1 00:00:00,240 --> 00:00:03,720 Speaker 1: Did you know Mike Myers was accused of stealing one 2 00:00:03,760 --> 00:00:09,600 Speaker 1: of his characters at Austin Bowers, Or that Gene Davis 3 00:00:09,680 --> 00:00:13,039 Speaker 1: chose Brad Pitt over George Clooney and Thelman Louise good 4 00:00:13,119 --> 00:00:16,799 Speaker 1: choice for the Abs, Or that Tom Cruise had a 5 00:00:16,840 --> 00:00:19,560 Speaker 1: clause in his contract that he wouldn't go topless in 6 00:00:19,640 --> 00:00:21,800 Speaker 1: Top Gun. He went topless, So we need to find 7 00:00:21,800 --> 00:00:24,520 Speaker 1: out what the issue is here. If you're curious to 8 00:00:24,560 --> 00:00:28,319 Speaker 1: hear more film facts, then you should listen to the 9 00:00:28,480 --> 00:00:33,240 Speaker 1: Unspooled podcast. Well you'll learn something fascinating that you thought 10 00:00:33,280 --> 00:00:36,960 Speaker 1: you knew. Join comedian and professional movie talk about Her 11 00:00:37,040 --> 00:00:39,960 Speaker 1: Paul Sheer and New York Times writer Amy Nicholson as 12 00:00:39,960 --> 00:00:43,000 Speaker 1: they unspool famous films to see if they are truly 13 00:00:43,040 --> 00:00:46,360 Speaker 1: all time classics or just remembered that way. New episodes 14 00:00:46,360 --> 00:00:50,839 Speaker 1: have unspooled every Thursday wherever you get your podcasts. Warning, 15 00:00:50,920 --> 00:00:54,400 Speaker 1: this podcast contains spoilers for the MCU, including some spoilers 16 00:00:54,400 --> 00:00:57,920 Speaker 1: regarding the Galaxy Volume three, but they're light in the 17 00:00:57,920 --> 00:01:20,880 Speaker 1: nerd out section and in thee you section of the mailbag. Hello, 18 00:01:21,080 --> 00:01:24,399 Speaker 1: my name is Jason Concepcion. And on Merday Night and 19 00:01:24,440 --> 00:01:27,080 Speaker 1: welcome to x ray Vision, the Crooked Media podcast where 20 00:01:27,160 --> 00:01:30,680 Speaker 1: we dive deep into your favorite shows, movies, comics, and 21 00:01:30,720 --> 00:01:31,400 Speaker 1: pop culture. 22 00:01:31,600 --> 00:01:35,440 Speaker 2: In this episode, it's gonna be all mailbag, Mailbag, mailbag, mailbag, 23 00:01:35,800 --> 00:01:38,240 Speaker 2: E mailed us all questions. We are going to answer 24 00:01:38,280 --> 00:01:41,280 Speaker 2: those questions in the mailbag segments, which will take up 25 00:01:41,360 --> 00:01:41,920 Speaker 2: almost the. 26 00:01:41,959 --> 00:01:45,679 Speaker 3: Entire podcast, apart from a No Doubt. 27 00:01:45,160 --> 00:01:47,639 Speaker 2: Which is going to be Evan pitching us a theory 28 00:01:48,520 --> 00:01:50,680 Speaker 2: from Guardians of the Galaxy Volume three. 29 00:01:50,880 --> 00:01:54,040 Speaker 1: Oh I love it. I love to hear it coming up, 30 00:01:54,520 --> 00:01:59,800 Speaker 1: mailbag folks, Let's jump into the mail bag without any 31 00:02:00,160 --> 00:02:06,720 Speaker 1: their delay. First, let's start here. Jordan asks, if the 32 00:02:06,840 --> 00:02:11,959 Speaker 1: MCU were to reset, no copyright issues, no corporate issues, 33 00:02:12,080 --> 00:02:17,480 Speaker 1: no corporate trademarks, no weird ownership of IP stuff going on, 34 00:02:18,440 --> 00:02:22,200 Speaker 1: what are the five comics slash heroes that we would 35 00:02:22,240 --> 00:02:24,520 Speaker 1: start with to build the first phase? How would we 36 00:02:24,560 --> 00:02:28,760 Speaker 1: do it? Whoo well question, It's an incredible question. 37 00:02:28,840 --> 00:02:29,520 Speaker 3: Do you want to start? 38 00:02:30,200 --> 00:02:32,800 Speaker 2: It's such an exciting question. I do have to say. 39 00:02:33,520 --> 00:02:36,200 Speaker 2: I will put the classic disclaimer. As someone who loves 40 00:02:36,200 --> 00:02:38,000 Speaker 2: this stuff and is so excited that we get to 41 00:02:38,040 --> 00:02:42,640 Speaker 2: talk about every week, logically I would change nothing, because 42 00:02:42,639 --> 00:02:46,000 Speaker 2: the MCU does not exist. If you don't start in 43 00:02:46,080 --> 00:02:49,040 Speaker 2: that exact space. Now, if we're not talking about that, 44 00:02:49,520 --> 00:02:53,080 Speaker 2: it would just be X Men. I think that that 45 00:02:53,360 --> 00:02:57,360 Speaker 2: is how I would start any if I had Jon 46 00:02:57,440 --> 00:03:04,560 Speaker 2: Favreau with no issues, no Fox licensing deals, no almost 47 00:03:05,120 --> 00:03:08,120 Speaker 2: bankrupt Marvel that had to be saved by toy Biz 48 00:03:08,200 --> 00:03:11,920 Speaker 2: and Avier Ard, I think it would be a giant 49 00:03:12,040 --> 00:03:17,640 Speaker 2: size X Men style launch. I think that would be 50 00:03:17,800 --> 00:03:22,040 Speaker 2: your big Poul. You have Storm, you have Cyclops. You know, 51 00:03:22,120 --> 00:03:24,720 Speaker 2: you have Charles, you have Gene, you can bring a 52 00:03:24,800 --> 00:03:28,639 Speaker 2: night Crawler. I think that that, especially at the time, 53 00:03:29,320 --> 00:03:32,680 Speaker 2: like in the two thousand and eight, it would have 54 00:03:32,880 --> 00:03:36,200 Speaker 2: changed the trajectory of how we do this stuff, but 55 00:03:36,280 --> 00:03:38,440 Speaker 2: obviously it was not the way. 56 00:03:38,320 --> 00:03:38,800 Speaker 3: That it went. 57 00:03:38,880 --> 00:03:41,120 Speaker 2: If I was going to try and replicate the MCU 58 00:03:41,160 --> 00:03:44,360 Speaker 2: but with out iron Man, I would probably do something 59 00:03:44,440 --> 00:03:47,920 Speaker 2: like that, but with weirder characters like New Mutants or 60 00:03:48,160 --> 00:03:49,200 Speaker 2: X Force, or you. 61 00:03:49,160 --> 00:03:51,480 Speaker 3: Know, have like a Chamber movie. 62 00:03:52,200 --> 00:03:55,680 Speaker 2: You know I love Chamber, but definitely for me it 63 00:03:55,680 --> 00:03:58,160 Speaker 2: would it always goes back to those Mutants, and I 64 00:03:58,200 --> 00:04:00,560 Speaker 2: think it would be a very interesting old union of us. 65 00:04:01,080 --> 00:04:04,040 Speaker 2: If Marvel Studios had been able to launch post blade 66 00:04:04,600 --> 00:04:06,520 Speaker 2: with the X Men. 67 00:04:07,200 --> 00:04:10,800 Speaker 1: I agree with what you said in that logically, reasonably, 68 00:04:12,800 --> 00:04:16,520 Speaker 1: the rollout for Phase one was so perfect you can't 69 00:04:17,520 --> 00:04:21,800 Speaker 1: it'd be silly to change anything logically, uh, And so 70 00:04:22,320 --> 00:04:26,599 Speaker 1: I would just pitch a haircut. I also, of course, 71 00:04:26,760 --> 00:04:29,280 Speaker 1: like I love the Mutants as well, and so I 72 00:04:29,400 --> 00:04:33,960 Speaker 1: would I might start with a Wolverine story. I mean, 73 00:04:34,000 --> 00:04:37,640 Speaker 1: this is sounding now perilously close to X Men origins, 74 00:04:38,880 --> 00:04:41,000 Speaker 1: but I would start but I would start like in 75 00:04:41,040 --> 00:04:43,279 Speaker 1: the sixties, right, I would start like in the sixties 76 00:04:43,400 --> 00:04:48,039 Speaker 1: or seventies, like Vietnam era Wolverine or you know, somewhere 77 00:04:48,080 --> 00:04:52,520 Speaker 1: like a Wolverine brainwashed. It basically be the Weapon X 78 00:04:53,400 --> 00:04:57,640 Speaker 1: story that would get us into the Super Soldier's story, 79 00:04:57,760 --> 00:04:59,880 Speaker 1: and then you could just launch Captain America from that 80 00:05:01,839 --> 00:05:07,320 Speaker 1: as as a project that was related to and part 81 00:05:07,480 --> 00:05:12,120 Speaker 1: of the Weapon X project, which is just really a 82 00:05:12,200 --> 00:05:15,520 Speaker 1: much more and more underground version of the Super Soldier story. 83 00:05:15,680 --> 00:05:18,600 Speaker 1: So I would like tie those things together, and then 84 00:05:19,880 --> 00:05:24,080 Speaker 1: from there Phase one would proceed like on a binary track, 85 00:05:24,120 --> 00:05:26,440 Speaker 1: on a binary parallel track, right, So you go from 86 00:05:26,480 --> 00:05:29,560 Speaker 1: Captain America right to Iron Man. This is even though 87 00:05:29,560 --> 00:05:31,680 Speaker 1: I'm kind of reversing stuff, right, So you go from 88 00:05:31,720 --> 00:05:35,159 Speaker 1: Captain America to Iron Man, and then you'd go from 89 00:05:35,200 --> 00:05:37,720 Speaker 1: Wolverine to like giant size X Men. So you do 90 00:05:37,960 --> 00:05:42,520 Speaker 1: like Avengers and X Men happening at the same time, 91 00:05:42,600 --> 00:05:45,600 Speaker 1: but like in different little pockets where the X Men 92 00:05:45,640 --> 00:05:49,359 Speaker 1: are doing stuff much more underground because they don't want 93 00:05:49,440 --> 00:05:54,040 Speaker 1: anybody to know they exist, whereas the Avengers are emerging 94 00:05:54,120 --> 00:05:56,160 Speaker 1: at the same time. You know, they have the big 95 00:05:56,400 --> 00:05:58,960 Speaker 1: they would still have the big Battle of New York 96 00:05:59,000 --> 00:06:01,200 Speaker 1: and all these other things that announce their existence to 97 00:06:01,279 --> 00:06:04,160 Speaker 1: the world. And it would be that existence that would 98 00:06:04,600 --> 00:06:11,160 Speaker 1: basically shake up the mutant line of my proposed MCU, 99 00:06:11,560 --> 00:06:13,640 Speaker 1: where you'd have all these other mutants saying, well, why 100 00:06:13,640 --> 00:06:14,359 Speaker 1: are we hiding? 101 00:06:14,400 --> 00:06:16,640 Speaker 3: If these people can be out, like. 102 00:06:16,560 --> 00:06:19,440 Speaker 1: Why can't we just and so that they would do that, 103 00:06:19,560 --> 00:06:23,279 Speaker 1: and that would bring them into conflict with the Avengers 104 00:06:23,320 --> 00:06:27,880 Speaker 1: and then they ultimately get together to fight off Thanos 105 00:06:28,000 --> 00:06:29,000 Speaker 1: or whatever. Big bet. 106 00:06:29,120 --> 00:06:31,680 Speaker 2: Yeah, I was gonna say, in that version, is your 107 00:06:32,279 --> 00:06:36,040 Speaker 2: Avengers movie or is your later on like a civil 108 00:06:36,080 --> 00:06:38,919 Speaker 2: war before you get to endgame? Is that your Avengers 109 00:06:39,000 --> 00:06:42,799 Speaker 2: versus X Men movie? In that world, No, I would. 110 00:06:42,680 --> 00:06:45,000 Speaker 1: Do it later because I think the way if I 111 00:06:45,080 --> 00:06:49,760 Speaker 1: was going to do it this way, right, then all 112 00:06:49,760 --> 00:06:54,200 Speaker 1: the mutants are together originally like Magneto, everybody no Brotherhood 113 00:06:54,240 --> 00:06:56,800 Speaker 1: of Evil Mutants. There are maybe more extremist mutants, and 114 00:06:56,800 --> 00:07:01,600 Speaker 1: there are more piece nick mutants, you know, but everybody 115 00:07:01,640 --> 00:07:04,240 Speaker 1: agrees that it's for the best that they keep quiet. 116 00:07:04,240 --> 00:07:08,640 Speaker 1: And when the human superheroes emerge, you have the more 117 00:07:08,680 --> 00:07:14,040 Speaker 1: extremeist voices being like, well, why are we We should 118 00:07:14,160 --> 00:07:17,200 Speaker 1: just come out like this is insane that we're hiding, 119 00:07:17,600 --> 00:07:20,040 Speaker 1: and then that would cause the split that would create 120 00:07:20,560 --> 00:07:22,760 Speaker 1: you know, mystique in the Brotherhood of Evil Mutants or 121 00:07:22,840 --> 00:07:25,640 Speaker 1: Magneto going off and deciding that he's going to become 122 00:07:25,680 --> 00:07:28,360 Speaker 1: a domestic terrorist or whatever, you know. 123 00:07:28,480 --> 00:07:31,280 Speaker 3: And it because they're reacting to. 124 00:07:31,280 --> 00:07:35,560 Speaker 1: The emergence of the human superheroes who everybody fucking loves, 125 00:07:36,640 --> 00:07:39,560 Speaker 1: and they're saying, well, why can't why can't we have a. 126 00:07:39,520 --> 00:07:42,120 Speaker 3: Life as well? And then you have those things converge. 127 00:07:42,160 --> 00:07:42,760 Speaker 3: I think you'd have. 128 00:07:43,920 --> 00:07:47,280 Speaker 1: I think you probably do Avengers versus X Men, like 129 00:07:47,640 --> 00:07:51,680 Speaker 1: Phase two, and then Phase three would be your big Okay, 130 00:07:51,720 --> 00:07:55,080 Speaker 1: we need to all twoin together to beat whatever the 131 00:07:55,120 --> 00:07:55,840 Speaker 1: fucking thing is. 132 00:07:56,600 --> 00:07:57,400 Speaker 3: Yeah, I love that. 133 00:07:57,600 --> 00:07:59,400 Speaker 2: I mean, you make a really great point too, because 134 00:07:59,400 --> 00:08:03,600 Speaker 2: the reality is even then in the mid Zeros to 135 00:08:03,720 --> 00:08:06,200 Speaker 2: late Zeros, Wolverine is still one of the most famous 136 00:08:06,240 --> 00:08:08,720 Speaker 2: characters in the world, not only thanks to the comics 137 00:08:08,760 --> 00:08:10,880 Speaker 2: in the animated series, but thanks to Hugh Jackman. So 138 00:08:11,480 --> 00:08:14,680 Speaker 2: really that would be a very good place to start, 139 00:08:14,720 --> 00:08:18,720 Speaker 2: and I would love to see that. I mean, hilariously, Marvel, 140 00:08:18,760 --> 00:08:20,800 Speaker 2: don't steal this. The WGA is on strike. 141 00:08:21,200 --> 00:08:22,000 Speaker 3: Your idea is. 142 00:08:21,960 --> 00:08:25,560 Speaker 2: Definitely something that I think we could actually see come 143 00:08:25,600 --> 00:08:26,880 Speaker 2: to life even. 144 00:08:28,360 --> 00:08:28,720 Speaker 1: Now. 145 00:08:29,000 --> 00:08:33,520 Speaker 2: You know that idea of like the reality of human 146 00:08:33,559 --> 00:08:36,560 Speaker 2: heroes being in the world for like twenty years has 147 00:08:36,640 --> 00:08:40,319 Speaker 2: caused that conflict within like underground mutant sex like the Morlocks, 148 00:08:40,360 --> 00:08:42,760 Speaker 2: even if they didn't want to go full you know, 149 00:08:43,559 --> 00:08:45,680 Speaker 2: gifted Youngster's school. 150 00:08:45,400 --> 00:08:49,000 Speaker 3: Kind of route immediately. So yeah, I love that. And 151 00:08:49,040 --> 00:08:49,760 Speaker 3: you know how like. 152 00:08:51,760 --> 00:08:55,560 Speaker 1: There was the you know tm X before Wolverine pre 153 00:08:55,880 --> 00:08:57,680 Speaker 1: x Men, when he was on a team with Saber 154 00:08:57,720 --> 00:09:00,640 Speaker 1: Tooth and others. Right, you could do that, Bucky and 155 00:09:00,720 --> 00:09:06,120 Speaker 1: just have like all the brainwashed like superheroes in the 156 00:09:06,160 --> 00:09:12,800 Speaker 1: seventies and eighties they're doing secret government shit. You could 157 00:09:12,840 --> 00:09:15,080 Speaker 1: kind of reccon it so that Bucky is part of that. 158 00:09:15,880 --> 00:09:18,000 Speaker 1: You could introduce I mean, you can even make Steve 159 00:09:18,040 --> 00:09:19,520 Speaker 1: a part of that if you really wanted to. 160 00:09:20,360 --> 00:09:23,319 Speaker 3: Yeah, more of a nomad style, like he's not no mad. 161 00:09:23,160 --> 00:09:24,880 Speaker 1: Style, but he's I mean, what if you did it 162 00:09:24,920 --> 00:09:28,840 Speaker 1: this way? What if six one six? If we're calling 163 00:09:29,040 --> 00:09:35,240 Speaker 1: this MCU exists, right, we relaunch, but it's a parallel universe, 164 00:09:35,600 --> 00:09:38,640 Speaker 1: and it's the one you know, it's like the one 165 00:09:38,720 --> 00:09:41,960 Speaker 1: Steve escaped into. So there's like a Steve running around. 166 00:09:42,040 --> 00:09:44,400 Speaker 3: Oh that's really I mean Steve. 167 00:09:44,800 --> 00:09:48,559 Speaker 1: Yeah, I mean I Marvel call us after. 168 00:09:48,320 --> 00:09:51,240 Speaker 3: The second often call us when the strike's over. We'll 169 00:09:51,240 --> 00:09:54,280 Speaker 3: picture somebody is. We've got some pis matt osks. 170 00:09:54,320 --> 00:09:56,640 Speaker 2: How do you think all these Marvel shows will be 171 00:09:56,679 --> 00:10:00,880 Speaker 2: combined into a singular movie? I will add parentheses or 172 00:10:00,920 --> 00:10:04,400 Speaker 2: project when that stylized so differently, Well, she hold. 173 00:10:04,240 --> 00:10:05,319 Speaker 3: Dropped the fourth wall. 174 00:10:05,160 --> 00:10:06,920 Speaker 2: When she's in a team up film, even though that's 175 00:10:06,960 --> 00:10:09,480 Speaker 2: so unique to her. Miss Marvel was a very different 176 00:10:09,559 --> 00:10:12,199 Speaker 2: vibe than Falcon and Whin still just stylistically, So how 177 00:10:12,200 --> 00:10:13,720 Speaker 2: do we think those things are going to kind of 178 00:10:13,720 --> 00:10:15,000 Speaker 2: come together? Oh? 179 00:10:15,080 --> 00:10:18,439 Speaker 1: Wow, that's a great question. I think honestly, very organically. 180 00:10:18,720 --> 00:10:21,800 Speaker 1: These are issues that pop up in the comics as well. Yeah, 181 00:10:22,160 --> 00:10:26,679 Speaker 1: the comics have been dealing with for decades this entire time. 182 00:10:26,720 --> 00:10:29,880 Speaker 1: You know, she Hulks breaking the Fourth Wall in the eighties, 183 00:10:30,240 --> 00:10:33,239 Speaker 1: and when she shows up on Avengers teams or Fantastic 184 00:10:33,320 --> 00:10:38,680 Speaker 1: Four teams, it's the same personality, the same character, but 185 00:10:39,400 --> 00:10:43,640 Speaker 1: you fit the character inside the frame of what the 186 00:10:43,800 --> 00:10:46,079 Speaker 1: particular title is. So depending you know, if it's a 187 00:10:46,160 --> 00:10:50,400 Speaker 1: She Hulk in an Avengers movie, then you would fit 188 00:10:50,480 --> 00:10:54,560 Speaker 1: it to the sensibility of an Avengers movie, depending on 189 00:10:54,600 --> 00:10:56,960 Speaker 1: what the director's taken his take on it as well. 190 00:10:57,440 --> 00:11:01,120 Speaker 1: I actually think it's not that it's honestly not that 191 00:11:01,240 --> 00:11:01,800 Speaker 1: big a deal. 192 00:11:02,240 --> 00:11:03,240 Speaker 3: Yeah, I agree. 193 00:11:03,240 --> 00:11:05,440 Speaker 2: I think if you look back to the comics and 194 00:11:05,520 --> 00:11:07,559 Speaker 2: remember what we all love so much about the comics, 195 00:11:07,600 --> 00:11:10,319 Speaker 2: and I will say what really kept people engrossed in 196 00:11:10,360 --> 00:11:13,400 Speaker 2: the MCU was when it branched out of the kind 197 00:11:13,440 --> 00:11:18,120 Speaker 2: of ottomous inspired originality of the you know, the first 198 00:11:18,280 --> 00:11:22,240 Speaker 2: phase and instead, you know why is Win a Soldier 199 00:11:22,280 --> 00:11:24,320 Speaker 2: one of people's favorite movies, because it felt like it 200 00:11:24,360 --> 00:11:27,120 Speaker 2: was bringing a new tone to the MCU. It was 201 00:11:27,160 --> 00:11:32,120 Speaker 2: this spy espionage style genre. So I think that it 202 00:11:32,320 --> 00:11:34,839 Speaker 2: will be a delicate balance, but I would love I 203 00:11:34,920 --> 00:11:37,920 Speaker 2: think you could have she Hulk, especially the version that 204 00:11:37,960 --> 00:11:39,800 Speaker 2: they did in the show, which I thought was so great. 205 00:11:40,360 --> 00:11:43,640 Speaker 2: I could see a pretty serious Daredevil show, for example, 206 00:11:43,679 --> 00:11:46,640 Speaker 2: where she turns up yeah, and they still managed to 207 00:11:46,640 --> 00:11:49,040 Speaker 2: build that in in an Avengers movie. She also gives 208 00:11:49,080 --> 00:11:55,199 Speaker 2: you a great narrative tool. She could be your in character. 209 00:11:55,320 --> 00:11:57,880 Speaker 2: She could be your narrator almost, and you could have 210 00:11:57,920 --> 00:12:02,280 Speaker 2: a really fun time making the audience complicit and more 211 00:12:02,320 --> 00:12:04,480 Speaker 2: involved in the story than they've been before, even when 212 00:12:04,960 --> 00:12:06,760 Speaker 2: stuff's getting wild and. 213 00:12:07,120 --> 00:12:09,559 Speaker 1: They do Yeah, I would almost guarantee they do a 214 00:12:09,600 --> 00:12:14,240 Speaker 1: fourth Wall joke and whatever Avengers movie emerges from, Oh, definitely, 215 00:12:15,200 --> 00:12:18,360 Speaker 1: like you'll have a moment where she's talking to the 216 00:12:18,360 --> 00:12:21,920 Speaker 1: fourth wall, but maybe not to camera and Spider Man 217 00:12:22,040 --> 00:12:23,679 Speaker 1: or somebody's like, who the fuck are you talking to you? 218 00:12:23,880 --> 00:12:27,080 Speaker 2: Yeah, yeah, they'll do a flea bag yeah yeah. I 219 00:12:27,120 --> 00:12:31,280 Speaker 2: definitely think as well. Like one of the things that 220 00:12:31,400 --> 00:12:36,080 Speaker 2: I could see is the amount of times that those 221 00:12:36,120 --> 00:12:38,560 Speaker 2: tones are used. Like, so I think that in quite 222 00:12:38,600 --> 00:12:41,800 Speaker 2: a serious Avengers like Secret War style movie, she probably 223 00:12:41,800 --> 00:12:44,600 Speaker 2: won't be cracking wise the whole time, and she won't 224 00:12:44,600 --> 00:12:47,640 Speaker 2: look at you when an alien does something wild. But 225 00:12:47,679 --> 00:12:50,520 Speaker 2: if there's a Schwama esque kind of in joke that 226 00:12:50,679 --> 00:12:52,720 Speaker 2: they know the audience is gonna look to, you could 227 00:12:52,760 --> 00:12:54,160 Speaker 2: get a gym office. 228 00:12:53,840 --> 00:12:55,080 Speaker 3: Style look to camera. 229 00:12:55,800 --> 00:12:59,280 Speaker 2: I think it's all about those kind of stylistic choices. 230 00:12:59,559 --> 00:13:02,840 Speaker 2: But yeah, I think it's going to happen because really 231 00:13:02,880 --> 00:13:06,360 Speaker 2: that interconnectivity is what has always made people really care 232 00:13:06,400 --> 00:13:08,760 Speaker 2: about the MCU. So I think that even though the 233 00:13:08,840 --> 00:13:11,280 Speaker 2: vibes are different. I mean, if we look at Miss Marvel, 234 00:13:11,360 --> 00:13:13,280 Speaker 2: especially in the comics, one of the things that was 235 00:13:13,360 --> 00:13:15,960 Speaker 2: so great when she was first introduced, she was obsessed 236 00:13:15,960 --> 00:13:19,240 Speaker 2: with these really rugged heroes like Wolverine. So that kind 237 00:13:19,320 --> 00:13:24,360 Speaker 2: of fun of seeing that joyous, joyful fan energy from Kamala, 238 00:13:24,360 --> 00:13:29,960 Speaker 2: who's also incredibly powerful buck up against you know, meeting 239 00:13:30,000 --> 00:13:32,439 Speaker 2: someone like I would love to see her meet Bucky 240 00:13:32,600 --> 00:13:34,760 Speaker 2: or something, but you know, even someone like Falcon who 241 00:13:34,840 --> 00:13:37,600 Speaker 2: is now you know, Captain America Sam Wilson. I think 242 00:13:37,640 --> 00:13:40,200 Speaker 2: that that's actually going to bring a lot of joy 243 00:13:40,240 --> 00:13:43,760 Speaker 2: and kind of enjoyment to the MCU. Those juxtapositions are 244 00:13:43,800 --> 00:13:46,880 Speaker 2: going to be an additive rather than a challenge. 245 00:13:46,920 --> 00:13:47,400 Speaker 3: I reckon. 246 00:13:47,720 --> 00:13:50,760 Speaker 1: I think that's right, Jack asks, after seeing Guards of 247 00:13:50,800 --> 00:13:53,480 Speaker 1: the Galaxy volume three heads either of your opinions about 248 00:13:53,480 --> 00:13:55,760 Speaker 1: the mc model shifted. Are you looking for more self 249 00:13:55,800 --> 00:13:58,240 Speaker 1: contained stories, whether it be standalone stuff like a movie 250 00:13:58,320 --> 00:14:01,800 Speaker 1: trilogy or a special or does the interconnectivity still create 251 00:14:01,840 --> 00:14:04,880 Speaker 1: the world we know? I'm curious how you feel as 252 00:14:04,920 --> 00:14:07,439 Speaker 1: the scope of the MCU gets wider. Yeah, I think 253 00:14:07,440 --> 00:14:09,760 Speaker 1: it gets more Obviously, it gets more unwieldy as it 254 00:14:09,800 --> 00:14:10,440 Speaker 1: gets wider. 255 00:14:10,440 --> 00:14:11,439 Speaker 3: I also think. 256 00:14:12,880 --> 00:14:16,680 Speaker 1: The I think a lot of the feel of kind 257 00:14:16,720 --> 00:14:23,000 Speaker 1: of less focus to the post endgame phases is simply 258 00:14:23,040 --> 00:14:25,680 Speaker 1: a lack of a focusing villain, you know, like you 259 00:14:25,800 --> 00:14:32,120 Speaker 1: had Thanos pretty much from Jump driving things forward post 260 00:14:32,160 --> 00:14:35,280 Speaker 1: of you know, like certainly post Avengers, everybody understood that 261 00:14:35,400 --> 00:14:40,800 Speaker 1: was where we were going, Whereas you know, there's significant 262 00:14:41,800 --> 00:14:48,760 Speaker 1: confusion about, like especially post issues with Jonathan Majors, what 263 00:14:49,000 --> 00:14:54,880 Speaker 1: the kind of focal villain is going to be in 264 00:14:54,960 --> 00:15:00,200 Speaker 1: terms of for me, like the I think it's just well, 265 00:15:00,240 --> 00:15:02,800 Speaker 1: it's interesting, you know, because we say, as we've been saying, 266 00:15:02,800 --> 00:15:04,960 Speaker 1: so much of this stuff, parallel stuff that happens in 267 00:15:05,000 --> 00:15:09,600 Speaker 1: the comics Guardians has always benefited and Cosmic marvel in 268 00:15:09,640 --> 00:15:14,200 Speaker 1: general has always benefited from the remove from the activity 269 00:15:13,840 --> 00:15:18,560 Speaker 1: to the main storyline of Marvel comics, like you can 270 00:15:18,640 --> 00:15:21,960 Speaker 1: just do more. And I think I would argue that, like, 271 00:15:23,080 --> 00:15:25,160 Speaker 1: you know, some of the weakest cosmic Marvel is the 272 00:15:25,200 --> 00:15:29,960 Speaker 1: stuff that intersects with like earth bound heroes, like when 273 00:15:29,960 --> 00:15:34,080 Speaker 1: they're just out there on their own annihilation, war of Kings, 274 00:15:34,160 --> 00:15:36,520 Speaker 1: that kind of stuff, and they can just blow up 275 00:15:36,520 --> 00:15:40,360 Speaker 1: into our galaxies. You know, then that's the best stuff. 276 00:15:40,400 --> 00:15:47,680 Speaker 1: And I think part of what made Guardians so good, 277 00:15:47,880 --> 00:15:50,360 Speaker 1: or at least so easy to position as a real, 278 00:15:50,640 --> 00:15:55,600 Speaker 1: like contained story, is that it's in space. It's removed 279 00:15:55,880 --> 00:15:57,320 Speaker 1: from the rest of the stuff that's going You're not 280 00:15:57,360 --> 00:15:59,960 Speaker 1: worrying about like, hey, where are the events? 281 00:16:00,280 --> 00:16:01,240 Speaker 3: Is what happened to them? 282 00:16:01,400 --> 00:16:04,400 Speaker 1: What's going on with the blip? You know, my bakery 283 00:16:04,840 --> 00:16:07,440 Speaker 1: got evicted to the blip, but now somebody else moves. 284 00:16:07,680 --> 00:16:08,840 Speaker 1: You don't have to do all that. 285 00:16:08,840 --> 00:16:09,320 Speaker 3: Kind of stuff. 286 00:16:09,320 --> 00:16:11,960 Speaker 1: You can just do the story that said. 287 00:16:13,520 --> 00:16:13,880 Speaker 3: I don't. 288 00:16:14,760 --> 00:16:18,280 Speaker 1: I think the interconnectivity is kind of is necessary. Now 289 00:16:18,280 --> 00:16:22,040 Speaker 1: maybe you can maybe you can not tie it as 290 00:16:22,120 --> 00:16:25,520 Speaker 1: tightly to things that are going on. Maybe that's a 291 00:16:25,520 --> 00:16:28,840 Speaker 1: way to go. Is not like be beholden to all 292 00:16:28,840 --> 00:16:32,600 Speaker 1: these tie ins and callbacks while still acknowledging that it's 293 00:16:32,640 --> 00:16:35,160 Speaker 1: part of a shared universe. But I think the interconnectivity 294 00:16:35,200 --> 00:16:35,640 Speaker 1: is vital. 295 00:16:35,720 --> 00:16:36,520 Speaker 3: What are your thoughts. 296 00:16:36,680 --> 00:16:39,000 Speaker 2: Yeah, I think you're right basically, and I think you 297 00:16:39,320 --> 00:16:41,680 Speaker 2: summed up something I think is really interesting. I think 298 00:16:41,720 --> 00:16:44,640 Speaker 2: part of the reason why this Guardian's movie is hitting 299 00:16:44,640 --> 00:16:46,800 Speaker 2: so well, you know, a cinema score, even if the 300 00:16:46,840 --> 00:16:48,560 Speaker 2: box office wasn't crazy, We'll see what. 301 00:16:48,520 --> 00:16:49,200 Speaker 3: That hold was. 302 00:16:49,640 --> 00:16:54,280 Speaker 2: I think Guardian's Galaxy Volume three feels very akin to 303 00:16:54,360 --> 00:16:58,640 Speaker 2: the early MCU in that fact that it feels quite separate, 304 00:16:59,160 --> 00:17:02,600 Speaker 2: but there no odds to things that have existed in 305 00:17:02,720 --> 00:17:05,920 Speaker 2: easter egg form, not in big exposition dumps or this 306 00:17:05,960 --> 00:17:08,639 Speaker 2: is how this all works, but in here's a little 307 00:17:08,640 --> 00:17:11,240 Speaker 2: thing you've seen before. Oh, here's a character you know 308 00:17:11,600 --> 00:17:14,959 Speaker 2: that's very appealing. That's what made people love these movies. 309 00:17:15,240 --> 00:17:19,520 Speaker 2: I personally am always excited for things that can exist 310 00:17:19,520 --> 00:17:22,600 Speaker 2: in that world, but also standalone. I think that you know, 311 00:17:22,640 --> 00:17:26,200 Speaker 2: the were Wolf by Night Halloween special was just so brilliant, 312 00:17:26,880 --> 00:17:29,320 Speaker 2: and I'm really excited to see them do stuff like that. 313 00:17:29,359 --> 00:17:32,760 Speaker 2: I also think it's one of the few strengths that 314 00:17:32,800 --> 00:17:35,760 Speaker 2: you can objectively say that the DCU has, which is 315 00:17:36,560 --> 00:17:39,720 Speaker 2: the way that they've let directors just make weird movies. 316 00:17:39,760 --> 00:17:41,720 Speaker 2: That's how we got Batman, That's how we got Aquaman, 317 00:17:41,800 --> 00:17:45,400 Speaker 2: That's how he got you know, Kathy Ynn's incredible Harlequin 318 00:17:45,480 --> 00:17:48,719 Speaker 2: and Birds of Prey movie. I think that there's a 319 00:17:48,760 --> 00:17:52,600 Speaker 2: lot of fun and freedom that can be had from 320 00:17:52,640 --> 00:17:58,040 Speaker 2: going with big swing, weird ideas, especially when this franchise 321 00:17:58,080 --> 00:18:00,439 Speaker 2: has like thirty movies at this point and millions of 322 00:18:00,440 --> 00:18:02,520 Speaker 2: TV shows and blah blah blah blah. It's always going 323 00:18:02,600 --> 00:18:05,760 Speaker 2: to get im wieldy, But I think the interconnectivity always 324 00:18:05,840 --> 00:18:08,760 Speaker 2: has to be there, and I think in a sense 325 00:18:08,800 --> 00:18:12,800 Speaker 2: of getting people really excited, that's probably going to have 326 00:18:12,840 --> 00:18:14,960 Speaker 2: to come a little bit more to the forefront than 327 00:18:14,960 --> 00:18:17,119 Speaker 2: it has been, even if it kind of As comic 328 00:18:17,119 --> 00:18:20,240 Speaker 2: book fans, we're more used to the weird explosion of 329 00:18:20,320 --> 00:18:22,480 Speaker 2: stories that you get before you draw it back in 330 00:18:22,600 --> 00:18:26,000 Speaker 2: for that slim down, you know, multiversal battle. 331 00:18:26,640 --> 00:18:31,520 Speaker 1: And I think like, as a general principle, the stakes 332 00:18:31,640 --> 00:18:33,760 Speaker 1: need to be in the movie. Like the thing that 333 00:18:33,840 --> 00:18:40,240 Speaker 1: makes Guardians three so good is you worried who's going 334 00:18:40,320 --> 00:18:44,840 Speaker 1: to die? You are absolutely distraught over the horrible things 335 00:18:44,840 --> 00:18:48,119 Speaker 1: that have happened to this beloved character Rocket. It that 336 00:18:48,240 --> 00:18:51,400 Speaker 1: the steaks are in the movie. You want the high 337 00:18:51,440 --> 00:18:56,879 Speaker 1: evolutionary to pay. You'd like, you just want it with 338 00:18:57,040 --> 00:18:59,560 Speaker 1: some of the Phase four and Phase five, which I 339 00:18:59,600 --> 00:19:02,399 Speaker 1: love because I'm a sucker for it. But one of 340 00:19:02,440 --> 00:19:04,680 Speaker 1: the things you could say is the stakes come from 341 00:19:04,680 --> 00:19:07,520 Speaker 1: outside the movie. Yes, it's stakes that carry over from 342 00:19:07,560 --> 00:19:10,719 Speaker 1: another project, or it's built in from something else, and 343 00:19:10,760 --> 00:19:15,960 Speaker 1: it's not native to the story itself self contained in 344 00:19:16,000 --> 00:19:18,399 Speaker 1: the story, and it dilutes the power. 345 00:19:18,800 --> 00:19:21,920 Speaker 2: That's a definite challenge that I think that the interconnectivity 346 00:19:21,960 --> 00:19:25,359 Speaker 2: element brings because people have to be extremely invested, like 347 00:19:25,480 --> 00:19:28,800 Speaker 2: Infinity War endgame style invested to want to know all 348 00:19:28,800 --> 00:19:31,600 Speaker 2: those different things to feel like it's an event. My 349 00:19:31,680 --> 00:19:35,680 Speaker 2: friend William did a great interview with James Gunn at Esquire. 350 00:19:35,760 --> 00:19:39,720 Speaker 2: I'm you basically incredibly smart cultural critic that you are. 351 00:19:39,920 --> 00:19:42,400 Speaker 2: You summed up how James gets people to care about 352 00:19:42,400 --> 00:19:46,879 Speaker 2: these things. He said, it's always about like, it's not 353 00:19:46,920 --> 00:19:49,360 Speaker 2: about the end of the world. It's about like saving 354 00:19:49,400 --> 00:19:51,480 Speaker 2: the dog, you know, that was his experience, and in 355 00:19:51,520 --> 00:19:54,080 Speaker 2: this movie, it's about Rocket it's about that journey, and 356 00:19:54,119 --> 00:19:58,560 Speaker 2: you do these little things that make people invested in 357 00:19:58,600 --> 00:20:01,600 Speaker 2: the journey that you are on in that movie. That 358 00:20:01,760 --> 00:20:05,320 Speaker 2: is I think, think about Tony Stark, think about Iron Man. 359 00:20:05,359 --> 00:20:09,439 Speaker 2: It's about that movie, and then the teas of what 360 00:20:09,560 --> 00:20:12,120 Speaker 2: else could come is so exciting. But I will say, 361 00:20:12,160 --> 00:20:13,960 Speaker 2: even as someone who, as you know, love I love 362 00:20:14,000 --> 00:20:16,920 Speaker 2: a lot of Phase four stuff and Phase five, I'm 363 00:20:17,000 --> 00:20:18,639 Speaker 2: very chill with it. I love to see these movies. 364 00:20:18,680 --> 00:20:20,600 Speaker 2: I love to know that they're based on these comics 365 00:20:20,600 --> 00:20:24,080 Speaker 2: I love. But I do think it could easily be 366 00:20:24,240 --> 00:20:27,040 Speaker 2: argued that the teas has become the primary part of 367 00:20:27,080 --> 00:20:30,359 Speaker 2: a lot of those stories, rather than that steak that 368 00:20:30,480 --> 00:20:34,120 Speaker 2: keeps you in in the center of the story before 369 00:20:34,240 --> 00:20:36,800 Speaker 2: wondering what comes next. 370 00:20:37,240 --> 00:20:47,120 Speaker 1: And about the steaks, I also think that more characters 371 00:20:47,160 --> 00:20:47,800 Speaker 1: should die. 372 00:20:48,280 --> 00:20:53,120 Speaker 4: Not I will say, I agree, maybe not problem, yeah, 373 00:20:53,160 --> 00:20:54,120 Speaker 4: maybe not die. 374 00:20:54,000 --> 00:20:56,320 Speaker 1: Because of course, like you know, one of the spoiler 375 00:20:56,320 --> 00:20:59,640 Speaker 1: and spoiler spoiler Guardians three, spoiler, one of the surprises 376 00:20:59,680 --> 00:21:00,760 Speaker 1: of Gards. 377 00:21:00,320 --> 00:21:04,000 Speaker 3: Three, he died. That was actually a very good subsion. 378 00:21:06,280 --> 00:21:10,280 Speaker 1: This is of course, like you know, Rip to Floor 379 00:21:10,520 --> 00:21:11,639 Speaker 1: and Yolah, and. 380 00:21:11,720 --> 00:21:14,840 Speaker 3: Yes, no established characters before this movie that we were 381 00:21:14,880 --> 00:21:17,960 Speaker 3: expecting to die hit fucking hard. That said for. 382 00:21:18,040 --> 00:21:20,960 Speaker 1: Characters that you were getting flash back like that was 383 00:21:21,680 --> 00:21:27,040 Speaker 1: those deaths hit, but there was turn. It's almost like 384 00:21:27,080 --> 00:21:30,680 Speaker 1: a death in the sense that people left the team. 385 00:21:30,840 --> 00:21:33,640 Speaker 1: People were like this part of my there was an 386 00:21:33,680 --> 00:21:36,480 Speaker 1: advice is over and and you and you you have 387 00:21:36,520 --> 00:21:40,920 Speaker 1: to leave this wonderful group of friends behind. Essentially because 388 00:21:40,960 --> 00:21:43,440 Speaker 1: people are leaving, people have left. That feels like part 389 00:21:43,440 --> 00:21:47,440 Speaker 1: of life. And I feel like, you know, whether it's 390 00:21:47,920 --> 00:21:50,320 Speaker 1: you know, you pick any story that that we've had 391 00:21:50,359 --> 00:21:51,160 Speaker 1: in these phases. 392 00:21:51,760 --> 00:21:52,560 Speaker 3: I think that. 393 00:21:55,760 --> 00:21:59,840 Speaker 1: If it's not death, there needs to be, like it were, 394 00:22:00,080 --> 00:22:06,400 Speaker 1: vocable rupturing of relationships that happen because of these stories. 395 00:22:06,440 --> 00:22:08,080 Speaker 1: I guess you could say in Chunk Chi, it kind 396 00:22:08,119 --> 00:22:12,720 Speaker 1: of happens, right, even though like it's only secretly that 397 00:22:12,960 --> 00:22:18,280 Speaker 1: like Shan's sister becomes like the head of organized crime. 398 00:22:18,480 --> 00:22:19,959 Speaker 3: I want to see that happen. By the way, that 399 00:22:20,040 --> 00:22:22,040 Speaker 3: was like one of my favorite post credit scenes. 400 00:22:22,160 --> 00:22:24,879 Speaker 1: But I really enjoyed it as well, but like to 401 00:22:25,240 --> 00:22:27,720 Speaker 1: the more. And this is because I've rewatched the movie 402 00:22:27,720 --> 00:22:30,399 Speaker 1: and I've been thinking about it, but like, imagine how 403 00:22:30,480 --> 00:22:34,320 Speaker 1: much to me, I feel like wouldn't that hit harder 404 00:22:34,359 --> 00:22:36,159 Speaker 1: emotionally if he knew that she did? 405 00:22:36,320 --> 00:22:39,520 Speaker 3: Yes, exactly. I totally agree with you, and I think 406 00:22:39,840 --> 00:22:40,800 Speaker 3: you are really. 407 00:22:40,520 --> 00:22:44,280 Speaker 2: Summing up one of the bigger issues that post end 408 00:22:44,400 --> 00:22:47,520 Speaker 2: game MCU has had. And obviously, as we say many 409 00:22:47,600 --> 00:22:49,439 Speaker 2: like this is all coming with love, we're always in 410 00:22:49,480 --> 00:22:49,880 Speaker 2: there on the. 411 00:22:49,840 --> 00:22:50,800 Speaker 1: First time watching it. 412 00:22:50,880 --> 00:22:54,320 Speaker 2: Yeah, so it's like we are not out like this 413 00:22:54,359 --> 00:22:57,360 Speaker 2: is not so much of saying that this is a failing, 414 00:22:57,400 --> 00:23:00,680 Speaker 2: But I do think it's something that's very interesting post endgame. 415 00:23:01,600 --> 00:23:03,440 Speaker 2: We all thought that was going to be the end 416 00:23:03,480 --> 00:23:10,879 Speaker 2: of that generation of heroes, but that decisive, irrevocable thing 417 00:23:11,440 --> 00:23:14,760 Speaker 2: never really happened yea, and those heroes have kind of 418 00:23:14,800 --> 00:23:17,679 Speaker 2: stuck around in these different ways, whether due to COVID, 419 00:23:17,760 --> 00:23:21,320 Speaker 2: like Black Widow coming out late or Hawkeye being in 420 00:23:21,440 --> 00:23:24,600 Speaker 2: the Kate Bishop Show because they wanted to do the incredible, 421 00:23:25,280 --> 00:23:27,760 Speaker 2: you know, comic book version that we'd gotten from Matt 422 00:23:27,800 --> 00:23:28,760 Speaker 2: Fraction and David Aha. 423 00:23:29,400 --> 00:23:31,600 Speaker 3: But it's very interesting. 424 00:23:31,520 --> 00:23:37,040 Speaker 2: That that guillotine of stakes and a true ending it 425 00:23:37,080 --> 00:23:40,080 Speaker 2: never really came down, and I think that has kind 426 00:23:40,119 --> 00:23:44,960 Speaker 2: of left this feeling more of a transitional phase than 427 00:23:45,000 --> 00:23:46,600 Speaker 2: people expected. 428 00:23:46,400 --> 00:23:48,680 Speaker 1: Because you leave the stories at the end of them, 429 00:23:48,720 --> 00:23:53,000 Speaker 1: with the characters more or less in the place that 430 00:23:53,119 --> 00:23:54,879 Speaker 1: you met them at the beginning. 431 00:23:54,560 --> 00:23:55,000 Speaker 3: Of the story. 432 00:23:55,080 --> 00:23:58,879 Speaker 1: You know what kind of Forever as an example, a 433 00:23:58,920 --> 00:24:01,639 Speaker 1: movie I actually quite enjoyed. Yeah, I think there's a 434 00:24:01,680 --> 00:24:05,560 Speaker 1: world in which you how many people died in the 435 00:24:05,640 --> 00:24:10,919 Speaker 1: attack on Wakanda, Like you would have militant voices really 436 00:24:11,359 --> 00:24:14,440 Speaker 1: voicing their displeasure with the way the country is run. 437 00:24:15,000 --> 00:24:18,440 Speaker 1: And so what if you left that story with that 438 00:24:18,600 --> 00:24:22,760 Speaker 1: feeling of, yeah, you know, whatever else has happened here. 439 00:24:23,040 --> 00:24:25,760 Speaker 1: You know, we lost to Challa, of course, but we 440 00:24:25,800 --> 00:24:27,919 Speaker 1: also lost a lot of citizens of this nation, and 441 00:24:27,960 --> 00:24:30,200 Speaker 1: nothing will ever be the same. He's like, I want 442 00:24:30,240 --> 00:24:33,440 Speaker 1: to leave each movie with and nothing will be the same? 443 00:24:33,960 --> 00:24:34,560 Speaker 3: Yeah, what I mean? 444 00:24:34,640 --> 00:24:38,000 Speaker 1: Like, and I think that feeling has maybe not been 445 00:24:38,000 --> 00:24:42,560 Speaker 1: as strong as those feelings in phases one, two, three, 446 00:24:42,640 --> 00:24:46,119 Speaker 1: where you left each movie going, oh fuck, like Tony 447 00:24:46,160 --> 00:24:48,640 Speaker 1: and Steve really hate each other now, oh fuck? 448 00:24:48,720 --> 00:24:52,320 Speaker 2: Yeah, Like Steve literally beat up Tony because his best 449 00:24:52,359 --> 00:24:54,280 Speaker 2: friend killed his parents. 450 00:24:54,480 --> 00:24:56,520 Speaker 1: Yeah, and he just like beat the show of. 451 00:24:56,520 --> 00:24:58,040 Speaker 3: Him on the concrete fool. 452 00:24:58,080 --> 00:25:00,960 Speaker 2: That still blows my mind when I think about that sequence, Like, 453 00:25:01,160 --> 00:25:03,880 Speaker 2: I totally agree with you. I will say I did 454 00:25:03,960 --> 00:25:09,320 Speaker 2: feel like I felt like Eternals offered that up and I'm. 455 00:25:09,119 --> 00:25:12,960 Speaker 3: Sorry just saying that. I'm just saying those are fucking celestials. 456 00:25:13,760 --> 00:25:14,840 Speaker 3: I will never be the same. 457 00:25:15,119 --> 00:25:18,359 Speaker 2: But like, but again, I understand that as much as 458 00:25:18,359 --> 00:25:22,520 Speaker 2: I enjoyed that movie, it didn't leave general audiences with 459 00:25:22,640 --> 00:25:26,119 Speaker 2: the scope and scale of what that change was, and 460 00:25:26,160 --> 00:25:28,240 Speaker 2: that in itself means that it wasn't as effective even 461 00:25:28,280 --> 00:25:30,160 Speaker 2: if I loved it and felt like things had changed. 462 00:25:30,200 --> 00:25:32,000 Speaker 2: And that to me stands as a great example of 463 00:25:32,080 --> 00:25:35,919 Speaker 2: letting somebody do something in a completely separate space that 464 00:25:36,040 --> 00:25:38,200 Speaker 2: can be connected but doesn't have to be connected. 465 00:25:38,480 --> 00:25:39,919 Speaker 3: But I totally agree with you. 466 00:25:40,000 --> 00:25:45,760 Speaker 2: I think that that is something that any studio would 467 00:25:45,800 --> 00:25:48,720 Speaker 2: struggle with when you're thirty movies in, you know, with 468 00:25:48,840 --> 00:25:51,960 Speaker 2: multiple TV shows, et cetera. So yeah, I think it's 469 00:25:52,000 --> 00:25:54,400 Speaker 2: going to be very interesting to see, but I think 470 00:25:54,440 --> 00:25:58,280 Speaker 2: basically the interconnectivity will always be there. I would love 471 00:25:58,359 --> 00:26:02,040 Speaker 2: to see more kind of stand alone, own ish stories, 472 00:26:02,800 --> 00:26:05,400 Speaker 2: and I'd love to see them learn some stakes lessons 473 00:26:05,440 --> 00:26:07,960 Speaker 2: from James Gunn, because I think you're right, he knows 474 00:26:08,000 --> 00:26:11,000 Speaker 2: how to tell those intimate stories. Even on this hugely 475 00:26:11,040 --> 00:26:14,639 Speaker 2: cosmic scale, but who knows. I mean, this is a 476 00:26:15,000 --> 00:26:17,040 Speaker 2: this is gonna be a wild time for the MCU 477 00:26:17,080 --> 00:26:19,040 Speaker 2: for the next couple of years. I mean, the fantastic 478 00:26:19,080 --> 00:26:22,760 Speaker 2: formant to be coming into the MCU next year, which 479 00:26:22,880 --> 00:26:23,520 Speaker 2: just feels like. 480 00:26:23,480 --> 00:26:24,560 Speaker 3: It would change everything. 481 00:26:24,800 --> 00:26:29,000 Speaker 1: I mean really crazy. So I mean I look forward 482 00:26:29,160 --> 00:26:33,120 Speaker 1: to a world in which the MCU and DC are 483 00:26:33,160 --> 00:26:38,480 Speaker 1: growing movie for movie and forcing each other to raise 484 00:26:38,760 --> 00:26:42,359 Speaker 1: their level. That's what it is in the comic space, 485 00:26:42,400 --> 00:26:44,280 Speaker 1: and I'm hoping we get there in the movie space. 486 00:26:44,920 --> 00:26:45,920 Speaker 1: Up the next more Mailbag. 487 00:27:00,880 --> 00:27:03,000 Speaker 2: We're back in the X ray vision crypt with more 488 00:27:03,000 --> 00:27:06,760 Speaker 2: mail bag questions, and now we're moving on to the 489 00:27:06,800 --> 00:27:09,760 Speaker 2: galaxy Far far Away. I love the galaxy far far 490 00:27:09,960 --> 00:27:12,480 Speaker 2: love that galaxy. I'd go there even if it's far 491 00:27:12,520 --> 00:27:16,639 Speaker 2: far away. Okay, So Hayden asks rank. This is a 492 00:27:16,680 --> 00:27:18,920 Speaker 2: really good question. This is a tough one question. 493 00:27:18,960 --> 00:27:21,040 Speaker 3: I've been thinking about this getting it ready. 494 00:27:21,600 --> 00:27:27,040 Speaker 2: Rank your top five Star Wars projects since the Disney acquisition, 495 00:27:27,240 --> 00:27:29,680 Speaker 2: Film series, games, comics, shorts, etc. 496 00:27:30,119 --> 00:27:34,160 Speaker 3: Can be any of those. What's your favorite? Okay, I'm 497 00:27:34,160 --> 00:27:34,680 Speaker 3: going to go. 498 00:27:36,960 --> 00:27:45,919 Speaker 1: The Disney acquisition was twenty twelve correct rebels Oh Rogue 499 00:27:45,920 --> 00:27:56,159 Speaker 1: one and or yep, Star Wars on Marvel Comics Jason 500 00:27:56,160 --> 00:28:01,439 Speaker 1: Aaron and then like Kuran Gillan, the Darth Vader run. 501 00:28:02,000 --> 00:28:04,480 Speaker 3: Oh man, that run is so fucking good. 502 00:28:05,040 --> 00:28:11,800 Speaker 1: Yeah, the whole thing Sewel Gillan Park now it goes. 503 00:28:12,040 --> 00:28:21,200 Speaker 1: It's interesting because Gillan's happens chronologically after Suels despite time, right, 504 00:28:21,800 --> 00:28:26,520 Speaker 1: but that is it just fleshes out the characters so well, 505 00:28:26,720 --> 00:28:29,719 Speaker 1: and it's some of the best times I've had with 506 00:28:29,800 --> 00:28:30,320 Speaker 1: Star Wars. 507 00:28:30,320 --> 00:28:34,600 Speaker 3: So those are my answers. Are that's really good? 508 00:28:35,119 --> 00:28:41,280 Speaker 2: I am going to say I am a sequel trilogy, stanky, 509 00:28:41,320 --> 00:28:44,200 Speaker 2: I'm gonna I'm putting Force Awakens at five. I love 510 00:28:44,280 --> 00:28:49,440 Speaker 2: Force Awakens like I delightful. It was one of my 511 00:28:49,520 --> 00:28:53,640 Speaker 2: best cinema experiences. I saw at midnight in the cinema 512 00:28:53,640 --> 00:28:58,360 Speaker 2: where I used to run a cocktail bar, and it 513 00:28:58,480 --> 00:29:01,600 Speaker 2: was just like the wildest read like the exact kind 514 00:29:01,640 --> 00:29:04,640 Speaker 2: of screening you want where everyone when when they pull 515 00:29:04,640 --> 00:29:08,080 Speaker 2: off the sheet and it's the falcon like, everybody screams. 516 00:29:08,800 --> 00:29:14,880 Speaker 2: I love that, So I'll start with that for you 517 00:29:14,920 --> 00:29:18,600 Speaker 2: know what, that Darth Vader comic is really there for me. 518 00:29:18,720 --> 00:29:20,520 Speaker 2: So I'm gonna I'm gonna jump on that one that 519 00:29:20,640 --> 00:29:23,960 Speaker 2: was on my list, especially because it was one of 520 00:29:23,960 --> 00:29:25,800 Speaker 2: the few comics where when I was reading it, just 521 00:29:25,920 --> 00:29:28,800 Speaker 2: every week that I got the issue, I wanted to 522 00:29:28,840 --> 00:29:30,120 Speaker 2: talk to someone about what. 523 00:29:30,240 --> 00:29:30,840 Speaker 3: Was going on. 524 00:29:31,000 --> 00:29:35,040 Speaker 2: It's great and obviously like doctor Afra, like getting to 525 00:29:35,160 --> 00:29:38,479 Speaker 2: meet these incredible new characters like the evil R two 526 00:29:38,520 --> 00:29:39,680 Speaker 2: D two and C three po. 527 00:29:39,560 --> 00:29:40,240 Speaker 3: Who I loved. 528 00:29:41,280 --> 00:29:43,959 Speaker 2: I'm gonna go and or at three because I think 529 00:29:43,960 --> 00:29:47,240 Speaker 2: you're right. I think it's like a masterpiece. And then 530 00:29:48,400 --> 00:29:51,640 Speaker 2: for me this is kind of a cheat. Apologies, but 531 00:29:51,640 --> 00:29:52,400 Speaker 2: I'm gonna go for it. 532 00:29:52,800 --> 00:29:53,440 Speaker 3: I think the. 533 00:29:53,440 --> 00:29:58,440 Speaker 2: High Republic line is a high point. Oh yeah, So 534 00:29:58,720 --> 00:30:02,320 Speaker 2: the especially the new stuff. I have a wonderful friend Wren, 535 00:30:02,600 --> 00:30:04,600 Speaker 2: and they really encourage me to get back into it 536 00:30:04,640 --> 00:30:08,440 Speaker 2: with this kind of like second phase and there those 537 00:30:08,480 --> 00:30:11,440 Speaker 2: books are just absolutely they blow me away every time. 538 00:30:11,480 --> 00:30:13,160 Speaker 2: If you're a fan of Charles Saul, he was a 539 00:30:13,160 --> 00:30:17,760 Speaker 2: big part of establishing all of this. There's great comic books. 540 00:30:17,760 --> 00:30:19,840 Speaker 2: There's incredible middle grade comics. I know we have a 541 00:30:19,880 --> 00:30:22,000 Speaker 2: lot of people who have kids who love this kind 542 00:30:22,040 --> 00:30:26,120 Speaker 2: of stuff, but the core books, like at the moment 543 00:30:27,040 --> 00:30:30,360 Speaker 2: i'm reading it's path of Deceit, and then the newest 544 00:30:30,360 --> 00:30:34,880 Speaker 2: one is Cataclysm, and they are just like out there 545 00:30:34,920 --> 00:30:37,960 Speaker 2: sci fi storytelling that happens to be in this Star 546 00:30:38,000 --> 00:30:38,480 Speaker 2: Wars world. 547 00:30:38,480 --> 00:30:41,040 Speaker 3: So I just cannot I cannot hype it enough. 548 00:30:41,280 --> 00:30:44,640 Speaker 2: And then coming in controversial as always number one for me, 549 00:30:44,760 --> 00:30:49,560 Speaker 2: last Jedi Banger, unbelievable, it is there. I would never 550 00:30:49,600 --> 00:30:51,440 Speaker 2: take it back. I think that movie is amazing. 551 00:30:52,200 --> 00:30:53,480 Speaker 3: Come on, I think it's so good. 552 00:30:55,000 --> 00:30:55,840 Speaker 1: I love it. 553 00:30:55,840 --> 00:30:56,520 Speaker 3: It's so good. 554 00:30:56,760 --> 00:31:01,240 Speaker 2: Honestly, you know, hate to give to an evil corporation, 555 00:31:01,400 --> 00:31:05,960 Speaker 2: but like, it has not been the dire situation that 556 00:31:06,000 --> 00:31:10,800 Speaker 2: I think many fans worried about since Disney took over Lucasfilm, 557 00:31:11,000 --> 00:31:12,920 Speaker 2: you know, in that merge. I feel like there's actually 558 00:31:12,920 --> 00:31:17,320 Speaker 2: been It's hard to pick five things because there's actually 559 00:31:17,320 --> 00:31:23,600 Speaker 2: been an incredible amount of brilliant creative ingenuity in those 560 00:31:23,640 --> 00:31:27,760 Speaker 2: spaces we didn't even talk about, like visions or you know, 561 00:31:27,840 --> 00:31:29,760 Speaker 2: all these other different fun things. 562 00:31:29,760 --> 00:31:30,160 Speaker 3: Books. 563 00:31:30,640 --> 00:31:32,800 Speaker 1: Yeah, there's a lot of stuff we didn't we didn't 564 00:31:32,800 --> 00:31:34,800 Speaker 1: talk about. I mean, we can talk about the video games. 565 00:31:38,080 --> 00:31:43,920 Speaker 1: I also believe that the on balance, the Disney acquisition 566 00:31:44,080 --> 00:31:48,960 Speaker 1: has been this era has been good for Star Wars. 567 00:31:49,120 --> 00:31:53,000 Speaker 1: It's been a great era for Star Wars period. Yeah, 568 00:31:53,200 --> 00:31:56,040 Speaker 1: Russell asks of all the characters in Star Wars, who 569 00:31:56,080 --> 00:31:59,080 Speaker 1: would you be most and least concerned about if they 570 00:31:59,080 --> 00:32:01,040 Speaker 1: happen upon the one ring on the side of the road. 571 00:32:01,480 --> 00:32:03,920 Speaker 1: For me, Chopper getting his hands on the watering, I'm. 572 00:32:03,720 --> 00:32:05,960 Speaker 3: Saying, for the galaxy? 573 00:32:06,360 --> 00:32:07,880 Speaker 1: Really very quickly, what do you think? 574 00:32:07,880 --> 00:32:08,040 Speaker 2: Now? 575 00:32:08,080 --> 00:32:09,960 Speaker 1: Let me ask you this because I've been thinking about it. 576 00:32:10,440 --> 00:32:13,880 Speaker 1: Can a droid wield the ring? I? 577 00:32:13,960 --> 00:32:17,480 Speaker 3: Can a droid wield the ring? I don't know. Could 578 00:32:17,600 --> 00:32:19,880 Speaker 3: chop A find a way to wield the ring? Yes? 579 00:32:20,280 --> 00:32:24,840 Speaker 2: I think the Galaxy's most powerful mass matter, I suppose 580 00:32:25,480 --> 00:32:26,160 Speaker 2: I suppose it. 581 00:32:26,360 --> 00:32:30,320 Speaker 3: Wonders is it just about sentience? 582 00:32:30,880 --> 00:32:32,560 Speaker 2: Because in that case, I would say most of the 583 00:32:32,680 --> 00:32:36,360 Speaker 2: droids have enough sentience that they could be impacted. 584 00:32:36,640 --> 00:32:39,720 Speaker 3: But is it also about having a soul or something? 585 00:32:39,760 --> 00:32:44,160 Speaker 1: Also about Is it also about like metal on flesh, 586 00:32:44,320 --> 00:32:46,280 Speaker 1: you know what I mean? Or like because do you 587 00:32:46,360 --> 00:32:50,280 Speaker 1: have to have an organic body to do this? I 588 00:32:50,280 --> 00:32:54,160 Speaker 1: don't think sourn like. Honestly, you'd be a mind blower 589 00:32:54,200 --> 00:32:56,120 Speaker 1: for Sourn if you ever brought a droid to him, 590 00:32:57,080 --> 00:32:58,960 Speaker 1: he'd be like, holy. 591 00:32:58,880 --> 00:33:01,760 Speaker 2: Shit, and then he'd be making well I think the 592 00:33:01,840 --> 00:33:06,400 Speaker 2: biggest worry is that in this hypothetical scenario he would 593 00:33:06,480 --> 00:33:11,640 Speaker 2: essentially create a one ring that was chopper, you know, 594 00:33:11,720 --> 00:33:15,200 Speaker 2: a shiny gold chopper that anytime it goes near people 595 00:33:15,600 --> 00:33:18,320 Speaker 2: wields the power of the ring because they can forge 596 00:33:18,360 --> 00:33:19,400 Speaker 2: this incredible metal. 597 00:33:19,520 --> 00:33:21,600 Speaker 3: So surely they would be horribly inspired. 598 00:33:22,160 --> 00:33:24,920 Speaker 1: I just think it took. It was such a It 599 00:33:25,000 --> 00:33:27,560 Speaker 1: took so much effort to make the ring, and it's 600 00:33:27,560 --> 00:33:32,600 Speaker 1: so fucking small. I don't know that he could make 601 00:33:32,680 --> 00:33:38,360 Speaker 1: a chopper level droid out of like that was one 602 00:33:38,520 --> 00:33:39,400 Speaker 1: ring material. 603 00:33:39,600 --> 00:33:41,680 Speaker 3: I think it would just take. It would just be 604 00:33:41,720 --> 00:33:43,200 Speaker 3: too long, too big of. 605 00:33:43,160 --> 00:33:46,640 Speaker 1: A project for him. So other than chopper, do you 606 00:33:46,640 --> 00:33:47,360 Speaker 1: have a least. 607 00:33:47,480 --> 00:33:50,520 Speaker 2: About least worried about? To me, it would just be 608 00:33:50,600 --> 00:33:54,880 Speaker 2: like any e Wok. I think they're relatively chill wicked. 609 00:33:55,080 --> 00:33:59,320 Speaker 2: Let's say they're eating folks down there, I will say them, 610 00:33:59,480 --> 00:34:03,680 Speaker 2: I will say, if we're talking about powerful people in 611 00:34:03,720 --> 00:34:06,200 Speaker 2: the galaxy, yeah, look up the root Return of the 612 00:34:06,280 --> 00:34:07,760 Speaker 2: Jedi went the Ewoks. 613 00:34:07,840 --> 00:34:09,720 Speaker 3: They are powerful, they can defeat things. 614 00:34:09,880 --> 00:34:12,399 Speaker 2: But I would say generally, I don't feel like they're 615 00:34:12,400 --> 00:34:17,160 Speaker 2: particularly like greedy or jealous. I don't know if they 616 00:34:17,239 --> 00:34:18,960 Speaker 2: have that within them. I think they just kind of 617 00:34:18,960 --> 00:34:20,920 Speaker 2: want to chill in the forest. So I'd probably be 618 00:34:21,080 --> 00:34:26,320 Speaker 2: least concerned about an Ewok most concerned. 619 00:34:27,480 --> 00:34:30,560 Speaker 3: I mean, really just any of them. There's so many. 620 00:34:30,560 --> 00:34:32,520 Speaker 3: I wouldn't give it to a Jedi. I wouldn't give 621 00:34:32,560 --> 00:34:34,600 Speaker 3: it to a Scyth. I wouldn't. 622 00:34:34,760 --> 00:34:36,880 Speaker 2: I feel like the one Ring is essentially going to 623 00:34:37,000 --> 00:34:40,239 Speaker 2: amplify any kind of dark side tendencies that you have, 624 00:34:41,200 --> 00:34:43,280 Speaker 2: so it's a lose lose game. 625 00:34:43,320 --> 00:34:50,759 Speaker 1: Actually, I'm just like imagining a Ewok putting ring on 626 00:34:51,360 --> 00:34:56,400 Speaker 1: and then you know, like glad reel this explosion of 627 00:34:58,680 --> 00:35:03,879 Speaker 1: and a really like powerful and dreadful voice going yup. 628 00:35:03,760 --> 00:35:13,960 Speaker 3: Now, and then the musical sequence. Yeah, they're just hits 629 00:35:14,040 --> 00:35:15,480 Speaker 3: with these really pounding drums. 630 00:35:15,719 --> 00:35:18,560 Speaker 1: I go the other way. I actually think that if 631 00:35:18,640 --> 00:35:23,520 Speaker 1: Palpatine had the ring, it would be really I would 632 00:35:24,719 --> 00:35:26,880 Speaker 1: it would be fascinating because I think it would be 633 00:35:26,920 --> 00:35:29,560 Speaker 1: a I think it would be I think they would. 634 00:35:29,760 --> 00:35:34,080 Speaker 1: I think it would be Sourn versus Palpatine because of 635 00:35:34,120 --> 00:35:36,080 Speaker 1: the I think Palpatine is not going to be able 636 00:35:36,080 --> 00:35:39,479 Speaker 1: to let go of the Sith philosophy of the move 637 00:35:39,600 --> 00:35:42,200 Speaker 1: too right. He's going to the way He's going to 638 00:35:42,239 --> 00:35:45,880 Speaker 1: perceive it is here is this ring of power. It 639 00:35:46,000 --> 00:35:53,719 Speaker 1: is linked inextricably to this immensely powerful being. I need 640 00:35:53,760 --> 00:35:57,760 Speaker 1: to sever it from him. I like it like you would. 641 00:35:57,760 --> 00:36:03,040 Speaker 2: Use Palpatine's sith philosophies to destroy Say, well, I. 642 00:36:02,960 --> 00:36:05,279 Speaker 1: Don't know who would win, but I just know they 643 00:36:05,320 --> 00:36:07,120 Speaker 1: would come in the I think it would bring them 644 00:36:07,120 --> 00:36:11,120 Speaker 1: in the conflict. And then I think you're like, I 645 00:36:11,120 --> 00:36:13,160 Speaker 1: think if they Yeah, I think if he. I think 646 00:36:13,200 --> 00:36:16,000 Speaker 1: if Palpatine discovered the ring, it would bring him in 647 00:36:16,960 --> 00:36:22,319 Speaker 1: like irrevocably, into into conflict with with Souron. And I 648 00:36:22,320 --> 00:36:25,560 Speaker 1: think if Darth found the ring, it would also kind 649 00:36:25,560 --> 00:36:29,719 Speaker 1: of be the same thing, because I think Palpatine would 650 00:36:29,760 --> 00:36:33,520 Speaker 1: perceive this as like someone's trying to steal my accolyte, 651 00:36:33,600 --> 00:36:36,080 Speaker 1: Like this other person is trying to steal my accolyte. 652 00:36:36,880 --> 00:36:40,360 Speaker 1: And I think that too would bring Palpatine and Souron 653 00:36:40,400 --> 00:36:43,160 Speaker 1: into conflicts. So I think, weirdly. 654 00:36:45,000 --> 00:36:46,000 Speaker 3: It would. 655 00:36:46,440 --> 00:36:48,480 Speaker 1: I kind of would want to see what would happen. 656 00:36:48,680 --> 00:36:50,360 Speaker 2: You're like, You're like, which one would I watch on 657 00:36:50,400 --> 00:36:52,880 Speaker 2: a paper view the galay? 658 00:36:53,120 --> 00:36:56,000 Speaker 1: Like, I want to see what happens if Palpatine finds 659 00:36:56,040 --> 00:36:58,600 Speaker 1: the ring because I'll tell you he's not going to 660 00:37:00,080 --> 00:37:05,000 Speaker 1: He will not He would not simply accept that he 661 00:37:05,120 --> 00:37:12,279 Speaker 1: has this immensely powerful weapon that is linked to this 662 00:37:12,360 --> 00:37:15,759 Speaker 1: immensely powerful being that is also affecting his mind and 663 00:37:15,800 --> 00:37:18,640 Speaker 1: his thoughts and is trying to seduce him. Like, he 664 00:37:18,760 --> 00:37:21,759 Speaker 1: would not want He would not want that. He'd want 665 00:37:21,760 --> 00:37:27,319 Speaker 1: the weapon without any entanglements. And Sauron, meanwhile, would be like, no, 666 00:37:27,680 --> 00:37:30,640 Speaker 1: like you, I'm going to make you, you know, my 667 00:37:30,719 --> 00:37:34,080 Speaker 1: greatest fucking nasgul. You know, Like that's the thing about 668 00:37:34,120 --> 00:37:36,879 Speaker 1: Saren is he's so laser focused on you know, why 669 00:37:36,960 --> 00:37:39,120 Speaker 1: is there the eye of Saren? I love that metaphor 670 00:37:39,200 --> 00:37:42,160 Speaker 1: because he can only look at one thing at one time, 671 00:37:42,280 --> 00:37:44,920 Speaker 1: Like he's only ever thinking about one thing. So if 672 00:37:44,920 --> 00:37:48,719 Speaker 1: he's ever if he comes in a conflict with Palpatine, 673 00:37:48,760 --> 00:37:51,600 Speaker 1: it's just going to be that. Like you would argue 674 00:37:51,600 --> 00:37:56,800 Speaker 1: that Middle Earth would probably benefit from Souron's laser focus 675 00:37:56,880 --> 00:38:03,839 Speaker 1: being something other than conquering Middle Earth. Yeah, and who 676 00:38:03,880 --> 00:38:07,279 Speaker 1: would I be? And then like like I would be 677 00:38:07,400 --> 00:38:10,880 Speaker 1: actually really worried about an e walk getting it. I 678 00:38:10,920 --> 00:38:13,319 Speaker 1: would give it's a Palpatine. 679 00:38:13,520 --> 00:38:16,000 Speaker 2: But you know what I don't, I don't disagree ewoks 680 00:38:16,360 --> 00:38:17,880 Speaker 2: de chaoic, but I love that. 681 00:38:18,000 --> 00:38:24,799 Speaker 1: I don't I think like anyone from a more like 682 00:38:25,280 --> 00:38:27,160 Speaker 1: from a less worldly culture. 683 00:38:28,560 --> 00:38:29,879 Speaker 3: I don't know. 684 00:38:30,120 --> 00:38:32,319 Speaker 1: I think ewoks can be power mad too. I'm very 685 00:38:32,320 --> 00:38:34,799 Speaker 1: worried about I would worry about it personally. I would 686 00:38:34,840 --> 00:38:36,960 Speaker 1: worry about it. I'd worry about almost anybody. 687 00:38:37,080 --> 00:38:38,399 Speaker 3: Yeah, I would worry about anyone too. 688 00:38:38,600 --> 00:38:40,440 Speaker 2: I just I'm trying to think if there's anyone who 689 00:38:40,480 --> 00:38:41,760 Speaker 2: I feel like is vaguely neutral. 690 00:38:41,920 --> 00:38:45,160 Speaker 3: I feel like Chruebacka is like one of the chillest people. 691 00:38:45,719 --> 00:38:49,280 Speaker 3: That would be fun. What would it be interested? 692 00:38:50,120 --> 00:38:51,240 Speaker 1: That's what interesting? 693 00:38:51,239 --> 00:38:53,520 Speaker 3: I think, Like what would they do with it? Yeah? 694 00:38:54,000 --> 00:38:56,160 Speaker 3: Should we do with it? Maybe he'd just chill and 695 00:38:56,200 --> 00:38:59,560 Speaker 3: wouldn't do anything. I think that's kind of your dream scenario. 696 00:39:00,400 --> 00:39:01,920 Speaker 1: He'd win its space chess. 697 00:39:02,239 --> 00:39:04,520 Speaker 3: Yeah, oh my god, that's it. That's all he wants. 698 00:39:05,239 --> 00:39:08,239 Speaker 3: That's all he wants to do is like constantly win it. 699 00:39:08,680 --> 00:39:09,319 Speaker 3: He's just. 700 00:39:12,680 --> 00:39:16,120 Speaker 2: He's like banging the most like minimal credits, and everyone's like, oh, 701 00:39:16,120 --> 00:39:17,200 Speaker 2: he's doing really well. 702 00:39:17,440 --> 00:39:18,560 Speaker 3: As soon as he starts to. 703 00:39:18,520 --> 00:39:19,680 Speaker 1: Lose, he puts the ring on. 704 00:39:22,040 --> 00:39:27,359 Speaker 2: The hollow nasgules, like yeah, choreosks I feel like this 705 00:39:27,400 --> 00:39:29,160 Speaker 2: is the kind of question we all dream about. 706 00:39:29,960 --> 00:39:31,560 Speaker 3: If you could see. 707 00:39:32,120 --> 00:39:34,600 Speaker 2: Slash read I like this definition there because some of 708 00:39:34,600 --> 00:39:36,480 Speaker 2: them obviously you can't really be touching him up. But 709 00:39:36,520 --> 00:39:39,080 Speaker 2: if you could see or read an original copy of 710 00:39:39,200 --> 00:39:41,879 Speaker 2: any comic book ever, what would it be? 711 00:39:42,640 --> 00:39:46,880 Speaker 3: I can't pick just one i'd want to. I obviously 712 00:39:46,880 --> 00:39:47,640 Speaker 3: I've seen. 713 00:39:47,400 --> 00:39:54,080 Speaker 1: The digital and trade versions, the reprint versions of you know, 714 00:39:55,480 --> 00:39:59,680 Speaker 1: all the classic comics that I'm interested, But I would 715 00:39:59,680 --> 00:40:03,080 Speaker 1: love to hold like I would. I mean, I'd love 716 00:40:03,120 --> 00:40:05,520 Speaker 1: to hold a giant sized X Men number one. 717 00:40:05,520 --> 00:40:06,759 Speaker 3: And how crazy is that? 718 00:40:07,080 --> 00:40:09,320 Speaker 2: Read it that that's one of them now, right, because 719 00:40:09,320 --> 00:40:10,799 Speaker 2: that's definitely up there for me. 720 00:40:11,280 --> 00:40:15,480 Speaker 1: But that doesn't feel like it's highly graded. Oh, giant 721 00:40:15,480 --> 00:40:18,440 Speaker 1: size on number one definitely grand plus. 722 00:40:18,880 --> 00:40:21,359 Speaker 3: Yeah. I I've been lucky enough. 723 00:40:21,400 --> 00:40:24,560 Speaker 2: I went to the DC Archives, so I have seen 724 00:40:25,920 --> 00:40:27,000 Speaker 2: some very old comics. 725 00:40:27,040 --> 00:40:29,719 Speaker 3: But I would, I would love to. If we're talking about. 726 00:40:29,520 --> 00:40:32,280 Speaker 2: Hypothetical dream world, I mean, obviously I want to flip 727 00:40:32,320 --> 00:40:34,799 Speaker 2: through like an Action Comics number one, just so you 728 00:40:34,800 --> 00:40:37,319 Speaker 2: can say that would be cool that you did it 729 00:40:37,440 --> 00:40:41,959 Speaker 2: right right, like the Detective Comics twenty seven, Like there's 730 00:40:42,080 --> 00:40:47,440 Speaker 2: the big the big big Boys. Yeah, yeah, Do you 731 00:40:47,560 --> 00:40:53,760 Speaker 2: own any of your like favorite key issue kind of Pig. 732 00:40:53,600 --> 00:40:54,560 Speaker 3: Talked about this before. 733 00:40:54,600 --> 00:40:58,239 Speaker 1: I have I have my first comic that I ever bought 734 00:40:58,239 --> 00:41:00,000 Speaker 1: with my own money. X Men two twelve. It's part 735 00:41:00,000 --> 00:41:02,799 Speaker 1: of the mute mess. Oh yeah, Wolverine for saber Tooth 736 00:41:02,880 --> 00:41:05,560 Speaker 1: round one, it says on the on the cover, I 737 00:41:05,640 --> 00:41:11,000 Speaker 1: have the follow up issue to thirteen, which is the 738 00:41:11,080 --> 00:41:14,160 Speaker 1: actual you know, the to twelve like teases the fight 739 00:41:14,239 --> 00:41:16,640 Speaker 1: with saber Tooth and Wolverine, but it doesn't really happen. 740 00:41:17,120 --> 00:41:19,520 Speaker 1: And then to thirteen they go fucking all. 741 00:41:19,360 --> 00:41:23,600 Speaker 3: Out all uh and it's so cool. 742 00:41:25,360 --> 00:41:31,520 Speaker 1: I have, Uh, I have X Men uh oh to 743 00:41:31,600 --> 00:41:33,960 Speaker 1: future past the fucking that's the good stuff. 744 00:41:34,040 --> 00:41:36,520 Speaker 3: I I love that I have the Yeah, I've I've 745 00:41:36,520 --> 00:41:37,000 Speaker 3: got that. 746 00:41:37,040 --> 00:41:40,640 Speaker 2: I've got one of my other favorites, you know, Jean 747 00:41:40,840 --> 00:41:45,400 Speaker 2: Gray on the cover with with like Cyclops, you know 748 00:41:45,520 --> 00:41:49,279 Speaker 2: those uncanny issues are like the best. One of my 749 00:41:49,320 --> 00:41:51,040 Speaker 2: favorites that I own, which is not even really that 750 00:41:51,120 --> 00:41:53,960 Speaker 2: expensive but I always want it, is the the Cyclops 751 00:41:53,960 --> 00:41:56,080 Speaker 2: Storm Fight issue. 752 00:41:56,360 --> 00:42:00,319 Speaker 3: The cover. I love that one. For me. The bigest 753 00:42:00,480 --> 00:42:04,600 Speaker 3: white whale that I ever got was Love. 754 00:42:04,719 --> 00:42:07,440 Speaker 2: I have Love and Rockets number one, the magazine size 755 00:42:07,600 --> 00:42:09,960 Speaker 2: fantagraphics one. I got that years ago for like no 756 00:42:10,120 --> 00:42:14,200 Speaker 2: money in Brighton. But before that, the Hernandez Bros. They 757 00:42:14,239 --> 00:42:17,120 Speaker 2: released like a zine version that was like a self 758 00:42:17,120 --> 00:42:20,799 Speaker 2: published comic, and I managed I'd always wanted one, and 759 00:42:20,880 --> 00:42:25,480 Speaker 2: I managed to buy one off Gilbert at San Diego, 760 00:42:25,560 --> 00:42:28,480 Speaker 2: I think because he'd found him and his wife Carol 761 00:42:28,520 --> 00:42:31,120 Speaker 2: had found like a box of them in their garage, 762 00:42:31,760 --> 00:42:34,200 Speaker 2: and it was like, and so that is like the 763 00:42:34,200 --> 00:42:37,040 Speaker 2: one that that one made it pretty much any other 764 00:42:37,120 --> 00:42:39,480 Speaker 2: comic I would like to have it, but that was 765 00:42:39,520 --> 00:42:41,839 Speaker 2: the That was the one where I was like, if 766 00:42:41,840 --> 00:42:44,719 Speaker 2: I want a piece of comics history, it's that. But 767 00:42:44,760 --> 00:42:47,319 Speaker 2: I mean, I would like invite extra vision to any 768 00:42:47,400 --> 00:42:48,160 Speaker 2: of those archives. 769 00:42:48,200 --> 00:42:49,520 Speaker 3: We would love to see. 770 00:42:49,280 --> 00:42:52,960 Speaker 2: And enjoy any old comic because it's just magic. 771 00:42:53,960 --> 00:42:57,839 Speaker 1: I would also love to hold, even though I've read 772 00:42:57,880 --> 00:42:58,879 Speaker 1: it and it's not that great. 773 00:42:58,920 --> 00:43:01,120 Speaker 3: The early Avengers run. 774 00:43:01,400 --> 00:43:04,200 Speaker 1: The early Marvel's run. You know, any whether it's X 775 00:43:04,239 --> 00:43:06,920 Speaker 1: Men or Avengers, stuff is a little lumpy and it's weird. 776 00:43:07,560 --> 00:43:12,000 Speaker 1: That said, what is it? Avengers four or five? Captain 777 00:43:12,000 --> 00:43:15,959 Speaker 1: America lives again. They sought him out and he joined 778 00:43:15,960 --> 00:43:21,719 Speaker 1: the Avengers and it's so it's Captain America iron Man 779 00:43:21,760 --> 00:43:28,279 Speaker 1: with the horned helmet. Oh yeah, yeah, hank him as 780 00:43:28,560 --> 00:43:32,600 Speaker 1: Giant Man and the Wasp and also sub Mariners in 781 00:43:32,640 --> 00:43:35,520 Speaker 1: the issue. That was a fun one. Yeah, I would 782 00:43:35,560 --> 00:43:36,640 Speaker 1: love to leave through that. 783 00:43:37,120 --> 00:43:39,239 Speaker 2: I would love to see. I think you're right, like 784 00:43:39,320 --> 00:43:42,960 Speaker 2: there's something so magical. Yeah, obviously amazing Fantasy fifteen, Like 785 00:43:43,000 --> 00:43:43,879 Speaker 2: who doesn't want that? 786 00:43:44,280 --> 00:43:45,719 Speaker 3: I would love that. 787 00:43:45,960 --> 00:43:50,360 Speaker 2: The Galactus trilogy, you know, the old Fantastic Four stuff 788 00:43:50,360 --> 00:43:53,680 Speaker 2: from sixty six, which was like issues forty eight to fifty, 789 00:43:54,080 --> 00:43:56,800 Speaker 2: very good place to start with any Fantastic Four stuff, 790 00:43:57,239 --> 00:44:00,120 Speaker 2: But those issues, I love them so much. Like if 791 00:44:00,160 --> 00:44:03,240 Speaker 2: I was gonna if I got rich and I wanted 792 00:44:03,320 --> 00:44:07,799 Speaker 2: to buy something that Kirby had worked on and that 793 00:44:07,960 --> 00:44:10,200 Speaker 2: was my like White Whale, and I would actually bother 794 00:44:10,320 --> 00:44:13,080 Speaker 2: to buy like a good graded issue that I would 795 00:44:13,080 --> 00:44:15,319 Speaker 2: immediately break out of the CGC box because I don't 796 00:44:15,320 --> 00:44:18,680 Speaker 2: agree with grading on a moral level, but I would 797 00:44:18,760 --> 00:44:20,680 Speaker 2: Those are the ones that I'd like drop the big 798 00:44:20,719 --> 00:44:21,080 Speaker 2: money on. 799 00:44:21,200 --> 00:44:23,280 Speaker 3: That's so fucking good. 800 00:44:26,120 --> 00:44:30,719 Speaker 1: Next, Cameron asks, this is an a I think an 801 00:44:30,760 --> 00:44:34,480 Speaker 1: important and interesting I love this question. What do you 802 00:44:34,480 --> 00:44:36,359 Speaker 1: do with your comics after reading them, some might want 803 00:44:36,360 --> 00:44:38,040 Speaker 1: to reroot in the future, but I can't keep them 804 00:44:38,040 --> 00:44:44,720 Speaker 1: all any suggestions. Yeah, I I do this very irregularly, 805 00:44:45,080 --> 00:44:47,360 Speaker 1: but I will call down like I'll be like, Okay, 806 00:44:47,400 --> 00:44:50,000 Speaker 1: here's the runs that I really love, here's the ones 807 00:44:50,000 --> 00:44:53,480 Speaker 1: that I'm less that I care less about, and I'll 808 00:44:53,520 --> 00:44:55,719 Speaker 1: just give them away. Yeah. Do I have friends that 809 00:44:55,760 --> 00:45:00,120 Speaker 1: have kids? Do I give them to my nephew? I 810 00:45:00,120 --> 00:45:00,799 Speaker 1: could donate them. 811 00:45:00,760 --> 00:45:01,560 Speaker 3: To the library. 812 00:45:01,680 --> 00:45:04,160 Speaker 1: Yep, there's a million things. You give them to your 813 00:45:04,200 --> 00:45:06,359 Speaker 1: comic shop and they'll just resell them. Like, there's a 814 00:45:06,360 --> 00:45:09,560 Speaker 1: million things you could do with them. But it basically 815 00:45:09,600 --> 00:45:11,480 Speaker 1: for me comes down to I just give them away. 816 00:45:11,880 --> 00:45:12,160 Speaker 3: Yeah. 817 00:45:12,320 --> 00:45:15,760 Speaker 2: I think that is honestly one of the greatest joys 818 00:45:15,800 --> 00:45:18,760 Speaker 2: as a comic book fan. Look, you can sell in 819 00:45:18,840 --> 00:45:21,080 Speaker 2: your comics, your back issues, even if you have ones 820 00:45:21,280 --> 00:45:24,399 Speaker 2: that are worth like five or ten cents. Probably most 821 00:45:24,400 --> 00:45:26,200 Speaker 2: shops will do you a good deal if you take 822 00:45:26,239 --> 00:45:28,399 Speaker 2: them a box, because you're giving them stock that they 823 00:45:28,400 --> 00:45:31,840 Speaker 2: can sell back issue stock. But yeah, I read a 824 00:45:31,840 --> 00:45:33,520 Speaker 2: lot of comics. I keep a lot of comics. I 825 00:45:33,560 --> 00:45:39,200 Speaker 2: am no longer a completionist, Like if I love a 826 00:45:39,239 --> 00:45:42,160 Speaker 2: contemporary run of comics. I am far less likely to 827 00:45:42,280 --> 00:45:44,960 Speaker 2: buy every single issue unless like the art is really 828 00:45:45,000 --> 00:45:47,799 Speaker 2: beautiful and I really want them in that format. I 829 00:45:47,840 --> 00:45:51,480 Speaker 2: buy a lot of old comics, weird dollarbing comics, old 830 00:45:51,560 --> 00:45:53,920 Speaker 2: reprints of manga stuff like that. That's what brings me 831 00:45:53,960 --> 00:45:56,440 Speaker 2: a lot of joy, and that ends up with lots 832 00:45:56,440 --> 00:46:00,800 Speaker 2: of culling. For example, I bought a really huge collection 833 00:46:00,880 --> 00:46:03,200 Speaker 2: of Powerpack from my local comics shop. 834 00:46:03,000 --> 00:46:05,440 Speaker 3: Because it's just a weird thing. It was like team 835 00:46:05,520 --> 00:46:08,640 Speaker 3: created by a woman and their kids comics. But those 836 00:46:08,680 --> 00:46:10,560 Speaker 3: will be ones where I'm probably gonna take them to 837 00:46:10,600 --> 00:46:11,200 Speaker 3: the library. 838 00:46:11,920 --> 00:46:16,000 Speaker 2: Popa got into something, they got into legitimately legitimate, wild 839 00:46:16,680 --> 00:46:20,800 Speaker 2: wild stuff that the characters that are in these issues, 840 00:46:20,920 --> 00:46:24,840 Speaker 2: like it's like issue like three to twenty five or something. 841 00:46:25,920 --> 00:46:27,640 Speaker 3: There are some wild characters. 842 00:46:27,760 --> 00:46:33,319 Speaker 2: There's a bunch of great teams like Louise Simonson, who 843 00:46:33,360 --> 00:46:36,000 Speaker 2: I love, who created them with Jim Brigman. There's a 844 00:46:36,040 --> 00:46:39,839 Speaker 2: bunch of great wheezy issues. But that's something where I'll 845 00:46:39,840 --> 00:46:43,120 Speaker 2: probably select like five of the twenty that I bought 846 00:46:43,200 --> 00:46:45,760 Speaker 2: to keep after I've read them all a few times. 847 00:46:46,080 --> 00:46:50,720 Speaker 2: And then yeah, libraries are great charity shops like thrift stores. 848 00:46:50,760 --> 00:46:53,239 Speaker 2: Because they always sell really well in there and they 849 00:46:53,680 --> 00:46:56,520 Speaker 2: kind of can make some good money for the you know, 850 00:46:56,600 --> 00:47:00,120 Speaker 2: the whatever cause they're supporting. But yeah, giving them always 851 00:47:00,000 --> 00:47:02,520 Speaker 2: it's great. I don't know how these are in other 852 00:47:02,560 --> 00:47:05,520 Speaker 2: places where it's not always as hot, but LA area 853 00:47:05,560 --> 00:47:07,960 Speaker 2: has a lot of little free libraries where people just 854 00:47:07,960 --> 00:47:11,560 Speaker 2: put up libraries outside their house or a restaurant or whatever, 855 00:47:11,600 --> 00:47:13,160 Speaker 2: and you can put comics in there. So I do 856 00:47:13,239 --> 00:47:15,560 Speaker 2: that quite a lot. Yeah, I think giving them away 857 00:47:15,680 --> 00:47:18,040 Speaker 2: is just like a really great joy And if you 858 00:47:18,040 --> 00:47:19,600 Speaker 2: need it a little bit of extra cash, you can 859 00:47:19,640 --> 00:47:22,160 Speaker 2: sell in your comics in a kind of job lot 860 00:47:22,239 --> 00:47:24,480 Speaker 2: to your local comic bookstore and you'll be helping them 861 00:47:24,680 --> 00:47:26,279 Speaker 2: and they'll usually give you a great deal. 862 00:47:27,200 --> 00:47:40,080 Speaker 1: X Ray Vision will be back, and we're back, Michael Asks. 863 00:47:40,280 --> 00:47:42,399 Speaker 1: I've been reading Marvel comics for years, but I've never 864 00:47:42,440 --> 00:47:44,880 Speaker 1: been able to break into the Fantastic four side of things. 865 00:47:45,200 --> 00:47:47,239 Speaker 1: It always felt so dense. I never knew where to start. 866 00:47:47,239 --> 00:47:49,000 Speaker 1: Do you have any suggestions on where to start or 867 00:47:49,040 --> 00:47:50,600 Speaker 1: how to break into that area of Marvel? 868 00:47:50,680 --> 00:47:51,239 Speaker 3: Rosie? 869 00:47:51,760 --> 00:47:55,319 Speaker 2: So I did just reference a very good place to start, 870 00:47:55,320 --> 00:47:59,200 Speaker 2: which is easy to collect. There is many collections of it. 871 00:47:59,360 --> 00:48:02,200 Speaker 2: You can get trades, you can read it on Marvel Unlimited. 872 00:48:02,280 --> 00:48:06,360 Speaker 2: That is the Galactus Trilogy, which is the three issues 873 00:48:06,400 --> 00:48:09,680 Speaker 2: that introduced kind of that cosmic aspect of the Fantastic Four, 874 00:48:10,080 --> 00:48:12,839 Speaker 2: which was in Fantastic Four. 875 00:48:13,120 --> 00:48:16,759 Speaker 3: The early days. I believe that the issues were I 876 00:48:16,840 --> 00:48:17,719 Speaker 3: literally just said them. 877 00:48:17,719 --> 00:48:20,080 Speaker 2: But of course now I remember, yes, forty eight to fifty, 878 00:48:20,680 --> 00:48:22,560 Speaker 2: and you're not gonna find those issues in a back 879 00:48:22,600 --> 00:48:24,800 Speaker 2: issue being because there worth thousands and thousands of dollars. 880 00:48:25,000 --> 00:48:27,400 Speaker 2: But there are many collections. I will also say, go 881 00:48:27,520 --> 00:48:30,320 Speaker 2: for a trade of any comic is a great place 882 00:48:30,360 --> 00:48:30,720 Speaker 2: to start. 883 00:48:30,760 --> 00:48:31,880 Speaker 3: There are so many good. 884 00:48:31,680 --> 00:48:34,600 Speaker 2: Fantastic Four stories, and a lot of times Marvel will 885 00:48:34,600 --> 00:48:35,240 Speaker 2: do an omnibus. 886 00:48:35,280 --> 00:48:37,479 Speaker 3: If you like the art, just pick it up. You're 887 00:48:37,560 --> 00:48:38,520 Speaker 3: never gonna. 888 00:48:39,040 --> 00:48:40,880 Speaker 2: I should not say that. Many people do this, and 889 00:48:40,920 --> 00:48:43,480 Speaker 2: I have so much respect for them. It is unlikely 890 00:48:43,520 --> 00:48:45,920 Speaker 2: that you're ever gonna read any comic arc at this 891 00:48:46,080 --> 00:48:49,600 Speaker 2: point of a character from the first ever issue that 892 00:48:49,719 --> 00:48:51,040 Speaker 2: came out now eighty. 893 00:48:50,800 --> 00:48:52,360 Speaker 3: Years ago to now. 894 00:48:53,000 --> 00:48:55,799 Speaker 2: That's not the way that comics, luckily for all of us, 895 00:48:55,840 --> 00:48:58,399 Speaker 2: have been made. There are many different great stories, other 896 00:48:58,560 --> 00:49:02,120 Speaker 2: really incredible stories that you know you can check into. 897 00:49:02,239 --> 00:49:05,879 Speaker 2: Is there is a Stanley and Jack Kirby did over 898 00:49:05,920 --> 00:49:09,600 Speaker 2: one hundred issues consecutive on The Fantastic Four, so any 899 00:49:09,600 --> 00:49:11,640 Speaker 2: of that stuff is good. One of the stories that 900 00:49:11,680 --> 00:49:15,160 Speaker 2: people really loves, I love the Galactus trilogy. But one 901 00:49:15,160 --> 00:49:17,560 Speaker 2: of the stories people really love is this Man, This Monster, 902 00:49:17,600 --> 00:49:22,240 Speaker 2: This Monster, which is really about you know, Ben Grimm 903 00:49:22,280 --> 00:49:24,359 Speaker 2: and the Thing and you have so many icons there, 904 00:49:24,440 --> 00:49:26,600 Speaker 2: Joe Sinner and Artie Simmes, such a. 905 00:49:26,760 --> 00:49:31,879 Speaker 3: Stage for Ben Grimm is a tragic character. Is that 906 00:49:31,880 --> 00:49:36,640 Speaker 3: literally marvel grounded stuff that really gets people excited. 907 00:49:36,840 --> 00:49:39,840 Speaker 2: Another one that I really like is I really like 908 00:49:39,920 --> 00:49:46,239 Speaker 2: anything what Simonson did, but he often he's him and 909 00:49:46,400 --> 00:49:48,239 Speaker 2: him and Wheezy are like one of my they're my 910 00:49:48,280 --> 00:49:50,440 Speaker 2: all time favorite, some of my old time favorite comment creators. 911 00:49:50,480 --> 00:49:53,000 Speaker 2: He did one called Into the Time Stream, which was 912 00:49:53,040 --> 00:49:54,200 Speaker 2: part after Avengers. 913 00:49:55,320 --> 00:49:56,960 Speaker 3: He ended up. 914 00:49:56,960 --> 00:49:59,560 Speaker 2: Moving to Fantastic for him and because he'd never gotten 915 00:49:59,560 --> 00:50:01,360 Speaker 2: to put for you, didn't sue on the Avengers like 916 00:50:01,400 --> 00:50:04,400 Speaker 2: he wanted to. And there's a lot of Kang's a 917 00:50:04,440 --> 00:50:08,560 Speaker 2: TV's a storyline. Yeah yeah, yeah, Big Ultimate Nullifier can 918 00:50:09,320 --> 00:50:12,880 Speaker 2: the TVA and it's just what it is, like brilliant. 919 00:50:13,040 --> 00:50:15,440 Speaker 2: He's a great cartoonist. He's a great writer, So I 920 00:50:15,440 --> 00:50:20,399 Speaker 2: think that's really fun. I'm not the hugest Ultimates fan 921 00:50:20,480 --> 00:50:22,840 Speaker 2: in general in hindsight, as I find it all a 922 00:50:22,840 --> 00:50:24,320 Speaker 2: bit dark, but I do know a lot of people 923 00:50:24,440 --> 00:50:26,080 Speaker 2: love Ultimate Fantastic Four. 924 00:50:26,760 --> 00:50:27,400 Speaker 3: It's good. 925 00:50:27,760 --> 00:50:30,520 Speaker 1: If I'll say this, it's good if you want a 926 00:50:30,719 --> 00:50:38,680 Speaker 1: very definite starting point. That said, it's like, uh. 927 00:50:38,600 --> 00:50:45,719 Speaker 3: Read Richards is evil. There's no other way to put it. 928 00:50:46,160 --> 00:50:50,840 Speaker 1: Yeah, he's kind of evil, and so that will. 929 00:50:50,680 --> 00:50:53,680 Speaker 3: Color your may color your perception of the came. 930 00:50:53,760 --> 00:50:56,440 Speaker 2: Oh there's also like a weird Grant Morrison Jay Lee 931 00:50:57,120 --> 00:51:00,560 Speaker 2: Fantastic four book one, two, three, four, it's very visible z, 932 00:51:00,880 --> 00:51:03,600 Speaker 2: very mettery. So I just think the good thing is 933 00:51:03,600 --> 00:51:05,680 Speaker 2: with these characters that have been around for like eighty 934 00:51:05,840 --> 00:51:08,000 Speaker 2: five years, you know, like a really long time at 935 00:51:08,040 --> 00:51:11,040 Speaker 2: this point, there's gonna be something for everyone. But I 936 00:51:11,080 --> 00:51:15,200 Speaker 2: do think Fantastic four is one of the few Marvel 937 00:51:15,280 --> 00:51:18,400 Speaker 2: heroes where I really do think you can find something 938 00:51:18,400 --> 00:51:21,800 Speaker 2: to love in the earliest stuff. Like you were saying before, Jason, 939 00:51:21,920 --> 00:51:23,800 Speaker 2: like a lot of that stuff can be kind of 940 00:51:23,840 --> 00:51:27,279 Speaker 2: clunky or like very racist, more so in DC, but 941 00:51:27,400 --> 00:51:34,000 Speaker 2: like the early Fantastic Four stuff that there really is interesting, cool, weird, 942 00:51:34,520 --> 00:51:36,759 Speaker 2: incredible sci fi shit there because that is what Jack 943 00:51:36,840 --> 00:51:39,040 Speaker 2: Kirby was best at. So you can really get some 944 00:51:39,200 --> 00:51:42,920 Speaker 2: very special stories there, and the joy of comics, a 945 00:51:42,960 --> 00:51:44,840 Speaker 2: lot of them are just too three issues long. So 946 00:51:44,880 --> 00:51:47,439 Speaker 2: if you have a Marvel Unlimited account, you can even 947 00:51:47,520 --> 00:51:50,560 Speaker 2: just search those titles, the Galactus Trilogy, stuff like that, 948 00:51:50,840 --> 00:51:52,920 Speaker 2: and it should recommend you those issues. 949 00:51:54,680 --> 00:52:00,520 Speaker 1: I agree with everything you said. I would add if 950 00:52:00,520 --> 00:52:06,640 Speaker 1: you're looking for contemporary entry points, you know Mark Wade's Run, 951 00:52:07,120 --> 00:52:10,200 Speaker 1: and then I would start there because that takes you 952 00:52:10,200 --> 00:52:13,120 Speaker 1: into Jonathan Hickman's run. But you could just start with 953 00:52:13,120 --> 00:52:15,600 Speaker 1: with Mark Wade's Run, which I think is like early 954 00:52:15,640 --> 00:52:20,239 Speaker 1: two thousands to mid two thousands and is a good 955 00:52:20,400 --> 00:52:25,440 Speaker 1: entry point with all the kind of weird stuff, weird 956 00:52:25,480 --> 00:52:31,520 Speaker 1: galactic stuff, family drama that happens within the kid Fantastic 957 00:52:31,560 --> 00:52:35,200 Speaker 1: for the kids. And then if you want something that's 958 00:52:35,280 --> 00:52:40,440 Speaker 1: kind of like adjacent but not the Fantastic Four is 959 00:52:41,280 --> 00:52:46,319 Speaker 1: ff by Matt Fraction and Mike and the wonderful Mike 960 00:52:46,400 --> 00:52:52,840 Speaker 1: Alred Zenie illustration style is always really really appealed to me, 961 00:52:54,160 --> 00:52:57,520 Speaker 1: and it's kind of like an adjacent you know, it's 962 00:52:57,520 --> 00:53:00,160 Speaker 1: the Future foundation. So it's like an it's fantastic, were 963 00:53:00,200 --> 00:53:04,760 Speaker 1: adjacent and is really fun, And like Mike alread anything 964 00:53:04,800 --> 00:53:05,520 Speaker 1: he draw us, I'll. 965 00:53:05,520 --> 00:53:08,640 Speaker 2: Just yeah, anything, I will literally pick it up. Also, 966 00:53:08,680 --> 00:53:12,040 Speaker 2: I will just finally say adjacent stuff. Any Silver Surfer comic, 967 00:53:12,480 --> 00:53:16,040 Speaker 2: but especially like the Ron Limb Silver Surfer stuff from 968 00:53:16,040 --> 00:53:18,840 Speaker 2: the nineties is really really great, and Silver Surfer is 969 00:53:18,920 --> 00:53:22,800 Speaker 2: very fantastic for adjacent but not necessarily like really into 970 00:53:22,800 --> 00:53:26,800 Speaker 2: the FF. That's kind of how I got into Marvel. 971 00:53:27,360 --> 00:53:29,760 Speaker 2: The Marvel's First Family was really more through that Marvel 972 00:53:29,800 --> 00:53:32,040 Speaker 2: Cosmic era. So I think that's a great tip Jason. 973 00:53:32,040 --> 00:53:34,680 Speaker 2: You can find your ways in that aren't necessarily just 974 00:53:34,719 --> 00:53:36,680 Speaker 2: the Core four and then. 975 00:53:36,680 --> 00:53:38,719 Speaker 1: John Byrne run you know, if you want to go 976 00:53:38,880 --> 00:53:41,160 Speaker 1: back maybe and do something that's like maybe maybe it 977 00:53:41,200 --> 00:53:44,719 Speaker 1: feels like less. I'll do this sometimes where I'll just 978 00:53:44,760 --> 00:53:49,400 Speaker 1: like I'll pick an arc from the Silver Age or 979 00:53:49,680 --> 00:53:52,879 Speaker 1: something like that from the eighties or seventies because there's 980 00:53:52,920 --> 00:53:55,279 Speaker 1: just a less to keep track of, you know. Yeah, 981 00:53:55,280 --> 00:53:58,640 Speaker 1: it was just like less continuity back then, and so 982 00:53:59,520 --> 00:54:02,359 Speaker 1: the John and stuff is a good entry point and 983 00:54:02,400 --> 00:54:04,480 Speaker 1: there's a lot of fun changes, you know, like she 984 00:54:04,600 --> 00:54:06,319 Speaker 1: hulped joins the team. There's a lot of like fun 985 00:54:06,320 --> 00:54:07,040 Speaker 1: stuff during him. 986 00:54:07,120 --> 00:54:08,759 Speaker 3: Yeah, that is worthwhile. 987 00:54:11,000 --> 00:54:13,520 Speaker 2: Oh, it's the DCU. It's time for the DCU. We're moving, 988 00:54:13,800 --> 00:54:16,680 Speaker 2: We're moving universes. I I really love that this is 989 00:54:16,719 --> 00:54:21,120 Speaker 2: the singular Camilla asks the singular question about the DCU, 990 00:54:21,239 --> 00:54:23,600 Speaker 2: and I think right now, with the state of the DCU. 991 00:54:23,400 --> 00:54:25,520 Speaker 3: I think that's fair and I think that's good. 992 00:54:25,920 --> 00:54:28,200 Speaker 2: And she asks the kind of question that we absolutely 993 00:54:28,280 --> 00:54:31,680 Speaker 2: love to theorize about. Please know, studios steal our ideas 994 00:54:31,719 --> 00:54:36,640 Speaker 2: again WGA's on strike. Camilla asks, thinking about James Gunn's 995 00:54:36,680 --> 00:54:42,040 Speaker 2: statement regarding a potential Marvel DC crossover in a future Oh, 996 00:54:42,239 --> 00:54:45,240 Speaker 2: the crowd goes mad. What would be your dream crossover 997 00:54:45,760 --> 00:54:47,560 Speaker 2: in case this could ever potentially happen? 998 00:54:47,760 --> 00:54:49,440 Speaker 3: Do you have a pitch? Do you have an in 999 00:54:49,440 --> 00:54:52,080 Speaker 3: the pocket pitch that you keep there wait in in 1000 00:54:52,120 --> 00:54:54,520 Speaker 3: case James gun and Kevin Fage ever give you the call? 1001 00:54:55,160 --> 00:55:00,360 Speaker 1: Well, it's hard, right, because there have been several crossover. 1002 00:55:00,480 --> 00:55:01,720 Speaker 3: Yes, in the comics. 1003 00:55:01,800 --> 00:55:05,880 Speaker 2: There is an established its precedent of this happening. 1004 00:55:06,400 --> 00:55:10,319 Speaker 4: It's and the stories are always like, not great, but 1005 00:55:10,360 --> 00:55:15,759 Speaker 4: it's like that fun and teams. 1006 00:55:15,600 --> 00:55:17,920 Speaker 1: Yeah, the movies would be a cash grab too. I 1007 00:55:17,960 --> 00:55:18,879 Speaker 1: think you would have. 1008 00:55:18,840 --> 00:55:21,359 Speaker 3: To just like. 1009 00:55:23,600 --> 00:55:27,600 Speaker 1: The heroes are ostensibly teaming up because like, of course 1010 00:55:27,600 --> 00:55:30,280 Speaker 1: they'd fight a little bit, but that's like not that fun. 1011 00:55:30,120 --> 00:55:33,480 Speaker 3: Because Benja's bessus Justice League. But the fight is really 1012 00:55:33,560 --> 00:55:34,040 Speaker 3: between that. 1013 00:55:34,239 --> 00:55:37,919 Speaker 1: Because nobody can really win, Like it's just you can't 1014 00:55:37,960 --> 00:55:40,799 Speaker 1: actually have anybody win. So I think the thing to 1015 00:55:40,880 --> 00:55:44,600 Speaker 1: do is you have the villain's team up to, like 1016 00:55:44,680 --> 00:55:47,440 Speaker 1: you know, so it's like it's like that it was 1017 00:55:47,480 --> 00:55:50,680 Speaker 1: a dark side, Yes, exactly together. 1018 00:55:50,800 --> 00:55:53,440 Speaker 3: It's especially fun if you do it with characters that 1019 00:55:53,640 --> 00:55:59,440 Speaker 3: like which one was real? I need? 1020 00:55:59,440 --> 00:56:02,520 Speaker 1: This is so you get the villain. I think you 1021 00:56:02,640 --> 00:56:08,759 Speaker 1: make it a villain team up that that is the 1022 00:56:08,840 --> 00:56:13,960 Speaker 1: motivating factor for the heroes teaming up. That's what I 1023 00:56:14,000 --> 00:56:16,799 Speaker 1: would pitch. I would make it villain centric. I'd start 1024 00:56:16,800 --> 00:56:18,800 Speaker 1: with the villains and then work to the heroes because 1025 00:56:18,840 --> 00:56:21,600 Speaker 1: I think it makes the heroes. Yeah, that's that's how 1026 00:56:21,640 --> 00:56:23,760 Speaker 1: I would do it. And it would be like something 1027 00:56:23,840 --> 00:56:26,520 Speaker 1: like you know, I guess it would have to be 1028 00:56:26,600 --> 00:56:29,439 Speaker 1: like the destruction of some entire universe something. It would 1029 00:56:29,440 --> 00:56:32,799 Speaker 1: have to the stakes would have to because it is 1030 00:56:32,840 --> 00:56:38,320 Speaker 1: really in the comics. It is such a cash grab it. 1031 00:56:38,120 --> 00:56:40,640 Speaker 2: I mean, come on, like, and you sometimes get brilliant 1032 00:56:40,680 --> 00:56:43,000 Speaker 2: awest like George Perez, what can these things? 1033 00:56:43,040 --> 00:56:44,160 Speaker 3: You know? So mine? 1034 00:56:44,239 --> 00:56:46,719 Speaker 2: This is and and this here is why I will 1035 00:56:46,800 --> 00:56:49,480 Speaker 2: likely never work in these industries in any serious way, 1036 00:56:49,480 --> 00:56:52,239 Speaker 2: because if I did actually get asked to pitch on this, 1037 00:56:52,680 --> 00:56:55,560 Speaker 2: I would absolutely go there and be like, let's do 1038 00:56:55,840 --> 00:57:00,560 Speaker 2: a swamp thing and Marvels giant sized man thing crossover, 1039 00:57:00,760 --> 00:57:03,040 Speaker 2: and like nobody wants. 1040 00:57:02,880 --> 00:57:04,680 Speaker 3: That, and I would be like, but I want it. 1041 00:57:05,360 --> 00:57:08,280 Speaker 2: I think you could do something really cool with the 1042 00:57:08,320 --> 00:57:11,680 Speaker 2: weird I think you sum up the biggest problem. You 1043 00:57:11,719 --> 00:57:15,279 Speaker 2: can't really have Captain America and Superman fight each other one. 1044 00:57:15,360 --> 00:57:18,200 Speaker 2: They can't put up way too many questions. 1045 00:57:18,280 --> 00:57:19,320 Speaker 3: Superman is a god. 1046 00:57:19,880 --> 00:57:24,320 Speaker 2: The mythology aspects of the DC heroes ostensibly make them 1047 00:57:24,320 --> 00:57:27,360 Speaker 2: way more overpowered than any of the Marvel heroes. No matter, 1048 00:57:27,680 --> 00:57:30,120 Speaker 2: even if you haven't a mega level mutant. It it 1049 00:57:30,200 --> 00:57:32,840 Speaker 2: becomes very messy, very quickly. And I think that you 1050 00:57:32,880 --> 00:57:35,240 Speaker 2: would really need to have a long term, like two 1051 00:57:35,360 --> 00:57:38,120 Speaker 2: year long story arc to cut that kind of chop 1052 00:57:38,160 --> 00:57:41,360 Speaker 2: that all up. So I think the weird stuff is 1053 00:57:41,400 --> 00:57:43,200 Speaker 2: going to be the best stuff. I love your villain call. 1054 00:57:43,280 --> 00:57:45,040 Speaker 2: I think that would be great. I'd love to see 1055 00:57:45,080 --> 00:57:49,000 Speaker 2: like the Joker and Magneto and how those interact. That 1056 00:57:49,040 --> 00:57:51,959 Speaker 2: would be fucking crazy right, Like would be cool. 1057 00:57:52,120 --> 00:57:53,480 Speaker 3: I think that's the kind of stuff. 1058 00:57:53,480 --> 00:57:55,640 Speaker 2: So I think for me it would be like I 1059 00:57:55,640 --> 00:58:01,640 Speaker 2: would love to see DC's occult characters like swamp Thing 1060 00:58:01,720 --> 00:58:05,160 Speaker 2: and John Constantine teaming up with like the Marvel cosmic characters, 1061 00:58:05,160 --> 00:58:08,920 Speaker 2: because the reality is Marvel doesn't have as deep tradition 1062 00:58:09,040 --> 00:58:12,760 Speaker 2: of occult storytelling in the like who are you going 1063 00:58:12,800 --> 00:58:14,800 Speaker 2: to do, Doctor Druid? Like nobody even knows who that 1064 00:58:14,880 --> 00:58:17,800 Speaker 2: is apart from me, Like, so yeah, I would be 1065 00:58:17,840 --> 00:58:19,400 Speaker 2: going for the weird shit. I want to see swamp 1066 00:58:19,480 --> 00:58:22,480 Speaker 2: Thing and man Thing team up. I also still blows 1067 00:58:22,520 --> 00:58:26,640 Speaker 2: my mind that Marvel did like a big contemporary man 1068 00:58:26,680 --> 00:58:28,920 Speaker 2: Thing in an official. 1069 00:58:28,480 --> 00:58:30,600 Speaker 3: Way before DC did. It's so cheeky. 1070 00:58:30,840 --> 00:58:33,040 Speaker 2: I love the DC swamp Thing show. Everybody knows it. 1071 00:58:33,240 --> 00:58:35,240 Speaker 2: But yeah, that would be mine. I'd go for the 1072 00:58:35,280 --> 00:58:37,360 Speaker 2: weird stuff because I think you're right. To really make 1073 00:58:37,400 --> 00:58:40,640 Speaker 2: it hit, you have to go deep cut. You have 1074 00:58:40,680 --> 00:58:43,480 Speaker 2: to bring together characters that complement each other, that have 1075 00:58:43,600 --> 00:58:46,680 Speaker 2: this kind of Metatech's Dark Side and Thanos. That's so 1076 00:58:46,800 --> 00:58:51,080 Speaker 2: much fun these kind of Jim Stalin, Yeah, it's so much. 1077 00:58:51,120 --> 00:58:52,880 Speaker 2: It would just there's so much fun to be had 1078 00:58:52,880 --> 00:58:54,880 Speaker 2: with it. And I think that while we know that 1079 00:58:54,920 --> 00:58:57,040 Speaker 2: when we do get it, it will be Justice League 1080 00:58:57,120 --> 00:58:59,640 Speaker 2: versus the Avengers, i'd love a world where that wasn't 1081 00:58:59,680 --> 00:59:01,400 Speaker 2: the first one. 1082 00:59:01,840 --> 00:59:06,200 Speaker 1: Now I said that no one can really win. They 1083 00:59:06,200 --> 00:59:10,040 Speaker 1: do kind of win, like you know, when nay More 1084 00:59:10,400 --> 00:59:14,640 Speaker 1: fought Aquaman, I think Aquaman won. 1085 00:59:14,640 --> 00:59:15,480 Speaker 3: Like there were winners. 1086 00:59:15,880 --> 00:59:17,840 Speaker 1: Yeah, it was like but but it was also it 1087 00:59:17,920 --> 00:59:20,200 Speaker 1: felt very like you. 1088 00:59:20,120 --> 00:59:22,600 Speaker 3: Win one, then do I win? Exactly? 1089 00:59:22,920 --> 00:59:25,040 Speaker 1: You win one, then I win one, then you and 1090 00:59:25,600 --> 00:59:29,440 Speaker 1: and there was really no kind of there's no juice 1091 00:59:29,480 --> 00:59:31,680 Speaker 1: to it. So you want them to fight like a 1092 00:59:31,800 --> 00:59:35,080 Speaker 1: really good collection of villains, and honestly, like as you said, 1093 00:59:36,360 --> 00:59:40,640 Speaker 1: the DC and Marvel villains teaming up, that's the thing 1094 00:59:40,680 --> 00:59:42,640 Speaker 1: that we don't really that's. 1095 00:59:42,520 --> 00:59:43,880 Speaker 3: Kind of never been done. 1096 00:59:43,960 --> 00:59:47,160 Speaker 2: You know, it would be so much especially if you 1097 00:59:47,200 --> 00:59:49,560 Speaker 2: did it as if you had it more of like 1098 00:59:49,600 --> 00:59:52,240 Speaker 2: a phase of the movies, so you could really team 1099 00:59:52,360 --> 00:59:55,640 Speaker 2: up weird characters together who worked really well together and 1100 00:59:55,720 --> 00:59:59,360 Speaker 2: kind of really get to explore what makes them tick, 1101 00:59:59,440 --> 01:00:02,280 Speaker 2: and how how somebody like Lex Luthor who fights against 1102 01:00:02,280 --> 01:00:07,080 Speaker 2: Superman differs from you know, someone in the Marvel universe 1103 01:00:07,160 --> 01:00:09,520 Speaker 2: like Kingpin, and how he goes against the Devil. I 1104 01:00:09,520 --> 01:00:12,160 Speaker 2: would love to see those interactions. I mean, it's the 1105 01:00:12,440 --> 01:00:15,840 Speaker 2: dream sandbox, and I do think that's probably a large 1106 01:00:15,880 --> 01:00:19,240 Speaker 2: part of what DC was interested in James coming on 1107 01:00:19,320 --> 01:00:21,680 Speaker 2: because he already has that established connection with Marvel. 1108 01:00:22,000 --> 01:00:23,960 Speaker 3: If these movies keep. 1109 01:00:24,880 --> 01:00:27,600 Speaker 2: Moving further away from the billion dollar mark, we could 1110 01:00:27,640 --> 01:00:31,160 Speaker 2: be seeing a Marvel DC crossover sooner rather than later. 1111 01:00:33,400 --> 01:00:36,800 Speaker 3: I mean, it would be a cash bonanza. 1112 01:00:37,200 --> 01:00:39,840 Speaker 2: It would be the first three billion dollar movie if 1113 01:00:39,880 --> 01:00:41,919 Speaker 2: they did it right. Let's be real like that shit 1114 01:00:41,920 --> 01:00:44,640 Speaker 2: would be in cinemas longer than Avatar, Joe My God, 1115 01:00:44,720 --> 01:00:50,560 Speaker 2: James Cameron's JLA Versus Versus the Avengers. 1116 01:00:50,640 --> 01:00:51,800 Speaker 3: WHOA what a time? 1117 01:00:52,400 --> 01:00:55,680 Speaker 2: A asks? I can sometimes be burnt out from surfing 1118 01:00:55,680 --> 01:00:59,080 Speaker 2: the waves of the big ip content ocean. Oh can't 1119 01:00:59,080 --> 01:01:03,080 Speaker 2: We all would love to hear what we think are 1120 01:01:03,080 --> 01:01:06,560 Speaker 2: some of the best standalone original story genre films and 1121 01:01:06,560 --> 01:01:09,720 Speaker 2: shows that may have gotten lost in all this plethora 1122 01:01:09,760 --> 01:01:11,800 Speaker 2: in the last few years. I need a little bit 1123 01:01:11,840 --> 01:01:12,440 Speaker 2: more appreciation. 1124 01:01:13,560 --> 01:01:15,960 Speaker 1: I mentioned this book before on a previous pod, but 1125 01:01:16,280 --> 01:01:20,000 Speaker 1: I loved Christopher Buelman's The black Ton Thief. 1126 01:01:20,600 --> 01:01:24,200 Speaker 3: Oh ma'am our discod went crazy for her. It's so good. 1127 01:01:24,240 --> 01:01:26,200 Speaker 3: After you recommend that, it's. 1128 01:01:25,880 --> 01:01:32,240 Speaker 1: So good good, and you know, the world building's fantastic. 1129 01:01:33,480 --> 01:01:38,040 Speaker 1: It's just the right level of world building where it 1130 01:01:38,160 --> 01:01:43,120 Speaker 1: informs and enriches the story. And the story itself is 1131 01:01:43,240 --> 01:01:47,320 Speaker 1: heartbreaking and adventurous and swashbuckling. Are really great, And it 1132 01:01:47,440 --> 01:01:55,480 Speaker 1: concerns a thief who is working off a debt to 1133 01:01:55,520 --> 01:02:00,640 Speaker 1: the Thieves Guild. The Thieves Guild is a one of 1134 01:02:00,680 --> 01:02:05,200 Speaker 1: the very very powerful kind of organizations in this world, 1135 01:02:05,200 --> 01:02:09,640 Speaker 1: along with the Magicians Guild, and in fact might be 1136 01:02:09,760 --> 01:02:15,160 Speaker 1: more powerful than many kings and rulers in this world, suspect. 1137 01:02:16,520 --> 01:02:18,680 Speaker 3: And so this thief is, because of. 1138 01:02:18,600 --> 01:02:22,640 Speaker 1: The debt that he has to work off, is given 1139 01:02:22,680 --> 01:02:27,160 Speaker 1: a mission that takes all kinds of twists and turns. 1140 01:02:27,160 --> 01:02:32,160 Speaker 1: And this all takes place against the backdrop of several 1141 01:02:32,680 --> 01:02:42,040 Speaker 1: devastating wars against against these like orc like beings that 1142 01:02:42,120 --> 01:02:48,080 Speaker 1: have essentially devastated various kingdoms in the world. And it's 1143 01:02:48,120 --> 01:02:50,919 Speaker 1: just really really good. It's really really fun, really really 1144 01:02:50,920 --> 01:02:55,520 Speaker 1: well written. I started reading his other story Between Two Fires, 1145 01:02:55,520 --> 01:02:58,280 Speaker 1: which is more of like a medieval kind of like 1146 01:02:58,400 --> 01:03:04,840 Speaker 1: true crime story. But that's the one that immediately jumps 1147 01:03:04,880 --> 01:03:07,680 Speaker 1: to mind. Oh and if you're if we're talking about 1148 01:03:07,680 --> 01:03:13,480 Speaker 1: like TV shows and stuff, The Peripheral, which was on 1149 01:03:13,600 --> 01:03:17,800 Speaker 1: Amazon Prime was super undertalked about and I really enjoyed it. 1150 01:03:18,280 --> 01:03:21,440 Speaker 1: For All Mankind is a great, great show on Apple 1151 01:03:21,480 --> 01:03:24,800 Speaker 1: TV Plus that is like, you know, explores a world 1152 01:03:24,800 --> 01:03:28,200 Speaker 1: in which the Soviets get to the Moon before the 1153 01:03:28,320 --> 01:03:30,640 Speaker 1: US and all the twists and turns that takes, you know, 1154 01:03:30,720 --> 01:03:34,680 Speaker 1: like the essential like the log line is basically like 1155 01:03:34,720 --> 01:03:35,840 Speaker 1: how does Starfleet start? 1156 01:03:35,920 --> 01:03:36,040 Speaker 3: Right? 1157 01:03:36,120 --> 01:03:39,200 Speaker 1: That's what what the show is about. 1158 01:03:38,960 --> 01:03:42,040 Speaker 3: And it's really great. Those would be the ones that 1159 01:03:42,400 --> 01:03:44,200 Speaker 3: immediately come to mind. What about what About You? 1160 01:03:44,760 --> 01:03:47,000 Speaker 2: That is so One of my favorite movies from the 1161 01:03:47,080 --> 01:03:51,240 Speaker 2: last few years is this really incredible Canadian zombie movie 1162 01:03:51,280 --> 01:03:54,880 Speaker 2: called Blood Quantum by indigenous direct called Jeff Barnaby, who 1163 01:03:54,920 --> 01:03:57,080 Speaker 2: sadly passed away this year. Are super bummed out because 1164 01:03:57,080 --> 01:04:00,200 Speaker 2: he's a really great guy and just incredible filmmaker. But 1165 01:04:00,280 --> 01:04:05,480 Speaker 2: it is set on a reservation and the essential short 1166 01:04:05,520 --> 01:04:10,920 Speaker 2: pitch is like what if this native community was immune 1167 01:04:11,760 --> 01:04:16,320 Speaker 2: and everybody outside was not. And it is brutal, it's bloody, 1168 01:04:16,400 --> 01:04:19,919 Speaker 2: it's incredible practical effects, it's super thoughtful. I think it's 1169 01:04:19,960 --> 01:04:21,640 Speaker 2: like one of the best horror movies over the last 1170 01:04:21,640 --> 01:04:25,000 Speaker 2: ten years. It's so brilliant. I believe it's probably on Shudder. 1171 01:04:25,320 --> 01:04:27,160 Speaker 2: I think that was where I saw it. I think 1172 01:04:27,160 --> 01:04:30,600 Speaker 2: it's from twenty nineteen. Just such a joy. Jeff had 1173 01:04:30,800 --> 01:04:34,200 Speaker 2: another really great movie too, which you can see called 1174 01:04:34,240 --> 01:04:36,120 Speaker 2: Rhymes for Young Gruls. Those were the two movies he 1175 01:04:36,200 --> 01:04:38,960 Speaker 2: got to make. And Blood Quantum I just think is 1176 01:04:39,280 --> 01:04:41,040 Speaker 2: so great and I think it will go down in 1177 01:04:41,160 --> 01:04:42,000 Speaker 2: history as like a. 1178 01:04:41,880 --> 01:04:44,080 Speaker 3: Really really brilliant film. 1179 01:04:44,760 --> 01:04:47,760 Speaker 2: Yeah, it's so badass, and it's really cool, and it's 1180 01:04:47,800 --> 01:04:51,520 Speaker 2: short and it's snappy, and it's a great gory horror movie, 1181 01:04:51,520 --> 01:04:52,880 Speaker 2: if that's what you love. But it has a lot 1182 01:04:52,920 --> 01:04:54,880 Speaker 2: of interesting shit to say too, like all the best 1183 01:04:54,920 --> 01:04:58,120 Speaker 2: horror I loved. If we're talking about TV, I loved 1184 01:04:58,160 --> 01:05:03,000 Speaker 2: Poker Face obviously very much in the tradition of Colombo 1185 01:05:03,720 --> 01:05:06,800 Speaker 2: and those kind of you know, the fugitive, those kind 1186 01:05:06,800 --> 01:05:08,960 Speaker 2: of story of the week shows. But I thought it 1187 01:05:09,000 --> 01:05:13,320 Speaker 2: was really exciting and interesting. They bought in great guest cast. 1188 01:05:13,400 --> 01:05:16,080 Speaker 2: Every episode is super fun. Natasha Leone is great in 1189 01:05:16,160 --> 01:05:19,440 Speaker 2: the main role. Just a really fun watch. It didn't 1190 01:05:19,440 --> 01:05:25,320 Speaker 2: necessarily hit in the same I'm a in case you 1191 01:05:25,360 --> 01:05:29,200 Speaker 2: didn't know. I really love a certain kind of storytelling 1192 01:05:29,280 --> 01:05:32,240 Speaker 2: that kind of has a radical imagination outside of the police. 1193 01:05:32,280 --> 01:05:35,920 Speaker 2: And even something like Colombo, which was so deeply inspired by, 1194 01:05:36,240 --> 01:05:41,000 Speaker 2: has its own strange moral compass about the wealthy and 1195 01:05:41,040 --> 01:05:43,680 Speaker 2: who Colombo goes after, and it's very interesting to kind 1196 01:05:43,680 --> 01:05:45,880 Speaker 2: of pick into. I didn't feel like poke Face necessarily 1197 01:05:45,920 --> 01:05:48,000 Speaker 2: had that, but it did have a ton of really 1198 01:05:48,000 --> 01:05:53,040 Speaker 2: badass cast, an incredible set of murder mysteries. Ryan Johnson 1199 01:05:53,160 --> 01:05:56,360 Speaker 2: and Natasha were behind it, and obviously Ryan's like killing 1200 01:05:56,400 --> 01:05:58,840 Speaker 2: it with glass Onion, which I loved, and all those 1201 01:05:58,920 --> 01:06:01,400 Speaker 2: kind of murder mystery things that he has done before, 1202 01:06:01,480 --> 01:06:05,560 Speaker 2: like Brick. So it's just really fun. Just some of 1203 01:06:05,600 --> 01:06:08,439 Speaker 2: the best made TV that I think has come out 1204 01:06:08,520 --> 01:06:11,040 Speaker 2: in the last year. So both of those very high 1205 01:06:11,040 --> 01:06:14,760 Speaker 2: on my list. Totally different vibes, but just really enjoyable. 1206 01:06:15,520 --> 01:06:18,520 Speaker 1: A couple more genre things. You know, as I read 1207 01:06:18,560 --> 01:06:21,360 Speaker 1: a lot, so Patrick Hoffman is one of my favorite 1208 01:06:23,880 --> 01:06:27,440 Speaker 1: crime authors to emerge in recent years. His third novel, 1209 01:06:27,560 --> 01:06:32,880 Speaker 1: Clean Hands, is out and it is If you liked 1210 01:06:32,960 --> 01:06:37,280 Speaker 1: Michael Clayton, you will like this novel that kind of 1211 01:06:37,360 --> 01:06:45,800 Speaker 1: delves into counterintelligence, but from a private angle, like corporate 1212 01:06:45,840 --> 01:06:49,720 Speaker 1: private intelligence, the lengths that corporate powers and the wealthy 1213 01:06:49,800 --> 01:06:52,680 Speaker 1: will go to protect their business dealings. 1214 01:06:54,000 --> 01:06:56,640 Speaker 3: What happens to spies when they are no longer working 1215 01:06:56,640 --> 01:06:57,280 Speaker 3: for the government. 1216 01:06:57,320 --> 01:06:59,480 Speaker 1: Who do they sell their who do they sell their 1217 01:06:59,520 --> 01:07:03,720 Speaker 1: skills too? And it's all kind of tied up in 1218 01:07:03,800 --> 01:07:10,200 Speaker 1: this very very sleek, very very brutal crime suspense narrative 1219 01:07:10,400 --> 01:07:15,160 Speaker 1: that is really fun. I love his style of writing. 1220 01:07:15,240 --> 01:07:20,280 Speaker 1: It's fantastic. Not necessarily a genre book, but definitely part 1221 01:07:20,320 --> 01:07:23,240 Speaker 1: of the theme of like wealth and. 1222 01:07:24,640 --> 01:07:26,280 Speaker 3: The way that. 1223 01:07:28,000 --> 01:07:35,080 Speaker 1: The perspective of powerful men kind of dominates the public conversation. 1224 01:07:35,680 --> 01:07:40,000 Speaker 1: Is a book called Trust by her Nan Diez. It's 1225 01:07:40,680 --> 01:07:43,400 Speaker 1: three books in one kind of It begins with a 1226 01:07:43,440 --> 01:07:47,040 Speaker 1: book that is a book within a book. It's this 1227 01:07:47,240 --> 01:07:55,280 Speaker 1: purported to be this biography of a rich industrialist capitalist guy. 1228 01:07:55,760 --> 01:07:59,080 Speaker 1: Right then comes the second part of the book, so 1229 01:07:59,120 --> 01:08:01,640 Speaker 1: that's like the first hundred The second part of the 1230 01:08:01,640 --> 01:08:10,320 Speaker 1: book is the autobiography of the actual capitalist industrialist. 1231 01:08:10,360 --> 01:08:12,120 Speaker 3: He says this book that this. 1232 01:08:12,040 --> 01:08:15,439 Speaker 1: Other person put out about me. I hate that fucking book. 1233 01:08:15,480 --> 01:08:17,880 Speaker 1: I set the record straight, and so like the second 1234 01:08:17,880 --> 01:08:21,240 Speaker 1: part is this industrialist like setting the record straight. And 1235 01:08:21,280 --> 01:08:25,160 Speaker 1: then the third part of it is from the perspective 1236 01:08:25,200 --> 01:08:31,000 Speaker 1: of the writer, the industrialist hired to ghostwrite his story. 1237 01:08:31,200 --> 01:08:33,960 Speaker 1: Is all the truth of it, all the things that 1238 01:08:34,000 --> 01:08:37,840 Speaker 1: got hidden away, the relationship that this capitalist had with 1239 01:08:37,880 --> 01:08:39,880 Speaker 1: his wife that is definitely not. 1240 01:08:39,960 --> 01:08:42,719 Speaker 3: What was presented to the public. 1241 01:08:44,040 --> 01:08:48,720 Speaker 1: And it just kind of like unveils itself very very 1242 01:08:48,760 --> 01:08:53,559 Speaker 1: steadily and with gathering power. Uh. And is a book 1243 01:08:53,560 --> 01:08:56,360 Speaker 1: that I've like not really been able to get out 1244 01:08:56,439 --> 01:09:00,640 Speaker 1: of my head since reading it, really really. 1245 01:09:00,200 --> 01:09:02,639 Speaker 3: And I just won the Putt Surprize. 1246 01:09:02,439 --> 01:09:05,360 Speaker 1: Did it just win the And it just so listen, 1247 01:09:05,439 --> 01:09:07,839 Speaker 1: if you're a tults are Head, if you're a Putts 1248 01:09:07,880 --> 01:09:13,320 Speaker 1: are Heads, a completionist, then uh then uh then you 1249 01:09:13,400 --> 01:09:16,200 Speaker 1: will like this book. This was recommended to me by 1250 01:09:16,520 --> 01:09:19,519 Speaker 1: Greta Johnson, who I co host the House of the 1251 01:09:19,600 --> 01:09:23,679 Speaker 1: Dragon podcast with. And it's really really just fucking great. 1252 01:09:24,160 --> 01:09:26,360 Speaker 1: Knocked me out. It's just a book that really really 1253 01:09:26,400 --> 01:09:30,439 Speaker 1: really knocked me out. As you're playing each other in 1254 01:09:30,479 --> 01:09:32,760 Speaker 1: a three verse three basketball game, the winner gets a 1255 01:09:32,800 --> 01:09:35,479 Speaker 1: Greek island with their brother in law. What succession characters 1256 01:09:35,479 --> 01:09:38,320 Speaker 1: are you picking as your other two teammates. We know 1257 01:09:38,320 --> 01:09:40,880 Speaker 1: they'll play dirty or Marvel characters. If you think that'd 1258 01:09:40,880 --> 01:09:43,000 Speaker 1: be more interesting entertaining, well let's go with succession. 1259 01:09:43,320 --> 01:09:45,760 Speaker 3: Yeah. Do you want to do a draft? Do you 1260 01:09:45,760 --> 01:09:46,479 Speaker 3: want to start first? 1261 01:09:46,560 --> 01:09:47,280 Speaker 1: To you draft? 1262 01:09:47,680 --> 01:09:49,719 Speaker 3: You get a player and then I'll play a player. Yeah, 1263 01:09:50,560 --> 01:09:51,519 Speaker 3: my first player. 1264 01:09:52,400 --> 01:10:01,920 Speaker 2: He's tall, he's dangerous. Oh interesting you, I'm switching it out. 1265 01:10:01,120 --> 01:10:04,120 Speaker 1: I'll take he is what is he six ' three 1266 01:10:04,160 --> 01:10:05,080 Speaker 1: in real life? Six four? 1267 01:10:05,880 --> 01:10:09,920 Speaker 3: It's a nice collection of baseball basketball trainers. 1268 01:10:11,720 --> 01:10:18,000 Speaker 1: Alexander scarsguard height six foot four, absolutely like so real 1269 01:10:19,040 --> 01:10:22,960 Speaker 1: NBA height. That's a great pick. I okay, So with 1270 01:10:23,120 --> 01:10:27,400 Speaker 1: the first pick in the succession draft, I am going 1271 01:10:27,479 --> 01:10:37,519 Speaker 1: to pick greg the Egg, who is played by Nicholas Braun, 1272 01:10:37,920 --> 01:10:40,759 Speaker 1: who is I believe like six ' seven. 1273 01:10:41,080 --> 01:10:42,840 Speaker 3: Yes, he's very, very very tall. 1274 01:10:43,000 --> 01:10:46,719 Speaker 1: So we got the tall guys off off the board. 1275 01:10:46,760 --> 01:10:48,080 Speaker 3: Now I will say. 1276 01:10:49,479 --> 01:10:52,960 Speaker 1: I scars guard, though he's given up like three inches. 1277 01:10:52,960 --> 01:10:54,680 Speaker 1: If they're gonna play in the pit, these guys are 1278 01:10:54,680 --> 01:10:57,800 Speaker 1: gonna be guarding each other. Scars Guard is obviously much 1279 01:10:58,000 --> 01:10:59,360 Speaker 1: beef here much beef. 1280 01:11:00,560 --> 01:11:02,720 Speaker 3: He's very a much. 1281 01:11:02,560 --> 01:11:06,000 Speaker 1: Stronger individual than the kind of willowy Nicholas Braun, who 1282 01:11:06,200 --> 01:11:09,120 Speaker 1: just kind of get thrown around like a like a 1283 01:11:09,160 --> 01:11:10,040 Speaker 1: stalk of wheat. 1284 01:11:10,360 --> 01:11:13,280 Speaker 2: No, Nicholas Braun is a good pick, though, because well, 1285 01:11:13,320 --> 01:11:15,400 Speaker 2: Greg is a good pick, I should say, because Greg's 1286 01:11:15,400 --> 01:11:16,760 Speaker 2: just gonna do whatever you tell him. 1287 01:11:17,840 --> 01:11:19,639 Speaker 1: Yeah, it's like, Greg, go set that pick. 1288 01:11:19,840 --> 01:11:22,719 Speaker 3: Okay, Okay, I don't really I don't really want. 1289 01:11:22,600 --> 01:11:24,680 Speaker 1: To set the pick, but okay, and you just be 1290 01:11:24,760 --> 01:11:28,240 Speaker 1: like Greg fucking go set the pick, and you just 1291 01:11:28,360 --> 01:11:30,320 Speaker 1: you would have to do it. I mean that's true 1292 01:11:30,320 --> 01:11:32,840 Speaker 1: of almost any of these characters. They're all like, with 1293 01:11:32,960 --> 01:11:38,000 Speaker 1: the exception of I guess the Roys in general, like 1294 01:11:38,120 --> 01:11:41,879 Speaker 1: all the non Roys are very obsequious, even Tom. 1295 01:11:42,400 --> 01:11:44,960 Speaker 2: Even Mass and to a point because Shiv has been 1296 01:11:45,040 --> 01:11:48,439 Speaker 2: kind of puppet monstering him, yes throughout, So I think 1297 01:11:48,479 --> 01:11:50,400 Speaker 2: you're right, the Roys are the only ones kind of 1298 01:11:50,439 --> 01:11:51,240 Speaker 2: stubborn enough. 1299 01:11:51,520 --> 01:11:55,240 Speaker 1: Okay, Lucas Matson and Nicholas Braun are off the board. 1300 01:11:55,280 --> 01:12:02,880 Speaker 5: Your next pick, oh manum, my next pick would be 1301 01:12:04,200 --> 01:12:07,720 Speaker 5: My next pick would be Roman Roy. 1302 01:12:08,840 --> 01:12:12,400 Speaker 2: He is incredibly sneaky. He knows how to rap fuck 1303 01:12:13,520 --> 01:12:16,680 Speaker 2: and you know what, every soft and a short. You know, 1304 01:12:18,200 --> 01:12:20,759 Speaker 2: Kim comes into the game every soft and and changes 1305 01:12:20,800 --> 01:12:21,040 Speaker 2: it out. 1306 01:12:21,160 --> 01:12:23,000 Speaker 3: Maybe it's gonna be Roman Roy. 1307 01:12:23,560 --> 01:12:27,120 Speaker 1: Also involved, like in the sports space, already a sports 1308 01:12:27,120 --> 01:12:30,640 Speaker 1: team owner, so he understands the understands. 1309 01:12:30,160 --> 01:12:32,040 Speaker 3: The game, you know, you know what it's like to 1310 01:12:32,080 --> 01:12:32,960 Speaker 3: be a working man. 1311 01:12:33,479 --> 01:12:37,960 Speaker 1: Yeah, he understands professional sports and the culture therein. Okay, 1312 01:12:38,320 --> 01:12:40,320 Speaker 1: for my next pick, I'm gonna go Brother for brother, 1313 01:12:40,360 --> 01:12:44,400 Speaker 1: I'm gonna go I'm gonna go Ken because Ken has 1314 01:12:44,479 --> 01:12:46,680 Speaker 1: the shoes. 1315 01:12:47,600 --> 01:12:50,559 Speaker 2: Madison's trying to have the shoes, but Ken has the shoes. 1316 01:12:50,760 --> 01:13:00,919 Speaker 1: Ken has all manner of like of bespoke, like seaker drops. 1317 01:13:01,439 --> 01:13:04,080 Speaker 3: This guy has so many sneakers. I remember that. 1318 01:13:05,640 --> 01:13:08,320 Speaker 1: Was It season one where he like goes to meet 1319 01:13:08,320 --> 01:13:11,599 Speaker 1: the women who created the app and then he throws 1320 01:13:11,600 --> 01:13:12,840 Speaker 1: his sneakers. 1321 01:13:12,360 --> 01:13:15,560 Speaker 3: Like out the window. My god, the sneakers. 1322 01:13:17,040 --> 01:13:19,960 Speaker 1: I have so many Ken, and not only I'm gonna 1323 01:13:20,080 --> 01:13:25,200 Speaker 1: Ken because I feel like I need a guy who 1324 01:13:25,520 --> 01:13:29,200 Speaker 1: is not afraid to shoot. And Ken will take the shop. 1325 01:13:29,320 --> 01:13:33,120 Speaker 1: He will take the shows a lot. It would also shoot. 1326 01:13:32,840 --> 01:13:34,960 Speaker 2: He will shoot, and it would also psych me out 1327 01:13:35,000 --> 01:13:36,960 Speaker 2: because I hate him, so it would. 1328 01:13:36,680 --> 01:13:38,679 Speaker 3: Work on that level, it would work. 1329 01:13:38,720 --> 01:13:40,639 Speaker 2: I would not be I would not be at top 1330 01:13:40,840 --> 01:13:43,480 Speaker 2: basketball for him as I usually am. 1331 01:13:43,760 --> 01:13:45,040 Speaker 3: I think it's on the field. 1332 01:13:45,040 --> 01:13:47,479 Speaker 1: I also think of you, Mike, Ken and Roman and 1333 01:13:47,560 --> 01:13:50,040 Speaker 1: just have them like their trash talk as they're going 1334 01:13:50,080 --> 01:13:51,599 Speaker 1: back and forth, would be so good. 1335 01:13:51,880 --> 01:13:54,080 Speaker 2: That would be ten out of ten, like biggest hit 1336 01:13:54,160 --> 01:13:56,120 Speaker 2: on broadcast TV. If you just played that, I mean 1337 01:13:56,120 --> 01:13:57,000 Speaker 2: you could find it your. 1338 01:13:56,880 --> 01:14:00,240 Speaker 1: A second pick in the succession NBA draft. 1339 01:14:03,000 --> 01:14:08,320 Speaker 3: Man, this is so tough, you know what. He would 1340 01:14:08,320 --> 01:14:09,400 Speaker 3: be pretty useless. 1341 01:14:09,400 --> 01:14:13,120 Speaker 2: But I'm going back to picking based solely on hype. 1342 01:14:13,800 --> 01:14:18,080 Speaker 2: I'm going for Tom. He'd kind of do whatever we wanted. 1343 01:14:18,760 --> 01:14:21,200 Speaker 2: He's on the bench, Like, could he come in and 1344 01:14:21,280 --> 01:14:24,160 Speaker 2: do something at the end. Probably not, but he would 1345 01:14:24,200 --> 01:14:27,080 Speaker 2: Just Tom is a survivor. He sticks it out no 1346 01:14:27,120 --> 01:14:30,639 Speaker 2: matter what. He is a striver as shifts so insulting 1347 01:14:30,720 --> 01:14:32,839 Speaker 2: we call him. I don't see that as an insult 1348 01:14:32,840 --> 01:14:35,599 Speaker 2: in this case, I'd I'd go for Tom. 1349 01:14:35,880 --> 01:14:38,800 Speaker 3: Tom mattis in a Roman is horrible. I would love 1350 01:14:38,840 --> 01:14:40,040 Speaker 3: to see it. 1351 01:14:40,080 --> 01:14:45,720 Speaker 1: For my third pick, I am picking the lady Caroline 1352 01:14:45,920 --> 01:14:51,720 Speaker 1: Collingwood of your mother, the mother of Kendall Roman, and 1353 01:14:51,800 --> 01:14:58,800 Speaker 1: should because I need someone fucking mean in there. 1354 01:14:59,360 --> 01:15:01,960 Speaker 3: You need someone gonna tell that door you should not 1355 01:15:02,120 --> 01:15:02,719 Speaker 3: be a mother. 1356 01:15:03,360 --> 01:15:08,439 Speaker 1: Yeah, I need someone just fucking vicious and mean to 1357 01:15:08,520 --> 01:15:10,519 Speaker 1: be like dirty where Ken's not gonna want to get 1358 01:15:10,560 --> 01:15:14,960 Speaker 1: his hands dirty. You know, Uh, Greg is soft, let's 1359 01:15:15,120 --> 01:15:18,840 Speaker 1: just be all about it, like Mattson will be absolutely 1360 01:15:18,960 --> 01:15:22,280 Speaker 1: killing this guy on the inside. He's you know, Greg's 1361 01:15:22,320 --> 01:15:24,639 Speaker 1: got more of a of a you know, a silky 1362 01:15:24,720 --> 01:15:25,160 Speaker 1: kind of. 1363 01:15:25,120 --> 01:15:26,400 Speaker 3: Like smooth game. 1364 01:15:27,200 --> 01:15:31,439 Speaker 1: I need somebody who's just gonna be throwing daggers. And 1365 01:15:31,479 --> 01:15:33,800 Speaker 1: so I'm gonna go with the lady Caroline Collingwood. She's 1366 01:15:33,840 --> 01:15:37,120 Speaker 1: also independently, like she doesn't need None of them need 1367 01:15:37,160 --> 01:15:40,000 Speaker 1: the money, but she doesn't need any of this in general. 1368 01:15:40,280 --> 01:15:42,280 Speaker 3: How often do you think she would foul out? I 1369 01:15:42,360 --> 01:15:43,360 Speaker 3: think she'd foul. 1370 01:15:46,120 --> 01:15:49,559 Speaker 1: You know, I don't know that we would really have 1371 01:15:49,640 --> 01:15:52,639 Speaker 1: to have significant leverage over her to get her to play. 1372 01:15:52,960 --> 01:15:55,040 Speaker 1: I think we'd have to probably hold out her like 1373 01:15:55,479 --> 01:15:59,160 Speaker 1: her steaks in the family trust that we're given over 1374 01:15:59,200 --> 01:16:02,840 Speaker 1: to her as kind of like an addendum to the 1375 01:16:02,880 --> 01:16:05,040 Speaker 1: original divorce settlement at the end of I think it 1376 01:16:05,080 --> 01:16:09,559 Speaker 1: was season three by by Logan. But I just think 1377 01:16:09,560 --> 01:16:12,000 Speaker 1: she's an X factor, and I think that she will 1378 01:16:12,080 --> 01:16:16,200 Speaker 1: really fuck with Roman. Yes, it would fuck with Roman's head. 1379 01:16:16,400 --> 01:16:16,920 Speaker 3: I like that. 1380 01:16:18,520 --> 01:16:23,920 Speaker 1: And furthermore, I think if you could somehow like get 1381 01:16:23,960 --> 01:16:27,599 Speaker 1: her to cook food for the other team, for your team, 1382 01:16:27,760 --> 01:16:31,840 Speaker 1: I think that would even be because as we as 1383 01:16:31,880 --> 01:16:38,839 Speaker 1: we saw with the fucking absolutely lethally caustic England scenes 1384 01:16:39,080 --> 01:16:41,760 Speaker 1: from what was it season two or three where you 1385 01:16:41,840 --> 01:16:44,960 Speaker 1: first meet her, she's like cooking the crazy like quail 1386 01:16:45,040 --> 01:16:47,400 Speaker 1: legs and but like bad It's. 1387 01:16:47,320 --> 01:16:48,519 Speaker 3: Just the craziest stuff. 1388 01:16:49,320 --> 01:16:52,800 Speaker 1: So I'm that's my pick, Lady Caroline Collingwood, your next pick. 1389 01:16:54,080 --> 01:16:59,600 Speaker 2: My pick is gonna be call because nobody wants the island. 1390 01:16:59,520 --> 01:17:02,599 Speaker 3: More than so. He's gonna do he wants. 1391 01:17:02,640 --> 01:17:07,080 Speaker 2: He's gonna do whatever he can to get the island 1392 01:17:07,640 --> 01:17:09,760 Speaker 2: with the brother in law, Like he doesn't know I'm 1393 01:17:09,840 --> 01:17:12,280 Speaker 2: keeping the island, but I'm gonna tell him he's got 1394 01:17:12,320 --> 01:17:14,559 Speaker 2: a chance and he's gonna do anything it takes. 1395 01:17:14,560 --> 01:17:18,120 Speaker 3: He will be coming out. People are gonna be going crazy. 1396 01:17:18,160 --> 01:17:20,679 Speaker 3: They won't believe it. It's gonna be like Lonnie Walker 1397 01:17:20,760 --> 01:17:22,880 Speaker 3: in the fourth quarter, Like people are gonna be like, wha. 1398 01:17:23,439 --> 01:17:26,320 Speaker 3: He really wants to be remembered this is the car game. 1399 01:17:26,760 --> 01:17:28,759 Speaker 3: This is the game where Carl got the island. 1400 01:17:29,880 --> 01:17:34,000 Speaker 1: Okay, so we've picked three. So it's us, it's basically 1401 01:17:34,120 --> 01:17:36,519 Speaker 1: us and like three others, and one of those will 1402 01:17:36,560 --> 01:17:38,880 Speaker 1: be a bench player. Should we pick a coach. 1403 01:17:39,920 --> 01:17:43,439 Speaker 3: Oh my god, please pick a coach. Okay, I will 1404 01:17:43,439 --> 01:17:45,320 Speaker 3: pick a coach. My coach. 1405 01:17:47,880 --> 01:17:54,799 Speaker 1: I am going to pick gil Evis, whoa politician, gil 1406 01:17:54,880 --> 01:18:01,120 Speaker 1: Evis succession version of Bernie Sanders gil Evis, because I 1407 01:18:01,160 --> 01:18:05,280 Speaker 1: think you need somebody in government with that gravitas to 1408 01:18:05,360 --> 01:18:08,200 Speaker 1: be able to like reach you know, you need the 1409 01:18:08,280 --> 01:18:11,840 Speaker 1: regulatory threat to get Ken to play the right way 1410 01:18:11,920 --> 01:18:16,400 Speaker 1: and do the right things. Same thing with Greg who 1411 01:18:16,680 --> 01:18:20,040 Speaker 1: you know who could forget how shaken Greg was when 1412 01:18:20,160 --> 01:18:24,080 Speaker 1: testifying for the Senate Select Committee when he's just like, 1413 01:18:24,360 --> 01:18:26,120 Speaker 1: if it must be said, then it is. 1414 01:18:27,040 --> 01:18:28,600 Speaker 3: I think he also says, no woman, no. 1415 01:18:28,720 --> 01:18:35,559 Speaker 1: Chrisier h Greg And so I think that that's the 1416 01:18:35,600 --> 01:18:38,280 Speaker 1: person that would have that kind of like authority to 1417 01:18:38,320 --> 01:18:45,240 Speaker 1: really command my team, other than Lady Caroline Collingwood, who's 1418 01:18:45,320 --> 01:18:47,280 Speaker 1: English and wouldn't yeas shit, but I think the rest 1419 01:18:47,320 --> 01:18:48,000 Speaker 1: of them would listen. 1420 01:18:48,040 --> 01:18:50,280 Speaker 3: Who would you be your coach? Mine would be Jerry 1421 01:18:50,840 --> 01:18:51,360 Speaker 3: that's great. 1422 01:18:51,760 --> 01:18:54,400 Speaker 2: I mean, one because she's one of the few competent 1423 01:18:54,439 --> 01:18:56,960 Speaker 2: people in the entire show. Two because Rayman is on 1424 01:18:57,000 --> 01:18:59,040 Speaker 2: my team, so if I want anything to get done, 1425 01:18:59,360 --> 01:19:02,519 Speaker 2: Jerry will be that. And three because Jerry is about 1426 01:19:02,520 --> 01:19:07,719 Speaker 2: to come into an immense amount of eye wateringly large 1427 01:19:08,200 --> 01:19:13,439 Speaker 2: financial security, so she's gonna have the time to commit 1428 01:19:13,479 --> 01:19:14,400 Speaker 2: herself to the team. 1429 01:19:15,120 --> 01:19:15,680 Speaker 3: I like it. 1430 01:19:15,960 --> 01:19:16,840 Speaker 1: I think that's great. 1431 01:19:17,200 --> 01:19:19,800 Speaker 2: Jess asks, with Tiers of the Kingdom coming out on 1432 01:19:19,880 --> 01:19:22,240 Speaker 2: May twelfth, the day that you may be listening to 1433 01:19:22,280 --> 01:19:26,960 Speaker 2: this podcast, what is your favorite installment of the Zelda 1434 01:19:27,040 --> 01:19:29,360 Speaker 2: series or just favorite Nintendo game of all time? 1435 01:19:29,640 --> 01:19:29,840 Speaker 3: Oh? 1436 01:19:29,880 --> 01:19:35,040 Speaker 1: Wow, it is Breath of the Wild. Same and also 1437 01:19:35,160 --> 01:19:39,599 Speaker 1: Majora's Mask those two, but Breath of the Wild by 1438 01:19:39,760 --> 01:19:43,840 Speaker 1: far because of the sense of adventure and exploration and 1439 01:19:43,880 --> 01:19:51,080 Speaker 1: how just the feeling I first had like logging into 1440 01:19:51,120 --> 01:19:54,679 Speaker 1: the world and seeing how big it was and how 1441 01:19:54,880 --> 01:19:58,519 Speaker 1: little direction you're given. It's just walk in a direction, 1442 01:20:00,000 --> 01:20:03,720 Speaker 1: and very few games have given me that feeling of 1443 01:20:03,760 --> 01:20:07,559 Speaker 1: satisfaction just from walking around, just from exploring, like Eldon 1444 01:20:07,640 --> 01:20:10,120 Speaker 1: Ring kind of I did that recently. But Breath of 1445 01:20:10,160 --> 01:20:14,320 Speaker 1: the Whild for the adventure, the storytelling, the sheer amount 1446 01:20:14,400 --> 01:20:18,400 Speaker 1: of content in the game. You like, it's just the 1447 01:20:18,400 --> 01:20:24,840 Speaker 1: way it looks, the characters that you meet, the music, like, 1448 01:20:25,000 --> 01:20:29,639 Speaker 1: everything about it to me is fucking perfect. And that 1449 01:20:29,760 --> 01:20:34,160 Speaker 1: kind of cell shading ESK style is. 1450 01:20:34,439 --> 01:20:36,360 Speaker 3: It looks like you're watching an animated movie. 1451 01:20:36,560 --> 01:20:39,519 Speaker 1: It's so beautiful to me. I just think it is. 1452 01:20:40,360 --> 01:20:45,080 Speaker 1: I think it's amazing. It's probably my favorite Nintendo game 1453 01:20:45,120 --> 01:20:48,400 Speaker 1: of all time, along with you know, I mean this 1454 01:20:48,560 --> 01:20:52,080 Speaker 1: is somewhat cheating with the Mario kard series, also the 1455 01:20:52,439 --> 01:20:55,840 Speaker 1: h and also the Metroid series, and also the Caslovenias. 1456 01:20:56,320 --> 01:20:59,240 Speaker 3: But Nintendo so many good games, I mean, blow your mind, 1457 01:20:59,280 --> 01:20:59,920 Speaker 3: there's so many. 1458 01:21:00,560 --> 01:21:01,640 Speaker 1: Yeah, what about you? 1459 01:21:02,040 --> 01:21:04,000 Speaker 3: Yes, so I would say I'm the same definitely. 1460 01:21:04,040 --> 01:21:06,240 Speaker 2: Like when I was a kid, I kind of struggled 1461 01:21:06,560 --> 01:21:10,240 Speaker 2: Zelda and Pokemon both were quite hard for my brain 1462 01:21:10,320 --> 01:21:15,519 Speaker 2: to understand, and that old school visuals and the layout 1463 01:21:15,560 --> 01:21:19,479 Speaker 2: of the game. But the Majora's Mask three DS remake 1464 01:21:20,240 --> 01:21:22,320 Speaker 2: was up there for me for a very long time 1465 01:21:22,360 --> 01:21:24,960 Speaker 2: as the best seller game and also one of my 1466 01:21:25,000 --> 01:21:28,519 Speaker 2: favorite games. But Breath of the World is definitely my favorite. 1467 01:21:28,560 --> 01:21:29,080 Speaker 3: I love the. 1468 01:21:29,040 --> 01:21:32,519 Speaker 2: Freewheeling nature of it. I love the way that you 1469 01:21:32,560 --> 01:21:34,280 Speaker 2: feel that you're living in the world. 1470 01:21:34,439 --> 01:21:35,280 Speaker 3: I love cooking. 1471 01:21:35,360 --> 01:21:38,000 Speaker 2: I always talk about this, but a Breath of the Wild, 1472 01:21:38,120 --> 01:21:40,479 Speaker 2: like finishing it is nearly impossible for me because I 1473 01:21:40,520 --> 01:21:43,240 Speaker 2: just spent all my time cooking and riding my horse like. 1474 01:21:43,360 --> 01:21:45,280 Speaker 3: I love that shit. I love how you can just 1475 01:21:45,400 --> 01:21:48,439 Speaker 3: fight things and shoot things and. 1476 01:21:48,479 --> 01:21:51,200 Speaker 2: Do all kinds of fun monster hunting. I absolutely love 1477 01:21:51,240 --> 01:21:53,360 Speaker 2: Breath of the Wild. I think it's the best Selda game. 1478 01:21:54,080 --> 01:21:55,559 Speaker 2: I can't wait to play the new one, but I 1479 01:21:55,600 --> 01:21:56,759 Speaker 2: just don't see a world where. 1480 01:21:56,600 --> 01:21:57,640 Speaker 3: I tops it. 1481 01:21:57,760 --> 01:22:01,760 Speaker 2: My other favorite Nintendo game definitely, I love Mario Kart. 1482 01:22:02,240 --> 01:22:05,000 Speaker 2: I play Mariocart probably more than any other video games. 1483 01:22:05,720 --> 01:22:07,320 Speaker 3: Animal Crossing as well. 1484 01:22:07,320 --> 01:22:07,559 Speaker 2: For me. 1485 01:22:08,040 --> 01:22:09,360 Speaker 3: Crossing also a perfect game. 1486 01:22:09,479 --> 01:22:12,480 Speaker 2: Yeah, it's so good, both New Leaf and New Horizons 1487 01:22:12,479 --> 01:22:17,800 Speaker 2: I adored. Most influential game on a Nintendo for me 1488 01:22:18,520 --> 01:22:20,000 Speaker 2: was probably Donkey Kong Country. 1489 01:22:20,120 --> 01:22:22,759 Speaker 3: I had a second last Super Nintendo when. 1490 01:22:22,560 --> 01:22:25,439 Speaker 2: I was a kid, and I played Donkey Kong Country 1491 01:22:25,520 --> 01:22:30,880 Speaker 2: like so much. I can play that game, probably blindfolded 1492 01:22:31,080 --> 01:22:33,800 Speaker 2: all the way through. The same with that with Crash 1493 01:22:33,840 --> 01:22:37,000 Speaker 2: Bandicoot from the PlayStation, the original Crash Bandicoot. 1494 01:22:37,320 --> 01:22:42,479 Speaker 1: You know, if we're talking, like the most addicted i've 1495 01:22:42,479 --> 01:22:47,240 Speaker 1: ever felt about a game on Nintendo, then it's probably 1496 01:22:48,040 --> 01:22:49,840 Speaker 1: a Golden Eye on the Nintendo City. 1497 01:22:49,960 --> 01:22:52,679 Speaker 3: Oh my gosh, that game is so so sick. 1498 01:22:53,479 --> 01:22:58,360 Speaker 1: I did not have a console during the time that 1499 01:22:58,479 --> 01:23:00,280 Speaker 1: I just didn't have access to video game at that 1500 01:23:00,320 --> 01:23:04,800 Speaker 1: particular time. And I've told this story before, but like 1501 01:23:04,840 --> 01:23:09,559 Speaker 1: I legitimately had a friend that I did not care 1502 01:23:09,640 --> 01:23:14,599 Speaker 1: for personally, who I who I had a relationship with 1503 01:23:15,600 --> 01:23:19,559 Speaker 1: simply because he had Nintendo sixty four at GoldenEye and 1504 01:23:19,600 --> 01:23:22,519 Speaker 1: I wanted to play GoldenEye. That was the other Like 1505 01:23:22,560 --> 01:23:26,559 Speaker 1: I didn't like this guy, but I pretended I liked 1506 01:23:26,640 --> 01:23:29,679 Speaker 1: him because I needed to play GoldenEye. And so that's 1507 01:23:29,720 --> 01:23:33,360 Speaker 1: the furthest I've ever like, I just even to this day, 1508 01:23:33,520 --> 01:23:37,280 Speaker 1: Like the the the music when you boot that game up, 1509 01:23:37,360 --> 01:23:41,160 Speaker 1: it has a Pavlovian effect, like the goosebumps go up 1510 01:23:41,200 --> 01:23:44,760 Speaker 1: on my on my arm, like running around the facility 1511 01:23:45,040 --> 01:23:48,719 Speaker 1: level in the events, like shooting the guy in the stall, 1512 01:23:48,920 --> 01:23:51,200 Speaker 1: like all of this stuff, playing a short round in 1513 01:23:51,320 --> 01:23:55,240 Speaker 1: multip and split screen multiplayer, getting in arguments with friends 1514 01:23:55,280 --> 01:23:58,280 Speaker 1: because like you're looking at my screen, like all of 1515 01:23:58,320 --> 01:24:02,120 Speaker 1: that stuff is like was just so so so fun 1516 01:24:02,240 --> 01:24:05,120 Speaker 1: and I think not one of my favorite games, but 1517 01:24:05,760 --> 01:24:10,880 Speaker 1: when it was current, probably the most as into a 1518 01:24:10,920 --> 01:24:12,080 Speaker 1: game as I've ever been. 1519 01:24:12,400 --> 01:24:12,960 Speaker 3: GoldenEye. 1520 01:24:13,000 --> 01:24:15,400 Speaker 1: I was so into it, probably because I just couldn't 1521 01:24:15,439 --> 01:24:16,599 Speaker 1: play it whenever I wanted to. 1522 01:24:16,800 --> 01:24:19,439 Speaker 2: Yeah, and if you have a Switch Online account, they 1523 01:24:19,520 --> 01:24:22,519 Speaker 2: actually recently did the n sixty four addition, so you 1524 01:24:22,560 --> 01:24:25,120 Speaker 2: can play GoldenEye. And also they have the Snares and 1525 01:24:25,160 --> 01:24:27,479 Speaker 2: the NAZ and I play Donkey Kong Country on there 1526 01:24:27,520 --> 01:24:27,800 Speaker 2: a lot. 1527 01:24:27,880 --> 01:24:31,599 Speaker 1: Still, thank you so much for your questions. We sorry 1528 01:24:31,640 --> 01:24:34,240 Speaker 1: we couldn't get to them all, but we'll try to 1529 01:24:34,280 --> 01:24:36,240 Speaker 1: answer them in some other format, maybe on the discord 1530 01:24:36,320 --> 01:24:36,960 Speaker 1: or somewhere else. 1531 01:24:37,960 --> 01:24:38,759 Speaker 3: Up next, nerd. 1532 01:24:38,600 --> 01:24:50,120 Speaker 2: Out Ye Mini spoiler warning, spoiler spoiler, but like a 1533 01:24:50,160 --> 01:24:52,559 Speaker 2: mini sized one, like a gull of as travel sized one. 1534 01:24:53,000 --> 01:24:57,880 Speaker 2: This nudout contains spoilers for Guardians of the Galaxy volume three. 1535 01:24:59,439 --> 01:25:01,519 Speaker 2: In today's that out where you tell us what you love, 1536 01:25:01,560 --> 01:25:03,800 Speaker 2: am why, or a theory that you're excited to share. 1537 01:25:04,040 --> 01:25:06,880 Speaker 2: Evan does the latter, sharing a theory on Guardians of 1538 01:25:06,960 --> 01:25:08,400 Speaker 2: the Galaxy volume three. 1539 01:25:08,840 --> 01:25:11,200 Speaker 1: Evan writes Herosi and Jason I was thinking about the 1540 01:25:11,200 --> 01:25:13,360 Speaker 1: stinger at the end of Guardians three and how it 1541 01:25:13,439 --> 01:25:17,280 Speaker 1: states that star Lord will return but does not necessarily 1542 01:25:17,320 --> 01:25:19,120 Speaker 1: mean that it is Peter. Do you guys think it's 1543 01:25:19,120 --> 01:25:22,599 Speaker 1: possible or likely the studio can introduce a new Guardian's 1544 01:25:22,600 --> 01:25:25,599 Speaker 1: Team with another character taking up the mantle of star Lord. 1545 01:25:26,280 --> 01:25:28,080 Speaker 1: Of course, it makes me think of one of my 1546 01:25:28,080 --> 01:25:30,880 Speaker 1: favorite Guardian's rosters when Kate Pride was leading the team 1547 01:25:30,920 --> 01:25:35,040 Speaker 1: as star Lord. Yes, said Captain Missouri or something. Would 1548 01:25:35,040 --> 01:25:36,920 Speaker 1: love to know what you guys think. All the best, Evan, 1549 01:25:37,680 --> 01:25:38,800 Speaker 1: I think that that's likely. 1550 01:25:38,840 --> 01:25:40,559 Speaker 3: Actually I felt like that too. 1551 01:25:40,680 --> 01:25:42,880 Speaker 2: Like the further away I got from this stinger, the 1552 01:25:42,960 --> 01:25:45,719 Speaker 2: more I felt like this idea of the legendary star 1553 01:25:45,800 --> 01:25:49,080 Speaker 2: Lord would return makes it feel like it's more of 1554 01:25:49,120 --> 01:25:52,280 Speaker 2: a mantle, because you could say Peter Quill would return. 1555 01:25:52,360 --> 01:25:54,280 Speaker 2: If you're going to say that, I would you know 1556 01:25:54,320 --> 01:25:58,599 Speaker 2: where X Men fans here, Kate Pride fans. She's had 1557 01:25:58,600 --> 01:26:01,600 Speaker 2: a lot of great story arcs in recent years. I 1558 01:26:01,640 --> 01:26:04,160 Speaker 2: would love to see that. I believe they have already 1559 01:26:04,160 --> 01:26:06,960 Speaker 2: peaked with T'charlie Staralord, who sadly you know we won't 1560 01:26:07,000 --> 01:26:09,280 Speaker 2: be able to get in live action, but I think 1561 01:26:09,280 --> 01:26:11,920 Speaker 2: the idea of a different star Lord could be really 1562 01:26:12,000 --> 01:26:12,719 Speaker 2: really cool. 1563 01:26:13,320 --> 01:26:16,280 Speaker 1: I think that would be I think that would be 1564 01:26:16,320 --> 01:26:20,760 Speaker 1: super cool. And and you know, as you mentioned, there 1565 01:26:20,800 --> 01:26:24,599 Speaker 1: have been a lot of Terran characters to go into 1566 01:26:24,600 --> 01:26:28,120 Speaker 1: space and run with the Guardians. Certainly in recent years, 1567 01:26:28,160 --> 01:26:31,440 Speaker 1: Tony Stark had a notable run up there, Kate Pride, 1568 01:26:32,560 --> 01:26:34,599 Speaker 1: I do I think it's going to be someone else 1569 01:26:34,640 --> 01:26:36,840 Speaker 1: that's going to be I think it's gonna be someone 1570 01:26:36,880 --> 01:26:38,880 Speaker 1: else that takes up the mantle of Star Wars. 1571 01:26:38,880 --> 01:26:41,360 Speaker 3: I think that that's probably right. Do you have a favorite, 1572 01:26:41,400 --> 01:26:44,320 Speaker 3: like pick that you would pick out the characters who 1573 01:26:44,360 --> 01:26:45,559 Speaker 3: were here MC. 1574 01:26:46,120 --> 01:26:48,719 Speaker 2: Not like based on the comics or like just if 1575 01:26:48,760 --> 01:26:50,280 Speaker 2: you were going to pick a character, who would you 1576 01:26:50,280 --> 01:26:51,679 Speaker 2: want to see take on that mantle? 1577 01:26:52,880 --> 01:26:54,800 Speaker 3: Who are doing it? And at what about? I think 1578 01:26:54,840 --> 01:26:59,000 Speaker 3: Bucky would be good. That would be so interesting. 1579 01:26:59,320 --> 01:27:02,000 Speaker 1: You'd have some fun with the arm they've both been through, 1580 01:27:02,720 --> 01:27:06,680 Speaker 1: they've had they have similar histories, right, Yeah, and I 1581 01:27:06,680 --> 01:27:09,800 Speaker 1: think they could bond over that. That said, is it 1582 01:27:09,960 --> 01:27:13,800 Speaker 1: time for a human maybe? This is also doesn't mean 1583 01:27:13,840 --> 01:27:16,160 Speaker 1: that if you are Star Loard you're leading the team. 1584 01:27:16,200 --> 01:27:17,559 Speaker 1: I think it is Rockets team. 1585 01:27:17,960 --> 01:27:19,000 Speaker 3: I think it's Rockets team. 1586 01:27:19,080 --> 01:27:23,400 Speaker 2: I think Starlold may be more of a rogue space 1587 01:27:23,680 --> 01:27:27,519 Speaker 2: hero kind of on their own missions. Who checks him 1588 01:27:27,520 --> 01:27:31,120 Speaker 2: with the the Guardians rather than you know. 1589 01:27:31,360 --> 01:27:33,600 Speaker 3: And also we didn't see Pete's. 1590 01:27:33,240 --> 01:27:37,599 Speaker 2: Helmet in the new movie, so somebody could find that 1591 01:27:38,920 --> 01:27:39,680 Speaker 2: in on. 1592 01:27:39,840 --> 01:27:42,120 Speaker 3: Nowhere, you know, in his desk drawer. 1593 01:27:42,200 --> 01:27:45,800 Speaker 2: I believe James Gunn said it was placed. So I think, yeah, 1594 01:27:45,840 --> 01:27:50,720 Speaker 2: I think we could really see some cool stuff bene that. 1595 01:27:51,920 --> 01:27:55,120 Speaker 1: My second, my backup pick would be the Symbiote. I 1596 01:27:55,120 --> 01:27:57,040 Speaker 1: think the Symbiote also has been into. 1597 01:27:56,960 --> 01:27:59,439 Speaker 3: Space, love that Garian's galaxy. 1598 01:27:59,000 --> 01:28:03,840 Speaker 1: And I think is in world and it would be 1599 01:28:03,880 --> 01:28:08,559 Speaker 1: fun to watch the Symbio like explore their cosmic history. 1600 01:28:08,600 --> 01:28:10,200 Speaker 3: Where does this? Where do I come from? 1601 01:28:10,640 --> 01:28:10,880 Speaker 2: You know? 1602 01:28:10,960 --> 01:28:12,200 Speaker 3: What am I doing here? 1603 01:28:13,479 --> 01:28:16,479 Speaker 1: That would be a fun adventure. Ten out of ten 1604 01:28:16,479 --> 01:28:18,120 Speaker 1: would watch your picks. 1605 01:28:19,000 --> 01:28:20,559 Speaker 3: Ah, my picks. 1606 01:28:20,840 --> 01:28:26,000 Speaker 2: Currently this is kind this kind of a cheat because 1607 01:28:26,360 --> 01:28:28,360 Speaker 2: they're not in the MCU, but I feel like they're 1608 01:28:28,400 --> 01:28:29,599 Speaker 2: so close to being into it. 1609 01:28:29,760 --> 01:28:31,559 Speaker 3: I would love to see like a beta ra Bell 1610 01:28:31,720 --> 01:28:35,880 Speaker 3: star lord, you know, like a cool alien cosmic star lord. 1611 01:28:36,600 --> 01:28:37,320 Speaker 3: I think that. 1612 01:28:39,040 --> 01:28:42,000 Speaker 2: Realistically, it feels like we'd be seeing a character that 1613 01:28:42,040 --> 01:28:46,519 Speaker 2: we already are very established with in that space a 1614 01:28:46,680 --> 01:28:49,760 Speaker 2: Valkyrie star Lord could be cool. I would like to 1615 01:28:49,800 --> 01:28:51,400 Speaker 2: see that. You know, she's kind of tired of the 1616 01:28:51,400 --> 01:28:54,240 Speaker 2: bureaucratic nature of it all, so she takes that star 1617 01:28:54,360 --> 01:28:57,680 Speaker 2: Lord Nebula. Actually, I think if I was doing a 1618 01:28:57,760 --> 01:29:00,000 Speaker 2: odds on bets, I think I could see a world 1619 01:29:00,080 --> 01:29:02,479 Speaker 2: when Nebula takes on that mantle and really gets a 1620 01:29:02,479 --> 01:29:04,719 Speaker 2: hero arc. That would be very cool to see, especially 1621 01:29:04,800 --> 01:29:09,960 Speaker 2: with her rad new arm. Yeah, I would love this question. 1622 01:29:10,000 --> 01:29:12,400 Speaker 2: Evan has made me very happy. I would love to 1623 01:29:12,520 --> 01:29:15,240 Speaker 2: dream of a world where it is no longer Peter 1624 01:29:15,320 --> 01:29:17,240 Speaker 2: Quill and he stays at home with his granddad and 1625 01:29:17,240 --> 01:29:19,760 Speaker 2: does the lawn mowing or whatever else, and we get 1626 01:29:19,800 --> 01:29:21,799 Speaker 2: to see other characters take on that mantle. 1627 01:29:21,840 --> 01:29:24,080 Speaker 3: I think that would be so cool. Thanks Evan. 1628 01:29:24,200 --> 01:29:25,960 Speaker 1: If you have series of passions you want to share, 1629 01:29:26,040 --> 01:29:27,920 Speaker 1: hit us up at x ray at crookad dot com. 1630 01:29:27,960 --> 01:29:29,160 Speaker 3: Instructions in the show notes. 1631 01:29:31,840 --> 01:29:34,120 Speaker 1: Well that's it for us. Rosie and he plugs. 1632 01:29:35,080 --> 01:29:40,200 Speaker 2: You can find me Rosie marks at letterbox and Instagram. 1633 01:29:40,520 --> 01:29:44,439 Speaker 2: My Instagram stories are all about WGA strike. You support 1634 01:29:44,479 --> 01:29:46,360 Speaker 2: those writers. None of the stuff we talk about sis 1635 01:29:46,479 --> 01:29:49,719 Speaker 2: with about them. Jason is in the WGA, so support him. 1636 01:29:50,120 --> 01:29:53,600 Speaker 2: You can support them through the Entertainment Community Fund. You 1637 01:29:53,640 --> 01:29:55,720 Speaker 2: can support them by showing up to picket. You can 1638 01:29:55,760 --> 01:29:58,760 Speaker 2: send food, donuts, pizza, all kinds of cool stuff like that. 1639 01:30:00,160 --> 01:30:02,880 Speaker 3: Yeah, hey, twice a week. 1640 01:30:04,080 --> 01:30:08,000 Speaker 1: I'm also going to plug the WGA strike. Because of 1641 01:30:08,240 --> 01:30:12,879 Speaker 1: the strike that we're on, writers members of the WGA, 1642 01:30:13,120 --> 01:30:18,160 Speaker 1: like myself aren't promoting any of the projects that they have. 1643 01:30:18,280 --> 01:30:20,360 Speaker 1: So if you're wondering why I'm not promoting any of 1644 01:30:20,360 --> 01:30:25,280 Speaker 1: the projects that I have coming up, it's because of this, 1645 01:30:25,400 --> 01:30:28,600 Speaker 1: and it's an important everybody right now who is on 1646 01:30:28,680 --> 01:30:34,559 Speaker 1: strike is sacrificing something. We're not the people that were 1647 01:30:34,560 --> 01:30:37,799 Speaker 1: associated with Premo on the show we wrote on Chai Serano, 1648 01:30:38,040 --> 01:30:40,880 Speaker 1: the creator. It's based on his life. We're not promoting it, 1649 01:30:41,000 --> 01:30:43,920 Speaker 1: not going to the premiere. We would love to be 1650 01:30:44,000 --> 01:30:47,000 Speaker 1: able to say, hey, watch this thing at a date 1651 01:30:47,280 --> 01:30:49,679 Speaker 1: that I'm not going to mention, but we're not doing 1652 01:30:49,680 --> 01:30:53,439 Speaker 1: that because it's important that everybody knows that we're all 1653 01:30:53,720 --> 01:30:56,840 Speaker 1: in this. There are writers who are who just got 1654 01:30:56,840 --> 01:30:58,800 Speaker 1: their first gigs and now we went on strike and 1655 01:30:59,439 --> 01:31:03,200 Speaker 1: they are her all the way up the chain. Everybody 1656 01:31:03,280 --> 01:31:08,919 Speaker 1: is giving up something, and so just support the writers 1657 01:31:08,920 --> 01:31:13,160 Speaker 1: who are really getting who are getting a tough deal 1658 01:31:13,160 --> 01:31:15,680 Speaker 1: getting squeezed in this economy as many of us are, 1659 01:31:15,840 --> 01:31:19,400 Speaker 1: even as ceo pay skyrockets. 1660 01:31:20,840 --> 01:31:21,519 Speaker 3: You know you can. 1661 01:31:23,640 --> 01:31:28,160 Speaker 1: David Zaslav made two hundred and eighty some odd million 1662 01:31:28,240 --> 01:31:32,920 Speaker 1: dollars in his first moves creative moves were to shelve 1663 01:31:32,920 --> 01:31:35,040 Speaker 1: a bunch of projects and fire a bunch of people, 1664 01:31:36,000 --> 01:31:39,280 Speaker 1: and for that he was richly rewarded. And I and 1665 01:31:39,920 --> 01:31:42,120 Speaker 1: you know many of the other CEOs are the same. 1666 01:31:43,160 --> 01:31:46,920 Speaker 1: All the writers are asking for is two percent of 1667 01:31:46,960 --> 01:31:50,360 Speaker 1: the profits as raised. They're not asking for some massive 1668 01:31:50,360 --> 01:31:53,080 Speaker 1: amount of money, just two percent, which comes out to 1669 01:31:53,160 --> 01:31:57,479 Speaker 1: less than you know, the CEO pay for the eight 1670 01:31:57,600 --> 01:32:01,720 Speaker 1: of the major studios. So that's it. Support the writers. 1671 01:32:04,040 --> 01:32:06,439 Speaker 1: Catch the next episode of X ray Vision on Wednesday, 1672 01:32:06,479 --> 01:32:07,080 Speaker 1: May seventeenth. 1673 01:32:07,080 --> 01:32:08,720 Speaker 3: For more market moves and yellowjackets. 1674 01:32:09,320 --> 01:32:11,720 Speaker 2: Subscribe on YouTube where you can watch full episodes of 1675 01:32:11,760 --> 01:32:15,240 Speaker 2: the show. Check out our Twitter at XRV pod, and 1676 01:32:15,760 --> 01:32:17,599 Speaker 2: make sure to join a discord to meet and hang 1677 01:32:17,640 --> 01:32:20,479 Speaker 2: out with tons of amazing fans and listeners plus me 1678 01:32:20,520 --> 01:32:21,040 Speaker 2: and Jason. 1679 01:32:22,000 --> 01:32:24,920 Speaker 3: Five star ratings five star right five five fine, we 1680 01:32:25,000 --> 01:32:25,559 Speaker 3: gotta have them. 1681 01:32:25,600 --> 01:32:28,240 Speaker 1: You gotta give in to us here's one from Berg Grisly. 1682 01:32:28,960 --> 01:32:30,160 Speaker 3: I'll take my answer off the here. 1683 01:32:30,560 --> 01:32:32,439 Speaker 1: I love, love, love both of you. I listen at 1684 01:32:32,439 --> 01:32:34,479 Speaker 1: work with my headphones and I'm always laughing out loud 1685 01:32:34,479 --> 01:32:36,840 Speaker 1: out of nowhere. People think I'm crazy, but I'm trying 1686 01:32:36,880 --> 01:32:38,719 Speaker 1: to get everyone to listen so they can all join 1687 01:32:38,800 --> 01:32:39,280 Speaker 1: the vision. 1688 01:32:39,360 --> 01:32:41,200 Speaker 3: Thank you so much for this wonderful pod. Thank you, 1689 01:32:41,320 --> 01:32:44,400 Speaker 3: Bear grez Plase, wonderful review. X ray Vision is a 1690 01:32:44,400 --> 01:32:45,320 Speaker 3: Crooked media production. 1691 01:32:45,439 --> 01:32:47,400 Speaker 1: Show is produced by Chris Lord and Sal Rubin and 1692 01:32:47,439 --> 01:32:50,280 Speaker 1: executive produced by me Jason. Concepts You and Our Editing 1693 01:32:50,320 --> 01:32:53,800 Speaker 1: and sound design is by Lucillis Vertopoulos. Video production by 1694 01:32:53,840 --> 01:32:55,920 Speaker 1: Delon Villanueva and Rachel Gayeski. 1695 01:32:56,080 --> 01:32:59,200 Speaker 3: Social media by Awa Oklati and Caroline Dunn. 1696 01:32:59,680 --> 01:33:02,360 Speaker 1: Thank you to Brian Vasquez for a theme See you 1697 01:33:02,400 --> 01:33:07,240 Speaker 1: next time, mm hmm