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Speaker 1: Yeah, what's up, y'all? Was going on Bro Drinks Radio.

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Speaker 1: He's a legendary Queen's rapper. Hey, Hanks agree? Is your boy?

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Speaker 1: You know he's a Miami hip hop pioneer. What up

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Speaker 1: is dj e f N? Together?

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Speaker 2: They drink it up with some of the biggest players

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Speaker 2: in music and sports.

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Speaker 1: You know what I mean?

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Speaker 3: The most professional, unprofessional podcast and your number one source

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Speaker 3: for drunk facts.

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Speaker 1: This is Drinks champ Day. Every day is New Year's Eat.

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Speaker 3: That's right, heygree Hope you so it's your boy?

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Speaker 1: And oh the boy DJ f N. I don't know

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Speaker 1: what the fuck was that your time? That Spanish? That

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Speaker 1: was my tim Spanish? I fell? But are you this

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Speaker 1: is dream? Chancel the fuckers and right now tell your book.

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Speaker 3: I am honored to say that we are introducing our

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Speaker 3: guests that are not only hip hop legends, not only

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Speaker 3: people that's on the road for they. I've looked at

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Speaker 3: they tour schedule. They got nine hundred dates. It's only

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Speaker 3: three hundred and sixty years.

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Speaker 1: They tore in like rock stars.

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Speaker 3: They out here continue to do their thing, living like legends.

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Speaker 3: And not only that, they are also have the number

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Speaker 3: one album in the motherfucking country. That's your class a

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Speaker 3: week the motherfucking.

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Speaker 4: Now.

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Speaker 3: This is your second album, this is your turn album, Turnout,

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Speaker 3: but this is your first number one.

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Speaker 1: Together. Let's make some noise again. Now kill them.

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Speaker 3: Me and you kind of have like a same story,

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Speaker 3: not only with the Santiagos, but this is like a

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Speaker 3: research Yeah, like a lot of people, you've been down

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Speaker 3: with outcasts, you've been down with the Dungeon family, you've

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Speaker 3: been down doing it, but this is like you coming

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Speaker 3: It's like a coming back out party.

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Speaker 2: Well, actually it's kind of like my coming out because

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Speaker 2: I never really came out as me. I was always

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Speaker 2: an interpretation of what a major label thought I was

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Speaker 2: supposed to be and that didn't work out, and then

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Speaker 2: I left and just went independent and kind of found.

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Speaker 1: A cool little lane for myself.

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Speaker 2: And I have a friend and L L chasm as

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Speaker 2: a friend who his name is Jason DeMarco. He was

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Speaker 2: like he got some rank over Cartoon Network, became a

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Speaker 2: vice president and they had a William Street Records, and

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Speaker 2: he was like, yo, I always pictured you kind of

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Speaker 2: like a southern version like of an ice cube, like

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Speaker 2: of an ice cube meets Jeezy, and I was like oh,

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Speaker 2: I feel that's a compliment. He was like, so what

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Speaker 2: if I just gave you the money to make your

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Speaker 2: own America's most wanting And I was like, so you

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Speaker 2: normally say what the other fuck I want to say?

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Speaker 1: He was no, no, no, that's exactly what I want.

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Speaker 2: So at that point, I was trying to pivot do

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Speaker 2: the mic bigger thing, you know, which is the AKA

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Speaker 2: and ship. I was like, so maybe he was like, no, no, no, no,

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Speaker 2: I want Killer Mike. I want you saying everything that

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Speaker 2: you ever told not to say. And I was like, work,

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Speaker 2: let's do this ship And he me and L got

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Speaker 2: a studio first, he put me in L together.

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Speaker 1: That's what something. I was very curious how this collaboration.

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Speaker 2: Jason DeMarco was a branch just same friend.

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Speaker 1: We were both dealing shit with him, and so y'all

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Speaker 1: doing things separately. Yeah, basically with cartoon Network. You know

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Speaker 1: that I did.

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Speaker 5: I hold a record label for like ten years that

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Speaker 5: we did like a couple of free record companies through

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Speaker 5: through their through their website. They would use it in

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Speaker 5: the cartoons. They would use my beats in the cartoons.

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Speaker 5: So we were friends.

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Speaker 1: I was doing network. Yeah, yeah, I was doing, and yeah,

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Speaker 1: that's basically it. Man. I mean we got in the

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Speaker 1: room and instantly I'm like, I didn't know each other

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Speaker 1: prior to you know of your inn because music exactly,

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Speaker 1: and you're from I'm from Brooklyn. God damn, it makes

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Speaker 1: so much from Brooklyn nigga somewhere. So so what's the

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Speaker 1: name again, I'm Jason DeMarco, Jason Demonco. So Jason Demalco says,

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Speaker 1: I want you to make this album. But it wasn't originally.

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Speaker 2: What you got now, No, it was it was supposed

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Speaker 2: to be me and a bunch of other producers and

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Speaker 2: making my Americans. Most warning, I got in the studio

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Speaker 2: with Ell the first day. I called Jason that night

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Speaker 2: and say he got to produce.

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Speaker 1: The whole album.

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Speaker 2: It was like nah no, and then I aggravated the

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Speaker 2: ship out of him for the next year.

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Speaker 1: It's just called you know what. Two months. Yeah, him

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Speaker 1: and Jay, Him.

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Speaker 5: And Ja just hitting me, hit me, and I was like, look,

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Speaker 5: I like Mike. I actually really like Mike, you.

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Speaker 1: Know, hit it off. He was like, when I'm making

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Speaker 1: my own solo album.

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Speaker 5: I was like, this is I'm doing my record And

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Speaker 5: I was like, I'm sorry, guys, I'm sorry, I can't

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Speaker 5: all right, right, maybe a couple of beats. It was

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Speaker 5: supposed to be like two beats. And we went out there.

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Speaker 5: We did like three jams in the day, like the

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Speaker 5: first couple of days, and they were crazy.

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Speaker 2: And I went on told my wife, I was like

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Speaker 2: the life and a change.

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Speaker 1: I was hoping to see your wife. Where she's at.

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Speaker 2: She here the it's my mom's birthday. She brought her

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Speaker 2: mom to South Beach. So now she's out on the beach.

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Speaker 1: So now was the first album on massa bill as well.

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Speaker 2: No, the first album's cartoon network is. It was rap

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Speaker 2: music and it was it was my solo record. He

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Speaker 2: produced the.

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Speaker 1: Whole album all right, and then he had.

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Speaker 2: A mixtape to turn in. He was like a turnch mixtape. Me,

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Speaker 2: I gotta go this.

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Speaker 1: After he came off tour, he was like, Jesus sixth

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Speaker 1: We toured together.

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Speaker 5: Yeah, I dropped my record a week after he dropped Yeah.

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Speaker 2: So we went out on tour together. Kids loved it

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Speaker 2: when we came on stage together. And then he was like,

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Speaker 2: you know, at that time, it took a little longer

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Speaker 2: to right. He was like, I gotta go focus on mixed.

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Speaker 2: I was like, yo, I come up there to the

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Speaker 2: mixtape with him. He was like words like no money,

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Speaker 2: I told you a fuck, I just like rapping with you.

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Speaker 2: I was like, so, I'm gonna come up and we're

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Speaker 2: gonna do the mixing. So we went up there. We

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Speaker 2: did like five joints, put out, got them bitches out,

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Speaker 2: and we sent them to Jason DeMarco and we sitting

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Speaker 2: the time Man Taco, Little Shalla mar and both of

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Speaker 2: them hit us back like, if y'all niggas don't make

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Speaker 2: a record, you fucking nuts. If y'all don't make this

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Speaker 2: an album and a group. So the first album was

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Speaker 2: a homage to books that we respected. So he said,

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Speaker 2: we're gonna be a real back group. And if you're

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Speaker 2: gonna be a real group, I got.

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Speaker 1: We're gonna be a real group. We gotta be.

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Speaker 2: We gotta have four classic albums like E p of D.

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Speaker 2: We gotta have chemistry like MOBD.

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Speaker 1: That that was something that you'll actually said the first day.

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Speaker 2: Yeah, four classic, Yeah, Yeah, we got y'all we got Yeah.

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Speaker 1: We gotta go to my thing.

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Speaker 2: I want to go a ball of m j G

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Speaker 2: and I want to be as outrageous as ourcast, not

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Speaker 2: in the literal, but I wanted us to be a

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Speaker 2: true group.

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Speaker 1: But we want to get a real group. Man like

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Speaker 1: you guys like great group.

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Speaker 2: So we were determined not to try to play the

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Speaker 2: solo artist in the first record made such a splash

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Speaker 2: after we got off tour, like we went on tour

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Speaker 2: opening for ourselves.

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Speaker 6: ME tell you something, man I had uh he was

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Speaker 6: with me.

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Speaker 1: Actually he a fen We were in l a Uh

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Speaker 1: we was.

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Speaker 3: It was a festival I believe with with mers, big

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Speaker 3: of mergs, who I think should be the first rapper

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Speaker 3: booking agent shout out.

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Speaker 1: I feel like I told him. I told him he

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Speaker 1: did such a great job. I said, why don't you

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Speaker 1: just be the rapper booking agent. He said, I don't

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Speaker 1: have enough time. I said, well, maybe you should make

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Speaker 1: enough time.

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Speaker 3: Because I feel like we should have our own book,

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Speaker 3: in our own.

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Speaker 1: I put in this record because I feel like rapp

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Speaker 1: is a race, not white black. I feel like rapping.

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Speaker 3: I feel like when I next time I go fill

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Speaker 3: out an application, I.

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Speaker 1: Just just right rapp. But I was on tour, we know.

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Speaker 3: We went to La hung out with Alchemists, and y'all

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Speaker 3: was right. Y'a came on right after me I had

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Speaker 3: broke out, honest.

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Speaker 1: And we was recording in our studio at the time.

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Speaker 1: Oh yeah, yeah, I seen you brothers go on stage

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Speaker 1: and I stood there. When was this? What was this?

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Speaker 2: It was a show jumped up, we got a picture.

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Speaker 3: I wasn't aware of one of the Jews at that time.

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Speaker 3: It was just a real of killing Mike. And when

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Speaker 3: I seen you brothers and he brung you out, like

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Speaker 3: he said, And when I see what.

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Speaker 6: Was going on, I was like, this is something different.

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Speaker 6: A black and a white brother that has the same cause.

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Speaker 3: For right now, you brother's cause might be the most

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Speaker 3: important and not in the industry period because of race

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Speaker 3: relations and everything that we're dealing with. And again, like

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Speaker 3: I said, I had heard about Run of the Jews,

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Speaker 3: but I had never seen you guys present.

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Speaker 1: Until that very moment.

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Speaker 3: And when I stopped back, because that's what I do,

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Speaker 3: I just stop back. If everybody don't think I'll watch

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Speaker 3: it because I act drunk.

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Speaker 1: I always do. But I sat back and I was like, damn,

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Speaker 1: this is so important. I didn't know how important it

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Speaker 1: would be until right this moment.

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Speaker 3: Like I understand, you know, guy's having a number one album,

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Speaker 3: but this is something that should be celebrated because you

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Speaker 3: can't get black up then kill.

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Speaker 1: A Mic, and I like this and to have you

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Speaker 1: America's first. I pulled out Camel Crust. I said, I'm

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Speaker 1: slow white cigarettes. He said, no, you don't know.

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Speaker 3: He pulled out Americans and I said, you are correct,

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Speaker 3: I am not that white.

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Speaker 1: He's always a love whiter.

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Speaker 3: So so so now you guys being.

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Speaker 1: Approached to do this album because obviously LP is the

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Speaker 1: person who stands on the own. Killer Mic is a

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Speaker 1: person that stands on his own.

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Speaker 3: So what was that moment like where they was like

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Speaker 3: best won't your guys be au?

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Speaker 1: Now that was that wasn't decided we should make my

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Speaker 1: solo album together? Yeah, this was out of that.

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Speaker 2: Came the opportunity pial a mixtape together.

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Speaker 1: We had just wrot to be friends.

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Speaker 5: Honestly, and just to clarify, it was just me wanting

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Speaker 5: to do a project.

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Speaker 1: I just wanted to do, like but we were already friends.

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Speaker 1: That got to be you, right, Jameis, I can't funk

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Speaker 1: with it.

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Speaker 2: I think, okay, let's go for you guys. The black

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Speaker 2: guy drinks whiskey in this group. Some seconds you couldn't drink.

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Speaker 5: You know, I didn't drinkerson in two thousand and seven.

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Speaker 1: I used to drink whiskey and having the weirdest liquor

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Speaker 1: was mescal, mescal jamison, multiple different. I liked that.

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Speaker 2: Yeah that's what I way on a white star O

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Speaker 2: you for Yeah, old exactly. I dream what rich drug

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Speaker 2: dealers I looked up.

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Speaker 1: I dream.

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Speaker 4: Yeah.

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Speaker 1: So so you guys make the group, now what law?

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Speaker 1: We make the group?

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Speaker 2: But we go on to it opening for ourselves. So

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Speaker 2: you got to kill them, I said, shows an LP

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Speaker 2: set and then a run of jewel set. All right,

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Speaker 2: So we prayed because we didn't know Frank Jewice was

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Speaker 2: just killing Yeah, yeah, open.

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Speaker 1: It up for yourself.

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Speaker 2: Yeah, coming on, if I never heard of it, open

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Speaker 2: up a running jewels, right the Lord please, so the boy.

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Speaker 2: So we know we're doing telling rock, ask you, we don't.

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Speaker 2: We ain't sure it's gonna pop. So we said we

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Speaker 2: gotta give them a little each. We do thirty thirty

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Speaker 2: and then like thirty or forty five thirty think forty five.

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Speaker 2: But the crazy shit is we playing with three to

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Speaker 2: five the people rooms at that time, so we're playing

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Speaker 2: small rooms and it'll be a group of killing Mike

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Speaker 2: fans there, Oh man, ship we happen to kill them

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Speaker 2: when oh man, okay, so the LP I kind of

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Speaker 2: fuck with this guy, the LP fans, oh killing Mic?

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Speaker 2: I never I fuck with Okay. And then it's just

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Speaker 2: be a group of kids just standing there like oh okay,

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Speaker 2: like like like a like all this. None of the

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Speaker 2: kids who was just standing there was young, So I'm like,

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Speaker 2: what the fuck is these young kids doing here? One

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Speaker 2: literally starting to see that the news.

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Speaker 1: Yeah, but I'm like, wow.

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Speaker 5: We would come out as as we would open for ourselves,

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Speaker 5: walk up stands, come out in the same fucking clothing

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Speaker 5: as run the Jewels, and all of a sudden.

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Speaker 1: This whole motherfuckers just like toy even realizing us.

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Speaker 2: And after the tour, I remember my management saying, so, Yo,

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Speaker 2: what we're gonna do by the solo out? And I said,

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Speaker 2: what the fuck? So I'm like, ain't no, so I'm

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Speaker 2: in a group, cancel that ship, y'all are.

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Speaker 3: Yeah, But but now both of you guys as being

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Speaker 3: solo artist, was it difficult to make that conversion or

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Speaker 3: you just grow with it?

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Speaker 1: Yo? It was so easy. That's why we did it.

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Speaker 1: Like like we just did that. We did the music well,

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Speaker 1: we did the music for fun.

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Speaker 5: And I was raised in downtown Brooklyn for most of

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Speaker 5: my life, right right outside.

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Speaker 1: Of folk mall. Oh ship, Yeah, all right.

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Speaker 7: I grew up was born squim Manhattan, Downtown. I was

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Speaker 7: six squim literally literally.

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Speaker 1: Shot continue, you don't know about this, that's my shit,

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Speaker 1: Come on, man, my shit. Yes. No, we just did

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Speaker 1: the ship for We just did the ship. It wasn't

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Speaker 1: really easy.

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Speaker 5: Every time we did it was just because it was

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Speaker 5: the opposite of hard. Like We've been doing our solo

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Speaker 5: records for a long time. I put my first I

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Speaker 5: put my first album out with Company Flow in nineteen.

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Speaker 1: Ninety seven, so and I've had like, you know, six

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Speaker 1: or seven.

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Speaker 5: Yeah, we actually came up around the same time and stretching, Bob,

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Speaker 5: We're a big Yeah, that.

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Speaker 1: Was that was guess I'm set on exactly.

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Speaker 3: But I mean, so how I think we had this

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Speaker 3: discussion with our guest yesterday because I mean, at the

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Speaker 3: end of the day, I'm gonna be I need to

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Speaker 3: drink something though, please.

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Speaker 1: Yeah, yeah you drinking whiskey, You got your I'll drink

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Speaker 1: a shot of whiskey. But yeah, let's do a shot.

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Speaker 1: Come on, that's one though. Don't let me do any

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Speaker 1: more responsible for the right there? Shoot him up. I mean,

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Speaker 1: I'm gonna sit this actually that you gotta you gotta

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Speaker 1: take that shot. But it has I fucked up.

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Speaker 3: So so as you guys, I'll listen to you guys music,

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Speaker 3: and I could tell that it's it's about real hip hop.

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Speaker 3: At the end of the day, I see you guys shows,

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Speaker 3: I'll come watch it, watch it online and watch the

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Speaker 3: lod strange.

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Speaker 8: So is it.

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Speaker 1: When you hear new school hip hop? Is it like bad?

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Speaker 1: Or is it like whoever? Let these younger brothers do

303
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Speaker 1: their thing. I'm like this ship shaming right? What of

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Speaker 1: those like me? I'm from like I'm from the South. So,

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Speaker 1: like I was telling my partner of to day.

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Speaker 2: I was riding around my partner, James Man from Luxury

307
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Speaker 2: Lifestyle Transportation. He was like, man, you know what you

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Speaker 2: think about the new guys? That said as much as y'all,

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Speaker 2: I said, I grow up in Atlanta. So half my

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Speaker 2: day was Luke the Dog's two Live.

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Speaker 1: Crew on al.

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Speaker 2: The other half my day was outcast good in mob

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Speaker 2: who tang Upaul Recogna. So for me, I'm comfortable in

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Speaker 2: this space because I get to get fucked up. Listen

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Speaker 2: to all the ship that's real hip hop and all

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Speaker 2: the ship that variations of it, and I ain't bothered

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Speaker 2: by none.

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Speaker 1: Let me encourage by all of it. I never understood

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Speaker 1: that ship. I never understand I don't I mean, you know,

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Speaker 1: I just don't know what you understood. I don't know.

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Speaker 1: I don't understand how people can't find something joy.

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Speaker 5: And enjoy and in the new music that's happening now,

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Speaker 5: Like I agree, that's all I mean, But it's not

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Speaker 5: like I'm judging it.

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Speaker 1: I'm just like my perspective is. You know, the eight

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Speaker 1: of weight is so heavy right now? How could you

327
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Speaker 1: not be happy without? It's so heavy right now?

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Speaker 3: All it was one of the greatest people I ever

329
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Speaker 3: met in my life, right Oh, kJ ain't no, my pops,

330
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Speaker 3: you know this is god.

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Speaker 1: I really grew up with you. kJ. I'm so sorry.

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Speaker 1: What's your new neighbor over? Calil Khalil childhood friends so Calil.

333
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Speaker 1: But my father told me you always see what you

334
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Speaker 1: like in a person first, because if you see what

335
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Speaker 1: you like in a person, if they.

336
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Speaker 3: Fuck up, you gain them all of the chances. The

337
00:16:43,400 --> 00:16:46,840
Speaker 3: chance in the world to light them first. So that's

338
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Speaker 3: what I'm doing with new hip hop.

339
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Speaker 1: And I don't, I don't.

340
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Speaker 3: I don't feel myself disappointed, Like to me, my bitch

341
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Speaker 3: is bad and boogie oh, what's the god?

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Speaker 8: I mean?

343
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Speaker 1: But if you look on my timeline three weeks before,

344
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Speaker 1: man ain't we on like timeline and said that is

345
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Speaker 1: the hottest record out And if you're an old nigga,

346
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Speaker 1: you don't like it? You just a hater? Right, I said,

347
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Speaker 1: I saw this? How about? And not only that, my

348
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Speaker 1: girl Isa Crab please like that? Did you not?

349
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Speaker 2: Like we played the ship on our tour us like

350
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Speaker 2: he played Futures last day, played the funk out of

351
00:17:30,200 --> 00:17:32,880
Speaker 2: that ship. Ray Sherman, we both love. I'm a huge

352
00:17:33,000 --> 00:17:35,359
Speaker 2: Migos fan, Like we play all the ship man.

353
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Speaker 1: That's you know what I think.

354
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Speaker 3: I think that the more of legends embrace the new guys,

355
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Speaker 3: it's gonna make the culture broader.

356
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Speaker 1: If we don't we do them, because.

357
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Speaker 3: Because if you don't, we don't, because you know what,

358
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Speaker 3: you know. One time I remember somebody saying to me, Damn,

359
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Speaker 3: I don't know how I'm.

360
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Speaker 1: Just Burt Risky. I even think risky Burt Risky is now.

361
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Speaker 6: I'm sorry, but somebody said to me, they said, why

362
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Speaker 6: could you listen to that ship? That's not real hip hop,

363
00:18:05,840 --> 00:18:07,639
Speaker 6: that's not what it is. And you know what I

364
00:18:07,760 --> 00:18:11,080
Speaker 6: told them? They said they said, they said, so why would.

365
00:18:10,840 --> 00:18:13,280
Speaker 1: You do that? I said, because that's the same exact

366
00:18:13,359 --> 00:18:16,639
Speaker 1: thing they told me about me. They told me I

367
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Speaker 1: wouldn't a lot of niggas.

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Speaker 2: Either, Like, let's be right, let's nigga who say that

369
00:18:23,080 --> 00:18:24,960
Speaker 2: just as a non put together.

370
00:18:26,359 --> 00:18:27,159
Speaker 1: Saying that because you.

371
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Speaker 2: Can't be with the holls, you can't women, ladies, well

372
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Speaker 2: the fuffy you cannot be with them and not hear

373
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Speaker 2: the jams.

374
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Speaker 4: You just can't.

375
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Speaker 1: And a lot of them like jams that's real or

376
00:18:38,320 --> 00:18:39,240
Speaker 1: not really how you see it.

377
00:18:39,480 --> 00:18:41,520
Speaker 2: But man, if you've ever been in the Atlanta club

378
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Speaker 2: and the motherfucking migos came on, you was half a

379
00:18:44,680 --> 00:18:46,879
Speaker 2: ball or half blood and anything you walk out of

380
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Speaker 2: there understanding.

381
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Speaker 1: You got you know, you know that that's the thing.

382
00:18:51,640 --> 00:18:54,440
Speaker 2: That's the thing like everybody, everybody everybody made that young

383
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Speaker 2: but us, yes, her cap.

384
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Speaker 3: Every don't understand. That's how you understand the record is,

385
00:19:06,000 --> 00:19:08,960
Speaker 3: I don't give a fuck if the nigga's phone Oklahoma.

386
00:19:09,240 --> 00:19:11,159
Speaker 1: I don't give a fuck if he's from Utah. I

387
00:19:11,200 --> 00:19:12,080
Speaker 1: don't give a fuck.

388
00:19:11,920 --> 00:19:15,320
Speaker 3: If he's phone Tyler hassee if you go to that

389
00:19:15,560 --> 00:19:20,239
Speaker 3: town and you understand that in town, you understand why

390
00:19:20,320 --> 00:19:21,480
Speaker 3: this record is a hit record.

391
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Speaker 1: Now for me, you can look at my career since

392
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Speaker 1: ninety seven.

393
00:19:27,200 --> 00:19:32,040
Speaker 3: I've always embraced down South people because I'm going to

394
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Speaker 3: my family.

395
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Speaker 1: Union was like down South super Dog was.

396
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Speaker 5: It was.

397
00:19:38,200 --> 00:19:41,159
Speaker 1: It was a record on the southweat. But so I

398
00:19:41,280 --> 00:19:46,240
Speaker 1: always embraced the South because family was down south. Like

399
00:19:46,359 --> 00:19:47,760
Speaker 1: we just said on Mike.

400
00:19:47,640 --> 00:19:51,360
Speaker 2: Ebs episode, Where's your Mom's family is must be from

401
00:19:51,359 --> 00:19:51,600
Speaker 2: the South.

402
00:19:51,640 --> 00:19:53,720
Speaker 1: No, this from South Carolina. I'm still got property in

403
00:19:53,760 --> 00:19:59,400
Speaker 1: South Calsia. You wife probably Charleston. My wife is Hilton Head.

404
00:20:01,200 --> 00:20:04,760
Speaker 3: So the thing is I always I can't say I

405
00:20:04,760 --> 00:20:06,840
Speaker 3: always knew the South was going to take over, but

406
00:20:06,960 --> 00:20:07,880
Speaker 3: I always knew.

407
00:20:07,720 --> 00:20:10,159
Speaker 1: The South was bigger than the East and the West,

408
00:20:10,880 --> 00:20:11,480
Speaker 1: because when.

409
00:20:11,320 --> 00:20:14,200
Speaker 3: You think about it, it's you got we're talking about

410
00:20:14,240 --> 00:20:17,000
Speaker 3: full properties on the East, you got full properties on

411
00:20:17,080 --> 00:20:19,280
Speaker 3: the West, and then eight to go south.

412
00:20:19,800 --> 00:20:21,240
Speaker 2: The worst thing in the South could ever do is

413
00:20:21,320 --> 00:20:24,240
Speaker 2: start to self identify too much with all cities and states.

414
00:20:25,400 --> 00:20:28,000
Speaker 2: We used to have to identify as a region because

415
00:20:28,040 --> 00:20:30,240
Speaker 2: it was just like if you talked with an access

416
00:20:30,359 --> 00:20:32,840
Speaker 2: shipped on you, you from the South. So it wasn't

417
00:20:32,920 --> 00:20:36,240
Speaker 2: it was like Miami and Houston said it off, Atlanta

418
00:20:36,440 --> 00:20:39,040
Speaker 2: and Tennessee, Memphis came as a tier, and then you

419
00:20:39,160 --> 00:20:42,320
Speaker 2: started getting other cities. But when we start to overly

420
00:20:42,400 --> 00:20:45,280
Speaker 2: identify our particular city, we bad. We ain't gotten all

421
00:20:45,359 --> 00:20:47,320
Speaker 2: the way off. But when we do that, it's never.

422
00:20:47,240 --> 00:20:49,399
Speaker 1: Good for us. When we go all fun with other

423
00:20:49,480 --> 00:20:51,440
Speaker 1: niggas because they're from Houston, I'm from Atlanta. All funk

424
00:20:51,480 --> 00:20:55,640
Speaker 1: knigas nigga. That's the one thing you always you guys

425
00:20:55,720 --> 00:20:58,560
Speaker 1: always said the South. You got to you can't see LP.

426
00:20:58,800 --> 00:21:02,159
Speaker 1: I bet you LP ain't say the East. I bet you.

427
00:21:02,240 --> 00:21:04,399
Speaker 1: I've never said that a spell from New York. And

428
00:21:05,520 --> 00:21:10,120
Speaker 1: you say, I said, queens, listen, help me. We gotta

429
00:21:10,119 --> 00:21:12,280
Speaker 1: start this. Me and you, we're starting them right now.

430
00:21:13,720 --> 00:21:17,120
Speaker 1: We rap in the East, you niggas. What I'm saying,

431
00:21:18,640 --> 00:21:22,400
Speaker 1: so kind of do that though for a little down south,

432
00:21:22,520 --> 00:21:25,240
Speaker 1: your niggas in Baltimore, to quit, you niggas with us

433
00:21:25,320 --> 00:21:25,840
Speaker 1: are the East.

434
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Speaker 5: There was like there was a small period of time though,

435
00:21:30,840 --> 00:21:33,119
Speaker 5: when the East West thing, when people say.

436
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Speaker 1: I ain't even from the east has never like right now,

437
00:21:35,440 --> 00:21:36,320
Speaker 1: I see, I've.

438
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Speaker 3: Seen a West Coast dude become of the down South

439
00:21:39,800 --> 00:21:41,560
Speaker 3: do And the first thing the West Coast dude would

440
00:21:41,560 --> 00:21:46,560
Speaker 3: say West Coast, And I said to myself, that's something

441
00:21:46,640 --> 00:21:48,879
Speaker 3: the East Coast god can't say, because.

442
00:21:48,600 --> 00:21:50,320
Speaker 1: Ain't nobody from the East Coast going to have your

443
00:21:50,320 --> 00:21:53,040
Speaker 1: back when you say East Coast? You gotta the Phillies,

444
00:21:53,480 --> 00:21:57,160
Speaker 1: you gonna say you y'all say DC. You just can't

445
00:21:57,200 --> 00:21:57,880
Speaker 1: say East Coast?

446
00:21:57,920 --> 00:21:58,399
Speaker 4: Is everybody?

447
00:21:59,520 --> 00:22:01,520
Speaker 1: Hey? Right? One of the funniest things.

448
00:22:01,960 --> 00:22:03,640
Speaker 2: I don't know the exact cults, so I don't quote

449
00:22:03,640 --> 00:22:06,280
Speaker 2: me exactly, but I love I love man.

450
00:22:06,400 --> 00:22:08,160
Speaker 1: I literally love.

451
00:22:08,160 --> 00:22:11,199
Speaker 2: Listening to East Coach radio, right, so you're gonna you're

452
00:22:11,200 --> 00:22:12,040
Speaker 2: gonna hear crazy ship.

453
00:22:12,080 --> 00:22:14,800
Speaker 1: And I heard one of my favorite DJs, oh school

454
00:22:14,960 --> 00:22:16,040
Speaker 1: dudes say yo.

455
00:22:17,640 --> 00:22:20,920
Speaker 2: For real the eastern New York and I think he

456
00:22:21,040 --> 00:22:24,680
Speaker 2: said maybe Connecticut, Philly, your jersey gave little.

457
00:22:24,520 --> 00:22:27,639
Speaker 1: One other way he said, not all the rest of

458
00:22:27,720 --> 00:22:29,120
Speaker 1: y'all niggas south.

459
00:22:29,280 --> 00:22:32,480
Speaker 2: It was I know, his handway breaking our boss because

460
00:22:32,480 --> 00:22:35,360
Speaker 2: he he honestly is one of the most embracing DJs.

461
00:22:35,640 --> 00:22:39,800
Speaker 1: But it was funniest fun my cousins New York. That's

462
00:22:39,840 --> 00:22:41,200
Speaker 1: how they were for real, like man, y'all.

463
00:22:41,480 --> 00:22:44,240
Speaker 3: But you know, but that's but that's all problems and

464
00:22:44,320 --> 00:22:47,200
Speaker 3: you know what, not only that, not only that, I'm

465
00:22:47,200 --> 00:22:50,080
Speaker 3: gonna tell you something that is a way to divide

466
00:22:50,160 --> 00:22:53,520
Speaker 3: us period absolutely, because we're all human at the end

467
00:22:53,560 --> 00:22:57,560
Speaker 3: of the day. And then we're all we're all black,

468
00:22:57,800 --> 00:23:01,600
Speaker 3: and then we're all hip hop o, we're all whatever.

469
00:23:01,840 --> 00:23:03,960
Speaker 1: So you know what I'm trying to say. What I'm

470
00:23:03,960 --> 00:23:06,400
Speaker 1: trying to say is it's a divided, conquered thing.

471
00:23:06,720 --> 00:23:08,840
Speaker 3: But the crazy shit is the West Coast had that

472
00:23:08,920 --> 00:23:11,800
Speaker 3: above the South, and they had that above the East Coast.

473
00:23:12,200 --> 00:23:15,440
Speaker 3: Is that they can say West Coast and everybody from

474
00:23:15,520 --> 00:23:20,640
Speaker 3: the West, from from Golden State, which from Washington, Sacramento,

475
00:23:21,280 --> 00:23:27,399
Speaker 3: niggas in Texas to be like West Coast. But that

476
00:23:27,600 --> 00:23:30,800
Speaker 3: was something that they had over us. And now the

477
00:23:31,000 --> 00:23:35,200
Speaker 3: South is actually applying back. People are saying we from

478
00:23:35,240 --> 00:23:35,600
Speaker 3: the South.

479
00:23:35,760 --> 00:23:38,399
Speaker 2: I never thought i'd see today where East Coast the

480
00:23:38,520 --> 00:23:41,720
Speaker 2: seas emulated southern them seas. It's a blessing because it's

481
00:23:41,800 --> 00:23:44,040
Speaker 2: all style like on the old kong Fu principles, how

482
00:23:44,040 --> 00:23:45,879
Speaker 2: they used to compare hip hop and kong fu.

483
00:23:46,320 --> 00:23:49,720
Speaker 1: We had Young dro On here right and south.

484
00:23:50,560 --> 00:23:53,119
Speaker 3: I ask Young Drove when you heard Panda, did you

485
00:23:53,480 --> 00:23:55,200
Speaker 3: know that that wasn't from Atlanta?

486
00:23:55,560 --> 00:23:58,800
Speaker 1: And he said immediately he said the same ship. And

487
00:23:58,880 --> 00:24:04,800
Speaker 1: he said the same ship. Okay, I was wrong, break

488
00:24:04,920 --> 00:24:07,920
Speaker 1: that down. I mean, I mean you can just it

489
00:24:08,000 --> 00:24:10,960
Speaker 1: ain't shouted, you know. It's like it al Sa L say,

490
00:24:11,520 --> 00:24:13,600
Speaker 1: like my grandmother forced me to speak a certain way,

491
00:24:13,720 --> 00:24:15,639
Speaker 1: like this way. I pay for educations. How you doing.

492
00:24:17,560 --> 00:24:19,960
Speaker 2: When I'm with a group of my friends, it's like

493
00:24:20,119 --> 00:24:22,679
Speaker 2: you ship probably be a your Spanish fans like L say,

494
00:24:22,720 --> 00:24:23,760
Speaker 2: and I don't understand.

495
00:24:23,520 --> 00:24:25,800
Speaker 1: Ship you saying you with a bunch of managers.

496
00:24:25,920 --> 00:24:30,119
Speaker 2: So it's like yeah, but with with with designer, he

497
00:24:30,280 --> 00:24:33,199
Speaker 2: does a great emulation of future. He'd be lying if

498
00:24:33,200 --> 00:24:35,000
Speaker 2: he's saying it's not future, that's not even a challenge

499
00:24:35,040 --> 00:24:36,400
Speaker 2: to him, but just style influences.

500
00:24:36,560 --> 00:24:38,400
Speaker 1: Just be like me saying, say, yo, I never listened

501
00:24:38,400 --> 00:24:41,000
Speaker 1: to que get the funk out of it. You give it,

502
00:24:41,080 --> 00:24:41,400
Speaker 1: you dog.

503
00:24:41,560 --> 00:24:43,879
Speaker 2: This little kid grew up on ice cube. So with that,

504
00:24:44,080 --> 00:24:46,800
Speaker 2: I just I knew it wasn't future. But I knew

505
00:24:46,840 --> 00:24:49,680
Speaker 2: future had become the most powerful forcing rout. Time I

506
00:24:49,760 --> 00:24:51,320
Speaker 2: heard that record, I was just like, oh, it's out

507
00:24:51,320 --> 00:24:51,520
Speaker 2: of here.

508
00:24:51,800 --> 00:24:54,760
Speaker 1: He the what But and you knew from the minute

509
00:24:54,800 --> 00:24:56,359
Speaker 1: you heard it that that wasn't for me. Yeah, I

510
00:24:56,400 --> 00:25:00,320
Speaker 1: knew that one shot. It ain't shouted it got will

511
00:25:00,760 --> 00:25:03,480
Speaker 1: you got that will fall? But but why now? But

512
00:25:03,560 --> 00:25:06,280
Speaker 1: I remember because we were talking of it was funny

513
00:25:06,960 --> 00:25:08,960
Speaker 1: to me because basically it even makes me up. Do

514
00:25:09,000 --> 00:25:11,879
Speaker 1: you see how poor and this ship'll like when you

515
00:25:11,920 --> 00:25:15,400
Speaker 1: fuck up the first? What? What that's that's killing? Mike

516
00:25:15,480 --> 00:25:19,840
Speaker 1: is drunk already, he ain't to his class. Look at that.

517
00:25:19,960 --> 00:25:22,840
Speaker 1: But you got it? Oh, look that was my fault.

518
00:25:23,119 --> 00:25:29,600
Speaker 1: That was what you that's how the friend? That's weed. Yeah,

519
00:25:31,960 --> 00:25:35,119
Speaker 1: and I knew it. I knew it want shot it,

520
00:25:35,200 --> 00:25:36,080
Speaker 1: but not in a bad way.

521
00:25:36,160 --> 00:25:39,000
Speaker 2: I just knew it was like at best, I figured

522
00:25:39,040 --> 00:25:41,960
Speaker 2: somebody from Atlanta had has had swags like you know.

523
00:25:41,960 --> 00:25:42,280
Speaker 1: What I mean?

524
00:25:42,400 --> 00:25:44,399
Speaker 2: Like I was like, okay, Sharlton, you know he probably

525
00:25:44,480 --> 00:25:46,000
Speaker 2: all right, I'm somebody got some deciping.

526
00:25:46,040 --> 00:25:48,360
Speaker 1: Somebody really fucked with me. But I knew it wanted him.

527
00:25:48,520 --> 00:25:49,240
Speaker 1: He got flavor.

528
00:25:49,280 --> 00:25:52,120
Speaker 2: Man, I'm gonna tell you he got sold. Future has

529
00:25:52,240 --> 00:25:54,959
Speaker 2: soul that other artists not. The designer doesn't have future.

530
00:25:55,160 --> 00:25:55,760
Speaker 1: The future.

531
00:25:55,880 --> 00:26:00,960
Speaker 2: You listen to the ship he's saying it's dead liked.

532
00:26:00,160 --> 00:26:02,960
Speaker 1: Version, dumb our Generation Tiny Penograd.

533
00:26:04,200 --> 00:26:07,040
Speaker 3: He like, I'm wrong, Like I'm not gonna lie because

534
00:26:07,280 --> 00:26:11,240
Speaker 3: a lot of people don't really listen to Future's words

535
00:26:11,520 --> 00:26:16,000
Speaker 3: or futures, you know, his harmonies or whatever.

536
00:26:16,280 --> 00:26:18,080
Speaker 1: But when you listen to that man, that.

537
00:26:18,240 --> 00:26:21,520
Speaker 3: Man is preaching some ship and if you don't really

538
00:26:21,640 --> 00:26:25,439
Speaker 3: drink lean like that, he's really ill because he.

539
00:26:25,520 --> 00:26:26,640
Speaker 1: Got a whole community.

540
00:26:26,840 --> 00:26:27,440
Speaker 8: This is real.

541
00:26:27,760 --> 00:26:30,840
Speaker 1: He got a whole community follow him like this. He

542
00:26:31,400 --> 00:26:40,560
Speaker 1: made drunk drunk junkies. He lost. He did all right

543
00:26:41,400 --> 00:26:42,680
Speaker 1: right now in the hood.

544
00:26:43,320 --> 00:26:45,840
Speaker 3: There are people in the hood that say I'm a drunkie,

545
00:26:46,320 --> 00:26:49,000
Speaker 3: I'm a chunkie because.

546
00:26:48,760 --> 00:26:52,960
Speaker 1: They drink lean on. But that's what the future is like.

547
00:26:53,359 --> 00:26:55,320
Speaker 1: He preached, he preached to be.

548
00:26:56,280 --> 00:26:59,240
Speaker 2: He had chancetify. He didn't preach if you listen to

549
00:26:59,320 --> 00:27:02,000
Speaker 2: his music saying you should do. And that's how I

550
00:27:02,000 --> 00:27:04,280
Speaker 2: mean about blues. He said, this is what I do,

551
00:27:04,880 --> 00:27:07,760
Speaker 2: what I've done, and to me, that's what's always separated

552
00:27:08,560 --> 00:27:09,520
Speaker 2: Southern hip hop.

553
00:27:10,320 --> 00:27:11,280
Speaker 1: You know what I'm saying, like, what.

554
00:27:11,359 --> 00:27:15,320
Speaker 2: You're hearing is is Gospelly a testimonial because you claiming

555
00:27:15,400 --> 00:27:17,960
Speaker 2: it yourself. You ain't even saying applied to nobody else.

556
00:27:18,320 --> 00:27:20,320
Speaker 2: And really, if you want to look at Lean koleche,

557
00:27:20,560 --> 00:27:22,800
Speaker 2: you gotta give it to Hugh Stuston.

558
00:27:23,160 --> 00:27:25,120
Speaker 1: You got it, but not even on some just tip.

559
00:27:25,160 --> 00:27:28,240
Speaker 1: But like, screw live the lifestyle. You know what I'm saying.

560
00:27:28,240 --> 00:27:30,080
Speaker 2: When you hear Paul Wall talk about it, he's talking

561
00:27:30,080 --> 00:27:31,920
Speaker 2: about a lifestyle he's lived.

562
00:27:32,000 --> 00:27:32,440
Speaker 1: You know what I mean.

563
00:27:32,480 --> 00:27:34,440
Speaker 2: I went down there when I first went independent. We

564
00:27:34,480 --> 00:27:36,520
Speaker 2: stayed for a couple of months, man, and just I

565
00:27:36,680 --> 00:27:38,440
Speaker 2: came out that bitch on the other side of Jay

566
00:27:39,280 --> 00:27:41,280
Speaker 2: myself because that ship feel good is an opia. Do

567
00:27:41,520 --> 00:27:44,000
Speaker 2: nothing feel better than heroin? That's what I want to

568
00:27:44,040 --> 00:27:46,720
Speaker 2: do it, you know what I mean. So he's doing

569
00:27:46,800 --> 00:27:48,000
Speaker 2: it testimonially.

570
00:27:49,200 --> 00:27:52,560
Speaker 1: Lean story, go for it. Coast to Coast the niggas

571
00:27:52,560 --> 00:27:54,320
Speaker 1: at I was on Coast to Coast talk.

572
00:27:56,200 --> 00:28:00,680
Speaker 3: Coast coast When you said, who me to the lien,

573
00:28:00,800 --> 00:28:03,520
Speaker 3: I was Sliger in my mind was a lean house.

574
00:28:03,520 --> 00:28:05,840
Speaker 1: I don't know why I take a franchisee. I walked there,

575
00:28:07,040 --> 00:28:10,879
Speaker 1: these nigga says, what do you do? I said, I

576
00:28:10,960 --> 00:28:11,840
Speaker 1: ain't doing that ship.

577
00:28:11,920 --> 00:28:15,440
Speaker 6: They said, will you be fucking your homeboys and them

578
00:28:15,440 --> 00:28:16,600
Speaker 6: fucking the fucked up ship?

579
00:28:16,960 --> 00:28:18,720
Speaker 3: I said, I didn't know they was fucked up lean,

580
00:28:19,400 --> 00:28:21,680
Speaker 3: but he gave me a double cup of some ship

581
00:28:22,119 --> 00:28:22,960
Speaker 3: and I kidd you that.

582
00:28:23,720 --> 00:28:25,800
Speaker 1: I was talking the whole time my mouth.

583
00:28:28,440 --> 00:28:31,359
Speaker 2: Exactly. That's why I want I won't do that. I'm like,

584
00:28:31,600 --> 00:28:34,240
Speaker 2: the whole time, I won't.

585
00:28:36,600 --> 00:28:37,320
Speaker 1: Talk about.

586
00:28:39,280 --> 00:28:43,160
Speaker 2: I shoulder certain first Bun called me about the lean.

587
00:28:43,240 --> 00:28:45,200
Speaker 2: Bun just called me out of they like came.

588
00:28:46,040 --> 00:28:46,840
Speaker 1: I came to rescue me.

589
00:28:47,040 --> 00:28:48,200
Speaker 2: He was like hey, I was like, what's up. He

590
00:28:48,280 --> 00:28:49,520
Speaker 2: was like, I want to talk to you about something.

591
00:28:49,560 --> 00:28:51,600
Speaker 2: I was like, what he said about that drink? He

592
00:28:51,720 --> 00:28:54,200
Speaker 2: gave me a fifteen minute lecture and I ain't never

593
00:28:54,320 --> 00:28:55,920
Speaker 2: fuck with that. I was like, I'm cool on that

594
00:28:55,960 --> 00:28:58,200
Speaker 2: ship because I respect my old I didn't want that.

595
00:28:58,480 --> 00:29:01,440
Speaker 1: But you don't know about lian Is. You can't actually

596
00:29:01,520 --> 00:29:04,120
Speaker 1: control it. Think about weed is. I could actually say

597
00:29:04,160 --> 00:29:05,400
Speaker 1: I'm not I don't want to be hot on them.

598
00:29:05,480 --> 00:29:10,360
Speaker 2: Yeah exactly, but it's it's leading, it's leaning you the

599
00:29:10,440 --> 00:29:13,240
Speaker 2: hair on my nack. Don't make no mistakes about life.

600
00:29:13,640 --> 00:29:16,200
Speaker 2: I had showed the surgery like a year and a half.

601
00:29:17,760 --> 00:29:22,680
Speaker 2: Look them in the slim first day painkillers, who feel

602
00:29:22,720 --> 00:29:28,040
Speaker 2: a rush like? Second day, a little sick, little constipation

603
00:29:28,160 --> 00:29:28,920
Speaker 2: and ship because that's.

604
00:29:28,760 --> 00:29:31,000
Speaker 1: What the duty to a fuck every slummer. Next day

605
00:29:31,120 --> 00:29:32,640
Speaker 1: like that, but pop it again. Third day.

606
00:29:32,680 --> 00:29:34,360
Speaker 2: My wife fly me in Miami. She said, too many

607
00:29:34,360 --> 00:29:36,600
Speaker 2: people bother me. She flied me here to stay. We

608
00:29:36,720 --> 00:29:37,200
Speaker 2: and fuck it.

609
00:29:37,400 --> 00:29:39,520
Speaker 1: We're out on the balcony. I do want them in

610
00:29:39,560 --> 00:29:40,080
Speaker 1: so much pain.

611
00:29:40,240 --> 00:29:43,040
Speaker 2: I talked to my wife for thirty to forty five minutes,

612
00:29:43,760 --> 00:29:45,320
Speaker 2: have a full conversation.

613
00:29:44,920 --> 00:29:45,760
Speaker 1: With her in her face.

614
00:29:46,400 --> 00:29:48,600
Speaker 2: Afterwards, she said he didn't say a word to each other.

615
00:29:49,400 --> 00:29:51,600
Speaker 2: That's when I knew I'm not taking these pain kids.

616
00:29:51,640 --> 00:29:53,400
Speaker 2: I suffered the rest of that month throughout. So I

617
00:29:53,440 --> 00:29:56,400
Speaker 2: can't anything that puts me in This is too good,

618
00:29:56,800 --> 00:29:57,040
Speaker 2: and I.

619
00:29:57,240 --> 00:30:03,240
Speaker 1: Like drugs for this. That's just too drug this, you know,

620
00:30:04,920 --> 00:30:05,640
Speaker 1: even to them.

621
00:30:15,600 --> 00:30:17,240
Speaker 3: Yeah, but y'all got the number one album in the

622
00:30:17,320 --> 00:30:18,560
Speaker 3: motherfucking country.

623
00:30:21,000 --> 00:30:27,120
Speaker 1: Number We weren't rapping him, and you know whatever we

624
00:30:27,200 --> 00:30:28,960
Speaker 1: were saying, we said, I don't give him what. Yeah,

625
00:30:28,960 --> 00:30:29,280
Speaker 1: I think.

626
00:30:31,040 --> 00:30:35,200
Speaker 3: Y'all know. Mama her shirts like she's right, you know

627
00:30:35,320 --> 00:30:38,240
Speaker 3: what and y'all real hip hop l P. I want

628
00:30:38,320 --> 00:30:44,520
Speaker 3: to I want you to understand and uh acknowledge how

629
00:30:44,600 --> 00:30:47,920
Speaker 3: much we appreciate you. I want you to understanding and

630
00:30:48,040 --> 00:30:48,680
Speaker 3: acknowledge that.

631
00:30:51,280 --> 00:30:52,240
Speaker 1: We appreciate you.

632
00:30:52,560 --> 00:30:56,680
Speaker 3: I want to understand and acknowledge that when you was

633
00:30:56,760 --> 00:30:59,680
Speaker 3: running around with Bernie Sanders, I couldn't have been more

634
00:30:59,760 --> 00:31:01,840
Speaker 3: proud to him. That's the only party time I didn't

635
00:31:01,960 --> 00:31:04,960
Speaker 3: use your number, Like I was watching on the campaign.

636
00:31:04,640 --> 00:31:06,800
Speaker 1: Trail and I wanted to call you, but I said,

637
00:31:07,040 --> 00:31:10,840
Speaker 1: I know I'm a fellon. You don't think he is.

638
00:31:10,880 --> 00:31:15,360
Speaker 1: His voters is tap. I'm not gonna call at this moment.

639
00:31:15,800 --> 00:31:21,000
Speaker 1: Definitely really rooting for you, like, but I was excited,

640
00:31:21,200 --> 00:31:25,800
Speaker 1: like because just a criminal what I was feeling. I'm trying.

641
00:31:25,840 --> 00:31:28,600
Speaker 1: We want to get your rights, man, I want my rights.

642
00:31:28,840 --> 00:31:32,400
Speaker 1: I want you to have him back voting all that.

643
00:31:33,040 --> 00:31:39,480
Speaker 1: We absolutely absolutely, but you doing the How What's Bernie

644
00:31:39,520 --> 00:31:43,160
Speaker 1: supposed to run as a third party? Ultimately?

645
00:31:43,440 --> 00:31:46,320
Speaker 2: I think his purpose was to transform the Democratic Party,

646
00:31:46,360 --> 00:31:47,760
Speaker 2: and I think that started to happen.

647
00:31:47,840 --> 00:31:48,520
Speaker 1: Because he had.

648
00:31:50,560 --> 00:31:53,560
Speaker 2: I think I think we get picked how did I mean, well,

649
00:31:53,560 --> 00:31:54,920
Speaker 2: we know how she got picked. The cord to the

650
00:31:54,960 --> 00:32:00,680
Speaker 2: emails in my names. Yeah, you know they that you know,

651
00:32:00,920 --> 00:32:03,400
Speaker 2: it looks like it looks like from what has been

652
00:32:03,480 --> 00:32:06,960
Speaker 2: proven to be factual, that members of the Democratic National

653
00:32:07,000 --> 00:32:10,520
Speaker 2: Committee that they that they aspire against Bernie Sanders to

654
00:32:10,720 --> 00:32:15,120
Speaker 2: such extremes as giving her questions in advance and prompting

655
00:32:15,160 --> 00:32:18,160
Speaker 2: their media agents to downplay Bernie to the tune of

656
00:32:18,200 --> 00:32:21,000
Speaker 2: Trump getting eighty percent more viewership because they pushed him

657
00:32:21,000 --> 00:32:23,240
Speaker 2: in cruise early because they thought they was a ridiculous vote.

658
00:32:23,600 --> 00:32:25,400
Speaker 2: So I would just say, Americans, if you're going to

659
00:32:25,440 --> 00:32:28,479
Speaker 2: be angry about something, make sure you're angry about everything

660
00:32:28,560 --> 00:32:30,959
Speaker 2: you know. Don't be Don't just be angry that your

661
00:32:31,040 --> 00:32:34,640
Speaker 2: child be angry. Your child lied to you, stole and

662
00:32:34,720 --> 00:32:37,080
Speaker 2: as a thief. So you know, I quote the Trump

663
00:32:37,160 --> 00:32:40,520
Speaker 2: speechies he was talking about that.

664
00:32:45,520 --> 00:32:49,000
Speaker 1: It's about to be an interesting place. Yeah, all Americans

665
00:32:50,040 --> 00:32:53,720
Speaker 1: state for the next cigarettes in there? All right, a

666
00:32:53,720 --> 00:32:58,280
Speaker 1: cigarette break? This is where a while there's no more

667
00:32:58,320 --> 00:32:59,040
Speaker 1: how when to cut.

668
00:32:59,160 --> 00:33:05,440
Speaker 4: Up typhone time?

669
00:33:06,840 --> 00:33:09,800
Speaker 3: I'm in I mean, what is it I know about

670
00:33:09,880 --> 00:33:12,640
Speaker 3: this show in New York? You can't get nothing know

671
00:33:12,720 --> 00:33:14,200
Speaker 3: with him? This is Tiger Mom.

672
00:33:14,560 --> 00:33:17,080
Speaker 1: This is going I know, like this ship from your

673
00:33:17,120 --> 00:33:23,440
Speaker 1: show I don't know about right, It's terrible. Right, Why

674
00:33:23,480 --> 00:33:24,960
Speaker 1: did you want to do this? You the person that

675
00:33:25,080 --> 00:33:26,680
Speaker 1: called and told me how to juice this ship? Why

676
00:33:26,720 --> 00:33:30,360
Speaker 1: would you do this? This is actually take listen.

677
00:33:30,480 --> 00:33:33,040
Speaker 3: If you actually want to diet and you like trying

678
00:33:33,120 --> 00:33:35,800
Speaker 3: to do ship, this is actually the only alcohol that.

679
00:33:35,840 --> 00:33:39,160
Speaker 1: Won't effect you. Were supposed to smell it. Don't smell it.

680
00:33:39,280 --> 00:33:45,600
Speaker 1: This can't want your whole life alright, this for you.

681
00:33:46,160 --> 00:33:47,640
Speaker 1: You want to see your world, this is how you

682
00:33:47,720 --> 00:33:48,800
Speaker 1: do it. Listen, take it?

683
00:33:58,520 --> 00:34:05,720
Speaker 9: Oh my god, let it. Let's tell you s my

684
00:34:05,880 --> 00:34:08,560
Speaker 9: friend taste like I'm Chamberlain man.

685
00:34:09,040 --> 00:34:11,080
Speaker 1: Look at here, whis nibbles out this ship.

686
00:34:11,040 --> 00:34:15,120
Speaker 4: And he's like, yall ring, we are.

687
00:34:15,040 --> 00:34:22,600
Speaker 1: Women's here for Brickley, were right here this ship. I

688
00:34:22,760 --> 00:34:24,000
Speaker 1: still taste it and face.

689
00:34:25,160 --> 00:34:29,040
Speaker 4: Oh yeah, taste, let's taken in your chest.

690
00:34:31,400 --> 00:34:32,359
Speaker 1: Wait till you take your ship?

691
00:34:32,400 --> 00:34:32,800
Speaker 5: What is this?

692
00:34:34,200 --> 00:34:36,360
Speaker 1: You know? What the fuck is that? What is that flavor?

693
00:34:36,800 --> 00:34:41,800
Speaker 1: Is that your shoe? It's es ships? These humans, nigga?

694
00:34:41,840 --> 00:34:45,640
Speaker 2: You drinking shoe, nigga. This is the bottom of a

695
00:34:45,760 --> 00:34:49,080
Speaker 2: timbaling loafing, you know, after walking the.

696
00:34:49,080 --> 00:34:51,400
Speaker 4: Great Water trying y'all know the timbling loafers.

697
00:34:51,080 --> 00:34:53,120
Speaker 1: Were wearing flowing in Georgia. I've never seen New York

698
00:34:53,200 --> 00:34:54,839
Speaker 1: niggas here like this is the bottom of one.

699
00:34:54,920 --> 00:34:56,680
Speaker 3: This is the drink when you get, when you got

700
00:34:56,800 --> 00:34:59,880
Speaker 3: the number one house, when you put you up.

701
00:35:05,719 --> 00:35:08,520
Speaker 2: Last time I saw you, we were at Roscoe's across

702
00:35:08,560 --> 00:35:11,920
Speaker 2: the street, smoking dope and drinking champagne and in the.

703
00:35:11,920 --> 00:35:14,960
Speaker 1: Superbosco, which is why I love you. We were so distrissed.

704
00:35:18,000 --> 00:35:20,040
Speaker 1: I was you at the hotel though.

705
00:35:20,040 --> 00:35:22,719
Speaker 2: After you bastards who wanted to know who seen me

706
00:35:22,800 --> 00:35:26,720
Speaker 2: suffering under Josh Spice in the gym every fucking morning.

707
00:35:27,280 --> 00:35:29,239
Speaker 2: Noor is the dude that hit me up, like, yo,

708
00:35:29,920 --> 00:35:31,680
Speaker 2: your fact. This is how you're gonna lose some weight.

709
00:35:31,760 --> 00:35:34,560
Speaker 2: Eat vegetables, juice and run and walk.

710
00:35:34,840 --> 00:35:38,560
Speaker 1: That's what I fuck with you for that. I like

711
00:35:38,600 --> 00:35:38,880
Speaker 1: you for it.

712
00:35:39,440 --> 00:35:42,040
Speaker 2: I definitely love your wife as well. But them niggas

713
00:35:42,080 --> 00:35:43,200
Speaker 2: really all like Partnershi.

714
00:35:44,520 --> 00:35:45,239
Speaker 8: You know what it is.

715
00:35:45,920 --> 00:35:46,640
Speaker 10: We have to.

716
00:35:48,120 --> 00:35:51,080
Speaker 3: Continue to sustain our legends. We gotta be here in

717
00:35:51,520 --> 00:35:54,880
Speaker 3: our category. And now again, this is not no nothing racial.

718
00:35:55,360 --> 00:35:57,839
Speaker 3: This is I think hip hop should be a race.

719
00:35:58,600 --> 00:36:03,640
Speaker 9: I feel your hundred percent honesty, because.

720
00:36:03,200 --> 00:36:05,680
Speaker 3: Think about it, there could be a person who don't

721
00:36:06,120 --> 00:36:08,919
Speaker 3: maybe don't like black people or maybe don't like white people,

722
00:36:09,160 --> 00:36:09,880
Speaker 3: but guess what, he.

723
00:36:10,000 --> 00:36:13,520
Speaker 1: Likes hip hop. So that makes him in my fraternity.

724
00:36:14,800 --> 00:36:16,600
Speaker 1: I look at it, you know what I'm saying. I

725
00:36:16,760 --> 00:36:18,920
Speaker 1: look at him like as my fraternity.

726
00:36:19,520 --> 00:36:22,719
Speaker 3: And if you look at it, if you if you

727
00:36:22,840 --> 00:36:26,080
Speaker 3: always see a drug dealer from the hood, they'll say, well,

728
00:36:26,600 --> 00:36:28,480
Speaker 3: my lawyer know the judge.

729
00:36:28,960 --> 00:36:31,600
Speaker 1: Because you know why they were in the same conternity. Absolutely,

730
00:36:32,560 --> 00:36:35,480
Speaker 1: but why we can't have our same return.

731
00:36:35,600 --> 00:36:38,520
Speaker 3: Absolutely, why you can't be sixty five years old and

732
00:36:38,600 --> 00:36:41,200
Speaker 3: say you know what, oh yeah, yeah.

733
00:36:41,160 --> 00:36:41,640
Speaker 1: That's more.

734
00:36:42,440 --> 00:36:47,840
Speaker 3: Absolutely, my grandchildren play with your grandchildren. Because the thing is,

735
00:36:48,040 --> 00:36:50,040
Speaker 3: if we don't sustain this culture and it's not a

736
00:36:50,120 --> 00:36:50,560
Speaker 3: race thing.

737
00:36:51,160 --> 00:36:54,040
Speaker 1: He's the biggest part about it. It's not a race thing.

738
00:36:55,160 --> 00:36:58,640
Speaker 3: It's a cultural thing, absolutely, and we all believe in

739
00:36:58,719 --> 00:37:01,920
Speaker 3: the same culture. If you all love hip hop. That's

740
00:37:01,960 --> 00:37:03,600
Speaker 3: why I think it should be a hip hop flag.

741
00:37:03,840 --> 00:37:05,480
Speaker 3: I think it should be hip hop insurance.

742
00:37:05,719 --> 00:37:09,400
Speaker 1: I think it should be definitely need hip hop benefits

743
00:37:09,800 --> 00:37:10,759
Speaker 1: like a sage for him.

744
00:37:11,520 --> 00:37:11,960
Speaker 4: I mean.

745
00:37:13,400 --> 00:37:15,440
Speaker 3: I thought about it real long and hard, and the

746
00:37:15,600 --> 00:37:18,480
Speaker 3: only other business that don't have this type of insurance

747
00:37:18,719 --> 00:37:22,239
Speaker 3: don't have This is boxing those beautiful sporting life.

748
00:37:23,040 --> 00:37:24,600
Speaker 1: This is a sport where you go in and you

749
00:37:24,680 --> 00:37:29,200
Speaker 1: can die like hip hop lay him, but you go

750
00:37:29,360 --> 00:37:31,839
Speaker 1: in it literally die disposable real quick.

751
00:37:31,920 --> 00:37:37,480
Speaker 3: And you why can't we, as smart individuals individual live,

752
00:37:37,560 --> 00:37:38,960
Speaker 3: I mean, excuse me, unified.

753
00:37:39,840 --> 00:37:42,600
Speaker 1: David Banner, okay, David Manner, you in charge of the funds?

754
00:37:42,680 --> 00:37:45,800
Speaker 3: Absolutely, you in charge by killer you know a boomboo

755
00:37:45,800 --> 00:37:50,520
Speaker 3: bo okay, lp infit And we're all alright cool. Everybody

756
00:37:50,600 --> 00:37:53,080
Speaker 3: making fifty thousand a month, we don't want you fifty

757
00:37:53,120 --> 00:37:53,799
Speaker 3: thousand a month.

758
00:37:54,280 --> 00:37:56,600
Speaker 1: Take you fifteen hundred dollars or that put it to

759
00:37:56,680 --> 00:38:01,200
Speaker 1: the side. So when a person like uh a random

760
00:38:01,239 --> 00:38:05,799
Speaker 1: persons name of artists, Cassidy got you in the car,

761
00:38:06,360 --> 00:38:09,160
Speaker 1: I got you. We gotta we handle that. He's a

762
00:38:09,200 --> 00:38:13,440
Speaker 1: little one. Don't gotta worry about that. Nah. I think

763
00:38:13,560 --> 00:38:14,480
Speaker 1: I think it's possible.

764
00:38:15,239 --> 00:38:19,480
Speaker 2: All really you saying is alternative streams of revenue and business.

765
00:38:19,520 --> 00:38:25,800
Speaker 2: So when he said TATII, but it's clear I'm from Atlanta, Georgia.

766
00:38:25,880 --> 00:38:26,000
Speaker 1: Right.

767
00:38:26,120 --> 00:38:29,120
Speaker 2: So a guy straight up, a guy named Alonzo Herndon,

768
00:38:29,239 --> 00:38:32,000
Speaker 2: he started a barbershop with all black guys cutting. Who

769
00:38:32,040 --> 00:38:34,640
Speaker 2: will only serve as white men, white businessmen in Atlanta.

770
00:38:34,719 --> 00:38:37,120
Speaker 2: He learned some ship listening in the barber shop, and

771
00:38:37,239 --> 00:38:40,239
Speaker 2: he learned that white people got buried by insurance. And

772
00:38:40,440 --> 00:38:42,719
Speaker 2: you paid into an insurance every time you die, you know,

773
00:38:42,800 --> 00:38:45,080
Speaker 2: you'd havea a few thousand dollars to bury or whatnot,

774
00:38:45,120 --> 00:38:46,680
Speaker 2: because you at least want your person to go on

775
00:38:46,840 --> 00:38:48,960
Speaker 2: respectfully and ship. And he's like, well, damn on the

776
00:38:49,000 --> 00:38:51,880
Speaker 2: black community, you don't have that. So he went to

777
00:38:51,960 --> 00:38:54,200
Speaker 2: one of the white companies. Of course that it got bonded,

778
00:38:54,280 --> 00:38:55,600
Speaker 2: like hey, you know, I'm want to bring you this

779
00:38:55,719 --> 00:38:58,000
Speaker 2: much business? What on the roade it and he became

780
00:38:58,120 --> 00:39:01,840
Speaker 2: the largest minority the insured in the South. They had

781
00:39:01,880 --> 00:39:05,320
Speaker 2: an Atlanta Life buildings on Auburn Avenue. He was a

782
00:39:05,680 --> 00:39:09,000
Speaker 2: very big reason Atlanta is such a business capital now

783
00:39:09,040 --> 00:39:12,000
Speaker 2: and black people in Atlanta had so absolutely hip hop.

784
00:39:12,040 --> 00:39:13,759
Speaker 2: We do the same thing I started last year. I

785
00:39:13,760 --> 00:39:14,960
Speaker 2: don't want you all to check me out. You know,

786
00:39:15,040 --> 00:39:19,400
Speaker 2: ain't smoking a blunch. Last year I did the bank,

787
00:39:19,520 --> 00:39:23,600
Speaker 2: black bank, small bank, local. So of course to America's

788
00:39:23,640 --> 00:39:25,480
Speaker 2: assholes and everybody just want to argue about race.

789
00:39:25,840 --> 00:39:29,799
Speaker 3: Everybody either the banks in Atlanta beat I means Miami beat.

790
00:39:30,000 --> 00:39:31,359
Speaker 1: I don't know the Cuban banks, but I know it's

791
00:39:31,400 --> 00:39:34,040
Speaker 1: a goddamn lot every time.

792
00:39:34,400 --> 00:39:39,560
Speaker 2: Here one of the podcast, thank you. The reason I

793
00:39:39,640 --> 00:39:42,520
Speaker 2: said back bank, black bank, small local for black people.

794
00:39:42,880 --> 00:39:44,760
Speaker 2: You need to be able to back what the institution

795
00:39:44,880 --> 00:39:48,000
Speaker 2: has directly reflective of your community, right right, so you

796
00:39:48,080 --> 00:39:49,840
Speaker 2: can back give you.

797
00:39:56,920 --> 00:39:59,279
Speaker 1: Just beyond politics though. This is like our Asian brothers

798
00:39:59,320 --> 00:39:59,680
Speaker 1: and sisters.

799
00:39:59,719 --> 00:40:01,759
Speaker 2: They let they vote less than anybody, yet they had

800
00:40:01,840 --> 00:40:04,040
Speaker 2: higher political influence than anybody in this room because they

801
00:40:04,080 --> 00:40:06,719
Speaker 2: put their money behind candidates and causes. So you look

802
00:40:07,160 --> 00:40:09,160
Speaker 2: like you got one United in Miami, you got Citizens

803
00:40:09,200 --> 00:40:10,279
Speaker 2: Trust in Atlanta, you got.

804
00:40:10,200 --> 00:40:13,200
Speaker 1: Industrial Bank up in DCA.

805
00:40:13,280 --> 00:40:16,480
Speaker 2: Banks Yeah, these are black banks, right, so you your

806
00:40:16,520 --> 00:40:18,239
Speaker 2: community to shift the money, not all of it.

807
00:40:18,520 --> 00:40:21,640
Speaker 1: Just take a couple of hundred dollars, a couple thousand dollars, put.

808
00:40:21,480 --> 00:40:24,640
Speaker 2: Into the bank, started savings, a credit line, and buy

809
00:40:24,760 --> 00:40:26,719
Speaker 2: some stock in that bank. So if you got a

810
00:40:26,760 --> 00:40:29,600
Speaker 2: couple of grand right now, last year was just put

811
00:40:29,680 --> 00:40:31,120
Speaker 2: some money in the bank. Because what I wanted us

812
00:40:31,120 --> 00:40:32,839
Speaker 2: to learn how to do was use our money.

813
00:40:33,080 --> 00:40:33,880
Speaker 1: So put some money in.

814
00:40:33,880 --> 00:40:36,520
Speaker 2: The bank, get a debit card, get a credit card,

815
00:40:36,680 --> 00:40:38,160
Speaker 2: learn how to build your credit and learn how to

816
00:40:38,200 --> 00:40:38,680
Speaker 2: save money.

817
00:40:38,920 --> 00:40:40,920
Speaker 1: Say one dollar every ten dollars you make, you make

818
00:40:40,920 --> 00:40:42,800
Speaker 1: a downhills save one hundred, right, you know how to

819
00:40:42,840 --> 00:40:43,000
Speaker 1: do that.

820
00:40:43,080 --> 00:40:46,560
Speaker 2: So Citizen Trust actually started another card to help people

821
00:40:46,640 --> 00:40:48,400
Speaker 2: with a smudge on their credit repair it all.

822
00:40:48,800 --> 00:40:50,800
Speaker 1: So bank black bank, small bank locals.

823
00:40:50,840 --> 00:40:52,879
Speaker 2: So even if you black bank, no black banks, get

824
00:40:52,960 --> 00:40:55,120
Speaker 2: the community to go to one bank, one small bank.

825
00:40:55,280 --> 00:40:56,920
Speaker 2: He said, we're going the only bank with you, but

826
00:40:57,000 --> 00:40:58,960
Speaker 2: we're gonna bank with you at lower costs, at lower

827
00:40:59,000 --> 00:41:01,960
Speaker 2: atmp shit like. So the reason you do that first

828
00:41:02,680 --> 00:41:04,759
Speaker 2: absolutely can if you go as a groove, if you

829
00:41:04,840 --> 00:41:08,920
Speaker 2: got something gonna laugh, y'all the door. So you do that,

830
00:41:09,640 --> 00:41:12,840
Speaker 2: that happens you get a little stronger individually individually. You

831
00:41:12,920 --> 00:41:14,600
Speaker 2: gotta get strong first. If I don't get my feat

832
00:41:14,600 --> 00:41:16,360
Speaker 2: ass in the jail, I can't jump right on the

833
00:41:16,400 --> 00:41:19,000
Speaker 2: stage and inspire nobody else. So get yourself in shape

834
00:41:19,040 --> 00:41:22,120
Speaker 2: individually with your money. Then you get the community around it.

835
00:41:22,160 --> 00:41:24,040
Speaker 2: So whether it's a black make or small bank, y'all

836
00:41:24,040 --> 00:41:26,880
Speaker 2: all banked with. You do that banking there, then you

837
00:41:27,080 --> 00:41:30,880
Speaker 2: start to challenge for small business loans directly. For so

838
00:41:31,040 --> 00:41:32,759
Speaker 2: this little store could be a coffee shop. It could

839
00:41:32,760 --> 00:41:34,400
Speaker 2: be this store, could be something else. Why do we

840
00:41:34,480 --> 00:41:35,560
Speaker 2: have to always go to Starbucks?

841
00:41:35,600 --> 00:41:35,920
Speaker 1: Something else?

842
00:41:36,080 --> 00:41:38,600
Speaker 2: You don't have to if you get the law. And

843
00:41:38,680 --> 00:41:40,480
Speaker 2: if you're in church, tell your church. We want to

844
00:41:40,520 --> 00:41:43,600
Speaker 2: see two business plans come about. Congregation and we're not

845
00:41:43,680 --> 00:41:44,480
Speaker 2: tithing for this year.

846
00:41:44,719 --> 00:41:46,960
Speaker 1: But how do we make black banks pop? I'm going

847
00:41:47,040 --> 00:41:50,799
Speaker 1: to tell you els and the need to move money to.

848
00:41:50,920 --> 00:41:53,840
Speaker 2: Black banks in the immediate Simpsons Trust has a ninety

849
00:41:53,960 --> 00:41:55,760
Speaker 2: five year great record.

850
00:41:56,760 --> 00:41:59,200
Speaker 1: This killer Mike and Norriy need to shoot videos and

851
00:41:59,280 --> 00:42:01,440
Speaker 1: citizens Trust we need to wrap put it in our wraps.

852
00:42:01,719 --> 00:42:03,920
Speaker 1: You know what I'm saying. I used to say.

853
00:42:04,680 --> 00:42:06,760
Speaker 2: Now I got a million that ship the citizens Trust.

854
00:42:10,360 --> 00:42:12,320
Speaker 2: There's a one United in the Miami. There's a citizens

855
00:42:12,320 --> 00:42:17,280
Speaker 2: Trust bank. I v D They they they they're banking

856
00:42:17,360 --> 00:42:22,160
Speaker 2: with your industrial mechanics and farmers or small and local.

857
00:42:22,280 --> 00:42:24,880
Speaker 2: Even if you can't go black, if you go small,

858
00:42:25,000 --> 00:42:27,080
Speaker 2: go local, get with one of the smaller banks. L

859
00:42:27,680 --> 00:42:30,239
Speaker 2: Ellanine also do our county with a small bank. They

860
00:42:30,320 --> 00:42:32,680
Speaker 2: wave our fees. We don't get the same fees other people.

861
00:42:32,840 --> 00:42:35,640
Speaker 2: But it's because our county firm takes all their business there.

862
00:42:36,480 --> 00:42:39,480
Speaker 2: So you know, I'm just simply saying, you know, hip

863
00:42:39,480 --> 00:42:41,719
Speaker 2: hop can do anything we want to do if we

864
00:42:41,880 --> 00:42:45,480
Speaker 2: focus on us. If if we say, I like Da Vinci,

865
00:42:45,600 --> 00:42:47,840
Speaker 2: I like Louis, I like all this ship, but you

866
00:42:47,840 --> 00:42:50,160
Speaker 2: got so many pursons. But I miss the days of

867
00:42:50,320 --> 00:42:54,359
Speaker 2: Maurice Malone, Cark and I Boo. You know, I'm just saying,

868
00:42:54,400 --> 00:42:56,360
Speaker 2: get a holding up the block who printing T shirts.

869
00:42:56,360 --> 00:43:00,400
Speaker 2: Give them a shot. Yeah, because we're gonna high. You know,

870
00:43:00,480 --> 00:43:02,960
Speaker 2: you're gonna hire people that you're not afraid of.

871
00:43:03,080 --> 00:43:04,440
Speaker 1: You know what I mean. Willie Esco is like a

872
00:43:04,520 --> 00:43:09,000
Speaker 1: home hip hop actually invest in politics.

873
00:43:09,040 --> 00:43:12,439
Speaker 3: And what I mean by yes, yes, I feel like yes,

874
00:43:12,600 --> 00:43:16,719
Speaker 3: I feel like killing Mike should be no, no fucking know,

875
00:43:19,960 --> 00:43:22,040
Speaker 3: I feel like killing Mike should.

876
00:43:21,760 --> 00:43:26,000
Speaker 1: Be mayor of Atlanta. Exactly how many guys the governor

877
00:43:26,200 --> 00:43:26,840
Speaker 1: of Atlanta?

878
00:43:28,160 --> 00:43:32,319
Speaker 2: Tip would make such a great no me down Tip

879
00:43:32,400 --> 00:43:35,120
Speaker 2: on the show jumping into the politics.

880
00:43:35,280 --> 00:43:38,000
Speaker 1: But this is that he becomes mayor?

881
00:43:38,040 --> 00:43:38,200
Speaker 8: Though?

882
00:43:38,320 --> 00:43:39,960
Speaker 1: Is what is the day that I moved to Atlanta?

883
00:43:40,520 --> 00:43:41,280
Speaker 4: A real estate.

884
00:43:44,440 --> 00:43:49,600
Speaker 3: Was like we hit me out, LP right, how much

885
00:43:49,640 --> 00:43:53,839
Speaker 3: can we complain if we're in a position like it's

886
00:43:53,920 --> 00:43:55,960
Speaker 3: like it's like it's like it's like it's like it's

887
00:43:56,000 --> 00:43:57,359
Speaker 3: like you're watching a porno flip.

888
00:43:57,480 --> 00:43:57,560
Speaker 1: Right.

889
00:43:59,520 --> 00:44:01,919
Speaker 3: If you watch your pone on flick, you just gotta

890
00:44:01,960 --> 00:44:04,719
Speaker 3: watch it because you're watching no take. But if you're

891
00:44:04,760 --> 00:44:07,440
Speaker 3: watching a porn on flick happened, and you're like, he's

892
00:44:07,480 --> 00:44:09,600
Speaker 3: not doing it right, I could do it better. You

893
00:44:09,680 --> 00:44:10,600
Speaker 3: can actually jump in.

894
00:44:11,200 --> 00:44:17,000
Speaker 1: That's real ship. Let me let me say, actually actually

895
00:44:17,080 --> 00:44:23,239
Speaker 1: jump in. We're not to me. I got it, I

896
00:44:23,320 --> 00:44:25,640
Speaker 1: got it, jump in, and then the day.

897
00:44:25,560 --> 00:44:26,160
Speaker 2: About it is.

898
00:44:27,960 --> 00:44:30,200
Speaker 1: That's how hip hop is. Right now, we're watching a

899
00:44:30,280 --> 00:44:32,840
Speaker 1: porn on flick and we can actually say last we

900
00:44:32,960 --> 00:44:33,759
Speaker 1: got turn.

901
00:44:34,680 --> 00:44:36,440
Speaker 2: We're gonna throw some hot sauce in the joint. I

902
00:44:36,520 --> 00:44:38,600
Speaker 2: think we got hip hop in politics. I think we

903
00:44:38,680 --> 00:44:41,320
Speaker 2: need to put some hip hop money behind it, like

904
00:44:42,600 --> 00:44:43,799
Speaker 2: direct hip hop.

905
00:44:43,920 --> 00:44:44,239
Speaker 8: Let's not.

906
00:44:46,040 --> 00:44:49,120
Speaker 1: President Obama yet. I want to say not yet. I

907
00:44:49,239 --> 00:44:49,719
Speaker 1: want to say.

908
00:44:50,280 --> 00:44:54,000
Speaker 2: You have people like Senator Nina Turner, who was who's

909
00:44:54,000 --> 00:44:56,160
Speaker 2: a represented she was out of Ohio. I don't think

910
00:44:56,200 --> 00:44:57,880
Speaker 2: actually I don't think she holds office anymore, but she

911
00:44:58,280 --> 00:45:00,480
Speaker 2: was sergiy for Sanders. She he is one of the

912
00:45:00,520 --> 00:45:03,120
Speaker 2: more powerful women I've seen in politics. In Shirley Chisholm.

913
00:45:03,480 --> 00:45:05,879
Speaker 2: You know, I mean, she is absolutely powerful. She's young,

914
00:45:06,360 --> 00:45:09,560
Speaker 2: she gets it, she's young enough to understand, old enough

915
00:45:09,600 --> 00:45:11,839
Speaker 2: to really get it. We should be sending her money

916
00:45:11,880 --> 00:45:14,160
Speaker 2: for her next campaign already. You know, if you if

917
00:45:14,200 --> 00:45:16,640
Speaker 2: you are not happy with Corey Booker right now, you're

918
00:45:16,680 --> 00:45:19,560
Speaker 2: looking for a black Democrat to support, need attorneyship be

919
00:45:19,680 --> 00:45:22,640
Speaker 2: that person. So what hip hop should be doing is

920
00:45:22,719 --> 00:45:26,480
Speaker 2: like they did in the nineties, supporting politicians who support us.

921
00:45:26,719 --> 00:45:30,760
Speaker 2: Barbara Jordan, Maxine Waters. We should be supporting those politicians

922
00:45:30,800 --> 00:45:32,759
Speaker 2: because that is hip hop. If you look at Mayor

923
00:45:32,840 --> 00:45:35,600
Speaker 2: Bowser up in DC, black woman mayor of DC met

924
00:45:35,640 --> 00:45:38,000
Speaker 2: with me and LP last week just to talk for

925
00:45:38,120 --> 00:45:41,000
Speaker 2: an hour with LP and nine about how to attract

926
00:45:41,080 --> 00:45:42,759
Speaker 2: the music industry to d C.

927
00:45:43,200 --> 00:45:45,200
Speaker 1: They're not just money, the culture. She wants you to

928
00:45:45,239 --> 00:45:45,960
Speaker 1: open the studio.

929
00:45:46,600 --> 00:45:52,239
Speaker 5: Yeah, yeah, el, I mean, I mean it's weird, it's cool,

930
00:45:52,320 --> 00:45:57,319
Speaker 5: it's interesting, it's strengths, it's different. But asking to meet

931
00:45:57,400 --> 00:45:59,400
Speaker 5: with us and just to talk about the arts and

932
00:45:59,440 --> 00:46:01,520
Speaker 5: the talk about how to attract arts into the city

933
00:46:01,560 --> 00:46:02,720
Speaker 5: and to grow the economy.

934
00:46:03,320 --> 00:46:05,320
Speaker 2: We should be supporting her like hip hop should be

935
00:46:05,360 --> 00:46:07,840
Speaker 2: putting their money. Some of our bottle money should go

936
00:46:07,920 --> 00:46:10,160
Speaker 2: to local politics. Now I'm not saying send your money

937
00:46:10,400 --> 00:46:12,680
Speaker 2: to the big politics. But if your kid goes to

938
00:46:12,760 --> 00:46:15,359
Speaker 2: public school and you bought a bottle in the last year,

939
00:46:15,680 --> 00:46:18,120
Speaker 2: yet you not went to any PTA meeting or donator

940
00:46:18,200 --> 00:46:21,600
Speaker 2: or pick the candidate, you like you slipping because all

941
00:46:21,719 --> 00:46:22,560
Speaker 2: y'all slipping money.

942
00:46:28,400 --> 00:46:30,400
Speaker 1: Yeah, it's just like that. We sit over here sucking

943
00:46:30,520 --> 00:46:32,960
Speaker 1: up to as an alpha.

944
00:46:34,520 --> 00:46:37,239
Speaker 2: Come on, one of our kids teachers is going to

945
00:46:37,280 --> 00:46:41,439
Speaker 2: show him. Man, look at you dad, that's a beautiful thing. Yeah,

946
00:46:41,560 --> 00:46:47,280
Speaker 2: we're why we celebrate. We give all that just flowers.

947
00:46:48,560 --> 00:46:52,239
Speaker 1: My grandma said, give them a flowers. Give to the money.

948
00:46:52,400 --> 00:46:56,759
Speaker 1: Let me say all yeah, if you want to take

949
00:46:56,760 --> 00:47:07,040
Speaker 1: a ball, no, let's go. Yeah. Fake congratulations brother, Thank

950
00:47:07,120 --> 00:47:07,359
Speaker 1: you man.

951
00:47:07,400 --> 00:47:10,239
Speaker 2: I don't know what you congratulating because that man as

952
00:47:10,239 --> 00:47:12,880
Speaker 2: a component norri fan man, thank you man, like for

953
00:47:13,080 --> 00:47:17,120
Speaker 2: for for what? Absolutely you know what for us keeping

954
00:47:17,200 --> 00:47:19,279
Speaker 2: truth in hip hop, because I mean when we say

955
00:47:19,360 --> 00:47:21,239
Speaker 2: real hip hop, all we really say it is some

956
00:47:21,400 --> 00:47:24,000
Speaker 2: truth ship. I like the fantasy ship. That's cool and ship,

957
00:47:24,680 --> 00:47:27,480
Speaker 2: but man, it's something about get my business man and

958
00:47:28,280 --> 00:47:32,480
Speaker 2: I love. But before before you know, you rolling with something,

959
00:47:32,640 --> 00:47:35,280
Speaker 2: you know, rough and dusty, as long as she ain't musty.

960
00:47:35,360 --> 00:47:37,640
Speaker 1: You know you're trying to get some money man.

961
00:47:38,760 --> 00:47:39,080
Speaker 8: LP.

962
00:47:41,360 --> 00:47:50,200
Speaker 10: Yeah, look at you. You're just missing at a fraternity

963
00:47:50,280 --> 00:47:54,040
Speaker 10: down got a shoe level. I sorry about it, man,

964
00:47:54,040 --> 00:47:55,680
Speaker 10: it really tastes like a shoe though.

965
00:47:55,760 --> 00:48:04,040
Speaker 1: Norton. I love your man this nerding. I love how

966
00:48:04,200 --> 00:48:07,640
Speaker 1: everybody has a different description. I feel like I've been

967
00:48:10,040 --> 00:48:10,960
Speaker 1: like iron Are.

968
00:48:14,160 --> 00:48:14,560
Speaker 8: So now.

969
00:48:15,000 --> 00:48:17,560
Speaker 1: Ship is the fun up things. It gets worse as

970
00:48:17,640 --> 00:48:19,520
Speaker 1: it goes on after it's horrible.

971
00:48:19,960 --> 00:48:26,759
Speaker 3: Hit Bob right now, do you'all realize that y'all might

972
00:48:26,840 --> 00:48:28,200
Speaker 3: meet a new version of outcast?

973
00:48:29,400 --> 00:48:36,000
Speaker 1: That's a big I ain't taking my shirt off, no picture. Yeah,

974
00:48:36,040 --> 00:48:39,120
Speaker 1: we gotta we gotta do is a new version? Yeah,

975
00:48:39,200 --> 00:48:42,680
Speaker 1: that's amazing that this version has a belly. That's the

976
00:48:42,719 --> 00:48:44,120
Speaker 1: best compliment I've ever received.

977
00:48:44,560 --> 00:48:47,760
Speaker 3: I mean, real ship really shure we look up to this, listen,

978
00:48:48,320 --> 00:48:50,000
Speaker 3: let me let let it up, let me let me

979
00:48:50,040 --> 00:48:55,080
Speaker 3: give it to thank you. A lot of times when

980
00:48:55,640 --> 00:49:00,680
Speaker 3: something that's so great, we look at it and then

981
00:49:00,719 --> 00:49:03,160
Speaker 3: we say that shit is great. Let me say we

982
00:49:03,400 --> 00:49:05,880
Speaker 3: want the new version of it, but the new version

983
00:49:05,960 --> 00:49:06,160
Speaker 3: of it.

984
00:49:06,280 --> 00:49:07,440
Speaker 1: Be the total opposite of it.

985
00:49:08,200 --> 00:49:12,319
Speaker 3: We can never accept it, just like Designer just might

986
00:49:12,560 --> 00:49:17,040
Speaker 3: be that answer to the future, but we can't see

987
00:49:17,080 --> 00:49:17,399
Speaker 3: that now.

988
00:49:18,120 --> 00:49:19,880
Speaker 1: But what I'm trying to tell you is we've been

989
00:49:19,960 --> 00:49:22,200
Speaker 1: looking at searching for the new.

990
00:49:22,200 --> 00:49:28,040
Speaker 3: Outcasts, right because Outcasts setting such a stand and as

991
00:49:28,080 --> 00:49:31,920
Speaker 3: a void on the game. You being a direct Dungeon

992
00:49:32,080 --> 00:49:37,200
Speaker 3: family member, direct beef at all that, Oh yeah.

993
00:49:37,600 --> 00:49:39,640
Speaker 1: And then under saying that, but it.

994
00:49:39,680 --> 00:49:42,759
Speaker 3: Then turned around and I don't think that you realize

995
00:49:42,960 --> 00:49:48,120
Speaker 3: that you're of the twenty and seventeen version of Outcasts.

996
00:49:48,480 --> 00:49:51,160
Speaker 1: Man, that's that's such a humbly compliment. Thank you. Man.

997
00:49:51,440 --> 00:49:54,400
Speaker 5: If we could get there, if we could meet it

998
00:49:54,480 --> 00:49:56,960
Speaker 5: as much as they meant to us to somebody, then

999
00:49:57,040 --> 00:49:59,000
Speaker 5: that would be a navy do you know?

1000
00:49:59,160 --> 00:50:00,319
Speaker 1: That's the most amazing And.

1001
00:50:00,400 --> 00:50:03,160
Speaker 5: And you know, for us, it's basically like to me,

1002
00:50:03,440 --> 00:50:08,000
Speaker 5: Outcast is always going to be the only exactly what

1003
00:50:08,080 --> 00:50:11,160
Speaker 5: you're saying, I know what you're saying, And we tried

1004
00:50:11,239 --> 00:50:13,880
Speaker 5: for that, like we look at them like an example

1005
00:50:14,040 --> 00:50:15,560
Speaker 5: of something that you can do with a group.

1006
00:50:15,680 --> 00:50:17,800
Speaker 1: Absolutely, and that's that. I think that they hit the

1007
00:50:18,000 --> 00:50:20,320
Speaker 1: you know, the apex of music really, you know, And

1008
00:50:20,400 --> 00:50:23,440
Speaker 1: there John say when he was here, he said it

1009
00:50:23,520 --> 00:50:26,360
Speaker 1: was disruptive. Yeah, no, no, what's it?

1010
00:50:27,080 --> 00:50:27,839
Speaker 9: Well, that's what they use.

1011
00:50:27,880 --> 00:50:28,840
Speaker 1: It is technology.

1012
00:50:30,120 --> 00:50:31,919
Speaker 3: I said, what did you say? What did you feel

1013
00:50:32,000 --> 00:50:35,319
Speaker 3: about big Big? And he said big was so disruptive?

1014
00:50:35,600 --> 00:50:36,759
Speaker 1: He said, was that the word?

1015
00:50:36,920 --> 00:50:37,320
Speaker 3: I don't know.

1016
00:50:37,680 --> 00:50:40,320
Speaker 1: It's a word like that in technology. They use it

1017
00:50:40,360 --> 00:50:45,520
Speaker 1: a lot. When he looked at the picture, is disrupted

1018
00:50:47,000 --> 00:50:52,720
Speaker 1: industry think about it? Dress funny? Yeah? Absolutely, you guys

1019
00:50:53,400 --> 00:51:00,200
Speaker 1: look funny as a compliment in the most compliments. Man,

1020
00:51:00,680 --> 00:51:03,200
Speaker 1: It's like, when I look at you guys, it's no

1021
00:51:03,320 --> 00:51:05,839
Speaker 1: way I could say. You guys are rack like right,

1022
00:51:06,760 --> 00:51:11,640
Speaker 1: like how literally the biggest security you look and Rob

1023
00:51:13,080 --> 00:51:15,800
Speaker 1: we got the memes that go around. People do that

1024
00:51:15,920 --> 00:51:18,960
Speaker 1: and people relax.

1025
00:51:19,920 --> 00:51:22,840
Speaker 3: But what I'm trying to tell you is that's what

1026
00:51:23,040 --> 00:51:28,279
Speaker 3: Outcast was. Outcast was the most disruptive thing. Like when

1027
00:51:28,320 --> 00:51:31,000
Speaker 3: I found out that Pop Daddy directed their VERSU.

1028
00:51:31,400 --> 00:51:34,200
Speaker 1: Yeah say that, we didn't know that. I would say,

1029
00:51:34,440 --> 00:51:39,759
Speaker 1: what the it? Don't it don't work? But yet still

1030
00:51:39,800 --> 00:51:46,440
Speaker 1: which one work? The first video you ever seen outcast,

1031
00:51:47,120 --> 00:51:55,800
Speaker 1: like that video Puff called run the Jewels? What explain

1032
00:51:55,920 --> 00:51:56,360
Speaker 1: this please?

1033
00:51:57,320 --> 00:51:59,920
Speaker 2: Some people who follow Killer Mike may remember me run

1034
00:52:00,160 --> 00:52:02,799
Speaker 2: around with Puff for like a year he and Big

1035
00:52:02,840 --> 00:52:05,040
Speaker 2: Boy were trying to broke her a deal where essentially

1036
00:52:05,080 --> 00:52:07,800
Speaker 2: Purple Ribbon would have gave me to bad Boy, and

1037
00:52:07,920 --> 00:52:10,279
Speaker 2: I would have been a bad Boy artist. When I

1038
00:52:10,360 --> 00:52:15,120
Speaker 2: went in, Puff played, Yeah, Puff played like eight records.

1039
00:52:18,160 --> 00:52:20,880
Speaker 2: He half the records were the aspirational records where I

1040
00:52:20,920 --> 00:52:24,359
Speaker 2: can rap, I can rap like pretty much anything that's out,

1041
00:52:24,480 --> 00:52:26,840
Speaker 2: like I wrapped rap, I got a few different styles.

1042
00:52:27,000 --> 00:52:28,960
Speaker 1: You half of it was, but.

1043
00:52:31,560 --> 00:52:34,360
Speaker 2: Half of it is whatever was going on and wrapped

1044
00:52:34,440 --> 00:52:36,560
Speaker 2: great records or whatever was going on in good records,

1045
00:52:36,840 --> 00:52:40,480
Speaker 2: And the other half were records that from an aspirational standpoint,

1046
00:52:40,719 --> 00:52:43,880
Speaker 2: sounded like what me and L ended up point it

1047
00:52:44,040 --> 00:52:46,680
Speaker 2: not not the perfect version, not the right version, but

1048
00:52:47,120 --> 00:52:49,600
Speaker 2: they were already in the ballpark of what company Flow

1049
00:52:49,719 --> 00:52:52,200
Speaker 2: was doing or what a early Wou Tang sounded like

1050
00:52:52,560 --> 00:52:55,400
Speaker 2: that kind of that that bomb squadish type ship. It

1051
00:52:55,520 --> 00:52:59,440
Speaker 2: was that, and Puff said, yo, he said, it's two

1052
00:52:59,560 --> 00:53:01,319
Speaker 2: different you man, both of them.

1053
00:53:01,600 --> 00:53:04,440
Speaker 1: Do I mean I could do something with both?

1054
00:53:05,320 --> 00:53:07,839
Speaker 2: And he heard this record it was either a bad day,

1055
00:53:07,920 --> 00:53:11,240
Speaker 2: worst day, or like it was one of the records

1056
00:53:11,239 --> 00:53:12,759
Speaker 2: I released on the play a series where it was

1057
00:53:12,800 --> 00:53:13,600
Speaker 2: like burn or something.

1058
00:53:13,680 --> 00:53:16,719
Speaker 1: He said, but this record. He said, you give me this.

1059
00:53:17,960 --> 00:53:20,200
Speaker 1: He said, man, I make.

1060
00:53:20,160 --> 00:53:23,760
Speaker 2: You motherfucking and he just started naming these revolutionary type

1061
00:53:24,239 --> 00:53:28,080
Speaker 2: RAPTIONI And when I finally got in the room and

1062
00:53:28,400 --> 00:53:31,520
Speaker 2: heard L's Beast, it hit me when I was supposed

1063
00:53:31,560 --> 00:53:34,600
Speaker 2: to be you know, it's a lot of different Noriega's

1064
00:53:34,680 --> 00:53:41,440
Speaker 2: You're not the same person the husband last puff called it.

1065
00:53:41,560 --> 00:53:43,520
Speaker 2: He was like, this is this is what you should

1066
00:53:43,520 --> 00:53:45,320
Speaker 2: be doing. And it just took me that long to

1067
00:53:45,480 --> 00:53:47,880
Speaker 2: find the perfect producer and partner to.

1068
00:53:47,960 --> 00:53:50,640
Speaker 1: Be doing it with. But that's why I've never doubted

1069
00:53:50,719 --> 00:53:51,280
Speaker 1: his genius.

1070
00:53:51,600 --> 00:53:53,120
Speaker 2: And he shitted on me the next few years, not

1071
00:53:53,120 --> 00:53:54,600
Speaker 2: in a bad way, just like every time, like yo,

1072
00:53:54,640 --> 00:53:57,640
Speaker 2: you're supposed to fund. Finally, I just at lennox'spast, like

1073
00:53:57,680 --> 00:53:59,440
Speaker 2: what the fuck? Man, I couldn't make me sign a

1074
00:53:59,520 --> 00:53:59,920
Speaker 2: nigga bit?

1075
00:54:00,040 --> 00:54:01,160
Speaker 1: What with signed the papers? Man?

1076
00:54:02,000 --> 00:54:06,399
Speaker 2: He was like a baby, It's all good. I see,

1077
00:54:06,560 --> 00:54:09,320
Speaker 2: I see why he hears him though he really knows it.

1078
00:54:09,360 --> 00:54:11,000
Speaker 2: And that nigga gave me one of the most crazy

1079
00:54:11,080 --> 00:54:12,600
Speaker 2: ass speeches that scared me.

1080
00:54:12,640 --> 00:54:14,320
Speaker 1: I thought he was a devil for like five minutes.

1081
00:54:14,360 --> 00:54:18,719
Speaker 2: But man, this nigga, right, this nigga said this nigga said, Yo, man,

1082
00:54:18,760 --> 00:54:20,480
Speaker 2: you gotta get your boy big he's walk.

1083
00:54:20,560 --> 00:54:22,600
Speaker 1: He said, you gotta get this nigga signed the contract.

1084
00:54:22,680 --> 00:54:24,880
Speaker 1: Mane I said this nigga doing me. Say, man, this

1085
00:54:24,960 --> 00:54:27,359
Speaker 1: snigga walk a couple hundred thousand, said we gonna make

1086
00:54:27,400 --> 00:54:30,440
Speaker 1: that bad baby he said. He said, I can see that.

1087
00:54:30,480 --> 00:54:33,040
Speaker 1: He said, Look, we get the little jackets, we get

1088
00:54:33,120 --> 00:54:35,319
Speaker 1: the lettle jacket. We started, we started vibing. He said,

1089
00:54:35,480 --> 00:54:36,359
Speaker 1: I see this sh he said.

1090
00:54:36,360 --> 00:54:38,320
Speaker 2: Now we said, he said, were jumping out of cars,

1091
00:54:38,520 --> 00:54:40,200
Speaker 2: we chopping out the trucks, jumping off planes.

1092
00:54:40,239 --> 00:54:41,919
Speaker 1: He said. He said, I ain't never did this ship,

1093
00:54:41,960 --> 00:54:43,960
Speaker 1: but I know y'all South niggas. We go get the

1094
00:54:44,000 --> 00:54:47,759
Speaker 1: bad boy chains, saying that I got the froze face

1095
00:54:47,800 --> 00:54:50,160
Speaker 1: and the nigga looked me dead in mindset. Yeah you

1096
00:54:50,360 --> 00:54:50,879
Speaker 1: like that, dug.

1097
00:54:57,520 --> 00:55:05,359
Speaker 2: I'm like, yeah, if you signed with you get mad later.

1098
00:55:05,480 --> 00:55:07,440
Speaker 2: You can't say it one but it was my chorts,

1099
00:55:07,480 --> 00:55:09,880
Speaker 2: not for beer. He don't twist you all, man, but

1100
00:55:10,160 --> 00:55:13,040
Speaker 2: Ben could sell it. You'll wearing water to a way, Yes.

1101
00:55:14,480 --> 00:55:17,840
Speaker 3: About they said, if you work for puff and you

1102
00:55:18,000 --> 00:55:20,600
Speaker 3: survived to get a job anywhere.

1103
00:55:20,760 --> 00:55:23,040
Speaker 1: Yeah, he's amazing human being. I fuck with him like

1104
00:55:23,120 --> 00:55:26,040
Speaker 1: you've never met a more motivating I'm not gonna lie.

1105
00:55:26,080 --> 00:55:27,000
Speaker 1: I'm gonna be honest with you.

1106
00:55:28,000 --> 00:55:34,120
Speaker 3: The other day, it's real ship. We we dropped the

1107
00:55:34,160 --> 00:55:39,479
Speaker 3: episode with Park the episode and we charged in TV world.

1108
00:55:39,680 --> 00:55:44,080
Speaker 1: But that's cool. I wanted to charge where we charing

1109
00:55:44,160 --> 00:55:50,200
Speaker 1: at fuckcast podcast. I said that, nigga, submit, we ain't

1110
00:55:50,320 --> 00:55:54,840
Speaker 1: number one right now? He said the other episode was

1111
00:55:54,960 --> 00:55:59,920
Speaker 1: number one. It's a lax. I said, this is facts.

1112
00:56:01,320 --> 00:56:07,600
Speaker 1: You're supposed to be charging. You're nervous. Let's say you

1113
00:56:07,680 --> 00:56:14,200
Speaker 1: forgot what he feels like. Maybe I didn't say that. God,

1114
00:56:14,360 --> 00:56:19,560
Speaker 1: this is fantasy facts like that, But that's how I

1115
00:56:19,760 --> 00:56:24,640
Speaker 1: wasn't strong. Look, I'm so competitive that that's how. That's what.

1116
00:56:24,800 --> 00:56:26,839
Speaker 2: That's what New York Man. That's why y'all so good

1117
00:56:26,880 --> 00:56:29,879
Speaker 2: for the game. That's why, like I have become such

1118
00:56:29,920 --> 00:56:32,640
Speaker 2: a better rapper. Well, like I always been the top

1119
00:56:32,719 --> 00:56:33,239
Speaker 2: bass rapper.

1120
00:56:33,280 --> 00:56:33,560
Speaker 1: That ain't.

1121
00:56:33,960 --> 00:56:39,680
Speaker 2: But the discipline ain't shamed. I mean, don't be shamed.

1122
00:56:40,000 --> 00:56:42,400
Speaker 2: Let'm telling you, man, for real, I ain't never mean

1123
00:56:42,440 --> 00:56:44,800
Speaker 2: no bitch. I dated said. I disappointed him, So have

1124
00:56:44,960 --> 00:56:47,680
Speaker 2: some nus about your ship, you know what I mean?

1125
00:56:48,000 --> 00:56:50,800
Speaker 2: But I love it man because his his want to

1126
00:56:52,120 --> 00:56:56,319
Speaker 2: ship on. Show him I got the discipline what it takes.

1127
00:56:56,400 --> 00:56:58,920
Speaker 1: Y'all. Y'all are special to wake up in the morning

1128
00:56:59,280 --> 00:57:01,799
Speaker 1: just to beat my son to the bathroom. But now

1129
00:57:01,840 --> 00:57:02,920
Speaker 1: I just bought a dog.

1130
00:57:04,920 --> 00:57:08,719
Speaker 2: His mic at wh What's the kind of dog I got?

1131
00:57:09,680 --> 00:57:14,200
Speaker 2: I got a York kid, you got the drug deal?

1132
00:57:14,239 --> 00:57:17,320
Speaker 2: A Spanish dog that's gives.

1133
00:57:17,160 --> 00:57:20,480
Speaker 1: Up at five thirty in the morning. I'm so competitive

1134
00:57:20,840 --> 00:57:22,400
Speaker 1: that I want to wake up before.

1135
00:57:24,120 --> 00:57:24,560
Speaker 4: The dog.

1136
00:57:24,960 --> 00:57:28,160
Speaker 1: I'm disrespectful. You can't break up before me and listen,

1137
00:57:28,280 --> 00:57:31,440
Speaker 1: I always woke up for my whole household, not a

1138
00:57:31,560 --> 00:57:33,440
Speaker 1: dog trying to wake up at five.

1139
00:57:36,480 --> 00:57:36,600
Speaker 8: Yo.

1140
00:57:36,680 --> 00:57:38,600
Speaker 4: You get waking up like you.

1141
00:57:38,760 --> 00:57:42,480
Speaker 1: Up, get up today.

1142
00:57:43,440 --> 00:57:47,240
Speaker 2: You're jealous of the dog. No, it's three days jealous

1143
00:57:47,960 --> 00:57:49,240
Speaker 2: because he worked up before me.

1144
00:57:49,600 --> 00:57:50,120
Speaker 1: And I don't like.

1145
00:57:50,280 --> 00:57:53,280
Speaker 3: That's how competitive I am. It's like me when I

1146
00:57:53,360 --> 00:57:55,480
Speaker 3: get something, I just want to keep working at it.

1147
00:57:56,200 --> 00:57:59,040
Speaker 3: I want to I want to drill it. I don't

1148
00:57:59,120 --> 00:58:02,640
Speaker 3: ever I don't have a don't ever want to celebrate it,

1149
00:58:04,000 --> 00:58:05,880
Speaker 3: celebrate my success.

1150
00:58:06,240 --> 00:58:07,760
Speaker 1: I want to live my success.

1151
00:58:08,000 --> 00:58:12,520
Speaker 3: Does that make because I have success seventeen times, so

1152
00:58:12,600 --> 00:58:15,040
Speaker 3: it's not that. But the thing is I understand that

1153
00:58:15,200 --> 00:58:18,560
Speaker 3: things go away like drink chances part head all my friends,

1154
00:58:18,880 --> 00:58:22,200
Speaker 3: all my friends, who is my real friends?

1155
00:58:22,280 --> 00:58:24,360
Speaker 1: In hip hop? I tell them hurry up to a

1156
00:58:24,400 --> 00:58:25,360
Speaker 1: come blue drink Changs.

1157
00:58:25,400 --> 00:58:27,760
Speaker 3: The reason why I tell them Harry drink Blue drink

1158
00:58:27,840 --> 00:58:30,240
Speaker 3: change not because I don't think we're going to be

1159
00:58:30,600 --> 00:58:36,480
Speaker 3: as talented. We'll be as talented because we're unscripted. We'll

1160
00:58:36,520 --> 00:58:39,120
Speaker 3: be as talented for the rest of our life. But

1161
00:58:39,400 --> 00:58:43,760
Speaker 3: at some point somebody gonna say fuck it. Yeah, fuck

1162
00:58:43,840 --> 00:58:46,640
Speaker 3: these names. That's what the New York can understand. Oh man,

1163
00:58:47,440 --> 00:58:51,280
Speaker 3: y'all get it. Until then, I want all my friends.

1164
00:58:51,360 --> 00:58:53,160
Speaker 3: I want to embrace all my friends. I want to

1165
00:58:53,200 --> 00:58:56,400
Speaker 3: embrace real hip hops. I want to embrace people and say,

1166
00:58:56,480 --> 00:58:58,960
Speaker 3: you know what, give your flowers, even though I'm not

1167
00:58:59,000 --> 00:58:59,960
Speaker 3: giving you real flowers.

1168
00:59:00,000 --> 00:59:04,080
Speaker 1: I'm gonna be a shot. And I want to.

1169
00:59:04,120 --> 00:59:08,920
Speaker 3: Continue to salute our people, because why don't we salute

1170
00:59:09,000 --> 00:59:09,480
Speaker 3: our people?

1171
00:59:09,600 --> 00:59:10,720
Speaker 1: We are the only culture.

1172
00:59:10,920 --> 00:59:14,360
Speaker 3: And I'm not saying race coach, I'm saying I'm saying

1173
00:59:14,880 --> 00:59:19,600
Speaker 3: I even see Frankie Verly amazing, all these people they.

1174
00:59:19,600 --> 00:59:22,600
Speaker 1: Tore in and all this crazy shit. Why don't we

1175
00:59:23,760 --> 00:59:27,400
Speaker 1: stick together? The older we get like everybody wanted jay

1176
00:59:27,560 --> 00:59:28,680
Speaker 1: Z to be out of here.

1177
00:59:28,960 --> 00:59:31,240
Speaker 3: Every time jay Z do a new deal, I text

1178
00:59:31,280 --> 00:59:35,640
Speaker 3: this nigga and'll be like, congratulate, thank you for continue

1179
00:59:35,720 --> 00:59:38,200
Speaker 3: to doing what you do. And he's forty seven or

1180
00:59:38,240 --> 00:59:41,880
Speaker 3: whatever age he is. I'm thirty nine. Mean weech forty yet.

1181
00:59:42,280 --> 00:59:45,720
Speaker 3: But they told me I was old five years ago.

1182
00:59:48,240 --> 00:59:49,760
Speaker 3: Five years ago they said it was.

1183
00:59:49,760 --> 00:59:53,600
Speaker 1: Over for me. But the only coach, you know, it wasn't.

1184
00:59:54,080 --> 00:59:54,280
Speaker 6: I know.

1185
00:59:54,440 --> 00:59:54,600
Speaker 1: I know.

1186
00:59:55,520 --> 00:59:58,439
Speaker 3: I love my haters. It's a difference a lot of people.

1187
00:59:59,320 --> 01:00:05,080
Speaker 3: I love my I invite my haters to coffee, the coffee.

1188
01:00:08,480 --> 01:00:10,920
Speaker 1: To cross. But one day.

1189
01:00:16,600 --> 01:00:21,880
Speaker 7: He has got my phone work out together can be still.

1190
01:00:21,960 --> 01:00:28,000
Speaker 1: Every man's funny way to be. But what it's all

1191
01:00:28,120 --> 01:00:32,560
Speaker 1: culture the first people to kick our people out. And

1192
01:00:32,680 --> 01:00:35,360
Speaker 1: I'm not saying race. This got nothing to do with race.

1193
01:00:35,480 --> 01:00:39,600
Speaker 1: This got something that's changing man, Definitely, I believe. I

1194
01:00:39,720 --> 01:00:42,080
Speaker 1: believe me and my partner with the type of running

1195
01:00:42,120 --> 01:00:42,720
Speaker 1: your shirt on.

1196
01:00:45,640 --> 01:00:45,920
Speaker 8: You got.

1197
01:00:47,960 --> 01:00:49,800
Speaker 1: Do you know he had to grieve different when he

1198
01:00:49,840 --> 01:00:54,960
Speaker 1: walked there, he was like, like you usually got better.

1199
01:00:56,760 --> 01:00:57,440
Speaker 7: We can't do that.

1200
01:00:57,960 --> 01:01:02,520
Speaker 1: It was great, thank you. It is a grief difference.

1201
01:01:03,280 --> 01:01:04,400
Speaker 1: Tighty Man's Ball feel good.

1202
01:01:04,440 --> 01:01:09,440
Speaker 3: You know, it's very tough, But why in our society

1203
01:01:09,600 --> 01:01:12,320
Speaker 3: all coach and I mean even in the hood, that's

1204
01:01:12,400 --> 01:01:14,400
Speaker 3: changing if you think about it. If you think about it,

1205
01:01:14,480 --> 01:01:18,120
Speaker 3: even in the hood, the old geez still got smacking

1206
01:01:18,160 --> 01:01:18,680
Speaker 3: nigga to be.

1207
01:01:18,640 --> 01:01:19,160
Speaker 8: A old.

1208
01:01:22,120 --> 01:01:26,760
Speaker 1: I was watching Carlios Way thinking about that. The nigga

1209
01:01:26,800 --> 01:01:30,720
Speaker 1: got shot was keeping it up. He didn't do the thing. Shouldn't.

1210
01:01:31,000 --> 01:01:31,600
Speaker 1: Like goddamn.

1211
01:01:32,520 --> 01:01:34,479
Speaker 2: I think hip hop, though, just got to the point

1212
01:01:34,520 --> 01:01:37,400
Speaker 2: where we get legacies. We get it, you know, we

1213
01:01:37,480 --> 01:01:40,440
Speaker 2: didn't get it because it's you know, like boxing man,

1214
01:01:40,480 --> 01:01:42,720
Speaker 2: you're just trying to make it out of somewhere.

1215
01:01:42,440 --> 01:01:46,400
Speaker 1: You know, categorized like real hip hop.

1216
01:01:46,880 --> 01:01:49,080
Speaker 2: Nah, it's hip hop. It's all hip hop. It's all

1217
01:01:49,160 --> 01:01:52,040
Speaker 2: hip it's all it's style. Like like if you don't

1218
01:01:52,040 --> 01:01:54,960
Speaker 2: get martial arts, you can practice jiu jitsu. You can

1219
01:01:55,000 --> 01:01:58,200
Speaker 2: practice the jujitsu, you can practice taketo, you could could

1220
01:01:58,240 --> 01:02:00,480
Speaker 2: you could practice I mean, you could practice all these things.

1221
01:02:00,520 --> 01:02:02,920
Speaker 2: But it's all from the same place of wanting to

1222
01:02:03,000 --> 01:02:03,760
Speaker 2: improve yourself.

1223
01:02:04,040 --> 01:02:04,800
Speaker 1: Like this is little.

1224
01:02:05,080 --> 01:02:08,360
Speaker 2: So now I train on right my transaction and teachasons.

1225
01:02:08,560 --> 01:02:11,960
Speaker 2: He's like an instruction. So it's it's like our styles

1226
01:02:11,960 --> 01:02:13,640
Speaker 2: are different, but it's a year.

1227
01:02:13,520 --> 01:02:15,360
Speaker 1: And then yain't they balance each other for a while?

1228
01:02:15,600 --> 01:02:17,280
Speaker 1: I feel they made the perfect rap roop.

1229
01:02:17,640 --> 01:02:19,800
Speaker 2: I think that on some on some on some hip

1230
01:02:19,800 --> 01:02:22,520
Speaker 2: hop shit, we just got to the point where we

1231
01:02:22,760 --> 01:02:27,920
Speaker 2: accept styles. So Kendrick Lamar's first record to me stylistically

1232
01:02:28,160 --> 01:02:31,720
Speaker 2: embodied outcasts of Queminie. You you saw the heavy fluence.

1233
01:02:31,960 --> 01:02:34,360
Speaker 2: Big Boy does not get his credit. But let me

1234
01:02:34,520 --> 01:02:37,919
Speaker 2: say to that, if you love Lil Wayne and Kendrick Lamar,

1235
01:02:38,160 --> 01:02:40,040
Speaker 2: you love Big Boy Ryan patterns.

1236
01:02:40,600 --> 01:02:42,920
Speaker 1: I don't give a food li she say.

1237
01:02:44,000 --> 01:02:47,040
Speaker 2: If you love Kendrick Lamar and Little Wayne's Ryan patterns

1238
01:02:47,080 --> 01:02:49,440
Speaker 2: when they go into this weird, freaky double time that

1239
01:02:49,640 --> 01:02:52,400
Speaker 2: is directly out of the first two outcasts, and.

1240
01:02:52,640 --> 01:02:54,040
Speaker 1: It's such a beautiful influence.

1241
01:02:54,040 --> 01:02:56,800
Speaker 2: If you're listening to Killer Mic stylistically, you're listening to

1242
01:02:56,920 --> 01:03:00,960
Speaker 2: influences of Ice Cube, scar Face. You know what I'm saying, storytelling, ability,

1243
01:03:01,040 --> 01:03:03,760
Speaker 2: slick rick nas and I think that we've just gotten

1244
01:03:03,800 --> 01:03:05,560
Speaker 2: to the point where my son is twenty two.

1245
01:03:05,920 --> 01:03:06,840
Speaker 1: I used to because I had.

1246
01:03:06,680 --> 01:03:08,080
Speaker 2: A child when I was a child, but I used

1247
01:03:08,080 --> 01:03:10,240
Speaker 2: to ride around him in a ninety five and polo

1248
01:03:11,000 --> 01:03:15,160
Speaker 2: beating Capon and Norieka beating a Z singing that verse,

1249
01:03:15,920 --> 01:03:17,840
Speaker 2: beating this ship too. I said, what you want to

1250
01:03:17,840 --> 01:03:20,040
Speaker 2: be twenty second birthday? I just want the AZ door

1251
01:03:20,160 --> 01:03:23,960
Speaker 2: die out. Yeah, because it's just a style of him.

1252
01:03:24,160 --> 01:03:27,720
Speaker 2: He doesn't see the East versus South. He doesn't see

1253
01:03:27,800 --> 01:03:30,080
Speaker 2: that a Z had to be contrasted against themself a

1254
01:03:30,160 --> 01:03:33,680
Speaker 2: Southern group. So he likes all that shit as he

1255
01:03:33,800 --> 01:03:37,920
Speaker 2: starts to fucking rap and produce. All influences him. So

1256
01:03:38,080 --> 01:03:40,480
Speaker 2: for me, I'm happy that we're in the age now

1257
01:03:40,840 --> 01:03:43,520
Speaker 2: where style because now what I hope to see in

1258
01:03:43,640 --> 01:03:48,080
Speaker 2: my lifetime is a young act doing a huge stadium

1259
01:03:48,160 --> 01:03:50,680
Speaker 2: world tour and the act that they look up to

1260
01:03:50,800 --> 01:03:53,520
Speaker 2: opening for them, much like the Rolling Stones did Muddy Waters.

1261
01:03:53,920 --> 01:03:56,120
Speaker 1: He introduced Muddy Waters to the world. Yep, thank you.

1262
01:03:56,200 --> 01:04:02,480
Speaker 1: So let's make this is what I'm saying.

1263
01:04:02,520 --> 01:04:05,640
Speaker 3: With hip hop, that's the thing is and hip hop

1264
01:04:06,120 --> 01:04:09,640
Speaker 3: like when you forty them thirty nine years old. Right,

1265
01:04:11,080 --> 01:04:12,080
Speaker 3: I'll be forty this year.

1266
01:04:12,280 --> 01:04:15,200
Speaker 1: You see a lot of your handsome basketball, Thanks so much.

1267
01:04:15,360 --> 01:04:19,439
Speaker 1: I'm gonna be forty this year. But and hip hop,

1268
01:04:19,840 --> 01:04:22,160
Speaker 1: when you get to a certain age, they want to

1269
01:04:22,240 --> 01:04:24,800
Speaker 1: kick you out. They want to say, but why in

1270
01:04:24,960 --> 01:04:26,800
Speaker 1: rock and roll, these guys.

1271
01:04:28,040 --> 01:04:30,320
Speaker 2: That's what they supposed to want to do. But even

1272
01:04:30,400 --> 01:04:32,400
Speaker 2: in the hood, it's like, but that's what they supposed

1273
01:04:32,400 --> 01:04:34,080
Speaker 2: to want to do. You gotta blame the old niggas,

1274
01:04:34,120 --> 01:04:35,560
Speaker 2: but not doing hip hop no more.

1275
01:04:35,480 --> 01:04:39,640
Speaker 1: Than the old niggas getting old and I still buy music.

1276
01:04:39,920 --> 01:04:43,600
Speaker 1: Like That's what I'm saying. I don't know that cool. Yeah, yeah,

1277
01:04:43,720 --> 01:04:45,120
Speaker 1: Like my thing is, man, when you come and go

1278
01:04:45,200 --> 01:04:48,120
Speaker 1: to Juice show, you see kids as youngest eighteen, niggas

1279
01:04:48,240 --> 01:04:51,480
Speaker 1: old fifty. But listen, y'all embodied. I don't believe in

1280
01:04:51,560 --> 01:04:54,960
Speaker 1: this ageism shit because y'all in body. That what y'all

1281
01:04:55,040 --> 01:04:56,000
Speaker 1: doing right now, Like what you.

1282
01:04:56,040 --> 01:04:59,720
Speaker 9: Said when you win, because some resets and then from

1283
01:04:59,760 --> 01:05:02,960
Speaker 9: the you have a young crowd or whoever that's me.

1284
01:05:03,360 --> 01:05:06,840
Speaker 1: I don't give a funk about ageism. Whoever a being art.

1285
01:05:07,080 --> 01:05:11,040
Speaker 1: You recreate yourself, you put yourself and it's somebody.

1286
01:05:11,280 --> 01:05:13,600
Speaker 5: Yeah, but it's but it's still not something that has

1287
01:05:13,720 --> 01:05:15,880
Speaker 5: been done that much in hip hop music.

1288
01:05:17,320 --> 01:05:21,040
Speaker 1: That's what I'm saying. So agree, But I think we're

1289
01:05:22,200 --> 01:05:24,120
Speaker 1: forty three years. Here's what I think about that.

1290
01:05:24,280 --> 01:05:26,440
Speaker 5: What I think is that there's I think that there's

1291
01:05:26,480 --> 01:05:28,560
Speaker 5: better and better music being made by people who are

1292
01:05:28,880 --> 01:05:31,240
Speaker 5: closer to their forties and in their forties.

1293
01:05:31,280 --> 01:05:33,000
Speaker 1: Now you have more, you have more.

1294
01:05:33,240 --> 01:05:35,960
Speaker 5: I mean, look, you know there's you have one task.

1295
01:05:36,160 --> 01:05:38,480
Speaker 5: When the task is you don't want to become boring.

1296
01:05:38,960 --> 01:05:40,840
Speaker 5: You don't want to not relate to people who are

1297
01:05:40,880 --> 01:05:42,920
Speaker 5: listening to your music, and if you stay sharp, you're

1298
01:05:42,960 --> 01:05:45,000
Speaker 5: not going to do that. But also there's this there,

1299
01:05:45,240 --> 01:05:48,320
Speaker 5: there's an experience that comes. The one thing that's cool

1300
01:05:48,400 --> 01:05:49,360
Speaker 5: about getting.

1301
01:05:49,080 --> 01:05:54,200
Speaker 3: Older is that you lp every two passes he takes one, Yeah,

1302
01:05:54,480 --> 01:05:57,800
Speaker 3: longer about taking it back, and then I pass it

1303
01:05:57,880 --> 01:06:01,120
Speaker 3: to nah and then I won't get for like to.

1304
01:06:06,480 --> 01:06:14,080
Speaker 1: Get to your you're good, you're here strong adversary. Uh,

1305
01:06:14,640 --> 01:06:15,919
Speaker 1: you know, I don't know what the funk I'm saying.

1306
01:06:16,160 --> 01:06:17,600
Speaker 1: I'm just I just said.

1307
01:06:17,640 --> 01:06:19,360
Speaker 5: I'm just saying if there is something to be said,

1308
01:06:19,360 --> 01:06:20,560
Speaker 5: if you're a little bit older, that's it.

1309
01:06:20,760 --> 01:06:24,400
Speaker 3: You have tout And I don't think there's something that.

1310
01:06:24,800 --> 01:06:25,400
Speaker 1: Over your age.

1311
01:06:25,480 --> 01:06:27,680
Speaker 8: We don't have to subscri like, we don't have to

1312
01:06:27,720 --> 01:06:30,800
Speaker 8: be into the problem is just getting your music. Motherfucking

1313
01:06:30,840 --> 01:06:35,440
Speaker 8: on me, Like, I'm like, I don't remember when Nigga

1314
01:06:35,640 --> 01:06:37,600
Speaker 8: did you buy Face last album?

1315
01:06:37,760 --> 01:06:38,160
Speaker 1: Exactly?

1316
01:06:38,320 --> 01:06:41,720
Speaker 2: It was sham like a motherfucker and the same man

1317
01:06:41,760 --> 01:06:43,800
Speaker 2: who works on Kanye's records.

1318
01:06:43,800 --> 01:06:46,000
Speaker 1: Or someone faces right, you know what I'm saying.

1319
01:06:46,360 --> 01:06:49,160
Speaker 2: You like like that, you stupid fuck, don't buy the

1320
01:06:49,320 --> 01:06:52,880
Speaker 2: music and shut the fucking all your money at the

1321
01:06:52,960 --> 01:06:55,360
Speaker 2: Young People Club and put that ship in your car

1322
01:06:55,600 --> 01:06:57,640
Speaker 2: and ride around and smoke some dope. You and your

1323
01:06:57,720 --> 01:07:00,160
Speaker 2: young broad That's what the real niggas I know was

1324
01:07:00,160 --> 01:07:01,040
Speaker 2: still a pull up on you.

1325
01:07:06,520 --> 01:07:08,280
Speaker 1: That's what's the name of the album that's number one

1326
01:07:08,360 --> 01:07:15,120
Speaker 1: right now? This is Jews three in my hair yesterday.

1327
01:07:23,440 --> 01:07:26,480
Speaker 3: Running Jewels three number one in the motherfuck country for

1328
01:07:26,560 --> 01:07:26,840
Speaker 3: a week?

1329
01:07:27,600 --> 01:07:35,600
Speaker 1: How came out of that week? This hes got eight

1330
01:07:35,720 --> 01:07:41,760
Speaker 1: hundred weeks? Because you know why too? I love him

1331
01:07:41,920 --> 01:07:45,480
Speaker 1: because I am what I like to call hip hop.

1332
01:07:47,040 --> 01:07:48,720
Speaker 1: What I mean by that is you.

1333
01:07:48,720 --> 01:07:54,000
Speaker 3: Could throw me in Atlanta, Magic City. You might think

1334
01:07:54,040 --> 01:08:00,640
Speaker 3: I got per minute. Who goes I'm gonna throw my

1335
01:08:00,760 --> 01:08:03,520
Speaker 3: temporary zone, but they're gonna look like permanent that man,

1336
01:08:04,440 --> 01:08:05,680
Speaker 3: because cool.

1337
01:08:06,400 --> 01:08:10,280
Speaker 1: I don't throw me in Brooklyn, I might catch a

1338
01:08:10,360 --> 01:08:13,320
Speaker 1: body in East New York. I'm like, know.

1339
01:08:15,160 --> 01:08:19,640
Speaker 3: What I got that every coach and hip hop is

1340
01:08:19,720 --> 01:08:21,640
Speaker 3: something that we shouldn't be celebrated.

1341
01:08:21,720 --> 01:08:26,640
Speaker 1: Like I'm not gonna lie every year I get mad.

1342
01:08:26,840 --> 01:08:30,160
Speaker 3: When a person say these people shouldn't have been on

1343
01:08:30,280 --> 01:08:32,000
Speaker 3: that hip hop excuse me.

1344
01:08:32,160 --> 01:08:34,120
Speaker 1: The Rock and Rall Hall of Fame.

1345
01:08:34,400 --> 01:08:38,800
Speaker 11: And the Rocket And I sit back and I mean,

1346
01:08:39,000 --> 01:08:42,479
Speaker 11: I mean, I love it. But at the same time,

1347
01:08:42,600 --> 01:08:45,120
Speaker 11: I be like, what the fuck we're worried about the

1348
01:08:45,280 --> 01:08:46,040
Speaker 11: rock and rolls?

1349
01:08:46,720 --> 01:08:52,160
Speaker 1: Where is the hip hop? Who all the fame you

1350
01:08:52,680 --> 01:08:54,639
Speaker 1: have to make that you got some fort you guys

1351
01:08:54,680 --> 01:08:57,200
Speaker 1: on the top, so like it's gonna happen.

1352
01:08:57,920 --> 01:09:00,720
Speaker 2: And with that said, like we made rock and roll,

1353
01:09:00,800 --> 01:09:03,280
Speaker 2: so we're supposed to be there too, Like don't get it, No,

1354
01:09:03,760 --> 01:09:07,080
Speaker 2: I get it, yeah, like straight, but I remember, are

1355
01:09:07,160 --> 01:09:08,719
Speaker 2: you with a teacher in the fucking eighth grade?

1356
01:09:08,960 --> 01:09:11,160
Speaker 1: W A was doing like till I die as fuck you.

1357
01:09:11,600 --> 01:09:15,160
Speaker 2: But I remember that seventh eighth grade like my fun

1358
01:09:15,280 --> 01:09:18,680
Speaker 2: w like I was saying, motherfucker kid who l and

1359
01:09:18,760 --> 01:09:22,439
Speaker 2: I nineteen seventy five, so hip hop officially was seventy

1360
01:09:22,520 --> 01:09:23,240
Speaker 2: two seventy three.

1361
01:09:23,280 --> 01:09:25,519
Speaker 3: They say, so he stay, so he stay with your

1362
01:09:25,560 --> 01:09:27,800
Speaker 3: thought please, But we got twin in that building.

1363
01:09:27,920 --> 01:09:31,920
Speaker 1: It's like you guys get watch you listen. If you

1364
01:09:32,040 --> 01:09:35,759
Speaker 1: guys been following Drink Champs, you knew from the beginning

1365
01:09:36,240 --> 01:09:39,600
Speaker 1: that Twin it might be reversed. Yeah sorry, yeah, that

1366
01:09:39,840 --> 01:09:43,280
Speaker 1: you would take that home. But listen. Oh yeah, this

1367
01:09:43,320 --> 01:09:46,360
Speaker 1: is my dog. Thank y'all. You man, no problem.

1368
01:09:46,400 --> 01:09:47,040
Speaker 8: This is what we do.

1369
01:09:48,040 --> 01:09:52,679
Speaker 1: The offense slips his album in there, well he's done,

1370
01:09:54,280 --> 01:09:56,280
Speaker 1: we know that. But listen.

1371
01:09:56,400 --> 01:09:59,920
Speaker 3: But listen. If you've been following Drink Chance from the beginning,

1372
01:10:00,280 --> 01:10:02,439
Speaker 3: you understand, and you know that Twin has been a

1373
01:10:02,479 --> 01:10:03,200
Speaker 3: part of the show.

1374
01:10:03,640 --> 01:10:08,559
Speaker 1: You understand that Twin has had an accident very very soon,

1375
01:10:09,280 --> 01:10:10,799
Speaker 1: and you understand the Drink.

1376
01:10:10,720 --> 01:10:13,680
Speaker 3: Chance's gonna stand by Twin and we're gonna hold his

1377
01:10:13,840 --> 01:10:18,920
Speaker 3: ass down and we're gonna make sure he walks, stands, rolls,

1378
01:10:19,360 --> 01:10:22,800
Speaker 3: whatever again because we love this guy and he is here.

1379
01:10:23,200 --> 01:10:25,600
Speaker 3: This is the second show he'd been back, giving me

1380
01:10:25,720 --> 01:10:26,200
Speaker 3: give him your.

1381
01:10:31,880 --> 01:10:33,920
Speaker 1: Champs. Telling me, man, it's so happy to be here. Man,

1382
01:10:33,960 --> 01:10:36,000
Speaker 1: it's my happiness. You know what I'm saying. That's what

1383
01:10:36,080 --> 01:10:38,320
Speaker 1: I feel happy. It is when my spirit gets lifted. Man,

1384
01:10:38,680 --> 01:10:41,160
Speaker 1: that's my motivation. Man has said it. Man. When I

1385
01:10:41,240 --> 01:10:43,640
Speaker 1: was on the floor shop man by the past, all

1386
01:10:44,000 --> 01:10:45,479
Speaker 1: I swear to god off I thought about it was

1387
01:10:45,520 --> 01:10:49,080
Speaker 1: my family. Drink Champs, man, I can't there's too much

1388
01:10:49,120 --> 01:10:50,960
Speaker 1: and ship it is a year that this is a show.

1389
01:10:50,960 --> 01:10:53,760
Speaker 1: I feel like it's gonna go on for years, that's right, years.

1390
01:10:53,840 --> 01:10:57,519
Speaker 1: But we got too much to lose. And I'm like,

1391
01:10:57,760 --> 01:10:59,920
Speaker 1: I wasn't gonna go down, man, and it wasn't my time.

1392
01:11:01,080 --> 01:11:01,519
Speaker 1: That's right.

1393
01:11:01,680 --> 01:11:04,000
Speaker 3: I'm plessing, and we're gonna get you back on your

1394
01:11:04,040 --> 01:11:05,200
Speaker 3: feet and get your dick working.

1395
01:11:08,479 --> 01:11:16,400
Speaker 10: Sashash We're gonna get you, and we're gonna get you.

1396
01:11:19,040 --> 01:11:27,320
Speaker 1: Look, get you. Don't worry. We're gonna get your dig working.

1397
01:11:28,600 --> 01:11:33,080
Speaker 1: If he's smashing, listen, listen at the end of the day.

1398
01:11:33,840 --> 01:11:36,760
Speaker 3: Yeah, you know, from the beginning of Drink Champs, when

1399
01:11:36,800 --> 01:11:39,320
Speaker 3: it has been at the very first episode was until

1400
01:11:39,920 --> 01:11:42,439
Speaker 3: so you know, when when the fans see that he

1401
01:11:42,640 --> 01:11:45,200
Speaker 3: wasn't around for a certain times, I see how many

1402
01:11:45,400 --> 01:11:48,639
Speaker 3: fans just answering, and that's my little man, regardless where

1403
01:11:48,640 --> 01:11:49,560
Speaker 3: they come around or not.

1404
01:11:50,000 --> 01:11:53,759
Speaker 1: But just to see his influence on the fans people.

1405
01:11:54,120 --> 01:11:58,439
Speaker 3: So we said from Drink Champs policy, we're paying for

1406
01:11:59,200 --> 01:12:02,479
Speaker 3: the first year of you be really be a bit.

1407
01:12:02,560 --> 01:12:10,880
Speaker 1: What is it called he's good. Whatever I was trying

1408
01:12:10,920 --> 01:12:11,960
Speaker 1: to say, I mean good.

1409
01:12:12,880 --> 01:12:16,080
Speaker 3: So we're paying for the first year and we got

1410
01:12:16,160 --> 01:12:18,880
Speaker 3: you because and if you need more, we're gonna do it.

1411
01:12:18,920 --> 01:12:21,920
Speaker 1: But you you only need three weeks because you're a

1412
01:12:22,040 --> 01:12:24,360
Speaker 1: drink chain. You're gonna beat it. You're gonna be it.

1413
01:12:30,800 --> 01:12:32,880
Speaker 1: But we don't want no props for that. We don't want.

1414
01:12:33,120 --> 01:12:34,960
Speaker 1: All we want you to do is keep getting healthy

1415
01:12:35,040 --> 01:12:36,720
Speaker 1: and cut because we want to rank on you.

1416
01:12:39,000 --> 01:12:42,200
Speaker 3: And we can't rank on you right there personally out

1417
01:12:42,640 --> 01:12:47,040
Speaker 3: We can't get this is our guy this last week,

1418
01:12:47,479 --> 01:12:52,680
Speaker 3: reading from last Twitter, last.

1419
01:12:54,479 --> 01:12:56,040
Speaker 1: But we're gonna get you right to it because we

1420
01:12:56,240 --> 01:12:56,519
Speaker 1: love you.

1421
01:12:57,840 --> 01:13:00,880
Speaker 3: I want to shout out your family, your moms, your

1422
01:13:00,960 --> 01:13:03,040
Speaker 3: pops for every time we go to the hospital.

1423
01:13:03,439 --> 01:13:06,080
Speaker 1: They always did. And you know we're gonna get you

1424
01:13:06,240 --> 01:13:08,560
Speaker 1: right twin. We don't give a what we gotta do.

1425
01:13:09,240 --> 01:13:12,560
Speaker 3: But you know that's what the fuck we is we

1426
01:13:13,479 --> 01:13:15,720
Speaker 3: you know we seem to go fund me, that's that's

1427
01:13:15,760 --> 01:13:17,719
Speaker 3: not what drink cancer is about, drink chances.

1428
01:13:17,800 --> 01:13:18,439
Speaker 8: But we got it.

1429
01:13:19,160 --> 01:13:22,360
Speaker 1: We're gonna we got you. We don't need non refund

1430
01:13:22,439 --> 01:13:26,599
Speaker 1: You were gonna go ahead if you got mad quarterable

1431
01:13:26,680 --> 01:13:30,800
Speaker 1: lives quarterbleve.

1432
01:13:30,920 --> 01:13:34,080
Speaker 3: But we that's right, Drink Chap, we got your motherfucking back,

1433
01:13:34,479 --> 01:13:38,120
Speaker 3: and we love you, Twin. I ain't gonna lie yesterday

1434
01:13:38,120 --> 01:13:38,920
Speaker 3: you almost made me cry.

1435
01:13:39,000 --> 01:13:40,280
Speaker 1: You'na maybe crying the damn.

1436
01:13:42,439 --> 01:13:42,880
Speaker 2: Don't do it.

1437
01:13:43,000 --> 01:13:44,960
Speaker 1: Don't do it because I love you, twin.

1438
01:13:45,280 --> 01:13:47,080
Speaker 3: And you know what, when I say I love you,

1439
01:13:47,240 --> 01:13:51,160
Speaker 3: we speak for the whole Drink Champs because everybody we

1440
01:13:51,280 --> 01:13:53,639
Speaker 3: came around, we sat around, and we we we ain't

1441
01:13:53,680 --> 01:13:55,639
Speaker 3: gonna let you sit down at all.

1442
01:13:56,080 --> 01:13:57,960
Speaker 1: We're gonna get you right and then we're gonna fuck

1443
01:13:58,080 --> 01:13:58,879
Speaker 1: you up again.

1444
01:14:00,800 --> 01:14:03,600
Speaker 3: Beat you right, just to fuck you off because you

1445
01:14:03,680 --> 01:14:06,400
Speaker 3: went their biggest with eighty dollars and came back with twenty.

1446
01:14:12,600 --> 01:14:15,200
Speaker 1: And that's what he is killing. Michael LP. You know.

1447
01:14:17,360 --> 01:14:19,680
Speaker 3: Me and this nigga right here, this nigga is one

1448
01:14:19,680 --> 01:14:21,840
Speaker 3: of the most stubborn and the people I ever met

1449
01:14:21,920 --> 01:14:22,479
Speaker 3: in my life.

1450
01:14:22,600 --> 01:14:26,960
Speaker 1: Come on, I'm cutely in a good way, relaxed because

1451
01:14:26,960 --> 01:14:30,519
Speaker 1: we're like when Viny went out of style, he hated

1452
01:14:30,560 --> 01:14:35,360
Speaker 1: me because he loved Viny. He's a real hip o.

1453
01:14:35,600 --> 01:14:38,680
Speaker 3: God gotcha, and he didn't like that these guys were

1454
01:14:38,720 --> 01:14:43,200
Speaker 3: getting over on these computers and just playing records when

1455
01:14:43,880 --> 01:14:46,839
Speaker 3: life story it sounds dope.

1456
01:14:49,040 --> 01:14:55,200
Speaker 1: S but it's tripping. That's how hip hop is. And

1457
01:14:55,360 --> 01:14:57,080
Speaker 1: I said, you took a shot a tag of poem

1458
01:14:57,280 --> 01:14:59,479
Speaker 1: like this is what going on? Twin taking a shot

1459
01:14:59,640 --> 01:15:06,840
Speaker 1: history last week and this guy is so hip hop.

1460
01:15:07,720 --> 01:15:09,839
Speaker 1: And we came together and we said.

1461
01:15:11,920 --> 01:15:14,879
Speaker 3: We've been had aspirations and all things and ideas.

1462
01:15:15,600 --> 01:15:17,160
Speaker 1: But look at Charles Barkley.

1463
01:15:22,600 --> 01:15:25,920
Speaker 3: You never know Charles Walley, the best journalist can head

1464
01:15:26,320 --> 01:15:27,160
Speaker 3: can he smembering the.

1465
01:15:27,160 --> 01:15:30,400
Speaker 1: Best journalist Shaquille O Kneeling the best journalists. But the

1466
01:15:30,600 --> 01:15:35,519
Speaker 1: people who played the game, he said, journalists journalist, Yeah,

1467
01:15:35,560 --> 01:15:42,559
Speaker 1: technically they're supposed to be journal on television sports guy, Yeah,

1468
01:15:44,040 --> 01:15:46,040
Speaker 1: the game and he run the high.

1469
01:15:46,840 --> 01:15:54,200
Speaker 3: Sports conversations game. You know why because they played the game.

1470
01:15:55,400 --> 01:15:58,600
Speaker 3: Where is da Yo well shaped up for?

1471
01:15:58,680 --> 01:15:58,840
Speaker 1: Tell?

1472
01:15:59,240 --> 01:16:00,920
Speaker 2: Though you don't know not them by back to back

1473
01:16:02,760 --> 01:16:06,679
Speaker 2: about Drake record nah whatever they was talking about.

1474
01:16:06,760 --> 01:16:06,920
Speaker 1: Though.

1475
01:16:07,000 --> 01:16:10,160
Speaker 2: Chubb was implying something about championships and Shack told him, man,

1476
01:16:10,240 --> 01:16:12,200
Speaker 2: you don't know nothing about back to back. He never

1477
01:16:12,240 --> 01:16:15,120
Speaker 2: won a championship ever, Like that was it scene? Whatever

1478
01:16:15,720 --> 01:16:21,320
Speaker 2: that was, That's not let's go, Let's go, No Yo

1479
01:16:24,600 --> 01:16:27,719
Speaker 2: stopping Spanish man else shop man.

1480
01:16:32,240 --> 01:16:43,200
Speaker 1: Since y'all know else like, YO, don't recognize these guys

1481
01:16:43,240 --> 01:16:47,840
Speaker 1: are recommend it's a recordizers priscill Yo. Yeah, you guys

1482
01:16:47,960 --> 01:16:48,519
Speaker 1: drink this ship?

1483
01:16:48,640 --> 01:16:50,559
Speaker 2: No, No, I can't.

1484
01:16:52,080 --> 01:16:56,760
Speaker 1: This is the last fucking last. I don't know. I

1485
01:16:56,880 --> 01:16:59,320
Speaker 1: can't find man, this should have made you a wall socket.

1486
01:16:59,400 --> 01:17:09,759
Speaker 4: You can't, Okay, house versus ship?

1487
01:17:11,960 --> 01:17:21,240
Speaker 1: Maybe this, sir sold so and we got the double

1488
01:17:21,240 --> 01:17:22,479
Speaker 1: one album to cut your.

1489
01:17:25,040 --> 01:17:26,160
Speaker 4: Forecast and cut the.

1490
01:17:27,880 --> 01:17:28,360
Speaker 1: Number one?

1491
01:17:29,400 --> 01:17:30,200
Speaker 4: How that tastes right?

1492
01:17:31,360 --> 01:17:33,000
Speaker 1: Give us the play by play action of what it

1493
01:17:33,040 --> 01:17:35,880
Speaker 1: tasts like a ship. It tastes like like like what

1494
01:17:36,000 --> 01:17:37,840
Speaker 1: he said about Timbaland boom. But I'm gonna throw like

1495
01:17:37,880 --> 01:17:40,360
Speaker 1: a little bit old soy sauce in there. Oh, I

1496
01:17:40,600 --> 01:17:44,080
Speaker 1: have to say, Oh, it tastes like Grandma's soy sauce.

1497
01:17:44,080 --> 01:17:46,360
Speaker 1: I love. So you've been seeing that soy sauce for

1498
01:17:46,560 --> 01:17:50,080
Speaker 1: a hundred years. Definitely has a grandma something. So there's

1499
01:17:50,120 --> 01:17:54,320
Speaker 1: a grandma saving something like an addict under inner herd

1500
01:17:54,400 --> 01:17:58,479
Speaker 1: old house. You know, it's definitely an addicts flavor in there. Collge,

1501
01:17:58,880 --> 01:18:01,480
Speaker 1: I take how it's just ange, just mold.

1502
01:18:01,880 --> 01:18:05,760
Speaker 3: Ancient Chinese secret club whips where the scrolls are this.

1503
01:18:05,840 --> 01:18:08,200
Speaker 2: Ship might not even be really Chinese, like this might

1504
01:18:08,280 --> 01:18:12,680
Speaker 2: be just the ship that's left. Yes, I mean they

1505
01:18:12,880 --> 01:18:15,559
Speaker 2: just do a Chinese label like fucking white people. I've anything,

1506
01:18:16,200 --> 01:18:18,400
Speaker 2: Like God, that makes.

1507
01:18:18,960 --> 01:18:22,519
Speaker 1: Sense right there? Why you you you're racist? What do

1508
01:18:22,560 --> 01:18:28,280
Speaker 1: you keep doing? Puerto Ricans? It's not again.

1509
01:18:28,720 --> 01:18:30,920
Speaker 3: You know why we had the Maccaudi people here yesterday

1510
01:18:31,080 --> 01:18:34,679
Speaker 3: said they originated.

1511
01:18:34,200 --> 01:18:38,519
Speaker 1: In Cuba, Cuba, and then they was like, yeah, but

1512
01:18:38,600 --> 01:18:40,920
Speaker 1: we got the Puerto Rico. Now he just didn't like it.

1513
01:18:41,720 --> 01:18:45,519
Speaker 1: It's not from Puerto Rico. It's from Cuba. Your houses

1514
01:18:45,600 --> 01:18:49,080
Speaker 1: says you made open that up. You've been since it

1515
01:18:49,200 --> 01:18:51,240
Speaker 1: opened back up? You Cuba.

1516
01:18:52,560 --> 01:18:52,880
Speaker 4: I wanted to.

1517
01:18:53,080 --> 01:18:57,519
Speaker 1: I did a documentary that yeah, yeah, I wouldn't want to.

1518
01:18:57,800 --> 01:19:01,559
Speaker 1: I want to see the cars. Has my flag booked?

1519
01:19:01,560 --> 01:19:04,439
Speaker 8: And then I had to go, now go before tall

1520
01:19:04,520 --> 01:19:05,720
Speaker 8: opens up in the motherfucking event.

1521
01:19:05,840 --> 01:19:08,360
Speaker 1: Yeah, my homegirl, I disagree with my wife's likes.

1522
01:19:09,000 --> 01:19:11,479
Speaker 5: Time ship.

1523
01:19:12,000 --> 01:19:13,439
Speaker 1: I hear it's gonna be delicious.

1524
01:19:13,920 --> 01:19:15,960
Speaker 2: I'm like, you know what I do like I do

1525
01:19:16,280 --> 01:19:18,759
Speaker 2: like the nice ship like he got a w hotel

1526
01:19:18,880 --> 01:19:22,240
Speaker 2: man people talk shit man was like nice.

1527
01:19:22,040 --> 01:19:25,120
Speaker 1: Ship got oh yeah, I don't fuck with iron B

1528
01:19:25,280 --> 01:19:26,920
Speaker 1: and B. I don't fucking nuts.

1529
01:19:27,920 --> 01:19:31,400
Speaker 2: Only a little small lady come in to my to

1530
01:19:31,439 --> 01:19:34,320
Speaker 2: make my man every my bad tip at the end

1531
01:19:34,320 --> 01:19:35,760
Speaker 2: of the day, Yeah, I want to.

1532
01:19:36,000 --> 01:19:37,479
Speaker 12: Get this how I know it's how I know. I

1533
01:19:37,640 --> 01:19:41,599
Speaker 12: made it something place. My son goes to the cubo right,

1534
01:19:42,479 --> 01:19:45,360
Speaker 12: he went to cut it. But your son, he's got

1535
01:19:45,479 --> 01:19:46,040
Speaker 12: to kill a wife.

1536
01:19:46,080 --> 01:19:47,760
Speaker 1: By the way, I gotta kill my wife is killing.

1537
01:19:48,240 --> 01:19:51,240
Speaker 1: So my son calls me that he the one time

1538
01:19:51,320 --> 01:19:54,439
Speaker 1: he can use space time. He said, Dad, I can

1539
01:19:54,479 --> 01:20:00,880
Speaker 1: tell he's kind of hiding. I said, what's up this

1540
01:20:01,080 --> 01:20:01,919
Speaker 1: on word?

1541
01:20:05,280 --> 01:20:06,400
Speaker 8: I was so happy.

1542
01:20:10,479 --> 01:20:14,240
Speaker 1: On the beach, and you know what, I'm gonna keep

1543
01:20:14,280 --> 01:20:18,280
Speaker 1: his ass on the beef off that bullshit you don't understand.

1544
01:20:18,560 --> 01:20:21,720
Speaker 1: But didn't understand, he says, the Auntie house. And then

1545
01:20:21,760 --> 01:20:25,719
Speaker 1: my wife told me this, it's direspectful. See Cuban family

1546
01:20:25,840 --> 01:20:30,120
Speaker 1: to yo. I've been yo yo. It took me years.

1547
01:20:30,400 --> 01:20:34,240
Speaker 2: My wife's family is from the rural south or smaller

1548
01:20:34,280 --> 01:20:42,960
Speaker 2: city and to people and something y'all was just the

1549
01:20:43,040 --> 01:20:47,000
Speaker 2: first stop. The same niggas ended up in Georgia, Florida.

1550
01:20:48,600 --> 01:20:49,240
Speaker 1: Everybody did just.

1551
01:20:49,400 --> 01:20:51,400
Speaker 2: Getting the Indians to come out of life, getting away

1552
01:20:51,760 --> 01:20:54,960
Speaker 2: but we do the same ship culturally. Like the first

1553
01:20:55,040 --> 01:20:56,960
Speaker 2: time we went to Hill to Head and her Mount

1554
01:20:57,080 --> 01:20:58,360
Speaker 2: was like, you're staying with us, and I was like

1555
01:20:58,439 --> 01:21:00,240
Speaker 2: this lady, air conditioning came on, so.

1556
01:21:01,920 --> 01:21:04,200
Speaker 1: I'm just like, I'm just like and I'm gonna fuck

1557
01:21:04,240 --> 01:21:04,679
Speaker 1: my wife.

1558
01:21:05,240 --> 01:21:07,800
Speaker 2: Like my wife wanted Tom cuttry with like Auntie in

1559
01:21:07,840 --> 01:21:09,200
Speaker 2: the next room, so like stop.

1560
01:21:09,040 --> 01:21:14,880
Speaker 9: I'm like, so I was.

1561
01:21:15,040 --> 01:21:18,360
Speaker 1: I had to get them acclimated to the fact. Nah. Nah,

1562
01:21:18,640 --> 01:21:21,200
Speaker 1: we doing this hotel all time. Now. I'm probably get

1563
01:21:21,280 --> 01:21:24,599
Speaker 1: custom fun out of saying that life. It's really listen

1564
01:21:24,600 --> 01:21:27,519
Speaker 1: to me personally that so y'all do that. That's no.

1565
01:21:27,680 --> 01:21:29,479
Speaker 1: I don't why he didn't go.

1566
01:21:32,280 --> 01:21:34,240
Speaker 2: So your kids, your kids are like me when I

1567
01:21:34,280 --> 01:21:36,120
Speaker 2: used to get sit there like Tuskige. They just down

1568
01:21:36,160 --> 01:21:38,040
Speaker 2: there the Auntie hot as the fuck like.

1569
01:21:39,000 --> 01:21:44,960
Speaker 1: You know the thing is my son, Uh it's Hollywood

1570
01:21:46,920 --> 01:21:50,200
Speaker 1: only he went on. He know because my other kids

1571
01:21:50,360 --> 01:21:54,599
Speaker 1: was in New York at the time. Unfortunately have Cuban.

1572
01:21:55,520 --> 01:21:59,280
Speaker 1: He listened to me every time he got walk fied.

1573
01:21:59,320 --> 01:22:04,000
Speaker 1: He said that you didn't give me the wa.

1574
01:22:04,920 --> 01:22:07,599
Speaker 3: It made me so proud because he hasn't he doesn't

1575
01:22:07,640 --> 01:22:11,240
Speaker 3: know he's hold but he doesn't know he's Hollywood, and

1576
01:22:11,280 --> 01:22:13,240
Speaker 3: I'm the same back like I'm doing.

1577
01:22:13,120 --> 01:22:19,519
Speaker 1: A play job. Listen, A lot of people don't know

1578
01:22:19,680 --> 01:22:20,400
Speaker 1: that that's culture.

1579
01:22:21,120 --> 01:22:27,720
Speaker 3: Because embrace culture. He didn't know that, And who was

1580
01:22:27,800 --> 01:22:33,360
Speaker 3: I to because embrace culture. Son, But he didn't understand that.

1581
01:22:33,840 --> 01:22:36,519
Speaker 1: But that is a beautiful thing. Let's make some noise

1582
01:22:36,520 --> 01:22:44,479
Speaker 1: your hip hop. I don't know why, but just your shirt.

1583
01:22:45,040 --> 01:22:49,559
Speaker 1: You've been doing that a lot. You gotta relact because

1584
01:22:49,560 --> 01:22:53,599
Speaker 1: your shirt. I feel like I feel like your name

1585
01:22:53,680 --> 01:22:58,559
Speaker 1: is hobby. You look like I'm gonna change your name

1586
01:22:58,600 --> 01:22:59,479
Speaker 1: to hockey. We didn't do it.

1587
01:22:59,600 --> 01:22:59,880
Speaker 8: We do.

1588
01:23:00,080 --> 01:23:02,360
Speaker 1: He's stretching. You want to smoke a cigarette?

1589
01:23:02,360 --> 01:23:02,519
Speaker 3: Break?

1590
01:23:03,479 --> 01:23:05,840
Speaker 1: Just give me take a cigarette break? Ten minutes, all right, cool?

1591
01:23:05,960 --> 01:23:14,439
Speaker 1: Ten minutes minutes, no one more, Just to see your reaction.

1592
01:23:14,640 --> 01:23:18,160
Speaker 1: We didn't get that shot. Na, I'm on the edge.

1593
01:23:18,240 --> 01:23:21,479
Speaker 1: I'm right there on the That's beautiful. Did you know

1594
01:23:21,600 --> 01:23:22,400
Speaker 1: why it is beautiful?

1595
01:23:22,680 --> 01:23:32,000
Speaker 3: Because we celebrated, hen God, damn it, celebrate. You can

1596
01:23:32,080 --> 01:23:33,599
Speaker 3: take any shot, any shot you want.

1597
01:23:33,640 --> 01:23:36,000
Speaker 1: You want some rock make you want to have to

1598
01:23:36,040 --> 01:23:37,280
Speaker 1: take a shot. I don't want to take a shot

1599
01:23:37,280 --> 01:23:41,360
Speaker 1: of that. I'll take a shot of water. God, we

1600
01:23:41,400 --> 01:23:47,400
Speaker 1: ain't got that. I gott I'll take I do whiskey, whiskey,

1601
01:23:48,160 --> 01:23:51,800
Speaker 1: shout of whiskey. Shot of water. Hey, look there's a

1602
01:23:51,840 --> 01:23:53,920
Speaker 1: shot of water. I'm gonna do the whiskey. I'm a man,

1603
01:23:54,600 --> 01:23:57,920
Speaker 1: a man, relax, here it man, I want to shut

1604
01:23:57,960 --> 01:24:02,400
Speaker 1: the water. Where's that ship's right here? James the blackbird? Here,

1605
01:24:02,520 --> 01:24:04,800
Speaker 1: white girl? You know, skip it. Y'all want me to

1606
01:24:04,800 --> 01:24:05,240
Speaker 1: do a job.

1607
01:24:06,040 --> 01:24:10,080
Speaker 2: Yeah, I'm I definitely want to say. Why that's what

1608
01:24:10,200 --> 01:24:11,960
Speaker 2: he don't make it too big? All right, well we

1609
01:24:12,400 --> 01:24:17,400
Speaker 2: don't have glass. Damn right, drives head. I'm gonna yeah. Wait, wait, Dallas,

1610
01:24:18,680 --> 01:24:20,200
Speaker 2: that is not what I want to take.

1611
01:24:20,280 --> 01:24:23,519
Speaker 1: That's way. It's a baby shot. The way for it.

1612
01:24:24,600 --> 01:24:28,759
Speaker 1: Oh that's not a baby shot. Was splitting that? Oh yeah, okay,

1613
01:24:28,960 --> 01:24:34,160
Speaker 1: let's don't thirty five club. That's all right, that's a

1614
01:24:34,200 --> 01:24:34,559
Speaker 1: good shot.

1615
01:24:35,720 --> 01:24:39,559
Speaker 3: So we celebrated, right, you guys were coming on showing

1616
01:24:39,600 --> 01:24:41,439
Speaker 3: the country appreciate it.

1617
01:24:44,280 --> 01:24:51,880
Speaker 1: That is terrible. Damn well, yeah, drink that everything goes

1618
01:24:52,479 --> 01:25:02,000
Speaker 1: you're drinking fucking yeah yeah, yeah, Chinese, we drink Chinese.

1619
01:25:02,160 --> 01:25:07,760
Speaker 1: Her murder. That ship looked like.

1620
01:25:12,000 --> 01:25:15,559
Speaker 2: So how did run the Jewels wind up on Mass Appeal,

1621
01:25:17,040 --> 01:25:21,120
Speaker 2: not anymore, not anymore white Field.

1622
01:25:21,200 --> 01:25:23,439
Speaker 1: Second, and now we're on we're running the Jewels. On,

1623
01:25:23,600 --> 01:25:25,680
Speaker 1: run the Jewels. But how did you need to get on.

1624
01:25:26,439 --> 01:25:29,920
Speaker 1: Let's let's talk about that. That's not Yeah, it's not

1625
01:25:30,000 --> 01:25:31,519
Speaker 1: as label, but we don't say that when any of

1626
01:25:31,560 --> 01:25:34,120
Speaker 1: you will like it's not as label.

1627
01:25:34,160 --> 01:25:38,240
Speaker 5: But also taking away from you ape, what's that water

1628
01:25:38,960 --> 01:25:40,080
Speaker 5: the horror patration?

1629
01:25:40,320 --> 01:25:43,280
Speaker 1: Okay, thank you, no car.

1630
01:25:43,640 --> 01:25:45,559
Speaker 5: Yeah, we knew, we knew the people there from that label,

1631
01:25:45,560 --> 01:25:47,679
Speaker 5: though that label used to be DCON.

1632
01:25:48,160 --> 01:25:49,479
Speaker 1: They used to put a bunch of ship out. They

1633
01:25:49,520 --> 01:25:51,720
Speaker 1: worked with alchemists and like they put a bunch of

1634
01:25:51,760 --> 01:25:52,400
Speaker 1: ship out and.

1635
01:25:54,640 --> 01:25:57,240
Speaker 5: Before Mass Appeal, a lot of the guys from Dcon

1636
01:25:57,320 --> 01:25:58,320
Speaker 5: when they merged.

1637
01:25:58,040 --> 01:25:59,920
Speaker 1: The Mass Appeal and Partner would not.

1638
01:26:00,240 --> 01:26:02,280
Speaker 5: So we knew them from previous ship because we had

1639
01:26:02,400 --> 01:26:05,280
Speaker 5: death Jukes and we worked with them and different stuff

1640
01:26:05,320 --> 01:26:08,080
Speaker 5: and we were peers to some degree, and so that's

1641
01:26:08,120 --> 01:26:08,680
Speaker 5: how we knew them.

1642
01:26:08,800 --> 01:26:11,240
Speaker 1: And you know, but that was one of the jewels too.

1643
01:26:11,280 --> 01:26:13,360
Speaker 1: I mean, we kind of felt like every label that

1644
01:26:13,439 --> 01:26:15,080
Speaker 1: we worked with, it was just right at the time,

1645
01:26:15,200 --> 01:26:15,800
Speaker 1: and we.

1646
01:26:15,880 --> 01:26:19,519
Speaker 5: Always kept the commitment incredibly minimal, and we just moved

1647
01:26:19,520 --> 01:26:22,640
Speaker 5: on one of them deals and you know, and we

1648
01:26:22,800 --> 01:26:25,320
Speaker 5: still partner with them on some film stuff. Yeah, we're

1649
01:26:25,320 --> 01:26:28,000
Speaker 5: doing we're doing different ship. You know, were massive deals

1650
01:26:28,040 --> 01:26:30,120
Speaker 5: the same thing. Yeah, we moved on and we moved

1651
01:26:30,120 --> 01:26:32,160
Speaker 5: it to just basically there is no label.

1652
01:26:32,240 --> 01:26:32,920
Speaker 1: It's just a group.

1653
01:26:32,960 --> 01:26:35,080
Speaker 5: It's just our management and a group of people that

1654
01:26:35,200 --> 01:26:37,760
Speaker 5: we hired and do what a label could do. But

1655
01:26:38,040 --> 01:26:40,040
Speaker 5: you know, it's a smaller version of it, you know.

1656
01:26:40,160 --> 01:26:42,600
Speaker 2: So but we're just it's really directly into and I

1657
01:26:42,760 --> 01:26:45,360
Speaker 2: won't say like we really still fucked with like Peter

1658
01:26:45,520 --> 01:26:48,519
Speaker 2: and Nas, like they ran a one ship with us,

1659
01:26:48,560 --> 01:26:50,519
Speaker 2: and I appreciate it because a lot of times when

1660
01:26:50,560 --> 01:26:52,559
Speaker 2: you see people deal with the label, not deal with label,

1661
01:26:52,640 --> 01:26:55,120
Speaker 2: there's feelings and issues. But it's not like I still

1662
01:26:55,160 --> 01:26:56,760
Speaker 2: talk to both of them on the regular. We're still

1663
01:26:56,840 --> 01:27:00,280
Speaker 2: doing things together ship. I actually befriended Nas and Peter.

1664
01:27:00,640 --> 01:27:04,000
Speaker 2: It's crazy because doing business in the way that we've

1665
01:27:04,040 --> 01:27:07,280
Speaker 2: done business on a smaller scale, more independent scale, has

1666
01:27:07,360 --> 01:27:10,240
Speaker 2: given me faith in the music industry again, where I

1667
01:27:10,360 --> 01:27:12,120
Speaker 2: had lost it because it kind of became like it

1668
01:27:12,200 --> 01:27:15,360
Speaker 2: felt like a game of everybody trying to finesse everyone

1669
01:27:15,800 --> 01:27:16,599
Speaker 2: versus people.

1670
01:27:16,439 --> 01:27:18,000
Speaker 1: Just doing square business. You know what I mean.

1671
01:27:18,160 --> 01:27:20,840
Speaker 2: So I want to thank people, no, because they did

1672
01:27:20,920 --> 01:27:24,840
Speaker 2: such square business. It never felt fucked up. Yeah, and

1673
01:27:25,000 --> 01:27:33,960
Speaker 2: I love them for that. People gonna be relaxed. You

1674
01:27:34,080 --> 01:27:37,360
Speaker 2: hate you do, right, tell you?

1675
01:27:39,200 --> 01:27:53,280
Speaker 1: I can't look to celebrate celebrate running jewels, you know, man,

1676
01:27:53,360 --> 01:27:56,320
Speaker 1: I have to say, please stop run the jewels no

1677
01:27:56,439 --> 01:28:01,920
Speaker 1: more your country. There you go, cheering ship.

1678
01:28:03,720 --> 01:28:12,400
Speaker 2: I don't know, you're scary brot.

1679
01:28:12,560 --> 01:28:17,439
Speaker 1: Yeah, that's not good at all. Who kills Aldy for this?

1680
01:28:18,320 --> 01:28:22,880
Speaker 1: There's nothing good about it. Who he raised? Dude? Even

1681
01:28:22,920 --> 01:28:26,960
Speaker 1: by the fourth one, it's still it doesn't get for

1682
01:28:27,120 --> 01:28:29,880
Speaker 1: supplying the tagle bone. No, you don't. You know, I

1683
01:28:30,200 --> 01:28:32,599
Speaker 1: like you to light but nobody's this is tiger bomb.

1684
01:28:32,720 --> 01:28:33,519
Speaker 1: That's tag boone.

1685
01:28:33,720 --> 01:28:36,280
Speaker 2: The same ship that the fucking you put on your

1686
01:28:36,520 --> 01:28:37,840
Speaker 2: muscles when they're Soca ball.

1687
01:28:38,080 --> 01:28:41,479
Speaker 1: It's like I'm about to say, you're drinking ship. Old

1688
01:28:41,560 --> 01:28:42,680
Speaker 1: dudes put on ship's.

1689
01:28:42,439 --> 01:28:46,360
Speaker 2: Answers again them like what the after about in New

1690
01:28:46,439 --> 01:28:48,040
Speaker 2: York Motherfucker's shrine?

1691
01:28:48,200 --> 01:28:52,600
Speaker 1: But man, Spanish ship is wold because.

1692
01:28:52,640 --> 01:28:53,759
Speaker 4: Sish what happened?

1693
01:28:53,880 --> 01:28:54,400
Speaker 9: You know what I mean?

1694
01:28:54,760 --> 01:29:00,400
Speaker 1: You know what I'm Spanish? Spanish? Serginy you not? Oh yeah,

1695
01:29:00,479 --> 01:29:06,920
Speaker 1: but I'm game. Oh this ship that went Little Mexico

1696
01:29:07,040 --> 01:29:13,080
Speaker 1: in the damn ship.

1697
01:29:15,080 --> 01:29:16,000
Speaker 4: Always one is.

1698
01:29:16,080 --> 01:29:20,639
Speaker 1: Normal really black or Spanish like you? Definitely, motherfucker, he's safe.

1699
01:29:20,760 --> 01:29:23,400
Speaker 1: He's blackish. I don't know what you could drink this

1700
01:29:23,520 --> 01:29:25,960
Speaker 1: ship fast race ship.

1701
01:29:26,160 --> 01:29:27,479
Speaker 4: This ain't got none of these specs.

1702
01:29:27,880 --> 01:29:31,400
Speaker 1: Jesus Christus is pop saying, you gotta be a tough.

1703
01:29:31,240 --> 01:29:33,760
Speaker 2: Though, you gotta be a special can of tough man.

1704
01:29:34,680 --> 01:29:39,040
Speaker 2: V Little ROSSI said, loud nat k if you can

1705
01:29:39,160 --> 01:29:42,240
Speaker 2: fuck it, get it up, man, please thought, giving him

1706
01:29:42,240 --> 01:29:46,400
Speaker 2: his promist. Kid Frost believes moushing back to the Hilltop

1707
01:29:46,600 --> 01:29:48,679
Speaker 2: Kid Frost, Kid Frost, Kid Frost.

1708
01:29:48,720 --> 01:29:57,840
Speaker 1: MC eight really a man, keen team really got exactly

1709
01:29:58,120 --> 01:30:04,599
Speaker 1: exactly please man, Yeah, thank you, because you know why.

1710
01:30:05,040 --> 01:30:10,600
Speaker 3: That's what we do is we actually you know, everybody

1711
01:30:10,720 --> 01:30:13,439
Speaker 3: want to interview, and we got nothing.

1712
01:30:13,240 --> 01:30:15,879
Speaker 1: But love and respect for the New generation absolute.

1713
01:30:15,920 --> 01:30:19,160
Speaker 3: But the thing is the thing is they have the

1714
01:30:19,320 --> 01:30:23,000
Speaker 3: radio stations for the new Generator now, they have now.

1715
01:30:23,560 --> 01:30:26,000
Speaker 3: But I want to salute our legends. I want to

1716
01:30:26,000 --> 01:30:28,400
Speaker 3: salute people that have been in here for twenty years, true,

1717
01:30:29,160 --> 01:30:32,000
Speaker 3: ten years. I want to salute them true. So that's

1718
01:30:32,040 --> 01:30:35,280
Speaker 3: that's that's what this is, but I ain't taking them. Wait,

1719
01:30:35,560 --> 01:30:40,720
Speaker 3: not a motherfuckingmidget for my bitch. Is Dad Bujie from

1720
01:30:40,800 --> 01:30:53,160
Speaker 3: Nobody doing the new and that girl? Listen christ Club

1721
01:30:53,240 --> 01:30:54,040
Speaker 3: right now, let's go.

1722
01:30:54,120 --> 01:30:58,960
Speaker 1: I'm not going to take down the street. Y'all don't

1723
01:30:59,000 --> 01:31:07,479
Speaker 1: go together. Michael said, Yeah, I don't tell you to

1724
01:31:07,520 --> 01:31:18,640
Speaker 1: take the next stripper. I said, what's she doing? Every

1725
01:31:19,200 --> 01:31:23,120
Speaker 1: every perfect situation got the jewels? Y'all guys are on

1726
01:31:23,360 --> 01:31:24,200
Speaker 1: tour right now.

1727
01:31:24,439 --> 01:31:28,400
Speaker 3: Yeah, that's the only reason why, y'all man, because y'all

1728
01:31:28,479 --> 01:31:34,880
Speaker 3: busy like ship No, No, you're family LP killer Mike.

1729
01:31:35,600 --> 01:31:37,840
Speaker 3: I want you both know that that this is the

1730
01:31:37,960 --> 01:31:45,759
Speaker 3: first time that rapper slash d J was actually running media.

1731
01:31:46,520 --> 01:31:50,160
Speaker 3: You actually never have to go to Scoop Eric being

1732
01:31:50,200 --> 01:31:51,880
Speaker 3: Brock a podcast.

1733
01:31:51,760 --> 01:31:56,880
Speaker 1: Podcast, but we got mean, we got every week. So

1734
01:31:57,000 --> 01:31:58,160
Speaker 1: the thing is, you.

1735
01:31:58,280 --> 01:32:00,479
Speaker 3: Actually don't got to go on land or gotta go

1736
01:32:00,640 --> 01:32:03,960
Speaker 3: to you know, a Ricky Smiley show or whatever. You

1737
01:32:04,120 --> 01:32:07,760
Speaker 3: come to your own and present whatever information it is.

1738
01:32:07,960 --> 01:32:10,479
Speaker 3: But so with that being said, I say that to

1739
01:32:10,560 --> 01:32:10,920
Speaker 3: say this.

1740
01:32:11,800 --> 01:32:15,960
Speaker 1: Talked about this talk, tell us about this talk because

1741
01:32:16,000 --> 01:32:19,960
Speaker 1: you want a big y'all out every So we got

1742
01:32:20,080 --> 01:32:22,479
Speaker 1: we got I mean, it's crazy. It's bigger than we've

1743
01:32:22,520 --> 01:32:22,960
Speaker 1: ever done.

1744
01:32:23,000 --> 01:32:27,680
Speaker 2: And we got two to three thousand, we got right here,

1745
01:32:27,760 --> 01:32:29,600
Speaker 2: right here, doing five thousand in l A.

1746
01:32:29,720 --> 01:32:33,080
Speaker 5: We're doing five thousand in Chicago, We're doing four Knights

1747
01:32:33,120 --> 01:32:35,680
Speaker 5: in a Row Terminal five in New York City. So

1748
01:32:35,920 --> 01:32:37,920
Speaker 5: it's crazy. I mean, we've never seen it like this.

1749
01:32:38,360 --> 01:32:47,520
Speaker 5: So bias man, it's it's incredible when exactly every times

1750
01:32:47,760 --> 01:32:49,880
Speaker 5: try and seek out before you offer me the next one.

1751
01:32:50,120 --> 01:32:52,040
Speaker 1: No, I'm going I'm going to offer you very so

1752
01:32:54,280 --> 01:32:57,200
Speaker 1: make me smoking real ship.

1753
01:32:57,240 --> 01:33:00,200
Speaker 5: Though, it's been amazing to witness, like for us, you know,

1754
01:33:00,400 --> 01:33:02,559
Speaker 5: seeing this tour blow up like this has been incredible,

1755
01:33:02,600 --> 01:33:05,240
Speaker 5: and we're just giving everything we have. I mean we have,

1756
01:33:05,360 --> 01:33:08,000
Speaker 5: we're literally doing We're just back to back to back

1757
01:33:08,040 --> 01:33:09,360
Speaker 5: to back to back to back to back shows.

1758
01:33:09,400 --> 01:33:11,000
Speaker 1: This is the first couple of days we've had off

1759
01:33:11,560 --> 01:33:13,560
Speaker 1: the whole tour, and y'all came to see us, and

1760
01:33:13,640 --> 01:33:21,320
Speaker 1: we came to listen from there on. Now, I want

1761
01:33:21,360 --> 01:33:24,240
Speaker 1: to be this to be the first announcement with you guys.

1762
01:33:24,960 --> 01:33:28,160
Speaker 3: Anytime you got somebody want to announce, you want to propose,

1763
01:33:29,439 --> 01:33:31,439
Speaker 3: you want to bring to the world, why would you

1764
01:33:31,600 --> 01:33:35,400
Speaker 3: do it with people who is not a rap, not

1765
01:33:35,560 --> 01:33:38,880
Speaker 3: a DJ not you know, come bring it to us.

1766
01:33:39,200 --> 01:33:41,960
Speaker 3: We'll bring it to you, and we're gonna explore that

1767
01:33:42,040 --> 01:33:44,040
Speaker 3: ship and we don't it don't gotta matter where the

1768
01:33:44,080 --> 01:33:46,559
Speaker 3: funk were at. We'll come to Atlanta, come to Brooklyn,

1769
01:33:46,880 --> 01:33:51,080
Speaker 3: We'll come to fucking everywhere again.

1770
01:33:53,520 --> 01:33:59,160
Speaker 1: The cool place? Go there too? Where were you at?

1771
01:33:59,200 --> 01:33:59,960
Speaker 1: You want to go to the moon?

1772
01:34:01,720 --> 01:34:01,960
Speaker 5: You can.

1773
01:34:02,400 --> 01:34:09,640
Speaker 3: You'll never escape us. Yeah, you don't want Why I wouldn't. Now,

1774
01:34:09,760 --> 01:34:14,320
Speaker 3: let's just say, let's just say na, let's call y'all

1775
01:34:14,400 --> 01:34:19,080
Speaker 3: tomorrow and say I want to be a part of

1776
01:34:19,120 --> 01:34:21,120
Speaker 3: the Run the Jewels seven.

1777
01:34:23,120 --> 01:34:25,920
Speaker 1: Seventh Damn Yeah, I mean I'd probably just be like,

1778
01:34:25,960 --> 01:34:31,519
Speaker 1: all right, yeah, you're not. Why would you announce that

1779
01:34:31,640 --> 01:34:34,799
Speaker 1: way anybody else? What us know? If that happens.

1780
01:34:34,840 --> 01:34:38,559
Speaker 5: You're the first people I swear to God, to God,

1781
01:34:40,520 --> 01:34:40,920
Speaker 5: trust me.

1782
01:34:41,400 --> 01:34:45,799
Speaker 1: Think about It's still tight. We will give you that scoop.

1783
01:34:47,320 --> 01:34:50,160
Speaker 1: I've never won a shirt for artists that was here.

1784
01:34:50,520 --> 01:34:52,960
Speaker 1: This is my first time. That's a round one too.

1785
01:34:53,040 --> 01:34:55,599
Speaker 5: That's the metal gear one y you know where characters

1786
01:34:55,640 --> 01:34:56,280
Speaker 5: on the video game.

1787
01:34:58,760 --> 01:35:01,080
Speaker 1: That's here's a more excuse me years old. I got

1788
01:35:01,600 --> 01:35:06,720
Speaker 1: that's the special X moods. Yeah, me and micro downloadable

1789
01:35:06,800 --> 01:35:09,559
Speaker 1: characters that you can play in the game. Nigga never

1790
01:35:09,600 --> 01:35:16,920
Speaker 1: played a video game in his life. Oh like hell,

1791
01:35:17,080 --> 01:35:19,960
Speaker 1: and I played their characters and I didn't play it

1792
01:35:20,000 --> 01:35:24,559
Speaker 1: after that. One time. I played characters one time.

1793
01:35:26,160 --> 01:35:27,000
Speaker 4: What are you play?

1794
01:35:28,600 --> 01:35:32,720
Speaker 1: You guys horrible? You played it?

1795
01:35:33,080 --> 01:35:33,280
Speaker 3: Yeah?

1796
01:35:35,000 --> 01:35:37,519
Speaker 1: I love the joy and you've got the Rainbow ship

1797
01:35:38,120 --> 01:35:38,840
Speaker 1: that this is my.

1798
01:35:38,920 --> 01:35:42,080
Speaker 5: Friend's band, Auto Lux just as forget us on my jacket.

1799
01:35:42,120 --> 01:35:45,280
Speaker 1: That's right. Shout out to Auto Lucks, to Carlom.

1800
01:35:45,320 --> 01:35:48,439
Speaker 13: We respect them, we do, we respect them. Let's pick

1801
01:35:48,479 --> 01:35:56,360
Speaker 13: up the gay people. God damn, we we got love.

1802
01:35:58,080 --> 01:36:01,280
Speaker 1: See, we got love for everybody. Don't know why you

1803
01:36:01,400 --> 01:36:08,360
Speaker 1: keep doing it? Really just killing me badly. You're relaxed, right,

1804
01:36:09,320 --> 01:36:14,160
Speaker 1: it's killing me. But we slew hip hop. You guys

1805
01:36:14,280 --> 01:36:17,320
Speaker 1: have came here, you guys have hang out and you

1806
01:36:17,400 --> 01:36:22,240
Speaker 1: want one more shot. Definitely not that they can't be pussies.

1807
01:36:22,280 --> 01:36:29,880
Speaker 1: We gotta do everything. I don't know. You can't do it. No, no, sick,

1808
01:36:29,960 --> 01:36:32,439
Speaker 1: he can't do it. I do a shot for you.

1809
01:36:32,600 --> 01:36:39,800
Speaker 1: I'm sick, ginger. I Yeah, we're all sick. I've been

1810
01:36:41,600 --> 01:36:44,439
Speaker 1: I do my partners shot, don't he's doing a shot

1811
01:36:44,479 --> 01:36:47,960
Speaker 1: with He's a real part he's a real moment. I

1812
01:36:47,960 --> 01:36:50,360
Speaker 1: don't want to be the guy that said, do you

1813
01:36:50,479 --> 01:36:55,800
Speaker 1: understand where Brooklyn is? When the person says a guy

1814
01:36:55,840 --> 01:36:59,640
Speaker 1: who doesn't say no to the shot, that's what you up.

1815
01:37:00,800 --> 01:37:04,320
Speaker 1: That's des disrespectful. You didn't take you all?

1816
01:37:04,360 --> 01:37:05,719
Speaker 4: This shows what are you talking?

1817
01:37:05,760 --> 01:37:07,880
Speaker 1: No, brother, just poured that. I'm watching.

1818
01:37:08,280 --> 01:37:11,880
Speaker 2: Oh man, I'm watching you thought crazy right now?

1819
01:37:12,000 --> 01:37:17,879
Speaker 1: The man really because you know why Brunt the Jewels

1820
01:37:18,200 --> 01:37:21,080
Speaker 1: is the motherfucking number one album in the country. You

1821
01:37:21,160 --> 01:37:30,120
Speaker 1: know we're gonna last. Yeah, ship, I just learned karate

1822
01:37:30,280 --> 01:37:34,920
Speaker 1: on that shot. I'm racious basis. It definitely wasn't a

1823
01:37:35,000 --> 01:37:37,439
Speaker 1: good It definitely was a good. Thanks for having me

1824
01:37:37,479 --> 01:37:40,760
Speaker 1: on your album. No, thank you for being thank you man.

1825
01:37:41,200 --> 01:37:47,679
Speaker 2: Definitely we about to roll because we shot out cubs

1826
01:37:47,760 --> 01:37:48,240
Speaker 2: like you're.

1827
01:37:48,160 --> 01:37:50,880
Speaker 1: Man, he's just those young rappers wrapping his ass off. Yeah,

1828
01:37:50,880 --> 01:37:54,400
Speaker 1: you are right for us in Atlanta. Oh, I ain't

1829
01:37:54,400 --> 01:37:59,920
Speaker 1: gonna make the nigga yea or is he?

1830
01:38:00,080 --> 01:38:00,280
Speaker 2: Yeah?

1831
01:38:00,520 --> 01:38:01,800
Speaker 1: Yeah, he's he was around.

1832
01:38:01,840 --> 01:38:03,639
Speaker 2: You might just skated out of here with such facts,

1833
01:38:03,760 --> 01:38:07,000
Speaker 2: but he was because light Year he got a single

1834
01:38:07,080 --> 01:38:07,960
Speaker 2: called poss and pants.

1835
01:38:07,960 --> 01:38:10,639
Speaker 1: I wrapped on it with him and that motherfucker five

1836
01:38:10,720 --> 01:38:13,920
Speaker 1: we just shot the video. Are you satisfied what you

1837
01:38:14,000 --> 01:38:16,040
Speaker 1: did in the industry or you still.

1838
01:38:15,840 --> 01:38:18,240
Speaker 2: Want more I'm doing so I can't be satisfied with

1839
01:38:18,240 --> 01:38:19,920
Speaker 2: what I did, Like I'm gonna tell you.

1840
01:38:19,960 --> 01:38:20,960
Speaker 1: I'm gonna tell you the purpose.

1841
01:38:21,439 --> 01:38:24,280
Speaker 2: Every run of Jewels record has gotten better because we

1842
01:38:24,439 --> 01:38:27,760
Speaker 2: remain unsatisfied every record. We gotta top ourself. As long

1843
01:38:27,800 --> 01:38:30,479
Speaker 2: as I keep that mentality, we hear it like I want.

1844
01:38:30,600 --> 01:38:33,240
Speaker 2: We have a fucking Michael Jordan and Kobe Bryant mentality

1845
01:38:33,240 --> 01:38:36,520
Speaker 2: when it comes to motherfucking rapping, Like I be goddamn.

1846
01:38:36,680 --> 01:38:38,559
Speaker 1: If you say the motherfucker's want dope, you.

1847
01:38:38,560 --> 01:38:40,160
Speaker 2: Can say, I don't fuck with you said I don't

1848
01:38:40,160 --> 01:38:42,560
Speaker 2: fuck with them, but fuck you, motherfucker. You're gonna know

1849
01:38:42,600 --> 01:38:44,240
Speaker 2: if I get on the track, well he get on

1850
01:38:44,280 --> 01:38:46,639
Speaker 2: the track with your favorite rapper, We're going to try

1851
01:38:46,760 --> 01:38:49,559
Speaker 2: to wipe the motherfuckers down every time.

1852
01:38:50,560 --> 01:38:53,880
Speaker 1: I mean, like, that's what it is. That's what it is.

1853
01:38:54,040 --> 01:38:57,240
Speaker 1: So hip hop has never died, It can't die, never died,

1854
01:38:57,520 --> 01:39:01,120
Speaker 1: so talk about it. How can it? Like, motherfucker like

1855
01:39:01,280 --> 01:39:04,439
Speaker 1: you listen to Scarface out, who all you motherfuckers. I

1856
01:39:04,520 --> 01:39:05,800
Speaker 1: want to rap. I want to be a rapper.

1857
01:39:05,880 --> 01:39:08,080
Speaker 2: I want to go listen to a Scarface record. I

1858
01:39:08,240 --> 01:39:09,679
Speaker 2: was listening to him in the seventh grade.

1859
01:39:09,920 --> 01:39:11,759
Speaker 1: So how to fun. I'm gonna rest on my laurels.

1860
01:39:12,439 --> 01:39:14,840
Speaker 1: It's just that's her forms Gucci Man a new scarf,

1861
01:39:15,439 --> 01:39:25,200
Speaker 1: look like that because this is because man have to go.

1862
01:39:25,560 --> 01:39:28,280
Speaker 2: You know what, man, rapper deserve the greatest ar in

1863
01:39:28,320 --> 01:39:30,840
Speaker 2: the game. I think he the new Puffy. He's picked

1864
01:39:30,920 --> 01:39:33,680
Speaker 2: more fucking stars out of Atlanta than any an all

1865
01:39:34,479 --> 01:39:37,639
Speaker 2: he has made. He's a He's an incredible motherfucker rapp.

1866
01:39:37,680 --> 01:39:40,360
Speaker 2: He's incredibly entertainer. I salute some love for him and

1867
01:39:40,439 --> 01:39:43,040
Speaker 2: his wife. He's but that motherfucker knows how to pick

1868
01:39:43,120 --> 01:39:43,360
Speaker 2: a star.

1869
01:39:43,520 --> 01:39:47,439
Speaker 1: Man. He picked me, though he pick picked to me.

1870
01:39:47,560 --> 01:39:49,840
Speaker 2: He's picked the last five years of Atlanta and not

1871
01:39:49,960 --> 01:39:52,000
Speaker 2: even picked on I'm your big home.

1872
01:39:52,120 --> 01:39:55,360
Speaker 1: Like he just genuine like he fucked with it. And

1873
01:39:55,800 --> 01:39:57,840
Speaker 1: that's what's cure about him. Like he fucked with you,

1874
01:39:58,360 --> 01:39:59,240
Speaker 1: like he fucked with you.

1875
01:39:59,360 --> 01:40:02,240
Speaker 2: He gonna fuck like I remember pledge to walking in

1876
01:40:02,280 --> 01:40:04,840
Speaker 2: the studio saying ain't good. I got a fucking verse now,

1877
01:40:04,880 --> 01:40:06,720
Speaker 2: you're jump on the fum me if thirty minutes later,

1878
01:40:06,880 --> 01:40:08,080
Speaker 2: head's verse on Amma.

1879
01:40:08,360 --> 01:40:09,679
Speaker 1: Just like Mike I feel.

1880
01:40:09,720 --> 01:40:11,040
Speaker 2: But we've been like when he came to be, like

1881
01:40:11,080 --> 01:40:12,400
Speaker 2: hey man, I want to do put your on black

1882
01:40:12,439 --> 01:40:13,680
Speaker 2: T shirt remixed bo.

1883
01:40:13,920 --> 01:40:16,040
Speaker 1: So he's never not been the same human being. Man.

1884
01:40:16,120 --> 01:40:19,840
Speaker 2: I applaud that motherfucker every time. It's a loute man.

1885
01:40:19,840 --> 01:40:21,920
Speaker 2: Absolute man. I was just big up Gucci Man.

1886
01:40:21,920 --> 01:40:22,240
Speaker 1: I got that.

1887
01:40:26,720 --> 01:40:30,920
Speaker 2: Man hung up on one time man because like here

1888
01:40:31,120 --> 01:40:31,919
Speaker 2: you're gonna continue.

1889
01:40:32,439 --> 01:40:37,120
Speaker 1: Sorry, help showbody Drake. So we gotta do a lot

1890
01:40:37,120 --> 01:40:41,720
Speaker 1: of things were stretching. Woa, we gotta get out of here.

1891
01:40:41,800 --> 01:40:47,519
Speaker 3: Center very alright, come on, let's do a picture and listen.

1892
01:40:47,720 --> 01:40:51,360
Speaker 1: Fun makes annoying, mother fucking ship. I pologize and you

1893
01:40:51,520 --> 01:40:56,280
Speaker 1: just did. No, we didn't, so let's just think that

1894
01:40:56,400 --> 01:41:01,439
Speaker 1: we're coming. Mother fuck. We got rub the jewels on

1895
01:41:01,520 --> 01:41:09,439
Speaker 1: my fucking housepeakes some noice buck up by your pig, Bo.

1896
01:41:09,600 --> 01:41:12,880
Speaker 1: That was better. You're right, all right,