Speaker 1: Hey, they're Fana Ritos.
Speaker 2: Welcome back to an all new episode of How Rude
Speaker 2: Tanner Ritos. Today, we're interviewing a crew member who worked
Speaker 2: with us through Full House and Fuller House. It's Patty
Speaker 2: Mustari or Patti Pasarelli as Jodi and I know her.
Speaker 2: Patti is a script supervisor. And for those of you
Speaker 2: who don't know what this job entails, boy are you
Speaker 2: in for a treat. Script supervisors are an essential part
Speaker 2: of any film or TV crew. They have one of
Speaker 2: the hardest jobs on the set because it involves continuity.
Speaker 2: So we're very excited to talk to Patty, who can
Speaker 2: give us an in depth look at her job and
Speaker 2: her time on full and Fuller House. Let's welcome Patty.
Speaker 1: Here we go.
Speaker 2: Ah, Oh my gosh, that's so cute and.
Speaker 1: And oh yes, she's got the people cover, she's got
Speaker 1: the joke. Oh my gosh, yes, you guys know you
Speaker 1: that's so funny. Oh yay, you came prepared. I appreciate that.
Speaker 3: I have pictures all of it.
Speaker 4: Oh my gosh, amazing, this is gonna be fantastic.
Speaker 3: So I'm gonna start like.
Speaker 1: This right, that's so awesome and what a cool background.
Speaker 1: Where are you? Are you on set right now?
Speaker 3: No? But hold not a set?
Speaker 1: Oh, there we go? Oh, yay, there we go. Can't
Speaker 1: you got the Fuller House beach towel. That's amazing. Love
Speaker 1: of your merch, all of the wrap gifts.
Speaker 5: Yay.
Speaker 1: Well, welcome Patty to the show. We're so glad to
Speaker 1: have you.
Speaker 3: Thank you. I'm happy to be here.
Speaker 5: Yay.
Speaker 2: I know, I'm I was trying to figure out the
Speaker 2: last time we saw each other. I know you and
Speaker 2: I fun fat. I don't know if Jody knows this.
Speaker 2: Oh yeah, Jody knows this. Patty and I have the
Speaker 2: same birthday. Yes, yes, so I saw you. It was
Speaker 2: like kind of during the COVID times and you were
Speaker 2: driving out in my area and so you came by
Speaker 2: my house.
Speaker 1: Third, right, yeah, July third.
Speaker 3: Very good, Jody, Yes, she's very good.
Speaker 1: She's Oh no, I'm I was.
Speaker 4: I said that, and I was like, God, if I'm wrong,
Speaker 4: I this is going to be bad. But I think
Speaker 4: I was mostly so, yeah.
Speaker 3: I'm not even sure about my birthday. You know, it's
Speaker 3: been a long time, but.
Speaker 2: I would always love on the Fuller set, they would
Speaker 2: roll out a cake for my birthday and I'm like, no,
Speaker 2: this is it's me and Patty. Come on, let's let's
Speaker 2: cut this cake together. Because it was just fun, fun
Speaker 2: sharing a birthday with you for all of those years.
Speaker 3: Okay, so let's talk about how I met you too, Jody.
Speaker 3: I did how to google this stuff because I had
Speaker 3: I'm like, I don't know.
Speaker 4: I'm like, I know, right, yeah, if I'm not reminded
Speaker 4: of it, it's uh, it's like it ned to happen.
Speaker 3: Yeah. So Jodie was five, Andrea was eleven. Okay, and
Speaker 3: Dave Coolier and I were the same age, right, Bob
Speaker 3: was a little older and John was younger. So a
Speaker 3: bunch of twenty year olds making a TV show will
Speaker 3: go wrong.
Speaker 2: Oh yeah, right, yes, in the eighties when you put
Speaker 2: it that way, yeah, they puts it into perspective.
Speaker 4: Oh yeah, no, yeah, I mean I like Patty was
Speaker 4: one of the crew, you know what I mean? I
Speaker 4: just I always Patty, Patty Passarelli, Chatty.
Speaker 1: That's how I always know you, Patty.
Speaker 4: So, just as a quick background, Patty was the script
Speaker 4: supervisor on Full House the original the pilots one through three,
Speaker 4: including the pilot, and then she was the script supervisor
Speaker 4: through the entirety of Fuller House.
Speaker 1: You have your you have.
Speaker 4: She got a So they used to give us binders,
Speaker 4: like actual, like nice hardcover ones that had like, you know,
Speaker 4: sort of material on it or whatever, three ring binders
Speaker 4: that said full House on them, and it had your name,
Speaker 4: and that was where you kept all.
Speaker 1: Of your scripts I made.
Speaker 4: I mean, we didn't get him as kids, but like
Speaker 4: all of the crew and stuff. I believe you guys
Speaker 4: on set got that.
Speaker 3: Yeah, well, so that that's how ancient this is nineteen
Speaker 3: eighty seven. I'm writing down things about like remember this,
Speaker 3: remember that. Try to just look the part, pretend you
Speaker 3: know what you're doing, Patty, because it's like.
Speaker 1: Is that, wait, that's what you wrote in that?
Speaker 3: Oh no. But basically this is stuff like because I
Speaker 3: when I was a film script supervisor, then Tom Miller
Speaker 3: and Bobboyett approached me and said, hey, there's a show
Speaker 3: called full House. Marilyn Bagley was going back to doing
Speaker 3: Perfect Strangers, and I was training to be a script supervisor.
Speaker 3: I was working on film shows non you know, non
Speaker 3: union whatever, plus being in the office as a writer's assistant.
Speaker 3: So I was so primed ready for my moment. And
Speaker 3: they go, okay, So here's the thing. Can you be
Speaker 3: on set on Friday? Sure? And it's a tape show
Speaker 3: and I went.
Speaker 6: Yeah, oh absolutely, I know tape tape right, like four
Speaker 6: cameras and there's tape instead of film, and which is
Speaker 6: a whole different genre, by the way.
Speaker 3: But you're going to be in the union, be there
Speaker 3: in your show. You know. You start training with Marilyn Bagley,
Speaker 3: which I need and look the part don't let them
Speaker 3: see you sweat, and by Monday it was my show.
Speaker 3: So that's episode two of Full House September I think
Speaker 3: ish nineteen eighty seven, and that's when I meet you
Speaker 3: lovely ladies and later but you know, so Jodie's five,
Speaker 3: I'm not five. I'm twenty eight or I don't even know. Asked, well, if.
Speaker 4: You if you and Dave were the same age. Dave
Speaker 4: was what twenty four?
Speaker 1: Well was John? John was? John was twenty four. Dave
Speaker 1: was baby twenty probably twenty eight, twenty nine. No, they
Speaker 1: weren't close to thirty. It took them a couple years
Speaker 1: to get to the third They were babies.
Speaker 2: When did Danny have his thirtieth birthday? Wasn't that season
Speaker 2: one that he or maybe not.
Speaker 1: No, that he had his thirtieth birthday party. No that
Speaker 1: was was it?
Speaker 3: No?
Speaker 1: Maybe not? I don't know, let's ask me. I'm totally
Speaker 1: imagining things, but I'm.
Speaker 2: Pretty sure it's that late twenties, late in the twenties,
Speaker 2: mid late twenties.
Speaker 1: Okay, yeah, it's.
Speaker 3: I think we're like either twenty seven twenty something like that,
Speaker 3: and Dave will know. But anyway, yeah, so when I
Speaker 3: have a birthday, then Dave has a birthday. I did
Speaker 3: his podcast, right, yeah, an he goes, Okay, so, Patty,
Speaker 3: there's this thing I'm doing and would you be on
Speaker 3: And I go, Dave, I hate being on camera? Like,
Speaker 3: is this a camera thing? Can I just be like,
Speaker 3: I don't know behind this this is where I live
Speaker 3: or behind a script or something. No, no, no, you have
Speaker 3: to be on camera. Will be gray, You'll be great.
Speaker 3: You'll be great. You'll be great, And I'm like, I'm
Speaker 3: not great, but I'll do it.
Speaker 1: Okay. I love you.
Speaker 3: I love you, you, you and all of them.
Speaker 2: Oh guys, you you do. You're fantastic, Like you are
Speaker 2: so good on camera. I know how much you don't
Speaker 2: want to be on camera, so I appreciate you coming
Speaker 2: out of your comfort zone today.
Speaker 1: And being patty.
Speaker 4: Let me tell you you have the hair to be
Speaker 4: on camera. Okay, you have the amazing hair.
Speaker 1: Your hair is killer. You've always had great hair. Throw
Speaker 1: that hair off, my friend.
Speaker 4: Okay, I've got my three strands wrapped up in a
Speaker 4: little bun right here.
Speaker 1: Yours looks gorgeous, So more of the hair off.
Speaker 3: Do you remember signing this? Yes?
Speaker 1: Yes, the signed signed shirt?
Speaker 3: Yes?
Speaker 1: How right?
Speaker 3: I love it?
Speaker 1: I said, the how rude shirt? Oh my gosh, yes,
Speaker 1: So go down memory lane?
Speaker 3: Is that okay?
Speaker 1: Yeah, let's go for it.
Speaker 3: I have props.
Speaker 1: Bring your props.
Speaker 3: May not be the most fun because we have to
Speaker 3: be robots and we have to just deliver the information.
Speaker 4: You can you tell our audience a little bit about
Speaker 4: what a script supervisor does, because I have a feeling
Speaker 4: a lot of people don't know. My best friend, Emma
Speaker 4: is also a script supervisor, and I have so much
Speaker 4: respect for them because they literally keep an eye on every.
Speaker 1: Single thing that's happening.
Speaker 4: So, yeah, can you just give us a quick synopsis
Speaker 4: of what a script supervisor does? Yeah?
Speaker 3: So, say, we have props in people's hands, so I
Speaker 3: will I keep the master script. I'm working with the producer,
Speaker 3: the writers, the cast, the director, the creative team on set,
Speaker 3: both you know a ways. So I'm doing editors notes,
Speaker 3: I'm doing props, what hand, what to which one? Whatever
Speaker 3: just so happens to be. Yeah, pull our.
Speaker 1: House cups love it.
Speaker 3: So I pulled those because of course less of me
Speaker 3: more props.
Speaker 4: So but yeah, yeah, like if some but I have
Speaker 4: something in the right hand, you know, and again you'd
Speaker 4: do a second take and sometimes you'd go to pick
Speaker 4: it up with your left and you'd hear Patty go
Speaker 4: right hand, right hand, Ody, Tony right now.
Speaker 3: But that here's the thing. I wasn't saying it to
Speaker 3: the kids. Guess who I was saying it to Kilts, Bob,
Speaker 3: Dave John, the Bad Boys.
Speaker 1: Yeah, yes, yeah, I believe it.
Speaker 3: So I believe offscript? Can we I think we know
Speaker 3: who is off script? The five year old, the eleven
Speaker 3: year old, the ten year old, and then who wasn't
Speaker 3: the twenty eight year old, twenty four year old than
Speaker 3: the thirty year old.
Speaker 4: I mean, to be fair on fuller, the thirty something
Speaker 4: year old was definitely not off.
Speaker 1: Script by you know, some of the time. Either, that's true, Okay, here.
Speaker 1: Here's I have that picture hanging in my room.
Speaker 4: I love that picture. It's a picture of us picture,
Speaker 4: one of the cast photos that was done. It's just
Speaker 4: such a great, warm, true family photo. And what it's
Speaker 4: an early uh picture? I want to say probably beginning
Speaker 4: of season two.
Speaker 1: That looks like early season two. Yeah, Michelle, aren't baby baby?
Speaker 4: Yeah, that's like season two, I think. And I think
Speaker 4: that's the outfit I wore for like first day of
Speaker 4: kindergarten or something.
Speaker 1: But anyway, yeah, that it was an early thing.
Speaker 3: You said, I love you Joy.
Speaker 1: Oh that's so sweet.
Speaker 3: There's proof.
Speaker 1: Yep, you to love me again. We still do.
Speaker 4: But so you as a script supervisor keep an eye
Speaker 4: on everything and the editor's notes and just all manner
Speaker 4: of things. But you were also you did that for
Speaker 4: Fuller the original or for full House the original show,
Speaker 4: and then you also came back for Fuller House, which
Speaker 4: to have you there as script supervisor again and like
Speaker 4: and also to have Joel be directing or you know,
Speaker 4: it was there were moments where it was like, did
Speaker 4: we go back in time?
Speaker 1: It felt like like left. It felt like I've been
Speaker 1: watching Severance.
Speaker 4: It felt like Severns where like the elevator closes and
Speaker 4: then it opens back up and you have no record,
Speaker 4: like and nothing happened in between, and you're just there
Speaker 4: again and you're like, oh yeah, we're just here together
Speaker 4: again like it was.
Speaker 1: It was crazy, I know, yeah, this is a true story.
Speaker 3: You may not know this, but I'm I'm living in
Speaker 3: Colorado because I had I worked a bunch of shows,
Speaker 3: including friends, including like you know, all the big shows get.
Speaker 4: Step by step, but uh, I did Mary Kay Nashley's
Speaker 4: show to a Kind.
Speaker 3: To a Kind here boo more crops.
Speaker 4: Oh yeah, yeah, right, very it's a cute, very cute
Speaker 4: picture of Ashley and Mary Kate so at level.
Speaker 3: Yeah, but yeah, so I got to do the wonderful
Speaker 3: thing is that getting that first break to become a
Speaker 3: writer's assistant with you know, Bill Bickley and Michael Lauren.
Speaker 3: I had met them on the Love Boat. That was
Speaker 3: the training ground for me to learn script supervising. I'd
Speaker 3: worked with the script supervisor who was I believe in
Speaker 3: her eighties. She had done the Shirley Temple movies. So
Speaker 3: she was like the real deal. She was an amazing woman.
Speaker 3: She and I got to be very close. We would
Speaker 3: go to lunch and she would let me come practice
Speaker 3: on the set. I would bring my my you know,
Speaker 3: my script. And I remember Ted Lange saying to me, so, Patty,
Speaker 3: which hand did I have the origin? And I thought,
Speaker 3: that's a thing I have to know and I will
Speaker 3: never forget it. And we're talking about that's probably in
Speaker 3: gosh before it is probably like nineteen eighty five or
Speaker 3: something I don't recall, but anyway, those are the moments
Speaker 3: in script supervising where you're just trying to like, I know,
Speaker 3: I have to take the notes. I know I have
Speaker 3: to like watch for dialogue. And there's different shifting priorities
Speaker 3: depending on the needs of the cast, depending on the
Speaker 3: needs of that particular episode, what the scene is, with
Speaker 3: the pages, with the whatever the lines are, so you're
Speaker 3: multitasking at all levels.
Speaker 4: And yeah, and I need almost like an idetic memory,
Speaker 4: like you know what I mean to be able to
Speaker 4: be like that doesn't look.
Speaker 3: Right, that doesn't look right. And also what did he say?
Speaker 3: So if, like on Full House, if the guy started
Speaker 3: to add lib, well, that's not a bad thing. Sometimes
Speaker 3: a play on words or something that happens organically in
Speaker 3: the moment and being maybe a better line or maybe
Speaker 3: a better choice and maybe a great ault or whatever.
Speaker 3: I'm writing those things down as quickly as possible. So
Speaker 3: I work with you know, stand up comedians like Jimmy Fox,
Speaker 3: Marlon Wayans. Oh gosh, I mean, I don't know. I've
Speaker 3: been doing this since nineteen eighty one. I got in
Speaker 3: the business. I got in the Union in eighty seven,
Speaker 3: amazing and all that. So Miller Boyette for fifteen years
Speaker 3: never had to look for work.
Speaker 1: I had right the Miller.
Speaker 4: If you were in a Miller Boyett show, Bob Boyette
Speaker 4: and Tom Miller who produced so many hit TV shows
Speaker 4: and were executive producers, like if you were in that family. Again,
Speaker 4: it was the time the era of like network TV,
Speaker 4: and you know, producers that had just these in house things,
Speaker 4: and you would go from show to show and write
Speaker 4: for here and direct here, and it was kind of
Speaker 4: like little mini studio systems almost.
Speaker 3: You know.
Speaker 4: It was like everyone had kind of their people that
Speaker 4: they really like to work with.
Speaker 3: It was great, and it really did create a family.
Speaker 3: And it's not just I know that it's a phrase
Speaker 3: that a lot of shows may adopt, but I have
Speaker 3: to say it might be the sign of the times.
Speaker 3: It was the people involved, it was the cast, it
Speaker 3: was the warmth that we created, the bond that we created.
Speaker 3: And I have to say it started the day that
Speaker 3: I started on that set. It was on a Monday,
Speaker 3: and here I am. I have the big ship to steer.
Speaker 3: I have kids that don't do continuity. I barely know
Speaker 3: my job. I don't know tape. And there's Joel's wig
Speaker 3: going we have turtles and bads.
Speaker 4: Yeah, and Joel's yelling at everyone right right, And all
Speaker 4: I know is is that means I have to say
Speaker 4: something or do something or whatever.
Speaker 3: And Patty stop laughing. You're just encouraging them. And it's
Speaker 3: like we'd be in the booth and He's like, we
Speaker 3: have turtles and beds. Just tell them we have to
Speaker 3: do they have to read the script. Tell tell John,
Speaker 3: tell Bob, tell Dave. Stop messing around. We have turtles
Speaker 3: and bags, we have audience, we have people, and you're
Speaker 3: and you're setting a bag example for the the girls
Speaker 3: and the kids and all that. I'm like, yeah, you are,
Speaker 3: that's right, Joel, they are. But he goes, why are
Speaker 3: you laughing?
Speaker 1: I go because it's funny, funny.
Speaker 3: We'd turtles and bags dude, they're all listening to you.
Speaker 1: No, no, they were never listening to Bob.
Speaker 3: It was chaos, controlled chaos. And then the kids would
Speaker 3: come on and we'd go, oh, someone knows the lines,
Speaker 3: actually knows what the scenes are. We're not just like
Speaker 3: talking about their hair and girls and dates and like,
Speaker 3: oh my gosh, the girl. The boys were funny, but
Speaker 3: I have to say, the boys, okay, John, Dave and Bob,
Speaker 3: that's shot. We're all like, they're like brothers.
Speaker 4: Yeah, and you guys all kind of grew up together,
Speaker 4: you know, in varying ways we all did.
Speaker 3: Yeah, And I I wasn't a mom, but I became
Speaker 3: protective of the kids. I have on every show I've
Speaker 3: particularly on Full House because here comes Jody's she's off books,
Speaker 3: she's amazing, she's like, can have fun. She's listening to boys,
Speaker 3: and I'm like, like, guys, okay, see them. You're saying
Speaker 3: things that they shouldn't hear, so chill out. That's what
Speaker 3: I became mom. And they're like, ooh, here's a part
Speaker 3: of Patty and.
Speaker 2: We don't know you remember our moms would sit in
Speaker 2: the bleachers for run throughs and rehearsals and then they
Speaker 2: stand up and be like bomb, right, Dave.
Speaker 1: They started going off on their inappropriate tangents.
Speaker 3: Right right. So sometimes if you know, they're busy doing whatever,
Speaker 3: and I happen to be on the set and we're
Speaker 3: rehearsing just before the cameras come, and you know, I
Speaker 3: don't know how much your audience knows, but there are
Speaker 3: three days of rehearsal and we're doing run throughs, and
Speaker 3: I've got the master script and we're changing lines, and
Speaker 3: I put that into my script and it goes. My
Speaker 3: script goes to the writers of Franklin, the producers, et cetera.
Speaker 3: They talk about what they want to adopt from the
Speaker 3: run throughs, and I notate the changes in stage direction,
Speaker 3: the changes in dialogue, any notes that we have, the
Speaker 3: director may have, the cast may have in terms of
Speaker 3: maybe this could work better, and here's an idea, this
Speaker 3: could be an alt whatever. So I'm writing all this down.
Speaker 3: That's why I have arthritis kids. Okay, at my age,
Speaker 3: this is what I but I'm still doing it. I'm
Speaker 3: I'm semi retired now, but uh yeah, I just work
Speaker 3: this week.
Speaker 1: You keep getting sucked back in. You keep saying you're
Speaker 1: retired about these businesses. You're like, no, no, I'm done.
Speaker 4: Wait, I have one more in me, you know, yeah, serious, Like.
Speaker 3: The call goes and then like this cast members can
Speaker 3: be ond like dang it.
Speaker 6: Okay, yes, okay, I'll go right four hours on the freeway,
Speaker 6: can hardly wait, let's go.
Speaker 2: Let's speaks to your talent and your personality, like everybody
Speaker 2: just wants to around on set because you're so good
Speaker 2: at what you do.
Speaker 1: You're so professional, but you're also you're.
Speaker 2: Patty, like you're everyone's friend, and so like, no wonder
Speaker 2: they keep roping you back into this business.
Speaker 1: You'll never retire fully Patty, you just can't. Nobody will
Speaker 1: let you. Yeah, I'm sorry, you're in it.
Speaker 3: Well if you guys do fullest house. Okay, let's book
Speaker 3: this before I become ninety, right, can we agree on that?
Speaker 3: Right now?
Speaker 4: One more time we really got with we have a
Speaker 4: limited window now.
Speaker 7: Yeah, hey they're folks.
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Speaker 2: So you said you take notes from the editor. What
Speaker 2: notes are he I've always wondered this, What notes is
Speaker 2: he telling you? Is he telling you like, oh, the
Speaker 2: take one was better than take two? Or is he
Speaker 2: telling you cut this part because we're long on?
Speaker 3: Like?
Speaker 1: What notes do the editors give you?
Speaker 3: So it's not really I'm not taking notes from the editor.
Speaker 3: I am taking notes for the editor for the editor. Okay,
Speaker 3: So I'm taking my notes that I'm taking on rehearsal days.
Speaker 3: So whether okay, in the beginning, there was a production
Speaker 3: meeting than a read. So that's the first time we've
Speaker 3: all gotten together. And now we're taking what's written on
Speaker 3: the page and putting it to life. Right, So production meeting,
Speaker 3: the crew, all the department heads talk about the necessities
Speaker 3: of that particular episode. Then the cast comes in. I
Speaker 3: time the reading so that we can have an understanding
Speaker 3: of or a generalization for are we long? We have
Speaker 3: a format time on the show, So say like it's
Speaker 3: twenty one minutes, forty five seconds or whatever it is.
Speaker 3: I know that ahead of time, so when I go
Speaker 3: to time the reading, I let once we finish the
Speaker 3: read and the network gives their notes and so forth,
Speaker 3: I'll let the producers know. Not Jeff Franklin, Bob Boyette,
Speaker 3: Tom Miller and whoever. Whatever show I'm doing, I just
Speaker 3: did it this past week. This is how long we are.
Speaker 3: If there's a dance number, we could tighten up. So
Speaker 3: I'm trying to visualize and give an estimate because as
Speaker 3: a script supervisor, you don't get to be wrong. You
Speaker 3: have to be a robot, so I can be. In fact,
Speaker 3: it's starting to seep into my personality because I've spent
Speaker 3: more waking hours on a sound stage than I have
Speaker 3: in real life.
Speaker 1: Truly, I believe it. I believe it.
Speaker 3: I'm the nightmare that it. If someone says, oh yeah, yeah,
Speaker 3: like in real life, yeah I told you to, I
Speaker 3: go no, actually you didn't. You said you were wearing this,
Speaker 3: you had an apple in your right hand, and they're like,
Speaker 3: oh gosh.
Speaker 1: Oh yeah, because you can't turn it off.
Speaker 3: I can't turn it off. It's who I become you know,
Speaker 3: so I remember, I remember of visualization, and I'm a
Speaker 3: photographer and I do art now, so because it's a
Speaker 3: visual medium. So anyway, so some of those things have
Speaker 3: crept into my my time now that I have time
Speaker 3: besides just reading scripts, being on stage and so forth,
Speaker 3: I'm starting to do other things, which is really fun
Speaker 3: because you can use my organization and visual skills towards
Speaker 3: a new medium that is fun and different and exercise
Speaker 3: a different part in my brain.
Speaker 2: Yeah, those skills apply, but just to a completely different medium.
Speaker 1: Oh that's so cool.
Speaker 2: Fun.
Speaker 3: And then I can turn it back on. When someone says,
Speaker 3: can you come and be at Warner Brothers at eight
Speaker 3: in the morning, I go, yeah, I can, And then
Speaker 3: I do that. I turned her back on.
Speaker 1: And I called her right, not me.
Speaker 3: It's that skill set. And then then once they say
Speaker 3: rap that, I go back to being an idiot. You know,
Speaker 3: at the.
Speaker 1: Aage, what is as an actor?
Speaker 2: I've always wondered, what is something we can do to
Speaker 2: make your job easier? Because I'm sure, I'm sure, I've
Speaker 2: sure a lot of actors out there that do things
Speaker 2: that you're just like, oh my god. I have told
Speaker 2: them fifty times to pick up the cup with their
Speaker 2: right hand or whatever.
Speaker 1: Is there something in particular.
Speaker 2: That's particularly challenging for your job that you're like, if
Speaker 2: I could just get the actors to do this, it
Speaker 2: would make my job so much easier.
Speaker 3: Well, okay, so the funny thing about full House is
Speaker 3: that everybody had the chops to do all of it.
Speaker 3: You all just had it. And I have to use
Speaker 3: Jodi and Candice from the beginning, and the babies to
Speaker 3: a large extent. And then did you come on? Like
Speaker 3: halfway through Andrew, did you come in?
Speaker 1: I was in season one.
Speaker 2: I did five episodes of season one, so I came
Speaker 2: on I think episode three of season one.
Speaker 3: So by the time episode three I had a feeling
Speaker 3: for like who was good with props, who was good
Speaker 3: with dialogue? Who just messed around all the time? The boys? Yeah,
Speaker 3: I'm sure not anybody else. The boys decided that once
Speaker 3: they got comfortable, less about the work and more about playtime,
Speaker 3: which you know, to be fair, was part of the
Speaker 3: work because they became brothers, they became the bond.
Speaker 1: Was that all of that made it.
Speaker 3: It made it hard for George Wick and every other director.
Speaker 8: Joel makes it hard for Joel's wick and I love Joel,
Speaker 8: you know what I mean, Yes, and he has mellowed
Speaker 8: out in his ow age, but Joel, Joel made it
Speaker 8: hard for Joel, so you know, it didn't take much.
Speaker 8: And it was the combination of those four people was
Speaker 8: hilarious to watch because, yeah, Joel was like, we have
Speaker 8: to do it right now, and those were three people
Speaker 8: who were like, we're gonna, We're going to get there,
Speaker 8: We'll get there.
Speaker 2: It's like a sitcom inside of a sitcom, rightcom watching
Speaker 2: exactly so.
Speaker 3: It could be its own podcast for sure. Just the
Speaker 3: cameras and it's like, oh my gosh, that's what really happened.
Speaker 3: But that's the fun thing about my job. I have
Speaker 3: to say. The thing that really attracted me towards wanting
Speaker 3: to be in that particular position was, you know, originally
Speaker 3: we were the secretaries of the set. That's just what
Speaker 3: it was. The women were high heels and they wore
Speaker 3: dresses and they looked like you know, secretaries. They just
Speaker 3: took them from the office, placed them on the set
Speaker 3: and they took notes. Is it called stenograph what was the.
Speaker 4: What was Yeah, I believe like a stenosopher like those
Speaker 4: all like yeah, I scnographed the like it takes it
Speaker 4: in like shorthand official shortthand, which is there is like
Speaker 4: a whole.
Speaker 1: Language that you have to learn a short end.
Speaker 3: Yeah, so that's what they used to do. And so
Speaker 3: there's some like pictures of you know, the beginning when
Speaker 3: they would be working with the cast or they were
Speaker 3: off next to the director and everybody was wearing suits
Speaker 3: and it was very polite and everybody said sir and
Speaker 3: all that kind of things. By the time we jumped on,
Speaker 3: it was more casual. I got, I got to wear jeans.
Speaker 3: I went, okay, I wanted. I want the job where
Speaker 3: I can wear jeans. I want the job where I
Speaker 3: can laugh.
Speaker 6: I can.
Speaker 3: I love the fact that we later did travel. We
Speaker 3: went to Hawaii, we went to Maui, we went to
Speaker 3: Oahu on step by step. We went to Florida pull
Speaker 3: our house. We went to Tokyo, which, oh the coolest.
Speaker 1: Right right, I get we have we have traveled a
Speaker 1: little bit of the world together.
Speaker 3: Because sitcoms don't usually get to do that.
Speaker 2: No, oh, it's it's it's scary just going across the street,
Speaker 2: like much less across the ocean, like never leave the
Speaker 2: set that's the same.
Speaker 1: That's what they say sitcoms don't.
Speaker 4: Leave the studio. Yeah, the of a sitcom is don't
Speaker 4: take it out of the set because then everything falls apart.
Speaker 3: Yeah. True. So so anyway, I don't know if that
Speaker 3: the answers all your questions, but I have really fun
Speaker 3: pictures that I don't think you too have seen it.
Speaker 1: Yeah, I want to see.
Speaker 3: Let's see Jeff's notes talk about So this was on
Speaker 3: Fuller but when Fuller wrapped, Jeff would always take notes
Speaker 3: like next to me, Jeff Franklin, producer and I don't
Speaker 3: know if your audience knows all the names, but I'm
Speaker 3: executive producer. The reason all of this exists is because
Speaker 3: of this guy, Jeff Franklin created the show. And I'm
Speaker 3: from what I understand now that I know the backstory.
Speaker 3: Spending time more time with Jeff in Tokyo, I've got
Speaker 3: time to add ask him. I go, how did you
Speaker 3: do it? How did you shop this this show? And
Speaker 3: he said it was hard. So many passed. I couldn't
Speaker 3: believe it came full house, fuller house, they passed, they
Speaker 3: passed by.
Speaker 1: I mean, yeah, thank.
Speaker 3: You said yes, And Miller Boyette, was you know so
Speaker 3: behind it, and they tried to get on as many
Speaker 3: of the original crew as they could, well most of
Speaker 3: them probably had long retired. But I went, I'll do it,
Speaker 3: I'll do it. Pick me, pick me, pick me. So
Speaker 3: that's how I got on that. But these are Jeff's notes,
Speaker 3: some of the notes that he would jot down during shooting.
Speaker 1: And you know, okay, we read I can't read his handwriting.
Speaker 1: What does it say?
Speaker 2: Like?
Speaker 1: Can you can you decide?
Speaker 3: I could never. He'd be like, okay, Patty, here, can
Speaker 3: you write that down? And go I can barely see.
Speaker 3: Are you sure you're not a doctor?
Speaker 1: Co rest in peace?
Speaker 6: I don't know.
Speaker 1: He's probably so he's writing notes for you or writing
Speaker 1: notes to himself.
Speaker 3: So he would be we would be standing. There's a
Speaker 3: bank of monitors, the script advisors here, Jeff would be
Speaker 3: next to me or the director depending on Sometimes Jeff
Speaker 3: would direct, and then the executive producers and so forth,
Speaker 3: and then the network behind us and all that. So
Speaker 3: he would be so focused. See Jeff is also wearing
Speaker 3: lots of different hats at the same time he's executive producing.
Speaker 3: He's thinking in terms of actors, the relationships, what's happening
Speaker 3: on camera, what's happening technically, what's happening on each take
Speaker 3: every time we roll. There's a myriad of things that
Speaker 3: he's thinking about. He's also writing alts. He's thinking about
Speaker 3: new lines, new story punches. And then in front of
Speaker 3: the audience, you know, between take one and take two,
Speaker 3: take two, take three, whatever we corral together. I'm listening
Speaker 3: and he's telling his team, meaning the dialog coach, the
Speaker 3: script supervisor, the first A. D. So forth, some of
Speaker 3: his pitches for how we might change the scene, the dialogue,
Speaker 3: the action, make it funny, faster, maybe an alt. This
Speaker 3: is something the network would like, maybe we should take
Speaker 3: this joke out. It's a little racy, Let's give him
Speaker 3: another choice or whatever. That's done as quickly as humanly possible.
Speaker 4: It's like it's like a NFL sideline huddle. Like you're
Speaker 4: in front of an audience. You're you know, you've got
Speaker 4: limited time, and yeah, it's the huddle, and you're like, wait,
Speaker 4: what about this?
Speaker 1: What about this?
Speaker 4: There's writers thrown out jokes and you know, and you're
Speaker 4: changing it on the fly, which is part of the
Speaker 4: fun I think of the audience show totally.
Speaker 1: Yeah, is that it is. There is that live have
Speaker 1: to go now sort of element to it.
Speaker 3: Yeah, and that's the part that that say camera episodic
Speaker 3: and feature relax it only exists in the multicam or man.
Speaker 3: So that's the fun I get. So that's why I
Speaker 3: chose that format. I was. I was always thinking I
Speaker 3: was going to do feature. I'm gonna do episodic, I'm
Speaker 3: gonna travel, I'm gonna work hard, I'm gonna work forever.
Speaker 3: And then I went, wait, sitcoms. I only have to
Speaker 3: work these many days, these many hours. Get to travel,
Speaker 3: have fun, laugh all day, and work with a live
Speaker 3: audience and a cast I love. Sign me up and
Speaker 3: I'll never leave. And I never did. I'm still there.
Speaker 4: So it's I mean, I always say sitcom life is
Speaker 4: such a great gig.
Speaker 1: What was such a great gig in this business for
Speaker 1: so many years? Because yeah, it was.
Speaker 4: You really did build a team, a family, like you
Speaker 4: were with these people nine months out of the year. Yeah,
Speaker 4: But oh my gosh, what got you in? What made
Speaker 4: you want to get into scriptureprovising?
Speaker 3: You know, I was just I think the easiest thing
Speaker 3: for me at first was ruling out what I didn't
Speaker 3: want to do. I didn't want to be stuffed in
Speaker 3: because I had been a writer's assistant and I did
Speaker 3: enjoy working with you know, being in the writer's room
Speaker 3: and hearing how ideas go from nothing to something. They build.
Speaker 3: Another writer comes up with another angle. The executive producer
Speaker 3: then corrals the best ideas. I'm typing them as fast
Speaker 3: as possible, or back in the day, writing them on
Speaker 3: it right, and then they we go and type the script.
Speaker 3: These days, it's all you know, monitors and digital lighting.
Speaker 3: I'm on an iPad. I went from writing typing things
Speaker 3: on selectric typewriters now I'm iPad you know, of course, yes, yeah,
Speaker 3: So that our industry evolved as well, especially when Kobe
Speaker 3: came along the multiicam. I was working on series with
Speaker 3: Jimmie Foxx for Netflix and we were one of, if
Speaker 3: not the first show coming back during COVID. So we
Speaker 3: went down on March thirteenth and they said, leave your stuff,
Speaker 3: we'll be back in a couple of weeks.
Speaker 1: Right, cut too, smash cut, smash cut to the end of.
Speaker 3: June, and so I get that call. It's like, okay,
Speaker 3: we're going to start, but I'm thinking, okay, I bet
Speaker 3: you anything, Netflix is going to want to be green,
Speaker 3: meaning a green set will be without scripts. So that's
Speaker 3: you know, that was the idea because we didn't know
Speaker 3: if Remember that was a thing where during COVID people
Speaker 3: didn't want to touch things and they didn't want to
Speaker 3: like share surfaces and whatever, and of course the networks
Speaker 3: and the studios just wanted to keep everybody safe and
Speaker 3: keep their cast safe and keep in business and keeping
Speaker 3: and all that. So let's all try to do what
Speaker 3: we can to make that happen and to keep all
Speaker 3: of us employed. So that's what we did. So I learned.
Speaker 3: I went from pen and paper script supervisor to learning
Speaker 3: iPad and you know, there's a couple other in my
Speaker 3: genre that do it, but that was more of a
Speaker 3: thing for the episodic and the feature script supervisors. They
Speaker 3: are really good at it, but they also do a
Speaker 3: different format. Our notes look different from their notes. So
Speaker 3: I've done I've done features in between when things got slow,
Speaker 3: but my bread and butter has been the multi camera sitcoms,
Speaker 3: so that's what I know best. It was easier for
Speaker 3: me to adopt. Netflix was very happy that I did
Speaker 3: so proactively, and then we started the end of June,
Speaker 3: and it was like, okay, tracker watches Ppe testing at home,
Speaker 3: filling out all this stuff, you know, everything on the internet.
Speaker 3: We need to do health checks and take your temperature
Speaker 3: and all that. And as that evolved as well. So
Speaker 3: I had done. I had done three years back to
Speaker 3: back on those shows wearing Ppe frantic. It was a
Speaker 3: lot wearing six layers and lexiglass on my podium.
Speaker 1: Right, wow, fun kids. Yeah, I can only imagine trying
Speaker 1: to hear alone. You're like, what what was the joke?
Speaker 1: What did you say?
Speaker 3: Yeah? So you know, And I felt bad for the
Speaker 3: actors because all they know is that now they've got
Speaker 3: like iPads in their hands. Now some actors they want
Speaker 3: scripts in their hands.
Speaker 1: Yeah, I need paper. I have to touch it.
Speaker 4: I am tactileed if it's I don't use a script
Speaker 4: iPad because if I do, it does not soak into
Speaker 4: my brain.
Speaker 1: Something about the touching of the paper. Same.
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Speaker 3: So I went I had a full house script. I don't,
Speaker 3: but I did keep a friend's script.
Speaker 1: Awesome, Oh cool? Which one? Which? Which episode?
Speaker 3: It's well? I was I did season seven. It's called
Speaker 3: the one with Ross's Library book and it oh okay,
Speaker 3: episode ten of season seven.
Speaker 1: And I think I was in it.
Speaker 4: Oh what?
Speaker 1: I have to go back and watch this.
Speaker 3: I think I'm in the cutting I'm on the cutting
Speaker 3: room floor. But okay' back because that's what happens.
Speaker 1: Right.
Speaker 3: We were shooting a scene where Joey is doing I
Speaker 3: don't know, he's blowing it. He's doing commercial or something.
Speaker 3: He doesn't use it either, exaggerating. I don't recall. I
Speaker 3: I don't watch TV because it's like going to work.
Speaker 3: I mean, I watch just maybe some features, and I
Speaker 3: go to a movie and I want to see like
Speaker 3: on the big screen and stuff like that. But for
Speaker 3: the most part, I don't watch a lot of sitcoms.
Speaker 3: But I yeah, I think I noticed that. I don't
Speaker 3: think I'm in this. But they needed a script supervisor.
Speaker 3: They were doing shooting a film crew and it was
Speaker 3: the director of the script supervisor, and I can't remember something.
Speaker 3: He goes, Patty, get in there, it'll be great again.
Speaker 3: Get on camera, You'll be great. I'm like, I don't.
Speaker 3: So I'm on this side for a reason. I could
Speaker 3: just like this girl, I'm not.
Speaker 8: What you guys do.
Speaker 3: So anyway, it went really quickly. But so here's an example.
Speaker 3: Because this is aired, it doesn't matter. I'm very protective
Speaker 3: about you know there's copyrights. I'll notice on every script
Speaker 3: there's a copy, right, yeah, okay, that's supposed to be honored,
Speaker 3: and that has not.
Speaker 1: Wait are we?
Speaker 3: So are we?
Speaker 1: We're all we're going to jail out. We're going to
Speaker 1: jail let's already aired. I know it was twenties today.
Speaker 3: Yeah, I know people like on eBay like might sell
Speaker 3: their scripts and stuff. I'm just too old school. I
Speaker 3: wouldn't do it because I honored like the actors. I
Speaker 3: honored the director and the producers and this is their property.
Speaker 3: It's Noline. So anyway, but this say, this is c
Speaker 3: K five camera master. There was a second past coverage
Speaker 3: and these are some things.
Speaker 1: So that's this is so cool right here? I remember
Speaker 1: the lines, yeah, I remember your penmanship, right, yes, the
Speaker 1: lines always fascinated to me. I'm like, what are all
Speaker 1: these what are these lines mean? So that's each pass? Okay,
Speaker 1: that's so cool.
Speaker 3: So I think this is the episode I was in
Speaker 3: that ended up the floor, which is fine with me, Okay,
Speaker 3: it's all good. But this one says like this would
Speaker 3: be Now this is pen and paper before COVID and
Speaker 3: know right, IP had but five camera pickup masters so
Speaker 3: now we did a pick up halfway through the scene,
Speaker 3: and this would have said why we did it best
Speaker 3: cross for head librarians? So why I try to indicate
Speaker 3: for the editor what was good, bad, better, different about
Speaker 3: the previous take, so that he knows, Okay, I'm looking
Speaker 3: for a better cross for the librarian or whatever, or
Speaker 3: don't use the second half of this take because our
Speaker 3: executive producer Jeff Franklin doesn't like the camera work, or
Speaker 3: it was better in the take before, or use the
Speaker 3: alt whatever. So I'm supplying the editor with that information.
Speaker 3: Every time we change a line, I'm notating that as
Speaker 3: well as fast as possibble. That's the right and if
Speaker 3: an actor comes up to me, that's my priority. So
Speaker 3: if Sam Elliott comes up to me and says, hey, Patty,
Speaker 3: I want to like the lines, which he rarely did
Speaker 3: gives he's a genius, I'm like, yeah, that's what I'm doing.
Speaker 3: I'm stopping everything i'm doing and I'm going to go
Speaker 3: into the set and run lines. Or he might have
Speaker 3: a question for me that's private, you know, continuity or
Speaker 3: whatever it is. It doesn't matter. I'm just using him
Speaker 3: as an example. But yeah, every actor needs something different.
Speaker 3: We have a different relationship. Some actors don't need to
Speaker 3: talk to their script supervisors and prefer not to, and
Speaker 3: that's fine. Some executive producers we have, we have very
Speaker 3: close relationships and they with Miller Boy at shows. They
Speaker 3: learn to trust me. And we would sometimes do an
Speaker 3: extra take because I said, we don't have this line,
Speaker 3: and I know you're going to care when we go
Speaker 3: into editing, and thank god it was right because we're
Speaker 3: in gold time and you know, everybody's making big money
Speaker 3: and there better be a reason. It's like, sometimes the
Speaker 3: discussion about whether we do another take or not takes
Speaker 3: longer than actually shooting it really quickly to take some.
Speaker 4: Thing they're arguing always takes longer than the actual doing.
Speaker 4: I tell my kids that all the time.
Speaker 3: So, yeah, it just my my job, fluctuoice because it
Speaker 3: depends on my relationship, my working relationship with the cast,
Speaker 3: the actors, I'm sorry, the cast, the writers, the crew
Speaker 3: and so forth, and the necessities of that particular episode,
Speaker 3: and that's it. So I function in that world. That's
Speaker 3: that's my skill set. That's why I chose it.
Speaker 2: So you leaved with Jimmy Burrows, Chuck Laurie Jeff Franklin,
Speaker 2: Who's the easiest to work with, who's the hardest to
Speaker 2: work with?
Speaker 1: Do they have like quirks?
Speaker 2: I feel like Jimmy Burrows is like super easygoing and
Speaker 2: Chuck Laurie is just out there.
Speaker 1: But that's having never met them or worked with them.
Speaker 1: That's just my random opinions.
Speaker 3: So well, so I when I was learning the multicam format,
Speaker 3: going from you know, training on Love Boat to being
Speaker 3: a writer's assistant and now wanting to learn that that genre,
Speaker 3: I trained with Gabrielle James who did Tears, and that
Speaker 3: was Jimmy's show. So I can't say like I worked
Speaker 3: with him because Gabby that was Gabby's She was Jimmy's
Speaker 3: script supervisor. As I am for many directors. They I'm
Speaker 3: their first call, you know, it's all.
Speaker 4: That, and that's yeah, you get you get a very
Speaker 4: good sort of relationship. My friend Emma works all the
Speaker 4: time with certain directors because it's just you know, they
Speaker 4: just they work well together.
Speaker 3: Exactly, and we make their lives easier and they can
Speaker 3: count on us. We have an understanding. They know to
Speaker 3: trust when I say things, when I when I don't
Speaker 3: say things, everything's fine and when I say things, I
Speaker 3: only say I'm respectfully in the most diplomatic way, understand
Speaker 3: the relationship between the director, the actors, the the creator,
Speaker 3: and then there's a script supervisor. I'm just delivering information.
Speaker 3: That's it. I don't have an opinion. I don't overstep
Speaker 3: my bounds. I stay in my lane and that's really important.
Speaker 3: So but anyway, I love it. It's the way my
Speaker 3: brain works. So I want to I don't want to
Speaker 3: like say ones more difficult. Each one is in their
Speaker 3: position because they should be. They earned it. There are
Speaker 3: no showrunners that I know of, or any executive producers,
Speaker 3: anybody that wrote a script and was able to sell
Speaker 3: it and get a cast and get it on the air,
Speaker 3: and here we are on stage twenty four. Well they
Speaker 3: earned it.
Speaker 1: Yeah.
Speaker 3: Yeah, So I can't say I enjoy every different kind
Speaker 3: of show that I do and every kind of cast
Speaker 3: I work with, whether they be a listers or brand
Speaker 3: new kids that just step by step brand new, because
Speaker 3: I've never done anything.
Speaker 1: Oh yeah, step By you did a lot of you
Speaker 1: did many seasons.
Speaker 3: Did all of them?
Speaker 1: Step By you did all of the season. Oh wow,
Speaker 1: that's amazing.
Speaker 3: The reason I left Full House, I did that's right here,
Speaker 3: you went to Full House and then I'm and Bob
Speaker 3: created Step by Step and they said, we want to
Speaker 3: take you off of Full House and I went.
Speaker 1: And that heartbreak.
Speaker 3: I owe you everything. So, yeah, my whole career is
Speaker 3: in your lap. Where do you want me to go?
Speaker 3: And they're like, we'd like you to take your skill
Speaker 3: set bring it to step by Step and we love
Speaker 3: the way you work with kids, and you know the
Speaker 3: dynamic is great and please, So I did. Of course,
Speaker 3: you know you jump off a pier, sure which one
Speaker 3: the steward right?
Speaker 1: And yeah?
Speaker 3: So I did seven seasons of that. Then I did
Speaker 3: To a Kind and I just don't remember.
Speaker 2: Uh.
Speaker 3: I did a bunch of stuff, and then I did Friends,
Speaker 3: and then I quit the business. Right to Colorado. I said,
Speaker 3: I'm never coming back, and then cut to I'm back.
Speaker 1: You're back.
Speaker 3: Well, eleven years.
Speaker 1: You're back, and forth, you're back, You're fourth.
Speaker 3: You know it did happen. So eleven years later, I'm
Speaker 3: divorced and I'm producing a show for the NBC affiliate
Speaker 3: called Coleram Company in Denver. And I did that for
Speaker 3: five years, and again a new skill set, but you know,
Speaker 3: script supervisors can do a lot of stuff because we
Speaker 3: happen to be in the action. We see how it works,
Speaker 3: and we you know, by the time you're forty something
Speaker 3: or whatever, you know, been on the set for twenty years.
Speaker 3: So yeah, So anyway, Yeah, so I got a call
Speaker 3: to come back on a CBS show and can you
Speaker 3: fly out tonight. I'm like, yeah, I want to hook
Speaker 3: you up with the supervising producer and if everything goes great,
Speaker 3: the executives want to meet you. It's a CBS show.
Speaker 3: You'll be working in Studio City, and I went, oh, great,
Speaker 3: because that's where I was raised and I'd done shows there.
Speaker 3: So then on a Sunday I interviewed and I got
Speaker 3: the child so acting and on Monday I'm their script supervisor.
Speaker 3: And that's how fast it goes.
Speaker 1: Yeah, it's basic.
Speaker 4: I mean, that is definitely the thing about this business
Speaker 4: is that you realize you're like, oh, nothing, nothing, nothing, nothing,
Speaker 4: and now you're working tomorrow and by the way, it's
Speaker 4: in another country or something, you know what I mean, like,
Speaker 4: and that the nature of this business is just crazy
Speaker 4: like that. So the fact that you were with us
Speaker 4: as family on Full House, especially those first three years,
Speaker 4: was just so important and we've we have mentioned you
Speaker 4: so much to our audience.
Speaker 1: They all know the legendary Patty Passarelli.
Speaker 4: Patty Nay Passarelli a astory, but yeah, you are definitely
Speaker 4: someone that has come up in the original lore of
Speaker 4: the show for.
Speaker 1: A very long time.
Speaker 4: Again, it was so wonderful to like have all of
Speaker 4: you guys back with us on Fuller House and full House.
Speaker 4: And I know our audience has loved hearing all of
Speaker 4: your amazing stories about your incredible adventures in this business
Speaker 4: and your time with us on full and Fuller House,
Speaker 4: and we just were so glad that you were so
Speaker 4: glad you were able to make time for.
Speaker 1: Us, and I appreciate you moving it to this week.
Speaker 4: Poor Patty so she she was originally scheduled for last
Speaker 4: week to podcast, then we had to ratch that because
Speaker 4: I was supposed to be working. Then I got so
Speaker 4: sick I couldn't work. But she came to visit me
Speaker 4: on set and didn't know I was sick, and so
Speaker 4: she texted me and was like, where are you anyway,
Speaker 4: I'm glad I finally got to see you.
Speaker 1: Patty. Thank you so so much for joining us, and
Speaker 1: we just it was so good to see your face.
Speaker 3: It's great to see you too, and I'm so proud
Speaker 3: of who you've become, all of the things you've done,
Speaker 3: all of the gosh you have like a whole family now.
Speaker 3: You went from being five to like, oh my gosh,
Speaker 3: how is this possible? How is it possible? I'm as
Speaker 3: old as I am like it goes fast, and it's
Speaker 3: been a complete honor. It's been a pleasure.
Speaker 4: And I missed both, missing the big, big giant hugs Patty.
Speaker 2: And I'm going to try to get out to see
Speaker 2: your your exhibition at the Huntington Beach Art Center.
Speaker 1: Oh yeah, where you have your paintings and your your photography.
Speaker 1: So that's running through the end of the month. I'm
Speaker 1: going to try to get out there and see it. Cool.
Speaker 1: Thank you so much, Patty. We love you, We love you.
Speaker 3: Bye.
Speaker 2: She is a joy.
Speaker 1: All right.
Speaker 4: This wraps up our interview with Patty Mustari Uh, Patti Pasarelli.
Speaker 1: I just I have to say that because that was
Speaker 1: the guys just to.
Speaker 4: Say it all the time, that was it was her
Speaker 4: little It was like how you say someone's full name
Speaker 4: as their name.
Speaker 1: Like it just was. She will forever be Patti PASSERELLI.
Speaker 4: Indeed, but learning about her jobs in this industry and
Speaker 4: how she got into it is just so cool. And
Speaker 4: she's been such a part of the the full House
Speaker 4: fuller House family lore tradition. I was so excited that
Speaker 4: we got to have her on.
Speaker 1: So thank you guys so much for joining us.
Speaker 4: Remember, if you are liking the podcast, make sure you're
Speaker 4: rating it subscribing to it so you get all the
Speaker 4: newest ones first.
Speaker 1: If you're looking for merch, go to how Rude Merch
Speaker 1: dot com. We've got t shirts. We've got turtles and bags,
Speaker 1: not actual turtles and bags, guys, I'm kidding. I'm kidding.
Speaker 4: We don't record us to Pita and it's just just
Speaker 4: a picture on a T shirt. Turtles on shirts, yep,
Speaker 4: turtles and bags on shirts. Actually it's turtles on skateboards
Speaker 4: on shirts.
Speaker 1: But whatever. But yeah, thank you guys so much.
Speaker 4: If you want to follow us on Instagram, it's how
Speaker 4: at how Rude podcast, or you can send us an
Speaker 4: email at how Rude Tannerrito's at gmail dot calm. We
Speaker 4: will see you next time on the Fabulous However, Tandritos
Speaker 4: can I I can call it fabulous even if I
Speaker 4: host it.
Speaker 1: Of course, please do own it, girl. We are fabulous
Speaker 1: Alibaba Hotel, casino. See if he can do it, you
Speaker 1: can do it. It's true.
Speaker 4: Well, thank you guys for joining us. And remember the
Speaker 4: world is small, but the house is full of fuller
Speaker 4: house memorabilia, just full, stuffed, full, so met there's beach towels,
Speaker 4: there's cups, so much pictures, there's there's there's folders.
Speaker 1: Yeah, there's a lot. And and Patty's notes notes are everywhere.
Speaker 4: Yeah yeah, just there's continuity notes all over the place,
Speaker 4: just rimming them.
Speaker 1: Okay, guys, Bye,