WEBVTT - Some Time With... Patti Mustari! 0:00:19.120 --> 0:00:20.240 Hey, they're Fana Ritos. 0:00:20.400 --> 0:00:22.800 Welcome back to an all new episode of How Rude 0:00:22.960 --> 0:00:26.600 Tanner Ritos. Today, we're interviewing a crew member who worked 0:00:26.640 --> 0:00:30.320 with us through Full House and Fuller House. It's Patty 0:00:30.400 --> 0:00:33.639 Mustari or Patti Pasarelli as Jodi and I know her. 0:00:34.320 --> 0:00:36.800 Patti is a script supervisor. And for those of you 0:00:36.840 --> 0:00:39.519 who don't know what this job entails, boy are you 0:00:39.600 --> 0:00:43.040 in for a treat. Script supervisors are an essential part 0:00:43.120 --> 0:00:45.839 of any film or TV crew. They have one of 0:00:45.880 --> 0:00:48.760 the hardest jobs on the set because it involves continuity. 0:00:49.360 --> 0:00:51.760 So we're very excited to talk to Patty, who can 0:00:51.760 --> 0:00:53.800 give us an in depth look at her job and 0:00:53.880 --> 0:00:57.320 her time on full and Fuller House. Let's welcome Patty. 0:00:57.400 --> 0:00:57.880 Here we go. 0:00:58.200 --> 0:01:06.119 Ah, Oh my gosh, that's so cute and. 0:01:05.319 --> 0:01:10.000 And oh yes, she's got the people cover, she's got 0:01:10.040 --> 0:01:13.679 the joke. Oh my gosh, yes, you guys know you 0:01:14.560 --> 0:01:19.760 that's so funny. Oh yay, you came prepared. I appreciate that. 0:01:20.120 --> 0:01:22.199 I have pictures all of it. 0:01:22.360 --> 0:01:25.520 Oh my gosh, amazing, this is gonna be fantastic. 0:01:25.760 --> 0:01:26.640 So I'm gonna start like. 0:01:26.600 --> 0:01:32.240 This right, that's so awesome and what a cool background. 0:01:32.280 --> 0:01:34.320 Where are you? Are you on set right now? 0:01:35.200 --> 0:01:36.600 No? But hold not a set? 0:01:36.720 --> 0:01:39.840 Oh, there we go? Oh, yay, there we go. Can't 0:01:39.880 --> 0:01:44.120 you got the Fuller House beach towel. That's amazing. Love 0:01:44.360 --> 0:01:46.759 of your merch, all of the wrap gifts. 0:01:47.000 --> 0:01:47.319 Yay. 0:01:47.600 --> 0:01:50.760 Well, welcome Patty to the show. We're so glad to 0:01:50.800 --> 0:01:51.720 have you. 0:01:51.440 --> 0:01:52.800 Thank you. I'm happy to be here. 0:01:53.160 --> 0:01:53.440 Yay. 0:01:53.640 --> 0:01:55.440 I know, I'm I was trying to figure out the 0:01:55.480 --> 0:01:58.880 last time we saw each other. I know you and 0:01:58.920 --> 0:02:01.200 I fun fat. I don't know if Jody knows this. 0:02:01.240 --> 0:02:03.120 Oh yeah, Jody knows this. Patty and I have the 0:02:03.120 --> 0:02:07.240 same birthday. Yes, yes, so I saw you. It was 0:02:07.280 --> 0:02:09.400 like kind of during the COVID times and you were 0:02:09.480 --> 0:02:11.440 driving out in my area and so you came by 0:02:11.480 --> 0:02:11.840 my house. 0:02:12.000 --> 0:02:13.680 Third, right, yeah, July third. 0:02:14.080 --> 0:02:16.880 Very good, Jody, Yes, she's very good. 0:02:17.000 --> 0:02:19.680 She's Oh no, I'm I was. 0:02:20.200 --> 0:02:22.680 I said that, and I was like, God, if I'm wrong, 0:02:22.800 --> 0:02:25.799 I this is going to be bad. But I think 0:02:25.840 --> 0:02:29.120 I was mostly so, yeah. 0:02:28.720 --> 0:02:30.840 I'm not even sure about my birthday. You know, it's 0:02:30.840 --> 0:02:33.720 been a long time, but. 0:02:33.639 --> 0:02:36.919 I would always love on the Fuller set, they would 0:02:37.000 --> 0:02:39.079 roll out a cake for my birthday and I'm like, no, 0:02:39.240 --> 0:02:41.760 this is it's me and Patty. Come on, let's let's 0:02:41.760 --> 0:02:44.520 cut this cake together. Because it was just fun, fun 0:02:44.600 --> 0:02:47.359 sharing a birthday with you for all of those years. 0:02:47.400 --> 0:02:51.040 Okay, so let's talk about how I met you too, Jody. 0:02:51.120 --> 0:02:53.680 I did how to google this stuff because I had 0:02:54.200 --> 0:02:55.160 I'm like, I don't know. 0:02:55.280 --> 0:02:58.919 I'm like, I know, right, yeah, if I'm not reminded 0:02:58.960 --> 0:03:01.080 of it, it's uh, it's like it ned to happen. 0:03:01.680 --> 0:03:07.760 Yeah. So Jodie was five, Andrea was eleven. Okay, and 0:03:08.240 --> 0:03:12.280 Dave Coolier and I were the same age, right, Bob 0:03:12.480 --> 0:03:16.120 was a little older and John was younger. So a 0:03:16.160 --> 0:03:19.680 bunch of twenty year olds making a TV show will 0:03:19.880 --> 0:03:20.400 go wrong. 0:03:20.960 --> 0:03:25.320 Oh yeah, right, yes, in the eighties when you put 0:03:25.360 --> 0:03:28.000 it that way, yeah, they puts it into perspective. 0:03:28.320 --> 0:03:31.600 Oh yeah, no, yeah, I mean I like Patty was 0:03:31.760 --> 0:03:33.360 one of the crew, you know what I mean? I 0:03:33.440 --> 0:03:37.680 just I always Patty, Patty Passarelli, Chatty. 0:03:37.760 --> 0:03:39.480 That's how I always know you, Patty. 0:03:40.440 --> 0:03:42.920 So, just as a quick background, Patty was the script 0:03:42.920 --> 0:03:48.000 supervisor on Full House the original the pilots one through three, 0:03:48.200 --> 0:03:52.160 including the pilot, and then she was the script supervisor 0:03:52.200 --> 0:03:54.880 through the entirety of Fuller House. 0:03:55.480 --> 0:03:56.560 You have your you have. 0:03:58.480 --> 0:04:03.320 She got a So they used to give us binders, 0:04:03.400 --> 0:04:08.360 like actual, like nice hardcover ones that had like, you know, 0:04:08.400 --> 0:04:11.400 sort of material on it or whatever, three ring binders 0:04:11.400 --> 0:04:13.840 that said full House on them, and it had your name, 0:04:13.920 --> 0:04:16.080 and that was where you kept all. 0:04:16.000 --> 0:04:17.600 Of your scripts I made. 0:04:17.600 --> 0:04:19.480 I mean, we didn't get him as kids, but like 0:04:19.560 --> 0:04:21.800 all of the crew and stuff. I believe you guys 0:04:21.800 --> 0:04:23.000 on set got that. 0:04:23.080 --> 0:04:26.800 Yeah, well, so that that's how ancient this is nineteen 0:04:26.839 --> 0:04:30.320 eighty seven. I'm writing down things about like remember this, 0:04:30.480 --> 0:04:33.839 remember that. Try to just look the part, pretend you 0:04:33.880 --> 0:04:35.680 know what you're doing, Patty, because it's like. 0:04:36.360 --> 0:04:37.960 Is that, wait, that's what you wrote in that? 0:04:38.600 --> 0:04:43.200 Oh no. But basically this is stuff like because I 0:04:43.240 --> 0:04:47.720 when I was a film script supervisor, then Tom Miller 0:04:47.720 --> 0:04:52.680 and Bobboyett approached me and said, hey, there's a show 0:04:52.720 --> 0:04:56.159 called full House. Marilyn Bagley was going back to doing 0:04:56.279 --> 0:05:01.120 Perfect Strangers, and I was training to be a script supervisor. 0:05:01.240 --> 0:05:04.960 I was working on film shows non you know, non 0:05:05.040 --> 0:05:08.800 union whatever, plus being in the office as a writer's assistant. 0:05:09.240 --> 0:05:12.560 So I was so primed ready for my moment. And 0:05:12.600 --> 0:05:15.520 they go, okay, So here's the thing. Can you be 0:05:15.600 --> 0:05:19.000 on set on Friday? Sure? And it's a tape show 0:05:19.000 --> 0:05:19.640 and I went. 0:05:21.160 --> 0:05:26.040 Yeah, oh absolutely, I know tape tape right, like four 0:05:26.080 --> 0:05:29.840 cameras and there's tape instead of film, and which is 0:05:29.920 --> 0:05:31.599 a whole different genre, by the way. 0:05:31.640 --> 0:05:34.520 But you're going to be in the union, be there 0:05:34.720 --> 0:05:37.919 in your show. You know. You start training with Marilyn Bagley, 0:05:38.000 --> 0:05:41.920 which I need and look the part don't let them 0:05:41.920 --> 0:05:44.200 see you sweat, and by Monday it was my show. 0:05:44.400 --> 0:05:49.800 So that's episode two of Full House September I think 0:05:50.040 --> 0:05:53.240 ish nineteen eighty seven, and that's when I meet you 0:05:53.400 --> 0:05:56.960 lovely ladies and later but you know, so Jodie's five, 0:05:57.240 --> 0:06:02.800 I'm not five. I'm twenty eight or I don't even know. Asked, well, if. 0:06:02.680 --> 0:06:04.520 You if you and Dave were the same age. Dave 0:06:04.640 --> 0:06:05.880 was what twenty four? 0:06:06.800 --> 0:06:09.599 Well was John? John was? John was twenty four. Dave 0:06:09.720 --> 0:06:14.080 was baby twenty probably twenty eight, twenty nine. No, they 0:06:14.120 --> 0:06:16.800 weren't close to thirty. It took them a couple years 0:06:16.800 --> 0:06:18.080 to get to the third They were babies. 0:06:18.320 --> 0:06:21.560 When did Danny have his thirtieth birthday? Wasn't that season 0:06:21.680 --> 0:06:22.880 one that he or maybe not. 0:06:23.040 --> 0:06:26.680 No, that he had his thirtieth birthday party. No that 0:06:26.880 --> 0:06:27.680 was was it? 0:06:27.880 --> 0:06:28.040 No? 0:06:28.040 --> 0:06:31.200 Maybe not? I don't know, let's ask me. I'm totally 0:06:31.240 --> 0:06:32.799 imagining things, but I'm. 0:06:32.640 --> 0:06:35.280 Pretty sure it's that late twenties, late in the twenties, 0:06:35.320 --> 0:06:36.120 mid late twenties. 0:06:36.200 --> 0:06:37.520 Okay, yeah, it's. 0:06:37.400 --> 0:06:39.720 I think we're like either twenty seven twenty something like that, 0:06:39.839 --> 0:06:42.240 and Dave will know. But anyway, yeah, so when I 0:06:42.240 --> 0:06:45.120 have a birthday, then Dave has a birthday. I did 0:06:45.160 --> 0:06:49.279 his podcast, right, yeah, an he goes, Okay, so, Patty, 0:06:49.680 --> 0:06:51.880 there's this thing I'm doing and would you be on 0:06:51.960 --> 0:06:55.000 And I go, Dave, I hate being on camera? Like, 0:06:55.120 --> 0:06:57.440 is this a camera thing? Can I just be like, 0:06:58.120 --> 0:07:01.200 I don't know behind this this is where I live 0:07:01.440 --> 0:07:04.200 or behind a script or something. No, no, no, you have 0:07:04.240 --> 0:07:05.920 to be on camera. Will be gray, You'll be great. 0:07:05.960 --> 0:07:08.880 You'll be great. You'll be great, And I'm like, I'm 0:07:08.880 --> 0:07:10.360 not great, but I'll do it. 0:07:10.600 --> 0:07:11.480 Okay. I love you. 0:07:11.600 --> 0:07:13.760 I love you, you, you and all of them. 0:07:14.080 --> 0:07:20.120 Oh guys, you you do. You're fantastic, Like you are 0:07:20.160 --> 0:07:21.960 so good on camera. I know how much you don't 0:07:21.960 --> 0:07:24.360 want to be on camera, so I appreciate you coming 0:07:24.400 --> 0:07:27.400 out of your comfort zone today. 0:07:26.760 --> 0:07:27.640 And being patty. 0:07:27.840 --> 0:07:29.320 Let me tell you you have the hair to be 0:07:29.360 --> 0:07:31.480 on camera. Okay, you have the amazing hair. 0:07:31.840 --> 0:07:35.000 Your hair is killer. You've always had great hair. Throw 0:07:35.160 --> 0:07:36.800 that hair off, my friend. 0:07:36.920 --> 0:07:39.080 Okay, I've got my three strands wrapped up in a 0:07:39.080 --> 0:07:39.880 little bun right here. 0:07:40.000 --> 0:07:42.920 Yours looks gorgeous, So more of the hair off. 0:07:43.320 --> 0:07:44.720 Do you remember signing this? Yes? 0:07:44.880 --> 0:07:46.560 Yes, the signed signed shirt? 0:07:46.720 --> 0:07:46.960 Yes? 0:07:47.680 --> 0:07:48.080 How right? 0:07:48.120 --> 0:07:48.480 I love it? 0:07:48.560 --> 0:07:51.000 I said, the how rude shirt? Oh my gosh, yes, 0:07:51.440 --> 0:07:53.080 So go down memory lane? 0:07:53.120 --> 0:07:53.680 Is that okay? 0:07:53.920 --> 0:07:55.000 Yeah, let's go for it. 0:07:57.000 --> 0:07:58.520 I have props. 0:07:58.720 --> 0:07:59.320 Bring your props. 0:08:00.720 --> 0:08:03.480 May not be the most fun because we have to 0:08:03.480 --> 0:08:06.240 be robots and we have to just deliver the information. 0:08:06.760 --> 0:08:08.840 You can you tell our audience a little bit about 0:08:08.840 --> 0:08:10.960 what a script supervisor does, because I have a feeling 0:08:11.000 --> 0:08:13.000 a lot of people don't know. My best friend, Emma 0:08:13.120 --> 0:08:16.280 is also a script supervisor, and I have so much 0:08:16.320 --> 0:08:19.480 respect for them because they literally keep an eye on every. 0:08:19.240 --> 0:08:20.440 Single thing that's happening. 0:08:21.120 --> 0:08:23.440 So, yeah, can you just give us a quick synopsis 0:08:23.440 --> 0:08:25.520 of what a script supervisor does? Yeah? 0:08:25.720 --> 0:08:30.640 So, say, we have props in people's hands, so I 0:08:30.720 --> 0:08:35.239 will I keep the master script. I'm working with the producer, 0:08:35.320 --> 0:08:40.760 the writers, the cast, the director, the creative team on set, 0:08:41.320 --> 0:08:44.480 both you know a ways. So I'm doing editors notes, 0:08:44.800 --> 0:08:48.040 I'm doing props, what hand, what to which one? Whatever 0:08:48.360 --> 0:08:51.040 just so happens to be. Yeah, pull our. 0:08:51.000 --> 0:08:52.880 House cups love it. 0:08:54.400 --> 0:08:57.240 So I pulled those because of course less of me 0:08:57.480 --> 0:08:58.319 more props. 0:08:58.400 --> 0:09:00.240 So but yeah, yeah, like if some but I have 0:09:00.360 --> 0:09:03.080 something in the right hand, you know, and again you'd 0:09:03.080 --> 0:09:04.800 do a second take and sometimes you'd go to pick 0:09:04.840 --> 0:09:06.360 it up with your left and you'd hear Patty go 0:09:06.600 --> 0:09:11.719 right hand, right hand, Ody, Tony right now. 0:09:11.800 --> 0:09:14.400 But that here's the thing. I wasn't saying it to 0:09:14.440 --> 0:09:20.200 the kids. Guess who I was saying it to Kilts, Bob, 0:09:20.640 --> 0:09:22.720 Dave John, the Bad Boys. 0:09:23.040 --> 0:09:24.920 Yeah, yes, yeah, I believe it. 0:09:25.320 --> 0:09:28.480 So I believe offscript? Can we I think we know 0:09:28.520 --> 0:09:31.040 who is off script? The five year old, the eleven 0:09:31.080 --> 0:09:33.800 year old, the ten year old, and then who wasn't 0:09:34.800 --> 0:09:38.040 the twenty eight year old, twenty four year old than 0:09:38.080 --> 0:09:39.280 the thirty year old. 0:09:39.320 --> 0:09:42.880 I mean, to be fair on fuller, the thirty something 0:09:42.960 --> 0:09:44.720 year old was definitely not off. 0:09:44.520 --> 0:09:48.200 Script by you know, some of the time. Either, that's true, Okay, here. 0:09:48.640 --> 0:09:52.480 Here's I have that picture hanging in my room. 0:09:52.640 --> 0:09:55.040 I love that picture. It's a picture of us picture, 0:09:55.440 --> 0:09:57.320 one of the cast photos that was done. It's just 0:09:57.360 --> 0:10:00.959 such a great, warm, true family photo. And what it's 0:10:00.960 --> 0:10:03.840 an early uh picture? I want to say probably beginning 0:10:03.840 --> 0:10:04.520 of season two. 0:10:04.960 --> 0:10:10.360 That looks like early season two. Yeah, Michelle, aren't baby baby? 0:10:10.559 --> 0:10:15.200 Yeah, that's like season two, I think. And I think 0:10:15.200 --> 0:10:16.760 that's the outfit I wore for like first day of 0:10:16.840 --> 0:10:17.800 kindergarten or something. 0:10:19.000 --> 0:10:22.199 But anyway, yeah, that it was an early thing. 0:10:23.320 --> 0:10:25.600 You said, I love you Joy. 0:10:26.000 --> 0:10:27.880 Oh that's so sweet. 0:10:28.520 --> 0:10:29.160 There's proof. 0:10:29.679 --> 0:10:32.800 Yep, you to love me again. We still do. 0:10:33.240 --> 0:10:38.360 But so you as a script supervisor keep an eye 0:10:38.440 --> 0:10:41.800 on everything and the editor's notes and just all manner 0:10:41.800 --> 0:10:46.040 of things. But you were also you did that for 0:10:46.120 --> 0:10:49.200 Fuller the original or for full House the original show, 0:10:49.280 --> 0:10:53.320 and then you also came back for Fuller House, which 0:10:54.440 --> 0:10:59.079 to have you there as script supervisor again and like 0:10:59.400 --> 0:11:02.720 and also to have Joel be directing or you know, 0:11:03.360 --> 0:11:08.040 it was there were moments where it was like, did 0:11:08.080 --> 0:11:09.240 we go back in time? 0:11:10.880 --> 0:11:16.520 It felt like like left. It felt like I've been 0:11:16.559 --> 0:11:17.240 watching Severance. 0:11:17.360 --> 0:11:20.560 It felt like Severns where like the elevator closes and 0:11:20.600 --> 0:11:22.600 then it opens back up and you have no record, 0:11:22.679 --> 0:11:25.200 like and nothing happened in between, and you're just there 0:11:25.200 --> 0:11:29.480 again and you're like, oh yeah, we're just here together 0:11:29.559 --> 0:11:30.480 again like it was. 0:11:30.600 --> 0:11:33.600 It was crazy, I know, yeah, this is a true story. 0:11:33.640 --> 0:11:36.600 You may not know this, but I'm I'm living in 0:11:36.640 --> 0:11:40.680 Colorado because I had I worked a bunch of shows, 0:11:40.679 --> 0:11:45.319 including friends, including like you know, all the big shows get. 0:11:45.120 --> 0:11:49.439 Step by step, but uh, I did Mary Kay Nashley's 0:11:49.440 --> 0:11:50.760 show to a Kind. 0:11:50.960 --> 0:11:53.840 To a Kind here boo more crops. 0:11:54.320 --> 0:11:59.200 Oh yeah, yeah, right, very it's a cute, very cute 0:11:59.200 --> 0:12:03.120 picture of Ashley and Mary Kate so at level. 0:12:03.559 --> 0:12:08.400 Yeah, but yeah, so I got to do the wonderful 0:12:08.440 --> 0:12:13.120 thing is that getting that first break to become a 0:12:13.160 --> 0:12:17.400 writer's assistant with you know, Bill Bickley and Michael Lauren. 0:12:17.840 --> 0:12:20.240 I had met them on the Love Boat. That was 0:12:20.800 --> 0:12:23.920 the training ground for me to learn script supervising. I'd 0:12:23.920 --> 0:12:29.240 worked with the script supervisor who was I believe in 0:12:29.280 --> 0:12:34.640 her eighties. She had done the Shirley Temple movies. So 0:12:34.679 --> 0:12:39.120 she was like the real deal. She was an amazing woman. 0:12:39.200 --> 0:12:41.800 She and I got to be very close. We would 0:12:41.840 --> 0:12:45.040 go to lunch and she would let me come practice 0:12:45.040 --> 0:12:47.559 on the set. I would bring my my you know, 0:12:47.760 --> 0:12:52.840 my script. And I remember Ted Lange saying to me, so, Patty, 0:12:52.960 --> 0:12:55.640 which hand did I have the origin? And I thought, 0:12:57.120 --> 0:12:59.400 that's a thing I have to know and I will 0:12:59.440 --> 0:13:02.040 never forget it. And we're talking about that's probably in 0:13:02.640 --> 0:13:07.080 gosh before it is probably like nineteen eighty five or 0:13:07.120 --> 0:13:10.319 something I don't recall, but anyway, those are the moments 0:13:10.320 --> 0:13:14.400 in script supervising where you're just trying to like, I know, 0:13:14.440 --> 0:13:16.040 I have to take the notes. I know I have 0:13:16.120 --> 0:13:20.640 to like watch for dialogue. And there's different shifting priorities 0:13:20.920 --> 0:13:24.839 depending on the needs of the cast, depending on the 0:13:24.880 --> 0:13:27.600 needs of that particular episode, what the scene is, with 0:13:27.679 --> 0:13:32.000 the pages, with the whatever the lines are, so you're 0:13:32.559 --> 0:13:35.000 multitasking at all levels. 0:13:35.160 --> 0:13:38.240 And yeah, and I need almost like an idetic memory, 0:13:38.880 --> 0:13:40.280 like you know what I mean to be able to 0:13:40.280 --> 0:13:41.840 be like that doesn't look. 0:13:41.760 --> 0:13:45.800 Right, that doesn't look right. And also what did he say? 0:13:45.880 --> 0:13:49.240 So if, like on Full House, if the guy started 0:13:49.280 --> 0:13:53.000 to add lib, well, that's not a bad thing. Sometimes 0:13:54.400 --> 0:13:57.920 a play on words or something that happens organically in 0:13:57.960 --> 0:14:01.520 the moment and being maybe a better line or maybe 0:14:01.600 --> 0:14:03.959 a better choice and maybe a great ault or whatever. 0:14:04.280 --> 0:14:07.040 I'm writing those things down as quickly as possible. So 0:14:07.080 --> 0:14:12.439 I work with you know, stand up comedians like Jimmy Fox, 0:14:13.240 --> 0:14:16.800 Marlon Wayans. Oh gosh, I mean, I don't know. I've 0:14:16.840 --> 0:14:19.280 been doing this since nineteen eighty one. I got in 0:14:19.320 --> 0:14:21.440 the business. I got in the Union in eighty seven, 0:14:21.720 --> 0:14:25.280 amazing and all that. So Miller Boyette for fifteen years 0:14:25.320 --> 0:14:27.080 never had to look for work. 0:14:27.280 --> 0:14:28.720 I had right the Miller. 0:14:28.920 --> 0:14:31.000 If you were in a Miller Boyett show, Bob Boyette 0:14:31.000 --> 0:14:34.040 and Tom Miller who produced so many hit TV shows 0:14:34.240 --> 0:14:37.400 and were executive producers, like if you were in that family. Again, 0:14:37.440 --> 0:14:40.920 it was the time the era of like network TV, 0:14:41.360 --> 0:14:45.440 and you know, producers that had just these in house things, 0:14:45.440 --> 0:14:47.600 and you would go from show to show and write 0:14:47.600 --> 0:14:50.120 for here and direct here, and it was kind of 0:14:50.560 --> 0:14:52.760 like little mini studio systems almost. 0:14:52.840 --> 0:14:53.040 You know. 0:14:53.400 --> 0:14:55.440 It was like everyone had kind of their people that 0:14:55.480 --> 0:14:56.520 they really like to work with. 0:14:57.200 --> 0:14:59.880 It was great, and it really did create a family. 0:15:00.240 --> 0:15:02.640 And it's not just I know that it's a phrase 0:15:02.720 --> 0:15:06.920 that a lot of shows may adopt, but I have 0:15:07.000 --> 0:15:09.040 to say it might be the sign of the times. 0:15:09.120 --> 0:15:11.840 It was the people involved, it was the cast, it 0:15:11.960 --> 0:15:16.360 was the warmth that we created, the bond that we created. 0:15:16.400 --> 0:15:19.160 And I have to say it started the day that 0:15:19.240 --> 0:15:21.400 I started on that set. It was on a Monday, 0:15:21.520 --> 0:15:24.120 and here I am. I have the big ship to steer. 0:15:24.480 --> 0:15:27.480 I have kids that don't do continuity. I barely know 0:15:27.640 --> 0:15:30.920 my job. I don't know tape. And there's Joel's wig 0:15:30.920 --> 0:15:32.960 going we have turtles and bads. 0:15:33.120 --> 0:15:36.160 Yeah, and Joel's yelling at everyone right right, And all 0:15:36.160 --> 0:15:38.080 I know is is that means I have to say 0:15:38.080 --> 0:15:39.480 something or do something or whatever. 0:15:39.520 --> 0:15:42.960 And Patty stop laughing. You're just encouraging them. And it's 0:15:43.000 --> 0:15:44.760 like we'd be in the booth and He's like, we 0:15:44.800 --> 0:15:48.680 have turtles and beds. Just tell them we have to 0:15:48.720 --> 0:15:51.440 do they have to read the script. Tell tell John, 0:15:51.960 --> 0:15:55.400 tell Bob, tell Dave. Stop messing around. We have turtles 0:15:55.440 --> 0:15:58.080 and bags, we have audience, we have people, and you're 0:15:58.120 --> 0:16:00.520 and you're setting a bag example for the the girls 0:16:00.560 --> 0:16:03.520 and the kids and all that. I'm like, yeah, you are, 0:16:03.880 --> 0:16:07.560 that's right, Joel, they are. But he goes, why are 0:16:07.560 --> 0:16:08.080 you laughing? 0:16:08.120 --> 0:16:10.680 I go because it's funny, funny. 0:16:10.840 --> 0:16:15.520 We'd turtles and bags dude, they're all listening to you. 0:16:15.880 --> 0:16:17.560 No, no, they were never listening to Bob. 0:16:17.640 --> 0:16:20.720 It was chaos, controlled chaos. And then the kids would 0:16:20.720 --> 0:16:24.320 come on and we'd go, oh, someone knows the lines, 0:16:25.560 --> 0:16:29.440 actually knows what the scenes are. We're not just like 0:16:30.040 --> 0:16:34.480 talking about their hair and girls and dates and like, 0:16:34.640 --> 0:16:37.040 oh my gosh, the girl. The boys were funny, but 0:16:37.120 --> 0:16:40.720 I have to say, the boys, okay, John, Dave and Bob, 0:16:40.800 --> 0:16:44.280 that's shot. We're all like, they're like brothers. 0:16:44.560 --> 0:16:47.120 Yeah, and you guys all kind of grew up together, 0:16:47.280 --> 0:16:50.480 you know, in varying ways we all did. 0:16:51.120 --> 0:16:55.960 Yeah, And I I wasn't a mom, but I became 0:16:56.120 --> 0:16:59.880 protective of the kids. I have on every show I've 0:17:00.720 --> 0:17:05.159 particularly on Full House because here comes Jody's she's off books, 0:17:05.160 --> 0:17:09.320 she's amazing, she's like, can have fun. She's listening to boys, 0:17:09.359 --> 0:17:15.320 and I'm like, like, guys, okay, see them. You're saying 0:17:15.359 --> 0:17:19.560 things that they shouldn't hear, so chill out. That's what 0:17:19.680 --> 0:17:22.760 I became mom. And they're like, ooh, here's a part 0:17:22.760 --> 0:17:23.320 of Patty and. 0:17:23.359 --> 0:17:26.600 We don't know you remember our moms would sit in 0:17:26.640 --> 0:17:29.320 the bleachers for run throughs and rehearsals and then they 0:17:30.280 --> 0:17:32.760 stand up and be like bomb, right, Dave. 0:17:33.240 --> 0:17:36.240 They started going off on their inappropriate tangents. 0:17:36.520 --> 0:17:41.560 Right right. So sometimes if you know, they're busy doing whatever, 0:17:41.800 --> 0:17:44.120 and I happen to be on the set and we're 0:17:44.160 --> 0:17:47.000 rehearsing just before the cameras come, and you know, I 0:17:47.000 --> 0:17:49.520 don't know how much your audience knows, but there are 0:17:49.520 --> 0:17:52.959 three days of rehearsal and we're doing run throughs, and 0:17:53.000 --> 0:17:55.520 I've got the master script and we're changing lines, and 0:17:55.560 --> 0:17:57.639 I put that into my script and it goes. My 0:17:57.680 --> 0:18:02.080 script goes to the writers of Franklin, the producers, et cetera. 0:18:02.200 --> 0:18:05.400 They talk about what they want to adopt from the 0:18:05.600 --> 0:18:09.800 run throughs, and I notate the changes in stage direction, 0:18:10.000 --> 0:18:13.000 the changes in dialogue, any notes that we have, the 0:18:13.040 --> 0:18:15.800 director may have, the cast may have in terms of 0:18:16.080 --> 0:18:18.399 maybe this could work better, and here's an idea, this 0:18:18.440 --> 0:18:21.240 could be an alt whatever. So I'm writing all this down. 0:18:21.760 --> 0:18:25.080 That's why I have arthritis kids. Okay, at my age, 0:18:25.280 --> 0:18:28.240 this is what I but I'm still doing it. I'm 0:18:28.600 --> 0:18:33.720 I'm semi retired now, but uh yeah, I just work 0:18:33.800 --> 0:18:34.200 this week. 0:18:34.720 --> 0:18:36.800 You keep getting sucked back in. You keep saying you're 0:18:36.800 --> 0:18:39.240 retired about these businesses. You're like, no, no, I'm done. 0:18:39.320 --> 0:18:44.160 Wait, I have one more in me, you know, yeah, serious, Like. 0:18:44.119 --> 0:18:47.199 The call goes and then like this cast members can 0:18:47.280 --> 0:18:48.560 be ond like dang it. 0:18:48.640 --> 0:18:52.560 Okay, yes, okay, I'll go right four hours on the freeway, 0:18:52.760 --> 0:18:54.200 can hardly wait, let's go. 0:18:55.520 --> 0:18:59.640 Let's speaks to your talent and your personality, like everybody 0:18:59.640 --> 0:19:01.640 just wants to around on set because you're so good 0:19:01.640 --> 0:19:02.200 at what you do. 0:19:02.480 --> 0:19:04.840 You're so professional, but you're also you're. 0:19:04.800 --> 0:19:08.119 Patty, like you're everyone's friend, and so like, no wonder 0:19:08.160 --> 0:19:10.280 they keep roping you back into this business. 0:19:10.400 --> 0:19:13.200 You'll never retire fully Patty, you just can't. Nobody will 0:19:13.280 --> 0:19:15.560 let you. Yeah, I'm sorry, you're in it. 0:19:15.600 --> 0:19:18.520 Well if you guys do fullest house. Okay, let's book 0:19:18.560 --> 0:19:24.199 this before I become ninety, right, can we agree on that? 0:19:24.240 --> 0:19:24.560 Right now? 0:19:24.680 --> 0:19:26.560 One more time we really got with we have a 0:19:26.520 --> 0:19:27.439 limited window now. 0:19:27.800 --> 0:19:37.280 Yeah, hey they're folks. 0:19:37.320 --> 0:19:37.800 It's TJ. 0:19:37.880 --> 0:19:42.120 Holmes and Amy Roeboch. Don't miss Morning Run every weekday 0:19:42.160 --> 0:19:43.359 morning Monday through Friday. 0:19:43.520 --> 0:19:46.160 Yeah, we'll be covering the biggest stories, everything you need 0:19:46.200 --> 0:19:49.159 to know, breaking news, politics, pop culture on our daily 0:19:49.320 --> 0:19:52.280 podcast Morning Run. And of course it has a little 0:19:52.280 --> 0:19:54.040 bit of our own personal flare to it. 0:19:54.280 --> 0:19:55.000 Yeah, that's right. 0:19:55.040 --> 0:19:56.320 Make sure to subscribe now. 0:19:56.400 --> 0:19:58.760 So every day when you wake up, you've got the 0:19:58.800 --> 0:20:00.640 Morning Run waiting for you. 0:20:00.680 --> 0:20:03.600 Listen to Morning Run wherever you get your podcasts. 0:20:06.080 --> 0:20:10.280 So you said you take notes from the editor. What 0:20:10.320 --> 0:20:12.359 notes are he I've always wondered this, What notes is 0:20:12.400 --> 0:20:14.680 he telling you? Is he telling you like, oh, the 0:20:14.720 --> 0:20:17.199 take one was better than take two? Or is he 0:20:17.280 --> 0:20:19.439 telling you cut this part because we're long on? 0:20:19.720 --> 0:20:19.800 Like? 0:20:19.800 --> 0:20:21.359 What notes do the editors give you? 0:20:21.440 --> 0:20:24.359 So it's not really I'm not taking notes from the editor. 0:20:24.400 --> 0:20:28.119 I am taking notes for the editor for the editor. Okay, 0:20:28.119 --> 0:20:32.800