WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>Hey, this is Justin Richmond, host of the Broken Record podcast.

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<v Speaker 1>Join me in music industry icon Rick Rubin, along with

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<v Speaker 1>authors Malcolm Gladwell and Bruce Headlam As we chat with

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<v Speaker 1>legends like Neil Young and Under three thousand and upcoming

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<v Speaker 1>artists like Faye Webster about their life and their careers.

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<v Speaker 1>In honor of Women's History Month, we're spotlighting groundbreaking female

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<v Speaker 1>artists like Miss Elliott, Pattie Smith, and Bonnie Rait and

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<v Speaker 1>celebrating the strides they've made for women. Listen to Broken

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<v Speaker 1>Record on the iHeartRadio app, Apple podcasts, or wherever you

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<v Speaker 1>get your podcasts. Hey, I'm Maya Schunker, host of A

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<v Speaker 1>Slight Change of Plans, which was recently named best Show

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<v Speaker 1>of the Year by Apple for twenty twenty one, and

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<v Speaker 1>we've got new episodes for you about everything from the

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<v Speaker 1>science of change to personal stories like a blind woman

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<v Speaker 1>who becomes a master chef and an Australian doctor who

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<v Speaker 1>rescued a voice soccer team from deep within a cave

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<v Speaker 1>in Thailand. Listen to A Slight Change of Plans on

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<v Speaker 1>the iHeartRadio app, Apple podcasts, or wherever you get your podcasts.

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<v Speaker 1>It's the best bits of the week with Morgan Number two. Hey, y'all,

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<v Speaker 1>welcome to the Bits side of the Best Bits. If

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<v Speaker 1>you just heard my interview with Scuba Steve this week

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<v Speaker 1>and you're here to listen to the Bits, this is

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<v Speaker 1>just the one where I intro the best seven segments

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<v Speaker 1>from the show this week and we play them. So

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<v Speaker 1>if you're looking for the interview side of this podcast

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<v Speaker 1>that you guys all loved and you wrote into me about,

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<v Speaker 1>then that's the other side of this podcast. It's posted

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<v Speaker 1>in two parts. There's one part that's going to be

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<v Speaker 1>with Scuba Steve, in one part that is just the bits,

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<v Speaker 1>and that's what's happening right now. We're trying to do

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<v Speaker 1>this new way so everybody gets the best part of

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<v Speaker 1>these because it is the best Bits. So we're breaking

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<v Speaker 1>it down, starting off with number seven. It was International

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<v Speaker 1>Women's Day this week and we had to Neel Towns

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<v Speaker 1>and Hayley Winners on with us, who both performed and

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<v Speaker 1>they did so beautifully and shared some incredible stories. Here

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<v Speaker 1>they are Number sevens are gonna love this. Next artist

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<v Speaker 1>that's coming in now. Her name is Haley witters Amy.

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<v Speaker 1>What song of Haley's when I when I just say

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<v Speaker 1>her name. Do you think of Janis and a hotel bar? Yeah,

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<v Speaker 1>Janie at the hotel bar. Here you go, forget on

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<v Speaker 1>the field. You ain't you ready to start a family?

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<v Speaker 1>A pay gift away? That money won't make you happy.

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<v Speaker 1>Make good love, good company, drink good one, make good coffee,

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<v Speaker 1>keep your chin up. Let everyone in a while, have

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<v Speaker 1>a good cry. We'll go on. Make a good living girl,

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<v Speaker 1>don't forget to make a good life. So she's setting

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<v Speaker 1>up now, you guys are gonna love her, and here

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<v Speaker 1>she is left God on the Bobby Bones Show. Now,

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<v Speaker 1>Haley Witters, Hailey Wall them to the show. Thanks for

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<v Speaker 1>having me. Yeah, you know what I was looking back

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<v Speaker 1>because I'm a big fan I program and Amy hosts

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<v Speaker 1>the Women of IRA Country, and I have featured one, two, three, four,

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<v Speaker 1>five six your song seven different, seven different songs of yours, Like,

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<v Speaker 1>I'm just a big fan of your body of work,

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<v Speaker 1>and so thanks to be able to have you here, Like,

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<v Speaker 1>I'm very excited that you're here today. I'm very excited.

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<v Speaker 1>I mean, I've gotten to do a lot of cool things,

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<v Speaker 1>but I think my hometown won't consider me making it

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<v Speaker 1>until I've played the Bobby Bones Show. So this is

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<v Speaker 1>a big day. And what is your hometown Shoeville, Iowa?

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<v Speaker 1>And what isn't if I were to drive into shoe Eville,

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<v Speaker 1>if I were to drive into Shoeyville, like, what do

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<v Speaker 1>I see? Cornfields? Just driving through cornfields? We got two

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<v Speaker 1>bars in a church in Shoeville. Life's about balance. We

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<v Speaker 1>got to stop sign. The town's mad because we finally

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<v Speaker 1>got a stoplight. So it's pretty small town. So you

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<v Speaker 1>have one stoplight. We have one stoplight now congratulations. Yeah,

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<v Speaker 1>we do not have a stoplight where I'm from. But

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<v Speaker 1>we have a dollar general now love it, which is

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<v Speaker 1>about the same. You know, when you weigh them out,

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<v Speaker 1>they're both like what we got a cell phone tower

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<v Speaker 1>about six years ago. Nice. Until about six years ago,

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<v Speaker 1>you could drive into Mountain Pine, Arkansas and you could

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<v Speaker 1>not use your cell phone. That is wild and shoe

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<v Speaker 1>you've had that forever. We've had self servants. So I'm

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<v Speaker 1>imagining lots of farms. That corn is such a big

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<v Speaker 1>part of the economic economy of Shoeyville. Is that what

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<v Speaker 1>everybody does there? Yeah? I mean my dad, you know,

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<v Speaker 1>has worked at the corn processing plant. Adm Um, He's

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<v Speaker 1>worked there his whole life. He's now he grows corn.

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<v Speaker 1>He's a corn crop farmer, corn beans. It's a big

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<v Speaker 1>part of Iowa for sure. Do you being not just exposed,

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<v Speaker 1>but I mean living in corn? Do you like corn everything?

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<v Speaker 1>Or do you hate corn everything? I love corn everything.

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<v Speaker 1>She has to say that come for her mafia comes

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<v Speaker 1>and gets there like everything. Yeah. Um, you know what's

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<v Speaker 1>really cool about you? And you're gonna perform in a second,

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<v Speaker 1>and I'm excited for audience to hear this. But you know,

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<v Speaker 1>you are such a massive fan of traditional country music

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<v Speaker 1>and you have written songs for Martina McBride and Alan Jackson. Yeah,

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<v Speaker 1>I mean, aside from your career now which you are

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<v Speaker 1>so respected and you're so good, But how cool is

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<v Speaker 1>it to be able to do that for heroes of yours?

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<v Speaker 1>It's insane. I mean I grew up idolizing them and

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<v Speaker 1>just studying Alan Jackson's body of work. I mean, I

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<v Speaker 1>admire him so much as a songwriter too. So to

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<v Speaker 1>have him, you know, hear one of my songs and

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<v Speaker 1>think it's worthy enough to be on a record of

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<v Speaker 1>his is a huge honor. And he's just been incredibly

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<v Speaker 1>gracious and cool to me. So it's been really cool.

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<v Speaker 1>Today's International Women's Day, and I wanted to bring in

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<v Speaker 1>some women that I really think said a great example

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<v Speaker 1>for other women. That's why you're here today, because I

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<v Speaker 1>think you have your own original path that you've been

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<v Speaker 1>kicking down and you're going down and regardless of what

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<v Speaker 1>happens commercially, and now you're getting that, which is cool.

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<v Speaker 1>But you've always just done your own thing and let

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<v Speaker 1>it come to you, and I think that is that's

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<v Speaker 1>I really respect that. But I'll ask you now, who,

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<v Speaker 1>what women do you see out there? You look too,

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<v Speaker 1>and you're like, you know, they did their thing that

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<v Speaker 1>kind of allows me to do mine. I mean, gosh,

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<v Speaker 1>a lot of the females in the nineties, you know,

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<v Speaker 1>Tricia Martina, my friend Britney Spencer right now is just

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<v Speaker 1>blazing her own trail and it's been really cool to

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<v Speaker 1>watch her grow, you know, Miranda. I think a lot

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<v Speaker 1>of the females in the genre, I think it's been

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<v Speaker 1>you know, everyone always kind of tells us it's a

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<v Speaker 1>harder road, but I see so many girls out there

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<v Speaker 1>just you know, buckling up, rolling their sleeves up and

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<v Speaker 1>doing the work and making their music. Get out there

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<v Speaker 1>to people no matter what. So I'm kind of inspired

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<v Speaker 1>by all of the chicks right now in the format.

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<v Speaker 1>Now you have a banjo, yeah, because that's not if

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<v Speaker 1>I'm looking, that is not a ganjo. It's not a ganjo.

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<v Speaker 1>You're not opposing. And I'm very, very basic banjo player.

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<v Speaker 1>At this point, I'm going to be doing some banjo lessons.

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<v Speaker 1>But I taught myself this little part to the song

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<v Speaker 1>that we're about to perform, and I really just have

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<v Speaker 1>fun playing it, So don't don't judge my banjo's skills.

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<v Speaker 1>I would say a simple banjo is better than a

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<v Speaker 1>poser a ganjo. Who's great because a ganjo is six

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<v Speaker 1>strings and you played like a guitar and everybody's like, oh,

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<v Speaker 1>they play the banjo, like no, they're playing guitar, and

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<v Speaker 1>I think this sounds like a banjo. But Haley has

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<v Speaker 1>four strings. Well, I play banjo probably like a guitar player,

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<v Speaker 1>and I'm barely that. So yeah, she's not giving herself

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<v Speaker 1>an until here, and I'm like, you're right, but what

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<v Speaker 1>song are you gonna play for Haley? We're gonna play

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<v Speaker 1>a new single off my latest record, which is coming

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<v Speaker 1>out three eighteen. This is called everything she ain't. All right,

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<v Speaker 1>Here we go, Haley Witters on The Bobby Bone Show.

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<v Speaker 1>Shit a peach ya ought to be picking she ain't.

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<v Speaker 1>The cup of tea ya ought to be seven. She

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<v Speaker 1>treats you lack it, broke, lacking, need fixing. You ain't

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<v Speaker 1>getting nothing back from all that you're given. If you're

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<v Speaker 1>good with who you kissing, say lovey, But I can

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<v Speaker 1>show you what you're missing. Yeah, boy, I can be

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<v Speaker 1>the whiskey in your soda, the Limdi Corona shot gunning

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<v Speaker 1>or Tacoma the ad Ta Hank. She's got a little

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<v Speaker 1>style in a Hollywood smile, but believed. Honey good is

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<v Speaker 1>money in the bank. I'm everything she is and everything

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<v Speaker 1>she ain't. Yeah, everything she is and everything she ain't.

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<v Speaker 1>I never know if you're gonna go back into something.

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<v Speaker 1>Then you guys wanted were like okay. Sometimes people will

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<v Speaker 1>trick us and they'll stop and then we'll go, Yeah,

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<v Speaker 1>I'm gonna go. We're like radiance. Yeah, Haleywood, great job, Haley,

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<v Speaker 1>that's awesome. Thank you so much. Um, who tell me

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<v Speaker 1>who your people are up here with you? This is

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<v Speaker 1>Laurence Sachs on a fiddle. Ethan Burke's on the guitar

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<v Speaker 1>and I'm Bobby. Everybody, thankye look at us, um you

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<v Speaker 1>guys follow Haley Haleywood's w H I T T E

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<v Speaker 1>R S. And Haley is actually doing her own head

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<v Speaker 1>lining tour and you are it's all. It's happening now,

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<v Speaker 1>it's happening now. It's the Hartland tour. If you're out

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<v Speaker 1>and you come to this show, like, how long do

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<v Speaker 1>you play? Do you do an hour? We do like

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<v Speaker 1>ninety minutes on the Hartland tour, don't My manager is

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<v Speaker 1>looking at me, why is that bad? Well, yeah, I

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<v Speaker 1>think it's great. It's great, it's great. Ninety minutes, it's great.

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<v Speaker 1>We've been convincing me something right now. No, no, no, no,

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<v Speaker 1>we've been. We've been very fortunate to get to open

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<v Speaker 1>for Luke Hombs, Mary Morris Midland. We're out with Midland,

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<v Speaker 1>and you know, you get like thirty minutes for something

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<v Speaker 1>like that. So it's been really nice to get a

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<v Speaker 1>full ninety minutes to get to really dig into the

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<v Speaker 1>record and get to you know, sing those songs for

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<v Speaker 1>the fans. So it's been cool. And the record comes

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<v Speaker 1>out this month three eighteen. Yeah, raced and so hope

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<v Speaker 1>you guys check that out. Haley Witters is here. I

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<v Speaker 1>think hopefully this will inspire to go follow her on

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<v Speaker 1>social media, support her if she comes to your town.

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<v Speaker 1>And on the website you can see tour dates and

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<v Speaker 1>everybody in Shoeyville, Iowa. I'm glad you exist. Because of

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<v Speaker 1>that you we wouldn't have Haley Witters here are you guys?

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<v Speaker 1>The shoes like your mascot, hey shoe Ville Shoes. No

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<v Speaker 1>high school? What they called us cow By High? Like?

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<v Speaker 1>But where the hawks Prairie Hawks do? I think like

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<v Speaker 1>shoes showey. Yeah. It was named after William Shoey, I

0:10:08.480 --> 0:10:10.760
<v Speaker 1>think after his last name was Shoey. And what did

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<v Speaker 1>he do? Do you know? I don't know, anita like

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<v Speaker 1>figure out what he cornbread made cornbreadth that totally totally

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<v Speaker 1>Hailey Witters. Really enjoy you. Thank you for coming by,

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<v Speaker 1>Thank you for having us. It's the best bits of

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<v Speaker 1>the week. With Morgan number two a right moments away

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<v Speaker 1>from Tanil Towns. You may know her for the song

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<v Speaker 1>Jersey on the Wall. Oh. That song was about a

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<v Speaker 1>kid that had died at a school, and then she

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<v Speaker 1>wrote a song because she went to the gym and

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<v Speaker 1>saw that it hanging like that. She was like, what happened?

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<v Speaker 1>They told the story, then she wrote the question like

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<v Speaker 1>if I ever get to heaven, this is what I

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<v Speaker 1>want to ask. So that song so good and then

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<v Speaker 1>you might know her for somebody's daughter. All right, and

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<v Speaker 1>she's here. Now let's go on the Bobby Bones Show.

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<v Speaker 1>Now to Neil Towns. So it's International Women's Day, and

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<v Speaker 1>I thought, let me invite up, you know, another one

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<v Speaker 1>of the women that I expect, and I feel like

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<v Speaker 1>it's a great role model for young girls and just

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<v Speaker 1>so many things. And to Neil Towns is here. To Neil, hey,

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<v Speaker 1>thanks for having me. Great to see. I was watching

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<v Speaker 1>it good to see you one of your Instagram videos

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<v Speaker 1>and I think it looked like you were practicing in

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<v Speaker 1>the bathroom, like a public bathroom. Yeah, like you and

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<v Speaker 1>all that your band were out. Oh yeah, what what

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<v Speaker 1>was happening there? See? The bathrooms are always such an adventure.

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<v Speaker 1>Every time we show up at a venue, it's like, Okay,

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<v Speaker 1>what are the showers going to be like today? What's

0:11:38.600 --> 0:11:42.199
<v Speaker 1>the bathroom? And we were opening for Reba and there

0:11:42.280 --> 0:11:44.680
<v Speaker 1>was such great refurben there. I was like, come on, guys,

0:11:44.760 --> 0:11:47.480
<v Speaker 1>we need to we need to run some stuff in

0:11:47.480 --> 0:11:50.320
<v Speaker 1>the bathroom. So that was our moment. And it was

0:11:50.440 --> 0:11:52.199
<v Speaker 1>it smelling. I mean, it's fine, it was fine. It

0:11:52.240 --> 0:11:54.240
<v Speaker 1>was fine. It was a nice smelling bathroom. They probably

0:11:54.240 --> 0:11:56.360
<v Speaker 1>cleaned it before you got there. I appreciated that. I

0:11:56.400 --> 0:12:00.000
<v Speaker 1>always do. You know, that's an extra special treatment. It's

0:12:00.000 --> 0:12:02.559
<v Speaker 1>so important to Tenil to give back. She's raised over

0:12:02.600 --> 0:12:05.840
<v Speaker 1>two million dollars for Big Hearts for Big Kids, which

0:12:05.880 --> 0:12:08.200
<v Speaker 1>is a charity Tennil started when she was just fifteen

0:12:08.280 --> 0:12:11.880
<v Speaker 1>years old, which is wild because now you're like sixteen. Yeah,

0:12:11.880 --> 0:12:15.360
<v Speaker 1>that's right. I mean it's been so long. Tell me

0:12:15.400 --> 0:12:17.679
<v Speaker 1>about Big Hearts for Big Kids. Okay. So it's this

0:12:17.840 --> 0:12:20.800
<v Speaker 1>concert fundraiser we do up in my hometown and Graham Ferry,

0:12:20.800 --> 0:12:23.680
<v Speaker 1>Alberta for a local youth shelter. They help kids ages

0:12:24.160 --> 0:12:28.080
<v Speaker 1>eleven to seventeen struggling with homelessness, and we've been able

0:12:28.080 --> 0:12:30.040
<v Speaker 1>to kind of bring the whole community together to keep

0:12:30.080 --> 0:12:33.600
<v Speaker 1>the doors open over the past eleven years. Yes, something else,

0:12:33.640 --> 0:12:35.400
<v Speaker 1>and I know I mentioned it to you every single time,

0:12:35.400 --> 0:12:37.040
<v Speaker 1>but I've always so moved when I hit it again

0:12:37.559 --> 0:12:40.600
<v Speaker 1>is and one of the reasons I thought about you

0:12:40.600 --> 0:12:43.400
<v Speaker 1>for International Women's Day is you did a version of

0:12:43.400 --> 0:12:46.000
<v Speaker 1>one of your songs with a local Girl Scout troop

0:12:46.160 --> 0:12:49.240
<v Speaker 1>of girls that are homeless for the most part. Yeah. Yeah,

0:12:49.280 --> 0:12:51.920
<v Speaker 1>will you tell the audience kind of what you did there? Yeah.

0:12:51.960 --> 0:12:54.520
<v Speaker 1>So we did this version of Somebody's Daughter with the

0:12:54.559 --> 0:12:57.960
<v Speaker 1>Girl Scouts Troop six thousand of Middle Tennessee. And these

0:12:57.960 --> 0:13:01.640
<v Speaker 1>are all girls without permanent house. And so I heard

0:13:01.679 --> 0:13:04.239
<v Speaker 1>about this troop. There's one in New York, one in Nashville,

0:13:04.400 --> 0:13:06.640
<v Speaker 1>and I was like, we need to I would love

0:13:06.679 --> 0:13:08.160
<v Speaker 1>to get to hang out with these girls. So we

0:13:08.240 --> 0:13:10.679
<v Speaker 1>helped them earn their musician badge, which I've never been

0:13:10.720 --> 0:13:12.520
<v Speaker 1>a part of handing out a Girl Scout badge before.

0:13:12.520 --> 0:13:14.800
<v Speaker 1>That was really cool and they all came into the

0:13:14.840 --> 0:13:17.960
<v Speaker 1>studio and sang on it and did some snoffing and

0:13:18.000 --> 0:13:20.680
<v Speaker 1>clapping and literally the best experience I've ever had in

0:13:20.720 --> 0:13:22.959
<v Speaker 1>the studio. It was so fun. Isn't that so cool? Yeah?

0:13:23.000 --> 0:13:25.000
<v Speaker 1>I love it, And you can start. I mean I

0:13:25.160 --> 0:13:27.720
<v Speaker 1>heard it before. I guess I knew about it because

0:13:27.960 --> 0:13:29.160
<v Speaker 1>I just talk to your music and I'm like, well,

0:13:29.600 --> 0:13:31.240
<v Speaker 1>post something new today, Well you post on the news today.

0:13:31.600 --> 0:13:34.440
<v Speaker 1>Something popped up and it was somebody's daughter, but it

0:13:34.480 --> 0:13:36.559
<v Speaker 1>was the version with the girl scouts. Yeah, they're never

0:13:36.600 --> 0:13:40.719
<v Speaker 1>going to forget that. These all I crazy. It was

0:13:40.760 --> 0:13:45.240
<v Speaker 1>so special to Neil Towns is with us, and again,

0:13:45.679 --> 0:13:47.680
<v Speaker 1>I keep up with you through social media for the

0:13:47.720 --> 0:13:50.720
<v Speaker 1>most part. I consider us friends me too, but like

0:13:50.960 --> 0:13:54.640
<v Speaker 1>friends that travel a lot, you keep up with them

0:13:54.679 --> 0:13:56.920
<v Speaker 1>a lot. On right, I'm just looking at Instagram and stuff,

0:13:57.080 --> 0:13:58.760
<v Speaker 1>and I saw a picture where they gave you a

0:13:58.760 --> 0:14:02.200
<v Speaker 1>big plaque like gold and platinum single. It was Matt,

0:14:02.240 --> 0:14:05.600
<v Speaker 1>where do you put that massive plaqueum house? I don't

0:14:05.679 --> 0:14:09.240
<v Speaker 1>actually know. I'm in like a little two bedroom town

0:14:09.280 --> 0:14:11.480
<v Speaker 1>house and I'm not sure what to do with it,

0:14:11.520 --> 0:14:14.920
<v Speaker 1>but I am so excited to have it. So cool.

0:14:16.200 --> 0:14:18.000
<v Speaker 1>It looks like the sides of a door. It really,

0:14:18.040 --> 0:14:20.920
<v Speaker 1>it's massive, and it's you know, got my face on it,

0:14:20.960 --> 0:14:23.000
<v Speaker 1>which is very cool and also strange. I feel like

0:14:23.040 --> 0:14:25.800
<v Speaker 1>to maybe have in my house. But it means the

0:14:25.840 --> 0:14:28.680
<v Speaker 1>most to know people have listened to these songs enough

0:14:28.720 --> 0:14:31.240
<v Speaker 1>times to add up to whatever that plaque says. It's

0:14:31.240 --> 0:14:35.000
<v Speaker 1>so crazy, you know, today being International Women's Day, Like,

0:14:35.720 --> 0:14:39.480
<v Speaker 1>who were the female influences in your life that you

0:14:39.560 --> 0:14:41.400
<v Speaker 1>go man without them? I don't know if I would

0:14:41.440 --> 0:14:43.960
<v Speaker 1>be here now. Honestly, all of the women in my

0:14:44.040 --> 0:14:49.240
<v Speaker 1>family are such strong, fierce, independent, just forces of nature.

0:14:49.360 --> 0:14:53.440
<v Speaker 1>My great grandmother, my my Mari Willette, my my grandmother,

0:14:53.520 --> 0:14:56.480
<v Speaker 1>my mom, all of them were just like no filters,

0:14:56.640 --> 0:14:59.920
<v Speaker 1>full of love, wonderful people. And we drove around listening

0:15:00.080 --> 0:15:02.440
<v Speaker 1>to so many female voices. I don't think I'd be

0:15:03.200 --> 0:15:07.080
<v Speaker 1>playing music if it weren't for you know, the obsessive

0:15:07.120 --> 0:15:09.840
<v Speaker 1>amounts of Shania Twain that I sang along too, and

0:15:10.440 --> 0:15:13.440
<v Speaker 1>writing in my grandparents motor home, listening to a Code

0:15:13.440 --> 0:15:15.960
<v Speaker 1>of Many Colors Dolly Parton over and over. It's like

0:15:16.560 --> 0:15:19.720
<v Speaker 1>so many of those voices definitely impacted the way that

0:15:19.760 --> 0:15:21.840
<v Speaker 1>I felt like I saw the world and saw a

0:15:21.880 --> 0:15:24.440
<v Speaker 1>place that I could do music too. He wrote this

0:15:24.480 --> 0:15:27.920
<v Speaker 1>song When's It Going to Happen? And I feel, as

0:15:27.960 --> 0:15:30.480
<v Speaker 1>being a fan of your music, I feel like this

0:15:30.560 --> 0:15:33.080
<v Speaker 1>is the most personal and artist always says my most

0:15:33.080 --> 0:15:35.000
<v Speaker 1>personal song, and I'm like, I stop saying that crowd

0:15:35.040 --> 0:15:39.280
<v Speaker 1>the eighth time, and I feel like this is the

0:15:39.280 --> 0:15:43.600
<v Speaker 1>most personal song about you. Were like introspectively YouTube this

0:15:43.720 --> 0:15:47.120
<v Speaker 1>song and did what was happening in your heart and mind? Yes, Elizab,

0:15:47.120 --> 0:15:48.920
<v Speaker 1>which is a little terrifying, but it is. I like

0:15:49.000 --> 0:15:51.640
<v Speaker 1>to be the storyteller and kind of write songs from

0:15:51.680 --> 0:15:54.920
<v Speaker 1>the other third view perspective. But this one is very

0:15:55.000 --> 0:15:58.560
<v Speaker 1>much about internal internal feelings, this season of my life

0:15:58.560 --> 0:16:01.320
<v Speaker 1>where my mailbox is full of wedding invitations of all

0:16:01.400 --> 0:16:03.680
<v Speaker 1>my friends getting married, and I kind of wanted to

0:16:03.760 --> 0:16:05.640
<v Speaker 1>write a song about what it feels like to be

0:16:05.760 --> 0:16:08.440
<v Speaker 1>on the other side of that sometimes. So here is

0:16:08.520 --> 0:16:17.640
<v Speaker 1>Daniel Towns with her song When's It Gonna Happen? Never

0:16:17.760 --> 0:16:24.600
<v Speaker 1>been good at expectations. I think I expect too much.

0:16:27.200 --> 0:16:33.760
<v Speaker 1>But if it's any consolation, well I still believe in love.

0:16:37.120 --> 0:16:44.480
<v Speaker 1>You know I got your invitation. Can't wave ruse, Mary Beach,

0:16:46.960 --> 0:16:51.240
<v Speaker 1>it is that should tell you he's inn coming. There's

0:16:51.360 --> 0:16:57.160
<v Speaker 1>no plus one. It's just me. Oh and I'll sure

0:16:57.320 --> 0:17:02.200
<v Speaker 1>up being a dress with a smile, Island. I couldn't

0:17:02.320 --> 0:17:08.879
<v Speaker 1>be happier for you. Sometimes I feel like come the

0:17:09.080 --> 0:17:15.200
<v Speaker 1>last one standing, all a girl. All my friends are

0:17:15.359 --> 0:17:20.640
<v Speaker 1>falling in love. I'm scared to death falling up empty handed.

0:17:22.080 --> 0:17:31.200
<v Speaker 1>Can't be the only one thinking wensick Gonnana happened happened

0:17:31.359 --> 0:17:37.960
<v Speaker 1>to me? And no it's supposed to happen naturally, wensyck

0:17:38.400 --> 0:17:54.200
<v Speaker 1>gonna happen? Oh to me? Who? Yeah, yeah, ain't no

0:17:54.440 --> 0:17:59.000
<v Speaker 1>town back girl? Who did you write that with? Okay?

0:17:59.040 --> 0:18:01.800
<v Speaker 1>I wrote this with my friends Stephen Rabel and Steph

0:18:01.920 --> 0:18:05.000
<v Speaker 1>Jones over Zoom, who had never met in person before,

0:18:05.080 --> 0:18:08.159
<v Speaker 1>but we've written like fifteen or so songs together at

0:18:08.240 --> 0:18:10.639
<v Speaker 1>this point. I'm such big fans of both of them.

0:18:12.080 --> 0:18:16.680
<v Speaker 1>Was that like, okay, guys, I want to go extremely

0:18:17.200 --> 0:18:23.200
<v Speaker 1>internal here. Not honestly, it was going, Okay, what should

0:18:23.200 --> 0:18:24.879
<v Speaker 1>we write a song about today? And I was like

0:18:25.560 --> 0:18:27.720
<v Speaker 1>I literally was looking at the stack of mail on

0:18:27.840 --> 0:18:31.080
<v Speaker 1>my counter and this was in the middle of the

0:18:31.200 --> 0:18:34.560
<v Speaker 1>pandemic of definitely feeling pretty lonely and going I can't

0:18:34.600 --> 0:18:36.800
<v Speaker 1>be the only one feeling this way, Like what if

0:18:36.840 --> 0:18:40.760
<v Speaker 1>we wrote a song just about that? So yeah, it

0:18:40.920 --> 0:18:42.960
<v Speaker 1>was every line that we wrote. I was like, whoa,

0:18:43.119 --> 0:18:45.560
<v Speaker 1>that's this is real. But okay, yep, we're putting this

0:18:45.680 --> 0:18:47.040
<v Speaker 1>in the song. And then we finished it and I

0:18:47.119 --> 0:18:48.840
<v Speaker 1>was like, dang it, I like this. This means like

0:18:50.119 --> 0:18:52.359
<v Speaker 1>now we have to record it. We have to record it.

0:18:53.520 --> 0:18:56.640
<v Speaker 1>It's so good. Thank you, You're so good. You guys

0:18:56.680 --> 0:19:01.119
<v Speaker 1>followed to Neil Towns, Towns t ow Anys and how

0:19:01.160 --> 0:19:04.240
<v Speaker 1>the tour go. It was awesome. Yeah, it was so fun.

0:19:04.840 --> 0:19:08.520
<v Speaker 1>People showed up, people came that they came and what

0:19:08.640 --> 0:19:10.960
<v Speaker 1>they knew the music, We sang the songs together. It

0:19:11.080 --> 0:19:13.439
<v Speaker 1>was such a dream. I'm super fun for you. Thank

0:19:13.480 --> 0:19:14.720
<v Speaker 1>you for coming in today to play. Thank you for

0:19:14.840 --> 0:19:17.159
<v Speaker 1>having me. Bobby's so great to see everybody. Good to

0:19:17.200 --> 0:19:21.280
<v Speaker 1>be here, Tanil Towns and listen. If you're looking for

0:19:21.359 --> 0:19:24.840
<v Speaker 1>a woman were International Women's Day to be like? That

0:19:25.119 --> 0:19:28.399
<v Speaker 1>is my inspiration. I don't think till not to date guys.

0:19:28.480 --> 0:19:33.679
<v Speaker 1>But I'm saying like, oh no, I was like, no happening.

0:19:33.760 --> 0:19:37.200
<v Speaker 1>Now this is when it's happened now, looking for someone

0:19:37.320 --> 0:19:38.840
<v Speaker 1>to go like, you know, I'm only looking for someone

0:19:38.880 --> 0:19:42.719
<v Speaker 1>to inspire me for I mean, Tenniel's a good one.

0:19:42.760 --> 0:19:44.600
<v Speaker 1>You're a good one. Thanks Bobby. All right, there she

0:19:44.680 --> 0:19:49.000
<v Speaker 1>has Tenniel Towns. It's the best bits of the week,

0:19:49.800 --> 0:19:53.760
<v Speaker 1>with Morgan number two coming in at number six. I

0:19:53.960 --> 0:19:56.600
<v Speaker 1>watched Back to the Future for the first time, and

0:19:56.760 --> 0:20:01.040
<v Speaker 1>y'all are digging these old school movie TV show reviews,

0:20:01.160 --> 0:20:03.359
<v Speaker 1>so I had to throw this in here. Here it

0:20:03.520 --> 0:20:05.920
<v Speaker 1>is let me know if you like my review. Maybe

0:20:05.960 --> 0:20:08.200
<v Speaker 1>you don't, maybe it was too controversial. I don't know.

0:20:08.880 --> 0:20:11.760
<v Speaker 1>Number six. So we told Morgan number two twenty eight

0:20:12.160 --> 0:20:13.719
<v Speaker 1>to go watch Back to the Future because she had

0:20:13.760 --> 0:20:17.520
<v Speaker 1>never seen it and we had an unsuccessful Seinfeld experiment.

0:20:17.600 --> 0:20:19.040
<v Speaker 1>She watched Seinfeld and she was like, yes, it's not

0:20:19.200 --> 0:20:22.680
<v Speaker 1>that funny anymore. Fair. I just don't think there's any

0:20:22.760 --> 0:20:25.680
<v Speaker 1>way to miss with Michael J. Foxon Back to the Future.

0:20:25.680 --> 0:20:31.600
<v Speaker 1>Hom on, So you watched it? How I had to

0:20:31.680 --> 0:20:34.840
<v Speaker 1>rent it on Amazon? Okay, it wasn't anywhere else to watch,

0:20:35.600 --> 0:20:37.680
<v Speaker 1>like three bucks or something. Yeah, you to reimburse you?

0:20:37.760 --> 0:20:40.280
<v Speaker 1>Are you cool? No, I'm good. I'm good. If I

0:20:40.359 --> 0:20:43.600
<v Speaker 1>hated it, I get pulled into HR because I'm making

0:20:43.640 --> 0:20:45.879
<v Speaker 1>people pay for content. Yeah, she can do that on

0:20:46.000 --> 0:20:49.600
<v Speaker 1>an expense report, right, Yeah, Okay, I guess So you

0:20:49.680 --> 0:20:52.240
<v Speaker 1>watched Back to the Future. Is it was it long?

0:20:53.119 --> 0:20:56.120
<v Speaker 1>It's an hour or like seventeen minutes. That's the greatest movie.

0:20:56.359 --> 0:20:58.040
<v Speaker 1>I didn't even realize it about the perfect movie link.

0:20:58.119 --> 0:21:01.359
<v Speaker 1>That's cool, high expectations. What think? Okay? Well, in my

0:21:01.520 --> 0:21:04.200
<v Speaker 1>past spoiler part, like everybody, is it old enough that

0:21:04.359 --> 0:21:07.680
<v Speaker 1>I can spoil something? That's a good question to ask.

0:21:07.720 --> 0:21:10.159
<v Speaker 1>I'm gonna say yes. And we're also warning people that

0:21:10.280 --> 0:21:12.359
<v Speaker 1>are back to the future spoiler is coming here. Wow.

0:21:14.000 --> 0:21:18.080
<v Speaker 1>So when I watched it listen, I was really into it.

0:21:18.200 --> 0:21:21.640
<v Speaker 1>I really enjoyed it. But something kept bothering me. There's

0:21:21.640 --> 0:21:24.200
<v Speaker 1>a little bit of incest that happens during the show

0:21:24.440 --> 0:21:27.520
<v Speaker 1>with the mom and him, and it took me a

0:21:27.600 --> 0:21:29.840
<v Speaker 1>while to get over it. I was like, he just

0:21:30.000 --> 0:21:33.560
<v Speaker 1>kissed his mom, like, I know, he's not she doesn't

0:21:33.560 --> 0:21:35.639
<v Speaker 1>know and whatever, but he didn't quite kiss his mom.

0:21:35.760 --> 0:21:38.880
<v Speaker 1>She kissed him. He didn't want that. She also didn't

0:21:38.880 --> 0:21:41.240
<v Speaker 1>know it was her son comes in the past. Yes,

0:21:41.440 --> 0:21:43.399
<v Speaker 1>but he knew it was coming. He knew that she

0:21:43.520 --> 0:21:45.760
<v Speaker 1>had the hots for him. He kept saying it, so

0:21:45.920 --> 0:21:48.800
<v Speaker 1>that part, like it irks me a little bit, but

0:21:49.520 --> 0:21:54.639
<v Speaker 1>I got over it because it was so good. All right,

0:21:54.680 --> 0:21:56.960
<v Speaker 1>what do you rate Back to the Future? All right? Well,

0:21:58.080 --> 0:22:02.120
<v Speaker 1>m I would give it four out of five delireans.

0:22:02.359 --> 0:22:05.040
<v Speaker 1>It's good, solid rating for something so old. And I

0:22:05.119 --> 0:22:07.200
<v Speaker 1>will say that at the end, as soon as they're like,

0:22:07.680 --> 0:22:09.840
<v Speaker 1>you know, we're we're going we don't need any and

0:22:09.920 --> 0:22:11.600
<v Speaker 1>he makes the big line, I was like, I want

0:22:11.600 --> 0:22:16.680
<v Speaker 1>to watch the sego. Back to the Future came out

0:22:16.680 --> 0:22:19.040
<v Speaker 1>in nineteen eighty five, Like I wasn't even old enough

0:22:19.080 --> 0:22:20.960
<v Speaker 1>to really watch it and understand it. Then I guess

0:22:20.960 --> 0:22:23.600
<v Speaker 1>I watched you watch it years later. But Back the

0:22:23.680 --> 0:22:26.680
<v Speaker 1>Future gets a thumbs out, Seinfeld gets it thumbs down. Yeah,

0:22:26.920 --> 0:22:28.560
<v Speaker 1>so you go. If you ever watch Back to the

0:22:28.640 --> 0:22:30.159
<v Speaker 1>Future too, just let us know. I'm not going to

0:22:30.280 --> 0:22:32.480
<v Speaker 1>sign that to you, but I'm going to sign something

0:22:32.520 --> 0:22:35.760
<v Speaker 1>else to you. And you have two weeks, Okay, if

0:22:35.800 --> 0:22:38.640
<v Speaker 1>you want to take the challenge, have if you've seen it, though,

0:22:38.960 --> 0:22:42.600
<v Speaker 1>don't have you ever seen The Karate Kid the original.

0:22:44.200 --> 0:22:45.800
<v Speaker 1>I want to say that I've seen parts, but I

0:22:45.880 --> 0:22:47.480
<v Speaker 1>have not seen it all the way through. Now, okay,

0:22:48.240 --> 0:22:51.560
<v Speaker 1>your next challenge, if you choose to accept it, is

0:22:51.640 --> 0:22:54.480
<v Speaker 1>the Karate Kid from nineteen eighty four. Oh, we're even

0:22:54.520 --> 0:22:58.600
<v Speaker 1>going back one more. Okay, yeah, I'll accept it. Okay,

0:22:59.600 --> 0:23:02.480
<v Speaker 1>two from today, Mike will check weather Morgan number two

0:23:02.480 --> 0:23:05.399
<v Speaker 1>will watch the Karate Kid. What's the Karate Kids review

0:23:05.560 --> 0:23:08.159
<v Speaker 1>on Rotten Tomatoes. It's got to be the most right

0:23:08.280 --> 0:23:14.399
<v Speaker 1>eighty nine? Okay, we was Back to the Future review. Okay,

0:23:14.640 --> 0:23:17.280
<v Speaker 1>I think you'll like the Karate kid, but sometimes they're

0:23:17.320 --> 0:23:21.960
<v Speaker 1>so dated that it's tough to really enjoy because it's

0:23:22.040 --> 0:23:25.719
<v Speaker 1>just wildly old. I will say too, like watching Back

0:23:25.760 --> 0:23:27.639
<v Speaker 1>to the Future is funny because all of like the

0:23:27.840 --> 0:23:31.040
<v Speaker 1>jeans are coming back in style right now. So some

0:23:31.200 --> 0:23:32.800
<v Speaker 1>of the things he was wearing. IM like, oh, we're

0:23:32.840 --> 0:23:39.520
<v Speaker 1>wearing that right now, Marvin, Marvin Barry, Yes, do you

0:23:39.600 --> 0:23:43.360
<v Speaker 1>get that reference? Yes, it's your brother cousin, cousin. Yeah,

0:23:43.880 --> 0:23:48.159
<v Speaker 1>a long time and Barry Okay, good job. It's the

0:23:48.359 --> 0:23:53.480
<v Speaker 1>best Bits of the week with Morgan number two. Hey,

0:23:53.560 --> 0:23:57.240
<v Speaker 1>this is Justin. Richmond hosted the Broken Record podcast Join

0:23:57.359 --> 0:24:00.480
<v Speaker 1>Me on Broken Record along with music industry icon Rubin

0:24:00.640 --> 0:24:03.520
<v Speaker 1>and authors Malcolm Gladwell and Bruce hadlum As we sit

0:24:03.560 --> 0:24:06.520
<v Speaker 1>down with the artists you love, getting unparalleled creative insight

0:24:06.680 --> 0:24:10.200
<v Speaker 1>into your favorite music. You'll hear revealing interviews with some

0:24:10.320 --> 0:24:13.400
<v Speaker 1>of the most legendary figures in music like Neil Young,

0:24:13.880 --> 0:24:18.199
<v Speaker 1>Under three thousand, Bruce Springsteen, and Naas. And you'll learn

0:24:18.200 --> 0:24:20.960
<v Speaker 1>about up and coming artists like Michelle's Honor, who talks

0:24:20.960 --> 0:24:23.440
<v Speaker 1>about her big plans for the dreamy indie pop band

0:24:23.520 --> 0:24:27.159
<v Speaker 1>Japanese Breakfast and Krumba. The Texas trio who share the

0:24:27.240 --> 0:24:31.160
<v Speaker 1>inspiration behind their global funk of sound. This March, we're

0:24:31.160 --> 0:24:34.840
<v Speaker 1>spotlighting female artists like Miss Elliott, Patti Smith, and Bonnie Rait.

0:24:35.560 --> 0:24:38.080
<v Speaker 1>Celebrate Women's History Month with us and learn how these

0:24:38.119 --> 0:24:41.960
<v Speaker 1>incredible women changed what was possible in music. Forging their

0:24:41.960 --> 0:24:44.359
<v Speaker 1>own paths will also pave in the way for others.

0:24:45.080 --> 0:24:48.320
<v Speaker 1>Listen to Broken Record on the iHeartRadio app, Apple Podcasts,

0:24:48.560 --> 0:24:54.840
<v Speaker 1>or wherever you get your podcasts. It's always a funny

0:24:54.880 --> 0:24:57.600
<v Speaker 1>one when Lunchbox tries to do something crazy with a

0:24:57.800 --> 0:25:00.760
<v Speaker 1>prank call. And this week he tried to by John

0:25:00.880 --> 0:25:05.560
<v Speaker 1>von Jovi's apartment using John bon Jovi's hit lyrics and

0:25:05.840 --> 0:25:08.880
<v Speaker 1>let's just say the realtor was not having any part

0:25:08.920 --> 0:25:11.800
<v Speaker 1>of it. Number five, here is Lunchbox trying to buy

0:25:11.840 --> 0:25:15.880
<v Speaker 1>bon Jovi's apartment. Come on, so, Jason Gibbles, Lunchboxes alter

0:25:15.920 --> 0:25:18.520
<v Speaker 1>ego who tries to make deals, and he often says

0:25:18.800 --> 0:25:21.440
<v Speaker 1>businessman making business deals, trying to get that money. We

0:25:21.720 --> 0:25:24.520
<v Speaker 1>talked briefly about bon Jovie's apartment's twenty two million dollars

0:25:24.560 --> 0:25:28.320
<v Speaker 1>in New York City. Lunchbox calls to try to make

0:25:28.400 --> 0:25:30.480
<v Speaker 1>them a deal, and as he does, he weaves in

0:25:30.560 --> 0:25:33.800
<v Speaker 1>bon Jovie lyrics. Yes, oh my gosh. For example, it's

0:25:33.840 --> 0:25:35.800
<v Speaker 1>my life. Maybe you know this song right here, it's

0:25:37.359 --> 0:25:39.920
<v Speaker 1>he weaves that one in, maybe one in debtit or Alive.

0:25:44.520 --> 0:25:47.200
<v Speaker 1>Here is Lunchbox trying to call and buy John bon

0:25:47.359 --> 0:25:54.160
<v Speaker 1>Jovi's apartment. Hie, this is different. Yeah. This is Jason Gibble,

0:25:54.240 --> 0:25:56.640
<v Speaker 1>business man making business deals, trying to get that money.

0:25:56.880 --> 0:25:58.720
<v Speaker 1>And I was trying to call and get some information

0:25:58.800 --> 0:26:03.440
<v Speaker 1>on one fifty five. What's the eleventh street? Wow? Time property.

0:26:03.600 --> 0:26:06.440
<v Speaker 1>Beautiful piece, Yeah, yeah, beautiful. Like I looked online, I

0:26:06.560 --> 0:26:10.120
<v Speaker 1>was like, man, it's my life. It's now or never.

0:26:10.240 --> 0:26:12.320
<v Speaker 1>If I'm going to upgrade to this because I'm forty,

0:26:12.520 --> 0:26:15.400
<v Speaker 1>I'm not gonna live forever. Wow, this is the place

0:26:15.480 --> 0:26:19.600
<v Speaker 1>for you. It's four thousand square feet floor to ceiling

0:26:20.080 --> 0:26:23.120
<v Speaker 1>windows you over. When I look at those windows while

0:26:23.119 --> 0:26:25.320
<v Speaker 1>I was looking at the pictures online, I was like, man,

0:26:25.440 --> 0:26:28.040
<v Speaker 1>I want that place. I want it dead or alive.

0:26:28.240 --> 0:26:30.760
<v Speaker 1>I don't care. I got to be in there. Imagine this.

0:26:31.200 --> 0:26:34.200
<v Speaker 1>You open up the doors, you come right out, and

0:26:34.280 --> 0:26:37.520
<v Speaker 1>there's the city surrounding you. The best part is, here's

0:26:37.520 --> 0:26:40.159
<v Speaker 1>the best part of it. My wife, she tells me,

0:26:40.280 --> 0:26:43.720
<v Speaker 1>oh my gosh, you're not romantic. Basically, she says, you

0:26:43.880 --> 0:26:46.920
<v Speaker 1>give love a bad name. Well guess what when I

0:26:47.040 --> 0:26:50.600
<v Speaker 1>surprised her with this, Uh, that's gonna change. Yeah, I

0:26:50.840 --> 0:26:55.000
<v Speaker 1>hear you. Okay, so it has four bedrooms, walking clogging?

0:26:55.560 --> 0:26:58.680
<v Speaker 1>Now Clinton for real? Like, are you guys looking for

0:26:58.880 --> 0:27:02.040
<v Speaker 1>a serious buy her? Once I submit this offer, I'm

0:27:02.040 --> 0:27:04.520
<v Speaker 1>gonna be living on a prayer that you accept it.

0:27:05.720 --> 0:27:08.040
<v Speaker 1>You know, or you've been doing it's quoting von Josey.

0:27:08.119 --> 0:27:10.200
<v Speaker 1>I don't know if you're serious or you're not. I'm

0:27:10.240 --> 0:27:14.240
<v Speaker 1>a very busy woman. I have many properties to show,

0:27:14.320 --> 0:27:16.160
<v Speaker 1>and you're waights in my time. Have a good day.

0:27:16.880 --> 0:27:21.560
<v Speaker 1>That's a good one. That's a nice one. I guess.

0:27:21.600 --> 0:27:24.560
<v Speaker 1>The thing that strikes me is you could just say

0:27:24.640 --> 0:27:26.159
<v Speaker 1>those things normally, like you know when you give love

0:27:26.200 --> 0:27:28.600
<v Speaker 1>a bad name, but it's almost like you're reading it,

0:27:29.119 --> 0:27:31.800
<v Speaker 1>you're talking normal. Then you're like, and you give love

0:27:31.880 --> 0:27:34.240
<v Speaker 1>a bad name? You wrote those down, y, I wrote

0:27:34.280 --> 0:27:36.560
<v Speaker 1>those because I gotta remember them. Yeah, that's good though.

0:27:36.840 --> 0:27:38.240
<v Speaker 1>Any luck, do you get it? You get a showing it?

0:27:38.440 --> 0:27:40.720
<v Speaker 1>I know she didn't. She didn't call me back. He

0:27:40.840 --> 0:27:42.920
<v Speaker 1>left her number though, right, I was like, oh no, no, no, no,

0:27:43.119 --> 0:27:45.680
<v Speaker 1>hang out and I try to car back. Nothing good one.

0:27:47.040 --> 0:27:50.760
<v Speaker 1>It's the best bits of the week with Morgan. Number two.

0:27:52.280 --> 0:27:55.160
<v Speaker 1>We love this guy. He is having an incredible March

0:27:55.240 --> 0:27:58.400
<v Speaker 1>and he talks about why it's so incredible. Parker McCollum

0:27:58.520 --> 0:28:00.760
<v Speaker 1>came on the show. He formed a little bit of

0:28:00.840 --> 0:28:03.640
<v Speaker 1>his song to be Loved by You, and Bobby surprised

0:28:03.720 --> 0:28:06.200
<v Speaker 1>him with a parody that he had just written of

0:28:06.320 --> 0:28:08.840
<v Speaker 1>one of Parker's songs, and of course we talked about

0:28:08.920 --> 0:28:10.800
<v Speaker 1>March and why it's been so awesome for him, from

0:28:11.119 --> 0:28:15.600
<v Speaker 1>ACM Awards performing and winning to him getting married very soon.

0:28:15.840 --> 0:28:19.520
<v Speaker 1>So listen right now. This is Parker McCallum number four.

0:28:19.680 --> 0:28:22.320
<v Speaker 1>Congratulations dude, you've been winning all the awards, performing on

0:28:22.359 --> 0:28:24.960
<v Speaker 1>all the award shows. Thank you. That's crazy. One award

0:28:25.040 --> 0:28:27.080
<v Speaker 1>and one awards show, but yeah it counts for all

0:28:27.080 --> 0:28:28.879
<v Speaker 1>of them. Yeah, it's like everyone I've seen and the

0:28:28.960 --> 0:28:31.240
<v Speaker 1>last week you were on it. Thank you man. Parker

0:28:31.320 --> 0:28:32.520
<v Speaker 1>text and there's like, Hey, you're gonna be up on

0:28:32.560 --> 0:28:34.840
<v Speaker 1>the show tomorrow. I'm coming up And I was like, yeah,

0:28:35.280 --> 0:28:36.760
<v Speaker 1>I was like what if I wasn't What if he

0:28:36.840 --> 0:28:38.360
<v Speaker 1>came up well, you know, nine of us were here.

0:28:38.520 --> 0:28:40.880
<v Speaker 1>Oh my calendar, all it ever says is Bobby Bones.

0:28:41.320 --> 0:28:43.040
<v Speaker 1>So sometimes it's like you come in and you do,

0:28:43.240 --> 0:28:45.280
<v Speaker 1>you'll do like some liners or something and leave, or

0:28:45.320 --> 0:28:46.760
<v Speaker 1>you'll do you know, it's like, I don't even know

0:28:46.800 --> 0:28:50.760
<v Speaker 1>if I'm actually gonna be ony. Hey, I'm gonna come

0:28:50.760 --> 0:28:53.200
<v Speaker 1>to your show. You're gonna be there. I said, yeah, yes, sir,

0:28:54.120 --> 0:28:55.680
<v Speaker 1>I am gonna be there. He's like, all right, cool,

0:28:55.960 --> 0:28:57.360
<v Speaker 1>And then I thought, man, did people ever just come

0:28:57.440 --> 0:28:59.000
<v Speaker 1>up here and I'm not here? Are you got scheduling

0:28:59.040 --> 0:29:01.320
<v Speaker 1>interviews just for fun? The one time you were out

0:29:01.320 --> 0:29:02.959
<v Speaker 1>of town, I did the thing like taking over your

0:29:03.000 --> 0:29:05.120
<v Speaker 1>office or something, going through all your stuff on camera.

0:29:05.280 --> 0:29:06.880
<v Speaker 1>It was on camera or I think I saw that

0:29:07.120 --> 0:29:08.880
<v Speaker 1>that was just me and Parker. Yeah again, that's just

0:29:08.960 --> 0:29:10.680
<v Speaker 1>I think you got just bringing artists up to have fun.

0:29:11.640 --> 0:29:15.720
<v Speaker 1>Congratulations on your ACM new mail artists. Thank you pretty cool.

0:29:16.040 --> 0:29:18.080
<v Speaker 1>I saw the thing where I guess you're on a

0:29:18.200 --> 0:29:20.960
<v Speaker 1>zoom and then you're waiting, what did they tell you

0:29:21.080 --> 0:29:23.040
<v Speaker 1>is about to happen? Why are you on a zoom? Man?

0:29:23.080 --> 0:29:24.640
<v Speaker 1>It's just kind of like this morning, it's just on

0:29:24.760 --> 0:29:26.760
<v Speaker 1>my calendar. I thought. I had a we're actually trying

0:29:26.760 --> 0:29:28.800
<v Speaker 1>to walk out of the house, go to the airport,

0:29:29.120 --> 0:29:30.440
<v Speaker 1>we're about to miss our flight. And I had a

0:29:30.520 --> 0:29:32.960
<v Speaker 1>zoom call. You didn't know you No, I was just

0:29:33.000 --> 0:29:35.560
<v Speaker 1>a normal interview, So I got it. I just hopped on, thinking,

0:29:36.000 --> 0:29:38.560
<v Speaker 1>you know, talk about normal stuff real quick and then

0:29:38.680 --> 0:29:40.360
<v Speaker 1>go to the airport. And then Miranda hopped on and

0:29:40.400 --> 0:29:43.080
<v Speaker 1>I was like it kind of in my mind, you know, right,

0:29:43.240 --> 0:29:45.120
<v Speaker 1>My first thought was just what I think is? I mean,

0:29:45.120 --> 0:29:46.880
<v Speaker 1>we're about to fly there for the ACMs. But I

0:29:47.000 --> 0:29:48.640
<v Speaker 1>was like I can't go. Why, nothing like that. So

0:29:49.640 --> 0:29:52.280
<v Speaker 1>and she said, you won? You won? Yeah, I won.

0:29:52.560 --> 0:29:55.280
<v Speaker 1>That's pretty cool. That's pretty that's pretty good. Man's as

0:29:55.320 --> 0:29:56.720
<v Speaker 1>good as you can do with those things as win.

0:29:56.880 --> 0:29:59.840
<v Speaker 1>So did you already know you were performing? Though? No,

0:30:00.040 --> 0:30:01.840
<v Speaker 1>I did not. I had no idea. Um, you know,

0:30:01.920 --> 0:30:04.080
<v Speaker 1>they when you're nominated, they kind of, I think, reach

0:30:04.160 --> 0:30:06.720
<v Speaker 1>out to your team about, you know, just in case

0:30:06.800 --> 0:30:09.200
<v Speaker 1>you do win. But I was like, I mean, I

0:30:09.240 --> 0:30:10.640
<v Speaker 1>just there's no way. I was like, I'm not gonna

0:30:10.640 --> 0:30:13.760
<v Speaker 1>win an ACM Award. But but here you are, you

0:30:14.520 --> 0:30:18.360
<v Speaker 1>are getting married. So are you saying when it's at

0:30:18.360 --> 0:30:19.800
<v Speaker 1>the end of the month, I've been saying at the

0:30:19.880 --> 0:30:22.400
<v Speaker 1>end of the month, okay, good good enough. Um. Now,

0:30:22.480 --> 0:30:24.120
<v Speaker 1>when I was getting married, I wanted to wear a

0:30:24.200 --> 0:30:26.880
<v Speaker 1>red tuxedo and it was kind of ribto um, what

0:30:27.240 --> 0:30:29.600
<v Speaker 1>have you had any struggle with what you want? Because

0:30:29.600 --> 0:30:32.440
<v Speaker 1>you're you know, you're a guy with style. You know,

0:30:33.080 --> 0:30:35.400
<v Speaker 1>I just kind of it's her day. It means it's

0:30:35.440 --> 0:30:37.960
<v Speaker 1>like the so such a big deal to a girl

0:30:38.040 --> 0:30:40.040
<v Speaker 1>to plan a wedding, right the guy you're just kind

0:30:40.080 --> 0:30:41.600
<v Speaker 1>of like, tell me where to be, when to be there.

0:30:42.280 --> 0:30:44.640
<v Speaker 1>They don't care what I think. Did you suggest anything

0:30:44.640 --> 0:30:47.520
<v Speaker 1>about your attire? I did on the like very beginning.

0:30:47.560 --> 0:30:49.520
<v Speaker 1>I was like, man, I'd love for me and all

0:30:49.560 --> 0:30:52.240
<v Speaker 1>my groomsmen to be you know, black cowboy hat, solid black,

0:30:52.280 --> 0:30:55.240
<v Speaker 1>old school tuxedo, black boots, the whole deal. And she

0:30:55.360 --> 0:30:59.960
<v Speaker 1>was like absolutely not. So like I was like, don't

0:31:00.000 --> 0:31:01.840
<v Speaker 1>asked me again, I don't want to if if if

0:31:01.840 --> 0:31:03.560
<v Speaker 1>I don't get to have any input on that, then

0:31:04.040 --> 0:31:07.920
<v Speaker 1>so what did you decides? Uh? Classic normal talks. Yeah,

0:31:07.960 --> 0:31:09.480
<v Speaker 1>I don't even I don't know. I actually try it

0:31:09.560 --> 0:31:12.480
<v Speaker 1>on today at four on my calendar it says tucks

0:31:12.600 --> 0:31:15.120
<v Speaker 1>think so calendar, Hey, I can respect the guy who

0:31:15.200 --> 0:31:17.920
<v Speaker 1>lives by his calendar. That's all I got. How many

0:31:18.000 --> 0:31:20.120
<v Speaker 1>times as he said, calendar and that's all I got.

0:31:20.280 --> 0:31:22.800
<v Speaker 1>Are you nervous about getting married? Are you ready to

0:31:22.880 --> 0:31:25.000
<v Speaker 1>do it? Not yet? You know? I mean just this

0:31:25.200 --> 0:31:28.120
<v Speaker 1>month is so crazy, um, the month of March of

0:31:28.440 --> 0:31:30.400
<v Speaker 1>It's like I'm stringing together one of the greatest months

0:31:30.440 --> 0:31:33.160
<v Speaker 1>of my life right now. So, UM, list why this

0:31:33.320 --> 0:31:36.280
<v Speaker 1>month is so great. Um, hopefully about to have my

0:31:36.320 --> 0:31:38.640
<v Speaker 1>second number one, that's why. That's why it's here. Today's

0:31:38.640 --> 0:31:41.000
<v Speaker 1>about to have a number one? Yes, had um just

0:31:41.160 --> 0:31:45.120
<v Speaker 1>played in the ACMs. Um playing Houston Rodeo sold out

0:31:45.160 --> 0:31:48.840
<v Speaker 1>seventy thousand people on Saturday, and then getting married. So

0:31:49.960 --> 0:31:51.800
<v Speaker 1>that's a good March. Yeah, that's a good one. Yeah.

0:31:51.960 --> 0:31:54.800
<v Speaker 1>At Houston Rodeo that's significant too. That's that's all I

0:31:54.800 --> 0:31:57.120
<v Speaker 1>ever want to do. That's it for me. I mean,

0:31:57.680 --> 0:32:01.520
<v Speaker 1>growing up in Texas, that's the biggest thing to go.

0:32:02.560 --> 0:32:04.920
<v Speaker 1>Or if you're an artist to perform at the Houston

0:32:05.040 --> 0:32:08.000
<v Speaker 1>Rodeo and the thing is sold out seventy thousand people,

0:32:08.600 --> 0:32:10.880
<v Speaker 1>it's just craw. I don't know. The ACM thing hasn't

0:32:10.880 --> 0:32:12.240
<v Speaker 1>really hit me yet. That was all kind of a

0:32:12.320 --> 0:32:14.440
<v Speaker 1>blur and then the rodeo probably be the same way.

0:32:14.440 --> 0:32:16.320
<v Speaker 1>We're probably like in July, I'll be riding down the

0:32:16.360 --> 0:32:18.480
<v Speaker 1>road on the bus somewhere and be like, man March

0:32:18.640 --> 0:32:21.480
<v Speaker 1>was really good. Yeah it's a good, but none will

0:32:21.520 --> 0:32:23.760
<v Speaker 1>be as good after this. This is the peak, so

0:32:23.880 --> 0:32:26.280
<v Speaker 1>we'll take it in. Hey, I do if you don't mind.

0:32:26.320 --> 0:32:29.000
<v Speaker 1>I know you have your guitar. Why don't you play

0:32:29.000 --> 0:32:30.760
<v Speaker 1>a little bit? Just give us a verse in chorus

0:32:30.800 --> 0:32:32.720
<v Speaker 1>of this song that's about to go number one. Here

0:32:32.880 --> 0:32:43.680
<v Speaker 1>is Parker McCullum. And to be loved by you? You'll

0:32:43.920 --> 0:32:49.040
<v Speaker 1>maybe I'm right, maybe I'm wrong, fining I shoot and

0:32:49.160 --> 0:32:53.480
<v Speaker 1>take this song? Easy to sit, thing done. I guess

0:32:53.840 --> 0:32:57.280
<v Speaker 1>I'm a little be harder due love than the risk.

0:32:57.560 --> 0:33:02.240
<v Speaker 1>Where does it have to be? So do my bit?

0:33:02.440 --> 0:33:08.160
<v Speaker 1>So hold your heart and I never let it go again?

0:33:09.640 --> 0:33:17.000
<v Speaker 1>So why you always angry? Why you always cry? Why

0:33:17.040 --> 0:33:22.440
<v Speaker 1>do you sleep bailong? When I know you don't like it?

0:33:23.720 --> 0:33:28.040
<v Speaker 1>Maybe you might be deference to kill you to tell

0:33:28.160 --> 0:33:36.480
<v Speaker 1>me the truth? What in the hill doesn't make to do?

0:33:37.640 --> 0:33:41.760
<v Speaker 1>To be loved by you? Come on there he is.

0:33:42.080 --> 0:33:44.200
<v Speaker 1>That's the number one song this week. We're gonna go

0:33:44.480 --> 0:33:46.400
<v Speaker 1>next week it will be Hey, I want to try something.

0:33:46.440 --> 0:33:48.800
<v Speaker 1>When you were walking in your songs always on my head?

0:33:48.880 --> 0:33:51.920
<v Speaker 1>You know why you always angry? And thank you? Thank

0:33:51.920 --> 0:33:54.840
<v Speaker 1>you ask I'm pretty get that, but I was thinking

0:33:54.840 --> 0:33:57.280
<v Speaker 1>about it, and I wrote the first four lines to

0:33:57.400 --> 0:33:59.800
<v Speaker 1>a parody. And I don't want to do parodies anymore.

0:34:00.120 --> 0:34:03.560
<v Speaker 1>But play me, you know, don't sing, but play me

0:34:04.200 --> 0:34:06.800
<v Speaker 1>the chorus on your guitar. All right, here we go.

0:34:06.840 --> 0:34:08.600
<v Speaker 1>I'm gonna do you want that same key? Yeah? I

0:34:09.080 --> 0:34:11.759
<v Speaker 1>mean what do I know? All right, sure, here we go.

0:34:12.040 --> 0:34:14.640
<v Speaker 1>So why you got it? I'll start it? So why

0:34:14.640 --> 0:34:19.720
<v Speaker 1>are you always angry? Why don't you just eat lunch?

0:34:21.120 --> 0:34:26.319
<v Speaker 1>There's lots of leftovers. Just go and heat it up

0:34:27.640 --> 0:34:32.560
<v Speaker 1>and use the microwave and clear off the screen when

0:34:32.600 --> 0:34:38.840
<v Speaker 1>you're done. Just stop winding that you're hungry. Don't know

0:34:39.320 --> 0:34:42.759
<v Speaker 1>the rest. And I never got this far with the song,

0:34:43.320 --> 0:34:47.640
<v Speaker 1>thank you very much, thank you? List? Yeah? Are you

0:34:47.680 --> 0:34:50.239
<v Speaker 1>always angry? You didn't sing though, Oh I thought you

0:34:50.280 --> 0:34:53.880
<v Speaker 1>were taking it home. I've never heard anyone take it

0:34:54.000 --> 0:34:56.080
<v Speaker 1>home more than I just took it home. No, that's

0:34:56.080 --> 0:34:58.719
<v Speaker 1>all the way home you ever get on stage. And

0:34:59.200 --> 0:35:01.680
<v Speaker 1>this is on both side of it where one night

0:35:01.800 --> 0:35:04.479
<v Speaker 1>you feel like, man, I'm killing it, like my voice

0:35:04.560 --> 0:35:07.520
<v Speaker 1>is good, I'm on like just and you're like, man,

0:35:07.600 --> 0:35:09.520
<v Speaker 1>this is one of those rare nights where everything is

0:35:09.560 --> 0:35:11.600
<v Speaker 1>perfect and then at the same time, do you have

0:35:11.760 --> 0:35:15.000
<v Speaker 1>nights where you're like, man, everything is wrong, like I'm

0:35:15.040 --> 0:35:19.040
<v Speaker 1>not hitting? Does that? Do those happen often? On either side? Man,

0:35:19.120 --> 0:35:22.359
<v Speaker 1>I'm just so critical of it. It's always the second one.

0:35:22.440 --> 0:35:24.239
<v Speaker 1>Every night. It's like, oh, man, well we just as

0:35:24.320 --> 0:35:25.919
<v Speaker 1>soon as we walk off the bus, me and the band,

0:35:26.040 --> 0:35:27.800
<v Speaker 1>or as soon as we walk off the stage, the

0:35:27.840 --> 0:35:30.319
<v Speaker 1>band and I are always sitting there. You know, how'd

0:35:30.360 --> 0:35:32.239
<v Speaker 1>your ears sound? How did it? You know? What'd you think?

0:35:32.280 --> 0:35:34.680
<v Speaker 1>What the you know? And sometimes we feel like we

0:35:34.800 --> 0:35:37.480
<v Speaker 1>play terrible or I sound terrible with the crowd energy

0:35:37.520 --> 0:35:39.640
<v Speaker 1>is so electric it doesn't even matter, you know. So

0:35:40.560 --> 0:35:42.719
<v Speaker 1>I'm in my head about it every single night. We

0:35:42.800 --> 0:35:45.680
<v Speaker 1>record every show, listen to every you do. Yeah, oh,

0:35:45.800 --> 0:35:49.480
<v Speaker 1>like game tape, kind of like watching film. You're gonna

0:35:49.560 --> 0:35:52.520
<v Speaker 1>drive yourself crazy. Oh, it drives me insane. I just

0:35:52.560 --> 0:35:54.879
<v Speaker 1>wanted to be perfect. I'm a big believer in getting better.

0:35:55.000 --> 0:35:57.000
<v Speaker 1>But if I did that, I couldn't do it. Every

0:35:57.080 --> 0:36:00.040
<v Speaker 1>night because I would always hate myself. Yeah, it's we

0:36:00.200 --> 0:36:01.840
<v Speaker 1>usually get on the bus and somebody we listen to

0:36:01.880 --> 0:36:03.919
<v Speaker 1>the show and they'll be like listen, and so it's

0:36:04.320 --> 0:36:06.320
<v Speaker 1>I don't know, that's to good for you. Do you

0:36:06.360 --> 0:36:09.800
<v Speaker 1>feel like you get better from it? I hope. So

0:36:10.160 --> 0:36:13.080
<v Speaker 1>do you ever say anything stupid? Like when you're talking

0:36:13.160 --> 0:36:15.399
<v Speaker 1>and you're back and you're like, why did I say that? Oh?

0:36:15.560 --> 0:36:17.560
<v Speaker 1>All the time? There's a video on the internet. One

0:36:17.640 --> 0:36:19.759
<v Speaker 1>night we were playing somewhere in like Kansas or sometime.

0:36:19.800 --> 0:36:21.719
<v Speaker 1>It's big outdoor stage. It was super windy and it

0:36:21.840 --> 0:36:24.320
<v Speaker 1>was just blow and the whole show, and at some

0:36:24.440 --> 0:36:26.640
<v Speaker 1>point it's like on TikTok or something that popped up

0:36:26.719 --> 0:36:30.040
<v Speaker 1>recently that sounds so stupid. I'm like, I'm like, how

0:36:30.120 --> 0:36:31.480
<v Speaker 1>much wind can there be? It has to go all

0:36:31.480 --> 0:36:33.000
<v Speaker 1>the way around the world at one point, like surely

0:36:33.000 --> 0:36:34.520
<v Speaker 1>we're going to run out of wind before the end

0:36:34.520 --> 0:36:36.480
<v Speaker 1>of this show. It goes all the way around, like

0:36:36.560 --> 0:36:38.239
<v Speaker 1>it has to go to the other side. At some

0:36:38.280 --> 0:36:41.719
<v Speaker 1>point there's no way there's any wind left. And after

0:36:41.800 --> 0:36:47.640
<v Speaker 1>the show you're like, what is he talking? We're listening.

0:36:47.640 --> 0:36:50.400
<v Speaker 1>It's a smart all coming up road for you. Right now, man,

0:36:50.440 --> 0:36:53.360
<v Speaker 1>you're about to get married. I mean, she's awesome. The

0:36:53.880 --> 0:36:55.880
<v Speaker 1>just numera know, I'm gonna say she's the man, but

0:36:56.040 --> 0:36:58.160
<v Speaker 1>she's not the man, she's the woman. Well, you got

0:36:58.239 --> 0:37:01.319
<v Speaker 1>it all going. Congrats on wedding. You're not singing at

0:37:01.320 --> 0:37:03.879
<v Speaker 1>your wedding? Right No? Sure? Okay, thank god. It would

0:37:03.880 --> 0:37:05.600
<v Speaker 1>just be awkward for everybody. It'd be awesome. It'd be

0:37:05.640 --> 0:37:08.279
<v Speaker 1>awkward for everybody. And everything with me and Holly Ray

0:37:08.360 --> 0:37:10.759
<v Speaker 1>is always about me, Like everything we go to is

0:37:10.840 --> 0:37:12.879
<v Speaker 1>for me. Everything, you know, I've got to get on stage,

0:37:12.920 --> 0:37:15.920
<v Speaker 1>do the interview, everything's that a way. And so I'm like,

0:37:16.520 --> 0:37:18.040
<v Speaker 1>that's like such a big dage. She needs to be

0:37:18.080 --> 0:37:22.000
<v Speaker 1>about her. So is that often a convert because we

0:37:22.160 --> 0:37:26.000
<v Speaker 1>have that same conversation where so much is about when

0:37:26.040 --> 0:37:28.560
<v Speaker 1>we go places. A lot of the time she just

0:37:28.800 --> 0:37:32.560
<v Speaker 1>ends up being Bobby's wife and we have to purposefully

0:37:32.640 --> 0:37:35.320
<v Speaker 1>find things that and I try to make an effort

0:37:35.520 --> 0:37:38.200
<v Speaker 1>to do things where she's just not my wife or

0:37:38.239 --> 0:37:41.120
<v Speaker 1>I'm just a dorky guy that's with her because she

0:37:41.200 --> 0:37:43.879
<v Speaker 1>kind of deserves her own spotlight. Yeah, I always trying

0:37:43.880 --> 0:37:46.279
<v Speaker 1>to just make sure that she doesn't feel like that

0:37:47.120 --> 0:37:49.280
<v Speaker 1>and I enjoy that, you know, Like I mean, everything

0:37:49.440 --> 0:37:52.360
<v Speaker 1>is it's always we're always going somewhere doing something for me.

0:37:52.520 --> 0:37:54.680
<v Speaker 1>So I'm always trying to go places and do stuff

0:37:54.680 --> 0:37:57.480
<v Speaker 1>for her. But I don't know she's really She's just

0:37:57.880 --> 0:38:00.319
<v Speaker 1>the bomb dude. She handles it so well and it's

0:38:00.480 --> 0:38:02.600
<v Speaker 1>still kind of new for her. I think a lot

0:38:02.640 --> 0:38:04.520
<v Speaker 1>of the things we do, like being at the Awards show,

0:38:05.040 --> 0:38:06.520
<v Speaker 1>I think to thought that was the coolest thing in

0:38:06.560 --> 0:38:09.080
<v Speaker 1>the world. She saw Brittany Audine, and Brittany came over

0:38:09.120 --> 0:38:12.400
<v Speaker 1>and said hello, so, um, you know those those kind

0:38:12.440 --> 0:38:15.520
<v Speaker 1>of things. I think she's probably it's probably okay too.

0:38:15.960 --> 0:38:18.560
<v Speaker 1>I congratulation the bank. You there. He is Parker McCullum.

0:38:18.680 --> 0:38:20.120
<v Speaker 1>I was working a couple of the lines here for

0:38:20.200 --> 0:38:21.839
<v Speaker 1>the song that was gonna be smash Up. Yeah. Well

0:38:21.920 --> 0:38:25.840
<v Speaker 1>because at the second verse, why are you always angry?

0:38:26.280 --> 0:38:30.200
<v Speaker 1>Why don't you just eat lunch? There's lots of leftovers,

0:38:30.560 --> 0:38:32.680
<v Speaker 1>just go and heat it up. And I feel like

0:38:32.719 --> 0:38:36.160
<v Speaker 1>a food reference here, like, um, maybe have some pasta

0:38:37.080 --> 0:38:41.000
<v Speaker 1>in the drawer. There's a grilled cheese, right, So let

0:38:41.040 --> 0:38:43.840
<v Speaker 1>me find you. Because she's what a man have to do.

0:38:44.920 --> 0:38:46.800
<v Speaker 1>Hold on, hold on, don't don't know. I'm writing a

0:38:46.880 --> 0:38:49.480
<v Speaker 1>song here. I thought about that. No, hold on, man,

0:38:49.840 --> 0:38:53.040
<v Speaker 1>So what's have to do to be loved by you?

0:38:53.640 --> 0:38:57.239
<v Speaker 1>And I would be like, chew, I need some food

0:38:57.360 --> 0:38:59.440
<v Speaker 1>like that's why I'm chasing that last part of chasing

0:38:59.480 --> 0:39:01.080
<v Speaker 1>it hits, shall you? Yeah? This why I do? I

0:39:01.160 --> 0:39:02.759
<v Speaker 1>chase this all day, all time? How to believe you?

0:39:02.960 --> 0:39:05.759
<v Speaker 1>All right? From the from the top three two? I

0:39:05.800 --> 0:39:07.719
<v Speaker 1>don't know how to count. I don't know what's happening here.

0:39:07.760 --> 0:39:11.680
<v Speaker 1>All right, there we go? So are you always hary?

0:39:12.560 --> 0:39:18.600
<v Speaker 1>Why don't you just eat lunch? This tons of leftovers?

0:39:19.480 --> 0:39:25.359
<v Speaker 1>Just go and heat it up. Maybe have some pasta

0:39:26.200 --> 0:39:30.800
<v Speaker 1>in the drawer. This a grilled cheese. You don't have

0:39:31.320 --> 0:39:34.960
<v Speaker 1>to tell me, don't have you, can't do Please, it's

0:39:35.000 --> 0:39:41.960
<v Speaker 1>gotta go you to be I had him. I'm gonna

0:39:42.000 --> 0:39:44.400
<v Speaker 1>work on this all night and I'm never gonna bring

0:39:44.440 --> 0:39:46.640
<v Speaker 1>it up again. I've I've got a hundred that are

0:39:46.760 --> 0:39:51.160
<v Speaker 1>that finish, that are that close, So just shut up

0:39:51.200 --> 0:39:53.400
<v Speaker 1>and eat some food. I'm pretty much there. I'm pretty

0:39:53.480 --> 0:39:57.840
<v Speaker 1>much Parker McCallum. Follow him at Parker McCallum, let me

0:39:57.920 --> 0:39:59.879
<v Speaker 1>say this, he'll be out. I got a couple of things.

0:40:00.000 --> 0:40:03.400
<v Speaker 1>He's playing with Eric Church and Brothers Osborne in Milwaukee

0:40:03.440 --> 0:40:05.319
<v Speaker 1>on May twenty eighth for that stadium show. It's going

0:40:05.400 --> 0:40:09.360
<v Speaker 1>to be massive, gnarly um the Rodeo Massive. Can you

0:40:09.400 --> 0:40:11.440
<v Speaker 1>still get tickets? It's sold out, but sometimes they do

0:40:11.560 --> 0:40:13.319
<v Speaker 1>like a little blaba tickets at the very end. Yeah,

0:40:13.320 --> 0:40:14.839
<v Speaker 1>it's so, but I know, I know a guy. If

0:40:14.840 --> 0:40:17.960
<v Speaker 1>anybody needs tickets, And here's Parker's cell phone number, call him.

0:40:18.360 --> 0:40:22.760
<v Speaker 1>It's the gold Chain Cowboy Tour. You get a chancy

0:40:22.840 --> 0:40:25.360
<v Speaker 1>Parkers Live shows are great. Just go to Parker McCollum

0:40:25.440 --> 0:40:31.680
<v Speaker 1>dot com. He'll be Corpus Christie Carl's Bad Tucson, Orlando, Madison, Alabama.

0:40:32.080 --> 0:40:34.600
<v Speaker 1>He's a great guy. I consider him a friend. It's

0:40:34.600 --> 0:40:37.360
<v Speaker 1>all on my calendar and there he is, Parker mccallmyoday,

0:40:37.680 --> 0:40:41.719
<v Speaker 1>Thank you, thank you. It's the best Bits of the

0:40:41.800 --> 0:40:46.759
<v Speaker 1>week with Morgan. Number two. This was the last week

0:40:46.960 --> 0:40:50.160
<v Speaker 1>of submissions for our Bobby Bones Show theme song, and

0:40:50.360 --> 0:40:52.919
<v Speaker 1>oh my goodness, there were so many good ones y'all,

0:40:53.040 --> 0:40:56.400
<v Speaker 1>Like I cannot even explain this. You're gonna hear the

0:40:56.560 --> 0:40:58.720
<v Speaker 1>last ones here. But also you can go on Bobby

0:40:58.719 --> 0:41:01.360
<v Speaker 1>Bones dot com and see these six finalists before we

0:41:01.440 --> 0:41:04.680
<v Speaker 1>start voting next week. Let us know your favorites when

0:41:04.719 --> 0:41:07.359
<v Speaker 1>we post that next week. Not yet, don't be coming

0:41:07.440 --> 0:41:09.920
<v Speaker 1>up in my DMS yet, but soon you guys can

0:41:10.080 --> 0:41:12.439
<v Speaker 1>place your votes for the Bobby Bones Show Theme song

0:41:13.040 --> 0:41:16.320
<v Speaker 1>number three. All right, final batch of theme songs that

0:41:16.400 --> 0:41:19.680
<v Speaker 1>have been written by listeners for this show. I said, hey,

0:41:19.920 --> 0:41:22.000
<v Speaker 1>write us a thirty second theme song. I'll pay somebody

0:41:22.040 --> 0:41:24.480
<v Speaker 1>five hundred bucks in my own money. So this is

0:41:24.480 --> 0:41:26.839
<v Speaker 1>the last week we have three. We're gonna move one,

0:41:26.920 --> 0:41:30.279
<v Speaker 1>maybe two of these into the semifinals. This is Angie, Kay,

0:41:30.560 --> 0:41:32.919
<v Speaker 1>she writes me, and my buddy Chris made the winning

0:41:32.960 --> 0:41:35.879
<v Speaker 1>theme song right here. Then listen to the Bobby Bones Show.

0:41:35.920 --> 0:41:50.280
<v Speaker 1>Since y'all started. It's Bobby from them something good. Listen

0:41:50.960 --> 0:42:00.359
<v Speaker 1>the best friend lunch boxes yelling any woman so when

0:42:00.440 --> 0:42:24.919
<v Speaker 1>away we can't so, I'm it's that is so good?

0:42:26.040 --> 0:42:30.319
<v Speaker 1>What she's a mess? Wow? That's really good. I mean,

0:42:30.360 --> 0:42:32.120
<v Speaker 1>there are two more. How do we play that? I

0:42:32.120 --> 0:42:34.759
<v Speaker 1>don't know even I don't know any that's really good?

0:42:34.800 --> 0:42:40.359
<v Speaker 1>Are k Wow? And Chris? Uh yeah, buddy, that's that's

0:42:40.440 --> 0:42:44.040
<v Speaker 1>really good. Okay, and she's really good. Okay. Here is

0:42:44.360 --> 0:42:46.320
<v Speaker 1>m R and D. That's all. They call themselves R

0:42:46.320 --> 0:42:48.440
<v Speaker 1>and D. And they wrote, here's our submission to be

0:42:48.520 --> 0:42:52.520
<v Speaker 1>put into the running of the theme songs love this show. Wow,

0:42:52.560 --> 0:42:54.799
<v Speaker 1>we should have put that one last. Huh Is that good?

0:42:54.840 --> 0:42:58.120
<v Speaker 1>Are the other ones good too? It's anous all right,

0:42:58.160 --> 0:43:02.440
<v Speaker 1>here we go. Here's number two, wake up, wake Up,

0:43:02.600 --> 0:43:13.040
<v Speaker 1>And in the turn the radio and the lunchbox, we'll

0:43:13.120 --> 0:43:15.799
<v Speaker 1>get to school. Steve bred out of trying to put

0:43:15.840 --> 0:43:20.080
<v Speaker 1>you through. He's riding this week's next year. The Bobby's

0:43:20.120 --> 0:43:29.799
<v Speaker 1>on the mix, so you know it. This that's really

0:43:29.840 --> 0:43:34.040
<v Speaker 1>good too. And they mentioned Mike d which who's such

0:43:34.080 --> 0:43:36.680
<v Speaker 1>a big part of this show, and some people never

0:43:36.760 --> 0:43:39.160
<v Speaker 1>mentioned him and I always feel bad because, yeah, he

0:43:39.200 --> 0:43:41.239
<v Speaker 1>didn't talk a whole lot, but he's so important to

0:43:41.320 --> 0:43:44.480
<v Speaker 1>this show. That's really good too. The vibe is definitely different.

0:43:46.080 --> 0:43:50.160
<v Speaker 1>That's good. That's good too. Dang, all right, here's our

0:43:50.200 --> 0:43:53.440
<v Speaker 1>final one for today. This is Katie, she says, morning

0:43:53.520 --> 0:43:55.839
<v Speaker 1>studio after. I love hearing some of the song entries

0:43:55.880 --> 0:43:58.880
<v Speaker 1>for the BBS theme song. I'm not fancy so it

0:43:59.000 --> 0:44:02.319
<v Speaker 1>probably need to be sung by Abby or Lunchbox. Thanks

0:44:02.320 --> 0:44:05.359
<v Speaker 1>for giving us listeners a fun opportunity. Hope this song

0:44:05.520 --> 0:44:07.560
<v Speaker 1>makes all of you smile. Katie K and my not

0:44:07.840 --> 0:44:12.399
<v Speaker 1>North Dakota. It's modern in time to wake up, turn

0:44:12.480 --> 0:44:16.759
<v Speaker 1>the radio on and jim out with the Bat Team

0:44:16.840 --> 0:44:20.080
<v Speaker 1>crew to your favorite songs and boone Head stories. Or

0:44:20.120 --> 0:44:22.800
<v Speaker 1>in the morning, Corney, you know, we got game Scalore

0:44:23.719 --> 0:44:28.680
<v Speaker 1>easy trivia. You're gonna get you feeling. I feel good. Oh,

0:44:28.840 --> 0:44:41.359
<v Speaker 1>I feel so good. Hey, hey, y'all, that's actually really good.

0:44:41.719 --> 0:44:44.960
<v Speaker 1>She didn't have the production capabilities or resources the other

0:44:44.960 --> 0:44:46.759
<v Speaker 1>people had, but that was really good. And then she

0:44:46.800 --> 0:44:53.399
<v Speaker 1>did some little good Yeah, that's good. That good man,

0:44:53.680 --> 0:44:55.959
<v Speaker 1>that's good good. Um. This is what I would say

0:44:56.760 --> 0:44:58.520
<v Speaker 1>because all three, I mean, I would say that those

0:44:58.640 --> 0:45:01.600
<v Speaker 1>three are are bed than most of the ones from

0:45:01.640 --> 0:45:03.600
<v Speaker 1>the early weeks because it just got better each week.

0:45:03.800 --> 0:45:05.640
<v Speaker 1>But we can't move all three through. I think we

0:45:05.800 --> 0:45:09.600
<v Speaker 1>probably move in the first two through. We can move

0:45:09.640 --> 0:45:11.600
<v Speaker 1>the first two through. Do you guys feel good on that? Yeah?

0:45:11.920 --> 0:45:15.520
<v Speaker 1>Because they're both so good. Um, so we'll have six

0:45:16.200 --> 0:45:18.319
<v Speaker 1>and then next week we'll go through those and cut

0:45:18.400 --> 0:45:20.759
<v Speaker 1>it down to three and then to one. Okay, so

0:45:20.840 --> 0:45:22.879
<v Speaker 1>we're gonna move Angie K and R and D through

0:45:23.320 --> 0:45:25.279
<v Speaker 1>play ANGI K again one more time, and then from

0:45:25.320 --> 0:45:27.160
<v Speaker 1>the end of this we'll just go into the song.

0:45:27.239 --> 0:45:31.840
<v Speaker 1>Let's see if there how this feels. It's Bobby and

0:45:32.040 --> 0:45:42.279
<v Speaker 1>I'm playing from them. We'll tell something good listens like

0:45:42.560 --> 0:45:50.839
<v Speaker 1>the best foot He's a woman like it's so mad

0:45:53.280 --> 0:46:15.040
<v Speaker 1>he nay, we can't. I'm so so it's it's good.

0:46:15.480 --> 0:46:19.239
<v Speaker 1>All right, there you go. It's the best bits of

0:46:19.360 --> 0:46:26.640
<v Speaker 1>the week with Morgan. Number two. Good Golly, Miss Dolly.

0:46:26.800 --> 0:46:28.680
<v Speaker 1>She was on the show this week. I love me

0:46:28.800 --> 0:46:32.480
<v Speaker 1>some Dolly Parton. She is just a powerhouse of a human.

0:46:32.600 --> 0:46:34.839
<v Speaker 1>I love her and every time she comes on the show,

0:46:34.920 --> 0:46:37.040
<v Speaker 1>it just makes me happy and light up inside for

0:46:37.080 --> 0:46:39.640
<v Speaker 1>at least the entire day. So I hope this interview

0:46:39.800 --> 0:46:42.920
<v Speaker 1>brings you some joy because Dolly is just the best.

0:46:43.680 --> 0:46:46.080
<v Speaker 1>Number two, Dolly, good to talk to you, Good to

0:46:46.160 --> 0:46:48.080
<v Speaker 1>talk to you. How are you? I'm pretty good to

0:46:48.120 --> 0:46:50.560
<v Speaker 1>have your have your book right here, and you were

0:46:51.160 --> 0:46:52.959
<v Speaker 1>we were talking about the book. We were talking about

0:46:52.960 --> 0:46:54.719
<v Speaker 1>the album that came out with the book last week.

0:46:55.080 --> 0:46:59.040
<v Speaker 1>So this and you hosting the ACMs. See, everybody gives

0:46:59.040 --> 0:47:00.560
<v Speaker 1>you credit for being really small, and I think they

0:47:00.600 --> 0:47:03.120
<v Speaker 1>should because you've you've packaged all this together. You can

0:47:03.160 --> 0:47:05.680
<v Speaker 1>do all this press at one time, and you're knocking

0:47:05.719 --> 0:47:07.799
<v Speaker 1>it all out. This this is amazing. So let's talk

0:47:07.800 --> 0:47:10.839
<v Speaker 1>about the book first that came out today, Run Rose Run,

0:47:11.160 --> 0:47:13.960
<v Speaker 1>because you wrote this with James Patterson. How do you

0:47:14.080 --> 0:47:15.759
<v Speaker 1>guys become friends? How do you guys get in touch

0:47:15.760 --> 0:47:19.160
<v Speaker 1>with each other? Well, actually, he called me he was

0:47:19.400 --> 0:47:21.799
<v Speaker 1>interested in writing a book with me. I don't know why,

0:47:22.000 --> 0:47:24.640
<v Speaker 1>but he was. I guess he had written a couple

0:47:24.640 --> 0:47:28.719
<v Speaker 1>of things for different celebrities, for different popular people, and

0:47:28.880 --> 0:47:31.280
<v Speaker 1>so he called and asked if I would be interested

0:47:31.280 --> 0:47:32.880
<v Speaker 1>in writing a book with him. I said, well, that

0:47:33.360 --> 0:47:36.160
<v Speaker 1>that depends. I was shocked that he called start with.

0:47:36.600 --> 0:47:38.880
<v Speaker 1>I thought, why does he need me? He's doing okay

0:47:38.960 --> 0:47:41.680
<v Speaker 1>on his own. But he I said, I would be

0:47:41.800 --> 0:47:44.600
<v Speaker 1>interested if it was really something I could really take

0:47:44.719 --> 0:47:48.479
<v Speaker 1>part in and really be, you know, able to really

0:47:48.560 --> 0:47:51.320
<v Speaker 1>contribute to it. So I said, won't you come to

0:47:51.480 --> 0:47:54.160
<v Speaker 1>Nashville and we'll talk, And so he flew down and

0:47:54.280 --> 0:47:56.200
<v Speaker 1>we got together, and he told me that he'd liked

0:47:56.239 --> 0:47:59.200
<v Speaker 1>to write something about Nashville, and I thought, well, that's

0:47:59.239 --> 0:48:02.080
<v Speaker 1>certainly something I know about. So it really worked out

0:48:02.480 --> 0:48:05.400
<v Speaker 1>really well and we've just really clicked. I liked him

0:48:05.440 --> 0:48:08.320
<v Speaker 1>a lot. I thought, well, we'll be able to work together,

0:48:08.360 --> 0:48:10.440
<v Speaker 1>because it's very important when you have to do a

0:48:10.520 --> 0:48:12.800
<v Speaker 1>project that you like the people you haven't spend that

0:48:12.920 --> 0:48:16.000
<v Speaker 1>much time with. But he's really a great guy and

0:48:16.200 --> 0:48:18.440
<v Speaker 1>we just got along great. We both were able to

0:48:18.560 --> 0:48:22.400
<v Speaker 1>contribute a lot to each other. And me being in

0:48:22.520 --> 0:48:25.480
<v Speaker 1>country music all my life and in Nashville for fifty

0:48:25.520 --> 0:48:28.160
<v Speaker 1>seven years, I thought I knew a little bit about it.

0:48:28.719 --> 0:48:31.640
<v Speaker 1>James Patterson is so successful in his line of work.

0:48:32.239 --> 0:48:35.480
<v Speaker 1>Obviously you are in yours. But is there ever anyone

0:48:36.200 --> 0:48:38.280
<v Speaker 1>or has there been one in the last ten fifteen

0:48:38.320 --> 0:48:42.640
<v Speaker 1>years that you've met and you've been star struck by. Well,

0:48:42.719 --> 0:48:45.719
<v Speaker 1>I'm star struck by anybody that does really good work

0:48:45.840 --> 0:48:48.200
<v Speaker 1>and tries to make a difference in the world. And

0:48:48.560 --> 0:48:50.320
<v Speaker 1>that was one of the things I loved about James.

0:48:50.400 --> 0:48:54.160
<v Speaker 1>He's really interested in like making the world a better

0:48:54.239 --> 0:48:58.839
<v Speaker 1>place as I am, and you know, he's very big

0:48:59.000 --> 0:49:02.400
<v Speaker 1>on charity work for children and all that. So we

0:49:02.520 --> 0:49:06.480
<v Speaker 1>really clicked on many ways. But I'm always impressed with

0:49:06.600 --> 0:49:09.600
<v Speaker 1>people that do good things, So I can't just necessarily

0:49:09.760 --> 0:49:12.120
<v Speaker 1>name a bunch of people, but I think it's all

0:49:12.200 --> 0:49:14.839
<v Speaker 1>great when anybody steps up to try to do better.

0:49:15.200 --> 0:49:18.320
<v Speaker 1>The ACM Awards are tonight on Amazon Prime Video and

0:49:18.440 --> 0:49:20.839
<v Speaker 1>you're hosting, and I guess it goes to again, you've

0:49:20.880 --> 0:49:23.440
<v Speaker 1>done so many really cool things. Do you get nervous

0:49:23.480 --> 0:49:27.840
<v Speaker 1>to perform ever anymore? Well, you always get nervous because

0:49:27.880 --> 0:49:29.640
<v Speaker 1>you want it to go well. You hope you don't

0:49:29.680 --> 0:49:33.400
<v Speaker 1>mess up too bad. But that's what they call those butterflies.

0:49:33.440 --> 0:49:36.440
<v Speaker 1>I don't think you ever outgrow that. I don't think

0:49:36.480 --> 0:49:40.279
<v Speaker 1>it should because that's also part of the excitement. But yeah,

0:49:40.320 --> 0:49:44.120
<v Speaker 1>I'm always hoping to do good and hoping I you know,

0:49:44.920 --> 0:49:48.120
<v Speaker 1>don't disappoint anybody. But just as soon as that light

0:49:48.280 --> 0:49:51.399
<v Speaker 1>hits me, I'm often running then it's too late now.

0:49:51.920 --> 0:49:54.840
<v Speaker 1>So I always look forward to it. I love the crowd,

0:49:54.960 --> 0:49:58.080
<v Speaker 1>I love doing that. I've been doing television all my life,

0:49:58.160 --> 0:50:01.719
<v Speaker 1>so I'm looking for forward to it. I'm excited about it, really,

0:50:02.239 --> 0:50:03.719
<v Speaker 1>you know. I was just looking at some of the

0:50:03.719 --> 0:50:05.960
<v Speaker 1>stuff over the past since the last time we've spoken,

0:50:06.400 --> 0:50:09.399
<v Speaker 1>which was the baking line with Duncan Hines, the ice

0:50:09.480 --> 0:50:11.520
<v Speaker 1>cream you know, the book that's out today, the music

0:50:11.640 --> 0:50:14.480
<v Speaker 1>last they came out last Friday, and you know, there's

0:50:14.520 --> 0:50:16.920
<v Speaker 1>so much that you're involved in. Do you have a

0:50:17.200 --> 0:50:20.560
<v Speaker 1>person that you trust where you sit and you go, Okay,

0:50:21.040 --> 0:50:24.000
<v Speaker 1>let's decide what massive projects we're going to take on next.

0:50:24.040 --> 0:50:25.880
<v Speaker 1>Because I'm sure people are throwing ideas at you all

0:50:25.920 --> 0:50:29.120
<v Speaker 1>the time. How they do I have been blessed to

0:50:29.239 --> 0:50:33.200
<v Speaker 1>be surrounded with wonderful people, and of course in the

0:50:33.360 --> 0:50:38.439
<v Speaker 1>marketing and management, Danny Nozell and his crew have done

0:50:38.480 --> 0:50:41.200
<v Speaker 1>a wonderful job working all that out. You've got to

0:50:41.239 --> 0:50:44.560
<v Speaker 1>have great press and Danny's always putting together a great group.

0:50:44.840 --> 0:50:46.719
<v Speaker 1>And of course it depends on what all you're working with.

0:50:46.840 --> 0:50:49.520
<v Speaker 1>That's what we do here in Nashville. Same with my

0:50:49.840 --> 0:50:54.000
<v Speaker 1>people in East Tennessee with Dollywood and the management there.

0:50:54.280 --> 0:50:56.320
<v Speaker 1>You know, I just I am so blessed to have

0:50:56.440 --> 0:50:59.040
<v Speaker 1>all these smart, wonderful people to help me out with

0:50:59.160 --> 0:51:01.759
<v Speaker 1>all that. Of course I'm the creative force, but they

0:51:01.880 --> 0:51:03.600
<v Speaker 1>have to get out and do all the hard work

0:51:03.680 --> 0:51:07.120
<v Speaker 1>and make all these wonderful things happen. Do you have

0:51:07.280 --> 0:51:10.800
<v Speaker 1>a favorite song to sing live now? And has that

0:51:10.960 --> 0:51:13.239
<v Speaker 1>changed over the years where you have an affinity for

0:51:13.360 --> 0:51:17.600
<v Speaker 1>a different songs as you know, different years go by well,

0:51:17.640 --> 0:51:21.360
<v Speaker 1>it happens almost not just in years, but almost in

0:51:21.560 --> 0:51:24.560
<v Speaker 1>days or nights, because sometimes if there's a certain thing

0:51:24.640 --> 0:51:27.600
<v Speaker 1>going on that I relate to a certain song about,

0:51:27.680 --> 0:51:30.399
<v Speaker 1>like for instance, Code of Many Colors, I sing all

0:51:30.480 --> 0:51:33.320
<v Speaker 1>the time, but when my mother passed away, it was

0:51:33.440 --> 0:51:36.279
<v Speaker 1>just so hard for several months for me to be

0:51:36.360 --> 0:51:40.279
<v Speaker 1>able to sing that song without actually really breaking down

0:51:40.400 --> 0:51:42.400
<v Speaker 1>where I couldn't even finish the song, or even that

0:51:42.560 --> 0:51:46.600
<v Speaker 1>little set you know about family. But now you know,

0:51:46.719 --> 0:51:49.560
<v Speaker 1>I sing it and it takes on a different feel

0:51:49.640 --> 0:51:51.719
<v Speaker 1>than it did when Mama was living. It's more of

0:51:51.760 --> 0:51:55.400
<v Speaker 1>a precious memory kind of thing now. But sometimes, you know,

0:51:55.440 --> 0:51:57.440
<v Speaker 1>it depends on the mood I'm in. Some nights, I

0:51:57.560 --> 0:52:00.480
<v Speaker 1>love singing I Will Always Love You Best. I always

0:52:00.480 --> 0:52:03.040
<v Speaker 1>love singing that one because every singer loves to have

0:52:03.120 --> 0:52:05.759
<v Speaker 1>a song that where you can really sing low and

0:52:06.040 --> 0:52:08.359
<v Speaker 1>let the dynamics, you know, where you can go up

0:52:08.400 --> 0:52:11.040
<v Speaker 1>and down and then really let it go at the end.

0:52:11.440 --> 0:52:15.160
<v Speaker 1>So I always enjoy that one. But I enjoy singing

0:52:15.200 --> 0:52:17.920
<v Speaker 1>the songs that the audience responds to the most, Like

0:52:18.040 --> 0:52:21.000
<v Speaker 1>when I start into nine to five, the crowd just

0:52:21.160 --> 0:52:24.160
<v Speaker 1>goes crazy, start clapping, even before I when they start

0:52:24.239 --> 0:52:26.520
<v Speaker 1>hearing the you know, just the rhythm of the song.

0:52:26.719 --> 0:52:29.600
<v Speaker 1>So it just depends on the night. But I'm thankful

0:52:29.640 --> 0:52:32.200
<v Speaker 1>that all of them are received so well. I have

0:52:32.480 --> 0:52:35.319
<v Speaker 1>two questions for you and we'll wrap here. But there

0:52:35.400 --> 0:52:38.400
<v Speaker 1>was a story about Keith Urban being your dream duet partner.

0:52:38.560 --> 0:52:40.719
<v Speaker 1>Are you guys actually working on that now? Because once

0:52:40.800 --> 0:52:43.040
<v Speaker 1>that becomes a story, I think Keith probably reaches out like,

0:52:43.200 --> 0:52:47.080
<v Speaker 1>is that is the thing? Well? Actually I did a

0:52:47.200 --> 0:52:51.839
<v Speaker 1>do it with him many many years ago with him,

0:52:51.880 --> 0:52:54.440
<v Speaker 1>but I would love to actually have something else with

0:52:54.640 --> 0:52:56.920
<v Speaker 1>him because I think our voice is fit. I've always

0:52:57.000 --> 0:52:59.120
<v Speaker 1>loved him to death. He just feels like a member

0:52:59.400 --> 0:53:01.440
<v Speaker 1>of my family. He reminds me so much of my

0:53:01.560 --> 0:53:04.560
<v Speaker 1>brothers Randy and Floyd, who I used to sing with

0:53:04.719 --> 0:53:07.320
<v Speaker 1>all the time. So I would love to do something

0:53:07.400 --> 0:53:10.120
<v Speaker 1>else with Keith and have a real single and have

0:53:10.239 --> 0:53:12.719
<v Speaker 1>a big hit. But he's got, you know, he's got

0:53:13.200 --> 0:53:16.640
<v Speaker 1>so many people are running after him. But anyhow, someday

0:53:16.680 --> 0:53:20.160
<v Speaker 1>that'll happen again. I hope He's so talented. I love him.

0:53:20.520 --> 0:53:24.080
<v Speaker 1>Final question is, after you do a performance of any kind,

0:53:24.360 --> 0:53:26.880
<v Speaker 1>does someone then grab your clothes and go, Okay, we

0:53:26.960 --> 0:53:29.200
<v Speaker 1>have to say this, because this we will donate it.

0:53:29.280 --> 0:53:30.960
<v Speaker 1>We will put it on display, like every single thing

0:53:31.000 --> 0:53:35.160
<v Speaker 1>you wear, is that a thing? Well, actually everything I wear.

0:53:35.200 --> 0:53:37.360
<v Speaker 1>If I really love it, I'll wear that again, especially

0:53:37.360 --> 0:53:40.040
<v Speaker 1>if I'm on tour. And after a few weeks somebody

0:53:40.080 --> 0:53:43.839
<v Speaker 1>asked me if I only wear clothes wants. No, there

0:53:43.920 --> 0:53:46.160
<v Speaker 1>are some things I only wear ones, like if it's

0:53:46.200 --> 0:53:49.600
<v Speaker 1>a really big event, and then we put that in

0:53:49.680 --> 0:53:52.919
<v Speaker 1>the museum. But that's rare because usually I'll wear things

0:53:53.040 --> 0:53:55.560
<v Speaker 1>different times until I'm finished with that, and sometimes we

0:53:55.680 --> 0:53:58.800
<v Speaker 1>even remake them, like if they're a long gown, we

0:53:58.960 --> 0:54:01.319
<v Speaker 1>might shorten it and then work like that for a while,

0:54:01.640 --> 0:54:03.840
<v Speaker 1>and then if it's done so many important things, it

0:54:03.920 --> 0:54:06.759
<v Speaker 1>goes in the museum, or we auction it off at

0:54:06.840 --> 0:54:10.680
<v Speaker 1>some charity events. You guys go to shopt Dolly parton

0:54:10.719 --> 0:54:14.120
<v Speaker 1>dot com. Get Run Rose Run. The music came out

0:54:14.200 --> 0:54:17.040
<v Speaker 1>last Friday, Dolly, thank you, great to see you and

0:54:17.160 --> 0:54:19.880
<v Speaker 1>hopefully I will see you soon. Good luck tonight, Okay,

0:54:20.000 --> 0:54:22.040
<v Speaker 1>thank you looking forward to it all right, bye bye.

0:54:23.360 --> 0:54:27.080
<v Speaker 1>It's the Best Bits of the Week with Morgan number two,

0:54:28.800 --> 0:54:30.520
<v Speaker 1>and of course this one had to come in hot

0:54:30.560 --> 0:54:33.400
<v Speaker 1>at number one because oh my goodness, what a crazy

0:54:33.520 --> 0:54:38.080
<v Speaker 1>story from Abbey about her boyfriend a medical emergency, Like

0:54:38.239 --> 0:54:41.439
<v Speaker 1>just so crazy of a story, and we're so glad

0:54:41.480 --> 0:54:43.440
<v Speaker 1>to hear her. He's okay, but you got to hear

0:54:43.480 --> 0:54:45.320
<v Speaker 1>it for yourself, because this is just like one in

0:54:45.719 --> 0:54:47.480
<v Speaker 1>a million. I don't actually know the odds, but this

0:54:47.600 --> 0:54:49.680
<v Speaker 1>is like one in a million chance that this happens

0:54:49.760 --> 0:54:52.440
<v Speaker 1>to somebody, and it happened to Abby's boyfriend, and it

0:54:52.520 --> 0:54:55.320
<v Speaker 1>was really scary for her, scary for him, just ate

0:54:55.440 --> 0:54:58.839
<v Speaker 1>all around crazy situation, and she shared it with us.

0:54:58.960 --> 0:55:02.560
<v Speaker 1>So though, so glad he's okay, sitting love to him

0:55:02.600 --> 0:55:04.680
<v Speaker 1>if he happens to be listening to the best bits

0:55:04.800 --> 0:55:07.560
<v Speaker 1>right now. Number one, Okay, let's talk about Abby and

0:55:07.680 --> 0:55:11.280
<v Speaker 1>her boyfriend being airlifted to the hospital. You guys voted

0:55:11.360 --> 0:55:13.160
<v Speaker 1>before he came to the segment. This is the one

0:55:13.200 --> 0:55:15.480
<v Speaker 1>you wanted to hear. Yes, Abby, so you have a

0:55:15.520 --> 0:55:17.600
<v Speaker 1>new boyfriend. You guys have been dating for how long now?

0:55:18.520 --> 0:55:22.200
<v Speaker 1>It was February third, so that's a little over a month,

0:55:22.880 --> 0:55:27.000
<v Speaker 1>fresh Verry, So if you call the show, Abby's our

0:55:27.040 --> 0:55:30.359
<v Speaker 1>phone screener. She has a new boyfriend. And why that's

0:55:30.440 --> 0:55:32.759
<v Speaker 1>quick to even be a boyfriend. Huh, well, I mean

0:55:32.800 --> 0:55:34.759
<v Speaker 1>that's like when we were like official, but it was

0:55:34.840 --> 0:55:39.600
<v Speaker 1>before Christmas, so and so what happens? What happened? Yeah, okay.

0:55:39.840 --> 0:55:41.640
<v Speaker 1>So I went home to visit him a couple of

0:55:41.680 --> 0:55:44.040
<v Speaker 1>weekends ago, had a great time. I got to meet

0:55:44.080 --> 0:55:46.320
<v Speaker 1>some of his friends. We went to a show. And

0:55:46.440 --> 0:55:48.680
<v Speaker 1>then so he lives like an hour or so away

0:55:48.719 --> 0:55:51.279
<v Speaker 1>from Wichita, which is Whichita was where my parents live.

0:55:51.560 --> 0:55:53.160
<v Speaker 1>So we were gonna he was gonna meet him the

0:55:53.239 --> 0:55:55.880
<v Speaker 1>final night, and we went to dinner and it was

0:55:55.920 --> 0:55:57.480
<v Speaker 1>just like a super quick dinner, and then we kind

0:55:57.480 --> 0:55:59.160
<v Speaker 1>of went our separate ways. They were going to take

0:55:59.200 --> 0:56:01.479
<v Speaker 1>me to the airport the next day, and he drove

0:56:01.560 --> 0:56:03.320
<v Speaker 1>home and I didn't really hear from him, and I

0:56:03.400 --> 0:56:05.600
<v Speaker 1>was like, okay, I guess maybe he fell asleep, you know.

0:56:06.160 --> 0:56:08.520
<v Speaker 1>And so he calls me at six in the morning

0:56:08.600 --> 0:56:10.160
<v Speaker 1>and I was like, oh, he's calling me to say,

0:56:10.239 --> 0:56:12.239
<v Speaker 1>you know, are you awake for the airport? You know

0:56:12.280 --> 0:56:14.880
<v Speaker 1>you better go. Yeah. I was like, oh, how sweet.

0:56:15.160 --> 0:56:17.560
<v Speaker 1>And I answer and he's like, don't worry, I'm fine,

0:56:18.560 --> 0:56:20.719
<v Speaker 1>but I am in the hospital. I was in the

0:56:21.040 --> 0:56:22.960
<v Speaker 1>r and I had to be airlifted in the helicopter

0:56:23.640 --> 0:56:26.480
<v Speaker 1>to Kansas to k You met in Kansas City and

0:56:26.600 --> 0:56:28.480
<v Speaker 1>I was like, what I thought I was dreaming? I mean,

0:56:28.560 --> 0:56:30.279
<v Speaker 1>this is six in the morning and you had just

0:56:30.440 --> 0:56:33.720
<v Speaker 1>seen him the night before. Yeah, everything I thought was fine,

0:56:34.280 --> 0:56:35.640
<v Speaker 1>and I was like, what are you saying. The first

0:56:35.640 --> 0:56:37.200
<v Speaker 1>thing I thought was, you know, he was in an accident,

0:56:37.320 --> 0:56:40.719
<v Speaker 1>like a car accident or something. But it turns out

0:56:41.080 --> 0:56:43.880
<v Speaker 1>as we were eating dinner, he went to the bathroom

0:56:43.920 --> 0:56:45.520
<v Speaker 1>really quick, and I wondered why. I was like, oh,

0:56:45.560 --> 0:56:47.680
<v Speaker 1>that was kind of weird. He didn't say anything. He

0:56:47.960 --> 0:56:50.160
<v Speaker 1>choked in the bathroom. He was choking on a piece

0:56:50.200 --> 0:56:54.960
<v Speaker 1>of meat and it ruptured his esophagus. What So there

0:56:55.080 --> 0:56:57.120
<v Speaker 1>was like a tiny hole in his esophagus and on

0:56:57.239 --> 0:56:59.400
<v Speaker 1>his drive home he was in so much pain. And

0:56:59.520 --> 0:57:01.879
<v Speaker 1>it turns out his chest cavity was full of air,

0:57:02.360 --> 0:57:04.960
<v Speaker 1>like if he would have gone the whole Yes, as

0:57:05.000 --> 0:57:07.640
<v Speaker 1>he was coughing and drinking water, it was like leaking

0:57:07.680 --> 0:57:11.920
<v Speaker 1>out of hi esophagus. Who oh, Like that's like life threatening.

0:57:12.040 --> 0:57:14.520
<v Speaker 1>So then what happened he pulls over it is he

0:57:15.160 --> 0:57:16.640
<v Speaker 1>So he went home and he was like, okay, this

0:57:16.800 --> 0:57:18.600
<v Speaker 1>is not normal, and he called one of his neighbors

0:57:18.640 --> 0:57:20.720
<v Speaker 1>because he lives kind of in a smaller town, and

0:57:21.320 --> 0:57:23.440
<v Speaker 1>he was like, what do I do? Like, she was like,

0:57:23.480 --> 0:57:25.480
<v Speaker 1>I'll drive you to the hospital. And they don't have

0:57:25.560 --> 0:57:27.760
<v Speaker 1>the resources at that hospital for what he needed. So

0:57:27.840 --> 0:57:30.080
<v Speaker 1>that's why they needed to get a helicopter to take

0:57:30.120 --> 0:57:33.760
<v Speaker 1>into Kansas City. He remember the helicopter ride he does, yeah,

0:57:34.160 --> 0:57:39.480
<v Speaker 1>and he was like, yep, he was. And it's funny

0:57:39.480 --> 0:57:41.160
<v Speaker 1>because one of the medics on there was like asking

0:57:41.240 --> 0:57:42.680
<v Speaker 1>him questions and he's like, so, do you have a

0:57:42.760 --> 0:57:45.560
<v Speaker 1>girlfriend And he's like, yeah, she's in Nashville. And they're

0:57:45.560 --> 0:57:46.960
<v Speaker 1>like if she a singer. He's like, no, she works

0:57:47.000 --> 0:57:49.720
<v Speaker 1>on radio and they're like, oh my gosh, Morgan, He's

0:57:49.760 --> 0:57:54.400
<v Speaker 1>like no. I was like, what in the world. Why

0:57:54.400 --> 0:57:56.640
<v Speaker 1>are you guys having a conversation on the way to

0:57:56.720 --> 0:58:00.400
<v Speaker 1>the hospital. Now, yes, he has not I've been able

0:58:00.400 --> 0:58:02.080
<v Speaker 1>to eat for two weeks and he has another week

0:58:02.240 --> 0:58:04.920
<v Speaker 1>or you can't eat. He's been drinking like he's lost weight.

0:58:05.040 --> 0:58:07.360
<v Speaker 1>It is it's insane. I didn't even know this was

0:58:07.400 --> 0:58:10.040
<v Speaker 1>a thing, this could happened. But through his esophagus, like

0:58:10.120 --> 0:58:13.400
<v Speaker 1>he can take liquid or like a feeding tube. So

0:58:13.840 --> 0:58:16.280
<v Speaker 1>they had to do a test where you drink this

0:58:16.440 --> 0:58:18.720
<v Speaker 1>die to make sure it's not leaking out really bad

0:58:18.800 --> 0:58:20.920
<v Speaker 1>or he would have had surgery. So like I was

0:58:21.000 --> 0:58:23.520
<v Speaker 1>waiting for those results and it was so nerve wracking.

0:58:23.760 --> 0:58:29.600
<v Speaker 1>Are you excited about this Saturday? Yeah, he is gonna come. Yes,

0:58:29.840 --> 0:58:32.040
<v Speaker 1>It's the first time I'm seeing him since this has happened,

0:58:32.040 --> 0:58:36.920
<v Speaker 1>So I'm very excited. Bring him on stage. Okay, okay,

0:58:37.080 --> 0:58:39.880
<v Speaker 1>And just so that we're learning from this segment as well.

0:58:40.320 --> 0:58:42.480
<v Speaker 1>Like online, it says you have to go to the

0:58:42.520 --> 0:58:46.640
<v Speaker 1>emergency room right away if you feel like this happening

0:58:46.760 --> 0:58:49.480
<v Speaker 1>with your esophagus, because if it is treated within twenty

0:58:49.520 --> 0:58:52.680
<v Speaker 1>four hours, chances of survival are high. But then if not,

0:58:52.840 --> 0:58:54.560
<v Speaker 1>it goes all downhill from there because it was all

0:58:54.640 --> 0:58:57.480
<v Speaker 1>going into his chest cavity. Yeah, yeah, I mean that.

0:58:57.800 --> 0:59:04.800
<v Speaker 1>I'm glad Victory got a helicopter ride. That's fun. Meet.

0:59:05.480 --> 0:59:09.080
<v Speaker 1>I can't believe it. Um Abby will be on Saturday

0:59:09.160 --> 0:59:12.360
<v Speaker 1>with us. The Raging Idiots are playing Strawberry Festival right

0:59:12.400 --> 0:59:14.920
<v Speaker 1>outside of Tampa and Plant City, Florida. You guys can

0:59:15.000 --> 0:59:17.520
<v Speaker 1>come to the show. Still tickets to be had, just

0:59:17.560 --> 0:59:19.800
<v Speaker 1>go to Raging Idiots dot com or Strawberry festival dot

0:59:19.840 --> 0:59:22.720
<v Speaker 1>com and Abby will be doing a little performance national anthem.

0:59:22.920 --> 0:59:25.440
<v Speaker 1>Shall we sing in a song in our set? It's

0:59:25.480 --> 0:59:28.160
<v Speaker 1>gonna be great. I can't wait. I'm so excited. And

0:59:28.280 --> 0:59:30.480
<v Speaker 1>then um, if he pays for a meeting, great he

0:59:30.480 --> 0:59:33.760
<v Speaker 1>can meet Eddie. Oh yeah, I mean I may wave

0:59:33.880 --> 0:59:36.320
<v Speaker 1>the fee for that game. Okay, yeah, I'll meet him.

0:59:36.320 --> 0:59:39.720
<v Speaker 1>But Eddie he's difficult. So right, all right, Abby, I'm

0:59:39.720 --> 0:59:41.800
<v Speaker 1>glad he's okay. Wait too, thank you? Were you guys

0:59:41.840 --> 0:59:44.320
<v Speaker 1>happy you picked that segment? Yes? Okay? Well and what

0:59:45.040 --> 0:59:48.200
<v Speaker 1>this is what we learned? Learned? Chew your meat? Yes,

0:59:48.600 --> 0:59:50.360
<v Speaker 1>don't be swallowing it real quick, because you got to

0:59:50.360 --> 0:59:51.960
<v Speaker 1>attract a female from me. You just want to talk

0:59:51.960 --> 0:59:54.040
<v Speaker 1>and say funny things and impress. He was meeting the parents, though,

0:59:54.080 --> 0:59:55.800
<v Speaker 1>I'm sure he was a real nervous It was his parents,

0:59:55.920 --> 0:59:57.840
<v Speaker 1>right or yours? It was mine? It was mine? Yeah,

0:59:58.080 --> 1:00:02.439
<v Speaker 1>so he could have been a little nervous. Gone so bad.

1:00:04.080 --> 1:00:08.400
<v Speaker 1>So glad he's okay. It was he the steake like

1:00:08.400 --> 1:00:11.680
<v Speaker 1>I've ever been before. Wow, he's trying to drink the steak.

1:00:11.720 --> 1:00:15.120
<v Speaker 1>That's what it sounds like. It's the best bits of

1:00:15.200 --> 1:00:20.000
<v Speaker 1>the week with Morgan Number two. That's it, y'all. That

1:00:20.280 --> 1:00:22.880
<v Speaker 1>was just the bits. So if you come to Best

1:00:22.960 --> 1:00:26.560
<v Speaker 1>Bits every weekend looking for the behind the scenes interview

1:00:26.640 --> 1:00:28.720
<v Speaker 1>side of this, which most of y'all shared with me

1:00:28.840 --> 1:00:30.800
<v Speaker 1>that you are, then make sure you look at the

1:00:30.920 --> 1:00:32.920
<v Speaker 1>other part. There's two parts of the Best Bits now

1:00:32.920 --> 1:00:36.120
<v Speaker 1>that I get posted on this lovely Saturday, and one

1:00:36.160 --> 1:00:38.320
<v Speaker 1>of those is the interview that you don't have to skip.

1:00:38.440 --> 1:00:40.760
<v Speaker 1>We just talk for the straight time that it's shown.

1:00:41.160 --> 1:00:43.240
<v Speaker 1>We talk the whole time in this weekend. My guest

1:00:43.440 --> 1:00:46.080
<v Speaker 1>was Scooba Steve, So go listen to that. Y'all have

1:00:46.160 --> 1:00:58.080
<v Speaker 1>a beautiful weekend. Radio Bobby Bones Show, Bobby Bones. Hey,

1:00:58.200 --> 1:01:00.880
<v Speaker 1>this is Justin Richmond, host of the Broken Record podcast.

1:01:01.240 --> 1:01:04.000
<v Speaker 1>Join me in music industry icon Rick Rubin along with

1:01:04.080 --> 1:01:06.880
<v Speaker 1>authors Malcolm Gladwell and Bruce Headlam as we chat with

1:01:07.040 --> 1:01:10.320
<v Speaker 1>legends like Neil Young and Under three thousand and upcoming

1:01:10.440 --> 1:01:13.480
<v Speaker 1>artists like Faye Webster about their life and their careers.

1:01:14.240 --> 1:01:17.440
<v Speaker 1>In honor of Women's History Month, we're spotlighting groundbreaking female

1:01:17.520 --> 1:01:20.280
<v Speaker 1>artists like Miss Elliott, Pattie Smith, and Bonnie Raitt and

1:01:20.400 --> 1:01:23.720
<v Speaker 1>celebrating the strides they've made for women. Listen to broken

1:01:23.760 --> 1:01:26.560
<v Speaker 1>record on the iHeartRadio app, Apple Podcasts, or wherever you

1:01:26.640 --> 1:01:27.480
<v Speaker 1>get your podcasts.