1 00:00:05,680 --> 00:00:08,560 Speaker 1: Found oyster. That's the spot next to Besties that I 2 00:00:08,640 --> 00:00:10,000 Speaker 1: was thinking of found oyster. 3 00:00:10,600 --> 00:00:11,400 Speaker 2: Yeah. 4 00:00:11,080 --> 00:00:12,639 Speaker 3: Oysters freaked me out. 5 00:00:12,960 --> 00:00:16,360 Speaker 2: Yeah, not something that I want to have like found, 6 00:00:16,760 --> 00:00:20,959 Speaker 2: you know, I want them very meticulously for me. 7 00:00:21,440 --> 00:00:27,160 Speaker 1: Yeah, to be raised in captivity. Yeah, oysters, not yet. 8 00:00:27,160 --> 00:00:28,680 Speaker 1: I don want to come upon an oyster. 9 00:00:28,800 --> 00:00:31,600 Speaker 2: Yeah yeah, I just found it out on the sidewalk 10 00:00:31,640 --> 00:00:35,040 Speaker 2: a minute ago. Do you want to know, because that's 11 00:00:35,080 --> 00:00:35,320 Speaker 2: the thing. 12 00:00:35,360 --> 00:00:37,720 Speaker 1: I know vegans who started eating them because someone came through. 13 00:00:37,760 --> 00:00:39,720 Speaker 1: It's like they lack of central nervous system. 14 00:00:40,040 --> 00:00:40,920 Speaker 2: They're oh. 15 00:00:42,840 --> 00:00:46,199 Speaker 3: Yeah, no, I remember that whole that whole conversation happening, 16 00:00:46,240 --> 00:00:48,520 Speaker 3: and I just couldn't care less because that I would 17 00:00:48,680 --> 00:00:51,920 Speaker 3: avoid oysters like the deacon. 18 00:00:52,600 --> 00:00:55,640 Speaker 1: Yeah yeah, I only know one person who used that 19 00:00:55,720 --> 00:00:57,640 Speaker 1: to be like, oh I'm meeting that every other vegan 20 00:00:57,680 --> 00:01:00,280 Speaker 1: And I was like, nah, it's still registers. It's like 21 00:01:00,320 --> 00:01:02,840 Speaker 1: a animal because it's in Ah Like no, well, it. 22 00:01:02,880 --> 00:01:05,240 Speaker 3: Just still registers as nasty as fuck to me. 23 00:01:05,400 --> 00:01:09,039 Speaker 2: Yeah, it is a snot based food. 24 00:01:09,680 --> 00:01:12,280 Speaker 1: Finn, You're a kicky girl and I'm a nasty gal. 25 00:01:13,680 --> 00:01:15,560 Speaker 1: I like my shit's droopy. 26 00:01:15,920 --> 00:01:20,200 Speaker 3: Oh okay, I'm happy for you and think be different, 27 00:01:20,200 --> 00:01:21,160 Speaker 3: and that's a good thing. 28 00:01:21,480 --> 00:01:30,200 Speaker 2: I love that for us. Hello the Internet, and welcome 29 00:01:30,240 --> 00:01:33,279 Speaker 2: to season four or four, Episode four of Dirnely Guys. 30 00:01:33,840 --> 00:01:35,760 Speaker 2: It's a production by Heart Radio. It's a podcast we're 31 00:01:35,800 --> 00:01:38,680 Speaker 2: taking deep to have into American chair conscience. It says Thursday, 32 00:01:38,760 --> 00:01:42,000 Speaker 2: September fifth, twenty twenty five. Feel like to speed run 33 00:01:42,080 --> 00:01:46,119 Speaker 2: this bitch Friday. It's Friday, September fifth, twenty You want 34 00:01:46,120 --> 00:01:49,160 Speaker 2: to work again tomorrow, that's up to you. You're and 35 00:01:49,200 --> 00:01:50,840 Speaker 2: your guy. Nah, we're almighty dollar. 36 00:01:51,640 --> 00:01:54,960 Speaker 1: It's also National Kiyanti Day. To compare that with some 37 00:01:55,120 --> 00:01:58,760 Speaker 1: fava beans. It's National Food Bank Day, National Lazy Mom's Day. 38 00:01:59,240 --> 00:01:59,960 Speaker 2: The fuck does that? Okay? 39 00:02:00,840 --> 00:02:03,600 Speaker 1: National beat Late for Something Day, National. 40 00:02:03,320 --> 00:02:07,240 Speaker 2: Cheese Pizza Day. Okay. I hope Lazy Mom's Day was 41 00:02:07,280 --> 00:02:10,440 Speaker 2: invented by a lazy mom and not like a dad. 42 00:02:10,720 --> 00:02:13,640 Speaker 1: In nineteen fifty seven by Rick Stebling. 43 00:02:15,160 --> 00:02:21,520 Speaker 2: I'm gonna look into them, the inventor of the homemade 44 00:02:21,600 --> 00:02:22,400 Speaker 2: lie detector. 45 00:02:25,040 --> 00:02:27,280 Speaker 1: I guess this National Lazy Mom's Day again. 46 00:02:27,400 --> 00:02:31,120 Speaker 2: Huh? What the fuck? Rick? See you later. I feel 47 00:02:31,120 --> 00:02:35,560 Speaker 2: like we needed to speed run this episode because we 48 00:02:35,919 --> 00:02:38,440 Speaker 2: left our guest waiting for a long time and then 49 00:02:38,480 --> 00:02:40,880 Speaker 2: also ended up talking for like twenty minutes for the 50 00:02:41,040 --> 00:02:43,600 Speaker 2: guest before we started recording. 51 00:02:43,320 --> 00:02:44,480 Speaker 3: And it was a conversation. 52 00:02:44,720 --> 00:02:47,720 Speaker 2: Yeah. Yeah, it was a lot of fun conversation about 53 00:02:47,760 --> 00:02:51,320 Speaker 2: snot based foods that maybe we can get into. My 54 00:02:51,440 --> 00:02:55,440 Speaker 2: name is Jack O'Brien aka Potatoes O'Brien, and I'm thrilled 55 00:02:55,440 --> 00:02:57,840 Speaker 2: to be joined as always buy my co host mister 56 00:02:57,960 --> 00:03:01,919 Speaker 2: Miles Grass Miles Gray, He's. 57 00:03:01,000 --> 00:03:04,880 Speaker 3: The smoke blood went past A long. 58 00:03:04,639 --> 00:03:08,359 Speaker 2: Time later joined our Heart podcast talking. 59 00:03:08,200 --> 00:03:10,320 Speaker 3: To guys with mister o'brown. 60 00:03:12,160 --> 00:03:14,560 Speaker 2: Second, Rachel, We're doing fine. 61 00:03:14,600 --> 00:03:16,440 Speaker 1: Okay, shout out Hanah ram if you shout a handah 62 00:03:16,480 --> 00:03:19,600 Speaker 1: SOULDI for that Heart of Glass. Okay, been a Minnehannah 63 00:03:19,639 --> 00:03:21,840 Speaker 1: where you've been yal mischief. 64 00:03:22,080 --> 00:03:25,320 Speaker 2: Great to hear from her. I love how just ambitiously 65 00:03:25,480 --> 00:03:29,680 Speaker 2: high you went from the start Heart Glass. You can't 66 00:03:29,720 --> 00:03:33,399 Speaker 2: be like you a smoke bud with like nah. 67 00:03:33,960 --> 00:03:37,800 Speaker 3: It's very castrato of you. I was inspired, Oh thank you. 68 00:03:37,840 --> 00:03:40,920 Speaker 1: I just saw the film Farinelli and was inspired by that. 69 00:03:41,960 --> 00:03:44,120 Speaker 1: That movie is it's I My mom took me to 70 00:03:44,120 --> 00:03:46,360 Speaker 1: this Italian art film when I was seven years old, 71 00:03:46,400 --> 00:03:50,040 Speaker 1: and it's about a castrati uh and I kept asking mom, 72 00:03:50,240 --> 00:03:52,320 Speaker 1: what's happening? What is what are they doing to him? 73 00:03:52,360 --> 00:03:55,240 Speaker 1: Why is he in that white bathtub? It was very, 74 00:03:55,560 --> 00:03:59,040 Speaker 1: very freaky film. And you said you just saw this. Yeah, 75 00:03:59,080 --> 00:04:01,640 Speaker 1: I wanted to tell you, like just turn eight. No, 76 00:04:01,680 --> 00:04:03,680 Speaker 1: and I was bringing it back. Sorry, I just rewatched 77 00:04:03,720 --> 00:04:06,160 Speaker 1: it because I was like, did I see this? And 78 00:04:06,200 --> 00:04:10,800 Speaker 1: I'm like, oh, my parents, look babysitting was at a premium, 79 00:04:10,800 --> 00:04:13,720 Speaker 1: so like, you're coming with me to see this film 80 00:04:13,840 --> 00:04:15,040 Speaker 1: that's not children. 81 00:04:15,200 --> 00:04:15,560 Speaker 2: Yeah. 82 00:04:15,640 --> 00:04:17,200 Speaker 3: So it was one of those that felt like it 83 00:04:17,240 --> 00:04:18,400 Speaker 3: was maybe a fever dream. 84 00:04:19,560 --> 00:04:22,599 Speaker 2: Yeah, yeah, probably because I'm like, there's no way my mind. 85 00:04:22,600 --> 00:04:24,640 Speaker 1: And then I remember my friend also went, like a 86 00:04:24,680 --> 00:04:26,280 Speaker 1: really close family friend of mine, and we were both like, 87 00:04:26,320 --> 00:04:30,320 Speaker 1: we saw that movie Faranelly right together Faara and Nelly. 88 00:04:30,640 --> 00:04:31,080 Speaker 2: Yeah. 89 00:04:31,680 --> 00:04:34,919 Speaker 1: I think it was a famous was a famous castrati? 90 00:04:35,680 --> 00:04:36,040 Speaker 3: Okay? 91 00:04:36,120 --> 00:04:42,120 Speaker 1: Yeah, yeah, it's a film about a famous castrato from 92 00:04:42,160 --> 00:04:43,000 Speaker 1: the eighteenth century. 93 00:04:43,080 --> 00:04:46,280 Speaker 3: Yeah, that's some spooky stuff. I had this movie that 94 00:04:46,440 --> 00:04:48,679 Speaker 3: I swore I made up, and it's actually a super 95 00:04:48,680 --> 00:04:52,200 Speaker 3: popular movie. But the Batman returns, the one with the pimblem. 96 00:04:53,960 --> 00:04:57,120 Speaker 3: I no, I swear I made it up because I 97 00:04:57,200 --> 00:05:00,200 Speaker 3: just had this intrusive thought all the time of some 98 00:05:00,360 --> 00:05:03,680 Speaker 3: like you know, dripping wet man biting someone's nose off, 99 00:05:03,720 --> 00:05:06,920 Speaker 3: And I was like, well, like you just. 100 00:05:06,920 --> 00:05:08,240 Speaker 2: Had that part in your head. 101 00:05:08,480 --> 00:05:10,599 Speaker 3: Yeah, And I was like, certainly that's just a nightmare 102 00:05:10,640 --> 00:05:12,880 Speaker 3: that I conjured up when I was a toddler, But no, 103 00:05:12,920 --> 00:05:15,080 Speaker 3: it is because we had the VHS and I would 104 00:05:15,080 --> 00:05:17,520 Speaker 3: watch it all the time, and I only discovered that 105 00:05:17,560 --> 00:05:22,560 Speaker 3: it was a real moment from cinema until recently when 106 00:05:22,560 --> 00:05:24,359 Speaker 3: I went through all of our old vhs is and 107 00:05:24,400 --> 00:05:27,320 Speaker 3: I watched that and You're like, yeah, it was real 108 00:05:27,480 --> 00:05:30,520 Speaker 3: flash yeaheah. And I was really holding that against myself 109 00:05:30,520 --> 00:05:35,080 Speaker 3: for conjuring such a horrible image, the. 110 00:05:34,720 --> 00:05:37,719 Speaker 2: Black stuff coming like, there's but black stuff that comes 111 00:05:37,760 --> 00:05:42,120 Speaker 2: out of his mouth. It's it's a lot. It's thanks 112 00:05:42,120 --> 00:05:45,680 Speaker 2: a lot, Timber Miles. We're throwing to be joined in 113 00:05:45,720 --> 00:05:48,560 Speaker 2: our third seat by a very talented actor a musician 114 00:05:48,960 --> 00:05:51,240 Speaker 2: you've seen in shows like Queer as Folk and the 115 00:05:51,320 --> 00:05:57,360 Speaker 2: other two come on favorites, one of our all time. 116 00:05:58,279 --> 00:06:02,599 Speaker 2: They also appear in movies. Little slang term I like 117 00:06:02,640 --> 00:06:06,839 Speaker 2: to use for pictures that move moving pictures. Okay, you 118 00:06:06,839 --> 00:06:09,960 Speaker 2: guys have to check these things out. They co host 119 00:06:10,040 --> 00:06:14,880 Speaker 2: the wonderful podcast One of Us with standout guest Chris Remfro. 120 00:06:15,120 --> 00:06:19,520 Speaker 2: On this very podcast, please welcome the multi talented Finn Argy. 121 00:06:23,080 --> 00:06:27,360 Speaker 1: Good morning, good morning, Good morning, Finn. Gotta say bit 122 00:06:27,440 --> 00:06:31,640 Speaker 1: starstruck because I loved you and the other two. I 123 00:06:31,680 --> 00:06:36,560 Speaker 1: couldn't stop laughing at your character, which I thought was 124 00:06:36,680 --> 00:06:40,320 Speaker 1: so fucking genius. Just the whole construction of that character 125 00:06:40,720 --> 00:06:41,719 Speaker 1: fucking took me out. 126 00:06:41,800 --> 00:06:42,720 Speaker 2: So thank you. 127 00:06:43,200 --> 00:06:45,120 Speaker 1: I'd love to be able to thank somebody for the 128 00:06:45,200 --> 00:06:46,200 Speaker 1: laughs face to face. 129 00:06:46,320 --> 00:06:49,799 Speaker 3: So I'm honored. I'm honored. My friend Gilly also wrote 130 00:06:49,800 --> 00:06:53,479 Speaker 3: that character, like Pitch, the character in the show, so 131 00:06:53,720 --> 00:06:55,960 Speaker 3: she is she's to blame for that. 132 00:06:56,440 --> 00:07:00,200 Speaker 2: Ah, thank you. Yeah, yeah, that. 133 00:07:00,200 --> 00:07:01,800 Speaker 3: Was so much fun. I lived in New York for 134 00:07:01,839 --> 00:07:06,040 Speaker 3: like four months, and the character, as as you might remember, 135 00:07:06,120 --> 00:07:08,400 Speaker 3: is like kind of in just in the background a 136 00:07:08,400 --> 00:07:10,840 Speaker 3: lot of the time. Yeah, Like I'm not I didn't 137 00:07:10,880 --> 00:07:13,240 Speaker 3: have a lot to do except for be creepy in 138 00:07:13,280 --> 00:07:19,560 Speaker 3: the background of shops. Thank you, thank you so much. 139 00:07:19,880 --> 00:07:21,640 Speaker 3: But it was the best four months in my life. 140 00:07:21,680 --> 00:07:23,200 Speaker 3: I just got to live in New York in two 141 00:07:23,280 --> 00:07:25,480 Speaker 3: days a week. I would stand in the background while 142 00:07:25,520 --> 00:07:29,440 Speaker 3: these incredibly talented and funny actors did scenes in front 143 00:07:29,480 --> 00:07:33,440 Speaker 3: of me. It was it was the Princess track. I 144 00:07:33,440 --> 00:07:34,200 Speaker 3: had the best time. 145 00:07:34,560 --> 00:07:37,400 Speaker 1: I just loved just there was always something getting in 146 00:07:37,440 --> 00:07:41,320 Speaker 1: the way every time. Yeah, wonderful, wonderful. 147 00:07:41,440 --> 00:07:42,760 Speaker 3: Carrie just wanted to get it in. 148 00:07:42,880 --> 00:07:46,160 Speaker 1: But yeah, preparing for a role, it's you take your 149 00:07:46,160 --> 00:07:47,520 Speaker 1: craft seriously, you know. 150 00:07:47,520 --> 00:07:51,960 Speaker 3: I really do. No, that was a really fun character 151 00:07:52,000 --> 00:07:54,920 Speaker 3: because I also had this like, prior to doing that, 152 00:07:54,960 --> 00:07:57,240 Speaker 3: I hadn't really done any comedy. I had just done 153 00:07:57,360 --> 00:08:00,520 Speaker 3: heavy dramas, and it felt good to make fun of 154 00:08:00,560 --> 00:08:01,520 Speaker 3: myself a little bit. 155 00:08:01,880 --> 00:08:05,640 Speaker 2: Yeah, yeah, that's so. Are you from Los Angeles? Are 156 00:08:05,640 --> 00:08:10,080 Speaker 2: you from the City of Stars as nobody calls it. 157 00:08:13,400 --> 00:08:16,280 Speaker 3: I grew up a small town called the Splains, and 158 00:08:16,520 --> 00:08:18,760 Speaker 3: I moved to LA when I was fifteen. I actually 159 00:08:18,760 --> 00:08:20,320 Speaker 3: started acting when I was twelve. 160 00:08:20,880 --> 00:08:23,880 Speaker 1: Oh wow, Yeah, did you move to Did you move 161 00:08:23,880 --> 00:08:25,040 Speaker 1: to the oak Wood when you first. 162 00:08:24,880 --> 00:08:25,480 Speaker 2: Moved out here? 163 00:08:25,680 --> 00:08:28,920 Speaker 3: No, close, though, I moved to what was referred to 164 00:08:28,960 --> 00:08:32,720 Speaker 3: as the Artstone at the time. It's by Ava, of course, 165 00:08:32,880 --> 00:08:36,800 Speaker 3: like every apartment complex. Yes, but it was kind of 166 00:08:36,840 --> 00:08:40,320 Speaker 3: like the oak Wood Light like it was close enough 167 00:08:40,360 --> 00:08:45,480 Speaker 3: and it had the same energy, like, oh, yeah, yeah, 168 00:08:45,520 --> 00:08:46,240 Speaker 3: that's where I lived. 169 00:08:47,040 --> 00:08:48,080 Speaker 2: Yeah, yeah, yeah, exactly. 170 00:08:48,160 --> 00:08:50,400 Speaker 1: Yeah, it's it's what's like one of three places where 171 00:08:50,400 --> 00:08:52,079 Speaker 1: people who move out here to act when they're young 172 00:08:52,160 --> 00:08:52,440 Speaker 1: end up. 173 00:08:52,480 --> 00:08:53,480 Speaker 2: It's one of those. Yeah. 174 00:08:54,120 --> 00:08:56,920 Speaker 3: It was the artstone for me, and I loved it. 175 00:08:56,920 --> 00:08:58,560 Speaker 3: Does a dream come true? I moved out here and 176 00:08:58,559 --> 00:09:02,280 Speaker 3: I was doing like little Disney stuff and the intention 177 00:09:02,480 --> 00:09:03,959 Speaker 3: was to be out here for a couple of months 178 00:09:03,960 --> 00:09:06,880 Speaker 3: in the summer and then go back to Illinois because 179 00:09:06,880 --> 00:09:10,840 Speaker 3: it was a month to month apartment. And then I 180 00:09:10,880 --> 00:09:12,720 Speaker 3: just started booking things. 181 00:09:12,600 --> 00:09:22,240 Speaker 2: Too damn successful for that. Illinois Sorry Plains. Yeah, I 182 00:09:22,280 --> 00:09:25,080 Speaker 2: feel like I know that it's a small town. It's 183 00:09:25,080 --> 00:09:28,840 Speaker 2: just I think I've been mispronouncing it day plane or something. 184 00:09:29,520 --> 00:09:34,200 Speaker 3: How French ship you Yeah, I know, yeahs. It's known 185 00:09:34,520 --> 00:09:37,600 Speaker 3: for a couple of things. The first ever franchise McDonald's 186 00:09:37,640 --> 00:09:39,720 Speaker 3: was built there, but there they tore it down. 187 00:09:41,120 --> 00:09:46,160 Speaker 2: Is mentioned in the Uh John Stevens concept album Illinois. 188 00:09:46,320 --> 00:09:49,160 Speaker 3: I don't think the I don't think the town is 189 00:09:49,240 --> 00:09:51,360 Speaker 3: mentioned by again, but there is a reference. I mean, 190 00:09:51,360 --> 00:09:55,280 Speaker 3: there's a whole song John Wayne Gacy Jr. And unfortunately 191 00:09:55,600 --> 00:09:58,760 Speaker 3: he you know, kidnapped people who went to my high school. 192 00:09:59,400 --> 00:10:03,200 Speaker 3: Oh my, he was also arrested in displays. That's where 193 00:10:03,200 --> 00:10:04,520 Speaker 3: the final arrest was made. 194 00:10:05,240 --> 00:10:11,360 Speaker 2: That's that's so two very clown like clown based things 195 00:10:11,800 --> 00:10:16,439 Speaker 2: happening in your hometown, and then you become a third 196 00:10:18,640 --> 00:10:23,200 Speaker 2: a proud tradition. How many podcasts was part of a 197 00:10:23,240 --> 00:10:26,120 Speaker 2: proud clown clown based tradition. 198 00:10:26,600 --> 00:10:29,520 Speaker 3: Yeah, and I hate clowns, but I did find myself 199 00:10:30,040 --> 00:10:34,640 Speaker 3: actually inspired by Chris Renfro to do clowney drag so 200 00:10:35,120 --> 00:10:37,760 Speaker 3: that's fun. Yeah, living up to my legacy. 201 00:10:38,320 --> 00:10:43,439 Speaker 2: And did I read that you have some kids bop background? 202 00:10:44,040 --> 00:10:49,000 Speaker 3: Yeah? Yeah, that was my job singers. Yeah when I 203 00:10:49,040 --> 00:10:49,400 Speaker 3: was twelve. 204 00:10:49,480 --> 00:10:52,880 Speaker 2: Yes, that's the only way manager. 205 00:10:55,320 --> 00:10:58,640 Speaker 3: To be the tour manager. And it's crazy, you know, 206 00:10:58,760 --> 00:11:02,480 Speaker 3: between algebra class and that's from gym. But no, I 207 00:11:02,520 --> 00:11:04,880 Speaker 3: made it work. My parents were very supportive. I didn't 208 00:11:04,920 --> 00:11:07,080 Speaker 3: open casting when I was twelve. I just sent in 209 00:11:07,120 --> 00:11:10,160 Speaker 3: a video of me singing and dancing and playing my 210 00:11:10,200 --> 00:11:13,280 Speaker 3: instruments and wearing my I actually did costume changes. I 211 00:11:13,400 --> 00:11:14,960 Speaker 3: changed my Fedora like twice. 212 00:11:19,160 --> 00:11:19,559 Speaker 2: Yeah. 213 00:11:19,640 --> 00:11:24,560 Speaker 3: I was really into sh I thought I was like 214 00:11:24,800 --> 00:11:28,080 Speaker 3: Minnie Jason Moras. Okay, and in a lot of ways 215 00:11:28,080 --> 00:11:31,760 Speaker 3: I was, yeah, except for just not nearly as good 216 00:11:31,760 --> 00:11:35,120 Speaker 3: of a singer. But I was twelve. Yeah, I was twelve. 217 00:11:36,080 --> 00:11:39,920 Speaker 3: I watched that video recently. Yeah, and it is crazy. 218 00:11:39,920 --> 00:11:42,360 Speaker 2: Your VHS rewatch. Yeah. 219 00:11:42,559 --> 00:11:45,160 Speaker 3: No, I can't remember why it came up. My friend 220 00:11:45,160 --> 00:11:49,600 Speaker 3: did a sketch at there's this sket show at UCB 221 00:11:49,760 --> 00:11:53,040 Speaker 3: called Asketch and it's just like a monthly hour long 222 00:11:53,120 --> 00:11:56,800 Speaker 3: sketch show. And they did a sketch called adult Spop 223 00:11:57,160 --> 00:11:59,760 Speaker 3: where it's just former kids pop kids who have grown 224 00:11:59,800 --> 00:12:04,560 Speaker 3: up into capitalize on that success, which is the story 225 00:12:04,600 --> 00:12:05,240 Speaker 3: of my life. 226 00:12:05,679 --> 00:12:05,880 Speaker 4: Yeah. 227 00:12:06,000 --> 00:12:11,320 Speaker 2: Sure, so trying to reach those heady highs the early Yeah, 228 00:12:11,360 --> 00:12:14,560 Speaker 2: there's nothing like singing the kids bop version of thrift 229 00:12:14,600 --> 00:12:16,720 Speaker 2: Shop to like really make you feel like you're living 230 00:12:16,760 --> 00:12:19,800 Speaker 2: your purpose. Oh shit, what so, like, do is there 231 00:12:19,800 --> 00:12:22,160 Speaker 2: one that stands out to you as like your peak 232 00:12:22,280 --> 00:12:23,400 Speaker 2: kids bup moment? 233 00:12:24,320 --> 00:12:26,160 Speaker 3: I think it actually was thrift Shop And I'm not 234 00:12:26,200 --> 00:12:29,400 Speaker 3: even joking, Like it was so funny and silly bars 235 00:12:29,800 --> 00:12:33,079 Speaker 3: that every time we performed it, because we did we toured, 236 00:12:33,480 --> 00:12:36,640 Speaker 3: We did like full tours around the country and sometimes 237 00:12:36,720 --> 00:12:40,160 Speaker 3: up in Canada. Uh So that one was always the 238 00:12:40,200 --> 00:12:41,079 Speaker 3: most fun range. 239 00:12:41,800 --> 00:12:43,880 Speaker 1: Can you just can can you just give me the 240 00:12:43,960 --> 00:12:46,520 Speaker 1: lyrics for the chorus into the first verse because I 241 00:12:46,840 --> 00:12:50,560 Speaker 1: only remember, I know that it's twenty dollars. I'm hunt 242 00:12:50,640 --> 00:12:53,880 Speaker 1: looking forward, come up. This is fucking awesome. And then 243 00:12:53,880 --> 00:12:56,680 Speaker 1: then you say like, what up, I got a big cock? Yes, 244 00:12:56,920 --> 00:12:58,880 Speaker 1: Like opening line is walk up in the club? 245 00:12:58,960 --> 00:13:03,600 Speaker 3: Like, what up? I got a big and kids Bop 246 00:13:03,720 --> 00:13:06,600 Speaker 3: changed it to walk up in the club, like whatever, 247 00:13:06,640 --> 00:13:07,720 Speaker 3: I got a hit song. 248 00:13:08,240 --> 00:13:09,520 Speaker 2: That's why I'm so pumped. 249 00:13:10,000 --> 00:13:12,760 Speaker 3: He got some clothes from the thrift shop. There you go, 250 00:13:13,080 --> 00:13:14,840 Speaker 3: this is so awesome. 251 00:13:15,200 --> 00:13:20,880 Speaker 1: Yeah, this is really awesome, awesome, Yeah, it's super super awesome. 252 00:13:21,800 --> 00:13:26,840 Speaker 2: Just replace fuck with really and it'll usually work. Yeah. 253 00:13:26,880 --> 00:13:27,760 Speaker 3: I want to reel you. 254 00:13:28,440 --> 00:13:30,400 Speaker 2: Yeah yeah. 255 00:13:30,679 --> 00:13:33,320 Speaker 3: Kids Bob does choose some crazy songs to cover, though, 256 00:13:33,520 --> 00:13:36,280 Speaker 3: like songs that shouldn't have made the cut, like thrift 257 00:13:36,280 --> 00:13:39,160 Speaker 3: Shop for example. But sometimes it's even it's even more 258 00:13:39,280 --> 00:13:42,240 Speaker 3: like innuendo than that, and they just like throw a 259 00:13:42,320 --> 00:13:44,280 Speaker 3: random word in there and call it a day. I 260 00:13:44,280 --> 00:13:47,000 Speaker 3: know the guy who does it, forty year old gay 261 00:13:47,000 --> 00:13:48,439 Speaker 3: man and he's just having a blast. 262 00:13:49,080 --> 00:13:51,840 Speaker 2: Good for him. Yeah, that must be a great gig 263 00:13:51,960 --> 00:13:55,840 Speaker 2: to just be like I kids bopify regular like hit songs. 264 00:13:56,200 --> 00:13:58,960 Speaker 3: Yeah, and that is his job, Like there's he's not 265 00:13:59,080 --> 00:14:01,600 Speaker 3: like overseeing well things, it's like that's the thing that 266 00:14:01,640 --> 00:14:02,079 Speaker 3: he does. 267 00:14:03,040 --> 00:14:05,240 Speaker 2: Yeah, I don't know if you would, I would assume 268 00:14:05,280 --> 00:14:08,000 Speaker 2: it's like an entire factory of people doing that. So 269 00:14:08,040 --> 00:14:10,920 Speaker 2: the fact that it's one person is pretty yay. 270 00:14:11,480 --> 00:14:13,760 Speaker 3: Yeah, well maybe there is. There's got to be a 271 00:14:13,800 --> 00:14:17,240 Speaker 3: writer's room actually, now that any think about it, but 272 00:14:17,280 --> 00:14:18,240 Speaker 3: I only knew one. 273 00:14:18,520 --> 00:14:21,200 Speaker 2: Sure. All right, well, Finn, we're thrilled to have you here. 274 00:14:21,200 --> 00:14:22,400 Speaker 2: We're going to get to know you a little bit 275 00:14:22,400 --> 00:14:24,840 Speaker 2: better in a moment. First, a couple of stories we're 276 00:14:24,840 --> 00:14:28,360 Speaker 2: talking about. We're going to talk about Trump trying to 277 00:14:28,440 --> 00:14:32,800 Speaker 2: drown out, the Epstein survivors press conference with jet flyovers, 278 00:14:33,680 --> 00:14:39,080 Speaker 2: specifically one of the survivors that was speaking and has 279 00:14:39,080 --> 00:14:42,680 Speaker 2: an interesting history with him. Also, just any title, any 280 00:14:42,720 --> 00:14:47,000 Speaker 2: headline that starts trump tried to drown ye am assuming 281 00:14:47,560 --> 00:14:50,840 Speaker 2: the worst? Yeah yeah, sorry, I wrote Trump to drown out? 282 00:14:50,960 --> 00:14:53,920 Speaker 2: Yeah yeah, yeah, yeah, but I was assuming there were 283 00:14:53,960 --> 00:14:57,480 Speaker 2: babies or kittens involved. Maybe we'll talk about smartphones making 284 00:14:57,840 --> 00:15:04,760 Speaker 2: your hemorrhoids worse? Is that plenty more? But even worse possible, 285 00:15:06,400 --> 00:15:08,480 Speaker 2: all that plenty more. But first, Finn, we do like 286 00:15:08,520 --> 00:15:11,960 Speaker 2: to ask our guest, what is something from your search 287 00:15:12,160 --> 00:15:14,720 Speaker 2: history that's revealing about who you are? Oh? 288 00:15:14,880 --> 00:15:17,840 Speaker 3: Goodness, well, I'll see what tabs I have opened. You know. 289 00:15:17,880 --> 00:15:20,960 Speaker 3: What I will say though, is I don't have a history, 290 00:15:21,400 --> 00:15:24,840 Speaker 3: Like I'm just on incognito, so there's nothing saved. Wow, 291 00:15:25,480 --> 00:15:28,640 Speaker 3: not that that's like mostly private or something. 292 00:15:28,320 --> 00:15:30,440 Speaker 2: But I just activated. 293 00:15:30,680 --> 00:15:34,640 Speaker 3: Okay it taps that I have opened right now are 294 00:15:35,000 --> 00:15:42,280 Speaker 3: Edwin Jonker Height. He is playing Hades in Hadestown right now. Okay, 295 00:15:42,360 --> 00:15:46,320 Speaker 3: I think in like Australia or something Australia. 296 00:15:46,520 --> 00:15:46,880 Speaker 2: Yeah. 297 00:15:46,920 --> 00:15:50,520 Speaker 3: Oh, also, weirdly, I have task Master Australia open. 298 00:15:51,200 --> 00:15:54,360 Speaker 2: Are you going to Australia or are you doing tasks 299 00:15:54,440 --> 00:15:57,880 Speaker 2: for someone who's in Australia show? 300 00:15:58,320 --> 00:16:00,840 Speaker 3: This is just some Yeah, it's a it's like a show, 301 00:16:00,880 --> 00:16:05,040 Speaker 3: a comedy show where comedians do menial tasks and then 302 00:16:05,040 --> 00:16:06,760 Speaker 3: they're in they're performance. 303 00:16:06,920 --> 00:16:08,920 Speaker 2: Got it? Okay? Yeah? 304 00:16:09,760 --> 00:16:12,880 Speaker 3: Oh best times to visit Japan I looked up recently? 305 00:16:13,080 --> 00:16:17,120 Speaker 1: Oh yeah yeah, fall and spring apparently. Yeah, that's what 306 00:16:17,200 --> 00:16:20,240 Speaker 1: AI Overview has to say about it, Like fucking AI 307 00:16:20,360 --> 00:16:23,000 Speaker 1: is taking my job as a Japanese person, I fucking 308 00:16:23,080 --> 00:16:23,360 Speaker 1: hate it. 309 00:16:24,160 --> 00:16:24,680 Speaker 3: Have you been? 310 00:16:25,520 --> 00:16:27,840 Speaker 1: Oh yeah, many times, many many, all the time, all 311 00:16:27,880 --> 00:16:28,240 Speaker 1: the time. 312 00:16:28,600 --> 00:16:29,240 Speaker 2: Every season. 313 00:16:29,680 --> 00:16:33,080 Speaker 3: I'm really excited to go. My friend lives in Tokyo 314 00:16:33,160 --> 00:16:36,200 Speaker 3: and I have been meaning to visit for years now, 315 00:16:36,280 --> 00:16:37,320 Speaker 3: so I'm very excited. 316 00:16:37,720 --> 00:16:40,200 Speaker 1: Oh no, it's it's it's a good time. Although, you know, 317 00:16:40,320 --> 00:16:44,040 Speaker 1: the fascism is creeping back up over there too, a 318 00:16:44,040 --> 00:16:48,360 Speaker 1: lot of japan First nonsense bubbling up again. But anyway, 319 00:16:48,960 --> 00:16:51,920 Speaker 1: no one's safe on this planet, you know, no one's safe. 320 00:16:52,760 --> 00:16:54,320 Speaker 3: Yeah, I haven't felt safe in years. 321 00:16:55,000 --> 00:16:58,320 Speaker 2: Good good, good, good good. That's good. That's a real way. 322 00:16:59,000 --> 00:16:59,560 Speaker 2: That's good. 323 00:16:59,760 --> 00:17:02,880 Speaker 1: That's good shock for those of us who have not 324 00:17:03,000 --> 00:17:04,240 Speaker 1: felt safe here after. 325 00:17:06,080 --> 00:17:09,919 Speaker 2: Edward Edwin Jonker, How's how's the celebrity or you know 326 00:17:09,920 --> 00:17:13,560 Speaker 2: a person who I'm watching on something? Height is always 327 00:17:14,240 --> 00:17:17,960 Speaker 2: a fave search of mine. What what'd you find out? 328 00:17:18,560 --> 00:17:20,959 Speaker 1: He was six too, and I was actually surprised because 329 00:17:21,000 --> 00:17:23,479 Speaker 1: they usually cast like people who were at least six 330 00:17:23,600 --> 00:17:24,560 Speaker 1: five to play hades. 331 00:17:25,080 --> 00:17:28,840 Speaker 3: Wow, I don't know why, but that's just a recurring theme. 332 00:17:29,280 --> 00:17:32,240 Speaker 3: So he is, as far as I know, the shortest 333 00:17:32,240 --> 00:17:32,920 Speaker 3: hades to the. 334 00:17:32,800 --> 00:17:34,679 Speaker 2: Shortest hades today. 335 00:17:34,680 --> 00:17:37,040 Speaker 3: But he looks great doing it, and that is ultimately 336 00:17:37,560 --> 00:17:42,399 Speaker 3: what I saw, and he was saying it and he 337 00:17:42,480 --> 00:17:45,600 Speaker 3: looked fabulous, and I was just curious if he was 338 00:17:45,640 --> 00:17:47,400 Speaker 3: six foot seven real? 339 00:17:48,240 --> 00:17:50,800 Speaker 2: Was he giving six foot seven? Yea, like, were you 340 00:17:50,920 --> 00:17:52,119 Speaker 2: like or was he not? 341 00:17:52,240 --> 00:17:53,879 Speaker 1: And that's why you said, let me just look up 342 00:17:53,880 --> 00:17:56,520 Speaker 1: the this is he's not giving me six y five, 343 00:17:56,880 --> 00:17:57,320 Speaker 1: give me two. 344 00:17:58,280 --> 00:18:01,960 Speaker 3: I was guessing like six four in my hearts, so 345 00:18:02,000 --> 00:18:04,520 Speaker 3: I was still off by a bit. But he did 346 00:18:04,520 --> 00:18:06,280 Speaker 3: seem a little shorter than I. 347 00:18:06,200 --> 00:18:06,639 Speaker 2: Was used to. 348 00:18:07,160 --> 00:18:09,200 Speaker 3: It was like I thought maybe it was the angle. 349 00:18:09,359 --> 00:18:12,320 Speaker 3: I couldn't see anyone standing next to him. I think 350 00:18:12,320 --> 00:18:14,720 Speaker 3: that he's trying to keep his height under wraps to 351 00:18:14,800 --> 00:18:15,880 Speaker 3: keep the job of hades. 352 00:18:17,040 --> 00:18:22,120 Speaker 2: No one during the rehearsals. Don't tell him I'm six too, okay, 353 00:18:22,400 --> 00:18:24,800 Speaker 2: I'm standing no one near him. 354 00:18:25,000 --> 00:18:27,720 Speaker 3: It's actually a really weird production where everyone's just sort 355 00:18:27,760 --> 00:18:30,560 Speaker 3: of in the side of the stage even when he's 356 00:18:30,560 --> 00:18:31,200 Speaker 3: not in the scene. 357 00:18:31,240 --> 00:18:34,880 Speaker 2: Yeah, just doing dialogue from the wings exactly. Because there 358 00:18:34,920 --> 00:18:37,920 Speaker 2: are actors who I feel like present taller than they 359 00:18:38,000 --> 00:18:41,040 Speaker 2: actually are. I do wonder if they cast their friends 360 00:18:41,080 --> 00:18:43,760 Speaker 2: and the people they go out in public with to 361 00:18:44,440 --> 00:18:49,000 Speaker 2: kind of keep that illusion alive, you know. Yeah, I 362 00:18:49,119 --> 00:18:51,280 Speaker 2: how much of your friend group are you basing around 363 00:18:51,280 --> 00:18:55,720 Speaker 2: that kind of mind there towering over you a six 364 00:18:55,800 --> 00:18:58,720 Speaker 2: to two that presents i'd say taller than six too. 365 00:18:59,080 --> 00:19:01,760 Speaker 1: I present as six too. I wear a shirt that 366 00:19:01,800 --> 00:19:02,600 Speaker 1: says I'm six too. 367 00:19:02,640 --> 00:19:03,199 Speaker 2: So I don't know. 368 00:19:03,359 --> 00:19:07,200 Speaker 1: I like you to do the people think how tall 369 00:19:07,280 --> 00:19:08,880 Speaker 1: are you six? 370 00:19:08,920 --> 00:19:11,320 Speaker 3: To just have a card, It comes up a lot. 371 00:19:12,080 --> 00:19:14,359 Speaker 3: I'm six to one, and I really resent it because 372 00:19:14,400 --> 00:19:16,440 Speaker 3: I would love to be the size of a quarter, 373 00:19:16,600 --> 00:19:18,440 Speaker 3: like physically and actually. 374 00:19:18,720 --> 00:19:22,359 Speaker 2: The size of a quarter like the coin, the coin, Yeah, 375 00:19:22,840 --> 00:19:24,399 Speaker 2: just just to get around the pocket. 376 00:19:25,240 --> 00:19:27,679 Speaker 3: Yeah, yeah, I just want to be kind of like 377 00:19:27,720 --> 00:19:32,360 Speaker 3: a like Thumberlina a borrower. Yes, yes, yes, yeah, that's 378 00:19:32,440 --> 00:19:35,800 Speaker 3: my greatest dream. We got to have dreams, I know. Yeah, 379 00:19:35,840 --> 00:19:38,320 Speaker 3: And it's important to have unachievable dreams. And I have planned. 380 00:19:38,480 --> 00:19:40,200 Speaker 2: Oh I think you're going to get there. I think 381 00:19:40,200 --> 00:19:41,720 Speaker 2: you're going to get there based on. 382 00:19:41,680 --> 00:19:43,640 Speaker 1: What I've heard, the trajectory you've been on, coming from 383 00:19:43,680 --> 00:19:45,359 Speaker 1: Displaines all the way out to Hollywood. 384 00:19:45,359 --> 00:19:47,600 Speaker 2: Next thing, you know, anything you put your mind to 385 00:19:48,359 --> 00:19:52,600 Speaker 2: turn into the quarter with great Yeah, no, it's in 386 00:19:52,640 --> 00:19:55,840 Speaker 2: my future hair. I usually we don't bring up our 387 00:19:55,880 --> 00:19:59,240 Speaker 2: guests hair because then it would put pressure on every 388 00:19:59,320 --> 00:20:01,120 Speaker 2: time we have a guest one to comment on their hair. 389 00:20:01,160 --> 00:20:04,320 Speaker 2: But I think we can in this one instance. Yea, say, 390 00:20:04,359 --> 00:20:05,760 Speaker 2: Finn has incredible. 391 00:20:05,400 --> 00:20:07,080 Speaker 1: That main should be posted on Maine. 392 00:20:07,359 --> 00:20:07,560 Speaker 2: Yeah. 393 00:20:07,640 --> 00:20:11,000 Speaker 3: Wow, I'm honored, thank you so much. I'm actually about to. 394 00:20:10,920 --> 00:20:11,520 Speaker 2: Cut it all off. 395 00:20:12,080 --> 00:20:16,400 Speaker 4: Yeah, you know what, you know, you know this whole thing. 396 00:20:16,680 --> 00:20:20,040 Speaker 3: But this it's been growing out for a bit six 397 00:20:20,359 --> 00:20:21,000 Speaker 3: two now. 398 00:20:21,240 --> 00:20:26,960 Speaker 2: Oh wow? Yeah top not I six Uh. 399 00:20:26,800 --> 00:20:29,040 Speaker 3: Yeah, I'm tired of it though it's so hot. And 400 00:20:29,080 --> 00:20:31,439 Speaker 3: I actually I was brave and I turned off my 401 00:20:31,520 --> 00:20:36,120 Speaker 3: AC for sound and I'm dying in here with this main. 402 00:20:36,880 --> 00:20:38,679 Speaker 2: All right, quickly, we'll move on to the next thing. 403 00:20:38,680 --> 00:20:40,119 Speaker 2: What's something underrated? 404 00:20:40,920 --> 00:20:44,000 Speaker 3: Something I think is underrated is I just finished watching 405 00:20:44,040 --> 00:20:47,280 Speaker 3: this show called Dragon Age Absolution, and it's based on 406 00:20:47,320 --> 00:20:51,680 Speaker 3: a video game, and it is so good and so gay, 407 00:20:51,960 --> 00:20:54,399 Speaker 3: and I don't know anyone who's watched it, and I 408 00:20:54,400 --> 00:20:57,760 Speaker 3: was actually really surprised that it was gay. Uh No, 409 00:20:57,960 --> 00:21:00,040 Speaker 3: I don't know. I just I watched a lot of 410 00:21:00,080 --> 00:21:04,040 Speaker 3: animation and to get main characters that are gay and 411 00:21:04,119 --> 00:21:07,040 Speaker 3: don't like die immediately after they kiss is so rare, 412 00:21:08,359 --> 00:21:11,440 Speaker 3: especially in fantasy, Like it's this phenomenon. If there are 413 00:21:11,520 --> 00:21:16,159 Speaker 3: gay men in any like genre, they will be like 414 00:21:16,440 --> 00:21:19,480 Speaker 3: star cross lovers and probably won't even get to kiss, 415 00:21:19,520 --> 00:21:21,880 Speaker 3: but you'll just know that they are lovers and it's implied, 416 00:21:21,880 --> 00:21:23,720 Speaker 3: and then one of them will die and that happens 417 00:21:24,160 --> 00:21:27,320 Speaker 3: every single time. It's crazy. So this one was great. 418 00:21:27,359 --> 00:21:30,200 Speaker 3: There's actually like half of the main cast is gay 419 00:21:30,359 --> 00:21:33,320 Speaker 3: and they're out here sucking and fucking and you know, 420 00:21:33,400 --> 00:21:37,960 Speaker 3: fighting dragons. Oh yeah, I loved it, and I don't 421 00:21:38,000 --> 00:21:40,760 Speaker 3: know of anyone who's watched it, and there's only one 422 00:21:40,800 --> 00:21:43,160 Speaker 3: season in six episodes, and I'm pretty sure it's canceled, 423 00:21:43,200 --> 00:21:45,400 Speaker 3: but in the way that Netflix doesn't cancel stuff, they 424 00:21:45,440 --> 00:21:49,800 Speaker 3: just never renew it, right right, right, Yeah, So I 425 00:21:49,840 --> 00:21:51,000 Speaker 3: think people should watch that. 426 00:21:51,320 --> 00:21:54,680 Speaker 1: It's Oh it does a voice on there too, Mort 427 00:21:54,720 --> 00:21:55,320 Speaker 1: Burke's wife. 428 00:21:55,480 --> 00:21:59,320 Speaker 2: Yeah, pretty cool. Ashley Birch, yeah, Quitian. 429 00:21:59,600 --> 00:22:01,119 Speaker 3: Oh yeah, such a fun character. 430 00:22:01,720 --> 00:22:04,800 Speaker 2: Dragons are really you know, I have a nine and 431 00:22:04,840 --> 00:22:08,320 Speaker 2: a seven year old, and like the most popular book 432 00:22:08,400 --> 00:22:11,679 Speaker 2: series right now with kids that age is Wings of Fire, 433 00:22:12,000 --> 00:22:17,840 Speaker 2: which is just a book series where everyone's dragons, like 434 00:22:17,840 --> 00:22:22,359 Speaker 2: like the characters themselves. Yeah, yeah, dragging, yeah, just dragging 435 00:22:22,480 --> 00:22:26,639 Speaker 2: it all. Yeah, and they're yeah, everybody seems obsessed with that. 436 00:22:27,119 --> 00:22:31,280 Speaker 2: Like I am searching on a fairly regular basis wings 437 00:22:31,280 --> 00:22:35,000 Speaker 2: of Fire adaptation, Like there was a project that was 438 00:22:35,480 --> 00:22:39,359 Speaker 2: in development that like went away, but it's a so 439 00:22:39,440 --> 00:22:41,760 Speaker 2: when daddy is there, like, are we going to get 440 00:22:41,760 --> 00:22:43,680 Speaker 2: a wings Fire? Do you think it'll be? Like when 441 00:22:43,680 --> 00:22:46,360 Speaker 2: I'm in high school? And so I think. 442 00:22:46,200 --> 00:22:48,240 Speaker 1: That's that's when I kept asking my parents about an 443 00:22:48,359 --> 00:22:49,520 Speaker 1: X Men movie as a kid. 444 00:22:50,040 --> 00:22:53,040 Speaker 2: Yeah, when are they going to make the movie? 445 00:22:53,119 --> 00:22:53,399 Speaker 5: Or this? 446 00:22:53,400 --> 00:22:56,560 Speaker 2: When's the movie? Like you gotta wait, gotta wait? 447 00:22:57,280 --> 00:23:01,959 Speaker 3: Have a potential recommendation for kids, and well Dragon ages 448 00:23:02,080 --> 00:23:06,960 Speaker 3: yeah great. And then also there is another show called 449 00:23:07,000 --> 00:23:11,359 Speaker 3: The Dragon Prince and I'm sorry, like my hyperfixation is animation. 450 00:23:11,480 --> 00:23:13,040 Speaker 3: I watch it all the time, so I could go 451 00:23:13,119 --> 00:23:13,800 Speaker 3: on and on and on. 452 00:23:14,040 --> 00:23:14,240 Speaker 2: Yeah. 453 00:23:14,359 --> 00:23:17,520 Speaker 3: Yeah, The Dragon Prince is amazing and it's a lot 454 00:23:17,520 --> 00:23:20,960 Speaker 3: of TV. I think it's like seven seasons, maybe even more, 455 00:23:21,800 --> 00:23:24,199 Speaker 3: but it's pretty dragon heavy, and they talk and they 456 00:23:24,200 --> 00:23:25,639 Speaker 3: have personalities not. 457 00:23:25,520 --> 00:23:27,560 Speaker 2: All an out here too. 458 00:23:27,960 --> 00:23:32,080 Speaker 3: Yeah, it's really great. It's actually one of the producers 459 00:23:32,080 --> 00:23:36,520 Speaker 3: I think of Avatar, the Last Airbender made thish Okay, 460 00:23:36,600 --> 00:23:38,399 Speaker 3: I see a Parallel might have been one of the 461 00:23:38,440 --> 00:23:42,120 Speaker 3: creators too, But the voice of Sokka is the main 462 00:23:42,160 --> 00:23:46,520 Speaker 3: character in this show and it's great. It's also I 463 00:23:46,520 --> 00:23:48,600 Speaker 3: think like not enough people watched it. But that's how 464 00:23:48,600 --> 00:23:50,720 Speaker 3: I feel about Like all of my underrated things are 465 00:23:50,800 --> 00:23:54,640 Speaker 3: just animated shows that no one's heard of. Like Infinity Train, 466 00:23:54,760 --> 00:23:57,359 Speaker 3: Oh my god, is the best show ever. I just 467 00:23:57,400 --> 00:23:59,520 Speaker 3: found out a mutual friend of mine wrote on it. 468 00:23:59,640 --> 00:24:02,879 Speaker 3: I had no idea and it's so good, but you 469 00:24:02,920 --> 00:24:06,040 Speaker 3: can't find it anywhere because it was lost in the 470 00:24:06,080 --> 00:24:07,920 Speaker 3: merger of like Warm. 471 00:24:08,000 --> 00:24:12,200 Speaker 1: One of those Yeah, fucking there's so many fucking shows 472 00:24:12,240 --> 00:24:12,760 Speaker 1: like that. 473 00:24:13,880 --> 00:24:16,520 Speaker 3: And it's so many animations too. Like a couple of 474 00:24:16,560 --> 00:24:18,760 Speaker 3: my favorite shows are just nowhere to be found now, 475 00:24:18,960 --> 00:24:23,040 Speaker 3: right Infinity Train, Summer Camp Island, and I would literally 476 00:24:23,080 --> 00:24:26,200 Speaker 3: I'm saying, don't torrent, No, no one torrent ever except 477 00:24:26,240 --> 00:24:27,600 Speaker 3: for maybe. 478 00:24:27,240 --> 00:24:29,280 Speaker 1: If you do want to watch these shows, then you should. 479 00:24:29,359 --> 00:24:32,000 Speaker 1: Except for Metal, you really shouldn't because of like that's 480 00:24:32,119 --> 00:24:34,480 Speaker 1: really bad to do. But yeah, or find or find 481 00:24:34,520 --> 00:24:36,760 Speaker 1: maybe some people from the crew and vemo them some 482 00:24:36,760 --> 00:24:37,560 Speaker 1: money out of guilt. 483 00:24:37,640 --> 00:24:40,000 Speaker 3: You know, you should yeah, actually that's the sweet thought. 484 00:24:40,119 --> 00:24:43,280 Speaker 1: I'll yeah, sorry, I just bit torrented the whole series. 485 00:24:43,320 --> 00:24:45,600 Speaker 1: Here's like thirteen bucks. Can you slip that amongst everyone? 486 00:24:45,840 --> 00:24:48,840 Speaker 2: So, did you steal from the oil industry? Yes? Then 487 00:24:48,880 --> 00:24:51,520 Speaker 2: why would you steal from the film indo? I said, yes, 488 00:24:51,640 --> 00:24:54,320 Speaker 2: all right, the first flock. I gotta stop using the 489 00:24:54,400 --> 00:24:59,520 Speaker 2: oil industry. That's the worst example. Let's from the cops. 490 00:25:02,119 --> 00:25:05,280 Speaker 2: Let's take a quick break. We'll come back, talk overrated 491 00:25:05,520 --> 00:25:20,280 Speaker 2: and get into some news. And we're back and Finn, 492 00:25:20,320 --> 00:25:22,639 Speaker 2: we do like to ask our guests on this show, 493 00:25:23,160 --> 00:25:25,439 Speaker 2: in addition to what's something you think is underrated, what's 494 00:25:25,480 --> 00:25:27,119 Speaker 2: something you think is overrated? 495 00:25:27,840 --> 00:25:30,240 Speaker 3: Yeah? You know, I was thinking about this a lot 496 00:25:30,359 --> 00:25:32,960 Speaker 3: over the last couple of days, and I was trying 497 00:25:33,000 --> 00:25:35,439 Speaker 3: to come up with something more interesting. But the answer 498 00:25:35,440 --> 00:25:38,040 Speaker 3: I kept on coming back to is just chocolate. 499 00:25:38,680 --> 00:25:40,440 Speaker 2: Wow, chocolate in general. 500 00:25:40,840 --> 00:25:44,560 Speaker 3: Yeah, chocolate and being right were the two things that 501 00:25:44,560 --> 00:25:46,040 Speaker 3: that kept on popping up for me. 502 00:25:46,840 --> 00:25:49,200 Speaker 1: Do you think you're right about this take about chocolate 503 00:25:49,320 --> 00:25:50,040 Speaker 1: being overrated? 504 00:25:50,280 --> 00:25:55,119 Speaker 3: I honestly don't care either way. It is good you're liberated. 505 00:25:55,119 --> 00:25:58,280 Speaker 3: I'm liberated. I like being wrong. I like admitting when 506 00:25:58,320 --> 00:26:00,280 Speaker 3: I'm wrong, and I like failing at stuff. 507 00:26:00,680 --> 00:26:04,040 Speaker 1: Oh my god, I gotta go to that therapist. You're 508 00:26:04,040 --> 00:26:06,360 Speaker 1: talking about the big blue building on Fountain, right, Yeah, 509 00:26:06,400 --> 00:26:09,159 Speaker 1: that's the one. Yeah, okay, I'm gonna blue building on Fountain. 510 00:26:10,280 --> 00:26:10,480 Speaker 6: Yeah. 511 00:26:10,520 --> 00:26:12,479 Speaker 3: My therapist is really cool. He's been in a lot 512 00:26:12,520 --> 00:26:14,120 Speaker 3: of Mission Impossible movies. 513 00:26:14,359 --> 00:26:18,600 Speaker 2: That's sick, okay, so encouraging her lot of energy, like 514 00:26:18,680 --> 00:26:20,919 Speaker 2: almost an overpowering amount of energy. 515 00:26:21,400 --> 00:26:23,840 Speaker 3: It has the energy of someone who sicks too, but 516 00:26:24,000 --> 00:26:26,160 Speaker 3: is ultimately five seven five. 517 00:26:26,840 --> 00:26:27,040 Speaker 6: Yeah. 518 00:26:27,080 --> 00:26:32,480 Speaker 2: Yeah, you see in person, you don't know it. You 519 00:26:32,560 --> 00:26:35,680 Speaker 2: like most actors that I see in person, I'm like, wow, 520 00:26:35,760 --> 00:26:39,520 Speaker 2: much smaller than I was expecting. Tom Cruise walked past him. 521 00:26:39,840 --> 00:26:42,159 Speaker 2: I think he might have been hovering a few inches 522 00:26:42,200 --> 00:26:43,720 Speaker 2: off the ground, so that might. 523 00:26:43,600 --> 00:26:47,720 Speaker 3: Have me Nicole Kidney, she hovers. Oh yeah, yeah, she's 524 00:26:47,800 --> 00:26:49,879 Speaker 3: gonna never see her toes touch the ground. 525 00:26:50,080 --> 00:26:54,840 Speaker 1: She has fucking ourra She moves through wat she moves 526 00:26:54,880 --> 00:26:59,040 Speaker 1: through the earth like in a Spike Lee floating shot. 527 00:26:59,240 --> 00:27:01,960 Speaker 1: This is funny because you asked about Mars Attacks. There's 528 00:27:01,960 --> 00:27:03,919 Speaker 1: a there's a character in Mars Attacks. There's like this 529 00:27:04,000 --> 00:27:07,280 Speaker 1: big alien woman and she like when she moves, you 530 00:27:07,320 --> 00:27:09,400 Speaker 1: don't see her take steps like she's wearing a long 531 00:27:09,520 --> 00:27:10,680 Speaker 1: dress and she just glides. 532 00:27:10,800 --> 00:27:11,200 Speaker 2: That's it. 533 00:27:11,400 --> 00:27:13,439 Speaker 1: That was what Nicole Kimmer was doing ye when I 534 00:27:13,440 --> 00:27:18,359 Speaker 1: saw her anyway. But chocolate, really, yeah, chocolate, I don't know. 535 00:27:18,440 --> 00:27:20,640 Speaker 3: I mean it's good and I'm not saying it isn't, 536 00:27:20,960 --> 00:27:23,000 Speaker 3: but I think people are just obsessed with it and 537 00:27:23,040 --> 00:27:27,280 Speaker 3: it freaks me out. Sometimes it's just like like, yeah, 538 00:27:27,359 --> 00:27:29,399 Speaker 3: it's good, but could you shut the fuck up for 539 00:27:29,440 --> 00:27:29,919 Speaker 3: a second. 540 00:27:30,000 --> 00:27:32,000 Speaker 1: Wait, what's give me an example of someone who is 541 00:27:32,119 --> 00:27:38,080 Speaker 1: obsessed with chocolate that is feeding this over it up. 542 00:27:40,119 --> 00:27:42,000 Speaker 3: It's like, I don't like chocolate that much, but I 543 00:27:42,040 --> 00:27:44,719 Speaker 3: can't be that it's good. But then people are like 544 00:27:44,880 --> 00:27:47,240 Speaker 3: are dying for it, like they want chocolate cake. It's 545 00:27:47,280 --> 00:27:50,200 Speaker 3: double fudged chocolate with chocolate frosting. And I'm like, can 546 00:27:50,240 --> 00:27:53,560 Speaker 3: we take a breath? Like can we throw some some 547 00:27:53,640 --> 00:27:55,000 Speaker 3: like vanilla butter cream on here? 548 00:27:55,280 --> 00:27:55,680 Speaker 2: No? 549 00:27:57,080 --> 00:28:00,119 Speaker 3: As they wear yeah, and then they me hard and 550 00:28:00,640 --> 00:28:01,360 Speaker 3: I don't understand. 551 00:28:01,359 --> 00:28:01,439 Speaker 4: Know. 552 00:28:01,800 --> 00:28:04,040 Speaker 3: There's like chocolate stores, Like I walk into a chocolate 553 00:28:04,040 --> 00:28:06,040 Speaker 3: store and I'm like, okay, yeah, but it's all chocolate. 554 00:28:06,480 --> 00:28:08,119 Speaker 3: What is there? 555 00:28:08,400 --> 00:28:12,800 Speaker 1: There's a chocolate dispensary in Echo Park that's like called this, 556 00:28:13,000 --> 00:28:16,200 Speaker 1: and so many people walk in thinking that it's a week. 557 00:28:16,480 --> 00:28:19,119 Speaker 1: They're so wet like weed chocolate, and I'm just like, 558 00:28:19,359 --> 00:28:20,600 Speaker 1: that's how they get your ass. 559 00:28:20,720 --> 00:28:21,600 Speaker 3: It's chocolate. 560 00:28:21,720 --> 00:28:26,440 Speaker 2: It's for people, purveyors of chocolate. And you want the 561 00:28:26,480 --> 00:28:29,199 Speaker 2: people who are already high to then go into the 562 00:28:29,240 --> 00:28:33,480 Speaker 2: chocolate store. Then people trying to get high, but maybe 563 00:28:34,119 --> 00:28:38,080 Speaker 2: like they'll remember by some miracle that they went into 564 00:28:38,120 --> 00:28:41,280 Speaker 2: the chocolate store after they find the real dispersery. Yeah, 565 00:28:41,320 --> 00:28:42,560 Speaker 2: I'm making a joke about. 566 00:28:42,400 --> 00:28:48,680 Speaker 3: Munchies, you got, Yeah, the monkeys. I have been there though, 567 00:28:48,720 --> 00:28:52,640 Speaker 3: and I was just like, these are all just chocolate, chocolate, right, 568 00:28:53,160 --> 00:28:55,720 Speaker 3: And the one thing they I was I was like 569 00:28:55,800 --> 00:28:58,680 Speaker 3: excited to try. They had a shot of chocolate of 570 00:28:58,760 --> 00:29:03,480 Speaker 3: like melted chocolate and and you know what, it was 571 00:29:03,600 --> 00:29:08,080 Speaker 3: just chocolate, you know, like it was And I think 572 00:29:08,120 --> 00:29:12,760 Speaker 3: that I personally, y'all got it right the first time, 573 00:29:12,880 --> 00:29:15,640 Speaker 3: Like a chocolate bar is great, put it on it's more, 574 00:29:15,880 --> 00:29:19,480 Speaker 3: that's fine, but it's gone too far and I have 575 00:29:19,600 --> 00:29:22,840 Speaker 3: to put my foot down. I do think chocolate is overrated. 576 00:29:23,240 --> 00:29:24,400 Speaker 2: This ends today. 577 00:29:24,880 --> 00:29:28,360 Speaker 1: Yeah, the one time I had something that was chocolate 578 00:29:28,360 --> 00:29:30,200 Speaker 1: that was new and I was like, oh, okay, that's 579 00:29:30,240 --> 00:29:33,480 Speaker 1: something different was when I went to Spain, like and 580 00:29:33,520 --> 00:29:35,400 Speaker 1: they drink hot like they're hot chocolate. 581 00:29:35,440 --> 00:29:38,040 Speaker 2: Did you like a churo out there? I was like, oh, 582 00:29:38,240 --> 00:29:41,080 Speaker 2: this is a fucking vibe kind of half hot chocolate, 583 00:29:41,160 --> 00:29:45,880 Speaker 2: half like melted chocolate. It was like so rich, thick. Yeah, yeah, 584 00:29:45,920 --> 00:29:47,480 Speaker 2: it's you're basically doing dippies. 585 00:29:47,800 --> 00:29:50,360 Speaker 4: Now look at us, we're going off like a couple 586 00:29:50,360 --> 00:29:53,160 Speaker 4: of Chocolate's what I'm talking about. Like this is bring 587 00:29:53,240 --> 00:29:56,880 Speaker 4: up on someone's podcast that chocolate's overrated and they're like, actually, 588 00:29:56,960 --> 00:29:59,960 Speaker 4: that makes me think about how fucking good chocolate different. 589 00:30:00,280 --> 00:30:02,200 Speaker 1: It'll change your life. 590 00:30:02,960 --> 00:30:05,080 Speaker 2: It's it's it's unexpected. 591 00:30:05,160 --> 00:30:07,000 Speaker 7: You think it's going to be a solid, but it's 592 00:30:07,040 --> 00:30:10,400 Speaker 7: it's drinkable and you can dip your chiro into it 593 00:30:10,200 --> 00:30:13,360 Speaker 7: and achiro. This is what I'm talking about. Like people 594 00:30:13,400 --> 00:30:15,960 Speaker 7: are obsessed with chocolate and that's fine. It's just I 595 00:30:16,000 --> 00:30:18,480 Speaker 7: personally think it's. Yeah, it doesn't do much for me. 596 00:30:18,760 --> 00:30:21,040 Speaker 2: It does remind me of like people who are like 597 00:30:21,120 --> 00:30:24,320 Speaker 2: I don't eat, Like, I wouldn't waste my calories on 598 00:30:24,360 --> 00:30:27,080 Speaker 2: a sweet thing like that unless it has weed in it, 599 00:30:27,480 --> 00:30:35,160 Speaker 2: you know, like that that's a just specific things. Yeah, calorie, yeah, yeah, 600 00:30:35,240 --> 00:30:38,280 Speaker 2: being like, well, that's a that's wasted if it doesn't 601 00:30:38,320 --> 00:30:41,520 Speaker 2: have weed in interesting. You know people who are like 602 00:30:41,680 --> 00:30:44,120 Speaker 2: weed in everything. I don't know. Maybe I just know 603 00:30:44,200 --> 00:30:45,520 Speaker 2: like a couple of people like that. 604 00:30:45,840 --> 00:30:46,880 Speaker 3: I don't know if I've. 605 00:30:46,720 --> 00:30:49,720 Speaker 1: Been listeners, he's not taking shots of me, because that's. 606 00:30:49,600 --> 00:30:52,160 Speaker 2: Not I'm not You're not a weed food consumer. 607 00:30:52,440 --> 00:30:55,240 Speaker 1: No, No, I don't need to eat weed all the time. 608 00:30:55,280 --> 00:30:56,840 Speaker 1: That's like I don't even like. I don't even like 609 00:30:56,960 --> 00:30:59,040 Speaker 1: edibles because they just make me sleepy. I don't get 610 00:30:59,080 --> 00:31:01,920 Speaker 1: like those that I see other people off edibles. 611 00:31:02,400 --> 00:31:06,560 Speaker 3: Yeah, what's the ya relationship to weed? Are y'all out here? 612 00:31:07,440 --> 00:31:13,160 Speaker 1: Weed and I have been in love since junior high? 613 00:31:13,480 --> 00:31:15,840 Speaker 1: Yeah we're sweethearts. Yeah we were sweethearts. 614 00:31:16,320 --> 00:31:19,920 Speaker 2: Bout your sweethearts? Yeah yeah yeah, yeah yeah yeah. And 615 00:31:19,960 --> 00:31:25,240 Speaker 2: I'm sober so I don't partake. Also, when I wasn't 616 00:31:25,320 --> 00:31:29,040 Speaker 2: sober and I smoked weed, I would have a nervous 617 00:31:29,040 --> 00:31:32,440 Speaker 2: breakdown every time, and I kept doing We powered through 618 00:31:32,440 --> 00:31:37,000 Speaker 2: a Jackie because I wanted to be cool. 619 00:31:38,360 --> 00:31:40,280 Speaker 3: I will be a pothead if it's the last thing 620 00:31:40,360 --> 00:31:40,600 Speaker 3: I do. 621 00:31:41,200 --> 00:31:43,800 Speaker 2: I just want to be chill, like everybody else. You 622 00:31:44,000 --> 00:31:47,240 Speaker 2: just age so fast because of the stress. Every time 623 00:31:47,280 --> 00:31:50,760 Speaker 2: I smoke weed, I age like a president. Oh my god, 624 00:31:50,840 --> 00:31:56,000 Speaker 2: you are so like Lincoln in eighth grade. 625 00:31:56,760 --> 00:32:00,800 Speaker 3: I I feel that I stopped h smoke looking about 626 00:32:00,840 --> 00:32:04,280 Speaker 3: it a year ago. But I'm I'm sober, and yeah 627 00:32:04,280 --> 00:32:07,360 Speaker 3: I do. I do miss it sometimes, But uh, I've 628 00:32:07,400 --> 00:32:10,320 Speaker 3: never had that inkling to like. I don't. I don't 629 00:32:10,360 --> 00:32:12,640 Speaker 3: like edibles. They always freaked me out. They made me 630 00:32:12,680 --> 00:32:15,280 Speaker 3: feel crazy. Yeah, I don't know. 631 00:32:16,200 --> 00:32:17,320 Speaker 2: No, you're on the right track. 632 00:32:17,440 --> 00:32:19,440 Speaker 1: You're on your way to being becoming a quarter fin 633 00:32:19,600 --> 00:32:21,440 Speaker 1: and then you want to focus on that. 634 00:32:21,560 --> 00:32:24,960 Speaker 2: You stay off the weed. You got beautiful hair, You're 635 00:32:25,000 --> 00:32:27,600 Speaker 2: going to be an LSD become. 636 00:32:28,280 --> 00:32:30,560 Speaker 1: Next time we have Finn on, they might be a 637 00:32:30,640 --> 00:32:33,280 Speaker 1: quarter Poe entirely. 638 00:32:34,080 --> 00:32:37,720 Speaker 3: My therapist did give me actionable items, and so every 639 00:32:37,800 --> 00:32:39,720 Speaker 3: day I'm one step closer. 640 00:32:39,880 --> 00:32:41,880 Speaker 1: Let's do that quarter affirmation every morning. 641 00:32:42,560 --> 00:32:43,400 Speaker 3: You are a quarter. 642 00:32:43,600 --> 00:32:46,280 Speaker 2: You are you are even though I'm not a quarter. 643 00:32:46,360 --> 00:32:48,960 Speaker 1: I wholly and completely accept myself even though I'm not 644 00:32:49,000 --> 00:32:51,400 Speaker 1: a quarter yet, I wholly and completely accept myself. 645 00:32:51,840 --> 00:32:54,520 Speaker 2: Now that's a quitter's mentality. You just have to nuts 646 00:32:54,560 --> 00:32:56,640 Speaker 2: you got to do it. You need. You got to 647 00:32:56,680 --> 00:32:58,680 Speaker 2: accept yourself, and that's part of the e f T. 648 00:32:59,280 --> 00:33:02,920 Speaker 3: Yeah, like my other what was the under underrated thing 649 00:33:03,000 --> 00:33:06,000 Speaker 3: or overrated like failing? 650 00:33:06,080 --> 00:33:08,440 Speaker 2: Oh yeah, being right? 651 00:33:08,760 --> 00:33:09,840 Speaker 3: Being right is overrated. 652 00:33:09,960 --> 00:33:14,000 Speaker 2: Yeah, that's true, that's true. Love. I love to admit 653 00:33:14,040 --> 00:33:16,800 Speaker 2: that I'm wrong. Yeah, I love to learn that I'm wrong, 654 00:33:16,920 --> 00:33:18,520 Speaker 2: and then yeah. 655 00:33:18,200 --> 00:33:20,240 Speaker 1: I love to learn from the listeners I'm wrong, and 656 00:33:20,280 --> 00:33:25,280 Speaker 1: then I ignore it exactly because my ego cannot handle it. 657 00:33:25,640 --> 00:33:29,280 Speaker 3: That's true. Yeah, No, I get it. I think I 658 00:33:29,400 --> 00:33:32,120 Speaker 3: kind of like the process. I do feel like dumb, 659 00:33:32,360 --> 00:33:35,920 Speaker 3: so it is it is helpful to kind of embrace that. 660 00:33:36,480 --> 00:33:39,320 Speaker 2: Oh yeah, yeah, yeah, yeah yeah. The only people I 661 00:33:39,440 --> 00:33:42,040 Speaker 2: trust are people who can admit that they're dumb a 662 00:33:42,040 --> 00:33:44,720 Speaker 2: lot of the time. Oh yeah. Well, one thing you 663 00:33:44,760 --> 00:33:48,840 Speaker 2: can do when if somebody is saying something that suggests 664 00:33:48,840 --> 00:33:50,680 Speaker 2: that you're wrong, is you can drown them out with 665 00:33:50,720 --> 00:33:55,200 Speaker 2: a jet engine. Is something that I've seen attempted fairly recently, 666 00:33:55,480 --> 00:33:59,200 Speaker 2: such as on Wednesday afternoon, when a group of women 667 00:33:59,680 --> 00:34:04,520 Speaker 2: that have suffered abuse from Jeffrey Epstein and Gilane Maxwell 668 00:34:04,960 --> 00:34:11,000 Speaker 2: held a press conference with representatives Thomas Massey and Rocanna 669 00:34:11,520 --> 00:34:15,239 Speaker 2: to speak out talk about that some for the very 670 00:34:15,280 --> 00:34:18,560 Speaker 2: first time, and yeah, it was powerful. 671 00:34:19,120 --> 00:34:22,000 Speaker 1: Oh yeah, I mean every person that spoke, they were 672 00:34:22,040 --> 00:34:24,960 Speaker 1: all urging members of the House to back the discharge 673 00:34:25,000 --> 00:34:27,680 Speaker 1: petition that Thomas Massey is trying to get through, basically 674 00:34:27,719 --> 00:34:29,800 Speaker 1: saying like, if they get enough signatures, they can force 675 00:34:29,840 --> 00:34:32,520 Speaker 1: a vote and put everyone in the House like to 676 00:34:32,719 --> 00:34:35,640 Speaker 1: a vote to be like, are you going to release 677 00:34:35,680 --> 00:34:36,600 Speaker 1: the Epstein files? 678 00:34:36,680 --> 00:34:36,839 Speaker 3: Yes? 679 00:34:36,960 --> 00:34:38,879 Speaker 2: Or no? I Mean, I don't know what that will 680 00:34:38,920 --> 00:34:39,800 Speaker 2: do long. 681 00:34:39,640 --> 00:34:43,279 Speaker 1: Term, but hopefully enough people will support it. And that's 682 00:34:43,320 --> 00:34:45,080 Speaker 1: what was one of the points of this press conference 683 00:34:45,200 --> 00:34:48,560 Speaker 1: was to actually bring these survivors out to humanize them, 684 00:34:48,600 --> 00:34:50,960 Speaker 1: to show that this is not a fucking hoax. These 685 00:34:50,960 --> 00:34:56,239 Speaker 1: are human beings that suffer untold fucking horrors with Epstein, 686 00:34:56,719 --> 00:35:00,400 Speaker 1: Maxwell and all of the associates, and you know, all 687 00:35:00,440 --> 00:35:03,400 Speaker 1: of everything that these women said was like really powerful 688 00:35:03,400 --> 00:35:05,879 Speaker 1: about how like the lack of transparency and justice has 689 00:35:05,880 --> 00:35:08,200 Speaker 1: like prevented them from like being able to move forward 690 00:35:08,280 --> 00:35:10,520 Speaker 1: with their lives and like even be able to so 691 00:35:10,600 --> 00:35:12,920 Speaker 1: many things are hazy to them because of the trauma 692 00:35:12,960 --> 00:35:16,439 Speaker 1: that like they are having trouble piecing together what even 693 00:35:16,480 --> 00:35:19,279 Speaker 1: happened to them. And like I said, many emphasize that 694 00:35:19,320 --> 00:35:23,560 Speaker 1: Trump's like hoax defense is just bullshit because what they 695 00:35:23,600 --> 00:35:28,400 Speaker 1: experienced was very real and requires justice swiftly. But in short, 696 00:35:28,440 --> 00:35:30,560 Speaker 1: the press conference was a blow to Trump and the 697 00:35:30,600 --> 00:35:32,720 Speaker 1: idea that this whole saga is some kind of Joe 698 00:35:32,719 --> 00:35:37,520 Speaker 1: Biden's smear campaign. But like you said, Jack, Trump was 699 00:35:37,680 --> 00:35:40,200 Speaker 1: probably not doing well with the idea of these people 700 00:35:40,280 --> 00:35:43,200 Speaker 1: speaking publicly because you ordered to fucking military jets to 701 00:35:43,239 --> 00:35:46,200 Speaker 1: do a flyover near the capital as a way to 702 00:35:46,239 --> 00:35:47,440 Speaker 1: interrupt them. 703 00:35:47,600 --> 00:35:52,280 Speaker 2: Is that like that that's definitely that's just so yeah, 704 00:35:52,320 --> 00:35:55,759 Speaker 2: it's just like so transparent. I don't know. Again, Like 705 00:35:55,840 --> 00:35:58,919 Speaker 2: I've talked before about like I took a week off 706 00:35:58,920 --> 00:36:00,719 Speaker 2: of the show and came back and like the first 707 00:36:00,719 --> 00:36:04,719 Speaker 2: thing that hit me is just like how obviously guilty. 708 00:36:04,880 --> 00:36:08,759 Speaker 2: Everything he's doing is like being against the release of 709 00:36:08,800 --> 00:36:11,759 Speaker 2: the files just from the start. It's like so just 710 00:36:11,800 --> 00:36:14,239 Speaker 2: suddenly being like, actually, I don't think we should release 711 00:36:14,320 --> 00:36:16,480 Speaker 2: him at all. It is like so wild to do. 712 00:36:16,880 --> 00:36:19,279 Speaker 2: To use your power as the commander in chief of 713 00:36:19,280 --> 00:36:24,279 Speaker 2: the military to stage military jet flyovers to drown out 714 00:36:24,360 --> 00:36:29,080 Speaker 2: the words of victims that you are implicated in is 715 00:36:29,200 --> 00:36:30,520 Speaker 2: just like, I don't know. 716 00:36:30,760 --> 00:36:33,799 Speaker 3: It's the behavior of a middle school boy who knows 717 00:36:33,800 --> 00:36:37,560 Speaker 3: he's losing an argument, where you start saying that, yeah, really, like, 718 00:36:37,600 --> 00:36:39,080 Speaker 3: won't let you finish your sentence. 719 00:36:39,719 --> 00:36:45,520 Speaker 2: I'm plugging my ears with jet engines. I can't hear you. 720 00:36:45,680 --> 00:36:49,719 Speaker 1: I have f eighteens flying over strategic flyover during this, 721 00:36:50,120 --> 00:36:53,160 Speaker 1: Like it was known days before though too, that this 722 00:36:53,320 --> 00:36:56,040 Speaker 1: was going to happen alongside this press conference. So like 723 00:36:56,080 --> 00:36:59,640 Speaker 1: when it happened, it was just really fucking just menacing 724 00:36:59,760 --> 00:37:04,160 Speaker 1: and disturbing. So the timing was wild too. So here 725 00:37:04,160 --> 00:37:06,480 Speaker 1: I'm gonna play a clip from Shanta Davis, one of 726 00:37:06,480 --> 00:37:09,400 Speaker 1: the survivors, being asked, you know, whether or not she 727 00:37:09,480 --> 00:37:11,360 Speaker 1: was asked like someone from the press, like, can someone 728 00:37:11,400 --> 00:37:14,239 Speaker 1: you speak about Epstein and Maxwell? How they said that 729 00:37:14,280 --> 00:37:16,279 Speaker 1: they knew Donald Trump? And she s gets up to 730 00:37:16,320 --> 00:37:19,799 Speaker 1: the podium to begin to speak, and then we get 731 00:37:19,840 --> 00:37:23,959 Speaker 1: a bit of a military Hey, how are you My first. 732 00:37:23,600 --> 00:37:27,040 Speaker 6: Trip to the Palm Beach residence, I drove there from 733 00:37:27,160 --> 00:37:33,160 Speaker 6: the airport with Glenn Maxwell and the Jeffrey and Elynn 734 00:37:33,200 --> 00:37:36,920 Speaker 6: were always very boastful about their friends, their famous or 735 00:37:36,960 --> 00:37:41,200 Speaker 6: powerful friends, and his biggest brag forever was that he 736 00:37:41,280 --> 00:37:43,359 Speaker 6: was very good friends with Donald Trump. He had an 737 00:37:43,360 --> 00:37:45,279 Speaker 6: eight by tim framed picture of him on his desk 738 00:37:46,080 --> 00:37:49,480 Speaker 6: with the two of them, like they were very close. 739 00:37:50,000 --> 00:37:51,960 Speaker 1: So you can hear a little bit of that. So 740 00:37:52,640 --> 00:37:55,760 Speaker 1: it gets even like that was just like the tail 741 00:37:55,840 --> 00:37:59,040 Speaker 1: end of one because prior to that, Sorry, just real. 742 00:37:58,880 --> 00:38:02,800 Speaker 2: Quick, do you have any like eight by ten framed 743 00:38:02,840 --> 00:38:06,279 Speaker 2: pictures of you and your friends? I mean I think, like, 744 00:38:06,560 --> 00:38:08,440 Speaker 2: I don't know. I guess it's a question. Are you 745 00:38:08,480 --> 00:38:11,279 Speaker 2: a person with like pick like desk pictures, like a 746 00:38:11,280 --> 00:38:12,439 Speaker 2: lot of pictures on your desk. 747 00:38:13,000 --> 00:38:15,480 Speaker 1: No, I'm not a desk picture person, but I have 748 00:38:15,880 --> 00:38:18,640 Speaker 1: you know, before the house burned out, we have like 749 00:38:18,680 --> 00:38:23,400 Speaker 1: a hall of friendship photos where like all the homies 750 00:38:23,400 --> 00:38:27,760 Speaker 1: were represented in photographs on your desk, not on my desk, 751 00:38:27,880 --> 00:38:31,000 Speaker 1: but in but very prominently in my home to know, 752 00:38:31,120 --> 00:38:34,000 Speaker 1: like these are the important people in my life. 753 00:38:33,760 --> 00:38:37,719 Speaker 2: On your desk feels like that is where people have 754 00:38:38,440 --> 00:38:39,120 Speaker 2: the leicture. 755 00:38:39,239 --> 00:38:43,160 Speaker 1: That's yeah, yeah, I have, Yes, I have the geist 756 00:38:43,239 --> 00:38:46,160 Speaker 1: child and her majesty. Yeah, my wife and child. That 757 00:38:46,320 --> 00:38:47,480 Speaker 1: those are photos that I have. 758 00:38:47,680 --> 00:38:49,799 Speaker 2: This is what I have on my picture that on 759 00:38:49,880 --> 00:38:52,799 Speaker 2: my desk. That's it. It's me and my wife my kids. 760 00:38:52,760 --> 00:38:54,760 Speaker 3: Right, And can I also say, like that's a normal 761 00:38:54,920 --> 00:38:59,719 Speaker 3: size eight by ten is crazy eight by ten? 762 00:38:59,800 --> 00:39:02,080 Speaker 2: That's printer paper like a four by six. 763 00:39:02,239 --> 00:39:07,200 Speaker 3: Yeah, that's true, just some massive print out like you 764 00:39:07,200 --> 00:39:08,520 Speaker 3: have to special order that. 765 00:39:08,880 --> 00:39:12,440 Speaker 1: Yeah, right now, bigger. I want people to really know 766 00:39:12,520 --> 00:39:15,719 Speaker 1: how good of friends we are. So just before that, 767 00:39:15,920 --> 00:39:19,680 Speaker 1: Anushka to Georgio is another survivor, spoke about how appalled 768 00:39:19,760 --> 00:39:22,960 Speaker 1: she was to hear that Glenne Maxwell was transferred to 769 00:39:23,360 --> 00:39:26,520 Speaker 1: Club fed you know, like a super low security prison, 770 00:39:26,840 --> 00:39:29,080 Speaker 1: in a move that, like, given the crimes that she 771 00:39:29,200 --> 00:39:33,719 Speaker 1: was convicted of, violates every procedural, procedural norm and regulation 772 00:39:33,840 --> 00:39:36,839 Speaker 1: that exists, like within the president yeah, within the you know, 773 00:39:37,200 --> 00:39:40,520 Speaker 1: thecarcial system of the United States. This is her speaking 774 00:39:41,000 --> 00:39:43,720 Speaker 1: and very again strategically. 775 00:39:43,800 --> 00:39:44,200 Speaker 2: I don't know. 776 00:39:44,600 --> 00:39:46,920 Speaker 1: The jets are flying over constantly, but it's it's interesting 777 00:39:47,160 --> 00:39:49,840 Speaker 1: when she's speaking specifically, and I'll get to that in 778 00:39:49,840 --> 00:39:50,160 Speaker 1: a moment. 779 00:39:50,200 --> 00:39:55,480 Speaker 8: After this, I was horrified when I found out not 780 00:39:55,600 --> 00:40:00,359 Speaker 8: only had Helen Maxwell been transferred to what it's called, 781 00:40:00,880 --> 00:40:03,680 Speaker 8: you know, a low security it's really is like a 782 00:40:03,840 --> 00:40:04,840 Speaker 8: like a holiday camp. 783 00:40:05,440 --> 00:40:09,960 Speaker 5: And then afterwards I got a notification from the Department 784 00:40:09,960 --> 00:40:12,240 Speaker 5: of justice telling me that this was going to happen 785 00:40:12,800 --> 00:40:26,840 Speaker 5: when it had already happened, this woman abuse children. 786 00:40:26,640 --> 00:40:30,720 Speaker 2: That's loud enough that literally everybody inside there's like thirty 787 00:40:30,760 --> 00:40:34,560 Speaker 2: people inside the frame of this news press conference, and 788 00:40:34,719 --> 00:40:37,400 Speaker 2: everybody is like looking up. That's a yeah, Like I 789 00:40:37,520 --> 00:40:41,400 Speaker 2: obviously this is coming through a microphone that is like 790 00:40:41,960 --> 00:40:45,080 Speaker 2: supposed to be drowning out background noise, and still it's 791 00:40:45,120 --> 00:40:49,360 Speaker 2: like deafening. And to be there in person, it seems 792 00:40:49,400 --> 00:40:53,000 Speaker 2: like it was just overwhelming, like chest rattling. 793 00:40:53,280 --> 00:40:56,640 Speaker 1: Yeah, I mean, it's just menacing to hear those plans 794 00:40:56,960 --> 00:41:01,000 Speaker 1: just fly over. But again the flyover brief, it didn't 795 00:41:01,000 --> 00:41:04,279 Speaker 1: deter these women. And Annushka de Georgio happens to have 796 00:41:04,320 --> 00:41:07,839 Speaker 1: a very specific relationship to Trump because she was introduced 797 00:41:07,880 --> 00:41:11,160 Speaker 1: to him by Gallaine Maxwell in nineteen ninety seven. And 798 00:41:11,239 --> 00:41:13,480 Speaker 1: at the time the press in the UK was talking 799 00:41:13,520 --> 00:41:17,880 Speaker 1: about this relationship between this woman and Donald Trump. It 800 00:41:18,000 --> 00:41:21,319 Speaker 1: was like Trump's britt, Trump's brit of all right, just 801 00:41:21,360 --> 00:41:24,560 Speaker 1: weeks after ditching his second wife, America's best known billionaire, 802 00:41:24,600 --> 00:41:27,200 Speaker 1: Donald Trump has fallen under the spell of a twenty 803 00:41:27,280 --> 00:41:31,960 Speaker 1: year old English girl. Yeah, yeah, she's a witch, imply 804 00:41:32,160 --> 00:41:33,120 Speaker 1: that she's a witch. 805 00:41:33,400 --> 00:41:34,960 Speaker 2: What the fuck are they talking about? 806 00:41:35,120 --> 00:41:38,239 Speaker 1: So then the way it was written about in the nineties, 807 00:41:38,280 --> 00:41:40,920 Speaker 1: it's just now like now, knowing what we know, it 808 00:41:41,040 --> 00:41:43,640 Speaker 1: sounds so ominous. So quote Trump met London model and 809 00:41:43,640 --> 00:41:45,839 Speaker 1: a Nushka de Georgio at a party in Manhattan. Several 810 00:41:45,880 --> 00:41:49,080 Speaker 1: American millionaires already had their eyes on her, but she 811 00:41:49,280 --> 00:41:53,480 Speaker 1: was there with Robert Maxwell's daughter, Gilaine, who was introduced, 812 00:41:53,520 --> 00:41:56,319 Speaker 1: who has introduced several of her attractive friends to the 813 00:41:56,360 --> 00:41:59,440 Speaker 1: property developer. The article goes on to say, quote Trump 814 00:41:59,520 --> 00:42:03,839 Speaker 1: flew Madame Maxwell, which you're like, what wow? So they 815 00:42:03,960 --> 00:42:08,200 Speaker 1: know sure, and the model south to the Sunshine State, 816 00:42:08,200 --> 00:42:11,000 Speaker 1: where all three enjoyed a happy weekend together. When they 817 00:42:11,040 --> 00:42:13,799 Speaker 1: returned to New York and Nushka was installed in one 818 00:42:13,800 --> 00:42:16,240 Speaker 1: of Donald's many apartments. 819 00:42:15,600 --> 00:42:19,640 Speaker 3: There, Jesus Christ installed as crazy word. 820 00:42:20,280 --> 00:42:23,719 Speaker 1: That's not you don't install a person, You install furniture, 821 00:42:23,800 --> 00:42:25,120 Speaker 1: you install software. 822 00:42:25,239 --> 00:42:27,759 Speaker 2: You can install an armed guard. I feel like I've 823 00:42:27,760 --> 00:42:31,720 Speaker 2: heard it in that context before, like they've installed armed guards. 824 00:42:31,719 --> 00:42:34,720 Speaker 2: That the you know, you don't you don't install. 825 00:42:34,440 --> 00:42:37,440 Speaker 1: I guess maybe could be a human being, but serves 826 00:42:37,480 --> 00:42:42,560 Speaker 1: a very specific singular function. Yes, exactly, which is just anyway, 827 00:42:42,600 --> 00:42:45,399 Speaker 1: and then you know she spoke like she testified against 828 00:42:45,440 --> 00:42:48,960 Speaker 1: Gallaine Maxwell she was basically being abused by Jeffrey Epstein, 829 00:42:49,120 --> 00:42:54,120 Speaker 1: and after that, Epstein just handed her over essentially. 830 00:42:54,800 --> 00:42:57,600 Speaker 2: And this is someone who has has. 831 00:42:57,400 --> 00:43:01,040 Speaker 1: A story to tell, for fucking sure, just reading that 832 00:43:01,320 --> 00:43:03,839 Speaker 1: thing about how the three of them were kicking into 833 00:43:03,840 --> 00:43:06,400 Speaker 1: Florida and then later she was installed in one of 834 00:43:06,400 --> 00:43:09,240 Speaker 1: his apartments. I mean, That'ssari like rather than the DOJ 835 00:43:09,520 --> 00:43:13,760 Speaker 1: like asking the convicted predator doing Jim Maxwell, ask. 836 00:43:13,600 --> 00:43:16,520 Speaker 2: Him Maxwell what her version of events is. We have 837 00:43:16,880 --> 00:43:20,239 Speaker 2: victims who have like said they're victims. 838 00:43:20,800 --> 00:43:24,160 Speaker 1: As to them, who's above board not the person who's 839 00:43:24,200 --> 00:43:27,520 Speaker 1: the perpetrator of the crime. Anyway, It's it was a 840 00:43:27,640 --> 00:43:31,200 Speaker 1: very very fucked up moment. But again, I mean this 841 00:43:31,840 --> 00:43:34,200 Speaker 1: just all of this has brought even more emphasis and 842 00:43:34,280 --> 00:43:37,960 Speaker 1: more pressure now on Republicans to sort this out, and 843 00:43:37,960 --> 00:43:40,239 Speaker 1: they're trying everything they can, Like they're just doing like 844 00:43:40,480 --> 00:43:44,040 Speaker 1: the Oversight Committee like released a statement that sort of 845 00:43:44,080 --> 00:43:46,879 Speaker 1: like it wasn't really like a lawful resolution. But it's 846 00:43:46,880 --> 00:43:50,520 Speaker 1: like the DOJ will release the documents because we asked 847 00:43:50,520 --> 00:43:53,000 Speaker 1: them to at a time that they want it's like 848 00:43:53,239 --> 00:43:57,520 Speaker 1: very It's not like Kawhi Leonard's like, you know, contract, yeah, 849 00:43:57,560 --> 00:43:59,560 Speaker 1: treat Flaker. It's like if they feel like they can 850 00:43:59,600 --> 00:44:01,880 Speaker 1: opt out at any time. So there's nothing really binding 851 00:44:01,920 --> 00:44:03,960 Speaker 1: about this, but at least we get to say we 852 00:44:04,040 --> 00:44:04,760 Speaker 1: did something. 853 00:44:05,400 --> 00:44:10,720 Speaker 2: Yeah, it's uh, it's a he couldn't look any more guilty. 854 00:44:10,760 --> 00:44:12,680 Speaker 2: And then like you hear that story and it's like, well, 855 00:44:12,719 --> 00:44:17,520 Speaker 2: so there's a trafficking victim that was introduced in quotes 856 00:44:17,560 --> 00:44:21,120 Speaker 2: to him by the trafficker in question, Like, what else 857 00:44:21,400 --> 00:44:25,239 Speaker 2: do you possibly need? Like, I don't understand how this 858 00:44:25,320 --> 00:44:29,160 Speaker 2: is not blaring from the front pages of every fucking newspaper. 859 00:44:29,560 --> 00:44:33,200 Speaker 3: Well, yeah, no, it's wild how fast the conversation around 860 00:44:33,200 --> 00:44:35,440 Speaker 3: this has died down to me, like it should be 861 00:44:35,960 --> 00:44:37,080 Speaker 3: everywhere all the time. 862 00:44:37,360 --> 00:44:40,200 Speaker 1: Yeah, yeah, I mean it definitely died down in like 863 00:44:40,280 --> 00:44:43,520 Speaker 1: the little the six or four weeks last four weeks 864 00:44:43,600 --> 00:44:46,799 Speaker 1: or so, when Mike Johnson hit the panic button and 865 00:44:46,960 --> 00:44:49,560 Speaker 1: was like, get everybody out of DC because we can't. 866 00:44:49,560 --> 00:44:52,120 Speaker 1: We don't want to be asked any more to pass 867 00:44:52,200 --> 00:44:57,359 Speaker 1: something or vote on something related to the evacuated the building. Basically, yeah, 868 00:44:57,480 --> 00:44:59,840 Speaker 1: And now that they're back, though, i'd say, the pre 869 00:45:00,080 --> 00:45:04,080 Speaker 1: Sure campaign is right back where I guess it is, 870 00:45:04,160 --> 00:45:05,479 Speaker 1: but we'll see what. 871 00:45:05,360 --> 00:45:07,640 Speaker 2: It doesn't seem like it's getting as much pick up. 872 00:45:07,719 --> 00:45:10,000 Speaker 2: I'll say that, like, I think you're right, finn It 873 00:45:10,040 --> 00:45:13,240 Speaker 2: feels like it's died down in terms of the mainstream 874 00:45:13,239 --> 00:45:14,200 Speaker 2: media's pickup of it. 875 00:45:14,280 --> 00:45:17,160 Speaker 1: And they're because who knows what threats are being thrown 876 00:45:17,200 --> 00:45:21,319 Speaker 1: around by this administration already. I mean, you've already seen 877 00:45:21,360 --> 00:45:25,439 Speaker 1: We've already seen newsroom after newsroom capitulate to the administration, 878 00:45:25,640 --> 00:45:28,440 Speaker 1: and even what you hear from Congress people saying that 879 00:45:28,520 --> 00:45:31,919 Speaker 1: Trump is personally calling people to be like, don't even 880 00:45:31,960 --> 00:45:35,040 Speaker 1: fucking think about voting for this shit. Yeah, you can 881 00:45:35,080 --> 00:45:38,640 Speaker 1: only imagine what kind of other intermediaries they used to even. 882 00:45:38,960 --> 00:45:43,879 Speaker 2: Chill the press even more, right, the press already pretty chill. 883 00:45:44,320 --> 00:45:48,120 Speaker 2: So that's very chill. Yeah, chill. All right, let's take 884 00:45:48,120 --> 00:45:50,399 Speaker 2: a quick break. We'll come back. We'll talk about bad 885 00:45:50,440 --> 00:45:53,399 Speaker 2: things the phone, our phones are doing to us. We'll 886 00:45:53,440 --> 00:46:07,680 Speaker 2: be right back and or back and just two slightly 887 00:46:07,719 --> 00:46:12,160 Speaker 2: related stories about things, bad things smartphone doing to our 888 00:46:12,200 --> 00:46:16,440 Speaker 2: brain and bad things smartphone doing to our assholes. Okay, 889 00:46:16,920 --> 00:46:22,160 Speaker 2: so apparently it significantly raises the risk of getting hemorrhoids. 890 00:46:22,560 --> 00:46:26,520 Speaker 2: According to a study, Those described in a CNN article 891 00:46:27,360 --> 00:46:29,640 Speaker 2: that presumably a lot of people read while sitting on 892 00:46:29,680 --> 00:46:30,200 Speaker 2: the toilet. 893 00:46:30,280 --> 00:46:33,520 Speaker 1: Oh so not just using a smartphone will give you hemorrhoids. 894 00:46:33,120 --> 00:46:35,840 Speaker 2: It's sitting on the toilet with it. Yeah, using it? 895 00:46:35,880 --> 00:46:39,799 Speaker 3: Well, okay, is it sitting on the toilet specifically or 896 00:46:39,840 --> 00:46:41,080 Speaker 3: is it just like sitting anywhere? 897 00:46:41,480 --> 00:46:44,920 Speaker 2: I think they're specifically sitting on the toilet. Reportedly, quote, 898 00:46:44,960 --> 00:46:47,759 Speaker 2: regular smartphone use on the toilet was associated with a 899 00:46:47,800 --> 00:46:51,600 Speaker 2: forty six percent greater risk of having hemorrhoids because apps 900 00:46:51,600 --> 00:46:54,040 Speaker 2: are designed to distract us and people are losing track 901 00:46:54,080 --> 00:46:56,160 Speaker 2: of time. And sitting on the toilet for a long 902 00:46:56,160 --> 00:46:59,320 Speaker 2: time is especially bad because the open toilet seat compresses 903 00:46:59,400 --> 00:47:00,440 Speaker 2: the rectal area. 904 00:47:01,880 --> 00:47:04,960 Speaker 1: There's nothing underneath there just to support your rectum, so 905 00:47:05,000 --> 00:47:06,840 Speaker 1: it's just a light to push. 906 00:47:06,680 --> 00:47:10,920 Speaker 2: Your rectal floor. Is getting a get to rouse? Yeah, 907 00:47:10,960 --> 00:47:14,040 Speaker 2: And this is related to this other story I saw 908 00:47:14,120 --> 00:47:19,960 Speaker 2: recently about the growth of executive function coaches to fix basically, 909 00:47:20,600 --> 00:47:22,200 Speaker 2: you know, they're like, well, all of a sudden, we're 910 00:47:22,200 --> 00:47:27,760 Speaker 2: seeing people who have worse ability to follow through on tasks, 911 00:47:27,760 --> 00:47:31,520 Speaker 2: and like basically executive function is this new term for 912 00:47:32,680 --> 00:47:36,480 Speaker 2: our brain's ability. It's like they consider it like our 913 00:47:36,520 --> 00:47:39,800 Speaker 2: brain's air traffic controller that can like kind of juggle 914 00:47:39,880 --> 00:47:43,759 Speaker 2: tasks and allows you to do a job where there's 915 00:47:43,760 --> 00:47:46,280 Speaker 2: like multiple important tasks and you have to like choose 916 00:47:46,280 --> 00:47:46,960 Speaker 2: which one to do. 917 00:47:47,239 --> 00:47:50,399 Speaker 1: Yeah, like impulse control and just keeping track of shit, right. 918 00:47:50,320 --> 00:47:54,439 Speaker 2: Yeah, keeping track of things like navigating friendships on top 919 00:47:54,480 --> 00:47:59,640 Speaker 2: of your job on time. People are like feeling very overwhelmed. 920 00:48:00,080 --> 00:48:04,400 Speaker 2: And in the past, so this was usually used to 921 00:48:04,480 --> 00:48:08,960 Speaker 2: describe like a deficiency in people with ADHD and people 922 00:48:09,760 --> 00:48:14,040 Speaker 2: like on the spectrum, and they found that these executive 923 00:48:14,040 --> 00:48:18,640 Speaker 2: function coaches could help people, like when you would give 924 00:48:18,640 --> 00:48:21,720 Speaker 2: them an executive punk, a coach that focused on executive function, 925 00:48:22,160 --> 00:48:25,719 Speaker 2: it would like help them improve. But now like everyone 926 00:48:26,160 --> 00:48:31,600 Speaker 2: is having these same problems, and it seems pretty obvious 927 00:48:31,600 --> 00:48:34,680 Speaker 2: to me that it's because everyone is working all the time. 928 00:48:35,239 --> 00:48:37,719 Speaker 2: An on call in the middle of the night, Like 929 00:48:37,760 --> 00:48:41,920 Speaker 2: it's like that used to be the thing that you 930 00:48:41,960 --> 00:48:44,000 Speaker 2: would see it in movies, where like it was a 931 00:48:44,760 --> 00:48:46,040 Speaker 2: cop would get a call. 932 00:48:45,880 --> 00:48:48,680 Speaker 1: In the middle of the night, or like a CIA officer, yeah, 933 00:48:48,800 --> 00:48:50,080 Speaker 1: or the president or just. 934 00:48:50,120 --> 00:48:52,760 Speaker 3: Robin Williams and any of his characters. 935 00:48:52,640 --> 00:48:55,680 Speaker 2: Robin Williams would have just a red phone. That was like, 936 00:48:55,760 --> 00:48:59,279 Speaker 2: we've got to get Robin Williams on the phone. But 937 00:48:59,360 --> 00:49:02,399 Speaker 2: now we all have that like red phone on them, 938 00:49:02,520 --> 00:49:04,600 Speaker 2: you know, on the desk that like and it can 939 00:49:04,719 --> 00:49:07,560 Speaker 2: ring at any time and you're like, oh, there's an emergency. 940 00:49:08,320 --> 00:49:12,520 Speaker 2: And now it's funny. The article that's writing about this, 941 00:49:12,600 --> 00:49:15,759 Speaker 2: I think was in like Business Insider, and so they 942 00:49:15,840 --> 00:49:18,560 Speaker 2: keep kind of going back and forth. The description is like, 943 00:49:19,000 --> 00:49:23,000 Speaker 2: you know, we have more distractions today than ever, like 944 00:49:23,080 --> 00:49:26,640 Speaker 2: kind of fault is partially our fault. You know, we're 945 00:49:26,920 --> 00:49:30,880 Speaker 2: digitally We're just a digitally distracted bunch of silly billies. 946 00:49:31,480 --> 00:49:34,960 Speaker 1: Yeah, you guys, just since everyone wanted to design algorithms 947 00:49:34,960 --> 00:49:37,320 Speaker 1: that keep people stuck to their phones God. 948 00:49:37,200 --> 00:49:40,120 Speaker 2: And cut off your IV drip of tiktoks to do 949 00:49:40,200 --> 00:49:40,760 Speaker 2: your job. 950 00:49:41,480 --> 00:49:43,560 Speaker 3: They they got me good though. I was kind of 951 00:49:43,840 --> 00:49:48,000 Speaker 3: like very anti smartphone before twenty twenty, and then lockdown 952 00:49:48,040 --> 00:49:50,560 Speaker 3: happened and I was just lonely. So I got an 953 00:49:50,560 --> 00:49:53,680 Speaker 3: iPhone and I have not been the same since. 954 00:49:54,120 --> 00:49:57,759 Speaker 1: Oh you were off the iPhone prior to lockdowns? 955 00:49:57,960 --> 00:50:00,560 Speaker 3: I well, yeah, but it wasn't like I did have 956 00:50:00,600 --> 00:50:03,200 Speaker 3: an iPhone at like before then, and then I switched 957 00:50:03,239 --> 00:50:06,360 Speaker 3: to like a dumb dumb phone. Wow, and that was 958 00:50:06,400 --> 00:50:08,640 Speaker 3: great and I actually loved it. And I haven't been 959 00:50:08,680 --> 00:50:12,319 Speaker 3: able to justify going back to it though, because like 960 00:50:12,360 --> 00:50:16,080 Speaker 3: this article is saying, like the scaffolding of workplace environments 961 00:50:16,120 --> 00:50:18,840 Speaker 3: that I'll designate start and end times is like gone 962 00:50:18,880 --> 00:50:22,799 Speaker 3: now yea, So I feel this pressure, and I think 963 00:50:22,840 --> 00:50:26,280 Speaker 3: everyone does to feel like available for work stuff, oh 964 00:50:26,320 --> 00:50:29,120 Speaker 3: twenty four to seven, or even for like friendships too, 965 00:50:29,239 --> 00:50:32,800 Speaker 3: Like it was really nice having this stupid phone because 966 00:50:33,239 --> 00:50:34,799 Speaker 3: it was so hard to text, and I would just 967 00:50:34,840 --> 00:50:37,360 Speaker 3: call people and I would make plans and then I 968 00:50:37,360 --> 00:50:39,480 Speaker 3: would meet at that place at a certain time, and 969 00:50:39,560 --> 00:50:42,880 Speaker 3: it just there wasn't a lot of changing of plans 970 00:50:43,320 --> 00:50:45,600 Speaker 3: or if someone canceled then I'd just be alones somewhere 971 00:50:45,680 --> 00:50:47,319 Speaker 3: for a bit. And that was actually nice too. 972 00:50:47,360 --> 00:50:49,239 Speaker 2: That's okay, you get a little bit of alone time. 973 00:50:49,520 --> 00:50:52,880 Speaker 2: We were just talking about this trend that I was 974 00:50:52,920 --> 00:50:56,640 Speaker 2: listening to another podcast where they were talking about people 975 00:50:57,120 --> 00:51:01,560 Speaker 2: like sharing their location so that friends can like track 976 00:51:01,680 --> 00:51:06,040 Speaker 2: the location of other friends, and it was like they 977 00:51:06,080 --> 00:51:08,040 Speaker 2: were they were At first, I was like, oh, they're 978 00:51:08,040 --> 00:51:10,239 Speaker 2: gonna talk about how weird that is. And then the 979 00:51:10,320 --> 00:51:12,640 Speaker 2: two hosts of the show were like, yeah, and we 980 00:51:12,719 --> 00:51:14,920 Speaker 2: do that and that's like normal, but you just like 981 00:51:14,960 --> 00:51:17,600 Speaker 2: can't be a weird stalker about it. I'm just like 982 00:51:17,760 --> 00:51:23,040 Speaker 2: even that like feels like extra being on all the time, 983 00:51:23,120 --> 00:51:26,759 Speaker 2: Like just always having everybody like have access to you 984 00:51:27,480 --> 00:51:31,759 Speaker 2: anytime you want. Feels like like rough environment for a 985 00:51:31,840 --> 00:51:33,440 Speaker 2: human brain to exist in. 986 00:51:33,800 --> 00:51:36,800 Speaker 1: I don't we already live in like a metaphorical panopticon, 987 00:51:37,080 --> 00:51:40,000 Speaker 1: so to make it the real thing to be like no, 988 00:51:40,160 --> 00:51:43,080 Speaker 1: and they know where I am at all, I'm always 989 00:51:43,160 --> 00:51:44,920 Speaker 1: being watched is a little whatever. 990 00:51:44,960 --> 00:51:45,600 Speaker 2: I mean, I do that. 991 00:51:46,800 --> 00:51:49,080 Speaker 1: Her majesty is always like can you share your location 992 00:51:49,320 --> 00:51:51,279 Speaker 1: with me? And I'm like yeah, yeah, yeah. But then 993 00:51:51,320 --> 00:51:53,880 Speaker 1: she's like you didn't leave the house at all, And 994 00:51:53,920 --> 00:51:55,480 Speaker 1: I'm like, what the fuck is this? 995 00:51:55,719 --> 00:51:58,680 Speaker 2: Like I'm on trial here by the fucking I'm cooking 996 00:51:58,760 --> 00:51:59,959 Speaker 2: spaghetti for the baby. 997 00:52:00,920 --> 00:52:03,280 Speaker 1: I had to do working things sorvy. 998 00:52:03,920 --> 00:52:06,520 Speaker 2: I mean, they do talk about the how COVID really 999 00:52:06,960 --> 00:52:11,720 Speaker 2: like they're like, COVID happened. It taxed adults executive functioning 1000 00:52:11,800 --> 00:52:14,640 Speaker 2: because like now we no longer have like a at 1001 00:52:14,680 --> 00:52:17,600 Speaker 2: work division. It's like we're always kind of at work. 1002 00:52:17,960 --> 00:52:22,120 Speaker 2: But then after COVID they say that, you know a quote, 1003 00:52:22,120 --> 00:52:25,360 Speaker 2: modern life is stretching everyone's mental capacity to the brink. 1004 00:52:25,920 --> 00:52:29,520 Speaker 2: The experts I spoke with point to the endless interruptions 1005 00:52:29,560 --> 00:52:32,960 Speaker 2: and cheap dopamine hits of our digital devices as one 1006 00:52:33,000 --> 00:52:37,759 Speaker 2: obvious culprit, like in addition to research suggests that the 1007 00:52:37,760 --> 00:52:40,640 Speaker 2: digital world can warp our perception of time, which would 1008 00:52:40,640 --> 00:52:43,640 Speaker 2: logically affect how well we manage our time, which, yeah, 1009 00:52:43,680 --> 00:52:47,480 Speaker 2: that makes sense. These are like the apps are designed 1010 00:52:48,040 --> 00:52:50,319 Speaker 2: by people who like in the past used to do 1011 00:52:51,160 --> 00:52:56,040 Speaker 2: psychological experiments on like rats and shit, Like now they're 1012 00:52:56,160 --> 00:52:59,319 Speaker 2: designing apps to make it so that we can't tell 1013 00:52:59,360 --> 00:53:02,800 Speaker 2: how much time has passed. Like the the weirdest experience 1014 00:53:02,840 --> 00:53:05,759 Speaker 2: I've ever had, I think it was the angry like 1015 00:53:05,800 --> 00:53:08,120 Speaker 2: playing Angry Birds when that was the thing and like 1016 00:53:08,200 --> 00:53:11,520 Speaker 2: the late aughts and like just being like, oh my god, 1017 00:53:11,600 --> 00:53:14,759 Speaker 2: like forty minutes just disappeared and I didn't notice it 1018 00:53:14,880 --> 00:53:17,040 Speaker 2: at all. Like it's just like it was like time 1019 00:53:17,080 --> 00:53:18,200 Speaker 2: traveling TikTok. 1020 00:53:18,520 --> 00:53:22,120 Speaker 1: I definitely time travel on TikTok, which yeah, I'm not 1021 00:53:22,239 --> 00:53:25,640 Speaker 1: I'm not proud of how many times I've gotten the Hey, motherfucker, 1022 00:53:26,200 --> 00:53:29,479 Speaker 1: you've been scrolling an awful lot. Maybe put this shit down. 1023 00:53:29,600 --> 00:53:31,719 Speaker 1: Like even the fucking dope dealer. 1024 00:53:31,480 --> 00:53:33,600 Speaker 3: Was like, hey, come on, man, give it the TikTok 1025 00:53:33,600 --> 00:53:34,319 Speaker 3: apps say that. 1026 00:53:34,760 --> 00:53:35,040 Speaker 2: Yeah. 1027 00:53:35,080 --> 00:53:37,400 Speaker 1: Like one of the next videos that would come up 1028 00:53:37,520 --> 00:53:40,480 Speaker 1: was like from the TikTok community thing where someone was like, hey, 1029 00:53:40,600 --> 00:53:43,279 Speaker 1: just remember you know when you're scrolling a lot to 1030 00:53:43,320 --> 00:53:44,840 Speaker 1: take a break or whatever, And I'm like, what the 1031 00:53:44,880 --> 00:53:47,640 Speaker 1: fuck an hour, fifteen minutes has gone by. 1032 00:53:48,480 --> 00:53:52,759 Speaker 2: You've got a beard? Yeah, the yeah, but I don't know. Yeah, 1033 00:53:52,800 --> 00:53:57,319 Speaker 2: it's in addition to you know, this thing that used 1034 00:53:57,360 --> 00:54:00,680 Speaker 2: to be reserved for like the hardest job in the 1035 00:54:00,719 --> 00:54:02,960 Speaker 2: world of like being president, like the red phone on 1036 00:54:03,040 --> 00:54:05,839 Speaker 2: your desk, like you also have a casino in your 1037 00:54:05,880 --> 00:54:10,239 Speaker 2: pocket with like apps for work and like media consumption 1038 00:54:10,560 --> 00:54:13,680 Speaker 2: and like all these things like those are all designed 1039 00:54:13,760 --> 00:54:16,960 Speaker 2: to addict you and just like get you lost, like 1040 00:54:17,200 --> 00:54:19,560 Speaker 2: lose you in time and space. 1041 00:54:19,880 --> 00:54:23,120 Speaker 1: So it's it's funny when they go like modern life, 1042 00:54:23,160 --> 00:54:25,200 Speaker 1: it's like you're talking about late stage capitalism. 1043 00:54:25,280 --> 00:54:28,400 Speaker 9: Yeah, yeah, fucking assholes, that's what don't Let's thanks for 1044 00:54:28,440 --> 00:54:31,760 Speaker 9: the euphemism, But like people are being ground to dust 1045 00:54:32,080 --> 00:54:35,359 Speaker 9: for nothing, and like in other times, and maybe your 1046 00:54:35,400 --> 00:54:38,440 Speaker 9: wages were actually substantial, then at least you could like 1047 00:54:38,520 --> 00:54:41,480 Speaker 9: do something because you had some kind of excess income 1048 00:54:41,560 --> 00:54:43,160 Speaker 9: to like blow your steam off. 1049 00:54:43,560 --> 00:54:45,560 Speaker 1: But now people have to have multiple jobs just to 1050 00:54:45,640 --> 00:54:47,960 Speaker 1: fucking get by, and you're on call all the time, 1051 00:54:48,120 --> 00:54:50,839 Speaker 1: Like maybe talk about that rather than your company being 1052 00:54:50,880 --> 00:54:53,640 Speaker 1: like and we're giving out yoga mats on Monday, so 1053 00:54:53,680 --> 00:54:56,200 Speaker 1: come by. Yeah, exactly, we love it. We love a 1054 00:54:56,200 --> 00:54:57,120 Speaker 1: wellness program. 1055 00:54:57,520 --> 00:55:00,360 Speaker 2: They do talk about the wellness programs article. 1056 00:55:00,800 --> 00:55:04,840 Speaker 3: It spooks me how these apps too are Like like TikTok, 1057 00:55:04,880 --> 00:55:07,040 Speaker 3: I didn't use until when they were when it was 1058 00:55:07,040 --> 00:55:10,000 Speaker 3: like going to be banned. Yeah, I downloaded it because 1059 00:55:10,040 --> 00:55:11,080 Speaker 3: I was like, I want to see what this is 1060 00:55:11,160 --> 00:55:13,879 Speaker 3: like everyone loves it and I won't have the risk 1061 00:55:13,920 --> 00:55:15,920 Speaker 3: of being addicted to it because it's about saying to 1062 00:55:15,960 --> 00:55:19,279 Speaker 3: be banned, right, But obviously that didn't happen, and I 1063 00:55:19,320 --> 00:55:22,480 Speaker 3: downloaded it, and now I'm addicted to TikTok. But it's 1064 00:55:22,520 --> 00:55:26,000 Speaker 3: wild to me how every third TikTok is an ad 1065 00:55:26,400 --> 00:55:29,759 Speaker 3: and yeah, there's a shop within the app, like I mean, 1066 00:55:29,840 --> 00:55:33,399 Speaker 3: Instagram is addictive too, but it's it's not a little 1067 00:55:33,440 --> 00:55:37,040 Speaker 3: more selling to me, Like the way TikTok is like 1068 00:55:37,200 --> 00:55:40,399 Speaker 3: put your credit card in this app, oh right, now, 1069 00:55:40,440 --> 00:55:42,720 Speaker 3: press the button and you can buy a new hair brush, 1070 00:55:42,760 --> 00:55:46,239 Speaker 3: which I did, you know, Like Instagram will be like 1071 00:55:46,400 --> 00:55:50,400 Speaker 3: your hair Yeah, Instagram now go to their website to 1072 00:55:50,480 --> 00:55:52,480 Speaker 3: go by the thing where we're still a buffer. 1073 00:55:52,760 --> 00:55:54,880 Speaker 1: Yeah, and even now like people are live with their 1074 00:55:54,920 --> 00:55:57,080 Speaker 1: TikTok shops, like where you can just go on your 1075 00:55:57,080 --> 00:56:00,239 Speaker 1: own like handheld QVC show where you're watching somebody's oh 1076 00:56:00,280 --> 00:56:05,080 Speaker 1: fucking candy or whatever. I'm luckily every third video. Yeah, 1077 00:56:05,160 --> 00:56:09,520 Speaker 1: I've I've definitely weaned myself off of the tiktoks as 1078 00:56:09,600 --> 00:56:12,239 Speaker 1: at least when I was like peak tiktoking, like at 1079 00:56:12,239 --> 00:56:15,440 Speaker 1: twenty twenty two. That was a bad run. That was 1080 00:56:15,480 --> 00:56:16,279 Speaker 1: a bad run for me. 1081 00:56:16,840 --> 00:56:20,680 Speaker 2: Yeah, but it's uh yeah, so I don't know. It 1082 00:56:20,800 --> 00:56:24,560 Speaker 2: just feels like a thing that I always like, my 1083 00:56:24,560 --> 00:56:26,919 Speaker 2: my most hopeful self is like we're gonna look back 1084 00:56:26,960 --> 00:56:29,919 Speaker 2: on this the way we did smoking and be like, man, 1085 00:56:29,960 --> 00:56:32,799 Speaker 2: I can't believe we did that to ourselves. But I 1086 00:56:32,880 --> 00:56:36,120 Speaker 2: also like, I don't know, like I could also see 1087 00:56:36,120 --> 00:56:38,440 Speaker 2: it just being like worse and worse and like we 1088 00:56:38,480 --> 00:56:41,080 Speaker 2: look back on this and be like, oh, those are 1089 00:56:41,120 --> 00:56:44,520 Speaker 2: the good old days before everything was so seamless that 1090 00:56:44,560 --> 00:56:47,319 Speaker 2: we just like lived in Wally universe where it was 1091 00:56:47,400 --> 00:56:51,200 Speaker 2: just like we were constantly in a slipstream of like consumption. 1092 00:56:51,760 --> 00:56:55,160 Speaker 1: Yeah, I mean, I see it's slowing down because I 1093 00:56:55,160 --> 00:56:57,520 Speaker 1: I mean, when you think about it, it's replacing so 1094 00:56:57,680 --> 00:57:01,600 Speaker 1: many quote unquote normal human things we used to do, 1095 00:57:01,719 --> 00:57:05,080 Speaker 1: like socialize or like fucking even like read books. Like 1096 00:57:05,120 --> 00:57:09,000 Speaker 1: there was a new thing about how Americans are falling 1097 00:57:09,080 --> 00:57:13,400 Speaker 1: off like with reading so quickly. It's like wild, Like 1098 00:57:13,520 --> 00:57:17,680 Speaker 1: I think there's a study it was twenty eight percent 1099 00:57:17,760 --> 00:57:20,680 Speaker 1: of people who've read for pleasure in two thousand and four. 1100 00:57:20,880 --> 00:57:24,080 Speaker 1: It's at sixteen percent in twenty twenty three. And it's 1101 00:57:24,080 --> 00:57:26,520 Speaker 1: just like, yeah, it just keeps falling off. It keeps 1102 00:57:26,520 --> 00:57:28,560 Speaker 1: falling off, Like people don't even read for pleasure in 1103 00:57:28,560 --> 00:57:29,000 Speaker 1: the UK. 1104 00:57:28,960 --> 00:57:32,000 Speaker 2: Eighteen percent of people read for pleasure in the twenty 1105 00:57:32,040 --> 00:57:34,640 Speaker 2: three in the United States. 1106 00:57:35,360 --> 00:57:37,120 Speaker 3: Jeez, that's bleak. 1107 00:57:37,720 --> 00:57:40,160 Speaker 2: Yeah, Twitter counts right, I can read. 1108 00:57:40,480 --> 00:57:44,040 Speaker 3: Yeah, twit was that was a veriable. 1109 00:57:43,720 --> 00:57:45,280 Speaker 1: I mean, because it's like many it's because it's not 1110 00:57:45,320 --> 00:57:47,720 Speaker 1: just like the technology, it's also like our education system, 1111 00:57:47,760 --> 00:57:50,400 Speaker 1: like it's multifaceted, it's purely not that. But like I 1112 00:57:50,440 --> 00:57:53,080 Speaker 1: also see now how people like are they just find 1113 00:57:53,120 --> 00:57:56,320 Speaker 1: pleasure from their phones? Yeah, and that's such a fucking 1114 00:57:56,600 --> 00:57:58,120 Speaker 1: grim reality. 1115 00:57:59,200 --> 00:58:03,760 Speaker 3: We're saying something earlier about like how it's replacing normal 1116 00:58:03,840 --> 00:58:08,800 Speaker 3: daily activities, like the availability through smartphone, and I definitely 1117 00:58:08,800 --> 00:58:11,720 Speaker 3: found that, Like when I stopped, I did try to 1118 00:58:11,720 --> 00:58:14,800 Speaker 3: go back to a dumb phone, but it's almost impossible, 1119 00:58:15,160 --> 00:58:18,400 Speaker 3: like the way that work, it works for people, and 1120 00:58:18,480 --> 00:58:21,000 Speaker 3: like social life works for people, you really are removing 1121 00:58:21,040 --> 00:58:26,040 Speaker 3: yourself from the way everyone's functioning now and right right 1122 00:58:26,120 --> 00:58:28,920 Speaker 3: it is a pretty isolating thing, is what I discover it. 1123 00:58:28,960 --> 00:58:31,200 Speaker 3: And it can work if you're okay with that, But 1124 00:58:32,400 --> 00:58:35,920 Speaker 3: also like everyone else is assuming that you're on the 1125 00:58:35,960 --> 00:58:38,400 Speaker 3: same wavelength as them, like you're able to be in 1126 00:58:38,440 --> 00:58:41,320 Speaker 3: an I message group chat, or you're going to hit 1127 00:58:41,360 --> 00:58:43,440 Speaker 3: them back on Instagram if they invite you to something 1128 00:58:43,520 --> 00:58:48,919 Speaker 3: like there, it's really hard to maintain a social life 1129 00:58:48,960 --> 00:58:51,440 Speaker 3: without a smartphone. It's just you have to do it 1130 00:58:51,480 --> 00:58:54,000 Speaker 3: so differently and the world doesn't built for that anymore. 1131 00:58:54,080 --> 00:58:55,880 Speaker 1: Or I don't like how I'm or how I did it, 1132 00:58:55,920 --> 00:58:57,960 Speaker 1: like pre smartphone in high school, like there's that one 1133 00:58:58,000 --> 00:59:01,320 Speaker 1: friend who always knew what was going on, so that Hey, 1134 00:59:01,320 --> 00:59:01,960 Speaker 1: what's going on. 1135 00:59:03,760 --> 00:59:07,320 Speaker 2: I'm not on Instagram? Can you tell what's happening this weekend? Okay, Okay, 1136 00:59:07,360 --> 00:59:11,000 Speaker 2: thank you, thank you. I used to laugh at Jenine 1137 00:59:11,000 --> 00:59:15,040 Speaker 2: Garoffalo because she was like I remember in the aughts, 1138 00:59:15,840 --> 00:59:17,600 Speaker 2: she was like the last person I had heard of 1139 00:59:17,640 --> 00:59:20,560 Speaker 2: who was like, yeah, I don't really go online, I 1140 00:59:20,560 --> 00:59:26,040 Speaker 2: don't mess with like digital anything. I was like, okay, Jenny, Okay. 1141 00:59:26,200 --> 00:59:31,200 Speaker 2: Tom Hanks from Castaway sounds good. And now I'm I 1142 00:59:31,240 --> 00:59:33,800 Speaker 2: am that person where I'm just like I mean, I'm not, 1143 00:59:34,080 --> 00:59:38,120 Speaker 2: but like I be that and like, oh that is 1144 00:59:38,160 --> 00:59:41,040 Speaker 2: like that sounds right to me. That's like that is 1145 00:59:41,200 --> 00:59:43,600 Speaker 2: the ideal. I mean it's not possible, but. 1146 00:59:43,840 --> 00:59:47,280 Speaker 1: Well, I think we're so much of the digital era 1147 00:59:47,400 --> 00:59:50,520 Speaker 1: has allowed people to lose their teather to like the 1148 00:59:50,560 --> 00:59:54,200 Speaker 1: real simple things that keep us present as human beings. Yeah, 1149 00:59:54,240 --> 00:59:57,120 Speaker 1: you know where people are experiencing like moments of nature 1150 00:59:57,160 --> 00:59:59,800 Speaker 1: through a phone screen. When I get like when you 1151 01:00:00,120 --> 01:00:02,400 Speaker 1: in a city or something, it's not as readily available 1152 01:00:02,440 --> 01:00:05,800 Speaker 1: to you, but there are just certain sensations that you 1153 01:00:05,840 --> 01:00:08,160 Speaker 1: get from your body from just being present that are 1154 01:00:08,160 --> 01:00:10,360 Speaker 1: so fulfilling in a way that I feel like we 1155 01:00:10,440 --> 01:00:12,720 Speaker 1: lose track of shit like that, and it's so easy 1156 01:00:12,760 --> 01:00:15,600 Speaker 1: to get swept up in well that the nonsense I'm 1157 01:00:15,600 --> 01:00:18,000 Speaker 1: seeing on my phone is my entire reality, when like 1158 01:00:18,080 --> 01:00:21,320 Speaker 1: if you just look up and around you, that's not 1159 01:00:21,520 --> 01:00:24,480 Speaker 1: what's unfolding in front of your eyes. It's something completely different, 1160 01:00:24,480 --> 01:00:27,640 Speaker 1: And I think reminding ourselves of that is so fucking important. 1161 01:00:27,640 --> 01:00:31,120 Speaker 2: We talked last week about how there's these AI kitten 1162 01:00:31,240 --> 01:00:33,720 Speaker 2: videos that are just like a series of images of 1163 01:00:34,040 --> 01:00:38,240 Speaker 2: this really chubby, adorable orange cat, not always like they 1164 01:00:38,240 --> 01:00:41,280 Speaker 2: don't always look exactly the same, but like it's something 1165 01:00:41,320 --> 01:00:43,920 Speaker 2: that the AI is iterating on and like you just 1166 01:00:43,960 --> 01:00:47,000 Speaker 2: like see horrible things happen to the cat, like really 1167 01:00:47,040 --> 01:00:52,760 Speaker 2: sad things. Well, like people are feeling like this outpourent people, 1168 01:00:53,000 --> 01:00:55,320 Speaker 2: like a lot of the reposting of it, These are 1169 01:00:55,360 --> 01:00:58,280 Speaker 2: going like hugely viral, and a lot of the reposting 1170 01:00:58,280 --> 01:01:00,280 Speaker 2: of it as people being like, uh not me, like 1171 01:01:00,360 --> 01:01:05,040 Speaker 2: crying at this video of this chubby cat that's clearly AI. 1172 01:01:05,680 --> 01:01:08,560 Speaker 2: And I was like I had this really like bleak 1173 01:01:09,120 --> 01:01:12,960 Speaker 2: vision of like outside of if you're like completely looking 1174 01:01:12,960 --> 01:01:15,960 Speaker 2: at this from the outside, it's like we're cut off 1175 01:01:16,120 --> 01:01:20,040 Speaker 2: from each other and from like interaction with nature, and 1176 01:01:20,080 --> 01:01:23,960 Speaker 2: so we have robots making videos that are just like 1177 01:01:24,920 --> 01:01:29,560 Speaker 2: milking us of our normal human interactions like that. It's 1178 01:01:29,640 --> 01:01:34,120 Speaker 2: like a fucking like mechanical like calf's mouth that is 1179 01:01:34,160 --> 01:01:38,640 Speaker 2: like milking a cow and like a milking factory, and 1180 01:01:38,720 --> 01:01:40,840 Speaker 2: like we're just sitting there being like I feel the 1181 01:01:40,880 --> 01:01:44,320 Speaker 2: emotion and like moving forward with that shit. And it's 1182 01:01:44,400 --> 01:01:48,720 Speaker 2: just like that, and they're doing it to extract like 1183 01:01:48,800 --> 01:01:51,640 Speaker 2: our feelings but also like extract time from us so 1184 01:01:51,680 --> 01:01:56,440 Speaker 2: that we stay we're expressing this natural human emotion and 1185 01:01:56,480 --> 01:01:58,600 Speaker 2: we're like, okay, that is where I get that emotion 1186 01:01:58,760 --> 01:02:01,840 Speaker 2: now and stay there. Yeah, exactly right by things. 1187 01:02:02,080 --> 01:02:06,840 Speaker 1: Okay, yeah, slippery fucking slope, I think, yeah, yeah, yeah, 1188 01:02:06,840 --> 01:02:07,920 Speaker 1: oh no, we're fully. 1189 01:02:08,120 --> 01:02:10,760 Speaker 2: We're mid uh, we're right in the middle of the 1190 01:02:10,760 --> 01:02:11,320 Speaker 2: slippery you. 1191 01:02:11,320 --> 01:02:13,400 Speaker 1: Know when you see somebody like slipping on ice and 1192 01:02:13,440 --> 01:02:16,720 Speaker 1: like the first because they haven't quite gone down. We're 1193 01:02:16,720 --> 01:02:19,000 Speaker 1: like maybe on that third step where you still think 1194 01:02:19,040 --> 01:02:19,520 Speaker 1: you got it. 1195 01:02:20,000 --> 01:02:22,400 Speaker 2: Man, We're we are parallel to the ground. 1196 01:02:22,480 --> 01:02:25,120 Speaker 3: We are once we. 1197 01:02:25,040 --> 01:02:28,480 Speaker 1: Actually hit our head terribly five years ago, and now 1198 01:02:28,520 --> 01:02:29,720 Speaker 1: we still we're. 1199 01:02:29,600 --> 01:02:32,440 Speaker 3: Slipping on the bump bump the size of a grapefruit 1200 01:02:32,480 --> 01:02:35,200 Speaker 3: on our forehead. Yeah yeah, screaming down the hill. 1201 01:02:35,400 --> 01:02:38,640 Speaker 2: There's a there are two birds flying around our house, 1202 01:02:39,360 --> 01:02:40,520 Speaker 2: flying around our heads. 1203 01:02:44,000 --> 01:02:46,000 Speaker 3: Yeah. I think we need to bring back being bored, 1204 01:02:46,560 --> 01:02:49,440 Speaker 3: sitting sitting outside, staring at nothing. 1205 01:02:50,080 --> 01:02:53,080 Speaker 1: Oh yeah, I'm still I'm always impressed when I don't 1206 01:02:53,120 --> 01:02:55,919 Speaker 1: have my phone, and I'm just not even like being 1207 01:02:55,920 --> 01:02:58,880 Speaker 1: like high or anything, like I can just purely be like, Okay, 1208 01:02:58,880 --> 01:03:00,600 Speaker 1: I've been staring at this thing for like five minutes 1209 01:03:00,760 --> 01:03:01,680 Speaker 1: and it's just like a tree. 1210 01:03:02,120 --> 01:03:03,320 Speaker 2: Great, let's move on. 1211 01:03:03,560 --> 01:03:08,400 Speaker 1: Let's move on because that Oh god, it's time to 1212 01:03:08,400 --> 01:03:10,720 Speaker 1: feel bad for these kids, man, Jack. We got to 1213 01:03:10,760 --> 01:03:11,720 Speaker 1: protect these kids. 1214 01:03:11,760 --> 01:03:11,920 Speaker 5: Man. 1215 01:03:11,960 --> 01:03:14,400 Speaker 2: I mean, I'm trying, but it does feel like you're 1216 01:03:14,440 --> 01:03:16,960 Speaker 2: just like, I don't know, it's like a losing battle, right, 1217 01:03:17,280 --> 01:03:20,040 Speaker 2: not a losing battle necessarily, but yeah, like I think 1218 01:03:20,040 --> 01:03:23,480 Speaker 2: about that. There's this Onion headline that's like a quote 1219 01:03:23,560 --> 01:03:27,600 Speaker 2: unquote cool dad exposing his kids to like a bunch 1220 01:03:27,600 --> 01:03:30,760 Speaker 2: of cultural references that will have them completely cut off 1221 01:03:30,800 --> 01:03:33,800 Speaker 2: from their generation. It's like a dad showing his kids, 1222 01:03:33,840 --> 01:03:38,360 Speaker 2: like stop making sense with the talking heads, And I 1223 01:03:38,400 --> 01:03:40,040 Speaker 2: think about that all the time because I'm like, am 1224 01:03:40,040 --> 01:03:42,840 Speaker 2: I doing that because I'm not letting them like play 1225 01:03:42,920 --> 01:03:45,040 Speaker 2: rollblocks and shit like that. But like I kind of 1226 01:03:45,040 --> 01:03:48,080 Speaker 2: don't give a fuck, Like I don't know, yeah. 1227 01:03:47,880 --> 01:03:50,520 Speaker 3: I think don't give a fuck about that. Yeah yeah, 1228 01:03:50,600 --> 01:03:51,840 Speaker 3: I mean not making sense. 1229 01:03:52,160 --> 01:03:55,600 Speaker 1: Yeah yeah, trippy because like I said, my mom took 1230 01:03:55,640 --> 01:03:58,280 Speaker 1: me to see a fucking Italian art film about a 1231 01:03:58,320 --> 01:04:02,120 Speaker 1: famous Castrado singer. My dad showed me David like you know, 1232 01:04:02,160 --> 01:04:04,480 Speaker 1: fucking Naked Lunch and eraser Head when I was way 1233 01:04:04,520 --> 01:04:07,560 Speaker 1: too young I was, and but they also like didn't 1234 01:04:07,720 --> 01:04:09,760 Speaker 1: I wasn't fucking with video games still like late in 1235 01:04:09,760 --> 01:04:11,720 Speaker 1: the game because they weren't buying me that shit. But 1236 01:04:11,760 --> 01:04:15,320 Speaker 1: the things I still think about, like with like great 1237 01:04:15,440 --> 01:04:19,000 Speaker 1: admiration and love and appreciation was just all this different 1238 01:04:19,080 --> 01:04:23,400 Speaker 1: shit that I was exposed to, because that completely expands 1239 01:04:23,520 --> 01:04:27,000 Speaker 1: what you think, like that the the deck of possibilities 1240 01:04:27,320 --> 01:04:30,400 Speaker 1: you know, in your mind, like especially with art and 1241 01:04:30,440 --> 01:04:30,960 Speaker 1: things like that. 1242 01:04:31,040 --> 01:04:32,200 Speaker 2: I don't think anyone's ere like. 1243 01:04:32,160 --> 01:04:34,760 Speaker 1: I can't believe I was exposed to this, these kinds 1244 01:04:34,800 --> 01:04:38,040 Speaker 1: of human human artistic expression as a child, Like you 1245 01:04:38,080 --> 01:04:41,200 Speaker 1: really fucking kept me on the wrong foot my entire life. 1246 01:04:41,680 --> 01:04:44,360 Speaker 1: I think, you know, I think showing your kids stop 1247 01:04:44,400 --> 01:04:46,720 Speaker 1: making sense is totally good. You start showing the Max 1248 01:04:46,760 --> 01:04:49,160 Speaker 1: Headroom clips the. 1249 01:04:49,200 --> 01:04:53,000 Speaker 2: Shit that even I don't think is cool. Finn. Such 1250 01:04:53,000 --> 01:04:55,040 Speaker 2: a pleasure having you. Thank you so much for staying 1251 01:04:55,040 --> 01:04:57,520 Speaker 2: with us for so long. On the daily side, guys, 1252 01:04:58,040 --> 01:05:00,920 Speaker 2: where can people find you? Follow you? Hear you all 1253 01:05:00,960 --> 01:05:01,680 Speaker 2: that good stuff? 1254 01:05:02,520 --> 01:05:04,720 Speaker 3: Thank you so much for having me. Y'all are wonderful. 1255 01:05:05,320 --> 01:05:09,320 Speaker 3: My name is Argus. It's uh that on all the 1256 01:05:09,440 --> 01:05:12,280 Speaker 3: all the things. I I'm about to put out some 1257 01:05:12,400 --> 01:05:14,320 Speaker 3: music too, so if you want to listen to that, 1258 01:05:14,480 --> 01:05:17,600 Speaker 3: it'll just be my name. Got an album coming out. 1259 01:05:17,800 --> 01:05:21,920 Speaker 2: Completely not kids bop, No, it's. 1260 01:05:21,800 --> 01:05:26,400 Speaker 3: Adult spop now I'm trying to Yeah. And then of 1261 01:05:26,440 --> 01:05:29,760 Speaker 3: course I got the podcast One of Us with Chris 1262 01:05:29,960 --> 01:05:34,160 Speaker 3: Renfro and that is being released every week, so if 1263 01:05:34,160 --> 01:05:36,240 Speaker 3: you want to check that out, it's an improv interview 1264 01:05:36,480 --> 01:05:39,800 Speaker 3: podcast and it's very silly and fantastical. 1265 01:05:40,840 --> 01:05:45,040 Speaker 1: Chris artistic director now yeah, yeah, Chris is the artistic 1266 01:05:45,120 --> 01:05:48,880 Speaker 1: dress director at UCBC b l A. 1267 01:05:49,040 --> 01:05:50,080 Speaker 3: Congrats to Chris. 1268 01:05:50,400 --> 01:05:53,440 Speaker 2: Congrats to Chris, and we big give a big congrats 1269 01:05:53,520 --> 01:05:54,720 Speaker 2: to Chris Renfro. 1270 01:05:54,560 --> 01:05:57,000 Speaker 3: Fives for Chris Refro. 1271 01:05:58,520 --> 01:06:01,800 Speaker 2: Going to do more on this episode. We fucked up. 1272 01:06:01,880 --> 01:06:07,080 Speaker 2: We're you know, our our marketing team is you know 1273 01:06:07,120 --> 01:06:11,439 Speaker 2: telling us incorporate more booms into our show. We don't 1274 01:06:11,440 --> 01:06:12,880 Speaker 2: have a marketing team. 1275 01:06:13,160 --> 01:06:14,920 Speaker 3: Finn I give you all five booms. 1276 01:06:15,240 --> 01:06:17,280 Speaker 2: We thank you for That's what we've been looking for. 1277 01:06:17,800 --> 01:06:20,560 Speaker 2: Is there a work of media that you've been enjoying. 1278 01:06:21,160 --> 01:06:25,680 Speaker 3: A work of media? Yeah, yeah, I've been listening to 1279 01:06:26,240 --> 01:06:29,840 Speaker 3: the album Live at Revolution Hall by Adrian Linker, and 1280 01:06:30,240 --> 01:06:34,640 Speaker 3: it is like forty to fifty songs and a lot 1281 01:06:34,680 --> 01:06:38,400 Speaker 3: of them are just like lo fi cassette recordings or 1282 01:06:38,520 --> 01:06:40,200 Speaker 3: live performances on stage and. 1283 01:06:40,160 --> 01:06:40,800 Speaker 2: It's really good. 1284 01:06:41,400 --> 01:06:44,720 Speaker 3: Oh yeah, and it's very slow and a little boring. 1285 01:06:46,240 --> 01:06:49,200 Speaker 3: So yeah, get you something something to sit with for 1286 01:06:49,400 --> 01:06:51,760 Speaker 3: an hour and a half if you've got the timer, 1287 01:06:52,480 --> 01:06:53,600 Speaker 3: attention span. 1288 01:06:54,160 --> 01:06:56,080 Speaker 2: Wonderful miles Where can people find you? Is there a 1289 01:06:56,120 --> 01:06:57,400 Speaker 2: working media you've been enjoying? 1290 01:06:57,680 --> 01:07:01,920 Speaker 1: Yeah, find me everywhere at Miles of Gray. Sophia and 1291 01:07:02,000 --> 01:07:04,880 Speaker 1: I will be back with for twenty Day Fiance next week, 1292 01:07:05,240 --> 01:07:08,800 Speaker 1: so you could count on that. A work of media 1293 01:07:09,000 --> 01:07:14,680 Speaker 1: I'm really enjoying is at Rogers naf dot besky Dot 1294 01:07:14,720 --> 01:07:20,760 Speaker 1: Social posted Florida man appoints himself chair of the twenty 1295 01:07:20,840 --> 01:07:24,400 Speaker 1: twenty eight Olympics. Who does that? And it's a photo 1296 01:07:24,440 --> 01:07:29,440 Speaker 1: of Hitler? Yeah, yeah, yeah, that's that's so. 1297 01:07:29,760 --> 01:07:34,320 Speaker 2: That's so. You can find me on Twitter, Jack Underscore 1298 01:07:34,320 --> 01:07:36,720 Speaker 2: o Brian on Blue Sky Jack ob the number one 1299 01:07:37,560 --> 01:07:39,720 Speaker 2: working media I've been enjoying. I don't know did I 1300 01:07:39,760 --> 01:07:44,080 Speaker 2: shout out Josh Sharp's show today that I saw when 1301 01:07:44,120 --> 01:07:45,000 Speaker 2: I was back in New York. 1302 01:07:45,040 --> 01:07:47,360 Speaker 1: I think I might have forgotten too, maybe not with me. 1303 01:07:47,560 --> 01:07:52,240 Speaker 2: So funny. Everybody who is in New York should go 1304 01:07:52,480 --> 01:07:55,280 Speaker 2: check that shut out. It's so funny. It's in it's 1305 01:07:55,320 --> 01:07:57,160 Speaker 2: also in the West Village, and it's right next to 1306 01:07:57,240 --> 01:07:59,280 Speaker 2: one of my favorite pizza places in New York, Bleaker 1307 01:07:59,280 --> 01:08:02,360 Speaker 2: Street Pizza. So you can make a great night of it. 1308 01:08:03,520 --> 01:08:08,040 Speaker 2: You can find us on Twitter and Blue Sky at 1309 01:08:08,120 --> 01:08:12,520 Speaker 2: Daily Zeitgeist. We're at the Daily Zeitgeist. On Instagram. You 1310 01:08:12,560 --> 01:08:14,840 Speaker 2: can go to the description of this episode wherever you're 1311 01:08:14,840 --> 01:08:17,400 Speaker 2: listening to it, and there at the bottom you will 1312 01:08:17,439 --> 01:08:20,280 Speaker 2: find the footnotes where we link off to the information 1313 01:08:20,320 --> 01:08:22,240 Speaker 2: that we talked about in today's episode. We also link 1314 01:08:22,240 --> 01:08:24,920 Speaker 2: off to a song that we think you might enjoy, Miles, 1315 01:08:24,960 --> 01:08:27,080 Speaker 2: is there a song that you think that people might enjoy? 1316 01:08:27,320 --> 01:08:32,759 Speaker 1: Continued to listening to Antone Exem's musical career. The former 1317 01:08:32,880 --> 01:08:38,960 Speaker 1: NFL safety turned like psych pop musician who is again 1318 01:08:39,280 --> 01:08:43,160 Speaker 1: I think making the to me the best music I've 1319 01:08:43,160 --> 01:08:46,280 Speaker 1: heard from a former professional athlete, especially a football player. 1320 01:08:47,120 --> 01:08:49,840 Speaker 1: This is like one of his early tracks called Dark 1321 01:08:49,920 --> 01:08:52,519 Speaker 1: Kept Secret, and it feels like a demo for like 1322 01:08:52,920 --> 01:08:56,040 Speaker 1: a TV on the radio track or something just really chill. 1323 01:08:56,400 --> 01:08:59,080 Speaker 2: His vocals are really cool, very tune day like. 1324 01:08:59,560 --> 01:09:02,400 Speaker 1: So yeah, Dark Kept Secret by Exem e Xum. 1325 01:09:02,840 --> 01:09:04,800 Speaker 2: We will link off to that in the footnotes. The 1326 01:09:04,880 --> 01:09:06,800 Speaker 2: Daily Zeit Guy is a production by Heart Radio. For 1327 01:09:06,840 --> 01:09:09,439 Speaker 2: more podcasts from my Heart Radio, visit the iHeartRadio w 1328 01:09:09,439 --> 01:09:11,679 Speaker 2: ap Apple podcast. Wherever you listen to your favorite shows, 1329 01:09:11,960 --> 01:09:13,960 Speaker 2: that's going to do it for us this week. We're 1330 01:09:14,160 --> 01:09:17,519 Speaker 2: back on Saturday with the highlights from the week the 1331 01:09:17,520 --> 01:09:20,639 Speaker 2: Weekly Zeitgeist, and then back on Monday with a whole 1332 01:09:20,640 --> 01:09:22,800 Speaker 2: last episode of the show and we will talk to 1333 01:09:22,800 --> 01:09:24,200 Speaker 2: you all then have a great weekend. 1334 01:09:24,200 --> 01:09:25,840 Speaker 3: Bye. 1335 01:09:25,280 --> 01:09:29,320 Speaker 1: The Daily Zeit Guys is executive produced by Catherine Law. 1336 01:09:29,479 --> 01:09:31,640 Speaker 3: Co produced by Bee Wang. 1337 01:09:31,720 --> 01:09:35,000 Speaker 1: Co produced by Victor Wright, co written by J M 1338 01:09:35,120 --> 01:09:35,599 Speaker 1: McNab 1339 01:09:36,160 --> 01:09:38,599 Speaker 2: Edited and engineered by Justin Conner,