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Speaker 1: Hello the Internet, and welcome to Season one, thirty three,

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Speaker 1: Episode five of Daily eight Guys to production of I

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Speaker 1: Heart Radio. This is the podcast where we take a

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Speaker 1: deep dive into America's share consciousness. That's say, officially off

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Speaker 1: the top, fuck the Coke Brothers and it's Friday May.

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Speaker 1: My name is Jack O'Brien a k D. When the

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Speaker 1: dudes on the shelf, drop it in the car, drop

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Speaker 1: it in the car, drop it in the car. That

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Speaker 1: is courtesy of many young and I'm thrilled to be

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Speaker 1: joined as always by my co host, Mr Miles Gray running,

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Speaker 1: Runnie Runny running, and Runnie can't keep six feet away,

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Speaker 1: keeps feed aware. Thank you to that for that running

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Speaker 1: car side and also Jane Dilla by Extensions a k

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Speaker 1: a by at Matt Dick though appreciate it because after

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Speaker 1: looking at some of that footage from Wisconsin, he was like,

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Speaker 1: a lot of people don't even know what one foot is,

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Speaker 1: let alone six ft. So thanks to everybody for trying

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Speaker 1: to socially distance. You are helping flatten the curb. And

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Speaker 1: we're thrilled to be joined in our other hosting chair

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Speaker 1: by the hilarious and talented Little Zam herself, Jamie laft Us,

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Speaker 1: I can see clearly now the Jamie's on the daily

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Speaker 1: is that with Jack a miles of Gray Ghanna, The

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Speaker 1: Need for Panthers a podcast. I'm gonna record, record, record

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Speaker 1: podcast all day. That's from Ransom Monkeys. Thank you. So

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Speaker 1: I put out I put out an emergency bulletin for

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Speaker 1: I ran out of a K s and and he

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Speaker 1: came up with that inside of seven minutes. If you

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Speaker 1: can watch credible stuff, it's like they say, all the

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Speaker 1: come flow right out from people's Uh, isn't that. It's

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Speaker 1: like those really bad takes when they're like Trump is

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Speaker 1: actually going to be great for art. It's like, think

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Speaker 1: about the great protests songs we're going to get you guys,

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Speaker 1: Have we got a single protests song like those Rump

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Speaker 1: Sister YouTube channel things. Got to have something. Kid Rock

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Speaker 1: dropped one. Yeah, yeah, it's all protesting art the main stream.

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Speaker 1: Oh yeah, that's what I'm Oh, I completely misheard. I'm like, yeah,

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Speaker 1: I think there's got to be someone the right already

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Speaker 1: who like, you know, no, I think like boomers were

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Speaker 1: all like, man, this is gonna be great for art.

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Speaker 1: Bob Dylan's going to drop some heat now, and he

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Speaker 1: did it just wasn't about this president. We're thrilled to

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Speaker 1: be joined today in our fourth seat by the hilarious

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Speaker 1: and talented Mr Andy Beckerman. Everyone. Hey, here's a quick

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Speaker 1: tip if you want to know what six ft is.

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Speaker 1: That's the height of Shrek. So just pictures lying face

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Speaker 1: down in front of you. How tall is everyone else?

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Speaker 1: And Dulock? Is that right? Oh they're very small? Yeah yeah,

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Speaker 1: just wreck between you and everyone else. Wow, I'm seeing

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Speaker 1: Shrek was originally based on a six seven ft height. Oh.

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Speaker 1: On Google he comes up as nine. Wow. But making

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Speaker 1: these decisions for I don't know. There's someone who has

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Speaker 1: like a lineup like the usual suspects and is trying

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Speaker 1: to extrapolate everyone else's height based on Shrek, not DreamWorks.

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Speaker 1: So I think I'm the authoritative voice when it comes

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Speaker 1: to sh now more now, more than ever a mid

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Speaker 1: coronavirus panic. It is a fun time to watch the

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Speaker 1: Shrek the Musical official Broadway recording on Netflix. It's been

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Speaker 1: up there for seven years and I think I'm the

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Speaker 1: only one that's watched it. It's so funny. Wait, was

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Speaker 1: it like a tortured cursed musical that like didn't go

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Speaker 1: on from like it was a very successful musical that

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Speaker 1: starred Brian Darcy James and Sutton Foster. It was. It was.

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Speaker 1: It was a wildly successful Broadway musical. And honestly, and

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Speaker 1: I'm not being like edge lord here, it's pretty good.

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Speaker 1: Oneheads Sutton Foster. Yeah, literally, Sutton Foster in five dred

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Speaker 1: pounds of ogre makeup. She was Princess Fiona. Wow, it

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Speaker 1: was okay the whole record, the makeup is horrifying, but

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Speaker 1: the songs kind of slack. I got some mescal in

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Speaker 1: and I just upped my broadband package. That might be

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Speaker 1: something to do over the weekend. Yeah, yeah, yeah, that's

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Speaker 1: what we reviewed the Shrek musical. I think Jamie you should.

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Speaker 1: I mean, we'll, we'll get into it. We do have

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Speaker 1: to make that decision today. What our rewatch is going

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Speaker 1: to be? Wait, why don't you do a podcast where

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Speaker 1: you review each minute? One minute by minute? By minute?

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Speaker 1: Is going to be just minute one of the Shrek musical,

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Speaker 1: But we're breaking it down painful, each second matters. It

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Speaker 1: sounds like a Guy Montgomery. Will they do that with

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Speaker 1: Star Wars the Star Wars minute? Um, of course they do. Yeah, Andy,

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Speaker 1: I don't know if we've ever brought up the fact

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Speaker 1: that you found to DreamWorks. A lot of people think

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Speaker 1: you just found a DreamWorks animation, but yeah, dream I

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Speaker 1: thought it was yeah, just the whole I mean, me

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Speaker 1: and spiel spiel B, that's what I call him, spiel B.

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Speaker 1: Jeff going off for Quimby, do you have any takes on?

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Speaker 1: Because I know Jeff's a colleague of yours. I have

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Speaker 1: to plead the fifth because of our association. Because Fatty,

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Speaker 1: they actually convene, they convened a vote of the board

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Speaker 1: to actually have it change that. You see, it's say

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Speaker 1: DreamWorks and it would say s KG for Spielberg, Katzenberg Geffen,

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Speaker 1: and there was B for Beckerman. And I don't know

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Speaker 1: what happened Andy that it became s It used to

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Speaker 1: be SKGB and it just became SKG. I actually asked

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Speaker 1: them to do that. You know, I see this is

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Speaker 1: not about vanity for me, all right. You know, it's

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Speaker 1: about art. And I think when you when I make paintings,

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Speaker 1: I don't sign my paintings, So why would I sign

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Speaker 1: my production company studio. Your first work of art, as

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Speaker 1: you call it, was ants um at dream Works and

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Speaker 1: I know that you were pushing for Woody Allen. Yes, well,

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Speaker 1: ants are predators, right are they? I thought they were scavengers.

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Speaker 1: But it just started. I had always heard that it

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Speaker 1: started with you were just a man with a vision

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Speaker 1: for a movie about a six ft tall ogre so

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Speaker 1: like slightly below average height ogre um. And that was like,

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Speaker 1: one of these days they will know my vision. All right,

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Speaker 1: but to average height jew a giant perspective, perspective. All right,

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Speaker 1: we're gonna just so win to these egg sex. Oh

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Speaker 1: my god, We're gonna get to know you a little

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Speaker 1: bit better in a moment. First, we're gonna tell our listeners, well,

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Speaker 1: we're talking about today, Uh, Wisconsin is open for business,

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Speaker 1: So we're gonna talk about that. We're gonna talk about

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Speaker 1: the kind of it seems like there's some growing consensus

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Speaker 1: that going outside is maybe a good idea. Uh so

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Speaker 1: like some things that cities are doing to encourage that. Uh,

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Speaker 1: we're gonna talk about Kroger being not that cool. We're

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Speaker 1: gonna talk about restaurants using mannekins to fill their tables

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Speaker 1: for some restaurant trends. Yeah, we're gonna talk about going

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Speaker 1: to the movies. What that's like these days. Uh. And

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Speaker 1: also we're gonna talk about what we are watching Slash

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Speaker 1: Rewatching this weekend. But first Andy, we like to ask

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Speaker 1: our guests, what is something from your search history that

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Speaker 1: is revealing about who you are? Yeah? Uh so most

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Speaker 1: of it's just uh stupid, But I looked up did

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Speaker 1: you know Do you guys know who Richard sala is? No,

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Speaker 1: he's a cartoonist. I think he has a lot of

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Speaker 1: his books are on fantagraphics comics. Um, he's great, he's really.

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Speaker 1: I found out he died yesterday, and it's like I

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Speaker 1: kind of went down, like ah, I was like reading

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Speaker 1: a lot about him because I didn't know him that well.

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Speaker 1: I don't know. I just read his his comics, and um,

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Speaker 1: I read that he was a lot of people compared

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Speaker 1: him to Edward Gorey, And then that brought this into

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Speaker 1: my head. Do you guys know John bell Air? So

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Speaker 1: this is what I searched John Bellair's He writes wrote

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Speaker 1: he died in like the nineties kids fiction but like

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Speaker 1: incredible like this kind of like sci fi fantasy, supernatural stuff.

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Speaker 1: And Edward Gorey did a lot of the illustrations. Um,

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Speaker 1: I think they adapted. They adapted one of his books

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Speaker 1: into a movie with Jack Black. I don't know how

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Speaker 1: faithful shallow how I think what the clock in the wall?

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Speaker 1: I forget I read this when I was a kid,

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Speaker 1: but they're like incredibly kind of I read those, Yeah,

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Speaker 1: U with the Curse of the Blue figurine. Yes, yes,

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Speaker 1: And I just like, uh, the only thing I really

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Speaker 1: want to do. There's like a handful of things that

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Speaker 1: I care about about, like adapting in Hollywood, or about

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Speaker 1: do like, besides my own projects, I want to reboot

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Speaker 1: night Court number one if I ever have any power

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Speaker 1: in this town, I want to reboot in night Court.

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Speaker 1: I have a whole plan too, and then I would

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Speaker 1: love to like write a John bel Air something. Yeah,

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Speaker 1: the House with a Clock in its walls was like

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Speaker 1: a library book. It wasn't like something that uh they

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Speaker 1: officially uh like assigned in elementary school, but it was

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Speaker 1: one that like I feel like was on like reading

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Speaker 1: lists of stuff for me at least, like I remember these.

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Speaker 1: Seeing these covers reminds you of like at the time,

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Speaker 1: like in the library, how I would select books as

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Speaker 1: a kid in my school library because I'm like, yo,

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Speaker 1: this cover art looks fucking old fuck that look at

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Speaker 1: Peewee Scouts. That ship looks more like comics. I would

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Speaker 1: read like whatever the fuck? Uh? But I remember reading

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Speaker 1: the Blue Figurine one. I think it was for I

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Speaker 1: don't know it was. It was like on some list,

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Speaker 1: But yeah, that aren't I definitely remember now, Yeah that

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Speaker 1: Daniel pink Water. These were all you know, if you

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Speaker 1: are hitting middle aged about right now, this is all

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Speaker 1: your youth. What is something you think is underrated? Underrated? Okay?

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Speaker 1: I got a question. All three of you guys are gentiles, right, Yeah,

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Speaker 1: have you ever had hola just sitting around the house? Yes? Yes? Really?

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Speaker 1: Oh my god. I put a poll up on Twitter

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Speaker 1: and I was asking I as a Jew, so I

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Speaker 1: think Halla is underrated. I don't like bagels have been

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Speaker 1: gentrified at this point, but I don't. I didn't. I

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Speaker 1: didn't think people just had holla sitting around like like

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Speaker 1: the other day I had my lunch was cantle open

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Speaker 1: Halla because this is the quarantine, and you know, you

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Speaker 1: just make make do with whatever you have. Um. I

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Speaker 1: used to have Hall of Friends toasts. Sure, but just

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Speaker 1: like you're gonna be in my house, you're just gonna

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Speaker 1: slice off a slice for a snack. Yeah. I used

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Speaker 1: to work at a bakery in college, so so the

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Speaker 1: access was high. And then I just and then I

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Speaker 1: just kept getting because it's so good. I when I

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Speaker 1: was growing up, I didn't have it, But as an adult,

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Speaker 1: I've seen the light. Yeah, I'm growing up in l A.

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Speaker 1: Had a lot of like Jewish friends, and then her

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Speaker 1: Majesty is also tribe. So you know, we keep it

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Speaker 1: real with the holla from time to time. But the

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Speaker 1: recently it's it's come back because I've seen a lot

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Speaker 1: of core holla baking because a lot of people are

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Speaker 1: trying to flex with the braiding, uh, you know, and

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Speaker 1: like get just picturesque Cola's off. But I haven't actually

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Speaker 1: bought a loaf and kept in my house for a while.

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Speaker 1: You just I just remember as a kid it would

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Speaker 1: be around too, because we'd have French toast with it sometimes.

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Speaker 1: Who's doing the car baking of kala? Is it Goyam

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Speaker 1: or is it Jews? No, their tribe, their tribe. I

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Speaker 1: think it just it must feel like one of those

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Speaker 1: like you know, like it's a definitely like a it's

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Speaker 1: a finesse baking thing, like when it comes out beautiful,

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Speaker 1: Like I get it, you like, you want to take

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Speaker 1: a photo of so shiny and beautiful, you know, versus

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Speaker 1: a dull Look what gives it that sheen? Do they

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Speaker 1: paint it with a little egg or what's what's going

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Speaker 1: on there? What's the it's beautiful. It's gotta be right. Yeah, yeah, anyways,

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Speaker 1: we we did not have it. I'm gonna start buying it,

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Speaker 1: you think, just like just a loaf, bring it in,

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Speaker 1: cut off a piece one. Well, you're hungry, I'm ready

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Speaker 1: for a snack. Is that proper usage? Hey? It fills

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Speaker 1: you up. Yeah, and it lasts for a bit too.

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Speaker 1: There used to be I don't know if it's still around.

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Speaker 1: In l A. There was like that kosher deli that

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Speaker 1: was making everything kosher but turning it into like a

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Speaker 1: sub shop basically like you could get you could get

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Speaker 1: a basically a hero like on a hola hero role.

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Speaker 1: And then like rather than bacon, it would be grib nous,

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Speaker 1: which is basically fried up chicken skin. So when you

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Speaker 1: make schmaltz like it, every level to keep it kosher,

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Speaker 1: like they were considering, and it was so delicious. I

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Speaker 1: don't think they're open anymore, but it was it's called

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Speaker 1: fly sick, and it was like, yeah, can you imagine

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Speaker 1: like going to like there's hey, do you want to

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Speaker 1: go to quiz Nos subway or right until you read

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Speaker 1: the menu and you're like, oh my god, this brisket.

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Speaker 1: I want to run through drywall for you know, I'm

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Speaker 1: gonna get a filter fish. But flish, what is? What's

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Speaker 1: something you think is overrated? And this takes a little

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Speaker 1: bit of explaining, but the concept of genius in the

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Speaker 1: twenty one century and I'm mostly tread carefully, sir, some

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Speaker 1: of us, yes, except okay, so accepting let's let's pretend

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Speaker 1: that I'm not talking about mensa, all right, And what

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Speaker 1: I am talking about is, uh, someone like Elon Musk,

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Speaker 1: who is what I will say, is a dumb dipshit

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Speaker 1: who got lucky. But like this is the thing you

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Speaker 1: be born into a ruby mine emerald. I looked it up,

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Speaker 1: so I was born and a ruby. I wanted to

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Speaker 1: mind my p's and cues because I didn't want anyone

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Speaker 1: to come for me on this one, because I know,

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Speaker 1: like if you, if you criticize Elon Musk, a bunch

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Speaker 1: of people that will never have any money and have

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Speaker 1: no connection have no connection to like coming from that's

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Speaker 1: what his fans are called. They are No, I just

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Speaker 1: made it. I love it, bro fighting. I'm just thinking

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Speaker 1: that movie Tusky Airmen with Lawrence Fishburne is less seen

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Speaker 1: at the fucking cockpit anyway. I'm sorry. So, but tell

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Speaker 1: me about the twenty Are you talking about more of

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Speaker 1: like a classical like in the antiquities era idea of

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Speaker 1: what genius was and that people had a genius versus

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Speaker 1: people being a genius. No, just the twenty like in

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Speaker 1: the twentieth century. Okay, well, I think of the people

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Speaker 1: that like are called genius now, it's uh dummies like

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Speaker 1: Bill Gates, Steve Jobs, Jeff Bezos. These are people who

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Speaker 1: like just invested money like they were wealthy, like Elon

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Speaker 1: Musk had had family wealth from an emerald mine. All right, Uh,

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Speaker 1: he dropped out of physics PhD program after two days

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Speaker 1: and all he's done is in a's his money. I

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Speaker 1: didn't want. I was about to say, well, but I

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Speaker 1: think he's just invested his money and got lucky. And

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Speaker 1: then he has backdated his ego, right, and he says, well,

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Speaker 1: because I'm rich, I must be a genius. And then

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Speaker 1: everyone like agrees that, oh, these people, but they must

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Speaker 1: be geniuses because they're wealthy as opposed to like they've

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Speaker 1: exploited all their labor or they had family wealth in

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Speaker 1: the first place, or they got lucky. But like I

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Speaker 1: was thinking about like genius and that's genius though that

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Speaker 1: they did that. You know, twentie century, who do we

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Speaker 1: call Geniuss Einstein, right, Neil's bore Umu Picasso, Watson, Crick

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Speaker 1: and Franklin right, uh, James Joyce, like people who either

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Speaker 1: scientific like changed the scientific paradigm, changed the literary artistic

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Speaker 1: paradigm in some way. Those were geniuses, um, and now

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Speaker 1: it's like a dude who buys ski do factory. And

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Speaker 1: I feel like that it's just all about like how

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Speaker 1: effectively you managed to mythologize yourself, because I'm sure that

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Speaker 1: there are like some people that we have like historically

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Speaker 1: labeled as geniuses who aren't. Like there's like I feel

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Speaker 1: like Edison is a really good example of that, where

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Speaker 1: like more than a basic snuff test reveals that he

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Speaker 1: was like in many ways a total fraud. Uh So

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Speaker 1: what was j He's just like these ship at yeah, right.

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Speaker 1: So it's just like if you're able to If you're

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Speaker 1: able to afford to effectively mythologize yourself, you'll probably get

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Speaker 1: away with it. Edison is the Elon Musk of the

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Speaker 1: twentieth century. Yeah, Dan, Dan, I was just thinking of

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Speaker 1: just like the way we use the term genius as

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Speaker 1: compared to antiquity, when like that the concept of genius

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Speaker 1: emerged is that people had a genius in which it

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Speaker 1: was something external that would visit them to inspire this

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Speaker 1: like great work out of these people. And over time

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Speaker 1: we began to sort of co op that with our

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Speaker 1: egos and narcissism. That wording became someone was a genius,

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Speaker 1: that person is a genius rather than has a genius.

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Speaker 1: And I think it's interesting just to even think about

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Speaker 1: how you might create things because people you look at

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Speaker 1: somebody would be like if you're music, like, oh I

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Speaker 1: love you know fucking Johnny Greenwood, he's a genius or whatever,

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Speaker 1: Like what does he do? Or but it is Johnny

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Speaker 1: Greenwood thinking that he's a genius or is it more

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Speaker 1: about inspiration that you are opening yourself and allowing yourself

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Speaker 1: to create things and that's where that's where it comes out,

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Speaker 1: rather than like I think people put this pressure on themselves,

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Speaker 1: be like, if I want to be a genius, then

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Speaker 1: I'm going to do our first. The way we used

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Speaker 1: to even articulate this concept was that like someone opens

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Speaker 1: themselves up to some truths that they are able to

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Speaker 1: then interpret by how open they are, rather than like

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Speaker 1: they fucking got it. This guy's got the fucking genius.

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Speaker 1: Why do you think I took my name off a

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Speaker 1: dream works? The way I've I've found that term used

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Speaker 1: a lot is just like it is like a narcissistic thing,

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Speaker 1: but it also is, like I feel like, sometimes used

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Speaker 1: to remove your like remove accountability from your own behavior

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Speaker 1: and actions, like in the case of Elon Musk and

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Speaker 1: in the case of just like a lot of the

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Speaker 1: mental people that I was talking to back in the day.

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Speaker 1: It's just like a situation of like, oh, this person

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Speaker 1: is behaving erratically, they're they're making bizarre choices, and then

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Speaker 1: it's just like, oh, well, they're a genius, so you

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Speaker 1: just don't get what they're doing. It's like, no, they

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Speaker 1: could conceivably just be being an asshole or or acting weird.

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Speaker 1: And then but if you are able to like label

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Speaker 1: yourself as greater than you're, like you couldn't possibly understand

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Speaker 1: why I'm exploiting my workers. You're just like, let's not

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Speaker 1: forget I mean, right now we have a very stable genius. Yeah, exactly,

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Speaker 1: very similar. Yeah. Yeah. I think the way that American

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Speaker 1: particular commodifies like and commodifies narcissism and like makes people

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Speaker 1: think that they are the genius rather than they are

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Speaker 1: transmitters of a genius. Is there are a lot of

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Speaker 1: American authors who just write one great thing and our

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Speaker 1: herald is as geniuses and then like never write anything

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Speaker 1: again because there's like there's something just like toxic and

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Speaker 1: unnatural and incorrect about that, Whereas I feel like other

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Speaker 1: countries are just like I'm applying a craft where I'm

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Speaker 1: you know, a I'm channeling something higher than myself. Does

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Speaker 1: the sophomore album curse? I wonder if that's unique to

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Speaker 1: American music or if we looked at is the curse

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Speaker 1: of the sophomore album like globally embraced as like a

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Speaker 1: law of creativity, you know what I mean? Because I'm

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Speaker 1: to your point, Jack about this emphasis. You do one thing,

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Speaker 1: or you come out with this work early, then the

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Speaker 1: this the expectation of like the subsequent works just becomes

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Speaker 1: like exponentially higher to the point where like you have

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Speaker 1: no way to compare it really, but um, but then

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Speaker 1: also there are some objective sophomore efforts where you're like, yeah,

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Speaker 1: you clearly got a lot of money and stopped giving

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Speaker 1: a funk. But I'm I wonder culturally if that's something

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Speaker 1: like we yeah us and are like, yeah, it's not

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Speaker 1: that you burn out. Yeah. I do feel like it's

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Speaker 1: a tendency that Americans have that doesn't really exist as

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Speaker 1: much exceptionalism. Baby yeah, yeah, what is a myth? Andy?

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Speaker 1: What people think? Yes, extractionalism as as we call it,

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Speaker 1: what the mashup of extraction and sh American extract extractionalism

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Speaker 1: is killing our country? Is there a myth that we

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Speaker 1: need to bust at this point now that you've come

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Speaker 1: up with extractionalism, Well you tell me if if my

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Speaker 1: myth is that history is knowable, because I know of

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Speaker 1: history is noble. Okay, this is what I've been thinking

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Speaker 1: about lately. I was reading about, um, hyper objects. Do

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Speaker 1: you guys know what that is? Hyper objects are just um,

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Speaker 1: this is a dumb definition, but like, um, there it's

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Speaker 1: so large that you can't comprehend them. So like history

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Speaker 1: is kind of a hyper object. Like what we're seeing

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Speaker 1: the effects of climate change right now, that started in

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Speaker 1: the seventies or the sixties, right, So the the climate

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Speaker 1: hell we're in right now started forty years Like if

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Speaker 1: we wanted to stop it, we're like four decades too late, right,

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Speaker 1: And so what we're going to try to do now

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Speaker 1: is stop whatever fucking nightmare is going to be like

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Speaker 1: forty or fifty years down the line, right, that's anything

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Speaker 1: we're doing now. It's such like the climate. The climate

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Speaker 1: itself is a hyper optic so large we can't really

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Speaker 1: come and there's all the we can't comprehend it, and

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Speaker 1: there's all these time delays, right because we're not seeing

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Speaker 1: the effects of what we're doing right now for or

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Speaker 1: you know, half of a human lifetime at least. It's

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Speaker 1: funny because like I find those things so easy to comprehend.

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Speaker 1: But maybe, well, you are a classic genius, yeah, of course,

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Speaker 1: of course, but close his eyes and go to that

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Speaker 1: big old encyclopedia brain Tannica of his. But I've been

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Speaker 1: thinking about like history, Like I've been reading this book

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Speaker 1: called The Devil's Chessboard, which is a history of the

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Speaker 1: C I a history of like really, Alan Dulles the

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Speaker 1: guy who founded the CIA, and he was a fucking

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Speaker 1: straight up Nazi. Like literally, like if FDR had lived,

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Speaker 1: this guy probably would have been prosecuted for treason because

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Speaker 1: he helped hide a lot of Nazis after the war.

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Speaker 1: He like he tried to broke her. FDR's whole thing was, hey,

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Speaker 1: I don't give a ship if you were like a

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Speaker 1: low level Nazi or a top Nazi. We're gonna prosecute

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Speaker 1: all of you, right, especially the top level guys. And

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Speaker 1: Alan Dalls was this kind of like old school gentleman

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Speaker 1: like his brother, and like I think he worked. He

394
00:25:01,520 --> 00:25:03,800
Speaker 1: had worked for a bank originally, like they had all

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Speaker 1: these business ties with Germany, and basically he helped protect

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Speaker 1: like high level Nazis and he had tried to broker

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Speaker 1: a deal behind FDR's back that if like high level

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Speaker 1: Nazis turned in Hitler, that they would be freed and

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Speaker 1: there wouldn't be any repercussions for them. And only FDR's

400
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Speaker 1: death prevented him from being prosecuted for treason basically for

401
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Speaker 1: portraying the US. And this is the guy that founded

402
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Speaker 1: the CIA, and then the CIA through the twentieth century,

403
00:25:33,640 --> 00:25:38,480
Speaker 1: just like fucked up foreign countries, uh like one a

404
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Speaker 1: year more, right, and they they did it all in

405
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Speaker 1: the background, like we don't find again, this is like

406
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Speaker 1: this time delay thing, right, We don't find out about

407
00:25:46,520 --> 00:25:50,280
Speaker 1: this stuff until the stuff is declassified or if for

408
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Speaker 1: some reason, some thirteen shows up in a neighborhood in

409
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Speaker 1: a white suburban area, they're like MS thirteen and then

410
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Speaker 1: they're like, well, hold on, you gotta go back to

411
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Speaker 1: El Salvador and understand what the funk we were doing there,

412
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Speaker 1: because he stabilized to the point where these gangs split off,

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Speaker 1: and people like whoa, Like how many of us knew

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Speaker 1: about the Latin American Dirty Wars until we became adults,

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00:26:12,440 --> 00:26:14,800
Speaker 1: right right? Oh yeah, I mean I had to like

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Speaker 1: actually pursue that information because like when I even got

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Speaker 1: an inkling of what it was, and I'm like, wait,

418
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Speaker 1: so we were fighting the Cold War in this other way,

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Speaker 1: like in Latin America through like debt and like militarizing

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Speaker 1: opposition groups like oh wow, wow, wow, wow wow, because

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Speaker 1: you didn't want to have an upfront like parking armies. That. Yeah,

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Speaker 1: it's very interesting history, and I think that's to your

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Speaker 1: point about like how we'll never it's hard to know

424
00:26:40,560 --> 00:26:43,520
Speaker 1: history because the version you get presented in school goes

425
00:26:43,560 --> 00:26:45,560
Speaker 1: through the filters of like the boards who work with

426
00:26:45,600 --> 00:26:48,280
Speaker 1: the publishers, who know the authors, are also based on

427
00:26:48,320 --> 00:26:51,400
Speaker 1: whatever the cultural tone is of a state. I think

428
00:26:51,400 --> 00:26:53,720
Speaker 1: it's it's hard because America doesn't have that thing yet,

429
00:26:53,720 --> 00:26:56,560
Speaker 1: where like other countries have, like we'll take a sort

430
00:26:56,600 --> 00:26:59,400
Speaker 1: of sober look at their history to be like, yeah,

431
00:26:59,440 --> 00:27:02,440
Speaker 1: you see that bad. That was fucking bad back there,

432
00:27:02,680 --> 00:27:05,359
Speaker 1: that was no good. We don't like that anymore. We

433
00:27:05,400 --> 00:27:07,080
Speaker 1: don't have that kind of we don't have that kind

434
00:27:07,080 --> 00:27:11,040
Speaker 1: of curriculum in the United States. It's just like that.

435
00:27:12,040 --> 00:27:15,280
Speaker 1: In fact, we have one that sanitizes at all. Yeah exactly, yeah,

436
00:27:15,359 --> 00:27:18,359
Speaker 1: not even our mission just like strange to say it was,

437
00:27:18,400 --> 00:27:20,000
Speaker 1: just like no. It just reminds me of a thing.

438
00:27:20,119 --> 00:27:23,800
Speaker 1: One of my first college history courses was about Iberian

439
00:27:23,800 --> 00:27:27,320
Speaker 1: and Spanish history and about the conquistadors and like this kid,

440
00:27:27,880 --> 00:27:30,840
Speaker 1: and it shows just sort of like how our teaching works.

441
00:27:31,000 --> 00:27:32,960
Speaker 1: The first day of class, someone raises their hands and

442
00:27:33,000 --> 00:27:37,320
Speaker 1: they're talking about uh, you know, converting indigenous peoples and

443
00:27:37,560 --> 00:27:39,720
Speaker 1: some like you know, in the writings back. You know

444
00:27:39,840 --> 00:27:42,480
Speaker 1: obviously from the new world. It's like they're loving it.

445
00:27:42,520 --> 00:27:44,639
Speaker 1: They're learning this new way of life, and then this

446
00:27:44,800 --> 00:27:47,640
Speaker 1: could just be like, Hi, how do we know though

447
00:27:47,680 --> 00:27:50,760
Speaker 1: that the the indigenous people didn't want to be converted? Though?

448
00:27:50,800 --> 00:27:53,520
Speaker 1: If if if they're still doing it now and they

449
00:27:53,600 --> 00:27:56,000
Speaker 1: like it, and it's just sort of like no one

450
00:27:56,080 --> 00:27:59,040
Speaker 1: was ever critical enough early on, and they're them learning

451
00:27:59,080 --> 00:28:02,760
Speaker 1: history to say these are subjugated people or colonized people

452
00:28:02,840 --> 00:28:06,640
Speaker 1: who were forced up of their option was death or

453
00:28:06,720 --> 00:28:09,320
Speaker 1: you know, fucking straight up two gestures across their body

454
00:28:09,560 --> 00:28:13,199
Speaker 1: that said they believed their God. Um. Yeah, it's very

455
00:28:13,560 --> 00:28:17,879
Speaker 1: That's why I almost became a history teacher. I'm a

456
00:28:17,920 --> 00:28:24,920
Speaker 1: podcaster teacher. Al Right, guys, let's take a quick break.

457
00:28:24,960 --> 00:28:39,480
Speaker 1: We'll be right back, and we're back and Wisconsin is

458
00:28:39,520 --> 00:28:47,960
Speaker 1: back to h They are open for business. O FB baby. Um. So,

459
00:28:48,080 --> 00:28:51,440
Speaker 1: the stay at home order was lifted by the Supreme Court,

460
00:28:52,280 --> 00:28:56,800
Speaker 1: which includes all rules about social distancing and masks. And

461
00:28:56,920 --> 00:28:59,600
Speaker 1: this is one of the top ten infected states in

462
00:28:59,600 --> 00:29:05,680
Speaker 1: the U. S US. So we're surprised. It's terrified, like

463
00:29:05,760 --> 00:29:10,040
Speaker 1: it's my my boyfriend's family all lives there. A lot

464
00:29:10,080 --> 00:29:13,719
Speaker 1: of them are seniors, and it's like anyone that you

465
00:29:13,760 --> 00:29:18,920
Speaker 1: know give gives a fuck, I mean, is terrified because

466
00:29:18,920 --> 00:29:22,280
Speaker 1: there's um by all accounts, there's people pouring in from

467
00:29:22,320 --> 00:29:25,480
Speaker 1: adjacent states who are upset with the stay at home

468
00:29:25,600 --> 00:29:27,600
Speaker 1: orders in Like it sounds like there's a lot of

469
00:29:27,600 --> 00:29:30,040
Speaker 1: people coming from the Illinois border who are like, oh,

470
00:29:30,080 --> 00:29:32,120
Speaker 1: I can go to a bar in Wisconsin. Great, let

471
00:29:32,120 --> 00:29:37,640
Speaker 1: me take my COVID to Wisconsin. And it's just I mean,

472
00:29:37,800 --> 00:29:41,240
Speaker 1: we'll we'll see. But there's no way that it ends well.

473
00:29:41,400 --> 00:29:44,440
Speaker 1: Everyone Like it sounds like, you know, everyone I know

474
00:29:44,480 --> 00:29:48,400
Speaker 1: there feels deeply unsafe and is so like it's just

475
00:29:49,240 --> 00:29:52,040
Speaker 1: it doesn't make sense even in terms of like this

476
00:29:52,160 --> 00:29:54,840
Speaker 1: Supreme Court decision. I mean, when you look at again,

477
00:29:55,160 --> 00:29:59,200
Speaker 1: we've talked about this constantly, overwhelming majority of American people

478
00:29:59,400 --> 00:30:03,760
Speaker 1: aren't clamoring to go back and do things because for them,

479
00:30:03,840 --> 00:30:06,600
Speaker 1: it's not like they're not saying, no, I'm fine living

480
00:30:06,640 --> 00:30:09,400
Speaker 1: like this forever. Obviously people would love to return to

481
00:30:09,440 --> 00:30:11,880
Speaker 1: some semblance of normalcy, but they're not willing to do

482
00:30:11,920 --> 00:30:14,360
Speaker 1: that at the like the cost of losing people's lives

483
00:30:14,360 --> 00:30:16,280
Speaker 1: are getting ill and things like that, Like then well,

484
00:30:16,280 --> 00:30:18,840
Speaker 1: hold on, it's not that serious point where I'm going

485
00:30:18,880 --> 00:30:24,160
Speaker 1: to risk life. You're also sending workers, like all restaurant employees,

486
00:30:24,200 --> 00:30:26,760
Speaker 1: all all employees that are being forced to go back

487
00:30:26,800 --> 00:30:30,360
Speaker 1: to work, You're sending them potentially to their deaths with

488
00:30:30,400 --> 00:30:32,920
Speaker 1: like little you know, with few options because if your

489
00:30:32,960 --> 00:30:36,360
Speaker 1: job is open, then why are you still asking for unemployment?

490
00:30:36,400 --> 00:30:39,200
Speaker 1: And it's just like it's so fucking so you quit,

491
00:30:39,680 --> 00:30:43,120
Speaker 1: you quit? Yeah, So then I actually that that was

492
00:30:43,160 --> 00:30:46,040
Speaker 1: the point of that right, is to force people to

493
00:30:46,160 --> 00:30:50,040
Speaker 1: choose to get them off the unemployment roles. Right, Yeah,

494
00:30:51,000 --> 00:30:54,320
Speaker 1: that way, And there's there's no other way. There's no

495
00:30:54,360 --> 00:30:57,120
Speaker 1: other way to explain something so cynical as like a

496
00:30:57,200 --> 00:31:01,240
Speaker 1: regulation that said if you don't feel safe, because the science,

497
00:31:01,320 --> 00:31:04,160
Speaker 1: clearly the science and the biology has not caught up

498
00:31:04,200 --> 00:31:06,520
Speaker 1: to how severe this is. That if you don't feel

499
00:31:06,520 --> 00:31:08,800
Speaker 1: safe enough you go to work, you're surrendering your job

500
00:31:08,880 --> 00:31:12,200
Speaker 1: because you know, the fucking CEO of Kroger demands his

501
00:31:12,760 --> 00:31:16,240
Speaker 1: blood money. I've also heard of a number of examples

502
00:31:16,320 --> 00:31:20,400
Speaker 1: of like the way that workers are getting to work

503
00:31:20,560 --> 00:31:23,920
Speaker 1: has changed as well, Like I have, Uh my brother

504
00:31:24,000 --> 00:31:28,680
Speaker 1: works at a bakery and uh, they say they do

505
00:31:28,920 --> 00:31:31,880
Speaker 1: they do, and it's great. I'll never be but I

506
00:31:31,920 --> 00:31:34,000
Speaker 1: don't think he works there anymore. And the reason is

507
00:31:34,040 --> 00:31:37,680
Speaker 1: because they said, Okay, we're reopening the bakery. You can

508
00:31:37,720 --> 00:31:39,760
Speaker 1: have your job back, but we don't want any of

509
00:31:39,760 --> 00:31:42,920
Speaker 1: our employees taking public transportation. You have to drive. And

510
00:31:42,960 --> 00:31:45,479
Speaker 1: he lives in a big city with four parking spots.

511
00:31:45,640 --> 00:31:49,400
Speaker 1: And also not for no reason, he's not paid enough

512
00:31:49,440 --> 00:31:52,120
Speaker 1: working the front counter at a bakery to own a car.

513
00:31:52,240 --> 00:31:54,680
Speaker 1: And so it's like there's all these fucking galaxy brain

514
00:31:54,760 --> 00:31:57,360
Speaker 1: solutions that I'm sure the business is also in a

515
00:31:57,440 --> 00:32:00,960
Speaker 1: very difficult spot of they need to keep are their

516
00:32:01,000 --> 00:32:03,720
Speaker 1: business safe, But it's just like workers are left with

517
00:32:03,880 --> 00:32:08,160
Speaker 1: virtually no options and then you don't qualify for unemployment anymore.

518
00:32:08,680 --> 00:32:13,320
Speaker 1: It's yeah, culturally, though, we're just ingrained with this terrible,

519
00:32:13,440 --> 00:32:18,040
Speaker 1: terrible reflex that because we see how we as a

520
00:32:18,440 --> 00:32:22,080
Speaker 1: you know, American culture and the government by extension, treats

521
00:32:22,120 --> 00:32:25,960
Speaker 1: people like those in need as like that's not that's

522
00:32:25,960 --> 00:32:28,800
Speaker 1: suboptimal to be a person who's in need, Like we

523
00:32:28,880 --> 00:32:31,240
Speaker 1: have this like immediate thing to be like, well that's

524
00:32:31,280 --> 00:32:33,600
Speaker 1: your problem, Well that's your problem, because that's how we're

525
00:32:33,600 --> 00:32:37,120
Speaker 1: treated by the more powerful than us. Well that's your problem.

526
00:32:37,160 --> 00:32:39,840
Speaker 1: And when really, I feel like you'd hope the reflexes

527
00:32:39,840 --> 00:32:42,120
Speaker 1: should be like, oh my god, yeah, stay home. I

528
00:32:42,160 --> 00:32:44,680
Speaker 1: know we're getting killed as a business. I need to

529
00:32:44,680 --> 00:32:46,960
Speaker 1: fucking talk to we need to talk to the fucking

530
00:32:47,000 --> 00:32:51,000
Speaker 1: banks who's demanding this mortgage from us? Because but I

531
00:32:51,080 --> 00:32:52,880
Speaker 1: have to force you to go to work so I

532
00:32:52,880 --> 00:32:55,760
Speaker 1: can pay this bank or whoever this rent or the

533
00:32:55,840 --> 00:32:59,080
Speaker 1: landlord who then knows money to a bank. That the

534
00:32:59,080 --> 00:33:02,400
Speaker 1: the frustration is not turned upward. It's always turned downward.

535
00:33:02,440 --> 00:33:04,600
Speaker 1: It's always look yeah, it's like you should be ashamed

536
00:33:04,600 --> 00:33:07,840
Speaker 1: of yourself for not being able to what do you

537
00:33:07,880 --> 00:33:10,840
Speaker 1: guys think it's turning our corner. I'm seeing more and

538
00:33:10,960 --> 00:33:17,520
Speaker 1: more rage directed in the appropriate direction. But slowly, yes,

539
00:33:17,880 --> 00:33:19,840
Speaker 1: But I don't think it's I don't think it's not. Yeah,

540
00:33:19,920 --> 00:33:22,760
Speaker 1: it's slowly. Which is I've been saying, like, if that's

541
00:33:22,800 --> 00:33:25,479
Speaker 1: the one positive I've been able to see throughout this

542
00:33:25,560 --> 00:33:29,240
Speaker 1: is like there's a little bit more class consciousness that's

543
00:33:29,280 --> 00:33:32,040
Speaker 1: being brought out of people rather than like blindly having

544
00:33:32,040 --> 00:33:34,560
Speaker 1: like paras social relationships with billionaires you wish you were

545
00:33:34,600 --> 00:33:38,080
Speaker 1: friends with. And as it relates to the coronavirus. I

546
00:33:38,080 --> 00:33:41,680
Speaker 1: mean we like people are going to see I think

547
00:33:41,760 --> 00:33:45,040
Speaker 1: New Zealand opened back up a couple of nights ago

548
00:33:45,400 --> 00:33:50,480
Speaker 1: and liked had barber's you know, giving people haircuts, and

549
00:33:50,680 --> 00:33:53,760
Speaker 1: there were lines at the door. They opened up at

550
00:33:53,840 --> 00:33:57,520
Speaker 1: like midnight, and like they actually get to open up

551
00:33:57,560 --> 00:34:01,960
Speaker 1: because they did the appropriate things in a responsible amount

552
00:34:02,000 --> 00:34:05,800
Speaker 1: of time, and there wasn't this like they were looking

553
00:34:05,800 --> 00:34:09,080
Speaker 1: out for the welfare and the health of their citizens

554
00:34:09,280 --> 00:34:13,359
Speaker 1: from the start. Um, yeah, my friend lives in Helsinki

555
00:34:13,960 --> 00:34:18,040
Speaker 1: and uh, Finland. I was looking at statistics. Finland is

556
00:34:18,520 --> 00:34:23,440
Speaker 1: a million more people than Los Angeles itself, and uh,

557
00:34:23,600 --> 00:34:29,719
Speaker 1: they have I think one one of the cases of coronavirus. Yeah,

558
00:34:30,440 --> 00:34:33,320
Speaker 1: it's it's just straight up where you know, this is

559
00:34:33,360 --> 00:34:37,879
Speaker 1: what happens when a stupid person runs something as big

560
00:34:37,920 --> 00:34:41,440
Speaker 1: and complicated as the United States and somebody who's just

561
00:34:41,640 --> 00:34:45,719
Speaker 1: not capable of who's not up to the task, who's

562
00:34:45,760 --> 00:34:49,960
Speaker 1: not capable of mammalian thought. Right, But also just our

563
00:34:50,000 --> 00:34:53,000
Speaker 1: system of governance is just built to crush the weak

564
00:34:53,160 --> 00:34:56,080
Speaker 1: and you know and rich the rich. Yeah, it's definitely not.

565
00:34:56,120 --> 00:34:59,520
Speaker 1: We already we went into the fucking you know, hockey

566
00:34:59,600 --> 00:35:02,359
Speaker 1: game with fucking soccer equipment. We're like, oh, bro, we're

567
00:35:02,360 --> 00:35:05,680
Speaker 1: not even built for the chess skates. We went into

568
00:35:05,920 --> 00:35:11,680
Speaker 1: a hockey game holding a paw. Yeah, I can get

569
00:35:11,680 --> 00:35:13,399
Speaker 1: a slap shot. You can't even get a risk shot

570
00:35:13,400 --> 00:35:20,000
Speaker 1: with that bishop piece. It's like we went into uh basketball,

571
00:35:20,400 --> 00:35:25,760
Speaker 1: but we were wearing skates. It's like we bought tickets

572
00:35:25,760 --> 00:35:28,919
Speaker 1: to Shrek and we saw Puss in boots. By the way,

573
00:35:29,040 --> 00:35:31,719
Speaker 1: Shrek by Shrek. That has to be the title of

574
00:35:31,800 --> 00:35:38,600
Speaker 1: the by minute on Shrek Shren. Oh my, yeah, that's

575
00:35:38,640 --> 00:35:42,279
Speaker 1: pretty good. The shrecken ing. Uh. So, I mean this

576
00:35:42,400 --> 00:35:45,920
Speaker 1: is so this is one way of doing things, the

577
00:35:45,920 --> 00:35:50,800
Speaker 1: Wisconsin way where everybody is crowding together despite the fact

578
00:35:50,840 --> 00:35:54,400
Speaker 1: that we don't have the things in place or the

579
00:35:55,080 --> 00:35:59,839
Speaker 1: you know, falling levels of infection, uh to support that's

580
00:36:00,080 --> 00:36:04,200
Speaker 1: to behavior. There's the New Zealand model, which involves, you know,

581
00:36:04,360 --> 00:36:10,040
Speaker 1: investment of smart behavior and investment of like people staying

582
00:36:10,080 --> 00:36:14,440
Speaker 1: at home and sheltering in place uh for a long time. Uh.

583
00:36:14,480 --> 00:36:17,640
Speaker 1: And then you're able to open back up something that

584
00:36:17,840 --> 00:36:22,120
Speaker 1: seems like it's sort of happening that I don't know.

585
00:36:22,160 --> 00:36:24,760
Speaker 1: It's kind of like a complicated situation where I don't

586
00:36:25,719 --> 00:36:29,439
Speaker 1: no necessarily how to feel about it just yet. But

587
00:36:29,960 --> 00:36:33,640
Speaker 1: you know, because there are these studies, like the contact

588
00:36:33,640 --> 00:36:38,520
Speaker 1: tracing with coronavirus in China that said that, you know,

589
00:36:38,640 --> 00:36:42,239
Speaker 1: out of thousands of cases, there's like two cases of

590
00:36:42,239 --> 00:36:48,000
Speaker 1: transmission outside because it's just the air is able to

591
00:36:48,480 --> 00:36:50,960
Speaker 1: spread out more, the germs are able to spread out more.

592
00:36:51,360 --> 00:36:56,520
Speaker 1: Some cities are starting to adapt things so that, you know,

593
00:36:56,600 --> 00:37:01,400
Speaker 1: you can have restaurants that will you know, have outdoor

594
00:37:01,520 --> 00:37:04,200
Speaker 1: seating that bleeds out into the streets, and so they'll

595
00:37:04,200 --> 00:37:07,920
Speaker 1: like close down streets. I love the idea of closing

596
00:37:07,960 --> 00:37:11,840
Speaker 1: down streets, love the idea of being able to go outside.

597
00:37:12,719 --> 00:37:16,040
Speaker 1: But to Jamie's point, you're just hoping that this is

598
00:37:16,080 --> 00:37:19,960
Speaker 1: not a situation where we're just doing this so that

599
00:37:20,000 --> 00:37:23,480
Speaker 1: we can take people off of the unemployment payrolls and

600
00:37:23,760 --> 00:37:26,520
Speaker 1: like force them back to work and things aren't all

601
00:37:26,520 --> 00:37:29,640
Speaker 1: that safe for them in the first place. Yeah, it

602
00:37:29,920 --> 00:37:34,000
Speaker 1: feels all connected to like reopening the economy as opposed

603
00:37:34,040 --> 00:37:37,279
Speaker 1: to actually doing anything in anyone's best interest. And it's

604
00:37:37,280 --> 00:37:42,239
Speaker 1: also just benefiting people who like to be at bars. Yeah,

605
00:37:42,640 --> 00:37:47,240
Speaker 1: I think whenever whenever I hear any municipal leader, governor whatever,

606
00:37:48,160 --> 00:37:51,440
Speaker 1: have the word, you know, because we got we I know, look,

607
00:37:51,440 --> 00:37:53,560
Speaker 1: we gotta do it safe, but we gotta obviously people

608
00:37:53,600 --> 00:37:55,920
Speaker 1: want to reopen or whatever. I love that. There's always

609
00:37:55,960 --> 00:37:58,800
Speaker 1: just that like hat tip to like the ownership class

610
00:37:58,800 --> 00:38:00,399
Speaker 1: always and they're like, you know, because we know people

611
00:38:00,440 --> 00:38:02,759
Speaker 1: want to reopen. I don't know a damn person who

612
00:38:02,920 --> 00:38:06,279
Speaker 1: doesn't who wants to reopen again. We just want to

613
00:38:06,320 --> 00:38:09,680
Speaker 1: know that it's safe. Deal with that first. Deal with

614
00:38:09,719 --> 00:38:12,920
Speaker 1: that first, and the fact. And I guess again, the

615
00:38:13,000 --> 00:38:16,520
Speaker 1: buck stops with the fucking citizens because the federal government

616
00:38:16,560 --> 00:38:18,399
Speaker 1: failed to act. So now it's like, I don't know, guys,

617
00:38:18,440 --> 00:38:19,799
Speaker 1: I mean, you gotta get back to work. I mean,

618
00:38:19,920 --> 00:38:23,240
Speaker 1: would you guys go to like if Los Angeles opened

619
00:38:23,320 --> 00:38:26,200
Speaker 1: up everything tomorrow and we could have live comedy again

620
00:38:26,480 --> 00:38:30,240
Speaker 1: and go to movies, I wouldn't go. No, Yeah, definitely

621
00:38:30,280 --> 00:38:33,719
Speaker 1: not Alamo. Drafthouse set me. I don't know why I

622
00:38:33,760 --> 00:38:40,800
Speaker 1: answered their survey, but they sent me. I'm answering and

623
00:38:40,920 --> 00:38:43,479
Speaker 1: they're also quick. Note to any listeners out there, any

624
00:38:43,480 --> 00:38:45,680
Speaker 1: surveys you have that asked where you heard about something,

625
00:38:45,680 --> 00:38:49,680
Speaker 1: please always mark podcasts going into the industry, Okay, back

626
00:38:49,719 --> 00:38:51,880
Speaker 1: to you, But yeah, I answered it for some reason.

627
00:38:51,920 --> 00:38:53,759
Speaker 1: But they were like, why when would you come back

628
00:38:53,800 --> 00:38:55,879
Speaker 1: to an Alamo draft house. They listed all these things

629
00:38:55,960 --> 00:38:58,839
Speaker 1: like what if we tested what if we like took

630
00:38:58,840 --> 00:39:01,279
Speaker 1: the temperature of our ployees every hour, what if we

631
00:39:01,320 --> 00:39:03,680
Speaker 1: did you know, social distancing in the theaters and all

632
00:39:03,680 --> 00:39:06,400
Speaker 1: this stuff, And then the last choice was there's a vaccine,

633
00:39:06,560 --> 00:39:10,080
Speaker 1: and I'm like, yes, that last one, that's the one

634
00:39:10,080 --> 00:39:12,799
Speaker 1: where I don't where I'm assured that I don't die

635
00:39:13,040 --> 00:39:16,440
Speaker 1: guaranteed to de Velomo Drafthouse is sitting on the vaccine

636
00:39:16,440 --> 00:39:21,320
Speaker 1: and they're just waiting for the results. They're like, I

637
00:39:21,320 --> 00:39:23,839
Speaker 1: don't know. We haven't we haven't reached critical mass yet

638
00:39:23,880 --> 00:39:26,759
Speaker 1: with enough yeses for that question. The FJ approved it,

639
00:39:26,840 --> 00:39:29,239
Speaker 1: but we don't. We only have a handful of responses,

640
00:39:29,280 --> 00:39:31,319
Speaker 1: so I don't know what do we do right there,

641
00:39:31,360 --> 00:39:37,319
Speaker 1: just waiting for people to respond to their online email servey, Like, well,

642
00:39:37,360 --> 00:39:39,399
Speaker 1: I guess if no one wants to take a few

643
00:39:39,440 --> 00:39:43,560
Speaker 1: minutes to answer our survey, no one gets a vaccine. Anyways,

644
00:39:43,640 --> 00:39:46,640
Speaker 1: I am in favor of the one aspect of this,

645
00:39:46,719 --> 00:39:50,200
Speaker 1: which is closing streets to road traffic, since nobody has

646
00:39:50,239 --> 00:39:56,040
Speaker 1: anywhere to go anyways, Um Cincinnati everywhere or just parts No,

647
00:39:56,200 --> 00:40:00,360
Speaker 1: just parts Cincinnati is closed parts of streets or Sstaurants

648
00:40:00,400 --> 00:40:03,320
Speaker 1: can expand outdoor seating, but just like the ability to

649
00:40:03,440 --> 00:40:06,560
Speaker 1: walk down the street and like give each other wide

650
00:40:06,600 --> 00:40:10,680
Speaker 1: berths is uh you know, that's kind of how when

651
00:40:10,719 --> 00:40:13,960
Speaker 1: I've gone out for a walk with my kids, you

652
00:40:14,000 --> 00:40:17,359
Speaker 1: don't want to like walk directly next to somebody. Uh

653
00:40:17,440 --> 00:40:20,080
Speaker 1: So you you do use the street more than you

654
00:40:20,160 --> 00:40:24,160
Speaker 1: used to. Um, but Oakland has closed almost ten percent

655
00:40:24,239 --> 00:40:27,799
Speaker 1: of roads to traffic. Uh So, I mean I think

656
00:40:27,840 --> 00:40:30,240
Speaker 1: that's this is this is the thing we're probably gonna

657
00:40:30,239 --> 00:40:32,680
Speaker 1: need to do anyways because the climate change, so we

658
00:40:32,760 --> 00:40:37,080
Speaker 1: might as well experiment with different you know, forms of

659
00:40:37,120 --> 00:40:40,040
Speaker 1: steady planet. It just it just seems a bit premature,

660
00:40:40,120 --> 00:40:42,560
Speaker 1: Like for me when I see that, like okay, like, yeah,

661
00:40:42,640 --> 00:40:44,719
Speaker 1: we've been able to do this to like mitigate the

662
00:40:44,840 --> 00:40:47,400
Speaker 1: transmission and things. I'd feel safe if there was a

663
00:40:47,440 --> 00:40:51,200
Speaker 1: treatment right then to be going to this level of

664
00:40:51,320 --> 00:40:54,520
Speaker 1: normalcy where it's like still because we're not talking about

665
00:40:54,560 --> 00:40:58,280
Speaker 1: limits of people together, we're just saying outside better than inside.

666
00:40:59,600 --> 00:41:01,000
Speaker 1: But at that point, if you want me to be

667
00:41:01,080 --> 00:41:04,440
Speaker 1: out there like you know, yucking it up, like without

668
00:41:04,560 --> 00:41:07,040
Speaker 1: having a concern with other what other people's you know,

669
00:41:07,200 --> 00:41:10,120
Speaker 1: infection status or whatever is. Then I'd want to know

670
00:41:10,160 --> 00:41:12,640
Speaker 1: that there's at least a treatment that we're not. I'm

671
00:41:12,640 --> 00:41:15,120
Speaker 1: not left reading all these stories of like people just

672
00:41:15,560 --> 00:41:18,839
Speaker 1: you know, just whatever horrible outcome ends up happening for them,

673
00:41:18,880 --> 00:41:20,719
Speaker 1: or the people who end up making it through and

674
00:41:20,760 --> 00:41:24,279
Speaker 1: because they're in the ICU, the secondary recovery from being

675
00:41:24,280 --> 00:41:26,960
Speaker 1: in the ICU so long, it's like another thing that

676
00:41:27,680 --> 00:41:30,279
Speaker 1: is somewhat talked about, but we we forget about, like

677
00:41:30,520 --> 00:41:33,520
Speaker 1: you're not many people like I'm not the same since

678
00:41:33,600 --> 00:41:38,600
Speaker 1: this I'm just not. Yeah, it's very but it's worth it. Man.

679
00:41:38,760 --> 00:41:40,880
Speaker 1: If me and my bros could go to Applebee's and

680
00:41:40,880 --> 00:41:45,520
Speaker 1: get some whiskey soaked pork screamers, yeah with the quips

681
00:41:45,760 --> 00:41:52,440
Speaker 1: from Yeah, you know, if you know folks who are

682
00:41:52,560 --> 00:41:57,680
Speaker 1: in Wisconsin and like flocking to the bars, please talk

683
00:41:57,760 --> 00:42:03,440
Speaker 1: to them. That's but not in person. Oh yeah, make

684
00:42:03,480 --> 00:42:05,879
Speaker 1: sure you say this is doing it. They might show

685
00:42:05,960 --> 00:42:07,920
Speaker 1: up at your house. They might just show they're like,

686
00:42:07,960 --> 00:42:09,680
Speaker 1: oh no, we can do this now, and then they'll

687
00:42:09,719 --> 00:42:12,600
Speaker 1: just cough in your mouth and then that's it there. Yeah,

688
00:42:12,640 --> 00:42:15,080
Speaker 1: but like if you do, I mean, I don't know.

689
00:42:15,120 --> 00:42:17,640
Speaker 1: I've I've been thinking about that too. Is like, eventually

690
00:42:17,920 --> 00:42:21,160
Speaker 1: there will be people in our lives who are breaking,

691
00:42:21,680 --> 00:42:24,200
Speaker 1: like who are putting other people in danger with their actions,

692
00:42:24,200 --> 00:42:26,319
Speaker 1: and it's like, you know, the conversations will have to

693
00:42:26,360 --> 00:42:29,360
Speaker 1: be had, Yeah, and then cut them out of your life.

694
00:42:29,520 --> 00:42:32,640
Speaker 1: Have that conversation, and then people need to feel some

695
00:42:32,800 --> 00:42:35,759
Speaker 1: kind of repercussions for their shitty behavior. I think a

696
00:42:35,760 --> 00:42:37,840
Speaker 1: lot of those people have already been culled after the

697
00:42:37,880 --> 00:42:40,759
Speaker 1: election though, that's what I say. It makes me think

698
00:42:40,760 --> 00:42:45,239
Speaker 1: of the Facebook posts of like triumphant uncles eating Thanksgiving

699
00:42:45,280 --> 00:42:49,360
Speaker 1: dinner alone being like peace, no flakes, have no fucking

700
00:42:50,360 --> 00:42:56,080
Speaker 1: tears stream, I don't even miss my daughter. There's this

701
00:42:56,360 --> 00:43:00,520
Speaker 1: terrifying article about the on the Atlantic that's about Q

702
00:43:01,160 --> 00:43:04,520
Speaker 1: as a new religion, like that this is going to

703
00:43:04,600 --> 00:43:08,560
Speaker 1: outlive Trump and outlive Trump is um and that like

704
00:43:08,719 --> 00:43:12,960
Speaker 1: when you look at it compared to other religions, it's

705
00:43:13,000 --> 00:43:17,880
Speaker 1: grown like faster than uh, like all sorts of religions.

706
00:43:17,920 --> 00:43:21,240
Speaker 1: So they're just saying like it could end up being

707
00:43:21,520 --> 00:43:28,400
Speaker 1: like the next whatever globe spanding cult. There was a

708
00:43:28,480 --> 00:43:30,520
Speaker 1: thing where like I think one of the Q accounts

709
00:43:30,520 --> 00:43:32,480
Speaker 1: like tweeted a link to a porn video and all

710
00:43:32,520 --> 00:43:37,279
Speaker 1: the followers. But one of the things was like a

711
00:43:37,320 --> 00:43:41,960
Speaker 1: woman who's like just her son is is like a

712
00:43:42,040 --> 00:43:46,040
Speaker 1: journalist and she's like I she's a que adherent and

713
00:43:46,120 --> 00:43:50,680
Speaker 1: it's just I see more graffiti of it around l A. Yeah,

714
00:43:51,080 --> 00:43:55,000
Speaker 1: it's it's like stencils on the sidewalk. Oh yeah, graffiti

715
00:43:55,120 --> 00:43:57,799
Speaker 1: is out too because of all the delinquent teens. No

716
00:43:57,840 --> 00:44:01,080
Speaker 1: one's paying attention to them. Yeah yeah, and not even

717
00:44:01,160 --> 00:44:03,520
Speaker 1: good not even good throw ups I'm seeing. I'm seeing

718
00:44:03,560 --> 00:44:06,400
Speaker 1: some real sloppy nonstops. All you graph kids in the city,

719
00:44:06,480 --> 00:44:10,200
Speaker 1: please up your game. These nonstops are really real sloppy.

720
00:44:10,200 --> 00:44:13,600
Speaker 1: Although in my neighborhood, r I P juicy, Okay, let

721
00:44:13,640 --> 00:44:15,799
Speaker 1: him know. Alright, guys, let's take a quick break and

722
00:44:15,840 --> 00:44:29,360
Speaker 1: we'll come back and talk about some sillier ship. And

723
00:44:29,520 --> 00:44:34,720
Speaker 1: we're back and let's talk about what movies we're gonna

724
00:44:35,200 --> 00:44:38,839
Speaker 1: what movies slash TV shows we will be streaming over

725
00:44:38,880 --> 00:44:42,520
Speaker 1: the weekend to talk about. On Monday's episode, Top Something

726
00:44:42,560 --> 00:44:44,360
Speaker 1: from the Top ten. What do we think is something?

727
00:44:44,560 --> 00:44:47,560
Speaker 1: What are we top ten is dead to me. The

728
00:44:47,600 --> 00:44:50,760
Speaker 1: Wrong Missy, which is the new Lauren Labkiss David Spade

729
00:44:50,800 --> 00:44:55,680
Speaker 1: show Outer Banks, which we've already reviewed. It's apparently I've

730
00:44:55,719 --> 00:44:59,879
Speaker 1: already I've come. I've completed the entire season. How did turn?

731
00:45:00,000 --> 00:45:03,759
Speaker 1: I finished it by Wednesday? You know it gets you know,

732
00:45:03,800 --> 00:45:05,920
Speaker 1: I'm gonna tell you. I'm gonna tell you something. It moved.

733
00:45:05,920 --> 00:45:09,200
Speaker 1: The full thing is trash, but there is because of

734
00:45:09,239 --> 00:45:11,359
Speaker 1: all the injustice in the world. There's like these two

735
00:45:11,400 --> 00:45:16,520
Speaker 1: privileged white characters that I must see brought to justice. Um,

736
00:45:16,520 --> 00:45:18,719
Speaker 1: and I'm left with a fucking cliffhanger at the end

737
00:45:18,719 --> 00:45:23,879
Speaker 1: of season one. Yeah, so whatever, Outer Banks is still

738
00:45:23,960 --> 00:45:29,640
Speaker 1: up there. John Henry uh, which is like Terry Crews

739
00:45:29,680 --> 00:45:36,640
Speaker 1: as a superhero who's got a hammer and cleans up

740
00:45:36,920 --> 00:45:43,600
Speaker 1: the streets, I think, is what it says in the trailer. Yeah.

741
00:45:43,719 --> 00:45:48,240
Speaker 1: Trial by Media is like a documentary Have a good Trip?

742
00:45:48,400 --> 00:45:51,960
Speaker 1: Is that documentary we talked about a couple of days ago. Um,

743
00:45:52,760 --> 00:45:58,000
Speaker 1: somebody should do that one. Grey's Anatomy, Sleepless Jamie Fox

744
00:45:58,040 --> 00:46:02,799
Speaker 1: action movie. It's people are calling it the extraction of

745
00:46:02,840 --> 00:46:11,439
Speaker 1: this week's Netflix Top ten. Uh black extraction. Yeah back, Okay,

746
00:46:11,480 --> 00:46:13,759
Speaker 1: I'm watching that. I saw the thing because I was like,

747
00:46:13,800 --> 00:46:17,880
Speaker 1: look at Jamie. Fox's a hairline again somehow moving forward

748
00:46:18,040 --> 00:46:20,719
Speaker 1: to the new phase of that, we're moving forward as

749
00:46:20,760 --> 00:46:24,759
Speaker 1: a hairline. But I think I will That definitely caught

750
00:46:24,800 --> 00:46:26,640
Speaker 1: my eye, and so did the John Henry one, because

751
00:46:26,760 --> 00:46:29,839
Speaker 1: the thing the poster looks so weird, isn't it? Like

752
00:46:30,239 --> 00:46:33,000
Speaker 1: Terry crews like a fucking sledge hammer, like like on

753
00:46:33,040 --> 00:46:35,000
Speaker 1: his shoulder, and he looks sweaty. He's got like a

754
00:46:35,040 --> 00:46:38,600
Speaker 1: patchy beard or some ship. Yeah, yeah, I don't think

755
00:46:38,640 --> 00:46:41,080
Speaker 1: he's got a patchy beard, I think, And in fact,

756
00:46:41,160 --> 00:46:44,200
Speaker 1: the trailer has him like shaving his head and face

757
00:46:45,840 --> 00:46:52,879
Speaker 1: need be. But uh, I would do John Henry, John Henry.

758
00:46:53,120 --> 00:46:58,520
Speaker 1: That's old folk song. Um wait, what about the Shrek musical?

759
00:46:58,680 --> 00:47:02,560
Speaker 1: I mean, I think Jamie has it's there. I think

760
00:47:02,560 --> 00:47:06,040
Speaker 1: i'll watch it too. Really, it's really fun. How long

761
00:47:06,120 --> 00:47:09,200
Speaker 1: is it's two hours? Look? Because I'll tell you something,

762
00:47:09,400 --> 00:47:13,440
Speaker 1: I hate musicals, but I have nothing to do. This

763
00:47:13,480 --> 00:47:17,520
Speaker 1: sounds freaky, and I think maybe my opinion, I'm already

764
00:47:17,520 --> 00:47:19,440
Speaker 1: going into it with the kind of take that most

765
00:47:19,480 --> 00:47:21,360
Speaker 1: people would expect, and who knows, maybe I'll be pleasantly.

766
00:47:21,600 --> 00:47:26,280
Speaker 1: I love musicals, and for a very transparent cash grab musical,

767
00:47:26,480 --> 00:47:29,440
Speaker 1: I think it's pretty good. And it also heightens the

768
00:47:29,480 --> 00:47:34,319
Speaker 1: emotional steaks of Shrek beyond what anyone ever wanted. There's

769
00:47:34,360 --> 00:47:40,920
Speaker 1: a number of it. Just look up Shrek the Musical

770
00:47:40,920 --> 00:47:42,960
Speaker 1: on YouTube and I'll pop up. No, it's on Netflix.

771
00:47:43,640 --> 00:47:46,640
Speaker 1: It's it's been on Netflix for like seven years. No

772
00:47:46,640 --> 00:47:50,200
Speaker 1: one else wants, no one's looking for right, Well, then

773
00:47:50,239 --> 00:47:55,480
Speaker 1: I'm getting my pipes warmed up all rights watching Shrek

774
00:47:55,640 --> 00:47:58,920
Speaker 1: the Musical. Jamie, what are you are you interested in?

775
00:47:59,120 --> 00:48:02,799
Speaker 1: Have a good trip? Which one is that? That's the

776
00:48:03,000 --> 00:48:08,840
Speaker 1: one's drug Stories? Drug Stories Animated? Sure? Sure? Or a

777
00:48:08,880 --> 00:48:11,640
Speaker 1: wild card? Pick anything or pick anything. I can don't

778
00:48:11,800 --> 00:48:13,400
Speaker 1: have a good trip. I just feel like since we

779
00:48:13,480 --> 00:48:15,080
Speaker 1: talked about it, we might as well get in there.

780
00:48:15,200 --> 00:48:20,120
Speaker 1: There's also Willie Wanka. Willy Wonka and the Chocolate Factory

781
00:48:20,560 --> 00:48:22,920
Speaker 1: is streaming on Netflix, and so is Charlie and the

782
00:48:22,960 --> 00:48:26,520
Speaker 1: Chocolate Factory. In case anybody's interested in either of those.

783
00:48:27,200 --> 00:48:30,200
Speaker 1: Grab a top ten do a top ten thing, I'll do,

784
00:48:31,400 --> 00:48:35,640
Speaker 1: I'll do. I'll do the David's Bade Laura Labkis movie. Okay,

785
00:48:35,680 --> 00:48:40,400
Speaker 1: that's a movie show. Yeah, it's a it's a whole Damn,

786
00:48:41,120 --> 00:48:45,400
Speaker 1: it's a whole. Last movie with are they love interests? Yes,

787
00:48:45,440 --> 00:48:52,640
Speaker 1: except Laura is wacky, right, David dream girl Molly Sims

788
00:48:53,000 --> 00:48:57,800
Speaker 1: And then uh, he's like, yeah former s I swimsuit model,

789
00:48:58,920 --> 00:49:06,480
Speaker 1: you bet. And then he invites Missy. He has Missy

790
00:49:06,520 --> 00:49:09,120
Speaker 1: in his cell phone and he invites her to a

791
00:49:09,400 --> 00:49:15,160
Speaker 1: Hawaii vacation. But it's the wrong Missy, and so Lauren

792
00:49:15,280 --> 00:49:20,960
Speaker 1: Lapkis shows up instead, and David Spade is like, oh, brother,

793
00:49:21,239 --> 00:49:25,280
Speaker 1: I'm so I'm such a catch. She's like this loser.

794
00:49:27,600 --> 00:49:31,040
Speaker 1: The age difference between Lauren and David Spade, it's large,

795
00:49:31,200 --> 00:49:35,120
Speaker 1: it's not small. It's not small. Well, how let's see

796
00:49:35,200 --> 00:49:39,920
Speaker 1: David Spade is fifty five, and I think Lauren Lapkis

797
00:49:39,920 --> 00:49:41,920
Speaker 1: is my age, so maybe like thirty five or thirty six.

798
00:49:41,960 --> 00:49:49,520
Speaker 1: Lauren is okay, but Laura Lapis is the gross one

799
00:49:49,520 --> 00:49:52,160
Speaker 1: in the movie. I love Lauren Laptus so much, but

800
00:49:52,200 --> 00:49:56,920
Speaker 1: there's la So she's both a nice person and an

801
00:49:56,920 --> 00:49:59,880
Speaker 1: extremely funny person. It's not that there's nothing she can't do.

802
00:50:00,040 --> 00:50:03,279
Speaker 1: I'm looking forward to seeing, uh, what what they make

803
00:50:03,320 --> 00:50:07,200
Speaker 1: her do in this movie? Yes, do you think there's

804
00:50:07,239 --> 00:50:09,520
Speaker 1: a scene. I haven't seen the trailer, but based on

805
00:50:09,560 --> 00:50:11,799
Speaker 1: what you're saying, I'd imagine there's a moment where David

806
00:50:11,840 --> 00:50:14,400
Speaker 1: Spade is drinking like out of a big pineapple, like

807
00:50:14,440 --> 00:50:17,480
Speaker 1: a tropical drink, and then he's waiting to meet Molly

808
00:50:17,560 --> 00:50:19,799
Speaker 1: Sims at the restaurant, and then Lauren Lapta shows up

809
00:50:19,840 --> 00:50:23,000
Speaker 1: and just full on tropical drink. Spit take like I

810
00:50:23,080 --> 00:50:26,239
Speaker 1: have like a strong sense anytime David. I don't have

811
00:50:26,280 --> 00:50:29,120
Speaker 1: like a strong attachment to David Spade. I didn't like

812
00:50:29,239 --> 00:50:33,200
Speaker 1: really grow up with him. But like when I first

813
00:50:33,239 --> 00:50:36,200
Speaker 1: moved to l A, I was at I was at

814
00:50:36,239 --> 00:50:41,440
Speaker 1: the comedy No where was I that. I was at

815
00:50:41,440 --> 00:50:45,880
Speaker 1: the improv. I was at I was at the improv

816
00:50:46,040 --> 00:50:48,759
Speaker 1: like early on, and someone like came over to me

817
00:50:48,960 --> 00:50:52,760
Speaker 1: and said, in this very conspiratorial, like reverent way, Hey,

818
00:50:52,800 --> 00:50:55,600
Speaker 1: if you want to sneak into the main room, spades On,

819
00:50:56,080 --> 00:51:00,239
Speaker 1: you can learn a few things. Just like just I

820
00:51:00,360 --> 00:51:03,600
Speaker 1: just hear spades On echoing in my brain forever and ever,

821
00:51:03,719 --> 00:51:07,280
Speaker 1: and the reverent tone. You're just like, al right, spades

822
00:51:07,320 --> 00:51:10,239
Speaker 1: On the first when I first moved to Hollywood, I

823
00:51:10,280 --> 00:51:14,040
Speaker 1: was at Musso and Frank's and I saw Spades Sandman

824
00:51:14,239 --> 00:51:18,680
Speaker 1: and Schneider's sitting over a table sharing steaks. You're like, like,

825
00:51:18,760 --> 00:51:22,400
Speaker 1: he's talented. But if it's Spades on really killed just

826
00:51:22,480 --> 00:51:25,880
Speaker 1: ten minutes before Polly Sure got kicked out for drinking

827
00:51:25,880 --> 00:51:28,839
Speaker 1: too much man, right yeah, right after that, right before

828
00:51:28,920 --> 00:51:31,600
Speaker 1: Dane Cook was like banned from the improv for life

829
00:51:31,640 --> 00:51:35,040
Speaker 1: or whatever. There's some or maybe it's a laugh factory.

830
00:51:35,040 --> 00:51:41,680
Speaker 1: Who cares comedy that everyone you pick, you picked for

831
00:51:41,719 --> 00:51:48,040
Speaker 1: me Sleepless or Willy Wonka Sleep Bless Sleepless? Well people, yeah,

832
00:51:48,120 --> 00:51:50,319
Speaker 1: we people already know about Willy. I mean unless you've

833
00:51:50,320 --> 00:51:52,600
Speaker 1: never seen on. I'm more interested in Sleepless because I

834
00:51:52,600 --> 00:51:54,799
Speaker 1: think we should, we should forge ahead with whatever. Like

835
00:51:54,840 --> 00:51:57,960
Speaker 1: I think we're taking a sample of what's trending on Netflix,

836
00:51:58,000 --> 00:52:01,120
Speaker 1: and it's like, okay, okay, all right, even though I'm

837
00:52:01,160 --> 00:52:04,520
Speaker 1: taking the outsider pick just because I think the possibility

838
00:52:04,520 --> 00:52:07,840
Speaker 1: of Okay, we'll do one outsider pick and then to

839
00:52:08,600 --> 00:52:12,719
Speaker 1: Netflix trending per week. Uh, We've got them all there. God,

840
00:52:12,760 --> 00:52:16,360
Speaker 1: I'm strek the musical. Jack is Sleepless and Jamie is

841
00:52:17,200 --> 00:52:22,600
Speaker 1: what's that Lauren lap thing called the wrong Missy she's

842
00:52:22,640 --> 00:52:25,919
Speaker 1: not just the other missy. She's wrongs. Oh my god,

843
00:52:26,600 --> 00:52:31,760
Speaker 1: you guys, that is so wrong. Are you on crack?

844
00:52:32,920 --> 00:52:36,279
Speaker 1: She shouldn't exist. That's how wrong she is. It's not

845
00:52:36,400 --> 00:52:41,040
Speaker 1: like a sixteen year old white girl. Are you on crack? Uh?

846
00:52:41,120 --> 00:52:45,480
Speaker 1: So let's talk really quickly about something that restaurant tours

847
00:52:45,640 --> 00:52:50,839
Speaker 1: are doing too. I don't fully understand why. So they

848
00:52:51,000 --> 00:52:54,120
Speaker 1: realize that when they reopen, they're they're not going to

849
00:52:54,200 --> 00:52:57,040
Speaker 1: be able to have people in all the seats, so

850
00:52:57,080 --> 00:53:00,919
Speaker 1: they're going to have designated seats where pe well can't sit.

851
00:53:01,520 --> 00:53:06,560
Speaker 1: And rather than just removing the chairs or removing the

852
00:53:06,760 --> 00:53:11,640
Speaker 1: entire table, some restaurant tours, including a three Michelin star

853
00:53:11,960 --> 00:53:18,239
Speaker 1: restaurant in Virginia, are populating the restaurant with mannequins in

854
00:53:18,840 --> 00:53:22,640
Speaker 1: old timey clothes in the case of the Virginia restaurant,

855
00:53:23,239 --> 00:53:29,280
Speaker 1: and the the servers will be filling the mannequins wineglasses

856
00:53:29,400 --> 00:53:34,799
Speaker 1: and having cheerful, one sided conversations with them. This has

857
00:53:33,920 --> 00:53:37,200
Speaker 1: to be this has to be just like an attempt

858
00:53:37,239 --> 00:53:41,200
Speaker 1: to get pressed right like there, But yeah, it seems

859
00:53:41,280 --> 00:53:44,280
Speaker 1: like something. It's the only Michelin starred restaurant in Virginia.

860
00:53:44,280 --> 00:53:48,640
Speaker 1: I don't know how much more brain. Everyone's car brains

861
00:53:48,719 --> 00:53:55,919
Speaker 1: are like all their synapses are. And then and there's

862
00:53:55,960 --> 00:53:57,920
Speaker 1: a baby at the day but for the milk for

863
00:53:58,000 --> 00:54:03,760
Speaker 1: their babies. Stop that aby mannequin at your breast like Rosa,

864
00:54:04,080 --> 00:54:07,879
Speaker 1: like Rosa Sharon as jam rights. Presumably the staff will

865
00:54:07,880 --> 00:54:11,160
Speaker 1: also prevent customers from leaving the room because they insist

866
00:54:11,280 --> 00:54:14,720
Speaker 1: there too. They're also mannequins who have to stay there forever,

867
00:54:15,600 --> 00:54:21,040
Speaker 1: because this is clearly part of R. L. Stein story. Um.

868
00:54:21,080 --> 00:54:24,800
Speaker 1: But yeah, there's there's like a French restaurant that created

869
00:54:24,840 --> 00:54:28,320
Speaker 1: like balloon people. I once saw it, Like one of

870
00:54:28,400 --> 00:54:31,480
Speaker 1: the creepiest things I ever saw was a special effects

871
00:54:31,520 --> 00:54:36,359
Speaker 1: shot from Friday Night Lights where the crowd is full

872
00:54:36,440 --> 00:54:39,040
Speaker 1: of mannequins so they could just like keep shooting and

873
00:54:39,080 --> 00:54:42,480
Speaker 1: not have to like, you know, treat the extras like humans.

874
00:54:42,520 --> 00:54:45,080
Speaker 1: But like somebody took a photograph of it and it's

875
00:54:45,160 --> 00:54:50,520
Speaker 1: just this entire stadium full of dummies just sitting there. Anyway,

876
00:54:50,600 --> 00:54:56,040
Speaker 1: how's that different from sports? Anyway, we were talking about

877
00:54:56,440 --> 00:54:59,440
Speaker 1: that with like weddings a while back, to though we're

878
00:54:59,520 --> 00:55:03,240
Speaker 1: like quar our weddings. We're putting like homemade cardboard cutouts

879
00:55:03,280 --> 00:55:05,279
Speaker 1: that they're like and this is my mommy, and this

880
00:55:05,320 --> 00:55:08,120
Speaker 1: is my daddy, and this is my college roommate, and

881
00:55:08,680 --> 00:55:17,480
Speaker 1: like it's all you know what, pere's this. There's shattered

882
00:55:17,760 --> 00:55:22,279
Speaker 1: everyone's brains. So Belarus has a soccer league where they

883
00:55:22,360 --> 00:55:27,200
Speaker 1: are like desperate enough for money that they just never closed.

884
00:55:27,320 --> 00:55:31,160
Speaker 1: Everybody else is like, you know, we're going to close,

885
00:55:31,239 --> 00:55:35,560
Speaker 1: but this Belarus soccer league like nope, And but people

886
00:55:35,719 --> 00:55:38,680
Speaker 1: just stopped going for the most part. So the league

887
00:55:38,719 --> 00:55:42,960
Speaker 1: started selling tickets for virtual fans, which meant that you

888
00:55:42,960 --> 00:55:45,880
Speaker 1: would buy a ticket online and they'd stick your photo

889
00:55:46,000 --> 00:55:48,960
Speaker 1: on top of a dummy. And it really looks like

890
00:55:49,040 --> 00:55:52,960
Speaker 1: something you'd find in a Serial killers at it. It's

891
00:55:53,040 --> 00:56:00,120
Speaker 1: so strange, yis there's just really is something. I'm mean,

892
00:56:00,840 --> 00:56:02,560
Speaker 1: I don't know. I'm trying to put myself in the

893
00:56:02,640 --> 00:56:05,600
Speaker 1: place of a restaurant where you know, there's maybe like

894
00:56:05,960 --> 00:56:08,200
Speaker 1: ten other people in it, when normally there would maybe

895
00:56:08,360 --> 00:56:11,319
Speaker 1: like eight. And I don't know if I I think

896
00:56:11,320 --> 00:56:14,480
Speaker 1: maybe just like play some music or something that's enough

897
00:56:14,520 --> 00:56:16,200
Speaker 1: for me. I don't need to be like, oh, isn't

898
00:56:16,239 --> 00:56:18,120
Speaker 1: it weird how there's like no one in here? I

899
00:56:18,120 --> 00:56:21,560
Speaker 1: think maybe like the awkward sound of only like five

900
00:56:21,680 --> 00:56:24,840
Speaker 1: plates being eaten off of might be weird, but I

901
00:56:24,840 --> 00:56:27,600
Speaker 1: don't need fucking freaky man. I think the most basic

902
00:56:27,719 --> 00:56:30,960
Speaker 1: experience like thing you can do if you're reopening your

903
00:56:31,000 --> 00:56:33,520
Speaker 1: business is like, just don't do anything to make the

904
00:56:33,600 --> 00:56:38,880
Speaker 1: situation more haunting than it already is. Like, it's already

905
00:56:38,920 --> 00:56:43,480
Speaker 1: an uncomfortable situation. You don't have to add five hundred

906
00:56:43,560 --> 00:56:46,840
Speaker 1: haunted mannequins into just to see it. They're like, Okay,

907
00:56:46,840 --> 00:56:48,799
Speaker 1: so we know that this is really scary, but what

908
00:56:48,880 --> 00:56:53,960
Speaker 1: if it got like silly scary, like at all the

909
00:56:54,000 --> 00:56:59,040
Speaker 1: tables to prevent any germ transfer, the receptionist will be

910
00:56:59,160 --> 00:57:07,040
Speaker 1: greeting you with a dummy like head directly to the

911
00:57:07,120 --> 00:57:10,520
Speaker 1: ventriloquis dummy. Yeah, Like, okay, so we know we're forcing

912
00:57:10,520 --> 00:57:12,680
Speaker 1: our servers to go back to work, but we're also

913
00:57:12,719 --> 00:57:15,600
Speaker 1: making them put a paper mache head next to their head,

914
00:57:15,880 --> 00:57:18,800
Speaker 1: like they're two headed person and you have to talk

915
00:57:18,880 --> 00:57:21,840
Speaker 1: to both of the heads when you order. Do you

916
00:57:21,840 --> 00:57:26,120
Speaker 1: ever is going to be that Times Square restaurant where

917
00:57:26,200 --> 00:57:31,360
Speaker 1: people dressed up like monsters? Okay, that rested or like

918
00:57:31,960 --> 00:57:34,200
Speaker 1: or the diner in back to the future where it's

919
00:57:34,200 --> 00:57:37,400
Speaker 1: like all just robots with video screen faces. One of

920
00:57:37,400 --> 00:57:44,200
Speaker 1: the last it's like, can what's Matt Freuer doing right now?

921
00:57:44,440 --> 00:57:49,720
Speaker 1: Get him to reboot max Head Drum. Jacqueline Hide is

922
00:57:49,760 --> 00:57:52,880
Speaker 1: the name of that Manhattan restaurant. I went there like

923
00:57:53,000 --> 00:57:58,560
Speaker 1: two weeks before. Yeah, it was one of my last.

924
00:57:58,840 --> 00:58:03,760
Speaker 1: And it is stinky, stinky, stinky, sticky, sticky, sticky. All

925
00:58:03,800 --> 00:58:06,840
Speaker 1: of the animatronics are broken and my group on didn't

926
00:58:06,880 --> 00:58:13,600
Speaker 1: work zero out of time, sticky and stinky. Wait stinks

927
00:58:13,680 --> 00:58:15,920
Speaker 1: like what like just like they don't clean up or

928
00:58:16,360 --> 00:58:20,200
Speaker 1: like every well it's it's I don't even know what

929
00:58:20,240 --> 00:58:22,920
Speaker 1: the smells. It smells like rotting something. It's not like

930
00:58:23,120 --> 00:58:25,479
Speaker 1: and all the servers were super nice and also didn't

931
00:58:25,520 --> 00:58:27,640
Speaker 1: want to be there, but I wanted to go and see,

932
00:58:27,680 --> 00:58:30,120
Speaker 1: Like I like animatronics, I'm like, oh, let's see. But

933
00:58:30,160 --> 00:58:34,360
Speaker 1: they're honestly, they're mostly broken. It smells weird, and it's

934
00:58:34,400 --> 00:58:36,760
Speaker 1: so dark in the restaurant that you're like the lights

935
00:58:36,840 --> 00:58:39,480
Speaker 1: putting the lights on in here. It would be an

936
00:58:39,680 --> 00:58:43,920
Speaker 1: automatic health code shutdown. Stinky, but that's like, that's the

937
00:58:43,920 --> 00:58:47,720
Speaker 1: beauty of the novelty restaurant is it's full of COVID nineteen.

938
00:58:48,160 --> 00:58:51,520
Speaker 1: By the way, everything we've talked about today, I think

939
00:58:51,560 --> 00:58:54,680
Speaker 1: the saddest statement so far has been my group on

940
00:58:54,840 --> 00:59:01,320
Speaker 1: didn't work cutting It was devastating. Would have been a

941
00:59:01,360 --> 00:59:05,600
Speaker 1: great deal had it works. What was the deal? Exactly?

942
00:59:05,640 --> 00:59:07,520
Speaker 1: Like what it was the group on? What was the

943
00:59:07,920 --> 00:59:10,320
Speaker 1: It was an absurd amount of food. It was like

944
00:59:10,560 --> 00:59:14,480
Speaker 1: you got like a drink, you got like a three

945
00:59:14,680 --> 00:59:19,760
Speaker 1: course meal for like thirty dollars there. It would have

946
00:59:19,800 --> 00:59:21,920
Speaker 1: been amazing. But then but then they were like, oh,

947
00:59:21,960 --> 00:59:23,760
Speaker 1: we don't funk with this group on, And I'm like, Okay,

948
00:59:23,800 --> 00:59:25,840
Speaker 1: I guess we'll have French fries and a Miller Lite

949
00:59:25,840 --> 00:59:34,720
Speaker 1: and be on our life alright. It was still so expensive. Yeah, whatever, Andy,

950
00:59:34,760 --> 00:59:37,560
Speaker 1: It's been a pleasure of having you on the daily Zeitgeist.

951
00:59:37,600 --> 00:59:41,600
Speaker 1: Where can people find you? Follow you here? You experience

952
00:59:41,720 --> 00:59:45,960
Speaker 1: you at Andy Beckerman on all social media at Andy

953
00:59:46,000 --> 00:59:53,680
Speaker 1: Schrekerman No couples Therapy podcast that I do with my

954
00:59:53,880 --> 00:59:58,400
Speaker 1: dear love Naomi uh weekly on Tuesday's. We do a

955
00:59:58,440 --> 01:00:04,040
Speaker 1: Twitch show at two pm every two pm PST every week.

956
01:00:04,400 --> 01:00:07,600
Speaker 1: Sometimes we have guests such as the aforementioned Lauren lacus

957
01:00:08,400 --> 01:00:12,160
Speaker 1: Um also I've been doing another podcast called Beginnings for

958
01:00:12,240 --> 01:00:16,520
Speaker 1: like ten years now, where I talked to artists I

959
01:00:16,520 --> 01:00:20,960
Speaker 1: admire about their childhood's UM. This week is Michael R. Jackson,

960
01:00:21,000 --> 01:00:26,400
Speaker 1: recent Pulitzer Prize winner uh um and the composer of

961
01:00:26,440 --> 01:00:29,960
Speaker 1: A Strange Loop uh the Off Broadway musical. UM. I've

962
01:00:29,960 --> 01:00:33,880
Speaker 1: talked to Stephen Merritt from Magnetic Fields, Damon lindelof a

963
01:00:33,920 --> 01:00:36,600
Speaker 1: Ton of People. UM. They're pretty good conversation, so check

964
01:00:36,640 --> 01:00:41,200
Speaker 1: that out. I think beginnings pot dot com. Uh. And

965
01:00:41,320 --> 01:00:43,640
Speaker 1: is there a tweet or some other work of social media?

966
01:00:43,680 --> 01:00:46,880
Speaker 1: While we're on the subject of just timeless brilliance? Is

967
01:00:46,920 --> 01:00:50,160
Speaker 1: there some dumb tweet that made you laugh? Yes? I

968
01:00:50,240 --> 01:00:54,760
Speaker 1: got two of them here, uh, Iowa debris UM. If

969
01:00:54,800 --> 01:01:01,200
Speaker 1: I were a multi millionaire, I would simply log off Yeah,

970
01:01:02,480 --> 01:01:08,040
Speaker 1: Burn and Luke Mona is uh. Both of these are

971
01:01:08,120 --> 01:01:11,120
Speaker 1: stand ups. But he wrote, have we considered that years

972
01:01:12,800 --> 01:01:16,160
Speaker 1: are not bad? But rather that existence itself is an

973
01:01:16,240 --> 01:01:23,920
Speaker 1: unending nightmare worth considering? Just putting it out there? You know, Jamie,

974
01:01:23,960 --> 01:01:26,400
Speaker 1: where can people find you and follow you? And what's

975
01:01:26,400 --> 01:01:30,720
Speaker 1: a tweet you've been enjoying? You can find me on

976
01:01:30,760 --> 01:01:34,800
Speaker 1: Twitter at Jamie loftus help Instagram at Jamie Christ Superstar.

977
01:01:34,840 --> 01:01:39,919
Speaker 1: I'm going to recommend another YouTube thing today. Um this

978
01:01:40,120 --> 01:01:43,560
Speaker 1: was YouTube series and a YouTube channel that was just

979
01:01:43,680 --> 01:01:47,760
Speaker 1: brought to my attention the other day called Bratt. Anyone

980
01:01:47,760 --> 01:01:53,800
Speaker 1: ever watched Bratt? Okay, Bratt is It's a channel that

981
01:01:54,240 --> 01:01:56,120
Speaker 1: is directed I think I'm just going to try to

982
01:01:56,120 --> 01:01:58,200
Speaker 1: write a whole story on this, but like, it's a

983
01:01:58,280 --> 01:02:01,800
Speaker 1: channel directed at teens where they get TikTok teens and

984
01:02:01,960 --> 01:02:05,920
Speaker 1: musically teens to star in narrative series that have zero

985
01:02:05,920 --> 01:02:08,960
Speaker 1: production value and make no sense. Where I'm going to

986
01:02:09,080 --> 01:02:11,960
Speaker 1: direct you to begin on the Bratt TV channel is

987
01:02:12,000 --> 01:02:15,760
Speaker 1: a show called Chicken Girls, a show where there are

988
01:02:15,760 --> 01:02:21,320
Speaker 1: no chickens but there are girls. It's it is the

989
01:02:21,360 --> 01:02:25,120
Speaker 1: most bananas thing. I was laughing my ass off watching

990
01:02:25,240 --> 01:02:28,600
Speaker 1: these poor fourteen year olds try to enact a show

991
01:02:28,640 --> 01:02:31,480
Speaker 1: called Chicken Girls for like three hours last night. You

992
01:02:31,600 --> 01:02:35,080
Speaker 1: gotta watch Chicken It's on season six. It has so

993
01:02:35,120 --> 01:02:38,760
Speaker 1: many seasons. There's so many examples of like just the production.

994
01:02:38,800 --> 01:02:41,120
Speaker 1: It's no I don't know who to blame, but I

995
01:02:41,240 --> 01:02:43,480
Speaker 1: enjoy it. There's so many examples of like something that

996
01:02:43,560 --> 01:02:45,760
Speaker 1: was clearly supposed to happen in Post, but then just

997
01:02:45,840 --> 01:02:49,320
Speaker 1: didn't where It's like there's a kids on computers and

998
01:02:49,400 --> 01:02:51,520
Speaker 1: you can tell, oh, there's the screen is supposed to

999
01:02:51,520 --> 01:02:54,160
Speaker 1: be on, but whoever was in Post just didn't add

1000
01:02:54,200 --> 01:02:56,840
Speaker 1: in a screen that's on. So kids being like ha ha,

1001
01:02:56,960 --> 01:02:58,880
Speaker 1: I can't believe she said this, and it's just an

1002
01:02:58,920 --> 01:03:02,200
Speaker 1: empty Are you sure it's not like a Tim and

1003
01:03:02,400 --> 01:03:06,240
Speaker 1: Eric thing. It's definitely not. No, it's very it's very

1004
01:03:06,320 --> 01:03:11,000
Speaker 1: late capitalism. YouTube channels like digital startup by like some

1005
01:03:11,080 --> 01:03:13,840
Speaker 1: guy in his like late thirties, early forties who was like,

1006
01:03:14,120 --> 01:03:18,600
Speaker 1: kids love TikTok, So if we make a YouTube channel

1007
01:03:18,680 --> 01:03:22,000
Speaker 1: with TikTok kids, it doesn't matter what they're fucking saying.

1008
01:03:22,160 --> 01:03:25,840
Speaker 1: And he's kind of right. I've been I'm only like

1009
01:03:25,960 --> 01:03:29,440
Speaker 1: half I'm you know, in the end of the first season,

1010
01:03:29,880 --> 01:03:33,960
Speaker 1: but you gotta watch. We gotta start talking about Chicken Girls.

1011
01:03:34,200 --> 01:03:36,920
Speaker 1: Your journey is just a gun. I really there's so

1012
01:03:37,000 --> 01:03:41,439
Speaker 1: much content on this channel. It's it's like it's overwhelming.

1013
01:03:42,120 --> 01:03:44,520
Speaker 1: Miles Where can people find you? Follow you? And what's

1014
01:03:44,520 --> 01:03:49,400
Speaker 1: a tweet? You've been enjoying? Twitter, Instagram, PlayStation network. Miles

1015
01:03:49,440 --> 01:03:57,760
Speaker 1: of Gray. Also my other show, talking about fiance superrah. Um.

1016
01:03:57,800 --> 01:04:01,720
Speaker 1: Now some tweets. First, I just wanna tell people that

1017
01:04:02,080 --> 01:04:04,240
Speaker 1: there was a story about how Prince Harry has no

1018
01:04:04,400 --> 01:04:07,600
Speaker 1: friends in Los Angeles and feels isolated. If any listener

1019
01:04:07,640 --> 01:04:10,240
Speaker 1: can help get me in contact with Prince Harry so

1020
01:04:10,280 --> 01:04:12,680
Speaker 1: I can't be his friend while he lives in Los Angeles,

1021
01:04:12,720 --> 01:04:15,320
Speaker 1: please let me know the exact same birthday as him.

1022
01:04:15,440 --> 01:04:17,600
Speaker 1: We like the same soccer team. I have a feeling

1023
01:04:17,640 --> 01:04:19,919
Speaker 1: he has never probably smoked blunt like I can roll.

1024
01:04:20,520 --> 01:04:23,120
Speaker 1: I'm also a person of color like his wife. I

1025
01:04:23,160 --> 01:04:25,280
Speaker 1: just feel like I can keep going. Also from the value,

1026
01:04:25,320 --> 01:04:29,040
Speaker 1: look it writes, the tale rights itself. Um. One tweet

1027
01:04:29,040 --> 01:04:32,120
Speaker 1: like it's from Sha Serrano who like sort of apparently

1028
01:04:32,840 --> 01:04:37,880
Speaker 1: today or Thursday. Apparently Thursday was the anniversary of the

1029
01:04:38,240 --> 01:04:42,400
Speaker 1: Seminal rap duo Clips the Clips Uh dropping the track

1030
01:04:42,560 --> 01:04:46,200
Speaker 1: Grinding Uh and Shave tweeted this video of like the

1031
01:04:46,320 --> 01:04:48,760
Speaker 1: music video and said this anniversary has got to be

1032
01:04:48,800 --> 01:04:55,080
Speaker 1: like Pearl Harbor for cafeteria tables. Everybody was banging that

1033
01:04:55,080 --> 01:04:59,160
Speaker 1: ship out. Uh. You can find me on Twitter, Jack

1034
01:04:59,240 --> 01:05:03,440
Speaker 1: Underscore a Ryan some tweets I've been enjoying. Charlie tweeted,

1035
01:05:03,480 --> 01:05:06,400
Speaker 1: nobody in TV show has friends unless the whole thing

1036
01:05:06,480 --> 01:05:10,240
Speaker 1: is they have friends. Uh, and that's just true. And

1037
01:05:10,280 --> 01:05:19,200
Speaker 1: then Kakashi's BM tweeted him doggy style me. You find

1038
01:05:19,280 --> 01:05:21,520
Speaker 1: us on Twitter at daily zy Guys for at the

1039
01:05:21,640 --> 01:05:24,920
Speaker 1: Daily Zey Guys on Instagram. We have a Facebook fan

1040
01:05:24,960 --> 01:05:27,600
Speaker 1: page and a website Daily zy guys dot com where

1041
01:05:27,600 --> 01:05:31,520
Speaker 1: we post our episode and our footnotes where we link

1042
01:05:31,560 --> 01:05:34,520
Speaker 1: off to the information that we talked about in today's episode,

1043
01:05:34,560 --> 01:05:38,360
Speaker 1: as well as the song we ride out on miles

1044
01:05:38,360 --> 01:05:42,880
Speaker 1: What is that going to be today? This track unfortunately

1045
01:05:42,960 --> 01:05:46,640
Speaker 1: not available on the typical sites because it's a bit

1046
01:05:46,680 --> 01:05:49,920
Speaker 1: of a cheeky remix, so it won't be on your Spotify,

1047
01:05:50,080 --> 01:05:53,520
Speaker 1: your Apple Music. A bit of a cheeky remis if

1048
01:05:53,560 --> 01:05:57,240
Speaker 1: I would, and I will. This one is for all

1049
01:05:57,320 --> 01:06:00,240
Speaker 1: my fans that they have slam Village Uh. There was

1050
01:06:00,280 --> 01:06:02,760
Speaker 1: a track of the head with Kanye West called um

1051
01:06:03,400 --> 01:06:06,720
Speaker 1: uh selfish uh and with also a John Legend. But

1052
01:06:06,840 --> 01:06:10,640
Speaker 1: this is the junior State remix of slum Villages Selfish

1053
01:06:10,920 --> 01:06:13,720
Speaker 1: and it's a great rework um. That's what I love

1054
01:06:14,040 --> 01:06:16,760
Speaker 1: like finding South Cloud. You're all these like bedroom producers,

1055
01:06:16,760 --> 01:06:21,520
Speaker 1: like just doing really great flips and remixes to classical song.

1056
01:06:22,040 --> 01:06:25,640
Speaker 1: M hmm, alright, well we are going to ride out

1057
01:06:25,680 --> 01:06:28,240
Speaker 1: on that the daily zeit guys, the production of My

1058
01:06:28,440 --> 01:06:30,960
Speaker 1: Heart Radio. For more podcasts for my Heart Radio is

1059
01:06:31,080 --> 01:06:34,640
Speaker 1: the heart Radio app, Apple podcast or wherever you listen

1060
01:06:34,640 --> 01:06:38,160
Speaker 1: to your favorite shows. That's gonna do it for this morning.

1061
01:06:38,600 --> 01:06:40,920
Speaker 1: We'll be back this afternoon to tell you what's trending.

1062
01:06:40,960 --> 01:06:44,280
Speaker 1: We'll talk to you then bye by thanks for having it.

1063
01:06:45,760 --> 01:06:48,040
Speaker 1: Then I'll be trying to come around my girl acting

1064
01:06:48,120 --> 01:06:52,120
Speaker 1: like Mr Friendly. It's still the spotlight like Mr Bitley,

1065
01:06:52,520 --> 01:06:55,520
Speaker 1: a spot of like Girl of m Chancy, but a

1066
01:06:55,640 --> 01:07:01,680
Speaker 1: fake get if you try to get him a prone

1067
01:07:01,960 --> 01:07:05,040
Speaker 1: he said, yeah, you know, you get extras and everything

1068
01:07:05,080 --> 01:07:08,120
Speaker 1: that it was extra coo from the Polo fleece to

1069
01:07:08,240 --> 01:07:11,640
Speaker 1: the Jesus fleece. I get family at high places like

1070
01:07:11,880 --> 01:07:15,479
Speaker 1: Jesus Niece. Can I please say my piece? If y'll

1071
01:07:15,520 --> 01:07:18,720
Speaker 1: fresh the death and I'm deceased and this one knee

1072
01:07:19,040 --> 01:07:20,400
Speaker 1: if they watched it like