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Speaker 1: Hey, Christy, Hi, Will, how are you? I am amazingly awesome,

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Speaker 1: but I hear you are a little under the weather today.

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Speaker 1: It doesn't matter. We're moving forward with this contest no

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Speaker 1: matter what. Is taken so long, and we're here and

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Speaker 1: we are on around one. It's here, Christy, it's guys

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Speaker 1: four thousands, okay, Like I also did make it. Will

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Speaker 1: was cheering me on. I mean, we're here, We're excited.

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Speaker 1: But honestly, the people that we have are just I

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Speaker 1: feel so good about it, don't you, Will, I do.

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Speaker 1: I'm amazed. We have thousands of entries. And here's the

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Speaker 1: thing that I love. Any one of these sixteen could win. Truly.

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Speaker 1: There was not a single person where I was like, oh,

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Speaker 1: I don't know if that person could win, or that

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Speaker 1: person's definitely going to win. It was that any one

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Speaker 1: of these people could be signed, could step into a

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Speaker 1: booth and could be a voiceover actor. Absolutely. I also

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Speaker 1: think that the people can surprise you, you know, like

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Speaker 1: I think sometimes when we think about us as voice actors,

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Speaker 1: you send in a real and that's a lot of times.

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Speaker 1: What these folks did was they sent us a reel

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Speaker 1: of a bunch of different voices that they did, and

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Speaker 1: it was it was very effective for us to see

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Speaker 1: a sliver of their talent. But what we're doing on

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Speaker 1: the contest is giving them an opportunity to really almost

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Speaker 1: grow and through the challenges, you know, and really show

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Speaker 1: their passion and interest and abilities. And the problem is everybody,

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Speaker 1: So we're just going to jump ahead of this right now.

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Speaker 1: We know we don't have a ton of time. That's

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Speaker 1: the problem. We wish we could spend an episode with

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Speaker 1: each one of these contestants, but we just can't. We've

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Speaker 1: got to whittle it down and whittle it down. So

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Speaker 1: we're going to play some fast games in the first

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Speaker 1: round to get it to then the Elite eight, not

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Speaker 1: to steal a phrase, um, and then when we start

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Speaker 1: getting down to eight and down to four and down

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Speaker 1: to two, we will be able to spend more time

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Speaker 1: with them. But we're going to play some fast games

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Speaker 1: today for our very first episode of the Super Awesome

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Speaker 1: Contest to become the next Big White Actor. It's here,

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Speaker 1: Super Awesome Contest to become the next Big Voice Actor.

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Speaker 1: Let's do it, Christy, I love that. Oh, I'm so happy.

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Speaker 1: So as everybody knows, we are going to jump into this.

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Speaker 1: But every week, obviously Christy and I can't be the

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Speaker 1: only ones picking who's going to move forward. That is

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Speaker 1: not fair and that is not right, and that is

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Speaker 1: also fun and uh it's also we're an even number,

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Speaker 1: so we every week are going to be bringing on

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Speaker 1: a very special guest. Some have been on the podcast,

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Speaker 1: some have not been on the podcast, but some of

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Speaker 1: the best voiceover actors in the world are going to

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Speaker 1: help us run through these games. They're going to do

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Speaker 1: a little bit of coaching to help the voiceover actors

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Speaker 1: if maybe we want to get another take of something

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Speaker 1: that they're doing and them, we're gonna pick, and we're

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Speaker 1: gonna move on. And I'm so excited our voice, our

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Speaker 1: our guest today, friend of the podcast, one of our favorites,

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Speaker 1: and one of I would say, and I'm I don't

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Speaker 1: mean to speak for you, but like one of your

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Speaker 1: favorite people in the world right one hundred and twenty percent,

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Speaker 1: one of my favorite people on the planet. Love her.

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Speaker 1: Who's coming today, Christy? It's eg daily, Yeah, so everybody

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Speaker 1: here it is I hear Voices finally presents the super

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Speaker 1: awesome contest to become the next Big voice Actor. Round

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Speaker 1: one let's do. Yeah, Yeah, how are you. How are

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Speaker 1: you doing, Henny, We're good, We're good. Good to see you.

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Speaker 1: We're trying to make somebody's dream come true. And so

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Speaker 1: we started this super awesome contest to become the next

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Speaker 1: big voice actor. We got thousands of entries, thousands literally,

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Speaker 1: and we have now narrowed it down to the final

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Speaker 1: sixteen and today two of those people are going to

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Speaker 1: go head to head in a game that we have

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Speaker 1: created that you are going to help us pick, which

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Speaker 1: is called by the Numbers. So what we're what we're

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Speaker 1: gonna do, and we bring them out here. We're gonna

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Speaker 1: bring them out one at a time. They're going to

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Speaker 1: introduce themselves. We're going to talk to them a little bit,

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Speaker 1: find out a little bit about them, and then they've

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Speaker 1: each been given two lines of dialogue that we've written.

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Speaker 1: They don't know how they're going to say it yet though,

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Speaker 1: because the numbers that you pick are going to determine

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Speaker 1: the characters that they have to do. Okay, so we'll

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Speaker 1: run them through their paces a little bit. And also

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Speaker 1: please feel free to jump in and if you want

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Speaker 1: to do any mentoring or you want to say, hey,

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Speaker 1: you know what maybe slow it down or okay, absolutely anything,

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Speaker 1: anything to get them on the right track, because we've

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Speaker 1: picked sixteen really talented people that are ready to jump

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Speaker 1: into a booth. Now I love them. The winner is

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Speaker 1: flown out to Los Angeles, has lunch with us. When's

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Speaker 1: a thousand dollars. But the coolest thing is they also

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Speaker 1: get to sign with CEESD. They sign a professional contact

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Speaker 1: with CESD. That's amazing. You've got to become a voiceover actor.

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Speaker 1: So we're excited. That's amazing. We cannot wait. This is excited.

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Speaker 1: I am so excited. Here we go. Everybody. Here is

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Speaker 1: our first contestant ever in the Super Awesome contest to

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Speaker 1: become the next big voiceover actor. Please help us. Welcome

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Speaker 1: Dylan from Louisiana. Come on in, Dylan, O yay, Dylan, Hi,

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Speaker 1: Dylan Day, let's see you. How are you. I'm doing

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Speaker 1: just fine. How are you all? We're doing very well.

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Speaker 1: Thank you. Congratulations on making it to the final sixteen

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Speaker 1: out of thousands of entries, literally thousands of entries in

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Speaker 1: the final sixteen, my friends, so congratulations, thank you so much. Goodnesscribtion, Wow,

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Speaker 1: that's amazing. Congrats eg Daily of course she needs no introduction,

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Speaker 1: and she will be our guest judge and mentor for

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Speaker 1: the week, and we'll be helping you and your fellow

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Speaker 1: contestant out. So, just very briefly, Dylan can tell us

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Speaker 1: a little bit about how or why you want to

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Speaker 1: become a voice actor, how you fell in love with it. Um, Okay, Well,

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Speaker 1: I've been doing some voice acting stuff, mainly like indie

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Speaker 1: stuff for about six years. But I kind of fell

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Speaker 1: in love with this whole thing when I was fifteen,

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Speaker 1: Like a lot of people like who I'm sure you know,

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Speaker 1: start their journeys. I watched a lot of cartoons. I

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Speaker 1: watched watched a lot of anime, played a lot of

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Speaker 1: video games, and I was like, Wow, people do this

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Speaker 1: for a job. I like to do that for a job. Yeah.

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Speaker 1: I just I kinda I looked for as much as

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Speaker 1: I could to try to improve that skill. I just

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Speaker 1: kind of hung around theater from middle school to college

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Speaker 1: and yeah, and I found out about online voice acting

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Speaker 1: auditions and I just tried to give it a shot.

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Speaker 1: That's phenomenal, And it's so important that you mentioned that

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Speaker 1: not only were you just doing voices, but you were

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Speaker 1: studying acting. You're hanging around theater you were doing what

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Speaker 1: you because as we've always said, we're looking for actors

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Speaker 1: who can do some voices, not people that can do

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Speaker 1: voices that can act, which is two very different things.

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Speaker 1: And you know, honestly, like I did this voiceover seminar,

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Speaker 1: and one of the tools and tips that I put

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Speaker 1: on there was because some people don't have the money

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Speaker 1: to do all the classes and courses. But what I

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Speaker 1: did say was, you can learn everything you need to

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Speaker 1: just from your own house, your own laptop. You go on,

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Speaker 1: you go on and you watch commercials on YouTube, or

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Speaker 1: you watch television and you listen to the commercials and

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Speaker 1: you listen to the voices, and you go on and

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Speaker 1: you watch cartoons and you listen all the different characters.

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Speaker 1: Pretty soon you can start identifying who's doing what voice, like, oh,

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Speaker 1: that's Jim Cumming, so that's you, that's Tar Strong. So

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Speaker 1: one of the things I always say is like, you

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Speaker 1: can learn so much just from listening and watching TV.

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Speaker 1: Like you did. You know, it's not always just a

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Speaker 1: class you absorb. And then there's also a voice bank.

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Speaker 1: You can go and listen all people's demos and see

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Speaker 1: how their demos sounds. So you can really see like

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Speaker 1: how many different voices each person has on a voice

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Speaker 1: reel and what your competition is. So it's pretty powerful. Love,

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Speaker 1: that's all. This is what we love, Dylan is everybody.

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Speaker 1: We picked sixteen people, and Christy and I've been saying this,

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Speaker 1: we picked sixteen people that we think could start working tomorrow.

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Speaker 1: We don't know who's gonna in. Nobody's I know. I'm

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Speaker 1: telling is I want that booth man? What is that

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Speaker 1: your home? Like? What is this? This is a whisper

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Speaker 1: room booth. I kind of like, you know, I can.

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Speaker 1: I started off with a YETI blue mic, and I

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Speaker 1: was like, I probably should invest in this. I actually

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Speaker 1: want to, you know, make this a proper profession. So

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Speaker 1: I went the whole nine yards. I got a I

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Speaker 1: got a solid state logic, I got a annoyment. I

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Speaker 1: got a whisper room booth. I'm trying to I'm trying

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Speaker 1: my best to seem like a professional, like I know

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Speaker 1: what I'm doing. Well, that's what can I tell you?

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Speaker 1: Can I just let you in on something. That's all

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Speaker 1: we all are ever doing is just pretending that we

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Speaker 1: know what we're doing and moving day to day. That's

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Speaker 1: all we got Dylan. So if you believe, if you

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Speaker 1: believe that's what acting is, right exactly, we believe you believe.

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Speaker 1: That's another way of saying that is fake it till

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Speaker 1: you make it. That's just so thank you, Dylan. We're

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Speaker 1: going to put you back in the waiting room right

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Speaker 1: right now while we meet your fellow contestant, and then

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Speaker 1: we're gonna bring you back out for a round one

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Speaker 1: of the game. You got your lines right, got him?

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Speaker 1: All right? Here we go. We're seeing a minute, Dylan. Thanks, wow,

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Speaker 1: all right, so here we go. Contestant number two is

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Speaker 1: Julia from Virginia. Let's bring her in. Hi, Julia, Hello,

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Speaker 1: can you guys hear me? Okay, we can. How are

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Speaker 1: you I'm doing? Hey, Hi, I'm just beyond syched. So

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Speaker 1: congratulations girl, you're one of sixteen a year. That's pretty incredible.

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Speaker 1: Thank you. Oh yeah, thanks out of literally thousands literally

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Speaker 1: faust Yeah, Like, it's so funny. My friend Live she's

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Speaker 1: a big fan of Critical Role, and she ended up

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Speaker 1: telling me about this, and after I heard about it

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Speaker 1: from her, I was hearing about it everywhere. So it

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Speaker 1: was crazy. That's just the scale and the popularity that

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Speaker 1: this whole thing got it's I'm just so honored to

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Speaker 1: be a part of it. So we well, we're excited

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Speaker 1: to have you here. We really are. We we combed

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Speaker 1: through everybody and they were for the record. For the

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Speaker 1: people that did weren't weren't contacted to be in the

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Speaker 1: final sixteen. Thank you so much for putting everything out there.

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Speaker 1: You did amazing. We heard one after another and it

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Speaker 1: was really difficult to pick. But Julia, here you are

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Speaker 1: and well earned, well earned. Thank you. This is eg Daily,

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Speaker 1: who is of course voice in the business. It's so crazy.

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Speaker 1: I'm just two seconds ago i was hyping myself up

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Speaker 1: listen to some music, and now I'm just in a

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Speaker 1: zoom room with all of you guys. I'm just the

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Speaker 1: cool Hi. It's so nice to me. Ready to work

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Speaker 1: to go? Right? Oh yeah, ready, okay, So now question

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Speaker 1: we just very briefly, can you tell us a little

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Speaker 1: bit about why you love voice over and why this

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Speaker 1: is what you want to do for a career. Yeah, sure, Well,

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Speaker 1: I'll try to make this brief. When I was in

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Speaker 1: high school, my best friend and I we were like

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Speaker 1: in our school's band, and I always loved like voice,

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Speaker 1: like performing with my voice, performing in general and her

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Speaker 1: professor in college. She ended up being a TA four.

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Speaker 1: He does commercial voice overwork on the side, so I

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Speaker 1: did stop with him. He helped me so much, and

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Speaker 1: I was started just doing it kind of part time,

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Speaker 1: and I was on track to get my clinical psyche PhD.

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Speaker 1: And I moved to Virginia to go do that, and

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Speaker 1: I kind of realized for a few different reasons that

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Speaker 1: it wasn't exactly what I wanted to do, and I

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Speaker 1: was kind of like, well, I don't really know what

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Speaker 1: I want to do. And I realized that one of

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Speaker 1: the reasons too I wanted to do it was because

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Speaker 1: I was just in a psychology program. I was interesting enough,

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Speaker 1: and I kind of took a step back and was thinking,

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Speaker 1: what do I want to do? Like what am I

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Speaker 1: excited to do when I wake up every day? And

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Speaker 1: I'm like, hey, this voiceover thing pretty cool? So that yeah,

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Speaker 1: and I've been doing since September mostly full time, and

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Speaker 1: here I am so so you know what they say,

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Speaker 1: they say, don't make your b job your a job.

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Speaker 1: You have to keep your A job your a job,

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Speaker 1: and don't even have a bee job sometimes yeah, and

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Speaker 1: so otherwise you'll you know, it's so easy to fall

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Speaker 1: into it. A good job girl. Nice. Yeah. Plus, frankly,

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Speaker 1: I think you know most of the voiceover actors I

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Speaker 1: know myself included. We could always use a clinical psychioagrist,

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Speaker 1: so it'll be perfect anyway. So thank you so much.

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Speaker 1: So we're going to be jumping into our first game,

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Speaker 1: which is called by the Numbers. You have the lines, right, Okay, great,

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Speaker 1: So we're gonna put you back in the waiting room.

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Speaker 1: We're gonna bring Dylan in because Dylan got here first,

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Speaker 1: and we're going to run through a game with him.

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Speaker 1: And then we're gonna run through a game with you,

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Speaker 1: and we're gonna be bopping back and forth, and eg

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Speaker 1: is gonna be helping you out, and we're gonna be

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Speaker 1: just kind of, you know, doing this together. We're we're

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Speaker 1: waiting through this together, Julia. So we'll we'll get there.

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Speaker 1: But thank you so much and we'll see in a bit.

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Speaker 1: Great sounds good, So yeah, thank you, all right, everybody,

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Speaker 1: Before we bring in our first contestant, Dylan. Again, just

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Speaker 1: a little bit about what we're going to be doing.

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Speaker 1: We have comp with a game called by the Numbers,

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Speaker 1: and what we have done is we've broken everything into

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Speaker 1: a whole bunch of different categories, and the categories are size,

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Speaker 1: what are you age? And a wacky attribute. And what's

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Speaker 1: going to happen is just randomly, EG is going to

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Speaker 1: pick a whole bunch of different numbers, and through those numbers,

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Speaker 1: we are going to create a character. The contestants were

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Speaker 1: sent two lines that we have written here at I

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Speaker 1: hear voices, so they've been able to practice with the lines,

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Speaker 1: but they have absolutely no idea the character that they

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Speaker 1: have to create to actually do these lines. So we'll

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Speaker 1: run through it once. EG or Christy or I will

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Speaker 1: give them some notes, we will allow them to run

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Speaker 1: through it again, and then we will pop to our

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Speaker 1: other contestant who will do that. We're going to do

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Speaker 1: that a couple times because they each have two lines,

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Speaker 1: so we're going to see back and forth we go.

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Speaker 1: It's going to be a fun, fun journey. So here

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Speaker 1: is our first game ever. By the way, every level

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Speaker 1: we get to when we go to the Elite eight,

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Speaker 1: un of the Final four and then the Final two,

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Speaker 1: of course, every the games are going to change as

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Speaker 1: they go, and then when we get to the finals,

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Speaker 1: you're going to need skills in every single game to

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Speaker 1: finally win the super awesome contest to become the next

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Speaker 1: big Voice actor. So if we want to bring our

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Speaker 1: first guest back in, we bring Dylan in. Here we go, Dylan.

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Speaker 1: So you got that first line there, right, I do.

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Speaker 1: We are now going to create the character with which

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Speaker 1: you have to say that line. So, Eg, if you

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Speaker 1: could do me a favor, could you first pick a

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Speaker 1: number between one and six Devin? Oh, sorry, one and six, four? Four?

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Speaker 1: All right? Now, can you pick a number between one

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Speaker 1: and twelve eleven? And now pick a number between one

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Speaker 1: and seven two, And finally, if you can pick a

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Speaker 1: number between one and eleven d three. Okay, Dylan, Oh

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Speaker 1: my gosh, your first character. So we are going first.

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Speaker 1: Your first category is size. EG picked four, so you

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Speaker 1: are small. The second categories what are you? EG picked

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Speaker 1: number eleven, so you are a murr person. You live underwater?

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Speaker 1: Number the third categories age. She picked number two you

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Speaker 1: are five years old. And the last attribute is just

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Speaker 1: a wacky attribute. And she picked number three, so you

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Speaker 1: are German. You are a five year old small German murmurers.

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Speaker 1: No one said it was going to be easy, Dylan,

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Speaker 1: and we are going to run and here's the thing

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Speaker 1: you don't. You're not just gonna get one chance to

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Speaker 1: do this. We'll give you a shot at it and

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Speaker 1: then you know, eg, Christy and I will talk you

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Speaker 1: through it a little bit, figure out maybe we can

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Speaker 1: tweak it. You get to do it again, and then uh,

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Speaker 1: well we'll go back and see what your content, your

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Speaker 1: fellow contestant has to offer, and they will be they

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Speaker 1: will buy the right, by the way, be picking a

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Speaker 1: completely new character. Um, so here we go again. Remember

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Speaker 1: you were a small five year old mer person who

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Speaker 1: is German. And now if you could give us that

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Speaker 1: first line at your pleasure, sir, well you'll see will

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Speaker 1: be where alone. That was really good. That was good.

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Speaker 1: My first note I would say, is you got to

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Speaker 1: make sure we hear the dialogue though. Yeah, anybody else

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Speaker 1: want to want to give notes? Yeah, yeah, because I

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Speaker 1: see you go go oh yeah, I didn't. I liked

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Speaker 1: his uh interpretation of the kind of I felt like

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Speaker 1: he was underwaters. He's definitely a mirror person, so I

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Speaker 1: really got that. And I also, yeah, I felt the

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Speaker 1: young person. But yes, I just didn't hear the I

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Speaker 1: didn't know what the dialogue was, and that's important. Yeah, Well,

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Speaker 1: and accents always can pick people up, um and you know,

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Speaker 1: and so sometimes I try to place a character when

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Speaker 1: I get these, you know, directions for auditions, and I'll

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Speaker 1: try to remember a character from a Bond movie or something,

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Speaker 1: you know, to kind of locate in my mind that So,

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Speaker 1: do you have a German voice in mind? Maybe I

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Speaker 1: do have a German voice in mind. I coincidentally, I

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Speaker 1: play some D and D with friends and I had

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Speaker 1: to play a German character to try to kind of

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Speaker 1: work with that. Yeah, so add a little more of

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Speaker 1: that and just keep it small and young. And remember,

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Speaker 1: at the end of the day, when you're doing any

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Speaker 1: sort of animated series or a specially when you're doing

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Speaker 1: something like ad copy, they're gonna want to make sure

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Speaker 1: they can hear what they've written if you're especially if

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Speaker 1: you're selling a product or something like that. So let's

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Speaker 1: take do one more take. I love the Underwater. I

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Speaker 1: thought that was that really sold and I thought the

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Speaker 1: age was right too. It was a good it was

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Speaker 1: a good tone for the age of the character. I

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Speaker 1: would work a little bit more on just enunciating the

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Speaker 1: words and make sure we can hear the dialogue. You

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Speaker 1: go ahead, Take two, lever one believing in our factor

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Speaker 1: will be about four hours Prosen on an alcohold of

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Speaker 1: eight Fotben flying suit bart Riller, I didn't draw the flock.

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Speaker 1: Hey wait, that was great. That was great. That was great.

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Speaker 1: That was great. Great. You took all a lot of

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Speaker 1: the notes. I would say three. That was the other thing,

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Speaker 1: Dylan is you took the direction very well. So okay,

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Speaker 1: that's round und one. Dylan, thank you so much. We're

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Speaker 1: gonna put you back in the waiting room and go

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Speaker 1: from there. Oh good, Dylan, good job. That was That

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Speaker 1: was great. I can also see how this is going

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Speaker 1: to be exceptionally difficult, and I can't wait to see

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Speaker 1: the interpretations that people are having. It's going to be

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Speaker 1: so much fun. I sure hope that there's a reddit

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Speaker 1: page about these about these folks online. Please somebody create

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Speaker 1: a Reddit page for I hear voices and uh man,

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Speaker 1: I'm good for your favorite contestant, you know, because they

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Speaker 1: deserved beloved. That was great. I mean that that was

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Speaker 1: a lot. That was young, a lot German underwater mer

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Speaker 1: person and the dialogue. It was really great, good, easy,

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Speaker 1: And you know, I know there's fans out there going

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Speaker 1: like you guys, try that you do it, and I'm

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Speaker 1: sure I could do that as well as he just did. Honestly,

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Speaker 1: I mean that was phenomenal. Um. Okay, So that's that's

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Speaker 1: round one in the books. Let's bring in Julia from

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Speaker 1: Virginia and create her character. Hey, Julia, how are you good?

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Speaker 1: I'm just sitting in this zoom roll being like I

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Speaker 1: cannot believe that that just happened. So I've to work mode.

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Speaker 1: But I'm doing exactly Now it's time to work. Here

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Speaker 1: we go. So the game, I think I told you

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Speaker 1: it's going to be called by the numbers, and you

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Speaker 1: have your lines of dialogue there, and now eg by

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Speaker 1: picking random numbers is going to be creating the character

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Speaker 1: with which you have to say the dialogue. So your

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Speaker 1: four categories are size, what are you? Age, and a

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Speaker 1: wacky attribute and they can get whacky and the ages

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Speaker 1: can get weird. And we just saw from round one

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Speaker 1: you never know what's going to happen, all right, So

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Speaker 1: here we go, four Julia, EG a number between one

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Speaker 1: and six, please five, And now a number between one

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Speaker 1: and twelve, please two. And now a number between one

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Speaker 1: and seven, please six. And finally, a number between one

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Speaker 1: and eleven eight. Okay, So Julia, your character, your size,

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Speaker 1: You are tiny, Okay, you are a cat. Okay, so far,

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Speaker 1: so good. You are sixty years old, okay, and for

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Speaker 1: your wacky attribute, you have been stuck in traffic for

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Speaker 1: six hours six all right, okay, chat that's old and

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Speaker 1: annoyed from being stuck in traffic. Well, I didn't say annoyed.

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Speaker 1: I also didn't say annoyed. I just said stuck in traffic.

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Speaker 1: Everybody reacts in traffic differently. So we're gonna have you

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Speaker 1: read the first line we gave you there with that character,

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Speaker 1: and then we're gonna all kind of critique it and

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Speaker 1: give you some notes and give you a chance to

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Speaker 1: do it again. Okay, all right, so here you go,

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Speaker 1: take it away, Julia Action. Welcome aboard everyone. This is

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Speaker 1: your captain speaking. Our flight today will be about four

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00:21:17,840 --> 00:21:21,760
Speaker 1: hours cursing at an altitude of eight feet. We'll be

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Speaker 1: flying over most people, the blad earth, and the places

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Speaker 1: where the aliens live. So sit back, we'll atax and

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Speaker 1: enjoy the flune. That was good, clear read, I thought

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Speaker 1: it was clear. I got um little. I felt little.

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Speaker 1: I felt her version of what traffic was maybe just

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Speaker 1: a little annoying, but without it, without it taking over,

401
00:21:47,640 --> 00:21:50,479
Speaker 1: you were still giving your instructions and I could hear

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Speaker 1: all your lines beautifully. I thought it was great. Would

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Speaker 1: you would you have her do anything different? Eigium? It

404
00:21:58,080 --> 00:22:02,520
Speaker 1: was little. It was in traffic, was the other notes?

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Speaker 1: It was cat. She was a cat. Yeah, I too, cat.

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Speaker 1: I would add a little bit more some kind of cat. Yeah,

407
00:22:09,600 --> 00:22:13,800
Speaker 1: maybe a little like a purring or yeah, some sort

408
00:22:13,800 --> 00:22:15,840
Speaker 1: of additives for a little bit of it. You can

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Speaker 1: say a line like it's time torlex and right, you

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Speaker 1: know whatever, I'll give it a try. That's a great

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Speaker 1: no Christy anyway, so you said a little more cat.

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Speaker 1: I agree. I love that. I thought. I just think

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Speaker 1: that everything else, Yeah, that's it. Injects of fun in

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Speaker 1: it and check the wacky. Yeah, I'm gonna try. But

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Speaker 1: your tone is your tone is wonderful. The read was great,

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Speaker 1: So the acting was good. Okay, um, which again is

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Speaker 1: the most important thing. And yeah, I think maybe play

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Speaker 1: with it a little bit um and find, you know,

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Speaker 1: if you can find some of those moments that EG

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Speaker 1: was talking about and to interject a little cat there,

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Speaker 1: I think you would take it to the next level. Okay,

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00:22:55,760 --> 00:22:57,640
Speaker 1: all right, We'll try to put a little cat there

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Speaker 1: is to you. And remember cats, cats can make different sounds.

424
00:23:01,480 --> 00:23:06,200
Speaker 1: They can go, they do weird little other sounds too.

425
00:23:06,240 --> 00:23:09,720
Speaker 1: That's not just purring, you know. Okay, all right, so

426
00:23:10,000 --> 00:23:14,159
Speaker 1: here we go, Julia, take two at your pleasure. Okay,

427
00:23:16,359 --> 00:23:23,200
Speaker 1: welcome aboard everyone. This is your captain speaking. Our flight

428
00:23:23,240 --> 00:23:27,280
Speaker 1: today will be about four hours cruising it on an

429
00:23:27,320 --> 00:23:31,840
Speaker 1: altitude of eight feet. We'll be flying over most of

430
00:23:31,840 --> 00:23:34,840
Speaker 1: the flat earth and the places where the aliens live.

431
00:23:34,960 --> 00:23:40,960
Speaker 1: So sit back, relax hands, and enjoy the flight. I

432
00:23:41,000 --> 00:23:42,840
Speaker 1: was having trouble. No one were to put the cat

433
00:23:42,920 --> 00:23:47,800
Speaker 1: sounds in, but sure, sure, no that makes sense. But no,

434
00:23:47,960 --> 00:23:51,639
Speaker 1: that was good. We got two good takes and that

435
00:23:51,760 --> 00:23:53,639
Speaker 1: was great. So if you'll give us a moment, and

436
00:23:53,680 --> 00:23:55,479
Speaker 1: now we will come back for round two with your

437
00:23:55,480 --> 00:23:57,479
Speaker 1: second line. We'll be building a whole new character. So

438
00:23:57,520 --> 00:23:59,720
Speaker 1: it's going to be fun. Thank you very much. I

439
00:23:59,760 --> 00:24:01,480
Speaker 1: love a tone of your voice. By the way. Good job.

440
00:24:01,480 --> 00:24:04,040
Speaker 1: Oh man, So she's in the guest room right, yeah. Yeah,

441
00:24:04,080 --> 00:24:05,879
Speaker 1: you know it's sad because I really wish that they

442
00:24:05,880 --> 00:24:08,280
Speaker 1: could if they like when we're in the booth, we're

443
00:24:08,320 --> 00:24:11,000
Speaker 1: always like, you know, give me one more, and we

444
00:24:11,119 --> 00:24:14,120
Speaker 1: generally have time to like, just give somebody one more.

445
00:24:14,880 --> 00:24:17,120
Speaker 1: Do you want to be doing that? If we can't.

446
00:24:17,160 --> 00:24:18,840
Speaker 1: That's the thing is I think we're giving each the

447
00:24:18,920 --> 00:24:21,040
Speaker 1: two takes. It's tough because we want to see a question.

448
00:24:21,520 --> 00:24:23,800
Speaker 1: We also want to see. Yeah, you want to see

449
00:24:23,800 --> 00:24:26,240
Speaker 1: them incorporating the little sound. She kind of lost some

450
00:24:26,240 --> 00:24:29,200
Speaker 1: of the things in the second take she did. Yeah,

451
00:24:29,240 --> 00:24:32,600
Speaker 1: she lost some of the irritation or the being in traffic,

452
00:24:32,640 --> 00:24:35,520
Speaker 1: and she she lost some of the small small I thought.

453
00:24:35,640 --> 00:24:38,119
Speaker 1: But I agree where I thought. Dylan actually incorporated what

454
00:24:38,160 --> 00:24:41,800
Speaker 1: we said to the second take better than she did. Yeah. Okay,

455
00:24:41,840 --> 00:24:43,840
Speaker 1: but hey, that's round one. We're going to see. Let's

456
00:24:43,840 --> 00:24:46,719
Speaker 1: go to round two if we can. Dylan, come on back,

457
00:24:47,760 --> 00:24:49,920
Speaker 1: all right, Dylan, Here we go round two, my friend,

458
00:24:50,200 --> 00:24:52,920
Speaker 1: you've got your second line. Yes, I do, all right,

459
00:24:53,080 --> 00:24:55,840
Speaker 1: e g once again, if you will please, a number

460
00:24:55,880 --> 00:25:01,440
Speaker 1: between one and six two, now, a number between one

461
00:25:01,560 --> 00:25:10,720
Speaker 1: and twelve, eleven, and now I take ten instead of

462
00:25:12,400 --> 00:25:14,560
Speaker 1: I'm gonna allow that change. I'm gonna allow that change

463
00:25:14,760 --> 00:25:19,040
Speaker 1: because he would have been a mer person. Again, a

464
00:25:19,119 --> 00:25:26,280
Speaker 1: number between one and seven, five, and now, finally, a

465
00:25:26,440 --> 00:25:33,320
Speaker 1: number between one and eleven five. Okay, So for your

466
00:25:33,440 --> 00:25:38,199
Speaker 1: next character, Dylan, you are big. You are a big

467
00:25:38,760 --> 00:25:46,040
Speaker 1: robot that is thirty years old that just won the lottery.

468
00:25:46,359 --> 00:25:50,159
Speaker 1: Oh I think, so how to take of that? What

469
00:25:50,359 --> 00:25:54,720
Speaker 1: you will, my friend, but line too at your pleasure.

470
00:25:54,800 --> 00:25:57,640
Speaker 1: You are a big, big, thirty year old robot that

471
00:25:57,800 --> 00:26:02,520
Speaker 1: just won the lottery. Anytime, I'd like a double triple

472
00:26:02,560 --> 00:26:05,320
Speaker 1: ice top mokea grande ventidcap with oak phone whip cream

473
00:26:05,320 --> 00:26:07,479
Speaker 1: and a straw to go, please, but I'll be drinking

474
00:26:07,520 --> 00:26:15,840
Speaker 1: it here. I felt it, I felt I felt large,

475
00:26:15,880 --> 00:26:20,120
Speaker 1: I felt I felt all of it. Yeah, that was excitement. Yeah,

476
00:26:20,119 --> 00:26:24,040
Speaker 1: it was excitement, but still just the monotonic. Great, that

477
00:26:24,119 --> 00:26:27,120
Speaker 1: was great. Does anybody have any notes on that? No notes?

478
00:26:28,480 --> 00:26:31,800
Speaker 1: E g. Yeah, I really felt like he captured all

479
00:26:31,840 --> 00:26:36,119
Speaker 1: of it in that one. I don't disagree. I wouldn't

480
00:26:36,200 --> 00:26:39,159
Speaker 1: you know, why don't we do one more take for you? Bigger,

481
00:26:39,280 --> 00:26:42,480
Speaker 1: a little bit bigger. Yeah, And as we would say

482
00:26:42,520 --> 00:26:45,399
Speaker 1: sometimes in the booth, uh, you know, when you've played

483
00:26:45,440 --> 00:26:47,920
Speaker 1: and they think they've got it anyway, Dylan, they would say,

484
00:26:48,080 --> 00:26:50,959
Speaker 1: this one's just for you, so go ahead. Every year.

485
00:26:52,119 --> 00:26:56,760
Speaker 1: That sounds good. I'd like a double triple ice hot

486
00:26:56,800 --> 00:27:00,480
Speaker 1: mokea grande vent decaf with oatmolk foam whip at a

487
00:27:00,520 --> 00:27:03,359
Speaker 1: straw to go please, but I'll be drinking it here.

488
00:27:04,800 --> 00:27:09,239
Speaker 1: Boom perfect, Thank you, Dylan. Than Round two is in

489
00:27:09,280 --> 00:27:15,280
Speaker 1: the books. Oh, we'll be back with you in a second. Button. Wow.

490
00:27:16,280 --> 00:27:18,720
Speaker 1: I thought that first take was great. It's great, and

491
00:27:18,800 --> 00:27:23,480
Speaker 1: even the second it's very consistent. Creative, quick, quick, and creative.

492
00:27:23,560 --> 00:27:27,080
Speaker 1: Right away. I agree one hundred percent. Okay, let's go

493
00:27:27,119 --> 00:27:31,560
Speaker 1: back to Julia. Okay, all right, Julia, here we are

494
00:27:31,720 --> 00:27:33,760
Speaker 1: round two. We are going to create a character for

495
00:27:33,800 --> 00:27:36,240
Speaker 1: you one more time. You got your second line of dialogue. There,

496
00:27:36,800 --> 00:27:39,359
Speaker 1: here we go eg one more time. Please a number

497
00:27:39,400 --> 00:27:44,760
Speaker 1: between one and six four, and now a number between

498
00:27:44,840 --> 00:27:52,240
Speaker 1: one and twelve nine, and now a number between one

499
00:27:52,440 --> 00:28:00,919
Speaker 1: and seven four, and finally a number between one and

500
00:28:01,040 --> 00:28:09,080
Speaker 1: eleven ten. Okay, just so, Julia, very interesting for your character.

501
00:28:09,320 --> 00:28:12,480
Speaker 1: For your second line of dialogue. You are small. You

502
00:28:12,520 --> 00:28:17,760
Speaker 1: are a small alien that is fifteen years old, and

503
00:28:17,840 --> 00:28:23,119
Speaker 1: you're afraid of your own shadow. So again, a small

504
00:28:23,160 --> 00:28:27,440
Speaker 1: alien fifteen years old, afraid of your own shadow. At

505
00:28:27,480 --> 00:28:34,920
Speaker 1: your pleasure, Julie, anytime, right, it's call those lines. Look

506
00:28:34,960 --> 00:28:44,160
Speaker 1: what I'd like a double triple I stuff hot Mocha

507
00:28:44,920 --> 00:28:51,680
Speaker 1: brande BENI tacap with old milk foam whip and a

508
00:28:51,800 --> 00:28:56,080
Speaker 1: straw war to go blis. But I'll be drinking it here.

509
00:28:57,600 --> 00:29:00,800
Speaker 1: Good job, nice say. I was like trying to make

510
00:29:00,880 --> 00:29:04,640
Speaker 1: those things together somewhere to the first one. Sure, no,

511
00:29:04,760 --> 00:29:07,560
Speaker 1: of course, yeah, ag, do you have any any direction

512
00:29:07,640 --> 00:29:10,360
Speaker 1: or notes? Um, I would just like to hear you do,

513
00:29:10,520 --> 00:29:13,200
Speaker 1: or even a little smaller. But I liked. I liked

514
00:29:13,200 --> 00:29:16,040
Speaker 1: how you added some fear and some afraid of your

515
00:29:16,040 --> 00:29:17,800
Speaker 1: own shadow. I think the voice could even be a

516
00:29:17,800 --> 00:29:21,000
Speaker 1: little bit more whispy, like uh, you know, like somebody news.

517
00:29:21,880 --> 00:29:25,680
Speaker 1: Oh no, maybe I'll have a you know, a little

518
00:29:25,680 --> 00:29:27,880
Speaker 1: bit a little more timid. But you can even add

519
00:29:27,880 --> 00:29:29,720
Speaker 1: because your voice is so sweet, that little bit of

520
00:29:29,760 --> 00:29:35,080
Speaker 1: a whispy tone, that fearful kind of like oh yeah, yeah,

521
00:29:35,120 --> 00:29:38,200
Speaker 1: a little more breathfree because you have that beautiful tiny tone,

522
00:29:38,360 --> 00:29:41,720
Speaker 1: and yeah, just try that. Yeah, that's why I'd say

523
00:29:41,720 --> 00:29:43,920
Speaker 1: the same thing. Just add another little aggor of fear

524
00:29:44,560 --> 00:29:47,160
Speaker 1: as you as you're in there in ordering a cup

525
00:29:47,160 --> 00:29:49,520
Speaker 1: of coffee, you just are this the first time you've

526
00:29:49,720 --> 00:29:53,200
Speaker 1: you've been off your planet in your entire life and

527
00:29:53,240 --> 00:29:55,040
Speaker 1: then out of the RV you lived in when you

528
00:29:55,080 --> 00:29:57,080
Speaker 1: got here, so you are in public for the first

529
00:29:57,080 --> 00:30:00,160
Speaker 1: time ever. What would that be like? Okay, is there

530
00:30:00,200 --> 00:30:02,480
Speaker 1: anything about like the Aliens? Because I was like, I'll

531
00:30:02,480 --> 00:30:04,800
Speaker 1: put in a blur up. I don't know, are good.

532
00:30:04,880 --> 00:30:10,320
Speaker 1: I liked it. My suggestion is if these things feel motivated,

533
00:30:10,800 --> 00:30:13,320
Speaker 1: so like in the middle of that sentence, if you

534
00:30:13,400 --> 00:30:16,400
Speaker 1: get so worked up by being scared that a blurk

535
00:30:16,560 --> 00:30:21,240
Speaker 1: comes out, so make it feel motivated. Okay, that's my suggestion.

536
00:30:21,480 --> 00:30:24,840
Speaker 1: That makes sense. That makes sense. I'll give it another shot. Yeah,

537
00:30:24,920 --> 00:30:30,880
Speaker 1: please take two at your pleasure. Um, I like a

538
00:30:31,640 --> 00:30:39,640
Speaker 1: double triple. I used a hot Loca Grande David dentacut

539
00:30:40,040 --> 00:30:48,160
Speaker 1: with oh mil what cleman and a straw to go please,

540
00:30:48,680 --> 00:30:53,960
Speaker 1: but I'll be drinking it here. Okay, it was great, No,

541
00:30:54,080 --> 00:30:55,760
Speaker 1: that was great. I thought you take all the direction

542
00:30:55,840 --> 00:30:59,400
Speaker 1: really well. Yes, thanks, I like that take too, Thank

543
00:30:59,440 --> 00:31:03,640
Speaker 1: you very much. Right back with you. Good job, bro,

544
00:31:04,360 --> 00:31:08,360
Speaker 1: great job. Okay, I thought that. I thought she took

545
00:31:09,120 --> 00:31:11,200
Speaker 1: the direction really well that time, better than she did

546
00:31:11,240 --> 00:31:14,840
Speaker 1: the first time. Yeah, I thought she was missing a

547
00:31:14,840 --> 00:31:18,200
Speaker 1: little bit of the breathy thing. But sometimes people can't

548
00:31:18,240 --> 00:31:22,120
Speaker 1: grab that bit. But I still think she's taking the notes. Yeah,

549
00:31:22,880 --> 00:31:25,680
Speaker 1: and she's just a little fearful. Yeah, because she's nervous.

550
00:31:25,960 --> 00:31:28,640
Speaker 1: I think so too. And now um, we go to

551
00:31:28,760 --> 00:31:33,160
Speaker 1: our special round three. All right, let's do it very quickly,

552
00:31:33,200 --> 00:31:37,920
Speaker 1: and let's bring Dylan back in. Hey Dylan, Hi Dylan,

553
00:31:38,920 --> 00:31:43,640
Speaker 1: how are you everybuddy? Oh we can't hear you, I muted.

554
00:31:43,720 --> 00:31:45,400
Speaker 1: Oh there you go. Now you're good. Oh you're good.

555
00:31:48,360 --> 00:31:51,680
Speaker 1: Oh no. So we are now moving on to our

556
00:31:51,880 --> 00:31:54,440
Speaker 1: super secret round three, which you don't know about my friend,

557
00:31:54,760 --> 00:31:58,560
Speaker 1: um and so our lovely producer Lorraine is going to

558
00:31:58,600 --> 00:32:01,720
Speaker 1: share her scream with you and we are going to

559
00:32:01,760 --> 00:32:03,360
Speaker 1: be throwing a line at you that you have not

560
00:32:03,520 --> 00:32:08,040
Speaker 1: had a chance to rehearse or practice. Same thing as before.

561
00:32:08,040 --> 00:32:11,080
Speaker 1: We're going to create a character for you. But this

562
00:32:11,160 --> 00:32:13,560
Speaker 1: is a line that you need to see on your

563
00:32:13,920 --> 00:32:17,760
Speaker 1: do on your own. Can you see it? Yes? I can? Okay, perfect,

564
00:32:17,800 --> 00:32:19,400
Speaker 1: So here we go. So this is we're going to

565
00:32:19,440 --> 00:32:21,000
Speaker 1: play one more round and this is one you have

566
00:32:21,080 --> 00:32:24,040
Speaker 1: not have not practiced yet, So eg one more time

567
00:32:24,080 --> 00:32:26,280
Speaker 1: for us, if you would please a number between one

568
00:32:26,320 --> 00:32:30,640
Speaker 1: and six five, and now a number between one and

569
00:32:31,000 --> 00:32:36,560
Speaker 1: twelve eleven? How did I pick the same one you did? Okay,

570
00:32:36,640 --> 00:32:39,720
Speaker 1: let me change it? Even is a favorite number? Seven?

571
00:32:41,080 --> 00:32:44,479
Speaker 1: Number seven? You got it? Number a number between one

572
00:32:44,520 --> 00:32:54,320
Speaker 1: and seven, two, and finally a number between one and eleven? Ten?

573
00:32:54,880 --> 00:32:56,360
Speaker 1: Did I do that one already? Again? You did what

574
00:32:56,360 --> 00:32:58,120
Speaker 1: you did? A ten? Okay, then let's do Can I

575
00:32:58,160 --> 00:33:01,080
Speaker 1: see eleven? I love there was between eleven? No? There

576
00:33:01,080 --> 00:33:05,400
Speaker 1: you go. Okay, So for your final round, Dylan, you

577
00:33:05,520 --> 00:33:11,360
Speaker 1: are tiny. You are a tiny flower that is five

578
00:33:11,480 --> 00:33:22,720
Speaker 1: years old, but you're also an athletic coach. Okay, very conflicting, right, yes,

579
00:33:22,920 --> 00:33:26,840
Speaker 1: so give us that third line at your pleasure, sir.

580
00:33:28,800 --> 00:33:31,160
Speaker 1: Don't you just hate riding on elevators? No one says

581
00:33:31,200 --> 00:33:34,760
Speaker 1: nothing to nobody? Am I right? Hello? And someone plush

582
00:33:34,840 --> 00:33:39,680
Speaker 1: three for me. That's a great character. That is a

583
00:33:39,680 --> 00:33:42,240
Speaker 1: great character. The only thing I'm missing is the he's

584
00:33:42,240 --> 00:33:44,720
Speaker 1: the coach. Yeah, I'm missing a little bit of the

585
00:33:44,920 --> 00:33:49,200
Speaker 1: like instructional coach in that little cute voice. Yeah, and

586
00:33:49,240 --> 00:33:52,560
Speaker 1: I would make the voice a little tinier, like you

587
00:33:52,600 --> 00:33:55,400
Speaker 1: can still be a conve right, like you could still

588
00:33:55,400 --> 00:33:59,480
Speaker 1: be aggressive but small. Yeah. Imagine if Patton was a

589
00:33:59,480 --> 00:34:04,600
Speaker 1: five year old flower? All right? Go full Chihuahua, gotcha

590
00:34:05,320 --> 00:34:16,839
Speaker 1: go ahead anytime? Oh, I think you might. I think

591
00:34:16,840 --> 00:34:18,560
Speaker 1: he blew out your mic, my friend, we didn't get

592
00:34:18,760 --> 00:34:21,080
Speaker 1: we didn't get some of that. It was kind of

593
00:34:21,440 --> 00:34:24,200
Speaker 1: it was kind of breaking down. I wonder why, Yeah, okay,

594
00:34:24,280 --> 00:34:29,040
Speaker 1: let me try again. Yeah about us? So it's never

595
00:34:29,480 --> 00:34:35,720
Speaker 1: battle Hello, that's straight unny. I think that was great.

596
00:34:36,280 --> 00:34:41,400
Speaker 1: That was definitely better, definitely better. Yeah. Oh goodness, big choices,

597
00:34:41,520 --> 00:34:44,200
Speaker 1: and you know that was that was really hard and

598
00:34:44,280 --> 00:34:47,320
Speaker 1: it's crazy hard. And I love the variety of your voice,

599
00:34:47,360 --> 00:34:49,520
Speaker 1: the fact that you can go low and deep and thick,

600
00:34:49,600 --> 00:34:52,040
Speaker 1: and then you can go tiny and and a little

601
00:34:52,080 --> 00:34:54,960
Speaker 1: reprimanding but tiny. I really felt that it's a good job.

602
00:34:55,320 --> 00:34:58,120
Speaker 1: Thank you, Thank you so much, Dylan. I appreciate you coming.

603
00:34:58,160 --> 00:34:59,400
Speaker 1: And we're gonna put you in the waiting room for

604
00:34:59,400 --> 00:35:03,440
Speaker 1: a second. This is so hard, and again, most of

605
00:35:03,680 --> 00:35:05,359
Speaker 1: I couldn't do a lot of these characters. But that's

606
00:35:05,360 --> 00:35:06,920
Speaker 1: really not what we're looking for. We're not looking for

607
00:35:06,960 --> 00:35:08,680
Speaker 1: the perfect five year old flower. We're seeing if they

608
00:35:08,680 --> 00:35:11,000
Speaker 1: can take direction. We're seeing the tambur their voice, we're

609
00:35:11,000 --> 00:35:14,320
Speaker 1: seeing well the judging criteria. Do we talk about the Okay,

610
00:35:14,760 --> 00:35:19,160
Speaker 1: so the judging criteria is on clarity of speech, uniqueness

611
00:35:19,160 --> 00:35:22,640
Speaker 1: of voice, volume, and expression. So we're looking for those

612
00:35:22,640 --> 00:35:25,520
Speaker 1: things right equally, okay, right, right, but we're also looking

613
00:35:25,520 --> 00:35:29,880
Speaker 1: for the acting the X factor. Can you take direction

614
00:35:31,360 --> 00:35:33,640
Speaker 1: all the kind of things that are very very important. Um,

615
00:35:33,960 --> 00:35:35,960
Speaker 1: that's you know, that's what you need. Yeah, you want

616
00:35:36,000 --> 00:35:37,480
Speaker 1: to be able to turn on a dime. I mean,

617
00:35:37,520 --> 00:35:40,040
Speaker 1: I've had jobs come where they were they would literally

618
00:35:40,080 --> 00:35:41,880
Speaker 1: outdo it, and then they'd say, like, we want to

619
00:35:41,880 --> 00:35:45,279
Speaker 1: take them a totally different body size, Like we want

620
00:35:45,280 --> 00:35:47,360
Speaker 1: to make him instead of this little skinny kid a

621
00:35:47,400 --> 00:35:50,160
Speaker 1: little bit fatter, chunky kid. So you know, the fact

622
00:35:50,200 --> 00:35:51,759
Speaker 1: that they can switch it on a dime and not

623
00:35:51,920 --> 00:35:54,879
Speaker 1: get too flustered is a big deal. Yeah, it's also

624
00:35:54,880 --> 00:35:56,120
Speaker 1: I mean, how many times have we been in a

625
00:35:56,120 --> 00:35:59,080
Speaker 1: booth where you're sitting next to another actor and your

626
00:35:59,160 --> 00:36:01,360
Speaker 1: voice sounds similar enough to the person next to you

627
00:36:01,400 --> 00:36:04,920
Speaker 1: that they say, hey, okay, you're now old and German exactly,

628
00:36:05,239 --> 00:36:06,759
Speaker 1: you know, and you need to not get flustered, and

629
00:36:06,800 --> 00:36:08,960
Speaker 1: you just turned the whole thing around. It's gonna go okay,

630
00:36:09,040 --> 00:36:10,360
Speaker 1: let's figure it out and you work it out in

631
00:36:10,400 --> 00:36:12,239
Speaker 1: the booth. So that's kind of the stuff we're looking for,

632
00:36:13,160 --> 00:36:15,160
Speaker 1: because for the record, I don't think I could do

633
00:36:15,200 --> 00:36:17,279
Speaker 1: a five year old coach 's a flower. That was

634
00:36:17,440 --> 00:36:29,560
Speaker 1: that was really good. That was very good. And we

635
00:36:29,600 --> 00:36:32,200
Speaker 1: are going back one more time to Julia for our

636
00:36:32,280 --> 00:36:37,680
Speaker 1: last round. Pick. Here we go, Hi, Julia Hire. You

637
00:36:38,560 --> 00:36:42,080
Speaker 1: are you good? You're good? Yeah, I just like you

638
00:36:42,160 --> 00:36:44,319
Speaker 1: kind of stoodn't here and waiting like, okay, let's see,

639
00:36:44,600 --> 00:36:48,759
Speaker 1: let's see what it's going to be when yeah, yes,

640
00:36:48,880 --> 00:36:51,839
Speaker 1: I know, but you're doing great, you really are. That's

641
00:36:51,840 --> 00:36:53,640
Speaker 1: actually what it feels like when you're in the studio

642
00:36:53,920 --> 00:36:57,640
Speaker 1: and they you can't hear anything in the booth and

643
00:36:57,680 --> 00:37:01,560
Speaker 1: they're deciding and talking about different directions in there outside

644
00:37:01,560 --> 00:37:06,080
Speaker 1: of the glass. Sometimes not so yeah, when you're working

645
00:37:06,080 --> 00:37:07,719
Speaker 1: from home now, you don't see anything. You're just put

646
00:37:07,760 --> 00:37:11,920
Speaker 1: in a waiting room. Yeah. Yeah, So you're doing great though,

647
00:37:12,040 --> 00:37:13,840
Speaker 1: And we've got one more little twist we want to

648
00:37:13,840 --> 00:37:16,560
Speaker 1: throw at you. Okay, So we have a third line

649
00:37:16,760 --> 00:37:19,400
Speaker 1: that we're sending you right now that you have not

650
00:37:19,480 --> 00:37:22,239
Speaker 1: had a chance to practice with. So because as Eg

651
00:37:22,480 --> 00:37:25,000
Speaker 1: was just saying, when when you were in the waiting room,

652
00:37:25,520 --> 00:37:27,560
Speaker 1: you never know what they're what were What were you saying, eg,

653
00:37:28,239 --> 00:37:30,480
Speaker 1: I was saying. Um. Sometimes you could be in the

654
00:37:30,520 --> 00:37:32,520
Speaker 1: booth and you get a character that they give you

655
00:37:32,560 --> 00:37:33,920
Speaker 1: and all of a sudden they realize that you and

656
00:37:34,000 --> 00:37:36,520
Speaker 1: the person next you sound very similar. So they might

657
00:37:36,560 --> 00:37:38,920
Speaker 1: all of a sudden change the game on you and say, actually,

658
00:37:38,920 --> 00:37:41,640
Speaker 1: you guys sound too similar. We want to lower your voice,

659
00:37:41,680 --> 00:37:43,279
Speaker 1: we want to raise your voice higher. So there's a

660
00:37:43,320 --> 00:37:45,760
Speaker 1: difference between the characters. So it's good to be ready

661
00:37:45,960 --> 00:37:47,680
Speaker 1: for any kind of shift that might happen at the

662
00:37:47,719 --> 00:37:49,560
Speaker 1: spur of the moment and not let it throw you,

663
00:37:49,600 --> 00:37:53,480
Speaker 1: will you just dive in and jump into another one. Yeah,

664
00:37:53,520 --> 00:37:55,920
Speaker 1: So we're gonna our wonderful producer Lorraine is going to

665
00:37:56,000 --> 00:38:01,239
Speaker 1: send you a line right now. It's not long, don't worry.

666
00:38:01,360 --> 00:38:03,480
Speaker 1: But we are then going to pick a third character

667
00:38:03,560 --> 00:38:05,640
Speaker 1: for you for the final round here and we're going

668
00:38:05,719 --> 00:38:07,440
Speaker 1: to go one more time. So I Lorraine, if you

669
00:38:07,440 --> 00:38:14,520
Speaker 1: would please, that'd be great. Albeams Okay, yeah, I see it. Okay,

670
00:38:14,600 --> 00:38:16,839
Speaker 1: So while you're studying that a little bit, EG, if

671
00:38:16,880 --> 00:38:19,760
Speaker 1: you would one more time for me, please a number

672
00:38:19,800 --> 00:38:24,640
Speaker 1: between one and six six, and now a number between

673
00:38:24,680 --> 00:38:29,560
Speaker 1: one and twelve seven, and now a number between one

674
00:38:29,640 --> 00:38:35,560
Speaker 1: and seven seven, and now a number between one and

675
00:38:35,880 --> 00:38:43,320
Speaker 1: eleven nine. Okay, So for your new line here, Julia,

676
00:38:43,600 --> 00:38:51,360
Speaker 1: you are a microscopic flower. You are ninety five years old,

677
00:38:53,640 --> 00:39:01,600
Speaker 1: and you're shocked. Shocked. Oh man, Julia, Yeah, he voices today.

678
00:39:01,800 --> 00:39:04,160
Speaker 1: It is we are we are just we. It's the

679
00:39:04,200 --> 00:39:05,920
Speaker 1: luck of the draw. We never know we're gonna get.

680
00:39:06,040 --> 00:39:08,880
Speaker 1: And that's the fun is you just get to play

681
00:39:08,960 --> 00:39:10,720
Speaker 1: and throw at you and keep you on your toes.

682
00:39:10,760 --> 00:39:14,160
Speaker 1: So again, you are a microscopic flower that is ninety

683
00:39:14,160 --> 00:39:17,960
Speaker 1: five years old, that is shocked. Okay at your pleasure,

684
00:39:27,040 --> 00:39:40,719
Speaker 1: no funny. Hello, So I'm touch straight for me. Unfortunately

685
00:39:40,719 --> 00:39:42,759
Speaker 1: I only heard the end. I think you were we

686
00:39:42,760 --> 00:39:45,080
Speaker 1: blowing out the mic? Is that what was happening? Oh

687
00:39:45,120 --> 00:39:48,120
Speaker 1: maybe I think something about the timber or the tone

688
00:39:48,160 --> 00:39:49,680
Speaker 1: up high. It happened to the other guy as well,

689
00:39:49,760 --> 00:39:52,440
Speaker 1: So it's not you. It happens. It happens sometimes. So

690
00:39:52,480 --> 00:39:54,920
Speaker 1: maybe tip. I'm wondering if you tip your head a

691
00:39:54,920 --> 00:39:56,960
Speaker 1: little bit, your mouth a little bit away from the

692
00:39:57,000 --> 00:39:59,160
Speaker 1: mic and see if that makes it better. But your

693
00:39:59,200 --> 00:40:01,440
Speaker 1: approach was great. We just couldn't hear someone because it

694
00:40:01,480 --> 00:40:04,040
Speaker 1: was like it was breaking up. Yeah, try playing playing

695
00:40:04,080 --> 00:40:05,719
Speaker 1: off the mic a little bit and let's see if

696
00:40:05,719 --> 00:40:07,799
Speaker 1: that works a little better. Sure, I turned to sway

697
00:40:07,800 --> 00:40:13,399
Speaker 1: a bit. Yeah, try that, go ahead. Oh oh dear,

698
00:40:14,680 --> 00:40:18,839
Speaker 1: don't you just page riding on Alma bags is? Sorry?

699
00:40:18,880 --> 00:40:22,360
Speaker 1: Does it sound okay so far? Yeah? Yeah? Perfect? Perfect?

700
00:40:23,840 --> 00:40:37,560
Speaker 1: No any cheer? Hello? Someone push you? Okay? I went through,

701
00:40:37,760 --> 00:40:40,960
Speaker 1: so it did. Unfortunately it was crackling in the middle there.

702
00:40:41,000 --> 00:40:44,280
Speaker 1: I'm wondering um again, it's there's something about the pitch

703
00:40:44,440 --> 00:40:47,640
Speaker 1: I think is what is what is doing it? Because

704
00:40:47,680 --> 00:40:49,520
Speaker 1: it was technical? Maybe why don't we try doing it

705
00:40:49,560 --> 00:40:53,279
Speaker 1: one more time? Did you walk back? Yeah, and maybe

706
00:40:53,480 --> 00:40:55,600
Speaker 1: step back a little and eg, do you have any

707
00:40:55,600 --> 00:40:58,799
Speaker 1: any suggestions? I think yeah, just don't go directly to Mike.

708
00:40:58,880 --> 00:41:02,080
Speaker 1: Just turn your head a little bit it and articulate.

709
00:41:02,160 --> 00:41:03,880
Speaker 1: Maybe if you do a little articulation. But I like

710
00:41:03,920 --> 00:41:06,000
Speaker 1: your little accent you're doing because it's adding the age

711
00:41:06,040 --> 00:41:10,680
Speaker 1: to it. So they're definitely shocked. Yeah, okay, try it

712
00:41:10,719 --> 00:41:12,960
Speaker 1: again and just tip your head your mouth not so

713
00:41:13,080 --> 00:41:15,359
Speaker 1: the Yeah, playoff of the mic and I think back

714
00:41:15,400 --> 00:41:16,920
Speaker 1: there a little bit. Let's give it another try and

715
00:41:16,960 --> 00:41:31,760
Speaker 1: go ahead. Okay, Oh howdy about hello? There's someone pushed

716
00:41:31,760 --> 00:41:35,719
Speaker 1: the ring for me? Was it getting it? Was? It

717
00:41:35,800 --> 00:41:37,920
Speaker 1: was better? It was better. I think it's just for

718
00:41:37,960 --> 00:41:40,560
Speaker 1: some reason the the is it that the volume or

719
00:41:40,600 --> 00:41:42,680
Speaker 1: the pitch that you're picking is your microphone is having

720
00:41:42,680 --> 00:41:44,759
Speaker 1: a little bit of trouble picking most of it. It's

721
00:41:44,800 --> 00:41:48,040
Speaker 1: a very interesting thing. Yeah, I wonder what that is usual? Sorry?

722
00:41:48,600 --> 00:41:50,200
Speaker 1: Did it? What if she what if she tried to

723
00:41:50,200 --> 00:41:52,480
Speaker 1: do it hushed instead of yelling it. I think that's

724
00:41:52,480 --> 00:41:54,680
Speaker 1: a great idea. Give that a try, give that a track.

725
00:41:54,800 --> 00:41:56,239
Speaker 1: You want to make sure that we get we get

726
00:41:56,239 --> 00:41:58,360
Speaker 1: it in there. We want everyone to hear it, ourselves included.

727
00:41:58,400 --> 00:42:02,440
Speaker 1: So maybe give it another one now of course, of course, Okay,

728
00:42:04,280 --> 00:42:08,880
Speaker 1: don't you just hate riding on? You know what? It

729
00:42:08,960 --> 00:42:15,800
Speaker 1: says nothing to nobody? Am I right? Hello? Can someone

730
00:42:15,840 --> 00:42:20,600
Speaker 1: plush th me for me? Like? That was perfectly perfect?

731
00:42:20,640 --> 00:42:24,480
Speaker 1: That was also good direction taking the job. Yeah, a

732
00:42:24,560 --> 00:42:28,120
Speaker 1: great direction taking. Nice work, Julia, Thank you so much

733
00:42:28,120 --> 00:42:31,480
Speaker 1: and we'll be with you in a second. She was.

734
00:42:31,680 --> 00:42:34,040
Speaker 1: I feel bad because I think the first character with

735
00:42:34,040 --> 00:42:36,720
Speaker 1: with a you know, a better microphone set up, probably

736
00:42:36,920 --> 00:42:39,640
Speaker 1: that loud would would have would have shown shot, would

737
00:42:39,640 --> 00:42:41,799
Speaker 1: have read shocked a little more than what she actually did.

738
00:42:42,360 --> 00:42:44,040
Speaker 1: But it's funny because it happened to his too, and

739
00:42:44,040 --> 00:42:46,239
Speaker 1: he's got a pretty good setup. So I'm not sure

740
00:42:46,239 --> 00:42:48,360
Speaker 1: exactly what that is because usually your Mike should be

741
00:42:48,360 --> 00:42:50,360
Speaker 1: able to handle all that because we're doing different characters,

742
00:42:50,360 --> 00:42:54,560
Speaker 1: so it's very interesting. Maybe it's zoom, Maybe it's the zoom. Yeah,

743
00:42:54,560 --> 00:42:58,600
Speaker 1: it might just be the zoom. Um. Again, I thought

744
00:42:58,600 --> 00:43:04,640
Speaker 1: she was great. Okay, it's time to deliberate. E G.

745
00:43:04,800 --> 00:43:06,640
Speaker 1: What do you think if if you had to, if

746
00:43:06,920 --> 00:43:08,959
Speaker 1: one of these people you wanted to put them forward

747
00:43:09,040 --> 00:43:12,120
Speaker 1: to become your future colleague, who do you think had

748
00:43:11,400 --> 00:43:15,839
Speaker 1: I feel like Dylan doesn't have like that nervous thing

749
00:43:15,880 --> 00:43:20,000
Speaker 1: that happens. He literally just jumps in and he's very confident,

750
00:43:20,120 --> 00:43:23,200
Speaker 1: and I feel like he's very his ability to move,

751
00:43:23,440 --> 00:43:25,160
Speaker 1: change the voice. I feel like a lot of the

752
00:43:25,239 --> 00:43:28,640
Speaker 1: voices in our girl was very kind of very similar,

753
00:43:28,640 --> 00:43:31,279
Speaker 1: but again the age were a little bit similar. Um,

754
00:43:31,600 --> 00:43:33,560
Speaker 1: And I do like her tone, but I think the

755
00:43:33,640 --> 00:43:37,480
Speaker 1: variety in Dylan is clear, and also his ability to

756
00:43:37,480 --> 00:43:41,600
Speaker 1: take direction and flip it and um, it's fascinating. He's

757
00:43:41,800 --> 00:43:45,479
Speaker 1: he's really quite skilled that guy. And she's really good too.

758
00:43:45,520 --> 00:43:49,560
Speaker 1: I just feel that she has a little more fear. Understandably,

759
00:43:49,600 --> 00:43:51,399
Speaker 1: she's maybe a little more green, and he's been really

760
00:43:51,480 --> 00:43:55,320
Speaker 1: tackling and harder. It feels like to me. Yeah, I guess,

761
00:43:55,360 --> 00:43:58,359
Speaker 1: I guess that's very fair assessment. Um. I think she

762
00:43:58,560 --> 00:44:01,080
Speaker 1: has what it takes terms of like once that you

763
00:44:01,120 --> 00:44:04,760
Speaker 1: can't There's two things that I would say, A tone

764
00:44:04,960 --> 00:44:09,000
Speaker 1: super important. You can't really some people just don't have it,

765
00:44:09,080 --> 00:44:10,759
Speaker 1: or if they do, or if they do have it,

766
00:44:10,800 --> 00:44:13,520
Speaker 1: I feel like they can they can jump to the

767
00:44:13,560 --> 00:44:16,080
Speaker 1: feeble line faster, right, Yeah, you need that. But then

768
00:44:16,280 --> 00:44:18,960
Speaker 1: but then yeah, like you're talking about making bold choices,

769
00:44:19,080 --> 00:44:23,600
Speaker 1: being comfortable in the booth extremes. Yeah, hey everyone, Oh

770
00:44:23,640 --> 00:44:26,080
Speaker 1: well that's not such a great idea. But I don't

771
00:44:26,080 --> 00:44:28,759
Speaker 1: really like that very much. I don't care what you like.

772
00:44:28,880 --> 00:44:31,880
Speaker 1: Go sit down a little girl, you know, jumping and extremes.

773
00:44:31,880 --> 00:44:33,520
Speaker 1: That's you need to be able to do that and

774
00:44:33,640 --> 00:44:36,200
Speaker 1: confident enough in your abilities to where you just you

775
00:44:36,360 --> 00:44:37,960
Speaker 1: just throw it down when you have to. Yeah, you

776
00:44:37,960 --> 00:44:40,400
Speaker 1: don't think I would. I would think if she keeps

777
00:44:40,440 --> 00:44:43,839
Speaker 1: going to some voice acting classes and focuses on making

778
00:44:43,840 --> 00:44:46,200
Speaker 1: bolder choices, that she can get there for sure. One

779
00:44:46,280 --> 00:44:48,520
Speaker 1: hundred percent. Yeah, and I think she can do the

780
00:44:48,520 --> 00:44:50,720
Speaker 1: different tones because she has a little bit lower speaking

781
00:44:50,760 --> 00:44:55,239
Speaker 1: tone too. She does, so yeah, I agree to Okay.

782
00:44:57,040 --> 00:44:59,360
Speaker 1: The first person to be moving on to the Elite

783
00:44:59,400 --> 00:45:01,680
Speaker 1: eight in this super awesome contest to become the next

784
00:45:01,680 --> 00:45:10,000
Speaker 1: big voice actor is Dylan from Louisiana. Congratulations, Hey, I

785
00:45:10,040 --> 00:45:14,040
Speaker 1: love Julia. She's great again. We're I'm so so excited

786
00:45:14,040 --> 00:45:16,960
Speaker 1: with the sixteen that we picked. And there there's you know,

787
00:45:17,000 --> 00:45:18,640
Speaker 1: as my mom would say back in the day, there's

788
00:45:18,680 --> 00:45:21,080
Speaker 1: not a stinker in the bunch. I mean, she she's

789
00:45:21,160 --> 00:45:25,640
Speaker 1: great and she's a good actress too. Actress please, I

790
00:45:25,680 --> 00:45:28,960
Speaker 1: just think he's a cut above um. So then why

791
00:45:29,000 --> 00:45:31,600
Speaker 1: don't we bring her back in and let her know

792
00:45:31,600 --> 00:45:33,720
Speaker 1: how awesome she is? But let her know that unfortunate

793
00:45:33,760 --> 00:45:37,319
Speaker 1: she won't be more. I know this is terrible. You

794
00:45:37,320 --> 00:45:41,759
Speaker 1: want me to say something? Sure? I okay, Julia. We

795
00:45:41,760 --> 00:45:44,439
Speaker 1: all think you're really talented. You have a really great

796
00:45:44,480 --> 00:45:47,719
Speaker 1: tone in your voice. I think for cartoons and animation,

797
00:45:47,800 --> 00:45:52,759
Speaker 1: it's fantastic. We're thinking the other person might be might

798
00:45:52,800 --> 00:45:57,680
Speaker 1: have won this particular competition here just because his um

799
00:45:57,680 --> 00:46:00,560
Speaker 1: flipping from one thing to another was a little bit.

800
00:46:01,400 --> 00:46:03,160
Speaker 1: There was a little bit more contrast, and he just

801
00:46:03,239 --> 00:46:04,680
Speaker 1: dove in a little bit more, which is a good

802
00:46:04,680 --> 00:46:07,040
Speaker 1: note for you to just be a little more fearless.

803
00:46:07,080 --> 00:46:09,160
Speaker 1: It's there's no mistakes. You can jump in and make

804
00:46:09,239 --> 00:46:12,200
Speaker 1: me crazy, and that's actually a good thing. But your tones,

805
00:46:12,320 --> 00:46:16,280
Speaker 1: you're acting, your acting chops are really good. Your quality

806
00:46:16,280 --> 00:46:17,880
Speaker 1: in your voice is really good. Like you can do

807
00:46:17,920 --> 00:46:20,960
Speaker 1: cartoons right now, just in this competition. He won that

808
00:46:21,040 --> 00:46:25,759
Speaker 1: particular round. But we want to encourage you to keep

809
00:46:25,760 --> 00:46:28,080
Speaker 1: working on your variety, your contrast, Like you want to

810
00:46:28,080 --> 00:46:30,239
Speaker 1: be able to switch it from like a tiny little

811
00:46:30,320 --> 00:46:33,080
Speaker 1: voice to a really big low kind of or whatever,

812
00:46:33,120 --> 00:46:35,120
Speaker 1: those contrasts, and you have that in your voice. We

813
00:46:35,160 --> 00:46:37,759
Speaker 1: can hear it. Yeah you did, you really did great.

814
00:46:37,800 --> 00:46:40,879
Speaker 1: And again we've been saying this from the beginning. All

815
00:46:40,960 --> 00:46:43,359
Speaker 1: sixteen of you that made it to this round, all

816
00:46:43,400 --> 00:46:46,120
Speaker 1: of you could easily do this as a profession. Really

817
00:46:46,160 --> 00:46:48,760
Speaker 1: that's not a problem at all. You've got the acting,

818
00:46:48,800 --> 00:46:50,919
Speaker 1: which is the most important thing, really is the most

819
00:46:50,920 --> 00:46:53,560
Speaker 1: important thing, and you do you have a great tone.

820
00:46:54,640 --> 00:46:59,440
Speaker 1: So I please keep going because this really this isn't

821
00:46:59,520 --> 00:47:03,799
Speaker 1: again any one of you sixteen could be signed. I

822
00:47:03,840 --> 00:47:06,879
Speaker 1: really believe that, and I really believe that you will.

823
00:47:06,960 --> 00:47:08,879
Speaker 1: You can make it in this business because your tone

824
00:47:08,920 --> 00:47:11,399
Speaker 1: is phenomenal, and especially the ad reads and the kind

825
00:47:11,400 --> 00:47:14,920
Speaker 1: of the younger, younger girl voice. I really never go away.

826
00:47:14,960 --> 00:47:18,680
Speaker 1: I mean everybody wants that all the time. So I

827
00:47:18,719 --> 00:47:20,920
Speaker 1: think you're going to do great. I really do. Thank you.

828
00:47:21,120 --> 00:47:27,359
Speaker 1: Thank you also, congratulations for making a past thousands of people. Thousands. Yeah,

829
00:47:27,400 --> 00:47:30,320
Speaker 1: I know, thank you so much. So you're doing great,

830
00:47:30,360 --> 00:47:33,560
Speaker 1: and please please please stick with it because yeah, you could.

831
00:47:33,640 --> 00:47:35,040
Speaker 1: You could do very well in this business. And a

832
00:47:35,080 --> 00:47:36,719
Speaker 1: lot of people are gonna be hearing this podcast, so

833
00:47:37,000 --> 00:47:38,960
Speaker 1: you never know if you know, you get a call

834
00:47:39,040 --> 00:47:40,879
Speaker 1: from an agent or send it to an agent, but yeah,

835
00:47:40,920 --> 00:47:44,120
Speaker 1: you could this this could be a good thing for you. Yeah, honestly,

836
00:47:44,120 --> 00:47:45,960
Speaker 1: don't think this is going to be your last opportunity

837
00:47:46,120 --> 00:47:48,719
Speaker 1: to break into the business. If it's what you really want,

838
00:47:48,840 --> 00:47:52,279
Speaker 1: you just keep keep plowing forward. Yeah, awesome, Thank you,

839
00:47:52,400 --> 00:47:56,799
Speaker 1: Thank you, Julie, thank you for joining us. Bye bye bye,

840
00:47:56,840 --> 00:47:59,680
Speaker 1: Juliet Rye. Oh that part's gonna suck. Now let's have

841
00:47:59,719 --> 00:48:04,200
Speaker 1: a little fun with Dylan. Oh, this is gonna be fun, sweating,

842
00:48:04,400 --> 00:48:09,960
Speaker 1: say kid, Let's bring Dylan in Hey, Hi, Dylan, hey man,

843
00:48:10,120 --> 00:48:15,200
Speaker 1: can you hear us again? There we go? There, ah,

844
00:48:15,239 --> 00:48:19,040
Speaker 1: there we go. Okay, So okay, um, you were great.

845
00:48:19,320 --> 00:48:22,160
Speaker 1: We really we really loved having you on. Um. We

846
00:48:22,239 --> 00:48:24,560
Speaker 1: think you've got a good possibility of doing this in

847
00:48:24,560 --> 00:48:27,160
Speaker 1: the future. Unfortunately, your microphone kept kind of cutting out,

848
00:48:27,800 --> 00:48:31,279
Speaker 1: which really led us to believe I'm kidding. Congratulations, you're

849
00:48:31,320 --> 00:48:37,120
Speaker 1: moving on to the next round. Dylan, Hey, you did great. Listen.

850
00:48:37,520 --> 00:48:41,359
Speaker 1: Your ability to take notes as fantastic, Your acting is fantastic,

851
00:48:41,920 --> 00:48:45,120
Speaker 1: your setup is really great. You are really ready to go.

852
00:48:45,320 --> 00:48:48,680
Speaker 1: Your competitor, your your your studio, everything is very competitive,

853
00:48:49,000 --> 00:48:50,800
Speaker 1: and I just think that you don't overthink and you

854
00:48:50,880 --> 00:48:52,719
Speaker 1: just dive in is one of your strongest suits. So

855
00:48:53,400 --> 00:48:56,279
Speaker 1: really well done. Your contrast of voices is great. You

856
00:48:56,280 --> 00:48:58,200
Speaker 1: can go from a little voice to a deeper voice.

857
00:48:58,520 --> 00:49:01,840
Speaker 1: And your your interpretation and you're quick, your ability to

858
00:49:01,840 --> 00:49:04,680
Speaker 1: grab onto something quickly, those are all really really great.

859
00:49:04,719 --> 00:49:06,400
Speaker 1: So good luck to you because you're already up to

860
00:49:06,440 --> 00:49:10,440
Speaker 1: the next level. And your mic coming out again and

861
00:49:10,440 --> 00:49:16,080
Speaker 1: your cut out, why are you like this? There we go,

862
00:49:16,440 --> 00:49:18,880
Speaker 1: We can hear you. You did. You did great, Dylan,

863
00:49:19,040 --> 00:49:23,320
Speaker 1: So maybe look at that before the next round. Yes, yeah, yeah,

864
00:49:23,360 --> 00:49:25,880
Speaker 1: I will strangle this thing if I knew too. Yes, No,

865
00:49:26,120 --> 00:49:28,879
Speaker 1: you were everything e G said was just right on

866
00:49:28,920 --> 00:49:31,160
Speaker 1: the on the button, and you jumped in with both

867
00:49:31,200 --> 00:49:34,439
Speaker 1: feet and you took every note and you just made

868
00:49:34,480 --> 00:49:36,839
Speaker 1: it your own. And so we're really looking forward to

869
00:49:36,840 --> 00:49:38,359
Speaker 1: seeing you in the in the rounds. But I can

870
00:49:38,400 --> 00:49:40,960
Speaker 1: tell you, as difficult as this was, it's going to

871
00:49:41,040 --> 00:49:43,719
Speaker 1: get a lot harder in the future. Um. So we're

872
00:49:43,719 --> 00:49:45,719
Speaker 1: gonna be doing some very fun stuff down the line,

873
00:49:45,760 --> 00:49:48,600
Speaker 1: but it's not going to be easy. Yeah. So it'll

874
00:49:48,640 --> 00:49:51,759
Speaker 1: be down to eight people. You're on. You're one of

875
00:49:51,800 --> 00:49:53,359
Speaker 1: the eight. You've already made it to the next round.

876
00:49:53,400 --> 00:49:55,600
Speaker 1: You were made it to the elite eight. Out of thousands,

877
00:49:55,640 --> 00:49:57,000
Speaker 1: you've made it. You're the first one to make it

878
00:49:57,040 --> 00:50:01,640
Speaker 1: to the top eight. So congratulations much Grad's Dylan. It

879
00:50:01,680 --> 00:50:03,440
Speaker 1: was a pleasure getting to know you and hear you.

880
00:50:03,480 --> 00:50:05,520
Speaker 1: I can't wait to see you take off. Thank you

881
00:50:05,560 --> 00:50:07,960
Speaker 1: all so much and go follow EG. She's got all

882
00:50:07,960 --> 00:50:10,320
Speaker 1: sorts of funk stuff. She's on TikTok, she's on Instagram.

883
00:50:10,520 --> 00:50:15,840
Speaker 1: Real yeah, oh great, okay, great, Well we will be

884
00:50:15,880 --> 00:50:17,799
Speaker 1: in touch and we will see you in round two,

885
00:50:17,880 --> 00:50:20,799
Speaker 1: My friend, keep it up, you know obviously tee all

886
00:50:20,840 --> 00:50:22,719
Speaker 1: that good stuff. Don't do anything crazy with your voice

887
00:50:22,760 --> 00:50:27,839
Speaker 1: because we want to hear more of it. Rock shows. Good,

888
00:50:28,040 --> 00:50:31,560
Speaker 1: have a very quiet day job. All right, good, thank you, Dylan. Congratulations,

889
00:50:31,560 --> 00:50:34,000
Speaker 1: I'm moving on to the next round. Thank you so much,

890
00:50:34,280 --> 00:50:42,200
Speaker 1: Bye bye later. Wow, my goodness. First our first good

891
00:50:43,000 --> 00:50:47,080
Speaker 1: our first top eight. That was cool. That was yeah.

892
00:50:48,080 --> 00:50:49,799
Speaker 1: How was that for you? It was great? I mean

893
00:50:49,840 --> 00:50:52,400
Speaker 1: I thought they you know, and the truth is like

894
00:50:52,719 --> 00:50:54,520
Speaker 1: she could become one of the biggest you know, you

895
00:50:54,560 --> 00:50:57,480
Speaker 1: never know. It's like, you know, so I was just

896
00:50:57,840 --> 00:51:00,160
Speaker 1: I don't even like to me. I don't even like

897
00:51:00,239 --> 00:51:03,160
Speaker 1: to say, like, you should keep going, because to me,

898
00:51:03,239 --> 00:51:05,200
Speaker 1: that takes a little of the hit when they do

899
00:51:05,239 --> 00:51:07,919
Speaker 1: that on like I'm dancing with the start, not dancing

900
00:51:07,960 --> 00:51:10,640
Speaker 1: with the American voice. When they say things like that,

901
00:51:10,719 --> 00:51:13,440
Speaker 1: don't give up sorry, it always feels like, oh, it's okay,

902
00:51:13,440 --> 00:51:16,000
Speaker 1: now I'm just shaying for me, I don't even like

903
00:51:16,040 --> 00:51:18,000
Speaker 1: to say that. I just like to say, you're you're

904
00:51:18,000 --> 00:51:20,480
Speaker 1: totally on track, and we look forward to seeing more

905
00:51:20,520 --> 00:51:22,360
Speaker 1: of you in the future. And just like you just

906
00:51:22,360 --> 00:51:24,759
Speaker 1: didn't get this one, but you're we're looking forward to

907
00:51:24,800 --> 00:51:27,759
Speaker 1: you kicking ass, because that way they'll never feel like, oh,

908
00:51:27,800 --> 00:51:31,400
Speaker 1: they're telling me kind of like keep going, you know, yeah, no,

909
00:51:31,520 --> 00:51:33,680
Speaker 1: I see that. It's also it sounds so terrible, but

910
00:51:33,719 --> 00:51:35,399
Speaker 1: one of the things the first things you learn as

911
00:51:35,400 --> 00:51:39,320
Speaker 1: an actor is just you just hear no ten thousand times.

912
00:51:39,719 --> 00:51:41,319
Speaker 1: There's like to say, that was a big guess and

913
00:51:41,400 --> 00:51:43,360
Speaker 1: you won, and you got down to the last sixteen

914
00:51:43,440 --> 00:51:45,680
Speaker 1: and yeah, you just this particular around you didn't get.

915
00:51:45,719 --> 00:51:47,080
Speaker 1: But keep going. We look forward to hearing you in

916
00:51:47,120 --> 00:51:50,560
Speaker 1: the future. I think so too. I'm taking notes from eg.

917
00:51:51,840 --> 00:51:53,480
Speaker 1: I just you know, I only know because I've been

918
00:51:53,520 --> 00:51:55,680
Speaker 1: on those kind of shows where you're like, they say

919
00:51:55,920 --> 00:51:58,720
Speaker 1: keep trying, you know you're gonna and it always feels

920
00:51:58,719 --> 00:52:01,960
Speaker 1: so pathetic, like I hated it. But not anymore. I

921
00:52:01,960 --> 00:52:03,560
Speaker 1: don't do that anymore, but when I was younger, when

922
00:52:03,600 --> 00:52:05,440
Speaker 1: people say that, but it's just a good thing because

923
00:52:05,440 --> 00:52:08,359
Speaker 1: that way there's no loss. They won already they want

924
00:52:08,360 --> 00:52:10,759
Speaker 1: out of thousands. I'm taking notes from EG too, And

925
00:52:10,840 --> 00:52:13,400
Speaker 1: thank you so much for joining us on our first

926
00:52:13,600 --> 00:52:17,360
Speaker 1: round of the Super Awesome Contest becoming its perfect it was.

927
00:52:17,480 --> 00:52:19,880
Speaker 1: I'm sorry, Well, I've been so excited this whole episode

928
00:52:19,880 --> 00:52:21,560
Speaker 1: that I've been interrupting you a bunch of Sorry, I

929
00:52:21,560 --> 00:52:23,800
Speaker 1: love it. I interrupted all day. Are you kidding? This is?

930
00:52:24,040 --> 00:52:25,719
Speaker 1: This is how we should be. I'd love that we're

931
00:52:25,760 --> 00:52:29,080
Speaker 1: so excited to do this, and uh, I you know,

932
00:52:29,400 --> 00:52:32,120
Speaker 1: in the future, Dylan is never going to forget that

933
00:52:32,200 --> 00:52:34,360
Speaker 1: his first vo mentor was eg Daily and how do

934
00:52:34,400 --> 00:52:36,759
Speaker 1: you how do you beat that? That's the coolest thing

935
00:52:36,760 --> 00:52:39,600
Speaker 1: in the world. So again, eg where can everybody find

936
00:52:39,600 --> 00:52:41,959
Speaker 1: you when they're looking for you? Oh? You know, really

937
00:52:41,960 --> 00:52:45,319
Speaker 1: EGI Daily on TikTok and Instagram and eg daily on

938
00:52:45,360 --> 00:52:47,759
Speaker 1: Facebook of a fan side, and then also just like

939
00:52:48,200 --> 00:52:50,520
Speaker 1: on Twitter. Really it's really EGI Daily most of the time.

940
00:52:50,600 --> 00:52:54,719
Speaker 1: So everywhere you go TikTok, Instagram, Um, you know my

941
00:52:54,800 --> 00:52:57,319
Speaker 1: website egidaily dot com. But I would just say go

942
00:52:57,400 --> 00:52:59,399
Speaker 1: to Instagram or TikTok. That's where I have the most fun.

943
00:53:00,040 --> 00:53:04,240
Speaker 1: Pegive awesome and thank you for joining us. Everybody back

944
00:53:04,360 --> 00:53:07,880
Speaker 1: next week with Round two of the Super Awesome Contest

945
00:53:07,920 --> 00:53:11,200
Speaker 1: to become Big Voice Doctor. We're gonna find somebody. We're

946
00:53:11,239 --> 00:53:13,600
Speaker 1: gonna make some dreams come true. Somebody's gonna launch a career.

947
00:53:13,640 --> 00:53:15,600
Speaker 1: It is going to be really really cool, and it's

948
00:53:15,600 --> 00:53:19,080
Speaker 1: gonna get tougher and tougher and tougher. Um. Also, it's

949
00:53:19,120 --> 00:53:21,080
Speaker 1: just every week's gonna suck because we gotta keep saying

950
00:53:21,120 --> 00:53:25,080
Speaker 1: goodbye to really talented people. She's she's talented. Um by

951
00:53:25,120 --> 00:53:28,959
Speaker 1: anything by it's just see you on another venue. Thank

952
00:53:29,000 --> 00:53:31,280
Speaker 1: you everybody so much. We are off to the races.

953
00:53:31,320 --> 00:53:32,560
Speaker 1: Go ahead, e g. What do you have to say?

954
00:53:32,680 --> 00:53:35,359
Speaker 1: I just say, Christie, feel better, sweetie. Oh my god,

955
00:53:35,360 --> 00:53:38,560
Speaker 1: I'm shivering over here. Guys, I know look, you're right.

956
00:53:38,640 --> 00:53:40,120
Speaker 1: I think you got. I think you got the super

957
00:53:40,160 --> 00:53:44,399
Speaker 1: awesome contest to get the next great strep throat think. Well, yeah,

958
00:53:44,440 --> 00:53:48,040
Speaker 1: well go to banantibiotics? Are you on saman about it? Unfortunately,

959
00:53:48,080 --> 00:53:50,400
Speaker 1: my kids are the ones that I prioritize, So tomorrow

960
00:53:50,640 --> 00:53:53,160
Speaker 1: I'm going to the doctor and getting well. Go lie down.

961
00:53:53,400 --> 00:53:59,240
Speaker 1: Thank you, professional show. I would gargle with lemon salt

962
00:53:59,320 --> 00:54:01,680
Speaker 1: in a little bit of just gargle with that. It's

963
00:54:01,680 --> 00:54:03,279
Speaker 1: good to kill the germs in back. I'm going to

964
00:54:03,360 --> 00:54:07,320
Speaker 1: do that right now, because thanks exactly, I'm going to

965
00:54:07,400 --> 00:54:09,640
Speaker 1: do that right now. Thank you everybody for joining us,

966
00:54:09,760 --> 00:54:11,480
Speaker 1: keep with us. It's going to be a fun journey.

967
00:54:11,480 --> 00:54:13,440
Speaker 1: We're going to find somebody amazing. And again, if you

968
00:54:13,480 --> 00:54:15,480
Speaker 1: think you have what it takes to do what we do,

969
00:54:15,920 --> 00:54:17,600
Speaker 1: then step up to the mic and put your voices

970
00:54:17,600 --> 00:54:20,160
Speaker 1: where your mouth is. Thanks everybody. I Hear Voices is

971
00:54:20,160 --> 00:54:23,680
Speaker 1: hosted by Wilfredell and Christy Carlson Romano. Executive produced by Wilfredell,

972
00:54:23,719 --> 00:54:26,320
Speaker 1: Brendan Rooney, Amy Sugarman. Our executive in charge of production

973
00:54:26,360 --> 00:54:28,960
Speaker 1: is Danielle Romo, Our producer is Lorraine Vera weez and

974
00:54:28,960 --> 00:54:32,600
Speaker 1: our editor slash engineer is Brian Burton. And that was

975
00:54:32,640 --> 00:54:35,279
Speaker 1: my announcer voice. Some side effects of listening to I

976
00:54:35,360 --> 00:54:37,800
Speaker 1: Hear Voices are sore abs from hilarity falling down the

977
00:54:37,840 --> 00:54:41,200
Speaker 1: Coco melon rabbit hole, sneezing due to mass nostalgia, and hugs.

978
00:54:41,360 --> 00:54:43,400
Speaker 1: Follow I Hear Voices wherever you listen to podcasts so

979
00:54:43,480 --> 00:54:45,680
Speaker 1: you don't miss any of the amazing voices. Be sure

980
00:54:45,680 --> 00:54:47,839
Speaker 1: to follow us on Instagram and TikTok at I Hear

981
00:54:47,920 --> 00:54:50,400
Speaker 1: Voices podcast. You can also check us out on my space,

982
00:54:50,440 --> 00:54:53,520
Speaker 1: omeiegel Vine, lime Wire. Hey I'm a napster. Okay, well

983
00:54:53,600 --> 00:54:55,360
Speaker 1: let's teach you about the Internet. The who