WEBVTT - Secret Invasion Premiere

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<v Speaker 1>Warning, this podcast contains spoilers for the premiere of Secret Invasion,

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<v Speaker 1>streaming now on Disney Plus. Hello, my name is Jason

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<v Speaker 1>and I'm Rosie Nike and welcome to Extra Vision, The

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<v Speaker 1>Crooked podcast where we dive deep into your favorite shows, movies, comics,

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<v Speaker 1>and pop culture.

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<v Speaker 2>In this episode. In the previously on, we're talking about

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<v Speaker 2>Neil Kirby's comments on the new Stanley documentary. That's Neil Kirby,

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<v Speaker 2>the son of Jack Kirby, fame Marvel creator. In the

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<v Speaker 2>airlock It's a Secret Invasion premiere, and in the nerd

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<v Speaker 2>out a rebuttal on whether the coach Ben should have

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<v Speaker 2>burned down the cabin in Yellowjacket season two finale controversial.

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<v Speaker 2>Can't wait to hear that one. And we'll also be

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<v Speaker 2>talking about another Marvel story that's been making the Internet

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<v Speaker 2>talk today, which is the AI controversy over the Secret

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<v Speaker 2>Invasion opening credits.

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<v Speaker 1>Coming up previously on. First up, let's talk about Neil

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<v Speaker 1>Kirby's comments son Marvel Comics artist, writer, all around comics

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<v Speaker 1>legend Jack Kirby, which expressed the dismay at the framing

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<v Speaker 1>of stan Lee's involvement in the creation of various Marvel

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<v Speaker 1>Comics icons, but most notably Spider Man that appeared in

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<v Speaker 1>the new Stanley documentary on Disney Plus, which is titled

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<v Speaker 1>simply Stanley. Not quite a documentary, but we can talk

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<v Speaker 1>about that in a second. Essentially, Stanley's position always was

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<v Speaker 1>one that he was willing to say that Steve Ditko

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<v Speaker 1>Jack Kirby, those two co created Spider Man. But he

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<v Speaker 1>was only willing to say that as a weird like

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<v Speaker 1>Olive Branch, to make them happy. But when pressed on

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<v Speaker 1>the issue, he would always say, well, I.

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<v Speaker 2>I thought of it, so I invented it. I thought

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<v Speaker 2>of it.

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<v Speaker 1>Therefore I am the sole creator of Spider Man. Now

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<v Speaker 1>Here is Neil's statement in part it says it should

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<v Speaker 1>be noted and is generally accepted that Stanley, this is

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<v Speaker 1>such a fucking wild way to.

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<v Speaker 2>I just want to say, this is years in the making,

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<v Speaker 2>This is years of controversy. I will give you a

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<v Speaker 2>little bit of an insight into it when we talk

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<v Speaker 2>about it. But this is Neil, after having to go

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<v Speaker 2>through the legal system to get money for the things

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<v Speaker 2>that his father created, including the X Men, the Fantastic Four,

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<v Speaker 2>like basically a thor every superhero that you like, from

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<v Speaker 2>Marvel was partially created, probably by Jack Kirby and alongside Stanley,

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<v Speaker 2>So it is going to sound pretty angry, but there's

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<v Speaker 2>context for it.

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<v Speaker 1>And by the way, before we get into the opening

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<v Speaker 1>salvos of the statement, which again are crazy, it's important

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<v Speaker 1>to note that comics, being a visual medium m HM,

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<v Speaker 1>are naturally going to be a collaboration between artists and writer.

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<v Speaker 1>Like stan could say, Hey, a guy with spider powers,

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<v Speaker 1>and maybe we call him Spider Man exactly in order

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<v Speaker 1>for him to be sole creator, he would probably also

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<v Speaker 1>have to say, and the costume looks like this, and

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<v Speaker 1>I'm gonna draw it, and I'm going to draw it,

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<v Speaker 1>and I've decided the webbings go under the arms like this,

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<v Speaker 1>and no that like the rest of it. Yeah, you

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<v Speaker 1>had the idea, but then other people move the ball

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<v Speaker 1>down the.

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<v Speaker 2>Field, and even I will say as well, the question

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<v Speaker 2>of what ideas stan had are very controversial. For example,

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<v Speaker 2>as Neil gets into here, it is highly understood now

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<v Speaker 2>decades later that Jack Kirby invented the Fantastic Four and

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<v Speaker 2>based them on the challenges of the unknown, But even

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<v Speaker 2>in the new documentary in Inverted Commas that Disney plus

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<v Speaker 2>released called stan Lee. They have stan saying that he

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<v Speaker 2>invented them, he created the characters. So even that idea

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<v Speaker 2>of who came up with the idea is still very

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<v Speaker 2>much contest.

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<v Speaker 1>Well, I think it is generally accepted in terms of

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<v Speaker 1>the Fantastic Four that stan said something like, hey, it

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<v Speaker 1>would be cool if there was a superhero family.

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<v Speaker 2>No no, no, no, there's letters from Stan and stuff. Now,

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<v Speaker 2>the Fantastic Four one is very deep because, as Neil

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<v Speaker 2>points out, they're essentially based on Challenges the Unknown, which

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<v Speaker 2>was something that Jack had done already at DC. And

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<v Speaker 2>not just that, but the characters are named after people

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<v Speaker 2>that were close to Jack Kirby. So stan has always

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<v Speaker 2>said he wanted to do like a team. But it's

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<v Speaker 2>unclear whether this one is one of the most contested

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<v Speaker 2>the Fantastic Four.

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<v Speaker 1>Well, here is Neil's statement in part quote. It should

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<v Speaker 1>be noted and is generally accepted that Stanley had a

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<v Speaker 1>limited knowledge of history, mythology.

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<v Speaker 2>Or sien things that Jack Kirby loved.

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<v Speaker 1>I mean, listen, I'm largely on Jack's and Steve Didko's sider.

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<v Speaker 1>But that is like you're really saying, like, hey, everybody

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<v Speaker 1>knows Stanley didn't read.

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<v Speaker 2>Well, I will say, and this actually comes across in

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<v Speaker 2>the doc documentary. Stan built a lot of his career

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<v Speaker 2>on basically saying he was ashamed of comics, and that

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<v Speaker 2>comics weren't adult, and comics weren't deep.

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<v Speaker 1>And failed novelists and.

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<v Speaker 2>Failed novelists would write comics, and that comics were not serious.

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<v Speaker 2>So I think that what Neil did here that I

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<v Speaker 2>really love about this statement As someone who's written quite

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<v Speaker 2>extensively on this, he went at it in an academic

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<v Speaker 2>framework and used sure the mythology which Jack was so

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<v Speaker 2>keen on. We talked previously about his like wild DC stuff,

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<v Speaker 2>k new gods right. So like Neil saying, look, stan

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<v Speaker 2>probably didn't like this stuff as much as my dad.

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<v Speaker 2>So who do you think was calling on Norse mythology?

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<v Speaker 2>Who do you think was calling on these kind of

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<v Speaker 2>archetypal tropes that came from decades and centuries of law.

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<v Speaker 2>It was probably my dad and he goes real academic

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<v Speaker 2>with it.

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<v Speaker 1>It's pretty wild, the statement continues. On the other hand,

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<v Speaker 1>my father's knowledge of these subjects, to which I and

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<v Speaker 1>many others can personally test, was extensive. Einstein summed it

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<v Speaker 1>up better more than I knowledge, lesser of the ego

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<v Speaker 1>lesser than knowledge more the ego, which I'll just say

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<v Speaker 1>makes it seem like Einstein was weighing in on Jack

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<v Speaker 1>Kirby versus Stanley. I probably would have scrubbed that mention

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<v Speaker 1>if I was Neil's editor. A little bit of a

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<v Speaker 1>weird ad here.

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<v Speaker 2>It was posted on his Twitter by his doors, so

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<v Speaker 2>probably no idea.

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<v Speaker 1>Yeah, it continues. You will see Lee's name as a

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<v Speaker 1>co creator on every character, with the exception of the

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<v Speaker 1>Silver Surfer Solar creator by my father. Are we to

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<v Speaker 1>assumably had a hand in creating every Marvel character? Or

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<v Speaker 1>we to assume that it was never the other co

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<v Speaker 1>creator that walked into Lee's office and that stan I

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<v Speaker 1>have a great idea for a character. According to Lee,

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<v Speaker 1>it was always his idea. That's absolutely the case. Here's

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<v Speaker 1>a tweet by Brian Cronin, a great comics historian who

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<v Speaker 1>works over at CBRS, written, I've referred personally in my

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<v Speaker 1>own research to his articles many, many, many a time.

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<v Speaker 2>He does a great like comic book legends where he

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<v Speaker 2>breaks down like, yes, famous myths and are they true?

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<v Speaker 2>And how did they happen? And yeah, he knows extensively

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<v Speaker 2>about this.

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<v Speaker 1>He knows his stuff, and he you know, here's a

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<v Speaker 1>thread and a snippet of an article that he posted

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<v Speaker 1>several days ago. In response to this, he wrote, quote,

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<v Speaker 1>here's a Stanley thing that always amazes me. He was

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<v Speaker 1>stuck on the idea that he was the sole creative

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<v Speaker 1>Spider Man because he quote came up with the ideas,

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<v Speaker 1>despite obviously not being the one who came up with

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<v Speaker 1>the idea of doing a comic book called Spider Man?

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<v Speaker 1>Can you even imagine that? And then he posts a

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<v Speaker 1>snippet of a conversation that Stanley had with Jonathan Ross,

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<v Speaker 1>in which Ross asks, but do you believe Steve didco

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<v Speaker 1>co created Spider Man? And Stanley says, I'm willing to

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<v Speaker 1>say so, Ross, That's not what I'm asking you.

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<v Speaker 2>Lee.

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<v Speaker 1>No, that's the best answer I can give you. So

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<v Speaker 1>it's a no. Then, really, Lee, No, I really think

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<v Speaker 1>the guy who dreams the thing up created it. You

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<v Speaker 1>dream it up and then you give it to somebody

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<v Speaker 1>to draw it. Now, that's not how it works.

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<v Speaker 2>But that's literally a quote they use in the Disney

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<v Speaker 2>documentary or in Stan's voice, And I think that I

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<v Speaker 2>was really happy to see how much this was reported

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<v Speaker 2>on because this was just shared through Jillian Kirby, Neil's

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<v Speaker 2>daughter's Twitter account. She shared this very long phrasing and

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<v Speaker 2>rebuttal that Neil posted, and I think everyone should read it.

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<v Speaker 2>It's really important and it's really great to see it

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<v Speaker 2>in variety in THHR to see people like Giema del Toro,

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<v Speaker 2>Brian Cronin coming forward and talking about the realities of this.

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<v Speaker 2>No one is trying to take away Stanley's legacy. He

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<v Speaker 2>did a very good job over his long life of

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<v Speaker 2>building that legacy, and Marvel and especially Marvel Studios, both

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<v Speaker 2>comics and the films, have helped him build it. He

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<v Speaker 2>took on a very famous role at one point Chairman Emeritus,

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<v Speaker 2>where he just got paid a wage to essentially be

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<v Speaker 2>like a spokesperson for Marvel and promote the Marvel brand,

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<v Speaker 2>and in doing that he built a legend in law

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<v Speaker 2>for himself that he was a sole creator. And while

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<v Speaker 2>that was almost something of just a personal mythos, stan

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<v Speaker 2>also spoke at depositions in the favor of Marvel and

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<v Speaker 2>against his creators getting rights, getting original art, and getting money.

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<v Speaker 2>So he did end up doing this on the backs

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<v Speaker 2>of other people. And that's why someone like Neil has

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<v Speaker 2>such a personal investment in this because while like me

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<v Speaker 2>and you, we talk about Jack Kirby all the time,

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<v Speaker 2>I feel like since thor Ragnarok there's been a more

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<v Speaker 2>wide appreciation of Kirby and his influence. It did take

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<v Speaker 2>decades to get there, including a very long lawsuit that

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<v Speaker 2>ended up with a settlement between Marvel and the Kirby family.

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<v Speaker 2>Because something that people might not know is that when

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<v Speaker 2>these creators were creating these characters, they were not working

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<v Speaker 2>under what we call work for Higher agreements. So these

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<v Speaker 2>characters were created and the people who created them actually

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<v Speaker 2>did have some kind of claim to them, but as

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<v Speaker 2>happened with Siegel and Schuster and Superman, in the case

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<v Speaker 2>of Marvel, those essentially ended up becoming the property of

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<v Speaker 2>Marvel due to payment agreements that they made. A lot

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<v Speaker 2>of the creators actually had to just sign over those

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<v Speaker 2>rights to get their checks. Yeah, and that happened in

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<v Speaker 2>the seventies, So there is a lot of history here.

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<v Speaker 2>And I watched the documentary, I actually found that it

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<v Speaker 2>was quite sad. That was kind of how I felt

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<v Speaker 2>about it. Even made me feel quite sad for Stan

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<v Speaker 2>and I've written quite extensively about this history and his

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<v Speaker 2>role in the way that creators were treated at Marvel.

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<v Speaker 2>But I think Neil was right to do this, and

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<v Speaker 2>I think that everyone should watch the documentary because I

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<v Speaker 2>think it actually doesn't paint Stan in the light that

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<v Speaker 2>I'm sure Disney Plus wanted them to, because it is

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<v Speaker 2>all told in his own words, so you can catch

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<v Speaker 2>a lot of the contradictions that he would say in

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<v Speaker 2>the way he would change these stories. But it's very

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<v Speaker 2>interesting to see people talking about this and recognizing it

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<v Speaker 2>and having conversations now with a more literate audience. Like

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<v Speaker 2>you pointed out when you read that Jonathan Ross interview quote,

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<v Speaker 2>you just know if you read comics, that's just not

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<v Speaker 2>how it is. But you have to be able to

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<v Speaker 2>draw it to claim, you know, you'll the soule create

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<v Speaker 2>a Yeah.

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<v Speaker 1>And I think, more broadly speaking and creative collaboration, there

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<v Speaker 1>is no scientific way to in all cases accurately gauge

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<v Speaker 1>what a person's influence on a particular project that is

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<v Speaker 1>created through creative collaboration is. At any given time. If

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<v Speaker 1>Stan says, okay, I have Spider Man, then gives it

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<v Speaker 1>to Steve and Jack and they draw it up. You've

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<v Speaker 1>got to figure out a way to split that that

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<v Speaker 1>is going to probably make somebody feel bad in order

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<v Speaker 1>for it to be equitable. Like I personally think, you've

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<v Speaker 1>just got to come somewhere to fifty to fifty in

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<v Speaker 1>stuff like this. Now somebody is going to feel like, well,

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<v Speaker 1>I did more work and I brought this person in.

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<v Speaker 1>And that's always the way it works with this stuff.

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<v Speaker 1>But there's just no way to accurately do it. Somebody

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<v Speaker 1>has to be the person who says, let's just share it.

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<v Speaker 2>Yeah, a lot exactly. I actually think that it sounds

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<v Speaker 2>so simple, but that's what was missing a lot of

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<v Speaker 2>the time. Like a lot of what the documentary focuses

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<v Speaker 2>on when it does bring this stuff up is Stan's

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<v Speaker 2>reaction to it, And sadly, his reaction was, I am

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<v Speaker 2>the sole creator. I came up with these ideas, and

0:12:15.960 --> 0:12:21.240
<v Speaker 2>that then creates this cycle where people are unfairly pushed

0:12:21.280 --> 0:12:23.520
<v Speaker 2>out of crediting, and especially with Spider Man is a

0:12:23.520 --> 0:12:26.240
<v Speaker 2>really great example. So Steve Ditko is now seen as

0:12:26.280 --> 0:12:28.440
<v Speaker 2>the co creator of Spider Man. And before he passed away,

0:12:28.480 --> 0:12:31.320
<v Speaker 2>you know, he was very isolated. He kept to himself.

0:12:31.320 --> 0:12:33.000
<v Speaker 2>He did a lot of great self publishing, a lot

0:12:33.000 --> 0:12:35.520
<v Speaker 2>of which spoke about his issues with Stanley, but he

0:12:35.640 --> 0:12:37.920
<v Speaker 2>ended up getting checks from Spider Man. He kind of

0:12:37.920 --> 0:12:40.440
<v Speaker 2>got a little bit more of that equity. But Spider

0:12:40.440 --> 0:12:42.840
<v Speaker 2>Man was originally drawn by Jack Kirby, as you pointed out,

0:12:43.160 --> 0:12:46.040
<v Speaker 2>and then standing like the way it looked. But allegedly

0:12:46.160 --> 0:12:49.160
<v Speaker 2>there are also a version of the story where Jack

0:12:49.240 --> 0:12:51.640
<v Speaker 2>had come up with that idea before with Joe Simon

0:12:51.679 --> 0:12:54.079
<v Speaker 2>about a Spider Man character. And then there is the

0:12:54.200 --> 0:12:56.959
<v Speaker 2>very controversial fact that the Spider Man costume looks like

0:12:57.000 --> 0:13:00.240
<v Speaker 2>a costume that a Halloween company had been making. So

0:13:00.280 --> 0:13:03.320
<v Speaker 2>there's all this kind of blurry conversation around it that

0:13:03.400 --> 0:13:05.760
<v Speaker 2>comes from the fact that these were stories being made

0:13:05.760 --> 0:13:08.240
<v Speaker 2>for what was seen as a disposable medium for kids,

0:13:08.640 --> 0:13:11.000
<v Speaker 2>that people were getting paid like no money to write

0:13:11.120 --> 0:13:14.200
<v Speaker 2>and draw. And it's kind of funny to now have

0:13:14.280 --> 0:13:17.959
<v Speaker 2>to extrapolate this when it's about like a billion dollar project.

0:13:18.559 --> 0:13:21.040
<v Speaker 1>I think the thing to your point that's sad about

0:13:21.040 --> 0:13:27.520
<v Speaker 1>this for me is setting aside all of Stanley's self aggrandizement,

0:13:28.440 --> 0:13:31.319
<v Speaker 1>just the stuff that you can absolutely say with authority

0:13:31.400 --> 0:13:35.319
<v Speaker 1>that Stanley was responsible for that the promotion of comics

0:13:35.400 --> 0:13:39.040
<v Speaker 1>and Marvel in particular advocacy. Steve Dicko you mentioned was

0:13:39.080 --> 0:13:43.880
<v Speaker 1>a you know, was a ann Randian shut in who

0:13:44.600 --> 0:13:49.199
<v Speaker 1>had no inclination to be the front facing salesman for comics.

0:13:49.280 --> 0:13:51.480
<v Speaker 2>He didn't even want them to publish pictures of him.

0:13:51.480 --> 0:13:52.520
<v Speaker 2>There's barely any.

0:13:52.480 --> 0:13:55.480
<v Speaker 1>Jack Kirby was a kind of rough and tumble guy

0:13:55.520 --> 0:13:58.040
<v Speaker 1>who did not have the kind of charm and like

0:13:58.679 --> 0:14:03.199
<v Speaker 1>eagerness to hoobknob that Stanley had. That's like not nothing

0:14:03.320 --> 0:14:07.280
<v Speaker 1>being the promotional guy for comics and coming up with

0:14:07.320 --> 0:14:08.760
<v Speaker 1>a lot of you know, he did come up with

0:14:08.760 --> 0:14:11.480
<v Speaker 1>a lot of the ideas, and while the Marvel method

0:14:11.600 --> 0:14:17.199
<v Speaker 1>was created ad hoc to deal with what the structure

0:14:17.280 --> 0:14:19.280
<v Speaker 1>of Marvel was at the time, it was not like

0:14:19.320 --> 0:14:25.400
<v Speaker 1>a strategized system. It also gave him like tremendous influence

0:14:25.400 --> 0:14:27.600
<v Speaker 1>in the stories that were created. So I think what's

0:14:27.680 --> 0:14:30.240
<v Speaker 1>sad about this is it overshadows the stuff that he

0:14:30.320 --> 0:14:34.760
<v Speaker 1>really did do, which is tremendous, like really really important stuff. Yeah.

0:14:34.760 --> 0:14:36.920
<v Speaker 2>I think that's the saddest thing is that in creating

0:14:36.920 --> 0:14:40.760
<v Speaker 2>this personal legend and then in posthumously, like with stand

0:14:40.840 --> 0:14:44.360
<v Speaker 2>now passed away in Disney trying to carve this idea

0:14:44.360 --> 0:14:48.560
<v Speaker 2>that he was some golden child who did everything himself. Yeah,

0:14:48.600 --> 0:14:50.920
<v Speaker 2>you rub away the reality of the whole man. And

0:14:51.000 --> 0:14:52.680
<v Speaker 2>like you said, this is what I always say. I wrote.

0:14:52.680 --> 0:14:54.560
<v Speaker 2>I wrote an a bituary for Stanley that I'm really

0:14:54.600 --> 0:14:58.000
<v Speaker 2>proud of Esquy Magazine when he passed away, and it

0:14:58.040 --> 0:15:00.760
<v Speaker 2>was essentially a history of all of this stuff. And

0:15:00.880 --> 0:15:04.760
<v Speaker 2>I always say, brilliant editor, unbelievable editor. A lot of

0:15:04.760 --> 0:15:06.520
<v Speaker 2>what he talks about when he talks about writing, he

0:15:06.560 --> 0:15:09.040
<v Speaker 2>was just editing someone else's story and giving them ideas

0:15:09.040 --> 0:15:11.600
<v Speaker 2>and notes. He's an incredible talent spot I look at

0:15:11.600 --> 0:15:14.880
<v Speaker 2>the people he surrounded himself. Yeah, John Bushma, Steve Ditko,

0:15:15.160 --> 0:15:17.720
<v Speaker 2>Jack Kirby. Also, he is also one of the original

0:15:17.760 --> 0:15:20.520
<v Speaker 2>NEPO babies. They actually don't really talk about that very much.

0:15:20.720 --> 0:15:22.680
<v Speaker 2>So yes, you know, he got his job at Marvel

0:15:22.680 --> 0:15:25.480
<v Speaker 2>because of his cousin and stuff like that. But he's

0:15:25.520 --> 0:15:28.640
<v Speaker 2>also an unbelievable advocate for comics. Like you said, he

0:15:28.680 --> 0:15:31.720
<v Speaker 2>went on college tours. He made comics. They were taken

0:15:31.800 --> 0:15:34.240
<v Speaker 2>seriously in an academic way for the first time because

0:15:34.240 --> 0:15:35.800
<v Speaker 2>he would go and tour and he knew that there

0:15:35.800 --> 0:15:37.920
<v Speaker 2>were teenagers who read this stuff, there were adults who

0:15:37.920 --> 0:15:40.160
<v Speaker 2>read it. He would go on late night talk shows.

0:15:40.160 --> 0:15:44.160
<v Speaker 2>He moved to Hollywood, and that's why you have TV

0:15:44.320 --> 0:15:46.440
<v Speaker 2>based on comic books in the way that we understand,

0:15:46.440 --> 0:15:48.120
<v Speaker 2>and all of those things are amazing.

0:15:48.640 --> 0:15:50.920
<v Speaker 1>He had been working since the early seventies to try

0:15:50.960 --> 0:15:54.320
<v Speaker 1>and make Marvel Yeah, have an impact in TV and film,

0:15:54.360 --> 0:15:55.760
<v Speaker 1>and then a lot of the stuff that we see

0:15:55.800 --> 0:15:58.600
<v Speaker 1>now is because he put that flag out there in

0:15:58.640 --> 0:15:59.280
<v Speaker 1>the seventies.

0:15:59.320 --> 0:16:01.560
<v Speaker 2>He has his first cameo in the Marvel universe is

0:16:01.600 --> 0:16:03.760
<v Speaker 2>in one of the old Incredible Hulk TV movies. You know,

0:16:03.800 --> 0:16:05.400
<v Speaker 2>this is something he was doing for a long time.

0:16:06.080 --> 0:16:10.520
<v Speaker 2>And it is sad that the controversies, which I will

0:16:10.520 --> 0:16:12.680
<v Speaker 2>say he did have a big hand in creating. So

0:16:12.760 --> 0:16:15.680
<v Speaker 2>it's kind of like the conversation needs to be holistic

0:16:15.720 --> 0:16:18.040
<v Speaker 2>and talk about what he did great and what he

0:16:18.080 --> 0:16:21.280
<v Speaker 2>did wrong. And I think the sad truth is in

0:16:21.320 --> 0:16:23.800
<v Speaker 2>this case, all Neil and his family are looking for

0:16:23.920 --> 0:16:26.360
<v Speaker 2>is where's the Jack Kirby documentary. If you have the

0:16:26.440 --> 0:16:28.840
<v Speaker 2>Jack Kirby documentary that talks about all the things that

0:16:28.920 --> 0:16:33.360
<v Speaker 2>Jack did, then nobody worries about the Stanley documentary. Because

0:16:33.360 --> 0:16:35.400
<v Speaker 2>it wouldn't be raising Jack. So I think it's all

0:16:35.440 --> 0:16:38.960
<v Speaker 2>about equity. Even now, it's still about who created it,

0:16:39.160 --> 0:16:43.840
<v Speaker 2>who's getting the credit, and who is celebrated for these

0:16:43.880 --> 0:16:46.080
<v Speaker 2>stories that we all love. And I think in this case,

0:16:46.560 --> 0:16:50.240
<v Speaker 2>whatever deal the Kirby's made with Disney, I think this

0:16:50.440 --> 0:16:54.240
<v Speaker 2>somehow goes against that deal because Neil has generally been

0:16:54.360 --> 0:16:56.640
<v Speaker 2>very supportive. They were at the back Panther premiere. It

0:16:56.720 --> 0:16:59.160
<v Speaker 2>seemed like Disney and the Kirby Estate were in a

0:16:59.200 --> 0:17:03.200
<v Speaker 2>good place and this seems to go against whatever they

0:17:03.360 --> 0:17:04.000
<v Speaker 2>agreed on.

0:17:04.760 --> 0:17:08.040
<v Speaker 1>Yeah, I also think that you know, listen, we're comics

0:17:08.080 --> 0:17:12.320
<v Speaker 1>nerds here. This feud and story is really not one

0:17:12.400 --> 0:17:15.359
<v Speaker 1>that moves beyond the bubble of comics nerds.

0:17:15.440 --> 0:17:15.640
<v Speaker 3>Hum.

0:17:16.600 --> 0:17:20.199
<v Speaker 1>And I think it's absolutely believable and reasonable to me

0:17:20.359 --> 0:17:24.000
<v Speaker 1>that very view if any people responsible for moving this

0:17:24.080 --> 0:17:29.120
<v Speaker 1>documentary down the line from production to the platform had

0:17:29.200 --> 0:17:32.439
<v Speaker 1>any awareness of the kind of heat that is behind

0:17:32.440 --> 0:17:38.360
<v Speaker 1>this particular topic. X Ray Vision will be back. Quick

0:17:38.400 --> 0:17:40.479
<v Speaker 1>reminder folks that we will be live streaming our fifteenth

0:17:40.480 --> 0:17:44.160
<v Speaker 1>Anniversary of The Dark Knight retrospective episode on June twenty six,

0:17:44.240 --> 0:17:49.000
<v Speaker 1>seven pm Pacific time. Join us. Jason and Rosie Live

0:17:49.040 --> 0:17:51.639
<v Speaker 1>with guests Chase Serano and Joel Monique for one of

0:17:51.640 --> 0:17:54.600
<v Speaker 1>a kind of analysis, movie lore and much more. For

0:17:54.680 --> 0:17:57.200
<v Speaker 1>live stream tickets, head to cricket dot com slash x

0:17:57.320 --> 0:18:05.680
<v Speaker 1>ray Live and we're back, moving on to an a topic,

0:18:05.960 --> 0:18:09.320
<v Speaker 1>to another heated topic. So a Secret Invasion. We're recording

0:18:09.320 --> 0:18:13.359
<v Speaker 1>this on Wednesday. Came out late Tuesday night and early

0:18:13.359 --> 0:18:18.600
<v Speaker 1>Wednesday morning. It emerged that the credits sequence the opening

0:18:18.640 --> 0:18:22.080
<v Speaker 1>credits for Secret Invasion were created in some form of

0:18:22.160 --> 0:18:28.760
<v Speaker 1>fashion using AI. Here is a quote from Polygon quoting

0:18:28.960 --> 0:18:33.000
<v Speaker 1>the director Ali Salim. This is from the article from Polygon. Quote.

0:18:33.040 --> 0:18:35.760
<v Speaker 1>Like many people, Slim says he doesn't really understand how

0:18:35.840 --> 0:18:38.280
<v Speaker 1>the artificial intelligence works, but was fascinated with the ways

0:18:38.320 --> 0:18:41.040
<v Speaker 1>in which AI could translate the sense of foreboding he

0:18:41.080 --> 0:18:44.880
<v Speaker 1>wanted for the series. The article continues. Method Studios did

0:18:44.880 --> 0:18:47.640
<v Speaker 1>not respond to Polygon's requests for comment about how exactly

0:18:48.000 --> 0:18:51.960
<v Speaker 1>design the sequence. The staff for the credits includes producers, designers,

0:18:51.960 --> 0:18:54.840
<v Speaker 1>and an AI technician, but the company had previously worked

0:18:54.840 --> 0:18:57.639
<v Speaker 1>on Marvel shows like Miss Marvel, Loki, and Moonnight. In

0:18:57.640 --> 0:19:01.760
<v Speaker 1>addition to Game of Thrones, Battle the Back, Stard's Great episode,

0:19:01.920 --> 0:19:07.880
<v Speaker 1>and for All Mankind seasons two and three, some more

0:19:07.920 --> 0:19:12.399
<v Speaker 1>contacts from Gizmoto. While Method Studios work on those was

0:19:12.440 --> 0:19:15.960
<v Speaker 1>seemingly on a more traditional side of VFX production, it

0:19:16.000 --> 0:19:18.840
<v Speaker 1>was approached for Secret Invasion to instead use AI generated

0:19:18.840 --> 0:19:20.840
<v Speaker 1>imagery for using the titles. Now, of course, there's a

0:19:20.880 --> 0:19:25.320
<v Speaker 1>backlash in this. AI is a subject of a lot

0:19:25.320 --> 0:19:27.760
<v Speaker 1>of heated debate because of the fears that it could

0:19:27.880 --> 0:19:30.399
<v Speaker 1>is taking creative's jobs. I think those fears are foundered.

0:19:30.400 --> 0:19:32.200
<v Speaker 1>We've talked about that on this podcast.

0:19:32.440 --> 0:19:35.320
<v Speaker 2>We know it's based extensively on plagiarized art the way

0:19:35.320 --> 0:19:36.120
<v Speaker 2>that they trained.

0:19:36.320 --> 0:19:39.879
<v Speaker 1>Yeah. Right. And also, you know, the industry is in

0:19:39.920 --> 0:19:43.439
<v Speaker 1>the midst of negotiating deals or you know of a

0:19:43.520 --> 0:19:46.640
<v Speaker 1>labor action with WGA in which the role of AI

0:19:46.800 --> 0:19:49.160
<v Speaker 1>and any kind of future deal plays a major role.

0:19:50.200 --> 0:19:53.720
<v Speaker 1>AI was addressed in the dga's deal that it was

0:19:53.760 --> 0:19:56.840
<v Speaker 1>struck with the AMPTP. So this is a heated topic

0:19:56.880 --> 0:20:01.199
<v Speaker 1>and people feel very passionate about it. Rosie, what are

0:20:01.240 --> 0:20:01.960
<v Speaker 1>your thoughts.

0:20:02.320 --> 0:20:09.439
<v Speaker 2>I think this is a worrying development only in that

0:20:09.680 --> 0:20:13.320
<v Speaker 2>it feels like the conversation that we have all been

0:20:13.400 --> 0:20:15.879
<v Speaker 2>having on this podcast. This has really been less than

0:20:15.880 --> 0:20:18.640
<v Speaker 2>a year of conversation, and I think part of the

0:20:18.680 --> 0:20:22.600
<v Speaker 2>reason that the backlash has been so strong, even though,

0:20:22.640 --> 0:20:25.040
<v Speaker 2>as you know, you've pointed out really well when we've

0:20:25.080 --> 0:20:27.879
<v Speaker 2>been talking about this offline, is like, we don't know

0:20:27.920 --> 0:20:30.399
<v Speaker 2>what the workflow is like, we don't know how the

0:20:30.520 --> 0:20:34.199
<v Speaker 2>AI imagery was used. But I understand the backlash and

0:20:34.240 --> 0:20:38.159
<v Speaker 2>I understand why people are worried because this feels like

0:20:38.240 --> 0:20:42.920
<v Speaker 2>it has happened incredibly quickly from the conversation of oh

0:20:42.960 --> 0:20:44.560
<v Speaker 2>AI might be used by studios.

0:20:44.600 --> 0:20:44.719
<v Speaker 3>Now.

0:20:44.760 --> 0:20:47.600
<v Speaker 2>AI has been used before by Disney as a tool

0:20:47.640 --> 0:20:50.720
<v Speaker 2>to dage people, like in Indiana Jones the new movie, right,

0:20:51.000 --> 0:20:53.679
<v Speaker 2>but this is the first time that AI generated imagery

0:20:53.720 --> 0:20:56.560
<v Speaker 2>has been used in Marvel, and it is I think

0:20:56.600 --> 0:21:00.760
<v Speaker 2>another reason the backlash has been so big. It looks

0:21:00.920 --> 0:21:04.320
<v Speaker 2>a lot like what we've seen when people have used AI,

0:21:05.160 --> 0:21:08.600
<v Speaker 2>things like Mid Journey. The images specifically that have been

0:21:08.640 --> 0:21:09.119
<v Speaker 2>coming up.

0:21:09.240 --> 0:21:13.879
<v Speaker 1>It looks like pre mid Journey, I forget it. It

0:21:13.960 --> 0:21:17.960
<v Speaker 1>looks like Dolly generated Dodges, which is like a generation

0:21:18.040 --> 0:21:21.040
<v Speaker 1>and a half behind previous to Mid Journey.

0:21:21.400 --> 0:21:24.120
<v Speaker 2>And I think that is quite alarming to people because

0:21:24.800 --> 0:21:27.680
<v Speaker 2>even though we don't know exactly how it was used

0:21:27.680 --> 0:21:30.320
<v Speaker 2>and whether this was some VFX art that they created

0:21:30.359 --> 0:21:33.760
<v Speaker 2>themselves and then did through an AI generated whatever version

0:21:33.800 --> 0:21:36.720
<v Speaker 2>it was. I think it worries people because this looks

0:21:36.760 --> 0:21:39.400
<v Speaker 2>like they use something like Dahli and mid Journey, and

0:21:39.480 --> 0:21:44.960
<v Speaker 2>that takes away from potentially jobs that could go to artists.

0:21:45.000 --> 0:21:47.119
<v Speaker 2>And also there is a tradition I would say, I

0:21:47.119 --> 0:21:49.600
<v Speaker 2>think the reason this has hit so hard as a

0:21:49.600 --> 0:21:52.479
<v Speaker 2>Marvel show think about the Dead Evil credit sequence that

0:21:52.560 --> 0:21:55.280
<v Speaker 2>kind of changed the game with how people saw credit

0:21:55.320 --> 0:21:58.680
<v Speaker 2>sequences in Prestige TV, and I think Marvel has really

0:21:58.720 --> 0:22:00.919
<v Speaker 2>been a place where people we have felt even the

0:22:01.000 --> 0:22:02.960
<v Speaker 2>Sheeholt credits that were at the end of the show

0:22:03.000 --> 0:22:05.960
<v Speaker 2>where it was the beautiful illustration, I think Marvel has

0:22:06.359 --> 0:22:10.320
<v Speaker 2>set a precedent for artistic credit sequences that set up

0:22:10.320 --> 0:22:13.000
<v Speaker 2>the tone of the show. And I think that also

0:22:13.080 --> 0:22:16.600
<v Speaker 2>worries people because if the precedent is now that they're

0:22:16.640 --> 0:22:20.119
<v Speaker 2>willing to use AI vendors, let's use Ali Slim's words,

0:22:20.640 --> 0:22:23.600
<v Speaker 2>I think that makes people. Even people who have worked

0:22:23.600 --> 0:22:25.760
<v Speaker 2>on the show in VFX have come out and said

0:22:25.800 --> 0:22:27.520
<v Speaker 2>they're quite upset by this choice.

0:22:27.720 --> 0:22:31.600
<v Speaker 1>Yeah, well on one person to be accurate, I think

0:22:31.680 --> 0:22:32.280
<v Speaker 1>I saw.

0:22:32.240 --> 0:22:34.280
<v Speaker 2>Cartoon Brew has a really good one that has like

0:22:34.280 --> 0:22:36.640
<v Speaker 2>a few different people who've come out at this point

0:22:36.720 --> 0:22:40.159
<v Speaker 2>and talked about their kind of disappointment in it. But

0:22:40.280 --> 0:22:43.239
<v Speaker 2>it's I think it's a shame that this choice has

0:22:43.320 --> 0:22:46.760
<v Speaker 2>overshadowed the show because this is the conversation about the show.

0:22:46.800 --> 0:22:49.520
<v Speaker 1>Now here's where I'm at. I think that we're eventually

0:22:49.560 --> 0:22:51.760
<v Speaker 1>going to get to a place listen, AI is coming, right,

0:22:52.040 --> 0:22:55.200
<v Speaker 1>it's the idea is that, yeah, it's here. The idea

0:22:55.240 --> 0:22:59.520
<v Speaker 1>is to place humans in a position of primacy in

0:22:59.560 --> 0:23:03.199
<v Speaker 1>the work flow. If for instance, which we don't know

0:23:03.240 --> 0:23:05.280
<v Speaker 1>because we don't know how this was created yet.

0:23:05.320 --> 0:23:07.960
<v Speaker 2>We haven't had a comment from Method or Marvel.

0:23:07.720 --> 0:23:10.320
<v Speaker 1>Yet, right, you mentioned that as used for a lot

0:23:10.320 --> 0:23:14.919
<v Speaker 1>of things, particularly for daging. If Method, which is a

0:23:15.080 --> 0:23:19.760
<v Speaker 1>VFX house staff by artists, if the artist said Method decide, well,

0:23:20.240 --> 0:23:22.560
<v Speaker 1>you know, Marvel said they wanted something that looks like Dolly,

0:23:23.080 --> 0:23:27.400
<v Speaker 1>so they decided to use some kind of AI generated

0:23:27.440 --> 0:23:30.600
<v Speaker 1>imagery as like almost like a filter, you know, like

0:23:30.640 --> 0:23:33.840
<v Speaker 1>the way like a plug in, And it was the

0:23:33.960 --> 0:23:37.919
<v Speaker 1>human that was directing this and using it as a tool.

0:23:38.040 --> 0:23:40.639
<v Speaker 1>I don't necessarily have a problem with that, and the

0:23:40.720 --> 0:23:46.119
<v Speaker 1>issue of image plagiarism, even to me, is ameliorated by

0:23:46.160 --> 0:23:50.280
<v Speaker 1>the fact that this is Marvel's imagery. This is Disney's imagery.

0:23:50.359 --> 0:23:53.320
<v Speaker 1>It's not like you're not going out and taking somebody's

0:23:53.400 --> 0:23:57.760
<v Speaker 1>drawing yeah of Nick Fury, which Marvel would own anyway,

0:23:58.119 --> 0:24:00.640
<v Speaker 1>and and plugging it into the thing and saying, okay,

0:24:00.680 --> 0:24:06.080
<v Speaker 1>do it in a style of some like other person. Right, Theoretically,

0:24:06.119 --> 0:24:10.040
<v Speaker 1>if it's an artist making a decision to use a tool,

0:24:10.080 --> 0:24:13.679
<v Speaker 1>I don't necessarily have a problem with that, because I

0:24:13.720 --> 0:24:18.679
<v Speaker 1>think that that's probably the best version of where we're headed,

0:24:18.880 --> 0:24:23.159
<v Speaker 1>is if creatives and on the writing side it's completely different.

0:24:23.200 --> 0:24:27.280
<v Speaker 1>But on the visual side, if the visual artist decides, hey,

0:24:27.320 --> 0:24:29.159
<v Speaker 1>you know what would really help here is running this

0:24:29.280 --> 0:24:32.840
<v Speaker 1>through this thing and to create this effect, I don't

0:24:32.880 --> 0:24:36.360
<v Speaker 1>necessarily have a problem with it. But it's worrying and

0:24:36.400 --> 0:24:39.560
<v Speaker 1>some transparency, transparency, I think is the issue would be

0:24:39.560 --> 0:24:43.240
<v Speaker 1>great now. The transparency on the transparency side. I also

0:24:43.359 --> 0:24:46.479
<v Speaker 1>feel like, you know, what's the saying like, don't assign

0:24:46.640 --> 0:24:51.880
<v Speaker 1>to malice? What can easy ability assigned to incompetence? I

0:24:51.920 --> 0:24:56.280
<v Speaker 1>think that there's a world where Disney pr was not

0:24:56.400 --> 0:25:01.480
<v Speaker 1>expecting to have a heated debate about AI to Wednesday Mornings,

0:25:01.880 --> 0:25:04.960
<v Speaker 1>specifically around the credit sequence to Secret Evasion, And I

0:25:05.000 --> 0:25:10.640
<v Speaker 1>think the kind of sloppy way that Ali Salim kind

0:25:10.640 --> 0:25:15.000
<v Speaker 1>of talks about the process says to me that this

0:25:15.119 --> 0:25:18.040
<v Speaker 1>being a hot button topic was on nobody's nobody thought.

0:25:18.240 --> 0:25:21.359
<v Speaker 1>I agree that this would be an emotionally charged topic

0:25:21.400 --> 0:25:22.800
<v Speaker 1>that they would all of a sudden have to have

0:25:22.880 --> 0:25:25.920
<v Speaker 1>a very detailed statement about. And if I'm method, I'm

0:25:25.920 --> 0:25:29.119
<v Speaker 1>now all of a sudden, you're looking at a situation

0:25:29.640 --> 0:25:36.400
<v Speaker 1>where you have to coordinate your comments with Disney pr

0:25:36.600 --> 0:25:39.040
<v Speaker 1>which was not a thing you have to expect. And

0:25:39.320 --> 0:25:42.080
<v Speaker 1>in that sense, I think that there's probably a world

0:25:42.160 --> 0:25:45.159
<v Speaker 1>in which the silence at this point is just the

0:25:45.240 --> 0:25:47.280
<v Speaker 1>fact that they're like, oh shit, we have to figure

0:25:47.280 --> 0:25:49.000
<v Speaker 1>out we have to comment on this now, and we

0:25:49.040 --> 0:25:50.560
<v Speaker 1>have to figure out what it is that said. I

0:25:50.560 --> 0:25:53.000
<v Speaker 1>would love to know how this was created.

0:25:53.280 --> 0:25:56.160
<v Speaker 2>I think that there's been some great tweets about people

0:25:56.240 --> 0:25:57.880
<v Speaker 2>just being like, we just want to know the production.

0:25:58.160 --> 0:26:00.199
<v Speaker 2>We just want to know how it was produced. If,

0:26:00.240 --> 0:26:02.800
<v Speaker 2>as you say, it is a tool that is being used,

0:26:02.800 --> 0:26:04.720
<v Speaker 2>which is something that people have kind of been selling

0:26:04.720 --> 0:26:06.800
<v Speaker 2>as one of the boons for AI for a long time,

0:26:07.160 --> 0:26:09.480
<v Speaker 2>then that would actually be, like you said, the best

0:26:09.520 --> 0:26:11.600
<v Speaker 2>case scenario of a studio using it. The problem is

0:26:11.640 --> 0:26:14.239
<v Speaker 2>because people don't know it's and what people do know

0:26:14.400 --> 0:26:17.720
<v Speaker 2>is dari a mid journey. If it's an AI generator

0:26:17.720 --> 0:26:21.000
<v Speaker 2>that's been trained off of stolen art, then that worries people.

0:26:21.400 --> 0:26:24.320
<v Speaker 2>If it's something where this was a job that twenty

0:26:24.359 --> 0:26:26.560
<v Speaker 2>people could do and now five are doing it, that

0:26:26.680 --> 0:26:29.280
<v Speaker 2>worries people. And I do think really this all comes

0:26:29.280 --> 0:26:31.760
<v Speaker 2>down to the way that the director chose to speak

0:26:31.760 --> 0:26:35.520
<v Speaker 2>about it, even saying things like when we approached AI vendors,

0:26:36.119 --> 0:26:39.320
<v Speaker 2>that immediately makes people go, okay, well you're approaching people

0:26:39.320 --> 0:26:42.040
<v Speaker 2>to use AI instead of just you know, going to

0:26:42.080 --> 0:26:43.640
<v Speaker 2>a studio and saying, hey, can you make this look

0:26:43.680 --> 0:26:45.119
<v Speaker 2>like it AI? But like good.

0:26:45.480 --> 0:26:47.920
<v Speaker 1>He's quoted as saying he doesn't really understand how AI works,

0:26:47.920 --> 0:26:51.840
<v Speaker 1>which is I think a sloppy way to comment about it.

0:26:51.960 --> 0:26:55.280
<v Speaker 1>But honestly, it looks bad and it looks like it

0:26:55.320 --> 0:26:57.320
<v Speaker 1>is not a thing necessarily that you should say in

0:26:57.359 --> 0:27:00.600
<v Speaker 1>that way. But also it may come as a surprise

0:27:00.640 --> 0:27:03.520
<v Speaker 1>to some people, like who aren't around the industry or

0:27:03.920 --> 0:27:07.280
<v Speaker 1>It's very often that people involved in one field don't

0:27:07.280 --> 0:27:08.520
<v Speaker 1>know how the other field works.

0:27:08.840 --> 0:27:11.359
<v Speaker 2>That's the problem with the VFX issues Marvel's been having.

0:27:11.359 --> 0:27:14.120
<v Speaker 2>We've had heard them say, dict just don't know how

0:27:14.160 --> 0:27:15.280
<v Speaker 2>the VFX process went.

0:27:15.480 --> 0:27:18.680
<v Speaker 1>Take AI out of it. Does we know how like

0:27:18.680 --> 0:27:21.000
<v Speaker 1>like VFX rendered me? Probably not.

0:27:21.400 --> 0:27:23.720
<v Speaker 2>Do they know how many shots that go into one

0:27:24.080 --> 0:27:26.080
<v Speaker 2>action sequence? You know? And how many people you need

0:27:26.080 --> 0:27:27.320
<v Speaker 2>to work on it? How much time?

0:27:27.600 --> 0:27:30.879
<v Speaker 1>Now again we're wait. I'm perfectly happy to be irate

0:27:30.920 --> 0:27:33.119
<v Speaker 1>about this once we get more information. I don't. I

0:27:33.200 --> 0:27:35.399
<v Speaker 1>just don't think we have it yet. And I will say,

0:27:36.200 --> 0:27:41.360
<v Speaker 1>as a final thing, I would much prefer that, though

0:27:41.359 --> 0:27:45.280
<v Speaker 1>there are obviously going to be power dynamics within any company,

0:27:45.320 --> 0:27:49.000
<v Speaker 1>any VFX company, between workers and management, et cetera, I

0:27:49.000 --> 0:27:53.880
<v Speaker 1>would much rather have a company of VFX workers, artists,

0:27:54.080 --> 0:27:59.880
<v Speaker 1>crafts people decide how to use AI. Then studios decide

0:28:00.600 --> 0:28:05.600
<v Speaker 1>how to use AI in lieu of artists. I would

0:28:05.680 --> 0:28:10.440
<v Speaker 1>rather that decision come from artists rather than studios. Now

0:28:10.680 --> 0:28:13.880
<v Speaker 1>here's the thing. I'm gonna get paranoid now. Now I'm

0:28:13.920 --> 0:28:15.840
<v Speaker 1>going to go full paranoia to close this.

0:28:15.840 --> 0:28:17.560
<v Speaker 2>Conversation, perfect sevasion.

0:28:17.600 --> 0:28:20.960
<v Speaker 1>It's appropriate it is appropriate. You know, we know a

0:28:20.960 --> 0:28:24.440
<v Speaker 1>lot about how Dolly about how Mid Journey are programmed, right,

0:28:24.440 --> 0:28:31.080
<v Speaker 1>they just scraped Getty other repositories of visual images DV

0:28:31.200 --> 0:28:35.879
<v Speaker 1>and art right, and that art probably contained amateur, you know,

0:28:36.080 --> 0:28:41.400
<v Speaker 1>depictions of copyrighted characters, which most surely Mickey Mouse, et cetera,

0:28:41.560 --> 0:28:45.360
<v Speaker 1>Superman whatever. We don't quite know yet, although it's uh.

0:28:46.040 --> 0:28:49.560
<v Speaker 1>Stories I have read have seemed to suggest that in

0:28:49.680 --> 0:28:53.720
<v Speaker 1>what is a suspicious tell like that mid Journey and

0:28:53.760 --> 0:28:57.880
<v Speaker 1>others have like avoided scraping Disney repositories account of legal

0:28:58.200 --> 0:29:01.440
<v Speaker 1>big corporate repositories. It's weird to me that like Disney

0:29:01.440 --> 0:29:06.600
<v Speaker 1>and other places haven't threatened to sue because their stuff

0:29:06.640 --> 0:29:08.520
<v Speaker 1>is in there. And this is the same thing with

0:29:08.560 --> 0:29:10.480
<v Speaker 1>the large language models, you know, like this is a

0:29:10.600 --> 0:29:13.160
<v Speaker 1>this has been raised, you know, like every script that's

0:29:13.200 --> 0:29:14.920
<v Speaker 1>on the internet. If you go right now and be like, oh,

0:29:14.960 --> 0:29:16.880
<v Speaker 1>I want to how do they how what are the

0:29:17.000 --> 0:29:19.600
<v Speaker 1>what are the shooting script for Community season one? The pilot?

0:29:19.600 --> 0:29:24.000
<v Speaker 1>Look like, let me get that. That's surely without question

0:29:24.440 --> 0:29:28.840
<v Speaker 1>in the large language models like chet GBT. Right now,

0:29:29.080 --> 0:29:32.800
<v Speaker 1>why isn't Universal sued? Why how if your IP is

0:29:32.840 --> 0:29:37.080
<v Speaker 1>being used to train this thing. Why aren't these companies

0:29:37.400 --> 0:29:39.760
<v Speaker 1>being like stop it or we own.

0:29:39.640 --> 0:29:40.080
<v Speaker 2>Part of this.

0:29:40.600 --> 0:29:44.400
<v Speaker 1>That's the part that worries me. The charge to like

0:29:44.480 --> 0:29:48.920
<v Speaker 1>involve this stuff without any of the seeming aggressive litigation

0:29:49.080 --> 0:29:52.640
<v Speaker 1>that always seems to come with an infringement or an

0:29:52.680 --> 0:29:56.480
<v Speaker 1>even suggestion of infringement on IP. That is the part

0:29:56.480 --> 0:29:58.720
<v Speaker 1>of it that worries me, because you know, if I'm

0:29:58.760 --> 0:30:01.440
<v Speaker 1>going to be completely it feels like some kind of

0:30:01.480 --> 0:30:05.360
<v Speaker 1>cacid agreement that said we need to know more about

0:30:05.360 --> 0:30:10.080
<v Speaker 1>this particular subject vis a vis the Secret Invasion opening credits.

0:30:10.480 --> 0:30:13.720
<v Speaker 1>But it's suspicious, and I'm glad people are raising hell

0:30:13.760 --> 0:30:17.960
<v Speaker 1>about it because I think it's important that the platforms

0:30:18.080 --> 0:30:21.720
<v Speaker 1>and these studios understand that people are very concerned about

0:30:21.720 --> 0:30:22.280
<v Speaker 1>this topic.

0:30:22.720 --> 0:30:26.560
<v Speaker 2>Yeah, absolutely, I totally agree. Also, very interesting. Hollywood Reporter

0:30:27.280 --> 0:30:31.440
<v Speaker 2>just wrote a piece about how Samuel L. Jackson had

0:30:31.440 --> 0:30:34.800
<v Speaker 2>talked about ever since you know, the prequels, he crosses

0:30:34.800 --> 0:30:39.000
<v Speaker 2>out anything about his AI likeness being used in the future.

0:30:39.080 --> 0:30:42.120
<v Speaker 2>So that's just kind of funny that we have this

0:30:42.520 --> 0:30:46.400
<v Speaker 2>duel space, especially because let's be real, I saw Samuel

0:30:46.560 --> 0:30:48.640
<v Speaker 2>Jackson's face in that AI, so I wonder how he's

0:30:48.680 --> 0:30:50.320
<v Speaker 2>feeling about Secram Page.

0:30:50.960 --> 0:30:53.440
<v Speaker 1>I always wondered, I mean, this is off topic. I

0:30:53.480 --> 0:30:58.120
<v Speaker 1>always wondered, like how Sam's reps responded to him just

0:30:58.160 --> 0:31:00.000
<v Speaker 1>being straight ripped off in the ultimate.

0:31:00.040 --> 0:31:02.520
<v Speaker 2>Okay, so this is just the room, This is just

0:31:02.600 --> 0:31:06.080
<v Speaker 2>the comic shop rumor. But allegedly his people just like

0:31:06.200 --> 0:31:11.120
<v Speaker 2>called Marvel and were like, wtf put me in this?

0:31:11.960 --> 0:31:14.640
<v Speaker 2>That was generally that's generally the rule that I've heard,

0:31:14.640 --> 0:31:17.040
<v Speaker 2>because Sam Love's comics, so they thought it would be okay.

0:31:17.360 --> 0:31:20.360
<v Speaker 2>But yeah, I think that is exactly what happened. Basically,

0:31:20.440 --> 0:31:23.280
<v Speaker 2>that's that's one of those great comic book rumors. So yeah,

0:31:23.680 --> 0:31:26.880
<v Speaker 2>wild stuff. And now there he is lead in Secret Invasion.

0:31:27.640 --> 0:31:45.640
<v Speaker 1>Okay, well let's talk about Secret Invasion. We're stepping out

0:31:45.680 --> 0:31:48.960
<v Speaker 1>of their locking onto the streets of Moscow the Russian

0:31:49.040 --> 0:31:51.360
<v Speaker 1>Federation for the premiere of Secret Invasion, now streaming on

0:31:51.400 --> 0:31:55.640
<v Speaker 1>Disney Plus. Episode one, titled Resurrection, directed by Ali Slim,

0:31:55.760 --> 0:31:59.880
<v Speaker 1>written by Kyle Bradstreet and Brian Tucker, The show started

0:32:00.720 --> 0:32:04.840
<v Speaker 1>Samuel L. Jackson, of course, reprising his role as Nick Fury,

0:32:04.960 --> 0:32:10.120
<v Speaker 1>Ben Mendelssohn as Talos, Kingsley, Benadere as Gravic Amelia Clark

0:32:10.320 --> 0:32:15.120
<v Speaker 1>as Gia, and Olivia Coleman wonderfully as Sonya Fallsworth and others.

0:32:15.480 --> 0:32:16.880
<v Speaker 2>Oh, the best part of the show.

0:32:17.120 --> 0:32:19.120
<v Speaker 1>Oh, there's a breath of fresh air when she arrives.

0:32:19.120 --> 0:32:19.760
<v Speaker 1>But let's get it that.

0:32:19.800 --> 0:32:20.120
<v Speaker 2>Okay.

0:32:20.600 --> 0:32:23.920
<v Speaker 1>We open on the mosque in Moscow, Russian Federation. CIA

0:32:23.960 --> 0:32:28.320
<v Speaker 1>agent Everett Ross, still employed despite the fact that he

0:32:28.400 --> 0:32:30.680
<v Speaker 1>was betraying the agency to Wakanda, I think for the

0:32:30.720 --> 0:32:34.360
<v Speaker 1>right reasons but still correct, meets with an undercover agent

0:32:34.440 --> 0:32:41.160
<v Speaker 1>named Prescott. Press has a theory that several seemingly unconnected

0:32:41.240 --> 0:32:45.520
<v Speaker 1>terrorist attacks around the globe are all connected and the

0:32:45.520 --> 0:32:48.800
<v Speaker 1>Scrulls are behind them. The Skrulls, the theory goes, were

0:32:48.840 --> 0:32:51.600
<v Speaker 1>promised a home world by Nick Fur and Carol during

0:32:51.640 --> 0:32:55.640
<v Speaker 1>the events of fucking Captain Marvel. Yeah, thirty plus years

0:32:55.680 --> 0:32:59.160
<v Speaker 1>ago and in the past now, and they're fucking tired

0:32:59.160 --> 0:33:02.040
<v Speaker 1>of waiting. They've been eating too long, three going on

0:33:02.120 --> 0:33:06.000
<v Speaker 1>four decades now, Yeah, for the home world, and so

0:33:06.200 --> 0:33:08.880
<v Speaker 1>they're taking action. They're sewing unrest and chaos in the

0:33:08.920 --> 0:33:12.280
<v Speaker 1>world in order to undermine governments so that they can

0:33:12.640 --> 0:33:17.720
<v Speaker 1>colonize Earth. Ross points out that, hey, I saw Captain Marmora.

0:33:17.920 --> 0:33:20.280
<v Speaker 1>You saw Captain w there's on like twelve scrolls.

0:33:21.000 --> 0:33:23.480
<v Speaker 2>They were gell, they were friendly, they were chill.

0:33:23.320 --> 0:33:24.760
<v Speaker 1>And most of them were kids. There was like not

0:33:24.880 --> 0:33:28.680
<v Speaker 1>a lot of them. And Prescott says, you idiot, you fool,

0:33:28.800 --> 0:33:32.040
<v Speaker 1>you fool, you ignoramus, just idiot.

0:33:32.120 --> 0:33:34.440
<v Speaker 2>They can look like anyone. They you don't even know

0:33:34.480 --> 0:33:35.520
<v Speaker 2>how many there can be.

0:33:36.240 --> 0:33:38.880
<v Speaker 1>And meanwhile, where's Fury, Well, this is happening. Where's he?

0:33:38.880 --> 0:33:42.959
<v Speaker 1>He's disappeared. Well, apparently he's on SABER, which is the

0:33:43.120 --> 0:33:47.520
<v Speaker 1>name acronym yet to be defined. I'm gonna guess it's

0:33:47.600 --> 0:33:53.880
<v Speaker 1>space air bomb energy something I don't know.

0:33:54.040 --> 0:33:57.000
<v Speaker 2>I like that. Yeah, I'm very interested.

0:33:57.160 --> 0:33:58.240
<v Speaker 1>They haven't divided yet.

0:33:58.400 --> 0:34:02.080
<v Speaker 2>I don't believe they have actually acknowledged it. Yeah, and

0:34:02.080 --> 0:34:05.080
<v Speaker 2>Marvel loves an outrageous acronym, as we know, so that'll

0:34:05.120 --> 0:34:06.320
<v Speaker 2>be very exciting to see.

0:34:06.480 --> 0:34:10.400
<v Speaker 1>So Fury's apparently on SABER, which is both a outer

0:34:10.560 --> 0:34:17.200
<v Speaker 1>space defense agency which Fury is basically spearheading, and the

0:34:17.320 --> 0:34:21.680
<v Speaker 1>name of the main outer space base that Fury has

0:34:21.719 --> 0:34:26.239
<v Speaker 1>been chilling on low these several past years. This is

0:34:26.280 --> 0:34:31.760
<v Speaker 1>obviously so they made Sword right, the Sentient Machine Research

0:34:31.840 --> 0:34:35.760
<v Speaker 1>Defense Organization and so now Saber is basically what Sword

0:34:35.960 --> 0:34:36.840
<v Speaker 1>was in the comics.

0:34:37.000 --> 0:34:40.000
<v Speaker 2>Yeah, exactly, That's basically how it feels.

0:34:39.880 --> 0:34:44.279
<v Speaker 1>Which is focused on aliens. Everett then says, well, Fury's

0:34:44.440 --> 0:34:47.200
<v Speaker 1>in space and I can't go to him with some

0:34:47.280 --> 0:34:49.880
<v Speaker 1>crazy theory unless you have evidence. In Prescott's like, okay,

0:34:50.280 --> 0:34:52.359
<v Speaker 1>look at this tablet. And he's got this tablet that

0:34:52.840 --> 0:34:56.920
<v Speaker 1>has these hologram videos and various charts and graphs on

0:34:56.960 --> 0:35:00.600
<v Speaker 1>it that apparently has Ross intrigued. And so he he's like, okay,

0:35:01.200 --> 0:35:03.879
<v Speaker 1>I will take this tablet to Fury and we'll see

0:35:03.880 --> 0:35:06.960
<v Speaker 1>what he says. And now Prescott is looking at Everett

0:35:07.040 --> 0:35:10.680
<v Speaker 1>Ross like are you a scroll? And he takes like

0:35:10.719 --> 0:35:13.600
<v Speaker 1>some rubber tubing and wraps it around everittt Ross's neck

0:35:13.680 --> 0:35:16.239
<v Speaker 1>and just starts choking him the fuck out because he's like,

0:35:16.280 --> 0:35:18.239
<v Speaker 1>you're a scroll and you're trying to steal my shit.

0:35:18.680 --> 0:35:21.279
<v Speaker 1>Ross shoots the man dead and then goes fleeing through

0:35:21.320 --> 0:35:23.600
<v Speaker 1>the dark and Russian streets, and he soon realizes that

0:35:23.680 --> 0:35:26.759
<v Speaker 1>someone's following him. He's radioing for an extraction team. The

0:35:26.840 --> 0:35:30.680
<v Speaker 1>chase goes across the rooftops and then Ross ends up

0:35:30.680 --> 0:35:33.319
<v Speaker 1>falling to the street like three four stories down.

0:35:33.400 --> 0:35:36.719
<v Speaker 2>Oh, it's really grim. It's like a brutal drop.

0:35:37.239 --> 0:35:41.960
<v Speaker 1>Very very far drop. His leg's clearly shattered. Maria Hill

0:35:42.080 --> 0:35:44.200
<v Speaker 1>arrives on the scene just then to find him there

0:35:44.280 --> 0:35:47.440
<v Speaker 1>laying on the ground, and then Ross's pursuer runs up.

0:35:47.480 --> 0:35:50.360
<v Speaker 1>She draws down on him. But guess what the pursuer

0:35:50.440 --> 0:35:53.760
<v Speaker 1>is Taylor's and Ross also a scroll.

0:35:54.200 --> 0:35:56.560
<v Speaker 2>Okay, this is the most important question I have for

0:35:56.600 --> 0:36:00.160
<v Speaker 2>you from this episode. Yeah. Yeah, was Ross always a scroll?

0:36:02.120 --> 0:36:04.520
<v Speaker 2>I don't think so from what they show us in

0:36:04.560 --> 0:36:07.279
<v Speaker 2>this episode and what we learn here, I was kind

0:36:07.280 --> 0:36:09.680
<v Speaker 2>of mad when this opening happened. One because it's it

0:36:09.719 --> 0:36:11.480
<v Speaker 2>would be a great reveal, but two because one of

0:36:11.520 --> 0:36:14.040
<v Speaker 2>my favorite things about Secret Invasion, which I talked last episode,

0:36:14.040 --> 0:36:16.319
<v Speaker 2>we always talked about is the sea Wakanda and Die,

0:36:16.320 --> 0:36:19.279
<v Speaker 2>which essentially establishes the idea that no scroll can get

0:36:19.320 --> 0:36:21.560
<v Speaker 2>into Wakanda. Yeah, so I was like, why they was

0:36:21.680 --> 0:36:24.239
<v Speaker 2>nullifying the power of Wakanda in the MCU. But then

0:36:24.239 --> 0:36:27.359
<v Speaker 2>I was like, I think this is a scroll. Who

0:36:27.440 --> 0:36:32.320
<v Speaker 2>to get this specific information took on the visage of Ross,

0:36:32.480 --> 0:36:35.320
<v Speaker 2>which means they must have captured Ross at some point.

0:36:35.600 --> 0:36:37.319
<v Speaker 1>Right they have Ross, We'll get to that.

0:36:37.640 --> 0:36:39.319
<v Speaker 2>I don't think that was a scroll who was in

0:36:39.360 --> 0:36:41.000
<v Speaker 2>Wakanda forever? What do you think?

0:36:41.440 --> 0:36:45.080
<v Speaker 1>I don't know, but I think that is highly possible because,

0:36:45.880 --> 0:36:48.720
<v Speaker 1>you know, a main plot point of almost every single

0:36:48.920 --> 0:36:53.560
<v Speaker 1>scroll centric story, and certainly the two versions of Secret Evasion,

0:36:53.560 --> 0:36:56.680
<v Speaker 1>which we talked about last episode mm hmm, always involves

0:36:56.760 --> 0:37:00.120
<v Speaker 1>the Scrolls coming up with some way that they can

0:37:00.160 --> 0:37:04.600
<v Speaker 1>no longer be detected. So in Secret Invasion one, you know,

0:37:04.680 --> 0:37:07.320
<v Speaker 1>all of a sudden, Wolverine couldn't smell them, magic couldn't

0:37:07.320 --> 0:37:11.800
<v Speaker 1>detect them, and Read Richards scroll detecting shit didn't work anymore.

0:37:11.840 --> 0:37:13.680
<v Speaker 1>And so like everybody's like, oh shit, the scrolls have

0:37:13.760 --> 0:37:17.719
<v Speaker 1>up their dame. In twenty twenty two's Secret Invasion, right

0:37:18.200 --> 0:37:20.840
<v Speaker 1>at the end of the first Secret Evasion, Read Richards

0:37:20.880 --> 0:37:24.400
<v Speaker 1>had come up with a updated, you know, new firmware

0:37:25.520 --> 0:37:29.920
<v Speaker 1>scull detector, right that was installed in like every government

0:37:30.480 --> 0:37:34.800
<v Speaker 1>base across the world, the CIA, the MI I six,

0:37:34.920 --> 0:37:38.439
<v Speaker 1>everybody had these, and of course like the Avengers, Fantastic four,

0:37:38.520 --> 0:37:41.560
<v Speaker 1>the X Men had these scroll detecting systems in their

0:37:42.280 --> 0:37:46.320
<v Speaker 1>you know, various installations. But guess what in that story

0:37:46.560 --> 0:37:49.880
<v Speaker 1>semi spoiler, the Scrolls have figured out how to not

0:37:49.920 --> 0:37:51.920
<v Speaker 1>be detective by that anymore, and they have to go

0:37:52.040 --> 0:37:56.040
<v Speaker 1>to like basically the method from John Carpenter's the thing

0:37:56.160 --> 0:37:59.399
<v Speaker 1>in which they take the blood in like microreas. So

0:38:00.080 --> 0:38:02.520
<v Speaker 1>I think it's very possible that the Scrolls have figured

0:38:02.520 --> 0:38:08.000
<v Speaker 1>out how to beat Wakandans skrall detection. And it makes

0:38:08.000 --> 0:38:11.759
<v Speaker 1>a lot of sense to me that it's a win

0:38:12.000 --> 0:38:17.960
<v Speaker 1>for Scroll agents to get access to Wakanda and be

0:38:18.440 --> 0:38:22.680
<v Speaker 1>involved with decision binging at the highest level of Wakandan government.

0:38:23.080 --> 0:38:28.720
<v Speaker 2>Also, if the Scroll rebellion as it is being shown

0:38:28.760 --> 0:38:33.240
<v Speaker 2>in this premiere is sick of like humans on Earth

0:38:33.280 --> 0:38:36.040
<v Speaker 2>and the way they've treated the Scroll refugees, that could

0:38:36.040 --> 0:38:42.240
<v Speaker 2>also explain why Everett Ross was surprisingly sympathetic and compassionate

0:38:42.800 --> 0:38:45.680
<v Speaker 2>to the Wakandans when everyone was like, who's this CIA agent?

0:38:45.719 --> 0:38:48.480
<v Speaker 2>Why would they care? Well, he turned on the American government,

0:38:48.520 --> 0:38:51.600
<v Speaker 2>he turned on his ex wife. This could explain it.

0:38:52.320 --> 0:38:54.880
<v Speaker 2>I like that, I like that, I like that reading.

0:38:55.320 --> 0:38:57.160
<v Speaker 1>I'll just say it's possible. I think it's very very

0:38:57.160 --> 0:39:00.400
<v Speaker 1>possible that he's been a Scroll potentially for several movies,

0:39:00.440 --> 0:39:05.879
<v Speaker 1>which would be so crazy elsewhere. I guess who's back

0:39:05.880 --> 0:39:07.560
<v Speaker 1>on Earth. Maybe it's Nick Fury.

0:39:07.360 --> 0:39:09.240
<v Speaker 2>Well, Nick feared. Why has he been?

0:39:09.719 --> 0:39:12.040
<v Speaker 1>He's been in Saber, he's been in space. A drop

0:39:12.160 --> 0:39:15.840
<v Speaker 1>ship lands in Russia and Nick Fury gets off. His

0:39:15.920 --> 0:39:21.360
<v Speaker 1>knee is a little balky. He's dressed very shabbily, I

0:39:21.360 --> 0:39:24.040
<v Speaker 1>think purposefully shabbily. He loves to do this when he

0:39:24.080 --> 0:39:26.040
<v Speaker 1>goes on the run, where a watchman's cap and like

0:39:26.080 --> 0:39:31.880
<v Speaker 1>a bedraggled like car coat, and he looks a little older.

0:39:32.040 --> 0:39:35.360
<v Speaker 1>And that's gonna be a major theme of this episode

0:39:35.360 --> 0:39:38.759
<v Speaker 1>and probably this series is has Nick lost his fastball?

0:39:39.239 --> 0:39:42.640
<v Speaker 1>Has Nick lost it? Nick goes to meet Taylors. We

0:39:42.760 --> 0:39:46.640
<v Speaker 1>learn that Taylos's partner Soren, has died off screen sometime

0:39:46.800 --> 0:39:48.480
<v Speaker 1>previous to this story.

0:39:48.239 --> 0:39:50.360
<v Speaker 2>As you do when you're a wife in the MCU

0:39:50.880 --> 0:39:53.239
<v Speaker 2>or in any Superherer story.

0:39:52.960 --> 0:39:54.760
<v Speaker 1>As you do when you're a wife in the MCU,

0:39:54.960 --> 0:40:00.400
<v Speaker 1>and as you do when you're an actor that somehow

0:40:00.680 --> 0:40:03.959
<v Speaker 1>didn't sign the five six, seven, eight nine picture deal

0:40:04.000 --> 0:40:06.840
<v Speaker 1>because they didn't think they need you, which is probably

0:40:06.920 --> 0:40:12.880
<v Speaker 1>what happened. Sorry to that son, Sorry to that soorin so,

0:40:13.280 --> 0:40:15.799
<v Speaker 1>Nick is like, I'm so sorry about Soren, And you

0:40:15.800 --> 0:40:18.239
<v Speaker 1>know how are you. And Taylors says that Soren was

0:40:18.280 --> 0:40:21.600
<v Speaker 1>apparently worried around the time of her death about a

0:40:21.680 --> 0:40:24.319
<v Speaker 1>thing that's happening right now, which is the rise of

0:40:24.920 --> 0:40:30.120
<v Speaker 1>scrull nationalism Scroll nationalist extremists who are like, hey, I'm

0:40:30.160 --> 0:40:33.319
<v Speaker 1>tired of Nick Feured dragging his feet for thirty five

0:40:33.400 --> 0:40:35.440
<v Speaker 1>years for us to get home world, and we're looking

0:40:35.440 --> 0:40:37.959
<v Speaker 1>to create something for ourselves right now. And the skull

0:40:38.040 --> 0:40:41.680
<v Speaker 1>nationalist is named Gravic, and apparently Nick Fury has some

0:40:41.760 --> 0:40:45.400
<v Speaker 1>history with Gravic, and of course Taylis does too. Apparently

0:40:45.520 --> 0:40:49.520
<v Speaker 1>Taylos's daughter Jia is part of Gravic's cause now, and

0:40:49.600 --> 0:40:53.360
<v Speaker 1>Taylos himself was kicked off the Scroll governing Council and

0:40:53.440 --> 0:40:56.960
<v Speaker 1>Gravic took his place, and his message is really resonating

0:40:57.000 --> 0:41:00.920
<v Speaker 1>with these disaffected Scroll youths who you know were born

0:41:01.680 --> 0:41:04.360
<v Speaker 1>during this time or shortly before the time of the

0:41:04.400 --> 0:41:08.799
<v Speaker 1>alliance with humans. And apparently Gravic is set up these

0:41:08.880 --> 0:41:12.880
<v Speaker 1>kind of like mini Scroll bases slash colonies in Russia,

0:41:12.920 --> 0:41:17.000
<v Speaker 1>because Russia has all of these decommissioned nuclear power plants

0:41:17.000 --> 0:41:21.560
<v Speaker 1>that are just like teeming with radiation. Think Chernobyl and

0:41:21.880 --> 0:41:25.120
<v Speaker 1>scrolls have no problem with that kind of radiation. They

0:41:25.160 --> 0:41:26.399
<v Speaker 1>just happily live there.

0:41:26.400 --> 0:41:27.920
<v Speaker 2>For those who are going to be looking for who's

0:41:27.920 --> 0:41:31.120
<v Speaker 2>a scroll? I feel like this feels like a good

0:41:31.200 --> 0:41:33.040
<v Speaker 2>test of like if you want to know who a

0:41:33.080 --> 0:41:35.080
<v Speaker 2>scroll is going to be in this world. Sadly, I

0:41:35.120 --> 0:41:37.360
<v Speaker 2>don't think we're going to get my pickle and strawberry

0:41:37.400 --> 0:41:39.360
<v Speaker 2>tell I was hoping for. This does not seem like

0:41:39.400 --> 0:41:43.160
<v Speaker 2>the comedic space for that. But I do think if

0:41:43.239 --> 0:41:46.279
<v Speaker 2>in future episodes of this sixth episode series, if you

0:41:46.360 --> 0:41:49.640
<v Speaker 2>see somebody who's chill with some radiation, who's a human

0:41:49.760 --> 0:41:51.560
<v Speaker 2>or doesn't seem to be wearing a mask or is

0:41:51.600 --> 0:41:54.640
<v Speaker 2>setting off a little Geiger counter or whatever, you're probably

0:41:54.640 --> 0:41:56.680
<v Speaker 2>looking at a scroll. I think this feels very much

0:41:56.760 --> 0:42:00.960
<v Speaker 2>like they're foreshadowing the importance of the idea that scrolls

0:42:01.000 --> 0:42:02.600
<v Speaker 2>are not impacted by radiation.

0:42:03.160 --> 0:42:08.919
<v Speaker 1>You ready for this? Elena? Oh, everybody from Russia. As

0:42:08.960 --> 0:42:12.680
<v Speaker 1>far as I am concerned, right now, Major Jor's suspect

0:42:12.840 --> 0:42:17.000
<v Speaker 1>from being a scroll. I'm talking Natasha, I'm talking every

0:42:17.080 --> 0:42:18.360
<v Speaker 1>I'm talking her old family.

0:42:18.640 --> 0:42:21.160
<v Speaker 2>We never saw her hit the ground when she drummed

0:42:21.160 --> 0:42:21.920
<v Speaker 2>a format.

0:42:22.400 --> 0:42:23.279
<v Speaker 1>We never saw it.

0:42:23.360 --> 0:42:27.520
<v Speaker 2>The gun I did serious though all of them.

0:42:27.640 --> 0:42:30.160
<v Speaker 4>Oh my gosh, the whole Red God that just scrawls,

0:42:30.400 --> 0:42:32.839
<v Speaker 4>the Green God, we need to think about it.

0:42:32.960 --> 0:42:35.239
<v Speaker 2>I would love to see Elena come back. So I'm

0:42:35.280 --> 0:42:39.640
<v Speaker 2>saying I like this as like the unexpectedify like everyone

0:42:39.680 --> 0:42:40.920
<v Speaker 2>who's Russian is a scrawl.

0:42:41.000 --> 0:42:48.160
<v Speaker 1>Now, Okay, So Prescott's intel was about what Gravih's plan is,

0:42:48.160 --> 0:42:51.600
<v Speaker 1>and apparently his plan is to foment a war between

0:42:51.800 --> 0:42:55.680
<v Speaker 1>the US and Russia by setting off dirty bombs, which

0:42:55.760 --> 0:42:58.399
<v Speaker 1>will then be blamed I guess on the US and

0:42:58.640 --> 0:43:04.080
<v Speaker 1>long term, Gravi wants to make the planet uninhabitable for humans.

0:43:04.640 --> 0:43:07.200
<v Speaker 1>Radiation would certainly do the trick, and then guess what

0:43:07.280 --> 0:43:10.680
<v Speaker 1>baby scrolls are riding high? We cut to Washington, d C.

0:43:10.840 --> 0:43:14.760
<v Speaker 1>Where James Roady Rhodes out of his suit, walking quite

0:43:14.920 --> 0:43:18.320
<v Speaker 1>well without any kind of seeming lasting effects.

0:43:17.960 --> 0:43:20.160
<v Speaker 2>Doesn't have his cool suit anymore or anything.

0:43:20.360 --> 0:43:24.960
<v Speaker 1>Is now an undefined high ranking member of it seems

0:43:25.000 --> 0:43:29.080
<v Speaker 1>like the Defense Department. He might be the National Security advisor.

0:43:28.680 --> 0:43:30.759
<v Speaker 2>He's walking for the President, who I'm gonna say is

0:43:30.800 --> 0:43:34.640
<v Speaker 2>definitely a scroll. Listen, just want to put out them

0:43:34.680 --> 0:43:37.800
<v Speaker 2>like I'm like one hundred percent short, dumb at mulroney,

0:43:37.800 --> 0:43:39.360
<v Speaker 2>one of my all time favorite actors.

0:43:39.440 --> 0:43:41.880
<v Speaker 1>I'm pretty sure you're a Scarborough just putting out that.

0:43:42.239 --> 0:43:46.040
<v Speaker 1>So he's like, he updates the President Dermot mulroney, President

0:43:46.080 --> 0:43:51.439
<v Speaker 1>Mulroney that Nick Fury is a wall from Saber. Nick

0:43:51.440 --> 0:43:54.279
<v Speaker 1>Fury was not allowed to leave Saber the base and

0:43:54.320 --> 0:43:58.640
<v Speaker 1>he has left, and more worryingly, right before he left,

0:43:58.640 --> 0:44:01.360
<v Speaker 1>he got an encrypted message from his old, oh pal

0:44:01.840 --> 0:44:06.360
<v Speaker 1>fucking collaborator, Maria Hill. You can't trust those two together,

0:44:07.080 --> 0:44:09.800
<v Speaker 1>and who knows what they're up to, and so Potus

0:44:09.880 --> 0:44:12.520
<v Speaker 1>is just like, deal with it. That's all he says,

0:44:12.600 --> 0:44:13.400
<v Speaker 1>is deal with it.

0:44:13.560 --> 0:44:15.960
<v Speaker 2>This is another question I have off this episode, right,

0:44:16.000 --> 0:44:19.160
<v Speaker 2>So like, yeah, poor old Nick Fury, ann Marie Hill.

0:44:19.320 --> 0:44:21.800
<v Speaker 2>So these two us still working for the American government

0:44:21.960 --> 0:44:24.920
<v Speaker 2>off the Shield was revealed to be Nazis for like

0:44:25.280 --> 0:44:25.960
<v Speaker 2>sixty years.

0:44:26.120 --> 0:44:27.600
<v Speaker 1>Seems like a major failure.

0:44:27.800 --> 0:44:31.400
<v Speaker 2>Seems like a failure. I'm like, bro, Saber, Sam, I

0:44:31.960 --> 0:44:34.239
<v Speaker 2>felt like Nick kind of set that up with the scrolls,

0:44:34.239 --> 0:44:36.680
<v Speaker 2>like it was his own thing, like he'd learn his lesson.

0:44:36.840 --> 0:44:39.440
<v Speaker 2>And now I'm like, the President's in charge of this.

0:44:39.440 --> 0:44:40.719
<v Speaker 2>This seems like a mistake.

0:44:41.080 --> 0:44:44.080
<v Speaker 1>Doesn't that track isn't that one of the most realistic

0:44:44.160 --> 0:44:46.680
<v Speaker 1>things about about the MCU.

0:44:47.000 --> 0:44:51.040
<v Speaker 4>This tracks so much because you're right, because they fell

0:44:51.080 --> 0:44:53.440
<v Speaker 4>for it with Shield in the Nazis and now they

0:44:53.520 --> 0:44:55.839
<v Speaker 4>fell for it with Saber and the Scroll, so you're right.

0:44:55.880 --> 0:44:59.879
<v Speaker 4>Actually one hundred percent makes sense, great storytelling, great foreshadowing.

0:45:00.320 --> 0:45:04.040
<v Speaker 1>Back in Russia, Fury is just out for a walk.

0:45:04.600 --> 0:45:08.279
<v Speaker 1>Taylor's is like, you're a black guy in Moscow at night.

0:45:08.480 --> 0:45:11.360
<v Speaker 1>Like's gonna be looking at you, noticing you, and he's like,

0:45:11.360 --> 0:45:14.279
<v Speaker 1>don't worry about it, don't do it. Clearly Fury is

0:45:14.320 --> 0:45:16.680
<v Speaker 1>looking to provoke a reaction. He gets it. He's scooped

0:45:16.760 --> 0:45:19.759
<v Speaker 1>up by some black ops team and he's taken to

0:45:19.800 --> 0:45:23.799
<v Speaker 1>meet Sonya and m I six big Shot, who is

0:45:23.880 --> 0:45:27.240
<v Speaker 1>also trying to quash the Nascent Scroll rebellion. As Sonya,

0:45:27.280 --> 0:45:29.560
<v Speaker 1>of course, as we mentioned, played by Olivia Coleman, and

0:45:29.600 --> 0:45:31.520
<v Speaker 1>it's like a ray of sunshine. As soon as she

0:45:31.680 --> 0:45:34.160
<v Speaker 1>arrives in the show, it's like what.

0:45:34.320 --> 0:45:40.160
<v Speaker 2>If Mary Poppins was a nightmarish spy master. She brings

0:45:40.239 --> 0:45:44.600
<v Speaker 2>the energy wonderful that she had in Peep Show. Somehow,

0:45:44.880 --> 0:45:47.960
<v Speaker 2>it's just it's so good for me. This was the

0:45:48.000 --> 0:45:50.400
<v Speaker 2>moment that the show like lit. I want to see

0:45:50.520 --> 0:45:54.400
<v Speaker 2>her and Sam together are so brilliant, Like I almost

0:45:54.400 --> 0:45:57.000
<v Speaker 2>want this to be a two hander that focuses on them,

0:45:57.040 --> 0:46:00.360
<v Speaker 2>and I hope we get more because it just doesn't

0:46:00.440 --> 0:46:03.960
<v Speaker 2>change the tone. The show is inherently grim and gritty.

0:46:04.080 --> 0:46:06.040
<v Speaker 2>That's just where we're at, and I'm accepting it because

0:46:06.080 --> 0:46:09.120
<v Speaker 2>the original Secret Invasion comic was so bombastic and silly

0:46:09.160 --> 0:46:11.360
<v Speaker 2>and out there, and I know that's not what we're getting.

0:46:11.480 --> 0:46:14.799
<v Speaker 2>But this moment brings so much light and fun and

0:46:14.840 --> 0:46:18.120
<v Speaker 2>their banter and their chemistry. I definitely felt I was like,

0:46:18.440 --> 0:46:21.759
<v Speaker 2>is this gonna be that relationship that Nick has in

0:46:21.840 --> 0:46:25.520
<v Speaker 2>his past, because obviously in the comics that's Valentina, you know,

0:46:25.560 --> 0:46:27.520
<v Speaker 2>and they changed that here and made her ever At

0:46:27.520 --> 0:46:30.000
<v Speaker 2>Cross's ex wife, So I was like, maybe these two

0:46:30.040 --> 0:46:33.319
<v Speaker 2>are that weird like Spymaster Romance. I just thought they

0:46:33.320 --> 0:46:36.480
<v Speaker 2>were so good together, and she is. She's this great mix.

0:46:36.280 --> 0:46:38.000
<v Speaker 1>Of like, yeah, she's fantastic.

0:46:38.120 --> 0:46:40.040
<v Speaker 2>Would make you a cup of tea, but it definitely

0:46:40.120 --> 0:46:41.919
<v Speaker 2>has arsenic in it, but you'd still want to drink

0:46:41.920 --> 0:46:46.920
<v Speaker 2>the tea. Like it's this cozy cruelty, this Mary Poppins

0:46:47.280 --> 0:46:49.560
<v Speaker 2>Hannibal Lecter. I don't know she was just I love

0:46:49.600 --> 0:46:52.319
<v Speaker 2>her so much in everything, but she is so good.

0:46:52.239 --> 0:46:55.440
<v Speaker 1>This episode and potentially this series seems very influenced by

0:46:55.440 --> 0:46:59.480
<v Speaker 1>the First Mission Impossible movie. Yes, and you know, Olivia

0:46:59.520 --> 0:47:03.600
<v Speaker 1>Coleman Sonya reminds me so much of Max, the kind

0:47:03.640 --> 0:47:05.440
<v Speaker 1>of like independent.

0:47:05.040 --> 0:47:06.920
<v Speaker 2>Oh that's a really good call.

0:47:07.000 --> 0:47:12.359
<v Speaker 1>Intelligence broker that is like constantly flirting and charming and

0:47:12.400 --> 0:47:16.320
<v Speaker 1>cajoling everybody around her in this wonderful, like light touch

0:47:16.480 --> 0:47:19.719
<v Speaker 1>way that kind of belies the seriousness of what she's doing.

0:47:19.800 --> 0:47:22.560
<v Speaker 1>And that's kind of Olivia Coleman move here, and it's

0:47:22.560 --> 0:47:23.560
<v Speaker 1>wonderful man.

0:47:23.920 --> 0:47:27.240
<v Speaker 2>First Mission Impossible movie, What a movie. Brian de Palmer

0:47:27.360 --> 0:47:28.160
<v Speaker 2>loved that movie.

0:47:28.400 --> 0:47:31.080
<v Speaker 1>Wonderful movie. And a lot of the kind of looks

0:47:31.120 --> 0:47:35.399
<v Speaker 1>and paranoia engines that are used here. The way Nick

0:47:35.800 --> 0:47:39.240
<v Speaker 1>notices people staring at him on the street, a romantic

0:47:39.280 --> 0:47:42.799
<v Speaker 1>couple m you know, the woman they're kissing, but then

0:47:42.840 --> 0:47:44.799
<v Speaker 1>the woman like looks at him out of the corner

0:47:44.840 --> 0:47:47.640
<v Speaker 1>of her eye, and it just all of these moves

0:47:47.640 --> 0:47:50.399
<v Speaker 1>are straight out of Mission Impossible one.

0:47:50.680 --> 0:47:54.120
<v Speaker 2>That's such a brilliant call as well, because what does

0:47:54.160 --> 0:47:56.359
<v Speaker 2>Mission Impossible have that's such a key part of that

0:47:56.400 --> 0:47:58.640
<v Speaker 2>first film, and then takes on that technology. Is that

0:47:58.719 --> 0:48:01.560
<v Speaker 2>technology where you can wear a ma that changes your face.

0:48:01.360 --> 0:48:05.040
<v Speaker 3>The mask the masks, maybe right, and that is essentially scrolls,

0:48:05.440 --> 0:48:07.759
<v Speaker 3>because the scrolls can change whoever they are, and that

0:48:07.880 --> 0:48:10.720
<v Speaker 3>is more what we're seeing here is the Scrolls almost

0:48:10.800 --> 0:48:14.880
<v Speaker 3>using it as like a mister Smith esque matrix technology,

0:48:15.200 --> 0:48:16.480
<v Speaker 3>where it doesn't work that way.

0:48:16.520 --> 0:48:18.959
<v Speaker 2>They still have to kidnap the humans. But yeah, they're

0:48:19.000 --> 0:48:22.759
<v Speaker 2>not necessarily instilled in that deep cover way that we

0:48:22.880 --> 0:48:25.400
<v Speaker 2>expected them to be from the comics. This seems a

0:48:25.400 --> 0:48:28.960
<v Speaker 2>little bit more like a newer invention, a newer idea

0:48:29.000 --> 0:48:31.800
<v Speaker 2>that they're doing. And it is kind of that mask,

0:48:31.920 --> 0:48:33.640
<v Speaker 2>you know, it's just when you need it. But yeah,

0:48:33.640 --> 0:48:34.360
<v Speaker 2>she's so good.

0:48:34.760 --> 0:48:39.520
<v Speaker 1>So Nick wants to know if Sonya knows anything about

0:48:39.840 --> 0:48:44.280
<v Speaker 1>this raid in cozakh Stan in which nuclear material was stolen,

0:48:44.440 --> 0:48:47.600
<v Speaker 1>and she says she doesn't know anything about it, and

0:48:47.640 --> 0:48:53.880
<v Speaker 1>she also says, very pointedly, one hinting at Nick's previous

0:48:54.000 --> 0:48:57.560
<v Speaker 1>relationship with Gravic, that she thinks that Nick is in

0:48:57.600 --> 0:49:02.440
<v Speaker 1>part responsible for Gravits rise, and furthermore, she thinks that

0:49:02.520 --> 0:49:05.040
<v Speaker 1>Nick shouldn't be involved in this look at you. You're limping,

0:49:05.560 --> 0:49:08.200
<v Speaker 1>you can barely walk around. You're older, you've been in space,

0:49:08.239 --> 0:49:09.960
<v Speaker 1>you lost a step. You don't know what's going on.

0:49:10.239 --> 0:49:13.520
<v Speaker 2>Everyone's saying that to Nick in this story. He's tie it,

0:49:13.600 --> 0:49:15.640
<v Speaker 2>and that will telling him you at to tie it.

0:49:15.760 --> 0:49:18.680
<v Speaker 2>You're not up to this, and they might be right.

0:49:19.160 --> 0:49:20.439
<v Speaker 2>They might be right.

0:49:21.120 --> 0:49:23.760
<v Speaker 1>Nick is like, okay, fine, well listen. If you hear anything,

0:49:24.120 --> 0:49:26.160
<v Speaker 1>let me know. I'm going for a walk again. We

0:49:26.280 --> 0:49:30.000
<v Speaker 1>go to somewhere in the forest, you know, probably like

0:49:30.200 --> 0:49:35.240
<v Speaker 1>around a nuclear power plant. Just guessing, just guessing, scrolling

0:49:35.360 --> 0:49:38.400
<v Speaker 1>human form walks up to the gates. He's looking for

0:49:38.640 --> 0:49:41.480
<v Speaker 1>quote home in my own skin, which is like the

0:49:41.640 --> 0:49:47.120
<v Speaker 1>pass code, right yea passphrase for Gravis organization. And he

0:49:47.280 --> 0:49:51.000
<v Speaker 1>is met bybe Gia Taylos's daughter, who welcomes him to

0:49:51.200 --> 0:49:55.800
<v Speaker 1>New Scrollos. And she's got great news for this scroll,

0:49:56.000 --> 0:50:00.359
<v Speaker 1>whose name is Beato. Everything here in New Scrollos is

0:50:00.440 --> 0:50:04.839
<v Speaker 1>like one hundred percent by scrolls. Four scrolls. We got

0:50:04.880 --> 0:50:08.959
<v Speaker 1>scroll produce, natural scroll, we got scroll wine, we got

0:50:09.000 --> 0:50:10.000
<v Speaker 1>scroll drinks.

0:50:10.120 --> 0:50:12.359
<v Speaker 2>Here's a weird scroll fruit. Enjoy it.

0:50:12.520 --> 0:50:17.080
<v Speaker 1>All the stuff you loved as a natural born scroll

0:50:17.440 --> 0:50:20.440
<v Speaker 1>growing up. You can enjoy once again. And as you mentioned,

0:50:20.719 --> 0:50:22.799
<v Speaker 1>like look in the glove box and there's like this

0:50:22.840 --> 0:50:27.479
<v Speaker 1>big scrull like egg blands that Beto just bites into

0:50:27.560 --> 0:50:29.600
<v Speaker 1>and is obviously so delighted to be at.

0:50:29.719 --> 0:50:33.120
<v Speaker 2>It's like Neon blue. It looks terrible, but he loves it.

0:50:33.320 --> 0:50:35.880
<v Speaker 1>He loves it. We learned that there's about five hundred

0:50:35.920 --> 0:50:38.640
<v Speaker 1>scrolls living here right now, and it certainly looks very

0:50:38.640 --> 0:50:41.000
<v Speaker 1>populated than they look to be of all ages, their

0:50:41.040 --> 0:50:46.319
<v Speaker 1>adults kids. Geo then recruits Beido basically to work as

0:50:46.360 --> 0:50:48.400
<v Speaker 1>an agent for Gravic to work in the field. A

0:50:48.480 --> 0:50:52.360
<v Speaker 1>warrior they call them, and warriors. The thing with warriors

0:50:52.520 --> 0:50:54.440
<v Speaker 1>is they have to stay in human forms so that

0:50:54.480 --> 0:50:59.799
<v Speaker 1>they can more effectively pass as human and we learned

0:50:59.800 --> 0:51:03.040
<v Speaker 1>that they call these human formed shells, and the shells

0:51:03.160 --> 0:51:08.120
<v Speaker 1>required by horrifically kidnapping people. The scroll then gets the

0:51:08.239 --> 0:51:12.319
<v Speaker 1>physical attributes and then immediately transforms. The memories of the

0:51:12.360 --> 0:51:16.040
<v Speaker 1>person are then extracted using some kind of skull technology

0:51:16.080 --> 0:51:18.080
<v Speaker 1>and implanted in the scroll so they know all the

0:51:18.120 --> 0:51:20.880
<v Speaker 1>things that the person knows, and then the person is

0:51:20.960 --> 0:51:26.640
<v Speaker 1>kept in this kind of horrific stasis prison where we

0:51:26.760 --> 0:51:30.320
<v Speaker 1>would imagine that Everett Ross is somewhere in this prison.

0:51:30.680 --> 0:51:34.920
<v Speaker 2>Yes, more than likely. And it's a very interesting an

0:51:34.960 --> 0:51:38.000
<v Speaker 2>hilarious reveal because it's like, oh, they stay in human form.

0:51:38.120 --> 0:51:41.440
<v Speaker 2>It's including Amelia Clarke. Of course she does. That's Emilia Clark.

0:51:41.480 --> 0:51:43.279
<v Speaker 2>You want how to be in her for you want

0:51:43.320 --> 0:51:44.279
<v Speaker 2>how to look like that.

0:51:44.560 --> 0:51:46.200
<v Speaker 1>We paid a lot of money for Amelia Clark.

0:51:46.239 --> 0:51:48.320
<v Speaker 2>But yeah, this is very interesting. We meet some other scrolls.

0:51:48.440 --> 0:51:51.720
<v Speaker 2>If you are a fan of the Secret Invasion comic books,

0:51:51.760 --> 0:51:54.919
<v Speaker 2>you may have been like, oh, Pagan, that's a big deal.

0:51:55.000 --> 0:51:58.239
<v Speaker 2>That's like the biggest you know, character that we've met

0:51:58.280 --> 0:52:00.600
<v Speaker 2>so far from the comics and the comics. He's Queen

0:52:00.680 --> 0:52:06.040
<v Speaker 2>Varanke's lover and also most famously, he was Elektra for

0:52:06.080 --> 0:52:09.160
<v Speaker 2>a very long time in the Marvel universe, a very

0:52:09.200 --> 0:52:10.000
<v Speaker 2>fucking long time.

0:52:10.120 --> 0:52:16.279
<v Speaker 1>Have very long time since maybe nineteen eighty two, eighty three.

0:52:16.719 --> 0:52:19.360
<v Speaker 2>Yeah, like I'm saying, look in my brain, my brain's

0:52:19.400 --> 0:52:22.880
<v Speaker 2>immediately like, whoa Pagan. He replaced the Elektra and he

0:52:22.920 --> 0:52:26.439
<v Speaker 2>was ultimately killed by Echo Myolopez. So you know, maybe

0:52:26.440 --> 0:52:28.239
<v Speaker 2>he's gonna become Electra and then he's gonna be in

0:52:28.280 --> 0:52:30.640
<v Speaker 2>the Dead Devil Show. And then you know, Myelopas is

0:52:30.640 --> 0:52:32.840
<v Speaker 2>gonna kill him. That is what my theory brain says.

0:52:32.960 --> 0:52:34.640
<v Speaker 2>I'm just gonna tell you that's not gonna happen. That

0:52:34.760 --> 0:52:36.920
<v Speaker 2>is not a we were right. Yeah, this is pagan,

0:52:37.320 --> 0:52:39.360
<v Speaker 2>you know. I think he's played by Killian Scott. I

0:52:39.360 --> 0:52:41.760
<v Speaker 2>think he's gonna be a more grounded kind of Henchy

0:52:41.960 --> 0:52:44.719
<v Speaker 2>For Gravic, we've had no inklings of Varanki yet, but

0:52:44.719 --> 0:52:46.200
<v Speaker 2>it will be interesting to see where it goes. And

0:52:46.239 --> 0:52:48.240
<v Speaker 2>it's fun to see them do that thing they've started

0:52:48.239 --> 0:52:50.279
<v Speaker 2>to do in the MCU TV more where they put

0:52:50.320 --> 0:52:52.120
<v Speaker 2>in a name there that makes you think it could

0:52:52.160 --> 0:52:54.760
<v Speaker 2>be something. But that was a fun one. So yeah, Gravic,

0:52:54.840 --> 0:52:55.480
<v Speaker 2>he's been busy.

0:52:55.520 --> 0:52:56.840
<v Speaker 1>He's been very very busy.

0:52:57.080 --> 0:53:00.560
<v Speaker 2>This is a very big setup he has going, and

0:53:00.560 --> 0:53:02.560
<v Speaker 2>they're not treating humans particularly well.

0:53:02.760 --> 0:53:05.120
<v Speaker 1>No, it's very very scary. Back at the safe house,

0:53:05.960 --> 0:53:08.840
<v Speaker 1>Taylor's Hill and Fury watch a video feed from a

0:53:08.880 --> 0:53:13.920
<v Speaker 1>bug that Fury very smartly planted in Sonya's office, and

0:53:13.960 --> 0:53:19.440
<v Speaker 1>they watch her just ripping an underling two absolute fucking

0:53:19.560 --> 0:53:23.359
<v Speaker 1>shreds for not being up to snuff on various things

0:53:23.360 --> 0:53:27.319
<v Speaker 1>that she's asking for. And through this proloined conversation, they

0:53:27.400 --> 0:53:30.480
<v Speaker 1>learn that there is this chech and rebel named Vasilli,

0:53:31.080 --> 0:53:35.080
<v Speaker 1>who Sonya thinks is probably the best bet for the

0:53:35.120 --> 0:53:40.440
<v Speaker 1>person the Scrolls are using to acquire the bombs, the

0:53:40.480 --> 0:53:42.920
<v Speaker 1>bomb material, and to assemble the bombs that they want

0:53:42.960 --> 0:53:45.359
<v Speaker 1>to use in their mission. So Fury is like, great,

0:53:45.440 --> 0:53:48.200
<v Speaker 1>we have a target. Let's go after Verssilli. Fury wants

0:53:48.239 --> 0:53:53.560
<v Speaker 1>to find Gravic before Sonya's people do, and he thinks

0:53:53.680 --> 0:53:56.600
<v Speaker 1>is very important. He stresses as Taylos because listen, here's

0:53:56.680 --> 0:54:01.399
<v Speaker 1>the difference between me and Sonya. I love cooperating. One

0:54:01.400 --> 0:54:04.520
<v Speaker 1>of the cool things about the Tailos Fury relationship is

0:54:04.560 --> 0:54:06.840
<v Speaker 1>you can really tell that they are close.

0:54:07.200 --> 0:54:09.360
<v Speaker 2>It feels like they've been friends for that years.

0:54:09.880 --> 0:54:13.920
<v Speaker 1>It does there's a real, like deep emotional bond.

0:54:14.239 --> 0:54:15.759
<v Speaker 2>Mendelssohn and Jackson sell it.

0:54:15.880 --> 0:54:19.640
<v Speaker 1>They sell it really well. But Sonya, on the other hand,

0:54:20.120 --> 0:54:22.759
<v Speaker 1>she just has no personal connections with scrolls and she

0:54:23.480 --> 0:54:27.720
<v Speaker 1>would personally like to see all scrolls off of Earth gone.

0:54:28.000 --> 0:54:32.400
<v Speaker 1>And you get the inkling that she's not really that

0:54:32.560 --> 0:54:35.719
<v Speaker 1>picky about how we do it, like she just wants

0:54:35.760 --> 0:54:40.320
<v Speaker 1>them gone. So it's very important that they find Gravic.

0:54:40.600 --> 0:54:44.560
<v Speaker 1>Nick stresses, because we're gonna want to smooth things over

0:54:44.760 --> 0:54:47.880
<v Speaker 1>with the scrolls that we can bring back onto our side.

0:54:48.200 --> 0:54:52.560
<v Speaker 1>So news that Fury is on Earth reaches Gravic. Gravic

0:54:52.640 --> 0:54:56.080
<v Speaker 1>is semi concerned. Gia is then sent to make the

0:54:56.120 --> 0:54:59.000
<v Speaker 1>deal with Vassili for the bomb. She finds Vassili at

0:54:59.040 --> 0:55:01.319
<v Speaker 1>his art studio. The deal walks away. At the bomb,

0:55:01.760 --> 0:55:04.640
<v Speaker 1>Fury and Taylos are just a few minutes late. They

0:55:04.680 --> 0:55:07.800
<v Speaker 1>do a bad cop bad cop in which Nick Fury

0:55:07.840 --> 0:55:12.360
<v Speaker 1>threatens to like shoot all of Vasily's belongings, and Taylo's

0:55:12.440 --> 0:55:14.400
<v Speaker 1>just decides, well, I'm going to kick the shit out

0:55:14.440 --> 0:55:21.160
<v Speaker 1>of you. But fucking surprise, Vasily is a scroll also, uh,

0:55:21.160 --> 0:55:24.480
<v Speaker 1>And they really have it out, with Taylo's telling Nick

0:55:24.520 --> 0:55:26.480
<v Speaker 1>you can't get involved, don't get involved. Let me deal

0:55:26.520 --> 0:55:26.799
<v Speaker 1>with this.

0:55:27.040 --> 0:55:28.319
<v Speaker 2>Yeah, just let me deal with it.

0:55:28.560 --> 0:55:31.200
<v Speaker 1>Let me do it. But then Taylos is kind of

0:55:31.200 --> 0:55:33.800
<v Speaker 1>getting his ass kicked, and so Nick has to shoot

0:55:33.920 --> 0:55:36.920
<v Speaker 1>the scroll that was pretending to be Vassilly and Taylo's

0:55:37.560 --> 0:55:41.000
<v Speaker 1>who's clearly dealing with a lot of complex emotions about

0:55:41.719 --> 0:55:46.160
<v Speaker 1>betraying his people and collaborating with humans and the fact

0:55:46.160 --> 0:55:48.480
<v Speaker 1>that his family's been torn apart by this, his wife's

0:55:48.480 --> 0:55:52.200
<v Speaker 1>been murdered, and now here he is fighting a scroll

0:55:52.640 --> 0:55:56.160
<v Speaker 1>who maybe he was saying, don't get involved so that

0:55:56.239 --> 0:55:58.279
<v Speaker 1>he could take the scroll in alive, and now the

0:55:58.280 --> 0:56:00.479
<v Speaker 1>scroll has been murdered by a human while he was there.

0:56:00.960 --> 0:56:04.200
<v Speaker 2>Yeah, it feels definitely to me like they're setting up

0:56:04.239 --> 0:56:08.720
<v Speaker 2>a potential conflict or split here with the loyalty between

0:56:09.200 --> 0:56:14.080
<v Speaker 2>Telos and the feelings he has towards Nick, but also

0:56:14.239 --> 0:56:17.359
<v Speaker 2>his relationship with his daughter and that moment where he's

0:56:17.440 --> 0:56:21.000
<v Speaker 2>devastated that Nick Fury shot this scroll and killed him.

0:56:21.200 --> 0:56:23.799
<v Speaker 2>That feels like it could be a crack that may

0:56:24.080 --> 0:56:26.960
<v Speaker 2>turn into a chasm. Obviously, what Graphic is doing is

0:56:27.000 --> 0:56:31.239
<v Speaker 2>horrific and needs to be stopped, but you would imagine

0:56:31.360 --> 0:56:35.279
<v Speaker 2>that there's no way it feels good for Tailos to

0:56:35.400 --> 0:56:39.160
<v Speaker 2>have his native people tell him that he has sold

0:56:39.160 --> 0:56:42.160
<v Speaker 2>them out. Yeah, and also as well, I think this

0:56:42.320 --> 0:56:45.319
<v Speaker 2>was always going to be a problem that came with

0:56:45.520 --> 0:56:48.360
<v Speaker 2>the representation that they chose to do of the scrolls,

0:56:48.360 --> 0:56:50.600
<v Speaker 2>which in Captain Marvel was this idea that they were

0:56:50.640 --> 0:56:53.720
<v Speaker 2>these kind of like peaceful refugees. In the Marvel comics,

0:56:53.719 --> 0:56:57.000
<v Speaker 2>they are generally like your go to bad villains, who

0:56:57.040 --> 0:56:58.520
<v Speaker 2>aren't you know, human.

0:56:58.320 --> 0:57:01.120
<v Speaker 1>Nazis an empire. Yeah, they're an empire.

0:57:00.800 --> 0:57:03.239
<v Speaker 2>And there are obviously people within the Scroll Empire who

0:57:03.280 --> 0:57:06.160
<v Speaker 2>are good people. It's a complex, nuanced thing. But to

0:57:06.280 --> 0:57:10.880
<v Speaker 2>introduce them as essentially refugees of a war and then

0:57:11.280 --> 0:57:13.520
<v Speaker 2>in now have to establish the idea that some of

0:57:13.520 --> 0:57:16.560
<v Speaker 2>those refugees are terrorists. This was always going to be

0:57:16.600 --> 0:57:20.320
<v Speaker 2>a hard play, I think, and it's going to be

0:57:20.320 --> 0:57:23.320
<v Speaker 2>interesting to see how they build it out. Obviously they're

0:57:23.360 --> 0:57:26.320
<v Speaker 2>lucky because Kingsley Benneddet is like an incredibly talented actor,

0:57:26.400 --> 0:57:28.520
<v Speaker 2>so I'm sure Gravic is going to bring a lot

0:57:28.520 --> 0:57:31.960
<v Speaker 2>of gravitass to this role. But yeah, I always think

0:57:32.000 --> 0:57:35.160
<v Speaker 2>that was going to be a hard thing to sell,

0:57:35.240 --> 0:57:37.640
<v Speaker 2>and the route that they're going is definitely the more

0:57:37.800 --> 0:57:40.520
<v Speaker 2>serious and complex take on.

0:57:40.480 --> 0:57:43.480
<v Speaker 1>It, which I like. So I should mention that while

0:57:44.280 --> 0:57:47.920
<v Speaker 1>Nick and Tailos were going to see Vasilly Hill was

0:57:48.000 --> 0:57:50.080
<v Speaker 1>out in the car and she happens to see Geo

0:57:50.160 --> 0:57:52.840
<v Speaker 1>walking past, so she follows down to a tunnel and

0:57:52.880 --> 0:57:55.520
<v Speaker 1>the two fight, but Scrolls are way stronger than humans,

0:57:55.520 --> 0:58:00.440
<v Speaker 1>so he'll kind of get her clock cleaned and goes

0:58:00.440 --> 0:58:03.919
<v Speaker 1>on the run, with Taylos following right behind. The father

0:58:03.960 --> 0:58:07.480
<v Speaker 1>and daughter confront each other. Gia doesn't want to hand

0:58:07.480 --> 0:58:10.600
<v Speaker 1>over the bomb. Taylos is like, well, this is a

0:58:10.640 --> 0:58:12.520
<v Speaker 1>really weird way to tell you this, but I have

0:58:12.560 --> 0:58:16.760
<v Speaker 1>some news. Your mother is dead. Her last words were fine, Gia,

0:58:17.160 --> 0:58:19.520
<v Speaker 1>which is again a crazy way to learn that your

0:58:19.560 --> 0:58:21.960
<v Speaker 1>mom died. And then Taylos is like, can we just

0:58:22.000 --> 0:58:24.720
<v Speaker 1>like talk and Gia rebuffs him and she goes on

0:58:24.720 --> 0:58:28.200
<v Speaker 1>the run. Fury goes to a bar where he meets

0:58:28.240 --> 0:58:31.320
<v Speaker 1>Hill and they finally have a talk that they should

0:58:31.320 --> 0:58:35.960
<v Speaker 1>have had probably two days prior, where she gets to

0:58:36.000 --> 0:58:37.840
<v Speaker 1>ask him, you know, why did you leave Saber and

0:58:37.880 --> 0:58:41.320
<v Speaker 1>he's like, well, one, you called me, and two because

0:58:41.360 --> 0:58:43.840
<v Speaker 1>I was having a crisis of faith and that crisis

0:58:43.840 --> 0:58:45.880
<v Speaker 1>of faith carried over to my work at Saber. And

0:58:45.920 --> 0:58:50.520
<v Speaker 1>then he clearly feels a responsibility to the Scrolls and

0:58:50.560 --> 0:58:53.520
<v Speaker 1>to Taylos, and his inability to follow through in a

0:58:53.560 --> 0:58:58.120
<v Speaker 1>homeland for them is kind of a major factor in

0:58:58.360 --> 0:59:02.360
<v Speaker 1>what's going on right now in a really significant way.

0:59:03.560 --> 0:59:05.880
<v Speaker 1>And he'll says, well, listen, I only called you because

0:59:05.960 --> 0:59:06.960
<v Speaker 1>Taylos wanted Jesus.

0:59:07.000 --> 0:59:07.880
<v Speaker 2>I didn't want you here.

0:59:08.480 --> 0:59:10.720
<v Speaker 1>I didn't want you here because guess what, you're not

0:59:10.800 --> 0:59:12.840
<v Speaker 1>ready for this, Fury, you were never the same after

0:59:12.880 --> 0:59:17.040
<v Speaker 1>the blip, she says, agreeing though she doesn't know it

0:59:17.040 --> 0:59:21.240
<v Speaker 1>with Sonya, and again you have to wonder if she's right.

0:59:21.400 --> 0:59:25.200
<v Speaker 1>We then see Fury late at night, like reliving the

0:59:25.280 --> 0:59:28.760
<v Speaker 1>moment of the blip, his hand turning to ash, eventually

0:59:28.800 --> 0:59:31.000
<v Speaker 1>his whole body turning to ash as he drifts away.

0:59:31.200 --> 0:59:34.000
<v Speaker 2>I'm very interested in this, actually, Taylos. You know he

0:59:34.120 --> 0:59:37.440
<v Speaker 2>keeps telling Fury, you disappeared, You disappeared. You know you

0:59:37.440 --> 0:59:43.160
<v Speaker 2>would never say so does Maria Hill. She knows he

0:59:43.240 --> 0:59:45.880
<v Speaker 2>got blipped, right, so he was gone for five years

0:59:46.000 --> 0:59:47.960
<v Speaker 2>then and then he went up to say, but I

0:59:48.000 --> 0:59:51.320
<v Speaker 2>feel like people are not really like giving Nick Altt

0:59:51.520 --> 0:59:53.760
<v Speaker 2>like enough credit for the fact, you know, he was blipped,

0:59:53.760 --> 0:59:56.480
<v Speaker 2>and then like you know, the wild was saved and

0:59:56.560 --> 0:59:59.520
<v Speaker 2>everyone got unblipped, and then he's up in space trying

0:59:59.520 --> 1:00:01.960
<v Speaker 2>to protect everyone's like, where have you been? Is that?

1:00:02.000 --> 1:00:04.840
<v Speaker 2>Where was half the world? They got blipped? And now

1:00:04.880 --> 1:00:05.840
<v Speaker 2>he's up in space.

1:00:06.240 --> 1:00:08.880
<v Speaker 1>I kind of perceived this as, yes, of course Nick

1:00:08.880 --> 1:00:10.840
<v Speaker 1>got blipped, but the fact that as soon as you

1:00:10.880 --> 1:00:15.600
<v Speaker 1>got snapped, you then left Earth to go to space.

1:00:15.840 --> 1:00:19.520
<v Speaker 2>Yeah yeah, yeah, like we needed you here when yeah.

1:00:19.200 --> 1:00:24.000
<v Speaker 1>We needed you. And clearly the suggestion is what Hill

1:00:24.080 --> 1:00:25.800
<v Speaker 1>is kind of like and what Sonya is kind of

1:00:25.800 --> 1:00:29.480
<v Speaker 1>beating on the bush with is you were heavily traumatized

1:00:29.480 --> 1:00:32.240
<v Speaker 1>by the blip. Obviously you didn't know anything when you

1:00:32.280 --> 1:00:35.400
<v Speaker 1>were blipped, but when you came back and the gravity

1:00:35.440 --> 1:00:40.040
<v Speaker 1>of what had occurred hit you. It's probably still hitting you.

1:00:40.040 --> 1:00:42.160
<v Speaker 1>You're probably still processing it, and you need to deal

1:00:42.160 --> 1:00:44.600
<v Speaker 1>with it because it's heavily affecting your ability to do

1:00:44.720 --> 1:00:46.680
<v Speaker 1>the job that you're trying to do. Yeah, And I

1:00:46.680 --> 1:00:49.240
<v Speaker 1>think that's what everybody's basically saying to him, is like,

1:00:49.560 --> 1:00:52.160
<v Speaker 1>we want to help you, we're your friends. You went

1:00:52.200 --> 1:00:54.680
<v Speaker 1>to fucking space. How are we supposed to help you?

1:00:55.120 --> 1:00:57.880
<v Speaker 2>Yeah? Like where were you? Yeah? No, that's a good

1:00:57.920 --> 1:01:01.280
<v Speaker 2>cal I also won I feel like this there's a

1:01:01.320 --> 1:01:03.560
<v Speaker 2>lot of weight being put on this idea that he's

1:01:03.720 --> 1:01:07.560
<v Speaker 2>not the same he's not got the same strength. I

1:01:07.600 --> 1:01:09.680
<v Speaker 2>wonder how much of that is going to play into

1:01:10.480 --> 1:01:14.400
<v Speaker 2>a change that is more significant. I don't think that

1:01:14.680 --> 1:01:16.640
<v Speaker 2>he is a scroll. I don't think he's one of

1:01:16.680 --> 1:01:19.040
<v Speaker 2>those cases. I don't think it's anything like that. But

1:01:19.120 --> 1:01:22.320
<v Speaker 2>you know, Nick Fury's very old in the comics, he's

1:01:22.400 --> 1:01:25.720
<v Speaker 2>essentially immortal. Here he looks much older. I wonder if

1:01:25.760 --> 1:01:28.600
<v Speaker 2>there is some kind of connection here to him aging faster,

1:01:28.760 --> 1:01:31.600
<v Speaker 2>or being ill, or actually, you know, the blip affecting

1:01:31.680 --> 1:01:34.640
<v Speaker 2>him in a more permanent way than it did other people.

1:01:34.880 --> 1:01:37.720
<v Speaker 2>I'll be very interested to see. Obviously, the biggest impact

1:01:37.760 --> 1:01:39.920
<v Speaker 2>this is going to have as this series goes on

1:01:40.200 --> 1:01:42.480
<v Speaker 2>is going to be Nick Fury showing everyone that he

1:01:42.640 --> 1:01:45.720
<v Speaker 2>is in fact back ye like John Wick and they're

1:01:45.760 --> 1:01:48.080
<v Speaker 2>all wrong. That's clearly the route they're going. But yeah,

1:01:48.080 --> 1:01:49.760
<v Speaker 2>I found that. I was like, please give this man

1:01:49.800 --> 1:01:51.560
<v Speaker 2>a break. I was like, do you know how hard

1:01:51.560 --> 1:01:52.960
<v Speaker 2>the blip was? Pretty hardcore man.

1:01:53.960 --> 1:01:56.880
<v Speaker 1>I will say that I find myself with regards to

1:01:56.880 --> 1:02:00.360
<v Speaker 1>the way this episode ends. Yes on rewatch like looking

1:02:00.400 --> 1:02:03.640
<v Speaker 1>for clues that Nick's playing possum. They're doing a really

1:02:03.640 --> 1:02:08.600
<v Speaker 1>good job of selling Nick being older, potentially over the hill,

1:02:09.080 --> 1:02:11.720
<v Speaker 1>traumatized by the events of the blip, not on his

1:02:11.800 --> 1:02:14.640
<v Speaker 1>a game. But it's hard to escape because this is

1:02:14.720 --> 1:02:17.640
<v Speaker 1>Nick Fury. It is hard to escape the idea that,

1:02:17.880 --> 1:02:21.000
<v Speaker 1>of course Nick wants his enemies, thinking that he doesn't have.

1:02:20.960 --> 1:02:23.920
<v Speaker 2>It to think that, right, and he's just come back

1:02:23.920 --> 1:02:26.160
<v Speaker 2>from space. Suddenly he's got a limp. He's looking a

1:02:26.200 --> 1:02:27.560
<v Speaker 2>little bit rough and tumble.

1:02:28.000 --> 1:02:29.280
<v Speaker 1>He really played up the limbs.

1:02:29.440 --> 1:02:34.360
<v Speaker 2>Oh oh my knee. Yeah he's playing it. Yeah, oh

1:02:35.360 --> 1:02:38.760
<v Speaker 2>exactly like. I think you're right. I think it's at

1:02:38.840 --> 1:02:42.320
<v Speaker 2>least partially a play, especially because he doesn't really fight

1:02:42.400 --> 1:02:44.640
<v Speaker 2>back when these women in his life are saying that

1:02:44.680 --> 1:02:44.920
<v Speaker 2>to him.

1:02:45.160 --> 1:02:48.840
<v Speaker 1>Gia brings the bomb to Gravic's people and they're like,

1:02:49.040 --> 1:02:52.880
<v Speaker 1>great job. She tells them that hey, just so you know,

1:02:53.640 --> 1:02:57.960
<v Speaker 1>human security forces know about us because someone tried to

1:02:58.000 --> 1:03:01.920
<v Speaker 1>intercept me. But then, very interestingly, she lies and says,

1:03:02.040 --> 1:03:03.920
<v Speaker 1>I don't know who it was. I didn't recognize the person,

1:03:03.960 --> 1:03:07.840
<v Speaker 1>but of course it was Maria Hill and her dad. Later,

1:03:08.360 --> 1:03:11.200
<v Speaker 1>Gia secretly meets with her dad. He finally tells her,

1:03:11.600 --> 1:03:14.400
<v Speaker 1>shock of shocks, that it was Gravic who killed her

1:03:14.440 --> 1:03:18.120
<v Speaker 1>mom off screen, and she tells him in return that

1:03:18.280 --> 1:03:22.800
<v Speaker 1>guess what that big bombing is happening tomorrow. There's three

1:03:22.840 --> 1:03:27.600
<v Speaker 1>devices and Gravic knows you're onto him. There'll be like

1:03:27.640 --> 1:03:30.560
<v Speaker 1>one hundred scrull agents around. It's gonna happen in a park,

1:03:31.280 --> 1:03:35.320
<v Speaker 1>and I'll mark the bombs with this infrared spray so

1:03:35.360 --> 1:03:38.040
<v Speaker 1>you can see it. They set up the sting operation

1:03:38.160 --> 1:03:40.640
<v Speaker 1>in the park with Hill, Fury and Taylors watching Gia.

1:03:40.720 --> 1:03:43.360
<v Speaker 1>Who knows how many Scrull agents are all around. Immediately

1:03:43.400 --> 1:03:45.360
<v Speaker 1>things get mixed up and the bombs are now heading

1:03:45.400 --> 1:03:49.440
<v Speaker 1>in various directions, carried by various people. Everybody splits up Fury.

1:03:49.880 --> 1:03:51.960
<v Speaker 1>We mentioned how when Fury was on his walk right

1:03:52.040 --> 1:03:54.560
<v Speaker 1>he ran into like all these different people who were

1:03:54.840 --> 1:03:58.560
<v Speaker 1>different levels of suspicious, and one of them was this girl,

1:04:00.040 --> 1:04:03.840
<v Speaker 1>this very colorful outfit with this beautiful rainbow colored ball

1:04:03.920 --> 1:04:06.160
<v Speaker 1>that kind of like stumbled into his path and then

1:04:06.280 --> 1:04:10.680
<v Speaker 1>moves away. He sees that girl again and he knows scroll.

1:04:11.200 --> 1:04:13.840
<v Speaker 2>Yeah, and it seems like the implication here, which would

1:04:13.840 --> 1:04:16.120
<v Speaker 2>be a big change, but I think is something we'd

1:04:16.120 --> 1:04:18.960
<v Speaker 2>guessed before. It kind of seems like the implication is

1:04:19.040 --> 1:04:23.400
<v Speaker 2>she is gravit, and gravit can maybe change between bodies. Yeah,

1:04:23.480 --> 1:04:26.280
<v Speaker 2>Because it kind of seems like Nick is following one

1:04:26.360 --> 1:04:29.920
<v Speaker 2>person and as he follows them, the girl disappears and

1:04:29.960 --> 1:04:32.160
<v Speaker 2>then it's a man, and then the next person is

1:04:32.160 --> 1:04:35.600
<v Speaker 2>a woman. Now he is always someone else walks in front,

1:04:35.680 --> 1:04:37.280
<v Speaker 2>so there's a chance it could be a trick of

1:04:37.920 --> 1:04:40.240
<v Speaker 2>kind of the light or like a trick of perception.

1:04:40.600 --> 1:04:43.160
<v Speaker 2>But my read here was like, this is the same girl.

1:04:44.040 --> 1:04:47.320
<v Speaker 2>The scrolls are on t him, and potentially that could

1:04:47.400 --> 1:04:49.680
<v Speaker 2>be Gravic, who has this kind of ability we haven't

1:04:49.680 --> 1:04:50.960
<v Speaker 2>seen before with scrolls.

1:04:51.160 --> 1:04:53.400
<v Speaker 1>I thought that as well. And you know, as we've

1:04:53.400 --> 1:04:56.920
<v Speaker 1>talked about in previous episodes, I think the super scrolls

1:04:56.960 --> 1:04:58.960
<v Speaker 1>are gonna be introduced here. I think we're gonna.

1:04:58.720 --> 1:05:00.880
<v Speaker 2>Get I do. They'll just do a different way.

1:05:01.080 --> 1:05:02.640
<v Speaker 1>They'll do it a different way. I think we'll get

1:05:02.640 --> 1:05:06.520
<v Speaker 1>scrolls that can be multiple forms of things at once.

1:05:06.680 --> 1:05:07.080
<v Speaker 2>Mm hmm.

1:05:07.280 --> 1:05:12.680
<v Speaker 1>Okay, So the scrolls are clearly onto this counterintelligence sting.

1:05:13.560 --> 1:05:16.560
<v Speaker 1>Hill discovers the backpack she was following was empty, and

1:05:16.600 --> 1:05:20.160
<v Speaker 1>things just happened really quickly. After that, Fury sees Gravic

1:05:20.200 --> 1:05:24.600
<v Speaker 1>trigger the bombs. They go off. There's huge chaos in

1:05:24.600 --> 1:05:28.560
<v Speaker 1>this park. A scroll disguised as Nick Fury shoots Hill

1:05:29.320 --> 1:05:34.800
<v Speaker 1>and she very potentially dies in his arms, and the

1:05:34.800 --> 1:05:39.160
<v Speaker 1>real Nick Fury, having no other option, flees, and that

1:05:39.280 --> 1:05:43.680
<v Speaker 1>is how the episode ends. Is Hill dead. She's done

1:05:43.720 --> 1:05:46.080
<v Speaker 1>this before, by the way, playing dead.

1:05:46.360 --> 1:05:49.600
<v Speaker 2>I think if she is dead, it's a big mistake

1:05:49.800 --> 1:05:51.800
<v Speaker 2>on the MCU's pot. I don't think it will land

1:05:51.920 --> 1:05:54.720
<v Speaker 2>very well. I would say it also would It makes

1:05:54.760 --> 1:05:57.400
<v Speaker 2>sense she's quite a major player in different ways in

1:05:57.480 --> 1:06:00.840
<v Speaker 2>the twenty twenty two Secret Invasion and the original Secret Invasion.

1:06:01.280 --> 1:06:04.320
<v Speaker 2>But knowing the MCU, I think back to the treatment

1:06:04.400 --> 1:06:07.160
<v Speaker 2>of Black Widow, a character I wasn't even particularly that

1:06:07.280 --> 1:06:12.640
<v Speaker 2>fond of in the famous Marvel event movie Avengers Endgame.

1:06:13.120 --> 1:06:15.280
<v Speaker 2>I think she's probably dead. I think this is a

1:06:15.320 --> 1:06:16.800
<v Speaker 2>classic case of fridging.

1:06:17.200 --> 1:06:17.960
<v Speaker 1>You think she's dead.

1:06:18.040 --> 1:06:21.560
<v Speaker 2>That's my feeling. You give Nick a very important reason

1:06:21.880 --> 1:06:25.840
<v Speaker 2>to keep fighting. And also, if I'm not mistaken, I

1:06:25.960 --> 1:06:28.880
<v Speaker 2>believe that the scroll kind of proving our point here,

1:06:28.920 --> 1:06:31.040
<v Speaker 2>or at least introducing a new path. I believe it's

1:06:31.120 --> 1:06:35.320
<v Speaker 2>Gravic who is disguised as Nick Fury and shoots Maria,

1:06:35.360 --> 1:06:38.960
<v Speaker 2>which again adds another reason for Nick Fury to have

1:06:39.160 --> 1:06:42.240
<v Speaker 2>conflict with Gravic. Plus, that is a scroll power that

1:06:42.280 --> 1:06:45.680
<v Speaker 2>we have yet to understand, because Nick Fury has not

1:06:45.760 --> 1:06:49.720
<v Speaker 2>been taken and hidden in their little magic pods. So

1:06:50.360 --> 1:06:51.760
<v Speaker 2>that's a powerful.

1:06:51.600 --> 1:06:54.280
<v Speaker 1>Choice, right. I think she's alive. I think this is

1:06:54.320 --> 1:06:58.160
<v Speaker 1>a classic reverse Winter Soldier Nick Fury move.

1:06:58.240 --> 1:07:01.200
<v Speaker 2>Ooh, like an LMDC situation.

1:07:01.600 --> 1:07:05.280
<v Speaker 1>You know, when he's like in Steve's apartment and gets

1:07:05.320 --> 1:07:09.360
<v Speaker 1>shot and then dies in air quotes. I think we're

1:07:09.440 --> 1:07:12.720
<v Speaker 1>just I think it's just another one of these where

1:07:13.120 --> 1:07:16.720
<v Speaker 1>Hill is now the one pretending to be dead, so

1:07:16.760 --> 1:07:19.080
<v Speaker 1>that the scrolls can think that they are on the

1:07:19.120 --> 1:07:20.080
<v Speaker 1>front foot.

1:07:20.560 --> 1:07:24.040
<v Speaker 2>And then they think Nick is alone. Oh that's pretty good.

1:07:24.360 --> 1:07:25.960
<v Speaker 2>That's a long game plan. I like it.

1:07:26.240 --> 1:07:29.560
<v Speaker 1>This is just looking at Nick Fury's history. It would

1:07:29.560 --> 1:07:30.640
<v Speaker 1>not surprise me at all that.

1:07:30.600 --> 1:07:32.280
<v Speaker 2>Would be from the Nick Fury playbook.

1:07:32.720 --> 1:07:36.920
<v Speaker 1>Any other scroll predictions. Now that we've seen again, I

1:07:36.960 --> 1:07:39.760
<v Speaker 1>will go on record as saying I think everybody based

1:07:39.800 --> 1:07:43.840
<v Speaker 1>in Russia for any period of time needs to be

1:07:44.040 --> 1:07:47.560
<v Speaker 1>looked at as a potential scroll. Yolena, I'm looking at you.

1:07:47.680 --> 1:07:51.800
<v Speaker 2>Okay. In that case, let's talk about the one that

1:07:51.880 --> 1:07:54.960
<v Speaker 2>could be their big reveal. Bucky always a scroll.

1:07:55.120 --> 1:07:56.080
<v Speaker 1>I would love it.

1:07:56.160 --> 1:07:57.600
<v Speaker 2>Well, you know what else as well? So that one

1:07:57.600 --> 1:07:59.640
<v Speaker 2>of my favorite things about Sucre invasion. There are some

1:07:59.680 --> 1:08:02.520
<v Speaker 2>scroll who are scrolls for so long they forgot that

1:08:02.560 --> 1:08:05.120
<v Speaker 2>they actually start to believe that they are that person.

1:08:05.360 --> 1:08:07.800
<v Speaker 2>That could play into the relationship he had with Steve,

1:08:07.880 --> 1:08:09.880
<v Speaker 2>that could all be real. That would be very cool,

1:08:09.880 --> 1:08:12.400
<v Speaker 2>that play into your Russia theory. I think this is

1:08:12.400 --> 1:08:15.240
<v Speaker 2>gonna play more heavily into that twenty twenty two Secret

1:08:15.240 --> 1:08:17.040
<v Speaker 2>Invasion mini series you were talking about.

1:08:17.400 --> 1:08:19.519
<v Speaker 1>I think the President is surely a scroll.

1:08:21.479 --> 1:08:26.520
<v Speaker 2>I think this is gonna be people in high placements.

1:08:26.880 --> 1:08:29.639
<v Speaker 2>I think, you know, maybe maybe Rody I guess because

1:08:29.680 --> 1:08:31.800
<v Speaker 2>he is up there as well in that space. But

1:08:32.560 --> 1:08:34.160
<v Speaker 2>I think that it's gonna be more like that. I

1:08:34.200 --> 1:08:35.920
<v Speaker 2>don't think we're gonna get any of those bigger reveals.

1:08:35.960 --> 1:08:37.920
<v Speaker 2>I sadly don't think Hawkeye is a scroll, which has

1:08:37.920 --> 1:08:40.960
<v Speaker 2>been my ten year theory that I've been arguing at

1:08:41.000 --> 1:08:43.960
<v Speaker 2>every website I write at. But my big theory that

1:08:44.000 --> 1:08:47.280
<v Speaker 2>I do think. So we get a really cool thing

1:08:48.000 --> 1:08:52.400
<v Speaker 2>right this episode, which is no eyepatch for Nick Fury.

1:08:52.560 --> 1:08:55.080
<v Speaker 2>I love it. It's great aesthetic, it's very cool, but to me,

1:08:55.120 --> 1:08:59.679
<v Speaker 2>it feels very important. And when he puts the little

1:08:59.680 --> 1:09:03.080
<v Speaker 2>buzz in Sonya's room, he puts it on the same eye.

1:09:03.160 --> 1:09:05.240
<v Speaker 2>It's the left eye of the owl, the left eye

1:09:05.240 --> 1:09:08.240
<v Speaker 2>of his eye in the comics. Sorry to everyone who

1:09:08.280 --> 1:09:10.040
<v Speaker 2>listens to this podcast, because I always talk about him.

1:09:10.080 --> 1:09:12.360
<v Speaker 2>Three D Man has the glasses he can see who's

1:09:12.360 --> 1:09:15.200
<v Speaker 2>a scroll. I think the more grounded version of that

1:09:15.200 --> 1:09:19.479
<v Speaker 2>that we're gonna get is Samuel L. Jackson's eye that was,

1:09:19.560 --> 1:09:22.719
<v Speaker 2>you know, scratched by a flirkin. I think that's gonna

1:09:22.720 --> 1:09:25.280
<v Speaker 2>give him the ability at some point to see scrolls

1:09:25.400 --> 1:09:28.000
<v Speaker 2>or sense them. It's not gonna be crazy, it's not

1:09:28.000 --> 1:09:30.920
<v Speaker 2>gonna be three D Man, but there's something about this

1:09:31.080 --> 1:09:33.800
<v Speaker 2>left eye being able to see it. I think he

1:09:33.920 --> 1:09:35.920
<v Speaker 2>is essentially going to take on that role as the

1:09:35.960 --> 1:09:40.519
<v Speaker 2>person who can find a way train himself or activate

1:09:40.600 --> 1:09:43.080
<v Speaker 2>something with him so he can sense who the scrolls are,

1:09:43.120 --> 1:09:46.640
<v Speaker 2>and he will essentially then be that lone voice of

1:09:46.720 --> 1:09:51.920
<v Speaker 2>reason that nobody else believes, the paranoid but right conspiracy theorist. Yeah,

1:09:52.080 --> 1:09:52.800
<v Speaker 2>very interesting.

1:09:53.240 --> 1:09:58.360
<v Speaker 1>Now in Captain America Winter Soldier right the end, the

1:09:58.400 --> 1:10:02.519
<v Speaker 1>climax of that film h in part on Natasha's use

1:10:02.800 --> 1:10:07.200
<v Speaker 1>of really really high tech like facial scrambling technology that

1:10:07.280 --> 1:10:08.120
<v Speaker 1>allowed her to.

1:10:08.280 --> 1:10:11.840
<v Speaker 2>Yes, see, I see it's very famous Jenny Agata face mask.

1:10:12.120 --> 1:10:14.519
<v Speaker 1>Yeah, that allowed her to pose as a member of

1:10:14.560 --> 1:10:19.120
<v Speaker 1>the council, So we know that humans have this similar technology. Hmmm,

1:10:19.880 --> 1:10:21.839
<v Speaker 1>I'm gonna get crazy for one second.

1:10:22.080 --> 1:10:22.800
<v Speaker 2>I want to hear it.

1:10:23.080 --> 1:10:25.679
<v Speaker 1>Nick Fury no eyepatch and limping, who has a leg

1:10:25.720 --> 1:10:29.719
<v Speaker 1>injury famously in the MCU leg braces for a period

1:10:29.760 --> 1:10:35.160
<v Speaker 1>of time, although it didn't seem oh oh, what if

1:10:35.160 --> 1:10:36.679
<v Speaker 1>they are flipped?

1:10:37.120 --> 1:10:39.080
<v Speaker 2>What if roady Sam?

1:10:39.960 --> 1:10:42.200
<v Speaker 1>Yeah, Nick is pretending to be roady and.

1:10:44.880 --> 1:10:47.439
<v Speaker 2>I would love to see it. I love that. I

1:10:47.479 --> 1:10:50.120
<v Speaker 2>think that could be so cool. Also, you make a

1:10:50.120 --> 1:10:54.160
<v Speaker 2>great point. If that technology is not in this mini series,

1:10:54.200 --> 1:10:57.799
<v Speaker 2>I will eat my hand. It's gonna be the human.

1:10:58.600 --> 1:11:03.320
<v Speaker 2>That's the human way of mixing and messing up the

1:11:03.360 --> 1:11:05.280
<v Speaker 2>scrolls the way that they do to us. That's such

1:11:05.280 --> 1:11:07.320
<v Speaker 2>a great call. God, I would love that. That's my

1:11:07.520 --> 1:11:09.880
<v Speaker 2>I'm into it now. That's that's my head canin.

1:11:11.960 --> 1:11:14.320
<v Speaker 1>I can't wait to see what happens next. Will be

1:11:14.320 --> 1:11:18.839
<v Speaker 1>following this series as progresses up Next nerd Out.

1:11:27.080 --> 1:11:31.920
<v Speaker 2>Warning, The following nerd Out contains big spoilers, big, big,

1:11:31.920 --> 1:11:35.839
<v Speaker 2>big spoilers for the season two finale of Yellow Jackets.

1:11:37.160 --> 1:11:40.960
<v Speaker 2>Be warned in today's nerd Out, where you tell us

1:11:41.000 --> 1:11:43.080
<v Speaker 2>what you love them. Why a theory you're excited to share,

1:11:43.240 --> 1:11:46.040
<v Speaker 2>or a quick question that we can answer. Cody offers

1:11:46.040 --> 1:11:50.519
<v Speaker 2>a rebuttal. I would say Cody adds support to Coach

1:11:50.600 --> 1:11:53.439
<v Speaker 2>Ben's actions from The Yellow Jacket season two for.

1:11:54.000 --> 1:11:56.080
<v Speaker 1>Do you want to read it? You should read it? Yeah.

1:11:56.280 --> 1:11:58.600
<v Speaker 2>Loving all the deep dives this year, I have to

1:11:58.640 --> 1:12:02.080
<v Speaker 2>say I think Coach Ben made the smart move burning

1:12:02.120 --> 1:12:05.320
<v Speaker 2>down camp Yellowjacket. That is a controversial take, Cody, but

1:12:05.320 --> 1:12:07.519
<v Speaker 2>I'm here for it. Let's listen to begin. He should

1:12:07.560 --> 1:12:10.679
<v Speaker 2>should he have reinforced the doors better and locked them inside? Yes,

1:12:11.160 --> 1:12:14.160
<v Speaker 2>I agree, if you're gonna do it, don't let them escape.

1:12:14.439 --> 1:12:16.080
<v Speaker 2>But he can't just go up with a hammer and

1:12:16.160 --> 1:12:18.280
<v Speaker 2>nail and board up the windows and doors. He's working

1:12:18.320 --> 1:12:21.120
<v Speaker 2>with one leg and no hammer, and they'll hear him.

1:12:21.400 --> 1:12:24.439
<v Speaker 2>The murder Cannibal Cult girls definitely have some difficulty getting

1:12:24.439 --> 1:12:26.760
<v Speaker 2>out the cabin as it unfolds, and they are all

1:12:26.760 --> 1:12:30.679
<v Speaker 2>asleep until Shauna wakes them up. Prompt one does Seana

1:12:30.760 --> 1:12:33.439
<v Speaker 2>save the girls from burning up after a Hervey induced

1:12:33.479 --> 1:12:36.879
<v Speaker 2>food coma is the fact that she is upstairs journaling

1:12:36.920 --> 1:12:40.479
<v Speaker 2>and being perfectly petty. Are you their wilderness? It's me Seana.

1:12:40.640 --> 1:12:43.040
<v Speaker 2>The reason the girls didn't die from smoke inhalation or

1:12:43.080 --> 1:12:46.080
<v Speaker 2>not wake up until it was too late. Yes, I

1:12:46.120 --> 1:12:48.800
<v Speaker 2>think I love it. I love that. If Shawna wasn't

1:12:49.080 --> 1:12:52.000
<v Speaker 2>that's writing her ridiculous? Why wasn't it me, journal? I

1:12:52.000 --> 1:12:54.120
<v Speaker 2>think you're right. I think they would all die. And

1:12:54.200 --> 1:12:56.080
<v Speaker 2>I actually that was what I was gonna say. I

1:12:56.120 --> 1:12:59.360
<v Speaker 2>do think Ben probably could have hammered and nailed and

1:12:59.360 --> 1:13:03.880
<v Speaker 2>no one would have known except for little dear diary Shana. Yes,

1:13:03.920 --> 1:13:06.840
<v Speaker 2>and he's gonna say. Finally, Cody says, the one other

1:13:06.880 --> 1:13:09.040
<v Speaker 2>thing I will say in defense of Coach Ben's plan

1:13:09.520 --> 1:13:11.639
<v Speaker 2>is that the girls could easily die of exposure without

1:13:11.720 --> 1:13:14.639
<v Speaker 2>the cabin. One more blizzard, a few nights of exposure

1:13:14.680 --> 1:13:17.639
<v Speaker 2>in the open air with no fireplace, donezo. It's a

1:13:17.680 --> 1:13:20.799
<v Speaker 2>solid plan, Cody said. These girls are gonna die. Ben's

1:13:20.800 --> 1:13:23.800
<v Speaker 2>gonna be fine. It's a solid plan in bad circumstances

1:13:23.840 --> 1:13:26.720
<v Speaker 2>to deal with it must be said again, he is

1:13:26.760 --> 1:13:30.920
<v Speaker 2>dealing with a self created cult of murder cannibals. All

1:13:30.920 --> 1:13:32.840
<v Speaker 2>that said, I mean, I mean, what do you think.

1:13:33.320 --> 1:13:35.880
<v Speaker 1>I think that's very fair to Coach Ben, And I

1:13:35.960 --> 1:13:39.320
<v Speaker 1>think that's probably right. Listen, he has no good options

1:13:39.360 --> 1:13:44.200
<v Speaker 1>and no allies. So ah, everything that he has to do,

1:13:44.320 --> 1:13:47.760
<v Speaker 1>he's got to do on his own initiative. Certainly, it

1:13:47.800 --> 1:13:50.080
<v Speaker 1>could He's absolutely right, it could still work. They could

1:13:50.120 --> 1:13:53.479
<v Speaker 1>die of exposure. There's there's not a ton like there's

1:13:53.520 --> 1:13:56.720
<v Speaker 1>not enough space in the tree for everybody.

1:13:56.920 --> 1:14:00.479
<v Speaker 2>If you know, what do you think? Yeah? No, I

1:14:00.479 --> 1:14:03.360
<v Speaker 2>love it, And Cody finishes with a perfect line. Ben

1:14:03.479 --> 1:14:05.479
<v Speaker 2>is not making out of the wilderness. If you come

1:14:05.520 --> 1:14:08.400
<v Speaker 2>for the antler queen, you bear not miss it. Ain't

1:14:08.400 --> 1:14:11.160
<v Speaker 2>that the truth about yellowjackets. So I think Ben is done.

1:14:11.560 --> 1:14:15.160
<v Speaker 2>But you know what, I understand his motivations. Cody, you

1:14:15.200 --> 1:14:17.320
<v Speaker 2>did a great job selling us it's okay to murder

1:14:17.360 --> 1:14:20.080
<v Speaker 2>teenagers if they're cannibal murder teens stuck in a forest.

1:14:20.479 --> 1:14:22.360
<v Speaker 1>I mean, I think that that's fairer like you. You

1:14:22.400 --> 1:14:27.439
<v Speaker 1>would any right thinking person would naturally be terrified for

1:14:27.479 --> 1:14:28.200
<v Speaker 1>their life at all.

1:14:28.280 --> 1:14:31.679
<v Speaker 2>Yes, I agree, Thank you, Cody. If you have theories

1:14:31.720 --> 1:14:34.240
<v Speaker 2>passions are quick questions that you want to share, hit

1:14:34.360 --> 1:14:37.120
<v Speaker 2>us up at x ray at crookeet dot com. Instructions

1:14:37.160 --> 1:14:38.200
<v Speaker 2>in the show notes.

1:14:41.360 --> 1:14:42.439
<v Speaker 1>Well that's it for us, Rosie.

1:14:42.439 --> 1:14:45.679
<v Speaker 2>Any plugs, just that we have a live show coming up,

1:14:45.760 --> 1:14:48.160
<v Speaker 2>So tell everyone all about that, because that's really cool

1:14:48.200 --> 1:14:50.200
<v Speaker 2>and we want to make sure everyone gets to enjoy it.

1:14:52.720 --> 1:14:54.840
<v Speaker 1>Well. First, our next episode of Extra Vision will be

1:14:54.880 --> 1:14:57.360
<v Speaker 1>on June twenty eighth, and that is our live episode.

1:14:57.400 --> 1:15:01.240
<v Speaker 1>We're taping it on June twenty sixth. If you're in LA,

1:15:01.280 --> 1:15:04.559
<v Speaker 1>please come if you're available. If you're not or you

1:15:04.600 --> 1:15:08.000
<v Speaker 1>can't make it to the site, there's a live stream

1:15:08.080 --> 1:15:10.960
<v Speaker 1>and information for that will be at cricket dot com

1:15:11.000 --> 1:15:13.599
<v Speaker 1>slash x ray Live. Can buy your tickets to join

1:15:13.640 --> 1:15:16.639
<v Speaker 1>the live stream, and the topic of conversation is gonna

1:15:16.640 --> 1:15:20.520
<v Speaker 1>be the fifteenth anniversary of the sequel to Batman. Begins

1:15:20.680 --> 1:15:23.800
<v Speaker 1>the famous the Dark Night I ever heard of it?

1:15:24.320 --> 1:15:27.880
<v Speaker 1>Ever heard of it? Heath Ledger's iconic turn is the Joker,

1:15:27.920 --> 1:15:30.000
<v Speaker 1>and we'll please announce it. Two of our special guests

1:15:30.000 --> 1:15:35.080
<v Speaker 1>at this time Chaserano, noted multi time New York Times

1:15:35.120 --> 1:15:40.160
<v Speaker 1>bestselling author, showrunner and creator of Primo on Amazon Prime.

1:15:41.080 --> 1:15:46.280
<v Speaker 1>N Joel Monique, noted comics and pop culture figure. Go

1:15:46.360 --> 1:15:48.960
<v Speaker 1>to cricket dot com slash x ray Love to get

1:15:49.000 --> 1:15:50.760
<v Speaker 1>your live stream tickets.

1:15:50.400 --> 1:15:53.120
<v Speaker 2>And if you want to watch us before then subscribe

1:15:53.120 --> 1:15:56.559
<v Speaker 2>on YouTube we got full episodes up there and check

1:15:56.560 --> 1:15:59.000
<v Speaker 2>out our discord. You can join hang out and meet

1:15:59.000 --> 1:16:00.800
<v Speaker 2>with a bunch of cool fans. I'm me and Jason

1:16:00.840 --> 1:16:01.280
<v Speaker 2>Pulpit and.

1:16:01.240 --> 1:16:03.639
<v Speaker 1>That once in a while five Star ray five star

1:16:05.160 --> 1:16:06.600
<v Speaker 1>and we gotta have them. You gotta get him to

1:16:06.600 --> 1:16:09.639
<v Speaker 1>his Here's one from Emily k a weekly must love

1:16:09.680 --> 1:16:12.040
<v Speaker 1>this pod. Historically not a comic reader, so getting insights

1:16:12.080 --> 1:16:13.960
<v Speaker 1>int nerd stuff from the comics is great and inspiring

1:16:14.000 --> 1:16:16.000
<v Speaker 1>to pick up more comics and finding cars. Thank you,

1:16:16.080 --> 1:16:18.240
<v Speaker 1>Emily Kelly. We'll see you next time.

1:16:18.280 --> 1:16:19.599
<v Speaker 2>Bye.

1:16:21.080 --> 1:16:23.000
<v Speaker 1>X ray Vision is a Crooked Media production. The show

1:16:23.080 --> 1:16:25.280
<v Speaker 1>is produced by Chris Lord and Saul Rumin and executive

1:16:25.280 --> 1:16:28.000
<v Speaker 1>produced by me Jason Concepci and our editing at sound

1:16:28.040 --> 1:16:32.120
<v Speaker 1>design is by Facillis Phtopoulos. Video production by Delon Villanueva

1:16:32.120 --> 1:16:36.759
<v Speaker 1>and Rachel Guayeski. Social media by Awa Oklati and Caroline Duncy.

1:16:37.160 --> 1:16:38.720
<v Speaker 1>Thank you to Brian Basquez for our theme