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Speaker 1: And I'm like, nah, nah, nah, she ain't dancing to

2
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Speaker 1: it yet, she ain't dancing to it. Ain't. Finally threw

3
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Speaker 1: the drums where I saw her by the speaker, you know,

4
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Speaker 1: doing this, and I was like, that's it. That's when

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Speaker 1: I knew the whole sound was changing. I said, Yo,

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Speaker 1: they got the whole country in the choco. Yo. What

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Speaker 1: up y'artist? Your boy? Yo, crap, your boy Jada kiss?

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Speaker 2: You know what?

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Speaker 1: This is the Joe and Jaden Show. Don't get it

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Speaker 1: fucked up. Let me tell you something. They want you

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Speaker 1: to do good. Kiss, They just don't want you to

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Speaker 1: live next to him.

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Speaker 2: Won't let that go over your heads, ladies and gentlemen.

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Speaker 1: So your friends they might want you to do good,

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Speaker 1: they don't want you to live next to them. So

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Speaker 1: if they make a hundred dollars, they want you to

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Speaker 1: make ninety. They never want you to make a hundred ten.

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Speaker 1: I never gave a fuck like with me, realistically, I

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Speaker 1: guess hip hop was competition. But to me, like, you know,

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Speaker 1: somebody came in the game raw, So anybody came in

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Speaker 1: the game, I showed them love like unconditional, like I

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Speaker 1: never really like looked at nobody like, oh, they the

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Speaker 1: competition on that level or nothing like that.

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Speaker 2: If you get a billion dollars, if you get a

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Speaker 2: billion sales, if you get it a heavy feed. But

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Speaker 2: with this particular game and this particular time, alle oops

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Speaker 2: ain't ain't something that you're not throwing. Alley oops is

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Speaker 2: not favors are not easy to come by in And

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Speaker 2: it's not even that this game is really fucked up

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Speaker 2: because you might do you might show up every time

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Speaker 2: they call you, and the reciprocation, ain't it?

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Speaker 1: I mean you agree, Yeah, well, I realized because you

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Speaker 1: get high and most of the times I have a

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Speaker 1: children that you was at a show or something like that.

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Speaker 1: I didn't realize how professional you are. Like me and you,

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Speaker 1: we race each other every day to see who's the

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Speaker 1: first one here. So you can't but judge your book

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Speaker 1: by its cover. But yeah, you're correct, you know, unfortunate.

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Speaker 1: I wouldn't say crabs in a barrel because it's on

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Speaker 1: another level, but it's it's a scenario where you know

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Speaker 1: you're trying to come in the game and then some

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Speaker 1: guys got their eyes on you and they just like, yo,

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Speaker 1: these guys are running too fast. Because you think about

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Speaker 1: the podcast has been on for what two months? And

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Speaker 1: we don't be viral how many times? And we done

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Speaker 1: have so much Royalty sit on this couch in the

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Speaker 1: first two months. Is fucking Royalty? Now he is shanty

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Speaker 1: fucking Jermaine Dupre. You know all the guests we done

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Speaker 1: had already, it's been Royalty's sitting on this couch. Nobody

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Speaker 1: else come out like that.

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Speaker 2: That's a fact. It was pretty much to say they

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Speaker 2: fucking hate.

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Speaker 1: Yeah, they hate, but check this shit out. There's not

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Speaker 1: much they could do because the people see, there's no

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Speaker 1: power like people power. My mentor JAYL. Riding Good, taught

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Speaker 1: me that. He said, there's no once you got the

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Speaker 1: people with you, there's nothing you could do, whether they

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Speaker 1: for you against you. I learned some new shit. You

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Speaker 1: know how Jimmy went on tour after after doing this show.

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Speaker 1: He's on tour. By the way, I've seen that Nigga

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Speaker 1: on Channel seven or something the other day. Yo, he's

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Speaker 1: on tour. Off with Yo, I'm not I'm y'all. He's

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Speaker 1: on like I would think Jimmy's putting out a book

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Speaker 1: of some ship. He's sitting on couches. He never sat

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Speaker 1: on talking about that ship. But I'm saying, oh my

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Speaker 1: forgot what I was saying. But the point is, no,

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Speaker 1: keep it real Alzheimer's. That's that ainc smacking me on

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Speaker 1: the back of my knee, killing my man crack with

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Speaker 1: the y'all rabbits. They got that ship on chill. They

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Speaker 1: got the jail ac in there. Like the sense you

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Speaker 1: booking with the you gotta put the fucking cardboard over

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Speaker 1: the fucking thing because this ship is rock Nation. Definitely

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Speaker 1: pay the ac bill. Yeah, they like it cool. That's

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Speaker 1: another thing. Shout out to jay Z with the casino.

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Speaker 1: You know, you got Knives going for casino in Brooklyn

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Speaker 1: and you got jay Z going for casino and tom Square.

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Speaker 2: That's fine.

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Speaker 1: You know what I'm saying, Asenel Green, I think Tomes

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Speaker 1: Square need a casino. You know, you know they worried

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Speaker 1: about the plays. So the only people who are opposed

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Speaker 1: to the casino on Tomes Square is obviously the people

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Speaker 1: who've been kicking for a hundred years on the on

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Speaker 1: the plays, so they hate competition coming. I don't think

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Speaker 1: it's competition. I think you add five thousand more jobs,

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Speaker 1: opportunity people come to the you know, if it's Jay Z.

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Speaker 1: It's going to be some SuperFlash, you know what I'm saying.

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Speaker 1: It's in New York City. Were at the age where

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Speaker 1: we're all trying to get a casino, So salute to

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Speaker 1: the legendary leigiens. You know. I was thinking of JD

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Speaker 1: and the building and all that, and I said, we

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Speaker 1: should just go into a whole influence of South hip

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Speaker 1: hop in the nineties.

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Speaker 2: We're talking about the rise of Southern hip hop in

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Speaker 2: the nineties.

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Speaker 1: Who are some of the crews that are most influential

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Speaker 1: at LAEL the most impact, No Limit, Cash Money.

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Speaker 2: Suave House, Rap a Lot so So Death, Slipping, Slide

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Speaker 2: the face. What would you say? I say all of them.

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Speaker 1: Shit, I say all of them too. But from a

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Speaker 1: historical standpoint, don't kill me, but I believe Suave House

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Speaker 1: and Tony Draper were the first to open that door.

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Speaker 1: Were independent. And the thing about uh South Rap a

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Speaker 1: Lot that was independent.

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Speaker 2: You know.

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Speaker 1: I think about the way Luke had that ship on

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Speaker 1: tilting Miami. You know, Uncle Luke, that's better. That's before

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Speaker 1: Slipper slotes you reach Congress. No, he reached Congress, So Luke,

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Speaker 1: I mean, so many contributions to the hip hop game

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Speaker 1: in the South. Now when Jermaine the previously, I didn't

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Speaker 1: want to argue with him right because he was royalty.

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Speaker 1: But I felt like the South keep it together more

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Speaker 1: than New York. I think New York. When I think

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Speaker 1: the New York kind of fell apart was when everybody

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Speaker 1: started getting money, and everybody started saying, this is my crew,

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Speaker 1: this is my crew, We're getting the most money. We

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Speaker 1: this because you know, when the time I came out,

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Speaker 1: it was I would show up at everybody's video, everybody

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Speaker 1: show up at my video. We all supported each other.

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Speaker 1: I think once the money came and play and ego

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Speaker 1: and pride. You know they say that pride and ego

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Speaker 1: comes in before every downfall.

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Speaker 2: That's a fact.

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Speaker 1: And so you know, the South, they started doing records

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Speaker 1: with each other. Even when I moved down to Miami,

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Speaker 1: Pitt Bulls in one studio, Wayne's in one studio, Ross's

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Speaker 1: one studio, Scott storch Is in one studio, Calliti and

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Speaker 1: once and everybody was just walking in each other's sessions,

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Speaker 1: just doing songs with each other. And we missed that

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Speaker 1: in New York. I think the South you used to

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Speaker 1: have it like it used to be like that and

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Speaker 1: then heybody got a couple of dollars. Who you think

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Speaker 1: is the most legendary record label in southern Hippo.

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Speaker 2: Said, you said, you said, schwab House. Definitely rap it

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Speaker 2: a lot slipping slap I was doing anything, but I

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Speaker 2: would say it would have to be uh, no limit

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Speaker 2: in cash money. To me, it was all tall whole run. Yeah,

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Speaker 2: we was on the rough ride of cash Money Tour.

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Speaker 1: What was that like?

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Speaker 2: It was like the best of both worlds, you know,

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Speaker 2: like up top in New Orleans and we was bringing

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Speaker 2: that new He was bringing that East Coast New York flavor,

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Speaker 2: and they was bringing that New Orleans baby heard and

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Speaker 2: it was a perfect It was a perfect match. They

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Speaker 2: had mad tall buses. They bought the whole family where

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Speaker 2: my aunt I ain't sure Rest in Peace. Ms. Gladys

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Speaker 2: might have been there.

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Speaker 1: They was pulling up.

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Speaker 2: They had the whole family, dogs, babies, grandma's aunties, They

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Speaker 2: had everybody on one tour. They came crazy, They came crazy.

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Speaker 2: Shut out the Birdman. Yeah, they did shout out the Birdman.

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Speaker 2: What's South bird Man? You know, Lil Wayne, I'm.

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Speaker 1: Gonna skip all the way to like Carter three and

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Speaker 1: Lil Wayne was like the first because you know he

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Speaker 1: was a South rapper, but the way he was rapping

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Speaker 1: off of these soul beats and he was spitting, but

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Speaker 1: he was spitting with it. You know. Me, you whether

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Speaker 1: we like that? Admitted even fifty said, whoever we got

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Speaker 1: a New York flown New York cadence. He was like doing.

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Speaker 1: He was just bouncing all over these beats like I

160
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Speaker 1: had never heard nobody bounce over them and saying some shit.

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Speaker 1: You know his he was barred up.

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Speaker 2: Yeah, we know he can't. We's He is one of

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Speaker 2: the people that with then the test of time, coming

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Speaker 2: in the game as a kid and then turning into

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Speaker 2: a man and fucking creating his own uproar. You know

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Speaker 2: what I'm saying, starting with the hot boys doing all that,

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Speaker 2: being the little one, and then he put the whole

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Speaker 2: ship on his back at the while lane blink every

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Speaker 2: time me got welcome home and.

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Speaker 1: Beg juve juvy all those guys, master Man master p

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Speaker 1: to me showed that by how to get money. He

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Speaker 1: fucking bombarded at the game.

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Speaker 2: He was dropping. They had them colorful album covers with

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Speaker 2: the gold Ship on it, with the dropping at every

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Speaker 2: six Silk, the Shock and See Murdered, the rap game

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Speaker 2: like the Carter, and he had something dropping every month.

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Speaker 1: He figured it out. It was like that was his

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Speaker 1: content at the time. So he was like, anything I

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Speaker 1: throw out there, Michelle, I just bring it to the pal.

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Speaker 1: You know. That's almost like how I do my accountant,

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Speaker 1: whether I'm you know, making money doing the podcast or

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Speaker 1: a show or this or that. At the end of

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Speaker 1: the month, I bring it all together and be like,

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Speaker 1: all right, we did well. So that's how he was

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Speaker 1: moving on with the music and then why he had

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Speaker 1: a legendary run where he Snoop Dogg was going through

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Speaker 1: a ship. He brought him down there through stupid life

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Speaker 1: preserve through Snooper. I feel like Snoop is very loyal

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Speaker 1: to him and realized that that was a major time

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Speaker 1: in his life, you know, where he needed help and

191
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Speaker 1: master p through him that life preserver.

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Speaker 2: What artists from the South had the most influence on

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Speaker 2: New York hit? Wod you say?

194
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Speaker 1: I say, we listen to the question carefully.

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Speaker 2: What artists from the South had the most influence on

196
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Speaker 2: New York hip? Not even sure? So that mean their influence.

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Speaker 1: If you ask whole and you asks a bunch of rappers.

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Speaker 1: They might just say scarfings, you know you got it,

199
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Speaker 1: throw you got it for that? I mean, of course,

200
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Speaker 1: but I'm just saying, you asking me. It's a toss

201
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Speaker 1: up between uh, Scarface and Lil Wayne to have the

202
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Speaker 1: most influence and impact on New York artists. Now, if

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Speaker 1: you talk about.

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Speaker 2: No, no, no no, this is great, I think it's

205
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Speaker 2: more though it's Scarface, it's Weezy's Gezy. Oh Jesus T.

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Speaker 1: I yes, you know, I got a story with t.

207
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Speaker 1: I you know what I'm saying. You know, I would

208
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Speaker 1: signed the Atlantic Records and I sold two million records,

209
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Speaker 1: and they had this poster of me. Ship was like

210
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Speaker 1: six floors high when you walk in the lobby.

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Speaker 2: This ship was the.

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Speaker 1: Whole ship was me in the orange leather shirt, medallion

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Speaker 1: with it. With that, I got to bring the lion out.

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Speaker 1: I ain't never bring out the lion to this show yet.

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Speaker 1: So I got the lion with the big brick in

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00:12:58,520 --> 00:13:00,680
Speaker 1: this month, we got the big diamond in his mouth.

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Speaker 1: So they had this shit in the poster for I

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Speaker 1: think like two three years. One day I walked into

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Speaker 1: a meeting with Atlantic and the ship had a poster

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Speaker 1: of t I the Big Ship, and I went upstairs

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Speaker 1: and they start talking to me, like, yo, your last

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Speaker 1: album sold half a million. This new guy t I

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Speaker 1: is selling two million. This this yo. This ship was

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Speaker 1: the craziest ship in the world. And that's around the

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Speaker 1: time I had to leave Atlantic, where I was like, yo,

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Speaker 1: A right, y'all, don't believe in me. I gotta go

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Speaker 1: and I went independent. But I mean that ship was crazy.

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Speaker 1: But I always had love for t I. T I

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Speaker 1: is very influential in New York and jeez, you know,

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Speaker 1: what could you say about jez jez uh who started

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Speaker 1: trap music? Was it t I?

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Speaker 2: Was it g Z get me the line? I don't know.

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Speaker 1: I mean I had the trap, yeah, and he had

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Speaker 1: he had the Albump music. You gotta trap museum in Atlanta.

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Speaker 1: Seea has an actual trap museum where you see him

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Speaker 1: sneaking out the refrigerator, goes into another room. They like

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Speaker 1: they they rebuilt a trap and the most legendary you know,

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Speaker 1: as years went on.

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Speaker 2: Gucci Man was very Influenti's that dude, man. You know

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Speaker 2: that he put a lot of He did a lot

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Speaker 2: for hip hop, He did a lot for land.

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Speaker 1: You know, but I gotta go back, right, because I

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Speaker 1: gotta go back. So the question is who influenced New York? Now,

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Speaker 1: who influenced the world, And mostly the South because I'm

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Speaker 1: in the South. So I'm mostly in Miami, part time

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Speaker 1: New York for the last twenty something years. So I'm

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Speaker 1: stuck in the studio with a million Miami heat fans.

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Speaker 1: I mean, like, this shit is crazy. And the way

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Speaker 1: they talk about Andre three thousand, well, I don't think

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Speaker 1: no New Yorker one of the Kings. Yeah, but I

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Speaker 1: don't think no New York kidding me. I know, But

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Speaker 1: do they understand what three Stacks means to the South?

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Speaker 1: The Big Boy too, hell Cash as.

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Speaker 2: A group and as individual they them dudes. They know

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Speaker 2: if you don't you shouldn't listen. Is something else?

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Speaker 1: Smooth Jazz, I never forget. I was in walk Disney

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Speaker 1: one day. I was taking my daughter and randomly, uh,

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Speaker 1: three Shacks just walked by. He had to fuck it,

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Speaker 1: what's this ship like the Oscar suit? Oh he had

260
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Speaker 1: to jump on. You had a ship roll now that

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Speaker 1: everybody rocketed, but he had the ship rolled up with

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Speaker 1: I was like, yo, did I just run into three

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Speaker 1: Stacks walking by? Himself and walk Disney.

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Speaker 2: Man.

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Speaker 1: Yo, the man was walking by himself and walk Disney

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Speaker 1: with his ship rolled up. I was like, Yo, that's

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Speaker 1: fucking three stacks. Might you liable to see three stacks?

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Speaker 2: Anyway? Walk in the middle of Brooklyn. Now it's demographics

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Speaker 2: that's very hot right now. Texas, Houston, I mean Texas

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Speaker 2: as a whole New Orleans very hot.

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Speaker 1: Now I look at Texas by itself, Texas.

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Speaker 2: Blacken them in Texas alone.

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Speaker 1: No, No, I've been in Texas with I'm literally in

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Speaker 1: Texas with the tor bus at the hide under the

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Speaker 1: fucking the overpass because it's tornadoes, Like like you could

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Speaker 1: go through Texas for what ten hour drive or something.

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Speaker 1: The whole Texas is the biggest shit And so you

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Speaker 1: have all this corpus Christy with Selina's from some of

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Speaker 1: my man Baby Bash and Frankie Jay, Like, I know,

280
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Speaker 1: guys who made a whole life savings slim Dog in

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Speaker 1: Texas gonna be uj pimpsie h traded truth, traded truth,

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Speaker 1: or it could go Paul Wall You got Johnny dang Man,

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Speaker 1: is it is it?

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Speaker 2: He? He made a hell of a lot of money.

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Speaker 1: No, this guy got forget it. Teeth right now, Like

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Speaker 1: he went to every level. That's like the TV we

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Speaker 1: used to watch video music Box with. He went from

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Speaker 1: the regular sistem. Now he got ships. His ship is

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Speaker 1: damned there, Ice Venias. No, I'm telling his ship that

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Speaker 1: he done took it to another light. And I see

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Speaker 1: Johnny Dang everywhere, be dumb.

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Speaker 2: Icy, he always smelling. You always got the same.

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Speaker 1: What a great guy, What a great guy. But Texas,

294
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Speaker 1: that's their own area. Like, yeah, it's the South, but

295
00:17:56,400 --> 00:18:00,640
Speaker 1: to me, it's like their own area. You got what bullshit?

296
00:18:01,040 --> 00:18:05,399
Speaker 1: Bushwick Bill, you got, scarface, you got like like I

297
00:18:05,520 --> 00:18:09,920
Speaker 1: think you can make a living in Texas alone. Look

298
00:18:09,960 --> 00:18:13,040
Speaker 1: if you popping, popping popping in Texas? Who they got now?

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Speaker 1: My man, because I'm the biggest, the hardest dollars thinking,

300
00:18:18,000 --> 00:18:22,560
Speaker 1: the biggest, hardest, your big ex the plug. That's the

301
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Speaker 1: record I wish I made. You know what I'm saying.

302
00:18:25,160 --> 00:18:29,120
Speaker 1: So you saw when you talking about New Orleans's.

303
00:18:28,040 --> 00:18:30,560
Speaker 2: Four nine, what the helly going crazy?

304
00:18:31,680 --> 00:18:31,840
Speaker 3: You know?

305
00:18:31,960 --> 00:18:33,760
Speaker 1: I listened to what the helly the other day and

306
00:18:33,880 --> 00:18:39,160
Speaker 1: I compared it to Black Robins who and yeah, because listen,

307
00:18:39,280 --> 00:18:42,320
Speaker 1: let me explain some to you. The beat was both

308
00:18:42,480 --> 00:18:46,080
Speaker 1: infectious and hein't gonna like WHOA if you listen to

309
00:18:46,160 --> 00:18:49,280
Speaker 1: what the helly is that? What the helly? Man? What

310
00:18:49,480 --> 00:18:53,680
Speaker 1: the helly? What the helly? Is his own version off

311
00:18:53,800 --> 00:19:00,679
Speaker 1: WHA twenty twenty five. I'm fucking with what the hell crazy?

312
00:19:01,119 --> 00:19:03,960
Speaker 1: This ship's anyway you better be, Yeah, but the beat

313
00:19:04,160 --> 00:19:08,400
Speaker 1: is like, oh fucking hypnotic. Like that beat right there,

314
00:19:08,520 --> 00:19:11,720
Speaker 1: that's what the helly. You first hear, you think it's

315
00:19:11,760 --> 00:19:14,680
Speaker 1: a TikTok thing and this or when you lock it

316
00:19:14,920 --> 00:19:18,280
Speaker 1: in the club, that ship is slapping? Is she slapping

317
00:19:18,359 --> 00:19:27,960
Speaker 1: in the club? What about Memphis?

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00:19:28,160 --> 00:19:30,240
Speaker 2: That's what my dad is for me? How you feel

319
00:19:30,240 --> 00:19:30,840
Speaker 2: about Memphis?

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00:19:30,880 --> 00:19:33,520
Speaker 1: God, that's where your dad is from Memphis. He moved

321
00:19:33,600 --> 00:19:34,520
Speaker 1: up here from Memphis.

322
00:19:35,520 --> 00:19:36,639
Speaker 2: Yeah, that's where he met.

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Speaker 1: My mind's at That's how they had You want to

324
00:19:39,680 --> 00:19:42,359
Speaker 1: know what's crazy about Memphis. We'll get into Memphis, but

325
00:19:43,040 --> 00:19:45,520
Speaker 1: you know, Fat Joe gotta always tell a story right

326
00:19:45,840 --> 00:19:49,840
Speaker 1: here Memphis. So I'm hosting this tour for bud Light,

327
00:19:50,840 --> 00:19:54,560
Speaker 1: and it's every city they got an NBA team and

328
00:19:54,720 --> 00:19:58,639
Speaker 1: the star right so every so I'm in Memphis. I

329
00:19:58,680 --> 00:20:04,159
Speaker 1: think it was Rudy Gay or body Zach Randolph. So

330
00:20:04,680 --> 00:20:07,840
Speaker 1: I'm at a party and then what's my man a

331
00:20:08,000 --> 00:20:11,520
Speaker 1: Bay Bay the d j a Bay Bay and he's

332
00:20:11,680 --> 00:20:17,280
Speaker 1: DJing and this's there's one. The place wasn't so crowded,

333
00:20:17,320 --> 00:20:22,920
Speaker 1: but there's one chubby size young lady who's by the speaker,

334
00:20:23,600 --> 00:20:26,080
Speaker 1: and she keep moving like like you know, she keep

335
00:20:26,200 --> 00:20:29,200
Speaker 1: moving and for some reason, I'm standing at her the

336
00:20:29,240 --> 00:20:33,119
Speaker 1: whole night because she by herself, but she just moving.

337
00:20:33,760 --> 00:20:37,440
Speaker 1: Every record they throwing, they asked some ship god googiee bugely.

338
00:20:37,640 --> 00:20:41,840
Speaker 1: She's ugly booglee god googily. Now they asked some ship

339
00:20:41,960 --> 00:20:45,880
Speaker 1: like that, Yo, google that, Google that because he thinks

340
00:20:45,920 --> 00:20:49,720
Speaker 1: he about the Cat the Bronx, don't they young, because

341
00:20:49,720 --> 00:20:53,200
Speaker 1: they're gonna say cat gig. They had some ship called

342
00:20:53,280 --> 00:21:00,399
Speaker 1: god Bogle God is WHI I'm trying to tell you

343
00:21:00,440 --> 00:21:02,360
Speaker 1: as I heard all type of shit I never heard

344
00:21:02,400 --> 00:21:05,760
Speaker 1: of my life. But I'm watching this girl the whole time.

345
00:21:06,200 --> 00:21:08,879
Speaker 1: It just so happens. I go back to Miami and

346
00:21:09,000 --> 00:21:11,440
Speaker 1: I told that story on here before. How my man

347
00:21:11,560 --> 00:21:14,960
Speaker 1: stand told me he went to the strip club and

348
00:21:15,040 --> 00:21:17,800
Speaker 1: they were throwing money in the air. So that's when

349
00:21:17,880 --> 00:21:21,240
Speaker 1: I came up with make It Rain. But the way

350
00:21:21,600 --> 00:21:25,440
Speaker 1: I work with Scott Storch is you book studio with

351
00:21:25,560 --> 00:21:29,440
Speaker 1: him and he could play whatever you hear. So if

352
00:21:29,440 --> 00:21:32,240
Speaker 1: you hear some shit in your head and you tell

353
00:21:32,320 --> 00:21:35,680
Speaker 1: him you can make it, life play it. But the

354
00:21:35,840 --> 00:21:40,760
Speaker 1: crazy part was the drums. And the whole time he's

355
00:21:40,840 --> 00:21:45,000
Speaker 1: putting drums on it, He's like, yo, you knew, y'all,

356
00:21:45,800 --> 00:21:50,359
Speaker 1: you fat Joe. You're digging into crags like I can't

357
00:21:50,440 --> 00:21:52,879
Speaker 1: make you no Dirty South drums, And I'm like, yo, bro,

358
00:21:54,280 --> 00:22:00,560
Speaker 1: I just went to fifteen States and everybody was playing

359
00:22:00,680 --> 00:22:06,120
Speaker 1: Dirty South records. And then one time, I think jay

360
00:22:06,200 --> 00:22:08,560
Speaker 1: Z had the rock Boys in the building of the

361
00:22:08,640 --> 00:22:10,560
Speaker 1: night to us was the biggest shit in the world.

362
00:22:11,000 --> 00:22:12,840
Speaker 1: And at the end of the night, Homeboy was like, Yeo,

363
00:22:12,880 --> 00:22:15,200
Speaker 1: I'm throwing the throwback and he threw on the jay

364
00:22:15,320 --> 00:22:18,600
Speaker 1: Z that was popping. Then that's when I knew the

365
00:22:18,640 --> 00:22:21,320
Speaker 1: whole sound was changing. I said, Yo, they got the

366
00:22:21,440 --> 00:22:24,000
Speaker 1: whole country in the Choco, because I just went through

367
00:22:24,040 --> 00:22:26,359
Speaker 1: the whole country. In any case, I'm in there with

368
00:22:26,560 --> 00:22:29,439
Speaker 1: with Scott saw Maam had an argument because he was like, Yo,

369
00:22:29,520 --> 00:22:32,439
Speaker 1: I can't give you Dirty South drums. I said, Yo,

370
00:22:32,520 --> 00:22:34,960
Speaker 1: you gotta give me dirty South drums because that's the shit.

371
00:22:35,560 --> 00:22:39,200
Speaker 1: So he's producing it, and the whole time I'm looking

372
00:22:39,280 --> 00:22:43,080
Speaker 1: at the heavy set girl dancing by the by the

373
00:22:43,160 --> 00:22:45,880
Speaker 1: speaking I'm like, no, nah Na, she ain't dancing to it. Yet,

374
00:22:46,000 --> 00:22:48,320
Speaker 1: she ain't dancing to it. He finally threw the drums

375
00:22:48,640 --> 00:22:51,160
Speaker 1: where I saw her by the speaker, you know, doing

376
00:22:51,280 --> 00:22:54,840
Speaker 1: that shit, and I was like, that's it. She's dancing

377
00:22:54,920 --> 00:22:57,240
Speaker 1: to this. And so that's how we came up with

378
00:22:57,359 --> 00:23:00,360
Speaker 1: making ran up in Memphis, and so Memphis it's got

379
00:23:00,400 --> 00:23:09,000
Speaker 1: what Yo, Gotti recipeacef dolf Ah woe realer glow, money bag,

380
00:23:09,960 --> 00:23:13,480
Speaker 1: money bag yo. And then they they're all, who's the

381
00:23:13,560 --> 00:23:15,760
Speaker 1: guy down with young Dolph? They just signed It's a

382
00:23:15,920 --> 00:23:21,639
Speaker 1: key clock, you know. So right now it's safe to

383
00:23:21,680 --> 00:23:24,040
Speaker 1: say Memphis got it, you think. So in the South

384
00:23:24,920 --> 00:23:27,920
Speaker 1: they're doing in the regional, they're doing more than that.

385
00:23:28,720 --> 00:23:29,440
Speaker 1: They're doing more.

386
00:23:30,320 --> 00:23:34,679
Speaker 2: The numbers, they they causing a lot of fucking problems of.

387
00:23:34,760 --> 00:23:40,359
Speaker 1: It, oh for sure, but they they they know since future, right.

388
00:23:40,480 --> 00:23:46,120
Speaker 1: So what I was trying to tell my nephews, Nori's kids,

389
00:23:46,200 --> 00:23:50,840
Speaker 1: I was like, yo, you know they no no one

390
00:23:51,000 --> 00:23:54,440
Speaker 1: numbers telling me that, uh, the young dog invent the

391
00:23:54,640 --> 00:23:57,720
Speaker 1: trap and they confused. They're young. They're young, right, So

392
00:23:57,800 --> 00:24:00,479
Speaker 1: I'm trying to tell them, yo, what about had an

393
00:24:00,480 --> 00:24:03,920
Speaker 1: album trap music? So I'm trying to tell him that

394
00:24:04,520 --> 00:24:12,080
Speaker 1: that that whole wave. You know, Future pretty much created

395
00:24:12,160 --> 00:24:15,920
Speaker 1: that whole wave to me, like with the single rap,

396
00:24:16,119 --> 00:24:19,520
Speaker 1: like you know all that ship you know, he had

397
00:24:19,600 --> 00:24:22,040
Speaker 1: that ship lit and he still got it there.

398
00:24:23,119 --> 00:24:23,280
Speaker 3: You know.

399
00:24:23,560 --> 00:24:25,200
Speaker 1: So I feel like he's on Pluto.

400
00:24:25,480 --> 00:24:26,440
Speaker 2: He's on the whole number.

401
00:24:26,800 --> 00:24:27,800
Speaker 1: Yeah, he's on Pluto.

402
00:24:27,960 --> 00:24:33,080
Speaker 2: He don't really he really misses when he when he's in,

403
00:24:33,280 --> 00:24:37,080
Speaker 2: when he's when he's cooking, he's cooking with fucking fish beach.

404
00:24:37,920 --> 00:24:40,680
Speaker 1: Oh no, he's he's definitely he's like a Jady kiss.

405
00:24:40,800 --> 00:24:43,800
Speaker 1: You know, never had a whack verse this guy.

406
00:24:44,280 --> 00:24:47,280
Speaker 2: He got fucking nuclear missile songs.

407
00:24:48,760 --> 00:24:50,080
Speaker 1: Yeah for sure. I remember when he.

408
00:24:50,640 --> 00:24:52,879
Speaker 2: Catch wildfire and they stay on fire.

409
00:24:52,920 --> 00:24:57,920
Speaker 1: I remember when he gave water, he gave what's his name,

410
00:24:58,560 --> 00:25:01,119
Speaker 1: He gave Cali the Boy, and Cali gave it to

411
00:25:01,640 --> 00:25:05,280
Speaker 1: Acehood that I won't go man, man my Ferrari. You

412
00:25:05,520 --> 00:25:10,320
Speaker 1: know how that ship used to knock in that fucking club.

413
00:25:11,760 --> 00:25:14,960
Speaker 1: He gave the few, No, no, he gave Walers. I

414
00:25:15,080 --> 00:25:18,159
Speaker 1: got the keys, keys, keys, I got the keys. You

415
00:25:18,240 --> 00:25:20,200
Speaker 1: know we're talking southern hip hop. We gotta take it

416
00:25:20,280 --> 00:25:22,439
Speaker 1: to Miami. Three oh five bet that up.

417
00:25:23,200 --> 00:25:26,720
Speaker 2: Listen, the list is crazy man. Then first I was

418
00:25:27,320 --> 00:25:30,480
Speaker 2: you gotta start off with two live crew, Uncle Luke

419
00:25:30,520 --> 00:25:31,119
Speaker 2: and the boys.

420
00:25:32,560 --> 00:25:36,080
Speaker 1: You got JT Money, j T Money. You know there

421
00:25:36,160 --> 00:25:38,639
Speaker 1: was this there was a crew, James. You would know

422
00:25:38,720 --> 00:25:41,760
Speaker 1: this crew. I think it was called Society. They had

423
00:25:41,800 --> 00:25:44,680
Speaker 1: this one record. I was addicted to this record back

424
00:25:44,800 --> 00:25:49,520
Speaker 1: underground real hip hop. Then you got trick Daddy dollars

425
00:25:49,640 --> 00:25:53,920
Speaker 1: Trick Daddy. You know that Trick Daddy wouldn't stop going

426
00:25:54,000 --> 00:25:56,960
Speaker 1: platinum and he wouldn't want to leave Miami. But I'm

427
00:25:56,960 --> 00:26:04,240
Speaker 1: signed on the Atlantic records he got. I don't like

428
00:26:04,400 --> 00:26:09,800
Speaker 1: Trick Daddy's a super duper hit maker and a chef

429
00:26:10,280 --> 00:26:15,480
Speaker 1: for real. Trick Daddy popped, No, he cooks for real.

430
00:26:15,600 --> 00:26:19,560
Speaker 1: I ate a little kromp Fritis that he made out

431
00:26:19,600 --> 00:26:22,680
Speaker 1: there in front of the parking beas the biggest projects

432
00:26:22,720 --> 00:26:28,359
Speaker 1: out there and in Miami. Uh, you gotta go. Trina.

433
00:26:29,160 --> 00:26:31,119
Speaker 1: Trina is like one of the leaders of all the

434
00:26:31,440 --> 00:26:37,440
Speaker 1: all the girls in in hip hop. You know know

435
00:26:37,600 --> 00:26:41,280
Speaker 1: that Rio five, and then they gave like it was

436
00:26:41,480 --> 00:26:45,719
Speaker 1: it not really, but it is the birth of Rick Fross,

437
00:26:47,400 --> 00:26:51,840
Speaker 1: Ricky Rose, Ricky Rose. I don't think I've ever been

438
00:26:51,920 --> 00:26:57,040
Speaker 1: in the club where I had that effect of hustling, hustling, hustling, hustling,

439
00:26:57,600 --> 00:27:01,720
Speaker 1: like people banging on the walls. Uh. The DJ would

440
00:27:01,760 --> 00:27:06,280
Speaker 1: play it twenty times in the world, hustling, hustling, hustling, hustling,

441
00:27:06,960 --> 00:27:11,840
Speaker 1: pit Booll flow flow Rider, flow Riding broke Michael Jackson's

442
00:27:11,920 --> 00:27:12,880
Speaker 1: record ten years.

443
00:27:13,040 --> 00:27:17,560
Speaker 2: Flow Rider broke everything. There is the break he ordered

444
00:27:17,640 --> 00:27:20,639
Speaker 2: mean lawsuit. They did him Greasy, one of them companies,

445
00:27:20,680 --> 00:27:22,600
Speaker 2: and he caught one to getting it.

446
00:27:23,400 --> 00:27:26,800
Speaker 1: Y'all shout out to Nephew, the whole crew out there. Uh,

447
00:27:27,160 --> 00:27:29,600
Speaker 1: then we could go on with ball Greasy, everybody else

448
00:27:29,600 --> 00:27:33,240
Speaker 1: who's contributions to the game. We gotta say Kodak Black.

449
00:27:33,520 --> 00:27:37,080
Speaker 1: If we're going to better, say he up and Yo,

450
00:27:37,440 --> 00:27:41,560
Speaker 1: how black he is Florida, the whole floyder. You go

451
00:27:41,680 --> 00:27:46,639
Speaker 1: to Tallahassae, you go to t Paint. T Pain's contributions

452
00:27:47,560 --> 00:27:52,679
Speaker 1: to hip hop music go unnoticed in the major major

453
00:27:53,720 --> 00:27:56,000
Speaker 1: He got the all I do is win, win win.

454
00:27:56,160 --> 00:28:00,560
Speaker 2: No mane pane is Pain is one of them special

455
00:28:00,800 --> 00:28:06,560
Speaker 2: chosen people in our coach. People live on family. These

456
00:28:06,720 --> 00:28:11,240
Speaker 2: timeless yes songs that will be played our kids, kids,

457
00:28:11,400 --> 00:28:14,000
Speaker 2: kids kids kids who head t Pain.

458
00:28:14,880 --> 00:28:18,040
Speaker 1: Trust me, you already know we left anybody out. We

459
00:28:18,160 --> 00:28:21,040
Speaker 1: saw her And speaking of that, I never seen nobody

460
00:28:21,320 --> 00:28:24,600
Speaker 1: had a club on till I'm talking about from a

461
00:28:24,720 --> 00:28:30,840
Speaker 1: Miami perspective, like Jeezy Man Jeezy, he had nig he

462
00:28:30,960 --> 00:28:34,440
Speaker 1: had dudes running, They got rap song Bible.

463
00:28:35,080 --> 00:28:36,840
Speaker 2: All you gotta do is hit play.

464
00:28:36,880 --> 00:28:40,520
Speaker 1: I'm your favorite rapper, favorite rapper. I'm a favorite trapper's

465
00:28:40,600 --> 00:28:42,600
Speaker 1: favorite trapper. He was going.

466
00:28:42,840 --> 00:28:46,120
Speaker 2: He got the no Man, he got the Bible playlist

467
00:28:46,240 --> 00:28:48,240
Speaker 2: for trapping and hustling.

468
00:28:48,960 --> 00:28:51,800
Speaker 1: Yo, shout out to Vera. You know Vera, my man

469
00:28:51,920 --> 00:28:56,960
Speaker 1: evil shoot the videos. He made the Snowman Deph Jam

470
00:28:57,080 --> 00:28:59,240
Speaker 1: paid him to make the make a logo and he

471
00:28:59,440 --> 00:29:04,680
Speaker 1: made the snow Man logo for Jeez. Crazy out there.

472
00:29:04,760 --> 00:29:09,280
Speaker 1: Shout out the ef eif did that crazy Yeah, yeah,

473
00:29:09,320 --> 00:29:12,560
Speaker 1: he created that T shirt. You know what I'm saying.

474
00:29:12,680 --> 00:29:16,520
Speaker 1: Like my man right here, Yo, t Mars shout out.

475
00:29:16,720 --> 00:29:20,080
Speaker 1: You were giving us fire every day and we love

476
00:29:20,160 --> 00:29:23,080
Speaker 1: to see he come with gifts. He come with legendary shit.

477
00:29:23,200 --> 00:29:26,520
Speaker 1: T Boks. You know, I wore your hat from Yankee Stadium,

478
00:29:27,360 --> 00:29:29,240
Speaker 1: and you know how this shit go. It's like whether

479
00:29:29,320 --> 00:29:31,680
Speaker 1: you you hit it out the park and you don't,

480
00:29:32,400 --> 00:29:35,200
Speaker 1: as long as they talking, you know what I'm saying.

481
00:29:35,360 --> 00:29:40,400
Speaker 1: Like I realized that this game, but of twenty twenty five,

482
00:29:40,560 --> 00:29:44,800
Speaker 1: social media and all that, if you're winning or you're not,

483
00:29:45,560 --> 00:29:49,160
Speaker 1: if they talking, you're doing great. Yeah. So they was

484
00:29:49,200 --> 00:29:52,440
Speaker 1: fucking me up because I had to delay on the mic. Meanwhile,

485
00:29:52,480 --> 00:29:55,960
Speaker 1: your captains in every fucking interview, they keep showing and showing,

486
00:29:56,240 --> 00:29:59,320
Speaker 1: showing and showing and showing your I had your ship

487
00:29:59,400 --> 00:30:04,680
Speaker 1: in the for something legendary. And so when I did

488
00:30:04,760 --> 00:30:08,840
Speaker 1: that Yankee Stadium at the World serious, I threw that

489
00:30:08,960 --> 00:30:11,360
Speaker 1: hat on. Look at Jada Jaya like, yo, I'm rocking

490
00:30:11,400 --> 00:30:13,280
Speaker 1: his shit all the time. But he got the yank

491
00:30:13,640 --> 00:30:18,360
Speaker 1: young man made this water gwitty. You ever climbed on

492
00:30:18,440 --> 00:30:21,080
Speaker 1: the top of the Yonkers water shit, he don't know.

493
00:30:22,720 --> 00:30:25,120
Speaker 2: I gotta be on the ground. I ain't. Now you

494
00:30:25,200 --> 00:30:27,360
Speaker 2: feel about flying, That's how I feel about being in

495
00:30:27,440 --> 00:30:30,440
Speaker 2: the end the heights. Yeah, up on shit, I don't

496
00:30:30,440 --> 00:30:30,640
Speaker 2: want to.

497
00:30:30,720 --> 00:30:32,800
Speaker 1: You know, my building had a water tower. In the

498
00:30:32,960 --> 00:30:35,760
Speaker 1: Forest Projects, we had a water tower and we used

499
00:30:35,760 --> 00:30:39,680
Speaker 1: to play hooky in there. Your kids, if you from Forrest,

500
00:30:39,760 --> 00:30:42,320
Speaker 1: don't do what I've said. But you know, we used

501
00:30:42,320 --> 00:30:45,400
Speaker 1: to skip school in there and it was like a

502
00:30:45,520 --> 00:30:47,880
Speaker 1: water tower, but you go up that ladder and then

503
00:30:47,920 --> 00:30:51,360
Speaker 1: they had like a little the round part in the

504
00:30:51,440 --> 00:30:53,800
Speaker 1: top was like you could chill in there, and we

505
00:30:53,960 --> 00:30:55,920
Speaker 1: go up to the roof. I mean we chilling there

506
00:30:56,040 --> 00:30:59,600
Speaker 1: for fucking nine in the morning, the three afternoon, and

507
00:30:59,680 --> 00:31:02,480
Speaker 1: that we came on for school. So in your neighborhood,

508
00:31:02,520 --> 00:31:04,360
Speaker 1: yin used to ride on top of the elevators.

509
00:31:05,000 --> 00:31:05,720
Speaker 2: We did all of that.

510
00:31:05,840 --> 00:31:07,760
Speaker 1: We was in the projects. We would ride on top

511
00:31:07,800 --> 00:31:10,280
Speaker 1: of the elevators and stick this shit. You know you

512
00:31:10,360 --> 00:31:13,280
Speaker 1: could stick them. I say, oh what up?

513
00:31:13,400 --> 00:31:16,520
Speaker 2: Man? And winning young three five four three five eight.

514
00:31:16,640 --> 00:31:18,400
Speaker 2: We used to ride on top of the buildings. But

515
00:31:19,080 --> 00:31:23,360
Speaker 2: where I lived at Wolburn and Ravine, they had the

516
00:31:23,520 --> 00:31:27,040
Speaker 2: Gate to Hell. That was an old like factory that

517
00:31:27,200 --> 00:31:30,320
Speaker 2: we used to play in that you could die anytime

518
00:31:30,360 --> 00:31:33,400
Speaker 2: you're going it was missing shit was you gotta go

519
00:31:33,600 --> 00:31:38,040
Speaker 2: up but the stairs is loose and missing any look, God,

520
00:31:38,160 --> 00:31:40,880
Speaker 2: no God, thank nobody never fell in that shit. But

521
00:31:41,000 --> 00:31:45,080
Speaker 2: now we was doing some fucking stupid ass shit is Yeah, we.

522
00:31:45,160 --> 00:31:48,520
Speaker 1: Had one called dead Man's Hell. So dead Man's Hell

523
00:31:48,680 --> 00:31:51,920
Speaker 1: was like, yo, I mean, if you did it, you

524
00:31:52,040 --> 00:31:54,560
Speaker 1: might have saved twenty minutes. Right, So you go from

525
00:31:54,600 --> 00:31:57,400
Speaker 1: my block to Third Avenue where you go chopping. They

526
00:31:57,440 --> 00:31:59,440
Speaker 1: had some shit dead Man's Hill where they had a

527
00:31:59,560 --> 00:32:03,080
Speaker 1: wire and it was just like a little, a little

528
00:32:03,240 --> 00:32:06,240
Speaker 1: if you fail, you died to Night of Space, you

529
00:32:06,320 --> 00:32:09,280
Speaker 1: could do it, but the wire if you ain't get

530
00:32:09,360 --> 00:32:12,240
Speaker 1: scared you I mean, people were doing that shit. Grown men,

531
00:32:12,920 --> 00:32:16,040
Speaker 1: women were taking dead Man's If you didn't take that,

532
00:32:16,360 --> 00:32:19,240
Speaker 1: you had to walk around maybe ten fifteen blocks, like

533
00:32:19,320 --> 00:32:22,880
Speaker 1: it was some long shit. You did that in like

534
00:32:23,000 --> 00:32:28,160
Speaker 1: two minutes. You already halfway down. Oh more than that,

535
00:32:28,360 --> 00:32:31,720
Speaker 1: you already like that price position and where you want

536
00:32:31,760 --> 00:32:35,600
Speaker 1: to get. But that Man Hill, that shit was crazy.

537
00:32:35,800 --> 00:32:39,040
Speaker 1: Be like, we had no business doing that shit. Just dumb.

538
00:32:39,560 --> 00:32:42,360
Speaker 1: They Oh man, this is not me.

539
00:32:42,720 --> 00:32:46,239
Speaker 2: This is the producers. I ain't even gonna blow them

540
00:32:46,320 --> 00:32:48,120
Speaker 2: up case you bump into him in the super Bowl.

541
00:32:49,160 --> 00:32:53,040
Speaker 2: They're saying, is it me or are the ladies slowing up?

542
00:32:53,480 --> 00:32:55,600
Speaker 2: It was a good two years where the ladies had

543
00:32:55,680 --> 00:32:58,480
Speaker 2: it in the smash. I don't fucking think the ladies

544
00:32:58,600 --> 00:33:04,320
Speaker 2: is slowing up at all. Gloous, glowing Nikki can never

545
00:33:05,040 --> 00:33:09,960
Speaker 2: she hit ship out the park, megan to megastar. You

546
00:33:10,200 --> 00:33:13,480
Speaker 2: talk about Cardi every day. She just dropped the new single,

547
00:33:13,560 --> 00:33:17,600
Speaker 2: that ship's on fire. They turned into megastar. One thing

548
00:33:17,640 --> 00:33:20,880
Speaker 2: about the females. They get a single or a good

549
00:33:20,920 --> 00:33:27,040
Speaker 2: album and they turn into megastars. Parsh South, but she's sexy.

550
00:33:27,640 --> 00:33:32,800
Speaker 2: Say was she fucking bigger than they take? They turn

551
00:33:32,920 --> 00:33:37,719
Speaker 2: the females turned into mega iconic stars. They get out

552
00:33:37,760 --> 00:33:42,400
Speaker 2: of the get somebody like Otto, Lotos Megas fucking you know,

553
00:33:43,600 --> 00:33:45,920
Speaker 2: she's not iconic because she's still young, but she's a

554
00:33:46,120 --> 00:33:47,280
Speaker 2: mega fucking star.

555
00:33:48,000 --> 00:33:51,040
Speaker 1: Yea, she is shut out to Lotto. I fuck with Lotto.

556
00:33:52,120 --> 00:33:56,560
Speaker 1: But the women, uh are they slowing down? If they are,

557
00:33:56,680 --> 00:33:59,200
Speaker 1: they like at a nine. You know what I'm saying,

558
00:33:59,240 --> 00:34:02,600
Speaker 1: because they like two years ago, these girls was bigger

559
00:34:02,680 --> 00:34:03,320
Speaker 1: than the guys.

560
00:34:03,480 --> 00:34:07,520
Speaker 2: The girls is fucking ship up. They're killing ship.

561
00:34:07,600 --> 00:34:10,640
Speaker 1: But they really was fucking it up a few years ago.

562
00:34:10,800 --> 00:34:14,239
Speaker 2: They had it was no oxygen, there was even no room.

563
00:34:14,520 --> 00:34:18,880
Speaker 1: Yeah, they get the fuck out the game. She was

564
00:34:18,920 --> 00:34:21,480
Speaker 1: on smash. They was running that ship for real. But

565
00:34:21,960 --> 00:34:25,520
Speaker 1: if if they did fell off, they went to a nine.

566
00:34:25,880 --> 00:34:26,560
Speaker 1: You know what I'm saying.

567
00:34:26,560 --> 00:34:31,960
Speaker 2: They got out of the orbit. You know, Ice Spice

568
00:34:32,760 --> 00:34:38,040
Speaker 2: out of head. She wasn't allowed. Yeah, but she wasn't

569
00:34:38,120 --> 00:34:41,959
Speaker 2: allowed she No, she's on some commercial on you type.

570
00:34:42,080 --> 00:34:44,520
Speaker 1: She got some ship Kate Spade or some ship with

571
00:34:44,640 --> 00:34:49,760
Speaker 1: the Demo sisters. They played that commercial. But Ice Spice,

572
00:34:49,880 --> 00:34:53,000
Speaker 1: she wasn't allowed to lose her ass man. She lost

573
00:34:53,040 --> 00:34:53,799
Speaker 1: some weight and.

574
00:34:54,000 --> 00:34:54,880
Speaker 2: People get it.

575
00:34:55,000 --> 00:34:57,759
Speaker 1: No, no, it was off my nephews, just like yo,

576
00:34:58,200 --> 00:35:01,280
Speaker 1: we off Ice Spice. Just this that I've never seen nobody.

577
00:35:03,440 --> 00:35:06,799
Speaker 3: I don't got nothing to do with that. She lost

578
00:35:06,840 --> 00:35:10,000
Speaker 3: the ass with my nephew saying. They was like, well

579
00:35:10,080 --> 00:35:14,160
Speaker 3: she lost the yaller. They was like yo, and then

580
00:35:14,239 --> 00:35:16,239
Speaker 3: she got it right back and they jumped on it

581
00:35:16,440 --> 00:35:18,080
Speaker 3: like that, just.

582
00:35:18,239 --> 00:35:21,000
Speaker 1: Like that, shout out the Ice Spice man. Ice Spice

583
00:35:21,040 --> 00:35:26,279
Speaker 1: in the Bronx sort gardener. Nah, No, she be with

584
00:35:26,480 --> 00:35:31,920
Speaker 1: fucking m what's the name tail us with? You know,

585
00:35:32,080 --> 00:35:34,280
Speaker 1: she dating the football player. I've seen the guys.

586
00:35:34,400 --> 00:35:36,560
Speaker 2: Short's Garden, the Short's Garden. Yeah, I seen him.

587
00:35:36,560 --> 00:35:38,359
Speaker 1: I seen him in Carbone, you know, what I'm saying.

588
00:35:38,400 --> 00:35:41,799
Speaker 1: The private Oh no, they're doing ship.

589
00:35:42,440 --> 00:35:43,920
Speaker 2: The females is out of it.

590
00:35:44,080 --> 00:35:47,440
Speaker 1: You know they're doing They doing carbone. I've seen them.

591
00:35:47,520 --> 00:35:49,920
Speaker 1: I walked in the room. Now everybody gets in that

592
00:35:50,760 --> 00:35:54,360
Speaker 1: the room I'm talking about specifically, and they was in

593
00:35:54,520 --> 00:35:58,360
Speaker 1: that ship. I was like, okay, because it took me

594
00:35:58,560 --> 00:36:01,440
Speaker 1: years and years and years it to get to the

595
00:36:01,560 --> 00:36:05,520
Speaker 1: private woombs and to speak easisy ship. Were you you

596
00:36:05,640 --> 00:36:10,000
Speaker 1: bump into Dolan or some ship like that? They mad younger,

597
00:36:10,040 --> 00:36:11,080
Speaker 1: They right up in there.

598
00:36:11,880 --> 00:36:13,640
Speaker 2: That's telling you what's going on out here.

599
00:36:13,719 --> 00:36:15,560
Speaker 1: You know they got that boost. You remember you used

600
00:36:15,600 --> 00:36:18,200
Speaker 1: to climb the roof and then they give you the boost.

601
00:36:18,360 --> 00:36:20,239
Speaker 1: You jump up to the roof when you was a kid.

602
00:36:20,600 --> 00:36:23,879
Speaker 2: Yeah, step on somebody's shoulders. Yeah, you step in the hands,

603
00:36:25,440 --> 00:36:27,279
Speaker 2: step in their hands and they boost you up. And

604
00:36:27,360 --> 00:36:28,960
Speaker 2: I used to That's how you learn how to do

605
00:36:29,080 --> 00:36:32,359
Speaker 2: backflips in the hood orre you going between? You see

606
00:36:32,440 --> 00:36:34,040
Speaker 2: what I'm saying, dudes, and they flipped.

607
00:36:34,920 --> 00:36:39,000
Speaker 1: You know one thing about the at L The police

608
00:36:39,080 --> 00:36:42,320
Speaker 1: been trying to put people way away out there, like

609
00:36:42,480 --> 00:36:46,080
Speaker 1: with the young dog and the wire cell crew and

610
00:36:46,200 --> 00:36:49,640
Speaker 1: the what what's the other one? The wine, the Melly and.

611
00:36:51,120 --> 00:36:51,480
Speaker 2: Florida.

612
00:36:52,760 --> 00:36:58,120
Speaker 1: Yeah, I know he was from Atlanta. You're for Florida, Florida,

613
00:36:58,560 --> 00:37:02,600
Speaker 1: for Florida wine man blue one of them Ben Lucci.

614
00:37:03,239 --> 00:37:08,160
Speaker 1: Melly is Florida. Lucci is a sorry Mellye Lucci right

615
00:37:08,560 --> 00:37:11,399
Speaker 1: free Melly. They were trying to book everybody out there

616
00:37:11,440 --> 00:37:14,400
Speaker 1: with them ricos, and they were trying to book Donald

617
00:37:14,480 --> 00:37:18,359
Speaker 1: Trump before he went for friend president. They Trump still

618
00:37:18,400 --> 00:37:23,480
Speaker 1: gotta open they so they used that rico loose handed me.

619
00:37:24,400 --> 00:37:28,040
Speaker 1: You know, I watched that whole trial too, And what's

620
00:37:28,120 --> 00:37:30,040
Speaker 1: your man was? I don't know if we should give

621
00:37:30,080 --> 00:37:33,440
Speaker 1: me a shout out here? Your man who the craziest

622
00:37:33,560 --> 00:37:35,520
Speaker 1: witness ever created? What's his name?

623
00:37:36,200 --> 00:37:37,799
Speaker 2: Woody or Woody? Yo?

624
00:37:39,280 --> 00:37:44,880
Speaker 1: Your Woody was out? No, he did let him, let

625
00:37:44,960 --> 00:37:48,560
Speaker 1: him free Woody Woody back in, although wood he fuck.

626
00:37:48,600 --> 00:37:51,040
Speaker 1: If he back in, they're gonna give him ten thousand years.

627
00:37:51,120 --> 00:37:52,440
Speaker 2: It ain't nothing, it's some light.

628
00:37:52,760 --> 00:37:54,759
Speaker 1: If he hopped the train, they're giving him ten.

629
00:37:55,040 --> 00:37:55,760
Speaker 2: Street racing.

630
00:37:57,600 --> 00:37:59,200
Speaker 1: Yeah, he wanna show you out.

631
00:37:59,320 --> 00:37:59,839
Speaker 2: He got new.

632
00:38:00,040 --> 00:38:03,960
Speaker 1: He was racing down that boy Woody Cleveland wood he

633
00:38:04,200 --> 00:38:07,840
Speaker 1: is on that O. J. Simpson list. I'm telling you

634
00:38:08,600 --> 00:38:11,520
Speaker 1: wood he should not even be in Atlantive, Woody, what

635
00:38:11,680 --> 00:38:14,040
Speaker 1: he should be living in like Bahamas or some ship.

636
00:38:14,560 --> 00:38:17,480
Speaker 1: Because when I'm telling you, if they catch him for

637
00:38:17,640 --> 00:38:20,120
Speaker 1: hopping the train, they're gonna throw the book at them.

638
00:38:20,360 --> 00:38:22,000
Speaker 1: And he was straight up if we're gonna listen to

639
00:38:22,120 --> 00:38:24,719
Speaker 1: him and believe him, like I can't read, I don't know, ship,

640
00:38:25,360 --> 00:38:27,920
Speaker 1: don't this. I don't like that boy. They're gonna smoke

641
00:38:28,040 --> 00:38:28,680
Speaker 1: his boots.

642
00:38:29,120 --> 00:38:31,640
Speaker 2: He was just playing stupid on the stand.

643
00:38:32,880 --> 00:38:39,400
Speaker 1: I mean it was very, very very entertaining. Oh no, no,

644
00:38:39,640 --> 00:38:41,799
Speaker 1: he definitely get That's what I'm saying.

645
00:38:41,840 --> 00:38:43,319
Speaker 2: He knew what he was doing. He was throwing them

646
00:38:43,360 --> 00:38:46,800
Speaker 2: people off. This is crazy.

647
00:38:47,600 --> 00:38:49,960
Speaker 1: Nah, it's crazy because they they'll tell you so far.

648
00:38:49,960 --> 00:38:50,840
Speaker 2: I was cracked.

649
00:38:51,160 --> 00:38:55,400
Speaker 1: Nah, you know now, I'm more like Ralph Crampton man,

650
00:38:55,480 --> 00:38:58,200
Speaker 1: the Honeymooners man. You know what I'm saying, Ralph.

651
00:38:58,040 --> 00:39:01,200
Speaker 2: Kram you crammed in. If he had crammed in that bread.

652
00:39:02,239 --> 00:39:05,400
Speaker 1: Cranson had a lot of bread. Craniall was down in Miami.

653
00:39:06,160 --> 00:39:06,560
Speaker 2: You mean.

654
00:39:08,840 --> 00:39:15,279
Speaker 1: TV show? He was fucked up the Union. Yeah, no,

655
00:39:15,440 --> 00:39:17,520
Speaker 1: he was fucked up in the app bad. At least

656
00:39:17,560 --> 00:39:19,959
Speaker 1: he has somebody to pick on. What's his man's knowing

657
00:39:20,200 --> 00:39:24,520
Speaker 1: man knowing, Yo, he was killing knowing the real Jackie

658
00:39:24,560 --> 00:39:28,279
Speaker 1: Gleason at Breck, the real Jackie Gleason. He was a

659
00:39:28,400 --> 00:39:32,240
Speaker 1: pool shok. He being my. He be in Miami killing

660
00:39:32,360 --> 00:39:36,440
Speaker 1: dudes for bread. Oh that was his gambler. He ran Miami.

661
00:39:36,640 --> 00:39:42,160
Speaker 1: You get Minnesota facts, Minnesota facts. He ran everything in Miami.

662
00:39:42,280 --> 00:39:45,359
Speaker 1: So that's who you know. I inspire to be man.

663
00:39:45,520 --> 00:39:51,279
Speaker 1: You know what I'm saying, Ja, Yes, yes, Joyce Redolph,

664
00:39:51,680 --> 00:39:55,879
Speaker 1: let me take you with Joyce arc Cornie d Yeah.

665
00:39:55,920 --> 00:39:56,040
Speaker 2: Yo.

666
00:39:56,160 --> 00:39:57,720
Speaker 1: That ship was the ship though.

667
00:39:58,560 --> 00:40:01,520
Speaker 2: The Marathion's or New Year. You don't know about the

668
00:40:01,600 --> 00:40:16,359
Speaker 2: money moonings. This the fun, Ben Simmons, the Knicks.

669
00:40:16,239 --> 00:40:19,440
Speaker 1: Have hold on one second. One second. I'm sorry. They

670
00:40:19,560 --> 00:40:22,239
Speaker 1: buying me socks. You know what I'm saying.

671
00:40:22,280 --> 00:40:25,000
Speaker 2: I'm trying to be cool, trying to I'm trying to

672
00:40:25,239 --> 00:40:28,440
Speaker 2: do the socks and one five eight they got cotton.

673
00:40:28,600 --> 00:40:31,920
Speaker 1: This go talk I rich cotton. He's saying, I need

674
00:40:32,080 --> 00:40:34,319
Speaker 1: like Louis socks and all this kind ship.

675
00:40:34,440 --> 00:40:37,719
Speaker 2: What I just told you, you're getting one where it's cool.

676
00:40:37,960 --> 00:40:40,520
Speaker 2: We got I got all of the socks, but get

677
00:40:40,600 --> 00:40:42,920
Speaker 2: these from one five eight up n y c rich

678
00:40:43,000 --> 00:40:44,200
Speaker 2: cotton man they got.

679
00:40:44,440 --> 00:40:47,520
Speaker 1: I got an app out on socks. They are they

680
00:40:47,600 --> 00:40:48,160
Speaker 1: all trp.

681
00:40:48,520 --> 00:40:51,400
Speaker 2: Trying to get mad socks. You're gonna waste The ships

682
00:40:51,480 --> 00:40:53,320
Speaker 2: is one where like air Force.

683
00:40:53,160 --> 00:40:57,520
Speaker 1: And it's over. So you said the witch cotton's rich cotton. Wait,

684
00:40:57,600 --> 00:41:00,880
Speaker 1: I got the rich cotton. That's what up a little bit.

685
00:41:01,920 --> 00:41:03,439
Speaker 2: I ain't gonna bring it up a little.

686
00:41:03,840 --> 00:41:08,040
Speaker 1: Ben Simmons to talk about this Nix is in talk

687
00:41:08,160 --> 00:41:08,960
Speaker 1: with I've seen it.

688
00:41:10,000 --> 00:41:12,719
Speaker 2: This is it might be allegedly is something I seen

689
00:41:12,800 --> 00:41:15,759
Speaker 2: them in the sports world that the Knicks is in

690
00:41:15,920 --> 00:41:19,600
Speaker 2: talks with Ben Simmons. The first comment I seen is

691
00:41:19,719 --> 00:41:23,680
Speaker 2: fat Joe. No, that's.

692
00:41:25,120 --> 00:41:27,440
Speaker 1: That's emphatically Nonsighth.

693
00:41:26,920 --> 00:41:30,680
Speaker 2: For God, wouldn't like Ben Simmons off the bench. No, listen,

694
00:41:31,239 --> 00:41:34,480
Speaker 2: let me talk before you say why not. And I'm

695
00:41:34,520 --> 00:41:38,359
Speaker 2: not enthusiastically happy about it, but just look why Mike

696
00:41:38,440 --> 00:41:42,000
Speaker 2: can work. You don't we need him to handle the ball.

697
00:41:42,920 --> 00:41:45,960
Speaker 2: He can fucking hell of a pass it and he

698
00:41:46,040 --> 00:41:50,040
Speaker 2: can stick anybody from one to five. We don't need

699
00:41:50,120 --> 00:41:52,840
Speaker 2: him to shoot passing the Clarkson, pass it to the

700
00:41:52,960 --> 00:41:56,279
Speaker 2: big nigga from French and pass it to whoever else

701
00:41:56,360 --> 00:41:57,880
Speaker 2: they left it bridges or whoever.

702
00:41:58,280 --> 00:42:02,399
Speaker 1: You know, I think about it fused because I can't

703
00:42:02,480 --> 00:42:03,080
Speaker 1: see that dude.

704
00:42:03,640 --> 00:42:06,359
Speaker 2: Houston said, we're gonna talk about him longer than he's

705
00:42:06,400 --> 00:42:06,919
Speaker 2: gonna play.

706
00:42:07,080 --> 00:42:09,640
Speaker 1: If you don't listen to what I'm saying to you,

707
00:42:10,480 --> 00:42:15,080
Speaker 1: I'm confused. Like Ben Simmons is he's a wash.

708
00:42:15,400 --> 00:42:19,560
Speaker 2: They hypnotize him back that Ben Simmons right now, he's

709
00:42:19,680 --> 00:42:22,600
Speaker 2: been everything's been from.

710
00:42:22,520 --> 00:42:25,000
Speaker 1: What about the Young boyn read what about the Young

711
00:42:25,080 --> 00:42:29,480
Speaker 1: Boy around the world and AIAI. But he ain't been Simmons.

712
00:42:29,719 --> 00:42:34,680
Speaker 1: He ain't been playing and he ain't been playing. Yo,

713
00:42:35,120 --> 00:42:39,080
Speaker 1: that's a fact. But I watched you since my vert

714
00:42:39,480 --> 00:42:42,719
Speaker 1: I washed. He got he got it in them. Somebody

715
00:42:42,920 --> 00:42:46,880
Speaker 1: took it out of a porch. He had a supercore.

716
00:42:47,080 --> 00:42:47,440
Speaker 2: He's been.

717
00:42:47,600 --> 00:42:49,960
Speaker 1: He used to be a killer, he was the man,

718
00:42:50,040 --> 00:42:52,240
Speaker 1: but he ain't that. I think it was Philly.

719
00:42:53,440 --> 00:42:57,120
Speaker 2: Philly does something to him, Yo, listen or lady and

720
00:42:57,239 --> 00:42:59,960
Speaker 2: Philly a cheese steak. Something in Philly.

721
00:43:00,200 --> 00:43:03,520
Speaker 1: Shout out to my man, Skinny Joe, Skinny Joe coming

722
00:43:03,600 --> 00:43:05,719
Speaker 1: down there for that Philly cheese seak. My man just

723
00:43:05,800 --> 00:43:09,560
Speaker 1: opened up a Philly cheese seakes. I said, no, I

724
00:43:09,680 --> 00:43:12,640
Speaker 1: rolled by the line a million man mind. I was

725
00:43:12,680 --> 00:43:18,560
Speaker 1: gonna go go in there. He said, this ship the world. No, No,

726
00:43:18,640 --> 00:43:21,520
Speaker 1: I'm going next week. I go to Miami tomorrow, but

727
00:43:21,600 --> 00:43:24,319
Speaker 1: I'm going to the I just need one. But it's

728
00:43:24,400 --> 00:43:28,799
Speaker 1: the real deal. I just need one. But I've been

729
00:43:28,840 --> 00:43:32,400
Speaker 1: watching it on Instagram. Shout out, my man Steve Morleronald. So,

730
00:43:32,480 --> 00:43:35,120
Speaker 1: my man Steve Morleronald got the Italian restaurant at Fort

731
00:43:35,200 --> 00:43:39,920
Speaker 1: Lord of Delle. His cheese steaks are undefeated. But this

732
00:43:40,320 --> 00:43:45,680
Speaker 1: just off of face value. And segued to full Steve skinny,

733
00:43:45,840 --> 00:43:50,960
Speaker 1: Skinny yo, his ship looking real. And now you said

734
00:43:50,960 --> 00:43:53,399
Speaker 1: you brought up Philly. Yo. The guy's piece of ship.

735
00:43:53,520 --> 00:43:57,840
Speaker 1: He's watched up crash Ben Simmons, He's done. He's a

736
00:43:57,960 --> 00:44:00,959
Speaker 1: vision of himself. He's scared of his own shout out, listen,

737
00:44:01,080 --> 00:44:04,840
Speaker 1: now listen to mental illness, cracked therapy.

738
00:44:05,520 --> 00:44:08,400
Speaker 2: I got a delusion. I got one of your cunneage.

739
00:44:08,400 --> 00:44:10,120
Speaker 1: Why is the loser? Think about this?

740
00:44:10,640 --> 00:44:13,400
Speaker 2: And Philly's my second home. It's my favorite place that

741
00:44:13,560 --> 00:44:14,960
Speaker 2: if I had to get out of here right now,

742
00:44:15,000 --> 00:44:17,400
Speaker 2: I'm moving to Philly. They love me, they protect me,

743
00:44:17,560 --> 00:44:20,239
Speaker 2: they they love I love Philly too. I think it's

744
00:44:20,680 --> 00:44:23,560
Speaker 2: when you when you're a rookie and they initiating you

745
00:44:23,719 --> 00:44:28,120
Speaker 2: and Philly, they take you somewhere, and they happened to

746
00:44:28,239 --> 00:44:31,400
Speaker 2: Markel folks. Yeah, happen to Ben Simmons.

747
00:44:31,960 --> 00:44:35,360
Speaker 1: But Markel folks came back. Now he came back to

748
00:44:35,400 --> 00:44:41,200
Speaker 1: say Simmons to come back long time and then he ain't.

749
00:44:40,960 --> 00:44:43,759
Speaker 2: Even He don't got the Ben. Look, Ben Simmons just

750
00:44:44,440 --> 00:44:49,920
Speaker 2: forgot how to shoot. He can't play matl folks. That No,

751
00:44:50,080 --> 00:44:51,160
Speaker 2: this guy can't play.

752
00:44:51,560 --> 00:44:52,320
Speaker 1: He can play.

753
00:44:52,560 --> 00:44:56,200
Speaker 2: Simmons don't want to shoot. Somebody told them, don't shoot,

754
00:44:56,640 --> 00:44:58,560
Speaker 2: and he the fucking mind.

755
00:44:59,040 --> 00:45:00,839
Speaker 1: I can't with the thing.

756
00:45:01,160 --> 00:45:04,040
Speaker 2: Look, if he gets the eye the tiger back, which

757
00:45:04,200 --> 00:45:06,719
Speaker 2: New York could make it get back, put it back,

758
00:45:07,480 --> 00:45:08,160
Speaker 2: and he'd be I.

759
00:45:08,400 --> 00:45:10,879
Speaker 1: Was at Boss, he was at Brooklyn. Ain't do ship.

760
00:45:11,400 --> 00:45:12,240
Speaker 1: Now let me explain.

761
00:45:13,640 --> 00:45:14,880
Speaker 2: He wasn't even showing up.

762
00:45:16,080 --> 00:45:20,000
Speaker 1: He wasn't moving there, ain't gonnais is gonna even help

763
00:45:20,080 --> 00:45:21,320
Speaker 1: you or fucking hurt you.

764
00:45:22,480 --> 00:45:24,360
Speaker 2: No gray area within the garden.

765
00:45:24,719 --> 00:45:29,279
Speaker 1: Ben Simmons is washed up. It's over. There's no way,

766
00:45:29,520 --> 00:45:34,080
Speaker 1: no hope, no nothing. We can't rewind the time I

767
00:45:34,160 --> 00:45:37,640
Speaker 1: got hope. I cannot rewind the time with this man.

768
00:45:37,760 --> 00:45:38,680
Speaker 1: This guy's failing.

769
00:45:38,760 --> 00:45:38,880
Speaker 2: Men.

770
00:45:38,960 --> 00:45:43,480
Speaker 1: She's fully in the gray area, especially off the bench. Nah,

771
00:45:43,920 --> 00:45:46,279
Speaker 1: he can't do nothing. I've been watching him for years.

772
00:45:46,520 --> 00:45:49,440
Speaker 1: I used to like this game, and I've been watching

773
00:45:49,520 --> 00:45:51,360
Speaker 1: him for years. I swear to God, I've been watching

774
00:45:51,440 --> 00:45:54,560
Speaker 1: your Marshall. Folks came back. He had a little spurk

775
00:45:54,640 --> 00:45:58,320
Speaker 1: went down to Orlando. Your man, best Simmons.

776
00:46:01,200 --> 00:46:03,400
Speaker 2: Take him to Disney. He might see three thousand.

777
00:46:04,280 --> 00:46:05,960
Speaker 1: They gave my man Polonchio.

778
00:46:07,400 --> 00:46:12,719
Speaker 2: Why what did you call it? Pablo, Paulo Chero? You

779
00:46:12,920 --> 00:46:21,200
Speaker 2: mess making Noro ca Caro. Yeah, man, I appreciate.

780
00:46:21,280 --> 00:46:24,279
Speaker 1: I'm sorry, Polo. This guy hold on, hold up, let

781
00:46:24,360 --> 00:46:27,640
Speaker 1: me tell you about Punk Carrow Punk Caro.

782
00:46:28,000 --> 00:46:28,640
Speaker 2: He just got that.

783
00:46:28,880 --> 00:46:34,000
Speaker 1: No, No, they did the right there. I thought about it, right,

784
00:46:34,160 --> 00:46:38,680
Speaker 1: I said, Yo, if you put Pink Carrow on Detroit,

785
00:46:39,760 --> 00:46:43,600
Speaker 1: they're the favorite. If you put Pink Carrow on any

786
00:46:43,960 --> 00:46:50,319
Speaker 1: team that's this that's almost looking to go, they're gonna

787
00:46:50,320 --> 00:46:55,080
Speaker 1: win a chip. So I feel like, of course Orlando

788
00:46:55,160 --> 00:46:58,080
Speaker 1: gave him the bag. But they also played like defense

789
00:46:58,760 --> 00:47:01,160
Speaker 1: because they was like, anybody we give this guy to

790
00:47:02,040 --> 00:47:06,320
Speaker 1: They imagine you sent point Carroll to Golden State, You

791
00:47:06,440 --> 00:47:09,120
Speaker 1: sent part Carroll anywhere they got a chance, if they

792
00:47:09,160 --> 00:47:13,799
Speaker 1: already got a one two punch at or whatever, they

793
00:47:13,880 --> 00:47:17,040
Speaker 1: got a chance at a chip. This guy, point Carroll.

794
00:47:17,040 --> 00:47:18,799
Speaker 1: I've seen some shit the other day. Maybe we don't

795
00:47:18,800 --> 00:47:21,600
Speaker 1: watch Orlando, but when they announced the deal, they was

796
00:47:21,680 --> 00:47:24,880
Speaker 1: like first NBA player with twenty five plus. I was like,

797
00:47:25,600 --> 00:47:27,600
Speaker 1: they put him in the names with like you know,

798
00:47:28,840 --> 00:47:31,719
Speaker 1: Will Chamberlain and this and and I didn't even know

799
00:47:32,960 --> 00:47:36,040
Speaker 1: he was doing that kind of I love him. I

800
00:47:36,080 --> 00:47:40,200
Speaker 1: ain't know he was doing legendary status numbers. That's what

801
00:47:40,360 --> 00:47:43,520
Speaker 1: he's doing. So I shout out, Punt Carrol. You know

802
00:47:43,640 --> 00:47:46,640
Speaker 1: he know he got a weird name. Don't get it

803
00:47:46,760 --> 00:47:50,160
Speaker 1: fucked up. His best friends had to study his shit.

804
00:47:50,800 --> 00:47:54,480
Speaker 1: He got a weird row Man, he got a weird there.

805
00:47:54,520 --> 00:47:57,480
Speaker 1: Pont Carrol, what's up, brother? I love Orlando team.

806
00:47:57,680 --> 00:48:01,080
Speaker 2: And Shamguard just got a then coach job.

807
00:48:01,040 --> 00:48:07,279
Speaker 1: On Sam God, oh shamp what's going on? Baby? I

808
00:48:07,400 --> 00:48:10,279
Speaker 1: got to cheer you. You know, Shamguard one of the

809
00:48:10,360 --> 00:48:14,200
Speaker 1: only people I know from the street that made it

810
00:48:14,280 --> 00:48:17,960
Speaker 1: to the league. So you know this, you know, Skip

811
00:48:18,080 --> 00:48:22,120
Speaker 1: made it. Skip, that's it. That's it, Rayfid Austin, that's it.

812
00:48:22,280 --> 00:48:24,880
Speaker 1: Who else in the street made it to the league.

813
00:48:25,440 --> 00:48:26,800
Speaker 2: The Sham ain't from the street.

814
00:48:26,880 --> 00:48:29,000
Speaker 1: He went the car he went to give I know

815
00:48:29,160 --> 00:48:32,160
Speaker 1: Sham from the street. Yeah, we know him from home. Yes,

816
00:48:32,360 --> 00:48:33,160
Speaker 1: he's from the street.

817
00:48:33,239 --> 00:48:34,160
Speaker 2: So he in the league.

818
00:48:34,280 --> 00:48:39,520
Speaker 1: He's assistant to college and killed. He killed in corp Okay.

819
00:48:39,760 --> 00:48:42,439
Speaker 1: So yeah, yeah, he killed in college with he ain't

820
00:48:42,440 --> 00:48:44,719
Speaker 1: do that problem with them, what you wanted to do

821
00:48:44,840 --> 00:48:46,880
Speaker 1: that in Providence? He killed him. Know what he did

822
00:48:46,960 --> 00:48:50,200
Speaker 1: in Providence. I salute him for what I'm saying is

823
00:48:50,280 --> 00:48:53,279
Speaker 1: to me, let me say, you just know Fat Joe

824
00:48:53,360 --> 00:48:57,480
Speaker 1: met him in the street street basketball. You know he

825
00:48:57,600 --> 00:49:00,000
Speaker 1: got the shamp. You know what I'm saying. He invented

826
00:49:00,040 --> 00:49:02,520
Speaker 1: to the move that every one of our players that

827
00:49:02,680 --> 00:49:07,439
Speaker 1: we think is the greatest of all time seventy one.

828
00:49:07,840 --> 00:49:11,960
Speaker 2: He showed. He did hours in sessions with Kobe, and

829
00:49:12,120 --> 00:49:14,440
Speaker 2: he did hours in sessions with Jiji.

830
00:49:15,920 --> 00:49:19,280
Speaker 1: He's legend. He taught them out of Sham for hours,

831
00:49:19,480 --> 00:49:21,000
Speaker 1: dribbling skills for hours.

832
00:49:21,239 --> 00:49:24,000
Speaker 2: He got story. He told me shit Kobe and gig.

833
00:49:24,960 --> 00:49:30,120
Speaker 1: Listen, shamguar salute brother, because I've seen you in the streets.

834
00:49:30,440 --> 00:49:32,360
Speaker 1: I know you went to college, but I've seen you

835
00:49:32,520 --> 00:49:34,680
Speaker 1: in the streets that we could easily get lost in

836
00:49:34,760 --> 00:49:38,239
Speaker 1: the streets, and he was in the streets. So that's

837
00:49:38,320 --> 00:49:41,279
Speaker 1: just one shot. I tell you. I know Shamguard was

838
00:49:41,400 --> 00:49:44,680
Speaker 1: sitting on the block to three in the morning drinking

839
00:49:44,920 --> 00:49:50,360
Speaker 1: talking this like, Oh he was in the streets and

840
00:49:50,520 --> 00:49:54,439
Speaker 1: now he's a coach of of Orlando. That's that's huge.

841
00:49:54,480 --> 00:49:58,040
Speaker 1: He was in Dallas right before that. What you think

842
00:49:58,080 --> 00:50:02,439
Speaker 1: about Dallas chances? Kyrie, don't want to go back son.

843
00:50:02,560 --> 00:50:05,840
Speaker 2: They just sugned the Angelo Russell two years, thirteen million.

844
00:50:06,200 --> 00:50:07,000
Speaker 1: I think he's good.

845
00:50:07,440 --> 00:50:13,040
Speaker 2: I think that's a good feeling horse. Can you see.

846
00:50:14,520 --> 00:50:19,560
Speaker 1: By the dog ya listen? Nah, I really am not

847
00:50:19,880 --> 00:50:25,160
Speaker 1: a fan of D'Angelo Russell. I mean he's good close,

848
00:50:26,160 --> 00:50:29,120
Speaker 1: but no, cigar. I'm sorry, guys. He had his chance.

849
00:50:29,200 --> 00:50:32,480
Speaker 1: And what's crazy is I actually was there when he

850
00:50:32,560 --> 00:50:38,000
Speaker 1: got drafted to the league, and his confidence walking up there,

851
00:50:38,680 --> 00:50:42,560
Speaker 1: you would think he was the next Ai, the next Kobe,

852
00:50:43,239 --> 00:50:47,560
Speaker 1: the next MJ. Lebron. He will I'll never forget that.

853
00:50:47,800 --> 00:50:51,239
Speaker 1: And I remember to myself saying, Yo, this kid gotta

854
00:50:51,320 --> 00:50:55,040
Speaker 1: humble himself. And boy, the league have a way of

855
00:50:55,160 --> 00:50:57,920
Speaker 1: humbling you if you're not out there doing what you

856
00:50:58,000 --> 00:51:03,560
Speaker 1: gotta do. And so Angelo Russell, congratulations on sticking somebody

857
00:51:03,719 --> 00:51:04,879
Speaker 1: up for another check.

858
00:51:06,920 --> 00:51:07,400
Speaker 2: Yo, with that?

859
00:51:07,800 --> 00:51:09,640
Speaker 1: Why I look fifty three when you can look?

860
00:51:10,200 --> 00:51:11,080
Speaker 2: I can't believe this.

861
00:51:11,280 --> 00:51:14,319
Speaker 1: No, I'm trying to tell you the truth. Why get

862
00:51:14,440 --> 00:51:17,000
Speaker 1: thirty million when you should be getting three million?

863
00:51:18,480 --> 00:51:18,840
Speaker 2: Thirty?

864
00:51:19,480 --> 00:51:22,799
Speaker 1: I'm a little upset to yo, And I don't get jealous, man,

865
00:51:23,400 --> 00:51:26,000
Speaker 1: I'm a little upset. I looked up this week. I

866
00:51:26,080 --> 00:51:28,439
Speaker 1: guess they started the trades and all that. This week.

867
00:51:28,840 --> 00:51:32,000
Speaker 1: It's like five NBA players in the world with one

868
00:51:32,080 --> 00:51:37,040
Speaker 1: hundred million and better. Do you know what rappers gotta

869
00:51:37,120 --> 00:51:40,600
Speaker 1: do to make a hundred million? What's the percentage of

870
00:51:40,680 --> 00:51:43,040
Speaker 1: rappers that ever made one hundred million?

871
00:51:43,400 --> 00:51:45,400
Speaker 2: Da grumble rappers made one hundred million?

872
00:51:45,680 --> 00:51:49,000
Speaker 1: Not a rap, yo? How you watch these basketball players?

873
00:51:49,080 --> 00:51:52,680
Speaker 1: They said, No, you watch the ESPN. This shit's like, Yeah,

874
00:51:54,800 --> 00:51:59,359
Speaker 1: Julius ran dow one hundred million, three year deal, two

875
00:51:59,480 --> 00:52:03,479
Speaker 1: hundred sixty seven. I think Ponchero got for somebody as GA?

876
00:52:03,719 --> 00:52:05,600
Speaker 1: What as GA got.

877
00:52:05,640 --> 00:52:06,600
Speaker 2: To seventy four?

878
00:52:07,560 --> 00:52:10,960
Speaker 1: Carol eighty five five minutes? How much as g A?

879
00:52:11,040 --> 00:52:14,560
Speaker 1: You got any something for four? What the fuck? What

880
00:52:14,760 --> 00:52:15,760
Speaker 1: am I doing wrong?

881
00:52:16,600 --> 00:52:18,640
Speaker 2: You don't know how to shoot the turning round. You

882
00:52:18,800 --> 00:52:23,520
Speaker 2: got the leg for the euro you already you got

883
00:52:23,600 --> 00:52:24,880
Speaker 2: the leg for the first.

884
00:52:24,800 --> 00:52:29,400
Speaker 1: Jumper to your look you got I got it. I

885
00:52:29,440 --> 00:52:32,719
Speaker 1: ain't got the winner need to come back. You don't

886
00:52:32,760 --> 00:52:32,960
Speaker 1: got it.

887
00:52:33,000 --> 00:52:35,080
Speaker 2: I ain't got a hops. That's what got you the

888
00:52:35,200 --> 00:52:38,160
Speaker 2: hundred mil. You got the half year. I don't got

889
00:52:38,239 --> 00:52:41,120
Speaker 2: the hop they go back. I ain't got the first

890
00:52:41,200 --> 00:52:43,960
Speaker 2: one you ha been to jump. I got the first.

891
00:52:44,080 --> 00:52:46,719
Speaker 1: Even you would have me, I got the looks this

892
00:52:46,840 --> 00:52:49,560
Speaker 1: dece even later it would have called you to just

893
00:52:49,840 --> 00:52:53,600
Speaker 1: you know, going out by had to move practice got

894
00:52:53,680 --> 00:53:01,880
Speaker 1: the one. You got it all right, SG A two

895
00:53:01,960 --> 00:53:05,520
Speaker 1: eighty five million without the comp like four years, no

896
00:53:05,680 --> 00:53:10,800
Speaker 1: agent fee, no agent fee, fuck, pure money.

897
00:53:11,680 --> 00:53:11,960
Speaker 2: Pure.

898
00:53:12,239 --> 00:53:15,640
Speaker 1: The boy got his own money. Joey got his own ship.

899
00:53:16,560 --> 00:53:18,520
Speaker 1: And I just want to know what the fuck were

900
00:53:18,600 --> 00:53:20,040
Speaker 1: doing wrong. My legs are bad.

901
00:53:20,160 --> 00:53:23,000
Speaker 2: They can't shoot the turnaround, man, joe this ship is

902
00:53:23,280 --> 00:53:24,279
Speaker 2: you know how to do this? You know?

903
00:53:24,400 --> 00:53:27,680
Speaker 1: Because you ever noticed these ball players they want to

904
00:53:27,719 --> 00:53:31,239
Speaker 1: be rappers. I don't know what for? Did you know?

905
00:53:31,400 --> 00:53:33,080
Speaker 2: I mean, let me speak on that.

906
00:53:33,480 --> 00:53:36,320
Speaker 1: They do they want to they don't they let me.

907
00:53:36,960 --> 00:53:41,399
Speaker 2: I figured it out ballplayers like rappers. They don't want

908
00:53:41,440 --> 00:53:44,560
Speaker 2: to be They want ballplayer money, but they want to

909
00:53:44,600 --> 00:53:47,960
Speaker 2: be rappers with their contracts. If they had to switch

910
00:53:48,160 --> 00:53:51,879
Speaker 2: like a hobacks gonna be less ball players. They would

911
00:53:51,880 --> 00:53:54,120
Speaker 2: be playing the pianoing on. They wouldn't want to rap.

912
00:53:54,160 --> 00:53:56,279
Speaker 1: They wouldn't want to rap if they figured it out.

913
00:53:57,160 --> 00:54:00,520
Speaker 1: I just think everything was procession rap they get. I

914
00:54:00,640 --> 00:54:03,560
Speaker 1: think it's smoking mirrors. I think the ballplayers think the

915
00:54:03,719 --> 00:54:07,080
Speaker 1: rappers got as much money as done they've been watching.

916
00:54:07,200 --> 00:54:11,080
Speaker 1: I'm telling you, bro, I'm telling you, I'm sitting next

917
00:54:11,120 --> 00:54:13,320
Speaker 1: to Jeff Teg how much money Jeff Tag made it

918
00:54:13,440 --> 00:54:17,719
Speaker 1: his career? Yeah, you right, pretty good? What's pretty good?

919
00:54:18,960 --> 00:54:23,479
Speaker 1: I'm saying over fifty See how much good he said

920
00:54:23,880 --> 00:54:27,680
Speaker 1: doing this? Hold on? He signed a three year fifty

921
00:54:27,719 --> 00:54:30,480
Speaker 1: seven and twenty seventeen. And then what else we got

922
00:54:30,560 --> 00:54:33,600
Speaker 1: more than that? Whoever? You know what fifty seven million is?

923
00:54:34,000 --> 00:54:36,879
Speaker 1: By the way, the man told me, yo, I remember, yo, team,

924
00:54:37,200 --> 00:54:40,759
Speaker 1: one of these things. You was nearly one hundred. You

925
00:54:41,200 --> 00:54:44,880
Speaker 1: was driving a black bet like fuck you can you

926
00:54:45,000 --> 00:54:48,560
Speaker 1: got a hundred million like ninety eight point eight to

927
00:54:48,640 --> 00:54:51,440
Speaker 1: be exam They look at us ninety eight point eight

928
00:54:51,560 --> 00:54:53,799
Speaker 1: that's on the what like, he's not on a low ad,

929
00:54:53,880 --> 00:54:56,640
Speaker 1: that's on the low lower end.

930
00:54:56,840 --> 00:54:59,200
Speaker 2: Mind, Go see where I'm from.

931
00:55:01,520 --> 00:55:05,400
Speaker 1: I used to go see Ronald Tests and fucking Queensbridge projects.

932
00:55:06,480 --> 00:55:09,080
Speaker 1: He had when he got that like forty million or something.

933
00:55:09,160 --> 00:55:11,520
Speaker 1: He had an old school pickup truck. He used to

934
00:55:11,560 --> 00:55:13,040
Speaker 1: play for me at the Rock. I would go to

935
00:55:13,160 --> 00:55:16,000
Speaker 1: Queensbridge to get him. He's sitting out there with sound

936
00:55:16,440 --> 00:55:20,319
Speaker 1: chancletos on front of the bell like somebody ain't telling him, Yo,

937
00:55:20,400 --> 00:55:23,440
Speaker 1: you're filthy rich superstar. And he was out in the

938
00:55:23,600 --> 00:55:27,279
Speaker 1: projects in the summer every day. And by the way,

939
00:55:28,080 --> 00:55:30,799
Speaker 1: Runal Tests is undefeated in the Rucker's history. He never

940
00:55:30,880 --> 00:55:33,479
Speaker 1: played a game that he lost. So if he played

941
00:55:33,480 --> 00:55:36,080
Speaker 1: a hundred times, you could have bet the kitchen sink

942
00:55:36,120 --> 00:55:38,560
Speaker 1: on him. He never lost. One time we had a game.

943
00:55:38,600 --> 00:55:41,640
Speaker 1: He cut himself all the way here, he taped the ship,

944
00:55:42,360 --> 00:55:47,000
Speaker 1: still won the game. Runout Tests. He was different. But

945
00:55:49,080 --> 00:55:52,279
Speaker 1: it's safe to say I would switch with the ball

946
00:55:52,320 --> 00:55:55,360
Speaker 1: players any day, and a baseball player, Yo, we gotta

947
00:55:55,400 --> 00:56:01,239
Speaker 1: wrap this mad Rinaldo shit. Ronaldo is Saudi Arabia again,

948
00:56:01,400 --> 00:56:04,680
Speaker 1: like five hundred million taking the plane to Dubai every

949
00:56:04,760 --> 00:56:08,560
Speaker 1: day there's a thirty minute flight taking the He lives

950
00:56:08,640 --> 00:56:13,680
Speaker 1: in Dubai. It's seven hundred million over to respectful ship

951
00:56:14,480 --> 00:56:16,720
Speaker 1: and he flies over there for the game and flies

952
00:56:16,840 --> 00:56:21,399
Speaker 1: back into private like a joke. His kids ain't dun yo.

953
00:56:22,120 --> 00:56:25,799
Speaker 1: This ain't that, that ain't this, and this cracking kiss

954
00:56:26,000 --> 00:56:31,960
Speaker 1: baby the biggest fucking show in the globe, A phenomenon.

955
00:56:32,600 --> 00:56:35,600
Speaker 1: Rookies in the year. We're gone for that number one spot.

956
00:56:35,640 --> 00:56:37,840
Speaker 1: And let me tell y'all, I see y'all shaking in

957
00:56:37,960 --> 00:56:43,239
Speaker 1: your boots. Were coming to train this coming baby, to

958
00:56:43,400 --> 00:56:46,279
Speaker 1: train this coming sh see you