1 00:00:01,000 --> 00:00:04,840 Speaker 1: Look mad oh, I see you? Why why? And look 2 00:00:04,840 --> 00:00:12,720 Speaker 1: over there? How is that? Culture? Yes? Goodness lost? Culture 3 00:00:12,960 --> 00:00:16,000 Speaker 1: is just calling. I love the variation on the sort 4 00:00:16,040 --> 00:00:19,200 Speaker 1: of the cadence, the melody, you know, keep the fresh. 5 00:00:19,360 --> 00:00:22,000 Speaker 1: Talking is music talking his music, and that's a role 6 00:00:22,000 --> 00:00:27,080 Speaker 1: of culture. Number forty six. Talking is music. Who is 7 00:00:27,120 --> 00:00:29,560 Speaker 1: the most musical speaking voice you've ever heard? I would 8 00:00:29,760 --> 00:00:32,680 Speaker 1: say I reject the premise of that question, because this 9 00:00:32,760 --> 00:00:36,519 Speaker 1: is some thing. Everyone is a singer when they're talking. 10 00:00:37,080 --> 00:00:40,320 Speaker 1: I believe that everyone can learn to sing. I think 11 00:00:40,360 --> 00:00:42,760 Speaker 1: that's so beautiful. You know, you might need a higher 12 00:00:42,800 --> 00:00:45,279 Speaker 1: expensive singing coach, but you know, if you work hard 13 00:00:45,400 --> 00:00:47,040 Speaker 1: enough at your job, you could say that and do 14 00:00:47,080 --> 00:00:49,720 Speaker 1: it as an extracurricular Sure, sure, you know. I think 15 00:00:49,760 --> 00:00:53,840 Speaker 1: singing is just bravery, is just going for it. And um, 16 00:00:53,880 --> 00:00:55,920 Speaker 1: I mean I say this as someone who knows nothing 17 00:00:55,920 --> 00:00:58,080 Speaker 1: about singing, but I feel like that's not true at all. 18 00:00:58,240 --> 00:01:00,560 Speaker 1: If you just are delusional enough to to think that 19 00:01:00,640 --> 00:01:04,080 Speaker 1: you can do it, you can do it. I literally agree, 20 00:01:04,280 --> 00:01:06,160 Speaker 1: And I just want to backtrack and say that Bowen 21 00:01:06,400 --> 00:01:09,680 Speaker 1: is one of the most resonant counter tenors of our time. 22 00:01:10,040 --> 00:01:15,080 Speaker 1: Adam Lambert was found dead was found dead. Sorry, but 23 00:01:15,440 --> 00:01:17,800 Speaker 1: it was literally true. At one point the two front 24 00:01:17,840 --> 00:01:20,679 Speaker 1: people of Queen You're gonna compare me to them. I'm 25 00:01:20,720 --> 00:01:25,080 Speaker 1: coming for the counter today. I'm declaring them in the 26 00:01:25,080 --> 00:01:28,920 Speaker 1: presence of Bowen Yang, one of the most resonant listen 27 00:01:28,959 --> 00:01:31,440 Speaker 1: to my words, most resonant counter tenors of our time. 28 00:01:31,480 --> 00:01:34,120 Speaker 1: Put it on a T shirt and very much I Meanwhile, 29 00:01:34,120 --> 00:01:37,759 Speaker 1: Matt Rodgers can't hold a damn tune. I don't like that. 30 00:01:37,760 --> 00:01:40,000 Speaker 1: That was just kidding. I'm kidding. He's one of the 31 00:01:40,000 --> 00:01:42,399 Speaker 1: best singers of all time, one of the best vehicles. 32 00:01:42,480 --> 00:01:44,600 Speaker 1: I'm off marijuana for the next month and a half. 33 00:01:44,680 --> 00:01:49,640 Speaker 1: You're really going to commit that hard to this? I appla. Look, 34 00:01:49,720 --> 00:01:53,600 Speaker 1: Matt Rodgers is touring with his famous yearly show Have 35 00:01:53,640 --> 00:01:57,240 Speaker 1: you heard of Christmas? Please check it out. We cannot 36 00:01:57,280 --> 00:02:02,040 Speaker 1: recommend to it's sold out. Please you can't come. As 37 00:02:02,080 --> 00:02:04,680 Speaker 1: they say, as they say every Tuesday, and especially in 38 00:02:04,760 --> 00:02:08,000 Speaker 1: voter suppress states, stay in line, stay, stay in line. 39 00:02:08,240 --> 00:02:14,480 Speaker 1: It's actually number fifty. Stay line, okay, um. I will 40 00:02:14,520 --> 00:02:17,200 Speaker 1: say that this episode is coming out on Wednesday, and 41 00:02:17,280 --> 00:02:19,400 Speaker 1: so tonight it is November ten, and you can come 42 00:02:19,440 --> 00:02:21,520 Speaker 1: see me and Greta Titlement for the New York Comedy Festival. 43 00:02:22,200 --> 00:02:24,640 Speaker 1: We have a show at seven thirty and also ten pm. 44 00:02:24,720 --> 00:02:28,919 Speaker 1: Stay in line. How you doing? I have a asked 45 00:02:28,960 --> 00:02:31,160 Speaker 1: you a question, that question as a way of telling, 46 00:02:31,360 --> 00:02:33,959 Speaker 1: as a way of gracelessly seguing into how I'm doing, 47 00:02:33,960 --> 00:02:35,880 Speaker 1: which is not well. I'm working with the sty. I 48 00:02:35,880 --> 00:02:39,239 Speaker 1: have a sty coming in. Don't Oh no, I got 49 00:02:39,240 --> 00:02:41,080 Speaker 1: I put rice in a sock. I'm putting in the 50 00:02:41,080 --> 00:02:43,720 Speaker 1: microwave for twenty seconds. I'm putting. I'm doing a hot 51 00:02:43,760 --> 00:02:46,560 Speaker 1: sort of compress kind of thing. I hope that works. 52 00:02:46,639 --> 00:02:48,560 Speaker 1: I'm just gonna tell you, I threw up last night. 53 00:02:48,720 --> 00:02:51,320 Speaker 1: What's going on? So? I went to Palm Springs Pride 54 00:02:51,360 --> 00:02:54,680 Speaker 1: and sort of did that. Is Palm Springs Pride in November. 55 00:02:55,240 --> 00:02:57,880 Speaker 1: It is famously they do Pride a couple of countries 56 00:02:57,880 --> 00:03:01,920 Speaker 1: a couple of months later. Anyways, a few, yeah, several 57 00:03:02,360 --> 00:03:05,400 Speaker 1: What was it? What was the experience? Like, um, really 58 00:03:05,400 --> 00:03:07,360 Speaker 1: good until it was really bad. I was having a 59 00:03:07,400 --> 00:03:09,440 Speaker 1: really good time and I sort of, as you say, 60 00:03:09,520 --> 00:03:11,760 Speaker 1: went too hard and threw up like I was seventeen, 61 00:03:12,320 --> 00:03:14,880 Speaker 1: damn because of partying too much. But I did sort 62 00:03:14,919 --> 00:03:17,480 Speaker 1: of start a new era that beat in necklace eram 63 00:03:17,480 --> 00:03:19,960 Speaker 1: I'm in my necklace era? Now I love it. I 64 00:03:20,000 --> 00:03:22,440 Speaker 1: think this is a long time coming. You actually have 65 00:03:22,480 --> 00:03:29,080 Speaker 1: avoided jewelry. You are very accessory phobic, and that's bigoted 66 00:03:29,160 --> 00:03:32,280 Speaker 1: of you. Yeah, well I don't like them, and but 67 00:03:32,360 --> 00:03:35,560 Speaker 1: now you do. I'm a bigot against them until now. 68 00:03:35,600 --> 00:03:38,440 Speaker 1: And it's sort of it takes different people different paces, 69 00:03:38,480 --> 00:03:40,200 Speaker 1: you know what I mean? Right now? In my necklace 70 00:03:40,200 --> 00:03:42,480 Speaker 1: are this is actually Tony Gomez his necklace that I stole. 71 00:03:42,520 --> 00:03:44,360 Speaker 1: He's not gonna like that. I'm at how much I'm 72 00:03:44,360 --> 00:03:45,840 Speaker 1: going to wear it over the next week. I told 73 00:03:45,920 --> 00:03:47,720 Speaker 1: him I would keep it safe, but I left the 74 00:03:47,720 --> 00:03:49,960 Speaker 1: party we were at last night early to go throw up. 75 00:03:50,480 --> 00:03:52,560 Speaker 1: So I ended up sort of being like, can I 76 00:03:52,600 --> 00:03:54,160 Speaker 1: wear that? And he was like yes, And now I 77 00:03:54,160 --> 00:03:56,040 Speaker 1: still have it on and I will continue to wear 78 00:03:56,080 --> 00:03:57,640 Speaker 1: it until I get back to him, which I will. 79 00:03:58,040 --> 00:04:00,680 Speaker 1: That's nice and I like that you are of making 80 00:04:00,680 --> 00:04:04,560 Speaker 1: it time bound and saying only a week myself accountable, 81 00:04:05,160 --> 00:04:07,400 Speaker 1: speaking of singing, just to sort of make this one 82 00:04:07,400 --> 00:04:09,640 Speaker 1: of the most chaotic intros to any podcast ever, to 83 00:04:09,680 --> 00:04:13,280 Speaker 1: sort of return to the front it could you imagine 84 00:04:13,560 --> 00:04:17,760 Speaker 1: Cynthia Arrivo and Ariana we talked about this. We haven't 85 00:04:17,760 --> 00:04:20,400 Speaker 1: spoken about it until now, and no gays have until now, 86 00:04:20,680 --> 00:04:23,520 Speaker 1: No gays have until now. I mean what's remarkable is 87 00:04:23,920 --> 00:04:27,680 Speaker 1: everyone's happy. That's what's remarkable about it. Like when does 88 00:04:27,760 --> 00:04:30,680 Speaker 1: this ever happen anymore? That people are like, yes, they 89 00:04:30,760 --> 00:04:34,440 Speaker 1: got it right. I mean. Casting has certainly been controversial 90 00:04:34,520 --> 00:04:37,720 Speaker 1: this year and on many different projects, many different projects, 91 00:04:37,800 --> 00:04:41,000 Speaker 1: but not the Wicked movie, not Cynthia Arriva and Ariana 92 00:04:41,360 --> 00:04:43,920 Speaker 1: Days couldn't and also the stakes couldn't be hired. Do 93 00:04:43,960 --> 00:04:46,240 Speaker 1: you know what I'm saying? No, Because, as we famously know, 94 00:04:46,320 --> 00:04:48,239 Speaker 1: it's one of the most famous rules of culture playing 95 00:04:48,240 --> 00:04:54,760 Speaker 1: alphabet is war. But we've made her the general. She 96 00:04:54,880 --> 00:04:58,159 Speaker 1: has been the named general of the Battle of Wicked, 97 00:04:58,520 --> 00:05:03,040 Speaker 1: and she will go into back oh sometime next year. Yeah, 98 00:05:03,279 --> 00:05:06,680 Speaker 1: she's going into battle this London, this this summer in London, 99 00:05:07,279 --> 00:05:11,640 Speaker 1: and she will emerge victorious. Okay, yeah, and Ariana Grande 100 00:05:11,800 --> 00:05:14,880 Speaker 1: sort of the lieutenant. This is how I'm assuming war's 101 00:05:14,880 --> 00:05:18,080 Speaker 1: work is general and lieutenant, General and lieutenant. I don't 102 00:05:18,120 --> 00:05:20,560 Speaker 1: know how that sort of order breaks down, but no 103 00:05:20,600 --> 00:05:23,560 Speaker 1: one does. I have nothing to add to the conversation 104 00:05:23,600 --> 00:05:28,560 Speaker 1: except I'm thrilled. Here's what I would say, Thank you, 105 00:05:29,040 --> 00:05:32,599 Speaker 1: great job casting, great job casting. We'll see you there. 106 00:05:33,320 --> 00:05:36,719 Speaker 1: Uh there is. I think the director is also a 107 00:05:36,839 --> 00:05:41,360 Speaker 1: perfect sort of Mr mr Chu Mr to Mr m 108 00:05:41,440 --> 00:05:44,560 Speaker 1: ch Um. Can't wait for his his take on it. 109 00:05:44,760 --> 00:05:48,560 Speaker 1: I mean, and we're available to just saying we're available. 110 00:05:48,600 --> 00:05:51,559 Speaker 1: I mean one of us might be. I think we've 111 00:05:51,560 --> 00:05:54,320 Speaker 1: got a fiarra, we've got a box here, That's all 112 00:05:54,320 --> 00:05:56,560 Speaker 1: we're saying. And if they sort of want, if they 113 00:05:56,560 --> 00:05:58,719 Speaker 1: want to see tapes, if they want to see tapes, 114 00:05:58,760 --> 00:06:01,400 Speaker 1: it's um. But you know who I would cast, Oh 115 00:06:01,440 --> 00:06:05,479 Speaker 1: my god, see our guests this week would really work 116 00:06:05,560 --> 00:06:09,239 Speaker 1: in any roles, or the female roles, the animal roles, 117 00:06:09,320 --> 00:06:13,200 Speaker 1: the genderless roles, whatever. I think. Morrible, he'd be a 118 00:06:13,200 --> 00:06:17,960 Speaker 1: great Morrible, would be a great dilmante You said it, 119 00:06:18,040 --> 00:06:20,440 Speaker 1: speak it out loud, We'll speak it out loud. Um. 120 00:06:20,640 --> 00:06:25,760 Speaker 1: Our guest is really just pretty phenomenal. I alluded to 121 00:06:25,880 --> 00:06:28,480 Speaker 1: him earlier when he came on the Zoom that I've 122 00:06:28,520 --> 00:06:32,880 Speaker 1: been a close follower for a long time and I 123 00:06:32,920 --> 00:06:34,840 Speaker 1: would like to tell him in person very soon, so 124 00:06:34,920 --> 00:06:36,880 Speaker 1: let's just bring him in. It was a perfect allusion. 125 00:06:37,200 --> 00:06:42,200 Speaker 1: It was a perfect illusion. Uh. He is such a 126 00:06:42,240 --> 00:06:45,479 Speaker 1: wonder stunning, stunning. Um. He was the adorable p A 127 00:06:45,560 --> 00:06:47,599 Speaker 1: on The Lately Show with Craig Ferguson. He was writing 128 00:06:47,880 --> 00:06:50,720 Speaker 1: he Kime Alive. He has written for Black Monday on 129 00:06:50,800 --> 00:06:53,880 Speaker 1: Breakable Kimmy Schmidt. Now he hosts the Wonderful podcast I 130 00:06:53,920 --> 00:06:57,280 Speaker 1: said no gifts. I love saying that, I said no gifts. 131 00:06:58,279 --> 00:07:00,840 Speaker 1: It can be sweet, it can be it can be genuine, 132 00:07:00,880 --> 00:07:04,520 Speaker 1: it couldn't be just something you say. Uh. Perfect, A 133 00:07:04,640 --> 00:07:09,240 Speaker 1: perfect sort of sound bite for anybody. Good title, good title, 134 00:07:09,360 --> 00:07:13,480 Speaker 1: great title. Um. He tries to destroy his guests every episode, 135 00:07:13,600 --> 00:07:15,800 Speaker 1: and they always undermine him by bringing a gift and 136 00:07:15,840 --> 00:07:19,000 Speaker 1: they always end up talking about what's under the wrapping. 137 00:07:20,400 --> 00:07:23,400 Speaker 1: He's so funny, so wonderful. Um, it's sort of I 138 00:07:23,400 --> 00:07:26,400 Speaker 1: think unfortunately, I feel like he is now the ambassador 139 00:07:26,400 --> 00:07:29,600 Speaker 1: to Salt Lake City for some people, which I I 140 00:07:29,600 --> 00:07:32,320 Speaker 1: wish I could turn the computer around. I just can't. Um. 141 00:07:32,360 --> 00:07:36,040 Speaker 1: But frozen up there is Miriam Cosby um with her 142 00:07:36,040 --> 00:07:38,800 Speaker 1: eyes wide open, screaming at Whitney, who she now has 143 00:07:38,800 --> 00:07:41,440 Speaker 1: a problem with. I'm very excited to sort of get 144 00:07:41,480 --> 00:07:44,280 Speaker 1: into it with the guests. Me too, me too, But anyway, um, 145 00:07:44,280 --> 00:07:47,520 Speaker 1: we're so so thrilled to have him. Everyone please welcome 146 00:07:48,360 --> 00:07:57,200 Speaker 1: rich What okay? You too? God bless, God bless. I 147 00:07:57,240 --> 00:08:01,840 Speaker 1: had dinner at four thirty. I had a full dinner 148 00:08:01,880 --> 00:08:05,240 Speaker 1: at four thirty pm? How was it? Where? So? How 149 00:08:05,280 --> 00:08:07,960 Speaker 1: do you feel safe that you can Salid? I had 150 00:08:07,960 --> 00:08:10,920 Speaker 1: to It's a look. I knew we were going to 151 00:08:10,960 --> 00:08:15,600 Speaker 1: be recording. I have a gym appointment at eight pm. 152 00:08:15,640 --> 00:08:19,040 Speaker 1: After this recording, I would throw up. This is the 153 00:08:19,120 --> 00:08:23,920 Speaker 1: scheduling that's just dominating my life. Now, Wow, a full 154 00:08:24,000 --> 00:08:27,200 Speaker 1: dinner for thirty I will say this. I was recently 155 00:08:27,200 --> 00:08:29,480 Speaker 1: with my parents on vacation and they have dinner at 156 00:08:29,520 --> 00:08:31,520 Speaker 1: four thirty. So this is very parental of you. This 157 00:08:31,600 --> 00:08:34,120 Speaker 1: is very full grown adults dinner at four thirty. This 158 00:08:34,200 --> 00:08:36,920 Speaker 1: is Thanksgiving time. This is I mean, I'm saying the 159 00:08:36,920 --> 00:08:39,720 Speaker 1: timing is very Thanksgiving. It's like, wait, you're we're eating? Okay? 160 00:08:39,760 --> 00:08:42,959 Speaker 1: I guess we're eating at three because they's been in 161 00:08:43,040 --> 00:08:45,439 Speaker 1: the oven for eight hours. You know, everyone will be 162 00:08:45,520 --> 00:08:51,120 Speaker 1: hungry at two, and everyone will be hungry at seven thirty. Yes, yes, yes, 163 00:08:51,240 --> 00:08:52,920 Speaker 1: Well we're so sorry that you had to sort of 164 00:08:53,559 --> 00:08:57,120 Speaker 1: shift your schedule. This is my life now. My gym 165 00:08:57,200 --> 00:08:59,680 Speaker 1: is only open on Monday, Wednesday, Friday, so it's just 166 00:09:00,240 --> 00:09:04,199 Speaker 1: an issue for me every Monday. Butcher, describe your lifestyle. 167 00:09:04,280 --> 00:09:08,599 Speaker 1: What's the typical Monday. Let's just stick to Monday's for 168 00:09:08,640 --> 00:09:10,400 Speaker 1: you if you weren't recording a podcast. But would that 169 00:09:10,440 --> 00:09:14,079 Speaker 1: look like if I were recording a podcast, I would 170 00:09:14,760 --> 00:09:18,079 Speaker 1: you know? I get up, well, we are in Daylight Savings, 171 00:09:18,280 --> 00:09:22,640 Speaker 1: you know the sudo of daylight Savings ending or beginning? 172 00:09:22,640 --> 00:09:26,439 Speaker 1: I don't know. I'll wake up it around seven, kind 173 00:09:26,440 --> 00:09:30,360 Speaker 1: of get out of bed. I make some coffee, I 174 00:09:30,440 --> 00:09:33,200 Speaker 1: do a little reading. I eat my protein bar, which 175 00:09:33,240 --> 00:09:35,800 Speaker 1: is does not register as a flavor in my mouth 176 00:09:35,840 --> 00:09:39,360 Speaker 1: anymore because it's said the same thing. It's absolutely something 177 00:09:39,400 --> 00:09:43,120 Speaker 1: to chew and swallow. Then I'll go to work. We 178 00:09:43,120 --> 00:09:47,400 Speaker 1: start at ten o'clock. We go till noon. We have 179 00:09:47,840 --> 00:09:51,960 Speaker 1: a lunch break. What do you eat then? Then Monday, 180 00:09:52,760 --> 00:09:56,400 Speaker 1: I'm eating a protein shake. The first like nine day 181 00:09:56,520 --> 00:10:00,400 Speaker 1: are horrible. Stop right now, stop the pops. Are you 182 00:10:00,440 --> 00:10:03,480 Speaker 1: trying to sound like an ideal? Because I think I 183 00:10:03,520 --> 00:10:06,320 Speaker 1: think you've come on this podcast so that you could 184 00:10:06,400 --> 00:10:08,880 Speaker 1: say what your Monday routine. So you can sound like 185 00:10:08,920 --> 00:10:11,840 Speaker 1: an ideal because you've said not, You've not missed one 186 00:10:11,920 --> 00:10:14,440 Speaker 1: step so far. It's a lot of protein and health 187 00:10:14,480 --> 00:10:18,199 Speaker 1: and waking up early and reading and at eight. None 188 00:10:18,200 --> 00:10:23,520 Speaker 1: of this is by choice. Look pre Zoom writer's rooms, 189 00:10:23,679 --> 00:10:26,040 Speaker 1: I was, you know, we would have lunch at work, 190 00:10:26,800 --> 00:10:28,600 Speaker 1: munches being purchased for me. I didn't have to think 191 00:10:28,600 --> 00:10:31,680 Speaker 1: about that element. Now I have defend for myself, which 192 00:10:31,720 --> 00:10:36,760 Speaker 1: I know most of America's screaming, yeah they are. But 193 00:10:37,080 --> 00:10:40,760 Speaker 1: a nice little thing about being in a writer's room 194 00:10:40,960 --> 00:10:44,880 Speaker 1: is occasionally you get a mediocre sandwich for lunch. Occasion. 195 00:10:45,000 --> 00:10:48,240 Speaker 1: Now I can't think about it, so I'm making a 196 00:10:48,320 --> 00:10:52,680 Speaker 1: protein shake. Sure, this is the thing that is very astute. 197 00:10:52,760 --> 00:10:56,960 Speaker 1: I feel like this is just transferring from pre COVID, 198 00:10:57,000 --> 00:10:59,679 Speaker 1: where you were not making decisions necessarily about where you 199 00:10:59,720 --> 00:11:02,120 Speaker 1: were eating for lunch. That was sort of being made 200 00:11:02,120 --> 00:11:05,599 Speaker 1: for you on some level. You would choose the particular 201 00:11:05,679 --> 00:11:08,640 Speaker 1: kind of sandwich you would get. Right now that you're 202 00:11:08,679 --> 00:11:11,200 Speaker 1: you know, doing writers from from writers from from home, 203 00:11:11,960 --> 00:11:14,040 Speaker 1: you've maintained that decision fatigue and you're just like, I 204 00:11:14,040 --> 00:11:16,439 Speaker 1: don't want to think about it, and therefore I'm just 205 00:11:16,440 --> 00:11:18,760 Speaker 1: gonna make the same protein shake. I also can't cook. 206 00:11:19,400 --> 00:11:23,680 Speaker 1: I'm not going to go to a restaurant during the Yeah, 207 00:11:26,000 --> 00:11:29,120 Speaker 1: I'm stumbling into my kitchen. I'm making the protein shake. 208 00:11:29,160 --> 00:11:31,160 Speaker 1: I'm out of bananas at this point, so it's even 209 00:11:31,240 --> 00:11:35,079 Speaker 1: worse than usual. Shit. Uh, and I'm I'm eating it. 210 00:11:35,080 --> 00:11:37,800 Speaker 1: It's fine. I can't make a decision. Someone canceled on 211 00:11:37,920 --> 00:11:41,400 Speaker 1: brunch brunch on me yesterday. It was two hours of 212 00:11:41,440 --> 00:11:43,160 Speaker 1: me trying to decide what to do with the rest 213 00:11:43,160 --> 00:11:46,720 Speaker 1: of my day vacuum. Yeah, well, at least it was 214 00:11:46,760 --> 00:11:49,679 Speaker 1: something useful. Can I ask you a question? So, basically, 215 00:11:49,760 --> 00:11:51,559 Speaker 1: if you're in a group of people, whether it's at 216 00:11:51,559 --> 00:11:54,240 Speaker 1: work or whatever, and there's that moment wherever where someone 217 00:11:54,600 --> 00:11:56,960 Speaker 1: or someone says they sort of throw their head over 218 00:11:57,000 --> 00:11:58,520 Speaker 1: their one shoulder and they go, so what should we 219 00:11:58,520 --> 00:12:01,599 Speaker 1: have for lunch? Are you someone who weighs in or 220 00:12:01,640 --> 00:12:03,880 Speaker 1: are you someone who's like, I'm going with the flow 221 00:12:03,880 --> 00:12:07,560 Speaker 1: of what everyone wants. And by that same token, would 222 00:12:07,640 --> 00:12:11,559 Speaker 1: you ever be the one person who says, hey, guys, sorry, 223 00:12:11,679 --> 00:12:14,760 Speaker 1: I know everyone wants this, but I don't. What role 224 00:12:14,840 --> 00:12:17,400 Speaker 1: do you play in a lunch just He hasn't had 225 00:12:17,400 --> 00:12:19,520 Speaker 1: to be in this position. I know, but I'm just 226 00:12:19,559 --> 00:12:21,800 Speaker 1: asking in terms of who you are as an individual, 227 00:12:21,840 --> 00:12:23,640 Speaker 1: because we want to get to know you. That's why 228 00:12:23,640 --> 00:12:28,560 Speaker 1: people listen to the podcast Fair Question. And I am 229 00:12:28,760 --> 00:12:31,760 Speaker 1: someone who will go along with almost anything. I will 230 00:12:31,800 --> 00:12:36,600 Speaker 1: eat garbage. But it was actually at Black Monday. There 231 00:12:36,640 --> 00:12:39,680 Speaker 1: were two restaurants. I think one of the restaurants started 232 00:12:39,960 --> 00:12:43,880 Speaker 1: with the word doctor. I can't remember what it was, 233 00:12:44,040 --> 00:12:46,160 Speaker 1: but the first time we had it, it was so 234 00:12:46,280 --> 00:12:50,120 Speaker 1: revolting and made everyone feel so bad that when the 235 00:12:50,160 --> 00:12:52,920 Speaker 1: writer picked that restaurant again to eat at, I said, no, 236 00:12:53,040 --> 00:12:56,680 Speaker 1: we can't do that, We're not doctor. Also the second 237 00:12:56,679 --> 00:13:01,400 Speaker 1: one is is it a Los Angeles chain tender Green's. Yes. Yeah, 238 00:13:01,600 --> 00:13:05,040 Speaker 1: they served me salmon that was gelatinous. Yeah. It was 239 00:13:05,160 --> 00:13:08,720 Speaker 1: essentially putting. And after that I said, we're I have 240 00:13:08,800 --> 00:13:11,559 Speaker 1: to stand up. We're not ordering from tender Greens anymore. 241 00:13:11,600 --> 00:13:14,960 Speaker 1: We're not. You know, the fried chicken at tender Greens 242 00:13:15,120 --> 00:13:21,880 Speaker 1: is really suspect. It's really expensive cafeteria food. You better 243 00:13:21,920 --> 00:13:25,360 Speaker 1: be careful. You both underestimate your own personal power and 244 00:13:25,440 --> 00:13:29,560 Speaker 1: influence here. I mean, you have collectively combined the power 245 00:13:29,559 --> 00:13:35,040 Speaker 1: to take them down. I hope, so I don't. I 246 00:13:35,080 --> 00:13:38,439 Speaker 1: don't want anyone sort of having gelatinous salmon or that 247 00:13:38,600 --> 00:13:40,800 Speaker 1: suspect fried chicken. I will say every time we order 248 00:13:40,840 --> 00:13:42,920 Speaker 1: tender greens, now I will get a soup. I think 249 00:13:42,920 --> 00:13:46,360 Speaker 1: they're chicken. And that's a hack that I offered to. 250 00:13:47,200 --> 00:13:50,440 Speaker 1: Soup is a hack for almost any restaurant. Soup is iconic. 251 00:13:50,480 --> 00:13:54,439 Speaker 1: It's real culture. Number one hundred and three is iconic. 252 00:13:54,679 --> 00:13:57,040 Speaker 1: It's such a hack when you order something that's on 253 00:13:57,120 --> 00:14:01,960 Speaker 1: the menu at a place, it's such people don't think 254 00:14:02,000 --> 00:14:04,400 Speaker 1: about soup. They don't think about soup, and it's a 255 00:14:04,440 --> 00:14:07,840 Speaker 1: nominee for That's not true. That's not true. I always 256 00:14:07,920 --> 00:14:09,680 Speaker 1: year round think about soup. I think about it all 257 00:14:09,720 --> 00:14:12,240 Speaker 1: the sunny, asked anybody at thirty Rock. I do know 258 00:14:12,320 --> 00:14:16,240 Speaker 1: something about Bridger, about his his sort of restaurant choices 259 00:14:16,280 --> 00:14:19,040 Speaker 1: that I find so charming and I relate to so much. 260 00:14:19,400 --> 00:14:21,360 Speaker 1: Is that Bridger for a while on Twitter back in 261 00:14:21,480 --> 00:14:24,720 Speaker 1: like two thousand eleven twelve, had a whole run about Arby's, 262 00:14:24,920 --> 00:14:28,920 Speaker 1: and he is an Arby's queen because Arby's just so 263 00:14:28,960 --> 00:14:31,520 Speaker 1: good and never gets talked about Bridger. Can you can 264 00:14:31,560 --> 00:14:33,600 Speaker 1: you talk about this? You did have a whole series 265 00:14:33,600 --> 00:14:35,200 Speaker 1: of tweets. Okay, first of all, I want to say 266 00:14:35,200 --> 00:14:38,560 Speaker 1: that Bridger was one of the Please this is so humiliating. 267 00:14:38,560 --> 00:14:41,520 Speaker 1: I'm so sorry Bridger. I would say that Bridger was 268 00:14:41,600 --> 00:14:45,040 Speaker 1: like one of those like quote unquote early Twitter, like, oh, 269 00:14:45,080 --> 00:14:47,080 Speaker 1: this person is so funny, Like this is back when 270 00:14:47,120 --> 00:14:49,880 Speaker 1: you would follow follow people on Twitter because they were 271 00:14:49,920 --> 00:14:53,640 Speaker 1: just just cranking out funny, funny stuff before it like 272 00:14:53,720 --> 00:14:56,040 Speaker 1: became what it is now. Um it still is that 273 00:14:56,080 --> 00:14:57,760 Speaker 1: to some degree, but like Bridger was one of those people. 274 00:14:57,800 --> 00:14:59,720 Speaker 1: I was like, oh my god, this guy is so funny, 275 00:14:59,760 --> 00:15:01,960 Speaker 1: and and he had a bunch of tweets about like 276 00:15:02,040 --> 00:15:06,440 Speaker 1: going to Arby's, you know, meeting people at Arby's. Maybe 277 00:15:06,480 --> 00:15:08,160 Speaker 1: today I'll go to Arby's. And there was one tweet 278 00:15:08,160 --> 00:15:09,920 Speaker 1: that there's one teet that I will never forget. I know, 279 00:15:10,040 --> 00:15:11,880 Speaker 1: I know it word for word. This is my one 280 00:15:11,880 --> 00:15:14,720 Speaker 1: of my favorite all time Bridge. I'm so sorry to 281 00:15:14,720 --> 00:15:16,720 Speaker 1: do this. This is so this is sorry at all. 282 00:15:16,720 --> 00:15:18,120 Speaker 1: He wants to do it, That's why he's doing it. 283 00:15:19,040 --> 00:15:22,040 Speaker 1: I'm glad for Arby's. For Arby's too, Okay, and I 284 00:15:22,080 --> 00:15:23,640 Speaker 1: haven't had them in a while, but this is the tweet, 285 00:15:24,360 --> 00:15:26,320 Speaker 1: and I'm kind of spoiling the tweet already, but this 286 00:15:26,360 --> 00:15:28,680 Speaker 1: is the tweet. If you want to see the tweet, 287 00:15:28,720 --> 00:15:30,720 Speaker 1: just go back, look back in two thousand and twelve. 288 00:15:30,840 --> 00:15:32,760 Speaker 1: You can read it yourself, but you've been warned. This 289 00:15:32,800 --> 00:15:37,080 Speaker 1: is a bridge winninger classic. Can you guess where I am? Hint? 290 00:15:38,040 --> 00:15:41,520 Speaker 1: I am looking at a person parentheses, the person is 291 00:15:41,520 --> 00:15:46,720 Speaker 1: wearing a shirt other parentheses. I am at r baby. 292 00:15:49,720 --> 00:15:52,200 Speaker 1: It's the perfect congratulations. Can we get a ding ding 293 00:15:52,280 --> 00:15:59,520 Speaker 1: dings affect? I am? I'm just a puddle and I'm 294 00:15:59,560 --> 00:16:02,480 Speaker 1: thrilled up out. Look, I've been brought on here and 295 00:16:02,520 --> 00:16:05,000 Speaker 1: now I'm just proudly owning how much I love Arby's. 296 00:16:05,200 --> 00:16:07,760 Speaker 1: It's good to be trashed, Will say, Arby's the menus 297 00:16:07,800 --> 00:16:11,080 Speaker 1: too big. We've got to narrow it down. Wow, Arby's 298 00:16:11,120 --> 00:16:13,960 Speaker 1: is shooting out some experimental things there. You make the 299 00:16:14,040 --> 00:16:17,800 Speaker 1: roast beef sandwich. It's of course, it's incredibly it's it's 300 00:16:17,840 --> 00:16:21,400 Speaker 1: a very suspicious product. I enjoy eating. But when you 301 00:16:21,440 --> 00:16:25,080 Speaker 1: start putting that into like a e ro what are 302 00:16:25,120 --> 00:16:28,080 Speaker 1: we talking? Just do your thing. So you just wish 303 00:16:28,200 --> 00:16:30,560 Speaker 1: Arby's was more like an in and out situation. A 304 00:16:30,640 --> 00:16:35,360 Speaker 1: lean menu, few things that everyone loves that are undeniably good. 305 00:16:35,640 --> 00:16:38,880 Speaker 1: We could all learn something from in and out. Especially 306 00:16:38,920 --> 00:16:45,240 Speaker 1: they're anti VAXs well anti Bible versus. Those are the 307 00:16:45,280 --> 00:16:49,120 Speaker 1: two things. Are they anti vacs? The owner is very 308 00:16:49,120 --> 00:16:52,520 Speaker 1: anti sort. He's pushing back against a lot of vaccine 309 00:16:53,200 --> 00:16:56,840 Speaker 1: not mandates, but like checking like vaccination staffs and whatever 310 00:16:57,400 --> 00:17:01,480 Speaker 1: coming from Bowen Chick fil A Yang. He is an 311 00:17:01,480 --> 00:17:07,240 Speaker 1: absolutely and I'm like, no, this is well, Bridget will 312 00:17:07,280 --> 00:17:10,080 Speaker 1: relate to this Chick fil A. I feel like, is 313 00:17:10,160 --> 00:17:14,520 Speaker 1: this thing that listen to this explanation, queen no, no, 314 00:17:14,560 --> 00:17:18,200 Speaker 1: better hear me out like I am it was. I don't, 315 00:17:18,200 --> 00:17:20,840 Speaker 1: I can't. I don't know exactly where it originated, but 316 00:17:20,920 --> 00:17:25,359 Speaker 1: it feels like Utah, Colorado, Wyoming, Monte like like that 317 00:17:25,480 --> 00:17:29,360 Speaker 1: part of the country, like rockies west of Midwest, like 318 00:17:29,520 --> 00:17:34,040 Speaker 1: that was like our thing. And then in the years after, 319 00:17:34,200 --> 00:17:37,760 Speaker 1: like two thousand and seven, it's really fucking like metastasized 320 00:17:37,800 --> 00:17:39,880 Speaker 1: into this Chick fil a thing that we know now 321 00:17:40,200 --> 00:17:43,640 Speaker 1: Jesus got involved. Well Jesus, Jesus was always involved, let's 322 00:17:43,680 --> 00:17:49,560 Speaker 1: get that straight, but Jesus straight. So it was it 323 00:17:49,640 --> 00:17:51,199 Speaker 1: was a thing where like if you grew up in 324 00:17:51,280 --> 00:17:53,520 Speaker 1: let's say, Aurora, Colorado like me, you would go to 325 00:17:53,600 --> 00:17:55,639 Speaker 1: Chick fil A and be like, oh right, they're closed 326 00:17:55,680 --> 00:17:58,440 Speaker 1: on Sundays, but you know, all the Mormon kids work there, 327 00:17:58,600 --> 00:18:01,119 Speaker 1: and we're all gonna go and drink a lemonade. And 328 00:18:01,119 --> 00:18:02,800 Speaker 1: it was just like part of the life. It was 329 00:18:02,840 --> 00:18:05,080 Speaker 1: like built into the lifestyle. There is that is that? 330 00:18:05,200 --> 00:18:08,400 Speaker 1: Is that fair to say Bridger? Weirdly sort of? Chick 331 00:18:08,440 --> 00:18:12,399 Speaker 1: fil A was only in malls since Utah, and it dwindled. 332 00:18:13,000 --> 00:18:16,520 Speaker 1: There was really meaning Chick fil A and fashion play small. 333 00:18:16,600 --> 00:18:20,959 Speaker 1: For years it was fashion place where you want to go. Obvious, 334 00:18:21,040 --> 00:18:23,000 Speaker 1: it was the saddest Chick fil A. And then yeah, 335 00:18:23,040 --> 00:18:26,760 Speaker 1: around two thousand seven comes roaring back. It's all over 336 00:18:26,800 --> 00:18:28,399 Speaker 1: the place and now people kind of own it almost 337 00:18:28,400 --> 00:18:30,960 Speaker 1: as a political thing or of course, which is just 338 00:18:31,040 --> 00:18:36,680 Speaker 1: mine buggling. I had a straight writer say to my face, sorry, 339 00:18:36,840 --> 00:18:40,720 Speaker 1: I just like how it tastes. What are I'm sorry, 340 00:18:40,720 --> 00:18:43,280 Speaker 1: it's a fine chicken sandwich. You don't have to throw 341 00:18:43,359 --> 00:18:45,880 Speaker 1: in my face. That's the thing I feel bad about. 342 00:18:45,880 --> 00:18:48,639 Speaker 1: It's like the sad, which is fine. It's fine, but 343 00:18:49,440 --> 00:18:51,760 Speaker 1: when you have places like tender Greens who are doing 344 00:18:51,840 --> 00:18:55,000 Speaker 1: chicken so wrong. It's at least nice to go to 345 00:18:55,080 --> 00:18:57,720 Speaker 1: Chick fil A and where I have done it, and 346 00:18:58,119 --> 00:19:00,159 Speaker 1: at least you know they're going to do their chicken right. 347 00:19:00,200 --> 00:19:03,080 Speaker 1: But you know who else Those chicken tenders right Arby's. 348 00:19:03,600 --> 00:19:07,480 Speaker 1: They do chicken incredibly well. They do chicken incredibly well. 349 00:19:07,560 --> 00:19:11,320 Speaker 1: And they have a soda swap, the one in Times 350 00:19:11,320 --> 00:19:14,080 Speaker 1: Square as the one with all the incredible sodas, where 351 00:19:14,080 --> 00:19:16,760 Speaker 1: you can say, it's not just roop here, it's vanilla 352 00:19:16,800 --> 00:19:19,840 Speaker 1: roop here. It's not just Dr Pepper, it's cherry dr 353 00:19:19,880 --> 00:19:22,720 Speaker 1: pepper that you can swip and swap do all these 354 00:19:22,760 --> 00:19:25,359 Speaker 1: sorts of things. I am so happy to hear about. 355 00:19:25,720 --> 00:19:28,600 Speaker 1: No one knows about Arby's chicken tenders. They don't know 356 00:19:28,680 --> 00:19:31,960 Speaker 1: because they're sore, because because you said it, you said it. 357 00:19:31,960 --> 00:19:36,200 Speaker 1: It's the men used too big, isolate in and out 358 00:19:36,240 --> 00:19:40,199 Speaker 1: we do burgers by see you later. I feel like 359 00:19:40,280 --> 00:19:42,480 Speaker 1: the soda swap, as Matt calls it. When Matt says 360 00:19:42,520 --> 00:19:45,560 Speaker 1: soda swap, he means like that iconic thing. It's a 361 00:19:45,640 --> 00:19:50,320 Speaker 1: coke free style there. Oh my god, that's this is 362 00:19:50,400 --> 00:19:53,040 Speaker 1: this is the writer brain really working, yes, in that way. 363 00:19:53,040 --> 00:19:54,600 Speaker 1: That he knew what it was really called. That's that 364 00:19:54,600 --> 00:19:58,640 Speaker 1: writer brain. But I think he invented the term sort 365 00:19:58,680 --> 00:20:01,840 Speaker 1: of off the top. I'm wish coke freestyle. That's a 366 00:20:02,200 --> 00:20:05,920 Speaker 1: style that's hot, but it was I feel like this 367 00:20:06,200 --> 00:20:08,440 Speaker 1: is also a big thing. And among Mormons who can't 368 00:20:08,480 --> 00:20:11,320 Speaker 1: drink alcohol, can't have caffeine, can't like or I mean, 369 00:20:11,320 --> 00:20:13,960 Speaker 1: they can't have Coca cola obviously, but at least they 370 00:20:13,960 --> 00:20:17,760 Speaker 1: can get creative with like adding some syrups to a phosphate, 371 00:20:17,880 --> 00:20:20,640 Speaker 1: to a sprite, to whatever is that is? That also 372 00:20:20,720 --> 00:20:23,199 Speaker 1: fair to say, though, And this is the most confusing thing, 373 00:20:23,280 --> 00:20:25,680 Speaker 1: maybe the most well, no, it's not the most confusing 374 00:20:25,680 --> 00:20:29,000 Speaker 1: thing about Mormon is um, but one of the most 375 00:20:29,000 --> 00:20:36,960 Speaker 1: confusing things performans drink Coke's coffee is the one definite no. 376 00:20:37,520 --> 00:20:39,480 Speaker 1: Why why do you have? Do do you have an 377 00:20:39,520 --> 00:20:41,520 Speaker 1: answer to why? Because because I know you, I know 378 00:20:41,560 --> 00:20:43,639 Speaker 1: you sort of left the church. You were you were 379 00:20:43,680 --> 00:20:47,080 Speaker 1: like a Heather gay and when you were a teenager? 380 00:20:47,280 --> 00:20:49,400 Speaker 1: Is that correct? I was. I didn't come out till 381 00:20:49,400 --> 00:20:52,080 Speaker 1: I was thirty, oh my goodness, And you didn't leave 382 00:20:52,080 --> 00:20:55,160 Speaker 1: Mormonism till you I like, it was a slow exit 383 00:20:55,200 --> 00:20:58,639 Speaker 1: for Mormonism starting when I was like nineteen twenty. Okay, 384 00:20:58,800 --> 00:21:01,679 Speaker 1: so so got it. So that feels that feels pretty 385 00:21:01,720 --> 00:21:04,399 Speaker 1: I would say that that that all makes sense, like 386 00:21:04,480 --> 00:21:06,320 Speaker 1: based on like a lot of a lot of this 387 00:21:06,480 --> 00:21:08,760 Speaker 1: journey just feels like that is sort of the way 388 00:21:08,800 --> 00:21:12,400 Speaker 1: it's it's it gets tracked these days. But talk about 389 00:21:12,400 --> 00:21:16,360 Speaker 1: the sodas so okay, so the soda culture, caffeine culture 390 00:21:16,600 --> 00:21:20,040 Speaker 1: within Mormonism, it's baffling to everyone. I'm going to just 391 00:21:20,240 --> 00:21:22,879 Speaker 1: be a spokesport person for the Mormon Church at this 392 00:21:22,920 --> 00:21:25,040 Speaker 1: point and just let people know I'm started to make 393 00:21:26,520 --> 00:21:28,840 Speaker 1: I think it needs to be you because there's so 394 00:21:28,880 --> 00:21:31,520 Speaker 1: many voices on the real hospitals of Salt Lake City. 395 00:21:31,760 --> 00:21:34,080 Speaker 1: I want to know, like how you can distill it 396 00:21:34,200 --> 00:21:35,760 Speaker 1: so we can understand it. And then I want to 397 00:21:35,760 --> 00:21:38,320 Speaker 1: know who you identify with most on the show through 398 00:21:38,359 --> 00:21:40,600 Speaker 1: the lens of soda. I just feel like, I'm sorry 399 00:21:40,640 --> 00:21:44,320 Speaker 1: to put you in this position. Don't apologize that. I 400 00:21:44,320 --> 00:21:46,520 Speaker 1: want to reach out to Mormons everywhere and say you 401 00:21:46,600 --> 00:21:50,119 Speaker 1: can have any caffeinated soda. You can have a coke, 402 00:21:50,359 --> 00:21:53,680 Speaker 1: a diet coke, the mountain, do a diet mountain, do 403 00:21:54,080 --> 00:21:57,160 Speaker 1: a pepsi, a diet pepsi. If it's the only thing 404 00:21:57,160 --> 00:22:00,919 Speaker 1: at Arby's. Can you have cream soda? You can have? 405 00:22:01,080 --> 00:22:06,240 Speaker 1: You have so much cream soda, NonStop cream so wow, goodness. 406 00:22:07,040 --> 00:22:11,280 Speaker 1: Cannot have coffee, cannot have coffee, cannot have caffeinated tea. 407 00:22:11,560 --> 00:22:14,560 Speaker 1: What is it a terrestrial drink? Is it a devil's drain? 408 00:22:15,080 --> 00:22:18,840 Speaker 1: An outer darkness? Drains Mormons have? It's an outer darkness? Well, no, 409 00:22:19,160 --> 00:22:22,040 Speaker 1: there are very few people who go to outer darkness? 410 00:22:22,480 --> 00:22:26,719 Speaker 1: What is that? Basically within Mormonism, outer darkness is like 411 00:22:26,920 --> 00:22:30,200 Speaker 1: ultimate hell. So wait, Heather Gay was just talking about 412 00:22:30,240 --> 00:22:32,480 Speaker 1: this on this episode. I didn't know this that there's 413 00:22:32,520 --> 00:22:34,359 Speaker 1: different levels of I only saw the last half of 414 00:22:34,359 --> 00:22:36,879 Speaker 1: the episode. Yeah, and because Bravo put it on at 415 00:22:37,760 --> 00:22:41,800 Speaker 1: I know it was really weird. This was the big 416 00:22:41,800 --> 00:22:44,080 Speaker 1: one because Jen gets arrested. Yeah, I saw the good part. 417 00:22:44,400 --> 00:22:47,040 Speaker 1: How the sort of delineates it. She goes, there's celestial, 418 00:22:47,280 --> 00:22:52,480 Speaker 1: there's um, what's what's the one below that? Maybe telestial 419 00:22:52,720 --> 00:22:57,480 Speaker 1: telestial terrestrial darkness? The outer darkness and outer darkness is 420 00:22:57,520 --> 00:23:01,919 Speaker 1: reserved for truly eleven people or something like it. Like 421 00:23:01,960 --> 00:23:05,080 Speaker 1: the rule is if you meet God and then deny God, 422 00:23:05,119 --> 00:23:08,520 Speaker 1: you go to outer darkness. So it's very few people 423 00:23:08,520 --> 00:23:17,360 Speaker 1: get that opportunity everyone else. I meant God, and she said, baby, 424 00:23:17,400 --> 00:23:19,160 Speaker 1: you better stick with me, and I said no, bit 425 00:23:21,520 --> 00:23:25,680 Speaker 1: whatever I meant God, I said, never mind, Queen, I'm 426 00:23:25,720 --> 00:23:29,080 Speaker 1: turning around. You watch my fat ass walk away. Where's 427 00:23:29,080 --> 00:23:31,600 Speaker 1: out of darkness? Taking the elevator down and there, honey, 428 00:23:31,720 --> 00:23:38,359 Speaker 1: heat it up, beat it up anyway. This is so human. 429 00:23:38,400 --> 00:23:41,879 Speaker 1: I'm sorry, Bridger, I started apologizing. This was the planel 430 00:23:42,560 --> 00:23:45,920 Speaker 1: so I feel like you must. I feel this way 431 00:23:45,920 --> 00:23:48,159 Speaker 1: when people ask me about like my upbringing, and I'm like, 432 00:23:48,200 --> 00:23:50,919 Speaker 1: I don't want to sort of get re traumatized in 433 00:23:51,119 --> 00:23:54,399 Speaker 1: the recounting of certain things. It's not that severe, but 434 00:23:54,440 --> 00:23:56,320 Speaker 1: I'm like, oh, but it is sort of like I gotta, 435 00:23:56,760 --> 00:23:59,359 Speaker 1: you know, sort of exhume all that stuff from my 436 00:23:59,400 --> 00:24:02,440 Speaker 1: life and be O, what do you think for me? 437 00:24:02,600 --> 00:24:05,439 Speaker 1: It's like people just don't know how to modulate. They 438 00:24:05,480 --> 00:24:08,200 Speaker 1: either they'll find out and then they don't ask anything 439 00:24:08,280 --> 00:24:10,880 Speaker 1: and then it's weird, or they ask everything. And I'd 440 00:24:10,960 --> 00:24:13,960 Speaker 1: much rather people just ask everything. I don't care. I'm 441 00:24:14,000 --> 00:24:15,720 Speaker 1: happy to talk about it. And we've got to get 442 00:24:15,880 --> 00:24:17,520 Speaker 1: we all have to get on the same page about 443 00:24:17,560 --> 00:24:23,440 Speaker 1: Mormons drinking soda. That's the Mormon Church should be putting 444 00:24:23,440 --> 00:24:26,000 Speaker 1: out ads. Yeah you can drink. Maybe it's like a 445 00:24:26,000 --> 00:24:31,040 Speaker 1: collab with coke. Yeah, something. Well, Lisa Barlow is essentially 446 00:24:31,359 --> 00:24:33,960 Speaker 1: advertising diet coke on the show, and so when when 447 00:24:34,000 --> 00:24:37,080 Speaker 1: there was a question about soda consumption on the podcast 448 00:24:37,200 --> 00:24:39,879 Speaker 1: just now, Um, I really was thrown for a loop 449 00:24:39,960 --> 00:24:42,120 Speaker 1: because here she is already throwing it in the face 450 00:24:42,160 --> 00:24:46,120 Speaker 1: of God outer darkness ship drinking tequila, um, and even 451 00:24:46,200 --> 00:24:49,240 Speaker 1: selling it mass market. And she's obviously a huge fan 452 00:24:49,280 --> 00:24:51,840 Speaker 1: of diet coke. But these things are sort of acceptable, 453 00:24:51,840 --> 00:24:58,119 Speaker 1: I suppose. Yes, Lisa Barlow's entire relationship with Mormonism in baffling. 454 00:24:58,840 --> 00:25:01,680 Speaker 1: What part of the religion are you involved in? Because 455 00:25:01,680 --> 00:25:05,080 Speaker 1: it doesn't seem to be the religion and her family 456 00:25:05,160 --> 00:25:08,640 Speaker 1: is going to die. They eat a taco three three 457 00:25:08,640 --> 00:25:13,960 Speaker 1: deals today. It's crazy wild. But I relate to that 458 00:25:14,000 --> 00:25:18,080 Speaker 1: soda consumption. Yeah, you're talking to two sodaheads soda queen's 459 00:25:18,480 --> 00:25:20,720 Speaker 1: when I was little. I actually think the reason I 460 00:25:20,720 --> 00:25:23,359 Speaker 1: am the way I am is because growing up in 461 00:25:23,359 --> 00:25:25,840 Speaker 1: the nineties, I think it hadn't hit Long Island that 462 00:25:25,920 --> 00:25:28,280 Speaker 1: soda was bad so when I was when I was 463 00:25:28,320 --> 00:25:31,479 Speaker 1: growing up, every dinner there was three types of soda 464 00:25:31,520 --> 00:25:33,600 Speaker 1: on the table. There was a full two leader bottle 465 00:25:33,640 --> 00:25:35,879 Speaker 1: of sprite, a full two lead bottle of coke, and 466 00:25:35,920 --> 00:25:39,280 Speaker 1: a full two lead bottle of diet coke, the trinity, 467 00:25:39,520 --> 00:25:45,040 Speaker 1: the trinity. Really, so that was coke sometimes sprite. When 468 00:25:45,080 --> 00:25:48,240 Speaker 1: I was feeling like, maybe maybe we'll just chill tonight, 469 00:25:48,359 --> 00:25:50,879 Speaker 1: you know what I mean. I was a dinner with 470 00:25:50,920 --> 00:25:53,719 Speaker 1: a friend a week ago and he ordered himself a sprite. 471 00:25:54,080 --> 00:25:58,960 Speaker 1: I could not believe. The very funny writer John Millstein. Okay, 472 00:25:59,000 --> 00:26:01,760 Speaker 1: he's wonderful, very funny, and he told me there's a 473 00:26:01,760 --> 00:26:06,959 Speaker 1: secret group of people who are drinking sprite. I'm not 474 00:26:07,040 --> 00:26:10,879 Speaker 1: so secretly. The preferred drink in any situation for me 475 00:26:11,000 --> 00:26:13,480 Speaker 1: is a sprite, no alcohol, just I want to sprite. 476 00:26:13,960 --> 00:26:17,520 Speaker 1: The most refreshing drink in the world. It's one of 477 00:26:17,560 --> 00:26:22,480 Speaker 1: the best kept secrets. All the coolest people are drinking sprite, 478 00:26:22,560 --> 00:26:24,960 Speaker 1: and it's like it needs to be known. Do you 479 00:26:24,960 --> 00:26:28,160 Speaker 1: guys want to know the Mandarin translation of sprite, Yeah, 480 00:26:28,600 --> 00:26:31,800 Speaker 1: it's b, which roughly translates to I might be getting 481 00:26:31,800 --> 00:26:35,000 Speaker 1: this wrong, but it means snow, and I think it 482 00:26:35,040 --> 00:26:41,159 Speaker 1: means snow nectar, like snow gorgeous, isn't that beautiful? And 483 00:26:41,200 --> 00:26:44,440 Speaker 1: I'm like, that is I would drink sprite, But that's 484 00:26:44,440 --> 00:26:48,480 Speaker 1: the same thing with mountain dew is a beautiful name. Gorgeous. 485 00:26:48,520 --> 00:26:50,960 Speaker 1: Mound dew is absolutely stunning name. I wish that. I 486 00:26:51,000 --> 00:26:53,240 Speaker 1: wish that had tasted as good as it sounded, because 487 00:26:53,280 --> 00:26:55,240 Speaker 1: you hear a mountain dew and then you sort of 488 00:26:55,320 --> 00:26:57,960 Speaker 1: drink what it is and you're like, oh, that feels 489 00:26:58,000 --> 00:27:01,960 Speaker 1: like super sprite does like mountain. One of the darkest 490 00:27:02,040 --> 00:27:06,040 Speaker 1: moments of my closeted life. It was probably two thousand twelve. 491 00:27:06,880 --> 00:27:09,919 Speaker 1: I was living in a studio mid city Los Angeles. 492 00:27:10,760 --> 00:27:13,560 Speaker 1: For some reason, I walked to the nearby Ralph's at 493 00:27:13,560 --> 00:27:18,240 Speaker 1: eleven PM and purchased a diet mountain Dew. Started drinking 494 00:27:18,240 --> 00:27:20,840 Speaker 1: it on my web. Way back, passed through a group 495 00:27:20,880 --> 00:27:23,640 Speaker 1: of like tall, very good looking, very well dressed men 496 00:27:23,720 --> 00:27:26,440 Speaker 1: near the l Ray Theater. And as I'm passing through, 497 00:27:26,480 --> 00:27:29,040 Speaker 1: I look over and like this far away. As I'm 498 00:27:29,080 --> 00:27:35,080 Speaker 1: drinking diet mountain dew is Morrissey, I felt I've never 499 00:27:35,160 --> 00:27:39,840 Speaker 1: felt lower. Just trash. I just absolute trash. Did he 500 00:27:39,880 --> 00:27:44,080 Speaker 1: notice you drinking this diamond? I'm sure it just screams 501 00:27:44,119 --> 00:27:48,399 Speaker 1: out the packaging. Really, it's just like letting the only 502 00:27:48,440 --> 00:27:51,000 Speaker 1: thing is to drink a mountain do code red because 503 00:27:51,320 --> 00:27:53,920 Speaker 1: because because the packaging is literally code rad I mean 504 00:27:53,960 --> 00:27:57,200 Speaker 1: it's it's it's alerting everyone around. I feel like morrissey 505 00:27:57,320 --> 00:28:00,600 Speaker 1: Is would not judge someone for drinking and diet mountain dew. 506 00:28:00,760 --> 00:28:03,320 Speaker 1: And it feels like maybe even like a very Smith's 507 00:28:03,520 --> 00:28:08,719 Speaker 1: esque thing to drink one it like past eleven PM 508 00:28:08,720 --> 00:28:10,960 Speaker 1: in mid City. Like it feels that that's part of 509 00:28:11,000 --> 00:28:17,280 Speaker 1: the the imagery that that the Smith's evoke. I absolutely disagree. 510 00:28:19,520 --> 00:28:23,360 Speaker 1: I think so. I think that's true. This this charming 511 00:28:23,400 --> 00:28:26,600 Speaker 1: man drinking a diet mountain jew. I would go out tonight, 512 00:28:27,200 --> 00:28:43,040 Speaker 1: but a diet mountain that's perfect. I think that's perfect. Okay, 513 00:28:43,080 --> 00:28:45,800 Speaker 1: So before we ask you our question that we always 514 00:28:45,840 --> 00:28:48,880 Speaker 1: ask our guests. I mean, this is this is compulsory 515 00:28:48,880 --> 00:28:51,400 Speaker 1: at this point for you. What are your thoughts? I'm 516 00:28:51,440 --> 00:28:53,560 Speaker 1: sure you've been asked so many times by people, what 517 00:28:53,640 --> 00:28:55,160 Speaker 1: are your thoughts on the real house Hives of Salt 518 00:28:55,200 --> 00:28:58,480 Speaker 1: Lake City? Are you enjoying it? Does it feel reflective 519 00:28:58,560 --> 00:29:01,560 Speaker 1: of your memory of it, or you know the way 520 00:29:01,600 --> 00:29:04,160 Speaker 1: you conceive of Salt Lake City because it is his 521 00:29:04,240 --> 00:29:08,040 Speaker 1: Housewives intro. Because I heard on your episode of your 522 00:29:08,040 --> 00:29:11,880 Speaker 1: podcast with Cola Scola that you had not waited the 523 00:29:11,880 --> 00:29:14,160 Speaker 1: waters of Housewives. You just said, Okay, if they're doing 524 00:29:14,200 --> 00:29:16,320 Speaker 1: Salt Lake City, let me just see what the funk 525 00:29:16,400 --> 00:29:18,320 Speaker 1: it is. It's a beautiful gateway. I think. I agree. 526 00:29:18,760 --> 00:29:22,120 Speaker 1: I had seen maybe one episode of Beverly Hills and 527 00:29:22,160 --> 00:29:26,360 Speaker 1: it was not hooked. Uh, and this has sucked me 528 00:29:26,400 --> 00:29:28,720 Speaker 1: in in a way that I could have never imagined. 529 00:29:28,800 --> 00:29:33,080 Speaker 1: You too beautiful. I went back home for the first 530 00:29:33,120 --> 00:29:36,560 Speaker 1: time since the pandemic in April. I saw my parents 531 00:29:36,760 --> 00:29:38,760 Speaker 1: and then I borrowed my mom's car and at about 532 00:29:38,960 --> 00:29:41,720 Speaker 1: thirty PM drove to Beauty Lab and like, just to 533 00:29:42,120 --> 00:29:45,120 Speaker 1: the Oh my god, you didn't go in, Well, it 534 00:29:45,200 --> 00:29:47,760 Speaker 1: was closed, so I went the next day. And when 535 00:29:48,880 --> 00:29:51,160 Speaker 1: you went in, what, Okay, explain what it's like to 536 00:29:51,200 --> 00:29:52,920 Speaker 1: walk into Beauty Lab and Lazer I want a full 537 00:29:52,960 --> 00:29:56,520 Speaker 1: trip report. Well, I'm I was familiar with this parking lot. 538 00:29:57,080 --> 00:30:00,080 Speaker 1: This parking lot is the area there's like a there 539 00:30:00,160 --> 00:30:02,120 Speaker 1: used to be a sporting goods store. There was the 540 00:30:02,240 --> 00:30:06,840 Speaker 1: like weird, like, uh, teachers supply store where you would 541 00:30:06,840 --> 00:30:09,120 Speaker 1: like go to get things for school supplies or whatever. 542 00:30:09,800 --> 00:30:13,080 Speaker 1: And then there was maybe a Skipper's Fish and Chips 543 00:30:13,240 --> 00:30:15,760 Speaker 1: for a very long time, so I was like familiar, 544 00:30:15,960 --> 00:30:17,560 Speaker 1: gonna put a pin in that because I want to 545 00:30:17,600 --> 00:30:21,440 Speaker 1: go there. Skips, Fish and Chips iconic. The moment I 546 00:30:21,440 --> 00:30:23,000 Speaker 1: saw a beauty lab on the show is like, oh, 547 00:30:23,000 --> 00:30:25,960 Speaker 1: I know that's a very trashy parking lot that that's 548 00:30:26,000 --> 00:30:29,920 Speaker 1: located in. I go there and I pulled up and 549 00:30:29,920 --> 00:30:31,720 Speaker 1: I thought, I'm gonna go in and just act like 550 00:30:32,440 --> 00:30:34,240 Speaker 1: not like I'm not familiar with the show. I just 551 00:30:34,280 --> 00:30:37,640 Speaker 1: want to look at the menu. Uh, let what's happening here? 552 00:30:37,840 --> 00:30:40,120 Speaker 1: I went in and caved immediately. I said, I'm sorry. 553 00:30:40,120 --> 00:30:41,800 Speaker 1: I'm a huge fan of the show and I just 554 00:30:41,880 --> 00:30:44,800 Speaker 1: had to come in. And they loved, They were thrilled, 555 00:30:44,880 --> 00:30:46,320 Speaker 1: they were beyond throws. Oh do you want to get 556 00:30:46,320 --> 00:30:47,560 Speaker 1: a picture? Do you want to get a picture. They 557 00:30:47,560 --> 00:30:49,560 Speaker 1: take you right back to the angel wings. You know, 558 00:30:49,600 --> 00:30:51,800 Speaker 1: they have one of those terrible street art angel wings. 559 00:30:52,240 --> 00:30:55,120 Speaker 1: I got my they took my photo. I have sunglasses 560 00:30:55,120 --> 00:30:59,520 Speaker 1: on because their prescription I look insane. Um And then 561 00:30:59,520 --> 00:31:04,320 Speaker 1: I left it. The whole thing felt very like Soviet hospital. 562 00:31:05,040 --> 00:31:08,080 Speaker 1: Oh my god, like they're like I felt like the 563 00:31:08,280 --> 00:31:11,240 Speaker 1: weird little curtains and it just didn't because it feels 564 00:31:11,240 --> 00:31:15,120 Speaker 1: almost medical but not not really, not really, it's beauty. 565 00:31:16,280 --> 00:31:19,720 Speaker 1: So but they were so welcoming and thrilled to half me. 566 00:31:20,000 --> 00:31:23,800 Speaker 1: I've got photos. And then I my sister knew where 567 00:31:23,920 --> 00:31:27,800 Speaker 1: or the whereabouts of like basically where Whitney Rose lives 568 00:31:27,880 --> 00:31:31,720 Speaker 1: because they have like a she lives in this area 569 00:31:31,760 --> 00:31:34,920 Speaker 1: called Daybreak, and it's a very clear maybe where she was. 570 00:31:35,080 --> 00:31:38,280 Speaker 1: My sister, god bless has not seen the show, drove 571 00:31:38,360 --> 00:31:40,240 Speaker 1: me around until we found Whitney's house and I got 572 00:31:40,240 --> 00:31:43,640 Speaker 1: my picture outside of it. Oh my god. So Heather 573 00:31:43,840 --> 00:31:47,080 Speaker 1: was not at beauty Lab and may have been inside, 574 00:31:47,120 --> 00:31:50,760 Speaker 1: but you don't know. Yeah, let's assume she was inside. Sure, 575 00:31:51,240 --> 00:31:54,000 Speaker 1: let's assume she was inside. Was it was the pandemics though, 576 00:31:54,200 --> 00:31:58,120 Speaker 1: And let's assume Heather was doing work, she was blasting 577 00:31:58,120 --> 00:32:02,000 Speaker 1: someone's face or something. Mine one of the uss are curtain. 578 00:32:03,000 --> 00:32:08,000 Speaker 1: I mean, do you do you have a temperature read 579 00:32:08,040 --> 00:32:11,920 Speaker 1: on what Salt Lake City as a community, as a 580 00:32:12,000 --> 00:32:16,800 Speaker 1: municipal community, how they are affected by this show. I 581 00:32:16,880 --> 00:32:19,960 Speaker 1: have a little bit. I feel like there's a decent 582 00:32:19,960 --> 00:32:25,480 Speaker 1: amount of embarrassment. Okay, I feel like practicing Mormons are 583 00:32:25,480 --> 00:32:30,440 Speaker 1: probably annoyed. I think the rest of the experience that 584 00:32:30,480 --> 00:32:36,840 Speaker 1: these women have feels very far removed from Utah in general, right, 585 00:32:37,160 --> 00:32:40,800 Speaker 1: especially like Meredith. I mean, she seems like she's like 586 00:32:40,960 --> 00:32:47,400 Speaker 1: doesn't even live there or right, It's very clear based 587 00:32:47,440 --> 00:32:50,400 Speaker 1: on her Instagram activity that that's the case. Um I 588 00:32:50,440 --> 00:32:53,720 Speaker 1: have I do have. I won't say how they're related 589 00:32:53,720 --> 00:32:55,920 Speaker 1: to me or anything, because I don't know how well 590 00:32:55,960 --> 00:32:58,640 Speaker 1: any of how well Lisa knows them, but I do 591 00:32:58,720 --> 00:33:01,959 Speaker 1: have have someone in my life who has interacted with Lisa, 592 00:33:02,680 --> 00:33:07,600 Speaker 1: and it's not a great report. I also know someone. Again, 593 00:33:07,680 --> 00:33:10,360 Speaker 1: I wish I could give more details, but I always 594 00:33:13,040 --> 00:33:16,680 Speaker 1: is this gonna get me sued? Mary not acting well 595 00:33:16,760 --> 00:33:19,760 Speaker 1: at an event, that's all you and that's all you 596 00:33:19,800 --> 00:33:22,880 Speaker 1: have to say. I don't think on a single event 597 00:33:22,960 --> 00:33:25,000 Speaker 1: depicted on the show, so I don't think that's gonna 598 00:33:25,040 --> 00:33:27,320 Speaker 1: get you sued. I think that she's live BLib bliss 599 00:33:27,400 --> 00:33:31,920 Speaker 1: for bad behavior at events. Right. Uh. I wish I 600 00:33:32,720 --> 00:33:35,600 Speaker 1: really wish I could tell more about this. I will say, 601 00:33:35,600 --> 00:33:39,440 Speaker 1: like also things about bills not getting paid that kind 602 00:33:39,440 --> 00:33:41,640 Speaker 1: of I hear. I think, you know, when I started 603 00:33:41,640 --> 00:33:44,160 Speaker 1: talking about on Instagram, like people from high school or 604 00:33:44,160 --> 00:33:46,800 Speaker 1: whatever would reach out and be like, oh, this this person. 605 00:33:47,000 --> 00:33:49,560 Speaker 1: Like we almost had to call collections on this sort 606 00:33:49,600 --> 00:33:52,000 Speaker 1: of thing. So it's like, oh, people, they're in the community, 607 00:33:52,280 --> 00:33:55,920 Speaker 1: and they are probably all terrible, although I kind of 608 00:33:55,920 --> 00:34:00,880 Speaker 1: love them. I'm hitting I'm I'm I'm hitting critical mass 609 00:34:00,880 --> 00:34:04,400 Speaker 1: with Mary. Unfortunately, I'm like, I don't know how much 610 00:34:04,400 --> 00:34:07,360 Speaker 1: longer I can watch this. She's got a big episode 611 00:34:07,400 --> 00:34:10,560 Speaker 1: this week. I'm gonna tell you, like, she's completely unhinged. 612 00:34:10,719 --> 00:34:15,000 Speaker 1: It's really dark, and I think it's gonna get darker. 613 00:34:15,560 --> 00:34:17,640 Speaker 1: Let me ask you, guys what you think about Jenny, 614 00:34:17,680 --> 00:34:19,880 Speaker 1: because I think she just seems like the most normal 615 00:34:19,880 --> 00:34:23,000 Speaker 1: person who has been sucked into this. It's like, how 616 00:34:23,040 --> 00:34:25,680 Speaker 1: did It's like she stumbled into the show and she 617 00:34:25,719 --> 00:34:28,120 Speaker 1: doesn't belong there. She's just a nice she has a 618 00:34:28,120 --> 00:34:33,759 Speaker 1: healthy normal Well the husbands, but they seem otherwise. They're 619 00:34:33,800 --> 00:34:36,600 Speaker 1: doing science projects at home or whatever, and then there's 620 00:34:36,600 --> 00:34:39,480 Speaker 1: never any drama drama other than like where the ski resort. Now, 621 00:34:39,480 --> 00:34:41,080 Speaker 1: I'm going to tell you you have to have a baby, 622 00:34:41,120 --> 00:34:43,880 Speaker 1: and I'm going to marry someone else. There you go, Bridger, 623 00:34:44,080 --> 00:34:46,360 Speaker 1: It's that there's there doesn't seem to be any drama 624 00:34:46,400 --> 00:34:48,600 Speaker 1: because I don't think there is, and I honestly think 625 00:34:48,640 --> 00:34:53,320 Speaker 1: this stuff with her husband is a little it smells 626 00:34:53,360 --> 00:34:57,080 Speaker 1: a little manufacturer to me, which is crazy because she's 627 00:34:57,120 --> 00:34:59,239 Speaker 1: truly like the fish are nibbling at her legs and 628 00:34:59,280 --> 00:35:01,680 Speaker 1: she's talking about her and the miscarriage just like this. 629 00:35:01,800 --> 00:35:04,240 Speaker 1: It's not something you should be pressured into talking about. 630 00:35:04,320 --> 00:35:07,560 Speaker 1: We're not we're not high on Jenny and we don't 631 00:35:07,600 --> 00:35:10,920 Speaker 1: know it's too bad. And like I hate to I 632 00:35:10,960 --> 00:35:13,360 Speaker 1: do agree with you on everything you've said, Bridger, And 633 00:35:13,360 --> 00:35:15,480 Speaker 1: it feels like I don't mean to say this in 634 00:35:15,520 --> 00:35:19,000 Speaker 1: a way that like to frame it in terms of belonging, 635 00:35:19,160 --> 00:35:21,719 Speaker 1: because that's like a touchy sort of thing to throw 636 00:35:21,760 --> 00:35:24,560 Speaker 1: out there when it comes to like I don't mean, 637 00:35:24,960 --> 00:35:27,200 Speaker 1: I'm sorry to go here, but like an Asian person, 638 00:35:27,400 --> 00:35:30,400 Speaker 1: feeling belonging anywhere is tough, like in this country, but 639 00:35:30,480 --> 00:35:34,080 Speaker 1: like on the show, it's tough because it feels like 640 00:35:34,160 --> 00:35:38,200 Speaker 1: there is this effort and it's a little sweaty. And 641 00:35:38,239 --> 00:35:42,520 Speaker 1: then I to make this comparison, I'm making this comparison 642 00:35:42,560 --> 00:35:46,560 Speaker 1: rhetorically to like a Crystal Kung Minkoff, for example, and 643 00:35:46,600 --> 00:35:49,480 Speaker 1: I'm like, there's there's just like it's it's not that 644 00:35:49,520 --> 00:35:52,479 Speaker 1: it's it's not that it's an Asian thing, and it's 645 00:35:52,480 --> 00:35:56,520 Speaker 1: more that, like I think Jenny's probably, like you said, 646 00:35:56,560 --> 00:36:00,600 Speaker 1: just like a lovely, normal person who has wonder as 647 00:36:00,600 --> 00:36:03,600 Speaker 1: a really interesting backstory, but like is otherwise pretty well 648 00:36:03,640 --> 00:36:07,480 Speaker 1: adjusted and then kind of has to like do the 649 00:36:07,520 --> 00:36:12,920 Speaker 1: reality show persona drag that like I think jen Shaw does, 650 00:36:12,960 --> 00:36:15,400 Speaker 1: but then oh wait, she's actually a despicable person like that. 651 00:36:16,440 --> 00:36:19,880 Speaker 1: It's horrifying to me if it's true or not true. 652 00:36:20,000 --> 00:36:22,800 Speaker 1: So if it's true that her husband Dewey is saying 653 00:36:22,840 --> 00:36:26,479 Speaker 1: to her on camera for the first time, I want 654 00:36:26,560 --> 00:36:29,560 Speaker 1: to have children, despite the fact that you've had nine 655 00:36:29,600 --> 00:36:33,520 Speaker 1: mischaracters and a still birth and you are in your 656 00:36:33,560 --> 00:36:36,880 Speaker 1: forties and your body is not able to have children. 657 00:36:36,960 --> 00:36:39,400 Speaker 1: It doesn't matter to me. You should have a baby, 658 00:36:39,440 --> 00:36:41,680 Speaker 1: and if you don't want to have one, we should 659 00:36:41,680 --> 00:36:46,359 Speaker 1: introduce another woman into our mayor into our relationship. If 660 00:36:46,520 --> 00:36:48,879 Speaker 1: it's actually true that that is happening on the show 661 00:36:48,880 --> 00:36:52,960 Speaker 1: and it's unfolding as real drama, that's awful. And if 662 00:36:53,000 --> 00:36:56,000 Speaker 1: they're faking it, it's also awful. And it's either true 663 00:36:56,120 --> 00:36:59,680 Speaker 1: or it isn't, so it's bad either way. She I 664 00:36:59,760 --> 00:37:02,920 Speaker 1: wish she could have just had a normal life. I 665 00:37:02,960 --> 00:37:05,520 Speaker 1: feel like this, who forever one a normal life? Can 666 00:37:05,680 --> 00:37:11,400 Speaker 1: say a rural culture number eleven. I wish normal life. 667 00:37:12,600 --> 00:37:16,200 Speaker 1: That's all I really want for everyone. They seem so 668 00:37:16,360 --> 00:37:20,200 Speaker 1: it seems like a happy family. Well on this episode, 669 00:37:20,320 --> 00:37:22,840 Speaker 1: like she does, Mary doesn't invite her to her Italian 670 00:37:23,520 --> 00:37:27,319 Speaker 1: cooking lesson. So they're at home and it's literally this 671 00:37:27,360 --> 00:37:29,880 Speaker 1: is the scene. It's Jenny in the kitchen like washing 672 00:37:29,880 --> 00:37:31,840 Speaker 1: her hands to cook, and her children are like the 673 00:37:31,920 --> 00:37:34,480 Speaker 1: Von Traps. They come in one by one, Mommy, what 674 00:37:34,520 --> 00:37:37,680 Speaker 1: are you doing? Can I help you cook? Well? Yes, 675 00:37:38,040 --> 00:37:41,239 Speaker 1: I was planning on making dinner, of course. Well let 676 00:37:41,239 --> 00:37:43,799 Speaker 1: me just again my hands washed and clean as well 677 00:37:44,000 --> 00:37:46,919 Speaker 1: so that I can help. Okay, wonderful. The next kid 678 00:37:47,000 --> 00:37:50,080 Speaker 1: comes in, Hey, are you guys cooking in here together? 679 00:37:50,880 --> 00:37:54,759 Speaker 1: Might I joined absolutely wash her hands and it's just like, 680 00:37:54,840 --> 00:37:58,000 Speaker 1: what the fuck is this? That's the show I want? 681 00:37:58,480 --> 00:38:07,080 Speaker 1: I guess that show all right. Well, before before we 682 00:38:07,440 --> 00:38:10,320 Speaker 1: drop into the outer darkness, that is talking about only 683 00:38:10,400 --> 00:38:13,879 Speaker 1: this show on this podcast and don't test us. Um, 684 00:38:13,920 --> 00:38:15,960 Speaker 1: we should ask the question that we ask all of 685 00:38:16,000 --> 00:38:19,800 Speaker 1: our guests, Bridger, what was the culture that made you? Say? 686 00:38:20,320 --> 00:38:24,879 Speaker 1: Culture is for you? So this is basically asking what 687 00:38:24,960 --> 00:38:27,759 Speaker 1: was the culture that sort of made you into the 688 00:38:27,760 --> 00:38:32,280 Speaker 1: person that you are. This could be popular culture, film, television, music, theater, etcetera, 689 00:38:32,400 --> 00:38:35,359 Speaker 1: damps or just general culture. What's it for you if 690 00:38:35,360 --> 00:38:39,279 Speaker 1: you're looking back and assessing, I will say the what 691 00:38:40,080 --> 00:38:46,560 Speaker 1: my family zero God bless my parents, terrible taste, both 692 00:38:46,560 --> 00:38:51,040 Speaker 1: of my older brothers, zero taste, no peek into the 693 00:38:51,040 --> 00:38:54,320 Speaker 1: outside world. The only tiny peek I head into anything 694 00:38:54,719 --> 00:38:57,719 Speaker 1: was that, for some reason, my parents watched Letterman, which 695 00:38:57,760 --> 00:39:02,960 Speaker 1: is so out of the for them. Um, which truly 696 00:39:03,080 --> 00:39:05,759 Speaker 1: like Letterman was kind of how I was introduced to 697 00:39:05,800 --> 00:39:10,200 Speaker 1: Amy Sedaris, which became Strangers with Candy, And that the 698 00:39:10,239 --> 00:39:14,480 Speaker 1: fact that if that didn't exist, I would probably be 699 00:39:14,520 --> 00:39:16,360 Speaker 1: at the bottom of the Great Salt Lake or something. 700 00:39:16,760 --> 00:39:21,000 Speaker 1: It's uh, truly that tiny because there was no other culture. 701 00:39:21,160 --> 00:39:27,839 Speaker 1: Yeah yeah, zero, yeah, So that I don't great answer. Oh, 702 00:39:27,960 --> 00:39:30,000 Speaker 1: I love that. I want to know that what was 703 00:39:30,080 --> 00:39:33,840 Speaker 1: life filled with if there wasn't like culture and like 704 00:39:34,200 --> 00:39:38,879 Speaker 1: arts like video games. Okay, okay, great video games were 705 00:39:38,880 --> 00:39:43,000 Speaker 1: a nice safe entry into which led to the Internet, 706 00:39:43,280 --> 00:39:45,959 Speaker 1: which is another like that was another little peek into 707 00:39:46,320 --> 00:39:49,960 Speaker 1: the world, right was it like StarCraft? Like battle that stuff? 708 00:39:50,000 --> 00:39:51,520 Speaker 1: And then you were like you learned how this all 709 00:39:51,560 --> 00:39:54,080 Speaker 1: worked with a Diablo to like what like, like the 710 00:39:54,600 --> 00:39:58,200 Speaker 1: internet is important. It was early looking up Mario sixty 711 00:40:00,440 --> 00:40:04,160 Speaker 1: before they before the N sexy four was announced, because 712 00:40:04,160 --> 00:40:06,640 Speaker 1: that was a launch title. That was a launch title, 713 00:40:06,719 --> 00:40:10,080 Speaker 1: and I one of the most mortifying experiences I had 714 00:40:10,120 --> 00:40:12,560 Speaker 1: as I don't know, six or seventh grader was I 715 00:40:12,600 --> 00:40:16,640 Speaker 1: was so obsessed reading about Mario that my sister's friend 716 00:40:16,680 --> 00:40:19,040 Speaker 1: Ashley called, and I answered the phone Mario, and I thought, 717 00:40:19,040 --> 00:40:23,319 Speaker 1: now everyone knows I'm a nerd. I would think it 718 00:40:23,360 --> 00:40:30,640 Speaker 1: was the secret was out. Uh but yeah Mario, which 719 00:40:30,719 --> 00:40:34,480 Speaker 1: led into I still think so much about video games 720 00:40:34,600 --> 00:40:36,279 Speaker 1: despite the fact that I played maybe two a year. 721 00:40:37,040 --> 00:40:38,880 Speaker 1: I'm the same way. I'm the same way. I don't 722 00:40:39,000 --> 00:40:44,680 Speaker 1: play them with the sort of I don't know availability though, Yeah, sure, 723 00:40:44,680 --> 00:40:47,240 Speaker 1: like I wish I played more, but I think about 724 00:40:47,280 --> 00:40:50,000 Speaker 1: them all the time. Yeah I don't. I guess it's 725 00:40:50,080 --> 00:40:52,759 Speaker 1: just a disease. I'll live with until I die. The 726 00:40:52,800 --> 00:40:54,879 Speaker 1: fact that like a seventy five I'll be thinking about 727 00:40:54,960 --> 00:41:01,759 Speaker 1: video games feels far fetched, But here we are. Was 728 00:41:01,800 --> 00:41:04,279 Speaker 1: it um? And then what would talk about? I have 729 00:41:04,680 --> 00:41:09,879 Speaker 1: such indelible memories of I wasn't even playing Mario sixty four. 730 00:41:09,920 --> 00:41:11,920 Speaker 1: I was just watching someone else do it, and I 731 00:41:11,960 --> 00:41:16,200 Speaker 1: was like, this is right there, not even that. It 732 00:41:16,239 --> 00:41:18,520 Speaker 1: wasn't even my sister was like other kids, like other 733 00:41:18,600 --> 00:41:22,080 Speaker 1: kids in the neighborhood and be like this, this is insane. Well, 734 00:41:22,120 --> 00:41:24,440 Speaker 1: graphically that was like a new frontier. It was a 735 00:41:24,480 --> 00:41:28,279 Speaker 1: whole new thing. Yeah, I mean it was. It is 736 00:41:28,360 --> 00:41:30,840 Speaker 1: like it was like a giant shift in the way 737 00:41:31,000 --> 00:41:35,359 Speaker 1: anything worked for as far as computers went right, absolutely 738 00:41:35,520 --> 00:41:37,839 Speaker 1: as far as as far as video games went in 739 00:41:37,920 --> 00:41:42,239 Speaker 1: terms of like three D motion, it was like and 740 00:41:42,239 --> 00:41:44,440 Speaker 1: then just I mean to think about, like I think 741 00:41:44,480 --> 00:41:47,640 Speaker 1: all the time about how they got it so right 742 00:41:47,760 --> 00:41:51,439 Speaker 1: in that game genius to be like, Okay, it's gonna 743 00:41:51,440 --> 00:41:54,600 Speaker 1: be at the castle, but then you jump into these 744 00:41:54,640 --> 00:41:58,399 Speaker 1: paintings to go into the level like genius. That would 745 00:41:58,480 --> 00:42:03,480 Speaker 1: still work today. That's still like that is still innovative today, 746 00:42:03,560 --> 00:42:06,440 Speaker 1: and that is crazy to me. I don't know, be 747 00:42:06,600 --> 00:42:08,759 Speaker 1: right out of the gate in a medium and do 748 00:42:08,880 --> 00:42:12,719 Speaker 1: it right feels wild to me. It's like landing the 749 00:42:12,760 --> 00:42:15,160 Speaker 1: Mars Rovere. It's like you have like a one square 750 00:42:15,200 --> 00:42:17,680 Speaker 1: inch of terrain to land on and you've gotta you 751 00:42:17,800 --> 00:42:21,399 Speaker 1: gotta landed just right. And where did you feel? Yeah? 752 00:42:21,480 --> 00:42:24,719 Speaker 1: Did you feel that way about Zelda? Of course? I 753 00:42:24,719 --> 00:42:33,279 Speaker 1: mean just completely Banjo Kazoo Banjo, it's underrated banjom ZOOI 754 00:42:33,280 --> 00:42:36,200 Speaker 1: actually doesn't get talked about. Also, I mean I feel 755 00:42:36,200 --> 00:42:38,680 Speaker 1: like Kazoo is a very gay I mean they're both 756 00:42:38,800 --> 00:42:41,759 Speaker 1: very gay characters. There's kind of the sassy bird and 757 00:42:41,800 --> 00:42:45,280 Speaker 1: the like Banjo is kind of sexy, he's got nothing 758 00:42:45,280 --> 00:42:50,480 Speaker 1: but short kind of just he's a hot bear. Also like, 759 00:42:50,760 --> 00:42:52,960 Speaker 1: I'm sorry, but can I just stick up from my 760 00:42:53,040 --> 00:42:56,680 Speaker 1: girl Donkey Kong because I feel like gets the shaft 761 00:42:56,920 --> 00:43:00,680 Speaker 1: And I'm really excited because Super Nintendo World is getting 762 00:43:00,800 --> 00:43:03,239 Speaker 1: there's gonna be Donkey Kong roller coasters in them, so 763 00:43:03,280 --> 00:43:05,759 Speaker 1: we're not just doing first thought like oh it's Super 764 00:43:05,800 --> 00:43:08,200 Speaker 1: Nintendo World and it's gonna be Mario, only Donkey Kong 765 00:43:08,239 --> 00:43:11,040 Speaker 1: will be represented and it matters, So am I with 766 00:43:11,160 --> 00:43:16,960 Speaker 1: Donkey Kong? People? If that roller coaster isn't a mine card, 767 00:43:17,040 --> 00:43:18,719 Speaker 1: then the whole thing should be shut down. And let 768 00:43:18,800 --> 00:43:22,279 Speaker 1: me tell you something, Bridger, you're gonna be excited. Guess what. 769 00:43:22,440 --> 00:43:25,520 Speaker 1: It's a mine cut rollercoaster, babe, and it jumps the track. 770 00:43:26,120 --> 00:43:30,080 Speaker 1: Oh that can't well, then I guess you're gonna eat 771 00:43:30,120 --> 00:43:35,120 Speaker 1: your goddamn hat. All right, that's gonna be can't possibly 772 00:43:35,200 --> 00:43:39,240 Speaker 1: jump the track? That is the look it up because 773 00:43:39,360 --> 00:43:41,920 Speaker 1: guess what, it's gonna appear to jump the track, but 774 00:43:41,960 --> 00:43:44,839 Speaker 1: there's gonna be the track underneath the track. There's gonna 775 00:43:44,880 --> 00:43:46,480 Speaker 1: be a track underneath the track, So there's gonna be 776 00:43:46,480 --> 00:43:49,640 Speaker 1: like a single rail track and then quote unquote track 777 00:43:49,840 --> 00:43:53,080 Speaker 1: and it's gonna appear to jump the track very much though, 778 00:43:53,080 --> 00:43:57,040 Speaker 1: a perfect illusion. I don't like that. I think they 779 00:43:57,040 --> 00:44:00,400 Speaker 1: should commit or it's a binary thing either. What are 780 00:44:00,440 --> 00:44:03,520 Speaker 1: they don't wants to be soaring through the air in 781 00:44:03,600 --> 00:44:09,440 Speaker 1: a mine card? Potentially? Yeah, they're making a movie with 782 00:44:09,480 --> 00:44:14,760 Speaker 1: Donkey Kong. Is that right? We can't let these characters talk. 783 00:44:15,200 --> 00:44:17,360 Speaker 1: It's you know what it is. It's that thing of 784 00:44:17,719 --> 00:44:20,520 Speaker 1: it's like all the Nintendo characters together and so now 785 00:44:20,600 --> 00:44:23,800 Speaker 1: Chris Pratt is Mario and so they announced the cast 786 00:44:23,880 --> 00:44:26,759 Speaker 1: for this like Mario movie, and I was like, the 787 00:44:26,800 --> 00:44:28,799 Speaker 1: casting is all over the place. I felt like Chris 788 00:44:28,880 --> 00:44:32,080 Speaker 1: Pratt should have been Donkey Kong and I was like, 789 00:44:32,200 --> 00:44:34,640 Speaker 1: just the casting was literally all over the place. Any 790 00:44:34,760 --> 00:44:37,319 Speaker 1: teller Joy is Peach, which I loved, and the rest 791 00:44:37,320 --> 00:44:39,640 Speaker 1: of it. All the Mail characters were like Jack Black 792 00:44:39,640 --> 00:44:41,279 Speaker 1: should not be that one. He should be this one, 793 00:44:41,320 --> 00:44:44,000 Speaker 1: that one, the other one. But you know who's Jack Black? 794 00:44:44,719 --> 00:44:47,319 Speaker 1: We could pull up cares. I mean, Mario was in 795 00:44:47,320 --> 00:44:49,279 Speaker 1: the conversation. I do want to talk about Letterman for 796 00:44:49,320 --> 00:44:53,960 Speaker 1: a bit, but let's just up, okay. Um. I mean 797 00:44:54,200 --> 00:44:58,360 Speaker 1: I feel like for us, for us, you know, friends 798 00:44:58,360 --> 00:45:04,440 Speaker 1: of Dorothy whatever, Like the Sedaris interviews were always like 799 00:45:04,520 --> 00:45:08,200 Speaker 1: just such a moment, you know, just the best television 800 00:45:08,239 --> 00:45:10,840 Speaker 1: I could watch, the best television and like every I 801 00:45:10,880 --> 00:45:13,239 Speaker 1: mean like I like I remember them specifically, like the 802 00:45:13,239 --> 00:45:15,680 Speaker 1: ones she came on went because she would just like 803 00:45:15,680 --> 00:45:17,120 Speaker 1: they would just call her up when like a guest 804 00:45:17,160 --> 00:45:18,920 Speaker 1: would drop out and she's like run up the street. 805 00:45:19,000 --> 00:45:21,799 Speaker 1: And then you know, like Dwayne Wade was there, and 806 00:45:21,800 --> 00:45:23,120 Speaker 1: then she had this whole thing, dude, you know what 807 00:45:23,200 --> 00:45:28,080 Speaker 1: I'm talking about where she was like and then like 808 00:45:28,120 --> 00:45:29,719 Speaker 1: she would like promote. She promoted the Streets of the 809 00:45:29,760 --> 00:45:31,920 Speaker 1: Kenny movie, which felt like a beautiful moment because like 810 00:45:31,960 --> 00:45:35,680 Speaker 1: she actually had something to promote. Um. She would always 811 00:45:35,680 --> 00:45:38,000 Speaker 1: have a new dress, which I think would be purchased 812 00:45:38,040 --> 00:45:42,040 Speaker 1: with the money from the previous appearance, which she would 813 00:45:42,040 --> 00:45:45,759 Speaker 1: talk about like uh, being a waiter, things like this. 814 00:45:45,880 --> 00:45:48,200 Speaker 1: It just everything she did was perfect. She would give tour. 815 00:45:48,320 --> 00:45:49,960 Speaker 1: I feel like she gave a tour of her neighborhood 816 00:45:49,960 --> 00:45:53,200 Speaker 1: at one point that was just a huh. I mean, 817 00:45:53,840 --> 00:45:57,400 Speaker 1: I feel like there is something about Letterman like would 818 00:45:57,440 --> 00:46:01,920 Speaker 1: work today despite all of like the culture being pulled 819 00:46:01,920 --> 00:46:04,160 Speaker 1: in a million different directions. But like he was he 820 00:46:04,320 --> 00:46:06,399 Speaker 1: was the person who was able to pull off being 821 00:46:06,440 --> 00:46:08,960 Speaker 1: an asshole in the way that like you could say 822 00:46:08,960 --> 00:46:12,040 Speaker 1: that like Larry David does now, but like for like 823 00:46:12,200 --> 00:46:16,319 Speaker 1: his person as a late night host was so so right, 824 00:46:16,560 --> 00:46:19,040 Speaker 1: even though he was like a jerk and like and 825 00:46:19,280 --> 00:46:24,200 Speaker 1: has like shitty opinions of course, but like you like 826 00:46:24,480 --> 00:46:26,600 Speaker 1: you could tell that, like it's like the only person 827 00:46:26,680 --> 00:46:28,839 Speaker 1: like Tina Fey would like love to go on and 828 00:46:28,880 --> 00:46:32,960 Speaker 1: like like she like prepare stuff for him, um, and 829 00:46:32,960 --> 00:46:36,359 Speaker 1: then like the Paris Hilton interview. I unfortunately think that 830 00:46:36,400 --> 00:46:39,600 Speaker 1: it is still like it's it's humiliating for her obviously, 831 00:46:39,600 --> 00:46:41,799 Speaker 1: and it's like not, yeah, but why did she go 832 00:46:41,880 --> 00:46:44,600 Speaker 1: on that? It's like you know what I mean, Like 833 00:46:44,640 --> 00:46:48,200 Speaker 1: I understand it's painful for her now, but it's like ultimately, 834 00:46:48,360 --> 00:46:50,600 Speaker 1: like who, why would you book her on that show? 835 00:46:51,280 --> 00:46:54,120 Speaker 1: It's gonna be nice. I just I just that that 836 00:46:54,280 --> 00:46:56,440 Speaker 1: is like people can come for me. I think that 837 00:46:56,560 --> 00:46:59,759 Speaker 1: is one of the funniest moments in late night TV 838 00:47:00,480 --> 00:47:05,279 Speaker 1: at the time. Paris was like courting negative attention and 839 00:47:05,400 --> 00:47:07,520 Speaker 1: sort of like loving it and like I don't know, 840 00:47:07,640 --> 00:47:10,480 Speaker 1: like doing pretty despicable things. Not that that like calls 841 00:47:10,520 --> 00:47:12,600 Speaker 1: for her humiliation on like a late night show, but 842 00:47:12,680 --> 00:47:15,759 Speaker 1: like I just feel like this is not like she's 843 00:47:15,800 --> 00:47:20,600 Speaker 1: not completely a victim in this scenario unfortunately, and I 844 00:47:20,600 --> 00:47:23,040 Speaker 1: feel like Dave was just kind of having fun with her, 845 00:47:23,160 --> 00:47:25,200 Speaker 1: Like can I just say this is so I'm sorry 846 00:47:25,200 --> 00:47:27,760 Speaker 1: to make this about me, but like when when An Andrews' 847 00:47:27,800 --> 00:47:30,319 Speaker 1: and I were writing The Iceberg we Can Update, we 848 00:47:30,320 --> 00:47:32,680 Speaker 1: were just we were basing it off of that interview. 849 00:47:34,040 --> 00:47:36,799 Speaker 1: Someone someone who is uncomfortable does not want to talk 850 00:47:36,840 --> 00:47:39,360 Speaker 1: about something and it's trying to deflect its being like 851 00:47:39,400 --> 00:47:41,759 Speaker 1: I'm actually here to talk about something else. Like that 852 00:47:41,840 --> 00:47:43,319 Speaker 1: was what we based it on. Like we were like, 853 00:47:43,480 --> 00:47:46,040 Speaker 1: we have to study this, we have to really study this, 854 00:47:46,440 --> 00:47:48,200 Speaker 1: and like this is how we're going to write it. 855 00:47:48,600 --> 00:47:51,239 Speaker 1: And I and I watched that back last year and 856 00:47:51,239 --> 00:47:54,680 Speaker 1: I was like, this is, of course uncomfortable, but like 857 00:47:55,160 --> 00:47:56,919 Speaker 1: I don't know, Like when the guy cheers like love 858 00:47:56,960 --> 00:47:59,000 Speaker 1: you Parish, she goes love you too, and then Letterman, 859 00:47:59,040 --> 00:48:01,400 Speaker 1: without missing a bi goes someone you met in prison 860 00:48:01,520 --> 00:48:08,279 Speaker 1: and the audience just erupts. Also like no one noticed that, 861 00:48:08,320 --> 00:48:11,880 Speaker 1: Like no late night host is doing. Mean, you know, 862 00:48:11,920 --> 00:48:14,479 Speaker 1: they're all the nicest guys in the world. Like it's 863 00:48:14,520 --> 00:48:18,279 Speaker 1: so it is so race to the finished kindness that 864 00:48:18,440 --> 00:48:21,919 Speaker 1: you kind of miss that edge because it's and it's 865 00:48:21,960 --> 00:48:25,000 Speaker 1: almost like I wonder if there's something where they feel 866 00:48:25,040 --> 00:48:26,600 Speaker 1: like they can't do it because they don't feel like 867 00:48:26,640 --> 00:48:29,799 Speaker 1: they can touch him, you know, But then what are 868 00:48:29,840 --> 00:48:34,440 Speaker 1: we watching? I mean, Cordon, what are we talking about? 869 00:48:35,280 --> 00:48:37,640 Speaker 1: The nice And also Paris was not the first person 870 00:48:37,719 --> 00:48:40,480 Speaker 1: that Letterman was mean to, Like if she was his 871 00:48:40,600 --> 00:48:43,920 Speaker 1: first target, it'd be like I don't know, no, but 872 00:48:44,000 --> 00:48:46,279 Speaker 1: like I feel like Kimmel. Kimmel does a great job. 873 00:48:46,800 --> 00:48:49,680 Speaker 1: I think so too, as real. I feel like he 874 00:48:49,880 --> 00:48:52,440 Speaker 1: does everything you can to make it a real interview 875 00:48:52,560 --> 00:48:56,080 Speaker 1: and between two human beings rather than playing a game 876 00:48:56,200 --> 00:48:59,400 Speaker 1: or whatever we're doing on these other things exactly. And 877 00:48:59,400 --> 00:49:01,759 Speaker 1: I'm sure I feel like people who work there like 878 00:49:02,000 --> 00:49:05,000 Speaker 1: come out like, I don't know, really enjoying that experience. 879 00:49:06,080 --> 00:49:09,480 Speaker 1: I worked there, and yeah, yeah, he's the night He 880 00:49:09,719 --> 00:49:14,240 Speaker 1: is an actually nice person. So he's just a real 881 00:49:14,440 --> 00:49:18,279 Speaker 1: person on television rather than the reverse of what I 882 00:49:18,280 --> 00:49:22,200 Speaker 1: think is happening on other shows. All right, so this 883 00:49:22,280 --> 00:49:25,040 Speaker 1: is this is the Mario voice cast, and let's see 884 00:49:25,080 --> 00:49:27,000 Speaker 1: if you agree with me that this is wrong, not 885 00:49:27,200 --> 00:49:29,040 Speaker 1: that these people shouldn't be in the movie, just that 886 00:49:29,080 --> 00:49:32,120 Speaker 1: it should be switched around. Chris Pratt is playing Mario. 887 00:49:32,520 --> 00:49:34,400 Speaker 1: I have a problem with this based on based on 888 00:49:34,560 --> 00:49:38,520 Speaker 1: voice casting only, and yet is Peach sure, Charlie Day 889 00:49:38,640 --> 00:49:42,879 Speaker 1: is Luigi, Seth Rogan is Donkey Kong Keegan, Michael Key 890 00:49:43,080 --> 00:49:47,000 Speaker 1: is Told, and Jack Black is Bowser. Correct me if 891 00:49:47,080 --> 00:49:50,920 Speaker 1: I'm wrong. Seth Rogan should be Bowser. He's got the 892 00:49:51,000 --> 00:49:54,880 Speaker 1: gravelly voice like and also Bowser's number one thing is 893 00:49:54,920 --> 00:49:59,080 Speaker 1: that he's a comedic genius. I feel like, like not 894 00:49:59,120 --> 00:50:01,480 Speaker 1: that Jack Black isn't literally hilarious, but I feel like 895 00:50:01,560 --> 00:50:06,640 Speaker 1: Jack Black is giving me more honestly Donkey Kong. I 896 00:50:06,680 --> 00:50:10,440 Speaker 1: feel like Charlie Day Brogan should be Charlie Day should 897 00:50:10,480 --> 00:50:16,040 Speaker 1: be Mario. I was gonna say, yeah, that works, Kegan 898 00:50:16,080 --> 00:50:19,560 Speaker 1: should be Luigi. I think they gotta bring it someone 899 00:50:19,640 --> 00:50:21,719 Speaker 1: new for Toad. I don't know who that kicks off. 900 00:50:21,920 --> 00:50:24,319 Speaker 1: I'd say, you know what, maybe Chris Pratt would be 901 00:50:24,320 --> 00:50:26,840 Speaker 1: a funny Toad, but I don't get Keegan Michael Keef 902 00:50:26,840 --> 00:50:29,160 Speaker 1: for Toad, Like, what's the take? Now? You need a 903 00:50:29,280 --> 00:50:33,759 Speaker 1: bri not that Kegan doesn't have an Charlie Dave should 904 00:50:33,760 --> 00:50:37,719 Speaker 1: be told, Charlie Day should be told. Oh, interesting choice. Okay, 905 00:50:37,719 --> 00:50:42,399 Speaker 1: you're saying Chris should be Bowser, Chris Donkey Kong. Jack 906 00:50:42,440 --> 00:50:46,720 Speaker 1: Black should be Mario, Keegan should be Luigi, Seth should 907 00:50:46,760 --> 00:50:51,759 Speaker 1: be Bowser, and Charlie Day should be I don't know what. No, 908 00:50:51,840 --> 00:50:55,120 Speaker 1: Charlie Day should be told, that's it period. Charlie Dave 909 00:50:55,200 --> 00:50:58,600 Speaker 1: is Toad makes sense to me, perfect sense. None of 910 00:50:58,600 --> 00:51:01,080 Speaker 1: these characters should have voices. At should be a silent film. 911 00:51:01,920 --> 00:51:04,720 Speaker 1: It should be you know she on the sheep, the artist, 912 00:51:05,360 --> 00:51:10,799 Speaker 1: the artist. Yes, I mean it should be. It's going 913 00:51:10,880 --> 00:51:12,600 Speaker 1: to be really unsettling to hear them say more than 914 00:51:12,719 --> 00:51:15,919 Speaker 1: four words. I mean, like to me. The longest Peach 915 00:51:15,960 --> 00:51:17,840 Speaker 1: has ever spoken aloud in real life is at the 916 00:51:17,840 --> 00:51:20,160 Speaker 1: beginning of Mario sixty four when she's like, please come 917 00:51:20,160 --> 00:51:22,120 Speaker 1: to my castle for a cup of tea or whatever. 918 00:51:22,560 --> 00:51:28,560 Speaker 1: She mostly says oh. She mostly says oh. She says 919 00:51:28,719 --> 00:51:31,080 Speaker 1: a variety of things throughout Mario Kart. She wrote that 920 00:51:31,080 --> 00:51:34,200 Speaker 1: beautiful letter at the beginning of Mario sixty four, and 921 00:51:34,239 --> 00:51:40,080 Speaker 1: then she's screaming, and she's screaming when she goes into 922 00:51:40,080 --> 00:51:44,239 Speaker 1: the water and Toad, I usually I'm Toad, and so 923 00:51:44,320 --> 00:51:46,319 Speaker 1: you get a lot of wow, and you get a 924 00:51:46,320 --> 00:51:49,120 Speaker 1: lot of like a lot of that ship, which I 925 00:51:49,320 --> 00:51:51,000 Speaker 1: kind of love. And I just feel like that is 926 00:51:51,080 --> 00:51:55,960 Speaker 1: Charlie's day energy and the and the Toad scream, the 927 00:51:56,040 --> 00:51:58,919 Speaker 1: Toad effort or whatever. That people don't talk about enough 928 00:51:59,040 --> 00:52:05,560 Speaker 1: is how about amazing? Amazing? So dropped in some of 929 00:52:05,640 --> 00:52:18,680 Speaker 1: the best sounds. Did you ever play Super Mario Galaxy? 930 00:52:18,760 --> 00:52:22,480 Speaker 1: Did this? If there's a new Mario game, I'll play it. 931 00:52:23,239 --> 00:52:25,319 Speaker 1: You play honestly, I feel like I should revisit because 932 00:52:25,360 --> 00:52:27,919 Speaker 1: people like really wrote that off pretty quickly. It's pretty good. 933 00:52:28,200 --> 00:52:30,040 Speaker 1: It's good. I just I just could have played it 934 00:52:30,160 --> 00:52:32,080 Speaker 1: and I finished it in like two days, and so 935 00:52:32,280 --> 00:52:34,839 Speaker 1: like I have no memory of it. But I feel 936 00:52:34,840 --> 00:52:36,200 Speaker 1: like if I were to start again or try to 937 00:52:36,200 --> 00:52:38,120 Speaker 1: get all the moons, I think I would like really 938 00:52:38,200 --> 00:52:41,800 Speaker 1: enjoy it. It's delightful. There's the you know, the nightclub singer. 939 00:52:41,960 --> 00:52:46,360 Speaker 1: I mean, there's just Bizar paul right, paul she's the 940 00:52:46,400 --> 00:52:50,920 Speaker 1: mayor and the nightclub singer, Matt. You would die for Pauline. 941 00:52:52,120 --> 00:52:54,360 Speaker 1: She's she's in a red dress. She's the mayor of 942 00:52:54,440 --> 00:52:58,200 Speaker 1: New Donk City, New Donk City, don And there's this 943 00:52:58,280 --> 00:53:01,680 Speaker 1: whole segment once you beat that world where she sings 944 00:53:01,760 --> 00:53:05,839 Speaker 1: this beautiful jazz song. As you like, as you as 945 00:53:05,880 --> 00:53:08,360 Speaker 1: Mario like jump around Sky's papers, you turn into a 946 00:53:08,360 --> 00:53:10,680 Speaker 1: two D version of yourself eight that version of Mario 947 00:53:10,800 --> 00:53:13,960 Speaker 1: taking coins. Well, this gorgeous the most beautiful song you've 948 00:53:13,960 --> 00:53:16,520 Speaker 1: ever heard in the world plays and there's fireworks. It's 949 00:53:17,080 --> 00:53:19,359 Speaker 1: in the night sky, one of the most beautiful. I 950 00:53:19,400 --> 00:53:22,760 Speaker 1: genuinely believe, like a lovely moment in video games, truely 951 00:53:22,800 --> 00:53:26,120 Speaker 1: it feels like like a monument. Yes, I want to 952 00:53:26,200 --> 00:53:28,319 Speaker 1: drive into New York. I want to drive into New 953 00:53:28,360 --> 00:53:34,640 Speaker 1: York City with that song just blaring. Yes. Yes, I 954 00:53:34,680 --> 00:53:37,680 Speaker 1: always play like it's I'm so fucking stupid and basic. 955 00:53:37,719 --> 00:53:39,160 Speaker 1: But it's like a college thing that we used to 956 00:53:39,200 --> 00:53:40,560 Speaker 1: do when we would drive back in the city. We 957 00:53:40,680 --> 00:53:42,799 Speaker 1: play the boys are back in town. It's very eight, 958 00:53:42,840 --> 00:53:45,560 Speaker 1: like you're you're nineteen years old, but like, I'm going 959 00:53:45,600 --> 00:53:48,040 Speaker 1: to try that next time. Another good choice when you're 960 00:53:48,080 --> 00:53:52,319 Speaker 1: returning home is uh, MAXI nightingales, right back where we 961 00:53:52,320 --> 00:53:55,479 Speaker 1: started from. Oh, perfect end of a road trip song. 962 00:53:55,719 --> 00:53:59,919 Speaker 1: Perfect song, perfect song. I have something to ask you. 963 00:53:59,840 --> 00:54:02,040 Speaker 1: You might have already talked about this on Homophilia with 964 00:54:02,080 --> 00:54:08,080 Speaker 1: Matt mcconky and Dave Holmes. Bites, Um your Weezer connection. 965 00:54:08,120 --> 00:54:10,120 Speaker 1: I feel like we can both relate to on a 966 00:54:10,200 --> 00:54:14,160 Speaker 1: deep level, right Matt, Yeah? Are you both Weezer people? Yeah? So, 967 00:54:14,360 --> 00:54:17,239 Speaker 1: I I'm sort of lame because I I came to 968 00:54:17,360 --> 00:54:21,680 Speaker 1: them late when they when they went pop, so like, um, 969 00:54:21,680 --> 00:54:27,160 Speaker 1: your daddy, I was like, who's this part of the problem? 970 00:54:27,400 --> 00:54:29,920 Speaker 1: I know a big time but that's sort of Micross 971 00:54:29,920 --> 00:54:31,800 Speaker 1: the bad I'm your daddy. Was that the Red album 972 00:54:31,880 --> 00:54:34,640 Speaker 1: or is that gratitude? I feel like that's gratitude. That's 973 00:54:34,640 --> 00:54:36,840 Speaker 1: where I get blurry. Yeah, that's where a lot of 974 00:54:36,840 --> 00:54:39,320 Speaker 1: people get blurry. But I feel like you were I 975 00:54:39,360 --> 00:54:41,600 Speaker 1: think you were saying that, like Weezer was your first 976 00:54:41,760 --> 00:54:48,160 Speaker 1: sort of like latch key out of this like cultural desolation. 977 00:54:48,440 --> 00:54:53,080 Speaker 1: That was I got the Blue album at Walmart. I 978 00:54:53,080 --> 00:54:56,200 Speaker 1: think eighth or ninth grade would put it on repeat 979 00:54:56,200 --> 00:54:59,040 Speaker 1: while I played I hate to return to video games. 980 00:54:59,080 --> 00:55:03,400 Speaker 1: But Wave Race before four hours? Oh my god. Uh 981 00:55:03,440 --> 00:55:06,160 Speaker 1: and that was the first like that. Yeah, led to 982 00:55:06,239 --> 00:55:11,440 Speaker 1: other music and then too unfortunately Pitchfork and all this nonsense. 983 00:55:11,520 --> 00:55:13,720 Speaker 1: We've all been there. What what can I say? Rivers 984 00:55:13,760 --> 00:55:18,960 Speaker 1: Cuomo defined how men who read dress basically maybe for 985 00:55:19,000 --> 00:55:22,200 Speaker 1: the rest of time. Yeah, he was definitive. He is. 986 00:55:22,440 --> 00:55:25,839 Speaker 1: He is an aesthetic icon, that's for sure. Yeah, and 987 00:55:26,680 --> 00:55:29,960 Speaker 1: I'm hooked. I'm trapped unfortunately, and whatever their cycle is, 988 00:55:30,520 --> 00:55:33,960 Speaker 1: do you find him attractive? No? Got it? I will 989 00:55:34,000 --> 00:55:38,440 Speaker 1: say before Andrew Cuomo, before the Cuomo sexual For Andrew Cuomo, 990 00:55:38,800 --> 00:55:41,160 Speaker 1: there were there were gay Weezer fans who identified as 991 00:55:41,200 --> 00:55:49,360 Speaker 1: Cuomo sexuals. Rough from that right, yep. So rough, but 992 00:55:49,400 --> 00:55:53,080 Speaker 1: I've never found Rivers attractive. Really, I feel like that's 993 00:55:53,120 --> 00:55:57,359 Speaker 1: part of like, that's part of the the appeal for 994 00:55:57,400 --> 00:56:00,400 Speaker 1: some people, and they're like, oh, this like guy who reads, 995 00:56:01,120 --> 00:56:04,480 Speaker 1: that's perfect. He's very cute. He's like cute in the 996 00:56:04,480 --> 00:56:13,400 Speaker 1: way like uh, Sanrio characters cute. He's Butts Marou, He's Carabie, 997 00:56:13,440 --> 00:56:20,279 Speaker 1: He's the frog. That's adorable. Honestly, I would like to 998 00:56:20,280 --> 00:56:24,000 Speaker 1: see Rivers in in the Mario movie. I think Rivers 999 00:56:24,040 --> 00:56:28,760 Speaker 1: would be an interesting toad. To be honest, he's gonna 1000 00:56:28,920 --> 00:56:31,560 Speaker 1: I guarantee he's gonna end up in the movie. I 1001 00:56:31,600 --> 00:56:34,279 Speaker 1: think that would be good. But this is interesting. Let's 1002 00:56:34,280 --> 00:56:37,960 Speaker 1: talk about this Rivers Cuomo is cute that I think 1003 00:56:38,000 --> 00:56:41,920 Speaker 1: like is Unfortunately what everything else is built around this 1004 00:56:42,000 --> 00:56:46,600 Speaker 1: idea that like he is this Peter pan Um, what's 1005 00:56:46,640 --> 00:56:48,719 Speaker 1: that movie that Robin Williams is in when he doesn't 1006 00:56:48,719 --> 00:56:53,160 Speaker 1: grow up? Hook, Hook Baby? What we're talking about? No, No, 1007 00:56:53,239 --> 00:56:54,480 Speaker 1: it's not that he never grows up. Is that he 1008 00:56:54,520 --> 00:56:59,200 Speaker 1: grows so fast fast jack. That's right, that's right, grows 1009 00:56:59,280 --> 00:57:04,680 Speaker 1: up in doubly fast. And is that a Coppola movie? Um? Yes, 1010 00:57:04,800 --> 00:57:07,080 Speaker 1: I think I think it is. And I think it's 1011 00:57:07,080 --> 00:57:10,080 Speaker 1: one of Jlo's first role. She plays the teacher. What 1012 00:57:10,440 --> 00:57:14,680 Speaker 1: oh God? And Diane Lane, isn't it And of course Diane. 1013 00:57:14,760 --> 00:57:18,160 Speaker 1: We can't forget about Diane anyway. This is you please. 1014 00:57:18,200 --> 00:57:21,000 Speaker 1: While you're doing that, River, I think he's like really 1015 00:57:21,080 --> 00:57:23,200 Speaker 1: leaned in a little too hard to the point of 1016 00:57:23,200 --> 00:57:25,680 Speaker 1: no return, where he's like, I will I might be 1017 00:57:26,320 --> 00:57:30,120 Speaker 1: in my mid forties, but I will not ever leave 1018 00:57:30,200 --> 00:57:32,640 Speaker 1: the state of mind of being like a twenty two 1019 00:57:32,720 --> 00:57:35,280 Speaker 1: year old. I have been thinking about this recently, and 1020 00:57:35,320 --> 00:57:40,640 Speaker 1: I think female songwriter's age so much better than male songwriters. Absolutely, 1021 00:57:41,120 --> 00:57:45,000 Speaker 1: like the wisdom actually continues to come out in the songs. 1022 00:57:45,000 --> 00:57:47,480 Speaker 1: Male songwriters become famous when they're twenty three and then 1023 00:57:47,520 --> 00:57:50,240 Speaker 1: state twenty three until they die, with the rare few 1024 00:57:50,320 --> 00:57:55,840 Speaker 1: rare exceptions. You're so right, absolutely like yeah, yeah, yeah, 1025 00:57:55,840 --> 00:58:00,320 Speaker 1: that's that's here. What's your relationship with Taylor Wait, Taylor? 1026 00:58:01,720 --> 00:58:05,800 Speaker 1: Oh god, I'm so embarrassed right now. Taylor Swift. I 1027 00:58:05,920 --> 00:58:09,520 Speaker 1: like to call her Taylor, I Taylor. I appreciate Taylor 1028 00:58:09,600 --> 00:58:12,440 Speaker 1: Swift like I appreciate like an Apple store, where it's 1029 00:58:12,440 --> 00:58:15,520 Speaker 1: like it's pristine, every detail has been poured, the money 1030 00:58:15,520 --> 00:58:18,200 Speaker 1: has been poured into make this perfect for everyone. No 1031 00:58:18,240 --> 00:58:21,280 Speaker 1: one will be uncomfortable with this, sure, but it makes 1032 00:58:21,280 --> 00:58:23,760 Speaker 1: it difficult for me to access on an emotional level. 1033 00:58:24,920 --> 00:58:28,320 Speaker 1: I would say that she's she sort of supports your 1034 00:58:28,400 --> 00:58:30,920 Speaker 1: argument here where it's like even someone like Taylor Swift 1035 00:58:30,920 --> 00:58:34,000 Speaker 1: who got so famous at a young age, can still 1036 00:58:34,760 --> 00:58:38,360 Speaker 1: develop in a healthy way as an artist, whereas now 1037 00:58:38,360 --> 00:58:42,280 Speaker 1: she's writing songs in this very mature way. Like I 1038 00:58:42,320 --> 00:58:45,480 Speaker 1: just feel like that never happened, almost never happens with 1039 00:58:45,560 --> 00:58:50,360 Speaker 1: male artists, like like down to like you know, I 1040 00:58:50,400 --> 00:58:52,040 Speaker 1: don't know, like maybe like the one person I can 1041 00:58:52,080 --> 00:58:53,920 Speaker 1: think of weirdly off the top of my head is 1042 00:58:53,920 --> 00:58:55,960 Speaker 1: like Robert Plant. It's like, oh, you made like a 1043 00:58:56,080 --> 00:58:59,000 Speaker 1: fun like you made a fun album with Alison Krause, 1044 00:58:59,040 --> 00:59:02,040 Speaker 1: Like good for you. That is true, It's like you 1045 00:59:02,040 --> 00:59:03,880 Speaker 1: you kind of you kind of get the feeling that 1046 00:59:03,920 --> 00:59:06,919 Speaker 1: maybe John Mayer was best when he first came out, 1047 00:59:07,560 --> 00:59:11,560 Speaker 1: you know what I mean. This is a really interesting theory, Bridger. 1048 00:59:11,640 --> 00:59:14,480 Speaker 1: I think I could be wrong. No, I don't think 1049 00:59:14,520 --> 00:59:17,880 Speaker 1: you are frequently constantly wrong. But I don't know the 1050 00:59:17,880 --> 00:59:21,040 Speaker 1: evidence is there. You have not shown any evidence so 1051 00:59:21,120 --> 00:59:23,640 Speaker 1: far in this podcast that you've ever been wrong, because 1052 00:59:23,680 --> 00:59:25,760 Speaker 1: we only know you on this podcast so far, and 1053 00:59:25,760 --> 00:59:28,920 Speaker 1: you've got to be wrong. So your your allegation that 1054 00:59:29,000 --> 00:59:30,680 Speaker 1: you've been wrong in the past is one that I 1055 00:59:30,680 --> 00:59:33,840 Speaker 1: can't I certainly don't recognize you in the last twenty minutes. 1056 00:59:33,840 --> 00:59:37,600 Speaker 1: I'm just going to shotgun blast of misinformation, just spreading. 1057 00:59:37,920 --> 00:59:40,600 Speaker 1: You know, do you want to say, do you want 1058 00:59:40,640 --> 00:59:43,680 Speaker 1: to start what? What? What? What propaganda? Do you want 1059 00:59:43,680 --> 00:59:47,240 Speaker 1: to say? I have no propaganda. I actually feel like 1060 00:59:47,360 --> 00:59:50,600 Speaker 1: even joking about propaganda this point plants the seeds and 1061 00:59:51,120 --> 00:59:54,280 Speaker 1: stupid people's heads and they're like, well it was said aloud, 1062 00:59:54,400 --> 01:00:00,120 Speaker 1: Maybe I'll look into this. I feel like the Internet, know, 1063 01:00:00,320 --> 01:00:03,400 Speaker 1: like how you plan a plant will only grow as 1064 01:00:03,480 --> 01:00:07,000 Speaker 1: big as the pot. I feel like your brain can 1065 01:00:07,040 --> 01:00:10,720 Speaker 1: be the Internet is this bottomless pot for stupidity, Like 1066 01:00:11,080 --> 01:00:13,480 Speaker 1: your stupidity has no limits with the Internet, you can 1067 01:00:13,520 --> 01:00:17,080 Speaker 1: be as dumb as you want. M M. I feel 1068 01:00:17,120 --> 01:00:19,080 Speaker 1: like the Internet is the plant, and it can only 1069 01:00:20,120 --> 01:00:22,800 Speaker 1: extend as far as our brains go. You know, like 1070 01:00:23,040 --> 01:00:25,640 Speaker 1: there is where we're hitting. We've hit the ceiling years ago. 1071 01:00:26,720 --> 01:00:30,840 Speaker 1: That's where the metaverse comes in. I don't understand how well. 1072 01:00:31,000 --> 01:00:33,720 Speaker 1: In fact, I literally I literally saw I think it 1073 01:00:33,800 --> 01:00:35,640 Speaker 1: was like I saw like a screenshot of a of 1074 01:00:35,680 --> 01:00:39,560 Speaker 1: an article about what Meta was, and I literally was like, 1075 01:00:40,120 --> 01:00:42,160 Speaker 1: I'm not not No, only am I not reading this, 1076 01:00:42,480 --> 01:00:46,840 Speaker 1: I'm never finding out what this is. I am not engaging. 1077 01:00:48,480 --> 01:00:50,760 Speaker 1: No no, no, no, no no, I am not engaging 1078 01:00:50,760 --> 01:00:52,520 Speaker 1: with Meta or Zacher. But why do you say you 1079 01:00:52,560 --> 01:00:53,720 Speaker 1: will you will? You will? Is it going to be 1080 01:00:53,880 --> 01:00:58,680 Speaker 1: come undeniable? Because it's yes, I'm saying, sadly not at me, 1081 01:00:58,800 --> 01:01:02,320 Speaker 1: both of you, sadly out at me. It's going to happen. 1082 01:01:02,760 --> 01:01:06,400 Speaker 1: It's gonna happen. Matt. You can't you can't put you alone, 1083 01:01:06,560 --> 01:01:11,560 Speaker 1: cannot beat back this tide. And it's unfortunate. It's so sad. 1084 01:01:11,800 --> 01:01:14,320 Speaker 1: When I saw him standing with a little cartoon of 1085 01:01:14,400 --> 01:01:16,960 Speaker 1: himself and he had that stupid smile on his face 1086 01:01:16,960 --> 01:01:19,560 Speaker 1: and unfortunately he's got like a fat ass, I was like, 1087 01:01:19,640 --> 01:01:21,600 Speaker 1: get the hell out of here. It's one of the 1088 01:01:21,680 --> 01:01:25,480 Speaker 1: rules of culture. It's really culture number thirties five. Unfortunately 1089 01:01:28,240 --> 01:01:30,320 Speaker 1: he's had a dunk on him. And let me tell 1090 01:01:30,360 --> 01:01:33,720 Speaker 1: you something. No, I don't like it at all. No, no, no, no, 1091 01:01:34,120 --> 01:01:36,640 Speaker 1: you don't want a fat ass on Mark Zucker he's 1092 01:01:36,640 --> 01:01:38,760 Speaker 1: got a fat ass, though, And I remember he turned 1093 01:01:38,800 --> 01:01:41,200 Speaker 1: around looked at himself as a cartoon, and I said, unfortunately, 1094 01:01:41,200 --> 01:01:42,760 Speaker 1: he's got a fat ass, and I looked at it. 1095 01:01:43,280 --> 01:01:47,840 Speaker 1: I'm not saying I was aroused. I'm saying I looked down. Okay, Okay, Matt. 1096 01:01:47,920 --> 01:01:50,840 Speaker 1: You can't deny that you will know about Meta at 1097 01:01:50,920 --> 01:01:54,720 Speaker 1: some point, very very sort of thoroughly. And Bridger can't 1098 01:01:54,720 --> 01:02:00,360 Speaker 1: deny that Zuckerberg has a fat as I I won't 1099 01:02:00,360 --> 01:02:03,919 Speaker 1: deny it, but I guarantee it's hideous. Yeah, yeah, yeah, 1100 01:02:03,960 --> 01:02:09,040 Speaker 1: you know it's like milk white and like pocked, like 1101 01:02:09,040 --> 01:02:11,520 Speaker 1: one of those deep sea fish, you know that's like 1102 01:02:12,080 --> 01:02:14,400 Speaker 1: so far into the darkness that it begins to glow 1103 01:02:14,560 --> 01:02:17,800 Speaker 1: and like pulse sate. It's the outer darkness, Mark Dr 1104 01:02:17,920 --> 01:02:20,960 Speaker 1: Brooks is the outer darkness, and in the most white 1105 01:02:20,960 --> 01:02:26,840 Speaker 1: way possible. There's no natural selection for beauty or esthetics 1106 01:02:26,880 --> 01:02:30,360 Speaker 1: because there's no light that shines on it gets all 1107 01:02:30,440 --> 01:02:32,760 Speaker 1: the time to like not to like, well, actually has 1108 01:02:32,800 --> 01:02:35,200 Speaker 1: to absolutely shame because he's literally ruining the world. But 1109 01:02:35,240 --> 01:02:37,320 Speaker 1: I feel like every time I see him, it's more Voldemort, 1110 01:02:37,440 --> 01:02:42,000 Speaker 1: you know what I mean. He is like not aging, 1111 01:02:42,080 --> 01:02:43,880 Speaker 1: but not in like a good way, when you're like 1112 01:02:44,280 --> 01:02:49,920 Speaker 1: there's just something he's it's a stasis rather than that's it, 1113 01:02:49,920 --> 01:02:55,000 Speaker 1: it's it's, it's, it's it's being Yeah, just sort of 1114 01:02:55,040 --> 01:03:00,240 Speaker 1: like decurred. I don't know, I don't know. Oh, favorite 1115 01:03:00,240 --> 01:03:05,720 Speaker 1: Weezer album before we move on those first two I think, 1116 01:03:07,040 --> 01:03:10,080 Speaker 1: I you know, the song Tired of Sex is still 1117 01:03:10,600 --> 01:03:13,439 Speaker 1: that and Get You are two of my favorite songs ever. 1118 01:03:13,600 --> 01:03:17,480 Speaker 1: At least they're so dirty sounding you were singing about 1119 01:03:17,520 --> 01:03:22,640 Speaker 1: being tired of having sex. The vocals on Tired of 1120 01:03:22,640 --> 01:03:26,720 Speaker 1: Sex are so sassy and weird for like a straight band. 1121 01:03:26,840 --> 01:03:29,880 Speaker 1: I don't know, there's something very I don't know. And 1122 01:03:29,960 --> 01:03:35,560 Speaker 1: the B sides, the B side perfect music, I mean, god, 1123 01:03:36,000 --> 01:03:38,520 Speaker 1: it's just there there. Now you just gotta really dig 1124 01:03:38,560 --> 01:03:40,360 Speaker 1: for the gems. Like I think there's some great songs 1125 01:03:40,440 --> 01:03:42,600 Speaker 1: on Everything's going to Be all Right in the end, 1126 01:03:43,320 --> 01:03:46,360 Speaker 1: decent album. It feels like they're turning things around and 1127 01:03:46,440 --> 01:03:50,760 Speaker 1: then and then now and then now. I feel like 1128 01:03:50,920 --> 01:03:54,600 Speaker 1: those first two albums are like next level any for 1129 01:03:54,640 --> 01:03:57,360 Speaker 1: any type of music, any type of music you put 1130 01:03:57,360 --> 01:04:00,120 Speaker 1: it on today, it still works. Like it's great that 1131 01:04:00,200 --> 01:04:03,280 Speaker 1: they're very loud, they're very noisy and dirty sounding, and 1132 01:04:03,280 --> 01:04:06,040 Speaker 1: then we're after that, I think occasionally is a good 1133 01:04:06,040 --> 01:04:08,960 Speaker 1: power pop band. Well you were, you were? You were 1134 01:04:08,960 --> 01:04:11,640 Speaker 1: in the Beverly Hills music video. Oh my god, and 1135 01:04:11,640 --> 01:04:15,040 Speaker 1: I'm sorry I was. I was. My sister and I 1136 01:04:15,120 --> 01:04:18,880 Speaker 1: were in it. And the Playboy Mansion. All I remember 1137 01:04:18,920 --> 01:04:21,360 Speaker 1: is that it felt very poorly taken care of. The 1138 01:04:21,400 --> 01:04:26,680 Speaker 1: grass looked terrible. There was bird ship everywhere it was. 1139 01:04:26,720 --> 01:04:28,680 Speaker 1: It was shot the Playboy Mansion. No, I know that, 1140 01:04:28,720 --> 01:04:31,880 Speaker 1: but I can't believe it wasn't maintained. It was. It 1141 01:04:32,160 --> 01:04:35,640 Speaker 1: felt like an old person's house, you know, someone who 1142 01:04:35,680 --> 01:04:37,640 Speaker 1: was just like didn't have the means to take care 1143 01:04:37,680 --> 01:04:42,000 Speaker 1: of it. It was very dingy. Hugh found dead, found dead. 1144 01:04:42,720 --> 01:04:44,320 Speaker 1: I could find him dead now if you want. You know, 1145 01:04:44,480 --> 01:04:47,200 Speaker 1: you know that we announced that he died on this podcast, 1146 01:04:47,320 --> 01:04:49,640 Speaker 1: and then we had to dory record because he wasn't 1147 01:04:49,680 --> 01:04:52,920 Speaker 1: dead yet. And then he died four months later. And 1148 01:04:52,920 --> 01:04:54,760 Speaker 1: then he died four months later, but we heard that 1149 01:04:54,800 --> 01:04:58,000 Speaker 1: he died, announced that he was dead, and then when 1150 01:04:58,400 --> 01:05:02,040 Speaker 1: we had to ascend, we ever spend that announcement. Wait, 1151 01:05:03,000 --> 01:05:06,160 Speaker 1: who gave you the information that he had died? Matt? 1152 01:05:06,240 --> 01:05:09,080 Speaker 1: I remember Matt finding it like looking at it on 1153 01:05:09,120 --> 01:05:11,400 Speaker 1: Twitter being like, oh my god, all these tweets are saying, 1154 01:05:11,480 --> 01:05:14,200 Speaker 1: Hugh Hefner is dead. We have to, like, we have 1155 01:05:14,240 --> 01:05:16,200 Speaker 1: to talk about it. It's culturally we have we have 1156 01:05:16,280 --> 01:05:18,320 Speaker 1: to talk about it. Respond, we have to What was 1157 01:05:18,400 --> 01:05:21,520 Speaker 1: the time spend between your recording and releasing the episode? 1158 01:05:21,680 --> 01:05:24,720 Speaker 1: I think by the end, by the time we stopped recording, 1159 01:05:24,800 --> 01:05:27,120 Speaker 1: I like looked into it for maybe two seconds and 1160 01:05:27,200 --> 01:05:30,040 Speaker 1: was like, he's not But but we had but we 1161 01:05:30,080 --> 01:05:31,680 Speaker 1: had to do. We had to go back and re 1162 01:05:31,680 --> 01:05:34,160 Speaker 1: record and be like, hey, just so you guys know, 1163 01:05:34,240 --> 01:05:36,360 Speaker 1: like we're about you're about to listen to an episode 1164 01:05:36,360 --> 01:05:39,480 Speaker 1: that talks in depth about the life and death Hugh Hefner. 1165 01:05:39,640 --> 01:05:42,240 Speaker 1: We have to say before if this is the first 1166 01:05:42,280 --> 01:05:46,640 Speaker 1: Peter Smith episode. Everyone but we we literally I think, 1167 01:05:46,680 --> 01:05:49,240 Speaker 1: did a hard fifteen minutes on his death. But on 1168 01:05:49,240 --> 01:05:51,360 Speaker 1: the top we said, hey, just kidding about the next 1169 01:05:51,440 --> 01:05:54,240 Speaker 1: twenty minutes. There was no way of cutting around it, 1170 01:05:54,320 --> 01:05:59,520 Speaker 1: so desperate, scoop desperate. I will say, last thoughts, I 1171 01:05:59,520 --> 01:06:01,400 Speaker 1: feel like we ever get to talk about Weezer on 1172 01:06:01,440 --> 01:06:04,880 Speaker 1: this podcast. Make believe that album that Beverly holdses on 1173 01:06:05,160 --> 01:06:07,360 Speaker 1: has some great songs on it as well. I think 1174 01:06:07,760 --> 01:06:13,200 Speaker 1: the production doesn't do it any favors. Sure, absolutely sounds terrible. Uh, 1175 01:06:13,400 --> 01:06:15,480 Speaker 1: some of the songs are catchy, the lyrics are horrible, 1176 01:06:15,520 --> 01:06:18,320 Speaker 1: but I mean post two thousand with Weezer, what are 1177 01:06:18,320 --> 01:06:20,919 Speaker 1: you gonna get? Post Green album, It's like it's tough 1178 01:06:21,040 --> 01:06:25,360 Speaker 1: right then Red album had some interesting things. Um and yeah, 1179 01:06:25,400 --> 01:06:28,400 Speaker 1: I'll scorch O on Pinkerton is one of my favorite 1180 01:06:28,400 --> 01:06:31,480 Speaker 1: songs of all time. It sounds fantastic. I feel like 1181 01:06:31,520 --> 01:06:34,200 Speaker 1: there was a period when Rivers Green album Maladroit was 1182 01:06:34,640 --> 01:06:37,400 Speaker 1: recording nonsense lyrics, which he got a lot of ship for. 1183 01:06:38,160 --> 01:06:40,560 Speaker 1: But I would much prefer the lyrics to be just 1184 01:06:40,680 --> 01:06:43,880 Speaker 1: absolute stream of conscient consciousness rather than like trying to 1185 01:06:44,080 --> 01:06:46,400 Speaker 1: sound like a teenager in love. I don't need a 1186 01:06:46,400 --> 01:06:48,480 Speaker 1: fifty year old man singing about being in love and 1187 01:06:48,520 --> 01:07:00,040 Speaker 1: going to the mall. You are my baby, and of 1188 01:07:00,160 --> 01:07:02,400 Speaker 1: the worst, it's one of the best. They have a 1189 01:07:02,440 --> 01:07:04,640 Speaker 1: song on that album. They have a song on Ratitude 1190 01:07:04,640 --> 01:07:11,400 Speaker 1: called the Girl Got Hot. It's so like this girl 1191 01:07:11,440 --> 01:07:14,760 Speaker 1: from high school who didn't look that good Now she's hot. 1192 01:07:14,880 --> 01:07:17,560 Speaker 1: Can you believe it? Does that make you look at 1193 01:07:17,560 --> 01:07:19,960 Speaker 1: all the work before the hand and be like, maybe 1194 01:07:19,960 --> 01:07:23,040 Speaker 1: we were wrong because they're trusting to this, or do 1195 01:07:23,040 --> 01:07:26,200 Speaker 1: you think it was ironic? I think it's just that 1196 01:07:26,240 --> 01:07:30,680 Speaker 1: person had a genuine mental break and we're watching a 1197 01:07:30,800 --> 01:07:33,920 Speaker 1: new person operating the world. So it's sort of like 1198 01:07:33,920 --> 01:07:43,280 Speaker 1: when was like fining a hordes And would you say 1199 01:07:43,280 --> 01:07:45,120 Speaker 1: that Jewel was a different person after that? That was 1200 01:07:45,160 --> 01:07:50,280 Speaker 1: the inflection point. Absolutely can't find the job. I forgot 1201 01:07:50,320 --> 01:07:58,720 Speaker 1: about pop O three oh four. It certainly wasn't foolish games. Sure, sure, 1202 01:07:59,280 --> 01:08:01,080 Speaker 1: I think it's time, Matt. I think it might be 1203 01:08:01,160 --> 01:08:03,800 Speaker 1: time before I can even start to get intil the 1204 01:08:03,840 --> 01:08:08,400 Speaker 1: list fair of it all, because that's that's that's turning 1205 01:08:08,400 --> 01:08:10,480 Speaker 1: to pop the right way, because why can't I is 1206 01:08:10,520 --> 01:08:13,600 Speaker 1: actually one of the best pop songs ever. And that 1207 01:08:13,760 --> 01:08:17,519 Speaker 1: was ironic and you could tell in a fun way, 1208 01:08:17,680 --> 01:08:19,240 Speaker 1: but in a fun way, in a in a fun 1209 01:08:19,240 --> 01:08:21,519 Speaker 1: way where she was like, I mean, I can do this. 1210 01:08:21,600 --> 01:08:23,719 Speaker 1: It wouldn't it be hilarious if I had a huge 1211 01:08:23,760 --> 01:08:26,160 Speaker 1: fucking pop hit that was in the trailer for every 1212 01:08:26,240 --> 01:08:28,680 Speaker 1: rom com like watch when I do pop better than 1213 01:08:28,720 --> 01:08:31,240 Speaker 1: any pop girl? And I was fair, I have been 1214 01:08:31,240 --> 01:08:34,360 Speaker 1: and will be. I think it's iconic I mean people 1215 01:08:34,520 --> 01:08:36,600 Speaker 1: like I remember that Pitchfork rating was that like a 1216 01:08:36,680 --> 01:08:42,240 Speaker 1: zero point now and then recently when Pitchfork released that 1217 01:08:42,280 --> 01:08:44,040 Speaker 1: like new batch of like these are are edited, these 1218 01:08:44,040 --> 01:08:47,479 Speaker 1: there are changed scores. Sure they did that for some 1219 01:08:47,560 --> 01:08:51,160 Speaker 1: ways or album I forget which, but then with that one, 1220 01:08:51,360 --> 01:08:53,559 Speaker 1: with that list Fair album, they were like we were 1221 01:08:54,000 --> 01:08:58,559 Speaker 1: we were being such smug assholes. No kidding, yeah, I know. 1222 01:08:58,720 --> 01:09:01,360 Speaker 1: It's like, I mean, they got the pylon they deserved 1223 01:09:01,600 --> 01:09:03,160 Speaker 1: when they came out with that, they were like, yeah, 1224 01:09:03,200 --> 01:09:06,040 Speaker 1: fucky and like, I'm like Charlie xc X god Bluster 1225 01:09:06,200 --> 01:09:09,120 Speaker 1: was like l ow, like no one understood room Room 1226 01:09:09,680 --> 01:09:13,120 Speaker 1: when she first started breaking with Sophie. I remember I 1227 01:09:13,160 --> 01:09:15,920 Speaker 1: remember loving loving room Room when no one else did, 1228 01:09:16,000 --> 01:09:19,120 Speaker 1: and the quarters our friend made fun of me, and 1229 01:09:19,120 --> 01:09:20,640 Speaker 1: I was like, no, this is like really cool and 1230 01:09:20,680 --> 01:09:23,000 Speaker 1: new and like innovative. And then everyone's like no, this 1231 01:09:23,120 --> 01:09:25,720 Speaker 1: sounds like noise. I'm like, you guys don't get at 1232 01:09:26,120 --> 01:09:31,360 Speaker 1: And I feel very vindicated talking about also did not 1233 01:09:31,560 --> 01:09:34,760 Speaker 1: It felt like just slightly ahead of the It didn't 1234 01:09:34,760 --> 01:09:37,519 Speaker 1: feel like music from space, you know, It's like this 1235 01:09:37,640 --> 01:09:39,559 Speaker 1: is just a new pop music. I don't know why 1236 01:09:39,640 --> 01:09:43,360 Speaker 1: that was so hard for people to understand. And Charlie 1237 01:09:43,520 --> 01:09:47,360 Speaker 1: is she's getting better. She's she is really, I mean, 1238 01:09:47,479 --> 01:09:50,160 Speaker 1: she's like I feel like her aestheticallyly, like in the 1239 01:09:51,320 --> 01:09:55,479 Speaker 1: Good One music video. I'm like, she looks absolutely stunning, 1240 01:09:55,600 --> 01:09:57,600 Speaker 1: Like she was one of those girls where when she 1241 01:09:57,680 --> 01:10:00,320 Speaker 1: first came out, I never really understood what you looked. 1242 01:10:00,360 --> 01:10:02,800 Speaker 1: I couldn't like see her when I heard her. And 1243 01:10:02,880 --> 01:10:05,800 Speaker 1: now it's like I feel like she's crystallizing, which maybe 1244 01:10:05,880 --> 01:10:08,160 Speaker 1: which maybe was honestly the point in the beginning, because 1245 01:10:08,160 --> 01:10:11,639 Speaker 1: she was sort of like, you know, computerized in a way, 1246 01:10:11,880 --> 01:10:13,840 Speaker 1: and now it's sort of like I feel like she's 1247 01:10:13,880 --> 01:10:16,960 Speaker 1: crystallizing and like becoming like real to me in a 1248 01:10:16,960 --> 01:10:19,160 Speaker 1: way where I'm like, it's really exciting because I've enjoyed 1249 01:10:19,200 --> 01:10:20,800 Speaker 1: it for so many years and now i feel like 1250 01:10:20,840 --> 01:10:23,479 Speaker 1: I'm getting like what the p o V is? Finally? 1251 01:10:23,600 --> 01:10:26,599 Speaker 1: Does that make sense? Bo, Well, you're late to the part. 1252 01:10:26,760 --> 01:10:29,120 Speaker 1: That's actually fine because at least I'm at the party. 1253 01:10:29,320 --> 01:10:30,960 Speaker 1: It's better to be at the party, you know what 1254 01:10:31,000 --> 01:10:35,160 Speaker 1: I mean? Sure, Okay, I will say the way she 1255 01:10:35,240 --> 01:10:37,400 Speaker 1: walks in the Good Ones video, it could not I 1256 01:10:37,400 --> 01:10:40,040 Speaker 1: mean that song, there's no other way to walk to 1257 01:10:40,160 --> 01:10:45,639 Speaker 1: that song other than extremely purposeful power walking, like, yes, 1258 01:10:45,960 --> 01:10:50,080 Speaker 1: it's incredible. Do you like to stomp? I like to stomp? 1259 01:10:50,360 --> 01:10:52,280 Speaker 1: I didn't know. Well what did you think? I asked? 1260 01:10:52,280 --> 01:10:54,160 Speaker 1: And what did you not hear? The question for ten 1261 01:10:54,200 --> 01:10:58,960 Speaker 1: other people in this zoom G I love to stomp. Good. 1262 01:11:00,439 --> 01:11:03,960 Speaker 1: The next time you see me, I will stomp into 1263 01:11:04,040 --> 01:11:06,840 Speaker 1: whatever room you're in. I'm a stomper and people sometimes 1264 01:11:06,840 --> 01:11:08,200 Speaker 1: see me on the street and will text me and 1265 01:11:08,240 --> 01:11:11,120 Speaker 1: be like, UM, what were you listening to? And I'm like, oh, shoot, 1266 01:11:11,200 --> 01:11:13,120 Speaker 1: I wasn't even meaning to stop, but I guess I'm 1267 01:11:13,120 --> 01:11:16,920 Speaker 1: just a stomper. I'm a stomper too. I would love 1268 01:11:16,960 --> 01:11:19,599 Speaker 1: to see you in person soon if I'm in l A. 1269 01:11:19,840 --> 01:11:22,240 Speaker 1: We should do it. We'll figure something out. I'm saving 1270 01:11:22,280 --> 01:11:24,479 Speaker 1: all this. I should save all this end chit chat 1271 01:11:24,520 --> 01:11:37,479 Speaker 1: for later. Let's do I don't think so, honey. Let's 1272 01:11:37,280 --> 01:11:39,479 Speaker 1: let's do it on what I don't think so, honey. 1273 01:11:39,560 --> 01:11:42,519 Speaker 1: There's our segment, in which we each take one minute 1274 01:11:42,520 --> 01:11:46,479 Speaker 1: to rail against something in culture. I have something right. 1275 01:11:47,000 --> 01:11:50,879 Speaker 1: You want to go No, no, why? Why break from tradition. 1276 01:11:51,080 --> 01:11:53,120 Speaker 1: We're gonna go with Matt first. Then I'll go and 1277 01:11:53,120 --> 01:11:56,840 Speaker 1: then we'll have Bridger come in. Okay, great, let's just 1278 01:11:56,960 --> 01:11:59,320 Speaker 1: get right into it. This is Matt Rodgers is I 1279 01:11:59,320 --> 01:12:02,120 Speaker 1: don't think so his time starts now. I don't think so. 1280 01:12:02,280 --> 01:12:05,760 Speaker 1: Honey sold out? Okay, so there's nothing left for me 1281 01:12:06,040 --> 01:12:08,719 Speaker 1: that sucks? I want it. A lot of the best 1282 01:12:08,760 --> 01:12:12,519 Speaker 1: things are getting getting sold out lately, so what does 1283 01:12:12,520 --> 01:12:16,519 Speaker 1: that mean? Like I can't participate? Sudie Green wanted one 1284 01:12:16,560 --> 01:12:19,760 Speaker 1: thing for her birthday. Wendy Ocefo Candle go to the website, 1285 01:12:19,840 --> 01:12:23,960 Speaker 1: sold out, s o l ship out of luck. Oftentimes 1286 01:12:23,960 --> 01:12:26,400 Speaker 1: some of the best pop stars will announce concerts you 1287 01:12:26,439 --> 01:12:30,160 Speaker 1: go to get tickets sold out. Unbelievable. That means you 1288 01:12:30,240 --> 01:12:33,240 Speaker 1: can't even go to it. There's not a seat for you. 1289 01:12:33,560 --> 01:12:38,000 Speaker 1: All the seats have been bought. It's sold out. Also, 1290 01:12:38,240 --> 01:12:41,479 Speaker 1: the expression they quote unquote sold out it has a 1291 01:12:41,520 --> 01:12:45,520 Speaker 1: negative connotation when sorry, but that means they're doing absolutely 1292 01:12:45,560 --> 01:12:48,439 Speaker 1: incredible And if something is sold doubt a lot of 1293 01:12:48,479 --> 01:12:51,479 Speaker 1: people are. They're enjoying it on so I guess they're 1294 01:12:51,479 --> 01:12:55,000 Speaker 1: doing something right. Are you sold doubt? No, there's a 1295 01:12:55,000 --> 01:12:57,599 Speaker 1: lot of you available and we can hear it. So 1296 01:12:57,680 --> 01:13:01,120 Speaker 1: what next thing? I know? I want tickets not sold out. 1297 01:13:01,120 --> 01:13:03,680 Speaker 1: I don't think so, honey. And that's one minute. You know, 1298 01:13:04,439 --> 01:13:08,240 Speaker 1: there's supply chain issues, and there's things are hard to 1299 01:13:08,240 --> 01:13:10,960 Speaker 1: buy right now. They're so hard to buy right now. 1300 01:13:11,040 --> 01:13:13,840 Speaker 1: And the thing is I just Douglas name said Matt's 1301 01:13:13,920 --> 01:13:17,000 Speaker 1: Christmas show. Yes, absolutely sold out. And I feel bad 1302 01:13:17,000 --> 01:13:19,040 Speaker 1: because now people are coming out of the woodwork being 1303 01:13:19,080 --> 01:13:20,840 Speaker 1: like can I come, and I have to be like, no, 1304 01:13:21,080 --> 01:13:23,160 Speaker 1: sold out, And I refused to add more dates because 1305 01:13:23,200 --> 01:13:26,040 Speaker 1: my total explode. You hate being on either side of it. 1306 01:13:26,600 --> 01:13:29,040 Speaker 1: I don't like the concept of it. That's why I 1307 01:13:29,080 --> 01:13:31,800 Speaker 1: said I don't think so, honey. That's why I said 1308 01:13:31,800 --> 01:13:34,680 Speaker 1: it Bowen, because I don't like the whole thing. I 1309 01:13:34,720 --> 01:13:36,880 Speaker 1: don't like that people can't enjoy. I don't like that 1310 01:13:36,960 --> 01:13:39,559 Speaker 1: I can't enjoy. I don't like that. Really, what this 1311 01:13:39,640 --> 01:13:43,559 Speaker 1: is about is it's famously birthday season. Everyone knows this. 1312 01:13:43,800 --> 01:13:46,439 Speaker 1: It was Bowen's birthday today, Happy birthday, by the way, 1313 01:13:46,880 --> 01:13:51,960 Speaker 1: thank you, Ethan. Sudy's birthday is upcoming, and so that 1314 01:13:52,000 --> 01:13:54,760 Speaker 1: means it's birthday season for me. In my culture, it's 1315 01:13:54,760 --> 01:13:57,320 Speaker 1: birthday season now because it's Bone and Sudy's birthdays. So 1316 01:13:57,400 --> 01:14:01,000 Speaker 1: I went to the Wendy Doctor Wendy os Fo Candles 1317 01:14:01,360 --> 01:14:10,240 Speaker 1: website Potoma might be my next chap. Yes, I think 1318 01:14:10,280 --> 01:14:13,040 Speaker 1: that makes it a total sense. It's very good. Um, 1319 01:14:13,040 --> 01:14:15,920 Speaker 1: but study literally said, I only want one thing, and 1320 01:14:15,960 --> 01:14:18,120 Speaker 1: it's a doctor Wendy candle, and it's sold out. And 1321 01:14:18,120 --> 01:14:20,040 Speaker 1: that just sort of got me really thinking about this 1322 01:14:20,080 --> 01:14:22,679 Speaker 1: whole thing of sold out, and I started to get 1323 01:14:22,720 --> 01:14:25,799 Speaker 1: more upset the more I thought about it. Oh, I'm sorry, 1324 01:14:26,120 --> 01:14:28,720 Speaker 1: Has there ever been a time when something was sold out, 1325 01:14:28,720 --> 01:14:32,040 Speaker 1: Bridger that you felt so upset? You two? Last night 1326 01:14:32,080 --> 01:14:34,880 Speaker 1: I went into the lost, peless Albertson's for the first 1327 01:14:34,920 --> 01:14:41,360 Speaker 1: time since early pandemic, the days where the shelves were empty. 1328 01:14:41,720 --> 01:14:44,760 Speaker 1: It was I was genuinely an emotional experience seeing things 1329 01:14:44,800 --> 01:14:47,840 Speaker 1: on the shelves. I was like, Oh, I shouldn't start 1330 01:14:47,840 --> 01:14:51,560 Speaker 1: crying right now. I moved on in Park last August, 1331 01:14:51,600 --> 01:14:54,640 Speaker 1: so I haven't been to that Albertson since it was 1332 01:14:55,600 --> 01:14:58,960 Speaker 1: so jarring to be in the Albertson's. Let's just say 1333 01:14:59,080 --> 01:15:02,360 Speaker 1: the Hollywood alberts since they have a very right for it. 1334 01:15:03,280 --> 01:15:07,760 Speaker 1: They now have line every aisle is a different Los 1335 01:15:07,760 --> 01:15:10,960 Speaker 1: Angeles street. This is all part of the model that 1336 01:15:11,000 --> 01:15:15,479 Speaker 1: I was not present for but the last time I 1337 01:15:15,520 --> 01:15:18,799 Speaker 1: was in there, you know, everyone was rushing around. Couldn't 1338 01:15:18,800 --> 01:15:22,880 Speaker 1: get pasta, couldn't get flour. Sold out, the worst sold 1339 01:15:22,880 --> 01:15:28,200 Speaker 1: out experience, pandemic and supply shortage. I just had to 1340 01:15:28,200 --> 01:15:31,840 Speaker 1: buy my Nieces Mario Kart hot wheels at Target because 1341 01:15:31,840 --> 01:15:37,320 Speaker 1: it's for my sister. Ship it to Utah because they couldn't. 1342 01:15:37,840 --> 01:15:41,080 Speaker 1: Whoever in Utah has bought it out. Sold out. It's 1343 01:15:41,080 --> 01:15:45,160 Speaker 1: a terrible thing to have. Come on. I'm so sorry. 1344 01:15:44,840 --> 01:15:48,080 Speaker 1: If sold out didn't exist, you wouldn't have to experience, right, 1345 01:15:48,200 --> 01:15:51,160 Speaker 1: if we just had endless things, no one would have 1346 01:15:51,200 --> 01:15:54,640 Speaker 1: to work renewable. We need more renewable resources. It's rule 1347 01:15:54,720 --> 01:16:00,960 Speaker 1: culture number forty nine. We need more renewables, says someone. 1348 01:16:01,040 --> 01:16:03,880 Speaker 1: Get on this. God, if Jesus was always involved, they 1349 01:16:03,920 --> 01:16:06,519 Speaker 1: should be able to figure something out. This is so 1350 01:16:06,640 --> 01:16:10,760 Speaker 1: interesting because I have deliberately avoided the Trader Joe's that 1351 01:16:10,800 --> 01:16:14,760 Speaker 1: I went to on March eleven before they announced New 1352 01:16:14,840 --> 01:16:17,840 Speaker 1: York City was unlockdown. I remember going to this Trader 1353 01:16:17,920 --> 01:16:21,760 Speaker 1: Joe's in Tribeca and it was the bleakest place. It 1354 01:16:21,760 --> 01:16:23,639 Speaker 1: was the bleakest New Yor experience I've ever had where 1355 01:16:23,640 --> 01:16:27,080 Speaker 1: it was just like, oh, there's hundreds of people here, 1356 01:16:27,400 --> 01:16:32,200 Speaker 1: nothing's on the shelves, everyone's panicked, and like this is 1357 01:16:32,320 --> 01:16:34,400 Speaker 1: this is the saddest experience I've had in this city. 1358 01:16:34,439 --> 01:16:36,960 Speaker 1: And then I've never gone back, and I don't think 1359 01:16:36,960 --> 01:16:40,200 Speaker 1: I ever will. Don't return. Yeah, ye had trauma, But 1360 01:16:40,280 --> 01:16:42,400 Speaker 1: unless I have an experience like Bridger where I go 1361 01:16:42,479 --> 01:16:45,400 Speaker 1: back and I see things and I'm like, wow, this 1362 01:16:45,479 --> 01:16:48,040 Speaker 1: is what I've this is the closure I needed. It 1363 01:16:48,160 --> 01:16:50,439 Speaker 1: might be it also is kind of a you know, 1364 01:16:50,479 --> 01:16:53,759 Speaker 1: it's just a jolt to the system, just a little spark, 1365 01:16:54,560 --> 01:16:57,080 Speaker 1: like a weird emotional spark you're not gonna find anywhere else. 1366 01:16:57,800 --> 01:17:00,320 Speaker 1: That's the place for it. If I want to feel 1367 01:17:00,400 --> 01:17:03,800 Speaker 1: something right, It's like seeing a dead loved one brought 1368 01:17:03,880 --> 01:17:06,519 Speaker 1: back to life. I think that's as close as you're 1369 01:17:06,560 --> 01:17:10,439 Speaker 1: gonna get. It's going to when people die, they're sold out. 1370 01:17:10,520 --> 01:17:17,840 Speaker 1: That's a little culture. When people die out, we're out 1371 01:17:17,840 --> 01:17:23,479 Speaker 1: of this item. We're out of this. When people die, 1372 01:17:23,520 --> 01:17:28,000 Speaker 1: you can't find him anywhere. So my daughter wants one 1373 01:17:28,040 --> 01:17:36,960 Speaker 1: for Christmas. Sold out a grandma this year. Anyways, Bowen, 1374 01:17:37,040 --> 01:17:39,360 Speaker 1: I don't have my phone because it's charging. Do you 1375 01:17:39,439 --> 01:17:43,920 Speaker 1: mind sort of timing yourself because I'm actually like, I 1376 01:17:43,920 --> 01:17:45,920 Speaker 1: don't know what When you said you had so honey, 1377 01:17:45,920 --> 01:17:48,439 Speaker 1: I got the chills. I was so excited. It's not 1378 01:17:48,479 --> 01:17:50,719 Speaker 1: gonna be that good. I'm it's not going to be great. 1379 01:17:50,800 --> 01:17:52,760 Speaker 1: It's just I happen to be prepared for once. That's 1380 01:17:52,760 --> 01:17:55,479 Speaker 1: all less excited. Now, okay, can you can you announce 1381 01:17:55,600 --> 01:17:57,880 Speaker 1: for me? This is Bowen Yanks. I don't think so honey, 1382 01:17:57,920 --> 01:18:00,360 Speaker 1: and his time starts now. I don't think a honey. 1383 01:18:00,439 --> 01:18:06,200 Speaker 1: Immunity tablets, immunity councils, vitamin C, specifically airborne. You had 1384 01:18:06,240 --> 01:18:10,320 Speaker 1: a chance to stop this whole pandemic from happening if 1385 01:18:10,320 --> 01:18:14,000 Speaker 1: you really fucking work. I don't care what kind of 1386 01:18:14,120 --> 01:18:17,280 Speaker 1: virus it is. If if there's a cartoon man on 1387 01:18:17,280 --> 01:18:19,720 Speaker 1: a plane going, oh, there, coffin next to me, I 1388 01:18:19,800 --> 01:18:22,960 Speaker 1: better pop this pill, it would have stopped the pandemic. 1389 01:18:23,000 --> 01:18:25,360 Speaker 1: If if if there's a cartoon man who is saying, 1390 01:18:25,400 --> 01:18:28,400 Speaker 1: I better take an airborne, you better hope that it 1391 01:18:28,439 --> 01:18:30,840 Speaker 1: works and gets what it didn't. You had a moment, 1392 01:18:30,840 --> 01:18:33,479 Speaker 1: you had an opportunity. You did not rise to the occasion. 1393 01:18:33,560 --> 01:18:37,200 Speaker 1: Airborne invented by a school teacher. Yeah, she's just stuck 1394 01:18:37,280 --> 01:18:44,080 Speaker 1: to grading papers. You know what, Airborne gave us a 1395 01:18:45,840 --> 01:18:50,600 Speaker 1: that sickness could be managed before at the onset of symptoms. 1396 01:18:50,720 --> 01:18:53,280 Speaker 1: And yet look at where we are now. People are 1397 01:18:53,320 --> 01:18:57,080 Speaker 1: still dying. We're starting to get COVID treatments. Thank you, sir, 1398 01:18:57,600 --> 01:19:01,240 Speaker 1: But I don't know. Air Born really could have stopped 1399 01:19:01,240 --> 01:19:05,400 Speaker 1: this whole thing from happening. That's one minute go off. 1400 01:19:05,439 --> 01:19:08,840 Speaker 1: If Airborne worked, we would not be in this situation. 1401 01:19:09,000 --> 01:19:13,240 Speaker 1: I hadn't even thought of this until now. You're so right. 1402 01:19:13,720 --> 01:19:18,200 Speaker 1: If Airborne was what it purported to me, we wouldn't 1403 01:19:18,240 --> 01:19:21,800 Speaker 1: be dealing with the worst health crisis in our lifetime. 1404 01:19:22,920 --> 01:19:31,559 Speaker 1: It's a delicious drink, but is that enough? So why 1405 01:19:31,600 --> 01:19:33,280 Speaker 1: do I have that if it's going to do the 1406 01:19:33,320 --> 01:19:36,639 Speaker 1: same thing, not heal me? And sometimes you don't have 1407 01:19:37,160 --> 01:19:39,599 Speaker 1: a drink mix you've got an Airborne throw it in there. 1408 01:19:40,000 --> 01:19:43,639 Speaker 1: Where do you have Airborne and not sprite? All the time, 1409 01:19:43,920 --> 01:19:48,360 Speaker 1: I said what home all the time? I just think, 1410 01:19:48,800 --> 01:19:53,000 Speaker 1: egency Airborne, they really could have stopped this. I put 1411 01:19:53,000 --> 01:19:55,559 Speaker 1: the blame on them. Do you do you think do 1412 01:19:55,600 --> 01:19:58,519 Speaker 1: you think they do anything or do you think it's placebo? Culture. 1413 01:19:59,400 --> 01:20:01,559 Speaker 1: I don't know. Oh, I mean I took one today 1414 01:20:01,640 --> 01:20:04,600 Speaker 1: because I feel maybe a little I'm just tired. But 1415 01:20:04,640 --> 01:20:07,200 Speaker 1: I'm like, you're run down and run down. But um, 1416 01:20:07,280 --> 01:20:09,679 Speaker 1: we'll see if it if it if it goes south, 1417 01:20:09,760 --> 01:20:11,960 Speaker 1: then I'll let you know. But if it helps, will 1418 01:20:12,000 --> 01:20:15,160 Speaker 1: you be honest? Will be honest? I will, I promise. 1419 01:20:15,439 --> 01:20:18,320 Speaker 1: What supplements are you two taking? I'm very curious what's 1420 01:20:18,360 --> 01:20:21,719 Speaker 1: like a normal day's supplement for you to? Okay, So 1421 01:20:21,720 --> 01:20:23,880 Speaker 1: so what I what I put in my body every 1422 01:20:23,880 --> 01:20:27,840 Speaker 1: single day is my prep. I do um a vitamin 1423 01:20:27,960 --> 01:20:30,160 Speaker 1: D because I'm actually like when I don't go out 1424 01:20:30,160 --> 01:20:32,040 Speaker 1: in the sun all the time, I'm actually a touch 1425 01:20:32,080 --> 01:20:34,840 Speaker 1: of vitamin D deficient, which is shocking to me. And 1426 01:20:34,880 --> 01:20:36,600 Speaker 1: then I will do a multi vitamin, and I do 1427 01:20:36,640 --> 01:20:39,040 Speaker 1: a lot of stuff. I as of late, have been 1428 01:20:39,040 --> 01:20:41,400 Speaker 1: doing a lot of stuff with my skin, like um, 1429 01:20:41,439 --> 01:20:43,800 Speaker 1: you know that sort of thing. But though that's really 1430 01:20:43,840 --> 01:20:47,920 Speaker 1: it for me. Skin stuff supplements for your skin, like 1431 01:20:48,320 --> 01:20:52,120 Speaker 1: ointments and like ointments, and I'll do like serums and 1432 01:20:52,560 --> 01:20:55,160 Speaker 1: I'm I'm some for some reason including it in this banner, Yeah, 1433 01:20:55,200 --> 01:21:00,240 Speaker 1: one qualifies a supplement. People take it back, but and 1434 01:21:00,320 --> 01:21:02,280 Speaker 1: what about you what are your supplements, and make sure 1435 01:21:02,280 --> 01:21:04,599 Speaker 1: to be really specific that their supplements, because it's not 1436 01:21:04,680 --> 01:21:10,519 Speaker 1: it's because Matt sucked it up, because don't be like me. No, uh, 1437 01:21:10,760 --> 01:21:13,639 Speaker 1: Pure for Men actually makes this men's multi vitem and now, 1438 01:21:13,760 --> 01:21:17,800 Speaker 1: oh interesting, it's lovely. Are you shipping hard? Um? It doesn't. 1439 01:21:17,880 --> 01:21:19,800 Speaker 1: I don't think it has fiber in it. I just 1440 01:21:19,840 --> 01:21:23,719 Speaker 1: think they just happened to have this, like they've expanded 1441 01:21:23,720 --> 01:21:26,519 Speaker 1: their product line, and um, you know, I'm really liking it. 1442 01:21:27,040 --> 01:21:30,040 Speaker 1: And uh, that's about it. My doctor took me off 1443 01:21:30,040 --> 01:21:31,760 Speaker 1: prep because he was saying that it sucked with my 1444 01:21:32,520 --> 01:21:38,360 Speaker 1: It sucked with my like liver enzymes or something nothing, 1445 01:21:38,400 --> 01:21:43,360 Speaker 1: and I'm just basically like not having sex. He didn't 1446 01:21:43,360 --> 01:21:46,880 Speaker 1: give any hope for anything for renewal. No, I mean 1447 01:21:47,200 --> 01:21:49,679 Speaker 1: maybe maybe yes, maybe he was just for now, let's 1448 01:21:49,720 --> 01:21:52,080 Speaker 1: just like monitor this. And I was like, okay, fine, 1449 01:21:52,360 --> 01:21:54,920 Speaker 1: but sorry, you might have to be like, hey, do 1450 01:21:54,960 --> 01:22:02,000 Speaker 1: you have a CondoMania? What is that? I don't use one? 1451 01:22:02,320 --> 01:22:06,120 Speaker 1: Since what about you, Bridger? What are your supplements? I 1452 01:22:06,120 --> 01:22:08,479 Speaker 1: mean I'm asking because this morning I took just a 1453 01:22:08,560 --> 01:22:11,360 Speaker 1: generic vitamin and I thought these two might know something 1454 01:22:11,400 --> 01:22:13,760 Speaker 1: about supplements. I just don't know that I believe in them. 1455 01:22:13,760 --> 01:22:16,080 Speaker 1: I've been taking. I don't think this vitamins are doing 1456 01:22:16,080 --> 01:22:18,919 Speaker 1: anything for me, but I'm taking that. I'm taking fiber, 1457 01:22:19,360 --> 01:22:22,000 Speaker 1: and that I'm taking uh. I just recently got some 1458 01:22:22,479 --> 01:22:24,400 Speaker 1: I can't remember what it is for, like hair and 1459 01:22:24,479 --> 01:22:30,760 Speaker 1: nails kind of courts I'm swallowing condoms. The hair and 1460 01:22:30,840 --> 01:22:34,080 Speaker 1: nails don't do that. But then you google it and 1461 01:22:34,240 --> 01:22:37,439 Speaker 1: of course everyone says, oh, it's all bullshit. But I 1462 01:22:37,439 --> 01:22:39,120 Speaker 1: don't want to. I can't live in that world. I 1463 01:22:39,160 --> 01:22:40,760 Speaker 1: need to know. I need to have something at the 1464 01:22:40,760 --> 01:22:43,080 Speaker 1: beginning of the day that feels like I'm doing something. 1465 01:22:43,400 --> 01:22:45,760 Speaker 1: My vitamin D levels got better when I started taking 1466 01:22:45,840 --> 01:22:48,800 Speaker 1: vitamin D. I want to say that. Okay, well and 1467 01:22:49,160 --> 01:22:53,680 Speaker 1: my iconic doctor um who knows who she is, and 1468 01:22:53,760 --> 01:22:58,600 Speaker 1: listen to this podcast. I think, Okay, thank you for 1469 01:22:58,640 --> 01:23:01,080 Speaker 1: putting me on vitamin D because my vitamin D went up. Okay, 1470 01:23:01,120 --> 01:23:05,080 Speaker 1: it's that simple. There you go. But this is this 1471 01:23:05,160 --> 01:23:07,559 Speaker 1: is basically what it is. Bridget. It's like, I don't 1472 01:23:07,560 --> 01:23:11,960 Speaker 1: know if this is doing anything for me, and crazy 1473 01:23:12,000 --> 01:23:15,599 Speaker 1: that you would market this product when let's just see 1474 01:23:15,720 --> 01:23:21,679 Speaker 1: like it could have stopped this. It could have stopped 1475 01:23:21,680 --> 01:23:25,080 Speaker 1: it in its tracks. Yes, when I think, when I 1476 01:23:25,120 --> 01:23:28,519 Speaker 1: think about the tragedies of the last year and a 1477 01:23:28,600 --> 01:23:34,080 Speaker 1: half two years, I blame Airborne absolutely, and of course 1478 01:23:34,120 --> 01:23:40,720 Speaker 1: that Cheetah, let's blame. I do love imagining, like all 1479 01:23:40,760 --> 01:23:43,400 Speaker 1: of the alternative if all of these cures that have 1480 01:23:43,479 --> 01:23:45,840 Speaker 1: been peddled had been replaced with airborne, if that was 1481 01:23:45,880 --> 01:23:49,880 Speaker 1: like what Rogan was encouraging people to, just mixing some airborne. 1482 01:23:50,160 --> 01:23:53,479 Speaker 1: No one ever, no one ever goes to airborne. You 1483 01:23:53,640 --> 01:23:56,360 Speaker 1: find at the office, you feel under the weather, and 1484 01:23:56,360 --> 01:24:00,080 Speaker 1: you're like, sure, sure, Aaron Rodgers was doing all the 1485 01:24:00,080 --> 01:24:05,000 Speaker 1: Airborne he expected. It's worth Shelene. Shelene and Aaron, we're 1486 01:24:05,000 --> 01:24:07,200 Speaker 1: both doing airborne. Okay, I don't know. I guess I 1487 01:24:07,240 --> 01:24:09,840 Speaker 1: have to be down on Shelene again. The roller coaster, 1488 01:24:09,920 --> 01:24:12,080 Speaker 1: with the roller coaster, with that one since since she 1489 01:24:12,120 --> 01:24:16,000 Speaker 1: appeared in my life, Well that's the story of the 1490 01:24:16,080 --> 01:24:19,800 Speaker 1: dam credit coaster. So up and down, she's your she's 1491 01:24:19,840 --> 01:24:23,760 Speaker 1: your River's Cuomo Bridgers, I don't think so, honey, I 1492 01:24:23,800 --> 01:24:27,240 Speaker 1: think so too. I'm so excited, Bridge, Are you ready? 1493 01:24:27,479 --> 01:24:29,639 Speaker 1: I have so many things I could do, but I'm 1494 01:24:29,640 --> 01:24:32,439 Speaker 1: going to do one that uh We're just gonna do it, 1495 01:24:32,479 --> 01:24:35,559 Speaker 1: and everyone's gonna be mad at me. No, I hope 1496 01:24:35,560 --> 01:24:37,439 Speaker 1: so because that you know what that means more clicks 1497 01:24:37,479 --> 01:24:39,400 Speaker 1: for us. I hope that. I hope that this is 1498 01:24:39,439 --> 01:24:42,360 Speaker 1: really You're not going that they're gonna be like, what 1499 01:24:42,439 --> 01:24:45,479 Speaker 1: are you talking? But actually, forget it. People need to 1500 01:24:45,479 --> 01:24:49,240 Speaker 1: hear this. Yes, let's do it. This is Bridger Wine guards. 1501 01:24:49,240 --> 01:24:51,040 Speaker 1: I don't think so, honey. His time starts now. I 1502 01:24:51,080 --> 01:24:53,840 Speaker 1: don't think so, honey. The dead bird I found in 1503 01:24:53,840 --> 01:24:58,200 Speaker 1: my backyard this morning. I'm sorry, but if you're going 1504 01:24:58,240 --> 01:25:01,200 Speaker 1: to be a bird in my backyard, you can be 1505 01:25:01,360 --> 01:25:03,960 Speaker 1: maybe dying and I can nurse you back to health 1506 01:25:04,320 --> 01:25:07,040 Speaker 1: or but you need to be alive and singing. I 1507 01:25:07,120 --> 01:25:10,720 Speaker 1: found a dead bird, which I then had to pick 1508 01:25:10,840 --> 01:25:13,960 Speaker 1: up with a garden a garden spade, you do. I 1509 01:25:14,000 --> 01:25:15,960 Speaker 1: don't have time for a bird burial. And also my 1510 01:25:16,000 --> 01:25:18,080 Speaker 1: dog's gonna find it if I bury in the backyard. 1511 01:25:18,400 --> 01:25:20,200 Speaker 1: So what I'm what am I doing? I'm walking to 1512 01:25:20,280 --> 01:25:23,240 Speaker 1: the trash can and dropping a bird in the trash 1513 01:25:23,600 --> 01:25:26,760 Speaker 1: you can. I'm maybe this is more of a no, 1514 01:25:26,880 --> 01:25:29,960 Speaker 1: thank you, sweetheart, but I do not want no one 1515 01:25:29,960 --> 01:25:31,839 Speaker 1: should have to deal with a dead bird in their backyard. 1516 01:25:31,920 --> 01:25:34,920 Speaker 1: It's not unacceptable, and the fact that I had to 1517 01:25:34,920 --> 01:25:38,000 Speaker 1: go through that this morning is unheard of. If I 1518 01:25:38,040 --> 01:25:40,080 Speaker 1: find if another dead bird ends up in my backyard, 1519 01:25:40,080 --> 01:25:42,160 Speaker 1: then I have a problem. Is there a toxic gas? 1520 01:25:42,280 --> 01:25:45,320 Speaker 1: What am I doing? I don't think so, honey. I 1521 01:25:45,360 --> 01:25:47,240 Speaker 1: think that, and that's one minute, and I think what 1522 01:25:47,280 --> 01:25:51,840 Speaker 1: you're dealing with is um toxic gas in your backyard. 1523 01:25:52,520 --> 01:25:55,719 Speaker 1: I might be or a cat brought it back, maybe 1524 01:25:55,720 --> 01:25:59,160 Speaker 1: a raccoon strangled it to death. There was no sign 1525 01:25:59,240 --> 01:26:01,120 Speaker 1: of real trauma, so I don't It feels like the 1526 01:26:01,120 --> 01:26:04,240 Speaker 1: bird dropped from the sky into that sold out by 1527 01:26:04,280 --> 01:26:10,479 Speaker 1: the way, was completely sold out. Bro. I would have 1528 01:26:10,520 --> 01:26:11,880 Speaker 1: done the same thing. I would have dropped it in 1529 01:26:12,000 --> 01:26:15,400 Speaker 1: the trash and it's fine. I felt bad not burying it, 1530 01:26:15,640 --> 01:26:19,519 Speaker 1: but I don't know if you were never gonna be buried. 1531 01:26:19,520 --> 01:26:23,760 Speaker 1: Can I say something? It literally? You probably handled it 1532 01:26:23,800 --> 01:26:27,439 Speaker 1: with more care than it would have been handled by nature. 1533 01:26:27,960 --> 01:26:30,760 Speaker 1: I don'ould have had that thing decomposing on the side 1534 01:26:30,760 --> 01:26:36,040 Speaker 1: of the road, and that's facts a coyote dinner, you know, 1535 01:26:36,520 --> 01:26:38,360 Speaker 1: But you think that's better than being plopped in a 1536 01:26:38,360 --> 01:26:41,240 Speaker 1: garbage can, dying of natural causes and a gorgeous man's 1537 01:26:41,240 --> 01:26:46,320 Speaker 1: backyard in Los Angeles backyard. I would rather be when 1538 01:26:46,360 --> 01:26:48,920 Speaker 1: I die devoured by coyotes than put in a trash can. 1539 01:26:49,280 --> 01:26:51,760 Speaker 1: Well put that out there. I want that on record. Well, 1540 01:26:51,840 --> 01:26:54,080 Speaker 1: you and I do not have that in common. Put 1541 01:26:54,160 --> 01:26:59,639 Speaker 1: me in the damn simple human trash can Why don't you? Yeah? Yeah, 1542 01:26:59,720 --> 01:27:03,200 Speaker 1: I to sell out in my bed as an old man. 1543 01:27:03,400 --> 01:27:05,760 Speaker 1: That's how I want to sell out. I want to 1544 01:27:05,760 --> 01:27:10,679 Speaker 1: sell out of natural causes. We're not using sell out 1545 01:27:10,720 --> 01:27:13,960 Speaker 1: as a replacement for as a as a synonym for 1546 01:27:14,120 --> 01:27:20,960 Speaker 1: dying not available, honey, check later. Can I just say 1547 01:27:21,000 --> 01:27:23,200 Speaker 1: something else that I wanted to say and then you don't? 1548 01:27:24,040 --> 01:27:25,439 Speaker 1: Do you want to do another? I don't think so, honey. 1549 01:27:25,439 --> 01:27:27,200 Speaker 1: Do you want to be the first person ever do too? 1550 01:27:27,439 --> 01:27:31,240 Speaker 1: Absolutely not. I want to have a nice adult discussion 1551 01:27:31,280 --> 01:27:35,160 Speaker 1: about something that is insidious and very subtle in advertising 1552 01:27:35,240 --> 01:27:39,000 Speaker 1: right now and on the restaurant menus everything. Let's talk 1553 01:27:39,520 --> 01:27:44,800 Speaker 1: the in front of things, the cob salad. My breaking 1554 01:27:44,800 --> 01:27:46,639 Speaker 1: point was the other day I was walking through Target 1555 01:27:46,680 --> 01:27:52,000 Speaker 1: and I saw the golf pant. Target doesn't have the 1556 01:27:52,040 --> 01:27:55,040 Speaker 1: golf pant anyway. Have you noticed this? Have you seen. 1557 01:27:57,160 --> 01:27:59,800 Speaker 1: It's like this bizarre like trying to be definitive but 1558 01:28:00,120 --> 01:28:07,040 Speaker 1: of casual because it's the it's the lies, it's lies, 1559 01:28:07,280 --> 01:28:12,600 Speaker 1: it's we have to start. It drives me out of 1560 01:28:12,680 --> 01:28:16,000 Speaker 1: my mind. Keep an ear out for this. Someone has 1561 01:28:16,040 --> 01:28:18,240 Speaker 1: referred to someone else, I don't know who, but someone 1562 01:28:18,320 --> 01:28:26,719 Speaker 1: was like, they're amazing, they're the article. They're they're the one, 1563 01:28:26,800 --> 01:28:28,240 Speaker 1: you know. Like so I think that's that's the way 1564 01:28:28,240 --> 01:28:33,439 Speaker 1: of saying they're so exceptional that they're the article. I'm like, 1565 01:28:33,760 --> 01:28:38,160 Speaker 1: oh my god, no, no, no, no, no, you love it. 1566 01:28:38,360 --> 01:28:40,000 Speaker 1: I can see your face right now, you're smarting. No, 1567 01:28:40,200 --> 01:28:45,680 Speaker 1: I reject it. I'm having you're seeing a visceral responses. 1568 01:28:45,800 --> 01:28:48,960 Speaker 1: I quote it back to you, and I think this 1569 01:28:49,000 --> 01:28:51,599 Speaker 1: is what's happening with the adding of the like the 1570 01:28:51,640 --> 01:28:54,880 Speaker 1: golf pan It's like, wait, like, what is this obsession 1571 01:28:54,880 --> 01:28:57,760 Speaker 1: with There can only be there's one and this is 1572 01:28:57,760 --> 01:28:59,960 Speaker 1: it and you and you love it and you reckon 1573 01:29:00,040 --> 01:29:03,679 Speaker 1: nice it as the golf pants, right, the platonic version 1574 01:29:04,760 --> 01:29:10,160 Speaker 1: of you know, the whatever the chicken sandwich the article though, 1575 01:29:10,640 --> 01:29:13,800 Speaker 1: that is going to be comic fourth that's going six 1576 01:29:13,840 --> 01:29:16,280 Speaker 1: months from now. Just just just look out for it 1577 01:29:16,320 --> 01:29:19,519 Speaker 1: and both of you. Just stay safe out there. Well, 1578 01:29:19,520 --> 01:29:25,559 Speaker 1: I think we can agree that Bridger is the article morning, 1579 01:29:27,280 --> 01:29:31,400 Speaker 1: how do I become the article? But you didn't even 1580 01:29:31,400 --> 01:29:33,800 Speaker 1: have to cry because you came in here today the 1581 01:29:33,880 --> 01:29:37,600 Speaker 1: last culture. You were the article. You are the You 1582 01:29:37,640 --> 01:29:41,679 Speaker 1: are the You are the number one. And we want 1583 01:29:41,680 --> 01:29:45,719 Speaker 1: people to listen to the podcast. I said no gifts, 1584 01:29:46,040 --> 01:29:50,040 Speaker 1: the I said no gifts, I said no guests the podcast. 1585 01:29:50,520 --> 01:29:52,240 Speaker 1: So do you have a problem with Megan the Stallion? 1586 01:29:52,320 --> 01:29:57,439 Speaker 1: Sounds like you do. Know it's a double e. If 1587 01:29:57,479 --> 01:30:00,760 Speaker 1: it was the Megan Stallion, no have an issue, everyone 1588 01:30:00,760 --> 01:30:05,599 Speaker 1: will be extremely confused. Maybe that's a nice next step 1589 01:30:05,600 --> 01:30:08,040 Speaker 1: for her. Yeah, maybe you're right, a little switch real 1590 01:30:08,120 --> 01:30:13,719 Speaker 1: prince status. Right, Yeah, that's right, the Megan stall Yes, Bowen, 1591 01:30:14,040 --> 01:30:16,240 Speaker 1: what an episode of The Last Coach. This was Bridger. 1592 01:30:16,360 --> 01:30:19,000 Speaker 1: Thank you so much for coming on. This is a 1593 01:30:19,040 --> 01:30:24,000 Speaker 1: delightful conversation. Thank you for having me. I'm sorry to almost, 1594 01:30:24,600 --> 01:30:27,000 Speaker 1: you know, to just bring up a second complaint outside 1595 01:30:27,040 --> 01:30:30,519 Speaker 1: of the Dead Bird. No, but that I did feel 1596 01:30:30,520 --> 01:30:32,200 Speaker 1: like this, if there's ever gonna be a platform that 1597 01:30:32,280 --> 01:30:34,600 Speaker 1: we can take that trend down, this is this is 1598 01:30:34,640 --> 01:30:37,320 Speaker 1: the place where it begins. And we did it sold 1599 01:30:37,320 --> 01:30:41,840 Speaker 1: out everyone listening, sell out, the in front of things 1600 01:30:42,120 --> 01:30:46,040 Speaker 1: on menus on you know, catalogs, all of it. We 1601 01:30:46,120 --> 01:30:49,120 Speaker 1: don't want that. Call your senator now, stay in line. 1602 01:30:49,960 --> 01:30:53,040 Speaker 1: Call your senator, especially if you're an Arizona. Call up 1603 01:30:53,080 --> 01:30:56,519 Speaker 1: Kirsten Cinema up. She can get it done. She can, 1604 01:30:56,880 --> 01:30:59,120 Speaker 1: all right. We end every episode with the song Yes 1605 01:30:59,160 --> 01:31:12,240 Speaker 1: we do. Beverly where Aday, gimme gimme living devily ha 1606 01:31:13,920 --> 01:31:19,400 Speaker 1: rullingle straight singing this for more of that song. Listened 1607 01:31:19,439 --> 01:31:24,120 Speaker 1: to Beverly Hills on Make Believe by Wheezer By