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Speaker 1: Steven.

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Speaker 2: You knows great.

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Speaker 3: Thank you, thank you into the mike one more time

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Speaker 3: so the audience members can hear thank you. This is

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Speaker 3: I'm only getting to share.

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Speaker 1: That sweater will soon be available at One Badmovie Dot store. Well,

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Speaker 1: not this exact sweater. It's the same model, the same

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Speaker 1: model for all the folks out there looking to bless

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Speaker 1: their friends and family with a nice one Bad Movie memorabilia.

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Speaker 4: Uh.

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Speaker 3: Speaking of gifts, this was a gift I did not

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Speaker 3: to get to unwrap this special episode. I was very

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Speaker 3: disappointed I could not be here for it, and it's

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Speaker 3: another one that I'm hearing it for the first time.

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Speaker 3: I don't know what was discussed.

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Speaker 1: You know, you know what you can do, Jay, what's

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Speaker 1: that is watch the program when it comes out. It's fine.

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Speaker 1: I edited enough and I don't need the same, all right,

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Speaker 1: It'll bless you all the same. Yeah, I hear it

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Speaker 1: went very well.

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Speaker 3: You guys talked about movies like The Lost Boys, Goonies,

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Speaker 3: huge eighties hits, and now viral sensation musicians, which had

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Speaker 3: I been here, I would have complimented him on his

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Speaker 3: rendition of the theme song from Lost Boys, Cry Little Sister.

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Speaker 1: Right.

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Speaker 3: Anyways, if you haven't heard. It's actually fantastical. Corey Feldman,

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Speaker 3: the one and only Corey Feldman.

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Speaker 1: On the one.

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Speaker 2: Yeah, I think we calculated that, or at least he

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Speaker 2: said that he had eleven titles that he.

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Speaker 1: Was an actor in. Yeah, that all eleven had achieved

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Speaker 1: number one box office weekend results. So he's been in

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Speaker 1: eleven number one opening weekend films. Wow, that's that's more

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Speaker 1: than Tom Cruise.

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Speaker 2: We'll have the fact check that that's that's more than

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Speaker 2: Tom Cruise.

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Speaker 1: I think so well.

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Speaker 3: Thinking and knowing are two different things, and we'll have

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Speaker 3: to know when we fact.

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Speaker 1: We'll fact check and get back to you, ladies and gentlemen.

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Speaker 1: Corey Filman on One bad Movie.

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Speaker 2: Guilty glasses this Sun. It's so bad as bad.

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Speaker 1: Welcome to one bad movie, sir. Thank you for having

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Speaker 1: me perfect goggle placement special my special trick glasses so

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Speaker 1: I can keep an eye on what's happening behind me.

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Speaker 2: The spy glasses. You don't realize this, but Corey a

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Speaker 2: I they are uton spyglasses. It's not a joke. So

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Speaker 2: like they have. If you put them on, you'll see

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Speaker 2: what I'm talking about.

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Speaker 1: You can see a mirror.

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Speaker 2: Yeah, you can literally see what's happening behind you if

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Speaker 2: you look to the sides. So if somebody was coming

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Speaker 2: up behind you with a knife, you would see them.

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Speaker 1: Wow, what I'm talking about. Yeah, But let's say you're

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Speaker 1: wearing them and they come up behind you with a knife,

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Speaker 1: right and chop your arm off.

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Speaker 2: Well, they wouldn't get to you because you'd seen I.

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Speaker 1: Mean, wouldn't you rather just have not had the glasses

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Speaker 1: and just you know what I mean, just let them

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Speaker 1: cut your head off? No, who, what do you mean?

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Speaker 2: What movie are you watching? That's what I want to know.

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Speaker 2: Really think just being having enough to be around probably

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Speaker 2: preventing the attack is probably the better way to go.

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Speaker 1: I don't know. This is this is how I host Corey.

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Speaker 2: I'm trying to keep it optimistic here, trying to keep optimistic.

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Speaker 2: He's better to have your head cut off than to

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Speaker 2: avoid the whole thing. No, No, I can't agree with that.

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Speaker 1: I'm sorry, I'm sure.

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Speaker 2: But that's okay. Hey, you got to keep it controversial,

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Speaker 2: you know, keep things exciting. So in the first thirty

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Speaker 2: seconds of an interview, Stephen Baldwin says to me, would

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Speaker 2: you rather have your head cut off?

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Speaker 1: I'm Stephen Baldwin. Welcome Corey Feldman to the decapitation.

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Speaker 2: This is why I have my spike glasses on to

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Speaker 2: see behind me. Does somebody is that's awesome?

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Speaker 1: Kind of true? Now how long have you had the spyglasses?

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Speaker 4: Oh?

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Speaker 2: You know what, this is a funny story. These are

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Speaker 2: not my glasses, but I love them. They're beautiful, but

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Speaker 2: they're not my glasses. I wear Versace all the time.

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Speaker 2: If you've seen any picture of me in the last

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Speaker 2: fifteen years, I'm always wearing Versace sunglasses. Right, These, as

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Speaker 2: I mentioned before, are Louis Vaiton. And the reason why

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Speaker 2: I have them is because they are Curtis Young's sunglasses.

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Speaker 2: And I just happened to grab them today because I

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Speaker 2: was running out the door and I just think I

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Speaker 2: grabbed the wrong one. See, my other ones are in

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Speaker 2: my pocket. What do I know? But I wore these.

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Speaker 2: I pulled these out. Now we're talking about them. So

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Speaker 2: these were sitting on my counter. I threw them on,

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Speaker 2: but they were Curtis Young's. And here's the funny story.

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Speaker 2: Do you know Curtis Young is I think so Curtis

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Speaker 2: Young is a rapper. Oh, and he was the son

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Speaker 2: of doctor dray Or still is the son of ok right,

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Speaker 2: and he's on my song Comeback King.

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Speaker 1: Oh wow.

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Speaker 2: Yeah, so he's in the video. He's in my song

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Speaker 2: now right now Okas Yeah. I mean it was a

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Speaker 2: very big song. You know, it came out like two

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Speaker 2: years ago. But it's a big song, and you know,

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Speaker 2: every time we dost not making so anyway, so we

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Speaker 2: shot a video.

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Speaker 1: Is great.

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Speaker 2: But he came out and he did my birthday concert

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Speaker 2: with me in July this year or August, and we

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Speaker 2: did a special kind of impromptu concert for my birthday,

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Speaker 2: bringing back the old tradition, and we did this this

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Speaker 2: outdoor arena or not arena. It's an amphitheater uh in

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Speaker 2: Orange County and uh and so it's called Garden Amphitheater,

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Speaker 2: and so we invited him out. He came out and

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Speaker 2: he did the song with me, and then at the

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Speaker 2: meet and greet afterwards, I'm doing fan meet and greets

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Speaker 2: and VIP stuff, you know whatever. At the end of

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Speaker 2: the show and I'm signing autgress taking pictures of people

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Speaker 2: and I go to reach for my glasses and they

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Speaker 2: were gone, and some fan took my glass and I'm like,

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Speaker 2: oh my god, and I had to go and take

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Speaker 2: pictures with everybody, and I can't do the bright life us.

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Speaker 2: I'm sure your eyes are probably screwed up too. But

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Speaker 2: you know, you're kind of famous for wearing glasses.

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Speaker 1: Bro.

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Speaker 2: Yeah, but you know that's when you start acting at three, right,

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Speaker 2: and you have five K and ten K lights and

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Speaker 2: they say, don't look at the lights, don't look at

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Speaker 2: le you know, but you're a three year old kid.

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Speaker 2: Of course you look at the lights. So anyway, all

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Speaker 2: my life looking at the lights and then the paparazzi

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Speaker 2: the thing, and you know, it gets to the point

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Speaker 2: where eyes are just you can't take anymore flashes and bright.

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Speaker 2: So anyway, I wear glasses to protect my eyes. And

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Speaker 2: so I said, look, I'm gonna take a bunch of

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Speaker 2: pictures on you got what am I gonna do? Somebody

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Speaker 2: stole my glasses. So Curtis reaches over me and goes, yo, bro,

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Speaker 2: take mine, and I said, really, those have got to

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Speaker 2: be expensive. I don't want to take your's. Like, no, man,

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Speaker 2: it's your birthday. It's a birthday gift.

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Speaker 1: That's awesome.

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Speaker 2: Isn't that sweet?

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Speaker 1: I like it.

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Speaker 2: Yeah, he's a beautiful man, and it's who's his dad,

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Speaker 2: doctor dre Man never heard him doctor Drey. Come on, yeah,

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Speaker 2: like you know.

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Speaker 1: Me and dre that started the ship.

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Speaker 2: Hey, hey, I didn't even gonna have to use my

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Speaker 2: ak because today was a good day. Word no, but

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Speaker 2: that you know, we're talking about nw A mister dre Em.

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Speaker 2: Now that guy his kid though, gentleman and a scholar.

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Speaker 2: What a beautiful man he is? Is a really great man.

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Speaker 1: How wild to see now the sun?

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Speaker 2: I say probably, I'm thinking thirty five?

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Speaker 1: Okay, right on, Well, you've been in some fabulous films.

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Speaker 1: I was fortunate to be in a very unique picture

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Speaker 1: called Posse, which was a black western directed by Mario

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Speaker 1: van Peebles, and in the cast were two guys that

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Speaker 1: were hip hop stars. One guy's name was Tone Loke Yeah,

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Speaker 1: and another guy's name.

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Speaker 2: Was Big Daddy. Right damn straight and Big Daddy can't

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Speaker 2: correct with it. So hip hop's huge to me? Yeah

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Speaker 2: you were you a big hip hop guy.

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Speaker 1: I'm a huge fan of hip hop really.

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Speaker 2: And you don't know who hurt as young as come

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Speaker 2: on now.

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Speaker 1: I'm old dog, I'm an old man.

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Speaker 2: I'm a grandpa doc, I mean doctor dre I know

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Speaker 2: who that his real last name is Young. Okay, yeah,

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Speaker 2: but to me Andre Young, he's just the dr man.

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Speaker 1: So hold on. How much of your music now is

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Speaker 1: hip hop?

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Speaker 2: Very little, very little? But I do not do it. Yeah,

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Speaker 2: I mean, like, on my if you've ever listened to

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Speaker 2: like a whole solo album of mind it goes I've

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Speaker 2: I've watched dude, I watched you for years, like especially

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Speaker 2: in the last five years, because I love when people

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Speaker 2: do their own thing. Yeah, and a lot of that

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Speaker 2: are coming on, say I said, defying the odds exactly.

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Speaker 1: Yeah. A lot of the folks coming on the program now,

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Speaker 1: for some weird reason, are just a lot of that personality,

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Speaker 1: people who kind of don't give a ship and kind

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Speaker 1: of always walk to the beat of their own drum.

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Speaker 2: And I do give it a crap Okay, quite intensely,

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Speaker 2: too much, probably, But I give a crap about the

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Speaker 2: important things in life. I don't care about Hollywood rules

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Speaker 2: are following the impass or doing all that stuff. I

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Speaker 2: careforming it is important, Oh of course it is. Art

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Speaker 2: is important too. Don't forgive me. Why is live performance

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Speaker 2: Because it's art. It's performance art. I'm creating art in

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Speaker 2: real time, right. Live music is just that. I mean,

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Speaker 2: live music is a thrill, it's exciting. Anything can happen,

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Speaker 2: things can go wrong. It's about pulling yourself out of

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Speaker 2: a you know, a bad situation at the last second

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Speaker 2: and making it work or hoping the audience doesn't see

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Speaker 2: it at all, and you know, entertaining a lot of them,

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Speaker 2: you know, things like that. Or sometimes it's just the

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Speaker 2: magic of a feeling of love. I mean, do you

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Speaker 2: know how many times, like you know, I've walked out

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Speaker 2: on a stage and there's just this overpouring of love

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Speaker 2: and you just get that like, ah, it's so nice.

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Speaker 2: Like these are my people. They understand my words, just connect.

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Speaker 2: You have my messages, they understand what I'm trying to

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Speaker 2: say to them, and they feel it. Like you know,

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Speaker 2: when you get a letter from a fan that says

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Speaker 2: your words and your music saved my life. It's literally

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Speaker 2: like I was gonna kill myself, but I listened to

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Speaker 2: your songs such and such, or I listened to your

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Speaker 2: albums such as and you have no idea how many

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Speaker 2: times that saved me or how it brought me from

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Speaker 2: a dark place, or even somebody saying, hey, every day

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Speaker 2: I work out, I listen to a central millennium or

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Speaker 2: you know, I go to the gym and co for

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Speaker 2: it or come backing. I'm like, I love it. You

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Speaker 2: know the effect that's com mand That's what it's all about.

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Speaker 2: It's all about, you know, pleasing people, enlightening people, spreading

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Speaker 2: positive energy. That's what I think music is for. I

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Speaker 2: think that you know, and and and there's good hip

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Speaker 2: hop and there's bad hip hop. I'm not a gangster

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Speaker 2: rap guy. I don't like negative, ego driven gangster rap

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Speaker 2: like you know, talking about my bleeing in my you

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Speaker 2: knows and bitches and hose and smacking a booty and

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Speaker 2: all that. I'm not down with all that.

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Speaker 4: That's how do your you know, the film fans and

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Speaker 4: fame compared to the music fans.

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Speaker 2: Okay, so well, I think it's all to me. It

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Speaker 2: seems like all the fans are part of the same vernacular.

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Speaker 2: I believe that there is. There is the movie fans,

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Speaker 2: who obviously, you know, movie fans are very die hard.

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Speaker 2: There are definitely a separation. There's the movie fans, like

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Speaker 2: when you go to a convention, you know, and they

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Speaker 2: know every detail of every movie you know, and you

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Speaker 2: can sit there until you're blue in the Facebook. You

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Speaker 2: want to buy a CD, They're like, yeah, anyway, Like

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Speaker 2: they just don't care. There's no interest, you know. But

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Speaker 2: I can't say. But I can't say. The other way

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Speaker 2: works the same because most of my music fans are

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Speaker 2: also films are fans of my films, So it's like

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Speaker 2: the music fans cross over for sure, but the film

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Speaker 2: fans not as much, which is weird. Right, Yeah, go figure.

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Speaker 1: What is that?

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Speaker 2: I don't know.

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Speaker 1: I don't know. That's humanity.

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Speaker 2: Yeah, it's just like, because here's the deal, you got

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Speaker 2: to realize and this is that's a really weird part.

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Speaker 2: I didn't realize this until about I think it was

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Speaker 2: like two or three years ago. I was running through

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Speaker 2: an airport with my security guy. Running through the airport

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Speaker 2: is I'm late for a plane, and my head's down

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Speaker 2: and I'm wearing just you know, regular got my baseball

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Speaker 2: cap on, sweats and you know whatever, looking very average

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Speaker 2: and normal and sunglasses and a hat, head down, scruffy face,

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Speaker 2: you know, trying to just get through the airport. And

250
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Speaker 2: this guy taps me on the shoulder and he stops me.

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Speaker 2: He's like, hey, man, are you Corey Feldman. I was

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Speaker 2: like yeah, what's up? And he's like, bro, bro, I

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Speaker 2: love your music. Man, You're incredible. I was like thanks,

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Speaker 2: and he goes and I'm like, how the hell did

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Speaker 2: you recognize me? I'm running with my head down. I

256
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Speaker 2: didn't look up at all. I'm like, hustling through. How

257
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Speaker 2: did you even? He goes, Honestly, you're not gonna believe this,

258
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Speaker 2: But he goes, I'm twenty four years old. I've never

259
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Speaker 2: seen any of your films. I only know you from

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Speaker 2: your music videos and watching you perform. But when I

261
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Speaker 2: saw your hair running through the airport and the pony table,

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Speaker 2: I recognize you from the back your head.

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Speaker 1: That's so cool.

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Speaker 2: And I'm like, that's wild, that's very Wild's wild? You know,

265
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Speaker 2: Oh yeah, it's great. Here a bit of your branding, right,

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Speaker 2: But just the fact that that there's this whole new generation,

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Speaker 2: that there's these kids that are huge fans. They know

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Speaker 2: every word to my music, they know every move, they

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Speaker 2: know the videos, but they don't even know most of

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Speaker 2: the films, or even some of them don't know any

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Speaker 2: of the films or even the fact.

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Speaker 1: That I was in film.

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Speaker 2: But that's what I said to you before we started

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Speaker 2: the interview, which is I think you have so much

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Speaker 2: to offer in that experience of your early stuff, of

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Speaker 2: the early films and all the stuff that's the straight

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Speaker 2: acting stuff. But I have to ask another question. James

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Speaker 2: is going to get so mad at me.

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Speaker 1: I should just ask the regular question, right James, But

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Speaker 1: I digress. I'm going to ask you about some of

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Speaker 1: the earlier films and the brand.

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Speaker 2: It is your show, right, I mean you can ask whatever.

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Speaker 1: You yeah, but yeah, but it's a it's yeah, but

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Speaker 1: I don't know what I'm doing. I don't know that.

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Speaker 1: But Brandy, remember the other and stuff too that I'm

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Speaker 1: not going to remember. I want to know, Okay, if

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Speaker 1: your career started in acting, is that fair to say? Yeah?

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Speaker 2: Okay, well, well that's a leading question. Also, I'm listening.

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Speaker 2: Oh my god, you see everything I said. This is

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Speaker 2: the problem with me is everything turns out the.

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Speaker 1: Okay. But here's the deal.

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Speaker 2: So I started singing. People don't know that, but I

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Speaker 2: started professionally. Professionally, I started please tell me please. So

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Speaker 2: as a little kid, when you're three, what year did

295
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Speaker 2: you start acting? Oh?

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Speaker 1: I started acting when I went to college.

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Speaker 2: Okay, yeah, late, and I was at the same for

298
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Speaker 2: all your family, were you all kind of like Oa.

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Speaker 1: Became a professional actor, and the three of us kind

300
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Speaker 1: of said, well, he's kind of a weenie, so if

301
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Speaker 1: he could figure it out, we might as well give

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Speaker 1: it a try.

303
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Speaker 2: And the rest is history. But how old was he

304
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Speaker 2: when he started?

305
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Speaker 1: Alec had to be twenty two twenty three when you

306
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Speaker 1: guys were all out of high school.

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Speaker 2: Yeah, yeah, okay, that's a big deal, right, right, So

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Speaker 2: I was three ry, So three years old, you can't

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Speaker 2: memorize lines, right, nor can you read a script right, right?

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Speaker 2: So how are you going to audition?

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Speaker 1: Three year ass out there?

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Speaker 2: Yeah? Run around and drool. I mean, I don't know

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Speaker 2: what it gets here? Right, So you can't go, here's

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Speaker 2: a script, Go learn your lines, come in and read

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Speaker 2: for the tape. And you can't do all that because

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Speaker 2: it's a three year old kid. So how do you

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Speaker 2: make a kid impress the casting people above and beyond?

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Speaker 2: The other kids?

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Speaker 1: Sing? Right?

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Speaker 2: So my dad was a singer. My dad was in

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Speaker 2: a band called the Strawberry Alarm Clock okay from the sixties,

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Speaker 2: which I'm very aware of. But he's not the guy

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Speaker 2: who wrote I Want Candy. There's two Bob Feldman's in

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Speaker 2: the music industry. One wrote I Want Candy and Shawn

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Speaker 2: El's or Rondel's or something like that, and then one

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Speaker 2: is him, so he's the one that's not dead that

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Speaker 2: that didn't write those songs, but it wasn't Strawberry lom'clock.

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Speaker 2: And then he formed a band later in the seventies

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Speaker 2: called Scream. So I was always around him and his bands,

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Speaker 2: and they were always rehearsing in the living room. It

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Speaker 2: was just I was music was my life. Then my

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Speaker 2: sisters started acting before I started entertainment before I did.

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Speaker 2: At six years old, she started going on auditions. I

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00:16:18,120 --> 00:16:21,840
Speaker 2: would have been three, two and a half three. She

335
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Speaker 2: then got the job as one of the new Mickey

336
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Speaker 2: mouse Club kids. Oh wow, So she was a Mouseketeer

337
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Speaker 2: in the seventies, right, Okay, So she was the second

338
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Speaker 2: generation of Mouseketeers, not the Britney and Justin version, not

339
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Speaker 2: the Annette and Jimmy version, but the seventies version. And

340
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Speaker 2: so when she was a mouskitter, she's out there singing

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Speaker 2: and dancing every day. My dad singing dancing every day. Interesting,

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Speaker 2: so everybody around me is music. So I'm going into

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Speaker 2: these auditions. I don't know how to ask. So my

344
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Speaker 2: mom says, you have to learn music. So she would

345
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Speaker 2: put me in a room with a record player and

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Speaker 2: I would have to learn songs backwards and forwards. And

347
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Speaker 2: so she would say, you're not coming out of your

348
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Speaker 2: room too, you've learned this song.

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Speaker 1: Really?

350
00:17:04,280 --> 00:17:07,080
Speaker 2: Oh yeah, no, for real, I like that. And so

351
00:17:07,240 --> 00:17:09,800
Speaker 2: I came out of the room. I'd be programmed and

352
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Speaker 2: I'd sing this song and that was the deal. So

353
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Speaker 2: the song put on a Happy Face junk Food Junkie

354
00:17:17,680 --> 00:17:19,760
Speaker 2: by Jim Grochi. That was a big one I did

355
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Speaker 2: all the time. But these were the songs that I

356
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Speaker 2: did to get job.

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Speaker 1: Forgive me for interrupting earlier. I was just gonna simply say,

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Speaker 1: I don't know how many people know the story you

359
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Speaker 1: just told. Not a lot. But obviously there would have

360
00:17:31,480 --> 00:17:34,560
Speaker 1: been a much greater potential for you to become a

361
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Speaker 1: musician than an actor. By far right, right, it was

362
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Speaker 1: all that wild. But but bro, you also became a

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Speaker 1: very talented actor. Thank you, Thank just mean because again,

364
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Speaker 1: at that age and all that, when you did these performances,

365
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Speaker 1: you're a kid. You're not Marlon Branda, right right right,

366
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Speaker 1: You're figuring it out.

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Speaker 2: So my first real TV thing outside of a couple

368
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Speaker 2: of commercials. My first real thing wasn't musical special with

369
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Speaker 2: Dick van Dyke, and I got to sing and dance

370
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Speaker 2: next to Dick van Dyke.

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Speaker 1: But what was it? Four?

372
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Speaker 2: It was called how to Eat Like a Child? How

373
00:18:12,520 --> 00:18:14,359
Speaker 2: do you Like a Job? It comes from a famous book.

374
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Speaker 2: You can look it up. I don't know if it's

375
00:18:16,119 --> 00:18:18,280
Speaker 2: Ronald Dahll, but it's somebody in that kind of vein.

376
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Speaker 2: But it's a very famous book which is just based

377
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Speaker 2: on you know, it's like a comedy book for kids.

378
00:18:25,080 --> 00:18:28,480
Speaker 2: First time performing, yes, first time performing in front of

379
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Speaker 2: a live audience and with a bunch of other performers

380
00:18:31,560 --> 00:18:33,959
Speaker 2: on stage with me, was in a big musical number

381
00:18:34,320 --> 00:18:37,720
Speaker 2: and ps. They also used me for the comic relief

382
00:18:37,800 --> 00:18:40,360
Speaker 2: because I was very funny at delivering one liners, which

383
00:18:40,400 --> 00:18:43,000
Speaker 2: they realized I guess through rehearsals, so they would make

384
00:18:43,040 --> 00:18:45,399
Speaker 2: me the kid that always got the funny one liner

385
00:18:45,520 --> 00:18:48,560
Speaker 2: like Zinger, you know, the old back time five four

386
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Speaker 2: or five?

387
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Speaker 1: Yeah, yeah, my granddaughter.

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00:18:52,200 --> 00:18:53,800
Speaker 2: Oh that was nineteen eighty one. Then I was older

389
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Speaker 2: than five. Then I was seven, seven or eight? Yeah, Okay,

390
00:18:59,119 --> 00:19:02,000
Speaker 2: are you sure it doesn't seem right, maybe they held

391
00:19:02,040 --> 00:19:05,480
Speaker 2: it for a year or two, because I remember being, yeah,

392
00:19:05,760 --> 00:19:07,399
Speaker 2: that's what I'm saying, right, they must have held.

393
00:19:07,240 --> 00:19:08,840
Speaker 1: It, right, that's a very good observation you could have.

394
00:19:08,760 --> 00:19:10,480
Speaker 2: Been, because I was like, it was like seventy nine.

395
00:19:10,480 --> 00:19:11,679
Speaker 2: I'm pretty sure we shot it.

396
00:19:12,160 --> 00:19:18,600
Speaker 1: I love that story. Yeah. So from there, when was

397
00:19:18,600 --> 00:19:21,280
Speaker 1: the first hey, read this script or you want to

398
00:19:21,320 --> 00:19:23,120
Speaker 1: go on this audition? Acting?

399
00:19:24,320 --> 00:19:26,080
Speaker 2: Well, I mean I was doing it all the time

400
00:19:26,080 --> 00:19:29,479
Speaker 2: at that point. So like after the special, I started

401
00:19:29,480 --> 00:19:31,520
Speaker 2: doing all the sitcoms. That's where it started for me.

402
00:19:31,880 --> 00:19:36,040
Speaker 2: One liner, whatever, anything that would take me. I was

403
00:19:36,080 --> 00:19:38,400
Speaker 2: just on auditions. I'd go to by four or five

404
00:19:38,520 --> 00:19:42,399
Speaker 2: editions a day. Anything. No, No. My first my first movie,

405
00:19:43,720 --> 00:19:49,080
Speaker 2: ready for this one was with Cloris Leachman and Deborah Rapkin.

406
00:19:50,320 --> 00:19:51,040
Speaker 1: What's the movie?

407
00:19:51,359 --> 00:19:54,840
Speaker 2: It was called uh, Branda, hold On, hold on, hold on,

408
00:19:56,520 --> 00:19:57,040
Speaker 2: take your time.

409
00:19:57,320 --> 00:19:59,560
Speaker 1: Wee can edit Willa, Willa.

410
00:19:59,720 --> 00:20:03,879
Speaker 2: It was TV or TV TV movie called Willa, and

411
00:20:03,920 --> 00:20:07,720
Speaker 2: Deborah Rafkin was the star. Chloris Leachman played her grandmother.

412
00:20:08,040 --> 00:20:11,359
Speaker 2: I hate you you've worked with Cloris Leachman, dad, and

413
00:20:11,359 --> 00:20:14,000
Speaker 2: and and uh yeah and that was and she played

414
00:20:14,000 --> 00:20:14,520
Speaker 2: my grandma.

415
00:20:15,040 --> 00:20:15,960
Speaker 1: You were how old then?

416
00:20:16,400 --> 00:20:18,760
Speaker 2: I'm pretty sure it was her. Yeah, it was either

417
00:20:18,840 --> 00:20:21,439
Speaker 2: Laurus Leecherman or was another famous old lady actress.

418
00:20:21,440 --> 00:20:27,000
Speaker 1: But he's the one that just died.

419
00:20:27,040 --> 00:20:28,320
Speaker 2: Who's the one that Cheryl Ladd?

420
00:20:28,400 --> 00:20:28,520
Speaker 1: Was it?

421
00:20:28,600 --> 00:20:32,679
Speaker 2: Not sure Diane Ladd. It's either Dian Ladd or Cours Lecherman,

422
00:20:32,760 --> 00:20:34,080
Speaker 2: but I think it was Chloris Leechman.

423
00:20:34,119 --> 00:20:34,840
Speaker 1: You can look it up.

424
00:20:35,280 --> 00:20:38,160
Speaker 2: It was Diane Ladd. I worked with both of them.

425
00:20:39,080 --> 00:20:41,000
Speaker 2: Oh they're both in it. Oh well, there you go.

426
00:20:41,200 --> 00:20:44,080
Speaker 1: See that's memory.

427
00:20:44,160 --> 00:20:46,080
Speaker 2: I got both of them anyway.

428
00:20:46,160 --> 00:20:46,240
Speaker 1: Ye.

429
00:20:47,040 --> 00:20:49,760
Speaker 2: So so yeah, that was my first movie. My first

430
00:20:49,760 --> 00:20:52,760
Speaker 2: movie was working with those two ladies. Very exciting. So

431
00:20:52,800 --> 00:20:54,520
Speaker 2: it was like, oh, these are big stars, this is

432
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Speaker 2: really something special.

433
00:20:56,440 --> 00:20:56,680
Speaker 1: Uh.

434
00:20:56,720 --> 00:21:01,080
Speaker 2: And then a lot of sitcoms I did Alice Angie,

435
00:21:02,040 --> 00:21:06,000
Speaker 2: Eight Is Enough, Morgan Mindy, love Boat. I mean literally

436
00:21:06,080 --> 00:21:08,720
Speaker 2: every show that was on in the seventies pretty much

437
00:21:08,760 --> 00:21:11,640
Speaker 2: I was there. I never got to Taxi, never got

438
00:21:11,680 --> 00:21:15,160
Speaker 2: to Happy Days or la Vernon Shirley, but I did

439
00:21:15,200 --> 00:21:17,480
Speaker 2: do Morgan Mindy, which was kind of the same thing.

440
00:21:17,840 --> 00:21:20,000
Speaker 2: And then I ended up on the Bad News Bears

441
00:21:20,040 --> 00:21:26,879
Speaker 2: TV series from seventy eight to eighty and around, you know,

442
00:21:27,040 --> 00:21:28,840
Speaker 2: right before I did The Bad News Bears is when

443
00:21:28,840 --> 00:21:30,320
Speaker 2: I did Fox and the Hounds, So that was like

444
00:21:30,359 --> 00:21:34,439
Speaker 2: my first movie movie. No, my first movie movie was

445
00:21:34,480 --> 00:21:40,199
Speaker 2: Time after Time with Malcolm McDowell and Mary Steinbergen, to

446
00:21:40,240 --> 00:21:42,920
Speaker 2: which I did a and they got married after that movie,

447
00:21:42,920 --> 00:21:46,640
Speaker 2: by the way, but I had like a little quick cameo.

448
00:21:46,760 --> 00:21:50,240
Speaker 2: But that was my first on screen major film, number

449
00:21:50,240 --> 00:21:53,480
Speaker 2: one movie. Yeah, and I was a little baby, but

450
00:21:53,560 --> 00:21:57,160
Speaker 2: I played the kid in the museum when HG. Well's

451
00:21:57,200 --> 00:22:00,080
Speaker 2: first lands in the modern day, which of course was

452
00:22:00,200 --> 00:22:03,280
Speaker 2: nineteen eighty two, so not very modern anymore, but in

453
00:22:03,320 --> 00:22:06,080
Speaker 2: those days of nineteen eighty it might have been. But anyway, whatever,

454
00:22:06,320 --> 00:22:08,720
Speaker 2: So so it was that. So it was Time after

455
00:22:08,760 --> 00:22:11,239
Speaker 2: Time that was my first one, and then subsequently right

456
00:22:11,280 --> 00:22:13,960
Speaker 2: away I did The Fox and the Hound for Disney

457
00:22:15,240 --> 00:22:18,639
Speaker 2: and uh and then all these sitcoms, and then the

458
00:22:18,760 --> 00:22:21,119
Speaker 2: series Bad News Bearers was my first series.

459
00:22:22,160 --> 00:22:25,080
Speaker 1: What was Fox and the Hound live action or animes?

460
00:22:25,080 --> 00:22:25,600
Speaker 2: Animated?

461
00:22:25,680 --> 00:22:26,800
Speaker 1: So was your the voice?

462
00:22:27,119 --> 00:22:30,840
Speaker 2: It was the voice of Copper. Oh, my down, it's amasy,

463
00:22:31,040 --> 00:22:34,680
Speaker 2: there's a fox in the I was Doun. The fox

464
00:22:35,200 --> 00:22:39,680
Speaker 2: was Keith Coogan, right, Yeah, So we did our first movie.

465
00:22:39,520 --> 00:22:41,280
Speaker 1: Togain were some of the other cast members on Bad

466
00:22:41,320 --> 00:22:43,200
Speaker 1: News Bears. Oh boy, do you remember?

467
00:22:43,280 --> 00:22:45,840
Speaker 2: Well this was the TV version, right, not the movie verse.

468
00:22:45,880 --> 00:22:46,920
Speaker 1: Was there anybody cool like you?

469
00:22:47,320 --> 00:22:49,440
Speaker 2: Well? I mean Jack Worden was the star of it,

470
00:22:49,520 --> 00:22:52,840
Speaker 2: so that was pretty cool. Triga cast was wonderful.

471
00:22:53,000 --> 00:22:59,760
Speaker 1: Get the list. He just wrapped eighth fucking legend. Legend.

472
00:23:00,920 --> 00:23:03,359
Speaker 2: I got to work with Sandy Duncan on a commercial

473
00:23:03,400 --> 00:23:07,280
Speaker 2: when I was very little, and then of course by

474
00:23:07,400 --> 00:23:11,800
Speaker 2: nineteen eighty one I did Whylan Flowers and Madam Show.

475
00:23:11,920 --> 00:23:12,880
Speaker 1: He's adorable.

476
00:23:19,200 --> 00:23:22,320
Speaker 2: You remember Solid Gold? Yeah, okay, so you remember, like

477
00:23:22,560 --> 00:23:25,400
Speaker 2: Whylan Flowers and his puppet Madam come on every few

478
00:23:25,520 --> 00:23:26,760
Speaker 2: segments or whatever and.

479
00:23:26,720 --> 00:23:27,879
Speaker 1: Talk crap about everybody.

480
00:23:28,720 --> 00:23:35,240
Speaker 2: So the comedian he was, so that puppet character had

481
00:23:35,240 --> 00:23:39,040
Speaker 2: her own series which was in syndication and it went

482
00:23:39,080 --> 00:23:42,359
Speaker 2: on for three years, and I was in the first

483
00:23:42,520 --> 00:23:46,600
Speaker 2: year and a half before they kicked me off because

484
00:23:47,400 --> 00:23:49,919
Speaker 2: the humor was a little bit crude for an eleven

485
00:23:50,000 --> 00:23:53,280
Speaker 2: year old boy to be ready around. You know, they've

486
00:23:53,280 --> 00:23:53,560
Speaker 2: got this.

487
00:23:53,720 --> 00:23:55,200
Speaker 1: Have you reached puberty yet? Time?

488
00:23:56,359 --> 00:23:56,439
Speaker 4: No?

489
00:23:56,520 --> 00:24:01,240
Speaker 2: I mean it's Madam's place. It's a whore house, okay

490
00:24:01,560 --> 00:24:03,480
Speaker 2: with an eleven year old with an eleven year old

491
00:24:03,600 --> 00:24:06,840
Speaker 2: and they've got you know this girl. She played Sarah

492
00:24:06,920 --> 00:24:11,480
Speaker 2: Jane Pingerton. What was her name? Uh not Lennie Anderson

493
00:24:11,560 --> 00:24:15,600
Speaker 2: was her and her sister were both like when he's

494
00:24:15,640 --> 00:24:22,360
Speaker 2: searching in his memory, he still names legends.

495
00:24:22,400 --> 00:24:25,080
Speaker 1: His friende memory is still legend.

496
00:24:25,240 --> 00:24:28,480
Speaker 2: Okay, so wait, so wait, you guys can help me

497
00:24:28,480 --> 00:24:32,159
Speaker 2: with the little researchers. But the girl who start on

498
00:24:32,200 --> 00:24:37,600
Speaker 2: the show with us, Yeah, Judy Landers, Judy Lander.

499
00:24:37,600 --> 00:24:39,440
Speaker 1: Remember An Landers? Yes, of course.

500
00:24:39,520 --> 00:24:42,359
Speaker 2: Yeah, Judy and Ann Landers. They were both on Solid Gold.

501
00:24:42,400 --> 00:24:45,639
Speaker 2: They were both, you know, very popular playboy girls and

502
00:24:45,720 --> 00:24:49,200
Speaker 2: all of that. And right, so Judy Landers very sweet,

503
00:24:49,200 --> 00:24:51,399
Speaker 2: by the way, she was a wonderful girl, and she

504
00:24:51,600 --> 00:24:54,360
Speaker 2: was like my big sister. She was always like, you know,

505
00:24:54,480 --> 00:24:56,520
Speaker 2: taking me around with her and it was very sweet.

506
00:24:57,040 --> 00:24:59,320
Speaker 2: But anyway, so yeah, so that was the cast and

507
00:24:59,359 --> 00:25:00,920
Speaker 2: I was on that show for a year and a

508
00:25:00,960 --> 00:25:04,680
Speaker 2: half and then I went right from that to Gremlins.

509
00:25:04,720 --> 00:25:08,960
Speaker 2: Because before you gonna you're gonna love this story. Before

510
00:25:09,480 --> 00:25:11,480
Speaker 2: I went to Fox in the Hound, I'm sorry, before

511
00:25:11,480 --> 00:25:14,119
Speaker 2: I went sorry, Before I went to Madame's place, I

512
00:25:14,160 --> 00:25:18,560
Speaker 2: had auditioned for ET and I got it, and I

513
00:25:18,640 --> 00:25:21,720
Speaker 2: was supposed to star in et so I become friends

514
00:25:21,760 --> 00:25:24,840
Speaker 2: with Steven Spielberg in nineteen eighty one. He takes me

515
00:25:24,880 --> 00:25:27,280
Speaker 2: to his office. He interviews me. I see the Raiders

516
00:25:27,320 --> 00:25:29,960
Speaker 2: of the Last Dark posters and the Jaws poster, and

517
00:25:30,119 --> 00:25:32,439
Speaker 2: you know, I was like, wow, big deal. He has

518
00:25:32,480 --> 00:25:34,760
Speaker 2: this little tiny office on the GM lot, you know.

519
00:25:34,800 --> 00:25:36,240
Speaker 2: And he was like twenty five years old, and he

520
00:25:36,280 --> 00:25:38,120
Speaker 2: looked like Chevy Chase. I was like, wow, you look

521
00:25:38,160 --> 00:25:38,879
Speaker 2: like Chevy Chase.

522
00:25:39,280 --> 00:25:39,600
Speaker 1: Weird.

523
00:25:40,720 --> 00:25:42,960
Speaker 2: Who would have known, but that's what he looked like

524
00:25:43,000 --> 00:25:46,560
Speaker 2: when he was young. So anyway, we hit it off

525
00:25:46,600 --> 00:25:49,480
Speaker 2: right away. He was he was working on Poltergeist at

526
00:25:49,480 --> 00:25:52,639
Speaker 2: the time, and he took me across the lot. He

527
00:25:52,760 --> 00:25:55,000
Speaker 2: loved me. We became friends. He's like, let me show

528
00:25:55,040 --> 00:25:56,920
Speaker 2: you how I work. Let me show you my process.

529
00:25:57,160 --> 00:26:00,360
Speaker 2: He takes me over leave this. He takes me over

530
00:26:00,480 --> 00:26:03,440
Speaker 2: to the Poulter Guy set and he turns the room

531
00:26:03,520 --> 00:26:06,480
Speaker 2: upside down. I'm there the day that they're flying through

532
00:26:06,480 --> 00:26:09,359
Speaker 2: the window and I get to see the entire set

533
00:26:09,720 --> 00:26:12,159
Speaker 2: turn upside down, which I've never seen anything like this.

534
00:26:12,200 --> 00:26:14,280
Speaker 2: I'm doing TV and commercials and stuff. Now all of

535
00:26:14,280 --> 00:26:18,800
Speaker 2: a sudden, I'm on his field. What is this these

536
00:26:18,840 --> 00:26:21,520
Speaker 2: giant fans, this big blowing through the I mean it

537
00:26:21,600 --> 00:26:24,320
Speaker 2: was great. So anyway, so I watched all that. I

538
00:26:24,359 --> 00:26:27,480
Speaker 2: was blown away and uh. He introduced me to Toby

539
00:26:27,520 --> 00:26:30,879
Speaker 2: Hooper and uh, and then he said, you know that's it.

540
00:26:30,920 --> 00:26:32,840
Speaker 2: You're gonna be the part of Elliot's best friend in

541
00:26:32,880 --> 00:26:35,680
Speaker 2: this this movie called ET and it's gonna be about,

542
00:26:35,720 --> 00:26:38,439
Speaker 2: you know, these these two little boys who find an

543
00:26:38,480 --> 00:26:40,760
Speaker 2: alien and it's just kid Elliott and his best friend.

544
00:26:40,800 --> 00:26:42,600
Speaker 2: I remember what the best friend's name was, but I

545
00:26:42,600 --> 00:26:44,840
Speaker 2: think it was Max. But the two kids were gonna

546
00:26:44,880 --> 00:26:48,280
Speaker 2: find this alien and then they go on this whole adventure.

547
00:26:48,280 --> 00:26:52,440
Speaker 2: But but after I got the part, six months later,

548
00:26:52,480 --> 00:26:55,520
Speaker 2: I get a call from Stephen personally at my home

549
00:26:55,840 --> 00:26:59,520
Speaker 2: and he goes Cory said, yes, that's me. He said, Stephen,

550
00:27:00,160 --> 00:27:03,800
Speaker 2: what's up? Anyway? He goes, listen. Unfortunately, have some bad news.

551
00:27:04,280 --> 00:27:07,760
Speaker 2: We did a major rewrite over the summer and the

552
00:27:07,840 --> 00:27:12,280
Speaker 2: part that we want you for has been cut almost entirely.

553
00:27:12,280 --> 00:27:14,400
Speaker 2: There's like two or three lines. But it's not worth

554
00:27:14,400 --> 00:27:16,280
Speaker 2: you doing at this point. You're too good of an actor.

555
00:27:16,720 --> 00:27:20,520
Speaker 2: I wouldn't want to waste you on this. And unfortunately

556
00:27:20,680 --> 00:27:23,240
Speaker 2: it's it's you know, it's a bit part, but but

557
00:27:23,960 --> 00:27:26,439
Speaker 2: you know, it's now a family movie. It's about a

558
00:27:26,480 --> 00:27:29,399
Speaker 2: boy and his sister and his older brother, and that's

559
00:27:29,480 --> 00:27:32,640
Speaker 2: the thing. And it just doesn't work anymore. And I said, oh,

560
00:27:32,720 --> 00:27:36,160
Speaker 2: that's that's that's very depressing, you know. And he's like yeah,

561
00:27:36,200 --> 00:27:39,239
Speaker 2: he said, but don't worry. I promise you whatever I

562
00:27:39,320 --> 00:27:43,480
Speaker 2: do next, you will be in. And I said, oh, okay, buddy,

563
00:27:43,600 --> 00:27:46,360
Speaker 2: whatever you say. You know, I didn't believe him. And

564
00:27:46,400 --> 00:27:49,400
Speaker 2: then I went and did Madam's place, and of course

565
00:27:49,440 --> 00:27:51,840
Speaker 2: I'm watching Et come out and it's right down the street.

566
00:27:51,880 --> 00:27:56,200
Speaker 2: I have to drive by the Avcos every day as

567
00:27:56,240 --> 00:27:59,560
Speaker 2: the line is all the way around the Cineramidome. And

568
00:27:59,600 --> 00:28:05,119
Speaker 2: I'm just like, right, he's so depressed, you know. And

569
00:28:05,119 --> 00:28:08,400
Speaker 2: I'm working right and I'm working on this stupid little

570
00:28:08,440 --> 00:28:11,479
Speaker 2: syndicated show with a puppet, you know, and I'm like,

571
00:28:13,119 --> 00:28:16,000
Speaker 2: my life sucks. I'm ten years old and I'm already

572
00:28:16,040 --> 00:28:19,800
Speaker 2: a failure in this town. I can't believe it second rate.

573
00:28:21,560 --> 00:28:24,640
Speaker 2: So anyway, so I'm like, okay, all right, I can

574
00:28:24,680 --> 00:28:27,800
Speaker 2: accept the loss, you know whatever. And then I get

575
00:28:27,840 --> 00:28:29,520
Speaker 2: the call from Steven and he says, oh.

576
00:28:29,400 --> 00:28:31,439
Speaker 1: I've got another one longer later.

577
00:28:31,720 --> 00:28:33,520
Speaker 2: Oh, this is like right after it. Let's just like

578
00:28:33,600 --> 00:28:36,080
Speaker 2: they fire me off Madame's places because I'm too young

579
00:28:36,080 --> 00:28:38,600
Speaker 2: for the material and they think they're getting complaints. Obviously,

580
00:28:38,680 --> 00:28:41,400
Speaker 2: Itch comes to ratings board, et comes out. I'm depressed.

581
00:28:41,600 --> 00:28:44,280
Speaker 2: I watch that happen, I get fired from my life

582
00:28:44,360 --> 00:28:46,760
Speaker 2: is over, and then I get hired. And Friday the

583
00:28:46,800 --> 00:28:53,960
Speaker 2: thirteenth the final chapter. So I'm like, interesting, okay, all right,

584
00:28:54,200 --> 00:28:56,120
Speaker 2: So I start prepping for that, and right at the

585
00:28:56,160 --> 00:28:58,560
Speaker 2: same time that I get that is when Stephen calls

586
00:28:58,600 --> 00:29:00,520
Speaker 2: and says, hey want you to I'm gonna meet with

587
00:29:00,560 --> 00:29:03,240
Speaker 2: Joe Dante. So I go and I meet Joe Dante.

588
00:29:03,440 --> 00:29:06,400
Speaker 2: Joe Dante and I got along famously, and he says,

589
00:29:06,920 --> 00:29:09,560
Speaker 2: you'd be great. Let's let's bring here for this. So

590
00:29:09,600 --> 00:29:12,680
Speaker 2: I'm like, okay, So I do Pete in Gremlins. I

591
00:29:12,720 --> 00:29:13,720
Speaker 2: was just gonna say in the.

592
00:29:13,600 --> 00:29:17,360
Speaker 1: Title of that picture, Corey, please get to remind the

593
00:29:17,400 --> 00:29:19,560
Speaker 1: audience a little ditty called Kremlins.

594
00:29:19,800 --> 00:29:23,760
Speaker 2: Yes, so did Gremlins. And as I was shooting Gremlins,

595
00:29:24,760 --> 00:29:27,360
Speaker 2: and then I think as soon as I finished Gremlins,

596
00:29:27,400 --> 00:29:30,240
Speaker 2: I went right into Friday the thirteenth stop.

597
00:29:32,320 --> 00:29:36,360
Speaker 1: So I'm a little creepy. I like Nuance. I'm a

598
00:29:36,440 --> 00:29:46,560
Speaker 1: detail oriented. So you start a movie called Gremlins with

599
00:29:46,680 --> 00:29:49,600
Speaker 1: Steven Spielberg. Yes, that was his name. And who was

600
00:29:49,640 --> 00:29:50,440
Speaker 1: in that picture?

601
00:29:51,280 --> 00:29:57,200
Speaker 2: Oh, you know, just the same mood snotty bunch. Yes,

602
00:29:57,440 --> 00:30:02,840
Speaker 2: Judge Ryan in Gremlin Drwin Old. That was his debut,

603
00:30:03,000 --> 00:30:06,000
Speaker 2: I believe, right before he made it big with Fast

604
00:30:06,000 --> 00:30:08,520
Speaker 2: Time as at Ridgemont High. Yes, sir, so that was

605
00:30:08,560 --> 00:30:09,240
Speaker 2: his first job.

606
00:30:09,280 --> 00:30:09,719
Speaker 1: I believe.

607
00:30:09,840 --> 00:30:12,920
Speaker 2: I believe. I could be wrong and then, or it

608
00:30:12,960 --> 00:30:14,200
Speaker 2: could have been a second He could have been in

609
00:30:14,240 --> 00:30:18,120
Speaker 2: Fast Times already. I don't know. But anyway, step down,

610
00:30:18,320 --> 00:30:20,920
Speaker 2: you know, a smaller rule. But you're working with Steven Spielberg.

611
00:30:21,520 --> 00:30:24,360
Speaker 2: But anyways, so so Joe Dante, though, was the director.

612
00:30:24,760 --> 00:30:28,880
Speaker 2: Chris Columbus comes up to me, Dave. First day, listen,

613
00:30:28,920 --> 00:30:31,280
Speaker 2: you're gonna love this one. First day on the set,

614
00:30:31,360 --> 00:30:34,720
Speaker 2: I'm playing a Christmas tree and we're on the back

615
00:30:34,760 --> 00:30:38,640
Speaker 2: lot of Universal. They've got fake snow everywhere, much to

616
00:30:38,720 --> 00:30:42,440
Speaker 2: my chagrin because I'm expecting real snow and I've never

617
00:30:42,440 --> 00:30:44,520
Speaker 2: seen snow, by the way, because I live in California

618
00:30:44,560 --> 00:30:47,560
Speaker 2: and we didn't have anything close to a winter with snow.

619
00:30:47,920 --> 00:30:50,400
Speaker 2: So I'm like eleven years old and I'm like reading

620
00:30:50,400 --> 00:30:52,400
Speaker 2: through the script, Oh, there's snow, there's snow. We get

621
00:30:52,400 --> 00:30:53,960
Speaker 2: to play in the snow. I'm in a Christmas tree

622
00:30:54,000 --> 00:30:56,080
Speaker 2: and there's snow and all this stuff. So excited. And

623
00:30:56,120 --> 00:30:57,920
Speaker 2: then I get to the set and it's like snow everywhere.

624
00:30:57,920 --> 00:30:59,600
Speaker 2: I'm like yay, and I go and I touch it.

625
00:30:59,680 --> 00:31:01,840
Speaker 2: It's like a foam paper and shit, and I'm like,

626
00:31:01,840 --> 00:31:05,320
Speaker 2: what the what happened to my snow? So yeah, that

627
00:31:05,440 --> 00:31:09,959
Speaker 2: was first first well seconds, Okay, the first harsh reality

628
00:31:10,040 --> 00:31:11,600
Speaker 2: lesson was when I was three and a half four

629
00:31:11,680 --> 00:31:13,760
Speaker 2: years old. I got my first big commercial, which was

630
00:31:13,760 --> 00:31:16,960
Speaker 2: a McDonald's commercial and it was with Santa Claus. And

631
00:31:17,000 --> 00:31:19,320
Speaker 2: I found out that Santa Claus wasn't real because it

632
00:31:19,400 --> 00:31:21,480
Speaker 2: was a guy behind the camera with just a Santa

633
00:31:21,520 --> 00:31:24,680
Speaker 2: glove and a half three. You're reaching his hand into

634
00:31:24,720 --> 00:31:28,160
Speaker 2: the frame and I'm like, they couldn't have even given me.

635
00:31:28,120 --> 00:31:28,880
Speaker 1: A half Santa.

636
00:31:29,320 --> 00:31:32,240
Speaker 2: I got, I got a quarter Santa? What is this?

637
00:31:32,560 --> 00:31:32,760
Speaker 1: Yeah?

638
00:31:32,760 --> 00:31:35,280
Speaker 2: I was depressing, But anyway, that was my first reality.

639
00:31:35,680 --> 00:31:40,400
Speaker 2: Second reality was then understanding that yeah, Christmas movies are

640
00:31:40,440 --> 00:31:42,719
Speaker 2: made with fake snow, So there you have it. It

641
00:31:42,760 --> 00:31:45,360
Speaker 2: wasn't real. So I'm in the Christmas tree outfit and

642
00:31:45,400 --> 00:31:48,520
Speaker 2: I've got this Christmas tree hat on. I mean it

643
00:31:48,520 --> 00:31:51,520
Speaker 2: looks like I'm literally in a tree. And this young

644
00:31:51,600 --> 00:31:53,280
Speaker 2: kid comes up to me and he's like, hey, how

645
00:31:53,280 --> 00:31:56,280
Speaker 2: you doing. Man, I'm like, oh no, no, a little tighten here,

646
00:31:56,400 --> 00:31:59,200
Speaker 2: but I'm all right. He's like, oh cool. Well, I

647
00:31:59,240 --> 00:32:01,840
Speaker 2: just wanted to say, my name is Chris. I wrote

648
00:32:01,840 --> 00:32:06,480
Speaker 2: the script. This kid was the writer. He was like

649
00:32:06,560 --> 00:32:09,320
Speaker 2: nineteen or twenty years old, right, yeah, and his name

650
00:32:09,360 --> 00:32:11,240
Speaker 2: was Chris Columbus, sure, and he had just written this

651
00:32:11,280 --> 00:32:12,560
Speaker 2: little script called Gremlins.

652
00:32:13,160 --> 00:32:20,440
Speaker 1: Yeah. But the director was Joe Dante. Right. So Gremlins,

653
00:32:20,480 --> 00:32:24,520
Speaker 1: in my opinion, went on to become literally one of

654
00:32:24,520 --> 00:32:28,520
Speaker 1: the greatest box office successes as I understand it. Right.

655
00:32:28,760 --> 00:32:30,719
Speaker 2: Oh, it was a huge film. Yeah it was. It

656
00:32:30,760 --> 00:32:35,560
Speaker 2: was unfortunately not number one though, but that's for the year.

657
00:32:35,720 --> 00:32:37,400
Speaker 2: For the year it was. It was number one, but

658
00:32:37,440 --> 00:32:39,240
Speaker 2: it wasn't number one for the year because it was

659
00:32:39,280 --> 00:32:44,120
Speaker 2: beat out only by Ghostbusters. Right, Yeah, well it happens.

660
00:32:44,240 --> 00:32:49,160
Speaker 2: But anyway, so I'm sure we we Gremlins was a

661
00:32:49,200 --> 00:32:52,240
Speaker 2: huge success. I loved it. It was scary, it was funny,

662
00:32:52,400 --> 00:32:54,560
Speaker 2: it was all these great things. I loved the movie.

663
00:32:54,600 --> 00:32:56,960
Speaker 2: I saw it like a hundred times greater kid. Yes,

664
00:32:57,280 --> 00:33:00,960
Speaker 2: and now they're making Gremlins three, are they really? Yes,

665
00:33:01,200 --> 00:33:02,240
Speaker 2: it's just been greenlit.

666
00:33:02,400 --> 00:33:07,760
Speaker 1: But tell me, is there anything from Gremlins that stands out?

667
00:33:07,920 --> 00:33:11,280
Speaker 1: Was there anything you learned? Was there anything that was fun?

668
00:33:11,560 --> 00:33:15,080
Speaker 1: Wasn't fun? Give me a Gremlins observation.

669
00:33:18,480 --> 00:33:20,400
Speaker 2: I mean we I had a great time, are you kidding?

670
00:33:20,440 --> 00:33:23,400
Speaker 2: I was a kid working around all these puppets and stuff.

671
00:33:23,440 --> 00:33:24,320
Speaker 1: It was fun.

672
00:33:25,160 --> 00:33:28,360
Speaker 2: Yeah, you know. And then and Zach. You know, I'm

673
00:33:28,400 --> 00:33:30,840
Speaker 2: still friends with today. Zach Gallaghan, the star of the movie.

674
00:33:30,920 --> 00:33:31,400
Speaker 1: I know him.

675
00:33:31,560 --> 00:33:35,280
Speaker 2: Yeah, yeah, good guy, right, wonderful Zach and Phoebe and uh,

676
00:33:35,840 --> 00:33:37,640
Speaker 2: Phoebe and I, by the way, share a birthday, so

677
00:33:37,680 --> 00:33:39,600
Speaker 2: I remember talking to her on the set, you know,

678
00:33:39,800 --> 00:33:43,720
Speaker 2: on our birthdays we would like chat. But so it

679
00:33:43,800 --> 00:33:46,880
Speaker 2: was Zach and Phoebe and who else was then that

680
00:33:46,960 --> 00:33:51,640
Speaker 2: Polly Holliday who just passed away. Rip Polly Holiday. You

681
00:33:51,640 --> 00:33:54,720
Speaker 2: know Flow from Alleys, which I was on that show too.

682
00:33:54,800 --> 00:33:57,280
Speaker 2: So I got this year both as Flow and as

683
00:33:57,440 --> 00:34:01,000
Speaker 2: the old Lady from the Bank. So that was cool,

684
00:34:01,040 --> 00:34:02,800
Speaker 2: Missus Degle from Brandy.

685
00:34:02,840 --> 00:34:03,720
Speaker 1: What am I forgetting?

686
00:34:06,120 --> 00:34:10,879
Speaker 2: We're just at the beginning beginning boys, Oh no, there's

687
00:34:10,880 --> 00:34:14,959
Speaker 2: a lot more than that. We've got about thirteen number

688
00:34:14,960 --> 00:34:19,400
Speaker 2: one films where there for a while, like if we

689
00:34:19,400 --> 00:34:21,080
Speaker 2: were to talk about all of them. Yeah, but no,

690
00:34:21,239 --> 00:34:21,680
Speaker 2: I think.

691
00:34:23,280 --> 00:34:25,319
Speaker 4: That's maybe done probably more movies than.

692
00:34:26,760 --> 00:34:27,080
Speaker 1: Right.

693
00:34:27,360 --> 00:34:28,840
Speaker 2: I've done over one hundred films.

694
00:34:29,080 --> 00:34:33,000
Speaker 1: I've done over one hundred films. Isn't that weird? Yeah,

695
00:34:33,200 --> 00:34:41,879
Speaker 1: we're in the one hundry club. Yeah, Buddy Kremlin's coonies.

696
00:34:42,040 --> 00:34:43,200
Speaker 2: You know, goonies too.

697
00:34:43,400 --> 00:34:46,960
Speaker 1: You know, you just said to find them arganshawin should

698
00:34:47,000 --> 00:34:48,960
Speaker 1: be the next movies, you know what I mean? It

699
00:34:49,000 --> 00:34:49,480
Speaker 1: starts with the.

700
00:34:49,880 --> 00:34:53,319
Speaker 2: Man I wasn't in Titanic? Okay, all right?

701
00:34:54,719 --> 00:34:56,480
Speaker 4: To sum it up, because there aren't way too many

702
00:34:56,480 --> 00:34:58,759
Speaker 4: films to cover, I'll just say you have the most

703
00:34:59,360 --> 00:35:00,399
Speaker 4: iconic films.

704
00:35:00,080 --> 00:35:01,200
Speaker 2: Of that era in the eighties.

705
00:35:01,239 --> 00:35:03,680
Speaker 4: So it's like, what do you think about what the

706
00:35:03,719 --> 00:35:06,600
Speaker 4: filmmaking was like in that era, you know, and versus

707
00:35:06,640 --> 00:35:08,719
Speaker 4: now because that was just such a special time and

708
00:35:08,719 --> 00:35:10,880
Speaker 4: it's such a specialties of films.

709
00:35:11,239 --> 00:35:18,200
Speaker 1: Well, I just that said, I'm catching you Corey at

710
00:35:18,200 --> 00:35:24,320
Speaker 1: a really fascinating time in your existence. Because a majority

711
00:35:24,440 --> 00:35:26,200
Speaker 1: of your art has been acting.

712
00:35:27,840 --> 00:35:30,520
Speaker 2: I'd say I haven't half at this point. I've put

713
00:35:30,560 --> 00:35:32,799
Speaker 2: out ten points, I've put out ten albums, you know,

714
00:35:33,120 --> 00:35:35,480
Speaker 2: right then twenty tours around America.

715
00:35:35,560 --> 00:35:38,640
Speaker 1: Do you think you're done or do you think in

716
00:35:38,680 --> 00:35:39,640
Speaker 1: the future.

717
00:35:39,400 --> 00:35:46,280
Speaker 2: Done with what acting? I am soft retired, please continue

718
00:35:46,680 --> 00:35:50,800
Speaker 2: seft retired. That means that I work when I want to, Okay.

719
00:35:51,239 --> 00:35:54,680
Speaker 2: I do not chase it. I do not go on auditions,

720
00:35:55,600 --> 00:35:58,319
Speaker 2: I do not send in tapes. I do not play

721
00:35:58,320 --> 00:36:02,120
Speaker 2: the game, make an offer, take it off great. I mean, now,

722
00:36:02,120 --> 00:36:05,160
Speaker 2: if it's you know, if I had an opportunity to, like, say,

723
00:36:05,400 --> 00:36:08,000
Speaker 2: work with Martin Scorsese and Al Pacino and they said

724
00:36:08,000 --> 00:36:10,359
Speaker 2: you've got to read for al You've got to read

725
00:36:10,400 --> 00:36:14,040
Speaker 2: for Martin, I would freaking go read, Okay, But I

726
00:36:14,120 --> 00:36:15,840
Speaker 2: have to want to do it. It has to be

727
00:36:15,920 --> 00:36:19,640
Speaker 2: something that's exciting and desirable for me to want to

728
00:36:19,680 --> 00:36:22,120
Speaker 2: go through that step. But I'm not going to go

729
00:36:22,320 --> 00:36:25,359
Speaker 2: just succumb to the you know, meandering around with the

730
00:36:25,520 --> 00:36:27,799
Speaker 2: you know, it's just it's so pathetic and the fact

731
00:36:27,800 --> 00:36:31,239
Speaker 2: that they make people who've you know, imagine somebody's a

732
00:36:31,320 --> 00:36:34,120
Speaker 2: CEO of a company, you know, and they run some

733
00:36:34,200 --> 00:36:37,000
Speaker 2: big fortune five hundred company and now they've got to

734
00:36:37,040 --> 00:36:40,120
Speaker 2: go and like, you know, audition for like an office job,

735
00:36:40,280 --> 00:36:42,080
Speaker 2: you know, at the Nekes place that they go to.

736
00:36:42,280 --> 00:36:44,279
Speaker 2: I mean, that's kind of what it's comparable to when

737
00:36:44,280 --> 00:36:46,759
Speaker 2: they do that to people. So it's like, NA, no,

738
00:36:46,920 --> 00:36:49,560
Speaker 2: I'm good. But I made my own path, you know,

739
00:36:49,719 --> 00:36:55,759
Speaker 2: both producing films, producing television shows, producing music, creating my

740
00:36:55,760 --> 00:37:01,200
Speaker 2: own label, distributing music, and of course working with other artists,

741
00:37:01,280 --> 00:37:03,480
Speaker 2: launching other artists, which we did for the first time

742
00:37:03,520 --> 00:37:06,600
Speaker 2: this year with my girlfriend Adrian Sky. We launched her

743
00:37:06,680 --> 00:37:11,560
Speaker 2: new EP, we launched my latest ape EP, both from

744
00:37:11,560 --> 00:37:14,759
Speaker 2: the same label, and we're getting ready to do a

745
00:37:14,800 --> 00:37:18,240
Speaker 2: world tour, my first ever world tour, which is very exciting,

746
00:37:18,480 --> 00:37:20,760
Speaker 2: very very stoked, totally stoked.

747
00:37:20,960 --> 00:37:22,799
Speaker 1: That's exciting. We're going to be.

748
00:37:22,760 --> 00:37:25,680
Speaker 2: Filming it for a documentary as well. Oh wow, okay,

749
00:37:26,160 --> 00:37:28,640
Speaker 2: you know kind of Corey takes Over Europe, UK. Whatever

750
00:37:28,680 --> 00:37:30,480
Speaker 2: it's going to be. I don't know exactly, but we're

751
00:37:30,600 --> 00:37:33,640
Speaker 2: it's it's gonna be a lot of fun and then

752
00:37:34,040 --> 00:37:36,040
Speaker 2: but it's really love retors. It's not about me I

753
00:37:36,080 --> 00:37:38,000
Speaker 2: say that Corey takes over. It's just a joke. But

754
00:37:38,000 --> 00:37:40,000
Speaker 2: but but it's but it's but it's it's love. It's

755
00:37:40,000 --> 00:37:42,000
Speaker 2: about love. I mean, that's the idea. It's it's called

756
00:37:42,000 --> 00:37:44,480
Speaker 2: Love Retours, and the idea is to bring it all

757
00:37:44,520 --> 00:37:47,520
Speaker 2: over the world because I think the world needs positive

758
00:37:47,640 --> 00:37:49,879
Speaker 2: energy and love right now. I think that's the most

759
00:37:49,920 --> 00:37:54,320
Speaker 2: important thing. So the idea is to bring a harmonious, positive, exciting,

760
00:37:54,440 --> 00:37:57,640
Speaker 2: joyful experience for everybody when we do this tour, which

761
00:37:57,680 --> 00:37:59,920
Speaker 2: we've done, by the way, all over America quite successful,

762
00:38:00,239 --> 00:38:02,320
Speaker 2: like three four rounds of it, so now we're taking

763
00:38:02,320 --> 00:38:05,400
Speaker 2: it overseas. But on top of all that, you know,

764
00:38:05,440 --> 00:38:08,080
Speaker 2: we're also doing this year the Stand by Me fortieth

765
00:38:08,080 --> 00:38:12,160
Speaker 2: Anniversary Tour with Me, Jerry and Will Wheaton. So all

766
00:38:12,200 --> 00:38:17,120
Speaker 2: three of us are doing dates across America where we're

767
00:38:17,160 --> 00:38:20,759
Speaker 2: doing like two thousand seat theaters and we're showing the

768
00:38:20,800 --> 00:38:22,799
Speaker 2: movie for the fortieth anniversary, and we're doing a Q

769
00:38:22,920 --> 00:38:25,719
Speaker 2: and A afterwards and talking about our experiences on the

770
00:38:25,760 --> 00:38:28,640
Speaker 2: film and you know, meet and greets with the fans afterwards.

771
00:38:28,719 --> 00:38:32,600
Speaker 2: We're also doing that at the same time for Goonies

772
00:38:32,960 --> 00:38:35,839
Speaker 2: with Kerry Green and I we're running around doing those.

773
00:38:35,920 --> 00:38:38,080
Speaker 2: So we're doing both Kerry Green and I doing Goonies

774
00:38:38,120 --> 00:38:41,640
Speaker 2: fortieth anniversary screenings and stand by me, you know, the

775
00:38:41,680 --> 00:38:43,319
Speaker 2: three of us because River is no longer with us,

776
00:38:43,400 --> 00:38:46,400
Speaker 2: Rip River. But we're, you know, the three of us

777
00:38:46,480 --> 00:38:49,600
Speaker 2: running around together doing these and then a world tour

778
00:38:49,800 --> 00:38:52,360
Speaker 2: on top of all that, and then you know, possibly

779
00:38:52,360 --> 00:38:54,560
Speaker 2: Goonies too. I don't know, but we haven't gotten the

780
00:38:54,560 --> 00:38:57,360
Speaker 2: offer yet, so I can't say if that's actually happening.

781
00:38:57,560 --> 00:38:59,840
Speaker 2: But I can tell you that the rest is actually happening.

782
00:39:00,080 --> 00:39:04,920
Speaker 2: It's going to be a very busy year. Yes, Cory

783
00:39:05,040 --> 00:39:08,239
Speaker 2: filled men having slowed down there, I don't plan on

784
00:39:08,360 --> 00:39:11,440
Speaker 2: slowing down. So I say, semi retired, Well, please.

785
00:39:11,360 --> 00:39:13,240
Speaker 1: God, you're in such good health.

786
00:39:13,360 --> 00:39:14,399
Speaker 2: Yes, thank God for that.

787
00:39:14,560 --> 00:39:18,920
Speaker 1: To be able to do a tour, dude, I mean, well,

788
00:39:18,960 --> 00:39:22,480
Speaker 1: the other stuff is probably easier to do. Reflecting and

789
00:39:22,520 --> 00:39:25,200
Speaker 1: doing cons and saying hi to people are doing that

790
00:39:25,239 --> 00:39:26,239
Speaker 1: other stuff. It's easy.

791
00:39:26,280 --> 00:39:28,520
Speaker 2: But but no, when I I don't know if you've

792
00:39:28,520 --> 00:39:30,759
Speaker 2: ever have you ever seen one of my shows?

793
00:39:30,800 --> 00:39:31,480
Speaker 1: Never been to one?

794
00:39:31,520 --> 00:39:33,359
Speaker 2: You need to come out. I would love you need

795
00:39:33,400 --> 00:39:35,160
Speaker 2: to come out. I would love to do Can I

796
00:39:35,160 --> 00:39:37,879
Speaker 2: play a tambourine. So much fun. Yes, of course you can.

797
00:39:38,080 --> 00:39:40,479
Speaker 2: I want you please, don't good at that. I'll bring

798
00:39:40,480 --> 00:39:42,480
Speaker 2: your ass out. I'm going to give you a throw

799
00:39:42,520 --> 00:39:43,719
Speaker 2: it in your hand and I'll be like.

800
00:39:43,680 --> 00:39:49,440
Speaker 1: You owe me this. I'll give you a cool musical factoid. Okay.

801
00:39:49,560 --> 00:39:52,600
Speaker 1: So I'm with the same gal thirty nine years. Congratulations,

802
00:39:52,600 --> 00:39:54,840
Speaker 1: that's quite a feat. I'm married thirty five years and

803
00:39:54,880 --> 00:39:57,000
Speaker 1: she gets a lot of feet. This very cute girl

804
00:39:57,040 --> 00:40:01,480
Speaker 1: from Rio dejan Niro. Nice up. But her dad is

805
00:40:01,520 --> 00:40:07,359
Speaker 1: a jazz keyboardist. Nice and he produced a band in

806
00:40:07,400 --> 00:40:11,400
Speaker 1: the seventies and eighties and did the arrangements on a

807
00:40:11,400 --> 00:40:14,160
Speaker 1: bunch of their music, like strings and all kinds of

808
00:40:14,200 --> 00:40:17,080
Speaker 1: other you know, arranging stuff. So like if you heard

809
00:40:18,239 --> 00:40:22,480
Speaker 1: uh break good course, So the producer, there's a guy

810
00:40:22,560 --> 00:40:26,200
Speaker 1: named Dia Dado. So that's my wife's dad. This is

811
00:40:26,239 --> 00:40:29,640
Speaker 1: this guy you mirror Diadado who you know, like you'll

812
00:40:29,680 --> 00:40:33,799
Speaker 1: dig this because you're taste is quite unique. So you'll

813
00:40:33,840 --> 00:40:37,080
Speaker 1: remember two thousand and one the Space Odyssey film, Yes,

814
00:40:37,239 --> 00:40:43,239
Speaker 1: and the music, the original score. But you'll remember back

815
00:40:43,280 --> 00:40:44,160
Speaker 1: in the day no no.

816
00:40:44,040 --> 00:40:44,880
Speaker 2: No, no no.

817
00:40:45,840 --> 00:40:48,960
Speaker 1: Then that's my father.

818
00:40:50,640 --> 00:40:54,920
Speaker 2: Like the only orchestral hit in the history of pop music.

819
00:40:55,239 --> 00:40:58,120
Speaker 1: It's a disco version of two thousand and one. It's amazing,

820
00:40:58,400 --> 00:41:00,920
Speaker 1: and it saw that whole thing was created by my.

821
00:41:00,880 --> 00:41:02,600
Speaker 2: Father in law and used, by the way in an

822
00:41:02,600 --> 00:41:07,200
Speaker 2: Albert Brooks film. Oh wow, might I mention Albert Brooks?

823
00:41:07,640 --> 00:41:09,480
Speaker 2: Did you know that? Did you know that song was

824
00:41:09,560 --> 00:41:10,319
Speaker 2: used in Albert Brooks?

825
00:41:10,400 --> 00:41:12,879
Speaker 1: Can I tell you a great Albert Brooks story? Yes?

826
00:41:13,000 --> 00:41:13,320
Speaker 2: Please.

827
00:41:15,160 --> 00:41:17,280
Speaker 1: I went for a walk with my friend Mike Binder,

828
00:41:18,280 --> 00:41:19,759
Speaker 1: and I was invited to go on a walk with

829
00:41:19,800 --> 00:41:21,400
Speaker 1: Mike Binder and Albert Brooks.

830
00:41:21,480 --> 00:41:26,000
Speaker 2: Okay, because this other actor, how do you get a walk? Hey, hey,

831
00:41:26,040 --> 00:41:28,600
Speaker 2: We're gonna go on this big power walk. It's way

832
00:41:28,640 --> 00:41:32,040
Speaker 2: in Albert Brooks. Come on, let's do this thing exactly what?

833
00:41:32,080 --> 00:41:33,200
Speaker 2: Oh my god.

834
00:41:33,320 --> 00:41:35,640
Speaker 1: Mike Binder called me. He said, hey, man, want to

835
00:41:35,640 --> 00:41:37,960
Speaker 1: go on a walk with Albert? And I went, what

836
00:41:38,000 --> 00:41:39,759
Speaker 1: do you mean? He goes, Albert Brooks, I go on

837
00:41:39,800 --> 00:41:41,319
Speaker 1: these walks with him and this other actor who will

838
00:41:41,360 --> 00:41:44,319
Speaker 1: remain nameless. He was very famous, but he's out of town.

839
00:41:44,400 --> 00:41:46,120
Speaker 1: So like I told Albert, and I said, can I

840
00:41:46,120 --> 00:41:48,960
Speaker 1: bring the youngest pod the youngest Baldwin? He doesn't say

841
00:41:48,960 --> 00:41:51,239
Speaker 1: which one, because Albert will go which one is that?

842
00:41:52,760 --> 00:41:55,080
Speaker 1: So I go on this walk and I show up

843
00:41:55,320 --> 00:41:57,120
Speaker 1: and he turns to my eels, I thought you said

844
00:41:57,120 --> 00:42:00,400
Speaker 1: it was Billy. Oh god. So we go on this squak.

845
00:42:01,239 --> 00:42:03,920
Speaker 1: We go on this walk and there I am with Albert.

846
00:42:04,000 --> 00:42:06,480
Speaker 1: It's out. It's Albert Brooks. You know what I mean?

847
00:42:07,040 --> 00:42:10,640
Speaker 1: And I promised Mike I won't say a word. I'm

848
00:42:10,719 --> 00:42:12,759
Speaker 1: just I'll walk. All you hear is this toles of

849
00:42:12,840 --> 00:42:15,839
Speaker 1: my feet on the assphalt. I swear to your right.

850
00:42:15,960 --> 00:42:17,439
Speaker 1: I just want to be a bug on the wall.

851
00:42:17,560 --> 00:42:17,680
Speaker 3: Right.

852
00:42:17,800 --> 00:42:19,759
Speaker 1: So those guys are chatting, you know, Albert, you know this?

853
00:42:19,880 --> 00:42:22,080
Speaker 2: And Albert's like, oh yeah, and Mike's like, you know

854
00:42:22,160 --> 00:42:24,280
Speaker 2: and then you know Albert that and he's like, oh no, kidden,

855
00:42:24,400 --> 00:42:26,839
Speaker 2: you know. So I wait like forty minutes and we're

856
00:42:26,880 --> 00:42:28,560
Speaker 2: walking here and now we've turned around and we're coming

857
00:42:28,600 --> 00:42:29,080
Speaker 2: back right.

858
00:42:29,120 --> 00:42:30,960
Speaker 1: So I turned around. I go, hey, you know, I

859
00:42:31,000 --> 00:42:33,160
Speaker 1: got an idea, no.

860
00:42:35,280 --> 00:42:37,279
Speaker 2: Out, I go Albert, I think I have a cool,

861
00:42:37,360 --> 00:42:38,480
Speaker 2: creative idea for you.

862
00:42:38,520 --> 00:42:42,920
Speaker 1: And Mike's going, no, not dad, anything but that.

863
00:42:43,880 --> 00:42:47,040
Speaker 2: So I think I'm being clever right with Albert. And

864
00:42:47,080 --> 00:42:53,719
Speaker 2: I turned around. I got here's the idea. Albert Brooks

865
00:42:55,160 --> 00:42:55,960
Speaker 2: in IMAX.

866
00:42:58,600 --> 00:43:02,560
Speaker 1: I think I'm being clever? Were in funny? All here is?

867
00:43:07,880 --> 00:43:09,239
Speaker 2: I can see his face.

868
00:43:16,320 --> 00:43:19,080
Speaker 1: Hal Brooks. Yeah, that's why.

869
00:43:20,680 --> 00:43:22,160
Speaker 2: He didn't give you even like a side.

870
00:43:22,440 --> 00:43:24,879
Speaker 1: Yeah, it was. I was way off from man.

871
00:43:25,080 --> 00:43:27,760
Speaker 2: I was, well, you know, I mean, I'm just going,

872
00:43:28,680 --> 00:43:32,120
Speaker 2: what in IMAX? I mean, what exactly did you have

873
00:43:32,200 --> 00:43:34,640
Speaker 2: in Alpert Brooks? But did you want to hear him

874
00:43:34,640 --> 00:43:38,480
Speaker 2: telling jokes in IMAX? I don't know, I mean was

875
00:43:38,640 --> 00:43:39,080
Speaker 2: I just.

876
00:43:38,960 --> 00:43:42,719
Speaker 1: Thought if I just pointed him in the direction of imax, right,

877
00:43:42,800 --> 00:43:44,240
Speaker 1: that it would happen?

878
00:43:44,440 --> 00:43:44,680
Speaker 2: Yes?

879
00:43:44,880 --> 00:43:45,080
Speaker 1: Right?

880
00:43:45,160 --> 00:43:48,360
Speaker 4: Gotcham feel like that's a great segue into one bad movie.

881
00:43:49,280 --> 00:43:51,839
Speaker 1: There you go. What do you mean like that's my one?

882
00:43:52,560 --> 00:43:54,239
Speaker 2: He's trying to say. I think he's trying to say,

883
00:43:54,320 --> 00:43:58,279
Speaker 2: get on with that. God, you guys get all day

884
00:43:58,360 --> 00:44:00,439
Speaker 2: about nonsense. We don't care.

885
00:44:00,920 --> 00:44:01,439
Speaker 1: Corey Felt.

886
00:44:01,560 --> 00:44:03,080
Speaker 2: Can I tell you my Albert Brooks story?

887
00:44:03,719 --> 00:44:04,280
Speaker 1: Oh please?

888
00:44:04,680 --> 00:44:06,600
Speaker 2: It's not as good as yours, but I'll tell it

889
00:44:06,640 --> 00:44:09,520
Speaker 2: to you anyway. It's not naughty. No oh no, no,

890
00:44:09,560 --> 00:44:11,719
Speaker 2: I don't tell you didn't make out these stories out

891
00:44:11,760 --> 00:44:17,560
Speaker 2: of school? No, no, anyway. So so all right, here's

892
00:44:17,560 --> 00:44:20,560
Speaker 2: the deal. Unless, of course, it falls like a crime

893
00:44:20,600 --> 00:44:24,000
Speaker 2: that you have to kind of but that's another story. Okay,

894
00:44:24,320 --> 00:44:27,799
Speaker 2: all right, anyway, I made him snort. That's two in

895
00:44:27,840 --> 00:44:31,160
Speaker 2: a row. I got Tory smelling the snorter and I

896
00:44:31,200 --> 00:44:34,880
Speaker 2: got you to snort. I'm on a snorm roll. I

897
00:44:34,920 --> 00:44:35,319
Speaker 2: love it.

898
00:44:35,600 --> 00:44:36,040
Speaker 1: I love it.

899
00:44:36,080 --> 00:44:38,560
Speaker 2: Now I can say the snorting we're doing now is

900
00:44:38,680 --> 00:44:47,680
Speaker 2: not the same as yeah anyway, so hold on, wait,

901
00:44:47,760 --> 00:44:49,600
Speaker 2: what was I saying? I lost my train in time?

902
00:44:49,880 --> 00:44:50,239
Speaker 1: All right?

903
00:44:50,280 --> 00:44:53,360
Speaker 2: Albert Brooks? So so I go to meet who was it,

904
00:44:53,480 --> 00:44:56,120
Speaker 2: his partner, his producing partners. So I get a call

905
00:44:56,320 --> 00:45:01,279
Speaker 2: that his producing partner is managing people and he's a

906
00:45:01,360 --> 00:45:03,680
Speaker 2: manager and and so you know, do you want to

907
00:45:03,719 --> 00:45:05,760
Speaker 2: meet with this new manager? And I said, well, okay,

908
00:45:05,760 --> 00:45:07,600
Speaker 2: where's his office? And they said his office is in

909
00:45:07,640 --> 00:45:12,879
Speaker 2: Albert Brooks office. And I said, really, yeah, that's weird. Okay, well,

910
00:45:12,880 --> 00:45:14,319
Speaker 2: now I want to meet with him just to see

911
00:45:14,360 --> 00:45:17,560
Speaker 2: if it's true. So I go to this management office

912
00:45:17,600 --> 00:45:19,520
Speaker 2: and I'm waiting in the lobby and then sure enough,

913
00:45:19,520 --> 00:45:21,600
Speaker 2: here comes Albert Brooks and he wake walks, you know,

914
00:45:21,640 --> 00:45:23,560
Speaker 2: from one office to the other right in front of Hey,

915
00:45:23,600 --> 00:45:27,719
Speaker 2: how you doing good? And that was that was it.

916
00:45:28,000 --> 00:45:28,279
Speaker 1: That's it.

917
00:45:28,840 --> 00:45:33,040
Speaker 2: That was your brushure with greatness, you know, yeah, yeah,

918
00:45:33,080 --> 00:45:36,160
Speaker 2: Well the thing about what's nice about your story is

919
00:45:36,480 --> 00:45:39,680
Speaker 2: there's hope for a relationship in the future, which and

920
00:45:39,760 --> 00:45:45,360
Speaker 2: Albert completely I'm done, and Albert Brooks mine, what's with

921
00:45:45,560 --> 00:45:50,000
Speaker 2: this kid in the Imax, thinking well, maybe you meant

922
00:45:50,080 --> 00:45:53,000
Speaker 2: Nemo in Imax. You might have met Nemo in Imax

923
00:45:53,040 --> 00:45:54,759
Speaker 2: and that and by the way, would be a great

924
00:45:54,800 --> 00:45:57,080
Speaker 2: idea because they didn't do that back then. So there

925
00:45:57,120 --> 00:45:59,960
Speaker 2: you go. I just brought it home for you.

926
00:46:00,200 --> 00:46:03,080
Speaker 1: So I hope you're enjoying the conversation.

927
00:46:03,480 --> 00:46:06,040
Speaker 3: Stay tuned next time for part two of Corey Fellman

928
00:46:06,400 --> 00:46:07,400
Speaker 3: on One Dad Movie.

929
00:46:08,640 --> 00:46:16,840
Speaker 2: It's good, It's putty, Tamn Sam Guilty Pleasures, This Sunderstood,

930
00:46:17,560 --> 00:46:21,759
Speaker 2: It's so bad, it's good. One bad, The only sure