1 00:00:01,600 --> 00:00:04,880 Speaker 1: Hi, I'm Kristin Davis, and I want to know are 2 00:00:04,880 --> 00:00:10,280 Speaker 1: you a Charlotte? And welcome back everyone? Are you a Charlotte? 3 00:00:10,360 --> 00:00:13,920 Speaker 1: This is part two with our wonderful producer Easton. We 4 00:00:13,960 --> 00:00:18,759 Speaker 1: are breaking down season three, episode eight of the best season. 5 00:00:18,840 --> 00:00:21,040 Speaker 1: I think, yes, I might change my mind when we 6 00:00:21,079 --> 00:00:23,720 Speaker 1: watch more, but you know, I think that's it. Anyway, 7 00:00:23,880 --> 00:00:25,000 Speaker 1: here we are welcome back. 8 00:00:25,160 --> 00:00:28,120 Speaker 2: I was just talking to Evy, who works on this show, 9 00:00:28,240 --> 00:00:33,440 Speaker 2: about there was a there was an article that said 10 00:00:34,240 --> 00:00:35,919 Speaker 2: I'm having a boyfriend is embarrassed? 11 00:00:36,000 --> 00:00:37,240 Speaker 1: Always a big deal man? 12 00:00:37,640 --> 00:00:40,080 Speaker 2: Yeah, and you know we're talking about like what do 13 00:00:40,159 --> 00:00:43,880 Speaker 2: you what do you need a man for? Especially as 14 00:00:43,920 --> 00:00:47,440 Speaker 2: a man, I will lead the march of that, you know, 15 00:00:47,920 --> 00:00:50,920 Speaker 2: other than like reaching things on a high shelf. But 16 00:00:51,159 --> 00:00:53,200 Speaker 2: but yeah, at this point when the episode is happening, 17 00:00:53,240 --> 00:00:56,320 Speaker 2: I mean, like it it's so funny because I think 18 00:00:56,320 --> 00:00:58,680 Speaker 2: that was that may have been the last episode we 19 00:00:58,960 --> 00:01:03,280 Speaker 2: talked about together, was one where Miranda's terry designer gets married, 20 00:01:03,600 --> 00:01:05,840 Speaker 2: and we were I was thinking about that too, because 21 00:01:05,880 --> 00:01:08,520 Speaker 2: I was Another that also surprised me, is like thinking 22 00:01:08,520 --> 00:01:13,600 Speaker 2: about Miranda wanting to get married. Everybody wanted it, uh 23 00:01:13,760 --> 00:01:14,720 Speaker 2: at that point. 24 00:01:14,480 --> 00:01:16,720 Speaker 1: Well, I think felt like you were supposed to do 25 00:01:17,920 --> 00:01:20,680 Speaker 1: it right, felt pressured, and I mean I think some 26 00:01:20,760 --> 00:01:22,679 Speaker 1: of that is still there, but I also think that 27 00:01:22,880 --> 00:01:28,039 Speaker 1: the generations all have their own vibe about it, you know. 28 00:01:28,319 --> 00:01:31,080 Speaker 1: So now we have like this very big generational gap 29 00:01:31,160 --> 00:01:35,160 Speaker 1: right between like z X what are what are they. 30 00:01:35,080 --> 00:01:39,400 Speaker 2: Called, uh, millennials, millennials. 31 00:01:38,959 --> 00:01:43,680 Speaker 1: That's what I'm sorry, sorry, sorry, you know, there's there's 32 00:01:44,040 --> 00:01:47,000 Speaker 1: very distinct things now going on, which I also don't 33 00:01:47,000 --> 00:01:48,600 Speaker 1: feel like used to be true, right, Like you were 34 00:01:48,600 --> 00:01:51,360 Speaker 1: supposed to want what the people ahead of you had. Yes, 35 00:01:51,480 --> 00:01:53,320 Speaker 1: you know what I mean. Now that's not that's like 36 00:01:53,360 --> 00:01:55,520 Speaker 1: a free for all, right, which I think is as 37 00:01:55,520 --> 00:01:58,120 Speaker 1: it should be exactly. But I also think some of 38 00:01:58,120 --> 00:02:01,360 Speaker 1: that is is because of economic issuing, like many different 39 00:02:01,560 --> 00:02:04,280 Speaker 1: things are impacting that, right, yes, but I also think 40 00:02:04,360 --> 00:02:09,440 Speaker 1: that it's nice that there's more choice. It's nice that 41 00:02:09,560 --> 00:02:14,000 Speaker 1: you can pick your own lane and be there. But 42 00:02:14,200 --> 00:02:16,240 Speaker 1: like you know, when when Mary Beth came on and 43 00:02:16,280 --> 00:02:18,839 Speaker 1: she said that her friends were criticizing her for one 44 00:02:18,880 --> 00:02:22,720 Speaker 1: thing a boyfriend that made me laugh so hard, dude, 45 00:02:22,800 --> 00:02:26,480 Speaker 1: like you're crazy, but she's of the group of boyfriends 46 00:02:26,520 --> 00:02:30,000 Speaker 1: are embarrassing, right, which I also really like, for me, 47 00:02:30,919 --> 00:02:35,440 Speaker 1: I find the whole movement of this to be really 48 00:02:35,480 --> 00:02:38,280 Speaker 1: empowering and great, and I think part of that is 49 00:02:38,360 --> 00:02:42,000 Speaker 1: because of the social media element, because there was a 50 00:02:42,040 --> 00:02:45,800 Speaker 1: time when, you know, Instagram official was like this whole thing, 51 00:02:45,880 --> 00:02:49,440 Speaker 1: like if you weren't posting, you know, like you and 52 00:02:49,520 --> 00:02:53,320 Speaker 1: the cute you know, significant other or whatever. I don't know, 53 00:02:53,400 --> 00:02:56,960 Speaker 1: I think that whole thing is just like what awful 54 00:02:57,240 --> 00:03:00,760 Speaker 1: because I also feel like it's added pressure and also 55 00:03:00,960 --> 00:03:05,000 Speaker 1: everyone makes it look amazing and obviously relationships are complicated, 56 00:03:05,280 --> 00:03:08,040 Speaker 1: but you can't really put complicated on Instagram. Yeah, you know, 57 00:03:08,520 --> 00:03:11,000 Speaker 1: so then it just looks super shiny and beautiful and 58 00:03:11,040 --> 00:03:14,760 Speaker 1: you're in some beautiful location and everything's beautiful, and you know, 59 00:03:14,800 --> 00:03:17,960 Speaker 1: it looks just so wonderful and then like you know, 60 00:03:18,000 --> 00:03:21,760 Speaker 1: there they'll show flowers like oh you give me flowers 61 00:03:21,840 --> 00:03:25,040 Speaker 1: and you're just like, oh god. But anyway, So that's 62 00:03:25,080 --> 00:03:28,680 Speaker 1: what I love about Chante Joseph's article Our Boyfriend's embarrassing 63 00:03:28,760 --> 00:03:31,280 Speaker 1: question mark, And I think maybe is there now and 64 00:03:31,360 --> 00:03:32,880 Speaker 1: there are boyfriends now embarrassing? 65 00:03:33,480 --> 00:03:35,760 Speaker 2: Is having a boy is having a boyfriend embarrassing now? 66 00:03:35,760 --> 00:03:37,960 Speaker 2: Which feels like something we would have been a super 67 00:03:37,960 --> 00:03:40,200 Speaker 2: tight zoom in on Carrie's computer and watch your. 68 00:03:40,040 --> 00:03:44,840 Speaker 1: Type is having a boyfriend now? Embarrassing? Question mark? That 69 00:03:44,960 --> 00:03:48,640 Speaker 1: is such a Carrie Bradshat question. I love it so much. 70 00:03:48,800 --> 00:03:51,720 Speaker 1: But I have seen Shane on my Instagram and she 71 00:03:51,840 --> 00:03:55,280 Speaker 1: has gotten a lot of angry, angry texts as well. 72 00:03:55,640 --> 00:03:58,080 Speaker 1: So there's the people who love it, like myself, who 73 00:03:58,120 --> 00:04:02,480 Speaker 1: find the whole message very empowering and like a valid 74 00:04:02,600 --> 00:04:06,800 Speaker 1: question because some of these boyfriends are frankly embarrassing. You 75 00:04:06,840 --> 00:04:07,520 Speaker 1: know what I'm saying. 76 00:04:08,000 --> 00:04:11,280 Speaker 2: I would argue the majority of them, I would be 77 00:04:11,560 --> 00:04:12,800 Speaker 2: what I have witnessed out there. 78 00:04:14,120 --> 00:04:17,160 Speaker 1: I mean, yeah, I'm not really you know so much 79 00:04:17,200 --> 00:04:19,240 Speaker 1: in the mix or whatever, but like, from what I 80 00:04:19,320 --> 00:04:23,919 Speaker 1: see sometimes I'm like, you do feel like it's a 81 00:04:23,920 --> 00:04:25,080 Speaker 1: waste of a woman's time. 82 00:04:25,440 --> 00:04:29,240 Speaker 2: Yes, yeah, it benefits the man so much more in 83 00:04:29,320 --> 00:04:33,920 Speaker 2: every possible way. The only we got too much on this, 84 00:04:34,000 --> 00:04:35,880 Speaker 2: But like I've talked to my wife about this story, 85 00:04:35,920 --> 00:04:39,240 Speaker 2: and like we have had an honest conversation, and I 86 00:04:39,360 --> 00:04:43,120 Speaker 2: firmly believe that the only thing, the only advantage that 87 00:04:43,160 --> 00:04:46,320 Speaker 2: I serve her is that it is easier to do 88 00:04:46,400 --> 00:04:49,280 Speaker 2: certain things if it comes from a man, because that's 89 00:04:49,279 --> 00:04:50,200 Speaker 2: how society is. 90 00:04:50,800 --> 00:04:51,440 Speaker 1: So fucked up. 91 00:04:51,480 --> 00:04:53,000 Speaker 2: It's so so fucked up. 92 00:04:54,040 --> 00:04:56,680 Speaker 1: It was still so crazy when we're planning. 93 00:04:56,400 --> 00:04:58,240 Speaker 2: Our wedding, we're playing our wedding, we're trying to get 94 00:04:58,240 --> 00:05:01,800 Speaker 2: this dumb red curtain, and our wedding planner and my 95 00:05:01,800 --> 00:05:04,800 Speaker 2: wife were emailing the guy who ran the venue. Now 96 00:05:04,920 --> 00:05:08,040 Speaker 2: response at all, I copy and pasted and sent the 97 00:05:08,040 --> 00:05:10,039 Speaker 2: exact same email go back to me right away. And 98 00:05:10,080 --> 00:05:12,080 Speaker 2: that was the first time I had ever really seen that, 99 00:05:12,440 --> 00:05:16,640 Speaker 2: seen it like happen. And I was like, this happens 100 00:05:16,720 --> 00:05:21,240 Speaker 2: every day all around me, and it's so sad. And 101 00:05:21,240 --> 00:05:23,039 Speaker 2: that is the you know, I truly think that's the 102 00:05:23,040 --> 00:05:25,320 Speaker 2: only but but you know, that's the only thing that 103 00:05:25,400 --> 00:05:30,360 Speaker 2: I really bring to this is that like, oh, we 104 00:05:30,440 --> 00:05:32,440 Speaker 2: have we have a great relationship, we get along really well, 105 00:05:32,520 --> 00:05:34,320 Speaker 2: we love each other's company and stuff like that. But 106 00:05:34,320 --> 00:05:36,599 Speaker 2: but like I I will be the first to say, 107 00:05:37,240 --> 00:05:39,680 Speaker 2: we we own our home. Because my wife put it, 108 00:05:39,720 --> 00:05:41,480 Speaker 2: like found it and put it in a little word together. 109 00:05:41,880 --> 00:05:45,159 Speaker 2: She pushed me to like get a better job. There's like, oh, 110 00:05:45,800 --> 00:05:47,840 Speaker 2: I think that's a common story for a lot of 111 00:05:48,080 --> 00:05:51,560 Speaker 2: these men get dragged kicking and screaming into adulthood by 112 00:05:51,560 --> 00:05:54,679 Speaker 2: these strong, powerful women that are gracing us with their presence. 113 00:05:54,839 --> 00:05:56,960 Speaker 1: I agree. I think that's true. I mean, I mean 114 00:05:57,000 --> 00:05:59,640 Speaker 1: I feel and I feel bad a little bit saying it, 115 00:05:59,680 --> 00:06:01,800 Speaker 1: because I mean I like Ben, you know, and I 116 00:06:01,880 --> 00:06:03,480 Speaker 1: like my friend's husbands and all that. Do you know 117 00:06:03,560 --> 00:06:05,920 Speaker 1: what I'm saying? And I will say I want to 118 00:06:05,960 --> 00:06:09,400 Speaker 1: say this. I think it's important to say. I think 119 00:06:09,480 --> 00:06:13,480 Speaker 1: that I have a really good girlfriend. We've been friends 120 00:06:13,440 --> 00:06:15,920 Speaker 1: since we were twenties, in our twenties, like a long time. 121 00:06:16,480 --> 00:06:19,760 Speaker 1: And I was there when she went on her first 122 00:06:19,800 --> 00:06:23,320 Speaker 1: date with her husband. It was adorable and very cute. 123 00:06:23,680 --> 00:06:26,080 Speaker 1: I tell their daughters the story now and they laugh 124 00:06:26,160 --> 00:06:33,200 Speaker 1: really hard. And he luckily proposed. He'd been living with 125 00:06:33,240 --> 00:06:38,040 Speaker 1: her in her house right, and they had a bit 126 00:06:38,080 --> 00:06:40,440 Speaker 1: of a kind of one of those almost breakups before 127 00:06:40,480 --> 00:06:43,080 Speaker 1: the proposal, which happens. I don't know if you've witnessed 128 00:06:43,120 --> 00:06:45,400 Speaker 1: this with your friends or yourself or whatever, Like there's 129 00:06:45,440 --> 00:06:50,120 Speaker 1: like a crux, like a crisis kind of thing that happens, yeah, 130 00:06:50,160 --> 00:06:53,560 Speaker 1: when people are debating maybe taking the next step. And 131 00:06:53,880 --> 00:06:56,120 Speaker 1: he was acting really wacky and she came to me 132 00:06:56,160 --> 00:06:57,520 Speaker 1: and she said, I just I don't want to say 133 00:06:57,520 --> 00:06:59,120 Speaker 1: their names because I feel bad telling the story, but 134 00:06:59,320 --> 00:07:01,760 Speaker 1: I'm not gonna say it. This she came to me 135 00:07:01,760 --> 00:07:03,200 Speaker 1: and she's like, I don't know what's going on with him. 136 00:07:03,200 --> 00:07:05,159 Speaker 1: He's just acting so strange, and you know, he said 137 00:07:05,200 --> 00:07:07,960 Speaker 1: maybe he should, you know, like you know, see other people. 138 00:07:08,000 --> 00:07:10,480 Speaker 1: I was like, what this is in our twenties, right, 139 00:07:10,880 --> 00:07:13,960 Speaker 1: And I said, you know, I mean I think late twenties. 140 00:07:14,160 --> 00:07:16,960 Speaker 1: I said, is he insane? You should tell him to 141 00:07:17,000 --> 00:07:19,360 Speaker 1: get out, like he can get out if that is 142 00:07:19,400 --> 00:07:21,400 Speaker 1: what he wants. He needs to get his things and 143 00:07:21,440 --> 00:07:23,920 Speaker 1: move out of your house because right now he is 144 00:07:23,960 --> 00:07:27,200 Speaker 1: living the life and he needs to either like commit 145 00:07:27,280 --> 00:07:31,440 Speaker 1: to the life or get the fuck out, right. So 146 00:07:31,960 --> 00:07:36,080 Speaker 1: she told him that I said this, and I mean 147 00:07:36,080 --> 00:07:37,760 Speaker 1: it was very rare for me at the time, like 148 00:07:37,800 --> 00:07:39,440 Speaker 1: cause and I did really love him and I did 149 00:07:39,480 --> 00:07:41,080 Speaker 1: think they were a great couple. But I was mad 150 00:07:41,280 --> 00:07:43,960 Speaker 1: right on her behalf, and so she told him this, 151 00:07:44,560 --> 00:07:46,000 Speaker 1: and he was mad at me for a little while, 152 00:07:46,000 --> 00:07:48,560 Speaker 1: but he did propose, thank God in heaven. Now, what 153 00:07:48,600 --> 00:07:51,640 Speaker 1: I want to say about them is that they have 154 00:07:51,800 --> 00:07:54,080 Speaker 1: the most amazing relationship. And I mean I've known them 155 00:07:54,080 --> 00:07:57,640 Speaker 1: forever now, right, and she has gone through cancer. Wow, 156 00:07:57,800 --> 00:08:01,560 Speaker 1: and she's fine now knocking the wood, but he literally 157 00:08:01,560 --> 00:08:03,480 Speaker 1: got her through it. Like it makes me want to cry. 158 00:08:03,800 --> 00:08:06,440 Speaker 1: So you know, I don't think you should ever feel 159 00:08:06,600 --> 00:08:09,200 Speaker 1: like you're not contributing, right because you're in it together. 160 00:08:09,440 --> 00:08:11,680 Speaker 1: You know, you're in life together, and that's the beautiful thing. 161 00:08:11,840 --> 00:08:14,840 Speaker 1: That's the beautiful thing, right. So, yes, we live in 162 00:08:14,880 --> 00:08:18,800 Speaker 1: a sexist, patriarchal world that is messed up, and it's 163 00:08:18,800 --> 00:08:21,560 Speaker 1: amazing that you see that, right, But I think, like 164 00:08:21,760 --> 00:08:24,400 Speaker 1: what each person brings to the relationship is so much 165 00:08:24,440 --> 00:08:26,640 Speaker 1: more than that, so so much more than that, you 166 00:08:26,640 --> 00:08:29,080 Speaker 1: know what I mean, when it's a good relationship and 167 00:08:29,120 --> 00:08:32,120 Speaker 1: people are committed to working on it, which I think 168 00:08:32,200 --> 00:08:35,440 Speaker 1: is also key, you know, Lena and I talked about 169 00:08:35,480 --> 00:08:37,760 Speaker 1: that too. I mean, like not everybody would say, like 170 00:08:38,360 --> 00:08:40,360 Speaker 1: are you working on your spirituality? Are you working on 171 00:08:40,400 --> 00:08:42,560 Speaker 1: your commitment? Are you working? Are you in therapy? Are 172 00:08:42,640 --> 00:08:45,840 Speaker 1: you is there some way that you're getting better? You know? 173 00:08:46,000 --> 00:08:48,800 Speaker 1: And when you're together in a relationship and doing that, 174 00:08:48,800 --> 00:08:52,360 Speaker 1: that's amazing, yes, yes, and worth it. Yeah, you know 175 00:08:52,360 --> 00:08:55,120 Speaker 1: what I'm saying, worth it Even though what we're talking 176 00:08:55,120 --> 00:08:57,520 Speaker 1: about is, like I think the way that they're talking 177 00:08:57,520 --> 00:09:01,480 Speaker 1: about that it doesn't benefit the women is economically, yes, right, 178 00:09:01,800 --> 00:09:06,760 Speaker 1: because economically, especially when you become a mother, like your 179 00:09:06,840 --> 00:09:09,640 Speaker 1: economics get like totally wrecked, you know what I mean, 180 00:09:09,800 --> 00:09:13,480 Speaker 1: like your job, you know, ascendance or whatever you want 181 00:09:13,520 --> 00:09:15,960 Speaker 1: to call it. Like everything. Hannah is doing it all. 182 00:09:16,200 --> 00:09:18,120 Speaker 1: But I mean it's not easy, you know what I'm saying, 183 00:09:18,160 --> 00:09:20,440 Speaker 1: It's not easy right for the women because that's how 184 00:09:20,480 --> 00:09:22,880 Speaker 1: the system is set up exactly, which is messed up 185 00:09:23,040 --> 00:09:25,240 Speaker 1: and you know, hopefully. I mean that's why I find 186 00:09:25,320 --> 00:09:29,160 Speaker 1: articles like Shane's article so so wonderful because like it's 187 00:09:29,240 --> 00:09:32,880 Speaker 1: kind of like peeling back the layers, right and saying like, 188 00:09:33,200 --> 00:09:35,680 Speaker 1: let's say even in your twenties and thirties, you know, 189 00:09:35,920 --> 00:09:37,679 Speaker 1: because it wasn't Mary Beth talking about I don't know 190 00:09:37,679 --> 00:09:38,920 Speaker 1: if she talked about it when she was here, but 191 00:09:39,000 --> 00:09:41,280 Speaker 1: like there's a whole thing about men who wanted to 192 00:09:41,280 --> 00:09:46,880 Speaker 1: buy leather jackets and when needing help from the girlfriend 193 00:09:46,880 --> 00:09:50,200 Speaker 1: because they couldn't decide, and like some girl friend of 194 00:09:50,240 --> 00:09:53,040 Speaker 1: hers had gone and like there was like seventeen leather 195 00:09:53,160 --> 00:09:55,199 Speaker 1: jackets that she had to look at her, do you 196 00:09:55,280 --> 00:09:58,120 Speaker 1: know what I mean? Like just stupid, stupid shit, do 197 00:09:58,160 --> 00:09:59,560 Speaker 1: you know what I mean. I don't know how else 198 00:09:59,600 --> 00:10:03,400 Speaker 1: to put it, but you are kind of exhausted by 199 00:10:03,440 --> 00:10:05,840 Speaker 1: that at a certain point. And like for me, and 200 00:10:06,040 --> 00:10:07,840 Speaker 1: this is probably really bad that I'm gonna say this, 201 00:10:07,800 --> 00:10:09,560 Speaker 1: but I'm gonna say it anyway. I got to a 202 00:10:09,600 --> 00:10:12,920 Speaker 1: place in life where I thought, you know what, I'm 203 00:10:13,000 --> 00:10:16,760 Speaker 1: just gonna raise some children because I'm dire of putting 204 00:10:16,760 --> 00:10:18,600 Speaker 1: all the energy and the men, because the men are 205 00:10:18,640 --> 00:10:21,400 Speaker 1: just gonna go, and then what are you left with? 206 00:10:21,800 --> 00:10:25,960 Speaker 1: Like nothing, I'm just gonna raise some actual children. Like 207 00:10:26,120 --> 00:10:29,040 Speaker 1: That's where I got to. I don't know, So I 208 00:10:29,200 --> 00:10:31,800 Speaker 1: just relate to all of it, you know what I mean. Yeah, 209 00:10:31,880 --> 00:10:36,120 Speaker 1: it's hard. It's hard. It's hard to it's hard to navigate, 210 00:10:36,760 --> 00:10:38,960 Speaker 1: you know. And so let's talk about Stephen Miranda because 211 00:10:38,960 --> 00:10:42,920 Speaker 1: this is a perfect feed into that Ki man. I mean, like, 212 00:10:43,080 --> 00:10:45,760 Speaker 1: I love Steve. As I've said a few times now, 213 00:10:45,800 --> 00:10:49,800 Speaker 1: I really had no idea how incredible Steve Eigenberg. I'm sorry, 214 00:10:49,880 --> 00:10:51,800 Speaker 1: David Eigenmercy. Now I have them and this is the 215 00:10:51,800 --> 00:10:55,320 Speaker 1: same person David Eigenberg was because at the time I 216 00:10:55,400 --> 00:10:58,760 Speaker 1: was never around them, really and I kind of felt, 217 00:10:59,800 --> 00:11:02,160 Speaker 1: so I'm lot of like a frustration that I think 218 00:11:02,280 --> 00:11:06,280 Speaker 1: Miranda felt like I often took on the whatever the 219 00:11:06,360 --> 00:11:10,079 Speaker 1: characters were feeling, vibe or whatever as my own personal self, 220 00:11:10,360 --> 00:11:12,439 Speaker 1: so like I was like, oh God, she's still with him, 221 00:11:12,480 --> 00:11:14,760 Speaker 1: you know. I don't know, I don't know if I 222 00:11:14,960 --> 00:11:17,600 Speaker 1: really thought that thought, but I did think like, wow, 223 00:11:17,600 --> 00:11:20,160 Speaker 1: they're really they've got a lot of Steve in here. 224 00:11:20,360 --> 00:11:21,960 Speaker 1: But when I watch him back, he's just so so 225 00:11:22,120 --> 00:11:24,599 Speaker 1: incredibly good, Like even in hard scenes, like they're in 226 00:11:24,640 --> 00:11:26,720 Speaker 1: a restaurant they're eating. I think this is when you 227 00:11:26,760 --> 00:11:28,840 Speaker 1: first see them in the in the show, right, Yes, 228 00:11:28,920 --> 00:11:30,679 Speaker 1: they're eating and there's a baby there at the table 229 00:11:30,720 --> 00:11:34,560 Speaker 1: next to him. Miranda is like, you know, yeah, this 230 00:11:34,600 --> 00:11:38,720 Speaker 1: is what they invited babysitters for. You know. She really 231 00:11:38,720 --> 00:11:41,480 Speaker 1: makes me laugh, I tell you. And Steve's like, oh no, 232 00:11:41,960 --> 00:11:44,960 Speaker 1: he's so cute, you know, and he's like all kooy 233 00:11:45,080 --> 00:11:47,080 Speaker 1: and whatever. And then he spills soup down his shirt 234 00:11:47,080 --> 00:11:49,080 Speaker 1: and she's like, you're a mess, and I'm like, this 235 00:11:49,200 --> 00:11:54,520 Speaker 1: is just so good because he really is so believable, 236 00:11:55,160 --> 00:11:57,200 Speaker 1: you know what I'm saying, Like he's so open and 237 00:11:57,280 --> 00:12:00,520 Speaker 1: honest and adorable. But then just one second later, he 238 00:12:00,600 --> 00:12:03,440 Speaker 1: goes too far and he's annoying, you know what I'm saying, 239 00:12:03,480 --> 00:12:04,440 Speaker 1: like he's a kid, you know. 240 00:12:05,320 --> 00:12:06,720 Speaker 2: Definitely at the same. 241 00:12:06,520 --> 00:12:08,680 Speaker 1: Time that he's saying we should have a baby, and 242 00:12:08,720 --> 00:12:11,520 Speaker 1: she's like, oh, you're you're insane. And then she's like, 243 00:12:11,520 --> 00:12:13,840 Speaker 1: oh god, you're not, You're you actually mean it. And 244 00:12:13,840 --> 00:12:18,600 Speaker 1: I'm like, oh, Miranda, Miranda, things are coming, things are coming. 245 00:12:19,040 --> 00:12:23,080 Speaker 1: But I think it's I just really I feel for 246 00:12:23,200 --> 00:12:26,839 Speaker 1: him because I feel like there are times in your 247 00:12:26,880 --> 00:12:29,120 Speaker 1: life where you're just like, I want, I want to 248 00:12:29,360 --> 00:12:31,040 Speaker 1: I want to do the next thing, and this is 249 00:12:31,080 --> 00:12:33,000 Speaker 1: what the next thing is. And then if the person 250 00:12:33,000 --> 00:12:34,920 Speaker 1: that you're with doesn't want to do that next thing, 251 00:12:35,280 --> 00:12:38,400 Speaker 1: it's so hard and then you have to decide am 252 00:12:38,400 --> 00:12:40,400 Speaker 1: I going to leave because they don't want what I want? 253 00:12:41,160 --> 00:12:43,440 Speaker 2: And this is pretty fundamental difference at that point. 254 00:12:43,679 --> 00:12:46,880 Speaker 1: This is definitely a fundamental difference. But she's not wrong. 255 00:12:48,240 --> 00:12:51,560 Speaker 1: But then things things happen. But you know what, I 256 00:12:51,559 --> 00:12:53,880 Speaker 1: don't really remember exactly how it goes down either. I'm 257 00:12:53,880 --> 00:12:56,880 Speaker 1: really curious. See I remember some of it, but I 258 00:12:56,880 --> 00:13:09,360 Speaker 1: don't remember all of it. So we see them at 259 00:13:09,360 --> 00:13:11,520 Speaker 1: the soup At the soup but that they're they're sitting 260 00:13:11,559 --> 00:13:15,040 Speaker 1: having like like oodun or something. Yes, and she's like 261 00:13:15,480 --> 00:13:20,040 Speaker 1: the baby and he's like it's adorable. And then she's all, 262 00:13:20,120 --> 00:13:22,400 Speaker 1: you know, mad, and and and then she gets at 263 00:13:22,440 --> 00:13:25,040 Speaker 1: wait wait, wait does she she thinks it's crazy. Of course, 264 00:13:25,040 --> 00:13:26,920 Speaker 1: they've only been living together two months, which is also 265 00:13:26,960 --> 00:13:29,360 Speaker 1: really funny because it seems like it's I don't know, 266 00:13:29,400 --> 00:13:33,080 Speaker 1: it seems like a while. It does in our showtime lace, right. 267 00:13:33,080 --> 00:13:34,760 Speaker 2: But only two months not long. 268 00:13:34,840 --> 00:13:38,439 Speaker 1: It's not long at all. Slow yourself down, man, I mean, 269 00:13:38,440 --> 00:13:41,480 Speaker 1: but he is so interesting because I kind of get 270 00:13:41,520 --> 00:13:43,520 Speaker 1: his point right, Like he's just kind of like a 271 00:13:43,559 --> 00:13:46,080 Speaker 1: go with the flow, like let's make it work, you know, 272 00:13:46,840 --> 00:13:50,400 Speaker 1: I don't know, I get it. So then she's working 273 00:13:50,480 --> 00:13:53,480 Speaker 1: and Steve is watching Scooby Doo. And the really funny 274 00:13:53,520 --> 00:13:56,000 Speaker 1: part is I'm like, he is so annoying, and then 275 00:13:56,000 --> 00:13:57,440 Speaker 1: she walks up and he's like, no, it's a really 276 00:13:57,480 --> 00:14:00,920 Speaker 1: good one where the ghost I'm like, I remember that one. 277 00:14:01,600 --> 00:14:05,520 Speaker 2: So now I gotta point this out, Kelly. The Steve says, 278 00:14:06,080 --> 00:14:07,520 Speaker 2: this is the one where they found the ghosts and 279 00:14:07,559 --> 00:14:10,000 Speaker 2: the salt mine. No, it is not Steve what he 280 00:14:10,080 --> 00:14:13,240 Speaker 2: is watching The episode is called the I wrote this 281 00:14:13,320 --> 00:14:17,959 Speaker 2: down the Jeeper Jeepers. It's the Creeper, which is about 282 00:14:18,240 --> 00:14:22,200 Speaker 2: it's a it takes place in a bank. There's no ghosts. 283 00:14:22,320 --> 00:14:23,440 Speaker 1: We messed up. 284 00:14:23,680 --> 00:14:23,920 Speaker 3: See. 285 00:14:24,000 --> 00:14:26,040 Speaker 1: This is the kind of thing that the Instagram would 286 00:14:26,040 --> 00:14:28,400 Speaker 1: be all all in a for about if we made 287 00:14:28,440 --> 00:14:29,560 Speaker 1: this in twenty twenty five. 288 00:14:29,800 --> 00:14:32,240 Speaker 2: So I brought this up. I'm a big scowy do fan. 289 00:14:32,520 --> 00:14:33,560 Speaker 2: My wife and I watching this show. 290 00:14:33,800 --> 00:14:38,560 Speaker 1: This is so perfect. Is rewatching with me right now? 291 00:14:39,800 --> 00:14:41,400 Speaker 1: And your wife? Watch it together? Yes? 292 00:14:41,560 --> 00:14:44,720 Speaker 2: Yes, watch this together, having a great time. I pause 293 00:14:44,760 --> 00:14:46,440 Speaker 2: it and I'm like, I don't think this is the 294 00:14:46,520 --> 00:14:49,600 Speaker 2: right episode. I look it up. My suspicions are confirmed, 295 00:14:49,960 --> 00:14:53,840 Speaker 2: and Alison says, I think that was intentional. I don't 296 00:14:53,840 --> 00:14:57,400 Speaker 2: think Steve is trying to say, oh, no, I'm watching. 297 00:14:57,760 --> 00:14:59,680 Speaker 2: He wasn't gonna say IM was watching this specific episode. 298 00:14:59,720 --> 00:15:02,560 Speaker 2: He was goofing around saying, oh, I'm watching someone with 299 00:15:02,600 --> 00:15:05,040 Speaker 2: the ghost, because that's kind of like a generic Scooby. 300 00:15:04,680 --> 00:15:05,920 Speaker 1: Doo oh I did. 301 00:15:06,920 --> 00:15:09,400 Speaker 2: He's a ghost of AsSalt mine and like Jesus kind 302 00:15:09,400 --> 00:15:11,840 Speaker 2: of being like I'm watching cartoons, you know, much like 303 00:15:11,840 --> 00:15:14,320 Speaker 2: a baby Wood, which we will hopefully have in the 304 00:15:14,360 --> 00:15:15,160 Speaker 2: house soon. 305 00:15:15,120 --> 00:15:18,640 Speaker 1: So she gave him the credit that he's kind of 306 00:15:18,680 --> 00:15:24,840 Speaker 1: intentionally doing this. Yes, you're thinking, Allison. 307 00:15:24,160 --> 00:15:26,920 Speaker 2: They just pulled a random Scooby Doo episode and didn't check. 308 00:15:26,800 --> 00:15:30,560 Speaker 1: So, I mean, I think that might have happened. I 309 00:15:30,600 --> 00:15:32,800 Speaker 1: love that she's giving us more credit than that. I 310 00:15:32,840 --> 00:15:35,520 Speaker 1: don't know for sure because I never noticed that because 311 00:15:35,560 --> 00:15:37,960 Speaker 1: the only Scooby Doo that I really remember is the ghost. 312 00:15:38,200 --> 00:15:38,440 Speaker 2: Yeah. 313 00:15:38,560 --> 00:15:42,720 Speaker 1: JURY mean, but that's really interesting. I mean, it does. 314 00:15:43,120 --> 00:15:46,080 Speaker 1: It does make you wonder because he does seem the 315 00:15:46,120 --> 00:15:49,120 Speaker 1: thing about Steve, you know, there's like a kind of 316 00:15:49,120 --> 00:15:52,560 Speaker 1: a passive aggressive way that he gets what he wants, right, 317 00:15:52,640 --> 00:15:55,200 Speaker 1: which is the annoying part, like what is about to happen, 318 00:15:55,240 --> 00:15:58,800 Speaker 1: which I still just can't even believe. Right, But I mean, 319 00:15:58,840 --> 00:16:02,200 Speaker 1: obviously I support what he wants because I want dogs always, 320 00:16:02,240 --> 00:16:04,600 Speaker 1: but like the way that he gets this dog. Oh 321 00:16:04,640 --> 00:16:06,400 Speaker 1: my god, I didn't remember this, and every time I 322 00:16:06,440 --> 00:16:08,320 Speaker 1: watch it, I've not watched it twice, and I'm just like, 323 00:16:09,160 --> 00:16:13,920 Speaker 1: this is bad. Miranda. So they have the fight about 324 00:16:13,960 --> 00:16:17,560 Speaker 1: Scooby Doo, and then Miranda's at work the next day 325 00:16:17,600 --> 00:16:19,560 Speaker 1: and she is definitely mean Mommy, Oh no, wait is 326 00:16:19,600 --> 00:16:23,120 Speaker 1: she a workers she walking with Carrie. Oh yeah, no, no, 327 00:16:23,160 --> 00:16:25,480 Speaker 1: she hasn't watch when she walks with Carrie. It is 328 00:16:25,520 --> 00:16:28,240 Speaker 1: the cutest thing in the world. Carrie's got that massive 329 00:16:28,280 --> 00:16:30,800 Speaker 1: flower on. We're in the full on flower era, yes, 330 00:16:30,880 --> 00:16:33,000 Speaker 1: and they are hooked and hooked arms and they're walking 331 00:16:33,000 --> 00:16:34,760 Speaker 1: on the street and those are real people. Like it's 332 00:16:34,760 --> 00:16:37,560 Speaker 1: a real person version of the walking down the street. 333 00:16:37,600 --> 00:16:38,160 Speaker 1: It's so good. 334 00:16:38,480 --> 00:16:40,280 Speaker 2: So I loved I watched that scene twice. 335 00:16:40,320 --> 00:16:41,920 Speaker 1: I love it. It's really good. And the two of 336 00:16:41,920 --> 00:16:44,160 Speaker 1: them walking and talking at anytime is great. 337 00:16:44,600 --> 00:16:44,800 Speaker 3: Yeah. 338 00:16:44,840 --> 00:16:46,840 Speaker 1: No, she tells Carrie that they're not in a good place, 339 00:16:47,400 --> 00:16:49,920 Speaker 1: but she seems kind of okay about it in this scene, right, 340 00:16:49,960 --> 00:16:51,840 Speaker 1: like she's like, you know, and he's so crazy that 341 00:16:51,880 --> 00:16:53,640 Speaker 1: he thinks a baby's going to fix it. And she 342 00:16:53,720 --> 00:16:55,960 Speaker 1: says Carrie says like, well, where are you too? You know, 343 00:16:56,000 --> 00:16:58,280 Speaker 1: like Carrie's just being funny, like make he wear jokes 344 00:16:58,280 --> 00:17:00,280 Speaker 1: and stuff. And then Miranda says, you know, I am 345 00:17:00,280 --> 00:17:02,440 Speaker 1: getting older and I only have like a thousand eggs left, 346 00:17:02,480 --> 00:17:04,600 Speaker 1: and Carrie's like, yes, we just killed three hundred of 347 00:17:04,640 --> 00:17:06,360 Speaker 1: them with the drinks we just had or whatever. It's 348 00:17:06,400 --> 00:17:09,680 Speaker 1: all very interesting. I'm like, Okay, guys, we're joking about this. 349 00:17:09,680 --> 00:17:12,000 Speaker 1: This is super fascinating. But I guess we're going to 350 00:17:12,080 --> 00:17:14,160 Speaker 1: just joke about this for like a couple more seasons. 351 00:17:14,200 --> 00:17:18,160 Speaker 1: I think, like it's interesting. I was kind of unaware 352 00:17:18,440 --> 00:17:21,720 Speaker 1: in a way. You know, it's interesting. It's interesting, But 353 00:17:22,400 --> 00:17:24,680 Speaker 1: I mean, I know there's storyline that I remember coming 354 00:17:24,760 --> 00:17:26,800 Speaker 1: up with Miranda because of her one Ovary and me 355 00:17:27,000 --> 00:17:29,200 Speaker 1: and Bah. There's going to be a lot more coming. 356 00:17:29,359 --> 00:17:32,080 Speaker 1: But I find it so interesting how they lay the seeds, 357 00:17:33,080 --> 00:17:36,639 Speaker 1: like they're very smart about it. I like it. So 358 00:17:36,680 --> 00:17:38,879 Speaker 1: they walk and talk, it's adorable. Sir Jessca has a 359 00:17:38,880 --> 00:17:43,600 Speaker 1: massive fluorescent fusial flower. It's really cute. Then Miranda's at work, 360 00:17:43,680 --> 00:17:46,040 Speaker 1: she's literally in the meeting of like the middle of 361 00:17:46,080 --> 00:17:48,359 Speaker 1: like writing a brief. Steve calls her and it's like 362 00:17:48,480 --> 00:17:51,040 Speaker 1: meet me at seventy eighth or fifty eighth and seventh 363 00:17:51,160 --> 00:17:54,840 Speaker 1: or whatever. I mean, honestly, like who calls someone at 364 00:17:54,840 --> 00:17:57,439 Speaker 1: a job and says that, Like that's so crazy, but whatever, 365 00:17:57,520 --> 00:18:00,920 Speaker 1: she does it. I'm like, Miranda deserves craw it. Well, 366 00:18:00,920 --> 00:18:03,199 Speaker 1: where are they there? At a pet store? And he's like, 367 00:18:03,320 --> 00:18:08,360 Speaker 1: can we please have a puppy. He's like so crazy, 368 00:18:08,600 --> 00:18:10,480 Speaker 1: and she's like, who's going to take care of it? 369 00:18:10,600 --> 00:18:14,000 Speaker 1: I mean it is literally apparent to child conversation, but 370 00:18:14,200 --> 00:18:16,560 Speaker 1: it's still a cute puppy. And he goes it's like 371 00:18:16,600 --> 00:18:19,160 Speaker 1: a starter, you know, to see if we can do it, 372 00:18:19,600 --> 00:18:22,120 Speaker 1: and he's like, it'll make everything better, and I mean 373 00:18:22,200 --> 00:18:24,800 Speaker 1: she's like, you know, she knows in her gut that 374 00:18:24,880 --> 00:18:27,280 Speaker 1: this is not a good idea, but she does it. 375 00:18:27,400 --> 00:18:31,320 Speaker 1: And you know what do we see next the middle 376 00:18:31,320 --> 00:18:33,720 Speaker 1: of the night and that puppy's crying and Miranda says, no, 377 00:18:33,760 --> 00:18:36,959 Speaker 1: what she is obviously not a dog person. Steve like, 378 00:18:37,119 --> 00:18:40,879 Speaker 1: it's also that kind of thing where you're like, obviously 379 00:18:40,920 --> 00:18:43,520 Speaker 1: we're watching and they're in it, but like, can't he 380 00:18:43,760 --> 00:18:48,000 Speaker 1: see that she's not this right? It's interesting. 381 00:18:48,400 --> 00:18:53,879 Speaker 2: Yeah, it's a I understand his thinking of like let's 382 00:18:54,680 --> 00:18:57,000 Speaker 2: let's ease ourselves into the baby pool with the dog, 383 00:18:57,040 --> 00:18:58,480 Speaker 2: but like, but she's. 384 00:18:58,400 --> 00:19:01,480 Speaker 1: She's not a zero interest. She's like not even like 385 00:19:01,240 --> 00:19:04,639 Speaker 1: it's like a tiny She's not like maybe later, you know, 386 00:19:04,720 --> 00:19:09,160 Speaker 1: she's like no, so he's like a dog a puppy 387 00:19:09,520 --> 00:19:12,120 Speaker 1: and you know, oh yeah, yeah, but then that meat 388 00:19:12,200 --> 00:19:14,399 Speaker 1: makes her in the middle of the night. Oh what 389 00:19:14,560 --> 00:19:16,880 Speaker 1: I really love. So she bends over and she tries 390 00:19:16,920 --> 00:19:18,680 Speaker 1: to give the puppy this like old fashioned alarm clock. 391 00:19:18,720 --> 00:19:21,240 Speaker 1: She's obviously still clueless about dogs, right, and then and 392 00:19:21,280 --> 00:19:24,480 Speaker 1: then she turns and she takes both hands and shakes himself. 393 00:19:24,480 --> 00:19:29,959 Speaker 1: Are it really made me laugh? I think it's like 394 00:19:30,119 --> 00:19:34,560 Speaker 1: you feel you feel her frustration watching it. And he 395 00:19:34,600 --> 00:19:38,960 Speaker 1: gets up and he's like, what you know, Yeah, since 396 00:19:39,000 --> 00:19:40,879 Speaker 1: we know David's not coming on, I can do my 397 00:19:41,000 --> 00:19:47,720 Speaker 1: bad avitation. So then she basically just gets up and 398 00:19:47,760 --> 00:19:49,720 Speaker 1: breaks up with him in the middle of the night. 399 00:19:49,800 --> 00:19:51,520 Speaker 1: And I felt really bad for him. But I felt 400 00:19:51,520 --> 00:19:55,440 Speaker 1: really bad for him because she is obviously really sad 401 00:19:55,440 --> 00:19:57,800 Speaker 1: about it. And this again is when I think like, 402 00:19:58,359 --> 00:20:04,520 Speaker 1: she's so good, so good, because she's still so torn. Yes, 403 00:20:04,800 --> 00:20:08,280 Speaker 1: you know, it's it's just so well done, right, because 404 00:20:08,320 --> 00:20:11,919 Speaker 1: like there's nothing on paper of this situation that works. 405 00:20:12,840 --> 00:20:16,240 Speaker 1: But she's trying. And then he goes, no, you didn't try, 406 00:20:16,280 --> 00:20:18,439 Speaker 1: and she's like, I tried for a long time. And 407 00:20:18,480 --> 00:20:20,920 Speaker 1: then he's like all hurt, like literally everything she says 408 00:20:21,000 --> 00:20:23,080 Speaker 1: hurts him. But I get it, she has been trying 409 00:20:23,119 --> 00:20:26,160 Speaker 1: for a long time. Yes, she really has I feel 410 00:20:26,160 --> 00:20:26,440 Speaker 1: for her. 411 00:20:26,760 --> 00:20:29,479 Speaker 2: Is this the like third time they've broken up? 412 00:20:29,640 --> 00:20:33,199 Speaker 1: I think it's a second time. I mean because the 413 00:20:33,280 --> 00:20:35,720 Speaker 1: last time he comes to the party in the rain 414 00:20:35,840 --> 00:20:38,160 Speaker 1: or whatever, he's at the dinner where he's like bringing 415 00:20:38,200 --> 00:20:38,959 Speaker 1: everyone drinks. 416 00:20:39,600 --> 00:20:39,879 Speaker 3: Last. 417 00:20:40,080 --> 00:20:42,720 Speaker 1: Yes, it's awkward, and then he goes out. But then 418 00:20:42,760 --> 00:20:47,439 Speaker 1: she realizes because big came, that maybe she's being too harsh, 419 00:20:47,480 --> 00:20:48,960 Speaker 1: so she goes back out in the rain and the 420 00:20:49,040 --> 00:20:52,040 Speaker 1: kiss it's really good. It was really good. I mean, 421 00:20:52,080 --> 00:20:54,720 Speaker 1: it's it's an interesting thing. But I do wonder too, 422 00:20:55,160 --> 00:20:58,439 Speaker 1: like if you think about real relationships, you know, how 423 00:20:58,480 --> 00:21:01,879 Speaker 1: often is it that everyone on the outside is thinking 424 00:21:01,920 --> 00:21:04,200 Speaker 1: this is really obviously not going to work? But then 425 00:21:04,240 --> 00:21:07,480 Speaker 1: in my work, yes, you know what I'm saying, you don't. 426 00:21:07,320 --> 00:21:11,600 Speaker 2: Really know, right, it's a chemical reaction that you don't 427 00:21:11,760 --> 00:21:12,479 Speaker 2: you can't predict. 428 00:21:12,760 --> 00:21:15,880 Speaker 1: I mean, is it a chemical reaction though, that's my question, right, 429 00:21:16,200 --> 00:21:18,320 Speaker 1: I mean, it can be a chemical reaction, but is 430 00:21:18,320 --> 00:21:21,560 Speaker 1: a chemical reaction enough? Yeah, that's the question. We haven't 431 00:21:21,560 --> 00:21:24,680 Speaker 1: really talked about Charlotte, which is funny or Samantha. Oh 432 00:21:24,720 --> 00:21:28,199 Speaker 1: Samantha storyline really depresses me. That's why I forgot about it. 433 00:21:28,280 --> 00:21:31,160 Speaker 1: Oh my God. This is also I did not remember 434 00:21:31,200 --> 00:21:33,520 Speaker 1: that we got into menopause at this point in the show. 435 00:21:33,560 --> 00:21:36,200 Speaker 1: But I mean we're ahead of our time, people ahead 436 00:21:36,240 --> 00:21:36,800 Speaker 1: of our time. 437 00:21:36,920 --> 00:21:39,399 Speaker 2: Man. I had the same reaction. And when I was 438 00:21:39,440 --> 00:21:41,440 Speaker 2: watching this, I'm like, oh, this is because I remember 439 00:21:41,480 --> 00:21:44,000 Speaker 2: this episode. I've seen it a handful of times, and 440 00:21:44,040 --> 00:21:45,280 Speaker 2: I was like, OK, this happens this early. 441 00:21:45,480 --> 00:21:47,520 Speaker 1: Me too. I didn't think it happened this early at all, 442 00:21:47,680 --> 00:21:50,399 Speaker 1: but it does make sense because she's moved right, so 443 00:21:50,440 --> 00:21:53,320 Speaker 1: she's got different neighbors. And so this neighbor who's like this, 444 00:21:53,480 --> 00:21:57,679 Speaker 1: you know, ponytail dude, and I mean they just wrote 445 00:21:57,680 --> 00:21:59,679 Speaker 1: it like so extreme. You know. 446 00:22:00,119 --> 00:22:03,240 Speaker 2: He's played by Robert LuPone, who is Patty Lapone's brother. 447 00:22:03,400 --> 00:22:07,040 Speaker 1: I am aware, yes, yes, and he gives it is 448 00:22:07,119 --> 00:22:10,040 Speaker 1: all man, he really does. He digs in, he digs 449 00:22:10,080 --> 00:22:13,800 Speaker 1: in with this guy oo and she just seems so 450 00:22:14,560 --> 00:22:18,639 Speaker 1: miserable and I felt really bad for her. So basically, 451 00:22:18,640 --> 00:22:20,720 Speaker 1: we have that very long scene in the bathroom, and 452 00:22:20,760 --> 00:22:23,720 Speaker 1: I do remember filming that, and it's not the only 453 00:22:23,800 --> 00:22:26,720 Speaker 1: scene we've had that was like a set that we would, 454 00:22:27,720 --> 00:22:29,600 Speaker 1: I think, try to change up a little bit. I 455 00:22:29,640 --> 00:22:32,600 Speaker 1: feel like last season We also filmed in that weird counter, 456 00:22:33,000 --> 00:22:34,600 Speaker 1: you know, because there's like a fake mirror, but it's 457 00:22:34,600 --> 00:22:38,040 Speaker 1: obviously the cameras. Yeah, and it's really hard to block, 458 00:22:38,240 --> 00:22:40,520 Speaker 1: right because like you're all standing there and you have 459 00:22:40,600 --> 00:22:43,199 Speaker 1: to do the right thing at the right time, and 460 00:22:43,240 --> 00:22:45,760 Speaker 1: we would just be in there for hours and hours 461 00:22:45,760 --> 00:22:48,480 Speaker 1: and hours. And I remember that one because like we 462 00:22:48,520 --> 00:22:50,320 Speaker 1: have to pass the tampon and then I have to 463 00:22:50,359 --> 00:22:51,639 Speaker 1: go back in the stell and then I have to 464 00:22:51,640 --> 00:22:54,439 Speaker 1: come back out, and then Samantha has to tell us 465 00:22:54,480 --> 00:22:58,160 Speaker 1: all that she's older, and then there's like this awkward silence. Yes, 466 00:22:58,359 --> 00:23:02,040 Speaker 1: it's like so strange, Like I don't know if that 467 00:23:02,160 --> 00:23:05,040 Speaker 1: was what was on the page, like do you're name saying? 468 00:23:05,800 --> 00:23:09,359 Speaker 1: Like is it is it supposed to be funny or 469 00:23:09,400 --> 00:23:11,479 Speaker 1: is it supposed to be awkward? I guess it's just 470 00:23:11,480 --> 00:23:14,720 Speaker 1: supposed to be awkward. I don't know. I was like 471 00:23:15,440 --> 00:23:19,680 Speaker 1: kind of dying watching it the same, And I mean 472 00:23:19,720 --> 00:23:25,240 Speaker 1: it's odd because like we must know and why is 473 00:23:25,240 --> 00:23:25,960 Speaker 1: it a big deal? 474 00:23:26,359 --> 00:23:27,880 Speaker 2: Yeah, But I also. 475 00:23:27,640 --> 00:23:30,359 Speaker 1: Feel like the rest of us are in our thirties. 476 00:23:30,440 --> 00:23:32,760 Speaker 1: Like the funny thing is how we talk about aging, 477 00:23:33,359 --> 00:23:38,200 Speaker 1: but we're so young, you know, And now, I do 478 00:23:38,280 --> 00:23:41,000 Speaker 1: think that would be different, you know what I'm saying, Like, 479 00:23:41,440 --> 00:23:43,600 Speaker 1: I don't think women in the thirties are like, ohly 480 00:23:43,680 --> 00:23:46,320 Speaker 1: have a thousand eggs left? I mean, are they? Maybe 481 00:23:46,359 --> 00:23:48,960 Speaker 1: they are. I don't know. You guys right on the 482 00:23:49,000 --> 00:23:51,480 Speaker 1: Instagram tell me if that's true, because I'm not sure. 483 00:23:51,520 --> 00:23:54,320 Speaker 1: I'm not sure. I felt like it was premature, you 484 00:23:54,320 --> 00:23:56,679 Speaker 1: know what I mean? But I do I feel as 485 00:23:56,760 --> 00:23:58,800 Speaker 1: a as a female who was in her thirties at 486 00:23:58,800 --> 00:24:00,960 Speaker 1: the time that this is and they started with the 487 00:24:01,119 --> 00:24:04,240 Speaker 1: articles about freezing your eggs and stuff like, this is 488 00:24:04,280 --> 00:24:07,480 Speaker 1: when they started with the articles about the ticking time clock. Yeah, 489 00:24:07,520 --> 00:24:09,199 Speaker 1: like you kind of like if you were out in 490 00:24:09,200 --> 00:24:10,760 Speaker 1: the world and you looked around, you just see like 491 00:24:10,840 --> 00:24:13,800 Speaker 1: magazines like your clock is ticking, Like it was weird. 492 00:24:14,240 --> 00:24:17,160 Speaker 1: It was like it just they decided to just start 493 00:24:17,200 --> 00:24:18,840 Speaker 1: talking about it all the time, do you know what 494 00:24:18,880 --> 00:24:21,040 Speaker 1: I mean? Yes, but they were not talking about menopause 495 00:24:21,040 --> 00:24:22,840 Speaker 1: all the time. So I think it's really awesome that 496 00:24:22,880 --> 00:24:25,080 Speaker 1: we do talk about it at all. And so poor 497 00:24:25,119 --> 00:24:29,360 Speaker 1: Samantha goes through this whole really sad, sad time where 498 00:24:29,400 --> 00:24:35,040 Speaker 1: she's like, I'm day old Bread's. Yeah, it's so sad. 499 00:24:35,119 --> 00:24:36,960 Speaker 1: It's so sad, And so she has sex with her 500 00:24:37,000 --> 00:24:39,359 Speaker 1: neighbor even though she really doesn't want to, and she 501 00:24:39,440 --> 00:24:42,480 Speaker 1: looks so miserable with him, and they're at dinner and 502 00:24:42,520 --> 00:24:46,280 Speaker 1: she's just so obviously miserable. It's kind of funny that 503 00:24:46,400 --> 00:24:49,159 Speaker 1: she's so obviously miserable because it's not how we normally 504 00:24:49,160 --> 00:24:52,800 Speaker 1: see Samantha. Yes, but he is oblivious. And then they 505 00:24:52,800 --> 00:24:55,800 Speaker 1: go home and have sex, but she's not even participating, 506 00:24:56,000 --> 00:24:58,920 Speaker 1: even remotely, but she's only doing it because she thinks 507 00:24:58,960 --> 00:25:01,800 Speaker 1: she's over the hill. And then she gets her period 508 00:25:01,840 --> 00:25:04,840 Speaker 1: and she's so ecstatic that she runs off because she 509 00:25:04,920 --> 00:25:10,400 Speaker 1: realizes she's not quote old or whatever. It's all so crazy. 510 00:25:10,840 --> 00:25:13,560 Speaker 1: But on the other hand, it's amazing that we were 511 00:25:13,600 --> 00:25:16,800 Speaker 1: talking about it back then, in the year of two thousand, right, 512 00:25:16,800 --> 00:25:20,080 Speaker 1: because now twenty twenty five, we're trying to pull that 513 00:25:20,880 --> 00:25:23,120 Speaker 1: lid off. Man. We got to talk about women's health, 514 00:25:23,160 --> 00:25:25,440 Speaker 1: We got to talk about what menopause means and when 515 00:25:25,440 --> 00:25:28,720 Speaker 1: it starts and what to do and all the different things, 516 00:25:29,119 --> 00:25:30,040 Speaker 1: which I think is great. 517 00:25:30,320 --> 00:25:36,359 Speaker 2: Yes, absolutely, yes, another moment where sex and city trailblazing we. 518 00:25:36,200 --> 00:25:38,520 Speaker 1: Were we were, I mean, we do it in a 519 00:25:38,600 --> 00:25:43,600 Speaker 1: slightly like questionable way, although you know, because we're trying 520 00:25:43,600 --> 00:25:45,760 Speaker 1: to be funny, which I think is great that we're 521 00:25:45,800 --> 00:25:48,359 Speaker 1: trying to be funny. And obviously in the second film, 522 00:25:48,400 --> 00:25:51,119 Speaker 1: she's got a whole storyline about her hormones. And I 523 00:25:51,160 --> 00:25:53,520 Speaker 1: remember the time, I hadn't I hadn't been through it yet, 524 00:25:53,560 --> 00:25:56,639 Speaker 1: and I didn't totally understand, you know, I didn't. I 525 00:25:56,680 --> 00:25:59,560 Speaker 1: didn't not understand, but I hadn't been there, and now 526 00:25:59,560 --> 00:26:04,520 Speaker 1: I have, and it's so real. I mean, you do 527 00:26:04,800 --> 00:26:07,359 Speaker 1: not want to lose your hormones. Like you got to 528 00:26:07,400 --> 00:26:10,040 Speaker 1: pack those hormones in a special place if you're traveling, 529 00:26:10,440 --> 00:26:13,080 Speaker 1: and you need to guard them, Like you can't just 530 00:26:13,119 --> 00:26:14,720 Speaker 1: put them in your suitcase, because what if you lose 531 00:26:14,720 --> 00:26:16,760 Speaker 1: your suitcase. You got to keep them with you, which 532 00:26:16,760 --> 00:26:18,440 Speaker 1: I think is what she's doing in the second film. 533 00:26:18,480 --> 00:26:21,040 Speaker 1: Like it is all very real. And if you lose 534 00:26:21,080 --> 00:26:25,679 Speaker 1: those hormones, I mean it goes south quick, man, I 535 00:26:25,800 --> 00:26:30,400 Speaker 1: mean quick. You don't sleep, you're sweat covered. It's bad. 536 00:26:31,040 --> 00:26:33,840 Speaker 1: I'm sorry if I'm scaring all you younger ladies and easton. 537 00:26:34,520 --> 00:26:36,639 Speaker 2: This is real, real, it is real. 538 00:26:36,480 --> 00:26:39,840 Speaker 1: It is real. It seems like it's a caricature, but 539 00:26:39,920 --> 00:26:42,760 Speaker 1: it's really hot, and I mean it is different for everyone, right, 540 00:26:42,800 --> 00:26:44,960 Speaker 1: but like like when it finally hit me, I was like, 541 00:26:45,400 --> 00:26:50,000 Speaker 1: what the fuck? Like what, like what because you're kind 542 00:26:50,000 --> 00:26:53,040 Speaker 1: of like, what's going on with me? Like it's odd? 543 00:26:53,160 --> 00:26:55,679 Speaker 1: Why am I hot? Because I'm never hot? Right, never hot? 544 00:26:56,040 --> 00:26:58,639 Speaker 1: And you think, like, like I had this happen when 545 00:26:58,680 --> 00:27:02,360 Speaker 1: I just this past season. No, yes, when we were 546 00:27:02,359 --> 00:27:04,840 Speaker 1: filming and I had this big scene to do with 547 00:27:04,880 --> 00:27:07,000 Speaker 1: Sarah Jessica where I had to go to work at 548 00:27:07,040 --> 00:27:09,399 Speaker 1: like four in the morning or five in the morning. 549 00:27:09,600 --> 00:27:11,560 Speaker 1: When I woke up at one and I was in 550 00:27:11,560 --> 00:27:14,280 Speaker 1: an Airbnb and I thought that the air conditioning had 551 00:27:14,359 --> 00:27:17,760 Speaker 1: broke because it was really hot. And then I thought, 552 00:27:17,920 --> 00:27:20,840 Speaker 1: oh my god, did I forget to change my hormone patch? 553 00:27:20,920 --> 00:27:25,920 Speaker 1: Am I having a night sweat? I had COVID? Wow? Right, 554 00:27:26,080 --> 00:27:29,320 Speaker 1: But the list of thoughts went number one, the air 555 00:27:29,359 --> 00:27:31,919 Speaker 1: conditioning broke, so it was the summer number two. I 556 00:27:31,960 --> 00:27:35,120 Speaker 1: forgot to put on my hormone patch. Number three, Oh 557 00:27:35,160 --> 00:27:37,320 Speaker 1: my god, I have a fever. I of COVID, which 558 00:27:37,359 --> 00:27:39,680 Speaker 1: is number three. Turned out to be true. But I mean, 559 00:27:39,720 --> 00:27:41,600 Speaker 1: it is a really interesting thing once you've been through it, 560 00:27:41,600 --> 00:27:45,760 Speaker 1: You're like, wow, it's not played up for film and 561 00:27:45,800 --> 00:27:49,159 Speaker 1: TV like it is actually like someone has just thrown 562 00:27:49,400 --> 00:27:51,399 Speaker 1: a bucket of water at you, like all of a sudden, 563 00:27:51,400 --> 00:27:54,840 Speaker 1: like it's so bizarre. Anyway, I digress, but it is 564 00:27:54,920 --> 00:27:57,600 Speaker 1: really interesting to look back at what we were writing 565 00:27:57,640 --> 00:27:59,480 Speaker 1: back then, even though we're trying to make it funny. 566 00:27:59,480 --> 00:28:00,880 Speaker 1: And I mean, I think in a way it's good 567 00:28:00,880 --> 00:28:02,160 Speaker 1: that we're trying to make up funny. 568 00:28:02,600 --> 00:28:04,920 Speaker 2: That's what I was thinking, is it's uh, it's it's 569 00:28:04,960 --> 00:28:06,040 Speaker 2: going to reach a lot more people. 570 00:28:06,200 --> 00:28:08,280 Speaker 1: Yeah that way, yeah, yeah, yeah, yeah yeah yeah, and 571 00:28:08,680 --> 00:28:23,160 Speaker 1: maybe they don't necessarily understand it. But later then I go, oh, yeah, 572 00:28:23,240 --> 00:28:26,719 Speaker 1: now let's talk about Sweet Charlotte. Sweet Charlotte. Charlotte just 573 00:28:26,840 --> 00:28:30,040 Speaker 1: toying with that Tray. Oh my goodness me. But I 574 00:28:30,080 --> 00:28:33,200 Speaker 1: thought it was adorable and I didn't mind it. I mean, 575 00:28:33,280 --> 00:28:34,960 Speaker 1: I don't like the playing of the games. I think 576 00:28:34,960 --> 00:28:38,080 Speaker 1: we've already discussed this or whatever. In general, I don't 577 00:28:38,120 --> 00:28:41,720 Speaker 1: like the playing of the games. But I think also 578 00:28:41,840 --> 00:28:45,560 Speaker 1: when I look at how it's going with Tray and Charlotte, 579 00:28:46,040 --> 00:28:49,680 Speaker 1: it's all good. Do I mean, like you know what 580 00:28:49,720 --> 00:28:53,800 Speaker 1: I'm saying, It's still really fun. Everyone's having fun, not 581 00:28:53,880 --> 00:28:56,000 Speaker 1: a big deal. I do think it's also adorable. I 582 00:28:56,120 --> 00:28:58,640 Speaker 1: had not remembered that I closed the door and he 583 00:28:58,720 --> 00:29:02,960 Speaker 1: says he loves me in the most dry, dry way. 584 00:29:03,160 --> 00:29:06,120 Speaker 1: But it's so adorable, Like it's so simple. It was 585 00:29:06,160 --> 00:29:08,480 Speaker 1: such a great choice, you know on his part. I 586 00:29:08,480 --> 00:29:12,160 Speaker 1: think how how he delivers that, and it is really cute. 587 00:29:12,200 --> 00:29:14,440 Speaker 1: I didn't remember then that I invite him in and 588 00:29:14,680 --> 00:29:17,120 Speaker 1: go to whatever base that would be. I don't know. 589 00:29:18,560 --> 00:29:23,680 Speaker 1: Like Charlotte, God, she's wackydoodle. She is she is? 590 00:29:23,920 --> 00:29:27,880 Speaker 2: Uh? I think is that Charlotte are curious? Is kissing 591 00:29:27,880 --> 00:29:28,520 Speaker 2: with extras? 592 00:29:28,680 --> 00:29:31,360 Speaker 1: That's I think. I say kiss do? I say kissing 593 00:29:31,360 --> 00:29:35,880 Speaker 1: with extras? And she's like, how ninth great of you? Yeah, 594 00:29:36,000 --> 00:29:39,200 Speaker 1: she's so totally one hundred percent right. But again, when 595 00:29:39,200 --> 00:29:40,800 Speaker 1: I look at like, if you were just to tell 596 00:29:40,840 --> 00:29:43,440 Speaker 1: me this storyline, I'd be like, eh, But when you 597 00:29:43,480 --> 00:29:46,880 Speaker 1: look at us like it's all good, it's so good. Yeah, 598 00:29:47,000 --> 00:29:50,360 Speaker 1: you know what I mean. He's so fantastic and it's so perfect. 599 00:29:50,400 --> 00:29:52,440 Speaker 1: And I don't think there's anything wrong with getting to 600 00:29:52,520 --> 00:29:54,320 Speaker 1: know somebody before you jump in bed with him. 601 00:29:54,400 --> 00:29:57,720 Speaker 2: Yes, I think that's uh. I mean that's when I 602 00:29:57,760 --> 00:29:59,240 Speaker 2: was a dating man. I used to wait a very 603 00:29:59,280 --> 00:29:59,760 Speaker 2: long time. 604 00:30:00,120 --> 00:30:01,200 Speaker 1: How long is a very long time? 605 00:30:03,560 --> 00:30:07,960 Speaker 2: Basically there's a couple of times where they the woman 606 00:30:08,000 --> 00:30:11,120 Speaker 2: would ask me, like, are you are you into? She 607 00:30:12,080 --> 00:30:16,480 Speaker 2: was worried. Yeah, Like I would wait like like five 608 00:30:16,760 --> 00:30:19,440 Speaker 2: dates before before making a move like that. 609 00:30:19,600 --> 00:30:20,000 Speaker 1: I like it. 610 00:30:20,000 --> 00:30:21,120 Speaker 2: I would you like a kiss. 611 00:30:21,200 --> 00:30:22,800 Speaker 1: I like it. I like it. I like it. I 612 00:30:22,880 --> 00:30:25,440 Speaker 1: like it. I like it because I like it because 613 00:30:27,120 --> 00:30:29,040 Speaker 1: I mean, I guess it would depend on the situation, 614 00:30:29,440 --> 00:30:32,160 Speaker 1: but I like it because to me from a guy 615 00:30:32,800 --> 00:30:36,600 Speaker 1: that's confident, Yeah, right, because like most guys are worried 616 00:30:36,600 --> 00:30:38,600 Speaker 1: that you're going to put them in a friend zone, 617 00:30:38,720 --> 00:30:41,840 Speaker 1: like if they don't move quickly, that you're going to decide, 618 00:30:42,000 --> 00:30:44,960 Speaker 1: oh they're just a friend, Like that moment will pass 619 00:30:45,000 --> 00:30:48,160 Speaker 1: and it will never come back or whatever the heck. Right, Yeah, 620 00:30:48,200 --> 00:30:50,960 Speaker 1: but I don't I don't think that that makes sense, 621 00:30:51,000 --> 00:30:51,640 Speaker 1: really no. 622 00:30:52,080 --> 00:30:53,360 Speaker 2: And I think if that's going to happen, it's going 623 00:30:53,440 --> 00:30:58,120 Speaker 2: to happen. You know, I always wanted an emotional connection 624 00:30:58,240 --> 00:30:59,040 Speaker 2: before I did that. 625 00:30:59,200 --> 00:31:02,600 Speaker 1: I think that's fransis. I think it makes it so 626 00:31:02,680 --> 00:31:05,760 Speaker 1: much better for that. But why don't all people feel 627 00:31:05,840 --> 00:31:10,040 Speaker 1: that it's interesting. Yeah, because now with the whole hookup culture, man, 628 00:31:10,160 --> 00:31:14,480 Speaker 1: I mean I don't think anybody waits five dates. No, No, 629 00:31:15,080 --> 00:31:16,320 Speaker 1: it would be crazy. 630 00:31:16,600 --> 00:31:18,960 Speaker 2: Yeah, I don't think they wait. I think it's the 631 00:31:19,000 --> 00:31:19,480 Speaker 2: first night. 632 00:31:20,080 --> 00:31:20,360 Speaker 3: I know. 633 00:31:20,960 --> 00:31:23,080 Speaker 1: Apparently this is what I hear, But I mean I 634 00:31:23,120 --> 00:31:26,560 Speaker 1: also think like that's crazy also, right, I mean I 635 00:31:26,640 --> 00:31:29,760 Speaker 1: just feel like my thing, too, is like why can't 636 00:31:29,800 --> 00:31:33,240 Speaker 1: you just go case by case? Yes, like maybe someone 637 00:31:33,320 --> 00:31:36,560 Speaker 1: is a hookup and that's fine, that's great, enjoy it, 638 00:31:37,240 --> 00:31:39,640 Speaker 1: know what it is, This is what it is. I'm 639 00:31:39,640 --> 00:31:42,479 Speaker 1: not expecting anything, right, but then maybe somebody else might 640 00:31:42,520 --> 00:31:45,160 Speaker 1: not be, or maybe you don't know and you need 641 00:31:45,200 --> 00:31:48,600 Speaker 1: to find out right. Yes, it's all very confusing. So 642 00:31:48,640 --> 00:31:51,120 Speaker 1: I think with this Charlotte Tray, I think the important 643 00:31:51,120 --> 00:31:53,960 Speaker 1: thing to me when I look at it is that 644 00:31:53,960 --> 00:31:56,880 Speaker 1: they seem in sync. Like it's not like he's mad 645 00:31:57,160 --> 00:32:02,520 Speaker 1: or confused or anything like that. He seems equally into it. 646 00:32:02,840 --> 00:32:06,400 Speaker 2: Yes, which is why it's working. They're both yeah, exactly 647 00:32:06,480 --> 00:32:07,080 Speaker 2: in sync. 648 00:32:06,880 --> 00:32:10,320 Speaker 1: There, exactly, which is so adorable. Let me cover everything, Easton, 649 00:32:10,360 --> 00:32:12,280 Speaker 1: You're so good with the paperwork. 650 00:32:12,040 --> 00:32:15,240 Speaker 2: I think, So I just one thing I want to 651 00:32:15,240 --> 00:32:17,960 Speaker 2: point out from Charlotte's moment. I just love the line 652 00:32:17,960 --> 00:32:21,200 Speaker 2: where she's, uh, they're talking about the tampons and she's like, well, 653 00:32:21,200 --> 00:32:22,480 Speaker 2: I have them at home, but they won't fit in 654 00:32:22,520 --> 00:32:26,160 Speaker 2: my Kate Spade perse. 655 00:32:26,640 --> 00:32:28,920 Speaker 1: I'm so glad. I'm so glad. Yeah, it's quite a 656 00:32:29,000 --> 00:32:31,240 Speaker 1: Kate Spade moment. It was quite a Kate Spade moment. 657 00:32:31,600 --> 00:32:35,120 Speaker 1: And you know, I love Kate Spade, and yes, yeah, 658 00:32:36,000 --> 00:32:39,720 Speaker 1: it's yeah, it's a little sad talk about Kate Spade, 659 00:32:39,960 --> 00:32:44,480 Speaker 1: but I love Kate Spade and I love that they later, later, 660 00:32:44,560 --> 00:32:48,480 Speaker 1: many years later, is working in England and they were 661 00:32:48,480 --> 00:32:51,400 Speaker 1: trying to get wardrobe for me and they said. 662 00:32:51,720 --> 00:32:53,880 Speaker 3: You know, we're trying to get some Kate Spade, but 663 00:32:53,960 --> 00:32:58,280 Speaker 3: we can't get any. And I was like, you can't 664 00:32:58,280 --> 00:33:01,600 Speaker 3: get any Kate Spade, Like, can I call them? 665 00:33:03,040 --> 00:33:04,840 Speaker 1: I think I could get you too, some Kate Spade. Well, 666 00:33:04,880 --> 00:33:08,040 Speaker 1: to them, Kate Spade was just like yeah, like like 667 00:33:08,040 --> 00:33:11,160 Speaker 1: like an unattainable dream do I mean, it was adorable. 668 00:33:11,200 --> 00:33:13,440 Speaker 1: But I do love Kate Spade, and I do remember 669 00:33:13,480 --> 00:33:16,479 Speaker 1: there was a really big Kate Spade store on like 670 00:33:16,560 --> 00:33:20,000 Speaker 1: Broom and Spring or Prints, and I used to go 671 00:33:20,040 --> 00:33:22,280 Speaker 1: there all the time. And I used to buy a 672 00:33:22,280 --> 00:33:24,840 Speaker 1: lot of stationary. She made beautiful stationary and I still 673 00:33:24,840 --> 00:33:26,960 Speaker 1: have a bunch of it. And we had a lot 674 00:33:26,960 --> 00:33:29,200 Speaker 1: of wonderful things from Kate's Bad for a really long time, 675 00:33:29,240 --> 00:33:31,960 Speaker 1: and it was so quintessentially Charlotte. I thought, you know, 676 00:33:32,040 --> 00:33:34,520 Speaker 1: so kind of Oh yeah, great, perfectly Charlotte. 677 00:33:34,600 --> 00:33:36,800 Speaker 2: I have spent so much money at Kate Spade in 678 00:33:36,840 --> 00:33:38,920 Speaker 2: my life. Yes, I I up until recently, I had 679 00:33:38,960 --> 00:33:41,600 Speaker 2: I always had a Kate Spayed iPhone case for me, 680 00:33:42,000 --> 00:33:47,320 Speaker 2: Oh my god. And I love the crazy bags that 681 00:33:47,360 --> 00:33:50,080 Speaker 2: they make and fun, the fun one like my wife 682 00:33:50,080 --> 00:33:53,160 Speaker 2: has a one that looks like a mouse, one looks 683 00:33:53,200 --> 00:33:54,600 Speaker 2: like a crab. I bought it when that looks like 684 00:33:54,600 --> 00:33:57,840 Speaker 2: a radio because I worked in radio and we love 685 00:33:57,920 --> 00:33:58,479 Speaker 2: Kate Spade. 686 00:33:58,800 --> 00:34:00,719 Speaker 1: I have like a loose sight like a like a 687 00:34:00,760 --> 00:34:03,680 Speaker 1: loose sight box one, you know what I mean. It's interesting, 688 00:34:03,800 --> 00:34:06,080 Speaker 1: it's interesting. I like it. I still have it. I 689 00:34:06,120 --> 00:34:07,520 Speaker 1: like it a lot. I think it was Charlotte. I 690 00:34:07,520 --> 00:34:09,400 Speaker 1: don't know it was Charlotte's. I don't know. I like 691 00:34:09,440 --> 00:34:11,480 Speaker 1: it though. I like it. It's fun. It's like a 692 00:34:11,480 --> 00:34:15,880 Speaker 1: fun I like the fun, whimsical nature that I agree 693 00:34:15,880 --> 00:34:18,760 Speaker 1: with you. I agree with you. I think this episode 694 00:34:18,800 --> 00:34:20,799 Speaker 1: of overall was really good. But I also think that 695 00:34:20,840 --> 00:34:23,080 Speaker 1: one of the things that I am aware of when 696 00:34:23,080 --> 00:34:25,759 Speaker 1: I watched this episode, like I kind of mentioned, is 697 00:34:25,840 --> 00:34:28,680 Speaker 1: just the skillfulness of the writing in terms of planting 698 00:34:28,760 --> 00:34:31,120 Speaker 1: all these different things, yes, that are going to be 699 00:34:31,200 --> 00:34:32,840 Speaker 1: growing and growing, And I think this is why I 700 00:34:32,880 --> 00:34:35,760 Speaker 1: love third season so much. Yep, right, Like they weave 701 00:34:35,880 --> 00:34:40,759 Speaker 1: everything in and it's really gonna pay off, yes, you know, 702 00:34:41,000 --> 00:34:42,960 Speaker 1: but it's also really fun along the way, Like each 703 00:34:43,000 --> 00:34:44,960 Speaker 1: episode is great and it's hard to turn it off 704 00:34:45,000 --> 00:34:46,520 Speaker 1: when you need to turn it off. 705 00:34:46,600 --> 00:34:49,120 Speaker 2: It'srey you know. At the beginning, we were talking about 706 00:34:49,920 --> 00:34:52,440 Speaker 2: like you would watch it comes from the Past, and 707 00:34:52,480 --> 00:34:54,160 Speaker 2: it was like everything would be tied up. You could 708 00:34:54,160 --> 00:34:54,840 Speaker 2: watch any episode. 709 00:34:54,840 --> 00:34:57,319 Speaker 1: You should tell you that you had to do that, yeah, yes, 710 00:34:57,960 --> 00:35:00,560 Speaker 1: And they had to be self sufficient, like the an episode, 711 00:35:00,600 --> 00:35:03,160 Speaker 1: so that if someone just just had never seen it 712 00:35:03,440 --> 00:35:05,200 Speaker 1: and was coming to that episode, that they didn't need 713 00:35:05,239 --> 00:35:08,480 Speaker 1: any backstory or forward story. It would just be self contained. 714 00:35:08,960 --> 00:35:10,960 Speaker 2: Yes, And it makes sense because you know where they 715 00:35:11,040 --> 00:35:13,440 Speaker 2: gonna You're not gonna pick it up on DVD. You know, 716 00:35:13,480 --> 00:35:16,200 Speaker 2: you can't do that back then, so it makes sense. 717 00:35:16,680 --> 00:35:19,759 Speaker 2: But something I think is so masterful about this this 718 00:35:19,840 --> 00:35:22,560 Speaker 2: show and this season specifically, is like, you can't you 719 00:35:22,600 --> 00:35:24,319 Speaker 2: get I think, the best of both worlds because you 720 00:35:24,320 --> 00:35:27,239 Speaker 2: get these these seeds for these long arcs, you get 721 00:35:27,280 --> 00:35:29,560 Speaker 2: to follow along on these stories. But I think if 722 00:35:29,560 --> 00:35:32,080 Speaker 2: you just watch this episode on its own, it has 723 00:35:32,320 --> 00:35:34,680 Speaker 2: these really succinct ideas that you can enjoy. 724 00:35:35,040 --> 00:35:37,479 Speaker 1: Yeah, and that's a good point. I mean, that's what's 725 00:35:37,560 --> 00:35:42,440 Speaker 1: cool about the way that they wove together her writing, Yes, 726 00:35:42,480 --> 00:35:45,520 Speaker 1: and the themes of the episode, with the relationships that 727 00:35:45,560 --> 00:35:47,920 Speaker 1: are happening in the episode, and why we can twenty 728 00:35:47,920 --> 00:35:50,600 Speaker 1: five years later talk about the theme and have it 729 00:35:50,640 --> 00:35:51,560 Speaker 1: still be interesting. 730 00:35:51,640 --> 00:35:53,320 Speaker 2: Absolutely, it's crazy. 731 00:35:53,920 --> 00:35:56,720 Speaker 1: It's crazy to think about. It still boggles my mind, 732 00:35:56,920 --> 00:35:59,759 Speaker 1: you know. I mean I never would have dreamt a 733 00:36:00,040 --> 00:36:03,200 Speaker 1: million hundred years that we would be here discussing the 734 00:36:03,200 --> 00:36:08,319 Speaker 1: themes and the characters and the relationships. It's cuckoo, but 735 00:36:08,400 --> 00:36:10,919 Speaker 1: I love it. It's such a gift. It's such a gift. 736 00:36:10,960 --> 00:36:11,440 Speaker 2: It really is. 737 00:36:11,640 --> 00:36:14,640 Speaker 1: Yes, thanks, he used to thank you. It's so fun. 738 00:36:14,840 --> 00:36:18,000 Speaker 1: It's easy. It's easy and good. We'll just have to 739 00:36:18,000 --> 00:36:22,200 Speaker 1: have Alison on one day. 740 00:36:22,239 --> 00:36:22,520 Speaker 3: Fun. 741 00:36:22,640 --> 00:36:24,800 Speaker 1: That would be fun. Have you together. 742 00:36:24,960 --> 00:36:27,040 Speaker 2: Oh my goodness, I'm down. 743 00:36:27,160 --> 00:36:30,680 Speaker 1: That could be enjoyable, That could be enjoyable. All right, 744 00:36:30,719 --> 00:36:35,840 Speaker 1: thank you, bye everybody,