1
00:00:01,440 --> 00:00:05,200
Speaker 1: It's the Best Bits of the Week with Morgan number two.

2
00:00:06,760 --> 00:00:08,960
Speaker 1: What's up, y'all. If you're listening to this, you have

3
00:00:09,440 --> 00:00:12,039
Speaker 1: met the bit side of the Best Bits. This is

4
00:00:12,119 --> 00:00:14,520
Speaker 1: part two where I just intro the bits and the

5
00:00:14,520 --> 00:00:17,360
Speaker 1: bits play. The conversation this weekend was with Abby and

6
00:00:17,400 --> 00:00:19,319
Speaker 1: it was super awesome. So if you want to hear that,

7
00:00:19,400 --> 00:00:22,440
Speaker 1: make sure you listen to part one. That's just the conversation.

8
00:00:22,480 --> 00:00:24,680
Speaker 1: I'll still break down the bits, but right now we're

9
00:00:24,680 --> 00:00:26,520
Speaker 1: getting into the bits that you want to hear in

10
00:00:26,560 --> 00:00:28,480
Speaker 1: case you missed it this week. So coming in at

11
00:00:28,560 --> 00:00:32,080
Speaker 1: number seven, Raymundo had an awkward encounter with a listener

12
00:00:32,120 --> 00:00:34,680
Speaker 1: and now he may close his account at the bank

13
00:00:34,800 --> 00:00:37,680
Speaker 1: because of it. So a lot of drama with this one,

14
00:00:38,360 --> 00:00:41,240
Speaker 1: because Raymundo felt very violated in a lot of ways.

15
00:00:41,520 --> 00:00:44,120
Speaker 1: Here you go, number seven. All right, we voted in

16
00:00:44,120 --> 00:00:48,640
Speaker 1: the room, although Lunchbox did call him click bait, Ray Ray,

17
00:00:48,840 --> 00:00:51,760
Speaker 1: segment has been chosen and pick a bit. Ray had

18
00:00:51,760 --> 00:00:55,000
Speaker 1: an awkward experience at the bank with a listener. Raymundo,

19
00:00:55,080 --> 00:00:56,760
Speaker 1: your bit has been chosen. What would you like to

20
00:00:56,760 --> 00:00:58,720
Speaker 1: do here? So I go into the bank and I

21
00:00:58,760 --> 00:01:00,480
Speaker 1: have a check to cash, and I cash with the

22
00:01:00,560 --> 00:01:02,960
Speaker 1: lady there, and everything was just fine. She's getting my

23
00:01:02,960 --> 00:01:04,840
Speaker 1: money out, and she goes, hey, I'm a really big

24
00:01:04,880 --> 00:01:07,560
Speaker 1: fan of the show. And I'm like, great, she got

25
00:01:07,560 --> 00:01:10,360
Speaker 1: my account open. Here we go and she said I

26
00:01:10,360 --> 00:01:13,679
Speaker 1: also love Amy. Cool, I'm not Amy. But she continues

27
00:01:14,520 --> 00:01:16,640
Speaker 1: and she goes, hey, I'm looking at your account and again,

28
00:01:16,800 --> 00:01:18,959
Speaker 1: I'm just cashing a check, and she says, I see

29
00:01:19,000 --> 00:01:22,600
Speaker 1: you don't have a savings account. Why is my account open?

30
00:01:22,640 --> 00:01:24,600
Speaker 1: Why is she looking into my savings account when I'm

31
00:01:24,600 --> 00:01:27,680
Speaker 1: just catching a check. So I'm sitting there, I'm like, no,

32
00:01:28,080 --> 00:01:30,600
Speaker 1: it's in my wife's name, and she goes, well, would

33
00:01:30,600 --> 00:01:32,280
Speaker 1: you like me to pull up your wife's account and

34
00:01:32,280 --> 00:01:33,840
Speaker 1: then bring that over to your account as well? And

35
00:01:33,840 --> 00:01:35,960
Speaker 1: I'm like no, no, you're you're a fan of the show.

36
00:01:36,360 --> 00:01:38,520
Speaker 1: I just want the check cash. I want you out

37
00:01:38,560 --> 00:01:42,120
Speaker 1: of my account. And so then and then she says, well,

38
00:01:42,160 --> 00:01:44,880
Speaker 1: I see here that you don't ever put any money

39
00:01:44,880 --> 00:01:48,320
Speaker 1: in savings and I'm like, oh my gosh, close my

40
00:01:48,400 --> 00:01:51,480
Speaker 1: account and just give me the check. And so my

41
00:01:51,600 --> 00:01:55,000
Speaker 1: out was yeah, I'll I'll just take twenties. That'll be perfect,

42
00:01:55,840 --> 00:01:57,840
Speaker 1: and she gave me the twenties and then I said

43
00:01:57,840 --> 00:02:00,240
Speaker 1: thank you, have a good day, and in my head

44
00:02:00,240 --> 00:02:02,520
Speaker 1: I said, I will never come back to this game again,

45
00:02:02,640 --> 00:02:05,600
Speaker 1: the bank again. I'm closing my account, but why why

46
00:02:06,480 --> 00:02:08,960
Speaker 1: why do you don't need to get into my account

47
00:02:08,960 --> 00:02:11,400
Speaker 1: when I'm cashing a check. So you wish they wouldn't

48
00:02:11,400 --> 00:02:13,800
Speaker 1: have said they were a show listeners. It was bad

49
00:02:14,240 --> 00:02:16,320
Speaker 1: form on their part that she said she was a

50
00:02:16,320 --> 00:02:19,400
Speaker 1: fan and she's interested, yes, so she probably should have

51
00:02:19,480 --> 00:02:22,320
Speaker 1: just I think everything she did, though, was normal. I

52
00:02:22,360 --> 00:02:24,000
Speaker 1: think if she were able to do it without saying

53
00:02:24,040 --> 00:02:26,000
Speaker 1: she was a fan, you wouldn't have felt violated. It

54
00:02:26,040 --> 00:02:28,160
Speaker 1: did feel like snooping a little bit, but I will

55
00:02:28,160 --> 00:02:30,600
Speaker 1: never go back to that bank again. Considering closing the account,

56
00:02:31,240 --> 00:02:34,800
Speaker 1: I feel like that's a that's a bit too much.

57
00:02:35,560 --> 00:02:36,920
Speaker 1: I don't need somebody told me I need to put

58
00:02:36,960 --> 00:02:38,760
Speaker 1: money into savings. It is weird, though, when people have

59
00:02:38,800 --> 00:02:40,320
Speaker 1: access to your accounts and they're also like, have a

60
00:02:40,360 --> 00:02:44,440
Speaker 1: big fan. That's weird. Once ten years ago, some officer

61
00:02:44,480 --> 00:02:47,720
Speaker 1: showed up to my door and I looked out that

62
00:02:47,760 --> 00:02:49,919
Speaker 1: a little thing. I moved the little hatch back and

63
00:02:49,919 --> 00:02:52,600
Speaker 1: I could see them. They dropped two badges and I

64
00:02:52,720 --> 00:02:54,560
Speaker 1: was like, what is happening. They said, you mind if

65
00:02:54,600 --> 00:02:56,080
Speaker 1: we come out and see Yeah, and they came in

66
00:02:56,160 --> 00:03:00,720
Speaker 1: and those badges were IRS badges. I just bad, like

67
00:03:00,720 --> 00:03:02,520
Speaker 1: we work on the IRS Task Force and I'm like,

68
00:03:02,560 --> 00:03:05,160
Speaker 1: what did I do? And so, but it turns out

69
00:03:05,160 --> 00:03:09,639
Speaker 1: a listener had hacked into all my IRS files and

70
00:03:09,680 --> 00:03:11,760
Speaker 1: then was such a big fan of the show, got

71
00:03:11,840 --> 00:03:14,320
Speaker 1: into Amy's got into and so they were like, do

72
00:03:14,320 --> 00:03:15,880
Speaker 1: you want to press charges? Do you know who this is?

73
00:03:15,880 --> 00:03:17,520
Speaker 1: And I was like, yeah, she shows up at remote

74
00:03:17,880 --> 00:03:20,000
Speaker 1: like remote broadcasts all the time. We knew who she was,

75
00:03:20,080 --> 00:03:22,800
Speaker 1: like the IRS. Yeah, but the FBI was involved too.

76
00:03:22,880 --> 00:03:24,680
Speaker 1: I lived in North Carolina at the time, so the

77
00:03:24,720 --> 00:03:27,560
Speaker 1: FBI is the one that questioned me. It went from

78
00:03:27,600 --> 00:03:29,880
Speaker 1: IRS to FBI. Yeah, but they were the ones first.

79
00:03:29,919 --> 00:03:31,359
Speaker 1: They were like, do you recognize this person? They brought

80
00:03:31,360 --> 00:03:34,560
Speaker 1: me a picture of her. But it does feel a

81
00:03:34,600 --> 00:03:37,120
Speaker 1: bit of a violation whenever it isn't to be a fan,

82
00:03:37,160 --> 00:03:38,600
Speaker 1: but when someone knows you but also works at a

83
00:03:38,640 --> 00:03:40,440
Speaker 1: place where they can get inside your information and see

84
00:03:40,480 --> 00:03:43,040
Speaker 1: like your guts. I mean, she had already seen it all.

85
00:03:43,080 --> 00:03:46,520
Speaker 1: But thank goodness, there's also an internal system that will

86
00:03:46,560 --> 00:03:49,200
Speaker 1: flag people like how she got caught was she was

87
00:03:49,240 --> 00:03:51,280
Speaker 1: looking at things clearly she wasn't supposed to when it

88
00:03:51,320 --> 00:03:54,400
Speaker 1: got red flagged and then they were like, wait, why

89
00:03:54,520 --> 00:03:57,920
Speaker 1: is this person in San Antonio looking up these people?

90
00:03:57,960 --> 00:03:59,720
Speaker 1: And then they connected the dots. They were like, what

91
00:03:59,840 --> 00:04:02,320
Speaker 1: did these people have in common? And it was a

92
00:04:02,320 --> 00:04:04,560
Speaker 1: show and they said that, oh wait, okay one of

93
00:04:04,600 --> 00:04:06,960
Speaker 1: my ex girlfriends at the time. Yeah, like she went

94
00:04:07,120 --> 00:04:09,119
Speaker 1: in on me every way. And then started just dodd

95
00:04:09,200 --> 00:04:12,040
Speaker 1: going around the dots. Just look what everybody in part

96
00:04:12,080 --> 00:04:15,040
Speaker 1: of a federal investigation where people put our names together,

97
00:04:15,080 --> 00:04:17,720
Speaker 1: and someone on the team or someone investigating was like,

98
00:04:17,760 --> 00:04:21,040
Speaker 1: that's the Boffy Bone show. And then they started reaching

99
00:04:21,040 --> 00:04:22,599
Speaker 1: out to all of us. And I remember when they

100
00:04:22,600 --> 00:04:23,800
Speaker 1: got there. I sit down in the chair and sort

101
00:04:23,800 --> 00:04:25,240
Speaker 1: of plunging water over my face. They're like, what are

102
00:04:25,240 --> 00:04:26,960
Speaker 1: you doing on like some waterboarding me. I know you

103
00:04:27,000 --> 00:04:31,760
Speaker 1: guys want some answers. You just don't hear yourself. Yeah, yeah,

104
00:04:32,040 --> 00:04:34,680
Speaker 1: it was scary. I think my story saved your bit Ray.

105
00:04:34,839 --> 00:04:37,240
Speaker 1: Thank you. It's fine. I would have picked his no

106
00:04:37,279 --> 00:04:40,520
Speaker 1: matter what. Yeah, all right, is he getting reputation to

107
00:04:40,560 --> 00:04:43,000
Speaker 1: clickbit Ray? No? I think that that's right. I think

108
00:04:43,000 --> 00:04:45,160
Speaker 1: he is clickbit ray. It's like he was pretty good.

109
00:04:45,160 --> 00:04:48,039
Speaker 1: The headline was pretty good, but click bit ray, I

110
00:04:48,040 --> 00:04:51,040
Speaker 1: mean it works on the internet. Why not clig bit ray.

111
00:04:52,240 --> 00:04:56,720
Speaker 1: I might need to change the title of my story then, yeah,

112
00:04:56,800 --> 00:04:59,880
Speaker 1: a murder in my house? Maybe no, but that's not true.

113
00:05:00,000 --> 00:05:02,120
Speaker 1: I'm still kind of true. All right, Ry, thank you

114
00:05:02,120 --> 00:05:05,680
Speaker 1: for your story. Yep. It's the Best Bits of the

115
00:05:05,720 --> 00:05:10,760
Speaker 1: Week with Morgan number two. It's number six on the

116
00:05:10,800 --> 00:05:13,520
Speaker 1: Best Bits this week. The show share the things they

117
00:05:13,520 --> 00:05:16,799
Speaker 1: are geeking out over right now, and they're across the board,

118
00:05:16,839 --> 00:05:22,040
Speaker 1: from basketball to forrest bathing to reality TV shows too fishing.

119
00:05:22,160 --> 00:05:24,240
Speaker 1: It is all the fun things that sometimes we never

120
00:05:24,240 --> 00:05:26,280
Speaker 1: get a geek out over. So you get to hear

121
00:05:26,320 --> 00:05:29,440
Speaker 1: that from the show right now, number six. All right,

122
00:05:29,480 --> 00:05:32,080
Speaker 1: this segment it's called nerding out. It's what we're all

123
00:05:32,120 --> 00:05:35,520
Speaker 1: individually nerding out about. We even have nerdy music hit

124
00:05:35,560 --> 00:05:38,920
Speaker 1: that please. All right, nerding out amy your first go Well.

125
00:05:38,960 --> 00:05:41,760
Speaker 1: I'm nerding out about forest bathing because I keep reading

126
00:05:41,760 --> 00:05:43,960
Speaker 1: about it in like health and wellness as a way

127
00:05:44,000 --> 00:05:47,080
Speaker 1: to decrease stress and stuff. So I'm finally gonna go

128
00:05:47,120 --> 00:05:51,240
Speaker 1: take myself to a forest bath this weekends forest bath. Well,

129
00:05:51,240 --> 00:05:53,120
Speaker 1: all you gotta do is just go be out with nature.

130
00:05:53,160 --> 00:05:54,800
Speaker 1: I'm going to go to this wood's area where I

131
00:05:54,839 --> 00:05:56,960
Speaker 1: like to hike, and I'm gonna sit and soak up

132
00:05:57,000 --> 00:05:59,599
Speaker 1: like all the things I'm going to breathe. You're fully closed.

133
00:05:59,600 --> 00:06:00,960
Speaker 1: It's not like you're taking a back You're not in

134
00:06:01,000 --> 00:06:03,240
Speaker 1: the water. No, you're not on the water. You're you're

135
00:06:03,279 --> 00:06:06,880
Speaker 1: soaking up nature the trees. Like. So, I guess what's

136
00:06:06,920 --> 00:06:10,360
Speaker 1: it called forest bathing ages? I don't know. Zero through

137
00:06:10,400 --> 00:06:12,760
Speaker 1: eighteen forest bathing for life? For me, I loved in

138
00:06:12,760 --> 00:06:15,080
Speaker 1: the woods basically, yea, yeah, I guess. I'm sure it's

139
00:06:15,080 --> 00:06:19,200
Speaker 1: good for your stress level. So why again, Um, decreased stress,

140
00:06:19,279 --> 00:06:22,560
Speaker 1: boosted immunity, and it helps me. There's a boost immunity

141
00:06:22,600 --> 00:06:24,560
Speaker 1: when you're sitting in the woods because like, if you're

142
00:06:24,640 --> 00:06:27,360
Speaker 1: feeling one with nature and healthier, and if your stress

143
00:06:27,440 --> 00:06:33,560
Speaker 1: is decreased, your immunity is better. I mean that's all right, interesting,

144
00:06:34,360 --> 00:06:37,599
Speaker 1: all right? Nerding out what you got, man? So you

145
00:06:37,640 --> 00:06:40,680
Speaker 1: know I love fishing. The guy this guy in North Carolina,

146
00:06:40,760 --> 00:06:43,839
Speaker 1: he caught a fish that broke a sixty year old record.

147
00:06:44,000 --> 00:06:47,240
Speaker 1: This fish was twelve pounds eight ounces I mean it's huge.

148
00:06:47,279 --> 00:06:49,280
Speaker 1: I saw it. I'm like, that is a beautiful fish.

149
00:06:49,320 --> 00:06:52,080
Speaker 1: What kind of fish though, because like a catfish, they

150
00:06:52,120 --> 00:06:53,640
Speaker 1: go to like one hundred. Sure, I get it. It's

151
00:06:53,640 --> 00:06:57,599
Speaker 1: a speckled trout, smaller. My goal recently has been to

152
00:06:57,680 --> 00:07:00,000
Speaker 1: catch a trout. There's a river like thirty minutes from here.

153
00:07:00,279 --> 00:07:02,000
Speaker 1: I will do it in the next couple of years.

154
00:07:02,040 --> 00:07:04,440
Speaker 1: I know I can't. Who's gonna do it? First? Lunchbox

155
00:07:04,480 --> 00:07:10,080
Speaker 1: wins a lottery, already catches a record trial the fish

156
00:07:10,160 --> 00:07:14,440
Speaker 1: mine is. The NCAA tournament starts on Thursday, officially with

157
00:07:14,480 --> 00:07:17,320
Speaker 1: the sixty four they're playing games. Um not on Thursday,

158
00:07:17,360 --> 00:07:20,400
Speaker 1: They've already happened, But on Thursday it happens. You can

159
00:07:20,400 --> 00:07:23,120
Speaker 1: still bet. You can still build your bracket. I'm gonna

160
00:07:23,120 --> 00:07:26,600
Speaker 1: give you tips. Now, pick the lower numbers, okay, just

161
00:07:26,680 --> 00:07:31,560
Speaker 1: in Generally pick number one two. Yes, they're the better team.

162
00:07:31,720 --> 00:07:34,880
Speaker 1: Sixty four percent of the time a number one seed

163
00:07:34,920 --> 00:07:37,120
Speaker 1: wins the tournament, wins the whole thing. There are four

164
00:07:37,240 --> 00:07:42,760
Speaker 1: number ones, Gonzaga, Arizona, Kansas, and Baylor. There are number two's.

165
00:07:43,760 --> 00:07:45,440
Speaker 1: We could go through the whole thing, but they are

166
00:07:45,520 --> 00:07:48,920
Speaker 1: number eleven. Literally, pick the lower numbers. There are gonna

167
00:07:48,920 --> 00:07:51,520
Speaker 1: be some upsets, but usually what happens most of the

168
00:07:51,520 --> 00:07:54,240
Speaker 1: time is that the lower numbers win, so we can

169
00:07:54,240 --> 00:07:56,000
Speaker 1: still bet like through I don't want to do a bracket,

170
00:07:56,000 --> 00:07:59,120
Speaker 1: but I can do like draft kings. Okay, I'm you're

171
00:07:59,240 --> 00:08:01,120
Speaker 1: my coach. I don't want to be in charge of

172
00:08:01,120 --> 00:08:03,640
Speaker 1: your minds. Okay, I'm going Baylor number one all the way.

173
00:08:03,720 --> 00:08:06,720
Speaker 1: Take it. Okay, that's what my dad would want. You

174
00:08:06,760 --> 00:08:08,040
Speaker 1: can't you know you're not gonna bet. You can bet

175
00:08:08,040 --> 00:08:09,120
Speaker 1: them to win. You can be what they call a

176
00:08:09,120 --> 00:08:11,320
Speaker 1: future to win at all if you want. But you

177
00:08:11,320 --> 00:08:14,800
Speaker 1: can also bet individually each game. Okay, all right, Well,

178
00:08:14,720 --> 00:08:16,560
Speaker 1: I guess I'm gonna be busy. I'm not gonna watch though.

179
00:08:17,040 --> 00:08:20,040
Speaker 1: To watch, I have to coach her, then watch for her.

180
00:08:20,600 --> 00:08:23,760
Speaker 1: I'll be watching, yes, But that's my tip. It's an

181
00:08:23,760 --> 00:08:25,680
Speaker 1: easy tip. Don't pick a lot of ups You can

182
00:08:25,680 --> 00:08:29,040
Speaker 1: pick up occasional upset or two, but generally the data

183
00:08:29,080 --> 00:08:32,120
Speaker 1: shows the lower numbers win more games and win the tournament.

184
00:08:32,120 --> 00:08:36,040
Speaker 1: Who are you saying going to win Arkansas? But I

185
00:08:36,120 --> 00:08:39,880
Speaker 1: said what I said, There are four other than Arkansas.

186
00:08:39,960 --> 00:08:41,920
Speaker 1: I think I think Tennessee got robbed. There are three,

187
00:08:42,000 --> 00:08:43,520
Speaker 1: but I think they probably should have been a two

188
00:08:43,600 --> 00:08:45,640
Speaker 1: or maybe even a one. I think your school, Texas

189
00:08:45,679 --> 00:08:48,040
Speaker 1: and m got robbed of being in the tournament. Period.

190
00:08:48,520 --> 00:08:50,880
Speaker 1: Michigan should not be in the tournament. Oh, there's a

191
00:08:50,920 --> 00:08:53,280
Speaker 1: there's a lot of different things happening here. But um,

192
00:08:53,480 --> 00:08:59,360
Speaker 1: I'm going with Arkansas or Tennessee, Kentucky. Okay, no number

193
00:08:59,360 --> 00:09:04,200
Speaker 1: one's there, gets correct? Yeah, thank you, lunch box, you're up. Look, guys,

194
00:09:04,200 --> 00:09:06,480
Speaker 1: I've been telling you about the Challenge on MTV for years.

195
00:09:06,559 --> 00:09:10,320
Speaker 1: West Bananas, CT Laurel kill It Cam. I'll tell you guys,

196
00:09:10,320 --> 00:09:12,640
Speaker 1: you gotta watch it. No one cares about the Challenge.

197
00:09:12,679 --> 00:09:15,199
Speaker 1: No one likes the Challenge. That's why the Challenge is

198
00:09:15,240 --> 00:09:18,000
Speaker 1: coming to CBS. It got a spinoff. Baby, when you

199
00:09:18,160 --> 00:09:20,120
Speaker 1: want to know, when you're huge and TV is you

200
00:09:20,120 --> 00:09:22,600
Speaker 1: get a spinoff series. They're gonna take people from Big Brother,

201
00:09:22,920 --> 00:09:26,000
Speaker 1: Survivor and Amazing Race and they're gonna put them on

202
00:09:26,040 --> 00:09:29,760
Speaker 1: the Challenge. And we got another rendition of the Challenge. Whoo.

203
00:09:30,160 --> 00:09:32,280
Speaker 1: They've done this form of show for a long time.

204
00:09:32,320 --> 00:09:34,680
Speaker 1: They used to do Battle of Network Media Stars, Battle

205
00:09:34,679 --> 00:09:36,680
Speaker 1: of Sport. So the Challenge itself isn't new. But I

206
00:09:36,679 --> 00:09:38,440
Speaker 1: think what we don't care about are the people on

207
00:09:38,520 --> 00:09:41,120
Speaker 1: the MTV Challenge because we don't know who they are. Well,

208
00:09:41,160 --> 00:09:42,880
Speaker 1: you should care because it used to just be Real

209
00:09:42,920 --> 00:09:45,000
Speaker 1: World and road Rules people, and now they're going to

210
00:09:45,240 --> 00:09:47,880
Speaker 1: CBS and the winner of that gets an automatic bid

211
00:09:47,920 --> 00:09:50,720
Speaker 1: into the MTV show Battle the World. What if the

212
00:09:50,720 --> 00:09:54,079
Speaker 1: people that win are like, now, I'm good a lot

213
00:09:54,080 --> 00:09:55,640
Speaker 1: to play down, I just won the big one. You're

214
00:09:55,679 --> 00:09:57,880
Speaker 1: on CBS. That'd be fun. It'd be fun to watch

215
00:09:57,920 --> 00:10:02,120
Speaker 1: your favorite net work reality stars play against each other.

216
00:10:02,240 --> 00:10:03,800
Speaker 1: I probably won't watch it, but I do see where

217
00:10:03,840 --> 00:10:05,760
Speaker 1: that would be fun. All right, I though you're gonna

218
00:10:05,760 --> 00:10:07,880
Speaker 1: get on the challenge train. If it were shows I

219
00:10:07,920 --> 00:10:10,120
Speaker 1: cared about, if it were like Dwight from the Office,

220
00:10:10,800 --> 00:10:13,880
Speaker 1: you know, wouldn't play again, good one, Larry David from

221
00:10:13,880 --> 00:10:18,360
Speaker 1: Curb Your Enthusiasm, Oh you can't. Jennifer Aniston. Yeah, like

222
00:10:18,440 --> 00:10:20,480
Speaker 1: that would be fun because I care about them. All right,

223
00:10:20,480 --> 00:10:22,960
Speaker 1: there you go. That's nerding out. Thank you guys, and

224
00:10:23,200 --> 00:10:26,280
Speaker 1: jam out to some music for five seconds. Turn it up. Yeah,

225
00:10:27,520 --> 00:10:30,200
Speaker 1: we're just nerding out. We're nothing but nerds, and we

226
00:10:30,320 --> 00:10:34,360
Speaker 1: just nerding out. It's the Best Bits of the Week

227
00:10:35,160 --> 00:10:40,920
Speaker 1: with Morgan. Number two a super epic interview and performance

228
00:10:40,920 --> 00:10:42,920
Speaker 1: this week by Ernest. It was his first time on

229
00:10:42,960 --> 00:10:46,880
Speaker 1: the show. He's done the Bobby Cast with Bobby one time,

230
00:10:46,920 --> 00:10:50,000
Speaker 1: and then I think Bobby went on Ernest's podcast as well,

231
00:10:50,080 --> 00:10:52,520
Speaker 1: so super cool things there. But this was his first

232
00:10:52,520 --> 00:10:55,240
Speaker 1: time on the Bobby Bones Show. And he talked a

233
00:10:55,240 --> 00:10:57,480
Speaker 1: lot about his songwriting that you know, He's written for

234
00:10:57,600 --> 00:11:00,880
Speaker 1: Morgan wall and Chris Lane, Mason Ramsey. He has so

235
00:11:00,960 --> 00:11:04,280
Speaker 1: much talent just across the board, and so he performed

236
00:11:04,440 --> 00:11:06,720
Speaker 1: some of those songs that he's writing. He also performed

237
00:11:07,080 --> 00:11:10,400
Speaker 1: his brand new song Flower Shops. That's with Morgan Wallen.

238
00:11:10,520 --> 00:11:12,840
Speaker 1: Of course it was just him here in studio, so

239
00:11:12,880 --> 00:11:15,800
Speaker 1: you can hear that interview and his performance. But if

240
00:11:15,800 --> 00:11:17,839
Speaker 1: you want to watch it too, go to Bobby Bones

241
00:11:17,920 --> 00:11:22,920
Speaker 1: dot Com. Number five The Friday Morning Conversation with Earnest.

242
00:11:23,040 --> 00:11:25,040
Speaker 1: All right, I'm pumped to have Ernest here and before

243
00:11:25,080 --> 00:11:27,560
Speaker 1: we actually talk to him, which by the way, Hello Ernest. Hi,

244
00:11:27,679 --> 00:11:28,959
Speaker 1: Now just pause for a second. I'm gonna do a

245
00:11:29,000 --> 00:11:31,360
Speaker 1: little little cell of you. Okay, good. I love this guy.

246
00:11:31,360 --> 00:11:34,440
Speaker 1: He's got a new album out called Flower Shops and

247
00:11:34,520 --> 00:11:36,120
Speaker 1: we will. He's gonna play a song from it in

248
00:11:36,120 --> 00:11:38,600
Speaker 1: a second. The song right now that is crushing the

249
00:11:38,679 --> 00:11:45,280
Speaker 1: charts is Flower Shops. And here's a clip Ernest and

250
00:11:45,360 --> 00:11:48,680
Speaker 1: Morgan Wallen right there on the top of that. He

251
00:11:48,720 --> 00:11:51,040
Speaker 1: wrote Big, Big Plans for Chris Lane, one of the

252
00:11:51,080 --> 00:11:55,800
Speaker 1: writers there, Big Big, I Love My Country from fgl

253
00:11:56,920 --> 00:11:59,560
Speaker 1: My Country. Breaking up was easy in the nineties for

254
00:11:59,600 --> 00:12:05,760
Speaker 1: Sam Sitting more than My Hometown from Morgan Wallen it

255
00:12:05,920 --> 00:12:11,240
Speaker 1: Kane Brown won Mississippi. This guy's got it all all right,

256
00:12:11,240 --> 00:12:13,040
Speaker 1: We'll be back after this break. That's a whole break

257
00:12:13,360 --> 00:12:15,800
Speaker 1: just talking about Ernest. How are you, Buddy good Man?

258
00:12:15,800 --> 00:12:18,120
Speaker 1: How are you? You know? Eddie said, he came in

259
00:12:18,160 --> 00:12:21,880
Speaker 1: the studio and he said he I saw possibly Ernest

260
00:12:21,960 --> 00:12:23,920
Speaker 1: driving down the road. And he said it looked like

261
00:12:23,920 --> 00:12:27,400
Speaker 1: two cartoon characters. It could have been. And because your

262
00:12:27,440 --> 00:12:31,079
Speaker 1: car is a seventy five Coop Deville, yeah that was it.

263
00:12:31,160 --> 00:12:33,959
Speaker 1: And yeah that was it. What did you see inside

264
00:12:33,960 --> 00:12:36,800
Speaker 1: the car? Just two dudes? Like I mean, the music

265
00:12:36,960 --> 00:12:38,680
Speaker 1: was so loud. We were at a red light and

266
00:12:38,720 --> 00:12:41,400
Speaker 1: you had pulled up next to me, and my car

267
00:12:41,520 --> 00:12:43,720
Speaker 1: was shaking because you guys were jamming to something. It's

268
00:12:43,720 --> 00:12:45,480
Speaker 1: almost like that TikTok video where you guys are just

269
00:12:45,520 --> 00:12:47,319
Speaker 1: not both not talking to each other, but nod in

270
00:12:47,360 --> 00:12:50,400
Speaker 1: your head listening to something really good. Yeah, that sounds

271
00:12:50,400 --> 00:12:51,920
Speaker 1: about right. Who do you think was in the car

272
00:12:51,960 --> 00:12:55,200
Speaker 1: with him? Maybe Hardy? Just because you both had like

273
00:12:55,280 --> 00:12:58,000
Speaker 1: trucker hats on. I didn't recognize Hardy, maybe he didn't

274
00:12:58,040 --> 00:13:01,240
Speaker 1: have glasses on or what. I think it was my boyfriend, classic,

275
00:13:03,600 --> 00:13:07,200
Speaker 1: classic boy. That's awesome. People are loving the new record.

276
00:13:07,760 --> 00:13:09,600
Speaker 1: Thank you. You know. I had a radio guy that

277
00:13:09,720 --> 00:13:12,080
Speaker 1: reached out to me, um and said, hey, I don't

278
00:13:12,120 --> 00:13:14,760
Speaker 1: often say this, it's uh, one of our guys that

279
00:13:14,800 --> 00:13:17,320
Speaker 1: runs the station of South Carolina. Just privately, he says,

280
00:13:17,320 --> 00:13:19,120
Speaker 1: this is the only record that I love every single

281
00:13:19,120 --> 00:13:22,000
Speaker 1: song on it. And he said in like twenty years. Wow.

282
00:13:22,160 --> 00:13:24,440
Speaker 1: And so that wasn't him blowing smoke because you were

283
00:13:24,440 --> 00:13:26,760
Speaker 1: doing an interview. He was just telling me that, you know, offhand,

284
00:13:26,760 --> 00:13:28,880
Speaker 1: because you come to the house into the podcast. That's wow.

285
00:13:29,000 --> 00:13:31,600
Speaker 1: That's awesome. Um. I want to play a little clip here.

286
00:13:31,920 --> 00:13:34,640
Speaker 1: This is Sucker for small Towns. I really like this one.

287
00:13:34,679 --> 00:13:37,199
Speaker 1: This is track one on his record, I'm a Sucker.

288
00:13:37,320 --> 00:13:57,880
Speaker 1: For Saturday Night. So this album has everything. It's got

289
00:13:57,880 --> 00:13:59,400
Speaker 1: the slow ones that I love. It is a is

290
00:13:59,400 --> 00:14:02,440
Speaker 1: a pure country album, and congratulations on it man, it's

291
00:14:02,480 --> 00:14:05,480
Speaker 1: really good. I appreciate it when you make music because

292
00:14:05,760 --> 00:14:07,800
Speaker 1: you know you've written all kinds of songs for all

293
00:14:07,880 --> 00:14:09,520
Speaker 1: kinds of people. How do you know what songs you

294
00:14:09,600 --> 00:14:11,160
Speaker 1: want to keep for you and what songs you want

295
00:14:11,160 --> 00:14:14,719
Speaker 1: to let somebody else record? Pretty early on, while the

296
00:14:14,760 --> 00:14:17,560
Speaker 1: song is getting written, I can have that emotional connection

297
00:14:17,559 --> 00:14:19,880
Speaker 1: with it. When I start singing it, I know pretty

298
00:14:19,880 --> 00:14:22,560
Speaker 1: pretty well then and there, and in the same way

299
00:14:22,600 --> 00:14:25,440
Speaker 1: I know when it sounds like if it's a Morgan

300
00:14:25,480 --> 00:14:28,640
Speaker 1: song or Chris Lane or somebody else, if I'm gonna

301
00:14:28,680 --> 00:14:31,040
Speaker 1: let it go. How many songs on Morgan's last double

302
00:14:31,040 --> 00:14:33,080
Speaker 1: album did you write with with him or right period?

303
00:14:33,640 --> 00:14:37,280
Speaker 1: Lib That's a lot. Wow, Yeah, that's a lot. And

304
00:14:37,600 --> 00:14:39,960
Speaker 1: you're doing these shows out with Morgan now, Like, what

305
00:14:40,120 --> 00:14:41,920
Speaker 1: is it like to get I mean, these these arenas

306
00:14:41,920 --> 00:14:44,640
Speaker 1: are packed. Yeah, well, I'll tell you. The hardest part

307
00:14:44,720 --> 00:14:46,360
Speaker 1: is not being able to play any of my Morgan

308
00:14:46,440 --> 00:14:50,160
Speaker 1: songs in myself in my set. But uh no, it's great.

309
00:14:50,240 --> 00:14:53,000
Speaker 1: His fan base is awesome and they've taken me on well,

310
00:14:54,560 --> 00:14:56,200
Speaker 1: and playing in front of any crowd is awesome, and

311
00:14:56,240 --> 00:14:58,760
Speaker 1: they're singing your songs back. It's just yeah, it's the best.

312
00:14:58,840 --> 00:15:00,840
Speaker 1: Tell my friends here on this s show. You moved

313
00:15:00,840 --> 00:15:03,400
Speaker 1: off to an island for a long time? How long? Yeah,

314
00:15:03,520 --> 00:15:06,120
Speaker 1: Saint Thomas, Virgin Islands. I lived there for about a

315
00:15:06,200 --> 00:15:09,120
Speaker 1: year and we visit regularly now still. And why did

316
00:15:09,120 --> 00:15:12,520
Speaker 1: you move there? Because at the time, my girlfriend's dad,

317
00:15:12,560 --> 00:15:16,120
Speaker 1: now my wife, was looking for houses down there and

318
00:15:16,160 --> 00:15:17,960
Speaker 1: we went. He went and took all of us with

319
00:15:18,040 --> 00:15:21,440
Speaker 1: him for six weeks, we rented a house and in

320
00:15:21,440 --> 00:15:23,480
Speaker 1: that six weeks we fell in love with the island.

321
00:15:23,680 --> 00:15:26,040
Speaker 1: He found the house, so I stayed on the island

322
00:15:26,080 --> 00:15:28,920
Speaker 1: with him while she went to college and gigged around

323
00:15:28,960 --> 00:15:32,360
Speaker 1: like Thursday through Saturdays doing beach bar gigs, stay with

324
00:15:32,440 --> 00:15:34,520
Speaker 1: a girlfriend's dad, and just played on the island for

325
00:15:34,600 --> 00:15:37,360
Speaker 1: a year. Do you feel like that's where you kind

326
00:15:37,360 --> 00:15:39,400
Speaker 1: of found yourself musically because you were just playing so

327
00:15:39,440 --> 00:15:42,200
Speaker 1: many shows you weren't making really any money. I found

328
00:15:42,240 --> 00:15:47,160
Speaker 1: myself entirely there musically and spiritually. Definitely. The islands helped

329
00:15:47,240 --> 00:15:49,240
Speaker 1: jump start whatever the rest of my life was about

330
00:15:49,280 --> 00:15:51,000
Speaker 1: to be what is the rest of your life? What's

331
00:15:51,000 --> 00:15:52,920
Speaker 1: it about? Right now? Ernest is here? Like, what do

332
00:15:52,920 --> 00:15:55,400
Speaker 1: you say? What someone's like, what's your life about? Well?

333
00:15:55,440 --> 00:15:59,000
Speaker 1: Now I'm a family man, which is awesome. It's you

334
00:15:59,040 --> 00:16:03,840
Speaker 1: know that the dream is happening perfectly his music and family.

335
00:16:03,920 --> 00:16:07,960
Speaker 1: But having to find the balance between being a dad

336
00:16:08,000 --> 00:16:10,200
Speaker 1: and a husband and going and do the rock star

337
00:16:10,320 --> 00:16:13,600
Speaker 1: thing too has been a challenge. But I'm lucky he's

338
00:16:13,640 --> 00:16:15,800
Speaker 1: all get out their supportive. Ryman's coming out with me

339
00:16:15,880 --> 00:16:20,520
Speaker 1: this weekend on the roads about Ryman's his baby. Okay,

340
00:16:20,840 --> 00:16:23,760
Speaker 1: Ryman's my baby boy's name. Ernest is here And if

341
00:16:23,800 --> 00:16:25,680
Speaker 1: you don't mind, I would like to start off with

342
00:16:26,000 --> 00:16:28,800
Speaker 1: hearing you perform flower shops. Sure. Can you talk about

343
00:16:28,840 --> 00:16:31,560
Speaker 1: this song though, because you wrote it, talk about you're

344
00:16:31,560 --> 00:16:33,600
Speaker 1: sitting in a room and you know where'd the idea

345
00:16:33,640 --> 00:16:35,960
Speaker 1: come from? And what does this song mean? Yeah? So,

346
00:16:36,800 --> 00:16:39,480
Speaker 1: to be honest, the song that inspired this song is

347
00:16:39,520 --> 00:16:43,120
Speaker 1: good Year for the Roses, a boy. George Jones and Burgess.

348
00:16:43,240 --> 00:16:44,920
Speaker 1: Ben Burgess and I were on our way to Mark

349
00:16:44,960 --> 00:16:48,080
Speaker 1: Holman's to write that day and that song came on

350
00:16:48,080 --> 00:16:52,320
Speaker 1: on iTunes, a Central playlist or whatever. George Jones playlist

351
00:16:52,840 --> 00:16:55,880
Speaker 1: and we looked at each other like what a cool title.

352
00:16:56,360 --> 00:16:58,360
Speaker 1: Burgess like, yeah, dude, we should write one of those.

353
00:16:58,480 --> 00:16:59,960
Speaker 1: And I was like yeah, he's like we should write

354
00:17:00,120 --> 00:17:02,720
Speaker 1: something like good Day for flower Shops. I was like

355
00:17:03,000 --> 00:17:07,119
Speaker 1: absolutely yes. So we kind of talked it out the

356
00:17:07,240 --> 00:17:09,800
Speaker 1: character and what that song was gonna mean, and had

357
00:17:09,840 --> 00:17:11,480
Speaker 1: a lot of it written by the time we got

358
00:17:11,480 --> 00:17:13,840
Speaker 1: to Holman's. And when we got to Holmans, picked up

359
00:17:14,160 --> 00:17:19,600
Speaker 1: picked up the guitar and started the uh and it

360
00:17:19,640 --> 00:17:23,280
Speaker 1: was in better tune at that time of the day.

361
00:17:22,920 --> 00:17:25,680
Speaker 1: But in no time we put we put melody and

362
00:17:26,200 --> 00:17:27,800
Speaker 1: all the thoughts came to life when we wrote the

363
00:17:27,840 --> 00:17:30,920
Speaker 1: song pretty quick, and we knew then and something was special,

364
00:17:31,040 --> 00:17:33,359
Speaker 1: but we didn't know. Here is Ernest. Here you go

365
00:17:33,480 --> 00:17:48,880
Speaker 1: performing flower Shops. It's a beautiful day. She's been crying

366
00:17:49,119 --> 00:17:54,800
Speaker 1: all night all there's tears in her blues and bloodshote

367
00:17:55,000 --> 00:18:01,080
Speaker 1: in mine. This bender's been bending. It's hill bound break.

368
00:18:01,880 --> 00:18:08,920
Speaker 1: My baby said all she can take. So mister, I'll

369
00:18:09,000 --> 00:18:16,600
Speaker 1: take your roses. If you cut off the thorns, she

370
00:18:16,680 --> 00:18:23,359
Speaker 1: can't take no more. How about violets and daisy to

371
00:18:23,560 --> 00:18:29,400
Speaker 1: hide all the crazy. It's gonna take all you've got.

372
00:18:30,600 --> 00:18:36,400
Speaker 1: Oh it's a bad day for love, but a good

373
00:18:36,520 --> 00:18:47,719
Speaker 1: day for flowers, shine hops, Ernest and studio. Thank you.

374
00:18:49,400 --> 00:18:51,919
Speaker 1: It's a great song man. Thank you. How did you

375
00:18:51,960 --> 00:18:55,280
Speaker 1: get Morgan Walling to sing that song with you? I

376
00:18:55,440 --> 00:18:58,200
Speaker 1: texted him the demo pretty soon after I got it back,

377
00:18:58,359 --> 00:19:00,560
Speaker 1: just out of excitement, like, yo, dude, listen to this

378
00:19:01,040 --> 00:19:04,880
Speaker 1: and it turned into one of both of our favorite songs,

379
00:19:05,080 --> 00:19:08,160
Speaker 1: and pretty naturally we started singing it together. We sang

380
00:19:08,200 --> 00:19:11,560
Speaker 1: it together at a couple events, and then um, he

381
00:19:11,640 --> 00:19:13,399
Speaker 1: pretty much announced that he was gonna do it with

382
00:19:13,440 --> 00:19:16,680
Speaker 1: me at a Whiskey Jams show. And then Morgan said

383
00:19:16,720 --> 00:19:17,720
Speaker 1: he was going to do it with me, and then

384
00:19:17,720 --> 00:19:20,200
Speaker 1: we did it together at Ernest. You guys can follow

385
00:19:20,240 --> 00:19:22,399
Speaker 1: on Instagram. We'll be back with Ernest in a second.

386
00:19:22,480 --> 00:19:24,359
Speaker 1: I'm gonna ask you to do what cool songwriters do

387
00:19:24,440 --> 00:19:26,199
Speaker 1: that have a lot of success, Just to play me

388
00:19:26,240 --> 00:19:28,400
Speaker 1: little clips of the songs you've written. Okay? Is that cool?

389
00:19:28,400 --> 00:19:30,600
Speaker 1: Can we do that? Sure? Also, and I haven't ran

390
00:19:30,680 --> 00:19:33,600
Speaker 1: this by him, but can you? And I don't want

391
00:19:33,600 --> 00:19:35,480
Speaker 1: to spoil it for our listeners a time? Can you

392
00:19:35,560 --> 00:19:38,960
Speaker 1: rap my favorite song that you wrote for someone else?

393
00:19:39,000 --> 00:19:41,200
Speaker 1: It's that little part of it. Oh you're talking about

394
00:19:41,280 --> 00:19:47,399
Speaker 1: the young. The young hop up in wet yea. We

395
00:19:47,400 --> 00:19:51,359
Speaker 1: will come back, all right. Ernest did something that I'm

396
00:19:51,640 --> 00:19:53,560
Speaker 1: amazed by. I love, and I didn't even know he

397
00:19:53,600 --> 00:19:56,560
Speaker 1: did it. Ernest has a new album called flower Shops.

398
00:19:56,600 --> 00:19:59,640
Speaker 1: The album this is track two that I love called

399
00:19:59,720 --> 00:20:20,520
Speaker 1: ten see Queen Good Good As you grew up here

400
00:20:20,520 --> 00:20:22,840
Speaker 1: in Nashville, which is rare. You know, most artists that

401
00:20:22,880 --> 00:20:25,720
Speaker 1: come through didn't really grow up here. Yeah. Um, when

402
00:20:25,760 --> 00:20:27,440
Speaker 1: you were a kid, did you ever see any cool

403
00:20:27,440 --> 00:20:31,199
Speaker 1: country music artists just randomly in a restaurant or something. Yeah.

404
00:20:31,280 --> 00:20:34,960
Speaker 1: My my cool country music artists exposure was Billy Dean.

405
00:20:35,160 --> 00:20:38,520
Speaker 1: I was in third grade and miss Billy the kid.

406
00:20:39,200 --> 00:20:42,399
Speaker 1: Yeah dude. I went to elementary school, middle school with Eli,

407
00:20:42,560 --> 00:20:44,919
Speaker 1: his son, and Billy would like pick us up from

408
00:20:44,960 --> 00:20:47,040
Speaker 1: school and take us to the pancake pantry. Were going

409
00:20:47,119 --> 00:20:49,119
Speaker 1: through the back door, and I was like, this is

410
00:20:49,160 --> 00:20:51,560
Speaker 1: the coolest thing ever. I'm not waiting in the lines.

411
00:20:51,800 --> 00:20:54,080
Speaker 1: That's something like, I guess when you're a kid, there

412
00:20:54,080 --> 00:20:57,200
Speaker 1: are other kids and they have famous dads. Yeah, yeah,

413
00:20:57,600 --> 00:20:59,359
Speaker 1: I guess you don't think about it. That was my

414
00:20:59,359 --> 00:21:02,040
Speaker 1: exposure to cool country artist Billy Dean Man. Billy the

415
00:21:02,119 --> 00:21:03,840
Speaker 1: Kid was such a jam yeah back in the day.

416
00:21:04,320 --> 00:21:06,480
Speaker 1: Ernest is here has got the album, but he's also

417
00:21:06,560 --> 00:21:09,320
Speaker 1: written so many massive songs for other artists. So I've

418
00:21:09,359 --> 00:21:12,280
Speaker 1: picked a few that I really enjoy and if you

419
00:21:12,280 --> 00:21:14,159
Speaker 1: can give me just a little bit, like you know,

420
00:21:14,240 --> 00:21:17,480
Speaker 1: a little verse, little course or just chorus whatever. Chris Lane,

421
00:21:17,920 --> 00:21:21,160
Speaker 1: big big plans, all right, and now this song if

422
00:21:21,200 --> 00:21:24,640
Speaker 1: I'm right about this, because you don't know, I got

423
00:21:24,640 --> 00:21:27,080
Speaker 1: some big, big that song. But this was the song

424
00:21:27,119 --> 00:21:29,880
Speaker 1: he proposed with he proposed Yeah, So were you involved

425
00:21:29,880 --> 00:21:33,360
Speaker 1: in the secret writing of this yeah? And record? I mean,

426
00:21:33,400 --> 00:21:36,480
Speaker 1: like what happened? Well, Jacob Durrett and I started writing

427
00:21:36,480 --> 00:21:39,680
Speaker 1: this song and then it was kind of half done

428
00:21:40,840 --> 00:21:43,680
Speaker 1: and we showed it to Seth manager and he was like, hey,

429
00:21:43,720 --> 00:21:46,520
Speaker 1: I think Chris is looking for a song to propose too.

430
00:21:47,119 --> 00:21:49,399
Speaker 1: This would be awesome. Let's get Chris into finish it.

431
00:21:49,480 --> 00:21:53,159
Speaker 1: So we brought Chris in, custom detailed the song straight up,

432
00:21:53,240 --> 00:21:55,840
Speaker 1: built it out just for him, and then you know,

433
00:21:55,920 --> 00:21:57,920
Speaker 1: two weeks later he played her the demo at her

434
00:21:57,960 --> 00:22:00,600
Speaker 1: family's house and it works. So I had a big

435
00:22:00,640 --> 00:22:03,320
Speaker 1: part in that relationship working out with about you, They

436
00:22:03,359 --> 00:22:06,520
Speaker 1: wouldn't be together, they wouldn't have a kid. Yeah, there's

437
00:22:06,600 --> 00:22:09,760
Speaker 1: life on this earth because of Ernest. That's not his. Okay,

438
00:22:09,800 --> 00:22:11,960
Speaker 1: here's a little bit of Chris Lane's number one that

439
00:22:12,119 --> 00:22:21,199
Speaker 1: Ernest wrote, Big big plans. Just look at her sitting there, sweatpants,

440
00:22:21,200 --> 00:22:25,399
Speaker 1: T shirt and a comfy chair. M here in a

441
00:22:25,520 --> 00:22:29,000
Speaker 1: bun one and on a mug any other ones playing

442
00:22:29,119 --> 00:22:32,960
Speaker 1: snare to George straight final that he has no line

443
00:22:32,960 --> 00:22:35,120
Speaker 1: will get her close foot. I don't think she can

444
00:22:35,280 --> 00:22:39,800
Speaker 1: understand just how far I've been letting my heart fall

445
00:22:39,880 --> 00:22:43,080
Speaker 1: and what's in my head. She don't know. I got

446
00:22:43,119 --> 00:22:46,399
Speaker 1: some big, big plans. Build a little outside on some

447
00:22:46,600 --> 00:22:49,840
Speaker 1: hem down Lane, find a little line where we go

448
00:22:49,920 --> 00:22:53,840
Speaker 1: to get tom Bad. We take our kids down there

449
00:22:54,000 --> 00:22:57,760
Speaker 1: one day. And I know she wouldn't mind if I

450
00:22:57,760 --> 00:23:01,560
Speaker 1: did a little something like fine to fly over night

451
00:23:01,640 --> 00:23:07,399
Speaker 1: to Paradise and leave tonight I'm put dime owner. And

452
00:23:07,880 --> 00:23:11,199
Speaker 1: she don't know. I got some big, big plans. She

453
00:23:11,359 --> 00:23:16,399
Speaker 1: don't know. She don't know. One of the songs that

454
00:23:16,440 --> 00:23:19,320
Speaker 1: you wrote that we played a little bit on this show,

455
00:23:19,320 --> 00:23:21,800
Speaker 1: but it wasn't really like a country music song. Was

456
00:23:21,880 --> 00:23:24,880
Speaker 1: when Diplow did a country album him and Morgan wall

457
00:23:25,000 --> 00:23:29,080
Speaker 1: ended Heartless. Yeah, and so when you wrote that, was

458
00:23:29,160 --> 00:23:33,280
Speaker 1: that with kind of the dip below wish kind of

459
00:23:33,320 --> 00:23:35,440
Speaker 1: beat behind it? Yeah? We did. Me and Ryan Hurd

460
00:23:35,520 --> 00:23:38,640
Speaker 1: wrote that with Charlie Handsome, and Charlie's an awesome pop

461
00:23:38,720 --> 00:23:42,080
Speaker 1: hip hop producer. We work with a lot, and he

462
00:23:42,119 --> 00:23:44,199
Speaker 1: had the drums smacking on that thing. So by the

463
00:23:44,200 --> 00:23:46,840
Speaker 1: time when we finished writing it, we actually kind of

464
00:23:46,840 --> 00:23:49,399
Speaker 1: maybe manifested the Morgan Diplo thing. This would be awesome

465
00:23:49,440 --> 00:23:51,600
Speaker 1: for Morgan and Diplo. And it turns out it was

466
00:23:51,760 --> 00:23:53,160
Speaker 1: just give me a little bit of that. I don't

467
00:23:53,160 --> 00:23:56,440
Speaker 1: need a whole lot. Why you gotta be so hard less?

468
00:23:56,640 --> 00:23:59,520
Speaker 1: I know you'd think it's timeless. You're telling me a

469
00:23:59,680 --> 00:24:04,200
Speaker 1: Paul girl. The hardest part is just so on attention.

470
00:24:04,800 --> 00:24:09,159
Speaker 1: Take him myselmnches, leave me in the darkness. Now finish

471
00:24:09,200 --> 00:24:12,520
Speaker 1: what we started. Good play you gotta be so hard less?

472
00:24:13,440 --> 00:24:15,280
Speaker 1: That's a good one. That's a good one. Yeah. What

473
00:24:15,320 --> 00:24:16,480
Speaker 1: if he played one and I was like, that's not

474
00:24:16,520 --> 00:24:19,480
Speaker 1: a good one, and I was like that one. I

475
00:24:19,480 --> 00:24:22,200
Speaker 1: never really loved it and never really loved it. Um,

476
00:24:22,280 --> 00:24:25,320
Speaker 1: do we have a clip of the Mason Ramsey yep, okay.

477
00:24:25,320 --> 00:24:28,520
Speaker 1: So Oldtown Road came out massive. They put a couple

478
00:24:28,640 --> 00:24:30,720
Speaker 1: versions and one had Mason Ramsey in it. We played

479
00:24:30,720 --> 00:24:33,360
Speaker 1: it here and so here is Mason on Oldtown Road.

480
00:24:35,359 --> 00:24:37,800
Speaker 1: That's enough there. I just wanted to like, we're good,

481
00:24:38,000 --> 00:24:41,959
Speaker 1: but set the mood. They called lorle nozas like FaceTime

482
00:24:42,000 --> 00:24:44,320
Speaker 1: doing like the mill of Night. Yeah like that. Right

483
00:24:44,359 --> 00:24:47,360
Speaker 1: after dinner time, Mason's manager, I got the call from

484
00:24:47,359 --> 00:24:49,960
Speaker 1: the bullpen. He was like, Smith, get loose. So you

485
00:24:50,040 --> 00:24:53,080
Speaker 1: ran up to a studio and yeah, yeah, we recorded.

486
00:24:53,200 --> 00:24:55,120
Speaker 1: We recorded this verse that night and it came out

487
00:24:55,119 --> 00:24:57,320
Speaker 1: the next day. Do you know the whole verse by heart?

488
00:24:57,359 --> 00:24:58,920
Speaker 1: Right now? I think I do. Here he has earned

489
00:24:58,960 --> 00:25:01,840
Speaker 1: us doing the Mason Ramse part that he wrote for

490
00:25:02,160 --> 00:25:06,520
Speaker 1: Oldtime Road. All right, hopped up in my razor, got

491
00:25:06,560 --> 00:25:10,160
Speaker 1: a thousand acres right up on the cows with it. Betty,

492
00:25:10,240 --> 00:25:14,879
Speaker 1: you're on phaser. Oh oh yippy your cave. You ain't

493
00:25:14,880 --> 00:25:17,639
Speaker 1: got no giddy up than giddy yet my way hio

494
00:25:18,160 --> 00:25:21,199
Speaker 1: h yeah, come on guy, if you ain't got no

495
00:25:21,280 --> 00:25:24,000
Speaker 1: giddy up? Yes, did you ever meet Mason Ramsey? Oh yeah,

496
00:25:24,080 --> 00:25:25,760
Speaker 1: Mason's little bro I went on tour with me. Thought

497
00:25:26,000 --> 00:25:28,640
Speaker 1: I saw that picture now that I think about it, Yeah,

498
00:25:28,640 --> 00:25:31,000
Speaker 1: I opened for Mason. I saw a picture of you

499
00:25:31,080 --> 00:25:33,760
Speaker 1: in like a chain with Mason next to you. Yeah,

500
00:25:33,800 --> 00:25:37,240
Speaker 1: this guy opened for Mason Ramsey. Okay, I want to

501
00:25:37,280 --> 00:25:40,040
Speaker 1: encourage you guys to check out Flower Shops. The album,

502
00:25:40,320 --> 00:25:42,520
Speaker 1: the show, or the song. Flower Shops is just killing

503
00:25:42,520 --> 00:25:44,600
Speaker 1: it right now. But it's an entire album that just

504
00:25:44,640 --> 00:25:46,520
Speaker 1: came out. I'm gonna play one more track here. Here

505
00:25:46,680 --> 00:25:50,480
Speaker 1: is a track, let's do track five. Comfortable when I'm crazy.

506
00:25:50,480 --> 00:25:57,000
Speaker 1: Maybe it ain't. No, I'm only comfortable. No, I'm His

507
00:25:57,160 --> 00:25:59,760
Speaker 1: name is Ernest, and he drives. Let me get the

508
00:25:59,840 --> 00:26:03,360
Speaker 1: right here in nineteen seventy five, Catalla Coop Deville, who

509
00:26:03,400 --> 00:26:05,639
Speaker 1: he blasts music, and he has to be paying a

510
00:26:05,640 --> 00:26:09,840
Speaker 1: lot for gas. I've seen it gain to drive that thing.

511
00:26:10,119 --> 00:26:12,200
Speaker 1: I ran out of gas pulling up to another radio

512
00:26:12,200 --> 00:26:14,000
Speaker 1: show last week. So I drove my truck today. So

513
00:26:14,000 --> 00:26:17,080
Speaker 1: we didn't have that happen. No, I'm happy for it.

514
00:26:17,080 --> 00:26:19,520
Speaker 1: I'll be re late over there. And it really destroyed

515
00:26:19,560 --> 00:26:22,800
Speaker 1: their show. Through it, through it, Yeah, I love that. Yeah.

516
00:26:22,920 --> 00:26:25,119
Speaker 1: There he has follow him at Ernest. Ernest good to

517
00:26:25,119 --> 00:26:26,240
Speaker 1: see you buy Good to see you too, And I

518
00:26:26,280 --> 00:26:29,600
Speaker 1: hope everybody checks out Flower Shops the album and checks

519
00:26:29,640 --> 00:26:31,639
Speaker 1: out Ernest podcast, which I've been a guest on. I

520
00:26:31,680 --> 00:26:34,120
Speaker 1: don't guess on a lot of podcasts, but Ernest podcast.

521
00:26:35,320 --> 00:26:38,399
Speaker 1: It's called just be an Earnest. My favorite um lying

522
00:26:38,480 --> 00:26:41,919
Speaker 1: in the flower Shop song, I just I'm obsessed with

523
00:26:41,960 --> 00:26:46,480
Speaker 1: the remove the thorns because she can't take anymore like

524
00:26:46,720 --> 00:26:49,640
Speaker 1: hurt and pains. Please, if you can do one little thing,

525
00:26:49,920 --> 00:26:53,119
Speaker 1: make sure there's no thorns on there. Yeah, I would

526
00:26:53,119 --> 00:26:56,720
Speaker 1: probably lie and say that was a true story. I

527
00:26:56,800 --> 00:26:58,639
Speaker 1: like what you guys did, like you bait George Jones,

528
00:26:58,880 --> 00:27:01,360
Speaker 1: but I'd be like, yeah, what's happened to me? Well,

529
00:27:01,560 --> 00:27:03,040
Speaker 1: but I told you it wasn't hard for me a

530
00:27:03,119 --> 00:27:05,800
Speaker 1: been to go there. It's OK, That's what I like.

531
00:27:05,880 --> 00:27:09,520
Speaker 1: He's modifying this state. We're seeing alive, all right, Ernest, Ernest,

532
00:27:09,520 --> 00:27:11,120
Speaker 1: Good to see a bud and we will hopefully see

533
00:27:11,160 --> 00:27:15,280
Speaker 1: you soon. It's the best bits of the week with

534
00:27:15,520 --> 00:27:20,600
Speaker 1: Morgan number two. Everything is getting so crazy expensive lately,

535
00:27:20,680 --> 00:27:24,400
Speaker 1: and Scuba Steve is experiencing a lot with that, especially

536
00:27:24,480 --> 00:27:27,280
Speaker 1: with his phone bill. He got a really crazy phone

537
00:27:27,320 --> 00:27:29,800
Speaker 1: bill recently. And as much as he may want to

538
00:27:29,800 --> 00:27:33,240
Speaker 1: blame the scammers, it is mostly Scuba Steve's fault because

539
00:27:33,280 --> 00:27:37,000
Speaker 1: of his response to the scammers and what's been happening. So, yeah,

540
00:27:37,000 --> 00:27:39,119
Speaker 1: this is a good one and maybe it'll make you

541
00:27:39,160 --> 00:27:41,600
Speaker 1: do it too, just you know, don't be charged like

542
00:27:41,640 --> 00:27:45,360
Speaker 1: Scuba did in this segment number four. Okay, so we

543
00:27:45,440 --> 00:27:48,480
Speaker 1: selected and pick a bit. We voted and Scuba Steve

544
00:27:48,520 --> 00:27:51,560
Speaker 1: segment is up. Hey Scuba, so your cell phone bill

545
00:27:51,640 --> 00:27:54,479
Speaker 1: was much higher than you anticipated. Why what happened? Hundreds

546
00:27:54,560 --> 00:27:57,600
Speaker 1: more dollars? One hundreds more dollars? He said, I anticipated,

547
00:27:57,840 --> 00:28:00,119
Speaker 1: and it came from the courtesy my wife texting me saying,

548
00:28:00,200 --> 00:28:02,320
Speaker 1: what the hell are you doing with international phone calls?

549
00:28:02,680 --> 00:28:05,560
Speaker 1: International phone calls? Yes, so we've talked about scams a

550
00:28:05,600 --> 00:28:08,280
Speaker 1: lot in the show recently, and then the cell phone

551
00:28:08,440 --> 00:28:11,119
Speaker 1: robo calls. So I'm the kind of person when you

552
00:28:11,119 --> 00:28:13,879
Speaker 1: get those, I do a couple different things. If I'm busy,

553
00:28:14,119 --> 00:28:15,480
Speaker 1: I pick it up and hang it up so it

554
00:28:15,520 --> 00:28:17,800
Speaker 1: goes away. If I have some free time, I'll pick

555
00:28:17,840 --> 00:28:21,520
Speaker 1: it up and all I'll talk to them, or from

556
00:28:21,520 --> 00:28:23,440
Speaker 1: at the house, my son will pick up and he'll

557
00:28:23,440 --> 00:28:26,680
Speaker 1: talk to them for however long the conversation goes. So

558
00:28:26,800 --> 00:28:28,720
Speaker 1: you've been talking to these people that are trying to

559
00:28:28,760 --> 00:28:30,840
Speaker 1: scam you out of money or sell you a warranty. Yes,

560
00:28:30,880 --> 00:28:32,480
Speaker 1: which they're not going to scam me because I know

561
00:28:32,520 --> 00:28:33,960
Speaker 1: what they're up to. I just kind of want to.

562
00:28:34,520 --> 00:28:37,159
Speaker 1: It's for me. It's it's a release. It's fun for

563
00:28:37,200 --> 00:28:38,959
Speaker 1: me to do these things. Do you ever learn anything

564
00:28:38,960 --> 00:28:41,640
Speaker 1: from them? Sometimes? I learned about their family because when

565
00:28:41,640 --> 00:28:43,720
Speaker 1: my son intervenes and has a conversation, they start talking

566
00:28:43,760 --> 00:28:45,840
Speaker 1: about their kids and their wife and their home life.

567
00:28:46,600 --> 00:28:48,520
Speaker 1: He kind of breaks down the walls with them, gets

568
00:28:48,520 --> 00:28:51,760
Speaker 1: a little personable. For me, I've learned that these guys

569
00:28:51,840 --> 00:28:53,600
Speaker 1: are not as bad as they say they are. They're

570
00:28:53,640 --> 00:28:56,120
Speaker 1: just trying to make some money, and you wasting their

571
00:28:56,120 --> 00:28:59,160
Speaker 1: time keeps them from calling other people. Yes, exactly, because

572
00:28:59,160 --> 00:29:01,240
Speaker 1: they're not getting anything out of me. So, like, what

573
00:29:01,320 --> 00:29:06,640
Speaker 1: countries have you talked to? The Philippines, India, I've talked

574
00:29:06,640 --> 00:29:08,440
Speaker 1: to people over in England, I've talked to people all

575
00:29:08,680 --> 00:29:11,960
Speaker 1: over the world, Haiti. And you didn't and you didn't

576
00:29:12,040 --> 00:29:15,760
Speaker 1: think that it could have been Amy's kids, uncles. Yeah,

577
00:29:16,400 --> 00:29:18,080
Speaker 1: it could have been the waste of my time. Someone

578
00:29:18,160 --> 00:29:19,760
Speaker 1: to waste their time, and you got your phone bill

579
00:29:19,800 --> 00:29:21,680
Speaker 1: and it was one hundreds of dollars more expensive. Yes,

580
00:29:21,720 --> 00:29:23,280
Speaker 1: because it turns out if you're on that phone call

581
00:29:23,320 --> 00:29:25,400
Speaker 1: for longer than I think five or six seconds, it

582
00:29:25,400 --> 00:29:27,680
Speaker 1: starts charging you because you've accepted the phone call and

583
00:29:27,720 --> 00:29:29,600
Speaker 1: picked it up. So we've got a lot of extra

584
00:29:29,640 --> 00:29:33,080
Speaker 1: charges on the phone bill this past month. Interesting. According

585
00:29:33,120 --> 00:29:36,720
Speaker 1: to you Mail's robo call Index, almost three point eight

586
00:29:36,760 --> 00:29:41,200
Speaker 1: billion spam calls were made in February alone. I mean

587
00:29:41,280 --> 00:29:42,760
Speaker 1: I get them all the time, and they're like one

588
00:29:42,840 --> 00:29:45,920
Speaker 1: number different than mine, which is weird because again you

589
00:29:45,920 --> 00:29:47,360
Speaker 1: feel like it might be your long lost twin brother

590
00:29:47,440 --> 00:29:49,680
Speaker 1: or something. Do you pick them up? No? I hang

591
00:29:49,720 --> 00:29:51,520
Speaker 1: them out? Okay, good, But those you wouldn't get billed

592
00:29:51,560 --> 00:29:54,400
Speaker 1: for because that's right domestic. I pick it well, Scuba.

593
00:29:54,440 --> 00:29:56,080
Speaker 1: When years come, do they show us domestic or do

594
00:29:56,120 --> 00:29:58,560
Speaker 1: they show us? So they've come in many different ways.

595
00:29:58,600 --> 00:30:00,480
Speaker 1: They they They've even popped up a South Aha, So

596
00:30:00,520 --> 00:30:02,880
Speaker 1: I've seen where it's another country because I have a

597
00:30:02,920 --> 00:30:05,960
Speaker 1: country code, so like plus three one or something weird

598
00:30:06,080 --> 00:30:10,440
Speaker 1: and like Russia's called me basically asking I don't know

599
00:30:10,520 --> 00:30:12,440
Speaker 1: what it shows up is that it's this weird number,

600
00:30:12,440 --> 00:30:14,640
Speaker 1: and then underneath and small letters is as Russia. Okay,

601
00:30:14,680 --> 00:30:17,400
Speaker 1: so your advice, Scuba is as don't do it. I don't.

602
00:30:17,400 --> 00:30:18,840
Speaker 1: Don't pick it up and talk to them. There is

603
00:30:18,840 --> 00:30:20,520
Speaker 1: a hack though, to get him to stop calling you.

604
00:30:20,640 --> 00:30:22,680
Speaker 1: If you pick it up and you put it on

605
00:30:22,760 --> 00:30:25,360
Speaker 1: mute so it's silent, they'll speak and then eventually if

606
00:30:25,360 --> 00:30:27,200
Speaker 1: you say nothing, it goes away. You're off that list.

607
00:30:27,400 --> 00:30:29,960
Speaker 1: But then you get built for picking it up. Well,

608
00:30:29,960 --> 00:30:31,640
Speaker 1: not if it's more than five If it's less than

609
00:30:31,640 --> 00:30:33,400
Speaker 1: five seconds and you hang up, you're fine. That's more

610
00:30:33,400 --> 00:30:36,560
Speaker 1: than five seconds risking that. All right, Scuba, that's the

611
00:30:36,600 --> 00:30:37,960
Speaker 1: pick of it. How do we feel about that pick

612
00:30:38,000 --> 00:30:43,640
Speaker 1: of way? Feel good? Educational? Disappointed? No one's voting for me.

613
00:30:43,680 --> 00:30:46,760
Speaker 1: It's getting annoying. Yeah, you really want your bit to

614
00:30:46,800 --> 00:30:48,520
Speaker 1: be picked up. Yeah, and I know that Amy's never

615
00:30:48,600 --> 00:30:50,200
Speaker 1: gonna pick mine. So I know that I'm in Troy.

616
00:30:50,320 --> 00:30:52,120
Speaker 1: That's not true. But now it's playing you. Now he's

617
00:30:52,120 --> 00:30:56,080
Speaker 1: playing you. Listen, you know what I do. My brain

618
00:30:56,120 --> 00:30:57,920
Speaker 1: goes back to, like I don't know, two thousand and six,

619
00:30:58,040 --> 00:31:00,920
Speaker 1: when we had Naked Babe on the schedule for like years,

620
00:31:02,080 --> 00:31:03,680
Speaker 1: and we never did we ever get to it? Yeah

621
00:31:03,760 --> 00:31:06,280
Speaker 1: one time? Final, Okay, eventually the whole bit was lunchbox

622
00:31:06,280 --> 00:31:08,640
Speaker 1: that sent it a bit years years years prior going out.

623
00:31:08,720 --> 00:31:10,600
Speaker 1: Was it the lake and there was his baby on

624
00:31:10,680 --> 00:31:12,160
Speaker 1: the lake and it was naked, like the mom was

625
00:31:12,520 --> 00:31:14,560
Speaker 1: like a four year old is out playing naked in

626
00:31:14,560 --> 00:31:16,560
Speaker 1: the lake. I said it was awkward because it was

627
00:31:16,640 --> 00:31:18,280
Speaker 1: like it was like a Barton Springs where there's a

628
00:31:18,320 --> 00:31:20,360
Speaker 1: bunch of people, so it's just naked in front of

629
00:31:20,480 --> 00:31:22,640
Speaker 1: these people. I was like, is that not inappropriate? And

630
00:31:22,680 --> 00:31:24,680
Speaker 1: it stayed on there forever and we gave it like

631
00:31:24,720 --> 00:31:26,760
Speaker 1: half a second because finally Bobby just wanted to take

632
00:31:26,760 --> 00:31:28,440
Speaker 1: it off the schedule. I had it on that list

633
00:31:28,480 --> 00:31:30,440
Speaker 1: of things to talk about for three years three years,

634
00:31:31,040 --> 00:31:33,160
Speaker 1: said we never got every day I was on the

635
00:31:33,280 --> 00:31:36,200
Speaker 1: let's talk about and just said naked baby. And then

636
00:31:36,240 --> 00:31:38,000
Speaker 1: I think we did it right before he moves just

637
00:31:38,040 --> 00:31:41,600
Speaker 1: so to a new city with what's called again his

638
00:31:41,720 --> 00:31:43,720
Speaker 1: thing pick a bit lunch is just called hold on,

639
00:31:43,720 --> 00:31:46,000
Speaker 1: I haven't written down here has anyone seen me on

640
00:31:46,000 --> 00:31:49,719
Speaker 1: the names? So first he's like, no, I'm not going

641
00:31:49,800 --> 00:31:54,080
Speaker 1: the cave anyone. I'm saying you got to throw her

642
00:31:54,080 --> 00:31:56,200
Speaker 1: off the jury because she's already admitting that she's attained

643
00:31:56,320 --> 00:32:00,640
Speaker 1: juror so I was only because it's been sitting on

644
00:32:00,640 --> 00:32:03,440
Speaker 1: the list. Yeah, to be fair, that's better. Okay, Um,

645
00:32:03,600 --> 00:32:07,000
Speaker 1: thank you Scoop Book for your pick a bit. It's

646
00:32:07,040 --> 00:32:10,560
Speaker 1: the best bits of the week with Morgan number two.

647
00:32:12,080 --> 00:32:14,280
Speaker 1: It's always weird when I intro one that has me

648
00:32:14,400 --> 00:32:17,400
Speaker 1: involved in it. But this week we talked about me

649
00:32:17,520 --> 00:32:20,400
Speaker 1: trying to get on the super Fan show for Shania Twain.

650
00:32:20,760 --> 00:32:23,520
Speaker 1: We talked about why I'm a super fan, how Lunchbox

651
00:32:23,600 --> 00:32:25,640
Speaker 1: doesn't think I should be on the show, you know,

652
00:32:25,720 --> 00:32:27,880
Speaker 1: all the things. I'm just gonna leave that there, and

653
00:32:27,920 --> 00:32:30,280
Speaker 1: I'm gonna say I am a Shania Twain superfan, and

654
00:32:30,360 --> 00:32:33,800
Speaker 1: I haven't for so much of my life, so you know,

655
00:32:34,200 --> 00:32:38,040
Speaker 1: I'm it's fine. It's fine. Lunchbox can keep his jealousy.

656
00:32:38,080 --> 00:32:40,000
Speaker 1: I'll just say that. You know, you gotta give support

657
00:32:40,080 --> 00:32:42,840
Speaker 1: to get support. It to a Lunchbox if he's listening,

658
00:32:42,840 --> 00:32:44,840
Speaker 1: which I know he isn't. But right now you can

659
00:32:44,880 --> 00:32:47,680
Speaker 1: hear the segment where we talk about me being a

660
00:32:47,680 --> 00:32:51,000
Speaker 1: superman Superman, I could be Superman. That'd be fun. I

661
00:32:51,040 --> 00:32:54,720
Speaker 1: am a super fan of Shania Twain. Number three, Morgan.

662
00:32:54,760 --> 00:32:56,400
Speaker 1: I want to come to you first. And Morgan is

663
00:32:56,400 --> 00:33:00,200
Speaker 1: our head of digital, the website, all the socials. She

664
00:33:00,200 --> 00:33:02,719
Speaker 1: has a job that never stops and she is a

665
00:33:02,760 --> 00:33:05,880
Speaker 1: massive Shania Twain fan. And on the show, we were

666
00:33:05,920 --> 00:33:09,960
Speaker 1: talking about this TV show where they're looking for super fans. Now,

667
00:33:10,000 --> 00:33:12,040
Speaker 1: what did you find out? After we did this segment?

668
00:33:12,320 --> 00:33:14,600
Speaker 1: So Scuba Steve reached out to the people and they

669
00:33:14,600 --> 00:33:16,320
Speaker 1: were like, have her go ahead and send it in

670
00:33:16,400 --> 00:33:19,160
Speaker 1: because the deadline had passed. And we're like, oh crap,

671
00:33:19,200 --> 00:33:21,400
Speaker 1: she's not gonna be able to get in. But they're like,

672
00:33:21,440 --> 00:33:23,120
Speaker 1: go ahead and have her send it in. We'll pass

673
00:33:23,160 --> 00:33:26,160
Speaker 1: it on to the casting director. So I submitted all

674
00:33:26,200 --> 00:33:29,000
Speaker 1: my superfan information and it's being passed on right now

675
00:33:29,000 --> 00:33:31,720
Speaker 1: as we speak, commanding. This is one of those it's

676
00:33:31,760 --> 00:33:34,280
Speaker 1: like Ray like, isn't an ironic in a good way?

677
00:33:34,320 --> 00:33:36,960
Speaker 1: And I'm gonna tell you how Scooba Steve It approached

678
00:33:36,960 --> 00:33:38,280
Speaker 1: me a couple of weeks ago and said, Hey, there's

679
00:33:38,320 --> 00:33:40,120
Speaker 1: this new show. Would you like to talk to the producer?

680
00:33:40,440 --> 00:33:42,000
Speaker 1: And I thought that shows very interesting, But we don't

681
00:33:42,000 --> 00:33:44,400
Speaker 1: talk to a lot of producers of shows. But then,

682
00:33:44,440 --> 00:33:49,000
Speaker 1: once Amy gave more details about Kelsey and shani a

683
00:33:49,000 --> 00:33:51,840
Speaker 1: Little Big Town, I thought maybe we should because this

684
00:33:51,920 --> 00:33:53,760
Speaker 1: is right in our And then the fact that you're

685
00:33:53,800 --> 00:33:56,320
Speaker 1: a super fan. We're gonna have her on the show,

686
00:33:56,920 --> 00:33:59,440
Speaker 1: if not tomorrow Monday to talk about it. If you

687
00:33:59,480 --> 00:34:00,920
Speaker 1: were to get on the show, two things. One, that

688
00:34:00,920 --> 00:34:02,840
Speaker 1: would be amazing because you are a massive Shanaia fan.

689
00:34:02,880 --> 00:34:05,400
Speaker 1: It would be awesome. But two, I do think someone

690
00:34:05,480 --> 00:34:11,799
Speaker 1: on this show would implode. Yes, he would. Oh here's

691
00:34:11,800 --> 00:34:15,200
Speaker 1: the thing. Go ahead, you guys. I don't want to

692
00:34:15,239 --> 00:34:17,040
Speaker 1: ruin her chances of getting on the show. But she

693
00:34:17,239 --> 00:34:19,120
Speaker 1: is a fan. She's not a super fan. She doesn't

694
00:34:19,120 --> 00:34:21,400
Speaker 1: have tattoos of Shaniya, she doesn't have Shannaio. Are you

695
00:34:21,440 --> 00:34:24,120
Speaker 1: knocking her down? I'm just saying you're knocking her down. No,

696
00:34:24,200 --> 00:34:25,560
Speaker 1: I just said I'm not going to try to ruin

697
00:34:25,560 --> 00:34:27,959
Speaker 1: her chances. But she's a fan. But a super fan

698
00:34:28,719 --> 00:34:31,200
Speaker 1: that ain't her. Are you a Tina Turner super fan?

699
00:34:31,640 --> 00:34:33,719
Speaker 1: I love Tina Turner. Are you a super fan? Do

700
00:34:33,719 --> 00:34:39,000
Speaker 1: you have a Tina tattoo? No? But I want point

701
00:34:39,080 --> 00:34:40,640
Speaker 1: is there's no reason for you to take shots at her.

702
00:34:40,680 --> 00:34:43,360
Speaker 1: I'm not taking shot Why she shouldn't be on the show.

703
00:34:43,520 --> 00:34:46,759
Speaker 1: He'sa because she doesn't have a Shanaya tattoo. Morgan, why

704
00:34:46,800 --> 00:34:48,960
Speaker 1: did you tell them you're a Shanaia superfan? Well, so

705
00:34:49,000 --> 00:34:51,239
Speaker 1: I explained that she was the first CD that I

706
00:34:51,360 --> 00:34:53,960
Speaker 1: ever had, like I grew up. Only, let's do one

707
00:34:54,000 --> 00:34:55,839
Speaker 1: at a time, lunchbox. You tell me if he's count

708
00:34:55,880 --> 00:34:59,759
Speaker 1: a superfan? Yeah, elements, okay, number one. So I told

709
00:34:59,760 --> 00:35:01,960
Speaker 1: them she was the first CD I ever had. It's

710
00:35:01,960 --> 00:35:05,160
Speaker 1: all I listened to for several years. No, okay, that's

711
00:35:05,160 --> 00:35:07,760
Speaker 1: a good start to a super fan. Okay, okay, go ahead.

712
00:35:08,080 --> 00:35:11,320
Speaker 1: She was the first concert I ever went to. Yeah, wow,

713
00:35:12,239 --> 00:35:15,239
Speaker 1: well what you are? And yes, I had leopard print

714
00:35:15,320 --> 00:35:17,879
Speaker 1: on Okay. I bet a lot of girls out there,

715
00:35:18,120 --> 00:35:20,759
Speaker 1: first concert with Schnaia Twain with leopard print because that

716
00:35:20,800 --> 00:35:23,759
Speaker 1: was their favorite artist. Next, my dad helped me up

717
00:35:23,800 --> 00:35:25,759
Speaker 1: so I could touch her hand, and I would not

718
00:35:25,840 --> 00:35:28,239
Speaker 1: let my parents wash my hand for several weeks after

719
00:35:28,280 --> 00:35:32,080
Speaker 1: the fact. That's good. Oh wow, Okay, it's like any

720
00:35:32,080 --> 00:35:34,399
Speaker 1: other kid. Okay, put it like in a ziplog bag

721
00:35:34,400 --> 00:35:36,880
Speaker 1: when you shower. Yeah, kind of, like I refused. It

722
00:35:37,000 --> 00:35:38,719
Speaker 1: was like a whole thing with my parents when this

723
00:35:38,760 --> 00:35:41,799
Speaker 1: happened anything else, and then I would always have her

724
00:35:41,840 --> 00:35:44,080
Speaker 1: posters hanging up, and I knew every single song on

725
00:35:44,160 --> 00:35:46,239
Speaker 1: every single one of her albums, even her new one

726
00:35:46,280 --> 00:35:49,080
Speaker 1: after she had a hiatus. I know, Wow, that's super fan.

727
00:35:49,560 --> 00:35:54,040
Speaker 1: I never heard any of that. Okay, yes, well, and

728
00:35:54,120 --> 00:35:56,839
Speaker 1: I'll just say too to remind lunchbox of like what

729
00:35:56,920 --> 00:35:59,120
Speaker 1: it is is, there's gonna be other fans and Morgan's

730
00:35:59,160 --> 00:36:02,319
Speaker 1: gonna get to compete, so her like she'll have to

731
00:36:02,360 --> 00:36:04,839
Speaker 1: know things and she'll have to prove herself and prove

732
00:36:04,920 --> 00:36:06,680
Speaker 1: that she's the number one family. Times you seen her

733
00:36:06,719 --> 00:36:09,880
Speaker 1: in concert, I've seen her twice, Oh, super fans, but

734
00:36:10,000 --> 00:36:17,960
Speaker 1: she retired like a superan to see her at the

735
00:36:17,960 --> 00:36:22,280
Speaker 1: second time. What that is super fairs called rich? No, No,

736
00:36:22,480 --> 00:36:27,879
Speaker 1: Morgan's not rich. It was just not no, because that's

737
00:36:27,920 --> 00:36:30,160
Speaker 1: not like Morgan probably had to save and figure it

738
00:36:30,160 --> 00:36:32,279
Speaker 1: out and like she was willing to invest in something

739
00:36:32,280 --> 00:36:35,040
Speaker 1: that was important to her. My point is, instead of

740
00:36:35,120 --> 00:36:38,520
Speaker 1: you saying I would also like to be on television,

741
00:36:38,520 --> 00:36:40,880
Speaker 1: and I'm a little jealous, you're taking shots to her

742
00:36:40,920 --> 00:36:44,479
Speaker 1: to keep her off of television. Not taking shots kind

743
00:36:44,480 --> 00:36:48,880
Speaker 1: of you immediately did no I immediately just pointed out facts. Okay,

744
00:36:49,360 --> 00:36:51,080
Speaker 1: we'll have her on, We'll have the producer on. I

745
00:36:51,080 --> 00:36:52,920
Speaker 1: think it'd be awesome if you were able to get on.

746
00:36:53,400 --> 00:36:55,520
Speaker 1: But I I mean, if someone shows up with it,

747
00:36:56,239 --> 00:37:00,960
Speaker 1: Jania tattoo, you're out of luck. I get one over unch.

748
00:37:01,440 --> 00:37:03,839
Speaker 1: I think Pitt Bull is also doing this. You want

749
00:37:03,840 --> 00:37:05,880
Speaker 1: to try to be his biggest fand no, I've never

750
00:37:05,880 --> 00:37:08,960
Speaker 1: seen him in concert. Who you can get on TV

751
00:37:09,880 --> 00:37:12,520
Speaker 1: on the show. Just you know, we'll have her on

752
00:37:12,560 --> 00:37:14,439
Speaker 1: the next couple of days. I will say, I don't

753
00:37:14,440 --> 00:37:16,440
Speaker 1: think I'm like a crazy fan. I do think I'm

754
00:37:16,440 --> 00:37:18,759
Speaker 1: just a good fan. No, don't say that you need

755
00:37:18,800 --> 00:37:21,680
Speaker 1: to be crazy. There he goes, So like that Morgan

756
00:37:22,080 --> 00:37:26,960
Speaker 1: job you still have, still haven't It's a ziplock bag

757
00:37:27,040 --> 00:37:30,600
Speaker 1: right now, like you. Uh, these producers want people who

758
00:37:30,600 --> 00:37:35,080
Speaker 1: are super fan, loud, opinionated. I just said to make

759
00:37:35,080 --> 00:37:39,760
Speaker 1: sure she doesn't think I'm stokersh Okay, they want that. Okay, Okay,

760
00:37:40,320 --> 00:37:44,239
Speaker 1: we sent it off. They're considering you. That would be amazing. Yes, yes,

761
00:37:44,680 --> 00:37:46,120
Speaker 1: and you can have all the time off you need

762
00:37:46,160 --> 00:37:47,960
Speaker 1: to do it. And now I'm going to go super crazy.

763
00:37:48,000 --> 00:37:50,640
Speaker 1: So Lunchbox, that's right, sees me go on the TV show.

764
00:37:50,680 --> 00:37:53,200
Speaker 1: That's right when when the woman comes on start like

765
00:37:53,239 --> 00:37:58,839
Speaker 1: panting things like that, just starting. Okay, we'll find out

766
00:37:58,840 --> 00:38:00,560
Speaker 1: the next couple of days if Morgan's has a chance

767
00:38:00,560 --> 00:38:06,279
Speaker 1: at this will be that'll be very exciting, right, it's

768
00:38:06,360 --> 00:38:09,839
Speaker 1: the best bits of the week with Morgan number two.

769
00:38:11,040 --> 00:38:14,080
Speaker 1: Super cool moment for Eddie this week a song that

770
00:38:14,120 --> 00:38:17,000
Speaker 1: he wrote with John Daly came out on his new

771
00:38:17,040 --> 00:38:20,919
Speaker 1: album and so Eddie officially has like a song song

772
00:38:21,120 --> 00:38:23,719
Speaker 1: produced on an album out into the world and we

773
00:38:23,719 --> 00:38:26,600
Speaker 1: got to hear it and he shared the behind the

774
00:38:26,640 --> 00:38:28,839
Speaker 1: scenes of it and how it happened. If you want

775
00:38:28,840 --> 00:38:31,319
Speaker 1: to listen to that song, it's on Bobby Bones dot com.

776
00:38:31,320 --> 00:38:34,080
Speaker 1: But right now, here's Eddie talking about writing the song

777
00:38:34,200 --> 00:38:37,560
Speaker 1: with John Daily number two. So we mentioned the Post

778
00:38:37,560 --> 00:38:42,200
Speaker 1: Show yesterday are a steamed video producer. Eddie wrote, Oh,

779
00:38:42,360 --> 00:38:46,359
Speaker 1: wrote this song with John Daly, the golfer who has

780
00:38:46,400 --> 00:38:48,560
Speaker 1: kind of a country music career as well. Yeah, and

781
00:38:48,640 --> 00:38:51,200
Speaker 1: so the song is called wide She Ever Loved Me.

782
00:38:51,520 --> 00:38:53,040
Speaker 1: We played a clip of it in the Post Show

783
00:38:53,440 --> 00:38:55,719
Speaker 1: and I was like, song sounds pretty good. We only

784
00:38:55,760 --> 00:38:57,560
Speaker 1: played the chorus, so I didn't really get a chance

785
00:38:57,600 --> 00:39:01,479
Speaker 1: to hear a song. You're gonna play this right now. Yeah,

786
00:39:01,719 --> 00:39:04,560
Speaker 1: that's amazing. Why not listen? It's awesome. Yeah, that's really

787
00:39:04,560 --> 00:39:06,520
Speaker 1: really you went. This is cool. You did a big thing.

788
00:39:06,560 --> 00:39:08,479
Speaker 1: You went and wrote a song. Yeah, you gotta cut.

789
00:39:08,600 --> 00:39:10,919
Speaker 1: It's on an album. This is the real deal. Proud

790
00:39:10,960 --> 00:39:15,480
Speaker 1: of you. So we may not play all three minutes

791
00:39:15,520 --> 00:39:17,160
Speaker 1: of it, but let's just see. I just want to

792
00:39:17,160 --> 00:39:19,439
Speaker 1: listen to the words. All right. This is called Why

793
00:39:19,480 --> 00:39:31,200
Speaker 1: Did She Ever Love Me? By John Daily and I shit, Jim,

794
00:39:32,600 --> 00:39:36,920
Speaker 1: I have a drink, give me a second, wild, I

795
00:39:37,120 --> 00:39:47,640
Speaker 1: think about how I've be mind ben you in and

796
00:39:47,880 --> 00:39:51,640
Speaker 1: tell you how I got me. I'm a man and

797
00:39:51,880 --> 00:39:56,000
Speaker 1: lost it just with the woman who didn't nothing bog

798
00:40:00,200 --> 00:40:09,400
Speaker 1: She put her taken nut, shine, whiskey. I tred So

799
00:40:10,520 --> 00:40:18,520
Speaker 1: then she ever forgive me just because I didn't show

800
00:40:18,560 --> 00:40:23,040
Speaker 1: it and need I didn't get getting all inside when

801
00:40:23,160 --> 00:40:28,239
Speaker 1: I should have been the piece. She cried, Yes, a

802
00:40:28,760 --> 00:40:38,160
Speaker 1: last above me, But she ever loved me entered the

803
00:40:38,280 --> 00:40:46,360
Speaker 1: fuge in my hand behind the more I reckonize that's

804
00:40:46,400 --> 00:40:50,200
Speaker 1: me Braize left for me and my place for all

805
00:40:50,280 --> 00:41:03,960
Speaker 1: these She put her taken shine and whiskey that is

806
00:41:04,080 --> 00:41:23,839
Speaker 1: so bad. She didn show it because mere inside she tried? Yes,

807
00:41:26,760 --> 00:41:34,520
Speaker 1: what she good? So, like, what words did you write? Yeah?

808
00:41:34,640 --> 00:41:37,600
Speaker 1: I mean I don't know how it works. I just

809
00:41:37,600 --> 00:41:39,360
Speaker 1: didn't know if he had like a like a line

810
00:41:39,400 --> 00:41:42,600
Speaker 1: that was your no, like it's a team effort. Yeah,

811
00:41:42,640 --> 00:41:44,520
Speaker 1: all right, let's finish it out, all right. Eddie wrote

812
00:41:44,520 --> 00:41:55,560
Speaker 1: this with John Daily, now that you're the one run

813
00:41:55,840 --> 00:42:05,080
Speaker 1: in from now we're gold. I pull my heart for me,

814
00:42:05,480 --> 00:42:15,799
Speaker 1: shin of that treats you so bad to give me

815
00:42:19,239 --> 00:42:23,680
Speaker 1: just because I didn't show because men kill should have

816
00:42:23,800 --> 00:42:28,120
Speaker 1: kept it all inside. Then I should have been can's

817
00:42:28,480 --> 00:42:42,839
Speaker 1: the last right here? Mees? I tried? I can? Why

818
00:42:43,120 --> 00:42:50,600
Speaker 1: she come on? Thank you? Thank you. That's pretty cool.

819
00:42:51,640 --> 00:42:53,719
Speaker 1: Thank you for playing that. That's really cool. I'm proud

820
00:42:53,760 --> 00:42:57,440
Speaker 1: of you. That's awesome. That's a John Daily, the former

821
00:42:57,520 --> 00:43:01,120
Speaker 1: professional golfer. But Eddie wrote that way them. Yeah, and

822
00:43:01,600 --> 00:43:05,600
Speaker 1: that's really stinking cool, my friends, that's awesome. It's crazy.

823
00:43:05,680 --> 00:43:07,839
Speaker 1: We wrote that in August of last year, and it's

824
00:43:07,880 --> 00:43:10,600
Speaker 1: like barely came out what like last week or something.

825
00:43:10,600 --> 00:43:12,360
Speaker 1: It's like, man, that takes a while. I'm sure some

826
00:43:12,400 --> 00:43:14,640
Speaker 1: people write songs like years and years ago. And then

827
00:43:14,640 --> 00:43:16,560
Speaker 1: it finally sees a lot of day. It pretty cool.

828
00:43:16,560 --> 00:43:18,000
Speaker 1: I'm a part of that right now. It's actually a

829
00:43:18,040 --> 00:43:20,279
Speaker 1: pretty good song too, Like it sounds like a Lee

830
00:43:20,280 --> 00:43:22,200
Speaker 1: Bryce song. And then when I hear that, that sounds

831
00:43:22,200 --> 00:43:24,080
Speaker 1: like a Lee Brice song, Hey, Leebres can cut it too.

832
00:43:24,080 --> 00:43:29,640
Speaker 1: He wants you know you love me? Come on man,

833
00:43:29,960 --> 00:43:31,920
Speaker 1: thank you man. That's awesome. I guy Eddie over here

834
00:43:31,920 --> 00:43:34,680
Speaker 1: and making big moves, man, just kind of just if

835
00:43:34,719 --> 00:43:36,920
Speaker 1: an opportunity opens up, I take it. I like that.

836
00:43:37,040 --> 00:43:39,160
Speaker 1: There it is. You guys can't stream it or I

837
00:43:39,200 --> 00:43:40,440
Speaker 1: don't know, Hey, do you't gonna make a bunch of

838
00:43:40,440 --> 00:43:42,120
Speaker 1: money off of it orthing? What do you go to

839
00:43:42,160 --> 00:43:44,880
Speaker 1: iTunes and download? Now that don't do that anymore somebody.

840
00:43:45,160 --> 00:43:47,560
Speaker 1: Truth is it'll probably number one on iTunes because it

841
00:43:47,560 --> 00:43:50,240
Speaker 1: takes like thirty downloads to be a number one right iTunes.

842
00:43:50,960 --> 00:43:53,600
Speaker 1: But that's really cool. Congratulation, Thank you man, thanks for

843
00:43:53,640 --> 00:43:54,799
Speaker 1: playing man. What do you want to say to our

844
00:43:54,840 --> 00:44:00,680
Speaker 1: new songwriter for I mean, I'm super for us, Like

845
00:44:00,840 --> 00:44:04,080
Speaker 1: I was feeling that song for sure, and yeah, I

846
00:44:04,120 --> 00:44:07,759
Speaker 1: love that Eddie's got opportunities and he's trying it out.

847
00:44:07,800 --> 00:44:09,840
Speaker 1: I mean he's obviously been a songwriter with you, with

848
00:44:09,880 --> 00:44:12,840
Speaker 1: the raging idiots that this is like a little bit different.

849
00:44:13,160 --> 00:44:16,200
Speaker 1: I love it. It's like a crazy real song. Yeah,

850
00:44:16,680 --> 00:44:24,879
Speaker 1: love me, seriously write I don't love me? Okay, Well

851
00:44:24,920 --> 00:44:28,000
Speaker 1: I feel good, everybody feel good? Yeah, a little segment. Okay, okay.

852
00:44:28,080 --> 00:44:30,120
Speaker 1: I even saw Lunchpots kind of Bob and his crying

853
00:44:30,760 --> 00:44:34,879
Speaker 1: crying over Why would I cry about a stupid soul?

854
00:44:35,400 --> 00:44:37,759
Speaker 1: Do you think it's a good song? That's fine, of

855
00:44:37,800 --> 00:44:41,239
Speaker 1: course fine. What would you give it? One through ten?

856
00:44:41,680 --> 00:44:44,239
Speaker 1: Probably a six? Okay, better than ever. That's very Wow,

857
00:44:44,440 --> 00:44:46,160
Speaker 1: that's generous. I mean, Eddie was trying to get me

858
00:44:46,200 --> 00:44:47,719
Speaker 1: to get really into kept hidden me going, hey, man,

859
00:44:47,800 --> 00:44:49,400
Speaker 1: you see that I wrote that. He's pointing at himself

860
00:44:49,400 --> 00:44:51,040
Speaker 1: like yeah, dude, I know you wrote it. Bobby kept

861
00:44:51,040 --> 00:44:52,719
Speaker 1: saying you wrote it, and he was like, hey, you

862
00:44:52,719 --> 00:44:54,560
Speaker 1: know I wrote that. Yeah, I got it. I mean,

863
00:44:54,600 --> 00:44:57,040
Speaker 1: good job, congratulations. You can't even tell us what you wrote,

864
00:44:57,040 --> 00:44:59,240
Speaker 1: so I don't know how much you really wrote. Okay, okay,

865
00:44:59,440 --> 00:45:02,160
Speaker 1: next thing you know, Lunchbox is gonna give Eddie songwriters

866
00:45:02,160 --> 00:45:08,759
Speaker 1: for dummies. Yeah, that's a real song. That is It's

867
00:45:08,800 --> 00:45:12,319
Speaker 1: the best bits of the week. With Morgan. Number two

868
00:45:15,320 --> 00:45:18,760
Speaker 1: and coming in hot at number one is Tim Tebow.

869
00:45:18,960 --> 00:45:20,400
Speaker 1: He came on the show to talk about a new

870
00:45:20,440 --> 00:45:22,640
Speaker 1: book that he has out. But every time we do

871
00:45:22,680 --> 00:45:24,799
Speaker 1: an interview with Tim Tebow, he's always so kind and

872
00:45:24,840 --> 00:45:27,680
Speaker 1: so sweet. I think he might be the nicest person

873
00:45:28,080 --> 00:45:30,359
Speaker 1: on planet Earth. And you guys always feel the same way.

874
00:45:30,400 --> 00:45:32,640
Speaker 1: You guys write such nice things and engage so much

875
00:45:32,680 --> 00:45:35,680
Speaker 1: with all the content about him. So without further ado,

876
00:45:35,880 --> 00:45:40,240
Speaker 1: it is Tim Tebow with Bobby Bones number one, always

877
00:45:40,280 --> 00:45:42,840
Speaker 1: loving having Tim on the show. Tim, how's it going, buddy?

878
00:45:43,080 --> 00:45:45,040
Speaker 1: I'm good man. How are you? I see you rock

879
00:45:45,080 --> 00:45:48,799
Speaker 1: in the Arkansaswest here? You know it's ninety percent of

880
00:45:48,800 --> 00:45:51,239
Speaker 1: my wardrobe and it wasn't because of you, although if

881
00:45:51,239 --> 00:45:52,840
Speaker 1: you'd like to take it as a personal shot, I

882
00:45:52,920 --> 00:45:56,720
Speaker 1: welcome it, um, But it is most of my clothes.

883
00:45:56,760 --> 00:45:59,440
Speaker 1: If it's not dress clothes, it's somehow got a razorback

884
00:45:59,480 --> 00:46:02,040
Speaker 1: on it. So I appreciate the acknowledgement. I got no

885
00:46:02,120 --> 00:46:04,520
Speaker 1: problem Rock. Your school will be proud of it, no

886
00:46:04,560 --> 00:46:07,040
Speaker 1: problem whatsoever. And listen, Bobby, I know you never take

887
00:46:07,080 --> 00:46:09,839
Speaker 1: any shots at me, so I know we're better than that.

888
00:46:10,000 --> 00:46:13,319
Speaker 1: So of course, not Tim Tebow's on who. By the way,

889
00:46:13,320 --> 00:46:15,400
Speaker 1: the Gators lost Arkansas a couple weeks ago in Florida's

890
00:46:15,440 --> 00:46:19,960
Speaker 1: pretty cool anyway, I was. I've spent a bit of

891
00:46:20,040 --> 00:46:22,839
Speaker 1: time with your book. Actually, it's a wonderful read as

892
00:46:22,880 --> 00:46:26,320
Speaker 1: someone who loves motivational books, and I've actually highlighted a

893
00:46:26,360 --> 00:46:27,600
Speaker 1: couple of things that I wanted to bring to you,

894
00:46:27,640 --> 00:46:29,800
Speaker 1: So I've made notes on pages. So excuse my fumbling.

895
00:46:29,880 --> 00:46:32,520
Speaker 1: But the book is called Mission Possible, Go Create a

896
00:46:32,560 --> 00:46:34,600
Speaker 1: Life that counts, and I want to go to this

897
00:46:35,160 --> 00:46:36,880
Speaker 1: called make the Choice, and I want to read a

898
00:46:36,960 --> 00:46:40,080
Speaker 1: section of something that I found really moving, and would

899
00:46:40,120 --> 00:46:43,200
Speaker 1: like for Tim to elaborate a bit. Tim rights, before

900
00:46:43,239 --> 00:46:46,840
Speaker 1: we start dreaming about the possible, we must remind ourselves

901
00:46:46,840 --> 00:46:50,440
Speaker 1: of something. Even as we lock into significance over success,

902
00:46:50,920 --> 00:46:55,200
Speaker 1: the results are beyond our control. Tim, talk to me

903
00:46:55,239 --> 00:46:57,200
Speaker 1: about that. What do you mean by that in like

904
00:46:57,360 --> 00:47:03,160
Speaker 1: human talking terms. Well, first of all, thanks for investing

905
00:47:03,200 --> 00:47:05,399
Speaker 1: so much and reading it and being you know, aware

906
00:47:05,440 --> 00:47:07,279
Speaker 1: of everything. I really appreciate that. First of all, I

907
00:47:07,360 --> 00:47:10,239
Speaker 1: find that really encouraging to me. And the reason that

908
00:47:10,320 --> 00:47:13,799
Speaker 1: I wrote this, Bobby, is to encourage people. That's why

909
00:47:13,800 --> 00:47:17,680
Speaker 1: it's literally titled Mission Possible, not Tom Cruise Mission impossible.

910
00:47:17,960 --> 00:47:19,960
Speaker 1: It is Mission possible. And I think to give a

911
00:47:19,960 --> 00:47:22,640
Speaker 1: little background of what I mean by that is is

912
00:47:23,080 --> 00:47:26,040
Speaker 1: a few studies that have been done one but with

913
00:47:26,120 --> 00:47:29,000
Speaker 1: people eighteen to thirty five, over sixty percent of them

914
00:47:29,040 --> 00:47:31,080
Speaker 1: say no one believes in them. There's no one in

915
00:47:31,080 --> 00:47:33,640
Speaker 1: the world that believes them. Over sixty percent of young

916
00:47:33,680 --> 00:47:38,160
Speaker 1: people and another third of our population say that either

917
00:47:38,239 --> 00:47:40,640
Speaker 1: they're lonely all the time or most of the time.

918
00:47:40,960 --> 00:47:44,000
Speaker 1: And then out of our population, they spend twelve percent

919
00:47:44,040 --> 00:47:47,280
Speaker 1: of their daily thoughts comparing themselves with other people. So

920
00:47:48,000 --> 00:47:50,160
Speaker 1: if we're if no one believes in us, if we're

921
00:47:50,200 --> 00:47:52,480
Speaker 1: lonely all or most of the time, and we're spending

922
00:47:52,480 --> 00:47:55,640
Speaker 1: ourselves our time comparing our thoughts and we want to

923
00:47:55,640 --> 00:47:58,120
Speaker 1: be like other people, there's no chance that we're going

924
00:47:58,160 --> 00:48:00,760
Speaker 1: to actually live out the purpose to calling the dreams,

925
00:48:00,800 --> 00:48:02,879
Speaker 1: the visions, the hopes that we have in our life.

926
00:48:02,880 --> 00:48:04,920
Speaker 1: And so I want to write something that's going to

927
00:48:05,080 --> 00:48:07,120
Speaker 1: encourage people and who they are and who they are

928
00:48:07,520 --> 00:48:10,200
Speaker 1: created to be and what they can accomplish. And I

929
00:48:10,239 --> 00:48:13,960
Speaker 1: think getting to what we're talking about is sometimes the

930
00:48:14,080 --> 00:48:16,920
Speaker 1: results aren't up to us, meaning the results of I

931
00:48:17,080 --> 00:48:19,319
Speaker 1: want people to dream. But listen, if you're five to five,

932
00:48:19,360 --> 00:48:21,520
Speaker 1: you're probably not going to be better than Lebron James

933
00:48:21,520 --> 00:48:24,719
Speaker 1: at basketball. Let's just be honest about that. But with

934
00:48:24,840 --> 00:48:28,480
Speaker 1: this book, having a mission possible life, a life that

935
00:48:28,520 --> 00:48:32,120
Speaker 1: truly counts, that's possible for everyone. It's not about how

936
00:48:32,120 --> 00:48:35,640
Speaker 1: equipped you are, what your status is, how many followers

937
00:48:35,680 --> 00:48:38,160
Speaker 1: you have, how skilled you are. It is about making

938
00:48:38,200 --> 00:48:41,320
Speaker 1: the choice to be willing to love sir, give care, prey,

939
00:48:41,480 --> 00:48:44,160
Speaker 1: and be willing to give up yourself to help other people.

940
00:48:44,160 --> 00:48:46,000
Speaker 1: And I believe every single one of us can make

941
00:48:46,040 --> 00:48:48,879
Speaker 1: that choice. I didn't feel that way about myself till

942
00:48:48,920 --> 00:48:50,439
Speaker 1: right now. He just motivated me to believe that about

943
00:48:50,480 --> 00:48:53,759
Speaker 1: myself talking to him in person. Yes, there's another part

944
00:48:53,800 --> 00:48:56,399
Speaker 1: that I read, and it was a part of the book.

945
00:48:56,400 --> 00:48:58,640
Speaker 1: It was called there is No Yet, And you talk

946
00:48:58,719 --> 00:49:02,600
Speaker 1: about how easy it is whenever times are good to

947
00:49:02,760 --> 00:49:05,319
Speaker 1: make commitments, And I believe part of it was when

948
00:49:05,320 --> 00:49:08,560
Speaker 1: you're getting married, it's easy to make the vows for sickness,

949
00:49:09,040 --> 00:49:12,040
Speaker 1: for sickness and death, or whenever you've you know, working

950
00:49:12,040 --> 00:49:13,719
Speaker 1: on a project, it's easy to commit to it. And

951
00:49:13,760 --> 00:49:18,200
Speaker 1: all that but then sometimes it gets hard and so

952
00:49:18,400 --> 00:49:19,840
Speaker 1: kind of go into that a little bit of what

953
00:49:19,880 --> 00:49:23,920
Speaker 1: you meant, well, that was actually sharing your story to

954
00:49:23,960 --> 00:49:27,720
Speaker 1: illustrate it about Jeff and Becky Davidson, very close friends

955
00:49:27,760 --> 00:49:30,520
Speaker 1: of ours and ministry partners of ours, and they had

956
00:49:30,560 --> 00:49:32,640
Speaker 1: been married for many years, and they had a child,

957
00:49:32,800 --> 00:49:36,200
Speaker 1: John Alex, who was born with severe special needs, and

958
00:49:36,880 --> 00:49:39,120
Speaker 1: actually and taking care of both of them. Both of

959
00:49:39,160 --> 00:49:42,120
Speaker 1: them are in the hospital. Jeff and John Alex were

960
00:49:42,160 --> 00:49:44,560
Speaker 1: in the hospital, and the social worker, because Jeff was

961
00:49:45,000 --> 00:49:47,520
Speaker 1: so sick, he said, you know, if Jeff survives and

962
00:49:47,600 --> 00:49:49,880
Speaker 1: he goes home, how are you to Becky, how are

963
00:49:49,880 --> 00:49:52,160
Speaker 1: you going to take care of him? Like who's going

964
00:49:52,200 --> 00:49:54,160
Speaker 1: to take care of him? She said, I will, Like

965
00:49:54,239 --> 00:49:56,040
Speaker 1: I've been doing it for twenty five years and I'm

966
00:49:56,080 --> 00:50:00,560
Speaker 1: not going to stop. And the social workers said, well yet,

967
00:50:00,960 --> 00:50:03,520
Speaker 1: meaning you're not gonna stop yet, but when it gets

968
00:50:03,520 --> 00:50:05,839
Speaker 1: hard enough, you're going to make the choice to quit.

969
00:50:06,160 --> 00:50:10,399
Speaker 1: And when Jeff was on his deathbed, the last thing

970
00:50:10,440 --> 00:50:13,920
Speaker 1: that she said to him as he's holding she's holding

971
00:50:14,000 --> 00:50:17,160
Speaker 1: his hand, is there was no yet. There was never yet,

972
00:50:17,400 --> 00:50:19,120
Speaker 1: you know, there was never a moment where it's going

973
00:50:19,160 --> 00:50:20,960
Speaker 1: to get too hard where I was going to leave you.

974
00:50:21,000 --> 00:50:24,240
Speaker 1: There's never a moment where things got too bleak, where

975
00:50:24,280 --> 00:50:27,120
Speaker 1: I don't believe in you were love wasn't enough. And

976
00:50:27,800 --> 00:50:30,359
Speaker 1: that was just one of the really inspirational stories in

977
00:50:30,400 --> 00:50:32,799
Speaker 1: my life to be friends with them, to watch it

978
00:50:32,920 --> 00:50:35,440
Speaker 1: up close and from afar, to be able to see

979
00:50:35,600 --> 00:50:39,080
Speaker 1: what it really means to choose convictions over emotions, what

980
00:50:39,160 --> 00:50:41,160
Speaker 1: it really means to say, you know it, when I'm

981
00:50:41,200 --> 00:50:43,839
Speaker 1: all in, I truly mean all in. You know, we

982
00:50:43,840 --> 00:50:46,920
Speaker 1: wear slogans and tags and phrases that we threw out

983
00:50:46,960 --> 00:50:49,200
Speaker 1: all the time, especially in sports. Hey, what does it

984
00:50:49,200 --> 00:50:50,799
Speaker 1: mean to be all in? Well? I can tell you.

985
00:50:50,880 --> 00:50:54,520
Speaker 1: For Becky Davidson, when she's got her husband in hospital

986
00:50:54,520 --> 00:50:56,880
Speaker 1: and her son in another hospital and she spends her

987
00:50:56,960 --> 00:50:59,759
Speaker 1: days going back and forth, and the social workers in

988
00:50:59,760 --> 00:51:02,520
Speaker 1: the day doctors are saying, listen, you can't do all this.

989
00:51:02,880 --> 00:51:05,040
Speaker 1: She's saying, hey, there is no yet. And you know,

990
00:51:05,200 --> 00:51:07,680
Speaker 1: that was such an inspiration to me to say, you

991
00:51:07,719 --> 00:51:09,680
Speaker 1: know what, when I believe in something, when I say

992
00:51:09,719 --> 00:51:12,920
Speaker 1: I'm all in, there better not be a yet. You know,

993
00:51:12,920 --> 00:51:16,000
Speaker 1: a lot of the book highlights your relationship with christ

994
00:51:16,440 --> 00:51:19,600
Speaker 1: You know how important is that for you to not

995
00:51:19,680 --> 00:51:23,680
Speaker 1: only thread that into your message, but to communicate to

996
00:51:23,800 --> 00:51:28,240
Speaker 1: others how important it is. Well. I think it's something

997
00:51:28,280 --> 00:51:30,440
Speaker 1: that I want to communicate in my life, not just

998
00:51:30,520 --> 00:51:33,719
Speaker 1: in words, but more importantly in actions and indeeds, but

999
00:51:33,800 --> 00:51:36,400
Speaker 1: hopefully have the chance to mesh those up. And I

1000
00:51:36,440 --> 00:51:41,279
Speaker 1: believe that one of the greatest things that people are

1001
00:51:41,280 --> 00:51:43,759
Speaker 1: looking for, and it's also backed by statistics. I believe

1002
00:51:43,800 --> 00:51:47,040
Speaker 1: eighty one percent of people are looking for purpose and

1003
00:51:47,120 --> 00:51:50,279
Speaker 1: meaning in their life. And I wanted this book to

1004
00:51:50,360 --> 00:51:53,920
Speaker 1: be something that could encourage people with that purpose. And

1005
00:51:53,960 --> 00:51:58,680
Speaker 1: I believe that every single person has purpose everything. Every

1006
00:51:58,680 --> 00:52:01,520
Speaker 1: single person was created in love, by love, and for love,

1007
00:52:01,600 --> 00:52:03,920
Speaker 1: and I believe there is a great plan for their life,

1008
00:52:04,080 --> 00:52:07,239
Speaker 1: and I want to encourage them in that plan for

1009
00:52:07,320 --> 00:52:11,279
Speaker 1: their life. That they have such significance and meaning and

1010
00:52:11,320 --> 00:52:14,400
Speaker 1: they were created with infinite value and worth, that the

1011
00:52:14,480 --> 00:52:18,000
Speaker 1: God of this universe loves them enough to send his

1012
00:52:18,040 --> 00:52:21,960
Speaker 1: son his best for them. I believe that gives everyone

1013
00:52:22,200 --> 00:52:27,680
Speaker 1: encouragement confidence that holy cow like there's the God of

1014
00:52:27,760 --> 00:52:31,760
Speaker 1: this universe loves me, believes in me, created me this way.

1015
00:52:31,920 --> 00:52:34,840
Speaker 1: And when I when someone when a life realizes that

1016
00:52:34,960 --> 00:52:37,640
Speaker 1: I don't have to spend my time worrying about what

1017
00:52:37,680 --> 00:52:39,680
Speaker 1: the world says. I don't have to spend my time

1018
00:52:40,120 --> 00:52:42,400
Speaker 1: worrying about what social media says. I don't have to

1019
00:52:42,440 --> 00:52:45,879
Speaker 1: spend myself my time comparing myself with other people, even

1020
00:52:45,920 --> 00:52:47,960
Speaker 1: though it's really easy to do so, because I know

1021
00:52:48,000 --> 00:52:50,239
Speaker 1: what God says about me that's more important than what

1022
00:52:50,280 --> 00:52:53,399
Speaker 1: anybody else says about me. Tim tebows on His book

1023
00:52:53,480 --> 00:52:56,480
Speaker 1: is called Mission Possible, Go create a life that counts.

1024
00:52:56,640 --> 00:52:59,400
Speaker 1: And I do think if what Tim's message is now

1025
00:52:59,520 --> 00:53:02,319
Speaker 1: is resonate with you, you will love the book. It

1026
00:53:02,400 --> 00:53:04,800
Speaker 1: is and I say this in the most complimentary way.

1027
00:53:05,239 --> 00:53:08,360
Speaker 1: It's an easy read because it's understandable. Sometimes people the

1028
00:53:08,400 --> 00:53:10,399
Speaker 1: write book are like they like to write in big,

1029
00:53:10,440 --> 00:53:13,120
Speaker 1: fancy words in terms that you don't understand. But you

1030
00:53:13,160 --> 00:53:15,279
Speaker 1: didn't do that here. Like it just felt good. I

1031
00:53:15,280 --> 00:53:18,920
Speaker 1: felt good afterward. So congratulations on writing something you know,

1032
00:53:19,520 --> 00:53:23,479
Speaker 1: really substantive. Tim, Thank you so much, man, I really

1033
00:53:23,480 --> 00:53:27,200
Speaker 1: appreciate that. Thank you for your support. And I really

1034
00:53:27,239 --> 00:53:29,640
Speaker 1: hope this book can encourage people. That's really the heart

1035
00:53:29,680 --> 00:53:32,560
Speaker 1: and the passion behind it, and to encourage people truly

1036
00:53:32,600 --> 00:53:35,000
Speaker 1: in their worth. I want to ask you a couple

1037
00:53:35,000 --> 00:53:37,960
Speaker 1: of things that are non book related. And by the way,

1038
00:53:37,960 --> 00:53:40,880
Speaker 1: there's a wall here. You know, we're doing the radio show,

1039
00:53:41,200 --> 00:53:44,320
Speaker 1: and you're so motivational and you know, quite the inspiration

1040
00:53:44,320 --> 00:53:45,799
Speaker 1: to talk to that. If you said, Hey, Bobby, I'd

1041
00:53:45,800 --> 00:53:47,640
Speaker 1: like for you to run through that wall right now, Tim,

1042
00:53:47,640 --> 00:53:49,120
Speaker 1: I would do it. I would run through that wall

1043
00:53:49,200 --> 00:53:55,120
Speaker 1: right now for you. Thank you, thank you would do it.

1044
00:53:55,120 --> 00:53:58,600
Speaker 1: Then to both yes, both, Hey, um, do you ever

1045
00:53:58,680 --> 00:54:02,360
Speaker 1: see yourself because you are such a leader, And I

1046
00:54:03,120 --> 00:54:06,040
Speaker 1: pivot into this, do you ever see yourself being a

1047
00:54:06,120 --> 00:54:09,880
Speaker 1: leader in different areas? A CEO of a major company,

1048
00:54:10,320 --> 00:54:13,560
Speaker 1: in politics, a head football coach, Like, what do you

1049
00:54:13,640 --> 00:54:15,880
Speaker 1: think is in store for Tim Tebow in the next

1050
00:54:15,920 --> 00:54:20,480
Speaker 1: ten to fifteen years? That's a really good question. I

1051
00:54:20,560 --> 00:54:24,600
Speaker 1: see a possibility of all three. I mean, I think

1052
00:54:24,640 --> 00:54:27,120
Speaker 1: it's it's hard to really know exactly. I think in

1053
00:54:27,200 --> 00:54:29,799
Speaker 1: coaching you have to give up so much because it's

1054
00:54:29,840 --> 00:54:32,279
Speaker 1: literally more than a full time job. And I think

1055
00:54:32,320 --> 00:54:34,200
Speaker 1: that would be really hard, even though I would love

1056
00:54:34,239 --> 00:54:36,719
Speaker 1: the thought of it, love the thought of inspiring, encouraging

1057
00:54:36,719 --> 00:54:40,279
Speaker 1: and building a team of young men, But I mean,

1058
00:54:40,360 --> 00:54:42,480
Speaker 1: you have to drop everything else. And I love what

1059
00:54:42,520 --> 00:54:44,760
Speaker 1: we're doing at our foundation and so many other things.

1060
00:54:45,320 --> 00:54:47,759
Speaker 1: I'm fortunate to be part of some different companies that

1061
00:54:47,800 --> 00:54:51,280
Speaker 1: we're building now. You know, I really enjoy that side.

1062
00:54:51,320 --> 00:54:54,680
Speaker 1: And then in politics, I don't know if it's something

1063
00:54:54,719 --> 00:54:57,320
Speaker 1: that I would quite enjoy as much, to be honest,

1064
00:54:57,719 --> 00:55:00,319
Speaker 1: but I've always said I would at least be open

1065
00:55:00,400 --> 00:55:02,640
Speaker 1: to it if it's where I felt I could do

1066
00:55:02,719 --> 00:55:05,800
Speaker 1: the most good, if I could truly create the most

1067
00:55:05,840 --> 00:55:10,120
Speaker 1: amount of impact and change, If that was something that

1068
00:55:10,200 --> 00:55:11,960
Speaker 1: I felt was really put on my heart, then I

1069
00:55:11,960 --> 00:55:14,719
Speaker 1: would be open to looking at it. You know, if

1070
00:55:14,719 --> 00:55:17,440
Speaker 1: you go and have dinner in Gainesville, or let's say

1071
00:55:17,440 --> 00:55:20,839
Speaker 1: Florida in general, you're back in Florida and people say, wow,

1072
00:55:20,880 --> 00:55:22,439
Speaker 1: this guy never has to pay for a meal again

1073
00:55:22,480 --> 00:55:25,160
Speaker 1: in Florida? Does that ever actually happen where you're there

1074
00:55:25,160 --> 00:55:26,640
Speaker 1: and you're having a meal and they're like, well, the

1075
00:55:26,640 --> 00:55:28,200
Speaker 1: guy over at that table over there just picked up

1076
00:55:28,200 --> 00:55:33,640
Speaker 1: your whole meal, mister Tebow, does that happen. It's definitely happened. Yes,

1077
00:55:33,719 --> 00:55:37,480
Speaker 1: I can't lie and say that it hasn't happened. Happen

1078
00:55:38,200 --> 00:55:39,680
Speaker 1: And then do you feel the need like you have

1079
00:55:39,760 --> 00:55:41,439
Speaker 1: to go over like did they just buy a meet?

1080
00:55:41,440 --> 00:55:42,960
Speaker 1: And greet with you. I guess that's the question. By

1081
00:55:42,960 --> 00:55:44,600
Speaker 1: buying your meal, do you feel like, well, now I

1082
00:55:44,600 --> 00:55:46,000
Speaker 1: got to go over and spend a few times with

1083
00:55:46,040 --> 00:55:50,000
Speaker 1: all twelve people sitting at the table. Honestly, I think

1084
00:55:50,840 --> 00:55:53,400
Speaker 1: there's both. There's a there's sometimes where you feel they

1085
00:55:53,480 --> 00:55:55,919
Speaker 1: need to do that, but then there's also times where

1086
00:55:55,960 --> 00:56:02,040
Speaker 1: people have have purchased the meal and the waiter would

1087
00:56:02,080 --> 00:56:04,000
Speaker 1: not tell you who it was. They said they wanted

1088
00:56:04,040 --> 00:56:06,080
Speaker 1: to be anonymous. They just wanted to say thank you

1089
00:56:06,160 --> 00:56:09,520
Speaker 1: for either your ministry or foundation, or a night to

1090
00:56:09,560 --> 00:56:12,279
Speaker 1: Shine or Orphan Care or something that was near and

1091
00:56:12,320 --> 00:56:14,040
Speaker 1: dear to their heart, and so they just wanted to

1092
00:56:14,080 --> 00:56:16,400
Speaker 1: say thank you, but they wanted to remain anonymous. And

1093
00:56:16,440 --> 00:56:19,040
Speaker 1: I think that's pretty cool as well. I've got two

1094
00:56:19,120 --> 00:56:21,200
Speaker 1: questions and one little promo that I'm going to do

1095
00:56:21,239 --> 00:56:23,360
Speaker 1: before this interview is over, because I like this is

1096
00:56:23,360 --> 00:56:25,399
Speaker 1: like part of the interruption where you can see what's

1097
00:56:25,400 --> 00:56:28,920
Speaker 1: happening on the screen so you know where we are here. Yeah, Yeah,

1098
00:56:28,520 --> 00:56:32,640
Speaker 1: here are the two questions. Number one, I had heard

1099
00:56:32,680 --> 00:56:35,359
Speaker 1: this that you almost went to Alabama because of your

1100
00:56:35,360 --> 00:56:38,080
Speaker 1: relationship with coach Shula, Like how close were you to

1101
00:56:38,160 --> 00:56:42,759
Speaker 1: actually being part of the Crimson Tide family. Literally, I

1102
00:56:42,920 --> 00:56:45,960
Speaker 1: was a split second away from it. I from my

1103
00:56:46,000 --> 00:56:49,440
Speaker 1: sophomore year through literally the last moment where I chose Florida,

1104
00:56:49,680 --> 00:56:52,600
Speaker 1: Alabama was leading. The entire time, I wasn't even looking

1105
00:56:52,640 --> 00:56:55,879
Speaker 1: at Florida. They had a different coaching staff and they

1106
00:56:55,880 --> 00:56:58,000
Speaker 1: weren't even in my top twenty five. And then they

1107
00:56:58,080 --> 00:57:01,359
Speaker 1: fired that coaching staff. They brought in Urban and all

1108
00:57:01,360 --> 00:57:03,919
Speaker 1: the new guys and I started to build this relationship,

1109
00:57:04,000 --> 00:57:07,040
Speaker 1: but it was so much more established with Alabama, and

1110
00:57:07,080 --> 00:57:10,399
Speaker 1: I love the passion, the tradition, the culture, everything, and

1111
00:57:10,560 --> 00:57:13,520
Speaker 1: then thinking about being a part of bringing Alabama back

1112
00:57:13,560 --> 00:57:16,040
Speaker 1: to um you know what they once were, was so

1113
00:57:16,120 --> 00:57:19,040
Speaker 1: exciting to me, and so yes, I was literally a

1114
00:57:19,040 --> 00:57:21,280
Speaker 1: split second away. And to be honest, even when I

1115
00:57:21,360 --> 00:57:24,040
Speaker 1: chose Florida, there was a little bit of regret in

1116
00:57:24,160 --> 00:57:27,440
Speaker 1: my heart of did I should I have chose Alabama?

1117
00:57:27,440 --> 00:57:30,040
Speaker 1: That's how close I was with Shoot. When I told

1118
00:57:30,080 --> 00:57:32,920
Speaker 1: coach Shul I was going to Florida, I had tears

1119
00:57:32,920 --> 00:57:35,000
Speaker 1: in my eyes. And it's not the only time that

1120
00:57:35,040 --> 00:57:40,040
Speaker 1: Alabama made me cry. And my final question for you

1121
00:57:40,120 --> 00:57:41,840
Speaker 1: is if you or it stub your toe or hit

1122
00:57:41,880 --> 00:57:45,240
Speaker 1: your elbow or does a curse word ever come out

1123
00:57:45,280 --> 00:57:52,240
Speaker 1: of your mouth? I hope not. I mean, I mean

1124
00:57:52,360 --> 00:57:55,360
Speaker 1: it's probably a like a negative word, but then I

1125
00:57:55,440 --> 00:57:58,480
Speaker 1: might just say something that's like totally random, not as

1126
00:57:58,520 --> 00:58:02,960
Speaker 1: bad like folly. Yeah yeah, oh Tater Todds, Yeah yeah

1127
00:58:03,000 --> 00:58:07,440
Speaker 1: yeah yeah. Um and let me say that, hey do

1128
00:58:07,560 --> 00:58:11,240
Speaker 1: to you. You know, Tim Tebow has mission possible, go

1129
00:58:11,400 --> 00:58:15,280
Speaker 1: create a life that counts and also Bronco and Friends

1130
00:58:15,520 --> 00:58:18,280
Speaker 1: a party to remember. That's your first book, but you're

1131
00:58:18,320 --> 00:58:20,440
Speaker 1: doing a second, if I'm right about this, you're doing

1132
00:58:20,480 --> 00:58:22,600
Speaker 1: a second in the series. Right, this coming out later

1133
00:58:22,640 --> 00:58:26,120
Speaker 1: on this year. Yes, that's right, it's coming out in

1134
00:58:26,120 --> 00:58:29,440
Speaker 1: just a few weeks. Okay, Well, the guy's writing more

1135
00:58:29,440 --> 00:58:31,840
Speaker 1: books than uh. I don't know Stephen King make up

1136
00:58:31,880 --> 00:58:34,560
Speaker 1: an author. I don't know Judy Bloom. He is the

1137
00:58:34,600 --> 00:58:38,600
Speaker 1: new Judy Bloom of books. It is Tim Tebow. Hey, timbody,

1138
00:58:38,720 --> 00:58:41,600
Speaker 1: the first time anybody's comparing me to Judy Bloom. But

1139
00:58:41,640 --> 00:58:44,640
Speaker 1: there you go. It is Tim Tebow. We love him

1140
00:58:45,040 --> 00:58:48,360
Speaker 1: and um, you know, except for when we played him.

1141
00:58:48,520 --> 00:58:51,440
Speaker 1: I was at the SEC Championship game when Tim was

1142
00:58:51,440 --> 00:58:56,440
Speaker 1: a freshman and he was the backup quarterback in Atlanta,

1143
00:58:56,560 --> 00:58:59,200
Speaker 1: and he did I believe scored on a quarterback sneak something.

1144
00:58:59,240 --> 00:59:01,920
Speaker 1: He was running a quarter package. And I hated you

1145
00:59:02,000 --> 00:59:04,880
Speaker 1: that year, and to be frank, I hated you until

1146
00:59:04,920 --> 00:59:07,080
Speaker 1: you graduated. But now I can't get enough of you,

1147
00:59:07,120 --> 00:59:11,000
Speaker 1: Tim well Man, I appreciate you. You're a stun And

1148
00:59:11,080 --> 00:59:13,720
Speaker 1: by the way, I love what Arkansas is doing with

1149
00:59:13,880 --> 00:59:17,720
Speaker 1: Sam Pittman. I love it. I love what he's all about.

1150
00:59:17,920 --> 00:59:20,080
Speaker 1: So congrats on that. I think there's a lot to

1151
00:59:20,120 --> 00:59:22,760
Speaker 1: be excited about with Arkansas right now. Tim, good to

1152
00:59:22,760 --> 00:59:24,640
Speaker 1: see you. Congratulations on the books. I hope you sell

1153
00:59:24,720 --> 00:59:26,480
Speaker 1: so many. I think the message is awesome. Have a

1154
00:59:26,480 --> 00:59:29,240
Speaker 1: good day, man, Thank you. I appreciate you. Man. Tell everybody,

1155
00:59:29,240 --> 00:59:32,960
Speaker 1: hey there, all right, see you later. It's the best

1156
00:59:33,080 --> 00:59:37,680
Speaker 1: Bits of the week with Morgan number two. That's it

1157
00:59:37,760 --> 00:59:40,120
Speaker 1: for the Bits this weekend, y'all. I hope you got

1158
00:59:40,120 --> 00:59:42,640
Speaker 1: caught up so you're ready to go for next week's show.

1159
00:59:43,080 --> 00:59:44,840
Speaker 1: If you miss anything, make sure you go to Bobby

1160
00:59:44,880 --> 00:59:46,720
Speaker 1: Bones dot com. There's so much more content out there

1161
00:59:46,760 --> 00:59:48,920
Speaker 1: that I don't get a breakdown on the best bits.

1162
00:59:48,960 --> 00:59:51,480
Speaker 1: Lots of videos, lots of fun things to get you

1163
00:59:51,520 --> 00:59:53,080
Speaker 1: through the weekend when you don't get to listen to

1164
00:59:53,160 --> 00:59:55,880
Speaker 1: the best bits or the show, So maybe tomorrow, you know,

1165
00:59:55,960 --> 00:59:58,600
Speaker 1: Sunday when you got nothing to do, or Monday, you know.

1166
00:59:58,680 --> 01:00:00,840
Speaker 1: Whenever you listen to this, you can go online and

1167
01:00:00,880 --> 01:00:03,000
Speaker 1: just catch up on other content there. It's all up

1168
01:00:03,040 --> 01:00:05,600
Speaker 1: there that's important that you want to see. I promise.

1169
01:00:05,800 --> 01:00:07,680
Speaker 1: Thank you guys so much for listening to the best

1170
01:00:07,680 --> 01:00:10,800
Speaker 1: bits and the feedback you're giving on the part one,

1171
01:00:10,920 --> 01:00:13,200
Speaker 1: Part two. I'm glad you guys are loving it. I

1172
01:00:13,280 --> 01:00:18,400
Speaker 1: love y'all. Bykee. This is Bobby, Bobby b