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Speaker 1: I had a rupt this program with some breaking news.

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Speaker 1: What we're doing. Don't tell m Yeah, I guess it

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Speaker 1: was my fault. In that way, we're back my fuckers

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Speaker 1: March Poor and let's show boater we did. It was

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Speaker 1: my fault anyway, And I don't know it was my fault.

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Speaker 1: Is a lot of people. There's a lot of folk

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Speaker 1: got sick. So I'm coming back there. Cut what the

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Speaker 1: fund ship. They didn't look at that. They like ship.

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Speaker 1: They know they cut them damn capital off Mark poor

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Speaker 1: motherfucker Nick Walter. Fuck we tell my fat about my teeth,

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Speaker 1: but y don't even take my mother said, be telling

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Speaker 1: about the guy ship on pucker. I did tell the

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Speaker 1: March Poor teams my bad March four. Show you you did. Yeah,

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Speaker 1: that's your job. They take it good? Do it didn't

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Speaker 1: post they know they take it good. Alright, you take

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Speaker 1: it still good, take it good, take it good in

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Speaker 1: the motherfucker man, Hey put this at the end. If

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Speaker 1: you bought take it already. Ships still good, whatever date

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Speaker 1: on the bring it. Let you let them figure it out.

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Speaker 1: But you tell them I said that the ship is

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Speaker 1: still good. But you gotta sit in the same seat,

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Speaker 1: got the s same week March for We'll see you

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Speaker 1: up there. Yeahs my mind that the mother murder. Yeah,

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Speaker 1: go watch your motherfucking man hurt back to the short

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Speaker 1: God you have ask you me this ship with six years,

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Speaker 1: the different kind, we gotta different type of atmosphere. Broke

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Speaker 1: the ship up vol up there when Paul's that paper

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Speaker 1: right quickly, Ain't nobody said play no Pipper. We're sitting

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Speaker 1: in we're kicking off ship. And I got to do

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Speaker 1: this because this how this episode starts. You gotta play

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Speaker 1: my number one Big Chris song. Uh it's it's a

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Speaker 1: it's a late entrant to my number one. But you know,

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Speaker 1: since I'm gonna told me to make this mother, this

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Speaker 1: is my little favorite Big Chris something. You need to

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Speaker 1: play Batter to the base. Let's go now, because we

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Speaker 1: got a very interesting story about Yeah, definitely, I know

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Speaker 1: we got some eight is out there that could wrap

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Speaker 1: their ass off. I'm gonna see if I can talk

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Speaker 1: to Cris. We can do a batter of the Base

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Speaker 1: challenge or something, letting they get an open version on

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Speaker 1: there and we'll pick the best winner, something like seeing

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Speaker 1: You're a box of merchants, Big Crist tickets and maybe

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Speaker 1: mo jacket. One speaker, just one speaker with bluetooth. Okay,

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Speaker 1: but I just think that's been hard because I just

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Speaker 1: feel like this is the one for the challenge, like

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Speaker 1: its online ship, like like an online chado in drop

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Speaker 1: now just part of it, because I was this the

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Speaker 1: intro in like if you're gonna turn into the Chads

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Speaker 1: type of ship, yeah, you just create cris little ship.

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Speaker 1: So my nigga, big crip call me said those come

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Speaker 1: listen to some music. So well get to the whole

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Speaker 1: through the whole album. So I'm waiting, like, mother, okay,

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Speaker 1: what are my sons. They're like, I ain't doing one.

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Speaker 1: I like what it ain't a big cree have one

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Speaker 1: that one week? You know how much pressure you put

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Speaker 1: on me. We said that ship. I was like, Bro,

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Speaker 1: I'm just going to be one but out on this.

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Speaker 1: But bro, the album is done, Like I literally playing

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Speaker 1: done out. Bro, you gotta have the gotta have motherfucker

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Speaker 1: my sons like, no, I just needy'all do skids, bro, please.

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Speaker 1: And then I dropped your ship me a tour calling

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Speaker 1: the book come on bro, tweet dropped that ship like

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Speaker 1: dropping ship man because then we had to come don't

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Speaker 1: know he got base and didn't know what's going on, like,

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Speaker 1: b I don't know. I I don't want none of it.

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Speaker 1: Ship if you ain't got no my sil until I

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Speaker 1: got like four songs and he was like this, she's jaming,

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Speaker 1: but don't know if I don't hear none of that ship.

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Speaker 1: So yes, I feel like every time you dropped one

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Speaker 1: of these and myself join like you just be lyrically

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Speaker 1: going on. You're just going to bad Yeah, and just

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Speaker 1: like you always take a different style to go with

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Speaker 1: what I'm sounding saying. Then alright, bet, I can't tell

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Speaker 1: you nothing about we can't play the whole ship even

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Speaker 1: though it's got a whole breakdown. Craig, what's better up?

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Speaker 1: Man making music, man rapping, staying the funk out of

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Speaker 1: the way? You ever? Yes, votes not that like your

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Speaker 1: your your playing to n f t s like you

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Speaker 1: let the niggas know you're getting them for the metal verses.

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Speaker 1: How we did n f t s with the real

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Speaker 1: the rerelease A crip was here and all that, but

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Speaker 1: did the roads don't dies? They were like, man, if

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Speaker 1: you're thinking about photos, right, so we've been digital way

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Speaker 1: before what we thought. So when you get old pictures

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Speaker 1: from your parents, your grandparents, and just these are these

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Speaker 1: are digital roses because you can keep it pass along

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Speaker 1: forever and ever they don't go away, you know what

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Speaker 1: I'm saying, Like these are memories, These are like moments,

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Speaker 1: and then it goes beyond the people that actually were

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Speaker 1: in the picture, but the people that actually took the picture,

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Speaker 1: because normally they have a story behind the two. I

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Speaker 1: remember when I was in and I took that, So

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Speaker 1: that's died. Yeah, exactly what this is right down the

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Speaker 1: street bubble woom boom, and we was at the pool

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Speaker 1: hall and then this is what happened. And so these

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Speaker 1: stories you can keep passing down and that's a digital

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Speaker 1: ros you know what I'm saying. They don't die because

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Speaker 1: you keep passing them down. And tell me what it

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Speaker 1: was like trying to come up out of Mississippi on

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Speaker 1: the ramp ship that ship with difficult playing some pepper

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Speaker 1: everything you're doing, you know, I'm coming out of the

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Speaker 1: Mississippi extra hard anyway, that's it difficult? Yeah, brother, listen,

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Speaker 1: they got that sample from that doing that, and it's

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Speaker 1: moment that ain't doing That's that's a sample from motherfucking

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Speaker 1: busy color I mean, but that's the orison of what

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Speaker 1: you would that uses though legas be going back to

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Speaker 1: the original. Though, yeah, I'm not you know, we don't.

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Speaker 1: We don't know arison, We're not the sample. Sometimes I

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Speaker 1: respect to you just don't know the song. I listened

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Speaker 1: to it. That's the same mass see it in back

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Speaker 1: getting my decks sucked by the neighborhood, hope the same sun.

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Speaker 1: That's the version, like, yeah, okay, that's it. I ain't

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Speaker 1: regular beat. You should? I should what you can't do

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Speaker 1: producing because I can't aford beats. I'm sure was a

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Speaker 1: hundred dollars movie selling beats for everybody that that was.

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Speaker 1: That was high price. You can give it for fifty.

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Speaker 1: This is nine and nine talking about asking for Beth

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Speaker 1: a hundred dollars and I was like, okay, bit, I'm

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Speaker 1: go ask my dad. My Dad's like, yeah, I only

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Speaker 1: need a hundred dollars, Like what for what I need

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Speaker 1: to buy instrumental? Talking about it straight up? It was

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Speaker 1: like I know, and this way, and I started making

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Speaker 1: my own beat and it made sense. A hundred dollars

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Speaker 1: that's a lot of food. That's a city, right, bro,

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Speaker 1: that's a hunted like that's literally up hunted beat like

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Speaker 1: a hunted Burgers bro from when that's a dollar that

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Speaker 1: you if you get hunt inflation, that's like now now

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Speaker 1: hunted up. Yeah all the way. So we ain't spoke up.

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Speaker 1: So how did you did you? Like, if you didn't

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Speaker 1: have the money to buy the beach, where did you

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Speaker 1: get the equipment to learn how to? I mean, you

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Speaker 1: know what I mean? How you make that? Well? Uh?

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Speaker 1: A station PlayStation dropped this MTV music generator ship and

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Speaker 1: I started making beats. But my dad, one of those

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Speaker 1: popped about all the EQ equipment to make music. He

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Speaker 1: bought CD burners, changes all that ship. So once I

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Speaker 1: started making beats, by that time, I could EQ my

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Speaker 1: beats on all the set up that he had no

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Speaker 1: idea what the fun was going on, you know? And

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Speaker 1: I had that same ship on PlayStation shot out because

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Speaker 1: you were glad that you're probably playing the demo dis

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Speaker 1: you probably ain't buy the whole you know, my life

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Speaker 1: because love sonya would go in more fucking. The girls

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Speaker 1: were starting to rip over the PlayStation magazine and to

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Speaker 1: take the demo this and so once they started as

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Speaker 1: he for change here like nigga nah for that and

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Speaker 1: he's just playing from the beginning. I never got play

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Speaker 1: as level one per Rapper the Rapper, so I know

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Speaker 1: it's like didn't know what it is, but you ain't

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Speaker 1: gonna beat that ship game. But that was the beginning.

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Speaker 1: And then and my dad at Ceedee Burns, you know

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Speaker 1: what then he were doing. So I just like, great

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Speaker 1: motherfucker the m TV s through the and you just

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Speaker 1: figured out how to put this ship together. Man. I

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Speaker 1: know you said there with the instruction, but no, I

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Speaker 1: mean proteen years old, bro, you ain't got number time. Yeah,

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Speaker 1: I'm I'm working with that. And so memory cards back

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Speaker 1: then twenty five megabites on it, and so you can

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Speaker 1: only sample one song five seconds on the megal memory card.

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Speaker 1: Memory cards called Thudded Observation the boy everybody would live

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Speaker 1: PlayStation hand red. So you gotta learn a hole in it.

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Speaker 1: But you can open the top letters, keep spinning, just cool,

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Speaker 1: get it cool off and then clone that heat down.

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Speaker 1: Keeping Damn. I left my memory card of the Nigga

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Speaker 1: house and when't answered the phone, I'm I'm already go

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Speaker 1: over there, and my only memory card, my lad more.

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Speaker 1: I know you're stick. I got on that was like

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Speaker 1: you can't leave it because your parents ain't buy you know,

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Speaker 1: block Buster taking advantage of motherfucker. They got third of

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Speaker 1: them beaches in line to get these knowing you ain't

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Speaker 1: got no card. Hell, you had to be a fucking

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Speaker 1: genius to figure that out. Though I don't know. I

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Speaker 1: was survival, like, this is a way out. All my

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Speaker 1: beasts whacks fucked too. I was just about to say,

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Speaker 1: when did you get good at the ship? It's not

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Speaker 1: that's not the case. I just wacked two thousand fives

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Speaker 1: when I got didn't get good and kind of sha

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Speaker 1: two thousand five, how you know you got good? Food?

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Speaker 1: The loose came out two thousand one. Reason came out

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Speaker 1: two thousand two. Food looser free too, so you can

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Speaker 1: work out on that. Then Reason came out and it

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Speaker 1: was I was farther in band and the ship. I

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Speaker 1: really understand music a little bit. And then you played

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Speaker 1: to basically so twothing is literally the sub of the band,

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Speaker 1: and I played the suser phone, So what the fund

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Speaker 1: is the Susa phone? That's what sounding like some ship.

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Speaker 1: The sue made up with the suer phone the Suser

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Speaker 1: phone and got the playoffs needed. That wrapped up around nigga,

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Speaker 1: you rocking back and forth? No, they no, it's a

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Speaker 1: sou the phone when you're marching. Many didn't want with me,

191
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Speaker 1: don't try. Wouldn't need nothing to play a suser phone

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Speaker 1: the lotest, because I can still play a susing phone

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Speaker 1: in jazz. Don't do that one. What are you talking,

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Speaker 1: bro backyard bad gotta suser phone. It ain't about a

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Speaker 1: football team, did you? How did you take it? That

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Speaker 1: was being I didn't know. You don't know everything. I

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Speaker 1: didn't know what clones ship tracking. You just see princes

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Speaker 1: with this ship a sister, No, that's see him as fuck.

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Speaker 1: I said it was fun all arena play that ship

200
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Speaker 1: because you don't have to buy two. But you only

201
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Speaker 1: got to by by the mouthpiece was just sending five

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Speaker 1: cent I mean sending five dollar, right, So if you

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Speaker 1: broke his fucking you're trying to get in band. They're

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Speaker 1: selling you fucking trumpet, trombone, saxophones. You gotta rip them ships.

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Speaker 1: So everybody was like he ones o that, like can

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Speaker 1: I can I get you know, I want to get

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Speaker 1: the band. I want to do this, do that, And

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Speaker 1: it was like no, it's too expensive. So I found

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Speaker 1: the most experience ships. I can buy shade, the fouled

210
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Speaker 1: all the mouthpiece, and they give you the tube, and

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Speaker 1: they give you the super phone and you can play

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Speaker 1: that ship. You play both of them. Fuck yeah, I

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Speaker 1: mean the same ships. Three fucking buttons just won't wrap

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Speaker 1: around you from marching being up. We're sitting down. Concert

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Speaker 1: just it's concert is amazing, but it's born. It's fun

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Speaker 1: ain't on marching. So they just gave you that because

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Speaker 1: as big as Funello too. They get up with the

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Speaker 1: cello violin. You gotta buy that bitch. Viola, you gotta

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Speaker 1: buy that bitch. But cello that that that be as

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Speaker 1: big as fun. So I said, fucking see gray walking

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Speaker 1: and that sound like an old motherfucker now walking two

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Speaker 1: miles of the creative with this big a chiller on

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Speaker 1: my back, yo, old school sound around the pro abition

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Speaker 1: look out, don't get where it's all they said to

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Speaker 1: me every years worse when I played with bass instruments.

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Speaker 1: So that's why you gotta understand my different soup. That

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Speaker 1: ship ain't knocking, it ain't moving you. All the instruments

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Speaker 1: I played, you don't even hear him until later on

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Speaker 1: it was like, damn it yeah, So did you think

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Speaker 1: he was going to be a producer or rapper? Bro

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Speaker 1: which one? Did you want to be? First? But did

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Speaker 1: you want to be a producer exclusively or rapper? Rapper

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Speaker 1: got me rapper got me attention from DJ's, but the

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Speaker 1: producer got me in the room with everybody. Because when

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Speaker 1: your producer, there's no ego involved for real, you can

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Speaker 1: just work. Rappers want the beats. Producers want to be like,

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Speaker 1: oh man, what kick drawing? You use? Engineers you know,

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Speaker 1: we're like, hey man, what soup that is? But when

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Speaker 1: you're rapping and there's another rapping the room, you compete

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Speaker 1: in the entire time. So producing my way all the

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Speaker 1: way up to Cripples Hill was the best thing I

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Speaker 1: could have done because I work with so many people.

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Speaker 1: You brought up compete, man, tell me about the amount

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Speaker 1: of Olympus I killed everybody? Yeah, informs and ain't play nowhere.

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Speaker 1: Why do you think that? You think that's because why

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Speaker 1: they did geography Lottery explained that he can't. You know,

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Speaker 1: I mean, you ain't in control where you're boring it.

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Speaker 1: But I know a lot of mothers wouldn't have made

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Speaker 1: would have made it out of where I'm from Musically

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Speaker 1: Got You and David Yeah, yeah, I learned from I

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Speaker 1: learned from David Banner that I gotta produce an a wrapper.

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Speaker 1: I was literally at an Exigon, wasn't even working there.

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Speaker 1: My party was working. That David Banner pull up in

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Speaker 1: a red van is an MPC and that being hooked

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Speaker 1: up he had to another city. First time I met

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Speaker 1: the nigga, but I'm like, damn he really he driving

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Speaker 1: himself NPC. Literally look in the van. Gast went on

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Speaker 1: and I heard the record with him in Noriego, Capon,

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Speaker 1: and I was like, oh, he working with everybody PIMC.

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Speaker 1: I was like, damn, I need to produce a rap

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Speaker 1: at the same time, because this is gonna be the

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Speaker 1: move for me to venture outside of the ship. But

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Speaker 1: none of mother would have made that. Missip. You withn't travel, bro,

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Speaker 1: you ain't gonna make you gotta leave. You got to leave.

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Speaker 1: And that ain't even no disrespect. It just ain't enough resources.

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Speaker 1: And then it ain't the infrastructure. Yeah, and I said,

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Speaker 1: you got where you go. I'm gonna it ain't set

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Speaker 1: up to really be in the entertainment industry because you

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Speaker 1: don't never see that, don't nobody gonna come through that.

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Speaker 1: It ain't really first time he took me to Mississippi.

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Speaker 1: We're riding down there and he was like, pay to

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Speaker 1: watch this, Chico, he said. He just kept saying, watched this.

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Speaker 1: You're gonna see. As soon as we crossed over Alabama.

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Speaker 1: In the Mississippi, the color of the concrete change. He

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Speaker 1: was like, you see that said that you know you're

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Speaker 1: in a different place. I'm like, damn, maybe we just

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Speaker 1: drove watched the concrete whatever you do whever you're in

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Speaker 1: the Mississippi. But you're coming in the Mississippi, the highway brown.

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Speaker 1: It's clear. It's like as soon as you crossed into Alabama,

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Speaker 1: that ship turned like great. But soon as you get

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Speaker 1: the Mississippi, that ship brown, and you you sure because

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00:17:03,160 --> 00:17:06,080
Speaker 1: they always lay on the fucking a road work and

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Speaker 1: it's some different ship. Like, bro, look maybe that's where

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Speaker 1: you're going. Hold because when I was probably reading and

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Speaker 1: the rules is always great as fun, and I passed

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Speaker 1: by this big as you're dressed through Alabama and you

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Speaker 1: crossed into sucking when you get the mississip a lot

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Speaker 1: of money or it is the road getting dirty, the

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Speaker 1: road getting Come on, bro, I ain't miss sher to

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Speaker 1: say this dirty. I'm just saying that different always a

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Speaker 1: different coat. Yeah, I got the record that. But he

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Speaker 1: kept telling me why this. I'm like, oh, we're about

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Speaker 1: to see something break like what happened. He was like,

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Speaker 1: little look out the back window, Instagram field that ship,

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Speaker 1: true ship, true ship, any with my own Okay there

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Speaker 1: you're going, okay words, I can't Yeah, bro, I don't know, No, Bro,

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00:18:03,640 --> 00:18:07,359
Speaker 1: I'm really missing that's She's great as fun. He coming

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Speaker 1: from where Atlanta, all the way yere. There's just enough

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Speaker 1: of filter when the next time you dirty the road,

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00:18:15,040 --> 00:18:18,720
Speaker 1: it's not dirty, it's a different it's a different color,

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00:18:19,200 --> 00:18:22,040
Speaker 1: it's a different kind of asphalt, different types of what

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00:18:22,080 --> 00:18:25,359
Speaker 1: I'm saying. It's rather than the It's just you can

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00:18:25,440 --> 00:18:31,400
Speaker 1: clearly see that, like they're using different whatever in the Alabama,

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Speaker 1: ain't you so? I iritated whatever they're using it's better

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Speaker 1: for us. Did because any time I drive up and

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00:18:36,480 --> 00:18:39,720
Speaker 1: from there, it's so many more fucking like roadblocks, and

307
00:18:40,080 --> 00:18:43,560
Speaker 1: we're fixing this sheet. So maybe she just better because

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00:18:44,040 --> 00:18:45,879
Speaker 1: fixing this sheet, you know one thing. As soon as

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Speaker 1: you get the right, soon as you get the Mississippi,

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Speaker 1: and you that motherucking's saying, say, but really he changed

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Speaker 1: greatly mouth. You're sharing the trees. When you get close

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Speaker 1: to you're gonna slow your head down. Okay, get closer

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Speaker 1: different that's a different color. That's a different color concrete.

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Speaker 1: Okay from that coming up out of there though, Like

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Speaker 1: like when when you did getting to that point where

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Speaker 1: you was in the industry and started it around these

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00:19:14,200 --> 00:19:16,880
Speaker 1: people today like shun you, like this isn't you from

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Speaker 1: were out there? You ain't on ship, you ain't and

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Speaker 1: you had to go and did you had to go

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Speaker 1: and prove yourself or did you feel like you needed to? Yeah,

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Speaker 1: I always prove myself before they even said something about

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Speaker 1: proving myself. Um, I remember going to New York and

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00:19:29,840 --> 00:19:32,920
Speaker 1: then like that's the that's the real reason why freestyling

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00:19:33,000 --> 00:19:35,440
Speaker 1: is like some ship I don't like, only because I

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00:19:35,560 --> 00:19:37,600
Speaker 1: was so prepared to do it back then. It was

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Speaker 1: like every opportunity, I'm freestyling all the time because I

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Speaker 1: knew how they thought about Mississippi and the idea of

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Speaker 1: hip hop and if I'm going to Holiday death Jam,

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Speaker 1: if I'm in New York, then the idea of hip

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Speaker 1: hop is like oh ship, like this is super lyrical.

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Speaker 1: But what they didn't realize, like you would say, the

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Speaker 1: top ten songs in my neighborhood on radio were hip

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Speaker 1: hop records when I grew up, and then as I

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00:20:02,080 --> 00:20:05,439
Speaker 1: got older, it still was super hip hop lyrical records.

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00:20:05,640 --> 00:20:08,879
Speaker 1: It was nothing. I remember when Nelly and Ludacris finally hit,

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00:20:09,040 --> 00:20:11,800
Speaker 1: that's when things started to change. But in the South,

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00:20:11,880 --> 00:20:14,160
Speaker 1: we had found our own way of listening to music.

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00:20:14,200 --> 00:20:18,040
Speaker 1: Wouldn't necesarily you g K was the underground ship eight Bottom,

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00:20:18,880 --> 00:20:21,480
Speaker 1: you know what I'm saying, like Memphis music like all

340
00:20:21,600 --> 00:20:25,480
Speaker 1: that you can't tell, but they were not the top

341
00:20:25,560 --> 00:20:28,600
Speaker 1: ten records that people were calling in for, even if

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Speaker 1: you could call it all you want and your cousin

343
00:20:31,440 --> 00:20:34,480
Speaker 1: like calling, they're not playing that record that's really popping

344
00:20:34,520 --> 00:20:36,280
Speaker 1: in the shitty, because I remember we used to be

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00:20:36,359 --> 00:20:38,600
Speaker 1: excited as hell to see eight bottling m j G

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00:20:38,880 --> 00:20:43,439
Speaker 1: video on repsides. That was the one that really they played.

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00:20:43,520 --> 00:20:48,200
Speaker 1: The ship's playing the all the hood sheet from the side,

348
00:20:49,280 --> 00:20:54,480
Speaker 1: stay up the twelve class and don't pass up and

349
00:20:54,520 --> 00:20:57,000
Speaker 1: then put ESPN on Africa to coach your own in

350
00:20:57,160 --> 00:20:59,600
Speaker 1: sleep from everywhere. I remember they had the DC thin

351
00:21:00,040 --> 00:21:02,440
Speaker 1: there with the song about the fat asses in the

352
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Speaker 1: Gene time for freaking you know what. I he buggles

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Speaker 1: Paris soon cold damn old hold my ship. DC Niggas. No,

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00:21:27,840 --> 00:21:31,960
Speaker 1: I didn't know what them. What I knew the niggle

355
00:21:32,000 --> 00:21:35,360
Speaker 1: was a man of Grisi. Yeah, really a gally talking

356
00:21:35,359 --> 00:21:38,240
Speaker 1: about Gene. Yeah, man, that was DC niggers, biggers from

357
00:21:38,240 --> 00:21:42,639
Speaker 1: South Beata. Yeah remember that ship. You see, it's like

358
00:21:43,359 --> 00:21:46,320
Speaker 1: and he's great to think about culture, like you can

359
00:21:46,520 --> 00:21:49,040
Speaker 1: look and see when some niggas is from, when you're from,

360
00:21:49,080 --> 00:21:51,159
Speaker 1: if they really from when they're from. Like when I

361
00:21:51,240 --> 00:21:53,960
Speaker 1: see the niggas temper langs and the flower and the

362
00:21:54,080 --> 00:21:56,560
Speaker 1: Gene shorts and ship, I was like, I know those guys.

363
00:21:57,119 --> 00:22:00,439
Speaker 1: Those guys look spe and then they talk like, oh

364
00:22:00,520 --> 00:22:02,600
Speaker 1: it was decent niggas right there. And then when they

365
00:22:02,720 --> 00:22:05,119
Speaker 1: got to saying the James, that's all DC girls us

366
00:22:05,160 --> 00:22:10,320
Speaker 1: the way the boos and per so where people got

367
00:22:10,400 --> 00:22:13,080
Speaker 1: houses that there close together? Oh man, that so me.

368
00:22:13,119 --> 00:22:16,679
Speaker 1: I'm watching something. Everybody house so close together? I mean

369
00:22:16,840 --> 00:22:19,440
Speaker 1: side bro, we got grants and shot these nigga really

370
00:22:19,520 --> 00:22:22,080
Speaker 1: close together. I don't know how to cut grass now.

371
00:22:22,520 --> 00:22:28,720
Speaker 1: When y'all lords and you know what I'm saying, but

372
00:22:29,000 --> 00:22:31,240
Speaker 1: that that was the ship though, But like I know

373
00:22:31,400 --> 00:22:33,680
Speaker 1: that coming out of Mississippi, I know the ship that

374
00:22:33,760 --> 00:22:36,400
Speaker 1: he put me on to just meeting him. I wasn't

375
00:22:36,440 --> 00:22:39,160
Speaker 1: familiar with the culture like that. But once we went

376
00:22:39,240 --> 00:22:42,200
Speaker 1: down there, and you know the crazy part about your music.

377
00:22:42,200 --> 00:22:44,240
Speaker 1: I knew you was from Mississippi, but your music was

378
00:22:44,359 --> 00:22:47,800
Speaker 1: just it didn't It was bigger than just a place

379
00:22:47,920 --> 00:22:52,080
Speaker 1: like you hear you, it's like this niggah, Yeah exactly,

380
00:22:53,000 --> 00:22:56,119
Speaker 1: like let's put suser phones on. But when he go,

381
00:22:56,320 --> 00:22:59,840
Speaker 1: when he gold to Mississippi and you've seen y'all come from,

382
00:23:00,359 --> 00:23:03,240
Speaker 1: it's like, oh my god, he came from here. Yeah.

383
00:23:03,480 --> 00:23:05,480
Speaker 1: You get the looking around like man using hell of

384
00:23:05,520 --> 00:23:12,639
Speaker 1: a mother, and man, it's a loop to you. I

385
00:23:12,680 --> 00:23:20,000
Speaker 1: don't ship. What's your friend? Johnny Taylor? So oh shit, Uh,

386
00:23:20,600 --> 00:23:24,200
Speaker 1: just go through thousands? I ain't never heard that one.

387
00:23:25,280 --> 00:23:30,560
Speaker 1: Mine is everything's out and open. I remember y'all. Yeah,

388
00:23:30,600 --> 00:23:32,440
Speaker 1: so you don't know what this going through thousand? Is

389
00:23:33,080 --> 00:23:37,040
Speaker 1: this go three thousand? Yeah to your time. I don't

390
00:23:37,040 --> 00:23:38,800
Speaker 1: look at all I can think of is this go later.

391
00:23:39,640 --> 00:23:43,040
Speaker 1: Let's just go three thousand, And I think I can't

392
00:23:43,080 --> 00:23:45,600
Speaker 1: tell you. I just know, pull the ship up. This

393
00:23:45,760 --> 00:23:49,720
Speaker 1: go three thousands. I loved it. Now you're some like

394
00:23:50,000 --> 00:23:52,760
Speaker 1: some t the ain't have no motherfucking with the tees

395
00:23:57,520 --> 00:24:00,600
Speaker 1: in the back as well. How that baseball career was going, Man,

396
00:24:00,680 --> 00:24:02,840
Speaker 1: it wasn't good. I had a could at a four

397
00:24:02,960 --> 00:24:06,040
Speaker 1: Roger stealman in Alabama. Didn't take it because I had

398
00:24:06,080 --> 00:24:09,600
Speaker 1: made five d allars on some beats, five h on

399
00:24:09,760 --> 00:24:13,240
Speaker 1: some beats, and I was like, this is money right now, ship,

400
00:24:13,320 --> 00:24:15,800
Speaker 1: it's gonna pay me. I thought about single, a double

401
00:24:15,840 --> 00:24:17,800
Speaker 1: a triple A. I was like, shi it, I ain't

402
00:24:17,840 --> 00:24:20,560
Speaker 1: going that ship. If I'm gonna get the money right now,

403
00:24:21,440 --> 00:24:26,440
Speaker 1: that money ain't calling to a year later. But I

404
00:24:26,520 --> 00:24:34,919
Speaker 1: was a catcher lift field in my eyes. That bad now.

405
00:24:35,200 --> 00:24:37,520
Speaker 1: I'm so sorry you cheated that man at a sixth

406
00:24:37,520 --> 00:24:53,400
Speaker 1: whole not really Jenny Taylor's legend on some game, bro boll.

407
00:24:53,480 --> 00:24:56,760
Speaker 1: This ship made mele to get addressed, like you gotta

408
00:24:56,800 --> 00:25:02,919
Speaker 1: be so cool, really out of Mike down, some shuts

409
00:25:02,960 --> 00:25:11,080
Speaker 1: out you want. Okay, that's enough, that's enough. We can't

410
00:25:11,080 --> 00:25:14,119
Speaker 1: play the whole thing ship, know you too, work, Welcome

411
00:25:14,160 --> 00:25:19,560
Speaker 1: back to the fast. I didn't know we were gonna

412
00:25:20,160 --> 00:25:22,520
Speaker 1: we're taking ship with Big Creating here today. Man, that's

413
00:25:22,560 --> 00:25:24,920
Speaker 1: for the viewers. Man, we got people watching this ship.

414
00:25:25,160 --> 00:25:30,359
Speaker 1: Yeah yeah, no, I'm just talking. You've been drinking the

415
00:25:30,440 --> 00:25:36,240
Speaker 1: tetos laugh. It's gonna be laughing when they watched because

416
00:25:36,240 --> 00:25:38,000
Speaker 1: they ain't see it now, just like we got viewers.

417
00:25:38,040 --> 00:25:40,080
Speaker 1: And then you know, he's like, welcome back. But we

418
00:25:40,200 --> 00:25:42,040
Speaker 1: got a lot of subscribe We just hit to somebody

419
00:25:45,320 --> 00:25:50,040
Speaker 1: I see big click shout out to everybody subscribed to

420
00:25:50,119 --> 00:25:52,600
Speaker 1: the app to a lot of people. Yea, hell yeah

421
00:25:52,720 --> 00:25:55,400
Speaker 1: yeah you out of most requested guests, I will say

422
00:25:55,440 --> 00:25:59,040
Speaker 1: that that's yeah, they've been asked. I mean running up

423
00:25:59,040 --> 00:26:02,520
Speaker 1: for the man where y'all ain't gonna get crazy and

424
00:26:02,600 --> 00:26:06,120
Speaker 1: maybe right there like when you're gonna be on midshow. Yeah,

425
00:26:06,280 --> 00:26:08,159
Speaker 1: and that should be disturbing the mek up, Like, bro,

426
00:26:08,280 --> 00:26:16,440
Speaker 1: just give me some time. You had plenty of turned out. Yeah, yeah,

427
00:26:16,440 --> 00:26:23,000
Speaker 1: I got the video. Don't wish president want to kill

428
00:26:23,040 --> 00:26:34,080
Speaker 1: the story? No rest talk like don't it was perfect

429
00:26:34,480 --> 00:26:37,680
Speaker 1: where you know he was this I was He shot

430
00:26:37,760 --> 00:26:39,879
Speaker 1: the video while we was in the middle of him

431
00:26:39,960 --> 00:26:42,560
Speaker 1: and wilding now and then I still had to leave

432
00:26:42,640 --> 00:26:45,600
Speaker 1: and go do the toy dates. Too, So I left wilding.

433
00:26:45,640 --> 00:26:48,560
Speaker 1: Now that day we all did we show. Then I

434
00:26:48,680 --> 00:26:51,720
Speaker 1: flew back to Atlanta to do the video and then

435
00:26:52,400 --> 00:26:54,920
Speaker 1: I did my part and I was waiting on like ship,

436
00:26:54,960 --> 00:26:57,720
Speaker 1: I gotta go, and I was like what. I was like, Brod,

437
00:26:57,880 --> 00:26:59,520
Speaker 1: like what I mean, just keep us a little bit

438
00:26:59,560 --> 00:27:01,760
Speaker 1: more time, Haen. She had the lead like we're leaving

439
00:27:01,800 --> 00:27:06,280
Speaker 1: that single and hitted it in the end and make

440
00:27:06,359 --> 00:27:08,600
Speaker 1: it make sense. I was right up. I just said, man,

441
00:27:08,680 --> 00:27:13,359
Speaker 1: run run this ship, man you And I was like, damn, bro,

442
00:27:13,720 --> 00:27:18,760
Speaker 1: you know that's got your cough. We worked that, but

443
00:27:18,880 --> 00:27:20,960
Speaker 1: that's perfect though. You need to realize that, Yeah, we

444
00:27:21,080 --> 00:27:25,240
Speaker 1: may happen. Yeah, I knew doctors for real days. A

445
00:27:25,359 --> 00:27:35,200
Speaker 1: good ship over there, shut out beneath your multa come on,

446
00:27:35,600 --> 00:27:43,159
Speaker 1: you can you can the ends the ship direct the motherfucker. Yeah, man,

447
00:27:43,200 --> 00:27:47,320
Speaker 1: what you want? She scoring movies? Yes, you know, being

448
00:27:47,359 --> 00:27:49,840
Speaker 1: in movies. But I love scoring movies. I love it though.

449
00:27:50,640 --> 00:27:53,240
Speaker 1: I love that, like, haven't seen something people in the

450
00:27:53,280 --> 00:27:55,760
Speaker 1: movie you're gonna score? I do? I mean, you got

451
00:27:55,800 --> 00:27:58,000
Speaker 1: the eighty for yourself. Movies. We're got to start working

452
00:27:58,040 --> 00:28:02,040
Speaker 1: on breath. I kill it, bro, you know, I know, Yeah,

453
00:28:02,160 --> 00:28:05,680
Speaker 1: I'm talking about she running all this ship, bro sound

454
00:28:05,720 --> 00:28:07,879
Speaker 1: affixed on this ship. I do that say less we

455
00:28:07,920 --> 00:28:09,480
Speaker 1: you know, we're gonna have to get you to do it,

456
00:28:09,560 --> 00:28:15,960
Speaker 1: saying like the old Batman boom back. You want christ

457
00:28:16,960 --> 00:28:22,000
Speaker 1: sound man, just say everything the to that man. At

458
00:28:22,080 --> 00:28:24,000
Speaker 1: this point is ain't anybody you want to work with

459
00:28:24,200 --> 00:28:28,159
Speaker 1: that you haven't got to yet? Yeah, Adele, I mean

460
00:28:28,240 --> 00:28:30,840
Speaker 1: I Green still doing music? A deel want to work

461
00:28:30,880 --> 00:28:33,760
Speaker 1: with you? What happened? She want to work with? What

462
00:28:33,880 --> 00:28:37,440
Speaker 1: you heard about that? She said? She told you you know,

463
00:28:38,440 --> 00:28:42,400
Speaker 1: I want to get one because I'm telling you you

464
00:28:42,600 --> 00:28:45,520
Speaker 1: want to You heard him, you know, because she she

465
00:28:45,680 --> 00:28:47,920
Speaker 1: got the black dude. Now she's trying to She trying

466
00:28:47,920 --> 00:28:52,120
Speaker 1: to get blacken it up. She got bent too. She

467
00:28:52,280 --> 00:28:57,719
Speaker 1: wearing control. Yeah, okay, well I think that I braided

468
00:28:58,120 --> 00:29:00,520
Speaker 1: straight back and they took her phone away after that.

469
00:29:01,520 --> 00:29:03,280
Speaker 1: But I'm letting you know, yeah, they took us. They

470
00:29:03,320 --> 00:29:05,400
Speaker 1: took her phone away after she fun with you? Okay,

471
00:29:05,600 --> 00:29:10,560
Speaker 1: yeah cold Play? Cold Play? That's because then a sleeker

472
00:29:10,600 --> 00:29:12,400
Speaker 1: album on your phone and you don't have to ask

473
00:29:12,440 --> 00:29:17,320
Speaker 1: for you know, no hope play never snugger album. pH

474
00:29:17,320 --> 00:29:22,760
Speaker 1: I'm telling YouTube and you can't delete that momuck you

475
00:29:22,920 --> 00:29:26,680
Speaker 1: clube YouTube trying to leave that if you wanted your

476
00:29:26,720 --> 00:29:30,520
Speaker 1: phone and gotta watch actual lovesuit and get that off

477
00:29:30,600 --> 00:29:38,360
Speaker 1: my phone went to Coop. Yeah, I think he's just

478
00:29:38,440 --> 00:29:41,120
Speaker 1: a pologize for that ship. That shoe. You just can't

479
00:29:41,200 --> 00:29:48,160
Speaker 1: make Nobody listening to shape by you or anyone of

480
00:29:48,160 --> 00:29:56,840
Speaker 1: the youtubeo on your phone. Yeah yeah, class a class

481
00:29:58,240 --> 00:30:04,040
Speaker 1: right now, Looyd's you want anyone everything? Ship my little White.

482
00:30:05,840 --> 00:30:11,440
Speaker 1: I can't play the car the flash ship pay something

483
00:30:13,880 --> 00:30:20,479
Speaker 1: so cold Play? Look, okay your cold Play? All right,

484
00:30:20,960 --> 00:30:25,400
Speaker 1: old ship cold Play, they do it, They'll do it. Yeah,

485
00:30:25,480 --> 00:30:29,280
Speaker 1: you're right, the ship. You don't know how fucking fingers.

486
00:30:30,040 --> 00:30:33,360
Speaker 1: The Black Keys, the Black Keys, Yeah they fire Bro,

487
00:30:33,600 --> 00:30:37,480
Speaker 1: They fucking fire Bro. The Black Keys. Uh still waiting

488
00:30:37,480 --> 00:30:42,640
Speaker 1: to work with for real tembling? Uh Yeah, I mean

489
00:30:42,680 --> 00:30:44,640
Speaker 1: it's it's it's weird, bro, because I know that a

490
00:30:44,720 --> 00:30:46,880
Speaker 1: lot of people know who I am, bro, but they

491
00:30:46,960 --> 00:30:49,560
Speaker 1: have yet to work with me. So it's when you

492
00:30:49,640 --> 00:30:52,000
Speaker 1: say work, do you want to wrap with them or

493
00:30:52,040 --> 00:30:55,440
Speaker 1: do you want to make music for them to go

494
00:30:55,600 --> 00:30:57,080
Speaker 1: all the same, Because if they make a beat in

495
00:30:57,120 --> 00:30:58,960
Speaker 1: the snare drum off, I'm gonna tell them like y'all

496
00:30:58,960 --> 00:31:01,840
Speaker 1: you use this snare. So I think that's what the

497
00:31:02,160 --> 00:31:04,120
Speaker 1: weird part is. It's like I get in the booth

498
00:31:04,200 --> 00:31:06,000
Speaker 1: and I ain't just gonna be like, I'm like they

499
00:31:06,080 --> 00:31:08,240
Speaker 1: kid drunk, kind of weak. Maybe you just kids drawing.

500
00:31:08,320 --> 00:31:10,600
Speaker 1: Maybe you just ate away like you ain't gonna tell

501
00:31:10,640 --> 00:31:16,160
Speaker 1: a deal this ship? What you say? No? No, oh,

502
00:31:18,040 --> 00:31:22,480
Speaker 1: everything I said in bold bass. Everything I said involved

503
00:31:22,520 --> 00:31:25,680
Speaker 1: bass and drawing, pro CHRISTI pro chrision. So people, So

504
00:31:26,320 --> 00:31:28,880
Speaker 1: I said no about no pianos and ship flutes and ship.

505
00:31:29,560 --> 00:31:31,640
Speaker 1: But if a Dell Snaire is weak, I don't be like, yo,

506
00:31:31,720 --> 00:31:33,400
Speaker 1: you need a better snare on this, you need a

507
00:31:33,440 --> 00:31:35,960
Speaker 1: better kick on this. I mean, because it's not live

508
00:31:36,080 --> 00:31:38,040
Speaker 1: music you're talking about. If you're gonna she gonna put

509
00:31:38,080 --> 00:31:40,160
Speaker 1: me on something, it's definitely gonna be drawn programmed. I'm

510
00:31:40,240 --> 00:31:43,239
Speaker 1: sure what if it's not. What if you're going there

511
00:31:45,360 --> 00:31:53,200
Speaker 1: from scratch by lands on that and I'm good, get

512
00:31:53,240 --> 00:31:57,160
Speaker 1: me a metro program the key drawing week, I'm gonna

513
00:31:57,160 --> 00:31:59,160
Speaker 1: take Snaire a week. I'm gonna tell if the base

514
00:31:59,200 --> 00:32:01,280
Speaker 1: ain't hit number two. So you have a ball to

515
00:32:01,320 --> 00:32:05,440
Speaker 1: beat from the Nigua and had to fix it, you

516
00:32:05,480 --> 00:32:13,200
Speaker 1: ain't got to tell you this. I've collaborate people and

517
00:32:13,360 --> 00:32:17,240
Speaker 1: had to fix it. So you also understand. So mixed

518
00:32:17,280 --> 00:32:19,960
Speaker 1: engineer is gonna get enough love and praise to give them.

519
00:32:20,000 --> 00:32:22,680
Speaker 1: So yes, I'll tell you this. So so me as

520
00:32:22,760 --> 00:32:28,160
Speaker 1: a mixed engineer too as well, which y'all as a type.

521
00:32:28,600 --> 00:32:31,960
Speaker 1: So working with other mixed engineers out the ralph. Uh,

522
00:32:32,200 --> 00:32:35,560
Speaker 1: that's rare about Wolf. Now engineer about Wolf? You know

523
00:32:35,560 --> 00:32:38,160
Speaker 1: what I'm saying. It's kind of like they got the

524
00:32:38,960 --> 00:32:41,760
Speaker 1: specks of the drums, kick snare, high hands, the instruments,

525
00:32:42,040 --> 00:32:43,560
Speaker 1: they can make all the drops. So when you have

526
00:32:43,680 --> 00:32:45,920
Speaker 1: a lot of these drops and ship like that, normally

527
00:32:46,000 --> 00:32:49,160
Speaker 1: the producer didn't have that in mind. But when the

528
00:32:49,240 --> 00:32:51,880
Speaker 1: rapper put the vocals on it, the mixed engineers sitting

529
00:32:51,880 --> 00:32:54,360
Speaker 1: there and like trying to curate away to make the

530
00:32:54,440 --> 00:32:59,960
Speaker 1: song cohesive. So everybody loves bass stops in here, snail

531
00:33:00,040 --> 00:33:02,680
Speaker 1: goes away. So all of the people that I worked

532
00:33:02,680 --> 00:33:05,200
Speaker 1: with as mixed engineers know my sound and they know

533
00:33:05,320 --> 00:33:08,160
Speaker 1: what to drop out. But when you create really like

534
00:33:08,320 --> 00:33:11,440
Speaker 1: pianos to be in his hooks in the beginning basically here.

535
00:33:11,960 --> 00:33:17,520
Speaker 1: So that's the narrative of dynamic production. Most producers, you

536
00:33:17,640 --> 00:33:20,720
Speaker 1: can't do that before you play the record for artists

537
00:33:20,840 --> 00:33:24,120
Speaker 1: because they're gonna sound like the record is already done

538
00:33:24,160 --> 00:33:26,560
Speaker 1: before they sing all that. It has to happen after

539
00:33:26,960 --> 00:33:30,800
Speaker 1: the engineers says down records everything to be like you

540
00:33:30,880 --> 00:33:33,080
Speaker 1: know what they vocal was like they got low here,

541
00:33:33,120 --> 00:33:35,520
Speaker 1: but it'd be really nice. We drop everything down and

542
00:33:35,600 --> 00:33:38,520
Speaker 1: the producers be like, you know what you write because

543
00:33:38,800 --> 00:33:41,360
Speaker 1: niggas come in when this record really done. And then

544
00:33:41,480 --> 00:33:43,920
Speaker 1: you listen to the engineering like okay, bad, that makes sense.

545
00:33:43,960 --> 00:33:48,800
Speaker 1: They do this folks out here though ready now I'm

546
00:33:48,840 --> 00:33:56,320
Speaker 1: just saying that what too wi you know thatstation? And

547
00:33:56,440 --> 00:33:59,720
Speaker 1: then to the I'm like yeah, but then come on,

548
00:34:00,000 --> 00:34:06,960
Speaker 1: we're just comedians. Man. It's because when I have no

549
00:34:07,160 --> 00:34:10,440
Speaker 1: idea by the ship, but I do know that if

550
00:34:10,480 --> 00:34:15,160
Speaker 1: you add, I'm just suing with with yeah, man, you

551
00:34:15,360 --> 00:34:17,759
Speaker 1: you but you just like as a lyricist though you

552
00:34:17,800 --> 00:34:20,320
Speaker 1: want to go one of the coldest and you know

553
00:34:20,320 --> 00:34:23,600
Speaker 1: what I mean, rap fot grates up around the rap

554
00:34:23,640 --> 00:34:26,799
Speaker 1: folk and think of that ship is like grate up.

555
00:34:27,719 --> 00:34:31,600
Speaker 1: What motivates you to distill after knowing all the musical

556
00:34:31,800 --> 00:34:35,400
Speaker 1: knowledge and all of just you know, because That's the

557
00:34:35,440 --> 00:34:37,239
Speaker 1: why I Once you know you don't, you really just

558
00:34:37,360 --> 00:34:39,200
Speaker 1: get blacked like, man, I ain't got to prove this

559
00:34:39,200 --> 00:34:42,160
Speaker 1: ship no more. We'll keep you wanting to be the

560
00:34:42,239 --> 00:34:48,719
Speaker 1: greatest ever. Oh because I produced, and I'm like, I

561
00:34:48,880 --> 00:34:51,120
Speaker 1: actually produced music. And I tell you all the time

562
00:34:51,160 --> 00:34:53,040
Speaker 1: to imagine if I didn't make beats and I wrapped,

563
00:34:53,239 --> 00:34:56,640
Speaker 1: what would I be? You put me in the studio

564
00:34:56,960 --> 00:35:00,360
Speaker 1: with any rapper, me and them. Don't mix here, engineer,

565
00:35:01,000 --> 00:35:05,399
Speaker 1: no samples, no musicians, just me and them. I'm gonna

566
00:35:05,400 --> 00:35:10,080
Speaker 1: come out with a better album, better hand out because

567
00:35:10,200 --> 00:35:15,400
Speaker 1: I am literally the only person that produces, mixes, writes

568
00:35:15,719 --> 00:35:20,479
Speaker 1: my own ship all the time, all the time. You gotta,

569
00:35:20,560 --> 00:35:26,520
Speaker 1: you gotta and from MISSIPI. You're looking at me like

570
00:35:26,560 --> 00:35:30,520
Speaker 1: I didn't believe that ship. I told you I was

571
00:35:31,960 --> 00:35:37,759
Speaker 1: no samples, dog, ain't on that ship. Hum on that ship, right,

572
00:35:37,840 --> 00:35:41,799
Speaker 1: that ship, make that ship, mix that ship, master that ship.

573
00:35:41,960 --> 00:35:44,960
Speaker 1: I do it all. We can't and do the skits

574
00:35:45,040 --> 00:35:46,680
Speaker 1: on the people still come up to me all the

575
00:35:46,760 --> 00:35:50,040
Speaker 1: time about that ship. And all the time man come

576
00:35:50,120 --> 00:35:51,920
Speaker 1: up and talk to me about that. But being in

577
00:35:52,040 --> 00:35:54,400
Speaker 1: there every time, every other time I've been in the

578
00:35:54,440 --> 00:35:56,440
Speaker 1: studio I give you credit, but it's always been at

579
00:35:56,480 --> 00:35:59,239
Speaker 1: least one other person there. It wasn't nobody but me.

580
00:35:59,400 --> 00:36:05,160
Speaker 1: You are low in that mother everything everything. Yeah, y'all

581
00:36:05,200 --> 00:36:07,160
Speaker 1: do that again, come back out and like, nig where's

582
00:36:07,200 --> 00:36:12,640
Speaker 1: the help is this nigga? Mute? Yeah? I mean, there's

583
00:36:12,680 --> 00:36:14,960
Speaker 1: no different what y'all do, though, I mean y'all really

584
00:36:15,280 --> 00:36:17,880
Speaker 1: is isolated in the sense when you first started, then

585
00:36:17,920 --> 00:36:20,640
Speaker 1: you collaborate with people. But y'all you can go out

586
00:36:21,000 --> 00:36:23,440
Speaker 1: and do your own thing. Let's see, that's the difference

587
00:36:23,480 --> 00:36:25,880
Speaker 1: between comedy and music. Man, I gotta go out and

588
00:36:25,960 --> 00:36:29,640
Speaker 1: do my whole album. I can't pick three songs and

589
00:36:29,800 --> 00:36:32,040
Speaker 1: just get the funk album. I gotta do this album.

590
00:36:32,600 --> 00:36:41,239
Speaker 1: Who heard the album? Like you skip whenever? You've never

591
00:36:41,360 --> 00:36:44,279
Speaker 1: seen me not go out on tour never, I ain't never,

592
00:36:44,760 --> 00:36:47,080
Speaker 1: don't know how I went in fifteen minutes. I know

593
00:36:50,640 --> 00:36:52,880
Speaker 1: something I gotta do it about, and they want me

594
00:36:52,920 --> 00:36:56,480
Speaker 1: to do another That should be the craziest ship ever.

595
00:36:56,520 --> 00:36:57,839
Speaker 1: You want to say, Ja, I'm about to get out

596
00:36:57,880 --> 00:37:01,080
Speaker 1: of here. No, yes, they don't. It's like our uncle bird,

597
00:37:01,880 --> 00:37:05,799
Speaker 1: uncle brother and what y'all said, who worked harder? Though

598
00:37:05,960 --> 00:37:11,440
Speaker 1: comedian no comedium hard. It's kind of I think comedian

599
00:37:11,520 --> 00:37:15,160
Speaker 1: got one. Probably you can take a break whenever he

600
00:37:15,320 --> 00:37:20,000
Speaker 1: wants you. They know the words. You don't. Don't get

601
00:37:20,360 --> 00:37:24,319
Speaker 1: your ship to get you. You wanna make you sue

602
00:37:24,320 --> 00:37:29,000
Speaker 1: the bones. No hold on ship, hold on? Okay, I

603
00:37:29,120 --> 00:37:32,040
Speaker 1: think this is you just say the fifty because you're

604
00:37:32,120 --> 00:37:34,839
Speaker 1: just kicking it and you're walking back and forth. Ble ship.

605
00:37:35,400 --> 00:37:43,160
Speaker 1: I'm doing the days. Boy, don't talking ship. They don't

606
00:37:43,160 --> 00:37:45,800
Speaker 1: allow comedians and jump in the ground. I didn't need this.

607
00:37:45,920 --> 00:37:49,799
Speaker 1: See two times and one show by that you get

608
00:37:49,840 --> 00:37:53,640
Speaker 1: you jumping the hard park. Now get back on stage,

609
00:37:53,760 --> 00:37:58,000
Speaker 1: run up or jump up on the Speaker's crazy? What's

610
00:37:58,040 --> 00:37:59,960
Speaker 1: happening when you jumping up on the speak? They keep doing?

611
00:38:00,000 --> 00:38:02,719
Speaker 1: The music is skilled, boy, you know the music is off.

612
00:38:03,120 --> 00:38:07,239
Speaker 1: You ain't told him good, ain't the round, But hey man,

613
00:38:07,320 --> 00:38:09,560
Speaker 1: you can beat the music is all because everybody trying

614
00:38:09,560 --> 00:38:12,200
Speaker 1: to figure out where the fund is. He hit. It's like, oh, bro,

615
00:38:12,280 --> 00:38:15,040
Speaker 1: you're good, Yeah, I'm good. He's like, oh, then I'll

616
00:38:15,120 --> 00:38:19,080
Speaker 1: just work on stage like you. Running back one benefits music.

617
00:38:19,239 --> 00:38:21,320
Speaker 1: Just do aca is you can't hear what the nigga

618
00:38:21,400 --> 00:38:23,279
Speaker 1: is saying in the crowd. I'm gonna compete with one

619
00:38:24,120 --> 00:38:26,680
Speaker 1: you do a comedy, it's one nigger that paid the

620
00:38:26,800 --> 00:38:29,879
Speaker 1: least amount for his ticket. I'm calling out he boy,

621
00:38:30,000 --> 00:38:34,160
Speaker 1: the cheapest chickens, the black This thing is the loudest

622
00:38:34,239 --> 00:38:39,640
Speaker 1: thing in the show. I get, you know. What I

623
00:38:39,760 --> 00:38:42,279
Speaker 1: give y'all. What I gotta do is saying they're gonna

624
00:38:42,560 --> 00:38:47,400
Speaker 1: jam with my music, is gonna really like you know,

625
00:38:47,520 --> 00:38:49,920
Speaker 1: he was prepared. You ain't never went out there and

626
00:38:50,000 --> 00:38:55,279
Speaker 1: your songs didn't work. You had to switch songs, so

627
00:38:56,640 --> 00:39:01,880
Speaker 1: that don't don't there now you don't got Mike for

628
00:39:02,800 --> 00:39:07,279
Speaker 1: probably harder than hoping my nine. I think that a

629
00:39:07,400 --> 00:39:09,920
Speaker 1: clote full of people who didn't better get it, who

630
00:39:10,000 --> 00:39:12,320
Speaker 1: didn't come to see you, bro, who don't give an

631
00:39:12,440 --> 00:39:14,480
Speaker 1: If you may get a night, let's but if you

632
00:39:14,560 --> 00:39:18,879
Speaker 1: don't let me letting round just you imagine you're coming

633
00:39:18,920 --> 00:39:21,680
Speaker 1: and you dropped your soul and this music playing the

634
00:39:21,760 --> 00:39:25,560
Speaker 1: niggas is like I'm lett Rock, now, lettle Rocket. You

635
00:39:25,920 --> 00:39:32,880
Speaker 1: say you're right through. That's all open my comedy is.

636
00:39:33,560 --> 00:39:36,600
Speaker 1: But not when you're performing though, now when performing the song,

637
00:39:36,760 --> 00:39:38,200
Speaker 1: I give him that one, you know, I mean, I

638
00:39:38,280 --> 00:39:40,520
Speaker 1: still think it's harder for us because you though you can't.

639
00:39:40,880 --> 00:39:42,839
Speaker 1: We can't go out and you know we could tell

640
00:39:42,920 --> 00:39:44,879
Speaker 1: the same jokes, Bro, we can't tell them the same

641
00:39:44,960 --> 00:39:48,839
Speaker 1: way they performed in the palace, literally in the pit

642
00:39:49,320 --> 00:39:52,120
Speaker 1: pool pops, and I'm expressing my own from Miss City.

643
00:39:52,800 --> 00:39:55,920
Speaker 1: When you're staying there. It's like I'm on the north side, boom,

644
00:39:56,120 --> 00:40:01,680
Speaker 1: Just like I'm on the north side and I said, hey,

645
00:40:02,320 --> 00:40:08,040
Speaker 1: my name Critical. This is way before it big Critical.

646
00:40:08,200 --> 00:40:12,799
Speaker 1: Then they just kept roasting my name. Bro wrape my song, boom. Bro.

647
00:40:13,040 --> 00:40:14,719
Speaker 1: Let me tell you something you got before it. Look,

648
00:40:14,800 --> 00:40:17,319
Speaker 1: I had no jokes. I just wrapped a song. Bro, Boo,

649
00:40:17,800 --> 00:40:19,640
Speaker 1: nigger I get to New York. This is like two

650
00:40:19,719 --> 00:40:22,719
Speaker 1: thousand and fucking ten. I'm wrapped the country ship, all

651
00:40:22,760 --> 00:40:28,799
Speaker 1: that ship boom home O boo because they wanted somebody else. Bro, Bro,

652
00:40:28,920 --> 00:40:32,120
Speaker 1: I'm telling you wrote it's bro the Booze. You can't

653
00:40:32,239 --> 00:40:35,520
Speaker 1: laugh nobody out of the Booze because you you stuck

654
00:40:35,560 --> 00:40:38,040
Speaker 1: to the grid of the DJ. Dropped my song, bro,

655
00:40:39,160 --> 00:40:41,160
Speaker 1: drop my song. You can't be like, hey man, let

656
00:40:41,200 --> 00:40:46,960
Speaker 1: me drop my songs. Don't get help you. The boo is.

657
00:40:47,040 --> 00:40:49,000
Speaker 1: You gotta ride the boot and hope and you can

658
00:40:49,080 --> 00:40:53,320
Speaker 1: perform your way into the hand with the comedian, you

659
00:40:53,400 --> 00:40:55,440
Speaker 1: could just say fucking with the booze and just be

660
00:40:55,560 --> 00:41:00,960
Speaker 1: like ya, look at you, you get like that. I

661
00:41:01,000 --> 00:41:03,080
Speaker 1: would have did that if if I would have did

662
00:41:03,239 --> 00:41:05,840
Speaker 1: that in the beginning, if I would have did that

663
00:41:05,920 --> 00:41:08,200
Speaker 1: in the beginning of my career, I wouldn't be here

664
00:41:08,280 --> 00:41:10,919
Speaker 1: right now, I promise you, just like fu all y'all,

665
00:41:10,960 --> 00:41:13,000
Speaker 1: like I wouldn't winn't work, do you know what I mean?

666
00:41:13,040 --> 00:41:17,160
Speaker 1: The shows I have done that. Literally, look what Jesus

667
00:41:17,760 --> 00:41:20,400
Speaker 1: you mean you wouldn't. That's why you ain't rapping everybody.

668
00:41:20,440 --> 00:41:26,799
Speaker 1: That's basically that's why you ain't wrapping you. I can't.

669
00:41:26,880 --> 00:41:28,960
Speaker 1: I can't do that. But I'm this is music here

670
00:41:29,080 --> 00:41:32,200
Speaker 1: that I'm presenting. This music. Man, it's like my music.

671
00:41:32,280 --> 00:41:35,040
Speaker 1: It's my susophone. But what I'm saying is if you

672
00:41:35,960 --> 00:41:38,719
Speaker 1: how much more could you lose? No, you can lose

673
00:41:38,800 --> 00:41:41,880
Speaker 1: a lot more. That's one thing probably will teach you.

674
00:41:42,000 --> 00:41:44,920
Speaker 1: When you lose the room. You ain't lost the world.

675
00:41:45,280 --> 00:41:48,440
Speaker 1: Oh ship, you can be You can lose just because

676
00:41:48,520 --> 00:41:51,840
Speaker 1: of locals. I know that you're different because as a rapper,

677
00:41:52,040 --> 00:41:54,399
Speaker 1: when you lose the room, if you go too far,

678
00:41:54,520 --> 00:42:01,080
Speaker 1: you can lose the world. That No, you could just

679
00:42:01,320 --> 00:42:04,640
Speaker 1: lose the world if you go too far in rap music.

680
00:42:04,880 --> 00:42:06,920
Speaker 1: When the last time you've been to an open mic

681
00:42:07,719 --> 00:42:11,440
Speaker 1: with rapper, you see it, it's Nigga's coming out there

682
00:42:11,560 --> 00:42:17,359
Speaker 1: with a baby on this show, a real live baby nigga. Yeah,

683
00:42:18,160 --> 00:42:22,960
Speaker 1: you're niggas got hit man, baby baby that she's busching it.

684
00:42:25,960 --> 00:42:33,840
Speaker 1: Baby daddy come out. You were done? And no boy

685
00:42:35,000 --> 00:42:37,480
Speaker 1: else you think Nigga's gonna get in this game? I

686
00:42:37,600 --> 00:42:41,600
Speaker 1: can't tell what I think about. Yeah, this is a

687
00:42:41,680 --> 00:42:46,680
Speaker 1: real Nigga network. Way. So if you are are you?

688
00:42:46,840 --> 00:42:50,520
Speaker 1: If you're the finalests, three finals over and you keep

689
00:42:50,560 --> 00:42:53,719
Speaker 1: becoming the finalists for twenty five dollars and you never win,

690
00:42:54,239 --> 00:42:57,360
Speaker 1: and you have to ask yourself if this is the

691
00:42:57,480 --> 00:43:00,160
Speaker 1: program to get you where you need to go. That's

692
00:43:00,160 --> 00:43:03,839
Speaker 1: all I'm saying. If you think I've been a part

693
00:43:03,920 --> 00:43:07,040
Speaker 1: of them, like a lot of open mics, and I

694
00:43:07,080 --> 00:43:09,600
Speaker 1: would get as far as being a finalers and that

695
00:43:09,719 --> 00:43:12,319
Speaker 1: twenty five dolls just keep adding up, but I never win,

696
00:43:12,480 --> 00:43:15,080
Speaker 1: and I come back next week twenty five dollars, you

697
00:43:15,200 --> 00:43:19,200
Speaker 1: still finals. That's the thing about it, though, any type

698
00:43:19,200 --> 00:43:22,840
Speaker 1: of competition like that, what they judge and telling the

699
00:43:22,960 --> 00:43:26,000
Speaker 1: motherfucker with the best ship gonna win. The nigger who

700
00:43:26,080 --> 00:43:27,879
Speaker 1: come out with the baby on this should they're gonna

701
00:43:28,000 --> 00:43:32,200
Speaker 1: kill y'all fulfited every beat. You gotta have the best,

702
00:43:32,239 --> 00:43:35,440
Speaker 1: give you no beat. Producers do that. They come out

703
00:43:35,480 --> 00:43:37,840
Speaker 1: with scheme may they do all like be producers do

704
00:43:37,960 --> 00:43:41,480
Speaker 1: all the theatrics like they come out literally like they

705
00:43:41,520 --> 00:43:44,200
Speaker 1: come out with scheme man me dancer. They beat because

706
00:43:44,239 --> 00:43:46,640
Speaker 1: they're not a rappertive. But I'm confused, Like you went

707
00:43:46,680 --> 00:43:49,480
Speaker 1: to a rap like open mic and somebody had a

708
00:43:49,560 --> 00:43:54,320
Speaker 1: baby on this used to hold That's how he was

709
00:43:54,400 --> 00:43:56,920
Speaker 1: holding the baby with one arm in the end like

710
00:43:57,160 --> 00:44:02,000
Speaker 1: rank he was like Mike staying and maybe that sound

711
00:44:02,040 --> 00:44:10,600
Speaker 1: like a beat, that's the most recent ship. But he

712
00:44:10,680 --> 00:44:14,080
Speaker 1: would tell you doing comedy, I used to be anywhere

713
00:44:14,160 --> 00:44:17,320
Speaker 1: that was a microphone. I hosted everything that the nigga

714
00:44:17,440 --> 00:44:20,200
Speaker 1: hosts in this city. And I definitely used to have

715
00:44:20,840 --> 00:44:23,759
Speaker 1: a fucking open mic rap night and they used to

716
00:44:23,880 --> 00:44:26,960
Speaker 1: come in that bitch. I used to man, I'm telling

717
00:44:27,040 --> 00:44:30,239
Speaker 1: you it was one group of niggas. It was don't

718
00:44:30,280 --> 00:44:32,040
Speaker 1: even tell you it was a group of niggas. It

719
00:44:32,200 --> 00:44:35,840
Speaker 1: was like Lord Jesus twenty of them and if I

720
00:44:35,960 --> 00:44:41,319
Speaker 1: say the song, everybody around kids are another charge. I'm

721
00:44:41,400 --> 00:44:44,080
Speaker 1: going to the chain game. But they would give the

722
00:44:44,200 --> 00:44:46,600
Speaker 1: phone and they would be twenty niggas with twenty T

723
00:44:46,760 --> 00:44:49,640
Speaker 1: shirts on. They would turn their beach up and leave.

724
00:44:50,040 --> 00:44:59,319
Speaker 1: Yeah a little. I'm sorry you had to go through,

725
00:45:00,000 --> 00:45:02,319
Speaker 1: And that's what I'm saying. I just had to rapping

726
00:45:02,440 --> 00:45:04,120
Speaker 1: leave once they told me that I wasn't gonna win.

727
00:45:04,400 --> 00:45:08,120
Speaker 1: You just did the old time folks. I mean yeah,

728
00:45:08,160 --> 00:45:10,160
Speaker 1: because I paid twenty five and he had that ship

729
00:45:10,239 --> 00:45:14,160
Speaker 1: back then that but it was rapping when I lost

730
00:45:14,239 --> 00:45:18,280
Speaker 1: on Spring Street Apache to a nigga ad a fucking

731
00:45:18,400 --> 00:45:22,840
Speaker 1: hockey Mexico. I told you to nig the win all that,

732
00:45:23,160 --> 00:45:25,800
Speaker 1: but I lost to with the beat. I could, like

733
00:45:26,040 --> 00:45:29,040
Speaker 1: any rapper really wrap two that he played some ship

734
00:45:29,200 --> 00:45:34,040
Speaker 1: that was doing way too much being cool. Beat you

735
00:45:34,120 --> 00:45:39,359
Speaker 1: were too cool and was being ignorant. That's Jason Bro.

736
00:45:39,520 --> 00:45:41,480
Speaker 1: This is the first be Bell I ever did, Bro,

737
00:45:41,880 --> 00:45:45,719
Speaker 1: and I lost. Bro. I fucking lost because he had

738
00:45:45,760 --> 00:45:51,280
Speaker 1: a fucking like ski man told you all the rappers

739
00:45:51,320 --> 00:45:53,480
Speaker 1: like y'all want to work with this singer, but he

740
00:45:53,600 --> 00:46:00,279
Speaker 1: played this ship. He want ship the best. I don't

741
00:46:00,280 --> 00:46:02,520
Speaker 1: know if you want to do that. That's two thousand

742
00:46:02,560 --> 00:46:05,440
Speaker 1: and fucking nine. I started, he's a nineteen now and nine.

743
00:46:05,440 --> 00:46:07,640
Speaker 1: Why I want to do that then? Like they know,

744
00:46:07,840 --> 00:46:10,480
Speaker 1: I'm saying, when you like, when you're doing open mic

745
00:46:10,600 --> 00:46:13,840
Speaker 1: cons of competitions and beat and ship like. Man know,

746
00:46:14,000 --> 00:46:16,880
Speaker 1: I'm saying, the nigger with the best gimmick gonna always

747
00:46:16,960 --> 00:46:20,320
Speaker 1: winning that ship. That's why motherfucker's get frustrated because you

748
00:46:20,400 --> 00:46:22,439
Speaker 1: think you could just show up with talent and win.

749
00:46:22,640 --> 00:46:24,960
Speaker 1: That ain't enough. But we ben sell some other ship

750
00:46:25,120 --> 00:46:29,160
Speaker 1: that we tun to keep going all that nigga gonna kill.

751
00:46:29,600 --> 00:46:32,840
Speaker 1: He gonna go to the real commences and get cold,

752
00:46:33,200 --> 00:46:40,600
Speaker 1: right the whole crowd my nigger, right, jud just doing

753
00:46:40,719 --> 00:46:52,040
Speaker 1: this ship you don't stand the whole like you, just

754
00:46:52,160 --> 00:46:54,360
Speaker 1: you and him, and then they're gonna be like that

755
00:46:54,520 --> 00:47:04,239
Speaker 1: the place we got commos Miller, it is because same

756
00:47:04,320 --> 00:47:07,239
Speaker 1: make a beat both, y'all. I don't know. I'm just

757
00:47:07,360 --> 00:47:11,600
Speaker 1: saying the way that they set up these competitions and ship, man,

758
00:47:11,960 --> 00:47:16,040
Speaker 1: it doesn't matter, how could you you gotta sell some

759
00:47:16,239 --> 00:47:19,919
Speaker 1: other ship to go with it? Change ship with good.

760
00:47:21,200 --> 00:47:23,640
Speaker 1: I don't think got to be crazy. You gotta be outfit.

761
00:47:24,480 --> 00:47:28,920
Speaker 1: I got just a face man's brother, did you have

762
00:47:29,040 --> 00:47:36,359
Speaker 1: a face man? Exactly? L RG. What's your favorite beat

763
00:47:36,440 --> 00:47:39,839
Speaker 1: that you didn't made? You have country ship, country ship? Yeah,

764
00:47:39,880 --> 00:47:43,320
Speaker 1: country my favorite. Okay, So what's your favorite beat that

765
00:47:43,440 --> 00:47:45,799
Speaker 1: you didn't make it? If you can pick one ship

766
00:47:45,920 --> 00:47:48,480
Speaker 1: out at least not your favorite sound overall, because I

767
00:47:48,520 --> 00:47:52,120
Speaker 1: know that runs favorite hip hop beat, hip hop beat,

768
00:47:52,200 --> 00:47:54,560
Speaker 1: then you can't do a soul beat. Oh you can

769
00:47:54,560 --> 00:47:57,440
Speaker 1: do whatever I sold beat across under intense treat whoa

770
00:47:58,560 --> 00:48:01,320
Speaker 1: come on along? If I could have I wish I

771
00:48:01,360 --> 00:48:07,120
Speaker 1: could have been anything anything. Yeah, that one that's a

772
00:48:07,200 --> 00:48:13,560
Speaker 1: cold that's a cold one. I was going, come on, man,

773
00:48:14,960 --> 00:48:19,920
Speaker 1: than the hardest. What you think the hardest old school

774
00:48:20,000 --> 00:48:30,640
Speaker 1: beat is? Uh? Uh true? Man, Damn, that's a good question.

775
00:48:30,840 --> 00:48:34,879
Speaker 1: Take Care of Mama was amazing though, and I keep

776
00:48:34,960 --> 00:48:37,960
Speaker 1: going though, you know I do. Curtis Mayfield, cong fu.

777
00:48:38,360 --> 00:48:42,120
Speaker 1: Yeah that's a cold one. Curtis Mayfield Brown paid the

778
00:48:42,200 --> 00:48:45,640
Speaker 1: calls to be the boss man. I gotta go thing

779
00:48:45,800 --> 00:48:54,440
Speaker 1: thing and in it and like that. You see. It's

780
00:48:54,480 --> 00:48:59,839
Speaker 1: so many though, that big back God voice to Atlantis. Yeah,

781
00:49:00,440 --> 00:49:03,960
Speaker 1: that's a cold one. I get that's my soul, so

782
00:49:04,440 --> 00:49:09,360
Speaker 1: I gave one. This is probably phone, but screw that

783
00:49:09,480 --> 00:49:16,640
Speaker 1: chopped looseings hanging on the screen got me hang man,

784
00:49:17,640 --> 00:49:19,880
Speaker 1: because you you go that era, then I gotta go

785
00:49:20,120 --> 00:49:23,399
Speaker 1: dirty Diana. Michael Jackson. You're gonna do with Michael Jackson.

786
00:49:23,440 --> 00:49:26,640
Speaker 1: You're going to bed rocks on the Purple Rain screwed up?

787
00:49:28,280 --> 00:49:31,400
Speaker 1: All right? What's the best Michael Jackson beat? Then? Because

788
00:49:31,440 --> 00:49:34,640
Speaker 1: Michael Jackson had some old fat white dudes make it

789
00:49:34,760 --> 00:49:42,719
Speaker 1: was cold white man named Peter Magels. Michael Jackson. Yeah,

790
00:49:42,760 --> 00:49:52,359
Speaker 1: it's a fat dude. I mean the Michael Jackson sold

791
00:49:52,400 --> 00:49:57,040
Speaker 1: you don't look after the Red Dragon. But later Bill

792
00:49:57,880 --> 00:50:01,759
Speaker 1: Lady on the Pillo on the jazz board. I'm telling you, man,

793
00:50:01,800 --> 00:50:03,880
Speaker 1: look up some Michael. The Dude is one of my

794
00:50:04,000 --> 00:50:06,480
Speaker 1: favorite songs too. That that beat on the Dude. He's

795
00:50:06,520 --> 00:50:13,040
Speaker 1: a winner because yeah heard Handcock man that name. Yeah,

796
00:50:13,600 --> 00:50:18,680
Speaker 1: he had some instruments that was stop bit. Yeah, thats

797
00:50:18,719 --> 00:50:23,000
Speaker 1: a good one. I would set Herbie Handcock Chamillion. Yeah,

798
00:50:23,000 --> 00:50:26,320
Speaker 1: you put me onto that that ship, Kurt God, things

799
00:50:26,360 --> 00:50:35,040
Speaker 1: go crazy as Bob James. Oh okay, uh, Michael McDonald,

800
00:50:35,360 --> 00:50:39,840
Speaker 1: keep forgetting No, I didn't love it anymore. We do

801
00:50:43,480 --> 00:50:51,120
Speaker 1: the same. Yeah that nigg forgetting you mean, so keep

802
00:50:51,239 --> 00:50:54,040
Speaker 1: forgetting that nigga was the boy. I tried to find

803
00:50:54,120 --> 00:50:56,120
Speaker 1: me at least one white people's song a year to

804
00:50:56,239 --> 00:50:59,160
Speaker 1: add to my cap at least that, Yeah, every year.

805
00:50:59,239 --> 00:51:02,759
Speaker 1: I just don't think too they do know what they

806
00:51:02,920 --> 00:51:04,800
Speaker 1: like ship that you don't even know that they like.

807
00:51:05,080 --> 00:51:07,080
Speaker 1: I hope they find a black song now. I think

808
00:51:07,120 --> 00:51:10,520
Speaker 1: they just like they already man, Like at your next

809
00:51:10,560 --> 00:51:12,480
Speaker 1: show whatever, I ask some of the white people to

810
00:51:12,560 --> 00:51:14,600
Speaker 1: be at your show. Like, what's your favorite black song?

811
00:51:14,680 --> 00:51:16,200
Speaker 1: I asked all the time, and to ship the day

812
00:51:16,280 --> 00:51:19,120
Speaker 1: yellow you say black so black song? Yes, because black

813
00:51:19,239 --> 00:51:23,080
Speaker 1: ship music black people. What's your favorite black people? Your

814
00:51:23,120 --> 00:51:32,640
Speaker 1: favorite music? Great record? What's your favorite songs? You guys

815
00:51:32,760 --> 00:51:42,200
Speaker 1: got to be direct? What's your favorite song? Which? What's

816
00:51:42,239 --> 00:51:44,920
Speaker 1: your favorite? You know who got a big following in

817
00:51:44,960 --> 00:51:48,879
Speaker 1: the white community. And from my research, to change Wait

818
00:51:49,000 --> 00:51:54,239
Speaker 1: people love to Change and three six Mafia Wild on

819
00:51:54,360 --> 00:51:56,920
Speaker 1: tour The White Lady wrapped that in my show might

820
00:51:56,960 --> 00:51:59,640
Speaker 1: be a Wild on tour Niggas and these cords in

821
00:51:59,680 --> 00:52:03,359
Speaker 1: the bad from About to Get Past album, This ship

822
00:52:03,520 --> 00:52:08,040
Speaker 1: was like white man ship that was said on that

823
00:52:08,239 --> 00:52:12,640
Speaker 1: song Man She was an old said on that song, Bro,

824
00:52:12,800 --> 00:52:15,120
Speaker 1: I love the way Crunchy Black came over and ship.

825
00:52:15,680 --> 00:52:21,759
Speaker 1: What's doing? What we're ship? Like the little kid and

826
00:52:22,000 --> 00:52:24,200
Speaker 1: it in the background. You get that nigga get Me song.

827
00:52:26,960 --> 00:52:33,759
Speaker 1: I don't know what nigga listen but that this blue

828
00:52:33,840 --> 00:52:38,680
Speaker 1: album Digital Road. Don't oh lookay ask me that after

829
00:52:38,880 --> 00:52:41,680
Speaker 1: with his name get me okay with You always say

830
00:52:41,920 --> 00:52:45,719
Speaker 1: on this show, somebody to say Crunchy Black. He always

831
00:52:45,880 --> 00:52:49,080
Speaker 1: underrated that nigg is jamming. It don't matter the nigga

832
00:52:49,160 --> 00:52:53,239
Speaker 1: come on and say three balls. Only nigga do three

833
00:52:53,280 --> 00:52:56,120
Speaker 1: balls that You never say another nigga that will do

834
00:52:56,239 --> 00:52:58,239
Speaker 1: some crunching black ship and the way he comes on

835
00:52:58,320 --> 00:53:01,600
Speaker 1: a song with so much energy you used to being

836
00:53:01,719 --> 00:53:11,800
Speaker 1: cleaned in my expectation, we're gonna feature Yeah, yeah, yeah,

837
00:53:12,320 --> 00:53:15,640
Speaker 1: put you by the feeling like it's real. It's like

838
00:53:17,320 --> 00:53:21,560
Speaker 1: b C. But that nigga just the way his voice sound, Yeah,

839
00:53:21,640 --> 00:53:25,279
Speaker 1: it's that whole people. I feel like Crunchy Black kind

840
00:53:25,320 --> 00:53:27,319
Speaker 1: of like I feel like him and O D Beat

841
00:53:27,440 --> 00:53:30,480
Speaker 1: had the same energy. You know what I'm saying. He

842
00:53:30,719 --> 00:53:33,200
Speaker 1: just had that. He wasn't even the front man of

843
00:53:33,320 --> 00:53:35,520
Speaker 1: the group, but like what he brought to the group

844
00:53:36,880 --> 00:53:40,040
Speaker 1: a few times. You know, I guess it. I guess

845
00:53:40,080 --> 00:53:43,279
Speaker 1: it's a few country crunchy black albums after. I mean

846
00:53:43,400 --> 00:53:45,160
Speaker 1: it's like it's like master P when they had to

847
00:53:45,320 --> 00:53:47,080
Speaker 1: I think his ship came out and lays on the

848
00:53:47,120 --> 00:53:53,320
Speaker 1: back of the coming out. Damn, we need to go

849
00:53:54,520 --> 00:53:59,279
Speaker 1: slap with the scope broke. It was an that little

850
00:53:59,320 --> 00:54:01,719
Speaker 1: nay like he was like some sniper the school. Then

851
00:54:01,760 --> 00:54:03,719
Speaker 1: they never came out as a as a lot and

852
00:54:03,800 --> 00:54:08,000
Speaker 1: you got one that never come out lines area, What

853
00:54:08,400 --> 00:54:13,719
Speaker 1: ship you supposed to do with? What's in there? Yellow Wolf? No,

854
00:54:13,880 --> 00:54:17,080
Speaker 1: that was a concept at all, And that was a concept.

855
00:54:17,320 --> 00:54:20,919
Speaker 1: It wasn't on records made for that. So everything you'd

856
00:54:21,000 --> 00:54:24,640
Speaker 1: ever made records for you to put out, Yeah, I

857
00:54:24,719 --> 00:54:26,880
Speaker 1: mean the property, I know every records you made you right,

858
00:54:27,400 --> 00:54:32,960
Speaker 1: but everything that that, we didn't have any records of it.

859
00:54:33,120 --> 00:54:37,560
Speaker 1: What you saw on three little digs. So yeah, so

860
00:54:37,719 --> 00:54:40,279
Speaker 1: this new one, like what was the saying, who would

861
00:54:40,280 --> 00:54:44,239
Speaker 1: you do an album with like a joint album? Ship

862
00:54:44,480 --> 00:54:48,279
Speaker 1: bro that's a lot of people. Uh, I gotta say

863
00:54:48,280 --> 00:54:50,800
Speaker 1: a big son because missship first off, and that's the

864
00:54:50,840 --> 00:54:54,719
Speaker 1: original idea of multile I'm not big Son. So that

865
00:54:54,840 --> 00:54:57,280
Speaker 1: he was on a lot of records. He like literally

866
00:54:57,920 --> 00:55:00,279
Speaker 1: from Mississippi to you know, saying Thord cover up Jenna.

867
00:55:00,520 --> 00:55:04,160
Speaker 1: But I think about Celo, I think about Big Boy

868
00:55:05,160 --> 00:55:08,560
Speaker 1: and I could do an album with Bundy and we're wrapping,

869
00:55:08,800 --> 00:55:11,320
Speaker 1: you know what I'm saying together and you work with

870
00:55:11,400 --> 00:55:15,760
Speaker 1: Big Gift. No, you should. I've been in the studio

871
00:55:15,800 --> 00:55:21,399
Speaker 1: with VICKI hold good him up. I mean, you gotta

872
00:55:22,160 --> 00:55:25,320
Speaker 1: sold child out making music. You gotta do it. You

873
00:55:25,320 --> 00:55:29,400
Speaker 1: don't want a perfect one to love? Got tell you

874
00:55:30,000 --> 00:55:33,440
Speaker 1: don't want to work. He didn't even the dopest one. Man,

875
00:55:33,480 --> 00:55:35,719
Speaker 1: don't do that though music sold, child, Man, I won't

876
00:55:35,760 --> 00:55:38,719
Speaker 1: work with music. Child. He might not let you. You

877
00:55:38,920 --> 00:55:41,040
Speaker 1: might think you about to work with music. You wanted

878
00:55:41,080 --> 00:55:49,439
Speaker 1: to show up this man? What cost? You gotta tell

879
00:55:49,520 --> 00:55:52,480
Speaker 1: you right now? Once music sold, ch'all see this ship

880
00:55:52,640 --> 00:55:54,600
Speaker 1: and then we're gonna do a project. First of all,

881
00:55:54,640 --> 00:55:56,879
Speaker 1: he's gonna be like, first of all, won to Love

882
00:55:57,040 --> 00:56:01,560
Speaker 1: not available for studio session. But I'm just saying that

883
00:56:01,600 --> 00:56:04,200
Speaker 1: because I mean I felt working a minute. I meant

884
00:56:04,200 --> 00:56:07,320
Speaker 1: the og like made up four months ago and I

885
00:56:07,400 --> 00:56:09,759
Speaker 1: was like, damn man, it's amazing. I can't believe you

886
00:56:09,800 --> 00:56:11,840
Speaker 1: didn't know this nick that would have been introduced you

887
00:56:11,920 --> 00:56:14,520
Speaker 1: to him. I know him Purple want to love about

888
00:56:14,560 --> 00:56:17,919
Speaker 1: three more. But look, I mean I played introduced stuff

889
00:56:17,960 --> 00:56:22,400
Speaker 1: to this person. You didn't know that ship either. It

890
00:56:22,520 --> 00:56:24,239
Speaker 1: happens when you don't know some ship about the person.

891
00:56:24,480 --> 00:56:26,359
Speaker 1: But look, let me tell you something so people other

892
00:56:26,400 --> 00:56:30,400
Speaker 1: than that, I definitely, uh, Sleepy Brown, I need to

893
00:56:30,400 --> 00:56:33,200
Speaker 1: do a rector with him. I'm gonna give Youse the number. Yeah,

894
00:56:33,200 --> 00:56:34,800
Speaker 1: I mean, I know Sleepy though, I just done it.

895
00:56:34,840 --> 00:56:37,800
Speaker 1: It's all good. It just I'm trying to speak the

896
00:56:37,840 --> 00:56:43,759
Speaker 1: ship up, Mandy Fresh Jazzy Fay, like I need to

897
00:56:43,800 --> 00:56:46,480
Speaker 1: put out the record that we already got you do. Yeah,

898
00:56:48,360 --> 00:56:51,200
Speaker 1: I mean ship. I mean for y'all to being called

899
00:56:51,200 --> 00:56:54,480
Speaker 1: of the croj and ship like that. Man, We're sorry,

900
00:56:57,000 --> 00:57:11,839
Speaker 1: you know everything's gonna be all we gotta out here. Well, no, man,

901
00:57:11,880 --> 00:57:14,360
Speaker 1: this new album, Man, what can people expect from Digital

902
00:57:14,480 --> 00:57:18,200
Speaker 1: Roses Don't Die? Man? It's it's really about love, man.

903
00:57:18,320 --> 00:57:22,520
Speaker 1: So the thing about the dynamic of Digital Rose Don't Die,

904
00:57:22,680 --> 00:57:25,360
Speaker 1: It's first started up for me about that dea of

905
00:57:25,440 --> 00:57:30,680
Speaker 1: being a part of being a relationship goal. So when

906
00:57:30,720 --> 00:57:33,800
Speaker 1: you in it, like entertainment industry. People find you be

907
00:57:33,840 --> 00:57:37,120
Speaker 1: a relationship goal, so your pictures become posted to keep

908
00:57:37,160 --> 00:57:39,720
Speaker 1: getting posted even if you ain't with that person, it's

909
00:57:39,720 --> 00:57:42,560
Speaker 1: still leaders on the internet. And so I decided, well

910
00:57:42,840 --> 00:57:45,440
Speaker 1: that might be a negative component. So I decided it

911
00:57:45,600 --> 00:57:48,880
Speaker 1: was like you know, with digital roses actually, or anything

912
00:57:48,960 --> 00:57:51,480
Speaker 1: that was a photo or something I was taking before that.

913
00:57:52,200 --> 00:57:55,320
Speaker 1: So I have photos of my grandmama and my granddaddy

914
00:57:55,720 --> 00:57:58,240
Speaker 1: years ago, and my like my grandparents and then my

915
00:57:58,640 --> 00:58:00,360
Speaker 1: my dad when he was a kid, was like, you know,

916
00:58:00,600 --> 00:58:04,000
Speaker 1: this is a roses everybody and anything that was taken

917
00:58:04,400 --> 00:58:07,280
Speaker 1: before you were born. I was passed down because it

918
00:58:07,400 --> 00:58:10,360
Speaker 1: was before social media existed, so it wasn't a comment

919
00:58:10,440 --> 00:58:14,560
Speaker 1: of caption. It was really like a conversation with people

920
00:58:14,640 --> 00:58:16,600
Speaker 1: and like, oh, this is when your wound and if

921
00:58:16,760 --> 00:58:20,000
Speaker 1: these people are still alive, you talk to them about this,

922
00:58:20,240 --> 00:58:23,360
Speaker 1: this this actual topic of this photo and um and

923
00:58:23,440 --> 00:58:26,040
Speaker 1: give them the roses while they're there. So they keep

924
00:58:26,080 --> 00:58:28,320
Speaker 1: giving you roses as you're there. And so it's a

925
00:58:28,360 --> 00:58:32,520
Speaker 1: beautiful thing too. I have now I can start up

926
00:58:32,600 --> 00:58:36,040
Speaker 1: my own rose bed of my family members because they

927
00:58:36,160 --> 00:58:38,400
Speaker 1: keep sending me photos of my uncle's and my aunts

928
00:58:38,440 --> 00:58:41,440
Speaker 1: are anybody had passed and I'm like, damn, I have

929
00:58:41,520 --> 00:58:44,680
Speaker 1: a rose bed of roses. Its digital and I can

930
00:58:44,720 --> 00:58:46,640
Speaker 1: pass it down to my kids and my kids behind

931
00:58:46,720 --> 00:58:51,000
Speaker 1: that and it doesn't die for real. Hell yeah, I'm

932
00:58:51,040 --> 00:58:59,680
Speaker 1: about to turn my granddad into me. Let's go, we

933
00:58:59,800 --> 00:59:02,360
Speaker 1: are digital roses, bro, because all the pictures of my

934
00:59:02,400 --> 00:59:05,200
Speaker 1: granddaddy funny and it could be good memes for the

935
00:59:05,240 --> 00:59:07,080
Speaker 1: intern and that would be a good way to show

936
00:59:07,520 --> 00:59:14,160
Speaker 1: that used to wear a big grol yeah something everybody granddady,

937
00:59:15,400 --> 00:59:18,560
Speaker 1: Yeah they did. It was the white like, yeah, very big.

938
00:59:19,920 --> 00:59:21,800
Speaker 1: I love that concept th because, like I was just

939
00:59:21,840 --> 00:59:25,840
Speaker 1: showing you a picture somebody sit me from and it's

940
00:59:25,880 --> 00:59:27,920
Speaker 1: just the story to go behind it, and where I

941
00:59:28,200 --> 00:59:30,080
Speaker 1: was in that time frame of my life is like

942
00:59:30,480 --> 00:59:32,560
Speaker 1: to look back and remember that time and to see

943
00:59:32,600 --> 00:59:35,520
Speaker 1: how far you came from that time and it never died,

944
00:59:35,560 --> 00:59:37,680
Speaker 1: those fellers, but you gotta see that to bring back

945
00:59:37,720 --> 00:59:39,680
Speaker 1: those emotions, you know what I mean. I hadn't seen

946
00:59:39,760 --> 00:59:42,760
Speaker 1: myself in that space since then. It was like, damn, bro,

947
00:59:42,960 --> 00:59:45,240
Speaker 1: and they just passed down something beautiful you and be like,

948
00:59:45,840 --> 00:59:48,480
Speaker 1: look look at this your kids and people are like

949
00:59:48,680 --> 00:59:51,600
Speaker 1: it's it's amazing, bro, and that's been We've been digital

950
00:59:51,720 --> 00:59:56,040
Speaker 1: way before where we are now we're talking about black

951
00:59:56,040 --> 00:59:58,760
Speaker 1: and white digit or like, oh, ship, I got a

952
00:59:58,800 --> 01:00:01,720
Speaker 1: picture my grandmama and my granddaddy when they both were young.

953
01:00:01,800 --> 01:00:06,640
Speaker 1: I'm like, oh yes, this is what a roses you

954
01:00:06,680 --> 01:00:08,560
Speaker 1: know what. I'm gonna show you something that's crazy that

955
01:00:08,720 --> 01:00:13,360
Speaker 1: that fit that fit that description. Bold up, you got

956
01:00:13,440 --> 01:00:16,640
Speaker 1: my phone, So just the mama moretime. I know we're

957
01:00:16,720 --> 01:00:20,320
Speaker 1: live and ship, We're good. Look watching this welcome back.

958
01:00:22,160 --> 01:00:29,280
Speaker 1: Oh so good. So this episode is dedicated to anybody

959
01:00:29,280 --> 01:00:32,680
Speaker 1: that ever had they halbraided on the front porch grandma

960
01:00:32,800 --> 01:00:36,080
Speaker 1: house in the summer, eating below the sound. That's your

961
01:00:36,120 --> 01:00:40,120
Speaker 1: little sister with muscles on one side, a little juice

962
01:00:40,200 --> 01:00:47,280
Speaker 1: is the last little bit man you know from when

963
01:00:48,000 --> 01:00:53,080
Speaker 1: the first pandemic name eighteen. Oh ship, but you bro,

964
01:00:53,240 --> 01:00:57,880
Speaker 1: you see how crazy that is. But it's just like

965
01:00:58,240 --> 01:01:02,000
Speaker 1: my granddad and my grandma. That's cold right there. Bro.

966
01:01:04,080 --> 01:01:09,000
Speaker 1: Oh hell yeah, these are dig is not this is

967
01:01:09,080 --> 01:01:11,880
Speaker 1: not it's only texting you my bote. They had to

968
01:01:12,040 --> 01:01:14,200
Speaker 1: take a picture of picture, a picture of a picture.

969
01:01:14,280 --> 01:01:19,800
Speaker 1: Yeah look at this ship. Yeah yeah, you know it's

970
01:01:19,840 --> 01:01:23,360
Speaker 1: a friend like like that's our mind on my phone.

971
01:01:25,760 --> 01:01:28,920
Speaker 1: This is just me and my mom right like you

972
01:01:29,000 --> 01:01:33,080
Speaker 1: trying to tell the joke because I am probably telling.

973
01:01:34,280 --> 01:01:37,240
Speaker 1: She's like right here, got them with the guy there,

974
01:01:37,520 --> 01:01:42,080
Speaker 1: red Skins super Bowls off? Did you wind dad? They

975
01:01:42,160 --> 01:01:49,040
Speaker 1: did that year? Yeah? That one that's only yeah, everybody goddamnus.

976
01:01:49,600 --> 01:01:55,800
Speaker 1: Most like the hood birthday skim and part in the

977
01:01:55,880 --> 01:02:02,640
Speaker 1: middle all the way you could ask watch the hair

978
01:02:02,800 --> 01:02:05,400
Speaker 1: part you see that? Yeah, the Tuskegee m and that

979
01:02:05,600 --> 01:02:08,200
Speaker 1: was Do you think that's why you No, No, it's

980
01:02:08,240 --> 01:02:10,880
Speaker 1: just I don't do one though like that not they

981
01:02:10,920 --> 01:02:12,520
Speaker 1: could be done. I mean the negative put the front

982
01:02:12,560 --> 01:02:15,720
Speaker 1: of his Braid's gonna talk shit. I felt? Have you

983
01:02:15,760 --> 01:02:18,960
Speaker 1: felt bad about the football? Keep making me feel in

984
01:02:19,000 --> 01:02:30,120
Speaker 1: front of your braids. They don't worry about This is

985
01:02:32,000 --> 01:02:43,800
Speaker 1: the phone got the nig don't don't get his nigga

986
01:02:43,800 --> 01:02:46,240
Speaker 1: actually has gotten five years younger says, I know that.

987
01:02:46,520 --> 01:03:01,920
Speaker 1: It's really miss Chaokee. Indian made nigga say you've been

988
01:03:02,000 --> 01:03:05,040
Speaker 1: working on in the old school cars, old nigger. They

989
01:03:05,080 --> 01:03:08,400
Speaker 1: said they've been here on earth about two hundred forty six. Yeah,

990
01:03:08,440 --> 01:03:10,160
Speaker 1: they said the same thing about me, but I kept

991
01:03:10,200 --> 01:03:14,080
Speaker 1: my man you've only been here a hundred and eighty six,

992
01:03:14,360 --> 01:03:22,440
Speaker 1: been two hundred six. Boy, Yeah, that's the happy that's

993
01:03:22,600 --> 01:03:27,080
Speaker 1: these are the roles Bro's game. You when you was

994
01:03:27,120 --> 01:03:35,040
Speaker 1: a kidding that might be real thing? Whatever that was

995
01:03:35,480 --> 01:03:39,600
Speaker 1: that ain't going. That ain't enough, bro, So can we

996
01:03:39,800 --> 01:03:41,800
Speaker 1: can we use your kind of do like a merch

997
01:03:41,840 --> 01:03:44,840
Speaker 1: piece with your photos? Yeah, I mean to do a

998
01:03:44,920 --> 01:03:48,000
Speaker 1: collap with y'all. What you want to do because you've

999
01:03:48,000 --> 01:03:50,360
Speaker 1: got the dope as merchant life, Yeah, I mean I do,

1000
01:03:50,480 --> 01:03:53,880
Speaker 1: but digit roses just like merch circle. So I want

1001
01:03:53,920 --> 01:03:56,200
Speaker 1: to do like a for T shirts with a circle,

1002
01:03:56,280 --> 01:03:58,800
Speaker 1: and then said quote about everybody, look at all this

1003
01:03:58,880 --> 01:04:03,240
Speaker 1: ship we've been working up this us ye yeah, looking

1004
01:04:04,800 --> 01:04:09,320
Speaker 1: but whatever you ain't already man, I never Yeah, I

1005
01:04:09,400 --> 01:04:11,720
Speaker 1: mean we're talking about this in the roses Bro saying

1006
01:04:11,760 --> 01:04:14,520
Speaker 1: I mean you got some motherfucker rare art pieces in him.

1007
01:04:14,880 --> 01:04:16,600
Speaker 1: I mean yeah, I know. I paint too and draw

1008
01:04:16,680 --> 01:04:23,040
Speaker 1: and talking ship. Yes, what ship? Talk about that? No,

1009
01:04:23,200 --> 01:04:27,840
Speaker 1: I don't want to talk about I'd rather wait. You

1010
01:04:27,960 --> 01:04:30,640
Speaker 1: must not rather deliver with some ship like hey, bro,

1011
01:04:30,800 --> 01:04:36,000
Speaker 1: put this on your wall, okay, time top not of exercise.

1012
01:04:36,240 --> 01:04:39,640
Speaker 1: They didn't some ship in the museum in Mississippi. The

1013
01:04:39,720 --> 01:04:43,480
Speaker 1: category the one I talked something it gets another Yeah, yeah,

1014
01:04:43,920 --> 01:04:46,360
Speaker 1: so you got some ship in the museum. Yeah, I

1015
01:04:46,520 --> 01:04:55,439
Speaker 1: ain't home state. Many are that it's really too humble man, Yeah,

1016
01:04:55,920 --> 01:04:58,800
Speaker 1: you're too humble. I mean you don't me with twister

1017
01:04:58,840 --> 01:05:03,720
Speaker 1: shot Twister James, you know, shout out to shout out

1018
01:05:03,720 --> 01:05:07,200
Speaker 1: to everybody on the staff down that m Yeah, stopped

1019
01:05:07,200 --> 01:05:09,960
Speaker 1: through there, so they asked me that I don't know

1020
01:05:10,080 --> 01:05:14,440
Speaker 1: what to put in there? Uh, I mean a microphone

1021
01:05:16,840 --> 01:05:19,400
Speaker 1: cash stack at you was waring per season a while

1022
01:05:19,480 --> 01:05:31,760
Speaker 1: and out that I don't roasted my quote the whole time,

1023
01:05:31,840 --> 01:05:35,960
Speaker 1: but I never got was playing football sign that the

1024
01:05:37,440 --> 01:05:44,720
Speaker 1: trash my ship. Yeah, now the it's around somewhere. Yeah,

1025
01:05:44,760 --> 01:05:47,000
Speaker 1: I believe you. And the cold is nigga ever graduated

1026
01:05:47,000 --> 01:05:51,680
Speaker 1: from my house? I understand football player, right were they't

1027
01:05:51,680 --> 01:05:54,400
Speaker 1: gonna look you up after this, nigger. All I gotta

1028
01:05:54,480 --> 01:05:56,920
Speaker 1: do exists. I I got to do is get in

1029
01:05:57,040 --> 01:06:02,640
Speaker 1: three movies on Netflix and I'm gonna go it could

1030
01:06:02,640 --> 01:06:04,440
Speaker 1: be one of the season would be one of them,

1031
01:06:04,480 --> 01:06:09,920
Speaker 1: crazy that movies, Mountie's Cars ship like that saying you

1032
01:06:10,040 --> 01:06:12,600
Speaker 1: posted that ship with the biggest little was a weekend

1033
01:06:12,680 --> 01:06:19,520
Speaker 1: in Atlanta, butt backing on the cover like was going

1034
01:06:19,640 --> 01:06:23,040
Speaker 1: to cover like this want to delts of like, bro,

1035
01:06:23,520 --> 01:06:26,640
Speaker 1: I don't know, man, was you driving his car? And

1036
01:06:26,800 --> 01:06:30,680
Speaker 1: then like I said, saw but why are you being

1037
01:06:30,720 --> 01:06:35,200
Speaker 1: so scared? Though? It was if somebody because everybody thought

1038
01:06:35,200 --> 01:06:39,000
Speaker 1: we were here a street built but left. Bro, you

1039
01:06:39,080 --> 01:06:44,440
Speaker 1: look scared though, Bro, he was y'all was safe going,

1040
01:06:44,800 --> 01:06:53,760
Speaker 1: I know, but you look scared. You're like were he you?

1041
01:06:54,680 --> 01:06:58,560
Speaker 1: And I was like, you got this all the time? Bro,

1042
01:06:59,360 --> 01:07:02,960
Speaker 1: How dude didn't know that? And I thought it was

1043
01:07:03,040 --> 01:07:05,919
Speaker 1: like a car when you drive his car, I'm gonna

1044
01:07:06,720 --> 01:07:12,240
Speaker 1: the car out. He wasn't d She was like, okay,

1045
01:07:12,760 --> 01:07:15,640
Speaker 1: we're gonna do this room right here, right, we gotta

1046
01:07:15,680 --> 01:07:21,880
Speaker 1: get you that money car drive and GPS, I'm not

1047
01:07:21,960 --> 01:07:24,439
Speaker 1: doing my face is not gonna like this. I was good.

1048
01:07:25,360 --> 01:07:32,920
Speaker 1: Look it's something to happened on bro. You were like, okay,

1049
01:07:33,200 --> 01:07:34,880
Speaker 1: he was hanging over that. It was a part of

1050
01:07:34,880 --> 01:07:37,520
Speaker 1: the wholes Have Don't Exist, which could have been the

1051
01:07:37,600 --> 01:07:39,800
Speaker 1: Sea milk. But you was like, right here, He's like,

1052
01:07:40,000 --> 01:07:42,480
Speaker 1: we're gonna keep driving rou It's all good. And you

1053
01:07:42,600 --> 01:07:45,400
Speaker 1: know how that ship is, you know in the passenger seat.

1054
01:07:45,440 --> 01:07:49,240
Speaker 1: It seems like he's going fastest fun you had it

1055
01:07:49,360 --> 01:07:53,080
Speaker 1: right here. Yeah, but you look scared though, I'm sorry.

1056
01:07:54,120 --> 01:07:57,680
Speaker 1: I'm but I'm not gonna say like I'm sorry. We

1057
01:07:57,760 --> 01:08:02,480
Speaker 1: got it's authentic, man, you know. Yeah, were two niggas

1058
01:08:02,520 --> 01:08:05,400
Speaker 1: in the Old School speed down in the band and Haighway.

1059
01:08:07,560 --> 01:08:10,760
Speaker 1: You want to do that though? Why not? All right? Yeah,

1060
01:08:10,960 --> 01:08:13,400
Speaker 1: we gotta take these chances. Man, I don't like that.

1061
01:08:13,680 --> 01:08:15,640
Speaker 1: And then you understand how many niggas who have been

1062
01:08:15,640 --> 01:08:17,920
Speaker 1: working on their old school who ship ain't running. We're

1063
01:08:17,920 --> 01:08:20,320
Speaker 1: just happy to see another nigga making Yeah, I mean

1064
01:08:20,400 --> 01:08:22,880
Speaker 1: getting to the other side. Shout out to everybody who

1065
01:08:22,920 --> 01:08:25,000
Speaker 1: got the project cars out there. We're gonna have him

1066
01:08:25,000 --> 01:08:31,200
Speaker 1: finished it something. Check out project. We got some more ships.

1067
01:08:33,200 --> 01:08:35,719
Speaker 1: It's me. You're waiting on something. Yeah, I'm waiting something.

1068
01:08:36,560 --> 01:08:38,559
Speaker 1: I mean alone, you's something until you get on your feet.

1069
01:08:38,840 --> 01:08:40,760
Speaker 1: I mean, I mean just send me that send me

1070
01:08:40,840 --> 01:08:44,400
Speaker 1: three cat you're talking about I will. I know you've

1071
01:08:44,400 --> 01:08:47,320
Speaker 1: got money. No that's not what you said. I know

1072
01:08:48,800 --> 01:08:52,600
Speaker 1: he was like brom so he's some Look you can

1073
01:08:52,680 --> 01:08:57,400
Speaker 1: say you got all of a sudden, I got money

1074
01:08:57,680 --> 01:09:02,920
Speaker 1: and you make ain't come up black and people know

1075
01:09:03,080 --> 01:09:14,439
Speaker 1: what the releases creating new out real. Can I say

1076
01:09:14,479 --> 01:09:24,360
Speaker 1: that you got that's where my first day that man?

1077
01:09:25,439 --> 01:09:31,840
Speaker 1: You finally Yeah, that's dope. Can you go down to

1078
01:09:32,720 --> 01:09:36,000
Speaker 1: damn ship? You know, I mean, I don't know what

1079
01:09:36,120 --> 01:09:38,599
Speaker 1: you do the introduction man, he was playing the video

1080
01:09:38,880 --> 01:09:41,600
Speaker 1: shot on the tour. Yeah, yeah, you know what. I

1081
01:09:41,640 --> 01:09:45,599
Speaker 1: maybe we wouldn't shot the right everything man off today

1082
01:09:45,640 --> 01:09:47,559
Speaker 1: show like my son, and I'm like, yeah, you're opening

1083
01:09:47,560 --> 01:09:51,320
Speaker 1: the man. You gotta do that. That's your signature. Ship. Yeah,

1084
01:09:52,400 --> 01:09:55,280
Speaker 1: keep that ship going. That's the battlet of the base

1085
01:09:56,800 --> 01:09:59,600
Speaker 1: and ship like that. Keep talking your ship, bro. Thank you,

1086
01:09:59,720 --> 01:10:03,720
Speaker 1: Bro just merged to the wet that the merchants already here.

1087
01:10:03,920 --> 01:10:05,960
Speaker 1: We already got some that we knew you was coming.

1088
01:10:06,040 --> 01:10:10,160
Speaker 1: Like this a milestone right here because now everybody can

1089
01:10:10,200 --> 01:10:19,400
Speaker 1: stop coming up and somebody, okay, definitely one. You definitely

1090
01:10:19,600 --> 01:10:23,600
Speaker 1: gonna look you know the top of the thank you

1091
01:10:24,240 --> 01:10:26,840
Speaker 1: that ain't been asking for you the longest. Man. Maybe

1092
01:10:26,920 --> 01:10:29,599
Speaker 1: now I can get at least a week of just chill, relaxed.

1093
01:10:30,520 --> 01:10:34,479
Speaker 1: You came through from me. Yeah, and I got another

1094
01:10:34,600 --> 01:10:39,040
Speaker 1: myself is on the way. You gotta learn about seeing

1095
01:10:39,360 --> 01:10:45,320
Speaker 1: we got to talk about it. What's the next play? Shit,

1096
01:10:46,080 --> 01:10:48,720
Speaker 1: it's how I'm rolling it out. Rolls Don't Die. And

1097
01:10:48,760 --> 01:10:52,120
Speaker 1: then another secret project. I need that. Okay, I can't

1098
01:10:52,160 --> 01:10:55,600
Speaker 1: tell you about it. You just did though. I know

1099
01:10:55,760 --> 01:11:00,280
Speaker 1: it's another secret secret it's coming out. It's coming though it. Yeah,

1100
01:11:00,400 --> 01:11:03,200
Speaker 1: you can will be something else. They don't there you

1101
01:11:03,240 --> 01:11:05,560
Speaker 1: can tell y'all to Mississippi Neia. Y'all look on the

1102
01:11:05,680 --> 01:11:17,720
Speaker 1: poort to do this ship all day with secret. Now

1103
01:11:17,800 --> 01:11:20,320
Speaker 1: you had that went from a secret to a room. Yeah,

1104
01:11:21,000 --> 01:11:25,400
Speaker 1: I don't know what's happening. It's all good when all

1105
01:11:25,439 --> 01:11:29,200
Speaker 1: the ship the secret because the greatest rapper live, that's

1106
01:11:29,200 --> 01:11:32,439
Speaker 1: what's upping. Man. Yeah, I said that. We appreciate you,

1107
01:11:32,840 --> 01:11:36,120
Speaker 1: d thank you. You know you are man. You got

1108
01:11:36,680 --> 01:11:39,439
Speaker 1: you have to take that mind shut so you can

1109
01:11:39,520 --> 01:11:41,679
Speaker 1: get in that zone. Nah. But I ain't worried about

1110
01:11:41,680 --> 01:11:44,280
Speaker 1: the zone. I just want all the people that I

1111
01:11:44,400 --> 01:11:48,680
Speaker 1: looked up to to feature me on records. Okay, that's all,

1112
01:11:48,960 --> 01:11:51,400
Speaker 1: and most of those to have done already. I know

1113
01:11:51,439 --> 01:11:53,800
Speaker 1: what it is at least let me produce. But for

1114
01:11:53,840 --> 01:11:57,240
Speaker 1: the most part, they showed me because I'm from Miship

1115
01:11:57,880 --> 01:11:59,439
Speaker 1: and if I kill him on a record. Then it

1116
01:11:59,520 --> 01:12:03,360
Speaker 1: looked bad. Oh well, so what it is? Hey man?

1117
01:12:03,560 --> 01:12:06,840
Speaker 1: I know what it feels like to not be accepted,

1118
01:12:09,320 --> 01:12:13,160
Speaker 1: because I too, am from Mississippi. I taught myself how

1119
01:12:13,200 --> 01:12:25,960
Speaker 1: to read right? Who fread you? Lord? Jesus in the

1120
01:12:26,040 --> 01:12:30,200
Speaker 1: middle said they didn't even know I was gone even

1121
01:12:32,640 --> 01:12:36,080
Speaker 1: by the time then I go the Lord. He was

1122
01:12:36,200 --> 01:12:40,680
Speaker 1: head first in Intanta, ready to make a move. Who

1123
01:12:40,760 --> 01:12:44,360
Speaker 1: can I kid right? Shooton? As they turned me back,

1124
01:12:46,800 --> 01:12:55,439
Speaker 1: it was all alone. Ain't nobody never gave me? Do

1125
01:12:55,439 --> 01:13:01,080
Speaker 1: you think I'm scared to go back? Well? I little

1126
01:13:01,200 --> 01:13:05,439
Speaker 1: keep going, bro, Little keep going, bro. I ain't never ship.

1127
01:13:05,760 --> 01:13:09,200
Speaker 1: That's got my dad ain't have ship, ain't have ship.

1128
01:13:10,840 --> 01:13:13,800
Speaker 1: And they wouldn't even let my granddad even have ship.

1129
01:13:14,160 --> 01:13:17,360
Speaker 1: This was back when black people weren't allowed to have ship.

1130
01:13:24,320 --> 01:13:27,120
Speaker 1: You got it good and you don't even know it.

1131
01:13:29,520 --> 01:13:33,479
Speaker 1: These opportunities and niggas won't even use them. Hey man,

1132
01:13:34,160 --> 01:13:36,719
Speaker 1: But don't come talking to me about no white quotes,

1133
01:13:37,000 --> 01:13:46,759
Speaker 1: because I know that this thing a question. I freed

1134
01:13:46,880 --> 01:13:52,599
Speaker 1: my God. Ain't nobody free me? Cain't nobody free you neither?

1135
01:13:57,760 --> 01:14:05,960
Speaker 1: Game man, that's the thing you got right. It is

1136
01:14:06,040 --> 01:14:10,439
Speaker 1: white motifu. Man, look at what I'm talking to you

1137
01:14:13,240 --> 01:14:19,800
Speaker 1: check on your people cold dig the roller don't the

1138
01:14:20,000 --> 01:14:24,560
Speaker 1: roses they don't. Oh man, I would I would have

1139
01:14:25,160 --> 01:14:32,439
Speaker 1: that day, but the digital rolls and damn man, we

1140
01:14:32,600 --> 01:14:40,760
Speaker 1: get you. Y'm from Mississippi. When you corporated? What are

1141
01:14:40,760 --> 01:14:44,920
Speaker 1: you corporate? Why are you talking so clear? You don't

1142
01:14:45,000 --> 01:14:50,920
Speaker 1: sound like you doing nothing yourself so well, you know, weird.

1143
01:14:51,840 --> 01:14:54,479
Speaker 1: I didn't understand. Damn that's crazy. You talk so clear,

1144
01:14:55,200 --> 01:14:57,880
Speaker 1: so it's just supposed to be muffled. Yeah, I don't

1145
01:14:57,960 --> 01:15:03,600
Speaker 1: know what black. How do you feel about cities like

1146
01:15:03,800 --> 01:15:11,960
Speaker 1: streets and ship all that training them coughing every inch away?

1147
01:15:13,960 --> 01:15:19,240
Speaker 1: Confused me? Fol country, mord We got one road and

1148
01:15:19,400 --> 01:15:23,640
Speaker 1: one stuff like and everybody take their time and the

1149
01:15:27,360 --> 01:15:38,760
Speaker 1: just mos. We just gonna Moses Moses. Oh little know

1150
01:15:38,960 --> 01:15:45,280
Speaker 1: the people in Mississippi man in everything, got y'all represented

1151
01:15:45,360 --> 01:15:55,680
Speaker 1: in the greatest of highest level right here. You know

1152
01:15:55,800 --> 01:15:59,200
Speaker 1: we can do this ship name with your friends. Eight

1153
01:15:59,280 --> 01:16:01,800
Speaker 1: fats out for is We're gonna have the dopest comedians,

1154
01:16:02,000 --> 01:16:05,479
Speaker 1: up and coming comedians that you know and love, everybody

1155
01:16:05,560 --> 01:16:08,160
Speaker 1: bringing the eight game. We're making it an event. It's

1156
01:16:08,160 --> 01:16:11,160
Speaker 1: gonna be crazy hand that ship on. When you come out,

1157
01:16:11,720 --> 01:16:15,720
Speaker 1: come with your main girl. But if you can't bring both,

1158
01:16:15,800 --> 01:16:17,800
Speaker 1: if you can bring your side in your main, if

1159
01:16:17,840 --> 01:16:20,120
Speaker 1: you can manage to make them work together, who am

1160
01:16:20,160 --> 01:16:23,320
Speaker 1: I to stop you? So be sure to come out.

1161
01:16:23,880 --> 01:16:29,160
Speaker 1: It's going down. Punchline Coming Club, two Rods, Will Road

1162
01:16:29,640 --> 01:16:34,360
Speaker 1: February eighty five hour play Niggas your friends, you know

1163
01:16:34,479 --> 01:16:37,439
Speaker 1: what it is, Bring your friends. I'm gonna have some

1164
01:16:37,520 --> 01:16:40,439
Speaker 1: friends with y'all, and nobody's gonna be disciplined. Let's go.

1165
01:16:41,200 --> 01:16:44,280
Speaker 1: There's no side. No. We've just seen so many people

1166
01:16:44,400 --> 01:16:47,439
Speaker 1: gonna be to awards. Years and years of people just

1167
01:16:47,840 --> 01:16:50,760
Speaker 1: rag on Missippi as if he's too slow, bro, and

1168
01:16:50,960 --> 01:16:56,519
Speaker 1: we payntest everything. I'm like everything they're saying. Music artists,

1169
01:16:57,000 --> 01:17:01,439
Speaker 1: fucking actors, performers. We're wear of it all because they

1170
01:17:01,520 --> 01:17:04,320
Speaker 1: ship on this so much. In the early I grew

1171
01:17:04,400 --> 01:17:06,680
Speaker 1: up people like I don't go to Mississippi, but they

1172
01:17:06,760 --> 01:17:09,559
Speaker 1: go perform their practice there, and it's like, damn, bro,

1173
01:17:10,160 --> 01:17:12,519
Speaker 1: we love y'all, We buy your albums, We go to

1174
01:17:12,560 --> 01:17:15,800
Speaker 1: Walmart listen to y'all ship like bro, we grew up

1175
01:17:15,880 --> 01:17:20,080
Speaker 1: on the world, but nobody wants to go to it's crazy.

1176
01:17:20,400 --> 01:17:23,840
Speaker 1: It's tis crazy, bro, And we saw aware, always aware,

1177
01:17:24,479 --> 01:17:27,120
Speaker 1: changing the narrative right now, enterprisect. You've been doing it

1178
01:17:27,200 --> 01:17:29,880
Speaker 1: for years, man, So people and don't stop. You know,

1179
01:17:30,080 --> 01:17:32,800
Speaker 1: may keep pushing that ship because without y'all, and it

1180
01:17:32,840 --> 01:17:34,960
Speaker 1: would be the same way it was. Man, if you

1181
01:17:35,080 --> 01:17:37,960
Speaker 1: ever need someone to just go chill, that's the place

1182
01:17:38,000 --> 01:17:40,080
Speaker 1: to go. Though. Yeah, I mean that supposed to escape

1183
01:17:41,120 --> 01:17:44,720
Speaker 1: because you know what I mean, Yeah, you can really

1184
01:17:44,840 --> 01:17:46,960
Speaker 1: just chill, but especially if you get up some people

1185
01:17:47,040 --> 01:17:51,680
Speaker 1: like in the woods chill like people out of the country, man,

1186
01:17:51,720 --> 01:17:54,680
Speaker 1: and so peaceful. Don't this ship going on? Yeah, I

1187
01:17:54,760 --> 01:17:59,680
Speaker 1: worried about ship. Nothing. You're gonna eat good, good and

1188
01:17:59,720 --> 01:18:03,879
Speaker 1: every here not and smiles a real smile people bullshit,

1189
01:18:05,120 --> 01:18:11,280
Speaker 1: real southern hospitality. I agree that exact reason right there though.

1190
01:18:11,280 --> 01:18:13,120
Speaker 1: It was because you know you, it ain't often that

1191
01:18:13,240 --> 01:18:15,599
Speaker 1: people come through there. So when you come through, you're

1192
01:18:15,640 --> 01:18:18,360
Speaker 1: gonna get extra love, you get the left over, a little,

1193
01:18:20,240 --> 01:18:22,599
Speaker 1: you get a little little you're about to leave. It'd

1194
01:18:22,640 --> 01:18:25,519
Speaker 1: be about four people standing in crying like a ma

1195
01:18:25,720 --> 01:18:32,000
Speaker 1: feel so real, that type a little shave going down.

1196
01:18:36,080 --> 01:18:40,840
Speaker 1: They do come and see you off and give you man,

1197
01:18:40,960 --> 01:18:44,679
Speaker 1: spice and Coca colas, and she liked which is turkey meat,

1198
01:18:47,160 --> 01:18:52,400
Speaker 1: sock to draw t shirts, biting sausage coming on. Cheese

1199
01:18:52,640 --> 01:18:56,360
Speaker 1: had his baby Crocker real nigger ship. Man. I know

1200
01:18:56,439 --> 01:18:58,840
Speaker 1: this your first time in the trail, but don't let

1201
01:18:58,920 --> 01:19:02,200
Speaker 1: it be the last time. Bro. Man, we're gonna make ship.

1202
01:19:02,240 --> 01:19:04,400
Speaker 1: We blow the album up. It's go bro. You did

1203
01:19:04,479 --> 01:19:07,160
Speaker 1: something with a king? Yeah, I had to. Yeah, Okay,

1204
01:19:07,240 --> 01:19:11,559
Speaker 1: back always putting out video. Yeah, man, I mean's the Yeah,

1205
01:19:11,600 --> 01:19:15,320
Speaker 1: that's the young home young King. So it's a cold nigger. Yeah,

1206
01:19:15,360 --> 01:19:16,880
Speaker 1: you know, I mean you was there talking ship with

1207
01:19:17,240 --> 01:19:18,800
Speaker 1: I know. I was just getting you to say it.

1208
01:19:19,160 --> 01:19:20,800
Speaker 1: I mean what you gotta say it to you know

1209
01:19:20,840 --> 01:19:23,400
Speaker 1: what I mean? He was there in the video. Shoot. Yeah,

1210
01:19:23,560 --> 01:19:26,920
Speaker 1: they just saying like, Yo, the cold is nigga up

1211
01:19:26,960 --> 01:19:31,240
Speaker 1: there though not even close, Bro, concrete feet always in

1212
01:19:31,320 --> 01:19:34,760
Speaker 1: the street. That's what you're thinking about, you know y'all.

1213
01:19:34,960 --> 01:19:38,519
Speaker 1: He was kind of like, Man, I was drying the sauce,

1214
01:19:39,080 --> 01:19:58,920
Speaker 1: not even the sausan steak. Come come, that's not that's

1215
01:19:58,960 --> 01:20:01,400
Speaker 1: what you did. You know I was coming to They

1216
01:20:01,560 --> 01:20:09,200
Speaker 1: called this bro bro drank. I was coming like so

1217
01:20:09,760 --> 01:20:14,200
Speaker 1: you and him getting the rain. That's what I was

1218
01:20:14,280 --> 01:20:16,400
Speaker 1: hitting you like that, But he was a little deser

1219
01:20:16,760 --> 01:20:21,400
Speaker 1: before that. They're gonna tell me what I ain't. The

1220
01:20:23,240 --> 01:20:27,080
Speaker 1: cakies ain't master drape like you ain't your shop. Hit

1221
01:20:27,160 --> 01:20:34,400
Speaker 1: him with everything. Yeah, he could lead to the served

1222
01:20:34,520 --> 01:20:40,200
Speaker 1: the ladies some nipples, That's what I'm saying. Gave me

1223
01:20:40,320 --> 01:20:44,080
Speaker 1: the crow. You was like that. No ship was very

1224
01:20:44,080 --> 01:20:47,960
Speaker 1: because you're trying to tell me what I ain't. We

1225
01:20:48,040 --> 01:20:51,519
Speaker 1: got damn, oh girl, I'll be in trouble like you

1226
01:20:51,720 --> 01:20:55,840
Speaker 1: left me now. I don't know where look for love.

1227
01:20:56,600 --> 01:20:59,919
Speaker 1: I just don't know how. I don't know how many aunties.

1228
01:21:00,120 --> 01:21:04,479
Speaker 1: Was only when you dressed like this, So I know

1229
01:21:04,560 --> 01:21:13,000
Speaker 1: when they say the video came out there, this is

1230
01:21:13,080 --> 01:21:20,719
Speaker 1: my real outfit, O, your queen. You don't want the video?

1231
01:21:21,760 --> 01:21:25,240
Speaker 1: Do you really think I would put the shoot right

1232
01:21:25,320 --> 01:21:29,960
Speaker 1: now kind of something? It was time, It was period.

1233
01:21:32,000 --> 01:21:33,640
Speaker 1: You know, if I would have been around in them

1234
01:21:33,760 --> 01:21:38,559
Speaker 1: days play pay player for real. I've been around the day.

1235
01:21:38,560 --> 01:21:41,960
Speaker 1: I have been dressed like motherfucker my man off dead president.

1236
01:21:43,240 --> 01:21:46,320
Speaker 1: Check all that ship? What did you say? That's my

1237
01:21:46,479 --> 01:21:51,000
Speaker 1: nigga love cutting bro. I think we all be doing

1238
01:21:51,040 --> 01:21:57,000
Speaker 1: the same ship. We're doing right now. No, Nick, you

1239
01:21:57,120 --> 01:22:05,000
Speaker 1: really want to president right down? Old and me one

1240
01:22:05,040 --> 01:22:09,400
Speaker 1: of the union jobs and Chevrolet or something. It's crazy.

1241
01:22:09,439 --> 01:22:11,000
Speaker 1: I got to work in the more and I'll sell ya,

1242
01:22:12,760 --> 01:22:14,880
Speaker 1: said he. The reason my grandma Olds going ain't right

1243
01:22:16,360 --> 01:22:18,800
Speaker 1: five an hour, man, I'm working my way up the men.

1244
01:22:19,600 --> 01:22:22,160
Speaker 1: And they got this new sheet where they got where

1245
01:22:22,200 --> 01:22:24,120
Speaker 1: you could get a piece of the company. They give

1246
01:22:24,120 --> 01:22:27,320
Speaker 1: you a ship. Yeah, I got three of the man.

1247
01:22:27,400 --> 01:22:30,040
Speaker 1: I'm just gonna keep letting that was that was got

1248
01:22:30,120 --> 01:22:32,639
Speaker 1: the crypto currency back then, said they say, I own

1249
01:22:32,760 --> 01:22:35,000
Speaker 1: this motherfucker. If I just signed my name on this people,

1250
01:22:35,040 --> 01:22:36,920
Speaker 1: I don't know how I'd worked. But then it comes

1251
01:22:37,040 --> 01:22:45,719
Speaker 1: this clod man that's the Appenny stocks but your money

1252
01:22:45,720 --> 01:22:51,120
Speaker 1: and defense and then digital. Thank you, bro, Yeah one

1253
01:22:51,200 --> 01:22:56,600
Speaker 1: more time eighteen Yes, get ready, man, we're talking to

1254
01:22:56,720 --> 01:23:00,400
Speaker 1: which camera we're talking about? Pick you a camera? You

1255
01:23:00,479 --> 01:23:03,920
Speaker 1: got a dope website too, Thank you, brod Let him

1256
01:23:04,200 --> 01:23:06,679
Speaker 1: a man's going to all the year. They're big creepy.

1257
01:23:06,960 --> 01:23:08,720
Speaker 1: Let me see what can need the shot in this road.

1258
01:23:08,800 --> 01:23:15,599
Speaker 1: Don't die with hold love. Anybody in here got any questions?

1259
01:23:17,720 --> 01:23:20,760
Speaker 1: Took me seven years to get this nigger in this trap.

1260
01:23:21,040 --> 01:23:24,880
Speaker 1: I mean yeah, I mean I've been diing. Only comes

1261
01:23:25,600 --> 01:23:28,519
Speaker 1: once a year, like a ground hole. Anything. We need

1262
01:23:28,600 --> 01:23:32,800
Speaker 1: to questions. I had questions. So there's like we want

1263
01:23:32,800 --> 01:23:36,040
Speaker 1: to talk. New Face got some ship for you. What's good?

1264
01:23:37,160 --> 01:23:38,920
Speaker 1: That's the old g Yeah he brought you. I know

1265
01:23:39,040 --> 01:23:40,880
Speaker 1: he brought you some ship. He probably got a picture

1266
01:23:40,920 --> 01:23:44,000
Speaker 1: you will use a little boy something that nigga. No

1267
01:23:44,200 --> 01:23:55,080
Speaker 1: water South here the hero new faith was there, but

1268
01:23:55,280 --> 01:23:59,840
Speaker 1: you face is here. Your brain Come on, you know,

1269
01:24:00,040 --> 01:24:03,280
Speaker 1: talk about the journey. When his brother was on Freshman

1270
01:24:03,360 --> 01:24:07,400
Speaker 1: cover double Xhale, Come on, you know we got right here.

1271
01:24:08,040 --> 01:24:11,439
Speaker 1: When we talk about Mrs Sippy talk cover him on

1272
01:24:11,560 --> 01:24:14,360
Speaker 1: that to see your brother from Mississippi, would it looks

1273
01:24:14,360 --> 01:24:18,479
Speaker 1: like you see somebody from the South, you know, talk

1274
01:24:18,520 --> 01:24:21,960
Speaker 1: about that. We got crip right here and respect magazine

1275
01:24:22,360 --> 01:24:25,519
Speaker 1: on your mind. We got his first rating in the

1276
01:24:25,600 --> 01:24:29,559
Speaker 1: double XL right here, we got double XL rating, double Xhale,

1277
01:24:29,840 --> 01:24:33,960
Speaker 1: Walker Flocker, you pick him up in that. You got

1278
01:24:34,439 --> 01:24:36,920
Speaker 1: trick right here. They try to make that name. You cry,

1279
01:24:37,920 --> 01:24:40,200
Speaker 1: We've got on the journey, bro, It's all about your journey.

1280
01:24:40,240 --> 01:24:44,800
Speaker 1: These your physical roses. Brother over New Faces. The ship

1281
01:24:45,280 --> 01:24:49,600
Speaker 1: got you right here, yo, come on new face. Got

1282
01:24:49,680 --> 01:24:57,920
Speaker 1: my nigger feeling on the railway. Brother. You know, it's

1283
01:24:57,960 --> 01:24:59,960
Speaker 1: been a wonderful thing to be a part of your

1284
01:25:00,080 --> 01:25:04,720
Speaker 1: journey in your process. Damn better you know on the top.

1285
01:25:05,360 --> 01:25:09,360
Speaker 1: Thank you, Bro, that's amazing right there. Wait till we

1286
01:25:09,439 --> 01:25:11,559
Speaker 1: get to a point of the new facetop. That's all

1287
01:25:11,640 --> 01:25:19,120
Speaker 1: the TV's amazing. Man. Should you lost? Bro? This picture

1288
01:25:19,200 --> 01:25:22,120
Speaker 1: right here, let's take a get a picture, let's get

1289
01:25:22,160 --> 01:25:26,840
Speaker 1: the picture away. I don't I don't remember this your man, Bro,

1290
01:25:27,360 --> 01:25:30,919
Speaker 1: word Bro, because it was Bro. You understand the industry

1291
01:25:31,040 --> 01:25:35,040
Speaker 1: is you move so fast between the drinking and the

1292
01:25:35,800 --> 01:25:39,120
Speaker 1: industry and the money and making. Bro. You you you

1293
01:25:39,160 --> 01:25:42,280
Speaker 1: don't remember times. I don't remember this young man right here,

1294
01:25:42,720 --> 01:25:45,400
Speaker 1: But I'm proud of him, Bro, that he's looking at

1295
01:25:45,439 --> 01:25:48,240
Speaker 1: you like nigga. We made it, yea. And those the

1296
01:25:48,320 --> 01:25:50,800
Speaker 1: size of glasses were not prescription. Isn't cotting see ship?

1297
01:25:52,400 --> 01:26:00,160
Speaker 1: But my g Lord Jesus, that's crazy, difficult thing right then.

1298
01:26:00,200 --> 01:26:06,120
Speaker 1: I can't remember the time, ain't remember in time? Yeah, yeah,

1299
01:26:06,200 --> 01:26:10,040
Speaker 1: from me and whoever took this photo. That's crazy though,

1300
01:26:10,320 --> 01:26:12,639
Speaker 1: from the pair looking at you in the future, B Yeah,

1301
01:26:13,520 --> 01:26:15,120
Speaker 1: I wish he would just took that turn it down

1302
01:26:15,160 --> 01:26:20,720
Speaker 1: a little bit most like his neck. I don't know

1303
01:26:20,840 --> 01:26:28,160
Speaker 1: what that game? What's going on? Cover? Remember that mom

1304
01:26:28,200 --> 01:26:31,240
Speaker 1: and gave marm like he was mad at everybody, and

1305
01:26:31,320 --> 01:26:33,720
Speaker 1: then they look at morm get looking at y'all right now,

1306
01:26:34,400 --> 01:26:39,559
Speaker 1: my goddamn man, he about it? That should have been popping.

1307
01:26:39,600 --> 01:26:47,040
Speaker 1: Now that's pop coll Well you living that's a pop color? Bro?

1308
01:26:47,120 --> 01:26:50,439
Speaker 1: What the brother? Yea? What the fun? That was the dream?

1309
01:26:50,479 --> 01:26:53,439
Speaker 1: And get your shoes? So I remember that that's hard man,

1310
01:26:54,400 --> 01:26:57,439
Speaker 1: and they got to take New Face go hard with

1311
01:26:57,560 --> 01:27:00,960
Speaker 1: this ship? Man? This disturbing. Well you know what we had? Now? Man,

1312
01:27:01,080 --> 01:27:04,240
Speaker 1: you gotta stop through promoting everybody? But can't we know?

1313
01:27:04,439 --> 01:27:08,920
Speaker 1: Like at everything broken? And I'm like, damn, but I

1314
01:27:09,000 --> 01:27:11,240
Speaker 1: really wish I could have something. What you mean you

1315
01:27:11,360 --> 01:27:14,840
Speaker 1: ain't mastered? Why the fuck you cave? That ship? Was ship?

1316
01:27:15,680 --> 01:27:19,759
Speaker 1: I got Master or something of that old ship? New Face?

1317
01:27:20,680 --> 01:27:24,280
Speaker 1: Come on, bro, how did you even get this magazine? Bro?

1318
01:27:24,560 --> 01:27:33,479
Speaker 1: Like true? Haint it? This ship? People? Look that's crazy. Bro.

1319
01:27:36,360 --> 01:27:38,600
Speaker 1: If I fall, man, that ship was so crazy to

1320
01:27:39,040 --> 01:27:41,639
Speaker 1: this cover. Tell me about the cover, man, Bro, let's

1321
01:27:41,680 --> 01:27:45,639
Speaker 1: met this cover. It's me eat mules Kindling mcmillar, Wych

1322
01:27:47,680 --> 01:27:53,680
Speaker 1: Fred little Biguy's sons the side of Prince bro Like,

1323
01:27:53,840 --> 01:27:57,680
Speaker 1: it's so many people don't hear that influence you broas

1324
01:27:58,120 --> 01:28:02,680
Speaker 1: a little little big base guards. Yeah, Bro, like, come on,

1325
01:28:03,000 --> 01:28:05,240
Speaker 1: little twist on that bit. Don't act like a little

1326
01:28:05,280 --> 01:28:13,800
Speaker 1: twist d hey man. Everywhere. It was a bad coach.

1327
01:28:13,880 --> 01:28:18,120
Speaker 1: That's that's that's a pro. That's the first time people

1328
01:28:18,200 --> 01:28:22,200
Speaker 1: knew what I looked like them because every couple we did,

1329
01:28:22,439 --> 01:28:23,880
Speaker 1: I didn't have my face on. That's why I had

1330
01:28:23,920 --> 01:28:26,240
Speaker 1: to put the crid on now and now the covers

1331
01:28:27,000 --> 01:28:30,160
Speaker 1: where y'all already in the same room. Yeah all the time, okay,

1332
01:28:30,240 --> 01:28:32,519
Speaker 1: because I always look at these and black Man, they

1333
01:28:32,560 --> 01:28:34,760
Speaker 1: take these peoples to me. You little talks people in

1334
01:28:34,800 --> 01:28:37,599
Speaker 1: the room. You say, who on mee meet and yellow

1335
01:28:37,640 --> 01:28:40,240
Speaker 1: with talk people that I'm sure so. But the weird

1336
01:28:40,320 --> 01:28:41,960
Speaker 1: thing is to stack it d us. It's kind of

1337
01:28:42,040 --> 01:28:50,759
Speaker 1: like stack it up a little time. Why you talked

1338
01:28:50,760 --> 01:28:58,439
Speaker 1: to them? That's what's up. That's crazy time machine. They

1339
01:28:58,600 --> 01:29:04,120
Speaker 1: got hits man, Yeah, mooning stars who made you old?

1340
01:29:04,160 --> 01:29:06,679
Speaker 1: This deaths up on your head like that? They told

1341
01:29:06,720 --> 01:29:23,240
Speaker 1: me to pres man, ain't it tall? Bro? Yeah? Yeah, yeah,

1342
01:29:23,280 --> 01:29:27,320
Speaker 1: and I did it. That'll give it some deaths. It's

1343
01:29:27,320 --> 01:29:32,439
Speaker 1: gonna make it. You're just born from a little twists.

1344
01:29:32,439 --> 01:29:36,599
Speaker 1: We're trying to work him in. What are you doing

1345
01:29:36,720 --> 01:29:40,760
Speaker 1: right now? He got a show? Oh yeah, man, I

1346
01:29:40,960 --> 01:29:43,160
Speaker 1: was working around talking ship with a little twists on

1347
01:29:43,280 --> 01:29:48,240
Speaker 1: our Lynx laugh. She probably blocked both of us, Me

1348
01:29:48,320 --> 01:29:50,840
Speaker 1: and little twists, arguing about who the biggest fan. I'm

1349
01:29:50,960 --> 01:29:53,720
Speaker 1: naming all the old song he don't know news ship.

1350
01:29:54,160 --> 01:30:01,280
Speaker 1: She's like, guys, stop it right now, litrd this is yeah,

1351
01:30:01,439 --> 01:30:07,000
Speaker 1: you know a dramatic man the Muppet. Yeah, that's how

1352
01:30:07,080 --> 01:30:14,360
Speaker 1: she was like, cut it out? She do you gotta

1353
01:30:14,360 --> 01:30:20,439
Speaker 1: do some music? No? No, I want my price? Want up? Okay,

1354
01:30:21,240 --> 01:30:24,559
Speaker 1: all right at this show? Up my price, don't blame

1355
01:30:24,600 --> 01:30:28,360
Speaker 1: you my ship and go up to That's like every episode,

1356
01:30:28,439 --> 01:30:32,120
Speaker 1: my price go up every episode, every episode, because the

1357
01:30:32,240 --> 01:30:35,080
Speaker 1: more episodes I do, the less and less I need

1358
01:30:35,160 --> 01:30:43,360
Speaker 1: to cut. How can you you can't? Did you see

1359
01:30:43,439 --> 01:30:47,200
Speaker 1: me booked myself for a hundred shows straight? I am good.

1360
01:30:47,720 --> 01:30:50,800
Speaker 1: There aren't any more days left. What I'm supposed to

1361
01:30:50,840 --> 01:30:54,800
Speaker 1: stop doing? My ship to be heard about? You? No? Man?

1362
01:30:55,320 --> 01:30:58,680
Speaker 1: How let but do I don't know? I don't be

1363
01:30:58,840 --> 01:31:02,320
Speaker 1: a signal says that I'm they don't holler it me. Hold,

1364
01:31:03,200 --> 01:31:05,240
Speaker 1: you don't even do this nex this year, and I

1365
01:31:05,360 --> 01:31:12,160
Speaker 1: think that produced the lawyer chickens. But I'm saying what chickens. Yeah,

1366
01:31:12,280 --> 01:31:15,320
Speaker 1: I'm saying, yeah, you go to school or something. I

1367
01:31:15,439 --> 01:31:21,080
Speaker 1: perdue university oprah d Okay, I know, but it could

1368
01:31:21,240 --> 01:31:25,720
Speaker 1: go either wins the university. You know you're trying to

1369
01:31:25,920 --> 01:31:30,880
Speaker 1: roll in man, you know what all the needs is. Yeah,

1370
01:31:31,080 --> 01:31:33,680
Speaker 1: that's just that's crazy like that. I used to love

1371
01:31:35,920 --> 01:31:41,280
Speaker 1: one of them sitting live though. Oh well, my god,

1372
01:31:41,640 --> 01:31:43,680
Speaker 1: so you have it. No, you do your thing. Man.

1373
01:31:44,080 --> 01:31:47,600
Speaker 1: We have given these people man so much information. They

1374
01:31:47,600 --> 01:31:54,240
Speaker 1: don't stop going down. You gotta coach man. Drop your

1375
01:31:54,280 --> 01:31:56,479
Speaker 1: social media for all the people who have to loop

1376
01:31:57,240 --> 01:31:59,720
Speaker 1: big crab I care. I thought it should just like

1377
01:32:00,240 --> 01:32:04,639
Speaker 1: he ain't gonna be on it. Well, yes I will

1378
01:32:04,760 --> 01:32:07,760
Speaker 1: be sometimes. I'll be telling this nigga all the time.

1379
01:32:07,880 --> 01:32:11,760
Speaker 1: He gets so much love around the world. He knows it.

1380
01:32:12,600 --> 01:32:14,760
Speaker 1: And you had to come here so these people can

1381
01:32:14,880 --> 01:32:17,479
Speaker 1: blow your ship up social media b I D Kara

1382
01:32:17,800 --> 01:32:21,080
Speaker 1: big Cree. They're gona be on your ass. Yeah, literally,

1383
01:32:21,280 --> 01:32:25,200
Speaker 1: they got and they're gonna keep asking them until you're

1384
01:32:25,240 --> 01:32:28,479
Speaker 1: asking them, so act like you're saying, all right, all right,

1385
01:32:28,560 --> 01:32:30,880
Speaker 1: what kind of cups you can call right now? And

1386
01:32:31,000 --> 01:32:34,960
Speaker 1: my money, Carlo, I think I got to um two

1387
01:32:35,280 --> 01:32:37,880
Speaker 1: nice as tens and there. I ain't mad at that.

1388
01:32:38,720 --> 01:32:42,400
Speaker 1: It's quiet. Yeah. Plus I didn't want no extra big

1389
01:32:42,479 --> 01:32:45,360
Speaker 1: ass box, bro, because you can't you know, you know,

1390
01:32:45,439 --> 01:32:48,639
Speaker 1: Trump spaces right, and I needed it to be functional.

1391
01:32:48,720 --> 01:32:50,720
Speaker 1: It's still giving me the base in the sound that

1392
01:32:50,800 --> 01:32:54,040
Speaker 1: I need without being excessive and not being you know,

1393
01:32:54,240 --> 01:32:58,599
Speaker 1: a burden. Yeah right, it's a nice, neat set up

1394
01:32:58,680 --> 01:33:02,479
Speaker 1: and tucked away, you know, a little custom package that

1395
01:33:02,560 --> 01:33:04,880
Speaker 1: I put together. It looks real nice with the little

1396
01:33:05,479 --> 01:33:10,160
Speaker 1: SI's flush. Great sound stays in the car. The car

1397
01:33:10,280 --> 01:33:14,000
Speaker 1: is dynamite all the way through so we don't lose it. Yeah,

1398
01:33:14,040 --> 01:33:17,680
Speaker 1: but I've used I've used an insulator dynamite so we

1399
01:33:17,720 --> 01:33:20,439
Speaker 1: don't lose any sound in the car. So all the

1400
01:33:20,520 --> 01:33:25,280
Speaker 1: sound is right there and subs hit perfect perfect. I

1401
01:33:25,400 --> 01:33:28,680
Speaker 1: really take my time with this ship keeps the nice

1402
01:33:29,520 --> 01:33:32,800
Speaker 1: you know, other than that is taken over the way

1403
01:33:32,840 --> 01:33:51,479
Speaker 1: you look at mother, bro, I was I really like

1404
01:33:53,320 --> 01:33:58,120
Speaker 1: to do you like that? You really got Mississippi. I

1405
01:33:58,160 --> 01:34:01,200
Speaker 1: don't really recognize it. Get like that now, you don't

1406
01:34:01,360 --> 01:34:08,680
Speaker 1: you know that's that's the old nigga. Yeah, ready, let's

1407
01:34:08,720 --> 01:34:12,479
Speaker 1: take their job. Sit down, My bad, I thought he

1408
01:34:12,560 --> 01:34:19,160
Speaker 1: was standing up, turning to Mississippi. They're gonna down. Sit

1409
01:34:19,320 --> 01:34:22,760
Speaker 1: you keep standing up and shotti in one more time.

1410
01:34:25,000 --> 01:34:29,560
Speaker 1: You got one more time. They can do it. You

1411
01:34:29,760 --> 01:34:30,439
Speaker 1: know how weak