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Speaker 1: Welcome to episode four eighty seven. These are my favorite

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Speaker 1: type of episodes. We do real songs by fake bands,

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Speaker 1: Mike D elaborate.

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Speaker 2: Yeah, like from the State by the Bell, Oh yeah,

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Speaker 2: friends Forever, a Zach attack, Yeah, fictional bands and TV

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Speaker 2: shows and movies.

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Speaker 1: Come on, do you remember now we already did the podcast,

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Speaker 1: so you probably do. But almost famous band? Yeah, I

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Speaker 1: know the name.

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Speaker 2: I can't think of the name.

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Speaker 1: You can do it. And you know who is the

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Speaker 1: whole thing is based It's Camera Crow. Yeah, right, like

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Speaker 1: his life when he was and was the band like

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Speaker 1: supposed to be like the band?

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Speaker 2: I think so because.

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Speaker 1: It wasn't like led Zeppelin was like the and we

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Speaker 1: should in fact check all this. But the fake band,

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Speaker 1: I want to make sure I'm right here, the fake

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Speaker 1: band and almost famous Eddie. What's fake band? And almost

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Speaker 1: famous name? Still Water's right? Boom? I knew it was

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Speaker 1: a town in Oklahoma. Good job he got us. That's

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Speaker 1: a good one too.

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Speaker 3: So then there you go.

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Speaker 1: So we talk about all that, the top five best

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Speaker 1: rock songs of the nineties, a music streaming conspiracy that

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Speaker 1: Mike D has all that in this episode. Please, if

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Speaker 1: you like this episode, would you mind sharing it with

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Speaker 1: your friends just on your Instagram story. That would help

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Speaker 1: us a ton. Tag me and I'll hart you back,

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Speaker 1: appreciate that and enjoy. We're gonna take a minute to

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Speaker 1: talk about real songs, but by fictional bands or fictional artists.

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Speaker 1: What sucks as I can actually play What inspired this is?

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Speaker 1: I was on TikTok and I was watching Fred Armison,

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Speaker 1: who's a good musician, Mike.

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Speaker 3: You know Fred Armison?

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Speaker 2: Yeah, sat in My.

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Speaker 3: Life Yeah and portl India.

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Speaker 1: Yeah, and he actually he plays music and does comedy stuff.

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Speaker 2: That's on that fall Out show.

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Speaker 1: Now, what's he on there?

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Speaker 2: The radio operator guy?

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Speaker 3: Oh yeah, Jay, I think that guy's so funny.

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Speaker 1: So he has it. They had have been on SNL

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Speaker 1: where they were playing in a band and they would

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Speaker 1: do this song and I'd never seen the SNL bit

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Speaker 1: before and I was like, that's a really funny song.

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Speaker 1: It's about something normal America. And I was like, that's

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Speaker 1: a funny song, but it's not a real band. You

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Speaker 1: really couldn't go listen to that. So I started thinking

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Speaker 1: about songs by fictional bands. We can go back and forth.

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Speaker 1: We probably have a same few on the list, but it's.

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Speaker 3: Kind of hard. I mean it's a hard list because

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Speaker 3: you know, like.

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Speaker 1: Friends Forever, Man, Friends Forever, freaking Zach Attack. Yeah, there

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Speaker 1: are two that come to my mind. First, Friends Forever

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Speaker 1: came to my mind. First Friends Forever, and then they

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Speaker 1: break up? Is that go solo? Somebody should cover Friends

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Speaker 1: Forever and put it out as a real song. But

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Speaker 1: somebody owns that, right, you can cover any song. I

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Speaker 1: get mechanical royalties on it, but that song cannot be found,

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Speaker 1: like if I get on a streamer too, But I

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Speaker 1: don't think we can look it up.

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Speaker 3: But who even sings it?

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Speaker 1: Zach Zack Attack, dude, let me look on iHeart Radio

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Speaker 1: here because they'll have Okay, Friends Forever.

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Speaker 2: Now the Vitamin C song comes up.

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Speaker 1: That was a jam.

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Speaker 3: Graduation las week ago.

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Speaker 1: We remember, oh yeah, yeah, yeah, I remember that one.

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Speaker 1: So there's a playlist called zak Attack, but there's no that.

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Speaker 1: It's all a song from like the late nineties. Okay,

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Speaker 1: but Friends Forever makes my list at number freaking one.

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Speaker 1: I mean we could cover that as raging idiots friend.

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Speaker 3: We should do that.

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Speaker 2: That's all saying somebody to you guys right here.

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Speaker 3: Yeah, but what other words were there?

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Speaker 1: Now?

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Speaker 3: Friends forever.

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Speaker 1: Then she would come in, Kelly would come in be like.

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Speaker 4: Do do do do do friends forever?

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Speaker 3: Yeah, that's all I remember.

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Speaker 1: Dude, if that's from a TV show, couldn't we play

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Speaker 1: that clip from your YouTube mic?

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Speaker 2: It's a good question.

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Speaker 1: Hey, yeah it is, so I go there, Eddie, have one?

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Speaker 1: Or should I go to my second one?

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Speaker 3: That thing you do, that's another one, of course you

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Speaker 3: from the Wonders.

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Speaker 5: Do nothing you do?

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Speaker 1: Breaking my heart into a million pieces? I know I

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Speaker 1: don't have to do the high part, thank you, we

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Speaker 1: I should again. I wasn't ready to chase that one.

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Speaker 3: You did, though, because I tried so hard.

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Speaker 5: But does nothing I do? Every time I do that

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Speaker 5: thing you do?

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Speaker 1: I do that doing that thing?

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Speaker 2: Technically?

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Speaker 1: Wow, doesn't doing that thing you do?

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Speaker 2: Technically? This is just a clip from a TV show.

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Speaker 1: Give it to me. Here you go, all yeah, case, hang,

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Speaker 1: no way, that's really them singing though. By the way,

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Speaker 1: we'll be.

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Speaker 3: Friends, nor will be.

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Speaker 4: Yeah, that's not Zach you know that? No chance, that's Zach.

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Speaker 2: Mike Studios YouTube channel.

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Speaker 1: Who is that?

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Speaker 2: Shout Studios YouTube channel? Just crediting them?

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Speaker 1: If you google that lyrics to it, does only that

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Speaker 1: come up? Was there ever a longer version of that

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Speaker 1: song made even for the show, because you could always

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Speaker 1: do wag you can wagon wheel it to which wagon

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Speaker 1: wheel was only a clip of a song that Bob

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Speaker 1: Dylan had.

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Speaker 3: And even it was like a demo, right, But I'm

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Speaker 3: just he heard.

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Speaker 1: It and wrote around it, and so catch old crow

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Speaker 1: Bob Dylan with the writers. We could do that with

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Speaker 1: friends forever. Write the other parts of it. Get some

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Speaker 1: of our country music friends all sing it.

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Speaker 3: Friends forever.

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Speaker 2: I see some full lyrics here you do? Yeah, how's

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Speaker 2: it start? We met some time ago when we were

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Speaker 2: so young. We've been through thick and thin. We've lost,

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Speaker 2: we've tried, we won, Friends forever.

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Speaker 1: But like, really, that's the whole song. No, I keep going,

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Speaker 1: Why don't we do that with like a bunch of

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Speaker 1: other artists. We could totally do We literally could. Yeah,

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Speaker 1: I mean that's funny. It's a hard song to.

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Speaker 3: Sing, friends, and you've got that high part that's you.

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Speaker 3: I can't sing. You gotta do I mean, you gotta

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Speaker 3: do it. We'd have time to work. You work your

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Speaker 3: voice that way.

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Speaker 1: No, that's not how it works. It's not like a

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Speaker 1: muscle that you just get stronger you try. I can't

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Speaker 1: sing that regardless of but that would be fun.

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Speaker 2: Looks like one person wrote it. Michael Damien is credited

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Speaker 2: on the vocals and the producer on the song.

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Speaker 1: So we friends forever's won we should we should talk

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Speaker 1: about that, Eddie, yours is the Wonders.

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Speaker 3: That was gonna be my Wonders? Yeah, mine is.

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Speaker 1: And it was a real song. But I did not

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Speaker 1: know it was a real song because the band that

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Speaker 1: played it was fake. And then I learned way later

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Speaker 1: it was a real song, but not by the person

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Speaker 1: who sang it on.

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Speaker 3: The TV show What on Earth? And I was talking

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Speaker 3: about anything.

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Speaker 1: No is my wife's am my first song, dance song

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Speaker 1: at our wedding. Oh yeah, yeah, yeah, yeah yeah, full

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Speaker 1: house Jesse.

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Speaker 2: And the Rippers.

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Speaker 1: Not a real band. If Tomorrow nows a men's and

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Speaker 1: jump zoom I dug forever forever, forever forever has been

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Speaker 1: So that's a Beach Boys song.

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Speaker 3: Did Dann Shay ever release that?

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Speaker 1: They never released it, but they recorded a studio in

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Speaker 1: the version in the studio and gave us as a

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Speaker 1: wedding gift if.

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Speaker 3: They were ever to die on which you know eventually

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Speaker 3: they will. Should release that the hidden tapes.

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Speaker 1: Eventually they will, well, you know, I can, I might

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Speaker 1: be years. But I put that on my list because

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Speaker 1: I didn't know that. I thought it was a TV

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Speaker 1: song by Jesse and the Rippers. Yeah, but that even

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Speaker 1: when we danced to it, in our mind it was

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Speaker 1: Jesse and the Rippers. But Dana Jay sang it at

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Speaker 1: our wedding and then they gave us that as a

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Speaker 1: wedding gift.

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Speaker 3: But it's a chorded version, beautiful version.

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Speaker 1: Yeah, it's there's this beautiful Brian Wilson sounds awesome.

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Speaker 3: I don't think i've ever heard the Beach Boys version.

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Speaker 3: Oh man, it's really good. Really yeah, if tomorrow never do?

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Speaker 3: Do you do it on piano?

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Speaker 1: Man?

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Speaker 6: Uh?

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Speaker 1: Yeah, it's very stripped down.

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Speaker 3: Cool, that's it forever. It's it's great to get what

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Speaker 3: else you got? Okay, So mine's kind of the same deal,

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Speaker 3: where like I didn't know this was because it's a

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Speaker 3: real song, it's a song song, but I didn't know

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Speaker 3: it was made for a TV show, Okay, like it

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Speaker 3: was specifically made for one TV. I have a guess.

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Speaker 1: I don't want to spoil it, but.

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Speaker 3: I have a guess.

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Speaker 1: Is it the whole Dude World is by is no

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Speaker 1: six and a sixth and no.

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Speaker 3: Big bank theory?

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Speaker 5: No, but is that a song?

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Speaker 1: I think I wrote it for the show? Yeah, and

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Speaker 1: now it's a it's a song.

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Speaker 3: And who who sang that? Ah? That's right? No, No,

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Speaker 3: mine's mine's older. It's older is in the sixties.

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Speaker 1: So give me give me the clue again.

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Speaker 3: So it was made for the TV show and it

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Speaker 3: became a huge song, and I think, like, if you're

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Speaker 3: our age, you just think it's a song. Had no

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Speaker 3: idea that it was the theme show of the song

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Speaker 3: of the of the TV show.

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Speaker 1: Okay, so I think a song. I'm confused by your

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Speaker 1: presentation there. However, the Ballad of Jed Clampett was was

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Speaker 1: let me listen to a story about a man named Jay.

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Speaker 1: But that wasn't like a big hit. This was a

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Speaker 1: huge hit like the Wonder Years, Okay, kind of close.

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Speaker 3: So it was a real song.

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Speaker 1: But we learned it through TV. Then we didn't know

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Speaker 1: it's a real song.

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Speaker 3: No, no, we we you and you and I like

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Speaker 3: we weren't really alive when it was it was on TV.

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Speaker 1: The one that we knew this is a song.

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Speaker 3: We knew his a real song. Okay.

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Speaker 1: The Wonder Years is interesting because that's a Beatles song

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Speaker 1: that Joe Cocker cover that they used that cover would

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Speaker 1: You Do with Us as the main song to which

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Speaker 1: I had to later learn as a Beatles song.

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Speaker 3: Yeah, and what's crazy now is if you watch reruns,

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Speaker 3: I guess they didn't want to pay the royalty to

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Speaker 3: Joe Cocker. So now there's another dude going, what would

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Speaker 3: you do? Really? Yeah, like syndications completely different.

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Speaker 1: Okay, give me the hint again. And Mike, would you

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Speaker 1: look up Massachusetts Afternoon? That's the SNL deal because they're

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Speaker 1: just singing. It's the most generic. It's hilarious, but okay,

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Speaker 1: give me the hint one more time.

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Speaker 3: I learned this song. I learned of this song as

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Speaker 3: a big radio song. Okay, but it was created for

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Speaker 3: a TV show, for a TV show. Y want to

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Speaker 3: give you another big hint.

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Speaker 1: Let me just think about it for a second. We

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Speaker 1: learned of it as a SONGI has the same sound

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Speaker 1: of that. Okay, what decade?

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Speaker 3: Sixties?

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Speaker 1: I believe it was sixties. We learned as a big song,

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Speaker 1: but it was other monkeys.

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Speaker 3: The monkeys, Hey, hey where the monkeys? Here we go.

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Speaker 1: Walking down the street. I get the funniest looks from the.

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Speaker 3: Ever won't we meet? But hey, hey, where the monkey is?

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Speaker 4: Yeah?

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Speaker 1: That band was created for a TV show.

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Speaker 3: Okay, see I didn't know that. That's crazy.

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Speaker 1: They cast him a very successful band, like yeah, it's

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Speaker 1: like Davy Jones. You know, he was British and like

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Speaker 1: Peter York and I'm a big Monkeys fan. If you

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Speaker 1: don't really yeah, yeah, yes, it was a Monkeys fan

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Speaker 1: like you and my mom. Let me seem like a

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Speaker 1: name of Mickey Dolans and have nothing in front of me.

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Speaker 3: I have a google.

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Speaker 1: Mickey Dolan's, Davy Jones, Peter York and what's missing? The

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Speaker 1: fourth one was Mikey Michael and Nestman Michael. Yeah, I

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Speaker 1: think it's Peter Tork, Peter Close. That's how I wasn't

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Speaker 1: gonna hey, you're a big fan, Peter. Oh yeah, I know.

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Speaker 1: The whole song, people say, we monck you around, but

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Speaker 1: we're too busy singing to put anybody down. But and

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Speaker 1: at the end they do the four of we're just

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Speaker 1: trying to be friendly, but so they do the show.

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Speaker 1: The band then become successful and it was a TV show, right, yes,

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Speaker 1: But then The band became successful with actual hits, with

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Speaker 1: songs like take the Last Trained Desn't and I'll meet

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Speaker 1: you at the station without desert up. But do do

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Speaker 1: You don't need no reservation? Da Da Da da da.

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Speaker 3: What's the other big one? The one about the girl?

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Speaker 1: Uh?

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Speaker 3: Sweet baby?

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Speaker 1: Uh, there's an even bigger one that you're not thinking.

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Speaker 3: No, no, no, it's the one I'm thinking of.

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Speaker 1: No, there's even a big going, Oh my god, even

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Speaker 1: bigger than what you're thinking.

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Speaker 3: Sleepy Jean, oh sleepe, it's not you, but tell me

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Speaker 3: what of me? They do believe? And Homecoming it was

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Speaker 3: them too.

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Speaker 1: Yeah, but listen to this one and I saw her face.

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Speaker 3: And I'm a believer.

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Speaker 1: That's not smash mouth. That's the freaking monkey.

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Speaker 3: That's crazy, dude, I didn't know all that.

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Speaker 1: Good one, Good one?

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Speaker 3: Monkeys?

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Speaker 1: Did you find Massachusetts? So they're sitting in this coffee

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Speaker 1: shop and they're like, you wrote the song, and there's

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Speaker 1: like four of them. It's always a celebrity. Person's like

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Speaker 1: playing the drums. I don't know who this is, the

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Speaker 1: Red Arms. Yeah, go right, Mike, everybody.

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Speaker 3: We're in the Blue Gene Committee.

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Speaker 7: I am j C.

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Speaker 8: And I am Marshall Haynes.

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Speaker 3: I'm little Andrew and I'm Lee.

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Speaker 8: We come from a little place called Northampton, Massachusetts.

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Speaker 3: You guys heard of it.

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Speaker 9: I think you had.

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Speaker 7: Good Let me ask you a questions. You ever have

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Speaker 7: one of those afternoons that you wish you would never end.

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Speaker 7: What I'd like to do right now is a paint

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Speaker 7: you a little picture of what that's like.

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Speaker 1: And the course is actually really good. And the guys

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Speaker 1: Jason have to.

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Speaker 3: Hanging out on the porch.

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Speaker 9: Drinking cinnamon beer with you.

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Speaker 3: Massachusetts.

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Speaker 1: And the crowd slowly grows every time they cut my

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Speaker 1: cousins place.

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Speaker 5: And right loveless to you.

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Speaker 1: You know. Uh, people say.

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Speaker 9: I'm a gifted lyricist.

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Speaker 7: I don't know about that, But tell me what you think.

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Speaker 7: You know, when you're driving to town and you make

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Speaker 7: that second right turn on the Locust Street, I've never

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Speaker 7: seen so many pretty pretty girls walking.

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Speaker 6: Down the boulevarve. The crowd's growing, but the prettiest of

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Speaker 6: them all without a shadow of her doubt. It's a

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Speaker 6: six foot tall beauty name you see her. She's got

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Speaker 6: them big hazel eyes that make the boys go crazy.

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Speaker 3: Like put the The crowd is the meling it.

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Speaker 10: But this boy bright here kept just cooling the heat

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Speaker 10: of the moment when he opened the door for her

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Speaker 10: and she stepped into Mikey's bot leans You've never seen

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Speaker 10: so much ship of the ring, one broke ast Northampton

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Speaker 10: city kid, and I'm talking about.

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Speaker 1: Messaut after news.

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Speaker 5: Hanging out on the pole. You can sit him and

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Speaker 5: be with you.

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Speaker 3: Messitu sad.

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Speaker 5: Saying because it's place.

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Speaker 1: Right, all right.

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Speaker 8: Let me just say you know that November chill hits you,

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Speaker 8: old cheek, and those Northampton streets are covering in those

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Speaker 8: bright orange leaves. Well not time is the time when

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Speaker 8: everybody's out. But if you want to find me and

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Speaker 8: the boys, well we'll be right at the right track

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Speaker 8: end playing pool with old man Jones of a beautiful

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Speaker 8: cheat with those long Northampton legs as she dances to

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Speaker 8: the juke box singing.

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Speaker 1: Play massituse saft light, hanging out so good, Forest is

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Speaker 1: super good. It's in the middle and he's like some

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Speaker 1: people saying a gift lyrics because I was dropping on

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Speaker 1: the street, I lock up under the right minhip.

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Speaker 3: The crowds never heard this.

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Speaker 1: I had an either. I've never seen the sketch and

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Speaker 1: they have done it a few times, and now the

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Speaker 1: whole crowd's clapping in the Muppets like the Muffets a joint, and.

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Speaker 3: The Muppets come in because Jason Seagull, he's a muppet.

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Speaker 3: He wrote Muppet movie.

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Speaker 1: He did.

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Speaker 3: Oh wow.

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Speaker 1: The other one I had on my list of fictional

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Speaker 1: was Smelly Cat. Smelly Cat, well, yeah, Phoebe from Friends

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Speaker 1: Are You Never? Was a real song? What dude, smelly Cat?

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Speaker 1: Do you have any other ones?

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Speaker 2: Yes?

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Speaker 3: Misbehaving?

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Speaker 1: Oh yeah, and Jennifer Nettleswo Country Kids Misbehaving.

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Speaker 3: Yeah, I put on lipstick and I got caught shaven?

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Speaker 1: What the name of that show? You? Jemps out?

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Speaker 3: Can you play that one? Micro now?

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Speaker 1: I probably can't. I think that's probably like a real second.

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Speaker 3: That's not a real song, meaning.

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Speaker 1: I think it's like misbehavior. You can probably sing it, though.

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Speaker 3: He's a fissed because he can't make it anymore. He's

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Speaker 3: like that child star that can't do it.

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Speaker 1: Mama told me not to I did anyway, Misbehaving.

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Speaker 3: Is a real song. Yeah, yeah, yeah, yeah, that's.

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Speaker 1: A funny one though, but it was great. Ain't They're

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Speaker 1: not real?

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Speaker 3: No? Baby Billy and uh yeah, the duet was.

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Speaker 1: Written by So it's a real song, but it was

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Speaker 1: written for the show. Yeah, it was written by Oh.

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Speaker 3: This says artists Amy Lee and baby Billy Well Misbehaving

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Speaker 3: nineteen eighty nine, even though it was released in twenty nineteen.

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Speaker 1: The title of it, that's funny, that's funny that the

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Speaker 1: actor baby Billy Yeah is it? What's his name? Welton Goggins, Okay,

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Speaker 1: it says it was written by Joseph Hunter and mcuh.

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Speaker 3: Who is the main guy, Yeah, and and Edie Patterson.

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Speaker 3: That's amazing. Dan McBride, Dan McBride, I don't know what

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Speaker 3: he's like other than just his characters on East Down

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Speaker 3: and East Bound and Down and like in Righteous Jumpstone,

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Speaker 3: but he just seems like someone that I would totally

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Speaker 3: get along with because he's just seems fun, hilarious.

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Speaker 1: And so he's either going to be a guy that's

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Speaker 1: easy to get along with and in like super Warm,

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Speaker 1: or like as Zach Galafanakis, who is not hard to

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Speaker 1: get along with. That dude just moves to Canada and

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Speaker 1: just gets away from everybody. Yeah, like has a house

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Speaker 1: and like Iceville and has a farm and raises his

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Speaker 1: own crops.

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Speaker 3: And Mike, have you seen any interviews with Danny McBride,

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Speaker 3: like just out of character.

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Speaker 2: He seems pretty chill, normal. Yeah, you probably get along

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Speaker 2: with them.

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Speaker 1: I just I love everything he's in because to be

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Speaker 1: that funny, that interesting, there's some part of you that's

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Speaker 1: extremely quirky. And it could be a part of you

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Speaker 1: that actually is not any sort of deterrent in human communication,

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Speaker 1: or it could be something like that, like you're that

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Speaker 1: way because you're just overall odd as far as what

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Speaker 1: we considered like normal person a person communication. All Right,

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Speaker 1: those were the ones I wanted to bring up. Mostly

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Speaker 1: it was Massa Chusetts after That's so funny. And I

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Speaker 1: was watching, laughing out loud, watching TikTok in the bed.

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Speaker 1: My wife is this, like she goes, why's the bed shaking?

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Speaker 1: And I was like, I'm watching Massa Juices Afternoon and

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Speaker 1: it and it's not even like, dude.

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Speaker 3: That's how you know it's so funny, the bedshaking.

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Speaker 1: It's not even like ll Super hitching the gut one

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Speaker 1: time funny. It's like you just watch it and the

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00:19:33,480 --> 00:19:35,480
Speaker 1: more it goes on it gets funnier funnier.

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Speaker 3: I love the shot of the guy just feeling it,

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00:19:37,400 --> 00:19:38,719
Speaker 3: like sod by the Bar.

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Speaker 1: He's like, twenty sign, dude.

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Speaker 3: What's cool. What's really cool to me is like these

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Speaker 3: songs that people write like artists. Like a movie director

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00:19:48,520 --> 00:19:49,840
Speaker 3: would be like, hey, man, I need a song for

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Speaker 3: like my movie.

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Speaker 1: Willie Nelson on the Road again by the way, for

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Speaker 1: a movie.

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Speaker 3: And they're just like, oh, yeah, yeah, yeah, let me

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Speaker 3: work on something. This is what the movie's about. And

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Speaker 3: they write this banger that's like explains the whole movie

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Speaker 3: in one song. Ben in Black, Will Smith.

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Speaker 1: And the man written written for that movie Little Smith, Wow, Wow,

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Speaker 1: Jim West Desperado.

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Speaker 3: Yeah, you're right.

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Speaker 1: Songs from movies.

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Speaker 3: If a director called me, I'd be like, oh, I

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Speaker 3: don't know, dude, give me a year. I don't know.

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00:20:16,600 --> 00:20:18,399
Speaker 3: How are we gonna sum up Back to the Future.

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Speaker 1: I'll be like, give me all the character names, give

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00:20:20,280 --> 00:20:21,880
Speaker 1: me all the points you need from the movie addressed,

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00:20:22,720 --> 00:20:25,080
Speaker 1: and I'll hit you back. And I need I need

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00:20:25,160 --> 00:20:27,080
Speaker 1: to buy licensing to like a famous seventies song with

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00:20:27,160 --> 00:20:29,560
Speaker 1: the famous chorus. If we can get all that, I

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00:20:29,600 --> 00:20:31,040
Speaker 1: could do that. Well, I got you, I got your

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Speaker 1: big time, all right, thank you.

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Speaker 11: Let's take a quick pause for a message from our sponsor, Wow,

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Speaker 11: and we're back on the Bobby Cast.

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Speaker 1: I've not looked at the list. I only saw the

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Speaker 1: headline of the Greatest Rock Songs of the nineties. So

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Speaker 1: I have like the top twenty five or so on

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Speaker 1: the list. Now I wrote mine down, so I'm gonna

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00:20:58,960 --> 00:21:03,560
Speaker 1: flip over actually see some from loudwire dot com. I

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00:21:03,680 --> 00:21:06,359
Speaker 1: want to see the source. And I asked you the

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00:21:06,400 --> 00:21:09,600
Speaker 1: same thing. Have your top five rock songs of the

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Speaker 1: nineties a time that I mean the nineties, that when

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00:21:12,960 --> 00:21:16,639
Speaker 1: we love freaking rock music, like alternative music. That type.

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Speaker 1: For me, it was country music talked about where I

441
00:21:18,840 --> 00:21:21,920
Speaker 1: was from, but like alternative music, I thought talked about

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Speaker 1: what I felt.

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Speaker 3: Yeah, dude, that rock music, but it represented us.

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Speaker 1: Yeah, we thought that.

445
00:21:27,600 --> 00:21:29,879
Speaker 3: Yeah, and then we're all angry at stuff because grunge

446
00:21:29,960 --> 00:21:31,760
Speaker 3: was angry, and I'm like, what am I angry at? Nothing?

447
00:21:32,200 --> 00:21:35,960
Speaker 1: Stupid, but it represent our feelings. So I wrote down

448
00:21:36,000 --> 00:21:37,960
Speaker 1: my five. You have your five.

449
00:21:38,160 --> 00:21:38,720
Speaker 3: I have my five.

450
00:21:39,720 --> 00:21:42,879
Speaker 1: Before I look at the list of what they've put

451
00:21:42,920 --> 00:21:46,920
Speaker 1: in as the top twenty five, let's do our lists.

452
00:21:47,280 --> 00:21:50,560
Speaker 1: So the are you doing your favorites or the greatest.

453
00:21:50,280 --> 00:21:52,760
Speaker 3: Or no, I'm trying to do the greatest, and it's

454
00:21:52,800 --> 00:21:54,879
Speaker 3: tough because you got the early nineties, which was so

455
00:21:55,040 --> 00:21:56,399
Speaker 3: different than the late nineties, and.

456
00:21:56,480 --> 00:21:58,879
Speaker 1: So I've kind of separated. I've got three in the

457
00:21:58,960 --> 00:22:02,960
Speaker 1: early nineties and then two in the later nineties, and

458
00:22:03,080 --> 00:22:06,920
Speaker 1: I think, like, okay, you go first, number five.

459
00:22:07,200 --> 00:22:08,920
Speaker 3: It all started with smells like teen Spirit.

460
00:22:09,080 --> 00:22:10,880
Speaker 1: I have that too, that's gotta be on the list.

461
00:22:11,160 --> 00:22:13,200
Speaker 1: I wouldn't have picked it as my personal favorite, big

462
00:22:13,320 --> 00:22:17,480
Speaker 1: Nirvana guy. It changed the world, but yes, it's the

463
00:22:17,800 --> 00:22:20,399
Speaker 1: entire grunge scene was basically rooted out of the extreme

464
00:22:20,440 --> 00:22:21,360
Speaker 1: popularity of that song.

465
00:22:21,600 --> 00:22:24,840
Speaker 3: It was the graduation of hair metal eighties to like

466
00:22:25,520 --> 00:22:27,520
Speaker 3: a new sound that no one has ever heard.

467
00:22:28,400 --> 00:22:30,680
Speaker 1: Mine aren't order, So I'm gonna mark my that off

468
00:22:30,720 --> 00:22:32,960
Speaker 1: of mine too. It smells like teen Spirit, that entire

469
00:22:33,040 --> 00:22:35,400
Speaker 1: Nevermind album. If they put any of those on that list,

470
00:22:35,560 --> 00:22:37,440
Speaker 1: well that or come as you are, I would completely

471
00:22:37,480 --> 00:22:39,600
Speaker 1: go I sure understand, Okay, go ahead, next next.

472
00:22:39,480 --> 00:22:42,520
Speaker 3: One, Plush. This is a little song called Plush.

473
00:22:42,640 --> 00:22:45,880
Speaker 1: Oh, but you're even doing the acoustic version, dun.

474
00:22:46,320 --> 00:22:48,240
Speaker 3: I mean, it's just the song, right, it's not even

475
00:22:48,320 --> 00:22:50,720
Speaker 3: the version. I'm just doing the song plus But.

476
00:22:50,760 --> 00:22:53,200
Speaker 1: He didn't do a song of a plush except for

477
00:22:53,200 --> 00:22:54,159
Speaker 1: on the acoustic.

478
00:22:53,960 --> 00:22:56,520
Speaker 3: Right right and the unplugged version. But to me, Plush

479
00:22:56,680 --> 00:22:58,440
Speaker 3: is just like it's a huge ninety song.

480
00:22:58,560 --> 00:23:01,359
Speaker 1: Okay, yeah, that's a really good one. I didn't eve

481
00:23:01,359 --> 00:23:03,840
Speaker 1: think about Stone Table Violence, even though I listened to

482
00:23:03,880 --> 00:23:04,320
Speaker 1: that record.

483
00:23:04,800 --> 00:23:08,280
Speaker 3: I am smelling like a rose that somebody gave me

484
00:23:08,640 --> 00:23:09,600
Speaker 3: on my birthday?

485
00:23:09,840 --> 00:23:13,440
Speaker 1: Did man Like I listened to that record so much

486
00:23:14,440 --> 00:23:16,880
Speaker 1: didn't come up in my mind of top even ten.

487
00:23:16,960 --> 00:23:18,960
Speaker 1: But that was a really good one, Okay. I have,

488
00:23:20,240 --> 00:23:22,359
Speaker 1: like you mentioned, there were different versions of the nineties

489
00:23:22,440 --> 00:23:24,920
Speaker 1: I have Losing my Religion.

490
00:23:25,240 --> 00:23:29,640
Speaker 3: Ooh, Ram, I didn't even think about RAM. That's huge, man.

491
00:23:29,960 --> 00:23:31,920
Speaker 1: And I again, where I feel like I probably didn't

492
00:23:31,920 --> 00:23:35,080
Speaker 1: think about STPN I should have. I can see where

493
00:23:35,200 --> 00:23:37,439
Speaker 1: maybe you would have forgotten about RAM anybody because they

494
00:23:37,480 --> 00:23:39,760
Speaker 1: were late eighties ish, but they got into the nineties

495
00:23:40,200 --> 00:23:45,000
Speaker 1: and they weren't grunge, they weren't kind of college rock.

496
00:23:45,920 --> 00:23:48,479
Speaker 3: And I think by the time I discovered RM, they

497
00:23:48,480 --> 00:23:50,919
Speaker 3: were pop music. I mean, they were so big me too,

498
00:23:51,000 --> 00:23:52,280
Speaker 3: me too that they were pop music.

499
00:23:52,359 --> 00:23:56,080
Speaker 1: Lose My Religion was on MTVA. The video and there

500
00:23:56,119 --> 00:24:00,080
Speaker 1: were songs before that obviously that now I like, but

501
00:24:00,160 --> 00:24:02,200
Speaker 1: I didn't know until Losing my religion. But I was

502
00:24:02,200 --> 00:24:02,679
Speaker 1: also a kid.

503
00:24:02,720 --> 00:24:03,399
Speaker 3: I was like an let one.

504
00:24:03,440 --> 00:24:05,840
Speaker 1: Where am I going to find Ram? Except for MTVD

505
00:24:06,119 --> 00:24:06,720
Speaker 1: when I'm a kid.

506
00:24:06,920 --> 00:24:08,600
Speaker 3: I heard it for the first time at Pizza Hut.

507
00:24:08,920 --> 00:24:10,560
Speaker 3: We went on a field trip to go clean the

508
00:24:10,600 --> 00:24:13,040
Speaker 3: beaches in South Finder Island and we had lunch at

509
00:24:13,080 --> 00:24:15,240
Speaker 3: Pizza Hut, and I guess they gave us all the

510
00:24:15,320 --> 00:24:17,120
Speaker 3: music we can do on the jukebox, like it's all free,

511
00:24:17,200 --> 00:24:19,520
Speaker 3: whatever you want. And somebody put Losing my religion and

512
00:24:19,640 --> 00:24:21,120
Speaker 3: like that song is awesome.

513
00:24:21,000 --> 00:24:23,080
Speaker 1: Like the mandolin on it. It's a mandlin, right, no

514
00:24:23,280 --> 00:24:24,879
Speaker 1: no no no, no no no no. Maybe it's not

515
00:24:24,920 --> 00:24:26,199
Speaker 1: a manlin, but it feels like a mandolin.

516
00:24:26,240 --> 00:24:27,919
Speaker 3: Now in my head, I think it's a mandolin.

517
00:24:28,000 --> 00:24:29,480
Speaker 1: And he had in the video had black hair still

518
00:24:29,520 --> 00:24:30,480
Speaker 1: before he shaved his head bald.

519
00:24:31,320 --> 00:24:32,719
Speaker 3: That's me in the corner.

520
00:24:33,160 --> 00:24:34,720
Speaker 1: Thought it was such a freaking good song.

521
00:24:35,119 --> 00:24:39,840
Speaker 3: That's me in the spot light, losing my religion.

522
00:24:40,680 --> 00:24:42,199
Speaker 1: Yeah, I have Ram losing my religion.

523
00:24:42,640 --> 00:24:45,359
Speaker 3: You next, oh man, I gotta go with Jeremy, gotta

524
00:24:45,400 --> 00:24:48,920
Speaker 3: go with Pearl Jam. I mean that spoke to the generation.

525
00:24:50,000 --> 00:24:50,800
Speaker 1: It didn't speak to me.

526
00:24:51,200 --> 00:24:53,320
Speaker 3: Jeremy spoken, it's.

527
00:24:53,160 --> 00:24:54,720
Speaker 1: Your favorite band of all time, and I have a

528
00:24:54,800 --> 00:24:58,480
Speaker 1: similar version of this. But I can see where Pearl

529
00:24:58,520 --> 00:25:03,200
Speaker 1: Jim was extremely, extremely influential to all all of the

530
00:25:03,240 --> 00:25:09,120
Speaker 1: alternative scene. Like that wasn't grungy grungey. I did feel

531
00:25:09,119 --> 00:25:10,000
Speaker 1: like Project was that grungey.

532
00:25:10,119 --> 00:25:12,200
Speaker 3: They weren't part of the femo rock.

533
00:25:12,440 --> 00:25:13,560
Speaker 1: I mean, I felt like they were rock.

534
00:25:13,760 --> 00:25:15,720
Speaker 3: They were rock, but they were their sound was a

535
00:25:15,760 --> 00:25:18,240
Speaker 3: little more melodical than what the grunge had. It was

536
00:25:18,280 --> 00:25:21,360
Speaker 3: like just all yelly. Eddie Vedder actually saying, I feel.

537
00:25:21,119 --> 00:25:23,320
Speaker 1: Like even the guitar tone was slightly different, a little

538
00:25:23,400 --> 00:25:27,600
Speaker 1: softer than the others. Same comes from the same place.

539
00:25:28,080 --> 00:25:30,280
Speaker 1: Although some of those bands would move to Seattle just

540
00:25:30,320 --> 00:25:31,760
Speaker 1: to say they were from Seattle, I know they.

541
00:25:31,720 --> 00:25:33,439
Speaker 3: Never lived in Well, even Nirvana, I think they were

542
00:25:33,440 --> 00:25:35,000
Speaker 3: from Olympia moved to Seattle.

543
00:25:35,200 --> 00:25:38,880
Speaker 1: I think that counts though, because you had to kind

544
00:25:38,880 --> 00:25:40,560
Speaker 1: of move there was a music scene. You're just moving

545
00:25:40,600 --> 00:25:42,680
Speaker 1: down the state. Some people would come from like Pittsburgh

546
00:25:43,680 --> 00:25:46,560
Speaker 1: from Seattle. I think that and that launched that Seattle

547
00:25:46,560 --> 00:25:48,960
Speaker 1: because they were playing in Seattle kind of launched that movement.

548
00:25:49,000 --> 00:25:51,439
Speaker 1: It wasn't that even everybody was from It was all

549
00:25:51,480 --> 00:25:53,080
Speaker 1: the music that was happening there when it launched. I

550
00:25:53,119 --> 00:25:54,560
Speaker 1: think a lot of people then moved to Seattle, and

551
00:25:54,600 --> 00:25:55,680
Speaker 1: I was like, we're from Seattle.

552
00:25:55,840 --> 00:25:57,520
Speaker 3: When I think a lot of the Seattle bands at

553
00:25:57,560 --> 00:26:00,240
Speaker 3: the birth of it, like Soundgarden, Alison Chains, all of

554
00:26:00,240 --> 00:26:03,120
Speaker 3: them would drive to LA to get their music heard

555
00:26:03,760 --> 00:26:05,920
Speaker 3: and then they would be there play their shows and

556
00:26:05,960 --> 00:26:08,320
Speaker 3: then go back to Seattle and we're from Seattle, That's

557
00:26:08,320 --> 00:26:10,040
Speaker 3: where that all came from. But Dude, the first time

558
00:26:10,040 --> 00:26:12,760
Speaker 3: I heard Eddie Vedder's voice, I'm like, that is what

559
00:26:13,000 --> 00:26:14,760
Speaker 3: is that? How old is this guy? Sounds like he's

560
00:26:15,240 --> 00:26:18,600
Speaker 3: eighty years old? So to me that was just like

561
00:26:19,000 --> 00:26:21,160
Speaker 3: that is so cool because his voice is so different

562
00:26:21,200 --> 00:26:23,760
Speaker 3: than anyone I've ever heard, ever met him.

563
00:26:24,119 --> 00:26:27,879
Speaker 1: Never I've met Stone their guitarist. I've met Mike McCrady,

564
00:26:27,920 --> 00:26:31,000
Speaker 1: their other guitarists, and Jeff their bassis. How many other

565
00:26:31,000 --> 00:26:34,600
Speaker 1: people are there the drummer and they've had like four drummers,

566
00:26:35,000 --> 00:26:37,080
Speaker 1: but I've I've never met their drummers, any of them.

567
00:26:37,119 --> 00:26:40,600
Speaker 3: And then I've never met Eddie. I know my cousin

568
00:26:40,720 --> 00:26:44,639
Speaker 3: Leroy you've met Leroy. He uh somehow got backstage one

569
00:26:44,720 --> 00:26:47,879
Speaker 3: time and like, he's he's friends with Brent Barry. Is

570
00:26:47,920 --> 00:26:48,800
Speaker 3: that his name, Brent Barry?

571
00:26:49,560 --> 00:26:49,720
Speaker 11: Yeah?

572
00:26:49,720 --> 00:26:54,960
Speaker 1: Hey, yeah, yeah, he knows Brent Barry from says.

573
00:26:53,880 --> 00:26:55,840
Speaker 3: How social is Leroy Lerella knows everyone.

574
00:26:55,880 --> 00:26:57,240
Speaker 1: And also the fact that you have a cousin named

575
00:26:57,280 --> 00:27:01,439
Speaker 1: Leroy hilarious because yeah, Leroy is also Hispanic.

576
00:27:01,600 --> 00:27:04,359
Speaker 3: H he's half Asian half a Hispanic. Oh but Leroy

577
00:27:04,400 --> 00:27:08,320
Speaker 3: still doesn't fit. But what's crazy about Leroy is he's

578
00:27:08,359 --> 00:27:11,840
Speaker 3: friends with Ed Kawako check one Live. He knows him

579
00:27:11,920 --> 00:27:14,440
Speaker 3: very well. Really, yeah, dude, he's friends with all these people,

580
00:27:14,960 --> 00:27:17,840
Speaker 3: and so he he knows Brent Barry. And he got

581
00:27:17,880 --> 00:27:19,800
Speaker 3: backstage at one of the Eddie Vedder shows. He said

582
00:27:19,800 --> 00:27:21,240
Speaker 3: he hung out with Eddie Vedterer and Brent Barry for

583
00:27:21,359 --> 00:27:23,040
Speaker 3: like two hours just drinking backstage.

584
00:27:23,320 --> 00:27:23,960
Speaker 1: That's pretty cool.

585
00:27:23,960 --> 00:27:25,520
Speaker 3: And he was like, and it was just them three,

586
00:27:25,600 --> 00:27:28,200
Speaker 3: and he said that Eddie never said leave, just just

587
00:27:28,280 --> 00:27:28,640
Speaker 3: hang out.

588
00:27:28,680 --> 00:27:33,080
Speaker 1: But I guess if Brent is Eddie's friend, that friend

589
00:27:33,119 --> 00:27:35,360
Speaker 1: that Brent brings correct, it's going to be your friend

590
00:27:35,359 --> 00:27:39,080
Speaker 1: of mine in and like safe the same reason that

591
00:27:39,160 --> 00:27:44,760
Speaker 1: you picked Pearl jam, I picked mister Jones Counting Crows, Yeah,

592
00:27:45,240 --> 00:27:50,280
Speaker 1: my favorite band, and to me, that album and that

593
00:27:50,520 --> 00:27:53,800
Speaker 1: band the first time I heard like even not even

594
00:27:53,920 --> 00:27:55,920
Speaker 1: mister Jones, that was my introduction to it. But even

595
00:27:56,040 --> 00:27:59,240
Speaker 1: like that, my wife would say, the whininess.

596
00:27:58,720 --> 00:28:03,640
Speaker 3: Of it, but the like, you know, that's so whiny.

597
00:28:04,640 --> 00:28:08,119
Speaker 1: Yeah. I love sonically his voice because it was so

598
00:28:08,280 --> 00:28:09,199
Speaker 1: distinct and different.

599
00:28:10,359 --> 00:28:13,200
Speaker 3: Now that had a lot to do with it.

600
00:28:13,359 --> 00:28:17,200
Speaker 1: Right yodling it really right emo yodeling like California yodeling.

601
00:28:17,560 --> 00:28:19,360
Speaker 3: But also to his writing was really good.

602
00:28:19,680 --> 00:28:22,120
Speaker 1: I love them. Listen. I'm a massive Counting Crows fans.

603
00:28:22,160 --> 00:28:24,560
Speaker 1: I love this song. But sometimes the writing would be

604
00:28:24,680 --> 00:28:26,440
Speaker 1: so I would get so lost in what he was

605
00:28:26,480 --> 00:28:28,280
Speaker 1: trying to say that I started to wonder, then is

606
00:28:28,359 --> 00:28:30,200
Speaker 1: even saying anything or is he's just writing words together?

607
00:28:30,280 --> 00:28:33,600
Speaker 1: Because I can't tell the difference. But not in the

608
00:28:33,840 --> 00:28:36,720
Speaker 1: not in my group here more two thousands, but Weezer

609
00:28:36,840 --> 00:28:39,440
Speaker 1: and Rivers. Cuomo admits sometimes when you write songs, he

610
00:28:39,480 --> 00:28:41,080
Speaker 1: just puts words together. Yeah, that's said that.

611
00:28:41,600 --> 00:28:42,400
Speaker 3: He's like, I'll put it.

612
00:28:42,640 --> 00:28:44,280
Speaker 1: I read an article once where he's like a spreadsheet

613
00:28:44,600 --> 00:28:46,320
Speaker 1: and he's like, I'll put a little phrases in the spreadsheet,

614
00:28:46,720 --> 00:28:49,560
Speaker 1: and then I'll be like this thing right here, jump

615
00:28:49,600 --> 00:28:52,640
Speaker 1: and jump jump in this thing jumps makes no sense

616
00:28:52,640 --> 00:28:55,040
Speaker 1: because put the words sound good together. And then people

617
00:28:55,120 --> 00:28:58,320
Speaker 1: start to try to translate what I'm meaning, try to

618
00:28:58,560 --> 00:29:00,840
Speaker 1: and he's like, they're completely wrong because it means nothing. Yeah,

619
00:29:01,080 --> 00:29:02,360
Speaker 1: and that's not what you want to hear from my

620
00:29:02,360 --> 00:29:03,880
Speaker 1: favorite songwriter, right.

621
00:29:03,920 --> 00:29:04,840
Speaker 3: Just put it words together.

622
00:29:05,120 --> 00:29:08,160
Speaker 1: Yeah, So I have Counting Crows mister Jones, although not

623
00:29:08,280 --> 00:29:10,080
Speaker 1: my favorite song, I think if I had to pick one,

624
00:29:10,440 --> 00:29:12,360
Speaker 1: mister Jones there for me. All right, Next we have

625
00:29:12,400 --> 00:29:12,760
Speaker 1: two left.

626
00:29:13,000 --> 00:29:14,840
Speaker 3: I had mister Jones on there, but since you took it,

627
00:29:14,880 --> 00:29:17,200
Speaker 3: I'm gonna get rid of that because for sure that I.

628
00:29:17,280 --> 00:29:18,800
Speaker 1: Can't get rid of it. You can just have it

629
00:29:18,840 --> 00:29:20,640
Speaker 1: as well. That smells like teen Spirit.

630
00:29:20,800 --> 00:29:22,800
Speaker 3: I had some honorable mention.

631
00:29:23,000 --> 00:29:25,120
Speaker 1: Then I don't get smells like team Spirit. Then you're

632
00:29:25,120 --> 00:29:26,239
Speaker 1: gonna have that, and I'll do another one.

633
00:29:26,840 --> 00:29:28,080
Speaker 3: No, I'll let you have mister Jones.

634
00:29:28,720 --> 00:29:30,800
Speaker 1: I'll okay, Then I'll let you have smells like teen Spirit.

635
00:29:31,360 --> 00:29:32,880
Speaker 3: Okay, so we get two bonus ones.

636
00:29:33,560 --> 00:29:34,360
Speaker 1: So we have two left.

637
00:29:34,360 --> 00:29:35,960
Speaker 3: Then you get a bonus one then okay, so we

638
00:29:36,040 --> 00:29:39,840
Speaker 3: have two left, Yeah, go ahead nineteen seventy nine, Smashing

639
00:29:39,880 --> 00:29:47,640
Speaker 3: Pumpkins Down nineteen seventy nine. I mean, just smashing pumpkins, dude. Honestly,

640
00:29:47,680 --> 00:29:51,360
Speaker 3: I think to me it is just what differentiated everyone,

641
00:29:51,800 --> 00:29:55,920
Speaker 3: like any vedder, different voice, smells like teen spirit. It changed,

642
00:29:56,240 --> 00:29:59,880
Speaker 3: it changed music in general. Billy Corgan Smashing Pumpkins was

643
00:30:00,200 --> 00:30:03,480
Speaker 3: such a different sound that you ever heard. Ston't to

644
00:30:03,680 --> 00:30:06,880
Speaker 3: Pilots wasn't too different but still awesome.

645
00:30:07,120 --> 00:30:12,160
Speaker 1: And Smashing Pumpkins was. It felt a bit like the

646
00:30:12,280 --> 00:30:15,960
Speaker 1: music was like thorough you're the word e t h

647
00:30:16,040 --> 00:30:18,080
Speaker 1: e r L. It's like it's like del like a

648
00:30:18,120 --> 00:30:22,760
Speaker 1: space like because they had like keyboards and like sounds.

649
00:30:22,520 --> 00:30:28,320
Speaker 3: Synthesizers and like the word etherol. I don't know that word,

650
00:30:29,200 --> 00:30:31,200
Speaker 3: so I only know it because I read it.

651
00:30:31,280 --> 00:30:32,760
Speaker 1: I don't think I've ever heard aybody say it, but

652
00:30:32,920 --> 00:30:34,840
Speaker 1: that's what I had to look it up a few

653
00:30:34,880 --> 00:30:37,440
Speaker 1: weeks ago, and that's what it is. It's like music

654
00:30:37,520 --> 00:30:40,760
Speaker 1: that's like delicate or and that their sound was that

655
00:30:40,920 --> 00:30:41,280
Speaker 1: a bit.

656
00:30:41,840 --> 00:30:43,680
Speaker 3: But it was all so different too, because you have

657
00:30:43,840 --> 00:30:46,360
Speaker 3: like Today's the greatest, like today.

658
00:30:46,120 --> 00:30:47,840
Speaker 1: I love I love the Ballady song from.

659
00:30:48,160 --> 00:30:49,800
Speaker 3: Me Too, Me too. So so you didn't like it

660
00:30:49,920 --> 00:30:51,080
Speaker 3: despite all my rage.

661
00:30:51,640 --> 00:30:56,440
Speaker 1: It's okay, it's okay, it's fine. I liked the world

662
00:30:56,680 --> 00:31:01,120
Speaker 1: is a Vampire that. I like that as far as

663
00:31:01,120 --> 00:31:01,480
Speaker 1: if you had.

664
00:31:03,840 --> 00:31:08,400
Speaker 3: Todayame yeah, And I don't know man like to me,

665
00:31:08,960 --> 00:31:11,960
Speaker 3: all of these people did a great job at differentiating

666
00:31:12,000 --> 00:31:14,720
Speaker 3: their sound than everything else, because nothing else sounded like

667
00:31:14,760 --> 00:31:15,840
Speaker 3: smashing pumpkins. Nothing.

668
00:31:17,400 --> 00:31:19,200
Speaker 1: I I picked Beck loser.

669
00:31:19,360 --> 00:31:22,760
Speaker 3: That's good. Another one like, who is this white guy?

670
00:31:22,920 --> 00:31:24,360
Speaker 1: There's kind of rapping it in German?

671
00:31:24,720 --> 00:31:26,200
Speaker 3: Who is this dude? Yeah?

672
00:31:26,320 --> 00:31:28,120
Speaker 1: And the cool thing about Beck is he's changed something.

673
00:31:28,160 --> 00:31:28,800
Speaker 3: What's the Germans?

674
00:31:29,840 --> 00:31:30,840
Speaker 2: And uh so.

675
00:31:32,680 --> 00:31:35,560
Speaker 3: That's Spanish. I thought part of it better.

676
00:31:36,240 --> 00:31:38,920
Speaker 1: He says a lot of Germany. You can tell I

677
00:31:38,960 --> 00:31:39,560
Speaker 1: did no research.

678
00:31:39,600 --> 00:31:44,160
Speaker 3: I just like, yeah, that's Spanish. So I'm a loser.

679
00:31:45,200 --> 00:31:49,520
Speaker 1: I'm a loser, mister Elliott saying take a thing down,

680
00:31:49,560 --> 00:31:52,320
Speaker 1: flip it in reverse. I didn't know that.

681
00:31:52,480 --> 00:31:52,760
Speaker 3: I guess.

682
00:31:52,800 --> 00:31:53,880
Speaker 1: I don't know why. I thought it was German.

683
00:31:53,960 --> 00:31:54,440
Speaker 3: That's funny.

684
00:31:55,520 --> 00:31:59,840
Speaker 1: Yeah, I thought Loser was awesome. And also it kind

685
00:31:59,880 --> 00:32:03,120
Speaker 1: of turned into two turn tables in a microphone where

686
00:32:03,240 --> 00:32:06,200
Speaker 1: it's at yeah, like it was like this clap kind

687
00:32:06,320 --> 00:32:10,080
Speaker 1: of almost Beastie Boys, but still a rock element in it,

688
00:32:10,640 --> 00:32:12,920
Speaker 1: and like that kind of owned that space. Yeah, man,

689
00:32:13,200 --> 00:32:15,480
Speaker 1: and I love that does have any I think he

690
00:32:15,600 --> 00:32:20,640
Speaker 1: goes a sprick indied doint or something German somewhere de Deutsch.

691
00:32:20,920 --> 00:32:23,000
Speaker 1: That's got to be German then, because for some reason

692
00:32:23,040 --> 00:32:24,400
Speaker 1: I feel like there's some German in that song.

693
00:32:24,480 --> 00:32:26,800
Speaker 3: That is, I don't know German. Do you speak English?

694
00:32:26,880 --> 00:32:30,000
Speaker 3: That's what that means, That's where it comes from. White

695
00:32:30,040 --> 00:32:30,960
Speaker 3: says that I don't.

696
00:32:32,720 --> 00:32:34,320
Speaker 1: I don't have recalls to why I know that, but

697
00:32:34,400 --> 00:32:35,360
Speaker 1: it feels like there was German.

698
00:32:35,560 --> 00:32:37,560
Speaker 3: My line, my favorite line of that one is like

699
00:32:37,680 --> 00:32:39,880
Speaker 3: a term my choking on a splinter.

700
00:32:41,760 --> 00:32:44,080
Speaker 1: So I have beck loser. Okay, we have one more each,

701
00:32:44,120 --> 00:32:44,720
Speaker 1: go ahead.

702
00:32:44,640 --> 00:32:46,600
Speaker 3: All right. My last one is gonna have to be

703
00:32:46,600 --> 00:32:50,560
Speaker 3: a basket case. Green Day was that was that nineties? Yeah, man,

704
00:32:50,720 --> 00:32:52,600
Speaker 3: ninety seven because I was in high school. I think

705
00:32:52,640 --> 00:32:53,560
Speaker 3: it was my senior No.

706
00:32:55,360 --> 00:32:57,600
Speaker 1: Chance it's ninety four. Yeah, yeah, it's got to be

707
00:32:57,680 --> 00:33:03,680
Speaker 1: before a Little Drive. Okay, great record. Dookie was Yeah,

708
00:33:03,720 --> 00:33:07,600
Speaker 1: like it went into the whatever the America biggest sounds

709
00:33:07,600 --> 00:33:13,080
Speaker 1: of registry. Yes, like almost every song on that Take

710
00:33:13,200 --> 00:33:17,640
Speaker 1: Me to Paradise, or even like the bassline from just

711
00:33:17,800 --> 00:33:22,520
Speaker 1: Long View, And that's not even the singles.

712
00:33:22,640 --> 00:33:26,920
Speaker 3: Do you have the time? Or when I come around?

713
00:33:29,320 --> 00:33:32,960
Speaker 3: But you gotta keep singing it like that, you know?

714
00:33:33,000 --> 00:33:35,840
Speaker 3: It was this stuffed up good I come around? Hey,

715
00:33:35,880 --> 00:33:37,160
Speaker 3: what about the secret track?

716
00:33:38,160 --> 00:33:38,720
Speaker 8: Do you remember that?

717
00:33:39,640 --> 00:33:42,560
Speaker 1: I was all by myself, I was watching, I was

718
00:33:42,640 --> 00:33:43,080
Speaker 1: thinking of you.

719
00:33:43,760 --> 00:33:46,400
Speaker 3: I love that, But you had to wait like five

720
00:33:46,440 --> 00:33:47,280
Speaker 3: minutes for it to come.

721
00:33:47,160 --> 00:33:48,920
Speaker 1: Out, or you hold your finger once you found out,

722
00:33:48,960 --> 00:33:52,920
Speaker 1: and you halfway pushed the buttons to fast forward or

723
00:33:52,960 --> 00:33:55,720
Speaker 1: the next track button which works fast forward, you would

724
00:33:55,720 --> 00:33:56,080
Speaker 1: get there.

725
00:33:56,360 --> 00:33:57,800
Speaker 3: The kids just won't ever understand.

726
00:33:58,400 --> 00:33:59,960
Speaker 2: Brain stew was the first song I ever learned how

727
00:34:00,040 --> 00:34:02,760
Speaker 2: playing guitar, because it's so easy, but not.

728
00:34:02,880 --> 00:34:06,080
Speaker 1: On that records. On the record, I don't think it's no,

729
00:34:06,200 --> 00:34:11,759
Speaker 1: it's not. It's it's later, like two records later, I'm having.

730
00:34:11,560 --> 00:34:13,759
Speaker 5: Trouble trying to sleep.

731
00:34:15,160 --> 00:34:28,080
Speaker 1: Da catted sheep as type slips by still try room

732
00:34:28,200 --> 00:34:32,120
Speaker 1: for cross roads in my mind on my own Here

733
00:34:32,200 --> 00:34:36,200
Speaker 1: we go, Mikey, where is it?

734
00:34:36,920 --> 00:34:37,440
Speaker 2: Insomnia?

735
00:34:38,640 --> 00:34:40,040
Speaker 3: Yeah, that was the same record.

736
00:34:40,160 --> 00:34:42,280
Speaker 1: I do that all the time, I thought soy Dust's

737
00:34:42,280 --> 00:34:43,560
Speaker 1: also song was German.

738
00:34:44,120 --> 00:34:48,560
Speaker 3: Specting the Deutsch that one is, but so isn't that

739
00:34:48,800 --> 00:34:49,560
Speaker 3: my final one?

740
00:34:50,480 --> 00:34:52,120
Speaker 1: Since we I got to use an extra one, which

741
00:34:52,160 --> 00:34:54,800
Speaker 1: would have been six on my list is REGI against

742
00:34:54,800 --> 00:34:58,800
Speaker 1: the Machine, bulls on parade or or killing in the

743
00:34:58,920 --> 00:35:01,000
Speaker 1: name of in the name of would have been the

744
00:35:01,120 --> 00:35:03,520
Speaker 1: one that it's the one that I picked when you

745
00:35:03,520 --> 00:35:06,200
Speaker 1: said was on product, maybe reconsider again. Wow, I'm gonna

746
00:35:06,239 --> 00:35:08,759
Speaker 1: go They're very similar. I don't even know which one

747
00:35:08,880 --> 00:35:11,680
Speaker 1: was first. I don't know, but I have a new

748
00:35:11,719 --> 00:35:17,800
Speaker 1: appreciation because I didn't understand that they were a message

749
00:35:17,880 --> 00:35:20,480
Speaker 1: based band. I just were going protest stuff all the time.

750
00:35:20,520 --> 00:35:22,000
Speaker 1: But I was like, I was like fourteen.

751
00:35:22,400 --> 00:35:24,120
Speaker 3: I didn't understand that. I know what they were saying,

752
00:35:24,680 --> 00:35:27,120
Speaker 3: but but they were mad at something. Yeah, and I

753
00:35:27,280 --> 00:35:31,480
Speaker 3: like that song and you I don't go that, dude.

754
00:35:31,520 --> 00:35:34,319
Speaker 3: When I found out the machine meant the government, I.

755
00:35:34,360 --> 00:35:36,200
Speaker 1: Didn't know that, I was like, right now, no, no,

756
00:35:36,320 --> 00:35:36,920
Speaker 1: I just learned that.

757
00:35:38,280 --> 00:35:39,839
Speaker 3: I what do you mean, I hear that? You didn't

758
00:35:39,880 --> 00:35:40,600
Speaker 3: know that before? Right now?

759
00:35:41,120 --> 00:35:41,880
Speaker 1: Never never put that.

760
00:35:41,840 --> 00:35:44,040
Speaker 3: Together, dude. My buddy Michael was like, dude, rage against

761
00:35:44,040 --> 00:35:45,600
Speaker 3: the machine, dude, it's a rage against the government.

762
00:35:45,640 --> 00:35:47,000
Speaker 1: I never put that together till right now.

763
00:35:47,520 --> 00:35:50,560
Speaker 3: Yes, and I was like, Mike, what are we mad

764
00:35:50,640 --> 00:35:51,360
Speaker 3: at everything?

765
00:35:51,440 --> 00:35:51,640
Speaker 1: Dude?

766
00:35:51,680 --> 00:35:52,120
Speaker 3: Listen to this.

767
00:35:53,239 --> 00:35:53,439
Speaker 4: Yeah.

768
00:35:53,520 --> 00:35:55,160
Speaker 3: Hold, I'm like, we don't pay taxes.

769
00:35:55,360 --> 00:35:55,560
Speaker 11: Wow.

770
00:35:56,880 --> 00:35:57,840
Speaker 3: I never thought about that.

771
00:35:58,080 --> 00:36:00,440
Speaker 1: Rage against the machine is anger at the other man.

772
00:36:00,560 --> 00:36:04,239
Speaker 3: Yeah, man, yeah, we won't do what they told us.

773
00:36:05,040 --> 00:36:08,640
Speaker 1: They were on BBC and the BBC folks had been like, hey,

774
00:36:08,920 --> 00:36:10,719
Speaker 1: you perform the song, don't say the car you might

775
00:36:10,800 --> 00:36:12,759
Speaker 1: not saying the cards words. They were like okay. It

776
00:36:12,880 --> 00:36:16,759
Speaker 1: was like live National UK audience and they're playing that song.

777
00:36:17,040 --> 00:36:20,080
Speaker 1: You know, we won't do what they tell you know whatever,

778
00:36:20,400 --> 00:36:22,680
Speaker 1: and so they're like, okay, cool, and so they started

779
00:36:22,719 --> 00:36:24,719
Speaker 1: playing and they started doing it in real time. Yeah,

780
00:36:24,719 --> 00:36:26,160
Speaker 1: and they're like, why would we not do it? The

781
00:36:26,200 --> 00:36:27,640
Speaker 1: whole song is if you we won't do it to

782
00:36:27,760 --> 00:36:29,640
Speaker 1: other And so then they cut off and it's like,

783
00:36:30,239 --> 00:36:33,239
Speaker 1: b BBC, we'll be back right after this. They just

784
00:36:33,239 --> 00:36:34,480
Speaker 1: cut them off right in the middle of the song.

785
00:36:34,560 --> 00:36:37,080
Speaker 3: See. I thought about that because my son was like,

786
00:36:37,239 --> 00:36:39,400
Speaker 3: we were talking about the best Super Bowl performances and

787
00:36:39,520 --> 00:36:42,200
Speaker 3: he said he's like, to him, the Dre Snoop Dogg

788
00:36:42,320 --> 00:36:44,560
Speaker 3: thing was like his favorite. So we watched it again.

789
00:36:44,600 --> 00:36:46,160
Speaker 3: We're like, oh, let's watch it again. We watched it

790
00:36:46,560 --> 00:36:48,400
Speaker 3: and I was like, man, good job by them to

791
00:36:48,640 --> 00:36:52,560
Speaker 3: like censor all those songs, like every single one. They said,

792
00:36:52,680 --> 00:36:55,759
Speaker 3: Snoop was censoring, Dre was censoring. And because you hear

793
00:36:55,840 --> 00:36:58,160
Speaker 3: these stories like the Doors back on, like the Ed

794
00:36:58,239 --> 00:37:00,960
Speaker 3: Sullivan Show, like Nat, I want to say higher because

795
00:37:00,960 --> 00:37:03,560
Speaker 3: they were like you can't say a baby? Can we

796
00:37:03,640 --> 00:37:04,239
Speaker 3: get much higher?

797
00:37:04,920 --> 00:37:07,280
Speaker 1: I wonder if the fact that there was a at

798
00:37:07,320 --> 00:37:10,560
Speaker 1: delay because sometimes they have been slips before, or be

799
00:37:11,760 --> 00:37:17,400
Speaker 1: a fine involved because Jenna Jackson got fined for indecency, sure, right,

800
00:37:18,040 --> 00:37:22,839
Speaker 1: and they know it's an international family broadcast that it's hey,

801
00:37:22,880 --> 00:37:25,920
Speaker 1: you will also get fined millions of dollargraphy curse because

802
00:37:25,920 --> 00:37:27,600
Speaker 1: I can't imagine them just being like we're happy to

803
00:37:27,640 --> 00:37:31,000
Speaker 1: be censored. Sure, because eminem is like at awards shows, Yeah,

804
00:37:31,040 --> 00:37:33,480
Speaker 1: at eight pm said bad words. So I wonder what

805
00:37:33,560 --> 00:37:35,400
Speaker 1: the real reason was. I don't know, but when I

806
00:37:35,440 --> 00:37:36,799
Speaker 1: heard it, I had to sign a contract SA they

807
00:37:36,840 --> 00:37:38,040
Speaker 1: wouldn't cuss. I assume I didn't.

808
00:37:38,040 --> 00:37:40,480
Speaker 3: Really that's what that's what they need? A contract? Yeah,

809
00:37:40,920 --> 00:37:44,160
Speaker 3: because yeah, like, uh, who was the what's the documentary

810
00:37:44,200 --> 00:37:47,040
Speaker 3: we saw on Woodstock? Was it Woodstock? I don't know olympisk.

811
00:37:47,080 --> 00:37:49,879
Speaker 1: It was like all the second yeah, the ninety six

812
00:37:50,000 --> 00:37:50,279
Speaker 1: or whatever.

813
00:37:50,400 --> 00:37:52,520
Speaker 3: They told them like, don't don't stir up the crowd,

814
00:37:52,560 --> 00:37:54,200
Speaker 3: and then they just do cool and that's what they did.

815
00:37:55,120 --> 00:37:56,759
Speaker 1: So I'm flumbing the sheet over. I'm not looked at

816
00:37:56,800 --> 00:37:59,560
Speaker 1: this shit a loud wire. We have the top twenty

817
00:38:00,280 --> 00:38:04,200
Speaker 1: and they've done it alphabetically, so I guess it's not

818
00:38:04,360 --> 00:38:06,040
Speaker 1: in order, which nicer?

819
00:38:06,320 --> 00:38:09,680
Speaker 3: And these are songs? Okay, what would you put?

820
00:38:09,680 --> 00:38:11,279
Speaker 1: What else would you put on? As? Because I had

821
00:38:11,280 --> 00:38:12,959
Speaker 1: another one that was seven. I made a list of seven.

822
00:38:13,440 --> 00:38:16,719
Speaker 3: I mean I had you have Wonderwall. No, oh god,

823
00:38:16,800 --> 00:38:18,120
Speaker 3: that's a good one. I should have put wonder Wall

824
00:38:18,160 --> 00:38:18,399
Speaker 3: in there.

825
00:38:18,480 --> 00:38:18,520
Speaker 8: No.

826
00:38:18,640 --> 00:38:19,520
Speaker 3: I had Santa Monica.

827
00:38:20,120 --> 00:38:22,560
Speaker 1: Oh god, ever it's awesome. I loved them.

828
00:38:22,560 --> 00:38:28,000
Speaker 3: Santa Monica, and then I had Rooster Alison, chains Awes

829
00:38:28,040 --> 00:38:29,879
Speaker 3: and chains than those are all good.

830
00:38:30,840 --> 00:38:33,439
Speaker 1: Oasis was freaking awesome and it's not my favorite Oasis song,

831
00:38:34,360 --> 00:38:38,239
Speaker 1: but Wonderwall back then it was like life changing to

832
00:38:38,320 --> 00:38:39,399
Speaker 1: get you to listen to what's the story?

833
00:38:39,440 --> 00:38:39,879
Speaker 3: Morning Glory?

834
00:38:39,920 --> 00:38:44,120
Speaker 1: And then it was like, uh, she paid super over

835
00:38:44,600 --> 00:38:46,640
Speaker 1: in this sky British and Great Day sound a lot

836
00:38:46,640 --> 00:38:49,160
Speaker 1: of like to us. All right, let's walk them. This

837
00:38:49,280 --> 00:38:51,359
Speaker 1: is their list. It's not in order.

838
00:38:53,080 --> 00:38:54,120
Speaker 3: Everything good? Yeah, are good?

839
00:38:54,960 --> 00:38:56,640
Speaker 1: Is one of your favorite bands? Texting you Nope, No,

840
00:38:56,719 --> 00:38:58,920
Speaker 1: what are you talking about? All right, Uh, let's see

841
00:38:58,920 --> 00:39:00,440
Speaker 1: if we just know them, we'll try to just sing

842
00:39:00,520 --> 00:39:02,399
Speaker 1: him out if we know him. Forty six and two

843
00:39:02,520 --> 00:39:05,560
Speaker 1: and two from Tool, No me either. I was never

844
00:39:05,640 --> 00:39:06,120
Speaker 1: a Tool guy.

845
00:39:07,360 --> 00:39:10,880
Speaker 3: I never got it. I mean, I love Tool. I

846
00:39:10,920 --> 00:39:11,800
Speaker 3: don't know that song.

847
00:39:11,840 --> 00:39:13,400
Speaker 1: Schism to one. I don't even know the song. I

848
00:39:13,440 --> 00:39:14,879
Speaker 1: think I would here and recognize it, but I don't

849
00:39:14,880 --> 00:39:18,359
Speaker 1: know Tool, Hunger Strike, Temple of the Dog. Dude, that's

850
00:39:18,360 --> 00:39:19,320
Speaker 1: the lead into Pearl Jam.

851
00:39:19,239 --> 00:39:23,880
Speaker 3: I'm Going Hungry Hung. That was when the world was

852
00:39:23,920 --> 00:39:24,919
Speaker 3: introduced to Eddie Vedder.

853
00:39:25,040 --> 00:39:27,239
Speaker 1: He was doing the background vocals, wasn't I'm Going hung

854
00:39:28,640 --> 00:39:30,200
Speaker 1: you know? Background vocals was Chris Cornell.

855
00:39:30,360 --> 00:39:33,200
Speaker 3: Yeah, Chris Cornell did the high part. Yeah, I don't

856
00:39:33,360 --> 00:39:37,839
Speaker 3: mind bread. Yeah, that's that's so good.

857
00:39:38,360 --> 00:39:39,640
Speaker 1: Interstate Love song STP.

858
00:39:39,880 --> 00:39:40,080
Speaker 3: Yeah.

859
00:39:40,440 --> 00:39:42,600
Speaker 1: I like that song a lot because it was not

860
00:39:42,680 --> 00:39:51,200
Speaker 1: as fast and hard it was Boom Reggie gets the Machine,

861
00:39:51,280 --> 00:39:55,120
Speaker 1: killing in the name, Killing in the Name. This one

862
00:39:55,320 --> 00:39:57,799
Speaker 1: I was my probably top two or three favorite ever

863
00:39:57,840 --> 00:39:59,120
Speaker 1: I didn't put on the list because I thought it

864
00:39:59,200 --> 00:40:01,640
Speaker 1: was so trivial, but really not my favorites. I listen

865
00:40:01,640 --> 00:40:03,080
Speaker 1: to every song they ever did. Loved them, can't. I

866
00:40:03,080 --> 00:40:05,800
Speaker 1: don't even know what they're alive now. But Lump presidents

867
00:40:05,800 --> 00:40:06,640
Speaker 1: of United States in America.

868
00:40:06,680 --> 00:40:07,680
Speaker 3: I'm lump, dude.

869
00:40:07,680 --> 00:40:09,759
Speaker 1: I'm shocked that you haven't tried to get a hold

870
00:40:09,800 --> 00:40:11,680
Speaker 1: of them to like, I keep forgetting do an interview

871
00:40:11,719 --> 00:40:13,680
Speaker 1: with them. I literally keep forgetting because because they what

872
00:40:14,160 --> 00:40:14,719
Speaker 1: can they be doing?

873
00:40:15,400 --> 00:40:15,719
Speaker 3: I don't know.

874
00:40:15,840 --> 00:40:19,120
Speaker 1: I see the sometimes on TikTok, I'll see like nineties,

875
00:40:19,560 --> 00:40:20,839
Speaker 1: he's bald. I mean they got to be older.

876
00:40:20,880 --> 00:40:21,600
Speaker 3: Now they were bald.

877
00:40:21,640 --> 00:40:25,160
Speaker 1: Then they had like a three string tar. You got

878
00:40:25,239 --> 00:40:25,520
Speaker 1: on time?

879
00:40:26,040 --> 00:40:27,359
Speaker 3: Yeah, I think so, I just gotta make a text.

880
00:40:27,400 --> 00:40:29,880
Speaker 3: That's good. But Lump was like love.

881
00:40:29,760 --> 00:40:34,160
Speaker 1: Set alone and a boggy marsh, totally motionless except for

882
00:40:34,239 --> 00:40:36,000
Speaker 1: her heart, and the song was like two minutes or

883
00:40:36,000 --> 00:40:36,480
Speaker 1: ten seconds.

884
00:40:36,680 --> 00:40:39,719
Speaker 3: I'm lump. Oh she's long, She's long. Okay, I'm not long.

885
00:40:39,760 --> 00:40:42,800
Speaker 1: Pearl Jam. You might be Pearl Jam alive alive?

886
00:40:43,480 --> 00:40:44,680
Speaker 3: Do you want to know a cool story with that one?

887
00:40:44,800 --> 00:40:50,520
Speaker 5: I'm still that woo, I'm still alive.

888
00:40:51,160 --> 00:40:54,400
Speaker 3: Cool story Dennis Rodman was thinking about killing himself in

889
00:40:54,480 --> 00:40:56,759
Speaker 3: a car, had a gun to his head, heard the song,

890
00:40:57,640 --> 00:41:00,920
Speaker 3: I said it, that's what Dennis Robins alive. No, Dennis

891
00:41:01,000 --> 00:41:03,560
Speaker 3: Rodman said it because it's it's a it's the song

892
00:41:03,719 --> 00:41:06,359
Speaker 3: is about, you know, like finding out that your your

893
00:41:06,440 --> 00:41:07,719
Speaker 3: dad who you thought was your dad's and I was

894
00:41:07,760 --> 00:41:09,560
Speaker 3: real not your real dad? Is like, well, who am

895
00:41:09,600 --> 00:41:11,200
Speaker 3: I even wanted in this world? Would I do?

896
00:41:11,320 --> 00:41:12,640
Speaker 1: You know? I believe you. I just know if it

897
00:41:12,719 --> 00:41:14,240
Speaker 1: was some like urban legend you'd heard.

898
00:41:14,600 --> 00:41:17,359
Speaker 3: From Dennis Rodman himself had an interview.

899
00:41:17,120 --> 00:41:20,480
Speaker 1: Or nine inch nels closer, which you would know from

900
00:41:20,640 --> 00:41:23,880
Speaker 1: I want it if you like an animo. They just

901
00:41:23,920 --> 00:41:26,040
Speaker 1: played that lecture Cowboy, and that's the only song I'd

902
00:41:26,120 --> 00:41:30,160
Speaker 1: be like grinding on a number. Oh Man didn't even

903
00:41:30,160 --> 00:41:32,160
Speaker 1: think about Lenny Kravitz. But are you gonna go my way?

904
00:41:32,360 --> 00:41:37,960
Speaker 3: Oh dude? Yeah, which is dreads are flying everywhere.

905
00:41:38,040 --> 00:41:40,200
Speaker 5: I'm on a do no sena though?

906
00:41:40,640 --> 00:41:41,680
Speaker 3: Are you gonna go my way?

907
00:41:41,840 --> 00:41:44,279
Speaker 1: That's a jam. He's your buddy, now, yeah, we didn't

908
00:41:44,280 --> 00:41:45,720
Speaker 1: meet once took a picture, So that's buddy.

909
00:41:45,719 --> 00:41:46,360
Speaker 3: That counts.

910
00:41:47,600 --> 00:41:48,640
Speaker 1: Corn freak on a leash.

911
00:41:49,040 --> 00:41:50,120
Speaker 3: I wasn't a big corn guy.

912
00:41:50,200 --> 00:41:52,200
Speaker 1: I wasn't either, but without corn, we don't have limb biscuit.

913
00:41:52,280 --> 00:41:53,520
Speaker 1: And I love the limp biscuit.

914
00:41:54,040 --> 00:41:54,640
Speaker 3: That's funny.

915
00:41:55,520 --> 00:41:59,520
Speaker 1: Yeah, Harvey Danger Flag Polcida, Nah loved it? Which you

916
00:41:59,600 --> 00:42:01,759
Speaker 1: used to get people to record hours on the Edge

917
00:42:01,800 --> 00:42:04,719
Speaker 1: in Dallas and send them to me. And White Pole

918
00:42:04,719 --> 00:42:06,399
Speaker 1: said it was on it when it first came out

919
00:42:06,640 --> 00:42:07,760
Speaker 1: and was obsessed with it forever.

920
00:42:07,960 --> 00:42:09,880
Speaker 3: What are you talking about people in Dallas recording what

921
00:42:10,160 --> 00:42:12,279
Speaker 3: the edge? An hour on the Edge O the radio

922
00:42:12,320 --> 00:42:15,120
Speaker 3: station Edge? Yeah, I'd be like, I.

923
00:42:15,160 --> 00:42:25,560
Speaker 1: Got too many melodies in my head, but it will

924
00:42:25,600 --> 00:42:26,040
Speaker 1: never tell me.

925
00:42:27,440 --> 00:42:31,000
Speaker 3: I'm not rich, but I'm not the Wow dude? Remember

926
00:42:31,000 --> 00:42:33,759
Speaker 3: that didn't Yeah? Yeah, that's Harvey Danger. Yeah, I didn't

927
00:42:33,760 --> 00:42:33,920
Speaker 3: know that.

928
00:42:34,400 --> 00:42:37,040
Speaker 1: Paranoia, paranoia, everybody's.

929
00:42:36,480 --> 00:42:39,239
Speaker 3: Trying to get me. That's a good jam.

930
00:42:39,680 --> 00:42:40,680
Speaker 1: Food Fighters ever long?

931
00:42:40,800 --> 00:42:41,359
Speaker 3: Yes, of course.

932
00:42:41,360 --> 00:42:53,560
Speaker 1: Awesome, Faith No More epic, Yeah, both start. It's like

933
00:42:53,600 --> 00:42:56,839
Speaker 1: a weird, like chanty rappie type.

934
00:42:56,960 --> 00:42:59,160
Speaker 3: I always thought that Faith No More was red hot chili.

935
00:42:59,200 --> 00:43:03,480
Speaker 1: Pepper's definitely almost that Vibeth. Yeah, he just almost had

936
00:43:03,480 --> 00:43:07,640
Speaker 1: a little more rhythm though, like rapping and how do

937
00:43:07,680 --> 00:43:09,360
Speaker 1: you get there on the melody of the chorus, we

938
00:43:09,400 --> 00:43:12,200
Speaker 1: can't play songs everybody because we got jail. We'll move

939
00:43:12,239 --> 00:43:14,480
Speaker 1: on the Cure of Friday, A'm in love Nice never

940
00:43:14,520 --> 00:43:15,000
Speaker 1: cared about the.

941
00:43:14,960 --> 00:43:19,960
Speaker 3: Cure Monday, No, no, no, Friday, I'm in love? Who

942
00:43:20,040 --> 00:43:20,440
Speaker 3: covered that?

943
00:43:20,600 --> 00:43:22,880
Speaker 2: Mic, I don't think anybody covered that.

944
00:43:23,040 --> 00:43:24,720
Speaker 1: Are you doing? Show me, show me show.

945
00:43:24,719 --> 00:43:28,000
Speaker 3: That's why I first started doing just like Heaven, Monday,

946
00:43:28,200 --> 00:43:33,840
Speaker 3: I don't care about you, and Fridaysday, Thursday two, that's it.

947
00:43:34,400 --> 00:43:37,759
Speaker 1: I love the I wasn't a cure guy. I did

948
00:43:37,880 --> 00:43:40,760
Speaker 1: feel though, later that the Black Parade guys were basically

949
00:43:40,760 --> 00:43:43,840
Speaker 1: the cure, just younger. Like their sounds little room man.

950
00:43:43,840 --> 00:43:45,200
Speaker 1: They were just trying to be the cure later on,

951
00:43:45,840 --> 00:43:48,440
Speaker 1: But again, I was not a cure guy. Creed Higher,

952
00:43:48,840 --> 00:43:51,640
Speaker 1: Creed was massive. I know you didn't like them because

953
00:43:51,640 --> 00:43:53,600
Speaker 1: they got so big and you had backlash on them.

954
00:43:53,800 --> 00:43:54,960
Speaker 3: No, I mean I like them now.

955
00:43:55,280 --> 00:43:55,320
Speaker 8: No.

956
00:43:55,800 --> 00:43:57,120
Speaker 1: I think that's why you didn't like cause they were

957
00:43:57,800 --> 00:43:59,160
Speaker 1: they were so big, they turn'd into pop.

958
00:43:59,719 --> 00:44:01,200
Speaker 3: I think think it was because I love Daddy Vedder

959
00:44:01,280 --> 00:44:03,439
Speaker 3: so much. I get that, and he was just trying

960
00:44:03,480 --> 00:44:07,200
Speaker 3: to do that fair enough. Can you take me higher?

961
00:44:07,920 --> 00:44:10,160
Speaker 1: Jamp We listened to a lot of the cranberries in

962
00:44:10,200 --> 00:44:10,520
Speaker 1: my house.

963
00:44:10,800 --> 00:44:13,480
Speaker 3: Love the cranberry. I still love the cranberry. Still do

964
00:44:13,640 --> 00:44:14,600
Speaker 3: I put my wife onto it?

965
00:44:15,000 --> 00:44:22,400
Speaker 1: Zombie zombie zombie or oh.

966
00:44:25,080 --> 00:44:26,600
Speaker 3: Zombie or linger?

967
00:44:26,840 --> 00:44:28,160
Speaker 9: Oh do you have to let it?

968
00:44:28,320 --> 00:44:30,960
Speaker 3: Linger? Do you have to? Do you have to?

969
00:44:31,440 --> 00:44:33,399
Speaker 1: This is what my wife sent me last night, no joke.

970
00:44:33,600 --> 00:44:36,520
Speaker 1: At eight fifty pm. She said, check out this version.

971
00:44:36,560 --> 00:44:40,960
Speaker 1: We love the cranberries. I have a her thing in

972
00:44:41,000 --> 00:44:41,880
Speaker 1: lit cover.

973
00:44:44,600 --> 00:44:52,600
Speaker 3: Sam, let's just you name it.

974
00:44:54,560 --> 00:44:59,440
Speaker 1: Justin bieber what she was like, because we both listen to.

975
00:44:59,400 --> 00:45:02,360
Speaker 3: The granberries at So your wife likes the cranberries.

976
00:45:02,520 --> 00:45:04,040
Speaker 1: Yeah, she's picked a few of them that she likes

977
00:45:04,080 --> 00:45:06,080
Speaker 1: because we play cards. We played cards again last night.

978
00:45:06,480 --> 00:45:08,359
Speaker 1: Whoever won the last match gets to picked the musical

979
00:45:08,360 --> 00:45:11,400
Speaker 1: whole time, and I just put it on nineties alternative

980
00:45:11,760 --> 00:45:13,680
Speaker 1: or nineties like sad songs.

981
00:45:13,760 --> 00:45:16,160
Speaker 3: Yeah, but she'd never really really heard the craners, and

982
00:45:16,320 --> 00:45:17,840
Speaker 3: that's cool. My kids hate the cranberries.

983
00:45:18,640 --> 00:45:21,840
Speaker 1: To me, the cranberries are like the counting crows of chicks,

984
00:45:22,000 --> 00:45:26,399
Speaker 1: of like little water pan chicks. Yeah, cracker low, Yeah,

985
00:45:26,680 --> 00:45:32,600
Speaker 1: sometimes I want to get you down. Sometimes I want

986
00:45:32,640 --> 00:45:36,000
Speaker 1: to get you low. But the chorus be with you.

987
00:45:36,239 --> 00:45:38,240
Speaker 3: Girl like being Stone?

988
00:45:39,000 --> 00:45:41,800
Speaker 5: Hey like it being Stone?

989
00:45:42,120 --> 00:45:42,600
Speaker 1: That's a jam?

990
00:45:42,600 --> 00:45:43,120
Speaker 3: Do you know that one?

991
00:45:43,160 --> 00:45:47,680
Speaker 1: Mike Wow, I never heard of that band, Cracker. Yeah,

992
00:45:47,680 --> 00:45:49,880
Speaker 1: they only had like one big American song big in

993
00:45:50,400 --> 00:45:50,759
Speaker 1: the UK.

994
00:45:51,080 --> 00:45:51,760
Speaker 3: Are they British?

995
00:45:51,960 --> 00:45:54,640
Speaker 1: I think so. He looked that up, Mikey, But they're

996
00:45:54,640 --> 00:45:55,080
Speaker 1: not American.

997
00:45:55,200 --> 00:45:55,920
Speaker 2: Learned about Cracker.

998
00:45:55,960 --> 00:45:57,520
Speaker 1: I don't think I know a trisk It. I don't

999
00:45:57,520 --> 00:46:00,880
Speaker 1: know a Cracker's a band called trisk Get Cocker. I

1000
00:46:01,000 --> 00:46:03,839
Speaker 1: know the Crack but it was a Cracker from Richmond, Virginia. Okay,

1001
00:46:03,840 --> 00:46:07,959
Speaker 1: well not British, could be British, they were British. Blank

1002
00:46:08,000 --> 00:46:10,399
Speaker 1: one eighty two, What's My Age again? At number four?

1003
00:46:10,719 --> 00:46:12,160
Speaker 1: That to me doesn't feel like the nineties, but it

1004
00:46:12,200 --> 00:46:14,160
Speaker 1: did hit ninety nine, so you have to include it.

1005
00:46:14,400 --> 00:46:16,240
Speaker 1: If pop punk, I mean it was this the biggest

1006
00:46:16,280 --> 00:46:18,440
Speaker 1: pop punk stuff ever. I mean Green Day kind of

1007
00:46:18,520 --> 00:46:21,200
Speaker 1: allowed they walked so Blank could run.

1008
00:46:21,440 --> 00:46:23,680
Speaker 2: Yeah, Nirvana paved the way for green Day. Green Day

1009
00:46:23,719 --> 00:46:24,960
Speaker 2: paved the way for Blank one eighty two.

1010
00:46:25,280 --> 00:46:27,400
Speaker 1: Interesting this number, This next song was my favorite song

1011
00:46:27,480 --> 00:46:29,160
Speaker 1: in life for years and years and years. It's not

1012
00:46:29,239 --> 00:46:31,600
Speaker 1: anymore but blind Melon No Rain, of course.

1013
00:46:31,880 --> 00:46:35,880
Speaker 6: All I can say is that my life is pretty plain,

1014
00:46:36,520 --> 00:46:40,080
Speaker 6: and Allline watching the bottles gather rain.

1015
00:46:40,880 --> 00:46:45,280
Speaker 5: God, it's not saved, It's not saved.

1016
00:46:48,680 --> 00:46:50,640
Speaker 3: And the Dancing Bee, the Girl Bee Man.

1017
00:46:51,400 --> 00:46:55,239
Speaker 1: His name was Shannon Huone. Oh wow, I died, died

1018
00:46:55,760 --> 00:46:59,800
Speaker 1: You see where the Sun of Sublime he's now the

1019
00:47:00,880 --> 00:47:02,480
Speaker 1: he just do one show with him. Now he's elite singer.

1020
00:47:02,600 --> 00:47:05,880
Speaker 1: Bradley Son, Yeah, same band, that's no, but now his

1021
00:47:05,960 --> 00:47:06,680
Speaker 1: son's elite singer.

1022
00:47:06,760 --> 00:47:07,560
Speaker 3: How old is his son?

1023
00:47:08,320 --> 00:47:09,160
Speaker 2: Twenty twenty something?

1024
00:47:09,239 --> 00:47:11,400
Speaker 3: The other Eric Hoaceella dang, that's crazy.

1025
00:47:11,520 --> 00:47:14,120
Speaker 1: Number two Alison Chains would listen. I know one hundred

1026
00:47:14,160 --> 00:47:16,000
Speaker 1: Allison Chain songs. I'll probably know that, but I don't

1027
00:47:16,000 --> 00:47:16,440
Speaker 1: know what from just.

1028
00:47:16,400 --> 00:47:20,759
Speaker 5: Saying could would you?

1029
00:47:23,320 --> 00:47:23,360
Speaker 1: No?

1030
00:47:25,520 --> 00:47:27,359
Speaker 3: I just know it from the singles soundtrack. You remember

1031
00:47:27,400 --> 00:47:29,719
Speaker 3: the movie singles he had all grunge people.

1032
00:47:29,840 --> 00:47:31,520
Speaker 1: Maybe I wouldn't know it about it if I heard it,

1033
00:47:31,640 --> 00:47:33,560
Speaker 1: like but you do a pretty good job like you do,

1034
00:47:33,719 --> 00:47:35,880
Speaker 1: thank you. And finally Aerosmith, I don'tant to miss a thing.

1035
00:47:36,280 --> 00:47:37,640
Speaker 3: Oh man, I didn't even think about that.

1036
00:47:37,800 --> 00:47:39,600
Speaker 1: The first ever number one, which is weird. They've been

1037
00:47:39,640 --> 00:47:42,279
Speaker 1: playing since like actually late sixties or the seventies. Yeah,

1038
00:47:42,840 --> 00:47:44,719
Speaker 1: definitely don't classify it as the same type of music.

1039
00:47:44,760 --> 00:47:46,200
Speaker 1: But if it's nineties rock, that's it.

1040
00:47:47,160 --> 00:47:51,480
Speaker 3: That's fun, that's awesome, dude, it's probably no Wheezer, Yeah

1041
00:47:51,520 --> 00:47:54,200
Speaker 3: for early two thousand, Well no, because Buddy Holly.

1042
00:47:54,080 --> 00:47:55,160
Speaker 2: Was ninety four.

1043
00:47:55,280 --> 00:47:57,960
Speaker 1: Yeah, to be fair, and this isn't the whole, this

1044
00:47:58,080 --> 00:48:01,120
Speaker 1: is twenty of them. Let's just a little longer. And

1045
00:48:01,200 --> 00:48:02,560
Speaker 1: that we I just grabbed. Didn't even look at the

1046
00:48:02,560 --> 00:48:04,359
Speaker 1: list before I did it, But yes, we's are for sure.

1047
00:48:04,719 --> 00:48:07,800
Speaker 1: I mean, for me, that's one of my favorite bands

1048
00:48:08,200 --> 00:48:12,439
Speaker 1: cultural icons ideas that you can be nerdy and cool

1049
00:48:13,400 --> 00:48:15,000
Speaker 1: all that. It's where my glasses are?

1050
00:48:15,080 --> 00:48:15,600
Speaker 3: You love them?

1051
00:48:15,760 --> 00:48:17,399
Speaker 2: Yea? The full list, Buddy Holly is on here.

1052
00:48:18,280 --> 00:48:20,960
Speaker 5: What's with the Homies dissing my Girl?

1053
00:48:21,360 --> 00:48:24,800
Speaker 1: And that song starts aggressively what with my It just

1054
00:48:24,840 --> 00:48:26,920
Speaker 1: starts like that from the very beginning. There's no build up,

1055
00:48:26,960 --> 00:48:30,359
Speaker 1: there's no like what's with my it's just what's with my? Whole? Yeah,

1056
00:48:30,520 --> 00:48:32,839
Speaker 1: that's a big one, Eddiot. Thank you for this time?

1057
00:48:32,920 --> 00:48:34,120
Speaker 3: Yeah, dude, thank you. That was fun.

1058
00:48:34,200 --> 00:48:36,960
Speaker 1: Mike, thank you for the time, and everybody else, thank

1059
00:48:37,000 --> 00:48:37,520
Speaker 1: you for this time.

1060
00:48:37,960 --> 00:48:39,839
Speaker 3: And now they said they said you're welcome.

1061
00:48:39,840 --> 00:48:41,759
Speaker 1: You welcome, thank you. I heard them for this time.

1062
00:48:42,600 --> 00:48:54,960
Speaker 9: The Bobby Cast will be right back. This is the

1063
00:48:55,080 --> 00:48:55,760
Speaker 9: Bobby Cast.

1064
00:48:56,640 --> 00:48:58,279
Speaker 1: All right, what's the conspiracy you believe in?

1065
00:48:58,360 --> 00:48:58,480
Speaker 3: Now?

1066
00:48:58,680 --> 00:49:01,520
Speaker 2: I have a conspiracy on how people are getting fake streams?

1067
00:49:02,400 --> 00:49:05,640
Speaker 1: So people, you mean artists like inflated streams.

1068
00:49:05,280 --> 00:49:07,880
Speaker 2: Inflated streams because they've been shutting down this year of

1069
00:49:08,000 --> 00:49:12,560
Speaker 2: like we're trying to combat the AI that are dinnerating

1070
00:49:12,640 --> 00:49:13,280
Speaker 2: fake streams.

1071
00:49:13,640 --> 00:49:17,080
Speaker 1: So would that count for somebody paying for streams because

1072
00:49:17,080 --> 00:49:19,840
Speaker 1: that can happen, like you can pay for you know,

1073
00:49:20,520 --> 00:49:22,360
Speaker 1: like followers. Yeah, but this is not that.

1074
00:49:22,680 --> 00:49:23,920
Speaker 3: No, Okay, So what's happening.

1075
00:49:23,960 --> 00:49:26,800
Speaker 2: So what happened is I had my Spotify account hacked.

1076
00:49:27,080 --> 00:49:28,960
Speaker 2: I'd be getting this email that I've been ignoring because

1077
00:49:28,960 --> 00:49:30,759
Speaker 2: I thought it was somebody trying to spam me, like hey,

1078
00:49:30,800 --> 00:49:33,000
Speaker 2: you need to change your password, and I kept getting

1079
00:49:33,040 --> 00:49:34,759
Speaker 2: it and it wasn't until I got the email where

1080
00:49:34,760 --> 00:49:36,080
Speaker 2: it had the little blue check mark that it was

1081
00:49:36,080 --> 00:49:38,840
Speaker 2: actually from Spotify saying that somebody got into my Spotify

1082
00:49:38,840 --> 00:49:40,160
Speaker 2: account and I don't even use Spotify.

1083
00:49:40,719 --> 00:49:42,600
Speaker 1: And also I would think, why would someone want to

1084
00:49:42,640 --> 00:49:44,759
Speaker 1: hack my Spotify Like there's nothing in it that they

1085
00:49:44,800 --> 00:49:46,680
Speaker 1: could actually have that.

1086
00:49:46,680 --> 00:49:47,680
Speaker 2: There's no value to it.

1087
00:49:47,840 --> 00:49:49,839
Speaker 1: That would hurt me if they had, right, like, that's

1088
00:49:49,880 --> 00:49:51,360
Speaker 1: what I would think they do, pay.

1089
00:49:51,239 --> 00:49:53,280
Speaker 2: My account or anything you're gonna do exactly.

1090
00:49:53,840 --> 00:49:56,759
Speaker 1: So what what were they up to then? If that

1091
00:49:56,840 --> 00:49:57,680
Speaker 1: really was what was happening?

1092
00:49:57,760 --> 00:50:00,040
Speaker 2: So I realized that it was, it was legit, so

1093
00:50:00,080 --> 00:50:03,120
Speaker 2: I went and locked in, and what they were doing

1094
00:50:03,360 --> 00:50:06,560
Speaker 2: was going to one specific artist and streaming that artist's

1095
00:50:06,600 --> 00:50:08,080
Speaker 2: song on my account.

1096
00:50:09,760 --> 00:50:10,120
Speaker 5: Does that.

1097
00:50:11,600 --> 00:50:14,719
Speaker 1: Can that make a difference unless they're doing it with

1098
00:50:14,880 --> 00:50:17,120
Speaker 1: ten thousand accounts and somehow all at once.

1099
00:50:17,360 --> 00:50:20,040
Speaker 2: I think that's what they're doing. And my conspiracy is

1100
00:50:20,160 --> 00:50:22,640
Speaker 2: they went after my account that isn't really active, it's

1101
00:50:22,680 --> 00:50:24,880
Speaker 2: just sitting there. There's probably a lot of Spotify accounts

1102
00:50:24,880 --> 00:50:26,960
Speaker 2: that are just people created them. They don't use them

1103
00:50:26,960 --> 00:50:29,000
Speaker 2: so much anymore. So if they find a way to

1104
00:50:29,040 --> 00:50:32,120
Speaker 2: get into those accounts and take it over and nobody notices,

1105
00:50:32,680 --> 00:50:35,600
Speaker 2: they can use all these accounts to inflate streaming numbers.

1106
00:50:35,800 --> 00:50:38,160
Speaker 2: Because I need some investigating. They stream one song from

1107
00:50:38,200 --> 00:50:40,280
Speaker 2: one artist that I'd never heard of from another country,

1108
00:50:40,680 --> 00:50:43,160
Speaker 2: and this one person has this song that has like

1109
00:50:43,280 --> 00:50:46,880
Speaker 2: ten million streams, and all their other songs don't have

1110
00:50:46,960 --> 00:50:50,600
Speaker 2: any other streams really, and I found their profile and everything.

1111
00:50:50,640 --> 00:50:52,719
Speaker 2: It looks like a really small artist. But how do

1112
00:50:52,800 --> 00:50:54,840
Speaker 2: they have this song that is just massive.

1113
00:50:56,760 --> 00:50:59,240
Speaker 1: That sounds like a lot of work unless there's something

1114
00:51:01,239 --> 00:51:05,839
Speaker 1: where they're able to launch whatever this scamming rich sit

1115
00:51:05,880 --> 00:51:08,960
Speaker 1: down talk with this read re just walked in. Unless

1116
00:51:08,960 --> 00:51:13,080
Speaker 1: they're able to launch this entire scam ten thousand times

1117
00:51:13,120 --> 00:51:16,359
Speaker 1: at once mm hm. And it's got to be turn

1118
00:51:16,440 --> 00:51:19,560
Speaker 1: key where they're kind of activating all the accounts to

1119
00:51:19,600 --> 00:51:21,759
Speaker 1: do this thing. Cause ten million streams, I just feel

1120
00:51:21,840 --> 00:51:25,400
Speaker 1: like every gonna hack every account and get let's say

1121
00:51:25,480 --> 00:51:28,600
Speaker 1: song's three minutes, so you can play that song in

1122
00:51:28,719 --> 00:51:33,480
Speaker 1: an hour twenty times, so in six hours you can

1123
00:51:33,520 --> 00:51:35,959
Speaker 1: play this song one hundred you're talking about three hundred string.

1124
00:51:36,239 --> 00:51:38,400
Speaker 1: Is it worth it to go into each account individually?

1125
00:51:38,640 --> 00:51:41,120
Speaker 2: I think if it's one artist trying to boost their streams,

1126
00:51:41,239 --> 00:51:42,080
Speaker 2: it could be worth it.

1127
00:51:42,280 --> 00:51:43,880
Speaker 1: I can see if it or for like twenty thousand

1128
00:51:43,880 --> 00:51:45,799
Speaker 1: and thirty thousand, but a ten million or like they

1129
00:51:45,880 --> 00:51:47,600
Speaker 1: must have been doing that an.

1130
00:51:47,520 --> 00:51:49,880
Speaker 2: Insane amount of same amount, or just finding one account

1131
00:51:49,920 --> 00:51:51,600
Speaker 2: and just keeping it on that account. Because what they

1132
00:51:51,680 --> 00:51:54,279
Speaker 2: have shut down this year was the AI. You know,

1133
00:51:54,320 --> 00:51:56,399
Speaker 2: accounts that were just getting in there and streaming songs.

1134
00:51:56,440 --> 00:51:57,799
Speaker 2: They crazy, how do okay?

1135
00:51:57,920 --> 00:51:58,160
Speaker 3: Question?

1136
00:51:58,360 --> 00:52:01,680
Speaker 1: And I think you probably to something, especially if they

1137
00:52:01,719 --> 00:52:05,799
Speaker 1: can find the dormant accounts that do exist that they

1138
00:52:05,880 --> 00:52:07,760
Speaker 1: can use and no one's gonna look at it funny

1139
00:52:07,800 --> 00:52:09,440
Speaker 1: because they didn't create an account to stream a song.

1140
00:52:09,440 --> 00:52:10,839
Speaker 2: And then if they're getting their songs to him, they're

1141
00:52:10,840 --> 00:52:11,560
Speaker 2: making money off of that.

1142
00:52:12,360 --> 00:52:18,759
Speaker 1: Yeah, that's true. I wonder how how do I find

1143
00:52:18,800 --> 00:52:22,440
Speaker 1: people to like scam dark web? But I don't want

1144
00:52:22,440 --> 00:52:24,439
Speaker 1: to go to the dark web, Like I'm not trying

1145
00:52:24,440 --> 00:52:26,839
Speaker 1: to scam people for money, but let's just say, uh

1146
00:52:28,000 --> 00:52:32,600
Speaker 1: raging idiots, no mistay right and different things. And I

1147
00:52:32,600 --> 00:52:33,279
Speaker 1: haven't listen to the.

1148
00:52:33,280 --> 00:52:37,200
Speaker 12: Song probably years, but no Misday readio you're probably no

1149
00:52:37,280 --> 00:52:40,960
Speaker 12: mis Day okay, check check check Mike there you I

1150
00:52:41,080 --> 00:52:44,440
Speaker 12: wrote the song with Walkerraze, right, So that's a good one.

1151
00:52:44,760 --> 00:52:45,400
Speaker 3: I appreciate that.

1152
00:52:46,000 --> 00:52:48,080
Speaker 1: I think he probably wishes he kept it at this.

1153
00:52:48,080 --> 00:52:49,640
Speaker 3: Point because it was good. Probably.

1154
00:52:49,719 --> 00:52:51,799
Speaker 1: Yeah, I think he's always like dang because he did

1155
00:52:51,960 --> 00:52:55,800
Speaker 1: sounded great doing this song here. So anyway, so the

1156
00:52:55,880 --> 00:52:59,759
Speaker 1: song and it has like a million or so streams, right,

1157
00:52:59,840 --> 00:53:02,319
Speaker 1: and for the raging idiots. That's really good because most

1158
00:53:02,320 --> 00:53:05,520
Speaker 1: of our stuff that I did, that we did wasn't

1159
00:53:05,600 --> 00:53:07,600
Speaker 1: so much to get streams, and we did a bunch

1160
00:53:07,600 --> 00:53:09,799
Speaker 1: of live albums. It was just for promotion so people

1161
00:53:09,840 --> 00:53:10,960
Speaker 1: could go listen to it see if they wanted to

1162
00:53:10,960 --> 00:53:13,000
Speaker 1: come to a live show. It was really for that

1163
00:53:13,480 --> 00:53:14,839
Speaker 1: because I knew no one's going to sten a live

1164
00:53:14,920 --> 00:53:18,640
Speaker 1: version of Hobby Love Bobby ten thousand times. But how

1165
00:53:18,640 --> 00:53:22,080
Speaker 1: would I find whomever that is to go and go?

1166
00:53:22,280 --> 00:53:24,879
Speaker 1: I'd like this be streamed a million times. Dark Web

1167
00:53:24,960 --> 00:53:25,920
Speaker 1: that's my only place.

1168
00:53:26,880 --> 00:53:28,480
Speaker 2: That's the only thing I could think of, because that's

1169
00:53:28,520 --> 00:53:31,680
Speaker 2: where you could go and find They sell information like this.

1170
00:53:31,840 --> 00:53:34,880
Speaker 2: They sell passwords and emails to get into accounts.

1171
00:53:34,880 --> 00:53:37,000
Speaker 1: But I don't want to buy somebody these passwords or emails.

1172
00:53:37,040 --> 00:53:40,920
Speaker 1: I want them to do it Facebook Marketplace, okay, but

1173
00:53:41,239 --> 00:53:42,080
Speaker 1: how okay?

1174
00:53:42,160 --> 00:53:43,840
Speaker 3: So Namas Day has well, or.

1175
00:53:43,960 --> 00:53:46,120
Speaker 2: You go to like another country that has like stream farms,

1176
00:53:46,160 --> 00:53:47,560
Speaker 2: but I think a lot of those tw guys shut down.

1177
00:53:47,560 --> 00:53:48,239
Speaker 3: How do I find those?

1178
00:53:48,440 --> 00:53:49,640
Speaker 1: I don't know any how to do any of this.

1179
00:53:50,320 --> 00:53:52,719
Speaker 1: Nomasday has nine hundred ninety nine thousand. Oh, it's so

1180
00:53:52,840 --> 00:53:54,399
Speaker 1: close six hundred and ten.

1181
00:53:55,160 --> 00:53:56,239
Speaker 5: We're so close to a million.

1182
00:53:56,280 --> 00:53:58,279
Speaker 13: It's so close. I mean, at that rate, you could

1183
00:53:58,280 --> 00:54:00,080
Speaker 13: probably just I know I probably could that.

1184
00:54:00,160 --> 00:54:01,880
Speaker 3: You're right, you just started listening to it every day.

1185
00:54:02,239 --> 00:54:02,759
Speaker 4: Just leave it on.

1186
00:54:03,000 --> 00:54:05,960
Speaker 1: Man, Oh dude, I could now that.

1187
00:54:06,000 --> 00:54:06,520
Speaker 3: I'll look at that.

1188
00:54:06,560 --> 00:54:09,000
Speaker 1: I could do that in three hours probably, Or I

1189
00:54:09,040 --> 00:54:10,960
Speaker 1: could just say, hey, everybody stream Nomas day on.

1190
00:54:11,640 --> 00:54:14,360
Speaker 13: Throw it on your TV, not home like everything.

1191
00:54:14,520 --> 00:54:16,279
Speaker 1: That's funny elf on the show up was back at

1192
00:54:16,360 --> 00:54:17,880
Speaker 1: number one on reging idiots.

1193
00:54:18,200 --> 00:54:20,520
Speaker 3: There you go, that's funny as you can say.

1194
00:54:20,560 --> 00:54:22,879
Speaker 1: I don't look at this idiots streaming numbers be cuse

1195
00:54:22,880 --> 00:54:25,960
Speaker 1: I was never the point. But even like the one

1196
00:54:26,160 --> 00:54:29,920
Speaker 1: time that I did anything and it wasn't meant to

1197
00:54:30,000 --> 00:54:31,040
Speaker 1: be sus at all.

1198
00:54:31,920 --> 00:54:32,440
Speaker 3: I did this.

1199
00:54:34,480 --> 00:54:37,880
Speaker 1: Whenever Twitter first started. I had a couple friends and

1200
00:54:38,880 --> 00:54:41,600
Speaker 1: I didn't even the idea wasn't even mine, and they

1201
00:54:41,640 --> 00:54:44,080
Speaker 1: were doing this thing called you could like twitter bomb

1202
00:54:44,160 --> 00:54:46,839
Speaker 1: people where you could go and they would just wake

1203
00:54:46,920 --> 00:54:48,759
Speaker 1: up the next day they'd have five thousand followers. They'd

1204
00:54:48,760 --> 00:54:50,880
Speaker 1: be like, what did I do? And you could go

1205
00:54:51,080 --> 00:54:52,360
Speaker 1: And that's what I did. I paid for two of

1206
00:54:52,440 --> 00:54:55,400
Speaker 1: my friends to get Twitter bombed. That's that's cool. It

1207
00:54:55,480 --> 00:54:57,719
Speaker 1: was hilarious because there were no followers on Twitter. I

1208
00:54:57,840 --> 00:55:00,040
Speaker 1: had like eight thousand follower It was new and I

1209
00:55:00,200 --> 00:55:04,680
Speaker 1: was and I think I've been now, you know, pretty

1210
00:55:04,920 --> 00:55:06,719
Speaker 1: current with social media and being on the front side

1211
00:55:06,719 --> 00:55:09,279
Speaker 1: of most of them. But I was on Twitter early

1212
00:55:09,320 --> 00:55:11,440
Speaker 1: early and thought it was hilarious. I never thought a

1213
00:55:11,440 --> 00:55:13,680
Speaker 1: thinking about it. Like seven years later, like the New

1214
00:55:13,760 --> 00:55:15,479
Speaker 1: York Times, New York Post or whatever did a story

1215
00:55:15,520 --> 00:55:17,960
Speaker 1: on people buying followers and they had me listened as

1216
00:55:17,960 --> 00:55:19,440
Speaker 1: buying followers on Twitter, and.

1217
00:55:19,480 --> 00:55:20,799
Speaker 3: I was like, I never bought.

1218
00:55:20,880 --> 00:55:24,080
Speaker 1: I was so confused. I was like, I never bought

1219
00:55:24,480 --> 00:55:27,839
Speaker 1: to my account, and so one of the reporters called

1220
00:55:27,880 --> 00:55:29,600
Speaker 1: me and I figured which one it was, and I

1221
00:55:29,680 --> 00:55:31,160
Speaker 1: was happy because I wanted to know what they were

1222
00:55:31,200 --> 00:55:31,800
Speaker 1: talking about.

1223
00:55:32,320 --> 00:55:34,280
Speaker 3: Or I thought maybe i'd been or something.

1224
00:55:34,600 --> 00:55:36,040
Speaker 1: And I was like what, and they're like, no, we

1225
00:55:36,160 --> 00:55:38,879
Speaker 1: have here because we have the information from those sites

1226
00:55:38,920 --> 00:55:40,960
Speaker 1: that you bought five thousand here in five thousand there,

1227
00:55:41,040 --> 00:55:44,000
Speaker 1: and I'm like, oh my god, I bought those like

1228
00:55:44,239 --> 00:55:46,960
Speaker 1: as a joke to Twitter bomb friends, and they still

1229
00:55:47,000 --> 00:55:50,400
Speaker 1: wrote that I had like bought followers, but that was

1230
00:55:50,480 --> 00:55:53,120
Speaker 1: the only way that I had ever known to do

1231
00:55:53,200 --> 00:55:54,640
Speaker 1: something shady and I didn't even do it for me.

1232
00:55:54,840 --> 00:55:57,080
Speaker 1: And at the time, it wouldn't matter because follower and

1233
00:55:57,200 --> 00:55:59,160
Speaker 1: even now Twitter followers don't matter because who cares about

1234
00:55:59,160 --> 00:55:59,279
Speaker 1: to do?

1235
00:56:00,160 --> 00:56:01,600
Speaker 3: But do they even do that?

1236
00:56:01,800 --> 00:56:05,279
Speaker 1: Can you buy followers now? Oh yeah, oh you can't. Yeah?

1237
00:56:05,400 --> 00:56:06,920
Speaker 13: In college I bought followers.

1238
00:56:07,760 --> 00:56:10,040
Speaker 3: What's a price for it? That was are they really count?

1239
00:56:10,120 --> 00:56:13,680
Speaker 1: Like? Okay, are they on those wall? Like you see

1240
00:56:13,680 --> 00:56:15,480
Speaker 1: somebody in India and they have a wall of phones?

1241
00:56:15,560 --> 00:56:16,239
Speaker 6: Is that what it is?

1242
00:56:16,520 --> 00:56:18,480
Speaker 2: I believe so? And those are the ones where you

1243
00:56:18,560 --> 00:56:23,120
Speaker 2: get the followers no profile photo from another country, and

1244
00:56:23,840 --> 00:56:25,520
Speaker 2: I mean those end up hurting you in the long run,

1245
00:56:25,640 --> 00:56:28,160
Speaker 2: how so, mainly because it shows that you have a

1246
00:56:28,200 --> 00:56:31,279
Speaker 2: bunch of followers, but you're not getting the engagement from

1247
00:56:31,320 --> 00:56:34,720
Speaker 2: those followers. So you could have like one hundred thousand followers,

1248
00:56:34,760 --> 00:56:36,440
Speaker 2: you make a post and it gets a hundred likes.

1249
00:56:36,600 --> 00:56:38,080
Speaker 2: You like, was this a really add up because you

1250
00:56:38,120 --> 00:56:41,080
Speaker 2: have all these followers but nobody's liking or watching your stuff?

1251
00:56:42,960 --> 00:56:43,160
Speaker 3: Yeah.

1252
00:56:43,280 --> 00:56:45,080
Speaker 13: I ended up deleting that account. It was when I

1253
00:56:45,160 --> 00:56:46,759
Speaker 13: was like heavily putting out music and I was like,

1254
00:56:46,800 --> 00:56:48,480
Speaker 13: I'm just gonna try this, see if it works, and

1255
00:56:49,080 --> 00:56:52,400
Speaker 13: of course it was like all of the people had

1256
00:56:52,480 --> 00:56:56,440
Speaker 13: the most generic profile pictures and generic names and they

1257
00:56:56,520 --> 00:56:59,120
Speaker 13: weren't active at all. It was just like ten thousand

1258
00:56:59,160 --> 00:57:00,919
Speaker 13: followers and you get like like thirty likes.

1259
00:57:01,080 --> 00:57:02,840
Speaker 1: So I was like, yeah, well, the way you know

1260
00:57:02,920 --> 00:57:06,840
Speaker 1: that I have never done that is my my Instagram

1261
00:57:06,920 --> 00:57:10,520
Speaker 1: followers like that battle to keep it even. I mean,

1262
00:57:10,600 --> 00:57:15,600
Speaker 1: it's just like the Patrician because like I'll get you know,

1263
00:57:15,680 --> 00:57:18,120
Speaker 1: over a month, two or three thousand, and then lose

1264
00:57:18,360 --> 00:57:22,080
Speaker 1: twelve hundred then uh, and I don't know, I don't

1265
00:57:22,080 --> 00:57:24,040
Speaker 1: know what the I don't know why that is. Also,

1266
00:57:24,120 --> 00:57:26,720
Speaker 1: I'm not posting so much content that I expect to

1267
00:57:26,800 --> 00:57:28,360
Speaker 1: get tons of followers, but I've been at like one

1268
00:57:28,400 --> 00:57:30,840
Speaker 1: point two million for like a year, and where it's

1269
00:57:30,920 --> 00:57:31,560
Speaker 1: like I feel.

1270
00:57:31,400 --> 00:57:34,680
Speaker 2: Like Instagram's really slowed down as far as how many

1271
00:57:34,760 --> 00:57:35,240
Speaker 2: new followers.

1272
00:57:35,400 --> 00:57:36,680
Speaker 1: My TikTok followers are flying.

1273
00:57:36,880 --> 00:57:39,600
Speaker 2: Those go up even for me, but on Instagram it

1274
00:57:39,680 --> 00:57:42,640
Speaker 2: goes down, down, down, and then sometimes it goes up

1275
00:57:42,640 --> 00:57:44,440
Speaker 2: a little bit. But I think that's also because they

1276
00:57:44,480 --> 00:57:46,200
Speaker 2: have been shutting down a lot of fake accounts. I'll

1277
00:57:46,200 --> 00:57:48,480
Speaker 2: get that like spam folded on my Instagram and they'll

1278
00:57:48,520 --> 00:57:50,440
Speaker 2: like show you all these flagged accounts that you can

1279
00:57:50,480 --> 00:57:51,200
Speaker 2: go and like, but.

1280
00:57:51,240 --> 00:57:52,959
Speaker 1: Why are fake accounts following me if I'm not paying

1281
00:57:53,000 --> 00:57:53,240
Speaker 1: for them?

1282
00:57:54,560 --> 00:57:55,960
Speaker 3: Like, what's that? What's that rational? Why do?

1283
00:57:56,200 --> 00:57:57,680
Speaker 13: A lot of it too, is just people that have

1284
00:57:57,760 --> 00:58:00,400
Speaker 13: made accounts and they're so inactive they haven't done anything

1285
00:58:00,480 --> 00:58:03,360
Speaker 13: that Instagram is just going through and just wiping out

1286
00:58:03,360 --> 00:58:04,520
Speaker 13: a bunch of in active accounts.

1287
00:58:04,640 --> 00:58:06,880
Speaker 2: It's a good question, though, why you get fake account

1288
00:58:06,920 --> 00:58:08,200
Speaker 2: Why don't have thought about that?

1289
00:58:08,640 --> 00:58:11,320
Speaker 1: Like if they have to follow other people to look real,

1290
00:58:11,400 --> 00:58:13,439
Speaker 1: and then why do they pick me? And then okay,

1291
00:58:13,480 --> 00:58:14,640
Speaker 1: what's all your otherferens to do it too? If you

1292
00:58:14,680 --> 00:58:15,760
Speaker 1: can give me be fake, fine, I have fake ones

1293
00:58:15,960 --> 00:58:16,520
Speaker 1: have a bunch of things.

1294
00:58:16,560 --> 00:58:18,600
Speaker 13: I think a lot of them are like it's almost

1295
00:58:18,680 --> 00:58:21,760
Speaker 13: like it they follow like ten thousand people hoping that

1296
00:58:22,240 --> 00:58:24,040
Speaker 13: one of them will see that you follow them and

1297
00:58:24,080 --> 00:58:25,400
Speaker 13: then you'll check out their profile.

1298
00:58:26,040 --> 00:58:28,240
Speaker 1: That's what I think. Yeah, but some of them though,

1299
00:58:28,360 --> 00:58:28,800
Speaker 1: aren't real.

1300
00:58:28,880 --> 00:58:29,040
Speaker 4: Yeah.

1301
00:58:29,040 --> 00:58:31,800
Speaker 2: I could also be scammy too. You follow you so

1302
00:58:32,000 --> 00:58:32,480
Speaker 2: oh you know what?

1303
00:58:32,880 --> 00:58:33,680
Speaker 13: I send a message?

1304
00:58:33,800 --> 00:58:37,120
Speaker 1: So how does it work where That's a great point too,

1305
00:58:37,200 --> 00:58:39,480
Speaker 1: And I don't think I would have gotten there if

1306
00:58:39,560 --> 00:58:43,360
Speaker 1: I post sometimes something immediately, like within like five seconds,

1307
00:58:43,640 --> 00:58:46,960
Speaker 1: somebody's like, oh, if you're hurting, pray your hands reach out,

1308
00:58:47,000 --> 00:58:50,120
Speaker 1: and so that's got to be these fake accounts.

1309
00:58:50,360 --> 00:58:52,959
Speaker 2: Yeah, they follow you, so they can scam your followers too.

1310
00:58:53,360 --> 00:58:54,280
Speaker 1: So I'm paid for them.

1311
00:58:54,400 --> 00:58:55,520
Speaker 3: Yeah, I don't even want them.

1312
00:58:55,920 --> 00:58:58,200
Speaker 1: I'm happy to go down lower if they all go away,

1313
00:58:58,240 --> 00:59:01,280
Speaker 1: because I don't want my followers getting scammed. Yeah, at

1314
00:59:01,280 --> 00:59:04,360
Speaker 1: this point too, it's all smoking mirrors, right, mm hmmm,

1315
00:59:05,640 --> 00:59:08,640
Speaker 1: a lot most of its smoking. You could manipulate your

1316
00:59:08,680 --> 00:59:11,600
Speaker 1: way to looking like you because can you pay for engagement?

1317
00:59:12,280 --> 00:59:13,560
Speaker 2: I don't think you can do that. I don't think

1318
00:59:13,640 --> 00:59:14,280
Speaker 2: we're there yet.

1319
00:59:14,640 --> 00:59:18,920
Speaker 13: You can promote videos, yes, but and I and that

1320
00:59:19,240 --> 00:59:19,880
Speaker 13: I have done.

1321
00:59:20,160 --> 00:59:22,080
Speaker 1: Yeah, and I've paid money if I'm like this video

1322
00:59:22,160 --> 00:59:26,040
Speaker 1: is really good or it's a tour or you know.

1323
00:59:26,080 --> 00:59:28,680
Speaker 1: We're trying to build our YouTube sports channel now because

1324
00:59:28,720 --> 00:59:31,440
Speaker 1: we had where we got into trouble was a Bobbycast,

1325
00:59:31,480 --> 00:59:36,280
Speaker 1: which is at at Bob Bone channel like this podcast

1326
00:59:36,360 --> 00:59:39,200
Speaker 1: by Bone channel, but we had sports stuff on it too,

1327
00:59:39,400 --> 00:59:42,120
Speaker 1: and YouTube was sending sports stuff people who wanted to

1328
00:59:42,160 --> 00:59:43,920
Speaker 1: watch the music stuff, so they're not gonna like it.

1329
00:59:43,920 --> 00:59:45,160
Speaker 1: They're gonna get out of quick. So then they just

1330
00:59:45,200 --> 00:59:46,480
Speaker 1: kill it because they're like it must not be good.

1331
00:59:47,240 --> 00:59:49,040
Speaker 1: So then we're like, we're let's just start a buy

1332
00:59:49,120 --> 00:59:52,120
Speaker 1: Bone sports channel, which is difficult because we don't want

1333
00:59:52,120 --> 00:59:54,280
Speaker 1: to se another channel. At the same time, it's both

1334
00:59:54,400 --> 00:59:57,640
Speaker 1: they're killing each other. The music people if they get

1335
00:59:57,680 --> 00:59:59,920
Speaker 1: the sports, they're flashing off of it quick, which they

1336
01:00:00,000 --> 01:00:02,080
Speaker 1: and says, well, that content must not be good to YouTube,

1337
01:00:02,120 --> 01:00:03,560
Speaker 1: so they're not going to feed it to other people.

1338
01:00:03,880 --> 01:00:06,040
Speaker 1: So we're like, we will Bobby on sports. So I'm like, hey,

1339
01:00:06,040 --> 01:00:08,240
Speaker 1: we get a couple of good clips, we'll pay you know,

1340
01:00:08,400 --> 01:00:11,640
Speaker 1: five hundred bucks and have it over like two weeks whatever,

1341
01:00:12,040 --> 01:00:15,600
Speaker 1: a great interview promoted. I don't feel like that's cheating.

1342
01:00:15,360 --> 01:00:17,920
Speaker 13: Though, No, that's not not nowadays when you have to

1343
01:00:18,040 --> 01:00:18,800
Speaker 13: market yourself.

1344
01:00:19,160 --> 01:00:21,200
Speaker 1: Yeah, because I started to feel guilty when you said

1345
01:00:21,240 --> 01:00:22,440
Speaker 1: that because you compare it and I was like, oh,

1346
01:00:22,520 --> 01:00:24,880
Speaker 1: we do that, like I'll on sports especially, like we'll

1347
01:00:24,960 --> 01:00:25,400
Speaker 1: promote it.

1348
01:00:25,640 --> 01:00:27,080
Speaker 2: And that's kind of game. That's a little site to

1349
01:00:27,120 --> 01:00:28,960
Speaker 2: make their money. You pay to promote your thing, but

1350
01:00:29,040 --> 01:00:32,040
Speaker 2: you can't pay by paying to promote it. Does it

1351
01:00:32,120 --> 01:00:33,920
Speaker 2: mean people are going to interact with it and engage

1352
01:00:33,960 --> 01:00:35,560
Speaker 2: with this. You can put it out there more and

1353
01:00:35,600 --> 01:00:36,880
Speaker 2: be like, hey, here it is here, it is here,

1354
01:00:36,880 --> 01:00:39,360
Speaker 2: it is. But you can't really pay for that engagement.

1355
01:00:39,480 --> 01:00:41,880
Speaker 1: Yeah, I was going to Google, can you buy engagement?

1356
01:00:42,440 --> 01:00:44,080
Speaker 1: But I don't want that on my phone. I don't

1357
01:00:44,080 --> 01:00:47,240
Speaker 1: want I'll do it. Okay, you gotta call it like

1358
01:00:47,360 --> 01:00:49,160
Speaker 1: five years, did you, dude?

1359
01:00:49,200 --> 01:00:49,400
Speaker 3: I know.

1360
01:00:49,880 --> 01:00:53,640
Speaker 1: I was so confused because when they called, I actually

1361
01:00:53,760 --> 01:00:57,000
Speaker 1: was like, oh cool, I'm gonna ask questions because I

1362
01:00:57,040 --> 01:01:00,080
Speaker 1: want to find out, like what what's happened? Because I

1363
01:01:00,080 --> 01:01:02,640
Speaker 1: ever thought maybe I honestly I thought too maybe I'd

1364
01:01:02,640 --> 01:01:04,480
Speaker 1: been scammed out of followers, like I was much more

1365
01:01:04,520 --> 01:01:06,880
Speaker 1: popular than I was, and they were going to tell

1366
01:01:06,960 --> 01:01:09,320
Speaker 1: me that somebody had like taken my followers, and they

1367
01:01:09,360 --> 01:01:10,920
Speaker 1: were like, we've seen and they printed me in the

1368
01:01:11,000 --> 01:01:14,000
Speaker 1: article that would like Lady Gaga, not saying they were

1369
01:01:14,080 --> 01:01:16,320
Speaker 1: comparable famous, but it was like people who bought followers,

1370
01:01:16,760 --> 01:01:19,640
Speaker 1: and I just remember thinking I wish I would at

1371
01:01:19,680 --> 01:01:21,360
Speaker 1: least bought some for me. Then like it was I

1372
01:01:21,400 --> 01:01:23,200
Speaker 1: did it as a joke and it was and it

1373
01:01:23,320 --> 01:01:25,720
Speaker 1: was funny because I remember this one friend who was

1374
01:01:25,760 --> 01:01:30,560
Speaker 1: in media, like I thought he was crushing it. Oh no, no,

1375
01:01:31,480 --> 01:01:35,280
Speaker 1: he was like I got five dozen followers in the night. Yes,

1376
01:01:35,480 --> 01:01:36,680
Speaker 1: it was like it's all coming together.

1377
01:01:37,160 --> 01:01:37,760
Speaker 13: That's horrible.

1378
01:01:37,800 --> 01:01:38,760
Speaker 3: What read? What do you see?

1379
01:01:38,960 --> 01:01:41,840
Speaker 13: So it says technically you can buy social media engagement,

1380
01:01:41,880 --> 01:01:46,840
Speaker 13: but an yes, okay, but most services claim to sell

1381
01:01:47,000 --> 01:01:51,560
Speaker 13: real engagement. They're actually providing accounts that initially interact with

1382
01:01:51,640 --> 01:01:55,000
Speaker 13: your content but then genuine or and then are not

1383
01:01:55,160 --> 01:01:59,680
Speaker 13: genuinely interested in your brand, and they're not real engagement.

1384
01:01:59,360 --> 01:02:00,840
Speaker 2: Now that I think think about it. There are some

1385
01:02:00,960 --> 01:02:03,720
Speaker 2: pretty popular bots on TikTok that I see comment on

1386
01:02:03,840 --> 01:02:06,920
Speaker 2: every single TikTok post and they're clearly AI bots, and

1387
01:02:06,960 --> 01:02:09,320
Speaker 2: they're so smart because I think they watched the video

1388
01:02:10,000 --> 01:02:12,360
Speaker 2: and like through some kind of AI processing, know what's

1389
01:02:12,400 --> 01:02:14,600
Speaker 2: in that video and know what to comment, and they're

1390
01:02:14,640 --> 01:02:17,040
Speaker 2: usually like the top comment on like big videos. But

1391
01:02:17,120 --> 01:02:18,680
Speaker 2: if you go to their profile, it's just like a

1392
01:02:18,760 --> 01:02:19,360
Speaker 2: shell account.

1393
01:02:19,760 --> 01:02:23,280
Speaker 1: There is someone who comments on my instagrams the thumbs

1394
01:02:23,320 --> 01:02:27,200
Speaker 1: up immediately, the thumbs up is like, I've never even

1395
01:02:27,200 --> 01:02:29,120
Speaker 1: talked about it, I've never thought about it, but she

1396
01:02:29,520 --> 01:02:31,880
Speaker 1: I always thought she was real. Now is this a

1397
01:02:31,960 --> 01:02:33,880
Speaker 1: person that just has an alert on.

1398
01:02:34,280 --> 01:02:36,760
Speaker 13: I'm thinking they have your notifications on because I think

1399
01:02:36,760 --> 01:02:38,400
Speaker 13: it's a real But why the thumbs up.

1400
01:02:38,400 --> 01:02:39,000
Speaker 3: You know what we should do.

1401
01:02:39,000 --> 01:02:40,640
Speaker 1: We should panel with US three and get another nerd

1402
01:02:40,680 --> 01:02:43,439
Speaker 1: in here too, and just talk about ways that people

1403
01:02:43,680 --> 01:02:47,960
Speaker 1: cheat the system, ways to cheat the system. I think

1404
01:02:48,000 --> 01:02:50,320
Speaker 1: that's interesting because again we're just kind of rolling because

1405
01:02:50,360 --> 01:02:53,920
Speaker 1: Mike was talking about his Spotify was hacked. Oh no,

1406
01:02:54,360 --> 01:02:56,200
Speaker 1: and somebody who got in it was playing the same

1407
01:02:56,240 --> 01:02:58,400
Speaker 1: song over and over again, and so his theory was

1408
01:02:58,440 --> 01:03:01,640
Speaker 1: because you were walking back in the room, that they're

1409
01:03:01,720 --> 01:03:05,160
Speaker 1: hacking it, doing multiple accounts and just this one artist

1410
01:03:05,280 --> 01:03:06,520
Speaker 1: is getting spinds.

1411
01:03:06,680 --> 01:03:09,000
Speaker 13: I also had a thing on the when I put

1412
01:03:09,040 --> 01:03:13,280
Speaker 13: out the theme song there's a right. I can't remember

1413
01:03:13,320 --> 01:03:15,680
Speaker 13: what it is, but basically it's like it gave it

1414
01:03:15,760 --> 01:03:18,000
Speaker 13: a boost in views for a little bit, but they're.

1415
01:03:17,880 --> 01:03:20,800
Speaker 3: Not real views I found out. But what's the difference.

1416
01:03:21,080 --> 01:03:23,479
Speaker 13: I know, I don't know if you still get paid

1417
01:03:23,520 --> 01:03:25,160
Speaker 13: for it regardless, And I'm like, I don't care.

1418
01:03:25,120 --> 01:03:26,720
Speaker 1: But that's what I would say if like the view

1419
01:03:27,200 --> 01:03:29,880
Speaker 1: but paid though, I guess if it counts Twitter streaming.

1420
01:03:29,960 --> 01:03:33,040
Speaker 3: So you're talking about YouTube, I'm talking about I'm talking

1421
01:03:33,040 --> 01:03:36,560
Speaker 3: about Spotify. Okay, got it. But views on Spotify are

1422
01:03:36,600 --> 01:03:37,680
Speaker 3: not views streams.

1423
01:03:37,760 --> 01:03:41,040
Speaker 1: Okay, yeah, because views on Instagram pay you nothing. Twitter

1424
01:03:41,640 --> 01:03:43,160
Speaker 1: Elon mus kept thinking of their paying some people.

1425
01:03:43,200 --> 01:03:44,080
Speaker 3: I don't even know what that was.

1426
01:03:44,360 --> 01:03:47,120
Speaker 1: But I don't trust anything on Twitter anymore. Uh TikTok.

1427
01:03:47,160 --> 01:03:48,480
Speaker 1: You don't get paid for views unless you're in the

1428
01:03:48,480 --> 01:03:50,760
Speaker 1: Creator program. And then then they I think they suppressed

1429
01:03:50,760 --> 01:03:53,240
Speaker 1: the crap out of you, like because I got in

1430
01:03:53,360 --> 01:03:55,120
Speaker 1: it and I was doing pretty good and I was like,

1431
01:03:55,160 --> 01:03:58,120
Speaker 1: gonna make some money on this crit Nothing was hitting

1432
01:03:58,440 --> 01:04:02,520
Speaker 1: after that. So but YouTube is where you can still

1433
01:04:02,600 --> 01:04:03,000
Speaker 1: make money.

1434
01:04:03,080 --> 01:04:04,800
Speaker 13: Yeah, YouTube is still the best for that.

1435
01:04:05,160 --> 01:04:08,240
Speaker 1: Yeah, this thumbs up girl, it's so funny.

1436
01:04:08,480 --> 01:04:08,960
Speaker 3: It's funny.

1437
01:04:08,960 --> 01:04:11,600
Speaker 1: You knew that because as soon as I post anything.

1438
01:04:11,320 --> 01:04:17,200
Speaker 13: It's immediate it pops up. Yeah, she's she's on this.

1439
01:04:17,280 --> 01:04:18,439
Speaker 3: First I think she's real.

1440
01:04:18,640 --> 01:04:19,040
Speaker 13: Yeah, I know.

1441
01:04:19,160 --> 01:04:19,480
Speaker 1: I looked.

1442
01:04:19,560 --> 01:04:21,520
Speaker 13: I looked at her profile because I was like, there's

1443
01:04:21,560 --> 01:04:22,680
Speaker 13: no way this person is real.

1444
01:04:22,760 --> 01:04:25,160
Speaker 1: And I've said before like whoever you are, like God

1445
01:04:25,240 --> 01:04:28,000
Speaker 1: bless you because you dedication, you are there on it.

1446
01:04:28,440 --> 01:04:30,280
Speaker 1: You know who else I admire? And now Arap is

1447
01:04:30,320 --> 01:04:32,920
Speaker 1: it because Mike and I would this was just an addition,

1448
01:04:33,440 --> 01:04:35,320
Speaker 1: we just actually turned the mics on while talking about

1449
01:04:35,320 --> 01:04:36,840
Speaker 1: something music related. Is what we just did.

1450
01:04:36,960 --> 01:04:37,280
Speaker 3: Perfect?

1451
01:04:37,480 --> 01:04:37,760
Speaker 1: What I.

1452
01:04:42,720 --> 01:04:43,439
Speaker 3: Where was that going?

1453
01:04:45,400 --> 01:04:47,360
Speaker 1: Cause that's something good. It always gonna blow your minds.

1454
01:04:47,600 --> 01:04:50,680
Speaker 13: Oh it was, Yeah, and I bought some oh somebody

1455
01:04:50,760 --> 01:04:51,880
Speaker 13: liking stuff all the time.

1456
01:04:52,080 --> 01:04:54,440
Speaker 1: Oh got it? Thank you very much. You know who?

1457
01:04:54,480 --> 01:04:57,600
Speaker 1: I like people that like stuff that I know, meaning

1458
01:04:58,240 --> 01:05:00,520
Speaker 1: I'm not much of a liker. Once a while I'll

1459
01:05:00,520 --> 01:05:01,840
Speaker 1: be like, oh yeah, I should like it, you know,

1460
01:05:01,920 --> 01:05:04,920
Speaker 1: heart every once in a while. But there are people,

1461
01:05:06,400 --> 01:05:08,280
Speaker 1: and I can think of two that I don't really

1462
01:05:08,320 --> 01:05:10,200
Speaker 1: have a close relationship with, but I know their accounts

1463
01:05:10,200 --> 01:05:13,360
Speaker 1: aren't bots because I know them. One is Brandon Armstrong

1464
01:05:13,760 --> 01:05:16,080
Speaker 1: on Dancing with the Stars. He's one of the dancers.

1465
01:05:16,200 --> 01:05:18,080
Speaker 1: I think anything he looks at he just likes. He

1466
01:05:18,200 --> 01:05:20,560
Speaker 1: just dumbs and likes. And that's super nice of him.

1467
01:05:20,800 --> 01:05:21,520
Speaker 1: Like he just likes.

1468
01:05:21,640 --> 01:05:23,560
Speaker 13: I will watch people I at a restaurant just like

1469
01:05:23,760 --> 01:05:24,320
Speaker 13: I'm interested.

1470
01:05:25,840 --> 01:05:27,680
Speaker 1: If he's scrolling, he just like like like like I like,

1471
01:05:27,720 --> 01:05:30,840
Speaker 1: I like, And it makes me like him because in

1472
01:05:30,960 --> 01:05:35,480
Speaker 1: my likes a bit subliminally, without even knowing, I see

1473
01:05:35,640 --> 01:05:36,840
Speaker 1: him as one of the people that liked it. And

1474
01:05:37,160 --> 01:05:39,439
Speaker 1: it's all I'm always seeing his name is liking my things.

1475
01:05:39,480 --> 01:05:41,240
Speaker 1: I guess that means it just makes me like him back.

1476
01:05:42,160 --> 01:05:44,440
Speaker 1: And then the other one is he played basketball at

1477
01:05:44,480 --> 01:05:46,400
Speaker 1: Arkansas and he's on the his assistant coach there now

1478
01:05:46,440 --> 01:05:47,800
Speaker 1: about him is Ronnie Brewer Jr.

1479
01:05:48,400 --> 01:05:49,840
Speaker 3: And played in the NBA for a little bit. But

1480
01:05:49,920 --> 01:05:51,480
Speaker 3: on Twitter post anything, he likes it.

1481
01:05:52,280 --> 01:05:52,800
Speaker 13: What a guy.

1482
01:05:53,600 --> 01:05:55,200
Speaker 1: But I don't think he likes everything I post, but

1483
01:05:55,240 --> 01:05:58,680
Speaker 1: he always likes and he must just be liking everything

1484
01:05:58,720 --> 01:06:01,280
Speaker 1: he's reading. Therefore, I like him more because I'm always

1485
01:06:01,280 --> 01:06:03,640
Speaker 1: seeing him like my stuff, and I'm not making that

1486
01:06:03,720 --> 01:06:06,160
Speaker 1: conscious decision. I'm not going he likes me.

1487
01:06:06,280 --> 01:06:06,880
Speaker 3: I like him.

1488
01:06:07,120 --> 01:06:09,680
Speaker 1: But because he's always liking, it's a very positive feeling

1489
01:06:09,680 --> 01:06:11,440
Speaker 1: about somebody who's always like I like it, I like it,

1490
01:06:11,480 --> 01:06:12,560
Speaker 1: I like you, I like you. I just have this

1491
01:06:12,720 --> 01:06:13,680
Speaker 1: very positive.

1492
01:06:13,320 --> 01:06:14,040
Speaker 3: Feeling about him.

1493
01:06:15,480 --> 01:06:17,480
Speaker 13: I don't really think about it when I scroll, Like

1494
01:06:17,520 --> 01:06:19,440
Speaker 13: if it's something that I'm like, I don't like much

1495
01:06:19,440 --> 01:06:21,800
Speaker 13: at all, and I'm like, oh wow, that's crazy, then

1496
01:06:21,840 --> 01:06:24,000
Speaker 13: I'll be like, wait a minute, maybe I should like

1497
01:06:24,120 --> 01:06:24,600
Speaker 13: this post.

1498
01:06:24,880 --> 01:06:27,880
Speaker 1: And on TikTok, I'm only gonna like things or I'm

1499
01:06:27,880 --> 01:06:30,800
Speaker 1: only gonna ribbon them if I need to get back

1500
01:06:30,840 --> 01:06:33,400
Speaker 1: to them for some reason, or if there's like I

1501
01:06:33,520 --> 01:06:37,560
Speaker 1: want to go back Tom for show stuff occasionally like

1502
01:06:37,680 --> 01:06:43,480
Speaker 1: for work stuff, excuse me, or I know if I

1503
01:06:44,200 --> 01:06:46,840
Speaker 1: I want to change my augroithm a little bit. Let's

1504
01:06:46,840 --> 01:06:48,480
Speaker 1: say I playing.

1505
01:06:48,240 --> 01:06:50,240
Speaker 3: Pickleball and I'm like, man always had more pickleball videos.

1506
01:06:50,560 --> 01:06:52,720
Speaker 1: I'll find a pickleball video, I'll search it and then

1507
01:06:52,720 --> 01:06:54,840
Speaker 1: I'll like one or two in a row, so then

1508
01:06:54,880 --> 01:06:55,800
Speaker 1: it knows to feed me more.

1509
01:06:55,840 --> 01:06:56,479
Speaker 13: Oh that's gane.

1510
01:06:56,480 --> 01:06:58,360
Speaker 1: And that way, I'm just getting what I want from it.

1511
01:06:59,600 --> 01:07:00,240
Speaker 3: So that's thing.

1512
01:07:00,560 --> 01:07:01,960
Speaker 1: We should do that in the next We won't do

1513
01:07:02,000 --> 01:07:03,240
Speaker 1: it in the next couple weeks, but in the next

1514
01:07:03,520 --> 01:07:05,600
Speaker 1: couple of months we all bring in a couple of things.

1515
01:07:05,960 --> 01:07:07,560
Speaker 2: A lot of stuff on this. You think about it

1516
01:07:07,600 --> 01:07:10,600
Speaker 2: a lot, just how our minds are changing because of

1517
01:07:10,680 --> 01:07:11,320
Speaker 2: social media.

1518
01:07:12,040 --> 01:07:14,880
Speaker 1: How to manipulate system, how the system is manipulated already

1519
01:07:14,920 --> 01:07:17,760
Speaker 1: by folks. That could be two parts of it. Cool

1520
01:07:17,920 --> 01:07:20,720
Speaker 1: and then a grab bag whatever you want to do.

1521
01:07:20,920 --> 01:07:22,320
Speaker 1: I think I think that'll be fun. We'll do it

1522
01:07:22,360 --> 01:07:22,919
Speaker 1: in a few weeks.

1523
01:07:22,960 --> 01:07:27,040
Speaker 9: All right, Thanks for listening to a Bobby Cast production