WEBVTT - Kamau

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<v Speaker 1>Do I start, Welcome to the podcast. I'm happy to start.

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<v Speaker 1>This is comedian w Kamal Bell. We met years ago

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<v Speaker 1>at the beginning of both of our careers. I think

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<v Speaker 1>I bombed a couple of volunteer events. Yeah, you bombed

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<v Speaker 1>a little bit, and I got to see bombs. I

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<v Speaker 1>love this guy. Look at him bombing like a pro. Yeah,

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<v Speaker 1>it's great and uh and yeah. It's been wild that

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<v Speaker 1>our careers have gone in these crazy trajectories and now

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<v Speaker 1>we reunited to discuss Fred Rogers today come out has

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<v Speaker 1>a CNN show called United Shades of America where he

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<v Speaker 1>travels around the US talking to people about what's wrong

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<v Speaker 1>with this country. And I wanted to talk with him

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<v Speaker 1>because he did something really interesting with that show. He

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<v Speaker 1>sat down with some of the most hateful people I

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<v Speaker 1>can think of, and he had a conversation. I'm Carvel

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<v Speaker 1>Wallace and this is Finding Fred, a podcast about Fred

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<v Speaker 1>Rogers from I Heeart Media and Fatherly in partnership with

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<v Speaker 1>transmitter media early and I think it was the first

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<v Speaker 1>season you talked with some white nationalists, uh, and some

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<v Speaker 1>pretty heavy movers in that. I imagine you've got a

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<v Speaker 1>lot of pushback from people about giving the people platform

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<v Speaker 1>given how did you make sense, why did you decide

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<v Speaker 1>to do that, and what did you learn in that experience.

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<v Speaker 1>I believe, and you know, platform and Richard Spencer or

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<v Speaker 1>any of these people would be tonight in the United Shades,

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<v Speaker 1>I'm going to take the night off and let Richard

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<v Speaker 1>Spencer run the show. To me, that's platforming. That's normalizing.

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<v Speaker 1>Sitting out and talking to Richards Spencer about what he

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<v Speaker 1>believes in all of his white nationalists beliefs in the

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<v Speaker 1>middle of an episode that is highlighting the importance of

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<v Speaker 1>immigration and refugees in this country. To me, it is

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<v Speaker 1>not platforming. I also think when Trump was first selected,

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<v Speaker 1>the fear of platforming and normalizing is I think we're

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<v Speaker 1>really buzzwords at the left held onto in lieu of

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<v Speaker 1>doing the actual work, Like you know, no, we I

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<v Speaker 1>feel like looking at it in the face is actually

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<v Speaker 1>helpful to me to go how serious is this? Not

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<v Speaker 1>looking at it in the face, to me, is is

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<v Speaker 1>sort of a way to sort of like just pretend

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<v Speaker 1>like you can still go to yoga class and and

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<v Speaker 1>uh in the farmer's market, because I think the reason

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<v Speaker 1>why we have Trumpet office right now is because a

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<v Speaker 1>lot of people on the left were wanting to look

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<v Speaker 1>at him, you know, they weren't willing to really like

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<v Speaker 1>is this possible? No, it's not possible, because I've been

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<v Speaker 1>doing a chance in the morning. So for me, it's

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<v Speaker 1>the fact is it's like if we've if we if

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<v Speaker 1>we've learned anything in this current air of Americas that

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<v Speaker 1>we got to look at this stuff in the face,

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<v Speaker 1>you know what I mean. So for me, you know,

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<v Speaker 1>it's the it's Sunlight's the best disinfectant. Like I I

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<v Speaker 1>believe that. Did you find Richard Spencer uh intimidating who's

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<v Speaker 1>probably a foot shorter than you. Yeah, he's not as

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<v Speaker 1>short as most whitespurad. I think that's why he was

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<v Speaker 1>the leader. He was like, did you play in the NBA?

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<v Speaker 1>After you go in there, you do realize everybody's like

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<v Speaker 1>five four and like and they would sort of trying

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<v Speaker 1>to like walk up to me, a couple of them

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<v Speaker 1>trying to get me to a flinch or just sort

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<v Speaker 1>of like and it was like, also six four man,

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<v Speaker 1>I'm not not. I just sort of like it became

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<v Speaker 1>fun to me to sort of like look comfortable, you know.

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<v Speaker 1>And so by the time I sat down and talked

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<v Speaker 1>to him, it was really fine. We are here to

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<v Speaker 1>talk about Mr Rogers. And that's good cause I was like, man,

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<v Speaker 1>this is really not what I prepared. Know. I tend

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<v Speaker 1>to approach things from like, um, and Uh, the reason

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<v Speaker 1>I'm asking about your experiences with Richard Spencer's because I've

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<v Speaker 1>been really stuck on this this sort of ethical position

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<v Speaker 1>that Fred Rogers took, which is that it's it's you

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<v Speaker 1>I like. I like you just the way you are, Uh,

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<v Speaker 1>that kind of thing. And I wonder how that squares

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<v Speaker 1>with people who were like Richard Spencer. Could Fred Rogers

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<v Speaker 1>say I like you just the way you are? And

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<v Speaker 1>I know you can't speak for him, So I'm going

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<v Speaker 1>to ask you to speak for you. Did you when

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<v Speaker 1>you look at him, see anything that you felt compassion

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<v Speaker 1>for when you talked with Richard Spencer or some of

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<v Speaker 1>these other white nationalists? So, Uh, the thing is, when

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<v Speaker 1>I think about that, I like you just where you

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<v Speaker 1>are when you sit down with people individually. A lot

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<v Speaker 1>of times all that stuff, a lot of the bluster

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<v Speaker 1>goes away. Like when I talked to the clan and

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<v Speaker 1>uh in was it in Kentucky. It became very clear

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<v Speaker 1>to me after a while, like, oh, you guys have

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<v Speaker 1>come from a community where there's no jobs, there's no opportunity,

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<v Speaker 1>your educational system isn't good, and you're just mad, and

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<v Speaker 1>you have bought a bill of goods from somebody that

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<v Speaker 1>is black people's fault. Like that's the problem is that

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<v Speaker 1>that you went from, Like I want more opportunity and

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<v Speaker 1>more jobs of my community too, It's got to be

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<v Speaker 1>somebody's fault. And then somebody sold you can we talked

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<v Speaker 1>to you about black peop they handed you be it's

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<v Speaker 1>black people fall pans. And so for me, when I

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<v Speaker 1>take away the when I look at that part, I go,

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<v Speaker 1>that's the part I could have empathy with. You know,

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<v Speaker 1>these people are not the billionaire people who were running

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<v Speaker 1>this country and using tools of white supremacy to keep

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<v Speaker 1>things going. These are people who are like, got sold

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<v Speaker 1>a bill of goods based on being vulnerable. A few

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<v Speaker 1>years ago, I was in Michigan reporting a story. I

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<v Speaker 1>was at the gym and I looked up and saw

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<v Speaker 1>Kamal's face on the TV screen. This was several months

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<v Speaker 1>after the election, and the alt right was feeling definitely emboldened,

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<v Speaker 1>so much so in fact, that they were white supremacists

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<v Speaker 1>marching in downtown Berkeley, of all places, which happened to

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<v Speaker 1>be where Kamal lived. He had just spoken at a

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<v Speaker 1>counter protest, and on Fox News they were playing his

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<v Speaker 1>speech and calling him a radical black separatist, and suddenly

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<v Speaker 1>Kamal had become a target of white premises. That was

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<v Speaker 1>when I got streets got hot for me for a second,

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<v Speaker 1>exactly the streets got hot for you. And all of

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<v Speaker 1>a sudden, I was I had a lot of feelings

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<v Speaker 1>seeing that, actually, dude, Like, on the one hand, I

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<v Speaker 1>was like, this is absurd, But then in the other hand,

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<v Speaker 1>it kind of struck a little bit of fear in

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<v Speaker 1>my heart because I thought, God, if you can call comal,

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<v Speaker 1>or if you can get like like the Confederate flag

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<v Speaker 1>waivers income as a black separation, what who among us

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<v Speaker 1>is safe? Is like, this is the most integrated dude

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<v Speaker 1>I've ever met. And uh and um. I was just

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<v Speaker 1>really amazed by that, and I thought a lot about it,

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<v Speaker 1>and I guess I want to ask you what that

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<v Speaker 1>experience was like for you to be targeted in that

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<v Speaker 1>way and how you made sense of that, like how

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<v Speaker 1>you navigated that. Was that scary at all? Like it

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<v Speaker 1>only became because you had kids at that point. Yeah,

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<v Speaker 1>it became scary because over the next week or so,

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<v Speaker 1>it like I became the like the the deep intern

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<v Speaker 1>dark web, intern hinterland internet all right target, Like I

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<v Speaker 1>was just the person on summer Jam screen. So like

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<v Speaker 1>like so all these memes start going up, and you know,

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<v Speaker 1>we were in downtown Berkeley, so people see me walking

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<v Speaker 1>into my house, you know, and also we're right now

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<v Speaker 1>where all the alright rallies are. It was scary. It

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<v Speaker 1>was like the first time I felt like that my

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<v Speaker 1>thing I do on TV is can affect my family,

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<v Speaker 1>like in a way that it feels like we have

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<v Speaker 1>to sort of like think about our security protocols and

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<v Speaker 1>think about like where we send our kids to school

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<v Speaker 1>as opposed to like oh yeah, you know, and all

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<v Speaker 1>these sorts of things that sort of that that we

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<v Speaker 1>weren't thinking in that way before. Doesn't that kind of

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<v Speaker 1>make you hate people like they're putting your family in

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<v Speaker 1>jeopardy and putting you in the situation where you feel like,

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<v Speaker 1>I mean, doesn't that like trigger rage and hating, you

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<v Speaker 1>know it triggers like I'd say it, triggers like Papa Bear,

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<v Speaker 1>protect your family, you know it, triggers like don't do

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<v Speaker 1>anything stupid the people who are doing this I already

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<v Speaker 1>wasn't a fan of anyway, like this has really Yeah,

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<v Speaker 1>I sort of knew this, you know. And also the

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<v Speaker 1>history of black people in this country is that, you know,

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<v Speaker 1>you can't know the history of are people without knowing that, like,

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<v Speaker 1>you know, we get taken out regularly. Now. I don't

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<v Speaker 1>think I'm not trying to be some sort of martyr

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<v Speaker 1>or something, but it's just like, if I choose to

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<v Speaker 1>do this work and I choose to be public about it,

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<v Speaker 1>It's not that I'm like ready to die or any

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<v Speaker 1>of that nonsense. You know, I got too many children

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<v Speaker 1>to die right now. But I do feel like this

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<v Speaker 1>is a part of the gig. I mean, my wife

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<v Speaker 1>talked about that, like, and I think about like people

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<v Speaker 1>like Dick Gregory as far as like he actually gave

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<v Speaker 1>up comedy to be an activist at one point in

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<v Speaker 1>his life, and so this is the work I want

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<v Speaker 1>to do, and it feels right now in this country,

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<v Speaker 1>feels like it's necessary. If anything, I feel bad, but

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<v Speaker 1>I'm not doing more of it. I think more about that,

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<v Speaker 1>like what more can I do? Or how can I

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<v Speaker 1>do this better than I think about the people who

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<v Speaker 1>who have enmity towards me. And also the thing is

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<v Speaker 1>most of them don't even They're just blah blah blah,

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<v Speaker 1>like they're gonna move on to the next person. We'll

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<v Speaker 1>ft evaluated. He loves me, he loves me, not he

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<v Speaker 1>loves me? He loves me not. He loves me not,

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<v Speaker 1>otter dot ai. What's your first earliest memory of seeing

0:11:51.240 --> 0:11:53.480
<v Speaker 1>Fred Rogers or seeing a show? Did you watch you

0:11:53.520 --> 0:11:55.160
<v Speaker 1>growing up? I watched you growing up, so I don't

0:11:55.200 --> 0:11:57.400
<v Speaker 1>have like I don't have the time my mom sat

0:11:57.480 --> 0:12:01.960
<v Speaker 1>me down, we didn't have cable, so I guess most cable. Uh.

0:12:02.000 --> 0:12:04.800
<v Speaker 1>And so you know I'm talking about like Sesame Street,

0:12:04.960 --> 0:12:08.280
<v Speaker 1>Mr Rogers, the Electric Company three to one contact for

0:12:08.400 --> 0:12:13.320
<v Speaker 1>my old heads out there lane right now. Yeah. So

0:12:13.400 --> 0:12:15.680
<v Speaker 1>for me, like Mr. Rogers is just one of the

0:12:15.720 --> 0:12:18.000
<v Speaker 1>things that I watched on TV. And then for me,

0:12:18.080 --> 0:12:19.760
<v Speaker 1>the weird part is like, even when I got older,

0:12:19.760 --> 0:12:21.719
<v Speaker 1>every now again you flip past and go, let me

0:12:21.800 --> 0:12:24.000
<v Speaker 1>just watch a few minutes. Why what is what? What

0:12:24.080 --> 0:12:27.120
<v Speaker 1>did that bring to you? I think there's something the

0:12:27.160 --> 0:12:30.760
<v Speaker 1>greatest of kids programming, there's something so pure about it

0:12:30.800 --> 0:12:32.640
<v Speaker 1>that it's doing anything he wants to do that adults

0:12:32.679 --> 0:12:35.200
<v Speaker 1>watch it too, Like I think that's true. When it's

0:12:35.240 --> 0:12:36.880
<v Speaker 1>not pure, when it's really about like you just want

0:12:36.880 --> 0:12:38.839
<v Speaker 1>my kid to buy this thing, don't you, then it's

0:12:38.840 --> 0:12:41.000
<v Speaker 1>like it becomes too self conscious of like the things

0:12:41.000 --> 0:12:44.839
<v Speaker 1>that's trying to do. But Mr Rogers is super pure.

0:12:44.960 --> 0:12:48.040
<v Speaker 1>It's just like this is one persons statement being supported

0:12:48.040 --> 0:12:49.880
<v Speaker 1>by the team of people around him and somebody who

0:12:49.920 --> 0:12:51.599
<v Speaker 1>works in TV. That's hard to do. Yeah, I was

0:12:51.600 --> 0:12:53.280
<v Speaker 1>gonna ask you about that, like as it has your

0:12:53.320 --> 0:12:55.520
<v Speaker 1>understanding of what he was able to do change now

0:12:55.559 --> 0:12:59.920
<v Speaker 1>that you are a maker of television. Yes, great, thank you,

0:13:00.200 --> 0:13:03.720
<v Speaker 1>goodnight everyone. Yeah. No, I mean it's like it's hard

0:13:03.760 --> 0:13:06.280
<v Speaker 1>to get everybody on you if you have everybody on

0:13:06.320 --> 0:13:08.920
<v Speaker 1>the same page that they're all in service of of

0:13:09.400 --> 0:13:11.480
<v Speaker 1>Mr Rogers. I can still call Mr Rogers. You say

0:13:11.480 --> 0:13:13.679
<v Speaker 1>Fred because you know him like that, But I've been

0:13:13.720 --> 0:13:15.760
<v Speaker 1>called that only by black people on the show. I

0:13:15.800 --> 0:13:17.320
<v Speaker 1>just want to point that out because white people have

0:13:17.320 --> 0:13:19.440
<v Speaker 1>been like Fred Red Fred and then viewing and she

0:13:19.559 --> 0:13:23.600
<v Speaker 1>was like, you know him like that exactly like Fred Rogers.

0:13:23.920 --> 0:13:29.560
<v Speaker 1>Excuse me? Are you a son that? Uh? Mr Rogers?

0:13:30.800 --> 0:13:33.839
<v Speaker 1>Is that it's clear that like everybody was on the

0:13:33.880 --> 0:13:36.120
<v Speaker 1>same page, or at least I knew that this was

0:13:36.240 --> 0:13:39.480
<v Speaker 1>this is the voice I'm following. That's not that's not

0:13:39.559 --> 0:13:42.040
<v Speaker 1>case nine percent of the TV that's ever been made.

0:13:42.080 --> 0:13:43.440
<v Speaker 1>That's not the case that they're not listening to one

0:13:43.480 --> 0:13:45.160
<v Speaker 1>for even some of the TV we like, it was

0:13:45.200 --> 0:13:48.360
<v Speaker 1>like it was a nightmare back there, but when it happens,

0:13:48.559 --> 0:13:50.920
<v Speaker 1>you can feel it. So for me, there's not much

0:13:50.960 --> 0:13:54.120
<v Speaker 1>difference between Mr. Rogers and Atlanta. With Donald Glover, you

0:13:54.160 --> 0:13:56.320
<v Speaker 1>could feel it like there's not much on that show

0:13:56.320 --> 0:13:59.120
<v Speaker 1>that Donald Glover hasn't been like check, it's fun, it's

0:13:59.320 --> 0:14:01.880
<v Speaker 1>the Atlanta's really interesting comparison, one that I had never

0:14:02.000 --> 0:14:04.960
<v Speaker 1>made um but that rings true for me, partially for

0:14:04.960 --> 0:14:06.920
<v Speaker 1>what you said about the creative process, but also because

0:14:06.960 --> 0:14:09.120
<v Speaker 1>both of those shows make a lot of use of

0:14:09.280 --> 0:14:12.800
<v Speaker 1>space and silence, and they do this thing where they

0:14:12.840 --> 0:14:16.560
<v Speaker 1>train the listeners to sit still long enough to start

0:14:16.600 --> 0:14:19.600
<v Speaker 1>to feel and experience more subtle levels of what's going on.

0:14:20.200 --> 0:14:21.960
<v Speaker 1>And they've built a lot of trust with the audience.

0:14:22.000 --> 0:14:25.120
<v Speaker 1>So even if you're like, where's this going, he was like,

0:14:25.200 --> 0:14:27.360
<v Speaker 1>I'm gonna sit here and see. And I think that's

0:14:27.400 --> 0:14:29.440
<v Speaker 1>the important thing too, is that the that you when

0:14:29.440 --> 0:14:31.040
<v Speaker 1>you build that trust with the audience, and that comes

0:14:31.040 --> 0:14:34.640
<v Speaker 1>from the audience knowing I trust that, uh Mr Rogers

0:14:34.880 --> 0:14:38.840
<v Speaker 1>or Mr Glover, I trust that these people have a plan,

0:14:39.200 --> 0:14:41.000
<v Speaker 1>because so many times you watch a lot of TV

0:14:41.080 --> 0:14:42.360
<v Speaker 1>and it's like there's no plan. They just had to

0:14:42.360 --> 0:14:44.240
<v Speaker 1>get this done. They just had to turn this in

0:14:44.720 --> 0:14:46.880
<v Speaker 1>and there was a way which Mr Rogers did. There's

0:14:46.920 --> 0:14:50.880
<v Speaker 1>something that feels like we're here for one purpose, we're

0:14:50.920 --> 0:14:53.520
<v Speaker 1>all pulling together and we're not trying to do something

0:14:53.520 --> 0:14:56.240
<v Speaker 1>that is cooler hip or trendy. We want to create

0:14:56.280 --> 0:14:58.520
<v Speaker 1>an experience and have you joined us today and come

0:14:58.560 --> 0:15:01.080
<v Speaker 1>back the next time. Also, I think talk, I mean

0:15:01.120 --> 0:15:03.240
<v Speaker 1>I think againswers from Mr Rogers. I think the reason

0:15:03.240 --> 0:15:04.920
<v Speaker 1>why I respond to Mr Rogers because the way my

0:15:04.960 --> 0:15:06.960
<v Speaker 1>mom treated me talking to your kids like their people,

0:15:07.800 --> 0:15:10.240
<v Speaker 1>you know, like talking, not talking to them like their kids. Like.

0:15:10.360 --> 0:15:13.440
<v Speaker 1>Certainly Mr Rodgers as slows down because he's trying to

0:15:13.560 --> 0:15:16.120
<v Speaker 1>make you understand, but you feel like he's a friend

0:15:16.160 --> 0:15:18.640
<v Speaker 1>of yours. And I think and for me as a parent,

0:15:19.000 --> 0:15:21.840
<v Speaker 1>when you feel like you're like I'm the I'm your friend.

0:15:22.200 --> 0:15:23.760
<v Speaker 1>I mean, I'm the friend who pays the rent. So

0:15:23.760 --> 0:15:26.480
<v Speaker 1>every now and again I make some decisions. But really

0:15:26.520 --> 0:15:29.040
<v Speaker 1>I would rather us be friends. I would rather us

0:15:29.080 --> 0:15:31.560
<v Speaker 1>talk through these problems instead of like, instead of me

0:15:31.600 --> 0:15:34.760
<v Speaker 1>saying because I said so, yeah, you know, it's interesting

0:15:34.840 --> 0:15:36.640
<v Speaker 1>you bring up your mom and I met your mom

0:15:36.640 --> 0:15:39.160
<v Speaker 1>and read her book, and um, she's a person with

0:15:39.160 --> 0:15:41.720
<v Speaker 1>a very strong black identity, which is part of the

0:15:41.760 --> 0:15:44.880
<v Speaker 1>way you were raised. And um, and I wonder when

0:15:44.920 --> 0:15:48.480
<v Speaker 1>I talk to people about Fred Rogers a lot of times, uh,

0:15:48.680 --> 0:15:52.600
<v Speaker 1>they'll they'll bring up in some way depending on their race.

0:15:53.760 --> 0:15:55.800
<v Speaker 1>A question about how I feel about him as a

0:15:55.840 --> 0:15:58.120
<v Speaker 1>black man. In other words, the question I was actually

0:15:58.160 --> 0:16:00.800
<v Speaker 1>talking with, of all people, I'm not gonna name drop.

0:16:00.840 --> 0:16:04.640
<v Speaker 1>I was talking with someone, don't. I was talking with

0:16:04.720 --> 0:16:07.480
<v Speaker 1>someone in Cape cod randomly that i'd run into who

0:16:07.560 --> 0:16:09.840
<v Speaker 1>is a known historian, and I said, I'm doing this

0:16:09.840 --> 0:16:11.960
<v Speaker 1>thing in Fred Rodgers, and he immediately said he was

0:16:11.960 --> 0:16:14.160
<v Speaker 1>a white guy. He immediately said, how do black people

0:16:14.160 --> 0:16:17.440
<v Speaker 1>feel about Fred Rogers? Just like, sir, That's why I'm

0:16:17.440 --> 0:16:19.000
<v Speaker 1>not gonna name drop, because I don't want to I

0:16:19.000 --> 0:16:20.560
<v Speaker 1>don't want to kill his book sales because this book

0:16:20.600 --> 0:16:22.920
<v Speaker 1>is very important. But but that's the first thing he said,

0:16:23.120 --> 0:16:25.760
<v Speaker 1>and uh whatever, I stumbled through the answer also kind

0:16:25.800 --> 0:16:28.000
<v Speaker 1>of annoyed and the excuse myself, But it did make

0:16:28.040 --> 0:16:32.560
<v Speaker 1>me think about this inherent belief that somehow what Fred

0:16:32.680 --> 0:16:35.880
<v Speaker 1>Rogers did was like doesn't work for blackness, or there

0:16:35.960 --> 0:16:38.320
<v Speaker 1>was misaligned and like, you know, that's been I mean,

0:16:38.320 --> 0:16:40.120
<v Speaker 1>in the famous Eddie Murphy sketch. That's sort of the

0:16:40.160 --> 0:16:42.560
<v Speaker 1>premise of that joke is that if you did Fred

0:16:42.640 --> 0:16:44.400
<v Speaker 1>Rogers in the black neighborhood, it might look like this.

0:16:44.640 --> 0:16:45.840
<v Speaker 1>But I want to hear you talk a little bit

0:16:45.840 --> 0:16:48.080
<v Speaker 1>about how people understand funny. At the same time I

0:16:48.160 --> 0:16:51.160
<v Speaker 1>was taking into Mr Rodgers, I was also watching Eddie murphyst.

0:16:52.000 --> 0:16:55.680
<v Speaker 1>I never saw Eddie Murphy's Mr Robinsons Neighborhood as being

0:16:55.720 --> 0:16:59.040
<v Speaker 1>critical of Mr Rogers. His portrayal of Mr Rogers felt

0:16:59.080 --> 0:17:01.640
<v Speaker 1>like Mr Rogers, but an Eddie Murphy version of it.

0:17:01.920 --> 0:17:03.520
<v Speaker 1>And also it never occurred to me that it was

0:17:03.560 --> 0:17:05.840
<v Speaker 1>really the black version of Mr Rodgers. It was just

0:17:05.920 --> 0:17:09.640
<v Speaker 1>the the the this version of blackness of Mr ross

0:17:09.800 --> 0:17:11.919
<v Speaker 1>which is the thing white people do. That's the black version. None, No,

0:17:12.000 --> 0:17:15.200
<v Speaker 1>that's like the hood, criminal black person M Rodgers. Sorry,

0:17:15.280 --> 0:17:20.119
<v Speaker 1>thereference criminal and black Viking news. Yea, so radical separatists

0:17:20.119 --> 0:17:24.920
<v Speaker 1>come out bell Yeah, so again, Tucker Carlson again. So

0:17:25.160 --> 0:17:28.480
<v Speaker 1>for me, it was just the idea that like, this

0:17:28.600 --> 0:17:31.320
<v Speaker 1>is how this is Eddie Murphy. It was a love

0:17:31.359 --> 0:17:33.960
<v Speaker 1>letter Mr Rogers. And when I watched Mr Rogers, I

0:17:34.000 --> 0:17:36.640
<v Speaker 1>didn't watch him as a white guy. I watched him

0:17:36.680 --> 0:17:39.520
<v Speaker 1>as Mr Rogers. And I think that's that's the thing.

0:17:39.520 --> 0:17:41.080
<v Speaker 1>I think when a white person asked that question, they

0:17:41.160 --> 0:17:44.280
<v Speaker 1>understand black people and people of color can tell the

0:17:44.280 --> 0:17:47.520
<v Speaker 1>difference between a white guy and Mr Rogers. If that

0:17:47.560 --> 0:17:49.879
<v Speaker 1>show had been made for white kids, we would have

0:17:49.880 --> 0:17:52.760
<v Speaker 1>been able to sniff it through. Doesn't feel like it's

0:17:52.760 --> 0:17:55.080
<v Speaker 1>talking to me, But the fact is Mr Rogers was

0:17:55.119 --> 0:17:56.919
<v Speaker 1>talking to all kids. I've been trying to get a

0:17:56.920 --> 0:17:58.440
<v Speaker 1>black person to come on this show and say that

0:17:58.560 --> 0:18:02.160
<v Speaker 1>Mr Rogers transcends race. Can I can? I get you?

0:18:02.160 --> 0:18:08.120
<v Speaker 1>Can I put you down for transcends race the way

0:18:08.119 --> 0:18:11.879
<v Speaker 1>that when Prince died, he transcended race. Remember printing Prince

0:18:11.920 --> 0:18:13.360
<v Speaker 1>dying David Bowie died. I was like, no, I said,

0:18:13.400 --> 0:18:22.240
<v Speaker 1>David Bowie transcended race. Mr Rogers transcends his race. Wow,

0:18:22.280 --> 0:18:25.479
<v Speaker 1>we got it, We got it, Cliff. Uh. Yeah, it's

0:18:25.480 --> 0:18:29.080
<v Speaker 1>funny because I think a lot about um, I think

0:18:29.119 --> 0:18:31.280
<v Speaker 1>a lot about this. He doesn't transcend race, he transcends

0:18:31.320 --> 0:18:34.639
<v Speaker 1>his race. That's so that's an interesting distinction. Tell me

0:18:34.640 --> 0:18:37.040
<v Speaker 1>more about that, just that he that he's so good

0:18:37.040 --> 0:18:39.480
<v Speaker 1>that I don't even score him down for being white,

0:18:40.200 --> 0:18:44.160
<v Speaker 1>that I don't do good, don't see him through through

0:18:44.200 --> 0:18:45.680
<v Speaker 1>his whiteness, which I see a lot of people through

0:18:45.680 --> 0:18:48.720
<v Speaker 1>their Yeah. Yeah, I actually it's a really interesting point.

0:18:48.800 --> 0:18:54.000
<v Speaker 1>No one made that quite as articulately. You're so articulate. Uh,

0:18:54.119 --> 0:18:56.080
<v Speaker 1>no one's made that quite as articulately as you have.

0:18:56.240 --> 0:18:58.639
<v Speaker 1>That there was something It wasn't that he transcended for

0:18:58.720 --> 0:19:00.960
<v Speaker 1>the existence of race, but something about the way he

0:19:01.040 --> 0:19:04.760
<v Speaker 1>presented himself didn't allow you to think of him just

0:19:04.880 --> 0:19:09.040
<v Speaker 1>as a white guy period. And I wonder what that is, Like,

0:19:09.080 --> 0:19:11.960
<v Speaker 1>I mean, part of me thinks that because he was

0:19:12.880 --> 0:19:17.960
<v Speaker 1>trafficking in a certain kind of respect and kindness that

0:19:18.160 --> 0:19:23.440
<v Speaker 1>typically we don't see associated with like your average run

0:19:23.480 --> 0:19:25.959
<v Speaker 1>of the mill white person when interacting with like the

0:19:26.000 --> 0:19:27.480
<v Speaker 1>rest of the world or your average run of the

0:19:27.520 --> 0:19:29.680
<v Speaker 1>mill kids show, Like there are a lot of times

0:19:29.680 --> 0:19:32.880
<v Speaker 1>they're yelling, you know, they're they're not actually trying to connect,

0:19:32.880 --> 0:19:37.400
<v Speaker 1>they're trying to u order, you know, like do this now,

0:19:37.440 --> 0:19:41.879
<v Speaker 1>do this? Go buy it? Like it's very like the

0:19:41.920 --> 0:19:45.240
<v Speaker 1>cast of kid shows. And he was just like he

0:19:45.440 --> 0:19:47.600
<v Speaker 1>just wanted to sit with you, and it was clear

0:19:47.680 --> 0:19:49.280
<v Speaker 1>he cared. And I mean, it's so hard to do

0:19:49.280 --> 0:19:51.040
<v Speaker 1>through the TV camera when you're looking at the camera,

0:19:51.040 --> 0:19:52.840
<v Speaker 1>because he's literally looking at a camera. He's not looking

0:19:52.880 --> 0:19:55.080
<v Speaker 1>at a person. And I know that too, for having

0:19:55.080 --> 0:19:56.600
<v Speaker 1>to look at camera when they say talk directly the

0:19:56.640 --> 0:19:58.560
<v Speaker 1>camera and I was like, yeah, because you're looking at

0:19:58.560 --> 0:20:00.720
<v Speaker 1>a box and you're looking at like half the camera

0:20:00.760 --> 0:20:02.840
<v Speaker 1>guys shoulder and you know, and you're wondering if he's

0:20:02.840 --> 0:20:04.760
<v Speaker 1>paying attention or whatever? How do you go about that?

0:20:04.880 --> 0:20:06.760
<v Speaker 1>Because I was gonna ask you about that, like about

0:20:06.800 --> 0:20:11.359
<v Speaker 1>similarities if any that you see between Fred Rogers United Shades.

0:20:11.400 --> 0:20:12.919
<v Speaker 1>I don't know if you can find that, but but

0:20:13.000 --> 0:20:15.480
<v Speaker 1>just as you a person who has to like do

0:20:15.520 --> 0:20:17.240
<v Speaker 1>a similar kind of work, which is I need to

0:20:17.280 --> 0:20:20.080
<v Speaker 1>talk to people, need to reach people at home, how

0:20:20.080 --> 0:20:21.959
<v Speaker 1>do you go about that technically? Like how do you

0:20:22.000 --> 0:20:24.040
<v Speaker 1>think through that? The thing I think about is vulnerability,

0:20:24.280 --> 0:20:26.920
<v Speaker 1>Like if you're vulnerable on camera and if you let

0:20:26.920 --> 0:20:28.720
<v Speaker 1>people know when you don't know, or if you let

0:20:28.720 --> 0:20:31.680
<v Speaker 1>people see you uh, if if you let people see

0:20:31.680 --> 0:20:33.439
<v Speaker 1>you break, or if you let people see you like

0:20:33.600 --> 0:20:37.679
<v Speaker 1>basically sweat, you know, there's like then they connect with

0:20:37.680 --> 0:20:40.960
<v Speaker 1>you as on a human level. I'm trying to be clear,

0:20:41.000 --> 0:20:43.640
<v Speaker 1>I'm not the expert here. I'm sitting with some experts,

0:20:43.920 --> 0:20:45.600
<v Speaker 1>and I also don't always have the right opinion, and

0:20:45.640 --> 0:20:48.600
<v Speaker 1>sometimes I mispronounced things and sometimes I will say so

0:20:48.680 --> 0:20:50.360
<v Speaker 1>we had a moment in a show we did last

0:20:50.440 --> 0:20:53.280
<v Speaker 1>year in Salt Lake City and I sat down with

0:20:53.320 --> 0:20:55.560
<v Speaker 1>a bunch of young people to talk about what was

0:20:55.600 --> 0:20:58.159
<v Speaker 1>life like to be Mormon and me and the LGBTQ

0:20:58.280 --> 0:21:00.960
<v Speaker 1>plus community. What's that like? And I said to one person,

0:21:01.000 --> 0:21:03.480
<v Speaker 1>I said, well, as a gay man, and the person

0:21:03.560 --> 0:21:04.879
<v Speaker 1>stops said no, no no, no, I'm not a gay man

0:21:05.000 --> 0:21:07.879
<v Speaker 1>of intersex and I was like, oh sorry, and the

0:21:07.880 --> 0:21:09.880
<v Speaker 1>person was like, no, no, big deal, Like basically happens

0:21:09.920 --> 0:21:12.200
<v Speaker 1>all the time. And the first edit that came back

0:21:12.240 --> 0:21:14.480
<v Speaker 1>from the production that cut out the moment of my mistake,

0:21:14.480 --> 0:21:16.240
<v Speaker 1>because that's what you're supposed to do in TV, cut

0:21:16.240 --> 0:21:17.880
<v Speaker 1>out the mistakes. I was like, no, no, no, no no, no,

0:21:18.560 --> 0:21:21.320
<v Speaker 1>that's real, that really happened. I'm not if you cut

0:21:21.320 --> 0:21:22.560
<v Speaker 1>it out, it looks like I always know what I'm

0:21:22.600 --> 0:21:24.480
<v Speaker 1>talking about. To me, I like lean on the fact that,

0:21:24.520 --> 0:21:27.159
<v Speaker 1>like I that the audience, to the cores in the

0:21:27.200 --> 0:21:28.679
<v Speaker 1>show knows that I'm not trying to be the expert.

0:21:28.800 --> 0:21:32.800
<v Speaker 1>So for me, Mr Rogers feels like a person who's

0:21:32.800 --> 0:21:34.760
<v Speaker 1>making a TV show. He doesn't feel like the host

0:21:34.800 --> 0:21:36.000
<v Speaker 1>of a TV show. And I talked about that with

0:21:36.000 --> 0:21:37.960
<v Speaker 1>the United Shades. If I start to feel like I'm

0:21:38.000 --> 0:21:42.240
<v Speaker 1>hosting the TV show We're doing something wrong. Fred Rogers,

0:21:42.320 --> 0:21:45.680
<v Speaker 1>his work was very much of his time. He did

0:21:45.720 --> 0:21:49.680
<v Speaker 1>something on TV that was, on the one hand, very successful.

0:21:49.720 --> 0:21:52.879
<v Speaker 1>On the other hand, almost no one else repeated it.

0:21:53.000 --> 0:21:55.560
<v Speaker 1>I mean, in his legacy, there's a small tradition, but

0:21:55.640 --> 0:21:57.560
<v Speaker 1>for the large part, the rest of children's television just

0:21:57.560 --> 0:22:02.359
<v Speaker 1>became more manic, more insane, more not And so I

0:22:02.400 --> 0:22:07.280
<v Speaker 1>guess I wonder, assuming that you couldn't have that exact

0:22:07.359 --> 0:22:11.080
<v Speaker 1>person appear right now in the twenty one century, what

0:22:11.160 --> 0:22:14.800
<v Speaker 1>would if Fred Rogers of the century look like. You

0:22:14.840 --> 0:22:17.000
<v Speaker 1>don't want somebody to repeat, You want somebody to stand

0:22:17.000 --> 0:22:19.320
<v Speaker 1>on the shoulders of And also it means they may

0:22:19.359 --> 0:22:21.680
<v Speaker 1>make it look differently. And so I do feel like

0:22:21.680 --> 0:22:26.000
<v Speaker 1>like I think about like hair Love the animated you know.

0:22:26.000 --> 0:22:29.080
<v Speaker 1>So so Matthew Cherry wrote a book hair Lovel about

0:22:29.080 --> 0:22:30.959
<v Speaker 1>a black dad doing his daughter's hair, trying to learn

0:22:31.000 --> 0:22:32.800
<v Speaker 1>how to do his his black daughter's hair. And I

0:22:32.840 --> 0:22:34.960
<v Speaker 1>would say black twice, just because it's possible for people

0:22:34.960 --> 0:22:39.200
<v Speaker 1>to have kids with different races. So it just turned

0:22:39.200 --> 0:22:41.639
<v Speaker 1>they turned into an animated feature. And it is that

0:22:41.680 --> 0:22:43.919
<v Speaker 1>almost sounds like science fiction to me, that that's in

0:22:43.960 --> 0:22:46.640
<v Speaker 1>a movie theater. And it's not like if you read

0:22:46.680 --> 0:22:48.560
<v Speaker 1>the book, that's all it's about. It's not about and

0:22:48.560 --> 0:22:51.280
<v Speaker 1>now we got to go fight a dragon. It's and

0:22:51.320 --> 0:22:54.120
<v Speaker 1>it's not about like or some bad things gonna happen

0:22:54.160 --> 0:22:55.920
<v Speaker 1>if I don't do your hair. But the steaks are

0:22:55.920 --> 0:22:58.760
<v Speaker 1>not that high. But for me, there's something about it

0:22:58.800 --> 0:23:02.040
<v Speaker 1>that it's pure, And that's Mr rogers legacy is is

0:23:02.080 --> 0:23:04.400
<v Speaker 1>the pureness of how to sort of like put out

0:23:04.400 --> 0:23:06.399
<v Speaker 1>good content for kids in the world that is so

0:23:06.480 --> 0:23:10.520
<v Speaker 1>pure that adults are excited about it. Given how expanse

0:23:10.560 --> 0:23:13.520
<v Speaker 1>of his vision for love and acceptance in the world was,

0:23:14.400 --> 0:23:18.879
<v Speaker 1>and given how uh shitty the world the world is,

0:23:20.040 --> 0:23:23.600
<v Speaker 1>do you think he was successful? Yes, because I think

0:23:23.640 --> 0:23:25.479
<v Speaker 1>that this is the thing I said earlier about like

0:23:26.320 --> 0:23:28.960
<v Speaker 1>when we're making when I'm making anything I'm making, whether

0:23:28.960 --> 0:23:31.920
<v Speaker 1>it's a podcast or writing or you know, shades, when

0:23:31.920 --> 0:23:34.000
<v Speaker 1>I'm writing it, I'm like, this is going to change

0:23:34.000 --> 0:23:36.399
<v Speaker 1>the world just because you I think you have to

0:23:36.400 --> 0:23:39.280
<v Speaker 1>feel that. Have to feel that way. Every basketball player

0:23:39.320 --> 0:23:41.520
<v Speaker 1>thinks that they're they're like top five all times. Have

0:23:41.680 --> 0:23:43.439
<v Speaker 1>to think that, whereas why you why are you stepping

0:23:43.440 --> 0:23:45.040
<v Speaker 1>out there? But then when you get on the court,

0:23:45.040 --> 0:23:46.760
<v Speaker 1>you just gotta make sure you're helping win the game.

0:23:50.480 --> 0:23:52.360
<v Speaker 1>Maybe in the gym by yourself your top five all time,

0:23:52.600 --> 0:23:54.840
<v Speaker 1>or maybe when I'm home writing on my computer or

0:23:54.840 --> 0:23:56.800
<v Speaker 1>if I'm making nice shades. I think this is going

0:23:56.880 --> 0:23:59.919
<v Speaker 1>to be the thing that is like the definitive episode

0:24:00.080 --> 0:24:03.119
<v Speaker 1>on reproductive justice in America, and then at the end

0:24:03.160 --> 0:24:04.879
<v Speaker 1>you have to be I hope people watch it and

0:24:04.920 --> 0:24:07.960
<v Speaker 1>talk about it, and I think Mr Rogers one because

0:24:08.000 --> 0:24:10.200
<v Speaker 1>people watched it and talked about it, have been inspired

0:24:10.240 --> 0:24:14.280
<v Speaker 1>by it. You know. I think that it's a big

0:24:14.320 --> 0:24:16.520
<v Speaker 1>thing to do to make the world a more equitable,

0:24:16.600 --> 0:24:19.080
<v Speaker 1>just loving place. That's a big task, and you have

0:24:19.160 --> 0:24:20.600
<v Speaker 1>that more people working on it. You know. At the

0:24:20.640 --> 0:24:22.440
<v Speaker 1>same time he was working on it, there's a guy

0:24:22.600 --> 0:24:24.560
<v Speaker 1>across town named Martin Luther King Jr. Who was also

0:24:24.600 --> 0:24:26.360
<v Speaker 1>working on you know what I mean. So like and

0:24:26.760 --> 0:24:28.199
<v Speaker 1>they are different ways to do this. I don't want

0:24:28.200 --> 0:24:30.240
<v Speaker 1>to call either one of them failures because because it

0:24:30.280 --> 0:24:35.280
<v Speaker 1>didn't happen. I think that I believe, and there's not proof, right,

0:24:35.359 --> 0:24:38.000
<v Speaker 1>was that things move in a more equitable and just direction.

0:24:38.040 --> 0:24:40.840
<v Speaker 1>They just don't always move consistently, and they don't always

0:24:40.880 --> 0:24:42.920
<v Speaker 1>stay moving forward. Right now we're at a point where

0:24:42.920 --> 0:24:44.560
<v Speaker 1>it's starting to move back. But I feel like in

0:24:44.600 --> 0:24:49.159
<v Speaker 1>the long line of history, to paraphrase Dr King who

0:24:49.200 --> 0:24:51.720
<v Speaker 1>stole it from a Quaker, the arc of history has

0:24:51.760 --> 0:24:54.719
<v Speaker 1>been towards justice, but it hasn't always been consistently towards justice.

0:24:54.760 --> 0:24:57.359
<v Speaker 1>And I think that, Yeah, I think that the fact

0:24:57.359 --> 0:24:59.159
<v Speaker 1>that we're sitting here talking about Mr Rogers and the

0:24:59.200 --> 0:25:00.920
<v Speaker 1>fact that we're sort of d constructing it. Two black

0:25:00.960 --> 0:25:05.560
<v Speaker 1>men talk with Mr Rogers, Mission accomplished? Do you um?

0:25:05.600 --> 0:25:12.320
<v Speaker 1>My last question is, uh, if he were here, I

0:25:12.359 --> 0:25:17.359
<v Speaker 1>would be crying. And after you composed yourself and stopped

0:25:17.359 --> 0:25:19.280
<v Speaker 1>weeping and cleaned all this snot off of your face,

0:25:19.840 --> 0:25:24.920
<v Speaker 1>bubbles bubble bubble clear snock bubbles, what would you ask him?

0:25:25.600 --> 0:25:28.720
<v Speaker 1>What would I ask Mr Rogers? I guess the thing

0:25:28.760 --> 0:25:32.760
<v Speaker 1>you do? You feel successful? I think that's the thing,

0:25:32.760 --> 0:25:34.239
<v Speaker 1>because I think a lot of times people who are

0:25:34.280 --> 0:25:38.760
<v Speaker 1>in on that side of it have very complicated things

0:25:38.760 --> 0:25:42.800
<v Speaker 1>about what they've done. Sometimes it's like, it doesn't matter

0:25:42.800 --> 0:25:44.840
<v Speaker 1>what you caught, what the world tells you, that's how

0:25:44.840 --> 0:25:47.080
<v Speaker 1>do you feel inside? And so for me, if he

0:25:47.160 --> 0:25:55.520
<v Speaker 1>felt like nope, that would make me say, I've been

0:25:55.520 --> 0:26:00.280
<v Speaker 1>thinking about that a lot too. Was Fred's successful? Did

0:26:00.320 --> 0:26:05.560
<v Speaker 1>Fred feel successful? Next time we'll explore the ways in

0:26:05.600 --> 0:26:09.080
<v Speaker 1>which he was, but also the many ways in which

0:26:09.080 --> 0:26:11.240
<v Speaker 1>he wasn't. I went up to get him to come

0:26:11.280 --> 0:26:15.720
<v Speaker 1>down to the studio and he was. He was a mess.

0:26:16.200 --> 0:26:18.560
<v Speaker 1>He said, why am I doing these? These aren't going

0:26:18.600 --> 0:26:23.520
<v Speaker 1>to do any good. Finding Fred is produced by Transmitter Media.

0:26:23.880 --> 0:26:27.080
<v Speaker 1>Our team is Dan O'donnald, Jordan Bailey and Mattie Foley.

0:26:27.119 --> 0:26:30.440
<v Speaker 1>Our editor is Sarah Nicks. The executive producer for Transmitter

0:26:30.480 --> 0:26:34.399
<v Speaker 1>Media is gretit Cone. Executive producers at Fatherly are Simon

0:26:34.440 --> 0:26:37.040
<v Speaker 1>Isaacs and Andrew Berman. Thanks to the team at I

0:26:37.160 --> 0:26:40.800
<v Speaker 1>Heart Media. Our show is mixed by Rick Kwan, music

0:26:40.840 --> 0:26:45.480
<v Speaker 1>by Blue Dot Sessions and Alison Layton Brown. I'm Carla Wallace.

0:26:45.680 --> 0:27:17.800
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