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Speaker 1: Hey, this is Justin Richmond, host of the Broken Record podcast.

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Speaker 1: Join me in music industry icon Rick Rubin, along with

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Speaker 1: authors Malcolm Gladwell and Bruce Headlam As we chat with

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Speaker 1: legends like Neil Young and Under three thousand and upcoming

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Speaker 1: artists like Faye Webster about their life and their careers.

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Speaker 1: In honor of Women's History Month, we're spotlighting groundbreaking female

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Speaker 1: artists like Miss Elliott, Pattie Smith, and Bonnie Rait and

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Speaker 1: celebrating the strides they've made for women. Listen to Broken

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Speaker 1: Record on the iHeartRadio app, Apple podcasts, or wherever you

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Speaker 1: get your podcasts. Hey, I'm Maya Schunker, host of A

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Speaker 1: Slight Change of Plans, which was recently named best Show

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Speaker 1: of the Year by Apple for twenty twenty one, and

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Speaker 1: we've got new episodes for you about everything from the

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Speaker 1: science of change to personal stories like a blind woman

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Speaker 1: who becomes a master chef and an Australian doctor who

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Speaker 1: rescued a voice soccer team from deep within a cave

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Speaker 1: in Thailand. Listen to A Slight Change of Plans on

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Speaker 1: the iHeartRadio app, Apple podcasts, or wherever you get your podcasts.

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Speaker 1: It's the best bits of the week with Morgan Number two. Hey, y'all,

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Speaker 1: welcome to the Bits side of the Best Bits. If

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Speaker 1: you just heard my interview with Scuba Steve this week

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Speaker 1: and you're here to listen to the Bits, this is

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Speaker 1: just the one where I intro the best seven segments

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Speaker 1: from the show this week and we play them. So

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Speaker 1: if you're looking for the interview side of this podcast

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Speaker 1: that you guys all loved and you wrote into me about,

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Speaker 1: then that's the other side of this podcast. It's posted

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Speaker 1: in two parts. There's one part that's going to be

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Speaker 1: with Scuba Steve, in one part that is just the bits,

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Speaker 1: and that's what's happening right now. We're trying to do

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Speaker 1: this new way so everybody gets the best part of

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Speaker 1: these because it is the best Bits. So we're breaking

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Speaker 1: it down, starting off with number seven. It was International

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Speaker 1: Women's Day this week and we had to Neel Towns

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Speaker 1: and Hayley Winners on with us, who both performed and

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Speaker 1: they did so beautifully and shared some incredible stories. Here

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Speaker 1: they are Number sevens are gonna love this. Next artist

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Speaker 1: that's coming in now. Her name is Haley witters Amy.

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Speaker 1: What song of Haley's when I when I just say

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Speaker 1: her name. Do you think of Janis and a hotel bar? Yeah,

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Speaker 1: Janie at the hotel bar. Here you go, forget on

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Speaker 1: the field. You ain't you ready to start a family?

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Speaker 1: A pay gift away? That money won't make you happy.

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Speaker 1: Make good love, good company, drink good one, make good coffee,

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Speaker 1: keep your chin up. Let everyone in a while, have

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Speaker 1: a good cry. We'll go on. Make a good living girl,

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Speaker 1: don't forget to make a good life. So she's setting

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Speaker 1: up now, you guys are gonna love her, and here

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Speaker 1: she is left God on the Bobby Bones Show. Now,

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Speaker 1: Haley Witters, Hailey Wall them to the show. Thanks for

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Speaker 1: having me. Yeah, you know what I was looking back

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Speaker 1: because I'm a big fan I program and Amy hosts

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Speaker 1: the Women of IRA Country, and I have featured one, two, three, four,

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Speaker 1: five six your song seven different, seven different songs of yours, Like,

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Speaker 1: I'm just a big fan of your body of work,

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Speaker 1: and so thanks to be able to have you here, Like,

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Speaker 1: I'm very excited that you're here today. I'm very excited.

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Speaker 1: I mean, I've gotten to do a lot of cool things,

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Speaker 1: but I think my hometown won't consider me making it

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Speaker 1: until I've played the Bobby Bones Show. So this is

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Speaker 1: a big day. And what is your hometown Shoeville, Iowa?

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Speaker 1: And what isn't if I were to drive into shoe Eville,

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Speaker 1: if I were to drive into Shoeyville, like, what do

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Speaker 1: I see? Cornfields? Just driving through cornfields? We got two

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Speaker 1: bars in a church in Shoeville. Life's about balance. We

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Speaker 1: got to stop sign. The town's mad because we finally

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Speaker 1: got a stoplight. So it's pretty small town. So you

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Speaker 1: have one stoplight. We have one stoplight now congratulations. Yeah,

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Speaker 1: we do not have a stoplight where I'm from. But

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Speaker 1: we have a dollar general now love it, which is

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Speaker 1: about the same. You know, when you weigh them out,

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Speaker 1: they're both like what we got a cell phone tower

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Speaker 1: about six years ago. Nice. Until about six years ago,

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Speaker 1: you could drive into Mountain Pine, Arkansas and you could

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Speaker 1: not use your cell phone. That is wild and shoe

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Speaker 1: you've had that forever. We've had self servants. So I'm

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Speaker 1: imagining lots of farms. That corn is such a big

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Speaker 1: part of the economic economy of Shoeyville. Is that what

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Speaker 1: everybody does there? Yeah? I mean my dad, you know,

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Speaker 1: has worked at the corn processing plant. Adm Um, He's

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Speaker 1: worked there his whole life. He's now he grows corn.

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Speaker 1: He's a corn crop farmer, corn beans. It's a big

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Speaker 1: part of Iowa for sure. Do you being not just exposed,

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Speaker 1: but I mean living in corn? Do you like corn everything?

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Speaker 1: Or do you hate corn everything? I love corn everything.

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Speaker 1: She has to say that come for her mafia comes

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Speaker 1: and gets there like everything. Yeah. Um, you know what's

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Speaker 1: really cool about you? And you're gonna perform in a second,

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Speaker 1: and I'm excited for audience to hear this. But you know,

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Speaker 1: you are such a massive fan of traditional country music

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Speaker 1: and you have written songs for Martina McBride and Alan Jackson. Yeah,

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Speaker 1: I mean, aside from your career now which you are

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Speaker 1: so respected and you're so good, But how cool is

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Speaker 1: it to be able to do that for heroes of yours?

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Speaker 1: It's insane. I mean I grew up idolizing them and

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Speaker 1: just studying Alan Jackson's body of work. I mean, I

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Speaker 1: admire him so much as a songwriter too. So to

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Speaker 1: have him, you know, hear one of my songs and

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Speaker 1: think it's worthy enough to be on a record of

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Speaker 1: his is a huge honor. And he's just been incredibly

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Speaker 1: gracious and cool to me. So it's been really cool.

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Speaker 1: Today's International Women's Day, and I wanted to bring in

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Speaker 1: some women that I really think said a great example

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Speaker 1: for other women. That's why you're here today, because I

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Speaker 1: think you have your own original path that you've been

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Speaker 1: kicking down and you're going down and regardless of what

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Speaker 1: happens commercially, and now you're getting that, which is cool.

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Speaker 1: But you've always just done your own thing and let

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Speaker 1: it come to you, and I think that is that's

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Speaker 1: I really respect that. But I'll ask you now, who,

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Speaker 1: what women do you see out there? You look too,

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Speaker 1: and you're like, you know, they did their thing that

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Speaker 1: kind of allows me to do mine. I mean, gosh,

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Speaker 1: a lot of the females in the nineties, you know,

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Speaker 1: Tricia Martina, my friend Britney Spencer right now is just

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Speaker 1: blazing her own trail and it's been really cool to

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Speaker 1: watch her grow, you know, Miranda. I think a lot

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Speaker 1: of the females in the genre, I think it's been

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Speaker 1: you know, everyone always kind of tells us it's a

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Speaker 1: harder road, but I see so many girls out there

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Speaker 1: just you know, buckling up, rolling their sleeves up and

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Speaker 1: doing the work and making their music. Get out there

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Speaker 1: to people no matter what. So I'm kind of inspired

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Speaker 1: by all of the chicks right now in the format.

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Speaker 1: Now you have a banjo, yeah, because that's not if

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Speaker 1: I'm looking, that is not a ganjo. It's not a ganjo.

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Speaker 1: You're not opposing. And I'm very, very basic banjo player.

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Speaker 1: At this point, I'm going to be doing some banjo lessons.

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Speaker 1: But I taught myself this little part to the song

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Speaker 1: that we're about to perform, and I really just have

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Speaker 1: fun playing it, So don't don't judge my banjo's skills.

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Speaker 1: I would say a simple banjo is better than a

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Speaker 1: poser a ganjo. Who's great because a ganjo is six

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Speaker 1: strings and you played like a guitar and everybody's like, oh,

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Speaker 1: they play the banjo, like no, they're playing guitar, and

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Speaker 1: I think this sounds like a banjo. But Haley has

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Speaker 1: four strings. Well, I play banjo probably like a guitar player,

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Speaker 1: and I'm barely that. So yeah, she's not giving herself

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Speaker 1: an until here, and I'm like, you're right, but what

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Speaker 1: song are you gonna play for Haley? We're gonna play

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Speaker 1: a new single off my latest record, which is coming

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Speaker 1: out three eighteen. This is called everything she ain't. All right,

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Speaker 1: Here we go, Haley Witters on The Bobby Bone Show.

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Speaker 1: Shit a peach ya ought to be picking she ain't.

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Speaker 1: The cup of tea ya ought to be seven. She

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Speaker 1: treats you lack it, broke, lacking, need fixing. You ain't

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Speaker 1: getting nothing back from all that you're given. If you're

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Speaker 1: good with who you kissing, say lovey, But I can

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Speaker 1: show you what you're missing. Yeah, boy, I can be

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Speaker 1: the whiskey in your soda, the Limdi Corona shot gunning

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Speaker 1: or Tacoma the ad Ta Hank. She's got a little

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Speaker 1: style in a Hollywood smile, but believed. Honey good is

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Speaker 1: money in the bank. I'm everything she is and everything

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Speaker 1: she ain't. Yeah, everything she is and everything she ain't.

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Speaker 1: I never know if you're gonna go back into something.

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Speaker 1: Then you guys wanted were like okay. Sometimes people will

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Speaker 1: trick us and they'll stop and then we'll go, Yeah,

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Speaker 1: I'm gonna go. We're like radiance. Yeah, Haleywood, great job, Haley,

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Speaker 1: that's awesome. Thank you so much. Um, who tell me

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Speaker 1: who your people are up here with you? This is

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Speaker 1: Laurence Sachs on a fiddle. Ethan Burke's on the guitar

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Speaker 1: and I'm Bobby. Everybody, thankye look at us, um you

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Speaker 1: guys follow Haley Haleywood's w H I T T E

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Speaker 1: R S. And Haley is actually doing her own head

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Speaker 1: lining tour and you are it's all. It's happening now,

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Speaker 1: it's happening now. It's the Hartland tour. If you're out

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Speaker 1: and you come to this show, like, how long do

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Speaker 1: you play? Do you do an hour? We do like

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Speaker 1: ninety minutes on the Hartland tour, don't My manager is

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Speaker 1: looking at me, why is that bad? Well, yeah, I

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Speaker 1: think it's great. It's great, it's great. Ninety minutes, it's great.

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Speaker 1: We've been convincing me something right now. No, no, no, no,

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Speaker 1: we've been. We've been very fortunate to get to open

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Speaker 1: for Luke Hombs, Mary Morris Midland. We're out with Midland,

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Speaker 1: and you know, you get like thirty minutes for something

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Speaker 1: like that. So it's been really nice to get a

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Speaker 1: full ninety minutes to get to really dig into the

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Speaker 1: record and get to you know, sing those songs for

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Speaker 1: the fans. So it's been cool. And the record comes

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Speaker 1: out this month three eighteen. Yeah, raced and so hope

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Speaker 1: you guys check that out. Haley Witters is here. I

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Speaker 1: think hopefully this will inspire to go follow her on

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Speaker 1: social media, support her if she comes to your town.

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Speaker 1: And on the website you can see tour dates and

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Speaker 1: everybody in Shoeyville, Iowa. I'm glad you exist. Because of

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Speaker 1: that you we wouldn't have Haley Witters here are you guys?

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Speaker 1: The shoes like your mascot, hey shoe Ville Shoes. No

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Speaker 1: high school? What they called us cow By High? Like?

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Speaker 1: But where the hawks Prairie Hawks do? I think like

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Speaker 1: shoes showey. Yeah. It was named after William Shoey, I

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Speaker 1: think after his last name was Shoey. And what did

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Speaker 1: he do? Do you know? I don't know, anita like

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Speaker 1: figure out what he cornbread made cornbreadth that totally totally

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Speaker 1: Hailey Witters. Really enjoy you. Thank you for coming by,

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Speaker 1: Thank you for having us. It's the best bits of

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Speaker 1: the week. With Morgan number two a right moments away

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Speaker 1: from Tanil Towns. You may know her for the song

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Speaker 1: Jersey on the Wall. Oh. That song was about a

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Speaker 1: kid that had died at a school, and then she

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Speaker 1: wrote a song because she went to the gym and

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Speaker 1: saw that it hanging like that. She was like, what happened?

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Speaker 1: They told the story, then she wrote the question like

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Speaker 1: if I ever get to heaven, this is what I

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Speaker 1: want to ask. So that song so good and then

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Speaker 1: you might know her for somebody's daughter. All right, and

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Speaker 1: she's here. Now let's go on the Bobby Bones Show.

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Speaker 1: Now to Neil Towns. So it's International Women's Day, and

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Speaker 1: I thought, let me invite up, you know, another one

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Speaker 1: of the women that I expect, and I feel like

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Speaker 1: it's a great role model for young girls and just

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Speaker 1: so many things. And to Neil Towns is here. To Neil, hey,

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Speaker 1: thanks for having me. Great to see. I was watching

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Speaker 1: it good to see you one of your Instagram videos

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Speaker 1: and I think it looked like you were practicing in

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Speaker 1: the bathroom, like a public bathroom. Yeah, like you and

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Speaker 1: all that your band were out. Oh yeah, what what

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Speaker 1: was happening there? See? The bathrooms are always such an adventure.

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Speaker 1: Every time we show up at a venue, it's like, Okay,

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Speaker 1: what are the showers going to be like today? What's

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Speaker 1: the bathroom? And we were opening for Reba and there

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Speaker 1: was such great refurben there. I was like, come on, guys,

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Speaker 1: we need to we need to run some stuff in

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Speaker 1: the bathroom. So that was our moment. And it was

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Speaker 1: it smelling. I mean, it's fine, it was fine. It

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Speaker 1: was fine. It was a nice smelling bathroom. They probably

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Speaker 1: cleaned it before you got there. I appreciated that. I

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Speaker 1: always do. You know, that's an extra special treatment. It's

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Speaker 1: so important to Tenil to give back. She's raised over

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Speaker 1: two million dollars for Big Hearts for Big Kids, which

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Speaker 1: is a charity Tennil started when she was just fifteen

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Speaker 1: years old, which is wild because now you're like sixteen. Yeah,

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Speaker 1: that's right. I mean it's been so long. Tell me

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Speaker 1: about Big Hearts for Big Kids. Okay. So it's this

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Speaker 1: concert fundraiser we do up in my hometown and Graham Ferry,

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Speaker 1: Alberta for a local youth shelter. They help kids ages

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Speaker 1: eleven to seventeen struggling with homelessness, and we've been able

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Speaker 1: to kind of bring the whole community together to keep

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Speaker 1: the doors open over the past eleven years. Yes, something else,

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Speaker 1: and I know I mentioned it to you every single time,

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Speaker 1: but I've always so moved when I hit it again

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Speaker 1: is and one of the reasons I thought about you

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Speaker 1: for International Women's Day is you did a version of

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Speaker 1: one of your songs with a local Girl Scout troop

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Speaker 1: of girls that are homeless for the most part. Yeah. Yeah,

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Speaker 1: will you tell the audience kind of what you did there? Yeah.

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Speaker 1: So we did this version of Somebody's Daughter with the

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Speaker 1: Girl Scouts Troop six thousand of Middle Tennessee. And these

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Speaker 1: are all girls without permanent house. And so I heard

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Speaker 1: about this troop. There's one in New York, one in Nashville,

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Speaker 1: and I was like, we need to I would love

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Speaker 1: to get to hang out with these girls. So we

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Speaker 1: helped them earn their musician badge, which I've never been

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Speaker 1: a part of handing out a Girl Scout badge before.

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Speaker 1: That was really cool and they all came into the

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Speaker 1: studio and sang on it and did some snoffing and

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Speaker 1: clapping and literally the best experience I've ever had in

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Speaker 1: the studio. It was so fun. Isn't that so cool? Yeah?

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Speaker 1: I love it, And you can start. I mean I

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Speaker 1: heard it before. I guess I knew about it because

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Speaker 1: I just talk to your music and I'm like, well,

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Speaker 1: post something new today, Well you post on the news today.

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Speaker 1: Something popped up and it was somebody's daughter, but it

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Speaker 1: was the version with the girl scouts. Yeah, they're never

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Speaker 1: going to forget that. These all I crazy. It was

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Speaker 1: so special to Neil Towns is with us, and again,

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Speaker 1: I keep up with you through social media for the

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Speaker 1: most part. I consider us friends me too, but like

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Speaker 1: friends that travel a lot, you keep up with them

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Speaker 1: a lot. On right, I'm just looking at Instagram and stuff,

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Speaker 1: and I saw a picture where they gave you a

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Speaker 1: big plaque like gold and platinum single. It was Matt,

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Speaker 1: where do you put that massive plaqueum house? I don't

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Speaker 1: actually know. I'm in like a little two bedroom town

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Speaker 1: house and I'm not sure what to do with it,

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Speaker 1: but I am so excited to have it. So cool.

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Speaker 1: It looks like the sides of a door. It really,

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Speaker 1: it's massive, and it's you know, got my face on it,

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Speaker 1: which is very cool and also strange. I feel like

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Speaker 1: to maybe have in my house. But it means the

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Speaker 1: most to know people have listened to these songs enough

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Speaker 1: times to add up to whatever that plaque says. It's

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Speaker 1: so crazy, you know, today being International Women's Day, Like,

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Speaker 1: who were the female influences in your life that you

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Speaker 1: go man without them? I don't know if I would

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Speaker 1: be here now. Honestly, all of the women in my

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Speaker 1: family are such strong, fierce, independent, just forces of nature.

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Speaker 1: My great grandmother, my my Mari Willette, my my grandmother,

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Speaker 1: my mom, all of them were just like no filters,

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Speaker 1: full of love, wonderful people. And we drove around listening

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Speaker 1: to so many female voices. I don't think I'd be

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Speaker 1: playing music if it weren't for you know, the obsessive

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Speaker 1: amounts of Shania Twain that I sang along too, and

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Speaker 1: writing in my grandparents motor home, listening to a Code

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Speaker 1: of Many Colors Dolly Parton over and over. It's like

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Speaker 1: so many of those voices definitely impacted the way that

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Speaker 1: I felt like I saw the world and saw a

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Speaker 1: place that I could do music too. He wrote this

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Speaker 1: song When's It Going to Happen? And I feel, as

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Speaker 1: being a fan of your music, I feel like this

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Speaker 1: is the most personal and artist always says my most

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Speaker 1: personal song, and I'm like, I stop saying that crowd

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Speaker 1: the eighth time, and I feel like this is the

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Speaker 1: most personal song about you. Were like introspectively YouTube this

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Speaker 1: song and did what was happening in your heart and mind? Yes, Elizab,

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Speaker 1: which is a little terrifying, but it is. I like

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Speaker 1: to be the storyteller and kind of write songs from

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Speaker 1: the other third view perspective. But this one is very

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Speaker 1: much about internal internal feelings, this season of my life

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Speaker 1: where my mailbox is full of wedding invitations of all

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Speaker 1: my friends getting married, and I kind of wanted to

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Speaker 1: write a song about what it feels like to be

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Speaker 1: on the other side of that sometimes. So here is

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Speaker 1: Daniel Towns with her song When's It Gonna Happen? Never

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Speaker 1: been good at expectations. I think I expect too much.

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Speaker 1: But if it's any consolation, well I still believe in love.

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Speaker 1: You know I got your invitation. Can't wave ruse, Mary Beach,

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Speaker 1: it is that should tell you he's inn coming. There's

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Speaker 1: no plus one. It's just me. Oh and I'll sure

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Speaker 1: up being a dress with a smile, Island. I couldn't

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Speaker 1: be happier for you. Sometimes I feel like come the

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Speaker 1: last one standing, all a girl. All my friends are

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Speaker 1: falling in love. I'm scared to death falling up empty handed.

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Speaker 1: Can't be the only one thinking wensick Gonnana happened happened

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Speaker 1: to me? And no it's supposed to happen naturally, wensyck

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Speaker 1: gonna happen? Oh to me? Who? Yeah, yeah, ain't no

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Speaker 1: town back girl? Who did you write that with? Okay?

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Speaker 1: I wrote this with my friends Stephen Rabel and Steph

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Speaker 1: Jones over Zoom, who had never met in person before,

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Speaker 1: but we've written like fifteen or so songs together at

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Speaker 1: this point. I'm such big fans of both of them.

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Speaker 1: Was that like, okay, guys, I want to go extremely

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Speaker 1: internal here. Not honestly, it was going, Okay, what should

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Speaker 1: we write a song about today? And I was like

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Speaker 1: I literally was looking at the stack of mail on

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Speaker 1: my counter and this was in the middle of the

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Speaker 1: pandemic of definitely feeling pretty lonely and going I can't

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Speaker 1: be the only one feeling this way, Like what if

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Speaker 1: we wrote a song just about that? So yeah, it

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Speaker 1: was every line that we wrote. I was like, whoa,

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Speaker 1: that's this is real. But okay, yep, we're putting this

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Speaker 1: in the song. And then we finished it and I

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Speaker 1: was like, dang it, I like this. This means like

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Speaker 1: now we have to record it. We have to record it.

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Speaker 1: It's so good. Thank you, You're so good. You guys

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Speaker 1: followed to Neil Towns, Towns t ow Anys and how

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Speaker 1: the tour go. It was awesome. Yeah, it was so fun.

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Speaker 1: People showed up, people came that they came and what

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Speaker 1: they knew the music, We sang the songs together. It

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Speaker 1: was such a dream. I'm super fun for you. Thank

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Speaker 1: you for coming in today to play. Thank you for

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Speaker 1: having me. Bobby's so great to see everybody. Good to

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Speaker 1: be here, Tanil Towns and listen. If you're looking for

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Speaker 1: a woman were International Women's Day to be like? That

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Speaker 1: is my inspiration. I don't think till not to date guys.

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Speaker 1: But I'm saying like, oh no, I was like, no happening.

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Speaker 1: Now this is when it's happened now, looking for someone

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Speaker 1: to go like, you know, I'm only looking for someone

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Speaker 1: to inspire me for I mean, Tenniel's a good one.

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Speaker 1: You're a good one. Thanks Bobby. All right, there she

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Speaker 1: has Tenniel Towns. It's the best bits of the week,

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Speaker 1: with Morgan number two coming in at number six. I

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Speaker 1: watched Back to the Future for the first time, and

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Speaker 1: y'all are digging these old school movie TV show reviews,

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Speaker 1: so I had to throw this in here. Here it

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Speaker 1: is let me know if you like my review. Maybe

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Speaker 1: you don't, maybe it was too controversial. I don't know.

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Speaker 1: Number six. So we told Morgan number two twenty eight

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Speaker 1: to go watch Back to the Future because she had

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Speaker 1: never seen it and we had an unsuccessful Seinfeld experiment.

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Speaker 1: She watched Seinfeld and she was like, yes, it's not

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Speaker 1: that funny anymore. Fair. I just don't think there's any

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Speaker 1: way to miss with Michael J. Foxon Back to the Future.

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Speaker 1: Hom on, So you watched it? How I had to

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Speaker 1: rent it on Amazon? Okay, it wasn't anywhere else to watch,

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Speaker 1: like three bucks or something. Yeah, you to reimburse you?

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Speaker 1: Are you cool? No, I'm good. I'm good. If I

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Speaker 1: hated it, I get pulled into HR because I'm making

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Speaker 1: people pay for content. Yeah, she can do that on

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Speaker 1: an expense report, right, Yeah, Okay, I guess So you

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Speaker 1: watched Back to the Future. Is it was it long?

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Speaker 1: It's an hour or like seventeen minutes. That's the greatest movie.

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Speaker 1: I didn't even realize it about the perfect movie link.

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Speaker 1: That's cool, high expectations. What think? Okay? Well, in my

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Speaker 1: past spoiler part, like everybody, is it old enough that

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Speaker 1: I can spoil something? That's a good question to ask.

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Speaker 1: I'm gonna say yes. And we're also warning people that

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Speaker 1: are back to the future spoiler is coming here. Wow.

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Speaker 1: So when I watched it listen, I was really into it.

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Speaker 1: I really enjoyed it. But something kept bothering me. There's

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Speaker 1: a little bit of incest that happens during the show

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Speaker 1: with the mom and him, and it took me a

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Speaker 1: while to get over it. I was like, he just

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Speaker 1: kissed his mom, like, I know, he's not she doesn't

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Speaker 1: know and whatever, but he didn't quite kiss his mom.

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Speaker 1: She kissed him. He didn't want that. She also didn't

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Speaker 1: know it was her son comes in the past. Yes,

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Speaker 1: but he knew it was coming. He knew that she

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Speaker 1: had the hots for him. He kept saying it, so

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Speaker 1: that part, like it irks me a little bit, but

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Speaker 1: I got over it because it was so good. All right,

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Speaker 1: what do you rate Back to the Future? All right? Well,

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Speaker 1: m I would give it four out of five delireans.

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Speaker 1: It's good, solid rating for something so old. And I

404
00:22:05,119 --> 00:22:07,200
Speaker 1: will say that at the end, as soon as they're like,

405
00:22:07,680 --> 00:22:09,840
Speaker 1: you know, we're we're going we don't need any and

406
00:22:09,920 --> 00:22:11,600
Speaker 1: he makes the big line, I was like, I want

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Speaker 1: to watch the sego. Back to the Future came out

408
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Speaker 1: in nineteen eighty five, Like I wasn't even old enough

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Speaker 1: to really watch it and understand it. Then I guess

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Speaker 1: I watched you watch it years later. But Back the

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Speaker 1: Future gets a thumbs out, Seinfeld gets it thumbs down. Yeah,

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00:22:26,920 --> 00:22:28,560
Speaker 1: so you go. If you ever watch Back to the

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Speaker 1: Future too, just let us know. I'm not going to

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Speaker 1: sign that to you, but I'm going to sign something

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Speaker 1: else to you. And you have two weeks, Okay, if

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Speaker 1: you want to take the challenge, have if you've seen it, though,

417
00:22:38,960 --> 00:22:42,600
Speaker 1: don't have you ever seen The Karate Kid the original.

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Speaker 1: I want to say that I've seen parts, but I

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Speaker 1: have not seen it all the way through. Now, okay,

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Speaker 1: your next challenge, if you choose to accept it, is

421
00:22:51,640 --> 00:22:54,480
Speaker 1: the Karate Kid from nineteen eighty four. Oh, we're even

422
00:22:54,520 --> 00:22:58,600
Speaker 1: going back one more. Okay, yeah, I'll accept it. Okay,

423
00:22:59,600 --> 00:23:02,480
Speaker 1: two from today, Mike will check weather Morgan number two

424
00:23:02,480 --> 00:23:05,399
Speaker 1: will watch the Karate Kid. What's the Karate Kids review

425
00:23:05,560 --> 00:23:08,159
Speaker 1: on Rotten Tomatoes. It's got to be the most right

426
00:23:08,280 --> 00:23:14,399
Speaker 1: eighty nine? Okay, we was Back to the Future review. Okay,

427
00:23:14,640 --> 00:23:17,280
Speaker 1: I think you'll like the Karate kid, but sometimes they're

428
00:23:17,320 --> 00:23:21,960
Speaker 1: so dated that it's tough to really enjoy because it's

429
00:23:22,040 --> 00:23:25,719
Speaker 1: just wildly old. I will say too, like watching Back

430
00:23:25,760 --> 00:23:27,639
Speaker 1: to the Future is funny because all of like the

431
00:23:27,840 --> 00:23:31,040
Speaker 1: jeans are coming back in style right now. So some

432
00:23:31,200 --> 00:23:32,800
Speaker 1: of the things he was wearing. IM like, oh, we're

433
00:23:32,840 --> 00:23:39,520
Speaker 1: wearing that right now, Marvin, Marvin Barry, Yes, do you

434
00:23:39,600 --> 00:23:43,360
Speaker 1: get that reference? Yes, it's your brother cousin, cousin. Yeah,

435
00:23:43,880 --> 00:23:48,159
Speaker 1: a long time and Barry Okay, good job. It's the

436
00:23:48,359 --> 00:23:53,480
Speaker 1: best Bits of the week with Morgan number two. Hey,

437
00:23:53,560 --> 00:23:57,240
Speaker 1: this is Justin. Richmond hosted the Broken Record podcast Join

438
00:23:57,359 --> 00:24:00,480
Speaker 1: Me on Broken Record along with music industry icon Rubin

439
00:24:00,640 --> 00:24:03,520
Speaker 1: and authors Malcolm Gladwell and Bruce hadlum As we sit

440
00:24:03,560 --> 00:24:06,520
Speaker 1: down with the artists you love, getting unparalleled creative insight

441
00:24:06,680 --> 00:24:10,200
Speaker 1: into your favorite music. You'll hear revealing interviews with some

442
00:24:10,320 --> 00:24:13,400
Speaker 1: of the most legendary figures in music like Neil Young,

443
00:24:13,880 --> 00:24:18,199
Speaker 1: Under three thousand, Bruce Springsteen, and Naas. And you'll learn

444
00:24:18,200 --> 00:24:20,960
Speaker 1: about up and coming artists like Michelle's Honor, who talks

445
00:24:20,960 --> 00:24:23,440
Speaker 1: about her big plans for the dreamy indie pop band

446
00:24:23,520 --> 00:24:27,159
Speaker 1: Japanese Breakfast and Krumba. The Texas trio who share the

447
00:24:27,240 --> 00:24:31,160
Speaker 1: inspiration behind their global funk of sound. This March, we're

448
00:24:31,160 --> 00:24:34,840
Speaker 1: spotlighting female artists like Miss Elliott, Patti Smith, and Bonnie Rait.

449
00:24:35,560 --> 00:24:38,080
Speaker 1: Celebrate Women's History Month with us and learn how these

450
00:24:38,119 --> 00:24:41,960
Speaker 1: incredible women changed what was possible in music. Forging their

451
00:24:41,960 --> 00:24:44,359
Speaker 1: own paths will also pave in the way for others.

452
00:24:45,080 --> 00:24:48,320
Speaker 1: Listen to Broken Record on the iHeartRadio app, Apple Podcasts,

453
00:24:48,560 --> 00:24:54,840
Speaker 1: or wherever you get your podcasts. It's always a funny

454
00:24:54,880 --> 00:24:57,600
Speaker 1: one when Lunchbox tries to do something crazy with a

455
00:24:57,800 --> 00:25:00,760
Speaker 1: prank call. And this week he tried to by John

456
00:25:00,880 --> 00:25:05,560
Speaker 1: von Jovi's apartment using John bon Jovi's hit lyrics and

457
00:25:05,840 --> 00:25:08,880
Speaker 1: let's just say the realtor was not having any part

458
00:25:08,920 --> 00:25:11,800
Speaker 1: of it. Number five, here is Lunchbox trying to buy

459
00:25:11,840 --> 00:25:15,880
Speaker 1: bon Jovi's apartment. Come on, so, Jason Gibbles, Lunchboxes alter

460
00:25:15,920 --> 00:25:18,520
Speaker 1: ego who tries to make deals, and he often says

461
00:25:18,800 --> 00:25:21,440
Speaker 1: businessman making business deals, trying to get that money. We

462
00:25:21,720 --> 00:25:24,520
Speaker 1: talked briefly about bon Jovie's apartment's twenty two million dollars

463
00:25:24,560 --> 00:25:28,320
Speaker 1: in New York City. Lunchbox calls to try to make

464
00:25:28,400 --> 00:25:30,480
Speaker 1: them a deal, and as he does, he weaves in

465
00:25:30,560 --> 00:25:33,800
Speaker 1: bon Jovie lyrics. Yes, oh my gosh. For example, it's

466
00:25:33,840 --> 00:25:35,800
Speaker 1: my life. Maybe you know this song right here, it's

467
00:25:37,359 --> 00:25:39,920
Speaker 1: he weaves that one in, maybe one in debtit or Alive.

468
00:25:44,520 --> 00:25:47,200
Speaker 1: Here is Lunchbox trying to call and buy John bon

469
00:25:47,359 --> 00:25:54,160
Speaker 1: Jovi's apartment. Hie, this is different. Yeah. This is Jason Gibble,

470
00:25:54,240 --> 00:25:56,640
Speaker 1: business man making business deals, trying to get that money.

471
00:25:56,880 --> 00:25:58,720
Speaker 1: And I was trying to call and get some information

472
00:25:58,800 --> 00:26:03,440
Speaker 1: on one fifty five. What's the eleventh street? Wow? Time property.

473
00:26:03,600 --> 00:26:06,440
Speaker 1: Beautiful piece, Yeah, yeah, beautiful. Like I looked online, I

474
00:26:06,560 --> 00:26:10,120
Speaker 1: was like, man, it's my life. It's now or never.

475
00:26:10,240 --> 00:26:12,320
Speaker 1: If I'm going to upgrade to this because I'm forty,

476
00:26:12,520 --> 00:26:15,400
Speaker 1: I'm not gonna live forever. Wow, this is the place

477
00:26:15,480 --> 00:26:19,600
Speaker 1: for you. It's four thousand square feet floor to ceiling

478
00:26:20,080 --> 00:26:23,120
Speaker 1: windows you over. When I look at those windows while

479
00:26:23,119 --> 00:26:25,320
Speaker 1: I was looking at the pictures online, I was like, man,

480
00:26:25,440 --> 00:26:28,040
Speaker 1: I want that place. I want it dead or alive.

481
00:26:28,240 --> 00:26:30,760
Speaker 1: I don't care. I got to be in there. Imagine this.

482
00:26:31,200 --> 00:26:34,200
Speaker 1: You open up the doors, you come right out, and

483
00:26:34,280 --> 00:26:37,520
Speaker 1: there's the city surrounding you. The best part is, here's

484
00:26:37,520 --> 00:26:40,159
Speaker 1: the best part of it. My wife, she tells me,

485
00:26:40,280 --> 00:26:43,720
Speaker 1: oh my gosh, you're not romantic. Basically, she says, you

486
00:26:43,880 --> 00:26:46,920
Speaker 1: give love a bad name. Well guess what when I

487
00:26:47,040 --> 00:26:50,600
Speaker 1: surprised her with this, Uh, that's gonna change. Yeah, I

488
00:26:50,840 --> 00:26:55,000
Speaker 1: hear you. Okay, so it has four bedrooms, walking clogging?

489
00:26:55,560 --> 00:26:58,680
Speaker 1: Now Clinton for real? Like, are you guys looking for

490
00:26:58,880 --> 00:27:02,040
Speaker 1: a serious buy her? Once I submit this offer, I'm

491
00:27:02,040 --> 00:27:04,520
Speaker 1: gonna be living on a prayer that you accept it.

492
00:27:05,720 --> 00:27:08,040
Speaker 1: You know, or you've been doing it's quoting von Josey.

493
00:27:08,119 --> 00:27:10,200
Speaker 1: I don't know if you're serious or you're not. I'm

494
00:27:10,240 --> 00:27:14,240
Speaker 1: a very busy woman. I have many properties to show,

495
00:27:14,320 --> 00:27:16,160
Speaker 1: and you're waights in my time. Have a good day.

496
00:27:16,880 --> 00:27:21,560
Speaker 1: That's a good one. That's a nice one. I guess.

497
00:27:21,600 --> 00:27:24,560
Speaker 1: The thing that strikes me is you could just say

498
00:27:24,640 --> 00:27:26,159
Speaker 1: those things normally, like you know when you give love

499
00:27:26,200 --> 00:27:28,600
Speaker 1: a bad name, but it's almost like you're reading it,

500
00:27:29,119 --> 00:27:31,800
Speaker 1: you're talking normal. Then you're like, and you give love

501
00:27:31,880 --> 00:27:34,240
Speaker 1: a bad name? You wrote those down, y, I wrote

502
00:27:34,280 --> 00:27:36,560
Speaker 1: those because I gotta remember them. Yeah, that's good though.

503
00:27:36,840 --> 00:27:38,240
Speaker 1: Any luck, do you get it? You get a showing it?

504
00:27:38,440 --> 00:27:40,720
Speaker 1: I know she didn't. She didn't call me back. He

505
00:27:40,840 --> 00:27:42,920
Speaker 1: left her number though, right, I was like, oh no, no, no, no,

506
00:27:43,119 --> 00:27:45,680
Speaker 1: hang out and I try to car back. Nothing good one.

507
00:27:47,040 --> 00:27:50,760
Speaker 1: It's the best bits of the week with Morgan. Number two.

508
00:27:52,280 --> 00:27:55,160
Speaker 1: We love this guy. He is having an incredible March

509
00:27:55,240 --> 00:27:58,400
Speaker 1: and he talks about why it's so incredible. Parker McCollum

510
00:27:58,520 --> 00:28:00,760
Speaker 1: came on the show. He formed a little bit of

511
00:28:00,840 --> 00:28:03,640
Speaker 1: his song to be Loved by You, and Bobby surprised

512
00:28:03,720 --> 00:28:06,200
Speaker 1: him with a parody that he had just written of

513
00:28:06,320 --> 00:28:08,840
Speaker 1: one of Parker's songs, and of course we talked about

514
00:28:08,920 --> 00:28:10,800
Speaker 1: March and why it's been so awesome for him, from

515
00:28:11,119 --> 00:28:15,600
Speaker 1: ACM Awards performing and winning to him getting married very soon.

516
00:28:15,840 --> 00:28:19,520
Speaker 1: So listen right now. This is Parker McCallum number four.

517
00:28:19,680 --> 00:28:22,320
Speaker 1: Congratulations dude, you've been winning all the awards, performing on

518
00:28:22,359 --> 00:28:24,960
Speaker 1: all the award shows. Thank you. That's crazy. One award

519
00:28:25,040 --> 00:28:27,080
Speaker 1: and one awards show, but yeah it counts for all

520
00:28:27,080 --> 00:28:28,879
Speaker 1: of them. Yeah, it's like everyone I've seen and the

521
00:28:28,960 --> 00:28:31,240
Speaker 1: last week you were on it. Thank you man. Parker

522
00:28:31,320 --> 00:28:32,520
Speaker 1: text and there's like, Hey, you're gonna be up on

523
00:28:32,560 --> 00:28:34,840
Speaker 1: the show tomorrow. I'm coming up And I was like, yeah,

524
00:28:35,280 --> 00:28:36,760
Speaker 1: I was like what if I wasn't What if he

525
00:28:36,840 --> 00:28:38,360
Speaker 1: came up well, you know, nine of us were here.

526
00:28:38,520 --> 00:28:40,880
Speaker 1: Oh my calendar, all it ever says is Bobby Bones.

527
00:28:41,320 --> 00:28:43,040
Speaker 1: So sometimes it's like you come in and you do,

528
00:28:43,240 --> 00:28:45,280
Speaker 1: you'll do like some liners or something and leave, or

529
00:28:45,320 --> 00:28:46,760
Speaker 1: you'll do you know, it's like, I don't even know

530
00:28:46,800 --> 00:28:50,760
Speaker 1: if I'm actually gonna be ony. Hey, I'm gonna come

531
00:28:50,760 --> 00:28:53,200
Speaker 1: to your show. You're gonna be there. I said, yeah, yes, sir,

532
00:28:54,120 --> 00:28:55,680
Speaker 1: I am gonna be there. He's like, all right, cool,

533
00:28:55,960 --> 00:28:57,360
Speaker 1: And then I thought, man, did people ever just come

534
00:28:57,440 --> 00:28:59,000
Speaker 1: up here and I'm not here? Are you got scheduling

535
00:28:59,040 --> 00:29:01,320
Speaker 1: interviews just for fun? The one time you were out

536
00:29:01,320 --> 00:29:02,959
Speaker 1: of town, I did the thing like taking over your

537
00:29:03,000 --> 00:29:05,120
Speaker 1: office or something, going through all your stuff on camera.

538
00:29:05,280 --> 00:29:06,880
Speaker 1: It was on camera or I think I saw that

539
00:29:07,120 --> 00:29:08,880
Speaker 1: that was just me and Parker. Yeah again, that's just

540
00:29:08,960 --> 00:29:10,680
Speaker 1: I think you got just bringing artists up to have fun.

541
00:29:11,640 --> 00:29:15,720
Speaker 1: Congratulations on your ACM new mail artists. Thank you pretty cool.

542
00:29:16,040 --> 00:29:18,080
Speaker 1: I saw the thing where I guess you're on a

543
00:29:18,200 --> 00:29:20,960
Speaker 1: zoom and then you're waiting, what did they tell you

544
00:29:21,080 --> 00:29:23,040
Speaker 1: is about to happen? Why are you on a zoom? Man?

545
00:29:23,080 --> 00:29:24,640
Speaker 1: It's just kind of like this morning, it's just on

546
00:29:24,760 --> 00:29:26,760
Speaker 1: my calendar. I thought. I had a we're actually trying

547
00:29:26,760 --> 00:29:28,800
Speaker 1: to walk out of the house, go to the airport,

548
00:29:29,120 --> 00:29:30,440
Speaker 1: we're about to miss our flight. And I had a

549
00:29:30,520 --> 00:29:32,960
Speaker 1: zoom call. You didn't know you No, I was just

550
00:29:33,000 --> 00:29:35,560
Speaker 1: a normal interview, So I got it. I just hopped on, thinking,

551
00:29:36,000 --> 00:29:38,560
Speaker 1: you know, talk about normal stuff real quick and then

552
00:29:38,680 --> 00:29:40,360
Speaker 1: go to the airport. And then Miranda hopped on and

553
00:29:40,400 --> 00:29:43,080
Speaker 1: I was like it kind of in my mind, you know, right,

554
00:29:43,240 --> 00:29:45,120
Speaker 1: My first thought was just what I think is? I mean,

555
00:29:45,120 --> 00:29:46,880
Speaker 1: we're about to fly there for the ACMs. But I

556
00:29:47,000 --> 00:29:48,640
Speaker 1: was like I can't go. Why, nothing like that. So

557
00:29:49,640 --> 00:29:52,280
Speaker 1: and she said, you won? You won? Yeah, I won.

558
00:29:52,560 --> 00:29:55,280
Speaker 1: That's pretty cool. That's pretty that's pretty good. Man's as

559
00:29:55,320 --> 00:29:56,720
Speaker 1: good as you can do with those things as win.

560
00:29:56,880 --> 00:29:59,840
Speaker 1: So did you already know you were performing? Though? No,

561
00:30:00,040 --> 00:30:01,840
Speaker 1: I did not. I had no idea. Um, you know,

562
00:30:01,920 --> 00:30:04,080
Speaker 1: they when you're nominated, they kind of, I think, reach

563
00:30:04,160 --> 00:30:06,720
Speaker 1: out to your team about, you know, just in case

564
00:30:06,800 --> 00:30:09,200
Speaker 1: you do win. But I was like, I mean, I

565
00:30:09,240 --> 00:30:10,640
Speaker 1: just there's no way. I was like, I'm not gonna

566
00:30:10,640 --> 00:30:13,760
Speaker 1: win an ACM Award. But but here you are, you

567
00:30:14,520 --> 00:30:18,360
Speaker 1: are getting married. So are you saying when it's at

568
00:30:18,360 --> 00:30:19,800
Speaker 1: the end of the month, I've been saying at the

569
00:30:19,880 --> 00:30:22,400
Speaker 1: end of the month, okay, good good enough. Um. Now,

570
00:30:22,480 --> 00:30:24,120
Speaker 1: when I was getting married, I wanted to wear a

571
00:30:24,200 --> 00:30:26,880
Speaker 1: red tuxedo and it was kind of ribto um, what

572
00:30:27,240 --> 00:30:29,600
Speaker 1: have you had any struggle with what you want? Because

573
00:30:29,600 --> 00:30:32,440
Speaker 1: you're you know, you're a guy with style. You know,

574
00:30:33,080 --> 00:30:35,400
Speaker 1: I just kind of it's her day. It means it's

575
00:30:35,440 --> 00:30:37,960
Speaker 1: like the so such a big deal to a girl

576
00:30:38,040 --> 00:30:40,040
Speaker 1: to plan a wedding, right the guy you're just kind

577
00:30:40,080 --> 00:30:41,600
Speaker 1: of like, tell me where to be, when to be there.

578
00:30:42,280 --> 00:30:44,640
Speaker 1: They don't care what I think. Did you suggest anything

579
00:30:44,640 --> 00:30:47,520
Speaker 1: about your attire? I did on the like very beginning.

580
00:30:47,560 --> 00:30:49,520
Speaker 1: I was like, man, I'd love for me and all

581
00:30:49,560 --> 00:30:52,240
Speaker 1: my groomsmen to be you know, black cowboy hat, solid black,

582
00:30:52,280 --> 00:30:55,240
Speaker 1: old school tuxedo, black boots, the whole deal. And she

583
00:30:55,360 --> 00:30:59,960
Speaker 1: was like absolutely not. So like I was like, don't

584
00:31:00,000 --> 00:31:01,840
Speaker 1: asked me again, I don't want to if if if

585
00:31:01,840 --> 00:31:03,560
Speaker 1: I don't get to have any input on that, then

586
00:31:04,040 --> 00:31:07,920
Speaker 1: so what did you decides? Uh? Classic normal talks. Yeah,

587
00:31:07,960 --> 00:31:09,480
Speaker 1: I don't even I don't know. I actually try it

588
00:31:09,560 --> 00:31:12,480
Speaker 1: on today at four on my calendar it says tucks

589
00:31:12,600 --> 00:31:15,120
Speaker 1: think so calendar, Hey, I can respect the guy who

590
00:31:15,200 --> 00:31:17,920
Speaker 1: lives by his calendar. That's all I got. How many

591
00:31:18,000 --> 00:31:20,120
Speaker 1: times as he said, calendar and that's all I got.

592
00:31:20,280 --> 00:31:22,800
Speaker 1: Are you nervous about getting married? Are you ready to

593
00:31:22,880 --> 00:31:25,000
Speaker 1: do it? Not yet? You know? I mean just this

594
00:31:25,200 --> 00:31:28,120
Speaker 1: month is so crazy, um, the month of March of

595
00:31:28,440 --> 00:31:30,400
Speaker 1: It's like I'm stringing together one of the greatest months

596
00:31:30,440 --> 00:31:33,160
Speaker 1: of my life right now. So, UM, list why this

597
00:31:33,320 --> 00:31:36,280
Speaker 1: month is so great. Um, hopefully about to have my

598
00:31:36,320 --> 00:31:38,640
Speaker 1: second number one, that's why. That's why it's here. Today's

599
00:31:38,640 --> 00:31:41,000
Speaker 1: about to have a number one? Yes, had um just

600
00:31:41,160 --> 00:31:45,120
Speaker 1: played in the ACMs. Um playing Houston Rodeo sold out

601
00:31:45,160 --> 00:31:48,840
Speaker 1: seventy thousand people on Saturday, and then getting married. So

602
00:31:49,960 --> 00:31:51,800
Speaker 1: that's a good March. Yeah, that's a good one. Yeah.

603
00:31:51,960 --> 00:31:54,800
Speaker 1: At Houston Rodeo that's significant too. That's that's all I

604
00:31:54,800 --> 00:31:57,120
Speaker 1: ever want to do. That's it for me. I mean,

605
00:31:57,680 --> 00:32:01,520
Speaker 1: growing up in Texas, that's the biggest thing to go.

606
00:32:02,560 --> 00:32:04,920
Speaker 1: Or if you're an artist to perform at the Houston

607
00:32:05,040 --> 00:32:08,000
Speaker 1: Rodeo and the thing is sold out seventy thousand people,

608
00:32:08,600 --> 00:32:10,880
Speaker 1: it's just craw. I don't know. The ACM thing hasn't

609
00:32:10,880 --> 00:32:12,240
Speaker 1: really hit me yet. That was all kind of a

610
00:32:12,320 --> 00:32:14,440
Speaker 1: blur and then the rodeo probably be the same way.

611
00:32:14,440 --> 00:32:16,320
Speaker 1: We're probably like in July, I'll be riding down the

612
00:32:16,360 --> 00:32:18,480
Speaker 1: road on the bus somewhere and be like, man March

613
00:32:18,640 --> 00:32:21,480
Speaker 1: was really good. Yeah it's a good, but none will

614
00:32:21,520 --> 00:32:23,760
Speaker 1: be as good after this. This is the peak, so

615
00:32:23,880 --> 00:32:26,280
Speaker 1: we'll take it in. Hey, I do if you don't mind.

616
00:32:26,320 --> 00:32:29,000
Speaker 1: I know you have your guitar. Why don't you play

617
00:32:29,000 --> 00:32:30,760
Speaker 1: a little bit? Just give us a verse in chorus

618
00:32:30,800 --> 00:32:32,720
Speaker 1: of this song that's about to go number one. Here

619
00:32:32,880 --> 00:32:43,680
Speaker 1: is Parker McCullum. And to be loved by you? You'll

620
00:32:43,920 --> 00:32:49,040
Speaker 1: maybe I'm right, maybe I'm wrong, fining I shoot and

621
00:32:49,160 --> 00:32:53,480
Speaker 1: take this song? Easy to sit, thing done. I guess

622
00:32:53,840 --> 00:32:57,280
Speaker 1: I'm a little be harder due love than the risk.

623
00:32:57,560 --> 00:33:02,240
Speaker 1: Where does it have to be? So do my bit?

624
00:33:02,440 --> 00:33:08,160
Speaker 1: So hold your heart and I never let it go again?

625
00:33:09,640 --> 00:33:17,000
Speaker 1: So why you always angry? Why you always cry? Why

626
00:33:17,040 --> 00:33:22,440
Speaker 1: do you sleep bailong? When I know you don't like it?

627
00:33:23,720 --> 00:33:28,040
Speaker 1: Maybe you might be deference to kill you to tell

628
00:33:28,160 --> 00:33:36,480
Speaker 1: me the truth? What in the hill doesn't make to do?

629
00:33:37,640 --> 00:33:41,760
Speaker 1: To be loved by you? Come on there he is.

630
00:33:42,080 --> 00:33:44,200
Speaker 1: That's the number one song this week. We're gonna go

631
00:33:44,480 --> 00:33:46,400
Speaker 1: next week it will be Hey, I want to try something.

632
00:33:46,440 --> 00:33:48,800
Speaker 1: When you were walking in your songs always on my head?

633
00:33:48,880 --> 00:33:51,920
Speaker 1: You know why you always angry? And thank you? Thank

634
00:33:51,920 --> 00:33:54,840
Speaker 1: you ask I'm pretty get that, but I was thinking

635
00:33:54,840 --> 00:33:57,280
Speaker 1: about it, and I wrote the first four lines to

636
00:33:57,400 --> 00:33:59,800
Speaker 1: a parody. And I don't want to do parodies anymore.

637
00:34:00,120 --> 00:34:03,560
Speaker 1: But play me, you know, don't sing, but play me

638
00:34:04,200 --> 00:34:06,800
Speaker 1: the chorus on your guitar. All right, here we go.

639
00:34:06,840 --> 00:34:08,600
Speaker 1: I'm gonna do you want that same key? Yeah? I

640
00:34:09,080 --> 00:34:11,759
Speaker 1: mean what do I know? All right, sure, here we go.

641
00:34:12,040 --> 00:34:14,640
Speaker 1: So why you got it? I'll start it? So why

642
00:34:14,640 --> 00:34:19,720
Speaker 1: are you always angry? Why don't you just eat lunch?

643
00:34:21,120 --> 00:34:26,319
Speaker 1: There's lots of leftovers. Just go and heat it up

644
00:34:27,640 --> 00:34:32,560
Speaker 1: and use the microwave and clear off the screen when

645
00:34:32,600 --> 00:34:38,840
Speaker 1: you're done. Just stop winding that you're hungry. Don't know

646
00:34:39,320 --> 00:34:42,759
Speaker 1: the rest. And I never got this far with the song,

647
00:34:43,320 --> 00:34:47,640
Speaker 1: thank you very much, thank you? List? Yeah? Are you

648
00:34:47,680 --> 00:34:50,239
Speaker 1: always angry? You didn't sing though, Oh I thought you

649
00:34:50,280 --> 00:34:53,880
Speaker 1: were taking it home. I've never heard anyone take it

650
00:34:54,000 --> 00:34:56,080
Speaker 1: home more than I just took it home. No, that's

651
00:34:56,080 --> 00:34:58,719
Speaker 1: all the way home you ever get on stage. And

652
00:34:59,200 --> 00:35:01,680
Speaker 1: this is on both side of it where one night

653
00:35:01,800 --> 00:35:04,479
Speaker 1: you feel like, man, I'm killing it, like my voice

654
00:35:04,560 --> 00:35:07,520
Speaker 1: is good, I'm on like just and you're like, man,

655
00:35:07,600 --> 00:35:09,520
Speaker 1: this is one of those rare nights where everything is

656
00:35:09,560 --> 00:35:11,600
Speaker 1: perfect and then at the same time, do you have

657
00:35:11,760 --> 00:35:15,000
Speaker 1: nights where you're like, man, everything is wrong, like I'm

658
00:35:15,040 --> 00:35:19,040
Speaker 1: not hitting? Does that? Do those happen often? On either side? Man,

659
00:35:19,120 --> 00:35:22,359
Speaker 1: I'm just so critical of it. It's always the second one.

660
00:35:22,440 --> 00:35:24,239
Speaker 1: Every night. It's like, oh, man, well we just as

661
00:35:24,320 --> 00:35:25,919
Speaker 1: soon as we walk off the bus, me and the band,

662
00:35:26,040 --> 00:35:27,800
Speaker 1: or as soon as we walk off the stage, the

663
00:35:27,840 --> 00:35:30,319
Speaker 1: band and I are always sitting there. You know, how'd

664
00:35:30,360 --> 00:35:32,239
Speaker 1: your ears sound? How did it? You know? What'd you think?

665
00:35:32,280 --> 00:35:34,680
Speaker 1: What the you know? And sometimes we feel like we

666
00:35:34,800 --> 00:35:37,480
Speaker 1: play terrible or I sound terrible with the crowd energy

667
00:35:37,520 --> 00:35:39,640
Speaker 1: is so electric it doesn't even matter, you know. So

668
00:35:40,560 --> 00:35:42,719
Speaker 1: I'm in my head about it every single night. We

669
00:35:42,800 --> 00:35:45,680
Speaker 1: record every show, listen to every you do. Yeah, oh,

670
00:35:45,800 --> 00:35:49,480
Speaker 1: like game tape, kind of like watching film. You're gonna

671
00:35:49,560 --> 00:35:52,520
Speaker 1: drive yourself crazy. Oh, it drives me insane. I just

672
00:35:52,560 --> 00:35:54,879
Speaker 1: wanted to be perfect. I'm a big believer in getting better.

673
00:35:55,000 --> 00:35:57,000
Speaker 1: But if I did that, I couldn't do it. Every

674
00:35:57,080 --> 00:36:00,040
Speaker 1: night because I would always hate myself. Yeah, it's we

675
00:36:00,200 --> 00:36:01,840
Speaker 1: usually get on the bus and somebody we listen to

676
00:36:01,880 --> 00:36:03,919
Speaker 1: the show and they'll be like listen, and so it's

677
00:36:04,320 --> 00:36:06,320
Speaker 1: I don't know, that's to good for you. Do you

678
00:36:06,360 --> 00:36:09,800
Speaker 1: feel like you get better from it? I hope. So

679
00:36:10,160 --> 00:36:13,080
Speaker 1: do you ever say anything stupid? Like when you're talking

680
00:36:13,160 --> 00:36:15,399
Speaker 1: and you're back and you're like, why did I say that? Oh?

681
00:36:15,560 --> 00:36:17,560
Speaker 1: All the time? There's a video on the internet. One

682
00:36:17,640 --> 00:36:19,759
Speaker 1: night we were playing somewhere in like Kansas or sometime.

683
00:36:19,800 --> 00:36:21,719
Speaker 1: It's big outdoor stage. It was super windy and it

684
00:36:21,840 --> 00:36:24,320
Speaker 1: was just blow and the whole show, and at some

685
00:36:24,440 --> 00:36:26,640
Speaker 1: point it's like on TikTok or something that popped up

686
00:36:26,719 --> 00:36:30,040
Speaker 1: recently that sounds so stupid. I'm like, I'm like, how

687
00:36:30,120 --> 00:36:31,480
Speaker 1: much wind can there be? It has to go all

688
00:36:31,480 --> 00:36:33,000
Speaker 1: the way around the world at one point, like surely

689
00:36:33,000 --> 00:36:34,520
Speaker 1: we're going to run out of wind before the end

690
00:36:34,520 --> 00:36:36,480
Speaker 1: of this show. It goes all the way around, like

691
00:36:36,560 --> 00:36:38,239
Speaker 1: it has to go to the other side. At some

692
00:36:38,280 --> 00:36:41,719
Speaker 1: point there's no way there's any wind left. And after

693
00:36:41,800 --> 00:36:47,640
Speaker 1: the show you're like, what is he talking? We're listening.

694
00:36:47,640 --> 00:36:50,400
Speaker 1: It's a smart all coming up road for you. Right now, man,

695
00:36:50,440 --> 00:36:53,360
Speaker 1: you're about to get married. I mean, she's awesome. The

696
00:36:53,880 --> 00:36:55,880
Speaker 1: just numera know, I'm gonna say she's the man, but

697
00:36:56,040 --> 00:36:58,160
Speaker 1: she's not the man, she's the woman. Well, you got

698
00:36:58,239 --> 00:37:01,319
Speaker 1: it all going. Congrats on wedding. You're not singing at

699
00:37:01,320 --> 00:37:03,879
Speaker 1: your wedding? Right No? Sure? Okay, thank god. It would

700
00:37:03,880 --> 00:37:05,600
Speaker 1: just be awkward for everybody. It'd be awesome. It'd be

701
00:37:05,640 --> 00:37:08,279
Speaker 1: awkward for everybody. And everything with me and Holly Ray

702
00:37:08,360 --> 00:37:10,759
Speaker 1: is always about me, Like everything we go to is

703
00:37:10,840 --> 00:37:12,879
Speaker 1: for me. Everything, you know, I've got to get on stage,

704
00:37:12,920 --> 00:37:15,920
Speaker 1: do the interview, everything's that a way. And so I'm like,

705
00:37:16,520 --> 00:37:18,040
Speaker 1: that's like such a big dage. She needs to be

706
00:37:18,080 --> 00:37:22,000
Speaker 1: about her. So is that often a convert because we

707
00:37:22,160 --> 00:37:26,000
Speaker 1: have that same conversation where so much is about when

708
00:37:26,040 --> 00:37:28,560
Speaker 1: we go places. A lot of the time she just

709
00:37:28,800 --> 00:37:32,560
Speaker 1: ends up being Bobby's wife and we have to purposefully

710
00:37:32,640 --> 00:37:35,320
Speaker 1: find things that and I try to make an effort

711
00:37:35,520 --> 00:37:38,200
Speaker 1: to do things where she's just not my wife or

712
00:37:38,239 --> 00:37:41,120
Speaker 1: I'm just a dorky guy that's with her because she

713
00:37:41,200 --> 00:37:43,879
Speaker 1: kind of deserves her own spotlight. Yeah, I always trying

714
00:37:43,880 --> 00:37:46,279
Speaker 1: to just make sure that she doesn't feel like that

715
00:37:47,120 --> 00:37:49,280
Speaker 1: and I enjoy that, you know, Like I mean, everything

716
00:37:49,440 --> 00:37:52,360
Speaker 1: is it's always we're always going somewhere doing something for me.

717
00:37:52,520 --> 00:37:54,680
Speaker 1: So I'm always trying to go places and do stuff

718
00:37:54,680 --> 00:37:57,480
Speaker 1: for her. But I don't know she's really She's just

719
00:37:57,880 --> 00:38:00,319
Speaker 1: the bomb dude. She handles it so well and it's

720
00:38:00,480 --> 00:38:02,600
Speaker 1: still kind of new for her. I think a lot

721
00:38:02,640 --> 00:38:04,520
Speaker 1: of the things we do, like being at the Awards show,

722
00:38:05,040 --> 00:38:06,520
Speaker 1: I think to thought that was the coolest thing in

723
00:38:06,560 --> 00:38:09,080
Speaker 1: the world. She saw Brittany Audine, and Brittany came over

724
00:38:09,120 --> 00:38:12,400
Speaker 1: and said hello, so, um, you know those those kind

725
00:38:12,440 --> 00:38:15,520
Speaker 1: of things. I think she's probably it's probably okay too.

726
00:38:15,960 --> 00:38:18,560
Speaker 1: I congratulation the bank. You there. He is Parker McCullum.

727
00:38:18,680 --> 00:38:20,120
Speaker 1: I was working a couple of the lines here for

728
00:38:20,200 --> 00:38:21,839
Speaker 1: the song that was gonna be smash Up. Yeah. Well

729
00:38:21,920 --> 00:38:25,840
Speaker 1: because at the second verse, why are you always angry?

730
00:38:26,280 --> 00:38:30,200
Speaker 1: Why don't you just eat lunch? There's lots of leftovers,

731
00:38:30,560 --> 00:38:32,680
Speaker 1: just go and heat it up. And I feel like

732
00:38:32,719 --> 00:38:36,160
Speaker 1: a food reference here, like, um, maybe have some pasta

733
00:38:37,080 --> 00:38:41,000
Speaker 1: in the drawer. There's a grilled cheese, right, So let

734
00:38:41,040 --> 00:38:43,840
Speaker 1: me find you. Because she's what a man have to do.

735
00:38:44,920 --> 00:38:46,800
Speaker 1: Hold on, hold on, don't don't know. I'm writing a

736
00:38:46,880 --> 00:38:49,480
Speaker 1: song here. I thought about that. No, hold on, man,

737
00:38:49,840 --> 00:38:53,040
Speaker 1: So what's have to do to be loved by you?

738
00:38:53,640 --> 00:38:57,239
Speaker 1: And I would be like, chew, I need some food

739
00:38:57,360 --> 00:38:59,440
Speaker 1: like that's why I'm chasing that last part of chasing

740
00:38:59,480 --> 00:39:01,080
Speaker 1: it hits, shall you? Yeah? This why I do? I

741
00:39:01,160 --> 00:39:02,759
Speaker 1: chase this all day, all time? How to believe you?

742
00:39:02,960 --> 00:39:05,759
Speaker 1: All right? From the from the top three two? I

743
00:39:05,800 --> 00:39:07,719
Speaker 1: don't know how to count. I don't know what's happening here.

744
00:39:07,760 --> 00:39:11,680
Speaker 1: All right, there we go? So are you always hary?

745
00:39:12,560 --> 00:39:18,600
Speaker 1: Why don't you just eat lunch? This tons of leftovers?

746
00:39:19,480 --> 00:39:25,359
Speaker 1: Just go and heat it up. Maybe have some pasta

747
00:39:26,200 --> 00:39:30,800
Speaker 1: in the drawer. This a grilled cheese. You don't have

748
00:39:31,320 --> 00:39:34,960
Speaker 1: to tell me, don't have you, can't do Please, it's

749
00:39:35,000 --> 00:39:41,960
Speaker 1: gotta go you to be I had him. I'm gonna

750
00:39:42,000 --> 00:39:44,400
Speaker 1: work on this all night and I'm never gonna bring

751
00:39:44,440 --> 00:39:46,640
Speaker 1: it up again. I've I've got a hundred that are

752
00:39:46,760 --> 00:39:51,160
Speaker 1: that finish, that are that close, So just shut up

753
00:39:51,200 --> 00:39:53,400
Speaker 1: and eat some food. I'm pretty much there. I'm pretty

754
00:39:53,480 --> 00:39:57,840
Speaker 1: much Parker McCallum. Follow him at Parker McCallum, let me

755
00:39:57,920 --> 00:39:59,879
Speaker 1: say this, he'll be out. I got a couple of things.

756
00:40:00,000 --> 00:40:03,400
Speaker 1: He's playing with Eric Church and Brothers Osborne in Milwaukee

757
00:40:03,440 --> 00:40:05,319
Speaker 1: on May twenty eighth for that stadium show. It's going

758
00:40:05,400 --> 00:40:09,360
Speaker 1: to be massive, gnarly um the Rodeo Massive. Can you

759
00:40:09,400 --> 00:40:11,440
Speaker 1: still get tickets? It's sold out, but sometimes they do

760
00:40:11,560 --> 00:40:13,319
Speaker 1: like a little blaba tickets at the very end. Yeah,

761
00:40:13,320 --> 00:40:14,839
Speaker 1: it's so, but I know, I know a guy. If

762
00:40:14,840 --> 00:40:17,960
Speaker 1: anybody needs tickets, And here's Parker's cell phone number, call him.

763
00:40:18,360 --> 00:40:22,760
Speaker 1: It's the gold Chain Cowboy Tour. You get a chancy

764
00:40:22,840 --> 00:40:25,360
Speaker 1: Parkers Live shows are great. Just go to Parker McCollum

765
00:40:25,440 --> 00:40:31,680
Speaker 1: dot com. He'll be Corpus Christie Carl's Bad Tucson, Orlando, Madison, Alabama.

766
00:40:32,080 --> 00:40:34,600
Speaker 1: He's a great guy. I consider him a friend. It's

767
00:40:34,600 --> 00:40:37,360
Speaker 1: all on my calendar and there he is, Parker mccallmyoday,

768
00:40:37,680 --> 00:40:41,719
Speaker 1: Thank you, thank you. It's the best Bits of the

769
00:40:41,800 --> 00:40:46,759
Speaker 1: week with Morgan. Number two. This was the last week

770
00:40:46,960 --> 00:40:50,160
Speaker 1: of submissions for our Bobby Bones Show theme song, and

771
00:40:50,360 --> 00:40:52,919
Speaker 1: oh my goodness, there were so many good ones y'all,

772
00:40:53,040 --> 00:40:56,400
Speaker 1: Like I cannot even explain this. You're gonna hear the

773
00:40:56,560 --> 00:40:58,720
Speaker 1: last ones here. But also you can go on Bobby

774
00:40:58,719 --> 00:41:01,360
Speaker 1: Bones dot com and see these six finalists before we

775
00:41:01,440 --> 00:41:04,680
Speaker 1: start voting next week. Let us know your favorites when

776
00:41:04,719 --> 00:41:07,359
Speaker 1: we post that next week. Not yet, don't be coming

777
00:41:07,440 --> 00:41:09,920
Speaker 1: up in my DMS yet, but soon you guys can

778
00:41:10,080 --> 00:41:12,439
Speaker 1: place your votes for the Bobby Bones Show Theme song

779
00:41:13,040 --> 00:41:16,320
Speaker 1: number three. All right, final batch of theme songs that

780
00:41:16,400 --> 00:41:19,680
Speaker 1: have been written by listeners for this show. I said, hey,

781
00:41:19,920 --> 00:41:22,000
Speaker 1: write us a thirty second theme song. I'll pay somebody

782
00:41:22,040 --> 00:41:24,480
Speaker 1: five hundred bucks in my own money. So this is

783
00:41:24,480 --> 00:41:26,839
Speaker 1: the last week we have three. We're gonna move one,

784
00:41:26,920 --> 00:41:30,279
Speaker 1: maybe two of these into the semifinals. This is Angie, Kay,

785
00:41:30,560 --> 00:41:32,919
Speaker 1: she writes me, and my buddy Chris made the winning

786
00:41:32,960 --> 00:41:35,879
Speaker 1: theme song right here. Then listen to the Bobby Bones Show.

787
00:41:35,920 --> 00:41:50,280
Speaker 1: Since y'all started. It's Bobby from them something good. Listen

788
00:41:50,960 --> 00:42:00,359
Speaker 1: the best friend lunch boxes yelling any woman so when

789
00:42:00,440 --> 00:42:24,919
Speaker 1: away we can't so, I'm it's that is so good?

790
00:42:26,040 --> 00:42:30,319
Speaker 1: What she's a mess? Wow? That's really good. I mean,

791
00:42:30,360 --> 00:42:32,120
Speaker 1: there are two more. How do we play that? I

792
00:42:32,120 --> 00:42:34,759
Speaker 1: don't know even I don't know any that's really good?

793
00:42:34,800 --> 00:42:40,359
Speaker 1: Are k Wow? And Chris? Uh yeah, buddy, that's that's

794
00:42:40,440 --> 00:42:44,040
Speaker 1: really good. Okay, and she's really good. Okay. Here is

795
00:42:44,360 --> 00:42:46,320
Speaker 1: m R and D. That's all. They call themselves R

796
00:42:46,320 --> 00:42:48,440
Speaker 1: and D. And they wrote, here's our submission to be

797
00:42:48,520 --> 00:42:52,520
Speaker 1: put into the running of the theme songs love this show. Wow,

798
00:42:52,560 --> 00:42:54,799
Speaker 1: we should have put that one last. Huh Is that good?

799
00:42:54,840 --> 00:42:58,120
Speaker 1: Are the other ones good too? It's anous all right,

800
00:42:58,160 --> 00:43:02,440
Speaker 1: here we go. Here's number two, wake up, wake Up,

801
00:43:02,600 --> 00:43:13,040
Speaker 1: And in the turn the radio and the lunchbox, we'll

802
00:43:13,120 --> 00:43:15,799
Speaker 1: get to school. Steve bred out of trying to put

803
00:43:15,840 --> 00:43:20,080
Speaker 1: you through. He's riding this week's next year. The Bobby's

804
00:43:20,120 --> 00:43:29,799
Speaker 1: on the mix, so you know it. This that's really

805
00:43:29,840 --> 00:43:34,040
Speaker 1: good too. And they mentioned Mike d which who's such

806
00:43:34,080 --> 00:43:36,680
Speaker 1: a big part of this show, and some people never

807
00:43:36,760 --> 00:43:39,160
Speaker 1: mentioned him and I always feel bad because, yeah, he

808
00:43:39,200 --> 00:43:41,239
Speaker 1: didn't talk a whole lot, but he's so important to

809
00:43:41,320 --> 00:43:44,480
Speaker 1: this show. That's really good too. The vibe is definitely different.

810
00:43:46,080 --> 00:43:50,160
Speaker 1: That's good. That's good too. Dang, all right, here's our

811
00:43:50,200 --> 00:43:53,440
Speaker 1: final one for today. This is Katie, she says, morning

812
00:43:53,520 --> 00:43:55,839
Speaker 1: studio after. I love hearing some of the song entries

813
00:43:55,880 --> 00:43:58,880
Speaker 1: for the BBS theme song. I'm not fancy so it

814
00:43:59,000 --> 00:44:02,319
Speaker 1: probably need to be sung by Abby or Lunchbox. Thanks

815
00:44:02,320 --> 00:44:05,359
Speaker 1: for giving us listeners a fun opportunity. Hope this song

816
00:44:05,520 --> 00:44:07,560
Speaker 1: makes all of you smile. Katie K and my not

817
00:44:07,840 --> 00:44:12,399
Speaker 1: North Dakota. It's modern in time to wake up, turn

818
00:44:12,480 --> 00:44:16,759
Speaker 1: the radio on and jim out with the Bat Team

819
00:44:16,840 --> 00:44:20,080
Speaker 1: crew to your favorite songs and boone Head stories. Or

820
00:44:20,120 --> 00:44:22,800
Speaker 1: in the morning, Corney, you know, we got game Scalore

821
00:44:23,719 --> 00:44:28,680
Speaker 1: easy trivia. You're gonna get you feeling. I feel good. Oh,

822
00:44:28,840 --> 00:44:41,359
Speaker 1: I feel so good. Hey, hey, y'all, that's actually really good.

823
00:44:41,719 --> 00:44:44,960
Speaker 1: She didn't have the production capabilities or resources the other

824
00:44:44,960 --> 00:44:46,759
Speaker 1: people had, but that was really good. And then she

825
00:44:46,800 --> 00:44:53,399
Speaker 1: did some little good Yeah, that's good. That good man,

826
00:44:53,680 --> 00:44:55,959
Speaker 1: that's good good. Um. This is what I would say

827
00:44:56,760 --> 00:44:58,520
Speaker 1: because all three, I mean, I would say that those

828
00:44:58,640 --> 00:45:01,600
Speaker 1: three are are bed than most of the ones from

829
00:45:01,640 --> 00:45:03,600
Speaker 1: the early weeks because it just got better each week.

830
00:45:03,800 --> 00:45:05,640
Speaker 1: But we can't move all three through. I think we

831
00:45:05,800 --> 00:45:09,600
Speaker 1: probably move in the first two through. We can move

832
00:45:09,640 --> 00:45:11,600
Speaker 1: the first two through. Do you guys feel good on that? Yeah?

833
00:45:11,920 --> 00:45:15,520
Speaker 1: Because they're both so good. Um, so we'll have six

834
00:45:16,200 --> 00:45:18,319
Speaker 1: and then next week we'll go through those and cut

835
00:45:18,400 --> 00:45:20,759
Speaker 1: it down to three and then to one. Okay, so

836
00:45:20,840 --> 00:45:22,879
Speaker 1: we're gonna move Angie K and R and D through

837
00:45:23,320 --> 00:45:25,279
Speaker 1: play ANGI K again one more time, and then from

838
00:45:25,320 --> 00:45:27,160
Speaker 1: the end of this we'll just go into the song.

839
00:45:27,239 --> 00:45:31,840
Speaker 1: Let's see if there how this feels. It's Bobby and

840
00:45:32,040 --> 00:45:42,279
Speaker 1: I'm playing from them. We'll tell something good listens like

841
00:45:42,560 --> 00:45:50,839
Speaker 1: the best foot He's a woman like it's so mad

842
00:45:53,280 --> 00:46:15,040
Speaker 1: he nay, we can't. I'm so so it's it's good.

843
00:46:15,480 --> 00:46:19,239
Speaker 1: All right, there you go. It's the best bits of

844
00:46:19,360 --> 00:46:26,640
Speaker 1: the week with Morgan. Number two. Good Golly, Miss Dolly.

845
00:46:26,800 --> 00:46:28,680
Speaker 1: She was on the show this week. I love me

846
00:46:28,800 --> 00:46:32,480
Speaker 1: some Dolly Parton. She is just a powerhouse of a human.

847
00:46:32,600 --> 00:46:34,839
Speaker 1: I love her and every time she comes on the show,

848
00:46:34,920 --> 00:46:37,040
Speaker 1: it just makes me happy and light up inside for

849
00:46:37,080 --> 00:46:39,640
Speaker 1: at least the entire day. So I hope this interview

850
00:46:39,800 --> 00:46:42,920
Speaker 1: brings you some joy because Dolly is just the best.

851
00:46:43,680 --> 00:46:46,080
Speaker 1: Number two, Dolly, good to talk to you, Good to

852
00:46:46,160 --> 00:46:48,080
Speaker 1: talk to you. How are you? I'm pretty good to

853
00:46:48,120 --> 00:46:50,560
Speaker 1: have your have your book right here, and you were

854
00:46:51,160 --> 00:46:52,959
Speaker 1: we were talking about the book. We were talking about

855
00:46:52,960 --> 00:46:54,719
Speaker 1: the album that came out with the book last week.

856
00:46:55,080 --> 00:46:59,040
Speaker 1: So this and you hosting the ACMs. See, everybody gives

857
00:46:59,040 --> 00:47:00,560
Speaker 1: you credit for being really small, and I think they

858
00:47:00,600 --> 00:47:03,120
Speaker 1: should because you've you've packaged all this together. You can

859
00:47:03,160 --> 00:47:05,680
Speaker 1: do all this press at one time, and you're knocking

860
00:47:05,719 --> 00:47:07,799
Speaker 1: it all out. This this is amazing. So let's talk

861
00:47:07,800 --> 00:47:10,839
Speaker 1: about the book first that came out today, Run Rose Run,

862
00:47:11,160 --> 00:47:13,960
Speaker 1: because you wrote this with James Patterson. How do you

863
00:47:14,080 --> 00:47:15,759
Speaker 1: guys become friends? How do you guys get in touch

864
00:47:15,760 --> 00:47:19,160
Speaker 1: with each other? Well, actually, he called me he was

865
00:47:19,400 --> 00:47:21,799
Speaker 1: interested in writing a book with me. I don't know why,

866
00:47:22,000 --> 00:47:24,640
Speaker 1: but he was. I guess he had written a couple

867
00:47:24,640 --> 00:47:28,719
Speaker 1: of things for different celebrities, for different popular people, and

868
00:47:28,880 --> 00:47:31,280
Speaker 1: so he called and asked if I would be interested

869
00:47:31,280 --> 00:47:32,880
Speaker 1: in writing a book with him. I said, well, that

870
00:47:33,360 --> 00:47:36,160
Speaker 1: that depends. I was shocked that he called start with.

871
00:47:36,600 --> 00:47:38,880
Speaker 1: I thought, why does he need me? He's doing okay

872
00:47:38,960 --> 00:47:41,680
Speaker 1: on his own. But he I said, I would be

873
00:47:41,800 --> 00:47:44,600
Speaker 1: interested if it was really something I could really take

874
00:47:44,719 --> 00:47:48,479
Speaker 1: part in and really be, you know, able to really

875
00:47:48,560 --> 00:47:51,320
Speaker 1: contribute to it. So I said, won't you come to

876
00:47:51,480 --> 00:47:54,160
Speaker 1: Nashville and we'll talk, And so he flew down and

877
00:47:54,280 --> 00:47:56,200
Speaker 1: we got together, and he told me that he'd liked

878
00:47:56,239 --> 00:47:59,200
Speaker 1: to write something about Nashville, and I thought, well, that's

879
00:47:59,239 --> 00:48:02,080
Speaker 1: certainly something I know about. So it really worked out

880
00:48:02,480 --> 00:48:05,400
Speaker 1: really well and we've just really clicked. I liked him

881
00:48:05,440 --> 00:48:08,320
Speaker 1: a lot. I thought, well, we'll be able to work together,

882
00:48:08,360 --> 00:48:10,440
Speaker 1: because it's very important when you have to do a

883
00:48:10,520 --> 00:48:12,800
Speaker 1: project that you like the people you haven't spend that

884
00:48:12,920 --> 00:48:16,000
Speaker 1: much time with. But he's really a great guy and

885
00:48:16,200 --> 00:48:18,440
Speaker 1: we just got along great. We both were able to

886
00:48:18,560 --> 00:48:22,400
Speaker 1: contribute a lot to each other. And me being in

887
00:48:22,520 --> 00:48:25,480
Speaker 1: country music all my life and in Nashville for fifty

888
00:48:25,520 --> 00:48:28,160
Speaker 1: seven years, I thought I knew a little bit about it.

889
00:48:28,719 --> 00:48:31,640
Speaker 1: James Patterson is so successful in his line of work.

890
00:48:32,239 --> 00:48:35,480
Speaker 1: Obviously you are in yours. But is there ever anyone

891
00:48:36,200 --> 00:48:38,280
Speaker 1: or has there been one in the last ten fifteen

892
00:48:38,320 --> 00:48:42,640
Speaker 1: years that you've met and you've been star struck by. Well,

893
00:48:42,719 --> 00:48:45,719
Speaker 1: I'm star struck by anybody that does really good work

894
00:48:45,840 --> 00:48:48,200
Speaker 1: and tries to make a difference in the world. And

895
00:48:48,560 --> 00:48:50,320
Speaker 1: that was one of the things I loved about James.

896
00:48:50,400 --> 00:48:54,160
Speaker 1: He's really interested in like making the world a better

897
00:48:54,239 --> 00:48:58,839
Speaker 1: place as I am, and you know, he's very big

898
00:48:59,000 --> 00:49:02,400
Speaker 1: on charity work for children and all that. So we

899
00:49:02,520 --> 00:49:06,480
Speaker 1: really clicked on many ways. But I'm always impressed with

900
00:49:06,600 --> 00:49:09,600
Speaker 1: people that do good things, So I can't just necessarily

901
00:49:09,760 --> 00:49:12,120
Speaker 1: name a bunch of people, but I think it's all

902
00:49:12,200 --> 00:49:14,839
Speaker 1: great when anybody steps up to try to do better.

903
00:49:15,200 --> 00:49:18,320
Speaker 1: The ACM Awards are tonight on Amazon Prime Video and

904
00:49:18,440 --> 00:49:20,839
Speaker 1: you're hosting, and I guess it goes to again, you've

905
00:49:20,880 --> 00:49:23,440
Speaker 1: done so many really cool things. Do you get nervous

906
00:49:23,480 --> 00:49:27,840
Speaker 1: to perform ever anymore? Well, you always get nervous because

907
00:49:27,880 --> 00:49:29,640
Speaker 1: you want it to go well. You hope you don't

908
00:49:29,680 --> 00:49:33,400
Speaker 1: mess up too bad. But that's what they call those butterflies.

909
00:49:33,440 --> 00:49:36,440
Speaker 1: I don't think you ever outgrow that. I don't think

910
00:49:36,480 --> 00:49:40,279
Speaker 1: it should because that's also part of the excitement. But yeah,

911
00:49:40,320 --> 00:49:44,120
Speaker 1: I'm always hoping to do good and hoping I you know,

912
00:49:44,920 --> 00:49:48,120
Speaker 1: don't disappoint anybody. But just as soon as that light

913
00:49:48,280 --> 00:49:51,399
Speaker 1: hits me, I'm often running then it's too late now.

914
00:49:51,920 --> 00:49:54,840
Speaker 1: So I always look forward to it. I love the crowd,

915
00:49:54,960 --> 00:49:58,080
Speaker 1: I love doing that. I've been doing television all my life,

916
00:49:58,160 --> 00:50:01,719
Speaker 1: so I'm looking for forward to it. I'm excited about it, really,

917
00:50:02,239 --> 00:50:03,719
Speaker 1: you know. I was just looking at some of the

918
00:50:03,719 --> 00:50:05,960
Speaker 1: stuff over the past since the last time we've spoken,

919
00:50:06,400 --> 00:50:09,399
Speaker 1: which was the baking line with Duncan Hines, the ice

920
00:50:09,480 --> 00:50:11,520
Speaker 1: cream you know, the book that's out today, the music

921
00:50:11,640 --> 00:50:14,480
Speaker 1: last they came out last Friday, and you know, there's

922
00:50:14,520 --> 00:50:16,920
Speaker 1: so much that you're involved in. Do you have a

923
00:50:17,200 --> 00:50:20,560
Speaker 1: person that you trust where you sit and you go, Okay,

924
00:50:21,040 --> 00:50:24,000
Speaker 1: let's decide what massive projects we're going to take on next.

925
00:50:24,040 --> 00:50:25,880
Speaker 1: Because I'm sure people are throwing ideas at you all

926
00:50:25,920 --> 00:50:29,120
Speaker 1: the time. How they do I have been blessed to

927
00:50:29,239 --> 00:50:33,200
Speaker 1: be surrounded with wonderful people, and of course in the

928
00:50:33,360 --> 00:50:38,439
Speaker 1: marketing and management, Danny Nozell and his crew have done

929
00:50:38,480 --> 00:50:41,200
Speaker 1: a wonderful job working all that out. You've got to

930
00:50:41,239 --> 00:50:44,560
Speaker 1: have great press and Danny's always putting together a great group.

931
00:50:44,840 --> 00:50:46,719
Speaker 1: And of course it depends on what all you're working with.

932
00:50:46,840 --> 00:50:49,520
Speaker 1: That's what we do here in Nashville. Same with my

933
00:50:49,840 --> 00:50:54,000
Speaker 1: people in East Tennessee with Dollywood and the management there.

934
00:50:54,280 --> 00:50:56,320
Speaker 1: You know, I just I am so blessed to have

935
00:50:56,440 --> 00:50:59,040
Speaker 1: all these smart, wonderful people to help me out with

936
00:50:59,160 --> 00:51:01,759
Speaker 1: all that. Of course I'm the creative force, but they

937
00:51:01,880 --> 00:51:03,600
Speaker 1: have to get out and do all the hard work

938
00:51:03,680 --> 00:51:07,120
Speaker 1: and make all these wonderful things happen. Do you have

939
00:51:07,280 --> 00:51:10,800
Speaker 1: a favorite song to sing live now? And has that

940
00:51:10,960 --> 00:51:13,239
Speaker 1: changed over the years where you have an affinity for

941
00:51:13,360 --> 00:51:17,600
Speaker 1: a different songs as you know, different years go by well,

942
00:51:17,640 --> 00:51:21,360
Speaker 1: it happens almost not just in years, but almost in

943
00:51:21,560 --> 00:51:24,560
Speaker 1: days or nights, because sometimes if there's a certain thing

944
00:51:24,640 --> 00:51:27,600
Speaker 1: going on that I relate to a certain song about,

945
00:51:27,680 --> 00:51:30,399
Speaker 1: like for instance, Code of Many Colors, I sing all

946
00:51:30,480 --> 00:51:33,320
Speaker 1: the time, but when my mother passed away, it was

947
00:51:33,440 --> 00:51:36,279
Speaker 1: just so hard for several months for me to be

948
00:51:36,360 --> 00:51:40,279
Speaker 1: able to sing that song without actually really breaking down

949
00:51:40,400 --> 00:51:42,400
Speaker 1: where I couldn't even finish the song, or even that

950
00:51:42,560 --> 00:51:46,600
Speaker 1: little set you know about family. But now you know,

951
00:51:46,719 --> 00:51:49,560
Speaker 1: I sing it and it takes on a different feel

952
00:51:49,640 --> 00:51:51,719
Speaker 1: than it did when Mama was living. It's more of

953
00:51:51,760 --> 00:51:55,400
Speaker 1: a precious memory kind of thing now. But sometimes, you know,

954
00:51:55,440 --> 00:51:57,440
Speaker 1: it depends on the mood I'm in. Some nights, I

955
00:51:57,560 --> 00:52:00,480
Speaker 1: love singing I Will Always Love You Best. I always

956
00:52:00,480 --> 00:52:03,040
Speaker 1: love singing that one because every singer loves to have

957
00:52:03,120 --> 00:52:05,759
Speaker 1: a song that where you can really sing low and

958
00:52:06,040 --> 00:52:08,359
Speaker 1: let the dynamics, you know, where you can go up

959
00:52:08,400 --> 00:52:11,040
Speaker 1: and down and then really let it go at the end.

960
00:52:11,440 --> 00:52:15,160
Speaker 1: So I always enjoy that one. But I enjoy singing

961
00:52:15,200 --> 00:52:17,920
Speaker 1: the songs that the audience responds to the most, Like

962
00:52:18,040 --> 00:52:21,000
Speaker 1: when I start into nine to five, the crowd just

963
00:52:21,160 --> 00:52:24,160
Speaker 1: goes crazy, start clapping, even before I when they start

964
00:52:24,239 --> 00:52:26,520
Speaker 1: hearing the you know, just the rhythm of the song.

965
00:52:26,719 --> 00:52:29,600
Speaker 1: So it just depends on the night. But I'm thankful

966
00:52:29,640 --> 00:52:32,200
Speaker 1: that all of them are received so well. I have

967
00:52:32,480 --> 00:52:35,319
Speaker 1: two questions for you and we'll wrap here. But there

968
00:52:35,400 --> 00:52:38,400
Speaker 1: was a story about Keith Urban being your dream duet partner.

969
00:52:38,560 --> 00:52:40,719
Speaker 1: Are you guys actually working on that now? Because once

970
00:52:40,800 --> 00:52:43,040
Speaker 1: that becomes a story, I think Keith probably reaches out like,

971
00:52:43,200 --> 00:52:47,080
Speaker 1: is that is the thing? Well? Actually I did a

972
00:52:47,200 --> 00:52:51,839
Speaker 1: do it with him many many years ago with him,

973
00:52:51,880 --> 00:52:54,440
Speaker 1: but I would love to actually have something else with

974
00:52:54,640 --> 00:52:56,920
Speaker 1: him because I think our voice is fit. I've always

975
00:52:57,000 --> 00:52:59,120
Speaker 1: loved him to death. He just feels like a member

976
00:52:59,400 --> 00:53:01,440
Speaker 1: of my family. He reminds me so much of my

977
00:53:01,560 --> 00:53:04,560
Speaker 1: brothers Randy and Floyd, who I used to sing with

978
00:53:04,719 --> 00:53:07,320
Speaker 1: all the time. So I would love to do something

979
00:53:07,400 --> 00:53:10,120
Speaker 1: else with Keith and have a real single and have

980
00:53:10,239 --> 00:53:12,719
Speaker 1: a big hit. But he's got, you know, he's got

981
00:53:13,200 --> 00:53:16,640
Speaker 1: so many people are running after him. But anyhow, someday

982
00:53:16,680 --> 00:53:20,160
Speaker 1: that'll happen again. I hope He's so talented. I love him.

983
00:53:20,520 --> 00:53:24,080
Speaker 1: Final question is, after you do a performance of any kind,

984
00:53:24,360 --> 00:53:26,880
Speaker 1: does someone then grab your clothes and go, Okay, we

985
00:53:26,960 --> 00:53:29,200
Speaker 1: have to say this, because this we will donate it.

986
00:53:29,280 --> 00:53:30,960
Speaker 1: We will put it on display, like every single thing

987
00:53:31,000 --> 00:53:35,160
Speaker 1: you wear, is that a thing? Well, actually everything I wear.

988
00:53:35,200 --> 00:53:37,360
Speaker 1: If I really love it, I'll wear that again, especially

989
00:53:37,360 --> 00:53:40,040
Speaker 1: if I'm on tour. And after a few weeks somebody

990
00:53:40,080 --> 00:53:43,839
Speaker 1: asked me if I only wear clothes wants. No, there

991
00:53:43,920 --> 00:53:46,160
Speaker 1: are some things I only wear ones, like if it's

992
00:53:46,200 --> 00:53:49,600
Speaker 1: a really big event, and then we put that in

993
00:53:49,680 --> 00:53:52,919
Speaker 1: the museum. But that's rare because usually I'll wear things

994
00:53:53,040 --> 00:53:55,560
Speaker 1: different times until I'm finished with that, and sometimes we

995
00:53:55,680 --> 00:53:58,800
Speaker 1: even remake them, like if they're a long gown, we

996
00:53:58,960 --> 00:54:01,319
Speaker 1: might shorten it and then work like that for a while,

997
00:54:01,640 --> 00:54:03,840
Speaker 1: and then if it's done so many important things, it

998
00:54:03,920 --> 00:54:06,759
Speaker 1: goes in the museum, or we auction it off at

999
00:54:06,840 --> 00:54:10,680
Speaker 1: some charity events. You guys go to shopt Dolly parton

1000
00:54:10,719 --> 00:54:14,120
Speaker 1: dot com. Get Run Rose Run. The music came out

1001
00:54:14,200 --> 00:54:17,040
Speaker 1: last Friday, Dolly, thank you, great to see you and

1002
00:54:17,160 --> 00:54:19,880
Speaker 1: hopefully I will see you soon. Good luck tonight, Okay,

1003
00:54:20,000 --> 00:54:22,040
Speaker 1: thank you looking forward to it all right, bye bye.

1004
00:54:23,360 --> 00:54:27,080
Speaker 1: It's the Best Bits of the Week with Morgan number two,

1005
00:54:28,800 --> 00:54:30,520
Speaker 1: and of course this one had to come in hot

1006
00:54:30,560 --> 00:54:33,400
Speaker 1: at number one because oh my goodness, what a crazy

1007
00:54:33,520 --> 00:54:38,080
Speaker 1: story from Abbey about her boyfriend a medical emergency, Like

1008
00:54:38,239 --> 00:54:41,439
Speaker 1: just so crazy of a story, and we're so glad

1009
00:54:41,480 --> 00:54:43,440
Speaker 1: to hear her. He's okay, but you got to hear

1010
00:54:43,480 --> 00:54:45,320
Speaker 1: it for yourself, because this is just like one in

1011
00:54:45,719 --> 00:54:47,480
Speaker 1: a million. I don't actually know the odds, but this

1012
00:54:47,600 --> 00:54:49,680
Speaker 1: is like one in a million chance that this happens

1013
00:54:49,760 --> 00:54:52,440
Speaker 1: to somebody, and it happened to Abby's boyfriend, and it

1014
00:54:52,520 --> 00:54:55,320
Speaker 1: was really scary for her, scary for him, just ate

1015
00:54:55,440 --> 00:54:58,839
Speaker 1: all around crazy situation, and she shared it with us.

1016
00:54:58,960 --> 00:55:02,560
Speaker 1: So though, so glad he's okay, sitting love to him

1017
00:55:02,600 --> 00:55:04,680
Speaker 1: if he happens to be listening to the best bits

1018
00:55:04,800 --> 00:55:07,560
Speaker 1: right now. Number one, Okay, let's talk about Abby and

1019
00:55:07,680 --> 00:55:11,280
Speaker 1: her boyfriend being airlifted to the hospital. You guys voted

1020
00:55:11,360 --> 00:55:13,160
Speaker 1: before he came to the segment. This is the one

1021
00:55:13,200 --> 00:55:15,480
Speaker 1: you wanted to hear. Yes, Abby, so you have a

1022
00:55:15,520 --> 00:55:17,600
Speaker 1: new boyfriend. You guys have been dating for how long now?

1023
00:55:18,520 --> 00:55:22,200
Speaker 1: It was February third, so that's a little over a month,

1024
00:55:22,880 --> 00:55:27,000
Speaker 1: fresh Verry, So if you call the show, Abby's our

1025
00:55:27,040 --> 00:55:30,359
Speaker 1: phone screener. She has a new boyfriend. And why that's

1026
00:55:30,440 --> 00:55:32,759
Speaker 1: quick to even be a boyfriend. Huh, well, I mean

1027
00:55:32,800 --> 00:55:34,759
Speaker 1: that's like when we were like official, but it was

1028
00:55:34,840 --> 00:55:39,600
Speaker 1: before Christmas, so and so what happens? What happened? Yeah, okay.

1029
00:55:39,840 --> 00:55:41,640
Speaker 1: So I went home to visit him a couple of

1030
00:55:41,680 --> 00:55:44,040
Speaker 1: weekends ago, had a great time. I got to meet

1031
00:55:44,080 --> 00:55:46,320
Speaker 1: some of his friends. We went to a show. And

1032
00:55:46,440 --> 00:55:48,680
Speaker 1: then so he lives like an hour or so away

1033
00:55:48,719 --> 00:55:51,279
Speaker 1: from Wichita, which is Whichita was where my parents live.

1034
00:55:51,560 --> 00:55:53,160
Speaker 1: So we were gonna he was gonna meet him the

1035
00:55:53,239 --> 00:55:55,880
Speaker 1: final night, and we went to dinner and it was

1036
00:55:55,920 --> 00:55:57,480
Speaker 1: just like a super quick dinner, and then we kind

1037
00:55:57,480 --> 00:55:59,160
Speaker 1: of went our separate ways. They were going to take

1038
00:55:59,200 --> 00:56:01,479
Speaker 1: me to the airport the next day, and he drove

1039
00:56:01,560 --> 00:56:03,320
Speaker 1: home and I didn't really hear from him, and I

1040
00:56:03,400 --> 00:56:05,600
Speaker 1: was like, okay, I guess maybe he fell asleep, you know.

1041
00:56:06,160 --> 00:56:08,520
Speaker 1: And so he calls me at six in the morning

1042
00:56:08,600 --> 00:56:10,160
Speaker 1: and I was like, oh, he's calling me to say,

1043
00:56:10,239 --> 00:56:12,239
Speaker 1: you know, are you awake for the airport? You know

1044
00:56:12,280 --> 00:56:14,880
Speaker 1: you better go. Yeah. I was like, oh, how sweet.

1045
00:56:15,160 --> 00:56:17,560
Speaker 1: And I answer and he's like, don't worry, I'm fine,

1046
00:56:18,560 --> 00:56:20,719
Speaker 1: but I am in the hospital. I was in the

1047
00:56:21,040 --> 00:56:22,960
Speaker 1: r and I had to be airlifted in the helicopter

1048
00:56:23,640 --> 00:56:26,480
Speaker 1: to Kansas to k You met in Kansas City and

1049
00:56:26,600 --> 00:56:28,480
Speaker 1: I was like, what I thought I was dreaming? I mean,

1050
00:56:28,560 --> 00:56:30,279
Speaker 1: this is six in the morning and you had just

1051
00:56:30,440 --> 00:56:33,720
Speaker 1: seen him the night before. Yeah, everything I thought was fine,

1052
00:56:34,280 --> 00:56:35,640
Speaker 1: and I was like, what are you saying. The first

1053
00:56:35,640 --> 00:56:37,200
Speaker 1: thing I thought was, you know, he was in an accident,

1054
00:56:37,320 --> 00:56:40,719
Speaker 1: like a car accident or something. But it turns out

1055
00:56:41,080 --> 00:56:43,880
Speaker 1: as we were eating dinner, he went to the bathroom

1056
00:56:43,920 --> 00:56:45,520
Speaker 1: really quick, and I wondered why. I was like, oh,

1057
00:56:45,560 --> 00:56:47,680
Speaker 1: that was kind of weird. He didn't say anything. He

1058
00:56:47,960 --> 00:56:50,160
Speaker 1: choked in the bathroom. He was choking on a piece

1059
00:56:50,200 --> 00:56:54,960
Speaker 1: of meat and it ruptured his esophagus. What So there

1060
00:56:55,080 --> 00:56:57,120
Speaker 1: was like a tiny hole in his esophagus and on

1061
00:56:57,239 --> 00:56:59,400
Speaker 1: his drive home he was in so much pain. And

1062
00:56:59,520 --> 00:57:01,879
Speaker 1: it turns out his chest cavity was full of air,

1063
00:57:02,360 --> 00:57:04,960
Speaker 1: like if he would have gone the whole Yes, as

1064
00:57:05,000 --> 00:57:07,640
Speaker 1: he was coughing and drinking water, it was like leaking

1065
00:57:07,680 --> 00:57:11,920
Speaker 1: out of hi esophagus. Who oh, Like that's like life threatening.

1066
00:57:12,040 --> 00:57:14,520
Speaker 1: So then what happened he pulls over it is he

1067
00:57:15,160 --> 00:57:16,640
Speaker 1: So he went home and he was like, okay, this

1068
00:57:16,800 --> 00:57:18,600
Speaker 1: is not normal, and he called one of his neighbors

1069
00:57:18,640 --> 00:57:20,720
Speaker 1: because he lives kind of in a smaller town, and

1070
00:57:21,320 --> 00:57:23,440
Speaker 1: he was like, what do I do? Like, she was like,

1071
00:57:23,480 --> 00:57:25,480
Speaker 1: I'll drive you to the hospital. And they don't have

1072
00:57:25,560 --> 00:57:27,760
Speaker 1: the resources at that hospital for what he needed. So

1073
00:57:27,840 --> 00:57:30,080
Speaker 1: that's why they needed to get a helicopter to take

1074
00:57:30,120 --> 00:57:33,760
Speaker 1: into Kansas City. He remember the helicopter ride he does, yeah,

1075
00:57:34,160 --> 00:57:39,480
Speaker 1: and he was like, yep, he was. And it's funny

1076
00:57:39,480 --> 00:57:41,160
Speaker 1: because one of the medics on there was like asking

1077
00:57:41,240 --> 00:57:42,680
Speaker 1: him questions and he's like, so, do you have a

1078
00:57:42,760 --> 00:57:45,560
Speaker 1: girlfriend And he's like, yeah, she's in Nashville. And they're

1079
00:57:45,560 --> 00:57:46,960
Speaker 1: like if she a singer. He's like, no, she works

1080
00:57:47,000 --> 00:57:49,720
Speaker 1: on radio and they're like, oh my gosh, Morgan, He's

1081
00:57:49,760 --> 00:57:54,400
Speaker 1: like no. I was like, what in the world. Why

1082
00:57:54,400 --> 00:57:56,640
Speaker 1: are you guys having a conversation on the way to

1083
00:57:56,720 --> 00:58:00,400
Speaker 1: the hospital. Now, yes, he has not I've been able

1084
00:58:00,400 --> 00:58:02,080
Speaker 1: to eat for two weeks and he has another week

1085
00:58:02,240 --> 00:58:04,920
Speaker 1: or you can't eat. He's been drinking like he's lost weight.

1086
00:58:05,040 --> 00:58:07,360
Speaker 1: It is it's insane. I didn't even know this was

1087
00:58:07,400 --> 00:58:10,040
Speaker 1: a thing, this could happened. But through his esophagus, like

1088
00:58:10,120 --> 00:58:13,400
Speaker 1: he can take liquid or like a feeding tube. So

1089
00:58:13,840 --> 00:58:16,280
Speaker 1: they had to do a test where you drink this

1090
00:58:16,440 --> 00:58:18,720
Speaker 1: die to make sure it's not leaking out really bad

1091
00:58:18,800 --> 00:58:20,920
Speaker 1: or he would have had surgery. So like I was

1092
00:58:21,000 --> 00:58:23,520
Speaker 1: waiting for those results and it was so nerve wracking.

1093
00:58:23,760 --> 00:58:29,600
Speaker 1: Are you excited about this Saturday? Yeah, he is gonna come. Yes,

1094
00:58:29,840 --> 00:58:32,040
Speaker 1: It's the first time I'm seeing him since this has happened,

1095
00:58:32,040 --> 00:58:36,920
Speaker 1: So I'm very excited. Bring him on stage. Okay, okay,

1096
00:58:37,080 --> 00:58:39,880
Speaker 1: And just so that we're learning from this segment as well.

1097
00:58:40,320 --> 00:58:42,480
Speaker 1: Like online, it says you have to go to the

1098
00:58:42,520 --> 00:58:46,640
Speaker 1: emergency room right away if you feel like this happening

1099
00:58:46,760 --> 00:58:49,480
Speaker 1: with your esophagus, because if it is treated within twenty

1100
00:58:49,520 --> 00:58:52,680
Speaker 1: four hours, chances of survival are high. But then if not,

1101
00:58:52,840 --> 00:58:54,560
Speaker 1: it goes all downhill from there because it was all

1102
00:58:54,640 --> 00:58:57,480
Speaker 1: going into his chest cavity. Yeah, yeah, I mean that.

1103
00:58:57,800 --> 00:59:04,800
Speaker 1: I'm glad Victory got a helicopter ride. That's fun. Meet.

1104
00:59:05,480 --> 00:59:09,080
Speaker 1: I can't believe it. Um Abby will be on Saturday

1105
00:59:09,160 --> 00:59:12,360
Speaker 1: with us. The Raging Idiots are playing Strawberry Festival right

1106
00:59:12,400 --> 00:59:14,920
Speaker 1: outside of Tampa and Plant City, Florida. You guys can

1107
00:59:15,000 --> 00:59:17,520
Speaker 1: come to the show. Still tickets to be had, just

1108
00:59:17,560 --> 00:59:19,800
Speaker 1: go to Raging Idiots dot com or Strawberry festival dot

1109
00:59:19,840 --> 00:59:22,720
Speaker 1: com and Abby will be doing a little performance national anthem.

1110
00:59:22,920 --> 00:59:25,440
Speaker 1: Shall we sing in a song in our set? It's

1111
00:59:25,480 --> 00:59:28,160
Speaker 1: gonna be great. I can't wait. I'm so excited. And

1112
00:59:28,280 --> 00:59:30,480
Speaker 1: then um, if he pays for a meeting, great he

1113
00:59:30,480 --> 00:59:33,760
Speaker 1: can meet Eddie. Oh yeah, I mean I may wave

1114
00:59:33,880 --> 00:59:36,320
Speaker 1: the fee for that game. Okay, yeah, I'll meet him.

1115
00:59:36,320 --> 00:59:39,720
Speaker 1: But Eddie he's difficult. So right, all right, Abby, I'm

1116
00:59:39,720 --> 00:59:41,800
Speaker 1: glad he's okay. Wait too, thank you? Were you guys

1117
00:59:41,840 --> 00:59:44,320
Speaker 1: happy you picked that segment? Yes? Okay? Well and what

1118
00:59:45,040 --> 00:59:48,200
Speaker 1: this is what we learned? Learned? Chew your meat? Yes,

1119
00:59:48,600 --> 00:59:50,360
Speaker 1: don't be swallowing it real quick, because you got to

1120
00:59:50,360 --> 00:59:51,960
Speaker 1: attract a female from me. You just want to talk

1121
00:59:51,960 --> 00:59:54,040
Speaker 1: and say funny things and impress. He was meeting the parents, though,

1122
00:59:54,080 --> 00:59:55,800
Speaker 1: I'm sure he was a real nervous It was his parents,

1123
00:59:55,920 --> 00:59:57,840
Speaker 1: right or yours? It was mine? It was mine? Yeah,

1124
00:59:58,080 --> 01:00:02,439
Speaker 1: so he could have been a little nervous. Gone so bad.

1125
01:00:04,080 --> 01:00:08,400
Speaker 1: So glad he's okay. It was he the steake like

1126
01:00:08,400 --> 01:00:11,680
Speaker 1: I've ever been before. Wow, he's trying to drink the steak.

1127
01:00:11,720 --> 01:00:15,120
Speaker 1: That's what it sounds like. It's the best bits of

1128
01:00:15,200 --> 01:00:20,000
Speaker 1: the week with Morgan Number two. That's it, y'all. That

1129
01:00:20,280 --> 01:00:22,880
Speaker 1: was just the bits. So if you come to Best

1130
01:00:22,960 --> 01:00:26,560
Speaker 1: Bits every weekend looking for the behind the scenes interview

1131
01:00:26,640 --> 01:00:28,720
Speaker 1: side of this, which most of y'all shared with me

1132
01:00:28,840 --> 01:00:30,800
Speaker 1: that you are, then make sure you look at the

1133
01:00:30,920 --> 01:00:32,920
Speaker 1: other part. There's two parts of the Best Bits now

1134
01:00:32,920 --> 01:00:36,120
Speaker 1: that I get posted on this lovely Saturday, and one

1135
01:00:36,160 --> 01:00:38,320
Speaker 1: of those is the interview that you don't have to skip.

1136
01:00:38,440 --> 01:00:40,760
Speaker 1: We just talk for the straight time that it's shown.

1137
01:00:41,160 --> 01:00:43,240
Speaker 1: We talk the whole time in this weekend. My guest

1138
01:00:43,440 --> 01:00:46,080
Speaker 1: was Scooba Steve, So go listen to that. Y'all have

1139
01:00:46,160 --> 01:00:58,080
Speaker 1: a beautiful weekend. Radio Bobby Bones Show, Bobby Bones. Hey,

1140
01:00:58,200 --> 01:01:00,880
Speaker 1: this is Justin Richmond, host of the Broken Record podcast.

1141
01:01:01,240 --> 01:01:04,000
Speaker 1: Join me in music industry icon Rick Rubin along with

1142
01:01:04,080 --> 01:01:06,880
Speaker 1: authors Malcolm Gladwell and Bruce Headlam as we chat with

1143
01:01:07,040 --> 01:01:10,320
Speaker 1: legends like Neil Young and Under three thousand and upcoming

1144
01:01:10,440 --> 01:01:13,480
Speaker 1: artists like Faye Webster about their life and their careers.

1145
01:01:14,240 --> 01:01:17,440
Speaker 1: In honor of Women's History Month, we're spotlighting groundbreaking female

1146
01:01:17,520 --> 01:01:20,280
Speaker 1: artists like Miss Elliott, Pattie Smith, and Bonnie Raitt and

1147
01:01:20,400 --> 01:01:23,720
Speaker 1: celebrating the strides they've made for women. Listen to broken

1148
01:01:23,760 --> 01:01:26,560
Speaker 1: record on the iHeartRadio app, Apple Podcasts, or wherever you

1149
01:01:26,640 --> 01:01:27,480
Speaker 1: get your podcasts.