
<v Speaker 1>fit in, but over there nine in the time, especially

0:16:25.440 --> 0:16:28.560
<v Speaker 1>with the food culture, you feel as a Black American

0:16:29.360 --> 0:16:33.920
<v Speaker 1>that you don't feel awkward anymore. You feel natural. I

0:16:33.920 --> 0:16:36.240
<v Speaker 1>can hear the assholes already saying we'll go back. I

0:16:36.280 --> 0:16:38.920
<v Speaker 1>can hear I can hear it. I gotta answer for him.

0:16:38.920 --> 0:16:41.720
<v Speaker 1>I gotta answer for him. Most of them that say

0:16:41.760 --> 0:16:49.120
<v Speaker 1>that they're already pardon Negro, they've already they've already incorporated blackness, africanness,

0:16:49.160 --> 0:16:51.400
<v Speaker 1>and coloredness and all of all of our all of

0:16:51.400 --> 0:16:54.000
<v Speaker 1>our stuff into their life already, so they can go

0:16:54.080 --> 0:16:58.280
<v Speaker 1>back with me. You know. That's what that was with

0:16:58.480 --> 0:17:01.320
<v Speaker 1>Dick Gregory said that he's He said, you haven't met

0:17:01.320 --> 0:17:03.680
<v Speaker 1>a drug white supremacist, and then he said I have.

0:17:04.080 --> 0:17:06.399
<v Speaker 1>He said, go back to Africa and take me with you.

0:17:08.480 --> 0:17:12.240
<v Speaker 1>So there you go. Yeah. So so you you come

0:17:12.240 --> 0:17:15.800
<v Speaker 1>back and you decide that the best place to to

0:17:16.040 --> 0:17:21.560
<v Speaker 1>to to apply your craft is on plantations. Yeah, could

0:17:21.640 --> 0:17:26.240
<v Speaker 1>take me, take me through that process. Okay, So I

0:17:26.280 --> 0:17:28.400
<v Speaker 1>had already, I had already been doing that kind of work.

0:17:28.480 --> 0:17:31.360
<v Speaker 1>But the problem was, I never forget when I first started.

0:17:31.520 --> 0:17:34.879
<v Speaker 1>Someone who I will not name said to me um

0:17:34.920 --> 0:17:38.920
<v Speaker 1>At a museum food person said to me, well, I

0:17:38.960 --> 0:17:44.479
<v Speaker 1>don't know anything about Africa. I said, We're in the South.

0:17:45.440 --> 0:17:48.720
<v Speaker 1>You are right down the road from where slave ships

0:17:48.720 --> 0:17:52.400
<v Speaker 1>actually came into North America. How could you not know this?

0:17:54.040 --> 0:17:56.080
<v Speaker 1>And I just took a deep breath and said, stop,

0:17:56.160 --> 0:17:59.919
<v Speaker 1>don't get mad, just do the work. Just do the

0:18:00.040 --> 0:18:03.200
<v Speaker 1>am work. And so I started with documenting every single

0:18:03.359 --> 0:18:08.280
<v Speaker 1>ingredient that would have been used on any plantation anywhere

0:18:08.320 --> 0:18:11.720
<v Speaker 1>in North America, north American mainland, and documenting where it

0:18:11.760 --> 0:18:14.600
<v Speaker 1>came from the whole spreadsheet. Then I was like, Okay,

0:18:14.600 --> 0:18:15.879
<v Speaker 1>I gotta get the clothes, and I got get the

0:18:15.960 --> 0:18:17.359
<v Speaker 1>utensil and learn how to use the one, how to

0:18:17.600 --> 0:18:20.960
<v Speaker 1>take care of them, um, all of that, and then

0:18:21.000 --> 0:18:22.760
<v Speaker 1>it was about the feeling. What does it what does

0:18:22.800 --> 0:18:27.040
<v Speaker 1>it mean? And I'm actually tom I'm actually glad. I've

0:18:27.040 --> 0:18:31.240
<v Speaker 1>had negative experiences that that taught me put me in

0:18:31.320 --> 0:18:34.200
<v Speaker 1>the right mindset of just like this is not easy,

0:18:34.240 --> 0:18:36.640
<v Speaker 1>this is not cute, this is not whatever. Like one

0:18:36.640 --> 0:18:38.280
<v Speaker 1>time in the book I talked about how like I

0:18:38.359 --> 0:18:43.160
<v Speaker 1>was at um Strafford Hall Plantation, which was the home

0:18:43.200 --> 0:18:46.639
<v Speaker 1>plantation of the leaves in Virginia, and it was dark

0:18:46.720 --> 0:18:49.600
<v Speaker 1>and there was a big crowd for plantation Christmas. So

0:18:49.600 --> 0:18:51.480
<v Speaker 1>they had me there cooking and talking about the food.

0:18:51.520 --> 0:18:54.120
<v Speaker 1>And it was this huge pot and it was really heavy.

0:18:54.200 --> 0:18:56.520
<v Speaker 1>I mean those pots get to like sixty seventy pounds.

0:18:56.920 --> 0:18:59.080
<v Speaker 1>And it was full of water, water was hot, and

0:18:59.119 --> 0:19:01.639
<v Speaker 1>the fire was hot and it was dark. And I

0:19:01.760 --> 0:19:04.200
<v Speaker 1>spilled some of the water and people laughed at me,

0:19:05.760 --> 0:19:08.480
<v Speaker 1>and I got immediately angry, and it was and then

0:19:08.520 --> 0:19:11.280
<v Speaker 1>I was like, I was like, y'all realized that this

0:19:11.320 --> 0:19:12.639
<v Speaker 1>was back in the day. I could have given I

0:19:12.680 --> 0:19:16.520
<v Speaker 1>could have gotten severely punished for even making having a

0:19:16.600 --> 0:19:20.560
<v Speaker 1>human accident a mistake. But then for them, it was

0:19:20.640 --> 0:19:23.159
<v Speaker 1>laughing at me because oh, this black I thinks he

0:19:23.200 --> 0:19:25.720
<v Speaker 1>knows everything and he's stumbling in the kitchen. Well, you

0:19:25.800 --> 0:19:28.240
<v Speaker 1>try to be on the brick floor on for for

0:19:28.359 --> 0:19:31.360
<v Speaker 1>twelve hours, you know, with flat feet, cooking and then

0:19:31.760 --> 0:19:33.439
<v Speaker 1>you know. But but even more than that, people come

0:19:33.480 --> 0:19:35.320
<v Speaker 1>to the kitchen to be like, oh, I know what

0:19:35.440 --> 0:19:39.480
<v Speaker 1>it's like to be um a slave. I'm an evangelical

0:19:39.560 --> 0:19:44.680
<v Speaker 1>Christian in America. Oh god, you know, I think. Yeah,

0:19:44.720 --> 0:19:46.359
<v Speaker 1>I think you also point out the book that that

0:19:46.560 --> 0:19:48.720
<v Speaker 1>not only were people punished, but people were putting ovens

0:19:48.720 --> 0:19:52.600
<v Speaker 1>for doing this. Yes, in the Caribbean and Martinique. A

0:19:52.680 --> 0:19:57.200
<v Speaker 1>cook was actually was put in the bake oven, thrown

0:19:57.200 --> 0:20:00.359
<v Speaker 1>in the bake oven and murdered because he burned a cake.

0:20:00.760 --> 0:20:04.560
<v Speaker 1>And the mistress of the plantation sat through dinner smiling

0:20:04.560 --> 0:20:07.840
<v Speaker 1>and laughing and getting drunk and then showed her guests

0:20:07.840 --> 0:20:11.359
<v Speaker 1>the skeleton. And I mean this wasn't of course, this

0:20:11.560 --> 0:20:16.120
<v Speaker 1>wasn't an everyday occurrence, but the cruelty was the point.

0:20:16.640 --> 0:20:19.399
<v Speaker 1>It was constant. But to go, but to go from

0:20:19.480 --> 0:20:22.560
<v Speaker 1>there to Africa was always my dream. But but because

0:20:22.600 --> 0:20:25.960
<v Speaker 1>I wanted people to understand something, I guess our point.

0:20:26.040 --> 0:20:31.000
<v Speaker 1>My point is not that everything was African. But you know,

0:20:31.040 --> 0:20:34.400
<v Speaker 1>Herman Taislings is something very important almost hundred years ago.

0:20:34.760 --> 0:20:38.719
<v Speaker 1>He says, everything that is born Africa remains African in spirit.

0:20:40.400 --> 0:20:42.720
<v Speaker 1>And to get to to get to the other side

0:20:42.760 --> 0:20:45.520
<v Speaker 1>of the ocean, you gotta understand, Yes, there were European

0:20:45.560 --> 0:20:48.200
<v Speaker 1>and Native American and other elements in the cooking, but

0:20:48.320 --> 0:20:50.800
<v Speaker 1>the hands of the black cook were the catalyst. The

0:20:50.840 --> 0:20:53.320
<v Speaker 1>mind of the Black book was the catalyst. And you

0:20:53.400 --> 0:20:55.840
<v Speaker 1>have but people don't even think Africa has a mind.

0:20:56.960 --> 0:20:59.520
<v Speaker 1>There's an intellect, just like there is an Italian cooking

0:20:59.520 --> 0:21:02.680
<v Speaker 1>at French looking and I just want to be able

0:21:02.720 --> 0:21:07.560
<v Speaker 1>to be that translator. Third, through historical documents, through lived experience,

0:21:07.880 --> 0:21:13.760
<v Speaker 1>through people's memories, that that art and philosophy came to

0:21:13.840 --> 0:21:20.080
<v Speaker 1>America through food, not just the taste. Mm hmm, Yeah,

0:21:20.320 --> 0:21:24.720
<v Speaker 1>we'll be right back. Hey, this is Citizen Chef and

0:21:24.760 --> 0:21:27.199
<v Speaker 1>I'm Tom Colochio. Let's pick up where we left off

0:21:27.240 --> 0:21:30.800
<v Speaker 1>in my conversation with chef and author Michael Twitter. We're

0:21:30.800 --> 0:21:33.840
<v Speaker 1>talking about how the question of reparations in America intersect

0:21:33.880 --> 0:21:37.000
<v Speaker 1>with policy and cultural food ways, especially in the South.

0:21:37.480 --> 0:21:39.560
<v Speaker 1>What is the debt and how do we pay it back?

0:21:41.160 --> 0:21:44.240
<v Speaker 1>Just from a food standpoint and from a land standpoint,

0:21:44.760 --> 0:21:49.040
<v Speaker 1>what do reparations look like? Um? Uh, you know, I

0:21:49.040 --> 0:21:51.560
<v Speaker 1>know HR forty is is just set up to study it.

0:21:52.119 --> 0:21:55.320
<v Speaker 1>Um If if you were put on that panel to

0:21:55.440 --> 0:21:59.160
<v Speaker 1>study reparations through food lens, what what does that look

0:21:59.200 --> 0:22:02.679
<v Speaker 1>like to you? Oh? First of all, we have to

0:22:02.720 --> 0:22:06.320
<v Speaker 1>correct the violence of hunger, the violence of wasted food.

0:22:06.840 --> 0:22:10.359
<v Speaker 1>We have to correct the violence of food inequality. We

0:22:10.400 --> 0:22:13.840
<v Speaker 1>have to correct the violence of not having land. Why

0:22:13.840 --> 0:22:16.040
<v Speaker 1>why do you refer to as I understand, but just

0:22:16.080 --> 0:22:19.000
<v Speaker 1>for the listener, why do you refer to as violence, um,

0:22:19.040 --> 0:22:23.440
<v Speaker 1>because these are ways to keep people. Um, it's it's

0:22:23.480 --> 0:22:28.800
<v Speaker 1>it's a passive aggressive form of war. I mean, you know,

0:22:28.800 --> 0:22:31.280
<v Speaker 1>everybody knows about the Black Panthers and it's oh, it's

0:22:31.320 --> 0:22:34.679
<v Speaker 1>scary black panthers, the scatherl scary Black panthers. Yea, they

0:22:34.680 --> 0:22:38.040
<v Speaker 1>were scary because they're giving out food right exactly exactly.

0:22:38.080 --> 0:22:39.200
<v Speaker 1>And then you know, I don't know if you know

0:22:39.200 --> 0:22:43.919
<v Speaker 1>about the fake the fake coloring books, the fake coloring

0:22:43.920 --> 0:22:46.199
<v Speaker 1>books that the CIA put out. This is not this is,

0:22:46.240 --> 0:22:47.879
<v Speaker 1>by the way, y'all, This is not me looking at

0:22:47.920 --> 0:22:52.280
<v Speaker 1>some something crazy. This is these are actual things that exist. Um,

0:22:52.840 --> 0:22:57.480
<v Speaker 1>fake coloring books. For the said, look at these coloring books.

0:22:57.480 --> 0:23:00.800
<v Speaker 1>These black kids are getting with the with the Black Panthers,

0:23:01.400 --> 0:23:05.960
<v Speaker 1>and they emphasize the food program. That was one of

0:23:06.000 --> 0:23:08.760
<v Speaker 1>the things that JACKO Hoover and his and his cronies

0:23:08.800 --> 0:23:11.560
<v Speaker 1>thought was one of the worst things the Black Panthers did.

0:23:11.800 --> 0:23:15.800
<v Speaker 1>It wasn't feed up feed hungry people. You feed kids.

0:23:16.200 --> 0:23:18.560
<v Speaker 1>Right before they realized kids were going to school without

0:23:18.600 --> 0:23:20.560
<v Speaker 1>getting meal, and that's why they started doing it. And

0:23:20.600 --> 0:23:23.760
<v Speaker 1>that's that's dangerous for some reason. Yes, it's dangerous. Because

0:23:24.840 --> 0:23:29.320
<v Speaker 1>the hand that feeds you, m m, you don't bite

0:23:29.320 --> 0:23:32.439
<v Speaker 1>the hand that feeds you. You Also, we also know,

0:23:32.600 --> 0:23:34.960
<v Speaker 1>now you and I both know that a child that

0:23:35.119 --> 0:23:38.800
<v Speaker 1>is nourished can think better, can go to school and

0:23:38.800 --> 0:23:41.960
<v Speaker 1>achieve an education. Better kid doesn't have to worry about

0:23:42.160 --> 0:23:44.080
<v Speaker 1>their mind, isn't all worrying about what next meal is

0:23:44.080 --> 0:23:47.240
<v Speaker 1>gonna come from or how where they gonna live tomorrow.

0:23:47.960 --> 0:23:50.119
<v Speaker 1>And so it's that kind of thing, that kind of power.

0:23:50.480 --> 0:23:53.000
<v Speaker 1>I mean, it's like this, and Um, when I was

0:23:53.000 --> 0:23:55.240
<v Speaker 1>two thousand twelve, when I did the Southern's Comfort Door,

0:23:55.880 --> 0:23:58.919
<v Speaker 1>I went to the River Road African American Museum and

0:23:58.960 --> 0:24:02.400
<v Speaker 1>there's this plaque on a wall from nineteen twelves celebrating

0:24:03.119 --> 0:24:06.800
<v Speaker 1>this community of black Creole farmers that took the share

0:24:06.840 --> 0:24:09.399
<v Speaker 1>croppers in the area and said, look y'all don't have

0:24:09.440 --> 0:24:14.119
<v Speaker 1>to go into debt going eating you know, the plantation

0:24:14.119 --> 0:24:17.560
<v Speaker 1>owners fooding, buying rashes from him. You can get good

0:24:17.640 --> 0:24:21.280
<v Speaker 1>quality food from our from our fields without shame. Come

0:24:21.280 --> 0:24:23.919
<v Speaker 1>and get it, and we'll all farm the land together.

0:24:24.160 --> 0:24:26.520
<v Speaker 1>And all I could think was they answered the question

0:24:26.560 --> 0:24:29.199
<v Speaker 1>of what of how to tackle a food desert in

0:24:29.320 --> 0:24:34.320
<v Speaker 1>nineteen twelve without black Twitter, without Facebook, without Instagram, without Snapchat.

0:24:34.480 --> 0:24:36.040
<v Speaker 1>And they did it in the face of the clan,

0:24:36.520 --> 0:24:39.320
<v Speaker 1>the nights of the white Chamelia and air at law

0:24:39.400 --> 0:24:45.639
<v Speaker 1>enforcement and the plantation aristocracy which still existed. So what

0:24:45.720 --> 0:24:49.200
<v Speaker 1>are we doing wrong? There's a question, I asked myself.

0:24:49.600 --> 0:24:54.640
<v Speaker 1>Another element of reparations in this area is education. Why

0:24:54.800 --> 0:24:57.600
<v Speaker 1>is it? Where where is the culinary school that has

0:24:58.040 --> 0:25:02.440
<v Speaker 1>has a two semester class, not one, a two semester

0:25:02.520 --> 0:25:07.679
<v Speaker 1>class on African African foods of the world on the

0:25:07.680 --> 0:25:12.040
<v Speaker 1>continent and then the diaspora. Because we know, you and

0:25:12.080 --> 0:25:14.480
<v Speaker 1>I both know every time they learned about Brazilian food,

0:25:14.560 --> 0:25:18.800
<v Speaker 1>Southern food, Caribbean food, they're learning about they're learning partially

0:25:18.840 --> 0:25:23.040
<v Speaker 1>about Africa. Why not make that a singular thing or

0:25:23.119 --> 0:25:25.399
<v Speaker 1>two partner in terms of classes. You know what I'm saying,

0:25:25.680 --> 0:25:27.840
<v Speaker 1>you do this when you do this one, I mean

0:25:27.880 --> 0:25:32.119
<v Speaker 1>it's it's to to watch to watch a black or

0:25:32.119 --> 0:25:34.560
<v Speaker 1>brown kid go to culinary school and go I didn't

0:25:34.640 --> 0:25:37.800
<v Speaker 1>learn about native food. I learned about no African food.

0:25:38.840 --> 0:25:42.920
<v Speaker 1>You know, I barely learned about Latinos food what that means?

0:25:43.760 --> 0:25:47.200
<v Speaker 1>And then what what what it actually is not just

0:25:47.280 --> 0:25:51.040
<v Speaker 1>the the ingredients techniques and blah blah blahah recipes. But

0:25:51.119 --> 0:25:55.800
<v Speaker 1>but you know, more than that history history, it also

0:25:55.960 --> 0:26:00.560
<v Speaker 1>means reparations, the terms of land land. Stop giving away

0:26:00.600 --> 0:26:03.359
<v Speaker 1>this damn land these developers give it to, you know,

0:26:03.480 --> 0:26:06.200
<v Speaker 1>give it to folks who want to farm and produce

0:26:06.720 --> 0:26:09.199
<v Speaker 1>or keep it natural. Just keep it natural because near

0:26:09.240 --> 0:26:11.520
<v Speaker 1>the part of our story, it's not just always messing

0:26:11.520 --> 0:26:16.240
<v Speaker 1>with the earth. It's also engaging with foraging, fishing, hunting,

0:26:16.680 --> 0:26:20.280
<v Speaker 1>raising livestock. It's you know, those are those are things

0:26:20.280 --> 0:26:24.080
<v Speaker 1>that preserve our culture as well as just do that.

0:26:24.560 --> 0:26:27.000
<v Speaker 1>To me, reparations looks like all of that, all of that,

0:26:27.080 --> 0:26:29.800
<v Speaker 1>and then more so so, it's it's completely taking back

0:26:29.800 --> 0:26:34.520
<v Speaker 1>the food system. Yes, and re africanizing it. Re africanizing

0:26:34.560 --> 0:26:37.760
<v Speaker 1>the food system. I like that, But that would that

0:26:37.760 --> 0:26:41.720
<v Speaker 1>would sound so scary to so many people. Why shouldn't

0:26:41.720 --> 0:26:47.480
<v Speaker 1>that be scary? The first things? First, I mean, I

0:26:47.480 --> 0:26:50.240
<v Speaker 1>want to ask anyone who's who thinks I don't know

0:26:50.240 --> 0:26:53.240
<v Speaker 1>about that should ask themselves why my last name is

0:26:53.240 --> 0:26:58.520
<v Speaker 1>Twitter and not enjoy m hm. Should ask themselves why

0:26:58.640 --> 0:27:00.760
<v Speaker 1>my beer goes out of why I'm beer in my

0:27:00.800 --> 0:27:03.800
<v Speaker 1>hair go out of my face like this and not curly.

0:27:05.280 --> 0:27:08.800
<v Speaker 1>There's so many there's so many aspects of black identity

0:27:08.800 --> 0:27:13.399
<v Speaker 1>in America and then and in the America's plural because

0:27:13.520 --> 0:27:15.399
<v Speaker 1>you know, we're in a ship show in Brazil, we're

0:27:15.440 --> 0:27:17.720
<v Speaker 1>in a ship showing part of the Caribbean, because we're

0:27:17.760 --> 0:27:22.400
<v Speaker 1>still in those colonial and slavery forces. Like people people

0:27:22.480 --> 0:27:24.919
<v Speaker 1>never even asked himself, what would it be like to

0:27:24.960 --> 0:27:28.080
<v Speaker 1>wake up tomorrow and not have the family name that's

0:27:28.080 --> 0:27:30.440
<v Speaker 1>been passed out in my family for that for hundreds

0:27:30.440 --> 0:27:33.159
<v Speaker 1>of years. What would it be like if my child

0:27:33.240 --> 0:27:38.480
<v Speaker 1>did not look like me because um of some I

0:27:38.560 --> 0:27:42.400
<v Speaker 1>was some viciousness, right, What would it be like if

0:27:42.480 --> 0:27:46.040
<v Speaker 1>if if I couldn't tell you who I was beyond

0:27:46.040 --> 0:27:49.760
<v Speaker 1>a certain point because it was taken from me. So

0:27:49.880 --> 0:27:52.040
<v Speaker 1>if I can live this life of four dredn one

0:27:52.119 --> 0:27:58.840
<v Speaker 1>years h you know, your your centric life, you can

0:27:58.960 --> 0:28:02.240
<v Speaker 1>you can come with me to the multimillion year old

0:28:02.520 --> 0:28:08.199
<v Speaker 1>African life and understand, Oh my god, that's part of

0:28:08.240 --> 0:28:11.639
<v Speaker 1>who we are. Yes, you know, blackness is not a bubble.

0:28:12.000 --> 0:28:14.399
<v Speaker 1>You are a part of blackness. To the same way

0:28:14.440 --> 0:28:17.320
<v Speaker 1>I've signed on to be part of Italian, part of Mexican,

0:28:17.359 --> 0:28:20.919
<v Speaker 1>part Chinese, part Korean, in this multicultural society we have.

0:28:21.480 --> 0:28:25.040
<v Speaker 1>If you, Tammy, if you don't understand what a bloody

0:28:25.080 --> 0:28:28.720
<v Speaker 1>gift it is to be in this global era, in

0:28:28.760 --> 0:28:32.480
<v Speaker 1>a multicultural society, you don't know how to be an American.

0:28:34.119 --> 0:28:36.840
<v Speaker 1>And it's a shame that those of us who who

0:28:36.880 --> 0:28:39.960
<v Speaker 1>have had the most to lose African and African and

0:28:40.000 --> 0:28:44.680
<v Speaker 1>Indigenous people have to teach that to the rest. Everybody, right,

0:28:48.760 --> 0:28:52.120
<v Speaker 1>got me preaching? And why not? I'll let that. I'll

0:28:52.200 --> 0:28:54.480
<v Speaker 1>let that set in. Uh, just think in here for

0:28:54.520 --> 0:29:00.240
<v Speaker 1>a second. Um, I want to ask you about um

0:29:00.320 --> 0:29:01.680
<v Speaker 1>uh again. I want to go back to your to

0:29:01.720 --> 0:29:05.560
<v Speaker 1>your book, UM the Cooking Gene and Um, there was

0:29:05.640 --> 0:29:11.959
<v Speaker 1>a quote. I'm a a fan of your your writing.

0:29:12.520 --> 0:29:14.840
<v Speaker 1>Obviously I'm a fan of what you're writing about. But

0:29:14.960 --> 0:29:17.200
<v Speaker 1>the pros itself I just found fine to be so

0:29:17.480 --> 0:29:20.200
<v Speaker 1>h it's so descriptive. Point where where when you when

0:29:20.280 --> 0:29:23.440
<v Speaker 1>you m write about your kitchen, I feel like I'm

0:29:23.440 --> 0:29:26.400
<v Speaker 1>sitting in your kitchen. Um, when you write about again

0:29:26.520 --> 0:29:29.080
<v Speaker 1>like homecoming, I feel I'm at that table when you

0:29:29.080 --> 0:29:31.040
<v Speaker 1>write about your experience. And this is what I love

0:29:31.080 --> 0:29:33.520
<v Speaker 1>about about your writing. I could almost put myself in

0:29:33.920 --> 0:29:38.000
<v Speaker 1>the experience. Although I know I know that I can't

0:29:38.040 --> 0:29:41.520
<v Speaker 1>get completely get there, but the writing does that, and

0:29:41.520 --> 0:29:44.120
<v Speaker 1>that's that's what good writing usually does. And so but

0:29:44.200 --> 0:29:45.959
<v Speaker 1>you you wrote um in your book and you were

0:29:45.960 --> 0:29:48.720
<v Speaker 1>talking about literacy um, and you were talking I think

0:29:48.720 --> 0:29:51.160
<v Speaker 1>the quote is, uh, we could write down our own stories,

0:29:51.560 --> 0:29:53.000
<v Speaker 1>we had to tell them to others, and this caused

0:29:53.040 --> 0:29:56.040
<v Speaker 1>facts and words to be bent. I wonder what our

0:29:56.080 --> 0:29:58.000
<v Speaker 1>history ever looked like if every man and woman could

0:29:58.000 --> 0:29:59.880
<v Speaker 1>have written down or passed down and written account their

0:29:59.920 --> 0:30:05.840
<v Speaker 1>all lives. Is this yeah, because you know, I'm there's

0:30:05.880 --> 0:30:10.000
<v Speaker 1>so many details. It's a lot of times, especially with

0:30:10.080 --> 0:30:13.640
<v Speaker 1>our food history and our culture. It's like even among

0:30:13.680 --> 0:30:17.800
<v Speaker 1>our own people, um, in America, I mean, everybody buys

0:30:17.840 --> 0:30:20.000
<v Speaker 1>into the same narrative. You could tell in thirty seconds

0:30:20.960 --> 0:30:23.520
<v Speaker 1>they came they were still in from Africa. They came

0:30:23.600 --> 0:30:26.360
<v Speaker 1>to America. The white people threw some ship at them,

0:30:26.360 --> 0:30:29.560
<v Speaker 1>through some slap at them. They remixed it. They were

0:30:29.560 --> 0:30:32.240
<v Speaker 1>geniuses created soul food. And that's all you need to know.

0:30:33.160 --> 0:30:35.920
<v Speaker 1>They don't know that everybody have collar greens, for example,

0:30:36.280 --> 0:30:38.520
<v Speaker 1>or that there's like sixty different type of color greens,

0:30:39.000 --> 0:30:42.120
<v Speaker 1>and that things were very regional. Hyper you know, hyper

0:30:42.160 --> 0:30:44.440
<v Speaker 1>specific to the climate, the area that you win, or

0:30:44.480 --> 0:30:49.120
<v Speaker 1>even that the type of enslaved Africans when ethnic of

0:30:49.200 --> 0:30:51.960
<v Speaker 1>the came from. So, for example, as an Italian American,

0:30:52.400 --> 0:30:54.680
<v Speaker 1>there's a big difference between people who came from northern

0:30:54.680 --> 0:30:57.800
<v Speaker 1>and central Italy to America and those that came from

0:30:57.840 --> 0:31:01.760
<v Speaker 1>the south. And the language is the dialects that they

0:31:01.800 --> 0:31:05.840
<v Speaker 1>brought from Sicily, Naples and Calabria versus other parts of Italy,

0:31:06.840 --> 0:31:08.600
<v Speaker 1>and where they settled and what kind of jobs do

0:31:08.680 --> 0:31:12.720
<v Speaker 1>they do, all that all that matters in black food history,

0:31:12.720 --> 0:31:16.400
<v Speaker 1>in Southern fndustry American food history as well. So I'm

0:31:16.440 --> 0:31:19.600
<v Speaker 1>actually it's it's it's kind of horrible because you get

0:31:19.640 --> 0:31:22.080
<v Speaker 1>to the point where you realize that you've got to

0:31:22.160 --> 0:31:26.400
<v Speaker 1>leave a legacy and you can't tell everything, but you

0:31:26.440 --> 0:31:28.760
<v Speaker 1>can leave the brute. You can leave the blueprint behind,

0:31:30.240 --> 0:31:32.840
<v Speaker 1>you know. That's what I you know to Raise Nelson

0:31:32.960 --> 0:31:35.800
<v Speaker 1>is actually responsible for the the format of this book.

0:31:35.800 --> 0:31:38.000
<v Speaker 1>Where she talked to me one day she said, we're

0:31:38.040 --> 0:31:40.360
<v Speaker 1>both we both come from black folks from South Carolina.

0:31:41.040 --> 0:31:43.800
<v Speaker 1>We only know so much about where we come from.

0:31:43.840 --> 0:31:46.600
<v Speaker 1>I want you to write us a blueprint so we

0:31:46.640 --> 0:31:50.720
<v Speaker 1>can find our way on our own. Yeah, that's what

0:31:50.760 --> 0:31:52.560
<v Speaker 1>I best. My goal is to make a blueprint, and

0:31:52.800 --> 0:31:54.959
<v Speaker 1>that's a blueprint to be to be used by by

0:31:55.000 --> 0:31:57.800
<v Speaker 1>other people to to find their way as well. Oh look,

0:31:57.920 --> 0:32:00.280
<v Speaker 1>I had it. When I first heard this project, I

0:32:00.360 --> 0:32:02.320
<v Speaker 1>had a young man he was he was a little

0:32:02.320 --> 0:32:04.320
<v Speaker 1>bit younger than me, when we weren't that far apart

0:32:04.360 --> 0:32:06.560
<v Speaker 1>in age, and I did a part I did a

0:32:06.640 --> 0:32:10.080
<v Speaker 1>speech in a college in Pennsylvania, and he comes up

0:32:10.120 --> 0:32:14.400
<v Speaker 1>to me and he says, hey, Michael, I want you

0:32:14.440 --> 0:32:18.560
<v Speaker 1>to know that um in two days, I'm leaving for Italy.

0:32:19.760 --> 0:32:22.680
<v Speaker 1>And he said, I saw your journey down south, and

0:32:22.720 --> 0:32:25.000
<v Speaker 1>he said, I want to do the same thing with

0:32:25.400 --> 0:32:27.600
<v Speaker 1>my family and says, my family from is Granted, New York.

0:32:28.200 --> 0:32:31.240
<v Speaker 1>And he says, I always loved my grandmother's food and

0:32:31.280 --> 0:32:33.440
<v Speaker 1>my family and traditions, but I don't really know where

0:32:33.480 --> 0:32:35.000
<v Speaker 1>they came from, not what that life was like back

0:32:35.000 --> 0:32:37.240
<v Speaker 1>in Italy. And so I didn't even think about that

0:32:37.280 --> 0:32:39.800
<v Speaker 1>until I started following your journey. So I'm getting on

0:32:39.840 --> 0:32:41.520
<v Speaker 1>a plane two days. I don't know what happened to him,

0:32:41.760 --> 0:32:45.800
<v Speaker 1>but for me, that was that was validating in the

0:32:45.840 --> 0:32:49.200
<v Speaker 1>sense of I know that my journey is universal. Do

0:32:49.320 --> 0:32:52.239
<v Speaker 1>white people know that? Do white people know that I'm

0:32:52.240 --> 0:32:54.320
<v Speaker 1>speaking to them as well, that I am not leaving

0:32:54.320 --> 0:32:56.560
<v Speaker 1>them out of the conversation, that if they are not

0:32:56.640 --> 0:33:01.080
<v Speaker 1>the conversation, I'm not doing this right. And Black folks, yes,

0:33:01.360 --> 0:33:03.200
<v Speaker 1>I am centering us, but I want you to do something.

0:33:03.200 --> 0:33:08.800
<v Speaker 1>I'm not rehashing some easy, unnew ones, uncomplicated myths that

0:33:08.920 --> 0:33:12.320
<v Speaker 1>we can just glide by. No, this is gonna make

0:33:12.320 --> 0:33:15.840
<v Speaker 1>everybody either piste off, inspired and in love or I'm

0:33:15.880 --> 0:33:25.600
<v Speaker 1>not doing this right. Mhm. Is there an American cuisine? Absolutely?

0:33:26.480 --> 0:33:29.200
<v Speaker 1>And what whately? What I mean obviously we can go

0:33:29.240 --> 0:33:31.400
<v Speaker 1>through region by region, but but what do you think

0:33:31.440 --> 0:33:35.720
<v Speaker 1>the roots of of of American cuisine is. I think

0:33:35.720 --> 0:33:37.760
<v Speaker 1>it's I think it's layers. I think we have to

0:33:37.880 --> 0:33:41.680
<v Speaker 1>understand things aren't things are in layers because they're different.

0:33:42.600 --> 0:33:44.640
<v Speaker 1>I'm a I'm a lover of American history, you know,

0:33:44.760 --> 0:33:48.480
<v Speaker 1>especially lover of Africa and African American history. But um,

0:33:48.520 --> 0:33:52.080
<v Speaker 1>I gotta tell you that it's not one thing. And yes,

0:33:52.080 --> 0:33:55.400
<v Speaker 1>there's regions and there's all of that. Um that's important.

0:33:55.880 --> 0:33:58.600
<v Speaker 1>But I guess for me, the roots of the cuisine

0:33:59.560 --> 0:34:05.960
<v Speaker 1>are um indigenous and and African. Um. If I had

0:34:05.960 --> 0:34:10.600
<v Speaker 1>to boil it down to five groups, I would say,

0:34:10.600 --> 0:34:13.400
<v Speaker 1>you have to talk about indigenous people, you have to

0:34:13.400 --> 0:34:18.200
<v Speaker 1>talk about Africans, you have to talk about UM. I

0:34:18.239 --> 0:34:22.879
<v Speaker 1>call it the the the Iberian world and the Americas.

0:34:22.920 --> 0:34:26.600
<v Speaker 1>So yeah, I don't want to call it Latin, Latin

0:34:27.960 --> 0:34:30.239
<v Speaker 1>or Latino. I just want to call it that. You know,

0:34:30.760 --> 0:34:33.440
<v Speaker 1>when the Spanish and Portuguese came to the Americas and

0:34:33.480 --> 0:34:37.080
<v Speaker 1>interacted with Native and African people, they came with a

0:34:37.080 --> 0:34:39.600
<v Speaker 1>food agenda because they were food lovers, and they set

0:34:39.640 --> 0:34:45.960
<v Speaker 1>up a food environment that approximated what they had. UM.

0:34:46.120 --> 0:34:48.640
<v Speaker 1>You know, I would say that you can't talk about

0:34:48.640 --> 0:34:53.120
<v Speaker 1>Americ cuisine without talking about Italians on their own, and

0:34:53.160 --> 0:34:56.120
<v Speaker 1>then you know with and with them the Greek Southern

0:34:56.200 --> 0:34:59.760
<v Speaker 1>Mediterranean people, and you talked talking about without East East Asia.

0:35:00.880 --> 0:35:03.879
<v Speaker 1>You know, UM because and I say that because other

0:35:03.960 --> 0:35:09.160
<v Speaker 1>groups have of course built their food culture in America

0:35:09.480 --> 0:35:12.840
<v Speaker 1>on the roots that were established by these you know,

0:35:12.880 --> 0:35:16.640
<v Speaker 1>immigrant communities and they're just communities. But but you know

0:35:17.040 --> 0:35:19.600
<v Speaker 1>it is I say that, you know, one of the

0:35:19.640 --> 0:35:22.000
<v Speaker 1>answers I have to appropriation, which we can get into

0:35:22.480 --> 0:35:25.840
<v Speaker 1>and cultural sharing, is that if you're from the Pacific Northwest.

0:35:25.920 --> 0:35:28.680
<v Speaker 1>You grew up with, you know, Pacific rim food and

0:35:28.760 --> 0:35:31.319
<v Speaker 1>in the in the natural food of the Pacific West,

0:35:31.360 --> 0:35:34.239
<v Speaker 1>those beautiful cherries and wild fruits and all of that,

0:35:34.640 --> 0:35:37.280
<v Speaker 1>and native ingredients and the fish and all that. That's

0:35:37.719 --> 0:35:39.719
<v Speaker 1>that's what you're rooted in. It doesn't matter what color

0:35:39.840 --> 0:35:43.279
<v Speaker 1>background you are. That region feeds who you are. If

0:35:43.320 --> 0:35:45.640
<v Speaker 1>you know, you know, you know when somebody's from a

0:35:45.640 --> 0:35:48.000
<v Speaker 1>place and they love that place because they're rooted in

0:35:48.000 --> 0:35:51.960
<v Speaker 1>those food traditions. Um so yeah, I mean American American

0:35:51.960 --> 0:35:56.480
<v Speaker 1>food is and layers. It's a global, it's indigenous, it's colonial,

0:35:57.040 --> 0:35:59.440
<v Speaker 1>and by colonial, I do not mean nice little colonial

0:35:59.440 --> 0:36:01.879
<v Speaker 1>buckles on the shoes. I mean colonial is in Oh

0:36:01.920 --> 0:36:04.680
<v Speaker 1>my god, this is terrific and it's and it's and

0:36:04.719 --> 0:36:09.759
<v Speaker 1>it's also divisive. American food, by its very nature is

0:36:08.440 --> 0:36:15.200
<v Speaker 1>is divisive. And we have to understand this. It's divisive.

0:36:15.480 --> 0:36:18.280
<v Speaker 1>You don't hear anybody else more than Americans arguing more

0:36:18.760 --> 0:36:24.600
<v Speaker 1>about um, the precision of recipes based on state, region, place,

0:36:25.239 --> 0:36:30.040
<v Speaker 1>and also Americans racialize food more than anybody else. So

0:36:30.080 --> 0:36:32.480
<v Speaker 1>I think we have to really have to wrestle with

0:36:32.520 --> 0:36:37.120
<v Speaker 1>that that we we have a food tradition that's very uh,

0:36:37.320 --> 0:36:41.520
<v Speaker 1>chauvinistic and divisive, even though it's incredibly beautiful. And you're right,

0:36:41.560 --> 0:36:44.200
<v Speaker 1>so you said something really important there because when people

0:36:44.280 --> 0:36:46.279
<v Speaker 1>and I've always thought about this in terms of what

0:36:46.360 --> 0:36:48.719
<v Speaker 1>I do. I cook what I call American food, it's

0:36:48.719 --> 0:36:54.279
<v Speaker 1>really some influences from from Italy and France because that's

0:36:54.360 --> 0:36:58.239
<v Speaker 1>kind of how I grew up cooking. But uh, and

0:36:58.239 --> 0:37:00.040
<v Speaker 1>I would say sometimes like people don't say that to

0:37:00.040 --> 0:37:01.440
<v Speaker 1>go out for American food if they want to go

0:37:01.440 --> 0:37:03.880
<v Speaker 1>out for French food or Italian food or maybe Greek food.

0:37:04.200 --> 0:37:06.400
<v Speaker 1>When they start saying we want to go out for

0:37:06.480 --> 0:37:10.120
<v Speaker 1>African food, when white people start saying that, maybe that's

0:37:10.160 --> 0:37:13.399
<v Speaker 1>when it starts to sink in. You know, maybe that's

0:37:13.400 --> 0:37:15.439
<v Speaker 1>what we need to start hearing. And obviously it needs

0:37:15.480 --> 0:37:18.080
<v Speaker 1>to be taught. Listen, we need to start in schools

0:37:18.080 --> 0:37:21.560
<v Speaker 1>and teach history. I mean, I I screwed up royally

0:37:22.080 --> 0:37:24.960
<v Speaker 1>in naming a restaurant um a couple of years back.

0:37:25.560 --> 0:37:28.879
<v Speaker 1>Um Uh. It was in an old historical building. There

0:37:28.920 --> 0:37:31.440
<v Speaker 1>were two publishers named Faller and Wells in the building

0:37:32.320 --> 0:37:39.200
<v Speaker 1>UM and they published Journalism of Phrenology. I had no

0:37:39.480 --> 0:37:44.920
<v Speaker 1>idea what that meant in terms of, you know, how

0:37:44.920 --> 0:37:49.520
<v Speaker 1>would affect black people. I had no idea what rabbit

0:37:49.560 --> 0:37:52.719
<v Speaker 1>hole I was going down. I was never taught. And

0:37:52.760 --> 0:37:54.440
<v Speaker 1>for me, I was like, you know what, I I

0:37:54.480 --> 0:37:58.040
<v Speaker 1>gotta be a little more, take a little more responsibility,

0:37:58.239 --> 0:38:01.799
<v Speaker 1>and do the work because I stopped short. I thought

0:38:01.840 --> 0:38:04.719
<v Speaker 1>I did the work, but I stopped short. And so

0:38:05.600 --> 0:38:08.480
<v Speaker 1>it's it's uh, it was just eye opening to it.

0:38:08.840 --> 0:38:12.880
<v Speaker 1>I was leading into the idea of teaching history in

0:38:12.960 --> 0:38:16.439
<v Speaker 1>school and we're leaving out huge pieces of it. Yeah,

0:38:16.440 --> 0:38:19.520
<v Speaker 1>and and so again going back to what what your

0:38:19.600 --> 0:38:22.799
<v Speaker 1>your blueprint, it's a blueprint of really really anyone to

0:38:22.800 --> 0:38:26.839
<v Speaker 1>take that journey and find history. But also realizing that

0:38:26.880 --> 0:38:29.040
<v Speaker 1>there's a huge part of American history that has left

0:38:29.080 --> 0:38:31.120
<v Speaker 1>off and it's not enough to have Black History Month.

0:38:32.520 --> 0:38:34.759
<v Speaker 1>It's not enough. But but but you know what, you

0:38:34.760 --> 0:38:37.680
<v Speaker 1>know what I would I'm not gonna I'm not gonna

0:38:37.719 --> 0:38:39.799
<v Speaker 1>absolve you of your journey, because your journey and that

0:38:39.920 --> 0:38:43.839
<v Speaker 1>was important looking drops resolution here. No no no no

0:38:43.840 --> 0:38:45.480
<v Speaker 1>no no no no no no no. I know you're

0:38:45.480 --> 0:38:48.120
<v Speaker 1>not because you're taking responsibility, you're owning it. But I'm

0:38:48.160 --> 0:38:50.480
<v Speaker 1>but I'm gonna but I'm gonna say something to you

0:38:50.520 --> 0:38:56.080
<v Speaker 1>about it because I think that, um, this cultural literacy

0:38:56.400 --> 0:39:04.680
<v Speaker 1>problem effects us both. Okay, because I respect the fact

0:39:04.760 --> 0:39:08.279
<v Speaker 1>you have. You know, the person you describe who was

0:39:08.320 --> 0:39:11.040
<v Speaker 1>working for you had a really in depth sort of

0:39:11.080 --> 0:39:19.400
<v Speaker 1>like engagement with awareness. But bromn, I know a lot

0:39:19.520 --> 0:39:26.680
<v Speaker 1>of well educated negroes that don't that don't that wouldn't

0:39:26.680 --> 0:39:32.840
<v Speaker 1>know the difference anymore than you. Because listen, and this,

0:39:32.840 --> 0:39:36.000
<v Speaker 1>this is why people get upset. Not people, excuse me,

0:39:36.160 --> 0:39:40.920
<v Speaker 1>let me be specific. White people who do are kind

0:39:40.920 --> 0:39:43.600
<v Speaker 1>of caught unaware. They get upset because they go, well,

0:39:43.680 --> 0:39:46.480
<v Speaker 1>I didn't know that, Well this wasn't this. Why does

0:39:46.520 --> 0:39:49.040
<v Speaker 1>it matter? Why you bring politics in this, why you

0:39:49.080 --> 0:39:52.960
<v Speaker 1>bring race into it, whereas those of us who are

0:39:53.000 --> 0:39:56.000
<v Speaker 1>on this other path are going. If you don't know

0:39:56.040 --> 0:40:01.440
<v Speaker 1>how insidious and how woven in this is to the

0:40:01.480 --> 0:40:05.480
<v Speaker 1>basic fabric um, not just American but Western society period,

0:40:06.719 --> 0:40:11.799
<v Speaker 1>then yeah, you're missing the point. I mean, it's to me,

0:40:11.840 --> 0:40:15.200
<v Speaker 1>it's like to be aware of these things, to be

0:40:15.239 --> 0:40:19.880
<v Speaker 1>aware of these connections is really to have to confront oneself.

0:40:20.440 --> 0:40:22.960
<v Speaker 1>You have to in other words, you have to part

0:40:22.960 --> 0:40:26.600
<v Speaker 1>of the educational process isn't just knowing the facts, It's

0:40:26.640 --> 0:40:30.960
<v Speaker 1>only what the facts mean to you. What are they,

0:40:31.000 --> 0:40:34.000
<v Speaker 1>what do they actually on on the ground mean? I mean,

0:40:34.080 --> 0:40:37.440
<v Speaker 1>I I'm collecting American history textbooks right now, and not

0:40:37.480 --> 0:40:39.600
<v Speaker 1>one of these damn cook textbooks, except for maybe the

0:40:39.600 --> 0:40:42.240
<v Speaker 1>one is coming, not one of them talks about how

0:40:42.280 --> 0:40:46.680
<v Speaker 1>important cotton was to the American economy to the European

0:40:46.719 --> 0:40:50.799
<v Speaker 1>economy too. Yes, exactly know the fact that there's like

0:40:50.920 --> 0:40:54.879
<v Speaker 1>people think of, oh, so I've heard it. I've heard

0:40:54.920 --> 0:40:57.040
<v Speaker 1>a thousand times. Yeah, I know that you had a

0:40:57.040 --> 0:40:59.560
<v Speaker 1>shitty like you're picking cotton downs out or something, but

0:40:59.640 --> 0:41:01.759
<v Speaker 1>then you actual free, no excuses, And I said, no, no, no,

0:41:02.120 --> 0:41:05.799
<v Speaker 1>that cotton represented two thirds of the American economy and

0:41:05.840 --> 0:41:08.560
<v Speaker 1>the processing of that cotton exportation, that cotton man, the

0:41:08.600 --> 0:41:11.480
<v Speaker 1>European neighbor gonna come here to a better life, get land,

0:41:11.760 --> 0:41:16.120
<v Speaker 1>have opportunities. So no, no, no, no, no. Tobacco paid

0:41:16.200 --> 0:41:19.760
<v Speaker 1>for the the American Revolution via France and paid our debts.

0:41:19.920 --> 0:41:24.520
<v Speaker 1>And then when the French and the Germans went into revolution,

0:41:25.600 --> 0:41:28.959
<v Speaker 1>there was the planners of the Upper South started growing

0:41:29.000 --> 0:41:32.000
<v Speaker 1>wheat and corn because Europe wasn't even growing gray anymore.

0:41:32.080 --> 0:41:33.879
<v Speaker 1>It was. It was a constantly revolution in the war.

0:41:34.760 --> 0:41:37.239
<v Speaker 1>So so if you don't know those three facts, right,

0:41:37.680 --> 0:41:41.240
<v Speaker 1>three or four facts, then you think that the black

0:41:41.280 --> 0:41:46.800
<v Speaker 1>experience is ancillary to whiteness, and it's not. It's central,

0:41:48.719 --> 0:41:52.480
<v Speaker 1>no more no different than me having to understand that

0:41:52.560 --> 0:41:59.120
<v Speaker 1>when Europeans decimated their resources between the fourteen and seventeen centuries,

0:41:59.840 --> 0:42:03.279
<v Speaker 1>they then had to figure out either we're gonna get

0:42:03.320 --> 0:42:05.880
<v Speaker 1>some massive review what we're doing, or we have to

0:42:05.880 --> 0:42:09.200
<v Speaker 1>go other places in colonize. We have, you know, the

0:42:09.320 --> 0:42:12.560
<v Speaker 1>last last comment on that, we have to know how

0:42:12.640 --> 0:42:19.360
<v Speaker 1>interpersonal and interconnected our stories are. You know, I can't

0:42:19.480 --> 0:42:23.640
<v Speaker 1>there's no way that I can appreciate you without the

0:42:23.760 --> 0:42:27.080
<v Speaker 1>contextual fullness. And so it has to be more than

0:42:27.120 --> 0:42:30.960
<v Speaker 1>just places and dates and times and and and our trivia.

0:42:31.000 --> 0:42:33.879
<v Speaker 1>It has to be meaningful and you have to feel it.

0:42:34.600 --> 0:42:41.320
<v Speaker 1>M hmm. Yeah. But again that's that's what I imagine

0:42:41.440 --> 0:42:45.440
<v Speaker 1>is so hard for for so many people. Yeah, you

0:42:45.520 --> 0:42:47.680
<v Speaker 1>look the original sin of of of our country and

0:42:47.760 --> 0:42:49.480
<v Speaker 1>slaveries that sin, and then they have to go back

0:42:49.480 --> 0:42:55.880
<v Speaker 1>and say, man, not only did we, you know, build

0:42:55.920 --> 0:42:58.960
<v Speaker 1>our country on the bodies of enslaved people, but they

0:42:59.000 --> 0:43:04.200
<v Speaker 1>actually made the country. They they they they, and people

0:43:04.200 --> 0:43:05.879
<v Speaker 1>don't want they don't they don't want to give that up.

0:43:06.160 --> 0:43:09.439
<v Speaker 1>And I think, you know, even liberal people I think

0:43:09.440 --> 0:43:11.400
<v Speaker 1>look at and go, well, yeah, okay, I get it,

0:43:11.440 --> 0:43:14.080
<v Speaker 1>I I you know, and it all sounds good and

0:43:14.160 --> 0:43:17.480
<v Speaker 1>let's move on. No, I can't move on because unless

0:43:17.520 --> 0:43:22.000
<v Speaker 1>you actually admit to that, there's no moving on, right

0:43:22.320 --> 0:43:24.279
<v Speaker 1>And and that's that's where that's where I think the

0:43:24.440 --> 0:43:27.680
<v Speaker 1>change when we're talking right now of obviously with George

0:43:27.680 --> 0:43:30.440
<v Speaker 1>Floyd's death and people that just changed it in the air,

0:43:30.480 --> 0:43:33.319
<v Speaker 1>and and COVID also exposed so many you know, uh

0:43:33.440 --> 0:43:35.880
<v Speaker 1>for the fragility of our country and our economic system

0:43:35.920 --> 0:43:38.040
<v Speaker 1>and our food system, and so, you know, can we

0:43:38.120 --> 0:43:40.440
<v Speaker 1>find a better way, But it has to start with actually,

0:43:40.960 --> 0:43:44.160
<v Speaker 1>you know, acknowledging that. And until we do that, there

0:43:44.239 --> 0:43:48.319
<v Speaker 1>is no moving forward. And people don't want to be vulnerable. Yeah,

0:43:48.480 --> 0:43:52.960
<v Speaker 1>that's that's right, that's right. They don't want to be vulnerable.

0:43:53.200 --> 0:43:55.560
<v Speaker 1>They don't want to seed power. You know something. I

0:43:55.560 --> 0:43:57.759
<v Speaker 1>think you said something about that one time, and let's

0:43:57.760 --> 0:44:00.239
<v Speaker 1>see it. I see so many battake is why car

0:44:00.400 --> 0:44:03.719
<v Speaker 1>give does he do say it? He just said something

0:44:03.719 --> 0:44:07.560
<v Speaker 1>about seating some damn power, because that's honestly, what's what's up.

0:44:08.080 --> 0:44:09.839
<v Speaker 1>And it's not and it's not that you've given them

0:44:09.840 --> 0:44:14.920
<v Speaker 1>at all. About we're just saying I can I can afford. Yeah,

0:44:15.040 --> 0:44:17.359
<v Speaker 1>And I'm not talking about I'm not talking about fame

0:44:17.520 --> 0:44:20.239
<v Speaker 1>or position or platform. You just stuck about white. As

0:44:20.280 --> 0:44:24.839
<v Speaker 1>you said, I can afford to see some of this whiteness.

0:44:24.040 --> 0:44:26.480
<v Speaker 1>And it's not gonna make me any different. It's not

0:44:26.480 --> 0:44:29.160
<v Speaker 1>gonna it's not gonna change my life, but I can

0:44:29.239 --> 0:44:30.920
<v Speaker 1>change a lot of other people's lives, you know. And

0:44:30.920 --> 0:44:34.799
<v Speaker 1>and and that's that's where I think the conversation needs

0:44:34.800 --> 0:44:39.319
<v Speaker 1>to go. And I'm i'm uh, you know, if I'm

0:44:39.400 --> 0:44:41.640
<v Speaker 1>hearing from from so many of my friends, just sit

0:44:41.680 --> 0:44:44.040
<v Speaker 1>back and listen. Do the work. You don't need to

0:44:44.040 --> 0:44:46.120
<v Speaker 1>have the answers. Don't even think you have the answers.

0:44:46.239 --> 0:44:49.120
<v Speaker 1>And UM, I got I gotta say this conversation. I was,

0:44:49.200 --> 0:44:53.080
<v Speaker 1>I was, I was nervous coming in, um, and I

0:44:53.120 --> 0:44:55.400
<v Speaker 1>feel so much better after having it. And and I

0:44:55.400 --> 0:44:57.960
<v Speaker 1>don't say that from wanting you to make me feel

0:44:58.000 --> 0:45:02.799
<v Speaker 1>better about myself. I having voices like you out there,

0:45:03.560 --> 0:45:06.000
<v Speaker 1>and and I really believe that you can heal so

0:45:06.080 --> 0:45:10.080
<v Speaker 1>much through food and using food as the context. Bye bye.

0:45:10.280 --> 0:45:14.640
<v Speaker 1>By your reclaiming history, telling history, having people understand the experience,

0:45:15.680 --> 0:45:18.000
<v Speaker 1>having people like you doing it, I think gets as

0:45:18.040 --> 0:45:23.400
<v Speaker 1>closer to understanding acceptance, you know, changing changing some minds

0:45:23.440 --> 0:45:26.480
<v Speaker 1>and changing changing you know, our experience here in this country,

0:45:26.560 --> 0:45:30.040
<v Speaker 1>because something's got to give. Thank you, um and and

0:45:30.120 --> 0:45:34.520
<v Speaker 1>I think, uh um, you know, I just you know,

0:45:34.600 --> 0:45:37.680
<v Speaker 1>you're you're not afraid. I'm just I'm just happy to

0:45:37.719 --> 0:45:39.719
<v Speaker 1>spend this last I think we're going on an hour

0:45:39.760 --> 0:45:44.000
<v Speaker 1>now with you. So um, thanks man, this was great,

0:45:44.040 --> 0:45:46.799
<v Speaker 1>great conversation. I appreciate it. We're the hardest thing I

0:45:46.840 --> 0:45:51.400
<v Speaker 1>do is when I interpret slavery, sometimes people don't understand.

0:45:52.239 --> 0:45:53.880
<v Speaker 1>And I mean a lot of times there's it's a

0:45:53.960 --> 0:45:56.320
<v Speaker 1>fellow people of colored And I think, why are you

0:45:56.400 --> 0:45:59.879
<v Speaker 1>read traumatizing as might read traumatizing you. I'm showing you

0:46:00.080 --> 0:46:03.720
<v Speaker 1>the way to heal yourself is a steer your past,

0:46:03.920 --> 0:46:07.560
<v Speaker 1>your president in your future right in the eyes, and

0:46:07.640 --> 0:46:12.680
<v Speaker 1>don't blink, hug your ancestor and hug your descendant, and

0:46:12.760 --> 0:46:17.200
<v Speaker 1>hug yourself and heal and move. We we we we

0:46:17.239 --> 0:46:19.439
<v Speaker 1>have to because you know something we're cooking the kids

0:46:19.480 --> 0:46:22.719
<v Speaker 1>with dead people. The funniest thing I remember for when

0:46:22.719 --> 0:46:24.920
<v Speaker 1>you did Donna with Omar was I was joking about

0:46:25.200 --> 0:46:27.359
<v Speaker 1>you know when you're when you're when you're white, your

0:46:27.480 --> 0:46:30.640
<v Speaker 1>your people stay did and you go. Not when you're Italian.

0:46:32.280 --> 0:46:38.319
<v Speaker 1>So yeah, they show up, they do, they show up,

0:46:38.480 --> 0:46:41.759
<v Speaker 1>They really do, all right, Michael Pleasure, pleasure talking to you,

0:46:42.320 --> 0:46:45.760
<v Speaker 1>Thank you folks, thank you family, Stay safe and absolutely

0:46:45.800 --> 0:46:50.480
<v Speaker 1>you'll do again. A very special thanks to Chef Michael Twitty.

0:46:50.920 --> 0:46:52.960
<v Speaker 1>And it's always a shout out to a place to table.

0:46:53.760 --> 0:46:56.600
<v Speaker 1>Citizen Chef is a production of I Heart Media. Christopher

0:46:56.600 --> 0:47:00.360
<v Speaker 1>Howseiotis is our executive producer, Jescelyn Shields is our searcher,

0:47:00.520 --> 0:47:04.160
<v Speaker 1>and Gabrielle Collins is our producer and editor. Don't forget

0:47:04.160 --> 0:47:10.720
<v Speaker 1>to write us and we'll catch the next episode mhm