WEBVTT - Round One!

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<v Speaker 1>Hey, Christy, Hi, Will, how are you? I am amazingly awesome,

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<v Speaker 1>but I hear you are a little under the weather today.

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<v Speaker 1>It doesn't matter. We're moving forward with this contest no

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<v Speaker 1>matter what. Is taken so long, and we're here and

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<v Speaker 1>we are on around one. It's here, Christy, it's guys

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<v Speaker 1>four thousands, okay, Like I also did make it. Will

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<v Speaker 1>was cheering me on. I mean, we're here, We're excited.

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<v Speaker 1>But honestly, the people that we have are just I

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<v Speaker 1>feel so good about it, don't you, Will, I do.

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<v Speaker 1>I'm amazed. We have thousands of entries. And here's the

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<v Speaker 1>thing that I love. Any one of these sixteen could win. Truly.

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<v Speaker 1>There was not a single person where I was like, oh,

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<v Speaker 1>I don't know if that person could win, or that

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<v Speaker 1>person's definitely going to win. It was that any one

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<v Speaker 1>of these people could be signed, could step into a

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<v Speaker 1>booth and could be a voiceover actor. Absolutely. I also

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<v Speaker 1>think that the people can surprise you, you know, like

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<v Speaker 1>I think sometimes when we think about us as voice actors,

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<v Speaker 1>you send in a real and that's a lot of times.

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<v Speaker 1>What these folks did was they sent us a reel

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<v Speaker 1>of a bunch of different voices that they did, and

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<v Speaker 1>it was it was very effective for us to see

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<v Speaker 1>a sliver of their talent. But what we're doing on

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<v Speaker 1>the contest is giving them an opportunity to really almost

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<v Speaker 1>grow and through the challenges, you know, and really show

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<v Speaker 1>their passion and interest and abilities. And the problem is everybody,

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<v Speaker 1>So we're just going to jump ahead of this right now.

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<v Speaker 1>We know we don't have a ton of time. That's

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<v Speaker 1>the problem. We wish we could spend an episode with

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<v Speaker 1>each one of these contestants, but we just can't. We've

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<v Speaker 1>got to whittle it down and whittle it down. So

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<v Speaker 1>we're going to play some fast games in the first

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<v Speaker 1>round to get it to then the Elite eight, not

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<v Speaker 1>to steal a phrase, um, and then when we start

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<v Speaker 1>getting down to eight and down to four and down

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<v Speaker 1>to two, we will be able to spend more time

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<v Speaker 1>with them. But we're going to play some fast games

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<v Speaker 1>today for our very first episode of the Super Awesome

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<v Speaker 1>Contest to become the next Big White Actor. It's here,

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<v Speaker 1>Super Awesome Contest to become the next Big Voice Actor.

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<v Speaker 1>Let's do it, Christy, I love that. Oh, I'm so happy.

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<v Speaker 1>So as everybody knows, we are going to jump into this.

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<v Speaker 1>But every week, obviously Christy and I can't be the

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<v Speaker 1>only ones picking who's going to move forward. That is

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<v Speaker 1>not fair and that is not right, and that is

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<v Speaker 1>also fun and uh it's also we're an even number,

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<v Speaker 1>so we every week are going to be bringing on

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<v Speaker 1>a very special guest. Some have been on the podcast,

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<v Speaker 1>some have not been on the podcast, but some of

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<v Speaker 1>the best voiceover actors in the world are going to

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<v Speaker 1>help us run through these games. They're going to do

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<v Speaker 1>a little bit of coaching to help the voiceover actors

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<v Speaker 1>if maybe we want to get another take of something

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<v Speaker 1>that they're doing and them, we're gonna pick, and we're

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<v Speaker 1>gonna move on. And I'm so excited our voice, our

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<v Speaker 1>our guest today, friend of the podcast, one of our favorites,

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<v Speaker 1>and one of I would say, and I'm I don't

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<v Speaker 1>mean to speak for you, but like one of your

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<v Speaker 1>favorite people in the world right one hundred and twenty percent,

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<v Speaker 1>one of my favorite people on the planet. Love her.

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<v Speaker 1>Who's coming today, Christy? It's eg daily, Yeah, so everybody

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<v Speaker 1>here it is I hear Voices finally presents the super

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<v Speaker 1>awesome contest to become the next Big voice Actor. Round

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<v Speaker 1>one let's do. Yeah, Yeah, how are you. How are

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<v Speaker 1>you doing, Henny, We're good, We're good. Good to see you.

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<v Speaker 1>We're trying to make somebody's dream come true. And so

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<v Speaker 1>we started this super awesome contest to become the next

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<v Speaker 1>big voice actor. We got thousands of entries, thousands literally,

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<v Speaker 1>and we have now narrowed it down to the final

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<v Speaker 1>sixteen and today two of those people are going to

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<v Speaker 1>go head to head in a game that we have

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<v Speaker 1>created that you are going to help us pick, which

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<v Speaker 1>is called by the Numbers. So what we're what we're

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<v Speaker 1>gonna do, and we bring them out here. We're gonna

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<v Speaker 1>bring them out one at a time. They're going to

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<v Speaker 1>introduce themselves. We're going to talk to them a little bit,

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<v Speaker 1>find out a little bit about them, and then they've

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<v Speaker 1>each been given two lines of dialogue that we've written.

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<v Speaker 1>They don't know how they're going to say it yet though,

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<v Speaker 1>because the numbers that you pick are going to determine

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<v Speaker 1>the characters that they have to do. Okay, so we'll

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<v Speaker 1>run them through their paces a little bit. And also

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<v Speaker 1>please feel free to jump in and if you want

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<v Speaker 1>to do any mentoring or you want to say, hey,

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<v Speaker 1>you know what maybe slow it down or okay, absolutely anything,

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<v Speaker 1>anything to get them on the right track, because we've

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<v Speaker 1>picked sixteen really talented people that are ready to jump

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<v Speaker 1>into a booth. Now I love them. The winner is

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<v Speaker 1>flown out to Los Angeles, has lunch with us. When's

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<v Speaker 1>a thousand dollars. But the coolest thing is they also

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<v Speaker 1>get to sign with CEESD. They sign a professional contact

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<v Speaker 1>with CESD. That's amazing. You've got to become a voiceover actor.

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<v Speaker 1>So we're excited. That's amazing. We cannot wait. This is excited.

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<v Speaker 1>I am so excited. Here we go. Everybody. Here is

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<v Speaker 1>our first contestant ever in the Super Awesome contest to

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<v Speaker 1>become the next big voiceover actor. Please help us. Welcome

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<v Speaker 1>Dylan from Louisiana. Come on in, Dylan, O yay, Dylan, Hi,

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<v Speaker 1>Dylan Day, let's see you. How are you. I'm doing

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<v Speaker 1>just fine. How are you all? We're doing very well.

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<v Speaker 1>Thank you. Congratulations on making it to the final sixteen

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<v Speaker 1>out of thousands of entries, literally thousands of entries in

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<v Speaker 1>the final sixteen, my friends, so congratulations, thank you so much. Goodnesscribtion, Wow,

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<v Speaker 1>that's amazing. Congrats eg Daily of course she needs no introduction,

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<v Speaker 1>and she will be our guest judge and mentor for

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<v Speaker 1>the week, and we'll be helping you and your fellow

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<v Speaker 1>contestant out. So, just very briefly, Dylan can tell us

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<v Speaker 1>a little bit about how or why you want to

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<v Speaker 1>become a voice actor, how you fell in love with it. Um, Okay, Well,

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<v Speaker 1>I've been doing some voice acting stuff, mainly like indie

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<v Speaker 1>stuff for about six years. But I kind of fell

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<v Speaker 1>in love with this whole thing when I was fifteen,

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<v Speaker 1>Like a lot of people like who I'm sure you know,

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<v Speaker 1>start their journeys. I watched a lot of cartoons. I

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<v Speaker 1>watched watched a lot of anime, played a lot of

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<v Speaker 1>video games, and I was like, Wow, people do this

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<v Speaker 1>for a job. I like to do that for a job. Yeah.

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<v Speaker 1>I just I kinda I looked for as much as

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<v Speaker 1>I could to try to improve that skill. I just

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<v Speaker 1>kind of hung around theater from middle school to college

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<v Speaker 1>and yeah, and I found out about online voice acting

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<v Speaker 1>auditions and I just tried to give it a shot.

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<v Speaker 1>That's phenomenal, And it's so important that you mentioned that

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<v Speaker 1>not only were you just doing voices, but you were

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<v Speaker 1>studying acting. You're hanging around theater you were doing what

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<v Speaker 1>you because as we've always said, we're looking for actors

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<v Speaker 1>who can do some voices, not people that can do

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<v Speaker 1>voices that can act, which is two very different things.

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<v Speaker 1>And you know, honestly, like I did this voiceover seminar,

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<v Speaker 1>and one of the tools and tips that I put

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<v Speaker 1>on there was because some people don't have the money

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<v Speaker 1>to do all the classes and courses. But what I

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<v Speaker 1>did say was, you can learn everything you need to

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<v Speaker 1>just from your own house, your own laptop. You go on,

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<v Speaker 1>you go on and you watch commercials on YouTube, or

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<v Speaker 1>you watch television and you listen to the commercials and

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<v Speaker 1>you listen to the voices, and you go on and

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<v Speaker 1>you watch cartoons and you listen all the different characters.

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<v Speaker 1>Pretty soon you can start identifying who's doing what voice, like, oh,

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<v Speaker 1>that's Jim Cumming, so that's you, that's Tar Strong. So

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<v Speaker 1>one of the things I always say is like, you

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<v Speaker 1>can learn so much just from listening and watching TV.

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<v Speaker 1>Like you did. You know, it's not always just a

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<v Speaker 1>class you absorb. And then there's also a voice bank.

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<v Speaker 1>You can go and listen all people's demos and see

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<v Speaker 1>how their demos sounds. So you can really see like

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<v Speaker 1>how many different voices each person has on a voice

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<v Speaker 1>reel and what your competition is. So it's pretty powerful. Love,

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<v Speaker 1>that's all. This is what we love, Dylan is everybody.

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<v Speaker 1>We picked sixteen people, and Christy and I've been saying this,

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<v Speaker 1>we picked sixteen people that we think could start working tomorrow.

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<v Speaker 1>We don't know who's gonna in. Nobody's I know. I'm

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<v Speaker 1>telling is I want that booth man? What is that

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<v Speaker 1>your home? Like? What is this? This is a whisper

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<v Speaker 1>room booth. I kind of like, you know, I can.

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<v Speaker 1>I started off with a YETI blue mic, and I

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<v Speaker 1>was like, I probably should invest in this. I actually

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<v Speaker 1>want to, you know, make this a proper profession. So

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<v Speaker 1>I went the whole nine yards. I got a I

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<v Speaker 1>got a solid state logic, I got a annoyment. I

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<v Speaker 1>got a whisper room booth. I'm trying to I'm trying

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<v Speaker 1>my best to seem like a professional, like I know

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<v Speaker 1>what I'm doing. Well, that's what can I tell you?

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<v Speaker 1>Can I just let you in on something. That's all

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<v Speaker 1>we all are ever doing is just pretending that we

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<v Speaker 1>know what we're doing and moving day to day. That's

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<v Speaker 1>all we got Dylan. So if you believe, if you

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<v Speaker 1>believe that's what acting is, right exactly, we believe you believe.

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<v Speaker 1>That's another way of saying that is fake it till

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<v Speaker 1>you make it. That's just so thank you, Dylan. We're

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<v Speaker 1>going to put you back in the waiting room right

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<v Speaker 1>right now while we meet your fellow contestant, and then

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<v Speaker 1>we're gonna bring you back out for a round one

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<v Speaker 1>of the game. You got your lines right, got him?

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<v Speaker 1>All right? Here we go. We're seeing a minute, Dylan. Thanks, wow,

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<v Speaker 1>all right, so here we go. Contestant number two is

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<v Speaker 1>Julia from Virginia. Let's bring her in. Hi, Julia, Hello,

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<v Speaker 1>can you guys hear me? Okay, we can. How are

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<v Speaker 1>you I'm doing? Hey, Hi, I'm just beyond syched. So

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<v Speaker 1>congratulations girl, you're one of sixteen a year. That's pretty incredible.

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<v Speaker 1>Thank you. Oh yeah, thanks out of literally thousands literally

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<v Speaker 1>faust Yeah, Like, it's so funny. My friend Live she's

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<v Speaker 1>a big fan of Critical Role, and she ended up

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<v Speaker 1>telling me about this, and after I heard about it

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<v Speaker 1>from her, I was hearing about it everywhere. So it

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<v Speaker 1>was crazy. That's just the scale and the popularity that

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<v Speaker 1>this whole thing got it's I'm just so honored to

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<v Speaker 1>be a part of it. So we well, we're excited

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<v Speaker 1>to have you here. We really are. We we combed

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<v Speaker 1>through everybody and they were for the record. For the

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<v Speaker 1>people that did weren't weren't contacted to be in the

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<v Speaker 1>final sixteen. Thank you so much for putting everything out there.

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<v Speaker 1>You did amazing. We heard one after another and it

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<v Speaker 1>was really difficult to pick. But Julia, here you are

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<v Speaker 1>and well earned, well earned. Thank you. This is eg Daily,

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<v Speaker 1>who is of course voice in the business. It's so crazy.

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<v Speaker 1>I'm just two seconds ago i was hyping myself up

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<v Speaker 1>listen to some music, and now I'm just in a

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<v Speaker 1>zoom room with all of you guys. I'm just the

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<v Speaker 1>cool Hi. It's so nice to me. Ready to work

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<v Speaker 1>to go? Right? Oh yeah, ready, okay, So now question

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<v Speaker 1>we just very briefly, can you tell us a little

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<v Speaker 1>bit about why you love voice over and why this

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<v Speaker 1>is what you want to do for a career. Yeah, sure, Well,

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<v Speaker 1>I'll try to make this brief. When I was in

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<v Speaker 1>high school, my best friend and I we were like

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<v Speaker 1>in our school's band, and I always loved like voice,

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<v Speaker 1>like performing with my voice, performing in general and her

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<v Speaker 1>professor in college. She ended up being a TA four.

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<v Speaker 1>He does commercial voice overwork on the side, so I

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<v Speaker 1>did stop with him. He helped me so much, and

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<v Speaker 1>I was started just doing it kind of part time,

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<v Speaker 1>and I was on track to get my clinical psyche PhD.

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<v Speaker 1>And I moved to Virginia to go do that, and

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<v Speaker 1>I kind of realized for a few different reasons that

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<v Speaker 1>it wasn't exactly what I wanted to do, and I

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<v Speaker 1>was kind of like, well, I don't really know what

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<v Speaker 1>I want to do. And I realized that one of

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<v Speaker 1>the reasons too I wanted to do it was because

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<v Speaker 1>I was just in a psychology program. I was interesting enough,

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<v Speaker 1>and I kind of took a step back and was thinking,

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<v Speaker 1>what do I want to do? Like what am I

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<v Speaker 1>excited to do when I wake up every day? And

0:11:02.679 --> 0:11:07.440
<v Speaker 1>I'm like, hey, this voiceover thing pretty cool? So that yeah,

0:11:07.440 --> 0:11:10.640
<v Speaker 1>and I've been doing since September mostly full time, and

0:11:11.200 --> 0:11:13.080
<v Speaker 1>here I am so so you know what they say,

0:11:13.080 --> 0:11:15.160
<v Speaker 1>they say, don't make your b job your a job.

0:11:15.400 --> 0:11:17.160
<v Speaker 1>You have to keep your A job your a job,

0:11:17.160 --> 0:11:19.360
<v Speaker 1>and don't even have a bee job sometimes yeah, and

0:11:19.480 --> 0:11:21.560
<v Speaker 1>so otherwise you'll you know, it's so easy to fall

0:11:21.600 --> 0:11:25.480
<v Speaker 1>into it. A good job girl. Nice. Yeah. Plus, frankly,

0:11:25.520 --> 0:11:28.800
<v Speaker 1>I think you know most of the voiceover actors I

0:11:28.840 --> 0:11:31.440
<v Speaker 1>know myself included. We could always use a clinical psychioagrist,

0:11:31.480 --> 0:11:34.800
<v Speaker 1>so it'll be perfect anyway. So thank you so much.

0:11:34.840 --> 0:11:36.880
<v Speaker 1>So we're going to be jumping into our first game,

0:11:36.880 --> 0:11:40.960
<v Speaker 1>which is called by the Numbers. You have the lines, right, Okay, great,

0:11:41.000 --> 0:11:42.520
<v Speaker 1>So we're gonna put you back in the waiting room.

0:11:42.520 --> 0:11:44.760
<v Speaker 1>We're gonna bring Dylan in because Dylan got here first,

0:11:44.800 --> 0:11:46.439
<v Speaker 1>and we're going to run through a game with him.

0:11:46.480 --> 0:11:47.800
<v Speaker 1>And then we're gonna run through a game with you,

0:11:47.840 --> 0:11:50.800
<v Speaker 1>and we're gonna be bopping back and forth, and eg

0:11:51.000 --> 0:11:52.600
<v Speaker 1>is gonna be helping you out, and we're gonna be

0:11:52.640 --> 0:11:56.079
<v Speaker 1>just kind of, you know, doing this together. We're we're

0:11:56.080 --> 0:11:58.920
<v Speaker 1>waiting through this together, Julia. So we'll we'll get there.

0:11:58.920 --> 0:12:00.719
<v Speaker 1>But thank you so much and we'll see in a bit.

0:12:01.000 --> 0:12:13.920
<v Speaker 1>Great sounds good, So yeah, thank you, all right, everybody,

0:12:13.960 --> 0:12:17.439
<v Speaker 1>Before we bring in our first contestant, Dylan. Again, just

0:12:17.520 --> 0:12:19.040
<v Speaker 1>a little bit about what we're going to be doing.

0:12:19.080 --> 0:12:20.720
<v Speaker 1>We have comp with a game called by the Numbers,

0:12:20.720 --> 0:12:23.040
<v Speaker 1>and what we have done is we've broken everything into

0:12:23.080 --> 0:12:26.480
<v Speaker 1>a whole bunch of different categories, and the categories are size,

0:12:27.280 --> 0:12:31.840
<v Speaker 1>what are you age? And a wacky attribute. And what's

0:12:31.840 --> 0:12:34.520
<v Speaker 1>going to happen is just randomly, EG is going to

0:12:34.559 --> 0:12:37.520
<v Speaker 1>pick a whole bunch of different numbers, and through those numbers,

0:12:37.520 --> 0:12:40.800
<v Speaker 1>we are going to create a character. The contestants were

0:12:40.880 --> 0:12:43.720
<v Speaker 1>sent two lines that we have written here at I

0:12:43.800 --> 0:12:46.040
<v Speaker 1>hear voices, so they've been able to practice with the lines,

0:12:46.080 --> 0:12:48.400
<v Speaker 1>but they have absolutely no idea the character that they

0:12:48.400 --> 0:12:51.000
<v Speaker 1>have to create to actually do these lines. So we'll

0:12:51.080 --> 0:12:53.920
<v Speaker 1>run through it once. EG or Christy or I will

0:12:53.960 --> 0:12:55.959
<v Speaker 1>give them some notes, we will allow them to run

0:12:55.960 --> 0:12:57.480
<v Speaker 1>through it again, and then we will pop to our

0:12:57.520 --> 0:12:59.280
<v Speaker 1>other contestant who will do that. We're going to do

0:12:59.280 --> 0:13:01.040
<v Speaker 1>that a couple times because they each have two lines,

0:13:01.080 --> 0:13:03.160
<v Speaker 1>so we're going to see back and forth we go.

0:13:03.559 --> 0:13:06.679
<v Speaker 1>It's going to be a fun, fun journey. So here

0:13:06.800 --> 0:13:10.720
<v Speaker 1>is our first game ever. By the way, every level

0:13:10.760 --> 0:13:12.160
<v Speaker 1>we get to when we go to the Elite eight,

0:13:12.400 --> 0:13:15.120
<v Speaker 1>un of the Final four and then the Final two,

0:13:15.240 --> 0:13:17.360
<v Speaker 1>of course, every the games are going to change as

0:13:17.360 --> 0:13:18.680
<v Speaker 1>they go, and then when we get to the finals,

0:13:18.720 --> 0:13:21.320
<v Speaker 1>you're going to need skills in every single game to

0:13:21.440 --> 0:13:24.200
<v Speaker 1>finally win the super awesome contest to become the next

0:13:24.240 --> 0:13:26.560
<v Speaker 1>big Voice actor. So if we want to bring our

0:13:26.600 --> 0:13:32.839
<v Speaker 1>first guest back in, we bring Dylan in. Here we go, Dylan.

0:13:33.320 --> 0:13:35.480
<v Speaker 1>So you got that first line there, right, I do.

0:13:35.960 --> 0:13:38.120
<v Speaker 1>We are now going to create the character with which

0:13:38.160 --> 0:13:39.959
<v Speaker 1>you have to say that line. So, Eg, if you

0:13:40.000 --> 0:13:41.680
<v Speaker 1>could do me a favor, could you first pick a

0:13:41.760 --> 0:13:50.800
<v Speaker 1>number between one and six Devin? Oh, sorry, one and six, four? Four?

0:13:51.040 --> 0:13:53.320
<v Speaker 1>All right? Now, can you pick a number between one

0:13:53.400 --> 0:13:59.120
<v Speaker 1>and twelve eleven? And now pick a number between one

0:13:59.520 --> 0:14:05.720
<v Speaker 1>and seven two, And finally, if you can pick a

0:14:05.840 --> 0:14:12.800
<v Speaker 1>number between one and eleven d three. Okay, Dylan, Oh

0:14:12.800 --> 0:14:16.720
<v Speaker 1>my gosh, your first character. So we are going first.

0:14:16.760 --> 0:14:20.400
<v Speaker 1>Your first category is size. EG picked four, so you

0:14:20.480 --> 0:14:25.520
<v Speaker 1>are small. The second categories what are you? EG picked

0:14:25.560 --> 0:14:29.800
<v Speaker 1>number eleven, so you are a murr person. You live underwater?

0:14:31.720 --> 0:14:35.320
<v Speaker 1>Number the third categories age. She picked number two you

0:14:35.360 --> 0:14:41.080
<v Speaker 1>are five years old. And the last attribute is just

0:14:41.160 --> 0:14:44.160
<v Speaker 1>a wacky attribute. And she picked number three, so you

0:14:44.880 --> 0:14:52.920
<v Speaker 1>are German. You are a five year old small German murmurers.

0:14:55.320 --> 0:14:57.640
<v Speaker 1>No one said it was going to be easy, Dylan,

0:14:59.000 --> 0:15:00.960
<v Speaker 1>and we are going to run and here's the thing

0:15:01.000 --> 0:15:02.640
<v Speaker 1>you don't. You're not just gonna get one chance to

0:15:02.680 --> 0:15:04.160
<v Speaker 1>do this. We'll give you a shot at it and

0:15:04.200 --> 0:15:06.960
<v Speaker 1>then you know, eg, Christy and I will talk you

0:15:06.960 --> 0:15:08.640
<v Speaker 1>through it a little bit, figure out maybe we can

0:15:08.640 --> 0:15:10.960
<v Speaker 1>tweak it. You get to do it again, and then uh,

0:15:11.200 --> 0:15:12.960
<v Speaker 1>well we'll go back and see what your content, your

0:15:13.000 --> 0:15:14.960
<v Speaker 1>fellow contestant has to offer, and they will be they

0:15:15.000 --> 0:15:16.440
<v Speaker 1>will buy the right, by the way, be picking a

0:15:16.480 --> 0:15:20.240
<v Speaker 1>completely new character. Um, so here we go again. Remember

0:15:20.280 --> 0:15:24.760
<v Speaker 1>you were a small five year old mer person who

0:15:24.840 --> 0:15:27.720
<v Speaker 1>is German. And now if you could give us that

0:15:27.760 --> 0:15:41.680
<v Speaker 1>first line at your pleasure, sir, well you'll see will

0:15:41.760 --> 0:15:53.200
<v Speaker 1>be where alone. That was really good. That was good.

0:15:53.760 --> 0:15:56.160
<v Speaker 1>My first note I would say, is you got to

0:15:56.200 --> 0:16:00.280
<v Speaker 1>make sure we hear the dialogue though. Yeah, anybody else

0:16:00.280 --> 0:16:03.120
<v Speaker 1>want to want to give notes? Yeah, yeah, because I

0:16:03.200 --> 0:16:06.200
<v Speaker 1>see you go go oh yeah, I didn't. I liked

0:16:06.240 --> 0:16:10.000
<v Speaker 1>his uh interpretation of the kind of I felt like

0:16:10.000 --> 0:16:12.280
<v Speaker 1>he was underwaters. He's definitely a mirror person, so I

0:16:12.280 --> 0:16:14.800
<v Speaker 1>really got that. And I also, yeah, I felt the

0:16:14.840 --> 0:16:17.240
<v Speaker 1>young person. But yes, I just didn't hear the I

0:16:17.240 --> 0:16:20.040
<v Speaker 1>didn't know what the dialogue was, and that's important. Yeah, Well,

0:16:20.080 --> 0:16:24.440
<v Speaker 1>and accents always can pick people up, um and you know,

0:16:24.480 --> 0:16:28.880
<v Speaker 1>and so sometimes I try to place a character when

0:16:28.880 --> 0:16:31.480
<v Speaker 1>I get these, you know, directions for auditions, and I'll

0:16:31.520 --> 0:16:35.160
<v Speaker 1>try to remember a character from a Bond movie or something,

0:16:35.280 --> 0:16:38.240
<v Speaker 1>you know, to kind of locate in my mind that So,

0:16:38.280 --> 0:16:42.800
<v Speaker 1>do you have a German voice in mind? Maybe I

0:16:43.160 --> 0:16:45.920
<v Speaker 1>do have a German voice in mind. I coincidentally, I

0:16:46.000 --> 0:16:47.440
<v Speaker 1>play some D and D with friends and I had

0:16:47.480 --> 0:16:50.440
<v Speaker 1>to play a German character to try to kind of

0:16:50.480 --> 0:16:52.280
<v Speaker 1>work with that. Yeah, so add a little more of

0:16:52.320 --> 0:16:54.840
<v Speaker 1>that and just keep it small and young. And remember,

0:16:54.880 --> 0:16:57.160
<v Speaker 1>at the end of the day, when you're doing any

0:16:57.200 --> 0:17:00.960
<v Speaker 1>sort of animated series or a specially when you're doing

0:17:01.040 --> 0:17:03.960
<v Speaker 1>something like ad copy, they're gonna want to make sure

0:17:04.000 --> 0:17:06.639
<v Speaker 1>they can hear what they've written if you're especially if

0:17:06.640 --> 0:17:08.560
<v Speaker 1>you're selling a product or something like that. So let's

0:17:08.560 --> 0:17:11.359
<v Speaker 1>take do one more take. I love the Underwater. I

0:17:11.400 --> 0:17:13.439
<v Speaker 1>thought that was that really sold and I thought the

0:17:13.480 --> 0:17:15.359
<v Speaker 1>age was right too. It was a good it was

0:17:15.400 --> 0:17:17.320
<v Speaker 1>a good tone for the age of the character. I

0:17:17.359 --> 0:17:19.960
<v Speaker 1>would work a little bit more on just enunciating the

0:17:19.960 --> 0:17:23.560
<v Speaker 1>words and make sure we can hear the dialogue. You

0:17:23.680 --> 0:17:32.400
<v Speaker 1>go ahead, Take two, lever one believing in our factor

0:17:33.119 --> 0:17:36.520
<v Speaker 1>will be about four hours Prosen on an alcohold of

0:17:36.640 --> 0:17:46.040
<v Speaker 1>eight Fotben flying suit bart Riller, I didn't draw the flock.

0:17:47.960 --> 0:17:51.600
<v Speaker 1>Hey wait, that was great. That was great. That was great.

0:17:51.640 --> 0:17:53.679
<v Speaker 1>That was great. Great. You took all a lot of

0:17:53.680 --> 0:17:55.640
<v Speaker 1>the notes. I would say three. That was the other thing,

0:17:55.720 --> 0:17:59.360
<v Speaker 1>Dylan is you took the direction very well. So okay,

0:17:59.440 --> 0:18:01.760
<v Speaker 1>that's round und one. Dylan, thank you so much. We're

0:18:01.760 --> 0:18:03.600
<v Speaker 1>gonna put you back in the waiting room and go

0:18:03.680 --> 0:18:08.240
<v Speaker 1>from there. Oh good, Dylan, good job. That was That

0:18:08.400 --> 0:18:10.320
<v Speaker 1>was great. I can also see how this is going

0:18:10.359 --> 0:18:15.040
<v Speaker 1>to be exceptionally difficult, and I can't wait to see

0:18:15.040 --> 0:18:17.320
<v Speaker 1>the interpretations that people are having. It's going to be

0:18:17.400 --> 0:18:20.080
<v Speaker 1>so much fun. I sure hope that there's a reddit

0:18:20.119 --> 0:18:23.880
<v Speaker 1>page about these about these folks online. Please somebody create

0:18:23.880 --> 0:18:27.640
<v Speaker 1>a Reddit page for I hear voices and uh man,

0:18:27.680 --> 0:18:31.000
<v Speaker 1>I'm good for your favorite contestant, you know, because they

0:18:31.119 --> 0:18:33.720
<v Speaker 1>deserved beloved. That was great. I mean that that was

0:18:33.760 --> 0:18:37.120
<v Speaker 1>a lot. That was young, a lot German underwater mer

0:18:37.280 --> 0:18:40.919
<v Speaker 1>person and the dialogue. It was really great, good, easy,

0:18:41.119 --> 0:18:42.760
<v Speaker 1>And you know, I know there's fans out there going

0:18:42.760 --> 0:18:44.760
<v Speaker 1>like you guys, try that you do it, and I'm

0:18:44.760 --> 0:18:47.320
<v Speaker 1>sure I could do that as well as he just did. Honestly,

0:18:47.359 --> 0:18:51.240
<v Speaker 1>I mean that was phenomenal. Um. Okay, So that's that's

0:18:51.320 --> 0:18:53.840
<v Speaker 1>round one in the books. Let's bring in Julia from

0:18:53.920 --> 0:18:58.439
<v Speaker 1>Virginia and create her character. Hey, Julia, how are you good?

0:18:58.680 --> 0:19:01.200
<v Speaker 1>I'm just sitting in this zoom roll being like I

0:19:01.240 --> 0:19:04.879
<v Speaker 1>cannot believe that that just happened. So I've to work mode.

0:19:04.920 --> 0:19:07.640
<v Speaker 1>But I'm doing exactly Now it's time to work. Here

0:19:07.640 --> 0:19:11.720
<v Speaker 1>we go. So the game, I think I told you

0:19:11.720 --> 0:19:14.000
<v Speaker 1>it's going to be called by the numbers, and you

0:19:14.080 --> 0:19:16.520
<v Speaker 1>have your lines of dialogue there, and now eg by

0:19:16.560 --> 0:19:20.280
<v Speaker 1>picking random numbers is going to be creating the character

0:19:20.359 --> 0:19:23.840
<v Speaker 1>with which you have to say the dialogue. So your

0:19:23.880 --> 0:19:30.359
<v Speaker 1>four categories are size, what are you? Age, and a

0:19:30.400 --> 0:19:34.040
<v Speaker 1>wacky attribute and they can get whacky and the ages

0:19:34.080 --> 0:19:36.040
<v Speaker 1>can get weird. And we just saw from round one

0:19:36.119 --> 0:19:39.400
<v Speaker 1>you never know what's going to happen, all right, So

0:19:39.720 --> 0:19:44.440
<v Speaker 1>here we go, four Julia, EG a number between one

0:19:44.440 --> 0:19:51.679
<v Speaker 1>and six, please five, And now a number between one

0:19:51.720 --> 0:19:58.800
<v Speaker 1>and twelve, please two. And now a number between one

0:19:59.119 --> 0:20:07.880
<v Speaker 1>and seven, please six. And finally, a number between one

0:20:08.040 --> 0:20:18.240
<v Speaker 1>and eleven eight. Okay, So Julia, your character, your size,

0:20:18.359 --> 0:20:25.040
<v Speaker 1>You are tiny, Okay, you are a cat. Okay, so far,

0:20:25.119 --> 0:20:30.720
<v Speaker 1>so good. You are sixty years old, okay, and for

0:20:30.840 --> 0:20:34.480
<v Speaker 1>your wacky attribute, you have been stuck in traffic for

0:20:34.520 --> 0:20:41.280
<v Speaker 1>six hours six all right, okay, chat that's old and

0:20:41.400 --> 0:20:44.240
<v Speaker 1>annoyed from being stuck in traffic. Well, I didn't say annoyed.

0:20:44.480 --> 0:20:48.560
<v Speaker 1>I also didn't say annoyed. I just said stuck in traffic.

0:20:48.600 --> 0:20:53.119
<v Speaker 1>Everybody reacts in traffic differently. So we're gonna have you

0:20:53.160 --> 0:20:55.760
<v Speaker 1>read the first line we gave you there with that character,

0:20:56.320 --> 0:20:59.280
<v Speaker 1>and then we're gonna all kind of critique it and

0:20:59.280 --> 0:21:00.679
<v Speaker 1>give you some notes and give you a chance to

0:21:00.680 --> 0:21:03.800
<v Speaker 1>do it again. Okay, all right, so here you go,

0:21:04.160 --> 0:21:12.480
<v Speaker 1>take it away, Julia Action. Welcome aboard everyone. This is

0:21:12.560 --> 0:21:17.520
<v Speaker 1>your captain speaking. Our flight today will be about four

0:21:17.840 --> 0:21:21.760
<v Speaker 1>hours cursing at an altitude of eight feet. We'll be

0:21:21.800 --> 0:21:24.320
<v Speaker 1>flying over most people, the blad earth, and the places

0:21:24.320 --> 0:21:27.879
<v Speaker 1>where the aliens live. So sit back, we'll atax and

0:21:28.240 --> 0:21:35.840
<v Speaker 1>enjoy the flune. That was good, clear read, I thought

0:21:35.840 --> 0:21:39.560
<v Speaker 1>it was clear. I got um little. I felt little.

0:21:40.280 --> 0:21:44.120
<v Speaker 1>I felt her version of what traffic was maybe just

0:21:44.160 --> 0:21:47.520
<v Speaker 1>a little annoying, but without it, without it taking over,

0:21:47.640 --> 0:21:50.479
<v Speaker 1>you were still giving your instructions and I could hear

0:21:50.520 --> 0:21:53.880
<v Speaker 1>all your lines beautifully. I thought it was great. Would

0:21:53.880 --> 0:21:58.000
<v Speaker 1>you would you have her do anything different? Eigium? It

0:21:58.080 --> 0:22:02.520
<v Speaker 1>was little. It was in traffic, was the other notes?

0:22:02.640 --> 0:22:05.920
<v Speaker 1>It was cat. She was a cat. Yeah, I too, cat.

0:22:06.040 --> 0:22:09.520
<v Speaker 1>I would add a little bit more some kind of cat. Yeah,

0:22:09.600 --> 0:22:13.800
<v Speaker 1>maybe a little like a purring or yeah, some sort

0:22:13.800 --> 0:22:15.840
<v Speaker 1>of additives for a little bit of it. You can

0:22:15.880 --> 0:22:23.119
<v Speaker 1>say a line like it's time torlex and right, you

0:22:23.200 --> 0:22:25.880
<v Speaker 1>know whatever, I'll give it a try. That's a great

0:22:25.920 --> 0:22:27.800
<v Speaker 1>no Christy anyway, so you said a little more cat.

0:22:27.880 --> 0:22:30.200
<v Speaker 1>I agree. I love that. I thought. I just think

0:22:30.200 --> 0:22:33.520
<v Speaker 1>that everything else, Yeah, that's it. Injects of fun in

0:22:33.600 --> 0:22:37.040
<v Speaker 1>it and check the wacky. Yeah, I'm gonna try. But

0:22:37.119 --> 0:22:40.000
<v Speaker 1>your tone is your tone is wonderful. The read was great,

0:22:40.080 --> 0:22:42.840
<v Speaker 1>So the acting was good. Okay, um, which again is

0:22:43.119 --> 0:22:45.800
<v Speaker 1>the most important thing. And yeah, I think maybe play

0:22:45.840 --> 0:22:48.679
<v Speaker 1>with it a little bit um and find, you know,

0:22:48.720 --> 0:22:50.360
<v Speaker 1>if you can find some of those moments that EG

0:22:50.560 --> 0:22:53.040
<v Speaker 1>was talking about and to interject a little cat there,

0:22:53.040 --> 0:22:55.640
<v Speaker 1>I think you would take it to the next level. Okay,

0:22:55.760 --> 0:22:57.640
<v Speaker 1>all right, We'll try to put a little cat there

0:22:57.960 --> 0:23:01.480
<v Speaker 1>is to you. And remember cats, cats can make different sounds.

0:23:01.480 --> 0:23:06.200
<v Speaker 1>They can go, they do weird little other sounds too.

0:23:06.240 --> 0:23:09.720
<v Speaker 1>That's not just purring, you know. Okay, all right, so

0:23:10.000 --> 0:23:14.159
<v Speaker 1>here we go, Julia, take two at your pleasure. Okay,

0:23:16.359 --> 0:23:23.200
<v Speaker 1>welcome aboard everyone. This is your captain speaking. Our flight

0:23:23.240 --> 0:23:27.280
<v Speaker 1>today will be about four hours cruising it on an

0:23:27.320 --> 0:23:31.840
<v Speaker 1>altitude of eight feet. We'll be flying over most of

0:23:31.840 --> 0:23:34.840
<v Speaker 1>the flat earth and the places where the aliens live.

0:23:34.960 --> 0:23:40.960
<v Speaker 1>So sit back, relax hands, and enjoy the flight. I

0:23:41.000 --> 0:23:42.840
<v Speaker 1>was having trouble. No one were to put the cat

0:23:42.920 --> 0:23:47.800
<v Speaker 1>sounds in, but sure, sure, no that makes sense. But no,

0:23:47.960 --> 0:23:51.639
<v Speaker 1>that was good. We got two good takes and that

0:23:51.760 --> 0:23:53.639
<v Speaker 1>was great. So if you'll give us a moment, and

0:23:53.680 --> 0:23:55.479
<v Speaker 1>now we will come back for round two with your

0:23:55.480 --> 0:23:57.479
<v Speaker 1>second line. We'll be building a whole new character. So

0:23:57.520 --> 0:23:59.720
<v Speaker 1>it's going to be fun. Thank you very much. I

0:23:59.760 --> 0:24:01.480
<v Speaker 1>love a tone of your voice. By the way. Good job.

0:24:01.480 --> 0:24:04.040
<v Speaker 1>Oh man, So she's in the guest room right, yeah. Yeah,

0:24:04.080 --> 0:24:05.879
<v Speaker 1>you know it's sad because I really wish that they

0:24:05.880 --> 0:24:08.280
<v Speaker 1>could if they like when we're in the booth, we're

0:24:08.320 --> 0:24:11.000
<v Speaker 1>always like, you know, give me one more, and we

0:24:11.119 --> 0:24:14.120
<v Speaker 1>generally have time to like, just give somebody one more.

0:24:14.880 --> 0:24:17.120
<v Speaker 1>Do you want to be doing that? If we can't.

0:24:17.160 --> 0:24:18.840
<v Speaker 1>That's the thing is I think we're giving each the

0:24:18.920 --> 0:24:21.040
<v Speaker 1>two takes. It's tough because we want to see a question.

0:24:21.520 --> 0:24:23.800
<v Speaker 1>We also want to see. Yeah, you want to see

0:24:23.800 --> 0:24:26.240
<v Speaker 1>them incorporating the little sound. She kind of lost some

0:24:26.240 --> 0:24:29.200
<v Speaker 1>of the things in the second take she did. Yeah,

0:24:29.240 --> 0:24:32.600
<v Speaker 1>she lost some of the irritation or the being in traffic,

0:24:32.640 --> 0:24:35.520
<v Speaker 1>and she she lost some of the small small I thought.

0:24:35.640 --> 0:24:38.119
<v Speaker 1>But I agree where I thought. Dylan actually incorporated what

0:24:38.160 --> 0:24:41.800
<v Speaker 1>we said to the second take better than she did. Yeah. Okay,

0:24:41.840 --> 0:24:43.840
<v Speaker 1>but hey, that's round one. We're going to see. Let's

0:24:43.840 --> 0:24:46.719
<v Speaker 1>go to round two if we can. Dylan, come on back,

0:24:47.760 --> 0:24:49.920
<v Speaker 1>all right, Dylan, Here we go round two, my friend,

0:24:50.200 --> 0:24:52.920
<v Speaker 1>you've got your second line. Yes, I do, all right,

0:24:53.080 --> 0:24:55.840
<v Speaker 1>e g once again, if you will please, a number

0:24:55.880 --> 0:25:01.440
<v Speaker 1>between one and six two, now, a number between one

0:25:01.560 --> 0:25:10.720
<v Speaker 1>and twelve, eleven, and now I take ten instead of

0:25:12.400 --> 0:25:14.560
<v Speaker 1>I'm gonna allow that change. I'm gonna allow that change

0:25:14.760 --> 0:25:19.040
<v Speaker 1>because he would have been a mer person. Again, a

0:25:19.119 --> 0:25:26.280
<v Speaker 1>number between one and seven, five, and now, finally, a

0:25:26.440 --> 0:25:33.320
<v Speaker 1>number between one and eleven five. Okay, So for your

0:25:33.440 --> 0:25:38.199
<v Speaker 1>next character, Dylan, you are big. You are a big

0:25:38.760 --> 0:25:46.040
<v Speaker 1>robot that is thirty years old that just won the lottery.

0:25:46.359 --> 0:25:50.159
<v Speaker 1>Oh I think, so how to take of that? What

0:25:50.359 --> 0:25:54.720
<v Speaker 1>you will, my friend, but line too at your pleasure.

0:25:54.800 --> 0:25:57.640
<v Speaker 1>You are a big, big, thirty year old robot that

0:25:57.800 --> 0:26:02.520
<v Speaker 1>just won the lottery. Anytime, I'd like a double triple

0:26:02.560 --> 0:26:05.320
<v Speaker 1>ice top mokea grande ventidcap with oak phone whip cream

0:26:05.320 --> 0:26:07.479
<v Speaker 1>and a straw to go, please, but I'll be drinking

0:26:07.520 --> 0:26:15.840
<v Speaker 1>it here. I felt it, I felt I felt large,

0:26:15.880 --> 0:26:20.120
<v Speaker 1>I felt I felt all of it. Yeah, that was excitement. Yeah,

0:26:20.119 --> 0:26:24.040
<v Speaker 1>it was excitement, but still just the monotonic. Great, that

0:26:24.119 --> 0:26:27.120
<v Speaker 1>was great. Does anybody have any notes on that? No notes?

0:26:28.480 --> 0:26:31.800
<v Speaker 1>E g. Yeah, I really felt like he captured all

0:26:31.840 --> 0:26:36.119
<v Speaker 1>of it in that one. I don't disagree. I wouldn't

0:26:36.200 --> 0:26:39.159
<v Speaker 1>you know, why don't we do one more take for you? Bigger,

0:26:39.280 --> 0:26:42.480
<v Speaker 1>a little bit bigger. Yeah, And as we would say

0:26:42.520 --> 0:26:45.399
<v Speaker 1>sometimes in the booth, uh, you know, when you've played

0:26:45.440 --> 0:26:47.920
<v Speaker 1>and they think they've got it anyway, Dylan, they would say,

0:26:48.080 --> 0:26:50.959
<v Speaker 1>this one's just for you, so go ahead. Every year.

0:26:52.119 --> 0:26:56.760
<v Speaker 1>That sounds good. I'd like a double triple ice hot

0:26:56.800 --> 0:27:00.480
<v Speaker 1>mokea grande vent decaf with oatmolk foam whip at a

0:27:00.520 --> 0:27:03.359
<v Speaker 1>straw to go please, but I'll be drinking it here.

0:27:04.800 --> 0:27:09.239
<v Speaker 1>Boom perfect, Thank you, Dylan. Than Round two is in

0:27:09.280 --> 0:27:15.280
<v Speaker 1>the books. Oh, we'll be back with you in a second. Button. Wow.

0:27:16.280 --> 0:27:18.720
<v Speaker 1>I thought that first take was great. It's great, and

0:27:18.800 --> 0:27:23.480
<v Speaker 1>even the second it's very consistent. Creative, quick, quick, and creative.

0:27:23.560 --> 0:27:27.080
<v Speaker 1>Right away. I agree one hundred percent. Okay, let's go

0:27:27.119 --> 0:27:31.560
<v Speaker 1>back to Julia. Okay, all right, Julia, here we are

0:27:31.720 --> 0:27:33.760
<v Speaker 1>round two. We are going to create a character for

0:27:33.800 --> 0:27:36.240
<v Speaker 1>you one more time. You got your second line of dialogue. There,

0:27:36.800 --> 0:27:39.359
<v Speaker 1>here we go eg one more time. Please a number

0:27:39.400 --> 0:27:44.760
<v Speaker 1>between one and six four, and now a number between

0:27:44.840 --> 0:27:52.240
<v Speaker 1>one and twelve nine, and now a number between one

0:27:52.440 --> 0:28:00.919
<v Speaker 1>and seven four, and finally a number between one and

0:28:01.040 --> 0:28:09.080
<v Speaker 1>eleven ten. Okay, just so, Julia, very interesting for your character.

0:28:09.320 --> 0:28:12.480
<v Speaker 1>For your second line of dialogue. You are small. You

0:28:12.520 --> 0:28:17.760
<v Speaker 1>are a small alien that is fifteen years old, and

0:28:17.840 --> 0:28:23.119
<v Speaker 1>you're afraid of your own shadow. So again, a small

0:28:23.160 --> 0:28:27.440
<v Speaker 1>alien fifteen years old, afraid of your own shadow. At

0:28:27.480 --> 0:28:34.920
<v Speaker 1>your pleasure, Julie, anytime, right, it's call those lines. Look

0:28:34.960 --> 0:28:44.160
<v Speaker 1>what I'd like a double triple I stuff hot Mocha

0:28:44.920 --> 0:28:51.680
<v Speaker 1>brande BENI tacap with old milk foam whip and a

0:28:51.800 --> 0:28:56.080
<v Speaker 1>straw war to go blis. But I'll be drinking it here.

0:28:57.600 --> 0:29:00.800
<v Speaker 1>Good job, nice say. I was like trying to make

0:29:00.880 --> 0:29:04.640
<v Speaker 1>those things together somewhere to the first one. Sure, no,

0:29:04.760 --> 0:29:07.560
<v Speaker 1>of course, yeah, ag, do you have any any direction

0:29:07.640 --> 0:29:10.360
<v Speaker 1>or notes? Um, I would just like to hear you do,

0:29:10.520 --> 0:29:13.200
<v Speaker 1>or even a little smaller. But I liked. I liked

0:29:13.200 --> 0:29:16.040
<v Speaker 1>how you added some fear and some afraid of your

0:29:16.040 --> 0:29:17.800
<v Speaker 1>own shadow. I think the voice could even be a

0:29:17.800 --> 0:29:21.000
<v Speaker 1>little bit more whispy, like uh, you know, like somebody news.

0:29:21.880 --> 0:29:25.680
<v Speaker 1>Oh no, maybe I'll have a you know, a little

0:29:25.680 --> 0:29:27.880
<v Speaker 1>bit a little more timid. But you can even add

0:29:27.880 --> 0:29:29.720
<v Speaker 1>because your voice is so sweet, that little bit of

0:29:29.760 --> 0:29:35.080
<v Speaker 1>a whispy tone, that fearful kind of like oh yeah, yeah,

0:29:35.120 --> 0:29:38.200
<v Speaker 1>a little more breathfree because you have that beautiful tiny tone,

0:29:38.360 --> 0:29:41.720
<v Speaker 1>and yeah, just try that. Yeah, that's why I'd say

0:29:41.720 --> 0:29:43.920
<v Speaker 1>the same thing. Just add another little aggor of fear

0:29:44.560 --> 0:29:47.160
<v Speaker 1>as you as you're in there in ordering a cup

0:29:47.160 --> 0:29:49.520
<v Speaker 1>of coffee, you just are this the first time you've

0:29:49.720 --> 0:29:53.200
<v Speaker 1>you've been off your planet in your entire life and

0:29:53.240 --> 0:29:55.040
<v Speaker 1>then out of the RV you lived in when you

0:29:55.080 --> 0:29:57.080
<v Speaker 1>got here, so you are in public for the first

0:29:57.080 --> 0:30:00.160
<v Speaker 1>time ever. What would that be like? Okay, is there

0:30:00.200 --> 0:30:02.480
<v Speaker 1>anything about like the Aliens? Because I was like, I'll

0:30:02.480 --> 0:30:04.800
<v Speaker 1>put in a blur up. I don't know, are good.

0:30:04.880 --> 0:30:10.320
<v Speaker 1>I liked it. My suggestion is if these things feel motivated,

0:30:10.800 --> 0:30:13.320
<v Speaker 1>so like in the middle of that sentence, if you

0:30:13.400 --> 0:30:16.400
<v Speaker 1>get so worked up by being scared that a blurk

0:30:16.560 --> 0:30:21.240
<v Speaker 1>comes out, so make it feel motivated. Okay, that's my suggestion.

0:30:21.480 --> 0:30:24.840
<v Speaker 1>That makes sense. That makes sense. I'll give it another shot. Yeah,

0:30:24.920 --> 0:30:30.880
<v Speaker 1>please take two at your pleasure. Um, I like a

0:30:31.640 --> 0:30:39.640
<v Speaker 1>double triple. I used a hot Loca Grande David dentacut

0:30:40.040 --> 0:30:48.160
<v Speaker 1>with oh mil what cleman and a straw to go please,

0:30:48.680 --> 0:30:53.960
<v Speaker 1>but I'll be drinking it here. Okay, it was great, No,

0:30:54.080 --> 0:30:55.760
<v Speaker 1>that was great. I thought you take all the direction

0:30:55.840 --> 0:30:59.400
<v Speaker 1>really well. Yes, thanks, I like that take too, Thank

0:30:59.440 --> 0:31:03.640
<v Speaker 1>you very much. Right back with you. Good job, bro,

0:31:04.360 --> 0:31:08.360
<v Speaker 1>great job. Okay, I thought that. I thought she took

0:31:09.120 --> 0:31:11.200
<v Speaker 1>the direction really well that time, better than she did

0:31:11.240 --> 0:31:14.840
<v Speaker 1>the first time. Yeah, I thought she was missing a

0:31:14.840 --> 0:31:18.200
<v Speaker 1>little bit of the breathy thing. But sometimes people can't

0:31:18.240 --> 0:31:22.120
<v Speaker 1>grab that bit. But I still think she's taking the notes. Yeah,

0:31:22.880 --> 0:31:25.680
<v Speaker 1>and she's just a little fearful. Yeah, because she's nervous.

0:31:25.960 --> 0:31:28.640
<v Speaker 1>I think so too. And now um, we go to

0:31:28.760 --> 0:31:33.160
<v Speaker 1>our special round three. All right, let's do it very quickly,

0:31:33.200 --> 0:31:37.920
<v Speaker 1>and let's bring Dylan back in. Hey Dylan, Hi Dylan,

0:31:38.920 --> 0:31:43.640
<v Speaker 1>how are you everybuddy? Oh we can't hear you, I muted.

0:31:43.720 --> 0:31:45.400
<v Speaker 1>Oh there you go. Now you're good. Oh you're good.

0:31:48.360 --> 0:31:51.680
<v Speaker 1>Oh no. So we are now moving on to our

0:31:51.880 --> 0:31:54.440
<v Speaker 1>super secret round three, which you don't know about my friend,

0:31:54.760 --> 0:31:58.560
<v Speaker 1>um and so our lovely producer Lorraine is going to

0:31:58.600 --> 0:32:01.720
<v Speaker 1>share her scream with you and we are going to

0:32:01.760 --> 0:32:03.360
<v Speaker 1>be throwing a line at you that you have not

0:32:03.520 --> 0:32:08.040
<v Speaker 1>had a chance to rehearse or practice. Same thing as before.

0:32:08.040 --> 0:32:11.080
<v Speaker 1>We're going to create a character for you. But this

0:32:11.160 --> 0:32:13.560
<v Speaker 1>is a line that you need to see on your

0:32:13.920 --> 0:32:17.760
<v Speaker 1>do on your own. Can you see it? Yes? I can? Okay, perfect,

0:32:17.800 --> 0:32:19.400
<v Speaker 1>So here we go. So this is we're going to

0:32:19.440 --> 0:32:21.000
<v Speaker 1>play one more round and this is one you have

0:32:21.080 --> 0:32:24.040
<v Speaker 1>not have not practiced yet, So eg one more time

0:32:24.080 --> 0:32:26.280
<v Speaker 1>for us, if you would please a number between one

0:32:26.320 --> 0:32:30.640
<v Speaker 1>and six five, and now a number between one and

0:32:31.000 --> 0:32:36.560
<v Speaker 1>twelve eleven? How did I pick the same one you did? Okay,

0:32:36.640 --> 0:32:39.720
<v Speaker 1>let me change it? Even is a favorite number? Seven?

0:32:41.080 --> 0:32:44.479
<v Speaker 1>Number seven? You got it? Number a number between one

0:32:44.520 --> 0:32:54.320
<v Speaker 1>and seven, two, and finally a number between one and eleven? Ten?

0:32:54.880 --> 0:32:56.360
<v Speaker 1>Did I do that one already? Again? You did what

0:32:56.360 --> 0:32:58.120
<v Speaker 1>you did? A ten? Okay, then let's do Can I

0:32:58.160 --> 0:33:01.080
<v Speaker 1>see eleven? I love there was between eleven? No? There

0:33:01.080 --> 0:33:05.400
<v Speaker 1>you go. Okay, So for your final round, Dylan, you

0:33:05.520 --> 0:33:11.360
<v Speaker 1>are tiny. You are a tiny flower that is five

0:33:11.480 --> 0:33:22.720
<v Speaker 1>years old, but you're also an athletic coach. Okay, very conflicting, right, yes,

0:33:22.920 --> 0:33:26.840
<v Speaker 1>so give us that third line at your pleasure, sir.

0:33:28.800 --> 0:33:31.160
<v Speaker 1>Don't you just hate riding on elevators? No one says

0:33:31.200 --> 0:33:34.760
<v Speaker 1>nothing to nobody? Am I right? Hello? And someone plush

0:33:34.840 --> 0:33:39.680
<v Speaker 1>three for me. That's a great character. That is a

0:33:39.680 --> 0:33:42.240
<v Speaker 1>great character. The only thing I'm missing is the he's

0:33:42.240 --> 0:33:44.720
<v Speaker 1>the coach. Yeah, I'm missing a little bit of the

0:33:44.920 --> 0:33:49.200
<v Speaker 1>like instructional coach in that little cute voice. Yeah, and

0:33:49.240 --> 0:33:52.560
<v Speaker 1>I would make the voice a little tinier, like you

0:33:52.600 --> 0:33:55.400
<v Speaker 1>can still be a conve right, like you could still

0:33:55.400 --> 0:33:59.480
<v Speaker 1>be aggressive but small. Yeah. Imagine if Patton was a

0:33:59.480 --> 0:34:04.600
<v Speaker 1>five year old flower? All right? Go full Chihuahua, gotcha

0:34:05.320 --> 0:34:16.839
<v Speaker 1>go ahead anytime? Oh, I think you might. I think

0:34:16.840 --> 0:34:18.560
<v Speaker 1>he blew out your mic, my friend, we didn't get

0:34:18.760 --> 0:34:21.080
<v Speaker 1>we didn't get some of that. It was kind of

0:34:21.440 --> 0:34:24.200
<v Speaker 1>it was kind of breaking down. I wonder why, Yeah, okay,

0:34:24.280 --> 0:34:29.040
<v Speaker 1>let me try again. Yeah about us? So it's never

0:34:29.480 --> 0:34:35.720
<v Speaker 1>battle Hello, that's straight unny. I think that was great.

0:34:36.280 --> 0:34:41.400
<v Speaker 1>That was definitely better, definitely better. Yeah. Oh goodness, big choices,

0:34:41.520 --> 0:34:44.200
<v Speaker 1>and you know that was that was really hard and

0:34:44.280 --> 0:34:47.320
<v Speaker 1>it's crazy hard. And I love the variety of your voice,

0:34:47.360 --> 0:34:49.520
<v Speaker 1>the fact that you can go low and deep and thick,

0:34:49.600 --> 0:34:52.040
<v Speaker 1>and then you can go tiny and and a little

0:34:52.080 --> 0:34:54.960
<v Speaker 1>reprimanding but tiny. I really felt that it's a good job.

0:34:55.320 --> 0:34:58.120
<v Speaker 1>Thank you, Thank you so much, Dylan. I appreciate you coming.

0:34:58.160 --> 0:34:59.400
<v Speaker 1>And we're gonna put you in the waiting room for

0:34:59.400 --> 0:35:03.440
<v Speaker 1>a second. This is so hard, and again, most of

0:35:03.680 --> 0:35:05.359
<v Speaker 1>I couldn't do a lot of these characters. But that's

0:35:05.360 --> 0:35:06.920
<v Speaker 1>really not what we're looking for. We're not looking for

0:35:06.960 --> 0:35:08.680
<v Speaker 1>the perfect five year old flower. We're seeing if they

0:35:08.680 --> 0:35:11.000
<v Speaker 1>can take direction. We're seeing the tambur their voice, we're

0:35:11.000 --> 0:35:14.320
<v Speaker 1>seeing well the judging criteria. Do we talk about the Okay,

0:35:14.760 --> 0:35:19.160
<v Speaker 1>so the judging criteria is on clarity of speech, uniqueness

0:35:19.160 --> 0:35:22.640
<v Speaker 1>of voice, volume, and expression. So we're looking for those

0:35:22.640 --> 0:35:25.520
<v Speaker 1>things right equally, okay, right, right, but we're also looking

0:35:25.520 --> 0:35:29.880
<v Speaker 1>for the acting the X factor. Can you take direction

0:35:31.360 --> 0:35:33.640
<v Speaker 1>all the kind of things that are very very important. Um,

0:35:33.960 --> 0:35:35.960
<v Speaker 1>that's you know, that's what you need. Yeah, you want

0:35:36.000 --> 0:35:37.480
<v Speaker 1>to be able to turn on a dime. I mean,

0:35:37.520 --> 0:35:40.040
<v Speaker 1>I've had jobs come where they were they would literally

0:35:40.080 --> 0:35:41.880
<v Speaker 1>outdo it, and then they'd say, like, we want to

0:35:41.880 --> 0:35:45.279
<v Speaker 1>take them a totally different body size, Like we want

0:35:45.280 --> 0:35:47.360
<v Speaker 1>to make him instead of this little skinny kid a

0:35:47.400 --> 0:35:50.160
<v Speaker 1>little bit fatter, chunky kid. So you know, the fact

0:35:50.200 --> 0:35:51.759
<v Speaker 1>that they can switch it on a dime and not

0:35:51.920 --> 0:35:54.879
<v Speaker 1>get too flustered is a big deal. Yeah, it's also

0:35:54.880 --> 0:35:56.120
<v Speaker 1>I mean, how many times have we been in a

0:35:56.120 --> 0:35:59.080
<v Speaker 1>booth where you're sitting next to another actor and your

0:35:59.160 --> 0:36:01.360
<v Speaker 1>voice sounds similar enough to the person next to you

0:36:01.400 --> 0:36:04.920
<v Speaker 1>that they say, hey, okay, you're now old and German exactly,

0:36:05.239 --> 0:36:06.759
<v Speaker 1>you know, and you need to not get flustered, and

0:36:06.800 --> 0:36:08.960
<v Speaker 1>you just turned the whole thing around. It's gonna go okay,

0:36:09.040 --> 0:36:10.360
<v Speaker 1>let's figure it out and you work it out in

0:36:10.400 --> 0:36:12.239
<v Speaker 1>the booth. So that's kind of the stuff we're looking for,

0:36:13.160 --> 0:36:15.160
<v Speaker 1>because for the record, I don't think I could do

0:36:15.200 --> 0:36:17.279
<v Speaker 1>a five year old coach 's a flower. That was

0:36:17.440 --> 0:36:29.560
<v Speaker 1>that was really good. That was very good. And we

0:36:29.600 --> 0:36:32.200
<v Speaker 1>are going back one more time to Julia for our

0:36:32.280 --> 0:36:37.680
<v Speaker 1>last round. Pick. Here we go, Hi, Julia Hire. You

0:36:38.560 --> 0:36:42.080
<v Speaker 1>are you good? You're good? Yeah, I just like you

0:36:42.160 --> 0:36:44.319
<v Speaker 1>kind of stoodn't here and waiting like, okay, let's see,

0:36:44.600 --> 0:36:48.759
<v Speaker 1>let's see what it's going to be when yeah, yes,

0:36:48.880 --> 0:36:51.839
<v Speaker 1>I know, but you're doing great, you really are. That's

0:36:51.840 --> 0:36:53.640
<v Speaker 1>actually what it feels like when you're in the studio

0:36:53.920 --> 0:36:57.640
<v Speaker 1>and they you can't hear anything in the booth and

0:36:57.680 --> 0:37:01.560
<v Speaker 1>they're deciding and talking about different directions in there outside

0:37:01.560 --> 0:37:06.080
<v Speaker 1>of the glass. Sometimes not so yeah, when you're working

0:37:06.080 --> 0:37:07.719
<v Speaker 1>from home now, you don't see anything. You're just put

0:37:07.760 --> 0:37:11.920
<v Speaker 1>in a waiting room. Yeah. Yeah, So you're doing great though,

0:37:12.040 --> 0:37:13.840
<v Speaker 1>And we've got one more little twist we want to

0:37:13.840 --> 0:37:16.560
<v Speaker 1>throw at you. Okay, So we have a third line

0:37:16.760 --> 0:37:19.400
<v Speaker 1>that we're sending you right now that you have not

0:37:19.480 --> 0:37:22.239
<v Speaker 1>had a chance to practice with. So because as Eg

0:37:22.480 --> 0:37:25.000
<v Speaker 1>was just saying, when when you were in the waiting room,

0:37:25.520 --> 0:37:27.560
<v Speaker 1>you never know what they're what were What were you saying, eg,

0:37:28.239 --> 0:37:30.480
<v Speaker 1>I was saying. Um. Sometimes you could be in the

0:37:30.520 --> 0:37:32.520
<v Speaker 1>booth and you get a character that they give you

0:37:32.560 --> 0:37:33.920
<v Speaker 1>and all of a sudden they realize that you and

0:37:34.000 --> 0:37:36.520
<v Speaker 1>the person next you sound very similar. So they might

0:37:36.560 --> 0:37:38.920
<v Speaker 1>all of a sudden change the game on you and say, actually,

0:37:38.920 --> 0:37:41.640
<v Speaker 1>you guys sound too similar. We want to lower your voice,

0:37:41.680 --> 0:37:43.279
<v Speaker 1>we want to raise your voice higher. So there's a

0:37:43.320 --> 0:37:45.760
<v Speaker 1>difference between the characters. So it's good to be ready

0:37:45.960 --> 0:37:47.680
<v Speaker 1>for any kind of shift that might happen at the

0:37:47.719 --> 0:37:49.560
<v Speaker 1>spur of the moment and not let it throw you,

0:37:49.600 --> 0:37:53.480
<v Speaker 1>will you just dive in and jump into another one. Yeah,

0:37:53.520 --> 0:37:55.920
<v Speaker 1>So we're gonna our wonderful producer Lorraine is going to

0:37:56.000 --> 0:38:01.239
<v Speaker 1>send you a line right now. It's not long, don't worry.

0:38:01.360 --> 0:38:03.480
<v Speaker 1>But we are then going to pick a third character

0:38:03.560 --> 0:38:05.640
<v Speaker 1>for you for the final round here and we're going

0:38:05.719 --> 0:38:07.440
<v Speaker 1>to go one more time. So I Lorraine, if you

0:38:07.440 --> 0:38:14.520
<v Speaker 1>would please, that'd be great. Albeams Okay, yeah, I see it. Okay,

0:38:14.600 --> 0:38:16.839
<v Speaker 1>So while you're studying that a little bit, EG, if

0:38:16.880 --> 0:38:19.760
<v Speaker 1>you would one more time for me, please a number

0:38:19.800 --> 0:38:24.640
<v Speaker 1>between one and six six, and now a number between

0:38:24.680 --> 0:38:29.560
<v Speaker 1>one and twelve seven, and now a number between one

0:38:29.640 --> 0:38:35.560
<v Speaker 1>and seven seven, and now a number between one and

0:38:35.880 --> 0:38:43.320
<v Speaker 1>eleven nine. Okay, So for your new line here, Julia,

0:38:43.600 --> 0:38:51.360
<v Speaker 1>you are a microscopic flower. You are ninety five years old,

0:38:53.640 --> 0:39:01.600
<v Speaker 1>and you're shocked. Shocked. Oh man, Julia, Yeah, he voices today.

0:39:01.800 --> 0:39:04.160
<v Speaker 1>It is we are we are just we. It's the

0:39:04.200 --> 0:39:05.920
<v Speaker 1>luck of the draw. We never know we're gonna get.

0:39:06.040 --> 0:39:08.880
<v Speaker 1>And that's the fun is you just get to play

0:39:08.960 --> 0:39:10.720
<v Speaker 1>and throw at you and keep you on your toes.

0:39:10.760 --> 0:39:14.160
<v Speaker 1>So again, you are a microscopic flower that is ninety

0:39:14.160 --> 0:39:17.960
<v Speaker 1>five years old, that is shocked. Okay at your pleasure,

0:39:27.040 --> 0:39:40.719
<v Speaker 1>no funny. Hello, So I'm touch straight for me. Unfortunately

0:39:40.719 --> 0:39:42.759
<v Speaker 1>I only heard the end. I think you were we

0:39:42.760 --> 0:39:45.080
<v Speaker 1>blowing out the mic? Is that what was happening? Oh

0:39:45.120 --> 0:39:48.120
<v Speaker 1>maybe I think something about the timber or the tone

0:39:48.160 --> 0:39:49.680
<v Speaker 1>up high. It happened to the other guy as well,

0:39:49.760 --> 0:39:52.440
<v Speaker 1>So it's not you. It happens. It happens sometimes. So

0:39:52.480 --> 0:39:54.920
<v Speaker 1>maybe tip. I'm wondering if you tip your head a

0:39:54.920 --> 0:39:56.960
<v Speaker 1>little bit, your mouth a little bit away from the

0:39:57.000 --> 0:39:59.160
<v Speaker 1>mic and see if that makes it better. But your

0:39:59.200 --> 0:40:01.440
<v Speaker 1>approach was great. We just couldn't hear someone because it

0:40:01.480 --> 0:40:04.040
<v Speaker 1>was like it was breaking up. Yeah, try playing playing

0:40:04.080 --> 0:40:05.719
<v Speaker 1>off the mic a little bit and let's see if

0:40:05.719 --> 0:40:07.799
<v Speaker 1>that works a little better. Sure, I turned to sway

0:40:07.800 --> 0:40:13.399
<v Speaker 1>a bit. Yeah, try that, go ahead. Oh oh dear,

0:40:14.680 --> 0:40:18.839
<v Speaker 1>don't you just page riding on Alma bags is? Sorry?

0:40:18.880 --> 0:40:22.360
<v Speaker 1>Does it sound okay so far? Yeah? Yeah? Perfect? Perfect?

0:40:23.840 --> 0:40:37.560
<v Speaker 1>No any cheer? Hello? Someone push you? Okay? I went through,

0:40:37.760 --> 0:40:40.960
<v Speaker 1>so it did. Unfortunately it was crackling in the middle there.

0:40:41.000 --> 0:40:44.280
<v Speaker 1>I'm wondering um again, it's there's something about the pitch

0:40:44.440 --> 0:40:47.640
<v Speaker 1>I think is what is what is doing it? Because

0:40:47.680 --> 0:40:49.520
<v Speaker 1>it was technical? Maybe why don't we try doing it

0:40:49.560 --> 0:40:53.279
<v Speaker 1>one more time? Did you walk back? Yeah, and maybe

0:40:53.480 --> 0:40:55.600
<v Speaker 1>step back a little and eg, do you have any

0:40:55.600 --> 0:40:58.799
<v Speaker 1>any suggestions? I think yeah, just don't go directly to Mike.

0:40:58.880 --> 0:41:02.080
<v Speaker 1>Just turn your head a little bit it and articulate.

0:41:02.160 --> 0:41:03.880
<v Speaker 1>Maybe if you do a little articulation. But I like

0:41:03.920 --> 0:41:06.000
<v Speaker 1>your little accent you're doing because it's adding the age

0:41:06.040 --> 0:41:10.680
<v Speaker 1>to it. So they're definitely shocked. Yeah, okay, try it

0:41:10.719 --> 0:41:12.960
<v Speaker 1>again and just tip your head your mouth not so

0:41:13.080 --> 0:41:15.359
<v Speaker 1>the Yeah, playoff of the mic and I think back

0:41:15.400 --> 0:41:16.920
<v Speaker 1>there a little bit. Let's give it another try and

0:41:16.960 --> 0:41:31.760
<v Speaker 1>go ahead. Okay, Oh howdy about hello? There's someone pushed

0:41:31.760 --> 0:41:35.719
<v Speaker 1>the ring for me? Was it getting it? Was? It

0:41:35.800 --> 0:41:37.920
<v Speaker 1>was better? It was better. I think it's just for

0:41:37.960 --> 0:41:40.560
<v Speaker 1>some reason the the is it that the volume or

0:41:40.600 --> 0:41:42.680
<v Speaker 1>the pitch that you're picking is your microphone is having

0:41:42.680 --> 0:41:44.759
<v Speaker 1>a little bit of trouble picking most of it. It's

0:41:44.800 --> 0:41:48.040
<v Speaker 1>a very interesting thing. Yeah, I wonder what that is usual? Sorry?

0:41:48.600 --> 0:41:50.200
<v Speaker 1>Did it? What if she what if she tried to

0:41:50.200 --> 0:41:52.480
<v Speaker 1>do it hushed instead of yelling it. I think that's

0:41:52.480 --> 0:41:54.680
<v Speaker 1>a great idea. Give that a try, give that a track.

0:41:54.800 --> 0:41:56.239
<v Speaker 1>You want to make sure that we get we get

0:41:56.239 --> 0:41:58.360
<v Speaker 1>it in there. We want everyone to hear it, ourselves included.

0:41:58.400 --> 0:42:02.440
<v Speaker 1>So maybe give it another one now of course, of course, Okay,

0:42:04.280 --> 0:42:08.880
<v Speaker 1>don't you just hate riding on? You know what? It

0:42:08.960 --> 0:42:15.800
<v Speaker 1>says nothing to nobody? Am I right? Hello? Can someone

0:42:15.840 --> 0:42:20.600
<v Speaker 1>plush th me for me? Like? That was perfectly perfect?

0:42:20.640 --> 0:42:24.480
<v Speaker 1>That was also good direction taking the job. Yeah, a

0:42:24.560 --> 0:42:28.120
<v Speaker 1>great direction taking. Nice work, Julia, Thank you so much

0:42:28.120 --> 0:42:31.480
<v Speaker 1>and we'll be with you in a second. She was.

0:42:31.680 --> 0:42:34.040
<v Speaker 1>I feel bad because I think the first character with

0:42:34.040 --> 0:42:36.720
<v Speaker 1>with a you know, a better microphone set up, probably

0:42:36.920 --> 0:42:39.640
<v Speaker 1>that loud would would have would have shown shot, would

0:42:39.640 --> 0:42:41.799
<v Speaker 1>have read shocked a little more than what she actually did.

0:42:42.360 --> 0:42:44.040
<v Speaker 1>But it's funny because it happened to his too, and

0:42:44.040 --> 0:42:46.239
<v Speaker 1>he's got a pretty good setup. So I'm not sure

0:42:46.239 --> 0:42:48.360
<v Speaker 1>exactly what that is because usually your Mike should be

0:42:48.360 --> 0:42:50.360
<v Speaker 1>able to handle all that because we're doing different characters,

0:42:50.360 --> 0:42:54.560
<v Speaker 1>so it's very interesting. Maybe it's zoom, Maybe it's the zoom. Yeah,

0:42:54.560 --> 0:42:58.600
<v Speaker 1>it might just be the zoom. Um. Again, I thought

0:42:58.600 --> 0:43:04.640
<v Speaker 1>she was great. Okay, it's time to deliberate. E G.

0:43:04.800 --> 0:43:06.640
<v Speaker 1>What do you think if if you had to, if

0:43:06.920 --> 0:43:08.959
<v Speaker 1>one of these people you wanted to put them forward

0:43:09.040 --> 0:43:12.120
<v Speaker 1>to become your future colleague, who do you think had

0:43:11.400 --> 0:43:15.839
<v Speaker 1>I feel like Dylan doesn't have like that nervous thing

0:43:15.880 --> 0:43:20.000
<v Speaker 1>that happens. He literally just jumps in and he's very confident,

0:43:20.120 --> 0:43:23.200
<v Speaker 1>and I feel like he's very his ability to move,

0:43:23.440 --> 0:43:25.160
<v Speaker 1>change the voice. I feel like a lot of the

0:43:25.239 --> 0:43:28.640
<v Speaker 1>voices in our girl was very kind of very similar,

0:43:28.640 --> 0:43:31.279
<v Speaker 1>but again the age were a little bit similar. Um,

0:43:31.600 --> 0:43:33.560
<v Speaker 1>And I do like her tone, but I think the

0:43:33.640 --> 0:43:37.480
<v Speaker 1>variety in Dylan is clear, and also his ability to

0:43:37.480 --> 0:43:41.600
<v Speaker 1>take direction and flip it and um, it's fascinating. He's

0:43:41.800 --> 0:43:45.479
<v Speaker 1>he's really quite skilled that guy. And she's really good too.

0:43:45.520 --> 0:43:49.560
<v Speaker 1>I just feel that she has a little more fear. Understandably,

0:43:49.600 --> 0:43:51.399
<v Speaker 1>she's maybe a little more green, and he's been really

0:43:51.480 --> 0:43:55.320
<v Speaker 1>tackling and harder. It feels like to me. Yeah, I guess,

0:43:55.360 --> 0:43:58.359
<v Speaker 1>I guess that's very fair assessment. Um. I think she

0:43:58.560 --> 0:44:01.080
<v Speaker 1>has what it takes terms of like once that you

0:44:01.120 --> 0:44:04.760
<v Speaker 1>can't There's two things that I would say, A tone

0:44:04.960 --> 0:44:09.000
<v Speaker 1>super important. You can't really some people just don't have it,

0:44:09.080 --> 0:44:10.759
<v Speaker 1>or if they do, or if they do have it,

0:44:10.800 --> 0:44:13.520
<v Speaker 1>I feel like they can they can jump to the

0:44:13.560 --> 0:44:16.080
<v Speaker 1>feeble line faster, right, Yeah, you need that. But then

0:44:16.280 --> 0:44:18.960
<v Speaker 1>but then yeah, like you're talking about making bold choices,

0:44:19.080 --> 0:44:23.600
<v Speaker 1>being comfortable in the booth extremes. Yeah, hey everyone, Oh

0:44:23.640 --> 0:44:26.080
<v Speaker 1>well that's not such a great idea. But I don't

0:44:26.080 --> 0:44:28.759
<v Speaker 1>really like that very much. I don't care what you like.

0:44:28.880 --> 0:44:31.880
<v Speaker 1>Go sit down a little girl, you know, jumping and extremes.

0:44:31.880 --> 0:44:33.520
<v Speaker 1>That's you need to be able to do that and

0:44:33.640 --> 0:44:36.200
<v Speaker 1>confident enough in your abilities to where you just you

0:44:36.360 --> 0:44:37.960
<v Speaker 1>just throw it down when you have to. Yeah, you

0:44:37.960 --> 0:44:40.400
<v Speaker 1>don't think I would. I would think if she keeps

0:44:40.440 --> 0:44:43.839
<v Speaker 1>going to some voice acting classes and focuses on making

0:44:43.840 --> 0:44:46.200
<v Speaker 1>bolder choices, that she can get there for sure. One

0:44:46.280 --> 0:44:48.520
<v Speaker 1>hundred percent. Yeah, and I think she can do the

0:44:48.520 --> 0:44:50.720
<v Speaker 1>different tones because she has a little bit lower speaking

0:44:50.760 --> 0:44:55.239
<v Speaker 1>tone too. She does, so yeah, I agree to Okay.

0:44:57.040 --> 0:44:59.360
<v Speaker 1>The first person to be moving on to the Elite

0:44:59.400 --> 0:45:01.680
<v Speaker 1>eight in this super awesome contest to become the next

0:45:01.680 --> 0:45:10.000
<v Speaker 1>big voice actor is Dylan from Louisiana. Congratulations, Hey, I

0:45:10.040 --> 0:45:14.040
<v Speaker 1>love Julia. She's great again. We're I'm so so excited

0:45:14.040 --> 0:45:16.960
<v Speaker 1>with the sixteen that we picked. And there there's you know,

0:45:17.000 --> 0:45:18.640
<v Speaker 1>as my mom would say back in the day, there's

0:45:18.680 --> 0:45:21.080
<v Speaker 1>not a stinker in the bunch. I mean, she she's

0:45:21.160 --> 0:45:25.640
<v Speaker 1>great and she's a good actress too. Actress please, I

0:45:25.680 --> 0:45:28.960
<v Speaker 1>just think he's a cut above um. So then why

0:45:29.000 --> 0:45:31.600
<v Speaker 1>don't we bring her back in and let her know

0:45:31.600 --> 0:45:33.720
<v Speaker 1>how awesome she is? But let her know that unfortunate

0:45:33.760 --> 0:45:37.319
<v Speaker 1>she won't be more. I know this is terrible. You

0:45:37.320 --> 0:45:41.759
<v Speaker 1>want me to say something? Sure? I okay, Julia. We

0:45:41.760 --> 0:45:44.439
<v Speaker 1>all think you're really talented. You have a really great

0:45:44.480 --> 0:45:47.719
<v Speaker 1>tone in your voice. I think for cartoons and animation,

0:45:47.800 --> 0:45:52.759
<v Speaker 1>it's fantastic. We're thinking the other person might be might

0:45:52.800 --> 0:45:57.680
<v Speaker 1>have won this particular competition here just because his um

0:45:57.680 --> 0:46:00.560
<v Speaker 1>flipping from one thing to another was a little bit.

0:46:01.400 --> 0:46:03.160
<v Speaker 1>There was a little bit more contrast, and he just

0:46:03.239 --> 0:46:04.680
<v Speaker 1>dove in a little bit more, which is a good

0:46:04.680 --> 0:46:07.040
<v Speaker 1>note for you to just be a little more fearless.

0:46:07.080 --> 0:46:09.160
<v Speaker 1>It's there's no mistakes. You can jump in and make

0:46:09.239 --> 0:46:12.200
<v Speaker 1>me crazy, and that's actually a good thing. But your tones,

0:46:12.320 --> 0:46:16.280
<v Speaker 1>you're acting, your acting chops are really good. Your quality

0:46:16.280 --> 0:46:17.880
<v Speaker 1>in your voice is really good. Like you can do

0:46:17.920 --> 0:46:20.960
<v Speaker 1>cartoons right now, just in this competition. He won that

0:46:21.040 --> 0:46:25.759
<v Speaker 1>particular round. But we want to encourage you to keep

0:46:25.760 --> 0:46:28.080
<v Speaker 1>working on your variety, your contrast, Like you want to

0:46:28.080 --> 0:46:30.239
<v Speaker 1>be able to switch it from like a tiny little

0:46:30.320 --> 0:46:33.080
<v Speaker 1>voice to a really big low kind of or whatever,

0:46:33.120 --> 0:46:35.120
<v Speaker 1>those contrasts, and you have that in your voice. We

0:46:35.160 --> 0:46:37.759
<v Speaker 1>can hear it. Yeah you did, you really did great.

0:46:37.800 --> 0:46:40.879
<v Speaker 1>And again we've been saying this from the beginning. All

0:46:40.960 --> 0:46:43.359
<v Speaker 1>sixteen of you that made it to this round, all

0:46:43.400 --> 0:46:46.120
<v Speaker 1>of you could easily do this as a profession. Really

0:46:46.160 --> 0:46:48.760
<v Speaker 1>that's not a problem at all. You've got the acting,

0:46:48.800 --> 0:46:50.919
<v Speaker 1>which is the most important thing, really is the most

0:46:50.920 --> 0:46:53.560
<v Speaker 1>important thing, and you do you have a great tone.

0:46:54.640 --> 0:46:59.440
<v Speaker 1>So I please keep going because this really this isn't

0:46:59.520 --> 0:47:03.799
<v Speaker 1>again any one of you sixteen could be signed. I

0:47:03.840 --> 0:47:06.879
<v Speaker 1>really believe that, and I really believe that you will.

0:47:06.960 --> 0:47:08.879
<v Speaker 1>You can make it in this business because your tone

0:47:08.920 --> 0:47:11.399
<v Speaker 1>is phenomenal, and especially the ad reads and the kind

0:47:11.400 --> 0:47:14.920
<v Speaker 1>of the younger, younger girl voice. I really never go away.

0:47:14.960 --> 0:47:18.680
<v Speaker 1>I mean everybody wants that all the time. So I

0:47:18.719 --> 0:47:20.920
<v Speaker 1>think you're going to do great. I really do. Thank you.

0:47:21.120 --> 0:47:27.359
<v Speaker 1>Thank you also, congratulations for making a past thousands of people. Thousands. Yeah,

0:47:27.400 --> 0:47:30.320
<v Speaker 1>I know, thank you so much. So you're doing great,

0:47:30.360 --> 0:47:33.560
<v Speaker 1>and please please please stick with it because yeah, you could.

0:47:33.640 --> 0:47:35.040
<v Speaker 1>You could do very well in this business. And a

0:47:35.080 --> 0:47:36.719
<v Speaker 1>lot of people are gonna be hearing this podcast, so

0:47:37.000 --> 0:47:38.960
<v Speaker 1>you never know if you know, you get a call

0:47:39.040 --> 0:47:40.879
<v Speaker 1>from an agent or send it to an agent, but yeah,

0:47:40.920 --> 0:47:44.120
<v Speaker 1>you could this this could be a good thing for you. Yeah, honestly,

0:47:44.120 --> 0:47:45.960
<v Speaker 1>don't think this is going to be your last opportunity

0:47:46.120 --> 0:47:48.719
<v Speaker 1>to break into the business. If it's what you really want,

0:47:48.840 --> 0:47:52.279
<v Speaker 1>you just keep keep plowing forward. Yeah, awesome, Thank you,

0:47:52.400 --> 0:47:56.799
<v Speaker 1>Thank you, Julie, thank you for joining us. Bye bye bye,

0:47:56.840 --> 0:47:59.680
<v Speaker 1>Juliet Rye. Oh that part's gonna suck. Now let's have

0:47:59.719 --> 0:48:04.200
<v Speaker 1>a little fun with Dylan. Oh, this is gonna be fun, sweating,

0:48:04.400 --> 0:48:09.960
<v Speaker 1>say kid, Let's bring Dylan in Hey, Hi, Dylan, hey man,

0:48:10.120 --> 0:48:15.200
<v Speaker 1>can you hear us again? There we go? There, ah,

0:48:15.239 --> 0:48:19.040
<v Speaker 1>there we go. Okay, So okay, um, you were great.

0:48:19.320 --> 0:48:22.160
<v Speaker 1>We really we really loved having you on. Um. We

0:48:22.239 --> 0:48:24.560
<v Speaker 1>think you've got a good possibility of doing this in

0:48:24.560 --> 0:48:27.160
<v Speaker 1>the future. Unfortunately, your microphone kept kind of cutting out,

0:48:27.800 --> 0:48:31.279
<v Speaker 1>which really led us to believe I'm kidding. Congratulations, you're

0:48:31.320 --> 0:48:37.120
<v Speaker 1>moving on to the next round. Dylan, Hey, you did great. Listen.

0:48:37.520 --> 0:48:41.359
<v Speaker 1>Your ability to take notes as fantastic, Your acting is fantastic,

0:48:41.920 --> 0:48:45.120
<v Speaker 1>your setup is really great. You are really ready to go.

0:48:45.320 --> 0:48:48.680
<v Speaker 1>Your competitor, your your your studio, everything is very competitive,

0:48:49.000 --> 0:48:50.800
<v Speaker 1>and I just think that you don't overthink and you

0:48:50.880 --> 0:48:52.719
<v Speaker 1>just dive in is one of your strongest suits. So

0:48:53.400 --> 0:48:56.279
<v Speaker 1>really well done. Your contrast of voices is great. You

0:48:56.280 --> 0:48:58.200
<v Speaker 1>can go from a little voice to a deeper voice.

0:48:58.520 --> 0:49:01.840
<v Speaker 1>And your your interpretation and you're quick, your ability to

0:49:01.840 --> 0:49:04.680
<v Speaker 1>grab onto something quickly, those are all really really great.

0:49:04.719 --> 0:49:06.400
<v Speaker 1>So good luck to you because you're already up to

0:49:06.440 --> 0:49:10.440
<v Speaker 1>the next level. And your mic coming out again and

0:49:10.440 --> 0:49:16.080
<v Speaker 1>your cut out, why are you like this? There we go,

0:49:16.440 --> 0:49:18.880
<v Speaker 1>We can hear you. You did. You did great, Dylan,

0:49:19.040 --> 0:49:23.320
<v Speaker 1>So maybe look at that before the next round. Yes, yeah, yeah,

0:49:23.360 --> 0:49:25.880
<v Speaker 1>I will strangle this thing if I knew too. Yes, No,

0:49:26.120 --> 0:49:28.879
<v Speaker 1>you were everything e G said was just right on

0:49:28.920 --> 0:49:31.160
<v Speaker 1>the on the button, and you jumped in with both

0:49:31.200 --> 0:49:34.439
<v Speaker 1>feet and you took every note and you just made

0:49:34.480 --> 0:49:36.839
<v Speaker 1>it your own. And so we're really looking forward to

0:49:36.840 --> 0:49:38.359
<v Speaker 1>seeing you in the in the rounds. But I can

0:49:38.400 --> 0:49:40.960
<v Speaker 1>tell you, as difficult as this was, it's going to

0:49:41.040 --> 0:49:43.719
<v Speaker 1>get a lot harder in the future. Um. So we're

0:49:43.719 --> 0:49:45.719
<v Speaker 1>gonna be doing some very fun stuff down the line,

0:49:45.760 --> 0:49:48.600
<v Speaker 1>but it's not going to be easy. Yeah. So it'll

0:49:48.640 --> 0:49:51.759
<v Speaker 1>be down to eight people. You're on. You're one of

0:49:51.800 --> 0:49:53.359
<v Speaker 1>the eight. You've already made it to the next round.

0:49:53.400 --> 0:49:55.600
<v Speaker 1>You were made it to the elite eight. Out of thousands,

0:49:55.640 --> 0:49:57.000
<v Speaker 1>you've made it. You're the first one to make it

0:49:57.040 --> 0:50:01.640
<v Speaker 1>to the top eight. So congratulations much Grad's Dylan. It

0:50:01.680 --> 0:50:03.440
<v Speaker 1>was a pleasure getting to know you and hear you.

0:50:03.480 --> 0:50:05.520
<v Speaker 1>I can't wait to see you take off. Thank you

0:50:05.560 --> 0:50:07.960
<v Speaker 1>all so much and go follow EG. She's got all

0:50:07.960 --> 0:50:10.320
<v Speaker 1>sorts of funk stuff. She's on TikTok, she's on Instagram.

0:50:10.520 --> 0:50:15.840
<v Speaker 1>Real yeah, oh great, okay, great, Well we will be

0:50:15.880 --> 0:50:17.799
<v Speaker 1>in touch and we will see you in round two,

0:50:17.880 --> 0:50:20.799
<v Speaker 1>My friend, keep it up, you know obviously tee all

0:50:20.840 --> 0:50:22.719
<v Speaker 1>that good stuff. Don't do anything crazy with your voice

0:50:22.760 --> 0:50:27.839
<v Speaker 1>because we want to hear more of it. Rock shows. Good,

0:50:28.040 --> 0:50:31.560
<v Speaker 1>have a very quiet day job. All right, good, thank you, Dylan. Congratulations,

0:50:31.560 --> 0:50:34.000
<v Speaker 1>I'm moving on to the next round. Thank you so much,

0:50:34.280 --> 0:50:42.200
<v Speaker 1>Bye bye later. Wow, my goodness. First our first good

0:50:43.000 --> 0:50:47.080
<v Speaker 1>our first top eight. That was cool. That was yeah.

0:50:48.080 --> 0:50:49.799
<v Speaker 1>How was that for you? It was great? I mean

0:50:49.840 --> 0:50:52.400
<v Speaker 1>I thought they you know, and the truth is like

0:50:52.719 --> 0:50:54.520
<v Speaker 1>she could become one of the biggest you know, you

0:50:54.560 --> 0:50:57.480
<v Speaker 1>never know. It's like, you know, so I was just

0:50:57.840 --> 0:51:00.160
<v Speaker 1>I don't even like to me. I don't even like

0:51:00.239 --> 0:51:03.160
<v Speaker 1>to say, like, you should keep going, because to me,

0:51:03.239 --> 0:51:05.200
<v Speaker 1>that takes a little of the hit when they do

0:51:05.239 --> 0:51:07.919
<v Speaker 1>that on like I'm dancing with the start, not dancing

0:51:07.960 --> 0:51:10.640
<v Speaker 1>with the American voice. When they say things like that,

0:51:10.719 --> 0:51:13.440
<v Speaker 1>don't give up sorry, it always feels like, oh, it's okay,

0:51:13.440 --> 0:51:16.000
<v Speaker 1>now I'm just shaying for me, I don't even like

0:51:16.040 --> 0:51:18.000
<v Speaker 1>to say that. I just like to say, you're you're

0:51:18.000 --> 0:51:20.480
<v Speaker 1>totally on track, and we look forward to seeing more

0:51:20.520 --> 0:51:22.360
<v Speaker 1>of you in the future. And just like you just

0:51:22.360 --> 0:51:24.759
<v Speaker 1>didn't get this one, but you're we're looking forward to

0:51:24.800 --> 0:51:27.759
<v Speaker 1>you kicking ass, because that way they'll never feel like, oh,

0:51:27.800 --> 0:51:31.400
<v Speaker 1>they're telling me kind of like keep going, you know, yeah, no,

0:51:31.520 --> 0:51:33.680
<v Speaker 1>I see that. It's also it sounds so terrible, but

0:51:33.719 --> 0:51:35.399
<v Speaker 1>one of the things the first things you learn as

0:51:35.400 --> 0:51:39.320
<v Speaker 1>an actor is just you just hear no ten thousand times.

0:51:39.719 --> 0:51:41.319
<v Speaker 1>There's like to say, that was a big guess and

0:51:41.400 --> 0:51:43.360
<v Speaker 1>you won, and you got down to the last sixteen

0:51:43.440 --> 0:51:45.680
<v Speaker 1>and yeah, you just this particular around you didn't get.

0:51:45.719 --> 0:51:47.080
<v Speaker 1>But keep going. We look forward to hearing you in

0:51:47.120 --> 0:51:50.560
<v Speaker 1>the future. I think so too. I'm taking notes from eg.

0:51:51.840 --> 0:51:53.480
<v Speaker 1>I just you know, I only know because I've been

0:51:53.520 --> 0:51:55.680
<v Speaker 1>on those kind of shows where you're like, they say

0:51:55.920 --> 0:51:58.720
<v Speaker 1>keep trying, you know you're gonna and it always feels

0:51:58.719 --> 0:52:01.960
<v Speaker 1>so pathetic, like I hated it. But not anymore. I

0:52:01.960 --> 0:52:03.560
<v Speaker 1>don't do that anymore, but when I was younger, when

0:52:03.600 --> 0:52:05.440
<v Speaker 1>people say that, but it's just a good thing because

0:52:05.440 --> 0:52:08.359
<v Speaker 1>that way there's no loss. They won already they want

0:52:08.360 --> 0:52:10.759
<v Speaker 1>out of thousands. I'm taking notes from EG too, And

0:52:10.840 --> 0:52:13.400
<v Speaker 1>thank you so much for joining us on our first

0:52:13.600 --> 0:52:17.360
<v Speaker 1>round of the Super Awesome Contest becoming its perfect it was.

0:52:17.480 --> 0:52:19.880
<v Speaker 1>I'm sorry, Well, I've been so excited this whole episode

0:52:19.880 --> 0:52:21.560
<v Speaker 1>that I've been interrupting you a bunch of Sorry, I

0:52:21.560 --> 0:52:23.800
<v Speaker 1>love it. I interrupted all day. Are you kidding? This is?

0:52:24.040 --> 0:52:25.719
<v Speaker 1>This is how we should be. I'd love that we're

0:52:25.760 --> 0:52:29.080
<v Speaker 1>so excited to do this, and uh, I you know,

0:52:29.400 --> 0:52:32.120
<v Speaker 1>in the future, Dylan is never going to forget that

0:52:32.200 --> 0:52:34.360
<v Speaker 1>his first vo mentor was eg Daily and how do

0:52:34.400 --> 0:52:36.759
<v Speaker 1>you how do you beat that? That's the coolest thing

0:52:36.760 --> 0:52:39.600
<v Speaker 1>in the world. So again, eg where can everybody find

0:52:39.600 --> 0:52:41.959
<v Speaker 1>you when they're looking for you? Oh? You know, really

0:52:41.960 --> 0:52:45.319
<v Speaker 1>EGI Daily on TikTok and Instagram and eg daily on

0:52:45.360 --> 0:52:47.759
<v Speaker 1>Facebook of a fan side, and then also just like

0:52:48.200 --> 0:52:50.520
<v Speaker 1>on Twitter. Really it's really EGI Daily most of the time.

0:52:50.600 --> 0:52:54.719
<v Speaker 1>So everywhere you go TikTok, Instagram, Um, you know my

0:52:54.800 --> 0:52:57.319
<v Speaker 1>website egidaily dot com. But I would just say go

0:52:57.400 --> 0:52:59.399
<v Speaker 1>to Instagram or TikTok. That's where I have the most fun.

0:53:00.040 --> 0:53:04.240
<v Speaker 1>Pegive awesome and thank you for joining us. Everybody back

0:53:04.360 --> 0:53:07.880
<v Speaker 1>next week with Round two of the Super Awesome Contest

0:53:07.920 --> 0:53:11.200
<v Speaker 1>to become Big Voice Doctor. We're gonna find somebody. We're

0:53:11.239 --> 0:53:13.600
<v Speaker 1>gonna make some dreams come true. Somebody's gonna launch a career.

0:53:13.640 --> 0:53:15.600
<v Speaker 1>It is going to be really really cool, and it's

0:53:15.600 --> 0:53:19.080
<v Speaker 1>gonna get tougher and tougher and tougher. Um. Also, it's

0:53:19.120 --> 0:53:21.080
<v Speaker 1>just every week's gonna suck because we gotta keep saying

0:53:21.120 --> 0:53:25.080
<v Speaker 1>goodbye to really talented people. She's she's talented. Um by

0:53:25.120 --> 0:53:28.959
<v Speaker 1>anything by it's just see you on another venue. Thank

0:53:29.000 --> 0:53:31.280
<v Speaker 1>you everybody so much. We are off to the races.

0:53:31.320 --> 0:53:32.560
<v Speaker 1>Go ahead, e g. What do you have to say?

0:53:32.680 --> 0:53:35.359
<v Speaker 1>I just say, Christie, feel better, sweetie. Oh my god,

0:53:35.360 --> 0:53:38.560
<v Speaker 1>I'm shivering over here. Guys, I know look, you're right.

0:53:38.640 --> 0:53:40.120
<v Speaker 1>I think you got. I think you got the super

0:53:40.160 --> 0:53:44.399
<v Speaker 1>awesome contest to get the next great strep throat think. Well, yeah,

0:53:44.440 --> 0:53:48.040
<v Speaker 1>well go to banantibiotics? Are you on saman about it? Unfortunately,

0:53:48.080 --> 0:53:50.400
<v Speaker 1>my kids are the ones that I prioritize, So tomorrow

0:53:50.640 --> 0:53:53.160
<v Speaker 1>I'm going to the doctor and getting well. Go lie down.

0:53:53.400 --> 0:53:59.240
<v Speaker 1>Thank you, professional show. I would gargle with lemon salt

0:53:59.320 --> 0:54:01.680
<v Speaker 1>in a little bit of just gargle with that. It's

0:54:01.680 --> 0:54:03.279
<v Speaker 1>good to kill the germs in back. I'm going to

0:54:03.360 --> 0:54:07.320
<v Speaker 1>do that right now, because thanks exactly, I'm going to

0:54:07.400 --> 0:54:09.640
<v Speaker 1>do that right now. Thank you everybody for joining us,

0:54:09.760 --> 0:54:11.480
<v Speaker 1>keep with us. It's going to be a fun journey.

0:54:11.480 --> 0:54:13.440
<v Speaker 1>We're going to find somebody amazing. And again, if you

0:54:13.480 --> 0:54:15.480
<v Speaker 1>think you have what it takes to do what we do,

0:54:15.920 --> 0:54:17.600
<v Speaker 1>then step up to the mic and put your voices

0:54:17.600 --> 0:54:20.160
<v Speaker 1>where your mouth is. Thanks everybody. I Hear Voices is

0:54:20.160 --> 0:54:23.680
<v Speaker 1>hosted by Wilfredell and Christy Carlson Romano. Executive produced by Wilfredell,

0:54:23.719 --> 0:54:26.320
<v Speaker 1>Brendan Rooney, Amy Sugarman. Our executive in charge of production

0:54:26.360 --> 0:54:28.960
<v Speaker 1>is Danielle Romo, Our producer is Lorraine Vera weez and

0:54:28.960 --> 0:54:32.600
<v Speaker 1>our editor slash engineer is Brian Burton. And that was

0:54:32.640 --> 0:54:35.279
<v Speaker 1>my announcer voice. Some side effects of listening to I

0:54:35.360 --> 0:54:37.800
<v Speaker 1>Hear Voices are sore abs from hilarity falling down the

0:54:37.840 --> 0:54:41.200
<v Speaker 1>Coco melon rabbit hole, sneezing due to mass nostalgia, and hugs.

0:54:41.360 --> 0:54:43.400
<v Speaker 1>Follow I Hear Voices wherever you listen to podcasts so

0:54:43.480 --> 0:54:45.680
<v Speaker 1>you don't miss any of the amazing voices. Be sure

0:54:45.680 --> 0:54:47.839
<v Speaker 1>to follow us on Instagram and TikTok at I Hear

0:54:47.920 --> 0:54:50.400
<v Speaker 1>Voices podcast. You can also check us out on my space,

0:54:50.440 --> 0:54:53.520
<v Speaker 1>omeiegel Vine, lime Wire. Hey I'm a napster. Okay, well

0:54:53.600 --> 0:54:55.360
<v Speaker 1>let's teach you about the Internet. The who