WEBVTT - Akon

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<v Speaker 1>The only person, in my opinion that could have achieved

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<v Speaker 1>just as great as a legacy as Mike to me,

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<v Speaker 1>would have been Chris Brown. I just believed that Chris

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<v Speaker 1>Brown wasn't surrounded by the circle of creative people that

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<v Speaker 1>Mike was surrounded by Wow, because Chris got the talent. Wow.

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<v Speaker 1>He just needed the direction all my life then grinding

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<v Speaker 1>all my life, sacrifice hustle back Price, Want a slice?

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<v Speaker 1>Got the Browner dice to swad all my life. I've

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<v Speaker 1>been grinding all my life, all my life, been grinding

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<v Speaker 1>all my life and up sacrifice, hustle back Price, Want

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<v Speaker 1>a slice? Got the brona dice to swath all my life?

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<v Speaker 1>I've been grinding all my life. Hello, Welcome to another

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<v Speaker 1>additional Club Shashay. I am your host, also the proprietor

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<v Speaker 1>of Club Shasha and the guy that's stopping by for

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<v Speaker 1>a drinking conversation today. If a Diamond and platinum selling

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<v Speaker 1>UH singer, songwriter, producer, Grammy nominated recording label, owner, entrepreneur

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<v Speaker 1>and philanthropy acn R. Baby, how are you doing from

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<v Speaker 1>the creole all the way from the eight How you

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<v Speaker 1>doing amazing? Man? Cook? Let me get this pronounce your

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<v Speaker 1>full name for me Ellen dum a good time, put

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<v Speaker 1>the nuck a little, but I need to slow that.

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<v Speaker 1>The only thing, the only thing I heard was a

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<v Speaker 1>can that y'all read together? Okay, everything else running together

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<v Speaker 1>for sure? Okay, So how you say the first part

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<v Speaker 1>a loom duha time boodoo naka lu lulu. Also also

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<v Speaker 1>what they wrote on my card all that's not you

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<v Speaker 1>got more names than that, You got like seven eight names.

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<v Speaker 1>So let met your question. Who actually called you your

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<v Speaker 1>government name? What? They just call you a car? Yeah,

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<v Speaker 1>my family's called me Ali. Then you just called you Ali.

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<v Speaker 1>So if if somebody were like, if you're walking down

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<v Speaker 1>the street and they would have say Ali, you wouldn't

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<v Speaker 1>assume they face I would. I would have see the

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<v Speaker 1>family or somebody that knew me since I was a kid. Okay,

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<v Speaker 1>you got new music coming out. What made you just

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<v Speaker 1>what made you decide to get back into the music

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<v Speaker 1>game at this point? Well, actually, you know it's like

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<v Speaker 1>after you don't achieved everything, Yeah, you kind of go

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<v Speaker 1>back to what you love, to go back to the

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<v Speaker 1>root of what makes you happy, right, and music was

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<v Speaker 1>just that thing. Because I realized that my first go

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<v Speaker 1>around in the music business. Everything was so based around

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<v Speaker 1>the business, right. Everything was like, okay, cool, I need

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<v Speaker 1>to make money, I need to get rich, I need

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<v Speaker 1>to invest. I need to make sure that my family,

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<v Speaker 1>my kids and their kids are straight. Right. So once

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<v Speaker 1>you got your investments all in the order, then my

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<v Speaker 1>legacy was built out. Philanthropy was really you know, was

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<v Speaker 1>based in balanced in Africa. I was like, man, I

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<v Speaker 1>want to I didn't. I wasn't enjoying myself after a while.

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<v Speaker 1>I wanted to just go back to having fun again.

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<v Speaker 1>So you wanted to go back and make music that

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<v Speaker 1>you like, not so much that it might not have

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<v Speaker 1>the commercial appeal because you've already satisfied that side. Now

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<v Speaker 1>let me do what I like. Right, But but you

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<v Speaker 1>want to commercial appeal steal but no, but this is thing.

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<v Speaker 1>Even when I was doing music, I only did what

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<v Speaker 1>I liked anyway, That's the only part of it that

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<v Speaker 1>I enjoyed. But it's the everything that's attached to music,

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<v Speaker 1>all the opportunities that you can actually run into that

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<v Speaker 1>you know that the business side came from what music attracted, right,

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<v Speaker 1>So the music opened the doors and know that normal

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<v Speaker 1>doors wouldn't open for me. What is it that you

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<v Speaker 1>don't like about the music business. I don't like the

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<v Speaker 1>politics about it. When you say politics, I think the

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<v Speaker 1>politics about it is what really drove me away from it.

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<v Speaker 1>And then it's also the uh, the aspect of just

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<v Speaker 1>the originality of it. Like I felt like if one

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<v Speaker 1>thing worked, the whole industry would ride towards that one

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<v Speaker 1>thing that work, and everybody would try to duplicate that.

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<v Speaker 1>It became more of a copy and paste industry. Right,

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<v Speaker 1>originality didn't matter anymore. And then if you was in it,

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<v Speaker 1>if you will try to be original, you got shunned

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<v Speaker 1>or blocked because it wasn't nothing close to what everybody

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<v Speaker 1>else was doing. Yeah. I couldn't get with that. Yeah,

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<v Speaker 1>so you you I mean when you talked about Locked Up,

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<v Speaker 1>But I'm looking at your career before Locked Up took off,

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<v Speaker 1>you were going around to prisons and actually performing, right,

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<v Speaker 1>that's how we broke the record. Yeah, it was interesting

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<v Speaker 1>Why I heard a small gymnasium YMCAs and really hairy

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<v Speaker 1>people kicking it off at the prison system. So, so

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<v Speaker 1>what made you decide to go that route? Well, it

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<v Speaker 1>was it was about being creative. Like, they got a

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<v Speaker 1>whole lot of money to pay for top price for

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<v Speaker 1>tickets at all. It was free actually exactly actually pay

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<v Speaker 1>to get it done exactly. Na. But when it was

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<v Speaker 1>when we first did Locked Up, it was it was

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<v Speaker 1>it was tough to get it played on the video,

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<v Speaker 1>tough to get it marketed, to promote it, and my

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<v Speaker 1>whole concept about it. I was like, wait, this is

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<v Speaker 1>a street record, right, obviously street to the core. The

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<v Speaker 1>best place for this record to actually get any kind

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<v Speaker 1>of marketing promotion is the place and where the concept

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<v Speaker 1>came from, which was in jail. Right. So I ran

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<v Speaker 1>into this warden over at Rocket's Island at the time, Okay,

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<v Speaker 1>that had his new program that they was exercising, and

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<v Speaker 1>he reached out to Steve Rifkin when up you know,

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<v Speaker 1>at the time it was as the CEO of SRC Records,

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<v Speaker 1>who I was assigned to, and he said, Yo, listen, man,

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<v Speaker 1>we got this concept where we want to be able

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<v Speaker 1>to bring artists to come perform for inmates, you know,

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<v Speaker 1>and just kind of get these kids, you know, thinking

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<v Speaker 1>more about along. Yeah. Positive. So I was like, man,

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<v Speaker 1>I listen, I do it. Let's go Locked Up. It's

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<v Speaker 1>the perfect record, right. So we went in and did it.

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<v Speaker 1>The program was so successful he invited us to all

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<v Speaker 1>his other areas that he controlled, and we end up

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<v Speaker 1>doing a penitentiary tour and then how the record popped

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<v Speaker 1>off was that the inmates would call their parents and

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<v Speaker 1>have their parents called the radio station on three Way

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<v Speaker 1>to request the record, and that's how the record broke

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<v Speaker 1>on the radio. Wow. Yeah, did you think at the

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<v Speaker 1>time that you was making this record that it was

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<v Speaker 1>gonna do what it did? No? I had no idea

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<v Speaker 1>at the time. It was just it was a passion

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<v Speaker 1>product project. I was just going through the process and

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<v Speaker 1>wrote about it because I had a habit of writing

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<v Speaker 1>things that I went through, so when I got locked up,

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<v Speaker 1>that haven't followed me in jail and ultimately just became

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<v Speaker 1>what it was, so that would be so locked up

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<v Speaker 1>is real life for you? Yeah? Yeah, real experiences. Speaking

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<v Speaker 1>of that, we see now in Atlanta. What's going on

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<v Speaker 1>to Atlanta. We see Gunner, we see I think young

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<v Speaker 1>Thug the YSL and they're using their actual lyrics right

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<v Speaker 1>in the statue right you wrote this is real life

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<v Speaker 1>to me? How much should they be allowed? Because the

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<v Speaker 1>California governor users are now we're not going to use

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<v Speaker 1>lyrics against people right. And you know what, I agree

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<v Speaker 1>with not using lyrics against people because a lot of

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<v Speaker 1>times most of the stuff that a lot of rappers

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<v Speaker 1>are talking about ain't true. Right, It's this fantasy world

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<v Speaker 1>of being a gangster, the fancy world of being the

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<v Speaker 1>studio gangster, studio gangs. Right. So, which is cool because

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<v Speaker 1>movies do the same thing exact real life. Right, you

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<v Speaker 1>kill somebody in the movie, don't mean they can go

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<v Speaker 1>and say, oh, you kill somebody, I'm trying you for murder. Right.

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<v Speaker 1>But the difference in a lot of these cases that

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<v Speaker 1>this a lot of information that's being released on these songs,

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<v Speaker 1>our information that's never been put to the public in

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<v Speaker 1>the investigation. Right, So how do you justify lyrics an

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<v Speaker 1>investigation that match a case almost to the tea that

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<v Speaker 1>it's information that's never been released to the public. It's

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<v Speaker 1>kind of hard to fight that. So to kind of

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<v Speaker 1>confess your own crimes or the records at a little ridiculous.

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<v Speaker 1>It's ridiculous. I mean, look, I love your stuff. I

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<v Speaker 1>mean you from the crib. So I got a special

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<v Speaker 1>liking to artist that's in Atlanta, like Tip and Louder Yourself,

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<v Speaker 1>Goodie Mob outcast, those guys. So I'm I'm biased. I

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<v Speaker 1>love Locked Up, but my favorite song You're on the

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<v Speaker 1>hook with the soul Survivor. Yeah, so how did how

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<v Speaker 1>did that project come about? Yeah? That's actually one of

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<v Speaker 1>my favorite records as well too. At the time, BMF

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<v Speaker 1>was a group out of Atlanta that was just like

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<v Speaker 1>they was. They would be they killing in every aspect.

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<v Speaker 1>And Mitch was a really really good friend of mine. Okay,

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<v Speaker 1>and he said, listen, con I got this artist, man,

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<v Speaker 1>I need your help on it. I promise you, man,

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<v Speaker 1>I'm gonna look out for you. Hobby me, I got you,

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<v Speaker 1>I said, man, just bring him to He brought him

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<v Speaker 1>by the studio and Jeez at the time was so raw.

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<v Speaker 1>I was like, Bro, this kid, I don't know where

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<v Speaker 1>you found him, but he's out of here right, Like

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<v Speaker 1>he's out of here right. So Jez played me his

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<v Speaker 1>mixtape at that time and I said, okay, cool. So

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<v Speaker 1>when I left the studio, I reached back to meach

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<v Speaker 1>I said, I got him, trust me. So I did

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<v Speaker 1>the record, which was so survival, send it to Jeez.

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<v Speaker 1>As soon as he heard it, He's like, oh, bro,

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<v Speaker 1>this is it. This is it? Yeah, this is it.

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<v Speaker 1>He did he knew like he knew. I mean literally

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<v Speaker 1>hour didn't pass. He sent me back the song always

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<v Speaker 1>with his lyrics already owned it. I was like, oh yeah,

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<v Speaker 1>this is a monster record. But it was. It was

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<v Speaker 1>as simple as meat connected us, right? Yeah? Is that?

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<v Speaker 1>How is as simple as that somebody brings your art?

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<v Speaker 1>I mean because it happens all the time, people passing

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<v Speaker 1>you mixtapes on the street. He come from, Hey, I

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<v Speaker 1>got that heat on me, Bro, I need you to

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<v Speaker 1>take a listen. What what made you so sure that

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<v Speaker 1>Jez was it? I just knew, Like I think that's

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<v Speaker 1>always been a gift of mine, that God just gave

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<v Speaker 1>me that puss to know a star when I see it,

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<v Speaker 1>like I just knew it, like I just automatic knew it.

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<v Speaker 1>But me, a lot of my collaborations come from me

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<v Speaker 1>just passionately liking it personally, right, Like if I like

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<v Speaker 1>it personally, I'm a due regardless of what, because I

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<v Speaker 1>just I just like it right, and I see it's

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<v Speaker 1>gonna go somewhere. But oftentimes it was never politics involved

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<v Speaker 1>in my decisions when it came to music. You got

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<v Speaker 1>to get us were a record number one selling artists

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<v Speaker 1>at Ring Tone, right, how did that happen? Well, at

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<v Speaker 1>the time, like music was always like a vehicle to

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<v Speaker 1>me to get to the money. Okay, Like imagine a

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<v Speaker 1>hustler seeing an opportunity to where you can be famous

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<v Speaker 1>and use that to open up doors for other opportunities

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<v Speaker 1>to money, right, Right, So when I was doing records,

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<v Speaker 1>I looked at the concept and the stats of how

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<v Speaker 1>people were rushing and beating themselves up to sell singles,

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<v Speaker 1>which was like four minutes long, right, and for a

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<v Speaker 1>dollar ninety nine. Right. And then you had ring tones,

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<v Speaker 1>which was just knew in the market, you know, a

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<v Speaker 1>digital you know concept where the ring tone was like

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<v Speaker 1>fifteen seconds long. It was four ninety nine. I said, well,

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<v Speaker 1>hell up, I think I'm on the wrong side of it.

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<v Speaker 1>We need to be selling ring tones, right if all

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<v Speaker 1>I need is fifteen seconds eleven for five dollars. It

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<v Speaker 1>was that simple, and that's when I started creating my

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<v Speaker 1>whole revenue model around selling ring tone. So every single

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<v Speaker 1>was based on the ring tone. Obviously, the Atlanta scene,

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<v Speaker 1>I mean, everybody knows everybody. You know Killer Mike, you

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<v Speaker 1>know Gunna, you know Young Thug, you know Tip, you

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<v Speaker 1>know Loota. So what makes the Atlanta scene so special. Ooh.

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<v Speaker 1>I think that what made Atlanta so special was the

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<v Speaker 1>fact that it was something brand new to hip hop

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<v Speaker 1>at the time. You know, they had a different perspective

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<v Speaker 1>when it came to rap music because we used to

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<v Speaker 1>be R and B. We had we had baby Face.

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<v Speaker 1>Oh yeah, we had Laid, we had TLC. I think

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<v Speaker 1>the Face, Yeah, don't get enough credit for they started.

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<v Speaker 1>They started it all man, Yeah, La Reid and baby Face.

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<v Speaker 1>If it wasn't for them, that wouldn't be no Atlanta.

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<v Speaker 1>See right, Like they took it to to the South

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<v Speaker 1>where they saw the the I mean it was just

0:11:02.120 --> 0:11:05.000
<v Speaker 1>brewing talent that nobody was actually cooking, right, Like how

0:11:05.000 --> 0:11:06.520
<v Speaker 1>do you like? Oh Day's like, man, we need to

0:11:06.520 --> 0:11:08.400
<v Speaker 1>set up shop right here, right And sure enough, when

0:11:08.440 --> 0:11:11.760
<v Speaker 1>the when the Olympics came and the world came to Atlanta,

0:11:12.080 --> 0:11:14.640
<v Speaker 1>it also created this international vibe as well too, So

0:11:14.720 --> 0:11:16.560
<v Speaker 1>you got a lot of like myself, I came because

0:11:16.559 --> 0:11:20.880
<v Speaker 1>of their Olympics. So but when you created that and

0:11:20.880 --> 0:11:23.120
<v Speaker 1>then people asked me was able to hear the sounds

0:11:23.120 --> 0:11:25.400
<v Speaker 1>of the South and feel the energy of it, I

0:11:25.440 --> 0:11:28.360
<v Speaker 1>think it really transformed the business because everybody was so

0:11:28.400 --> 0:11:30.839
<v Speaker 1>inspired that even people from New York was trying to

0:11:30.840 --> 0:11:32.800
<v Speaker 1>sell that dude from South right and they just changed

0:11:32.840 --> 0:11:36.800
<v Speaker 1>the game. You mentioned we were talking about the wire

0:11:36.840 --> 0:11:40.800
<v Speaker 1>selling their situation and and and and bml Black Moufia Family.

0:11:42.600 --> 0:11:46.240
<v Speaker 1>How how did that? Because it seems like the BMMLF

0:11:46.320 --> 0:11:48.439
<v Speaker 1>and what they had, they glamorized it. They had a

0:11:48.520 --> 0:11:50.320
<v Speaker 1>doc had a thing on I think it was Netflix,

0:11:50.679 --> 0:11:52.320
<v Speaker 1>and they showed the rise and the fall of the

0:11:52.360 --> 0:11:55.000
<v Speaker 1>BMF and they showed the big lavish cars, and they

0:11:55.040 --> 0:11:57.400
<v Speaker 1>showed the strip loves and all that stuff. Is that

0:11:58.480 --> 0:12:01.480
<v Speaker 1>Captain Atlanta is more than that? No, Atlanta's definitely more

0:12:01.520 --> 0:12:03.880
<v Speaker 1>than that. I mean, you gotta think New York had

0:12:03.880 --> 0:12:05.800
<v Speaker 1>it too in Brooklyn, like yeah, right, you can go

0:12:05.920 --> 0:12:08.160
<v Speaker 1>in pretty much any city, right, you know, La had

0:12:08.200 --> 0:12:10.720
<v Speaker 1>it with Rick Ross, Like anywhere you go, they're gonna

0:12:10.720 --> 0:12:15.760
<v Speaker 1>have that. Rap music was based around the lifestyle of

0:12:15.840 --> 0:12:20.120
<v Speaker 1>the struggle, like the rags to richest story. It's rap music, right,

0:12:20.280 --> 0:12:24.280
<v Speaker 1>So when you in any major you know, challenge neighborhood

0:12:24.400 --> 0:12:26.880
<v Speaker 1>or hood, you can kind of say, okay, there's always

0:12:26.920 --> 0:12:29.760
<v Speaker 1>been that one person that everybody looked up to, which

0:12:29.800 --> 0:12:32.520
<v Speaker 1>was the neighborhood drug dealer, right, he made the money fast,

0:12:32.559 --> 0:12:35.600
<v Speaker 1>he looked amazing. All the girls wanted them. He's right,

0:12:35.640 --> 0:12:38.000
<v Speaker 1>he's the guy that all the kids want to be. Like, yeah,

0:12:38.240 --> 0:12:40.800
<v Speaker 1>but see coming up, the ogs would tell you, nah,

0:12:40.880 --> 0:12:44.680
<v Speaker 1>bro ain't touching that go to school right today it

0:12:44.720 --> 0:12:47.319
<v Speaker 1>ain't the same. They ain't no oldgs. Oh jeez that

0:12:47.320 --> 0:12:50.040
<v Speaker 1>they gotta give you that game. All ogs that gave

0:12:50.120 --> 0:12:52.360
<v Speaker 1>us the game all jet a locked up. Yeah. So

0:12:52.559 --> 0:12:55.800
<v Speaker 1>and so now it is social media. It's called social media.

0:12:55.880 --> 0:12:58.839
<v Speaker 1>Every everything on social media. Everybody doing well because the

0:12:59.080 --> 0:13:02.880
<v Speaker 1>social media got met. I'm poor, but they got rolled.

0:13:08.280 --> 0:13:10.959
<v Speaker 1>What what am I doing wrong? What are you start?

0:13:12.400 --> 0:13:14.480
<v Speaker 1>I mean? But the social media is just like a

0:13:14.559 --> 0:13:16.760
<v Speaker 1>rap song. Now, okay, you can become whoever you want

0:13:16.760 --> 0:13:20.160
<v Speaker 1>to become. Right, So the rap song we idolize those

0:13:20.280 --> 0:13:23.000
<v Speaker 1>that group. And that's the we're telling their stories. Right

0:13:23.240 --> 0:13:25.079
<v Speaker 1>Like when you look at rappers, they tell them to

0:13:25.120 --> 0:13:27.360
<v Speaker 1>be and map stories. They telling no story like that.

0:13:27.480 --> 0:13:29.679
<v Speaker 1>It wasn't them living it, but they living through them.

0:13:30.320 --> 0:13:32.480
<v Speaker 1>But through the music, you can become that, right, So

0:13:32.480 --> 0:13:34.960
<v Speaker 1>social media is no different. The only differences. Now, now

0:13:35.000 --> 0:13:38.440
<v Speaker 1>you can curate your background, you know, produce your whole environment.

0:13:38.480 --> 0:13:41.040
<v Speaker 1>And make it look like you're this billionaire you know.

0:13:41.080 --> 0:13:43.400
<v Speaker 1>And then right when you jump off that private jet

0:13:43.480 --> 0:13:45.480
<v Speaker 1>that you just took a picture next to that you

0:13:45.480 --> 0:13:47.800
<v Speaker 1>didn't even rent, you go back to the front of

0:13:47.840 --> 0:13:49.680
<v Speaker 1>the you know, the signature places and ask for and

0:13:49.840 --> 0:13:55.040
<v Speaker 1>call you uber. Right, so it's like, you know, but

0:13:55.120 --> 0:13:56.440
<v Speaker 1>at the end of the day, when you look at

0:13:56.480 --> 0:13:59.040
<v Speaker 1>the the I mean, your man, your feet look like

0:13:59.040 --> 0:14:03.520
<v Speaker 1>oh man, this boy, yes, yes, you know, do you

0:14:04.559 --> 0:14:12.120
<v Speaker 1>has social media skewed reality because social media took reality

0:14:12.160 --> 0:14:14.880
<v Speaker 1>but well, well artificial reality to the next level, right,

0:14:14.920 --> 0:14:18.640
<v Speaker 1>so before everyone believable what you saw on television, like

0:14:18.840 --> 0:14:21.760
<v Speaker 1>TV was the truth because you can visit visially like

0:14:21.880 --> 0:14:25.840
<v Speaker 1>vis Now social media has become and took the place

0:14:25.840 --> 0:14:29.640
<v Speaker 1>of television because now television, everyone can curate their own programs, right,

0:14:30.120 --> 0:14:32.280
<v Speaker 1>like they can create what they want the world to

0:14:32.320 --> 0:14:34.400
<v Speaker 1>see or envision when it comes to them, Like you

0:14:34.440 --> 0:14:38.680
<v Speaker 1>can create your own personality through just you just gotta

0:14:38.720 --> 0:14:41.640
<v Speaker 1>be good at tech, you know, be very creative. At

0:14:41.640 --> 0:14:44.720
<v Speaker 1>the end of the day, do you I mean these

0:14:44.920 --> 0:14:48.440
<v Speaker 1>charges that Atlanta on Young Thug and the wire self,

0:14:48.480 --> 0:14:51.440
<v Speaker 1>they seem very serious. No, they're very serious, and they

0:14:51.440 --> 0:14:54.000
<v Speaker 1>won't get bonded. They've been They've tried to get bonding.

0:14:54.000 --> 0:14:55.720
<v Speaker 1>They've been to Night I think three or four times,

0:14:55.800 --> 0:14:59.080
<v Speaker 1>Thug and Gunnam. You think they go, you think they're

0:14:59.080 --> 0:15:01.680
<v Speaker 1>going away for a while. Man. I pray that they

0:15:01.840 --> 0:15:04.480
<v Speaker 1>never have to deal with that kind of experience. But

0:15:05.160 --> 0:15:08.280
<v Speaker 1>the worst part of me is saying that they're probably

0:15:08.320 --> 0:15:11.200
<v Speaker 1>gonna utilize them and use them as an example. That's

0:15:11.200 --> 0:15:14.000
<v Speaker 1>what scares me, because I'm sure they probably did. I mean,

0:15:14.000 --> 0:15:17.360
<v Speaker 1>ain't nobody angels. Everybody's gonna go through what they go through.

0:15:17.360 --> 0:15:19.120
<v Speaker 1>But I think a lot of the issues that they're

0:15:19.160 --> 0:15:21.800
<v Speaker 1>dealing with are more issues that might have stemmed from

0:15:21.800 --> 0:15:26.200
<v Speaker 1>their past. Right, that's being presentized. Right. And of course,

0:15:26.320 --> 0:15:29.040
<v Speaker 1>when you come from a past environment of that kind

0:15:29.080 --> 0:15:32.320
<v Speaker 1>of life, as you get more successful, if you're smart,

0:15:32.360 --> 0:15:35.280
<v Speaker 1>you will kind of drive yourself from from it. But unfortunately,

0:15:35.280 --> 0:15:37.720
<v Speaker 1>these kids kind of try to keep that environment close

0:15:37.760 --> 0:15:41.840
<v Speaker 1>to them to justify and make real what they're saying

0:15:41.840 --> 0:15:45.440
<v Speaker 1>on records, Like everything is about okay, is he real? Okay?

0:15:45.480 --> 0:15:47.400
<v Speaker 1>What's the question and what's the like, what is the

0:15:47.840 --> 0:15:50.840
<v Speaker 1>definition of real? Right? Is it that okay? What you're

0:15:50.840 --> 0:15:52.560
<v Speaker 1>saying you're on your record is something that you're actually

0:15:52.560 --> 0:15:55.640
<v Speaker 1>doing in a real life or who you co signed

0:15:55.880 --> 0:15:58.360
<v Speaker 1>or co signed by on record, it's actually around you

0:15:58.400 --> 0:16:00.760
<v Speaker 1>when you've seen in public right now, when you got

0:16:00.800 --> 0:16:03.920
<v Speaker 1>these credible street guys that's out there standing next to

0:16:03.920 --> 0:16:06.880
<v Speaker 1>somebody like a young thug or a gunner, and these

0:16:06.880 --> 0:16:09.480
<v Speaker 1>guys are still active. And you know, obviously if you're

0:16:09.480 --> 0:16:10.960
<v Speaker 1>active in the streets, that mean you're still out there

0:16:10.960 --> 0:16:14.280
<v Speaker 1>committing crimes. But yet you're you know, you're with someone

0:16:14.320 --> 0:16:16.800
<v Speaker 1>who might have been attached or involved in a life

0:16:16.800 --> 0:16:19.680
<v Speaker 1>in the past, but they're still currently with you. You

0:16:19.720 --> 0:16:21.720
<v Speaker 1>can easily be caught up in any kind of conspiracy

0:16:21.760 --> 0:16:23.880
<v Speaker 1>because you know that person. If it's a case on

0:16:23.960 --> 0:16:26.360
<v Speaker 1>that person and they pull up a rico, just you

0:16:26.520 --> 0:16:29.280
<v Speaker 1>knowing the person you you tied in because conspiracy. So

0:16:29.640 --> 0:16:31.800
<v Speaker 1>you gotta be a lot smarter than you know the

0:16:31.880 --> 0:16:34.240
<v Speaker 1>average person and understand how much you have to lose

0:16:34.600 --> 0:16:36.560
<v Speaker 1>by being attached to that environment. You gotta be able

0:16:36.600 --> 0:16:38.960
<v Speaker 1>to let that go. What happened to you? Like man

0:16:39.400 --> 0:16:41.800
<v Speaker 1>laying in bed at night in the situation, not because

0:16:41.800 --> 0:16:44.240
<v Speaker 1>I come from a very improper situation, but when I

0:16:44.280 --> 0:16:45.880
<v Speaker 1>laid in my bed at night, I was like God,

0:16:45.920 --> 0:16:49.560
<v Speaker 1>just give me an opportunity to get away from this. Yes, yes,

0:16:49.840 --> 0:16:51.840
<v Speaker 1>I can tell you about my story, but I didn't

0:16:51.840 --> 0:16:53.480
<v Speaker 1>want to. I didn't want to relive it. Okay, if

0:16:53.480 --> 0:16:55.320
<v Speaker 1>you're trying to get out of these streets, why do

0:16:55.400 --> 0:16:57.040
<v Speaker 1>you care to go back once you made it, to

0:16:57.040 --> 0:16:59.400
<v Speaker 1>try to relive that and try to impress people. Man,

0:16:59.440 --> 0:17:01.760
<v Speaker 1>I'm still good. Well, the problem is most of them

0:17:01.800 --> 0:17:05.399
<v Speaker 1>never was. Okay, but when you got money, you can

0:17:05.440 --> 0:17:07.520
<v Speaker 1>become what you never was. You can become what you

0:17:07.600 --> 0:17:09.720
<v Speaker 1>always wanted to be. Yeah, because it ain't no real

0:17:09.920 --> 0:17:12.800
<v Speaker 1>believe me, you know, because our generation was different. We

0:17:12.840 --> 0:17:14.119
<v Speaker 1>did it to get the hell up out of that,

0:17:14.320 --> 0:17:16.399
<v Speaker 1>for sure. I ain't looked back since, no plan to it.

0:17:16.440 --> 0:17:18.760
<v Speaker 1>Non't get right, He followed, Yeah, I mean, Peter tell

0:17:18.840 --> 0:17:20.239
<v Speaker 1>me all the time, Oh you had this, you had

0:17:20.280 --> 0:17:22.440
<v Speaker 1>money all your life. No, I don't. I ain't finished.

0:17:22.480 --> 0:17:25.520
<v Speaker 1>Limit that. You proved that you I I'm not finished,

0:17:25.520 --> 0:17:28.320
<v Speaker 1>limmit again, proved to you that I tore him up,

0:17:28.359 --> 0:17:34.400
<v Speaker 1>came back help you. I mean people trying. You're right,

0:17:34.680 --> 0:17:37.720
<v Speaker 1>People try to relive, try to relive a situation, to

0:17:37.800 --> 0:17:40.320
<v Speaker 1>try to prove to someone else. No, I really came

0:17:40.400 --> 0:17:43.280
<v Speaker 1>from the streets. I really sold drugs. I really did this,

0:17:43.520 --> 0:17:45.760
<v Speaker 1>Like why, like, why would you even want to put

0:17:45.760 --> 0:17:48.320
<v Speaker 1>that on your back? And yeah, you actually proud, ain't

0:17:48.359 --> 0:17:50.760
<v Speaker 1>something to be You didn't know any better. You're trying

0:17:50.760 --> 0:17:52.560
<v Speaker 1>to make ends and you're trying to get out of

0:17:52.560 --> 0:17:55.200
<v Speaker 1>a situation and things happen. But once you know better

0:17:55.240 --> 0:17:57.320
<v Speaker 1>and you made it, it shouldn't be a situation where

0:17:57.359 --> 0:17:59.080
<v Speaker 1>you try to impress somebody to go back to that

0:17:59.200 --> 0:18:02.120
<v Speaker 1>thank you, thank you when you were when you got

0:18:02.160 --> 0:18:03.879
<v Speaker 1>locked up? What was going when you were when you

0:18:03.960 --> 0:18:07.120
<v Speaker 1>were in there, the actual inside the facility. They said,

0:18:07.200 --> 0:18:10.320
<v Speaker 1>there's one thing between your physical body being in prison

0:18:10.520 --> 0:18:12.840
<v Speaker 1>and your mind being in prison. He said, that's when

0:18:12.840 --> 0:18:15.720
<v Speaker 1>you're lost, is when your mind is there. Your body

0:18:15.800 --> 0:18:17.600
<v Speaker 1>was there, clearly your mind wasn't there because you were

0:18:17.640 --> 0:18:20.160
<v Speaker 1>thinking about something else. Yeah, how did you pass the time?

0:18:20.200 --> 0:18:22.080
<v Speaker 1>How did you get past that moment in your life?

0:18:22.119 --> 0:18:24.040
<v Speaker 1>I was thinking about how I was gonna over, like

0:18:24.160 --> 0:18:26.240
<v Speaker 1>what I'm planning on doing when I get out. And

0:18:26.240 --> 0:18:28.040
<v Speaker 1>it was in jail that I made my ten year plan.

0:18:28.160 --> 0:18:29.880
<v Speaker 1>I literally had a ten year planner where I want

0:18:29.920 --> 0:18:31.600
<v Speaker 1>to be in the next ten years. Okay, and at

0:18:31.600 --> 0:18:32.800
<v Speaker 1>the top of my plan was I want to be

0:18:32.840 --> 0:18:35.400
<v Speaker 1>at the work with Michael Jackson. That was the top

0:18:35.440 --> 0:18:38.200
<v Speaker 1>of my plan, and that wasn't the plan that you

0:18:38.240 --> 0:18:43.440
<v Speaker 1>were positting to. I would work with my right listen,

0:18:43.440 --> 0:18:45.000
<v Speaker 1>I said. If I weren't Mike, I didn't made it.

0:18:45.000 --> 0:18:48.399
<v Speaker 1>I'm good God and blessing. And for sure enough, within

0:18:48.560 --> 0:18:50.600
<v Speaker 1>five years of that plan, I had already reached it.

0:18:50.880 --> 0:18:53.119
<v Speaker 1>And I think that's what drove me to philanthropy quicker

0:18:53.200 --> 0:18:56.080
<v Speaker 1>because once I reached that goal in five years, I

0:18:56.119 --> 0:18:58.120
<v Speaker 1>was like, Man, God gave me everything I ever wanted

0:18:58.160 --> 0:19:00.600
<v Speaker 1>to do right, Like what do I do now? I

0:19:00.720 --> 0:19:02.280
<v Speaker 1>don't want to just be known for singing a dance

0:19:02.320 --> 0:19:04.159
<v Speaker 1>and I want to be able to be an impact.

0:19:04.200 --> 0:19:05.920
<v Speaker 1>I want to be able to you know when when

0:19:05.960 --> 0:19:08.679
<v Speaker 1>when I when I rub or attached to anybody, their

0:19:08.720 --> 0:19:12.200
<v Speaker 1>name or their their situation is upgraded better. Like I

0:19:12.240 --> 0:19:14.520
<v Speaker 1>want to be able to make lives better. Just God

0:19:14.560 --> 0:19:16.159
<v Speaker 1>give me the position to be in a position to

0:19:16.280 --> 0:19:19.040
<v Speaker 1>help other people. You know what made you decide to

0:19:19.080 --> 0:19:21.560
<v Speaker 1>move to Atlanta? What's what I mean? You got there

0:19:22.200 --> 0:19:25.280
<v Speaker 1>and then you lived there. That's home now, I mean

0:19:25.440 --> 0:19:27.919
<v Speaker 1>we saw each other. Couple's funny how you meet somebody

0:19:27.920 --> 0:19:33.520
<v Speaker 1>were flying flying back from Atlanta, Bastion, We've been born

0:19:33.560 --> 0:19:36.840
<v Speaker 1>for a long time. Why did you move to Atlanta

0:19:36.920 --> 0:19:38.399
<v Speaker 1>or did you move with family or you moved on

0:19:38.440 --> 0:19:41.119
<v Speaker 1>your own? And what's Atlanta what's the Atlanta Atlanta experience

0:19:41.240 --> 0:19:43.680
<v Speaker 1>been like for you? Well, in the beginning, my dad

0:19:43.880 --> 0:19:46.800
<v Speaker 1>actually was a you know, he was a jazz musician. Okay,

0:19:46.840 --> 0:19:48.920
<v Speaker 1>but he's also was a professor, okay, because he chold.

0:19:49.000 --> 0:19:51.080
<v Speaker 1>You know, he he taught a lot of he did

0:19:51.080 --> 0:19:53.520
<v Speaker 1>a lot of culture exchange programs with universities. Okay, he

0:19:53.600 --> 0:19:55.960
<v Speaker 1>did it with Miami, he did it Atlanta, Clark Okay.

0:19:56.000 --> 0:19:58.240
<v Speaker 1>So he moved to Atlanta early. Okay. At the time,

0:19:58.240 --> 0:20:00.600
<v Speaker 1>I was hustling in New Jersey, right, So Pops decided

0:20:00.640 --> 0:20:03.040
<v Speaker 1>to move to Atlanta. I decided to stay in Jersey

0:20:03.359 --> 0:20:06.320
<v Speaker 1>for reasons only I knew. Right then, Pops was like, listen,

0:20:06.440 --> 0:20:08.440
<v Speaker 1>you gotta come to Atlanta. Atlanta is a beautiful place

0:20:08.440 --> 0:20:11.440
<v Speaker 1>as fresh and I'm like, wow, that's a new territory

0:20:11.480 --> 0:20:18.280
<v Speaker 1>for me. Then when I heard then I heard the

0:20:18.280 --> 0:20:20.399
<v Speaker 1>Olympics is coming there, I said, oh yeah, I'm gone, right,

0:20:20.520 --> 0:20:22.240
<v Speaker 1>So I moved to Atlanta. But when I got to Atlanta.

0:20:22.320 --> 0:20:25.320
<v Speaker 1>I was. I was honestly surprised of how amazing it

0:20:25.440 --> 0:20:27.800
<v Speaker 1>was there. Yes, I never turned back and went back

0:20:27.800 --> 0:20:30.040
<v Speaker 1>to Jersey. I like i'ven have until this day. I

0:20:30.440 --> 0:20:32.920
<v Speaker 1>left my furniture, everything in that apartment. Never came back

0:20:32.920 --> 0:20:34.800
<v Speaker 1>for it, you know. But then when I realized the

0:20:34.840 --> 0:20:37.320
<v Speaker 1>opportunities in Jersey and I mean Atlanta, and then the

0:20:37.359 --> 0:20:39.439
<v Speaker 1>people and how nice they was, the food and the

0:20:39.440 --> 0:20:41.679
<v Speaker 1>beautiful women, and it was just it was like it

0:20:41.720 --> 0:20:44.040
<v Speaker 1>was a no brainer. It was a no brainer. So

0:20:44.119 --> 0:20:46.240
<v Speaker 1>you came in where ninety five. I came in ninety

0:20:46.240 --> 0:20:51.520
<v Speaker 1>four ninety four. Oh so you came to Freak Nigga

0:20:54.000 --> 0:20:57.879
<v Speaker 1>last day. This would never happen to New Jersey. I

0:20:57.920 --> 0:20:59.760
<v Speaker 1>don't care. I mean, we had Freak nigg We had

0:20:59.800 --> 0:21:03.560
<v Speaker 1>Jack to wrap up, right, we had everything anything. Freak

0:21:03.680 --> 0:21:12.200
<v Speaker 1>Nick is wood stock man, steroids, WoT I mean? And

0:21:12.480 --> 0:21:14.720
<v Speaker 1>all of a sudden, everybody goes to Coachella, But Freak

0:21:14.800 --> 0:21:18.040
<v Speaker 1>Nick ain't. Nothing like Freaknick and nothing like it. You

0:21:18.080 --> 0:21:20.639
<v Speaker 1>had a student before blowing up. You went to you

0:21:20.640 --> 0:21:24.000
<v Speaker 1>went to jail for arm robbery, stealing cars. Bro I

0:21:24.080 --> 0:21:26.680
<v Speaker 1>know you know that's stealing cars, Davis because the owner

0:21:26.720 --> 0:21:28.439
<v Speaker 1>run out there up own you and then what But

0:21:28.720 --> 0:21:31.119
<v Speaker 1>that's the thing. In Jersey, we kind of perfected the

0:21:31.200 --> 0:21:35.240
<v Speaker 1>art of stealing cars. I know, sounds crazy, I know,

0:21:35.600 --> 0:21:37.880
<v Speaker 1>but that's what we was knowing for Jersey, Like, this

0:21:37.920 --> 0:21:39.960
<v Speaker 1>is what we do. So when I came in Atlanta,

0:21:40.840 --> 0:21:44.440
<v Speaker 1>because they didn't know anything about you ahead of your time,

0:21:44.960 --> 0:21:48.600
<v Speaker 1>nothing about it, so it was like the perfect It

0:21:48.680 --> 0:21:51.639
<v Speaker 1>was so perfect. You had a studio. Who's some of

0:21:51.680 --> 0:21:55.000
<v Speaker 1>the famous artists that came through your studio? Man, everybody worked,

0:21:55.000 --> 0:21:57.399
<v Speaker 1>I mean practically almost everybody from Atlanta if you name,

0:21:57.520 --> 0:22:00.440
<v Speaker 1>they didn't work through our studio, like literally everybody. You're

0:22:00.440 --> 0:22:06.400
<v Speaker 1>still getting usher TLC. I mean, I mean even everybody, everybody, everybody,

0:22:06.520 --> 0:22:09.479
<v Speaker 1>So everybody came through us studio. You're sitting You're sitting

0:22:09.760 --> 0:22:11.520
<v Speaker 1>on your cot and you says, I want to worked

0:22:11.520 --> 0:22:16.320
<v Speaker 1>with Michael Jackson. Did you always know what you wanted

0:22:16.320 --> 0:22:18.200
<v Speaker 1>to do? From that moment on, You're like, you know what, Lord,

0:22:18.200 --> 0:22:19.879
<v Speaker 1>if you get me out of this situation, I promise

0:22:19.960 --> 0:22:22.679
<v Speaker 1>you I will never ever come back. I will never

0:22:22.760 --> 0:22:25.280
<v Speaker 1>ever ask you to do me another favorite Again, those

0:22:25.320 --> 0:22:28.720
<v Speaker 1>are my exact words, too, Lord. I won't steal a

0:22:28.760 --> 0:22:32.440
<v Speaker 1>piece of Bubba guy. It's getting me out in the situation.

0:22:32.480 --> 0:22:34.520
<v Speaker 1>And I promise you and I kept my worry that

0:22:34.600 --> 0:22:37.760
<v Speaker 1>my life has been amazing ever since. When we see

0:22:38.040 --> 0:22:40.199
<v Speaker 1>we see what happened with P and B Robb and

0:22:40.200 --> 0:22:43.800
<v Speaker 1>we see what we see what a pop smoke, what's

0:22:43.840 --> 0:22:47.960
<v Speaker 1>going on? It goes back to this generation again trying

0:22:47.960 --> 0:22:50.679
<v Speaker 1>to prove to people. Right. So you get to the

0:22:50.720 --> 0:22:55.600
<v Speaker 1>position where, Okay, it's one thing to acknowledge the fact

0:22:55.640 --> 0:22:59.080
<v Speaker 1>that there's people out there starving, yes, struggling, yes, But

0:22:59.119 --> 0:23:01.760
<v Speaker 1>it's another thing to know it and flash it in

0:23:01.800 --> 0:23:05.000
<v Speaker 1>their face and make them feel as if they're less

0:23:05.000 --> 0:23:09.160
<v Speaker 1>than what they're what they should be. Right. So, if

0:23:09.160 --> 0:23:15.120
<v Speaker 1>you're utilizing someone else's environment to profit, the people that's

0:23:15.160 --> 0:23:18.199
<v Speaker 1>being profited from is gonna feel some kind of way, right,

0:23:18.320 --> 0:23:20.080
<v Speaker 1>and they're gonna feel like, not only did you owe

0:23:20.080 --> 0:23:25.040
<v Speaker 1>them something, but it's disrespectful, that's just being poor and

0:23:25.080 --> 0:23:28.160
<v Speaker 1>knowing this. Right. So when you get to a situation

0:23:28.200 --> 0:23:32.040
<v Speaker 1>like that, you gotta also respect the idea of knowing

0:23:32.080 --> 0:23:34.320
<v Speaker 1>that the environment and what you came from that you

0:23:34.359 --> 0:23:36.200
<v Speaker 1>don't plan to go back or if you did, or

0:23:36.280 --> 0:23:38.680
<v Speaker 1>if you haven't done anything for those people that feel

0:23:38.680 --> 0:23:42.159
<v Speaker 1>that you should. There's gonna be some repercussions and you

0:23:42.480 --> 0:23:51.480
<v Speaker 1>opening up the treasure trunk of yours blessing because unfortunately,

0:23:51.480 --> 0:23:55.720
<v Speaker 1>our people, as black people, we just believe we're owe something.

0:23:56.320 --> 0:23:57.920
<v Speaker 1>Made it from you made it from here. You gotta

0:23:57.920 --> 0:24:00.920
<v Speaker 1>break it back. But even you, Nipsey meysically wouldn't give

0:24:00.960 --> 0:24:03.440
<v Speaker 1>it back. The community give me back, and it still

0:24:03.480 --> 0:24:07.560
<v Speaker 1>happens because that jealousy. Man, we have this. That's why

0:24:07.960 --> 0:24:09.840
<v Speaker 1>the community is like that. It's not like that in

0:24:09.920 --> 0:24:12.760
<v Speaker 1>other communities. It really they not feel like they're old something.

0:24:13.080 --> 0:24:16.640
<v Speaker 1>I mean because now I gotta man, I gotta drive

0:24:16.640 --> 0:24:19.520
<v Speaker 1>a beat up truck, or I gotta dress down because

0:24:19.560 --> 0:24:21.679
<v Speaker 1>I'm afraid somebody gonna see something and be mad at

0:24:21.680 --> 0:24:23.920
<v Speaker 1>me because I bust my ass to make it out.

0:24:24.200 --> 0:24:26.959
<v Speaker 1>And now you jealous because I got on some design

0:24:27.040 --> 0:24:28.879
<v Speaker 1>or I got a little a little chain, or I

0:24:28.960 --> 0:24:31.240
<v Speaker 1>drive a nice car. You're like, bro, you owe me,

0:24:31.280 --> 0:24:33.320
<v Speaker 1>break me off. Nah, get up and go to work.

0:24:33.720 --> 0:24:36.480
<v Speaker 1>I'm not saying that everybody. Everybody's not gonna be gonna

0:24:36.520 --> 0:24:38.719
<v Speaker 1>make millions of dogs, right, but you can, you can

0:24:38.760 --> 0:24:40.879
<v Speaker 1>do something you should. You shouldn't feel like, well, you

0:24:40.880 --> 0:24:42.520
<v Speaker 1>got I'm gonna take it from you. It's it's just

0:24:42.600 --> 0:24:46.000
<v Speaker 1>unfortunate because we've created this, this this scenario that we

0:24:46.119 --> 0:24:50.560
<v Speaker 1>have to value ourselves with material things, right, and that's

0:24:50.560 --> 0:24:53.080
<v Speaker 1>how we measure ourselves, right, that's how we measure ourselves.

0:24:53.320 --> 0:24:55.959
<v Speaker 1>So when somebody's coming up, the first thing they do

0:24:56.040 --> 0:24:59.000
<v Speaker 1>is buy a car, by house, buy some jewelry. Right, So,

0:24:59.080 --> 0:25:00.520
<v Speaker 1>and then this is saying, Okay, you gotta look like

0:25:00.600 --> 0:25:03.080
<v Speaker 1>money to make money. Half the time were faking until

0:25:03.080 --> 0:25:05.240
<v Speaker 1>we make it. And that's just being real. Now I

0:25:05.280 --> 0:25:08.119
<v Speaker 1>ain't going in debt. I make it. I'm just saying

0:25:08.240 --> 0:25:10.280
<v Speaker 1>as a culture, as a culture, we take it till

0:25:10.320 --> 0:25:12.080
<v Speaker 1>we make it. It is right because me and I

0:25:12.240 --> 0:25:14.159
<v Speaker 1>and it's it's like a radar. Because if I walk

0:25:14.240 --> 0:25:19.679
<v Speaker 1>into a business meeting and somebody's allrin trinking it up

0:25:19.880 --> 0:25:22.040
<v Speaker 1>with all these ornaments on them, I already know he

0:25:22.040 --> 0:25:25.800
<v Speaker 1>ain't got no money. I already know you broke. You

0:25:25.840 --> 0:25:31.000
<v Speaker 1>ain't fooling me broke. That used to be me off top,

0:25:31.040 --> 0:25:33.680
<v Speaker 1>I'm now now I'm tuned out already, because like, why

0:25:33.720 --> 0:25:35.600
<v Speaker 1>do you have to do all that? Right? If you're successful,

0:25:35.680 --> 0:25:38.119
<v Speaker 1>just come show me to you know, present what you

0:25:38.200 --> 0:25:40.760
<v Speaker 1>got to present and sell it. Yeah, but all actually

0:25:40.760 --> 0:25:48.200
<v Speaker 1>is to try. You said you you like you believe

0:25:49.160 --> 0:25:52.480
<v Speaker 1>labels are making money off rappers dying one, Oh yeah

0:25:52.800 --> 0:25:55.040
<v Speaker 1>for sure. I mean because, believe me, there's a lot

0:25:55.640 --> 0:25:58.600
<v Speaker 1>of there's a lot of things that can be put

0:25:58.640 --> 0:26:02.040
<v Speaker 1>in place to prevent it. Believe it. You know. But

0:26:02.080 --> 0:26:04.560
<v Speaker 1>at the end of the day, we can't always blame

0:26:04.560 --> 0:26:07.200
<v Speaker 1>the establishment for mistakes that we make it right right,

0:26:07.240 --> 0:26:10.159
<v Speaker 1>because it ain't like we don't know better either. Like

0:26:11.000 --> 0:26:13.919
<v Speaker 1>it goes back to people used to always get on

0:26:14.000 --> 0:26:16.720
<v Speaker 1>Jay on why he don't go back to Marcy projects.

0:26:17.600 --> 0:26:20.480
<v Speaker 1>I'm like, why should he? Yeah, and do what because

0:26:20.560 --> 0:26:23.720
<v Speaker 1>somebody jealous and do what? But what? But why? Why?

0:26:23.880 --> 0:26:25.800
<v Speaker 1>Why are we like that? I mean you look at

0:26:26.000 --> 0:26:28.520
<v Speaker 1>uh Justin Timber ain't trying to beat up Robin Thick.

0:26:30.359 --> 0:26:35.480
<v Speaker 1>I mean, you know, so why is it the rap culture?

0:26:35.560 --> 0:26:38.439
<v Speaker 1>Why is it us that feel that even if it's

0:26:38.480 --> 0:26:41.359
<v Speaker 1>nothing there, we will create a situation. And it's about,

0:26:41.400 --> 0:26:42.680
<v Speaker 1>you know, all of a sudden, now you got to

0:26:42.680 --> 0:26:46.160
<v Speaker 1>be disrespectful about somebody's girl. You gotta be disrespectful about

0:26:46.160 --> 0:26:47.919
<v Speaker 1>you know how I snack your chain and you snack

0:26:48.000 --> 0:26:50.880
<v Speaker 1>there or I ran up on your boy. What what what? What? What?

0:26:50.880 --> 0:26:53.200
<v Speaker 1>What's what's so big about that? What? What? What? What's? Honestly,

0:26:53.240 --> 0:26:55.440
<v Speaker 1>God can never understand that. It's till this day, I

0:26:55.440 --> 0:26:57.639
<v Speaker 1>don't know how to answer a question like that. It's

0:26:57.520 --> 0:27:00.840
<v Speaker 1>just mentality has been so twisted and the story and

0:27:01.000 --> 0:27:04.600
<v Speaker 1>this history of just being manipulated by each other, and

0:27:04.680 --> 0:27:06.760
<v Speaker 1>then we don't have trust amongst each other. So it's

0:27:06.800 --> 0:27:09.119
<v Speaker 1>hard for us to come together and create anything great

0:27:09.560 --> 0:27:12.760
<v Speaker 1>because it's always gonna be this, Uh, you know, he

0:27:12.840 --> 0:27:14.480
<v Speaker 1>got more than I dead, or why should he be

0:27:14.480 --> 0:27:16.400
<v Speaker 1>in that position when I created? Or you know, it's

0:27:16.480 --> 0:27:19.720
<v Speaker 1>established this it's never say let's look, let's just put

0:27:19.720 --> 0:27:21.600
<v Speaker 1>all that aside and out how we can come together,

0:27:21.840 --> 0:27:24.479
<v Speaker 1>put our sorts together and create something great right without

0:27:24.760 --> 0:27:26.920
<v Speaker 1>and actually wanting it for each other then to be

0:27:27.000 --> 0:27:29.120
<v Speaker 1>jealous of each other, right, It's just I mean, it's tough.

0:27:29.160 --> 0:27:31.880
<v Speaker 1>I mean, you can always blame it on history because

0:27:31.880 --> 0:27:34.639
<v Speaker 1>we we always been separated according to classes. We've always

0:27:34.680 --> 0:27:36.880
<v Speaker 1>been you know, but at the end of day, there

0:27:36.880 --> 0:27:38.880
<v Speaker 1>has to be a time in life where we could say,

0:27:38.880 --> 0:27:41.080
<v Speaker 1>you know what, yes it happened, but we can do

0:27:41.160 --> 0:27:43.760
<v Speaker 1>something about it. Right, But when do you get tired

0:27:43.840 --> 0:27:46.240
<v Speaker 1>enough to say, let's just stop talking and protesting and

0:27:46.359 --> 0:27:49.359
<v Speaker 1>just have and let actions actually allow us to come

0:27:49.400 --> 0:27:52.520
<v Speaker 1>together and create something great, it said. Fat Joe says

0:27:52.560 --> 0:27:56.480
<v Speaker 1>he believed rappers are an in dangered species. You believe that.

0:27:56.520 --> 0:27:59.080
<v Speaker 1>I mean, it's a new rapper die every week. It's

0:27:59.119 --> 0:28:02.120
<v Speaker 1>the most dangerous ocupation in the world. Right now, Did

0:28:02.160 --> 0:28:04.879
<v Speaker 1>this start with the biggest in Tupac B Because I

0:28:04.880 --> 0:28:07.520
<v Speaker 1>don't remember. Look, I remember when L and Kumo D

0:28:07.680 --> 0:28:09.840
<v Speaker 1>hadn't n I used that. I used that as an

0:28:09.880 --> 0:28:14.840
<v Speaker 1>example all the time. It was L was trying to

0:28:14.920 --> 0:28:17.840
<v Speaker 1>roll up on Mod Kumo D wasn't trying to rolled

0:28:17.920 --> 0:28:19.679
<v Speaker 1>up on him, right, and we just ain't. It was

0:28:19.720 --> 0:28:22.320
<v Speaker 1>just you know, live far at it's fine, it's rap.

0:28:22.440 --> 0:28:25.320
<v Speaker 1>And then that was built on battling, and then somehow

0:28:25.800 --> 0:28:28.800
<v Speaker 1>Tupac and bigger and it escalated to that level and

0:28:28.840 --> 0:28:32.800
<v Speaker 1>we hadn't looked back since. Yeah, it's unfortunate because a

0:28:32.800 --> 0:28:36.080
<v Speaker 1>lot of the gangsters are very emotional. They're the most

0:28:36.119 --> 0:28:39.400
<v Speaker 1>emotional people on the planet. And most of 'em was

0:28:40.520 --> 0:28:44.240
<v Speaker 1>raised by their mother or their grandmothers. Their father figures

0:28:44.200 --> 0:28:46.960
<v Speaker 1>wouldn't a part of their lives, so the man side

0:28:47.000 --> 0:28:51.440
<v Speaker 1>of them that would take a joke ain't there because

0:28:51.440 --> 0:28:53.760
<v Speaker 1>the father wasn't there to show. Okay, as a man,

0:28:54.760 --> 0:28:57.240
<v Speaker 1>your skin should be as tough as leather. Little words

0:28:57.280 --> 0:28:59.760
<v Speaker 1>should never affect you. Right to the point now, I

0:28:59.760 --> 0:29:02.400
<v Speaker 1>mean because of me being raised more from my African

0:29:02.440 --> 0:29:05.440
<v Speaker 1>side of my family. It's like, okay, you get it,

0:29:05.760 --> 0:29:08.840
<v Speaker 1>because it's just a different level of a responsibility that

0:29:08.880 --> 0:29:14.600
<v Speaker 1>the man like owns today. The man of the house

0:29:14.680 --> 0:29:19.440
<v Speaker 1>will easily tell you, well, that ain't my responsibility. That's

0:29:19.960 --> 0:29:22.560
<v Speaker 1>all a matter of fact. He's not a role model.

0:29:23.480 --> 0:29:27.080
<v Speaker 1>You got famous people that says I'm not a role model.

0:29:27.120 --> 0:29:30.360
<v Speaker 1>That ain't my That's not my responsibility, right, Okay, then

0:29:30.400 --> 0:29:33.640
<v Speaker 1>whose responsibility is it? If the kids are looking up

0:29:33.640 --> 0:29:36.160
<v Speaker 1>to you, right, it's not a choice. This comes with

0:29:36.200 --> 0:29:38.560
<v Speaker 1>the territory. Once you become successful and you're in a

0:29:38.600 --> 0:29:42.440
<v Speaker 1>position where you actually influence people, that's your role towards

0:29:42.560 --> 0:29:45.800
<v Speaker 1>God to say, man, he put me in this position

0:29:45.800 --> 0:29:47.640
<v Speaker 1>for a reason. It ain't just for me to focus

0:29:47.680 --> 0:29:50.160
<v Speaker 1>on myself and tell everybody else, show everybody how hot

0:29:50.200 --> 0:29:53.160
<v Speaker 1>I am. I gotta actually be some kind of used

0:29:53.160 --> 0:29:56.000
<v Speaker 1>to the environment and to population to say okay, cool.

0:29:56.240 --> 0:29:58.560
<v Speaker 1>I have to lead by example because what I do,

0:29:58.680 --> 0:30:00.320
<v Speaker 1>kids are watching this and gonna want to do the

0:30:00.360 --> 0:30:02.960
<v Speaker 1>same thing, and you gotta keep that in mind. Right,

0:30:03.720 --> 0:30:07.200
<v Speaker 1>Kanye West, You've defended Kanye West in the past, and

0:30:07.240 --> 0:30:09.760
<v Speaker 1>I believe in freedom of speech, but I believe you

0:30:09.760 --> 0:30:12.040
<v Speaker 1>can take it too far also, Right, What are your

0:30:12.040 --> 0:30:15.200
<v Speaker 1>thoughts on Kanye right now? Well, yeah, y'are always I'm

0:30:15.240 --> 0:30:18.200
<v Speaker 1>always defending the people that nobody wants to defend. I'm

0:30:18.320 --> 0:30:21.680
<v Speaker 1>always defending Kanye West because I always believe in life,

0:30:22.160 --> 0:30:25.480
<v Speaker 1>an opinion is just an opinion. If you say something

0:30:25.520 --> 0:30:28.200
<v Speaker 1>that I don't agree with, I just don't agree with it, right,

0:30:28.560 --> 0:30:31.720
<v Speaker 1>But I'm not gonna jumping all over mad and letting

0:30:31.720 --> 0:30:35.080
<v Speaker 1>it affect my energy. But he's a person of influence.

0:30:35.840 --> 0:30:38.480
<v Speaker 1>It goes, it goes right back to that right now,

0:30:39.560 --> 0:30:42.520
<v Speaker 1>the last comments he made in these last days, I

0:30:42.640 --> 0:30:46.160
<v Speaker 1>definitely don't agree, right, because it's there was a reason

0:30:46.280 --> 0:30:50.800
<v Speaker 1>why the phrase black Lives Matter was even created. Right,

0:30:51.160 --> 0:30:54.520
<v Speaker 1>It wasn't just a concept for marketing againmicking right. It

0:30:54.600 --> 0:30:59.840
<v Speaker 1>was a history of behavior and hurt and pain that

0:31:00.200 --> 0:31:02.680
<v Speaker 1>led to that, to the point where the world was like,

0:31:02.760 --> 0:31:05.600
<v Speaker 1>wait a minute, something our lives got the matter too.

0:31:05.760 --> 0:31:09.720
<v Speaker 1>It has to right, right, So I see what maybe

0:31:09.720 --> 0:31:11.400
<v Speaker 1>what he was trying to say or what he was

0:31:11.440 --> 0:31:14.440
<v Speaker 1>trying to do. Clearly, everybody, we all believe that all

0:31:14.480 --> 0:31:17.080
<v Speaker 1>lives matter, correct, we do, right, I mean it has

0:31:17.080 --> 0:31:19.560
<v Speaker 1>to matter for us to survive. Yeah, it spoke to me,

0:31:19.680 --> 0:31:23.360
<v Speaker 1>all lives matters. But we've seen all lives don't matter.

0:31:23.520 --> 0:31:27.080
<v Speaker 1>It hasn't mattered. All lives hadn't matter. Right, So you

0:31:27.160 --> 0:31:32.760
<v Speaker 1>can't use your emphasis or that phrase into a situation

0:31:32.840 --> 0:31:35.960
<v Speaker 1>like this, right because it don't fit here. Right, this

0:31:36.000 --> 0:31:38.560
<v Speaker 1>has to be resolved first before that happens, right, you

0:31:38.600 --> 0:31:40.720
<v Speaker 1>know what I'm saying. In order for all lives to matter,

0:31:41.080 --> 0:31:44.680
<v Speaker 1>this this, these lives have to matter, correct, because we're

0:31:44.720 --> 0:31:50.400
<v Speaker 1>the lives that's driving economy, sports, entertainment, fashion. I mean,

0:31:50.600 --> 0:31:56.280
<v Speaker 1>multi billion dollar corporations are benefiting from our sweat, tears, work,

0:31:56.400 --> 0:31:59.920
<v Speaker 1>influence everything. So if our lives don't matter, nothing really

0:32:00.080 --> 0:32:04.120
<v Speaker 1>actually matters in America. He said about you know, he's

0:32:04.200 --> 0:32:06.800
<v Speaker 1>gonna go deafcom one two three says something about the

0:32:06.880 --> 0:32:08.880
<v Speaker 1>Jewish communities. He was supposed to be on the shop,

0:32:09.040 --> 0:32:12.720
<v Speaker 1>his interview on the shop. They canceled that Candice Owen

0:32:12.840 --> 0:32:15.560
<v Speaker 1>showed something from JP Morgan Chase where they said we're

0:32:15.640 --> 0:32:19.520
<v Speaker 1>ending our relationship. When a bank says I'm gonna end

0:32:19.560 --> 0:32:23.680
<v Speaker 1>my relationship with an individual and that individual is worth billions, right,

0:32:23.760 --> 0:32:26.000
<v Speaker 1>I think that speaks volume. That says a lot. That

0:32:26.080 --> 0:32:28.400
<v Speaker 1>says because one thing we know about banks, they like money.

0:32:29.600 --> 0:32:33.840
<v Speaker 1>What they like more than money is your money. They

0:32:36.200 --> 0:32:40.640
<v Speaker 1>give you a little bit of absolutely, But that I mean,

0:32:40.800 --> 0:32:44.520
<v Speaker 1>I mean someone like Kanye. I think sometimes in certain

0:32:44.560 --> 0:32:51.080
<v Speaker 1>areas he honestly forgets that his opinion doesn't always matter, right,

0:32:51.760 --> 0:32:54.120
<v Speaker 1>it doesn't. He thinks his opinion is low though he

0:32:54.240 --> 0:32:58.160
<v Speaker 1>thinks his opinion always matters. His opinion is just his opinion.

0:32:58.680 --> 0:33:01.400
<v Speaker 1>But as us as us listening to it, we got

0:33:01.400 --> 0:33:03.240
<v Speaker 1>to also know that too. But then to your point,

0:33:03.560 --> 0:33:06.120
<v Speaker 1>there's kids that don't know the difference between how powerful

0:33:06.160 --> 0:33:08.400
<v Speaker 1>this opinion is right when they're themselves are trying to

0:33:08.440 --> 0:33:11.280
<v Speaker 1>find themselves. But you know what, sometimes Kanye forget that

0:33:11.800 --> 0:33:14.800
<v Speaker 1>he you and our color, and then they got to

0:33:14.840 --> 0:33:16.760
<v Speaker 1>do things to remind him. No, they got to remind him.

0:33:16.800 --> 0:33:20.040
<v Speaker 1>They have to remind And honestly, I think he knows, No,

0:33:20.040 --> 0:33:21.800
<v Speaker 1>he don't know. He forgets I think no, I think

0:33:23.440 --> 0:33:26.000
<v Speaker 1>I think Kanye is smarter than y'all. Thing. This the

0:33:26.000 --> 0:33:28.600
<v Speaker 1>brilliant side of him. What is what is his next

0:33:28.600 --> 0:33:32.720
<v Speaker 1>plan to run for office? Right? I'm just saying yea,

0:33:32.960 --> 0:33:35.640
<v Speaker 1>from our knowledge, his next plan is to run for office? Right?

0:33:36.280 --> 0:33:40.880
<v Speaker 1>Who is his main endorsment? Trump? Okay? Now, in order

0:33:40.880 --> 0:33:43.400
<v Speaker 1>for Kanye even have a shot, he needs a piece

0:33:43.440 --> 0:33:45.880
<v Speaker 1>of that that base. Yes, this is how he's getting

0:33:45.880 --> 0:33:49.760
<v Speaker 1>it right. He knows this. Yes, he knows this's gonna Okay,

0:33:50.040 --> 0:33:52.200
<v Speaker 1>he gonna He's gonna make a lot of black people angry.

0:33:52.760 --> 0:33:57.400
<v Speaker 1>But guess what we're forgiving people. He knows that too.

0:33:58.120 --> 0:33:59.880
<v Speaker 1>You know what I'm saying. You ain't saying something fucked up,

0:34:00.120 --> 0:34:01.760
<v Speaker 1>but guess what. Tomorrow you're gonna do something great. We're

0:34:01.760 --> 0:34:03.360
<v Speaker 1>gonna be like, you know what, that nigga crazy? But

0:34:03.400 --> 0:34:09.600
<v Speaker 1>he yeah, he make good music. Yeah, he's kind of

0:34:09.640 --> 0:34:12.120
<v Speaker 1>playing to see saw. But he gotta be careful because

0:34:12.120 --> 0:34:15.000
<v Speaker 1>if it's too much weight on one side or not

0:34:15.120 --> 0:34:16.879
<v Speaker 1>enough weight on the other side, he's gonna go down.

0:34:17.320 --> 0:34:21.520
<v Speaker 1>You're originally from Saint Louis. Yeah, man, me know, me

0:34:21.560 --> 0:34:24.279
<v Speaker 1>and Nellie like brothers, Like we went to the same

0:34:24.360 --> 0:34:27.879
<v Speaker 1>middle school. Okay, that's like my heart right there. So

0:34:28.719 --> 0:34:30.319
<v Speaker 1>did you want to did did you want to do

0:34:30.400 --> 0:34:32.080
<v Speaker 1>music when you were when you were little? When did

0:34:32.120 --> 0:34:33.239
<v Speaker 1>you want what did you want to do when you

0:34:33.320 --> 0:34:34.880
<v Speaker 1>were growing up? When you were like in middle school,

0:34:34.920 --> 0:34:37.600
<v Speaker 1>say you're like nine, ten eleven, What did they can

0:34:37.680 --> 0:34:39.280
<v Speaker 1>want to be? I wanted to be a brain surgeon.

0:34:40.040 --> 0:34:43.200
<v Speaker 1>And then I wanted to be an FBI agent. I

0:34:43.280 --> 0:34:51.600
<v Speaker 1>know it's crazy, right music. And then the music part

0:34:52.040 --> 0:34:54.279
<v Speaker 1>came when I was locked up, when I realized, okay, cool,

0:34:54.280 --> 0:34:55.680
<v Speaker 1>when I get out of here, I need to find

0:34:55.760 --> 0:34:58.239
<v Speaker 1>something that's gonna keep me out of here, something that's

0:34:58.280 --> 0:35:01.440
<v Speaker 1>gonna also a lot me to be wealthy. And then

0:35:01.800 --> 0:35:03.960
<v Speaker 1>all this time music has always been there as a hobby.

0:35:04.120 --> 0:35:08.440
<v Speaker 1>So in music always had always had the love for music, right,

0:35:08.480 --> 0:35:10.120
<v Speaker 1>you had a love for music. But it wasn't nothing

0:35:10.160 --> 0:35:12.200
<v Speaker 1>that I ever wanted to pursue as well thought that

0:35:12.239 --> 0:35:14.120
<v Speaker 1>I would be pursuing as a career. Okay, it was

0:35:14.160 --> 0:35:17.120
<v Speaker 1>always a hobby. And then you get locked up and

0:35:17.120 --> 0:35:18.759
<v Speaker 1>you said, okay, I gotta find something I can do.

0:35:18.800 --> 0:35:21.160
<v Speaker 1>This's gonna keep me not to get locked up again.

0:35:21.680 --> 0:35:23.759
<v Speaker 1>And then so when you got out, so so how

0:35:23.760 --> 0:35:25.560
<v Speaker 1>did you How did you find this? You had this

0:35:25.680 --> 0:35:28.520
<v Speaker 1>gift for music. Well, the gift for music came from

0:35:28.520 --> 0:35:30.879
<v Speaker 1>my father. My father was a jazz musician, right, and

0:35:30.920 --> 0:35:33.520
<v Speaker 1>he always was. Well, he was a jazz musician before

0:35:33.520 --> 0:35:35.160
<v Speaker 1>you got locked up. He just didn't realize he was

0:35:35.160 --> 0:35:37.200
<v Speaker 1>a magician when you there. No, I knew that. But

0:35:37.480 --> 0:35:39.200
<v Speaker 1>the thing is, you didn't play the instruments. Yeah. I

0:35:39.200 --> 0:35:41.279
<v Speaker 1>played all instruments as well, But he used to listen.

0:35:41.320 --> 0:35:42.960
<v Speaker 1>I used to go to all his shows and everything,

0:35:43.200 --> 0:35:45.400
<v Speaker 1>but it was jazz. And I was a kid. No

0:35:45.640 --> 0:35:49.400
<v Speaker 1>kid loves jazz. So that's what threw me up. I'm like,

0:35:49.520 --> 0:35:50.759
<v Speaker 1>I don't want to be listening to this all man

0:35:51.160 --> 0:35:52.800
<v Speaker 1>like to hit the horn and the sacks, the trump

0:35:52.840 --> 0:35:56.320
<v Speaker 1>and the trump. Yeah, but when you playing with groups

0:35:56.360 --> 0:36:00.920
<v Speaker 1>like the World Saxophone Quartet, where every player that's playing

0:36:00.960 --> 0:36:06.040
<v Speaker 1>brass plays their own thing all years. But like you

0:36:06.080 --> 0:36:07.799
<v Speaker 1>know what, I'm talking a stuff that just all over

0:36:07.840 --> 0:36:11.319
<v Speaker 1>the place. I couldn't get a sense of just a

0:36:11.320 --> 0:36:14.520
<v Speaker 1>real melody with real rhythm, like it was always the

0:36:14.600 --> 0:36:18.680
<v Speaker 1>jazz was always so diverse, and everyone everywhere I went

0:36:18.719 --> 0:36:20.560
<v Speaker 1>it was a different type of jazz. I I used

0:36:20.600 --> 0:36:23.000
<v Speaker 1>to like the real soft jazz with the you know,

0:36:23.080 --> 0:36:25.480
<v Speaker 1>the high hat, with the you know like me, you know,

0:36:25.600 --> 0:36:27.520
<v Speaker 1>soft listening to me. That's the kind of jazz I

0:36:27.600 --> 0:36:29.319
<v Speaker 1>used to like, but I never really heard that much.

0:36:29.600 --> 0:36:32.440
<v Speaker 1>So as I got older and I was into the streets,

0:36:32.480 --> 0:36:34.640
<v Speaker 1>I couldn't really talk to people about situations I was

0:36:34.680 --> 0:36:37.239
<v Speaker 1>going through, so I wouldn't write songs about them. Right,

0:36:37.360 --> 0:36:39.440
<v Speaker 1>That was my way of kind of venting. And then

0:36:39.480 --> 0:36:41.600
<v Speaker 1>when I started making money and I had to justify

0:36:41.640 --> 0:36:43.600
<v Speaker 1>where the money was coming from, that's when I started

0:36:43.600 --> 0:36:46.359
<v Speaker 1>investing it into recording studios. Okay, and at that time

0:36:46.480 --> 0:36:49.160
<v Speaker 1>cash recording Street was a cash business, So I would

0:36:49.160 --> 0:36:51.680
<v Speaker 1>allow any and everybody to use my studios for free,

0:36:51.960 --> 0:36:53.919
<v Speaker 1>just to keep it busy, to justify where the money

0:36:53.960 --> 0:36:57.200
<v Speaker 1>was from. But whenever there was time of that, that

0:36:57.640 --> 0:37:02.880
<v Speaker 1>is what they call it. I know that ain't what

0:37:02.920 --> 0:37:08.279
<v Speaker 1>I thought he was. I never knew that wouldn't even exist.

0:37:09.080 --> 0:37:15.000
<v Speaker 1>You would watch him. So that's what that happened to me,

0:37:15.040 --> 0:37:17.360
<v Speaker 1>just writing about my experiences. So when I got locked up,

0:37:17.440 --> 0:37:19.359
<v Speaker 1>that habit followed me in jail and I got about

0:37:19.400 --> 0:37:22.880
<v Speaker 1>being locked up. Wow, yeah, you know, it just happened naturally.

0:37:23.239 --> 0:37:26.759
<v Speaker 1>Saint Louis. You know Nelly did. Nell is a hell

0:37:26.800 --> 0:37:30.040
<v Speaker 1>of an athlete. I am surprised me. I mean, he could,

0:37:30.239 --> 0:37:32.480
<v Speaker 1>he could run, he could catch, you can shoot the basketball.

0:37:32.760 --> 0:37:35.720
<v Speaker 1>He was he was unbelievable football skills and baseball baseball.

0:37:35.760 --> 0:37:38.359
<v Speaker 1>He was a monster. Yes, I was surprised. Honestly, I'm

0:37:38.400 --> 0:37:40.520
<v Speaker 1>surprised that Nelly ain't go pro like he really had

0:37:40.600 --> 0:37:43.520
<v Speaker 1>to potentially go pro. Do you think Nellie would be

0:37:44.520 --> 0:37:45.920
<v Speaker 1>on the side that you are? Did you think? I

0:37:45.920 --> 0:37:47.680
<v Speaker 1>mean you thought he was gonna go pro in baseball

0:37:47.960 --> 0:37:49.680
<v Speaker 1>and here he turns out to be one of the biggest,

0:37:49.719 --> 0:37:53.920
<v Speaker 1>you know, rappers and from the Midwest. Are you surprised

0:37:53.960 --> 0:37:59.080
<v Speaker 1>that he went that route? Honestly, I'm I'm not because

0:37:59.160 --> 0:38:01.800
<v Speaker 1>Nelly was always is the cool kid right at school,

0:38:01.800 --> 0:38:03.919
<v Speaker 1>I mean in middle school and high school, right because

0:38:03.920 --> 0:38:07.480
<v Speaker 1>he was a great athlete, niggas handsome. I mean, he

0:38:07.560 --> 0:38:10.320
<v Speaker 1>was gonna be somebody, right, But I didn't. I didn't.

0:38:10.320 --> 0:38:12.279
<v Speaker 1>I didn't know. I I honest didn't. Rap was the

0:38:12.360 --> 0:38:15.480
<v Speaker 1>last thing on my mind. Right. Yeah, you mentioned your

0:38:15.560 --> 0:38:19.680
<v Speaker 1>your your African background, your heritage, your roots wasn't a

0:38:19.719 --> 0:38:22.840
<v Speaker 1>culture shop coming from Africa and being here and the

0:38:22.880 --> 0:38:26.520
<v Speaker 1>way you did things over there, op poster. No complete complete.

0:38:27.600 --> 0:38:30.959
<v Speaker 1>It was like, I don't know how to explain. Imagine Okay,

0:38:31.040 --> 0:38:35.320
<v Speaker 1>imagine being this kid living in the jungle, okay, or

0:38:35.440 --> 0:38:40.520
<v Speaker 1>with a rural Africa, right, No, it was it was.

0:38:40.640 --> 0:38:47.320
<v Speaker 1>It was a little better than Tarzan. Tarzan. So imagine

0:38:47.600 --> 0:38:52.840
<v Speaker 1>no electricity, right, no running water right. And I was

0:38:52.920 --> 0:38:56.400
<v Speaker 1>like I just picked. I was the the barefoot, the

0:38:56.440 --> 0:38:59.120
<v Speaker 1>kid playing soccer in the sand. Okay. There was no

0:38:59.239 --> 0:39:01.480
<v Speaker 1>cars in the area of Africa where I was at,

0:39:01.640 --> 0:39:02.839
<v Speaker 1>Like you had to go all the way in through

0:39:02.840 --> 0:39:04.319
<v Speaker 1>the city. And we never went through the city. So

0:39:04.640 --> 0:39:07.080
<v Speaker 1>we was there where where the horses where you had

0:39:07.120 --> 0:39:09.279
<v Speaker 1>to jump on the back of the horse bag. So

0:39:09.400 --> 0:39:12.239
<v Speaker 1>I went from that to getting on the airplane. Now,

0:39:12.360 --> 0:39:14.080
<v Speaker 1>looking in the sky, I always to always think those

0:39:14.080 --> 0:39:16.520
<v Speaker 1>are birds. I never knew they were actual air I

0:39:16.560 --> 0:39:18.759
<v Speaker 1>never knew what they was. Right when I get to

0:39:18.760 --> 0:39:22.680
<v Speaker 1>the airport, I see this big old bird, right, and

0:39:22.719 --> 0:39:27.240
<v Speaker 1>I'm like, this is a bird. So now we're going inside.

0:39:27.320 --> 0:39:32.600
<v Speaker 1>I'm scared. I'm like, we're going inside the bird. I'm like, yo,

0:39:32.719 --> 0:39:35.400
<v Speaker 1>what it's going I go inside and there's seats and

0:39:35.480 --> 0:39:37.680
<v Speaker 1>chairs and stuff, and I'm like, I don't know what

0:39:37.760 --> 0:39:39.359
<v Speaker 1>I'm looking at. But then i'm I want to sit

0:39:39.360 --> 0:39:41.839
<v Speaker 1>by the window because I want to so now as

0:39:41.840 --> 0:39:44.040
<v Speaker 1>the plane is taken off, I'm crying, thinking that's going

0:39:44.040 --> 0:39:47.360
<v Speaker 1>to fall through the ground. I'm booo tears. Then I

0:39:47.480 --> 0:39:50.239
<v Speaker 1>fall asleep, wake up into New York City. Wow. As

0:39:50.239 --> 0:39:52.279
<v Speaker 1>we're waking up, we're flying over New York City. I

0:39:52.320 --> 0:39:55.239
<v Speaker 1>see these high rise buildings right, a whole bunch of

0:39:55.320 --> 0:39:57.880
<v Speaker 1>yellow bugs going down the street. I'm not knowing their

0:39:57.920 --> 0:40:00.680
<v Speaker 1>cabs at the time. Right when I finally getting the

0:40:00.960 --> 0:40:03.440
<v Speaker 1>you know, in the city, I'm looking around. I've never

0:40:03.440 --> 0:40:09.880
<v Speaker 1>seen anything like this in my life. Buildings, the tallest, heaven, cars,

0:40:10.280 --> 0:40:13.400
<v Speaker 1>faster than speed of light. It was like the jetsus

0:40:13.440 --> 0:40:15.640
<v Speaker 1>for me. Right then, my mom brings us to this

0:40:15.680 --> 0:40:18.600
<v Speaker 1>apartment that's so beautiful, so luxurious. I look at it

0:40:18.640 --> 0:40:20.480
<v Speaker 1>there like a normal apartment, but for me, it was

0:40:20.520 --> 0:40:22.520
<v Speaker 1>the most beautiful thing I've ever seen in my had

0:40:22.560 --> 0:40:24.840
<v Speaker 1>no running water, no electricity, and you had dirt floors,

0:40:24.840 --> 0:40:25.960
<v Speaker 1>and all of a sudden it might have been a

0:40:25.960 --> 0:40:28.800
<v Speaker 1>small apartment with running water. You had heat. Man, Listen,

0:40:28.840 --> 0:40:31.560
<v Speaker 1>I turned a knop and clean drinking water comes out.

0:40:31.960 --> 0:40:34.560
<v Speaker 1>Then I hit a switch and lights everywhere, and then

0:40:34.640 --> 0:40:38.520
<v Speaker 1>she fed me corn flakes. The most delicious shit I've

0:40:38.560 --> 0:40:48.759
<v Speaker 1>ever tasted. Is terrible. But the tiger out the frosted,

0:40:49.120 --> 0:40:50.840
<v Speaker 1>and I could relate to the tiger because I just

0:40:50.920 --> 0:40:54.320
<v Speaker 1>came from the jungle, right, So can you imagine my experience?

0:40:54.400 --> 0:40:59.360
<v Speaker 1>This culture shock was on a different level. Obviously, kids,

0:40:59.600 --> 0:41:03.280
<v Speaker 1>they you you talk different, you sound different, you look different.

0:41:03.840 --> 0:41:07.200
<v Speaker 1>You you know, we got some dark skinned brothers in Jersey, right,

0:41:07.760 --> 0:41:10.560
<v Speaker 1>you know, you know theyin't seen you know, right, they

0:41:10.560 --> 0:41:12.400
<v Speaker 1>ain't seen nobody like me, and that you came in

0:41:12.400 --> 0:41:15.879
<v Speaker 1>the first place when school, So what was it? What

0:41:15.920 --> 0:41:17.520
<v Speaker 1>was it like for you? How was it? You know,

0:41:17.600 --> 0:41:20.120
<v Speaker 1>did they pick on you? We call it picking, but

0:41:20.160 --> 0:41:22.279
<v Speaker 1>they call it bullying or breaking for whatever they want

0:41:22.280 --> 0:41:24.719
<v Speaker 1>to call it. At the time, I think bullying is

0:41:24.760 --> 0:41:27.000
<v Speaker 1>a little too strong of a word for it, because well,

0:41:27.040 --> 0:41:30.200
<v Speaker 1>for us, our culture that we just joined in each other's.

0:41:30.360 --> 0:41:33.440
<v Speaker 1>But that's what that's that's what helped give you that right, right.

0:41:33.520 --> 0:41:37.600
<v Speaker 1>So when I first came, I was super nappy headed. Okay,

0:41:37.640 --> 0:41:41.000
<v Speaker 1>I mean black is tall, right, and black was not

0:41:41.080 --> 0:41:43.960
<v Speaker 1>a style, no, you know, No, the light skinned, curly

0:41:44.000 --> 0:41:49.520
<v Speaker 1>hair kids got all the girls. It was light was

0:41:49.560 --> 0:41:52.279
<v Speaker 1>the style there. We took Wesley Knife and Michael Jordan

0:41:52.320 --> 0:41:55.920
<v Speaker 1>for us to get the number one, right, honestly, honestly,

0:41:56.560 --> 0:42:00.640
<v Speaker 1>I think the it shifted when Tyson Beck forgot him

0:42:00.680 --> 0:42:04.879
<v Speaker 1>the supermodel. Yeah, then every girl wanted a dark yeah. Yeah, yeah,

0:42:04.920 --> 0:42:07.480
<v Speaker 1>that changed the game all of us. Yeah. Then Tyres

0:42:07.480 --> 0:42:09.600
<v Speaker 1>came with that smile in the co cold on commercial. Yeah,

0:42:09.640 --> 0:42:11.560
<v Speaker 1>then we started and I was like, okay, okay, yea,

0:42:11.680 --> 0:42:14.320
<v Speaker 1>then it started. Then when I came, it was more like, Okay,

0:42:14.320 --> 0:42:19.400
<v Speaker 1>he's really black, right, but why then he's like, well,

0:42:19.440 --> 0:42:21.839
<v Speaker 1>wait a minute, he's he's African. Right. But because me,

0:42:22.000 --> 0:42:23.839
<v Speaker 1>I was coming up in a different environment, I did

0:42:23.840 --> 0:42:27.279
<v Speaker 1>any and everything, you know, to to impressed the girls. Yeah.

0:42:27.320 --> 0:42:29.880
<v Speaker 1>We spend a lot of money in the clubs in Atlanta.

0:42:30.560 --> 0:42:32.959
<v Speaker 1>Why you know what you're coming it like that. Man,

0:42:33.040 --> 0:42:35.560
<v Speaker 1>I had to overdo it because I was dark. But

0:42:35.600 --> 0:42:37.480
<v Speaker 1>I also had to you know, and I was African,

0:42:37.640 --> 0:42:40.400
<v Speaker 1>so being black and African money at one like that,

0:42:40.600 --> 0:42:46.000
<v Speaker 1>no magic, Like I was at the City Gentleman's Club,

0:42:46.160 --> 0:42:59.120
<v Speaker 1>like I was there. Man, he's coming out of the realm,

0:42:59.320 --> 0:43:03.320
<v Speaker 1>come out, man, what so now? So now you're like, okay, okay,

0:43:03.360 --> 0:43:05.320
<v Speaker 1>I kind of I kind of like being on the side.

0:43:05.360 --> 0:43:08.319
<v Speaker 1>So this is what you became. Once you got out,

0:43:08.360 --> 0:43:10.200
<v Speaker 1>you started making a little you got some money, and

0:43:10.239 --> 0:43:12.760
<v Speaker 1>you're like, okay, I kind of I kind of like this, Okay,

0:43:12.800 --> 0:43:15.399
<v Speaker 1>this this can work. I'm on a straight and narrow

0:43:15.520 --> 0:43:18.279
<v Speaker 1>and you haven't looked back, never looked back so ever since.

0:43:19.000 --> 0:43:21.759
<v Speaker 1>I mean, but when you arrived in the stage, could

0:43:21.760 --> 0:43:24.120
<v Speaker 1>you speak English? No? I speak not a liqually English.

0:43:24.640 --> 0:43:27.239
<v Speaker 1>And then when I start learning, I started speaking with

0:43:27.280 --> 0:43:30.120
<v Speaker 1>this heavy African accent, which made them laugh even harder,

0:43:30.239 --> 0:43:34.760
<v Speaker 1>right right, So then I vowed to myself that I'm listen,

0:43:34.760 --> 0:43:38.000
<v Speaker 1>I'm gonna learn English. But once I know how to speak,

0:43:38.440 --> 0:43:40.360
<v Speaker 1>unless I tell you I'm African, you would never know.

0:43:40.400 --> 0:43:42.239
<v Speaker 1>Because I wanted to learn with no accents. So I

0:43:42.719 --> 0:43:46.040
<v Speaker 1>would literally pay so attention to how they spoke, the cadence,

0:43:46.400 --> 0:43:48.359
<v Speaker 1>the way they said it. How how did you learn?

0:43:48.400 --> 0:43:49.719
<v Speaker 1>I mean, I hear a lot of people say, well,

0:43:49.760 --> 0:43:52.720
<v Speaker 1>I watch TV. I watch American TV shows. I listened

0:43:52.719 --> 0:43:55.839
<v Speaker 1>to them, and so that's how I learned. Because now,

0:43:55.880 --> 0:43:57.399
<v Speaker 1>I mean most people now, if you want to learn

0:43:57.400 --> 0:44:00.920
<v Speaker 1>a second language, you take classes you get book to rules,

0:44:01.080 --> 0:44:03.360
<v Speaker 1>whatever the case may be, and you and you learned

0:44:03.360 --> 0:44:06.200
<v Speaker 1>that way. But just looking at American television people, a

0:44:06.280 --> 0:44:08.440
<v Speaker 1>lot of people that says, well, I learned how watching

0:44:08.680 --> 0:44:12.359
<v Speaker 1>I love Lucy, I watch learning watching American TV show. Right,

0:44:12.400 --> 0:44:14.279
<v Speaker 1>it actually, I mean it actually works. But I think

0:44:14.280 --> 0:44:16.480
<v Speaker 1>it's all of the above because me, I learned majority

0:44:16.520 --> 0:44:19.000
<v Speaker 1>just by hanging with friends. Okay, you know, just hanging

0:44:19.000 --> 0:44:21.439
<v Speaker 1>on my friends and being outside all the time. Man,

0:44:21.480 --> 0:44:24.040
<v Speaker 1>how you get rid of it? I mean just being

0:44:24.080 --> 0:44:26.279
<v Speaker 1>around them. And I was around people that I've been

0:44:26.320 --> 0:44:28.120
<v Speaker 1>speaking in all my life, and I still talk with

0:44:28.160 --> 0:44:31.239
<v Speaker 1>the clue your dialect. But yeah, but yours is more

0:44:32.080 --> 0:44:35.200
<v Speaker 1>yea and draw. That was about to say, it's more southern. Southern.

0:44:35.200 --> 0:44:38.640
<v Speaker 1>It's hard to take off even in Atlanta. Even Atlanta,

0:44:38.719 --> 0:44:42.839
<v Speaker 1>I kind of try to find a way, like kind

0:44:42.840 --> 0:44:44.040
<v Speaker 1>of talked a lot there, you know what I'm saying,

0:44:45.600 --> 0:44:47.600
<v Speaker 1>Like real shot, you know what I mean? Like I

0:44:47.640 --> 0:44:49.920
<v Speaker 1>can go there too, So I had to master the

0:44:50.040 --> 0:44:53.120
<v Speaker 1>art of accent blending, like for real shot, you know

0:44:53.120 --> 0:44:59.959
<v Speaker 1>what I'm saying, Real Shot, I mean obviously the food

0:45:00.000 --> 0:45:03.520
<v Speaker 1>he's up from Jersey. Yeah, yeah, the whole family. Man,

0:45:04.000 --> 0:45:08.239
<v Speaker 1>Cleff Lauren Price Spider, like all those guys kind of

0:45:08.480 --> 0:45:10.799
<v Speaker 1>brought me into the music world. They introduced me into

0:45:10.800 --> 0:45:14.680
<v Speaker 1>the music side of it. Okay, because when Cleff uh

0:45:14.800 --> 0:45:17.360
<v Speaker 1>met me, I actually met him because he sat in

0:45:17.360 --> 0:45:20.600
<v Speaker 1>my chair. I was cutting his hair as a barber. Yeah,

0:45:20.600 --> 0:45:22.560
<v Speaker 1>I was a barber. I don't even want to say

0:45:22.560 --> 0:45:25.359
<v Speaker 1>that because they y'all do a lot of jobs. I

0:45:25.360 --> 0:45:27.279
<v Speaker 1>didn't want to go there. I didn't want to go there.

0:45:27.360 --> 0:45:30.920
<v Speaker 1>I would leave that alone. You're gonna eat. So you know,

0:45:31.120 --> 0:45:43.799
<v Speaker 1>I was cutting his hair. And it's funny because Cleff knew,

0:45:43.920 --> 0:45:46.680
<v Speaker 1>like I'm I'm literally cutting his hair. But then when

0:45:46.680 --> 0:45:49.239
<v Speaker 1>he saw it was parked outside, he was like, like

0:45:49.760 --> 0:45:52.040
<v Speaker 1>he knew. So he's like, yo, listen. You know I

0:45:52.080 --> 0:45:54.440
<v Speaker 1>got a studio. I had my uncle and provide for us.

0:45:54.560 --> 0:45:55.880
<v Speaker 1>You should come out there. You in the music. I

0:45:55.920 --> 0:45:57.160
<v Speaker 1>was like, yeah, I love to, So you had me

0:45:57.200 --> 0:45:59.120
<v Speaker 1>come to the studio. We used to write there and

0:45:59.120 --> 0:46:01.640
<v Speaker 1>produced there, come with records of songs. And that's how

0:46:01.680 --> 0:46:03.319
<v Speaker 1>I became a part of the refugee camp. And then

0:46:03.320 --> 0:46:05.600
<v Speaker 1>before you know it, they just introduced me to a

0:46:05.600 --> 0:46:07.680
<v Speaker 1>whole nother opportunity of what the world could be if

0:46:07.719 --> 0:46:09.880
<v Speaker 1>I embraced music. Man. I'm looking at some of the

0:46:09.960 --> 0:46:12.760
<v Speaker 1>artists that you worked with, Michael Jackson, Whitney Houston, Madonna,

0:46:12.840 --> 0:46:17.200
<v Speaker 1>Quincy Jones, Line of Rich and Snoop Dog, Doctor Dre.

0:46:17.239 --> 0:46:21.040
<v Speaker 1>You you remixed, uh want to be starting something with

0:46:21.080 --> 0:46:24.200
<v Speaker 1>Michael for the twenty fifth anniversary with the thriller right

0:46:25.000 --> 0:46:27.279
<v Speaker 1>when you? I mean when you talked to producers, it

0:46:27.280 --> 0:46:30.080
<v Speaker 1>doesn't get any better than Quincy Jones and Doctor Man.

0:46:30.440 --> 0:46:32.920
<v Speaker 1>I mean you do. That's the goals too. I was

0:46:32.920 --> 0:46:34.360
<v Speaker 1>talking about I was talking about I think I was

0:46:34.400 --> 0:46:36.880
<v Speaker 1>talking to Snoop and that was like, Snoop, if it

0:46:36.920 --> 0:46:40.640
<v Speaker 1>was a versus battle, who would you put against Doctor Dre?

0:46:40.760 --> 0:46:42.120
<v Speaker 1>He's like, hell, the only person you could put it

0:46:42.200 --> 0:46:45.759
<v Speaker 1>with Quincy Jones, right, I mean he can't nobody. First

0:46:45.760 --> 0:46:48.000
<v Speaker 1>of all, I don't believe anybody could be Quincy, not

0:46:48.080 --> 0:46:50.160
<v Speaker 1>with all this he is because he chased too many,

0:46:50.239 --> 0:46:55.000
<v Speaker 1>too many and every yeah yeah, TV shows every genre,

0:46:55.200 --> 0:46:58.200
<v Speaker 1>so he's unbeatable. Annivers's battle, He's un like, you can't

0:46:58.200 --> 0:47:02.600
<v Speaker 1>even compare what what's what's it? What was Michael like? Man, Mike,

0:47:04.400 --> 0:47:06.040
<v Speaker 1>It hurts me every day to think about it, because

0:47:06.080 --> 0:47:08.799
<v Speaker 1>he was the coolest dude you probably would ever met.

0:47:09.920 --> 0:47:13.600
<v Speaker 1>And he was like the biggest misconception was Mike was

0:47:13.680 --> 0:47:18.560
<v Speaker 1>just this Hollywood character, right, But he wasn't. He was

0:47:18.640 --> 0:47:21.239
<v Speaker 1>the simplest guy and he can He knew when to

0:47:21.280 --> 0:47:23.759
<v Speaker 1>turn it on obviously because his generation, he knew what

0:47:23.840 --> 0:47:26.400
<v Speaker 1>a superstars supposed to look and feel like in public, right,

0:47:26.440 --> 0:47:28.439
<v Speaker 1>so when come public or he turned it on right,

0:47:28.480 --> 0:47:30.839
<v Speaker 1>like he knew like Mike was g like he hit

0:47:30.920 --> 0:47:33.640
<v Speaker 1>it right. But behind closed doors as a person man,

0:47:33.680 --> 0:47:37.600
<v Speaker 1>he used to have me crying like so funny, super cool,

0:47:37.760 --> 0:47:39.719
<v Speaker 1>just a great great heart man, pure her soul man.

0:47:40.600 --> 0:47:44.520
<v Speaker 1>So you do you remix? I want to be starting something.

0:47:44.920 --> 0:47:48.080
<v Speaker 1>How did that project come about? Actually, the project came

0:47:48.120 --> 0:47:51.520
<v Speaker 1>about because I received a call one day. Me and

0:47:51.560 --> 0:47:53.480
<v Speaker 1>Mike actually had the same attorney, but I didn't know

0:47:53.520 --> 0:47:55.880
<v Speaker 1>at the time that he shared attorneys. And then, you know,

0:47:55.880 --> 0:47:59.400
<v Speaker 1>my attorney called me. He was like, Mike wants you

0:47:59.440 --> 0:48:02.360
<v Speaker 1>to come on board and you know, and and produce

0:48:02.440 --> 0:48:06.040
<v Speaker 1>on his new rerelease for the thriller. I was like, man,

0:48:06.120 --> 0:48:09.719
<v Speaker 1>stop playing Michael Jackson. He said, yes, Michael Jackson. So

0:48:09.800 --> 0:48:11.400
<v Speaker 1>but he started laughing after he said it, So I

0:48:11.400 --> 0:48:13.799
<v Speaker 1>thought he was joking and at that time, like mine

0:48:13.840 --> 0:48:15.120
<v Speaker 1>got time for this. So I hung up the phone.

0:48:16.000 --> 0:48:18.360
<v Speaker 1>He calls me a back. He calls me back with

0:48:18.520 --> 0:48:21.239
<v Speaker 1>Mike on the phone on three way. He said, Mom,

0:48:21.239 --> 0:48:23.440
<v Speaker 1>what I told you? Mike is on the phone. Hi.

0:48:23.560 --> 0:48:26.680
<v Speaker 1>Mike talked to Con and he's like, hey, Con, how

0:48:26.680 --> 0:48:29.800
<v Speaker 1>are you with the voice? Right? That's all it's a bullshit.

0:48:32.920 --> 0:48:36.480
<v Speaker 1>So he calls back, right. He calls back. He said, no,

0:48:36.560 --> 0:48:38.799
<v Speaker 1>it's me, Seriously, it's me. I said, no, it's not.

0:48:38.920 --> 0:48:41.040
<v Speaker 1>He said, yes, it's me. He started telling me everything

0:48:41.080 --> 0:48:45.000
<v Speaker 1>about myself that I forgot about. It was so interesting

0:48:45.040 --> 0:48:48.000
<v Speaker 1>because when I flew out to Vegas to meet him,

0:48:48.080 --> 0:48:51.719
<v Speaker 1>I didn't understand. It made me realize how and why

0:48:51.800 --> 0:48:56.400
<v Speaker 1>he was so big. First of all, he was a

0:48:56.680 --> 0:48:58.520
<v Speaker 1>he was a music guy, like he was a fan

0:48:58.600 --> 0:49:01.600
<v Speaker 1>of the art and the people involved in it. Because

0:49:01.880 --> 0:49:05.880
<v Speaker 1>even how he explained and kind of narrated his story

0:49:06.000 --> 0:49:08.799
<v Speaker 1>about me from his point of view, he made me

0:49:08.800 --> 0:49:11.880
<v Speaker 1>look at myself different. But then, more than anything, I

0:49:11.880 --> 0:49:14.400
<v Speaker 1>started to realize how even how easy it was to

0:49:14.440 --> 0:49:16.200
<v Speaker 1>work with him, because out of every artist I ever

0:49:16.200 --> 0:49:18.880
<v Speaker 1>worked with, Mike was probably the easiest person to work with.

0:49:19.480 --> 0:49:21.359
<v Speaker 1>If I would have asked him to bark on the record.

0:49:21.360 --> 0:49:23.840
<v Speaker 1>He would have barked on the record only because he

0:49:24.200 --> 0:49:26.360
<v Speaker 1>believed in what I did and he wanted me to

0:49:26.360 --> 0:49:30.080
<v Speaker 1>be able to be to coach him to do so

0:49:30.320 --> 0:49:32.640
<v Speaker 1>if the collaboration felt like a real collaboration, you know

0:49:32.680 --> 0:49:34.879
<v Speaker 1>what I mean. So it was just amazing. He had

0:49:34.920 --> 0:49:37.359
<v Speaker 1>no ego about nothing. He was willing to try any

0:49:37.400 --> 0:49:40.040
<v Speaker 1>and everything to make the best product he could it.

0:49:41.560 --> 0:49:43.719
<v Speaker 1>You were the last, I mean Michael Jackson last song

0:49:43.800 --> 0:49:46.040
<v Speaker 1>hold my Hand. Yeah, you worked with him with it,

0:49:46.160 --> 0:49:48.600
<v Speaker 1>like I never left. You worked. I was the last

0:49:48.600 --> 0:49:50.600
<v Speaker 1>to work on her as well too before she passed,

0:49:51.239 --> 0:49:54.480
<v Speaker 1>Which is crazy when you look and look, I understand

0:49:54.520 --> 0:49:56.640
<v Speaker 1>that because look, you worked with a lot of guys

0:49:56.680 --> 0:49:59.799
<v Speaker 1>from GEZ and all these guys. But you understand what

0:50:00.160 --> 0:50:03.919
<v Speaker 1>and it represents. You understand what Mike represents. You're talking

0:50:03.960 --> 0:50:08.600
<v Speaker 1>about the upper, upper, upper, there's levels to this music thing.

0:50:09.640 --> 0:50:11.799
<v Speaker 1>And you're talking about Michael. He's he's at the top

0:50:11.840 --> 0:50:13.880
<v Speaker 1>of the food chain. You're talking about Witness, She's at

0:50:13.880 --> 0:50:16.319
<v Speaker 1>the top of the food chain. And the last to work.

0:50:16.360 --> 0:50:19.000
<v Speaker 1>You were the last to work with them. Yeah, that

0:50:19.160 --> 0:50:22.560
<v Speaker 1>was the only one that I that I was right

0:50:22.719 --> 0:50:25.280
<v Speaker 1>in motion of working with before he left was Prince.

0:50:25.560 --> 0:50:29.120
<v Speaker 1>He's the only one I missed that would have that

0:50:29.120 --> 0:50:32.200
<v Speaker 1>would have sealed my legacy for that I'm trying to think.

0:50:32.360 --> 0:50:38.040
<v Speaker 1>I think he had a concert in Atlanta, and the

0:50:38.080 --> 0:50:42.560
<v Speaker 1>way he did his concerts, you could only buy you

0:50:42.560 --> 0:50:45.080
<v Speaker 1>can only get two tickets, but you had to show

0:50:45.160 --> 0:50:48.839
<v Speaker 1>up at the box office with the credit card in hand. Okay,

0:50:49.120 --> 0:50:51.120
<v Speaker 1>so I'm not going to wait no line. And the

0:50:51.160 --> 0:50:53.239
<v Speaker 1>tickets that were like one hundred bucks, people were selling

0:50:53.280 --> 0:50:55.560
<v Speaker 1>them for like two thousand and three thousand dollars, and

0:50:55.600 --> 0:50:59.000
<v Speaker 1>I'm like, nah, hell nah. It was really the last

0:50:59.040 --> 0:51:01.960
<v Speaker 1>concert he ever did. Get it at the Fox, And

0:51:02.480 --> 0:51:04.319
<v Speaker 1>he's one of the only guys that I didn't get

0:51:04.360 --> 0:51:06.960
<v Speaker 1>an opportunity to see. And he's one of my favorite artists,

0:51:07.360 --> 0:51:09.839
<v Speaker 1>and so I understand, you know, obviously I wasn't gona

0:51:09.840 --> 0:51:12.080
<v Speaker 1>get a butt to just hear him, right right. You

0:51:12.080 --> 0:51:14.040
<v Speaker 1>get an opportunity to work with Michael, work with some

0:51:14.080 --> 0:51:16.319
<v Speaker 1>of the people, work with a witness, and to say

0:51:16.400 --> 0:51:18.719
<v Speaker 1>I worked with Prince because now again talk about the

0:51:19.600 --> 0:51:21.359
<v Speaker 1>Prince was a little bit different and a little the

0:51:21.360 --> 0:51:24.160
<v Speaker 1>reason why I was harder to lock block it get

0:51:24.160 --> 0:51:26.400
<v Speaker 1>into him. Was because he himself was a writer and

0:51:26.440 --> 0:51:29.399
<v Speaker 1>a producer. Correct, he created his own music, right, That's

0:51:29.400 --> 0:51:31.720
<v Speaker 1>why I was such would have been such an honor

0:51:32.320 --> 0:51:35.560
<v Speaker 1>for him to go outside that space of himself and

0:51:35.719 --> 0:51:38.040
<v Speaker 1>experiment with someone else. Yes, you know what I mean.

0:51:38.360 --> 0:51:39.720
<v Speaker 1>So it was it was a matter of just getting

0:51:40.080 --> 0:51:42.919
<v Speaker 1>close enough to him, but just let him here. Here's

0:51:42.920 --> 0:51:44.680
<v Speaker 1>some of the things that you promise you. If he

0:51:44.719 --> 0:51:46.000
<v Speaker 1>would have heard it, he'd have been in. He'd have

0:51:46.040 --> 0:51:48.080
<v Speaker 1>been locked. Right. But you could one thing about Prince,

0:51:48.239 --> 0:51:50.920
<v Speaker 1>he always had that mistake that like, that's that's what

0:51:51.000 --> 0:51:54.000
<v Speaker 1>I just one thing that I actually admired about that

0:51:54.080 --> 0:51:58.359
<v Speaker 1>generation superstars wasn't easy to get to him, and they

0:51:58.480 --> 0:52:01.040
<v Speaker 1>made it hard. So if you body did get to him,

0:52:01.640 --> 0:52:04.759
<v Speaker 1>you had to make it count. Right. Today, you go

0:52:04.880 --> 0:52:07.000
<v Speaker 1>to the mall, you see it everybody. You go to

0:52:07.040 --> 0:52:10.279
<v Speaker 1>the club, you see it everybody. Everybody that's somebody. The

0:52:10.360 --> 0:52:12.600
<v Speaker 1>access to these guys now is a lot different than

0:52:12.640 --> 0:52:14.800
<v Speaker 1>what it was. What it was. You're probably you weren't.

0:52:14.800 --> 0:52:17.200
<v Speaker 1>Probably you weren't bumping into Michael at the club unless

0:52:17.200 --> 0:52:19.439
<v Speaker 1>it was Studio fifty four. You weren't bumping into friends.

0:52:19.480 --> 0:52:22.640
<v Speaker 1>You weren't bumping into those guys unless it was a

0:52:22.800 --> 0:52:27.400
<v Speaker 1>very very special occasion. Absolutely. Now, oh yeah, you go

0:52:27.440 --> 0:52:32.440
<v Speaker 1>out and probably you bumping all of them. Yeah, you know,

0:52:32.520 --> 0:52:35.600
<v Speaker 1>bumping all of them. I'm looking at. What was it

0:52:35.640 --> 0:52:37.759
<v Speaker 1>like to work with Mike in the studio? Oh man,

0:52:37.960 --> 0:52:41.319
<v Speaker 1>that's the best experience ever. Like Mike, Mike. Mike was

0:52:41.320 --> 0:52:45.920
<v Speaker 1>the first artist that I worked with of at that

0:52:45.960 --> 0:52:49.880
<v Speaker 1>time that didn't need no auto tune. He didn't need

0:52:49.920 --> 0:52:52.719
<v Speaker 1>no auto tune. But I had to do it because

0:52:52.719 --> 0:52:56.960
<v Speaker 1>I just wanted to see auto tune on him. I

0:52:57.080 --> 0:52:59.640
<v Speaker 1>guess a little bit. But so so when you hear

0:52:59.680 --> 0:53:03.040
<v Speaker 1>people say, well, uh, I don't know how to recall.

0:53:03.200 --> 0:53:07.200
<v Speaker 1>I hear people say talent and singing. Okay, if you

0:53:07.200 --> 0:53:11.479
<v Speaker 1>want to say talent, I think Prince is obviously because

0:53:11.520 --> 0:53:14.920
<v Speaker 1>he can play no talent, has down, has down. He

0:53:14.960 --> 0:53:17.879
<v Speaker 1>does everything right, his eyes closed. But when they would

0:53:17.880 --> 0:53:19.920
<v Speaker 1>the people miss when they talk about Chris Brown and

0:53:19.960 --> 0:53:21.480
<v Speaker 1>Michael Right. See, now y'all got to miss. No, I

0:53:21.520 --> 0:53:22.759
<v Speaker 1>don't even want to talk y'all no more. I ain't

0:53:22.760 --> 0:53:24.759
<v Speaker 1>got nothing to say no this. Let me let me

0:53:24.920 --> 0:53:28.239
<v Speaker 1>let me give you another perspective on that. In this

0:53:28.320 --> 0:53:31.160
<v Speaker 1>day and age, the only person, in my opinion, that

0:53:31.200 --> 0:53:35.839
<v Speaker 1>could have achieved just as great as a legacy as

0:53:35.880 --> 0:53:38.520
<v Speaker 1>Mike to me, would have been Chris Brown. I just

0:53:38.560 --> 0:53:42.440
<v Speaker 1>believe that Chris Brown wasn't surrounded by the circle of

0:53:42.480 --> 0:53:46.000
<v Speaker 1>creative people that Mike was surrounded by. Wow, because Chris

0:53:46.040 --> 0:53:50.160
<v Speaker 1>got the talent. Wow, he just needed the direction right, right.

0:53:50.480 --> 0:53:55.240
<v Speaker 1>So imagine if Chris had Mike's team, right, just imagine

0:53:55.239 --> 0:53:58.600
<v Speaker 1>that it would it would be something different. And that's big.

0:53:58.640 --> 0:54:02.000
<v Speaker 1>But Chris is like he got he got bloods around him,

0:54:02.239 --> 0:54:04.560
<v Speaker 1>he got little gang bangers around right. He don't have

0:54:04.600 --> 0:54:08.560
<v Speaker 1>the guidance, right, He's smart, but he's smart according to

0:54:08.560 --> 0:54:12.520
<v Speaker 1>what this generation, smart attracts. Right. Okay, for me to

0:54:12.600 --> 0:54:14.800
<v Speaker 1>survive in this error, I gotta keep certain things around me,

0:54:14.840 --> 0:54:17.480
<v Speaker 1>certain people around me, just so I can keep getting

0:54:17.480 --> 0:54:19.400
<v Speaker 1>the going right. But if he was able to delete

0:54:19.400 --> 0:54:21.200
<v Speaker 1>all that to say, look, I'm gonna focus on being

0:54:21.239 --> 0:54:24.719
<v Speaker 1>the greatest entertainer ever, Chris has the opportunity. It's too

0:54:24.800 --> 0:54:32.480
<v Speaker 1>late now, yeah, yeah, yeah, But I think that's why

0:54:32.480 --> 0:54:34.360
<v Speaker 1>everybody loved you know, because y' what are you so

0:54:37.440 --> 0:54:41.399
<v Speaker 1>ain't Ain't nobody said I know how a Minion albums?

0:54:41.440 --> 0:54:43.680
<v Speaker 1>But but but but you know, you got to streaming,

0:54:43.880 --> 0:54:46.800
<v Speaker 1>so not. I don't know really how streaming work. Do

0:54:46.920 --> 0:54:49.439
<v Speaker 1>you get a quarter, you get fifty cent, you get

0:54:49.480 --> 0:54:51.520
<v Speaker 1>a dying for how many streams you get out? You

0:54:51.520 --> 0:54:53.800
<v Speaker 1>know how that works. But I mean, he seems to

0:54:53.840 --> 0:54:56.080
<v Speaker 1>be doing unbelievable in that. Oh yeah, he's killing it.

0:54:56.080 --> 0:54:59.520
<v Speaker 1>He's killing it. I'm also you signed Lady Gaga Tea

0:54:59.560 --> 0:55:03.800
<v Speaker 1>Pain Rinch Montana were as kids. You mentioned the auto

0:55:03.840 --> 0:55:06.720
<v Speaker 1>tunes because auto tunes ruined the industry. Nah, it helped,

0:55:07.600 --> 0:55:10.839
<v Speaker 1>it honestly helped because a lot of these saying tunes

0:55:11.200 --> 0:55:13.680
<v Speaker 1>sound like I would rather you get on auto tune please.

0:55:16.440 --> 0:55:20.319
<v Speaker 1>You know the most amazing part about working with the

0:55:20.400 --> 0:55:23.400
<v Speaker 1>older generation artists like the Michael Jackson's and the Whitney

0:55:23.400 --> 0:55:25.759
<v Speaker 1>Houses and the line of riches they need, they didn't

0:55:25.800 --> 0:55:28.160
<v Speaker 1>need it. I never used any of the grass and

0:55:28.640 --> 0:55:31.399
<v Speaker 1>all over back I mean everybody basically eight everybody from

0:55:31.440 --> 0:55:35.960
<v Speaker 1>like from the nineties moving back towards the seventies and eighties,

0:55:35.960 --> 0:55:38.279
<v Speaker 1>I mean eighties and seventies, they didn't use any of

0:55:38.280 --> 0:55:44.360
<v Speaker 1>that impeccable and and guess what those recordings that you

0:55:44.480 --> 0:55:47.520
<v Speaker 1>heard that you heard those are one takes because every

0:55:47.520 --> 0:55:49.080
<v Speaker 1>time they messed up, they had to start again from

0:55:49.080 --> 0:55:51.200
<v Speaker 1>the top, whereas us, if we mess up, we can

0:55:51.280 --> 0:55:53.200
<v Speaker 1>just all right start from where I messed up at

0:55:53.200 --> 0:55:55.160
<v Speaker 1>and repunch it. So it was a different It was

0:55:55.200 --> 0:55:57.399
<v Speaker 1>a different time that they don't use no auto tunes

0:55:57.440 --> 0:56:04.880
<v Speaker 1>now heard have mercy. That's what boys or hers? You signed,

0:56:04.920 --> 0:56:07.359
<v Speaker 1>Lady gargar tea paying French Montana. Where as the kid,

0:56:07.560 --> 0:56:09.640
<v Speaker 1>how did you meet these artists? Oh man, just in

0:56:09.760 --> 0:56:13.520
<v Speaker 1>the Travelers is moving around with pain. My little brother

0:56:13.560 --> 0:56:16.240
<v Speaker 1>Boo brought me pain. Okay, I get Boo the credit

0:56:16.280 --> 0:56:19.759
<v Speaker 1>for finding discovering pain. I was just a platform that

0:56:19.800 --> 0:56:21.319
<v Speaker 1>we can toss him one to give him get him

0:56:21.320 --> 0:56:24.319
<v Speaker 1>to where he needed to, right ga ga. She was

0:56:24.400 --> 0:56:28.160
<v Speaker 1>actually already on Interscope when I signed my label deal

0:56:28.200 --> 0:56:31.680
<v Speaker 1>there and I saw her and I was like, yo, Jimmy,

0:56:31.719 --> 0:56:34.440
<v Speaker 1>I need that for my label. And Jimmy tossed me

0:56:34.480 --> 0:56:37.680
<v Speaker 1>that ball, gave me that like latest gifts he's ever

0:56:37.680 --> 0:56:40.440
<v Speaker 1>get really sing? I mean people, I think I think

0:56:40.480 --> 0:56:44.600
<v Speaker 1>sometimes people look at the makeup and see how the outfits.

0:56:45.640 --> 0:56:51.320
<v Speaker 1>She's not human, bro, she is amazing, like creatively mentally

0:56:51.719 --> 0:56:54.640
<v Speaker 1>like she's I mean, she she she thinks beyond the

0:56:54.760 --> 0:56:57.680
<v Speaker 1>average artist, like just to come up with the things

0:56:57.719 --> 0:57:00.919
<v Speaker 1>that you guys seen, we had the dumb certain things

0:57:00.920 --> 0:57:03.279
<v Speaker 1>down just to get it across so people can understand it.

0:57:03.480 --> 0:57:06.239
<v Speaker 1>But she's she's she's on a different level. What is

0:57:06.480 --> 0:57:10.280
<v Speaker 1>what is your artist development process? How do you like? Okay,

0:57:10.440 --> 0:57:13.520
<v Speaker 1>I got this person, this is where I think they

0:57:13.520 --> 0:57:16.760
<v Speaker 1>can go right, here's the process that I'm gonna use

0:57:16.840 --> 0:57:19.080
<v Speaker 1>in order to get them him or hurt there. How

0:57:19.120 --> 0:57:20.840
<v Speaker 1>do you go about that? Like all the artists that

0:57:20.880 --> 0:57:23.200
<v Speaker 1>I take full responsibility for it, they all go through

0:57:23.240 --> 0:57:27.240
<v Speaker 1>the same system. They start with me. We figure out

0:57:27.240 --> 0:57:28.680
<v Speaker 1>what they want to do, how they want to see

0:57:28.720 --> 0:57:30.680
<v Speaker 1>their years in ten years. Okay, where you want your

0:57:30.680 --> 0:57:32.240
<v Speaker 1>life to be in ten years. Then we have a

0:57:32.240 --> 0:57:35.680
<v Speaker 1>real conversation about the industry, learn the business. Once they

0:57:35.680 --> 0:57:37.600
<v Speaker 1>got that part right, then we take them straight to

0:57:37.680 --> 0:57:40.880
<v Speaker 1>artist development. Take them right there to marvelous studios in Atlanta. Okay,

0:57:40.960 --> 0:57:43.120
<v Speaker 1>the best that ever did it. All the artists that

0:57:43.120 --> 0:57:45.840
<v Speaker 1>we ever love, from New Addition to Boys and Men

0:57:45.840 --> 0:57:51.000
<v Speaker 1>to selc, you name it. He's shaped them up into superstars.

0:57:51.320 --> 0:57:53.560
<v Speaker 1>They all go through that process. Okay. Then they come

0:57:53.560 --> 0:57:55.760
<v Speaker 1>out of that we're go into the studio. Okay, we

0:57:55.880 --> 0:57:58.880
<v Speaker 1>make the biggest hit record according to our conversations, your

0:57:58.920 --> 0:58:00.640
<v Speaker 1>passion and what you want to be. Now we got

0:58:00.720 --> 0:58:03.800
<v Speaker 1>a body of work. You've been through all his development,

0:58:03.840 --> 0:58:06.560
<v Speaker 1>so you can speak well, you can perform well. You're

0:58:06.680 --> 0:58:09.720
<v Speaker 1>prepared for what you're about to get. Then we're going

0:58:09.760 --> 0:58:12.400
<v Speaker 1>through the right distribution partner. Who do we decide is

0:58:12.400 --> 0:58:14.880
<v Speaker 1>a perfect partner for distribution for this record, depending on

0:58:14.960 --> 0:58:17.480
<v Speaker 1>the side and where in territories that we want to go.

0:58:17.680 --> 0:58:19.600
<v Speaker 1>Then we picked the labels that we want to partner.

0:58:19.680 --> 0:58:22.680
<v Speaker 1>Once we got them, come and release dates, come, release,

0:58:22.880 --> 0:58:26.120
<v Speaker 1>once we release. They're like, it's almost like raising a

0:58:26.200 --> 0:58:29.160
<v Speaker 1>chick into a chicken and just letting the letting it go,

0:58:30.240 --> 0:58:32.880
<v Speaker 1>put an oven and it's a great meal. I let

0:58:32.920 --> 0:58:34.400
<v Speaker 1>it go. Ain't what you know. I ain't what you

0:58:34.480 --> 0:58:40.040
<v Speaker 1>did about putting the other and now, but you willing

0:58:40.040 --> 0:58:41.919
<v Speaker 1>to let your artists out of contracts, you don't believe

0:58:42.680 --> 0:58:45.000
<v Speaker 1>contract We see what Meg the Stallion is going through

0:58:45.280 --> 0:58:47.680
<v Speaker 1>so many even Mike ended up having a problem with

0:58:47.680 --> 0:58:50.800
<v Speaker 1>his with his label Prints had a problem with his label.

0:58:50.840 --> 0:58:52.440
<v Speaker 1>You're like, okay, y'all, you're not happy. You want to

0:58:52.560 --> 0:58:55.880
<v Speaker 1>leave okay, right, I mean, all my contracts are built

0:58:56.000 --> 0:58:59.960
<v Speaker 1>to create superstars, entrepreneurs and give them the freedom to

0:59:00.040 --> 0:59:02.960
<v Speaker 1>give that opportunity to somebody else, right, So I never

0:59:03.040 --> 0:59:05.920
<v Speaker 1>hold him to the fullest extent of the contract. Ever,

0:59:06.480 --> 0:59:08.280
<v Speaker 1>at the moment they feel like, okay, they've grown that

0:59:08.360 --> 0:59:10.240
<v Speaker 1>they want to go on their own, and I felt

0:59:10.280 --> 0:59:12.200
<v Speaker 1>like we didn't gave them everything they need to do that, right,

0:59:12.280 --> 0:59:14.280
<v Speaker 1>then we we just let them up. We don't ask

0:59:14.320 --> 0:59:16.160
<v Speaker 1>for no recouption, we don't ask for anything. We just

0:59:16.200 --> 0:59:18.680
<v Speaker 1>allowed them to be who they are. Te Pain originally

0:59:18.720 --> 0:59:23.560
<v Speaker 1>wrote I'm Strung for You, but you didn't like it? No,

0:59:23.920 --> 0:59:26.479
<v Speaker 1>it was a hit, But I believe the record would

0:59:26.480 --> 0:59:29.640
<v Speaker 1>be bigger on him because that was a hit record.

0:59:30.040 --> 0:59:32.320
<v Speaker 1>I could have took it and he right. The reason

0:59:32.360 --> 0:59:34.120
<v Speaker 1>why I didn't want it because I wanted it for him,

0:59:34.280 --> 0:59:36.600
<v Speaker 1>right because I knew that record was gonna make somebody's career.

0:59:36.760 --> 0:59:39.080
<v Speaker 1>My career was already made. Right. He didn't see how

0:59:39.080 --> 0:59:41.680
<v Speaker 1>big that record was, but I knew. I knew how

0:59:41.680 --> 0:59:43.240
<v Speaker 1>big that record was, and I knew that record would

0:59:43.240 --> 0:59:46.560
<v Speaker 1>make him the biggest urban artist that can line up

0:59:46.560 --> 0:59:47.920
<v Speaker 1>with what I need going on to take him to

0:59:47.920 --> 0:59:49.840
<v Speaker 1>the next level. Right, So I refused to take the

0:59:49.880 --> 0:59:51.600
<v Speaker 1>record because I believe that that record was supposed to

0:59:51.640 --> 0:59:53.240
<v Speaker 1>be for him. If there any other songs you've turned

0:59:53.240 --> 0:59:55.400
<v Speaker 1>down you wish you hadn't. I really don't wish you

0:59:55.400 --> 0:59:57.200
<v Speaker 1>would turned that down. There are songs that you turned

0:59:57.240 --> 0:59:59.000
<v Speaker 1>down and you're like, damn, I should have took that one.

0:59:59.240 --> 1:00:00.840
<v Speaker 1>One record that I I have A way that I felt,

1:00:00.880 --> 1:00:07.919
<v Speaker 1>damn I should have kept was so surviving I needed

1:00:08.120 --> 1:00:11.600
<v Speaker 1>for myself. Right. What happened with the fan, the fan

1:00:11.680 --> 1:00:14.480
<v Speaker 1>that you threw back in the fan in the crowd? Oh? Man?

1:00:14.680 --> 1:00:17.000
<v Speaker 1>That that was an interesting time because that was around

1:00:17.000 --> 1:00:20.320
<v Speaker 1>the time when I had just got out. I was fresh,

1:00:21.280 --> 1:00:25.040
<v Speaker 1>a lot of money, super arrogant and confident, right, But

1:00:25.600 --> 1:00:27.840
<v Speaker 1>I had the same, you know, the street mentality. I'm

1:00:27.880 --> 1:00:30.560
<v Speaker 1>I can't I would never be disrespected, especially for a

1:00:30.640 --> 1:00:32.760
<v Speaker 1>lot of people. Right. So I'm on stage and I'm performing,

1:00:33.040 --> 1:00:34.960
<v Speaker 1>and the next thing you notice, I see something coming

1:00:35.040 --> 1:00:36.600
<v Speaker 1>at me. At first, I thought I was seeing something,

1:00:36.920 --> 1:00:38.919
<v Speaker 1>but then when it got really close, I was like, oh, whoa,

1:00:39.600 --> 1:00:41.400
<v Speaker 1>that almost like hit me in the face. And I said, yeah,

1:00:41.400 --> 1:00:44.640
<v Speaker 1>wait a minute, who threw that? So the crowd everybody

1:00:44.800 --> 1:00:50.520
<v Speaker 1>is pointing it you. Now at that point, it's like, okay, shoot,

1:00:50.640 --> 1:00:52.760
<v Speaker 1>what do I do? Now? I can't be out here

1:00:52.760 --> 1:00:56.120
<v Speaker 1>and I can't. I can't just be like, okay, bron

1:00:56.280 --> 1:00:58.480
<v Speaker 1>do that no more. I couldn't let it slide because,

1:00:59.120 --> 1:01:01.760
<v Speaker 1>especially in the end shot we was in around that time,

1:01:02.560 --> 1:01:06.600
<v Speaker 1>if one person tries you, everybody feel like you can try, right.

1:01:07.040 --> 1:01:08.880
<v Speaker 1>So it's almost like you had to set an example,

1:01:09.520 --> 1:01:11.680
<v Speaker 1>which is wrong analogy. So at the point when all

1:01:11.720 --> 1:01:13.880
<v Speaker 1>the fingers was in, I said, I'll come on up here,

1:01:13.960 --> 1:01:16.200
<v Speaker 1>bring bring him up. So now the crowd is bringing

1:01:16.280 --> 1:01:19.160
<v Speaker 1>him to me. As he's coming, I'm decided what am

1:01:19.160 --> 1:01:24.240
<v Speaker 1>I gonna do to show this dude and the audience

1:01:24.320 --> 1:01:26.560
<v Speaker 1>that I'm not to be played with? Right? I said, Man,

1:01:26.600 --> 1:01:28.640
<v Speaker 1>should I just hit him with one boom? Just knock

1:01:28.720 --> 1:01:31.640
<v Speaker 1>him out? I said, nah, that'd be too much. And

1:01:31.680 --> 1:01:33.240
<v Speaker 1>then I said, you know what, don't worry about when

1:01:33.280 --> 1:01:35.040
<v Speaker 1>it comes. I just played a boy ear And as

1:01:35.080 --> 1:01:37.480
<v Speaker 1>soon as he came on stage, he just came to

1:01:37.560 --> 1:01:39.800
<v Speaker 1>hug me. And at that moment I felt bad. I

1:01:39.920 --> 1:01:41.160
<v Speaker 1>was like, damn, I can't do nothing to him. He

1:01:41.200 --> 1:01:43.680
<v Speaker 1>actually this is probably probably trying to get my attention, right,

1:01:43.920 --> 1:01:46.040
<v Speaker 1>So I said, nah, okay, I gotta figure something out.

1:01:46.080 --> 1:01:47.400
<v Speaker 1>Then it hit me, I said, cool, I'm just gonna

1:01:47.440 --> 1:01:50.000
<v Speaker 1>throw him in the crowd in a soft spot, right,

1:01:51.880 --> 1:01:53.320
<v Speaker 1>So as he come to hug me, I just picked

1:01:53.360 --> 1:01:56.240
<v Speaker 1>him up, found a soft spot and threw him right.

1:01:56.360 --> 1:01:59.600
<v Speaker 1>But then of course it got it got thrown out

1:01:59.600 --> 1:02:02.400
<v Speaker 1>of purport. But at the same time, it did give

1:02:02.480 --> 1:02:06.640
<v Speaker 1>me the respect that I needed to move forward. But

1:02:06.720 --> 1:02:08.480
<v Speaker 1>at the same time I felt so bad because I said,

1:02:08.480 --> 1:02:09.560
<v Speaker 1>I could you know what, I could have handled that

1:02:09.560 --> 1:02:13.160
<v Speaker 1>a little bit better. Hey, look, you provided electricity for

1:02:13.240 --> 1:02:16.560
<v Speaker 1>over sixteen countries in Africa. You have a utility company

1:02:16.600 --> 1:02:20.440
<v Speaker 1>to work with a Biden administration because you grew up

1:02:20.480 --> 1:02:23.160
<v Speaker 1>with no electricity? Is that was? Was that one of

1:02:23.200 --> 1:02:25.720
<v Speaker 1>the reasons you wanted to give back in that way

1:02:26.320 --> 1:02:29.560
<v Speaker 1>to your like me, knowing the impact of just growing

1:02:29.640 --> 1:02:32.560
<v Speaker 1>up without electricity made me say, okay, the moment I'm

1:02:32.560 --> 1:02:34.080
<v Speaker 1>make it and I'm in position to do that, I

1:02:34.120 --> 1:02:36.040
<v Speaker 1>want to be able to provide electricity, right. But that

1:02:36.120 --> 1:02:41.880
<v Speaker 1>didn't have absolutely well. I see China gave you six bill,

1:02:42.000 --> 1:02:44.280
<v Speaker 1>gave you a billion dollars. I loaned your billion dollars.

1:02:44.560 --> 1:02:46.480
<v Speaker 1>I said, you have watered a six billion dollars contract

1:02:46.560 --> 1:02:49.000
<v Speaker 1>to build a city. Yes, the Acon City and Senegal.

1:02:50.080 --> 1:02:51.920
<v Speaker 1>I'm super excited. I can't wait to host l when

1:02:51.920 --> 1:02:56.240
<v Speaker 1>I have how how how close is that upon completion? Uh?

1:02:56.480 --> 1:02:59.080
<v Speaker 1>I mean how much? How much of the build out

1:02:59.120 --> 1:03:03.080
<v Speaker 1>have you completed? Wow? So I learned so much dealing

1:03:03.160 --> 1:03:05.480
<v Speaker 1>with this project. Right. I realized that it was so

1:03:05.640 --> 1:03:08.200
<v Speaker 1>much prep leading into even construction. Right, So for the

1:03:08.320 --> 1:03:11.000
<v Speaker 1>last two years we've been doing environmental studies, We've been

1:03:11.080 --> 1:03:13.520
<v Speaker 1>doing soil studies, all the studies leading up into it,

1:03:13.600 --> 1:03:15.920
<v Speaker 1>then getting all the licenses and everything else. So now

1:03:16.000 --> 1:03:18.800
<v Speaker 1>twenty twenty three, in January, we actually start to construction

1:03:18.920 --> 1:03:21.520
<v Speaker 1>process and the first phase is gonna take three years,

1:03:21.960 --> 1:03:23.520
<v Speaker 1>but then after that phase, it's gonna be done in

1:03:23.560 --> 1:03:26.600
<v Speaker 1>three three years, three phases and three years per phase.

1:03:26.920 --> 1:03:30.400
<v Speaker 1>But after the first phase we could start inviting people in. Right. Yeah,

1:03:30.560 --> 1:03:32.440
<v Speaker 1>I read it. You try to start a diamond business

1:03:32.480 --> 1:03:34.760
<v Speaker 1>in Africa, but it said it's worse than the drug game. No,

1:03:35.000 --> 1:03:39.080
<v Speaker 1>I actually had. I had purchase a diamond mine and realized, yeah,

1:03:39.120 --> 1:03:41.160
<v Speaker 1>it was way worse than the drug game. So I

1:03:41.280 --> 1:03:47.120
<v Speaker 1>sold it. Man, I had it for five years I said, boy,

1:03:47.160 --> 1:03:49.520
<v Speaker 1>you getting it was no? Oh, yeah it was. It

1:03:49.800 --> 1:03:51.400
<v Speaker 1>was a great profit of business around the time when

1:03:51.440 --> 1:03:53.720
<v Speaker 1>I was in the music business, I was actually supplying

1:03:54.040 --> 1:03:56.080
<v Speaker 1>a lot of the jewelers in the Diamond district in

1:03:56.120 --> 1:03:58.760
<v Speaker 1>my diamonds. Wow, and you and you gave it up.

1:03:58.880 --> 1:04:00.320
<v Speaker 1>I had to it was it was, it was then,

1:04:00.360 --> 1:04:01.640
<v Speaker 1>it was amount of the time. We also had the

1:04:01.680 --> 1:04:04.800
<v Speaker 1>Blood Diamond conflict. Yeah, it was other minds. It was

1:04:04.800 --> 1:04:06.160
<v Speaker 1>a lot going on, and I didn't want my name

1:04:06.200 --> 1:04:07.680
<v Speaker 1>getting tired into that stuff because I know how the

1:04:07.720 --> 1:04:09.680
<v Speaker 1>media work sometimes. I got to get you out here

1:04:09.720 --> 1:04:13.360
<v Speaker 1>on this one. You're big sports fan. Who's your favorite

1:04:13.400 --> 1:04:19.480
<v Speaker 1>team Basketball? The Lakers? Laker? Who your favorite player? Lebron? Honestly,

1:04:19.520 --> 1:04:22.120
<v Speaker 1>wherever team Lebron went, that was my favorite team before

1:04:22.200 --> 1:04:25.640
<v Speaker 1>Lebron was shocked. Right, you had I'm reading that you

1:04:25.720 --> 1:04:27.720
<v Speaker 1>almost got a scholarship when you have a scholarship to

1:04:27.720 --> 1:04:30.120
<v Speaker 1>Georgia Tech. But you messed me up. Yeah, you had?

1:04:30.200 --> 1:04:32.760
<v Speaker 1>Who's like that? I could play? I could play now.

1:04:32.880 --> 1:04:35.880
<v Speaker 1>One thing about Saint Louis sports was the thing that

1:04:36.040 --> 1:04:37.600
<v Speaker 1>was our way out. Somebody had. I mean, if you

1:04:37.600 --> 1:04:39.160
<v Speaker 1>weren't gonna make it through music, you gonna never make

1:04:39.160 --> 1:04:42.720
<v Speaker 1>it through this spright, my man. I appreciate that, Broun,

1:04:43.080 --> 1:04:45.200
<v Speaker 1>I appreciate your time to day. I really now I

1:04:45.280 --> 1:04:48.320
<v Speaker 1>had a good time all my life, and grinding all

1:04:48.360 --> 1:04:52.800
<v Speaker 1>my life, sac of fice, hustle back price on a slice,

1:04:53.120 --> 1:04:56.080
<v Speaker 1>got the bron swath all my life. I've been grinding

1:04:56.160 --> 1:04:59.400
<v Speaker 1>all my life, all my life, and grinding all my life,

1:04:59.440 --> 1:05:04.040
<v Speaker 1>and sacrifice hustle bay the price one slice that the

1:05:04.120 --> 1:05:06.800
<v Speaker 1>browling dice to swap all my life. I've been running

1:05:06.840 --> 1:05:07.439
<v Speaker 1>all my life,