1 00:00:02,640 --> 00:00:06,480 Speaker 1: My Grandma and your Grandma was written by the fire 2 00:00:07,480 --> 00:00:11,319 Speaker 1: my grandma to your grandma. I'm gonna say, on fire, 3 00:00:11,360 --> 00:00:19,840 Speaker 1: you're talking about him. I like go on dates, Jagomo Jam. 4 00:00:21,520 --> 00:00:25,319 Speaker 1: Lost Culture is just calling hello, fool, Hello, fool. You 5 00:00:25,480 --> 00:00:30,280 Speaker 1: foolishly but thankfully turned into another episode of Last Culture. 6 00:00:30,400 --> 00:00:32,879 Speaker 1: Since you've turned in, Yes, you've turned in. Guys. We 7 00:00:33,040 --> 00:00:37,320 Speaker 1: are classically back from another hiatus, but this time we 8 00:00:37,479 --> 00:00:42,080 Speaker 1: have episodes. We're recording enough ahead of time to sort 9 00:00:42,120 --> 00:00:44,920 Speaker 1: of you know, spread out throughout the weeks ahead. We 10 00:00:45,040 --> 00:00:50,680 Speaker 1: took to Gmail and scheduled three dates. Okay, yes, three dates. 11 00:00:50,720 --> 00:00:53,680 Speaker 1: We're gonna condense the recordings, but we're going to sprout 12 00:00:53,760 --> 00:00:55,480 Speaker 1: the releases. But this is the thing, man, And I 13 00:00:55,520 --> 00:00:57,920 Speaker 1: don't know how you feel about this. What if by 14 00:00:57,920 --> 00:01:00,360 Speaker 1: the time and episode comes out that's been really corded, 15 00:01:00,640 --> 00:01:04,080 Speaker 1: pre you know, prerecorded, will that lose any sort of 16 00:01:04,120 --> 00:01:08,080 Speaker 1: relevance unless we explicitly state in the episode this was 17 00:01:08,120 --> 00:01:09,840 Speaker 1: recorded on this state you know what. I feel like 18 00:01:09,840 --> 00:01:11,480 Speaker 1: we're actually okay. I feel like that it's not going 19 00:01:11,520 --> 00:01:14,039 Speaker 1: to be too too far apart. I mean, I understand 20 00:01:14,120 --> 00:01:17,839 Speaker 1: you're you're concerned to want to be as prescient. No, 21 00:01:18,000 --> 00:01:21,440 Speaker 1: I'm just saying, like the culture we live in now, culture, 22 00:01:21,480 --> 00:01:24,360 Speaker 1: it's rapidly changing. Exactly. If you think two days ago 23 00:01:24,520 --> 00:01:26,880 Speaker 1: was a huge news day and now we feel I 24 00:01:26,920 --> 00:01:29,760 Speaker 1: feel so far removed from it, you know what I'm saying. Yes, absolutely, Well, 25 00:01:29,800 --> 00:01:32,280 Speaker 1: you know what on culture, so we keep it, We 26 00:01:32,360 --> 00:01:35,600 Speaker 1: keep it, um a little bit time, so we keep it. 27 00:01:35,640 --> 00:01:40,160 Speaker 1: But it's also timelessly. Every episode truly exists as its 28 00:01:40,200 --> 00:01:43,600 Speaker 1: own um, as its own peace. Yeah, And I think 29 00:01:43,640 --> 00:01:45,640 Speaker 1: that's what's so great about it. I think whenever I 30 00:01:45,680 --> 00:01:48,040 Speaker 1: talk to somebody that's listening Lost Culture, so they say, 31 00:01:48,080 --> 00:01:51,440 Speaker 1: I really enjoyed this piece, someone says, um, someone said 32 00:01:51,440 --> 00:01:53,920 Speaker 1: to me once that episode of Lost Culture Stas could 33 00:01:53,960 --> 00:01:59,040 Speaker 1: have been recorded in Yeah, exactly. Guys. Oh, we have 34 00:01:59,120 --> 00:02:03,040 Speaker 1: such an incredible guest with us today. Really I think, um, 35 00:02:03,880 --> 00:02:06,720 Speaker 1: maybe I'm biased, but my favorite guest. Oh, you know what, 36 00:02:06,880 --> 00:02:08,960 Speaker 1: you might be biased, but I might be biased in 37 00:02:09,040 --> 00:02:12,400 Speaker 1: saying he's one of the one of my favorite people 38 00:02:12,440 --> 00:02:16,440 Speaker 1: in my life. Absolutely, I would agree. Yes. And the credits. Oh, 39 00:02:16,560 --> 00:02:20,560 Speaker 1: come on first, let us say a little night music 40 00:02:20,720 --> 00:02:23,560 Speaker 1: at u c B East is coming up. The date 41 00:02:23,720 --> 00:02:29,480 Speaker 1: is January January, Girl, the day of all days. But girl, 42 00:02:29,520 --> 00:02:31,040 Speaker 1: you and I have done this show before. It's a 43 00:02:31,040 --> 00:02:33,840 Speaker 1: fantastic show, so fun, and I really think that it's 44 00:02:34,000 --> 00:02:36,240 Speaker 1: one of the best shows at the BAT. I just 45 00:02:36,280 --> 00:02:37,799 Speaker 1: think it's so fun. You get to see U c 46 00:02:37,960 --> 00:02:42,960 Speaker 1: B comedians singing and expressing themselves through music, and it's 47 00:02:43,080 --> 00:02:46,400 Speaker 1: music heightens every emotion, and music heightens every emotion. As 48 00:02:46,440 --> 00:02:50,079 Speaker 1: they say, oh, he's he played. He plays piano and 49 00:02:50,240 --> 00:02:54,119 Speaker 1: companies musically for so many shows in the city. Um, 50 00:02:54,160 --> 00:02:56,720 Speaker 1: I've seen him just off the top of my head, 51 00:02:56,919 --> 00:02:59,320 Speaker 1: play for three BASI divers at Carnegie Hall to play 52 00:02:59,360 --> 00:03:02,520 Speaker 1: for Patti har Senate Ours Nova um, to play for 53 00:03:02,600 --> 00:03:05,400 Speaker 1: so many shows. He is just such a fixture, such 54 00:03:05,400 --> 00:03:08,280 Speaker 1: an important figure in the community everywhere, and by everywhere, 55 00:03:08,320 --> 00:03:10,760 Speaker 1: I also mean you might have recognized him from Live 56 00:03:10,840 --> 00:03:13,800 Speaker 1: from Everywhere, which was a show hosted by Arthur Meyer 57 00:03:13,880 --> 00:03:16,200 Speaker 1: aired on Facebook Live. It was amazing. I thought it 58 00:03:16,240 --> 00:03:18,280 Speaker 1: was one of the coolest things I've ever seen, very 59 00:03:18,400 --> 00:03:22,200 Speaker 1: very cool. Um. He considers his number one achievement to 60 00:03:22,240 --> 00:03:25,920 Speaker 1: be meeting Julie Andrews, which is very interesting in light 61 00:03:26,000 --> 00:03:30,520 Speaker 1: of recently. Yes, and who knows where this new milestone 62 00:03:30,560 --> 00:03:34,160 Speaker 1: will stack up to the rest, but Internet fame viralty, 63 00:03:34,440 --> 00:03:38,119 Speaker 1: yes squirrel, yes, god, I agree. Guys, please welcome our 64 00:03:38,160 --> 00:03:45,080 Speaker 1: guest Henry. Yes. Yeah, well we've had many years to practice. 65 00:03:45,200 --> 00:03:46,680 Speaker 1: In fact, sometimes we don't even mean to be in 66 00:03:46,760 --> 00:03:50,040 Speaker 1: unison exactly. I just whenever I'm around Matt, I pitch 67 00:03:50,160 --> 00:03:53,720 Speaker 1: up to my tambour just matches his. I always know 68 00:03:53,840 --> 00:03:57,440 Speaker 1: something's going to end in a high in a high place. Yeah, 69 00:03:59,600 --> 00:04:02,280 Speaker 1: that's kind, that is your thing. Yeah, how are you? 70 00:04:02,560 --> 00:04:05,520 Speaker 1: I'm great and I'm really truly so happy to be here. 71 00:04:05,880 --> 00:04:08,080 Speaker 1: This is one of my favorite podcasts, Like I would 72 00:04:08,080 --> 00:04:10,920 Speaker 1: say top three why and I know that I love 73 00:04:11,000 --> 00:04:13,280 Speaker 1: both of you. I r L a lot, but I 74 00:04:13,520 --> 00:04:16,200 Speaker 1: I it doesn't like have to take part in why 75 00:04:16,560 --> 00:04:19,080 Speaker 1: I love this podcast? But how how many podcasts do 76 00:04:19,080 --> 00:04:23,400 Speaker 1: you listen to? At least like six regularly, like maybe ten, 77 00:04:23,560 --> 00:04:27,240 Speaker 1: like semi regularly. See Matt is really behind the curb 78 00:04:27,279 --> 00:04:29,719 Speaker 1: on podcast. I don't listen to them because I feel 79 00:04:29,760 --> 00:04:32,120 Speaker 1: as if and actually, whenever anyone says that they listen 80 00:04:32,160 --> 00:04:35,200 Speaker 1: to this one, I'm always like, Geez Louise, like I 81 00:04:35,240 --> 00:04:37,240 Speaker 1: love you to death, because like it is a sit 82 00:04:37,400 --> 00:04:39,880 Speaker 1: to listen to a podcast. Absolutely, yeah, but you know, 83 00:04:39,880 --> 00:04:42,240 Speaker 1: when you're cooking your kitchen or writing the subway or 84 00:04:42,560 --> 00:04:45,120 Speaker 1: I need to get more into writing listening to them 85 00:04:45,120 --> 00:04:48,839 Speaker 1: on the subway. Yeah. Whenever someone references something that happened 86 00:04:48,839 --> 00:04:50,719 Speaker 1: that I know happened the very end of the Lost 87 00:04:50,720 --> 00:04:53,720 Speaker 1: Cultures this episode, I'm like, that means you sat through 88 00:04:54,200 --> 00:04:58,400 Speaker 1: the entire episode wild and remembered something enough to refer 89 00:04:58,440 --> 00:05:01,040 Speaker 1: it to like regurgitate it to me. It's it's why 90 00:05:01,120 --> 00:05:04,120 Speaker 1: I truly think they're all thrilling start to finish, And 91 00:05:04,240 --> 00:05:06,200 Speaker 1: you really have like guests that I didn't know or 92 00:05:06,279 --> 00:05:08,280 Speaker 1: like are not on my radar at all, and and 93 00:05:08,360 --> 00:05:10,800 Speaker 1: I'm fans of everyone that's been on the show. Those 94 00:05:10,800 --> 00:05:13,240 Speaker 1: are some of his favorite episodes, he tells me, which 95 00:05:13,520 --> 00:05:15,800 Speaker 1: was that he didn't know. He really enjoyed the one 96 00:05:15,839 --> 00:05:18,719 Speaker 1: with Nicole Conlin. Nicole, Yeah, I've never met her. Um, 97 00:05:18,760 --> 00:05:22,200 Speaker 1: and I loved it was about sports. I hate sports. 98 00:05:22,760 --> 00:05:25,520 Speaker 1: We hate sports. We hated Yeah. Um, oh my god, 99 00:05:25,680 --> 00:05:29,040 Speaker 1: that's that's so. That's so wonderful to hear. Um what 100 00:05:29,120 --> 00:05:30,880 Speaker 1: was I gonna say? Well, I just want to say 101 00:05:30,960 --> 00:05:34,080 Speaker 1: we scooped the scoop. We scoop the scoop because we 102 00:05:34,120 --> 00:05:39,239 Speaker 1: are the first to interview Henry Kaperski after he met 103 00:05:39,279 --> 00:05:43,919 Speaker 1: Michelle Obama on TV. Just, I mean, we're filming this 104 00:05:44,000 --> 00:05:45,960 Speaker 1: on Thursday. It was yesterday, but when you guys listened 105 00:05:45,960 --> 00:05:48,960 Speaker 1: to it, it it will be two days ago he met 106 00:05:49,000 --> 00:05:52,520 Speaker 1: Michelle Obama. You met Michelle? Henry described this to the 107 00:05:52,560 --> 00:05:55,520 Speaker 1: listeners what happened? Like, how, how are you contacted? What 108 00:05:55,560 --> 00:05:57,479 Speaker 1: was the day? Like? If you're allowed to divulge this, 109 00:05:57,800 --> 00:05:59,839 Speaker 1: I think so. My friend Arthur, who I did the 110 00:06:00,040 --> 00:06:03,880 Speaker 1: Many Central pilot with, he is like a writer at 111 00:06:04,120 --> 00:06:07,120 Speaker 1: Jimmy Fallon Tonight Show. It's never been said that way 112 00:06:07,160 --> 00:06:11,280 Speaker 1: before Jimmy Fallon Tonight Show. I think he's like the 113 00:06:11,279 --> 00:06:13,280 Speaker 1: writing supervisor. He's been with him for a long time. 114 00:06:13,320 --> 00:06:15,680 Speaker 1: He's an amazing person that I love dearly and has 115 00:06:15,720 --> 00:06:19,160 Speaker 1: given me some awesome opportunities and as yet just so 116 00:06:19,160 --> 00:06:22,440 Speaker 1: so nice. And he texted me the day before the 117 00:06:22,440 --> 00:06:24,800 Speaker 1: show and it was like you like Michelle Obama, right? 118 00:06:24,880 --> 00:06:27,120 Speaker 1: And I was like, yeah, I love her. And I 119 00:06:27,120 --> 00:06:29,320 Speaker 1: sent him like screenshots of like things I've said about 120 00:06:29,320 --> 00:06:31,120 Speaker 1: her and social media and stuff, and he was like, 121 00:06:31,160 --> 00:06:33,440 Speaker 1: are you free tomorrow morning to film this silly segment 122 00:06:33,480 --> 00:06:35,960 Speaker 1: where you just like talked to a portrait of her 123 00:06:36,000 --> 00:06:38,120 Speaker 1: and thank her, and then we're gonna show the footage 124 00:06:38,160 --> 00:06:40,719 Speaker 1: to her later on the show and she'll get choked up, hopefully. 125 00:06:41,520 --> 00:06:44,240 Speaker 1: And I was like, oh yeah, of course. And I 126 00:06:44,279 --> 00:06:48,200 Speaker 1: wrote a message that night after watching Obama's incredible farewell speech, 127 00:06:49,160 --> 00:06:55,920 Speaker 1: which the motion most emotional part was when he pelle waterworks, Um, 128 00:06:56,640 --> 00:07:00,440 Speaker 1: and uh lost my train of thought. Oh yeah, I 129 00:07:00,440 --> 00:07:02,880 Speaker 1: wrote a message and I got to the studio and 130 00:07:02,920 --> 00:07:05,800 Speaker 1: I met Um. There was twelve of us that got 131 00:07:05,800 --> 00:07:07,919 Speaker 1: this opportunity, and I was talking to other people and 132 00:07:07,960 --> 00:07:11,120 Speaker 1: I felt like the message I wrote wasn't like specific 133 00:07:11,240 --> 00:07:13,480 Speaker 1: enough to me. It was like two generals, just like 134 00:07:13,680 --> 00:07:15,640 Speaker 1: saying how great she is. And I was like, I 135 00:07:15,720 --> 00:07:18,200 Speaker 1: gotta write something else. And minutes before I went in, 136 00:07:18,400 --> 00:07:20,280 Speaker 1: I got inspired. I was like, truly, like what does 137 00:07:20,360 --> 00:07:24,520 Speaker 1: Michelle mean to me? Really? And I just like spit 138 00:07:24,560 --> 00:07:26,880 Speaker 1: it out on my iPod or iPhone and then like 139 00:07:27,120 --> 00:07:29,000 Speaker 1: set it to myself a bunch of my head. And 140 00:07:29,040 --> 00:07:31,240 Speaker 1: I walked in the room and dear Arthur was there 141 00:07:31,280 --> 00:07:34,800 Speaker 1: standing and he directed me to the portrait and I 142 00:07:34,880 --> 00:07:37,280 Speaker 1: nailed it. I said it so perfectly, and I really 143 00:07:37,360 --> 00:07:40,240 Speaker 1: was so happy with my delivery. Because I usually stumble 144 00:07:40,320 --> 00:07:42,600 Speaker 1: in live performances, trying to get better about that. In 145 00:07:42,600 --> 00:07:47,200 Speaker 1: two thousands seventeen, yes, and so I was just like 146 00:07:47,200 --> 00:07:50,600 Speaker 1: happy that I actually ruled number eighteen of culture do 147 00:07:50,680 --> 00:07:57,280 Speaker 1: not performance culture. Um, so anyway, you nailed it. I 148 00:07:57,360 --> 00:07:58,800 Speaker 1: nailed it, and I just felt so good and was 149 00:07:59,000 --> 00:08:01,520 Speaker 1: ready to turn around, like kay, got it. And then 150 00:08:01,720 --> 00:08:05,320 Speaker 1: she walks out from behind the curtain and I truly 151 00:08:05,320 --> 00:08:09,160 Speaker 1: started hyperventilating. You didn't think there was any chance that 152 00:08:09,200 --> 00:08:12,119 Speaker 1: she was there? No, I mean, and like the back 153 00:08:12,160 --> 00:08:14,120 Speaker 1: of my head, I was like, wouldn't be crazy if there, 154 00:08:14,160 --> 00:08:16,040 Speaker 1: if she's actually gonna be there, And we had to 155 00:08:16,080 --> 00:08:17,920 Speaker 1: go through the secret Service to get into dirty rock 156 00:08:17,960 --> 00:08:19,920 Speaker 1: and stuff, so I was like, but they're probably just 157 00:08:19,960 --> 00:08:23,480 Speaker 1: there all day. When like the first lady comes, um, 158 00:08:23,560 --> 00:08:25,200 Speaker 1: so I just put it out of my mind because 159 00:08:25,240 --> 00:08:28,320 Speaker 1: I was like, this is just an incredible opportunity. Anyway, Um, yeah, 160 00:08:28,360 --> 00:08:30,800 Speaker 1: she walked here and I started hyperventilating. And I can't 161 00:08:30,800 --> 00:08:33,760 Speaker 1: even remember until I saw the show air. I couldn't 162 00:08:33,760 --> 00:08:35,480 Speaker 1: even remember what she was wearing because all I saw 163 00:08:35,600 --> 00:08:37,960 Speaker 1: was her face and like beams of light coming, Oh 164 00:08:38,000 --> 00:08:41,080 Speaker 1: my god, Like she was like the virgin Mary just 165 00:08:41,120 --> 00:08:43,040 Speaker 1: like I'm making hand mootions that you can't see, like 166 00:08:44,120 --> 00:08:46,280 Speaker 1: you know, like a halo kind of. Yes, an angel 167 00:08:46,320 --> 00:08:48,920 Speaker 1: on this earth. Yeah, she truly is an angel. And 168 00:08:49,000 --> 00:08:52,880 Speaker 1: she has this presence. Okay, I've said this before out 169 00:08:52,880 --> 00:08:55,600 Speaker 1: loud to people. When I saw A Little Night Music 170 00:08:55,720 --> 00:08:59,600 Speaker 1: the Sandheim Musical with Bernadette and Elaine Stretch. When Bernada 171 00:08:59,760 --> 00:09:03,360 Speaker 1: enter is the makes her first entrance, the air gets 172 00:09:03,360 --> 00:09:07,000 Speaker 1: sucked out of the room, like she has that special presence. 173 00:09:07,080 --> 00:09:10,800 Speaker 1: We're just like, oh my god, you truly are. And 174 00:09:10,880 --> 00:09:13,199 Speaker 1: that same thing with Michelle Obama, Like and you know, 175 00:09:13,240 --> 00:09:14,880 Speaker 1: I was the third person to go, and I even 176 00:09:14,920 --> 00:09:17,000 Speaker 1: the camera people you could tell every time she walks, 177 00:09:17,000 --> 00:09:19,320 Speaker 1: and I bet they were all just like because she's 178 00:09:19,559 --> 00:09:25,720 Speaker 1: that incredible. She's so her heart is so golden and 179 00:09:25,920 --> 00:09:29,640 Speaker 1: pure and I truly believe like she's not like putting 180 00:09:29,640 --> 00:09:31,880 Speaker 1: on a show at all, Like that is her down 181 00:09:31,920 --> 00:09:35,040 Speaker 1: to her core. And I, oh my god, it was 182 00:09:35,080 --> 00:09:37,000 Speaker 1: so and I can't even remember. She was saying to me, 183 00:09:37,000 --> 00:09:40,080 Speaker 1: it's all blur. The main question people are asking me 184 00:09:40,160 --> 00:09:43,600 Speaker 1: is what did she smell? Like I I can't remember 185 00:09:43,679 --> 00:09:47,000 Speaker 1: at all, Like I have no idea. Um, I mean 186 00:09:47,120 --> 00:09:51,200 Speaker 1: watching you react to it. I have. I have got 187 00:09:51,200 --> 00:09:55,319 Speaker 1: to be honest, I have cried for many reasons over 188 00:09:55,360 --> 00:09:58,880 Speaker 1: the past twenty four hours from from many times and 189 00:09:58,920 --> 00:10:00,800 Speaker 1: but like every single time I watch it, Like today 190 00:10:00,840 --> 00:10:03,040 Speaker 1: he came in the door from wherever you were coming from, 191 00:10:03,120 --> 00:10:07,480 Speaker 1: and I was like truly crying because I watched it again, 192 00:10:07,480 --> 00:10:09,240 Speaker 1: and I was like, this is such a special moment. 193 00:10:09,320 --> 00:10:13,480 Speaker 1: And I have to say it is very bitter, oh absolutely, 194 00:10:13,520 --> 00:10:16,520 Speaker 1: but that moment I just have to say, like, yes, 195 00:10:16,559 --> 00:10:20,760 Speaker 1: there there's something about the sentiment that's being expressed by 196 00:10:20,800 --> 00:10:24,480 Speaker 1: all these people. It's real and and just her presence. 197 00:10:24,520 --> 00:10:26,560 Speaker 1: And so I watched again this morning with Doug, our 198 00:10:26,640 --> 00:10:30,680 Speaker 1: friend Doug um and and he hadn't watched it up 199 00:10:30,760 --> 00:10:33,560 Speaker 1: until that moment, and he was just like he started 200 00:10:33,679 --> 00:10:37,640 Speaker 1: laughing uncontrollaby about how amazing this one. And I was like, 201 00:10:37,920 --> 00:10:42,160 Speaker 1: isn't this Isn't this incredible? It's insane, Like no, like, 202 00:10:42,559 --> 00:10:44,680 Speaker 1: I can't think of a public figure that has that 203 00:10:44,720 --> 00:10:48,000 Speaker 1: effect on and to meet her this week, you know 204 00:10:48,040 --> 00:10:50,440 Speaker 1: what I mean? That was such It was such a 205 00:10:50,559 --> 00:10:53,160 Speaker 1: good I mean, kudos to the tonight show for this 206 00:10:53,240 --> 00:10:56,400 Speaker 1: like it was it would have healed my soul, even 207 00:10:56,440 --> 00:10:58,880 Speaker 1: if Henry wasn't in it, but the fact that like 208 00:10:59,440 --> 00:11:02,160 Speaker 1: you were, that was just such a special gift. I 209 00:11:02,160 --> 00:11:04,760 Speaker 1: want to say, Like the other people that got that 210 00:11:04,800 --> 00:11:08,760 Speaker 1: opportunity were such incredible people, Like many of them were 211 00:11:08,760 --> 00:11:10,679 Speaker 1: like women that had started their own company who said 212 00:11:10,720 --> 00:11:13,600 Speaker 1: they were inspired by Michelle, like we all like talked beforehand, 213 00:11:14,120 --> 00:11:17,559 Speaker 1: or one like started this scholarship that helps young women 214 00:11:17,600 --> 00:11:21,320 Speaker 1: of color, like uh find the right college, and so 215 00:11:21,760 --> 00:11:25,080 Speaker 1: like there was a dad that was really sweet. Yeah yeah, 216 00:11:25,200 --> 00:11:30,280 Speaker 1: and I felt so. I truly, I'm so grateful that 217 00:11:30,280 --> 00:11:34,640 Speaker 1: I happened. But I don't think I deserved and I'm 218 00:11:34,640 --> 00:11:36,719 Speaker 1: not and I'm not looking for that reaction either. I'm 219 00:11:36,720 --> 00:11:39,839 Speaker 1: not looking for that reaction. I really like, like I 220 00:11:40,280 --> 00:11:42,120 Speaker 1: didn't did not know I was going to meet here, 221 00:11:42,120 --> 00:11:43,320 Speaker 1: and I thought it was just gonna be a fun thing. 222 00:11:43,320 --> 00:11:45,600 Speaker 1: If I did, I would I maybe would have recommended 223 00:11:45,640 --> 00:11:50,520 Speaker 1: a friend of me. There's like people I think so 224 00:11:50,679 --> 00:11:55,360 Speaker 1: often doesn't realize how special he is Iselle very Michelle 225 00:11:55,400 --> 00:11:58,120 Speaker 1: Obama like of him to do and it's it's very 226 00:11:58,200 --> 00:12:00,120 Speaker 1: humble of you to do this. But I have to 227 00:12:00,160 --> 00:12:03,720 Speaker 1: say this was chicken soup for the soul for everybody 228 00:12:03,760 --> 00:12:06,880 Speaker 1: that knows it was because because we're so happy that 229 00:12:06,960 --> 00:12:10,600 Speaker 1: it was you, because you make every space that you're 230 00:12:10,600 --> 00:12:13,320 Speaker 1: in so much better and so much warmer. And what 231 00:12:13,400 --> 00:12:18,800 Speaker 1: I always say about Henry attetional, he really he makes 232 00:12:18,840 --> 00:12:23,320 Speaker 1: everybody thing. Yes, yes, that is so beautiful, just to 233 00:12:23,400 --> 00:12:27,000 Speaker 1: see everyone in these new spaces, Like I just think 234 00:12:27,040 --> 00:12:29,600 Speaker 1: you are such a gift to this community. I really 235 00:12:29,640 --> 00:12:32,640 Speaker 1: do like over the past you know, two years that 236 00:12:32,679 --> 00:12:35,000 Speaker 1: I think you've really been involved in it. You really have. 237 00:12:35,240 --> 00:12:39,920 Speaker 1: Just you've changed, You've changed people game. And that's what 238 00:12:40,080 --> 00:12:45,360 Speaker 1: another reason why I really want everybody to support a 239 00:12:45,360 --> 00:12:48,440 Speaker 1: Little Night Music, because this is it puts these really 240 00:12:48,880 --> 00:12:52,120 Speaker 1: kind of figures at UCB and comedic figures that we 241 00:12:52,240 --> 00:12:53,800 Speaker 1: kind of look up to, and it puts them in 242 00:12:53,840 --> 00:12:56,960 Speaker 1: a vulnerable place. And I think that's why um Shannon 243 00:12:57,000 --> 00:12:58,920 Speaker 1: O'Neil is so behind the show, and I think that's 244 00:12:58,960 --> 00:13:01,760 Speaker 1: why the show keeps going because you allow people a 245 00:13:01,800 --> 00:13:05,320 Speaker 1: new experience and what we don't realize as artists that 246 00:13:05,360 --> 00:13:08,760 Speaker 1: we crave that and you provide that for everybody. And 247 00:13:08,800 --> 00:13:11,520 Speaker 1: I think that's such a special, unique thing that you do, 248 00:13:11,679 --> 00:13:15,600 Speaker 1: and you are so special and you deserve this opportunity 249 00:13:15,679 --> 00:13:19,080 Speaker 1: more than anybody that I know. I count myself so 250 00:13:19,200 --> 00:13:24,680 Speaker 1: lucky to obviously share what we have together, but you 251 00:13:25,280 --> 00:13:29,440 Speaker 1: just I couldn't think of a better person. Well, and 252 00:13:29,679 --> 00:13:32,880 Speaker 1: everybody agrees, everybody, everybody. We're not the first people to 253 00:13:32,880 --> 00:13:36,080 Speaker 1: say this, people said this on social media. It just 254 00:13:36,480 --> 00:13:38,360 Speaker 1: the minute you came I watched this live at home. 255 00:13:38,360 --> 00:13:39,520 Speaker 1: I was like, I'm not missing this. I want to 256 00:13:39,520 --> 00:13:41,640 Speaker 1: see this as it happens. I was just lying on 257 00:13:41,679 --> 00:13:43,360 Speaker 1: my couch just watching me, and I was like, don't 258 00:13:43,400 --> 00:13:47,280 Speaker 1: Jimmy Founds on TV? Okay, cool um? And then this 259 00:13:47,400 --> 00:13:49,920 Speaker 1: happened in the minute you came on screen, Henry, I 260 00:13:50,040 --> 00:13:53,680 Speaker 1: just chills and I texted you afterwards like I'm shaking 261 00:13:53,720 --> 00:13:56,680 Speaker 1: him shaking. It just you just brought pure joy to 262 00:13:56,760 --> 00:14:01,760 Speaker 1: that to that moment, and you're genuine appreciation and joy, 263 00:14:01,840 --> 00:14:04,000 Speaker 1: and that is something that I think that we're going 264 00:14:04,040 --> 00:14:06,440 Speaker 1: to have to really, Oh my god, as I start crying, 265 00:14:06,840 --> 00:14:11,080 Speaker 1: really remember over the next however long this continues to 266 00:14:11,080 --> 00:14:15,800 Speaker 1: go on, because that is something that is like really missing. 267 00:14:16,280 --> 00:14:19,720 Speaker 1: And I just think that we really could learn something 268 00:14:19,880 --> 00:14:23,800 Speaker 1: from people like Henry, who you know, like find a 269 00:14:23,840 --> 00:14:26,320 Speaker 1: way to keep going and keep bringing joy to the world, 270 00:14:26,360 --> 00:14:28,680 Speaker 1: and I really just want everyone to remember that, you know, 271 00:14:28,800 --> 00:14:32,480 Speaker 1: like with social media and you know, I get that 272 00:14:32,520 --> 00:14:35,400 Speaker 1: everyone's very fired up and very upset, Like just remember that, 273 00:14:35,440 --> 00:14:37,520 Speaker 1: like there's still a lot of good in the world. 274 00:14:37,680 --> 00:14:40,720 Speaker 1: There's still a lot of reasons to be happy, and 275 00:14:40,760 --> 00:14:46,400 Speaker 1: there's it's not over until we until we give up, 276 00:14:46,680 --> 00:14:49,080 Speaker 1: you know, And let's just not give up, and let's 277 00:14:49,160 --> 00:14:51,640 Speaker 1: keep filling the world with positivity because at the end 278 00:14:51,680 --> 00:14:54,680 Speaker 1: of the day, like that's all we have because it 279 00:14:54,720 --> 00:14:57,440 Speaker 1: could it could be bleak. It's not only just positivity, 280 00:14:57,480 --> 00:15:00,560 Speaker 1: it's humanity and that's it's it's and that's what Ay, 281 00:15:00,760 --> 00:15:04,160 Speaker 1: we will have to like struggle harder and harder to 282 00:15:04,240 --> 00:15:08,800 Speaker 1: access and be is what Like Michelle and Henry and 283 00:15:09,000 --> 00:15:13,880 Speaker 1: just Zoo, I definitely do not deserve to be. Yes, 284 00:15:15,640 --> 00:15:22,200 Speaker 1: definitely definitely, and we're blessed. Just you go ahead and 285 00:15:22,240 --> 00:15:24,160 Speaker 1: use the word bless Why the funk not come for me, 286 00:15:24,600 --> 00:15:27,160 Speaker 1: come for me, people who don't want me to say 287 00:15:28,000 --> 00:15:34,200 Speaker 1: Judeo Christian language, I don't approve. I'm coming pretty later on. Yes, 288 00:15:34,320 --> 00:15:36,960 Speaker 1: come for me, um, But you know what, I just think, 289 00:15:37,120 --> 00:15:42,280 Speaker 1: let's let's just like let's give a shot just like, 290 00:15:42,440 --> 00:15:46,040 Speaker 1: um just putting something like when when you when you 291 00:15:46,160 --> 00:15:48,120 Speaker 1: step out into the world, just like, do something that's 292 00:15:48,120 --> 00:15:50,400 Speaker 1: gonna be nice for someone else, do something that's gonna 293 00:15:50,400 --> 00:15:52,400 Speaker 1: be positive for someone else, because it really makes a 294 00:15:52,480 --> 00:15:55,480 Speaker 1: huge difference. Okay, this is huge, Matt, Thank you for 295 00:15:55,480 --> 00:15:58,800 Speaker 1: saying that, because my in my bullet journal this year. Everyone, 296 00:15:59,000 --> 00:16:01,800 Speaker 1: if you're if you're if you're journaling a new trend, 297 00:16:01,880 --> 00:16:03,760 Speaker 1: if you're on the bullet journal craze, let me know. 298 00:16:03,960 --> 00:16:06,680 Speaker 1: I'm loving it. I really nothing is stuck with me 299 00:16:06,760 --> 00:16:09,920 Speaker 1: like this in a while. So hopefully I encourage you 300 00:16:09,960 --> 00:16:13,560 Speaker 1: all to just google bullet journaling. Don't blame bullet journaling. 301 00:16:13,600 --> 00:16:16,360 Speaker 1: So oh my god flowed away from honey, I don't 302 00:16:16,360 --> 00:16:18,440 Speaker 1: even know what it is. Here we go. So about 303 00:16:18,560 --> 00:16:23,320 Speaker 1: last year, this this uh just like a douche bag 304 00:16:23,320 --> 00:16:25,840 Speaker 1: of a man, but actually he's he's a good person. 305 00:16:26,200 --> 00:16:29,520 Speaker 1: He released this video called bullet like how how to 306 00:16:29,600 --> 00:16:33,240 Speaker 1: bullet journal? Is it? Tim Farris ears Tim first, but 307 00:16:33,280 --> 00:16:35,920 Speaker 1: he's like also, yeah, like say kind of person but 308 00:16:36,040 --> 00:16:40,000 Speaker 1: means well it's like chaotic good. So anyway, um, so 309 00:16:40,080 --> 00:16:42,960 Speaker 1: this guy puts out this video about how to bullet journal, 310 00:16:43,000 --> 00:16:47,960 Speaker 1: which is just basically a system of a planning b 311 00:16:48,320 --> 00:16:52,160 Speaker 1: like logging your day, see like planning already said planning, 312 00:16:52,160 --> 00:16:56,080 Speaker 1: but like see like um, just sort of organizing your 313 00:16:56,120 --> 00:16:58,560 Speaker 1: thoughts because I used to just write notebooks and like 314 00:16:58,680 --> 00:17:01,640 Speaker 1: scribble nonsense, and I would never refer back to it, 315 00:17:01,960 --> 00:17:03,760 Speaker 1: would never flip back through my pages and be like 316 00:17:03,800 --> 00:17:05,480 Speaker 1: what did I write this day? Like never had to 317 00:17:05,480 --> 00:17:07,119 Speaker 1: refer back to because I never wanted to because it 318 00:17:07,119 --> 00:17:09,520 Speaker 1: was never built into that system of just it's a 319 00:17:09,560 --> 00:17:11,600 Speaker 1: way to organize your drib So it's just like a 320 00:17:11,640 --> 00:17:13,399 Speaker 1: non linear way. It's so it's like you set up 321 00:17:13,600 --> 00:17:16,000 Speaker 1: you have to number every page of a blank notebook 322 00:17:16,480 --> 00:17:18,920 Speaker 1: as you go not like you sit down one day 323 00:17:18,920 --> 00:17:20,840 Speaker 1: and just number every single blank page. But as you 324 00:17:20,920 --> 00:17:23,240 Speaker 1: keep going forward, you number every page. But there's a 325 00:17:23,240 --> 00:17:25,720 Speaker 1: table of contents that you refer back to, and as 326 00:17:25,760 --> 00:17:29,359 Speaker 1: it's like as you're going through this, you basically like 327 00:17:30,040 --> 00:17:32,879 Speaker 1: just go back to like let's say, like I'm playing, 328 00:17:32,960 --> 00:17:34,720 Speaker 1: I have a page that has all my days on it, 329 00:17:34,760 --> 00:17:37,080 Speaker 1: and like on a daily log of what I'm trying 330 00:17:37,080 --> 00:17:39,359 Speaker 1: to do, like oh like pick up, you know, dry cleaning, 331 00:17:39,440 --> 00:17:41,159 Speaker 1: or do do all this stuff. But then on the 332 00:17:41,200 --> 00:17:42,760 Speaker 1: next page, and like all of a sudden, I want 333 00:17:42,760 --> 00:17:45,120 Speaker 1: to write about um, like books, I want to read 334 00:17:45,520 --> 00:17:46,800 Speaker 1: a list of books I want to read. I'll just 335 00:17:46,840 --> 00:17:49,199 Speaker 1: go to the next page, write a list. Look at 336 00:17:49,200 --> 00:17:50,720 Speaker 1: the number page that is. Go back to my table 337 00:17:50,800 --> 00:17:53,520 Speaker 1: contents right down in there. I want to page twelve. 338 00:17:54,080 --> 00:17:57,359 Speaker 1: So it's actually it's built in for you to refer 339 00:17:57,440 --> 00:17:59,520 Speaker 1: back to this and like refer back to what you write, 340 00:17:59,520 --> 00:18:04,920 Speaker 1: which is brilliant. But the lifestyle blog community Pinterest, like 341 00:18:05,600 --> 00:18:10,280 Speaker 1: Washy Tape vlogger funk Fest of the Internet has caught 342 00:18:10,280 --> 00:18:13,920 Speaker 1: wind of this and totally bastardized it with like their 343 00:18:13,960 --> 00:18:16,879 Speaker 1: calligraphy and they're like colorful pants on and like, not 344 00:18:16,960 --> 00:18:18,320 Speaker 1: to diss that, but it's like if you if you're 345 00:18:18,320 --> 00:18:20,600 Speaker 1: into that, great, But the system was just done in 346 00:18:20,600 --> 00:18:24,320 Speaker 1: design to be super simple and minimalistic. Anyway, Matt was 347 00:18:24,400 --> 00:18:27,640 Speaker 1: just talking about putting positivity into the world, as inspired 348 00:18:27,680 --> 00:18:30,800 Speaker 1: by this video of Henry meeting Michelle Obama. In my 349 00:18:30,840 --> 00:18:33,400 Speaker 1: bullet journal, I have a habit tracker where every day 350 00:18:33,520 --> 00:18:35,520 Speaker 1: I wrote that, like it's like every day, like drink 351 00:18:35,600 --> 00:18:38,840 Speaker 1: this much water, like uh, you know, wake up by 352 00:18:38,880 --> 00:18:40,480 Speaker 1: this time of day. I call my parents. But then 353 00:18:40,640 --> 00:18:44,080 Speaker 1: one of my line items was resist, which was like 354 00:18:44,320 --> 00:18:47,199 Speaker 1: call my senators or like sign a petition, or like 355 00:18:47,280 --> 00:18:51,399 Speaker 1: do something activisty. But then I think with the missing 356 00:18:51,440 --> 00:18:53,600 Speaker 1: piece of the thing that has to balance that out, 357 00:18:53,640 --> 00:18:56,160 Speaker 1: Like I felt good doing that, and I really am 358 00:18:56,200 --> 00:18:58,600 Speaker 1: on this high of like being sort of a polite 359 00:18:58,600 --> 00:19:01,120 Speaker 1: asshole to my senators and my time as people. But 360 00:19:01,320 --> 00:19:04,160 Speaker 1: the thing to balance that out has to be like 361 00:19:04,720 --> 00:19:07,560 Speaker 1: doing something good for like a random person, you know, 362 00:19:07,880 --> 00:19:11,080 Speaker 1: you know what that makes something good for a random person? 363 00:19:11,359 --> 00:19:14,720 Speaker 1: Doing something nice for yourself thing, just like don't forget 364 00:19:14,800 --> 00:19:16,720 Speaker 1: to take care of yourself. I think a lot of 365 00:19:16,800 --> 00:19:19,480 Speaker 1: us are in shock right now. I think a lot 366 00:19:19,520 --> 00:19:21,199 Speaker 1: of people are dealing with it in all sorts of 367 00:19:21,200 --> 00:19:23,400 Speaker 1: different ways. And who's to say what the right way 368 00:19:23,440 --> 00:19:25,440 Speaker 1: to deal with this is, because I think we are 369 00:19:26,119 --> 00:19:27,800 Speaker 1: right now. I think a lot of us are feeling 370 00:19:27,800 --> 00:19:31,719 Speaker 1: a sort of grief, um, a sort of embarrassment. Some 371 00:19:31,800 --> 00:19:34,400 Speaker 1: of us, I think are feeling a sort of like nostalgia. 372 00:19:34,480 --> 00:19:36,800 Speaker 1: I remember I thought I thought about myself at eighteen 373 00:19:36,880 --> 00:19:40,800 Speaker 1: years old dancing around a union square. Um, yes we 374 00:19:40,920 --> 00:19:44,399 Speaker 1: canning um, And I felt sad and that just that 375 00:19:44,440 --> 00:19:46,840 Speaker 1: shouldn't have to be a sad memory, you know what 376 00:19:46,880 --> 00:19:51,399 Speaker 1: I mean. Like, man, it's just so hard. So I think, like, yeah, 377 00:19:51,480 --> 00:19:55,600 Speaker 1: it's okay, it's okay to like angry, be angry, but 378 00:19:55,720 --> 00:19:58,959 Speaker 1: also just remember like there's what there's things you can 379 00:19:59,000 --> 00:20:01,159 Speaker 1: do to make a self happy, make yourself a t 380 00:20:01,800 --> 00:20:04,040 Speaker 1: you know, like go for a run, like it made 381 00:20:04,080 --> 00:20:06,359 Speaker 1: me feel real, it's making me really feel good. We 382 00:20:06,440 --> 00:20:08,440 Speaker 1: just moved to a new apartment. It's making me feel 383 00:20:08,520 --> 00:20:12,320 Speaker 1: really good to keep it super clean like that. Like 384 00:20:12,440 --> 00:20:15,760 Speaker 1: just I think like you can you can take actually 385 00:20:15,760 --> 00:20:17,920 Speaker 1: and also take that second, like take care of yourself, 386 00:20:17,960 --> 00:20:22,440 Speaker 1: because I know I'm right on the edge of going insane. 387 00:20:22,600 --> 00:20:23,919 Speaker 1: I yet last night I had to did it with 388 00:20:23,960 --> 00:20:26,959 Speaker 1: my parents and I cried to them because I think 389 00:20:26,960 --> 00:20:29,640 Speaker 1: I'm going to delete my Facebook because I just can't 390 00:20:29,680 --> 00:20:31,840 Speaker 1: do it anymore. Do whatever you need. I think I 391 00:20:31,920 --> 00:20:34,400 Speaker 1: might have to delete it. Come on, I'll support you 392 00:20:34,760 --> 00:20:39,919 Speaker 1: because it's making me crazy. Yeah, I feel a little new. 393 00:20:40,040 --> 00:20:46,680 Speaker 1: You guys feel like yes, what do you instantly? I yeah, 394 00:20:46,720 --> 00:20:50,720 Speaker 1: I think it's both the good things about Facebook and 395 00:20:50,760 --> 00:20:53,000 Speaker 1: the bad things about Facebook are stuff you don't need, 396 00:20:53,320 --> 00:20:56,160 Speaker 1: Like even when there are positive things happening, you can 397 00:20:56,440 --> 00:20:58,840 Speaker 1: find even better versions of that in real life, or 398 00:20:59,400 --> 00:21:02,800 Speaker 1: or good things that are also productive. And I don't know, 399 00:21:03,280 --> 00:21:05,280 Speaker 1: I'm thinking about it a lot too. I just my 400 00:21:05,280 --> 00:21:06,760 Speaker 1: main I can't get rid of because I just think 401 00:21:06,800 --> 00:21:10,280 Speaker 1: about like promotion things. But you know what, And I 402 00:21:10,320 --> 00:21:12,800 Speaker 1: spoke to a friend last night that, um, I was 403 00:21:12,840 --> 00:21:15,440 Speaker 1: texting with a friend that dropped Facebook and isn't on it, 404 00:21:15,800 --> 00:21:17,960 Speaker 1: and she was telling me, you know, you use Twitter 405 00:21:18,000 --> 00:21:19,760 Speaker 1: and Instagram for those things. You don't have to not 406 00:21:19,920 --> 00:21:24,760 Speaker 1: use social media, or you could just kind of like, um, 407 00:21:25,040 --> 00:21:28,080 Speaker 1: you know, you could just um, you could just kind 408 00:21:28,080 --> 00:21:31,359 Speaker 1: of you know, get everyone's emails and send those emails 409 00:21:31,359 --> 00:21:33,919 Speaker 1: things that everyone does. Also just make an honest effort 410 00:21:33,920 --> 00:21:37,720 Speaker 1: to see people outside of social media. What kills me, 411 00:21:38,080 --> 00:21:41,560 Speaker 1: What kills me is when people that I met and 412 00:21:41,600 --> 00:21:43,280 Speaker 1: fell in love with for their talent and for the 413 00:21:43,359 --> 00:21:45,919 Speaker 1: who for who they were as human beings now just 414 00:21:46,040 --> 00:21:49,040 Speaker 1: become a little square to me and and and a 415 00:21:49,240 --> 00:21:55,880 Speaker 1: scary um Facebook persona or like a weak Facebook persona 416 00:21:56,040 --> 00:21:59,720 Speaker 1: or a funny, non serious Facebook persona, and we're branding 417 00:22:00,000 --> 00:22:03,600 Speaker 1: each other, you know what I mean. And it's not natural. 418 00:22:04,320 --> 00:22:08,359 Speaker 1: You don't need this thing to survive, and think about 419 00:22:08,400 --> 00:22:11,919 Speaker 1: it you think about like, oh, you know, like I 420 00:22:12,000 --> 00:22:14,680 Speaker 1: use it my way whatever, Like I'm not beholden to anything. 421 00:22:14,680 --> 00:22:18,119 Speaker 1: I don't know anyone anything. We all everyday log onto 422 00:22:18,160 --> 00:22:22,480 Speaker 1: the same website. That there's something weird about that, and 423 00:22:23,440 --> 00:22:25,200 Speaker 1: I don't know. It's just it's gotten to a place 424 00:22:25,240 --> 00:22:27,399 Speaker 1: now where I feel like you must question it, or 425 00:22:27,440 --> 00:22:29,199 Speaker 1: at least if you're feeling like I am, or you're 426 00:22:29,200 --> 00:22:32,399 Speaker 1: feeling a little insane, you must question it. And I 427 00:22:32,440 --> 00:22:33,960 Speaker 1: do think a lot of this has to do with 428 00:22:34,000 --> 00:22:36,879 Speaker 1: the fact that I will We'll go ahead and totally 429 00:22:36,920 --> 00:22:39,320 Speaker 1: admit that I have an addiction to it. I am 430 00:22:39,359 --> 00:22:46,320 Speaker 1: addicted to Facebook, and uh, it's making me crazy. I mean, 431 00:22:46,640 --> 00:22:48,840 Speaker 1: I had to fight the urge today to go on 432 00:22:48,840 --> 00:22:50,720 Speaker 1: at several times so I could write the script that 433 00:22:50,760 --> 00:22:54,440 Speaker 1: I've been talking about writing for months and I'm almost 434 00:22:54,440 --> 00:22:56,040 Speaker 1: done with it. But the thing is, like I had 435 00:22:56,040 --> 00:23:00,119 Speaker 1: to actively break down. I had, I had, I had. 436 00:23:00,240 --> 00:23:03,000 Speaker 1: Actually it's the noble where I was in tears yesterday, 437 00:23:03,040 --> 00:23:05,960 Speaker 1: like you know, it's just and I know that it's 438 00:23:06,000 --> 00:23:08,920 Speaker 1: not my fault. I mean were We had our friend 439 00:23:09,000 --> 00:23:11,919 Speaker 1: Zach Grander Harris over last night to watch Henry on 440 00:23:11,960 --> 00:23:13,879 Speaker 1: Tonight Show and he said, you know, this isn't your fault. 441 00:23:13,960 --> 00:23:17,000 Speaker 1: I mean, like it's it's not your fault that like 442 00:23:17,040 --> 00:23:19,639 Speaker 1: everyone in the world uses this thing, and it's like 443 00:23:19,720 --> 00:23:22,360 Speaker 1: this resource that's that's there and you're expected to use 444 00:23:22,400 --> 00:23:25,040 Speaker 1: and especially when you're everyone wants to because they're constantly 445 00:23:25,119 --> 00:23:27,840 Speaker 1: taking your data and using it for or against you. 446 00:23:28,280 --> 00:23:31,760 Speaker 1: And you know what it's it's designed to be a 447 00:23:31,800 --> 00:23:33,960 Speaker 1: part of your life, and it's designed to be ingreened 448 00:23:33,960 --> 00:23:35,639 Speaker 1: in your life. But the fact of the matter is 449 00:23:35,920 --> 00:23:37,879 Speaker 1: it is not food. It is not water, it is 450 00:23:37,920 --> 00:23:41,000 Speaker 1: not oxygen, it is not sheltered you not not needed 451 00:23:41,080 --> 00:23:45,400 Speaker 1: to survive. And I would almost challenge people to get 452 00:23:45,400 --> 00:23:48,560 Speaker 1: off of it, because I really might. I'm still wrestling 453 00:23:48,560 --> 00:23:50,680 Speaker 1: with myself because then today it was an easier day, 454 00:23:51,600 --> 00:23:54,280 Speaker 1: so I was on it and like I loved seeing 455 00:23:54,320 --> 00:23:56,400 Speaker 1: everyone sharing the video of you and it was such 456 00:23:56,400 --> 00:23:59,480 Speaker 1: a positive moment. I was like, yes, like maybe it 457 00:23:59,520 --> 00:24:01,600 Speaker 1: can be the us again. And I also don't want 458 00:24:01,640 --> 00:24:04,440 Speaker 1: people to think that I'm running scared from like reality 459 00:24:04,600 --> 00:24:08,159 Speaker 1: or like information, that it just might not be mentally 460 00:24:08,240 --> 00:24:12,480 Speaker 1: healthy for me. Right, So, um, you're mentioning how Facebook 461 00:24:12,520 --> 00:24:15,640 Speaker 1: is not food or water. Um, I only eat if 462 00:24:15,640 --> 00:24:19,080 Speaker 1: I blog onto Facebook a certain number of times a day. Um, 463 00:24:19,400 --> 00:24:22,880 Speaker 1: and that's how, that's how, that's how my body is it. 464 00:24:22,880 --> 00:24:25,359 Speaker 1: It has to happen that way, Um, Matt, I think no, 465 00:24:25,520 --> 00:24:28,800 Speaker 1: you know what, You're absolutely right, Henry, are you? Because okay, 466 00:24:28,920 --> 00:24:32,240 Speaker 1: I think the three of us have just use Facebook 467 00:24:32,280 --> 00:24:35,399 Speaker 1: for similar reasons, which is, but you know what, Henry, 468 00:24:35,400 --> 00:24:37,360 Speaker 1: that's the same thing I think about. The number one 469 00:24:37,359 --> 00:24:41,000 Speaker 1: thing I think about when I think about quitting Facebook 470 00:24:41,080 --> 00:24:44,960 Speaker 1: is saying, oh, you know what I would miss is yeah, 471 00:24:45,119 --> 00:24:46,840 Speaker 1: and not only for your own shows. Like one of 472 00:24:46,840 --> 00:24:49,080 Speaker 1: my two thousand seventeen goals is to go see other 473 00:24:49,119 --> 00:24:51,480 Speaker 1: people's shows more. And so I've been making a point 474 00:24:51,520 --> 00:24:53,560 Speaker 1: every time one of our friends says my show is 475 00:24:53,600 --> 00:24:55,320 Speaker 1: this day, I put it in my calendar right away, 476 00:24:55,320 --> 00:24:56,800 Speaker 1: and if I'm free that night, I'm gonna go. Like 477 00:24:56,880 --> 00:25:01,600 Speaker 1: Christie Shackelford, Yeah, one of her final shows on Friday Friday, 478 00:25:01,800 --> 00:25:08,520 Speaker 1: I believe it's Friday Friday tomorrow. Yeah, as in tomorrow. Yes, yes, 479 00:25:08,560 --> 00:25:11,960 Speaker 1: you're posted about it today. Well, you know what, continue talking. 480 00:25:12,000 --> 00:25:14,000 Speaker 1: I'm gonna make sure I get the right next week. Um. 481 00:25:14,080 --> 00:25:17,680 Speaker 1: Is Asian pop, which is like Maya and Iliana and 482 00:25:17,720 --> 00:25:20,320 Speaker 1: the Small People. I don't know show new show, first 483 00:25:20,320 --> 00:25:23,560 Speaker 1: show Halle has like and I wouldn't know about them 484 00:25:23,560 --> 00:25:26,359 Speaker 1: because I didn't get an email from them, and and 485 00:25:26,480 --> 00:25:28,000 Speaker 1: it's not like they need to start an email change 486 00:25:28,000 --> 00:25:30,080 Speaker 1: just for the people get on Facebook. It's hard to know. 487 00:25:30,240 --> 00:25:33,000 Speaker 1: Like that's just as important. Yeah, like I want to 488 00:25:33,000 --> 00:25:37,200 Speaker 1: be promoted to from certain people at least totally. Yeah, 489 00:25:37,200 --> 00:25:43,160 Speaker 1: it is the thirteenth Chrissie's show is Okay, Diane Trianguarila 490 00:25:43,240 --> 00:25:50,159 Speaker 1: at ucb Janu. She will be our next guest Another 491 00:25:50,280 --> 00:25:53,520 Speaker 1: Light in the World, True Light, my pal. Well, but 492 00:25:53,640 --> 00:25:56,640 Speaker 1: see that's the thing. It's like, Oh, I guess technically 493 00:25:56,720 --> 00:25:58,159 Speaker 1: what Matt saying is that you could like go on 494 00:25:58,200 --> 00:26:03,120 Speaker 1: Instagram and it's cross promoted in some cases. But if 495 00:26:03,160 --> 00:26:06,040 Speaker 1: we all decided to use Instagram that way, which I 496 00:26:06,080 --> 00:26:07,920 Speaker 1: know that's not the way you use Instagram. And I'm 497 00:26:07,960 --> 00:26:11,200 Speaker 1: also I'm not advocating for this revolution away from Facebook. 498 00:26:11,240 --> 00:26:13,480 Speaker 1: I'm just saying if you're feeling like me, and you're 499 00:26:13,480 --> 00:26:16,240 Speaker 1: feeling a little overwhelmed by everything and a little watched 500 00:26:16,840 --> 00:26:21,440 Speaker 1: and a little bit like crazy, um, you can take 501 00:26:21,440 --> 00:26:23,480 Speaker 1: a break. And I spoke to a couple of people 502 00:26:23,480 --> 00:26:25,800 Speaker 1: and that have taken a break and it's been really 503 00:26:25,840 --> 00:26:28,919 Speaker 1: good for them. And I actually everyone that I've spoken 504 00:26:28,960 --> 00:26:32,919 Speaker 1: to that that stopped using it, Um, they said it 505 00:26:32,960 --> 00:26:36,480 Speaker 1: was good for them. Actually raved about not being Yeah, 506 00:26:36,720 --> 00:26:41,919 Speaker 1: I believe Anthony King he used to artistic direct ucb 507 00:26:42,040 --> 00:26:44,119 Speaker 1: here wrote this. I think it was probably like some 508 00:26:44,240 --> 00:26:50,760 Speaker 1: self publishic medium article about how he just is basically 509 00:26:50,760 --> 00:26:53,359 Speaker 1: off Twitter just just because of the news aspect of it. 510 00:26:53,440 --> 00:26:56,480 Speaker 1: He does not want to feel constantly angry. It's because 511 00:26:56,480 --> 00:26:59,280 Speaker 1: you guys aren't journalists, you know what I mean? Like 512 00:26:59,600 --> 00:27:03,200 Speaker 1: I think, I think, Um, it's what do you mean? 513 00:27:03,200 --> 00:27:07,120 Speaker 1: You guys are journaling like all y'all on Facebook. You're 514 00:27:07,160 --> 00:27:12,240 Speaker 1: not journalists. And I understand. I think that, Um, when 515 00:27:12,280 --> 00:27:15,160 Speaker 1: it's on Facebook, it is filtered because it's in your voice. 516 00:27:15,640 --> 00:27:17,960 Speaker 1: And when you do go on Facebook, you are seeing 517 00:27:18,000 --> 00:27:21,320 Speaker 1: a feed of people that you selected to give you information, 518 00:27:21,760 --> 00:27:23,880 Speaker 1: and that is a filtered thing. So I would also 519 00:27:24,000 --> 00:27:27,120 Speaker 1: be interested to see what it was, what it would 520 00:27:27,119 --> 00:27:29,359 Speaker 1: be like if I just got my news from the news, 521 00:27:30,000 --> 00:27:31,840 Speaker 1: you know what I mean, Because that's not how I've 522 00:27:31,840 --> 00:27:33,800 Speaker 1: existed in this world. I don't know about like our 523 00:27:33,840 --> 00:27:35,520 Speaker 1: listeners and out there. I don't know about you guys, 524 00:27:35,560 --> 00:27:37,400 Speaker 1: but the way I've gotten news, in the way I've 525 00:27:37,440 --> 00:27:44,520 Speaker 1: heard about things is the View, but also Facebook, but 526 00:27:44,640 --> 00:27:46,800 Speaker 1: no lines. During the O eight election, I watched the 527 00:27:46,880 --> 00:27:49,879 Speaker 1: View every day. I watched the View every day, and 528 00:27:49,960 --> 00:27:52,440 Speaker 1: Henry hates the View. I don't hate it. I just 529 00:27:53,520 --> 00:27:55,480 Speaker 1: I'm so happy we're talking about the View? Can we 530 00:27:55,520 --> 00:27:58,440 Speaker 1: talking about the View? I just we've We've mentioned this 531 00:27:58,480 --> 00:28:01,280 Speaker 1: so many times in the show before, but truly, there 532 00:28:01,320 --> 00:28:03,639 Speaker 1: will never be a moment on TV again ever, like 533 00:28:03,760 --> 00:28:06,680 Speaker 1: Sherry Shepherd thinking the world is flat or not being 534 00:28:06,720 --> 00:28:08,719 Speaker 1: sure if the world is flat? Isn't that why we 535 00:28:08,880 --> 00:28:11,800 Speaker 1: why we should hoist them? Let me let me just 536 00:28:11,840 --> 00:28:14,320 Speaker 1: not anymore because the people in the View now suck. 537 00:28:14,840 --> 00:28:16,320 Speaker 1: I want to finish my thought about this news thing 538 00:28:16,320 --> 00:28:18,040 Speaker 1: because I don't want to just leave it technic. I'm just, 539 00:28:18,119 --> 00:28:21,280 Speaker 1: I'm just I'm interested in the idea of not hearing 540 00:28:21,320 --> 00:28:26,400 Speaker 1: about uh, the Russian interference by hearing about golden showers, 541 00:28:26,440 --> 00:28:29,080 Speaker 1: you know what I mean? Hashtag gold showers on Facebook. 542 00:28:29,119 --> 00:28:32,879 Speaker 1: I'm interested in and maybe watching Rachel Maddow and you 543 00:28:32,920 --> 00:28:36,119 Speaker 1: know what, and not and not hearing about what you 544 00:28:36,119 --> 00:28:38,720 Speaker 1: have to say about Rachel Maddow. While I love, while 545 00:28:38,760 --> 00:28:41,480 Speaker 1: I love hearing that, I would also love to watch 546 00:28:41,560 --> 00:28:44,640 Speaker 1: what she says. You know, we have cable now, I 547 00:28:44,640 --> 00:28:48,000 Speaker 1: can watch television. I can source things out myself. Maybe 548 00:28:48,080 --> 00:28:50,000 Speaker 1: the Facebook won't be the first website I go to 549 00:28:50,080 --> 00:28:52,360 Speaker 1: from now on, Maybe it will be a news source 550 00:28:52,400 --> 00:28:55,120 Speaker 1: that I trust. Yeah, we stop talking about Facebook. It's 551 00:28:55,120 --> 00:28:57,160 Speaker 1: really making me anxious. And you've been talking about it 552 00:28:57,200 --> 00:28:59,840 Speaker 1: so much. Like yeah, I don't know if because like 553 00:29:00,040 --> 00:29:03,240 Speaker 1: interjected like this, but that's okay, We're not talking my Facebook. 554 00:29:03,240 --> 00:29:06,160 Speaker 1: I will say one more thing re Rachel Maddow. I've 555 00:29:06,160 --> 00:29:08,480 Speaker 1: never been talking about the View, Okay, I have no 556 00:29:08,560 --> 00:29:11,440 Speaker 1: opinions on the view. Also just saying that too, I 557 00:29:11,520 --> 00:29:14,280 Speaker 1: do have opinions on Rachel Maddow, which is this. I've 558 00:29:14,320 --> 00:29:18,360 Speaker 1: had people tell me that like me not shutting the 559 00:29:18,360 --> 00:29:21,320 Speaker 1: funk up about Rachel Maadow has has helped them listen 560 00:29:21,360 --> 00:29:24,400 Speaker 1: to Rachel Mandow has every day, definitely. But I think 561 00:29:24,400 --> 00:29:26,760 Speaker 1: I'm gonna I'm rolling that back. And even today over 562 00:29:26,800 --> 00:29:30,360 Speaker 1: the phone with something with someone, uh like I was 563 00:29:30,360 --> 00:29:33,000 Speaker 1: talking to someone and they were like, oh, yeah, well, 564 00:29:33,040 --> 00:29:35,360 Speaker 1: I'm just trying to enjoy this last week of Obama 565 00:29:35,400 --> 00:29:39,120 Speaker 1: being president, and I was like, yep, yep, yep, it's tough. Uh. 566 00:29:39,640 --> 00:29:41,520 Speaker 1: And then I was telling them about how like much 567 00:29:41,520 --> 00:29:44,480 Speaker 1: of a jerk I've been over the phone to my representatives, 568 00:29:44,480 --> 00:29:46,040 Speaker 1: and he was like, oh, yeah, I saw on Facebook. 569 00:29:46,080 --> 00:29:48,640 Speaker 1: And then for some reason he got very self conscious, 570 00:29:48,680 --> 00:29:50,920 Speaker 1: like I was being too seen. And it's that it's 571 00:29:50,920 --> 00:29:53,880 Speaker 1: that like brand persona thing where it's like, oh wait, 572 00:29:54,160 --> 00:29:57,560 Speaker 1: and then I immediately sort of like, yeah, just defending 573 00:29:57,600 --> 00:29:59,440 Speaker 1: myself got defense and I was like, oh, you know what, 574 00:29:59,480 --> 00:30:00,840 Speaker 1: I think I've I need to roll it back because 575 00:30:00,880 --> 00:30:04,440 Speaker 1: I've been a little too militant anyway. Um, but it's 576 00:30:04,440 --> 00:30:06,080 Speaker 1: interesting to hear that you don't want to you don't 577 00:30:06,120 --> 00:30:08,360 Speaker 1: necessarily want to listen to me talk about Rachel, but 578 00:30:08,360 --> 00:30:10,760 Speaker 1: you want to watch Rachel Nado. Right, That's what I'm saying. 579 00:30:10,800 --> 00:30:13,560 Speaker 1: I just I just want I want my information like 580 00:30:14,400 --> 00:30:17,000 Speaker 1: from the source a little bit more as much as 581 00:30:17,120 --> 00:30:19,520 Speaker 1: as much as you can get that nowadays. But to 582 00:30:19,560 --> 00:30:21,720 Speaker 1: be like, oh, look, Bowen's talking about this thing that 583 00:30:21,760 --> 00:30:24,080 Speaker 1: I also listened to, and it is sharing with other people. 584 00:30:24,080 --> 00:30:26,600 Speaker 1: That is, yeah, if I had listened to it. But 585 00:30:26,640 --> 00:30:28,320 Speaker 1: what I'm saying is I'm getting the majority of my 586 00:30:28,360 --> 00:30:30,200 Speaker 1: news from this website, and I don't want to do this. 587 00:30:30,200 --> 00:30:32,720 Speaker 1: This isn't even this isn't even bigger zoom out from 588 00:30:32,720 --> 00:30:36,160 Speaker 1: like red feet, blue feet. It's like meta information. Okay, 589 00:30:36,200 --> 00:30:39,360 Speaker 1: let's not talk about Facebook anymore. Um the view, Oh 590 00:30:39,360 --> 00:30:42,760 Speaker 1: my god, Henry doesn't like it. It drives some nuts, 591 00:30:42,800 --> 00:30:45,239 Speaker 1: but I also understand why it drives. It's just like 592 00:30:45,240 --> 00:30:47,640 Speaker 1: watching people argue, you know, when like none of them 593 00:30:47,640 --> 00:30:49,920 Speaker 1: are experts on it. No. Do you know what really 594 00:30:49,960 --> 00:30:52,640 Speaker 1: made me feel shitty was when they were talking about 595 00:30:52,640 --> 00:30:58,160 Speaker 1: Maria the year. Come on, It's like, none of you 596 00:30:58,200 --> 00:31:00,760 Speaker 1: were singer. It's nothing, you know what. It's like, Oh wait, 597 00:31:00,840 --> 00:31:02,520 Speaker 1: let's talk about that. So this is our first episode 598 00:31:02,560 --> 00:31:04,800 Speaker 1: of the New Year. The three of us, I think, 599 00:31:04,800 --> 00:31:06,240 Speaker 1: are all on the same page about Maria and what 600 00:31:06,280 --> 00:31:11,240 Speaker 1: happened on New Year's all the way and look what if? 601 00:31:11,280 --> 00:31:13,360 Speaker 1: What a good sport she was by just going out 602 00:31:13,360 --> 00:31:16,080 Speaker 1: there and being like, wow, I can't do anything about 603 00:31:16,080 --> 00:31:18,680 Speaker 1: this fucking thing. So kind of like people are saying 604 00:31:18,720 --> 00:31:21,960 Speaker 1: she was like being sassy or unappreciative. When you're at 605 00:31:22,040 --> 00:31:25,440 Speaker 1: that level of stardom, it would be like embarrassing for 606 00:31:25,480 --> 00:31:27,680 Speaker 1: her to like be really shy and embarrassed. It was 607 00:31:27,760 --> 00:31:31,400 Speaker 1: like she owned it and was like things are falling apart, 608 00:31:31,560 --> 00:31:34,120 Speaker 1: and it's kind of funny, Like I thought she handled 609 00:31:34,160 --> 00:31:36,320 Speaker 1: it perfectly to me too, Oh my god. And to 610 00:31:36,600 --> 00:31:39,520 Speaker 1: end that whole fucking thing with the line doesn't get 611 00:31:39,520 --> 00:31:43,520 Speaker 1: any better than this is. So I'm fucking good. And 612 00:31:44,600 --> 00:31:47,120 Speaker 1: do the left, I mean do the lift just for laughs. 613 00:31:48,280 --> 00:31:51,080 Speaker 1: And I am not a Mariah fan. I've like really 614 00:31:51,160 --> 00:31:53,000 Speaker 1: rarely cared. It's not that I don't like her, I 615 00:31:53,040 --> 00:31:55,240 Speaker 1: just don't care. Music has never really gotten to me. 616 00:31:55,320 --> 00:31:58,440 Speaker 1: Maybe a few key tracks right, but overall, like I 617 00:31:58,720 --> 00:32:01,800 Speaker 1: can name three songs tops like I don't stand that's 618 00:32:01,840 --> 00:32:04,560 Speaker 1: why you don't love Mariah. But but that's I'm saying, 619 00:32:04,600 --> 00:32:06,520 Speaker 1: that's why it's big that for this New Year's Eve thing, 620 00:32:06,520 --> 00:32:09,760 Speaker 1: I was like, wait, no, she's fine, it's fine. Yeah, yeah, 621 00:32:09,800 --> 00:32:13,240 Speaker 1: oh my god. Henry had never heard the song. By all, look, 622 00:32:13,640 --> 00:32:15,960 Speaker 1: I will I will admit that I never really grew 623 00:32:16,000 --> 00:32:17,400 Speaker 1: up with Mariah in the same way that a lot 624 00:32:17,440 --> 00:32:20,360 Speaker 1: of other people did for me. Like that, It's interesting, 625 00:32:20,440 --> 00:32:23,520 Speaker 1: isn't it that the Mariah shaped hole was filled for 626 00:32:23,600 --> 00:32:25,680 Speaker 1: me by Selene? Like I was like I don't care 627 00:32:25,760 --> 00:32:28,080 Speaker 1: for other people. That's what happened, which I just like 628 00:32:28,080 --> 00:32:30,800 Speaker 1: a very childish thing to think. But now, what's interesting, 629 00:32:30,880 --> 00:32:33,480 Speaker 1: Even as a young gay, I felt the need to 630 00:32:33,520 --> 00:32:37,200 Speaker 1: stand behind just one of them, right, did you? Because 631 00:32:37,240 --> 00:32:39,239 Speaker 1: you you? Who did you love as a child? As 632 00:32:39,240 --> 00:32:41,040 Speaker 1: a child, was there a pop tva that you love? 633 00:32:41,240 --> 00:32:44,720 Speaker 1: I got really into Janet Jackson. I didn't know that 634 00:32:44,760 --> 00:32:47,560 Speaker 1: about you. That's cool. And I wasn't in the pop 635 00:32:47,680 --> 00:32:50,040 Speaker 1: music all because I was very sheltered, Like I listened 636 00:32:50,000 --> 00:32:52,000 Speaker 1: to like classical music and jazz and like music theater. 637 00:32:52,040 --> 00:32:54,520 Speaker 1: That's it. Um. And then I got to sixth grade 638 00:32:54,560 --> 00:32:56,800 Speaker 1: and there's this kid named josh Oh I won't say 639 00:32:56,840 --> 00:33:02,360 Speaker 1: his last name who I he is obsessed was obsessed 640 00:33:02,360 --> 00:33:04,560 Speaker 1: to Janet Jackson, and he like introduced me to her 641 00:33:04,840 --> 00:33:07,440 Speaker 1: like we were. I think he's probably gay. I haven't 642 00:33:07,440 --> 00:33:09,200 Speaker 1: seen him like since eighth grade, but I think he's 643 00:33:09,200 --> 00:33:12,280 Speaker 1: probably gay NOWT and I think we were bonding exactly. 644 00:33:12,600 --> 00:33:15,040 Speaker 1: I think we're We became like pretty good friends whose 645 00:33:15,040 --> 00:33:19,120 Speaker 1: were both gay, and he like changed my world, like 646 00:33:19,160 --> 00:33:20,920 Speaker 1: he would make me listen to stuff, he would make 647 00:33:20,960 --> 00:33:23,360 Speaker 1: me watch music videos and I didn't know she went 648 00:33:23,480 --> 00:33:26,400 Speaker 1: like I know who Michael Jackson is because like you 649 00:33:26,440 --> 00:33:29,480 Speaker 1: can't avoid that. Um and yeah, for a good reason. 650 00:33:29,480 --> 00:33:33,760 Speaker 1: He's amazing. Um. But yeah, like it was so different 651 00:33:33,760 --> 00:33:36,920 Speaker 1: than anything I had been exposed to, and I was like, yes, 652 00:33:37,040 --> 00:33:40,160 Speaker 1: I love Janet Jackson now and like became really into it. 653 00:33:40,160 --> 00:33:42,880 Speaker 1: Which Janet was that this is like all for you, 654 00:33:43,240 --> 00:33:46,560 Speaker 1: doesn't really matter. Um, like yeah, so this would have 655 00:33:46,600 --> 00:33:53,880 Speaker 1: been who I was in sixth grade? Interesting yeah, um 656 00:33:53,960 --> 00:33:56,200 Speaker 1: yeah she was huge at that point, it was, and 657 00:33:56,400 --> 00:33:58,880 Speaker 1: it was like a revival. Yeah. And I wasn't allowed 658 00:33:58,880 --> 00:34:01,040 Speaker 1: to watch PG thirteen movie until I was thirteen, but 659 00:34:01,120 --> 00:34:04,520 Speaker 1: my friend Josh showed me The Nutty Professor and stuff 660 00:34:04,760 --> 00:34:07,120 Speaker 1: amazing and which was like I had never seen a 661 00:34:07,200 --> 00:34:09,279 Speaker 1: comedy like that. I hadn't see a comedy that wasn't 662 00:34:09,320 --> 00:34:14,279 Speaker 1: like Disney or something, and and it was like it 663 00:34:14,400 --> 00:34:16,920 Speaker 1: was insane to see. And I didn't know who Eddie 664 00:34:16,960 --> 00:34:18,960 Speaker 1: Murphy was. Like I was very sheltered as a kid. 665 00:34:18,960 --> 00:34:21,240 Speaker 1: Would you bring up because because it's because of January 666 00:34:21,239 --> 00:34:23,239 Speaker 1: it's your first PG thirteen movie that you saw, No, 667 00:34:23,560 --> 00:34:26,360 Speaker 1: but yeah, okay, oh really is she? Even in the 668 00:34:26,400 --> 00:34:31,160 Speaker 1: movie she's the love interest of the Clumps, which I 669 00:34:31,200 --> 00:34:33,480 Speaker 1: can't say the word the clumps with that laughing, and 670 00:34:33,560 --> 00:34:36,240 Speaker 1: I never the way the reason I saw the clumps, 671 00:34:36,080 --> 00:34:38,400 Speaker 1: it's because one day I was just let me the 672 00:34:38,400 --> 00:34:42,879 Speaker 1: title of this episode. No no, no, no no, we'll 673 00:34:42,920 --> 00:34:45,239 Speaker 1: figure it out. It's not worthy of our guest. But 674 00:34:47,760 --> 00:34:54,160 Speaker 1: the title of the episode is he makes us um Okay. 675 00:34:54,239 --> 00:34:56,000 Speaker 1: But the reason I saw the clumps is because one 676 00:34:56,040 --> 00:34:57,840 Speaker 1: day I was just like sitting in my house and 677 00:34:57,880 --> 00:34:59,799 Speaker 1: my dad was like, hey, get in the car. I 678 00:34:59,840 --> 00:35:01,480 Speaker 1: was like okay. He's like, we're going to go see 679 00:35:01,480 --> 00:35:05,840 Speaker 1: the clumps, like okay, And my dad had never done this, never. 680 00:35:06,440 --> 00:35:09,480 Speaker 1: But one thing about my dad that actually I'm remembering 681 00:35:09,520 --> 00:35:11,920 Speaker 1: now is he actually is a huge Eddie Murphy fan. 682 00:35:12,280 --> 00:35:15,680 Speaker 1: First album was Eddie Murphy's comedy album. So he's like 683 00:35:15,680 --> 00:35:17,719 Speaker 1: an Eddie Murphy fan going all the way back. I 684 00:35:17,719 --> 00:35:21,360 Speaker 1: don't think he's seen like Norbit, but like Which is 685 00:35:21,360 --> 00:35:26,160 Speaker 1: a great movie. It's fantastically any any movie where the 686 00:35:26,239 --> 00:35:33,080 Speaker 1: character named rest, I mean that's for me, but anyway, uh, anyway, 687 00:35:33,320 --> 00:35:36,319 Speaker 1: so he I think loves Eddie Murphy and just put 688 00:35:36,320 --> 00:35:37,759 Speaker 1: me in the car and we want to go see it. 689 00:35:37,840 --> 00:35:40,560 Speaker 1: And then there's that one scene where like the the 690 00:35:40,800 --> 00:35:43,600 Speaker 1: like one of the weird white guys gets like asked 691 00:35:43,920 --> 00:35:46,359 Speaker 1: by that hamster, I've never seen it. Oh, you need 692 00:35:46,400 --> 00:35:49,239 Speaker 1: to see the clubs now. It is a comedic to 693 00:35:49,480 --> 00:35:52,880 Speaker 1: force I want to go home, smokable and just watch 694 00:35:53,000 --> 00:35:59,080 Speaker 1: nor again. Can we do that? Like tonight? My god? 695 00:35:59,120 --> 00:36:02,200 Speaker 1: We should no, wait, not nor but though we should 696 00:36:02,200 --> 00:36:04,279 Speaker 1: find a way to get the clumps? No, I no, 697 00:36:04,480 --> 00:36:06,640 Speaker 1: I don't want. I don't I've actually never seen Norbit 698 00:36:06,719 --> 00:36:09,359 Speaker 1: and I kind of refused. I've never seen Okay, how 699 00:36:09,400 --> 00:36:11,239 Speaker 1: can you expect me to watch the clumps but you 700 00:36:11,280 --> 00:36:14,880 Speaker 1: refused to watch the clumps? Is actual quality? Because Norbit 701 00:36:15,000 --> 00:36:19,920 Speaker 1: is actual quality? Okay, this is guy listeners, help us 702 00:36:20,480 --> 00:36:23,200 Speaker 1: weigh in on this. Please Norbitt versus not any professor 703 00:36:23,200 --> 00:36:25,759 Speaker 1: to the clumps? Which is better? Okay, let's keep going. 704 00:36:25,880 --> 00:36:30,880 Speaker 1: You know what else is in that I liked at 705 00:36:30,920 --> 00:36:32,960 Speaker 1: the time when I saw it is why did they 706 00:36:33,000 --> 00:36:36,520 Speaker 1: get married? Too? By Tyler Perry, which also has Jill Scott, 707 00:36:36,560 --> 00:36:41,600 Speaker 1: who is my current favorite. Yeah, that's who Henry loves 708 00:36:41,719 --> 00:36:44,120 Speaker 1: is my number one. I would have the same reaction 709 00:36:44,160 --> 00:36:47,200 Speaker 1: to meeting her as Michelle explain why, because Henry has 710 00:36:47,200 --> 00:36:51,080 Speaker 1: a very interesting taste yes, yes. When you listen to 711 00:36:51,200 --> 00:36:54,200 Speaker 1: Jill Scott's music, it is all her. She writes every word, 712 00:36:54,280 --> 00:36:57,680 Speaker 1: she writes every note. She's a fantastic musician. Um. She 713 00:36:57,800 --> 00:37:01,680 Speaker 1: started out as an English teacher in Philly and was 714 00:37:01,719 --> 00:37:03,680 Speaker 1: teaching poetry, and she started writing her own and she 715 00:37:03,680 --> 00:37:06,000 Speaker 1: started going to jams and stuff, and she'd always been 716 00:37:06,000 --> 00:37:08,560 Speaker 1: a talented vocalist and stuff. And then I can't remember 717 00:37:08,560 --> 00:37:11,560 Speaker 1: who discovered her. I think Erica Bad discovered her. They're 718 00:37:11,600 --> 00:37:15,080 Speaker 1: really good friends. And um, you also love Eric and 719 00:37:15,120 --> 00:37:18,400 Speaker 1: I love Eric. Oh my god. Yeah, I've seen Erica 720 00:37:18,520 --> 00:37:22,160 Speaker 1: four times live. I've seen Jill once because she rarely 721 00:37:22,160 --> 00:37:24,560 Speaker 1: comes to New York. Um. She did New Year's Eve 722 00:37:24,600 --> 00:37:26,719 Speaker 1: at Radio City and it was I was poor at 723 00:37:26,719 --> 00:37:29,040 Speaker 1: the time and couldn't go, but I'm she's the best. 724 00:37:29,080 --> 00:37:32,960 Speaker 1: When I did see her, I just cried the whole time. Like, 725 00:37:33,040 --> 00:37:35,520 Speaker 1: and her albums don't do like I think they're really good, 726 00:37:35,560 --> 00:37:38,600 Speaker 1: like easy listening, like they're really relaxing and just the 727 00:37:38,640 --> 00:37:41,279 Speaker 1: most amazing beats and stuff. But she doesn't like go 728 00:37:41,360 --> 00:37:44,160 Speaker 1: in with the vocals. When you see her live, she 729 00:37:44,360 --> 00:37:46,680 Speaker 1: is one of the best vocalists I've ever heard. She 730 00:37:46,760 --> 00:37:48,879 Speaker 1: has like the range of an opera singer, but like 731 00:37:49,239 --> 00:37:53,799 Speaker 1: the soul of you know, a soul singer rum and 732 00:37:53,840 --> 00:37:58,200 Speaker 1: then she like takes from all types of genres and 733 00:37:58,200 --> 00:38:00,640 Speaker 1: puts them. She is so when I see her live, 734 00:38:01,080 --> 00:38:03,360 Speaker 1: the one time I saw our live, it was life changing. 735 00:38:04,120 --> 00:38:08,000 Speaker 1: Um did you really watch her show on HBO? It 736 00:38:08,080 --> 00:38:11,480 Speaker 1: was called Number one Ladies at Text. Yes, it was, 737 00:38:11,560 --> 00:38:14,160 Speaker 1: like I think, beloved by critics, but it did only 738 00:38:14,239 --> 00:38:16,239 Speaker 1: last one season and Nika Noni Rose was on it. 739 00:38:17,360 --> 00:38:21,720 Speaker 1: And who's also incredible. Come forth, come forth, come forth? 740 00:38:22,400 --> 00:38:24,799 Speaker 1: That is in the front the front runner for the 741 00:38:24,800 --> 00:38:26,960 Speaker 1: title of this epod. We've said this before, we come forth. 742 00:38:27,000 --> 00:38:28,359 Speaker 1: We said, you know who else you've said come forth 743 00:38:28,360 --> 00:38:31,479 Speaker 1: about on what it's called ristas Katherine Keener. We said, 744 00:38:31,480 --> 00:38:36,759 Speaker 1: come forth Katherine Keener. Anyway, Um, yeah, I I we 745 00:38:36,920 --> 00:38:38,440 Speaker 1: I listened. We listened to a little bit of Jill 746 00:38:38,480 --> 00:38:41,759 Speaker 1: Scott here and there, um, and I like her. I 747 00:38:41,760 --> 00:38:46,719 Speaker 1: don't really get her track on the Hamilton mixtape. She 748 00:38:46,800 --> 00:38:50,479 Speaker 1: just does. Can't say no to this, but she thinks 749 00:38:51,320 --> 00:38:55,239 Speaker 1: perspective of yeah, I liked to listen. No, wait, is 750 00:38:55,280 --> 00:38:57,920 Speaker 1: this true? Though? She does she range her own stuff too. 751 00:38:58,320 --> 00:39:00,239 Speaker 1: I believe she does a lot of that here. She 752 00:39:00,280 --> 00:39:02,600 Speaker 1: has people she works with, but she like it's her 753 00:39:02,680 --> 00:39:05,560 Speaker 1: ideas and stuff, and um, I've listened to tons of 754 00:39:05,600 --> 00:39:08,439 Speaker 1: live recordings and she always is really unique. I've never 755 00:39:08,680 --> 00:39:10,440 Speaker 1: like one of her most famous songs, and my favorite 756 00:39:10,480 --> 00:39:14,360 Speaker 1: song is Golden And every live performance is totally different, 757 00:39:14,800 --> 00:39:17,799 Speaker 1: not even different like tempo, like different genres. She has 758 00:39:17,800 --> 00:39:19,560 Speaker 1: like one where she does as like a samba, or 759 00:39:19,560 --> 00:39:22,200 Speaker 1: she has one where she's like an insanely slow like 760 00:39:22,360 --> 00:39:26,880 Speaker 1: jazz ballot, and then she'll like or it's so cool, 761 00:39:27,000 --> 00:39:30,680 Speaker 1: She's so amazing, and she gets the best musicians, like incredible. 762 00:39:30,760 --> 00:39:33,880 Speaker 1: They're all jazz musicians playing like R and B and stuff, 763 00:39:33,960 --> 00:39:37,480 Speaker 1: which is like the best package jazz musicians playing R 764 00:39:37,520 --> 00:39:39,920 Speaker 1: and B and Oh it's so good. And you know 765 00:39:39,960 --> 00:39:44,160 Speaker 1: who else is amazing live? Lauren Hill. I've seen her. 766 00:39:45,000 --> 00:39:47,480 Speaker 1: I've seen her three times, and one time I saw her, 767 00:39:47,920 --> 00:39:51,560 Speaker 1: she was singing I think everything what is that one? 768 00:39:51,880 --> 00:39:54,799 Speaker 1: Everything is everything? Everything is everything? Yeah, and she like 769 00:39:54,920 --> 00:39:59,520 Speaker 1: had her backup singers like keep singing this like um, Austin, 770 00:39:59,520 --> 00:40:04,000 Speaker 1: not Sonana, but like this repetitive phrase and slowly she 771 00:40:04,080 --> 00:40:06,000 Speaker 1: made each person in the band drop out. She like 772 00:40:06,040 --> 00:40:09,120 Speaker 1: pointed the drummer and like do like the like kill 773 00:40:09,120 --> 00:40:11,440 Speaker 1: herself signed and then stopped, and so it's just the 774 00:40:11,440 --> 00:40:14,000 Speaker 1: backup singers. And then she took the backup singers like 775 00:40:14,200 --> 00:40:16,520 Speaker 1: she put her finger to her ear and then like 776 00:40:16,800 --> 00:40:18,719 Speaker 1: gesture to one of them and singing and be like 777 00:40:18,920 --> 00:40:21,680 Speaker 1: saying this, no, no, saying this, and she would change 778 00:40:21,719 --> 00:40:25,120 Speaker 1: the chords they were singing and like make weird modulations happen, 779 00:40:25,600 --> 00:40:29,120 Speaker 1: and it morphed into like just this weird like avant 780 00:40:29,160 --> 00:40:32,879 Speaker 1: garde like soul music thing, just her and her three 781 00:40:32,880 --> 00:40:36,200 Speaker 1: backup singers, and then slowly she would sneak in the 782 00:40:36,200 --> 00:40:39,000 Speaker 1: other instruments again and it would like be a different song. 783 00:40:39,120 --> 00:40:42,600 Speaker 1: It was sounds amazing. Just you hearing you describe that 784 00:40:42,760 --> 00:40:47,719 Speaker 1: is incredible. She's so good and her band is incredible. 785 00:40:47,760 --> 00:40:50,680 Speaker 1: Didn't you meet her keyboardists recently? I met someone that 786 00:40:50,719 --> 00:40:53,000 Speaker 1: plays keys for her yet where I worked with them 787 00:40:53,000 --> 00:40:55,360 Speaker 1: at the ride. Oh wow, yeah, I got real super 788 00:40:55,360 --> 00:40:59,160 Speaker 1: cool guy Tom. I probably saw for Lauren and that 789 00:40:59,280 --> 00:41:02,719 Speaker 1: she's amazing and also getting out of jail soon and 790 00:41:02,760 --> 00:41:08,360 Speaker 1: that she's gonna hopefully begin creating music again hopefully. Also 791 00:41:08,680 --> 00:41:11,719 Speaker 1: u CEB Comedies Matt Rubano is the bass player on 792 00:41:11,760 --> 00:41:16,080 Speaker 1: Miseducation of Lauren Hill. Phenomenal. It's not nuts. That's my 793 00:41:16,160 --> 00:41:18,359 Speaker 1: favorite thing about him. He's a great guy. But like 794 00:41:18,440 --> 00:41:20,959 Speaker 1: that's like, yeah, that's like one of his She said 795 00:41:21,000 --> 00:41:24,399 Speaker 1: the second thing, what's your second favorite thing about him? 796 00:41:24,560 --> 00:41:30,480 Speaker 1: His stage president, musician. He's a very talented like actor, 797 00:41:31,000 --> 00:41:35,200 Speaker 1: comedy guy. He is. M Oh, my god, so I guess, 798 00:41:35,239 --> 00:41:37,840 Speaker 1: but maybe we can go into this thing. You know what, though, 799 00:41:38,360 --> 00:41:40,360 Speaker 1: I think this is a good opportunity to ask Henry 800 00:41:40,400 --> 00:41:43,520 Speaker 1: about I was going to say beginning that, Henry, this 801 00:41:43,560 --> 00:41:45,279 Speaker 1: is the question we ask all of our guests. I'm 802 00:41:45,320 --> 00:41:47,920 Speaker 1: sure you know what culture did you grow up with 803 00:41:47,960 --> 00:41:50,600 Speaker 1: and what were some of the cultural relics that made 804 00:41:50,640 --> 00:41:55,080 Speaker 1: you say culture is for me? Um My mother was 805 00:41:55,160 --> 00:41:58,239 Speaker 1: like my culture curator. To a guy come out, I 806 00:41:58,320 --> 00:42:01,520 Speaker 1: was like very sheltered. Again, like I didn't know, like 807 00:42:01,920 --> 00:42:04,920 Speaker 1: about the Spice Girls until like five years after they 808 00:42:04,960 --> 00:42:08,400 Speaker 1: were a thing. You know. Oh my mom is a 809 00:42:08,440 --> 00:42:11,560 Speaker 1: color tour soprano and she travels all over the country. 810 00:42:11,680 --> 00:42:15,400 Speaker 1: She's international tours and stuff as a classical solo as 811 00:42:15,480 --> 00:42:18,719 Speaker 1: she's sung with major symphonies around the world. I'm so 812 00:42:18,800 --> 00:42:21,560 Speaker 1: proud of her. She's amazing and what's her name, what's 813 00:42:21,560 --> 00:42:26,640 Speaker 1: her first name, Diane her stage and she's so amazing, 814 00:42:26,680 --> 00:42:28,839 Speaker 1: and I'm so proud of her. And sometimes I get 815 00:42:28,960 --> 00:42:31,000 Speaker 1: I've like cried before because I feel guilty that she 816 00:42:31,120 --> 00:42:33,879 Speaker 1: had me and my brothers, because it prevented her from 817 00:42:33,920 --> 00:42:37,160 Speaker 1: becoming like a household. Like I think she's about my mom. 818 00:42:37,840 --> 00:42:40,120 Speaker 1: I think my mom could have been like Laura Osmes 819 00:42:40,400 --> 00:42:43,560 Speaker 1: my mom all of my mom's I'm sorry, just just 820 00:42:44,680 --> 00:42:47,480 Speaker 1: all of my mom's college friends friends from med school 821 00:42:47,680 --> 00:42:50,320 Speaker 1: say that if my mom had stayed in China, she 822 00:42:50,320 --> 00:42:52,360 Speaker 1: would have been the surgeon general, like that, the equivalent 823 00:42:52,400 --> 00:42:55,160 Speaker 1: of this. She was the best student and at the 824 00:42:55,160 --> 00:42:57,360 Speaker 1: best medical school in all of China, and then she 825 00:42:57,440 --> 00:42:59,480 Speaker 1: moved to America, Like I would not have been born 826 00:42:59,480 --> 00:43:01,879 Speaker 1: in China, sure with the one child only policy because 827 00:43:01,880 --> 00:43:04,719 Speaker 1: I'm the second. Oh wow, So I just get I 828 00:43:04,719 --> 00:43:07,400 Speaker 1: get a weird existential thing where it's like, like I 829 00:43:07,480 --> 00:43:10,560 Speaker 1: exist at the expense of my mom's career. But it's 830 00:43:10,719 --> 00:43:12,879 Speaker 1: okay's interesting that you feel this way. Yeah, I wish 831 00:43:12,960 --> 00:43:14,960 Speaker 1: my mom had moved to New York. I kind of 832 00:43:15,040 --> 00:43:17,319 Speaker 1: auditioned for Broadwa because she's that good and she's a 833 00:43:17,400 --> 00:43:20,080 Speaker 1: great actress to like she would do community theater. When 834 00:43:20,120 --> 00:43:21,640 Speaker 1: I was a little kid, she was in the music Man, 835 00:43:21,719 --> 00:43:23,680 Speaker 1: which is a huge cultural thing. I knew every word 836 00:43:23,760 --> 00:43:26,080 Speaker 1: every song Man. When I was three, she was marrying 837 00:43:26,719 --> 00:43:28,560 Speaker 1: and she was also an Annie and I think she 838 00:43:28,600 --> 00:43:31,279 Speaker 1: played grace. Um. That's when I was really young. But 839 00:43:31,320 --> 00:43:34,279 Speaker 1: I still like, my favorite song of all time is 840 00:43:34,360 --> 00:43:36,279 Speaker 1: maybe from Annie. It's because like it's one of the 841 00:43:36,280 --> 00:43:38,839 Speaker 1: first songs I learned. Your favorite musical too, um, And 842 00:43:38,840 --> 00:43:42,560 Speaker 1: Annie's my favorite musical because it's the first like music 843 00:43:42,600 --> 00:43:45,160 Speaker 1: I was introduced to because I would hear my mom 844 00:43:45,200 --> 00:43:49,480 Speaker 1: practicing it or I don't know. Um. Yeah, she's amazing 845 00:43:49,760 --> 00:43:53,400 Speaker 1: and I wish and she's still working, like she tours still, 846 00:43:53,480 --> 00:43:56,000 Speaker 1: and she has an amazing new musical partner that is 847 00:43:56,000 --> 00:43:58,640 Speaker 1: doing some like jazz stuff where like she's so good. 848 00:43:58,719 --> 00:44:01,120 Speaker 1: I love my mother. I I saw a video of 849 00:44:01,160 --> 00:44:05,879 Speaker 1: Henry and and Diane playing on the piano together and oh, 850 00:44:06,400 --> 00:44:09,560 Speaker 1: beautiful video one. But Henry will say that that that 851 00:44:09,600 --> 00:44:12,680 Speaker 1: he was terrible or something. I no, no, no, I mean, yeah, 852 00:44:12,680 --> 00:44:14,680 Speaker 1: I mess up a lot, but it's fine. Like she 853 00:44:14,960 --> 00:44:17,759 Speaker 1: I will also say, is such a good pianist, and 854 00:44:17,920 --> 00:44:19,680 Speaker 1: I'm so proud of that because she's not known for 855 00:44:19,719 --> 00:44:21,560 Speaker 1: it all. When I was a little kid, she taught 856 00:44:21,560 --> 00:44:24,640 Speaker 1: piano lessons all the time and she would this is 857 00:44:24,680 --> 00:44:27,160 Speaker 1: like early culture stuff, Like she would play like Beethoven 858 00:44:27,160 --> 00:44:29,319 Speaker 1: Sinatis for me and like point out stuff. I would 859 00:44:29,360 --> 00:44:30,719 Speaker 1: sit next to her on the bench and she'd be like, 860 00:44:30,800 --> 00:44:32,960 Speaker 1: isn't this part cool? How it does this and stuff 861 00:44:33,000 --> 00:44:37,359 Speaker 1: like that, and it like totally just like gave me 862 00:44:37,520 --> 00:44:42,040 Speaker 1: Like I'm obsessed with class music still, and um, even 863 00:44:42,080 --> 00:44:44,400 Speaker 1: though like I don't perform it at all because you 864 00:44:44,440 --> 00:44:46,200 Speaker 1: have to commit to me, a classmal musician need to 865 00:44:46,200 --> 00:44:48,879 Speaker 1: practice like five hours a day and stuff, um, which 866 00:44:49,040 --> 00:44:51,919 Speaker 1: I could never do. But I still have appreciation because 867 00:44:51,960 --> 00:44:56,000 Speaker 1: of her and um. And even before the first like 868 00:44:56,200 --> 00:45:00,640 Speaker 1: movie I would watch consistently is Mozart. It's the Magic 869 00:45:00,680 --> 00:45:04,120 Speaker 1: Flute in German and because she would put on before 870 00:45:04,120 --> 00:45:08,400 Speaker 1: I could even speak English, and and I it's you 871 00:45:08,400 --> 00:45:12,160 Speaker 1: know Mozart, so it's incredible. It's this isn't good for 872 00:45:12,239 --> 00:45:15,120 Speaker 1: your listeners. If you want to get into opera a 873 00:45:15,200 --> 00:45:19,480 Speaker 1: good like Gateway opera, is am I using that word correctly, 874 00:45:20,239 --> 00:45:23,200 Speaker 1: is the magic flute? It's like a comedy, but it's 875 00:45:23,239 --> 00:45:27,719 Speaker 1: also like very like fantastic as in like fantasy like 876 00:45:28,480 --> 00:45:32,520 Speaker 1: dreamy and saying there's dragons and kings and queens and um. 877 00:45:32,600 --> 00:45:35,680 Speaker 1: But it's also really oh my god, well it's at 878 00:45:35,719 --> 00:45:39,120 Speaker 1: the this month actually um for but the like lead 879 00:45:39,320 --> 00:45:41,319 Speaker 1: is like this famous Russian guy, so it's like a 880 00:45:41,360 --> 00:45:43,400 Speaker 1: thousand dollars will take out, which is like why opera 881 00:45:43,480 --> 00:45:47,120 Speaker 1: is dying because who can do that? Um? But the 882 00:45:47,160 --> 00:45:52,120 Speaker 1: Magic Flute disaber flauta or something in German is uh 883 00:45:52,239 --> 00:45:55,080 Speaker 1: an amazing opera. That's the that's I'm sorry, that's the title. 884 00:45:59,640 --> 00:46:02,920 Speaker 1: But for pointing out my producer Alex, let's please translate 885 00:46:02,920 --> 00:46:05,600 Speaker 1: that and Google translate German for the Magic Free Okay, yeah, 886 00:46:05,960 --> 00:46:10,040 Speaker 1: it's um and it's also one of the only or 887 00:46:10,239 --> 00:46:13,240 Speaker 1: not only, but like most operas were written in Italian 888 00:46:13,280 --> 00:46:16,239 Speaker 1: no matter what the composer was, but Mozart wrote it 889 00:46:16,239 --> 00:46:18,279 Speaker 1: in German, which is kind of like huge as well 890 00:46:18,320 --> 00:46:20,839 Speaker 1: because he was awesome. I have to interact and site. 891 00:46:20,880 --> 00:46:23,480 Speaker 1: I had an idiot music teacher in seventh grade that 892 00:46:23,560 --> 00:46:27,600 Speaker 1: told me every opera was was in English. He's like, 893 00:46:27,719 --> 00:46:29,840 Speaker 1: you know, every opera is in English. The reason you 894 00:46:29,880 --> 00:46:32,960 Speaker 1: can't understand the words, just because they're singing it so classically, 895 00:46:34,320 --> 00:46:36,560 Speaker 1: and and we all went for it. I don't know 896 00:46:36,600 --> 00:46:38,719 Speaker 1: if he was working with us, he seemed genuine. I 897 00:46:38,760 --> 00:46:41,120 Speaker 1: don't think there were any English this was maybe totally wrong, 898 00:46:41,160 --> 00:46:44,279 Speaker 1: any English operas to like the nineteen hundreds Benjamin Brand, 899 00:46:44,360 --> 00:46:47,799 Speaker 1: not according to Mr or whatever the fun wow, but 900 00:46:47,920 --> 00:46:50,239 Speaker 1: he legitimately told us that. And as you're saying that, 901 00:46:50,680 --> 00:46:53,280 Speaker 1: shaking my head thinking about like how there was literally 902 00:46:53,360 --> 00:46:56,759 Speaker 1: robbed of an an opera. You know, it's just fascinating 903 00:46:56,800 --> 00:46:59,640 Speaker 1: to me because like it's like with anything, like you 904 00:46:59,719 --> 00:47:02,880 Speaker 1: have had an exposure to that kind of thing, like 905 00:47:02,920 --> 00:47:05,720 Speaker 1: you know what I mean. But like for me where 906 00:47:05,760 --> 00:47:08,759 Speaker 1: I grew up, it was all about sports and then 907 00:47:08,840 --> 00:47:11,360 Speaker 1: other communities, you know, Like I had a friend um 908 00:47:11,440 --> 00:47:14,920 Speaker 1: who in college who was She went to a high 909 00:47:14,960 --> 00:47:17,680 Speaker 1: school in Texas and obviously they're all about sports there 910 00:47:17,680 --> 00:47:20,160 Speaker 1: as well, But the budget for the theater program was 911 00:47:20,239 --> 00:47:22,320 Speaker 1: like over the top, like pictures of her in the 912 00:47:22,360 --> 00:47:26,280 Speaker 1: scarlet pimpernel with like a floor length gown, like obviously 913 00:47:26,320 --> 00:47:28,440 Speaker 1: the budget through the roof. And it's like it really 914 00:47:28,480 --> 00:47:31,200 Speaker 1: matters what you're exposed to as a child, like those 915 00:47:31,280 --> 00:47:35,120 Speaker 1: instincts can can either flourish or just never gets tapped 916 00:47:35,120 --> 00:47:37,560 Speaker 1: into based on like what you're exposed to as a child. 917 00:47:37,600 --> 00:47:39,600 Speaker 1: That's why it's so important that we have like arts 918 00:47:39,600 --> 00:47:42,799 Speaker 1: and schools. And that takes me panic because I hope 919 00:47:42,800 --> 00:47:45,360 Speaker 1: we're headed in a good direction with that, but who knows. 920 00:47:45,719 --> 00:47:49,360 Speaker 1: I mean we need that, like because thank God that 921 00:47:49,440 --> 00:47:51,759 Speaker 1: you know all that ship like how you're able to 922 00:47:51,800 --> 00:47:54,200 Speaker 1: make a living now. Yeah, And it wasn't just my mom, 923 00:47:54,280 --> 00:47:57,040 Speaker 1: Like I had my elementary school music teacher, Mrs Vandessa 924 00:47:57,160 --> 00:48:00,640 Speaker 1: Kathleen Vandessa, I think that's her first name. She was 925 00:48:00,840 --> 00:48:03,000 Speaker 1: so excellent, Like she would expose this to like she 926 00:48:03,040 --> 00:48:05,360 Speaker 1: would like take class with music and like paint a 927 00:48:05,400 --> 00:48:07,120 Speaker 1: picture for us kind of in our heads, be like 928 00:48:07,440 --> 00:48:11,000 Speaker 1: doesn't this sound like a like a river with salmon 929 00:48:11,080 --> 00:48:13,120 Speaker 1: jumping in or something like that, And I would like 930 00:48:13,320 --> 00:48:16,480 Speaker 1: I knew I had this like deep knowledge of like 931 00:48:16,520 --> 00:48:18,839 Speaker 1: class of music when I was like in second grade. 932 00:48:18,840 --> 00:48:20,839 Speaker 1: I knew like all these composers and I could like 933 00:48:21,000 --> 00:48:23,640 Speaker 1: identify like Beethoven symphonies and stuff, which I can't even 934 00:48:23,680 --> 00:48:26,440 Speaker 1: do anymore, um, but I loved that I could do 935 00:48:26,520 --> 00:48:29,840 Speaker 1: that and one lesson I can remember, like sitting in 936 00:48:29,880 --> 00:48:32,520 Speaker 1: the room. There's this composer in French, composer Na Camille. 937 00:48:32,920 --> 00:48:36,000 Speaker 1: I always mispronounced the second name, last name, say saw 938 00:48:36,200 --> 00:48:40,359 Speaker 1: it's it looks like yeah him. He wrote this piece 939 00:48:40,360 --> 00:48:43,760 Speaker 1: of music called Carnival of the Animals and each piece 940 00:48:44,000 --> 00:48:45,719 Speaker 1: is supposed to sound like an animal. You might see 941 00:48:45,719 --> 00:48:49,360 Speaker 1: it this zoo, like a lion, or um an elephant, 942 00:48:49,440 --> 00:48:53,880 Speaker 1: stuff like that, and that lesson, like I asked my 943 00:48:53,920 --> 00:48:55,400 Speaker 1: mom if we could buy it. It was the first 944 00:48:55,400 --> 00:48:57,640 Speaker 1: CD I ever owned. The first time I ever bought 945 00:48:57,640 --> 00:49:00,279 Speaker 1: was Charlie Brown Christmas, which is the best, But first 946 00:49:00,280 --> 00:49:02,719 Speaker 1: album I ever owned was Carnival the Animals by like 947 00:49:02,760 --> 00:49:06,920 Speaker 1: the Philadelphia Philharmonic, I think um led by Marvin Hamlesh 948 00:49:07,080 --> 00:49:10,120 Speaker 1: or that's Pittsburgh, No, Pittsburgh and he was the pops conductor, 949 00:49:10,239 --> 00:49:15,080 Speaker 1: so never mind, but um, yeah, Carnival the Animals. Also 950 00:49:15,160 --> 00:49:17,480 Speaker 1: there's one piece from it called the Aquarium, which is 951 00:49:17,520 --> 00:49:21,920 Speaker 1: supposed sounds like fish and Allan mankin Um totally was 952 00:49:21,960 --> 00:49:24,000 Speaker 1: inspired by that for the Beauty and the Beast score, 953 00:49:24,120 --> 00:49:29,719 Speaker 1: you know the da you know that piece like when 954 00:49:29,719 --> 00:49:32,480 Speaker 1: the roses like yes, yes, yes, like listen to the 955 00:49:32,520 --> 00:49:35,759 Speaker 1: Aquarium from Cardi of the animals, they're almost exactly the same. 956 00:49:36,200 --> 00:49:38,320 Speaker 1: And I'm not like shaming Alan. I think it's like 957 00:49:38,360 --> 00:49:44,440 Speaker 1: awesome that he was is a thief. Alan Macon is 958 00:49:44,520 --> 00:49:51,359 Speaker 1: my other favorite, like cheese. Alan Macon is the other 959 00:49:51,400 --> 00:49:56,080 Speaker 1: part of my childhood. Like I would watch Exposure Disney, yes, 960 00:49:56,120 --> 00:49:58,759 Speaker 1: because I'm thinking to myself, like I feel like I 961 00:49:58,840 --> 00:50:01,640 Speaker 1: understand what you're saying at that, but I don't understand 962 00:50:01,760 --> 00:50:07,000 Speaker 1: how you could be a child or alive exposed to 963 00:50:07,080 --> 00:50:09,200 Speaker 1: the world and not know who the Spice Girls were 964 00:50:09,239 --> 00:50:10,840 Speaker 1: because you'd go went to school and everyone will be 965 00:50:10,880 --> 00:50:14,880 Speaker 1: talking about like I remember the day Britney Spears like hit. However, 966 00:50:15,160 --> 00:50:17,879 Speaker 1: one day there was nothing and then the next day 967 00:50:18,000 --> 00:50:21,320 Speaker 1: there was Britney Spears and everyone was talking about it 968 00:50:21,480 --> 00:50:25,960 Speaker 1: was the honey, this is not like I'm not shaming 969 00:50:25,960 --> 00:50:28,279 Speaker 1: you for this. I think you were a popular kid. 970 00:50:28,520 --> 00:50:30,640 Speaker 1: I was not a popular kid. I was a nerdy kid. 971 00:50:30,800 --> 00:50:33,799 Speaker 1: I was only friends with like nerdy Christian girls, like 972 00:50:34,160 --> 00:50:36,200 Speaker 1: we didn't they weren't listening to Spice Girls or something 973 00:50:36,239 --> 00:50:39,160 Speaker 1: like that. Good point what you're exposed to, Like you 974 00:50:39,239 --> 00:50:42,000 Speaker 1: just said, well, I guess just like well, I mean 975 00:50:42,120 --> 00:50:44,239 Speaker 1: I don't think it had to do with anything with popularity. 976 00:50:44,280 --> 00:50:46,440 Speaker 1: I think like if I was obviously grew up in 977 00:50:46,480 --> 00:50:48,840 Speaker 1: like a Long Island community that was like very influenced 978 00:50:48,880 --> 00:50:51,160 Speaker 1: by the media, I think I mean, like because when 979 00:50:51,160 --> 00:50:52,799 Speaker 1: I went into school, it didn't matter who the funk 980 00:50:52,840 --> 00:50:54,680 Speaker 1: you were. I mean, everyone knew who Britney Spears was. 981 00:50:54,719 --> 00:50:58,160 Speaker 1: It just was not as capable. Um. But if you 982 00:50:58,239 --> 00:51:01,120 Speaker 1: are in a part of the country that like has 983 00:51:01,160 --> 00:51:04,280 Speaker 1: the option to turn away from that for whatever reason, 984 00:51:04,719 --> 00:51:06,680 Speaker 1: that I think that choice could get made and then 985 00:51:06,800 --> 00:51:08,920 Speaker 1: those things wouldn't be a part of your childhood. It's 986 00:51:08,960 --> 00:51:13,160 Speaker 1: just interesting, like the differences, sure, the differences in like upbringing, 987 00:51:13,200 --> 00:51:16,560 Speaker 1: because I would have remember years ago, I went on 988 00:51:16,600 --> 00:51:18,879 Speaker 1: a date with a guy years ago, it's like five 989 00:51:18,960 --> 00:51:21,799 Speaker 1: years ago, and I he asked what pop Roulette did 990 00:51:22,440 --> 00:51:24,839 Speaker 1: our sketch group, and I was like, yeah, we write 991 00:51:24,880 --> 00:51:27,399 Speaker 1: songs about pop culture, Like we just did a sketch 992 00:51:27,440 --> 00:51:29,279 Speaker 1: about Tylor Swift And he was like, who is that? 993 00:51:29,960 --> 00:51:32,160 Speaker 1: And this is like when like speak Now had been out, 994 00:51:32,160 --> 00:51:34,120 Speaker 1: Fearless had been out, Like she was huge, she was 995 00:51:34,120 --> 00:51:35,839 Speaker 1: one of the biggest everyone. I was like, you don't 996 00:51:35,840 --> 00:51:37,640 Speaker 1: know who Taylor Swift as I thought it was a joke, 997 00:51:38,239 --> 00:51:41,840 Speaker 1: but like, I guess that is possible. Yeah, yeah, it's possible. 998 00:51:42,080 --> 00:51:45,080 Speaker 1: After r I p carry Fisher passed away, I saw 999 00:51:45,120 --> 00:51:46,960 Speaker 1: this guy that I know post like I don't know 1000 00:51:46,960 --> 00:51:48,919 Speaker 1: who Debbie Reynolds are carry Fisher is? Why is everyone 1001 00:51:48,960 --> 00:51:50,680 Speaker 1: so sad? A gay guy? And I was like, wait, 1002 00:51:50,719 --> 00:51:54,040 Speaker 1: how like even like I mean even like straight people 1003 00:51:54,080 --> 00:51:57,400 Speaker 1: like Star Wars, how can you not know these two women? 1004 00:51:57,719 --> 00:52:00,880 Speaker 1: I want to say something that I because the mission 1005 00:52:01,000 --> 00:52:04,920 Speaker 1: statement of this podcast, bitch, because Matt and I were 1006 00:52:04,920 --> 00:52:07,640 Speaker 1: watching Hair Spray Live and then we were texting our 1007 00:52:07,640 --> 00:52:10,640 Speaker 1: friend Joel, and Joel was our other friend Adam's place, 1008 00:52:10,680 --> 00:52:13,080 Speaker 1: watching this and Joel would not stop texting me about 1009 00:52:13,120 --> 00:52:15,640 Speaker 1: this jerk there who was the gay gay guy? Who 1010 00:52:15,640 --> 00:52:20,240 Speaker 1: was like like, who are these people? Who's Queen Latifa? 1011 00:52:20,440 --> 00:52:24,160 Speaker 1: I'm sorry Jennifer Hudson, I was confusing her for the 1012 00:52:24,200 --> 00:52:28,319 Speaker 1: movie up. Who's Who's Who's Jennifer Hudson, Who's Who's Arianagrad? 1013 00:52:28,440 --> 00:52:33,160 Speaker 1: Like just what was kind of it seemed like he 1014 00:52:33,239 --> 00:52:36,440 Speaker 1: was like aware of he was just very deliberate and 1015 00:52:36,480 --> 00:52:39,640 Speaker 1: how like pop culture reverse he was. And he kept 1016 00:52:39,680 --> 00:52:41,600 Speaker 1: making that a political thing where he was like, well, 1017 00:52:41,600 --> 00:52:44,880 Speaker 1: I don't follow pop culture, so there how cool. So 1018 00:52:44,920 --> 00:52:48,160 Speaker 1: the mission statement of ours cultural ristas is too is 1019 00:52:48,200 --> 00:52:52,200 Speaker 1: to spread the gospel of culture. Yeah, and you know 1020 00:52:52,200 --> 00:52:54,880 Speaker 1: what I think when I was like in middle school, 1021 00:52:54,920 --> 00:52:56,640 Speaker 1: I was kind of like that guy. I was like, 1022 00:52:56,840 --> 00:52:58,439 Speaker 1: I don't like pop houlso I don't know who Janet 1023 00:52:58,520 --> 00:53:01,359 Speaker 1: Jackson is. And then this friend John Josh, I think 1024 00:53:01,360 --> 00:53:03,080 Speaker 1: he might be married, which is why I'm not saying 1025 00:53:03,080 --> 00:53:07,520 Speaker 1: his last name, because, um, he like exposed me to 1026 00:53:07,560 --> 00:53:10,040 Speaker 1: Janet Jackson. He was like the beginning of my like 1027 00:53:10,160 --> 00:53:14,759 Speaker 1: pop culture world journey. Yeah, you know what Josh was. 1028 00:53:14,960 --> 00:53:17,200 Speaker 1: Josh was a big part of Henry knowing when culture 1029 00:53:17,239 --> 00:53:21,719 Speaker 1: was for him. Absolutely. Yeah. Aside from like because I'm 1030 00:53:21,760 --> 00:53:23,440 Speaker 1: so happy like that I did grow up with like 1031 00:53:23,480 --> 00:53:25,719 Speaker 1: all these musicals and like West Side Story was like 1032 00:53:25,800 --> 00:53:28,640 Speaker 1: a life changing moment for me. Um, like when I 1033 00:53:28,680 --> 00:53:31,959 Speaker 1: first saw that movie. My favorite musical me too. Even 1034 00:53:32,000 --> 00:53:35,280 Speaker 1: my dad likes and he's not like a musical theater guy. Um, 1035 00:53:35,320 --> 00:53:38,200 Speaker 1: it's the most incredible music I think in the who 1036 00:53:38,200 --> 00:53:42,400 Speaker 1: ever written who's the most popular musician that you like? 1037 00:53:43,600 --> 00:53:47,239 Speaker 1: Musician well, like instrumentalists. Know what I mean? Is like 1038 00:53:47,440 --> 00:53:49,560 Speaker 1: if if there's is there someone that you go to 1039 00:53:49,600 --> 00:53:53,560 Speaker 1: bed four in terms of like the diva's the girls? 1040 00:53:54,200 --> 00:53:56,759 Speaker 1: Oh of like people that are like in the Arianna ground, 1041 00:53:57,480 --> 00:53:59,439 Speaker 1: not like Jill Scott who's kind of like no, she's 1042 00:53:59,480 --> 00:54:02,160 Speaker 1: not like she's like like the way the gays get 1043 00:54:02,239 --> 00:54:06,120 Speaker 1: behind one, who do you get? No? Actually, I know 1044 00:54:06,120 --> 00:54:09,400 Speaker 1: what he's gonna say, my favorite, Well, I think Beyonce 1045 00:54:09,560 --> 00:54:12,960 Speaker 1: is better, but my favorite is Rihanna. I love is 1046 00:54:13,000 --> 00:54:14,560 Speaker 1: Like you knew I was gonna say that, right. Well, 1047 00:54:14,600 --> 00:54:16,799 Speaker 1: I'm surprised that you said you think Beyonce is better 1048 00:54:16,840 --> 00:54:21,200 Speaker 1: because you've said otherwise is a I've said that Rihanna 1049 00:54:21,280 --> 00:54:24,600 Speaker 1: is better than I'm more captivated by Rihanna than I 1050 00:54:24,640 --> 00:54:28,279 Speaker 1: am Beyonce. You are crucifying your own boyfriend. I'm a 1051 00:54:28,360 --> 00:54:31,480 Speaker 1: truth teller, Okay, I'm a seer. Okay, I dragged it out. 1052 00:54:31,480 --> 00:54:34,000 Speaker 1: I don't care who gets dragged up from bringing to 1053 00:54:34,040 --> 00:54:36,839 Speaker 1: the way Beyonce and I think it's because of like 1054 00:54:37,160 --> 00:54:39,880 Speaker 1: how they act outside of like their music career, Like 1055 00:54:39,920 --> 00:54:42,680 Speaker 1: Beyonce is so secretive and stuff, which is cool, but 1056 00:54:42,719 --> 00:54:46,560 Speaker 1: like Rihanna is funny. Rihanna is funny, and when she's singing, 1057 00:54:46,640 --> 00:54:50,240 Speaker 1: I feel like she's not like Beyonce is so rehearsed, 1058 00:54:50,280 --> 00:54:52,080 Speaker 1: which is amazing, Like she works so hard to get 1059 00:54:52,080 --> 00:54:55,279 Speaker 1: everything perfect. Rihanna. I feel like when you're watching her live, 1060 00:54:55,320 --> 00:54:58,600 Speaker 1: you're like something might defend um, but not in like 1061 00:54:58,640 --> 00:55:01,200 Speaker 1: a bad way, Like you've really feel like she's there 1062 00:55:01,239 --> 00:55:04,040 Speaker 1: in the moment performing. And I think that her voice 1063 00:55:04,400 --> 00:55:09,239 Speaker 1: is incredible. It's so rich and deep. And she used 1064 00:55:09,239 --> 00:55:11,280 Speaker 1: to not be good, especially in the last album cycle, 1065 00:55:11,400 --> 00:55:14,880 Speaker 1: especially with four or five Seconds. Yes, I thought she 1066 00:55:14,920 --> 00:55:18,319 Speaker 1: sounds amazing that and then in higher Um and in 1067 00:55:18,360 --> 00:55:20,320 Speaker 1: her album Auntie. But yeah, I know, I agree with you. 1068 00:55:20,360 --> 00:55:23,000 Speaker 1: That's not a bad answer. I hate that Kelvin Harris song. 1069 00:55:26,920 --> 00:55:29,080 Speaker 1: Did she Really? I feel like he did everything I 1070 00:55:29,120 --> 00:55:31,440 Speaker 1: like about Rihanna, he sucked out of it and just 1071 00:55:31,520 --> 00:55:37,080 Speaker 1: like character because it makes me sad like he collaborated 1072 00:55:37,080 --> 00:55:39,279 Speaker 1: with Taylor Swift on it, and Taylor Swift writes those 1073 00:55:39,280 --> 00:55:41,520 Speaker 1: things where you don't really need a voice to sing them, 1074 00:55:41,960 --> 00:55:46,120 Speaker 1: you just literally yeah, you're right, Like it's just like 1075 00:55:46,160 --> 00:55:49,040 Speaker 1: it's just it's just just tones, you know, It's just 1076 00:55:49,160 --> 00:55:53,600 Speaker 1: like we found love is another culture stopper in my opinion, 1077 00:55:54,280 --> 00:55:56,920 Speaker 1: and uh, so good and so I was excited when 1078 00:55:56,920 --> 00:55:58,640 Speaker 1: I saw that she was collaborating with him again, and 1079 00:55:58,719 --> 00:56:00,839 Speaker 1: it was such a disappointment. But that's because, Okay, here's 1080 00:56:00,840 --> 00:56:03,080 Speaker 1: the difference between we found love and this is what 1081 00:56:03,160 --> 00:56:04,640 Speaker 1: you came for, This is what you came for. Us 1082 00:56:04,800 --> 00:56:10,040 Speaker 1: trying to is trying to have character where this is 1083 00:56:10,040 --> 00:56:13,640 Speaker 1: we found love is deliberately like but but but but 1084 00:56:13,360 --> 00:56:16,799 Speaker 1: but but It's like very it feels like Rihanna, this 1085 00:56:16,840 --> 00:56:18,960 Speaker 1: is what you came for. It doesn't feel like we 1086 00:56:19,040 --> 00:56:21,840 Speaker 1: found love. And also the video where we found amazing, 1087 00:56:22,080 --> 00:56:25,160 Speaker 1: it's so good because it feels like Rihanna. It feels dirty, 1088 00:56:25,200 --> 00:56:28,600 Speaker 1: it feels raw, it feels like it feels like it 1089 00:56:28,680 --> 00:56:31,680 Speaker 1: just got fucked, you know what I mean? Like, whereas 1090 00:56:31,719 --> 00:56:33,959 Speaker 1: this is what you came for, it feels like, oh yeah, 1091 00:56:34,000 --> 00:56:36,960 Speaker 1: this is Rihanna playing laying this down in fifteen minutes 1092 00:56:37,000 --> 00:56:40,920 Speaker 1: after hearing a probably vocal demo by Taylor Swift. Um 1093 00:56:41,200 --> 00:56:43,120 Speaker 1: one song that I think is very underrated that I 1094 00:56:43,200 --> 00:56:45,640 Speaker 1: really shop on at the time it came out, um 1095 00:56:45,840 --> 00:56:49,640 Speaker 1: is oh how does it go? We we would uh 1096 00:56:49,960 --> 00:56:55,760 Speaker 1: pour it up man I when I got super drunk, 1097 00:56:55,800 --> 00:56:58,799 Speaker 1: and then when we were walking home or something, we 1098 00:56:58,800 --> 00:57:00,680 Speaker 1: hated it at the we hated We just made fun 1099 00:57:00,680 --> 00:57:02,600 Speaker 1: of it. We just kept singing out, yeah, we were 1100 00:57:02,960 --> 00:57:08,920 Speaker 1: I remember and then someone that someone's in a car 1101 00:57:08,960 --> 00:57:14,000 Speaker 1: coming by and they were like that. That's the other 1102 00:57:14,080 --> 00:57:16,840 Speaker 1: best part of our Rihanna is her melismas because they're 1103 00:57:16,840 --> 00:57:19,240 Speaker 1: so sloppy and just like they're like fat. Her voice 1104 00:57:19,280 --> 00:57:22,800 Speaker 1: is like fat in them, Like you know, my favorite voice, 1105 00:57:24,120 --> 00:57:26,919 Speaker 1: your voice at the end of the bridge on Rude Boy, 1106 00:57:27,320 --> 00:57:34,440 Speaker 1: which is ah, it's like the most magical musical moment 1107 00:57:34,720 --> 00:57:37,440 Speaker 1: of pop music in the last time years a flat circle. 1108 00:57:37,640 --> 00:57:40,160 Speaker 1: Let's quickly before before we jump into I don't think someone, 1109 00:57:40,240 --> 00:57:43,440 Speaker 1: let's quickly talk about this culture stoppers list that Henry creative. 1110 00:57:45,320 --> 00:57:50,880 Speaker 1: Now stop the world, world stop on Facebook with this 1111 00:57:51,040 --> 00:57:57,480 Speaker 1: culture stoppers um pop music kind of uh poll he did, 1112 00:57:57,560 --> 00:58:00,280 Speaker 1: so bunch of votes came in. I find the pulled 1113 00:58:00,280 --> 00:58:03,080 Speaker 1: to be a little problematic because I think that a 1114 00:58:03,080 --> 00:58:06,880 Speaker 1: lot of songs that are more classic snuck in there, 1115 00:58:07,360 --> 00:58:09,560 Speaker 1: like pull up the list. Okay, well here, let's just 1116 00:58:09,720 --> 00:58:13,080 Speaker 1: give the outline. So choose as many songs as you like, 1117 00:58:13,080 --> 00:58:15,160 Speaker 1: but please be selective as you decide if it is 1118 00:58:15,200 --> 00:58:20,200 Speaker 1: a timeless culture stopper, from compare it to I Will 1119 00:58:20,240 --> 00:58:22,880 Speaker 1: Always Love You, Will your grandkids know the words to 1120 00:58:22,920 --> 00:58:25,200 Speaker 1: the chorus of Hips don't lie the way that we 1121 00:58:25,240 --> 00:58:27,920 Speaker 1: know the words to My Girl by the Temptations. The 1122 00:58:28,000 --> 00:58:30,640 Speaker 1: survey is not to decide if it is uh, if 1123 00:58:30,680 --> 00:58:32,400 Speaker 1: it is a culture stopper. I think we decided these 1124 00:58:32,400 --> 00:58:34,320 Speaker 1: are culture stoppers. I think we already decided these are 1125 00:58:34,320 --> 00:58:38,080 Speaker 1: culture stoppers. But it is a timeless culture stopper. Again, 1126 00:58:38,160 --> 00:58:42,560 Speaker 1: timeless culture stopper. Give the top five from five? Okay, 1127 00:58:42,760 --> 00:58:46,160 Speaker 1: top five and this is okay, So with the number, 1128 00:58:46,240 --> 00:58:48,120 Speaker 1: I'll also give you the number of votes. A lot 1129 00:58:48,120 --> 00:58:52,720 Speaker 1: of people voted in this um number one, Uh. From 1130 00:58:54,400 --> 00:58:56,560 Speaker 1: is let's say it together well, number one? Or if 1131 00:58:56,560 --> 00:58:59,280 Speaker 1: are you going from five to one? Oh, let's go 1132 00:58:59,320 --> 00:59:01,480 Speaker 1: from five to I'm so sorry, I'm so sorry. From 1133 00:59:01,520 --> 00:59:04,520 Speaker 1: five to one? Number five, we have baby got back, sir. 1134 00:59:04,600 --> 00:59:07,120 Speaker 1: Mix a lot with sixty seven, which I shouldn't have 1135 00:59:07,160 --> 00:59:10,320 Speaker 1: included because it's from That's what I'm saying, which is 1136 00:59:10,320 --> 00:59:15,320 Speaker 1: why it's truly I think huge that like that felt 1137 00:59:15,440 --> 00:59:18,120 Speaker 1: so current when I was in eighth grade at the 1138 00:59:18,160 --> 00:59:20,920 Speaker 1: school dance and it's playing and it was everyone knew everywhere, 1139 00:59:20,920 --> 00:59:24,920 Speaker 1: like it felt like it. That's because it was already 1140 00:59:24,960 --> 00:59:27,560 Speaker 1: a classic song. It really doesn't it should be on. 1141 00:59:28,880 --> 00:59:31,919 Speaker 1: So yeah, people have gotten not upset, but like sure, 1142 00:59:31,960 --> 00:59:33,960 Speaker 1: I don't know what to do about it. Let's just 1143 00:59:34,080 --> 00:59:38,600 Speaker 1: qualify that, and then I guess within those rules. Number six, 1144 00:59:38,640 --> 00:59:41,040 Speaker 1: which might you could consider his number five is My 1145 00:59:41,080 --> 00:59:45,320 Speaker 1: Heart Will Go On by Celindion, which classic. Um okay, 1146 00:59:45,480 --> 00:59:48,520 Speaker 1: I feel like one of the last great movie songs same, 1147 00:59:48,960 --> 00:59:50,800 Speaker 1: you know, not from an animated movie, not from a 1148 00:59:51,240 --> 00:59:55,080 Speaker 1: back back when they mattered, right right, right, um okay. 1149 00:59:55,400 --> 00:59:59,520 Speaker 1: Number four is with sixty nine votes, is want to 1150 00:59:59,520 --> 01:00:02,520 Speaker 1: Be by Ice Girls, which I'm surprised, which I don't 1151 01:00:02,520 --> 01:00:05,240 Speaker 1: know if. Oh I'm so sorry, I'm so sorry. Oh 1152 01:00:05,240 --> 01:00:06,960 Speaker 1: my god, I just butchered this. I'm sorry. Number four 1153 01:00:07,840 --> 01:00:10,160 Speaker 1: Time by Britney Spears is the next one. Okay. Matt 1154 01:00:10,160 --> 01:00:12,200 Speaker 1: and I were at a club in Chicago called Scarlett 1155 01:00:12,200 --> 01:00:13,800 Speaker 1: when my favorite club in the whole world. Matt I 1156 01:00:14,120 --> 01:00:15,840 Speaker 1: kept hyping this up to Matt and I was like, 1157 01:00:15,840 --> 01:00:17,960 Speaker 1: I don't know, We'll see it was good, it was great, 1158 01:00:18,040 --> 01:00:19,880 Speaker 1: Right do you put on him me? Maybe one more time? 1159 01:00:19,920 --> 01:00:21,600 Speaker 1: After a string of like modern hits, but as soon 1160 01:00:21,640 --> 01:00:22,960 Speaker 1: as they may maybe one more time came on. I 1161 01:00:23,040 --> 01:00:26,520 Speaker 1: was killed it. This song is the me every day melted. Yeah, yeah, 1162 01:00:26,600 --> 01:00:31,160 Speaker 1: I think that deserves to be on there. Ye right, 1163 01:00:31,920 --> 01:00:34,560 Speaker 1: done that? Yeah? Um that's with sixty eight votes and 1164 01:00:34,600 --> 01:00:38,000 Speaker 1: I'm so sorry I spoiled this early want to be votes. Well, 1165 01:00:38,000 --> 01:00:42,240 Speaker 1: our grandkids remember the lyrics. I think that they will. 1166 01:00:42,960 --> 01:00:45,840 Speaker 1: I think that they will. I feel like it's going 1167 01:00:45,880 --> 01:00:50,200 Speaker 1: to develop that same sort of eighties cheese. Yeah yeah, 1168 01:00:50,280 --> 01:00:53,320 Speaker 1: I get that. I just think I think it's it's fun. 1169 01:00:54,240 --> 01:00:56,880 Speaker 1: It wouldn't be on there if it wasn't deserving. Sure, 1170 01:00:57,240 --> 01:00:59,760 Speaker 1: and yeah, as I think eighties cheese is exactly right. 1171 01:00:59,760 --> 01:01:00,840 Speaker 1: I think it's going to be kind of like the 1172 01:01:00,880 --> 01:01:03,800 Speaker 1: time of your life, Like you know that song. It's 1173 01:01:03,880 --> 01:01:06,840 Speaker 1: like so corny and and you wouldn't think it'd be 1174 01:01:06,840 --> 01:01:10,560 Speaker 1: a culture stopper, but somehow it is. I think it's 1175 01:01:10,560 --> 01:01:12,840 Speaker 1: a culture stopper in part because its lyrics are so 1176 01:01:12,960 --> 01:01:17,320 Speaker 1: fucking bizarre like and also their energy performing it is 1177 01:01:17,400 --> 01:01:21,200 Speaker 1: so uh individual and like crazy. I think it really 1178 01:01:21,240 --> 01:01:25,080 Speaker 1: captured a feeling. Let's be real, though, Let's be real, 1179 01:01:25,120 --> 01:01:27,000 Speaker 1: little girls. When this song comes on at like a 1180 01:01:27,000 --> 01:01:29,920 Speaker 1: wedding or a party, like it's lit like everyone. Yeah, 1181 01:01:31,680 --> 01:01:34,280 Speaker 1: so it's fun. It's a crowd pleaser. Okay. Next, I 1182 01:01:34,320 --> 01:01:39,240 Speaker 1: think this is controversial, yeah, number number two because one 1183 01:01:39,280 --> 01:01:43,400 Speaker 1: of he was number three. Number two is with I 1184 01:01:43,440 --> 01:01:44,600 Speaker 1: Want to Be and let Go. We're both type for 1185 01:01:44,680 --> 01:01:50,280 Speaker 1: number two, so oh let it go. Now. I think 1186 01:01:50,520 --> 01:01:55,240 Speaker 1: that we are fresh off this being fucking inescapable, crazy, 1187 01:01:55,240 --> 01:01:58,720 Speaker 1: crazy crazy. But I think in ten years it doesn't 1188 01:01:58,720 --> 01:02:00,960 Speaker 1: have as many votes as hit Me. Maybe one more time, 1189 01:02:02,120 --> 01:02:05,320 Speaker 1: I would I would argue against that. Think about all 1190 01:02:05,440 --> 01:02:08,520 Speaker 1: like I've watched I don't know a hundred videos of 1191 01:02:08,680 --> 01:02:12,240 Speaker 1: toddlers singing like they're going to carry that with them. 1192 01:02:13,720 --> 01:02:16,680 Speaker 1: This song, I would say, is the reason Frozen is 1193 01:02:16,720 --> 01:02:20,200 Speaker 1: the highest grossing animated film of all time, isn't that crazy? 1194 01:02:20,600 --> 01:02:23,600 Speaker 1: Let me ask you? Is the song that good? I 1195 01:02:23,720 --> 01:02:26,080 Speaker 1: A lot of people talk about why it's bad, and 1196 01:02:26,240 --> 01:02:27,880 Speaker 1: I don't know. I like it. And I think that 1197 01:02:28,000 --> 01:02:29,680 Speaker 1: if you there's a song and you just like it, 1198 01:02:29,720 --> 01:02:31,720 Speaker 1: that there's something good and maybe you don't need to 1199 01:02:31,760 --> 01:02:34,360 Speaker 1: put it into words. There's obviously something good about the song, 1200 01:02:34,880 --> 01:02:37,960 Speaker 1: like it's it's obviously good. Yeah, and how much of 1201 01:02:38,000 --> 01:02:42,000 Speaker 1: it doesn't have to do with adina um yeah, could 1202 01:02:42,040 --> 01:02:44,160 Speaker 1: someone else sing it, like even like an amazing vocalst 1203 01:02:44,160 --> 01:02:48,080 Speaker 1: like Jennifer Hudson, Like I I think Idina had that 1204 01:02:48,080 --> 01:02:51,760 Speaker 1: that musical theater flair mixed with like the I don't 1205 01:02:51,760 --> 01:02:54,520 Speaker 1: know she has the right combo even though she can't 1206 01:02:54,520 --> 01:02:57,600 Speaker 1: sing alive. I've never heard her sing alive. Well, well, 1207 01:02:58,280 --> 01:03:02,760 Speaker 1: she's been a part of three cultural phenomenons like that's 1208 01:03:02,800 --> 01:03:07,680 Speaker 1: there's something wait what Wicked, Rent and Frozen like those 1209 01:03:07,720 --> 01:03:13,160 Speaker 1: are huge and enchanted, don't forget enchanted. She's been enchanted. Yeah, 1210 01:03:13,840 --> 01:03:16,400 Speaker 1: Patrick Dempsey's like a girlfriend and chances of the ones 1211 01:03:16,400 --> 01:03:18,720 Speaker 1: with Amy Adams, Yeah, she's in that. At the end 1212 01:03:18,760 --> 01:03:20,920 Speaker 1: of the movie, Adam's like gets sucked into the cartoon 1213 01:03:20,960 --> 01:03:23,120 Speaker 1: world and no one bats an eye. We were await 1214 01:03:23,200 --> 01:03:25,040 Speaker 1: Man and I had a bit about this. We were like, 1215 01:03:25,240 --> 01:03:27,960 Speaker 1: oh yeah, like like there must have been a missing 1216 01:03:28,080 --> 01:03:32,560 Speaker 1: person's report, no word on what happened to this woman 1217 01:03:32,600 --> 01:03:35,120 Speaker 1: who have magically disappeared. Althose sources say she may have 1218 01:03:35,160 --> 01:03:37,720 Speaker 1: disappeared into a comic book world and she fell into 1219 01:03:37,800 --> 01:03:42,640 Speaker 1: a seward and we're sure she's happy moving on and 1220 01:03:42,720 --> 01:03:46,720 Speaker 1: we accept this new person. That's crazy. That's a movie 1221 01:03:46,840 --> 01:03:49,640 Speaker 1: I have questions about the logic job anyway, number one 1222 01:03:49,640 --> 01:03:52,200 Speaker 1: on this list, which I think is deserved, and also 1223 01:03:52,320 --> 01:03:55,240 Speaker 1: it shows up in the results because with eighty nine votes, 1224 01:03:55,600 --> 01:04:00,840 Speaker 1: come on Girls, Single Ladies, Ladies. Single Ladies is a 1225 01:04:00,840 --> 01:04:03,280 Speaker 1: song that doesn't musically get me going in any way, 1226 01:04:03,760 --> 01:04:06,800 Speaker 1: but I do admit it. It's it just makes you 1227 01:04:06,840 --> 01:04:11,480 Speaker 1: happy when it comes on. Have you heard it live? Yes? Yes, twice. Yeah, 1228 01:04:12,520 --> 01:04:15,440 Speaker 1: everyone every it's it's about. I remember the moment I 1229 01:04:15,760 --> 01:04:20,080 Speaker 1: watched Single Ladies. I was walking down St. Mark's. This 1230 01:04:20,120 --> 01:04:22,800 Speaker 1: is freshman yeard and my you for us walking down St. 1231 01:04:22,800 --> 01:04:25,640 Speaker 1: Mark's and just watching it and girl changed my life. 1232 01:04:26,000 --> 01:04:27,920 Speaker 1: That was another thing. It was like before there was 1233 01:04:28,040 --> 01:04:31,240 Speaker 1: it was a moment before Single Ladies and after and 1234 01:04:31,320 --> 01:04:33,640 Speaker 1: now it's time to stop. I want to talk about 1235 01:04:33,640 --> 01:04:36,720 Speaker 1: sing Ladies a little more. I remember like when it happened. 1236 01:04:36,760 --> 01:04:38,800 Speaker 1: I love the video and like, yeah, all my gay 1237 01:04:38,800 --> 01:04:40,480 Speaker 1: friends and college we're talking about it. And then I 1238 01:04:40,480 --> 01:04:43,920 Speaker 1: went to a party with my straight friends and the 1239 01:04:44,000 --> 01:04:45,160 Speaker 1: right when we got in the car, they're like, we 1240 01:04:45,160 --> 01:04:47,360 Speaker 1: gotta play that new Beyonce song single Ladies. That's what 1241 01:04:47,480 --> 01:04:50,720 Speaker 1: I like. My straight friends they were jazz Musicis I 1242 01:04:50,760 --> 01:04:53,120 Speaker 1: only hung with like the straight jazz guys and they 1243 01:04:53,120 --> 01:04:55,480 Speaker 1: were like, we gotta listen to single ladies. Wow. Yeah, 1244 01:04:55,560 --> 01:05:03,280 Speaker 1: I think everyone loves Beyoncepublicans whatever, which who needs them anyway? Um, okay, 1245 01:05:03,400 --> 01:05:05,640 Speaker 1: it's time to stop, it's time to do. Wait, I 1246 01:05:05,680 --> 01:05:07,720 Speaker 1: just say one more thing. I'm still I know, I 1247 01:05:07,720 --> 01:05:12,160 Speaker 1: know I have to go. But West Side Story huge 1248 01:05:12,200 --> 01:05:15,320 Speaker 1: culture thing for me. The other big like life changing 1249 01:05:15,400 --> 01:05:17,400 Speaker 1: musical that I saw. I saw my community theater do it, 1250 01:05:17,520 --> 01:05:22,080 Speaker 1: the Grand Rapidsific Theater. Sweeney Todd changed my Sondheim at 1251 01:05:22,080 --> 01:05:24,920 Speaker 1: an early age. Now that you said that, this is 1252 01:05:24,960 --> 01:05:26,840 Speaker 1: I want to shout out my favorite teacher, because you 1253 01:05:26,880 --> 01:05:30,160 Speaker 1: shouted out a teacher Jane McGinnis in a p lit 1254 01:05:30,200 --> 01:05:32,840 Speaker 1: in twelfth grade. She exposed us to Sweeney Todd and 1255 01:05:32,920 --> 01:05:36,600 Speaker 1: Stephen Sondheim. And I will never forget something just turned on. 1256 01:05:37,120 --> 01:05:39,600 Speaker 1: I was just like, oh my god, unbelievable. It's the 1257 01:05:39,600 --> 01:05:42,880 Speaker 1: best work, I will say, and we can move on. 1258 01:05:43,080 --> 01:05:47,080 Speaker 1: I envy early exposure to Sondheim. I wouldn't count. West 1259 01:05:47,080 --> 01:05:50,600 Speaker 1: Side Story is like actual, like fully fledged songs. I 1260 01:05:50,680 --> 01:05:54,080 Speaker 1: feel like that. And this is another thing about Henry. 1261 01:05:54,280 --> 01:05:57,480 Speaker 1: There's another thing about Henry just making people singing, and like, 1262 01:05:57,520 --> 01:06:02,040 Speaker 1: I didn't get into Sondheim full fledged son time until 1263 01:06:02,160 --> 01:06:05,240 Speaker 1: very recently. This is because Henry's Duplux nights, people will 1264 01:06:05,240 --> 01:06:06,959 Speaker 1: go up and just sing them and I'd be like, God, 1265 01:06:07,000 --> 01:06:10,400 Speaker 1: this is just beautiful, complex music, and I want to 1266 01:06:10,400 --> 01:06:12,320 Speaker 1: know more about this so than I Just after the 1267 01:06:12,360 --> 01:06:14,320 Speaker 1: New Year, I watched all of Sunday in the Park 1268 01:06:14,360 --> 01:06:17,720 Speaker 1: with George. It's all on YouTube, Manny Ptakan and Bernardett 1269 01:06:17,760 --> 01:06:19,760 Speaker 1: Peter's and then there's all of Company and there's all 1270 01:06:19,800 --> 01:06:22,160 Speaker 1: of like all these great time Anyway, so you guys 1271 01:06:22,160 --> 01:06:25,640 Speaker 1: were there when that guy Larry Owens es Larry I 1272 01:06:25,720 --> 01:06:28,680 Speaker 1: hope leave the piano bar at the Duplex every now 1273 01:06:28,760 --> 01:06:30,360 Speaker 1: and then, and this guy named Larry Owens who I 1274 01:06:30,360 --> 01:06:32,280 Speaker 1: had never met, came in and saying Sunday in the 1275 01:06:32,280 --> 01:06:34,800 Speaker 1: Park with George, which you wouldn't think the opening number, 1276 01:06:34,840 --> 01:06:39,880 Speaker 1: which you wouldn't think. Ish. Yeah, everyone leapt out of 1277 01:06:39,880 --> 01:06:42,560 Speaker 1: their season like he's an amazing to look out for, 1278 01:06:42,680 --> 01:06:47,480 Speaker 1: Larry and new friend. I mean, we we connected, we've 1279 01:06:47,480 --> 01:06:49,640 Speaker 1: been from I think he's he's sort of like perfectly 1280 01:06:49,720 --> 01:06:51,120 Speaker 1: like I mean, now he's gonna be even more in 1281 01:06:51,120 --> 01:06:53,880 Speaker 1: the community because he's he's he's getting into the comedy gig. 1282 01:06:56,280 --> 01:06:59,040 Speaker 1: Now we have to move on. We're gonna move on 1283 01:06:59,080 --> 01:07:01,560 Speaker 1: to your favorite segment. I'm talking about you, the listener. 1284 01:07:01,560 --> 01:07:03,040 Speaker 1: I don't think so, honey. This will we take one 1285 01:07:03,040 --> 01:07:05,160 Speaker 1: minute to rail against something in culture, anything at all, 1286 01:07:05,160 --> 01:07:07,640 Speaker 1: anything that's grinding our gears right now, all the takes 1287 01:07:07,640 --> 01:07:09,760 Speaker 1: in tax of culture. We're getting into a honey, all 1288 01:07:09,800 --> 01:07:12,400 Speaker 1: the juda day. So, uh, Bone, would you like to 1289 01:07:12,400 --> 01:07:14,800 Speaker 1: start or should I? Um? I can start? Okay, we 1290 01:07:14,840 --> 01:07:16,280 Speaker 1: have one bit on the clock for Bone young. I 1291 01:07:16,280 --> 01:07:18,680 Speaker 1: don't think so, honey. His time starts now. I don't 1292 01:07:18,720 --> 01:07:21,200 Speaker 1: think so, honey. Trader Joe's locations in New York City. 1293 01:07:21,360 --> 01:07:22,960 Speaker 1: I was in Chicago last week and I went to 1294 01:07:22,960 --> 01:07:26,680 Speaker 1: the Trader Joe's on the Diversity and girl, it was 1295 01:07:26,840 --> 01:07:32,360 Speaker 1: a spacious, empty, fully stocked Trader Joe's. Could you imagine? 1296 01:07:32,480 --> 01:07:34,000 Speaker 1: I don't think so, honey. Trader Jos in York with 1297 01:07:34,120 --> 01:07:36,920 Speaker 1: the line goes around the fucking shelves. I don't think so, honey. 1298 01:07:37,040 --> 01:07:40,080 Speaker 1: Trader Jos that don't have the ready to big chicken 1299 01:07:40,080 --> 01:07:42,760 Speaker 1: pot pies that I love. They're my favorite thing of 1300 01:07:42,840 --> 01:07:45,240 Speaker 1: all time at Trader Joe's, honey, and I never get them. 1301 01:07:45,280 --> 01:07:46,800 Speaker 1: I only get them once in a blue moon, when 1302 01:07:46,840 --> 01:07:49,520 Speaker 1: when the Trader Jos aren't packed like sardines. But I 1303 01:07:49,560 --> 01:07:52,680 Speaker 1: go to Chicago, everything every shelf is fully stocked, and 1304 01:07:52,760 --> 01:07:55,320 Speaker 1: it's a bounty. It is a plenty, honey, and the 1305 01:07:55,440 --> 01:07:58,520 Speaker 1: lines were short. Every worker, I mean, Trader Joe's workers 1306 01:07:58,560 --> 01:08:00,920 Speaker 1: in New York are very nice people, but then were 1307 01:08:00,960 --> 01:08:04,000 Speaker 1: the ones in Chicago are just just They don't have 1308 01:08:04,000 --> 01:08:05,320 Speaker 1: to have to do with the stress. So I don't 1309 01:08:05,320 --> 01:08:07,080 Speaker 1: think so, honey, Trader just New York's. All of the 1310 01:08:07,080 --> 01:08:10,240 Speaker 1: New York locations the Union Square one forget it or 1311 01:08:10,320 --> 01:08:12,000 Speaker 1: get it. I used to think that was normal and 1312 01:08:12,040 --> 01:08:14,560 Speaker 1: I that was acceptable, but I do not accept it anymore. 1313 01:08:14,640 --> 01:08:16,840 Speaker 1: I only go to the one that is on Court 1314 01:08:16,880 --> 01:08:22,000 Speaker 1: Street in Brooklyn. I don't think so, honey. He comes 1315 01:08:22,080 --> 01:08:26,400 Speaker 1: against the chain that has traded. Joseph gives us ally 1316 01:08:30,200 --> 01:08:32,000 Speaker 1: SA good location for me because it's the first time 1317 01:08:32,040 --> 01:08:34,280 Speaker 1: I ever bought wine by myself. Sure, I mean like 1318 01:08:34,320 --> 01:08:36,000 Speaker 1: I will never I will always think you'd be grateful 1319 01:08:36,040 --> 01:08:41,240 Speaker 1: for that because likewise, but no, not anymore, Okay, okay, 1320 01:08:41,960 --> 01:08:44,599 Speaker 1: great Matt Rodgers. I don't think so, honey, time starts now. 1321 01:08:44,920 --> 01:08:48,120 Speaker 1: I don't think so, honey. The Golden Globes giving Damien 1322 01:08:48,160 --> 01:08:51,639 Speaker 1: Shaws l a Screenplay Award for La La Lad. Now, look, bitch, 1323 01:08:51,800 --> 01:08:54,240 Speaker 1: I think La La Land is good for many many reasons. 1324 01:08:54,320 --> 01:08:57,160 Speaker 1: I think Emma Stone gagged me to death, and you 1325 01:08:57,160 --> 01:08:59,800 Speaker 1: know what I'll come for you, anyone. I don't think so, honey, 1326 01:08:59,800 --> 01:09:01,519 Speaker 1: say that Emma Stone wasn't right here in this part, 1327 01:09:01,520 --> 01:09:03,680 Speaker 1: because guess what, when you put a camera in your face, 1328 01:09:03,680 --> 01:09:05,479 Speaker 1: you better be able to act in honey, I don't 1329 01:09:05,479 --> 01:09:07,760 Speaker 1: want to see Laura Ostens on screen with the camera 1330 01:09:07,800 --> 01:09:09,559 Speaker 1: in her face. You know what, You'll be gagged when 1331 01:09:09,600 --> 01:09:11,400 Speaker 1: it goes to Broadway and you can see here's the 1332 01:09:11,439 --> 01:09:13,599 Speaker 1: fool's who dreams sung in that beautiful voice. Well, guess 1333 01:09:13,640 --> 01:09:16,519 Speaker 1: what this is on film, girl friends, and you need 1334 01:09:16,560 --> 01:09:19,840 Speaker 1: a different flavor. That said, her acting and the acting 1335 01:09:19,840 --> 01:09:21,559 Speaker 1: of the other people in the movie, and the direction 1336 01:09:21,560 --> 01:09:26,160 Speaker 1: of Damian very good director almost almost almost doesn't even 1337 01:09:26,200 --> 01:09:29,280 Speaker 1: matter because the script is bad. Bitch. Okay twice in 1338 01:09:29,280 --> 01:09:31,000 Speaker 1: the movie, Oh No, I forgot I had this thing 1339 01:09:31,120 --> 01:09:33,720 Speaker 1: is a huge plot point. No screenplane, no might be 1340 01:09:33,800 --> 01:09:35,960 Speaker 1: if I lit on fire in that moment that it 1341 01:09:36,040 --> 01:09:38,600 Speaker 1: was handed that golden globe. Also, the fight they have 1342 01:09:38,760 --> 01:09:42,200 Speaker 1: is the most infuriating fight ever. You're deliberately not saying 1343 01:09:42,400 --> 01:09:44,120 Speaker 1: what you want. It was like watching a car wrect 1344 01:09:44,120 --> 01:09:46,639 Speaker 1: happen on purpose, La, and you don't deserve the best screenplay, Oscar. 1345 01:09:46,680 --> 01:09:48,200 Speaker 1: Don't even think about it, Oscar. Oh, and that I 1346 01:09:48,240 --> 01:09:49,639 Speaker 1: don't think so many. That's for the longest. I don't 1347 01:09:49,680 --> 01:09:50,960 Speaker 1: think so many. That's been a record a minute in 1348 01:09:51,040 --> 01:09:52,840 Speaker 1: five seconds. Well, I had a lot to say, and 1349 01:09:53,200 --> 01:09:55,000 Speaker 1: can you believe I have more to say about it? 1350 01:09:55,160 --> 01:09:58,000 Speaker 1: Maybe maybe another episode, another episode will follow up. We'll 1351 01:09:58,040 --> 01:10:01,080 Speaker 1: do it. Shouldn't be winning scripting awards. Girlfriend, you guys 1352 01:10:01,080 --> 01:10:02,920 Speaker 1: have to have another episode with another music theater person 1353 01:10:02,960 --> 01:10:04,760 Speaker 1: and talk about sometime because there's so much. There's so 1354 01:10:04,880 --> 01:10:07,960 Speaker 1: much there and or but I know there are people 1355 01:10:08,000 --> 01:10:09,320 Speaker 1: that know a lot more about them than me, and 1356 01:10:09,479 --> 01:10:11,479 Speaker 1: I want to hear that person. We want to know. 1357 01:10:11,560 --> 01:10:12,920 Speaker 1: We want to know what you think right now and 1358 01:10:13,080 --> 01:10:15,240 Speaker 1: I don't think so okay, can't wait? Can I? Can? 1359 01:10:15,280 --> 01:10:17,760 Speaker 1: I do? You've done this for where I had three 1360 01:10:17,800 --> 01:10:21,640 Speaker 1: seconds or seconds gonna switch to almost did that and 1361 01:10:21,640 --> 01:10:22,960 Speaker 1: then we decided not to it. But we'll do it 1362 01:10:23,000 --> 01:10:24,639 Speaker 1: for you. We'll do it for you. But I'm saying 1363 01:10:24,680 --> 01:10:27,960 Speaker 1: it's it's gonna be it's gonna be tough. It's maybe 1364 01:10:27,960 --> 01:10:29,280 Speaker 1: I'll ignore it and just keep going on the same, 1365 01:10:29,320 --> 01:10:32,920 Speaker 1: all right, rights, I don't think is an iconic moment. 1366 01:10:33,000 --> 01:10:35,719 Speaker 1: It starts right now. I don't think so, honey, Jim class, 1367 01:10:35,760 --> 01:10:38,360 Speaker 1: it is the worst class. It has been made fun 1368 01:10:38,640 --> 01:10:41,720 Speaker 1: like it's in movies for the past four decades of 1369 01:10:41,760 --> 01:10:44,519 Speaker 1: like nerdy kids just hating gym class because there's evil 1370 01:10:44,920 --> 01:10:47,719 Speaker 1: jocks and bullies or like bitchy girls that are awful 1371 01:10:47,800 --> 01:10:51,840 Speaker 1: bitchy boys to pitchy is for everyone, and uh and 1372 01:10:52,240 --> 01:10:55,439 Speaker 1: it is not physical education. It is competitive sports education. 1373 01:10:55,760 --> 01:10:57,799 Speaker 1: And I hate a gym class so much that I stopped. 1374 01:10:57,840 --> 01:11:02,080 Speaker 1: I avoided physical activity all for everything because it was 1375 01:11:02,160 --> 01:11:05,080 Speaker 1: like such a tormenting thing in my life. And I thought, Okay, 1376 01:11:05,080 --> 01:11:08,040 Speaker 1: I'm gonna keep going. And uh, oh my god, oh 1377 01:11:08,080 --> 01:11:10,000 Speaker 1: my god, I hate Jim class so much. You should 1378 01:11:10,000 --> 01:11:13,280 Speaker 1: be teaching kids how to be healthy. Teach them why 1379 01:11:13,080 --> 01:11:16,040 Speaker 1: the way they move makes them healthy, Teach them about 1380 01:11:16,080 --> 01:11:18,599 Speaker 1: eating healthy, teach them how like calories work. Don't make 1381 01:11:18,680 --> 01:11:21,560 Speaker 1: us play basketball with jocks and I don't think so, honey. 1382 01:11:21,600 --> 01:11:24,519 Speaker 1: Like some kids are nerdy and they can't handle and 1383 01:11:24,520 --> 01:11:27,200 Speaker 1: and also our society like lifts sports up so much 1384 01:11:27,240 --> 01:11:29,040 Speaker 1: so the kids that are good in gym class are revered, 1385 01:11:29,040 --> 01:11:30,360 Speaker 1: and the kids that are bad, even if you're really 1386 01:11:30,360 --> 01:11:32,360 Speaker 1: good at music or something, you are just like vilified 1387 01:11:32,400 --> 01:11:35,000 Speaker 1: and like made fun of. Jim. Class needs to change. 1388 01:11:35,040 --> 01:11:38,160 Speaker 1: And Okay, sorry, I don't think so, honey, gym classes 1389 01:11:40,560 --> 01:11:42,320 Speaker 1: and as there was real passion behind that. I feel 1390 01:11:42,320 --> 01:11:47,920 Speaker 1: like both Henry and my father's are physical education. But 1391 01:11:48,000 --> 01:11:49,519 Speaker 1: and I have talked to my dad about this, and 1392 01:11:49,800 --> 01:11:52,280 Speaker 1: my dad, I know he puts effort into like making 1393 01:11:52,320 --> 01:11:54,840 Speaker 1: sure the kids that aren't into it, like are having 1394 01:11:54,800 --> 01:11:57,160 Speaker 1: a good time and not being mocked. Also, like locker 1395 01:11:57,240 --> 01:11:59,200 Speaker 1: rooms need to be supervised. The ship that happens in 1396 01:11:59,439 --> 01:12:04,360 Speaker 1: rooms is just scarlet terrible, traumatic sexual harassment, bullying. The 1397 01:12:04,360 --> 01:12:07,920 Speaker 1: way that seventh grade boys will talk about girls talk 1398 01:12:08,000 --> 01:12:11,040 Speaker 1: about just disgusting. That's where it starts. That's whip it 1399 01:12:11,080 --> 01:12:12,920 Speaker 1: in a but you need to have a supervisor in there. 1400 01:12:13,000 --> 01:12:15,880 Speaker 1: It's bad. It look really bad. This gym class talk 1401 01:12:16,200 --> 01:12:18,479 Speaker 1: that Jim class, I don't think so many first of all, iconic, Second, 1402 01:12:18,520 --> 01:12:22,200 Speaker 1: of all coming from the picture of health Henry Koperski. Truly, 1403 01:12:22,320 --> 01:12:25,080 Speaker 1: you get somebody to eat kale, you cannot. So if 1404 01:12:25,120 --> 01:12:27,800 Speaker 1: Henry is telling you that he hated fitness as a 1405 01:12:27,880 --> 01:12:31,000 Speaker 1: child or the idea the trimmings that come with fitness 1406 01:12:31,040 --> 01:12:33,280 Speaker 1: as a child, and it had to he had to 1407 01:12:33,360 --> 01:12:35,920 Speaker 1: undo years of that to get to where he is today, 1408 01:12:36,120 --> 01:12:38,240 Speaker 1: that is real, Mama. That is culture. I think it's 1409 01:12:38,280 --> 01:12:41,400 Speaker 1: definitely problematic. I think it's all about like this kind 1410 01:12:41,400 --> 01:12:46,200 Speaker 1: of like traditional toxic masculine masculinity. And there's still gym 1411 01:12:46,200 --> 01:12:48,519 Speaker 1: teachers who will have like captains choose their team like 1412 01:12:48,560 --> 01:12:51,160 Speaker 1: it's RuPaul's Dragons with kids, and then there's like poor 1413 01:12:51,240 --> 01:12:53,240 Speaker 1: kids that are chosen last and that scars them for 1414 01:12:53,320 --> 01:12:56,960 Speaker 1: like it's really like terrible and it happens every day. 1415 01:12:57,200 --> 01:12:58,960 Speaker 1: You know what. Some of the gym teachers get off 1416 01:12:58,960 --> 01:13:02,719 Speaker 1: on it. I'm sure they should. They should be not fired, 1417 01:13:02,720 --> 01:13:05,639 Speaker 1: but demerited. And I know that for some kids that's 1418 01:13:05,680 --> 01:13:08,840 Speaker 1: the only place they shine is the gymnasi shore, which 1419 01:13:08,880 --> 01:13:11,519 Speaker 1: is so that's good for them, but you need to 1420 01:13:11,560 --> 01:13:13,360 Speaker 1: make it work for everyone. And we also need to 1421 01:13:13,400 --> 01:13:15,840 Speaker 1: help those kids that shine in gym, like find love 1422 01:13:15,920 --> 01:13:19,120 Speaker 1: for like academics too, and I don't know. It's I 1423 01:13:19,160 --> 01:13:22,000 Speaker 1: agree also because like so what you were great as 1424 01:13:22,120 --> 01:13:24,519 Speaker 1: you were great at sports in high school. That doesn't 1425 01:13:24,560 --> 01:13:27,519 Speaker 1: take you very far. I mean unless it does which 1426 01:13:27,760 --> 01:13:29,559 Speaker 1: unless it does which good for you. You're in the 1427 01:13:29,680 --> 01:13:33,160 Speaker 1: less than one percent. It's just two prioritized. UM. I 1428 01:13:33,200 --> 01:13:36,960 Speaker 1: say that with love for um the act of running, 1429 01:13:37,080 --> 01:13:40,840 Speaker 1: jumping and leaping. UM, I have to say, this has 1430 01:13:40,880 --> 01:13:42,839 Speaker 1: to be we have to come to an end. Henry 1431 01:13:42,840 --> 01:13:44,360 Speaker 1: has a show to go to. He's going to go 1432 01:13:44,760 --> 01:13:47,800 Speaker 1: perform in Ha ha Wow from Our Doctor's hosted by 1433 01:13:47,960 --> 01:13:50,759 Speaker 1: Nicole Silverberg. It's a great lineup tonight. You should always 1434 01:13:50,760 --> 01:13:53,840 Speaker 1: go to see this show. Um. Sunday night, I do 1435 01:13:53,880 --> 01:13:55,920 Speaker 1: want to say, I want to pug this show. Nicole 1436 01:13:55,960 --> 01:14:00,240 Speaker 1: Silverberg is hosting a charity show for Fountain House at 1437 01:14:00,320 --> 01:14:02,200 Speaker 1: Union Hall. Check that out. I think this is a 1438 01:14:02,240 --> 01:14:04,840 Speaker 1: really good charity and I want people to go to it. 1439 01:14:04,840 --> 01:14:06,479 Speaker 1: It's it's just a really good thing. It's it's a 1440 01:14:06,520 --> 01:14:10,080 Speaker 1: good example of putting positivity and and wellness in the world. 1441 01:14:10,160 --> 01:14:12,040 Speaker 1: And I really want to shout that out. And when 1442 01:14:12,120 --> 01:14:14,280 Speaker 1: last plug for me and Matt Um we have the 1443 01:14:14,320 --> 01:14:18,120 Speaker 1: final final truly final performance of our popuar lecture that's 1444 01:14:18,120 --> 01:14:20,559 Speaker 1: been running an ECB called Amazing Earth. It's on January, 1445 01:14:21,720 --> 01:14:24,080 Speaker 1: same night as a Little Night Music. Henry still make 1446 01:14:24,080 --> 01:14:26,320 Speaker 1: it a UCB night. You come see us earlier in 1447 01:14:26,360 --> 01:14:28,120 Speaker 1: the night. Then you hop on over to see amazing 1448 01:14:28,560 --> 01:14:30,880 Speaker 1: talent um singing and doing their thing and having a 1449 01:14:30,880 --> 01:14:33,720 Speaker 1: great time. And thank Henry, You're the best. I love 1450 01:14:34,479 --> 01:14:37,280 Speaker 1: I love both of you so much. It's awesome to 1451 01:14:37,320 --> 01:14:42,040 Speaker 1: be on here. Yes, buffle, but I am only a 1452 01:14:42,080 --> 01:14:47,680 Speaker 1: platonic And I'm so excited for Chrissie Shackelford. I've been 1453 01:14:47,680 --> 01:14:50,080 Speaker 1: waiting for this episode. Tell the time. When is Chrissy 1454 01:14:50,160 --> 01:14:52,760 Speaker 1: gonna be on next episode? Honey, It'll be historic. It's 1455 01:14:52,760 --> 01:14:56,320 Speaker 1: gonna become reality. Alright, Bye, guys, everyone kissing to the mic. 1456 01:14:56,360 --> 01:15:04,160 Speaker 1: Guess we go out? This has been a Forever Dog 1457 01:15:04,200 --> 01:15:08,719 Speaker 1: production executive produced by Joe Cilio, Alex Ramsay, and Brett Bohm. 1458 01:15:09,160 --> 01:15:13,599 Speaker 1: For more podcasts, please visit Forever Dog Productions dot com, 1459 01:15:13,640 --> 01:15:17,560 Speaker 1: M Dog h