1
00:00:00,560 --> 00:00:02,120
Speaker 1: This is the Fred Show.

2
00:00:02,360 --> 00:00:03,880
Speaker 2: We have your chance to win a trip for two

3
00:00:03,920 --> 00:00:06,640
Speaker 2: to see Kelly Clarkson's return to Las Vegas for her

4
00:00:06,640 --> 00:00:10,480
Speaker 2: brand new residency studio Sessions live at the Coliseum at

5
00:00:10,480 --> 00:00:15,280
Speaker 2: Caesar's Palace on August first. Text Vegas to three seven

6
00:00:15,400 --> 00:00:17,599
Speaker 2: three three seven now for a chance to win two

7
00:00:17,680 --> 00:00:21,320
Speaker 2: tickets to the August first show, two night's hotel s

8
00:00:21,360 --> 00:00:24,120
Speaker 2: day July thirty first to August second at the Flamingo,

9
00:00:24,160 --> 00:00:27,040
Speaker 2: Las Vegas and round trip airfare. A confirmation text will

10
00:00:27,080 --> 00:00:29,880
Speaker 2: be sent. Standard message of data rates apply. All thanks

11
00:00:29,880 --> 00:00:34,080
Speaker 2: to the Live Nation jo Is On Friends. Biggest stories

12
00:00:34,120 --> 00:00:36,640
Speaker 2: of the day. Are we getting close to the iHeart

13
00:00:36,720 --> 00:00:37,519
Speaker 2: Radio World premiere?

14
00:00:37,560 --> 00:00:39,159
Speaker 3: We are so close, you guys.

15
00:00:39,479 --> 00:00:41,000
Speaker 1: This is one of my proudest works. Can say the

16
00:00:41,040 --> 00:00:41,800
Speaker 1: name of it? At least?

17
00:00:42,880 --> 00:00:44,279
Speaker 2: Yeah, I mean, you know what I would love, but

18
00:00:44,360 --> 00:00:49,400
Speaker 2: more than that to hear it. What is the name

19
00:00:49,400 --> 00:00:50,040
Speaker 2: of it?

20
00:00:51,120 --> 00:00:53,360
Speaker 1: What's left of d Oh?

21
00:00:53,400 --> 00:00:54,240
Speaker 2: No, that's pretty good.

22
00:00:54,440 --> 00:00:56,760
Speaker 1: I know I'm clever sometimes.

23
00:00:56,400 --> 00:00:59,800
Speaker 2: Paulina, that's actually that's pretty good. What's left of day?

24
00:01:00,080 --> 00:01:03,160
Speaker 1: Get me into the County Fair to perform? That might

25
00:01:03,200 --> 00:01:03,400
Speaker 1: be it?

26
00:01:03,840 --> 00:01:12,520
Speaker 4: Wow, to be so great when you finally write it.

27
00:01:09,280 --> 00:01:12,720
Speaker 2: Is that why you're running out of the room because

28
00:01:12,760 --> 00:01:14,800
Speaker 2: you are one hundred percent the girl that did her

29
00:01:14,840 --> 00:01:17,560
Speaker 2: home in class. Oh yeah, like yes, the day that

30
00:01:17,600 --> 00:01:19,800
Speaker 2: it was due, or maybe several days after. But like,

31
00:01:20,200 --> 00:01:21,600
Speaker 2: and I love you for this. I mean this is

32
00:01:21,640 --> 00:01:24,319
Speaker 2: not a criticism, but it's just it's who you are.

33
00:01:24,360 --> 00:01:28,000
Speaker 2: But I mean, so is this song? Does it exist?

34
00:01:28,319 --> 00:01:29,039
Speaker 1: It does exist?

35
00:01:29,720 --> 00:01:32,120
Speaker 5: And turn Balla's moving things around, moving some fat around

36
00:01:32,120 --> 00:01:33,960
Speaker 5: for me that you're gonna put it here for you.

37
00:01:34,480 --> 00:01:36,720
Speaker 1: The only thing is is, yeah, it was that girl

38
00:01:36,760 --> 00:01:38,040
Speaker 1: in high school. I have to admit I with the

39
00:01:38,040 --> 00:01:40,000
Speaker 1: girl was like, hey, let me get your homework. You

40
00:01:40,000 --> 00:01:41,240
Speaker 1: know I'm talking about let me get you.

41
00:01:43,240 --> 00:01:44,920
Speaker 2: I've ever heard. But anyway, yeah, so what what what

42
00:01:45,040 --> 00:01:46,000
Speaker 2: is the thing, Paulina?

43
00:01:46,640 --> 00:01:48,640
Speaker 1: The thing is it's in the It's ready for you.

44
00:01:48,880 --> 00:01:53,240
Speaker 3: She about to just start singing, make it up on

45
00:01:53,280 --> 00:01:55,920
Speaker 3: a fly, I got your back.

46
00:01:56,000 --> 00:01:58,200
Speaker 1: You need to beat let me know. It's yeah, we

47
00:01:58,240 --> 00:02:01,840
Speaker 1: got you, we got you. Oh there it is you see, Okay.

48
00:02:01,320 --> 00:02:03,320
Speaker 2: You know what the biggest story of the first and

49
00:02:03,400 --> 00:02:09,080
Speaker 2: foremant it's there. It's called It's called it's called that.

50
00:02:09,520 --> 00:02:10,760
Speaker 1: No, no, no, that's just where it is.

51
00:02:10,800 --> 00:02:11,520
Speaker 3: That's where it lives.

52
00:02:11,680 --> 00:02:16,519
Speaker 2: Okay, yes, it's called What's Left. I'm gonna push I

53
00:02:16,520 --> 00:02:19,359
Speaker 2: don't know what I'm pushing on. Well, you know I've

54
00:02:19,400 --> 00:02:19,960
Speaker 2: not heard this.

55
00:02:20,280 --> 00:02:23,280
Speaker 4: A lot of trust, right, A lot of trust. I

56
00:02:23,320 --> 00:02:25,440
Speaker 4: trust the hell out of you guys. Honestly, you know

57
00:02:25,520 --> 00:02:27,000
Speaker 4: I thought about that the other day. I was like,

58
00:02:27,200 --> 00:02:28,959
Speaker 4: my career on the line. Okay, I just want you

59
00:02:29,040 --> 00:02:31,919
Speaker 4: to know. But then again, people haven't really expected a

60
00:02:31,960 --> 00:02:39,440
Speaker 4: high level of no ready to get the out, you

61
00:02:39,480 --> 00:02:39,720
Speaker 4: know what.

62
00:02:39,800 --> 00:02:41,359
Speaker 2: I didn't want a little la boo boo, but I

63
00:02:41,400 --> 00:02:45,560
Speaker 2: need to hold one right now, you can. I want

64
00:02:45,560 --> 00:02:49,720
Speaker 2: to need an emotional support la boom boo right now. Okay,

65
00:02:49,800 --> 00:02:53,919
Speaker 2: here we go Paulina's world premiere song. We've been talking

66
00:02:53,919 --> 00:02:57,720
Speaker 2: about this for weeks. Here it finally is. It's called

67
00:02:57,800 --> 00:03:03,400
Speaker 2: What's Left of d Okay, Oh tell.

68
00:03:03,280 --> 00:03:05,880
Speaker 3: You you know this one.

69
00:03:05,960 --> 00:03:14,160
Speaker 2: I was hoping this, We're going okay, come oh boy?

70
00:03:15,200 --> 00:03:19,600
Speaker 6: Watched from bones through every shirt back pain turned into

71
00:03:20,080 --> 00:03:24,280
Speaker 6: daily hurt. Stairs were hell and I couldn't stand the

72
00:03:24,480 --> 00:03:28,959
Speaker 6: bras they were blessed and also the worst. I put

73
00:03:29,000 --> 00:03:29,680
Speaker 6: snacks in.

74
00:03:29,720 --> 00:03:34,480
Speaker 1: The bra on my phone and I made but I.

75
00:03:34,520 --> 00:03:40,040
Speaker 6: Dreamed of button shirts all the lone not needing twenty

76
00:03:40,120 --> 00:03:42,000
Speaker 6: bras just to feel hole.

77
00:03:44,360 --> 00:03:47,840
Speaker 7: I told my dog, hey, take a bit, and he said, girl,

78
00:03:47,960 --> 00:03:48,760
Speaker 7: are you sure?

79
00:03:49,160 --> 00:03:50,720
Speaker 1: I said all of it.

80
00:03:51,760 --> 00:03:55,160
Speaker 7: Now I'll be light, I'll be floating, and I'll be spinning.

81
00:03:55,920 --> 00:04:01,000
Speaker 7: I can jog without a sports bra. Now Here I

82
00:04:01,040 --> 00:04:04,640
Speaker 7: am what's left of d used to be a double.

83
00:04:04,800 --> 00:04:08,000
Speaker 7: Now I'm finally free, I ain't top heavy. I can

84
00:04:08,080 --> 00:04:11,360
Speaker 7: finally breathe. So take a good look, doc.

85
00:04:11,560 --> 00:04:12,840
Speaker 1: At what's left of.

86
00:04:16,720 --> 00:04:20,200
Speaker 6: T shirts fit in my slim of grease, no longer

87
00:04:20,279 --> 00:04:21,760
Speaker 6: knocking drinks soft tables.

88
00:04:21,800 --> 00:04:23,520
Speaker 3: You see, it's a brand new.

89
00:04:23,480 --> 00:04:28,320
Speaker 7: Day for these little seas to take a look of

90
00:04:28,440 --> 00:04:42,680
Speaker 7: what's left of dyea.

91
00:04:36,560 --> 00:04:39,680
Speaker 3: Make some noise for yourselves crying right now?

92
00:04:41,200 --> 00:04:43,520
Speaker 2: Okay, First of all, have you heard the original?

93
00:04:45,279 --> 00:04:47,200
Speaker 1: You know, once or twice twice?

94
00:04:47,480 --> 00:04:47,840
Speaker 4: Wow?

95
00:04:48,400 --> 00:04:52,280
Speaker 1: Creative liberty okay, started and stop whenever.

96
00:04:53,720 --> 00:04:56,960
Speaker 2: It was more of a sort of a slam poem

97
00:04:57,160 --> 00:05:01,320
Speaker 2: things words that you wrot.

98
00:05:01,520 --> 00:05:01,640
Speaker 7: Right.

99
00:05:02,200 --> 00:05:06,240
Speaker 2: It was more of an improvisational interpretive. It was interpretive,

100
00:05:06,360 --> 00:05:11,320
Speaker 2: is what it was. The verse we had no match.

101
00:05:11,720 --> 00:05:16,240
Speaker 2: In fact, I don't think the music was necessary.

102
00:05:15,080 --> 00:05:15,320
Speaker 7: To me.

103
00:05:18,560 --> 00:05:23,160
Speaker 1: And dreams soft table, I get the like chorus right.

104
00:05:22,960 --> 00:05:25,200
Speaker 4: With the music and the hook like it's over for you'all,

105
00:05:25,440 --> 00:05:28,920
Speaker 4: I won't be here you do you have the album

106
00:05:29,000 --> 00:05:31,599
Speaker 4: art for the Can I see the Do you have

107
00:05:31,640 --> 00:05:32,599
Speaker 4: the words written out?

108
00:05:33,000 --> 00:05:33,200
Speaker 1: Yeah?

109
00:05:33,200 --> 00:05:33,400
Speaker 2: I do.

110
00:05:33,480 --> 00:05:35,159
Speaker 1: Would you like my lyrics, even the words?

111
00:05:35,200 --> 00:05:37,760
Speaker 2: Because I would like I would like to perform the

112
00:05:37,920 --> 00:05:40,800
Speaker 2: I think I could perform the words as effectively as

113
00:05:40,839 --> 00:05:43,920
Speaker 2: you sort of sung them or what I got.

114
00:05:43,480 --> 00:05:44,080
Speaker 4: You bra eight.

115
00:05:44,200 --> 00:05:45,400
Speaker 1: I think that's my favorite part.

116
00:05:45,520 --> 00:05:49,279
Speaker 5: Yeah, like being just put everything in my raw snacks

117
00:05:49,320 --> 00:05:49,880
Speaker 5: the phone.

118
00:05:51,160 --> 00:05:54,480
Speaker 2: Relatable, I would imagine for a lot of people. Yes, yeah,

119
00:05:54,960 --> 00:05:55,479
Speaker 2: she said.

120
00:05:55,360 --> 00:05:56,560
Speaker 3: Knocking stuff off tables.

121
00:05:56,560 --> 00:05:57,360
Speaker 1: That touched my heart.

122
00:05:57,600 --> 00:05:58,280
Speaker 3: You know what I'm saying.

123
00:05:58,279 --> 00:05:59,560
Speaker 1: Thank you girl, you'll see me.

124
00:06:00,640 --> 00:06:02,240
Speaker 3: Yeah, that's all.

125
00:06:02,680 --> 00:06:08,039
Speaker 2: Yeah, platform, Look that touched me in a place I've

126
00:06:08,200 --> 00:06:09,320
Speaker 2: not been touched before.

127
00:06:11,279 --> 00:06:11,599
Speaker 3: Wow.

128
00:06:11,760 --> 00:06:17,279
Speaker 2: Okay, I just what I'm curious about is did you

129
00:06:17,320 --> 00:06:20,800
Speaker 2: even listen to the music when you perform?

130
00:06:21,240 --> 00:06:24,240
Speaker 5: Nicholas Shall He's not very thrilled about that, but you know,

131
00:06:24,440 --> 00:06:24,920
Speaker 5: I like my.

132
00:06:24,920 --> 00:06:25,599
Speaker 1: Remix a lot.

133
00:06:26,440 --> 00:06:29,120
Speaker 5: Okay, relatable for the women, for the ladies in the

134
00:06:29,200 --> 00:06:31,320
Speaker 5: back looking drinks off tables.

135
00:06:32,480 --> 00:06:34,839
Speaker 2: I mean I will sen to the mic quality sounded

136
00:06:34,880 --> 00:06:36,960
Speaker 2: better than you know, like when you're usually sitting on

137
00:06:37,000 --> 00:06:37,800
Speaker 2: the toilet performing.

138
00:06:37,880 --> 00:06:39,280
Speaker 1: Yeah, I got a little budget. Now, we got a

139
00:06:39,279 --> 00:06:41,560
Speaker 1: little budget. Yeah, yeah, I'm telling you guys, I'm getting

140
00:06:41,640 --> 00:06:42,080
Speaker 1: out there.

141
00:06:42,360 --> 00:06:43,320
Speaker 2: It's a little budget.

142
00:06:43,400 --> 00:06:44,559
Speaker 1: Yeah, very tiny.

143
00:06:44,880 --> 00:06:47,560
Speaker 2: Yeah, we didn't We didn't spend the budget on matching

144
00:06:47,600 --> 00:06:49,159
Speaker 2: the words with the lyric, with the with the beat

145
00:06:49,200 --> 00:06:51,880
Speaker 2: of the song. But other than that, no, yeah, I

146
00:06:51,920 --> 00:06:54,080
Speaker 2: feel like, you know, if we just slid the words

147
00:06:54,120 --> 00:06:59,719
Speaker 2: over just like, then they might actually match up with

148
00:06:59,760 --> 00:07:00,240
Speaker 2: the eat.

149
00:07:02,000 --> 00:07:03,520
Speaker 3: I'll do my best.

150
00:07:03,600 --> 00:07:06,280
Speaker 1: You know, it is artists objective thing.

151
00:07:07,240 --> 00:07:09,200
Speaker 2: Who am I to tell you? Right?

152
00:07:09,440 --> 00:07:10,560
Speaker 1: How many plaques do you have?

153
00:07:10,640 --> 00:07:10,880
Speaker 7: Fred?

154
00:07:13,040 --> 00:07:15,280
Speaker 2: I have zero? No, that's true. You know what? I

155
00:07:15,680 --> 00:07:17,480
Speaker 2: like to apologize. I'd like to, But who am I?

156
00:07:17,560 --> 00:07:21,400
Speaker 2: What do I know? I I don't have an album.

157
00:07:21,520 --> 00:07:23,640
Speaker 2: I don't have a record deal. You know, I don't.

158
00:07:23,800 --> 00:07:26,120
Speaker 2: I don't get asked to perform at county fairs across

159
00:07:26,160 --> 00:07:28,600
Speaker 2: the land. But you do? Yeah?

160
00:07:28,760 --> 00:07:29,600
Speaker 1: Yes, would you like it?

161
00:07:29,600 --> 00:07:30,080
Speaker 3: Did you like what?

162
00:07:30,120 --> 00:07:33,640
Speaker 2: I get an email from the Cabaris County Fair and

163
00:07:33,640 --> 00:07:36,320
Speaker 2: they'd love to have you with their uh on their

164
00:07:36,360 --> 00:07:38,400
Speaker 2: on their stage right right after they're doing like a

165
00:07:38,480 --> 00:07:40,560
Speaker 2: like a pig competition. You know, it's like one of

166
00:07:40,560 --> 00:07:43,600
Speaker 2: those uh Junior, what are they what is that the

167
00:07:43,640 --> 00:07:46,640
Speaker 2: future farmers of America? Did they touch the pigs? They

168
00:07:46,640 --> 00:07:48,120
Speaker 2: would like you to come on and do that song.

169
00:07:48,200 --> 00:07:51,720
Speaker 2: And here's my question. Will you be able to find

170
00:07:51,760 --> 00:07:54,400
Speaker 2: the inspiration to perform that after tomorrow when the double

171
00:07:54,440 --> 00:07:55,400
Speaker 2: d's have been reduced?

172
00:07:55,920 --> 00:07:58,320
Speaker 5: Yeah, I think so because it'll be you don't because

173
00:07:58,320 --> 00:08:00,240
Speaker 5: an artist, when you do a song about a time

174
00:08:00,240 --> 00:08:01,840
Speaker 5: in your life, right, because don't understand.

175
00:08:01,880 --> 00:08:04,920
Speaker 2: I really could not relate. I don't know.

176
00:08:05,000 --> 00:08:06,240
Speaker 5: I hate talking to you is about this because you

177
00:08:06,240 --> 00:08:08,840
Speaker 5: don't really understand. But it's what you might be able

178
00:08:08,880 --> 00:08:10,840
Speaker 5: to relate. It's fine, just you know, kind of follow along.

179
00:08:10,880 --> 00:08:12,800
Speaker 5: But you know, as an artist, when you have a

180
00:08:12,840 --> 00:08:14,440
Speaker 5: time in your life, that's kind of when your best

181
00:08:14,480 --> 00:08:15,120
Speaker 5: work comes out.

182
00:08:15,200 --> 00:08:18,080
Speaker 1: So being able to like sing through that on the

183
00:08:18,160 --> 00:08:20,680
Speaker 1: other side is really special.

184
00:08:20,760 --> 00:08:23,000
Speaker 3: Yeah, you get what I say. Well I don't because

185
00:08:23,000 --> 00:08:25,800
Speaker 3: we don't get it. But I'm trying to understand.

186
00:08:26,280 --> 00:08:29,560
Speaker 2: But it's like to you know, to express my emotion, yeah,

187
00:08:29,840 --> 00:08:32,160
Speaker 2: and be so vulnerable in that way and then have

188
00:08:32,280 --> 00:08:35,120
Speaker 2: to relive that experience every time I perform this song.

189
00:08:35,200 --> 00:08:36,800
Speaker 3: I mean, thank you for sharing your gift.

190
00:08:37,720 --> 00:08:39,719
Speaker 5: Yeah, I'm happy to do so, you know, I just

191
00:08:39,760 --> 00:08:42,120
Speaker 5: I do what I can for the people, and like,

192
00:08:42,120 --> 00:08:43,680
Speaker 5: I love that, you know, thank you. I love you, guys,

193
00:08:43,679 --> 00:08:45,520
Speaker 5: and I just really hope that you enjoyed the music

194
00:08:45,520 --> 00:08:47,280
Speaker 5: that I can create and the art that I bring

195
00:08:47,280 --> 00:08:47,760
Speaker 5: to the world.

196
00:08:48,200 --> 00:08:49,800
Speaker 3: Yeah, we do, we do, thank you.

197
00:08:49,840 --> 00:08:51,880
Speaker 1: Wait, repeat excited?

198
00:08:52,120 --> 00:08:54,920
Speaker 3: I need the lyric video on YouTube.

199
00:08:55,080 --> 00:08:56,600
Speaker 1: Yeah, I'm gonna make a music video tube.

200
00:08:56,760 --> 00:09:00,600
Speaker 3: Oh my gosh, we need a music video you one day.

201
00:09:00,760 --> 00:09:03,640
Speaker 2: Yeah, you're being the hospital like sexy, right, babies dancing

202
00:09:04,120 --> 00:09:08,520
Speaker 2: in the hallway. Oh gosh, this is incredible. I'm hearing

203
00:09:08,520 --> 00:09:10,920
Speaker 2: from I'm hearing from music producers left and right. You know,

204
00:09:10,920 --> 00:09:12,720
Speaker 2: they want to know how you're able to pull that off.

205
00:09:14,320 --> 00:09:17,240
Speaker 2: It takes some people years. It took you about three minutes.

206
00:09:17,280 --> 00:09:19,599
Speaker 1: Three minutes in the bathroom.

207
00:09:19,800 --> 00:09:22,200
Speaker 2: Okay, well, thank you, Pauline enough for that and for

208
00:09:22,280 --> 00:09:25,839
Speaker 2: sharing your vulnerability and your God give it ability. Yes

209
00:09:25,880 --> 00:09:30,960
Speaker 2: as well. Okay, hmm, let's get you up because I

210
00:09:30,960 --> 00:09:32,640
Speaker 2: really don't know how to transition from that. But don't worry.

211
00:09:32,640 --> 00:09:34,360
Speaker 2: You'll hear it a couple more times this morning, because

212
00:09:34,360 --> 00:09:36,600
Speaker 2: I really it's one of those it's not a one

213
00:09:36,720 --> 00:09:39,360
Speaker 2: listen song for me. It's one of those things where

214
00:09:39,400 --> 00:09:41,560
Speaker 2: you got to listen a few times to really sort

215
00:09:41,559 --> 00:09:46,599
Speaker 2: of fully grasp the message. Have you ever have you

216
00:09:46,640 --> 00:09:49,480
Speaker 2: ever watched a movie multiple times and you find that, like,

217
00:09:49,600 --> 00:09:52,560
Speaker 2: each time you notice something different. I feel like that's

218
00:09:52,640 --> 00:09:54,160
Speaker 2: kind of the way that song is going to be

219
00:09:54,200 --> 00:09:54,480
Speaker 2: for me.

220
00:09:54,640 --> 00:09:56,800
Speaker 1: Oh yeah, I'm just.

221
00:09:56,720 --> 00:09:59,800
Speaker 2: Gonna have to listen a few times. Yeah yeah, okay.

222
00:10:00,080 --> 00:10:01,600
Speaker 2: Nashville's calling. They want to know if they can make

223
00:10:01,640 --> 00:10:03,559
Speaker 2: that into a country song. I mean, this is crazy, right,

224
00:10:03,760 --> 00:10:06,040
Speaker 2: my phone is blowing up right now. What about your agent?

225
00:10:06,679 --> 00:10:09,640
Speaker 2: I'm not handling this for you, Paulina, What guys?

226
00:10:09,679 --> 00:10:12,240
Speaker 1: I mean, I'll be back after surgery. The way this

227
00:10:12,280 --> 00:10:14,000
Speaker 1: is about to take off, Yeah okay,