1 00:00:01,240 --> 00:00:05,400 Speaker 1: Look may oh, I see you, and look over there 2 00:00:05,720 --> 00:00:06,640 Speaker 1: is that culture. 3 00:00:06,800 --> 00:00:12,880 Speaker 2: Yes, lost culture ding, Lost Culture. 4 00:00:13,200 --> 00:00:17,800 Speaker 3: This coming, I mean, this is I guess gonna be 5 00:00:17,840 --> 00:00:21,720 Speaker 3: the final of the year, our top ten series. And 6 00:00:21,760 --> 00:00:23,960 Speaker 3: this has been I think the best thing we've ever done. 7 00:00:24,200 --> 00:00:26,320 Speaker 2: If I was to rank our top ten things we've 8 00:00:26,320 --> 00:00:29,800 Speaker 2: ever done, this would be whoa number one. We're not. 9 00:00:30,040 --> 00:00:32,800 Speaker 2: We're nowhere near doing that. We are not about to 10 00:00:33,000 --> 00:00:37,199 Speaker 2: you know, self, self aggrandize anytime soon. Maybe you know, 11 00:00:37,720 --> 00:00:40,240 Speaker 2: at the ten year anniversary, we might, but we'll see. 12 00:00:40,600 --> 00:00:43,440 Speaker 3: Yeah, Honestly, like at the ten year anniversary, take a 13 00:00:43,440 --> 00:00:47,800 Speaker 3: look for one thousand best moments of Lost Coach. It 14 00:00:47,840 --> 00:00:52,440 Speaker 3: will be a ten episode series, one thousand moments of 15 00:00:52,560 --> 00:00:53,520 Speaker 3: Lost Coach. 16 00:00:53,880 --> 00:00:57,360 Speaker 2: That you heard it here first, terrifying, Oh my god. 17 00:00:57,440 --> 00:01:00,120 Speaker 2: Nobody wants the most. 18 00:01:00,160 --> 00:01:03,920 Speaker 3: The most snake eating its own tailed bullshit ever in 19 00:01:04,000 --> 00:01:05,040 Speaker 3: podcasting history. 20 00:01:05,080 --> 00:01:07,200 Speaker 2: And now we have to do it, and I think 21 00:01:07,200 --> 00:01:07,640 Speaker 2: we will. 22 00:01:08,600 --> 00:01:12,360 Speaker 3: We'll call it a thousand, one thousand moments of Lost Coach, 23 00:01:12,480 --> 00:01:16,160 Speaker 3: and we rank the top thousand moments of the podcast. 24 00:01:16,480 --> 00:01:21,640 Speaker 2: Yes, oh, could be legendary, could be legendary. That not 25 00:01:21,760 --> 00:01:26,199 Speaker 2: as legendary as any of these moments on this list. 26 00:01:26,280 --> 00:01:29,880 Speaker 2: Of top tens. And what is this list of top tens? Man, Well, 27 00:01:29,920 --> 00:01:34,000 Speaker 2: this is the top ten diva moments. Now you'll notice 28 00:01:34,000 --> 00:01:37,640 Speaker 2: that diva moments is different than divas because we feel 29 00:01:37,640 --> 00:01:38,880 Speaker 2: that that will be too easy. 30 00:01:39,040 --> 00:01:42,240 Speaker 3: No, we as witnesses. Thank you Seth Myers for really 31 00:01:42,319 --> 00:01:43,600 Speaker 3: aptly labeling us. 32 00:01:43,720 --> 00:01:45,679 Speaker 2: We as witnesses. We are witnesses to the culture. 33 00:01:45,720 --> 00:01:48,240 Speaker 3: We look at the minutial, we look at the moments 34 00:01:48,240 --> 00:01:51,600 Speaker 3: and the elements that make up an icon, a diva, 35 00:01:51,960 --> 00:01:56,160 Speaker 3: a legend. And these are top ten moments. 36 00:01:55,920 --> 00:01:59,440 Speaker 2: Of just that. Now let's get started, shall we. Unless 37 00:01:59,480 --> 00:02:02,400 Speaker 2: you have anything to say to preface with what makes 38 00:02:02,600 --> 00:02:06,120 Speaker 2: a diva? What makes a moment? Not that our listeners 39 00:02:06,160 --> 00:02:09,840 Speaker 2: need any definition, but go. What makes a diva, I believe. 40 00:02:09,680 --> 00:02:12,919 Speaker 3: Is someone who bravely and boldly veers off the path, 41 00:02:13,520 --> 00:02:16,600 Speaker 3: and yet we didn't know that actually was the correct 42 00:02:16,639 --> 00:02:20,480 Speaker 3: way the path. For example, unlike on a highway, right, 43 00:02:20,600 --> 00:02:22,919 Speaker 3: you certainly have one way of driving down on the 44 00:02:23,000 --> 00:02:24,120 Speaker 3: highway like we are going. 45 00:02:24,200 --> 00:02:26,280 Speaker 2: We are headed one way like right. 46 00:02:27,080 --> 00:02:30,760 Speaker 3: If Christina Aguilera were to say, hold on, I'm going 47 00:02:30,800 --> 00:02:33,959 Speaker 3: to start to drive the other direction on the highway, 48 00:02:34,480 --> 00:02:36,880 Speaker 3: she would be number one on this list. She hasn't 49 00:02:36,880 --> 00:02:40,040 Speaker 3: done that yet. I'm not necessarily saying she should. But 50 00:02:40,120 --> 00:02:44,200 Speaker 3: if Christina Aguilera were to drive the reverse direction on 51 00:02:44,280 --> 00:02:47,359 Speaker 3: a highway, that would be a diva moment. 52 00:02:47,440 --> 00:02:51,480 Speaker 2: The diva moment, You're so right, that would shoot straight 53 00:02:51,520 --> 00:02:53,960 Speaker 2: to the top. We would go. I mean that is 54 00:02:54,200 --> 00:02:56,520 Speaker 2: that is an essence what all of these moments we're 55 00:02:56,520 --> 00:02:59,880 Speaker 2: about to unfurl are doing. It's these it's people who 56 00:03:00,400 --> 00:03:05,079 Speaker 2: decided I'm gonna drive and reverse on the fucking freeway 57 00:03:05,360 --> 00:03:05,799 Speaker 2: of life. 58 00:03:05,919 --> 00:03:10,560 Speaker 3: Yeah, the cultural freeway. These divas drove in the wrong 59 00:03:10,639 --> 00:03:14,639 Speaker 3: direction on the cultural freeway. And thank fucking god, because 60 00:03:15,120 --> 00:03:16,280 Speaker 3: now we have an episode. 61 00:03:16,400 --> 00:03:17,440 Speaker 2: Thank fucking God. 62 00:03:17,639 --> 00:03:20,760 Speaker 3: So bo, should we start at number ten and sort 63 00:03:20,760 --> 00:03:22,600 Speaker 3: of go all the way down to one, because that's 64 00:03:22,639 --> 00:03:23,880 Speaker 3: the most exciting way to do it. 65 00:03:23,960 --> 00:03:27,080 Speaker 2: I think, So let's start number ten of the top 66 00:03:27,120 --> 00:03:34,960 Speaker 2: ten deven moments last cult number ten down actually, since 67 00:03:36,320 --> 00:03:39,960 Speaker 2: this is a moment of shame for this person. But 68 00:03:40,040 --> 00:03:42,720 Speaker 2: I put this here because I think it's an important 69 00:03:43,120 --> 00:03:48,800 Speaker 2: framework for what we expect of our divas going forward, 70 00:03:49,040 --> 00:03:52,200 Speaker 2: because she is really the sacrificial lamb in a lot 71 00:03:52,200 --> 00:03:55,440 Speaker 2: of ways. Because now it's like, well, everyone's lips, thinking, 72 00:03:55,520 --> 00:03:58,160 Speaker 2: I mean, we're recording this around Thanksgiving. Everyone at the 73 00:03:58,200 --> 00:04:01,400 Speaker 2: Thanksgiving Day Parade since time immemorial for decades. I was 74 00:04:01,400 --> 00:04:04,960 Speaker 2: watching Vanessa Williams singing you know some something in the 75 00:04:05,000 --> 00:04:07,320 Speaker 2: eighties or nineties, and I was like, she's lip sync gay, 76 00:04:07,440 --> 00:04:11,240 Speaker 2: Like everyone has done it, and it took Ashley Simpson 77 00:04:11,240 --> 00:04:13,720 Speaker 2: to do it on SNL for us to like hillary 78 00:04:13,840 --> 00:04:15,480 Speaker 2: her if you're gonna. 79 00:04:15,200 --> 00:04:19,640 Speaker 3: Flop flop spectacular, Yes, And that's what I would say, 80 00:04:19,680 --> 00:04:22,880 Speaker 3: is that I was actually watching live was watching me too. 81 00:04:23,360 --> 00:04:27,040 Speaker 3: Almost every gay person was watching live this moment on television, 82 00:04:27,120 --> 00:04:30,919 Speaker 3: I think, because it just how much we were rooting 83 00:04:31,040 --> 00:04:34,120 Speaker 3: for Ashley Simpson and how horny we were for Juwela, 84 00:04:34,240 --> 00:04:37,159 Speaker 3: who was probably at the peak of his hotness. And 85 00:04:37,200 --> 00:04:40,400 Speaker 3: I'll never forget the end when he said live TV 86 00:04:41,120 --> 00:04:42,120 Speaker 3: and then she goes. 87 00:04:42,080 --> 00:04:44,800 Speaker 1: Well, my band started playing the wrong song, and so 88 00:04:44,920 --> 00:04:47,640 Speaker 1: I thought I'd do a hodown And I was like, wow, 89 00:04:48,120 --> 00:04:50,599 Speaker 1: she's not only digging in right now, but she's throwing 90 00:04:50,640 --> 00:04:51,920 Speaker 1: other people under the bus. 91 00:04:52,000 --> 00:04:57,160 Speaker 3: Diva behavior diva. She said, my band started playing the song. 92 00:04:57,520 --> 00:05:01,360 Speaker 3: Individuals she has to see nearly every day, and she said, 93 00:05:01,600 --> 00:05:03,720 Speaker 3: this is gonna be the way forward. She threw them 94 00:05:03,760 --> 00:05:07,719 Speaker 3: under the bus, spectacularly, flopped so hard, was never the same. 95 00:05:08,240 --> 00:05:09,440 Speaker 3: But what did she do? 96 00:05:09,560 --> 00:05:10,680 Speaker 2: She picked up the pieces. 97 00:05:10,839 --> 00:05:16,479 Speaker 3: She married Diana Ross's son, because guess what game recognizes game. 98 00:05:16,640 --> 00:05:22,520 Speaker 2: Diva diva diva gets into the other diva's orbit and 99 00:05:22,600 --> 00:05:23,960 Speaker 2: everything happens for a reason. 100 00:05:24,040 --> 00:05:26,440 Speaker 3: Bowen and I think that had she not done the 101 00:05:26,480 --> 00:05:31,160 Speaker 3: hoedown and flopped so spectacularly, she wouldn't be part of 102 00:05:31,200 --> 00:05:34,040 Speaker 3: the dynasty that is Diana Ross. She wouldn't be Ashley 103 00:05:34,080 --> 00:05:37,279 Speaker 3: Simpson Ross. Everything happens for a reason. Ashley's path led 104 00:05:37,320 --> 00:05:40,520 Speaker 3: her through the hallowed halls of SNL onto that iconic 105 00:05:40,560 --> 00:05:44,080 Speaker 3: stage so that she could not sing, blame on other people, 106 00:05:44,560 --> 00:05:47,839 Speaker 3: then blame it on acid reflex iconic, and then be 107 00:05:48,600 --> 00:05:50,000 Speaker 3: a Simpson Ross. 108 00:05:49,760 --> 00:05:52,240 Speaker 2: And then end up on this list. 109 00:05:52,520 --> 00:05:55,360 Speaker 3: That is why she ranks at number ten Top ten 110 00:05:55,400 --> 00:05:58,440 Speaker 3: Diva Moments Lost Coach number nine. 111 00:05:58,839 --> 00:06:02,160 Speaker 2: I know, I know what I'd be a while I 112 00:06:02,279 --> 00:06:07,800 Speaker 2: love whales Beyonce, this was Beyonce at her most vulnerable 113 00:06:07,839 --> 00:06:12,480 Speaker 2: and I would say potentially most relatable, which is not 114 00:06:12,640 --> 00:06:15,320 Speaker 2: why we love Beyonce, right, we love her because she's 115 00:06:15,360 --> 00:06:18,240 Speaker 2: not relatable. But this moment where she and Kelly and 116 00:06:18,360 --> 00:06:21,560 Speaker 2: Michelle are stone out of their minds talking to an 117 00:06:21,600 --> 00:06:25,080 Speaker 2: interviewer on camera. Beautiful vulnerability. 118 00:06:25,440 --> 00:06:27,479 Speaker 3: Yeah, I think that all three of them did amazing 119 00:06:27,560 --> 00:06:30,840 Speaker 3: work in this interview. But I think that really what 120 00:06:31,000 --> 00:06:34,479 Speaker 3: we're gonna have to remember is that Beyonce not only 121 00:06:34,600 --> 00:06:36,800 Speaker 3: does she reveal what animals she would be, which I 122 00:06:36,839 --> 00:06:40,159 Speaker 3: think would literally never happen. Now, I think she's really 123 00:06:40,320 --> 00:06:45,240 Speaker 3: barely even acknowledging her own humanity, like she she is 124 00:06:45,279 --> 00:06:47,800 Speaker 3: a goddess, a deity, whatever. She certainly would ever be 125 00:06:47,880 --> 00:06:50,200 Speaker 3: caught dead doing an interview on camera, let alone in 126 00:06:50,240 --> 00:06:53,800 Speaker 3: a vulnerable high state. But she actually she nodded to 127 00:06:53,880 --> 00:06:56,280 Speaker 3: the future at this moment because she said I would 128 00:06:56,279 --> 00:06:59,200 Speaker 3: be a while I would be the biggest thing you 129 00:06:59,320 --> 00:07:03,039 Speaker 3: could be in the most vast space. Beyonce was telling 130 00:07:03,120 --> 00:07:05,240 Speaker 3: us at this moment, I plan to take up a 131 00:07:05,360 --> 00:07:10,360 Speaker 3: lot of space space, and I feel away and let's 132 00:07:10,520 --> 00:07:13,360 Speaker 3: give it up. Let's give some props to Michelle Williams, 133 00:07:13,400 --> 00:07:15,360 Speaker 3: because you know what she says that right right at 134 00:07:15,360 --> 00:07:18,760 Speaker 3: this moment, Beyonce says, I love Wales. Michelle Williams cuts 135 00:07:18,800 --> 00:07:21,040 Speaker 3: in and goes she wants to touch one one day. 136 00:07:23,600 --> 00:07:29,720 Speaker 2: She wants to touch to one one day, Like so beautiful, Michelle, 137 00:07:29,960 --> 00:07:35,040 Speaker 2: thank you. She wants to touch she's sexy. She would 138 00:07:35,040 --> 00:07:39,080 Speaker 2: be what panther? 139 00:07:39,240 --> 00:07:45,360 Speaker 4: That would be a panther because she's sexy. They were, 140 00:07:46,120 --> 00:07:48,960 Speaker 4: they were having so much fun. I oh god, that 141 00:07:49,160 --> 00:07:50,840 Speaker 4: was a nice time in pop culture. 142 00:07:51,720 --> 00:07:54,400 Speaker 3: I just wish that because you know they're asked now 143 00:07:54,440 --> 00:07:56,440 Speaker 3: about that interview and they're like, we were not high. 144 00:07:56,480 --> 00:07:57,280 Speaker 2: We were not high. 145 00:07:57,360 --> 00:08:01,080 Speaker 3: It's like girls just youd rather be high than just 146 00:08:01,280 --> 00:08:06,960 Speaker 3: weird completely, but you know they can't compromise their Christianity. 147 00:08:07,840 --> 00:08:12,240 Speaker 2: I would be a panther because she is sexy. She 148 00:08:12,320 --> 00:08:14,720 Speaker 2: wants to touch on one day. She wants to do 149 00:08:15,160 --> 00:08:18,000 Speaker 2: That's my that My favorite part of the whole interview 150 00:08:18,160 --> 00:08:20,440 Speaker 2: is Michelle going she wants to touch on one day. 151 00:08:20,840 --> 00:08:21,200 Speaker 3: I know, what. 152 00:08:24,200 --> 00:08:24,680 Speaker 2: Can I say? 153 00:08:24,760 --> 00:08:27,880 Speaker 3: If culture is the ocean, Beyonce is a whale, and 154 00:08:28,040 --> 00:08:32,000 Speaker 3: that is why Beyonce saying she wants to be a whale, 155 00:08:32,040 --> 00:08:34,240 Speaker 3: if she could be an animal is number nine on 156 00:08:34,480 --> 00:08:44,160 Speaker 3: top ten last Lost Culture number three. You can't get 157 00:08:44,280 --> 00:08:46,800 Speaker 3: better than all the divas getting together. Of course it's 158 00:08:46,840 --> 00:08:48,760 Speaker 3: gonna be on the list at number eight at least. 159 00:08:48,800 --> 00:08:54,240 Speaker 2: At least I mean this was pre Avengers crossover moments, 160 00:08:54,600 --> 00:08:57,840 Speaker 2: you know, like very much. So it blew your mind 161 00:08:57,920 --> 00:09:00,400 Speaker 2: to see these people share the stage together. Yeah. 162 00:09:00,840 --> 00:09:04,520 Speaker 3: Not. I don't think we'd ever seen anything like the 163 00:09:05,200 --> 00:09:08,839 Speaker 3: performance at the end of the show when Celine Dion 164 00:09:09,080 --> 00:09:11,800 Speaker 3: was bravely and boldly going up to Aretha Franklin and 165 00:09:11,880 --> 00:09:14,560 Speaker 3: trying to outsing her, which, by the way, Mariah has 166 00:09:14,600 --> 00:09:17,400 Speaker 3: commented on many times since then and said she thought 167 00:09:17,440 --> 00:09:21,199 Speaker 3: it was extremely disrespectful, and apparently Patti Labell reached out 168 00:09:21,240 --> 00:09:23,560 Speaker 3: to Mariah afterwards. I guess Patti LeBell had been watching 169 00:09:23,600 --> 00:09:25,959 Speaker 3: at home. Why she wasn't involved, We'll never know, but 170 00:09:26,080 --> 00:09:27,920 Speaker 3: she reached out to Mariah and she said, you did 171 00:09:28,000 --> 00:09:30,480 Speaker 3: the right thing. You don't go up and try to 172 00:09:30,520 --> 00:09:32,319 Speaker 3: out sing Aretha. That was crazy. 173 00:09:32,720 --> 00:09:35,280 Speaker 2: Well, I think Patty wasn't there because there was the 174 00:09:35,559 --> 00:09:40,760 Speaker 2: perceived rumored feud between Patty and Aretha, which once Aretha 175 00:09:40,920 --> 00:09:44,080 Speaker 2: past was quickly debunked. Patty put out a statement saying 176 00:09:44,200 --> 00:09:46,120 Speaker 2: Aretha and I were always friendly. 177 00:09:46,440 --> 00:09:50,319 Speaker 3: Oh she put out a one more statement debunked, debunked. 178 00:09:51,800 --> 00:09:54,439 Speaker 3: Oh to hear Patty say, debunked. And by the way, 179 00:09:54,440 --> 00:09:58,000 Speaker 3: if you're a Patty fan, state state on this list. 180 00:09:58,480 --> 00:10:02,240 Speaker 3: Here's what I'll say about sort of challenging Aretha on stage. 181 00:10:03,000 --> 00:10:05,240 Speaker 3: That is a Christina aguilar Are driving the wrong way 182 00:10:05,280 --> 00:10:06,200 Speaker 3: on the freeway. 183 00:10:05,920 --> 00:10:09,680 Speaker 2: Moment and you need it. We wouldn't be talking about 184 00:10:09,679 --> 00:10:11,679 Speaker 2: it if there wasn't a Christina Aguilier driving the wrong 185 00:10:11,720 --> 00:10:13,000 Speaker 2: way on the freeway moment like that. 186 00:10:13,520 --> 00:10:17,640 Speaker 3: Never forget that People magazine did a cover story about 187 00:10:18,120 --> 00:10:22,079 Speaker 3: Diva's Live and they left Gloria A Stephan out of it. 188 00:10:22,600 --> 00:10:25,760 Speaker 3: Gloria A Stephan was guest hosting the Rosie o'donald Show 189 00:10:26,360 --> 00:10:28,640 Speaker 3: and she pulled out that People magazine and she said, 190 00:10:28,880 --> 00:10:31,640 Speaker 3: they cut me out, and it's true. They acted like 191 00:10:31,720 --> 00:10:34,079 Speaker 3: it was only four women and Gloria was not in it. 192 00:10:34,400 --> 00:10:37,439 Speaker 3: And Gloria very classily made a joke and she said, 193 00:10:37,679 --> 00:10:40,120 Speaker 3: I don't know, maybe I was blocked by Mariah's hair. 194 00:10:41,120 --> 00:10:44,640 Speaker 2: And I said, that's the class act. So classy. God, 195 00:10:44,960 --> 00:10:46,040 Speaker 2: what a gorgeous soul. 196 00:10:46,440 --> 00:10:48,319 Speaker 3: And can I say one of my favorite parts of 197 00:10:48,400 --> 00:10:51,559 Speaker 3: that whole concert, which I watched again and again, is 198 00:10:51,840 --> 00:10:55,600 Speaker 3: when Gloria A Stephan sings her numbers because she had 199 00:10:56,000 --> 00:10:56,880 Speaker 3: she had one single. 200 00:10:57,280 --> 00:11:00,280 Speaker 2: It's called Heaven's what I feel, and it goes like this. 201 00:11:00,840 --> 00:11:04,959 Speaker 2: Love sometimes can be like dety. 202 00:11:06,400 --> 00:11:10,679 Speaker 3: It can take you to wherever and I don't know 203 00:11:10,760 --> 00:11:12,480 Speaker 3: how the rest goes, and then she goes. 204 00:11:12,600 --> 00:11:18,360 Speaker 2: But I have broken all the rules of You have 205 00:11:18,480 --> 00:11:21,240 Speaker 2: to listen to this song. Heaven's what I feels. What 206 00:11:21,360 --> 00:11:25,520 Speaker 2: I feel, Heavens what I feel when them with you. 207 00:11:28,880 --> 00:11:33,319 Speaker 2: You have to look at you singing the notes. I 208 00:11:33,559 --> 00:11:37,120 Speaker 2: love glory, I love divas. I love singing Yes. And 209 00:11:37,320 --> 00:11:40,800 Speaker 2: that is why Diva's Live is number eight on our 210 00:11:40,880 --> 00:11:44,040 Speaker 2: list of top ten Diva moments. Last culture. 211 00:11:54,320 --> 00:12:03,360 Speaker 3: Now is this next one is really major? Number seven? Lady, 212 00:12:03,800 --> 00:12:05,440 Speaker 3: I think there's no one better to. 213 00:12:05,440 --> 00:12:08,040 Speaker 2: Speak to this than you. Thank you as one of 214 00:12:08,160 --> 00:12:13,920 Speaker 2: the two. I want to say that I was with 215 00:12:14,120 --> 00:12:16,839 Speaker 2: you the week this came out, the day this came out, 216 00:12:17,120 --> 00:12:19,199 Speaker 2: when Born this Way the song came out, you and 217 00:12:19,360 --> 00:12:24,400 Speaker 2: I were going up to Skidmore, to Skidmore College to Saratogas. Wow, 218 00:12:25,320 --> 00:12:27,679 Speaker 2: you have a good recall. I had forgotten this was 219 00:12:27,720 --> 00:12:32,240 Speaker 2: the circumstance. This was February twenty eleven and we were 220 00:12:32,280 --> 00:12:36,200 Speaker 2: going up to Skidmore College, and I mean I remember 221 00:12:36,679 --> 00:12:41,120 Speaker 2: the way that the words your orient struck me. I said, 222 00:12:42,160 --> 00:12:45,559 Speaker 2: that's not quite right. But I know what she's going for. 223 00:12:45,920 --> 00:12:48,640 Speaker 2: I know what she's going for, and to this day 224 00:12:48,679 --> 00:12:52,800 Speaker 2: I stand by that because guess what, she was writing 225 00:12:53,000 --> 00:12:56,920 Speaker 2: an inclusive song, and I know that word that I 226 00:12:57,160 --> 00:12:59,800 Speaker 2: word is, you know, a little bit of an eye roll, 227 00:13:00,000 --> 00:13:03,160 Speaker 2: maybe to some people, not at the time, not at 228 00:13:03,160 --> 00:13:05,880 Speaker 2: the time, and still to this day, I think it's 229 00:13:05,920 --> 00:13:10,520 Speaker 2: an important virtue. But Gaga was at the ripe age 230 00:13:10,600 --> 00:13:13,680 Speaker 2: of what like twenty four years old writing a song 231 00:13:13,840 --> 00:13:17,280 Speaker 2: being like everything you, anything you are, that makes you 232 00:13:17,360 --> 00:13:20,720 Speaker 2: feel different, that is beautiful. You were born this way, 233 00:13:21,080 --> 00:13:24,720 Speaker 2: and that set off this whole culture of writing self empowerment, 234 00:13:24,800 --> 00:13:29,599 Speaker 2: self love songs. I say, I applaud Gaga. Your Lebanese, 235 00:13:29,679 --> 00:13:32,560 Speaker 2: your orient. She kept that in the Super Bowl performance. 236 00:13:32,800 --> 00:13:33,360 Speaker 2: Yeah she did. 237 00:13:33,440 --> 00:13:36,000 Speaker 3: She did not change or she bravely went out onto 238 00:13:36,080 --> 00:13:39,679 Speaker 3: the stage over a decade later with the knowledge that 239 00:13:39,800 --> 00:13:41,719 Speaker 3: this was not right, and she said. 240 00:13:41,600 --> 00:13:43,480 Speaker 2: Your Lebanese, you're orient. 241 00:13:46,000 --> 00:13:53,120 Speaker 3: Whether life's disabilities make you feel outcast or tease, make 242 00:13:53,240 --> 00:13:57,120 Speaker 3: you outcast, bleed or tees bullied to go to go 243 00:13:57,400 --> 00:14:02,640 Speaker 3: believe ocast, bleed or teas, it's iconic. We need to 244 00:14:02,679 --> 00:14:04,360 Speaker 3: do we need to do an episode so which is 245 00:14:04,400 --> 00:14:06,320 Speaker 3: a close read of the born of this why lyrics? 246 00:14:06,559 --> 00:14:11,839 Speaker 2: Oh, every line in the glass of herbo in the 247 00:14:11,880 --> 00:14:15,880 Speaker 2: glass of her boodoir. I mean, wait, we actually need 248 00:14:16,040 --> 00:14:17,920 Speaker 2: we need to do this. We need to do before 249 00:14:18,000 --> 00:14:18,959 Speaker 2: that year is over. 250 00:14:19,120 --> 00:14:20,520 Speaker 3: We need to do we need to start a new 251 00:14:20,600 --> 00:14:23,880 Speaker 3: seria called called Lost Coach close read, which is we 252 00:14:24,080 --> 00:14:28,000 Speaker 3: just take a brilliant pop song and we just literally 253 00:14:28,520 --> 00:14:31,280 Speaker 3: word by word, go through exactly what it is and 254 00:14:31,720 --> 00:14:32,600 Speaker 3: and break it down. 255 00:14:32,960 --> 00:14:35,640 Speaker 2: You know what is the model for that episode. But 256 00:14:36,160 --> 00:14:39,960 Speaker 2: I'm sorry to be self referential. Our Gilaine Maxwell episode. 257 00:14:40,400 --> 00:14:42,480 Speaker 2: We did a close read on her name and it 258 00:14:42,840 --> 00:14:43,880 Speaker 2: was poetry. 259 00:14:44,680 --> 00:14:46,960 Speaker 3: I have to say, it's a very much a front 260 00:14:47,000 --> 00:14:49,840 Speaker 3: runner for the top one thousand moments of Lost Coach 261 00:14:50,120 --> 00:14:51,640 Speaker 3: just to be a number one that episode. 262 00:14:52,040 --> 00:14:57,080 Speaker 2: It's a serious runner. Absolutely. Now, I just want to 263 00:14:57,080 --> 00:14:59,480 Speaker 2: say before we move on that I had to wear 264 00:14:59,560 --> 00:15:02,920 Speaker 2: a man Need Gaga moments to choose from. This was 265 00:15:03,040 --> 00:15:06,080 Speaker 2: the clear winner to me for for this list. 266 00:15:07,840 --> 00:15:10,160 Speaker 3: And I have to say, like, I think that you, 267 00:15:10,320 --> 00:15:14,280 Speaker 3: as a Lady Gaga scholar and influency, I think that 268 00:15:14,840 --> 00:15:16,760 Speaker 3: it is really up to you to say this, and 269 00:15:17,640 --> 00:15:19,480 Speaker 3: you know, we've had so much. We've had, of course, 270 00:15:19,800 --> 00:15:23,360 Speaker 3: the Oscars performance of Shallow. We've had, of course the 271 00:15:23,520 --> 00:15:26,240 Speaker 3: Super Bowl performance where she said where she caught the 272 00:15:26,280 --> 00:15:29,160 Speaker 3: football at the end. We of course have her performance 273 00:15:29,160 --> 00:15:33,640 Speaker 3: an American horror story. Yeah, we have when someone threw 274 00:15:33,760 --> 00:15:35,440 Speaker 3: up on her, when she we have when she became 275 00:15:35,480 --> 00:15:39,000 Speaker 3: a plane. We have so many moments and you've said, no. 276 00:15:39,560 --> 00:15:42,720 Speaker 2: No, it's this. You know was closely going to beat 277 00:15:42,720 --> 00:15:46,320 Speaker 2: this out, but her getting fucked on a desk in 278 00:15:46,440 --> 00:15:49,440 Speaker 2: house of Gucci. But no, that's not the one. That 279 00:15:49,520 --> 00:15:52,280 Speaker 2: could never be. This is your Lebanese or orient is 280 00:15:52,320 --> 00:15:53,480 Speaker 2: the one? Can I say? 281 00:15:54,520 --> 00:15:57,800 Speaker 3: We need the Lady Gaga erastour And it has to 282 00:15:57,880 --> 00:16:01,240 Speaker 3: include film. It has to include film. She has to 283 00:16:01,280 --> 00:16:01,920 Speaker 3: figure that out. 284 00:16:02,240 --> 00:16:04,320 Speaker 2: It's gonna happen. It's gonna happen, for sure. 285 00:16:04,600 --> 00:16:07,720 Speaker 3: I wonder if when Joker folio comes out, that it's 286 00:16:07,800 --> 00:16:09,440 Speaker 3: just gonna blow this whole list away. 287 00:16:10,360 --> 00:16:14,960 Speaker 2: I mean that ever, all top ten entries will be 288 00:16:15,040 --> 00:16:20,960 Speaker 2: from Joker. I can't believe. I cannot believe. I have 289 00:16:21,080 --> 00:16:25,120 Speaker 2: to see that. We're gonna love it? Are you kidding me? 290 00:16:26,080 --> 00:16:28,400 Speaker 2: I guess it's the most violent film of all time. 291 00:16:29,560 --> 00:16:30,320 Speaker 2: That's what they were saying. 292 00:16:32,160 --> 00:16:34,280 Speaker 3: They were like someone saw the script and was like, 293 00:16:34,720 --> 00:16:37,160 Speaker 3: I don't know how they're gonna make this on paper 294 00:16:37,320 --> 00:16:40,960 Speaker 3: is the most violent film of all time. 295 00:16:42,440 --> 00:16:48,120 Speaker 2: I can't wait. It's so Gaga. I love it, love it. Okay, 296 00:16:48,160 --> 00:16:50,400 Speaker 2: this is why numbers Lemnies. 297 00:16:50,480 --> 00:16:53,520 Speaker 3: Your orient My Lady Gaga is number seven on Top 298 00:16:53,600 --> 00:16:55,680 Speaker 3: ten Demon Moments Lost. 299 00:16:55,520 --> 00:16:58,920 Speaker 2: Culture, number one hand. 300 00:17:00,360 --> 00:17:06,600 Speaker 3: Show Fergie wha, Why was she singing Barrakuda? Why was 301 00:17:06,720 --> 00:17:10,600 Speaker 3: she singing that song she wanted to? It doesn't matter, 302 00:17:11,480 --> 00:17:17,240 Speaker 3: It doesn't matter why we are. That moment was post reason, 303 00:17:17,760 --> 00:17:20,879 Speaker 3: post thought, like there was there. You don't you can't 304 00:17:20,920 --> 00:17:23,879 Speaker 3: think about it too long because it will not make sense. 305 00:17:24,240 --> 00:17:27,359 Speaker 3: You're right, I flopped even suggesting we shouldn't think about it. 306 00:17:27,600 --> 00:17:31,200 Speaker 3: I feel like the one handed courtwheel during the song 307 00:17:31,280 --> 00:17:34,359 Speaker 3: Oh Barracuda on The Today Show, which famously takes place 308 00:17:34,640 --> 00:17:38,080 Speaker 3: so early in the morning to think about, to think 309 00:17:38,119 --> 00:17:41,120 Speaker 3: about how early the rehearsals had to be. I wonder 310 00:17:41,119 --> 00:17:43,639 Speaker 3: if this was a spontaneous one handed courtwheel or if 311 00:17:43,680 --> 00:17:44,360 Speaker 3: it was planned. 312 00:17:44,680 --> 00:17:46,800 Speaker 2: I think it could go either way. It could go 313 00:17:46,880 --> 00:17:50,200 Speaker 2: either It's Fergie and Fergy acts on instinct and that's 314 00:17:50,240 --> 00:17:54,639 Speaker 2: why we love her. This woman released the single London Bridge, 315 00:17:54,880 --> 00:17:58,480 Speaker 2: where the cover was her standing in front of Tower Bridge, 316 00:17:59,040 --> 00:18:03,160 Speaker 2: not London Bridge. This woman doesn't care. This woman does 317 00:18:03,280 --> 00:18:06,280 Speaker 2: what she wants, and that's why we love her. She said, 318 00:18:06,320 --> 00:18:09,040 Speaker 2: you know what I have to say. I survived a 319 00:18:09,160 --> 00:18:12,920 Speaker 2: meth addiction. Okay, I have been to hell and back. 320 00:18:13,119 --> 00:18:16,119 Speaker 3: I'm gonna stand in front of Tower Bridge and say, lundy, lundy, lundy, 321 00:18:16,720 --> 00:18:20,800 Speaker 3: shut up, shut up. And if anyone says anything to her, 322 00:18:21,200 --> 00:18:24,199 Speaker 3: it's kind of like shut up because let me. Let 323 00:18:24,280 --> 00:18:26,600 Speaker 3: me also point you in another direction, which didn't make 324 00:18:26,640 --> 00:18:28,840 Speaker 3: the list because this is on the list, but her 325 00:18:28,880 --> 00:18:32,040 Speaker 3: performance of the Italian and the film nine was deserving 326 00:18:32,160 --> 00:18:33,960 Speaker 3: of the Oscar Win period. 327 00:18:33,640 --> 00:18:39,639 Speaker 2: Period period, point blank. Now this one handed cartwheel, we 328 00:18:39,880 --> 00:18:42,600 Speaker 2: still talk about it today, and what else is there 329 00:18:42,640 --> 00:18:45,240 Speaker 2: to say? I mean, this is this was before Pink 330 00:18:45,480 --> 00:18:48,480 Speaker 2: was on her silks. This was oh yeah, a pop 331 00:18:48,520 --> 00:18:52,600 Speaker 2: star doing full gymnastics while giving you a vocal. This 332 00:18:53,080 --> 00:18:56,040 Speaker 2: was this opened the door? It did? 333 00:18:56,480 --> 00:18:59,640 Speaker 3: It open the door so wide because the door needed 334 00:18:59,680 --> 00:19:02,440 Speaker 3: to be wide for a cannon to fit through it, 335 00:19:02,600 --> 00:19:04,720 Speaker 3: so that Pink could be shot out of it. And 336 00:19:04,880 --> 00:19:08,400 Speaker 3: let me tell you something. There's no Pink without Fergie. 337 00:19:08,520 --> 00:19:10,879 Speaker 3: And I say this knowing full well that Pink started 338 00:19:10,960 --> 00:19:11,479 Speaker 3: before her. 339 00:19:12,960 --> 00:19:16,399 Speaker 2: I think I think Fergie altered Pink's trajectory. You know 340 00:19:16,480 --> 00:19:21,119 Speaker 2: who's not on the list, Pink, and that's and that 341 00:19:21,280 --> 00:19:24,600 Speaker 2: might be something that I reconsider because we love Pink. 342 00:19:24,640 --> 00:19:27,720 Speaker 3: Here Pink is on roll mention for getting shot into 343 00:19:27,800 --> 00:19:30,560 Speaker 3: the sky during the song so what during her recent 344 00:19:30,640 --> 00:19:33,840 Speaker 3: arena tour. But when there's moments like this on the list, 345 00:19:33,920 --> 00:19:35,640 Speaker 3: it's going to be very hard to break through. 346 00:19:35,880 --> 00:19:38,040 Speaker 2: Oh yeah, this is a very competitive list. 347 00:19:38,320 --> 00:19:41,680 Speaker 3: This was morning culture, Like mornings weren't the same after this, Like, 348 00:19:41,760 --> 00:19:44,359 Speaker 3: forget about morning show culture, forget about performance culture. This 349 00:19:44,560 --> 00:19:47,000 Speaker 3: changed the way people wake up because Fergie was saying, 350 00:19:47,040 --> 00:19:49,639 Speaker 3: I woke up and got together a performance where I 351 00:19:49,680 --> 00:19:51,760 Speaker 3: did a one hindred cardwell to a song not even 352 00:19:51,840 --> 00:19:52,600 Speaker 3: on my album. 353 00:19:53,119 --> 00:19:56,800 Speaker 2: She was able to take the spotlight away from people 354 00:19:57,000 --> 00:20:00,880 Speaker 2: like Matt Lower, Katie Kuric made near to Fierra. I'm 355 00:20:00,920 --> 00:20:03,440 Speaker 2: not sure what, I'm not sure when this happened. I 356 00:20:03,600 --> 00:20:06,200 Speaker 2: have no idea. It had nothing to do with the 357 00:20:06,320 --> 00:20:09,600 Speaker 2: people on the show. This is what every artist who 358 00:20:09,680 --> 00:20:13,080 Speaker 2: does the Today Show dreams of, which is to create 359 00:20:13,240 --> 00:20:17,639 Speaker 2: a moment that is actually like impressive. It's not like 360 00:20:17,720 --> 00:20:20,120 Speaker 2: Hillary Duff like doing little dance moves with her arms 361 00:20:20,160 --> 00:20:22,960 Speaker 2: on the Today Show. It's pure talent. I'm sorry, this 362 00:20:23,119 --> 00:20:26,920 Speaker 2: is pure talent. No one else could do that but Fergie. 363 00:20:27,280 --> 00:20:31,200 Speaker 3: But Stacy, by the time this episode comes out, will 364 00:20:31,280 --> 00:20:32,760 Speaker 3: have performed on the Today Show. 365 00:20:33,600 --> 00:20:36,679 Speaker 2: And I can guarantee you neither of us didn't one 366 00:20:36,720 --> 00:20:41,639 Speaker 2: hand in a card. We are not do you enough? No? 367 00:20:41,880 --> 00:20:46,680 Speaker 2: That no, that we did not. All right, that is 368 00:20:46,800 --> 00:20:49,479 Speaker 2: all why one head of cartwhel on Today's Show by 369 00:20:49,560 --> 00:20:52,240 Speaker 2: Fergie is number six on the top ten demon moments 370 00:20:52,480 --> 00:20:55,760 Speaker 2: last Cult. Here's a call back, number five. Where are 371 00:20:55,840 --> 00:21:01,800 Speaker 2: my background singers? Pat I'm mean I was cackling just 372 00:21:01,960 --> 00:21:06,120 Speaker 2: thinking about this the other day. A moment of pure joy. 373 00:21:06,240 --> 00:21:07,240 Speaker 3: Oh, I don't know the song. 374 00:21:07,280 --> 00:21:07,960 Speaker 2: I don't know the song? 375 00:21:07,960 --> 00:21:10,000 Speaker 1: Where are the cards? Can't you gotta fe go with 376 00:21:10,080 --> 00:21:10,560 Speaker 1: the cards? 377 00:21:11,000 --> 00:21:19,840 Speaker 2: This cord I mean, Pierre, she did not know the 378 00:21:19,960 --> 00:21:25,600 Speaker 2: song this Christmas. This is a moment of pure panic 379 00:21:25,720 --> 00:21:29,320 Speaker 2: that is immediately landing as pure joy to the audience. 380 00:21:29,680 --> 00:21:33,000 Speaker 2: I feel sorry for whatever Patty, miss LaBelle was feeling 381 00:21:33,040 --> 00:21:36,800 Speaker 2: in that moment. She must have felt very disoriented and embarrassed. 382 00:21:37,200 --> 00:21:40,960 Speaker 2: But wow, all these years later, she is bringing joy 383 00:21:41,040 --> 00:21:44,600 Speaker 2: to the hearts of the world with that. I hope she's. 384 00:21:44,800 --> 00:21:47,080 Speaker 3: Proud now and thinks of it as a funny thing. 385 00:21:47,280 --> 00:21:50,119 Speaker 3: I don't know, but I really hope that she can 386 00:21:50,160 --> 00:21:53,680 Speaker 3: see humor and where's my background singer? Because unfortunately, it 387 00:21:53,920 --> 00:21:56,400 Speaker 3: is the moment in her illustrious career that has landed 388 00:21:56,520 --> 00:21:57,480 Speaker 3: her on this list and. 389 00:21:57,600 --> 00:22:04,040 Speaker 2: Probably others probably listen, she has had an amazing career, 390 00:22:04,720 --> 00:22:08,200 Speaker 2: but the diva moment is this is yelling on the 391 00:22:08,320 --> 00:22:12,280 Speaker 2: mic in in our nation's capital for a Christmas celebration, 392 00:22:13,280 --> 00:22:17,720 Speaker 2: screaming where the background singers are? Where are they? The behavior? 393 00:22:17,840 --> 00:22:20,639 Speaker 3: And also, you know what's crazy is like they didn't 394 00:22:20,680 --> 00:22:24,160 Speaker 3: even come on right away. No, she was right, Yeah, 395 00:22:24,520 --> 00:22:26,200 Speaker 3: it took what we're gonna say, it took them a 396 00:22:26,280 --> 00:22:27,800 Speaker 3: while to get out there. 397 00:22:28,160 --> 00:22:30,480 Speaker 2: Where were the background singers? Do we ever get the 398 00:22:30,520 --> 00:22:33,440 Speaker 2: answer to that question? Where were they? And I gotta 399 00:22:33,480 --> 00:22:37,000 Speaker 2: say the way, and I love background singers, love so 400 00:22:37,200 --> 00:22:40,000 Speaker 2: gifted and so gifted. They showed up and they were 401 00:22:40,040 --> 00:22:42,080 Speaker 2: trying to play it off as if nothing happened. But 402 00:22:42,640 --> 00:22:44,840 Speaker 2: at that point you gotta be a little you gotta 403 00:22:44,880 --> 00:22:48,400 Speaker 2: look a little guilty for coming on so egregiously late 404 00:22:48,520 --> 00:22:53,240 Speaker 2: for Patty LaBelle. Honestly, I hope they heard an earfall. Yes, 405 00:22:53,400 --> 00:22:54,520 Speaker 2: what do you think they were doing? I bet they 406 00:22:54,520 --> 00:22:59,040 Speaker 2: were smoking hookah? You think that was on Christmas? On 407 00:22:59,200 --> 00:23:04,320 Speaker 2: Christmas at the Abouka backstage, they were gathered around the hookah. 408 00:23:05,200 --> 00:23:09,199 Speaker 2: Why else would they be late? Oh, they were smoking 409 00:23:09,280 --> 00:23:12,720 Speaker 2: shareing something, you know what, that's the only excuse. 410 00:23:12,920 --> 00:23:15,760 Speaker 3: Okay, maybe if they were smoking some hookah at the Capitol, 411 00:23:15,840 --> 00:23:17,600 Speaker 3: then I could respect it because that would be the 412 00:23:17,680 --> 00:23:19,919 Speaker 3: equivalent of them driving the wrong way on the freeway 413 00:23:19,960 --> 00:23:24,800 Speaker 3: for Glas style. Okay, hookah at the Capitol on Christmas, 414 00:23:25,000 --> 00:23:26,560 Speaker 3: And that's why you're late for Patty LaBelle. 415 00:23:26,600 --> 00:23:27,679 Speaker 2: The one song you have to do. 416 00:23:28,119 --> 00:23:32,480 Speaker 3: Forget about the fact that hang all the missile, I'm 417 00:23:32,520 --> 00:23:36,240 Speaker 3: Gonna get to know your bed. What I loved was 418 00:23:36,359 --> 00:23:39,200 Speaker 3: just when she started like belting and like guessing riffing 419 00:23:39,280 --> 00:23:42,840 Speaker 3: at the song, honestly clocking in an iconic rendition. 420 00:23:43,119 --> 00:23:45,960 Speaker 2: Oh, I mean, I will always remember the melody of 421 00:23:47,080 --> 00:23:48,960 Speaker 2: I'm Gonna add them all I can. 422 00:23:52,680 --> 00:23:57,760 Speaker 1: Because I know the words and I don't have that downsingers. 423 00:24:05,440 --> 00:24:09,960 Speaker 2: Mean that is iconic Patty, Thank. 424 00:24:09,840 --> 00:24:14,000 Speaker 3: You, oh man, and this is why, thank you for 425 00:24:14,080 --> 00:24:17,920 Speaker 3: making it seasonal. This is why that where our background 426 00:24:17,960 --> 00:24:20,680 Speaker 3: singers is number five. That's Patti LaBelle on the list 427 00:24:20,720 --> 00:24:25,800 Speaker 3: of top ten Diva moments Lost Culture, number. 428 00:24:25,560 --> 00:24:32,520 Speaker 2: Four, singing, singing, Whitneys the gift, the gift. And you know, 429 00:24:32,680 --> 00:24:35,639 Speaker 2: obviously there are a lot of spoken moments from Whitney 430 00:24:35,720 --> 00:24:40,000 Speaker 2: that are iconic, but none of them are why we 431 00:24:40,119 --> 00:24:42,399 Speaker 2: love her. None of them are why she is a diva. 432 00:24:43,040 --> 00:24:45,480 Speaker 2: She's a diva because she is one of the best 433 00:24:45,680 --> 00:24:47,240 Speaker 2: recording artists of all time. 434 00:24:47,480 --> 00:24:51,680 Speaker 3: We could have said when she sang, and we could 435 00:24:51,720 --> 00:24:56,520 Speaker 3: have said when she said, I listened to singers very rare, 436 00:24:56,600 --> 00:25:00,040 Speaker 3: listen to people who cannot sing. We could have you 437 00:25:00,119 --> 00:25:01,679 Speaker 3: know what I was thinking about putting on here? 438 00:25:02,040 --> 00:25:03,080 Speaker 1: Why are you down there? 439 00:25:03,640 --> 00:25:07,440 Speaker 2: To Brandy? But none of these really get it across. 440 00:25:07,560 --> 00:25:10,080 Speaker 3: Which is the reason why she's able to say all 441 00:25:10,160 --> 00:25:12,240 Speaker 3: these things and do all these things is connected to 442 00:25:13,000 --> 00:25:16,760 Speaker 3: her own singing, So it would be actually disrespectful. And 443 00:25:16,880 --> 00:25:19,600 Speaker 3: this has been so far a list of great respect, 444 00:25:19,920 --> 00:25:23,280 Speaker 3: a great respect to say that the number one thing 445 00:25:23,560 --> 00:25:25,439 Speaker 3: we love about her is anything other than singing. 446 00:25:25,720 --> 00:25:31,920 Speaker 2: Okay, I mean, she is purely evocative. If you say 447 00:25:32,119 --> 00:25:39,080 Speaker 2: the words singing, you think Whitney. You think Whitney. If 448 00:25:39,080 --> 00:25:40,600 Speaker 2: you hear the if you say the words and I, 449 00:25:41,280 --> 00:25:44,639 Speaker 2: you think about Whitney. If you say the words, I 450 00:25:44,840 --> 00:25:49,040 Speaker 2: believe the children you're going to finish that thought are 451 00:25:49,119 --> 00:25:56,879 Speaker 2: our future. Teach them well the way of speaking of 452 00:25:56,880 --> 00:25:59,800 Speaker 2: the greatest love of all That music video of her, 453 00:26:00,240 --> 00:26:03,159 Speaker 2: of her just walking, just coming down the fire escape. 454 00:26:03,359 --> 00:26:08,119 Speaker 2: I said, that is beauty. That is art. She is 455 00:26:08,359 --> 00:26:12,680 Speaker 2: brimming with the spirit of a star quality, the spirit 456 00:26:12,760 --> 00:26:16,920 Speaker 2: of creativity, of just expression. I just that is perfect. 457 00:26:17,040 --> 00:26:21,080 Speaker 2: Whitney Houston. We love you, We love you, Whitney. We 458 00:26:21,520 --> 00:26:25,080 Speaker 2: will always remember you, and we will always have the music. 459 00:26:25,680 --> 00:26:27,960 Speaker 2: I was with you the night that she died. Oh god, 460 00:26:28,040 --> 00:26:31,400 Speaker 2: where were we? It was at Skidmore again. Oh my god, 461 00:26:31,480 --> 00:26:34,879 Speaker 2: you're right. Was it that year? February twenty twelve was 462 00:26:34,920 --> 00:26:35,640 Speaker 2: when she passed away. 463 00:26:35,640 --> 00:26:37,600 Speaker 3: Oh you know what, I didn't go to Skidmore that year. 464 00:26:39,160 --> 00:26:41,960 Speaker 3: And you know what that actually really makes me remember something, 465 00:26:42,000 --> 00:26:45,680 Speaker 3: which is I was doing Marazzad. We had performances. I 466 00:26:45,760 --> 00:26:47,720 Speaker 3: was in the musical at NYU called marat Sad. It 467 00:26:47,800 --> 00:26:51,359 Speaker 3: was a punk rock musical interpretation of the play The 468 00:26:51,400 --> 00:26:58,800 Speaker 3: Assassination of marat By. Yeah, the marquis and the assistant 469 00:26:58,840 --> 00:27:01,320 Speaker 3: director looked at all us before and said. 470 00:27:01,840 --> 00:27:07,000 Speaker 2: Do this one for Whitney, and we all understood like 471 00:27:07,480 --> 00:27:09,679 Speaker 2: that we would do it for Whitney, but we also laughed. 472 00:27:10,600 --> 00:27:12,560 Speaker 2: That reminds me of not to bring up another death 473 00:27:12,760 --> 00:27:15,240 Speaker 2: and not to I just not to relate this, but 474 00:27:15,960 --> 00:27:18,000 Speaker 2: I had a story pirate show the day that Robin 475 00:27:18,040 --> 00:27:22,399 Speaker 2: Williams passed away, and I think someone said, let's do 476 00:27:22,480 --> 00:27:29,000 Speaker 2: this for Robin. You know that we say such sentimental 477 00:27:29,040 --> 00:27:32,240 Speaker 2: silly things upon a upon an icon's passing. 478 00:27:32,880 --> 00:27:35,960 Speaker 3: But that's okay, Yeah, that is okay because guess what. 479 00:27:36,119 --> 00:27:37,440 Speaker 3: I bet a little part of you did do it 480 00:27:37,480 --> 00:27:39,119 Speaker 3: for Robin, and I know a little part of you 481 00:27:39,200 --> 00:27:41,920 Speaker 3: did it for Whitney, just like we're just like the 482 00:27:41,960 --> 00:27:44,360 Speaker 3: little parts of us are doing this for Whitney right now. 483 00:27:45,200 --> 00:27:49,120 Speaker 3: And all this is why Whitney Houston is number four 484 00:27:52,840 --> 00:27:55,240 Speaker 3: the top ten demer moments Lost coach. 485 00:27:55,080 --> 00:28:07,720 Speaker 2: For her singing for her singing number three, I don't 486 00:28:07,760 --> 00:28:09,600 Speaker 2: know her, Mariah Carey. 487 00:28:09,880 --> 00:28:13,159 Speaker 3: So whereas Whitney, of course we have to because it 488 00:28:13,200 --> 00:28:16,679 Speaker 3: would be disrespectful to not first and foremost say you're singing, 489 00:28:17,200 --> 00:28:20,679 Speaker 3: we've boiled Mariah down to I don't know her for. 490 00:28:20,840 --> 00:28:25,320 Speaker 2: Good reason, because, especially upon reading the meaning of Mariah Carey, 491 00:28:25,960 --> 00:28:29,560 Speaker 2: this moment makes total sense now and it actually speaks 492 00:28:29,640 --> 00:28:33,760 Speaker 2: to It speaks to Mariah's relationship to her work. She 493 00:28:34,200 --> 00:28:37,360 Speaker 2: cares about the way the work comes together and when 494 00:28:37,400 --> 00:28:39,480 Speaker 2: it gets taken and when the work gets taken away 495 00:28:39,480 --> 00:28:42,400 Speaker 2: from her and given to someone else, maybe Jennifer Lopez. 496 00:28:43,080 --> 00:28:46,120 Speaker 2: Then she acts out in her dieva way that we 497 00:28:46,240 --> 00:28:48,240 Speaker 2: all know and love her. For first of all, you 498 00:28:48,320 --> 00:28:50,000 Speaker 2: don't get to be a bigger Lamb than me. I'm 499 00:28:50,000 --> 00:28:53,520 Speaker 2: in the labilly, firmly and forever. And I have a 500 00:28:53,640 --> 00:28:56,280 Speaker 2: poster in my apartment that says I don't know her. 501 00:28:57,160 --> 00:29:00,000 Speaker 2: In Mariah carry an iconic butterfly font. 502 00:29:00,200 --> 00:29:03,280 Speaker 3: And I would say that like it does give me 503 00:29:03,560 --> 00:29:06,480 Speaker 3: the essence of Mariah, and that it is superior because 504 00:29:06,520 --> 00:29:09,080 Speaker 3: she is. And it also does something for me every 505 00:29:09,160 --> 00:29:11,560 Speaker 3: day where I say I don't know her, like anyone 506 00:29:11,680 --> 00:29:15,000 Speaker 3: who is in my ship, anyone who's trying to be 507 00:29:15,080 --> 00:29:17,280 Speaker 3: in my image, anyone who's trying to suck with me, 508 00:29:17,360 --> 00:29:20,880 Speaker 3: anyone who's anyone who's who's managed by my ex husband. 509 00:29:21,560 --> 00:29:24,840 Speaker 2: I don't know her. I don't know her. Tommy Matola 510 00:29:24,920 --> 00:29:25,600 Speaker 2: found dad. 511 00:29:26,040 --> 00:29:28,960 Speaker 3: I mean, so, did you ever see the Watch It 512 00:29:29,040 --> 00:29:31,600 Speaker 3: Happens Live where they played a game with Mariah called 513 00:29:31,680 --> 00:29:32,440 Speaker 3: does she know her? 514 00:29:32,800 --> 00:29:36,640 Speaker 2: Yes? And then Mariah had the funniest little quip. She said, well, 515 00:29:36,720 --> 00:29:42,640 Speaker 2: apparently I'm very forgetful. Well, apparently I'm very forgetful. So funny, 516 00:29:42,640 --> 00:29:43,080 Speaker 2: And they said. 517 00:29:43,760 --> 00:29:46,840 Speaker 3: Demi Lovado had something to say about how nasty Mariah 518 00:29:47,080 --> 00:29:50,360 Speaker 3: is to Jennifer Lopez, and Mariah said, I don't know 519 00:29:50,560 --> 00:29:55,280 Speaker 3: her either, she said, and then she said, she. 520 00:29:55,320 --> 00:29:57,240 Speaker 2: Has a problem. She can come to me like a woman, 521 00:29:57,360 --> 00:29:59,000 Speaker 2: and she could say, I have a problem. Here's what 522 00:29:59,080 --> 00:30:01,360 Speaker 2: I think. That's how you handleshit. And you know that 523 00:30:01,480 --> 00:30:04,320 Speaker 2: Demi Lovado was found dead when she heard that. I mean, 524 00:30:05,640 --> 00:30:08,080 Speaker 2: Demi can punch her way out of that one. I'm 525 00:30:08,120 --> 00:30:14,520 Speaker 2: sorry to say, I'm gonna beat this bitch up. And 526 00:30:15,680 --> 00:30:20,160 Speaker 2: I don't know her. I mean, it is it is 527 00:30:20,360 --> 00:30:24,520 Speaker 2: the perfect way to like let something slide off, just 528 00:30:24,600 --> 00:30:27,400 Speaker 2: to be like this doesn't belong to me, this person, 529 00:30:28,160 --> 00:30:31,080 Speaker 2: this person I'm not responsible to. I'm not responsible for 530 00:30:31,160 --> 00:30:32,600 Speaker 2: commenting on her. I don't know her. 531 00:30:32,840 --> 00:30:36,600 Speaker 3: I literally don't know her. It's so powerful any of 532 00:30:36,640 --> 00:30:38,680 Speaker 3: the mess you're talking about with like what they might 533 00:30:38,720 --> 00:30:41,960 Speaker 3: have said about me. I don't know her period. I 534 00:30:42,040 --> 00:30:45,040 Speaker 3: don't have knowledge of the personhood. I don't have knowledge 535 00:30:45,040 --> 00:30:47,800 Speaker 3: of the personhood of this individual. I don't know her. 536 00:30:48,800 --> 00:30:51,800 Speaker 2: Cut cut cut. Thank you Mariah for giving us that. 537 00:30:51,960 --> 00:30:55,560 Speaker 3: And of course, your incredible singing and songwriting prowess is legendary, 538 00:30:56,480 --> 00:30:59,840 Speaker 3: but you are mostly for words. I don't know her, 539 00:31:00,200 --> 00:31:02,440 Speaker 3: and that is why you rank at number three. I 540 00:31:02,480 --> 00:31:06,360 Speaker 3: don't know her. Mariah on Top ten Diva Moments Lost, 541 00:31:07,520 --> 00:31:11,400 Speaker 3: speaking of things people said out serving their singing talent. 542 00:31:11,680 --> 00:31:20,160 Speaker 2: Number two. Okay, beautiful gowns are I mean, this is 543 00:31:20,440 --> 00:31:25,800 Speaker 2: a hilarious thing to say about our current braining pop icon, 544 00:31:26,080 --> 00:31:30,440 Speaker 2: the Beatles of our generation. Taylor Taylor, and. 545 00:31:30,640 --> 00:31:34,360 Speaker 3: She said after probably the fourth person that she had 546 00:31:34,400 --> 00:31:37,520 Speaker 3: been asked about, and even Alicia Key's got good writer, 547 00:31:38,320 --> 00:31:41,920 Speaker 3: young producer, Taylor got. 548 00:31:42,320 --> 00:31:48,080 Speaker 2: Okay, great gown down, beautiful gowautiful gowns. I think maybe 549 00:31:48,840 --> 00:31:51,440 Speaker 2: I think Taylor keeps your ear to the ground, and 550 00:31:51,520 --> 00:31:55,640 Speaker 2: I think maybe this was something that sprung her into 551 00:31:57,440 --> 00:32:00,640 Speaker 2: You always need an I'll show them attitude. Didn't show biz, 552 00:32:00,800 --> 00:32:03,120 Speaker 2: don't you? And that was Taylor Swifts. 553 00:32:03,200 --> 00:32:07,080 Speaker 3: Don't blame me, yes, she said, she said, oh she 554 00:32:07,160 --> 00:32:08,440 Speaker 3: has something to say about my singing. 555 00:32:08,800 --> 00:32:11,560 Speaker 2: Get in the studio. We're recording. Don't blame me. Don't 556 00:32:11,640 --> 00:32:14,880 Speaker 2: blame me. Love made me crazy, doesn't you? 557 00:32:15,240 --> 00:32:18,120 Speaker 3: Jo in it ry and I will say that Aretha 558 00:32:18,200 --> 00:32:21,040 Speaker 3: would be so shook to hear that we're complimenting Taylor's 559 00:32:21,120 --> 00:32:23,520 Speaker 3: vocals in a thing where she said, Okay, great gowns, 560 00:32:23,560 --> 00:32:26,000 Speaker 3: beautiful gown So let's just go back, do we. 561 00:32:26,240 --> 00:32:31,600 Speaker 2: Nevin it's a great song. 562 00:32:34,880 --> 00:32:35,160 Speaker 3: Use a. 563 00:32:43,040 --> 00:32:46,440 Speaker 2: I mean she goes hard reputation. I mean we're talking 564 00:32:46,440 --> 00:32:52,840 Speaker 2: about reputation, narrate the Franklin entry, Okay, I mean Aretha, 565 00:32:53,000 --> 00:32:56,000 Speaker 2: we obviously know the vocal prowess, but this was one 566 00:32:56,040 --> 00:33:00,800 Speaker 2: of her last great contributions to the culture. Great gowns, 567 00:33:00,840 --> 00:33:01,480 Speaker 2: beautiful guns. 568 00:33:01,520 --> 00:33:04,000 Speaker 3: I mean, the whole thing is funny that maybe even 569 00:33:04,400 --> 00:33:08,600 Speaker 3: good writer, young producer might be funnier, funnier than and 570 00:33:08,720 --> 00:33:13,440 Speaker 3: then of course Nicki minaj manaj I. 571 00:33:13,640 --> 00:33:18,360 Speaker 2: Not that one. Thank you Aretha for your countless contributions. 572 00:33:19,000 --> 00:33:21,200 Speaker 2: And this might be some recency bias, but we are 573 00:33:21,320 --> 00:33:25,560 Speaker 2: putting okay, great gowns Beautiful Gowns as number two on 574 00:33:25,720 --> 00:33:28,920 Speaker 2: this list of the top ten Devon moments, Last Coach 575 00:33:29,880 --> 00:33:41,040 Speaker 2: number one. Good Look of our greatest Comedian one of 576 00:33:41,080 --> 00:33:42,160 Speaker 2: the funniest comics. 577 00:33:42,720 --> 00:33:46,520 Speaker 3: I think that when Siara tried to come for Rihanna 578 00:33:46,600 --> 00:33:49,320 Speaker 3: and said she was rooted in an event, and Rihanna 579 00:33:49,400 --> 00:33:52,160 Speaker 3: responded on Twitter, my bad seeds that I forget to 580 00:33:52,240 --> 00:33:56,640 Speaker 3: tip you at a restaurant, and Siara said, Honey, I 581 00:33:56,760 --> 00:33:57,400 Speaker 3: have no time for this. 582 00:33:57,480 --> 00:34:00,600 Speaker 2: I'm about to go on stage. And Rihanna killed, are dead? 583 00:34:01,080 --> 00:34:02,600 Speaker 2: What did you do? What was it? What was it 584 00:34:02,720 --> 00:34:04,960 Speaker 2: you said? I think Sierra said, I'm sorry, I'm sorry 585 00:34:05,040 --> 00:34:09,480 Speaker 2: to correct you, but I think Sierra said, you trust me, Rihanna, 586 00:34:09,520 --> 00:34:11,640 Speaker 2: you don't want to see me on or off stage, 587 00:34:12,280 --> 00:34:16,200 Speaker 2: and which then prompted Rihanna to say, good luck that. 588 00:34:18,280 --> 00:34:21,360 Speaker 3: You speak of, you speak of booking, that stage you 589 00:34:21,440 --> 00:34:23,680 Speaker 3: speak of, it's that you speak of. 590 00:34:23,800 --> 00:34:28,359 Speaker 2: That's really the perfect little ornament, you know. I saw 591 00:34:28,480 --> 00:34:30,320 Speaker 2: Rihanna at a restaurant. She was very rude. 592 00:34:31,480 --> 00:34:34,279 Speaker 3: My bad scenes that I forget to tip you trust me, 593 00:34:34,360 --> 00:34:36,360 Speaker 3: you don't want to see me on or off stage? 594 00:34:36,960 --> 00:34:39,600 Speaker 2: Good look book in that stage you speak of. I 595 00:34:39,719 --> 00:34:44,320 Speaker 2: mean you have you have a death wish if you 596 00:34:44,480 --> 00:34:48,720 Speaker 2: want a step to Rihanna, if you don't want that smoke, 597 00:34:49,360 --> 00:34:50,480 Speaker 2: it's a billion. 598 00:34:50,200 --> 00:34:53,640 Speaker 3: Dollars, a blunt and a Twitter log in, and it's 599 00:34:53,880 --> 00:34:56,800 Speaker 3: the death to all of them. In the words of 600 00:34:56,880 --> 00:35:05,040 Speaker 3: Wendy okay kay oh, okay oh, it's over knockout, total 601 00:35:05,480 --> 00:35:06,200 Speaker 3: total koh. 602 00:35:06,640 --> 00:35:09,200 Speaker 2: I think this is a worthy spot for number one. 603 00:35:09,320 --> 00:35:12,080 Speaker 2: I really do, because you and I think about this 604 00:35:12,200 --> 00:35:15,239 Speaker 2: all the time. You won't see me arguing against a 605 00:35:15,400 --> 00:35:18,640 Speaker 2: single choice on this list and not this. This does 606 00:35:18,719 --> 00:35:21,320 Speaker 2: not end here. I would say this was the moment 607 00:35:21,360 --> 00:35:22,480 Speaker 2: that to find a generation. 608 00:35:23,160 --> 00:35:24,920 Speaker 3: This was This was the. 609 00:35:25,040 --> 00:35:30,440 Speaker 2: Spoken equivalent of Rihanna's Loud album, Yes, her most experimental 610 00:35:30,760 --> 00:35:38,520 Speaker 2: spoken word her This was this opened the door, and 611 00:35:38,600 --> 00:35:40,880 Speaker 2: this opened the door to be Rihanna as a mogul, 612 00:35:41,440 --> 00:35:43,320 Speaker 2: as a mogul. I think this is one of the 613 00:35:43,400 --> 00:35:46,080 Speaker 2: only moments that was played out on Twitter, and that 614 00:35:46,320 --> 00:35:48,640 Speaker 2: is interesting as well, like this is all this is 615 00:35:48,760 --> 00:35:49,920 Speaker 2: very twenty tens coded. 616 00:35:50,280 --> 00:35:52,719 Speaker 3: Yes it was, and also like we should have known 617 00:35:53,040 --> 00:35:54,880 Speaker 3: we were flying too close to the sun right there, 618 00:35:55,000 --> 00:35:57,560 Speaker 3: because like it was over after this, I mean, Twitter 619 00:35:57,640 --> 00:35:59,080 Speaker 3: slowly started to become worse. 620 00:35:58,960 --> 00:36:00,719 Speaker 2: And worse, like this was the peak of Twitter. This 621 00:36:00,880 --> 00:36:03,520 Speaker 2: was this was not knowing the good times of rolling 622 00:36:03,600 --> 00:36:09,880 Speaker 2: while they're rolling. I mean period. I for iconography, spos 623 00:36:09,920 --> 00:36:12,640 Speaker 2: for iconography. I love everyone who follows the Last Coach 624 00:36:12,680 --> 00:36:14,600 Speaker 2: Twitter and who interacts and engages with us on the 625 00:36:14,680 --> 00:36:17,920 Speaker 2: Last Coach side. Overall, I would say, it is just 626 00:36:18,000 --> 00:36:21,000 Speaker 2: tour chan now that site. It's It's bad. 627 00:36:21,200 --> 00:36:22,759 Speaker 3: I was wondering the other day. I was sort of 628 00:36:22,760 --> 00:36:26,600 Speaker 3: psychically asking you without directly asking me. I was like, 629 00:36:26,640 --> 00:36:29,080 Speaker 3: I wonder how much longer we keep the Twitter because 630 00:36:29,080 --> 00:36:29,879 Speaker 3: it feels. 631 00:36:29,680 --> 00:36:32,879 Speaker 2: Like it's I think they're done. I think it's over. 632 00:36:33,280 --> 00:36:35,799 Speaker 2: Like really mean, we we've been saying this for years, 633 00:36:35,840 --> 00:36:39,520 Speaker 2: but like I think five of the last nails in 634 00:36:39,600 --> 00:36:42,640 Speaker 2: the copin were slammed into it at the same time 635 00:36:43,160 --> 00:36:45,239 Speaker 2: in the last month or so. 636 00:36:45,560 --> 00:36:49,120 Speaker 3: Anyway, Yeah, yeah, but I mean, and here we are 637 00:36:49,719 --> 00:36:51,799 Speaker 3: saying that. I mean, I think one of the most 638 00:36:51,840 --> 00:36:57,480 Speaker 3: important inventions electronically and technically and socially was Twitter of 639 00:36:57,600 --> 00:37:01,120 Speaker 3: the past, you know, fifty years, and the peak of 640 00:37:01,200 --> 00:37:03,880 Speaker 3: it was what Rihanna said that lands on her at 641 00:37:03,960 --> 00:37:06,560 Speaker 3: number one on this list of top ten. Viva moments 642 00:37:07,239 --> 00:37:08,040 Speaker 3: lost culture. 643 00:37:08,719 --> 00:37:12,040 Speaker 2: Well, I think this was a very comprehensive list. There 644 00:37:12,040 --> 00:37:14,759 Speaker 2: were some missing entries. I think Pink, as we've said, 645 00:37:15,080 --> 00:37:17,680 Speaker 2: I think we were missing at Kelly Clarkson moment. I 646 00:37:17,800 --> 00:37:21,279 Speaker 2: think what would that have been. I think it would 647 00:37:21,320 --> 00:37:24,120 Speaker 2: would have been her winning a moment like a winning 648 00:37:24,160 --> 00:37:27,040 Speaker 2: American idol, winning a moment like this winning American Idol. 649 00:37:27,600 --> 00:37:32,720 Speaker 2: I think we missed something from Hillary Duff, from Miley 650 00:37:32,840 --> 00:37:34,160 Speaker 2: Cyrus Nicki Minaj. 651 00:37:36,120 --> 00:37:39,080 Speaker 3: Did you see Miley Cyrus through her own birthday party? 652 00:37:39,200 --> 00:37:42,279 Speaker 3: And her birthday party was she finally sang Flowers Live 653 00:37:42,760 --> 00:37:45,480 Speaker 3: to her friends and family. She said, my birthday party 654 00:37:45,600 --> 00:37:48,360 Speaker 3: was me singing my own songs, and I said, you 655 00:37:48,520 --> 00:37:49,520 Speaker 3: better fucking go. 656 00:37:49,760 --> 00:37:53,280 Speaker 2: Off, You better go off. Good for you, Miley, Yeah, legend. 657 00:37:54,000 --> 00:37:55,960 Speaker 3: But she did not make the list. And that doesn't 658 00:37:55,960 --> 00:37:57,840 Speaker 3: mean she can't make the list. Doesn't mean that you know, 659 00:37:58,320 --> 00:38:01,600 Speaker 3: Miley hasn't you know, done many things. But this list 660 00:38:01,760 --> 00:38:05,400 Speaker 3: was comprehensive and it's complete. And I give it to 661 00:38:05,520 --> 00:38:07,640 Speaker 3: my sister who put this one together. I merely made 662 00:38:07,719 --> 00:38:11,120 Speaker 3: one contribution, which was Divas Live and you really, you 663 00:38:11,320 --> 00:38:13,399 Speaker 3: really ate this down div moment. 664 00:38:13,560 --> 00:38:15,400 Speaker 2: You drove the other way on the freeway with this 665 00:38:15,480 --> 00:38:18,160 Speaker 2: one bit. Thank you Diva, so did you you were 666 00:38:18,200 --> 00:38:21,480 Speaker 2: at the wheel? Now, Jesus take it, Jesus take it. 667 00:38:21,640 --> 00:38:25,160 Speaker 2: Carrie Underwood also missing. Now. We hope to provide you 668 00:38:25,280 --> 00:38:27,080 Speaker 2: some more lists than the new Year, but for now, 669 00:38:27,440 --> 00:38:30,600 Speaker 2: enjoy the ones that we've given you. There's a lot 670 00:38:30,600 --> 00:38:33,319 Speaker 2: of great stuff in there, and we hope you learn. 671 00:38:33,600 --> 00:38:38,160 Speaker 2: We hope you listen. Learn and that's a good word, 672 00:38:38,600 --> 00:38:42,640 Speaker 2: means shed light. Thank you everyone for listening. Goodbye,