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Speaker 1: So in the morning at church.

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Speaker 2: With Rita Wilson, and she was very well behaved for

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Speaker 2: most of it, during the liturgy, the benediction, the lesson,

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Speaker 2: but during the songs we would start to sing the

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Speaker 2: songs about angels and heaven, and she would sing take

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Speaker 2: me to Church, but she would sing a different version.

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Speaker 2: I guess it's sort of a song parody version called

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Speaker 2: I'm at the church. I think it was because she

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Speaker 2: would do it in kind of a weird al voice

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Speaker 2: where she would go.

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Speaker 3: I'm at the church, I'm worshiped micha Ah Frog.

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Speaker 2: She'd say frog during all the things, and then it

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Speaker 2: turns that tracks. We went to an X ray after

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Speaker 2: it turned out her brain had sort of migrated into

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Speaker 2: her neck. Hey, Welcome to Hollywood Handbook and Insider's Guide

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Speaker 2: to kicking button dropping names in the red carpet lineback

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Speaker 2: hallways of this industry we call showbiz housekeeping.

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Speaker 1: Housekeeping.

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Speaker 2: Sean is still out of town. He's still doing super

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Speaker 2: Argo in Hawaii. He got a little sidetracked, uh there,

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Speaker 2: he stuck in a wi He tried to pronounce the

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Speaker 2: name of that funny fish that they have there and

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Speaker 2: got arrested for doing it.

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Speaker 4: In sort of a rude way. Uh, so he is

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Speaker 4: still there.

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Speaker 2: We're also not at the Earwolf Studio today, Eerwol Studio.

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Speaker 2: They had a New Year's party and Andrew Cody set

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Speaker 2: off some fireworks at the bathroom, and now the studio

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Speaker 2: is kind of an emergency hospital. The whole studio has

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Speaker 2: become sort of like a war hospital to administer to

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Speaker 2: Cody because he can't he can't.

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Speaker 1: Be moved, so it's dead.

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Speaker 2: Today we're at Engineer Brett's house and Engineer Brett is here.

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Speaker 5: Hey man, welcome, Thanks.

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Speaker 4: Brett, it's it's it's really wonderful being in your house.

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Speaker 1: We've brought d. C.

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Speaker 2: Pearson here as well to sort of help out with

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Speaker 2: the show. And but I did think, what's in soore

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Speaker 2: for me coming to Brett's house. Is this going to

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Speaker 2: be his house?

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Speaker 4: Is it going to be something like the movie The

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Speaker 4: Gift where he has access as a groundskeeper to a

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Speaker 4: much nicer house and has let himself in while the

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Speaker 4: family is out of town, perhaps on a holiday break,

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Speaker 4: uh and hosts a nice dinner for me at the

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Speaker 4: house to pretend that he's very successful.

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Speaker 2: I thought it could be something like that. It's obviously not,

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Speaker 2: because this place is much too bad to.

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Speaker 1: To pose as a normal house. It's a really bad place.

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Speaker 2: It's not the kind of place that you would pretend

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Speaker 2: to live in. It's a place you would actually live in.

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Speaker 4: If anything, I'm wondering if you're not a really rich

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Speaker 4: guy who has sort of occupied your gardener's house in

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Speaker 4: a sort of reversed gift scenario.

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Speaker 5: Yeah, I would say neither is exactly.

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Speaker 1: Right somewhere in between.

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Speaker 4: It's just that you live here. Yeah, it's just normal,

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Speaker 4: and this is your house.

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Speaker 5: Yeah, it's pretty normal. This is my house. This is

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Speaker 5: a room in my house that we're in right now.

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Speaker 1: Is your is your is your girlfriend here? What's her? Buzzby?

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Speaker 3: No?

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Speaker 4: Mindy?

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Speaker 5: Is her name? Yeah, not Buzzby.

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Speaker 4: If her name could be Buzby, though, I feel like

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Speaker 4: that would be great because that would be working that

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Speaker 4: whole kind of like side of.

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Speaker 1: The street where it's like really kind of twee. Is

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Speaker 1: she in the biz twee?

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Speaker 4: Yeah, like sort of like old, like old, just sort

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Speaker 4: of indiscriminately old, you know what I mean, Like not

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Speaker 4: from any particular era, but someone like oh they're wearing

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Speaker 4: a dress or they have a hairstyle. You're like, wow,

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Speaker 4: that's old in like a cool way. So if her name,

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Speaker 4: if she I don't know, if she's trying to make

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Speaker 4: it at all, it would be nice. It would be

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Speaker 4: nice if she were very old, like a flapper.

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Speaker 1: Yeah exactly exactly.

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Speaker 4: But like that's almost too determinate in time, like that's

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Speaker 4: like from a specific era. It should just be like

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Speaker 4: you should just be like, whoa, that's old.

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Speaker 1: Yeah, I really did think it was Buzzby.

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Speaker 4: Or or we could go the other way and if

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Speaker 4: her name was BuzzFeed, that would be that's cool, sort

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Speaker 4: of exactly exactly exactly. Well, you kind of either want

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Speaker 4: to be either one, you know what I mean. You

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Speaker 4: either want to be like kind of cool in throwback

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Speaker 4: or you want to be like right on the cutting edge. Yeah, yeah,

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Speaker 4: her name should be BuzzFeed.

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Speaker 1: But I I did anticipate a little bit the badness. Yeah,

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Speaker 1: it's really bad of the place.

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Speaker 5: Well what it's so bad about it? I mean, I'm

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Speaker 5: I'm miking you up.

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Speaker 2: There's all this stuff that I'm looking at that's so

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Speaker 2: messed up, Like.

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Speaker 4: Is this like a metal flower?

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Speaker 1: What is this?

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Speaker 5: Well? The real flowers are expensive.

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Speaker 1: Smells like shit, Yeah.

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Speaker 4: It's like they talk a lot about, you know, in

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Speaker 4: in like restaurants or in other spaces, like things being reclaimed,

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Speaker 4: like oh, it's like a reclaimed you know, industrial space

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Speaker 4: or like reclaimed wood. This is this feels like this

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Speaker 4: is like it hasn't been claimed. It feels unclaimed. This

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Speaker 4: feels like we're in like an unclaimed industrial space that

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Speaker 4: like an industrialist. All the industrialists were like too ashamed,

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Speaker 4: like who's who's industrial space is this? And none of

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Speaker 4: them stood up at the big meeting where they're sitting

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Speaker 4: around that table where they're sort of carving up a globe.

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Speaker 5: Like that metal flower is just original. It was here

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Speaker 5: when I moved in, and so I kind of repurposed it.

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Speaker 4: And normally normally that's great in design, it's like, oh,

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Speaker 4: we kept the original whatever and we sort of built

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Speaker 4: around it and this and here, this gives the lie

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Speaker 4: to that, because this is if this is all original,

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Speaker 4: then breath.

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Speaker 1: This is really bad. This is a bad place.

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Speaker 2: And I've never been to this neighborhood before the sign

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Speaker 2: said Malaysia Town.

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Speaker 5: I mean it's an off place. I feel like a

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Speaker 5: little apart from everyone that I know now, from ear

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Speaker 5: Wolf and stuff. But when I moved here, it seemed

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Speaker 5: like pretty central to what well, just like there's a

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Speaker 5: there's like a taco bell across the street, and there's.

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Speaker 4: It would have been one thing. If it had been

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Speaker 4: Malaysia spelled like the country, I would have been like, oh,

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Speaker 4: a lot of Malaysia people live here. But it was

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Speaker 4: like mal Asia, like almost like malpractice, Like this.

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Speaker 1: Is just a really Asia.

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Speaker 4: This is all the worst things about the entire continent

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Speaker 4: of Asia. And that I can I can say confidently

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Speaker 4: that's exactly what I've seen out there on the street.

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Speaker 4: I mean, I saw across the street a sign that

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Speaker 4: said dog Restaurant, which I thought was very fat, like

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Speaker 4: a place for people to eat dogs, but it's actually

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Speaker 4: a place for.

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Speaker 2: It seems like dogs to eat lunch. Like it's a

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Speaker 2: restaurant for dogs to eat.

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Speaker 5: The place is not bad, actually, So.

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Speaker 1: You've eaten at the dog restaurant, but you're not allowed

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Speaker 1: to eat it.

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Speaker 5: There's not that you know, you can't really walk that

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Speaker 5: much around it. There's not a lot of places in

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Speaker 5: walking distance.

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Speaker 1: So but how do you eat there?

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Speaker 4: You're a man, you just.

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Speaker 5: Kind of you scoop it up to your mouth and

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Speaker 5: it's like you pot you like you use bowls.

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Speaker 1: But they let you you have to get a dog?

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Speaker 4: Do you have to wait outside and get a dog

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Speaker 4: to buy food for you?

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Speaker 5: I've never had that problem.

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Speaker 1: Because they know you here.

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Speaker 4: You're sort of.

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Speaker 5: They know me there, and.

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Speaker 4: You're kind of using the fact that biologically dogs we

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Speaker 4: know now view all moving objects as other dogs dogs.

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Speaker 4: So you're sort of going, they're going, oh, there's that

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Speaker 4: big dog on his hind legs with a cool cap

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Speaker 4: on and he's scooping that stuff into his You must

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Speaker 4: have read that article that we all read. I thought, oh,

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Speaker 4: this is great. Now I can which article at the restaurant?

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Speaker 4: The one about how oh yeah, yeah, dogs view all.

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Speaker 4: That was Sunday Time, right, yeah, the New York Times magazine, right.

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Speaker 5: And like the one where cats are assholes or whatever

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Speaker 5: that article is.

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Speaker 4: This You're not at the dog restaurant. You don't have

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Speaker 4: to appeal to are interesting you have to kind of

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Speaker 4: You're at your house. What do you share a wall

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Speaker 4: with the dograss ride? I mean, are you worried there?

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Speaker 4: What you think dogs are?

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Speaker 1: They'll hear you.

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Speaker 5: To tell you the truth. My landlord's worked there. Okay, Hey,

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Speaker 5: so we're not allowed to have cats here, and they

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Speaker 5: like it when I show up and give them an

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Speaker 5: update on the place, and.

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Speaker 1: So you're landlord their dogs.

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Speaker 5: That's what I'm trying to say.

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Speaker 1: Okay, is your microphone work there?

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Speaker 5: It is, so you can see. The mics are really

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Speaker 5: good here, just trying to set it up like a

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Speaker 5: mini ear wolf. You know. Oh, I don't have to leave,

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Speaker 5: don't have to make the commute all the time.

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Speaker 4: It doesn't help that all the mics are like sort

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Speaker 4: of Rube Goldbergian junk contraptions, Like they work pretty good

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Speaker 4: given that. But my mic, for example, is made of

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Speaker 4: like seventy different oatmeal cans of brands of oatmeal that

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Speaker 4: don't even exist anymore, and I'm not sure they ever did.

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Speaker 4: I think these might all be like old, kitchy novelty

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Speaker 4: oatmeal cans that never actually held oatmeal in them.

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Speaker 2: Mine has a hamster running in a wheel with a

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Speaker 2: balloon died to itsdale.

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Speaker 1: I'm not even sure.

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Speaker 4: Yeah, the bellows are I guess blowing the balloon, but

195
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Speaker 4: none of that apparatus.

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Speaker 1: Seems to be seem to be linked the rest of

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Speaker 1: it self contained.

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Speaker 4: Yeah, that's all aesthetic.

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Speaker 5: Yeah, right, the rest of its Goldberg stuff. It's just so.

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Speaker 4: Yeah, like any kid's bedroom in the eighties, right, that

201
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Speaker 4: was like Reagan. Yeah, that was when Reagan ran the

202
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Speaker 4: first time. He was like, by the end of this decade,

203
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Speaker 4: all teenagers bedrooms should have really elaborate Rube Goldberg contraptions

204
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Speaker 4: and when they wake up in the morning, it should

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Speaker 4: go through some long process and then they should wake

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Speaker 4: up and talk to the camera and be able to

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Speaker 4: eat toast. Part of it is it kids want fresh toes,

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Speaker 4: right when they get part of the teenage experience.

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Speaker 2: So Brett, I thought your plays might be bad, and

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Speaker 2: and so DC is.

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Speaker 1: Here as sort of.

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Speaker 2: He's a he's a very well known house pimp, just

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Speaker 2: like someone who can come in and and pimp your

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Speaker 2: house because you live in a very Oh yeah, you.

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Speaker 4: Guys have been to my house? Oh yeah, yeah, yeah,

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Speaker 4: I'm sort of like an artisanal exhibit for houses. Yeah,

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Speaker 4: he's sort of you know that was the what the

218
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Speaker 4: early two thousands, right, and that was sort of a

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Speaker 4: different thing. You know, that was all about glitz, glamour

220
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Speaker 4: stuff like that. I'm more about like making it cool, rustic,

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Speaker 4: you know, I have you look at me.

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Speaker 1: I have a beard, Yeah, I have in here.

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Speaker 4: So he goes that guy probably knows how to put

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Speaker 4: some things in jars and put them on a shelf

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Speaker 4: in like it's sort of a tasteful way, and that's true.

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Speaker 4: And yeah, you've been to my house here.

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Speaker 2: Yeah, it's it's extremely pamp uh. I mean you say

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Speaker 2: you talk about the exhibit stuff as a different thing, right,

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Speaker 2: but you do have secret TVs?

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Speaker 4: Sure? Sure, sure, yeah, yeah, I have my couch is

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Speaker 4: for twenties like rims. Yeah exactly, yeah, exactly. You guys,

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Speaker 4: it's super funny.

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Speaker 1: People see it and they go four twenties and I go.

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Speaker 4: Yeah, And then they have this expectant look in their

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Speaker 4: eyes like we're about to like do something like we're

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Speaker 4: about to like do like something like, oh, now some

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Speaker 4: activity is supposed to happen, and I don't know what that is.

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Speaker 4: You are move onto the next room.

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Speaker 1: Famously scared of weed. I'm terrified of weed culture.

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Speaker 4: One time I turned on a podcast and I wasn't

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Speaker 4: aware that Tommy Chong was on it, and I just

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Speaker 4: couldn't stop screaming. And my girlfriend had to rip my

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Speaker 4: headphones off and she was like, what's the matter. And

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Speaker 4: I was like I just kept crying. I said, is

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Speaker 4: a sticky icky? I cried and the cheers were streaming

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Speaker 4: down my face. But it's really important. I mean, if

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Speaker 4: in Hollywood, if the clothes that you wear when you're

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Speaker 4: out on the street like tell people who you are,

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Speaker 4: whether it's you know, someone that's wearing a big floppy

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Speaker 4: Carly Simon hat or an even bigger floppy Carly Simon hat,

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Speaker 4: then your house is kind of like how do I

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Speaker 4: put this? It's clothes. It's like stationary clothes. Yeah, does

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Speaker 4: that make sense. It's like expensive.

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Speaker 2: Big clothes you can't wear exactly you could.

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Speaker 4: It's like clothes that are way too big for you,

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Speaker 4: but you run around in like you're like you've been shrunk,

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Speaker 4: is what I say to my in them use exactly.

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Speaker 4: It's like it's the pajamas. It's like big pajamas that

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Speaker 4: don't fit you that you run around inside of because

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Speaker 4: you've been turned small by a wizard. In your clothes

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Speaker 4: and they're very stiff, Yeah, exactly, like they've been they've

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Speaker 4: had liquid nitrogen. Someone's dip them in liquid nitrogen. Yeah,

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Speaker 4: is what I say to my client. Because your home

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Speaker 4: is shatterable as well, oh yeah, don't walk fast in

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Speaker 4: my house. That's the first thing I say to people.

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Speaker 4: And then I say check out my couch and they

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Speaker 4: and then the four twenty thing, and then they they're weird.

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Speaker 4: And then we walk very very very delicately into the

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Speaker 4: next room.

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Speaker 1: Brett.

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Speaker 2: Just looking around here, I notice you have you don't

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Speaker 2: have any books.

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Speaker 5: No, not so much books of a ukulele.

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Speaker 2: That's not a book. And see, this is the sort

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Speaker 2: of misconception I want.

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Speaker 4: And if we were like, oh, if somebody ran in

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Speaker 4: here was like I need to record, you know, the

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Speaker 4: backing track for a preus commercial.

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Speaker 1: Stat that would be great, But that's real.

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Speaker 4: That's really relying on your guests having a very specific

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Speaker 4: need from you, which is to record the backing track

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Speaker 4: for a prest commercial. Books are actually that's it. That's

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Speaker 4: you don't even have to think about it. In terms

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Speaker 4: of reading, that's a design detail. That's what we call library.

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Speaker 4: It's a design element. So what are some books you've

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Speaker 4: even read?

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Speaker 5: I read Jurassic Park.

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Speaker 1: That's also not a book. This is a I'm not

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Speaker 1: sure where to begin with this.

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Speaker 4: We did come in here and you had you had

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Speaker 4: a DVD case open.

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Speaker 1: Like a book.

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Speaker 6: You were sitting in your like a over stuffed chair,

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Speaker 6: you're looking.

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Speaker 4: Into it, you reading reading reading glasses that look smashed.

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Speaker 4: I thought they might be the actual reading glasses from

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Speaker 4: the end of that one Twilight Zone episode, and I

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Speaker 4: was like, oh, cool, is that a prop from that show?

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Speaker 4: And you you didn't know.

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Speaker 1: That I was talking about the show.

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Speaker 4: You thought that I was talking about this zone, Like

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Speaker 4: I'm sorry, what zone is that?

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Speaker 5: Oh?

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Speaker 4: The Twilight Zone.

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Speaker 5: Like a welcoming environment for you guys to walk into.

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Speaker 4: You have to understand that that's pretty disturbing to walk

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Speaker 4: in and see a guy with the DVD case that

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Speaker 4: he's reading like a book, wearing like smashed glasses that

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Speaker 4: still have like broken glass in the frames, really close

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Speaker 4: to your eyes. And then you're like, oh, come on in, fellas,

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Speaker 4: you clearly couldn't see you. But even reading the DVD

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Speaker 4: case upside down, you put a crocheted bookmark in the

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Speaker 4: middle of the DVD case and you slammed it closed.

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Speaker 1: It didn't really close all the way. It didn't even snap.

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Speaker 5: I said, though, like, hey, gentlemen, when you.

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Speaker 2: Did try you did try to say, hey, gentle did

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Speaker 2: for sure I could tell that you were trying to

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Speaker 2: say that it's like present, right, there are some books

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Speaker 2: that you need that every person in Los Angeles needs

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Speaker 2: to have on their shelves, or I'll say they take

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Speaker 2: your bookshelf away. You need easy writers, raging bulls, infinite

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Speaker 2: jest uh, building building stories, the Chris ware Box Building

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Speaker 2: Stories opened once, the Patty Smith. Just kids, you need

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Speaker 2: just kids, for sure. You need some kind of coffee

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Speaker 2: table book about street art from.

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Speaker 4: Banks though from around the world many it's better that

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Speaker 4: you have no books.

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Speaker 5: Better no books and one yeah exactly.

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Speaker 1: Then one banks.

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Speaker 4: You should have one that's like about street art and

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Speaker 4: like Molly.

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Speaker 2: Oh Bossie pants and not or and yes.

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Speaker 5: Please yes please? Oh is that like.

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Speaker 1: Brett that's the Amy Poehler.

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Speaker 4: Oh, of course, friend of the network, friend of the network.

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Speaker 5: So I need you're telling me I need to get

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Speaker 5: all those books.

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Speaker 1: Yes, you need minimums books.

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Speaker 2: Yes, and they sell them on a wrapped bookshelf.

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Speaker 1: Yeah.

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Speaker 4: Almost kind of like did you ever get like Scholastic

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Speaker 4: book order where you would come in from the classroom

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Speaker 4: and it would be like shrink wrapped. All the different

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Speaker 4: books you got would be like sort of shrink wrapped

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Speaker 4: on your desk because they've been like thrown out of

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Speaker 4: a truck. You can get you can get all these

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Speaker 4: books like that. It's the La Bookshelf starter kit and

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Speaker 4: that's a good place to start. And those should look

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Speaker 4: like ones that you've read, yes, or looked at.

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Speaker 5: Okay, so take this your case.

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Speaker 4: If you want them to look like you've read them,

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Speaker 4: they should have a lot of saliva on them, okay.

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Speaker 4: And it may be sort of like a lollipop saliva,

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Speaker 4: like it has really bright.

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Speaker 1: It should look like a Jackson Pollock painting of various

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Speaker 1: flavors of jolly ranchers.

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Speaker 4: Does that make.

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Speaker 5: Sense, Yeah, it does make sense.

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Speaker 1: Because you've sort of been I have I have.

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Speaker 5: A like a bin of lollipops.

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Speaker 1: Yeah, we know, we know. I would call it a

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Speaker 1: trough of unwrapped lollipops?

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Speaker 5: Yeah.

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Speaker 1: Did they come like that? Did they come unwrapped? No?

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Speaker 5: I unwrapped all Okay. I thought it would be like

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Speaker 5: a you know, a nice like platter for the guests.

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Speaker 4: You thought it would be kind of like a sixties

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Speaker 4: thing where there's like a bowl of cigarettes, yeah or something, or.

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Speaker 5: Like Snoop has like a bowl of jopeaking.

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Speaker 1: Of the sixties that. I'm sorry, what did you just say?

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Speaker 5: Sorry? Oh yeah, sorry, so sorry I said joints. But

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Speaker 5: then I remember now that you have.

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Speaker 1: A Please tell me you were talking about Spike Lee movies.

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Speaker 5: Yes, okay, he has a bowl of blues.

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Speaker 4: You get on the bus, girl, et cetera. Okay, great,

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Speaker 4: she she hate me? Sure so speaking but speaking of

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Speaker 4: the sea, yeah, really important that you have a bar,

378
00:20:25,960 --> 00:20:29,080
Speaker 4: A wet bar, A wet bar, wet bar. Yeah, what

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Speaker 4: makes it what you're asking? Good question, Hayes, I think it? Uh?

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Speaker 1: Is it inside the pool? Oh, like a swim up bon? Yes,

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Speaker 1: that one makes a bar.

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00:20:38,800 --> 00:20:42,159
Speaker 4: Yeah, get a swim up bar, which necessitates a pool.

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Speaker 4: And that brings me to my next point, which is

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Speaker 4: infinity pools. That was what it was for a while, right,

385
00:20:47,880 --> 00:20:50,439
Speaker 4: Infinity pools. Would see them in the nicer homes and

386
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Speaker 4: architectural digest. Oh my god, Michael Bay's got this great

387
00:20:52,760 --> 00:20:55,320
Speaker 4: infinity pool. You know, all these different people have this

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Speaker 4: great infinity pool. Now it's about we're going in a

389
00:20:58,640 --> 00:21:03,240
Speaker 4: different direction. It's about pools being incredibly fine, finite. Yeah,

390
00:21:03,440 --> 00:21:05,600
Speaker 4: infinity pools. It looks like it has no walls. It's

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Speaker 4: just sort of extending forever.

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Speaker 5: So a finite would then be just huge walls.

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Speaker 4: The pool should be it shouldn't really look like a

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00:21:15,359 --> 00:21:17,520
Speaker 4: pool when you look at it. It should look like a

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Speaker 4: big like a big cylinder, or.

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Speaker 5: Like basically a well. Like yeah, it's like.

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Speaker 4: An above ground well. Like what if all of a

398
00:21:25,040 --> 00:21:26,199
Speaker 4: well were above ground?

399
00:21:26,480 --> 00:21:28,040
Speaker 1: Yeah, and it's closed off the top too.

400
00:21:29,000 --> 00:21:30,840
Speaker 4: Yeah, yeah, we should be able to get well, that's

401
00:21:30,840 --> 00:21:32,680
Speaker 4: what makes it so finite is that you can't even

402
00:21:32,680 --> 00:21:36,360
Speaker 4: get into it. But there should be water in there

403
00:21:36,359 --> 00:21:39,840
Speaker 4: because if people in a bar, because if people knock

404
00:21:39,920 --> 00:21:41,240
Speaker 4: on the side of it, they can tell if there's

405
00:21:41,240 --> 00:21:44,639
Speaker 4: water in there from the sound. In a bar, they

406
00:21:44,640 --> 00:21:46,359
Speaker 4: can tell by knocking on the side of it.

407
00:21:46,280 --> 00:21:49,560
Speaker 1: That there's a bar and water in there based on

408
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Speaker 1: the sound.

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00:21:49,920 --> 00:21:52,919
Speaker 5: Okay, so I need to get all those books and

410
00:21:53,040 --> 00:21:55,560
Speaker 5: I need to get a finite pool. Yeah with a

411
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Speaker 5: bar in there?

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00:21:56,200 --> 00:21:58,840
Speaker 1: What bar? Here's what else you need?

413
00:21:58,920 --> 00:22:01,679
Speaker 4: I mean? Okay, you ever, you're just like kind of

414
00:22:01,720 --> 00:22:03,800
Speaker 4: lounging around the house and you know, you want to

415
00:22:03,840 --> 00:22:06,080
Speaker 4: like kind of spread out because you're like a guy,

416
00:22:06,440 --> 00:22:11,320
Speaker 4: and oh yeah, watch your stuff, like maybe like scratch

417
00:22:11,400 --> 00:22:11,840
Speaker 4: down there.

418
00:22:12,160 --> 00:22:16,960
Speaker 2: Yeah, and Buzzby's hanging out, and she's like, she's bothered, and.

419
00:22:17,040 --> 00:22:18,400
Speaker 4: She's she's hot.

420
00:22:20,560 --> 00:22:24,920
Speaker 1: You're a turd, You're like a big fat turd of

421
00:22:24,960 --> 00:22:26,760
Speaker 1: a man, and she's.

422
00:22:28,080 --> 00:22:31,320
Speaker 4: Moking hot. Yeah, and you're tired of her ship. You're

423
00:22:31,359 --> 00:22:34,240
Speaker 4: tired of her ship. Yeah, she's nice and you're fucking

424
00:22:34,600 --> 00:22:38,440
Speaker 4: sick of it. You're like, oh, stop trying to engage

425
00:22:38,480 --> 00:22:43,119
Speaker 4: in a reciprocal adult relationship with me. Where are you

426
00:22:43,160 --> 00:22:43,440
Speaker 4: gonna go?

427
00:22:43,600 --> 00:22:44,399
Speaker 1: Where you're gonna go?

428
00:22:45,480 --> 00:22:46,399
Speaker 5: Where am I gonna go?

429
00:22:46,640 --> 00:22:48,840
Speaker 1: Yeah? To scratch?

430
00:22:51,440 --> 00:22:55,080
Speaker 5: Well, the dog restaurant works pretty mad for that. But oh,

431
00:22:55,160 --> 00:22:56,679
Speaker 5: man cave. I've always wanted.

432
00:22:56,400 --> 00:22:57,040
Speaker 1: A man cave.

433
00:22:58,320 --> 00:23:02,840
Speaker 4: It's a limitlessly fun and good idea. The idea of

434
00:23:02,880 --> 00:23:07,800
Speaker 4: a man cave. It super appeals to everyone. It's not

435
00:23:07,960 --> 00:23:09,240
Speaker 4: infantilizing at all.

436
00:23:09,680 --> 00:23:12,359
Speaker 5: No, And it's it's like a TV.

437
00:23:13,760 --> 00:23:19,840
Speaker 4: It's like a TV sixty. Okay, let's where where where the.

438
00:23:22,920 --> 00:23:32,960
Speaker 1: Uh lit up? It's like like TV. Now, if you

439
00:23:33,080 --> 00:23:35,800
Speaker 1: think that the TV image.

440
00:23:35,920 --> 00:23:40,840
Speaker 4: Space just like inhabitable spaces as opposed to just like

441
00:23:40,920 --> 00:23:41,600
Speaker 4: image it.

442
00:23:41,440 --> 00:23:46,240
Speaker 2: It's really two verse three demensions that we're talking about.

443
00:23:46,520 --> 00:23:48,840
Speaker 2: Do you think that you're currently inside a TV?

444
00:23:51,920 --> 00:23:52,160
Speaker 7: No?

445
00:23:52,400 --> 00:23:57,080
Speaker 5: I just man cave. I think I mean, there's TV there, right.

446
00:23:57,119 --> 00:24:00,160
Speaker 2: There is TVV there and that now I think you're

447
00:24:00,200 --> 00:24:01,960
Speaker 2: acting like that's what you thought it was the first time,

448
00:24:02,000 --> 00:24:03,800
Speaker 2: But I think you're actually just catching up to it.

449
00:24:04,240 --> 00:24:07,200
Speaker 4: I think when we came in here, you were agnostic

450
00:24:07,320 --> 00:24:10,120
Speaker 4: about whether or not you're inside a TV.

451
00:24:10,280 --> 00:24:12,879
Speaker 1: Right now, I don't think you definitively thought you were

452
00:24:12,920 --> 00:24:14,560
Speaker 1: in a TV. But I don't think you definitively no

453
00:24:14,600 --> 00:24:15,119
Speaker 1: one knows.

454
00:24:15,720 --> 00:24:20,160
Speaker 4: No one knows, we can we can never, you can

455
00:24:20,200 --> 00:24:21,080
Speaker 4: never really say.

456
00:24:23,480 --> 00:24:25,879
Speaker 2: It's the peak of arrogance to say that you know

457
00:24:25,960 --> 00:24:30,400
Speaker 2: for sure that we are we aren't in an Aliens TV. Yeah,

458
00:24:30,440 --> 00:24:33,280
Speaker 2: when I said sixty six before I was talking about

459
00:24:33,600 --> 00:24:36,160
Speaker 2: yes TV sixty six inch Visio.

460
00:24:37,680 --> 00:24:42,399
Speaker 1: Kaepernick, fat head, the best player.

461
00:24:44,359 --> 00:24:47,080
Speaker 5: You knew I was a Niners fan. That that that

462
00:24:47,160 --> 00:24:49,240
Speaker 5: really stung Coozies.

463
00:24:50,960 --> 00:24:52,480
Speaker 1: What should the koozies have on them?

464
00:24:52,520 --> 00:24:55,080
Speaker 4: They should say, like, this isn't a gut, it's a

465
00:24:55,600 --> 00:24:58,280
Speaker 4: uh tank, fuel tank for a sex machine.

466
00:24:59,680 --> 00:25:00,640
Speaker 1: And they should say, like.

467
00:25:02,160 --> 00:25:08,439
Speaker 2: Four more years, get out of here, fuck off because

468
00:25:08,440 --> 00:25:11,680
Speaker 2: you gotta be like twenty eleven.

469
00:25:11,600 --> 00:25:15,679
Speaker 4: Right, Really, couzzies that could work in any election cycle,

470
00:25:17,280 --> 00:25:19,119
Speaker 4: and it should have like a mean like kind of

471
00:25:19,200 --> 00:25:22,800
Speaker 4: knockoff version of the Geico lizard giving the finger. Yeah,

472
00:25:22,840 --> 00:25:25,600
Speaker 4: like he's got inverted like an inverted color scheme of

473
00:25:25,600 --> 00:25:28,480
Speaker 4: what he normally has or something, and his eyes are

474
00:25:28,760 --> 00:25:32,280
Speaker 4: like kind of small, or similarly like the stack of money,

475
00:25:32,280 --> 00:25:35,560
Speaker 4: the Geico stack of money, except it's like loonies and toonies.

476
00:25:37,119 --> 00:25:39,040
Speaker 1: Again are too small, too small.

477
00:25:39,119 --> 00:25:41,480
Speaker 5: So I have to make this no no, I mean

478
00:25:41,520 --> 00:25:42,720
Speaker 5: because they don't sell.

479
00:25:43,040 --> 00:25:46,080
Speaker 1: No cash cash cash.

480
00:25:46,680 --> 00:25:49,119
Speaker 5: They sell that someone y yeah, yeah, the Geico Lizard

481
00:25:49,400 --> 00:25:54,439
Speaker 5: inverted colors with cash hat okay, gosh, okay, So I

482
00:25:54,480 --> 00:25:59,480
Speaker 5: need man cave, man cave, so I need kuzzies books.

483
00:26:01,520 --> 00:26:03,560
Speaker 1: The books are not The books are not.

484
00:26:03,680 --> 00:26:05,000
Speaker 4: No, no, no, that's not for the man cave.

485
00:26:05,000 --> 00:26:06,320
Speaker 5: That's not what man are doing.

486
00:26:06,400 --> 00:26:07,200
Speaker 1: That's where you go to.

487
00:26:07,520 --> 00:26:10,840
Speaker 4: Unless less it's a Tucker Max, you probably want to

488
00:26:10,840 --> 00:26:12,040
Speaker 4: throw a Tucker Max book in there.

489
00:26:12,800 --> 00:26:17,040
Speaker 1: I hope they serve beer in hell. The other ny

490
00:26:17,119 --> 00:26:18,560
Speaker 1: number of his hope they serve.

491
00:26:18,440 --> 00:26:19,000
Speaker 4: Be in hell.

492
00:26:19,680 --> 00:26:24,000
Speaker 1: I hope they serve the food that Tucker Max likes

493
00:26:24,000 --> 00:26:24,560
Speaker 1: in prison.

494
00:26:25,480 --> 00:26:29,360
Speaker 4: Eventually, one assumes, I hope they free the girls gone

495
00:26:29,359 --> 00:26:31,040
Speaker 4: Wild guy soon because that was my friend.

496
00:26:32,280 --> 00:26:35,879
Speaker 5: So okay, So what else for your house.

497
00:26:37,680 --> 00:26:38,440
Speaker 4: Five stuff.

498
00:26:39,200 --> 00:26:42,800
Speaker 1: Oh yes, you're gonna be keeping very common.

499
00:26:44,359 --> 00:26:48,439
Speaker 4: Oh my gosh. This because when you first saw keep calming,

500
00:26:48,800 --> 00:26:51,760
Speaker 4: uh you know whatever, keep calm and carry on, you

501
00:26:51,800 --> 00:26:55,159
Speaker 4: were like, fuck that, that's fucking stupid. That's straight up

502
00:26:55,200 --> 00:26:56,360
Speaker 4: for people.

503
00:26:56,320 --> 00:27:00,200
Speaker 1: Trying to live through a war. You're like that.

504
00:27:00,960 --> 00:27:06,560
Speaker 2: In your case, it's about looking at chiveats. You're repurposing

505
00:27:06,760 --> 00:27:08,320
Speaker 2: humor from around the internet.

506
00:27:08,440 --> 00:27:12,840
Speaker 4: Yeah, you think that what could have helped Winston Churchill

507
00:27:12,920 --> 00:27:15,399
Speaker 4: help the British people sort of, you know, keep a

508
00:27:15,440 --> 00:27:18,720
Speaker 4: stiff upper lip through the blitz was like if he

509
00:27:18,800 --> 00:27:23,399
Speaker 4: had read over the radio like memes, if you had

510
00:27:23,440 --> 00:27:26,080
Speaker 4: just read memes over the radio, funny image memes.

511
00:27:26,800 --> 00:27:28,639
Speaker 1: And you're comforted by the fact that the chi that

512
00:27:28,800 --> 00:27:32,600
Speaker 1: seemed to be submitting their own pictures.

513
00:27:33,600 --> 00:27:35,120
Speaker 4: But you're not. You know, you're not going to look

514
00:27:35,160 --> 00:27:35,560
Speaker 4: too deeply.

515
00:27:36,240 --> 00:27:39,040
Speaker 5: So you're telling me now, like how I think when

516
00:27:39,080 --> 00:27:40,000
Speaker 5: I'm in the band room.

517
00:27:40,400 --> 00:27:44,040
Speaker 2: Yes, when you're you're driving, h yeah, okay, yes, when

518
00:27:44,040 --> 00:27:44,960
Speaker 2: you're casey ceoing.

519
00:27:45,760 --> 00:27:46,119
Speaker 5: Okay.

520
00:27:46,880 --> 00:27:50,720
Speaker 4: Also, as imployed by the name man Cave, it should

521
00:27:50,720 --> 00:27:52,320
Speaker 4: be in like a lava tube.

522
00:27:52,960 --> 00:27:55,000
Speaker 1: Mm hmm, not a lava lamp.

523
00:27:56,240 --> 00:28:02,200
Speaker 5: In a lava tube. Yeah, yeah, what so lights off,

524
00:28:03,560 --> 00:28:05,720
Speaker 5: dim the lights, But then there's a game.

525
00:28:05,760 --> 00:28:09,320
Speaker 4: It's not a lava lamp. You still seem to be

526
00:28:09,920 --> 00:28:11,879
Speaker 4: under the impression that you're inside a lava lamp. I

527
00:28:11,920 --> 00:28:14,639
Speaker 4: shouldn't have brought up even the idea of being inside

528
00:28:14,640 --> 00:28:19,200
Speaker 4: a lava tube, which is a naturally occurring like sort

529
00:28:19,240 --> 00:28:23,199
Speaker 4: of cave structure, knowing full well that that sounds like

530
00:28:23,240 --> 00:28:25,520
Speaker 4: an appliance which is a lava lamp, knowing full well

531
00:28:25,520 --> 00:28:27,760
Speaker 4: that you're a guy who when we walked in here

532
00:28:28,160 --> 00:28:30,719
Speaker 4: was on the fence, was in sort of a quantum

533
00:28:30,800 --> 00:28:33,359
Speaker 4: superposition between I'm in a TV and I'm not in

534
00:28:33,440 --> 00:28:33,800
Speaker 4: a TV.

535
00:28:38,320 --> 00:28:40,440
Speaker 5: You have to forgive me. This is all just.

536
00:28:42,040 --> 00:28:44,040
Speaker 2: What's a cave that you might understand better? Maybe you're

537
00:28:44,080 --> 00:28:46,320
Speaker 2: making it could be sort of like a Navajo mound,

538
00:28:47,800 --> 00:28:48,400
Speaker 2: like the the.

539
00:28:48,600 --> 00:28:50,560
Speaker 4: The an Iroquois longhouse.

540
00:28:51,320 --> 00:28:55,640
Speaker 5: Perhaps this is pimping my house where I just.

541
00:28:57,720 --> 00:28:59,400
Speaker 1: Ye things.

542
00:29:00,320 --> 00:29:03,320
Speaker 4: Well, that was that was in a pre you have

543
00:29:03,360 --> 00:29:05,280
Speaker 4: to understand X to the z exhibit, he was working

544
00:29:05,320 --> 00:29:08,680
Speaker 4: in a pre recession mood, so they could afford to

545
00:29:08,680 --> 00:29:11,040
Speaker 4: just show up. Give these people these things.

546
00:29:11,120 --> 00:29:12,320
Speaker 5: Yeah, put aquariums in.

547
00:29:12,440 --> 00:29:15,200
Speaker 4: Put aquariums in, send them, then send them with that

548
00:29:15,280 --> 00:29:18,520
Speaker 4: prize out onto the street to live their lives, where

549
00:29:18,560 --> 00:29:20,960
Speaker 4: I assume all that stuff was immediately ripped off.

550
00:29:21,320 --> 00:29:24,840
Speaker 1: Now, most of these things should be naturally occurring.

551
00:29:24,680 --> 00:29:26,600
Speaker 4: Right, They should need to be naturally occurring. We should

552
00:29:26,640 --> 00:29:28,680
Speaker 4: find them and reclaim them. And that's sort of where

553
00:29:28,680 --> 00:29:31,640
Speaker 4: the artisanal stuff comes in. And what living and this

554
00:29:31,680 --> 00:29:33,920
Speaker 4: is really about living simply, And what living simply is

555
00:29:33,960 --> 00:29:37,120
Speaker 4: really about is having shit tons of money. That's the

556
00:29:37,160 --> 00:29:41,560
Speaker 4: most important thing you simplify your life. You think, okay,

557
00:29:41,560 --> 00:29:43,080
Speaker 4: I should just get rid of all this clutter and

558
00:29:43,120 --> 00:29:45,120
Speaker 4: all this stuff in here. And the real answer is

559
00:29:45,200 --> 00:29:47,520
Speaker 4: get lots and lots of money, so that it's okay

560
00:29:47,520 --> 00:29:50,520
Speaker 4: that you throw all that stuff away because you can,

561
00:29:50,560 --> 00:29:51,800
Speaker 4: you know, you can just go get it again if

562
00:29:51,840 --> 00:29:52,160
Speaker 4: you need to.

563
00:29:52,640 --> 00:29:54,560
Speaker 5: So get money, Get a lot of money.

564
00:29:54,920 --> 00:29:56,680
Speaker 4: Yeah, that's the big that's the sort.

565
00:29:56,480 --> 00:29:59,200
Speaker 1: Of that's the theme cash exactly.

566
00:29:59,240 --> 00:30:01,680
Speaker 4: That's the if this ghostbusters too. That's the pink slime

567
00:30:01,760 --> 00:30:05,800
Speaker 4: running underneath everything that we're talking about a lot of exactly.

568
00:30:06,040 --> 00:30:10,640
Speaker 1: Okay, Yeah, we're starting to make some connections. Okay, cool, okay, okay,

569
00:30:10,680 --> 00:30:11,800
Speaker 1: we're starting to make some connections.

570
00:30:12,000 --> 00:30:14,440
Speaker 5: Great now, what about like food, Like what kind of

571
00:30:14,480 --> 00:30:16,080
Speaker 5: food should I have in the fridge.

572
00:30:17,520 --> 00:30:20,160
Speaker 1: That's a great question, Like grilled cheese, Well it depends

573
00:30:20,200 --> 00:30:21,720
Speaker 1: on if we're talking about grilled cheese in the.

574
00:30:21,720 --> 00:30:32,600
Speaker 6: Fridge grill just like remade, Like the oil has separated

575
00:30:32,600 --> 00:30:35,920
Speaker 6: from the grilled cheese because it's all cold and it's

576
00:30:35,920 --> 00:30:37,040
Speaker 6: like in a it's.

577
00:30:36,880 --> 00:30:37,479
Speaker 4: In a baggy.

578
00:30:38,480 --> 00:30:41,840
Speaker 2: You appear also, I passed your big green egg on

579
00:30:41,960 --> 00:30:45,680
Speaker 2: the way and you're a little smoker. Yeah, you appear

580
00:30:45,720 --> 00:30:50,440
Speaker 2: to have taken grilled cheese literally and just thrown a

581
00:30:50,480 --> 00:30:55,960
Speaker 2: closed packet of of Trader Joe smoked Gouda onto your

582
00:30:56,000 --> 00:30:59,680
Speaker 2: grill and it's it's still.

583
00:31:01,880 --> 00:31:02,120
Speaker 5: Goda.

584
00:31:02,160 --> 00:31:05,080
Speaker 4: Before you looked at the product name and it said smoked,

585
00:31:05,080 --> 00:31:07,080
Speaker 4: and you said I should throw that on my smoker,

586
00:31:07,600 --> 00:31:10,880
Speaker 4: almost as though that was designating like this product for smoking,

587
00:31:11,040 --> 00:31:12,680
Speaker 4: rather than it's already been smoked.

588
00:31:12,680 --> 00:31:15,000
Speaker 1: This is the last thing you probably want to smoke.

589
00:31:15,120 --> 00:31:15,960
Speaker 5: The recipe.

590
00:31:17,120 --> 00:31:19,160
Speaker 4: And I just need to know for myself that when

591
00:31:19,160 --> 00:31:22,480
Speaker 4: we're talking about smoking right now, we're talking about putting

592
00:31:22,520 --> 00:31:23,600
Speaker 4: foods in a smoker.

593
00:31:23,960 --> 00:31:26,440
Speaker 5: No, no, not not in a bomb.

594
00:31:27,160 --> 00:31:31,480
Speaker 1: Great, thank you, Well.

595
00:31:31,280 --> 00:31:33,719
Speaker 4: Grilled cheese you can make, you can have the ingredients

596
00:31:33,760 --> 00:31:35,800
Speaker 4: for grilled cheese on hand. What I wouldn't recommend is

597
00:31:36,200 --> 00:31:39,600
Speaker 4: making or buying grilled cheese anywhere and then storing.

598
00:31:39,120 --> 00:31:43,280
Speaker 2: It, yeah, and then putting it directly into the fridge.

599
00:31:45,640 --> 00:31:49,960
Speaker 4: You But I guess it really depends on what in

600
00:31:50,080 --> 00:31:51,240
Speaker 4: terms of what you should have in the fridge, whether

601
00:31:51,240 --> 00:31:53,800
Speaker 4: we're talking about your man cave fridge or you're just

602
00:31:53,840 --> 00:31:56,840
Speaker 4: sort of fridge for everyone in the man cave fridge,

603
00:31:56,880 --> 00:31:59,400
Speaker 4: that's just straight up bacon, the man bacon.

604
00:32:00,040 --> 00:32:00,400
Speaker 5: Bacon.

605
00:32:01,240 --> 00:32:07,040
Speaker 2: Bacon makes everything taste wind for the wind, bacon.

606
00:32:06,720 --> 00:32:10,880
Speaker 4: For such wind. And then in your and then in

607
00:32:10,920 --> 00:32:17,440
Speaker 4: your general fridge, paleo stuff. If you've moved into your cave,

608
00:32:17,600 --> 00:32:22,000
Speaker 4: like your lava tube, and you've found anything that cavemen

609
00:32:22,240 --> 00:32:33,120
Speaker 4: had like bacon, no, no, no, no, anything like spears, arrowheads,

610
00:32:33,120 --> 00:32:38,840
Speaker 4: sort of Alasco caves style letchings, and that's all paleo.

611
00:32:39,640 --> 00:32:44,440
Speaker 5: Okay, So that's part of the diet is collecting that

612
00:32:44,560 --> 00:32:45,520
Speaker 5: kind of stuff.

613
00:32:46,320 --> 00:32:49,600
Speaker 4: And you yeah, yeah, that's that's the the paleo diet

614
00:32:49,640 --> 00:32:52,200
Speaker 4: is really about. People think, oh, it's about eating what

615
00:32:52,280 --> 00:32:55,560
Speaker 4: cavemen might have eaten. Going back to that diet that

616
00:32:55,600 --> 00:32:57,760
Speaker 4: our bodies are supposedly more used to. It's really about

617
00:32:57,760 --> 00:33:01,360
Speaker 4: going archaeological, and then you it super setting up setting

618
00:33:01,440 --> 00:33:05,360
Speaker 4: up a grid pattern. Yeah, exactly, going in and taking

619
00:33:05,400 --> 00:33:08,280
Speaker 4: the time to make one of those grids going down

620
00:33:08,360 --> 00:33:10,280
Speaker 4: into the caves. You will at the end of all that.

621
00:33:10,800 --> 00:33:13,960
Speaker 4: I mean, look at any palaeontologists. They're fucking yoked.

622
00:33:14,480 --> 00:33:14,880
Speaker 1: Mm hmm.

623
00:33:15,760 --> 00:33:18,160
Speaker 4: They Yeah, they have good bodies, and the girls have

624
00:33:18,320 --> 00:33:20,760
Speaker 4: like a nice like shape to them, like tight, just

625
00:33:20,960 --> 00:33:24,959
Speaker 4: enough to get a little squeeze, okay, just enough so

626
00:33:25,000 --> 00:33:27,360
Speaker 4: that when they're talking to you're like, oh, leave me alone,

627
00:33:27,400 --> 00:33:28,800
Speaker 4: I just want to go to my man cave and

628
00:33:28,840 --> 00:33:29,920
Speaker 4: be a fat.

629
00:33:31,040 --> 00:33:33,600
Speaker 2: You should You should cook your bacon and the lava

630
00:33:33,680 --> 00:33:35,160
Speaker 2: by the way, and most of the time it.

631
00:33:35,120 --> 00:33:45,200
Speaker 4: Will be swiftly rushing away. You'll watch it bird bird had.

632
00:33:45,240 --> 00:33:48,440
Speaker 5: Escape, so you kind of run along it with tongs.

633
00:33:48,520 --> 00:33:53,120
Speaker 4: Yeah. Well, this will teach you about impermanence. That will

634
00:33:53,160 --> 00:33:56,600
Speaker 4: teach you about nothing is permanent. M Because as much

635
00:33:56,600 --> 00:33:58,960
Speaker 4: as we're talking about oh houses and build them here

636
00:33:59,000 --> 00:34:01,160
Speaker 4: and have feature in them that have been in the

637
00:34:01,160 --> 00:34:03,920
Speaker 4: world for billions of years, like lava tubes, this is

638
00:34:03,960 --> 00:34:06,280
Speaker 4: really all to teach you about. You know, nothing is forever.

639
00:34:07,000 --> 00:34:09,879
Speaker 4: That's mindfulness. Yeah, which you can talk about an hour later.

640
00:34:11,880 --> 00:34:19,320
Speaker 4: Well this is which is or later the same ship. Yeah, yeah,

641
00:34:19,440 --> 00:34:22,000
Speaker 4: I noticed you and not the now laters that you

642
00:34:22,040 --> 00:34:24,080
Speaker 4: have sort of peppering your trough.

643
00:34:24,719 --> 00:34:26,480
Speaker 1: The rapper less nour laters.

644
00:34:26,920 --> 00:34:28,440
Speaker 5: Yeah, but the ers are.

645
00:34:28,360 --> 00:34:32,160
Speaker 1: Still in the trough. They're just not around any candy.

646
00:34:32,280 --> 00:34:34,480
Speaker 5: Well that's if you want to take them. That's like that.

647
00:34:34,680 --> 00:34:38,960
Speaker 5: That's like the napkin under the the appetizer, you know.

648
00:34:39,480 --> 00:34:45,959
Speaker 7: Okay, mindfulness, mindfulness, So that's just being that's that's that's

649
00:34:46,040 --> 00:34:49,840
Speaker 7: the most kind of the most important aspect of anything

650
00:34:49,840 --> 00:34:50,520
Speaker 7: that we're talking about.

651
00:34:50,520 --> 00:34:54,279
Speaker 4: Because if your home goes on fire or anything like that,

652
00:34:54,320 --> 00:34:58,719
Speaker 4: it's not here anymore. Your attitude and the approach that

653
00:34:58,760 --> 00:35:01,040
Speaker 4: you have to it is your real house. That's where

654
00:35:01,040 --> 00:35:04,040
Speaker 4: you really live. You know, you live in your mind.

655
00:35:04,960 --> 00:35:11,040
Speaker 5: You follow, Uh, my house is going to get my

656
00:35:11,120 --> 00:35:14,439
Speaker 5: house is on if it's on fire. Yeah, you said,

657
00:35:14,600 --> 00:35:16,160
Speaker 5: actually live in my mind.

658
00:35:16,360 --> 00:35:16,560
Speaker 1: Yeah.

659
00:35:16,600 --> 00:35:20,279
Speaker 2: You sit down on the ground, okay, you uh, you

660
00:35:20,440 --> 00:35:25,520
Speaker 2: kind of pretend to be asleep. Uh, and then you

661
00:35:25,680 --> 00:35:27,520
Speaker 2: just go live inside your mind for a little while.

662
00:35:27,840 --> 00:35:29,960
Speaker 2: But make sure that people are watching you, because if

663
00:35:29,960 --> 00:35:31,520
Speaker 2: no one is observing you doing this.

664
00:35:31,600 --> 00:35:33,720
Speaker 4: If no one knows how mindful.

665
00:35:33,280 --> 00:35:36,320
Speaker 1: You are, it's it's for shit worthless.

666
00:35:36,480 --> 00:35:38,239
Speaker 4: Yeah, exactly. If here I let you kind of like

667
00:35:38,360 --> 00:35:42,360
Speaker 4: flutter like you've that like like a minority.

668
00:35:41,920 --> 00:35:47,200
Speaker 1: Report, m like a minority so and then you should deliver.

669
00:35:47,360 --> 00:35:51,319
Speaker 2: Ideally, if you could deliver by doority report, deliver at

670
00:35:51,320 --> 00:35:54,480
Speaker 2: the end of this. Yes, you should have an apparatus

671
00:35:54,520 --> 00:35:56,640
Speaker 2: that will deliver sort of like you could repurpose a

672
00:35:56,640 --> 00:35:58,160
Speaker 2: lot of this stuff this room.

673
00:35:58,280 --> 00:36:01,200
Speaker 4: To be sort of one of those minority report. Wooden

674
00:36:01,239 --> 00:36:02,760
Speaker 4: ball etching is the most.

675
00:36:02,560 --> 00:36:05,399
Speaker 1: Convenient way to deliver a name.

676
00:36:05,600 --> 00:36:09,000
Speaker 2: For example, a tiny, tiny piece of information is to

677
00:36:09,320 --> 00:36:14,879
Speaker 2: laser it onto a pristinely polished wooden ball and then

678
00:36:15,000 --> 00:36:17,719
Speaker 2: roll it down a tube and then the person picks

679
00:36:17,760 --> 00:36:19,719
Speaker 2: it up and looks at it instead of just like

680
00:36:19,800 --> 00:36:22,680
Speaker 2: putting it on some like dumb screen or something.

681
00:36:23,160 --> 00:36:28,040
Speaker 5: But etching it with like touch screen, very advanced touch screen. Yes,

682
00:36:28,520 --> 00:36:31,920
Speaker 5: what etching it minority report?

683
00:36:31,960 --> 00:36:33,880
Speaker 4: Etching it on a very advanced touch Yeah, I go,

684
00:36:34,760 --> 00:36:40,759
Speaker 4: you have a big screen. So I see why you

685
00:36:40,800 --> 00:36:44,920
Speaker 4: primarily work in podcasts, because I think screens like visual

686
00:36:45,040 --> 00:36:48,520
Speaker 4: information is pretty dangerous. You think that you could etch

687
00:36:49,320 --> 00:36:53,920
Speaker 4: the touch screen. I mean, you could create a functioning

688
00:36:53,960 --> 00:36:56,480
Speaker 4: touch but then it would just it would just have

689
00:36:56,640 --> 00:37:00,680
Speaker 4: it would be ruined. This explains why when we and

690
00:37:00,719 --> 00:37:04,640
Speaker 4: we walked past your same sung galaxy, it said Brett

691
00:37:05,400 --> 00:37:11,279
Speaker 4: on it in kind of a you know, desk, like

692
00:37:11,360 --> 00:37:15,960
Speaker 4: a teenage desk scrawl, and the R was backwards and

693
00:37:16,000 --> 00:37:19,480
Speaker 4: there were glass shavings surrounding.

694
00:37:19,600 --> 00:37:20,960
Speaker 1: I think the R was actually the.

695
00:37:21,040 --> 00:37:23,120
Speaker 2: Only letter that was correct because if he's going to

696
00:37:23,280 --> 00:37:26,360
Speaker 2: use it as an etching, which I think was the purpose,

697
00:37:26,400 --> 00:37:29,200
Speaker 2: because there was like ink smeared on it as well,

698
00:37:29,480 --> 00:37:32,640
Speaker 2: but he presses it against.

699
00:37:32,200 --> 00:37:35,320
Speaker 1: Because he's going to use it to make an etching.

700
00:37:35,640 --> 00:37:39,800
Speaker 4: Yes, that's it. Okay, Yeah, you have so many materials

701
00:37:39,800 --> 00:37:41,600
Speaker 4: around here that would be good to do old fashioned

702
00:37:41,600 --> 00:37:45,080
Speaker 4: etching with, and that would be a great hobby to

703
00:37:45,360 --> 00:37:48,399
Speaker 4: again tell people about, like oh, I'm actually getting into

704
00:37:48,440 --> 00:37:50,560
Speaker 4: like old fashioned etching and they're like, doesn't that take

705
00:37:50,560 --> 00:37:51,960
Speaker 4: a long time? And you're like, yes, I like that.

706
00:37:52,000 --> 00:37:53,600
Speaker 4: It takes a long time and they're like why and

707
00:37:53,640 --> 00:37:59,120
Speaker 4: then you're like exactly, and slow food exactly, slow food.

708
00:37:59,680 --> 00:38:03,319
Speaker 4: You've heard farm to table, Yes, well that's all over.

709
00:38:03,680 --> 00:38:07,160
Speaker 4: We're now doing table to farm which is where we take, like,

710
00:38:07,160 --> 00:38:09,480
Speaker 4: we would take everything that's here on this table, and

711
00:38:09,520 --> 00:38:10,800
Speaker 4: we would because a lot of what a lot of

712
00:38:10,840 --> 00:38:13,600
Speaker 4: people realized in the farm to table revolution, they would

713
00:38:13,600 --> 00:38:15,120
Speaker 4: actually go out to farms and be like, these people

714
00:38:15,160 --> 00:38:20,360
Speaker 4: have nothing, we should bring them something. So now we're taking.

715
00:38:20,760 --> 00:38:22,600
Speaker 1: Yeah, so now we're giving it back.

716
00:38:22,520 --> 00:38:25,160
Speaker 5: Exactly, giving food back to the farm.

717
00:38:25,239 --> 00:38:28,240
Speaker 1: Not food, just stuff from the table, just whatever's.

718
00:38:27,840 --> 00:38:36,480
Speaker 4: On the yeah, exactly, centerpieces, decorative bowls, old bills, the fork, yeah,

719
00:38:36,520 --> 00:38:37,480
Speaker 4: the yeah fork.

720
00:38:38,239 --> 00:38:40,640
Speaker 5: Sure, I have to give my fork back.

721
00:38:40,760 --> 00:38:44,880
Speaker 1: No, you know what's let's let's let let's just say to.

722
00:38:44,960 --> 00:38:46,920
Speaker 4: Keep it clean. So we're not at risk of giving

723
00:38:46,920 --> 00:38:49,000
Speaker 4: them any food back because we like the food that

724
00:38:49,040 --> 00:38:50,720
Speaker 4: they gave us. They gave us that fair and square.

725
00:38:50,880 --> 00:38:52,680
Speaker 4: Let's just do like the table that people have like

726
00:38:52,719 --> 00:38:57,359
Speaker 4: by their front door, so like key Old Male on

727
00:38:57,400 --> 00:39:00,360
Speaker 4: Netflix that they meant to send back, but now they

728
00:39:00,400 --> 00:39:02,040
Speaker 4: don't even have the disc plane anymore. So they're just

729
00:39:02,080 --> 00:39:04,040
Speaker 4: like have a little bit of anxiety about like what's

730
00:39:04,040 --> 00:39:05,319
Speaker 4: going to happen if I just send this back?

731
00:39:05,360 --> 00:39:06,200
Speaker 1: Will I be in trouble?

732
00:39:06,680 --> 00:39:09,040
Speaker 5: So all the stuff that's on the table stays on

733
00:39:09,080 --> 00:39:10,439
Speaker 5: the table when you give it back.

734
00:39:11,560 --> 00:39:14,800
Speaker 4: You keep the table because that's your staging area for whatever.

735
00:39:14,920 --> 00:39:20,200
Speaker 2: Yes, you of this. Everything that's on the table is going.

736
00:39:20,320 --> 00:39:23,120
Speaker 2: That's the whole idea, is that it's going. It's not staying.

737
00:39:23,880 --> 00:39:24,919
Speaker 2: The cute coin jar.

738
00:39:26,400 --> 00:39:28,920
Speaker 5: This is hard. This is hard for me. It is

739
00:39:28,960 --> 00:39:30,239
Speaker 5: hard for me to follow.

740
00:39:30,440 --> 00:39:33,240
Speaker 2: Just the direction that it's I mean, it's all going.

741
00:39:33,360 --> 00:39:35,400
Speaker 2: And the one thing that you said is that it's all.

742
00:39:37,400 --> 00:39:40,279
Speaker 5: No, the stuff that's on the table that's going, it

743
00:39:40,480 --> 00:39:41,560
Speaker 5: goes with the table.

744
00:39:42,200 --> 00:39:46,240
Speaker 4: The table stays table stay. Yes, you keep the table,

745
00:39:47,000 --> 00:39:48,760
Speaker 4: much as the farmer kept the farm.

746
00:39:48,840 --> 00:39:52,480
Speaker 2: And from the phone, Yes, I can see why table

747
00:39:52,520 --> 00:39:55,560
Speaker 2: to farm is messing with you. I guess table stuff

748
00:39:55,640 --> 00:39:58,359
Speaker 2: to farm stuff, table stuff.

749
00:39:58,640 --> 00:40:00,160
Speaker 4: Farm so much.

750
00:40:01,960 --> 00:40:04,280
Speaker 1: Farm to table have been referred to as like farm

751
00:40:04,360 --> 00:40:06,280
Speaker 1: stuff to table farm stuff.

752
00:40:06,320 --> 00:40:11,400
Speaker 4: You were sitting in sort of a cool hip restaurant, going,

753
00:40:14,920 --> 00:40:17,799
Speaker 4: why isn't it here on this table? I see why

754
00:40:17,840 --> 00:40:20,239
Speaker 4: the past few years have been frustrating for you and

755
00:40:20,280 --> 00:40:25,440
Speaker 4: why you've had a retreat to this weird Madman's hut

756
00:40:25,640 --> 00:40:31,520
Speaker 4: where I'm shocked, smoking hot girlfriend lived what Madman made.

757
00:40:31,560 --> 00:40:32,480
Speaker 5: I'm trying to get.

758
00:40:32,360 --> 00:40:36,480
Speaker 1: Mad mad max Man Man the show.

759
00:40:38,040 --> 00:40:42,239
Speaker 4: Okay, I think you're conflating because okay, okay, this is

760
00:40:42,280 --> 00:40:44,800
Speaker 4: starting to make sense now, because what when I'm looking

761
00:40:44,800 --> 00:40:49,520
Speaker 4: around here, it does seem almost like Sterling Cooper Draper Price,

762
00:40:50,320 --> 00:40:54,560
Speaker 4: like reformed in the year three thousand, in a world

763
00:40:55,440 --> 00:40:59,239
Speaker 4: that experienced several different cataclysms and apocalypses at once and

764
00:40:59,280 --> 00:41:02,120
Speaker 4: almost a chain action. We have nothing left, but we

765
00:41:02,200 --> 00:41:04,520
Speaker 4: do know that we want to sell sea coral aciatives.

766
00:41:05,600 --> 00:41:07,160
Speaker 1: That's a little bit what this is feeling.

767
00:41:07,280 --> 00:41:13,759
Speaker 4: No not cool, not cool, not cool, not just because

768
00:41:13,760 --> 00:41:16,960
Speaker 4: we're able to describe it accurately. We're just continuing to

769
00:41:17,040 --> 00:41:19,760
Speaker 4: more or readily diagnose the problem.

770
00:41:20,320 --> 00:41:22,560
Speaker 5: Just sort of like a David Bowie kind of thing,

771
00:41:23,760 --> 00:41:24,040
Speaker 5: you know.

772
00:41:24,560 --> 00:41:30,360
Speaker 4: Yeah, again, we're drifting further and further afield because on

773
00:41:30,440 --> 00:41:35,440
Speaker 4: the Venn diagram of Mad Max and mad Men, nowhere

774
00:41:35,480 --> 00:41:37,760
Speaker 4: in that diagram at all.

775
00:41:37,840 --> 00:41:43,600
Speaker 5: I thought it was his hair is all slicked tie on.

776
00:41:44,680 --> 00:41:46,840
Speaker 4: And I mean, we could talk about this does segue

777
00:41:46,920 --> 00:41:50,440
Speaker 4: into we're talking about houses being this these giant frozen

778
00:41:51,160 --> 00:41:53,480
Speaker 4: clothes that you're too small for and that you run

779
00:41:53,480 --> 00:41:57,319
Speaker 4: around and sound. That could bring us to what I call,

780
00:41:58,560 --> 00:42:01,799
Speaker 4: you know, body houses, which are clothes we could talk

781
00:42:01,840 --> 00:42:03,600
Speaker 4: about that, because that is really important as well.

782
00:42:03,640 --> 00:42:04,319
Speaker 5: Yes, that's right.

783
00:42:04,360 --> 00:42:09,600
Speaker 2: Clothes or essentially these these small soft houses, as if

784
00:42:09,640 --> 00:42:14,200
Speaker 2: you got so huge you end up wearing.

785
00:42:14,160 --> 00:42:15,280
Speaker 5: Your heads out the chimney.

786
00:42:15,360 --> 00:42:16,160
Speaker 1: You're you're, you're.

787
00:42:17,680 --> 00:42:18,359
Speaker 4: Exactly and.

788
00:42:21,440 --> 00:42:25,080
Speaker 2: Because yes, that's exactly right. Your head is out the chimney,

789
00:42:26,400 --> 00:42:31,280
Speaker 2: your arms smashed through the windows, and your legs went through.

790
00:42:31,280 --> 00:42:33,719
Speaker 5: You poop through the cellar the cellar door.

791
00:42:34,160 --> 00:42:38,480
Speaker 2: No, you don't poop through the cellar door, because there shouldn't. Okay, actually,

792
00:42:38,480 --> 00:42:42,520
Speaker 2: turn around bread, Okay, I noticed there is Okay, now

793
00:42:42,560 --> 00:42:46,520
Speaker 2: I understand because you do have a large flap in

794
00:42:46,600 --> 00:42:50,240
Speaker 2: the back of your clothes that sort of represents a door.

795
00:42:50,400 --> 00:42:54,600
Speaker 2: But most people don't have any kind of flap and

796
00:42:54,760 --> 00:42:57,440
Speaker 2: any any kind of big and they should.

797
00:42:58,480 --> 00:43:00,239
Speaker 4: Maybe that's what we take away. You know, we come

798
00:43:00,239 --> 00:43:03,759
Speaker 4: into Brett's world, we want to tear everything up, we

799
00:43:03,800 --> 00:43:04,760
Speaker 4: want to change everything.

800
00:43:04,840 --> 00:43:05,800
Speaker 1: What do we take away?

801
00:43:05,800 --> 00:43:09,960
Speaker 4: What do we what do we learn from him? You know,

802
00:43:10,040 --> 00:43:12,960
Speaker 4: how do we make it a bilateral exchange rather than

803
00:43:13,000 --> 00:43:16,279
Speaker 4: just sort of unilaterally us forcing everything on him? What

804
00:43:16,320 --> 00:43:20,640
Speaker 4: a trying to take the civilized neighborhood has taken all

805
00:43:20,680 --> 00:43:22,960
Speaker 4: of the worst parts of Asia, parts I didn't even

806
00:43:23,080 --> 00:43:26,640
Speaker 4: wasn't even aware of and put them all into one

807
00:43:27,520 --> 00:43:28,360
Speaker 4: horrible place.

808
00:43:28,600 --> 00:43:31,520
Speaker 1: What do we take away from? And maybe it's flaps?

809
00:43:32,320 --> 00:43:37,120
Speaker 2: Can I ask about the Malaysia town? Why did someone

810
00:43:37,200 --> 00:43:39,759
Speaker 2: change the s to an R so it says malaria

811
00:43:39,960 --> 00:43:41,640
Speaker 2: town is?

812
00:43:41,719 --> 00:43:43,120
Speaker 1: Did people get malaria here?

813
00:43:44,880 --> 00:43:47,360
Speaker 5: There's a huge get better.

814
00:43:47,160 --> 00:43:50,880
Speaker 4: There's a huge amount of standing water and it hasn't

815
00:43:51,160 --> 00:43:54,280
Speaker 4: rained for a very long time.

816
00:43:55,080 --> 00:44:00,600
Speaker 5: That's true. Yeah, malaria comes around, but it's it's the

817
00:44:00,680 --> 00:44:03,919
Speaker 5: gentrification is moving in a little bit.

818
00:44:04,440 --> 00:44:07,960
Speaker 4: If anything, I feel like somebody has a vested interest

819
00:44:08,000 --> 00:44:09,880
Speaker 4: in keeping it as bad or worse.

820
00:44:10,719 --> 00:44:11,919
Speaker 1: Because I did see Hayes.

821
00:44:11,920 --> 00:44:13,600
Speaker 4: I don't know if you saw this, but that big

822
00:44:13,640 --> 00:44:16,560
Speaker 4: billboard for Stand Up for Standing.

823
00:44:16,160 --> 00:44:19,000
Speaker 1: Water, Yes, which looks to be.

824
00:44:18,960 --> 00:44:22,960
Speaker 4: An all star benefit at the Los Angeles' Largo Comedy

825
00:44:22,960 --> 00:44:28,400
Speaker 4: Club to promote it seems like it to promote standing water.

826
00:44:28,520 --> 00:44:30,680
Speaker 2: It seems like maybe just based on some of that

827
00:44:30,760 --> 00:44:34,000
Speaker 2: fine brand I read that that it was funded and

828
00:44:34,040 --> 00:44:35,800
Speaker 2: put up there by Mosquitos.

829
00:44:37,320 --> 00:44:40,839
Speaker 1: There there was a it was an image of tig.

830
00:44:42,480 --> 00:44:47,879
Speaker 4: And jud Appatow with a mosquito, sort of the kind

831
00:44:47,920 --> 00:44:50,600
Speaker 4: of in this it was like a candid the mosquito

832
00:44:50,640 --> 00:44:53,000
Speaker 4: had its little mosquito arms over both their shoulders, and

833
00:44:53,040 --> 00:44:56,120
Speaker 4: they were sort of like, we're in this together.

834
00:44:56,320 --> 00:44:56,719
Speaker 1: Mm hmm.

835
00:44:57,960 --> 00:45:00,319
Speaker 5: Yeah. Well that's the best part of the la. There's

836
00:45:00,320 --> 00:45:03,920
Speaker 5: like a town. There's like a little little town for everything,

837
00:45:04,040 --> 00:45:05,880
Speaker 5: Like every kind of community is around.

838
00:45:05,680 --> 00:45:09,920
Speaker 2: Here, and yours is for mosquitoes and bad.

839
00:45:10,400 --> 00:45:13,399
Speaker 4: Yeah, we may have dogged, We may have mischaracterized it.

840
00:45:13,560 --> 00:45:16,439
Speaker 4: That may not have been graffiti that changed it. Might

841
00:45:16,480 --> 00:45:18,239
Speaker 4: he might just live in Malaria town.

842
00:45:19,200 --> 00:45:20,880
Speaker 1: Oh, they were trying, maybe trying to do.

843
00:45:21,000 --> 00:45:22,600
Speaker 5: There is no all asia.

844
00:45:23,239 --> 00:45:28,359
Speaker 1: Right, you're right that all asia is bob. Is that

845
00:45:28,520 --> 00:45:30,080
Speaker 1: what you're saying? It's all good good?

846
00:45:30,640 --> 00:45:35,839
Speaker 5: Yeah, it's so good, it's all good. Should I talk

847
00:45:35,840 --> 00:45:36,799
Speaker 5: about that?

848
00:45:36,880 --> 00:45:37,080
Speaker 4: Is that?

849
00:45:37,200 --> 00:45:37,680
Speaker 5: What you should?

850
00:45:38,400 --> 00:45:40,960
Speaker 4: Is that the phrase that we take away from Bread's

851
00:45:41,000 --> 00:45:42,720
Speaker 4: ass good?

852
00:45:43,320 --> 00:45:45,640
Speaker 1: Should we should?

853
00:45:45,719 --> 00:45:50,239
Speaker 4: Twenty sixteen see in America where people are saying so

854
00:45:50,440 --> 00:45:55,480
Speaker 4: good and having little sort of either old fashioned prospector

855
00:45:55,800 --> 00:46:02,799
Speaker 4: or like like old child like old fashioned child pajamas,

856
00:46:02,840 --> 00:46:07,279
Speaker 4: like butt flaps, the one springing open when they get

857
00:46:07,640 --> 00:46:11,279
Speaker 4: surprised or in the Prospector's case, like upset. The one

858
00:46:11,320 --> 00:46:14,360
Speaker 4: thing that I have about the buttons is about the

859
00:46:14,400 --> 00:46:18,080
Speaker 4: butt flaps. Is that there are too many buttons because

860
00:46:18,160 --> 00:46:23,239
Speaker 4: any any convenience you might get butt flap. They're not

861
00:46:23,440 --> 00:46:28,320
Speaker 4: counteracted by that thing is thick with functioning buttons.

862
00:46:28,320 --> 00:46:34,680
Speaker 1: They're decorative. It's a matrix of buttons. You have to

863
00:46:34,680 --> 00:46:41,560
Speaker 1: basically remove it completely some of the buttons right, for sure.

864
00:46:41,600 --> 00:46:43,440
Speaker 4: But I think what we're saying is, I think you

865
00:46:43,480 --> 00:46:45,640
Speaker 4: can make do with two buttons. I think that's sort

866
00:46:45,640 --> 00:46:50,680
Speaker 4: of the butt flap ideal. Two buttons one one button

867
00:46:50,680 --> 00:46:54,359
Speaker 4: on either corner. Some of your buttons on your butt

868
00:46:54,360 --> 00:46:57,560
Speaker 4: flap seem to be fixed with buttons.

869
00:46:57,680 --> 00:47:00,640
Speaker 5: I can see the guitar picks. Some of them are geting, well,

870
00:47:00,640 --> 00:47:01,880
Speaker 5: that's neither here nor there.

871
00:47:04,320 --> 00:47:07,279
Speaker 1: And then I worry about you need to play the guitar.

872
00:47:07,239 --> 00:47:12,080
Speaker 4: And I'll always having to expose your butt anytime you need.

873
00:47:12,239 --> 00:47:14,000
Speaker 1: Right, What we don't want.

874
00:47:15,040 --> 00:47:19,839
Speaker 4: What we don't want is you exposing you reaching back

875
00:47:19,880 --> 00:47:23,000
Speaker 4: there and going, oh, I need a guitar pick, having

876
00:47:23,000 --> 00:47:24,759
Speaker 4: to dig through all these buttons to get to one

877
00:47:24,760 --> 00:47:28,399
Speaker 4: that's a guitar pick. Now your butt's open.

878
00:47:30,320 --> 00:47:33,720
Speaker 1: Yeah, does that make sense? And it didn't even.

879
00:47:33,520 --> 00:47:35,600
Speaker 2: Need to be I see your concerned about the flap

880
00:47:35,640 --> 00:47:38,360
Speaker 2: hanging down and potentially getting wet.

881
00:47:38,400 --> 00:47:39,839
Speaker 1: And the something that.

882
00:47:41,680 --> 00:47:44,560
Speaker 2: I wonder if you could make it potentially long enough

883
00:47:44,840 --> 00:47:48,480
Speaker 2: the flap that you could sort of pull it underneath

884
00:47:48,760 --> 00:47:56,359
Speaker 2: and pulled it under your china. Yes, you know how

885
00:47:56,560 --> 00:47:59,880
Speaker 2: I've shared uh the ear will bathroom with you occasionally

886
00:48:00,160 --> 00:48:06,680
Speaker 2: for the Cody incident. You uh, when you use a urinol,

887
00:48:07,080 --> 00:48:10,000
Speaker 2: you tend to lift your entire shirt up.

888
00:48:13,080 --> 00:48:14,160
Speaker 5: Yeah, a.

889
00:48:16,080 --> 00:48:18,160
Speaker 1: Sort of a chin and you have kind of a

890
00:48:18,360 --> 00:48:19,400
Speaker 1: like a double chin.

891
00:48:20,160 --> 00:48:20,239
Speaker 3: And.

892
00:48:24,000 --> 00:48:28,200
Speaker 2: I let them sort of sit on the ground. I

893
00:48:28,239 --> 00:48:30,560
Speaker 2: wonder if you could do sort of a similar thing

894
00:48:30,640 --> 00:48:34,759
Speaker 2: with this, with this flap, since you're so adept cold

895
00:48:34,760 --> 00:48:35,799
Speaker 2: it pigs under your chin.

896
00:48:36,560 --> 00:48:39,319
Speaker 5: I like that. It's a good compromise between what I'm

897
00:48:39,400 --> 00:48:43,239
Speaker 5: used to and what I'm giving you guys.

898
00:48:43,520 --> 00:48:47,319
Speaker 1: Right, and that's really what we want right here, I think.

899
00:48:47,480 --> 00:48:50,600
Speaker 5: Okay, Yeah, I think I'm learning a lot here and.

900
00:48:50,600 --> 00:48:55,439
Speaker 4: Other than that, clothes wise, just like any podcast, drop

901
00:48:55,480 --> 00:48:58,640
Speaker 4: into any podcast these days and they have a clothing

902
00:48:58,680 --> 00:49:02,399
Speaker 4: solution for you, and much in the way that it's

903
00:49:02,440 --> 00:49:05,400
Speaker 4: like all podcast ads seem to be trying to make

904
00:49:05,480 --> 00:49:07,719
Speaker 4: us all the same person, which is like a guy

905
00:49:07,719 --> 00:49:11,360
Speaker 4: that has a square space site he wears Bonobo's, he wears.

906
00:49:11,440 --> 00:49:15,680
Speaker 1: He gets his food in the mail, right, nerd food.

907
00:49:16,120 --> 00:49:16,600
Speaker 4: Nerd food.

908
00:49:16,640 --> 00:49:19,759
Speaker 1: He gets big bundles of food. He eats, Yeah, he eats.

909
00:49:20,080 --> 00:49:24,360
Speaker 1: Never eats food that's not heat from draight upo.

910
00:49:25,280 --> 00:49:30,400
Speaker 4: Yeah, he eats like doctor who cutlets a cutlet that

911
00:49:30,440 --> 00:49:31,520
Speaker 4: looks like a tartis.

912
00:49:32,280 --> 00:49:34,320
Speaker 1: But the clothes you were talking about, Oh yeah.

913
00:49:34,520 --> 00:49:38,000
Speaker 4: Yeah, just to hit up a podcast, any podcast, and

914
00:49:38,000 --> 00:49:39,960
Speaker 4: they'll pretty much have an all in one actually that

915
00:49:40,080 --> 00:49:42,440
Speaker 4: this could be great for you. That's or are we

916
00:49:42,520 --> 00:49:49,000
Speaker 4: launching this right now? An all in one podcast, clothing, food, website,

917
00:49:49,040 --> 00:49:53,360
Speaker 4: hosting by mail, all nerd stuff, all in one box.

918
00:49:53,560 --> 00:49:55,759
Speaker 1: Yeah, like the pod box. You open a box and

919
00:49:56,080 --> 00:50:03,600
Speaker 1: inside is a website or rod slimy veal cutlet an

920
00:50:03,600 --> 00:50:05,760
Speaker 1: it crowd cooozy.

921
00:50:06,640 --> 00:50:08,919
Speaker 4: And the cut let's get it all over the website.

922
00:50:09,320 --> 00:50:15,200
Speaker 4: Oh god, yeah, yeah, this filthy website and like a

923
00:50:15,200 --> 00:50:18,640
Speaker 4: button down and a tight checked button down, Yes, a

924
00:50:18,680 --> 00:50:21,080
Speaker 4: button down with like a tight check and desert booties.

925
00:50:22,920 --> 00:50:24,240
Speaker 5: So start that business.

926
00:50:25,200 --> 00:50:26,000
Speaker 4: Start that.

927
00:50:26,000 --> 00:50:28,000
Speaker 1: That's how exactly.

928
00:50:29,680 --> 00:50:32,920
Speaker 5: Okay, And then you just spilled water all over I did.

929
00:50:33,000 --> 00:50:34,080
Speaker 5: That was part of the.

930
00:50:34,640 --> 00:50:36,360
Speaker 4: That's that's sort of that's kind of that's like a

931
00:50:36,400 --> 00:50:38,680
Speaker 4: fight club thing, you know in fight club where they

932
00:50:39,120 --> 00:50:41,040
Speaker 4: hold up that guy and they're like, go live your

933
00:50:41,120 --> 00:50:43,920
Speaker 4: dream and they hang onto his wallet. That's what I

934
00:50:44,000 --> 00:50:45,799
Speaker 4: was doing just then. I was trying to spill water

935
00:50:45,880 --> 00:50:48,160
Speaker 4: on as much as many things in the room as possible.

936
00:50:48,200 --> 00:50:51,439
Speaker 1: Yeah, it's step one pimping any of any house. Yeah,

937
00:50:51,440 --> 00:50:51,879
Speaker 1: that's the thing.

938
00:50:52,080 --> 00:50:54,239
Speaker 4: That's what you didn't see on Pimp My Ride is

939
00:50:54,280 --> 00:50:58,360
Speaker 4: that extra the Z exhibit would sort of infiltrate and

940
00:50:58,400 --> 00:51:01,640
Speaker 4: destroy everything about those people's world over the course of

941
00:51:02,000 --> 00:51:05,480
Speaker 4: months and sometimes years, and so they were in such

942
00:51:05,520 --> 00:51:07,399
Speaker 4: a place it was kind of like a cult thing

943
00:51:07,520 --> 00:51:08,880
Speaker 4: or like what they do in the Marines, Like I'm

944
00:51:08,880 --> 00:51:12,200
Speaker 4: gonna break this person down in order to be to

945
00:51:12,239 --> 00:51:14,840
Speaker 4: be fully pimped. For their ride to be fully pimped,

946
00:51:14,880 --> 00:51:16,640
Speaker 4: I need to bring them to zero.

947
00:51:17,360 --> 00:51:20,759
Speaker 5: Right, build them back up exactly. Put a PlayStation in

948
00:51:20,800 --> 00:51:21,240
Speaker 5: the trunk.

949
00:51:21,920 --> 00:51:22,319
Speaker 1: Mm hmm.

950
00:51:23,280 --> 00:51:25,320
Speaker 4: Do you think.

951
00:51:26,600 --> 00:51:28,120
Speaker 1: You were in a PlayStation right now?

952
00:51:28,520 --> 00:51:28,680
Speaker 4: Yes?

953
00:51:28,800 --> 00:51:33,640
Speaker 1: Or no? Just flash answer? Oh god, uh, whichever way

954
00:51:33,680 --> 00:51:36,279
Speaker 1: you're leaning, don't look at our faces to try it

955
00:51:36,800 --> 00:51:40,360
Speaker 1: for Solid Snake or Laura Croft.

956
00:51:40,840 --> 00:51:45,600
Speaker 4: Just I see you searching my face for similarities to

957
00:51:45,680 --> 00:51:48,160
Speaker 4: Crash bandicoot, and that's not where I want you to be.

958
00:51:49,160 --> 00:51:50,520
Speaker 4: Just snap answer.

959
00:51:52,000 --> 00:51:54,200
Speaker 5: Nobody knows again.

960
00:51:55,760 --> 00:51:56,120
Speaker 4: You know what?

961
00:51:56,200 --> 00:51:56,600
Speaker 1: That's right?

962
00:51:56,640 --> 00:51:59,239
Speaker 4: The way he says that, it makes me, uh like

963
00:51:59,560 --> 00:52:01,759
Speaker 4: yourself conscious about the certainty I've had all.

964
00:52:03,280 --> 00:52:04,799
Speaker 5: I can't say, you know.

965
00:52:05,040 --> 00:52:09,880
Speaker 4: Inside God's playstationers, we we all could be yeah p

966
00:52:10,080 --> 00:52:11,280
Speaker 4: s one mm hmmm.

967
00:52:11,480 --> 00:52:12,439
Speaker 1: He could be Yeah.

968
00:52:12,640 --> 00:52:15,920
Speaker 4: They have determined that God, more than anything, were most

969
00:52:16,040 --> 00:52:18,239
Speaker 4: likely if we're in any of them, to be in

970
00:52:18,320 --> 00:52:19,960
Speaker 4: like a big dreamcast.

971
00:52:20,000 --> 00:52:24,640
Speaker 1: That we're all sort of rag yeah soul caliber.

972
00:52:25,920 --> 00:52:27,880
Speaker 4: It could be yes every time, which would explain the

973
00:52:27,880 --> 00:52:29,320
Speaker 4: predominance of giant swords.

974
00:52:29,360 --> 00:52:33,439
Speaker 2: I do find myself sort of jumping unconsciously sometimes. Uh,

975
00:52:33,600 --> 00:52:37,799
Speaker 2: it just could be God pressing the green triangle, so

976
00:52:37,840 --> 00:52:38,240
Speaker 2: to speak.

977
00:52:38,239 --> 00:52:39,719
Speaker 4: So maybe that's what we take away from Brett. We

978
00:52:39,760 --> 00:52:43,359
Speaker 4: take away butt flaps m hmm, although we do have

979
00:52:43,960 --> 00:52:47,040
Speaker 4: an improvement on that, which is fewer buttons, and we

980
00:52:47,080 --> 00:52:51,440
Speaker 4: take away his unwillingness to say definitively that we're not

981
00:52:52,760 --> 00:52:58,120
Speaker 4: inside of a TV system right exactly or PlayStation TV.

982
00:52:59,320 --> 00:53:02,640
Speaker 1: Those could be acted. I guess sure ideally.

983
00:53:02,160 --> 00:53:04,640
Speaker 5: They you would want to plug it in.

984
00:53:05,760 --> 00:53:08,239
Speaker 4: If we're all inside of a PlayStation. I hope it's

985
00:53:08,280 --> 00:53:10,440
Speaker 4: not just like a closed loop, like a PlayStation is

986
00:53:10,560 --> 00:53:14,080
Speaker 4: just on but playing for no one. But there's no

987
00:53:14,560 --> 00:53:18,880
Speaker 4: no a like just the yellow A bable or is

988
00:53:18,880 --> 00:53:19,480
Speaker 4: that what we are?

989
00:53:20,320 --> 00:53:21,799
Speaker 1: I guess it depends on if you think that there's

990
00:53:21,840 --> 00:53:22,880
Speaker 1: a meaning to life or not?

991
00:53:22,960 --> 00:53:23,480
Speaker 4: Are we here?

992
00:53:23,880 --> 00:53:26,080
Speaker 1: I don't want to entertain some kids after school. I

993
00:53:26,080 --> 00:53:28,160
Speaker 1: don't want to live in that world.

994
00:53:27,960 --> 00:53:33,160
Speaker 4: Just in a closed PlayStation displaying. It's pouring its fun

995
00:53:33,160 --> 00:53:35,640
Speaker 4: and games into a cable that's disconnected.

996
00:53:36,760 --> 00:53:38,880
Speaker 1: It's just sort of lying on a carpet here in

997
00:53:38,960 --> 00:53:42,760
Speaker 1: a corner in Prince that's shack. And also, you should

998
00:53:42,800 --> 00:53:43,480
Speaker 1: be bread.

999
00:53:45,040 --> 00:53:46,360
Speaker 5: Honestly, it's a.

1000
00:53:46,080 --> 00:53:48,680
Speaker 1: Little ideally should be Brent and Buzzby.

1001
00:53:49,440 --> 00:53:55,800
Speaker 4: Oh god, here Instagram? How is that brand?

1002
00:53:56,480 --> 00:53:59,160
Speaker 5: And buzz Buzby bun Be?

1003
00:54:01,000 --> 00:54:02,959
Speaker 1: Hold on, no, you'd like to be married?

1004
00:54:03,000 --> 00:54:07,240
Speaker 4: Hold on if you were married to Bunbe, or here's

1005
00:54:07,280 --> 00:54:12,840
Speaker 4: what's hot you Buzzby and Bunby in a polygamous relationship

1006
00:54:12,880 --> 00:54:16,480
Speaker 4: in twenty sixteen, polygamy is where it's at.

1007
00:54:17,200 --> 00:54:19,080
Speaker 5: So Bunbe is a person, but.

1008
00:54:19,120 --> 00:54:24,200
Speaker 1: Yah, yeah, Bunbe is from ugk from that he's from Atlanta.

1009
00:54:24,400 --> 00:54:24,919
Speaker 1: That's the thing.

1010
00:54:25,000 --> 00:54:30,080
Speaker 5: Yeah, okay, Hotlant, he's a rapper, Hotlanta. Should I say that?

1011
00:54:32,680 --> 00:54:34,680
Speaker 1: It does sort of go hand in hand with saying

1012
00:54:34,680 --> 00:54:37,520
Speaker 1: it's all good. It's gonna be tough for you to

1013
00:54:38,040 --> 00:54:38,560
Speaker 1: don't get one.

1014
00:54:38,760 --> 00:54:41,319
Speaker 4: It's gonna be tough for you to kind of piecemeal

1015
00:54:42,120 --> 00:54:47,319
Speaker 4: determine whether or not you should say certainly. I think

1016
00:54:47,360 --> 00:54:48,960
Speaker 4: it's gonna be better for you to sort of develop

1017
00:54:49,000 --> 00:54:52,120
Speaker 4: an overarching philosophy, like a couple of simple rules.

1018
00:54:52,600 --> 00:54:53,839
Speaker 5: Okay, maybe what you.

1019
00:54:53,840 --> 00:54:56,040
Speaker 4: Might say, as opposed to having to check with Hayes

1020
00:54:56,080 --> 00:54:57,440
Speaker 4: and I, who aren't always gonna be here.

1021
00:54:57,520 --> 00:54:59,480
Speaker 2: You do have a good instinct when you say something

1022
00:54:59,520 --> 00:55:01,360
Speaker 2: that's p eventually the worst.

1023
00:55:03,840 --> 00:55:06,160
Speaker 1: To say. Should I say that?

1024
00:55:06,320 --> 00:55:08,480
Speaker 4: I wonder if you are playing off the faces of

1025
00:55:08,520 --> 00:55:12,440
Speaker 4: the people around you when they just sort of die.

1026
00:55:12,960 --> 00:55:16,719
Speaker 5: You're sort of like you sort of snapped back right

1027
00:55:16,880 --> 00:55:17,880
Speaker 5: right when I said that.

1028
00:55:18,080 --> 00:55:20,600
Speaker 1: Right, Maybe that's it for you. Maybe that is it. No,

1029
00:55:20,760 --> 00:55:21,480
Speaker 1: maybe that's it.

1030
00:55:21,520 --> 00:55:24,799
Speaker 4: Maybe your thing is not so good, or any of

1031
00:55:24,840 --> 00:55:30,000
Speaker 4: these other uh right, or any of these other turns

1032
00:55:30,000 --> 00:55:34,640
Speaker 4: of phrase. Maybe your thing is just sort of meekly

1033
00:55:35,160 --> 00:55:36,320
Speaker 4: after you say anything.

1034
00:55:37,719 --> 00:55:38,520
Speaker 1: Should I say that?

1035
00:55:39,440 --> 00:55:41,720
Speaker 5: Well, I said it twice. I usually say it again.

1036
00:55:42,160 --> 00:55:45,880
Speaker 5: You see the reaction I say, should.

1037
00:55:45,680 --> 00:55:48,279
Speaker 4: I say that? Oh, hotlan, You say it again, hotlant again,

1038
00:55:48,280 --> 00:55:49,319
Speaker 4: and then you say should I say that?

1039
00:55:49,680 --> 00:55:49,960
Speaker 5: Yeah?

1040
00:55:50,040 --> 00:55:51,000
Speaker 4: Maybe? Should I say that?

1041
00:55:51,120 --> 00:55:52,279
Speaker 1: Is?

1042
00:55:52,280 --> 00:55:52,640
Speaker 4: Is that?

1043
00:55:52,520 --> 00:55:53,200
Speaker 1: That's your thing.

1044
00:55:53,480 --> 00:55:57,120
Speaker 4: That's the rule and the and the catchphrase that should

1045
00:55:57,160 --> 00:55:59,480
Speaker 4: I say? Should I say that?

1046
00:55:59,640 --> 00:56:01,120
Speaker 1: Is a pretty good phrase.

1047
00:56:01,920 --> 00:56:04,320
Speaker 5: Should I say that? I like that because.

1048
00:56:04,120 --> 00:56:07,960
Speaker 4: It's sort of open ended. It's like verbal crowdsourcing, you know,

1049
00:56:08,000 --> 00:56:12,520
Speaker 4: whereas getter done, other sort of catch phrases like that,

1050
00:56:12,560 --> 00:56:14,239
Speaker 4: like that comics have. Those are meant to sort of

1051
00:56:14,280 --> 00:56:16,560
Speaker 4: be like a button on the end of something and

1052
00:56:16,600 --> 00:56:19,120
Speaker 4: that's closed in what should I say that? That's open

1053
00:56:19,160 --> 00:56:22,440
Speaker 4: That creates a conversation and now you can A button

1054
00:56:22,480 --> 00:56:25,400
Speaker 4: on the edge of something is not to be taken literally,

1055
00:56:25,440 --> 00:56:30,400
Speaker 4: something to put on your high knee max two yeah,

1056
00:56:30,560 --> 00:56:35,080
Speaker 4: max two. Buttons, not guitar picks, no long no guitar picks,

1057
00:56:35,239 --> 00:56:40,480
Speaker 4: just buttons. Yes, when which we know to be using

1058
00:56:40,560 --> 00:56:42,360
Speaker 4: something you already do. So that's great. We're setting you

1059
00:56:42,440 --> 00:56:43,040
Speaker 4: up for success.

1060
00:56:44,320 --> 00:56:47,440
Speaker 2: And when you discover exactly which one of your catchphrases

1061
00:56:47,480 --> 00:56:50,120
Speaker 2: it is right, it should go on the T shirt

1062
00:56:50,719 --> 00:56:51,440
Speaker 2: to be put in.

1063
00:56:51,680 --> 00:56:53,839
Speaker 1: Keep calm, Should I say that?

1064
00:56:55,760 --> 00:57:05,239
Speaker 3: By Hollywood Handbook is brought to you by Wolf Cool Productions,

1065
00:57:05,239 --> 00:57:07,960
Speaker 3: a subsidiary of Calvin Noon Hibbs.

1066
00:57:08,520 --> 00:57:12,160
Speaker 4: Our baby