WEBVTT - J Valentine Part 2

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<v Speaker 1>So the one thing I wanted to bring up that's

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<v Speaker 1>you know, while we while we're doing my episode, that's

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<v Speaker 1>important to me and something I want to bring attention

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<v Speaker 1>to is you know a lot of people saw it

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<v Speaker 1>on social media, but my brother Bob, his daughter, my

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<v Speaker 1>niece Ronnie, was shot in the road rage incident some

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<v Speaker 1>months back, and I wanted to make sure because a

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<v Speaker 1>lot of people hit me, they ask how she's doing,

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<v Speaker 1>as they can help. So I just wanted to, you know,

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<v Speaker 1>bring up the fact that, you know, our family started

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<v Speaker 1>a foundation in her name, and you know, if people

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<v Speaker 1>want to, you know, donate to the foundation because we

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<v Speaker 1>want to start helping people also who have been in

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<v Speaker 1>you know, similar situations or acts of violence, different things,

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<v Speaker 1>and we want her name, you know, to continue to ring.

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<v Speaker 1>And you know, she survived, you know she survived good. Yeah, amazing,

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<v Speaker 1>but she got a long road ahead of her. And

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<v Speaker 1>you know, can you tell us the name of the foundation?

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<v Speaker 2>Yeah, So, first of all, I just want to say

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<v Speaker 2>to everybody because and y'all posted it. Everybody posted it

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<v Speaker 2>and it was literally thousands of people praying for her.

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<v Speaker 2>And my biggest thing is I just want everybody to

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<v Speaker 2>know that prayer works because she's an absolute miracle. We

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<v Speaker 2>got a chance to see God's hands on my own daughter,

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<v Speaker 2>because if you're looking at in the physical she ain't

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<v Speaker 2>supposed to still be here. And so I just want

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<v Speaker 2>to say thank you to everybody like we felt it.

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<v Speaker 2>We felt the love, we felt the prayers, and God

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<v Speaker 2>kept her. She's drinking smoothies, she's laughing, she's sitting up

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<v Speaker 2>on the side of the bed. She's an absolute miracle.

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<v Speaker 2>And for everybody that prayed, God is still the God

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<v Speaker 2>of miracles.

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<v Speaker 1>Thank you.

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<v Speaker 2>And so yeah, we thank you so much. And her foundation,

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<v Speaker 2>me and her mom, Francine started her foundation and it's

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<v Speaker 2>called Love Ronnie Simon. And at some point me and

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<v Speaker 2>Je have talked about it. We want to do things

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<v Speaker 2>in her name. We want to do things in the

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<v Speaker 2>name of her foundation.

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<v Speaker 1>Games going, let's get some kickball games.

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<v Speaker 2>I talked to him about you were bringing our comedian friends,

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<v Speaker 2>our R and B friends, and we're throwing stuff and

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<v Speaker 2>sharing our gifts to bring awareness to to the road

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<v Speaker 2>rage and to violent crimes.

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<v Speaker 1>You know what I mean.

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<v Speaker 2>It ain't just for her. It's going to keep going on.

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<v Speaker 2>My prayer is that, like he said, it's going to

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<v Speaker 2>give her a space to speak from when she's able

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<v Speaker 2>to speak. Now, this is her purpose, you know what

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<v Speaker 2>I'm saying, And now she can change lives. So that

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<v Speaker 2>would be the goal of love. Ronnie Simon.

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<v Speaker 3>Tallege that we are authority at this point.

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<v Speaker 1>I'm just Jay And every time I say new see it,

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<v Speaker 1>look see a look, I really am black ball. I

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<v Speaker 1>didn't do nothing right.

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<v Speaker 4>Why you hear me?

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<v Speaker 1>I adn't even do nothing right. I feel right. So

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<v Speaker 1>nigga Damon like, bro, you got another name? Wow? I'm like, no, nigga,

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<v Speaker 1>don't have another name. I'm fucking j Newt from the Neutrone.

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<v Speaker 1>I can't do that. I can't do that no more.

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<v Speaker 1>I can't be that no more. So he's like, well,

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<v Speaker 1>what's your full name? I never told anyone what my

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<v Speaker 1>full name was. It's like, what's your middle name? I'm

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<v Speaker 1>like some bullshit because you know his nickname is that

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<v Speaker 1>I'm named after a pimp. Yeah, yeah, I'm named after

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<v Speaker 1>a pimp. But but as a kid, you don't know that.

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<v Speaker 1>You're not you don't know how that all. You know

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<v Speaker 1>what I mean? You ain't got the abbadeb q on

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<v Speaker 1>you you know what I'm saying, So I don't understand

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<v Speaker 1>what none of that means yet. I just think they

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<v Speaker 1>already say I'm pretty, and you want to telling them

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<v Speaker 1>that my name is Valentine? Right?

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<v Speaker 4>Fuck right?

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<v Speaker 2>Instead of fighting five niggas.

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<v Speaker 5>I gotta fight fifty of them now.

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<v Speaker 1>So I'm like, I'm like Valentine. Like, Nigga, your middle

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<v Speaker 1>name is Valentine. Nigga, that's cold nig Nigga's they can't

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<v Speaker 1>city niggas already, that nigga that is cowld down, can't

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<v Speaker 1>city niggas, right, Nigga, that's cold Valentine. So he just

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<v Speaker 1>kept saying, he kept saying it. I'm like, Noah, nigga,

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<v Speaker 1>I'm Jay. But when he would introduce me to people,

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<v Speaker 1>he would say, oh, this is Valentine, and then I

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<v Speaker 1>would come behind him and be like, no, no, no,

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<v Speaker 1>it's Jay. Say but it was Valentine on my demo everything,

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<v Speaker 1>which I didn't know that I had a demo because

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<v Speaker 1>I had just recorded three songs and it was just

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<v Speaker 1>I thought I was writing for people. But as it's

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<v Speaker 1>going around, people are asking who's the kid singing Who's Valentine?

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<v Speaker 1>Come to find out and lands in a couple of

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<v Speaker 1>people's you know offices. One of the offices is Electra Records.

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<v Speaker 1>Sylvia wrong. So Daryl Williams, who was the head of

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<v Speaker 1>an R at the time, was from the Bay. He

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<v Speaker 1>was like, you know, flying to New York. I had

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<v Speaker 1>met with Daryl in La. He flew to New York

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<v Speaker 1>so we can meet Sylvia. And it was It was

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<v Speaker 1>odd because I felt like Sylvia didn't really listen to

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<v Speaker 1>the music. She just like me. She just saw something

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<v Speaker 1>in me. I didn't know that her and Damon had

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<v Speaker 1>already had their history m hm. So she kind of

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<v Speaker 1>wasn't fucking with Damon, but she had found out that

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<v Speaker 1>he had this kid. I don't know none of this shit.

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<v Speaker 1>This is the music business. Learn this. Learn these things.

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<v Speaker 1>Somebody who may be walking you in could already have

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<v Speaker 1>been history there, good or bad. And in this situation

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<v Speaker 1>it wasn't so great. But she loved me. So when

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<v Speaker 1>they walk me in, they say, you know, this is

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<v Speaker 1>Valentine and I'm like, nice to meet you. I'm Jay.

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<v Speaker 1>She was like Jay, well, who's Valentine. I was like, well,

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<v Speaker 1>I'm I'm Jay, but my middle name is Valentine. She

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<v Speaker 1>was like, oh, well you're Jay. Valentine. Sylvia, if you're

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<v Speaker 1>watching this, you probably don't remember, but you name me.

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<v Speaker 2>I never knew that either.

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<v Speaker 1>No, Sylvia won't name me Jay Valentine. Wow, thank you,

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<v Speaker 1>And fast forward. The deal don't work out because we

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<v Speaker 1>just got too much shit going on. It's too much history,

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<v Speaker 1>it's all these things. That deal doesn't work and I'm like,

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<v Speaker 1>all right, well, really I just wanted to write songs anyway,

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<v Speaker 1>and the songs that I have from that deal, nothing

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<v Speaker 1>ever came out. We didn't put out a single, we

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<v Speaker 1>put out anything. The songs that I had from that deal. Now,

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<v Speaker 1>I'm a professional songwriter because I've been writing. And before that,

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<v Speaker 1>we had landed a record on Kevon Edmonds on Coco

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<v Speaker 1>from s WV, so we had two placements. The Cavon

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<v Speaker 1>album goes go. I still don't have my plaque, but

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<v Speaker 1>I went through a thing with plaques where I just

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<v Speaker 1>never I should probably order. But that deal deal comes

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<v Speaker 1>and goes, but it enables me to have these ten songs.

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<v Speaker 1>I had, like ten that I wrote, and I took

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<v Speaker 1>that to the same lady who was the assistant at

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<v Speaker 1>MCA Records, and I played her my ten songs and

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<v Speaker 1>she gave me a publishing dear so kids publishing deal.

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<v Speaker 1>I go in there, and what the publishing deal did

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<v Speaker 1>for me is put me in a position where I

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<v Speaker 1>didn't have to go get a job a nine to five,

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<v Speaker 1>and I didn't have to sell drugs anymore because I'd

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<v Speaker 1>had my record deal and I ran through that money

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<v Speaker 1>wasn't no real money. And then my publishing deal wasn't

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<v Speaker 1>no real money. But I think my record deal, my

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<v Speaker 1>advance probably was like fifty grand, and I don't even

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<v Speaker 1>I'm not even sure I got my full advance. I

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<v Speaker 1>might've only gotten twenty five.

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<v Speaker 2>It didn't get as full as that.

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<v Speaker 1>Yeah, I think I got twenty five. So I got

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<v Speaker 1>a small set of twenty five. There I get my

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<v Speaker 1>publishing deal. I get another small set of twenty five

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<v Speaker 1>because my deal is worth one hundred my initial my

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<v Speaker 1>initial advance is twenty five. I'm supposed to get fifty

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<v Speaker 1>after I turned in some songs, you know that whole thing.

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<v Speaker 1>We didn't get there, But I need like another ten

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<v Speaker 1>because I got survived because now I got to get

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<v Speaker 1>me in the We got an apartment, you know what

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<v Speaker 1>I mean. From my record deal.

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<v Speaker 2>We moved.

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<v Speaker 1>I finally got a bed about the biggest bed I

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<v Speaker 1>could find. This is when I figured out what they

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<v Speaker 1>call a California King roll around. I bought it all

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<v Speaker 1>cash from some frontisher store in Inglewood. And back then

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<v Speaker 1>they would give you the bed and the beds what

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<v Speaker 1>it called it or the box spring, the box spring

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<v Speaker 1>there trying not to give a niggas box breaks. This

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<v Speaker 1>place gave me the bed, the box spring, and the

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<v Speaker 1>full set. I bought it off for like twenty five

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<v Speaker 1>hundred everything plus mattress, pillow top, Yeah, satin sheets rolled around.

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<v Speaker 1>I got busy, you know what I mean, because I

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<v Speaker 1>was like from this floor to this but I'm never

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<v Speaker 1>going back to the floor at this point, so I'm like, shit,

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<v Speaker 1>I got to get another deal. I go do this

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<v Speaker 1>little bullshit as did Wanna Chapel. They gave me twenty

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<v Speaker 1>five thousand. I'm starting to run out of ask for

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<v Speaker 1>another team, and she hooked me up. So now I'm

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<v Speaker 1>at thirty five. During that time where I'm signed to

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<v Speaker 1>Warner Chapel, this thirty five thousands literally lasting me like

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<v Speaker 1>a year. I go from nineteen I'm going into twenty.

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<v Speaker 1>Around twenty I start, you know, even though we get

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<v Speaker 1>out of the deal. Me and Damon fall out for

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<v Speaker 1>a hot little six months. We get back cool, were

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<v Speaker 1>writing and were just writing songs. He got a spot

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<v Speaker 1>out in north Ridge, this gated community called Running Springs

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<v Speaker 1>that we talked about with Little Steve, and we just

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<v Speaker 1>writing songs by writing songs with us, and we know

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<v Speaker 1>we got our little team. And one day Rodney Jerkins

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<v Speaker 1>and his crew pulls up these niggas rich for real. Yeah,

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<v Speaker 1>these niggas are rich Ridge. They have every diamond you

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<v Speaker 1>can imagine on every piece of jewelry you can imagine.

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<v Speaker 1>This is incredible. I'm talking about the clarity. Yeah. Yeah,

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<v Speaker 1>you can't stare at their jury. It hurts. I'm like, God, damn,

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<v Speaker 1>He's like we went to the studio, it was piece

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<v Speaker 1>of boxes, yeah, and jewelry all over. I want to say,

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<v Speaker 1>who became my dear friend? God rested soul. Lashawn Daniels

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<v Speaker 1>was banging his rolex on the board because me and

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<v Speaker 1>him talked about it later on, because he didn't know

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<v Speaker 1>that they relexes don't tick exactly. They roll and they

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<v Speaker 1>stop and if you don't put it on, it'll stop.

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<v Speaker 1>So if y'all see somebody's rolex and they're doing some

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<v Speaker 1>weird movement. It's probably not real. So Lashawan was banging

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<v Speaker 1>it on the He's banging it on the SSL. It's

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<v Speaker 1>probably like one hundred thousand dollars watch Flooded. I'm like,

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<v Speaker 1>this is access to another level. So within that same

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<v Speaker 1>couple of days, they just show up at Damon's house

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<v Speaker 1>to play basketball with us, and I'm like, wait.

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<v Speaker 2>See that's what who That goes back every time we

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<v Speaker 2>played basketball against musicians, we are ringers.

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<v Speaker 1>Yeah, me and Bob were the ringer.

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<v Speaker 2>Because we actually really played basketball and.

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<v Speaker 1>We were kind of like white men can't jump. We

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<v Speaker 1>were Woody Harrison because it's like these pretty niggas can't

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<v Speaker 1>play bad time. I got stupid bounce this nigga three

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<v Speaker 1>I got, I got damn handle, I got like nigga.

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<v Speaker 1>I'm going from not going to college and playing basketball

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<v Speaker 1>to now being in the music business. I'm fucking niggas up.

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<v Speaker 1>But they bring a ringer they did, and we don't

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<v Speaker 1>know he's a ringer because now he's their white man

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<v Speaker 1>can't jim. He goes by the name of Harvey Mason.

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<v Speaker 1>We don't know this nigga played at Arizona. We don't

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<v Speaker 1>know this. Nigga played in the Final four and with

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<v Speaker 1>Steve Kerr, and you know what I'm saying in Bison Dayley,

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<v Speaker 1>we don't know Thise.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 1>You know this, niggas a pro. He played overseas, like,

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<v Speaker 1>we don't know none of these things. So but Nigga

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<v Speaker 1>and we don't care.

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<v Speaker 2>We don't care when I say he's hitting me with

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<v Speaker 2>d one and elbows.

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<v Speaker 1>But it's also two of us. It's only one of him.

0:13:09.679 --> 0:13:10.839
<v Speaker 2>Rodney and burd You can't.

0:13:10.920 --> 0:13:13.720
<v Speaker 1>You can't. You can't. You can't guard both of us.

0:13:14.600 --> 0:13:18.640
<v Speaker 1>You can guard one of us, but both of us.

0:13:19.280 --> 0:13:21.760
<v Speaker 1>We're gonna get some ship off. So you know, long

0:13:21.800 --> 0:13:27.800
<v Speaker 1>story short, we beat dark Child in basketball, and you

0:13:27.840 --> 0:13:30.880
<v Speaker 1>know we was cool. Everybody kicking it. Uh Lashan on

0:13:30.920 --> 0:13:34.160
<v Speaker 1>the sideline, laughing, cracking jokes and ship with two million

0:13:34.160 --> 0:13:38.760
<v Speaker 1>dollars of jewelry on and they leave. I get a

0:13:38.760 --> 0:13:41.400
<v Speaker 1>phone call from Damon the next morning. He's like, come

0:13:41.440 --> 0:13:44.680
<v Speaker 1>by the house. I'm like, what's up, Like, Nigga, just

0:13:44.679 --> 0:13:46.120
<v Speaker 1>come back. I got somebody you know we need we

0:13:46.160 --> 0:13:49.520
<v Speaker 1>gotta sit down with. It's like, okay, I come back.

0:13:50.640 --> 0:13:55.079
<v Speaker 1>It's the Ringer. This nigga played basketball? What are you

0:13:55.120 --> 0:13:57.240
<v Speaker 1>doing here? I don't know he's in music at all.

0:13:57.640 --> 0:13:59.800
<v Speaker 1>I don't know who four Play is. I don't know

0:13:59.880 --> 0:14:04.360
<v Speaker 1>his daddy is Harvey Mason from the legendary jazz group

0:14:04.400 --> 0:14:06.600
<v Speaker 1>For a player, it's just a nigga who I played

0:14:06.600 --> 0:14:09.840
<v Speaker 1>basketball with, who I kind of still don't like from who.

0:14:10.080 --> 0:14:14.319
<v Speaker 1>You know what I'm saying, like, like what's up? They're like, yeah, man,

0:14:14.360 --> 0:14:16.680
<v Speaker 1>you know you remember Harvey from last Night'm like, hey, all right,

0:14:16.760 --> 0:14:21.280
<v Speaker 1>we hoop it. This is my first thought. You're like, nah, man, Harvey,

0:14:21.320 --> 0:14:24.280
<v Speaker 1>you know, are you producing a writer? I'm like, for real?

0:14:25.560 --> 0:14:28.680
<v Speaker 1>He so, yeah, you know I was engineering and writing

0:14:28.680 --> 0:14:31.440
<v Speaker 1>with the guys and doing my thing a Dark Child

0:14:31.440 --> 0:14:36.640
<v Speaker 1>and blah blah blah, Like okay. Then he goes into

0:14:36.680 --> 0:14:45.120
<v Speaker 1>his backpack, he plugs up and he has all the sound. Shit,

0:14:46.200 --> 0:14:50.600
<v Speaker 1>this is everything out here on the radio. This is incredible.

0:14:51.120 --> 0:14:53.560
<v Speaker 1>We start working immediately. He started, you know, fucking with

0:14:53.560 --> 0:14:57.920
<v Speaker 1>some ship and you know, we're working for maybe about

0:14:58.880 --> 0:15:03.240
<v Speaker 1>working for about a week ideas, nothing is solid yet,

0:15:03.520 --> 0:15:07.000
<v Speaker 1>but we vibing. We go to Claim Jumpers. There's a

0:15:07.040 --> 0:15:10.400
<v Speaker 1>Claim Jumpers. It's still there. H On uh On like

0:15:10.520 --> 0:15:14.000
<v Speaker 1>Nordoff or Lasting. One of those might be Lasting on

0:15:14.080 --> 0:15:16.640
<v Speaker 1>the corner Lasting, right what a north Fridge mall is me,

0:15:16.760 --> 0:15:20.600
<v Speaker 1>Damon and Harvey and uh we haven't we having dinner

0:15:20.640 --> 0:15:24.240
<v Speaker 1>and we're talking and Damn, it's like, bro, we need

0:15:24.280 --> 0:15:26.520
<v Speaker 1>a name because we locked in. At this point, We're like,

0:15:26.520 --> 0:15:28.440
<v Speaker 1>we're gonna, you know, we're gonna all work together. We're gonna,

0:15:28.440 --> 0:15:31.160
<v Speaker 1>we're gonna do this thing because you know, Damon, me

0:15:31.160 --> 0:15:33.360
<v Speaker 1>and Damon are been working together and now Harvey's with us.

0:15:34.200 --> 0:15:36.160
<v Speaker 1>He's like, we need a name. And you know, niggas, stars,

0:15:36.200 --> 0:15:38.560
<v Speaker 1>spitball and everybody got some kind of name. This name

0:15:38.680 --> 0:15:42.160
<v Speaker 1>is all, you know, Damon coming up with like intergalactic

0:15:42.240 --> 0:15:44.480
<v Speaker 1>type ship and you know, and after he says it,

0:15:44.480 --> 0:15:45.680
<v Speaker 1>then he does a dance move.

0:15:45.800 --> 0:15:49.280
<v Speaker 2>You know what I'm saying, No.

0:15:49.120 --> 0:15:52.880
<v Speaker 1>Damn it no, and Dame, it's like, Jay, what you

0:15:52.920 --> 0:15:56.480
<v Speaker 1>got You always got some something, some names, some something

0:15:56.520 --> 0:16:00.320
<v Speaker 1>that I'm like thinking, I'm looking around, I'm like and

0:16:00.360 --> 0:16:03.040
<v Speaker 1>Harvey's just kind of waiting, you know. Harvey's like waiting

0:16:03.040 --> 0:16:04.600
<v Speaker 1>for the waiting for the action of what you know,

0:16:04.640 --> 0:16:08.480
<v Speaker 1>what we got? And I'm like, oh, I think I

0:16:08.520 --> 0:16:11.600
<v Speaker 1>got something He's like what. I'm like, we should be

0:16:11.600 --> 0:16:15.040
<v Speaker 1>the underdogs, and they're like the underdogs. I'm like, yeah,

0:16:15.040 --> 0:16:18.880
<v Speaker 1>everybody loves the underdog. They're like, okay, I said, but nah.

0:16:19.200 --> 0:16:21.520
<v Speaker 1>And you know this because you know I'm idea overload.

0:16:22.360 --> 0:16:26.360
<v Speaker 1>I always have an extended reason too, because I got

0:16:26.480 --> 0:16:29.080
<v Speaker 1>to make sure you're rolling with me. And I'm like no,

0:16:29.200 --> 0:16:34.600
<v Speaker 1>because Damon, you come from up under babyface Harvey, you

0:16:34.600 --> 0:16:37.160
<v Speaker 1>come from up under Rodney, and Damon, I come from

0:16:37.200 --> 0:16:40.400
<v Speaker 1>up under yours, under your tutelage. I worked with you.

0:16:41.480 --> 0:16:46.240
<v Speaker 1>We're the underdogs. Everybody's rooting for us. Damn. Like, Nigga,

0:16:46.240 --> 0:16:50.680
<v Speaker 1>I'm getting this motherfuck spray painted T shirt tomorrow. We

0:16:50.680 --> 0:16:51.840
<v Speaker 1>get those for niggas who die.

0:16:52.200 --> 0:16:54.760
<v Speaker 2>You know, it's like a hood ship that niggas get

0:16:55.400 --> 0:16:56.320
<v Speaker 2>when you die.

0:16:56.400 --> 0:17:00.880
<v Speaker 1>Everybody, everybody get the R E P. Little pistol, a starter, right,

0:17:01.040 --> 0:17:02.720
<v Speaker 1>you know what I mean? But the fuck you're gonna

0:17:02.720 --> 0:17:05.040
<v Speaker 1>get the underdog shirt. Damn it got undog shirt. You

0:17:05.040 --> 0:17:07.440
<v Speaker 1>started getting underdogs right painted, all this air Force ones

0:17:07.600 --> 0:17:11.080
<v Speaker 1>doing it. You're doing everything the most. We become the underdogs.

0:17:13.160 --> 0:17:15.800
<v Speaker 1>They come up with a track that motherfucker starts with

0:17:16.400 --> 0:17:24.280
<v Speaker 1>D and I'm like, this shit is crazy. But as

0:17:24.280 --> 0:17:33.000
<v Speaker 1>we're doing this, we're also forming the partnership, and kids

0:17:33.240 --> 0:17:37.679
<v Speaker 1>pay attention to this part. I wanted to be a

0:17:37.720 --> 0:17:43.679
<v Speaker 1>full partner, but I wasn't paying for anything. I was

0:17:43.760 --> 0:17:48.720
<v Speaker 1>purely sweat equity, meaning my hard work was my payment.

0:17:49.320 --> 0:17:52.040
<v Speaker 1>I wasn't paying for studio. I wasn't paying to get

0:17:52.040 --> 0:17:57.280
<v Speaker 1>the name trademarked sweat equity. They didn't want to make

0:17:57.320 --> 0:18:02.600
<v Speaker 1>me equal partner. And I'm also nineteen and but I

0:18:02.640 --> 0:18:04.520
<v Speaker 1>don't even got the money to put into it. But

0:18:04.600 --> 0:18:07.639
<v Speaker 1>I know I got sauce, got sauce. But I you know,

0:18:07.680 --> 0:18:10.359
<v Speaker 1>in my mind, I'm a niggas. It's us three, Like

0:18:10.640 --> 0:18:12.680
<v Speaker 1>right now, if we're gonna start something, we're gonna split

0:18:12.680 --> 0:18:15.119
<v Speaker 1>it thirty three and a third. He's like, nah, Champ,

0:18:16.240 --> 0:18:22.679
<v Speaker 1>So what are we gonna do? Buddy? Is You're like,

0:18:23.000 --> 0:18:26.679
<v Speaker 1>you're a Lashan And I'm thinking abo myself. Lashan's you know,

0:18:26.720 --> 0:18:28.479
<v Speaker 1>and I don't know his business, but I don't think

0:18:28.560 --> 0:18:33.080
<v Speaker 1>Lashaw is a partner at Dark Child. So I'm like, wait, like, yeah,

0:18:33.080 --> 0:18:36.199
<v Speaker 1>you'll make money off vocal production. You'll make money, you

0:18:36.200 --> 0:18:38.920
<v Speaker 1>know as a writer, you'll sing on stuff, so you

0:18:39.000 --> 0:18:41.000
<v Speaker 1>get you know, you get your you know, neighboring rights

0:18:41.000 --> 0:18:43.919
<v Speaker 1>and you know the background vocals. You'll make money, but

0:18:44.000 --> 0:18:52.480
<v Speaker 1>you you know, you're not our partner. And I'm skipping

0:18:52.520 --> 0:18:54.200
<v Speaker 1>some steps because I like them girls happening. That the

0:18:54.240 --> 0:19:00.320
<v Speaker 1>whole thing at that time. But I ended up writing

0:19:00.359 --> 0:19:03.280
<v Speaker 1>I like them girls, and I left and I didn't write.

0:19:03.840 --> 0:19:06.639
<v Speaker 1>I might have written a couple more songs, but that

0:19:06.760 --> 0:19:09.480
<v Speaker 1>was the record that I wrote. Help placed because I

0:19:09.520 --> 0:19:11.840
<v Speaker 1>got that record place. Shakie Stewart called me. I got

0:19:11.880 --> 0:19:15.800
<v Speaker 1>that record placed initially, and then it ended up getting

0:19:15.800 --> 0:19:19.040
<v Speaker 1>on because you know, we told I told the story

0:19:19.040 --> 0:19:21.399
<v Speaker 1>to Tyresse about how it wasn't for him, it was

0:19:21.400 --> 0:19:25.240
<v Speaker 1>for Usher in the beginning, and Brandy ended up placing

0:19:25.280 --> 0:19:26.760
<v Speaker 1>it on tyres because we were trying to get some

0:19:26.800 --> 0:19:31.320
<v Speaker 1>Brandy cuts too. And after they didn't want to make

0:19:31.359 --> 0:19:34.919
<v Speaker 1>me a partner, I told him I was out. I

0:19:34.960 --> 0:19:37.600
<v Speaker 1>was out, and you know, I helped found it with them.

0:19:37.640 --> 0:19:40.720
<v Speaker 1>I you know, made up the name. But when I

0:19:40.760 --> 0:19:44.040
<v Speaker 1>look back on it now, and they at one point

0:19:44.119 --> 0:19:47.520
<v Speaker 1>they were my fuel. They were my fuel. They were like,

0:19:47.680 --> 0:19:50.960
<v Speaker 1>I'm ana fuck them niggas up. I'm gonna become Yeah,

0:19:51.640 --> 0:19:56.640
<v Speaker 1>but I didn't fully understand the full business of how

0:19:56.640 --> 0:19:59.199
<v Speaker 1>this shit really goes of how when you come to

0:19:59.240 --> 0:20:03.800
<v Speaker 1>the table, what all do you bring in relationships and

0:20:03.840 --> 0:20:07.959
<v Speaker 1>business and anything like, what makes us partner with you?

0:20:08.160 --> 0:20:13.520
<v Speaker 1>What makes us give you that full percentage? So you know,

0:20:15.720 --> 0:20:19.040
<v Speaker 1>I walked away. I went around the corner. I worked

0:20:19.040 --> 0:20:25.280
<v Speaker 1>with Way Robson, and I wrote for in Sync in

0:20:25.359 --> 0:20:29.040
<v Speaker 1>a matter of two weeks of me leaving the underdogs

0:20:29.520 --> 0:20:30.080
<v Speaker 1>in Sync.

0:20:30.920 --> 0:20:32.359
<v Speaker 2>Dang, I was only a two week period.

0:20:32.600 --> 0:20:40.840
<v Speaker 1>Yeah, and I was a millionaire. I got cracking. It

0:20:40.840 --> 0:20:45.480
<v Speaker 1>didn't happen that fast my money coming. But that record

0:20:46.040 --> 0:20:50.239
<v Speaker 1>made me a millionaire because what it also did is

0:20:50.320 --> 0:20:53.720
<v Speaker 1>it made me and Wade sought after producer writers together

0:20:53.760 --> 0:20:58.600
<v Speaker 1>because we were locked in together. And you know, now

0:20:58.640 --> 0:21:03.479
<v Speaker 1>we're charging fifty thousand a record, and we're working on

0:21:03.520 --> 0:21:08.720
<v Speaker 1>the Dream, not the Dream, but the group dreamt that

0:21:08.760 --> 0:21:12.439
<v Speaker 1>puff hat. Yeah, and now we're working on Christina Vidal,

0:21:12.800 --> 0:21:15.560
<v Speaker 1>who was she was on Nickelodeon and had record. We're

0:21:15.560 --> 0:21:17.919
<v Speaker 1>working on her project. I remember they gave us, like

0:21:18.680 --> 0:21:20.000
<v Speaker 1>I want to say, they gave us like a quarter

0:21:20.080 --> 0:21:24.000
<v Speaker 1>million dollars to work on her album. Like we was cracking,

0:21:24.560 --> 0:21:26.679
<v Speaker 1>like me and me and me and Wade Cracking. We

0:21:26.800 --> 0:21:32.639
<v Speaker 1>just were writing and now it's time to renegotiate. Remember

0:21:32.680 --> 0:21:36.040
<v Speaker 1>that thirty five thousand. Yeah, it's gonna be different. Yeah,

0:21:36.160 --> 0:21:40.400
<v Speaker 1>because I got tyres. I like them girls and in sync.

0:21:40.560 --> 0:21:43.880
<v Speaker 1>Just so, one point three million records in the first

0:21:43.880 --> 0:21:49.679
<v Speaker 1>first week. Pay me my mother fucking money. Talk to

0:21:49.720 --> 0:21:52.239
<v Speaker 1>me nice, or don't talk to me at all. Talk

0:21:52.280 --> 0:21:55.480
<v Speaker 1>to me at all, whisper. So they didn't talk to

0:21:55.480 --> 0:21:59.119
<v Speaker 1>me at all. They let me out. They couldn't afford me,

0:21:59.119 --> 0:22:02.760
<v Speaker 1>They couldn't afford you. Yeah, I paid back my deal

0:22:02.840 --> 0:22:06.280
<v Speaker 1>ten times over what they gave me. What do I do?

0:22:06.359 --> 0:22:09.160
<v Speaker 1>I go across the street. I'm good for going across

0:22:09.160 --> 0:22:13.720
<v Speaker 1>the street. I went from Warner Chapel to famous music.

0:22:14.359 --> 0:22:18.000
<v Speaker 1>Shout out to my guy, Brian Postell and Ira Jaffey.

0:22:19.119 --> 0:22:20.960
<v Speaker 1>Ira Jaffi was the first person to offer h me

0:22:21.040 --> 0:22:23.560
<v Speaker 1>an executive job as a writer there, and I turned

0:22:23.560 --> 0:22:25.240
<v Speaker 1>it down. Are we both? I turned it down and

0:22:25.240 --> 0:22:27.280
<v Speaker 1>then he said, yeah, it wouldn't make sense. But he

0:22:27.359 --> 0:22:31.000
<v Speaker 1>offered me an executive job when Brian Postel left, and

0:22:31.040 --> 0:22:34.800
<v Speaker 1>they gave me a boatload of money. Heavy bag, and

0:22:34.840 --> 0:22:38.719
<v Speaker 1>I want an escalade. I want an escalator and I

0:22:38.760 --> 0:22:41.639
<v Speaker 1>want a GS four hundred. And now we're getting to

0:22:41.680 --> 0:22:44.640
<v Speaker 1>the ship, right, and we we cracking and me and

0:22:44.680 --> 0:22:48.520
<v Speaker 1>Bob got our We got our condo in Charmanoak, we

0:22:48.560 --> 0:22:51.680
<v Speaker 1>got the bachelor pad. We cracking and then not only

0:22:51.720 --> 0:22:54.160
<v Speaker 1>do I have that, now I got a studio house

0:22:54.240 --> 0:22:57.480
<v Speaker 1>now too. Yeah, remember you came to north Ridge.

0:22:57.880 --> 0:22:59.680
<v Speaker 2>Wait how old are you now?

0:23:00.119 --> 0:23:04.200
<v Speaker 1>For these years are going by, I'm skipping. And then

0:23:04.280 --> 0:23:07.480
<v Speaker 1>obviously we meet because as I get cracking, Damon and

0:23:07.560 --> 0:23:12.080
<v Speaker 1>Harvey is like, wait this nigga, this nigga did become something. Hey, man,

0:23:13.560 --> 0:23:17.080
<v Speaker 1>come back. Whatever you need, are your your percentages, your

0:23:17.119 --> 0:23:19.760
<v Speaker 1>your things are good. And that's when I came back.

0:23:19.800 --> 0:23:21.480
<v Speaker 1>And that's when you and I met, and we all

0:23:21.560 --> 0:23:23.840
<v Speaker 1>met and we became brothers from the first day when

0:23:23.840 --> 0:23:24.720
<v Speaker 1>we play basketball.

0:23:26.119 --> 0:23:30.440
<v Speaker 2>That that story is hilarious because they were like, yeah, Tank,

0:23:30.560 --> 0:23:34.680
<v Speaker 2>Tank really hoop And again we're always the ringer. So

0:23:34.720 --> 0:23:37.080
<v Speaker 2>I'm like, there's no way this nigga's a musician. There's

0:23:37.119 --> 0:23:41.359
<v Speaker 2>no possible way. They're like tank dunks like that, you

0:23:41.400 --> 0:23:43.760
<v Speaker 2>know what I said, And we and it was a

0:23:43.800 --> 0:23:44.560
<v Speaker 2>whole thing.

0:23:44.480 --> 0:23:47.080
<v Speaker 1>Because now I think you had become Damon's Ringer now

0:23:47.440 --> 0:23:49.440
<v Speaker 1>because Damon can't really hoop with that little ugly ass

0:23:49.480 --> 0:23:53.480
<v Speaker 1>jump shot, right, So you're the new Ringer. So he's like, oh,

0:23:53.520 --> 0:23:55.360
<v Speaker 1>I got something. When we went to the twenty four

0:23:55.760 --> 0:24:00.800
<v Speaker 1>twenty four in Hollywood, and obviously we came brothers from

0:24:00.800 --> 0:24:04.280
<v Speaker 1>that point on, and you know, I didn't like the

0:24:04.280 --> 0:24:06.719
<v Speaker 1>way the business was going, and we talked about that

0:24:06.760 --> 0:24:10.359
<v Speaker 1>on the you know, the the Eric episode, and you know,

0:24:10.480 --> 0:24:13.439
<v Speaker 1>once they kicked a little Ronnie out, I'm like, nah, man,

0:24:13.480 --> 0:24:15.639
<v Speaker 1>y'all can't y'all can't kick a little Rounnie out. And

0:24:15.680 --> 0:24:18.479
<v Speaker 1>if y'all kicking him out, I'm out. You know, I

0:24:18.480 --> 0:24:21.399
<v Speaker 1>got a bank account full of money, and I'm like,

0:24:23.240 --> 0:24:28.280
<v Speaker 1>I ain't got no kids. I'm gonna sign somebody. When

0:24:28.359 --> 0:24:31.520
<v Speaker 1>signed the artist out of my neighborhood, young dude named

0:24:31.520 --> 0:24:38.919
<v Speaker 1>Bailey and now with City Boys Music the label, it

0:24:39.040 --> 0:24:44.480
<v Speaker 1>was myself, my brother ron Uh Big Dan Mail, Steve

0:24:45.920 --> 0:24:53.480
<v Speaker 1>big cousin. Jeff was our producer, Reggie Jacob.

0:24:54.240 --> 0:24:58.040
<v Speaker 2>I gotta shout shout the roller.

0:24:57.880 --> 0:25:00.520
<v Speaker 1>You got staff. I got a nigga, we nigga. I

0:25:00.560 --> 0:25:03.159
<v Speaker 1>bought the fifteen passager van. I wrapped it with the

0:25:03.280 --> 0:25:06.200
<v Speaker 1>vehicle rap put the City boys music on it. You

0:25:06.240 --> 0:25:10.480
<v Speaker 1>know what I mean? We out there, I blew it all.

0:25:10.560 --> 0:25:13.800
<v Speaker 1>Chief he got a money sign on his forehead. What

0:25:13.840 --> 0:25:15.960
<v Speaker 1>can we get this nigga who's coming from a major

0:25:16.040 --> 0:25:21.720
<v Speaker 1>label music business to spend. And as we're doing this

0:25:21.840 --> 0:25:28.520
<v Speaker 1>stuff with Bailey, our mother passes away. And I had

0:25:28.560 --> 0:25:30.240
<v Speaker 1>been going back and forth. I was kind of, you know,

0:25:30.320 --> 0:25:31.760
<v Speaker 1>back and forth city of the city. And when she

0:25:31.800 --> 0:25:35.399
<v Speaker 1>passed away, I was just like, I need to move back.

0:25:36.160 --> 0:25:40.000
<v Speaker 1>So I moved back to San Francisco. I sold, I

0:25:40.040 --> 0:25:44.160
<v Speaker 1>sold my car. I bought like a twenty two hundred

0:25:44.160 --> 0:25:47.320
<v Speaker 1>dollars bucket because I didn't want to be a money sign.

0:25:48.440 --> 0:25:51.400
<v Speaker 1>It was a stick shift that a pocket full of money.

0:25:51.440 --> 0:25:51.600
<v Speaker 2>Man.

0:25:52.320 --> 0:25:54.760
<v Speaker 1>But I'm like, I want to kind of get immersed

0:25:54.760 --> 0:26:10.399
<v Speaker 1>into what's going on in the bay. But I'm also spinning.

0:26:10.440 --> 0:26:12.240
<v Speaker 1>But I'm pulling up in the bucket. But I'm spending.

0:26:12.240 --> 0:26:16.240
<v Speaker 1>I'm doing mixer meetings. This is my college. This is

0:26:16.280 --> 0:26:21.000
<v Speaker 1>me really getting my feet wet on the music business side,

0:26:21.320 --> 0:26:25.600
<v Speaker 1>because I'm paying for everything. Photo shoot, the vehicle wrapped,

0:26:26.320 --> 0:26:30.720
<v Speaker 1>the studio time, the setting up a studio, the paying

0:26:30.720 --> 0:26:33.679
<v Speaker 1>for overnight spins that I don't know are overnight spins

0:26:33.720 --> 0:26:35.119
<v Speaker 1>because they're lying to me. And now I want to

0:26:35.160 --> 0:26:37.439
<v Speaker 1>hurt somebody because they told me I would get ten

0:26:37.480 --> 0:26:38.960
<v Speaker 1>spins a week. They didn't tell me they would play

0:26:38.960 --> 0:26:41.360
<v Speaker 1>at two thirty in the morning. But you know, I'm

0:26:41.400 --> 0:26:45.840
<v Speaker 1>learning the business. Yeah, your niggas was fuck niggas for

0:26:45.840 --> 0:26:47.560
<v Speaker 1>that man, that's galishya. I could have told me when

0:26:47.560 --> 0:26:53.479
<v Speaker 1>I was gonna get my spins, but whatever, and I'm losing.

0:26:54.480 --> 0:26:59.439
<v Speaker 1>I'm losing, and I realized why I lost because I

0:26:59.480 --> 0:27:01.920
<v Speaker 1>didn't do what the people wanted. I did what we

0:27:01.960 --> 0:27:05.920
<v Speaker 1>wanted initially, and we just wanted to do the music

0:27:05.960 --> 0:27:08.119
<v Speaker 1>we wanted to do with the artists, where Bailey Bailey

0:27:08.160 --> 0:27:09.639
<v Speaker 1>had his mindset of what he wanted to do, and

0:27:09.680 --> 0:27:12.679
<v Speaker 1>I'm rolling with him and we're trying to get a

0:27:12.720 --> 0:27:16.320
<v Speaker 1>record on radio that says fuck your couch mm hmm

0:27:17.840 --> 0:27:25.320
<v Speaker 1>early fuck your couch nigga too far. The record was hard, ship,

0:27:29.520 --> 0:27:33.840
<v Speaker 1>the ship was hard, and it didn't work. And as

0:27:33.880 --> 0:27:37.879
<v Speaker 1>I'm losing money, we started working on a mixtape and

0:27:37.960 --> 0:27:41.600
<v Speaker 1>I used to do a character. Instead of it being

0:27:41.680 --> 0:27:46.440
<v Speaker 1>Ron Eisley, he was called Ron Heife mm hmm, where

0:27:46.480 --> 0:27:51.000
<v Speaker 1>I would sing songs, but in a Bay Area way,

0:27:51.560 --> 0:27:57.080
<v Speaker 1>but I would like jokingly sing them. I would be

0:27:57.119 --> 0:27:59.879
<v Speaker 1>singing that type of ship on our mixtapes, just fucking

0:28:00.440 --> 0:28:03.520
<v Speaker 1>talking about being Ron Hypey, which ultimately we end up

0:28:03.600 --> 0:28:05.680
<v Speaker 1>naming our brother Ron Heifey because his name was Ron,

0:28:05.720 --> 0:28:08.919
<v Speaker 1>but it was a take from Ron Eisley and then

0:28:09.080 --> 0:28:12.520
<v Speaker 1>doing that like people start, you know, we had a

0:28:12.520 --> 0:28:15.200
<v Speaker 1>little mixtape of you know, and the DJs out there

0:28:15.400 --> 0:28:17.159
<v Speaker 1>will be like, man, what's that, Ron Heifey? Should you

0:28:17.200 --> 0:28:19.800
<v Speaker 1>be doing funny than? Motherfucker? And I go up to

0:28:19.840 --> 0:28:23.679
<v Speaker 1>the radio station to see Big Vin and he's like,

0:28:24.040 --> 0:28:26.800
<v Speaker 1>it's this record man, that just came out. It's going crazy.

0:28:27.320 --> 0:28:31.000
<v Speaker 1>He's like, man, it's goofy though it got like this

0:28:31.080 --> 0:28:34.439
<v Speaker 1>weird ass sound on it. These vocals is weird. And

0:28:34.480 --> 0:28:38.040
<v Speaker 1>I'm like, playing for me and he like he pushed

0:28:38.040 --> 0:28:38.239
<v Speaker 1>the thing.

0:28:38.320 --> 0:28:41.760
<v Speaker 2>It's like, oh it's brom She got me.

0:28:42.560 --> 0:28:45.120
<v Speaker 1>And t Pey was singing with the auto tune of

0:28:45.520 --> 0:28:48.320
<v Speaker 1>and I'm like, and I listened to it one time

0:28:49.040 --> 0:28:52.040
<v Speaker 1>and I'm like, oh, nigga, I flipped that already. I'm

0:28:52.080 --> 0:28:54.720
<v Speaker 1>fucking around. We playing dominoes. I used to go up

0:28:54.720 --> 0:28:56.360
<v Speaker 1>to go up to the radio station and just play

0:28:56.400 --> 0:28:59.160
<v Speaker 1>Dominoes with Big Vin. I'm like, already flipped that. He's like,

0:28:59.160 --> 0:29:00.640
<v Speaker 1>what do you mean you flipped it. He's like, how

0:29:00.720 --> 0:29:07.320
<v Speaker 1>I go. I'm like, go, dumb dog I heipee. And

0:29:07.360 --> 0:29:09.560
<v Speaker 1>he's like, Nigga for real. I'm like, yeah, Nigga, got

0:29:09.600 --> 0:29:13.200
<v Speaker 1>about white tea. Yeah, my Nigga. I'm freestyling. He like,

0:29:13.200 --> 0:29:16.719
<v Speaker 1>where's I'm like, oh, it's at the studio. I'm lying

0:29:16.840 --> 0:29:20.120
<v Speaker 1>my ass off. I have no song. I'm making up

0:29:20.160 --> 0:29:22.720
<v Speaker 1>parts and I'm getting out of there before you ask

0:29:22.760 --> 0:29:25.880
<v Speaker 1>for more. Right. So he's like, Nigga, you bring that.

0:29:25.960 --> 0:29:29.080
<v Speaker 1>I'm playing that tonight. I was like, nig I've been

0:29:29.080 --> 0:29:34.280
<v Speaker 1>fighting for radio spins on Bailey. I'm like, wait, you

0:29:34.320 --> 0:29:37.360
<v Speaker 1>just told me you're gonna play something, Nigga. I'll be

0:29:37.440 --> 0:29:41.960
<v Speaker 1>back in thirty minutes. Go to the house. At this time,

0:29:42.000 --> 0:29:47.920
<v Speaker 1>I'm staying. I'm staying in my cousin's basement and I

0:29:47.960 --> 0:29:50.160
<v Speaker 1>have a studio setup in the bottom of it. In

0:29:50.160 --> 0:29:53.600
<v Speaker 1>the bottom of the house. I know how to work protus.

0:29:53.640 --> 0:29:55.560
<v Speaker 1>I mean you know that I was your engineer for

0:29:55.560 --> 0:30:00.680
<v Speaker 1>a long time, and before we had Danny and Ruben, right,

0:30:00.760 --> 0:30:03.920
<v Speaker 1>I was I was in between next week because Zany

0:30:04.000 --> 0:30:08.000
<v Speaker 1>actually helped me and taught me. But I know how

0:30:08.040 --> 0:30:09.600
<v Speaker 1>to engineer. At the time, I know how to use

0:30:09.680 --> 0:30:12.720
<v Speaker 1>I had an inbox, remember the inbox and the little

0:30:12.720 --> 0:30:17.160
<v Speaker 1>speakers that came with the little white speakers in audios

0:30:17.640 --> 0:30:19.800
<v Speaker 1>with the little you know, little blue knobs had that.

0:30:20.560 --> 0:30:24.880
<v Speaker 1>So I'm flipping records down there. But I'm like, I'm

0:30:24.920 --> 0:30:27.360
<v Speaker 1>not gonna use auto tune on it. I'm just gonna

0:30:27.360 --> 0:30:30.160
<v Speaker 1>sing it. But I was bushing, but I was singing

0:30:30.240 --> 0:30:33.400
<v Speaker 1>as Ron Haiphi, So I don't sing that record seriously.

0:30:33.960 --> 0:30:37.640
<v Speaker 1>And I'm playing his on playback and from every lyric,

0:30:37.720 --> 0:30:39.680
<v Speaker 1>I'm just switching it to a Barrier lyric. I'm in

0:30:39.680 --> 0:30:42.760
<v Speaker 1>the club feeling dishes, looking for a couple of little bitches, you.

0:30:42.760 --> 0:30:43.280
<v Speaker 4>Know what I'm saying.

0:30:43.440 --> 0:30:45.280
<v Speaker 1>I'm in the middle like money, you know what I'm

0:30:45.280 --> 0:30:47.280
<v Speaker 1>saying with some college girls that's acting like they won't

0:30:47.280 --> 0:30:50.320
<v Speaker 1>me that this is my lyrics, right, so I go

0:30:50.480 --> 0:30:54.200
<v Speaker 1>knock it out. At the time, they were having a

0:30:54.200 --> 0:30:58.160
<v Speaker 1>mix of meeting. It's called the Longman Convention. His name

0:30:58.240 --> 0:31:01.560
<v Speaker 1>was Greg Lolly. He had this convention of all so

0:31:01.640 --> 0:31:06.000
<v Speaker 1>everybody's just happenstance Bro everybody's in town for this mixing meeting.

0:31:07.480 --> 0:31:11.280
<v Speaker 1>I take the record to the Strip Club. Bond is

0:31:11.320 --> 0:31:14.120
<v Speaker 1>in the Strip Club. My guy D from d in

0:31:14.200 --> 0:31:19.600
<v Speaker 1>Shadow is in there, and I hand the CD. I

0:31:19.640 --> 0:31:23.160
<v Speaker 1>got on some fucking cargo shorts. I had the cargo.

0:31:23.200 --> 0:31:24.800
<v Speaker 1>I mean I had the CD in my cargo shorts.

0:31:24.840 --> 0:31:29.440
<v Speaker 1>I had him the CD. Nigga push play and obviously

0:31:29.480 --> 0:31:31.680
<v Speaker 1>you know when that song first starts, it's only starts

0:31:31.680 --> 0:31:35.000
<v Speaker 1>with vocals, but the girls knew I'm sprung because it

0:31:35.040 --> 0:31:37.560
<v Speaker 1>was cracking. But when he pushes for the vocals, he

0:31:37.600 --> 0:31:41.240
<v Speaker 1>goes good dump and they're like looking around. These are

0:31:41.240 --> 0:31:46.400
<v Speaker 1>the strippers they're looking around or the exotic dance. I'm sorry, ladies,

0:31:47.120 --> 0:31:51.800
<v Speaker 1>they're looking around and Nigga they start popping it.

0:31:52.000 --> 0:31:53.040
<v Speaker 2>I'm like, oh.

0:31:53.240 --> 0:31:59.440
<v Speaker 1>Shit, we got the DJ, and we got that nigga

0:31:59.440 --> 0:32:01.040
<v Speaker 1>that I don't even don't really know that well. D.

0:32:01.800 --> 0:32:05.160
<v Speaker 1>He's like a head, He's like the radio guy.

0:32:05.360 --> 0:32:05.600
<v Speaker 2>Nigga.

0:32:05.640 --> 0:32:11.320
<v Speaker 1>This shit is a smash. I'm like, it is. It's

0:32:11.360 --> 0:32:14.840
<v Speaker 1>a joke. I'm not singing it was all one take.

0:32:15.160 --> 0:32:17.719
<v Speaker 1>Whatever I heard him say. I just sang it a

0:32:17.720 --> 0:32:21.040
<v Speaker 1>different lyric. I never went back. It's fucked up vocals

0:32:21.040 --> 0:32:25.400
<v Speaker 1>on that song. He's like, Nigga, I'm playing this shit

0:32:26.400 --> 0:32:30.200
<v Speaker 1>as soon as I get to work tomorrow. Turn your

0:32:30.320 --> 0:32:33.600
<v Speaker 1>radio on. He used to control Top Top eight at

0:32:33.640 --> 0:32:35.840
<v Speaker 1>eight or to Hot six at six, whatever it was.

0:32:37.240 --> 0:32:41.760
<v Speaker 1>He plays me as the last song. By the end

0:32:41.760 --> 0:32:47.520
<v Speaker 1>of that day, it was the number one song. It's crazy.

0:32:47.560 --> 0:32:51.000
<v Speaker 1>The phone lines lit the fuck up. Nobody knows who

0:32:51.080 --> 0:32:54.600
<v Speaker 1>Jay Valentine is, though, I'm still j NEWT to niggas

0:32:54.640 --> 0:32:57.240
<v Speaker 1>in San Francisco. So he's like, yeah, I got this record,

0:32:57.320 --> 0:32:59.720
<v Speaker 1>Jay Valentine. Everybody thinks I'm Spanish. I don't know why.

0:33:01.680 --> 0:33:03.640
<v Speaker 1>I don't know if Valentine has a thing on it

0:33:03.720 --> 0:33:06.800
<v Speaker 1>or something, but they all think I'm spared. Valentine is

0:33:06.800 --> 0:33:10.680
<v Speaker 1>a thing that I was so but I'm Jay Valentine right,

0:33:10.680 --> 0:33:12.440
<v Speaker 1>and they're like, you know, nobody knows what it is.

0:33:12.480 --> 0:33:14.880
<v Speaker 1>So I'm like he's calling me. Like the next day,

0:33:14.920 --> 0:33:17.680
<v Speaker 1>he's like, Nigga, the phone lines won't stop going off.

0:33:18.040 --> 0:33:20.560
<v Speaker 1>I can't even play t Payne's version no more. The

0:33:20.600 --> 0:33:23.080
<v Speaker 1>next day. This is at this point, it's like the

0:33:23.120 --> 0:33:26.240
<v Speaker 1>hottest record in the Bay. His new record is and

0:33:26.280 --> 0:33:28.400
<v Speaker 1>it's brand new though, but it's like it's burning the

0:33:28.440 --> 0:33:32.720
<v Speaker 1>clubs up, it's burning the streets, the radio, everything. My

0:33:32.840 --> 0:33:37.520
<v Speaker 1>record completely stops it. But I understand the music business

0:33:37.520 --> 0:33:41.240
<v Speaker 1>at the time. I never register my song, and I

0:33:41.280 --> 0:33:44.040
<v Speaker 1>did that purposely so he would get every spin that

0:33:44.080 --> 0:33:47.800
<v Speaker 1>I got. Ye it's his song. So when they go

0:33:47.840 --> 0:33:52.080
<v Speaker 1>to cease and desist me, they're like, wait, but it's

0:33:52.080 --> 0:33:56.560
<v Speaker 1>not registered. I'm like, nah my nig At the time,

0:33:56.720 --> 0:34:01.680
<v Speaker 1>Charles Kelly, it's LinkedIn, Chuck Chuck is linked in. The

0:34:01.760 --> 0:34:04.040
<v Speaker 1>T Pain puts me on the phone with T Pain.

0:34:04.880 --> 0:34:07.440
<v Speaker 1>He're like, nigga, you know how you talking. I'm like,

0:34:07.480 --> 0:34:07.920
<v Speaker 1>what's up?

0:34:07.960 --> 0:34:08.080
<v Speaker 3>Man?

0:34:08.280 --> 0:34:12.520
<v Speaker 1>Like you stole my ship. So I'm like, yeah, dog,

0:34:12.560 --> 0:34:15.840
<v Speaker 1>I stole your record. Bro, like I love it, like

0:34:15.880 --> 0:34:17.920
<v Speaker 1>for real. He's like, Nigga, that's how I got on.

0:34:18.600 --> 0:34:21.799
<v Speaker 1>I stole a CON's record. He said, nigga, do your thing.

0:34:21.960 --> 0:34:23.799
<v Speaker 1>I said, bro, they I said, jib is trying to

0:34:23.800 --> 0:34:26.600
<v Speaker 1>see some desist me. I told them, niggas, they can't

0:34:26.600 --> 0:34:27.279
<v Speaker 1>seiz some this shit.

0:34:27.280 --> 0:34:27.880
<v Speaker 4>It's nothing.

0:34:28.840 --> 0:34:30.880
<v Speaker 1>I'm like, oh, this is a real nigga. He's like,

0:34:30.920 --> 0:34:32.200
<v Speaker 1>and I want to have a sing off. I said,

0:34:32.200 --> 0:34:35.480
<v Speaker 1>you don't want that. I said. I was walking around

0:34:35.480 --> 0:34:37.960
<v Speaker 1>in that song pain. He's like, nigga were having a

0:34:37.960 --> 0:34:40.120
<v Speaker 1>sing off nigga, right, So we we're just cracking jokes

0:34:40.120 --> 0:34:41.920
<v Speaker 1>on the phone, he said, But when I come back

0:34:41.920 --> 0:34:45.520
<v Speaker 1>to the bay, I'm stealing my ship back. Comes back

0:34:45.520 --> 0:34:49.840
<v Speaker 1>to the bay, he only sings, go dumb, stole his

0:34:49.880 --> 0:34:51.960
<v Speaker 1>ship back, right, He sings my version right. The whole

0:34:51.960 --> 0:34:57.319
<v Speaker 1>shit killed it great nigga man, and it starts a

0:34:57.320 --> 0:35:02.160
<v Speaker 1>bidding war. Don't even have no demo. I have nothing.

0:35:02.880 --> 0:35:05.440
<v Speaker 1>I got a song, and I got some songs I

0:35:05.480 --> 0:35:08.959
<v Speaker 1>wrote for other people. Once again, because I wasn't trying

0:35:08.960 --> 0:35:10.960
<v Speaker 1>to be an artist. I only did this ship one

0:35:10.960 --> 0:35:13.880
<v Speaker 1>because the money was getting low and it just happened

0:35:14.800 --> 0:35:19.200
<v Speaker 1>on luck. I got it all back, chief, I got

0:35:19.239 --> 0:35:22.440
<v Speaker 1>it all back. I went and set with everybody. Everybody's

0:35:22.480 --> 0:35:25.759
<v Speaker 1>offering the ultimate bag. I'm like, oh, I'm about to

0:35:25.800 --> 0:35:27.120
<v Speaker 1>be rich rich now.

0:35:28.520 --> 0:35:30.640
<v Speaker 2>The song is going crazy, and the song is going crazy,

0:35:30.640 --> 0:35:31.600
<v Speaker 2>and Bobby back too.

0:35:31.760 --> 0:35:38.280
<v Speaker 1>And I'm doing only five thousand to perform one song.

0:35:39.200 --> 0:35:44.960
<v Speaker 1>I'm doing three or four of those easy going nuts.

0:35:45.920 --> 0:35:49.919
<v Speaker 1>I'm driving from San Jose to Oakland to uh back

0:35:49.960 --> 0:35:55.359
<v Speaker 1>to San Francisco, back to fucking sebastopool of our Mill

0:35:55.520 --> 0:35:59.080
<v Speaker 1>Valley somewhere across that bridge. I'm crossing every bridge we

0:35:59.239 --> 0:36:04.560
<v Speaker 1>have in the Bay Area every weekend, multiple nights.

0:36:04.840 --> 0:36:08.880
<v Speaker 2>I'm kidding, you know, the bad is small. This nigga

0:36:09.000 --> 0:36:09.760
<v Speaker 2>was like a king.

0:36:09.920 --> 0:36:13.000
<v Speaker 1>No no, So then what do I call myself? The

0:36:13.120 --> 0:36:16.719
<v Speaker 1>King of r and ba? Yeah? Yeah, I want all

0:36:16.760 --> 0:36:19.200
<v Speaker 1>of the smoke because at this point I'm the only

0:36:19.280 --> 0:36:23.040
<v Speaker 1>nigga singing too. Everybody else rapping. We got you know,

0:36:23.880 --> 0:36:25.920
<v Speaker 1>I become what they do know me as I was

0:36:25.920 --> 0:36:28.279
<v Speaker 1>the video ho fora keisha, so that's what they knew

0:36:28.320 --> 0:36:29.480
<v Speaker 1>me as. And that's when I had to cut my

0:36:29.480 --> 0:36:31.080
<v Speaker 1>braids when I move home, because I'm like, I got

0:36:31.160 --> 0:36:32.880
<v Speaker 1>tired of girls running up on me talking about why

0:36:32.920 --> 0:36:37.279
<v Speaker 1>I do keisha like that. Forty used to have his

0:36:37.360 --> 0:36:41.600
<v Speaker 1>club called the Ambassador's Lounge. It was the most ratchet shit.

0:36:41.640 --> 0:36:43.440
<v Speaker 1>It used to get shot up all the time. I'm sorry, Forty,

0:36:43.480 --> 0:36:45.880
<v Speaker 1>but your shit used to get shot up. They used

0:36:45.880 --> 0:36:47.120
<v Speaker 1>to shoot it up, and it was in San Jose

0:36:47.200 --> 0:36:48.960
<v Speaker 1>and they would literally make you get right on the

0:36:48.960 --> 0:36:51.640
<v Speaker 1>freeway from the club. But the last straw, I think

0:36:51.680 --> 0:36:54.680
<v Speaker 1>a nigga shot it up in a winter bago and

0:36:54.719 --> 0:36:58.120
<v Speaker 1>then tried to drive off. They got caught, but that

0:36:58.200 --> 0:37:02.239
<v Speaker 1>was the end of that slows giving nigga. You know, listen,

0:37:02.280 --> 0:37:05.239
<v Speaker 1>when you when you into it, you into it. So

0:37:06.440 --> 0:37:09.680
<v Speaker 1>I'm getting a full bag. Everybody's offering me a deal.

0:37:10.840 --> 0:37:13.799
<v Speaker 1>I do my deal at J Records. What I do

0:37:13.880 --> 0:37:15.799
<v Speaker 1>when I get my deal, I come back to see

0:37:15.800 --> 0:37:19.040
<v Speaker 1>all my niggas. I gotta go see t Pay because

0:37:19.040 --> 0:37:21.319
<v Speaker 1>he didn't do the season desist, So I give him

0:37:21.320 --> 0:37:24.480
<v Speaker 1>a bag. I fuck with Polo, I give him a bag.

0:37:25.160 --> 0:37:31.800
<v Speaker 1>Who else the Underdogs and Big D and Jim Johnson

0:37:32.080 --> 0:37:35.040
<v Speaker 1>And this is when I meet Static, and me and

0:37:35.040 --> 0:37:38.759
<v Speaker 1>Static become really close friends. And he wrote me a

0:37:38.760 --> 0:37:41.719
<v Speaker 1>record called Get with This Pimp. Mm hmmm. I don't

0:37:41.719 --> 0:37:43.920
<v Speaker 1>know why niggas always wanted to put me in that space,

0:37:43.960 --> 0:37:48.040
<v Speaker 1>but you know, he wrote me, you have no idea.

0:37:48.080 --> 0:37:50.759
<v Speaker 1>Wrought me a record called Get with This Pepper, and

0:37:50.840 --> 0:37:52.439
<v Speaker 1>we did a trade off. I gave him a record,

0:37:52.480 --> 0:37:56.040
<v Speaker 1>he gave me that record. What's the record? I gave

0:37:56.120 --> 0:38:00.200
<v Speaker 1>him miracles thing. It's called Miracles and the I was

0:38:00.200 --> 0:38:02.799
<v Speaker 1>our trade off. That became my nigga. But then I'm

0:38:02.840 --> 0:38:05.520
<v Speaker 1>back at the Underdogs with my bag of money, my

0:38:05.600 --> 0:38:11.160
<v Speaker 1>new deal I'm shiny as ever, and I come see

0:38:11.200 --> 0:38:16.680
<v Speaker 1>my guys. And that's where she worked. The trouble came from.

0:38:16.920 --> 0:38:20.879
<v Speaker 1>That's where she worked. The trouble came from. And you

0:38:21.040 --> 0:38:23.000
<v Speaker 1>little Steve, Tony Dixon.

0:38:23.719 --> 0:38:24.200
<v Speaker 4>Eric.

0:38:25.640 --> 0:38:29.160
<v Speaker 1>Damon Harvey, everybody just was like nigga ja here because

0:38:29.160 --> 0:38:31.400
<v Speaker 1>I was you know, I was still I was an underdog,

0:38:31.480 --> 0:38:32.879
<v Speaker 1>you know, I mean, no matter what if I left

0:38:32.960 --> 0:38:34.560
<v Speaker 1>or not, I was a nigga. I was an underdog.

0:38:35.080 --> 0:38:37.800
<v Speaker 1>So we did those records, and I should have been with.

0:38:37.680 --> 0:38:39.960
<v Speaker 4>You, and.

0:38:41.640 --> 0:38:43.520
<v Speaker 1>I had this time. I had my chance to be

0:38:43.640 --> 0:38:47.799
<v Speaker 1>Ron Nut. I had my chance to be Ron Newt.

0:38:48.719 --> 0:38:53.560
<v Speaker 1>And when I became Ron Newts, I was rushing because

0:38:53.600 --> 0:38:56.680
<v Speaker 1>I felt like they were slowing up my past, my path.

0:39:00.080 --> 0:39:03.360
<v Speaker 1>They they weren't moving fast enough. We had some internal

0:39:03.400 --> 0:39:06.760
<v Speaker 1>shit with marketing and different people, and I had leaked.

0:39:06.880 --> 0:39:09.319
<v Speaker 1>You know that I leaked. She worked his trouble. No,

0:39:09.400 --> 0:39:09.840
<v Speaker 1>I didn't know that.

0:39:10.040 --> 0:39:13.719
<v Speaker 2>Yeah, you gotta tell him this though, too, Tank When

0:39:13.719 --> 0:39:16.000
<v Speaker 2>I say they spent a bag on this niggas record

0:39:16.000 --> 0:39:23.040
<v Speaker 2>though he worked with everybody oh and drag, Yeah, yeah, bro.

0:39:23.880 --> 0:39:28.160
<v Speaker 2>The sessions we was in was insane. It was they

0:39:28.200 --> 0:39:30.640
<v Speaker 2>had to spend two million dollars. I mean it was bro.

0:39:30.800 --> 0:39:34.200
<v Speaker 2>He had everybody that was a name on that record.

0:39:35.480 --> 0:39:38.920
<v Speaker 1>Yeah, I did, like Larry Jackson, my guy, my brother,

0:39:39.680 --> 0:39:44.520
<v Speaker 1>Larry set it out for me. But Larry didn't know

0:39:45.040 --> 0:39:49.360
<v Speaker 1>that they were against him and ultimately against me, because

0:39:49.400 --> 0:39:51.239
<v Speaker 1>Larry was my same age. We were the same age

0:39:51.239 --> 0:39:53.600
<v Speaker 1>at the label at the time. I'm twenty five twenty four,

0:39:53.600 --> 0:39:57.480
<v Speaker 1>he's twenty five to twenty four. They're like, young punk

0:39:58.080 --> 0:40:00.840
<v Speaker 1>and this your first signing. Nah, we're not really rolling

0:40:00.880 --> 0:40:04.120
<v Speaker 1>with that, nigga. And I started to pick up on

0:40:04.200 --> 0:40:07.480
<v Speaker 1>that and I'm yo, bro, they not like, why did not?

0:40:08.520 --> 0:40:11.120
<v Speaker 1>This record is going crazy? Like she Wrot the troubles rocking,

0:40:11.840 --> 0:40:13.600
<v Speaker 1>you know what I'm saying. I'm like, they're not fucking

0:40:13.640 --> 0:40:16.440
<v Speaker 1>with me, bro like. And then I get on the

0:40:16.440 --> 0:40:19.560
<v Speaker 1>phone with, you know, with some of the team at

0:40:19.560 --> 0:40:21.160
<v Speaker 1>the label, and I could just hear it in their

0:40:21.200 --> 0:40:25.320
<v Speaker 1>tone like, oh, this is bad. And at the time,

0:40:27.120 --> 0:40:30.399
<v Speaker 1>Deuce is on the way, my son is on the way,

0:40:31.760 --> 0:40:36.160
<v Speaker 1>and I'm in that mode. I got my first kid

0:40:36.239 --> 0:40:38.200
<v Speaker 1>on the way. You niggas is playing with my money,

0:40:38.600 --> 0:40:40.440
<v Speaker 1>y'all asking me not to do as many shows no

0:40:40.480 --> 0:40:42.400
<v Speaker 1>more because it's not the same time as it is

0:40:42.440 --> 0:40:44.600
<v Speaker 1>now where they want you to. They're like, oh, we

0:40:44.640 --> 0:40:46.319
<v Speaker 1>just want you an album mode, we want you doing this.

0:40:46.400 --> 0:40:49.680
<v Speaker 1>I'm like, Nigga, I went from getting these bags every

0:40:49.719 --> 0:40:53.719
<v Speaker 1>weekend and y'all slowing shit up because it wasn't immediate.

0:40:54.400 --> 0:40:58.799
<v Speaker 1>So I leaked the record and shit goes crazy. But

0:40:58.800 --> 0:41:00.800
<v Speaker 1>what I don't realize is me e king the record

0:41:00.840 --> 0:41:05.000
<v Speaker 1>made people in the building look bad. So now it's

0:41:05.040 --> 0:41:10.920
<v Speaker 1>another sword thrown at me, like this nigga and he

0:41:11.000 --> 0:41:14.520
<v Speaker 1>think this and we don't like his attitude. Man, But

0:41:16.200 --> 0:41:21.279
<v Speaker 1>I had an amazing deal. Shout out to Tim Mandelbaumb.

0:41:21.440 --> 0:41:24.960
<v Speaker 1>Tim Mandelbaum was my lawyer. Tim Mandelbaum set me up

0:41:25.000 --> 0:41:28.400
<v Speaker 1>a deal. It was called a two put and in

0:41:28.400 --> 0:41:32.520
<v Speaker 1>this deal, they had to guarantee me two albums and

0:41:32.560 --> 0:41:35.359
<v Speaker 1>if they did not record the second album, they had

0:41:35.360 --> 0:41:39.200
<v Speaker 1>to give me the money for the second album. So

0:41:40.600 --> 0:41:42.279
<v Speaker 1>I knew. I also had a clause in my deal

0:41:42.280 --> 0:41:43.600
<v Speaker 1>where they was going to have to spend a certain

0:41:43.640 --> 0:41:45.799
<v Speaker 1>amount of marketing dollars by a certain amount of time,

0:41:46.400 --> 0:41:49.840
<v Speaker 1>and they were dragging their feet, so I used that

0:41:50.760 --> 0:41:54.759
<v Speaker 1>clause to negotiate my way out of it. I was like, listen,

0:41:54.880 --> 0:41:56.480
<v Speaker 1>y'all don't want you know, y'all don't want to do this.

0:41:56.520 --> 0:41:59.240
<v Speaker 1>I told her, I said, bro, they they're not fucking

0:41:59.280 --> 0:42:02.080
<v Speaker 1>with you, and you signed me, so they not fucking

0:42:02.120 --> 0:42:06.200
<v Speaker 1>with me. And you know, long story short. You know,

0:42:06.280 --> 0:42:07.880
<v Speaker 1>in a year's time, Larry was out.

0:42:07.719 --> 0:42:09.520
<v Speaker 4>Of there too because.

0:42:09.320 --> 0:42:10.759
<v Speaker 1>They wasn't fucking with him. They were trying to figure

0:42:10.760 --> 0:42:12.400
<v Speaker 1>out his way out of you know, his exit out

0:42:12.800 --> 0:42:15.719
<v Speaker 1>of the deal as well. But I was able to

0:42:15.760 --> 0:42:19.399
<v Speaker 1>negotiate my masters. I own my masters. So if any

0:42:19.400 --> 0:42:22.120
<v Speaker 1>of you kids want to us, look up she worked

0:42:22.120 --> 0:42:26.279
<v Speaker 1>the trouble, sample it. I'll clear it. I want one hundred, No,

0:42:26.320 --> 0:42:29.040
<v Speaker 1>I want I take ninety. I'll take ninety percent and

0:42:29.080 --> 0:42:31.640
<v Speaker 1>give y'all ten. But if you take the whole thing,

0:42:31.640 --> 0:42:34.319
<v Speaker 1>but I might negotiate something else. But I own it

0:42:35.280 --> 0:42:38.120
<v Speaker 1>if you guys would like to sample it. And I

0:42:38.200 --> 0:42:42.000
<v Speaker 1>just wanted to own me. Buying my Masters cost me

0:42:42.000 --> 0:42:45.319
<v Speaker 1>an additional half a million dollars. I got a half

0:42:45.360 --> 0:42:49.400
<v Speaker 1>a million dollars less to own myself and for me,

0:42:50.840 --> 0:42:53.680
<v Speaker 1>I didn't care what I did with it. I didn't

0:42:53.719 --> 0:42:56.919
<v Speaker 1>want nobody to own me, not no more. I didn't

0:42:56.920 --> 0:42:58.480
<v Speaker 1>want to be owned. I didn't you know, I didn't

0:42:58.520 --> 0:43:00.879
<v Speaker 1>want them to be to be able to ever put

0:43:00.920 --> 0:43:05.200
<v Speaker 1>anything out because they would they would have the right to, and.

0:43:05.400 --> 0:43:07.880
<v Speaker 3>You get cracking somewhere else, like, Okay, we still got

0:43:07.920 --> 0:43:10.919
<v Speaker 3>these masters, and I wasn't gonna still be a singer ship.

0:43:11.080 --> 0:43:13.600
<v Speaker 3>I'm like, I just don't want them niggas to own me.

0:43:13.880 --> 0:43:17.600
<v Speaker 3>I got one out, so I brought myself out. They

0:43:17.600 --> 0:43:19.359
<v Speaker 3>still had to give me an additional bag. I still

0:43:19.360 --> 0:43:24.520
<v Speaker 3>got my other bag, but I own my masters, O

0:43:24.680 --> 0:43:28.000
<v Speaker 3>my masters. So I got out of that deal. And

0:43:28.040 --> 0:43:29.719
<v Speaker 3>then we started song Dynasty.

0:43:29.880 --> 0:43:34.919
<v Speaker 1>Hey, we went on and we went on our run.

0:43:34.960 --> 0:43:38.160
<v Speaker 1>It's when the big Bucks. It was about a year

0:43:38.200 --> 0:43:40.399
<v Speaker 1>or so in between, you know, until we started song

0:43:41.680 --> 0:43:46.239
<v Speaker 1>US three obviously in our guy text h and we

0:43:46.280 --> 0:43:48.839
<v Speaker 1>got rolling. Man, that was the best time in my life. Guys.

0:43:48.840 --> 0:43:51.640
<v Speaker 2>I want you guys to know that we have absolutely

0:43:51.719 --> 0:43:54.600
<v Speaker 2>like because again I'll say all the other times, no

0:43:54.600 --> 0:43:58.560
<v Speaker 2>one paid me any money. Durell and j maytrade and

0:43:58.600 --> 0:44:00.719
<v Speaker 2>I appreciate you guys. Love deal.

0:44:01.120 --> 0:44:03.520
<v Speaker 1>You know what I'm saying.

0:44:04.280 --> 0:44:08.200
<v Speaker 2>I too started before the Underdogs, and I didn't get

0:44:08.200 --> 0:44:11.680
<v Speaker 2>one penny, not one And we did the whole record

0:44:11.680 --> 0:44:14.960
<v Speaker 2>that got his his his record deal, and I didn't

0:44:14.960 --> 0:44:18.120
<v Speaker 2>get a penny, but I was doing some stuff and

0:44:18.360 --> 0:44:19.760
<v Speaker 2>all the real baps over there.

0:44:20.680 --> 0:44:22.799
<v Speaker 1>He said, Hey, Bobby, just come on, man, just come

0:44:23.239 --> 0:44:23.920
<v Speaker 1>come right with me.

0:44:24.080 --> 0:44:27.759
<v Speaker 2>Man. And the first record that we wrote was uh

0:44:29.200 --> 0:44:31.560
<v Speaker 2>under what was the first record we worked together? And

0:44:32.040 --> 0:44:36.320
<v Speaker 2>we got nominated, and then him and the Valentine started

0:44:36.320 --> 0:44:38.600
<v Speaker 2>putting their minds together. Next thing, you know, we got

0:44:38.600 --> 0:44:42.000
<v Speaker 2>a studio on Recita. We got everybody coming through. That

0:44:42.080 --> 0:44:45.640
<v Speaker 2>thing was racking.

0:44:46.200 --> 0:44:48.319
<v Speaker 1>I was god a little bit of money then, you

0:44:48.360 --> 0:44:48.520
<v Speaker 1>know what.

0:44:48.520 --> 0:44:51.120
<v Speaker 2>I'm saying, And they looked they bought him off the shelf,

0:44:51.160 --> 0:44:54.040
<v Speaker 2>and the rest is history. Champ, you know what I'm saying.

0:44:54.160 --> 0:44:56.799
<v Speaker 2>And so I never got to tell you what this

0:44:56.840 --> 0:45:00.360
<v Speaker 2>guy negotiated my deal and he didn't ask for one. Henny,

0:45:00.719 --> 0:45:02.600
<v Speaker 2>And he's one of the only guys in the music

0:45:02.680 --> 0:45:04.600
<v Speaker 2>business that I can say if he tells you he's

0:45:04.600 --> 0:45:07.800
<v Speaker 2>gonna do something, he does it. I had an independent record.

0:45:07.840 --> 0:45:09.759
<v Speaker 2>He said, I'm I'm a producer when we first met,

0:45:09.800 --> 0:45:12.400
<v Speaker 2>I'm a producer. Record on you. We actually used Jamie

0:45:12.400 --> 0:45:15.640
<v Speaker 2>Fox's studio and he produced a song on me for nothing.

0:45:16.440 --> 0:45:18.320
<v Speaker 2>There aren't guys like that in the business that do

0:45:19.000 --> 0:45:20.560
<v Speaker 2>you know what I mean? And then when we got

0:45:20.560 --> 0:45:22.480
<v Speaker 2>to he said, Bobby, I'm gonna help you eat. That's

0:45:22.520 --> 0:45:25.239
<v Speaker 2>the one thing about Darrel Batch's table. Everybody's gonna eat.

0:45:25.920 --> 0:45:27.640
<v Speaker 1>Everybody eat, everybody's gonna eat.

0:45:27.880 --> 0:45:29.480
<v Speaker 2>And so I never got a chance to tell you

0:45:29.680 --> 0:45:32.439
<v Speaker 2>I love you for that, bro, You know what I mean.

0:45:32.680 --> 0:45:34.000
<v Speaker 2>I'm happy I get to tell you in front of

0:45:34.000 --> 0:45:35.839
<v Speaker 2>the whole world, Chap, I love you for.

0:45:35.840 --> 0:45:39.760
<v Speaker 1>It, because everybody else talk a good talk, but there's.

0:45:39.600 --> 0:45:41.719
<v Speaker 2>No action behind it. Sure you know what I'm saying.

0:45:41.719 --> 0:45:44.120
<v Speaker 2>And so what y'all put together got a change. You know,

0:45:44.160 --> 0:45:46.120
<v Speaker 2>I got to turn into Bobby Cash. You know. Now

0:45:46.120 --> 0:45:47.799
<v Speaker 2>I'm you know what I'm saying. I got ten grand

0:45:47.800 --> 0:45:49.680
<v Speaker 2>in my pocket all the time. I'm walking around with

0:45:49.719 --> 0:45:55.560
<v Speaker 2>my shades, you know, in the dark. You know what

0:45:55.560 --> 0:46:01.440
<v Speaker 2>I'm saying in the dark, you know. And so we,

0:46:01.640 --> 0:46:04.440
<v Speaker 2>like you said, we started producing everybody. We writing songs

0:46:04.440 --> 0:46:07.440
<v Speaker 2>for everybody. We we got real placements happening, we got

0:46:07.520 --> 0:46:09.440
<v Speaker 2>real checks. I got a chance to really see what

0:46:09.480 --> 0:46:12.440
<v Speaker 2>it was like. This nigga been getting it forever, but

0:46:12.520 --> 0:46:14.280
<v Speaker 2>for me, because I got twelve kids.

0:46:14.320 --> 0:46:15.720
<v Speaker 1>You know what I'm saying, a lot of this stuff.

0:46:15.719 --> 0:46:18.759
<v Speaker 1>Well I got, but it feels like so I was like, God, damn,

0:46:18.800 --> 0:46:19.960
<v Speaker 1>why wouldn't you do that today?

0:46:22.160 --> 0:46:23.920
<v Speaker 2>So for me, you know what I'm saying, like it

0:46:24.920 --> 0:46:27.200
<v Speaker 2>that was, that was when it became real for me,

0:46:27.320 --> 0:46:29.000
<v Speaker 2>you know what I mean. And I was so happy

0:46:29.040 --> 0:46:31.279
<v Speaker 2>to do it with y'all and that was that was

0:46:31.320 --> 0:46:32.280
<v Speaker 2>an amazing time.

0:46:32.360 --> 0:46:32.520
<v Speaker 1>Man.

0:46:33.239 --> 0:46:37.120
<v Speaker 3>So, Jay, I want to take a turn because you know,

0:46:38.400 --> 0:46:42.000
<v Speaker 3>I think everybody most people understand you know you as

0:46:42.000 --> 0:46:44.600
<v Speaker 3>a singer. Most people understand you as a songwriter, as

0:46:44.640 --> 0:46:51.560
<v Speaker 3>a producer, but people don't really know the business side

0:46:52.520 --> 0:46:57.319
<v Speaker 3>of of what you do, where you actually left the

0:46:57.360 --> 0:47:03.880
<v Speaker 3>creative side and went behind the wall and became a

0:47:03.920 --> 0:47:06.359
<v Speaker 3>suit as we call them, not quite a suit, but

0:47:07.000 --> 0:47:10.960
<v Speaker 3>you went into that space and became, you know what

0:47:11.000 --> 0:47:14.520
<v Speaker 3>I mean, an executive and you you became a consultant

0:47:14.520 --> 0:47:17.719
<v Speaker 3>in all of these things. I want you to tell

0:47:17.760 --> 0:47:22.360
<v Speaker 3>people about that experience and and and and what you learned,

0:47:22.480 --> 0:47:26.120
<v Speaker 3>what you gained from being on that side of the business.

0:47:27.520 --> 0:47:32.480
<v Speaker 1>I learned that it's it's not designed for us to

0:47:35.520 --> 0:47:39.680
<v Speaker 1>get wealthy. We can get rich. They let us get rich.

0:47:40.560 --> 0:47:42.360
<v Speaker 1>But I learned that it wasn't designed that way. It

0:47:42.400 --> 0:47:44.800
<v Speaker 1>was designed for us to you know, get enough money

0:47:44.800 --> 0:47:49.800
<v Speaker 1>to eventually need them again. Hmm. And for me, I

0:47:50.320 --> 0:47:55.799
<v Speaker 1>didn't like that part. I didn't like that artists didn't know.

0:48:04.760 --> 0:48:07.520
<v Speaker 1>So now I'm part of conversations and hearing about deal

0:48:07.560 --> 0:48:11.200
<v Speaker 1>points that artists never know about, that only lawyers and

0:48:11.239 --> 0:48:14.880
<v Speaker 1>executives talk about, and we're just really part of the

0:48:14.920 --> 0:48:19.200
<v Speaker 1>trade off. I became the spook next to the door

0:48:19.239 --> 0:48:22.040
<v Speaker 1>who sat next to the door. I became that literally,

0:48:22.080 --> 0:48:29.040
<v Speaker 1>like I put on a full costumes as a suit,

0:48:30.200 --> 0:48:34.279
<v Speaker 1>and I stopped being on the creative side for so

0:48:34.400 --> 0:48:39.040
<v Speaker 1>long that they entrusted me to now start learning all

0:48:39.080 --> 0:48:42.000
<v Speaker 1>of the you know, the inner working yeah, and how

0:48:42.000 --> 0:48:45.280
<v Speaker 1>the music business really works, and how what the dollar

0:48:45.360 --> 0:48:48.120
<v Speaker 1>really means in the music business and how to get

0:48:48.120 --> 0:48:50.400
<v Speaker 1>to it, and how you don't have to be famous,

0:48:50.440 --> 0:48:52.799
<v Speaker 1>and how you don't have to have a hit record.

0:48:53.400 --> 0:48:55.560
<v Speaker 1>Just got to make the right moves, you gotta you know,

0:48:55.640 --> 0:49:01.640
<v Speaker 1>have your hands in the right things. And that that

0:49:01.719 --> 0:49:11.040
<v Speaker 1>became my mission, is to one educate, but to also

0:49:11.080 --> 0:49:15.759
<v Speaker 1>be really successful on that side, so that I could

0:49:15.800 --> 0:49:21.440
<v Speaker 1>be some form of a you know, an ally to us,

0:49:22.080 --> 0:49:26.240
<v Speaker 1>because I feel like I feel like I am split

0:49:26.280 --> 0:49:32.040
<v Speaker 1>in two sides from the music business standpoint of I'm

0:49:32.120 --> 0:49:34.799
<v Speaker 1>half artists, I'm half businessman. It's just who I am.

0:49:34.880 --> 0:49:37.200
<v Speaker 1>It's just what I am. And sometimes I do too

0:49:37.280 --> 0:49:40.799
<v Speaker 1>much business and it stops me from being creative. But

0:49:42.960 --> 0:49:46.080
<v Speaker 1>I make sure that our business is in line, and

0:49:46.120 --> 0:49:48.839
<v Speaker 1>whoever I'm in business with understands it if they want

0:49:48.880 --> 0:49:52.439
<v Speaker 1>to do it or not. You know, you can't force

0:49:52.520 --> 0:49:55.920
<v Speaker 1>people to do the business right. And I've had some

0:49:55.920 --> 0:49:57.480
<v Speaker 1>people who didn't want to do the business right, and

0:49:57.520 --> 0:50:00.319
<v Speaker 1>that's fine. But you know, I think that's why you

0:50:00.360 --> 0:50:03.400
<v Speaker 1>and I have locked in for so long, because you

0:50:03.440 --> 0:50:07.960
<v Speaker 1>trusted me, you trusted my business mind, and you went

0:50:08.040 --> 0:50:10.840
<v Speaker 1>to bat for me when people didn't believe that I

0:50:10.880 --> 0:50:14.080
<v Speaker 1>could do that. But you knew it, you know, because

0:50:14.120 --> 0:50:16.320
<v Speaker 1>we had you know, we had set so many times

0:50:16.360 --> 0:50:18.759
<v Speaker 1>and went over business and you understood, like, oh this

0:50:18.840 --> 0:50:21.759
<v Speaker 1>nigga knows something. He got it, you know what I mean.

0:50:21.800 --> 0:50:23.239
<v Speaker 1>And for me, I was just like, I'm just gonna

0:50:23.239 --> 0:50:26.799
<v Speaker 1>work my hardest and what I don't know, I'll say

0:50:26.800 --> 0:50:30.719
<v Speaker 1>I don't know, and I'll consult with people and I'll

0:50:30.800 --> 0:50:33.759
<v Speaker 1>learn absolutely. And I've just always been willing to learn,

0:50:33.760 --> 0:50:37.920
<v Speaker 1>and I've never you know, I've never put up a

0:50:37.920 --> 0:50:40.160
<v Speaker 1>facade that you know I knew something that I didn't.

0:50:40.520 --> 0:50:41.400
<v Speaker 1>It's shit, I don't know.

0:50:41.520 --> 0:50:41.680
<v Speaker 2>You know.

0:50:41.719 --> 0:50:43.319
<v Speaker 1>You remember you call me about some shit, I'll be like, cheap,

0:50:43.840 --> 0:50:44.239
<v Speaker 1>I'll call you.

0:50:44.360 --> 0:50:47.800
<v Speaker 3>I was just I'll call you right back, call me

0:50:47.840 --> 0:50:49.799
<v Speaker 3>back thirty minutes later. All right, So here's why we

0:50:49.800 --> 0:50:52.319
<v Speaker 3>should do this. Now, here's the point number one, eight

0:50:52.360 --> 0:50:54.640
<v Speaker 3>and then nine and ten. Then but if we don't

0:50:54.680 --> 0:50:57.080
<v Speaker 3>do it, then we could go back. I'm like this, nigga,

0:50:57.080 --> 0:50:59.799
<v Speaker 3>where did you get nigga? I'm gonna figure it out.

0:51:00.320 --> 0:51:00.839
<v Speaker 3>Figure it out?

0:51:00.960 --> 0:51:03.520
<v Speaker 2>So what's crazy? Listening to him?

0:51:03.560 --> 0:51:03.719
<v Speaker 1>Right?

0:51:03.920 --> 0:51:05.640
<v Speaker 2>And now, this is Jada Man. Obviously I know him

0:51:05.640 --> 0:51:08.480
<v Speaker 2>as Jays the kid too, right and the nigga hated school.

0:51:08.520 --> 0:51:14.200
<v Speaker 2>I'm talking all the house, Jane, show up to school today.

0:51:14.480 --> 0:51:16.160
<v Speaker 2>You want to play basketball? But he don't want to

0:51:16.200 --> 0:51:19.000
<v Speaker 2>go to school, right. And so when I listen to

0:51:19.120 --> 0:51:21.479
<v Speaker 2>him talking, right, and I'm giving him his flowers right now,

0:51:21.680 --> 0:51:25.000
<v Speaker 2>when I listen to him talking, and you just realize

0:51:25.040 --> 0:51:27.120
<v Speaker 2>how smart he is. But he is very well read.

0:51:27.440 --> 0:51:29.000
<v Speaker 2>And that's what a lot of people don't know, which

0:51:29.040 --> 0:51:32.239
<v Speaker 2>is crazy. Every single day, he's very well read, which

0:51:32.280 --> 0:51:35.520
<v Speaker 2>is why he's well spoken, so you get these sides

0:51:35.520 --> 0:51:37.280
<v Speaker 2>of him where you're like, oh, the nigga likes getting

0:51:37.360 --> 0:51:39.319
<v Speaker 2>me from the hood, you know what I'm saying. But

0:51:39.400 --> 0:51:41.040
<v Speaker 2>he can also dress it up and take it to

0:51:41.080 --> 0:51:43.719
<v Speaker 2>be an executive. Most people can't do that, you know

0:51:43.719 --> 0:51:46.160
<v Speaker 2>what I'm saying, and have a real conversation with you,

0:51:46.280 --> 0:51:48.080
<v Speaker 2>like you said, call you, give you deal points, give

0:51:48.080 --> 0:51:49.600
<v Speaker 2>you know what I'm saying, Like, he been in the

0:51:49.680 --> 0:51:52.319
<v Speaker 2>game for so long, you know what I mean. And

0:51:52.360 --> 0:51:55.239
<v Speaker 2>now he's a prodigy of business. He's a prodigy of

0:51:55.280 --> 0:51:58.120
<v Speaker 2>making records. He's a prodigy ass you know what I'm saying,

0:51:58.160 --> 0:52:00.920
<v Speaker 2>like cause he again, he has the first record. So

0:52:01.280 --> 0:52:03.680
<v Speaker 2>where me and you started a little later, he started

0:52:03.760 --> 0:52:05.799
<v Speaker 2>at ten, you know what I mean. And to me,

0:52:06.200 --> 0:52:08.440
<v Speaker 2>that's his advantage. But again, it's the biggest thing that

0:52:08.480 --> 0:52:10.560
<v Speaker 2>he said his whole time, I've been learning, you know

0:52:10.600 --> 0:52:12.120
<v Speaker 2>what I'm saying. I've been learning. I've been taking it

0:52:12.160 --> 0:52:14.040
<v Speaker 2>all in, you know what I mean. And so I'm

0:52:14.480 --> 0:52:16.440
<v Speaker 2>from me to you, bro, like I just I watch

0:52:16.480 --> 0:52:20.480
<v Speaker 2>you and you know, I'm so proud bro, for real, No,

0:52:20.600 --> 0:52:22.880
<v Speaker 2>I want you to know that, my nigga, like because

0:52:23.000 --> 0:52:24.920
<v Speaker 2>the other thing is that the news have is we

0:52:24.960 --> 0:52:27.759
<v Speaker 2>all have the round new factor. So when we walking around, like,

0:52:28.120 --> 0:52:30.359
<v Speaker 2>what I know is that all the label people love him.

0:52:30.520 --> 0:52:32.480
<v Speaker 2>They love him. You know what I'm saying, from the

0:52:32.600 --> 0:52:36.640
<v Speaker 2>lawyers to the executives, to the artists, to the everyone.

0:52:36.800 --> 0:52:38.320
<v Speaker 1>I can't play golf, but I can golf.

0:52:39.520 --> 0:52:39.920
<v Speaker 2>You hear that.

0:52:40.120 --> 0:52:40.719
<v Speaker 1>I say it again.

0:52:41.680 --> 0:52:42.520
<v Speaker 2>I can't play.

0:52:42.320 --> 0:52:44.759
<v Speaker 1>Golf, all right, don't play golf, but I can go.

0:52:44.800 --> 0:52:47.440
<v Speaker 2>I can go Hello, Hello, because that's where it's made at.

0:52:47.480 --> 0:52:48.319
<v Speaker 2>That's what happens at.

0:52:48.480 --> 0:52:48.799
<v Speaker 1>So y'all.

0:52:48.800 --> 0:52:50.080
<v Speaker 2>I just wanted to say to you, brother, and not

0:52:50.120 --> 0:52:53.440
<v Speaker 2>even just so it's the business side, but so and

0:52:53.480 --> 0:52:55.520
<v Speaker 2>I want to say this to him too, like singing wise, right,

0:52:55.560 --> 0:52:58.200
<v Speaker 2>we didn't come up like you in the church. We

0:52:58.280 --> 0:53:00.520
<v Speaker 2>came up like on some boy bands. You know, just

0:53:00.560 --> 0:53:03.200
<v Speaker 2>be honest, boy Bend's don'b mothers now they can't really sing. Yeah,

0:53:03.800 --> 0:53:06.040
<v Speaker 2>this nigga is like the ghetto baby face.

0:53:07.320 --> 0:53:08.520
<v Speaker 1>This ship is so sweet.

0:53:08.680 --> 0:53:10.239
<v Speaker 2>And I want to say that to him because we

0:53:10.320 --> 0:53:12.799
<v Speaker 2>never talk about it. Bro. When I said, I love

0:53:12.840 --> 0:53:15.200
<v Speaker 2>your voice, bro, like and what you've done and what

0:53:15.239 --> 0:53:17.680
<v Speaker 2>you've become and like me, like us, we got around

0:53:17.760 --> 0:53:19.680
<v Speaker 2>niggas like you. We got around the church and men

0:53:19.760 --> 0:53:21.719
<v Speaker 2>him was looking at each other like, hold on, man,

0:53:21.719 --> 0:53:23.600
<v Speaker 2>that's singing straight. Ship ain't gonna do it.

0:53:24.680 --> 0:53:27.040
<v Speaker 1>We gotta figure out because we competitive.

0:53:27.440 --> 0:53:30.400
<v Speaker 2>Yeah, and so that's every time, like we'll practice till

0:53:30.400 --> 0:53:32.319
<v Speaker 2>it can till we can do it. Yeah, And we

0:53:32.360 --> 0:53:36.200
<v Speaker 2>got that from around to practice. Michael Jackson wrote that

0:53:36.239 --> 0:53:38.560
<v Speaker 2>for us on the on the eight by ten practice.

0:53:38.600 --> 0:53:40.279
<v Speaker 2>That just makes perfect, you know what I'm saying. And

0:53:40.360 --> 0:53:43.160
<v Speaker 2>we had already had that mindset anyway. So get back

0:53:43.200 --> 0:53:46.239
<v Speaker 2>to you, bro, But I just wanted you all the bro,

0:53:46.440 --> 0:53:48.319
<v Speaker 2>all of it, even what he's done with you, bro,

0:53:48.560 --> 0:53:52.520
<v Speaker 2>because you know I was, I was singing background for you. Yeah.

0:53:52.560 --> 0:53:54.800
<v Speaker 2>It was nasty.

0:53:55.120 --> 0:53:58.319
<v Speaker 3>It was getting nasty. I was looking at Ja, let's

0:53:58.600 --> 0:54:02.080
<v Speaker 3>call it Ja. One day I said, look, Jay, I

0:54:02.200 --> 0:54:05.680
<v Speaker 3>really want to do this. He was like, yeah, niggas.

0:54:05.680 --> 0:54:07.920
<v Speaker 3>I said, nigga, I'm about to let everybody go. It's

0:54:07.960 --> 0:54:10.440
<v Speaker 3>just gonna be me and you and we're gonna figure

0:54:10.440 --> 0:54:11.600
<v Speaker 3>this shit out from the ground up.

0:54:12.440 --> 0:54:16.000
<v Speaker 2>Because again, tank, everybody want to everybody eat. Some people

0:54:16.000 --> 0:54:17.279
<v Speaker 2>taking advantage of that, you know what I mean, They

0:54:17.280 --> 0:54:19.080
<v Speaker 2>take advantage of this. Now you got a good heart

0:54:19.080 --> 0:54:20.640
<v Speaker 2>and people take advantage.

0:54:20.680 --> 0:54:26.040
<v Speaker 3>So let me get with my cousins, nigga, because it

0:54:26.160 --> 0:54:30.000
<v Speaker 3>was like, it's it's it's you know, you just just

0:54:30.080 --> 0:54:33.400
<v Speaker 3>run into long lost family members. You know what I'm saying.

0:54:33.520 --> 0:54:37.600
<v Speaker 3>It's it's it's something in the universe. It's like these niggas.

0:54:37.640 --> 0:54:40.919
<v Speaker 3>I'm related to these niggas some kind of way I

0:54:41.000 --> 0:54:45.960
<v Speaker 3>have to the relationships I have to be. And so

0:54:46.080 --> 0:54:50.440
<v Speaker 3>that right, that that that family connection was the bond

0:54:50.560 --> 0:54:55.480
<v Speaker 3>that made it easy, made it second nature to do business,

0:54:56.080 --> 0:54:58.120
<v Speaker 3>you know what I'm saying, Because it's the trust, that's

0:54:58.120 --> 0:54:58.800
<v Speaker 3>where it starts.

0:54:59.000 --> 0:55:08.680
<v Speaker 1>Right. So Jay, you go from child star. We didn't.

0:55:08.680 --> 0:55:09.000
<v Speaker 1>We didn't.

0:55:09.000 --> 0:55:10.480
<v Speaker 3>We didn't get to you till you sold a bike.

0:55:10.520 --> 0:55:14.040
<v Speaker 3>But you used to sell bikes business. I started bike business, yea,

0:55:14.360 --> 0:55:21.120
<v Speaker 3>selling drugs. Statute of limitations. They it's all gone. Not

0:55:21.160 --> 0:55:23.360
<v Speaker 3>a lot of not a lot of drugs. But I

0:55:23.360 --> 0:55:26.719
<v Speaker 3>didn't sell enough for y'all to come back. Relax, Okay,

0:55:28.200 --> 0:55:37.680
<v Speaker 3>two artists, Back to songwriter hiphie, you know hiphee move

0:55:37.760 --> 0:55:43.600
<v Speaker 3>the hypee movement. Maybe back to artists again. Done with artists,

0:55:43.640 --> 0:55:46.719
<v Speaker 3>then back to the business producers behind the wall as

0:55:46.760 --> 0:55:51.440
<v Speaker 3>an executive, then tanks manager, but before I was your manager,

0:55:52.560 --> 0:55:55.680
<v Speaker 3>I was consulting. You were consulting, Yeah, I was consulting.

0:55:56.040 --> 0:56:02.879
<v Speaker 3>And the consulting started with obviously helping Brian Kennedy get

0:56:02.880 --> 0:56:06.400
<v Speaker 3>his his publishing deal. That was kind of like one

0:56:06.440 --> 0:56:10.360
<v Speaker 3>of my first you know, jumps into that. But then

0:56:11.120 --> 0:56:13.040
<v Speaker 3>when I realized I really wanted to.

0:56:13.000 --> 0:56:19.839
<v Speaker 1>Be in the music business, I was like, I gotta

0:56:19.920 --> 0:56:25.640
<v Speaker 1>fine artist. I gotta you know, and d named Love

0:56:25.719 --> 0:56:30.200
<v Speaker 1>Rants mm hmm, my guy, I Love Ran had a

0:56:30.239 --> 0:56:33.479
<v Speaker 1>big record and at the time it wasn't it wasn't

0:56:33.520 --> 0:56:35.960
<v Speaker 1>it was bubbling. It was bubbling in the bay and

0:56:36.000 --> 0:56:41.680
<v Speaker 1>it was called Up I Beat the Pussy Up Up Smash,

0:56:42.160 --> 0:56:44.960
<v Speaker 1>and it was the first listen for me. And the

0:56:45.000 --> 0:56:48.160
<v Speaker 1>wildest thing is that his brother and I were high

0:56:48.200 --> 0:56:51.759
<v Speaker 1>school teammates until and I didn't know that at the time.

0:56:51.760 --> 0:56:53.400
<v Speaker 1>I didn't know that was his little brother until one

0:56:53.440 --> 0:56:56.680
<v Speaker 1>day we ran into each other at Deuce's Deuce's birthday.

0:56:56.719 --> 0:56:58.440
<v Speaker 1>I was happening at the bowling alley our Auntie used

0:56:58.440 --> 0:57:01.359
<v Speaker 1>to own a bowling alley. Out to Diane. Also shout

0:57:01.360 --> 0:57:04.600
<v Speaker 1>out to Diane because Diane took me and Bobby and.

0:57:04.360 --> 0:57:07.560
<v Speaker 2>No, she she said, his life formative years. She said

0:57:07.600 --> 0:57:07.960
<v Speaker 2>his life.

0:57:08.000 --> 0:57:09.080
<v Speaker 1>She saved my life.

0:57:09.800 --> 0:57:11.800
<v Speaker 2>I love that we came one day, like, Jay, this

0:57:11.880 --> 0:57:14.800
<v Speaker 2>hood ship's over, man, come with us when we're in

0:57:14.880 --> 0:57:19.000
<v Speaker 2>Diamond Heights, man ship sweet over here.

0:57:19.040 --> 0:57:24.080
<v Speaker 1>It's really nice there. It was different. Do it taste

0:57:24.080 --> 0:57:30.720
<v Speaker 1>different when the street? It was different? Yeah. So you know,

0:57:30.840 --> 0:57:36.440
<v Speaker 1>Diane was a lifesaver. She was. She was absolutely a lifesaver.

0:57:36.600 --> 0:57:39.240
<v Speaker 1>So she owned a bowling alley. And I was having

0:57:39.640 --> 0:57:42.200
<v Speaker 1>h Deuce's birthday party. I think he might have been

0:57:42.280 --> 0:57:45.440
<v Speaker 1>four or something, and my Tail and his family just

0:57:45.440 --> 0:57:47.560
<v Speaker 1>happened to be there. And he's talking to me about

0:57:47.560 --> 0:57:50.520
<v Speaker 1>his little brother in music. And I'm like, okay, you

0:57:50.560 --> 0:57:52.240
<v Speaker 1>know niggas talk to me about music all the time.

0:57:52.320 --> 0:57:54.240
<v Speaker 1>And he's like, no, bro, he got this record. It's

0:57:54.240 --> 0:57:58.240
<v Speaker 1>called Up. I'm like, it's called what? Like uh? I'm

0:57:58.240 --> 0:58:02.800
<v Speaker 1>like he's like, we're talking about this at my son's

0:58:02.800 --> 0:58:06.080
<v Speaker 1>birthday party. They're like, yeah, that's my little brother. I'm like,

0:58:06.120 --> 0:58:09.520
<v Speaker 1>hell nah, Like Nigga, that's my little brother. I want

0:58:09.520 --> 0:58:13.760
<v Speaker 1>to connect y'all whatever. I'm like, Nigga, come on connected us.

0:58:14.840 --> 0:58:19.600
<v Speaker 1>I started co managing him with my Tail. We managed

0:58:19.640 --> 0:58:22.000
<v Speaker 1>him together. They don't have no deal, they have nothing

0:58:22.040 --> 0:58:26.600
<v Speaker 1>going on. I'm like, listen, bro I said, it's big,

0:58:27.920 --> 0:58:29.880
<v Speaker 1>but there are a couple, you know, people grabbing a

0:58:29.960 --> 0:58:33.040
<v Speaker 1>record around the country, people just you know, kind of

0:58:33.240 --> 0:58:35.240
<v Speaker 1>just taking the record nobody really need. So it starts

0:58:35.240 --> 0:58:39.400
<v Speaker 1>to become that thing. I'm like, lo, listen, let's I'm

0:58:39.400 --> 0:58:43.160
<v Speaker 1>gonna fuck all those up. I'm gonna shut every remix down.

0:58:43.480 --> 0:58:44.680
<v Speaker 1>It was how I was like, we're gonna do the

0:58:44.760 --> 0:58:49.520
<v Speaker 1>R and B version. I said, so I'm gonna get

0:58:49.560 --> 0:58:52.640
<v Speaker 1>I'm gonna get Pleasure Pee on it. That was the

0:58:52.640 --> 0:58:54.720
<v Speaker 1>first make a pe you know, Pete fresh off of

0:58:54.840 --> 0:58:58.120
<v Speaker 1>under y'all. Yeah, I mean he got pretty ricky. So

0:58:58.160 --> 0:59:00.000
<v Speaker 1>I get Pee on the record. I leave the last

0:59:00.240 --> 0:59:06.280
<v Speaker 1>verse open because Rants and I am Sue who produced

0:59:06.280 --> 0:59:10.640
<v Speaker 1>the record. I am Sue. I left them verses open

0:59:10.680 --> 0:59:12.920
<v Speaker 1>so they could do their verses. It was gonna be me,

0:59:13.080 --> 0:59:20.320
<v Speaker 1>them and Pleasure p right at the time. You know,

0:59:20.440 --> 0:59:24.680
<v Speaker 1>through whatever they had going on, they fell out. So

0:59:24.720 --> 0:59:27.840
<v Speaker 1>when I send both of them the version with me

0:59:27.880 --> 0:59:30.200
<v Speaker 1>singing the hook, actually I don't even send them the

0:59:30.240 --> 0:59:31.520
<v Speaker 1>version with Pe on it. I sent it just me

0:59:31.560 --> 0:59:35.160
<v Speaker 1>singing a hook and my verse. It was my first

0:59:35.160 --> 0:59:38.320
<v Speaker 1>no no, just me singing the hook. It was supposed

0:59:38.320 --> 0:59:39.720
<v Speaker 1>to be just me singing a hook with them with

0:59:39.800 --> 0:59:44.440
<v Speaker 1>new verses, no new artist yet or new other other artists.

0:59:44.480 --> 0:59:46.200
<v Speaker 1>I'm like thinking the R and B version because now

0:59:46.320 --> 0:59:49.600
<v Speaker 1>was singing like you know what I mean, and Drake

0:59:49.640 --> 0:59:52.200
<v Speaker 1>had I think, just came out around that time. I'm like,

0:59:52.320 --> 0:59:56.520
<v Speaker 1>Nigga just singing rap shit like that vibe Nigga, we

0:59:56.600 --> 0:59:59.320
<v Speaker 1>gonna kill him. And I flipped the hook to what

0:59:59.360 --> 1:00:02.680
<v Speaker 1>it became the new version of Up with open verses.

1:00:04.320 --> 1:00:06.520
<v Speaker 1>Them niggas don't do their verses because they fell off.

1:00:07.080 --> 1:00:10.000
<v Speaker 1>So they're like, and the song is cracking rants doing shows.

1:00:10.720 --> 1:00:13.000
<v Speaker 1>I'm like, I'm telling y'all, I said, man, if y'alln't

1:00:13.000 --> 1:00:15.040
<v Speaker 1>do y'all verses, I'm putting somebody else on it. This

1:00:15.120 --> 1:00:18.920
<v Speaker 1>is just like my fake threat. Niggas don't do their verses.

1:00:19.200 --> 1:00:22.120
<v Speaker 1>I get pleasure to Peter do a verse his verse killer.

1:00:23.920 --> 1:00:26.600
<v Speaker 1>Now I do a verse my verse killer. I'm like, Nigga,

1:00:26.600 --> 1:00:30.040
<v Speaker 1>we got some shit. I go to Vegas, I have

1:00:30.200 --> 1:00:34.880
<v Speaker 1>the record, I give it to DJ Franz and friends

1:00:34.960 --> 1:00:39.040
<v Speaker 1>and plays it. We had a suite at the at

1:00:39.040 --> 1:00:45.640
<v Speaker 1>the at the Palms, the basketball. Guess who walks in

1:00:46.840 --> 1:00:51.680
<v Speaker 1>Tiger and Chris Brown. So my little brother, you know

1:00:51.680 --> 1:00:54.600
<v Speaker 1>what I'm since he was fourteen fifteen. You're like, Nigga,

1:00:54.640 --> 1:00:57.480
<v Speaker 1>what's this? I said, Nigga, this record going crazy in

1:00:57.480 --> 1:00:59.960
<v Speaker 1>the bay. This the R and V version with me.

1:01:00.400 --> 1:01:02.520
<v Speaker 1>He said, Nigga, I'm doing it tomorrow. I said, doing

1:01:02.560 --> 1:01:09.880
<v Speaker 1>what the song? Nigga, I got the American Music Awards rehearsal,

1:01:10.280 --> 1:01:12.520
<v Speaker 1>and I'm coming to y'all studio just when we still

1:01:12.560 --> 1:01:16.000
<v Speaker 1>got the studio and now we're a track record. I'm

1:01:16.040 --> 1:01:20.960
<v Speaker 1>thinking he lying, he know he Nigga calls me, big bro,

1:01:21.040 --> 1:01:23.360
<v Speaker 1>start writing my verse for me. Just start the verse

1:01:23.400 --> 1:01:28.360
<v Speaker 1>off like all this Nigga's really coming. No fucking bullshit,

1:01:28.480 --> 1:01:33.120
<v Speaker 1>you coming, Nigga Chris Brown verse. We hadn't done those

1:01:33.120 --> 1:01:35.920
<v Speaker 1>songs like that. I mean, like Nigga, I'm like, Nigga's

1:01:35.960 --> 1:01:36.400
<v Speaker 1>the king.

1:01:36.800 --> 1:01:37.160
<v Speaker 4>Fuck it.

1:01:38.680 --> 1:01:40.480
<v Speaker 1>Nigga pulls up in one of his fast cars, a

1:01:40.560 --> 1:01:44.400
<v Speaker 1>Lambo or something, pulls up and hop out like what

1:01:44.480 --> 1:01:47.400
<v Speaker 1>you got? I got part of the verse. Now I'm

1:01:47.400 --> 1:01:49.720
<v Speaker 1>coming to boot and I love that shit. We knocked

1:01:49.720 --> 1:01:53.760
<v Speaker 1>that shit out in ten fifteen minutes. I'm engineering and

1:01:53.800 --> 1:01:55.720
<v Speaker 1>watching the basketball game and this at the same time

1:01:55.760 --> 1:02:01.840
<v Speaker 1>you're writing he knocked that shit out. I'm like, it's

1:02:01.880 --> 1:02:05.400
<v Speaker 1>never about It's not gonna be the same. I call

1:02:05.480 --> 1:02:08.320
<v Speaker 1>both of them niggas. I say, hey, bro, Chris Brown

1:02:08.400 --> 1:02:11.800
<v Speaker 1>just got on the record. They're like, what we putting

1:02:11.800 --> 1:02:19.160
<v Speaker 1>it out tomorrow fast? Put that motherfucker out once again.

1:02:19.240 --> 1:02:21.320
<v Speaker 1>Don't register it, don't do the whole thing, because it's

1:02:21.360 --> 1:02:26.600
<v Speaker 1>all spinds today for them. Every label's calling, everybody wants

1:02:26.600 --> 1:02:36.440
<v Speaker 1>a piece of the record. Jimmy IV, Larry Jackson calls me, nephew, Yeah, yeah,

1:02:36.840 --> 1:02:41.000
<v Speaker 1>what's this record? Nephew, Yeah, Like that's fucking up records

1:02:41.040 --> 1:02:43.560
<v Speaker 1>going crazy. I said, yeah, you know, because he had

1:02:43.600 --> 1:02:45.320
<v Speaker 1>heard my verse, but he didn't know I was representing

1:02:45.360 --> 1:02:48.480
<v Speaker 1>him too. I'm like, no, nigga, I did that to

1:02:48.520 --> 1:02:50.440
<v Speaker 1>boost up the attention and a knock out all of

1:02:50.440 --> 1:02:53.880
<v Speaker 1>these other remixes that are around the country. They're like, oh, nigga,

1:02:54.600 --> 1:03:00.280
<v Speaker 1>when can y'all come to l A. I was like, now, nigga, go,

1:03:01.560 --> 1:03:04.680
<v Speaker 1>we take our meeting at Jimmy Ivan's house. We go

1:03:04.760 --> 1:03:09.440
<v Speaker 1>to the home, play him the record, play him the

1:03:09.520 --> 1:03:11.280
<v Speaker 1>rest of the shit that he got. He loved it.

1:03:11.320 --> 1:03:15.040
<v Speaker 1>Go crazy, like, man, whatever y'all want to do. He's like,

1:03:15.040 --> 1:03:17.920
<v Speaker 1>whatever y'all want to do. So at first the conversation

1:03:18.240 --> 1:03:24.400
<v Speaker 1>was to take once again, take those verses off and

1:03:24.440 --> 1:03:27.160
<v Speaker 1>make it the R and B version mixed with the

1:03:27.240 --> 1:03:28.920
<v Speaker 1>rap version, because the other version. I've been moving in

1:03:28.960 --> 1:03:33.240
<v Speaker 1>the streets anyway. And I'm like, nah, this is his record, man,

1:03:34.080 --> 1:03:35.360
<v Speaker 1>this is what I say. I'm like, nah, this is

1:03:35.400 --> 1:03:38.760
<v Speaker 1>his record. This is not my record. This is love

1:03:38.840 --> 1:03:45.520
<v Speaker 1>Rance's record. We're doing the deal for his record. I

1:03:45.640 --> 1:03:48.600
<v Speaker 1>was like, all right, we want the record regardless. So

1:03:48.640 --> 1:03:51.120
<v Speaker 1>I'm like, we're gonna sign him. We're not doing a

1:03:51.160 --> 1:03:55.160
<v Speaker 1>singles deal. You're getting him a full album budget. We're

1:03:55.160 --> 1:03:59.040
<v Speaker 1>doing a full album. I'm not letting y'all just single

1:03:59.080 --> 1:04:02.360
<v Speaker 1>deal him. We do a four hour budget, full bag

1:04:02.400 --> 1:04:06.920
<v Speaker 1>in his pocket. And Larry says, I got an idea.

1:04:07.680 --> 1:04:10.640
<v Speaker 1>I'm gonna put fifty cent on it. I said, we're

1:04:10.760 --> 1:04:17.680
<v Speaker 1>out of here. We're fucking out of here with side. Yeah,

1:04:18.480 --> 1:04:20.920
<v Speaker 1>yeah yeah, I said, oh my god. When you come

1:04:20.960 --> 1:04:24.360
<v Speaker 1>to San Francisco. He does the video, he tries to

1:04:24.360 --> 1:04:26.040
<v Speaker 1>get in the room with the with the guys to

1:04:26.160 --> 1:04:29.040
<v Speaker 1>help them put they thing back together. The group the HBK.

1:04:29.840 --> 1:04:34.000
<v Speaker 1>It don't work. They don't listen to him, you know.

1:04:34.800 --> 1:04:38.920
<v Speaker 1>And that was my first stamp into the you know,

1:04:39.000 --> 1:04:43.240
<v Speaker 1>the executive side. And after that, I have an end.

1:04:43.280 --> 1:04:45.640
<v Speaker 1>I'm an I'm a I'm a consultant at the label,

1:04:45.720 --> 1:04:47.760
<v Speaker 1>and I'm managing, and I'm doing my whole thing that

1:04:48.240 --> 1:04:50.240
<v Speaker 1>you know that don't fully materialize for him, but to

1:04:50.280 --> 1:04:52.439
<v Speaker 1>get him a big bag. And he's still making money

1:04:52.480 --> 1:04:55.000
<v Speaker 1>to this day. And then one night I'm up at

1:04:55.040 --> 1:05:00.400
<v Speaker 1>like three in the morning and these kids up on

1:05:00.440 --> 1:05:03.960
<v Speaker 1>my YouTube because I'm I'm looking at I'm watching World

1:05:03.960 --> 1:05:06.320
<v Speaker 1>Star Hip Hop, and it's this kid on there talking

1:05:06.320 --> 1:05:08.960
<v Speaker 1>about his daddy and you know how, they're talking Chicago,

1:05:09.040 --> 1:05:11.920
<v Speaker 1>my daddy, my daddy, my daddy, my daddy, and I'm

1:05:12.000 --> 1:05:14.520
<v Speaker 1>who the fuck are you talking about? He shot at

1:05:14.560 --> 1:05:17.760
<v Speaker 1>the police and he's talking about He's talking crazy like

1:05:17.880 --> 1:05:18.440
<v Speaker 1>my daddy.

1:05:18.520 --> 1:05:19.160
<v Speaker 2>Cheep Keith.

1:05:20.080 --> 1:05:23.680
<v Speaker 1>Who the fuck is Chief Keith? So my ass nigga,

1:05:23.720 --> 1:05:26.600
<v Speaker 1>I start googling, I'm start going into ship. I'm typing

1:05:26.720 --> 1:05:31.720
<v Speaker 1>Chief Keith. Nothing's coming up. So now I have to

1:05:31.760 --> 1:05:39.040
<v Speaker 1>type yeah into the film side Keith Keith because he

1:05:39.080 --> 1:05:42.040
<v Speaker 1>keeps saying it with f yeah. So I'm like, okay, okay,

1:05:42.120 --> 1:05:48.200
<v Speaker 1>Keith k f k e K nigga. I'm just I'm

1:05:48.240 --> 1:05:52.280
<v Speaker 1>finding it. So I find it, nigga. But they reminded

1:05:52.320 --> 1:05:57.280
<v Speaker 1>me of Double Rock. So I'm like, Nigga, I gotta

1:05:57.280 --> 1:06:01.680
<v Speaker 1>find this kid. Actually, I got to save it in

1:06:01.720 --> 1:06:03.440
<v Speaker 1>my computer and take it to Larry in the morning

1:06:03.480 --> 1:06:06.400
<v Speaker 1>because I'm like, it's in the Scope records. This is

1:06:06.440 --> 1:06:10.720
<v Speaker 1>fifty cent, this is doctor Trey, it's Jimmy Ivan. He

1:06:10.840 --> 1:06:17.000
<v Speaker 1>understands it's eminem anything dangerous. So I'm like, next morning,

1:06:17.040 --> 1:06:19.760
<v Speaker 1>I take the ship to Larry. He loses it. He's like, man,

1:06:21.280 --> 1:06:23.120
<v Speaker 1>So we find our way to Chief Keep. We do

1:06:23.160 --> 1:06:27.560
<v Speaker 1>the Chief Keep deal, and I'm like, the rap world

1:06:27.560 --> 1:06:29.840
<v Speaker 1>ain't just it ain't for me. It was just too

1:06:29.920 --> 1:06:32.720
<v Speaker 1>much going on. It was too much shit involved. I

1:06:32.720 --> 1:06:35.080
<v Speaker 1>actually never made a dollar off for Chief Keep, off

1:06:35.080 --> 1:06:38.560
<v Speaker 1>for getting that deal done off of a consulting an

1:06:38.680 --> 1:06:41.760
<v Speaker 1>R nothing. I just you know, and I you know,

1:06:41.760 --> 1:06:43.440
<v Speaker 1>I hung out with Keey for that first week and

1:06:43.480 --> 1:06:46.280
<v Speaker 1>I never seen him really ever again, but you know,

1:06:46.640 --> 1:06:48.800
<v Speaker 1>helped put him, help put the deal together, put it

1:06:48.800 --> 1:06:51.080
<v Speaker 1>in place with you know, he had his uncle Roe

1:06:51.120 --> 1:06:54.200
<v Speaker 1>and and dro and Peter Pan and all the you know,

1:06:54.280 --> 1:06:57.800
<v Speaker 1>the guys that were working with him, and he became

1:06:57.840 --> 1:07:00.840
<v Speaker 1>a fucking legend, absolutely, and it was a way for

1:07:00.920 --> 1:07:02.920
<v Speaker 1>me to, you know, ultimately put some numbers on the

1:07:02.920 --> 1:07:06.800
<v Speaker 1>board and become, you know, this kind of this best

1:07:06.880 --> 1:07:09.720
<v Speaker 1>kept secret guy that had my ear to the streets

1:07:09.720 --> 1:07:13.320
<v Speaker 1>because now I got two chief Keef Love rants like that,

1:07:13.360 --> 1:07:15.640
<v Speaker 1>ships Cracking. And then I did that big ass record

1:07:15.720 --> 1:07:19.160
<v Speaker 1>with the Rebix, and then they wanted me to sing

1:07:19.200 --> 1:07:23.840
<v Speaker 1>and then I said no. In the height of up

1:07:24.360 --> 1:07:27.160
<v Speaker 1>It's like, nah, I'm cool. I want to be a manager,

1:07:27.200 --> 1:07:27.400
<v Speaker 1>you know.

1:07:28.000 --> 1:07:29.160
<v Speaker 2>But you got to tell him. But you got to

1:07:29.200 --> 1:07:31.280
<v Speaker 2>tell him this too, though, because you know, fifty came

1:07:31.320 --> 1:07:33.040
<v Speaker 2>to him and was like, bro, you should just take

1:07:33.080 --> 1:07:34.800
<v Speaker 2>the record. And he said no.

1:07:35.440 --> 1:07:36.960
<v Speaker 1>I mean a lot of people, a lot of people said,

1:07:37.160 --> 1:07:37.920
<v Speaker 1>but I'm saying.

1:07:37.720 --> 1:07:38.760
<v Speaker 2>How many people would have done that?

1:07:38.800 --> 1:07:39.000
<v Speaker 1>Though?

1:07:39.360 --> 1:07:42.720
<v Speaker 2>I ran the record back in New York, this West

1:07:42.760 --> 1:07:43.440
<v Speaker 2>Coast record.

1:07:43.560 --> 1:07:47.360
<v Speaker 1>How many times in a row? What's that hot station

1:07:47.440 --> 1:07:47.760
<v Speaker 1>out there?

1:07:48.520 --> 1:07:48.919
<v Speaker 2>New York?

1:07:49.960 --> 1:07:50.440
<v Speaker 1>One of them?

1:07:51.600 --> 1:07:56.440
<v Speaker 2>It back multiple times. He calls him like, hey, bro,

1:07:56.640 --> 1:08:00.160
<v Speaker 2>just should just take the record. I'll sign you. He's like, no,

1:08:00.320 --> 1:08:01.200
<v Speaker 2>that's not my record.

1:08:03.160 --> 1:08:05.000
<v Speaker 1>It wasn't my record. You know what I'm saying. And

1:08:05.120 --> 1:08:06.440
<v Speaker 1>you know, it's funny because a lot of people look

1:08:06.480 --> 1:08:08.160
<v Speaker 1>at those type of things like, oh, well Jay did

1:08:08.200 --> 1:08:10.600
<v Speaker 1>this and you grabbed that record in that record, But

1:08:10.720 --> 1:08:14.880
<v Speaker 1>I never registered nobody's record. I never you know, took

1:08:14.920 --> 1:08:17.040
<v Speaker 1>any money out of anybody's pocket that they were supposed

1:08:17.080 --> 1:08:19.799
<v Speaker 1>to get. I was just having fun with music, and

1:08:19.920 --> 1:08:21.679
<v Speaker 1>especially with the love NDS thing. I knew I needed

1:08:21.720 --> 1:08:24.479
<v Speaker 1>to help it take you know what I mean, But

1:08:24.600 --> 1:08:26.400
<v Speaker 1>I did, You know, I didn't. I didn't want to,

1:08:27.360 --> 1:08:29.400
<v Speaker 1>you know, I didn't want to, you know, just take

1:08:29.400 --> 1:08:32.280
<v Speaker 1>it further. At that time, I wanted to fully be

1:08:32.479 --> 1:08:36.160
<v Speaker 1>taken serious from an executive side. And you know, now

1:08:36.240 --> 1:08:40.120
<v Speaker 1>you had chosen like when you choose your lane, you

1:08:40.120 --> 1:08:42.760
<v Speaker 1>you're there. I'm there because we've been trying to get you,

1:08:42.800 --> 1:08:45.000
<v Speaker 1>like you have plenty records where we were like this,

1:08:45.600 --> 1:08:46.599
<v Speaker 1>what are we doing?

1:08:47.840 --> 1:08:51.400
<v Speaker 2>Naay, let's go right.

1:08:51.400 --> 1:08:53.920
<v Speaker 1>But I also felt like if I do that at

1:08:53.920 --> 1:08:57.680
<v Speaker 1>that time, especially with song Dynasty, who's gonna protect us?

1:08:58.240 --> 1:09:00.800
<v Speaker 1>Because we had tried managers, we had tried different people

1:09:00.840 --> 1:09:02.640
<v Speaker 1>that were you know, involved in our business, but I

1:09:02.680 --> 1:09:06.639
<v Speaker 1>always felt like nobody cared about us like us. Yeah,

1:09:07.600 --> 1:09:10.439
<v Speaker 1>So I had to, in a sense, sacrifice that side

1:09:10.479 --> 1:09:13.320
<v Speaker 1>of my life to put us in a position to

1:09:13.400 --> 1:09:16.519
<v Speaker 1>really win. And that's when I start begging you to

1:09:16.560 --> 1:09:17.120
<v Speaker 1>be a manager.

1:09:18.160 --> 1:09:21.280
<v Speaker 3>I'm a manager. It's like, you're not just be dropping hints.

1:09:22.120 --> 1:09:27.000
<v Speaker 3>I'm like, I kind of already managed you. You're not

1:09:27.080 --> 1:09:31.160
<v Speaker 3>a manager, Jay, You're my friend. Okay, I didn't know

1:09:31.200 --> 1:09:33.520
<v Speaker 3>that I've been dropping.

1:09:33.600 --> 1:09:36.840
<v Speaker 1>For a minute. It's like, see, like I got cracked

1:09:36.840 --> 1:09:41.679
<v Speaker 1>over here, baby, I know it's wrapped cracking.

1:09:42.640 --> 1:09:44.240
<v Speaker 2>Take me like, man, that she is cracking over there.

1:09:44.600 --> 1:09:49.240
<v Speaker 1>We'll bring me in. And that's and that really that

1:09:49.360 --> 1:09:51.600
<v Speaker 1>really set it up for me, man to you know,

1:09:51.680 --> 1:09:56.240
<v Speaker 1>be taken serious from a business standpoint. And I just

1:09:56.240 --> 1:10:00.559
<v Speaker 1>started having more and more conversation with executives and and attention,

1:10:01.080 --> 1:10:05.080
<v Speaker 1>you know, from Shakie Stewart to you know, Larry Jackson

1:10:05.120 --> 1:10:10.360
<v Speaker 1>to Ethiopia have to Marry Him, to you know, Tubby

1:10:10.560 --> 1:10:15.280
<v Speaker 1>to you know, like everybody who would sit Big John

1:10:15.400 --> 1:10:20.880
<v Speaker 1>Big job. Important for me. I was just I was

1:10:20.960 --> 1:10:24.880
<v Speaker 1>just listen Ira, Jeffrey, Brian Postell, like those guys were talking.

1:10:24.920 --> 1:10:28.240
<v Speaker 1>I would listen. I'm learning publishing and I'm learning executive.

1:10:28.520 --> 1:10:31.800
<v Speaker 1>I'm learning A and R and I'm just whoever would

1:10:31.800 --> 1:10:35.120
<v Speaker 1>talk to me about it, Jaha, you know what I'm saying. Like,

1:10:35.160 --> 1:10:37.840
<v Speaker 1>I'm just listening to all of them. And you know

1:10:37.880 --> 1:10:39.760
<v Speaker 1>when you you would at first, when you would just

1:10:39.800 --> 1:10:41.800
<v Speaker 1>take me up to Atlantic with you. And I'm listening

1:10:41.840 --> 1:10:44.639
<v Speaker 1>to Mike Kaiser talk and I'm listening to a Seanna

1:10:44.800 --> 1:10:49.960
<v Speaker 1>talk and you know, Juliet's talking about radio, and then

1:10:50.040 --> 1:10:52.920
<v Speaker 1>Craig Kalman comes in with the weird music side and

1:10:52.920 --> 1:10:55.880
<v Speaker 1>I'm like, and then Julie walks in and she don't

1:10:55.920 --> 1:10:56.919
<v Speaker 1>pay me no attention.

1:10:57.880 --> 1:11:00.240
<v Speaker 2>She just you know, acting like I don't exist. It's

1:11:00.280 --> 1:11:01.839
<v Speaker 2>all cool because.

1:11:01.640 --> 1:11:05.160
<v Speaker 1>I'm learning that, Like, Okay, she know her ship, she

1:11:05.240 --> 1:11:07.320
<v Speaker 1>know these numbers, you know how the movie shit around,

1:11:07.320 --> 1:11:10.840
<v Speaker 1>Like this is how this music business works. And I'm

1:11:10.880 --> 1:11:14.759
<v Speaker 1>asking lawyers and I meet Damien Granderson and Damien's giving

1:11:14.760 --> 1:11:24.600
<v Speaker 1>me game and I'm cool, noted. You know, Doug Davis,

1:11:25.760 --> 1:11:30.240
<v Speaker 1>I'm paying I'm paying attention, bro, Like I am paying

1:11:30.320 --> 1:11:36.280
<v Speaker 1>attention and as they're talking and I'm doing it for us.

1:11:37.439 --> 1:11:39.840
<v Speaker 1>I'm doing it so that when we get to those

1:11:39.880 --> 1:11:43.120
<v Speaker 1>deal terms, I know what they're talking about and I

1:11:43.160 --> 1:11:45.080
<v Speaker 1>know what to ask for because the other part is,

1:11:45.920 --> 1:11:49.519
<v Speaker 1>as we learn with our guy Eric Greenspan, if you

1:11:49.560 --> 1:11:53.800
<v Speaker 1>don't ask, they won't give it to you. Where are

1:11:53.800 --> 1:11:56.599
<v Speaker 1>they going to give you that? Because we're going to ask.

1:11:58.160 --> 1:12:02.000
<v Speaker 1>And Larry Jackson was consulting for us, Larry Jackson for us,

1:12:02.439 --> 1:12:05.360
<v Speaker 1>the Almighty Larry, Yeah, I think you guys should ask

1:12:05.400 --> 1:12:07.559
<v Speaker 1>for this. No, and if you just inside, if you

1:12:07.720 --> 1:12:10.000
<v Speaker 1>just do this, if you just do this, and they'll

1:12:10.040 --> 1:12:13.360
<v Speaker 1>let you get that. Thanks Larry, Thank you, Larry.

1:12:13.520 --> 1:12:15.600
<v Speaker 2>Hey, that's why relationships are great.

1:12:15.840 --> 1:12:21.479
<v Speaker 1>Bro, Like for real. He came with the then when

1:12:21.520 --> 1:12:26.960
<v Speaker 1>we happened and you changed our lives. Brother, when we

1:12:27.680 --> 1:12:35.840
<v Speaker 1>called Jay, I have something because he's my ultimate an

1:12:35.960 --> 1:12:39.960
<v Speaker 1>R right is ere I'm like always his ear is.

1:12:39.880 --> 1:12:41.759
<v Speaker 3>The one I lean. I'm like, Jay, I have something.

1:12:43.360 --> 1:12:46.280
<v Speaker 3>It's out there, but I just I need you to

1:12:46.320 --> 1:12:51.000
<v Speaker 3>hear it. And shout out to Cardiac my brother Cardiac.

1:12:51.080 --> 1:12:56.439
<v Speaker 1>Shout out to Matt rest us Yeah, and E p

1:12:56.600 --> 1:12:59.240
<v Speaker 1>l P E p l P about his producer that

1:12:59.280 --> 1:13:04.000
<v Speaker 1>he had and he did rap oh and Chasing Cast absolutely.

1:13:04.320 --> 1:13:08.160
<v Speaker 1>Chasing Cast said, hey man, that nigga he it he

1:13:08.240 --> 1:13:08.639
<v Speaker 1>don't one.

1:13:09.080 --> 1:13:11.040
<v Speaker 3>I said, can you do? R and B said hell yeah,

1:13:11.040 --> 1:13:14.519
<v Speaker 3>I could do R and B never done. Send me

1:13:14.520 --> 1:13:18.280
<v Speaker 3>the goods, nigga, and they send me them tracks. I

1:13:18.360 --> 1:13:20.200
<v Speaker 3>was in Platinum Sound shout out.

1:13:20.080 --> 1:13:24.200
<v Speaker 1>To Jerry Wonder, Jerry Wonder, Jerry Wonder, and.

1:13:24.120 --> 1:13:27.599
<v Speaker 3>It just hit me, I said, and I said, when

1:13:27.760 --> 1:13:34.160
<v Speaker 3>we looking at my jury, I can't think of my

1:13:34.200 --> 1:13:37.840
<v Speaker 3>engineer at the time. My guy uh Asian guy man

1:13:37.840 --> 1:13:39.479
<v Speaker 3>man him used to go back and forth about Floyd

1:13:39.520 --> 1:13:43.160
<v Speaker 3>Mayweather and pack yeall like back, no, no, out of

1:13:43.240 --> 1:13:46.599
<v Speaker 3>the Jerry Wonder spot, and so I look out at him.

1:13:46.640 --> 1:13:50.800
<v Speaker 3>I was like, he's like this. I was like, fuck

1:13:50.920 --> 1:13:53.799
<v Speaker 3>is the only word that works. Broun's the only.

1:13:53.640 --> 1:13:57.200
<v Speaker 1>Word right in back of my mind. I'm like, gonna

1:13:57.240 --> 1:14:02.040
<v Speaker 1>kill me. Pressed it up, I said, I said, let

1:14:02.080 --> 1:14:04.080
<v Speaker 1>me just send this, let me just send this to Ja. Yeah,

1:14:05.439 --> 1:14:06.320
<v Speaker 1>this was just your idea.

1:14:06.400 --> 1:14:10.080
<v Speaker 3>Yeah yeah, j called me back. I did, like, uh,

1:14:11.240 --> 1:14:13.240
<v Speaker 3>it's a little bit of the verses in there, but

1:14:13.280 --> 1:14:15.240
<v Speaker 3>the hook was like what I really needed is is

1:14:15.320 --> 1:14:15.880
<v Speaker 3>his ear on.

1:14:15.960 --> 1:14:19.080
<v Speaker 1>He was like, nigga, what the fuck are you doing?

1:14:19.200 --> 1:14:21.640
<v Speaker 3>First I said, I said, I said, man, I just

1:14:21.680 --> 1:14:25.080
<v Speaker 3>I'm just doing what I feel. He said, Nigga, this

1:14:25.120 --> 1:14:27.559
<v Speaker 3>ship is I don't know who gonna play this ship,

1:14:27.960 --> 1:14:33.519
<v Speaker 3>but this ship jam and I said, yeah, let's go,

1:14:34.760 --> 1:14:35.240
<v Speaker 3>let's go.

1:14:36.160 --> 1:14:39.160
<v Speaker 1>We wasn't still on tables, still on tables, they believe,

1:14:39.360 --> 1:14:41.080
<v Speaker 1>still on tables.

1:14:41.280 --> 1:14:48.440
<v Speaker 3>He was making them calls with juliett what we're doing.

1:14:46.120 --> 1:14:51.439
<v Speaker 1>Nasty Juliet and Joy. Julian and Joy was calling us

1:14:51.439 --> 1:14:57.840
<v Speaker 1>the nastiest niggas and just but they rocked with us, man,

1:14:57.840 --> 1:15:00.519
<v Speaker 1>and they fought. They fought for us. Shout to Atlantic

1:15:00.960 --> 1:15:03.599
<v Speaker 1>to Atlantic Records. For sure. For sure they let us,

1:15:03.640 --> 1:15:06.120
<v Speaker 1>you know, they let us rock, They let us be us.

1:15:07.200 --> 1:15:08.320
<v Speaker 1>So yes, So.

1:15:10.800 --> 1:15:16.040
<v Speaker 2>Since then, now you've had three record deals, You've yeah,

1:15:16.120 --> 1:15:20.280
<v Speaker 2>you've you've had three records, You've made over a million

1:15:20.320 --> 1:15:24.559
<v Speaker 2>dollars writing songs, and then you get with this guy

1:15:25.400 --> 1:15:26.880
<v Speaker 2>and you get your first number one record?

1:15:28.840 --> 1:15:34.479
<v Speaker 1>Yeah, oh as an artist? No, as a well? Was

1:15:34.520 --> 1:15:36.760
<v Speaker 1>it as a songwriter to that? Yeah? The first number

1:15:36.800 --> 1:15:38.479
<v Speaker 1>one record? Yeah, not what I mean I had, Yeah,

1:15:38.479 --> 1:15:39.800
<v Speaker 1>I had. I mean obviously I've been on in sync

1:15:39.800 --> 1:15:43.599
<v Speaker 1>in that time. Yeah, but yeah, yeah in two facets

1:15:43.680 --> 1:15:46.479
<v Speaker 1>number one on the radio and yeah, no that was yeah,

1:15:46.520 --> 1:15:50.240
<v Speaker 1>yeah flight out yeah yeah, And I just you got

1:15:50.240 --> 1:15:52.040
<v Speaker 1>to keep this in context, like we're from a.

1:15:52.000 --> 1:15:56.559
<v Speaker 2>Small place Bro. Yeah, lightning has struck this food a

1:15:56.640 --> 1:16:06.719
<v Speaker 2>gazillion times and get hit and it's qrazy hard. Okay,

1:16:07.280 --> 1:16:11.080
<v Speaker 2>yes he does, but Bro, but blood plays a part.

1:16:11.160 --> 1:16:11.320
<v Speaker 1>Bro.

1:16:11.560 --> 1:16:16.120
<v Speaker 2>He found he just told you found chea key. So

1:16:16.160 --> 1:16:18.240
<v Speaker 2>then the hood side comes up, you know what I'm saying,

1:16:18.400 --> 1:16:20.880
<v Speaker 2>Like there's an R and B side, there's a hood side.

1:16:20.880 --> 1:16:21.639
<v Speaker 2>I mean, there's just so.

1:16:21.680 --> 1:16:24.840
<v Speaker 1>Many fasts all of it, and a lot of successes

1:16:24.880 --> 1:16:28.320
<v Speaker 1>come with it. And the backstories, like people don't know

1:16:28.400 --> 1:16:30.120
<v Speaker 1>this stuff. They don't know you help to find Chief

1:16:30.200 --> 1:16:37.479
<v Speaker 1>Keith Manage, there's other people major help major.

1:16:37.720 --> 1:16:41.000
<v Speaker 2>Yeah he's healthy and hasn't asked for a penny from

1:16:41.000 --> 1:16:42.559
<v Speaker 2>these guys. That's the other thing that's amazing.

1:16:43.320 --> 1:16:48.519
<v Speaker 1>Hmm. Yeah. I really, I really do love the music

1:16:48.600 --> 1:16:52.120
<v Speaker 1>business like I love music. I love the music business

1:16:52.520 --> 1:16:55.080
<v Speaker 1>because I understand what the music business can do for people.

1:16:55.080 --> 1:16:57.240
<v Speaker 1>Because I understand what the music did for us, what

1:16:57.280 --> 1:16:59.400
<v Speaker 1>the music business did for us, and and people even

1:16:59.400 --> 1:17:02.360
<v Speaker 1>attached to us. You know, our little cousin, Big Rich,

1:17:03.000 --> 1:17:04.840
<v Speaker 1>he like the biggest ship in the bay. You know

1:17:04.880 --> 1:17:06.439
<v Speaker 1>what I'm saying. He got all kind of gotta you

1:17:06.479 --> 1:17:08.400
<v Speaker 1>got a label deal with Atlantic. Now he got new

1:17:08.479 --> 1:17:10.960
<v Speaker 1>artists coming up. You know what I'm saying. You know,

1:17:12.520 --> 1:17:16.120
<v Speaker 1>like family members who have just they didn't know music

1:17:16.200 --> 1:17:19.120
<v Speaker 1>before we got in music, you know what I mean,

1:17:19.600 --> 1:17:22.000
<v Speaker 1>who are fully immersed in it now and fully love it.

1:17:22.240 --> 1:17:26.080
<v Speaker 1>And I love seeing that. I love being a part

1:17:26.080 --> 1:17:28.000
<v Speaker 1>of that, and I love being a part of the

1:17:28.040 --> 1:17:31.160
<v Speaker 1>conversation of like, you know what, man, Jay, you remember when.

1:17:31.760 --> 1:17:33.360
<v Speaker 2>Did you know what other reason for hdown?

1:17:34.280 --> 1:17:39.439
<v Speaker 1>I didn't Yeah, the neutrons. I didn't know that. Yeah, yeah,

1:17:39.560 --> 1:17:45.040
<v Speaker 1>that's what they told you, Yes, sir, wow, yes, sir, yes, yes,

1:17:45.640 --> 1:17:47.800
<v Speaker 1>favorite groups he was going to have.

1:17:48.520 --> 1:17:50.360
<v Speaker 2>That's that's one of my homies. And he'd be hitting

1:17:50.360 --> 1:17:51.920
<v Speaker 2>me and he'd be like, bro, y'all didn't he put

1:17:51.920 --> 1:17:53.599
<v Speaker 2>it up on his grim the other day? Y'all don't

1:17:53.640 --> 1:17:57.040
<v Speaker 2>know nothing about the New Tribes because him and his

1:17:57.280 --> 1:18:00.760
<v Speaker 2>three guys, Yeah, that was their story, like they were

1:18:00.800 --> 1:18:06.040
<v Speaker 2>looking at us. You're sometimes you could be an inspiration

1:18:06.080 --> 1:18:08.519
<v Speaker 2>to people and not even we've been in inspiration to

1:18:08.520 --> 1:18:11.519
<v Speaker 2>everybody in the Bay Area, like people in our family

1:18:11.560 --> 1:18:14.000
<v Speaker 2>sing and you just never know what it's going to

1:18:14.200 --> 1:18:14.639
<v Speaker 2>turn into.

1:18:14.840 --> 1:18:18.280
<v Speaker 1>You know, that's crazy. I didn't know that. I didn't

1:18:18.280 --> 1:18:21.840
<v Speaker 1>know that, But that's why you know, ultimately I've taken

1:18:21.840 --> 1:18:25.240
<v Speaker 1>the path that I've taken. And what I realized when

1:18:25.520 --> 1:18:28.479
<v Speaker 1>I when you finally was like, yeah, Jay, from the

1:18:28.520 --> 1:18:31.559
<v Speaker 1>management side, I just looked at it like he's gonna

1:18:31.560 --> 1:18:35.360
<v Speaker 1>get us where we gotta go. And I was tired

1:18:35.400 --> 1:18:40.400
<v Speaker 1>of seeing people not respect you the way I respected you,

1:18:41.600 --> 1:18:44.040
<v Speaker 1>and I remember you are, you know, the underrated shit

1:18:44.160 --> 1:18:47.840
<v Speaker 1>in the whole. I'm like, man, fuck all that, nigga.

1:18:47.880 --> 1:18:51.559
<v Speaker 1>You shouldn't be underrated, like nigga you him in my mind.

1:18:52.000 --> 1:18:55.080
<v Speaker 1>So I'm like, if I got to sacrifice my career

1:18:55.120 --> 1:18:58.520
<v Speaker 1>for a minute to help him get to this spot,

1:18:58.920 --> 1:19:01.439
<v Speaker 1>so be it, and we'll get to where we gotta

1:19:01.479 --> 1:19:03.400
<v Speaker 1>go and then we'll usher in everything we need to

1:19:03.479 --> 1:19:07.760
<v Speaker 1>from that point on. Speaking of ushering in, it's a

1:19:07.760 --> 1:19:12.799
<v Speaker 1>great segue, yeah, into getting this man finally back behind

1:19:12.800 --> 1:19:19.000
<v Speaker 1>the microphone and singing more than one song. H So

1:19:19.040 --> 1:19:25.120
<v Speaker 1>you go number one on slow Yeah yeah, yeah, yeh,

1:19:25.120 --> 1:19:26.360
<v Speaker 1>You're killed on that record.

1:19:27.400 --> 1:19:29.760
<v Speaker 2>Because just so you know, every time men, men, Jay,

1:19:29.840 --> 1:19:32.479
<v Speaker 2>we when we sing with singers, right like which Tank

1:19:32.640 --> 1:19:36.000
<v Speaker 2>is the singer? You got to ask yourself like did

1:19:36.040 --> 1:19:38.920
<v Speaker 2>I did I do myself justice? Did I was I

1:19:39.000 --> 1:19:40.840
<v Speaker 2>able to. You know what I'm saying, hang in there?

1:19:40.880 --> 1:19:41.880
<v Speaker 1>Did I get cooked?

1:19:41.720 --> 1:19:43.240
<v Speaker 2>Did I get.

1:19:43.320 --> 1:19:45.640
<v Speaker 1>Call him the next day? I said, Oh, that's what

1:19:45.640 --> 1:19:49.360
<v Speaker 1>you're doing. I got you.

1:19:49.600 --> 1:19:51.840
<v Speaker 2>You know his pocket, he knows right where he pull pull.

1:19:51.720 --> 1:19:56.120
<v Speaker 3>The reals back up. Let me sing something. Goddamn right,

1:19:56.640 --> 1:19:58.560
<v Speaker 3>let me sing something. The ship over because he's he

1:19:58.680 --> 1:19:59.240
<v Speaker 3>thinking's sweet.

1:19:59.560 --> 1:20:03.120
<v Speaker 1>Let me see. Hey, nigga took part of my hook out,

1:20:03.280 --> 1:20:12.880
<v Speaker 1>sang on the hook with me. You you out of control? Back? Yeah?

1:20:14.240 --> 1:20:19.040
<v Speaker 3>Yeah, because he had a tone in the hook that

1:20:19.479 --> 1:20:24.080
<v Speaker 3>was that was necessary. I said, no, that's what the

1:20:24.120 --> 1:20:27.680
<v Speaker 3>hook should sound. So I gotta go back. I want

1:20:27.720 --> 1:20:30.160
<v Speaker 3>to go back and sound like him. You know what

1:20:30.160 --> 1:20:32.600
<v Speaker 3>I'm saying. Like the demo was super, the demo was

1:20:32.600 --> 1:20:36.400
<v Speaker 3>out of control, but when he sang the hook, it

1:20:36.560 --> 1:20:38.440
<v Speaker 3>was a different type of urgency.

1:20:49.760 --> 1:20:52.519
<v Speaker 1>Appreciate you, bro. Yeah, tap me on the shoulder and

1:20:53.800 --> 1:20:55.519
<v Speaker 1>allow me to hop on that record when you know

1:20:55.600 --> 1:20:57.599
<v Speaker 1>I love the record. When he just came in period,

1:20:57.760 --> 1:20:59.560
<v Speaker 1>it's like, this record is amazing, bro. You should you

1:20:59.560 --> 1:21:00.880
<v Speaker 1>should sing And he was like, yeah, the only way

1:21:00.920 --> 1:21:02.960
<v Speaker 1>I'll sing is if you do it too. Yeah, you

1:21:03.000 --> 1:21:04.800
<v Speaker 1>got you gotta get on this get on this record.

1:21:04.960 --> 1:21:07.240
<v Speaker 1>I'm like, fuck, let's go all right, let me let

1:21:07.280 --> 1:21:09.080
<v Speaker 1>me You know, I already know the song because I've

1:21:09.120 --> 1:21:09.640
<v Speaker 1>been listening to it.

1:21:10.920 --> 1:21:14.120
<v Speaker 2>You know all the parts, and it's squire Boy, quiet

1:21:14.120 --> 1:21:15.360
<v Speaker 2>boy now I'm quiet boy, right.

1:21:15.479 --> 1:21:19.000
<v Speaker 3>Yeah, So I appreciate that, and I think the you know,

1:21:20.200 --> 1:21:22.040
<v Speaker 3>you know what people need to know the importance of

1:21:22.120 --> 1:21:25.200
<v Speaker 3>all of that is that it's for me. It's been

1:21:25.240 --> 1:21:28.479
<v Speaker 3>a hell of a row back for you. Yeah, it's

1:21:28.520 --> 1:21:32.160
<v Speaker 3>all been about timing, and more importantly, it's been about

1:21:32.200 --> 1:21:35.080
<v Speaker 3>your time when it felt right for you, when it

1:21:35.160 --> 1:21:39.320
<v Speaker 3>made sense for you, and coming off of that slow record,

1:21:40.520 --> 1:21:43.880
<v Speaker 3>it couldn't have been any more perfect for you to

1:21:44.000 --> 1:21:48.960
<v Speaker 3>be ready to have your own project and moment back

1:21:49.760 --> 1:21:54.360
<v Speaker 3>as an artist, because you're like, I mean, you know,

1:21:54.439 --> 1:21:57.400
<v Speaker 3>you look like my son, but you are Uncle Tank.

1:21:57.560 --> 1:22:02.800
<v Speaker 3>I'm Uncle Tank. Like you're like, it's still fresh and

1:22:03.760 --> 1:22:10.120
<v Speaker 3>and and new. Watching the comments and the commentary around hious,

1:22:10.520 --> 1:22:14.360
<v Speaker 3>it's still I mean, it's hilarious. It's crazy, Like I

1:22:14.439 --> 1:22:17.880
<v Speaker 3>find it hilarious. It's brand new. First of all, since

1:22:17.920 --> 1:22:21.439
<v Speaker 3>the podcast is doing so crazy, everybody's like, when was

1:22:21.479 --> 1:22:25.800
<v Speaker 3>somebody gonna tell me the podcast? Nigga can say, when

1:22:25.960 --> 1:22:28.920
<v Speaker 3>was somebody gonna say that, right. The podcast was the

1:22:28.960 --> 1:22:33.040
<v Speaker 3>full introduction. The podcast was like the introduction to the mind. Yeah,

1:22:33.800 --> 1:22:37.479
<v Speaker 3>but now they're getting introduced to the gift, you know

1:22:37.520 --> 1:22:41.679
<v Speaker 3>what I'm saying, Like, and it's it's so crazy because

1:22:41.680 --> 1:22:45.479
<v Speaker 3>it's like, in my mind, I've always known that that

1:22:45.720 --> 1:22:50.800
<v Speaker 3>revelation would create that type of energy, and I've just

1:22:50.920 --> 1:22:55.960
<v Speaker 3>been like impatiently waiting for for for you to come

1:22:56.040 --> 1:22:57.880
<v Speaker 3>around and be ready to do it.

1:22:58.040 --> 1:22:59.920
<v Speaker 1>And now and now it's time.

1:23:00.320 --> 1:23:03.160
<v Speaker 2>Hey, speaking of you know what I knew when we

1:23:03.240 --> 1:23:06.400
<v Speaker 2>did the job to Sy when we remade the song yeah,

1:23:06.600 --> 1:23:11.120
<v Speaker 2>and he was on that thing like, by the way,

1:23:11.160 --> 1:23:14.600
<v Speaker 2>those are our heroes, and we remade the record that

1:23:17.160 --> 1:23:21.240
<v Speaker 2>he was on there, I was God, that's when I knew.

1:23:21.280 --> 1:23:24.120
<v Speaker 2>I was like, oh, his tone is so crazy, speaking

1:23:24.160 --> 1:23:27.920
<v Speaker 2>of when did you what made you decide to be like, Okay,

1:23:28.400 --> 1:23:30.200
<v Speaker 2>I'm gonna come back to being an artist. I'm gonna

1:23:30.200 --> 1:23:32.479
<v Speaker 2>come back, you know through a project.

1:23:32.600 --> 1:23:38.240
<v Speaker 1>On the other side, I felt like I had something

1:23:38.280 --> 1:23:43.160
<v Speaker 1>to say. I needed something to say, right because everything

1:23:43.240 --> 1:23:45.800
<v Speaker 1>for me and you guys both noticed like I don't

1:23:45.880 --> 1:23:48.920
<v Speaker 1>do things that don't have a purpose for me. So

1:23:49.240 --> 1:23:53.800
<v Speaker 1>I felt like I had something to say, and you know,

1:23:54.720 --> 1:24:01.720
<v Speaker 1>I felt like Tank had done enough for us. It

1:24:01.840 --> 1:24:04.600
<v Speaker 1>was put me in coach time. You know. It was

1:24:04.800 --> 1:24:06.960
<v Speaker 1>no seriously like I felt like, damn like Tank is

1:24:07.400 --> 1:24:10.160
<v Speaker 1>because you know, I've watched what Tank has done for

1:24:10.360 --> 1:24:12.160
<v Speaker 1>us at R and B money and what he's built

1:24:12.840 --> 1:24:16.000
<v Speaker 1>and what we've built on Tanks back, and I'm like,

1:24:17.560 --> 1:24:19.960
<v Speaker 1>I can help him with that, you know what I mean,

1:24:20.080 --> 1:24:21.760
<v Speaker 1>Like I can help him with that. I think for

1:24:21.880 --> 1:24:23.760
<v Speaker 1>me it was just more so how I help him,

1:24:24.200 --> 1:24:28.120
<v Speaker 1>because a big part was I didn't just want to

1:24:28.160 --> 1:24:31.280
<v Speaker 1>be known as a singer like I wanted to be

1:24:31.479 --> 1:24:35.160
<v Speaker 1>known for my mind. That was very important for me.

1:24:36.000 --> 1:24:38.200
<v Speaker 1>I didn't want to be I hate to use this term,

1:24:38.280 --> 1:24:40.920
<v Speaker 1>but I didn't want to be a dumb blonde. I

1:24:40.960 --> 1:24:43.840
<v Speaker 1>didn't want to be that as they love to treat

1:24:43.920 --> 1:24:45.560
<v Speaker 1>artists that way. They love to treat artists like the

1:24:45.640 --> 1:24:48.280
<v Speaker 1>dumb blonde. And I was like, I need them to

1:24:48.320 --> 1:24:51.439
<v Speaker 1>respect my mind first for me, and I felt like

1:24:51.479 --> 1:24:54.080
<v Speaker 1>I had gotten to that point. I have. I'm here

1:24:54.200 --> 1:24:57.000
<v Speaker 1>now where even just not even just in the music business,

1:24:57.040 --> 1:24:59.720
<v Speaker 1>people that you know come up to me from the

1:24:59.760 --> 1:25:02.280
<v Speaker 1>power cast. It's like, man, you know, you give so

1:25:02.360 --> 1:25:06.640
<v Speaker 1>much information man, So you know your thoughts and the

1:25:06.720 --> 1:25:09.519
<v Speaker 1>way you look at business and how you go about it. Man,

1:25:09.600 --> 1:25:11.760
<v Speaker 1>I just respect it. And I'm like, that's enough for me.

1:25:12.600 --> 1:25:14.400
<v Speaker 1>That is truly enough for me for people to have

1:25:14.760 --> 1:25:18.519
<v Speaker 1>a different outlook of Oh you got some pretty hair

1:25:18.560 --> 1:25:23.640
<v Speaker 1>and you can sing? You know what I mean? You know?

1:25:23.960 --> 1:25:27.240
<v Speaker 1>So I was like, all right, it's time to I

1:25:27.560 --> 1:25:31.400
<v Speaker 1>got that respect that I wanted, So now it's time

1:25:31.439 --> 1:25:33.559
<v Speaker 1>for me to get back into, you know, the feel

1:25:33.640 --> 1:25:38.600
<v Speaker 1>that I've always loved and I've put on hold for

1:25:38.680 --> 1:25:43.240
<v Speaker 1>different reasons, but just I mean, and I.

1:25:43.280 --> 1:25:45.680
<v Speaker 2>Can't wait for everybody to hear the music. Because his

1:25:45.800 --> 1:25:48.240
<v Speaker 2>older brother he played it for me fire, and I

1:25:48.320 --> 1:25:52.320
<v Speaker 2>honestly looked at him and I said, bro, you found it,

1:25:53.000 --> 1:25:53.559
<v Speaker 2>you know what I mean?

1:25:53.920 --> 1:25:55.400
<v Speaker 1>You know this was a lot of people don't know

1:25:55.400 --> 1:25:59.519
<v Speaker 1>as an artist, like you're always looking for it? Like

1:25:59.720 --> 1:26:01.160
<v Speaker 1>what am I? Who am I?

1:26:01.320 --> 1:26:03.640
<v Speaker 2>How do I define who I am? Through my.

1:26:05.439 --> 1:26:05.719
<v Speaker 1>Story?

1:26:06.560 --> 1:26:10.120
<v Speaker 2>And other times when he had other deals, you could

1:26:10.160 --> 1:26:11.760
<v Speaker 2>tell he was still trying to figure himself out.

1:26:12.240 --> 1:26:14.000
<v Speaker 1>It wasn't even that I was trying to figure myself

1:26:14.040 --> 1:26:18.600
<v Speaker 1>out out. It was a hustle. Mmkay, was getting too

1:26:18.600 --> 1:26:21.599
<v Speaker 1>a bag, okay, And I wasn't turning it down, Okay,

1:26:21.680 --> 1:26:23.760
<v Speaker 1>you know what I'm saying. I was really you know,

1:26:23.920 --> 1:26:25.680
<v Speaker 1>like I said, I think I'm down. I'm down a

1:26:25.760 --> 1:26:29.479
<v Speaker 1>quarter million with city boys. I got to get that back.

1:26:31.400 --> 1:26:34.479
<v Speaker 1>I'm trying to write for other people before I get

1:26:34.520 --> 1:26:36.920
<v Speaker 1>into that electric deal, you know what I mean. Obviously

1:26:37.040 --> 1:26:39.600
<v Speaker 1>our deal was I'm a baby, but I was. It

1:26:39.720 --> 1:26:42.559
<v Speaker 1>was never about me. It was never about like, oh,

1:26:42.760 --> 1:26:45.400
<v Speaker 1>I'm focused on this. It was like somebody heard a demo,

1:26:45.960 --> 1:26:48.040
<v Speaker 1>I did a mixtape record, I did a street record

1:26:48.160 --> 1:26:49.680
<v Speaker 1>or whatever it is. Now people just want to be

1:26:49.720 --> 1:26:52.360
<v Speaker 1>in business with me what I got. I never had

1:26:52.400 --> 1:26:57.479
<v Speaker 1>a time to make my album, and this time I did.

1:26:58.320 --> 1:26:58.920
<v Speaker 2>It's special.

1:26:59.080 --> 1:27:01.200
<v Speaker 1>This time I did. And I mean, since we only,

1:27:01.280 --> 1:27:02.600
<v Speaker 1>I might as well announced what the name of the

1:27:02.640 --> 1:27:05.519
<v Speaker 1>album is going to be. It's called Conversations with Women

1:27:06.200 --> 1:27:10.639
<v Speaker 1>mm hmm. And that's what this album is. It's literally

1:27:10.720 --> 1:27:13.840
<v Speaker 1>conversations with women. It's from every aspect. It's not like

1:27:14.000 --> 1:27:20.640
<v Speaker 1>a relationship thing. It's relationships absolutely platonic, romantic, whatever they

1:27:20.720 --> 1:27:23.800
<v Speaker 1>may be. And that's what this album is about. It's

1:27:23.840 --> 1:27:27.120
<v Speaker 1>about me listening because a lot of it needs to

1:27:27.240 --> 1:27:31.800
<v Speaker 1>me speaking from what they told me, even from a

1:27:31.840 --> 1:27:35.439
<v Speaker 1>friendship standpoint. I'm not gonna say what the single is yet.

1:27:36.080 --> 1:27:38.800
<v Speaker 1>You know the single will drop. What the album is called.

1:27:38.920 --> 1:27:43.160
<v Speaker 1>The album is called Conversations with Women, and that's what

1:27:43.280 --> 1:27:43.479
<v Speaker 1>it is.

1:27:44.880 --> 1:27:45.600
<v Speaker 2>So let me ask you.

1:27:45.760 --> 1:27:48.120
<v Speaker 1>So when he starts singing, are you now going to

1:27:48.160 --> 1:27:49.679
<v Speaker 1>start managing? Listen?

1:27:49.800 --> 1:27:54.280
<v Speaker 3>Man, listen man, we're all hands on deck, hands on deck,

1:27:55.120 --> 1:27:56.160
<v Speaker 3>we are whatever's needed.

1:27:56.800 --> 1:28:00.760
<v Speaker 1>You know what I'm saying. Have you met take the management.

1:28:07.840 --> 1:28:08.360
<v Speaker 2>Derail man?

1:28:08.400 --> 1:28:09.280
<v Speaker 1>You know we set it up.

1:28:10.439 --> 1:28:19.040
<v Speaker 3>It's oh, it's like and it's crazy. It's like, if

1:28:19.080 --> 1:28:24.040
<v Speaker 3>it's one thing that you can learn from, is this

1:28:24.560 --> 1:28:30.680
<v Speaker 3>community some way or another. Everybody within that community has

1:28:30.720 --> 1:28:34.679
<v Speaker 3>a job as a job and a function and they working.

1:28:35.840 --> 1:28:38.280
<v Speaker 3>That's how we got to treat our community. Whoever next,

1:28:38.400 --> 1:28:40.120
<v Speaker 3>whoever the next, and now it is time for him

1:28:40.160 --> 1:28:43.120
<v Speaker 3>to go. You've got to fall in line and figure

1:28:43.120 --> 1:28:45.600
<v Speaker 3>out what the position is to get that where it

1:28:45.640 --> 1:28:49.719
<v Speaker 3>needs to be. That's that's the only way it works.

1:28:50.880 --> 1:28:52.280
<v Speaker 3>It can't be like almost got over a little bit,

1:28:52.479 --> 1:28:54.559
<v Speaker 3>Let me get some of that. It can't it can't

1:28:54.640 --> 1:28:58.120
<v Speaker 3>be that. It's got to be how do how do

1:28:58.240 --> 1:29:02.280
<v Speaker 3>we focus? Hyper focus and get it there. Yeah, and

1:29:02.400 --> 1:29:07.800
<v Speaker 3>then we have Now we got two monsters. Then we

1:29:07.880 --> 1:29:10.519
<v Speaker 3>go get the third, then we go get the fourth,

1:29:10.960 --> 1:29:15.160
<v Speaker 3>and before you know it, we are who we said,

1:29:15.160 --> 1:29:16.479
<v Speaker 3>we are, who we are who.

1:29:16.400 --> 1:29:19.599
<v Speaker 1>We said R money.

1:29:20.000 --> 1:29:24.000
<v Speaker 3>I'm just I'm just I'm happy and proud that you

1:29:24.080 --> 1:29:29.400
<v Speaker 3>know that you're in this space, that you're back in

1:29:29.520 --> 1:29:34.960
<v Speaker 3>this space. And because you know, I don't, I don't

1:29:35.000 --> 1:29:37.760
<v Speaker 3>say it lightly or you know, or say it from

1:29:37.800 --> 1:29:38.519
<v Speaker 3>a space of.

1:29:43.760 --> 1:29:44.720
<v Speaker 1>Well, I am partial to you.

1:29:45.160 --> 1:29:47.280
<v Speaker 3>I mean, that's just naturally just what it is, but

1:29:48.439 --> 1:29:51.960
<v Speaker 3>really cold and most of the nigs out I appreciate

1:29:52.000 --> 1:29:57.080
<v Speaker 3>it in real life, really are and so it's needed

1:29:58.439 --> 1:30:01.280
<v Speaker 3>to help restore the balance. Yeah, we don't mind the bullshit,

1:30:03.800 --> 1:30:07.880
<v Speaker 3>but this real ship has to also measure up, you

1:30:07.960 --> 1:30:08.400
<v Speaker 3>know what I'm saying.

1:30:08.560 --> 1:30:10.560
<v Speaker 1>And I'm not performing in what I want to the

1:30:10.640 --> 1:30:14.040
<v Speaker 1>story in because I'll be flying at the store too though,

1:30:14.680 --> 1:30:16.080
<v Speaker 1>if you catch me at the grocery store, I got

1:30:16.160 --> 1:30:20.760
<v Speaker 1>some ship on. But that stage is something different. This

1:30:21.280 --> 1:30:25.160
<v Speaker 1>chair right now is something different. You know, these are fabrics.

1:30:25.280 --> 1:30:27.880
<v Speaker 1>Talk about it, you know what I mean, It's just

1:30:28.800 --> 1:30:30.479
<v Speaker 1>shi It is not a game. It's not a game.

1:30:31.160 --> 1:30:37.519
<v Speaker 1>Because if they can't dress up as you for Halloween.

1:30:39.000 --> 1:30:43.200
<v Speaker 1>You are not a star. You're not a star. Again,

1:30:43.680 --> 1:30:47.240
<v Speaker 1>if they cannot dress up as you for Halloween, you

1:30:47.320 --> 1:30:50.880
<v Speaker 1>are not a Star's a young man. You might need

1:30:50.960 --> 1:30:54.080
<v Speaker 1>to unbutton another one. So it gets to a certain

1:30:54.160 --> 1:30:58.759
<v Speaker 1>level mm hmm, and they understand what it is. It's crazy.

1:30:59.080 --> 1:31:00.960
<v Speaker 1>It's gonna be me for that of times. They always

1:31:01.760 --> 1:31:05.360
<v Speaker 1>day too. You always say that, And and that's one

1:31:05.360 --> 1:31:07.439
<v Speaker 1>of the things I look at when I'm looking at artists.

1:31:07.479 --> 1:31:08.040
<v Speaker 1>You know what I'm saying.

1:31:08.240 --> 1:31:09.760
<v Speaker 3>This group hit me the other day and I was like, man,

1:31:09.800 --> 1:31:12.880
<v Speaker 3>listen to our song. Listen to listen to this song.

1:31:12.960 --> 1:31:14.680
<v Speaker 3>And I watched the video if you if you send

1:31:14.720 --> 1:31:16.679
<v Speaker 3>me something out hear, I listen to it and you don't.

1:31:17.040 --> 1:31:19.200
<v Speaker 3>You might might not know I do, but I do.

1:31:21.439 --> 1:31:25.599
<v Speaker 3>And I listened to the song song what's jamming? Niggas

1:31:25.680 --> 1:31:32.360
<v Speaker 3>can sing? But they look like for random niggas. I'm like,

1:31:32.439 --> 1:31:35.759
<v Speaker 3>y'all are a group? Yeah, if you haven't learned anything

1:31:35.840 --> 1:31:41.360
<v Speaker 3>from Jagged Edge, from Once Twice, show Boys Boys to Men,

1:31:42.080 --> 1:31:44.639
<v Speaker 3>All Great Things, Drew Hill.

1:31:44.680 --> 1:31:49.799
<v Speaker 1>One twelve, like next next like come on, man, look.

1:31:49.840 --> 1:31:53.120
<v Speaker 3>Like truth got to be some uniform look like group

1:31:54.280 --> 1:31:57.400
<v Speaker 3>look like you know each other, look like you spent

1:31:57.560 --> 1:32:01.120
<v Speaker 3>time together to find those outfits. Yeah, and that's just

1:32:01.160 --> 1:32:03.960
<v Speaker 3>from the generation that we came up in. But the

1:32:04.040 --> 1:32:10.720
<v Speaker 3>dell find come Jackson, come on. All great things we're

1:32:10.760 --> 1:32:11.280
<v Speaker 3>talking about.

1:32:11.320 --> 1:32:15.599
<v Speaker 1>There's a formula, the wispers, the whispers, first real player ship,

1:32:15.880 --> 1:32:16.639
<v Speaker 1>there's a formula.

1:32:17.720 --> 1:32:18.680
<v Speaker 2>Look at what your has on.

1:32:19.439 --> 1:32:21.400
<v Speaker 1>I hope they see it. That's R and B money.

1:32:22.560 --> 1:32:23.479
<v Speaker 2>That's all kind of money.

1:32:26.920 --> 1:32:29.200
<v Speaker 1>We can't take it with us, right, nigga about two

1:32:29.240 --> 1:32:29.839
<v Speaker 1>hundred thousand.

1:32:32.200 --> 1:32:35.840
<v Speaker 3>You gotta understand, like, especially in the business that we in,

1:32:37.080 --> 1:32:42.000
<v Speaker 3>we got us, we're selling something entertainment, entertainment. I don't

1:32:42.040 --> 1:32:43.479
<v Speaker 3>want to look like your next door neighbor.

1:32:44.000 --> 1:32:49.080
<v Speaker 1>I can't. I want your next door neighbor to feel like, damn,

1:32:49.200 --> 1:32:51.240
<v Speaker 1>I gotta look like that so she'll pay me attention.

1:32:51.920 --> 1:32:59.720
<v Speaker 1>There's that. I gotta put that on its levels. It's

1:32:59.800 --> 1:33:05.000
<v Speaker 1>les levels, it's levels, it's levels, and those levels have

1:33:05.120 --> 1:33:07.880
<v Speaker 1>to be represented if we're gonna get back to our

1:33:08.040 --> 1:33:11.920
<v Speaker 1>true space of dominance, and that's what we are. The way,

1:33:12.120 --> 1:33:15.280
<v Speaker 1>and that's what you want. You're on the way, the way,

1:33:16.600 --> 1:33:20.360
<v Speaker 1>on the way. Hold on, man, she got man, I.

1:33:20.400 --> 1:33:21.320
<v Speaker 2>Get the full treatment.

1:33:22.400 --> 1:33:24.160
<v Speaker 1>He going to the I think I got the I

1:33:24.280 --> 1:33:30.200
<v Speaker 1>have the longest episode of all time, all time. Listen.

1:33:30.520 --> 1:33:32.720
<v Speaker 1>And you know why they can edit whatever they want

1:33:33.640 --> 1:33:39.000
<v Speaker 1>because it is the introduction of Valentine. I appreciate that.

1:33:39.120 --> 1:33:39.240
<v Speaker 2>Man.

1:33:39.600 --> 1:33:43.679
<v Speaker 3>It's it's it's enough's enough time. Enough time has gone

1:33:43.720 --> 1:33:49.200
<v Speaker 3>by without people understanding your history. Yeah, that's it, and

1:33:49.320 --> 1:33:50.880
<v Speaker 3>we're going to take as much time as we need

1:33:51.240 --> 1:33:52.720
<v Speaker 3>to make sure they understand what that is.

1:33:53.680 --> 1:34:05.560
<v Speaker 1>I appreciate that. Sure. In the big game, no, Valentine

1:34:08.479 --> 1:34:09.799
<v Speaker 1>sing a lot of R and B over.

1:34:12.560 --> 1:34:12.600
<v Speaker 2>You.

1:34:12.960 --> 1:34:15.640
<v Speaker 1>You've watched a lot of rn B. You've heard a

1:34:15.680 --> 1:34:15.920
<v Speaker 1>lot of.

1:34:16.000 --> 1:34:18.880
<v Speaker 4>R n B your students of this R and B.

1:34:19.000 --> 1:34:23.400
<v Speaker 1>Game, mm hmm.

1:34:25.040 --> 1:34:25.800
<v Speaker 2>You have to have.

1:34:28.840 --> 1:34:31.080
<v Speaker 4>The top five.

1:34:34.040 --> 1:34:35.000
<v Speaker 1>Top five.

1:34:37.320 --> 1:34:48.280
<v Speaker 4>A top five, top five R and B singer lot

1:34:48.600 --> 1:34:50.720
<v Speaker 4>and me song go.

1:34:52.240 --> 1:34:57.360
<v Speaker 3>Valentine's top thought too big top though, I didn't you

1:34:58.320 --> 1:35:00.120
<v Speaker 3>Valentine got of time.

1:35:15.439 --> 1:35:27.800
<v Speaker 2>You Yeah, thank you, bro.

1:35:28.040 --> 1:35:33.800
<v Speaker 1>I appreciate I got my time treatment treatment. Yea valent time.

1:35:35.200 --> 1:35:42.559
<v Speaker 1>Your top five R and B singers? Are we going singers? First? Singers?

1:35:42.800 --> 1:35:43.639
<v Speaker 1>Singers ringers course?

1:35:43.680 --> 1:35:46.479
<v Speaker 2>Okay, I can't prepare, Oh yeah, I can't prepare.

1:35:47.000 --> 1:35:51.320
<v Speaker 1>I can't prepare. You know you know this the show works. Yeah, yeah, okay,

1:35:51.479 --> 1:35:53.599
<v Speaker 1>but you know a lot goes on during the interview,

1:35:53.680 --> 1:35:56.200
<v Speaker 1>so sometimes you need to you need to take your note.

1:35:56.200 --> 1:36:10.760
<v Speaker 1>You understand Shawn Stocking, and my next will tell you

1:36:10.880 --> 1:36:20.680
<v Speaker 1>why I chose Shan Stock, Joe Joe Hayley. They are

1:36:20.800 --> 1:36:26.120
<v Speaker 1>Swiss Army Knights. Anything they can, whatever you want, They're

1:36:26.160 --> 1:36:30.840
<v Speaker 1>gonna give it to you anything. So I'm starting with

1:36:30.880 --> 1:36:38.320
<v Speaker 1>those two. Jasmine Sullivant, mm hmm. Jazmine Sullivant.

1:36:38.760 --> 1:36:40.640
<v Speaker 3>They had this thing where, like I guess they have

1:36:40.720 --> 1:36:42.720
<v Speaker 3>this new thing going around, which she was, you know,

1:36:42.840 --> 1:36:45.760
<v Speaker 3>acting like the rent was due. Yeah, I see, like

1:36:45.840 --> 1:36:49.799
<v Speaker 3>the rent was due. And she was singing live somewhere

1:36:50.080 --> 1:36:52.920
<v Speaker 3>and she was singing like if I don't if I

1:36:53.000 --> 1:36:56.960
<v Speaker 3>don't sing like this tonight, I'm gonna be home and

1:36:57.000 --> 1:36:58.559
<v Speaker 3>they're gonna cut one of my feets off.

1:36:58.720 --> 1:37:02.519
<v Speaker 1>That's amazing. That's how I got because she's she there

1:37:02.560 --> 1:37:10.120
<v Speaker 1>for me. Whitney Houston. Yeah, voice, the voice, the voice,

1:37:11.040 --> 1:37:14.560
<v Speaker 1>and my guy number five, I know where you're going, babyface.

1:37:15.120 --> 1:37:22.000
<v Speaker 1>Mm hmmm, baby face. Those are my top five for me.

1:37:23.040 --> 1:37:26.479
<v Speaker 1>And I think if you hear me say about to

1:37:26.520 --> 1:37:29.439
<v Speaker 1>say that, they all makes sense I can't sing like them.

1:37:29.479 --> 1:37:32.800
<v Speaker 1>I sing yeah you know what I mean?

1:37:32.920 --> 1:37:39.880
<v Speaker 3>Like those are you are to me? Babyface for sure

1:37:40.560 --> 1:37:43.320
<v Speaker 3>without it. I appreciate that because you can. I appreciate

1:37:43.360 --> 1:37:48.479
<v Speaker 3>that you make less sound like more. And Babyface is

1:37:48.560 --> 1:37:52.519
<v Speaker 3>the king of that. Oh yeah yeah, if I could

1:37:52.880 --> 1:37:55.280
<v Speaker 3>be half of that, Yeah yeah, you got that. You

1:37:55.400 --> 1:37:59.040
<v Speaker 3>have that that type of gift, all right, mister Valentine.

1:38:00.280 --> 1:38:04.679
<v Speaker 3>The Valentine like to say, that's so eloquently your top

1:38:04.840 --> 1:38:06.240
<v Speaker 3>five R and B songs.

1:38:06.840 --> 1:38:11.880
<v Speaker 1>I'm ready. DI didn't love her live live, I'm on.

1:38:13.439 --> 1:38:13.679
<v Speaker 3>Live.

1:38:16.000 --> 1:38:19.679
<v Speaker 1>Just still love her. Lie that scream that that woman does.

1:38:20.200 --> 1:38:22.840
<v Speaker 1>Talk about it, talk about the scream. I need it

1:38:23.240 --> 1:38:27.080
<v Speaker 1>at some point. I need that scream. You know what

1:38:27.360 --> 1:38:29.600
<v Speaker 1>sucks is now that you didn't got me hooked on

1:38:29.680 --> 1:38:33.200
<v Speaker 1>any ears. I might not never hear it. I don't

1:38:33.400 --> 1:38:36.200
<v Speaker 1>hear what's going on in my ears. But I need

1:38:36.280 --> 1:38:37.960
<v Speaker 1>that scream. So I'm gonna tell him to turn up

1:38:37.960 --> 1:38:38.960
<v Speaker 1>to the crowd.

1:38:39.320 --> 1:38:39.679
<v Speaker 2>The crowd.

1:38:40.680 --> 1:38:43.360
<v Speaker 1>I need to have that scream. It's different. I might

1:38:43.439 --> 1:38:44.720
<v Speaker 1>run out there and give her a hug if I

1:38:44.800 --> 1:38:46.519
<v Speaker 1>hear that scree in real life.

1:38:47.080 --> 1:38:48.280
<v Speaker 2>I have a feeling you're gonna hear that.

1:38:51.600 --> 1:38:53.479
<v Speaker 3>It's the lady at this girl at the gym, at

1:38:53.520 --> 1:38:55.560
<v Speaker 3>this equinox down in Houston. She wanted to do the

1:38:55.560 --> 1:38:59.080
<v Speaker 3>screen for you. She told me, she said, Hey, when

1:38:59.120 --> 1:39:01.439
<v Speaker 3>you see Ja Valentine, can you tell him that, you know,

1:39:01.640 --> 1:39:06.240
<v Speaker 3>if he needs a second or third wife. Wow, I'm available,

1:39:06.280 --> 1:39:08.360
<v Speaker 3>I cook, I clean, I have my own job, I

1:39:08.400 --> 1:39:08.960
<v Speaker 3>have my more money.

1:39:09.880 --> 1:39:13.479
<v Speaker 2>You know, I'm his brother, so and I'm married, super married,

1:39:14.160 --> 1:39:16.720
<v Speaker 2>and so they get my d ms all about him.

1:39:17.280 --> 1:39:18.000
<v Speaker 4>Can you tell.

1:39:19.960 --> 1:39:22.600
<v Speaker 1>On his line that I'm shooting my shot? Can you

1:39:23.680 --> 1:39:24.200
<v Speaker 1>all the time?

1:39:24.720 --> 1:39:26.479
<v Speaker 3>All the time, I was like, I'm trying to do

1:39:26.640 --> 1:39:29.840
<v Speaker 3>chest lady, I'm just trying to you know, when you

1:39:30.000 --> 1:39:31.400
<v Speaker 3>when you when you talk to Jay, make sure he

1:39:31.479 --> 1:39:35.960
<v Speaker 3>knows that. Yeah, so distant love her live.

1:39:36.360 --> 1:39:39.920
<v Speaker 1>You'll get the screen. Untitled.

1:39:42.080 --> 1:39:43.840
<v Speaker 3>You're getting deep into these See what type of time

1:39:44.120 --> 1:39:48.040
<v Speaker 3>can deep deep into the crase Today? I'm tired untitled

1:39:48.120 --> 1:39:49.000
<v Speaker 3>Jesus Christ.

1:39:51.840 --> 1:39:58.599
<v Speaker 1>Because I love you, Lenny Williams mm hmmm. It's birth,

1:39:59.280 --> 1:40:03.599
<v Speaker 1>so many right and so many emotions and so many

1:40:06.880 --> 1:40:10.599
<v Speaker 1>it's everything. That record is everything. That record is everything

1:40:10.680 --> 1:40:21.960
<v Speaker 1>to me. This one's gonna throw y'all prototype that's not.

1:40:21.960 --> 1:40:24.880
<v Speaker 3>Gonna throw and shook me up when I first heard it,

1:40:25.760 --> 1:40:27.240
<v Speaker 3>because I didn't think he should have been able to

1:40:27.280 --> 1:40:30.439
<v Speaker 3>do that. I don't like that he did. Hope that

1:40:30.479 --> 1:40:35.440
<v Speaker 3>you're the one, and if not, you are the prototype.

1:40:35.600 --> 1:40:40.080
<v Speaker 3>I hate that he sang it as a singer. Got

1:40:40.120 --> 1:40:46.160
<v Speaker 3>on my nerves. It sounded great, amazing. Oh the Jesus Christ.

1:40:47.479 --> 1:40:48.479
<v Speaker 3>I hope that you're the one.

1:40:50.560 --> 1:40:54.080
<v Speaker 1>I think I'm in love. I think I'm in love. Yeah. Now,

1:40:54.120 --> 1:40:58.680
<v Speaker 1>that record to me is man, it's a it's and

1:40:58.760 --> 1:41:03.280
<v Speaker 1>it's a classic vote cool yeah, yeah, yeah, no, you

1:41:03.360 --> 1:41:05.479
<v Speaker 1>know what I love. He really thought about this though. Yeah,

1:41:07.240 --> 1:41:07.679
<v Speaker 1>he's cooking.

1:41:07.960 --> 1:41:13.320
<v Speaker 3>It's a classic. It's a classic R and B vocal. Yeah,

1:41:14.320 --> 1:41:17.960
<v Speaker 3>no rapper has a classic R and B vocal. Right, No,

1:41:18.400 --> 1:41:19.280
<v Speaker 3>that's that's that's it.

1:41:19.520 --> 1:41:23.040
<v Speaker 1>That's it. That record is is special. And I'm you know,

1:41:23.200 --> 1:41:26.880
<v Speaker 1>since I am, I would consider myself at heart and

1:41:26.960 --> 1:41:30.639
<v Speaker 1>when I still file taxes, I fiul taxes under songwriter.

1:41:31.880 --> 1:41:34.240
<v Speaker 1>So I'm going I'm going to do more than five songs,

1:41:35.720 --> 1:41:38.760
<v Speaker 1>and nobody's going to tell me, yeah, go ahead and

1:41:38.760 --> 1:41:42.599
<v Speaker 1>sing it because I ain't going out. I ain't going out.

1:41:43.160 --> 1:41:46.280
<v Speaker 2>I ain't going out because if it's five, Because if

1:41:46.320 --> 1:41:47.000
<v Speaker 2>it's five.

1:41:48.600 --> 1:41:53.600
<v Speaker 1>Slowly. Oh that's why I be wanting to fight you

1:41:53.680 --> 1:41:58.479
<v Speaker 1>when you don't, because at that point you're not my

1:41:58.560 --> 1:42:02.120
<v Speaker 1>brother anymore. I'm a fan. I'm a fan man. I'm

1:42:02.160 --> 1:42:06.679
<v Speaker 1>mad at you for that little snippet on tiny desks.

1:42:07.160 --> 1:42:11.880
<v Speaker 1>You don't disrespect slowly like that, brother, I don't care. No,

1:42:12.360 --> 1:42:19.360
<v Speaker 1>not not slow not slowly? Slowly's back slowly, bro slowly.

1:42:19.560 --> 1:42:22.400
<v Speaker 1>You're right, and listen. I'm only going on tour with

1:42:22.520 --> 1:42:26.720
<v Speaker 1>you again. If you sing slowly, I won't go. They

1:42:26.800 --> 1:42:28.759
<v Speaker 1>be like, why ain't you here? The nigga said he wasn't.

1:42:28.600 --> 1:42:30.760
<v Speaker 2>Saying you say, he ain't gonna go?

1:42:30.880 --> 1:42:31.439
<v Speaker 4>He ain't you know?

1:42:31.960 --> 1:42:34.760
<v Speaker 1>I'm all right, So I'm gonna do this fast, do

1:42:34.840 --> 1:42:41.200
<v Speaker 1>this fast, contagious mm hmm. He me and my sisters

1:42:41.240 --> 1:42:45.640
<v Speaker 1>and brothers every family function, we picked the male and

1:42:45.760 --> 1:42:50.040
<v Speaker 1>female parts and we sing contagious at the top of

1:42:50.160 --> 1:42:50.719
<v Speaker 1>our lunges.

1:42:51.720 --> 1:42:54.240
<v Speaker 4>What the hell is going on between?

1:42:57.680 --> 1:42:58.120
<v Speaker 1>I love it?

1:42:58.200 --> 1:42:58.479
<v Speaker 2>Come on.

1:43:00.320 --> 1:43:04.439
<v Speaker 1>So contagious, even gonna get into our baby face? Where

1:43:04.479 --> 1:43:05.560
<v Speaker 1>will we? Where will you go?

1:43:06.280 --> 1:43:09.320
<v Speaker 2>Would people don't even know about that while we're there?

1:43:10.040 --> 1:43:13.839
<v Speaker 1>And break my heart because that's still a babyface.

1:43:17.560 --> 1:43:17.920
<v Speaker 2>Get you.

1:43:20.120 --> 1:43:24.040
<v Speaker 1>By Daniel Ces the record right there. Man, who would

1:43:24.040 --> 1:43:27.479
<v Speaker 1>have thought? Who would have thought? I get you? I

1:43:27.600 --> 1:43:31.280
<v Speaker 1>love those lyrics because I say it all the time,

1:43:31.400 --> 1:43:36.720
<v Speaker 1>Like I don't write from that perspective, because you know,

1:43:36.840 --> 1:43:39.000
<v Speaker 1>the girls I've wanted in my life, I've been able

1:43:39.080 --> 1:43:43.600
<v Speaker 1>to date, and I appreciate them for dating me, but

1:43:43.800 --> 1:43:46.960
<v Speaker 1>I've never like I love I love dreams, I love

1:43:47.040 --> 1:43:49.800
<v Speaker 1>your girl. I knew I could never write that record.

1:43:49.840 --> 1:43:52.960
<v Speaker 1>I've never wanted another niggas girl, So I don't even

1:43:52.960 --> 1:43:56.599
<v Speaker 1>know how that feels. And that's that's just being very honest,

1:43:56.680 --> 1:43:58.400
<v Speaker 1>Like if you got your girl, nigga, I'm never I'm

1:43:58.400 --> 1:43:59.840
<v Speaker 1>not going to I'm not going to look at her

1:43:59.840 --> 1:44:05.160
<v Speaker 1>toy nice to meet you. I might hear her, I

1:44:05.240 --> 1:44:06.840
<v Speaker 1>might hear her with a heisman if she tried to hurt,

1:44:07.280 --> 1:44:09.600
<v Speaker 1>but you respect because that's that man's woman. I'm just

1:44:09.680 --> 1:44:11.200
<v Speaker 1>not that type of I'm not that type of guy,

1:44:11.240 --> 1:44:12.360
<v Speaker 1>and I don't I don't look at it from that

1:44:12.400 --> 1:44:20.280
<v Speaker 1>standpoint honesty. Pink Sweats, I think I saw an ig

1:44:20.479 --> 1:44:23.639
<v Speaker 1>of him singing that he's in front of like he's incredible,

1:44:23.720 --> 1:44:26.400
<v Speaker 1>four or five, it's incredible. I love that kid. I

1:44:26.520 --> 1:44:35.320
<v Speaker 1>love that kid. Super Crazy, Summer Walker Body, and fun Girl.

1:44:35.640 --> 1:44:39.719
<v Speaker 1>Fun Girl is about Yeah, Okay, y'all go find Funer

1:44:40.960 --> 1:44:45.519
<v Speaker 1>those who know, and then top twenty My last one,

1:44:46.120 --> 1:44:51.280
<v Speaker 1>my last one, forever, my lady. Ah hell, and it

1:44:51.400 --> 1:44:53.320
<v Speaker 1>means that much to me, and it means that much

1:44:53.360 --> 1:44:55.160
<v Speaker 1>to me, and it means that much to me. So

1:44:55.280 --> 1:44:58.000
<v Speaker 1>that's you know, I did forty seven thousand songs like

1:44:58.800 --> 1:45:00.599
<v Speaker 1>these are the people that I love and the music

1:45:00.640 --> 1:45:01.120
<v Speaker 1>that I love.

1:45:01.240 --> 1:45:05.320
<v Speaker 3>And you know you're keeping me warm, you keep me warm.

1:45:05.720 --> 1:45:08.000
<v Speaker 3>That's time you told your woman she's keeping you warm.

1:45:10.360 --> 1:45:11.280
<v Speaker 3>You keep me warm.

1:45:13.120 --> 1:45:18.320
<v Speaker 1>Woman. Yeah, if this is ecstasy and probably boys to men's,

1:45:19.160 --> 1:45:24.720
<v Speaker 1>then you can't leave them out. Oh wow, I'm not

1:45:24.880 --> 1:45:28.920
<v Speaker 1>going with the records. Everybody love. I think that's how you.

1:45:28.960 --> 1:45:40.040
<v Speaker 2>Boys instantly getting something you want to get close to

1:45:40.120 --> 1:45:40.599
<v Speaker 2>your woman.

1:45:40.760 --> 1:45:42.920
<v Speaker 1>Put that on a woman you think might want to

1:45:42.960 --> 1:45:45.760
<v Speaker 1>get close to you. Put boys and men put that

1:45:45.920 --> 1:45:49.280
<v Speaker 1>put that boy to men. Yea, yeah, So that's that's

1:45:49.320 --> 1:45:49.719
<v Speaker 1>my top.

1:45:51.400 --> 1:45:54.960
<v Speaker 3>Okay, So Jay, let's do a voltron. Okay, let's do

1:45:55.040 --> 1:45:57.360
<v Speaker 3>a volt tron. You know we need the vocal, the

1:45:57.479 --> 1:46:01.160
<v Speaker 3>performance style, the styling, and the heart of the artists.

1:46:02.200 --> 1:46:05.519
<v Speaker 3>Oh and and and I'm gonna add I'm gonna add

1:46:05.600 --> 1:46:10.720
<v Speaker 3>one more for you, Okay. The mind that the intellect

1:46:11.760 --> 1:46:13.800
<v Speaker 3>of the entity. Okay, I'm ready.

1:46:14.240 --> 1:46:18.760
<v Speaker 1>So the vocal, the vocal, My vocal is is a

1:46:18.880 --> 1:46:25.040
<v Speaker 1>hybrid Charlie Wilson and Marvin Gay. Ship. That's nasty. That's

1:46:25.160 --> 1:46:29.200
<v Speaker 1>that's my hybrid of a voice. I think all R

1:46:29.280 --> 1:46:33.559
<v Speaker 1>and B at some point gets to those two guys.

1:46:36.080 --> 1:46:38.880
<v Speaker 1>Try to find your way with Marvin Gay and uh

1:46:39.160 --> 1:46:48.599
<v Speaker 1>and Charlie Wilson. Okay, yet, I'm ready. That's heavy bike, uh,

1:46:49.400 --> 1:46:54.080
<v Speaker 1>performance style, Michael Jackson, that's easy and then that was

1:46:54.120 --> 1:46:59.800
<v Speaker 1>coming easy styling Prince mm hmm. Just think go ahead

1:46:59.800 --> 1:47:02.840
<v Speaker 1>that I'm not ready to do the heel because that's

1:47:02.920 --> 1:47:06.080
<v Speaker 1>just not me. And you know, I'm I'm taller than

1:47:06.120 --> 1:47:09.120
<v Speaker 1>the average man, so I don't need a hell five

1:47:09.160 --> 1:47:10.960
<v Speaker 1>to eleven is taller than the average man. Talk about

1:47:11.439 --> 1:47:14.479
<v Speaker 1>I'm not, you know, not a giant. If I put

1:47:14.520 --> 1:47:16.439
<v Speaker 1>on a heel, now, it's like, okay, nigga, you just

1:47:16.479 --> 1:47:20.599
<v Speaker 1>want to be six three? You got a four inch heel?

1:47:20.800 --> 1:47:20.960
<v Speaker 2>Jay?

1:47:22.320 --> 1:47:22.599
<v Speaker 1>Wrong?

1:47:23.800 --> 1:47:26.719
<v Speaker 2>We ain't never doing that, man. What is your doing?

1:47:29.160 --> 1:47:31.519
<v Speaker 1>I tripping dancing?

1:47:31.840 --> 1:47:32.599
<v Speaker 2>Ship his legs?

1:47:34.840 --> 1:47:35.000
<v Speaker 1>You know.

1:47:35.120 --> 1:47:38.240
<v Speaker 2>The last week, sweep that leg.

1:47:38.280 --> 1:47:44.599
<v Speaker 1>So prince the heart of the artist's passion, my other

1:47:44.800 --> 1:47:50.240
<v Speaker 1>I got another hybrid mm hmm. James Brown and Rick

1:47:50.360 --> 1:47:57.880
<v Speaker 1>James Ship to the Coldest Niggas Ship stump down, stumped down,

1:47:58.560 --> 1:48:01.439
<v Speaker 1>and I'm int there, not playing, They're not fucking around.

1:48:01.640 --> 1:48:05.559
<v Speaker 1>And then the mind, the mind Michael Jackson, he bought

1:48:05.560 --> 1:48:16.720
<v Speaker 1>the Beatles, publishing the own half of Sony ATV diabolical, diabolical,

1:48:18.520 --> 1:48:22.360
<v Speaker 1>Michael Jackson doesn't get the credit as a businessman that

1:48:22.439 --> 1:48:22.960
<v Speaker 1>he deserves.

1:48:23.439 --> 1:48:25.560
<v Speaker 3>Can't give you that credit because then you're going to

1:48:26.560 --> 1:48:31.920
<v Speaker 3>you're going to follow that blueprint. Yes, yes, you're not

1:48:32.040 --> 1:48:33.880
<v Speaker 3>allowed to follow that blueprint.

1:48:34.240 --> 1:48:36.280
<v Speaker 1>When they're trying to buy the Marvel comic trying to

1:48:36.280 --> 1:48:40.639
<v Speaker 1>buy everything, Michaels, trying by everything assets Michaels in Vegas.

1:48:41.240 --> 1:48:46.920
<v Speaker 1>He was part of with Steve when assets Michael's something different. Bro,

1:48:47.080 --> 1:48:49.840
<v Speaker 1>you guys just sing music. Don't worry about the assets,

1:48:51.439 --> 1:48:55.080
<v Speaker 1>the publishing, intellectual the intellectual properties. Don't worry about that,

1:48:55.360 --> 1:49:01.639
<v Speaker 1>ye see. So Michael Jackson is my business mind ship. Yeah,

1:49:02.479 --> 1:49:11.240
<v Speaker 1>and his artist is crazy. Listen, and then I'm gonna

1:49:11.280 --> 1:49:13.040
<v Speaker 1>run off my quick while you're playing, before you start

1:49:13.040 --> 1:49:15.400
<v Speaker 1>playing Piano'm gonna run off my quick R and B

1:49:15.479 --> 1:49:20.320
<v Speaker 1>groups since I originally come from a group Boyster Men,

1:49:20.960 --> 1:49:26.880
<v Speaker 1>Josy Jackson. Five new addition, new addition, The Whispers. Those

1:49:26.920 --> 1:49:30.599
<v Speaker 1>are my top five groups. The Whispers in there, those

1:49:30.640 --> 1:49:38.439
<v Speaker 1>are my top five groups. Love him Diggers is so cold,

1:49:39.600 --> 1:49:40.519
<v Speaker 1>It's so cold.

1:49:40.880 --> 1:49:42.800
<v Speaker 2>We go to this cat A lot of this is

1:49:42.880 --> 1:49:43.479
<v Speaker 2>our podcast.

1:49:43.600 --> 1:49:47.320
<v Speaker 1>Right to Ship, Yes, sir, I have to pay.

1:49:47.360 --> 1:49:50.200
<v Speaker 2>I might have to pay Ruben and and and Jacob overtime.

1:49:50.840 --> 1:49:53.160
<v Speaker 2>Just charge to me cheap. I'll take. I'll take the.

1:49:58.280 --> 1:50:01.280
<v Speaker 1>Okay, ship, all right, we go. I think you know

1:50:01.320 --> 1:50:03.639
<v Speaker 1>what's coming up? Ship.

1:50:06.200 --> 1:50:10.000
<v Speaker 4>I ain't saying no nick, no names. I ain't saying

1:50:10.120 --> 1:50:12.080
<v Speaker 4>no names, saying no name.

1:50:15.400 --> 1:50:21.320
<v Speaker 1>What you did, I ain't.

1:50:21.160 --> 1:50:22.400
<v Speaker 4>Saying name.

1:50:29.920 --> 1:50:38.240
<v Speaker 1>Jay? Yeah, this is actually segment you made up. Yeah,

1:50:39.840 --> 1:50:43.720
<v Speaker 1>so they're gonna ask me my question. You know what

1:50:43.720 --> 1:50:44.040
<v Speaker 1>I'm saying.

1:50:44.080 --> 1:50:47.280
<v Speaker 2>Hope me some ship I ain't never heard. I got,

1:50:47.360 --> 1:50:49.400
<v Speaker 2>I got story, give me some funny st stories.

1:50:50.720 --> 1:50:55.599
<v Speaker 1>I got funny fucked up. Yeah, I'm never gonna do that. Yeah,

1:50:56.080 --> 1:50:57.000
<v Speaker 1>you talk about.

1:50:58.479 --> 1:51:03.360
<v Speaker 2>What this is Jays, This is Jay, this is Jazz,

1:51:04.160 --> 1:51:06.760
<v Speaker 2>this is Jays. I ain't saying no names.

1:51:07.120 --> 1:51:10.160
<v Speaker 1>Okay, it's my I ain't saying no names. I got

1:51:10.200 --> 1:51:12.160
<v Speaker 1>a couple in here that I could just pull from.

1:51:12.720 --> 1:51:17.280
<v Speaker 1>But we'll studies. Okay, okay, because cos I came on

1:51:17.360 --> 1:51:22.160
<v Speaker 1>here and told multiples but whatever. So some years back,

1:51:24.560 --> 1:51:26.880
<v Speaker 1>me and one of my guys, man, uh, and I

1:51:26.960 --> 1:51:28.559
<v Speaker 1>don't go to a lot of concerts, but he's like, man,

1:51:28.600 --> 1:51:30.960
<v Speaker 1>come come to this concert with me. I was like,

1:51:30.960 --> 1:51:33.320
<v Speaker 1>all right, cool, cool, cool, cool man. You know some

1:51:33.479 --> 1:51:36.320
<v Speaker 1>of the homies performing. Blah blah. I was like, okay,

1:51:37.479 --> 1:51:42.559
<v Speaker 1>So we drive down to Fresno. Drive to Fresno. Uh,

1:51:42.800 --> 1:51:46.080
<v Speaker 1>Fresno is about two hours and a half hours, depending

1:51:46.080 --> 1:51:49.040
<v Speaker 1>on how fast you're driving, for sure, Okay, give me three.

1:51:50.160 --> 1:51:53.920
<v Speaker 1>So we go to the show and uh we stay

1:51:53.960 --> 1:51:57.040
<v Speaker 1>to the end. We stay to the end, and you know,

1:51:57.160 --> 1:51:59.320
<v Speaker 1>headed back to LA and one of the one of

1:51:59.360 --> 1:52:03.240
<v Speaker 1>the people that are performing m or that performed that

1:52:03.320 --> 1:52:06.160
<v Speaker 1>night because it's multiple artists on it, and one of

1:52:06.200 --> 1:52:08.479
<v Speaker 1>the artists is like, hey, man, can I Jake, can

1:52:08.520 --> 1:52:10.360
<v Speaker 1>I ride with you back to uh to l a

1:52:12.720 --> 1:52:16.400
<v Speaker 1>truck a bus or something. But you know ship okay,

1:52:17.200 --> 1:52:20.120
<v Speaker 1>because I had you know, I had a truck, and

1:52:20.200 --> 1:52:23.360
<v Speaker 1>so I'm like cool, So next thing, I know, he walks,

1:52:24.640 --> 1:52:27.479
<v Speaker 1>you know, over back to where they were to talk

1:52:27.560 --> 1:52:32.519
<v Speaker 1>to someone else, and you know, I get in the

1:52:32.560 --> 1:52:35.800
<v Speaker 1>car here like hit hit hit uh, hit the truck

1:52:35.880 --> 1:52:37.479
<v Speaker 1>for me. Hit the back thing. It's a it's a

1:52:37.600 --> 1:52:39.360
<v Speaker 1>it's an suv. It's like the extent I don't know

1:52:39.400 --> 1:52:45.240
<v Speaker 1>why my ass had it I rented, you know, like

1:52:45.320 --> 1:52:51.760
<v Speaker 1>the long bed. Uh yeah, one of the extend exhales.

1:52:52.600 --> 1:52:53.920
<v Speaker 2>Right, So I hit the hit the things.

1:52:54.040 --> 1:52:59.559
<v Speaker 1>He put his bag back there, and then he's like, hey,

1:53:00.360 --> 1:53:01.240
<v Speaker 1>can she ride with us?

1:53:04.400 --> 1:53:04.679
<v Speaker 4>Cool?

1:53:05.320 --> 1:53:08.360
<v Speaker 1>I'm not tripping like you're the homie. I don't know

1:53:08.439 --> 1:53:11.880
<v Speaker 1>you as well yet, but you know, it's it's all good.

1:53:12.280 --> 1:53:17.400
<v Speaker 1>Can we can ride? And she looks like Fresno? She

1:53:17.479 --> 1:53:19.960
<v Speaker 1>looks like Fresno. You know how like when you go

1:53:20.040 --> 1:53:20.880
<v Speaker 1>to cities for.

1:53:21.000 --> 1:53:25.800
<v Speaker 2>Every I could tell that she. I could tell that

1:53:26.080 --> 1:53:29.920
<v Speaker 2>she that she didn't take the ride with she didn't fly.

1:53:31.680 --> 1:53:34.640
<v Speaker 1>In with him. I just knew it. You know, you

1:53:34.720 --> 1:53:36.760
<v Speaker 1>go to cities and you're like, oh, you look like

1:53:37.600 --> 1:53:40.680
<v Speaker 1>your local. You look like Dallas you look I mean

1:53:40.720 --> 1:53:43.960
<v Speaker 1>it's certain local looks of women just in different cities.

1:53:44.000 --> 1:53:44.800
<v Speaker 2>They dress.

1:53:46.280 --> 1:53:52.519
<v Speaker 1>Like a local, right, pretty girl? You know, hi, she

1:53:52.640 --> 1:53:54.760
<v Speaker 1>hops in. She says hi, says hi to me and

1:53:54.840 --> 1:54:00.559
<v Speaker 1>my homie, and we're riding. And now it's the end

1:54:00.600 --> 1:54:02.880
<v Speaker 1>of the show. So it's maybe eleven twelve at night.

1:54:03.160 --> 1:54:06.479
<v Speaker 1>Were on Highway five. You've driven Highway five. You've driven

1:54:06.560 --> 1:54:12.599
<v Speaker 1>Highway five. It's pitch black, it's dark. So we rhying,

1:54:12.680 --> 1:54:15.200
<v Speaker 1>were listening to music, being a homie. We talking and

1:54:15.240 --> 1:54:21.240
<v Speaker 1>shit and next thing, WI hear some heavy naked that's whatever.

1:54:21.320 --> 1:54:23.120
<v Speaker 1>I say. Okay, that's cool, that's cool, you know what

1:54:23.160 --> 1:54:25.880
<v Speaker 1>I mean, Like, I'm not, I ain't driven. He wants

1:54:25.920 --> 1:54:26.640
<v Speaker 1>some activities.

1:54:26.760 --> 1:54:27.160
<v Speaker 2>It's cool.

1:54:27.200 --> 1:54:29.760
<v Speaker 1>We got it. We got a long ride, man, you know.

1:54:32.880 --> 1:54:43.600
<v Speaker 1>And then we hear like, oh, they're letting the sea back. Okay,

1:54:43.720 --> 1:54:48.320
<v Speaker 1>but now I think they have climbed into the back.

1:54:49.800 --> 1:54:52.520
<v Speaker 1>So I'm looking at the at the thing like I

1:54:52.560 --> 1:54:54.760
<v Speaker 1>just want to make sure to hit something. So I

1:54:54.920 --> 1:54:58.520
<v Speaker 1>look and I just see the back of two people

1:54:58.960 --> 1:55:05.640
<v Speaker 1>going over and letting down. I'm like, oh no, no,

1:55:07.560 --> 1:55:12.720
<v Speaker 1>they're about to get to it. Nigga Ryan. For about

1:55:12.720 --> 1:55:15.800
<v Speaker 1>another five now, it sounds like some different type of smacking,

1:55:17.000 --> 1:55:19.920
<v Speaker 1>you know that you know, like you know, maybe a

1:55:19.920 --> 1:55:23.480
<v Speaker 1>little filatio or something, a little you know, it's activities mash.

1:55:24.320 --> 1:55:28.400
<v Speaker 1>So I'm like, okay, getting bossed up, Okay, getting bossed up.

1:55:29.560 --> 1:55:30.880
<v Speaker 1>But the next thing I hear is.

1:55:34.640 --> 1:55:47.480
<v Speaker 2>I didn knock my motherfucker watch like this, and I'm like, no, no, man, no,

1:55:49.520 --> 1:55:50.960
<v Speaker 2>And I look at the homie.

1:55:50.600 --> 1:55:54.680
<v Speaker 4>And he's like yeah, it's yeah.

1:55:55.720 --> 1:55:57.880
<v Speaker 1>And me and him are boat trying to figure out

1:55:57.920 --> 1:56:00.680
<v Speaker 1>a way not to look at the like to look

1:56:00.720 --> 1:56:01.400
<v Speaker 1>in the rear view.

1:56:02.520 --> 1:56:05.720
<v Speaker 2>I don't want to see what's going on, but I

1:56:05.800 --> 1:56:06.360
<v Speaker 2>can hear it.

1:56:06.760 --> 1:56:13.920
<v Speaker 1>Yeah, yeah, man, we're driving, he's he is giving her

1:56:14.000 --> 1:56:17.720
<v Speaker 1>the business man putting on the shows. He's putting on

1:56:17.760 --> 1:56:20.000
<v Speaker 1>the show for me and the homie dog he put

1:56:20.040 --> 1:56:26.200
<v Speaker 1>on the show. I have to get gas, bro, I've

1:56:26.320 --> 1:56:28.160
<v Speaker 1>driven the fres now, now I got to drive home,

1:56:28.440 --> 1:56:33.080
<v Speaker 1>honey gas. So I'm like, you know when you go

1:56:33.160 --> 1:56:40.480
<v Speaker 1>to the gas station. N Yeah, I'm like, ship mmm,

1:56:41.120 --> 1:56:44.760
<v Speaker 1>get off. Smacking stops a little bit because they could

1:56:44.760 --> 1:56:50.160
<v Speaker 1>tell I'm getting off. The homie. Like we pull into

1:56:50.200 --> 1:56:52.440
<v Speaker 1>the gas station, You're like, y'all want something from you

1:56:52.600 --> 1:56:53.440
<v Speaker 1>want something from stove.

1:56:54.480 --> 1:56:57.000
<v Speaker 2>I'm like, no, brodn't even wanted to shake your hair

1:56:57.200 --> 1:56:59.840
<v Speaker 2>right now? What have you been doing? You want to

1:56:59.840 --> 1:57:08.560
<v Speaker 2>get me a gatorade. No, and I'm still.

1:57:08.440 --> 1:57:11.920
<v Speaker 1>Looking at the steer where I'm like, hey, broke, you

1:57:12.000 --> 1:57:13.000
<v Speaker 1>gotta pump the gas.

1:57:13.120 --> 1:57:14.200
<v Speaker 4>Bro, I'm just here.

1:57:16.880 --> 1:57:19.200
<v Speaker 1>And get in. He got a couple of Gatorays, maybe

1:57:19.240 --> 1:57:24.200
<v Speaker 1>a water, nigga. He goes to the gatorade. Down, nigga.

1:57:24.520 --> 1:57:26.000
<v Speaker 1>We get another five minutes.

1:57:26.880 --> 1:57:27.920
<v Speaker 2>He back to it.

1:57:28.280 --> 1:57:31.720
<v Speaker 1>No way, he have to be on the pill man he.

1:57:31.840 --> 1:57:39.680
<v Speaker 2>Had yeah, man, yeah, something last too long with the

1:57:39.760 --> 1:57:40.040
<v Speaker 2>kids on.

1:57:40.160 --> 1:57:44.200
<v Speaker 5>Now he had to be on a perk thirty you

1:57:44.240 --> 1:57:50.240
<v Speaker 5>gotta be giving it a perky man, man.

1:57:50.400 --> 1:57:52.760
<v Speaker 1>He knocked her down from the for the rest of

1:57:52.840 --> 1:57:55.320
<v Speaker 1>the trip. Rest of the trip, y'all to listen to

1:57:55.400 --> 1:57:56.840
<v Speaker 1>that for the rest of the trip. Turn the music

1:57:56.920 --> 1:58:00.560
<v Speaker 1>up loud, turn the music up from the realm. Because

1:58:00.600 --> 1:58:01.120
<v Speaker 1>I'm not a hater.

1:58:01.680 --> 1:58:06.160
<v Speaker 3>Almost three albums, I'm not a hater. They might have

1:58:06.200 --> 1:58:11.120
<v Speaker 3>took like a half a nap. Poundtown Baby, they got

1:58:11.200 --> 1:58:11.480
<v Speaker 3>right back.

1:58:11.960 --> 1:58:14.440
<v Speaker 2>That girl got that song right now, Pound.

1:58:14.320 --> 1:58:21.440
<v Speaker 1>Town, Poundtown. I told her a new one. So then

1:58:21.560 --> 1:58:23.480
<v Speaker 1>we get to La dropping them off at the hotel.

1:58:23.520 --> 1:58:24.400
<v Speaker 2>I'm like, bro, what you going.

1:58:25.080 --> 1:58:26.640
<v Speaker 1>It's like, yeah, I'm about to go upstairs and let

1:58:26.680 --> 1:58:28.240
<v Speaker 1>her have it some more. Then she gotta find her

1:58:28.280 --> 1:58:32.680
<v Speaker 1>way back to fress though. I said, if this ain't

1:58:32.720 --> 1:58:39.160
<v Speaker 1>a oh my gosh, I ain't saying.

1:58:39.200 --> 1:58:42.360
<v Speaker 2>Names, that's a great story, great story.

1:58:43.160 --> 1:58:52.280
<v Speaker 1>I ain't saying on names. Wow, oh Poundtown. I don't

1:58:52.280 --> 1:58:52.760
<v Speaker 1>know what to say?

1:58:55.640 --> 1:58:56.880
<v Speaker 4>Should should I hate it?

1:58:56.960 --> 1:58:57.080
<v Speaker 2>Now?

1:58:58.320 --> 1:59:01.040
<v Speaker 1>I felt like I was a It's like, you.

1:59:01.120 --> 1:59:05.800
<v Speaker 3>Know what, maybe there should be some courtesy involved, like like, look,

1:59:05.880 --> 1:59:07.440
<v Speaker 3>you know, appreciate you let me ride.

1:59:07.840 --> 1:59:11.000
<v Speaker 1>I'm gonna probably dig this out, Like is that alright

1:59:11.080 --> 1:59:13.760
<v Speaker 1>with you? Wipe up there? Y'all got wipes up there?

1:59:13.840 --> 1:59:17.000
<v Speaker 3>Like y'all got any type of towel lets like should

1:59:17.000 --> 1:59:18.400
<v Speaker 3>be stopping by a big towel. I don't know how

1:59:18.440 --> 1:59:22.400
<v Speaker 3>that's gonna go. I feel like there should have been

1:59:22.440 --> 1:59:26.800
<v Speaker 3>some type of maybe absolutely or you know, y'all want

1:59:26.840 --> 1:59:28.200
<v Speaker 3>something to like some just just.

1:59:32.920 --> 1:59:33.680
<v Speaker 4>Include everybody.

1:59:33.680 --> 1:59:35.640
<v Speaker 3>I don't know, like some type of I would have

1:59:35.720 --> 1:59:40.480
<v Speaker 3>turned to that, of course you would, you know. I'm

1:59:40.560 --> 1:59:44.839
<v Speaker 3>just trying to think about it's gonna have been sensibly avoided.

1:59:45.040 --> 1:59:47.720
<v Speaker 3>Uh yeah, that's my that's my story, man, that's my

1:59:48.040 --> 1:59:50.880
<v Speaker 3>saying that. That's a no timer bro downtown, that's a

1:59:50.960 --> 1:59:54.680
<v Speaker 3>nold timer. That's yes, we alred to beat that one.

1:59:58.440 --> 2:00:01.440
<v Speaker 3>I'm gonna that's right with or Lynx punching whoever in

2:00:01.480 --> 2:00:01.800
<v Speaker 3>the face.

2:00:02.080 --> 2:00:02.480
<v Speaker 4>That's right.

2:00:02.560 --> 2:00:06.600
<v Speaker 2>That's what would you say after all the stuff that

2:00:06.640 --> 2:00:08.880
<v Speaker 2>we've talked about, what would you say is your greatest accomplishment?

2:00:10.360 --> 2:00:20.680
<v Speaker 1>My kids? Yeah? My kids? I uh, that's my ultimate

2:00:20.720 --> 2:00:24.720
<v Speaker 1>sacrifice for everything, Like I could make way more money,

2:00:25.360 --> 2:00:28.400
<v Speaker 1>do way more things. I never want to have that

2:00:28.560 --> 2:00:31.920
<v Speaker 1>conversation to where they feel like I chose anything over

2:00:32.000 --> 2:00:35.680
<v Speaker 1>them at this point. For me, at this stage of

2:00:35.720 --> 2:00:43.400
<v Speaker 1>my life, I'm not sacrificing my time with them for anything,

2:00:44.120 --> 2:00:45.760
<v Speaker 1>Like I'm going to figure out how to get to

2:00:45.840 --> 2:00:53.440
<v Speaker 1>soccer practice and basketball practice and volleyball camp, graduation, take

2:00:53.480 --> 2:00:56.040
<v Speaker 1>them to school, like I'm going to figure it out.

2:00:56.120 --> 2:00:58.040
<v Speaker 1>Like I can't do it every single day and all

2:00:58.120 --> 2:01:01.560
<v Speaker 1>day long, but I'm getting my time and so to me,

2:01:01.680 --> 2:01:05.560
<v Speaker 1>that's that's my greatest accomplishment. I've made money, I've had success.

2:01:05.920 --> 2:01:11.320
<v Speaker 1>Nothing felt like that. Yeah, nothing felt like you know,

2:01:11.720 --> 2:01:15.240
<v Speaker 1>my kids being born. And you know then I be

2:01:15.360 --> 2:01:20.760
<v Speaker 1>acting like I hit a three, Like yeah, bab how

2:01:20.840 --> 2:01:23.160
<v Speaker 1>you do that again? See dad? If you just have

2:01:23.240 --> 2:01:28.160
<v Speaker 1>to loosen your hips, Dad, you know how Naomi get

2:01:28.200 --> 2:01:34.280
<v Speaker 1>out so just docing Naomi, well, my greatest accomplishment. But ja,

2:01:34.400 --> 2:01:37.560
<v Speaker 1>we love you brother. That goes saying I love you man,

2:01:37.720 --> 2:01:38.360
<v Speaker 1>you know what I'm saying.

2:01:40.120 --> 2:01:42.640
<v Speaker 3>You know, in terms of this, I just think it's

2:01:42.680 --> 2:01:45.000
<v Speaker 3>so much more, so much more left for you to do,

2:01:45.920 --> 2:01:50.760
<v Speaker 3>so much more left for you to accomplish. And at

2:01:50.800 --> 2:01:54.320
<v Speaker 3>this point very happy that we're on the road two.

2:01:55.280 --> 2:01:58.040
<v Speaker 3>Putting the face with the name, putting the face to

2:01:58.120 --> 2:02:03.840
<v Speaker 3>the music. You should understand, Yeah, this is why where

2:02:03.840 --> 2:02:06.160
<v Speaker 3>are the authorities on all.

2:02:06.040 --> 2:02:09.320
<v Speaker 1>Things R and B? Yeah? Yeah, And you know, I'm

2:02:09.400 --> 2:02:13.760
<v Speaker 1>set out to put us in a space that nobody

2:02:13.840 --> 2:02:18.240
<v Speaker 1>ever can do what we did. That's that's it. We

2:02:18.360 --> 2:02:23.920
<v Speaker 1>managed each other, we both made records. We made an

2:02:23.920 --> 2:02:28.480
<v Speaker 1>amazing podcast because I will say that our podcast, bro

2:02:28.680 --> 2:02:32.200
<v Speaker 1>is a great joy for me. Like this, this this

2:02:32.400 --> 2:02:36.600
<v Speaker 1>thing that we have, man, that that we've done along

2:02:36.680 --> 2:02:42.640
<v Speaker 1>with Ruben and with Jacob and with Boh, this is

2:02:42.760 --> 2:02:44.680
<v Speaker 1>this is amazing. I have a great time doing it

2:02:44.760 --> 2:02:46.320
<v Speaker 1>and I would I would do it for free, but

2:02:46.360 --> 2:02:50.400
<v Speaker 1>I'm not going to do it for free. And you know,

2:02:50.840 --> 2:02:53.360
<v Speaker 1>when when our when our first you know, our first

2:02:53.440 --> 2:02:55.320
<v Speaker 1>deal is up, because we do got one deal in place,

2:02:55.400 --> 2:03:00.600
<v Speaker 1>but when that first deal is up. Yeah, it's gonna

2:03:00.600 --> 2:03:05.480
<v Speaker 1>get Beverly Hills here. I come here. I come like

2:03:05.520 --> 2:03:08.040
<v Speaker 1>the way that sound, like the way that sound. I

2:03:08.200 --> 2:03:14.080
<v Speaker 1>like Beverly Hills. I like Beverly. Fuck all them, getty communities,

2:03:14.200 --> 2:03:15.920
<v Speaker 1>all of them. I need it.

2:03:16.160 --> 2:03:18.040
<v Speaker 2>It's a beautiful thing how it all comes together.

2:03:19.880 --> 2:03:25.000
<v Speaker 3>Not if when, not if, it's don't fucking happen. Just

2:03:25.080 --> 2:03:26.520
<v Speaker 3>the work, you know what I'm saying. That's one thing

2:03:26.600 --> 2:03:28.120
<v Speaker 3>that nobody can take from us.

2:03:28.280 --> 2:03:28.880
<v Speaker 1>We do the work.

2:03:29.600 --> 2:03:32.879
<v Speaker 3>You do the work, brother, and thank you, bro. That's

2:03:33.040 --> 2:03:37.879
<v Speaker 3>that's what's gonna last. Work's gonna last hard working dedication

2:03:38.000 --> 2:03:39.280
<v Speaker 3>is Floyd mad Yeah.

2:03:39.640 --> 2:03:42.200
<v Speaker 1>Yeah, And we do and we do it like yes

2:03:42.320 --> 2:03:44.920
<v Speaker 1>that you know obviously everybody knows. I I get back

2:03:44.920 --> 2:03:47.200
<v Speaker 1>to the numbers and the money. But this is for

2:03:47.320 --> 2:03:50.200
<v Speaker 1>the culture. Like this thing that we do is for

2:03:50.320 --> 2:03:53.360
<v Speaker 1>the culture. And we take that very serious and we

2:03:53.480 --> 2:03:57.880
<v Speaker 1>want people to see it in that light. You gotta

2:03:58.040 --> 2:04:01.360
<v Speaker 1>you gotta really love this ship absolutely to do it.

2:04:01.400 --> 2:04:03.640
<v Speaker 1>We can really be invested in this thing that we

2:04:03.920 --> 2:04:06.840
<v Speaker 1>you know, this R and B, this music business, because

2:04:06.880 --> 2:04:09.640
<v Speaker 1>it also isn't just an R and B podcast. It's

2:04:09.680 --> 2:04:11.400
<v Speaker 1>called R and B Money because that's the name of

2:04:11.440 --> 2:04:14.840
<v Speaker 1>our company and we want to cement that in people's minds.

2:04:15.800 --> 2:04:18.240
<v Speaker 1>But this is not just an R and B podcast.

2:04:18.920 --> 2:04:22.080
<v Speaker 1>We talk about everything. We can talk to anybody and

2:04:22.440 --> 2:04:26.040
<v Speaker 1>shout out to our senior Hall for coming to that

2:04:26.160 --> 2:04:32.360
<v Speaker 1>dressing room at the Forum and telling us that we

2:04:32.480 --> 2:04:36.360
<v Speaker 1>got something and that we can we can continue his legacy.

2:04:37.920 --> 2:04:40.000
<v Speaker 1>I'll never forget that. I'll never forget him and there

2:04:40.000 --> 2:04:43.280
<v Speaker 1>telling jokes with our kids like I love you, Bro,

2:04:43.480 --> 2:04:45.800
<v Speaker 1>I don't, I don't know you like that. But from

2:04:45.880 --> 2:04:49.360
<v Speaker 1>that moment, you can do no wrong in my eyes,

2:04:49.560 --> 2:04:54.440
<v Speaker 1>and ultimately I hope that we can we can continue

2:04:54.520 --> 2:04:56.720
<v Speaker 1>to do this at this level and take this to

2:04:57.080 --> 2:05:00.000
<v Speaker 1>you know, hire places and give people a safe place

2:05:00.080 --> 2:05:04.240
<v Speaker 1>us to come and be themselves. Absolutely so, yeah, ladies

2:05:04.240 --> 2:05:09.080
<v Speaker 1>and gentlemen. Uh, I am Tank. This is Bob.

2:05:11.680 --> 2:05:13.680
<v Speaker 3>And this is the R and B Money Podcast, the

2:05:13.760 --> 2:05:17.360
<v Speaker 3>authority on all things R and B. This has been

2:05:18.000 --> 2:05:24.280
<v Speaker 3>a special, a special special segment for your five Park

2:05:24.920 --> 2:05:30.840
<v Speaker 3>segment top eighty two, and in just reintroducing and introducing

2:05:31.240 --> 2:05:35.720
<v Speaker 3>you to our brother Dave and make sure you understand

2:05:36.160 --> 2:05:39.240
<v Speaker 3>who and what he is and where we're going on

2:05:39.320 --> 2:05:42.920
<v Speaker 3>over this. I hope you are Buckle love my brother.

2:05:43.720 --> 2:05:45.960
<v Speaker 1>I love a lot of work. Love you. I love you,

2:05:46.960 --> 2:05:49.680
<v Speaker 1>Yeah for Real Lady Dave bal.

2:05:55.480 --> 2:05:56.560
<v Speaker 4>R and B Money.

2:05:57.960 --> 2:05:59.680
<v Speaker 1>R and B Money is a production of the Black

2:05:59.680 --> 2:06:04.520
<v Speaker 1>Affect podcast Network. For more podcasts from iHeartRadio, visit the

2:06:04.640 --> 2:06:08.480
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

2:06:08.520 --> 2:06:12.360
<v Speaker 1>favorite shows. Don't forget to subscribe to and rate our show,

2:06:12.720 --> 2:06:15.320
<v Speaker 1>and you can connect with us on social media at

2:06:15.400 --> 2:06:19.640
<v Speaker 1>j Valentine and at the Real Tank. For the extended episode,

2:06:19.760 --> 2:06:23.960
<v Speaker 1>subscribe to YouTube dot com, forward Slash, R and B

2:06:24.080 --> 2:06:24.320
<v Speaker 1>Money