WEBVTT - #30 - Pete Rock

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<v Speaker 1>All right, tid for another edition of the boutleg Cat podcast. Listen.

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<v Speaker 1>I'm on vacation right now in can Kun, so we're

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<v Speaker 1>gonna keep the intro short. Got to speak with Pete

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<v Speaker 1>Rock this week. Shout out to the legend extremely interesting

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<v Speaker 1>guy to follow on Twitter, one of the greatest producers

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<v Speaker 1>of all time. Had an amazing conversation with him. A

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<v Speaker 1>lot of dope stuff planned for the podcast, so we're

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<v Speaker 1>gonna announcing in the coming days, weeks, etc. But look,

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<v Speaker 1>I'm in can Coon kicking it y'all all enjoy you

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<v Speaker 1>know this week we got Draco the Ruler on the

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<v Speaker 1>way and working on some really, really big interviews, so

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<v Speaker 1>appreciate everyone who locked in. Getting a lot of dope

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<v Speaker 1>positive feedback from the j Mills interview from last week

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<v Speaker 1>and even the Price interview from last week, so we

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<v Speaker 1>got to show love to our sponsors though. Shout out

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<v Speaker 1>percent off. Pete Rock Ladies and gentlemen via zoom. His

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<v Speaker 1>new project, Peach Strumentals, comes out Friday, but shout out

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<v Speaker 1>to Pete Rockman. Let's get into it boutle care podcasts.

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<v Speaker 1>We've got the legendary, one of the greatest of all time.

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<v Speaker 1>Pete Rock Peace Peace, What up bro man? And listen

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<v Speaker 1>Pete Right, let me tell you something. When I was

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<v Speaker 1>a kid, when you dropped your album, I think it

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<v Speaker 1>was the Soul brother Brother Yeah, yeah, yeah, No, what

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<v Speaker 1>was it? What was the album? You dropped your solo

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<v Speaker 1>album and it was like ninety eight ninety nine, uh

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<v Speaker 1>A Survivor, Soul Survivor. Yeah, that was the first time.

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<v Speaker 1>Like I'm thirty three, so at that time I was

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<v Speaker 1>like twelve or some shit. But that was the first time, right,

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<v Speaker 1>So I had come up on your ship without even

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<v Speaker 1>knowing about the cl smooth shit, right, So I like

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<v Speaker 1>had to go back and dig in. But I just

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<v Speaker 1>want to give your flowers. Man, You're a legend. Bro.

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<v Speaker 1>Welcome podcast. Thank you, boss man. You know what I'm saying.

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<v Speaker 1>I love hip hop, brother, I love what I do. Man.

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<v Speaker 1>You know it's as simple as that. Man, I met

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<v Speaker 1>you for the first time. I met you backstage at

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<v Speaker 1>Rock the Bells with did you I have a picture

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<v Speaker 1>with you and DJ Premiere Oh Okay, which is one

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<v Speaker 1>of the most legendary photos I've ever taken. To have

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<v Speaker 1>both of you guys together in a photo is a

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<v Speaker 1>big deal, yo, talk about let's let's get in real quick.

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<v Speaker 1>Just just you know, you're dropping a new project. Now

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<v Speaker 1>it's all instrumentals, right, yeah, all instrumentals, no samples. I

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<v Speaker 1>got a band now. Shout out to the Soul Brothers, Doro,

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<v Speaker 1>Jan Nick, Christopher McBride, Mono Neon, Jermaine Holmes, Marcus Machado,

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<v Speaker 1>Big Yuki. The list goes on, man, you know, I like,

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<v Speaker 1>I'm trying to be one of those great seventies bands,

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<v Speaker 1>like like Cooon the Gang and uh right, it's it's

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<v Speaker 1>crazy to hear you say you're putting out an instrumental

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<v Speaker 1>album with no samples. Yep, no samples at all. I mean, listen,

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<v Speaker 1>a producer is a producer, man. You gotta be able

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<v Speaker 1>to make music too, like without the sampling, you know

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<v Speaker 1>what I'm saying. And these are all my ideas with

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<v Speaker 1>the band just playing them over. Yeah, why why go

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<v Speaker 1>the instrumental route as opposed to I don't know, but

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<v Speaker 1>just your pete rock. You could get verses from whoever

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<v Speaker 1>you want. You've done it before, so like, why just

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<v Speaker 1>do the full instrumental route on this go round? Because

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<v Speaker 1>I want people to really fill the music without no

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<v Speaker 1>noise on it at first, you know what I'm saying, money,

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<v Speaker 1>because that's what happened with Donuts With Dyla, it was like, yeah,

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<v Speaker 1>I don't even want to hear anybody rapping on donuts.

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<v Speaker 1>You just want to press play on it and just

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<v Speaker 1>vibe and just vibe, because you know what music is

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<v Speaker 1>a vibe. It's medicine, it's heal, it's a healer. You

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<v Speaker 1>know what I'm saying. So that's my job first, is

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<v Speaker 1>to do that for the people. You know what I mean.

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<v Speaker 1>And you know you can bring the rappers in anytime.

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<v Speaker 1>I'm ready to do something like that, you know what

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<v Speaker 1>I'm saying. I got a whole bunch of that coming

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<v Speaker 1>out soon with other rappers and with my own team.

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<v Speaker 1>Who do you have? Okay, I want to get get

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<v Speaker 1>to a few hours of your career. But out of

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<v Speaker 1>the new generation, who who's got your attention? Chris Alda facts?

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<v Speaker 1>You know what I'm saying a lot of other people too,

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<v Speaker 1>you know Action Bronson, you know all them type of cats,

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<v Speaker 1>Freddie Gibbs, you know what I'm saying. Like people like that,

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<v Speaker 1>I'm I'm that's that's that's my wave, That's my wave

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<v Speaker 1>right there? Have you tapped in with the core day kid?

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<v Speaker 1>Not yet? Know you got I feel like you guys,

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<v Speaker 1>would you guys would make some beautiful music together? Man,

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<v Speaker 1>your phone just just dipped out. You there, you're back, Okay,

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<v Speaker 1>you're back. I'm back. My phone died, man, I figured

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<v Speaker 1>that's what happened. Yeah, I'm on my other phone now.

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<v Speaker 1>All good man. Look, Pete Rock, we were talking about

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<v Speaker 1>some of the newer artists that you were working with.

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<v Speaker 1>You were saying, you love Griselda, Freddy Gibbs, have you

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<v Speaker 1>You and Gibbs haven't worked together yet, not yet, but

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<v Speaker 1>we're talking about it. We've been talking about it. You

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<v Speaker 1>know what I'm saying. Yeah, No, I'm you know, if

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<v Speaker 1>it happens, that would be dope. You know what I'm saying.

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<v Speaker 1>Right now, I'm more concentrated on because I see cats

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<v Speaker 1>as busy. So I'm doing, you know, my own stuff

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<v Speaker 1>with my artists. Amir, who's gonna be really me? Amir? Okay? Yeah? Hey?

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<v Speaker 1>You know what the album I really loved was the

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<v Speaker 1>record you and Smoke did it put out together? Yes,

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<v Speaker 1>Don't Smoke Rock. Don't Smoke Rock? Was crazy? And then

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<v Speaker 1>you put the instrumental album out. What would you guys

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<v Speaker 1>do a sequel to that? Of course? Has that been

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<v Speaker 1>talked about it all. Yeah, we talked about it. Yeah,

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<v Speaker 1>I think I think that in the Smith and Western Shore.

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<v Speaker 1>I feel like, like, you know, it's funny because you

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<v Speaker 1>got you've you've been doing these joint projects, and I

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<v Speaker 1>feel like this year and last year we're really kind

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<v Speaker 1>of like the wave of like artists fully tapping in

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<v Speaker 1>with a producer. You know, hit Boy did his thing

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<v Speaker 1>with Benny Fred did his thing with Alchemist. You know,

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<v Speaker 1>Conray did something with Alchemist. Who's somebody who you would

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<v Speaker 1>like to just zone out with and do a whole

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<v Speaker 1>album with that you haven't yet? Ghost Face? Ghost Face?

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<v Speaker 1>Oh yep, that would be legendary. Well we have you

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<v Speaker 1>have you guys spoken about that? Ever? We talked like

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<v Speaker 1>a lot. We talked like a lot all the time,

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<v Speaker 1>and you know what you have to see, man, ghost

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<v Speaker 1>Face would be insane. Yeah, he's my personal top five. Ever,

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<v Speaker 1>my personal you know what I'm saying. Like yet my

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<v Speaker 1>personal list too. There's two lists, right, there's like your

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<v Speaker 1>personal list and then like the list that you you know,

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<v Speaker 1>the like. So when people be like, what's your top

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<v Speaker 1>five or top ten? Man? I got top twenty, man,

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<v Speaker 1>It's like, what are we talking about? Were we talking

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<v Speaker 1>about like everyone's list or like my favorites, because there's

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<v Speaker 1>like a difference my security list, my most important list

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<v Speaker 1>has Jada kiss on it and ghost Face. That's fair gods, Okay, okay, yeah,

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<v Speaker 1>ghost Face the most consistent, uh, one of the most

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<v Speaker 1>consistent rappers ever discography wise, album for album he could

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<v Speaker 1>go against it's like him and yeah, yep, so do

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<v Speaker 1>And I know, like if we ever work together, it

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<v Speaker 1>would be so easy. Is it easy to work with

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<v Speaker 1>Pete Rock? Yeah? How fucking yeah, I just the most

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<v Speaker 1>you know what, you know what, you know what, It's

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<v Speaker 1>easy to work with me when you respect me. Okay,

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<v Speaker 1>So you got to make sure that the artists understand, see,

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<v Speaker 1>because I think that that's an important thing to say,

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<v Speaker 1>because if someone's gonna do something with Pete Rock, they

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<v Speaker 1>gotta understand it's a full collaborative process. You're Pete Rock.

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<v Speaker 1>You know what I'm saying. Yeah, you can't. You can't

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<v Speaker 1>be disrespectful to my, to my to the way I do,

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<v Speaker 1>you know, to the way I'm great right, Because I

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<v Speaker 1>do feel like like guys like yourself, guys like Primo.

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<v Speaker 1>I wish that there was more of records like the

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<v Speaker 1>record you do with Dizza. I wish that there was more.

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<v Speaker 1>Like I like, I can't tell you how excited I

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<v Speaker 1>was when you did the joy with with with Ye

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<v Speaker 1>and when you had when when you were in that

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<v Speaker 1>pocket where where Ye was doing the Good Friday Records

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<v Speaker 1>and you were working with Kanye. Yeah, I was just

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<v Speaker 1>so excited because I'm like, this is what I want

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<v Speaker 1>to hear Pete Rock and Kanye. Why didn't happen sooner?

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<v Speaker 1>You know what I mean? It would have, but you

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<v Speaker 1>know like I look at it like you could just

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<v Speaker 1>set it down right there. Thank you, Thank you. I

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<v Speaker 1>look at it like, you know, like he's from my

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<v Speaker 1>school and that was bound to happen regardless, you know

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<v Speaker 1>what I'm saying. Talk talk about that era where you

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<v Speaker 1>were tapping in with Ya and and and the Joys.

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<v Speaker 1>Those are my two favorite Kanye versus probably ever. Thank

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<v Speaker 1>you when he said, uh, the Holy Trinity, a bad

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<v Speaker 1>bitch and a bag some hennessy, I see my only enemy.

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<v Speaker 1>Let me tell y'all something about Kanye on the lyric

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<v Speaker 1>tip Homeboy's nice. He's super nice that I will not

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<v Speaker 1>never take that away from him. And he's very talented,

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<v Speaker 1>you know, nah, for sure. Man. Was there any record

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<v Speaker 1>you did with you that we didn't hear? Yeah, I

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<v Speaker 1>did a I laid about eight beats, but I think

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<v Speaker 1>he might have went in on more than just one, right,

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<v Speaker 1>but I never heard it, and I doubt if he's

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<v Speaker 1>using anything. But you know what I mean, right right, right,

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<v Speaker 1>right right, all right? So so you got the you

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<v Speaker 1>put the band together. We're getting, uh, some some great instrumentals,

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<v Speaker 1>some great music, uh from you? The person who haven't

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<v Speaker 1>let's talk about you, and and and and and and

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<v Speaker 1>why why haven't we seen a verses with Pete? I

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<v Speaker 1>feel like I feel like you're the obvious guy to

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<v Speaker 1>do one. As far as the producer, I wouldn't mind

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<v Speaker 1>seeing you an alchemist. I mean, I put it out

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<v Speaker 1>there already, man, But nobody's biting, so it's all good.

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<v Speaker 1>How how how dope was it for you as a

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<v Speaker 1>fan of the culture to see there is a primo battle.

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<v Speaker 1>I liked it. I liked it, you know what I'm saying.

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<v Speaker 1>But I just felt that there was a lot of

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<v Speaker 1>things that needed to be rectified with the way it

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<v Speaker 1>was coming over the Instagram. And oh, definitely, yeah, there

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<v Speaker 1>was some that was before they were doing them in

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<v Speaker 1>person and it was a big production. Yeah yeah, you

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<v Speaker 1>get out in and out, and you know, it was

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<v Speaker 1>a lot of it was just a lot of stuff

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<v Speaker 1>that needs to be fixed. You know what I'm saying.

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<v Speaker 1>Let me ask you this, Pete. Do you feel like

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<v Speaker 1>you're underappreciated as when it comes to hip hop overall?

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<v Speaker 1>Do you feel like you get your flowers you deserve?

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<v Speaker 1>I feel like I get my flowers sometimes. You know

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<v Speaker 1>what I'm saying. You know, I really I really don't care, man,

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<v Speaker 1>You know what I'm saying, because I love music. Regardless

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<v Speaker 1>of how people were people on the place, I don't

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<v Speaker 1>care about that shit. You know what I'm saying. What

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<v Speaker 1>I care about is what's already up there in the sky.

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<v Speaker 1>It's already everything I've done, man, is on top tip.

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<v Speaker 1>So I'm not mad at nobody or nothing or Cat's

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<v Speaker 1>not recognizing you know my talent. You know what I'm saying.

0:12:25.800 --> 0:12:28.480
<v Speaker 1>But you know, real people know what time it is.

0:12:28.520 --> 0:12:31.480
<v Speaker 1>You know what I'm saying. That's real people, Real people

0:12:31.559 --> 0:12:34.080
<v Speaker 1>know what it is. I'm not bothered by none of

0:12:34.080 --> 0:12:37.000
<v Speaker 1>this shit because I have real talent. Yo. What I

0:12:37.040 --> 0:12:41.360
<v Speaker 1>appreciate about you is you're extremely unfiltered on Twitter. Yeah,

0:12:41.480 --> 0:12:48.040
<v Speaker 1>your Twitter is going up, Yeah, because you know, I'm

0:12:48.080 --> 0:12:50.120
<v Speaker 1>just trying to show people that, you know, there's a

0:12:50.160 --> 0:12:53.320
<v Speaker 1>real side to me and that you know, even with

0:12:53.440 --> 0:12:55.679
<v Speaker 1>the disrespect, I really don't care about that. You know

0:12:55.679 --> 0:12:58.439
<v Speaker 1>what I'm saying. I'm saying things for me and for

0:12:58.480 --> 0:13:02.560
<v Speaker 1>people who agree with or disagree in a respectful way,

0:13:02.880 --> 0:13:05.400
<v Speaker 1>not in a disrespectful way, because you could disagree, but

0:13:05.440 --> 0:13:08.080
<v Speaker 1>you don't got to be disrespectful. I think that that's

0:13:08.120 --> 0:13:12.160
<v Speaker 1>something that we've lost sight of, right, is that you

0:13:13.000 --> 0:13:16.040
<v Speaker 1>if you know, if you don't see eye to eye

0:13:16.040 --> 0:13:19.240
<v Speaker 1>with someone, I feel like in twenty twenty, is automatically

0:13:19.600 --> 0:13:24.720
<v Speaker 1>an enemy or really really contentious conversation. Like you could

0:13:24.720 --> 0:13:27.959
<v Speaker 1>be texting somebody and somebody will take you take it

0:13:28.280 --> 0:13:31.120
<v Speaker 1>totally the wrong way because they can't see a facial

0:13:31.200 --> 0:13:35.720
<v Speaker 1>expression or you know, they assume that you're getting at them,

0:13:35.840 --> 0:13:40.000
<v Speaker 1>you know what I'm saying, Even like, even like if

0:13:40.040 --> 0:13:43.600
<v Speaker 1>you have any sort like you know, I don't fuck

0:13:43.640 --> 0:13:46.920
<v Speaker 1>with Donald Trump, right, I don't. Yeah, yeah, right. I

0:13:47.840 --> 0:13:51.320
<v Speaker 1>voted for Joe Biden at the same time I have

0:13:51.440 --> 0:13:54.199
<v Speaker 1>my critiques of Joe Biden too. It's like you did

0:13:54.240 --> 0:13:56.160
<v Speaker 1>I see on your I saw, I saw some things

0:13:56.160 --> 0:13:58.880
<v Speaker 1>you've said. But what's crazy is you can't say those

0:13:58.920 --> 0:14:02.840
<v Speaker 1>things out loud without without people coming at you like

0:14:02.880 --> 0:14:06.040
<v Speaker 1>bro like yeah, Like It's it's almost like you can't

0:14:06.040 --> 0:14:13.640
<v Speaker 1>even critique people anymore. I don't care, yo, Yo. Let

0:14:13.679 --> 0:14:15.640
<v Speaker 1>me tell you something. In the beginning, I used to

0:14:15.720 --> 0:14:18.199
<v Speaker 1>be like, oh my god, oh my god, oh he

0:14:18.320 --> 0:14:21.560
<v Speaker 1>just called me this, He just disrespected me. But I

0:14:21.640 --> 0:14:23.680
<v Speaker 1>see what it is, man, I see these low lines. Man,

0:14:23.720 --> 0:14:27.040
<v Speaker 1>they just like to comment to get that that that,

0:14:27.440 --> 0:14:29.240
<v Speaker 1>you know, so they could go back and run back

0:14:29.240 --> 0:14:31.040
<v Speaker 1>and tell it for yo. I was arguing with people

0:14:31.040 --> 0:14:33.640
<v Speaker 1>like yo, yah da da da, and then he gets

0:14:33.680 --> 0:14:36.560
<v Speaker 1>some followers behind that. Yeah. It's almost like there's people

0:14:36.560 --> 0:14:42.480
<v Speaker 1>who wait around online all day to be offended. It's like,

0:14:42.600 --> 0:14:44.000
<v Speaker 1>what are you doing with your life? Were you're just

0:14:44.040 --> 0:14:46.680
<v Speaker 1>sitting on Twitter waiting and waiting to get offended. They

0:14:46.880 --> 0:14:49.040
<v Speaker 1>not doing nothing, you know what I'm saying. So that's

0:14:49.200 --> 0:14:51.560
<v Speaker 1>another thing that's in thought. You know, like all these

0:14:51.600 --> 0:14:55.600
<v Speaker 1>cats ain't nobody. They just home rubbing on their peas

0:14:56.120 --> 0:15:00.240
<v Speaker 1>right right right right right right here. Yeah, I saw, Hey,

0:15:00.680 --> 0:15:03.720
<v Speaker 1>give me your honest thoughts. I really enjoyed. I saw

0:15:03.760 --> 0:15:06.800
<v Speaker 1>you tweeting about the Tyson fight. I really enjoyed watching.

0:15:07.160 --> 0:15:10.640
<v Speaker 1>First of all, Mike looked nice. Yeah, he looks sharp.

0:15:11.080 --> 0:15:13.840
<v Speaker 1>Let me tell you, man, I look back on both

0:15:13.840 --> 0:15:16.640
<v Speaker 1>of them dudes careers, and I look at how they

0:15:17.200 --> 0:15:19.520
<v Speaker 1>used to just dance on people like Roy is the

0:15:19.560 --> 0:15:23.640
<v Speaker 1>best boxer dancer ever, you know, back in his heyday.

0:15:23.840 --> 0:15:28.480
<v Speaker 1>Of course, even them giving this us, you know, giving

0:15:28.560 --> 0:15:31.400
<v Speaker 1>us this fight. Now it's like it's well appreciated because

0:15:32.920 --> 0:15:35.120
<v Speaker 1>it's great entertainment for the times we're in. Man. We

0:15:35.160 --> 0:15:37.760
<v Speaker 1>need some type of picker upper, you know what I mean. Yeah,

0:15:37.800 --> 0:15:39.560
<v Speaker 1>I thought they did a great job. Whoever the Triller

0:15:39.640 --> 0:15:42.200
<v Speaker 1>people are they did? You know, even the Jake, the

0:15:42.320 --> 0:15:45.000
<v Speaker 1>Jake Paul shit, you know that was that was That

0:15:45.160 --> 0:15:48.240
<v Speaker 1>was crazy. That was crazy. And I mean I love

0:15:48.360 --> 0:15:50.440
<v Speaker 1>Nate Robinson, He's a nick you know what I'm saying.

0:15:50.640 --> 0:15:53.160
<v Speaker 1>But when you when you pop in that ship and

0:15:53.200 --> 0:15:56.240
<v Speaker 1>you ain't backing that ship up man, and you you

0:15:56.240 --> 0:15:59.840
<v Speaker 1>you really not going back that up, man, that's a

0:16:00.200 --> 0:16:04.640
<v Speaker 1>people disaster. We have a Did you pay attention to

0:16:04.640 --> 0:16:10.680
<v Speaker 1>the Grammy nominations? No? So the Best Rap Album category

0:16:10.760 --> 0:16:15.480
<v Speaker 1>this year was extremely It was some real hip hop

0:16:15.520 --> 0:16:20.640
<v Speaker 1>ship that got nominated. Yeah, something online I know. Freddy

0:16:20.640 --> 0:16:24.280
<v Speaker 1>Gibbs got nominated. Freddy Gibbs got nominated, Royce the five

0:16:24.440 --> 0:16:31.680
<v Speaker 1>nine got nominated. J J Electronica, uh NAS for King's

0:16:31.680 --> 0:16:34.880
<v Speaker 1>Disease and uh and this kid from LA named d Smoke.

0:16:35.760 --> 0:16:40.040
<v Speaker 1>I'm wondering. D Smoke is really dope, talented kid from

0:16:40.040 --> 0:16:42.280
<v Speaker 1>Englewood out here in LA. He's uh. He was on

0:16:42.280 --> 0:16:45.040
<v Speaker 1>that show Rhythm and Flow on Netflix, but really fucking

0:16:45.200 --> 0:16:48.840
<v Speaker 1>amazing artists. I'm wondering though, what was your favorite album

0:16:48.880 --> 0:16:53.800
<v Speaker 1>of the year of this year of this year. Oh,

0:16:53.840 --> 0:16:59.640
<v Speaker 1>it's so good. It's so good, yo. Tell me how

0:16:59.680 --> 0:17:03.800
<v Speaker 1>crazy see the Fhara con speeches on there and how

0:17:03.840 --> 0:17:07.600
<v Speaker 1>it leads into bus of spasm. Man, people are so

0:17:07.720 --> 0:17:09.920
<v Speaker 1>afraid of the truth, bro, you know what I'm saying.

0:17:10.280 --> 0:17:13.000
<v Speaker 1>And that's one thing I commend about bust the rhymes,

0:17:13.040 --> 0:17:15.359
<v Speaker 1>like you know, doing this album. You know what I'm saying,

0:17:15.359 --> 0:17:18.359
<v Speaker 1>because it's real times right now, and you you know,

0:17:18.800 --> 0:17:21.880
<v Speaker 1>to say to do something else other than something real,

0:17:23.400 --> 0:17:26.400
<v Speaker 1>you know, ain't the move. You know what I'm saying.

0:17:26.440 --> 0:17:31.760
<v Speaker 1>So ELI is the best album in twenty twenty. Yo,

0:17:32.000 --> 0:17:36.359
<v Speaker 1>It's crazy too, because it tells you how important it

0:17:36.440 --> 0:17:39.720
<v Speaker 1>is to make timeless music because a lot of this album,

0:17:40.000 --> 0:17:42.720
<v Speaker 1>some of these songs are ten years old, yeah, and

0:17:42.960 --> 0:17:48.199
<v Speaker 1>the fact that they still resonate right now, like and

0:17:48.240 --> 0:17:51.200
<v Speaker 1>then so you're a part of the intro talk about

0:17:51.200 --> 0:17:57.520
<v Speaker 1>how old that record is. Man, nineteen ninety two, and

0:17:58.240 --> 0:18:00.719
<v Speaker 1>you know it was you know the joint I did

0:18:00.800 --> 0:18:03.960
<v Speaker 1>for Nasen. He brought it back on some next you

0:18:04.040 --> 0:18:05.800
<v Speaker 1>got the I thought it was dope. He gave you

0:18:05.840 --> 0:18:09.560
<v Speaker 1>the feature like it's a feature in Pete Rock Love.

0:18:09.680 --> 0:18:13.720
<v Speaker 1>I love Buster Rhymes. We have a really good relationship

0:18:13.760 --> 0:18:17.880
<v Speaker 1>going back since nineteen ninety one. So that's my guy,

0:18:18.040 --> 0:18:22.879
<v Speaker 1>you know what I mean? And you know, shit, man, Look,

0:18:24.320 --> 0:18:26.480
<v Speaker 1>there was a lot of great music that came out,

0:18:26.600 --> 0:18:30.760
<v Speaker 1>you know what I'm saying. But the way some of

0:18:30.760 --> 0:18:33.159
<v Speaker 1>the music that you hear, there's no real structure on

0:18:33.200 --> 0:18:37.880
<v Speaker 1>the album. This bust. The album has structure. M it's

0:18:38.080 --> 0:18:41.200
<v Speaker 1>front to back, front to back, and you can tell

0:18:41.280 --> 0:18:44.240
<v Speaker 1>that Buster cares about his audience. You could tell that

0:18:44.320 --> 0:18:47.800
<v Speaker 1>he made this album for them, and you could tell

0:18:47.880 --> 0:18:52.240
<v Speaker 1>that he is a hip hopper in his heart. All

0:18:52.280 --> 0:18:55.359
<v Speaker 1>the way he took he took the time on this album,

0:18:55.480 --> 0:18:59.040
<v Speaker 1>and in an era where no one takes time on

0:18:59.080 --> 0:19:02.920
<v Speaker 1>their projects. Everybody's just rushing and throwing stuff out and

0:19:02.960 --> 0:19:05.760
<v Speaker 1>there's no rush to throw music out. I want you

0:19:05.800 --> 0:19:07.960
<v Speaker 1>to take me back to obviously you're a part of

0:19:08.040 --> 0:19:11.879
<v Speaker 1>my favorite album ever, Illmatic, which is probably if you

0:19:11.880 --> 0:19:15.639
<v Speaker 1>were to, you know, interview one hundred taste makers and

0:19:15.720 --> 0:19:18.080
<v Speaker 1>hip hop, it'd probably get the most first place votes.

0:19:18.800 --> 0:19:21.240
<v Speaker 1>You know what I'm saying. I think it's probably undisputedly

0:19:21.880 --> 0:19:26.639
<v Speaker 1>that's amount Rushmore album. Yes, when did you first meet Nas?

0:19:27.880 --> 0:19:33.320
<v Speaker 1>Nineteen ninety on ninety one when I was hanging around

0:19:33.359 --> 0:19:37.040
<v Speaker 1>with Large Professor and the Queens shout out to Large

0:19:37.080 --> 0:19:39.879
<v Speaker 1>Professor now that this was? Was this around the time

0:19:40.560 --> 0:19:42.560
<v Speaker 1>Live at the Barbecued release or was it before that?

0:19:44.000 --> 0:19:46.440
<v Speaker 1>It was it was around that this around that time?

0:19:47.400 --> 0:19:51.680
<v Speaker 1>And and did that before that? And when you're working

0:19:51.760 --> 0:19:55.080
<v Speaker 1>on Illmatic, when you're working on with Nas, are you

0:19:55.240 --> 0:19:58.280
<v Speaker 1>like aware at the moment? Because I feel like so

0:19:58.440 --> 0:20:00.840
<v Speaker 1>much we're we're living in the moment, so sometimes you

0:20:00.880 --> 0:20:03.080
<v Speaker 1>don't realize like the history were a part of or

0:20:03.800 --> 0:20:06.000
<v Speaker 1>or like like, were you like aware at the time?

0:20:06.000 --> 0:20:07.919
<v Speaker 1>Are you conscious of like, Yo, this ship is like

0:20:08.800 --> 0:20:12.159
<v Speaker 1>this is going to change hip hop. Well depending on

0:20:12.320 --> 0:20:15.359
<v Speaker 1>who got the beat, and anytime I'm working with him,

0:20:15.600 --> 0:20:20.360
<v Speaker 1>you know, something good is gonna happen. So that's basically

0:20:20.359 --> 0:20:24.360
<v Speaker 1>what that was. And when I when he heard the beat,

0:20:23.720 --> 0:20:27.719
<v Speaker 1>it triggered something in him and you know, he on

0:20:27.760 --> 0:20:29.280
<v Speaker 1>the spot. He came up with the hook and he

0:20:29.400 --> 0:20:31.760
<v Speaker 1>was like, Yo, I want you to I want you

0:20:31.800 --> 0:20:33.640
<v Speaker 1>to say this hook. I want you to sing this hook.

0:20:34.280 --> 0:20:36.119
<v Speaker 1>You know, did it. I ain't want to do it

0:20:36.160 --> 0:20:39.000
<v Speaker 1>at first, but I did it. I ended up doing it. Yeah,

0:20:39.000 --> 0:20:40.760
<v Speaker 1>it's crazy because I also feel like you don't get

0:20:40.960 --> 0:20:42.760
<v Speaker 1>you don't get enough. You don't get props as much

0:20:42.800 --> 0:20:45.600
<v Speaker 1>as you should as a also as a as a

0:20:45.600 --> 0:20:48.200
<v Speaker 1>as an artist, I mean as a producer. You know.

0:20:48.520 --> 0:20:50.960
<v Speaker 1>I just feel like as an artist as well, I

0:20:51.000 --> 0:20:55.119
<v Speaker 1>feel like you don't get the respect. Maybe I'm not

0:20:55.119 --> 0:20:57.879
<v Speaker 1>supposed to be getting all this respect and stuff from like,

0:20:58.000 --> 0:21:01.720
<v Speaker 1>I don't know, I don't care, bro, you know what

0:21:01.760 --> 0:21:04.359
<v Speaker 1>I'm saying, because you know what people are gonna be

0:21:04.400 --> 0:21:06.600
<v Speaker 1>who they are. It's all good man. You know, you

0:21:06.920 --> 0:21:10.480
<v Speaker 1>got people out here who are clueless on what Pete

0:21:10.560 --> 0:21:13.800
<v Speaker 1>Rock has done. You know how important he is. All

0:21:13.840 --> 0:21:16.400
<v Speaker 1>that you know what I'm saying. And then you got

0:21:16.400 --> 0:21:19.600
<v Speaker 1>people that show love. You got people that's like, yo,

0:21:19.880 --> 0:21:22.440
<v Speaker 1>you are that nigga? Still you know what I'm saying.

0:21:22.760 --> 0:21:26.080
<v Speaker 1>And hey, man, you know it is what it is.

0:21:26.119 --> 0:21:28.080
<v Speaker 1>You know what I'm saying. I'm not I'm not mad

0:21:28.080 --> 0:21:32.040
<v Speaker 1>at nobody. You know. There's so many dope people that producers,

0:21:32.520 --> 0:21:35.399
<v Speaker 1>rappers that I want to work with. Still, you know

0:21:35.359 --> 0:21:38.280
<v Speaker 1>what I mean? Yeah, I would love to hear the

0:21:38.520 --> 0:21:41.159
<v Speaker 1>Freddy Gibbs for me, would be would be would be

0:21:41.160 --> 0:21:45.000
<v Speaker 1>special and listen, I would put my foot in that

0:21:45.080 --> 0:21:48.360
<v Speaker 1>one and the and a ghost Face A ghost Face

0:21:48.400 --> 0:21:51.880
<v Speaker 1>project would be fucking insane to that that put two

0:21:51.880 --> 0:21:55.240
<v Speaker 1>feet in that. I feel like you've you've definitely probably

0:21:55.280 --> 0:21:59.560
<v Speaker 1>answered who are your favorite producers of all time? I

0:21:59.560 --> 0:22:03.440
<v Speaker 1>want to know who do you think is the most

0:22:03.480 --> 0:22:07.560
<v Speaker 1>slept on? Two or three producers? Ever? Two or three

0:22:07.600 --> 0:22:09.960
<v Speaker 1>producers you mean, like two or three producers that that

0:22:10.080 --> 0:22:12.920
<v Speaker 1>you think deserve to be in more conversations, because I

0:22:12.960 --> 0:22:14.919
<v Speaker 1>do think there are a lot that are you know,

0:22:14.920 --> 0:22:16.680
<v Speaker 1>I think large professors one of them. I think there's

0:22:16.680 --> 0:22:18.239
<v Speaker 1>a lot. But like, who do you got in that

0:22:18.320 --> 0:22:22.119
<v Speaker 1>in that? In that list? Black milk, Black milk is

0:22:22.119 --> 0:22:25.879
<v Speaker 1>so cold. Black milk needs more props. You know what

0:22:25.920 --> 0:22:28.440
<v Speaker 1>I'm saying. He's dope. You know what I'm saying. So dope.

0:22:29.040 --> 0:22:31.760
<v Speaker 1>And I don't know if people up on vitamin D,

0:22:32.040 --> 0:22:36.000
<v Speaker 1>but he dope too. Oh my goodness, he's a He's

0:22:36.040 --> 0:22:41.760
<v Speaker 1>one of my new favorite dudes. Yeah right, Yeah, Darrenger's dope.

0:22:41.880 --> 0:22:45.000
<v Speaker 1>The Griselda guy, he's he's great. I think, like, yeah,

0:22:45.080 --> 0:22:46.919
<v Speaker 1>d gets it in. You know what I'm saying. But

0:22:47.040 --> 0:22:49.639
<v Speaker 1>I was an Alchemist fan. You know what I'm saying.

0:22:50.040 --> 0:22:56.239
<v Speaker 1>Of course alc Man, Yeah, yep, Alchemists and you know

0:22:56.520 --> 0:22:59.359
<v Speaker 1>everyone else. I'm a fan of all producers. It's not

0:22:59.400 --> 0:23:03.000
<v Speaker 1>a fan like Ninth one. Everybody. I like everyone. You

0:23:03.040 --> 0:23:06.720
<v Speaker 1>know what I'm saying, is there. I'm gonna say Dila

0:23:07.200 --> 0:23:12.040
<v Speaker 1>and mad Lib on my two favorites. Yo, How crazy

0:23:12.200 --> 0:23:18.240
<v Speaker 1>were both of those mad Lit projects with Fred? Wow? Stupidity?

0:23:18.320 --> 0:23:22.880
<v Speaker 1>Come on, man be having joints man beat. I heard.

0:23:22.920 --> 0:23:25.359
<v Speaker 1>I heard he made a lot of bandana on an iPad,

0:23:26.400 --> 0:23:31.080
<v Speaker 1>which is crazy. He's played me so many joints and

0:23:31.119 --> 0:23:33.760
<v Speaker 1>sent me so much stuff. We talk almost every other day.

0:23:34.520 --> 0:23:36.200
<v Speaker 1>And then you know, when I tell people that they're

0:23:36.200 --> 0:23:37.879
<v Speaker 1>like I can't get him on the phone for nothing,

0:23:38.280 --> 0:23:44.159
<v Speaker 1>I can't find him. That's all right, Yo, do you

0:23:44.359 --> 0:23:47.920
<v Speaker 1>like shout out to mad Lib? But do you think,

0:23:51.680 --> 0:23:54.440
<v Speaker 1>like how often do you cause you know, I always

0:23:54.480 --> 0:23:57.160
<v Speaker 1>I heard this story that Kanye once snatched drums from

0:23:57.200 --> 0:24:01.000
<v Speaker 1>Doctor Dre back in the day, he probably did. How

0:24:01.040 --> 0:24:06.479
<v Speaker 1>often do you like as producers share like sounds or like,

0:24:06.920 --> 0:24:09.040
<v Speaker 1>have you ever hit somebody up? Like, Yo, where'd you

0:24:09.080 --> 0:24:14.879
<v Speaker 1>get those drums? No? Not not Pete Rock. I find

0:24:14.880 --> 0:24:17.399
<v Speaker 1>my own kicks and snares. Man, I got. I'm a

0:24:17.480 --> 0:24:19.600
<v Speaker 1>dig I'm a heavy digger man. That's all we do.

0:24:19.640 --> 0:24:21.400
<v Speaker 1>When as soon as we put the needle down where

0:24:21.680 --> 0:24:24.600
<v Speaker 1>we don't you know, we're looking for samples. But sometimes

0:24:24.640 --> 0:24:26.719
<v Speaker 1>when we put the needle down, you hear a popping

0:24:26.800 --> 0:24:29.840
<v Speaker 1>ass snare bop, you know what I'm saying, or I

0:24:29.960 --> 0:24:35.280
<v Speaker 1>had or you know, right, make snares some scratch, homie.

0:24:36.359 --> 0:24:39.760
<v Speaker 1>Let me ask you this because in twenty twenty, how

0:24:39.800 --> 0:24:42.080
<v Speaker 1>are like, like, what what do you use to make beats?

0:24:42.200 --> 0:24:45.280
<v Speaker 1>Are you using like like this? Because obviously times have changed,

0:24:45.320 --> 0:24:47.639
<v Speaker 1>technologies change. Back in the day, we used to carry

0:24:47.640 --> 0:24:50.160
<v Speaker 1>records when we were DJ. Now we don't need records.

0:24:50.480 --> 0:24:53.400
<v Speaker 1>How are you still using your old school equipment? Are

0:24:53.400 --> 0:24:55.240
<v Speaker 1>you on like reason pro tools? Like what are you

0:24:55.320 --> 0:25:00.040
<v Speaker 1>using or vinyl forever? I'm not a digital motherfucker. You

0:25:00.040 --> 0:25:03.119
<v Speaker 1>know what I'm saying. You ain't digital at all? You haven't.

0:25:03.359 --> 0:25:06.080
<v Speaker 1>You have a compromise on that. Do the digital work,

0:25:06.119 --> 0:25:09.240
<v Speaker 1>don't get it fucked up? Right? I do that shit.

0:25:09.520 --> 0:25:12.320
<v Speaker 1>But I'm when I'm home, man, it's it's viinal man.

0:25:12.440 --> 0:25:15.880
<v Speaker 1>And even like certain forty five parties, I may pop

0:25:16.000 --> 0:25:19.320
<v Speaker 1>up and do I'm bringing a little box out of vinyl.

0:25:21.240 --> 0:25:26.600
<v Speaker 1>Damn the forty fives. It's a beautiful thing. Man. Are

0:25:26.640 --> 0:25:28.480
<v Speaker 1>you do you have anything else that you have in

0:25:28.520 --> 0:25:30.480
<v Speaker 1>the can right now, Pete, that you're working on outside

0:25:30.480 --> 0:25:33.680
<v Speaker 1>of this instrumental project is about to drop. Yes, a

0:25:33.680 --> 0:25:36.040
<v Speaker 1>whole bunch of stuff, A whole twenty twenty one is

0:25:36.040 --> 0:25:38.399
<v Speaker 1>gonna be an awesome you know. Can you kind of

0:25:38.440 --> 0:25:43.919
<v Speaker 1>give us any sort of hints? I got my band,

0:25:44.040 --> 0:25:47.879
<v Speaker 1>Pete Rock and the Soul Brothers album we're working on

0:25:48.400 --> 0:25:52.320
<v Speaker 1>right not the Peastrumentals three. They're they're they're featured on that.

0:25:52.640 --> 0:25:56.600
<v Speaker 1>On every beat they're playing over every joint that you hear.

0:25:56.920 --> 0:26:00.679
<v Speaker 1>Right then, we drop an album, right and then my

0:26:00.760 --> 0:26:04.960
<v Speaker 1>man the Mayor comes the rapper the MC, and we

0:26:05.080 --> 0:26:07.959
<v Speaker 1>got a mixtape coming out called Worth Its Weight and

0:26:08.080 --> 0:26:13.280
<v Speaker 1>Soul where I just just taking anything Rick James outstanding

0:26:13.400 --> 0:26:16.840
<v Speaker 1>and fat back then and in certain you know, obscure

0:26:16.880 --> 0:26:19.680
<v Speaker 1>beats and mixing it all together and you know, give

0:26:19.760 --> 0:26:23.399
<v Speaker 1>people a feel of who this guy is. And you know,

0:26:23.480 --> 0:26:25.159
<v Speaker 1>it's just one of those things that you could just

0:26:25.440 --> 0:26:27.639
<v Speaker 1>it's a mixtape, it's free and you could just like

0:26:27.760 --> 0:26:30.800
<v Speaker 1>kind of jam to it and lyrically do this dope.

0:26:32.240 --> 0:26:35.560
<v Speaker 1>How what is your temperature on hip hop currently? I

0:26:35.560 --> 0:26:37.199
<v Speaker 1>feel like it's been in a dark place and I

0:26:37.200 --> 0:26:39.200
<v Speaker 1>feel like things are starting to turn around a little.

0:26:39.440 --> 0:26:42.120
<v Speaker 1>It's starting to turn around. So my temperatures right now,

0:26:42.600 --> 0:26:48.480
<v Speaker 1>it's sixty five degrees. Okay, you're not freezing. No, I'm

0:26:48.480 --> 0:26:50.520
<v Speaker 1>not freezing, but I'm in the middle somewhere, you know

0:26:50.560 --> 0:26:52.520
<v Speaker 1>what I'm saying, And I'm trying to get to the heat.

0:26:52.800 --> 0:26:54.520
<v Speaker 1>A couple of years ago, you might have been freezing.

0:26:54.560 --> 0:26:56.760
<v Speaker 1>A couple of years ago, I was. I was in

0:26:56.800 --> 0:27:02.080
<v Speaker 1>an igloo. Shit was rough, ship was rough, I was

0:27:02.440 --> 0:27:04.760
<v Speaker 1>angry and upset. You know what I'm saying. You know,

0:27:04.800 --> 0:27:09.080
<v Speaker 1>because I can't stand whack beats and lyrics. I can't. Yeah,

0:27:09.119 --> 0:27:12.520
<v Speaker 1>it's it's like some some some somewhere down the line,

0:27:12.640 --> 0:27:17.320
<v Speaker 1>this this like idea of like super overmodulated just very

0:27:17.480 --> 0:27:19.439
<v Speaker 1>just just just a lot of this ship that was

0:27:19.440 --> 0:27:23.040
<v Speaker 1>coming out just sounded like noise bro exactly, man. And

0:27:23.080 --> 0:27:26.040
<v Speaker 1>it was just like, I know, I was angry in

0:27:26.080 --> 0:27:28.680
<v Speaker 1>the beginning because it was going over my head like damn,

0:27:28.760 --> 0:27:32.360
<v Speaker 1>these guys ain't learned. Maybe we got to reteach them. Mmmm.

0:27:34.880 --> 0:27:36.399
<v Speaker 1>And then I snapped out of it, you know what

0:27:36.400 --> 0:27:39.760
<v Speaker 1>I'm saying, and was like, all right, you know, let

0:27:39.760 --> 0:27:42.320
<v Speaker 1>me just put some music out and see who bites.

0:27:43.080 --> 0:27:46.240
<v Speaker 1>That's fair. Hey, when you worked with with ya on

0:27:46.320 --> 0:27:48.440
<v Speaker 1>the Joy were you were you in? Was that when

0:27:48.440 --> 0:27:50.640
<v Speaker 1>you did you go to Hawaii for that? Yes? I did?

0:27:51.480 --> 0:27:53.679
<v Speaker 1>What was that? What was that? What was that trip? Like?

0:27:53.680 --> 0:27:55.280
<v Speaker 1>What was it like being out there working on history?

0:27:55.280 --> 0:27:58.040
<v Speaker 1>Because obviously that ended up on Watched the Throne? But

0:27:59.400 --> 0:28:01.400
<v Speaker 1>you know that was my beautiful dark twits, the fantasy

0:28:01.640 --> 0:28:06.040
<v Speaker 1>you know sessions yep, yep, yep. And it was great.

0:28:06.600 --> 0:28:09.520
<v Speaker 1>I mean, ship, that dude is living like a prince,

0:28:10.320 --> 0:28:13.320
<v Speaker 1>you know, at least on the Hawaii side. I've been

0:28:13.359 --> 0:28:16.920
<v Speaker 1>to his malleible, but that was that No, no, no,

0:28:16.920 --> 0:28:21.680
<v Speaker 1>that was Russell the comedian. I went to hang yes

0:28:22.080 --> 0:28:25.200
<v Speaker 1>in Malibu and he told me who lives around him

0:28:25.240 --> 0:28:27.200
<v Speaker 1>and near him? And I think jay Z lived down

0:28:27.200 --> 0:28:30.400
<v Speaker 1>the street and Kanye lived over there and so so.

0:28:30.440 --> 0:28:33.719
<v Speaker 1>But anyway, we was in Hawaii and had a huge

0:28:36.000 --> 0:28:38.200
<v Speaker 1>you know, it was it was great. I had I

0:28:38.280 --> 0:28:41.280
<v Speaker 1>had fun. Yeah, it was crazy because at that time,

0:28:41.480 --> 0:28:44.240
<v Speaker 1>he brought Riza into the fold. He brought you into

0:28:44.280 --> 0:28:48.320
<v Speaker 1>the fold, and it was like finally, like this, this

0:28:48.360 --> 0:28:50.160
<v Speaker 1>is the people we want to see Kanye work with.

0:28:50.200 --> 0:28:52.400
<v Speaker 1>These are the people who inspired him. Like I laid

0:28:52.440 --> 0:28:55.600
<v Speaker 1>I laid eight beats. I laid eight of my own beats,

0:28:55.720 --> 0:28:58.280
<v Speaker 1>you know what I'm saying. And and it just we

0:28:58.440 --> 0:29:02.040
<v Speaker 1>narrowed it down to one, right, you know what I'm saying.

0:29:02.360 --> 0:29:05.640
<v Speaker 1>That's crazy. Yes, but I mean, you know, I had

0:29:05.680 --> 0:29:08.160
<v Speaker 1>so much fun. I met that was my first time

0:29:08.240 --> 0:29:11.680
<v Speaker 1>meeting Rick Rose, Rick, I mean Rose, you know what

0:29:11.680 --> 0:29:19.160
<v Speaker 1>I'm saying. I met Kick Cuddy that day. Yeah. I

0:29:19.240 --> 0:29:24.959
<v Speaker 1>met John Legend and his wife that day. Wow. Yeah.

0:29:25.120 --> 0:29:27.480
<v Speaker 1>And while we were working all day and then Kanye

0:29:27.600 --> 0:29:31.560
<v Speaker 1>had these little pieces of paper up all over the

0:29:31.600 --> 0:29:37.240
<v Speaker 1>studio saying no Twitter, no Twitter. Yeah, that tells you

0:29:37.280 --> 0:29:39.000
<v Speaker 1>how how long ago it was, because now would be

0:29:39.040 --> 0:29:42.280
<v Speaker 1>no Instagram. Yeah. I remember he did something like that

0:29:42.320 --> 0:29:45.800
<v Speaker 1>online where he talked about you know, and then when

0:29:45.840 --> 0:29:47.640
<v Speaker 1>I went over there and it was in the studio,

0:29:48.040 --> 0:29:51.720
<v Speaker 1>you know, he had it all over the studio. Were

0:29:51.040 --> 0:29:54.680
<v Speaker 1>you were you there to witness Rick Ross laying down

0:29:54.760 --> 0:29:57.400
<v Speaker 1>his verse for Devil in a new dress? No, I didn't.

0:29:57.560 --> 0:29:59.479
<v Speaker 1>I didn't see that go down because that that's one

0:29:59.480 --> 0:30:02.800
<v Speaker 1>of my favorite versus. But look, uh, the project comes

0:30:02.800 --> 0:30:07.720
<v Speaker 1>out next Friday or tomorrow or tonight eleven, December eleven,

0:30:07.760 --> 0:30:13.280
<v Speaker 1>so next Friday, yes, the volume three mm hmm and

0:30:13.320 --> 0:30:17.280
<v Speaker 1>then and then twenty twenty one, so much more coming

0:30:17.880 --> 0:30:23.960
<v Speaker 1>what I can't wait to start. And there it is, Hey, hey, hey,

0:30:24.000 --> 0:30:26.320
<v Speaker 1>and and uh shout out your artist amir, like how

0:30:26.320 --> 0:30:27.680
<v Speaker 1>can we find him online? And all that just we

0:30:27.680 --> 0:30:31.280
<v Speaker 1>could tap in with him. He goes by a m

0:30:31.600 --> 0:30:36.280
<v Speaker 1>x x R for showing on Instagram with you know,

0:30:36.360 --> 0:30:39.520
<v Speaker 1>periods between each syllable. All right, my g will Look,

0:30:39.600 --> 0:30:42.400
<v Speaker 1>I appreciate your time and and and thank you for

0:30:42.520 --> 0:30:46.800
<v Speaker 1>charging your phone up. Yeah, and you also you know,

0:30:46.880 --> 0:30:48.360
<v Speaker 1>go on my page if you want to hear like

0:30:48.360 --> 0:30:52.240
<v Speaker 1>two clips of the mixtape. You'll see you'll see the

0:30:52.240 --> 0:30:55.000
<v Speaker 1>cover with me and him on there. Are you gonna

0:30:55.000 --> 0:30:58.600
<v Speaker 1>be doing a vinyl pressing it all? Yes, yep, boom

0:30:58.760 --> 0:31:01.320
<v Speaker 1>go support man, have fun with it. You know what

0:31:01.360 --> 0:31:04.000
<v Speaker 1>I'm saying. You got to peep rock. Thank you for

0:31:04.040 --> 0:31:07.120
<v Speaker 1>your time, bro, God bless you kids. Yes, sir, all right,