1
00:00:05,280 --> 00:00:20,160
Speaker 1: Boum, what is this? Where? What is it?

2
00:00:20,280 --> 00:00:20,520
Speaker 2: Wow?

3
00:00:22,320 --> 00:00:24,600
Speaker 1: That's the fucking music, man, it's the sound.

4
00:00:24,800 --> 00:00:27,920
Speaker 3: But why are you so uptight?

5
00:00:28,040 --> 00:00:32,680
Speaker 1: Dude? Like I know, come on, dude, groop with me. Man,

6
00:00:32,960 --> 00:00:35,640
Speaker 1: this is what I know music. I know the music.

7
00:00:35,880 --> 00:00:36,960
Speaker 1: I don't understand what.

8
00:00:37,200 --> 00:00:42,479
Speaker 3: The fucking vibe together. Man, But you're I don't know

9
00:00:42,520 --> 00:00:45,199
Speaker 3: what happened. It's like you got a suit of armor on, Like,

10
00:00:45,360 --> 00:00:47,880
Speaker 3: come on, man, take the armor off.

11
00:00:48,040 --> 00:00:52,640
Speaker 2: Be vulnerable, dan, I am. I'm asking questions. I'm curious.

12
00:00:52,680 --> 00:00:54,800
Speaker 2: I'm asking questions. I don't understand what it is. It

13
00:00:54,840 --> 00:00:57,880
Speaker 2: doesn't make any sense to me. The show fucking is either.

14
00:00:57,920 --> 00:00:58,080
Speaker 3: Man.

15
00:00:58,120 --> 00:01:00,160
Speaker 4: It sounds like ship it sounds insane.

16
00:01:00,920 --> 00:01:04,800
Speaker 3: It's like so it's like a robot having an orgasm

17
00:01:05,040 --> 00:01:07,800
Speaker 3: or something, and and not a very pretty one either.

18
00:01:08,400 --> 00:01:10,399
Speaker 3: You know how you can tell when a chick's not

19
00:01:10,600 --> 00:01:11,840
Speaker 3: faking it?

20
00:01:12,000 --> 00:01:12,400
Speaker 1: Alex?

21
00:01:13,360 --> 00:01:16,400
Speaker 3: Is what she makes an ugly face, right, It's like

22
00:01:16,560 --> 00:01:19,560
Speaker 3: if it looks too pretty, man, that shit's just a

23
00:01:19,680 --> 00:01:20,520
Speaker 3: show for you.

24
00:01:21,080 --> 00:01:23,560
Speaker 4: Hey, man, I gotta do some stand up about.

25
00:01:23,640 --> 00:01:25,080
Speaker 3: I do want to hear. I do want to hear

26
00:01:25,120 --> 00:01:28,679
Speaker 3: from Alex. Okay, fine, Alex, do you have any stand

27
00:01:28,720 --> 00:01:29,160
Speaker 3: up about?

28
00:01:29,160 --> 00:01:32,760
Speaker 2: Come because no, I I want to hear about this, Like,

29
00:01:33,160 --> 00:01:35,440
Speaker 2: oh fine, fine, I do want to get into this

30
00:01:35,520 --> 00:01:37,440
Speaker 2: we have I'll just say, well, turning off my mic

31
00:01:37,480 --> 00:01:39,880
Speaker 2: and book, turning off my miner's guy, don't turn off

32
00:01:39,920 --> 00:01:44,520
Speaker 2: your mic. MIC's off, Alex Goldman. This year on Hollywood Handbook.

33
00:01:44,959 --> 00:01:48,040
Speaker 2: We are here on business. We have been authorized by

34
00:01:49,080 --> 00:01:53,600
Speaker 2: Serious XM Radio to sort of buy up distressed assets

35
00:01:53,600 --> 00:01:59,400
Speaker 2: from other podcasts. Alex Goldman. Yes, that's me, the man

36
00:01:59,760 --> 00:02:02,480
Speaker 2: with the Golden Man name.

37
00:02:03,040 --> 00:02:04,120
Speaker 5: That's true.

38
00:02:05,080 --> 00:02:07,320
Speaker 1: You are from the show.

39
00:02:07,480 --> 00:02:12,240
Speaker 5: Talk about this, talk about the show, the song, the

40
00:02:12,240 --> 00:02:14,400
Speaker 5: song that titled Ugly Robot Orgasm.

41
00:02:14,960 --> 00:02:16,040
Speaker 3: First say the show.

42
00:02:16,680 --> 00:02:19,040
Speaker 5: Oh okay, the show is called reply All. It is

43
00:02:19,080 --> 00:02:22,320
Speaker 5: a podcast we've stumbled upon hard times.

44
00:02:23,320 --> 00:02:28,480
Speaker 4: Yeah, turning my mic back on, like email off again.

45
00:02:30,280 --> 00:02:30,959
Speaker 1: And that's right.

46
00:02:31,480 --> 00:02:33,880
Speaker 5: Yeah, that's right. So I guess you guys are here to,

47
00:02:34,000 --> 00:02:36,160
Speaker 5: you know, pick over our corpse and just sort of

48
00:02:36,240 --> 00:02:36,920
Speaker 5: do whatever you want.

49
00:02:37,520 --> 00:02:43,360
Speaker 2: And this was the the Alex Blumberg Icarus of the

50
00:02:43,400 --> 00:02:49,000
Speaker 2: podcast community. He thought that he could build something on

51
00:02:49,040 --> 00:02:54,280
Speaker 2: his own and avoid the inevitable like corporate consolidation. And

52
00:02:54,400 --> 00:03:00,480
Speaker 2: now he is financially completely destitute, and we are here

53
00:03:00,520 --> 00:03:04,400
Speaker 2: to buy up some of the garbage that is floated

54
00:03:04,440 --> 00:03:07,839
Speaker 2: around his podcast network, and whether it's a theme song

55
00:03:07,919 --> 00:03:11,600
Speaker 2: and whether it's recurring segments or specific episodes.

56
00:03:11,960 --> 00:03:16,120
Speaker 3: We're going to try to get back on Mike back

57
00:03:16,160 --> 00:03:21,320
Speaker 3: on first things first. Zach Braf's wardrobe from Alex Inc.

58
00:03:22,080 --> 00:03:25,520
Speaker 3: We know this is in a storage locker somewhere. I

59
00:03:25,680 --> 00:03:28,720
Speaker 3: must have this clothing. It looks like we're close to

60
00:03:28,760 --> 00:03:31,200
Speaker 3: the same size, and even if not, just to have

61
00:03:31,240 --> 00:03:33,000
Speaker 3: it would be a pretty big power move.

62
00:03:33,480 --> 00:03:35,800
Speaker 5: How can you tell that you guys are or approximately

63
00:03:35,800 --> 00:03:36,640
Speaker 5: the same size?

64
00:03:36,960 --> 00:03:39,160
Speaker 3: Because when I stand in front of the TV and

65
00:03:39,240 --> 00:03:41,520
Speaker 3: I put my body in the same position as him,

66
00:03:41,560 --> 00:03:43,640
Speaker 3: I totally cover him and match him.

67
00:03:43,520 --> 00:03:45,640
Speaker 5: Exactly in every scene.

68
00:03:46,240 --> 00:03:49,120
Speaker 3: No, not in every scene. Sometimes he's like sitting down,

69
00:03:49,280 --> 00:03:51,720
Speaker 3: or sometimes he's underwater and he's discovered far away.

70
00:03:51,800 --> 00:03:55,760
Speaker 1: He's small, Yeah, sometimes he's huge.

71
00:03:56,080 --> 00:03:59,760
Speaker 5: Look the camera. He could be ant Man sized, or

72
00:03:59,760 --> 00:04:02,160
Speaker 5: he'd be ant Man when he's really big sized. Do

73
00:04:02,160 --> 00:04:02,800
Speaker 5: you have no idea?

74
00:04:02,880 --> 00:04:03,080
Speaker 1: Yeah?

75
00:04:03,200 --> 00:04:06,040
Speaker 3: Or ant Man when he's normal sized, yeah, or when

76
00:04:06,040 --> 00:04:11,280
Speaker 3: he's not even being ant Man. Scott right, is that

77
00:04:11,400 --> 00:04:11,840
Speaker 3: his name?

78
00:04:12,360 --> 00:04:13,200
Speaker 5: I have no idea.

79
00:04:14,000 --> 00:04:17,280
Speaker 1: Alex Kevin ant Man's name? Uh?

80
00:04:17,360 --> 00:04:20,000
Speaker 6: Yeah, it is Scott good name?

81
00:04:20,320 --> 00:04:22,880
Speaker 3: Now, what's this Scott Lang?

82
00:04:23,279 --> 00:04:24,159
Speaker 1: What's this song?

83
00:04:25,560 --> 00:04:29,640
Speaker 5: Uh? Well, it is a song written by the mysterious

84
00:04:29,640 --> 00:04:32,440
Speaker 5: breakmaster Cylinder. You may may be able to buy that

85
00:04:32,480 --> 00:04:36,520
Speaker 5: person who who does a lot of our music. Okay,

86
00:04:37,040 --> 00:04:39,640
Speaker 5: but they're mysterious. I've never met them. I don't know

87
00:04:39,680 --> 00:04:42,080
Speaker 5: who they are, so I don't know. They're elusive.

88
00:04:43,160 --> 00:04:44,640
Speaker 1: Okay, And they did this.

89
00:04:45,520 --> 00:04:47,560
Speaker 3: It doesn't sound and they did this.

90
00:04:48,000 --> 00:04:50,200
Speaker 2: It sounds a little like computers, but it doesn't sound

91
00:04:50,320 --> 00:04:51,479
Speaker 2: enough like computers to me.

92
00:04:52,560 --> 00:04:55,560
Speaker 3: Well, I mean, I think I characterized it pretty accurately

93
00:04:55,600 --> 00:04:57,880
Speaker 3: before what I said it sounds like a robot freaking

94
00:04:58,279 --> 00:05:02,400
Speaker 3: busting off one. And then I was about to do

95
00:05:02,480 --> 00:05:05,279
Speaker 3: some stand up about cup but apparently that's like not

96
00:05:05,440 --> 00:05:06,640
Speaker 3: part of the show anymore.

97
00:05:06,920 --> 00:05:09,760
Speaker 5: If you had Sean doing his like beat boot scatting

98
00:05:09,760 --> 00:05:10,760
Speaker 5: over it, maybe that.

99
00:05:11,279 --> 00:05:14,120
Speaker 2: So exactly, if it if we had that a little

100
00:05:14,120 --> 00:05:20,240
Speaker 2: bit like the freaking Soprantos where the Tomy Soprantos driving

101
00:05:20,320 --> 00:05:22,080
Speaker 2: around and and it's going.

102
00:05:26,200 --> 00:05:32,839
Speaker 3: There's pizza la oh yeah yeah, yeah yeah, they're like, well,

103
00:05:32,880 --> 00:05:35,880
Speaker 3: another thing the Soprantos do that is not doing in

104
00:05:35,920 --> 00:05:38,920
Speaker 3: this song is they're talking about a gun which makes

105
00:05:38,920 --> 00:05:40,560
Speaker 3: me feel like, Okay, I'm about to.

106
00:05:40,560 --> 00:05:43,520
Speaker 4: Get into some fucking ship right here, but yours is

107
00:05:43,560 --> 00:05:44,200
Speaker 4: literally just.

108
00:05:44,120 --> 00:05:46,839
Speaker 3: Like beep boop boop boop. It's like, what are we

109
00:05:47,279 --> 00:05:50,039
Speaker 3: Let's drop some fucking lyrics over this damn thing where

110
00:05:50,040 --> 00:05:50,440
Speaker 3: we're like.

111
00:05:50,960 --> 00:05:54,280
Speaker 5: Hey, hey, whatt be a better time than right now?

112
00:05:54,800 --> 00:05:54,960
Speaker 1: Right?

113
00:05:55,680 --> 00:05:56,960
Speaker 5: Do you want it to be about a gun or

114
00:05:57,000 --> 00:05:59,239
Speaker 5: do you want it to be about to be about robots?

115
00:05:59,240 --> 00:06:02,359
Speaker 5: To make it sound more like a computer? What about

116
00:06:02,360 --> 00:06:04,240
Speaker 5: a robot? Computer gun?

117
00:06:04,880 --> 00:06:08,080
Speaker 2: Could be about a computer gun computer gun? Okay, do

118
00:06:08,120 --> 00:06:10,239
Speaker 2: you want Sean? Do you want to do lyrics over

119
00:06:10,880 --> 00:06:15,520
Speaker 2: the theme about a computer that is a gun?

120
00:06:16,240 --> 00:06:16,560
Speaker 1: Yeah?

121
00:06:17,120 --> 00:06:19,520
Speaker 5: Do you know what? The one computer that I can

122
00:06:19,520 --> 00:06:21,280
Speaker 5: think of that's a gun is Megatron? So do you

123
00:06:21,320 --> 00:06:22,400
Speaker 5: want to do it about Megatron?

124
00:06:23,120 --> 00:06:27,080
Speaker 3: Uh? Actually, my friend Hayes already set me up for

125
00:06:27,240 --> 00:06:31,200
Speaker 3: like a pretty sick lyrics session, so I don't necessarily

126
00:06:31,320 --> 00:06:35,320
Speaker 3: need you to like stick your freaking dipstick into this

127
00:06:35,400 --> 00:06:36,760
Speaker 3: thing and swirl.

128
00:06:36,400 --> 00:06:37,240
Speaker 1: It around for me.

129
00:06:37,680 --> 00:06:40,839
Speaker 3: I was trying to rush, So I'll just do my

130
00:06:40,920 --> 00:06:43,239
Speaker 3: computer gun and then if you want to do Megatron afterwards,

131
00:06:43,240 --> 00:06:48,279
Speaker 3: we'll see if you even are not embarrassed to try sure. Okay,

132
00:06:48,320 --> 00:06:50,479
Speaker 3: now I'm scared because he seems pretty confident about what

133
00:06:50,560 --> 00:07:01,080
Speaker 3: is gonna be here we go, look out, computer, gun coming.

134
00:07:01,440 --> 00:07:05,520
Speaker 3: Uh oh hang on, let me press the escape key

135
00:07:05,640 --> 00:07:09,360
Speaker 3: the trigger. This makes you escape from life because the

136
00:07:09,440 --> 00:07:10,880
Speaker 3: trigger shoots the gun.

137
00:07:11,400 --> 00:07:13,520
Speaker 1: I'm a computer. I'm having fun.

138
00:07:13,880 --> 00:07:20,400
Speaker 3: You're escaping from life. Fight dying, bush shoot shoot, shoot

139
00:07:20,520 --> 00:07:27,560
Speaker 3: to shoot. Shoot. Bullets are micro chips. Watch out. Good job.

140
00:07:28,160 --> 00:07:30,800
Speaker 2: That was really interesting. It also made me really think

141
00:07:30,800 --> 00:07:33,400
Speaker 2: about I, Like, you know, I see a computer. I

142
00:07:33,400 --> 00:07:35,600
Speaker 2: got to open it up and like see what's inside

143
00:07:35,640 --> 00:07:37,120
Speaker 2: and like mess around a little bit, see if I

144
00:07:37,200 --> 00:07:38,960
Speaker 2: can optimize it, you know.

145
00:07:39,720 --> 00:07:42,200
Speaker 5: And the way that Optimist Prime is also a Transformer.

146
00:07:43,800 --> 00:07:49,840
Speaker 2: Yeah, but you said before that Megatron was a gun,

147
00:07:49,920 --> 00:07:52,040
Speaker 2: not that he was a transformer.

148
00:07:52,600 --> 00:07:52,920
Speaker 5: I don't know.

149
00:07:52,960 --> 00:07:56,240
Speaker 3: I'm just like that had me fucked up too. I

150
00:07:56,280 --> 00:07:57,160
Speaker 3: was fucked up off that.

151
00:07:58,400 --> 00:08:01,920
Speaker 5: I'm just thinking about Synergy, like he could maybe if

152
00:08:01,920 --> 00:08:04,480
Speaker 5: you could sort of make this a crossover. You know

153
00:08:04,520 --> 00:08:08,680
Speaker 5: that the Transformers franchise, it's like it's like a billion dollars.

154
00:08:09,440 --> 00:08:12,640
Speaker 3: Well, Synergy is not part of the Transformers franchise. Synergy's

155
00:08:12,680 --> 00:08:14,000
Speaker 3: part of Gem in the Holograms.

156
00:08:15,920 --> 00:08:18,560
Speaker 5: Remember, look, I'm really just trying to make.

157
00:08:18,440 --> 00:08:21,840
Speaker 3: Synergy make it look like the cars on fire, touching

158
00:08:21,920 --> 00:08:22,320
Speaker 3: or earing.

159
00:08:22,920 --> 00:08:25,480
Speaker 5: Yeah, I remember that. I just the thing that I'm

160
00:08:25,520 --> 00:08:27,680
Speaker 5: hoping is just like I can make the thing that

161
00:08:27,720 --> 00:08:30,680
Speaker 5: I'm trying to offload onto you seem more valuable by

162
00:08:30,720 --> 00:08:33,439
Speaker 5: associating it with.

163
00:08:32,480 --> 00:08:36,440
Speaker 3: With the Transformers, which is incredibly valuable franchise.

164
00:08:36,520 --> 00:08:40,120
Speaker 5: Because right now, I'm you have to like wrap over

165
00:08:40,200 --> 00:08:42,000
Speaker 5: it in order to make it worth your while.

166
00:08:42,600 --> 00:08:43,160
Speaker 1: That's true.

167
00:08:43,880 --> 00:08:46,839
Speaker 2: But now we've invented something, right that is like potentially

168
00:08:46,880 --> 00:08:52,400
Speaker 2: a way to take this product and turn it into

169
00:08:52,440 --> 00:08:54,840
Speaker 2: something that peop would actually buy, which is a computer

170
00:08:54,960 --> 00:08:58,520
Speaker 2: that is a gun where you type in on the

171
00:08:58,720 --> 00:09:03,559
Speaker 2: numbers the numbnumber of shooting that you want to do M,

172
00:09:05,000 --> 00:09:07,920
Speaker 2: and then you hit escape.

173
00:09:08,320 --> 00:09:10,080
Speaker 5: So that the person that you're shooting at will escape

174
00:09:10,120 --> 00:09:11,960
Speaker 5: your life. Yeah.

175
00:09:12,600 --> 00:09:14,080
Speaker 3: I don't know if you caught this. So this is

176
00:09:14,120 --> 00:09:18,079
Speaker 3: sort of subtly woven into the lyrics. But the escape key,

177
00:09:18,320 --> 00:09:21,640
Speaker 3: which is a computer key, and I just I just

178
00:09:21,880 --> 00:09:25,079
Speaker 3: touched on it, just barely sort of hinted at this.

179
00:09:25,400 --> 00:09:28,760
Speaker 3: The escape key is actually the trigger for the computer

180
00:09:28,840 --> 00:09:32,360
Speaker 3: gun and he and why is that? Because they're escaping

181
00:09:32,440 --> 00:09:34,400
Speaker 3: from being of.

182
00:09:34,320 --> 00:09:42,120
Speaker 2: Life and other key you know, like delete key delete

183
00:09:42,160 --> 00:09:45,840
Speaker 2: your life. Return key makes you return.

184
00:09:45,600 --> 00:09:48,679
Speaker 3: To have a The space bar sends you to fucking

185
00:09:48,720 --> 00:09:54,040
Speaker 3: outer space with a big shooting. So think about that.

186
00:09:54,679 --> 00:09:57,040
Speaker 3: How about I shift your ass from alive to debt.

187
00:09:57,360 --> 00:10:00,480
Speaker 3: The option key gives you the option to to heaven

188
00:10:00,559 --> 00:10:00,839
Speaker 3: or hell.

189
00:10:01,800 --> 00:10:04,640
Speaker 4: Believe me, I'm gonna when I hit returned you returned

190
00:10:04,720 --> 00:10:05,360
Speaker 4: to the Earth.

191
00:10:05,960 --> 00:10:08,520
Speaker 5: What about like the M key? What does that do?

192
00:10:09,520 --> 00:10:10,680
Speaker 5: Murder you murders?

193
00:10:12,760 --> 00:10:13,240
Speaker 3: What about that?

194
00:10:13,320 --> 00:10:15,000
Speaker 5: Well, okay, let me try something a little harder. What

195
00:10:15,040 --> 00:10:18,960
Speaker 5: about the Q key quiets you through murder?

196
00:10:19,800 --> 00:10:25,240
Speaker 2: Yeah, it makes it thinks you're very quiet, Yeah, from

197
00:10:25,280 --> 00:10:26,000
Speaker 2: having murder.

198
00:10:27,400 --> 00:10:29,520
Speaker 5: I didn't expect this to get so violent so quickly.

199
00:10:30,240 --> 00:10:31,320
Speaker 3: Bust a caps lock?

200
00:10:32,960 --> 00:10:34,160
Speaker 5: Is that what the key's gonna say?

201
00:10:35,400 --> 00:10:35,880
Speaker 3: I don't know.

202
00:10:35,960 --> 00:10:36,679
Speaker 1: Do you like it?

203
00:10:37,320 --> 00:10:38,320
Speaker 5: I don't dislike it?

204
00:10:38,920 --> 00:10:39,640
Speaker 3: That's a start.

205
00:10:40,080 --> 00:10:42,880
Speaker 5: So is this gonna be the jingle for the like?

206
00:10:42,920 --> 00:10:45,120
Speaker 5: There's gonna be commercials for the computer gun, and this

207
00:10:45,160 --> 00:10:45,960
Speaker 5: will be the jingle.

208
00:10:46,240 --> 00:10:49,480
Speaker 2: We're done with the like, We're done with this. The

209
00:10:49,520 --> 00:10:52,960
Speaker 2: song the song is dead with it was shot with.

210
00:10:53,000 --> 00:10:56,240
Speaker 3: We're just disgusting the ideas of the gun itself. Yeah,

211
00:10:56,520 --> 00:10:59,560
Speaker 3: so like the tab key would make you just like

212
00:10:59,640 --> 00:11:02,840
Speaker 3: the drink tab which no longer exists, so you wouldn't

213
00:11:02,840 --> 00:11:04,760
Speaker 3: exist anymore either if I hit the tab key.

214
00:11:04,880 --> 00:11:06,800
Speaker 5: Wait a minute, if you like something that doesn't exist,

215
00:11:06,840 --> 00:11:08,120
Speaker 5: then you cease to exist as well.

216
00:11:08,600 --> 00:11:12,040
Speaker 2: Well, it's no how to explain this. It's something of

217
00:11:13,320 --> 00:11:23,040
Speaker 2: uh a metaphor concept where you become much like tab discontinued.

218
00:11:24,040 --> 00:11:24,719
Speaker 5: Corporeally.

219
00:11:25,040 --> 00:11:26,280
Speaker 1: Mm hmmm mmm.

220
00:11:26,880 --> 00:11:29,800
Speaker 5: What about the Tilda Tilda killed?

221
00:11:30,000 --> 00:11:34,640
Speaker 2: Tilda went in and uh freaking snow piercer.

222
00:11:34,800 --> 00:11:36,280
Speaker 1: She probably killed somebody of that.

223
00:11:36,600 --> 00:11:39,080
Speaker 5: Didn't she make people into like delicious edible bricks?

224
00:11:39,400 --> 00:11:43,960
Speaker 3: Yeah, she's yeah, she's mentioned well, actually, no, right, they're

225
00:11:43,960 --> 00:11:45,640
Speaker 3: making bugs into the brick.

226
00:11:45,800 --> 00:11:47,560
Speaker 5: I was only I was on my phone while I

227
00:11:47,559 --> 00:11:48,000
Speaker 5: was watching that.

228
00:11:48,800 --> 00:11:52,959
Speaker 2: Okay, not mine, and this guy is obsessed with being online.

229
00:11:53,559 --> 00:11:54,199
Speaker 5: It's true.

230
00:11:54,520 --> 00:11:54,800
Speaker 3: I know.

231
00:11:55,000 --> 00:11:56,640
Speaker 5: I don't know what I'm going to do now now

232
00:11:56,640 --> 00:11:57,840
Speaker 5: that the show's done.

233
00:11:58,040 --> 00:12:00,640
Speaker 3: This you can keep the show. We don't want the show.

234
00:12:01,000 --> 00:12:02,600
Speaker 3: You just will have nothing to do with the show.

235
00:12:02,640 --> 00:12:04,880
Speaker 3: We're trying to figure out how to use this song

236
00:12:06,040 --> 00:12:07,240
Speaker 3: and we're having trouble.

237
00:12:08,559 --> 00:12:10,360
Speaker 5: I thought the computer gun was a great idea.

238
00:12:11,240 --> 00:12:15,840
Speaker 3: Yeah, it what itz our idea, but someone keeps stopping

239
00:12:15,920 --> 00:12:17,800
Speaker 3: us from making it like really work.

240
00:12:18,440 --> 00:12:23,040
Speaker 2: Let's look at this. The show is about online internet.

241
00:12:23,320 --> 00:12:28,480
Speaker 2: Have you ever thought about having a real experience go

242
00:12:28,520 --> 00:12:32,160
Speaker 2: to the zoo? Maybe going to the zoo? You ever

243
00:12:32,160 --> 00:12:33,280
Speaker 2: been to the fucking zoo?

244
00:12:33,320 --> 00:12:35,760
Speaker 5: Brother, you've seen pictures online?

245
00:12:36,440 --> 00:12:42,000
Speaker 3: See and he goes to the Yahoo What's cool page.

246
00:12:41,960 --> 00:12:45,199
Speaker 2: And it's got pictures of animal It's got the online

247
00:12:45,240 --> 00:12:47,760
Speaker 2: San Diego Zoo where you can look at the cages

248
00:12:47,800 --> 00:12:50,640
Speaker 2: and even sometimes there are live cams of the animals.

249
00:12:51,280 --> 00:12:55,120
Speaker 3: That is not the same as smelling the animal.

250
00:12:56,120 --> 00:12:57,240
Speaker 5: What do the animals smell like?

251
00:12:58,400 --> 00:13:01,760
Speaker 1: Well, it's not good, alex off.

252
00:13:02,320 --> 00:13:04,960
Speaker 3: And it's important to experience that so that you know

253
00:13:05,080 --> 00:13:07,559
Speaker 3: if you're smelling like an animal at any point. But

254
00:13:07,760 --> 00:13:09,360
Speaker 3: you probably wouldn't even be able to tell at this

255
00:13:09,480 --> 00:13:12,800
Speaker 3: point because you're not actually around them. Right, You're on

256
00:13:12,880 --> 00:13:15,160
Speaker 3: the tweet star and you're following back to nature and

257
00:13:15,200 --> 00:13:19,280
Speaker 3: you're following humor and animals, and you're watching dogs get raided.

258
00:13:19,640 --> 00:13:23,199
Speaker 3: But that's not the same as actually going get putting

259
00:13:23,320 --> 00:13:26,120
Speaker 3: your finger inside the monkey cage and getting yelled at.

260
00:13:27,240 --> 00:13:31,440
Speaker 5: But I use soap. You know that soap is actually

261
00:13:31,440 --> 00:13:33,840
Speaker 5: made you got you guys had no come back to

262
00:13:33,840 --> 00:13:34,200
Speaker 5: that one.

263
00:13:34,520 --> 00:13:37,400
Speaker 3: I was, well, actually when we edit it, I was

264
00:13:38,400 --> 00:13:40,480
Speaker 3: immediately and you might not even say that.

265
00:13:41,040 --> 00:13:42,200
Speaker 4: So think about that.

266
00:13:42,760 --> 00:13:47,000
Speaker 2: I was just doing one. He was doing it. The

267
00:13:47,080 --> 00:13:51,160
Speaker 2: soap is actually made from an animal. What animal you

268
00:13:51,160 --> 00:13:57,720
Speaker 2: ever see fight club? You are not your fucking genes? Remember, Yeah,

269
00:13:57,920 --> 00:14:01,120
Speaker 2: they're making it from from lard, dude.

270
00:14:01,800 --> 00:14:05,680
Speaker 5: So the animal that my soap, specifically my soap is

271
00:14:05,720 --> 00:14:06,800
Speaker 5: made from from.

272
00:14:06,640 --> 00:14:07,800
Speaker 1: A human animal.

273
00:14:07,960 --> 00:14:11,840
Speaker 3: You're washing yourself with freaking human animal because I feel

274
00:14:11,840 --> 00:14:15,160
Speaker 3: like I used dove. Wow, So there you go.

275
00:14:15,280 --> 00:14:15,800
Speaker 1: There it is.

276
00:14:16,440 --> 00:14:18,760
Speaker 3: Yeah, some dove bones in there too.

277
00:14:20,720 --> 00:14:21,920
Speaker 5: Well, you got me?

278
00:14:22,440 --> 00:14:27,040
Speaker 2: What do you do on this on this podcast? On

279
00:14:28,120 --> 00:14:31,080
Speaker 2: the show, you have you do different parts?

280
00:14:31,200 --> 00:14:34,400
Speaker 5: Right, Yeah, you mean like different segments or do you

281
00:14:34,440 --> 00:14:36,440
Speaker 5: mean like the beginning in the end, at the beginning,

282
00:14:36,480 --> 00:14:37,240
Speaker 5: I say hello.

283
00:14:37,040 --> 00:14:43,200
Speaker 2: And sorry segments is parts? Sorry to act like these

284
00:14:43,200 --> 00:14:44,720
Speaker 2: are not parts?

285
00:14:45,280 --> 00:14:49,240
Speaker 3: I mean, I know that rather disingenuous, Alex, You're right,

286
00:14:49,400 --> 00:14:51,239
Speaker 3: I feel.

287
00:14:50,960 --> 00:14:52,480
Speaker 5: Like this is not going as well as I hoped

288
00:14:52,480 --> 00:14:52,840
Speaker 5: it would.

289
00:14:53,040 --> 00:14:57,480
Speaker 2: Well, we are invented something that's true, and we're now

290
00:14:57,520 --> 00:14:58,440
Speaker 2: talking about the parts.

291
00:14:58,520 --> 00:14:59,160
Speaker 1: What are these?

292
00:15:00,080 --> 00:15:02,200
Speaker 5: Well, well, we do a lot of sort of investigative stories.

293
00:15:02,200 --> 00:15:03,960
Speaker 5: But then we also have a segment on our show

294
00:15:04,000 --> 00:15:07,320
Speaker 5: called Yes, Yes, No, where we have our boss Alex Bloomberg,

295
00:15:07,360 --> 00:15:11,120
Speaker 5: that destitute hobo you spoke of earlier, Yeah, who. He

296
00:15:11,200 --> 00:15:12,840
Speaker 5: will come on and say, like, I don't understand this

297
00:15:12,840 --> 00:15:15,120
Speaker 5: thing on the internet. Then we'll explain it to him.

298
00:15:15,360 --> 00:15:19,560
Speaker 2: You know, yes, yes, no, like the Boots hobbies, except

299
00:15:19,600 --> 00:15:22,720
Speaker 2: what they would say is you would say, like, do

300
00:15:22,760 --> 00:15:27,520
Speaker 2: you want to smooch this gal? And they would say no,

301
00:15:28,080 --> 00:15:31,600
Speaker 2: and then together they would say Sean, they would go yes.

302
00:15:33,200 --> 00:15:35,480
Speaker 2: But so this is like that, but you you did

303
00:15:35,480 --> 00:15:40,280
Speaker 2: it the backwards yeah, mm hmm, so I knew you

304
00:15:40,280 --> 00:15:41,160
Speaker 2: wouldnt get in trouble.

305
00:15:41,720 --> 00:15:45,040
Speaker 3: It's also a backwards and not getting in trouble of

306
00:15:45,600 --> 00:15:50,360
Speaker 3: the way that famous sportsman Bill Simmons will describe certain

307
00:15:51,080 --> 00:15:56,880
Speaker 3: basketball shooters where he'll go, yeah, this is the ultimate no, no, no, yes, guy.

308
00:15:57,440 --> 00:15:59,480
Speaker 5: I don't know anything about Bill Simmons, although we do

309
00:15:59,520 --> 00:16:00,480
Speaker 5: work for the same company.

310
00:16:01,520 --> 00:16:04,800
Speaker 1: Yeah, and that's yeah, that's right. Huh m hm.

311
00:16:06,160 --> 00:16:06,400
Speaker 3: Yep.

312
00:16:07,280 --> 00:16:10,800
Speaker 2: Please don't say that we've made fun of him, that

313
00:16:10,880 --> 00:16:13,600
Speaker 2: we tease him. Yes, that we were, and if we do,

314
00:16:13,720 --> 00:16:14,920
Speaker 2: we were just teasing.

315
00:16:14,880 --> 00:16:18,720
Speaker 5: Okay, okay. There's a segment on our show which is called.

316
00:16:18,560 --> 00:16:21,400
Speaker 3: No, let's go back to this other one. Okay, how

317
00:16:21,440 --> 00:16:21,800
Speaker 3: does this?

318
00:16:22,320 --> 00:16:24,640
Speaker 1: What is it? What are you doing?

319
00:16:25,000 --> 00:16:27,840
Speaker 5: Usually our boss will find some tweet tweet on the

320
00:16:27,840 --> 00:16:31,720
Speaker 5: internet that he doesn't understand, and then he'll he'll say, hey, guys,

321
00:16:31,720 --> 00:16:34,040
Speaker 5: can you explain this to me? And hopefully it's something

322
00:16:34,040 --> 00:16:36,240
Speaker 5: that has some layers that we can then like, what

323
00:16:37,440 --> 00:16:38,920
Speaker 5: like what are some of the tweets?

324
00:16:39,200 --> 00:16:41,760
Speaker 1: Yeah, like what like Kevin, pull up one of your tweets.

325
00:16:42,560 --> 00:16:45,280
Speaker 3: Okay, buckle up, Alex, let's get one of Kevin's.

326
00:16:45,320 --> 00:16:46,520
Speaker 5: I'll happily explain this to you.

327
00:16:46,920 --> 00:16:51,080
Speaker 3: Okay, Okay, I haven't. I haven't understood a single one

328
00:16:51,120 --> 00:16:52,040
Speaker 3: on Kevin's sweets.

329
00:16:53,360 --> 00:16:56,440
Speaker 6: This one's a video of the New Spider Man video game.

330
00:16:57,840 --> 00:17:00,880
Speaker 5: So in this tweet he wants to he seems excited

331
00:17:00,880 --> 00:17:04,640
Speaker 5: about the New Spider Man video game featuring Miles Morales. Damn,

332
00:17:05,680 --> 00:17:06,160
Speaker 5: was I right?

333
00:17:06,800 --> 00:17:07,680
Speaker 6: I mean a little bit?

334
00:17:08,160 --> 00:17:10,960
Speaker 1: Did you did you do? Uh? Did you say anything?

335
00:17:11,440 --> 00:17:17,960
Speaker 6: Let's see did I say anything? Enhance there's two spider emojis, so.

336
00:17:19,280 --> 00:17:22,120
Speaker 5: You want to have a closer look at it though.

337
00:17:22,359 --> 00:17:23,919
Speaker 5: You want to have a closer look at it. And

338
00:17:24,040 --> 00:17:27,119
Speaker 5: also there are two spider emojis.

339
00:17:27,560 --> 00:17:32,000
Speaker 2: But why would he do two spider emojis when it

340
00:17:32,080 --> 00:17:33,560
Speaker 2: already says Spider Man?

341
00:17:33,760 --> 00:17:34,439
Speaker 3: Like what is that?

342
00:17:34,560 --> 00:17:35,560
Speaker 1: What is he saying?

343
00:17:36,119 --> 00:17:36,239
Speaker 3: Like?

344
00:17:36,280 --> 00:17:37,280
Speaker 1: What is that adding to?

345
00:17:37,800 --> 00:17:39,360
Speaker 4: And why is he tweeting it at all?

346
00:17:39,640 --> 00:17:42,919
Speaker 3: Like even like why like what is making that worth

347
00:17:43,000 --> 00:17:44,240
Speaker 3: posting online?

348
00:17:44,520 --> 00:17:47,240
Speaker 5: Honestly, the only reason I can imagine posting that is

349
00:17:47,280 --> 00:17:48,640
Speaker 5: if it were sponsored content.

350
00:17:49,480 --> 00:17:52,280
Speaker 3: Kevin, you got you got any fucking chedder off this thing.

351
00:17:52,640 --> 00:17:55,000
Speaker 3: I actually had a pay to do it a lot.

352
00:17:56,200 --> 00:17:57,159
Speaker 1: But it's two.

353
00:17:56,920 --> 00:17:59,280
Speaker 6: Spiders because it's the second Spider Man game.

354
00:18:00,359 --> 00:18:02,280
Speaker 5: I thought it was two Spiders because you liked the

355
00:18:02,320 --> 00:18:05,040
Speaker 5: spider aspect of the man Spider Man more than you

356
00:18:05,160 --> 00:18:09,560
Speaker 5: liked the man aspect of him. Would you rather he

357
00:18:09,680 --> 00:18:10,520
Speaker 5: was Spider Spider?

358
00:18:11,040 --> 00:18:12,280
Speaker 1: Yeah?

359
00:18:12,320 --> 00:18:14,840
Speaker 6: Man, we should collab on some tweets, Alex.

360
00:18:14,920 --> 00:18:15,399
Speaker 1: You got it?

361
00:18:15,720 --> 00:18:18,119
Speaker 5: Uh well, let me let me let me send you

362
00:18:18,400 --> 00:18:21,680
Speaker 5: tell you what my latest tweet was, because I think

363
00:18:21,680 --> 00:18:23,000
Speaker 5: it was actually a pretty good one.

364
00:18:23,480 --> 00:18:26,600
Speaker 3: Okay, somebody can explain this to me whatever this ends

365
00:18:26,640 --> 00:18:27,000
Speaker 3: up being.

366
00:18:28,600 --> 00:18:35,679
Speaker 5: It says cool idea for a team up, blippy eilish.

367
00:18:33,440 --> 00:18:33,879
Speaker 1: Who's that?

368
00:18:35,359 --> 00:18:35,879
Speaker 3: Well?

369
00:18:36,040 --> 00:18:37,600
Speaker 5: Okay, Well, we can yes, yes, no on this? Are

370
00:18:37,600 --> 00:18:38,000
Speaker 5: you ready?

371
00:18:38,880 --> 00:18:40,760
Speaker 1: Yes? No?

372
00:18:41,960 --> 00:18:44,960
Speaker 5: Yes, good one.

373
00:18:45,040 --> 00:18:52,280
Speaker 3: Kevin Nicev Yeah, Hey, I'm having a pretty good time today.

374
00:18:53,160 --> 00:18:55,679
Speaker 5: You started out rocking hard and it's only gone uphill

375
00:18:55,680 --> 00:18:56,119
Speaker 5: from there.

376
00:18:57,040 --> 00:18:57,159
Speaker 2: Uh.

377
00:18:57,240 --> 00:18:58,760
Speaker 5: Well, you know who Billie Eilish is.

378
00:18:58,760 --> 00:19:00,520
Speaker 4: Right, Hey, I like doing this show.

379
00:19:01,880 --> 00:19:03,840
Speaker 5: Did you just figure that out?

380
00:19:04,440 --> 00:19:08,520
Speaker 3: Yeah? Congratulations Billy Eilish. I know who Billy Elliott is.

381
00:19:09,320 --> 00:19:11,720
Speaker 3: I know who is it like? Is it like that.

382
00:19:13,160 --> 00:19:15,399
Speaker 1: Elliott? I know who Missy Pile is.

383
00:19:16,040 --> 00:19:19,000
Speaker 5: Okay, so imagine Missy Pile.

384
00:19:20,000 --> 00:19:21,199
Speaker 1: I know who the wrong Missy is.

385
00:19:21,720 --> 00:19:22,840
Speaker 5: Oh that's even better.

386
00:19:23,520 --> 00:19:26,480
Speaker 3: I know Gomer Pile. I think Billie.

387
00:19:26,240 --> 00:19:30,360
Speaker 5: Eilish is sort of a Missy Pile. Wrong Missy Gomer

388
00:19:30,359 --> 00:19:33,280
Speaker 5: Pile kind of kind of hybrid. So if you imagine

389
00:19:33,320 --> 00:19:36,360
Speaker 5: all three of those together, you sort of And then

390
00:19:36,359 --> 00:19:38,800
Speaker 5: Blippy is a children's performer who famously I.

391
00:19:38,760 --> 00:19:40,640
Speaker 4: Can't stand Blippy man.

392
00:19:41,640 --> 00:19:42,880
Speaker 3: Can I tell you what I love?

393
00:19:43,119 --> 00:19:45,760
Speaker 2: I love when someone is telling me something that I

394
00:19:45,800 --> 00:19:47,679
Speaker 2: don't know and they say that it's famous.

395
00:19:48,720 --> 00:19:50,600
Speaker 1: It really makes me feel great.

396
00:19:51,520 --> 00:19:55,800
Speaker 2: Well, okay, something I've never heard of and they say, oh, yeah,

397
00:19:55,800 --> 00:19:57,320
Speaker 2: it's this really famous thing.

398
00:19:57,480 --> 00:20:00,919
Speaker 1: It's like, oh, thanks, that's for explaining that to you.

399
00:20:01,200 --> 00:20:05,160
Speaker 5: Guys are in Hollywood. I just assumed you knew Blippy.

400
00:20:06,560 --> 00:20:08,479
Speaker 3: Well, let me tell you what happens when you assume

401
00:20:09,000 --> 00:20:09,960
Speaker 3: I kick your ass.

402
00:20:12,000 --> 00:20:12,520
Speaker 1: Who's that?

403
00:20:13,560 --> 00:20:18,840
Speaker 5: Blippy is a children's performer who I know mostly because

404
00:20:18,920 --> 00:20:21,880
Speaker 5: apparently he made a video prior to his children's performing

405
00:20:21,960 --> 00:20:23,720
Speaker 5: years of himself pooping on a friend of his.

406
00:20:25,040 --> 00:20:27,400
Speaker 1: Okay, okay, now I'm back in on Blippy.

407
00:20:27,840 --> 00:20:31,399
Speaker 5: Yeah, he wears like nowadays, he wears like glasses and

408
00:20:31,440 --> 00:20:32,920
Speaker 5: like and a silly hat.

409
00:20:32,720 --> 00:20:36,640
Speaker 3: And huge like orange glasses. So let's say, just as

410
00:20:36,720 --> 00:20:44,399
Speaker 3: a for instance, that you really like tractors or helicopters,

411
00:20:44,440 --> 00:20:46,440
Speaker 3: and you go, I'd like to watch a video about

412
00:20:46,480 --> 00:20:49,000
Speaker 3: tractor or a helicopter, and then you type it in

413
00:20:49,200 --> 00:20:51,440
Speaker 3: and then YouTube goes, oh, you must want to hear

414
00:20:51,520 --> 00:20:54,800
Speaker 3: Blippy talk for a half an hour, And it's like, actually,

415
00:20:54,960 --> 00:20:57,440
Speaker 3: know what I want to see is the helicopter take

416
00:20:57,480 --> 00:21:00,639
Speaker 3: off and landing? Can I have that compilation please? Or

417
00:21:00,680 --> 00:21:03,159
Speaker 3: can the tractor please be in the snow or something

418
00:21:03,320 --> 00:21:06,600
Speaker 3: or pushing dirt? Because I do not want to hear

419
00:21:06,640 --> 00:21:10,720
Speaker 3: this man go like, hey, cool, here's hey, did you

420
00:21:10,760 --> 00:21:15,040
Speaker 3: know that that I'm next to the helicopter, and I'm like, brother,

421
00:21:15,960 --> 00:21:20,320
Speaker 3: of course I didn't know that. Anyway, if the dude's

422
00:21:20,359 --> 00:21:22,400
Speaker 3: taking a dump on a guy, I guess, like, I'll

423
00:21:22,400 --> 00:21:24,119
Speaker 3: cut him a break. I'll cut him a little bit

424
00:21:24,119 --> 00:21:24,560
Speaker 3: of slack.

425
00:21:24,880 --> 00:21:28,399
Speaker 5: Yeah, he apparently apparently it's like I've never seen the video,

426
00:21:28,520 --> 00:21:30,359
Speaker 5: but apparently it's like a projectile poop.

427
00:21:31,640 --> 00:21:34,879
Speaker 3: Okay, okay, And we don't get that graphic on this show.

428
00:21:35,160 --> 00:21:36,520
Speaker 3: If we we can mention.

429
00:21:36,760 --> 00:21:40,120
Speaker 1: Who's actually never even close to happened like that before.

430
00:21:40,280 --> 00:21:44,480
Speaker 5: You wanted to just riff about come about.

431
00:21:44,200 --> 00:21:46,800
Speaker 3: Like I was going to stand up about com and

432
00:21:46,840 --> 00:21:49,240
Speaker 3: how you can tell whether a chick is faking it,

433
00:21:51,560 --> 00:21:54,800
Speaker 3: But you know, the show has moved on. You're the

434
00:21:54,800 --> 00:21:56,080
Speaker 3: one who's doubling back for that.

435
00:21:56,119 --> 00:21:56,800
Speaker 1: You apparently are.

436
00:21:57,080 --> 00:22:01,840
Speaker 2: Com is actually the most important, and it's actually the

437
00:22:01,840 --> 00:22:06,360
Speaker 2: the most important part of having a life.

438
00:22:07,280 --> 00:22:09,120
Speaker 5: I would say, I would say the egg is actually

439
00:22:09,680 --> 00:22:10,760
Speaker 5: I mean, that's just my opinion.

440
00:22:11,600 --> 00:22:14,480
Speaker 4: Without come you wouldn't have your precious computers.

441
00:22:16,119 --> 00:22:17,240
Speaker 5: That's pretty hard to argue with.

442
00:22:18,600 --> 00:22:22,720
Speaker 2: So we did that one. I never figured out who

443
00:22:22,720 --> 00:22:27,520
Speaker 2: the person was or what happened. So yeah, I guess

444
00:22:27,520 --> 00:22:28,840
Speaker 2: why would they be connected?

445
00:22:29,200 --> 00:22:32,120
Speaker 5: Yeah, I don't know he's very bright, and she's very

446
00:22:32,240 --> 00:22:36,399
Speaker 5: sort of dark and broading, brooding, brooding as as you

447
00:22:36,400 --> 00:22:39,760
Speaker 5: would imagine a sort of a Missy Pile the wrong

448
00:22:39,840 --> 00:22:41,879
Speaker 5: Missy Gomer Pile combination to be.

449
00:22:42,560 --> 00:22:43,359
Speaker 3: Yeah, that's dark.

450
00:22:43,800 --> 00:22:46,760
Speaker 5: So I just thought like getting them together would be

451
00:22:46,800 --> 00:22:50,080
Speaker 5: a sort of like funny contrast in in sort of

452
00:22:50,160 --> 00:22:51,480
Speaker 5: styles and personalities.

453
00:22:52,160 --> 00:22:54,160
Speaker 3: Okay, so let me see if I can like put

454
00:22:54,240 --> 00:22:57,040
Speaker 3: this into terms that I relate to, like try to

455
00:22:57,080 --> 00:23:01,480
Speaker 3: imagine what you're fine mean funny about it? So I

456
00:23:02,000 --> 00:23:04,919
Speaker 3: and just give me a second. So like when I

457
00:23:04,960 --> 00:23:10,399
Speaker 3: think the ultimate like apex of darkness, like true darkness,

458
00:23:10,720 --> 00:23:12,760
Speaker 3: for me, that's probably Merlin Manson.

459
00:23:14,760 --> 00:23:15,959
Speaker 5: Do you say Merlin Manson?

460
00:23:16,400 --> 00:23:17,400
Speaker 1: Mertlin Manson?

461
00:23:17,480 --> 00:23:20,960
Speaker 3: The most fucked up, darkest, most craziest shit you could

462
00:23:21,000 --> 00:23:24,719
Speaker 3: imagine and not and none of this corporate bullshit, but

463
00:23:24,760 --> 00:23:27,080
Speaker 3: in fact just a really authentic persona.

464
00:23:27,160 --> 00:23:28,720
Speaker 5: Yeah, he's real underground.

465
00:23:29,600 --> 00:23:31,840
Speaker 2: Yeah, yeah you're gonna be. You see him, You're but

466
00:23:31,920 --> 00:23:35,440
Speaker 2: you're gonna be. Yeah, he'll put you underground your computer gun.

467
00:23:37,080 --> 00:23:41,760
Speaker 2: And I guess when I think of like really like

468
00:23:42,280 --> 00:23:45,639
Speaker 2: fun like funny, like light bright, like sort of like

469
00:23:45,720 --> 00:23:49,680
Speaker 2: my version of Blippy or whatever, would probably be.

470
00:23:52,480 --> 00:24:03,199
Speaker 3: Like one of the snorks. But how did you? Yeah, well,

471
00:24:03,440 --> 00:24:04,600
Speaker 3: process of elimination.

472
00:24:04,880 --> 00:24:06,960
Speaker 1: Right, let's do it.

473
00:24:07,200 --> 00:24:11,000
Speaker 3: We're not gonna do the old snork with the big

474
00:24:11,040 --> 00:24:14,040
Speaker 3: white mustache because I, frankly, I just don't trust him

475
00:24:14,080 --> 00:24:15,680
Speaker 3: to be around long enough.

476
00:24:16,480 --> 00:24:18,320
Speaker 5: Is it gonna be a girl snork or a boy snork?

477
00:24:19,080 --> 00:24:20,960
Speaker 3: Oh? If it's a girl snork, I think the only

478
00:24:20,960 --> 00:24:23,399
Speaker 3: one I can name is probably Daphne, and even that

479
00:24:23,680 --> 00:24:27,160
Speaker 3: is a guess. If it's a boy snork, we got

480
00:24:27,400 --> 00:24:30,000
Speaker 3: all Star and I want to say the other guy's

481
00:24:30,040 --> 00:24:31,840
Speaker 3: like Reggie or something like.

482
00:24:31,760 --> 00:24:37,840
Speaker 5: That, Demetrius demy Finster, m so.

483
00:24:38,000 --> 00:24:40,720
Speaker 3: Close enough, but I probably would just who you know

484
00:24:40,760 --> 00:24:42,359
Speaker 3: who's just having fun on that show?

485
00:24:42,480 --> 00:24:44,240
Speaker 1: Aki? H?

486
00:24:44,359 --> 00:24:44,560
Speaker 5: Yeah?

487
00:24:44,760 --> 00:24:48,840
Speaker 3: But is a He's literally just partying, dude.

488
00:24:49,000 --> 00:24:51,320
Speaker 5: He's not a snork though, he's an octopus.

489
00:24:51,760 --> 00:24:56,080
Speaker 2: Yeah, yeah, so maybe just like snork Marilyn Manson is

490
00:24:56,160 --> 00:24:57,880
Speaker 2: kind of I.

491
00:24:57,840 --> 00:25:00,359
Speaker 3: Mean, yeah, I guess you don't have to pick. Really,

492
00:25:00,480 --> 00:25:04,080
Speaker 3: is you just go like, hey, snork Marilyn Manson. Now

493
00:25:04,240 --> 00:25:07,080
Speaker 3: that's a tweet. Hey, look I'm Elek's gold Man.

494
00:25:07,600 --> 00:25:09,560
Speaker 5: I'll tweet that. You want me to do that? Right now?

495
00:25:12,640 --> 00:25:14,840
Speaker 1: We don't do it don't.

496
00:25:14,880 --> 00:25:16,400
Speaker 5: No, don't why.

497
00:25:16,440 --> 00:25:18,560
Speaker 3: I don't want to be responsible for the fallout.

498
00:25:18,240 --> 00:25:29,040
Speaker 5: Off, don't put it snork Marylyn Manson, Oh it, guys,

499
00:25:29,040 --> 00:25:31,960
Speaker 5: my ship. Look you you're I'm being sold for scrap.

500
00:25:32,000 --> 00:25:34,600
Speaker 5: I don't give a ship. I don't do whatever. I

501
00:25:34,880 --> 00:25:36,440
Speaker 5: like this, dude, I don't give a fret.

502
00:25:36,800 --> 00:25:39,760
Speaker 3: I'm having a good time today. What's one of the

503
00:25:40,000 --> 00:25:41,400
Speaker 3: what's one of the other parts?

504
00:25:42,640 --> 00:25:45,240
Speaker 5: Uh? There is a segment we do called super tech support,

505
00:25:45,240 --> 00:25:48,800
Speaker 5: where people come to us with like problems that feel

506
00:25:48,880 --> 00:25:53,800
Speaker 5: bigger than they can solve that not just like your

507
00:25:53,840 --> 00:25:57,479
Speaker 5: basic tech support problems, but you know things where they

508
00:25:57,520 --> 00:25:59,920
Speaker 5: have to like deal with a sort of faceless jugg

509
00:26:00,080 --> 00:26:01,399
Speaker 5: to faceless company.

510
00:26:01,119 --> 00:26:02,919
Speaker 1: Or we can't relate.

511
00:26:03,440 --> 00:26:03,879
Speaker 5: You can't.

512
00:26:04,680 --> 00:26:06,320
Speaker 6: No, we've never had that issue.

513
00:26:06,840 --> 00:26:11,159
Speaker 3: Faceless company? What company got a face?

514
00:26:12,720 --> 00:26:14,120
Speaker 5: I guess I meant that metaphorically.

515
00:26:15,119 --> 00:26:19,840
Speaker 3: All right, walk me to it. Yeah, what happened? Not promising,

516
00:26:19,880 --> 00:26:21,760
Speaker 3: I'm gonna drink, but go ahead and walk me right

517
00:26:21,840 --> 00:26:22,679
Speaker 3: up to the waterfront.

518
00:26:24,160 --> 00:26:29,240
Speaker 5: So, for example, in one episode, a woman got her

519
00:26:29,400 --> 00:26:32,919
Speaker 5: snapchat account hacked and the person who when she got

520
00:26:32,960 --> 00:26:33,520
Speaker 5: it back there.

521
00:26:33,520 --> 00:26:37,320
Speaker 3: Those filters are crazy on that thing. You can make

522
00:26:37,359 --> 00:26:41,400
Speaker 3: yourself look like some kind of demon. You could basically

523
00:26:41,520 --> 00:26:44,480
Speaker 3: do a Marilyn Manson filter on your face on Snapchat.

524
00:26:45,359 --> 00:26:47,840
Speaker 3: That is nuts. Is this what happened to this woman?

525
00:26:48,240 --> 00:26:49,840
Speaker 3: She got stuck in the filter.

526
00:26:50,400 --> 00:26:53,960
Speaker 5: She got and once she lea, once she left her iPhone,

527
00:26:54,000 --> 00:27:00,000
Speaker 5: she still looked like that when she walked around. Oh,

528
00:27:01,400 --> 00:27:02,960
Speaker 5: it's like if you make a face and someone hits

529
00:27:02,960 --> 00:27:04,639
Speaker 5: you on the back and it sticks that way. It

530
00:27:04,680 --> 00:27:06,200
Speaker 5: was like that.

531
00:27:06,200 --> 00:27:08,240
Speaker 3: That actually happened to a friend of mine. Yeah, his

532
00:27:08,359 --> 00:27:10,159
Speaker 3: soccer coach pat him on the back for doing a

533
00:27:10,160 --> 00:27:13,280
Speaker 3: good job, but he was making quite the strange celebration face,

534
00:27:14,280 --> 00:27:16,720
Speaker 3: and it permanently looked like dude was nutting.

535
00:27:18,200 --> 00:27:19,800
Speaker 1: If you allow me to do five.

536
00:27:19,720 --> 00:27:25,800
Speaker 3: Or six stand up minutes now about the act of

537
00:27:25,880 --> 00:27:30,199
Speaker 3: doing a big bust, Actually, never mind, I'll save it

538
00:27:30,200 --> 00:27:30,840
Speaker 3: for my special.

539
00:27:31,520 --> 00:27:34,320
Speaker 1: The LG logo is that now he's a face and

540
00:27:34,359 --> 00:27:34,680
Speaker 1: it is.

541
00:27:34,840 --> 00:27:37,359
Speaker 5: Oh, that's true, it is a face. Do you you

542
00:27:37,400 --> 00:27:44,240
Speaker 5: guys know about that arrow that's hidden in the FedEx logo? Yeah, okay, thanks.

543
00:27:44,800 --> 00:27:45,320
Speaker 1: We all do.

544
00:27:46,440 --> 00:27:49,920
Speaker 4: Yeah, but tell me tell Hayes about it just so.

545
00:27:50,600 --> 00:27:53,040
Speaker 2: But I also know I actually knew before any of the.

546
00:27:55,040 --> 00:27:55,960
Speaker 1: Taught me about it.

547
00:27:56,480 --> 00:27:58,359
Speaker 5: Between the E and the X and fed x the

548
00:27:58,359 --> 00:28:02,080
Speaker 5: negative space makes an arrow. It's very cool design.

549
00:28:01,760 --> 00:28:02,639
Speaker 3: And it's gonna shoot you.

550
00:28:02,760 --> 00:28:03,439
Speaker 1: It's shooting me.

551
00:28:04,440 --> 00:28:06,720
Speaker 5: It's like a microchip, sort of like a microchip.

552
00:28:06,359 --> 00:28:08,480
Speaker 1: Barrow, and it's basically braveheart.

553
00:28:10,160 --> 00:28:14,200
Speaker 6: M hmmm, Alex, did you know about the one in ups? No,

554
00:28:15,160 --> 00:28:15,800
Speaker 6: it's the U.

555
00:28:19,960 --> 00:28:21,240
Speaker 1: It's kind of like an arrow.

556
00:28:21,920 --> 00:28:23,640
Speaker 3: Did you know about the A and safe way?

557
00:28:24,320 --> 00:28:24,919
Speaker 1: What about it?

558
00:28:25,320 --> 00:28:27,440
Speaker 3: There's two of them?

559
00:28:27,520 --> 00:28:30,399
Speaker 5: Well, you said the A, but then you said there

560
00:28:30,440 --> 00:28:30,919
Speaker 5: were two.

561
00:28:31,000 --> 00:28:33,000
Speaker 3: Yeah, it had a baby.

562
00:28:34,280 --> 00:28:37,639
Speaker 2: And even that kind of looks like an ancient arrowhead.

563
00:28:39,240 --> 00:28:41,840
Speaker 1: Oh, you know, it's sharp.

564
00:28:42,760 --> 00:28:51,400
Speaker 3: It's sharp, reminding me of a knife that way. So

565
00:28:51,840 --> 00:28:54,920
Speaker 3: we have to talk a little bit about Obviously, we

566
00:28:54,960 --> 00:28:56,960
Speaker 3: went through your catalog a little bit and.

567
00:28:58,320 --> 00:29:00,000
Speaker 1: For the most part, we're not touching it.

568
00:29:00,280 --> 00:29:03,640
Speaker 3: Uh, it's just gonna go on the scrap he Uh.

569
00:29:03,840 --> 00:29:07,000
Speaker 3: There's one episode that seems to have gotten subtraction, and

570
00:29:07,160 --> 00:29:11,680
Speaker 3: we were interested in this idea. Obviously, we don't want

571
00:29:11,680 --> 00:29:14,320
Speaker 3: to use your version of it, but apparently you guys

572
00:29:14,360 --> 00:29:21,080
Speaker 3: did something that went viral where it's this guy is

573
00:29:21,360 --> 00:29:26,640
Speaker 3: pretending that he heard a song once and he's thinking

574
00:29:26,680 --> 00:29:31,440
Speaker 3: about it, and you did this whole episode that people like,

575
00:29:31,640 --> 00:29:35,880
Speaker 3: and so Hayes and I wanted to it's called like

576
00:29:35,960 --> 00:29:39,560
Speaker 3: the case of the missing Song, we want to also

577
00:29:39,880 --> 00:29:42,960
Speaker 3: act like there's some fucked up song that we remember

578
00:29:43,040 --> 00:29:45,880
Speaker 3: and then you have to make it for us.

579
00:29:46,360 --> 00:29:48,600
Speaker 5: Okay, sure, so not.

580
00:29:48,720 --> 00:29:52,000
Speaker 3: As we still want to be fake, but not as fake,

581
00:29:53,160 --> 00:29:54,880
Speaker 3: not as fake as the one on the show. Because

582
00:29:54,880 --> 00:29:57,240
Speaker 3: when I listen to that, my eyes just about rolled

583
00:29:57,240 --> 00:29:59,280
Speaker 3: in the back of my head and got stuck that way,

584
00:29:59,320 --> 00:30:01,760
Speaker 3: like my buddy soccer coach hit him on the back.

585
00:30:02,880 --> 00:30:04,960
Speaker 5: Uh so that that episode was actually done by my

586
00:30:05,000 --> 00:30:07,239
Speaker 5: co host who big time. You guys that wouldn't come

587
00:30:07,240 --> 00:30:07,680
Speaker 5: on the show?

588
00:30:08,040 --> 00:30:10,400
Speaker 1: Yeah, what happened? What he doesn't want to do the show?

589
00:30:10,800 --> 00:30:11,080
Speaker 5: Yeah?

590
00:30:11,160 --> 00:30:12,600
Speaker 1: Yeah, why don't we have the main guy?

591
00:30:13,520 --> 00:30:13,720
Speaker 3: You know?

592
00:30:14,120 --> 00:30:17,360
Speaker 5: There are some people who like are actually they live there,

593
00:30:17,360 --> 00:30:19,320
Speaker 5: like busy on the weekend they have to go did

594
00:30:19,360 --> 00:30:21,120
Speaker 5: you hang out with their friends on the beach or

595
00:30:21,640 --> 00:30:23,680
Speaker 5: I don't know. I'm just guessing because I don't really

596
00:30:23,680 --> 00:30:26,120
Speaker 5: go out and do stuff, as we've already established.

597
00:30:26,160 --> 00:30:27,640
Speaker 1: So he's at the beach.

598
00:30:28,040 --> 00:30:29,400
Speaker 5: I assume he's at the beach.

599
00:30:30,440 --> 00:30:32,800
Speaker 3: Holy shit, tell her, I got to get some more

600
00:30:32,920 --> 00:30:33,960
Speaker 3: letters in his name.

601
00:30:34,480 --> 00:30:36,560
Speaker 5: Yeah, he's only got he's only got a couple.

602
00:30:36,640 --> 00:30:37,640
Speaker 1: His damn name.

603
00:30:37,720 --> 00:30:40,000
Speaker 3: I'm uting he likes computers so much. How come he's

604
00:30:40,000 --> 00:30:44,200
Speaker 3: only using like one tenth of the keyboard. Tell you what, man,

605
00:30:44,720 --> 00:30:45,600
Speaker 3: get a real name?

606
00:30:46,480 --> 00:30:49,120
Speaker 5: Well, I you know those those letters actually stand for

607
00:30:49,280 --> 00:30:50,080
Speaker 5: a couple of things.

608
00:30:50,520 --> 00:30:54,200
Speaker 3: Two guys, and what are Kevin?

609
00:30:54,280 --> 00:30:54,680
Speaker 1: Guests?

610
00:30:54,720 --> 00:30:58,680
Speaker 2: Wait, let Kevin guess and say the letters.

611
00:30:58,720 --> 00:31:01,240
Speaker 5: His name is PJ. So so go ahead and.

612
00:31:01,200 --> 00:31:03,200
Speaker 6: Guess Kevin pajamas.

613
00:31:04,600 --> 00:31:06,360
Speaker 1: Wow, Kevin, your mind?

614
00:31:09,520 --> 00:31:11,840
Speaker 5: Well, pajamas is only one word, and I said it

615
00:31:11,880 --> 00:31:13,600
Speaker 5: was two, So you're disqualified.

616
00:31:13,960 --> 00:31:15,160
Speaker 3: Any pasta jorts?

617
00:31:16,640 --> 00:31:17,240
Speaker 5: It's close.

618
00:31:17,960 --> 00:31:21,600
Speaker 3: That's really close. Yeah, pasta jeans.

619
00:31:22,040 --> 00:31:28,800
Speaker 4: That's a little longer than jorts, the longer version.

620
00:31:29,160 --> 00:31:31,080
Speaker 5: So you know, when he has to for like when

621
00:31:31,120 --> 00:31:32,720
Speaker 5: he has to fill something out for the government, it

622
00:31:32,760 --> 00:31:34,280
Speaker 5: actually is pretty long, you know.

623
00:31:34,960 --> 00:31:39,880
Speaker 2: M hmmm, the freaking government speaking along.

624
00:31:39,960 --> 00:31:41,920
Speaker 3: How much longer are we talking to this clown?

625
00:31:42,680 --> 00:31:44,680
Speaker 1: We gotta make up one of these, Like we have

626
00:31:44,760 --> 00:31:45,600
Speaker 1: to do a fake song.

627
00:31:45,600 --> 00:31:47,680
Speaker 3: Right right, we gotta do the fake song. Gotta do

628
00:31:47,720 --> 00:31:48,360
Speaker 3: the fake song.

629
00:31:48,960 --> 00:31:50,480
Speaker 5: The song in the episode was kind of kind of

630
00:31:50,480 --> 00:31:51,880
Speaker 5: had a bare naked lady's vibe to it.

631
00:31:52,240 --> 00:31:52,640
Speaker 1: Mm hmm.

632
00:31:53,160 --> 00:31:54,960
Speaker 5: Okay, do you guys want to go with that? You

633
00:31:55,000 --> 00:31:56,000
Speaker 5: want to go with something else?

634
00:31:56,040 --> 00:31:58,160
Speaker 3: No, you can tell what a very naked lady's fake

635
00:31:58,240 --> 00:31:58,440
Speaker 3: in it?

636
00:31:58,560 --> 00:31:58,760
Speaker 2: Right?

637
00:32:00,240 --> 00:32:05,640
Speaker 3: So, so Alex, is it because it's like that she's

638
00:32:05,640 --> 00:32:08,920
Speaker 3: making a pretty face because if she were, come on,

639
00:32:09,080 --> 00:32:11,959
Speaker 3: that's just for show. If you're really in the fucking

640
00:32:12,080 --> 00:32:14,920
Speaker 3: nuts zone, you got no control over what you look like.

641
00:32:15,040 --> 00:32:19,200
Speaker 3: It's like, wow, and I'm making a crazy face. I

642
00:32:19,240 --> 00:32:23,240
Speaker 3: can do it on command. So Alex, you know you're

643
00:32:23,320 --> 00:32:26,160
Speaker 3: posting all the time about how you like rock at

644
00:32:26,160 --> 00:32:29,120
Speaker 3: guitar and you're like a shred god. So do you

645
00:32:29,240 --> 00:32:31,040
Speaker 3: have a freaking axe with you or what?

646
00:32:31,840 --> 00:32:34,080
Speaker 5: No? I actually I'm not. No, I don't.

647
00:32:34,400 --> 00:32:34,960
Speaker 1: Why not.

648
00:32:36,400 --> 00:32:38,040
Speaker 5: I'm not at my house this weekend.

649
00:32:38,640 --> 00:32:40,440
Speaker 3: Okay, Trouble in Paradise.

650
00:32:41,600 --> 00:32:44,760
Speaker 5: Yeah, me and my house are breaking up and this.

651
00:32:44,760 --> 00:32:48,920
Speaker 3: Guy is breaking up with his damn house and he's

652
00:32:48,920 --> 00:32:50,800
Speaker 3: trying to tell me how to do a podcast.

653
00:32:51,320 --> 00:32:53,400
Speaker 5: I never told you how to try and do a podcast.

654
00:32:53,720 --> 00:32:55,480
Speaker 1: No, I know, and I'm mad about it.

655
00:32:56,640 --> 00:33:00,360
Speaker 3: Tell please tell to tell him. I am having fun

656
00:33:00,400 --> 00:33:02,280
Speaker 3: with this one, but I can feel that it's not

657
00:33:02,400 --> 00:33:03,840
Speaker 3: quite a podcast yet.

658
00:33:04,600 --> 00:33:07,720
Speaker 5: I think that like it only has one part. I

659
00:33:07,760 --> 00:33:09,840
Speaker 5: think that the best way to top off a podcast

660
00:33:09,920 --> 00:33:14,040
Speaker 5: is to do like a tight five on, just just

661
00:33:14,400 --> 00:33:15,480
Speaker 5: throat shooting ropes.

662
00:33:15,520 --> 00:33:21,000
Speaker 4: You know, it took a little while, but you got there.

663
00:33:22,280 --> 00:33:23,320
Speaker 1: He already said he could do it.

664
00:33:23,360 --> 00:33:29,640
Speaker 5: Our command come or do the tight five ewe exactly

665
00:33:29,720 --> 00:33:31,640
Speaker 5: like I'm going, come on, man, this is a kid's show.

666
00:33:31,640 --> 00:33:33,120
Speaker 3: We're talking about the snorks and ship.

667
00:33:33,760 --> 00:33:38,120
Speaker 5: Dude snork Marilyn.

668
00:33:37,800 --> 00:33:42,080
Speaker 1: Manson, Kevin, what about Kevin's drum? Oh? Do you have

669
00:33:42,080 --> 00:33:42,800
Speaker 1: a drums?

670
00:33:43,000 --> 00:33:44,800
Speaker 3: Any drum? Yeah?

671
00:33:44,840 --> 00:33:47,960
Speaker 5: We're a drumbone snork Marilyn Manson got one?

672
00:33:48,160 --> 00:33:54,080
Speaker 3: Like, Okay, off to the races, yep, yeah, let me see.

673
00:33:54,120 --> 00:33:57,760
Speaker 3: I'm gonna find it. Kevin, where's drum?

674
00:33:58,240 --> 00:34:00,160
Speaker 6: I've freaking search.

675
00:34:00,800 --> 00:34:03,320
Speaker 3: Don't you have Kevin's drum at home? Uh?

676
00:34:03,960 --> 00:34:04,320
Speaker 1: Kevin?

677
00:34:04,520 --> 00:34:08,600
Speaker 3: Did you break up with your damn house? Uh? So

678
00:34:08,880 --> 00:34:11,400
Speaker 3: I just gave a little signal boost, I replied to

679
00:34:11,440 --> 00:34:14,279
Speaker 3: your tweet, and I think you're gonna have some very

680
00:34:14,280 --> 00:34:19,400
Speaker 3: good results from it. Okay, now this is good drum.

681
00:34:19,520 --> 00:34:23,120
Speaker 4: So there's this song, man, It's stuck in my brain.

682
00:34:23,560 --> 00:34:26,640
Speaker 3: I can't even really totally say what it is, but

683
00:34:26,719 --> 00:34:28,640
Speaker 3: I remember little pieces of it.

684
00:34:28,680 --> 00:34:31,000
Speaker 4: And it's you guys have got to help me find

685
00:34:31,040 --> 00:34:31,720
Speaker 4: this song?

686
00:34:31,840 --> 00:34:33,680
Speaker 1: Man, Come on, dude.

687
00:34:34,760 --> 00:34:36,640
Speaker 2: Well what and I'm pretending not to be in on

688
00:34:36,680 --> 00:34:40,879
Speaker 2: this from the beginning. Well, okay, I guess what does.

689
00:34:40,800 --> 00:34:44,719
Speaker 3: It sound like? Oh uh, it's got this drum that's

690
00:34:44,760 --> 00:34:48,120
Speaker 3: like scoom dick of dooms get it, Dooms get a

691
00:34:48,160 --> 00:34:53,399
Speaker 3: Dooms get pu, dooms get boom, scoom doom. And I'm

692
00:34:53,440 --> 00:34:55,759
Speaker 3: listening to this drum and I'm going, oh yeah. And

693
00:34:55,800 --> 00:34:58,319
Speaker 3: then the words are well, let's just say they're a

694
00:34:58,320 --> 00:35:00,000
Speaker 3: little funky crazy man.

695
00:35:01,320 --> 00:35:03,600
Speaker 2: Okay, what are some of the what are some of

696
00:35:03,600 --> 00:35:06,160
Speaker 2: the words like? Sound like it would really help me

697
00:35:06,200 --> 00:35:08,600
Speaker 2: a guy that does knows nothing about this and just

698
00:35:08,600 --> 00:35:10,480
Speaker 2: get ready to freaking cash in on it.

699
00:35:10,640 --> 00:35:12,520
Speaker 3: Oh yeah, And this is where it'll help that I

700
00:35:12,600 --> 00:35:15,080
Speaker 3: listened to his ebit because it's like or his buddies

701
00:35:15,400 --> 00:35:20,240
Speaker 3: and it goes like cherry lemonade and a pizza sauce,

702
00:35:20,280 --> 00:35:23,600
Speaker 3: hot dog. I'm going to the bathroom with a frog.

703
00:35:23,680 --> 00:35:26,680
Speaker 3: Here I come. I am dancing on a roof. Oh no,

704
00:35:26,960 --> 00:35:30,080
Speaker 3: look out, I made a goof, made a mistake and

705
00:35:30,120 --> 00:35:33,000
Speaker 3: I dropped my hamburger. Oh yeah, here we go.

706
00:35:33,320 --> 00:35:34,359
Speaker 5: It's a hamburger.

707
00:35:34,600 --> 00:35:37,000
Speaker 4: Hey, you you're the hamburger.

708
00:35:37,239 --> 00:35:39,640
Speaker 1: Somebody come in past me my hamburger.

709
00:35:41,400 --> 00:35:43,480
Speaker 5: Nice. That is pretty good.

710
00:35:45,080 --> 00:35:49,560
Speaker 4: So it was something like that, can anybody find it?

711
00:35:50,360 --> 00:35:52,320
Speaker 5: Well, I'm gonna take I mean what I would do

712
00:35:52,360 --> 00:35:54,680
Speaker 5: in that situation, that I would take that those lyrics

713
00:35:54,680 --> 00:35:57,359
Speaker 5: to like musicologists and like rock historians. I mean, that's

714
00:35:57,400 --> 00:35:58,800
Speaker 5: what PJ did in the episode.

715
00:35:58,840 --> 00:36:02,080
Speaker 2: It's gonna be good for you Alan to say like, hey,

716
00:36:02,400 --> 00:36:05,440
Speaker 2: my dumb ass friend, look, give me do this better

717
00:36:05,480 --> 00:36:07,520
Speaker 2: than you ever could even try to.

718
00:36:07,440 --> 00:36:10,680
Speaker 1: Do each shit at the head. Yes, you do that

719
00:36:10,719 --> 00:36:11,960
Speaker 1: episode and you and.

720
00:36:12,040 --> 00:36:16,759
Speaker 2: You like you kick his ass at his own episode.

721
00:36:17,239 --> 00:36:19,360
Speaker 5: I was initially skeptical that you guys actually listen to

722
00:36:19,440 --> 00:36:21,560
Speaker 5: the show, but now that you're characterizing the way that

723
00:36:21,600 --> 00:36:23,799
Speaker 5: we talk to one another, I feel like I'm really

724
00:36:23,800 --> 00:36:25,840
Speaker 5: glad that you actually actually are fans.

725
00:36:26,560 --> 00:36:30,480
Speaker 3: You call each other bitch all the time, bring bring hello, hello,

726
00:36:30,600 --> 00:36:33,440
Speaker 3: mister bitch. Guess who just did your own fucking episode

727
00:36:33,480 --> 00:36:35,680
Speaker 3: on your ass even better than you ever could.

728
00:36:38,080 --> 00:36:43,880
Speaker 2: And I know that comes from Alex Bloomberg, who famously

729
00:36:43,880 --> 00:36:47,160
Speaker 2: calls himself the boss bitch, but I don't think he.

730
00:36:47,200 --> 00:36:49,319
Speaker 5: Actually calls me as a way to denigrate me. He

731
00:36:49,360 --> 00:36:50,320
Speaker 5: calls me boss baby.

732
00:36:51,320 --> 00:36:53,640
Speaker 2: He's the boss bitch and you're the boss baby. Yes,

733
00:36:53,719 --> 00:36:55,759
Speaker 2: And so I don't think you have to go around

734
00:36:55,800 --> 00:36:59,839
Speaker 2: calling each other mister bitch and like mm hmm all

735
00:36:59,880 --> 00:37:00,759
Speaker 2: the things.

736
00:37:00,600 --> 00:37:03,440
Speaker 5: We don't have to. But it's it's like the do

737
00:37:03,480 --> 00:37:06,440
Speaker 5: you know how there's like some podcast companies that just

738
00:37:06,480 --> 00:37:07,480
Speaker 5: like have a house style.

739
00:37:08,719 --> 00:37:11,560
Speaker 1: Sure, I haven't noticed that.

740
00:37:12,560 --> 00:37:13,840
Speaker 6: Is this another house thing.

741
00:37:14,320 --> 00:37:16,239
Speaker 5: I'm trying to get I'm trying to get together a

742
00:37:16,280 --> 00:37:18,680
Speaker 5: new house style now that I'm breaking up with my house.

743
00:37:19,640 --> 00:37:21,920
Speaker 5: My house and I have just gone in different directions.

744
00:37:22,160 --> 00:37:28,000
Speaker 2: You're, yeah, you're getting into like you're like, your house

745
00:37:28,080 --> 00:37:31,719
Speaker 2: is getting very political. Your house's politics are getting very extreme.

746
00:37:32,360 --> 00:37:35,000
Speaker 3: Unfortunately, the direction that you're going in is down.

747
00:37:36,000 --> 00:37:38,960
Speaker 5: Yeah. So like first I was at the the in

748
00:37:39,280 --> 00:37:41,040
Speaker 5: my bedroom, which was on the second floor, and then

749
00:37:41,040 --> 00:37:43,520
Speaker 5: I went downstairs, and then I went into the basement

750
00:37:44,520 --> 00:37:46,400
Speaker 5: and the room that I'm recording in right now is

751
00:37:47,200 --> 00:37:48,960
Speaker 5: nice Doug in the basement.

752
00:37:49,960 --> 00:37:56,320
Speaker 2: M these online guys and just okay, so you're on

753
00:37:56,360 --> 00:37:59,440
Speaker 2: your computer in your mom's basement, go to the zoo.

754
00:38:00,960 --> 00:38:03,880
Speaker 3: Because somebody get their ass to the fucking zoo. Already.

755
00:38:04,280 --> 00:38:07,080
Speaker 5: I mean, giraffes look fucking gross.

756
00:38:07,280 --> 00:38:10,600
Speaker 1: Yes, next zoo. The zoo is basically Juraffic park.

757
00:38:13,120 --> 00:38:17,960
Speaker 5: They poop right where they stand. Yeah, that's not my vibe.

758
00:38:18,200 --> 00:38:21,600
Speaker 5: You know where I poop on your frame again on Blippy?

759
00:38:21,719 --> 00:38:28,200
Speaker 5: Yeah right, No, Blippy poops on what wants the same

760
00:38:28,560 --> 00:38:29,120
Speaker 5: a friend of his?

761
00:38:30,520 --> 00:38:31,200
Speaker 1: Yikes?

762
00:38:31,640 --> 00:38:34,680
Speaker 3: But uh, this guy's getting desperate.

763
00:38:35,400 --> 00:38:37,799
Speaker 5: But I poop in a toilet like an adult.

764
00:38:39,360 --> 00:38:39,760
Speaker 1: Toilet.

765
00:38:39,840 --> 00:38:41,760
Speaker 3: Huh.

766
00:38:41,800 --> 00:38:44,960
Speaker 2: Well, instead of just like you'd bring that up, instead

767
00:38:44,960 --> 00:38:47,760
Speaker 2: of just commenting about it, you could actually do something

768
00:38:47,800 --> 00:38:49,800
Speaker 2: about it and bring a toilet to the zoo.

769
00:38:50,719 --> 00:38:54,200
Speaker 5: Toilets, so far as I know, there are no toilets

770
00:38:54,239 --> 00:38:55,560
Speaker 5: specifically designed for dirafts.

771
00:38:56,239 --> 00:38:58,640
Speaker 2: Yeah, and so this is what I'm saying. You could actually,

772
00:38:58,680 --> 00:39:01,640
Speaker 2: instead of just being a freak an online keyboard warrior,

773
00:39:02,280 --> 00:39:05,000
Speaker 2: you could go out and bring a toilet to the

774
00:39:05,120 --> 00:39:08,720
Speaker 2: zoo for the animals.

775
00:39:09,280 --> 00:39:11,360
Speaker 5: You can lead a draft to toilet, but you can't

776
00:39:11,360 --> 00:39:15,040
Speaker 5: make it stink stink, That's right?

777
00:39:16,960 --> 00:39:19,000
Speaker 3: So all right?

778
00:39:20,480 --> 00:39:22,520
Speaker 4: What else is on your show that we could use?

779
00:39:22,640 --> 00:39:25,359
Speaker 1: Is there another part? Is there one more part?

780
00:39:25,440 --> 00:39:25,840
Speaker 3: Please?

781
00:39:26,400 --> 00:39:28,080
Speaker 5: I mean the other parts are when on the other

782
00:39:28,360 --> 00:39:28,880
Speaker 5: the other.

783
00:39:28,800 --> 00:39:31,719
Speaker 1: Super Texas Port what's the other one?

784
00:39:32,520 --> 00:39:36,439
Speaker 5: Uh? The other? The other? The other parts are when

785
00:39:36,640 --> 00:39:39,120
Speaker 5: other producers work on stories the other people.

786
00:39:40,280 --> 00:39:43,920
Speaker 2: No, that sounds nice. Hey, actually sounds pretty nice. Oh,

787
00:39:43,960 --> 00:39:46,280
Speaker 2: so you don't have to do put the entire show

788
00:39:46,360 --> 00:39:48,160
Speaker 2: on your back every single episode.

789
00:39:48,680 --> 00:39:54,160
Speaker 3: Well, your producer doesn't just point at a mountain and go, hey,

790
00:39:54,200 --> 00:39:56,480
Speaker 3: here's a heavy knapsack, carry this to the top.

791
00:39:56,840 --> 00:40:00,000
Speaker 5: Oh No, I really I like their stories the best

792
00:40:00,160 --> 00:40:03,360
Speaker 5: because it's like they're me too on stories.

793
00:40:03,400 --> 00:40:05,080
Speaker 2: So there are parts where you don't have to do anything.

794
00:40:05,200 --> 00:40:07,440
Speaker 2: You can just be quiet. You don't have to do

795
00:40:08,080 --> 00:40:12,000
Speaker 2: the entire show and it's and it lives or dies

796
00:40:12,080 --> 00:40:13,880
Speaker 2: on your talent alone.

797
00:40:14,560 --> 00:40:16,160
Speaker 5: I don't think that I would say that about the

798
00:40:16,200 --> 00:40:18,120
Speaker 5: show ever, because there are a lot of very talented

799
00:40:18,120 --> 00:40:18,920
Speaker 5: people who work on it.

800
00:40:19,000 --> 00:40:19,480
Speaker 3: And I don't know.

801
00:40:19,560 --> 00:40:24,000
Speaker 1: That sounds nice. That must be really great. We don't.

802
00:40:24,080 --> 00:40:25,879
Speaker 1: We basically don't even have one.

803
00:40:26,880 --> 00:40:38,080
Speaker 5: What about Kevin? I'm trying to think, is there anything else?

804
00:40:38,080 --> 00:40:40,000
Speaker 5: We've done a couple of segments that we've never done again.

805
00:40:40,080 --> 00:40:42,200
Speaker 5: One was called why is Everybody Mad? And Should I

806
00:40:42,239 --> 00:40:42,920
Speaker 5: Be Mad? Also?

807
00:40:43,840 --> 00:40:46,960
Speaker 1: Okay, anyways, like we were talking, what's that about? Freaking

808
00:40:47,000 --> 00:40:51,360
Speaker 1: George W? Bush Bush again.

809
00:40:52,360 --> 00:40:53,680
Speaker 5: And it was about the time when he was like,

810
00:40:53,680 --> 00:40:56,759
Speaker 5: fool me once, shame on, shame on. I think he

811
00:40:56,800 --> 00:40:58,960
Speaker 5: says shame on you, and then fool me twice. We

812
00:40:58,960 --> 00:40:59,680
Speaker 5: won't get fool together.

813
00:40:59,800 --> 00:41:01,200
Speaker 1: Yeah, freaking strategery.

814
00:41:01,760 --> 00:41:04,320
Speaker 4: Do you believe he said that?

815
00:41:04,320 --> 00:41:07,320
Speaker 3: That's nuts man, that he literally looked in the camera

816
00:41:07,360 --> 00:41:14,680
Speaker 3: and says strategery dozens of times to punctuate almost every thought.

817
00:41:14,920 --> 00:41:16,759
Speaker 5: He was always like that was sort of like you

818
00:41:16,800 --> 00:41:18,840
Speaker 5: know how some people say oh when they're trying to

819
00:41:18,840 --> 00:41:20,960
Speaker 5: think of their next thought. He would always say strategery.

820
00:41:21,680 --> 00:41:23,720
Speaker 3: And every time he was nervous, he'd just start reading

821
00:41:23,760 --> 00:41:28,719
Speaker 3: a book about a baby goat. Strange guy, interesting guy,

822
00:41:29,040 --> 00:41:34,160
Speaker 3: good painter, and always has some candy? Doesn't he a machine?

823
00:41:34,320 --> 00:41:35,040
Speaker 5: We're kind of candy?

824
00:41:35,760 --> 00:41:41,160
Speaker 4: That's nice? So enough about Ellen's friend.

825
00:41:41,560 --> 00:41:43,160
Speaker 1: Kevin never has any candy?

826
00:41:43,640 --> 00:41:43,960
Speaker 5: Why not?

827
00:41:45,200 --> 00:41:48,600
Speaker 2: Whenever I want a little, like a little piece of candy,

828
00:41:48,640 --> 00:41:49,880
Speaker 2: he never has one.

829
00:41:50,280 --> 00:41:52,120
Speaker 3: I go, okay, what about the ones where the rapper

830
00:41:52,200 --> 00:41:53,439
Speaker 3: looks like a strawberry too?

831
00:41:53,760 --> 00:41:53,920
Speaker 1: Oh?

832
00:41:53,960 --> 00:41:56,879
Speaker 5: And then inside it's kind of like strawberry goo? Those

833
00:41:56,880 --> 00:41:57,879
Speaker 5: are those are tight?

834
00:41:58,360 --> 00:42:00,000
Speaker 3: Can you just have one of those? Wait?

835
00:42:00,280 --> 00:42:03,759
Speaker 2: Kevin Alex said, I think you're eating them. You're eating

836
00:42:03,800 --> 00:42:04,560
Speaker 2: them too hot?

837
00:42:05,120 --> 00:42:07,160
Speaker 5: Are they do? They actually have a solid core most

838
00:42:07,200 --> 00:42:07,720
Speaker 5: of the time.

839
00:42:08,040 --> 00:42:11,240
Speaker 2: The outside is hard. It's not supposed to be all goo.

840
00:42:11,360 --> 00:42:14,160
Speaker 5: No, no, it's not all goo. I said in the Okay, well.

841
00:42:14,080 --> 00:42:16,560
Speaker 3: Then you didn't actually say, but you said inside immediately

842
00:42:16,640 --> 00:42:18,759
Speaker 3: after the rapper was said, so it sounded like you

843
00:42:18,800 --> 00:42:20,800
Speaker 3: were saying inside the wrapper and not inside that.

844
00:42:20,960 --> 00:42:24,080
Speaker 5: I do lightly saute all hard candy before I eat it.

845
00:42:24,560 --> 00:42:27,000
Speaker 3: Okay, Well this is interesting and this is actually something

846
00:42:27,040 --> 00:42:28,920
Speaker 3: we could use on the show. Kevin, start recording.

847
00:42:29,440 --> 00:42:32,880
Speaker 1: Okay, I'm gonna start right now. Okay, candy recipe.

848
00:42:32,480 --> 00:42:32,640
Speaker 3: Go.

849
00:42:34,160 --> 00:42:40,759
Speaker 5: Caramelized onions. You you saute it at three fifty. I

850
00:42:40,760 --> 00:42:43,520
Speaker 5: don't know anything about cooking. I'm just bullshitting now. And

851
00:42:43,560 --> 00:42:46,759
Speaker 5: then you're sort of like dick it dawn't Dande Dick

852
00:42:46,960 --> 00:42:49,000
Speaker 5: dangy Dick dan who.

853
00:42:49,719 --> 00:42:52,200
Speaker 3: Cherry lemonade and up pizza sauce, hot.

854
00:42:57,120 --> 00:43:00,719
Speaker 2: Cheeseburger, Joys go now, Alex go cheezburger, joy Keeper, Joice

855
00:43:00,760 --> 00:43:01,920
Speaker 2: Keeper Joye Go go Go.

856
00:43:02,600 --> 00:43:08,799
Speaker 5: Bacon Swiss medium rare, poppy seed bun, sesame seed bun.

857
00:43:09,200 --> 00:43:12,760
Speaker 1: Poppy seed buns.

858
00:43:13,760 --> 00:43:16,359
Speaker 5: Poppy on top, sess me on bottom.

859
00:43:16,280 --> 00:43:21,200
Speaker 3: Double seed, bun, you're crazy for this one. Man. How's

860
00:43:21,239 --> 00:43:21,919
Speaker 3: your tweet doing?

861
00:43:22,719 --> 00:43:23,560
Speaker 5: Let me take a look.

862
00:43:24,200 --> 00:43:27,880
Speaker 3: The level of engagement must be insane, Sean.

863
00:43:28,080 --> 00:43:36,320
Speaker 5: Sean responded, so wrong, smiley, crying face, pretty messed up.

864
00:43:36,320 --> 00:43:38,080
Speaker 1: And more than doubled the engagement.

865
00:43:38,960 --> 00:43:44,879
Speaker 5: Oh yeah, yeah, he five tuppled it. I got five

866
00:43:44,920 --> 00:43:47,080
Speaker 5: favorites and at the time there was only one.

867
00:43:47,800 --> 00:43:50,960
Speaker 3: Mm hmm that has me girlfriend doing in your fave five.

868
00:43:52,480 --> 00:43:57,319
Speaker 3: Oh that must be a mistake, secret love. Just the

869
00:43:57,360 --> 00:44:00,239
Speaker 3: hand enters the screen. Let me, I'll take that T

870
00:44:00,440 --> 00:44:01,840
Speaker 3: mobile phone? Thank you?

871
00:44:01,840 --> 00:44:05,280
Speaker 2: You ever talked about these pay five colleges can actually

872
00:44:05,320 --> 00:44:08,880
Speaker 2: create some kind of sticky situations?

873
00:44:09,719 --> 00:44:11,800
Speaker 5: Wait, you mean the T Mobile FAY.

874
00:44:11,600 --> 00:44:13,400
Speaker 1: Five T Mobile fay fives.

875
00:44:13,960 --> 00:44:15,960
Speaker 5: This is a great idea for an episode.

876
00:44:16,600 --> 00:44:17,320
Speaker 1: It's online.

877
00:44:17,400 --> 00:44:23,080
Speaker 5: First of all, say, well, kind of a cell signal

878
00:44:23,120 --> 00:44:23,840
Speaker 5: is not online?

879
00:44:25,120 --> 00:44:30,440
Speaker 3: Okay, this guy, this bitch, no wonder these guys call

880
00:44:30,520 --> 00:44:31,759
Speaker 3: each other bitch all the time.

881
00:44:31,880 --> 00:44:36,880
Speaker 1: This bitch says, myself signals is not online? Why do

882
00:44:37,080 --> 00:44:39,640
Speaker 1: all my phone on the computer?

883
00:44:41,000 --> 00:44:43,400
Speaker 3: Hi, yeah, this is my phone doing on the computer.

884
00:44:43,920 --> 00:44:44,239
Speaker 1: I guess.

885
00:44:44,280 --> 00:44:45,920
Speaker 3: This bitch says, you're not online?

886
00:44:46,680 --> 00:44:50,680
Speaker 2: You have an extra phone? The computer just does it

887
00:44:50,760 --> 00:44:55,400
Speaker 2: the big computer. You can do the phone on there. Hello, Alex,

888
00:44:55,480 --> 00:44:58,960
Speaker 2: can you hear us? We're doing it right now.

889
00:44:59,440 --> 00:45:01,000
Speaker 5: This isn't now, this is zoom.

890
00:45:02,040 --> 00:45:02,840
Speaker 1: It's a phone.

891
00:45:03,520 --> 00:45:07,160
Speaker 5: No, we're we are. It is a video chat system.

892
00:45:09,320 --> 00:45:10,680
Speaker 5: Do you call a phone number to do this?

893
00:45:11,800 --> 00:45:12,160
Speaker 1: You can?

894
00:45:12,960 --> 00:45:13,160
Speaker 3: Yeah?

895
00:45:13,160 --> 00:45:15,279
Speaker 1: I can. I'm going Kevin, I didn't ask you.

896
00:45:15,840 --> 00:45:19,640
Speaker 3: Oh. I actually was having a lot of fun today

897
00:45:19,680 --> 00:45:20,600
Speaker 3: doing the show.

898
00:45:20,880 --> 00:45:27,320
Speaker 5: And then what happened. Well, you, I'm just trying to

899
00:45:27,360 --> 00:45:31,480
Speaker 5: look a huge part of our show is like it's

900
00:45:31,520 --> 00:45:33,560
Speaker 5: like media and tech literacy, and I'm just trying to

901
00:45:33,600 --> 00:45:35,480
Speaker 5: help you guys out. I'm not trying to be a dick.

902
00:45:37,520 --> 00:45:38,840
Speaker 5: I might be being a dick, but I'm not.

903
00:45:39,120 --> 00:45:41,560
Speaker 3: I remember there was an episode of your show, another

904
00:45:41,760 --> 00:45:45,399
Speaker 3: viral episode actually maybe four episodes about a man who

905
00:45:45,440 --> 00:45:52,160
Speaker 3: is doing jail. Any chance you would go there for

906
00:45:52,280 --> 00:45:57,160
Speaker 3: what I just did? Yeah, for your crimes against my podcast.

907
00:45:57,800 --> 00:46:00,320
Speaker 3: Apparently he was doing internet from jail. Maybe you should

908
00:46:00,320 --> 00:46:00,680
Speaker 3: as well.

909
00:46:02,080 --> 00:46:07,319
Speaker 5: Uh, I'd rather not, but I guess it. I have

910
00:46:07,360 --> 00:46:08,359
Speaker 5: to go before a dream.

911
00:46:08,440 --> 00:46:10,879
Speaker 3: My peers, you're looking at.

912
00:46:10,800 --> 00:46:15,320
Speaker 5: Them, You guys are my peers. So what are we thinking?

913
00:46:16,160 --> 00:46:17,600
Speaker 1: What's the next episode about?

914
00:46:18,360 --> 00:46:20,040
Speaker 3: Yeah, what's the next one? Is it going to be

915
00:46:20,040 --> 00:46:21,879
Speaker 3: something fucked up?

916
00:46:22,760 --> 00:46:26,840
Speaker 5: It's actually about how you know that a girl really

917
00:46:27,640 --> 00:46:29,000
Speaker 5: having a real orgasm.

918
00:46:30,160 --> 00:46:31,680
Speaker 1: You didn't do that?

919
00:46:32,120 --> 00:46:35,520
Speaker 3: Come on, no, oh, that's gonna step on my special.

920
00:46:35,840 --> 00:46:38,239
Speaker 3: But I would like to know. Actually, I've always been

921
00:46:38,280 --> 00:46:39,399
Speaker 3: pretty confused about it.

922
00:46:41,400 --> 00:46:42,840
Speaker 1: Bye.

923
00:46:47,120 --> 00:46:47,359
Speaker 2: Would