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Speaker 1: It's nine o one with Jenny Garth and Tory Spelling.

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Speaker 2: Oh boy, oh boy, oh boy, you guys, this is

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Speaker 2: another episode.

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Speaker 3: Not just another episode. This is the episode. This is

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Speaker 3: a this is a big Kelly Taylor episode. A lot

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Speaker 3: of kissing going on.

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Speaker 4: I have comments.

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Speaker 2: You have so many comments. Wait do you want you

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Speaker 2: want to give your comments now?

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Speaker 3: No? No, no, wait, Johan take order.

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Speaker 4: I have two that will hook people in listening. Hook

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Speaker 4: on Tory slash Donna. I'm real sick of that ass. Ray,

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Speaker 4: WTF you need to get away from him?

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Speaker 2: Sing it sista Jenny slash Kelly. Mm hmm.

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Speaker 5: What is going on that.

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Speaker 4: You have a boyfriend named Brandon and you are fully,

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Speaker 4: fully making out with Dylan Listen.

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Speaker 3: I was so scared for you. I was like, what

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Speaker 3: if someone comes by then knows you guys, what.

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Speaker 2: If there's Papa Razzi on that beach?

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Speaker 3: She wouldn't even.

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Speaker 4: Really feel bad or weird or awkward about it.

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Speaker 2: No, it felt natch, felt so natched. I just did it.

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Speaker 2: I mean, Kelly just did it.

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Speaker 3: Sometimes in life you just have to go with it.

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Speaker 3: You were in the moments.

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Speaker 5: Yeah, two things that need to really be addressed.

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Speaker 2: We are going to address them. Because this is season five,

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Speaker 2: episode thirty, Hello Life, Goodbye Beverly Hills. It aired May seventeenth,

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Speaker 2: nineteen ninety five.

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Speaker 3: This is the Big Sweets synopsis. It's the ultimatum herd

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Speaker 3: around the world. Kelly is forced to choose between the

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Speaker 3: bling bling of Brandon's ring and a ticket to Paradise

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Speaker 3: with Dylan McKay. Ooh. Meanwhile, Jim and Cindy are leaving

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Speaker 3: for Hong Kong, and Andre leaves the she once knew

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Speaker 3: and Donna starting to realize Ray's abusive behavior is really

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Speaker 3: taking a toll.

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Speaker 4: Just starting to realize.

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Speaker 2: Directed by James Whitmore, Junior, I have things to say

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Speaker 2: about that and written by the beautiful Jessica Kleine and

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Speaker 2: maybe a little bit by Steve Osterman. Writing good, very good, writing,

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Speaker 2: very memorable, that's for sure.

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Speaker 4: Yes, where to begin? Go through it all?

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Speaker 5: I have one more thing I really want to address.

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Speaker 2: What is your third thing? You'd like to address?

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Speaker 4: Him? Andrea kissing everyone on the lips?

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Speaker 2: I know, Hi, herpees and COVID, herpees.

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Speaker 3: And COVID, So I got this that was pre COVID.

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Speaker 3: What was that? SARS? What was that back then?

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Speaker 2: That was herpes, herpes and more herpes.

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Speaker 3: Oh my god, so many lips to say we get

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Speaker 3: through ten years unscathed. I don't know.

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Speaker 2: I don't know. And Nona Arenda had herpes and she

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Speaker 2: kissed me all the time. I don't know how I

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Speaker 2: made it.

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Speaker 5: Oh my god.

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Speaker 3: Wow.

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Speaker 2: Okay, let's just jump back to.

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Speaker 4: You buy Vale Tres.

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Speaker 2: Yeah, if you could send some over please, thanks. Episode

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Speaker 2: recap what we're starting in a weird foreign place for

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Speaker 2: and get it. And I didn't know what was happening.

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Speaker 2: I don't know if you did it. We're starting at

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Speaker 2: the travel agency where Dylan is buying a romantic vacation

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Speaker 2: package for two and the second person is Kelly Taylor.

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Speaker 3: I thought maybe it was going to be doctor Molly Campbell.

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Speaker 4: Wasn't presumptuous, so presumptuous things.

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Speaker 3: I know what a travel agent? Do you guys know her?

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Speaker 3: She's somebody? No, I mean, well we're all somebody.

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Speaker 4: Yeah.

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Speaker 5: I don't know who the travel agent was, but a great.

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Speaker 3: Question went on to become someone.

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Speaker 2: I don't have her on my list of guest stars.

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Speaker 4: Seems expensive for a whim too, because he doesn't know

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Speaker 4: you're coming, and usually that stuff's not refundable.

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Speaker 2: How expensive? Yeah, a trip around the world never been

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Speaker 2: then back then? Well, how expensive is one? Now I'd

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Speaker 2: like to know.

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Speaker 5: One hundred grand, now fifty grand.

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Speaker 4: Then that's just my absolutely not hire a good guess.

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Speaker 2: No, it takes ten grand to go to Hawaii.

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Speaker 4: I mean so higher, so higher. Yeah, one hundred grand,

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Speaker 4: then two hundred grand, now three hundred.

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Speaker 3: Do I hear three hundred I'll take it for five

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Speaker 3: hundred dollars.

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Speaker 5: He has four millions, so he doesn't care.

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Speaker 2: I would advise him to start caring because your four

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Speaker 2: million dollars is going to go pretty quick. If he's

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Speaker 2: spend a night like.

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Speaker 3: This, it feels like an episode of Cribs. It's going

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Speaker 3: to go fast.

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Speaker 2: He needs to make some investments.

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Speaker 3: Yeah, and I gotta go. Well, he thinks he's making

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Speaker 3: an investment in the future, Great, hand him over to me.

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Speaker 3: But I think you know you are his investment in

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Speaker 3: the future.

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Speaker 4: Yeah, he's still a kid living on a prayer.

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Speaker 2: I don't know, so we don't we don't know what

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Speaker 2: he's thinking. But we're going to go ahead and go

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Speaker 2: onto the Walls house where Jim gets a phone call

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Speaker 2: and he's so blown away by this off of this

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Speaker 2: offer that he got of a promotion and a two

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Speaker 2: and a half time raise.

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Speaker 4: Seriously, that's a big raise. Let's think about that. What

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Speaker 4: do we think Jim's making right now? Too hundy?

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Speaker 5: And now he's gonna be making six hundy.

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Speaker 2: Wait, he was not making two hundred thousand dollars a

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Speaker 2: year in nineteen ninety five.

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Speaker 4: That seems too high.

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Speaker 2: Your numbers are off.

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Speaker 3: To It does seem high. But they live in Beverly

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Speaker 3: Hills in the flats.

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Speaker 2: Yeah, but he doesn't even pay for that house. It's

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Speaker 2: a company expense because they moved.

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Speaker 3: Him there, remember, Yeah, and we know what corporate housing

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Speaker 3: looks like. Just like that.

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Speaker 4: Yeah, they just gave him a little, a little help.

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Speaker 4: They probably don't for the moving truck.

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Speaker 5: Yeah, he's definitely making a lot more.

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Speaker 4: Now.

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Speaker 5: Did you see Brandon like, hey, I loved it and

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Speaker 5: then he's all stop stop.

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Speaker 2: That was cute the way they were doing that.

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Speaker 3: Yeah, Jim looks real tired in that scene. He looks tired.

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Speaker 2: He's been stressed, you guys, this is fair. He thought

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Speaker 2: he was getting the act. You really did, But no, no, no,

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Speaker 2: he is moving to Hong Kong. That's like crazy did

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Speaker 2: you guys hear the completely inappropriate music they played when

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Speaker 2: they mentioned the Hong Kong?

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Speaker 5: Oh jeez, I missed that.

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Speaker 4: But do you guys remember though, like, did they want

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Speaker 4: to leave? Was there?

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Speaker 3: What did they want to on a hit series? They

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Speaker 3: were like, please let us here?

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Speaker 4: Okay, so this was they were asked too.

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Speaker 3: It doesn't seem like yeah, sorry, I don't know.

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Speaker 4: I hate it.

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Speaker 2: I mean, my first note was yay at the Walshes.

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Speaker 2: I love seeing them. I love seeing them in their kitchen.

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Speaker 2: I love seeing her cook, I love seeing him walk

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Speaker 2: in his suspenders. I don't know what I wou.

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Speaker 4: Without it, I would have kept them around.

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Speaker 2: So this was the last episode for No, this is

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Speaker 2: not their last episode.

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Speaker 5: Next week and then.

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Speaker 4: They do come back is next week? No, it's sort

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Speaker 4: of part two.

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Speaker 3: Yes, when's the party?

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Speaker 5: The house is for sale? That's not that's all next week.

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Speaker 2: We had a party in this episode, though, like we

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Speaker 2: had two parties.

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Speaker 3: She had parties. I know, I got a little sick

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Speaker 3: of them. I'm not gonna lie. I wanted to keep

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Speaker 3: seeing her, but I was like they could have done

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Speaker 3: something a little more fresh.

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Speaker 2: I didn't understand why there were more than one party.

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Speaker 3: Yeah, why was that?

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Speaker 4: What? There was your party? Oh no, pardon me.

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Speaker 5: There was the school party. There was the actual.

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Speaker 4: Peach pit we're driving away moment. That wasn't exactly a party.

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Speaker 2: Oh the after dark what about hmm, there wasn't a

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Speaker 2: party inside the peach pit. That's when they were there

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Speaker 2: was That was.

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Speaker 4: The goodbye So I wouldn't know if I'd call that

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Speaker 4: a party. They were picking up their breakfast to go

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Speaker 4: it was. It was there for the lip kisses.

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Speaker 3: Yes, yes, I mean or on nine o two zero

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Speaker 3: as we reference it, it's a party because yeah, everyone

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Speaker 3: in the same spot. It's a party. Saves money. Cool.

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Speaker 5: I love that they went back to West, which we'll

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Speaker 5: talk about.

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Speaker 2: Okay, let's get back to it. You guys the beach.

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Speaker 2: We go from Hong Kong to the beach where Kelly

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Speaker 2: is hanging out with Dylan. First of all, not real

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Speaker 2: good at that.

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Speaker 3: Oh see, you were being harsh on yourself. I was

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Speaker 3: super impressed.

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Speaker 4: Yeah, I thought you were good.

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Speaker 2: I thought, oh, she's gonna fall, and then she did.

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Speaker 5: Were you a rollerblader at the time, Who.

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Speaker 2: Wasn't It was the mid nineties. Everybody rollerbladed on that

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Speaker 2: very piece of land right on that strip, right in

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Speaker 2: front of that beach apartment.

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Speaker 3: Yeah, that was real. Then I got nervous when they

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Speaker 3: showed you because you were going slow, but then it

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Speaker 3: looked like it went from your POV and you're going

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Speaker 3: real fast.

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Speaker 6: Yeah.

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Speaker 2: I was out of control pretty much. But thank god,

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Speaker 2: Dylan catches me and falls under me so perfectly.

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Speaker 5: In a romantic public moment for a girl who has

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Speaker 5: a boyfriend.

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Speaker 2: For everyone to see.

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Speaker 3: That was weird, though, like cohesive because I can picture

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Speaker 3: you and I know you, and you were probably laughing

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Speaker 3: and wanting to be aggressive because you're being funny, and

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Speaker 3: it could have ended a different way.

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Speaker 2: I just think that was one of those situations where

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Speaker 2: I was like, how are we going.

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Speaker 5: To do this?

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Speaker 2: We should work it out. I don't know if this

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Speaker 2: is going to be good or not, and what if

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Speaker 2: I get hurt? And Luke was like just roll the

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Speaker 2: camera yeah, and then he's like, just skate towards me.

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Speaker 2: I'll catch it over.

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Speaker 3: You're like, now you're gonna catch me, so.

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Speaker 2: Yeah, but it worked out. She falls, They start making out,

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Speaker 2: and Dylan surprises her with the trip the tickets that

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Speaker 2: he looked that is. It's weird because it doesn't seem

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Speaker 2: that shocking or surprising to Kelly.

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Speaker 4: Correct, it's very odd.

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Speaker 2: It's very odd.

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Speaker 3: She's playing it cool. I mean, how she's supposed to react.

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Speaker 2: But she, well shouldn't she say, Oh, I'm dating Brandon.

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Speaker 4: This is weird.

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Speaker 3: I just couldn't stop staring at how beautiful you looked.

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Speaker 3: I didn't care what was coming out of your mouth.

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Speaker 4: I was just like, ah, I would like to talk

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Speaker 4: about how At the time, I also didn't think it

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Speaker 4: was weird, and then now I do.

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Speaker 2: Ye. Well, at the time you were just like oho,

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Speaker 2: well was she supposed to be like different?

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Speaker 4: Woo?

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Speaker 2: And such good kisses? I'm really those I felt those kisses.

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Speaker 3: Yeah, I mean for you. I felt those kisses for you.

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Speaker 2: How many years later is it now?

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Speaker 4: Thirty two?

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Speaker 2: Thirty No?

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Speaker 5: No, no, twenty nine, sorry, nine, twenty nine.

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Speaker 2: It feels weird, yeah, twenty nine years.

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Speaker 4: Later, twenty eight.

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Speaker 5: I'm not great at math.

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Speaker 2: Still gives me the feels.

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Speaker 3: We've learned that today.

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Speaker 4: Okay, can I go to a limb that you and

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Speaker 4: Luke or Kelly and Dylan have a hint more sexual

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Speaker 4: chemistry than Kelly and Brandon.

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Speaker 2: Duh.

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Speaker 5: Yeah, saying, Okay, I'm just saying I don't mean to

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Speaker 5: be captain obvious.

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Speaker 2: I just want to say no. But I think they

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Speaker 2: both have good you know stuff there that's just different.

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Speaker 4: Yeah, yeah, you should marry him right now, Dylan, because

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Speaker 4: you should marry Brandon.

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Speaker 5: He's more stable.

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Speaker 3: Too young, well too.

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Speaker 5: Young, of course, we're getting out of ourselves.

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Speaker 2: Yeah, let's let's go to the peach pit where Ray dude,

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Speaker 2: this guy being his usual d bag self.

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Speaker 3: Are you sure I feel like it? This episode took

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Speaker 3: a drastic turn. Oh, to prove a point.

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Speaker 4: He's hideous in this episode, but it goes.

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Speaker 3: I know he's been a little douchey, but like he.

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Speaker 5: He pushed you, and he pushed you in the motel room.

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Speaker 5: This guy sucks.

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Speaker 2: They know what's coming now. The writers are fine. They're like, yes,

257
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Speaker 2: you know what the next episode is going to be.

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Speaker 2: We gotta get to it.

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Speaker 4: If this was now, everybody would be like, get away

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Speaker 4: from him.

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Speaker 5: Yeah, And like I think at the time, we were like, oh, Ray,

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Speaker 5: it's kind of cool. What the hell was wrong with me?

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Speaker 4: That guy sucks so bad?

264
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Speaker 2: But you can tell that Donna really is seeing it now,

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Speaker 2: and but she doesn't know what to do.

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Speaker 4: Tory's space is a little bit Donna's right now, Like Torri,

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Speaker 4: you're like a little bit like for Ray when it's

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Speaker 4: like that guy sucks.

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Speaker 2: Mm hmmm, say it, say it?

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Speaker 3: What do you want me to say? Say? Ray sucks?

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Speaker 3: Ray sucks, raise a bad guy?

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Speaker 4: Wait, Tory, do you think Ray sucks? Wait?

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Speaker 3: Does Tori he sucks?

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Speaker 2: Or does Donna think he's Both were the same, You're not,

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Speaker 2: and that's something else.

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Speaker 4: Yeah, I'm concerned that Tory slash Donna is still giving

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Speaker 4: this guy a shot.

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Speaker 5: Yes, this guy sucks so hard.

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Speaker 3: It's hard in something to just leave no matter if

280
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Speaker 3: it's good.

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Speaker 2: I think we all know that now about Tory slash Donna.

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Speaker 3: Yes, Oh what are you saying at the time.

283
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Speaker 4: At the time, Yeah, Donna really like like Kelly never

284
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Speaker 4: would have stayed with a guy like Ray at the time.

285
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Speaker 4: She would have been like get or Claire would have

286
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Speaker 4: been like beat it.

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Speaker 3: Even hindsight, like they wrote the character of Ray based

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Speaker 3: on my real life and that bad boyfriend I had Jack.

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Speaker 4: I think Valerie would have stayed with that tool too,

290
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Speaker 4: because Dylan and Ray treat her badly and she's always going.

291
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Speaker 5: Back for more.

292
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Speaker 3: The years line up.

293
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Speaker 2: I don't think that they I mean, that would have

294
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Speaker 2: been really clever pro I was saying in apropro for

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Speaker 2: them to like, but maybe they have realized on something

296
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Speaker 2: so bad happening in your life, yeap, that they would

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Speaker 2: write that into the show. I mean, I would think

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Speaker 2: that they would have had a little bit more but sensitivity.

299
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Speaker 4: It tracks for Donna.

300
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Speaker 3: It's oddly listening to like he puts me down. I

301
00:14:14,920 --> 00:14:17,600
Speaker 3: was like, oh my god, this is exactly what I

302
00:14:17,679 --> 00:14:19,240
Speaker 3: used to say about that boyfriend.

303
00:14:19,480 --> 00:14:21,400
Speaker 5: And Missus Martin does first.

304
00:14:21,440 --> 00:14:25,240
Speaker 3: So even if they didn't plan it it, nobody caught that,

305
00:14:25,360 --> 00:14:26,080
Speaker 3: like ooh.

306
00:14:26,920 --> 00:14:32,480
Speaker 4: Yes, and yes Martin treats Donna badly, so she's just

307
00:14:32,640 --> 00:14:37,320
Speaker 4: mirroring what she has experienced growing up. Missus Martin is

308
00:14:37,360 --> 00:14:41,120
Speaker 4: always criticizing and like doing weird stuff.

309
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Speaker 2: This is getting weird.

310
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Speaker 5: It's getting weird. We need Mollie.

311
00:14:46,600 --> 00:14:49,560
Speaker 2: We need Mollie to hypnotize you so that we can

312
00:14:49,600 --> 00:14:52,320
Speaker 2: go back in your life and figure out what the

313
00:14:52,360 --> 00:14:53,240
Speaker 2: fudge is happening.

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Speaker 4: I think it's Missus Martin. If I'm gonna say, it

315
00:14:56,560 --> 00:14:57,480
Speaker 4: always starts.

316
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Speaker 2: With the mom come on such an easy. I resent

317
00:15:01,720 --> 00:15:04,600
Speaker 2: that remark now as a mother. I'm like I said

318
00:15:04,600 --> 00:15:06,760
Speaker 2: to my girls the other day, when am I going

319
00:15:06,840 --> 00:15:09,640
Speaker 2: to hear about your therapy sessions? About all the ways

320
00:15:09,680 --> 00:15:13,920
Speaker 2: I've messed you up? But it always does go back?

321
00:15:14,040 --> 00:15:15,800
Speaker 3: It always did, Mom.

322
00:15:16,200 --> 00:15:19,040
Speaker 4: Yeah, your kids will blame you, Tori for anything wrong

323
00:15:19,080 --> 00:15:19,960
Speaker 4: in their lives too.

324
00:15:21,280 --> 00:15:22,920
Speaker 3: Of course they blame me every day. What do you mean?

325
00:15:22,960 --> 00:15:24,280
Speaker 3: But that's okay.

326
00:15:24,360 --> 00:15:27,880
Speaker 2: So she invites Ray to Andrea's goodbye party, and he

327
00:15:27,920 --> 00:15:32,200
Speaker 2: refuses to go because he doesn't like them. He asks Donna,

328
00:15:32,240 --> 00:15:34,560
Speaker 2: if he made her choose between her friends and him,

329
00:15:34,880 --> 00:15:35,720
Speaker 2: what would she do?

330
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Speaker 5: Oh?

331
00:15:36,160 --> 00:15:39,080
Speaker 2: What choice would she make? Donna? Which choice would you make?

332
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Speaker 4: Ray?

333
00:15:39,400 --> 00:15:40,080
Speaker 2: Are your friends?

334
00:15:40,480 --> 00:15:44,560
Speaker 3: I had this conversation over and over in real life.

335
00:15:44,720 --> 00:15:46,240
Speaker 3: I always chose you. Are you happy?

336
00:15:46,640 --> 00:15:46,880
Speaker 2: Yeah?

337
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Speaker 4: I am not to use the most obvious term in

338
00:15:49,640 --> 00:15:52,320
Speaker 4: the world. But he's a bit of a gas lighter too.

339
00:15:53,480 --> 00:15:56,960
Speaker 2: The worst that sucks. Then we're going to go on

340
00:15:57,000 --> 00:16:01,920
Speaker 2: into the Walsh house. There were well, of course, tells

341
00:16:01,920 --> 00:16:07,600
Speaker 2: Brandon immediately, hold on, hold your hat, just gip something

342
00:16:07,720 --> 00:16:08,360
Speaker 2: very important.

343
00:16:08,560 --> 00:16:10,760
Speaker 3: Yeah, yeah, we did you and Val.

344
00:16:11,360 --> 00:16:16,520
Speaker 4: When Val comes over to borrow the notes, she sees

345
00:16:16,560 --> 00:16:17,320
Speaker 4: the tickets.

346
00:16:17,800 --> 00:16:20,720
Speaker 3: Why did you leave the tickets? She walked in. Why

347
00:16:20,720 --> 00:16:22,600
Speaker 3: didn't you jump up and move the tickets?

348
00:16:22,920 --> 00:16:26,960
Speaker 2: I mean, Kelly didn't seem very surprised at all to

349
00:16:27,000 --> 00:16:28,920
Speaker 2: have val just walking into her bedroom like that.

350
00:16:30,240 --> 00:16:33,920
Speaker 5: She didn't really seem concerned that she saw the tickets.

351
00:16:34,640 --> 00:16:43,320
Speaker 2: She's very like relaxed that day. Yeah, I was exhausted

352
00:16:43,320 --> 00:16:49,920
Speaker 2: from all that fresh air and rollerblading and making out AnyWho.

353
00:16:50,000 --> 00:16:52,480
Speaker 2: Back at the Walls house, Valerie of course tells Brandon

354
00:16:52,560 --> 00:16:57,080
Speaker 2: immediately and Kelly are She like literally runs there and

355
00:16:57,120 --> 00:16:59,440
Speaker 2: says they are taking a trip around the world, and

356
00:16:59,480 --> 00:17:02,560
Speaker 2: she tells, it just kills me that you're fooling around.

357
00:17:02,840 --> 00:17:06,200
Speaker 2: That she's fooling around on you like this, It kills me.

358
00:17:07,080 --> 00:17:10,320
Speaker 3: Kills her pains. She's right there if he needs someone.

359
00:17:10,400 --> 00:17:14,040
Speaker 2: No, it's just creepy to me now that she's gonna

360
00:17:14,359 --> 00:17:18,760
Speaker 2: put her sits on Brandon, is she I don't know,

361
00:17:18,800 --> 00:17:24,080
Speaker 2: it seems like it Dylan's house. Brandon comes over. Oh yeah,

362
00:17:24,200 --> 00:17:27,240
Speaker 2: so Brandon finds out. He goes straight to Dylan's house

363
00:17:27,280 --> 00:17:29,760
Speaker 2: to confront Dylan, and he tells him, I know you

364
00:17:29,840 --> 00:17:33,320
Speaker 2: love her, but they have a special connection and he

365
00:17:33,359 --> 00:17:34,560
Speaker 2: will never understand.

366
00:17:35,200 --> 00:17:38,400
Speaker 3: We'll hold on first, he puts on his best actually

367
00:17:38,600 --> 00:17:42,560
Speaker 3: nice fitting h tweed blazer to go over to Dan.

368
00:17:42,800 --> 00:17:44,560
Speaker 2: You want to wear a blazer when you're gonna go

369
00:17:44,560 --> 00:17:45,800
Speaker 2: over to a friend's house confronts.

370
00:17:45,920 --> 00:17:47,760
Speaker 4: Yeah, it's tough.

371
00:17:47,800 --> 00:17:49,000
Speaker 2: It makes him look a little tougher.

372
00:17:50,000 --> 00:17:53,760
Speaker 3: It looks good, it look good. I thought they got

373
00:17:53,760 --> 00:17:55,920
Speaker 3: I thought they were gonna get into it like way.

374
00:17:56,240 --> 00:17:58,360
Speaker 2: I was hoping there are gonna be some action there.

375
00:17:58,520 --> 00:18:00,560
Speaker 3: I wasn't Brandon Moore fired up.

376
00:18:02,640 --> 00:18:05,640
Speaker 2: I don't know those those two they don't ever really fight.

377
00:18:05,720 --> 00:18:06,440
Speaker 2: They just talk.

378
00:18:06,280 --> 00:18:09,159
Speaker 4: About Yeah, and it's not it's not his nature to

379
00:18:09,200 --> 00:18:11,880
Speaker 4: suddenly be all crazy about it.

380
00:18:12,080 --> 00:18:13,840
Speaker 3: But yet, well, I wish he had gotten a little

381
00:18:13,840 --> 00:18:16,080
Speaker 3: more in his face. I wish he had done something. See,

382
00:18:16,080 --> 00:18:18,400
Speaker 3: here's the thing that makes me sorry. I'm just gonna

383
00:18:18,440 --> 00:18:21,240
Speaker 3: say I want Kelly with Dylan is moments like that

384
00:18:21,400 --> 00:18:24,199
Speaker 3: when Brandon it's like fight or flight, and he's a

385
00:18:24,200 --> 00:18:27,119
Speaker 3: flight guy. He doesn't like he's gone standing like I

386
00:18:27,240 --> 00:18:30,560
Speaker 3: wanted him to go to fight for his girl and

387
00:18:30,640 --> 00:18:33,240
Speaker 3: not fight like just something like be.

388
00:18:33,200 --> 00:18:37,200
Speaker 2: A little more aggressive a little Yeah, and those.

389
00:18:36,960 --> 00:18:39,040
Speaker 4: Two are the worst set of friends of all time.

390
00:18:40,160 --> 00:18:43,879
Speaker 2: Yeah, it's just like, who is what I guess that

391
00:18:44,000 --> 00:18:47,520
Speaker 2: they're I mean they're not. Kelly is not very good

392
00:18:47,560 --> 00:18:52,920
Speaker 2: friends to Brenda. Brandon's not very good friends too Dylan.

393
00:18:54,280 --> 00:18:58,320
Speaker 2: Kelly's not a very good boyfriend a girlfriend, Dylan's not

394
00:18:58,359 --> 00:18:59,440
Speaker 2: a good friend of it. It's a lot.

395
00:18:59,480 --> 00:19:05,520
Speaker 3: There's a lot of yeah in primetime series, right.

396
00:19:05,920 --> 00:19:09,600
Speaker 2: You gotta have those triangles to make yeah people interested.

397
00:19:11,320 --> 00:19:15,080
Speaker 2: So then we go back to the beach where Brandon

398
00:19:15,240 --> 00:19:17,840
Speaker 2: surprises Kelly with a new pair of roller blades.

399
00:19:17,960 --> 00:19:20,280
Speaker 3: I mean, this is the second time that made me

400
00:19:20,400 --> 00:19:22,240
Speaker 3: not root for Brandon, like.

401
00:19:22,840 --> 00:19:24,840
Speaker 2: That he gives her a pair of roller blades.

402
00:19:25,080 --> 00:19:28,040
Speaker 3: I think it's going to be something clever, like, I

403
00:19:28,080 --> 00:19:29,680
Speaker 3: don't know, something.

404
00:19:29,320 --> 00:19:36,000
Speaker 6: For her trip to be like, so she'd be like, what.

405
00:19:34,960 --> 00:19:38,480
Speaker 3: You know what I mean, like a luggage. Yeah, that's

406
00:19:38,520 --> 00:19:40,840
Speaker 3: what I literally thought at first. And I was like, Oh,

407
00:19:40,840 --> 00:19:43,000
Speaker 3: it's too small. What's gonna It's gonna be something clever,

408
00:19:43,520 --> 00:19:45,280
Speaker 3: new roller blades from my girl.

409
00:19:45,359 --> 00:19:48,119
Speaker 4: I was like, Oh, I mean, apparently you're the roller

410
00:19:48,119 --> 00:19:51,199
Speaker 4: blading queen of the world and we just didn't know.

411
00:19:52,280 --> 00:19:55,480
Speaker 3: Yeah, I know, he just slotted her in. Remember he

412
00:19:55,600 --> 00:19:59,840
Speaker 3: used to roller blade. Who was that girl that had bandags?

413
00:20:00,600 --> 00:20:00,679
Speaker 4: Uh?

414
00:20:00,760 --> 00:20:01,440
Speaker 3: Huh?

415
00:20:01,760 --> 00:20:06,879
Speaker 4: Oh, my god, great memory, great memory, the short haired girl.

416
00:20:06,600 --> 00:20:07,560
Speaker 5: From the beach club.

417
00:20:07,800 --> 00:20:08,240
Speaker 3: That one.

418
00:20:08,800 --> 00:20:10,280
Speaker 5: Yeah, a really good marriage.

419
00:20:11,240 --> 00:20:15,080
Speaker 2: So the truth comes out here Kelly lets him know,

420
00:20:15,280 --> 00:20:17,240
Speaker 2: or he lets her know. I'm not sure how that

421
00:20:17,320 --> 00:20:21,840
Speaker 2: happened that he knows about the trip around. Kelly admits

422
00:20:21,880 --> 00:20:26,080
Speaker 2: that she still has feelings for Dylan well oh, and

423
00:20:26,200 --> 00:20:29,280
Speaker 2: says Brandon didn't have to buy her a ring to

424
00:20:29,440 --> 00:20:30,480
Speaker 2: prove his love.

425
00:20:31,320 --> 00:20:36,000
Speaker 3: Well right by that ring? Like what went into that?

426
00:20:36,240 --> 00:20:37,600
Speaker 2: Like that was a quick turnaround?

427
00:20:37,680 --> 00:20:39,159
Speaker 5: Yeah, where was the money for that?

428
00:20:39,440 --> 00:20:40,960
Speaker 4: Yeah, it looked like a carrot.

429
00:20:41,359 --> 00:20:46,000
Speaker 5: That's not cheap. Maybe it was grandma's ring. We don't know.

430
00:20:46,440 --> 00:20:48,119
Speaker 3: That's what I wanted to think of her though, like

431
00:20:48,160 --> 00:20:49,800
Speaker 3: because it was just so out of the blue.

432
00:20:50,600 --> 00:20:51,840
Speaker 2: It's so generic it was.

433
00:20:52,760 --> 00:20:54,760
Speaker 3: And then a ring at the pawn shop next door,

434
00:20:54,920 --> 00:20:55,560
Speaker 3: like what.

435
00:20:55,640 --> 00:20:56,840
Speaker 5: It just was? Really?

436
00:20:57,440 --> 00:21:01,119
Speaker 2: Like what then he asks her to marry him and

437
00:21:01,200 --> 00:21:02,880
Speaker 2: she doesn't say yes, and she doesn't say no.

438
00:21:03,119 --> 00:21:05,680
Speaker 4: She doesn't have to say yes right away.

439
00:21:05,920 --> 00:21:08,320
Speaker 3: Like you just put it on.

440
00:21:08,800 --> 00:21:10,879
Speaker 2: If you don't say yes right in a way, if

441
00:21:10,920 --> 00:21:13,480
Speaker 2: they don't say yes right away, people, it's a no.

442
00:21:13,880 --> 00:21:18,640
Speaker 2: It's like just remember that for the future. You're right,

443
00:21:19,160 --> 00:21:22,160
Speaker 2: it really is if they have to think about it.

444
00:21:22,640 --> 00:21:25,680
Speaker 3: Third ding against Brandon. He's okay with that. He knows

445
00:21:25,680 --> 00:21:27,280
Speaker 3: that she says no, and he's like, well, whenever you

446
00:21:27,359 --> 00:21:29,280
Speaker 3: decide to put it on, it's like, that's just like,

447
00:21:29,880 --> 00:21:30,840
Speaker 3: really what he.

448
00:21:30,680 --> 00:21:33,760
Speaker 4: Was doing, if I may say in college terms, he

449
00:21:33,800 --> 00:21:37,040
Speaker 4: actually was pinning her because I don't think he either

450
00:21:37,160 --> 00:21:39,480
Speaker 4: was ready to get engaged, but he wanted to be

451
00:21:39,680 --> 00:21:44,040
Speaker 4: engaged to be engaged, So really he should have just

452
00:21:44,119 --> 00:21:46,800
Speaker 4: gone to the sorority and pinned her.

453
00:21:46,960 --> 00:21:48,840
Speaker 3: Or he could have said it was a commitment ring

454
00:21:48,960 --> 00:21:50,280
Speaker 3: yeah or yeah.

455
00:21:50,560 --> 00:21:52,600
Speaker 4: It feels like he wasn't ready either.

456
00:21:52,640 --> 00:21:54,760
Speaker 2: And no to double down though, he invites her to

457
00:21:54,760 --> 00:21:56,600
Speaker 2: move into his house when his parents want to.

458
00:21:56,520 --> 00:21:58,560
Speaker 3: Go to Hong Kong, Like that sounds sexy.

459
00:21:59,200 --> 00:22:02,159
Speaker 2: They're just gonna pretend to be married people in the

460
00:22:02,160 --> 00:22:03,680
Speaker 2: old Walsh bedroom.

461
00:22:03,880 --> 00:22:06,760
Speaker 3: Because that's where you want to be. Leave your beautiful

462
00:22:06,760 --> 00:22:08,320
Speaker 3: beach apartment right.

463
00:22:10,400 --> 00:22:14,879
Speaker 2: To go into Jim and Cindy's old pad. Also, I

464
00:22:15,000 --> 00:22:16,680
Speaker 2: was at the point where I was like, wait, they're

465
00:22:16,720 --> 00:22:19,240
Speaker 2: just gonna keep that house and let Brandon and vow

466
00:22:19,280 --> 00:22:19,720
Speaker 2: live in it.

467
00:22:19,880 --> 00:22:24,440
Speaker 4: Well, that's coming, that's you'll find out about that.

468
00:22:24,359 --> 00:22:25,800
Speaker 3: That's next. The ranger.

469
00:22:26,160 --> 00:22:28,440
Speaker 4: Yeah, you find out the house.

470
00:22:28,560 --> 00:22:31,760
Speaker 2: Yeah, so at the pea pad ray approaches value.

471
00:22:31,960 --> 00:22:34,080
Speaker 4: People have asked you please not called that anymore. Just

472
00:22:34,119 --> 00:22:36,600
Speaker 4: let me know what the people say. Oh okay, they

473
00:22:36,640 --> 00:22:38,600
Speaker 4: want you to one with pea pad.

474
00:22:39,000 --> 00:22:41,040
Speaker 2: Hyeez, thanks for letting me know. You could have shot

475
00:22:41,080 --> 00:22:43,720
Speaker 2: me a text. You could have maybe emailed me that.

476
00:22:45,560 --> 00:22:49,159
Speaker 2: No on the air. Why why don't they like me to?

477
00:22:49,600 --> 00:22:50,160
Speaker 4: I don't know.

478
00:22:50,720 --> 00:22:52,280
Speaker 5: It irritates those.

479
00:22:52,119 --> 00:22:53,440
Speaker 3: Are the irritates them.

480
00:22:53,480 --> 00:22:55,080
Speaker 2: I'm sure That's not the only thing I do that

481
00:22:55,119 --> 00:22:58,720
Speaker 2: irritates them. I'm just you know, I was trying to

482
00:22:58,760 --> 00:23:00,200
Speaker 2: make a cute little thing. But if you guys don't

483
00:23:00,240 --> 00:23:01,520
Speaker 2: like it, I will never say it again.

484
00:23:01,880 --> 00:23:05,040
Speaker 4: I think that Look, a few people may not like it,

485
00:23:05,080 --> 00:23:07,800
Speaker 4: but those that do like it maybe haven't spoken yet.

486
00:23:07,840 --> 00:23:10,560
Speaker 4: So you do what feels right to you, and right

487
00:23:10,720 --> 00:23:12,920
Speaker 4: pea pad is peach pit after dark.

488
00:23:13,160 --> 00:23:15,760
Speaker 3: Okay. Wait, I gotta say something though, So if they're

489
00:23:15,760 --> 00:23:18,960
Speaker 3: talking about it, they're talking about it, don't lose it, correct.

490
00:23:18,560 --> 00:23:21,040
Speaker 5: They It definitely has made been question. Great point. Sorry,

491
00:23:21,640 --> 00:23:22,960
Speaker 5: it's it's called branding.

492
00:23:24,040 --> 00:23:26,920
Speaker 3: There you go. I don't like to discs and we

493
00:23:26,920 --> 00:23:29,920
Speaker 3: wee pads did it ages ago? But you were next

494
00:23:29,920 --> 00:23:31,439
Speaker 3: in line and now keep it pad.

495
00:23:31,600 --> 00:23:34,560
Speaker 2: Yeah, wherever wherever it is, you know that place.

496
00:23:34,840 --> 00:23:35,080
Speaker 3: Yes.

497
00:23:35,720 --> 00:23:38,359
Speaker 2: Ray approaches Valerie to tell her that he is afraid

498
00:23:38,440 --> 00:23:41,600
Speaker 2: David and Claire will spill the beans to Donna. Valerie

499
00:23:41,600 --> 00:23:44,200
Speaker 2: tells him his personal life isn't her problem?

500
00:23:44,359 --> 00:23:44,679
Speaker 4: Yeah?

501
00:23:44,800 --> 00:23:47,400
Speaker 5: Yeah, she's just so classic.

502
00:23:48,080 --> 00:23:53,360
Speaker 4: Also, can I say tons tons of people love Valerie?

503
00:23:53,960 --> 00:23:57,120
Speaker 5: They are they are there in the comments, so.

504
00:23:57,240 --> 00:24:00,800
Speaker 2: Yeah, I mean, who doesn't. They always love the bad girl.

505
00:24:00,840 --> 00:24:01,400
Speaker 2: They love that.

506
00:24:01,520 --> 00:24:04,520
Speaker 5: Like, yeah, I'm still.

507
00:24:06,119 --> 00:24:07,600
Speaker 4: Iffy on her iffy.

508
00:24:08,200 --> 00:24:11,439
Speaker 2: Did you guys notice in this episode there were a

509
00:24:11,640 --> 00:24:19,040
Speaker 2: number of very odd close up angles on most of

510
00:24:19,080 --> 00:24:20,680
Speaker 2: the cast at some point innocent.

511
00:24:23,640 --> 00:24:26,040
Speaker 4: Here's why I noticed it because I literally can see

512
00:24:26,040 --> 00:24:28,000
Speaker 4: everyone's lipstick so much.

513
00:24:28,440 --> 00:24:31,320
Speaker 3: It's just too close and even the boys dry lips.

514
00:24:31,359 --> 00:24:34,240
Speaker 4: It was the scene where it was very prominent. I'm

515
00:24:34,240 --> 00:24:37,960
Speaker 4: not sure we've discussed yet on the porch of the

516
00:24:38,000 --> 00:24:43,560
Speaker 4: beach apartment with the two of you talking the lipstick.

517
00:24:45,359 --> 00:24:45,840
Speaker 5: Wow.

518
00:24:46,960 --> 00:24:50,919
Speaker 2: Anyway, I was like, who directed this and why are

519
00:24:51,000 --> 00:24:51,920
Speaker 2: they so close up?

520
00:24:52,960 --> 00:24:55,640
Speaker 3: But some of them I liked, Like some I was like, Oh,

521
00:24:55,640 --> 00:24:58,080
Speaker 3: it's intimate, it's great. I didn't like when I saw myself,

522
00:24:58,160 --> 00:25:01,439
Speaker 3: but that it was done too because I'm paranoid about it,

523
00:25:01,480 --> 00:25:02,800
Speaker 3: but like, very.

524
00:25:02,640 --> 00:25:08,840
Speaker 4: Close, I could see in your eratry.

525
00:25:07,480 --> 00:25:10,719
Speaker 3: Ew Oh good if that's what you were looking at

526
00:25:10,760 --> 00:25:13,440
Speaker 3: in the fine.

527
00:25:14,320 --> 00:25:16,919
Speaker 2: I forgot to say that when Val comes over to

528
00:25:17,440 --> 00:25:20,560
Speaker 2: Kelly's room and just walks right in like she owns

529
00:25:20,600 --> 00:25:24,080
Speaker 2: the place and talks to her like that, I would

530
00:25:24,080 --> 00:25:29,640
Speaker 2: have beat that b I was like, who in hell

531
00:25:29,720 --> 00:25:31,720
Speaker 2: does she think she is? This girl talking to Kelly

532
00:25:31,760 --> 00:25:32,399
Speaker 2: Taylor like that?

533
00:25:33,280 --> 00:25:35,119
Speaker 3: How'd she get in? Like everyone just walks in, Like

534
00:25:35,160 --> 00:25:36,119
Speaker 3: the door is always unlocked.

535
00:25:36,200 --> 00:25:37,480
Speaker 2: I guess we just leave it unlocked.

536
00:25:37,720 --> 00:25:41,479
Speaker 4: Yeah, it's not safe, considering there was a rapist that

537
00:25:41,520 --> 00:25:45,400
Speaker 4: came in, but okay, yeah, okay.

538
00:25:46,160 --> 00:25:49,960
Speaker 3: Yeah, she just walks walks right in. You know what.

539
00:25:50,400 --> 00:25:54,879
Speaker 2: I was watching this with Dave and he said to me,

540
00:25:55,080 --> 00:25:56,800
Speaker 2: I am losing respect for you.

541
00:25:58,200 --> 00:25:59,400
Speaker 3: Oh.

542
00:25:59,680 --> 00:26:03,359
Speaker 2: He was confusing the characters like people do sometimes, and

543
00:26:03,400 --> 00:26:06,679
Speaker 2: he was like, why would Kelly be kissing Brandon and Dylan?

544
00:26:07,920 --> 00:26:09,160
Speaker 5: Many have that question?

545
00:26:09,640 --> 00:26:11,040
Speaker 2: Yeah, anyway, many.

546
00:26:10,880 --> 00:26:18,840
Speaker 4: Do, and so nonchalantly that's the thing, almost like it's okay, but.

547
00:26:18,400 --> 00:26:22,280
Speaker 3: You guys, let's let's go back to when Kelly and

548
00:26:22,359 --> 00:26:25,479
Speaker 3: Dylan were first together, and Brenda was there and they

549
00:26:25,480 --> 00:26:28,359
Speaker 3: were just kissing Freeland on campus. Ye, Like, I feel

550
00:26:28,359 --> 00:26:31,680
Speaker 3: like there's never with characters like uh oh, we got

551
00:26:31,680 --> 00:26:34,880
Speaker 3: to try to I guess I know.

552
00:26:34,800 --> 00:26:38,600
Speaker 5: Well, And you switched from Dylan to Brandon quite quickly.

553
00:26:38,720 --> 00:26:42,960
Speaker 2: Also, I think that's the exciting part though, for the audience,

554
00:26:43,000 --> 00:26:45,080
Speaker 2: for the viewers to be like, oh, they're gonna get caught.

555
00:26:45,160 --> 00:26:47,359
Speaker 4: Someone's gonna see me, right, and we don't have to

556
00:26:47,400 --> 00:26:49,199
Speaker 4: wait a long time for the next one.

557
00:26:51,000 --> 00:26:52,840
Speaker 2: So we go back to the to the beach house

558
00:26:52,920 --> 00:26:56,000
Speaker 2: and Kelly shows Donna her new engagement ring and tell

559
00:26:56,240 --> 00:27:00,200
Speaker 2: l and her lipstick and tells her that Dylan has

560
00:27:00,200 --> 00:27:04,760
Speaker 2: offered her a trip around the world. And Donna says,

561
00:27:06,040 --> 00:27:08,720
Speaker 2: you wouldn't leave Brandon for a fling.

562
00:27:08,520 --> 00:27:12,720
Speaker 3: Right, Yeah, why would Donna a fling? Though?

563
00:27:12,880 --> 00:27:14,959
Speaker 2: Right, I thought the same thing.

564
00:27:15,000 --> 00:27:20,399
Speaker 4: Well, Dylan is not as stable as Brandon, like that

565
00:27:20,560 --> 00:27:22,440
Speaker 4: is correct.

566
00:27:22,080 --> 00:27:25,959
Speaker 2: Yeah, but still her best friend in the whole world

567
00:27:26,520 --> 00:27:30,879
Speaker 2: knows the complicated nature of that relationship the act, she

568
00:27:30,920 --> 00:27:32,160
Speaker 2: would never call it a fling.

569
00:27:32,320 --> 00:27:36,880
Speaker 4: Anywhow who, Tori, who do you think Donna really does

570
00:27:36,960 --> 00:27:37,359
Speaker 4: want her?

571
00:27:37,400 --> 00:27:44,159
Speaker 3: With? Knowing Donna probably Brandon.

572
00:27:46,080 --> 00:27:49,280
Speaker 5: That's the impression I get, Jenny, is that your take?

573
00:27:49,840 --> 00:27:50,359
Speaker 2: Probably?

574
00:27:50,440 --> 00:27:53,440
Speaker 3: Yeah, just because she thinks it'll be like a better, safer,

575
00:27:53,880 --> 00:27:55,040
Speaker 3: stable life for her.

576
00:27:56,520 --> 00:27:58,960
Speaker 2: And and this is the scene too where Donna tells

577
00:28:00,240 --> 00:28:02,720
Speaker 2: finally confides a little better. We see her confiding a

578
00:28:02,760 --> 00:28:06,160
Speaker 2: little bit in Kelly about how her relationship with Ray

579
00:28:06,359 --> 00:28:07,280
Speaker 2: is not feeling great.

580
00:28:08,040 --> 00:28:11,520
Speaker 4: Yes, Kelly, this was actually a good.

581
00:28:11,320 --> 00:28:16,240
Speaker 2: Scene, very good advice where she said go with your heart.

582
00:28:16,400 --> 00:28:16,800
Speaker 3: Go here.

583
00:28:17,160 --> 00:28:19,560
Speaker 2: I don't know, something totally lame that.

584
00:28:19,480 --> 00:28:21,800
Speaker 3: Really doesn't help. First you tried, you said not to

585
00:28:21,880 --> 00:28:25,960
Speaker 3: lose yourself, right, but then you did say go with

586
00:28:26,000 --> 00:28:28,679
Speaker 3: your heart because you asked me and I said that

587
00:28:28,840 --> 00:28:31,159
Speaker 3: I wanted to be with him. I don't know that

588
00:28:31,240 --> 00:28:34,840
Speaker 3: I Kelly would never do that either. She'd be like, oh,

589
00:28:34,840 --> 00:28:36,520
Speaker 3: you're right, she wouldn't get away.

590
00:28:36,320 --> 00:28:38,320
Speaker 2: From I don't like the way he treats you and

591
00:28:38,360 --> 00:28:40,080
Speaker 2: get away from him. Yeah she would not.

592
00:28:40,480 --> 00:28:44,160
Speaker 3: Kelly would never do that back, never have.

593
00:28:44,680 --> 00:28:47,320
Speaker 4: It's actually a very good scene that if it was

594
00:28:47,360 --> 00:28:49,560
Speaker 4: not shot so close up. Sorry there's a frog in

595
00:28:49,600 --> 00:28:52,800
Speaker 4: my throat, But if it was shot so close up

596
00:28:52,840 --> 00:28:53,720
Speaker 4: it would have been better.

597
00:28:55,440 --> 00:28:56,400
Speaker 2: I didn't understand that.

598
00:28:56,560 --> 00:28:59,520
Speaker 4: I don't know, actually hurt the scene, I don't want

599
00:28:59,520 --> 00:29:00,640
Speaker 4: to be.

600
00:29:00,120 --> 00:29:03,880
Speaker 3: Because you're talking focused on the words, You're like focused.

601
00:29:03,440 --> 00:29:05,120
Speaker 5: On your lips and the.

602
00:29:05,080 --> 00:29:08,040
Speaker 2: Makeup and the makeup and the pores and the like.

603
00:29:08,120 --> 00:29:10,200
Speaker 2: It's just like I don't want to see that.

604
00:29:10,960 --> 00:29:13,800
Speaker 4: It was, Yeah, I got very distracted from the actual

605
00:29:13,960 --> 00:29:17,440
Speaker 4: like my parent bite, like the writing was quite good

606
00:29:17,520 --> 00:29:20,800
Speaker 4: in that scene was like, yeah, but it was, and

607
00:29:20,840 --> 00:29:23,320
Speaker 4: I sort of missed some of it. I watched it again.

608
00:29:23,400 --> 00:29:23,840
Speaker 4: It's fine.

609
00:29:24,880 --> 00:29:26,840
Speaker 2: Dylan comes over to see if Kelly has made up

610
00:29:26,840 --> 00:29:31,400
Speaker 2: her mind because the playing leaves in four days, and

611
00:29:31,840 --> 00:29:35,000
Speaker 2: that's when he spots the engagement ring and she said, oops,

612
00:29:35,040 --> 00:29:36,040
Speaker 2: I forgot to take it off.

613
00:29:36,960 --> 00:29:41,000
Speaker 4: Also, nobody's worried about finals. Brandon was like a tiny bit,

614
00:29:41,040 --> 00:29:42,920
Speaker 4: but like, aren't y' all in finals and you're just

615
00:29:42,960 --> 00:29:47,080
Speaker 4: dealing with like life's most dramatic situations.

616
00:29:47,640 --> 00:29:50,840
Speaker 3: Fins can't choose when life happens.

617
00:29:54,040 --> 00:29:56,480
Speaker 2: Oh, and of course Dylan and Kelly start making out

618
00:29:56,480 --> 00:29:57,080
Speaker 2: there too.

619
00:29:57,720 --> 00:29:59,040
Speaker 5: Oh, it's so weird.

620
00:30:00,120 --> 00:30:00,640
Speaker 3: It's weird.

621
00:30:13,120 --> 00:30:16,240
Speaker 4: Wait, I forgot to mention Brandon's awkward highlighting of the

622
00:30:16,240 --> 00:30:19,960
Speaker 4: book during the awkward scene when Valerie just rips the

623
00:30:20,000 --> 00:30:22,080
Speaker 4: band aid off and tell him tells him you're basically

624
00:30:22,120 --> 00:30:25,200
Speaker 4: like going around the world with your ex boyfriend.

625
00:30:25,480 --> 00:30:27,320
Speaker 3: He washa highlighting.

626
00:30:27,360 --> 00:30:28,760
Speaker 4: He's just like bag highlighting.

627
00:30:28,800 --> 00:30:30,280
Speaker 3: I was staring at her out but I wasn't a

628
00:30:30,280 --> 00:30:33,480
Speaker 3: fan of that outfit. Which outfit?

629
00:30:33,920 --> 00:30:38,600
Speaker 6: It was like the beige right, yeah, swe no vest

630
00:30:39,680 --> 00:30:40,600
Speaker 6: I wish I wouldn't let it.

631
00:30:41,240 --> 00:30:44,920
Speaker 3: No, it was like a was it ribbed? Remember when

632
00:30:44,920 --> 00:30:46,160
Speaker 3: those wrens like a.

633
00:30:46,120 --> 00:30:47,200
Speaker 4: Little they do.

634
00:30:47,240 --> 00:30:49,400
Speaker 5: Put her in sort of some tan and it matches.

635
00:30:50,360 --> 00:30:52,440
Speaker 3: I don't know the whole thing. I usually like her

636
00:30:52,440 --> 00:30:54,120
Speaker 3: outfits a lot. I didn't love it. Sorry, I was

637
00:30:54,160 --> 00:30:54,840
Speaker 3: focused on that.

638
00:30:56,280 --> 00:30:58,400
Speaker 2: And then it's cute because Donn and Clara watching them

639
00:30:58,400 --> 00:31:03,200
Speaker 2: from inside, it's funny. They're like, uh, really interested in

640
00:31:03,240 --> 00:31:04,120
Speaker 2: what's happening out there.

641
00:31:04,000 --> 00:31:05,840
Speaker 4: And Donna, oh yeah that was good?

642
00:31:07,560 --> 00:31:10,320
Speaker 2: Yes, and then that was good tells Donna that she

643
00:31:10,400 --> 00:31:13,400
Speaker 2: could do so much better than Ray and Donna gets

644
00:31:13,560 --> 00:31:17,600
Speaker 2: defency what Yeah, I was.

645
00:31:17,600 --> 00:31:19,040
Speaker 3: Too focus on her brown lips.

646
00:31:19,320 --> 00:31:21,280
Speaker 4: If you were Claire, would you tell her.

647
00:31:21,160 --> 00:31:22,280
Speaker 3: Stick I didn't like that color?

648
00:31:22,800 --> 00:31:28,440
Speaker 4: If she sorry, no, please go go because.

649
00:31:28,200 --> 00:31:31,840
Speaker 3: She had a crush on Dylan. Who didn't who didn't?

650
00:31:32,400 --> 00:31:33,160
Speaker 4: Right?

651
00:31:32,800 --> 00:31:34,000
Speaker 5: That was true?

652
00:31:34,440 --> 00:31:38,920
Speaker 4: But if you were Claire and you know this guy sucks, Like,

653
00:31:40,120 --> 00:31:42,320
Speaker 4: is Claire not being a good friend by not telling

654
00:31:42,360 --> 00:31:44,960
Speaker 4: her like your dude sucks?

655
00:31:45,320 --> 00:31:46,880
Speaker 2: She should tell her by now.

656
00:31:47,080 --> 00:31:49,120
Speaker 5: Or an anonymous note, something.

657
00:31:48,800 --> 00:31:53,160
Speaker 4: Like anonymous note or David needs to tell her. Somebody

658
00:31:53,200 --> 00:31:54,560
Speaker 4: needs to say this guy.

659
00:31:55,080 --> 00:32:00,200
Speaker 3: Oh, No, who tells her? No, one tells her.

660
00:32:01,120 --> 00:32:01,640
Speaker 2: I don't know.

661
00:32:01,760 --> 00:32:02,640
Speaker 4: We're not there yet.

662
00:32:03,480 --> 00:32:07,320
Speaker 2: Back at the wallsh House, Jim and Cindy tell Brandon

663
00:32:07,400 --> 00:32:09,600
Speaker 2: and Valerie that they have decided they are going to

664
00:32:09,640 --> 00:32:10,920
Speaker 2: move to Hong Kong.

665
00:32:11,680 --> 00:32:14,760
Speaker 4: And how could they not for two and a half times?

666
00:32:15,080 --> 00:32:17,360
Speaker 4: So the money is rich.

667
00:32:17,240 --> 00:32:20,600
Speaker 3: Now money, it's the money, Cindy, okay with that, like

668
00:32:20,680 --> 00:32:21,960
Speaker 3: moving across She's.

669
00:32:21,840 --> 00:32:24,920
Speaker 4: Got her doctorate or whatever it is. Remember, they're like,

670
00:32:25,360 --> 00:32:28,080
Speaker 4: she's got her master, she could teach classes, like all

671
00:32:28,080 --> 00:32:30,600
Speaker 4: of a sudden, she's just.

672
00:32:28,960 --> 00:32:31,640
Speaker 3: Like she only speaks English though.

673
00:32:31,960 --> 00:32:35,360
Speaker 5: So random, but okay, it's not forever.

674
00:32:35,960 --> 00:32:38,760
Speaker 2: And then Brandon just tells them nonchalantly that he's proposed

675
00:32:38,760 --> 00:32:39,200
Speaker 2: to Kelly.

676
00:32:39,400 --> 00:32:41,560
Speaker 5: I mean, that was totally bizarre, and of.

677
00:32:41,520 --> 00:32:47,200
Speaker 2: Course Valerie is upset about that news. Then we go

678
00:32:47,480 --> 00:32:53,200
Speaker 2: to the party. I guess it's a party.

679
00:32:52,720 --> 00:32:56,600
Speaker 7: It was a seven art What it is?

680
00:32:55,400 --> 00:33:00,400
Speaker 3: The question what vows? Like undying love for Dylan, Like

681
00:33:00,440 --> 00:33:03,880
Speaker 3: that's over. She's just like focused on Brandon and that's

682
00:33:03,960 --> 00:33:06,920
Speaker 3: not What is upsetting is that Kelly and Dylan might

683
00:33:06,920 --> 00:33:10,840
Speaker 3: go away together. Everything about Dylan.

684
00:33:11,280 --> 00:33:14,680
Speaker 4: I think she's in a real dither about all of it.

685
00:33:14,800 --> 00:33:18,680
Speaker 4: If I may, I think she's just all pod.

686
00:33:19,040 --> 00:33:20,040
Speaker 2: Yeah I would be too.

687
00:33:20,320 --> 00:33:22,600
Speaker 3: I just want her to mention it though I wanted

688
00:33:22,640 --> 00:33:23,479
Speaker 3: her to get gels.

689
00:33:23,720 --> 00:33:25,800
Speaker 4: I feel like she's mentioning it in her face, Like

690
00:33:25,880 --> 00:33:27,840
Speaker 4: we're seeing that in her face all the time.

691
00:33:28,320 --> 00:33:30,720
Speaker 2: Just how yes, she's you can tell she's a little

692
00:33:30,720 --> 00:33:31,560
Speaker 2: stressed about it all.

693
00:33:31,640 --> 00:33:35,520
Speaker 4: Yeah, it's like a scow slash devil in there, and.

694
00:33:35,600 --> 00:33:38,240
Speaker 3: She's just tired because she's saying for finals and working

695
00:33:38,280 --> 00:33:39,040
Speaker 3: really hard.

696
00:33:40,320 --> 00:33:42,560
Speaker 2: As a badass boss bitch at the peak.

697
00:33:42,880 --> 00:33:46,800
Speaker 4: Right, Okay, now THEO goodbye lunch.

698
00:33:47,400 --> 00:33:49,600
Speaker 2: This is yeah, this is the first of the goodbyes,

699
00:33:50,880 --> 00:33:52,600
Speaker 2: and everybody's kind of gathered.

700
00:33:52,280 --> 00:33:56,240
Speaker 4: Brought like macaroni salad to a fold out table in

701
00:33:56,280 --> 00:33:57,800
Speaker 4: the quad in the middle of school.

702
00:33:58,000 --> 00:34:01,200
Speaker 2: I mean, was that fun for her? Is she like that?

703
00:34:01,560 --> 00:34:02,440
Speaker 3: Probably? Oh?

704
00:34:02,520 --> 00:34:06,920
Speaker 4: Yeah, and she's blindfolded the blindfold that was exciting.

705
00:34:07,080 --> 00:34:07,880
Speaker 2: Oh and they're Honda.

706
00:34:07,960 --> 00:34:10,600
Speaker 5: That was their Honda looked like an accord.

707
00:34:10,239 --> 00:34:16,640
Speaker 2: Right, but everybody's there, even missus t.

708
00:34:17,640 --> 00:34:21,200
Speaker 4: That was yeah, that was like oh.

709
00:34:21,239 --> 00:34:25,279
Speaker 2: And then Gil Gil Gil's back, who knows why. It's

710
00:34:25,360 --> 00:34:28,279
Speaker 2: literally if you blink you miss him.

711
00:34:28,400 --> 00:34:32,640
Speaker 4: Yeah, you know he always had that weird attraction thing

712
00:34:32,800 --> 00:34:35,520
Speaker 4: that wasn't with Andrea, so I thought, oh.

713
00:34:38,520 --> 00:34:43,799
Speaker 2: Remember, And of course Brian and Dylan were no shows.

714
00:34:44,400 --> 00:34:49,439
Speaker 8: Yeah, which is just absolute unbelievable because that does there

715
00:34:49,840 --> 00:34:53,200
Speaker 8: are her two besties, they're both coming, they're both coming,

716
00:34:53,440 --> 00:34:54,520
Speaker 8: They're gonna suck it up.

717
00:34:54,800 --> 00:34:57,640
Speaker 4: And then how about when she comes over and says,

718
00:34:58,239 --> 00:34:59,200
Speaker 4: I know what's going on?

719
00:35:00,440 --> 00:35:00,879
Speaker 2: Mm hmmm.

720
00:35:01,200 --> 00:35:02,719
Speaker 5: He told me, it's just.

721
00:35:02,680 --> 00:35:03,880
Speaker 4: Like, oh my god, what's happening?

722
00:35:05,680 --> 00:35:08,480
Speaker 2: And then Ray, oh, it's like a.

723
00:35:09,960 --> 00:35:12,840
Speaker 4: That was the deal breaker for me in front of everyone.

724
00:35:13,280 --> 00:35:14,240
Speaker 5: Every Thank you, Jenny.

725
00:35:14,360 --> 00:35:17,560
Speaker 3: It was so Kelly Taylor's two polos this episode and

726
00:35:17,600 --> 00:35:19,680
Speaker 3: then raise yellow polo? Did he borrow that from Kelly

727
00:35:19,719 --> 00:35:23,319
Speaker 3: from one of the rollerblating scenes? What was going on?

728
00:35:23,400 --> 00:35:24,240
Speaker 3: I was so solo?

729
00:35:24,640 --> 00:35:26,440
Speaker 2: Who would wear a p I mean.

730
00:35:26,960 --> 00:35:28,640
Speaker 3: You you wear polos twice in this episode?

731
00:35:28,640 --> 00:35:30,520
Speaker 2: Are sorry, I'm sorry, I'm sorry.

732
00:35:30,640 --> 00:35:34,200
Speaker 4: Good. I love polos. But this was Ray's lowest low

733
00:35:34,320 --> 00:35:37,400
Speaker 4: for me, lower than the push, which was horrendous.

734
00:35:37,520 --> 00:35:39,280
Speaker 3: What him wearing a yellow polo.

735
00:35:41,040 --> 00:35:45,680
Speaker 4: Like him just being of everybody. It's embarrassing. He's violent,

736
00:35:46,040 --> 00:35:48,120
Speaker 4: he's absolutely abusive.

737
00:35:48,640 --> 00:35:49,880
Speaker 5: It's so bad.

738
00:35:50,520 --> 00:35:52,880
Speaker 4: It's so bad. And also for some reason, I have

739
00:35:52,960 --> 00:35:56,480
Speaker 4: that like diarrhea feeling when couples fight in public and

740
00:35:56,520 --> 00:36:00,400
Speaker 4: I'm with an earshot where I can't handle that.

741
00:36:00,800 --> 00:36:03,280
Speaker 2: Like wait, what's the diarrhea feeling?

742
00:36:03,360 --> 00:36:08,840
Speaker 4: I just hate when couples are having a spat in public.

743
00:36:09,560 --> 00:36:12,680
Speaker 2: It's like, oh, God, like I don't feel uncomfortable.

744
00:36:13,640 --> 00:36:14,479
Speaker 5: I'm so bad.

745
00:36:14,760 --> 00:36:18,480
Speaker 4: And it's just like, Donna, you're back at your school.

746
00:36:18,760 --> 00:36:23,680
Speaker 4: There's young, impressionable high schoolers seeing you crying like I'm sorry,

747
00:36:23,640 --> 00:36:25,919
Speaker 4: you're right, Like I just hated it.

748
00:36:26,000 --> 00:36:29,680
Speaker 2: Oh when she runs after him, somebody should have stopped her.

749
00:36:29,719 --> 00:36:31,879
Speaker 2: They just stare at her. They just stare at her

750
00:36:32,040 --> 00:36:34,359
Speaker 2: and let her run off. After this, I know, just.

751
00:36:34,400 --> 00:36:38,640
Speaker 4: Say to him Sea and he and she's like no, right, no,

752
00:36:39,040 --> 00:36:40,040
Speaker 4: like it's so.

753
00:36:40,000 --> 00:36:43,000
Speaker 2: That like and then he's like, I'm so sick. I

754
00:36:43,120 --> 00:36:46,920
Speaker 2: hurt you and you're spoiled rich friends. He's so venomous, like.

755
00:36:47,000 --> 00:36:49,959
Speaker 4: And then he's like I won't be cough, like it's

756
00:36:50,080 --> 00:36:50,840
Speaker 4: so awful.

757
00:36:50,920 --> 00:36:52,560
Speaker 3: Well, she says, don't call me.

758
00:36:53,239 --> 00:36:53,960
Speaker 4: I won't.

759
00:36:54,000 --> 00:36:58,000
Speaker 5: Like it's so triggering and terrible that I'm like.

760
00:36:58,760 --> 00:37:02,760
Speaker 3: This is because you know that feeling when like someone's

761
00:37:02,840 --> 00:37:06,960
Speaker 3: doing that to you and you're like being and then

762
00:37:07,000 --> 00:37:09,000
Speaker 3: a panic and then you just get pushed. So you're

763
00:37:09,040 --> 00:37:11,640
Speaker 3: just like, fine, don't call me, and then they're like

764
00:37:11,680 --> 00:37:13,440
Speaker 3: I won't and you're like, no, I didn't mean it.

765
00:37:13,440 --> 00:37:16,239
Speaker 4: It goes from begging. It's like there is there's that

766
00:37:16,280 --> 00:37:21,080
Speaker 4: fine line between begging and then like fine, Like it's.

767
00:37:20,920 --> 00:37:24,359
Speaker 3: Just so I wonder it's take her two little pink

768
00:37:24,440 --> 00:37:27,879
Speaker 3: baby breads off and like throw him at him. She walked.

769
00:37:28,080 --> 00:37:29,200
Speaker 2: I would have been a good start.

770
00:37:30,000 --> 00:37:32,920
Speaker 4: This is the pink skirt with a white crop polo.

771
00:37:33,480 --> 00:37:36,640
Speaker 2: Oh god, yeah, well you were wearing a polo too.

772
00:37:37,640 --> 00:37:41,000
Speaker 3: Oh ah.

773
00:37:41,160 --> 00:37:43,840
Speaker 4: There's no coming back for me with Ray. He is done.

774
00:37:44,040 --> 00:37:44,520
Speaker 4: He is here.

775
00:37:44,719 --> 00:37:48,239
Speaker 2: This is the last time we see him in this episode.

776
00:37:48,560 --> 00:37:51,359
Speaker 3: Correct, I didn't know where you're going with that, Like.

777
00:37:51,280 --> 00:37:52,120
Speaker 5: He'll be back.

778
00:37:52,560 --> 00:37:59,400
Speaker 4: No, he sucks. Yeah, like they wrote him really really sucky,

779
00:38:00,120 --> 00:38:01,400
Speaker 4: and watching it now.

780
00:38:01,320 --> 00:38:02,880
Speaker 5: Is just like awful.

781
00:38:04,480 --> 00:38:07,239
Speaker 3: Yeah, like now going back, like we all know what

782
00:38:07,719 --> 00:38:10,560
Speaker 3: you know, no spoilers, but what ends up happening. But

783
00:38:10,880 --> 00:38:13,880
Speaker 3: you know, in years the writers still saying the producers

784
00:38:13,920 --> 00:38:17,319
Speaker 3: are like, oh, we wanted to then make him redeemable.

785
00:38:17,400 --> 00:38:18,399
Speaker 4: That was happen.

786
00:38:18,880 --> 00:38:21,799
Speaker 3: But now watching it back from this point, like you're like, ah,

787
00:38:21,920 --> 00:38:23,160
Speaker 3: you couldn't have gone back.

788
00:38:23,440 --> 00:38:27,200
Speaker 4: You could never redeem this guy. And the craziest thing

789
00:38:27,320 --> 00:38:31,400
Speaker 4: is he joins he's in the opening credits. Next season,

790
00:38:32,120 --> 00:38:35,880
Speaker 4: it freaking blows my name. They make him.

791
00:38:35,719 --> 00:38:38,000
Speaker 5: A regular on the next seat.

792
00:38:38,000 --> 00:38:38,400
Speaker 3: He could.

793
00:38:39,840 --> 00:38:42,799
Speaker 4: Yes, he is a regular in the starting credits, and

794
00:38:42,840 --> 00:38:44,799
Speaker 4: it's like, this guy, you.

795
00:38:44,840 --> 00:38:45,640
Speaker 5: Have made him.

796
00:38:45,760 --> 00:38:47,799
Speaker 2: He really shouldn't have been in the opening credits. I'm

797
00:38:47,840 --> 00:38:49,040
Speaker 2: going to say that right now.

798
00:38:48,920 --> 00:38:50,600
Speaker 5: Because he's worse than Valerie and.

799
00:38:51,600 --> 00:38:56,120
Speaker 2: Because he's he's abusive physically and mentally abusive. Valerie is

800
00:38:56,160 --> 00:38:58,400
Speaker 2: just a dirty, rotten scoundrel.

801
00:38:59,719 --> 00:39:02,280
Speaker 4: But but he's got.

802
00:39:03,840 --> 00:39:04,240
Speaker 5: Bad.

803
00:39:05,360 --> 00:39:08,600
Speaker 3: But you could see like how we so often are

804
00:39:08,719 --> 00:39:12,719
Speaker 3: like you know, Jenny, Kelly, Tory, Donna, Like you could

805
00:39:12,760 --> 00:39:15,160
Speaker 3: see how people were like Ray Jamie, and it's like

806
00:39:15,960 --> 00:39:21,000
Speaker 3: further thing that's like the opposite, like the kindest human

807
00:39:21,160 --> 00:39:22,799
Speaker 3: and so that is unfortunate.

808
00:39:23,239 --> 00:39:24,400
Speaker 5: That's such a good point.

809
00:39:25,160 --> 00:39:28,120
Speaker 4: It's like knowing that makes me want to revive his career,

810
00:39:28,160 --> 00:39:30,239
Speaker 4: although I hear he's quite happy as a.

811
00:39:30,200 --> 00:39:35,120
Speaker 5: Fireman, so it doesn't matter. But its empty pardon me

812
00:39:35,160 --> 00:39:36,239
Speaker 5: emt but.

813
00:39:36,840 --> 00:39:37,680
Speaker 3: Still getting defense.

814
00:39:37,880 --> 00:39:43,959
Speaker 5: It also makes me Donna would chase after him. That's

815
00:39:44,000 --> 00:39:48,040
Speaker 5: so Donna, and I'm like, Donna, stop it.

816
00:39:49,040 --> 00:39:52,799
Speaker 2: I think she's gonna learn. Ultimately, does Donna learn in

817
00:39:52,880 --> 00:39:53,480
Speaker 2: the series?

818
00:39:54,400 --> 00:39:58,480
Speaker 4: But find out well, obviously, like she marries she has

819
00:39:58,520 --> 00:40:04,920
Speaker 4: a no, she doesn't remember the wedding anyway. Nope, Okay,

820
00:40:05,080 --> 00:40:06,280
Speaker 4: that's amazing.

821
00:40:06,320 --> 00:40:09,920
Speaker 2: Okay, okay, okay. So we go to the wash house

822
00:40:09,960 --> 00:40:13,320
Speaker 2: and again Valerie is trying to convince Brandon that Kelly

823
00:40:13,360 --> 00:40:17,279
Speaker 2: has manipulated him and she's stringing him along, and she

824
00:40:17,400 --> 00:40:20,799
Speaker 2: tells Brandon that she hopes Kelly chooses Dylan because he

825
00:40:20,880 --> 00:40:21,600
Speaker 2: deserves better.

826
00:40:21,680 --> 00:40:23,560
Speaker 4: I mean, it's just gag me.

827
00:40:23,840 --> 00:40:26,520
Speaker 2: I mean it could be a true statement, yes, but.

828
00:40:26,520 --> 00:40:30,360
Speaker 5: She's like making a move for Brandon, which is so creepy.

829
00:40:30,160 --> 00:40:31,879
Speaker 3: But only because Dylan didn't want her.

830
00:40:33,600 --> 00:40:35,920
Speaker 2: I can't even imagine Brandon and.

831
00:40:35,800 --> 00:40:42,720
Speaker 3: Steve want Valerie together. Steve gets no one and wants everyone.

832
00:40:44,440 --> 00:40:48,880
Speaker 2: He'll get someone. Don't worry, Okay, I remember that but

833
00:40:48,920 --> 00:40:51,840
Speaker 2: I honestly didn't disagree with val in this.

834
00:40:53,160 --> 00:40:54,920
Speaker 4: Yeah, yeah, her words are true.

835
00:40:56,360 --> 00:40:57,839
Speaker 2: Here we are back at the beach house and Kelly

836
00:40:57,880 --> 00:41:00,800
Speaker 2: and Donna are having a heart to heart and Donna's

837
00:41:00,800 --> 00:41:03,800
Speaker 2: complaining about how selfish Ray is, and Kelly says Brandon

838
00:41:03,800 --> 00:41:08,160
Speaker 2: and Dylan are both selfish in their own ways. Too interesting.

839
00:41:08,239 --> 00:41:08,479
Speaker 4: Take.

840
00:41:08,640 --> 00:41:10,120
Speaker 3: Didn't we already go through the scene.

841
00:41:10,400 --> 00:41:11,160
Speaker 2: I feel like we did.

842
00:41:11,440 --> 00:41:13,399
Speaker 4: But that's okay, we didn't touch on that. I'm glad

843
00:41:13,440 --> 00:41:15,839
Speaker 4: you brought that part important. Yeah, I'm glad you brought

844
00:41:15,840 --> 00:41:16,120
Speaker 4: that up.

845
00:41:16,600 --> 00:41:20,560
Speaker 2: And then Kelly does dispense some you know, usable advice.

846
00:41:20,640 --> 00:41:25,360
Speaker 2: She says, don't lose yourself, which is what happens in

847
00:41:25,400 --> 00:41:27,440
Speaker 2: these kinds of relationships.

848
00:41:28,080 --> 00:41:34,120
Speaker 3: Any relationship. It's so hard. I thought for a young gal.

849
00:41:34,600 --> 00:41:38,560
Speaker 3: It was very like inspirational that Kelly and evolved, that

850
00:41:38,680 --> 00:41:40,759
Speaker 3: Kelly was able to see that both the men that

851
00:41:40,840 --> 00:41:44,160
Speaker 3: she loves that they're selfish. And yeah, I don't know.

852
00:41:44,400 --> 00:41:46,520
Speaker 3: I was like, that's a really cool thing what she's

853
00:41:46,560 --> 00:41:49,239
Speaker 3: saying right now, because as you can see, Donna just

854
00:41:49,280 --> 00:41:53,719
Speaker 3: defends her men, but you are, like mine, have some

855
00:41:53,760 --> 00:41:55,000
Speaker 3: moments that are not so great too.

856
00:41:55,360 --> 00:41:57,080
Speaker 5: Yeah, that's well said.

857
00:41:57,120 --> 00:41:59,840
Speaker 4: And it was a good take that Kelly was a

858
00:42:00,200 --> 00:42:07,040
Speaker 4: too astutely ascertain m hmm, I mean.

859
00:42:07,680 --> 00:42:11,960
Speaker 2: I do I agree with you. I feel proud somehow

860
00:42:11,960 --> 00:42:17,400
Speaker 2: that Kelly was taking this time to really weigh, you know,

861
00:42:17,440 --> 00:42:19,279
Speaker 2: whether she was kissing both of them or not. She

862
00:42:20,560 --> 00:42:24,279
Speaker 2: was really trying to make the right decision and she

863
00:42:24,440 --> 00:42:27,799
Speaker 2: was really considering it. And also, yeah, yeah, very self

864
00:42:27,840 --> 00:42:31,360
Speaker 2: aware and aware to see that they're both so selfish

865
00:42:31,440 --> 00:42:35,440
Speaker 2: right now. They're both trying to get her and they

866
00:42:35,440 --> 00:42:39,440
Speaker 2: don't really care about her. I want to win the challenge?

867
00:42:39,600 --> 00:42:40,759
Speaker 4: Are they trying to win?

868
00:42:41,120 --> 00:42:46,400
Speaker 3: Yeah, that's a great, great point. Yes, I mean I

869
00:42:46,480 --> 00:42:49,640
Speaker 3: do believe they both love her, but in this moment,

870
00:42:49,840 --> 00:42:54,440
Speaker 3: it's ego and pride that's taking over. Yeah.

871
00:42:54,600 --> 00:42:59,480
Speaker 2: So this is the final goodbye for Andrea and Jesse

872
00:43:00,600 --> 00:43:03,400
Speaker 2: the peach pit, where the whole crew surprises her to

873
00:43:03,480 --> 00:43:05,520
Speaker 2: say one last goodbye.

874
00:43:05,600 --> 00:43:08,680
Speaker 4: And this did not feel like Andrea was saying goodbye.

875
00:43:09,360 --> 00:43:13,280
Speaker 4: This to me was Gabrielle saying goodbye.

876
00:43:13,640 --> 00:43:14,759
Speaker 3: Correct, hmm.

877
00:43:15,760 --> 00:43:16,560
Speaker 5: Didn't nobody thinks.

878
00:43:16,640 --> 00:43:19,760
Speaker 2: I'm sure it was mixed because I I could feel

879
00:43:20,520 --> 00:43:24,840
Speaker 2: just from my watching me in that scene, I felt

880
00:43:24,840 --> 00:43:27,520
Speaker 2: like I was feeling like, oh no, gaps leaving and

881
00:43:27,560 --> 00:43:28,080
Speaker 2: I don't like this.

882
00:43:28,719 --> 00:43:31,319
Speaker 3: Didn't you feel like that? Everybody was like, this is

883
00:43:31,360 --> 00:43:35,560
Speaker 3: so sad. I definitely cried personal I cried.

884
00:43:36,800 --> 00:43:37,279
Speaker 4: I did two.

885
00:43:37,560 --> 00:43:38,880
Speaker 5: I did too. I cried too.

886
00:43:41,000 --> 00:43:44,359
Speaker 2: M she drives away and she has flashbacks of all

887
00:43:44,400 --> 00:43:45,760
Speaker 2: her memories of West Bevererly.

888
00:43:46,000 --> 00:44:02,680
Speaker 7: God, but we to talk about each individual goodbye, each

889
00:44:02,760 --> 00:44:04,799
Speaker 7: individual kiss the kiss.

890
00:44:05,120 --> 00:44:06,680
Speaker 4: So when you guys are watching that, we were like,

891
00:44:07,200 --> 00:44:09,120
Speaker 4: oh wow, she's a real lip kisser.

892
00:44:10,640 --> 00:44:11,600
Speaker 2: Yeah, it was a little weird.

893
00:44:11,760 --> 00:44:13,239
Speaker 3: Yeah, we already knew that.

894
00:44:13,280 --> 00:44:16,560
Speaker 4: But I think it started with a nat kiss and

895
00:44:16,600 --> 00:44:19,200
Speaker 4: that kind of was like, oh wow, okay, all right,

896
00:44:19,760 --> 00:44:23,839
Speaker 4: and then the kisses went all the way around.

897
00:44:23,520 --> 00:44:27,960
Speaker 2: All around. Yep, well that's how you say goodbye in

898
00:44:28,000 --> 00:44:35,279
Speaker 2: Beverly Hills. Then, oh, you guys. I saw Mark Espinoza

899
00:44:35,400 --> 00:44:39,520
Speaker 2: at a a thing at the mission where we were

900
00:44:40,640 --> 00:44:45,840
Speaker 2: serving food together him. Yes, we were amazing serving cobbler together,

901
00:44:45,920 --> 00:44:52,239
Speaker 2: like dishing out cherry cobbler and I he looked amazing. No,

902
00:44:52,280 --> 00:44:54,839
Speaker 2: I'll get to that. First of all, I walk up

903
00:44:54,840 --> 00:44:57,120
Speaker 2: to him like this clothes, I'm like hi, and he

904
00:44:57,160 --> 00:45:01,040
Speaker 2: looks at me, has no idea who I am, no one,

905
00:45:01,280 --> 00:45:06,680
Speaker 2: And I was like, Hi, Hello, hello Mark I and

906
00:45:07,120 --> 00:45:11,520
Speaker 2: literally I was like, it's me Jenny.

907
00:45:11,600 --> 00:45:13,120
Speaker 3: He literally took his glasses on.

908
00:45:13,280 --> 00:45:15,040
Speaker 2: You didn't believe me, then put his glasses on, and

909
00:45:15,080 --> 00:45:15,560
Speaker 2: then he was.

910
00:45:15,520 --> 00:45:19,200
Speaker 3: Like, oh no, no, no, I.

911
00:45:19,440 --> 00:45:20,880
Speaker 2: Swhere that happened.

912
00:45:21,160 --> 00:45:22,920
Speaker 4: You look exactly the same.

913
00:45:23,200 --> 00:45:25,400
Speaker 2: Well, it doesn't matter. He didn't recognize me. So for

914
00:45:25,440 --> 00:45:28,520
Speaker 2: the rest of our our time slot there in the cobbler,

915
00:45:29,200 --> 00:45:33,240
Speaker 2: I kept accident like probably eight.

916
00:45:33,080 --> 00:45:35,680
Speaker 4: Times, and I liked that you were serving cobbler though.

917
00:45:36,719 --> 00:45:37,279
Speaker 3: Yeah.

918
00:45:37,800 --> 00:45:39,759
Speaker 2: Wait, first I was serving cobbler with.

919
00:45:41,200 --> 00:45:42,440
Speaker 3: Color Feldman.

920
00:45:43,040 --> 00:45:46,600
Speaker 4: What do you tell what other celebrities were there?

921
00:45:46,640 --> 00:45:47,880
Speaker 2: This is iron Zering.

922
00:45:48,320 --> 00:45:50,320
Speaker 3: Okay, wait, tell me about Corey Feldman.

923
00:45:50,800 --> 00:45:53,160
Speaker 2: I was okay, first it was me and Corey Feldman.

924
00:45:53,280 --> 00:45:56,160
Speaker 2: I got there and Corey was already serving the cobbler.

925
00:45:56,520 --> 00:45:57,719
Speaker 3: And did you recognize him?

926
00:45:57,719 --> 00:45:58,960
Speaker 4: Did he know you? Of course?

927
00:45:59,400 --> 00:46:01,960
Speaker 2: And I they were like you you help out Corey

928
00:46:02,320 --> 00:46:06,760
Speaker 2: in this cobbler section. I was like, okay, hi, Corey,

929
00:46:07,440 --> 00:46:10,319
Speaker 2: It's I'm Jenny and it was awkward and he was like,

930
00:46:10,360 --> 00:46:14,040
Speaker 2: oh hey. Then he gave me a hug and introduced yourself.

931
00:46:14,120 --> 00:46:16,040
Speaker 3: Everyone in the whole world knows who you are.

932
00:46:16,160 --> 00:46:18,960
Speaker 2: But when you're upsetting you that look they're they like

933
00:46:18,960 --> 00:46:21,160
Speaker 2: they don't recognize you. I get really nervous and then

934
00:46:21,200 --> 00:46:22,400
Speaker 2: I have to like compensate.

935
00:46:23,400 --> 00:46:26,120
Speaker 3: That's like an ego thing when people do that. He

936
00:46:26,200 --> 00:46:30,000
Speaker 3: was so nice, so nice. Okay, he's nice.

937
00:46:30,040 --> 00:46:31,000
Speaker 5: He's nice.

938
00:46:31,080 --> 00:46:35,719
Speaker 2: He is so nice. He is very unique that he's

939
00:46:35,760 --> 00:46:40,680
Speaker 2: a very unique individual, and he was extremely pleasant to

940
00:46:40,719 --> 00:46:43,760
Speaker 2: everybody there. So it was a very very big year coming.

941
00:46:44,760 --> 00:46:47,759
Speaker 4: There's a very viral about his music. Was it about

942
00:46:47,760 --> 00:46:48,799
Speaker 4: his music? A lot?

943
00:46:48,880 --> 00:46:50,240
Speaker 2: He's got a lot coming out.

944
00:46:50,400 --> 00:46:52,279
Speaker 4: Viral documentaries.

945
00:46:53,520 --> 00:46:57,440
Speaker 5: Yeah, Jerry O'Connell and Corey singing stand by me on

946
00:46:57,520 --> 00:46:57,920
Speaker 5: the Talk.

947
00:46:58,800 --> 00:46:59,760
Speaker 4: It's worth a watch.

948
00:47:00,200 --> 00:47:02,839
Speaker 2: He's real sweet and he has a really nice son too,

949
00:47:02,880 --> 00:47:06,400
Speaker 2: who was Oh yeah, it was fun anyhow, Sorry we

950
00:47:06,480 --> 00:47:07,640
Speaker 2: have gone off topic.

951
00:47:07,800 --> 00:47:09,360
Speaker 5: No, it's all good bit of trivia.

952
00:47:09,440 --> 00:47:11,320
Speaker 4: Corey Fulman was one of in one of the Friday

953
00:47:11,360 --> 00:47:15,520
Speaker 4: the Thirteenth story.

954
00:47:14,040 --> 00:47:20,120
Speaker 3: Okays, Tommy, Tommy Jurgons and then in the next one

955
00:47:20,160 --> 00:47:20,800
Speaker 3: he's older.

956
00:47:20,840 --> 00:47:24,480
Speaker 4: But yeah, yep, yeah, yeah, I'm glad you know. Okay, Jenny,

957
00:47:24,520 --> 00:47:27,000
Speaker 4: back to the the moment we've all been waiting for.

958
00:47:27,080 --> 00:47:30,360
Speaker 2: Wait, wait, wait, I want to tell you more. He

959
00:47:30,560 --> 00:47:34,440
Speaker 2: was for some reason we got talking about the quiet

960
00:47:34,480 --> 00:47:37,480
Speaker 2: on the set documentary. Oh no way, So this is

961
00:47:37,640 --> 00:47:40,720
Speaker 2: like yesterday, this is all while serving the cobblers.

962
00:47:40,719 --> 00:47:42,080
Speaker 4: What was this for Easter?

963
00:47:42,239 --> 00:47:43,239
Speaker 5: When were you?

964
00:47:44,920 --> 00:47:47,480
Speaker 2: And he was saying that he had had he had

965
00:47:47,480 --> 00:47:52,600
Speaker 2: made a documentary back in the nineties and there was

966
00:47:52,640 --> 00:47:58,440
Speaker 2: some very similar content. Yeah, and that people the powers

967
00:47:58,480 --> 00:48:02,440
Speaker 2: that be shut it down and didn't release his documentary.

968
00:48:02,719 --> 00:48:08,640
Speaker 2: Yeah what was in his documentary? And I was like,

969
00:48:08,719 --> 00:48:09,799
Speaker 2: that has got to come out?

970
00:48:10,160 --> 00:48:13,759
Speaker 4: Did he name names? M tell me later? I need

971
00:48:13,760 --> 00:48:14,319
Speaker 4: to know later.

972
00:48:14,600 --> 00:48:17,560
Speaker 2: Yeah, So hopefully that documentary will come out. Yeah.

973
00:48:17,680 --> 00:48:18,920
Speaker 3: Is he planning on it coming out?

974
00:48:19,480 --> 00:48:19,880
Speaker 4: Yeah?

975
00:48:20,280 --> 00:48:26,479
Speaker 3: Yeah, I want to see that. He's probably seen Yeah,

976
00:48:26,680 --> 00:48:27,880
Speaker 3: he's seen that ship.

977
00:48:28,400 --> 00:48:33,200
Speaker 2: Yeah yeah, okay, sorry sorry sorry back to that was

978
00:48:33,239 --> 00:48:33,640
Speaker 2: worth it.

979
00:48:35,080 --> 00:48:37,080
Speaker 5: And just so you know, the people like our tangents,

980
00:48:37,080 --> 00:48:38,080
Speaker 5: so don't you worry about that.

981
00:48:38,680 --> 00:48:41,399
Speaker 3: Mark Damon Espinosa might not like this one, but you know.

982
00:48:42,680 --> 00:48:46,680
Speaker 5: But bravo for everybody helping out on Easter. That makes

983
00:48:46,719 --> 00:48:47,320
Speaker 5: me so happy.

984
00:48:48,120 --> 00:48:51,480
Speaker 3: Yeah, you guys. Here's the thing though, this is his

985
00:48:51,520 --> 00:48:54,440
Speaker 3: final appearance ever, so we didn't know again.

986
00:48:55,000 --> 00:48:58,799
Speaker 4: Yeah, because I know how they end up. Wait, what

987
00:48:59,600 --> 00:49:01,280
Speaker 4: you don't know what happens with Jesse and Andrea.

988
00:49:01,480 --> 00:49:03,720
Speaker 3: Oh that's still coming. I thought I'm missing.

989
00:49:03,840 --> 00:49:06,799
Speaker 4: Well she comes back. So no, No, Andrea comes back

990
00:49:07,360 --> 00:49:12,759
Speaker 4: a couple of times, and we learn they eventually they

991
00:49:12,760 --> 00:49:14,520
Speaker 4: do get divorced. I don't want to ruin it.

992
00:49:15,239 --> 00:49:17,440
Speaker 2: They're so happy right now in their Honda on the

993
00:49:17,440 --> 00:49:18,279
Speaker 2: way to you know.

994
00:49:18,440 --> 00:49:20,440
Speaker 4: I know they're really in love now, but it does

995
00:49:20,560 --> 00:49:25,799
Speaker 4: not last summer ever. Now the moment we've all been

996
00:49:25,840 --> 00:49:26,439
Speaker 4: waiting for.

997
00:49:26,600 --> 00:49:31,640
Speaker 2: Yes, Jane and the lips that, but that's your moment.

998
00:49:32,160 --> 00:49:34,360
Speaker 4: Look. I look deep into that, and I was like,

999
00:49:34,440 --> 00:49:35,560
Speaker 4: do I see it? Do I see it?

1000
00:49:36,040 --> 00:49:36,239
Speaker 3: Yes?

1001
00:49:36,280 --> 00:49:38,120
Speaker 4: I do?

1002
00:49:38,160 --> 00:49:38,600
Speaker 3: You saw it?

1003
00:49:39,360 --> 00:49:41,600
Speaker 4: I see that they have a they could have worked.

1004
00:49:41,640 --> 00:49:42,480
Speaker 5: It could have worked.

1005
00:49:43,040 --> 00:49:44,640
Speaker 3: You still maintain that in the peach.

1006
00:49:44,840 --> 00:49:46,560
Speaker 4: I will maintain.

1007
00:49:46,200 --> 00:49:46,919
Speaker 5: That, Thank you, Tori.

1008
00:49:47,040 --> 00:49:51,320
Speaker 4: Yes, okay, despite people disagreed.

1009
00:49:50,880 --> 00:49:52,880
Speaker 3: With you on some level, I was just wondering, you

1010
00:49:52,920 --> 00:49:55,920
Speaker 3: saw it today today, this episode. Yeah, I did in

1011
00:49:56,000 --> 00:49:56,959
Speaker 3: nineteen ninety five.

1012
00:49:57,360 --> 00:50:00,560
Speaker 2: Dude, Wait, do you said people in the real world

1013
00:50:01,239 --> 00:50:03,680
Speaker 2: agree with you that they really do?

1014
00:50:03,880 --> 00:50:07,080
Speaker 4: They care for my take? Yeah? No, the majority.

1015
00:50:07,560 --> 00:50:09,840
Speaker 3: There might be a couple and I get in trouble

1016
00:50:09,840 --> 00:50:10,800
Speaker 3: for agreeing with you.

1017
00:50:10,840 --> 00:50:13,120
Speaker 4: No, they don't take it back. You're just you're being

1018
00:50:13,120 --> 00:50:18,200
Speaker 4: a nice friend. They really understand it's my take, and they.

1019
00:50:18,320 --> 00:50:20,640
Speaker 2: Do not thumbs down on that one.

1020
00:50:20,760 --> 00:50:23,120
Speaker 4: Yeah, they think I'm an idiot, but I stand on.

1021
00:50:23,239 --> 00:50:25,160
Speaker 4: I'm gonna I'm not backing down.

1022
00:50:25,400 --> 00:50:29,440
Speaker 2: I say, yeah, that's what I'm gonna do with Pepad

1023
00:50:29,480 --> 00:50:33,600
Speaker 2: then I'm not going to back down saying it because

1024
00:50:33,600 --> 00:50:37,960
Speaker 2: of you. You've inspired me. Aby Yeah, okay. So everyone

1025
00:50:38,000 --> 00:50:42,520
Speaker 2: scatters off and it's left with Kelly. Oh the funniest thing.

1026
00:50:42,480 --> 00:50:44,400
Speaker 4: That was a slow scattering yeah.

1027
00:50:44,440 --> 00:50:47,759
Speaker 2: And Steve's is standing there and he's like, what does

1028
00:50:47,800 --> 00:50:48,560
Speaker 2: he say something?

1029
00:50:48,600 --> 00:50:52,440
Speaker 4: I'm gonna go turn in paper, probably not gonna get

1030
00:50:52,440 --> 00:50:53,360
Speaker 4: me as good of a grade.

1031
00:50:53,400 --> 00:50:57,560
Speaker 2: But literally no one is listening and no one responds,

1032
00:50:57,640 --> 00:50:58,640
Speaker 2: and he just walks off.

1033
00:50:59,360 --> 00:50:59,959
Speaker 5: Nobody cares.

1034
00:51:00,120 --> 00:51:01,960
Speaker 4: Was waiting for like one of the biggest moments in

1035
00:51:02,000 --> 00:51:03,960
Speaker 4: the show's history, and he's just got to get out

1036
00:51:03,960 --> 00:51:05,680
Speaker 4: of the scene with his term paper.

1037
00:51:06,680 --> 00:51:07,719
Speaker 3: Yeah yep.

1038
00:51:08,080 --> 00:51:10,759
Speaker 2: So Kelly says, hey, guys, can I talk to you?

1039
00:51:11,440 --> 00:51:11,600
Speaker 6: Yes?

1040
00:51:11,760 --> 00:51:15,080
Speaker 2: And they both look bent out of shape when she

1041
00:51:15,160 --> 00:51:17,479
Speaker 2: asks them to talk, like like they don't want to talk,

1042
00:51:17,520 --> 00:51:20,200
Speaker 2: which was a little weird. I mean, one of them

1043
00:51:20,320 --> 00:51:22,759
Speaker 2: just ask her and marry and the other ones it's

1044
00:51:22,840 --> 00:51:24,439
Speaker 2: just weird the way they're acting.

1045
00:51:24,160 --> 00:51:24,960
Speaker 5: Like they're so baby.

1046
00:51:25,080 --> 00:51:25,239
Speaker 4: Yeah.

1047
00:51:25,719 --> 00:51:27,520
Speaker 3: Do you think they're just nervous that they're gonna get

1048
00:51:27,560 --> 00:51:28,040
Speaker 3: turned down?

1049
00:51:28,680 --> 00:51:32,160
Speaker 4: I guess she tells Bachelor too. It's such a Bachelor

1050
00:51:32,239 --> 00:51:34,680
Speaker 4: moment because you've got them both there together with their

1051
00:51:34,760 --> 00:51:37,520
Speaker 4: roses and you're like, who's gonna get it?

1052
00:51:38,440 --> 00:51:41,880
Speaker 2: And that dress, the long black dress with the flowers.

1053
00:51:42,040 --> 00:51:42,560
Speaker 3: Oh nice?

1054
00:51:42,640 --> 00:51:45,759
Speaker 4: Yeah, And immediately the scene's iconic because I've watched it

1055
00:51:45,880 --> 00:51:49,680
Speaker 4: five hundred times on TikTok, so you know exactly what's happening.

1056
00:51:50,120 --> 00:51:53,399
Speaker 2: Yep. She tells Brandon that she can't accept the ring,

1057
00:51:54,160 --> 00:51:57,920
Speaker 2: and she tells and he so he starts to turn away, Yeah, rejected,

1058
00:51:58,320 --> 00:52:00,879
Speaker 2: and then she says wait and she tells she can't

1059
00:52:00,880 --> 00:52:04,480
Speaker 2: go on the trip with him, and that's when she says,

1060
00:52:05,680 --> 00:52:07,799
Speaker 2: I've made my choice. I choose me.

1061
00:52:08,200 --> 00:52:13,000
Speaker 4: Oh. It is the most dramatic Bachelor finale ever. I'm

1062
00:52:13,000 --> 00:52:13,600
Speaker 4: not gonna lie.

1063
00:52:13,680 --> 00:52:14,400
Speaker 2: They should do that.

1064
00:52:14,680 --> 00:52:15,920
Speaker 4: They should do that.

1065
00:52:16,239 --> 00:52:22,480
Speaker 5: Somebody up there should just be like and right, Brad

1066
00:52:22,520 --> 00:52:23,400
Speaker 5: Womack did that.

1067
00:52:23,719 --> 00:52:27,239
Speaker 2: But it was the first I mean, that was the

1068
00:52:27,280 --> 00:52:32,040
Speaker 2: moment that I didn't didn't even really understand that. I

1069
00:52:32,040 --> 00:52:36,400
Speaker 2: remember Jessica Klein, who wrote the line, talking to me

1070
00:52:36,440 --> 00:52:38,360
Speaker 2: about it beforehand because I was like, I don't know

1071
00:52:38,400 --> 00:52:43,760
Speaker 2: about this line. Seems weird and I didn't feel comfortable

1072
00:52:43,800 --> 00:52:47,879
Speaker 2: saying it because it was such an it was so definite, you.

1073
00:52:47,840 --> 00:52:52,520
Speaker 5: Know, and it was Yeah, it's very unique.

1074
00:52:53,440 --> 00:52:54,000
Speaker 4: Yeah.

1075
00:52:54,239 --> 00:52:56,440
Speaker 2: I don't know where she came up with it, but

1076
00:52:57,680 --> 00:53:00,640
Speaker 2: it was pretty Yeah. It was a pretty important moment

1077
00:53:00,719 --> 00:53:03,759
Speaker 2: in the development of Kelly. And I think it was

1078
00:53:03,800 --> 00:53:07,120
Speaker 2: the first time that a lot of young girls who

1079
00:53:07,200 --> 00:53:12,880
Speaker 2: were growing up with the show and watching the show realized, whoa, Yeah,

1080
00:53:13,120 --> 00:53:16,319
Speaker 2: Kelly just chose her. I can choose myself, right, Yeah,

1081
00:53:16,360 --> 00:53:18,759
Speaker 2: And I think that's why it's resonated so much with

1082
00:53:18,840 --> 00:53:19,520
Speaker 2: so many people.

1083
00:53:20,280 --> 00:53:21,800
Speaker 4: It's very ahead of its time.

1084
00:53:23,560 --> 00:53:29,000
Speaker 5: If it was today, it's much more of course. Back then,

1085
00:53:29,239 --> 00:53:32,680
Speaker 5: I think it was so like whoa, we didn't.

1086
00:53:32,520 --> 00:53:35,080
Speaker 3: Know how to choose ourselves back then that it even

1087
00:53:35,200 --> 00:53:36,200
Speaker 3: was a choice.

1088
00:53:36,160 --> 00:53:41,239
Speaker 2: And especially with the two hottest dudes around town.

1089
00:53:41,120 --> 00:53:44,880
Speaker 5: Exactly, that's exactly right.

1090
00:53:45,040 --> 00:53:47,800
Speaker 2: I literally was like, oh, no, is this the right choice?

1091
00:53:49,480 --> 00:53:51,879
Speaker 2: This is very I don't know about this.

1092
00:53:52,280 --> 00:53:55,320
Speaker 5: It's prolific the right word, it's very prolific.

1093
00:53:55,360 --> 00:54:03,640
Speaker 1: It's very like, wow, oh yeah, and it just really

1094
00:54:04,120 --> 00:54:08,080
Speaker 1: it seems so scary too watch yeah it to be

1095
00:54:08,160 --> 00:54:13,040
Speaker 1: so definite about something and so standing your ground in

1096
00:54:13,080 --> 00:54:15,920
Speaker 1: front of these two guys who are both trying to woo.

1097
00:54:15,719 --> 00:54:18,080
Speaker 5: Her, and it sticks with you.

1098
00:54:18,280 --> 00:54:24,239
Speaker 4: I definitely thought about it after then, and now like

1099
00:54:24,280 --> 00:54:26,080
Speaker 4: you're like, oh wow.

1100
00:54:26,400 --> 00:54:28,600
Speaker 2: And that's crazy too, because you know, we meet fans

1101
00:54:28,600 --> 00:54:31,160
Speaker 2: all the time and they talk to us about their

1102
00:54:31,200 --> 00:54:34,960
Speaker 2: favorite episodes and their favorite outfits and their favorite lines.

1103
00:54:35,000 --> 00:54:38,680
Speaker 2: And Donna Martin graduates for Tori, and it's always I

1104
00:54:38,760 --> 00:54:42,279
Speaker 2: choose me for me. And I have women now that

1105
00:54:42,400 --> 00:54:45,320
Speaker 2: are like that say that, Like I was watching the

1106
00:54:45,360 --> 00:54:48,360
Speaker 2: show and that gave me the strength and the courage

1107
00:54:48,360 --> 00:54:49,640
Speaker 2: to say I could choose myself.

1108
00:54:50,280 --> 00:54:52,200
Speaker 5: And I have amazing at.

1109
00:54:52,040 --> 00:54:54,600
Speaker 2: The cons, Like I have one woman who got I

1110
00:54:54,680 --> 00:54:58,600
Speaker 2: Choose Me tattooed on her arm right here while I

1111
00:54:58,760 --> 00:55:01,240
Speaker 2: was watching at the oh wow, oh wow.

1112
00:55:01,160 --> 00:55:02,120
Speaker 3: While you were watching.

1113
00:55:03,040 --> 00:55:05,480
Speaker 2: Yeah, well, she had me write it on her arm,

1114
00:55:05,760 --> 00:55:09,320
Speaker 2: sweetest lady, and I do have good writing. I didn't

1115
00:55:09,320 --> 00:55:11,759
Speaker 2: do it very good though. It was some of my

1116
00:55:11,800 --> 00:55:16,360
Speaker 2: worst handwriting. And then I got word that she was

1117
00:55:16,400 --> 00:55:19,120
Speaker 2: over at the tattoo booths. Apparently they have tattoo booths. Wow,

1118
00:55:19,160 --> 00:55:21,920
Speaker 2: he's calmed sometimes and she was getting at tattooed. So

1119
00:55:21,960 --> 00:55:23,839
Speaker 2: I went over there and held her hand. Oh, and

1120
00:55:23,880 --> 00:55:27,560
Speaker 2: I was like, oh, I'm sorry, that's not very nice handwriting.

1121
00:55:29,080 --> 00:55:32,600
Speaker 4: But she did you realize like, was it after it

1122
00:55:32,640 --> 00:55:34,640
Speaker 4: aired that it was a big deal or was it

1123
00:55:34,800 --> 00:55:36,439
Speaker 4: years later that you're like, oh wow?

1124
00:55:37,600 --> 00:55:40,680
Speaker 2: I really think it was years later that it truly

1125
00:55:40,719 --> 00:55:43,400
Speaker 2: resonated me. And it wasn't even until recently when I

1126
00:55:43,560 --> 00:55:48,600
Speaker 2: was like exploring that idea of like going back to

1127
00:55:48,719 --> 00:55:53,600
Speaker 2: move forward, you know, and like embracing all the things

1128
00:55:53,640 --> 00:55:56,800
Speaker 2: in my life in my past, the experiences of that

1129
00:55:56,800 --> 00:56:00,759
Speaker 2: that I've had the big moments like thinking about that

1130
00:56:00,800 --> 00:56:03,320
Speaker 2: stuff in order to move me forward, because so often

1131
00:56:03,360 --> 00:56:05,600
Speaker 2: people want to move forward and they don't want to

1132
00:56:05,920 --> 00:56:08,120
Speaker 2: deal with their past. They don't want to associate with

1133
00:56:08,160 --> 00:56:10,640
Speaker 2: their past. They want to move on and be something

1134
00:56:10,680 --> 00:56:13,040
Speaker 2: new and be something different. But I was like, I

1135
00:56:13,080 --> 00:56:16,080
Speaker 2: really love, you know, so many things in my past,

1136
00:56:16,120 --> 00:56:17,560
Speaker 2: Like I want to embrace some of them and bring

1137
00:56:17,600 --> 00:56:19,799
Speaker 2: them into my future. So this was one of those

1138
00:56:19,800 --> 00:56:22,920
Speaker 2: things that really came through for me. And then I

1139
00:56:22,960 --> 00:56:24,759
Speaker 2: just started talking about it more and more and like,

1140
00:56:25,320 --> 00:56:29,080
Speaker 2: you know, doing what I can to get this message

1141
00:56:29,080 --> 00:56:34,760
Speaker 2: out there too. Girls, women, guys, anyone that choosing yourself

1142
00:56:34,840 --> 00:56:35,880
Speaker 2: is an option.

1143
00:56:36,160 --> 00:56:39,000
Speaker 4: Feels like it would be wonderful if you could give

1144
00:56:39,040 --> 00:56:42,759
Speaker 4: the message to Donna. And I wonder if that's if you.

1145
00:56:42,680 --> 00:56:44,840
Speaker 3: Could give the message to Toy right now.

1146
00:56:46,560 --> 00:56:49,359
Speaker 2: Oh, I give it to you all the time you do,

1147
00:56:49,640 --> 00:56:51,040
Speaker 2: she does, mm hmm.

1148
00:56:52,000 --> 00:56:59,000
Speaker 4: Choose your feels intentional that she's so in the opposite

1149
00:56:59,239 --> 00:57:03,160
Speaker 4: you mean Donna, Yeah, that Donna. In this episode there's

1150
00:57:03,200 --> 00:57:06,400
Speaker 4: this scene where she is so not choosing herself.

1151
00:57:07,440 --> 00:57:10,840
Speaker 2: But I don't know that it ever comes back for Donna.

1152
00:57:11,120 --> 00:57:11,799
Speaker 5: I don't think so.

1153
00:57:12,080 --> 00:57:16,520
Speaker 4: No, not like, not like as momentous as it does

1154
00:57:16,600 --> 00:57:18,080
Speaker 4: in this episode.

1155
00:57:17,560 --> 00:57:21,720
Speaker 2: For you in myself weird or crazy or maybe a

1156
00:57:21,760 --> 00:57:22,560
Speaker 2: little unstable.

1157
00:57:22,600 --> 00:57:23,160
Speaker 3: But I was.

1158
00:57:24,880 --> 00:57:27,640
Speaker 2: After I say I've made my choice, I choose me,

1159
00:57:28,480 --> 00:57:30,760
Speaker 2: I say, but I'll love you both till the day

1160
00:57:30,760 --> 00:57:31,120
Speaker 2: I die.

1161
00:57:31,440 --> 00:57:35,360
Speaker 5: Yeah, I love that line too, Yes, And I was.

1162
00:57:35,320 --> 00:57:35,840
Speaker 3: Like, that.

1163
00:57:37,200 --> 00:57:39,000
Speaker 2: Is so true for Kelly, but that was also so

1164
00:57:39,120 --> 00:57:42,919
Speaker 2: true for me for Jenny. Like of those two men

1165
00:57:42,960 --> 00:57:45,240
Speaker 2: in front of me that I'd worked with for five

1166
00:57:45,320 --> 00:57:49,760
Speaker 2: years now and loved so much in each in different ways,

1167
00:57:49,800 --> 00:57:53,120
Speaker 2: you know, like definitely, you feel the same way. We'll

1168
00:57:53,160 --> 00:57:54,680
Speaker 2: love each other till the day we die.

1169
00:57:55,560 --> 00:57:57,919
Speaker 3: Yeah, all of us so true.

1170
00:57:58,560 --> 00:58:02,120
Speaker 2: Even if we don't you know, jibe, or we're not

1171
00:58:02,120 --> 00:58:05,800
Speaker 2: getting along or whatever, it is, like there's still that

1172
00:58:05,880 --> 00:58:09,080
Speaker 2: core of like love and connection that can never.

1173
00:58:08,920 --> 00:58:10,920
Speaker 3: Be called trauma bond.

1174
00:58:11,920 --> 00:58:12,680
Speaker 4: No, I'm just kidding.

1175
00:58:12,720 --> 00:58:13,880
Speaker 3: I had to take a nice moment.

1176
00:58:14,120 --> 00:58:16,240
Speaker 4: I'm glad you bring that up, Jenny, because that line

1177
00:58:16,280 --> 00:58:20,600
Speaker 4: is not as famous as the I Choose Me, But

1178
00:58:20,680 --> 00:58:21,880
Speaker 4: I love that line.

1179
00:58:22,160 --> 00:58:24,320
Speaker 3: And did you add that line or is that written?

1180
00:58:24,520 --> 00:58:25,439
Speaker 5: Oh, that's a great question.

1181
00:58:25,440 --> 00:58:26,560
Speaker 3: I can picture you adding that.

1182
00:58:26,760 --> 00:58:28,000
Speaker 5: Oh, that's such a good question.

1183
00:58:28,360 --> 00:58:28,960
Speaker 2: I don't know.

1184
00:58:33,480 --> 00:58:33,880
Speaker 3: I don't know.

1185
00:58:33,920 --> 00:58:35,680
Speaker 2: That might have come out of the discussion of me

1186
00:58:35,800 --> 00:58:40,280
Speaker 2: feeling out like this is such a bold statement.

1187
00:58:40,720 --> 00:58:42,160
Speaker 5: Oh, that gives me chills.

1188
00:58:42,720 --> 00:58:45,240
Speaker 2: Maybe that was something that they added to sort of

1189
00:58:45,280 --> 00:58:49,440
Speaker 2: like take the sting off of that line. I don't know.

1190
00:58:49,560 --> 00:58:50,120
Speaker 4: Wow.

1191
00:58:53,320 --> 00:58:55,800
Speaker 2: And everybody was encouraging her one way or the other.

1192
00:58:56,040 --> 00:59:00,880
Speaker 2: You know, Donna was saying, go be a Brandon, yeah, uh,

1193
00:59:01,720 --> 00:59:04,680
Speaker 2: Andrea was saying get the brass ring.

1194
00:59:05,800 --> 00:59:07,480
Speaker 3: Jesse said, choose the cobbler.

1195
00:59:10,000 --> 00:59:12,000
Speaker 2: But I don't know, it's just it's a great moment.

1196
00:59:12,120 --> 00:59:13,760
Speaker 2: In the in the history of the show, and I

1197
00:59:13,840 --> 00:59:16,000
Speaker 2: was very, very proud and honored to be a part

1198
00:59:16,000 --> 00:59:16,280
Speaker 2: of it.

1199
00:59:16,800 --> 00:59:17,520
Speaker 4: Yeah.

1200
00:59:17,760 --> 00:59:18,640
Speaker 5: Oh wow.

1201
00:59:19,600 --> 00:59:22,280
Speaker 4: Yeah, it's a real, real high for the show.

1202
00:59:22,600 --> 00:59:23,760
Speaker 5: It's really good.

1203
00:59:25,280 --> 00:59:28,480
Speaker 3: It almost mean I don't want to say it, but

1204
00:59:28,640 --> 00:59:32,880
Speaker 3: like as soon as I heard that line, I was like, Okay,

1205
00:59:32,960 --> 00:59:35,760
Speaker 3: those are That's like, that's one of our most iconic

1206
00:59:35,840 --> 00:59:37,880
Speaker 3: lines ever. Like what happens now? Where do we go

1207
00:59:37,880 --> 00:59:40,640
Speaker 3: from here? Is there are there any others left? Yeah,

1208
00:59:40,920 --> 00:59:42,160
Speaker 3: you're saying, do you know what I mean?

1209
00:59:43,160 --> 00:59:43,360
Speaker 4: Yeah?

1210
00:59:43,400 --> 00:59:45,480
Speaker 2: And I also felt like this was such a high

1211
00:59:45,560 --> 00:59:47,360
Speaker 2: for the show. And then I also felt that like

1212
00:59:47,400 --> 00:59:50,280
Speaker 2: what's gonna what where do we go now? Like, yeah,

1213
00:59:50,360 --> 00:59:52,600
Speaker 2: if she's not with Brandon or she's not with Dylan,

1214
00:59:54,440 --> 00:59:55,600
Speaker 2: am I gonna want to watch this?

1215
00:59:55,760 --> 00:59:58,320
Speaker 3: Like you No, you're not because you're not.

1216
00:59:58,520 --> 01:00:03,240
Speaker 4: Some people are like, yeah, because you make some bad calls.

1217
01:00:03,320 --> 01:00:06,040
Speaker 3: Yeah, there's a lot of boyfriends coming up, and.

1218
01:00:07,600 --> 01:00:10,000
Speaker 2: Well, we'll see what happens. I don't know, I don't know,

1219
01:00:10,520 --> 01:00:11,120
Speaker 2: we'll see.

1220
01:00:11,360 --> 01:00:16,040
Speaker 4: But this was a very crescendo of the series.

1221
01:00:16,120 --> 01:00:17,440
Speaker 3: So did it jump the shark?

1222
01:00:17,480 --> 01:00:20,480
Speaker 5: After the most people think it's one more season.

1223
01:00:20,240 --> 01:00:21,160
Speaker 4: Until it jumps the show?

1224
01:00:21,240 --> 01:00:24,600
Speaker 3: One more six is okay? What defines that season that

1225
01:00:24,680 --> 01:00:26,560
Speaker 3: makes it it lasted another?

1226
01:00:26,640 --> 01:00:28,360
Speaker 4: I don't know. That's a great question. I think we're

1227
01:00:28,360 --> 01:00:29,600
Speaker 4: gonna have to analyze it.

1228
01:00:30,080 --> 01:00:33,240
Speaker 2: And that we will. We will analyze it.

1229
01:00:33,600 --> 01:00:36,800
Speaker 4: Bravo to both of you in this episode, because both

1230
01:00:36,840 --> 01:00:41,000
Speaker 4: of you had major stuff, very opposite but really good.

1231
01:00:42,920 --> 01:00:44,400
Speaker 2: Yeah. I think this is a good episode. Did you

1232
01:00:44,440 --> 01:00:45,240
Speaker 2: guys want to rate.

1233
01:00:45,120 --> 01:00:45,400
Speaker 3: It at all?

1234
01:00:45,640 --> 01:00:47,600
Speaker 5: It's obviously ten?

1235
01:00:47,080 --> 01:00:47,560
Speaker 2: Ten?

1236
01:00:48,920 --> 01:00:52,760
Speaker 3: Yeah, obvious really is always will be.

1237
01:00:53,280 --> 01:00:59,560
Speaker 4: Yeah, that's true, Torri always will be where some of

1238
01:00:59,600 --> 01:01:02,080
Speaker 4: them ebb and flow or you change your mind over

1239
01:01:02,120 --> 01:01:03,560
Speaker 4: the years. This is a real ten.

1240
01:01:06,280 --> 01:01:07,160
Speaker 3: But it's a two parter.

1241
01:01:08,320 --> 01:01:09,560
Speaker 4: Yeah, there's more to come.

1242
01:01:09,640 --> 01:01:10,439
Speaker 2: There's more to come.

1243
01:01:11,320 --> 01:01:12,160
Speaker 4: Yeah.

1244
01:01:12,320 --> 01:01:14,200
Speaker 2: Is the next part the season finale?

1245
01:01:14,560 --> 01:01:14,840
Speaker 4: Yes?

1246
01:01:15,200 --> 01:01:20,760
Speaker 2: Oh oh okay, so but wait the next episode? Season five,

1247
01:01:20,800 --> 01:01:23,760
Speaker 2: episode thirty one ps I Love You Part one?

1248
01:01:24,440 --> 01:01:26,560
Speaker 4: Oh my gosh, So we have two more.

1249
01:01:26,760 --> 01:01:29,480
Speaker 3: Two more episodes, you guys, I'm sorry, but I think

1250
01:01:29,520 --> 01:01:32,960
Speaker 3: this season should have ended here. Yeah yeah, yeah, and

1251
01:01:33,040 --> 01:01:35,800
Speaker 3: ended on Kelly's line, like that's it for the season. Boom,

1252
01:01:35,880 --> 01:01:39,120
Speaker 3: go out on the high note. Now I'm confused. What's happening? Okay? Yeah,

1253
01:01:39,320 --> 01:01:40,800
Speaker 3: so what's going to happen.

1254
01:01:40,600 --> 01:01:43,000
Speaker 2: To see, like, what's going to be the season finale?

1255
01:01:43,200 --> 01:01:49,440
Speaker 2: The Walshes leave, Well, everybody do your homework watch episode

1256
01:01:49,720 --> 01:01:52,800
Speaker 2: five Nope, Season five, episode thirty one ps I Love

1257
01:01:52,800 --> 01:01:55,800
Speaker 2: You Part one and we will talk about it next

1258
01:01:55,800 --> 01:01:56,160
Speaker 2: week