WEBVTT - Playa Ham has strong words for DJ Quik

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<v Speaker 1>What's happening. What's happening? What was happening? There's another episode

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<v Speaker 1>against the Chronicles podcast. I got another special guest with me,

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<v Speaker 1>like another special co host, my boy AJ from the

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<v Speaker 1>Connected Experience podcast. What's going on? What's going on? You

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<v Speaker 1>know what? It is? Anster mission in the house all day,

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<v Speaker 1>every day was going on. Big still oh man, you know,

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<v Speaker 1>same old stuff, man, But we got a really special

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<v Speaker 1>guest man one of the o g s in the game,

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<v Speaker 1>Man from the original Penthouse Players. Click, man, my boy player,

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<v Speaker 1>hand what's up with it? Man? One day at a time,

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<v Speaker 1>Maybe I cannot complain, you know what, Man, One day

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<v Speaker 1>at a time. Love. You know how we're doing. Well.

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<v Speaker 1>We got a lot of stuff to talk about, man,

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<v Speaker 1>for sure, for sure, Man, I want to go back

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<v Speaker 1>to the beginning, right mm hmm. You're from out of

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<v Speaker 1>content right now. Man, I'm not a South Central man.

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<v Speaker 1>A lot of people think that, you know, but and

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<v Speaker 1>you watch to the west side of l A. Man.

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<v Speaker 1>South Central was where I was born and raised, you know,

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<v Speaker 1>Oh for sure, for sure didn't know that we might

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<v Speaker 1>be bringing some news. That's where I think everybody thought

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<v Speaker 1>you some company. Man, I think that you know, because

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<v Speaker 1>of affiliations and associations, man, but you know it's not true. Well,

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<v Speaker 1>the first thing I want to ask you, man, is

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<v Speaker 1>because you grabbed the whole of what was with who

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<v Speaker 1>eventually became one of the best producers in hip hop.

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<v Speaker 1>I still think he was a day How did you

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<v Speaker 1>link how did you link up with Quick Man? How

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<v Speaker 1>old was he when you guys linked up? Man? He

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<v Speaker 1>had to be in his late teen teld me U.

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<v Speaker 1>I want to say maybe eighteen. I just turned nineteen. Uh, eighteen,

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<v Speaker 1>had to because it was a D eight. So anyway, Uh,

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<v Speaker 1>we had a little uh. But they used to call

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<v Speaker 1>him back in the day when you get on the

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<v Speaker 1>phone and everybody be talking. Yeah, but it was something

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<v Speaker 1>else like there on the chat line. It was called

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<v Speaker 1>party line. Yeah, party line, and you know we was

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<v Speaker 1>you know, one of my partners had a little money

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<v Speaker 1>and his brother and they came together. So it was

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<v Speaker 1>called the Penthouse party line and quick sister called inn

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<v Speaker 1>and my boy tweet chopped it up with his sisters.

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<v Speaker 1>Did a little brother through music to your producer And

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<v Speaker 1>you know he was a fledgement and you know, kind

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<v Speaker 1>of new to it at that time, but he still

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<v Speaker 1>had a talent that was a parent to anybody that

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<v Speaker 1>would pay attention, and uh, you know ship Basically he

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<v Speaker 1>auditioned with one of tweet beats for us man and

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<v Speaker 1>after a conversation between Tweet and this system and one

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<v Speaker 1>thing that to another man and you know, and they

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<v Speaker 1>had to go out there and get him and grab

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<v Speaker 1>him up and making part of the click. He was

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<v Speaker 1>like the missing peace, you know. So when y'all first

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<v Speaker 1>heard his music, did y'all know like, this guy is

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<v Speaker 1>gonna be somebody? He ended up being DJ Quick, But

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<v Speaker 1>did y'all see something in him, like, hey, he gotta

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<v Speaker 1>be down with us, because we know, if anything, this

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<v Speaker 1>young man don't be something in this music, he gonna

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<v Speaker 1>be a force. Yeah. Absolutely. As you're pursuing the dream,

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<v Speaker 1>you realize that, you know, you need to write pieces

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<v Speaker 1>together to continue the journey. And when you're young, you

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<v Speaker 1>might not be seeing that far ahead like a lot

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<v Speaker 1>of cats might have, you know, seen it like that.

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<v Speaker 1>But you know, from the early days of hip hop

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<v Speaker 1>so to speak, not that early, but you know, the

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<v Speaker 1>first ten years. So it's like, you know, at that time,

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<v Speaker 1>it was just about making the music and and and

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<v Speaker 1>and coming together and and doing what we do. So

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<v Speaker 1>of course, yeah, definitely when we met Quick. When I

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<v Speaker 1>met with Quick and we did that little audition being

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<v Speaker 1>on me for Tweet, I knew he was somebody that

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<v Speaker 1>was he was the missing piece and you know what

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<v Speaker 1>I'm saying or what we was trying to do because

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<v Speaker 1>we had dealt with other DJs and other situations and

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<v Speaker 1>you know, uh, me and Tweet wasn't really we hadn't

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<v Speaker 1>been together that long at that time, but at least

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<v Speaker 1>about a year or two maybe at the most. But

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<v Speaker 1>we knew that that your boy Quick was what we

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<v Speaker 1>was looking for to make us complete. You know, somebody

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<v Speaker 1>that coming to the clicking and be what you know,

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<v Speaker 1>apparently the other cats that had their DJ and the

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<v Speaker 1>music maker part of that click, you know, Dads and

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<v Speaker 1>Jeff and then being and you know what I'm saying,

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<v Speaker 1>cats like that, because that's really where he was how

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<v Speaker 1>we was moving. And of course Dre, you know, Dre

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<v Speaker 1>was was one of the greatest influences, oh Quick, you

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<v Speaker 1>know what I'm saying. Dre and East, you know, they

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<v Speaker 1>really was like the cats he wanted to be. You

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<v Speaker 1>know this time who bubbling in l A. You said,

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<v Speaker 1>it is early is eighty. It's a d A. So

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<v Speaker 1>you know n w A was doing that thing, you

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<v Speaker 1>know a little Yeah, I'm saying like we know in

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<v Speaker 1>w A, but like, who's some people who didn't make

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<v Speaker 1>it to the surface. But y'all still looked at at

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<v Speaker 1>the time like hey, this group or this person could

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<v Speaker 1>possibly be right behind in w A. Um Man, I

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<v Speaker 1>don't know if a cat even gave us type of

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<v Speaker 1>thing I thought. You know, we was in the circle

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<v Speaker 1>of a lot of artists though, you know, we were

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<v Speaker 1>you know, dealing with you know, battle cat was in

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<v Speaker 1>the cut um. There was some cats over there, uh

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<v Speaker 1>around the corner double trouble um, you know, some neighborhood cats.

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<v Speaker 1>You know what I'm saying. There was a lot of

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<v Speaker 1>things going on at the time, but the focus really

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<v Speaker 1>wasn't on what other cats was doing. It was on

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<v Speaker 1>when we was doing. You know I heard that man

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<v Speaker 1>let me ask you this him, So when did you

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<v Speaker 1>guys become the Penthouse players? Click? Cool, Well, that was

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<v Speaker 1>something I was moving with before I even got involved

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<v Speaker 1>with TWE, before I even got involved with Quick. Because

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<v Speaker 1>you know, when you're younger, especially coming up in the

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<v Speaker 1>era we come up in. If you ain't gangbanging. You

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<v Speaker 1>You ain't doing nothing. And I wasn't gangbanging, you know

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<v Speaker 1>what I'm saying. So I wanted to be a part

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<v Speaker 1>of something that I could you know, represent without getting

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<v Speaker 1>caught up in that gang time, you know, and all

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<v Speaker 1>honest the amount of total his story before. One of

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<v Speaker 1>my partners, man, his name is Mark. I wish I

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<v Speaker 1>could remember his last name. But you know, when I

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<v Speaker 1>was looking for a name for my click, trying to

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<v Speaker 1>think of how I wanted to move with this rap

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<v Speaker 1>because I was starting to wrap it, you know, I

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<v Speaker 1>felt like I was real good at it in that potential.

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<v Speaker 1>And my boy was walking down the street and I

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<v Speaker 1>see Penhouse Players on the back of his jacket, right,

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<v Speaker 1>and I was like, well, you know, play, I'm gonna

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<v Speaker 1>take that. And I just added original and click and

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<v Speaker 1>and mashed with it, you know, and made it, made

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<v Speaker 1>it famous, so to speak, you know. And I wonder

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<v Speaker 1>where my boy at now, man, because I feel like

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<v Speaker 1>I owe him something. Yeah, that's how that happened, man,

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<v Speaker 1>That Penouse Players. I liked it, that name, you know,

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<v Speaker 1>and it was already kind of calling me play a

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<v Speaker 1>ham without even you know, knowing that that's the direction

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<v Speaker 1>it was going in, you know what I'm saying. So,

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<v Speaker 1>like one thing that just good out to me. You

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<v Speaker 1>was like very adamant about standing away from the gang

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<v Speaker 1>culture in the gang life. Was that because like you're

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<v Speaker 1>upbringing inside the household. What made you want to stay

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<v Speaker 1>away from gangs at a time where people was rushing

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<v Speaker 1>to be a part of the game. Uh well, I

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<v Speaker 1>wouldn't say that was Russian, but what I would say

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<v Speaker 1>was it it had its appeal. You know, I knew

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<v Speaker 1>some real gangs to catch, some real crypt niggas that

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<v Speaker 1>you know that I admired, you know what I'm saying.

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<v Speaker 1>And I knew that I wasn't them, you know, I

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<v Speaker 1>knew that that what my nigga is doing, I'm not

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<v Speaker 1>doing that. But we was, you know, in the neighborhood,

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<v Speaker 1>you know. And like I said, whatever neighborhood you grow

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<v Speaker 1>up in, you affiliated with that neighborhood anywhere on some

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<v Speaker 1>level or another. So I just happened to be at

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<v Speaker 1>that time in the thirties, Harlem, and so my niggas

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<v Speaker 1>was Harlem crips, you know what I'm saying. Even though

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<v Speaker 1>when I went to school that lot and you know,

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<v Speaker 1>my original cats. It was main street cats, you know

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<v Speaker 1>what I'm saying, nine eight and all that. But on

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<v Speaker 1>the West Side is where I was living at the time.

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<v Speaker 1>So my you know, my major affiliation even on my

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<v Speaker 1>niggas is from over there, from Man but um my

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<v Speaker 1>brother's tour as well from Harlem, and so you know,

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<v Speaker 1>I knew that wasn't me though. On me, I knew

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<v Speaker 1>what my niggas was doing, I wasn't gonna do. I

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<v Speaker 1>knew when he was hanging out, I wasn't hanging out

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<v Speaker 1>like that, you know what I'm saying. I was on

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<v Speaker 1>something different, but then it was still my catch, you

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<v Speaker 1>know what I'm saying. Yeah, I just didn't you know,

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<v Speaker 1>I knew that wasn't mean man. I knew that was

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<v Speaker 1>something I wanted to be a part of. You know. Yeah,

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<v Speaker 1>that's that's honorable. Yeah, So let me ask you this him.

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<v Speaker 1>So you guys went in there, y'all started working with

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<v Speaker 1>Quick immediately off the rip on the players, I was

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<v Speaker 1>clicking alum, right, yeah, payers click right. But we're not

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<v Speaker 1>necessarily on the album, just music. Just because his his

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<v Speaker 1>his style Quick didn't have quite you know, know what

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<v Speaker 1>direction he was gonna go in at the time. You

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<v Speaker 1>know what I'm saying, Quick was saying when he came

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<v Speaker 1>to the click, he wasn't even really rather he was

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<v Speaker 1>just doing beats and singing, and you know, but he

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<v Speaker 1>had the potential. You know, you could hear it. It's like, boy,

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<v Speaker 1>you did that. And he was around one of his

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<v Speaker 1>uncles that was making music, and so you know, he

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<v Speaker 1>was being groomed and teaching himself how to do the

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<v Speaker 1>thing as he was doing. And as far as he saying,

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<v Speaker 1>he was already doing little DJ ship, you know, so

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<v Speaker 1>getting off into the creativeness of the keys. He kind

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<v Speaker 1>of taught himself, but the gift was obviously in it.

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<v Speaker 1>You know a lot of people want to make music.

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<v Speaker 1>When he told us he needed this or he needed that,

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<v Speaker 1>you know, like you know, my mom's really looked out

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<v Speaker 1>for us man. So you know, between her and my partners,

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<v Speaker 1>that was getting money in the streets. And you know,

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<v Speaker 1>we tell a living that's what we need, thats what

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<v Speaker 1>we gotta do, you know, uh, because we're like, well,

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<v Speaker 1>hand whatever you need. When I got your back, you

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<v Speaker 1>know what I'm saying. So we needed a PC equipment,

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<v Speaker 1>you know, we get it, you know what I'm saying. Yeah, yeah, hold,

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<v Speaker 1>I don't want you mentioned the importance of the DJ

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<v Speaker 1>back during that time, and a lot of people don't

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<v Speaker 1>know that the DJ was actually a really big part

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<v Speaker 1>for the music. You know what I'm saying, Yeah, he was.

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<v Speaker 1>He was the one that that kept the crowd interested

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<v Speaker 1>in what you was doing if you wasn't a sexy

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<v Speaker 1>nigger or you know whatever. A lot of cats was.

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<v Speaker 1>You know what I'm saying that you know, certain groups,

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<v Speaker 1>I guess the DJ was background, but when he was

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<v Speaker 1>the forefront. You know, a lot of the the DJ's

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<v Speaker 1>name was involved in the name of the group. You

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<v Speaker 1>know what I'm saying. A lot of times it was

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<v Speaker 1>it was the DJ who was the man. You know

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<v Speaker 1>what I'm so, just how do you how you moved?

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<v Speaker 1>And we was the click? So you know, even though

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<v Speaker 1>I called myself the lead wrapper or whatever, but you know,

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<v Speaker 1>the Click wouldn't have been what it was without Quick,

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<v Speaker 1>and Quick wouldn't have been what he is without the Click.

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<v Speaker 1>But that don't mean the ship whn't the win and

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<v Speaker 1>did whatever it was gonna do it. I don't mean

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<v Speaker 1>Niggas would have went on to something great. It just

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<v Speaker 1>means that what it is, it is under the great

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<v Speaker 1>influence of each other, you know. Yeah, so not working

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<v Speaker 1>together and y'all become this crew on everything. What's the

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<v Speaker 1>record that you are recording? Y'all saying on all we

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<v Speaker 1>were getting the deal off this one, because eventually y'all

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<v Speaker 1>signed to one of the greatest regular labels in the world,

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<v Speaker 1>which would be Ruthless Records. Right, So what was the

0:11:03.840 --> 0:11:06.520
<v Speaker 1>record that made you all say, hey, we were getting

0:11:06.520 --> 0:11:08.400
<v Speaker 1>the deal off this, we could really do this. We

0:11:08.440 --> 0:11:12.440
<v Speaker 1>got aren't listening piece, let's go, We're ready in a lot, honesty, hommy,

0:11:12.520 --> 0:11:16.640
<v Speaker 1>we had like three deals before we got that, Before

0:11:16.640 --> 0:11:22.320
<v Speaker 1>that Penthouse Players Click deal arrived, right exclusive. Yeah, we

0:11:22.320 --> 0:11:29.440
<v Speaker 1>we had situations where, uh we were supposed to move

0:11:29.480 --> 0:11:32.280
<v Speaker 1>in a certain direction and it didn't happen. We was

0:11:32.360 --> 0:11:37.920
<v Speaker 1>with uh uh together, we were with West Coast Record Distributors,

0:11:38.480 --> 0:11:45.079
<v Speaker 1>and that was when Linzo Williams, Unknown DJ, Rudy Party

0:11:45.760 --> 0:11:54.160
<v Speaker 1>and Egyptian Lover. Okay, excuse me, let me go back

0:11:54.200 --> 0:11:56.800
<v Speaker 1>to the unknowned DJ real quickly unknowned DJ was known

0:11:56.840 --> 0:12:00.040
<v Speaker 1>for Gaff and Young Brothers publishing in the day. We'll know,

0:12:00.920 --> 0:12:03.720
<v Speaker 1>we didn't have that issue. I ain't saying that would

0:12:03.760 --> 0:12:06.680
<v Speaker 1>have happened or wouldn't have happened later. But you know,

0:12:06.760 --> 0:12:08.240
<v Speaker 1>that was just the name of the game on me

0:12:08.280 --> 0:12:11.680
<v Speaker 1>when the Cats you know, cast this was following suit

0:12:11.720 --> 0:12:13.640
<v Speaker 1>of what they were told on me. You know that's

0:12:13.800 --> 0:12:16.920
<v Speaker 1>that I mean, if you don't know, you're gonna get got,

0:12:17.160 --> 0:12:20.679
<v Speaker 1>you know what I'm saying. So you know, in that situation,

0:12:21.120 --> 0:12:23.440
<v Speaker 1>they just wasn't moving quick enough for us, you know,

0:12:23.760 --> 0:12:30.440
<v Speaker 1>And so we moved on from that situation to another situation. Okay, Uh,

0:12:31.600 --> 0:12:34.720
<v Speaker 1>that situation we moved on to was a cat named

0:12:34.720 --> 0:12:39.840
<v Speaker 1>George Murphy about of eight Mile Road. He was I

0:12:39.840 --> 0:12:42.400
<v Speaker 1>think he was a Detroit cat. But yes, yeah, yeah, yeah,

0:12:42.440 --> 0:12:45.080
<v Speaker 1>that name so familiar when you said we run the West.

0:12:45.120 --> 0:12:47.320
<v Speaker 1>I'm a man, I'm from inster Michigan. That's twenty minutes

0:12:47.360 --> 0:12:50.040
<v Speaker 1>from Detroit. So yeah, I said that name. I'm like, yo,

0:12:50.080 --> 0:12:53.120
<v Speaker 1>that's not kind of familiar. George Murphy was a cats

0:12:53.200 --> 0:12:55.079
<v Speaker 1>you know, trying to make moves me at a studio

0:12:55.080 --> 0:12:57.400
<v Speaker 1>and Peko in l A And so we was locked

0:12:57.400 --> 0:12:58.839
<v Speaker 1>in with them for a minute. They put us in

0:12:58.880 --> 0:13:02.280
<v Speaker 1>the big studio and uh, you know, we was making

0:13:02.360 --> 0:13:04.480
<v Speaker 1>music with him. But once again, it was a situation

0:13:04.480 --> 0:13:06.360
<v Speaker 1>where it wasn't moving like it was supposed to move,

0:13:06.960 --> 0:13:09.360
<v Speaker 1>And so we moved on from him as well. You know,

0:13:10.120 --> 0:13:13.280
<v Speaker 1>we had a few songs, like when you asked about songs, man,

0:13:13.360 --> 0:13:15.199
<v Speaker 1>you know, like I said, I was the lead rappisode

0:13:15.760 --> 0:13:18.000
<v Speaker 1>most of the music that was really getting the most

0:13:18.000 --> 0:13:19.960
<v Speaker 1>attention with Ship that I was rapping on. We had

0:13:20.000 --> 0:13:22.760
<v Speaker 1>a song called small Time Pushing. We had a song

0:13:22.840 --> 0:13:25.640
<v Speaker 1>called Hitting It. We had a song called Baby Wants

0:13:25.640 --> 0:13:28.679
<v Speaker 1>a Bowler. We had a song called My Dust, and

0:13:28.720 --> 0:13:32.280
<v Speaker 1>so we had music that once Quick came together with

0:13:32.360 --> 0:13:34.720
<v Speaker 1>what he was doing with him samples man. Quick, you know,

0:13:35.080 --> 0:13:37.520
<v Speaker 1>was was magic with the way he was sample man.

0:13:37.840 --> 0:13:40.319
<v Speaker 1>But like I said, he he followed in the footsteps

0:13:40.360 --> 0:13:42.120
<v Speaker 1>to Dre. I mean, he knew what he wanted to

0:13:42.120 --> 0:13:44.120
<v Speaker 1>do and how he wanted to do it. So he

0:13:44.160 --> 0:13:46.760
<v Speaker 1>took you know, the Dre style mixed in his own thing,

0:13:47.200 --> 0:13:49.480
<v Speaker 1>and then took the easy rap style mixed in his

0:13:49.559 --> 0:13:51.439
<v Speaker 1>own thing, mixed with what we was teaching him and

0:13:51.440 --> 0:13:53.880
<v Speaker 1>showing him and sharing with him, and and that just

0:13:53.960 --> 0:13:56.280
<v Speaker 1>you know, maybe it just grew stronger and stronger and

0:13:56.320 --> 0:13:59.880
<v Speaker 1>stronger and stronger, you know. But you know, we was

0:14:00.040 --> 0:14:02.200
<v Speaker 1>making music and we were man, we had a lot

0:14:02.240 --> 0:14:04.320
<v Speaker 1>of them, you know, Quick had them underground records that

0:14:04.360 --> 0:14:06.920
<v Speaker 1>everybody heard on that red tape. And when he first

0:14:06.960 --> 0:14:08.960
<v Speaker 1>started trying to do that gag bang music, I was

0:14:08.960 --> 0:14:10.720
<v Speaker 1>telling me, now, you ain't gonna do that over here,

0:14:10.840 --> 0:14:15.120
<v Speaker 1>you know. So um he did it anyway with whoever

0:14:15.120 --> 0:14:17.760
<v Speaker 1>would allow him to do it, you know, And so

0:14:19.080 --> 0:14:21.040
<v Speaker 1>that was bubbling at the time. It's like I was

0:14:21.080 --> 0:14:24.120
<v Speaker 1>just talking to somebody recently about how, you know, my

0:14:24.200 --> 0:14:27.480
<v Speaker 1>main influences that wrapped is you know the Cats from

0:14:27.640 --> 0:14:29.640
<v Speaker 1>you know, the early the mid eighties, you know, the

0:14:29.680 --> 0:14:33.760
<v Speaker 1>Big Daddy Canes and Ko rest WANs and and and

0:14:33.840 --> 0:14:38.440
<v Speaker 1>rock Kims and you know, uh, you know them them

0:14:38.520 --> 0:14:41.840
<v Speaker 1>Cats was the catch that that when I came in

0:14:41.920 --> 0:14:43.920
<v Speaker 1>the game there as the Cats, I was, you know,

0:14:44.560 --> 0:14:46.960
<v Speaker 1>on the level of trying to you know, be the

0:14:47.080 --> 0:14:51.040
<v Speaker 1>peer of you know, not really realizing that the game

0:14:51.120 --> 0:14:53.800
<v Speaker 1>was changing. And then Cats was you know, for lack

0:14:53.840 --> 0:14:56.120
<v Speaker 1>of better terms, that that music was on its way

0:14:56.120 --> 0:14:59.280
<v Speaker 1>out and the new music gangsters it was coming in

0:14:59.400 --> 0:15:01.840
<v Speaker 1>it begins and getting a lot stronger, you know what

0:15:01.840 --> 0:15:04.080
<v Speaker 1>I'm saying. So even if you know the four maps

0:15:04.120 --> 0:15:05.960
<v Speaker 1>that Quick and and and second and none was doing.

0:15:06.040 --> 0:15:09.160
<v Speaker 1>We have music like that too, and you know, but

0:15:09.240 --> 0:15:10.800
<v Speaker 1>that ain't the music that we did when we was

0:15:10.840 --> 0:15:14.280
<v Speaker 1>working on the Penthouse Players Click album. You know, Um,

0:15:14.320 --> 0:15:16.720
<v Speaker 1>we had options to do whatever we pretty much wanted

0:15:16.720 --> 0:15:18.520
<v Speaker 1>to do, man, and they had carte blanche over the

0:15:18.680 --> 0:15:21.320
<v Speaker 1>priority working with Easy and all that. But you know,

0:15:21.400 --> 0:15:24.960
<v Speaker 1>hindsight is, you know, at the time we over there

0:15:25.040 --> 0:15:27.960
<v Speaker 1>the Roofless, we didn't know Dre wasn't gonna be there.

0:15:28.080 --> 0:15:31.640
<v Speaker 1>That this the issue with with Dre and and and

0:15:31.640 --> 0:15:34.720
<v Speaker 1>and Easy and ice Cube. The ice Cube thing, we

0:15:34.800 --> 0:15:38.720
<v Speaker 1>knew about that, but we didn't know that that DRE

0:15:39.000 --> 0:15:41.200
<v Speaker 1>was gone, you know what I'm saying. Until we was

0:15:41.280 --> 0:15:43.720
<v Speaker 1>locked in and we was moving forward, we didn't We

0:15:43.920 --> 0:15:47.160
<v Speaker 1>weren't really aware of you know, because my deal came

0:15:47.160 --> 0:15:50.240
<v Speaker 1>in ninety one, early ninety one. So like I said,

0:15:50.320 --> 0:15:52.360
<v Speaker 1>once again, we don't know the inner workings and things

0:15:52.360 --> 0:15:55.080
<v Speaker 1>that are going on the drama that that Q might

0:15:55.080 --> 0:15:57.600
<v Speaker 1>have brought the priority and you know, all the you know,

0:15:57.640 --> 0:15:59.360
<v Speaker 1>the ship that you know you see in the movies.

0:15:59.440 --> 0:16:01.160
<v Speaker 1>Now that you're like, oh, that's what happened. You know

0:16:01.160 --> 0:16:03.120
<v Speaker 1>what I'm saying, that we wouldn't wear all the things

0:16:03.120 --> 0:16:06.120
<v Speaker 1>going on at the time. Now listen, you said y'all

0:16:06.240 --> 0:16:09.240
<v Speaker 1>wasn't aware that Dre was moving on. Do you think

0:16:09.280 --> 0:16:11.640
<v Speaker 1>that would have affected joe decision to go to Ruthless

0:16:11.680 --> 0:16:16.400
<v Speaker 1>if you had known that, because I mean, I definitely

0:16:16.440 --> 0:16:19.760
<v Speaker 1>think it would have affected Easy's decision to funk with

0:16:19.920 --> 0:16:23.480
<v Speaker 1>us because Easy was really chest moving to get too quick,

0:16:23.960 --> 0:16:26.440
<v Speaker 1>you know what I'm saying, and and and and on

0:16:26.560 --> 0:16:28.640
<v Speaker 1>whatever level he wanted to do that on That's what

0:16:29.080 --> 0:16:33.200
<v Speaker 1>my my hindsight is telling me. Um. But you know,

0:16:34.280 --> 0:16:38.960
<v Speaker 1>Rufus was the powerhouse. So you know, Easy was gonna

0:16:38.960 --> 0:16:41.840
<v Speaker 1>funk with some people and he was gonna get some things,

0:16:41.840 --> 0:16:44.560
<v Speaker 1>going to have rhythm d and whoever else he was sucking.

0:16:44.560 --> 0:16:47.880
<v Speaker 1>We're doing music. So you know, Easy was gonna make

0:16:47.920 --> 0:16:50.880
<v Speaker 1>some ship happen no matter what. But he was just

0:16:50.960 --> 0:16:53.000
<v Speaker 1>you know, spreading his wings because you know, the man

0:16:53.080 --> 0:16:55.160
<v Speaker 1>had money and he was still a regular cat, but

0:16:55.280 --> 0:16:57.520
<v Speaker 1>he was just moving with a lot of power behind

0:16:57.720 --> 0:17:00.440
<v Speaker 1>you know. Yeah, I think he would have made different

0:17:00.480 --> 0:17:04.800
<v Speaker 1>decisions now, you know the money talk, so you know,

0:17:05.000 --> 0:17:06.960
<v Speaker 1>like I said, only the only difference I would really

0:17:06.960 --> 0:17:08.720
<v Speaker 1>say was I would have actually Easy for more money,

0:17:08.760 --> 0:17:10.120
<v Speaker 1>and I think he would have gave it to me

0:17:11.040 --> 0:17:13.840
<v Speaker 1>for me, you know, naive to certain moves and and

0:17:13.960 --> 0:17:16.320
<v Speaker 1>cats wasn't really sharing the whole truth with me about

0:17:16.320 --> 0:17:20.600
<v Speaker 1>what was going on. You know. Uh, you know, things

0:17:20.640 --> 0:17:23.040
<v Speaker 1>went the way they went, you know, So you believe

0:17:23.119 --> 0:17:25.200
<v Speaker 1>Easy was done trying to look at Quick kind of

0:17:25.240 --> 0:17:29.640
<v Speaker 1>like as a replacement for dr Drink. Absolutely, I believe that,

0:17:29.840 --> 0:17:34.520
<v Speaker 1>you know what I'm saying. And uh, excuse me, smart man,

0:17:34.960 --> 0:17:39.960
<v Speaker 1>Oh absolutely, bro Um. I can't say nothing bad about Easy,

0:17:40.000 --> 0:17:42.560
<v Speaker 1>and you know what I'm saying. Whatever, I actually Easy

0:17:42.560 --> 0:17:44.640
<v Speaker 1>before he gave me when he started having the mishoes

0:17:44.680 --> 0:17:46.359
<v Speaker 1>and then on what he was dealing with, you know, he,

0:17:47.119 --> 0:17:49.160
<v Speaker 1>I mean, we was cool, but you know, I wasn't

0:17:49.160 --> 0:17:51.040
<v Speaker 1>one of his confidence. I wasn't one of the people

0:17:51.080 --> 0:17:54.880
<v Speaker 1>that you know that he looked too too to support

0:17:54.920 --> 0:17:56.679
<v Speaker 1>whatever he was doing and how he was doing it.

0:17:56.800 --> 0:17:59.480
<v Speaker 1>So you know, I can't expect nothing but for it

0:17:59.520 --> 0:18:02.639
<v Speaker 1>to go to it with understanding what I understand that,

0:18:03.000 --> 0:18:06.560
<v Speaker 1>you know, not the easy in them approach, you guys

0:18:06.680 --> 0:18:11.720
<v Speaker 1>with that deal. Um well, yes, and no one of

0:18:11.760 --> 0:18:16.520
<v Speaker 1>my partners either he met he met Jerry or he

0:18:16.600 --> 0:18:19.960
<v Speaker 1>met he. I think he met Jerry in a bathroom

0:18:20.000 --> 0:18:22.679
<v Speaker 1>at one of them high powered restaurants or something and

0:18:22.760 --> 0:18:26.040
<v Speaker 1>knew who he was and he jeared that him and

0:18:26.080 --> 0:18:29.000
<v Speaker 1>then one thing led to another. Then Easy expressed interest

0:18:29.080 --> 0:18:31.960
<v Speaker 1>based on the association and affiliation. We was already kind

0:18:31.960 --> 0:18:33.320
<v Speaker 1>of like making move because we had been in a

0:18:33.320 --> 0:18:38.119
<v Speaker 1>couple of situations because we were signed me Quick and

0:18:38.160 --> 0:18:41.600
<v Speaker 1>Tweet before Quick got his deal over there with Greedy

0:18:41.600 --> 0:18:45.719
<v Speaker 1>Greg now at profile. Me Quick and Tweet were signed

0:18:45.720 --> 0:18:49.080
<v Speaker 1>together with with Roof with my Roof is with with

0:18:49.080 --> 0:18:52.080
<v Speaker 1>with Heat, with with Sugar and and d O C.

0:18:52.400 --> 0:18:54.600
<v Speaker 1>When d OC had his accident and left and was

0:18:54.640 --> 0:18:56.960
<v Speaker 1>doing his own thing was Sugar. It was over there

0:18:57.000 --> 0:19:05.080
<v Speaker 1>with a white boy name nah oh Man, I can't

0:19:05.119 --> 0:19:07.520
<v Speaker 1>think of his name, but it was fern Heel to production,

0:19:08.560 --> 0:19:12.000
<v Speaker 1>it was bro yet it was furn Heel. Yeah, y'all

0:19:12.160 --> 0:19:14.760
<v Speaker 1>originally was on fern Heel, y'all. One of the first

0:19:14.760 --> 0:19:17.840
<v Speaker 1>group that was on Fern exactly fern Heel. And it

0:19:17.960 --> 0:19:20.000
<v Speaker 1>was funky enough records because it was d O C.

0:19:20.240 --> 0:19:23.560
<v Speaker 1>That Yeah, you know, we learned a lot of history

0:19:24.480 --> 0:19:28.360
<v Speaker 1>this nowhere else well yeah, yeah, you know, it's it's been,

0:19:28.520 --> 0:19:31.160
<v Speaker 1>it's been in the cup, but everybody ain't paying attention,

0:19:31.240 --> 0:19:35.040
<v Speaker 1>you know, So when we did that, and then you know,

0:19:35.080 --> 0:19:37.800
<v Speaker 1>we was already making noise and talking ship, you know,

0:19:38.480 --> 0:19:41.320
<v Speaker 1>and when when Quick stepped off with that underground tape

0:19:41.359 --> 0:19:43.160
<v Speaker 1>and did what he did over there with greeting now

0:19:43.880 --> 0:19:47.840
<v Speaker 1>and and then got the deal atrop at profile and

0:19:47.880 --> 0:19:50.280
<v Speaker 1>then he dropped in ninety one like a bomb on

0:19:50.320 --> 0:19:53.040
<v Speaker 1>the game, you know what I'm saying. And then uh,

0:19:53.160 --> 0:19:55.359
<v Speaker 1>second to none came and a MG was in the

0:19:55.400 --> 0:19:57.520
<v Speaker 1>cup with bits better have My money, and high Seat

0:19:57.560 --> 0:20:00.040
<v Speaker 1>was over there affiliated with I'm not your puppet in

0:20:00.119 --> 0:20:03.560
<v Speaker 1>and so we had a whole thing going at that time,

0:20:03.680 --> 0:20:06.040
<v Speaker 1>you know what I'm saying, Where where niggas. If we'd

0:20:06.040 --> 0:20:08.879
<v Speaker 1>have been able to stay together or at least under

0:20:08.880 --> 0:20:11.720
<v Speaker 1>that umbrella, so to speak, we could have made some

0:20:11.840 --> 0:20:14.440
<v Speaker 1>really lovely things happened. But you know, cats agreed the

0:20:14.520 --> 0:20:22.560
<v Speaker 1>selfishness and and insecurity, and you know, you know, when

0:20:22.560 --> 0:20:24.399
<v Speaker 1>I was an artist man, that was the camp I

0:20:24.480 --> 0:20:26.399
<v Speaker 1>came through with High Seed, you know. But this is

0:20:26.480 --> 0:20:29.440
<v Speaker 1>like later on and all of them in our real

0:20:29.480 --> 0:20:31.520
<v Speaker 1>lives how powerful it was. But I also saw it

0:20:31.600 --> 0:20:33.919
<v Speaker 1>what in the unity, I think that thing could have

0:20:33.920 --> 0:20:36.800
<v Speaker 1>got kept together because I knew that you were kind

0:20:36.800 --> 0:20:39.320
<v Speaker 1>of like I didn't get to meet you back to then,

0:20:39.320 --> 0:20:42.480
<v Speaker 1>but I knew you was making records. But sugar Free too, Yeah,

0:20:42.520 --> 0:20:44.600
<v Speaker 1>well I was later on in the game because sugar Free, well,

0:20:44.640 --> 0:20:46.480
<v Speaker 1>I think wasn't even a part of it in the beginning.

0:20:47.000 --> 0:20:51.280
<v Speaker 1>It was locked up, you know what I'm saying. But um,

0:20:51.400 --> 0:20:54.760
<v Speaker 1>by that time, you know, Quick was in a in

0:20:54.800 --> 0:20:58.040
<v Speaker 1>a much more comfortable and powerful position. But everybody he

0:20:58.119 --> 0:21:02.800
<v Speaker 1>was associating with it a with wasn't necessarily forthcoming with

0:21:02.800 --> 0:21:05.520
<v Speaker 1>with what really needed to be known to build something

0:21:06.080 --> 0:21:09.800
<v Speaker 1>that was you know of the comparison of of Ruthless

0:21:10.000 --> 0:21:13.719
<v Speaker 1>or death Row or or anything like. The niggas wanted it,

0:21:14.080 --> 0:21:16.199
<v Speaker 1>but you know, niggas didn't know how to go about it.

0:21:16.240 --> 0:21:17.919
<v Speaker 1>On me, I guess, I mean, you know, I know

0:21:18.000 --> 0:21:21.080
<v Speaker 1>I didn't, you know what I'm saying. Now, looked though,

0:21:21.160 --> 0:21:25.840
<v Speaker 1>because y'are in y'all, dude eventually land on Ruthless. Talk

0:21:25.880 --> 0:21:28.760
<v Speaker 1>about when that debut nation wide album came out, Like

0:21:28.800 --> 0:21:31.240
<v Speaker 1>what was the reception, what was some of your bigger

0:21:31.280 --> 0:21:35.240
<v Speaker 1>markets as the West Coast? Because uh, I'm a lot

0:21:35.280 --> 0:21:38.560
<v Speaker 1>younger than y'all, I'm four years old, but I remember

0:21:38.600 --> 0:21:41.119
<v Speaker 1>them these records coming out of the West coast, you

0:21:41.119 --> 0:21:47.600
<v Speaker 1>know what I mean. We had love in the Midwest,

0:21:47.720 --> 0:21:51.840
<v Speaker 1>real love in Chicago, Detroit, you know, and down south

0:21:51.920 --> 0:21:53.919
<v Speaker 1>we have real love in a lot of places. On

0:21:54.000 --> 0:21:56.200
<v Speaker 1>me because our album Game out, they do number one

0:21:56.200 --> 0:21:58.760
<v Speaker 1>on heat Seekers. So they was pushing the line because

0:21:58.800 --> 0:22:02.360
<v Speaker 1>that alliance between it and Easy was something that, you know,

0:22:02.680 --> 0:22:04.800
<v Speaker 1>that made noise, you know, and we was like the

0:22:04.880 --> 0:22:09.040
<v Speaker 1>group that I was allowed to make that noise, you

0:22:09.080 --> 0:22:11.879
<v Speaker 1>know what I'm saying. But see, the thing was, you know,

0:22:11.920 --> 0:22:15.440
<v Speaker 1>you got business attentions that don't necessarily come to fruition

0:22:15.480 --> 0:22:17.040
<v Speaker 1>because certain people don't want to see it and they

0:22:17.040 --> 0:22:19.080
<v Speaker 1>don't want to share certain truths with you. So you

0:22:19.160 --> 0:22:21.520
<v Speaker 1>might have big ideas but not knowing what to take

0:22:21.600 --> 0:22:24.720
<v Speaker 1>to make them happen. Because initially I wasn't I was

0:22:24.800 --> 0:22:30.840
<v Speaker 1>signed alone as Penthouse players. Click Quick wasn't on that paperwork,

0:22:31.160 --> 0:22:35.119
<v Speaker 1>Tweet wasn't on that paperwork. I brought that situation together

0:22:35.200 --> 0:22:37.640
<v Speaker 1>because of my ties and affiliations with them, you see

0:22:37.640 --> 0:22:40.560
<v Speaker 1>what I'm saying. And so when it was time to

0:22:41.320 --> 0:22:47.919
<v Speaker 1>basically for Ruthless Priority to sign Tweet rather than sign him,

0:22:48.040 --> 0:22:51.520
<v Speaker 1>they wanted to amend the Penthouse players click paperwork to

0:22:51.680 --> 0:22:53.880
<v Speaker 1>make him a part of that. And it was an

0:22:53.920 --> 0:22:56.040
<v Speaker 1>issue behind that because I don't know if they gave

0:22:56.080 --> 0:22:58.320
<v Speaker 1>that man some money or not. I know that man

0:22:58.400 --> 0:23:00.320
<v Speaker 1>didn't get me no money. I'm saying twee, he didn't

0:23:00.359 --> 0:23:02.280
<v Speaker 1>give me no money. But I looked out for tweet

0:23:02.320 --> 0:23:04.560
<v Speaker 1>and gay that nigga's money when he was on my album.

0:23:04.640 --> 0:23:08.119
<v Speaker 1>You see what I'm saying. But you know, the bottom

0:23:08.160 --> 0:23:11.520
<v Speaker 1>line was the initial thing was to do you know,

0:23:11.560 --> 0:23:16.080
<v Speaker 1>Penouse players click tweet Cadillac album, play a hand album,

0:23:16.280 --> 0:23:18.760
<v Speaker 1>and then another Penouse players click album, all within the

0:23:18.760 --> 0:23:22.760
<v Speaker 1>first you know, twelve to eighteen or the two years

0:23:23.000 --> 0:23:25.000
<v Speaker 1>to try to build something like that. You see what

0:23:25.040 --> 0:23:27.199
<v Speaker 1>I'm saying. Because we was already locked in because I

0:23:27.280 --> 0:23:29.640
<v Speaker 1>wasn't signed just playing hand me. I was signed as

0:23:29.640 --> 0:23:32.760
<v Speaker 1>Pinouts Players. So even though the branded thing wasn't really

0:23:32.800 --> 0:23:35.480
<v Speaker 1>as big as it is now, it was still a

0:23:35.640 --> 0:23:37.639
<v Speaker 1>direction we was trying to go in with what we

0:23:37.640 --> 0:23:39.800
<v Speaker 1>were doing, you know, but we didn't have you know,

0:23:39.840 --> 0:23:42.480
<v Speaker 1>I didn't have to management, I didn't have an attorneys,

0:23:42.800 --> 0:23:44.520
<v Speaker 1>and I didn't have had a guidance. I didn't have

0:23:44.560 --> 0:23:47.560
<v Speaker 1>all the things that you know, that even the nigga

0:23:47.600 --> 0:23:49.439
<v Speaker 1>is right next to me, even nigga's like quick on me,

0:23:49.680 --> 0:23:52.240
<v Speaker 1>he didn't. He didn't put my coattail when it came down.

0:23:52.680 --> 0:23:54.800
<v Speaker 1>You know, A you're gonna need this, and you're gonna

0:23:54.800 --> 0:23:56.080
<v Speaker 1>need that, and you're gonna need to do this, and

0:23:56.119 --> 0:23:57.440
<v Speaker 1>you're gonna need to do that, you know. And I

0:23:57.480 --> 0:24:00.040
<v Speaker 1>probably wouldn't pay no attention to the nick anybody. But

0:24:00.440 --> 0:24:02.800
<v Speaker 1>the bottom line was, he didn't even give me that opportunity,

0:24:03.000 --> 0:24:05.320
<v Speaker 1>you know what I'm saying. Couple of things like that,

0:24:05.320 --> 0:24:07.320
<v Speaker 1>when the nigga know something and you don't tell us.

0:24:07.400 --> 0:24:09.840
<v Speaker 1>Nigga supposed to be supposed to be brothers and he know,

0:24:11.440 --> 0:24:14.000
<v Speaker 1>you know, he know, Oh over there, you're gonna do

0:24:14.040 --> 0:24:16.040
<v Speaker 1>your thing. So I'm don't let you go over there,

0:24:16.320 --> 0:24:18.680
<v Speaker 1>you know what I'm saying. That's just the type of

0:24:18.680 --> 0:24:20.920
<v Speaker 1>ship we dinner with. Man. You know, I wanted to

0:24:20.960 --> 0:24:23.080
<v Speaker 1>ask you about some lyrics to the song man A

0:24:23.240 --> 0:24:26.760
<v Speaker 1>quick head and safety something because he mentioned you. My

0:24:26.840 --> 0:24:29.080
<v Speaker 1>niggas playing him and Xina gave me a place to

0:24:29.119 --> 0:24:32.160
<v Speaker 1>stay on my way up from bottom rock bitches starting

0:24:32.160 --> 0:24:34.320
<v Speaker 1>to job because my hair is getting longer and games

0:24:34.320 --> 0:24:37.320
<v Speaker 1>getting stronger to pull to put my way. That went

0:24:37.400 --> 0:24:39.720
<v Speaker 1>and got a job. But by then him Engina really

0:24:39.720 --> 0:24:42.639
<v Speaker 1>started the squad. But whether I should should go or stay,

0:24:43.080 --> 0:24:44.840
<v Speaker 1>she told him either he goes and you go. So

0:24:44.960 --> 0:24:47.800
<v Speaker 1>we both was on our way. Yeah, you left your

0:24:47.840 --> 0:24:51.800
<v Speaker 1>woman behind quick, nah, bro, I left my woman behind

0:24:51.840 --> 0:24:56.399
<v Speaker 1>with her and I were going through. But definitely, you

0:24:56.440 --> 0:24:58.680
<v Speaker 1>know that was part of you know what I'm saying,

0:24:58.880 --> 0:25:02.000
<v Speaker 1>pursuing your dream and and wanting to be what you

0:25:02.040 --> 0:25:05.360
<v Speaker 1>wanna be, and uh, you know you're dealing with issues

0:25:05.440 --> 0:25:07.359
<v Speaker 1>that you know, who could see you know what I'm saying.

0:25:07.400 --> 0:25:09.239
<v Speaker 1>At that time, It's like, you know, the things we

0:25:09.240 --> 0:25:11.720
<v Speaker 1>were doing. You know, I got niggas up in in

0:25:11.359 --> 0:25:14.000
<v Speaker 1>my house with my kids, and you know, we're trying

0:25:14.040 --> 0:25:15.840
<v Speaker 1>to make music and we're doing with niggas doing We

0:25:15.880 --> 0:25:19.400
<v Speaker 1>had pent house players click, so we attracted a certain element,

0:25:19.520 --> 0:25:21.200
<v Speaker 1>you know what I'm saying that niggas in the streets

0:25:21.200 --> 0:25:23.840
<v Speaker 1>doing things. So there's a lot going on at the time,

0:25:23.880 --> 0:25:26.479
<v Speaker 1>a lot of pulling niggas in different directions. You know,

0:25:26.960 --> 0:25:30.360
<v Speaker 1>it just was different happens relationship. Excuse me, I said,

0:25:30.440 --> 0:25:34.480
<v Speaker 1>So it was it was kind of more like the atmosphere. Absolutely,

0:25:34.520 --> 0:25:36.800
<v Speaker 1>man you know. I mean I I could get into

0:25:36.840 --> 0:25:39.239
<v Speaker 1>a whole lot of personal ship as to why you know,

0:25:39.359 --> 0:25:41.359
<v Speaker 1>I think, you know, ship with a certain way that

0:25:41.400 --> 0:25:44.160
<v Speaker 1>they went. But the bottom line is that Nigga telling

0:25:44.200 --> 0:25:47.200
<v Speaker 1>the true story. She did actually shoot that ultimatum and

0:25:47.280 --> 0:25:51.320
<v Speaker 1>Nigga away, and I did choose, you know, based on

0:25:51.400 --> 0:25:56.000
<v Speaker 1>everything a career and that move when I had that

0:25:56.080 --> 0:25:59.520
<v Speaker 1>option as opposed to I'm gonna stay here and deal

0:25:59.560 --> 0:26:02.040
<v Speaker 1>with his mouth, you know, when his mouth ain't serving

0:26:02.119 --> 0:26:03.800
<v Speaker 1>me like I really want to be served, you know

0:26:03.800 --> 0:26:05.720
<v Speaker 1>what I'm saying. You know, when you yell, you did

0:26:05.760 --> 0:26:08.000
<v Speaker 1>what you do. Man. So you know, me and Geno

0:26:08.440 --> 0:26:10.679
<v Speaker 1>is partners right now. That's one of my best friends.

0:26:10.960 --> 0:26:13.520
<v Speaker 1>You know, do some Joey's other mothers, so you know,

0:26:13.600 --> 0:26:16.000
<v Speaker 1>all bs to the left. You know. The motivation and

0:26:16.119 --> 0:26:19.399
<v Speaker 1>inspiration in this music game is you know, who's to

0:26:19.440 --> 0:26:28.080
<v Speaker 1>say what's next? You know? Yeah? Yeah, after the debut

0:26:28.200 --> 0:26:31.640
<v Speaker 1>album come out, you're seeing stuff kind of taking off.

0:26:31.720 --> 0:26:34.600
<v Speaker 1>But like you said, you've got bigger ideas and they're

0:26:34.600 --> 0:26:36.840
<v Speaker 1>not going their place. Is this turning you off from

0:26:36.920 --> 0:26:41.720
<v Speaker 1>the music industry, not from rapping, but from the music industry, Nah, Man,

0:26:42.240 --> 0:26:44.600
<v Speaker 1>it was turning me off from dealing with certain niggas

0:26:44.600 --> 0:26:46.440
<v Speaker 1>on a certain level though the show. You know what

0:26:46.480 --> 0:26:48.800
<v Speaker 1>I'm saying when I said niggas, I ain't just talking

0:26:48.800 --> 0:26:51.080
<v Speaker 1>about black man, you know, I'm talking about niggas and

0:26:51.119 --> 0:26:57.880
<v Speaker 1>bitches and white black you know. So it's like it's

0:26:57.880 --> 0:26:59.720
<v Speaker 1>like you're dealing with people on a certain level. Like

0:26:59.760 --> 0:27:01.600
<v Speaker 1>I said once again, you know, it's difficult to throw

0:27:01.640 --> 0:27:03.480
<v Speaker 1>yourself under the bus on me. But I wasn't the

0:27:03.480 --> 0:27:05.639
<v Speaker 1>easiest cat to talk to. You know what I'm saying.

0:27:05.840 --> 0:27:08.560
<v Speaker 1>I wasn't the easiest person to tell somewhere or God

0:27:08.600 --> 0:27:10.560
<v Speaker 1>if you didn't love me and I didn't know it,

0:27:10.600 --> 0:27:12.359
<v Speaker 1>and I didn't love you and you didn't know it,

0:27:12.400 --> 0:27:15.520
<v Speaker 1>and that on respect and integrity that come with you know,

0:27:15.560 --> 0:27:17.240
<v Speaker 1>and my niggas who would have been my niggas that

0:27:17.240 --> 0:27:19.399
<v Speaker 1>would have been able to you know, control certain movement

0:27:19.760 --> 0:27:21.760
<v Speaker 1>that was wise enough. You know, they was doing time

0:27:21.840 --> 0:27:24.359
<v Speaker 1>my hustlers, that that was really in a position to

0:27:24.480 --> 0:27:28.040
<v Speaker 1>really you know, really like nigga, we're gonna do this.

0:27:28.240 --> 0:27:30.560
<v Speaker 1>Then niggas they was doing other things or they was

0:27:30.880 --> 0:27:34.400
<v Speaker 1>you know, they was locked away a range at this time,

0:27:34.520 --> 0:27:37.320
<v Speaker 1>like when this was like more the Ruthless deal was

0:27:37.400 --> 0:27:40.159
<v Speaker 1>ninety two, so I was twenty eight, so twenty seven

0:27:40.200 --> 0:27:42.400
<v Speaker 1>because we had that. The album came in ninety two,

0:27:42.720 --> 0:27:45.080
<v Speaker 1>so I was signed in ninety one. But we was

0:27:45.160 --> 0:27:47.639
<v Speaker 1>working with uh, you know, like beginning to making this

0:27:47.680 --> 0:27:50.119
<v Speaker 1>ship happen around eighty eight with me a Quick and Tweet.

0:27:50.480 --> 0:27:52.160
<v Speaker 1>When Quick came to be a part of the Click,

0:27:52.520 --> 0:27:54.760
<v Speaker 1>it wasn't six months before we got our first record

0:27:54.760 --> 0:27:58.560
<v Speaker 1>deal we get, so that was I was about twenty four.

0:27:58.640 --> 0:28:02.000
<v Speaker 1>Then you see what I'm saying. So it wasn't that

0:28:02.840 --> 0:28:04.800
<v Speaker 1>you know, and nigga wasn't old enough to know better.

0:28:04.960 --> 0:28:07.040
<v Speaker 1>It was that a nigga wasn't shown what he needed

0:28:07.080 --> 0:28:08.600
<v Speaker 1>to be shown. Was what we was into, was what

0:28:08.760 --> 0:28:11.760
<v Speaker 1>we was into, you know. And so if you wasn't

0:28:11.760 --> 0:28:14.719
<v Speaker 1>that type of businessman or that type of hustler, you know,

0:28:14.760 --> 0:28:17.520
<v Speaker 1>if you was allowing yourself to be distracted by the menial,

0:28:17.960 --> 0:28:20.520
<v Speaker 1>trivial things that don't really matter in a in a

0:28:20.560 --> 0:28:23.479
<v Speaker 1>in a real man's reality, then you're gonna deal with

0:28:23.520 --> 0:28:25.160
<v Speaker 1>what you're dining with. Didn't go through what you're going

0:28:25.200 --> 0:28:27.200
<v Speaker 1>through in your priorities, gonna be that what they were,

0:28:27.480 --> 0:28:30.280
<v Speaker 1>you know, and then they're gonna tell you're gonna take

0:28:30.280 --> 0:28:32.119
<v Speaker 1>advantage of your ignorance. You know, you got niggas in

0:28:32.119 --> 0:28:34.080
<v Speaker 1>the street getting money, maggas, I was dealing with hustler

0:28:34.160 --> 0:28:36.480
<v Speaker 1>cats on me in the neighborhood. Niggas that was, you know,

0:28:36.640 --> 0:28:39.000
<v Speaker 1>riding bins and and moving weight. I mean, you know

0:28:39.040 --> 0:28:41.760
<v Speaker 1>what I'm saying. The niggas was giving me money and

0:28:41.760 --> 0:28:44.760
<v Speaker 1>and looking out and and helping. And now I want

0:28:44.760 --> 0:28:46.480
<v Speaker 1>to be down with that hand. So even though you

0:28:46.520 --> 0:28:48.360
<v Speaker 1>know how it was back then niggas was gang banging

0:28:48.400 --> 0:28:50.800
<v Speaker 1>and hustling. Niggas wasn't wrapping. Niggas was clowning niggas with

0:28:50.800 --> 0:28:52.880
<v Speaker 1>this rap ship you know. Now, you know back then

0:28:52.920 --> 0:28:55.440
<v Speaker 1>maybe two out of twenty niggas or thirty niggas, the

0:28:55.480 --> 0:28:57.680
<v Speaker 1>fifty niggas was working with music and wrapping. You know

0:28:57.720 --> 0:29:00.600
<v Speaker 1>what I'm saying. It was it was fifteen why niggas

0:29:00.640 --> 0:29:03.320
<v Speaker 1>gang banging and tien fifteen niggas hustling, and the rest

0:29:03.360 --> 0:29:04.760
<v Speaker 1>of these niggas was trying to do whatever they was

0:29:04.800 --> 0:29:06.840
<v Speaker 1>trying to do. It they was dope things or whatever,

0:29:06.960 --> 0:29:09.160
<v Speaker 1>you know what I'm saying. So the game you're gonna flip,

0:29:09.240 --> 0:29:10.880
<v Speaker 1>you know, and you had to really have talent. You

0:29:10.880 --> 0:29:13.240
<v Speaker 1>really have to be saying something back then, you really

0:29:13.240 --> 0:29:15.240
<v Speaker 1>had to have all the ducks in the roll, so

0:29:15.320 --> 0:29:17.880
<v Speaker 1>to speak. Everybody didn't sound a like you know what

0:29:17.880 --> 0:29:20.440
<v Speaker 1>I'm saying. When somebody came out, knew they was different.

0:29:20.480 --> 0:29:23.440
<v Speaker 1>They was they they brought something different to the table.

0:29:23.640 --> 0:29:27.200
<v Speaker 1>You ain't like the ship that's hot, the ship they pushing. Yeah,

0:29:27.320 --> 0:29:29.000
<v Speaker 1>just do that, you know what I'm saying. That ship

0:29:29.080 --> 0:29:33.720
<v Speaker 1>changed after Gangster Rap. You know, so how would you

0:29:33.760 --> 0:29:36.240
<v Speaker 1>say that was shaping your sound at the time, because

0:29:36.760 --> 0:29:40.960
<v Speaker 1>y'all had some rancors, but to compete with what was

0:29:40.960 --> 0:29:46.840
<v Speaker 1>going on because the death Rowers took off summer ninety

0:29:46.840 --> 0:29:50.479
<v Speaker 1>two exactly exactly. But you know, once again, you know

0:29:50.560 --> 0:29:53.720
<v Speaker 1>the game was changing. You know, it was different things

0:29:53.720 --> 0:29:56.320
<v Speaker 1>in control from from hindsight as far as I'm concerned,

0:29:56.840 --> 0:29:59.560
<v Speaker 1>And and and when you think about everything that involved,

0:29:59.600 --> 0:30:02.840
<v Speaker 1>that's ball involved in that. You know, death Row was

0:30:02.840 --> 0:30:06.200
<v Speaker 1>was once again another powerhouse. But where's death Row to day?

0:30:06.520 --> 0:30:12.240
<v Speaker 1>You know what I'm saying. So with with an understanding

0:30:12.320 --> 0:30:15.680
<v Speaker 1>of of of looking back, you know, of course, I'm

0:30:15.720 --> 0:30:18.720
<v Speaker 1>sure you know cats if they had the opportunity, would

0:30:18.720 --> 0:30:21.960
<v Speaker 1>have done things a little different, you know. But at

0:30:21.960 --> 0:30:25.120
<v Speaker 1>the same time you know that this rap game eat

0:30:25.200 --> 0:30:29.120
<v Speaker 1>its own man. Well, me and my brother like to

0:30:29.120 --> 0:30:30.960
<v Speaker 1>do is we like to correct people when they say

0:30:31.000 --> 0:30:34.400
<v Speaker 1>the rap game or the music game, because with games

0:30:34.440 --> 0:30:38.600
<v Speaker 1>you get prizes. With music, that's a business. And if

0:30:38.640 --> 0:30:41.320
<v Speaker 1>you think it's a game, then that's why people lose

0:30:41.360 --> 0:30:43.400
<v Speaker 1>that it because they don't understand it. It's a business.

0:30:43.440 --> 0:30:46.480
<v Speaker 1>Because you just told us, the twenty eight year old you,

0:30:46.960 --> 0:30:49.240
<v Speaker 1>if you knew better, you would have did better with

0:30:49.280 --> 0:30:52.080
<v Speaker 1>the business, you feel me. So we always make sure

0:30:52.120 --> 0:30:54.240
<v Speaker 1>to say that people, this ain't the rap game, it's

0:30:54.280 --> 0:30:57.440
<v Speaker 1>the music business. And when you do business that in

0:30:57.600 --> 0:31:00.240
<v Speaker 1>resort of his money. When you play a game, you

0:31:00.320 --> 0:31:03.800
<v Speaker 1>either win a prize or you lose everything. And too

0:31:03.840 --> 0:31:06.960
<v Speaker 1>many people say the game and they lose everything. So

0:31:07.000 --> 0:31:10.440
<v Speaker 1>that's why we say this is the music business. Well absolutely,

0:31:10.480 --> 0:31:13.240
<v Speaker 1>but once again, you know, I respect that perspective a

0:31:13.320 --> 0:31:16.760
<v Speaker 1>thousand percent. But you know, the basketball, you know, league,

0:31:16.760 --> 0:31:19.680
<v Speaker 1>it's a game, and all these different sports is games.

0:31:19.800 --> 0:31:21.920
<v Speaker 1>Boxing is a game. You know what I'm saying, all

0:31:21.920 --> 0:31:24.840
<v Speaker 1>these different it's a game too. But you gotta have

0:31:24.920 --> 0:31:27.000
<v Speaker 1>your business right as somebody around you that got their

0:31:27.000 --> 0:31:30.280
<v Speaker 1>business right otherwise, you know, this this game to eat

0:31:30.320 --> 0:31:33.200
<v Speaker 1>its own, that business and eat its own because you know,

0:31:33.640 --> 0:31:36.840
<v Speaker 1>since the beginning of of of the the exploitation of

0:31:36.960 --> 0:31:39.360
<v Speaker 1>art and other people's talents, you know, this game is

0:31:39.400 --> 0:31:43.560
<v Speaker 1>built on people manipulating the ignorance of those with the

0:31:43.560 --> 0:31:46.560
<v Speaker 1>greatest talent. And that's why you've got people like Mike

0:31:46.720 --> 0:31:50.160
<v Speaker 1>and Prints and certain individuals who was like, no, I'm

0:31:50.200 --> 0:31:52.160
<v Speaker 1>I'm bucking against that. And now you got this cat

0:31:52.560 --> 0:31:55.600
<v Speaker 1>Kanye who's really like saying, you know, y'all got me

0:31:55.760 --> 0:31:58.880
<v Speaker 1>fucked up, you know what I'm saying. So Kanye is

0:31:58.920 --> 0:32:01.920
<v Speaker 1>really one of the you know what I'm seeing his movement.

0:32:02.360 --> 0:32:04.480
<v Speaker 1>He's really gonna bridge the gap, you know, if he's

0:32:04.480 --> 0:32:07.800
<v Speaker 1>allowed to, you know, protect himself on the level necessary.

0:32:07.800 --> 0:32:11.880
<v Speaker 1>He's gonna bridge the gap between Martin, Malcolm, Matt Good

0:32:12.480 --> 0:32:16.800
<v Speaker 1>and Prince and Michael and Mohammed. You know, kanyaking bridge

0:32:16.840 --> 0:32:18.840
<v Speaker 1>that gap. Man. You know what I'm saying, It becomes

0:32:19.480 --> 0:32:27.520
<v Speaker 1>tupop Obama. You know what I'm saying. Let me because

0:32:27.560 --> 0:32:30.080
<v Speaker 1>you was around two of the possibly the greatest, two

0:32:30.080 --> 0:32:32.920
<v Speaker 1>of the greatest CEOs black music on the West coast,

0:32:33.160 --> 0:32:35.440
<v Speaker 1>not just the West Coast of Music, Eric Wright and

0:32:35.440 --> 0:32:39.800
<v Speaker 1>Sugar Night Young Shig. Back when fern here was cracking.

0:32:40.200 --> 0:32:42.480
<v Speaker 1>How was his demeanor back then? Was he was he

0:32:42.560 --> 0:32:46.440
<v Speaker 1>the aggressive ship? Was? He wasn't king blood back then?

0:32:46.560 --> 0:32:49.720
<v Speaker 1>That's all I can said. You know what I'm saying. Um,

0:32:49.760 --> 0:32:52.080
<v Speaker 1>it was love and respect, you know what I'm saying.

0:32:52.400 --> 0:32:55.239
<v Speaker 1>But it wasn't you know, all that ship wasn't going on.

0:32:56.600 --> 0:32:58.440
<v Speaker 1>You know, it wasn't. That wasn't what was popping. You

0:32:58.440 --> 0:33:00.440
<v Speaker 1>know what I'm saying. But I guess you know, when

0:33:00.440 --> 0:33:02.560
<v Speaker 1>you get to a certain level, you got more options.

0:33:03.480 --> 0:33:05.640
<v Speaker 1>You know, of course, you know, the bigger they are,

0:33:05.640 --> 0:33:07.480
<v Speaker 1>the harder they fall. You know, I don't mean, I

0:33:07.480 --> 0:33:10.040
<v Speaker 1>don't mean no disrespect. The ship many showed us loved

0:33:10.520 --> 0:33:12.360
<v Speaker 1>and when they didn't move fast enough in the nigger

0:33:12.400 --> 0:33:14.040
<v Speaker 1>step to him and like, look, man, we need to

0:33:14.040 --> 0:33:15.520
<v Speaker 1>go with you ain't gonna do what you you know,

0:33:15.560 --> 0:33:17.840
<v Speaker 1>if we ain't gonna do nothing, Shook said, getting my

0:33:17.880 --> 0:33:20.600
<v Speaker 1>money back, and you can go sho man. You know,

0:33:20.640 --> 0:33:22.760
<v Speaker 1>we man his money back and stepped off. And when

0:33:22.760 --> 0:33:26.240
<v Speaker 1>we did that, that's when Quick went over there with greedy.

0:33:26.240 --> 0:33:29.640
<v Speaker 1>Now and you know it was his shoes behind that

0:33:29.680 --> 0:33:31.400
<v Speaker 1>because you know, we thought we was moving in a

0:33:31.400 --> 0:33:34.240
<v Speaker 1>different direction. But you know, I said, Man, I ain't

0:33:34.240 --> 0:33:38.320
<v Speaker 1>mad at about none of that. You know, it's never signed, Greg, No,

0:33:38.400 --> 0:33:40.680
<v Speaker 1>I wouldn't signed. I wouldn't with Greedy like that. You

0:33:40.760 --> 0:33:44.640
<v Speaker 1>know what I'm saying. Uh, if it was a lot

0:33:44.680 --> 0:33:47.200
<v Speaker 1>involved once again, you know what I'm saying. With with

0:33:47.280 --> 0:33:51.520
<v Speaker 1>the way Cats was moving and getting down and so huh,

0:33:51.680 --> 0:33:54.280
<v Speaker 1>that could have derailed that move Quickly made with Greedy,

0:33:54.320 --> 0:33:57.400
<v Speaker 1>Gray could have derailed his career because he wanted if

0:33:57.400 --> 0:34:00.600
<v Speaker 1>they have a major problems with profile record, Remember they

0:34:00.600 --> 0:34:04.440
<v Speaker 1>had him with suspicion and stuff. Quick made a lot

0:34:04.480 --> 0:34:08.919
<v Speaker 1>of decisions from you know how they say, man hurt people,

0:34:08.960 --> 0:34:12.319
<v Speaker 1>hurt people. Quickness probably holding down and holding back a

0:34:12.360 --> 0:34:15.000
<v Speaker 1>lot of pain and frustration and that he felt with

0:34:15.040 --> 0:34:18.480
<v Speaker 1>his family and and whatever other relationships and whatever else

0:34:18.560 --> 0:34:19.920
<v Speaker 1>was going on the side of his head. On me,

0:34:20.040 --> 0:34:22.080
<v Speaker 1>you know, you know, I don't funk with him like

0:34:22.120 --> 0:34:23.600
<v Speaker 1>that right now. So I don't know, you know what

0:34:23.680 --> 0:34:27.000
<v Speaker 1>I'm saying. It saddens me that that, you know, we

0:34:27.040 --> 0:34:29.200
<v Speaker 1>don't have a relationship that we could have had based

0:34:29.200 --> 0:34:32.040
<v Speaker 1>on what we had in the beginning. You know, But

0:34:32.360 --> 0:34:35.239
<v Speaker 1>I'd rather, I'd rather know the truth now then to

0:34:35.280 --> 0:34:37.879
<v Speaker 1>be caught up in with with more to lose than ever,

0:34:37.960 --> 0:34:41.200
<v Speaker 1>because you know, you funk with certain niggas. Man, you know,

0:34:41.360 --> 0:34:46.000
<v Speaker 1>you get caught up in the n you know, and

0:34:46.000 --> 0:34:47.480
<v Speaker 1>then then you gotta and then they gotta deal with

0:34:47.480 --> 0:34:48.719
<v Speaker 1>a lot of ships. I don't have to deal with

0:34:48.760 --> 0:34:50.920
<v Speaker 1>On me. I don't look show in these streets. On me,

0:34:51.000 --> 0:34:53.800
<v Speaker 1>I don't worry about things. And nigga's worried about a

0:34:53.880 --> 0:34:55.799
<v Speaker 1>walk in places. They might not know who I am,

0:34:55.880 --> 0:34:57.640
<v Speaker 1>but if they find out my name, I ain't worried

0:34:57.640 --> 0:35:00.279
<v Speaker 1>about the nigga running up on me with a big ship.

0:35:00.480 --> 0:35:02.400
<v Speaker 1>You know what I'm saying now? Now, I don't know,

0:35:02.560 --> 0:35:04.960
<v Speaker 1>you know what the future whold, But I don't know

0:35:05.000 --> 0:35:07.160
<v Speaker 1>the bottom line is, you know. I just you know

0:35:07.239 --> 0:35:09.680
<v Speaker 1>Burton No Bridge is a fund over nobody man that

0:35:10.200 --> 0:35:12.279
<v Speaker 1>that I'm worried about coming back at. You know what

0:35:12.320 --> 0:35:15.920
<v Speaker 1>I'm saying. Yeah, I looks earlier. You mentioned like you

0:35:16.400 --> 0:35:19.080
<v Speaker 1>like with Jinna. You've got two sons. Do any of

0:35:19.120 --> 0:35:23.520
<v Speaker 1>your children do music? Young Johns man, I'm there the

0:35:23.640 --> 0:35:38.120
<v Speaker 1>l a Johns Now then you know, yeah game on me? Yeah, okay, yeah, yeah,

0:35:38.280 --> 0:35:40.400
<v Speaker 1>My boys. Man, both of them is my son? Tell me?

0:35:40.640 --> 0:35:43.640
<v Speaker 1>And uh yeah, you know it's been steal from them,

0:35:43.680 --> 0:35:45.200
<v Speaker 1>you know the very beginning. I'm not one of the

0:35:45.280 --> 0:35:47.160
<v Speaker 1>cash that don't want my niggas to do what I

0:35:47.200 --> 0:35:49.759
<v Speaker 1>did better, you know. I mean, you know, you look

0:35:49.800 --> 0:35:52.160
<v Speaker 1>at Caster's got their boys and their children up in

0:35:52.200 --> 0:35:55.359
<v Speaker 1>this game, and they only want them motherfucker's to blow up. Man,

0:35:55.360 --> 0:35:58.239
<v Speaker 1>It's like, niggah, I ain't touching that, you know what

0:35:58.280 --> 0:36:02.120
<v Speaker 1>I'm saying. Yeah, because people gotta know that you and

0:36:02.160 --> 0:36:03.879
<v Speaker 1>your son on his corner when they come to this ship.

0:36:03.920 --> 0:36:07.360
<v Speaker 1>Because the whole reason that somebody wouldn't be like you

0:36:07.400 --> 0:36:09.480
<v Speaker 1>can only take it so far, right. If I'm a

0:36:10.320 --> 0:36:12.920
<v Speaker 1>I only reached where the people allowed me to go.

0:36:13.320 --> 0:36:15.640
<v Speaker 1>If my kids can take the be time and be

0:36:15.719 --> 0:36:17.960
<v Speaker 1>the best in the world, guess what that is, y'all.

0:36:18.040 --> 0:36:20.120
<v Speaker 1>Manager not because I haven't seen this ship and I

0:36:20.160 --> 0:36:22.640
<v Speaker 1>ain't gonn let it happened, y'all. And when I tell

0:36:22.719 --> 0:36:25.680
<v Speaker 1>you that, when I tell you that they beached dog,

0:36:25.800 --> 0:36:28.480
<v Speaker 1>you could tell that they was reared under some truth.

0:36:28.520 --> 0:36:35.440
<v Speaker 1>I'm seeing the monsters and you know steal now. You

0:36:35.480 --> 0:36:37.560
<v Speaker 1>know I'm man now, and I'm pretty sure you know

0:36:37.600 --> 0:36:40.000
<v Speaker 1>their dad man. Of course he overseeing everything. But I

0:36:40.120 --> 0:36:41.960
<v Speaker 1>managed the man then is my little monsters, and we

0:36:42.080 --> 0:36:45.120
<v Speaker 1>got something. We got something brewing because the things people

0:36:45.120 --> 0:36:49.200
<v Speaker 1>don't understand these labels, the way the record labels work today,

0:36:49.239 --> 0:36:51.440
<v Speaker 1>Like I ain't gonna putting the stuff out there, and

0:36:51.440 --> 0:36:53.520
<v Speaker 1>now I will be talking to some people actually right now.

0:36:53.560 --> 0:36:57.440
<v Speaker 1>But when you talk, even if even when you're talking

0:36:57.480 --> 0:37:00.480
<v Speaker 1>to the head dude that for the record lay them,

0:37:00.560 --> 0:37:03.680
<v Speaker 1>he has to have certain people in that building there's

0:37:03.680 --> 0:37:05.759
<v Speaker 1>gonna be willing the journey on his cause with him.

0:37:05.800 --> 0:37:07.480
<v Speaker 1>So when he brings that record up and say I

0:37:07.520 --> 0:37:09.759
<v Speaker 1>want to sign this group, you gotta remember when you

0:37:09.800 --> 0:37:12.080
<v Speaker 1>say you can sign a group, you're committing to a

0:37:12.080 --> 0:37:15.000
<v Speaker 1>lot of money and a lot of resources. So you

0:37:15.080 --> 0:37:17.480
<v Speaker 1>want to make sure that whole building is on board

0:37:17.520 --> 0:37:20.439
<v Speaker 1>with your decision that you make. So right now we're

0:37:20.480 --> 0:37:22.680
<v Speaker 1>floating through one of the major buildings, Dog and just

0:37:22.760 --> 0:37:24.920
<v Speaker 1>kind of like letting everybody putting their ears some stuff.

0:37:24.920 --> 0:37:27.440
<v Speaker 1>And right now we're getting good feedback. Though, But it

0:37:27.480 --> 0:37:29.080
<v Speaker 1>ain't as easy as people think. When you go to

0:37:29.120 --> 0:37:31.399
<v Speaker 1>get a record deal, Dog, it's gotta be a lot.

0:37:31.440 --> 0:37:38.960
<v Speaker 1>Even if people didn't do especially when the game, the business,

0:37:40.400 --> 0:37:45.560
<v Speaker 1>it's prone to funk over you. Yeah, if you allow it,

0:37:46.000 --> 0:37:48.400
<v Speaker 1>you see what I'm saying. So if you're coming in

0:37:48.640 --> 0:37:50.879
<v Speaker 1>and they know and I am there to fund him,

0:37:52.000 --> 0:37:54.640
<v Speaker 1>so then the question becomes do I even want to

0:37:54.680 --> 0:37:56.880
<v Speaker 1>be involved and do I want to see him with something?

0:37:57.440 --> 0:38:00.920
<v Speaker 1>Because I'm gonna be able to manipulate that situation the

0:38:00.920 --> 0:38:04.879
<v Speaker 1>way I'm used to, especially with our own thing kind

0:38:04.880 --> 0:38:06.919
<v Speaker 1>of because we already got a river, got a million

0:38:07.000 --> 0:38:10.160
<v Speaker 1>views on it before we even took somebody's giving a place.

0:38:10.320 --> 0:38:12.399
<v Speaker 1>You know, we come up in there, it ain't gonna

0:38:12.440 --> 0:38:19.120
<v Speaker 1>be just We're not just saying anything. It's softened. You

0:38:19.120 --> 0:38:22.439
<v Speaker 1>know what I'm saying. It's uh, it's it's legitimate. It's

0:38:22.480 --> 0:38:26.239
<v Speaker 1>not it's not something that's just just just docked it

0:38:26.400 --> 0:38:28.719
<v Speaker 1>up and you know, blowing up in your face. You

0:38:28.760 --> 0:38:31.160
<v Speaker 1>think it's something that's not. It's not that fit now,

0:38:31.440 --> 0:38:33.799
<v Speaker 1>you know what I'm saying. It ain't. It's that real ship,

0:38:34.080 --> 0:38:37.719
<v Speaker 1>you know. So it's like a situation where you know,

0:38:37.760 --> 0:38:39.319
<v Speaker 1>we just want to we really just want to deal

0:38:39.360 --> 0:38:41.200
<v Speaker 1>with people that feel like we feel and roll with

0:38:41.239 --> 0:38:43.359
<v Speaker 1>people that roll like we're doing right now. I feel

0:38:43.400 --> 0:38:44.879
<v Speaker 1>like that's what we're doing. You know what I'm saying

0:38:44.880 --> 0:38:47.880
<v Speaker 1>that everybody who get involved, you know, I feel like,

0:38:48.200 --> 0:38:49.879
<v Speaker 1>you know, they want of us. You know what I'm saying.

0:38:49.880 --> 0:38:52.879
<v Speaker 1>We all cut of the same cloth, from from a

0:38:52.960 --> 0:38:55.400
<v Speaker 1>from a different motherfucking pattern, you know what I'm saying.

0:38:55.440 --> 0:38:57.879
<v Speaker 1>But it's all love, you know what I'm saying. So

0:38:58.360 --> 0:39:03.480
<v Speaker 1>it's a situation where it's too much potential in what

0:39:03.560 --> 0:39:08.520
<v Speaker 1>we're doing for Nikkas to not appreciate and respect. How

0:39:08.560 --> 0:39:12.400
<v Speaker 1>are we coming in this motherfucker this time? You know? So?

0:39:12.400 --> 0:39:14.439
<v Speaker 1>So I noticed you had said that you don't really

0:39:14.520 --> 0:39:17.239
<v Speaker 1>rock with quick right now? Is this a situation where

0:39:17.280 --> 0:39:23.200
<v Speaker 1>that can be rectified with a conversation? Man the man? Uh?

0:39:23.560 --> 0:39:30.320
<v Speaker 1>Can it be rectified with a conversation? Man the man? No?

0:39:31.000 --> 0:39:33.840
<v Speaker 1>But what it can do, what it can do is

0:39:34.120 --> 0:39:37.919
<v Speaker 1>established right what it can do was established a fair

0:39:37.920 --> 0:39:44.080
<v Speaker 1>exchange in the moment, Yeah, and then the next fair exchange,

0:39:44.360 --> 0:39:48.640
<v Speaker 1>and then the next fair exchange. Because you know, I

0:39:48.680 --> 0:39:50.360
<v Speaker 1>don't know what he trusts a how he move, but

0:39:50.400 --> 0:39:53.799
<v Speaker 1>who around and what they do? Yeah. So you know,

0:39:53.880 --> 0:39:56.359
<v Speaker 1>you walk into grocery store and you know, as long

0:39:56.400 --> 0:39:58.239
<v Speaker 1>as they don't stink and it ain't too dirty. You

0:39:58.280 --> 0:40:00.359
<v Speaker 1>go over to the butcher. You know you you're gonna

0:40:00.360 --> 0:40:02.800
<v Speaker 1>trust that when whatever you buy, it's gonna it's gonna

0:40:02.800 --> 0:40:05.359
<v Speaker 1>be healthy for your family. Yeah. Now I'm gonna tell

0:40:05.360 --> 0:40:08.280
<v Speaker 1>you why I ask that too, right, I asked, because

0:40:08.680 --> 0:40:11.279
<v Speaker 1>your son is coming up in the game. They yeah,

0:40:11.440 --> 0:40:14.200
<v Speaker 1>I at l A. I mean I talked to people

0:40:14.239 --> 0:40:16.839
<v Speaker 1>all the time. I say, what's your dream collaboration, If

0:40:16.840 --> 0:40:19.319
<v Speaker 1>you can get one producer. I always hear one or

0:40:19.320 --> 0:40:21.479
<v Speaker 1>two producers. When the people coming from the West Coast,

0:40:21.600 --> 0:40:23.920
<v Speaker 1>it's either gonna be dre or it's gonna be Quick.

0:40:24.280 --> 0:40:27.680
<v Speaker 1>And I asked that because when that time come, I

0:40:27.680 --> 0:40:30.640
<v Speaker 1>would hate for Quick to not be one hunted and

0:40:30.719 --> 0:40:33.480
<v Speaker 1>work with the next up and coming because he got it.

0:40:33.600 --> 0:40:38.239
<v Speaker 1>Oh issue what they did because play but I'm a

0:40:38.280 --> 0:40:42.239
<v Speaker 1>little him break that down. Well, if Quick wanted to

0:40:42.280 --> 0:40:46.640
<v Speaker 1>see Nikkas with something moment, he the best single. Yeah. See,

0:40:46.920 --> 0:40:49.520
<v Speaker 1>people can say whatever they want to say from a

0:40:49.600 --> 0:40:53.320
<v Speaker 1>lack of understanding or lack of knowledge. But quickly that

0:40:53.440 --> 0:40:57.440
<v Speaker 1>his own record label, Man System, quickly put out music

0:40:57.719 --> 0:41:02.000
<v Speaker 1>whenever he wants to. We got next ships with radio stations.

0:41:03.239 --> 0:41:06.240
<v Speaker 1>Quick can do whatever you want to do. And obviously

0:41:06.280 --> 0:41:09.319
<v Speaker 1>that's what he do. Now, if he ain't putting nobody out,

0:41:09.880 --> 0:41:12.640
<v Speaker 1>he's been at a label for twenty years. If he

0:41:12.680 --> 0:41:14.799
<v Speaker 1>ain't putting no artists out. And no, he didn't put

0:41:14.800 --> 0:41:17.960
<v Speaker 1>out Second or nine. No, he didn't put out ship Free.

0:41:18.239 --> 0:41:21.240
<v Speaker 1>No he didn't put out most birds. No, he didn't

0:41:21.280 --> 0:41:26.480
<v Speaker 1>put out nobody but himself. So if he wanted to

0:41:26.520 --> 0:41:30.239
<v Speaker 1>do more, he would, you know what I'm saying. So

0:41:31.120 --> 0:41:33.239
<v Speaker 1>if he ain't funning with niggas, you know, I have

0:41:33.440 --> 0:41:36.120
<v Speaker 1>some other niggas, some real artists. If they've been around him,

0:41:37.120 --> 0:41:40.880
<v Speaker 1>you ain't. Niggas might be honest and niggas might be

0:41:40.880 --> 0:41:43.360
<v Speaker 1>like man, I ain't touched. You know what I'm saying.

0:41:44.200 --> 0:41:48.640
<v Speaker 1>It's like man, you know on the eight seven eighty

0:41:48.680 --> 0:41:51.799
<v Speaker 1>eight Man my big Joe west Man. He thirty four,

0:41:51.880 --> 0:41:54.560
<v Speaker 1>thirty five years old. Now he was a baby when

0:41:54.640 --> 0:41:57.560
<v Speaker 1>Quick came around, hold me DJ Quick Talk, du Smack,

0:41:57.600 --> 0:42:00.239
<v Speaker 1>how to ride a bike on me? And there what

0:42:00.320 --> 0:42:03.160
<v Speaker 1>I'm saying he was, he was, That's who he was

0:42:03.200 --> 0:42:04.840
<v Speaker 1>in our reality. Like I said, he's slept in the

0:42:04.920 --> 0:42:07.320
<v Speaker 1>room with my sons and they were babies home you

0:42:07.400 --> 0:42:11.360
<v Speaker 1>understand little boys. So you know, if he wants to

0:42:11.360 --> 0:42:14.759
<v Speaker 1>see niggas with something and he want to collab He man,

0:42:14.760 --> 0:42:16.600
<v Speaker 1>I don't stay cracked for the real ones on me

0:42:16.880 --> 0:42:19.640
<v Speaker 1>way where I mean, we stayed ready for whatever, you know.

0:42:20.239 --> 0:42:21.880
<v Speaker 1>So if the man want to do some business and

0:42:21.880 --> 0:42:23.759
<v Speaker 1>do some work, we could do some work. But he

0:42:23.760 --> 0:42:26.920
<v Speaker 1>ain't gonna come with that, you know, nothing less than

0:42:26.960 --> 0:42:29.319
<v Speaker 1>what we come with it. You know what, either need

0:42:29.360 --> 0:42:31.520
<v Speaker 1>to come to the table like that because you know

0:42:31.560 --> 0:42:35.080
<v Speaker 1>the situation was was was you know, a lot of

0:42:35.120 --> 0:42:37.160
<v Speaker 1>truth should have been shared that wasn't, man, And I

0:42:37.160 --> 0:42:38.759
<v Speaker 1>can't be mad about that because I should have went

0:42:38.760 --> 0:42:43.319
<v Speaker 1>elsewhereing got it. But at the same time, moment, you know, quick,

0:42:43.400 --> 0:42:46.440
<v Speaker 1>did you know sell me a house with no interests?

0:42:46.719 --> 0:42:49.200
<v Speaker 1>You know what I'm saying, with no no mark up?

0:42:49.400 --> 0:42:51.959
<v Speaker 1>You know what I'm saying. So you know he sold

0:42:52.000 --> 0:42:54.000
<v Speaker 1>it to a nigga with the equity in it. So

0:42:54.440 --> 0:42:56.759
<v Speaker 1>I can't be mad. But when you know, when it's

0:42:56.800 --> 0:42:59.320
<v Speaker 1>all boiled down to what's real? Hom me, quick, No,

0:42:59.440 --> 0:43:01.239
<v Speaker 1>what's real? And and you know I know what's real?

0:43:01.360 --> 0:43:05.000
<v Speaker 1>You know, Yeah, that's understandable you don't, but yeah, I

0:43:05.040 --> 0:43:06.719
<v Speaker 1>had to ask that though, because that's what the people

0:43:06.760 --> 0:43:09.640
<v Speaker 1>were don't want to know we're funk with quick If

0:43:09.680 --> 0:43:11.200
<v Speaker 1>Quickly want to funk with us, we ain't gonna We

0:43:11.239 --> 0:43:13.680
<v Speaker 1>ain't gonna put no cut on the second. Yeah, we

0:43:13.880 --> 0:43:16.560
<v Speaker 1>ain't gonna serving nigga. No, no, no sixty four, no

0:43:16.680 --> 0:43:20.080
<v Speaker 1>fifty fifty ft sixty's gonna serving nigga thousand a thousand,

0:43:20.600 --> 0:43:23.040
<v Speaker 1>you know. And it ain't like that. Then we don't

0:43:23.040 --> 0:43:26.080
<v Speaker 1>even need to play with each other's intelligence, you know. Yeah,

0:43:26.520 --> 0:43:28.160
<v Speaker 1>let me ask you because I was asking you about

0:43:28.200 --> 0:43:31.920
<v Speaker 1>the CEO s Man. Yeah, because I knew a lot

0:43:31.960 --> 0:43:34.400
<v Speaker 1>of stuff about Easy though, a whole lot of stuff.

0:43:34.440 --> 0:43:38.680
<v Speaker 1>It's Easy was a joker, the funniest people around. What

0:43:38.920 --> 0:43:42.320
<v Speaker 1>was your relationship like with Easy Man? Easy was like

0:43:43.680 --> 0:43:47.520
<v Speaker 1>I'm my recollection is He kept at business. But he

0:43:47.719 --> 0:43:52.520
<v Speaker 1>wasn't you know, he wasn't overbearing. He wasn't he didn't

0:43:52.600 --> 0:43:56.040
<v Speaker 1>consider himself above and nigga. He considered the nigga as

0:43:56.120 --> 0:43:59.719
<v Speaker 1>his peer, right, But at the same time, he knew

0:43:59.760 --> 0:44:01.920
<v Speaker 1>who he was and how much was was back in him,

0:44:02.160 --> 0:44:04.520
<v Speaker 1>you know what I'm saying. And so it wasn't like

0:44:04.680 --> 0:44:09.319
<v Speaker 1>he gave me, you know, the game. He gave Quick

0:44:09.360 --> 0:44:12.360
<v Speaker 1>more game than he gave me. You know, I was

0:44:12.440 --> 0:44:15.320
<v Speaker 1>an artist. I was his artist. Yeah, that's what I

0:44:15.400 --> 0:44:18.000
<v Speaker 1>was gonna say. Is it because him and Quick um

0:44:18.680 --> 0:44:23.400
<v Speaker 1>build a different relationship like hung together more because you

0:44:23.520 --> 0:44:26.080
<v Speaker 1>was the artist where you just do cutting records and leaving.

0:44:26.840 --> 0:44:32.000
<v Speaker 1>Oh absolutely absolutely brouh. Like I said, I wasn't there

0:44:32.280 --> 0:44:36.680
<v Speaker 1>right And a lot of this is speculation in just

0:44:36.840 --> 0:44:43.879
<v Speaker 1>my opinion, but Quick Easy desired that relationship with Quick

0:44:44.840 --> 0:44:49.960
<v Speaker 1>and Pentouse players. Click was away to facilitate that, you

0:44:50.040 --> 0:44:53.759
<v Speaker 1>know what I'm saying, that's my opinion, right, So I

0:44:53.920 --> 0:45:01.560
<v Speaker 1>know that, you know, even if Quick wasn't going to

0:45:01.719 --> 0:45:05.920
<v Speaker 1>Easy or he was, I know Quick, I mean, I

0:45:06.040 --> 0:45:07.880
<v Speaker 1>know Easy with the type of cat. When I found

0:45:07.920 --> 0:45:12.400
<v Speaker 1>out that Easy and Quick had the same accountants, you

0:45:12.400 --> 0:45:14.320
<v Speaker 1>see what I'm saying. I couldn't have the same accounts

0:45:14.600 --> 0:45:18.640
<v Speaker 1>because I'm as artist. You know. When I found out

0:45:18.680 --> 0:45:20.680
<v Speaker 1>that Easy and Quick had the same accounts, that wasn't

0:45:20.719 --> 0:45:25.560
<v Speaker 1>because of Quick, that was because Easy. Because that meant

0:45:26.160 --> 0:45:28.040
<v Speaker 1>Easy said I'm gonna put you on I'm a lot,

0:45:28.080 --> 0:45:30.120
<v Speaker 1>I'm to help you with something. I'm gonna help you.

0:45:31.000 --> 0:45:34.360
<v Speaker 1>You see what I'm saying. Because Quick obviously needed what

0:45:34.600 --> 0:45:37.759
<v Speaker 1>Easy represented, and he gravitated towards that on one level

0:45:37.880 --> 0:45:41.160
<v Speaker 1>or another. But Easy was a smart man on you

0:45:41.200 --> 0:45:42.719
<v Speaker 1>know what I'm saying that you can't the same thing

0:45:42.760 --> 0:45:45.799
<v Speaker 1>about about should Should was smart to do what he did,

0:45:45.920 --> 0:45:48.040
<v Speaker 1>but then a lot of ship wasn't so smart. You

0:45:48.080 --> 0:45:50.000
<v Speaker 1>know what I'm saying. We all of us are like that.

0:45:50.120 --> 0:45:52.960
<v Speaker 1>We make a lot of wise ship wise moves, and

0:45:53.040 --> 0:45:54.800
<v Speaker 1>then we make a lot of stupid moves. You know

0:45:54.840 --> 0:45:58.200
<v Speaker 1>what I'm saying, not so wise moves. You know that

0:45:58.280 --> 0:46:00.640
<v Speaker 1>when you was over a roofless am did ask some

0:46:00.719 --> 0:46:04.120
<v Speaker 1>good producers. You mentioned Rhythm d I know DJ Bob

0:46:04.239 --> 0:46:06.000
<v Speaker 1>Kenny came in there at one time. It's like the

0:46:06.080 --> 0:46:10.759
<v Speaker 1>here producer in your head. Um, y'all asked some mother

0:46:10.840 --> 0:46:14.480
<v Speaker 1>cash to above and law which game he has? Another

0:46:14.560 --> 0:46:16.399
<v Speaker 1>mistake I made het me see, I should have sunked

0:46:16.440 --> 0:46:18.719
<v Speaker 1>with them niggas back then. I had actually that sucking

0:46:18.800 --> 0:46:22.879
<v Speaker 1>with a lot of people. You know, um um, when

0:46:23.120 --> 0:46:25.359
<v Speaker 1>I already asked me who I wanted to like do music,

0:46:25.440 --> 0:46:27.600
<v Speaker 1>But I think the only person I said was scar Face,

0:46:28.040 --> 0:46:29.399
<v Speaker 1>you know what I'm saying. So they're trying to put

0:46:29.440 --> 0:46:32.280
<v Speaker 1>that together. But you know I could have said anybody.

0:46:32.440 --> 0:46:35.000
<v Speaker 1>I could have said rock can't I could have said

0:46:35.080 --> 0:46:38.600
<v Speaker 1>kr Res, I could have said, all my label makes

0:46:38.640 --> 0:46:40.520
<v Speaker 1>the priority, you know what I'm saying, whoever was over

0:46:40.560 --> 0:46:42.719
<v Speaker 1>there doing their thing, But that ain't what I did,

0:46:42.920 --> 0:46:45.560
<v Speaker 1>you see what I'm saying, So that's on me. But

0:46:45.760 --> 0:46:48.200
<v Speaker 1>at the same time, you know, our album was produced

0:46:48.239 --> 0:46:51.520
<v Speaker 1>exclusively by DJ Quick, with one song by battle Cat

0:46:52.000 --> 0:46:55.239
<v Speaker 1>that that they ultimately gave Quick the credit for, and

0:46:55.280 --> 0:46:57.080
<v Speaker 1>that was just to keep your attention, you know what

0:46:57.080 --> 0:46:59.440
<v Speaker 1>I'm saying, plus a little production that I did because

0:46:59.440 --> 0:47:01.279
<v Speaker 1>I was playing in with it, and then Quick just

0:47:01.360 --> 0:47:03.839
<v Speaker 1>basically screwed and and did what he did and made

0:47:03.880 --> 0:47:07.160
<v Speaker 1>it do what it do, which was jealous knuckleheads. But

0:47:08.400 --> 0:47:12.960
<v Speaker 1>the bottom line is, you know, back then, things were different.

0:47:13.920 --> 0:47:16.520
<v Speaker 1>You know a lot of things were different. It was

0:47:16.600 --> 0:47:22.400
<v Speaker 1>only you know, it was only it was limited ways

0:47:22.520 --> 0:47:26.400
<v Speaker 1>to make it happen. Now it's it's pretty much unlimited ways.

0:47:26.719 --> 0:47:28.759
<v Speaker 1>But it's still a limitation as far as going to

0:47:28.840 --> 0:47:31.560
<v Speaker 1>that next level. You gotta really, you know, hit the

0:47:31.640 --> 0:47:34.399
<v Speaker 1>lottery to go to the next level without some associations

0:47:34.520 --> 0:47:37.480
<v Speaker 1>or filiations with something that's already tracked. You know. Now

0:47:37.480 --> 0:47:39.400
<v Speaker 1>I'm gonna talk about some I'm gonna talk about some

0:47:39.480 --> 0:47:42.479
<v Speaker 1>crazy stuff. And this ain't I ain't trying to pitch

0:47:42.520 --> 0:47:45.520
<v Speaker 1>nobody off of them the East to play with the

0:47:45.600 --> 0:47:47.359
<v Speaker 1>Uigi boards around you. Did you ever hear about them

0:47:47.360 --> 0:47:50.439
<v Speaker 1>playing I didn't. I didn't. I didn't see that side

0:47:50.480 --> 0:47:53.640
<v Speaker 1>of him moment. My my opinion isn't Easy was working

0:47:53.680 --> 0:47:55.440
<v Speaker 1>with that. He just didn't know what he was working with, man,

0:47:55.480 --> 0:48:00.279
<v Speaker 1>because he thought it was a game or a joke. Huh.

0:48:00.880 --> 0:48:03.359
<v Speaker 1>But you had heard that before though, right, I heard

0:48:03.440 --> 0:48:05.640
<v Speaker 1>something to that extent that he toyed with that. You

0:48:05.719 --> 0:48:08.800
<v Speaker 1>know what I'm saying. You know that was one of

0:48:08.840 --> 0:48:10.920
<v Speaker 1>the things people, and I'd like to ask people it

0:48:11.040 --> 0:48:14.279
<v Speaker 1>was around Easy because nobody will ever come on camera

0:48:14.360 --> 0:48:15.680
<v Speaker 1>and see it. And I ain't saying that, you know,

0:48:15.719 --> 0:48:18.000
<v Speaker 1>because am you? You didn't mess with him like evidently

0:48:21.400 --> 0:48:26.800
<v Speaker 1>m uh yeah. People tell me he missed with that

0:48:26.880 --> 0:48:28.600
<v Speaker 1>doing it might have been him because he was a jokester.

0:48:29.600 --> 0:48:34.279
<v Speaker 1>Right Still, that's your favorite easy question. Anybody who was

0:48:34.360 --> 0:48:37.799
<v Speaker 1>around Easy to eat, that's your favorite question to ask. Well,

0:48:37.800 --> 0:48:39.880
<v Speaker 1>I mean, you know, when it comes to spiritual things, man,

0:48:39.960 --> 0:48:41.800
<v Speaker 1>everybody got their way, they get out, you know what

0:48:41.840 --> 0:48:47.279
<v Speaker 1>I'm saying. Uh, ship happens man, Uh I wasn't near them,

0:48:47.480 --> 0:48:51.640
<v Speaker 1>I didn't have I didn't know, I didn't have to

0:48:51.719 --> 0:48:55.440
<v Speaker 1>deal with none of that that negative energy. Man, Thank goodness,

0:48:55.480 --> 0:48:57.680
<v Speaker 1>that's probably do one that wants a kid to my mom, man,

0:48:57.760 --> 0:49:00.759
<v Speaker 1>praying over my life and my reality on so my

0:49:01.160 --> 0:49:03.360
<v Speaker 1>mother and the people that you know, in spite of me,

0:49:03.520 --> 0:49:05.840
<v Speaker 1>you know, not doing what they told me to do,

0:49:06.000 --> 0:49:08.520
<v Speaker 1>and and still doing what I did, but still being

0:49:08.600 --> 0:49:10.359
<v Speaker 1>blessed to make it through, you know what I'm saying,

0:49:10.400 --> 0:49:13.240
<v Speaker 1>and not be caught up. You know, never called no case,

0:49:13.440 --> 0:49:16.600
<v Speaker 1>never called no d y, you know, never never got

0:49:16.920 --> 0:49:19.239
<v Speaker 1>you know, never been on child support for more than

0:49:19.320 --> 0:49:21.279
<v Speaker 1>a couple of months till I handled that business, you

0:49:21.360 --> 0:49:24.239
<v Speaker 1>know what I'm saying. So it's I'm blessed to be

0:49:24.320 --> 0:49:26.000
<v Speaker 1>the made it through to this point. You know what

0:49:26.080 --> 0:49:32.680
<v Speaker 1>I'm saying. Do not lets just where did you land

0:49:33.160 --> 0:49:36.600
<v Speaker 1>after the Ruthless album? Because you didn't. I can tell

0:49:36.719 --> 0:49:38.919
<v Speaker 1>to this day you never stopped making music. So where

0:49:38.920 --> 0:49:42.520
<v Speaker 1>did you land and what type of uh? How did

0:49:42.560 --> 0:49:47.120
<v Speaker 1>you feel about the industry after You're done? Had everything

0:49:47.440 --> 0:49:50.719
<v Speaker 1>far as a number one record? Because it's it's mad

0:49:50.840 --> 0:49:53.439
<v Speaker 1>niggas who wrapped everybody can't say they had a number

0:49:53.480 --> 0:49:57.040
<v Speaker 1>one record hunt yeah, even though it wasn't not hellable,

0:49:57.080 --> 0:49:59.960
<v Speaker 1>but anyway, no, no, no, no man, no down't play

0:50:00.480 --> 0:50:04.480
<v Speaker 1>you never because that was number one, even even do

0:50:04.560 --> 0:50:06.960
<v Speaker 1>the heat Seekers even exists. Now, it's just all love.

0:50:07.000 --> 0:50:08.279
<v Speaker 1>You know, I ain't trying to make it sound like

0:50:08.320 --> 0:50:11.000
<v Speaker 1>I ain't. I ain't grateful, you know, I really am

0:50:11.120 --> 0:50:12.880
<v Speaker 1>on me and it just blow me to it what

0:50:13.000 --> 0:50:15.719
<v Speaker 1>I fucked up. But anyway, let's just keep you know.

0:50:16.000 --> 0:50:19.400
<v Speaker 1>It's like it's like, you know, I deal with with

0:50:19.520 --> 0:50:21.920
<v Speaker 1>some mohomies on some love ship, my nigga Charlie and

0:50:22.239 --> 0:50:25.839
<v Speaker 1>j T. We had Excel Records, you know what I'm saying.

0:50:26.080 --> 0:50:29.239
<v Speaker 1>And uh that was around the Sugar Free time, right

0:50:29.280 --> 0:50:31.359
<v Speaker 1>when I was making music, and I did some really

0:50:31.440 --> 0:50:33.719
<v Speaker 1>good music with my niggas. You know. Then after that,

0:50:34.320 --> 0:50:36.719
<v Speaker 1>I was over there at uh working with Brainstormer and

0:50:36.800 --> 0:50:39.120
<v Speaker 1>like a big bot, and then Greedy was involved to

0:50:39.200 --> 0:50:43.520
<v Speaker 1>a certain extent. It's another, you know, another story. But

0:50:44.000 --> 0:50:48.120
<v Speaker 1>but anyway, Uh so I bounced around, kept making music

0:50:48.239 --> 0:50:50.799
<v Speaker 1>and kept trying to you know, affiliate with different ships

0:50:50.800 --> 0:50:53.279
<v Speaker 1>and you know, making music here, guesting here, guesting there.

0:50:53.560 --> 0:50:56.800
<v Speaker 1>But I never really uh you know, pushed like like

0:50:56.960 --> 0:50:58.920
<v Speaker 1>I like I probably should have been could have you know.

0:50:59.719 --> 0:51:02.160
<v Speaker 1>But you know, you know, when my sons became of

0:51:02.280 --> 0:51:04.680
<v Speaker 1>age and we started really trying to you know, plug

0:51:04.760 --> 0:51:06.200
<v Speaker 1>them in. So you know, they got music with some

0:51:06.320 --> 0:51:09.239
<v Speaker 1>high powered cats. They got music with Glasses, they got

0:51:09.360 --> 0:51:11.720
<v Speaker 1>music with Jelly Roll, they got music with Black Token,

0:51:11.760 --> 0:51:14.600
<v Speaker 1>they got music with UH Day One, they got music

0:51:14.719 --> 0:51:19.160
<v Speaker 1>with UH Battle Cat. You know what I'm saying. They

0:51:19.239 --> 0:51:22.680
<v Speaker 1>got music with with UH, with a lot of different niggas. Man,

0:51:23.360 --> 0:51:26.440
<v Speaker 1>they're working on music with other cats. And so you know,

0:51:26.760 --> 0:51:29.080
<v Speaker 1>my niggas has grown men, and I'm proud of them

0:51:29.120 --> 0:51:31.080
<v Speaker 1>and what they're doing and how they represent, you know,

0:51:31.360 --> 0:51:33.880
<v Speaker 1>to the next level, you know. And so you know,

0:51:34.040 --> 0:51:36.799
<v Speaker 1>I've always tried instilling them to stand on their own

0:51:36.880 --> 0:51:38.759
<v Speaker 1>and be their own and do their own thing, you know.

0:51:39.400 --> 0:51:41.960
<v Speaker 1>And so all I was just give them everything that

0:51:42.000 --> 0:51:44.000
<v Speaker 1>I got to give them and allowed them to pick

0:51:44.040 --> 0:51:45.520
<v Speaker 1>and choose of it what they want to take and

0:51:45.560 --> 0:51:47.200
<v Speaker 1>what they want to leave there. I can't be mad

0:51:47.280 --> 0:51:51.160
<v Speaker 1>at you know. Let me ask you this, man, So

0:51:52.680 --> 0:51:55.440
<v Speaker 1>you know that Sugar Free came in on the tail end,

0:51:55.880 --> 0:51:57.640
<v Speaker 1>what did you think of Royal Rock when you first

0:51:57.680 --> 0:52:03.200
<v Speaker 1>heard you knew came in as Royal Rock. First. I

0:52:03.400 --> 0:52:05.960
<v Speaker 1>liked the stabb of the comedic way he wrapped about

0:52:06.000 --> 0:52:07.440
<v Speaker 1>that pimp and in the way he did this thing.

0:52:07.520 --> 0:52:09.719
<v Speaker 1>It was, it was real clever, you know what I'm saying.

0:52:09.760 --> 0:52:12.520
<v Speaker 1>It was I had to respect it. And then when

0:52:12.560 --> 0:52:15.959
<v Speaker 1>he gave me so much love, you know what I'm saying,

0:52:16.239 --> 0:52:18.560
<v Speaker 1>and allowed me to be a part of that debut project.

0:52:19.280 --> 0:52:21.080
<v Speaker 1>You know, it was the most eyes I've never had

0:52:21.160 --> 0:52:23.399
<v Speaker 1>on anything I've ever done. You know, that's the most

0:52:23.520 --> 0:52:25.239
<v Speaker 1>radio player I ever got on the song I ever

0:52:25.320 --> 0:52:27.600
<v Speaker 1>been on, you know what I'm saying. So so even

0:52:27.640 --> 0:52:30.600
<v Speaker 1>though I got cut out, you know, of of a

0:52:30.680 --> 0:52:32.560
<v Speaker 1>lot of that because that ship blew up bigger than

0:52:32.600 --> 0:52:34.799
<v Speaker 1>they thought it was, you know, because on the original version,

0:52:35.080 --> 0:52:37.600
<v Speaker 1>I got the whole second verse, you know what I'm

0:52:37.600 --> 0:52:39.960
<v Speaker 1>saying on the video And I don't even know I

0:52:40.080 --> 0:52:42.560
<v Speaker 1>got cut out like that until I showed up at

0:52:42.600 --> 0:52:45.919
<v Speaker 1>the video shoot uninvited. Nig didn't even tell me about

0:52:45.920 --> 0:52:47.640
<v Speaker 1>the video shoot rom you know what I'm saying. I

0:52:47.760 --> 0:52:50.239
<v Speaker 1>just happened to find out through some other niggas and

0:52:50.440 --> 0:52:53.879
<v Speaker 1>pulled up ready to go, and I'm like, I don't

0:52:53.880 --> 0:52:57.560
<v Speaker 1>even trip off Nigga is not telling me right what

0:52:57.600 --> 0:52:59.440
<v Speaker 1>I'm telling you. When they start playing the song on

0:52:59.560 --> 0:53:01.680
<v Speaker 1>me and I'm thinking it was time for my verse

0:53:02.239 --> 0:53:05.440
<v Speaker 1>and make a sicker free start rapping again, I was

0:53:05.520 --> 0:53:08.200
<v Speaker 1>kind of shocked, you know what I'm saying. Of Course,

0:53:08.280 --> 0:53:10.719
<v Speaker 1>I still played my position and did my thing, you know,

0:53:10.920 --> 0:53:12.680
<v Speaker 1>and waited to see if I was on the third

0:53:12.800 --> 0:53:15.520
<v Speaker 1>verse still or not. You know what I'm saying. That

0:53:15.680 --> 0:53:17.600
<v Speaker 1>was a That was a heavy Uh. That was a

0:53:17.640 --> 0:53:20.040
<v Speaker 1>heavy blow man. I took that though. You know, now

0:53:20.120 --> 0:53:25.960
<v Speaker 1>who think who? Who? Who? I think made that decision? Yeah,

0:53:28.040 --> 0:53:31.160
<v Speaker 1>it had to be the hierarchy over there at Shepard Lane,

0:53:31.200 --> 0:53:32.560
<v Speaker 1>you know what I'm saying. It had to be they

0:53:32.600 --> 0:53:36.200
<v Speaker 1>had to agree to uh stand CHEVD Tony Lane dj

0:53:37.640 --> 0:53:40.680
<v Speaker 1>uh the other cat naming was involved. You know, it

0:53:40.800 --> 0:53:42.359
<v Speaker 1>had to be him on. You know what I'm saying.

0:53:42.400 --> 0:53:46.800
<v Speaker 1>They had to do that together. They had and didn't

0:53:46.800 --> 0:53:48.600
<v Speaker 1>not tell me though as it's funked up, they could

0:53:48.640 --> 0:53:50.880
<v Speaker 1>have told me. I wouldn't. You know. It's a trick man,

0:53:50.920 --> 0:53:54.240
<v Speaker 1>how that ship go. A lot of that be because

0:53:55.600 --> 0:53:57.920
<v Speaker 1>when when they be when people be doing them slide

0:53:58.000 --> 0:54:01.120
<v Speaker 1>bar move. I'm just saying overall in the industry, they

0:54:01.239 --> 0:54:04.880
<v Speaker 1>forget people grown man. You could just tell me, bro, hey,

0:54:04.920 --> 0:54:07.279
<v Speaker 1>look we're going in a different direction, because the hard

0:54:07.360 --> 0:54:09.719
<v Speaker 1>feeling is gonna be created when you just take me

0:54:09.800 --> 0:54:12.560
<v Speaker 1>off and don't tell me about the video. You could

0:54:12.560 --> 0:54:14.719
<v Speaker 1>have just told me, pind of like, look, we're going

0:54:14.760 --> 0:54:17.239
<v Speaker 1>in a different direction. I'm sure you would have respected that.

0:54:17.320 --> 0:54:19.520
<v Speaker 1>You might have been upset, but you would have respected

0:54:19.560 --> 0:54:23.760
<v Speaker 1>it more you feeling. I mean, of course, I wouldn't

0:54:23.760 --> 0:54:25.880
<v Speaker 1>have had no choice, you know what I'm saying, Just

0:54:25.960 --> 0:54:29.200
<v Speaker 1>like I didn't have no choice right there. But at

0:54:29.239 --> 0:54:35.120
<v Speaker 1>the same time, you know why even though you know

0:54:35.560 --> 0:54:39.120
<v Speaker 1>it's like it's it's moved now, but but but why

0:54:39.400 --> 0:54:42.319
<v Speaker 1>do that? It ain't like they made the record better

0:54:42.440 --> 0:54:44.959
<v Speaker 1>taking me taking me off, because the record was already moving,

0:54:45.120 --> 0:54:49.680
<v Speaker 1>right record on that you know, like the most that

0:54:49.840 --> 0:54:51.480
<v Speaker 1>was the record that I said, that's the one that

0:54:51.520 --> 0:54:53.080
<v Speaker 1>put him on the map. You know what I'm saying.

0:54:53.960 --> 0:54:55.759
<v Speaker 1>You don't know what we're talking about about if you

0:54:55.800 --> 0:55:03.239
<v Speaker 1>stay ready, yeah, exactly. So it's like it's like it

0:55:03.320 --> 0:55:05.400
<v Speaker 1>ain't like I didn't do my thing on that record,

0:55:05.719 --> 0:55:10.279
<v Speaker 1>you know what I'm saying. So I feel, you know,

0:55:10.440 --> 0:55:12.040
<v Speaker 1>in all honesty, and I'm gonna just say it. I

0:55:12.080 --> 0:55:14.759
<v Speaker 1>feel like niggas didn't want me to shine. You know

0:55:14.800 --> 0:55:16.680
<v Speaker 1>what I'm saying. They didn't want me to get that

0:55:16.840 --> 0:55:20.600
<v Speaker 1>Shoine because I wasn't locked in no situation with them

0:55:21.360 --> 0:55:25.600
<v Speaker 1>and had that ship allowed me the opportunity to blow

0:55:26.960 --> 0:55:31.200
<v Speaker 1>from a from that the whole second verse, that level.

0:55:31.719 --> 0:55:34.319
<v Speaker 1>You know what I'm saying it If they didn't, they

0:55:34.360 --> 0:55:40.279
<v Speaker 1>couldn't control that were you want excuse me, you want

0:55:40.760 --> 0:55:42.839
<v Speaker 1>being in that video though? Right, yeah, I was there

0:55:42.880 --> 0:55:45.239
<v Speaker 1>and I was in the video. I'm still in the

0:55:45.320 --> 0:55:47.880
<v Speaker 1>third verse. They still gave me my few bars in

0:55:47.960 --> 0:55:50.279
<v Speaker 1>the third verse, and I'm still there, you know what

0:55:50.320 --> 0:55:52.440
<v Speaker 1>I'm saying. But just like on the original version of

0:55:52.440 --> 0:55:55.200
<v Speaker 1>the album version and say shippar Free, We'll play a hand.

0:55:55.880 --> 0:55:58.440
<v Speaker 1>But when they remixed it and say sugar Free with

0:55:58.640 --> 0:56:02.879
<v Speaker 1>DJ Quick, you see what I'm saying, saying telling y'all

0:56:02.920 --> 0:56:05.120
<v Speaker 1>to stay ready, you ain't gonna get ready. So that's

0:56:05.160 --> 0:56:09.359
<v Speaker 1>the radio version, But my verse was already radio y'all.

0:56:09.680 --> 0:56:11.440
<v Speaker 1>I was already ahead of the game when it came

0:56:11.480 --> 0:56:13.239
<v Speaker 1>to that. I'm like, man, I mine, I'm wrapped. I'm

0:56:13.239 --> 0:56:15.239
<v Speaker 1>not gonna just cuss on ship no more. But they

0:56:15.320 --> 0:56:17.560
<v Speaker 1>gotta you know, now, I'm gonna make my ship radio

0:56:17.640 --> 0:56:19.480
<v Speaker 1>or still keeping, you know, make niggas think they got

0:56:19.560 --> 0:56:22.200
<v Speaker 1>cutched out, you know what I'm saying. But the bottom

0:56:22.280 --> 0:56:26.440
<v Speaker 1>line is, you know that was that was in addition

0:56:26.480 --> 0:56:29.040
<v Speaker 1>to whatever business move they thought they was making. They

0:56:29.080 --> 0:56:30.920
<v Speaker 1>didn't want me to shine on me like that on me.

0:56:31.000 --> 0:56:34.200
<v Speaker 1>They just took that shine from you. But you know

0:56:35.960 --> 0:56:39.120
<v Speaker 1>because you mad at none of the niggas, man, because

0:56:39.120 --> 0:56:41.960
<v Speaker 1>I don't think black I don't think black tune. Honestly,

0:56:41.960 --> 0:56:43.680
<v Speaker 1>I don't think that was his get done. I don't

0:56:43.680 --> 0:56:48.680
<v Speaker 1>think he even cared about ship like that. Really well,

0:56:48.800 --> 0:56:56.520
<v Speaker 1>he was. He's the lane of Shepherd Lane. You know

0:56:56.560 --> 0:57:02.280
<v Speaker 1>what I'm saying. You know you like that. He damned

0:57:02.760 --> 0:57:07.880
<v Speaker 1>I don't do him like that. You know what. We're

0:57:07.920 --> 0:57:10.160
<v Speaker 1>cool at fuck, but that ain't my big on you

0:57:10.200 --> 0:57:13.239
<v Speaker 1>know what I'm saying. And it's when the business come

0:57:13.320 --> 0:57:16.200
<v Speaker 1>into because you start talking about publishing, split some songs now,

0:57:16.280 --> 0:57:19.120
<v Speaker 1>and the song was performing really well, so it's easy

0:57:19.160 --> 0:57:20.560
<v Speaker 1>for them to say, hey man, we do on this,

0:57:20.720 --> 0:57:23.240
<v Speaker 1>do quick publishing, and we got this cat play him

0:57:23.280 --> 0:57:24.800
<v Speaker 1>and then he gotta have the pups on that song.

0:57:24.880 --> 0:57:29.440
<v Speaker 1>We need to change that exactly, Brox. That's that's where

0:57:29.440 --> 0:57:33.360
<v Speaker 1>the business coming into that public issue today. You know

0:57:33.400 --> 0:57:37.280
<v Speaker 1>what I'm saying. That's still because the original version still

0:57:37.520 --> 0:57:39.080
<v Speaker 1>is what it is, you know. But it's still a

0:57:39.480 --> 0:57:41.360
<v Speaker 1>issue when it comes to that owner ship right now,

0:57:41.560 --> 0:57:44.800
<v Speaker 1>you know what I'm saying. Yeah, so you ain't so

0:57:44.960 --> 0:57:46.720
<v Speaker 1>let me ask you this then, because that was a

0:57:46.760 --> 0:57:48.920
<v Speaker 1>big record and you didn't get your publishing off that

0:57:49.000 --> 0:57:51.000
<v Speaker 1>song like he was supposed to go. I didn't get

0:57:51.080 --> 0:57:54.040
<v Speaker 1>my whole peace, I gotta I got a portion, but

0:57:54.160 --> 0:57:56.520
<v Speaker 1>I didn't get my whole portion, because that would have

0:57:56.600 --> 0:58:00.520
<v Speaker 1>been a nice little check about that time. Though it

0:58:00.680 --> 0:58:02.840
<v Speaker 1>was coming nice at first, you know what I'm saying,

0:58:03.360 --> 0:58:05.360
<v Speaker 1>and then all of a sudden the numbers got changed.

0:58:05.400 --> 0:58:07.200
<v Speaker 1>And when I send my people to check it out,

0:58:07.600 --> 0:58:09.720
<v Speaker 1>he said, the numbers changed, And I'm like, well, who

0:58:09.800 --> 0:58:11.040
<v Speaker 1>does that? Where do you do that? How do they

0:58:11.120 --> 0:58:13.560
<v Speaker 1>do that? You know what I'm saying. So you know,

0:58:13.680 --> 0:58:15.600
<v Speaker 1>it's still an issue right now that that's got to

0:58:15.640 --> 0:58:21.960
<v Speaker 1>be hired out, you know. But now, look, where do

0:58:22.000 --> 0:58:25.040
<v Speaker 1>you get your nickname from? Because you you l A

0:58:26.320 --> 0:58:28.919
<v Speaker 1>it's usually something different. You can you play in hand

0:58:29.040 --> 0:58:31.280
<v Speaker 1>like where where that comes? Well, you know, in high school,

0:58:31.320 --> 0:58:33.360
<v Speaker 1>ho me my boy j B. Man, my brother from

0:58:33.400 --> 0:58:35.640
<v Speaker 1>another mother Man and the cat I've been looking up

0:58:35.680 --> 0:58:39.040
<v Speaker 1>to ever since we've been adults. Man for everything he represents.

0:58:39.440 --> 0:58:42.400
<v Speaker 1>He uh you know, I had a business partner of mine.

0:58:42.840 --> 0:58:46.360
<v Speaker 1>Um he gave me that name hand right because in

0:58:46.400 --> 0:58:50.160
<v Speaker 1>the high school band, uh, we all we play Susie

0:58:50.200 --> 0:58:52.959
<v Speaker 1>together and so when the when the when the band

0:58:53.040 --> 0:58:56.320
<v Speaker 1>conductor would call on somebody from our section to play

0:58:56.360 --> 0:58:59.520
<v Speaker 1>a certain section of the song, I would always raise

0:58:59.600 --> 0:59:01.360
<v Speaker 1>my hand, Oh hey, I play it. I played and

0:59:01.440 --> 0:59:03.080
<v Speaker 1>just start playing it because I could play. You know

0:59:03.080 --> 0:59:06.919
<v Speaker 1>what I'm saying, read music, and everything sues the phone

0:59:06.960 --> 0:59:11.120
<v Speaker 1>tooba okay, yeah, so you know the base on so

0:59:11.680 --> 0:59:14.440
<v Speaker 1>uh you know, and it would say, look at the

0:59:14.480 --> 0:59:16.760
<v Speaker 1>big hand. You know what I'm saying, the big hand.

0:59:16.920 --> 0:59:18.919
<v Speaker 1>So they just start calling me big hand at first,

0:59:19.360 --> 0:59:21.520
<v Speaker 1>you know what I'm saying. And then from there as

0:59:21.640 --> 0:59:25.160
<v Speaker 1>you know, a nigga demeanor and approach to the reality

0:59:25.840 --> 0:59:28.880
<v Speaker 1>mature the player. Things just came in. Play her hand,

0:59:28.920 --> 0:59:31.320
<v Speaker 1>look at play her hand, and it just it's stuck.

0:59:31.440 --> 0:59:34.240
<v Speaker 1>You know what I'm saying. It wants the Nigget discovered

0:59:34.280 --> 0:59:37.160
<v Speaker 1>that click name Homie and what I said seeing the

0:59:37.240 --> 0:59:39.680
<v Speaker 1>homie with the jaggon on and and added the mother

0:59:39.840 --> 0:59:42.920
<v Speaker 1>descriptive narrative to it. You know what I'm saying, It

0:59:43.040 --> 0:59:46.360
<v Speaker 1>became you know something I still represent to this day.

0:59:46.600 --> 0:59:51.040
<v Speaker 1>You know it was the penthouse players. Click. You gotta

0:59:51.080 --> 0:59:54.360
<v Speaker 1>tell me that you had a penhouse before? Right? Excuse me,

0:59:54.760 --> 0:59:57.920
<v Speaker 1>I said you had a penhouse before? Right? Everywhere I

0:59:58.240 --> 1:00:01.960
<v Speaker 1>dwell with the penthouse on that for the doghouse, the penhouse.

1:00:02.000 --> 1:00:05.240
<v Speaker 1>Don't know what I'm saying. Yeah, every everywhere out to live,

1:00:05.320 --> 1:00:07.320
<v Speaker 1>they can call it the penhouse. I mean, if if

1:00:07.400 --> 1:00:10.160
<v Speaker 1>I just post up for a moment, maybe it's the penhouse. Now,

1:00:12.360 --> 1:00:15.480
<v Speaker 1>it's all I want to go back to something real quick, Man,

1:00:15.560 --> 1:00:19.600
<v Speaker 1>because I think you're very underrated as well as above

1:00:19.680 --> 1:00:21.720
<v Speaker 1>the law. I don't think above the law getting nowhere

1:00:21.800 --> 1:00:24.960
<v Speaker 1>near the credit that they should get man. Because they

1:00:25.080 --> 1:00:27.560
<v Speaker 1>were very not seeing that Drake would never be d

1:00:28.080 --> 1:00:29.960
<v Speaker 1>as the ship as there was DJ Quick. We can't

1:00:30.000 --> 1:00:36.040
<v Speaker 1>never get that confused. But hutch gold Mac and letm

1:00:36.120 --> 1:00:41.680
<v Speaker 1>care some was conbusive for them dog Drake because they

1:00:41.720 --> 1:00:44.840
<v Speaker 1>talked Warren g gotta produce yeah, they got some ship

1:00:45.000 --> 1:00:47.120
<v Speaker 1>from them dogs and don't do the ship. I think

1:00:47.160 --> 1:00:49.240
<v Speaker 1>y'all could have did some incredible ship, ain't them? Hey?

1:00:49.280 --> 1:00:51.280
<v Speaker 1>And we still can on me, I'll foxed with hutch

1:00:51.360 --> 1:00:52.960
<v Speaker 1>you know what I'm saying. We just ain't. We did

1:00:53.040 --> 1:00:56.040
<v Speaker 1>a little something a couple of times, but our foxed

1:00:56.080 --> 1:00:58.280
<v Speaker 1>with hutch Man, we were gonna probably put something together

1:00:58.360 --> 1:01:03.760
<v Speaker 1>again real soon. Man. My brother was intern in Psychopathic

1:01:03.880 --> 1:01:06.800
<v Speaker 1>Records and he was there the day that they signed

1:01:06.920 --> 1:01:09.640
<v Speaker 1>hutch And he was the only person in the office

1:01:09.960 --> 1:01:12.720
<v Speaker 1>besides I c P who knew who Hud you was? Bro?

1:01:13.320 --> 1:01:16.840
<v Speaker 1>Wow was that be? That was after Ruthless? This was

1:01:16.920 --> 1:01:19.720
<v Speaker 1>way after Ruthless? This was this was way after Ruthless

1:01:19.760 --> 1:01:25.880
<v Speaker 1>Hutching Like, huh fo No, it probably was about ten

1:01:26.120 --> 1:01:30.360
<v Speaker 1>for real, for real, it's more than ten. But huh,

1:01:30.880 --> 1:01:33.240
<v Speaker 1>I remember when he signed over there. Ye, my brother

1:01:33.360 --> 1:01:35.480
<v Speaker 1>was the only person in the office. He was like, Bro,

1:01:35.640 --> 1:01:37.880
<v Speaker 1>you you you hut from a bud of law. Hud

1:01:38.000 --> 1:01:40.680
<v Speaker 1>couldn't believe it, you know, the only person who knew

1:01:40.720 --> 1:01:46.280
<v Speaker 1>who he was. Yeah, that's why they got a hold

1:01:46.360 --> 1:01:49.040
<v Speaker 1>different fan base, type of crowd exactly. But when you

1:01:49.120 --> 1:01:51.280
<v Speaker 1>play their music, man, you know, you know where it

1:01:51.360 --> 1:01:54.160
<v Speaker 1>came from home, and you know they influenced on me

1:01:54.280 --> 1:01:56.600
<v Speaker 1>and and Hutch been real humble about that, but at

1:01:56.640 --> 1:01:59.560
<v Speaker 1>the same time passes progressive with it, you know. But

1:02:00.360 --> 1:02:02.240
<v Speaker 1>he really, you know, he know what he can do, man,

1:02:02.280 --> 1:02:04.760
<v Speaker 1>and he still do it, you know, fearlessly. You know

1:02:04.800 --> 1:02:06.960
<v Speaker 1>what I'm saying, number love and respect for hus Man

1:02:09.480 --> 1:02:12.000
<v Speaker 1>plan on me. I'll respect that, the whole Promona car Man,

1:02:12.640 --> 1:02:16.600
<v Speaker 1>Niggah Pipping Young, even that nigga Percy Man. You know,

1:02:17.720 --> 1:02:21.360
<v Speaker 1>you know I got love for them niggas man, you know, yeah,

1:02:21.440 --> 1:02:24.520
<v Speaker 1>for real real man. Well, man, I appreciate you coming

1:02:24.600 --> 1:02:27.280
<v Speaker 1>on brother. He's log I gotta say my nigga weel log.

1:02:27.360 --> 1:02:32.000
<v Speaker 1>I can't do it. I can't talk at where can

1:02:32.160 --> 1:02:34.160
<v Speaker 1>people get at you? At him? Man? You know what's

1:02:34.200 --> 1:02:36.800
<v Speaker 1>that Pinouts playing ham on me on all the platforms

1:02:36.880 --> 1:02:38.640
<v Speaker 1>on me, and you know I'm about to, you know,

1:02:38.800 --> 1:02:41.880
<v Speaker 1>set off this other podcast thing to man, the pay opinion. Man.

1:02:41.920 --> 1:02:44.640
<v Speaker 1>I've been pushing though little sprinkles here and there, but

1:02:45.120 --> 1:02:46.920
<v Speaker 1>you know I'm gonna have to have my niggas come

1:02:47.040 --> 1:02:50.280
<v Speaker 1>up with me on mine too. You know, whatever help

1:02:50.360 --> 1:02:52.000
<v Speaker 1>you need for much man, you let me know. I'm

1:02:52.080 --> 1:02:55.000
<v Speaker 1>for sure, baby, I appreciate it. Man, you know what

1:02:55.120 --> 1:02:58.760
<v Speaker 1>we do. What I'm saying here, everybody, ladies and gentlemen

1:02:58.840 --> 1:03:02.200
<v Speaker 1>clear him, like thank my boyfriend company in and gets

1:03:02.240 --> 1:03:03.920
<v Speaker 1>hold some with me. Man for a second night, your

1:03:03.960 --> 1:03:06.920
<v Speaker 1>brother wasn't there, my boy aj Man from the Connected

1:03:06.960 --> 1:03:11.280
<v Speaker 1>Experience podcast the drops every Monday on the Digital Soapbox network.

1:03:11.600 --> 1:03:14.240
<v Speaker 1>Y'all make sure man, y'all go subscribe. Man, these brothers

1:03:14.320 --> 1:03:16.520
<v Speaker 1>got one of the coldest podcasts in the game. Man,

1:03:18.720 --> 1:03:23.120
<v Speaker 1>y'all been running one of the flagship shows on Digital Soapboxine. Right, Yeah,

1:03:23.160 --> 1:03:25.960
<v Speaker 1>we're still here baby, with the last of the Mohigans.

1:03:26.200 --> 1:03:28.640
<v Speaker 1>It wasn't even know Gangster Chronicles when we started doing

1:03:28.720 --> 1:03:31.680
<v Speaker 1>business together. It was not as never. You told us

1:03:31.720 --> 1:03:34.320
<v Speaker 1>the games the Chronicles and broke it down and he's like, Yo,

1:03:34.400 --> 1:03:36.720
<v Speaker 1>that's it right there. But yeah, we're still here, man.

1:03:36.800 --> 1:03:41.040
<v Speaker 1>There ain't nothing gonna change. Man. The Connected Experience every Monday, Uh,

1:03:42.200 --> 1:03:45.080
<v Speaker 1>you just you pressed player on that, man, We just

1:03:45.160 --> 1:03:47.920
<v Speaker 1>take you to a different world. We had everybody on it,

1:03:48.120 --> 1:03:49.920
<v Speaker 1>anybody you could think of. Because we can sit and

1:03:50.000 --> 1:03:52.520
<v Speaker 1>talk to anybody, Oprah, go beyond one day because we

1:03:52.520 --> 1:03:55.040
<v Speaker 1>can sit and talk to anybody from the artists who

1:03:55.080 --> 1:03:58.840
<v Speaker 1>never who who just started with their first song, to CEOs,

1:03:58.840 --> 1:04:01.959
<v Speaker 1>the major companies, man of the Connected Experience tc POT

1:04:02.040 --> 1:04:04.480
<v Speaker 1>on Instagram and Twitter, and I'll make sure I got

1:04:04.560 --> 1:04:06.160
<v Speaker 1>a link for that. I'll make sure I got a

1:04:06.200 --> 1:04:08.240
<v Speaker 1>link for that in the description for y'all. And we

1:04:08.320 --> 1:04:10.880
<v Speaker 1>gon have hands podcasts coming pretty soon. I'm gonna be

1:04:10.920 --> 1:04:15.760
<v Speaker 1>posted links up for man, let's do it the shore

1:04:15.840 --> 1:04:17.080
<v Speaker 1>and we got to hear your piece