1 00:00:01,920 --> 00:00:02,200 Speaker 1: Gee. 2 00:00:02,279 --> 00:00:04,720 Speaker 2: I'm the homegirl that knows a little bit about everything 3 00:00:04,800 --> 00:00:05,640 Speaker 2: and everybody. 4 00:00:06,519 --> 00:00:08,240 Speaker 1: You know, if you don't lie about that, right, Lauren 5 00:00:08,320 --> 00:00:08,639 Speaker 1: came in. 6 00:00:10,119 --> 00:00:12,360 Speaker 2: Hey, what's up y'all. It's Laura la Rosa and this 7 00:00:12,640 --> 00:00:15,040 Speaker 2: is the Latest with Laura l Rosa. I am your 8 00:00:15,080 --> 00:00:17,920 Speaker 2: host in this show, as you guys know, and if 9 00:00:17,920 --> 00:00:19,160 Speaker 2: you're new, don't worry. 10 00:00:19,200 --> 00:00:20,040 Speaker 3: I'm gonna remind you. 11 00:00:20,200 --> 00:00:23,439 Speaker 2: Is your daily dig into everything pop culture. I'm the 12 00:00:23,440 --> 00:00:25,920 Speaker 2: homegrowl that knows a bit about everything and everybody. 13 00:00:26,560 --> 00:00:29,360 Speaker 3: And today we are going to get into some things 14 00:00:29,440 --> 00:00:31,960 Speaker 3: as always. Brandon is here with me. 15 00:00:32,360 --> 00:00:34,280 Speaker 1: Yes, Yes, it's good to be back as usual. 16 00:00:34,440 --> 00:00:36,880 Speaker 3: I'm going to Texas for a campaign. Shoot. 17 00:00:36,880 --> 00:00:39,479 Speaker 2: It's my first like major campaign that I'm doing for 18 00:00:39,479 --> 00:00:40,600 Speaker 2: a brand through the radio station. 19 00:00:41,920 --> 00:00:44,080 Speaker 1: Congratulations Big News. 20 00:00:44,400 --> 00:00:48,000 Speaker 2: Yes, the podcast The Latest it travels because you know, 21 00:00:48,040 --> 00:00:49,960 Speaker 2: the Latest is happening all over. 22 00:00:50,080 --> 00:00:51,720 Speaker 3: I will not be in the Diddy Trial for the 23 00:00:51,760 --> 00:00:52,239 Speaker 3: rest of the week. 24 00:00:52,280 --> 00:00:54,960 Speaker 2: I'll be back actually Friday, so I'll skip a couple 25 00:00:54,960 --> 00:00:56,200 Speaker 2: of days and then i'll be back Friday. 26 00:00:57,080 --> 00:00:57,960 Speaker 3: But yes, how you. 27 00:00:57,840 --> 00:01:00,600 Speaker 1: Feeling, Brandon, I'm feeling good, you know, just another week. 28 00:01:00,680 --> 00:01:02,120 Speaker 1: I'm happy to be alive, you know. What I mean, 29 00:01:02,160 --> 00:01:04,360 Speaker 1: I've been feeling good lately, so I'm trying to stay 30 00:01:04,360 --> 00:01:05,040 Speaker 1: on this high. 31 00:01:05,200 --> 00:01:05,679 Speaker 3: That's good. 32 00:01:05,680 --> 00:01:08,160 Speaker 2: This is the behind the scenes of the grind checking 33 00:01:08,640 --> 00:01:11,240 Speaker 2: where we really check in on each other in real life, 34 00:01:11,280 --> 00:01:13,320 Speaker 2: because if you're asking how you're doing, you should really care, 35 00:01:13,400 --> 00:01:14,920 Speaker 2: and if you don't, you should not ask it. 36 00:01:18,800 --> 00:01:20,000 Speaker 1: How are you doing, Lauren. 37 00:01:20,520 --> 00:01:22,640 Speaker 3: I'm doing well, you know. 38 00:01:22,880 --> 00:01:27,440 Speaker 2: I'm just trying to manage in like more like quality control, 39 00:01:27,520 --> 00:01:28,080 Speaker 2: like perfect. 40 00:01:28,160 --> 00:01:29,600 Speaker 3: And my team depends on me a lot. 41 00:01:29,640 --> 00:01:32,360 Speaker 2: And we're traveling for these next couple of days because 42 00:01:32,400 --> 00:01:33,559 Speaker 2: of the campaign, and I'm shooting. 43 00:01:33,600 --> 00:01:36,000 Speaker 3: So I got makeup and not makeup. I got them 44 00:01:36,000 --> 00:01:36,480 Speaker 3: my own makeup. 45 00:01:36,480 --> 00:01:39,280 Speaker 2: I got hair, my hair girl coming, I got you know, 46 00:01:39,400 --> 00:01:43,080 Speaker 2: a stylist coming, my manager's coming, my content shooter is coming. 47 00:01:43,080 --> 00:01:44,720 Speaker 2: So it's a lot of people trying to manage them 48 00:01:45,040 --> 00:01:47,000 Speaker 2: and make everything sink. And what I realized yesterday and 49 00:01:47,040 --> 00:01:48,440 Speaker 2: being going all day, it's like, yo, if I'm going 50 00:01:48,480 --> 00:01:51,040 Speaker 2: all day, it's really tough for things to work. I 51 00:01:51,080 --> 00:01:53,480 Speaker 2: need to remove myself from stuff. But yeah, so I'm 52 00:01:53,480 --> 00:01:55,440 Speaker 2: trying to manage team. That's what That's how I'm feeling. 53 00:01:55,480 --> 00:01:58,360 Speaker 2: I'm just feeling like growth is happening, which I'm so 54 00:01:58,520 --> 00:01:59,920 Speaker 2: proud of and I'm excited for. 55 00:02:00,160 --> 00:02:02,120 Speaker 3: But like I'm trying to get the team right. 56 00:02:02,000 --> 00:02:03,920 Speaker 2: Behind the scenes so I could be a for all 57 00:02:03,960 --> 00:02:06,120 Speaker 2: those hours and the world not explode. 58 00:02:06,560 --> 00:02:08,000 Speaker 1: That's good, I know. I see you have a lot 59 00:02:08,040 --> 00:02:10,080 Speaker 1: going on. Yo. Was like I said in the last episode, 60 00:02:10,120 --> 00:02:14,320 Speaker 1: is nice to watch. So you know I'm rooting for you. 61 00:02:14,400 --> 00:02:17,359 Speaker 3: So let's get on into some things into the latest. 62 00:02:17,680 --> 00:02:19,600 Speaker 2: So the Megala went down, we talked a bit about 63 00:02:19,639 --> 00:02:21,519 Speaker 2: like the Megala, I was rushing during that episode and 64 00:02:21,600 --> 00:02:23,240 Speaker 2: Taylor got on my behind. 65 00:02:23,720 --> 00:02:24,639 Speaker 3: But won't happen again. 66 00:02:24,760 --> 00:02:26,799 Speaker 2: I'm sorry to the low Riders for anybody that felt 67 00:02:26,800 --> 00:02:28,680 Speaker 2: like we were rushing through because we were trying to 68 00:02:28,680 --> 00:02:29,880 Speaker 2: go prepare for the Megala. 69 00:02:30,520 --> 00:02:33,000 Speaker 3: I didn't end up going towhere bringing you didn't. 70 00:02:33,000 --> 00:02:34,519 Speaker 1: Oh, I thought you was doing all the events and 71 00:02:34,560 --> 00:02:37,040 Speaker 1: all that. You had your your stylists, you said you're 72 00:02:37,040 --> 00:02:38,840 Speaker 1: meeting up with and all that. It seems like you're 73 00:02:38,840 --> 00:02:41,560 Speaker 1: really excited about it. I'm surprised because even I won't 74 00:02:41,560 --> 00:02:43,440 Speaker 1: say no names, I know some people that probably shouldn't 75 00:02:43,440 --> 00:02:46,280 Speaker 1: be at certain parties. That was at the parties. That's 76 00:02:46,320 --> 00:02:50,040 Speaker 1: how Yeah, damn so I was. I was surprised that 77 00:02:50,080 --> 00:02:51,799 Speaker 1: I didn't you know, see you, or you weren't talking 78 00:02:51,800 --> 00:02:54,800 Speaker 1: about anything. Yeah, no, you're just tired, or you just 79 00:02:54,919 --> 00:02:55,519 Speaker 1: you didn't want to know. 80 00:02:55,639 --> 00:02:58,600 Speaker 2: I was exhausted after we left court and the trials 81 00:02:58,639 --> 00:03:00,120 Speaker 2: going on right now, people are tweeting me from the 82 00:03:00,160 --> 00:03:02,640 Speaker 2: trial because I said that the Diddy video of Cassie 83 00:03:02,639 --> 00:03:04,720 Speaker 2: may not be played, and they're talking about that in 84 00:03:04,760 --> 00:03:06,640 Speaker 2: court right now. In Inner City Press, which is a 85 00:03:06,680 --> 00:03:09,040 Speaker 2: Twitter account that I follow, is tweeting about it, so 86 00:03:09,080 --> 00:03:11,760 Speaker 2: people can't wait to burst my bubble. But yeah, it 87 00:03:11,800 --> 00:03:13,200 Speaker 2: was a long day, so I didn't even end up 88 00:03:13,200 --> 00:03:15,760 Speaker 2: going anywhere. Shout out to Romeo Hunt though he dressed 89 00:03:15,800 --> 00:03:17,720 Speaker 2: me for the first day of court, and he actually 90 00:03:17,960 --> 00:03:20,320 Speaker 2: had provided the outfit yesterday for me to make it 91 00:03:20,360 --> 00:03:21,000 Speaker 2: to the party. 92 00:03:21,040 --> 00:03:22,919 Speaker 3: I gotta hit them. I gotta reach out to them 93 00:03:23,240 --> 00:03:24,760 Speaker 3: because I didn't end up at the party. 94 00:03:25,480 --> 00:03:26,880 Speaker 2: But the outfit that he gave me, though, I can 95 00:03:26,919 --> 00:03:28,679 Speaker 2: wear it to court because it was in the whole 96 00:03:28,720 --> 00:03:32,680 Speaker 2: dandyism vibe, so it's like, you know, it's a suited vibe, 97 00:03:32,720 --> 00:03:35,840 Speaker 2: so I can wear that again. But I stayed home 98 00:03:36,640 --> 00:03:39,400 Speaker 2: last night. There was the burna boy party. There was 99 00:03:39,440 --> 00:03:44,120 Speaker 2: a Pharal party. Romeo Hunt had a party, Taylor had 100 00:03:44,160 --> 00:03:46,880 Speaker 2: a party. Yeah, Tianna tailor her Kaate Trinada DJ and 101 00:03:46,920 --> 00:03:50,680 Speaker 2: her party. That's fire, right, Like Kate Tranada DJ and 102 00:03:50,720 --> 00:03:52,120 Speaker 2: your party is so fire. 103 00:03:53,200 --> 00:03:54,120 Speaker 3: So it was a lot going on. 104 00:03:54,520 --> 00:03:56,720 Speaker 2: But one of the biggest moments from the met Gala 105 00:03:56,760 --> 00:03:59,120 Speaker 2: was Rihanna revealing that she was pregnant. So prior to 106 00:03:59,160 --> 00:04:01,760 Speaker 2: the met Gala, there's video and photos of Rihanna. She's 107 00:04:01,800 --> 00:04:03,800 Speaker 2: dressed in all gray and she's walking around her hotel 108 00:04:04,040 --> 00:04:06,240 Speaker 2: and you see Clear's day of baby bump. 109 00:04:06,640 --> 00:04:10,880 Speaker 1: Hey, my boy as won't let up. I wouldn't either, 110 00:04:11,360 --> 00:04:12,240 Speaker 1: because my. 111 00:04:12,160 --> 00:04:15,280 Speaker 3: Man better be the same way, like, don't let on me. 112 00:04:15,600 --> 00:04:18,800 Speaker 1: Yeah, like period. It's funny that watching their relationship, like 113 00:04:19,240 --> 00:04:22,320 Speaker 1: I did not depict Rihanna as this type of person, 114 00:04:22,800 --> 00:04:24,280 Speaker 1: like like she's just. 115 00:04:24,240 --> 00:04:27,400 Speaker 2: With anything, like it's her men's body. 116 00:04:27,480 --> 00:04:29,080 Speaker 1: Yeah. When she did the you know, the whole good 117 00:04:29,080 --> 00:04:30,920 Speaker 1: girl gone bad transition, I thought she just didn't give 118 00:04:30,920 --> 00:04:32,760 Speaker 1: a fuck about man. She just running through niggas, just 119 00:04:32,760 --> 00:04:35,240 Speaker 1: gonna have that run. But now she really Yeah, now 120 00:04:35,279 --> 00:04:39,080 Speaker 1: she's like a mother of what three now about to 121 00:04:39,120 --> 00:04:39,440 Speaker 1: be three? 122 00:04:39,760 --> 00:04:40,760 Speaker 3: Love her man damn. 123 00:04:40,800 --> 00:04:43,560 Speaker 1: Okay, very loving relationship her man damn. 124 00:04:43,720 --> 00:04:45,159 Speaker 2: But it also looks like they have a good time, 125 00:04:45,200 --> 00:04:48,240 Speaker 2: and I feel like they probably have really graceus. 126 00:04:48,240 --> 00:04:50,480 Speaker 1: It's just funny to watch. Yeah, I think. 127 00:04:50,400 --> 00:04:52,720 Speaker 2: Rihanna hates sat Rocky have really great sex. I think 128 00:04:52,760 --> 00:04:55,039 Speaker 2: that they actually And I don't just say that because 129 00:04:55,040 --> 00:04:56,800 Speaker 2: they both are like really attractive or like have a 130 00:04:56,800 --> 00:04:59,040 Speaker 2: sex appeal when they do. I say it because when 131 00:04:59,040 --> 00:05:01,040 Speaker 2: you see them together, you could tell they. 132 00:05:01,040 --> 00:05:03,960 Speaker 1: Really want to jump each other in that moment. God, Yes, 133 00:05:04,640 --> 00:05:07,320 Speaker 1: but it's just funny to watch, like what relationships bring 134 00:05:07,320 --> 00:05:07,839 Speaker 1: out of people. 135 00:05:08,000 --> 00:05:10,760 Speaker 2: Yes, like I will agree. Yeah, do you see me 136 00:05:10,800 --> 00:05:11,880 Speaker 2: as like the motherly type? 137 00:05:12,200 --> 00:05:19,520 Speaker 1: So let's get into the met gala? Right? Let's all right? 138 00:05:19,560 --> 00:05:21,239 Speaker 1: Can I bring back? Can I bring in a personal 139 00:05:21,240 --> 00:05:22,000 Speaker 1: connotation we had? 140 00:05:22,080 --> 00:05:22,400 Speaker 3: Okay? 141 00:05:22,560 --> 00:05:25,039 Speaker 1: No, we both talked about how like we're not even 142 00:05:25,120 --> 00:05:27,840 Speaker 1: sure right now where the point in our life is 143 00:05:27,880 --> 00:05:30,040 Speaker 1: where we could put everything aside and to kind of 144 00:05:30,160 --> 00:05:32,840 Speaker 1: dedicate so much time timing kids because you're on to 145 00:05:32,920 --> 00:05:34,320 Speaker 1: come up, like you feel like you're in a place 146 00:05:34,320 --> 00:05:35,680 Speaker 1: in your life where you you know, you got to 147 00:05:35,720 --> 00:05:37,760 Speaker 1: go to court for Diddy's to do things of those 148 00:05:37,800 --> 00:05:40,440 Speaker 1: sorts and become a great journalist. So no, but I 149 00:05:40,480 --> 00:05:42,680 Speaker 1: think I think you're one of the nice people I now, honestly, 150 00:05:42,720 --> 00:05:44,880 Speaker 1: so I think I think be a great mother. 151 00:05:45,000 --> 00:05:46,800 Speaker 2: I think, And that's what That's why I wanted that. 152 00:05:46,880 --> 00:05:48,279 Speaker 2: Like there was a lot from the met Galla. Like 153 00:05:48,320 --> 00:05:53,520 Speaker 2: some of my favorite looks were Rihanna, Tianna Taylor, Ate 154 00:05:53,720 --> 00:05:58,039 Speaker 2: down Start by Ruthy Carter, the legendary, the iconic Grammy 155 00:05:58,080 --> 00:06:02,400 Speaker 2: Award winning stylists OG in the game, you're talking about dandyism, baby, 156 00:06:02,600 --> 00:06:04,960 Speaker 2: You talking about Ruthie Carter in the viz that she 157 00:06:05,279 --> 00:06:07,440 Speaker 2: knows how to bring you talking about the dapper dance, 158 00:06:07,520 --> 00:06:09,159 Speaker 2: Like give it up for the OG's Okay. 159 00:06:09,360 --> 00:06:11,720 Speaker 3: The girls who know those names know those names all right. 160 00:06:11,760 --> 00:06:15,240 Speaker 3: If you don't please google them. The conversation for another day. 161 00:06:15,520 --> 00:06:18,560 Speaker 2: But yeah, I had a lot of favorite looks last night, 162 00:06:18,640 --> 00:06:20,920 Speaker 2: and I was excited for the fashion. But seeing Rihanna 163 00:06:21,240 --> 00:06:23,600 Speaker 2: with baby number three and it's just like, oh. 164 00:06:23,440 --> 00:06:25,120 Speaker 3: Yep, here we are baby number three. 165 00:06:25,200 --> 00:06:28,640 Speaker 2: And I'm like, if you're in a happy relationship or marriage, 166 00:06:28,640 --> 00:06:29,720 Speaker 2: it should be like that. 167 00:06:29,800 --> 00:06:32,560 Speaker 3: Like I know, like I don't have a. 168 00:06:32,520 --> 00:06:35,200 Speaker 2: Lot of friends who are at peace in their relationship 169 00:06:35,279 --> 00:06:37,000 Speaker 2: or their marriage where like there's not a number of 170 00:06:37,080 --> 00:06:39,080 Speaker 2: children that they won't have and things of that nature. 171 00:06:40,000 --> 00:06:42,679 Speaker 2: But when I do meet people like that like Envy 172 00:06:42,680 --> 00:06:45,039 Speaker 2: and his wife and you know, these different people, I 173 00:06:45,040 --> 00:06:46,599 Speaker 2: think it's like such a beautiful thing. And to be 174 00:06:46,600 --> 00:06:48,400 Speaker 2: honest with you, people ask me, like how many kids 175 00:06:48,400 --> 00:06:50,080 Speaker 2: would I want to have? I don't have a limit. 176 00:06:50,160 --> 00:06:52,839 Speaker 2: I do want to have twins. I want identical girl twins. 177 00:06:52,880 --> 00:06:54,840 Speaker 2: I would love to have them first, but I really 178 00:06:54,880 --> 00:06:56,920 Speaker 2: don't have a number because for me, it's like I 179 00:06:56,960 --> 00:06:58,880 Speaker 2: want to be so in love and intertwined with my 180 00:06:58,880 --> 00:07:03,040 Speaker 2: partner like Acep and Rihanna that I'm like, okay, baby, 181 00:07:03,080 --> 00:07:06,720 Speaker 2: like all right, another one, Okay, here we go, like 182 00:07:06,720 --> 00:07:10,320 Speaker 2: like I want to know. It's it's a weird feeling 183 00:07:10,360 --> 00:07:13,800 Speaker 2: of like understanding that the whole like I want to 184 00:07:13,840 --> 00:07:16,080 Speaker 2: make my man a great like not makecome a great father, 185 00:07:16,160 --> 00:07:18,640 Speaker 2: but I want to you give yourself to a person 186 00:07:18,720 --> 00:07:21,720 Speaker 2: when you become a woman having a baby by someone 187 00:07:21,880 --> 00:07:24,240 Speaker 2: like it's a different level of like not even I 188 00:07:24,280 --> 00:07:25,880 Speaker 2: was gonna say submission, but I don't even think it's that. 189 00:07:25,920 --> 00:07:27,280 Speaker 3: It's like a different. 190 00:07:27,240 --> 00:07:30,280 Speaker 2: Level and stage of vulnerability when you're like I'm going 191 00:07:30,360 --> 00:07:33,320 Speaker 2: to have a baby with this person like that tied 192 00:07:33,360 --> 00:07:34,080 Speaker 2: to them. 193 00:07:34,640 --> 00:07:37,720 Speaker 1: I like what you're saying, but it's it's one part 194 00:07:37,760 --> 00:07:39,800 Speaker 1: I want to touch on. It's tough to be with 195 00:07:39,840 --> 00:07:43,920 Speaker 1: a woman who wants their relationship to be like something 196 00:07:44,000 --> 00:07:44,360 Speaker 1: they see. 197 00:07:45,200 --> 00:07:45,920 Speaker 3: I agree that. 198 00:07:45,960 --> 00:07:47,640 Speaker 1: I hate that. Yo. I've been in a relationship like 199 00:07:47,640 --> 00:07:49,000 Speaker 1: that too, and they can't reference to. 200 00:07:49,120 --> 00:07:51,400 Speaker 2: I'm not the type that be like, oh, come on, baby, 201 00:07:51,400 --> 00:07:53,440 Speaker 2: you gotta be like Rihanna and asap, Like, it's not 202 00:07:53,480 --> 00:07:57,320 Speaker 2: like that. It's just the happiness in the partnership that Yeah, 203 00:07:57,440 --> 00:07:59,800 Speaker 2: the happiness in the partnership because I don't know the insides, right, 204 00:07:59,800 --> 00:08:02,080 Speaker 2: but the happiness in the partnership that I see in 205 00:08:02,160 --> 00:08:03,640 Speaker 2: the peacefulness. 206 00:08:02,960 --> 00:08:06,800 Speaker 1: That they like each other friends. They like, Oh my god. 207 00:08:06,680 --> 00:08:09,920 Speaker 2: Now you're getting That's what I'm That's what you're trying 208 00:08:09,920 --> 00:08:11,000 Speaker 2: to hear me say. 209 00:08:11,120 --> 00:08:12,520 Speaker 3: I just didn't know how to say, like. 210 00:08:12,480 --> 00:08:16,320 Speaker 1: The same type of stylis. Its like. 211 00:08:17,000 --> 00:08:19,520 Speaker 2: They're best friends, and it's like when you submit yourself 212 00:08:19,560 --> 00:08:21,120 Speaker 2: as a woman or as a man to a person 213 00:08:21,200 --> 00:08:23,920 Speaker 2: like that, babies and family and all of that and 214 00:08:23,960 --> 00:08:24,680 Speaker 2: money and all. 215 00:08:24,600 --> 00:08:27,280 Speaker 3: That stuff that people like fifty to fifty but like 216 00:08:27,320 --> 00:08:28,400 Speaker 3: all that goes out the window. 217 00:08:28,520 --> 00:08:30,960 Speaker 2: You just love your person and y'all doing it, and 218 00:08:31,000 --> 00:08:33,800 Speaker 2: I'm like watching them it makes me like every time 219 00:08:33,880 --> 00:08:36,040 Speaker 2: I was seeing her yesterday, I was like, man, that's 220 00:08:36,080 --> 00:08:40,439 Speaker 2: so beautiful for her. But my first thought was, at 221 00:08:40,440 --> 00:08:41,959 Speaker 2: what point in my life do I do that? As 222 00:08:42,000 --> 00:08:45,040 Speaker 2: you mentioned, like as a young woman like Rihanna has 223 00:08:45,040 --> 00:08:48,000 Speaker 2: put her career is on a hole. Rihanna is still booming. 224 00:08:48,080 --> 00:08:50,319 Speaker 2: Rihanna is the girl, has always been the girl. Or 225 00:08:50,360 --> 00:08:53,520 Speaker 2: it's because Rihanna knew when to pivot, or even if 226 00:08:53,559 --> 00:08:55,160 Speaker 2: she didn't know when, because I can't say that for 227 00:08:55,200 --> 00:08:58,600 Speaker 2: a fact, when she pivoted, it worked. She has feintiu, 228 00:08:58,720 --> 00:08:59,800 Speaker 2: she has you know what I mean? She has so 229 00:08:59,800 --> 00:09:03,079 Speaker 2: many other things that are huge, even bigger part of 230 00:09:03,120 --> 00:09:05,000 Speaker 2: Some people will argue bigger part of her success than 231 00:09:05,040 --> 00:09:08,640 Speaker 2: her music. She's good, you know what I'm saying. So 232 00:09:08,960 --> 00:09:11,480 Speaker 2: even yesterday they asked her about if new music was 233 00:09:11,520 --> 00:09:12,640 Speaker 2: going to come. Let's take a listen. 234 00:09:13,280 --> 00:09:15,920 Speaker 3: No is this putting R nine on pause even longer? 235 00:09:16,040 --> 00:09:18,160 Speaker 1: Because you were in production a. 236 00:09:18,160 --> 00:09:19,359 Speaker 4: Couple of videos. 237 00:09:19,440 --> 00:09:21,760 Speaker 1: But a couple of videos I could. 238 00:09:21,600 --> 00:09:25,679 Speaker 2: Sing and it's like, Okay, Yeah, she's gonna do the music, 239 00:09:25,720 --> 00:09:28,000 Speaker 2: but there's so much other things that she does, but 240 00:09:28,080 --> 00:09:30,720 Speaker 2: she's not worried about. Okay, if I do this, my 241 00:09:30,800 --> 00:09:32,760 Speaker 2: whole career stops. And what does that look and feel 242 00:09:32,800 --> 00:09:36,400 Speaker 2: like for me? And I feel like she's different now. 243 00:09:36,480 --> 00:09:40,880 Speaker 3: She's a mother of she seem happy, she's a billionaire, 244 00:09:40,920 --> 00:09:41,640 Speaker 3: she's a mother three. 245 00:09:41,840 --> 00:09:44,360 Speaker 2: Remember she talked about and lets it started this clip 246 00:09:44,440 --> 00:09:46,599 Speaker 2: right here where she talked about not even dressing the 247 00:09:46,600 --> 00:09:47,720 Speaker 2: same since she's had her kids. 248 00:09:48,400 --> 00:09:50,600 Speaker 1: Do you feel like your style has changed a lot 249 00:09:50,640 --> 00:09:51,600 Speaker 1: since you became the mom? 250 00:09:51,880 --> 00:09:52,200 Speaker 3: Hello? 251 00:09:53,280 --> 00:09:56,000 Speaker 4: Hello, we gotta pick things up, we gotta snatch things in, 252 00:09:56,559 --> 00:09:59,120 Speaker 4: and we gotta know if a shoulder and a boob 253 00:09:59,200 --> 00:10:00,800 Speaker 4: is all you have to work with for the night, 254 00:10:01,120 --> 00:10:01,719 Speaker 4: you know what I mean? 255 00:10:01,920 --> 00:10:04,600 Speaker 3: Yeah, you gotta get creative, clever. 256 00:10:04,880 --> 00:10:08,160 Speaker 4: It takes a lot of work. And sometimes if I 257 00:10:08,200 --> 00:10:12,600 Speaker 4: get out of the house covering my underwear, that's as 258 00:10:12,679 --> 00:10:13,640 Speaker 4: good as I could get. 259 00:10:13,760 --> 00:10:15,000 Speaker 1: Moms I need to follow suit. 260 00:10:15,280 --> 00:10:17,480 Speaker 2: It's a lot of moms that need to follow honestly, 261 00:10:17,520 --> 00:10:19,559 Speaker 2: not even just moms. I'm not even gonna hold y'all. 262 00:10:19,600 --> 00:10:22,080 Speaker 2: I'm very risky when it comes to the clothing. It's 263 00:10:22,120 --> 00:10:24,600 Speaker 2: certain things that even I think twice about now, just 264 00:10:24,640 --> 00:10:27,440 Speaker 2: because of where I'm at career wise, and I still 265 00:10:27,559 --> 00:10:29,240 Speaker 2: like to be riskue and do what I like to 266 00:10:29,280 --> 00:10:31,280 Speaker 2: do because it's me, and I don't want to tone 267 00:10:31,320 --> 00:10:33,600 Speaker 2: down that, but I do want to polish things in 268 00:10:33,600 --> 00:10:36,120 Speaker 2: a certain way because I'm just growing up now and 269 00:10:36,200 --> 00:10:38,480 Speaker 2: I'm like, I just I don't know. I don't know 270 00:10:38,520 --> 00:10:40,320 Speaker 2: what to expect from her, because what is grown up 271 00:10:40,360 --> 00:10:42,920 Speaker 2: Rihanna music? Not that she's not still young and fun 272 00:10:42,960 --> 00:10:45,240 Speaker 2: and all that stuff, but like what do we hear 273 00:10:45,280 --> 00:10:45,920 Speaker 2: her talk about? 274 00:10:47,520 --> 00:10:49,439 Speaker 1: Yeah, I don't know what if we get like h 275 00:10:50,760 --> 00:10:53,040 Speaker 1: and it's gonna sound astract just follow me a women's 276 00:10:53,120 --> 00:10:55,160 Speaker 1: version like four four four of where you're like just 277 00:10:55,240 --> 00:10:58,719 Speaker 1: kind of documenting everything that's like going all in your 278 00:10:58,720 --> 00:11:02,280 Speaker 1: life and in like an adult version of that. Does 279 00:11:02,320 --> 00:11:03,079 Speaker 1: that make any sense? 280 00:11:03,440 --> 00:11:05,520 Speaker 2: I wouldn't be mad at and love music from Rihanna 281 00:11:05,520 --> 00:11:07,080 Speaker 2: because that would be a lot of it, right, Yeah, 282 00:11:07,120 --> 00:11:08,959 Speaker 2: I wouldn't be mad at and love music from Rihanna. 283 00:11:09,040 --> 00:11:11,600 Speaker 2: I think it would be like I don't know, I could, 284 00:11:11,640 --> 00:11:14,280 Speaker 2: I could see it. A lot of people do talk about, 285 00:11:14,320 --> 00:11:16,640 Speaker 2: you know, vocally, Rihanna is more of like a fun, 286 00:11:16,960 --> 00:11:21,239 Speaker 2: popping and out vocal South singer versus like big ballads 287 00:11:21,280 --> 00:11:23,720 Speaker 2: and stuff like that. I feel like Rihanna when she 288 00:11:23,760 --> 00:11:26,320 Speaker 2: first began was the ballad girl. She was like, you know, 289 00:11:26,360 --> 00:11:28,360 Speaker 2: trying to be the sanga singer. And then after that 290 00:11:28,400 --> 00:11:32,439 Speaker 2: it turned into like pop princess fun island girl. 291 00:11:32,280 --> 00:11:33,960 Speaker 3: You know you know what I mean. That's part as 292 00:11:33,960 --> 00:11:34,400 Speaker 3: her music. 293 00:11:34,520 --> 00:11:36,400 Speaker 2: So I don't even remember kind of like what her 294 00:11:36,559 --> 00:11:39,120 Speaker 2: range was at that point, but I could hear some 295 00:11:39,200 --> 00:11:41,800 Speaker 2: love songs from her, like some happy love songs. I 296 00:11:41,880 --> 00:11:44,920 Speaker 2: don't know though, because how much it's gonna sound so bad. 297 00:11:45,760 --> 00:11:49,800 Speaker 2: I love like like Beyonce. When Beyonce does her happy 298 00:11:49,840 --> 00:11:52,760 Speaker 2: and love songs, I love him. It works well. But 299 00:11:52,840 --> 00:11:54,439 Speaker 2: she has a way and I hate the compared too, 300 00:11:54,480 --> 00:11:56,560 Speaker 2: because I know the people do that. Beyonce has a 301 00:11:56,600 --> 00:12:01,160 Speaker 2: way to make her love music still, like I'm that bitch, 302 00:12:01,480 --> 00:12:03,680 Speaker 2: like you know what I mean? I think you know Rihanna, 303 00:12:03,760 --> 00:12:05,120 Speaker 2: she she gives that very much. 304 00:12:05,160 --> 00:12:08,320 Speaker 3: Don't play with my island. But I really couldn't answer 305 00:12:08,360 --> 00:12:09,160 Speaker 3: the question for you. 306 00:12:10,520 --> 00:12:11,679 Speaker 1: Will be dropping album soon too? 307 00:12:11,880 --> 00:12:14,320 Speaker 2: Yeah, Ace episodes to be dropping the album, I'm not 308 00:12:14,400 --> 00:12:15,880 Speaker 2: for sure. I look up when it comes out. I 309 00:12:15,960 --> 00:12:19,319 Speaker 2: know he just previews some stuff at uh, rolland Loud. 310 00:12:19,320 --> 00:12:22,960 Speaker 2: Remember he mentioned something about pregnancy in one of those songs. 311 00:12:23,360 --> 00:12:24,600 Speaker 1: But ACEP is underrated too. 312 00:12:24,600 --> 00:12:26,439 Speaker 3: I hate how they tried to very much underrated, like 313 00:12:26,559 --> 00:12:27,160 Speaker 3: you stay at. 314 00:12:27,080 --> 00:12:30,920 Speaker 1: Home Dad when I was in high school, aside was 315 00:12:30,960 --> 00:12:34,040 Speaker 1: like a god yea, like he he was tough and 316 00:12:34,559 --> 00:12:36,880 Speaker 1: dressed like him and everything, so like, I hate that 317 00:12:37,000 --> 00:12:38,880 Speaker 1: narrative as well. So I'm definitely looking forward to his 318 00:12:38,960 --> 00:12:42,040 Speaker 1: music and what he previewed that Rolling Loud was amazing 319 00:12:42,080 --> 00:12:42,680 Speaker 1: from what I heard. 320 00:12:43,280 --> 00:12:47,560 Speaker 2: Well that Rihanna hasn't done any new music in nine years. 321 00:12:47,559 --> 00:12:50,640 Speaker 2: So Auntie was in twenty sixteen. So R nine is 322 00:12:50,640 --> 00:12:53,240 Speaker 2: the new project. And it's been some conversation for some time. 323 00:12:53,280 --> 00:12:55,679 Speaker 2: She says she has songs, so I don't know. And 324 00:12:56,120 --> 00:12:58,520 Speaker 2: in that interview she talks about videos, so that sounds 325 00:12:58,559 --> 00:12:59,600 Speaker 2: like she's kind of at the finishing point. 326 00:12:59,679 --> 00:13:01,280 Speaker 1: Said that's only thing that's probably gonna be pushed back 327 00:13:01,280 --> 00:13:03,640 Speaker 1: because of the pregnancy. So oh yeah, sounds about done. 328 00:13:03,840 --> 00:13:06,080 Speaker 1: It sounds about that we get no previews, no hints 329 00:13:06,160 --> 00:13:08,680 Speaker 1: or nothing. Maybe it could be a surprise drop, but 330 00:13:08,840 --> 00:13:10,160 Speaker 1: like just a surprise genre. 331 00:13:10,559 --> 00:13:13,440 Speaker 2: She said, to your point, she did an interview. This 332 00:13:13,520 --> 00:13:15,800 Speaker 2: is Harper's Bazaar. She said there's no genre now, that's 333 00:13:15,800 --> 00:13:16,560 Speaker 2: why she waited. 334 00:13:16,840 --> 00:13:17,200 Speaker 3: Okay. 335 00:13:17,280 --> 00:13:20,320 Speaker 2: So, while it was previously rumored that Rihanna's stylistic direction 336 00:13:20,440 --> 00:13:23,560 Speaker 2: for the new album could involve reggae, she dismisses any 337 00:13:23,559 --> 00:13:26,000 Speaker 2: suggestions of genre and it is insisting she will only 338 00:13:26,000 --> 00:13:28,880 Speaker 2: put music out when she is ready. I have to 339 00:13:28,920 --> 00:13:30,800 Speaker 2: show the world that it was worth the wait. I 340 00:13:30,800 --> 00:13:33,240 Speaker 2: can't put out anything mediocre. That's what I'm worried about too. 341 00:13:33,559 --> 00:13:35,080 Speaker 2: Rihanna can't miss Yeah. 342 00:13:35,120 --> 00:13:37,160 Speaker 1: I think for her like linking up with, you know, 343 00:13:37,280 --> 00:13:40,000 Speaker 1: certain producers that she's always been with, I can't really 344 00:13:40,040 --> 00:13:41,560 Speaker 1: see that's gone bad. 345 00:13:43,320 --> 00:13:46,559 Speaker 3: So our very own Charlemagne the Goad. 346 00:13:46,440 --> 00:13:48,920 Speaker 2: Has teamed up with Basil who is one of the 347 00:13:49,080 --> 00:13:52,000 Speaker 2: producers from john Wick and they have a new company 348 00:13:52,040 --> 00:13:55,760 Speaker 2: called Southland Stories. So this is a production company and 349 00:13:55,920 --> 00:13:58,800 Speaker 2: one of their first projects has been announced and it 350 00:13:58,840 --> 00:14:05,760 Speaker 2: is starring drummer please Jonathan Majors. So this film is 351 00:14:05,800 --> 00:14:09,839 Speaker 2: called True Threat is one of their first projects and 352 00:14:10,160 --> 00:14:13,240 Speaker 2: the production company itself, Southernland Stories, is a production company 353 00:14:13,280 --> 00:14:15,079 Speaker 2: that focuses on Southern stories. 354 00:14:15,880 --> 00:14:18,600 Speaker 3: Southland Story Southern Stories is like a see what they 355 00:14:18,600 --> 00:14:18,920 Speaker 3: did there? 356 00:14:20,560 --> 00:14:23,640 Speaker 2: The first project that they will be working on is 357 00:14:23,640 --> 00:14:26,120 Speaker 2: a revenge thriller that is going to start Jonathan Major's 358 00:14:26,480 --> 00:14:29,680 Speaker 2: so it's scheduled to begin production this summer. Actually, it's 359 00:14:29,720 --> 00:14:32,520 Speaker 2: one of several friends in the pipeline as Southland Story 360 00:14:32,600 --> 00:14:35,720 Speaker 2: starts to ramp up its output. Is directed and written 361 00:14:35,760 --> 00:14:39,720 Speaker 2: by Jared McGray and produced by Alex Garcia of Cat 362 00:14:39,800 --> 00:14:43,080 Speaker 2: five Now. It's going to follow a special Forces operative 363 00:14:43,280 --> 00:14:45,840 Speaker 2: out for a vengeance after his teenage son is killed 364 00:14:45,880 --> 00:14:48,840 Speaker 2: by gang members. The movie is going to be among 365 00:14:48,840 --> 00:14:51,640 Speaker 2: one of Jonathan Major's first roles since he was convicted 366 00:14:51,640 --> 00:14:54,080 Speaker 2: in twenty twenty three a third degree assault and harassment. 367 00:14:54,760 --> 00:14:57,600 Speaker 2: Films like True Threat are exactly why we created Southland Story, 368 00:14:57,640 --> 00:14:59,600 Speaker 2: says Charlamaga. God it is vital to show that black 369 00:14:59,600 --> 00:15:04,680 Speaker 2: creators and thrive across all genres. Jarrick McMurray and Jonathan 370 00:15:04,720 --> 00:15:07,840 Speaker 2: Majors are extremely talented in the visuals. 371 00:15:08,200 --> 00:15:10,360 Speaker 3: Shout out to Charlemagne. Let's let's clap it up for that. 372 00:15:10,560 --> 00:15:14,320 Speaker 1: Yep, that's huge news. Shout out to Charlamagne and Jonathan 373 00:15:14,360 --> 00:15:17,160 Speaker 1: Majors and Basil of course, you know, hopefully it's the 374 00:15:17,160 --> 00:15:19,320 Speaker 1: one that like kind of brings him back after. 375 00:15:19,120 --> 00:15:22,280 Speaker 2: Speaking to him up here, I understand why people say, 376 00:15:22,560 --> 00:15:24,840 Speaker 2: once people go through their consequences and they do the work, 377 00:15:24,880 --> 00:15:25,800 Speaker 2: you let them rebuild. 378 00:15:25,840 --> 00:15:27,280 Speaker 3: You step out the way and you let them rebuild. 379 00:15:27,280 --> 00:15:28,400 Speaker 3: You can't hold it on them forever. 380 00:15:29,000 --> 00:15:31,800 Speaker 2: Because when I met him up here, I was like, man, 381 00:15:32,840 --> 00:15:36,160 Speaker 2: the only thing I kept feeling from him was he's sorry. 382 00:15:36,680 --> 00:15:40,600 Speaker 2: Like even though a lot of what was first thrown 383 00:15:40,640 --> 00:15:43,600 Speaker 2: at him, you know, charges were reduced and stuff like that, 384 00:15:43,680 --> 00:15:45,840 Speaker 2: you know what I mean, But like, I'm not even 385 00:15:45,880 --> 00:15:46,520 Speaker 2: talking about. 386 00:15:46,360 --> 00:15:48,040 Speaker 3: Like just charge specific. 387 00:15:48,120 --> 00:15:50,800 Speaker 2: I'm thinking I'm talking about the way that it impacted 388 00:15:50,840 --> 00:15:53,160 Speaker 2: his career and the things that he worked for, and 389 00:15:53,240 --> 00:15:55,360 Speaker 2: just I feel like him as a person, he had 390 00:15:55,360 --> 00:15:56,360 Speaker 2: to become a better person. 391 00:15:56,400 --> 00:15:57,560 Speaker 3: And I felt that from him. 392 00:15:57,600 --> 00:15:59,040 Speaker 2: I felt that even if he's not all the way 393 00:15:59,080 --> 00:16:01,240 Speaker 2: there doing the work, and he's in a lot of 394 00:16:01,240 --> 00:16:03,040 Speaker 2: different places, he's in a way different place than he 395 00:16:03,160 --> 00:16:05,160 Speaker 2: was before all of that. 396 00:16:05,400 --> 00:16:08,080 Speaker 1: Yeah, And when he came up here, sorry, no, go ahead, no. 397 00:16:08,160 --> 00:16:09,320 Speaker 1: When he came up here, I met him in the 398 00:16:09,320 --> 00:16:11,680 Speaker 1: most peculiar way. So I was in the man's bathroom, 399 00:16:12,760 --> 00:16:18,960 Speaker 1: Hold up, nothing, it's nothing crazy, what grat is funny? 400 00:16:19,040 --> 00:16:21,240 Speaker 1: I was in the mess bathroom, and I just hear 401 00:16:21,280 --> 00:16:22,600 Speaker 1: somebody whistling in the stalls. 402 00:16:22,960 --> 00:16:23,600 Speaker 3: He looks like. 403 00:16:25,440 --> 00:16:27,400 Speaker 1: So I was like, oh, somebody doing while they whistle. 404 00:16:27,400 --> 00:16:32,080 Speaker 1: That's interesting. I'm gonna try that next time. Yeah, that 405 00:16:32,200 --> 00:16:35,400 Speaker 1: sounds fun. So I'm done in the bathroom washing my hands, 406 00:16:36,000 --> 00:16:37,440 Speaker 1: and that he just came out to the star. I 407 00:16:37,440 --> 00:16:41,080 Speaker 1: was like, Jonathan. I was like, I was not expected 408 00:16:41,120 --> 00:16:44,280 Speaker 1: to see you in this way. He's like, yeah, how 409 00:16:44,280 --> 00:16:46,840 Speaker 1: you doing, bro? He's very nice, small talk conversation. He 410 00:16:46,920 --> 00:16:50,320 Speaker 1: complimented my waves. Once you come my wave, Brandon. 411 00:16:50,360 --> 00:16:52,360 Speaker 3: I thought she was gonna say, he complimented your waste. 412 00:16:52,960 --> 00:16:57,960 Speaker 1: Yeah, relaxed, But I was saying, when you relax, I'll say, 413 00:16:57,960 --> 00:17:00,560 Speaker 1: what you comingm my waves. I'm automatically a fan another person. 414 00:17:00,600 --> 00:17:00,840 Speaker 3: You don't. 415 00:17:00,840 --> 00:17:03,320 Speaker 1: It don't take much for me. So, uh no, he's 416 00:17:03,320 --> 00:17:03,880 Speaker 1: a very. 417 00:17:03,720 --> 00:17:07,560 Speaker 2: Pleasant much for you to oh, it don't take much 418 00:17:07,600 --> 00:17:09,600 Speaker 2: for you to go at all ham Brandy. 419 00:17:10,359 --> 00:17:12,600 Speaker 1: One little compliment, one. 420 00:17:12,000 --> 00:17:13,919 Speaker 3: Little oh my god, did you get your hair cut today? 421 00:17:14,480 --> 00:17:15,800 Speaker 3: Now you wearing rainbows? 422 00:17:16,119 --> 00:17:19,320 Speaker 1: Yes? I did. I did get a hairut. But yeah, 423 00:17:19,720 --> 00:17:22,719 Speaker 1: he seemed like a very pleasant person person in person. 424 00:17:22,800 --> 00:17:25,480 Speaker 1: So that was that was, you know, Yeah, I. 425 00:17:25,400 --> 00:17:27,800 Speaker 3: Agree shout out to them. Congratulations. 426 00:17:28,480 --> 00:17:31,239 Speaker 2: I've been trying to tell Charlamagne since I've seen this announcement, like, yo, 427 00:17:31,359 --> 00:17:32,360 Speaker 2: cast me, I want to act. 428 00:17:32,560 --> 00:17:32,960 Speaker 3: Cast me. 429 00:17:33,440 --> 00:17:35,600 Speaker 2: Don't even cast me, just let me audition, Like, give 430 00:17:35,640 --> 00:17:37,959 Speaker 2: me a fair shot auditioning. He talks about everything when 431 00:17:38,000 --> 00:17:40,040 Speaker 2: we just talked to him about that, but that you. 432 00:17:40,080 --> 00:17:43,240 Speaker 1: Gotta start with the Brandy biopic, I mean lost from there. 433 00:17:43,680 --> 00:17:46,160 Speaker 3: I don't know. I mean, I don't think he would 434 00:17:46,160 --> 00:17:48,040 Speaker 3: even start there. In the way he ignored everything was 435 00:17:49,760 --> 00:17:54,719 Speaker 3: Brandon friend. All right, y'all, let's let's take it. 436 00:17:54,800 --> 00:18:00,920 Speaker 2: Let's take it to the to the to the streets, outside, outside, outside, 437 00:18:01,160 --> 00:18:02,200 Speaker 2: every other page. 438 00:18:03,200 --> 00:18:06,639 Speaker 3: To the tweets, real quick, so real quick. 439 00:18:06,840 --> 00:18:10,360 Speaker 2: So right now, Diddy is back in court jury selection 440 00:18:10,480 --> 00:18:15,520 Speaker 2: day two. So genuine candor on X tweeted me because 441 00:18:15,600 --> 00:18:18,240 Speaker 2: yesterday I did a video breakdown on my YouTube, my 442 00:18:18,359 --> 00:18:21,000 Speaker 2: Instagram and my TikTok of what was happening in the 443 00:18:21,040 --> 00:18:23,040 Speaker 2: courtroom up until recess. It was just like a real 444 00:18:23,119 --> 00:18:24,960 Speaker 2: quick check in because I posted it, I was set 445 00:18:25,000 --> 00:18:26,800 Speaker 2: it into court and then I got silent because they 446 00:18:26,840 --> 00:18:29,120 Speaker 2: take your phone. And in that video, I talked about 447 00:18:29,160 --> 00:18:31,440 Speaker 2: the fact that a conversation came up on whether the 448 00:18:31,560 --> 00:18:34,000 Speaker 2: Diddy cassiec and In video would be used, and the 449 00:18:34,000 --> 00:18:37,000 Speaker 2: prosecutors mentioned that at that time that they they're just 450 00:18:37,080 --> 00:18:39,000 Speaker 2: not like it's not something that they know that they're 451 00:18:39,080 --> 00:18:42,040 Speaker 2: using right now, but it still could be used. So 452 00:18:42,080 --> 00:18:43,440 Speaker 2: this person was trying to argue with me that I 453 00:18:43,440 --> 00:18:45,520 Speaker 2: said the video was completely excluded, and that is not 454 00:18:45,560 --> 00:18:46,159 Speaker 2: what I said it. 455 00:18:46,440 --> 00:18:48,640 Speaker 3: What I said yesterday was what I heard with my. 456 00:18:48,640 --> 00:18:51,000 Speaker 2: Own two ears in court, and me and some of 457 00:18:51,000 --> 00:18:53,240 Speaker 2: the other generals were actually having a conversation about it 458 00:18:53,280 --> 00:18:57,520 Speaker 2: because they were confused, like some of us took it 459 00:18:57,560 --> 00:19:00,000 Speaker 2: as they said and definitely it would not be used, 460 00:19:00,040 --> 00:19:02,520 Speaker 2: and I'm like, there's no way, and then the rest 461 00:19:02,560 --> 00:19:04,000 Speaker 2: of us took it for what it was where they 462 00:19:04,040 --> 00:19:06,760 Speaker 2: said basically as of now, because if it's not excluded 463 00:19:06,760 --> 00:19:08,080 Speaker 2: officially by a judge. 464 00:19:07,760 --> 00:19:09,399 Speaker 3: And that's what call me. 465 00:19:10,720 --> 00:19:14,560 Speaker 2: The prosecutor made clear yesterday that it's not excluded and 466 00:19:14,600 --> 00:19:16,440 Speaker 2: she wanted to make that clear on the record. That 467 00:19:16,560 --> 00:19:18,520 Speaker 2: means that at any point they could go back and 468 00:19:18,520 --> 00:19:20,399 Speaker 2: pull that for evidence. The reason why I think that 469 00:19:20,400 --> 00:19:23,000 Speaker 2: they're not going to use that is because I feel 470 00:19:23,000 --> 00:19:27,000 Speaker 2: like I think that they'll bring it in when Cassie 471 00:19:27,080 --> 00:19:29,840 Speaker 2: and the conversation around her comes up. When they want 472 00:19:29,880 --> 00:19:33,480 Speaker 2: to show and paint Cassie as this woman you know 473 00:19:33,640 --> 00:19:36,480 Speaker 2: who was and not even paint but because the video 474 00:19:36,480 --> 00:19:38,600 Speaker 2: shows you what it showed you, but their narrative around 475 00:19:38,640 --> 00:19:41,399 Speaker 2: Cassie will be this woman who was victimized. She was 476 00:19:41,440 --> 00:19:43,479 Speaker 2: in this relationship because she had no power, she had 477 00:19:43,520 --> 00:19:46,919 Speaker 2: no control physically, she was a prisoner in this relationship. 478 00:19:47,160 --> 00:19:49,280 Speaker 2: Because what Diddy's team is going to try and argue 479 00:19:49,320 --> 00:19:50,280 Speaker 2: is that everything was consented. 480 00:19:50,280 --> 00:19:52,560 Speaker 3: We've seen it. Yeah, they've literally been given it to articles. 481 00:19:52,600 --> 00:19:54,479 Speaker 1: Quick question, I'm sorry if you mentioned this already, Like, 482 00:19:54,600 --> 00:19:57,080 Speaker 1: can they at least describe the video on detail to 483 00:19:57,119 --> 00:19:58,600 Speaker 1: them if they're not going to use it. 484 00:19:59,080 --> 00:20:01,640 Speaker 2: I think that what where they don't use, they can describe. 485 00:20:01,720 --> 00:20:04,000 Speaker 2: But instead of describing to day will want to show 486 00:20:04,000 --> 00:20:04,520 Speaker 2: it because it. 487 00:20:04,440 --> 00:20:05,560 Speaker 3: Will invote that question. 488 00:20:06,440 --> 00:20:08,760 Speaker 2: I don't know, because again I can't even find the 489 00:20:08,760 --> 00:20:11,679 Speaker 2: full premise of this this tweet for the court record. 490 00:20:12,920 --> 00:20:14,960 Speaker 2: But I don't know how much you're going to play, 491 00:20:15,000 --> 00:20:16,159 Speaker 2: er how much you're not going to play. But I 492 00:20:16,200 --> 00:20:17,800 Speaker 2: know that it's still an option for them, is what 493 00:20:17,880 --> 00:20:20,439 Speaker 2: I was saying yesterday. I just think that they're going 494 00:20:20,480 --> 00:20:22,159 Speaker 2: to be very strategic about how they bring it in 495 00:20:22,200 --> 00:20:25,080 Speaker 2: because they don't want Diddy's attorneys to try and say, 496 00:20:25,119 --> 00:20:27,800 Speaker 2: y'all are trying him for something he's not on trial for. 497 00:20:28,240 --> 00:20:28,960 Speaker 3: That is unfair. 498 00:20:29,080 --> 00:20:30,720 Speaker 1: Yeah, you know what I mean. I mean we knew. 499 00:20:31,119 --> 00:20:34,159 Speaker 1: I mean not everybody knew, but like there's inklings of 500 00:20:34,200 --> 00:20:36,720 Speaker 1: the abuse towards Cassie. Once the video came out, I 501 00:20:36,720 --> 00:20:39,000 Speaker 1: feel like everybody's like, oh, we did everything they said 502 00:20:39,040 --> 00:20:41,119 Speaker 1: he did. I think, bro yes, I think it was 503 00:20:41,119 --> 00:20:43,800 Speaker 1: like it's just everything was just downhill from there, even 504 00:20:44,280 --> 00:20:47,439 Speaker 1: the way he came at Cassie in the beginning and 505 00:20:47,440 --> 00:20:50,560 Speaker 1: then you know, recanted what he said and flip the 506 00:20:50,640 --> 00:20:52,720 Speaker 1: narrative of how he apologized and how he was in 507 00:20:52,800 --> 00:20:54,800 Speaker 1: bad places in that point of his life. So I 508 00:20:54,840 --> 00:20:57,879 Speaker 1: feel like that video could be detrimental and can you know, 509 00:20:58,560 --> 00:21:00,000 Speaker 1: I think it can kind of make it break the case. 510 00:21:00,160 --> 00:21:02,600 Speaker 1: But I mean, you know more than me, so no, I. 511 00:21:03,000 --> 00:21:05,280 Speaker 2: Agreed that it'll be detrimental. I just think that they 512 00:21:05,280 --> 00:21:07,080 Speaker 2: have to be very particular about how they use it 513 00:21:07,119 --> 00:21:07,760 Speaker 2: because you just. 514 00:21:07,720 --> 00:21:10,080 Speaker 3: Don't something like a Diddy case, like you don't want 515 00:21:10,080 --> 00:21:10,199 Speaker 3: to know. 516 00:21:10,280 --> 00:21:12,520 Speaker 2: You want everything air tight like Cosby got off if 517 00:21:12,520 --> 00:21:14,680 Speaker 2: you think about it on like technicalities, you know what 518 00:21:14,720 --> 00:21:18,480 Speaker 2: I'm saying. And I'm not comparing Bill Cosby to Diddy. 519 00:21:18,560 --> 00:21:21,240 Speaker 2: I'm just thinking of a very high profile case where 520 00:21:21,240 --> 00:21:22,199 Speaker 2: a person was able to. 521 00:21:23,320 --> 00:21:25,880 Speaker 1: I don't see the big difference, but go ahead. 522 00:21:26,440 --> 00:21:29,360 Speaker 2: Where a person was able to literally walk because of 523 00:21:30,080 --> 00:21:32,639 Speaker 2: something that wasn't like, you know, I crossed my T 524 00:21:32,760 --> 00:21:33,959 Speaker 2: I dot in my I type of thing. 525 00:21:34,040 --> 00:21:35,359 Speaker 3: So I think that they're going to be very particular 526 00:21:35,400 --> 00:21:35,960 Speaker 3: about how they do that. 527 00:21:36,000 --> 00:21:38,400 Speaker 2: But I love the fact that the low writers and 528 00:21:38,480 --> 00:21:40,000 Speaker 2: even if you're not a low writer, or if you're 529 00:21:40,000 --> 00:21:41,760 Speaker 2: here listening to this podcast or watching it, you are 530 00:21:41,800 --> 00:21:44,320 Speaker 2: a low writer. So welcome to the community. We happy 531 00:21:44,320 --> 00:21:47,199 Speaker 2: to have you. Ain't no housewarming because it's a lot 532 00:21:47,200 --> 00:21:50,560 Speaker 2: of y'all, But I like how you guys are getting involved, 533 00:21:50,560 --> 00:21:54,000 Speaker 2: like everyone listening, you know, people on Twitter, on Instagram, whatever, 534 00:21:54,359 --> 00:21:56,400 Speaker 2: even if it's y'all trying to call me out on 535 00:21:56,520 --> 00:21:59,359 Speaker 2: whatever y'all think y'all calling me out on. I'm always 536 00:21:59,400 --> 00:22:00,680 Speaker 2: here for the debate, in the back and forth, and 537 00:22:00,720 --> 00:22:03,000 Speaker 2: the one thing I don't play about is trying to 538 00:22:03,000 --> 00:22:04,920 Speaker 2: stick to a fact. If I'm ever wrong, I'll say 539 00:22:04,960 --> 00:22:06,639 Speaker 2: I'm wrong, and he had that. He tweeted me and 540 00:22:06,760 --> 00:22:08,640 Speaker 2: was like, no, I said, did you watch my full video? 541 00:22:08,920 --> 00:22:10,400 Speaker 2: He was like, I did, and you said blah blah 542 00:22:10,400 --> 00:22:11,800 Speaker 2: blah blah, just say my bad. 543 00:22:11,880 --> 00:22:12,239 Speaker 3: Thank you. 544 00:22:12,600 --> 00:22:14,320 Speaker 2: So then I just responded to him with the part 545 00:22:14,320 --> 00:22:15,800 Speaker 2: of the video that he said he watched where I'm 546 00:22:15,800 --> 00:22:17,439 Speaker 2: saying the exact opposite of what he told me. 547 00:22:17,480 --> 00:22:20,840 Speaker 1: I said, my favorite, you. 548 00:22:20,760 --> 00:22:22,920 Speaker 2: Know what I'm saying, like, come on, but I mean 549 00:22:23,040 --> 00:22:24,960 Speaker 2: but not even in the spirit of like pettiness or 550 00:22:24,960 --> 00:22:28,240 Speaker 2: anything like that. I do enjoy debates about legal things 551 00:22:28,280 --> 00:22:29,960 Speaker 2: and just y'all being engaged in the content. 552 00:22:30,040 --> 00:22:32,600 Speaker 3: So keep on tweeting me so we can be in 553 00:22:32,640 --> 00:22:36,119 Speaker 3: the tweets. Yes, So that is it. That is all, y'all. 554 00:22:36,160 --> 00:22:37,840 Speaker 3: What have we learn from today's episode, Brandon? 555 00:22:40,960 --> 00:22:47,960 Speaker 1: What do we learn that he might be fucked? WHOA, yeah, yeah. 556 00:22:49,400 --> 00:22:51,720 Speaker 2: I think one of the things I learned was that 557 00:22:51,760 --> 00:22:54,000 Speaker 2: life is all about the pivot man. Look at Rihanna 558 00:22:54,040 --> 00:22:56,640 Speaker 2: and Asap and they live in their beautiful lives having 559 00:22:56,640 --> 00:22:58,359 Speaker 2: their babies and ain't worried about the thing because they 560 00:22:58,359 --> 00:23:03,560 Speaker 2: got other business endeavors. Charlemagne getting money money on okay 561 00:23:04,000 --> 00:23:06,399 Speaker 2: and it's inspiring to see. It's inspiring to see in 562 00:23:06,400 --> 00:23:08,640 Speaker 2: a lot of ways because I want to build business, 563 00:23:08,680 --> 00:23:09,760 Speaker 2: I want to have a family. 564 00:23:09,920 --> 00:23:13,400 Speaker 1: Stop watching it up close because he's always willing to 565 00:23:13,400 --> 00:23:15,280 Speaker 1: put on game. Yeah so nah, I