1 00:00:01,280 --> 00:00:03,720 Speaker 1: Fly from the Mercedes Benz Interview Lounge. 2 00:00:04,920 --> 00:00:07,720 Speaker 2: God knows we need a mentalist in this room. So 3 00:00:08,880 --> 00:00:13,440 Speaker 2: the best world renowned O's pearlman is here you hey, 4 00:00:14,600 --> 00:00:16,360 Speaker 2: the best for the best. Thank you, well, thank you 5 00:00:16,400 --> 00:00:19,880 Speaker 2: for coming in. Appreciate it. I'm just cover wondering how 6 00:00:19,920 --> 00:00:23,960 Speaker 2: does a mentalist in what you do translate through a microphone, 7 00:00:24,000 --> 00:00:26,920 Speaker 2: because I mean it's all audio. I like the challenge, 8 00:00:27,040 --> 00:00:28,840 Speaker 2: so that's if I can get inside you. You know, I 9 00:00:28,840 --> 00:00:30,720 Speaker 2: have a great idea. Okay, what because what do I 10 00:00:30,760 --> 00:00:33,400 Speaker 2: do for a living? I read people? And it's all 11 00:00:33,440 --> 00:00:35,960 Speaker 2: about nonverbal communications, not even what you say, it's what 12 00:00:36,000 --> 00:00:37,840 Speaker 2: you don't say, how you say it. Let's get everyone 13 00:00:37,880 --> 00:00:39,720 Speaker 2: in the mix. How about it? Daniel should get you going. Okay, 14 00:00:39,800 --> 00:00:42,800 Speaker 2: let's go. Here we go. I have you can hear 15 00:00:42,800 --> 00:00:45,279 Speaker 2: that noise? Everyone hear that noise on a microphone? What 16 00:00:45,280 --> 00:00:47,959 Speaker 2: that is? And one more? Elvis? You grabb one too? 17 00:00:48,280 --> 00:00:51,159 Speaker 2: There it is Gandhi you ready? Yeah, I'm throwing them 18 00:00:51,159 --> 00:00:54,760 Speaker 2: around all right now if you roll that, I just 19 00:00:54,800 --> 00:00:56,760 Speaker 2: played Vegas. I stole all these. Don't tell the wind 20 00:00:56,960 --> 00:00:59,800 Speaker 2: uh towels two? No, I'm kidding, Uh grab it. I 21 00:00:59,800 --> 00:01:01,960 Speaker 2: don't want to touch it instead of you rolling it, 22 00:01:01,960 --> 00:01:05,199 Speaker 2: which is luck. I want you to be in charge. 23 00:01:05,280 --> 00:01:07,440 Speaker 2: I'm gonna turn around. I'm gonna close my eyes. Scary, 24 00:01:07,480 --> 00:01:09,400 Speaker 2: you watch me like a hawk. I'm closing my eyes tight. 25 00:01:09,800 --> 00:01:11,840 Speaker 2: I'm gonna look down, and I want you to set 26 00:01:11,880 --> 00:01:14,000 Speaker 2: the diet to whatever number you want on top. Wait 27 00:01:14,080 --> 00:01:16,280 Speaker 2: till I'm gone, Wait till I'm not looking, and then 28 00:01:16,280 --> 00:01:18,600 Speaker 2: you're gonna put two hands on top of it. Scary? 29 00:01:18,640 --> 00:01:20,800 Speaker 2: Am I peaking? Make sure? Are my eyes closed? You're 30 00:01:20,800 --> 00:01:22,560 Speaker 2: not baking? Wage we get scared of it? Scary, come 31 00:01:22,560 --> 00:01:25,160 Speaker 2: on over and cover my scary. This guy washed his 32 00:01:25,160 --> 00:01:30,400 Speaker 2: hands this morning. I'm very concerned, very concerned right now, scary, 33 00:01:30,400 --> 00:01:34,679 Speaker 2: so put your tongue on his eyes and folks, I 34 00:01:34,720 --> 00:01:37,760 Speaker 2: already have Conjunctividis is the any way I could know 35 00:01:37,800 --> 00:01:39,920 Speaker 2: what they just did? Scary? No chance? Right? Can I 36 00:01:39,920 --> 00:01:42,560 Speaker 2: can I out my eyes? Okay, let's go. Has this 37 00:01:42,640 --> 00:01:44,480 Speaker 2: been set up? Did I tell you guys what to do? 38 00:01:44,560 --> 00:01:47,600 Speaker 2: I mean, really talk to put dice? I tell you 39 00:01:47,640 --> 00:01:49,240 Speaker 2: what number? Did you on your hand? And now you 40 00:01:49,320 --> 00:01:52,080 Speaker 2: do not? No chance you do not? So here's the game? 41 00:01:52,240 --> 00:01:54,720 Speaker 2: You ready? You said? How do I do what I do? 42 00:01:54,920 --> 00:01:57,400 Speaker 2: I want everyone listening, millions of people across the world, 43 00:01:57,560 --> 00:01:59,520 Speaker 2: to do my job for me right now. So, Elvis, 44 00:01:59,560 --> 00:02:02,480 Speaker 2: you're gonna start, and you know what number you did. Yes, 45 00:02:02,680 --> 00:02:06,400 Speaker 2: I'm gonna have you say one, two, three, four, five six, 46 00:02:06,520 --> 00:02:08,519 Speaker 2: just like that. Whatever tone you want, you can swap 47 00:02:08,560 --> 00:02:12,360 Speaker 2: it up one at a time for me. Go ahead, one, two, three, 48 00:02:12,880 --> 00:02:17,280 Speaker 2: four five six. So the tone didn't change, the speed 49 00:02:17,280 --> 00:02:21,440 Speaker 2: didn't change, but the tension did. Yeah, the tension changed 50 00:02:21,480 --> 00:02:23,680 Speaker 2: for sure. You saw he was going at an even clip, 51 00:02:23,880 --> 00:02:26,680 Speaker 2: but without a doubt. Near the end he got tense 52 00:02:27,000 --> 00:02:29,520 Speaker 2: and then he relaxed. He got tents on five because 53 00:02:29,520 --> 00:02:32,000 Speaker 2: that's his number. Is it a five, Elvis? No, are 54 00:02:32,000 --> 00:02:34,359 Speaker 2: you being honest? Honest, you're being honest. It's not a five. 55 00:02:34,760 --> 00:02:37,200 Speaker 2: Do me a favor. You're looking down right now at 56 00:02:37,200 --> 00:02:40,560 Speaker 2: your hands. The number on top right, not a five. No, Okay, 57 00:02:40,560 --> 00:02:43,200 Speaker 2: I'm gonna go over, Danielle. Danielle, you know what, take 58 00:02:43,240 --> 00:02:46,760 Speaker 2: your die, turn it around a couple times, do the same, Elvis, 59 00:02:46,760 --> 00:02:50,320 Speaker 2: Flip it around, flipping, flipping, flipping. Okay, and go back 60 00:02:50,320 --> 00:02:52,120 Speaker 2: to your number, Elvis, go back to your number. I'm 61 00:02:52,160 --> 00:02:55,960 Speaker 2: closing my eye, scary, Danielle. Yeah, see Elvis was tense 62 00:02:56,000 --> 00:02:57,679 Speaker 2: on five. So you asked me, is this a magic show? 63 00:02:57,680 --> 00:03:00,079 Speaker 2: It's not. You never know what's gonna happen. Did you 64 00:03:00,080 --> 00:03:02,480 Speaker 2: you in your mind think the number that you picked? 65 00:03:02,520 --> 00:03:05,240 Speaker 2: Is it a number you liked? Or you were not sure? No? 66 00:03:05,320 --> 00:03:05,600 Speaker 3: Number? 67 00:03:05,600 --> 00:03:05,840 Speaker 2: I like? 68 00:03:05,919 --> 00:03:05,959 Speaker 3: You? 69 00:03:06,080 --> 00:03:09,919 Speaker 2: Number you liked? Oh man, think one, two, three, four, five, six, seven, 70 00:03:10,000 --> 00:03:12,280 Speaker 2: eight nine? Not a two? Is it? No? No? No, no, 71 00:03:12,440 --> 00:03:16,040 Speaker 2: I'm gonna write this down. Okay, your number, your number, 72 00:03:16,320 --> 00:03:19,480 Speaker 2: your number. He's writing the number down. I'm writing down 73 00:03:19,520 --> 00:03:22,679 Speaker 2: three digits in a row. Done. Okay, you're behind me. 74 00:03:22,720 --> 00:03:23,920 Speaker 2: I'm gonna show you, Nate. Do you see how what 75 00:03:23,919 --> 00:03:24,680 Speaker 2: I wrote already for you? 76 00:03:24,720 --> 00:03:24,800 Speaker 3: Now? 77 00:03:24,919 --> 00:03:26,400 Speaker 2: Okay, I'm gonna'm gonna come over to you. I'm gonna come 78 00:03:26,400 --> 00:03:30,560 Speaker 2: over you. Elvis the five is killing me because he's 79 00:03:30,560 --> 00:03:32,680 Speaker 2: a go bigger, go home type of guy. Elvis, tell 80 00:03:32,760 --> 00:03:35,720 Speaker 2: us what was your number? What was your number? Two? Two? 81 00:03:36,000 --> 00:03:37,160 Speaker 2: And Danielle, what was yours? 82 00:03:37,200 --> 00:03:37,480 Speaker 1: Five? 83 00:03:37,560 --> 00:03:40,360 Speaker 2: And tell us what was yours? One? One? Can you 84 00:03:40,360 --> 00:03:41,840 Speaker 2: tell them you saw what did I wrote down? I 85 00:03:41,880 --> 00:03:51,440 Speaker 2: wrote down two? Five? You did? Using out the numbers? 86 00:03:51,520 --> 00:03:51,640 Speaker 3: Right? 87 00:03:51,680 --> 00:03:52,440 Speaker 2: This is good? 88 00:03:52,680 --> 00:03:52,880 Speaker 3: You know. 89 00:03:53,000 --> 00:03:55,080 Speaker 2: Let's give it one more go scary, Let's do this 90 00:03:55,120 --> 00:03:57,760 Speaker 2: with something that matters. Let's go with something that matters. 91 00:03:58,520 --> 00:04:03,800 Speaker 2: Think of your social care already number. This is a 92 00:04:03,840 --> 00:04:06,720 Speaker 2: great thing to do to reveal to eight million current listeners, 93 00:04:06,800 --> 00:04:10,000 Speaker 2: is right? I mean I got an idea. Think of 94 00:04:10,280 --> 00:04:13,760 Speaker 2: your ATM PIN code? Okay? Is there anyone in the 95 00:04:13,760 --> 00:04:16,200 Speaker 2: world that would know that? Nobody in this room? No, 96 00:04:16,600 --> 00:04:20,440 Speaker 2: who would? Who would? Your dad calling him? Right now? 97 00:04:20,480 --> 00:04:22,800 Speaker 2: All right? You know what? Lie to me? So the 98 00:04:22,839 --> 00:04:24,520 Speaker 2: same way that I was able with Gandi, you didn't 99 00:04:24,520 --> 00:04:25,920 Speaker 2: even say a word. I just looked in your eyes. 100 00:04:25,960 --> 00:04:29,120 Speaker 2: I knew you were my number one, Gandhi. Give us 101 00:04:29,120 --> 00:04:32,119 Speaker 2: a fake give us a fake code, not your real number, 102 00:04:32,160 --> 00:04:33,640 Speaker 2: unless you want to want to know it. Give us 103 00:04:33,680 --> 00:04:39,800 Speaker 2: a fake number. Scary, go four six five three. He 104 00:04:39,920 --> 00:04:42,479 Speaker 2: stumbled a little at the end, voice cracked a little 105 00:04:42,520 --> 00:04:44,719 Speaker 2: bit of teenage. Scary came out four sixty five three. 106 00:04:44,760 --> 00:04:46,920 Speaker 2: Did you hear that? I heard it? Ye. I feel 107 00:04:46,960 --> 00:04:48,840 Speaker 2: like he messed up. I feel like one of his 108 00:04:48,920 --> 00:04:50,640 Speaker 2: numbers was the same as the real number, and it 109 00:04:50,680 --> 00:04:53,400 Speaker 2: was definitely there's an actual three in your real code, 110 00:04:53,400 --> 00:05:00,280 Speaker 2: isn't there? Scary, be honest on your life. I didn't 111 00:05:00,279 --> 00:05:02,040 Speaker 2: set this up with you. You have not written down 112 00:05:02,080 --> 00:05:03,560 Speaker 2: your coat, and you're not told the code. No one 113 00:05:03,640 --> 00:05:07,560 Speaker 2: but your dad. Think of the numbers four six, five three, 114 00:05:07,640 --> 00:05:11,159 Speaker 2: the mentalist, think of the numbers. This code? Does that 115 00:05:11,160 --> 00:05:15,120 Speaker 2: have a meaning of some sort? It does? It does? Yep? 116 00:05:16,160 --> 00:05:16,400 Speaker 3: Change? 117 00:05:16,800 --> 00:05:19,160 Speaker 2: You gotta change everything. It just hit him. It's the 118 00:05:19,200 --> 00:05:21,520 Speaker 2: garage code. He's like, Dad, change it now, he's coming. 119 00:05:22,240 --> 00:05:23,760 Speaker 2: It's a. It's a. It's a. I wonder if it's 120 00:05:23,800 --> 00:05:25,039 Speaker 2: a date. I wonder if it's a date? 121 00:05:25,120 --> 00:05:25,279 Speaker 3: Is it? 122 00:05:25,320 --> 00:05:34,159 Speaker 2: Hold on? Hold on? Is that your pin code? That's 123 00:05:34,240 --> 00:05:42,640 Speaker 2: too easy. I'm scary. I'll never forget that. You better 124 00:05:42,720 --> 00:05:46,160 Speaker 2: change it fast, do it quickly. We got him. No, 125 00:05:46,520 --> 00:05:48,160 Speaker 2: I don't trust you to get You're gonna get the 126 00:05:48,200 --> 00:05:50,760 Speaker 2: rest of us. What are you gonna do us? How 127 00:05:50,800 --> 00:05:52,880 Speaker 2: do you not use this for bad things? How do 128 00:05:52,880 --> 00:05:55,360 Speaker 2: you know? I don't. How do you know? I don't 129 00:05:55,440 --> 00:05:57,359 Speaker 2: used to work on Wall Street? Quit my job to 130 00:05:57,360 --> 00:06:00,240 Speaker 2: do this. I don't think I quit. They fired me. Still, 131 00:06:00,240 --> 00:06:03,320 Speaker 2: everybody's money scary. So was first they were like after 132 00:06:03,320 --> 00:06:05,120 Speaker 2: the six ATM pin code, They're like, you're out, bro, 133 00:06:05,279 --> 00:06:07,080 Speaker 2: you are out. So it was how long ago was 134 00:06:07,080 --> 00:06:09,799 Speaker 2: it when you were on America's Got Talent? Wow, throwback 135 00:06:09,920 --> 00:06:13,280 Speaker 2: nine nine years ago. You you were like third, third 136 00:06:13,320 --> 00:06:16,120 Speaker 2: out of battle out of thousands. I think. So they 137 00:06:16,160 --> 00:06:18,080 Speaker 2: loved you. They you know what I mean. Howard Stern. 138 00:06:18,200 --> 00:06:19,640 Speaker 2: Howard said I should have won. I was like, Howard, 139 00:06:19,640 --> 00:06:20,840 Speaker 2: I love you, buddy. I see him all the time. 140 00:06:20,839 --> 00:06:22,320 Speaker 2: I was just it was just just talking about me 141 00:06:22,320 --> 00:06:24,159 Speaker 2: on the radio show. But I love Howard. Yeah, so 142 00:06:24,560 --> 00:06:26,440 Speaker 2: I did. I did. American's Got talent. I want to 143 00:06:26,760 --> 00:06:29,760 Speaker 2: Howard's atm CODE please, I'm working on that. I am 144 00:06:29,800 --> 00:06:33,320 Speaker 2: working on that for you. It's so funny. So it 145 00:06:33,400 --> 00:06:36,320 Speaker 2: was permanent. Is here nine years ago when America's got talent? Yep? 146 00:06:36,360 --> 00:06:38,680 Speaker 2: And he's still rolling around. Thank god you left the 147 00:06:38,720 --> 00:06:41,280 Speaker 2: financial world. It's a little more boring. It just wasn't 148 00:06:41,320 --> 00:06:42,480 Speaker 2: for you. Yeah, but I still do a lot of 149 00:06:42,520 --> 00:06:45,200 Speaker 2: stuff CNBC. I'm going to Fox Business right after this today. Okay, 150 00:06:45,320 --> 00:06:47,479 Speaker 2: I'm going around. I like doing things related to money. 151 00:06:47,520 --> 00:06:49,240 Speaker 2: I do out with sports teams. That's been my kind 152 00:06:49,240 --> 00:06:50,840 Speaker 2: of big thing last few years. I do a lot 153 00:06:50,839 --> 00:06:53,120 Speaker 2: with NFL teams. I don't know, if you saw Hard 154 00:06:53,200 --> 00:06:55,160 Speaker 2: Knocks Aaron Rodgers, they were like, why didn't you tell 155 00:06:55,240 --> 00:06:57,040 Speaker 2: me he was going to miss the season, Jets fans 156 00:06:57,040 --> 00:07:00,000 Speaker 2: were very mad at me. But with those sports fans, 157 00:07:00,320 --> 00:07:01,800 Speaker 2: they love that stuff. You know what, I want to 158 00:07:01,800 --> 00:07:03,919 Speaker 2: try this. You have your phone, Elvis, Yes, I do 159 00:07:04,080 --> 00:07:07,880 Speaker 2: grab your phone. No, I'm not. You're not messing with 160 00:07:07,960 --> 00:07:09,920 Speaker 2: my phone. Okay? Here we are here, all right, Elvis, 161 00:07:10,000 --> 00:07:11,520 Speaker 2: hold it in away where there's no way because they 162 00:07:11,560 --> 00:07:13,200 Speaker 2: can't really see the room. You're a few feet away 163 00:07:13,200 --> 00:07:15,520 Speaker 2: from me. But I want you to go, and I 164 00:07:15,520 --> 00:07:17,600 Speaker 2: want you to go. Would you say you're you're more 165 00:07:17,600 --> 00:07:19,680 Speaker 2: of an emailer or a texter. I'm a texture, I'm 166 00:07:19,680 --> 00:07:23,800 Speaker 2: a text or two. Go to your text messages. Okay, 167 00:07:24,040 --> 00:07:27,000 Speaker 2: And here's what I noticed, patterns. What do I do? 168 00:07:27,120 --> 00:07:28,880 Speaker 2: I am not a psychic. I want ever understand that 169 00:07:28,880 --> 00:07:31,200 Speaker 2: I don't talk to dead people. I'm not supernatural. I 170 00:07:31,240 --> 00:07:34,280 Speaker 2: read people for a living, and so most people we 171 00:07:34,320 --> 00:07:36,640 Speaker 2: text the same ten or fifteen people all the time. Right, 172 00:07:36,880 --> 00:07:39,200 Speaker 2: your spouse, if you got kids, if you got like 173 00:07:39,440 --> 00:07:42,000 Speaker 2: I want you to scroll and I want deep cuts, Elvis. 174 00:07:42,000 --> 00:07:45,800 Speaker 2: I want you to scroll past at least a week ago. Okay. 175 00:07:46,640 --> 00:07:48,239 Speaker 2: And before you do this, can you do me one favor. 176 00:07:48,600 --> 00:07:50,080 Speaker 2: You know when you swipe down and you see all 177 00:07:50,080 --> 00:07:54,040 Speaker 2: the widgets, Swipe down No, no, at the top of 178 00:07:54,040 --> 00:07:57,120 Speaker 2: your screen, scroll down to your texts and scroll to 179 00:07:57,160 --> 00:07:59,240 Speaker 2: somebody that you did not even know you would think 180 00:07:59,240 --> 00:08:03,080 Speaker 2: of before this moment. So random, so spontaneous, but not 181 00:08:03,120 --> 00:08:07,000 Speaker 2: just a two weeks, three weeks? You know what serious 182 00:08:07,040 --> 00:08:10,280 Speaker 2: is paying me by the hour? Goes six months ago? Okay, Okay, 183 00:08:10,400 --> 00:08:11,640 Speaker 2: I don't want to see it. There's no way I 184 00:08:11,640 --> 00:08:13,600 Speaker 2: can see. Can you tell the listener? There's no way 185 00:08:13,640 --> 00:08:17,680 Speaker 2: in the world I could see who You're impossible, Danielle, 186 00:08:17,840 --> 00:08:21,080 Speaker 2: Your hands probably smell better than than Scari's. Ye, do this? 187 00:08:21,240 --> 00:08:24,640 Speaker 2: Open the text message from this person, Elvish and wy you. 188 00:08:24,640 --> 00:08:26,400 Speaker 2: I always like to know who got the final word? 189 00:08:26,920 --> 00:08:29,920 Speaker 2: Why did this thread drop off? Weeks ago? And Elvis? 190 00:08:29,920 --> 00:08:32,280 Speaker 2: Can you see at the bottom of the text the 191 00:08:32,360 --> 00:08:35,400 Speaker 2: final word that was written either by you or this person? Yes, 192 00:08:35,440 --> 00:08:38,400 Speaker 2: you do, swipe up so there is nothing like you. 193 00:08:38,400 --> 00:08:40,040 Speaker 2: Go back to your home screen. Have you done that? 194 00:08:41,280 --> 00:08:44,800 Speaker 2: Are we home screened? Homescreen? Actually just to be safe 195 00:08:44,840 --> 00:08:46,719 Speaker 2: because later on people leaving they you know what he 196 00:08:46,760 --> 00:08:49,240 Speaker 2: must have done. He must have distracted me, he must 197 00:08:49,240 --> 00:08:52,200 Speaker 2: have done something. Quick, go back into that text message 198 00:08:52,200 --> 00:08:54,880 Speaker 2: with that person. Okay, and then you know where you 199 00:08:54,960 --> 00:08:57,839 Speaker 2: hit the back button. So now you're back in all 200 00:08:57,880 --> 00:08:59,720 Speaker 2: the text, and I'll scroll all the way back to 201 00:08:59,760 --> 00:09:02,240 Speaker 2: the t. So even if we get your phone later, 202 00:09:02,280 --> 00:09:04,160 Speaker 2: but we don't know where he just went. Do you 203 00:09:04,160 --> 00:09:06,160 Speaker 2: see what I'm saying. I don't know if I'm okay 204 00:09:06,200 --> 00:09:10,640 Speaker 2: with this particular text. Now it's good. Turn your phone around, 205 00:09:10,640 --> 00:09:12,640 Speaker 2: show everybody you're at the top, at the last person 206 00:09:12,679 --> 00:09:15,800 Speaker 2: to show at the top, and who was the first 207 00:09:15,800 --> 00:09:19,439 Speaker 2: person you wrote to? Elvis? Turn it side. It was 208 00:09:19,440 --> 00:09:21,240 Speaker 2: just like gonna say, I can't read your how small 209 00:09:21,280 --> 00:09:23,920 Speaker 2: is your type? Elvis? And swipe up? So it's gone good? 210 00:09:23,960 --> 00:09:27,760 Speaker 2: All right? Think in your head fifty to fifty? I 211 00:09:27,800 --> 00:09:29,960 Speaker 2: flip a coin right, Elvis is hard to read? You 212 00:09:30,000 --> 00:09:32,280 Speaker 2: saw the five two one? I am hard to read. 213 00:09:32,760 --> 00:09:34,760 Speaker 2: I had the five? Do you want catch upside down? 214 00:09:35,080 --> 00:09:37,680 Speaker 2: The two in the five? Elvis? Anything you think he's saying, 215 00:09:37,720 --> 00:09:42,280 Speaker 2: it's the opposite. Okay, so you threw me for a loops, 216 00:09:42,320 --> 00:09:45,360 Speaker 2: So think guy girl, Thank guy girl, Lena Grass for 217 00:09:45,400 --> 00:09:47,680 Speaker 2: one second, I want to show ready the last person 218 00:09:47,720 --> 00:09:50,240 Speaker 2: he picked. I think the first person that popped in 219 00:09:50,240 --> 00:09:51,840 Speaker 2: your head was a guy, but I think it was 220 00:09:51,840 --> 00:09:53,880 Speaker 2: an obvious choice, and they all would have known. Do 221 00:09:53,960 --> 00:09:57,080 Speaker 2: you think you knew who he thought of initially? And 222 00:09:57,240 --> 00:09:59,120 Speaker 2: you think you know who would have been? So he 223 00:09:59,160 --> 00:10:01,920 Speaker 2: they think they knew you thought of initially. I think 224 00:10:01,920 --> 00:10:03,640 Speaker 2: that you thought of a guy first, and then you go, 225 00:10:03,720 --> 00:10:05,920 Speaker 2: that's too obvious. So you know what I've been doing. Said, 226 00:10:06,320 --> 00:10:07,959 Speaker 2: it's a female one hundred percent? Is it a female 227 00:10:07,960 --> 00:10:14,160 Speaker 2: you're thinking of? No, the person you picked in your phone? No? No, no, 228 00:10:14,760 --> 00:10:17,000 Speaker 2: hold on, think of the person. Well, forget the name. 229 00:10:17,080 --> 00:10:18,599 Speaker 2: You picked a word? Is that right out of the 230 00:10:18,600 --> 00:10:21,160 Speaker 2: whole thread text thread? You look at the last words. 231 00:10:21,840 --> 00:10:24,520 Speaker 2: Count the letters in the word. Okay, he did it 232 00:10:24,520 --> 00:10:28,080 Speaker 2: too fast, daniellef that word super calufradult could have done it. 233 00:10:28,200 --> 00:10:31,720 Speaker 2: He counted instant. I watched your eyes ding ding ding ding. 234 00:10:31,880 --> 00:10:36,600 Speaker 2: Four letters, isn't it? Yes? Yeah, nobody be impressed. That's okay. 235 00:10:38,080 --> 00:10:40,640 Speaker 2: Four letters in this random word. I want you to 236 00:10:40,679 --> 00:10:43,280 Speaker 2: mix up the letters of those four letters, and you 237 00:10:43,440 --> 00:10:45,439 Speaker 2: just imagine one of them. You just grab it out 238 00:10:45,480 --> 00:10:47,559 Speaker 2: like a scrabble time letter. One of those four letters 239 00:10:47,600 --> 00:10:50,600 Speaker 2: you got one. Yep. We read from left to right. 240 00:10:50,600 --> 00:10:51,960 Speaker 2: For those that are on the radio and you're hearing 241 00:10:52,000 --> 00:10:54,280 Speaker 2: I watched Elvis's eyes. They started and they moved over. 242 00:10:54,480 --> 00:10:56,760 Speaker 2: You didn't do the first letter, did you. No, you 243 00:10:56,840 --> 00:10:59,000 Speaker 2: went further down, and in fact you looked at it 244 00:10:59,080 --> 00:11:03,280 Speaker 2: twice two of the same letter L. Yes, L well 245 00:11:03,480 --> 00:11:06,440 Speaker 2: is the word you were thinking of? The word? That's right. 246 00:11:06,960 --> 00:11:09,720 Speaker 2: That was the last word in that text. With this person, 247 00:11:09,760 --> 00:11:11,520 Speaker 2: with this person and the person the person, the person, 248 00:11:11,559 --> 00:11:14,120 Speaker 2: think of their name. Pick any letter in their first name, 249 00:11:14,160 --> 00:11:15,679 Speaker 2: Pick any letter in their first name. Don't say just 250 00:11:15,720 --> 00:11:18,880 Speaker 2: thinking that you did something interesting. You thought of an LB, 251 00:11:18,960 --> 00:11:21,199 Speaker 2: you changed an L the name. You picked a G. Layton. 252 00:11:26,400 --> 00:11:28,000 Speaker 2: That's crazy. 253 00:11:28,559 --> 00:11:31,160 Speaker 1: I don't even know you knew what layton light? 254 00:11:33,040 --> 00:11:35,960 Speaker 2: We all know lighton, lighton, L, E, I, G H 255 00:11:36,040 --> 00:11:41,400 Speaker 2: T O N. Yes, that's it. Seem spell their name wrong, 256 00:11:41,480 --> 00:11:44,840 Speaker 2: hates it probably And I did think of the first letter, 257 00:11:44,840 --> 00:11:47,520 Speaker 2: and then I thought of y. Yes, that's it. This 258 00:11:47,600 --> 00:11:50,800 Speaker 2: is crazy. God. We have to take a break because 259 00:11:50,800 --> 00:11:52,680 Speaker 2: I'm gonna I gotta ask you some question. Take a 260 00:11:52,720 --> 00:11:55,160 Speaker 2: break because Elvis is leaving the room and scary scared 261 00:11:55,160 --> 00:11:58,160 Speaker 2: of me. Hold on Gandhi's throwing holy water. Okay, so 262 00:11:58,240 --> 00:11:59,959 Speaker 2: this has been pretty freaky so far. O s per 263 00:12:00,080 --> 00:12:02,079 Speaker 2: one is here, we have to get freakyer, you promise 264 00:12:02,120 --> 00:12:03,920 Speaker 2: it'll get freaky here more. Yes, all right, hang on, 265 00:12:03,960 --> 00:12:04,760 Speaker 2: we'll be right back. 266 00:12:07,240 --> 00:12:09,559 Speaker 1: The Brooklyn Boys Podcast. 267 00:12:10,440 --> 00:12:12,920 Speaker 2: Comedian Sebastian Man of Scalcos. 268 00:12:13,040 --> 00:12:17,600 Speaker 3: Yes, today I do a radio tour. My neighbors are 269 00:12:17,800 --> 00:12:21,000 Speaker 3: sawing down their house. It's like it couldn't have been 270 00:12:21,120 --> 00:12:23,880 Speaker 3: worse time. 271 00:12:24,679 --> 00:12:27,679 Speaker 1: Listen to the Brooklyn Boys podcast on the iHeartRadio apps, 272 00:12:27,720 --> 00:12:32,640 Speaker 1: Apple podcasts, or wherever you get your podcasts. Elvista ran 273 00:12:32,760 --> 00:12:37,480 Speaker 1: in the Morning Show. This is Elvis ran in the 274 00:12:37,520 --> 00:12:38,199 Speaker 1: Morning Show. 275 00:12:39,440 --> 00:12:41,880 Speaker 2: Okay, so we're back with O's Pearlman. That took way 276 00:12:41,920 --> 00:12:43,360 Speaker 2: too long. We got to get back to this now. 277 00:12:43,800 --> 00:12:46,200 Speaker 2: If you missed the first half of this conversation with 278 00:12:46,240 --> 00:12:48,480 Speaker 2: O's uh, you need to go back and listen to 279 00:12:48,480 --> 00:12:52,640 Speaker 2: it in the replay because wow, yeah, we're all so 280 00:12:52,640 --> 00:12:55,559 Speaker 2: many questions, so many questions. But yeah, everyone always says 281 00:12:55,559 --> 00:12:57,439 Speaker 2: the same thing. When my videos go on there they go viral. 282 00:12:57,480 --> 00:13:00,000 Speaker 2: People haters. I love the haters. They go, it's all fake, 283 00:13:00,200 --> 00:13:02,120 Speaker 2: it's all set up. So I don't even want someone 284 00:13:02,160 --> 00:13:03,839 Speaker 2: in this room. I don't even want someone in the room. 285 00:13:03,840 --> 00:13:06,360 Speaker 2: You're ready, who's fun. I've got somebody in the corner. 286 00:13:06,600 --> 00:13:08,280 Speaker 2: Is this Garrett? He's here out of his mind. He's like, 287 00:13:08,280 --> 00:13:10,840 Speaker 2: stay away, Garrett. Who can we get from the office? 288 00:13:10,880 --> 00:13:13,559 Speaker 2: Tell me who is a fun person out there that's 289 00:13:13,600 --> 00:13:15,480 Speaker 2: not even in this room that we're gonna surprise. Who's 290 00:13:15,520 --> 00:13:18,160 Speaker 2: a fun person out in that room? Tell Andrew Andrew 291 00:13:18,720 --> 00:13:19,240 Speaker 2: get Andrew? 292 00:13:19,280 --> 00:13:19,439 Speaker 3: Now? 293 00:13:19,480 --> 00:13:25,200 Speaker 2: Is that? Okay? Wait, he's fun? And Andrew needs to 294 00:13:25,200 --> 00:13:27,760 Speaker 2: get got Is that the person? Yeah, let's do it? 295 00:13:27,800 --> 00:13:33,000 Speaker 2: And absolutely well? So wow, fill some air. Where is Andrew? 296 00:13:33,000 --> 00:13:35,240 Speaker 2: Andrew better not be in the bathroom. I'm thinking a number. 297 00:13:35,280 --> 00:13:39,960 Speaker 2: It's the number one. He'll be back quick, Hi, Andrew, Hello, Hello, 298 00:13:40,360 --> 00:13:43,400 Speaker 2: all right, I asked Garrett to bring somebody fun. So 299 00:13:43,520 --> 00:13:44,920 Speaker 2: know that he either loves you or hates you. I 300 00:13:44,960 --> 00:13:47,680 Speaker 2: don't know which one. Okay, okay, hates Here is a 301 00:13:47,800 --> 00:13:51,160 Speaker 2: hypothetical scenario I'm gonna throw out there, Andrew on your 302 00:13:51,240 --> 00:13:54,360 Speaker 2: life under oath in court. Before I walked into this building, 303 00:13:54,600 --> 00:13:57,160 Speaker 2: had we ever spoken a word? Met? Did you know 304 00:13:57,200 --> 00:13:58,280 Speaker 2: who I was? Nothing? 305 00:13:58,480 --> 00:13:58,600 Speaker 3: Now? 306 00:13:58,760 --> 00:14:02,559 Speaker 2: Okay? A little hurtful? Follow me on Instagram later, Andrew, 307 00:14:02,720 --> 00:14:09,880 Speaker 2: my parents, thank you. Imagine that anybody walks into this studio, iHeartRadio. 308 00:14:09,960 --> 00:14:13,640 Speaker 2: You've had big stars, lots of them, and somebody walks 309 00:14:13,640 --> 00:14:16,079 Speaker 2: in and you go, oh my god, you are starstruck. 310 00:14:16,120 --> 00:14:18,040 Speaker 2: You are on cloud nine. If I asked you to 311 00:14:18,040 --> 00:14:19,800 Speaker 2: think of the number one person that pops in your 312 00:14:19,800 --> 00:14:22,760 Speaker 2: head number one, I bet some of them could guess it, 313 00:14:22,800 --> 00:14:24,800 Speaker 2: Am I right? Yes, it'd be too obvious. It'd be 314 00:14:24,840 --> 00:14:26,800 Speaker 2: too obvious. You know what, I want you to guess? 315 00:14:26,800 --> 00:14:28,920 Speaker 2: Who would have been his number one choice. I think 316 00:14:28,920 --> 00:14:32,200 Speaker 2: it's a toss up. Would that have been in your 317 00:14:32,200 --> 00:14:34,640 Speaker 2: top three? Absolutely? So hear me out. First off, Gandhi 318 00:14:34,680 --> 00:14:39,480 Speaker 2: applause for Ghandhi. Come on, mini mentalists right there, So 319 00:14:39,800 --> 00:14:42,760 Speaker 2: hear me out. I love that. But she knows you again. 320 00:14:42,840 --> 00:14:45,280 Speaker 2: So I'm like, that's not impressive enough because there's history. 321 00:14:45,280 --> 00:14:48,280 Speaker 2: So if I say to Andrew, no deep, go deep, 322 00:14:48,440 --> 00:14:50,360 Speaker 2: where you go to somebody so far down the list, 323 00:14:50,400 --> 00:14:52,280 Speaker 2: You're like, no one will get this. I didn't even 324 00:14:52,280 --> 00:14:54,760 Speaker 2: know I'd picked this person. Can you close your eyes 325 00:14:54,800 --> 00:14:57,600 Speaker 2: and picture that person and see them in your mind 326 00:14:57,640 --> 00:15:00,520 Speaker 2: right now? Absolutely can. No way in the world anybody 327 00:15:00,560 --> 00:15:03,360 Speaker 2: could know this, right, he didn't pick It's not Lana Delray, 328 00:15:03,440 --> 00:15:06,280 Speaker 2: is it. No, she's awesome. I think he changed. I 329 00:15:06,280 --> 00:15:08,760 Speaker 2: think because you did a female he felt forced you 330 00:15:08,760 --> 00:15:12,000 Speaker 2: pushed him in that corner. No, No, I don't see gender, 331 00:15:12,040 --> 00:15:13,480 Speaker 2: but I think that he said it was too obviously 332 00:15:13,520 --> 00:15:15,080 Speaker 2: like I'm gonna go to a guy. That's what I think. 333 00:15:15,760 --> 00:15:20,840 Speaker 2: Next up, we're music. It's Higheart Radio. Did he do music? Watch? 334 00:15:20,880 --> 00:15:23,600 Speaker 2: Look he's he's trying to give nothing, seer. I look 335 00:15:23,640 --> 00:15:27,080 Speaker 2: into his eyes. I see a pin coat, Andrew, I 336 00:15:27,160 --> 00:15:30,680 Speaker 2: see nothing. I'm looking deep. I'm looking into your soul. 337 00:15:31,000 --> 00:15:32,640 Speaker 2: I am going to write this. If that's okay with 338 00:15:32,680 --> 00:15:35,360 Speaker 2: you now, the listener who cannot see, close your eyes, Andrew, 339 00:15:35,360 --> 00:15:38,000 Speaker 2: cover them up. I'm writing this down. I am showing 340 00:15:38,040 --> 00:15:40,800 Speaker 2: everybody and everyone just you know, in the studio Andrew's 341 00:15:40,800 --> 00:15:45,800 Speaker 2: eyes are closed. Everybody. If you see it, say Elvis, Duran, Elvis. Okay, 342 00:15:45,800 --> 00:15:48,400 Speaker 2: everybody saw it. I've written this down. It is not changing. 343 00:15:48,400 --> 00:15:52,600 Speaker 2: There's no trick, no trick. Open your eyes, open your eyes, Andrew, 344 00:15:54,040 --> 00:15:55,880 Speaker 2: say it. Who are you picturing at this very moment? 345 00:15:55,920 --> 00:16:10,880 Speaker 2: What's his name? Tom Hanks? And yes you are, that's awesome? 346 00:16:11,280 --> 00:16:14,440 Speaker 2: Kill it? So what made you think of Tom Eggs? 347 00:16:14,480 --> 00:16:20,120 Speaker 2: I just really love Forrest Gump. Are you are awesome? 348 00:16:20,880 --> 00:16:23,040 Speaker 2: If Andrew is going somewhere he was running. I was 349 00:16:25,800 --> 00:16:30,040 Speaker 2: that's amazing. That is too crazy is going on here? 350 00:16:30,360 --> 00:16:33,480 Speaker 2: What is happening? This is too much and I don't 351 00:16:33,520 --> 00:16:35,800 Speaker 2: like it. We can't do on this. I'm gonna be 352 00:16:35,800 --> 00:16:40,960 Speaker 2: nervous all weekend by Andrew Andrew. Andrew was so impressed 353 00:16:40,960 --> 00:16:42,520 Speaker 2: he might just pete a little bit for the record. 354 00:16:42,600 --> 00:16:45,160 Speaker 2: That's yes, I've never seen him fall on the floor 355 00:16:45,200 --> 00:16:46,960 Speaker 2: like that. It was so he fell on the floor, 356 00:16:47,600 --> 00:16:51,200 Speaker 2: fell on the floor. This is credible, and it's credible 357 00:16:51,240 --> 00:16:54,880 Speaker 2: and incredible. Here's my thing. Sure, you're a mentalist, so 358 00:16:54,920 --> 00:16:57,760 Speaker 2: obviously there is no trickery. It's all through the waves 359 00:16:57,800 --> 00:17:01,400 Speaker 2: of the mind. You know, it's trickery in the sense 360 00:17:01,440 --> 00:17:03,280 Speaker 2: of deception. I'm writing a book it's coming out next 361 00:17:03,360 --> 00:17:04,800 Speaker 2: year or where I'm going to tell you. You're not 362 00:17:04,800 --> 00:17:06,639 Speaker 2: gonna be a mentalist. You might not guess what's on dice. 363 00:17:06,920 --> 00:17:09,119 Speaker 2: But how do you read people more effectively? Right? What 364 00:17:09,200 --> 00:17:11,280 Speaker 2: if you had a ten or twenty percent kind of 365 00:17:11,560 --> 00:17:14,359 Speaker 2: advantage on knowing someone telling you the truth? Are they 366 00:17:14,400 --> 00:17:16,320 Speaker 2: lying to you? When's the right timing to go ask 367 00:17:16,359 --> 00:17:19,040 Speaker 2: your boss for raise? Right? All different tips and tricks 368 00:17:19,040 --> 00:17:21,280 Speaker 2: you can use. How do you remember people's names. That's 369 00:17:21,280 --> 00:17:22,520 Speaker 2: one of my big ones. I'll go show for three 370 00:17:22,600 --> 00:17:24,399 Speaker 2: hundred people. I'll tell all three of people their name. 371 00:17:24,400 --> 00:17:26,560 Speaker 2: They're like, dude, I don't even know my coworker's name. 372 00:17:26,760 --> 00:17:29,159 Speaker 2: Helped me out with that. So it's honestly using how 373 00:17:29,160 --> 00:17:30,919 Speaker 2: to use your mind in a different way. Because I 374 00:17:30,960 --> 00:17:33,600 Speaker 2: told you again, I'm not psychic. I've just been practicing 375 00:17:33,600 --> 00:17:35,159 Speaker 2: for thirty years on how to do this stuff. But 376 00:17:35,280 --> 00:17:38,520 Speaker 2: just just like in the world a magician, yep, performance, 377 00:17:38,760 --> 00:17:40,159 Speaker 2: I'm the kind of guy. We talked about those all 378 00:17:40,160 --> 00:17:41,680 Speaker 2: the time. I don't want to know how you did it, sure, 379 00:17:41,720 --> 00:17:43,800 Speaker 2: I don't care. I don't I don't want to know 380 00:17:43,800 --> 00:17:45,680 Speaker 2: how you figure this stuff out. I don't want to 381 00:17:45,720 --> 00:17:47,359 Speaker 2: know the cues you see. Or I don't want to 382 00:17:47,359 --> 00:17:49,240 Speaker 2: know how they can A magician can sult win in 383 00:17:49,320 --> 00:17:50,960 Speaker 2: half and they don't die, right, I just want to 384 00:17:51,000 --> 00:17:53,159 Speaker 2: not as good if they die. I just enjoy what 385 00:17:53,359 --> 00:17:55,600 Speaker 2: just happened. Yes, but there are people who probably try 386 00:17:55,640 --> 00:17:58,399 Speaker 2: to like I love that everybody's going to kidnap you 387 00:17:58,440 --> 00:18:00,400 Speaker 2: and enforce you by some sort of I have had 388 00:18:00,440 --> 00:18:02,240 Speaker 2: CEOs of major companies be like, I need you to 389 00:18:02,280 --> 00:18:04,840 Speaker 2: sit in the room during this next merger and save 390 00:18:04,920 --> 00:18:06,879 Speaker 2: me like eight hundred million dollars. I'm like, sure, just 391 00:18:06,880 --> 00:18:10,840 Speaker 2: throwing me ten percent. I'm in. I'm Nate right over 392 00:18:10,880 --> 00:18:11,960 Speaker 2: here straight, Nate? Is that right? 393 00:18:12,160 --> 00:18:12,960 Speaker 3: Yeah? 394 00:18:13,200 --> 00:18:16,199 Speaker 2: Nate, let's throw it back. If you were to go 395 00:18:16,240 --> 00:18:18,080 Speaker 2: back in time, how many collective hours you think you 396 00:18:18,080 --> 00:18:21,479 Speaker 2: spent with the people in this room? Got too many years? 397 00:18:22,560 --> 00:18:24,639 Speaker 2: So there is if we could go through in like 398 00:18:25,119 --> 00:18:28,240 Speaker 2: mine for gold, everything he's ever said, Would they know 399 00:18:28,320 --> 00:18:32,080 Speaker 2: your childhood best friend in this room? No? He didn't 400 00:18:32,080 --> 00:18:36,120 Speaker 2: have any friends. Trick question. He was a sickly child. 401 00:18:36,119 --> 00:18:39,280 Speaker 2: All right, do you think you have ever mentioned anybody 402 00:18:39,280 --> 00:18:42,960 Speaker 2: here the first girl you had a crush on? Could 403 00:18:42,960 --> 00:18:47,440 Speaker 2: that have been mentioned? Possibly? See, but I don't want it. 404 00:18:47,480 --> 00:18:50,720 Speaker 2: Possibly Elvis, get somebody else, get the second tier mentalist. 405 00:18:50,760 --> 00:18:54,400 Speaker 2: What's happening If we're going for goat status? I got 406 00:18:54,400 --> 00:18:57,040 Speaker 2: to do something insane. I have a question. Instead of 407 00:18:58,280 --> 00:19:00,520 Speaker 2: girl you had a crush on, do you you recall 408 00:19:00,520 --> 00:19:03,080 Speaker 2: the first person that had a crush on you? Yes? 409 00:19:03,640 --> 00:19:03,880 Speaker 3: He does. 410 00:19:05,080 --> 00:19:07,280 Speaker 2: Do you see that? Look at the look at the vanity. 411 00:19:07,320 --> 00:19:10,520 Speaker 2: He's like a lot of the man crushes on second grade? 412 00:19:10,600 --> 00:19:13,720 Speaker 2: All right, here we go, Elvis you picked Layton. I 413 00:19:13,800 --> 00:19:16,200 Speaker 2: watched your eyes. You watch me. Look how un comfortable's 414 00:19:16,200 --> 00:19:19,080 Speaker 2: getting No, he's un comfort the one that got away 415 00:19:19,080 --> 00:19:21,920 Speaker 2: and you turned her down. You broke this young girl's heart. 416 00:19:22,040 --> 00:19:25,000 Speaker 2: I hope she's listening right now. Second grade. All right, Nate, 417 00:19:25,119 --> 00:19:29,080 Speaker 2: here's all you do without using your fingers. Count the 418 00:19:29,200 --> 00:19:32,040 Speaker 2: number of letters. And this is not written somewhere. This 419 00:19:32,080 --> 00:19:34,080 Speaker 2: is not posted on a social media Is that correct? 420 00:19:34,119 --> 00:19:36,320 Speaker 2: This is nowhere, This is in your brain. Count how 421 00:19:36,359 --> 00:19:38,399 Speaker 2: many letters in the first name? I got it. It 422 00:19:38,440 --> 00:19:41,080 Speaker 2: took him a while. You see that earlier, Elvis, you 423 00:19:41,119 --> 00:19:43,960 Speaker 2: were quick on the draw. You were quick on the draw. Well, 424 00:19:44,040 --> 00:19:46,080 Speaker 2: I mean I'm there for you. Watch me, watch me, 425 00:19:46,160 --> 00:19:48,639 Speaker 2: here we go. Think of the first letter, don't say it. 426 00:19:48,800 --> 00:19:50,480 Speaker 2: Think of the second letter. No, no, don't don't go. 427 00:19:50,880 --> 00:19:52,840 Speaker 2: That's like saying yes, keep watching me. Think of the 428 00:19:52,880 --> 00:19:56,640 Speaker 2: third letter, fourth letter, fifth letter. For those that are 429 00:19:56,640 --> 00:19:59,840 Speaker 2: listening and not seeing Nate intense eyebrow movements, his face 430 00:20:00,040 --> 00:20:03,360 Speaker 2: very expressive. Do have an expressive face? Sixth letter, seventh letter, 431 00:20:03,400 --> 00:20:05,800 Speaker 2: eighth letter, ninth letter, tenth letter, eleventh letter, twelfth letter. 432 00:20:06,080 --> 00:20:08,959 Speaker 2: Daniel's like, how long is his name? Eight? Is it Alejandra. 433 00:20:09,160 --> 00:20:14,080 Speaker 2: She sounds enchanting. I think that there was a moment 434 00:20:14,320 --> 00:20:17,440 Speaker 2: where Nate looked perplexed. He gave me that mile long 435 00:20:17,560 --> 00:20:20,280 Speaker 2: stare because he ran out of letters, and I'm trying 436 00:20:20,280 --> 00:20:22,000 Speaker 2: to think when it was, and it was like, was 437 00:20:22,040 --> 00:20:25,200 Speaker 2: it eight nine? It was? It was the ninth letter, 438 00:20:25,720 --> 00:20:27,680 Speaker 2: because there is no ninth letter. Her name's eight letters, 439 00:20:27,720 --> 00:20:28,000 Speaker 2: isn't it? 440 00:20:28,080 --> 00:20:28,280 Speaker 3: Nate? 441 00:20:28,520 --> 00:20:35,800 Speaker 2: You heard a witch mix up those letters. And I 442 00:20:35,800 --> 00:20:37,199 Speaker 2: want you to you know what, I want you to 443 00:20:37,200 --> 00:20:39,639 Speaker 2: take the first letter of her name, and right it 444 00:20:39,680 --> 00:20:42,439 Speaker 2: was just halloween, fun costumes, fun things. I want you 445 00:20:42,480 --> 00:20:45,040 Speaker 2: to take the first letter of her name, and what 446 00:20:45,280 --> 00:20:47,479 Speaker 2: we think of quick, quick category. Think of an animal 447 00:20:47,560 --> 00:20:49,119 Speaker 2: that starts with that letter. Don't say it, think of 448 00:20:49,119 --> 00:20:53,920 Speaker 2: at one. Was it a cute animal? It could be cut? Yes, 449 00:20:53,960 --> 00:20:57,320 Speaker 2: it felt cute. I got it. You thought of a 450 00:20:57,359 --> 00:21:07,480 Speaker 2: place Australia, kangaroo, Christina. Why did you do that? How 451 00:21:07,520 --> 00:21:09,240 Speaker 2: did he do that? It was like he was in 452 00:21:09,400 --> 00:21:12,920 Speaker 2: my break. If he's not swearing, I'm not doing my job. 453 00:21:13,000 --> 00:21:16,440 Speaker 2: Is that right? Well that's crazy. And he even knew 454 00:21:16,440 --> 00:21:18,720 Speaker 2: the case. The animal that you picked, I did, I said, 455 00:21:18,720 --> 00:21:20,960 Speaker 2: a kangaroo. That's when he jumped first. He was jumping 456 00:21:20,960 --> 00:21:22,479 Speaker 2: the kangaroo. That's first thing he thought of. He went 457 00:21:22,480 --> 00:21:24,679 Speaker 2: from Australia kangaroo to Christine. I saw it all. Was 458 00:21:24,720 --> 00:21:28,560 Speaker 2: it really her? Yes? Was she like me? I don't 459 00:21:28,560 --> 00:21:30,639 Speaker 2: know what. I don't know what to say. How come 460 00:21:30,680 --> 00:21:36,200 Speaker 2: we didn't date? I went second grade, was on the swings, 461 00:21:36,200 --> 00:21:38,240 Speaker 2: she was and she wouldn't give an pushes back. I 462 00:21:38,240 --> 00:21:39,560 Speaker 2: don't want to put it out there, but she was 463 00:21:39,640 --> 00:21:44,200 Speaker 2: very selfish. I have I'm sorry. This is like, there 464 00:21:44,240 --> 00:21:46,160 Speaker 2: you go. This is what does when he walks into 465 00:21:46,160 --> 00:21:47,520 Speaker 2: her room. I don't know if I like it or 466 00:21:47,520 --> 00:21:49,680 Speaker 2: hate it. That's what he'll say to me there, like 467 00:21:49,720 --> 00:21:51,800 Speaker 2: I hate you, but I love you, love you a 468 00:21:51,840 --> 00:21:53,640 Speaker 2: little bit of both. I don't know this will change 469 00:21:53,680 --> 00:21:56,119 Speaker 2: your life, though, because you could probably immediately tell if 470 00:21:56,119 --> 00:21:58,240 Speaker 2: somebody likes you or dislikes you. If somebody's being honest, 471 00:21:58,240 --> 00:22:00,720 Speaker 2: it's honest. Yeah, that a little bit. Do you think 472 00:22:00,720 --> 00:22:03,480 Speaker 2: we like you? I think Danielle does. I think Garrett 473 00:22:03,520 --> 00:22:06,920 Speaker 2: scared and Elvis wants to use me for nefarious purposes 474 00:22:08,400 --> 00:22:11,000 Speaker 2: and the next serious negotiation, ohs, get me on speed 475 00:22:11,080 --> 00:22:13,399 Speaker 2: dial on he's like late and you're out. Oh's you're in. 476 00:22:13,800 --> 00:22:15,959 Speaker 2: You said your kids can't lie to you. That's like, 477 00:22:16,160 --> 00:22:18,760 Speaker 2: that's like no joke, Like, damn your poor kid. I 478 00:22:18,800 --> 00:22:20,960 Speaker 2: am in a sweet goldilock zone where they still think 479 00:22:21,000 --> 00:22:22,719 Speaker 2: I am cool because right now I have kids eight, six, 480 00:22:22,840 --> 00:22:25,919 Speaker 2: four and one busy household. But yeah, last year I 481 00:22:25,960 --> 00:22:28,199 Speaker 2: did a magic show and I mostly do adults, but 482 00:22:28,240 --> 00:22:29,560 Speaker 2: back in the day was a teenager. I did a 483 00:22:29,560 --> 00:22:31,040 Speaker 2: lot of kids shows. So I had to like blow 484 00:22:31,080 --> 00:22:32,600 Speaker 2: the dust off my kids show, which I did not 485 00:22:32,640 --> 00:22:34,520 Speaker 2: remember how to do. And I went there to his 486 00:22:34,560 --> 00:22:38,119 Speaker 2: school and uh, they ate me alive. I think I 487 00:22:38,160 --> 00:22:41,199 Speaker 2: had literally performed for presidents before of this country and 488 00:22:41,359 --> 00:22:44,320 Speaker 2: was less tense than when my kid's second grade class 489 00:22:44,359 --> 00:22:46,680 Speaker 2: were like, you got something in your thumb, check your pocket. 490 00:22:46,720 --> 00:22:48,760 Speaker 2: I know where that bird came from. Like, bro, take it. 491 00:22:50,160 --> 00:22:52,840 Speaker 2: I got home. My lawyer is in my building. He's 492 00:22:52,880 --> 00:22:54,399 Speaker 2: my neighbor, and he saw me and it was like 493 00:22:54,400 --> 00:22:56,160 Speaker 2: you thought somebody died because my face was so ash 494 00:22:56,200 --> 00:22:57,439 Speaker 2: and whit. He's like, what happened? I'm like, I think 495 00:22:57,480 --> 00:23:01,240 Speaker 2: I have to rethink careers. Wow. Yeah, incredible. And on 496 00:23:01,240 --> 00:23:03,400 Speaker 2: the flip side, you probably meet people and immediately don't 497 00:23:03,480 --> 00:23:05,680 Speaker 2: like them because you can tell some stuff about them. 498 00:23:06,119 --> 00:23:08,520 Speaker 2: So I never reveal embarrassing things in my show. It 499 00:23:08,600 --> 00:23:10,879 Speaker 2: was very wholesome. But I, for a fact have definitely 500 00:23:10,920 --> 00:23:12,880 Speaker 2: known things in an event where I'm like, yep, he's 501 00:23:12,960 --> 00:23:15,600 Speaker 2: cheating on her. This guy definitely lied, Like, yes, I 502 00:23:15,640 --> 00:23:19,760 Speaker 2: will know those things. Marriage therapy like tell me what 503 00:23:19,760 --> 00:23:23,000 Speaker 2: my wife is actually thinking? My wife, I don't know. 504 00:23:23,119 --> 00:23:24,400 Speaker 2: I married a woman who has I have no idea 505 00:23:24,440 --> 00:23:26,240 Speaker 2: what she's thinking. Maybe that's why you married her, I think. 506 00:23:26,280 --> 00:23:29,879 Speaker 2: So it's always it's always a question mark. Damn. So 507 00:23:30,000 --> 00:23:31,600 Speaker 2: date number one, I try to do a trick on 508 00:23:31,600 --> 00:23:33,560 Speaker 2: HER's like, yeah, let's cut this magic stuff. And I'm like, 509 00:23:33,760 --> 00:23:38,240 Speaker 2: my powers don't work on her kryptonite. All right, Well listen, 510 00:23:38,240 --> 00:23:40,160 Speaker 2: o's is there anything else we want to discover before 511 00:23:40,200 --> 00:23:42,520 Speaker 2: we do something fun? Yeah? I feel like we didn't 512 00:23:42,520 --> 00:23:45,560 Speaker 2: get enough yet. We didn't get enough O, So who 513 00:23:45,840 --> 00:23:48,160 Speaker 2: you know what, let's let's let's combine forces. Who would 514 00:23:48,200 --> 00:23:50,159 Speaker 2: like in gandhied you on in? Now you know I 515 00:23:50,160 --> 00:23:51,600 Speaker 2: can't get somebody from your past because I did that 516 00:23:51,640 --> 00:23:52,880 Speaker 2: for him. So I don't want to repeat. I don't 517 00:23:52,880 --> 00:23:55,840 Speaker 2: want to do boring stuff I already did, so instead 518 00:23:56,040 --> 00:23:58,680 Speaker 2: what can we do? That's very fun. I want to 519 00:23:58,720 --> 00:24:01,159 Speaker 2: try this. I want you and how long have you 520 00:24:01,160 --> 00:24:06,480 Speaker 2: known Elvis? Six plus years? Okay, six plus years? You 521 00:24:06,520 --> 00:24:10,240 Speaker 2: seemed happier than he did. That was awkward and ouch ouch? 522 00:24:10,680 --> 00:24:12,720 Speaker 2: Can we do a duet? Can I get you next 523 00:24:12,720 --> 00:24:15,399 Speaker 2: to Elvis on the same mic? So I want you 524 00:24:15,400 --> 00:24:17,040 Speaker 2: to be I want you guys closer to me? Is 525 00:24:17,080 --> 00:24:22,440 Speaker 2: that okay? Yeah? All right, well, okay, come on over. 526 00:24:22,520 --> 00:24:24,600 Speaker 2: We're rolling the shares over. Gotta tell you, I'm quite 527 00:24:24,680 --> 00:24:26,879 Speaker 2: hurt that Danielle and Elvis have gold mics and I 528 00:24:27,000 --> 00:24:30,400 Speaker 2: just got chopped liver. So what's going on here? Chulilvermine here? 529 00:24:30,480 --> 00:24:33,560 Speaker 2: All right? So here's what we're gonna do. Breath. You 530 00:24:33,680 --> 00:24:36,720 Speaker 2: are going to read Elvis's mind? Right, so far it's 531 00:24:36,720 --> 00:24:38,480 Speaker 2: been all me. It's been the show. I don't want 532 00:24:38,520 --> 00:24:40,800 Speaker 2: the O show. Good luck, gandhi. You are not going 533 00:24:40,800 --> 00:24:42,719 Speaker 2: to guess names. You are not going to get words 534 00:24:42,840 --> 00:24:45,080 Speaker 2: or numbers. It's curious. Still, I don't you guys can't 535 00:24:45,080 --> 00:24:48,560 Speaker 2: see this. He is still freaking out about his pin code. 536 00:24:48,600 --> 00:24:52,679 Speaker 2: He is still freaking out what he will forget? Yeah, 537 00:24:52,800 --> 00:24:54,800 Speaker 2: all right, yeah, take all stuff. I don't know. This 538 00:24:54,840 --> 00:24:57,200 Speaker 2: is my hollow. I brought the Halloween costume catalog. You're 539 00:24:57,200 --> 00:24:59,359 Speaker 2: gonna go through these in a second, Daniel day late. 540 00:24:59,400 --> 00:25:01,920 Speaker 2: But it's okay. So Gandhi's gonna read my mind. Yeah, 541 00:25:01,920 --> 00:25:03,760 Speaker 2: but she's not gonna guess things that she could know 542 00:25:03,840 --> 00:25:06,480 Speaker 2: about you, because then our listener, our loyal listeners, they 543 00:25:06,520 --> 00:25:08,880 Speaker 2: know you. Guys. Okay, chop it up on this show. 544 00:25:09,280 --> 00:25:11,679 Speaker 2: You open up. Here's what I do. I want you 545 00:25:12,080 --> 00:25:14,239 Speaker 2: to hold his hand, hold hand. It's kind of climb here. 546 00:25:14,320 --> 00:25:19,280 Speaker 2: Everybody go all all right, Ghani looked this way at me. 547 00:25:20,200 --> 00:25:22,199 Speaker 2: It is not going to be a thought. It's going 548 00:25:22,280 --> 00:25:24,719 Speaker 2: to be a feeling. If I reach over and I 549 00:25:24,720 --> 00:25:27,399 Speaker 2: tap Elvis on the shoulder, Gandhi will swear that she 550 00:25:27,480 --> 00:25:31,119 Speaker 2: felt somebody tap her shoulder. At the same time, if 551 00:25:31,160 --> 00:25:33,240 Speaker 2: I take this piece of paper with two five to 552 00:25:33,320 --> 00:25:36,000 Speaker 2: one and I brush it on Elvis's forehead, she will 553 00:25:36,000 --> 00:25:37,600 Speaker 2: feel a brush on her forage. You get it. You 554 00:25:37,680 --> 00:25:41,480 Speaker 2: two are gonna be like twins. Okay, your twinning. We 555 00:25:41,560 --> 00:25:47,320 Speaker 2: look literally indistinguishable, truly separate at birth. Yeah, all right, 556 00:25:47,480 --> 00:25:51,000 Speaker 2: look this way. Now, they're gonna say that I hypnotized you, 557 00:25:51,080 --> 00:25:52,879 Speaker 2: and so she didn't really feel it. She's pretend. I 558 00:25:52,920 --> 00:25:56,280 Speaker 2: want test conditions. Gandhi. I want you to close your eyes. 559 00:25:56,880 --> 00:25:58,960 Speaker 2: Can everybody in here get on the mic? Can everybody 560 00:25:58,960 --> 00:26:02,159 Speaker 2: see Gandhi? Everybody say yeah, yeah, Khani, I'm doing a 561 00:26:02,200 --> 00:26:04,080 Speaker 2: test run. Don't open your eyes. No peeking, no peeking, 562 00:26:04,119 --> 00:26:07,520 Speaker 2: no peeking. Did you just feel me poke you in 563 00:26:07,560 --> 00:26:08,720 Speaker 2: the right bicep lightly? 564 00:26:09,000 --> 00:26:09,119 Speaker 3: Yes? 565 00:26:09,280 --> 00:26:11,320 Speaker 2: Did everyone see me do that? Okay, I just did that. 566 00:26:11,400 --> 00:26:13,200 Speaker 2: By the way she flexed, She's been working out. She's 567 00:26:13,240 --> 00:26:16,199 Speaker 2: been working out. I'm impressed. So we're starting from this 568 00:26:16,320 --> 00:26:19,160 Speaker 2: moment and everyone is watching, and Ghani, I maybe turn 569 00:26:19,200 --> 00:26:21,479 Speaker 2: your head towards me a little bit. Her eyes are closed, 570 00:26:21,480 --> 00:26:24,320 Speaker 2: her lashes very luscious, and I want to make sure 571 00:26:24,320 --> 00:26:26,640 Speaker 2: that she remembers this moment when we're starting. So everybody 572 00:26:26,840 --> 00:26:29,040 Speaker 2: look over it at Gandhi and everybody say yeah. Everybody 573 00:26:29,080 --> 00:26:33,320 Speaker 2: say yeah yeah. I want to ask you a question. 574 00:26:33,840 --> 00:26:38,360 Speaker 2: I want you to tell everybody right now, what did 575 00:26:38,359 --> 00:26:40,480 Speaker 2: you just feel me? Duty? What happened? I don't know 576 00:26:40,520 --> 00:26:42,440 Speaker 2: what it was. Maybe a piece of paper across my face. 577 00:26:42,560 --> 00:26:46,679 Speaker 1: We're on your face like eyebrows to under like across 578 00:26:46,680 --> 00:26:47,600 Speaker 1: my eyes down. 579 00:26:47,440 --> 00:26:50,840 Speaker 2: The Oh my god. So for those listening, she closed 580 00:26:50,880 --> 00:26:53,920 Speaker 2: her eyes. Open your eyes. I took this piece of paper, yeah, 581 00:26:54,160 --> 00:26:57,119 Speaker 2: and I brushed it down Elvis's nose and eyebrows. He 582 00:26:58,200 --> 00:27:05,280 Speaker 2: did that to me. We got that camera camera, You're 583 00:27:05,320 --> 00:27:09,320 Speaker 2: a sorcerer. I just throw a smoke bomb and disappear. Next, 584 00:27:09,320 --> 00:27:13,280 Speaker 2: did anyone touch her face? He did to me. Imagine 585 00:27:13,359 --> 00:27:16,640 Speaker 2: that you are rocking a Panteen Provy commercial slow motion hairshake, 586 00:27:16,720 --> 00:27:18,639 Speaker 2: makeing go behind Oh you work it, work it all right, 587 00:27:18,840 --> 00:27:20,800 Speaker 2: Turn this way towards me, Turn this way towards me. No, 588 00:27:20,880 --> 00:27:23,120 Speaker 2: hair's got to go back a little. Yes, yes, okay, 589 00:27:24,000 --> 00:27:26,320 Speaker 2: palm is Elvis is getting clammy. There hasn't been this 590 00:27:26,400 --> 00:27:29,239 Speaker 2: much contact in a while. Okay, all right, Ghanhi, look 591 00:27:29,280 --> 00:27:31,600 Speaker 2: this way at me. Are you guys watching her? Am 592 00:27:31,640 --> 00:27:32,439 Speaker 2: I anywhere near her? 593 00:27:32,520 --> 00:27:32,840 Speaker 3: Is anything? 594 00:27:32,880 --> 00:27:34,959 Speaker 2: Am I touching her? Doing anything? I want to know 595 00:27:34,960 --> 00:27:37,919 Speaker 2: when imagine you have read receipts on your text. Have 596 00:27:38,000 --> 00:27:41,760 Speaker 2: you felt anything yet, Gandhi? How about right now? Yes? 597 00:27:41,840 --> 00:27:41,919 Speaker 3: No? 598 00:27:42,000 --> 00:27:45,159 Speaker 2: Maybe so. My theory, my theory, My theory is that 599 00:27:45,240 --> 00:27:47,520 Speaker 2: whatever I do to Elvis goes through his hand, goes 600 00:27:47,560 --> 00:27:49,400 Speaker 2: through her hand. Ghandi. I want you to open your eyes, 601 00:27:49,440 --> 00:27:51,679 Speaker 2: open your eyes, talk to us, just like a second 602 00:27:51,720 --> 00:27:53,480 Speaker 2: or two ago. What did you feel show me where? 603 00:27:53,960 --> 00:27:58,359 Speaker 2: Like right here, Gandhi is brushing her. He's looking at it, 604 00:27:58,400 --> 00:28:03,840 Speaker 2: t brush at the exact same moment. Didn't go to 605 00:28:03,840 --> 00:28:10,560 Speaker 2: hear you. He did it to my chin and then 606 00:28:10,600 --> 00:28:14,199 Speaker 2: you felt it on yours. This is very weird. For 607 00:28:14,280 --> 00:28:16,840 Speaker 2: the record, they are still holding hands and embracing closely. 608 00:28:17,000 --> 00:28:20,879 Speaker 1: Yeah, this is so weird. 609 00:28:21,480 --> 00:28:22,960 Speaker 2: I like it when people say touch me next. But 610 00:28:23,000 --> 00:28:25,639 Speaker 2: now I'm ending big. I'm ending big. That costs extra, 611 00:28:25,800 --> 00:28:30,080 Speaker 2: that costs extra. Danielle. Danielle feels like chopliver. She's like, 612 00:28:30,119 --> 00:28:33,200 Speaker 2: what about me? What about me? All day late to 613 00:28:33,240 --> 00:28:36,119 Speaker 2: the game. But Halloween was such a fun holiday. I 614 00:28:36,160 --> 00:28:38,280 Speaker 2: like Halloween to extend. I have brought with me for 615 00:28:38,320 --> 00:28:41,800 Speaker 2: the listener. Can't see a Halloween costume catalog. No, you 616 00:28:41,840 --> 00:28:43,880 Speaker 2: made me come back and cost you know what. I 617 00:28:43,920 --> 00:28:45,920 Speaker 2: made it happen. And so I'm not gonna go through 618 00:28:45,960 --> 00:28:48,040 Speaker 2: there's hundreds in here, but I want you to describe 619 00:28:48,120 --> 00:28:49,880 Speaker 2: daniel into the mic. I'm gonna go through fast and 620 00:28:49,960 --> 00:28:51,200 Speaker 2: name some of them out loud. We don't do every 621 00:28:51,200 --> 00:28:52,480 Speaker 2: single one, but yell out a few. I'm gonna go 622 00:28:52,520 --> 00:28:55,080 Speaker 2: rapid fire into the mic and you can we hear you. Okay, 623 00:28:55,080 --> 00:28:59,800 Speaker 2: you're in the miclo Okay, just ask christ Oh no, 624 00:29:00,120 --> 00:29:02,320 Speaker 2: I knock over, It doesn't matter. Are you ready? Let's 625 00:29:02,320 --> 00:29:04,480 Speaker 2: go rapid fire because hundreds plus in here, but just 626 00:29:04,520 --> 00:29:07,239 Speaker 2: yells them out pirate. I can't see them. 627 00:29:07,280 --> 00:29:14,600 Speaker 1: Okay, Hey Wonka, Willie Wonka, disco guy, somebody diver something dynamized. 628 00:29:14,120 --> 00:29:18,480 Speaker 2: Napoleon dynamite. You recognized you can't do it. Oh yeah, yeah, 629 00:29:18,600 --> 00:29:20,960 Speaker 2: you can't hear anyway. There's tons in here. Do you 630 00:29:21,000 --> 00:29:23,560 Speaker 2: agree they're all different? She sees all different ones. There's 631 00:29:23,680 --> 00:29:26,360 Speaker 2: hundreds of them in here. Here's what you do. I'm 632 00:29:26,400 --> 00:29:28,280 Speaker 2: gonna have you pick one, but I don't care if 633 00:29:28,320 --> 00:29:30,479 Speaker 2: you change your mind five times, ten times. I need 634 00:29:30,600 --> 00:29:33,920 Speaker 2: Danielle to be happy in her core. So take this book, okay, 635 00:29:33,960 --> 00:29:36,080 Speaker 2: take the cattle. No, no, hold on, and I'm gonna 636 00:29:36,080 --> 00:29:38,480 Speaker 2: have you back up just a smidge so there's no 637 00:29:38,640 --> 00:29:40,680 Speaker 2: camera behind you that can see. Kind of like get 638 00:29:40,720 --> 00:29:42,000 Speaker 2: in tight you and I need to put your hand 639 00:29:42,040 --> 00:29:44,560 Speaker 2: on top. You get it like a not so much 640 00:29:44,600 --> 00:29:46,920 Speaker 2: squeezing like you're praying, more like you've got this this 641 00:29:47,040 --> 00:29:48,560 Speaker 2: catalog close to you with your other hand on top. 642 00:29:48,600 --> 00:29:50,160 Speaker 2: So it's close like this, so there's no way anyone 643 00:29:50,200 --> 00:29:52,080 Speaker 2: can see behind you. You get it and put your 644 00:29:52,080 --> 00:29:54,520 Speaker 2: thumb right on the back of it. Okay, get it? Yeah, 645 00:29:54,600 --> 00:29:56,360 Speaker 2: in the back of the back. You get it. No, no, no, 646 00:29:56,480 --> 00:29:58,240 Speaker 2: yeah like that. Just have a hold on, hold on verybore. 647 00:29:58,280 --> 00:30:01,040 Speaker 2: Not yet, not yet, all right, before we go further. 648 00:30:01,440 --> 00:30:03,640 Speaker 2: Everyone right now, No, no, don't look yet because you're 649 00:30:03,640 --> 00:30:05,960 Speaker 2: not picking yet. I want everyone to see what I 650 00:30:06,040 --> 00:30:09,400 Speaker 2: posted more than an hour ago. Check the gram. Everyone 651 00:30:09,480 --> 00:30:12,280 Speaker 2: by you, Danielle. Everyone listening right now before she even 652 00:30:12,320 --> 00:30:13,920 Speaker 2: makes her choice. You have no I want you to 653 00:30:13,960 --> 00:30:16,720 Speaker 2: go to app and it looks like OZ. Blame my folks, 654 00:30:16,760 --> 00:30:19,720 Speaker 2: it's O's. But it's at o Z the mentalist, o 655 00:30:19,920 --> 00:30:22,760 Speaker 2: Z the mentalist. There is a story, just one that 656 00:30:22,800 --> 00:30:25,600 Speaker 2: I posted a little late to the game, probably when 657 00:30:25,600 --> 00:30:27,400 Speaker 2: everyone to look at it before she even does it. 658 00:30:28,040 --> 00:30:30,840 Speaker 2: And if you've seen it, just say yeah, Danielle, you 659 00:30:30,920 --> 00:30:33,200 Speaker 2: have not seen a thing. Danielle, look me in the eyes, 660 00:30:33,240 --> 00:30:35,200 Speaker 2: Stare me in the eyes. I want you to open 661 00:30:35,400 --> 00:30:38,160 Speaker 2: slowly any point in that catalog. Just open, don't look, 662 00:30:38,200 --> 00:30:41,120 Speaker 2: opened up a little, and you decide right now. Know 663 00:30:41,240 --> 00:30:43,320 Speaker 2: that you could change your mind. Do you want to 664 00:30:43,360 --> 00:30:45,480 Speaker 2: go before you go? Do you want to go that page? 665 00:30:45,560 --> 00:30:46,560 Speaker 2: Or do you want to go to a new page? 666 00:30:46,560 --> 00:30:47,640 Speaker 2: You tell me? You tell me right now? Does it 667 00:30:47,680 --> 00:30:48,640 Speaker 2: feel right? Or you want to change? 668 00:30:48,880 --> 00:30:49,080 Speaker 3: Change? 669 00:30:49,120 --> 00:30:51,160 Speaker 2: She's changing her mind in the middle everything would have 670 00:30:51,240 --> 00:30:52,960 Speaker 2: just shifted. Change you a new and I'll stop. Do 671 00:30:53,000 --> 00:30:53,960 Speaker 2: you want to go here? Do you want to go 672 00:30:54,000 --> 00:30:54,440 Speaker 2: to a new one? 673 00:30:54,640 --> 00:30:54,920 Speaker 3: New one? 674 00:30:55,120 --> 00:30:58,440 Speaker 2: Go to a new one again? Is that it? Are 675 00:30:58,520 --> 00:31:01,400 Speaker 2: you sure? Third time? Is the charm? She picked one 676 00:31:01,480 --> 00:31:03,480 Speaker 2: and said no. She said too. I'm gonna ask you 677 00:31:03,520 --> 00:31:05,280 Speaker 2: one last time because everyone already saw what I did. 678 00:31:05,720 --> 00:31:07,800 Speaker 2: Are you sure that's where you want to go? I 679 00:31:07,920 --> 00:31:09,680 Speaker 2: want you to bring it close to you, open it 680 00:31:09,760 --> 00:31:15,480 Speaker 2: up and look at that costume and tell everybody, out 681 00:31:15,520 --> 00:31:18,760 Speaker 2: of hundreds of different choices, you're imagining me, put the 682 00:31:18,840 --> 00:31:20,560 Speaker 2: put the cattle away, throw to I don't even want it. 683 00:31:20,840 --> 00:31:24,280 Speaker 2: Tell us all, what are you picturing me wearing? Say 684 00:31:24,320 --> 00:31:29,240 Speaker 2: it Batman, folks. I'm not saying that's right, but you've 685 00:31:29,320 --> 00:31:34,680 Speaker 2: never seen me and Batman in the same He's wearing shirts. 686 00:31:34,720 --> 00:31:39,800 Speaker 2: Oh my god, he's wearing a Batman shirt. What we 687 00:31:39,880 --> 00:31:43,880 Speaker 2: need to take it? We should be destroyed right now. Wow, 688 00:31:44,200 --> 00:31:51,560 Speaker 2: that's crazy. What Thank you Elvis d so O Pearlman. 689 00:31:51,720 --> 00:31:53,840 Speaker 2: Of course we can all follow you at o Z 690 00:31:54,080 --> 00:31:59,040 Speaker 2: The Mentalists, The Mentalist, The Mentalist. That was awesome. Thanks guys, 691 00:31:59,400 --> 00:32:03,440 Speaker 2: thanks having me, I mean, I don't know later, Yeah, 692 00:32:03,640 --> 00:32:08,600 Speaker 2: this is kind of all. Yes, my favorite on your page. 693 00:32:09,400 --> 00:32:12,640 Speaker 2: My favorite part is he was tickling my chin and 694 00:32:12,960 --> 00:32:17,400 Speaker 2: Gandhi felt it. Wait hold on, someone just tickled by scrotu. 695 00:32:19,160 --> 00:32:22,280 Speaker 2: Gandhi felt it too. I did a couple of kegels, 696 00:32:22,280 --> 00:32:24,240 Speaker 2: so I think that I just got that covered those 697 00:32:24,280 --> 00:32:25,120 Speaker 2: program Thanks for coming in.