WEBVTT - Chapter 1 – Eagle’s Descent

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<v Speaker 1>Buzz, an audio drama for iHeart Podcasts starring John Lithgow

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<v Speaker 1>and Jeffrey Aaron as buzz Aldren. This series is based

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<v Speaker 1>on real events, However, certain characters, names, incidents, locations, and

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<v Speaker 1>dialogue have been fictionalized for dramatic purposes.

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<v Speaker 2>Chapter one, Eagles descending a thirteen hundred feet litteral landing

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<v Speaker 2>area in sight Mission control, Houston.

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<v Speaker 3>Do you copy?

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<v Speaker 4>We copy?

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<v Speaker 5>Neil all love and looking good for letter landing?

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<v Speaker 6>Mission Control confirm AGS landing coordinates.

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<v Speaker 7>Roger that bun and confirming a.

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<v Speaker 3>Decent continuing twelve hundred.

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<v Speaker 6>Feet copy prepare for a lunar touchdown in ninety seconds.

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<v Speaker 6>How about those coordinates used in While We're Young.

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<v Speaker 8>We're about the Flights?

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<v Speaker 7>AGS is one zero one three six one four point

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<v Speaker 7>zero seven plus zero zero zero nine or eight.

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<v Speaker 9>Houston, your numbers are incorrect. AGS is plus zero zero

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<v Speaker 9>five seven to two. You expect us to hit our

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<v Speaker 9>landing site with coordinates that are off by a factor

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<v Speaker 9>of five?

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<v Speaker 8>How long before he mentioned it? Mentions?

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<v Speaker 10>What that he's five beta kappa and we're not capcom

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<v Speaker 10>run that AGS calculation again?

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<v Speaker 9>I already ran it, Houston, AGS is plus zero zero five.

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<v Speaker 6>Seven to two.

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<v Speaker 9>I'll bet my five beta Kappa.

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<v Speaker 10>Key on it.

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<v Speaker 8>Told you you know him well.

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<v Speaker 6>Anyone else want to anti up.

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<v Speaker 7>AGS? Error is acknowledged.

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<v Speaker 3>Repeat please whose error ours? Your figures are correct?

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<v Speaker 7>Buzz AGS is zero zero five two.

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<v Speaker 6>Sorry about that, Roger Houston. The air is human to

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<v Speaker 6>forgive is mine?

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<v Speaker 2>Eagle descending one thousand feet till lunar touchdown, and then we.

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<v Speaker 6>Have an alarm code descent propulsion failure.

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<v Speaker 3>Initiate engine restart.

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<v Speaker 6>Losing altitude rapidly eight hundred feet.

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<v Speaker 5>Neil is flight.

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<v Speaker 10>Your descent rate is critical.

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<v Speaker 3>I can save it.

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<v Speaker 6>Engine restart is not five hundred feet and falling. Neil

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<v Speaker 6>initiate landing aboard now three hundred feet.

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<v Speaker 3>I can save it.

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<v Speaker 6>We're no longer possible lunar impact.

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<v Speaker 7>Eminent Eagle has craft likelihood of cruise survival is zeround.

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<v Speaker 4>If Neil and I had really left the ground, but

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<v Speaker 4>we hadn't. We were still in the lunar module simulate

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<v Speaker 4>at NASA's headquarters in Houston. There's nothing like a near

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<v Speaker 4>death experience, even simulated, to change your priorities.

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<v Speaker 10>Eagle crew and flight engineers stand by to evaluate cause

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<v Speaker 10>and effect of DPS malfunction.

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<v Speaker 4>The cause may have been a mystery to everyone but

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<v Speaker 4>flight director Gene Krantz, but the effect was staring all

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<v Speaker 4>of us in the face. Neil Armstrong, commander of Apollo eleven,

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<v Speaker 4>shut down when he should have stepped up.

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<v Speaker 10>Gentlemen, listen up, clench your right hand, stick out your

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<v Speaker 10>index finger, and use it to call your wife, your girlfriend,

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<v Speaker 10>or your mommy and tell her you're going to be

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<v Speaker 10>late tonight. Today we had a setback, but the launch

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<v Speaker 10>of Apollo eleven will not be delayed.

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<v Speaker 4>More people saw us on the Moon than just any

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<v Speaker 4>single event before or since. We galvanized the world, then

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<v Speaker 4>we came home. That's the story you think you know,

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<v Speaker 4>this is the story.

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<v Speaker 10>You don't ignition frequent five.

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<v Speaker 5>Five four with the quality day here. You ain't going

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<v Speaker 5>to plant the one all trap per ram.

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<v Speaker 10>Fil.

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<v Speaker 4>You're listening to buzzz and this is the story of

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<v Speaker 4>my greatest achievement. Chapter one.

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<v Speaker 11>Normally, which expects to being the leader of other natives,

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<v Speaker 11>can't expect to stay behind in this race of space.

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<v Speaker 4>In the fall of nineteen sixty two, President Kennedy summoned

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<v Speaker 4>the best in US as Americans and as human beings.

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<v Speaker 7>We choose to go to the moon. We choose to

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<v Speaker 7>go to the moon.

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<v Speaker 3>And this decayed because that challenge is one.

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<v Speaker 5>That we're willing to acampt, one we are willing to postpone,

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<v Speaker 5>and one we intend to win.

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<v Speaker 4>Then it was dead. Six years later, what should have

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<v Speaker 4>been America's decade saw us on the brink of a

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<v Speaker 4>second civil war, city streets on fire, with racial violence,

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<v Speaker 4>campuses torn apart by the war in Vietnam. Kennedy's challenged

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<v Speaker 4>to reach the Moon seemed an impossible dream, a race

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<v Speaker 4>we were bound to lose to the enemy in Moscow.

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<v Speaker 10>Intends to militarize space as a platform to hold the

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<v Speaker 10>world hostage. We want to explore the final frontier for

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<v Speaker 10>the betterment of man. When a flag is planted on

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<v Speaker 10>the Moon, it'll be our flag and you will have

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<v Speaker 10>put it there.

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<v Speaker 3>Yeah.

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<v Speaker 4>Anyone who says Apollo eleven was about collecting moon rocks

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<v Speaker 4>has their head up their ass. It was the stars

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<v Speaker 4>and stripes versus the hammer and sickle, the land of

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<v Speaker 4>the free against the home of the enslaved, the white

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<v Speaker 4>hatted capitalists and the commies in black. For those of

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<v Speaker 4>us who flew fighter jets in Korea and during the

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<v Speaker 4>iciest days of the Cold War, Beating the Russians was

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<v Speaker 4>what we lived for and would have died for.

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<v Speaker 10>So make your calls, gentlemen, grab dinner, potato chips, fig Newton's,

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<v Speaker 10>whatever's in the vending machines, and then it's back to work.

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<v Speaker 4>One man at Mission Control wasn't deployed. Chris Kraft had

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<v Speaker 4>been flight director before Gene Krantz took over. Chris was

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<v Speaker 4>Jeane's mentor, his surrogate father until the bosses at NASA

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<v Speaker 4>kicked Chris upstairs but not out the door.

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<v Speaker 8>Nice speech, Jane, Well, I said what I thought you

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<v Speaker 8>would have.

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<v Speaker 3>What went wrong with the landing exercise?

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<v Speaker 10>I simulated a DSL malfunction and Neil missed it.

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<v Speaker 8>Has he missed before? We never ran the simulation before.

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<v Speaker 8>What made you run it? Now? All other systems have

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<v Speaker 8>been cleared. Why would Neil have missed? Is what the

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<v Speaker 8>reviews for? Chris? If you want, you can sit in.

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<v Speaker 8>I'm not flight director anymore.

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<v Speaker 10>Well, as long as I am, you're welcome to the table.

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<v Speaker 10>I wouldn't be in the job if it.

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<v Speaker 8>Wasn't for you.

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<v Speaker 3>What about Neil and Buzz?

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<v Speaker 8>Have they done their own review.

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<v Speaker 4>I was just in the process of offering some constructive

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<v Speaker 4>criticism to my bosom.

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<v Speaker 6>Chum, you fucked up, Neil.

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<v Speaker 11>Your boart was unnecess Mission control overreacted when the code sounded.

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<v Speaker 6>You froze That simulation should have been cake. I would

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<v Speaker 6>have pulled us out of it. A kid in flight

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<v Speaker 6>school would have pulled us out of it. You know

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<v Speaker 6>it goes on record as a crew failure. A crew

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<v Speaker 6>failure includes me and I.

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<v Speaker 5>Don't fail boys, boys, let's play nice.

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<v Speaker 6>What do you want, Brian?

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<v Speaker 3>The reporters are ready.

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<v Speaker 6>Fuck them.

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<v Speaker 5>It's the last briefing before the launch. Where's my Collins?

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<v Speaker 5>They want to talk to the entire crew.

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<v Speaker 6>Are you gonna tell them about our little glitch? Are

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<v Speaker 6>we still perpetrating the myth of Neil's infallibility?

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<v Speaker 5>There are some things they don't need to know, but

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<v Speaker 5>if I cancel, they'll get suspicious.

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<v Speaker 3>Hi, guys, how's everybody's day?

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<v Speaker 6>Mike?

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<v Speaker 5>What do you do the briefing? Maybe a few jokes

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<v Speaker 5>about suborbital rendezvous.

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<v Speaker 3>Just do me a favor.

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<v Speaker 6>No questions about why I became an astronaut.

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<v Speaker 5>Everyone one at a time, one at a time.

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<v Speaker 3>Yeah, you over there?

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<v Speaker 5>There hand raised, Yes, sir, Neil. What's it like knowing

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<v Speaker 5>the success or failure of Apollo eleven is in your hands?

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<v Speaker 2>Apollo eleven is the result of the efforts of four

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<v Speaker 2>hundred thousand people, and each one is just as vital

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<v Speaker 2>to its success as the mission commander.

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<v Speaker 5>And you in the far corner when you're on top

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<v Speaker 5>of that rocket as a launch sequence counts down, how

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<v Speaker 5>do you expect to feel?

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<v Speaker 3>Define what you mean by feel.

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<v Speaker 4>Exhilary, asking Neil about his emotions was like asking a

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<v Speaker 4>fish how to sing.

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<v Speaker 3>I wouldn't know how to answer that.

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<v Speaker 4>I almost felt sorry for him. He was so out

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<v Speaker 4>of his depth. Next question, on the other hand, talking

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<v Speaker 4>aerospace to the reporters was right in my wheelhouse.

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<v Speaker 6>After departing the command module, coming down in the descent

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<v Speaker 6>orbit will ignite the descent engine.

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<v Speaker 4>They didn't understand a word, which is why I love

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<v Speaker 4>demand module bus.

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<v Speaker 3>Can you translate for those of us who don't have

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<v Speaker 3>an MIT degree.

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<v Speaker 6>An MIT doctorate? And sorry, boys, translation wouldn't help you.

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<v Speaker 5>Any questions for Colonel Mike Collins.

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<v Speaker 3>Mike, why did you want to be an astronaut?

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<v Speaker 4>Normally, after a tough day at the office, I'd visit

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<v Speaker 4>a saloon called Elroy's, where, if you happen to be

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<v Speaker 4>buzz Aldrin, the drinks were free and the women were moonstruck.

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<v Speaker 4>But first Gene Krantz brought Neil and me to his office,

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<v Speaker 4>where as flight director, he admitted what I already knew

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<v Speaker 4>in my gut.

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<v Speaker 10>I triggered the DPS malfunction.

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<v Speaker 3>For what possible purpose.

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<v Speaker 10>It could happen during an actual dissent.

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<v Speaker 3>The odds are statistically nil.

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<v Speaker 6>The odds aren't the issue. The issues your failure to

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<v Speaker 6>react after the alarm sounded.

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<v Speaker 3>I didn't fail to react.

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<v Speaker 6>We crashed, didn't we.

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<v Speaker 3>It's the job of mission control to provide timely and

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<v Speaker 3>accurate information to the crews coordinates where you're a mistake, Jane,

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<v Speaker 3>not ours, And it's the commander's job to push the

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<v Speaker 3>simulation as far as it will go, even when mission

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<v Speaker 3>control panics and calls for an abort.

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<v Speaker 6>You're not buying that horse shit, are you?

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<v Speaker 4>Jane?

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<v Speaker 3>Are you?

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<v Speaker 10>When the review is complete, I'll assessed the data.

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<v Speaker 6>There's nothing left to review.

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<v Speaker 8>Buzz wait, buzz hold up.

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<v Speaker 11>I'm aware of the significance of being commander, and therefore

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<v Speaker 11>of being the first man on the moon. It's a

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<v Speaker 11>position I've earned and deserve, and I expect that what

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<v Speaker 11>happened today will have no impact on my keeping it.

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<v Speaker 11>Unless this was a setup designed to justify replacing me.

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<v Speaker 11>What makes you think Buzz has resented that I'm commander

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<v Speaker 11>since the crew assignments were announced.

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<v Speaker 10>He can resent it all he wants. As flight director,

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<v Speaker 10>I'm responsible for the selection.

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<v Speaker 8>Of the crew.

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<v Speaker 3>Will I be replaced? Jane?

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<v Speaker 10>Until today, I hadn't considered it, But you are now, Neil.

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<v Speaker 10>But I understand you're not wanting to admit failure to us.

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<v Speaker 10>I worry about you not admitting it to yourself.

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<v Speaker 3>You think Buzz is any different?

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<v Speaker 8>He would have reacted, Buzz.

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<v Speaker 3>Can't be commander. We both know it, and we both

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<v Speaker 3>know why.

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<v Speaker 4>What I didn't know was that in a windowless office

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<v Speaker 4>at Missigan Control, a chain smoking woman named Rachel Ludwig

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<v Speaker 4>who'd soon become part of my life, was making it

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<v Speaker 4>her mission to learn more about US astronauts than we

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<v Speaker 4>did about ourselves. She wouldn't be putting Neil's head in

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<v Speaker 4>the noose, She'd be putting mine. The streets were empty,

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<v Speaker 4>When who should pull up to me at a red light,

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<v Speaker 4>but Neil he and his Corvette, me and mine gifts

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<v Speaker 4>from Chevrolet. The cars were identical, the drivers weren't.

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<v Speaker 6>What do you say, pal first off the line, fastest

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<v Speaker 6>down the block, just es you see.

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<v Speaker 7>Anyone else.

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<v Speaker 3>Ten bucks or glory?

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<v Speaker 6>I don't need your money.

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<v Speaker 4>Within seconds, Neil and I were doing upwards of eighty

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<v Speaker 4>in a thirty zone. We'd have wound up behind bars.

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<v Speaker 4>If justice was as blind as it's supposed to be.

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<v Speaker 5>We got high speed trexters on Elm and Carlisle.

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<v Speaker 8>Turn off the siren.

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<v Speaker 6>You see those guys, that's buzzing'.

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<v Speaker 3>Neil let him be. I beat him by an hour.

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<v Speaker 4>Flushed with victory, I made a pit stop at the

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<v Speaker 4>apartment of an able and very willing brunette named Lauren.

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<v Speaker 4>Being with women other than my wife was just another perk,

0:14:22.520 --> 0:14:28.400
<v Speaker 4>like personalized parking admission control. Doesn't mean I didn't love Joan.

0:14:28.640 --> 0:14:33.320
<v Speaker 4>I just loved being buzz more Hi, honey, to replace

0:14:33.360 --> 0:14:36.720
<v Speaker 4>the full time husband she deserved. I'd got her a

0:14:36.760 --> 0:14:39.840
<v Speaker 4>monkey the kids named Popo. Where have you been?

0:14:40.920 --> 0:14:46.520
<v Speaker 6>We had a DPS malfunction. Neil didn't pick up on it, so, ah,

0:14:47.040 --> 0:14:47.960
<v Speaker 6>what's that smell?

0:14:48.200 --> 0:14:49.800
<v Speaker 5>It's popo.

0:14:50.280 --> 0:14:52.080
<v Speaker 3>What's wrong with him? What's wrong?

0:14:53.000 --> 0:14:53.720
<v Speaker 5>He's a monkey?

0:14:54.280 --> 0:14:56.280
<v Speaker 3>I mean this afternoon he ripped off his diaper and

0:14:56.320 --> 0:14:58.080
<v Speaker 3>threw shit all over the living room.

0:14:58.560 --> 0:15:02.040
<v Speaker 5>The drapes are ruined, the sofa is a wreck.

0:15:02.320 --> 0:15:04.000
<v Speaker 8>You wanted to read decoration?

0:15:04.120 --> 0:15:07.440
<v Speaker 3>Come on for Christmas. He was a joke. He stopped

0:15:07.480 --> 0:15:10.720
<v Speaker 3>being funny at Easter. Next week's the fourth of July.

0:15:11.120 --> 0:15:13.040
<v Speaker 6>That kids love him, The kids.

0:15:12.760 --> 0:15:15.280
<v Speaker 3>Never look at him. It's all on me, buzz. I'm

0:15:15.320 --> 0:15:17.320
<v Speaker 3>through with it, honestly, all of it.

0:15:18.360 --> 0:15:18.880
<v Speaker 4>All of what.

0:15:20.960 --> 0:15:24.080
<v Speaker 3>I want him gone given to the zoo. I don't

0:15:24.120 --> 0:15:24.800
<v Speaker 3>care enough.

0:15:24.920 --> 0:15:29.000
<v Speaker 6>I'm not talking about the monkey. You said all of it?

0:15:30.360 --> 0:15:36.600
<v Speaker 6>What's all of it? Come here, Joe, come here?

0:15:37.200 --> 0:15:43.960
<v Speaker 3>Oh how was Alroy's.

0:15:44.960 --> 0:15:46.240
<v Speaker 8>I wasn't at al Roy's.

0:15:46.560 --> 0:15:49.440
<v Speaker 6>I told you we had a DPS malfunction and all

0:15:49.440 --> 0:15:50.520
<v Speaker 6>of us were working on it.

0:15:50.600 --> 0:15:51.680
<v Speaker 5>I called Pat Collins.

0:15:52.280 --> 0:15:54.280
<v Speaker 3>Mike got home three hours ago. So don't treat me

0:15:54.560 --> 0:15:55.640
<v Speaker 3>like an idiot.

0:15:57.160 --> 0:16:02.440
<v Speaker 6>Baby, No, buzz, no, Yes.

0:16:04.200 --> 0:16:04.960
<v Speaker 3>That's my girl.

0:16:07.360 --> 0:16:08.760
<v Speaker 6>So if you're going to be out there making the

0:16:08.760 --> 0:16:12.120
<v Speaker 6>most of your celebrity, at least show some discretions.

0:16:12.160 --> 0:16:13.640
<v Speaker 8>I don't have to hear about it for my friends.

0:16:15.280 --> 0:16:23.920
<v Speaker 8>Oh well, that was my favorite shirt.

0:16:24.280 --> 0:16:25.200
<v Speaker 5>Somewhere else saw it later.

0:16:31.680 --> 0:16:35.080
<v Speaker 4>We were stars of a new magnitude. Our faces were

0:16:35.080 --> 0:16:39.240
<v Speaker 4>on magazine covers and cereal boxes, the blue eyed, pimple

0:16:39.280 --> 0:16:45.400
<v Speaker 4>free personifications of all American values. Did I recognize the

0:16:45.480 --> 0:16:48.840
<v Speaker 4>hypocrisy as I sat in a pew on Sundays with

0:16:48.840 --> 0:16:54.120
<v Speaker 4>my wife and kids? Sure, but it didn't bother me.

0:17:09.960 --> 0:17:13.680
<v Speaker 1>Buzz, starring John Lithgow and Jeffrey Errand, is created by

0:17:13.680 --> 0:17:18.080
<v Speaker 1>Stephen Cronish and directed by John Scott Dryden. Episode one

0:17:18.160 --> 0:17:22.840
<v Speaker 1>is written by Stephen Cronish. Original music is by Sasha Putnam,

0:17:22.960 --> 0:17:26.679
<v Speaker 1>editing and sound design by Elouise Whitmore. The producer is

0:17:26.720 --> 0:17:31.240
<v Speaker 1>Emma Hearn. The executive producers are Jeremy Fox, John Scott Dryden,

0:17:31.480 --> 0:17:35.960
<v Speaker 1>Stephen Cronish, Howard Stringer and Jason English. Buzz is a

0:17:36.000 --> 0:17:40.600
<v Speaker 1>production of Thoroughbred Studios, Goldhop Productions and iHeart Podcasts.