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Speaker 1: Joel, Hey, where I don't see you? Well? Where are you? Oh?

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Speaker 1: My god, you did not Joel? Where? Yeah? Are we

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Speaker 1: not meeting at the hospital? We who told you we

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Speaker 1: were meeting? I'm at the hospital. Where's everybody else? We

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Speaker 1: are in our homes where it's safe during your homes.

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Speaker 1: I've just set the camera thing up outside of the hospital.

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Speaker 1: For goodness sakes, don't we're doing this whole thing like you.

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Speaker 1: We had briefly talked about what are cool? Alive? Even no, no,

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Speaker 1: but listen, I admire your commitment, your dedication. Thank you.

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Speaker 1: This is why we love you here. That's amazing. OKAYI Hi,

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Speaker 1: how are you? I'm so excited for a second live show.

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Speaker 1: I am thrilled to do our second live show. It's

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Speaker 1: gonna be great. We have a what a banger of

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Speaker 1: a show we have planned for. Listen, the guys have

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Speaker 1: been cooking for y'all, made some important phone calls, got

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Speaker 1: it going. Yes, it's gonna be amazing you guys, yes,

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Speaker 1: And we were like yes, and now we're here and

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Speaker 1: it's happening, and I'm so excited you guys in the chat. Listen,

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Speaker 1: y'all already know fans or what makes the show move,

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Speaker 1: It's what gives us our life blood. So we want

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Speaker 1: to hear from you guys about You can ask questions

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Speaker 1: in the chat look right above the chat screen. There

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Speaker 1: should be a place for you to drop your questions.

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Speaker 1: And we've already gotten so many great ones. So I

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Speaker 1: wanted to start off. Oh can I find it? Oh? Yes, okay,

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Speaker 1: so here it is. Mike s asked right there, what

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Speaker 1: was both Joel and Daniel's history with Scrubs and what

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Speaker 1: brought y'all to the podcast? Okay, um, I can tell

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Speaker 1: my story really really quick. I was in the office

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Speaker 1: very early one day because I'm an early riser, and

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Speaker 1: our boss, the fabulous Jack, said, Hey, are you Scrubs fan?

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Speaker 1: I said, I'm a human, so yes, of course I

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Speaker 1: love Scrubs and so I had to check it and

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Speaker 1: he was like, okay, well, we've got a really important

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Speaker 1: call with Zack and Noneald today. Could you come on

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Speaker 1: and talk to them? I mean, guys, I was six

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Speaker 1: weeks maybe into my employment. I I was like, fresh,

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Speaker 1: what is this what we're doing? Oh my gosh. So

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Speaker 1: we sat down they started pitching the show, which is

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Speaker 1: pretty much all the core elements we talked about in

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Speaker 1: that conversation didn't make it to the show, and I

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Speaker 1: was I was hooked up. I was like, I have

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Speaker 1: to be the one to produce this show. And so

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Speaker 1: I got really lucky and I was excited and I

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Speaker 1: loved it. Daniel, how'd you come to be a part

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Speaker 1: of it? Got you? Jil friends Well, in very similar experience,

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Speaker 1: I was. I was the only engineer at the office

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Speaker 1: that day. No, you know, at the time, my position

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Speaker 1: in the office was basically to be the person who

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Speaker 1: starts the recordings, who make sure that every recording goes smoothly,

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Speaker 1: everybody is equipped properly and is good to go when

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Speaker 1: an actual recording starts. And same kind of thing where

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Speaker 1: Jack was like, hey man, we need we need someone

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Speaker 1: to you know, set up the Scrubs recording. And I

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Speaker 1: knew that high school me who watched Scrubs every single

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Speaker 1: episode was a huge fan and actually sang guy love

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Speaker 1: at a high school performance. It was like, I, oh yeah,

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Speaker 1: I was like, I got I'm I'm in. So I

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Speaker 1: dropped off some equipment for the boys and here we

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Speaker 1: are a whole live show. Two live shows later, Oh,

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Speaker 1: oh my gosh, We're so lucky. That we've got to

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Speaker 1: be a part of this show. You guys, the fans

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Speaker 1: are incredible and we're not gonna make you wait anymore.

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Speaker 1: You the main attractions are coming up right now, right now, guys,

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Speaker 1: welcome seven dotle. Hello. I can't hear our music. Play

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Speaker 1: our music play loud? Yes, Donald, you picked this jam.

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Speaker 1: This is a banger. I know this banger. I don't

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Speaker 1: know if you know this. No, I need to get

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Speaker 1: to know the bob. What are you doing, Pop and

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Speaker 1: a half? What has happened in your life that you

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Speaker 1: are not listening to the radio. We don't. We are

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Speaker 1: down with iHeart and you don't know popular music? That

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Speaker 1: is that his new jam? That Bruno's new jam. Not

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Speaker 1: only Bruno, it's Anderson Pack Like it's freaking silk Si.

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Speaker 1: You're stilk sonic baby. Hi, everybody, we're dimes. You wouldn't

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Speaker 1: be a hundred dollars. Donald waved everybody. Donald waved everybody. Helloha,

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Speaker 1: Hi everybody all over the world. I'm so glad you're here.

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Speaker 1: We're so excited. We had so much fun doing this

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Speaker 1: last time. That put on put on Gucci for y'all,

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Speaker 1: and Donald's in his closet and his daughter just took

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Speaker 1: a shower, so he's it's very hot in there. He's

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Speaker 1: wearing little little mist it's a little I'm wearing. I'm

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Speaker 1: wearing corduroy in Manhattan on the summer for you guys,

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Speaker 1: because I wanted to look my best. I only I

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Speaker 1: only have suits. I don't have summer suits. I don't

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Speaker 1: have summer suits either. Yeah, summer suit is like remember

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Speaker 1: when Obama wore that suit and got all that flak.

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Speaker 1: That's a summer suit. Yes, it's light. I don't have

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Speaker 1: any light suits anyway, everybody, All I got is winter suits.

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Speaker 1: I'm so glad we're here and donald don't feel bad.

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Speaker 1: You can strip layers as the show goes on. I

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Speaker 1: would like to because this is really hot. I know

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Speaker 1: you have a hand towel for your forehead because you

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Speaker 1: like rappers. You're you know, like they keep up on

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Speaker 1: the stage and they go like this, yeah dat yeah

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Speaker 1: yeah you got have to do that. Yeah, because it's

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Speaker 1: warm in this room. Yeah, you look sweaty as fu already.

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Speaker 1: Plus the light, the light is really really hot. You

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Speaker 1: guys like, no, I like to take the jacket off

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Speaker 1: now yet, Okay, okay, come on at least let us

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Speaker 1: welcome our first guest, but not just yet. I just

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Speaker 1: want to say I'm so excited. I didn't really know

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Speaker 1: which episode we were doing, and I just watched it

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Speaker 1: and we picked one of the saddest episodes, Scrubs this Street.

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Speaker 1: You like, you were like, yo, you should do a

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Speaker 1: rap recap for this. And then I watched the show

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Speaker 1: and I was like, you gotta be out of your mind.

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Speaker 1: There's no way. It's just like every like everything that

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Speaker 1: could happen. Did you think you could happen? Did you?

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Speaker 1: I got a little okay, well, show us where you

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Speaker 1: started and where where where would have gone? And then

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Speaker 1: you realized that it was a very depressing episode. Okay,

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Speaker 1: it's pretty quick, but it goes like okay, but it's

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Speaker 1: the intro. I imagine, hey, hey, hey, it goes like this,

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Speaker 1: okay your head yeah wait, hold up, yeah, it's back

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Speaker 1: that fire recap. You could tell by the Swell client

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Speaker 1: tell we you tract that me, DJ Daniel, Joel lind

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Speaker 1: Zach All, the real class act. It's a well known fact. Yo,

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Speaker 1: I come through with the good news to kill your blues.

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Speaker 1: And then I watched the show and I was like, wait,

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Speaker 1: hold up Goode very name. That was so good, So

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Speaker 1: I love it in my mind. You like wrote in

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Speaker 1: intro and you're like, this would be awesome, and then

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Speaker 1: you watch the show and you're like crying. You're like,

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Speaker 1: I can't rap about this ship. There's no way, there's

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Speaker 1: no way, there's no way. It's so sad. The shining

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Speaker 1: bright spot of comedy in the show. We'll get into

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Speaker 1: his Rob Rob Maso. And by the way, it's, by

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Speaker 1: the way, the funny thing about Scrubs, the ultimate the

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Speaker 1: ultimate example of you can have the crazy, sad things

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Speaker 1: that happened in the show, and then the other main

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Speaker 1: story is the silliest fucking thing with Rob with Rob,

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Speaker 1: with Rob. Can't see his name, Rob Mashio. You see

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Speaker 1: Mashio or Mashio. I say mash I call him mash

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Speaker 1: Rob Mashi, I say Mashio. All right, we'll find out

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Speaker 1: maybe one day what it is. All right, Listen, we

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Speaker 1: have a I have so many surprises. Donald doesn't even

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Speaker 1: know about some surprises. I don't know who's on the

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Speaker 1: show tonight. Yes, I wanted to keep it from my

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Speaker 1: from my lover. Now Joel, we have a pole going

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Speaker 1: just because we want you to to know we do polls.

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Speaker 1: How's the going so far? Guys? We asked everyone what

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Speaker 1: their favorite podcast song is, Daniel, can you give us

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Speaker 1: an update? All right? Well, when this pole comes up again,

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Speaker 1: I will be able to give you a full on update.

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Speaker 1: But right now the chat is flying so fast. Are

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Speaker 1: people happy in the chat? Different? Oh, they're thrilled. Okay,

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Speaker 1: to make sure you, guys, make sure you have them

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Speaker 1: to look directly in the lens. You Jim, Carol, Michael, Carl,

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Speaker 1: Stephen Doan, Jabari how Ling, Lisa. Yeah, you say your name.

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Speaker 1: If we hadn't said your name, I'm talking to you.

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Speaker 1: Make sure you ask the questions because Well is going

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Speaker 1: to look through them and look for good questions. Okay

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Speaker 1: to me, without further ado, I can't waste any more

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Speaker 1: time bringing Donald focus. I'm sorry, I was just talking

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Speaker 1: to all the girls. I love you. I'm around the

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Speaker 1: way yo. Okay, I'm hyped, I'm ready, I'm ready. I know,

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Speaker 1: I know this is very exciting. We don't normally if

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Speaker 1: we were naming people and then all of a sudden,

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Speaker 1: I got into Lisa, Angela Pamelo, Renee, I love you

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Speaker 1: from around the Way. You remember that ain't Daniel my

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Speaker 1: I around away girl El cool jeez the one, but yes,

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Speaker 1: totally I listened. Guys, we have a jam pack show.

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Speaker 1: We can't waste it on all cool j No offense

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Speaker 1: to mister coolja hell, I love you man for life.

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Speaker 1: I love that you always think these people are watching Hello,

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Speaker 1: it's watching the hell No Hello, please don't tell Hello

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Speaker 1: watching the live show. I love you for real. I

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Speaker 1: always always talks to these famous as though they watch

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Speaker 1: like no offense, Hello, But that's true? All right? Listen? Uh,

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Speaker 1: why don't we count galling into the theme song and

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Speaker 1: then bring in our guests? Sounds great to me about

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Speaker 1: show me about a bunch of talks and nurses story?

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Speaker 1: So getata around here? Are yet around here? M h?

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Speaker 1: Shut up now. The question in the pole is, of course,

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Speaker 1: what's your favorite song? I thought after that, maybe Joelle,

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Speaker 1: we could do what's your favorite sound effect? Noise on

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Speaker 1: my pad? No? Please, god, no, no, no no no.

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Speaker 1: Why Why are you worried? Are you worried it's gonna

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Speaker 1: idea it is? Are you worried it's gonna be? That? A? Right?

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Speaker 1: So Joel, when we're done with this poll, can you

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Speaker 1: switch it to my most common sound effects noises. Dani

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Speaker 1: will know them. Do you want to check in with

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Speaker 1: the pole right now? Yes, check it out. We'll bring

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Speaker 1: the pole up. So uh, the question was what is

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Speaker 1: your favorite fake doctors? Can we show the pole? Um? Um? Kayla? Kayla?

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Speaker 1: Is our tech rep today? Kayla? Is it possible to

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Speaker 1: show the poll? Or is that weird? Get? We could

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Speaker 1: get the mainscreen up, it would show, it would show

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Speaker 1: the tire, it would show the entire live stream. Okay,

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Speaker 1: we'll be kind of small, but I'm happy to read

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Speaker 1: it to you. Are you reading the meantime? Wait at

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Speaker 1: the bottom? The Caller song by Travy Webby Okay, no offense,

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Speaker 1: Travy great song. Offense. Fourth place. Zach's ice Cream Song. Oh,

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Speaker 1: I'm glad that's pulling because sorry, Dale, I'm glad it's

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Speaker 1: pulling because it's brand new and um and I gotta

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Speaker 1: I took a recording. Sorry, I can't digress for one moment,

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Speaker 1: you guys, I want to play. I went out there

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Speaker 1: today to the ice cream team, and I wanted you

200
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Speaker 1: to hear what I hear non stop, NonStop my recording. Um,

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Speaker 1: you'll there's a man that the ice cream truck parked

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Speaker 1: and blocked the corner, and a gentleman an electric wheelchair

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Speaker 1: couldn't get by, And so you'll hear him complaining, rightfully

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Speaker 1: so about this freaking ice cream truck. Okay, this is

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Speaker 1: what I hear all day long, story all day Donald

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Speaker 1: It's it's really that perfect, like slightly off pods, fucking

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Speaker 1: eyes creamy, come on your eyes all right? Well, I'm

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Speaker 1: glad that's ok when we say come get your eyes

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Speaker 1: creamed off cream Okay. Third is Casey, come down here higher.

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Speaker 1: I do know what it pulled higher, it's a bomb.

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Speaker 1: Well in second place, another Travvy Wavy classic Joel Monique

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Speaker 1: is down. I mean, I really think that's the finest

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Speaker 1: song that's ever been written by Travy Labby Well, according

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Speaker 1: to our audience, the number one most favorite song on

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Speaker 1: Fake Doctor's Real Friends. Did you try to get the things? What?

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Speaker 1: Is it? All right? All right? Without further ado, without

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Speaker 1: further ado, um our special guests, one of the greatest

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Speaker 1: actors in the world. Uh. If you don't believe that,

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Speaker 1: watch this fucking episode. Holy shit is he good? Ladies

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Speaker 1: and gentlemen, Mister Johnny ce McGinley, there is exactly sir, Johnny,

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Speaker 1: how are you, sir? I'm good. We're back at school.

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Speaker 1: Everybody's Kate just came home from soccer match's here. We're

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Speaker 1: We're in full effect. We're in full effect. Um, Johnny,

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Speaker 1: I gotta tell you, when I picked the episode, I

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Speaker 1: didn't know that it would be one of the saddest

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Speaker 1: episodes ever. Um. And also I read online that it's

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Speaker 1: one of our highest rated episodes, you know, in terms

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Speaker 1: of there's I guess I AMDB or other or other

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Speaker 1: metacritic they bolt or fans or I don't know, maybe

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Speaker 1: fans and critics they rate each individual episode somehow. And

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Speaker 1: I'm told this is tied with another one for people's favorite. Wow.

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Speaker 1: And you know why that is, Johnny, because I'm just

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Speaker 1: gonna die right And this one, this is uh, it's

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Speaker 1: build a tad Quill tad quill with Bill obviously all

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Speaker 1: the writers, but Tad's name is on it. Believe, so

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Speaker 1: John Michelle shout him out, dude. Our editor John Michelle

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Speaker 1: directed this episode. Our editor John Michelle did a fantastic

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Speaker 1: job directing this episode. But Johnny, C I just gotta

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Speaker 1: go right to it, holding shit, your performance in this

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Speaker 1: episode is incredible, and I just want to know, how

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Speaker 1: did you, How did you prepare for this? How did you?

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Speaker 1: What did then? Actor doesn't just dive into a performance

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Speaker 1: like you give at the end of this show. What

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Speaker 1: did you? What was your process? Especially after five you know,

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Speaker 1: as you know, I keep these, uh and I had

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Speaker 1: three I had three notebooks for this season because the

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Speaker 1: twenty four episodes, so we were we were fully into it.

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Speaker 1: And by the time we did this, I wrote down

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Speaker 1: that in September we went to the Emmys together, that

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Speaker 1: the spring, the fall before this would have been in

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Speaker 1: March or so, because it was towards the end of

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Speaker 1: the season. In November, I went up with my girlfriend

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Speaker 1: at the time who would become my wife, Nicole, and

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Speaker 1: we went up to see Fritz San Francisco lose to

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Speaker 1: the Giants in the NFC Championship, and so a lot

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Speaker 1: of things were happening in This was season five, and

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Speaker 1: I wrote in my notebook, I was obsessed this year.

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Speaker 1: In the front of the notebook, I put show up,

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Speaker 1: tell the truth, compassion, and give love, and I thought

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Speaker 1: that was and I didn't even know that Billy was

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Speaker 1: going to write this episode, but that's what I was

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Speaker 1: obsessed with this year, I was obsessed with compassion. And

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Speaker 1: about four years before this, I went down to to Southport,

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Speaker 1: North Carolina, and I did an okay baseball movie called

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Speaker 1: Summer Catch. And one night I was driving to Wilmington,

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Speaker 1: which was about thirty minutes from where we were Wilmington,

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Speaker 1: North Carolina, and on the way home from Wilmington, I

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Speaker 1: heard the song on the radio by a group called

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Speaker 1: kick Ki KTA and I pulled over and it was

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Speaker 1: this women's ensemble. You can play it if you want, Daniel, Daniel,

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Speaker 1: you hadn't I think we do a night And I

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Speaker 1: pulled over. It's it's suffered talking over, so it's okay.

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Speaker 1: But I pulled over, and I've never heard anything like it.

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Speaker 1: I'd always it's a it's a women's Oakland, California vocal

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Speaker 1: ensemble group that goes mostly Eastern European like harvest songs.

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Speaker 1: I came to find this out. I didn't know any

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Speaker 1: of this. I just pulled over. The next day, I

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Speaker 1: called the radio station and I asked them what they

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Speaker 1: were playing and they filled in the information and I

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Speaker 1: just told you, And I felt like this, this women's

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Speaker 1: choral ensemble was sticking me, and then when we did

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Speaker 1: this episode, I pulled it up and it was what

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Speaker 1: was going through my mind when you and I were

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Speaker 1: doing the third act of this episode, of the whole time,

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Speaker 1: And what it reminded me of was the isolation I

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Speaker 1: felt when Max was born and we were in the

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Speaker 1: neonatal intensive care unit for those two or three weeks,

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Speaker 1: and it was very confusing, and what's Down syndrome? Anyway,

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Speaker 1: and I always felt like I had done something wrong,

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Speaker 1: and so this blame, this blame game happens in the

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Speaker 1: special needs community where you surely you did something wrong

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Speaker 1: and it turns out you had nothing to do with it.

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Speaker 1: And it's kind of an arrogant thing to think anyway.

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Speaker 1: And so I just want to pause. I want to

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Speaker 1: pause you there so you guys can turn the music off.

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Speaker 1: It's beautiful, but I just worry it's distracting for people,

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Speaker 1: um Johnny, I just for people that don't know Johnny

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Speaker 1: has a son with Down syndrome. And so you're saying

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Speaker 1: you tapped into that experience because Cott what Cox is saying,

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Speaker 1: somehow making what happens in this his his fault, his doing.

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Speaker 1: That's the connective tissue, and it had nothing to do with.

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Speaker 1: I didn't know if Billy would render this storyline. But

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Speaker 1: I'm familiar being an Irish person, I'm familiar with blame

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Speaker 1: and guilt, and I that was all very accessible to me,

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Speaker 1: immediately accessible, as well as the posture when when you

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Speaker 1: come in and we're in that doctor's room, that that lounge. Um.

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Speaker 1: I remember, I remember holding my stomach for two weeks,

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Speaker 1: two or three weeks while we were down at the

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Speaker 1: hospital with Actually, I just kept I don't even know why.

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Speaker 1: I don't have any stomach issues. I don't I don't

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Speaker 1: suffer from from throwing up and stuff. I just felt

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Speaker 1: like my insides were gonna burst. And that's that's what

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Speaker 1: was accessible to me in this episode. Yeah, well, god,

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Speaker 1: it was so beautiful, and I'm sure I speak on

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Speaker 1: half of everyone watching. Thank you for tapping into that,

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Speaker 1: because you know the magic of this show, Johnny, as

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Speaker 1: we always say, and as we said before right before

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Speaker 1: you came on, is that Bill Lawrence could create something

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Speaker 1: that could have I mean, I got goosebumps while you

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Speaker 1: were talking. I got goosebumps about five times while watching

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Speaker 1: the show. And then the other storyline is Todd Um

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Speaker 1: just pretty much deciding that he's coming with his sexuality. Yes,

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Speaker 1: he's what Joel, what goes beyond fluid? He will have

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Speaker 1: sex with any Isn't that queer? Isn't that what you

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Speaker 1: can You can use a term queer or polyamorous, whatever

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Speaker 1: best fits your situation. Yeah, fold how do you fold

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Speaker 1: an age there? Because at the end he reveals he's

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Speaker 1: also very tracking the seniors. I mean, all you're open whatever,

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Speaker 1: you're still that about time? Yeah, I too, this is

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Speaker 1: but he's walking down that fucking hallway at the end, dude,

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Speaker 1: and he's like that. I like that. What does these

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Speaker 1: things like? I like that. I like that. I like that.

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Speaker 1: I like that. Can you do that storyline in two

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Speaker 1: thousand and twenty one? Could you do that in two

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Speaker 1: thousand you could go further up further? Yeah at Italian sausage.

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Speaker 1: No no, no, no, no, no. He can't be a

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Speaker 1: sexual harasser. Yeah, he certainly can't be. He what is

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Speaker 1: he doing to the women's breast. He can't be doing

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Speaker 1: the motor boating. Motor boating, that's not a lot a lot.

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Speaker 1: I have a question to ask. There's a little behind

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Speaker 1: the scenes thing. What if I just press record right now? Oh,

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Speaker 1: I didn't press record either, DWN. You never told us

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Speaker 1: to talk about it a little. You never mentioned it,

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Speaker 1: and I forgot. But it's wrong. Now for those of you,

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Speaker 1: for those of you that's all listen, for those of

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Speaker 1: the audience knowing, for those of you in the audience

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Speaker 1: wondering what we're talking about. We're supposed to be audio

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Speaker 1: recording this for the for the eventual real audio podcast,

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Speaker 1: and Daniel, our engineer in charge, never told us to

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Speaker 1: do that. Daniello, let's start from the top. Can we

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Speaker 1: take it from the top. Yes, let's start off. Let's

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Speaker 1: start all over from the very beginning. This is why

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Speaker 1: we have backup recording a very good in our defense,

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Speaker 1: you never told us to audio record that. For those

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Speaker 1: of you who are listening to the audio recording, UM, sorry,

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Speaker 1: I don't know what's going on with my mike either, man, Like,

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Speaker 1: this is not good right now, I'm not an audience

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Speaker 1: watching the show. Just focus on you. I just wanted

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Speaker 1: to say, I just wanted to make it clear that

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Speaker 1: I forgot to do that. I'm sorry. Okay, listen, it's fine.

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Speaker 1: Let's go to the top of the show, guys, because

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Speaker 1: we are here to do a Scrubs Rewatch podcast. It's

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Speaker 1: called My Lunch, and all JD wants is to go

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Speaker 1: to lunch with his mentor his hero, uh, doctor Coxon.

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Speaker 1: He's got an angle for it, and Johnny, you want

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Speaker 1: nothing to do with it. I think it's genius when

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Speaker 1: you go. When you go because it's ludicrous, it's just

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Speaker 1: because it's ludicrous. It just seems like you're telling your

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Speaker 1: absolute truth. Yeah, there's no way, there's no I don't

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Speaker 1: think JD's putting on it in his mind. There's no way,

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Speaker 1: there's no way. You don't want to. And interestingly enough,

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Speaker 1: you know, Cox doesn't give JD many inklings that he

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Speaker 1: truly cares about him. He doles them out very sparingly.

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Speaker 1: But he but he does in this episode at the end,

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Speaker 1: he really does say hey, hey, hey, hey, hey, I

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Speaker 1: want to give you you need to know this about

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Speaker 1: blaming yourself. And it's the writing is so genius because,

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Speaker 1: of course, unexpectedly, it's the setup of the it's the

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Speaker 1: setup of well it's unexpected to Johnny, but to the audience.

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Speaker 1: I was like, this is such a setup to it.

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Speaker 1: He's going, yeah, but you're watching it from an actor

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Speaker 1: writer perspective. I saw any of that coming. Well, I've

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Speaker 1: seen this episode quite a few times now too, but

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Speaker 1: I will I will say this from the from my perspective,

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Speaker 1: it was like, oh, he just set himself up. When

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Speaker 1: he when he's giving JD this speech about how you

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Speaker 1: know you can't blame yourself and he has these three

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Speaker 1: patients in the hospital hanging on by a thread. It

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Speaker 1: was like, dude, you are you are you are jinxing yourself.

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Speaker 1: You do what Cox hates to do, you know what

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Speaker 1: I mean? When like the episode when he's pitching the note,

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Speaker 1: when he's throwing the note hitter in the hospital with

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Speaker 1: all the patients and somebody's and everybody's trying to keep

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Speaker 1: it down because they don't want him to know it's

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Speaker 1: the exact same thing here. But he crosses the line

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Speaker 1: and says, you know this is you know it's it

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Speaker 1: can't be your fault. Don't don't blame yourself, right, and

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Speaker 1: then it kicks him in his But this is where

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Speaker 1: it kicks him in the button. This is where it

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Speaker 1: got me, because when the first two passed away, it

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Speaker 1: was like, oh, okay, they were gonna die anyway. But

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Speaker 1: when the dude with deliver was it deliver of the kidney.

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Speaker 1: Kid with him. It's a kidney. Dave Bradford is, Yeah,

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Speaker 1: with the kidney. He wasn't supposed to die. Cox says

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Speaker 1: he had another month. He had another month. Yeah. A

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Speaker 1: dear friend of mine we went to NYU Grad together,

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Speaker 1: Dave Allen Warshovski, who is now the dean of the

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Speaker 1: grad Acting Theater program at USC. Wow. Oh, he's one

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Speaker 1: of the finest actors on the planet and also an

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Speaker 1: acting coach that I use. Used him for uh for

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Speaker 1: to get ready to go to Glen Darry Glen Ross

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Speaker 1: I was Jackie came to see I did a revival

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Speaker 1: of Glen Garry with Al Pacino and Abi kana Vali

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Speaker 1: about five years ago, and I went that I was

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Speaker 1: commuting down to USC to use David as my coach.

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Speaker 1: And wow, so there's a lot of history there before

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Speaker 1: or after, before or during while you were doing the play.

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Speaker 1: Did you go before to get coached or during? Yeah?

419
00:25:45,840 --> 00:25:48,160
Speaker 1: Two months. I spent two months community back and forth

420
00:25:48,240 --> 00:25:51,639
Speaker 1: to USC from out here in albou And it yielded.

421
00:25:52,280 --> 00:25:54,359
Speaker 1: It yielded all the dividends that I wanted it to.

422
00:25:54,520 --> 00:25:56,920
Speaker 1: I felt I was about to say because so you

423
00:25:56,960 --> 00:25:59,639
Speaker 1: went in there just ready to go. Then, yes, did

424
00:25:59,680 --> 00:26:02,159
Speaker 1: you start off book, Johnny, when did you start? When

425
00:26:02,160 --> 00:26:04,480
Speaker 1: you when you start off? Yeah, that's for those of

426
00:26:04,560 --> 00:26:08,520
Speaker 1: you who aren't familiar with theater. You it's very you know,

427
00:26:08,600 --> 00:26:11,120
Speaker 1: you start the rehearsal process and then as you're rehearsing

428
00:26:11,200 --> 00:26:14,840
Speaker 1: you begin to memorize it. And it's such a ball

429
00:26:14,960 --> 00:26:18,040
Speaker 1: or power move that few men or women would do

430
00:26:18,119 --> 00:26:20,280
Speaker 1: other than Johnny c McGinley. Just show up on day

431
00:26:20,320 --> 00:26:23,560
Speaker 1: one off book, because what's genius about that? If you

432
00:26:24,040 --> 00:26:26,800
Speaker 1: can do it, or have the wherewithal to do it

433
00:26:27,359 --> 00:26:29,920
Speaker 1: is then you're just there. Then it's about exploring and

434
00:26:30,080 --> 00:26:32,720
Speaker 1: not worrying about memorization. You're not in your head. You're

435
00:26:32,760 --> 00:26:36,800
Speaker 1: not paranoid like we all are about getting the memorization

436
00:26:36,920 --> 00:26:39,840
Speaker 1: down for a play. You're showing up on day one. Okay,

437
00:26:40,080 --> 00:26:42,480
Speaker 1: let's find this character, let's find these scenes. Let you

438
00:26:42,560 --> 00:26:46,199
Speaker 1: work with the legendary Paccino and the legendary Bobby kind

439
00:26:46,240 --> 00:26:50,240
Speaker 1: of volume. It was a great Kyndamit cast, Dynamite cast

440
00:26:50,400 --> 00:26:54,080
Speaker 1: that was bucket list stuff. And to me, it felt

441
00:26:54,160 --> 00:26:56,200
Speaker 1: like even if you put that to be with Al

442
00:26:56,359 --> 00:26:59,919
Speaker 1: Bobby and and and Richard and everybody on Broadway. Even

443
00:27:00,040 --> 00:27:02,200
Speaker 1: if you put that on your bucket list, it would

444
00:27:02,240 --> 00:27:04,320
Speaker 1: be fucking folly because you're never going to get to

445
00:27:04,440 --> 00:27:06,879
Speaker 1: do it. And so when I got to it, it

446
00:27:07,040 --> 00:27:09,560
Speaker 1: wasn't lost on me. So I said, I set up

447
00:27:09,600 --> 00:27:12,200
Speaker 1: a theater boot camp out here, and I had some

448
00:27:12,359 --> 00:27:16,119
Speaker 1: young kid from Pepperdine come over and just say the

449
00:27:16,320 --> 00:27:18,960
Speaker 1: off lines. Just I said, if you fucking say a

450
00:27:19,040 --> 00:27:21,359
Speaker 1: word to me about coaching or any input, I'm going

451
00:27:21,440 --> 00:27:26,439
Speaker 1: to punch in the fun. Just say the fucking lines.

452
00:27:26,920 --> 00:27:29,320
Speaker 1: And I put a metronome. I have a rehearsal space

453
00:27:29,400 --> 00:27:32,160
Speaker 1: out here. I put put a metronome in the rehearsal space,

454
00:27:32,720 --> 00:27:35,640
Speaker 1: and so that I would go at different cadences. I'd

455
00:27:35,640 --> 00:27:38,119
Speaker 1: be really quick, and then sometimes I would go slower

456
00:27:38,240 --> 00:27:41,480
Speaker 1: because I wanted to be ready for fucking everything. I

457
00:27:41,560 --> 00:27:43,840
Speaker 1: wanted to be ready for the cell phone to go off.

458
00:27:43,920 --> 00:27:45,879
Speaker 1: I wanted to be ready for the purple hairs at

459
00:27:45,880 --> 00:27:49,919
Speaker 1: the matinee. And I fucking well was. I was ready,

460
00:27:50,800 --> 00:27:53,359
Speaker 1: and it was the most exciting goddamn thing I've ever

461
00:27:53,480 --> 00:27:56,040
Speaker 1: Listen you actors, who are you, actors who are aspiring

462
00:27:56,080 --> 00:27:59,680
Speaker 1: actors who were watching Johnny C. Puts the work in

463
00:28:00,200 --> 00:28:02,119
Speaker 1: he had. You know, people are like, how does he

464
00:28:02,240 --> 00:28:04,600
Speaker 1: do these monologues? You don't just you don't just show

465
00:28:04,680 --> 00:28:06,680
Speaker 1: up in the morning and go, oh, I have a

466
00:28:06,760 --> 00:28:09,840
Speaker 1: monologue today. Johnny C has a rehearsal space. He would

467
00:28:09,960 --> 00:28:13,840
Speaker 1: videotape himself. He would look what he's telling about the metronome.

468
00:28:13,920 --> 00:28:16,000
Speaker 1: I mean, man, Johnny, you put the work in and

469
00:28:16,400 --> 00:28:19,840
Speaker 1: and man, does the metronome is genius? Man, that's how

470
00:28:19,840 --> 00:28:25,520
Speaker 1: you find Yeah, wow, that's amazing. I've never thought of that.

471
00:28:25,720 --> 00:28:29,640
Speaker 1: That is amazing. Um. Also, they were late, so it's

472
00:28:29,680 --> 00:28:33,360
Speaker 1: so a syncopatent. But weren't there times when al Pacino

473
00:28:33,560 --> 00:28:39,560
Speaker 1: just totally forgot his lines and you're all like, oh no, no,

474
00:28:40,120 --> 00:28:42,440
Speaker 1: we're out in the theater. When you forget your line,

475
00:28:42,440 --> 00:28:45,200
Speaker 1: it's called going up. And whenever I would go up,

476
00:28:45,600 --> 00:28:49,680
Speaker 1: he would start to put put the front of hair

477
00:28:49,800 --> 00:28:53,960
Speaker 1: forward and he would say, and the dua. There was

478
00:28:54,320 --> 00:28:58,000
Speaker 1: the dua. I went through the dua and everybody knew

479
00:28:58,520 --> 00:29:12,120
Speaker 1: Owl's up. The second most scary thing is when one

480
00:29:12,160 --> 00:29:14,800
Speaker 1: of the people that you're with on stage forgets their

481
00:29:14,840 --> 00:29:17,040
Speaker 1: lines and you're like, oh no, oh no, oh no,

482
00:29:17,120 --> 00:29:18,479
Speaker 1: I gotta help them, but how do I help them?

483
00:29:18,960 --> 00:29:22,680
Speaker 1: And then the scariest thing is when you're like, oh, no,

484
00:29:23,320 --> 00:29:25,600
Speaker 1: I and then you start getting panicky and you're like,

485
00:29:25,720 --> 00:29:27,000
Speaker 1: I don't know what any of my lines in the

486
00:29:27,040 --> 00:29:32,320
Speaker 1: next scene are. Either I get chilled, I get chilled.

487
00:29:32,800 --> 00:29:36,560
Speaker 1: I did Romeo and Julia as I did Romeo. When

488
00:29:36,560 --> 00:29:38,920
Speaker 1: I first gott of college and regional theater outdoors or

489
00:29:39,080 --> 00:29:41,360
Speaker 1: it was like a park in Connecticut, three thousand people

490
00:29:41,400 --> 00:29:45,000
Speaker 1: would come, and I knew that when I started, I

491
00:29:45,000 --> 00:29:46,800
Speaker 1: would start at the back of the park, like three

492
00:29:46,880 --> 00:29:50,040
Speaker 1: thousand people on blankets and my entrances Romeo was weaving

493
00:29:50,120 --> 00:29:51,960
Speaker 1: my way through them, and you know, I had a

494
00:29:52,040 --> 00:29:54,320
Speaker 1: mic on and I knew the second I started talking.

495
00:29:54,760 --> 00:29:57,080
Speaker 1: Romeo speaks for pretty much two and a half hours

496
00:29:57,120 --> 00:30:01,040
Speaker 1: with a few interruptions, and I was like, I I'm

497
00:30:01,160 --> 00:30:02,960
Speaker 1: nervous now thinking about it. And this is when I

498
00:30:03,040 --> 00:30:05,200
Speaker 1: was fresher in college. And so what I would do

499
00:30:05,400 --> 00:30:11,719
Speaker 1: is I would every single every single show Johnny before

500
00:30:11,800 --> 00:30:13,480
Speaker 1: I would get there early, and there was a church

501
00:30:14,360 --> 00:30:16,760
Speaker 1: that was part of our dressing rooms, and our dressing

502
00:30:16,800 --> 00:30:18,080
Speaker 1: rooms were in the church, and I would go into

503
00:30:18,080 --> 00:30:21,040
Speaker 1: the chapel and I would recite my entire show in

504
00:30:21,160 --> 00:30:24,280
Speaker 1: the church, because it was the only thing that would

505
00:30:24,320 --> 00:30:26,360
Speaker 1: calm me down is I would sit there and recite

506
00:30:26,960 --> 00:30:31,000
Speaker 1: the entire Romeo performance alone in the church before because

507
00:30:31,040 --> 00:30:33,800
Speaker 1: and then I would stand at the back of three

508
00:30:33,920 --> 00:30:38,680
Speaker 1: thousand people and go, Okay, here we go, and I

509
00:30:38,720 --> 00:30:41,280
Speaker 1: would just start calling, Oh my god, I don't know

510
00:30:41,280 --> 00:30:42,400
Speaker 1: if I could do it anymore. I don't know if

511
00:30:42,400 --> 00:30:45,240
Speaker 1: I could do anymore. It was I don't know that

512
00:30:45,280 --> 00:30:47,920
Speaker 1: I have a memory like that. Now you still have it.

513
00:30:48,400 --> 00:30:51,440
Speaker 1: You forget, That's the amazing thing about That's the amazing

514
00:30:51,480 --> 00:30:53,920
Speaker 1: thing about place. Within a month, you forget everything. But

515
00:30:54,000 --> 00:30:55,600
Speaker 1: if it's put in front of your face and you've

516
00:30:55,640 --> 00:30:59,160
Speaker 1: done the show before it's you, you jump right back

517
00:30:59,240 --> 00:31:03,640
Speaker 1: in rather fast. Uh. You know, that's that's very interesting

518
00:31:03,720 --> 00:31:05,960
Speaker 1: that you used you used to do that. I I

519
00:31:06,120 --> 00:31:09,120
Speaker 1: used to wait right before, like ten minutes before I

520
00:31:09,160 --> 00:31:13,520
Speaker 1: would go on stage. I would speed my lines through

521
00:31:13,920 --> 00:31:17,080
Speaker 1: the entire play. I would speed as fast as I could, Yeah,

522
00:31:17,440 --> 00:31:21,600
Speaker 1: as fast as I can, and then go on stage

523
00:31:21,640 --> 00:31:23,840
Speaker 1: ready to go. And there's no safety net, you know,

524
00:31:24,080 --> 00:31:25,520
Speaker 1: for those of you who aren't in theater, there's not.

525
00:31:26,000 --> 00:31:28,360
Speaker 1: You might think there's someone who whispers like it's that

526
00:31:28,760 --> 00:31:32,440
Speaker 1: that that person, that person doesn't exist anymore. Um, you know,

527
00:31:33,400 --> 00:31:35,880
Speaker 1: you're just on your own, You're and now in the

528
00:31:35,960 --> 00:31:39,000
Speaker 1: contemporary play, your fellow actors could be like you probably

529
00:31:39,160 --> 00:31:41,760
Speaker 1: want to be asking who's on the phone, don't you

530
00:31:43,080 --> 00:31:55,440
Speaker 1: You know in Shakespeare that is nobody. All right, get

531
00:31:55,480 --> 00:31:59,760
Speaker 1: back to let's get back to the episode, Jill Tracy. Um, yes,

532
00:32:01,000 --> 00:32:04,160
Speaker 1: you can't, you can't, you can't. We Sibermash's first entrance

533
00:32:04,200 --> 00:32:07,680
Speaker 1: because sorry, sorry sorry with with two orders and and

534
00:32:08,000 --> 00:32:12,040
Speaker 1: and and a part of a community that doesn't abide

535
00:32:12,360 --> 00:32:15,560
Speaker 1: any bullshit anymore. Um, when he came in and said

536
00:32:15,600 --> 00:32:18,920
Speaker 1: Italian sausage, I was really proud of Rob for Connadian

537
00:32:19,040 --> 00:32:21,640
Speaker 1: doing it, but I thought it was really fucking offensive.

538
00:32:21,960 --> 00:32:25,680
Speaker 1: I did. Yeah, dude, oh dude. Uh, the Todd is

539
00:32:25,720 --> 00:32:28,680
Speaker 1: the most offensive character in Scrubs history. The Todd is

540
00:32:28,800 --> 00:32:32,600
Speaker 1: very most offensive. Is this was Hall of Fame shit,

541
00:32:33,680 --> 00:32:36,440
Speaker 1: Oh yeah, this is this is the Todd. This is

542
00:32:36,480 --> 00:32:38,360
Speaker 1: coming out party too. That first of all, even the

543
00:32:38,480 --> 00:32:42,280
Speaker 1: Todd doesn't ever touch women, and then this episode, right

544
00:32:42,400 --> 00:32:46,080
Speaker 1: does he does? He does motor Boat two two of

545
00:32:46,160 --> 00:32:50,920
Speaker 1: our lead cast women, which is uh, certainly not appropriate um,

546
00:32:51,120 --> 00:32:54,320
Speaker 1: but but I laughed out loud, Johnny when you when

547
00:32:54,360 --> 00:32:56,280
Speaker 1: I say I got a ride from a friend to

548
00:32:56,440 --> 00:33:00,800
Speaker 1: the supermarket, and then we were that I'm white nuts on?

549
00:33:02,080 --> 00:33:05,360
Speaker 1: Was that the first? Was that the first eagle not

550
00:33:05,480 --> 00:33:08,040
Speaker 1: the first eagle, but it might be the first eagle

551
00:33:08,160 --> 00:33:13,360
Speaker 1: that's not riding a human being. Brendan Frasier was the

552
00:33:13,400 --> 00:33:16,560
Speaker 1: first eagle, and then there were many donald eagles and

553
00:33:16,640 --> 00:33:19,840
Speaker 1: then we just saw me eagle a patient. Uh, what

554
00:33:19,920 --> 00:33:23,360
Speaker 1: do you call a patient's family member? Um, now you're

555
00:33:23,400 --> 00:33:25,440
Speaker 1: eagling on the top of a porch. By the way,

556
00:33:25,560 --> 00:33:27,360
Speaker 1: how am I holding onto the porch? She's I'm like,

557
00:33:27,440 --> 00:33:31,800
Speaker 1: I got my hands. Like, Johnny, do you remember if

558
00:33:31,840 --> 00:33:33,920
Speaker 1: that was green screen or if we or if we No,

559
00:33:35,760 --> 00:33:37,840
Speaker 1: we went right behind the hospital on the other side

560
00:33:37,880 --> 00:33:41,640
Speaker 1: of the river, that neighborhood, and you got up on

561
00:33:41,720 --> 00:33:43,920
Speaker 1: top of the car. Maybe I was strapped to something. No,

562
00:33:44,040 --> 00:33:46,160
Speaker 1: I no, I had. I had some sort of stunt

563
00:33:46,240 --> 00:33:48,200
Speaker 1: rig that was strapping me to the top of the car.

564
00:33:48,440 --> 00:33:51,360
Speaker 1: I was doing it. I have a question ahead, where

565
00:33:51,440 --> 00:33:55,160
Speaker 1: the heck is the supermarket set at? Because it's clear

566
00:33:55,240 --> 00:33:57,120
Speaker 1: that it's a set. Obviously, No, it's not a set

567
00:33:58,000 --> 00:34:00,800
Speaker 1: that was the actual practical location. No, No, they found

568
00:34:01,000 --> 00:34:03,320
Speaker 1: they didn't want to deal with a big corporation, so

569
00:34:03,400 --> 00:34:05,440
Speaker 1: I think they found a mom and pop store. You know,

570
00:34:05,440 --> 00:34:08,480
Speaker 1: it's a pretty small looking store. They must have been pissed.

571
00:34:08,480 --> 00:34:11,360
Speaker 1: How many days did you spend their blocking their what

572
00:34:11,400 --> 00:34:13,279
Speaker 1: do you mean pissed? They got they got paid, they

573
00:34:13,320 --> 00:34:16,400
Speaker 1: got a location. But they could probably make you in

574
00:34:16,440 --> 00:34:18,880
Speaker 1: that food. No, are you new to the industry. They

575
00:34:18,960 --> 00:34:21,120
Speaker 1: do a calculation by how much they're gonna lose, and

576
00:34:21,200 --> 00:34:22,880
Speaker 1: they charge you more than that. Hey, I don't like

577
00:34:22,960 --> 00:34:27,000
Speaker 1: the condescending tone. That's car I will I will say that.

578
00:34:27,640 --> 00:34:31,560
Speaker 1: I thought. I thought when Nicole Sullivan, who plays the

579
00:34:32,000 --> 00:34:34,879
Speaker 1: gal at the deli, who had been on the show

580
00:34:35,719 --> 00:34:37,920
Speaker 1: quite a few times, and she's such a good actress,

581
00:34:38,040 --> 00:34:42,600
Speaker 1: so you're fixing you, she just drives. I'm gonna shed

582
00:34:42,719 --> 00:34:45,040
Speaker 1: sorry everybody, I can't fuck it's it's too hot for

583
00:34:45,120 --> 00:34:47,839
Speaker 1: Cord getting hotter in here. Yeah, I'm gonna just keep

584
00:34:47,880 --> 00:34:50,879
Speaker 1: taking it off. There we go. We need more talk

585
00:34:50,960 --> 00:34:52,759
Speaker 1: on me I made. I wanted to make a good

586
00:34:52,800 --> 00:34:57,359
Speaker 1: first impression. All right, she shows up, I can't show them.

587
00:34:57,400 --> 00:35:00,400
Speaker 1: I can't show she shows up and she just drives

588
00:35:00,480 --> 00:35:02,360
Speaker 1: that you and I have nothing to do, and she

589
00:35:02,520 --> 00:35:06,440
Speaker 1: just drives it. Yeah, yeah she does and she doesn't

590
00:35:08,200 --> 00:35:10,400
Speaker 1: and all the riffing. He's like, oh no, no, no,

591
00:35:10,440 --> 00:35:12,680
Speaker 1: no way, but I shouldn't have That's just that's just her.

592
00:35:12,880 --> 00:35:15,240
Speaker 1: She's so good at that kind of time. I remember

593
00:35:15,440 --> 00:35:19,880
Speaker 1: the first time I ever saw Nicole Sullivan ever do anything,

594
00:35:19,960 --> 00:35:22,080
Speaker 1: and it was mad TV. I had never heard of it,

595
00:35:22,440 --> 00:35:27,200
Speaker 1: and they parodied Clueless and she played Share she played Alicia.

596
00:35:28,840 --> 00:35:30,720
Speaker 1: I wasn't in it. There was like some dude something.

597
00:35:31,719 --> 00:35:36,239
Speaker 1: It's all right, But when I say, she crushed like

598
00:35:36,440 --> 00:35:40,160
Speaker 1: she was doing such a great Alicia Silverstone. And I

599
00:35:40,200 --> 00:35:44,759
Speaker 1: remember being like, yo, this woman is amazing. And so

600
00:35:44,880 --> 00:35:46,640
Speaker 1: when she came on the show, I was, I was.

601
00:35:46,760 --> 00:35:49,400
Speaker 1: It was. It was an exciting moment for me because

602
00:35:49,560 --> 00:35:53,239
Speaker 1: I I watched her for a really long time, you

603
00:35:53,320 --> 00:35:55,120
Speaker 1: know what I mean. Her and Michael who also was

604
00:35:55,160 --> 00:35:58,640
Speaker 1: on the show. Yeah, um, what do you guys? Graze

605
00:35:58,880 --> 00:36:02,600
Speaker 1: um the supermarket raising Um it seems to be controversial.

606
00:36:03,080 --> 00:36:06,200
Speaker 1: I've never been a Let me try this pretzel. No,

607
00:36:06,520 --> 00:36:09,200
Speaker 1: I don't think I'll buy any today because it is

608
00:36:09,280 --> 00:36:15,880
Speaker 1: steel it. Yes, I was gonna say it's gross. Like

609
00:36:16,000 --> 00:36:19,720
Speaker 1: people's hands in food and then your mouth and then morph.

610
00:36:19,920 --> 00:36:22,200
Speaker 1: I I just think about how many times like I

611
00:36:22,360 --> 00:36:27,920
Speaker 1: touch a tomato or a freaking U pair at the supermarket,

612
00:36:28,080 --> 00:36:32,080
Speaker 1: you know what I mean when I respected exactly, so exactly.

613
00:36:32,120 --> 00:36:34,279
Speaker 1: That's my point right there, that's my point. I'm gonna

614
00:36:34,280 --> 00:36:36,279
Speaker 1: take it. But there are people you can't do that.

615
00:36:36,880 --> 00:36:39,040
Speaker 1: I'm not talking about that. The section that we're in

616
00:36:39,160 --> 00:36:41,919
Speaker 1: with like the yogurt covered pretzels and the little things

617
00:36:41,920 --> 00:36:44,040
Speaker 1: that you can fill a bag with. There's lots of

618
00:36:44,080 --> 00:36:46,600
Speaker 1: people that consider it fine to just do a little

619
00:36:46,640 --> 00:36:51,239
Speaker 1: like taste tester. No, I'm not feeling it today. Noah, man,

620
00:36:51,280 --> 00:36:57,160
Speaker 1: that's gross. Take your hands off. I didn't even do that.

621
00:36:57,200 --> 00:37:03,040
Speaker 1: When there's there's Costco, there's Costco where you walk around

622
00:37:03,040 --> 00:37:07,359
Speaker 1: and take samples, all do it different. But now when

623
00:37:07,400 --> 00:37:08,920
Speaker 1: you put your hand in that thing, when you put

624
00:37:08,960 --> 00:37:11,120
Speaker 1: your hand in the whatever it is that dispenses the

625
00:37:11,280 --> 00:37:15,680
Speaker 1: nuts sort of pretzels, whatever that is. Yeah, yeah, now man,

626
00:37:16,040 --> 00:37:20,400
Speaker 1: that's looks nasty. It's nasty. That's nasty, man, that's nasty.

627
00:37:21,920 --> 00:37:23,920
Speaker 1: You know another thing that Bill, the other thing that

628
00:37:24,000 --> 00:37:27,080
Speaker 1: Bill did so well was really make her so lovable.

629
00:37:27,120 --> 00:37:34,520
Speaker 1: I know she's annoying and living together? What is that there?

630
00:37:34,800 --> 00:37:42,360
Speaker 1: And working together? We're working together and together, working together,

631
00:37:42,960 --> 00:37:48,320
Speaker 1: and we have to weather any storms because we're living together.

632
00:37:49,000 --> 00:37:54,800
Speaker 1: We're Christie, I can't get and we're living together. What

633
00:37:55,160 --> 00:38:05,800
Speaker 1: is happening? What is happening? Someone's welcome to our podcast. Welcome, Welcome,

634
00:38:05,800 --> 00:38:08,920
Speaker 1: I'm welcome, Welcome, Welcome, welcome, Welcome to our podcast, working

635
00:38:08,960 --> 00:38:12,319
Speaker 1: together and living together, working together and living together. Sleep

636
00:38:12,360 --> 00:38:16,160
Speaker 1: on hijack to where we're wearing so arnt swag. Yeah,

637
00:38:17,160 --> 00:38:20,200
Speaker 1: as always, I'm here with my wife Kristin Miller. I

638
00:38:20,280 --> 00:38:25,480
Speaker 1: can tell you Cristal Lawrence. Yeah, freme answer every time. Well,

639
00:38:25,800 --> 00:38:29,160
Speaker 1: you know, we worked together on Scrubs, on Cougartown. Christ

640
00:38:29,360 --> 00:38:32,400
Speaker 1: is also the music supervisor on all my shows. You

641
00:38:32,440 --> 00:38:35,440
Speaker 1: can ted Lasso. Um hey, look, you guys all know

642
00:38:35,520 --> 00:38:37,680
Speaker 1: how this works. If you live with someone in a

643
00:38:37,760 --> 00:38:41,919
Speaker 1: relationship we also work with, you can text Joel see

644
00:38:42,000 --> 00:38:44,560
Speaker 1: where you work together and hit us up with the question.

645
00:38:44,760 --> 00:38:49,000
Speaker 1: Yeah christ podcast say that. So we got some cool

646
00:38:49,120 --> 00:38:52,560
Speaker 1: guests today. Our first guest you know, from Scrubs, from

647
00:38:52,600 --> 00:38:57,160
Speaker 1: like every Ali our Stone movie from Broadway, so many

648
00:38:57,200 --> 00:38:59,600
Speaker 1: t shows, including Brooklyn nine nine right now, say had

649
00:38:59,640 --> 00:39:07,439
Speaker 1: a John, see you again with a little time. Thank you, buddy. Thanks,

650
00:39:07,440 --> 00:39:11,239
Speaker 1: you'll be on here of course. Funny and look the

651
00:39:11,280 --> 00:39:12,840
Speaker 1: next guest. I want to bring one right away. You

652
00:39:12,920 --> 00:39:16,320
Speaker 1: know from Scrubs, tons of great TV shows, movies, clues,

653
00:39:16,400 --> 00:39:19,640
Speaker 1: remember the Titans waiting to exhale Donald Phaison. Let's bring

654
00:39:19,719 --> 00:39:25,719
Speaker 1: on Donald Faison. Thank you for having me on the show. Yeah, yes,

655
00:39:26,560 --> 00:39:35,600
Speaker 1: from Chicken Little Zach. Yes, so we have some questions

656
00:39:35,680 --> 00:39:38,560
Speaker 1: if we want to start with but the uh, this

657
00:39:38,719 --> 00:39:40,360
Speaker 1: is real, like one of the weirdest things for me.

658
00:39:40,640 --> 00:39:44,600
Speaker 1: I can't believe you hijacked our show. Hey, your question

659
00:39:44,640 --> 00:39:48,239
Speaker 1: eventually one of the things that first time I was

660
00:39:48,280 --> 00:39:50,200
Speaker 1: working together because I fired to be I can use.

661
00:39:50,280 --> 00:39:52,879
Speaker 1: I really enjoyed the spending time all of you too.

662
00:39:53,239 --> 00:39:55,520
Speaker 1: But one of the weird things about it for me,

663
00:39:56,120 --> 00:40:00,760
Speaker 1: list on Scrubs, John, you've done constant you know, movies, tchats,

664
00:40:01,200 --> 00:40:04,200
Speaker 1: we had romance scenes and sex scenes. It had to

665
00:40:04,280 --> 00:40:06,360
Speaker 1: be a little weird getting to know me as a

666
00:40:06,440 --> 00:40:09,879
Speaker 1: friend when you were doing romantic scenes with Krista. Does

667
00:40:09,920 --> 00:40:12,799
Speaker 1: it change the biball for an actor if you kind

668
00:40:12,880 --> 00:40:15,480
Speaker 1: of are friends with the spouse, is there and we're

669
00:40:15,520 --> 00:40:18,600
Speaker 1: just around all the time. What are you doing? Because

670
00:40:18,640 --> 00:40:21,839
Speaker 1: I told you I told a story on one time

671
00:40:21,960 --> 00:40:23,680
Speaker 1: Zack and Donald had a show and I told the

672
00:40:23,719 --> 00:40:26,839
Speaker 1: story and there, oh my god, Jo, don't carry into

673
00:40:26,920 --> 00:40:32,239
Speaker 1: this one time. Don't stan to really make out? And

674
00:40:33,000 --> 00:40:36,680
Speaker 1: you had instructed her or you diabolically told her to

675
00:40:37,440 --> 00:40:40,399
Speaker 1: kiss me with her tongue and I and she did,

676
00:40:40,920 --> 00:40:43,480
Speaker 1: And I came up to your room up on the

677
00:40:43,680 --> 00:40:46,080
Speaker 1: up on the fifth floor, fourth floor, and I told

678
00:40:46,120 --> 00:40:48,239
Speaker 1: you you did it, and then you waited one one

679
00:40:48,280 --> 00:40:51,160
Speaker 1: thousand you and you leaned in and you go, how

680
00:40:51,239 --> 00:40:58,960
Speaker 1: did it feel? Which is just hard. Anything I can

681
00:40:59,040 --> 00:41:02,239
Speaker 1: do to help the act process right the well. But

682
00:41:02,480 --> 00:41:04,320
Speaker 1: the real question I was that because Johnny and I,

683
00:41:04,920 --> 00:41:06,839
Speaker 1: you know, we've both been doing this for a good

684
00:41:06,880 --> 00:41:09,600
Speaker 1: one while. And that went down the first season the show.

685
00:41:09,840 --> 00:41:13,360
Speaker 1: You had to have a sex scene with christ Was

686
00:41:13,440 --> 00:41:17,919
Speaker 1: it weird? It with me being there and just being

687
00:41:18,040 --> 00:41:21,000
Speaker 1: on set and said, oh, she looked smoking hot during

688
00:41:21,080 --> 00:41:25,120
Speaker 1: that stup. I was so attracted to Christa Miller and

689
00:41:25,440 --> 00:41:29,000
Speaker 1: my my new boss wrote a scene where I had

690
00:41:29,040 --> 00:41:31,400
Speaker 1: to make out with her, and I being I truly

691
00:41:31,440 --> 00:41:35,480
Speaker 1: remember being very very nervous and um and I definitely

692
00:41:35,600 --> 00:41:38,600
Speaker 1: kept my lips very very close. I kept them pursed.

693
00:41:39,680 --> 00:41:42,080
Speaker 1: But then and then, as we got to know each

694
00:41:42,080 --> 00:41:44,320
Speaker 1: other and become closer, I was I was hoping that

695
00:41:44,400 --> 00:41:47,440
Speaker 1: I might get another opportunity, but I never did. No.

696
00:41:47,719 --> 00:41:51,520
Speaker 1: Well that's for incessor. You said you met a question, Um,

697
00:41:54,760 --> 00:41:57,319
Speaker 1: why why didn't I get to do a love scene

698
00:41:57,360 --> 00:42:01,520
Speaker 1: with Donald? Yeah? Said that he didn't want to do that.

699
00:42:01,719 --> 00:42:06,840
Speaker 1: He said, no, I would never I would never say that.

700
00:42:07,040 --> 00:42:21,359
Speaker 1: I would never say that a sexy vibe I heard. Yeah,

701
00:42:21,400 --> 00:42:23,120
Speaker 1: I did hear that you're about to start working on

702
00:42:23,239 --> 00:42:25,759
Speaker 1: a movie if you're awesome, gal Pal, I said, gal Pal,

703
00:42:26,160 --> 00:42:28,320
Speaker 1: And I want to hear you know about that really

704
00:42:28,400 --> 00:42:31,480
Speaker 1: honestly for a second. But first, as we do every week, Well,

705
00:42:31,520 --> 00:42:35,760
Speaker 1: we've got a question from the audience. Yea, oh cool.

706
00:42:36,200 --> 00:42:37,680
Speaker 1: Me and my wife both work at a bank. I

707
00:42:37,800 --> 00:42:39,320
Speaker 1: love it and she hates the job. I know I

708
00:42:39,360 --> 00:42:41,239
Speaker 1: should be okay with finding a new job, but is

709
00:42:41,280 --> 00:42:44,719
Speaker 1: it normal for me to be upset too? Yeah? I

710
00:42:44,840 --> 00:42:46,680
Speaker 1: think I mean, Look, I'll answer first. I think it's

711
00:42:46,719 --> 00:42:49,840
Speaker 1: just probably a product of you missing her and cherishing

712
00:42:49,880 --> 00:42:51,480
Speaker 1: and finding you. Guys spend together at work, so it

713
00:42:51,600 --> 00:42:54,520
Speaker 1: probably needs that you guys actually work well together, and

714
00:42:54,560 --> 00:42:56,480
Speaker 1: you're gonna have to find a way to fill that.

715
00:42:56,560 --> 00:42:58,680
Speaker 1: I will tell you right now, when christ I work together,

716
00:42:59,000 --> 00:43:00,680
Speaker 1: tell him you treat me. It's the only time that

717
00:43:00,800 --> 00:43:05,719
Speaker 1: you Bill at work. But I listened to him at work,

718
00:43:05,960 --> 00:43:10,920
Speaker 1: not at home. And really, I think your wife she

719
00:43:11,080 --> 00:43:13,440
Speaker 1: hates it. She should she should be able to find

720
00:43:13,480 --> 00:43:15,399
Speaker 1: a new job. You'll be fine. We hear at home,

721
00:43:18,680 --> 00:43:21,560
Speaker 1: all right, to ask about Zach and flows movie. But

722
00:43:21,680 --> 00:43:23,480
Speaker 1: I'm afraid that's all we have time for. You know,

723
00:43:23,640 --> 00:43:26,560
Speaker 1: we have time. We have time, don't remember plays out

724
00:43:28,440 --> 00:43:34,319
Speaker 1: back up, Charlie plays out? Whoa dann know? Dan leaves?

725
00:43:34,360 --> 00:43:41,279
Speaker 1: Can you stay for a little bit longer? Yes? Absolutely, Yeah,

726
00:43:42,160 --> 00:43:50,760
Speaker 1: it's not a good it's gonna say. Guys. Man, everybody,

727
00:43:50,840 --> 00:43:54,200
Speaker 1: calmed down, Calm down, Zack. This is a moment. I

728
00:43:54,280 --> 00:43:56,080
Speaker 1: am back to the I am back to being the

729
00:43:56,120 --> 00:44:00,239
Speaker 1: host of the show. Geez. By the way, I know

730
00:44:00,400 --> 00:44:03,160
Speaker 1: you guys, let me joke. I want to sincerely thank

731
00:44:03,239 --> 00:44:11,960
Speaker 1: you for allowing me occasionally come on my podcast. You

732
00:44:12,080 --> 00:44:13,960
Speaker 1: guys are nice enough to let me come on here

733
00:44:14,000 --> 00:44:17,120
Speaker 1: and talk. This is super cool. Let me love you

734
00:44:17,239 --> 00:44:21,680
Speaker 1: guys that I'm so happy that you're here. Don't play

735
00:44:21,760 --> 00:44:27,800
Speaker 1: his bad anymore because we're wait, wait, all right, no

736
00:44:27,920 --> 00:44:32,799
Speaker 1: more song, bring them back? Everybody, everybody calmed down. Um,

737
00:44:33,040 --> 00:44:36,520
Speaker 1: I'm so happy you guys are here. Um, this episode,

738
00:44:36,800 --> 00:44:40,960
Speaker 1: Bill is I think the ultimate example of your ability

739
00:44:41,040 --> 00:44:45,120
Speaker 1: to do something so dramatic and something so silly simultaneously.

740
00:44:45,440 --> 00:44:50,239
Speaker 1: You've got this tragic death of Jill Tracy alongside Rob

741
00:44:50,400 --> 00:44:54,600
Speaker 1: discovering that he's sexually attracted to everything that's a human

742
00:44:54,680 --> 00:44:59,360
Speaker 1: being that you guys were at first of all to

743
00:45:00,040 --> 00:45:03,080
Speaker 1: prove that I listen. Um, I am proudly a grazer

744
00:45:03,239 --> 00:45:05,920
Speaker 1: even today. I have plenty of money to buy yoga pretzels.

745
00:45:06,480 --> 00:45:08,400
Speaker 1: If you're in a grocery store and you're seeing that

746
00:45:08,920 --> 00:45:13,239
Speaker 1: I've had a handful of those presses, well, you're also

747
00:45:13,320 --> 00:45:17,719
Speaker 1: the type of person that everybody could have a slurpie

748
00:45:18,200 --> 00:45:19,920
Speaker 1: in their head, and you're the type of person that

749
00:45:19,960 --> 00:45:21,279
Speaker 1: would be like, oh, let me get some of that.

750
00:45:22,600 --> 00:45:29,600
Speaker 1: He does it. I don't share marriages. Nothing better in

751
00:45:29,680 --> 00:45:32,040
Speaker 1: the world than the first fire of somebody else's meal.

752
00:45:32,960 --> 00:45:35,120
Speaker 1: Bill would. Bill would walk up to a crew member

753
00:45:35,320 --> 00:45:38,120
Speaker 1: and and and be like, can I get a sip

754
00:45:38,160 --> 00:45:44,720
Speaker 1: of that coke? Addus is the first time he worked.

755
00:45:45,160 --> 00:45:49,279
Speaker 1: Bill lent into the Buyer's turkey sandwich office plate the

756
00:45:49,360 --> 00:45:56,680
Speaker 1: lessons don't leave your sandwich. That's a lesson. Billy, tell

757
00:45:56,800 --> 00:46:00,359
Speaker 1: us about Nicole Sullivan, because you guys are friends. Were

758
00:46:00,360 --> 00:46:03,840
Speaker 1: there were just you do you heard backstage Sunday. We

759
00:46:04,000 --> 00:46:07,040
Speaker 1: were just talking about how talented she is and how

760
00:46:07,280 --> 00:46:10,239
Speaker 1: eugeniously made. Even though she's supposed to be annoying, she

761
00:46:10,640 --> 00:46:13,480
Speaker 1: is lovable and you root for her and then and

762
00:46:13,600 --> 00:46:16,120
Speaker 1: then of course she dies and it's so sad. So

763
00:46:16,480 --> 00:46:19,040
Speaker 1: just tell everyone who's listening. I was watching. How did

764
00:46:19,120 --> 00:46:22,000
Speaker 1: you guys get to know Nicole? And how did she

765
00:46:22,080 --> 00:46:25,200
Speaker 1: come to the Scrubs world? She was Nicole was friends

766
00:46:25,239 --> 00:46:28,000
Speaker 1: with Christian she can go. Yeah. No, we lived. We

767
00:46:28,200 --> 00:46:31,320
Speaker 1: lived in the school um place in Laurel Kaye. And

768
00:46:31,400 --> 00:46:33,920
Speaker 1: if there's all these houses kind up and apartments, Jennifer

769
00:46:33,960 --> 00:46:37,360
Speaker 1: Anderson lived up there like all these actors. Nicole was

770
00:46:37,440 --> 00:46:39,960
Speaker 1: in there. Gabby Allen, who was a writer on Scrubs,

771
00:46:40,480 --> 00:46:43,279
Speaker 1: lived in my house, and so Nicole moved into the

772
00:46:43,440 --> 00:46:46,400
Speaker 1: middle floor and we became friends. She lived underneath me

773
00:46:46,760 --> 00:46:49,680
Speaker 1: and we both always thought she was you know, especially

774
00:46:49,760 --> 00:46:51,640
Speaker 1: the world that you guys were all in scrubs where

775
00:46:51,680 --> 00:46:53,560
Speaker 1: you had to be able to switch on a dime

776
00:46:54,040 --> 00:46:57,799
Speaker 1: between comedy and gooping around and drama. We need Nicole

777
00:46:57,880 --> 00:46:59,960
Speaker 1: could act, but we both knew her first and format

778
00:47:00,239 --> 00:47:03,040
Speaker 1: as a female Neil Flynn type, in that there is

779
00:47:03,080 --> 00:47:06,239
Speaker 1: almost no better female improviser when you can go to

780
00:47:06,280 --> 00:47:08,560
Speaker 1: the grocery store and say, hey, can you just make

781
00:47:08,640 --> 00:47:10,520
Speaker 1: up some stuff about what you're eating and maybe you

782
00:47:10,560 --> 00:47:13,959
Speaker 1: want a few more nuts, and she's she's so quick,

783
00:47:14,000 --> 00:47:16,880
Speaker 1: but much like Neil and our whole cash, she can

784
00:47:16,920 --> 00:47:20,560
Speaker 1: turn the corner and crush your hat. One years. That

785
00:47:20,760 --> 00:47:22,399
Speaker 1: was so amazing just watching her do that, a little

786
00:47:22,400 --> 00:47:23,680
Speaker 1: bit like, no, I shouldn't have it, Well I will,

787
00:47:23,719 --> 00:47:28,480
Speaker 1: but I wanted the backup for the turns was so amazing. Yeah,

788
00:47:28,680 --> 00:47:35,600
Speaker 1: I'm working with Nicole now actually on an m trip back.

789
00:47:37,640 --> 00:47:40,719
Speaker 1: I hope to make a reprieve. Yeah, come on it, bro,

790
00:47:40,800 --> 00:47:45,359
Speaker 1: Where's Donald's part was already in the script? Yeah, numerous times,

791
00:47:45,400 --> 00:47:49,200
Speaker 1: so I know that he's a perfect Johnny And I

792
00:47:49,280 --> 00:47:51,560
Speaker 1: have a question for you. Have you ever run into

793
00:47:51,680 --> 00:47:55,319
Speaker 1: Hugh Jackman? Yeah? What's going on? Yeah? Okay, I need

794
00:47:55,360 --> 00:47:57,879
Speaker 1: to know the story. Is this something that you wrote, Bill,

795
00:47:58,040 --> 00:48:02,080
Speaker 1: or is this something that no Hugh Jackman, But that's

796
00:48:02,080 --> 00:48:04,240
Speaker 1: a billy quick. I can tell you a real story

797
00:48:04,840 --> 00:48:07,239
Speaker 1: is that I wants And I don't know if it's

798
00:48:07,280 --> 00:48:12,160
Speaker 1: the s or not. On the internet read a real

799
00:48:12,360 --> 00:48:15,279
Speaker 1: sounding thing that said Hugh Jackman had a kid that

800
00:48:15,800 --> 00:48:21,000
Speaker 1: got shit at school because of scrubs, saying, um uh,

801
00:48:21,160 --> 00:48:23,760
Speaker 1: you know the doctor Cox saying of that about Hugh Jackmans.

802
00:48:24,320 --> 00:48:26,520
Speaker 1: I reached out to his agent and I wrote in

803
00:48:26,600 --> 00:48:29,240
Speaker 1: a note which is the truth of this. It said

804
00:48:29,920 --> 00:48:33,080
Speaker 1: we were trying to pick somebody. Wrote the agent a

805
00:48:33,160 --> 00:48:37,200
Speaker 1: note that said, please pass us on to Hugh and

806
00:48:37,320 --> 00:48:40,160
Speaker 1: his son if he wants. And I think the guy

807
00:48:40,200 --> 00:48:42,040
Speaker 1: said that it wasn't a big deal. It's just somebody

808
00:48:42,080 --> 00:48:44,279
Speaker 1: trying to get quicks or whatever quicks were back then.

809
00:48:44,560 --> 00:48:46,239
Speaker 1: But a letter is saying because of the reds are

810
00:48:46,280 --> 00:48:48,439
Speaker 1: what we truly try to do. It said it would

811
00:48:48,480 --> 00:48:50,960
Speaker 1: be fun for John mcginwiy to hate somebody that is

812
00:48:51,040 --> 00:48:54,920
Speaker 1: otherwise unhatable, for doctor Cox to love someone, I mean,

813
00:48:55,000 --> 00:48:58,200
Speaker 1: to hate someone because he's just too darn talented and

814
00:48:58,400 --> 00:49:02,640
Speaker 1: good at everything and accessible and kind and seems to

815
00:49:02,680 --> 00:49:05,359
Speaker 1: have no flaws. We felt that that human being would

816
00:49:05,360 --> 00:49:08,040
Speaker 1: bother doctor Cox. She was very cool. Oh, it was

817
00:49:08,080 --> 00:49:10,480
Speaker 1: like it was like an alpha male competition thing, like,

818
00:49:10,680 --> 00:49:13,520
Speaker 1: oh my, he's good at everything. What's the honest right now?

819
00:49:13,920 --> 00:49:16,359
Speaker 1: The guy can sing, he can dance, he's a leading man,

820
00:49:16,440 --> 00:49:18,839
Speaker 1: he's a Broadway start, he's gonna be a music man.

821
00:49:19,160 --> 00:49:21,759
Speaker 1: Bill I will be their opening night. It's gonna but

822
00:49:21,880 --> 00:49:24,200
Speaker 1: doesn't annoy on some level? Well, this is a bigger

823
00:49:24,320 --> 00:49:27,799
Speaker 1: question for christ Donald, johnny See, and Zach. Everybody has

824
00:49:27,800 --> 00:49:30,080
Speaker 1: a different thing when they see other people that are

825
00:49:30,160 --> 00:49:33,239
Speaker 1: very talented. Okay, so when I went and saw a

826
00:49:33,280 --> 00:49:36,000
Speaker 1: Book of Mormon that Trey and Matt wrote, and they

827
00:49:36,239 --> 00:49:38,360
Speaker 1: run to that before that really are done kind of

828
00:49:38,719 --> 00:49:41,440
Speaker 1: south Park and south Park Movie Team America. And I

829
00:49:41,520 --> 00:49:43,080
Speaker 1: saw it and saw that they were able to do that.

830
00:49:43,280 --> 00:49:47,120
Speaker 1: I went from really enjoying it and then to getting

831
00:49:47,200 --> 00:49:49,960
Speaker 1: furious that it was so good and then hating them

832
00:49:50,040 --> 00:49:51,920
Speaker 1: because I couldn't do it. And so that's how I

833
00:49:52,000 --> 00:49:54,840
Speaker 1: look at other talented people. That's how you can't do that.

834
00:49:55,080 --> 00:49:57,800
Speaker 1: It's probably healthy. So it probably makes you healthy that

835
00:49:57,920 --> 00:49:59,960
Speaker 1: you're like the top you're under in town because you're

836
00:50:00,000 --> 00:50:01,640
Speaker 1: you don't have that many people to hate like, if

837
00:50:01,680 --> 00:50:04,520
Speaker 1: you had this problem and you were not successful, you'd

838
00:50:04,520 --> 00:50:07,200
Speaker 1: have to hate so many people. Yeah, problem, it's still

839
00:50:07,239 --> 00:50:10,160
Speaker 1: fun ways to do it. But the real question is

840
00:50:10,200 --> 00:50:12,520
Speaker 1: for you all, do you do you get blown away?

841
00:50:12,760 --> 00:50:14,680
Speaker 1: I'll ask you because you're you get going away when

842
00:50:14,680 --> 00:50:16,239
Speaker 1: you see an actress do something that you're just like,

843
00:50:16,360 --> 00:50:17,880
Speaker 1: oh my gosh, I don't know if I can do that,

844
00:50:18,080 --> 00:50:20,600
Speaker 1: or you just do you go like, oh, I can't

845
00:50:20,640 --> 00:50:23,960
Speaker 1: do that. No, feel it's inspiring really yeah, And then

846
00:50:24,120 --> 00:50:27,360
Speaker 1: there's an article that actress is done. I want to

847
00:50:27,400 --> 00:50:30,640
Speaker 1: read it like, I'm really inspired and interested. It seems

848
00:50:30,640 --> 00:50:34,480
Speaker 1: like about you, John, you see something, I'm just I'm

849
00:50:34,600 --> 00:50:36,680
Speaker 1: interested for all free on that. If you see someone

850
00:50:36,760 --> 00:50:40,160
Speaker 1: while you're doing to get it, I get inspired. I

851
00:50:40,239 --> 00:50:45,480
Speaker 1: get really inspired. That's too healthy answers. I'm sorry, I

852
00:50:46,080 --> 00:50:49,800
Speaker 1: sweat everybody. I'm sorry. I can't help it. Virtual I

853
00:50:53,480 --> 00:50:59,120
Speaker 1: help it. I can easily recognize that, uh, that a

854
00:50:59,280 --> 00:51:04,440
Speaker 1: great performance. I didn't get salty and and and upset

855
00:51:04,800 --> 00:51:09,359
Speaker 1: because part of it is me realizing I'll probably never

856
00:51:09,640 --> 00:51:13,040
Speaker 1: be able to do what I just saw. One and

857
00:51:13,160 --> 00:51:16,640
Speaker 1: then fury, yeah, and then fury. Then the anger comes.

858
00:51:17,000 --> 00:51:18,799
Speaker 1: But at the end of the day. I'm always a fan.

859
00:51:18,880 --> 00:51:22,560
Speaker 1: I hate nobody, I love everybody and so hate I

860
00:51:22,880 --> 00:51:24,680
Speaker 1: would like to take in my heart that people would

861
00:51:24,719 --> 00:51:28,200
Speaker 1: take his respect. But like Chris and I saw Betrayal,

862
00:51:28,320 --> 00:51:32,040
Speaker 1: Harry Pinchers Betrayal, I'm huh and uh. You know, guy

863
00:51:32,120 --> 00:51:35,480
Speaker 1: that inspired dating man inspired so many different writers. And

864
00:51:35,640 --> 00:51:37,840
Speaker 1: I was just sitting there and digging on the performances

865
00:51:37,880 --> 00:51:44,839
Speaker 1: in the play and they just got more and more annoyed. Hey,

866
00:51:44,960 --> 00:51:49,040
Speaker 1: that's something you inspired you. I'm like that guy. That

867
00:51:49,160 --> 00:51:52,600
Speaker 1: guy I'm I'm never like that, but I do get

868
00:51:52,640 --> 00:51:54,920
Speaker 1: mad with every time I leave a Marvel movie or

869
00:51:55,000 --> 00:51:57,400
Speaker 1: something like that. Not because I hate the movie. I

870
00:51:57,520 --> 00:52:00,440
Speaker 1: love the movie so much, and I'm like, that's never

871
00:52:00,520 --> 00:52:02,319
Speaker 1: gonna happen for me, you know what I mean, That's

872
00:52:02,360 --> 00:52:04,719
Speaker 1: how I feel. And so yeah, he went to see

873
00:52:04,760 --> 00:52:07,320
Speaker 1: the premiere Black Widow and Kevin Figgy introduced it and

874
00:52:07,320 --> 00:52:09,920
Speaker 1: I was with Donald like, oh no, he's gonna go tackle.

875
00:52:11,000 --> 00:52:13,560
Speaker 1: I would have would have been like like hold him,

876
00:52:13,719 --> 00:52:16,759
Speaker 1: like on his knees, like Kevin, you need this, I

877
00:52:16,920 --> 00:52:20,160
Speaker 1: need this. I got I got from my wife and

878
00:52:20,600 --> 00:52:23,839
Speaker 1: from Zach, don't you. Yeah. On one side he held

879
00:52:23,920 --> 00:52:25,320
Speaker 1: his arm and on the other side. I held his

880
00:52:25,440 --> 00:52:29,640
Speaker 1: other Honest, there's a different version of zafter. Do you

881
00:52:29,719 --> 00:52:32,520
Speaker 1: guys ever use it as ball border material? Like for me? Yeah,

882
00:52:32,560 --> 00:52:35,719
Speaker 1: sometimes I do go, oh my god, help my game. Yeah,

883
00:52:36,120 --> 00:52:38,560
Speaker 1: I get inspired. I also get humbled sometimes I go,

884
00:52:38,800 --> 00:52:40,920
Speaker 1: I go, I can't. I don't think that I can

885
00:52:41,000 --> 00:52:44,000
Speaker 1: do that. And I and I. You know, when I

886
00:52:44,080 --> 00:52:49,040
Speaker 1: saw like bo Burnham's special inside, I thought, like, I

887
00:52:49,719 --> 00:52:53,800
Speaker 1: am good. I'm very lucky to work in this industry,

888
00:52:53,840 --> 00:52:55,800
Speaker 1: and I'm proud of what I do. But I'm not

889
00:52:56,000 --> 00:52:58,719
Speaker 1: like that could that was incredible? You know, I like,

890
00:52:58,840 --> 00:53:01,080
Speaker 1: I get someone times it makes me humble. I go,

891
00:53:01,200 --> 00:53:03,440
Speaker 1: I think, I'm okay. You know, I'm proud of the

892
00:53:03,480 --> 00:53:05,560
Speaker 1: work I do, but I might not be that good.

893
00:53:06,000 --> 00:53:09,600
Speaker 1: You know. Yeah, it's you guys all have healthier responses.

894
00:53:09,640 --> 00:53:12,600
Speaker 1: I'll try and get there. You know. The other thing

895
00:53:12,640 --> 00:53:14,600
Speaker 1: I've been focusing on about this is a true admission

896
00:53:14,640 --> 00:53:17,839
Speaker 1: before we have to swick. It's kids, it's teachers, parent

897
00:53:18,000 --> 00:53:22,080
Speaker 1: night school. I'm parch because you can tell the true story.

898
00:53:22,239 --> 00:53:24,720
Speaker 1: My wife I has sow here, My wife has a suted.

899
00:53:25,000 --> 00:53:28,840
Speaker 1: My wife has here and was taken away from me

900
00:53:28,920 --> 00:53:33,759
Speaker 1: before because apparently Burke Bill with work forty seven times

901
00:53:33,920 --> 00:53:47,400
Speaker 1: and okay, guys, guys, don't pick her. That's what it's like.

902
00:53:47,640 --> 00:53:49,680
Speaker 1: That's what it's like. Looks like when you go on

903
00:53:49,760 --> 00:53:52,920
Speaker 1: vacation with them. That's what it's like. That's what it's

904
00:53:52,920 --> 00:53:54,359
Speaker 1: not going to go on vacation with them. And that's

905
00:53:54,440 --> 00:53:56,040
Speaker 1: what's happening on one side of the table. And then

906
00:53:56,040 --> 00:54:00,600
Speaker 1: you cut to me and I'm like, oh way, I'm

907
00:54:00,640 --> 00:54:05,320
Speaker 1: so far. You just see your mom and dad. Stop fighting,

908
00:54:05,440 --> 00:54:09,600
Speaker 1: Stop bickering. I'm good sports. Can you fightless? You know

909
00:54:09,600 --> 00:54:11,320
Speaker 1: how many times I've been in the back seat and

910
00:54:11,400 --> 00:54:13,680
Speaker 1: we're racing somewhere and they're in the front seat and

911
00:54:13,800 --> 00:54:23,000
Speaker 1: they're driving, bickering, and I'm just like, guys, And then

912
00:54:23,080 --> 00:54:25,120
Speaker 1: she'll be like, Zach. And then she'll be like, Zach,

913
00:54:25,280 --> 00:54:29,360
Speaker 1: will you tell Bill that he's a bad driver? And

914
00:54:29,440 --> 00:54:31,239
Speaker 1: I'm I'm not going to tell that he's a bad driver.

915
00:54:31,680 --> 00:54:35,319
Speaker 1: He's like, look look at what what what are he's doing?

916
00:54:35,440 --> 00:54:37,920
Speaker 1: And he doesn't he's a slicker and he's not paying attention.

917
00:54:38,000 --> 00:54:39,719
Speaker 1: You know what Johnny see does Zach because he just

918
00:54:39,800 --> 00:54:41,880
Speaker 1: sits back and watches it like a tennis match that

919
00:54:41,960 --> 00:54:45,200
Speaker 1: they used. Look I think he gives him joy. He doesn't.

920
00:54:45,239 --> 00:54:50,200
Speaker 1: He doesn't get caught. John likes it. He likes Okay.

921
00:54:50,560 --> 00:54:54,320
Speaker 1: We love you, guys, We love you. Thank you for

922
00:54:54,600 --> 00:54:58,480
Speaker 1: away her show. Yeah, hey, come on, Donald, Johnny Ce,

923
00:54:58,719 --> 00:55:01,560
Speaker 1: come on leaving to get I'm working together. Anytime you, guys. Yeah,

924
00:55:01,640 --> 00:55:04,960
Speaker 1: thank you so much for doing our podcast. Thank you.

925
00:55:07,239 --> 00:55:11,480
Speaker 1: It's one of my most successful podcasts. Yeah, anytime, anytime, Bill, anytime,

926
00:55:11,560 --> 00:55:23,720
Speaker 1: no problem, Thank you, guys. Oh my god, that was exhausted.

927
00:55:23,800 --> 00:55:28,320
Speaker 1: Ye yo, I'm so tired too well. I need it

928
00:55:28,400 --> 00:55:34,799
Speaker 1: now so much. By the way, By the way, when

929
00:55:34,800 --> 00:55:36,719
Speaker 1: you go on vacation with them, I'm not lying, that's

930
00:55:36,880 --> 00:55:40,719
Speaker 1: that's it. It's like that the whole time, and you're like, guys, guys, guys, guys,

931
00:55:40,840 --> 00:55:48,399
Speaker 1: just let's just all not talk for a secondly. It's

932
00:55:48,520 --> 00:55:51,840
Speaker 1: fun man, I like, they're very funny, but they're I

933
00:55:51,960 --> 00:55:55,280
Speaker 1: love them, they're my best friends. But they are so intense. Johnny,

934
00:55:55,320 --> 00:55:58,680
Speaker 1: you know, you spend time with them for the summer.

935
00:55:59,000 --> 00:56:02,520
Speaker 1: H Chris and Billy running a place run around the

936
00:56:02,520 --> 00:56:06,320
Speaker 1: corner from here, and they came over and the two boys,

937
00:56:06,960 --> 00:56:11,040
Speaker 1: Will and Henry were with them, and uh, they started

938
00:56:11,080 --> 00:56:14,200
Speaker 1: talking about summer camp, boys summer camp, and they all

939
00:56:14,239 --> 00:56:18,480
Speaker 1: got into summer camp mode, which grosses christ out. It

940
00:56:18,680 --> 00:56:22,320
Speaker 1: grosses her out the whole everything about it, the dirt,

941
00:56:22,880 --> 00:56:26,320
Speaker 1: the filth, the things that go on in boys summer camps.

942
00:56:26,719 --> 00:56:29,920
Speaker 1: And they were clear on that and they just pummeled.

943
00:56:29,920 --> 00:56:31,840
Speaker 1: It was like they were giving her a root canal,

944
00:56:32,280 --> 00:56:36,279
Speaker 1: and it was they pick up on Billy and Christa's

945
00:56:36,880 --> 00:56:40,719
Speaker 1: way of attack, and they just there was three against one.

946
00:56:41,320 --> 00:56:43,840
Speaker 1: It's three against one, and christ of course I teamed

947
00:56:43,920 --> 00:56:49,120
Speaker 1: up with Christian did to protect her. But it's brutal. Yeah,

948
00:56:49,680 --> 00:56:54,960
Speaker 1: they're they're there. They make it work. It's you know,

949
00:56:55,040 --> 00:56:57,520
Speaker 1: by the way it goes without saying audience that they

950
00:56:57,560 --> 00:57:01,360
Speaker 1: are clearly the inspiration for Jordan and doctor Cox. I

951
00:57:01,440 --> 00:57:04,440
Speaker 1: think it's safe to say. I think I think catch up.

952
00:57:04,680 --> 00:57:07,120
Speaker 1: I think you're safe to say that. Let's take a break.

953
00:57:07,239 --> 00:57:16,640
Speaker 1: We'll be right back after these fine words. Um is

954
00:57:16,760 --> 00:57:21,439
Speaker 1: surprise guest one here, Yes, now, the way we're gonna

955
00:57:21,480 --> 00:57:24,520
Speaker 1: do this, Johnny, close my eyes, no, john Johnny c

956
00:57:24,680 --> 00:57:27,600
Speaker 1: as well, you're gonna cover your eyes or close your

957
00:57:27,640 --> 00:57:52,080
Speaker 1: eyes and okay, now surprise you're gonna oh my god,

958
00:57:52,840 --> 00:58:03,840
Speaker 1: you're gonna give me a heart attach quietown, quietown, quietown.

959
00:58:05,720 --> 00:58:13,440
Speaker 1: Everybody come down, Ken, but you have to be quieter

960
00:58:13,760 --> 00:58:15,360
Speaker 1: because you're not the host. You have to be a

961
00:58:15,400 --> 00:58:22,600
Speaker 1: little quieter. Oh man, all right now, quietown? Now, Bill,

962
00:58:22,640 --> 00:58:25,439
Speaker 1: your guest, yes, all right, let me cover my eyes

963
00:58:25,760 --> 00:58:27,520
Speaker 1: a right, cover your eyes? Bill, You cover them too.

964
00:58:28,160 --> 00:58:31,600
Speaker 1: It's surprised. Guest one here. Oh no, Guest one is frozen.

965
00:58:32,280 --> 00:58:38,400
Speaker 1: No this one. Oh, Guess two is here. Okay, let's

966
00:58:38,440 --> 00:58:41,080
Speaker 1: start with guests two. You're gonna start with guest two. Okay,

967
00:58:41,160 --> 00:58:43,680
Speaker 1: cover your eyes, guys, Bill, cover your eyes. I'm serious,

968
00:58:43,760 --> 00:58:46,640
Speaker 1: no cheating. Let's bring any guests two. Guests two, please

969
00:58:46,680 --> 00:58:50,160
Speaker 1: don't say anything. Don't say anything. Okay, now, guests to

970
00:58:50,480 --> 00:58:53,480
Speaker 1: say something that will reveal to these three men who

971
00:58:53,600 --> 00:59:12,840
Speaker 1: you are. Let's take it after the banana ham now match.

972
00:59:12,920 --> 00:59:15,000
Speaker 1: I'm glad to have you here because this episode is

973
00:59:15,080 --> 00:59:17,920
Speaker 1: really mostly about you and Johnny C but at polar

974
00:59:18,000 --> 00:59:23,200
Speaker 1: opposite sides of the drama comedy spectrum. Guests one is

975
00:59:23,280 --> 00:59:25,360
Speaker 1: back for now, I know. But Guess one is gonna

976
00:59:25,400 --> 00:59:27,920
Speaker 1: wait while Joel and Dan'll figure out her tech issues

977
00:59:28,040 --> 00:59:33,320
Speaker 1: his or her tech issues. Um first, Bill, Yes againy

978
00:59:33,360 --> 00:59:36,800
Speaker 1: haven't seen him a long time, Doctor Cox, haven't had

979
00:59:36,800 --> 00:59:40,080
Speaker 1: a chance to tell you that shit your name rocks

980
00:59:48,520 --> 00:59:54,880
Speaker 1: this year up. Robert questioned about the banana hammocks because

981
00:59:54,920 --> 00:59:58,240
Speaker 1: I was in the Central Park a Chief's meadow, Johnny,

982
00:59:58,280 --> 01:00:00,760
Speaker 1: see you know it well, Bill, you norwell. And there's

983
01:00:00,800 --> 01:00:03,800
Speaker 1: a lot of gay men and European men and perhaps

984
01:00:03,840 --> 01:00:07,760
Speaker 1: straight man although stereotypically not their things wearing speedos and

985
01:00:08,000 --> 01:00:12,880
Speaker 1: their penises are held pretty tightening, I think against their bodies,

986
01:00:13,720 --> 01:00:17,000
Speaker 1: whereas you in the show. I've now watched five seasons.

987
01:00:17,120 --> 01:00:21,360
Speaker 1: There's a lot of bounce. Why is there's in your

988
01:00:21,960 --> 01:00:24,360
Speaker 1: in your hand? Why is yours not held like the

989
01:00:24,480 --> 01:00:27,000
Speaker 1: men in Central Parks? It's got a lot of swing

990
01:00:27,120 --> 01:00:29,480
Speaker 1: to it, like an elephant trunk. Well, listen, I should

991
01:00:29,520 --> 01:00:31,760
Speaker 1: get older. There's even more swing and sway to it.

992
01:00:31,920 --> 01:00:41,200
Speaker 1: Guesham balls familiar worth it. Oh yeah, it's not your balls, Rob,

993
01:00:41,280 --> 01:00:44,760
Speaker 1: it's the actual trunk. If you see, I've studied five

994
01:00:44,840 --> 01:00:48,000
Speaker 1: episodes of the show. There should be a separate podcast

995
01:00:48,120 --> 01:00:53,160
Speaker 1: on the hog a tempeg beans, the fiddle battle, the

996
01:00:53,280 --> 01:01:02,160
Speaker 1: wham Bam boom ten hog joke. Said one thought, all right, listen,

997
01:01:04,600 --> 01:01:08,680
Speaker 1: what's the anaconda joke Donald Um. Someone says that Judy

998
01:01:08,760 --> 01:01:11,560
Speaker 1: who says, is that the one? Someone says I went

999
01:01:11,640 --> 01:01:17,160
Speaker 1: to see anaconda? And and then someone I think it's Carlos, says,

1000
01:01:17,320 --> 01:01:20,120
Speaker 1: is that the one with the giant snake? And he

1001
01:01:20,240 --> 01:01:22,400
Speaker 1: pops up and goes no. And he pops up and

1002
01:01:22,480 --> 01:01:25,120
Speaker 1: says what Rob go no, this is the one with

1003
01:01:25,200 --> 01:01:27,760
Speaker 1: the giant snake. I went back there for an hour

1004
01:01:27,880 --> 01:01:29,760
Speaker 1: for a setup. My back is killing me, but I

1005
01:01:29,880 --> 01:01:36,160
Speaker 1: nailed it. It's about commitment, which is just th lines

1006
01:01:36,280 --> 01:01:39,840
Speaker 1: from the show all the rest of the podcast. Remember

1007
01:01:39,880 --> 01:01:43,680
Speaker 1: all your lines, I remember, remember them all. By the way,

1008
01:01:43,720 --> 01:01:45,160
Speaker 1: if you ever wonder what it's like to have an

1009
01:01:45,160 --> 01:01:47,960
Speaker 1: erection in that last nine hours, asked me in twenty minutes.

1010
01:01:50,720 --> 01:01:53,280
Speaker 1: Though these are all bills, all come from the mind

1011
01:01:53,360 --> 01:02:01,640
Speaker 1: of Bill Sir, all the comedy. So I'm gonna I'm

1012
01:02:01,640 --> 01:02:03,600
Speaker 1: gonna be semi trying to keep us on the episode

1013
01:02:03,600 --> 01:02:05,440
Speaker 1: a little bit. So. Then we cut to a series

1014
01:02:05,520 --> 01:02:08,840
Speaker 1: of people who say that you lie robbed the character

1015
01:02:09,600 --> 01:02:12,240
Speaker 1: Todd has lied about having sex with them. And the

1016
01:02:12,360 --> 01:02:16,240
Speaker 1: first two are Sarah, I've been on the show before, Renee.

1017
01:02:16,320 --> 01:02:19,680
Speaker 1: Who's Sarah standing? You remember that she was a bartender

1018
01:02:19,840 --> 01:02:22,320
Speaker 1: at a wedding was it Donald? Where she serves him

1019
01:02:22,360 --> 01:02:25,080
Speaker 1: a drink? And then the next is Katia, who was

1020
01:02:25,720 --> 01:02:29,800
Speaker 1: Judy's standing and says, god no, and then another woman

1021
01:02:29,880 --> 01:02:32,280
Speaker 1: says are you kidding me? And then we cut to Gloria.

1022
01:02:34,640 --> 01:02:39,120
Speaker 1: She goes, is that the big, tall black security guard

1023
01:02:39,160 --> 01:02:43,640
Speaker 1: with the hook hand? Yes? They go no, Well, then no,

1024
01:02:43,760 --> 01:02:47,000
Speaker 1: I have not seen with him, which means that, which

1025
01:02:47,720 --> 01:02:50,680
Speaker 1: which means that not only is phill it means not

1026
01:02:50,760 --> 01:02:53,480
Speaker 1: only is Glorious sleeping with Leonard, but she hasn't learned

1027
01:02:53,520 --> 01:03:00,360
Speaker 1: his name yet. Do you guys want to know? By

1028
01:03:00,400 --> 01:03:04,640
Speaker 1: the way, I'll tell you something that is interesting because

1029
01:03:04,760 --> 01:03:06,080
Speaker 1: I heard you guys ro it in the show. So

1030
01:03:07,080 --> 01:03:09,800
Speaker 1: it could be argued that some of the Todd's jokes

1031
01:03:09,880 --> 01:03:16,120
Speaker 1: across the line into inappropriateness and uh and by the way,

1032
01:03:16,280 --> 01:03:20,200
Speaker 1: I'm going to throw out big words and being Fancy's anachronistic.

1033
01:03:20,400 --> 01:03:23,200
Speaker 1: I think back in the day, you know shows would

1034
01:03:23,240 --> 01:03:26,680
Speaker 1: have you know, jokes like that dropped all the time,

1035
01:03:26,920 --> 01:03:30,760
Speaker 1: even on six and seven o'clock syndicate shows. It was

1036
01:03:30,920 --> 01:03:34,560
Speaker 1: just you know, part of the lexicon and gags. But

1037
01:03:34,800 --> 01:03:36,600
Speaker 1: you guys started to talk about I think this is

1038
01:03:36,640 --> 01:03:41,400
Speaker 1: the episode that it becomes fairly clear that Todd maybe

1039
01:03:41,600 --> 01:03:44,640
Speaker 1: was overstating, you know, in a turn in a way

1040
01:03:44,640 --> 01:03:47,800
Speaker 1: of overcompensating, and he is kind of attracted to all

1041
01:03:47,880 --> 01:03:52,480
Speaker 1: hotness in any gender. And uh and I can try,

1042
01:03:52,720 --> 01:03:55,480
Speaker 1: but I can tell you the way writers Jon's evolved,

1043
01:03:55,640 --> 01:03:58,520
Speaker 1: it's because people go as much fun as it is

1044
01:03:58,600 --> 01:04:00,640
Speaker 1: for the men and women in this writers room to

1045
01:04:00,800 --> 01:04:03,480
Speaker 1: obsess about writing these jokes. I did not write in Urendo,

1046
01:04:03,880 --> 01:04:05,640
Speaker 1: but I remember whoever it did was proud of it

1047
01:04:05,760 --> 01:04:09,520
Speaker 1: for a month, you know. Indo, I think in Urendo

1048
01:04:09,680 --> 01:04:11,960
Speaker 1: is probably the best one of all of them. But

1049
01:04:13,120 --> 01:04:16,160
Speaker 1: the point being, um that this is where we decided

1050
01:04:16,240 --> 01:04:20,400
Speaker 1: that Todd should be an equal opportunity offender. He shouldn't

1051
01:04:20,400 --> 01:04:24,160
Speaker 1: be obsessed with all hotness. It should obviously be indictative

1052
01:04:24,200 --> 01:04:27,400
Speaker 1: of the overcompensating that young you know, kind of alpha

1053
01:04:27,480 --> 01:04:31,600
Speaker 1: male jockey surgeon males do. And we kind of adopted

1054
01:04:31,880 --> 01:04:33,640
Speaker 1: one of the reasons that Todd exists in the first place.

1055
01:04:33,640 --> 01:04:36,440
Speaker 1: You guys talked about that air hammock is as we

1056
01:04:36,560 --> 01:04:39,720
Speaker 1: were showing the women of this show scantily clad in

1057
01:04:39,840 --> 01:04:42,760
Speaker 1: brawls and nightgowns. Including my wife. We said we have

1058
01:04:42,920 --> 01:04:46,280
Speaker 1: to always match that the two or just male nudity,

1059
01:04:46,400 --> 01:04:50,800
Speaker 1: and you gave it was our guy. By the way,

1060
01:04:50,880 --> 01:04:55,440
Speaker 1: nobody wants to see it now A little long no

1061
01:04:56,000 --> 01:04:58,080
Speaker 1: no no no no no no, A little freight around

1062
01:04:58,120 --> 01:05:00,760
Speaker 1: the edges now and it met that just be there.

1063
01:05:00,880 --> 01:05:10,480
Speaker 1: Let's now, so I gotta say, funny, a funny bid?

1064
01:05:10,640 --> 01:05:16,360
Speaker 1: Here is that? Uh so Bill's trainer? Uh yes, here again.

1065
01:05:16,880 --> 01:05:21,000
Speaker 1: Jurgen DeMay, he wrote wrote that book that that the

1066
01:05:21,120 --> 01:05:24,400
Speaker 1: Todd is reading called The Action Hero Body, which I'm

1067
01:05:24,440 --> 01:05:26,840
Speaker 1: sure you can buy, we'll give you're gonna plug ye,

1068
01:05:27,560 --> 01:05:32,240
Speaker 1: And that's actually Jurgen uh in the photos that Rob

1069
01:05:32,400 --> 01:05:38,200
Speaker 1: is looking at for no reason. Okay, can I ask

1070
01:05:38,240 --> 01:05:43,280
Speaker 1: a question ahead, Donal. Did y'all laugh when Neil does

1071
01:05:43,400 --> 01:05:47,160
Speaker 1: the face while he's spying on j D and the

1072
01:05:47,680 --> 01:05:50,200
Speaker 1: Big Guy like that? If you watch the end credits

1073
01:05:50,240 --> 01:05:53,480
Speaker 1: for this show, like just the end credits alone, you

1074
01:05:53,520 --> 01:05:56,280
Speaker 1: will laugh so hard because Neil Flynn has the perfect

1075
01:05:56,760 --> 01:06:01,760
Speaker 1: sitcom face. You know when the name bounces under, you

1076
01:06:01,800 --> 01:06:03,680
Speaker 1: know when it's under. So it would be like Donald

1077
01:06:03,720 --> 01:06:05,920
Speaker 1: Faison and I'll be like at my locker and then

1078
01:06:05,960 --> 01:06:10,440
Speaker 1: I'll look at you and be like, yeah, yeah, he

1079
01:06:10,600 --> 01:06:13,000
Speaker 1: has the perfect when he sees you rubbing the oil

1080
01:06:13,440 --> 01:06:17,320
Speaker 1: on the guy's pectorals, yeah, and he pops up. Just

1081
01:06:17,440 --> 01:06:19,320
Speaker 1: look at that. For those of you who watched the

1082
01:06:19,360 --> 01:06:22,120
Speaker 1: show with us, rewind, go back to the credits and

1083
01:06:22,280 --> 01:06:24,959
Speaker 1: just look at it. And then I laughed, So I'll

1084
01:06:25,080 --> 01:06:28,200
Speaker 1: understand that moment though. So the janitor, they're they're gossiping

1085
01:06:28,240 --> 01:06:31,919
Speaker 1: about whether the todd is gay. The janitor, Pipes said,

1086
01:06:31,960 --> 01:06:35,320
Speaker 1: the janitor assumes talking about me. That was absolutely yes.

1087
01:06:35,920 --> 01:06:37,960
Speaker 1: And of all the things you and your writers came

1088
01:06:38,040 --> 01:06:42,320
Speaker 1: up with, is that I am painting oil on muscular

1089
01:06:42,400 --> 01:06:45,320
Speaker 1: man so you can eat it off from later. Yes.

1090
01:06:46,920 --> 01:06:50,400
Speaker 1: And then I say that actor was a football player

1091
01:06:50,440 --> 01:06:54,280
Speaker 1: from usc was he He was in very good ship.

1092
01:06:54,800 --> 01:06:57,320
Speaker 1: He was ready, he was He became a broadcaster, a

1093
01:06:57,400 --> 01:06:59,800
Speaker 1: good color for a little while for a local fox,

1094
01:07:00,080 --> 01:07:02,240
Speaker 1: killing you and I don't know what happened, but he was.

1095
01:07:02,520 --> 01:07:06,600
Speaker 1: He was an aspiring television journalist. Well that's the body

1096
01:07:06,640 --> 01:07:08,840
Speaker 1: I have in my mind, Johnny, that's the one I

1097
01:07:08,920 --> 01:07:13,040
Speaker 1: have in my mind now. I laughed out loud. When

1098
01:07:13,320 --> 01:07:16,959
Speaker 1: Sarah and Elliott says her brother Barry used to dance

1099
01:07:17,040 --> 01:07:21,800
Speaker 1: and leather jeans for sorry, sorry, he used to dance

1100
01:07:21,840 --> 01:07:25,400
Speaker 1: for Japanese business man. Yes, And then there's a couple

1101
01:07:25,400 --> 01:07:28,440
Speaker 1: of sentences and then she says, sort of wistfully, Barry

1102
01:07:28,520 --> 01:07:31,000
Speaker 1: used to dance and leather jeans. He'd come home and

1103
01:07:31,080 --> 01:07:41,280
Speaker 1: they'd be stuffed with Yeny had a good brother, Barry,

1104
01:07:41,360 --> 01:07:43,640
Speaker 1: which I love because of her. You know, her parents

1105
01:07:43,680 --> 01:07:48,400
Speaker 1: were so conservative. Yeah we have been. We didn't get you, guys.

1106
01:07:48,440 --> 01:07:51,280
Speaker 1: Such a sad thing that, uh, that great actress played

1107
01:07:51,320 --> 01:07:58,360
Speaker 1: Sarah's mother passed away. Yeah. I used to love her

1108
01:07:58,400 --> 01:08:00,320
Speaker 1: on Nike where I grew up with Nike. It as

1109
01:08:00,320 --> 01:08:02,600
Speaker 1: a favorite show, and uh, that was one of the

1110
01:08:02,680 --> 01:08:05,040
Speaker 1: ones I used to watch regularly. And she was like

1111
01:08:05,680 --> 01:08:07,560
Speaker 1: all the people who respond to because you guys are

1112
01:08:07,600 --> 01:08:09,680
Speaker 1: talking to Cole. Isn't it fun when you think of

1113
01:08:09,840 --> 01:08:12,200
Speaker 1: guest stars that show up on the show are just game,

1114
01:08:12,840 --> 01:08:14,440
Speaker 1: you know what I mean? And she was someone that

1115
01:08:14,560 --> 01:08:16,679
Speaker 1: just showed up and you know, I was like, you're

1116
01:08:16,720 --> 01:08:19,360
Speaker 1: the worst mother in the world. You say, short, thanksgiver

1117
01:08:19,520 --> 01:08:22,200
Speaker 1: pad face, and you should just be awful and not

1118
01:08:22,400 --> 01:08:25,479
Speaker 1: have a sympathetic phone in your body. And she was like, gotcha,

1119
01:08:25,680 --> 01:08:31,280
Speaker 1: and she was just awesome. Um, hey, there's another guest here.

1120
01:08:31,320 --> 01:08:34,200
Speaker 1: Should I close my eyes? Wait? No, the guest guests

1121
01:08:34,200 --> 01:08:37,560
Speaker 1: too is having technical problems and no they're ready to go.

1122
01:08:37,920 --> 01:08:40,280
Speaker 1: Hold on, let me guess this one is out. Yeah, Donald,

1123
01:08:40,479 --> 01:08:42,840
Speaker 1: you think I'm not like im managing the problems. I

1124
01:08:42,920 --> 01:08:46,400
Speaker 1: don't want the audience to know about our technical issues.

1125
01:08:47,080 --> 01:08:50,920
Speaker 1: Um so then we steal this podcast earlier. You can

1126
01:08:51,000 --> 01:08:52,439
Speaker 1: come on to my other podcasts if you want to

1127
01:08:52,520 --> 01:08:54,559
Speaker 1: talk to you good and movie it has less technical

1128
01:08:54,640 --> 01:08:58,280
Speaker 1: problems in this one. Oh my god, let me Randall

1129
01:09:00,040 --> 01:09:04,240
Speaker 1: Randall Winston. Randall Winston, our line producer. Making out with

1130
01:09:04,320 --> 01:09:07,519
Speaker 1: Gloria was very funny. Yeah, by the way, one of

1131
01:09:07,520 --> 01:09:09,720
Speaker 1: the cool things that you guys should point out. And

1132
01:09:09,960 --> 01:09:12,720
Speaker 1: I'll go back with a little tribute question for John

1133
01:09:12,760 --> 01:09:16,760
Speaker 1: and Donald and Rob if they remember so. Um, if

1134
01:09:16,800 --> 01:09:20,240
Speaker 1: you're a crew member on one of our shows and

1135
01:09:20,960 --> 01:09:22,840
Speaker 1: we all can't family and friends, I'm sure you guys

1136
01:09:22,880 --> 01:09:24,599
Speaker 1: still talk to and see some of those the gang

1137
01:09:24,680 --> 01:09:27,120
Speaker 1: around town. Um got talked to a lot of them

1138
01:09:27,880 --> 01:09:31,280
Speaker 1: more than most shows. They appear in our show and

1139
01:09:31,439 --> 01:09:34,679
Speaker 1: have huge funny moments. Katy were this one, you guys

1140
01:09:34,720 --> 01:09:38,040
Speaker 1: remember all? I mean remember all the different whether it

1141
01:09:38,200 --> 01:09:41,720
Speaker 1: was Sean or Ethan. We talk about it. Yeah, we

1142
01:09:41,840 --> 01:09:44,080
Speaker 1: talked about going on the podcast Bill. You should tune in.

1143
01:09:44,160 --> 01:09:50,720
Speaker 1: It's a good part. Unt. I didn't say that though

1144
01:09:51,280 --> 01:09:53,240
Speaker 1: I could buy the way I can hit them. Do

1145
01:09:53,320 --> 01:09:55,160
Speaker 1: you want me to hit the button that allows along

1146
01:09:55,200 --> 01:10:02,200
Speaker 1: the internet, don't. I think I just did it down

1147
01:10:02,320 --> 01:10:16,880
Speaker 1: the face. I just didn't jam the reaction. God, let

1148
01:10:16,920 --> 01:10:20,960
Speaker 1: me let me call everybody. Calm down, calm down. So sorry,

1149
01:10:22,040 --> 01:10:25,840
Speaker 1: letter letter, I'm so sorry. I'm so sorry. I was

1150
01:10:25,880 --> 01:10:28,720
Speaker 1: so unintentional. I wanted to say special guests, and I

1151
01:10:28,800 --> 01:10:36,120
Speaker 1: forgot Donald Donald. I'm surprised. Let a lumber in. Yeah,

1152
01:10:36,240 --> 01:10:45,040
Speaker 1: y'all better catch me while you can. Ridiculous. You know

1153
01:10:45,200 --> 01:10:51,240
Speaker 1: you can't trust all people. With this electronic check, you

1154
01:10:51,320 --> 01:10:57,440
Speaker 1: can catch all you want. Yeah, it was so beautiful.

1155
01:10:57,680 --> 01:11:00,639
Speaker 1: It is so good to see you, and it's good

1156
01:11:00,680 --> 01:11:02,760
Speaker 1: to see all of you guys too. As much as

1157
01:11:02,800 --> 01:11:05,240
Speaker 1: I could hear, it was horrible. I'm like, I'm in

1158
01:11:05,320 --> 01:11:07,960
Speaker 1: a nightmare. Oh I was watching. We had this in

1159
01:11:08,120 --> 01:11:10,640
Speaker 1: a chat. I'm not doing. Oh, we're so glad to

1160
01:11:10,720 --> 01:11:13,800
Speaker 1: see you a Loma. We've been on the podcast. A

1161
01:11:13,840 --> 01:11:22,280
Speaker 1: Woman's so good to see your fair boy on your podcat. Yea. Literally,

1162
01:11:22,800 --> 01:11:25,720
Speaker 1: the only reason I say was I wanted to apologize

1163
01:11:25,760 --> 01:11:28,640
Speaker 1: in front of God everyone for killing you when I

1164
01:11:28,680 --> 01:11:47,800
Speaker 1: thought they were done to see you. Yeah, it was

1165
01:11:48,040 --> 01:11:49,920
Speaker 1: Zach by the way out of Love. I'm gonna let

1166
01:11:50,000 --> 01:11:52,879
Speaker 1: Zach tell this story because I so ruined the surprise

1167
01:11:53,040 --> 01:11:55,400
Speaker 1: by accident. Zach, It's one of my favorite stories. You

1168
01:11:55,520 --> 01:11:57,519
Speaker 1: have to you have to tell it. It involves a car.

1169
01:11:58,080 --> 01:12:01,280
Speaker 1: Oh I watched. I knew that Alma was gonna die

1170
01:12:01,479 --> 01:12:04,600
Speaker 1: in an episode because Bill thought that the show was

1171
01:12:04,640 --> 01:12:07,040
Speaker 1: coming to an end um and he thought, well, we

1172
01:12:07,080 --> 01:12:09,479
Speaker 1: gotta go out. Was something dramatic, like Nurse Roberts is

1173
01:12:09,520 --> 01:12:11,720
Speaker 1: one of the most beloved characters. Let's we gotta you know,

1174
01:12:11,800 --> 01:12:13,880
Speaker 1: that's what you do. Show's ending. We gotta kill somebody else.

1175
01:12:14,560 --> 01:12:17,040
Speaker 1: So I pulled in in the driveway in the parking

1176
01:12:17,080 --> 01:12:19,439
Speaker 1: lot of the hospital and I see a Looma in

1177
01:12:19,520 --> 01:12:29,360
Speaker 1: this brand new, beautiful like escalade and I'm like, I'm

1178
01:12:29,439 --> 01:12:32,080
Speaker 1: I because I because I was close to like to Bill,

1179
01:12:32,120 --> 01:12:34,920
Speaker 1: and I knew inside scoop, I knew this episode was coming.

1180
01:12:34,960 --> 01:12:39,680
Speaker 1: And Aloma is like meet me, and I'm like, oh no,

1181
01:12:40,240 --> 01:12:45,120
Speaker 1: oh no. So then so then Bill kills off alone.

1182
01:12:47,000 --> 01:12:53,120
Speaker 1: Oh yeah, I'm like, no, why you might want to

1183
01:12:53,160 --> 01:12:57,800
Speaker 1: tell Alma because she just got an escalade. Yeah, that

1184
01:12:57,840 --> 01:13:01,080
Speaker 1: would have been real nice. And then I would still

1185
01:13:01,200 --> 01:13:04,439
Speaker 1: be driving the Santa Fe if I'd known that, you know,

1186
01:13:05,320 --> 01:13:11,040
Speaker 1: just say well then, but Loma, it is a testament

1187
01:13:11,080 --> 01:13:13,400
Speaker 1: to build that. When the show got it got picked

1188
01:13:13,479 --> 01:13:15,920
Speaker 1: up again, he went, oh shit, I feel bad. I

1189
01:13:15,960 --> 01:13:18,840
Speaker 1: gotta bring a Loma back to life. I go, I go,

1190
01:13:19,040 --> 01:13:20,800
Speaker 1: how the fuck are you gonna bring a Homa back

1191
01:13:20,800 --> 01:13:23,080
Speaker 1: to life? He goes, She's gonna have a twin sister,

1192
01:13:23,160 --> 01:13:32,200
Speaker 1: and oh, I'm cut up. Oh my god, the truth

1193
01:13:32,320 --> 01:13:36,320
Speaker 1: comes out. I thought this was Bill's brilliant idea, all right,

1194
01:13:38,280 --> 01:13:40,560
Speaker 1: I was. I felt so bad because I wanted you

1195
01:13:40,640 --> 01:13:44,120
Speaker 1: there at the very end, you know. And uh uh

1196
01:13:44,479 --> 01:13:48,400
Speaker 1: that was when the show was supposed to end all

1197
01:13:48,439 --> 01:13:51,600
Speaker 1: that stuff, and uh like, no, I go ahead and

1198
01:13:51,640 --> 01:13:57,120
Speaker 1: do one more season. I'm right back, yeah, and I'm yeah,

1199
01:13:57,600 --> 01:14:02,280
Speaker 1: and I'm like this. But the part was the network going, hey,

1200
01:14:02,320 --> 01:14:08,400
Speaker 1: who's this new nurse? Truly? Uh, you know, like when

1201
01:14:08,400 --> 01:14:10,920
Speaker 1: they started seeing when they started seeing dailies, they're like,

1202
01:14:11,720 --> 01:14:19,439
Speaker 1: did that character die? Right? It's all good? Yeah? Yeah,

1203
01:14:20,479 --> 01:14:23,080
Speaker 1: when I walked in my dressing room and Bill came in.

1204
01:14:23,160 --> 01:14:27,840
Speaker 1: I was like, oh no, this can't be good nothing.

1205
01:14:27,920 --> 01:14:31,640
Speaker 1: And I'm like, yeah, yeah, no, they don't show up

1206
01:14:31,680 --> 01:14:36,679
Speaker 1: in my dressing room. Okay. Ever, my ass was going die.

1207
01:14:37,080 --> 01:14:42,280
Speaker 1: I knew. Do you know what my my absolute favorite

1208
01:14:42,320 --> 01:14:44,720
Speaker 1: thing is. It's a different episode, but I've watched it

1209
01:14:44,760 --> 01:14:48,080
Speaker 1: a hundred times along it and you and Judy over

1210
01:14:48,160 --> 01:14:51,840
Speaker 1: the years were so good together. And she is doing

1211
01:14:52,400 --> 01:14:57,120
Speaker 1: her goodbye to you, you know, and your brand dad

1212
01:14:57,360 --> 01:14:59,679
Speaker 1: and the phone plug, and she wants to say goodbye

1213
01:14:59,720 --> 01:15:02,600
Speaker 1: before you go, and she's given this amazing speech. And

1214
01:15:02,720 --> 01:15:05,320
Speaker 1: in a couple of the dailies, I could see you

1215
01:15:05,560 --> 01:15:08,640
Speaker 1: getting emotional and crying. Lawyer, Yeah, man, I remember, and

1216
01:15:08,760 --> 01:15:10,920
Speaker 1: I touched my heart so much, you know what I mean,

1217
01:15:11,120 --> 01:15:14,000
Speaker 1: and made me I'm not only about the show about

1218
01:15:14,040 --> 01:15:17,559
Speaker 1: YouTube and how special that it was nice when people

1219
01:15:17,600 --> 01:15:20,680
Speaker 1: talk about really emotional moments in the show. You know,

1220
01:15:20,800 --> 01:15:23,000
Speaker 1: obviously this was an episode, and of course the Brendan

1221
01:15:23,040 --> 01:15:27,240
Speaker 1: Frasier episode, but they so often talk about that episode

1222
01:15:27,280 --> 01:15:30,280
Speaker 1: of Loma with the connection that you and Judy had

1223
01:15:30,360 --> 01:15:34,960
Speaker 1: and how how beautiful your performances were together. Then you

1224
01:15:35,000 --> 01:15:37,519
Speaker 1: got to talk off John to see in that episode. Yeah,

1225
01:15:37,600 --> 01:15:39,800
Speaker 1: it kills one of my favorite as well. I must

1226
01:15:39,880 --> 01:15:42,680
Speaker 1: say it was awesome. We couldn't on the top, but

1227
01:15:42,720 --> 01:15:44,479
Speaker 1: I don't think it would have been as emotional for people.

1228
01:15:44,520 --> 01:15:46,360
Speaker 1: But Ianway's been funny. If you had his twin brother

1229
01:15:46,479 --> 01:15:53,160
Speaker 1: come back and he's like the most respectful person. I'm hey, Alma,

1230
01:15:53,200 --> 01:15:54,880
Speaker 1: because we haven't had you on and we've had these

1231
01:15:54,920 --> 01:15:57,640
Speaker 1: other guys on. Do you remember your audition story or

1232
01:15:57,760 --> 01:16:00,240
Speaker 1: how you came about getting the landing the Rule of

1233
01:16:00,439 --> 01:16:04,519
Speaker 1: Nurse Roberts. I remember the audition. It's one of my

1234
01:16:04,640 --> 01:16:08,960
Speaker 1: favorite stories. How I went in because this was a

1235
01:16:09,040 --> 01:16:12,960
Speaker 1: four line role and I go into this audition. I'm

1236
01:16:13,000 --> 01:16:15,920
Speaker 1: totally unimpressed and I'm like, okay, let me get in

1237
01:16:16,000 --> 01:16:17,479
Speaker 1: here and say these four line go and get the

1238
01:16:17,520 --> 01:16:24,200
Speaker 1: hell out of here, falling out of the chair, laughing

1239
01:16:24,320 --> 01:16:27,799
Speaker 1: and shit. And then I'm like, what is his problem?

1240
01:16:27,960 --> 01:16:31,960
Speaker 1: And then the casting director said he told me later,

1241
01:16:32,280 --> 01:16:34,360
Speaker 1: he said, boys, she better get this partner. She's gonna

1242
01:16:34,439 --> 01:16:38,120
Speaker 1: kill me. And then I go home. I you know,

1243
01:16:38,520 --> 01:16:40,800
Speaker 1: my agent says, oh you got the part, and I

1244
01:16:40,920 --> 01:16:42,720
Speaker 1: was like, oh, that's great. And then she calls me

1245
01:16:42,760 --> 01:16:45,080
Speaker 1: and says, they want you to do a table read.

1246
01:16:46,080 --> 01:16:49,040
Speaker 1: I said for four lines, and she said yeah. So

1247
01:16:49,200 --> 01:16:52,679
Speaker 1: I was like, all right, all right, So she gives

1248
01:16:52,720 --> 01:16:56,120
Speaker 1: me the address. It's up in some deals somewhere. I

1249
01:16:56,280 --> 01:17:00,200
Speaker 1: have a raggedy Jaguar. She always liked nice carars, and

1250
01:17:01,040 --> 01:17:03,200
Speaker 1: it's got bad breaks that I'm trying to get to

1251
01:17:03,280 --> 01:17:06,920
Speaker 1: Bill's house and I'm like, what the hell. I get

1252
01:17:07,040 --> 01:17:09,720
Speaker 1: up there and all you guys know each other. The

1253
01:17:09,800 --> 01:17:13,320
Speaker 1: only person I halfway know is Donald. Yeah, because we

1254
01:17:13,400 --> 01:17:18,120
Speaker 1: did trimping together. Not one scene together, not one scene.

1255
01:17:18,200 --> 01:17:20,560
Speaker 1: That's what I'm saying. Halfway new him, you know. And

1256
01:17:20,600 --> 01:17:24,960
Speaker 1: I'm like, why, you know, having a great time, you're

1257
01:17:25,000 --> 01:17:28,040
Speaker 1: all getting, you know, off having I'm like, I'm ready

1258
01:17:28,080 --> 01:17:31,040
Speaker 1: to go. So wait. I'm sitting here reading the script

1259
01:17:32,160 --> 01:17:34,320
Speaker 1: and I get ready to say the first two lines,

1260
01:17:34,439 --> 01:17:38,240
Speaker 1: and some girl over there says them, and I'm like,

1261
01:17:38,960 --> 01:17:42,680
Speaker 1: oh lord, I move up here for two lines. I

1262
01:17:42,760 --> 01:17:44,680
Speaker 1: couldn't believe it. I was floored. So I get in

1263
01:17:44,760 --> 01:17:47,200
Speaker 1: my car and I'm like, I have two lines in

1264
01:17:47,320 --> 01:17:50,320
Speaker 1: this series? Two lines, Carol, Can you believe it? I

1265
01:17:50,880 --> 01:17:54,840
Speaker 1: had four? Okay, fast forward, I'm doing an interview and

1266
01:17:54,920 --> 01:17:58,280
Speaker 1: the and the person interviews me says, um, I heard you,

1267
01:17:58,680 --> 01:18:04,680
Speaker 1: Um did the pilot Force Scrubs And I said, oh yeah.

1268
01:18:04,840 --> 01:18:08,639
Speaker 1: She said it got picked up, and I said, wouldn't

1269
01:18:08,640 --> 01:18:13,200
Speaker 1: it be funny if they picked me up with that show? Well,

1270
01:18:15,160 --> 01:18:18,400
Speaker 1: it turned out to be the best job I have

1271
01:18:18,640 --> 01:18:23,320
Speaker 1: ever had. I was like, God, so Bill, thank you

1272
01:18:23,479 --> 01:18:31,160
Speaker 1: from my retirement. It's fabulous because I'll tell you why.

1273
01:18:31,400 --> 01:18:33,680
Speaker 1: I can tell you exactly why you have to go

1274
01:18:33,800 --> 01:18:37,000
Speaker 1: to that table reading our heads. Everyone here will tell

1275
01:18:37,080 --> 01:18:39,519
Speaker 1: you what it means to be a home run here

1276
01:18:39,880 --> 01:18:44,240
Speaker 1: and this weird thing of table reads for networks, which

1277
01:18:44,240 --> 01:18:45,920
Speaker 1: we have to do to get that show picked up.

1278
01:18:45,960 --> 01:18:50,200
Speaker 1: In the first couple of episodes is one person coming

1279
01:18:50,280 --> 01:18:53,599
Speaker 1: in and just body slamming a scene with one line

1280
01:18:54,120 --> 01:18:58,320
Speaker 1: can literally change the vibe when you you guys all leave,

1281
01:18:58,400 --> 01:19:00,479
Speaker 1: and that when people go, oh that sucks. Oh that

1282
01:19:00,680 --> 01:19:02,760
Speaker 1: was great. And I don't know if you remember, but

1283
01:19:02,880 --> 01:19:06,519
Speaker 1: everybody at the network level thought that one of the

1284
01:19:06,600 --> 01:19:09,160
Speaker 1: core lines of the pilot was can you just pronounce

1285
01:19:09,240 --> 01:19:17,080
Speaker 1: him dead so I can go home? Don't expect it

1286
01:19:17,200 --> 01:19:20,240
Speaker 1: to be poignant and funny at the same time, because

1287
01:19:20,240 --> 01:19:22,559
Speaker 1: it also said what the difference was between the dude

1288
01:19:22,600 --> 01:19:25,240
Speaker 1: on the first day and the woman that had been

1289
01:19:25,320 --> 01:19:26,800
Speaker 1: there for a couple of years, you know what I mean,

1290
01:19:26,920 --> 01:19:29,240
Speaker 1: And it was a huge kind of building block in

1291
01:19:29,320 --> 01:19:31,800
Speaker 1: the show. I'm so grateful you stayed around and he

1292
01:19:31,880 --> 01:19:33,800
Speaker 1: didn't get so pissed that he just refused to come

1293
01:19:33,840 --> 01:19:43,120
Speaker 1: back truly and alone back the sheet. She gotta work now,

1294
01:19:43,240 --> 01:19:56,360
Speaker 1: you don't know alone You're You're so funny and we've

1295
01:19:56,360 --> 01:20:00,040
Speaker 1: been watching the show for five seasons now, and you

1296
01:20:00,040 --> 01:20:03,040
Speaker 1: would make Donald and I laugh so much. We just

1297
01:20:03,160 --> 01:20:06,439
Speaker 1: crack cup. You are so funny on this show. Yeah, well,

1298
01:20:06,479 --> 01:20:09,479
Speaker 1: you two were scandalous on the show. I'll never forget

1299
01:20:09,520 --> 01:20:12,960
Speaker 1: the time that you mooned Sarah and I was next

1300
01:20:13,000 --> 01:20:20,040
Speaker 1: to her. Sorry by the way, speaking of party, Speaking

1301
01:20:20,120 --> 01:20:23,439
Speaker 1: of which, Rob, Rob has a hilarious picture, Rob, can

1302
01:20:23,479 --> 01:20:25,640
Speaker 1: you hold it up? Or is that just digitally? But

1303
01:20:25,800 --> 01:20:29,680
Speaker 1: it was. It's a picture of of both Alma and

1304
01:20:30,360 --> 01:20:35,640
Speaker 1: Judy looking at you and your banana hammock banana hammockue.

1305
01:20:35,760 --> 01:20:44,720
Speaker 1: I never saw such hungry looks in their eyes. Yea,

1306
01:20:44,800 --> 01:20:47,160
Speaker 1: holding up? No, hold it up? Put it in focus, Rob,

1307
01:20:48,800 --> 01:20:51,040
Speaker 1: looking at the eyes and look at what they're looking at.

1308
01:20:51,160 --> 01:21:00,160
Speaker 1: It's hard. I never saw two women so hungry in

1309
01:21:00,280 --> 01:21:04,160
Speaker 1: my life. Anybody ever asks you what being actors like,

1310
01:21:04,479 --> 01:21:06,599
Speaker 1: you just show them that picture. Let's just get right there.

1311
01:21:06,760 --> 01:21:08,600
Speaker 1: I just take it down to the banana hammock and

1312
01:21:08,720 --> 01:21:12,640
Speaker 1: let the magic Happensten No, I mean, I don't know

1313
01:21:12,680 --> 01:21:15,840
Speaker 1: about you guys. I know, Rob, you've been very, very

1314
01:21:16,040 --> 01:21:20,040
Speaker 1: very nude on the show. dB you have, Johnny, I

1315
01:21:20,160 --> 01:21:23,560
Speaker 1: know I have. It was something that we kind of

1316
01:21:23,640 --> 01:21:25,519
Speaker 1: as the men on the show, we kind of had

1317
01:21:25,640 --> 01:21:28,160
Speaker 1: to do it, though you spoke about it earlier, Bill,

1318
01:21:28,520 --> 01:21:30,960
Speaker 1: But it was like we got really, we got really

1319
01:21:31,080 --> 01:21:33,960
Speaker 1: really nude, Like I got all the way because I

1320
01:21:34,080 --> 01:21:37,680
Speaker 1: think a whole forever and on shows, but it's so

1321
01:21:37,800 --> 01:21:40,320
Speaker 1: far for a movie or whatever, and women go down

1322
01:21:40,439 --> 01:21:42,880
Speaker 1: to underwear night gowns and ship and the dudes don't

1323
01:21:42,920 --> 01:21:46,360
Speaker 1: do jack And so we knew we were being inappropriate

1324
01:21:46,439 --> 01:21:48,679
Speaker 1: a lot of ways. So we thought, when I'm watching

1325
01:21:48,800 --> 01:21:51,240
Speaker 1: back now, I when I'm watching back now, I'm walking

1326
01:21:51,320 --> 01:21:54,600
Speaker 1: into Rob's body and Johnny's body, and I'm just like,

1327
01:21:54,720 --> 01:22:00,639
Speaker 1: oh my goodness, dude, do some fucking push ups? Like what? Yeah, Well, Johnny,

1328
01:22:01,040 --> 01:22:03,799
Speaker 1: Johnny set the bar, you guys, Come on, yeah, Johnny,

1329
01:22:03,880 --> 01:22:06,559
Speaker 1: do I remember I remember lunch time and Johnny would

1330
01:22:06,560 --> 01:22:10,479
Speaker 1: just get fuel. He didn't get lunch, he just got fuel,

1331
01:22:10,760 --> 01:22:12,840
Speaker 1: That's what he would say. We had him down the

1332
01:22:12,920 --> 01:22:15,240
Speaker 1: basement there was that we could go lift down and

1333
01:22:15,640 --> 01:22:19,280
Speaker 1: the more dude, you put him exercise bike into your

1334
01:22:19,360 --> 01:22:22,200
Speaker 1: dressing room and would literally read your script and do

1335
01:22:22,479 --> 01:22:25,599
Speaker 1: exercise for hours, giving all those rewrites. So I had

1336
01:22:25,640 --> 01:22:27,000
Speaker 1: to I had to figure out a way to learn.

1337
01:22:28,439 --> 01:22:31,080
Speaker 1: I am. So I'm still out there, by the way,

1338
01:22:31,120 --> 01:22:32,960
Speaker 1: and even everything in the last second. If that makes

1339
01:22:33,000 --> 01:22:38,599
Speaker 1: you guys happy as a group of tents, really all

1340
01:22:38,600 --> 01:22:41,680
Speaker 1: you do that too, Jason and I both kind of

1341
01:22:44,120 --> 01:22:47,479
Speaker 1: It's true. Johnny, you remember getting scripts when when when

1342
01:22:47,640 --> 01:22:49,720
Speaker 1: when they weren't done yet, and you'd be like, um,

1343
01:22:50,040 --> 01:22:53,040
Speaker 1: why are we um standing on the table and he'd

1344
01:22:53,040 --> 01:22:56,439
Speaker 1: be like, oh, oh, oh yeah, yeah, you guys, um

1345
01:22:56,920 --> 01:22:58,599
Speaker 1: we're still writing that. But there's a reason you guys

1346
01:22:58,680 --> 01:23:06,280
Speaker 1: end up on the table later. Let Johnny Goad. Johnny Goad.

1347
01:23:07,040 --> 01:23:09,680
Speaker 1: Dressing rooms were all up on the fourth floor, as

1348
01:23:09,720 --> 01:23:13,200
Speaker 1: well as administrative at the hospital. Whenever I say a hospital,

1349
01:23:13,280 --> 01:23:15,800
Speaker 1: people think I'm being all method. We shot in a

1350
01:23:15,920 --> 01:23:19,719
Speaker 1: defunct hospital and dressing rooms were up on the fourth floor,

1351
01:23:20,560 --> 01:23:25,000
Speaker 1: Baku and Wardrobes, and Billy would do these rewrites. I'd

1352
01:23:25,040 --> 01:23:28,559
Speaker 1: memorize whatever he sent here on Sunday and Sunday night

1353
01:23:28,800 --> 01:23:31,879
Speaker 1: and Sunday morning, and then I'd get to the hospital

1354
01:23:32,040 --> 01:23:36,320
Speaker 1: on Monday, and the poor ads and second and thirds

1355
01:23:36,800 --> 01:23:39,240
Speaker 1: they wouldn't knock on my door anymore. I'd just see

1356
01:23:39,280 --> 01:23:43,720
Speaker 1: them slide the pages under the door. They didn't want

1357
01:23:43,760 --> 01:23:48,000
Speaker 1: to incur my wrath. I want to share with you

1358
01:23:48,120 --> 01:23:50,439
Speaker 1: one quick memory about Johnny C if I can. Yes.

1359
01:23:50,560 --> 01:23:54,479
Speaker 1: It was season nine, one of if not the last

1360
01:23:54,920 --> 01:23:58,080
Speaker 1: days of the series, and he had a page long

1361
01:23:58,240 --> 01:24:01,559
Speaker 1: monologue and I was in the scene and he nailed

1362
01:24:01,560 --> 01:24:04,080
Speaker 1: it in one take. And I couldn't believe after nine

1363
01:24:04,160 --> 01:24:06,880
Speaker 1: years he was working this hard and doing this well.

1364
01:24:07,160 --> 01:24:09,479
Speaker 1: And they shot it one more time just in case.

1365
01:24:09,920 --> 01:24:11,800
Speaker 1: But I just will never forget the work a hook

1366
01:24:11,800 --> 01:24:13,759
Speaker 1: of John C McGinley, and I just want to share

1367
01:24:13,800 --> 01:24:19,479
Speaker 1: that with you guys right now. Yeah, Billy's rewrites that

1368
01:24:19,680 --> 01:24:22,479
Speaker 1: you memorize the first and second and third draft and

1369
01:24:22,600 --> 01:24:28,360
Speaker 1: then god damn at the fifth draft is really freaking good. Bill.

1370
01:24:28,400 --> 01:24:32,080
Speaker 1: Would you ever be nervous to go tell Johnny like, Hey, um,

1371
01:24:32,400 --> 01:24:37,200
Speaker 1: I know you memorized every nervous it sucked if it

1372
01:24:37,320 --> 01:24:39,880
Speaker 1: was exponentially better, even though he'd get mad and he'd

1373
01:24:39,920 --> 01:24:43,320
Speaker 1: read it, and he'd always be like, it's better. I'm sorry,

1374
01:24:47,280 --> 01:24:56,160
Speaker 1: I gonna go back downstairs and dude, bye bell brother.

1375
01:24:56,800 --> 01:24:59,519
Speaker 1: All right, listen, we have a question here. Yeah, let's

1376
01:24:59,520 --> 01:25:04,400
Speaker 1: say question here. John c McGinley speaks often of living

1377
01:25:04,479 --> 01:25:10,160
Speaker 1: life with gratitude. Yes, this is from Eric Weiss. How

1378
01:25:10,240 --> 01:25:14,639
Speaker 1: could each of your characters incorporate that philosophy philosophy into

1379
01:25:14,720 --> 01:25:22,080
Speaker 1: this episode? Um, how could each of our characters? Well,

1380
01:25:22,120 --> 01:25:24,720
Speaker 1: I wanted to say on a serious note, you know,

1381
01:25:24,920 --> 01:25:28,800
Speaker 1: this episode is about missing clues. I mean, we all,

1382
01:25:29,800 --> 01:25:31,600
Speaker 1: you know, I have people in our lives that we

1383
01:25:31,800 --> 01:25:35,600
Speaker 1: assume are fine and aren't. And I think that m

1384
01:25:36,760 --> 01:25:39,040
Speaker 1: j D really struggles with the fact that he found

1385
01:25:39,080 --> 01:25:43,280
Speaker 1: this woman annoying. Uh you know, she had been suicidal before,

1386
01:25:43,400 --> 01:25:46,280
Speaker 1: I believe, and he's just like, uh, you know, both

1387
01:25:46,400 --> 01:25:49,479
Speaker 1: Cox and and and and JD are just want to

1388
01:25:49,520 --> 01:25:52,759
Speaker 1: get away from her. And I think there's a there's

1389
01:25:53,240 --> 01:25:57,639
Speaker 1: a really serious conversation about missing clues with the people

1390
01:25:57,720 --> 01:26:00,360
Speaker 1: we love in our lives and um and and not

1391
01:26:00,560 --> 01:26:05,200
Speaker 1: checking in on our on our people, and of course

1392
01:26:05,479 --> 01:26:11,040
Speaker 1: in terms of gratitude, being grateful and being filled with

1393
01:26:11,120 --> 01:26:14,680
Speaker 1: gratitude when you are feeling mentally healthy and not and

1394
01:26:15,160 --> 01:26:19,160
Speaker 1: thank God that you don't have a mental health problem

1395
01:26:19,200 --> 01:26:21,519
Speaker 1: that would that would make you consider taking your life.

1396
01:26:22,520 --> 01:26:26,920
Speaker 1: You know, my daughter wakes up every morning, she's twenty

1397
01:26:27,200 --> 01:26:30,600
Speaker 1: two now, right, and I go and I say to

1398
01:26:30,680 --> 01:26:33,160
Speaker 1: her when I see her in the morning, hey, how

1399
01:26:33,160 --> 01:26:37,040
Speaker 1: are you doing? And she always goes, I'm alive, dad,

1400
01:26:37,840 --> 01:26:41,080
Speaker 1: And you know what I mean, and that is I

1401
01:26:41,200 --> 01:26:46,200
Speaker 1: am so grateful that she understands the moment that she's

1402
01:26:46,240 --> 01:26:50,000
Speaker 1: in right now, and that she's living at this young

1403
01:26:50,080 --> 01:26:53,679
Speaker 1: age and understands that tomorrow isn't promised. So I gotta

1404
01:26:53,720 --> 01:26:55,680
Speaker 1: go get it today and I gotta go live it

1405
01:26:55,760 --> 01:26:59,240
Speaker 1: today and go make it happen today. I'm so grateful

1406
01:26:59,320 --> 01:27:01,360
Speaker 1: for that. I'm gratefu for her mother and putting that

1407
01:27:01,520 --> 01:27:04,000
Speaker 1: in her and I'm grateful that, you know, I get

1408
01:27:04,040 --> 01:27:06,960
Speaker 1: to witness it. And so living with gratitude, I am

1409
01:27:07,040 --> 01:27:12,120
Speaker 1: so grateful for my children and my wife. I totally

1410
01:27:12,200 --> 01:27:17,120
Speaker 1: get it, man, I totally understand m that just that,

1411
01:27:17,400 --> 01:27:20,640
Speaker 1: just that quote living with gratitude, I'm so grateful for

1412
01:27:21,080 --> 01:27:23,200
Speaker 1: you guys. I'm so Alma, I'm so grateful to see

1413
01:27:23,240 --> 01:27:25,120
Speaker 1: you right now. Like I mean, it could be the

1414
01:27:25,160 --> 01:27:26,720
Speaker 1: weed wearing off. I don't know what it is, but

1415
01:27:26,760 --> 01:27:28,519
Speaker 1: I just like I told you not to get high.

1416
01:27:28,600 --> 01:27:31,200
Speaker 1: What's wrong with you? I smoked a little bit like

1417
01:27:31,439 --> 01:27:36,360
Speaker 1: you promised to show my badum Aluma with a question

1418
01:27:36,439 --> 01:27:39,760
Speaker 1: for Alma, go ahead, um now, Alma. A lot of

1419
01:27:39,800 --> 01:27:42,640
Speaker 1: times on the show, they referenced all the hygiens that

1420
01:27:42,760 --> 01:27:45,760
Speaker 1: happened at Nurse Robert's above ground pool party. Do you

1421
01:27:45,800 --> 01:27:50,639
Speaker 1: remember this at all? No, I don't remember the above

1422
01:27:50,920 --> 01:27:55,040
Speaker 1: ground pool parties because my pool was in ground as

1423
01:27:55,120 --> 01:27:58,760
Speaker 1: well as Jagoozy, so clearly I put that out in

1424
01:27:58,880 --> 01:28:06,479
Speaker 1: my mind. I'll go into those parties. Well, yeah, the

1425
01:28:06,600 --> 01:28:09,439
Speaker 1: above brown pool party was actually something that was I

1426
01:28:09,520 --> 01:28:12,760
Speaker 1: think it's mentioned in season one or two. Uh, and

1427
01:28:13,360 --> 01:28:14,960
Speaker 1: there were a lot of them. There were a lot

1428
01:28:15,040 --> 01:28:18,800
Speaker 1: of references to like and we never go there. There's

1429
01:28:18,840 --> 01:28:21,040
Speaker 1: never a scene there, like there was a fight. There

1430
01:28:21,160 --> 01:28:25,040
Speaker 1: was a fight one time where Johnny chokes out where

1431
01:28:25,400 --> 01:28:31,759
Speaker 1: where Cox chokes out, uh ted the lawyer like apparently

1432
01:28:31,880 --> 01:28:33,800
Speaker 1: apparently a lot of fans are on the on the

1433
01:28:33,880 --> 01:28:36,280
Speaker 1: on the chatter asking what does Aluma think may have

1434
01:28:36,400 --> 01:28:38,560
Speaker 1: gone down at those above ground pool parties? And I

1435
01:28:38,640 --> 01:28:40,840
Speaker 1: just wanted if you, yeah, she would only be thinking

1436
01:28:41,040 --> 01:28:44,880
Speaker 1: about it, because clearly you guys talked about it. I

1437
01:28:45,120 --> 01:28:49,120
Speaker 1: probably never had a line about it, so I'm like, yeah,

1438
01:28:50,080 --> 01:28:57,479
Speaker 1: And also I only read my scenes, so I don't

1439
01:28:57,520 --> 01:29:05,360
Speaker 1: know what's going on. That's hilarious. Um okay, well put

1440
01:29:05,439 --> 01:29:08,400
Speaker 1: that question up. What was the scariest something about stunts? From?

1441
01:29:08,720 --> 01:29:10,919
Speaker 1: Put that one up? All had to do on scrubs.

1442
01:29:12,760 --> 01:29:19,280
Speaker 1: I told you LLL watched the show cool Jo. Okay,

1443
01:29:19,400 --> 01:29:22,840
Speaker 1: from LLL cool J. What were the scariest stunts? That's

1444
01:29:22,880 --> 01:29:29,360
Speaker 1: not in my mind, Donald, it's um um, So what

1445
01:29:29,520 --> 01:29:32,640
Speaker 1: were the scariest stunts? Um? Rob. I imagine for you

1446
01:29:32,760 --> 01:29:36,160
Speaker 1: it might have been that bungee jumping through your underwear. Yeah,

1447
01:29:36,200 --> 01:29:38,640
Speaker 1: the four story atomic wedger was the scariest because I

1448
01:29:38,840 --> 01:29:41,560
Speaker 1: was hanging from the roof and then they dropped me

1449
01:29:42,120 --> 01:29:44,880
Speaker 1: and I had a harness around my like upper inner

1450
01:29:45,000 --> 01:29:48,519
Speaker 1: thigh and it like it was it hurt. By the

1451
01:29:48,560 --> 01:29:50,280
Speaker 1: way you guys talked about why was I wearing a

1452
01:29:50,400 --> 01:29:53,120
Speaker 1: bespeckled banana hammock in that scene? A couple of weeks

1453
01:29:53,120 --> 01:29:55,599
Speaker 1: ago on your podcast, and the reason was if they

1454
01:29:55,760 --> 01:29:59,160
Speaker 1: made a speedo to cover the harness. And it was

1455
01:29:59,320 --> 01:30:02,960
Speaker 1: not quite that my go to banana hammock, I see,

1456
01:30:03,160 --> 01:30:04,920
Speaker 1: but it was really big and thick because there was

1457
01:30:04,960 --> 01:30:07,599
Speaker 1: a harness and I was strapped in it. It left

1458
01:30:07,640 --> 01:30:11,840
Speaker 1: the bruise. Yelled that commitment. You yelled like it did too.

1459
01:30:12,200 --> 01:30:14,519
Speaker 1: It hurt, It hurt, but it hurt in a good way.

1460
01:30:14,800 --> 01:30:18,000
Speaker 1: Mine was being mine was being on mine was being

1461
01:30:18,080 --> 01:30:23,320
Speaker 1: on fire in that in that scene where episode I directed, actually,

1462
01:30:24,040 --> 01:30:28,920
Speaker 1: um Jad catches on fire and I didn't do the

1463
01:30:29,000 --> 01:30:31,680
Speaker 1: full burn. We switched to a stuntman who did a

1464
01:30:31,720 --> 01:30:36,280
Speaker 1: full body burn. Um but I had to have my

1465
01:30:36,400 --> 01:30:39,960
Speaker 1: back catch on fire and they put me in a

1466
01:30:40,040 --> 01:30:42,880
Speaker 1: suit and they covered my hair with the anti flame

1467
01:30:42,960 --> 01:30:45,400
Speaker 1: stuff and they gave me this like pep talk and everything.

1468
01:30:45,920 --> 01:30:49,400
Speaker 1: But I was legitimately on fire, which I couldn't believe

1469
01:30:49,520 --> 01:30:52,880
Speaker 1: they were letting me do, but they did. And I

1470
01:30:53,280 --> 01:30:56,640
Speaker 1: definitely remember that that being the scariest thing. Don't you

1471
01:30:56,680 --> 01:30:58,920
Speaker 1: had to put me out? Do you remember that? But

1472
01:30:58,960 --> 01:31:00,960
Speaker 1: I don't know if that was really you. That's the thing, like,

1473
01:31:01,040 --> 01:31:02,679
Speaker 1: I don't know if that was a switch I don't

1474
01:31:02,680 --> 01:31:08,599
Speaker 1: know a cowboy switch. So what happens is I, Well,

1475
01:31:08,760 --> 01:31:10,599
Speaker 1: that was a different part when I popped up smoking,

1476
01:31:10,960 --> 01:31:13,439
Speaker 1: But when I first ran into the bathroom, I was

1477
01:31:13,640 --> 01:31:17,160
Speaker 1: legitimately on fire on my back. And then Denny had

1478
01:31:17,200 --> 01:31:19,160
Speaker 1: the guy come out and he was fully on fire,

1479
01:31:19,280 --> 01:31:21,240
Speaker 1: like no, no effects were at it. He was. It

1480
01:31:21,360 --> 01:31:24,240
Speaker 1: wasn't fucking insane. And then he went down and you

1481
01:31:24,360 --> 01:31:26,360
Speaker 1: and another stunt man off the camera put him all out.

1482
01:31:26,400 --> 01:31:28,439
Speaker 1: And then I popped up smoldering, and I'm like, whoa,

1483
01:31:28,600 --> 01:31:31,880
Speaker 1: that was a doozy or something. I do remember. I

1484
01:31:32,000 --> 01:31:35,600
Speaker 1: do remember. I remember this, the stunt man saying to me,

1485
01:31:36,000 --> 01:31:38,639
Speaker 1: when he goes down, you gotta put him out. Donald,

1486
01:31:38,680 --> 01:31:41,800
Speaker 1: I do remember that. Donald. Do you remember your scariest stunt?

1487
01:31:41,880 --> 01:31:44,720
Speaker 1: Did you have any super scary stunts? No? I don't

1488
01:31:44,760 --> 01:31:47,240
Speaker 1: think did a lot of scary stunts? No, not on this,

1489
01:31:47,520 --> 01:31:51,000
Speaker 1: not on this one. At least it wasn't scary for me. Oh,

1490
01:31:51,320 --> 01:31:53,800
Speaker 1: I see, because you're so darn manly. I wanted to

1491
01:31:53,880 --> 01:31:59,320
Speaker 1: talk about your chiropractic adjustment from the janitor, which is hilarious. Wait,

1492
01:31:59,360 --> 01:32:03,439
Speaker 1: so this is what happens Elliott and Carla. I feel

1493
01:32:03,520 --> 01:32:09,040
Speaker 1: like they need to nurture relationships in the hospital. And

1494
01:32:09,160 --> 01:32:12,559
Speaker 1: so now now that Todd is no longer this you know, uh,

1495
01:32:13,080 --> 01:32:15,880
Speaker 1: he's no longer the straight sexual harassmer, They're like, well,

1496
01:32:15,920 --> 01:32:17,960
Speaker 1: he could be our new gay best friend. Yes, they're

1497
01:32:18,000 --> 01:32:20,120
Speaker 1: excited to have a gay best They're they're very excited

1498
01:32:20,400 --> 01:32:21,960
Speaker 1: to hang out with Todd as a as a gay

1499
01:32:22,000 --> 01:32:25,439
Speaker 1: man because they they're excited to have a gay best friend. Right,

1500
01:32:25,800 --> 01:32:29,800
Speaker 1: But this, this happened before in some way where the

1501
01:32:30,000 --> 01:32:35,479
Speaker 1: janitor had dreams of being a chiropractor, and the girls,

1502
01:32:35,640 --> 01:32:42,400
Speaker 1: wanting to nurture that relationship, somehow convinced Turk to play

1503
01:32:42,560 --> 01:32:47,479
Speaker 1: guinea pig for the janitor's adjustments. Right, and Turk gets

1504
01:32:47,560 --> 01:32:51,240
Speaker 1: his neck almost broke, and it's hilarious. Dude, Donald, I

1505
01:32:51,280 --> 01:32:53,400
Speaker 1: don't know what it is about you screaming in a

1506
01:32:53,439 --> 01:32:56,200
Speaker 1: high pitched voice. It started, we all know it began,

1507
01:32:56,280 --> 01:32:58,479
Speaker 1: and clueless, but I didn't screaming a high pitched voice

1508
01:32:58,479 --> 01:33:02,479
Speaker 1: and clueless. Okayluss I scream in a low Okay, well, okay,

1509
01:33:02,680 --> 01:33:05,280
Speaker 1: I take it back. Then there is something about you

1510
01:33:05,400 --> 01:33:07,559
Speaker 1: screaming in a high pitched voice that makes me crack

1511
01:33:07,760 --> 01:33:10,400
Speaker 1: up every single time. And the way that that John

1512
01:33:10,479 --> 01:33:12,920
Speaker 1: Michelle shot there where you turned to the way you

1513
01:33:13,280 --> 01:33:15,519
Speaker 1: turned the camera and the sound effect and then you

1514
01:33:15,680 --> 01:33:19,880
Speaker 1: scream that was fucking hilarious. But then sells it. He

1515
01:33:20,040 --> 01:33:25,840
Speaker 1: does a dead sailor drop and then dead sailor drop

1516
01:33:26,080 --> 01:33:28,880
Speaker 1: is when you drop like a plank. Yeah, Johnny, you

1517
01:33:28,960 --> 01:33:31,280
Speaker 1: always fall like that in the show. It's my favorite.

1518
01:33:33,120 --> 01:33:36,040
Speaker 1: And Donald does a dead sailor drop and Zachie, you

1519
01:33:36,160 --> 01:33:38,720
Speaker 1: did it perfect out of the bath when you're in

1520
01:33:38,800 --> 01:33:43,320
Speaker 1: the ice you get and that was a big fall

1521
01:33:44,000 --> 01:33:50,120
Speaker 1: dead sailor drop scene. Yeah. Um, okay, so that that

1522
01:33:50,320 --> 01:33:55,679
Speaker 1: was amazing. Now Todd, um, the Todd is so confused. Okay,

1523
01:33:56,040 --> 01:33:59,280
Speaker 1: he says he's dead in his gay on and um,

1524
01:33:59,560 --> 01:34:03,439
Speaker 1: but it's I don't think he's confused. Well what do

1525
01:34:03,520 --> 01:34:05,519
Speaker 1: you think, Rob? I mean, it's funny to talk about

1526
01:34:05,560 --> 01:34:11,600
Speaker 1: this seriously, but like, okay, so you mostly were heterosexual

1527
01:34:11,760 --> 01:34:13,479
Speaker 1: and then the women sort of talk to you because

1528
01:34:13,520 --> 01:34:15,600
Speaker 1: they think you're gay, and then you came out of

1529
01:34:15,680 --> 01:34:21,360
Speaker 1: that meaning like maybe I am fluid whatever queer and

1530
01:34:21,680 --> 01:34:26,040
Speaker 1: you just really embrace it. I say, hey, hey, mick head,

1531
01:34:26,160 --> 01:34:29,920
Speaker 1: is that package for me? You know what is? And

1532
01:34:30,040 --> 01:34:32,840
Speaker 1: then I say to do hey, buddy, we should totally

1533
01:34:32,880 --> 01:34:37,560
Speaker 1: have SEXI maybe totally ruined it, fou. And then you go,

1534
01:34:37,840 --> 01:34:39,559
Speaker 1: you were really you said as someone else, you were

1535
01:34:39,600 --> 01:34:42,240
Speaker 1: really impressive. Though, the young handsome guy comes up to

1536
01:34:42,280 --> 01:34:45,800
Speaker 1: you and goes, hey, um, you were really hute. You

1537
01:34:45,880 --> 01:34:49,479
Speaker 1: were you were really impressive in surgery and do you

1538
01:34:49,560 --> 01:34:50,720
Speaker 1: know the line? You want me to say it? And

1539
01:34:50,800 --> 01:34:52,840
Speaker 1: I go, hey, thanks, And you were really impressive in

1540
01:34:52,920 --> 01:34:59,080
Speaker 1: the shower this morning, you know, dong was to this day.

1541
01:34:59,200 --> 01:35:02,760
Speaker 1: That's my most requested joke. That's on cameo. Really, Oh,

1542
01:35:02,880 --> 01:35:06,120
Speaker 1: that's it. Don give me You're impressive. Hey, happy birthday.

1543
01:35:06,120 --> 01:35:08,360
Speaker 1: I'm really impressed with you. You're really impressive in the shower.

1544
01:35:08,479 --> 01:35:12,960
Speaker 1: You know, don watch. We should mention that you're on cameo,

1545
01:35:13,080 --> 01:35:16,360
Speaker 1: Johnny c Are you on cameo? Yeah? Sure, so there

1546
01:35:16,400 --> 01:35:19,640
Speaker 1: you guys go alone. Are you on cameo? No? I

1547
01:35:19,760 --> 01:35:22,559
Speaker 1: don't know what that is. I told you, Okay, well

1548
01:35:22,600 --> 01:35:24,920
Speaker 1: we're gonna get you. No, but we're gonna get you

1549
01:35:25,040 --> 01:35:27,000
Speaker 1: on cameo because it's a it's a fun it's a

1550
01:35:27,080 --> 01:35:30,120
Speaker 1: fun thing. And uh and and if you're listening, if

1551
01:35:30,160 --> 01:35:33,479
Speaker 1: you're viewing, you can get both. Johnny Sea, you can

1552
01:35:33,520 --> 01:35:37,160
Speaker 1: send messages to your friends from from Johnny or Rob.

1553
01:35:37,280 --> 01:35:40,479
Speaker 1: I'm sure Rob has to say don jokes. How many

1554
01:35:40,520 --> 01:35:42,360
Speaker 1: times a day do you have to say? Don? All

1555
01:35:42,479 --> 01:35:46,200
Speaker 1: my cameos are in character or in varying degrees of characters.

1556
01:35:46,840 --> 01:35:50,559
Speaker 1: So it's just, you know, but Jingo's boobs and hogs

1557
01:35:51,280 --> 01:35:55,960
Speaker 1: bone organ suction. Let's play John Madden football on her xbox.

1558
01:35:56,600 --> 01:36:00,040
Speaker 1: Just keep going, I do like two to three, and

1559
01:36:00,160 --> 01:36:04,760
Speaker 1: it's of all, you know, it's pure sexual innuendo. Indo

1560
01:36:07,280 --> 01:36:09,400
Speaker 1: keep ALONGA keeps saying how old she is? But I

1561
01:36:09,479 --> 01:36:11,280
Speaker 1: swear I got haven't seen you so long? You look

1562
01:36:11,360 --> 01:36:23,360
Speaker 1: exactly say than that's great? Um we um sorry one second,

1563
01:36:23,360 --> 01:36:24,800
Speaker 1: I just wryed. The other Rob line that made me

1564
01:36:24,880 --> 01:36:29,160
Speaker 1: laugh out loud was he turns to the girl, one

1565
01:36:29,200 --> 01:36:31,400
Speaker 1: of the nurses, and he says, admit it, we joint

1566
01:36:32,080 --> 01:36:34,880
Speaker 1: and she says I was sad because my dad ted,

1567
01:36:35,000 --> 01:36:43,240
Speaker 1: and he goes, I wasn't you know we watched the

1568
01:36:43,320 --> 01:36:46,600
Speaker 1: show the other night, Amanda and I and uh you know,

1569
01:36:46,720 --> 01:36:50,760
Speaker 1: she said, still together? Oh yeah, we love We can't

1570
01:36:50,880 --> 01:36:54,599
Speaker 1: keep wait you're still yeah? Man and I going strong.

1571
01:36:54,760 --> 01:36:57,479
Speaker 1: Everything's great. Our dog is Max is right here walking

1572
01:36:57,520 --> 01:36:59,479
Speaker 1: around what Donald's trying to say is we didn't know

1573
01:36:59,479 --> 01:37:01,439
Speaker 1: if you were together not. But she we just watched

1574
01:37:01,479 --> 01:37:04,600
Speaker 1: the episode where where I'm flirting with her at the

1575
01:37:04,640 --> 01:37:08,840
Speaker 1: bowling bowling alley. Yeah right, I saw you guys watch it. Jesus, sorry,

1576
01:37:08,840 --> 01:37:12,720
Speaker 1: guys are animals, Jesus. No, No, she's a very beautiful lady.

1577
01:37:12,760 --> 01:37:14,200
Speaker 1: What are you gonna do? I don't blame you. I

1578
01:37:14,240 --> 01:37:16,599
Speaker 1: don't blame you. But we watched the episode and then

1579
01:37:16,600 --> 01:37:18,719
Speaker 1: the janner is like, what are you? Because I'm checking

1580
01:37:18,760 --> 01:37:20,960
Speaker 1: out all the people and I'm like, I'm the Todd

1581
01:37:21,640 --> 01:37:23,600
Speaker 1: And then it cuts to like Johnny C and like

1582
01:37:23,760 --> 01:37:26,240
Speaker 1: losing three patients, and like she just said that was

1583
01:37:26,320 --> 01:37:31,560
Speaker 1: so funny and now I'm crying. Yeah, that is it,

1584
01:37:31,680 --> 01:37:33,400
Speaker 1: you know. And I didn't. I didn't get I didn't

1585
01:37:33,439 --> 01:37:37,160
Speaker 1: really get emotional until the third dude, because that's the

1586
01:37:37,280 --> 01:37:39,240
Speaker 1: one that hurt, you know what I mean, when the

1587
01:37:39,280 --> 01:37:42,080
Speaker 1: guy with the with the kidney issue, when he goes

1588
01:37:42,439 --> 01:37:45,599
Speaker 1: that's that's the one that hurts, you know, because because

1589
01:37:45,640 --> 01:37:49,120
Speaker 1: he was friends with doctor Cox and and the other

1590
01:37:49,200 --> 01:37:52,560
Speaker 1: two at least we knew. The writing tells us that

1591
01:37:52,680 --> 01:37:56,640
Speaker 1: they could die at any moment, whereas Cox reveals, Um,

1592
01:37:57,040 --> 01:37:59,400
Speaker 1: you know he he could have lived another month, right, Johnny.

1593
01:37:59,760 --> 01:38:03,560
Speaker 1: But I think there's two interesting things there. One that

1594
01:38:03,920 --> 01:38:09,320
Speaker 1: lands when we turn on to Judy and Duty's reaction

1595
01:38:09,920 --> 01:38:14,920
Speaker 1: to Cox flipping things and flip it's like a light switch.

1596
01:38:15,120 --> 01:38:17,599
Speaker 1: For me, it's the water work to just go because

1597
01:38:17,960 --> 01:38:20,280
Speaker 1: it's off a Judy. To me, it's all about Judy.

1598
01:38:20,640 --> 01:38:23,040
Speaker 1: And then the other thing that was really interesting there

1599
01:38:23,560 --> 01:38:25,880
Speaker 1: was that we shot it a bunch of times and

1600
01:38:26,280 --> 01:38:28,760
Speaker 1: the line was he wasn't about to die. Was in

1601
01:38:28,920 --> 01:38:31,920
Speaker 1: neub he could have waited another month for a kidney,

1602
01:38:32,200 --> 01:38:34,880
Speaker 1: and we shot it an you're done and Zachie, you

1603
01:38:35,040 --> 01:38:39,800
Speaker 1: came over and I'll bastardize this. But the operative word

1604
01:38:39,960 --> 01:38:42,960
Speaker 1: was he, not that he was going to die. The

1605
01:38:43,120 --> 01:38:46,240
Speaker 1: die wasn't the operative word, it was that he. And

1606
01:38:46,360 --> 01:38:48,400
Speaker 1: so I went over to John Michelle and you were right.

1607
01:38:48,600 --> 01:38:51,160
Speaker 1: And I hadn't tracked that in my brain. And I

1608
01:38:51,240 --> 01:38:53,679
Speaker 1: went over to the director, John Michelle, who was also

1609
01:38:53,760 --> 01:38:55,240
Speaker 1: the editor on the show, and I said, can we

1610
01:38:55,320 --> 01:38:58,840
Speaker 1: do one more? Because the operative words not die, it's

1611
01:38:58,880 --> 01:39:03,200
Speaker 1: he that to distinguish this room, Yeah, And it was

1612
01:39:03,240 --> 01:39:06,080
Speaker 1: a note that game, and it was genius. I gave

1613
01:39:06,120 --> 01:39:10,400
Speaker 1: you a note you absolutely Oh god, I hope that

1614
01:39:10,479 --> 01:39:13,280
Speaker 1: was appropriate. Now I wasn't directing the episode, it was

1615
01:39:13,400 --> 01:39:18,880
Speaker 1: appropriate and take to take that's in the show. Wow, well,

1616
01:39:18,920 --> 01:39:22,120
Speaker 1: I I You've done so much fabulous work on the show, Johnny,

1617
01:39:22,160 --> 01:39:24,000
Speaker 1: but you your work at the end of this episode.

1618
01:39:24,520 --> 01:39:26,360
Speaker 1: I'm sure there's so many doctor I'm sure there's so

1619
01:39:26,400 --> 01:39:29,720
Speaker 1: many doctors and nurses and healthcare professionals that have been

1620
01:39:29,800 --> 01:39:33,600
Speaker 1: in the position that that that you so beautifully articulate,

1621
01:39:34,320 --> 01:39:38,000
Speaker 1: um with just wanting to fucking trash the room out

1622
01:39:38,040 --> 01:39:42,840
Speaker 1: of frustration, and um I get goosebumps and tears in

1623
01:39:42,920 --> 01:39:46,240
Speaker 1: my eyes every time I see it. And then you

1624
01:39:46,360 --> 01:39:49,000
Speaker 1: turn around as you're leaving and I try and go

1625
01:39:49,200 --> 01:39:50,800
Speaker 1: I'm like, where are you going? By the way, that

1626
01:39:50,840 --> 01:39:54,720
Speaker 1: with the worst shifts not over? Yeah, and uh and

1627
01:39:54,960 --> 01:39:57,479
Speaker 1: the tears in your eyes. It's just like You're like,

1628
01:39:57,560 --> 01:39:58,960
Speaker 1: I'm out of here. And I know. We then go

1629
01:39:59,080 --> 01:40:01,400
Speaker 1: into a a little bit of an arc of of

1630
01:40:01,760 --> 01:40:03,519
Speaker 1: you not wanting to come back to work, which is

1631
01:40:03,720 --> 01:40:07,560
Speaker 1: which we're about to start. Yeah, you get real depressed.

1632
01:40:08,479 --> 01:40:12,120
Speaker 1: The character gets real depressed. Cox gets real depressed. Um.

1633
01:40:12,840 --> 01:40:16,799
Speaker 1: I thought for some reason that when Brendan Fraser passed.

1634
01:40:16,960 --> 01:40:19,640
Speaker 1: That was the that was the big one. But this

1635
01:40:19,760 --> 01:40:22,240
Speaker 1: one that's coming up is a like you don't you

1636
01:40:22,320 --> 01:40:23,720
Speaker 1: don't want to come back? And then we have the

1637
01:40:23,760 --> 01:40:27,400
Speaker 1: big party for him, right, and they're welcome back. It

1638
01:40:27,520 --> 01:40:29,800
Speaker 1: doesn't that happen? Welcome back cox Her. I don't know.

1639
01:40:29,960 --> 01:40:32,160
Speaker 1: Is that it's about it's gonna happen? I don't know.

1640
01:40:32,280 --> 01:40:34,280
Speaker 1: I wish I still had the T shirt though. Let's

1641
01:40:34,280 --> 01:40:37,280
Speaker 1: take a break. We'll be right back after these fine words,

1642
01:40:43,320 --> 01:40:45,960
Speaker 1: joel Um and Daniel, you can come back in for

1643
01:40:46,000 --> 01:40:48,400
Speaker 1: a second. How's the chat or people enjoying the show?

1644
01:40:49,040 --> 01:40:51,920
Speaker 1: People are loving it. It is insane in there. Hi,

1645
01:40:52,120 --> 01:40:56,160
Speaker 1: everybody to keep your thoughtful questions and your love. I

1646
01:40:56,280 --> 01:40:59,559
Speaker 1: love it. Yeah, and everybody has there been an answer

1647
01:40:59,640 --> 01:41:02,080
Speaker 1: on which sound effect they like the most? Daniel, what's

1648
01:41:02,200 --> 01:41:04,280
Speaker 1: what's happening with that pole? I bet you what you're

1649
01:41:04,360 --> 01:41:10,240
Speaker 1: trying to get into. Well, we will have that poll

1650
01:41:10,360 --> 01:41:13,759
Speaker 1: up shortly. But in the meantime everybody started saying high,

1651
01:41:14,160 --> 01:41:19,400
Speaker 1: over and over all, right, and and we'll get back

1652
01:41:19,400 --> 01:41:21,960
Speaker 1: to you shortly. Okay, put up the new poll because

1653
01:41:21,960 --> 01:41:25,680
Speaker 1: we only have about ten minutes left, right, is that

1654
01:41:25,760 --> 01:41:28,759
Speaker 1: one up yet, I think it should be. It should

1655
01:41:28,760 --> 01:41:31,719
Speaker 1: be up. Shortly we were. We submitted, we submitted options

1656
01:41:31,760 --> 01:41:33,760
Speaker 1: for the poll. A little while ago. I had some

1657
01:41:33,880 --> 01:41:38,719
Speaker 1: good suggestions. Okay, here we go. Okay, okay, you're ready.

1658
01:41:38,840 --> 01:41:42,280
Speaker 1: We're getting results. Any results come in? Oh we got

1659
01:41:42,320 --> 01:41:45,880
Speaker 1: some results. Okay, let's see at the bottom of the table. Yeah,

1660
01:41:46,560 --> 01:41:51,599
Speaker 1: tied for last place. Bomb noise and thunderous applause. Whoa

1661
01:41:53,120 --> 01:42:00,280
Speaker 1: whose adults? How about that? We got about We're we're

1662
01:42:00,280 --> 01:42:05,160
Speaker 1: about about three hundred. We just started, it just started. Okay, okay, okay,

1663
01:42:05,880 --> 01:42:09,839
Speaker 1: second last. What you're trying to get into a dayo shoon? Okay.

1664
01:42:10,160 --> 01:42:14,840
Speaker 1: Thought to be closer up in third place, Zach stopped

1665
01:42:14,880 --> 01:42:18,880
Speaker 1: talking about your willies. Okay, go ahead, second place. We'll

1666
01:42:18,920 --> 01:42:22,880
Speaker 1: shout out to me. You honor me? Yes, do you

1667
01:42:22,960 --> 01:42:30,800
Speaker 1: hear this? The ship's broken, Dan Dane broke that shit

1668
01:42:30,920 --> 01:42:37,719
Speaker 1: you broken? In the number one, Zach I love you. Yeah.

1669
01:42:39,680 --> 01:42:45,000
Speaker 1: Most popular vote by a long shot, Donald, Johnny if

1670
01:42:45,040 --> 01:42:47,439
Speaker 1: you and Alma If you don't know, that's Donald's wife

1671
01:42:47,520 --> 01:42:50,000
Speaker 1: Casey saying Zach I love you, Zach, I love you.

1672
01:42:50,560 --> 01:42:57,559
Speaker 1: Very popular sound effect. Um tell us what you're up to? Johnny?

1673
01:42:57,640 --> 01:42:59,840
Speaker 1: I know that you're doing Brooklyn ninety nine. It makes

1674
01:42:59,880 --> 01:43:02,639
Speaker 1: me jealous that they get to work with you. Tell

1675
01:43:02,720 --> 01:43:05,320
Speaker 1: us how that's going. That's great. We shot it right

1676
01:43:05,320 --> 01:43:08,040
Speaker 1: in the middle of COVID. It's uh. They have the

1677
01:43:08,120 --> 01:43:11,439
Speaker 1: same arc as us. They got canceled. Uh and then

1678
01:43:11,640 --> 01:43:15,519
Speaker 1: they got picked up like scrubs and yeah, they took

1679
01:43:15,760 --> 01:43:18,040
Speaker 1: they got canceled, then COVID happened, so they took a

1680
01:43:18,080 --> 01:43:21,280
Speaker 1: whole year off and then when they were back on,

1681
01:43:21,560 --> 01:43:23,680
Speaker 1: they said, you want to come in a big arc

1682
01:43:23,760 --> 01:43:26,400
Speaker 1: on this thing. It was fantastic, So it was it

1683
01:43:26,479 --> 01:43:28,479
Speaker 1: was a great gig in the middle of COVID. Did

1684
01:43:28,560 --> 01:43:31,040
Speaker 1: you get to work with Andre Brauer? Yeah, he was

1685
01:43:31,080 --> 01:43:35,439
Speaker 1: a total hercules. I think he's such a fine, fine actor.

1686
01:43:35,640 --> 01:43:40,280
Speaker 1: He walks on water. It's fantastic. Yeah. And um, Rob,

1687
01:43:40,400 --> 01:43:42,479
Speaker 1: how's the real estate going? If you want to buy

1688
01:43:42,520 --> 01:43:45,920
Speaker 1: a house in Santa Monica, Rob is the guy who

1689
01:43:45,960 --> 01:43:48,439
Speaker 1: will sell it to you. Rob, What's what the heck

1690
01:43:48,560 --> 01:43:53,519
Speaker 1: is going on with these prices? Though? Man? Like, last

1691
01:43:53,680 --> 01:43:59,720
Speaker 1: year is now three million men, blame me Rob on that. God,

1692
01:44:00,040 --> 01:44:05,080
Speaker 1: last year is now three million dollars because of COVID.

1693
01:44:05,560 --> 01:44:08,160
Speaker 1: People want their own castle, so they can be away

1694
01:44:08,240 --> 01:44:11,479
Speaker 1: from everybody else, And there's this mentality like my my

1695
01:44:11,680 --> 01:44:14,200
Speaker 1: home is my is my sanctuary from the world we

1696
01:44:14,320 --> 01:44:17,360
Speaker 1: live in. And there's a scarcity of inventory and interest

1697
01:44:17,439 --> 01:44:20,080
Speaker 1: rates are down. And in the last twelve months, I've

1698
01:44:20,120 --> 01:44:23,040
Speaker 1: sold like sixteen million dollars worth of real estate in

1699
01:44:23,080 --> 01:44:26,120
Speaker 1: Santa Monica. So it's just fid for you. I just

1700
01:44:26,200 --> 01:44:28,400
Speaker 1: did the math. I just did the math on twenty

1701
01:44:28,439 --> 01:44:35,479
Speaker 1: percent of it. And that's where the big cameo mins

1702
01:44:35,479 --> 01:44:37,760
Speaker 1: where the money is. And Alma, you made a joke

1703
01:44:37,800 --> 01:44:41,720
Speaker 1: about being retired. I hope that's not true. Ye Did

1704
01:44:41,800 --> 01:44:43,840
Speaker 1: I just see you on a show recently? Weren't you

1705
01:44:43,960 --> 01:44:49,000
Speaker 1: doing a Disney show? Or and you guys just got

1706
01:44:49,040 --> 01:44:54,519
Speaker 1: picked up. She was grooving for a while there. That

1707
01:44:54,640 --> 01:44:58,640
Speaker 1: was great. He had a damn all right, Well she

1708
01:44:58,720 --> 01:45:03,040
Speaker 1: went out with the bank. We'll never know. Hey, So

1709
01:45:03,640 --> 01:45:06,519
Speaker 1: you know, I'm tired of this damn thing. So I'm

1710
01:45:06,560 --> 01:45:11,920
Speaker 1: gonna say very quickly, I am collecting my retirement and

1711
01:45:12,160 --> 01:45:15,679
Speaker 1: have been since oh nine. But I have not stopped working.

1712
01:45:15,920 --> 01:45:19,200
Speaker 1: I am still working. I'm doing a show in Atlanta

1713
01:45:19,280 --> 01:45:22,840
Speaker 1: called Young Dylan with a Little Kid was discovered on

1714
01:45:22,960 --> 01:45:26,320
Speaker 1: The Ellen Show. Yeah, yeah, I play his grandmother. So

1715
01:45:27,280 --> 01:45:30,080
Speaker 1: and it's for Tyler Perry and Nickelode. Are you living

1716
01:45:30,120 --> 01:45:32,040
Speaker 1: in Atlanta right now? Are you living on the Are

1717
01:45:32,120 --> 01:45:36,720
Speaker 1: you living on the Tyler Perry in the Tyler Perry Compound? No, no,

1718
01:45:36,960 --> 01:45:39,600
Speaker 1: we did do the compound in December. You know, he

1719
01:45:39,720 --> 01:45:42,720
Speaker 1: locked us all in and flew us on a private jet.

1720
01:45:42,840 --> 01:45:44,680
Speaker 1: I was like, oh, yeah, this is I don't want

1721
01:45:44,720 --> 01:45:48,200
Speaker 1: to get on the commercial, like no more now. Yeah,

1722
01:45:48,920 --> 01:45:51,760
Speaker 1: but yeah we were locked in, but now no, we

1723
01:45:52,040 --> 01:45:54,080
Speaker 1: go and you know, I have a house there, so

1724
01:45:54,280 --> 01:45:56,320
Speaker 1: I go and stay in that house when i'm there.

1725
01:45:56,960 --> 01:45:59,639
Speaker 1: And then I hope you never stopped working alone, because

1726
01:46:00,000 --> 01:46:01,960
Speaker 1: I hope you never stopped working because you are a fine,

1727
01:46:02,120 --> 01:46:05,320
Speaker 1: fine actress and you're hilarious and your drama work is

1728
01:46:05,360 --> 01:46:07,760
Speaker 1: beautiful and you don't look like you've aged one hour

1729
01:46:07,880 --> 01:46:12,040
Speaker 1: since we saw you. Ah, well, you're so kind. It

1730
01:46:12,240 --> 01:46:17,680
Speaker 1: was good seeing a guys. I love you, Guys. I

1731
01:46:17,680 --> 01:46:21,240
Speaker 1: would give you, but I'm but I'm my machine's broken.

1732
01:46:21,400 --> 01:46:24,800
Speaker 1: Apparently thunder Aplause isn't liked either. No, that's just a

1733
01:46:24,840 --> 01:46:27,400
Speaker 1: way the pole is gonna have new results. Rob. It

1734
01:46:27,520 --> 01:46:30,519
Speaker 1: was great to see you. We love you. Um you guys,

1735
01:46:30,600 --> 01:46:32,840
Speaker 1: go to cameo. If you want Rob to send a

1736
01:46:33,080 --> 01:46:38,960
Speaker 1: message abouts dong to your friends. Great, Actually I might

1737
01:46:39,040 --> 01:46:42,639
Speaker 1: do that for Christmas. Into banana hammock. Do you get

1738
01:46:42,720 --> 01:46:48,040
Speaker 1: into banana hammock? No, that's extra. Yeah, that's like, could

1739
01:46:48,080 --> 01:46:51,559
Speaker 1: you look up an old friend. I wouldn't say Dynamite.

1740
01:46:51,880 --> 01:46:54,680
Speaker 1: It's extra for Dynamite. It's extra for Dynamite. Hey, it's

1741
01:46:54,720 --> 01:46:56,759
Speaker 1: great to see you guys. This is a beautiful episode

1742
01:46:56,800 --> 01:46:58,760
Speaker 1: that there's a nice walk down memory lane for me

1743
01:46:58,880 --> 01:47:01,160
Speaker 1: and uh and I'm glad to share it with all

1744
01:47:01,160 --> 01:47:06,000
Speaker 1: of you. All right, love and Johnny Seamen Ginley. I

1745
01:47:07,160 --> 01:47:08,640
Speaker 1: say it every time I see you. You're one of

1746
01:47:08,680 --> 01:47:12,160
Speaker 1: the finest actors I've ever met. You're one of the

1747
01:47:12,200 --> 01:47:15,720
Speaker 1: finest actors working. And it's such an honor to be

1748
01:47:15,840 --> 01:47:19,000
Speaker 1: your friend. Thank you, Zachie. Can I mention that on

1749
01:47:19,200 --> 01:47:23,400
Speaker 1: November thirteenth, we have our Global Down Syndrome Foundation. We

1750
01:47:23,560 --> 01:47:27,680
Speaker 1: have our big giant fundraiser that will be virtual this year.

1751
01:47:27,760 --> 01:47:30,720
Speaker 1: It's called the Be Beautiful, Be Yourself Fashion Show, where

1752
01:47:30,800 --> 01:47:34,439
Speaker 1: all our models usually walk down a catwalk accompanied by

1753
01:47:35,120 --> 01:47:37,680
Speaker 1: big stars that come into Denver. And that's our big

1754
01:47:37,720 --> 01:47:41,599
Speaker 1: fundraiser and it's for the Global Down Syndrome Foundation called

1755
01:47:41,680 --> 01:47:45,200
Speaker 1: Be Beautiful, Be Yourself Fashion Show and it's on November

1756
01:47:45,280 --> 01:47:47,840
Speaker 1: thirteenth this year. And anybody who's looking for something to

1757
01:47:47,920 --> 01:47:50,920
Speaker 1: do on a Saturday night November thirteenth, please joint us.

1758
01:47:51,200 --> 01:47:53,160
Speaker 1: Is there a place, Johnny where anyone can donate to

1759
01:47:53,280 --> 01:47:57,519
Speaker 1: that cause or website for the Global Down Syndrome Foundation,

1760
01:47:57,840 --> 01:48:02,120
Speaker 1: and from there it's all these Also, if anybody watching

1761
01:48:02,320 --> 01:48:06,000
Speaker 1: or listening to this does have the great fortune of

1762
01:48:06,160 --> 01:48:09,080
Speaker 1: having a child or a young adult born with Down syndrome,

1763
01:48:09,479 --> 01:48:13,040
Speaker 1: the Global Down Syndrome Foundation is an indispensable resource that

1764
01:48:13,120 --> 01:48:15,320
Speaker 1: if you're not aware of, you should be. It's the

1765
01:48:15,400 --> 01:48:18,280
Speaker 1: Global Down Syndrome Foundation. It's easy to find. Just go

1766
01:48:18,400 --> 01:48:21,880
Speaker 1: to that website and there's all sorts of tools and

1767
01:48:22,040 --> 01:48:27,840
Speaker 1: information for you that are limitless, limitless, awesome. Great. And

1768
01:48:28,000 --> 01:48:30,000
Speaker 1: you're such a good father and you're such a good

1769
01:48:30,040 --> 01:48:31,720
Speaker 1: friend and we love you and thanks for coming on.

1770
01:48:31,920 --> 01:48:33,439
Speaker 1: Thank you for being on the show. Johnny. It's so

1771
01:48:33,560 --> 01:48:35,639
Speaker 1: qud to see you, brother, And I'm glad to hear

1772
01:48:35,640 --> 01:48:38,679
Speaker 1: your golf game is on the level. Bro. Yeah, Johnny

1773
01:48:38,720 --> 01:48:46,920
Speaker 1: shot par today which apparently is very good. Par Is good, right, Donald. Yeah,

1774
01:48:46,960 --> 01:48:49,679
Speaker 1: par Is great, you shoot par You're Have you shot

1775
01:48:49,720 --> 01:48:53,479
Speaker 1: car before Donald a few times? Yes, okay, I've shot

1776
01:48:53,560 --> 01:48:56,880
Speaker 1: par on the mini golf, but you've never shot par

1777
01:48:56,960 --> 01:48:59,360
Speaker 1: in mini golf. You're lying right now, you're lying. I

1778
01:48:59,439 --> 01:49:02,479
Speaker 1: got the indmill, I got it in the world. That's great,

1779
01:49:02,520 --> 01:49:04,519
Speaker 1: but you didn't shoot part I think the show win.

1780
01:49:04,680 --> 01:49:07,360
Speaker 1: Good guys, what do you think I'm I'm Oh my god,

1781
01:49:07,400 --> 01:49:11,000
Speaker 1: it was a blast, dude. We did two hours plus. Yes,

1782
01:49:11,520 --> 01:49:13,800
Speaker 1: I'm just a loma. Oh my gosh, Oh my god,

1783
01:49:13,840 --> 01:49:17,040
Speaker 1: how funny. It was a lomo, the most funny. Oh

1784
01:49:17,200 --> 01:49:22,360
Speaker 1: my goodness, credible. Well, thank you Daniel and um Joelle.

1785
01:49:22,560 --> 01:49:24,080
Speaker 1: You guys are the best. I know. We didn't get

1786
01:49:24,080 --> 01:49:26,200
Speaker 1: a lot of time with you because we had all

1787
01:49:26,240 --> 01:49:31,519
Speaker 1: these surprises, but we need to shout out Kayla. Also, Kayla,

1788
01:49:31,760 --> 01:49:34,920
Speaker 1: who did all the behind the scenes tech, Thank you

1789
01:49:35,040 --> 01:49:37,439
Speaker 1: so much. You did a great job. That doesn't mean

1790
01:49:37,520 --> 01:49:40,920
Speaker 1: get on camera, Kayla, just stay Oh yeah, Kayla, gosh,

1791
01:49:44,240 --> 01:49:48,600
Speaker 1: I'm down. Kaylor. Um We hey fans, we love you

1792
01:49:48,720 --> 01:49:51,519
Speaker 1: and thanks for tuning in. Um we do this podcast.

1793
01:49:51,640 --> 01:49:55,080
Speaker 1: If you're new to joining us, Every Tuesday we release

1794
01:49:55,200 --> 01:49:59,200
Speaker 1: an audio podcast. You can find it anywhere there's merch

1795
01:50:00,080 --> 01:50:03,439
Speaker 1: only podcast. People really like merch and we have we

1796
01:50:03,520 --> 01:50:06,719
Speaker 1: puts them out. We put them out. We're talking about

1797
01:50:07,360 --> 01:50:13,200
Speaker 1: the holiday season right now. Oh yeah, and ugly Christmas sweaters.

1798
01:50:13,240 --> 01:50:16,080
Speaker 1: You guys, let us know what you think of that. Yeah, Christmas,

1799
01:50:16,200 --> 01:50:20,040
Speaker 1: take doctor's real friends. Ugly Christmas sweaters? Um and uh

1800
01:50:20,160 --> 01:50:22,439
Speaker 1: and a shout out, of course to all the healthcare

1801
01:50:22,600 --> 01:50:25,920
Speaker 1: workers on the front lines during this insane pandemic that

1802
01:50:26,200 --> 01:50:29,640
Speaker 1: seems to be endless. We know that a lot of

1803
01:50:29,760 --> 01:50:32,320
Speaker 1: you listen to the show because you tell us, and

1804
01:50:32,960 --> 01:50:35,840
Speaker 1: this is the most sincere thing. Uh we can say,

1805
01:50:36,000 --> 01:50:38,800
Speaker 1: thank you so much for putting your lives in the line,

1806
01:50:38,880 --> 01:50:44,080
Speaker 1: and for your bravery and for being the incredible human

1807
01:50:44,120 --> 01:50:46,679
Speaker 1: beings that you are. And that's not just doctors and nurses,

1808
01:50:46,800 --> 01:50:51,880
Speaker 1: that's orderlies and janitorial staff and people who work at supermarkets.

1809
01:50:52,360 --> 01:50:55,080
Speaker 1: If you're out there in front of a bunch of people,

1810
01:50:56,320 --> 01:51:00,759
Speaker 1: you are on the front lines. And we totally appreciate you. Yes, um, Donald,

1811
01:51:00,840 --> 01:51:04,360
Speaker 1: I love you more than you know how love. That's

1812
01:51:04,400 --> 01:51:08,519
Speaker 1: not possible, it is, it's not possible. But um, all right,

1813
01:51:08,640 --> 01:51:12,479
Speaker 1: thank you everybody. We'll see you next time. By game five,

1814
01:51:12,600 --> 01:51:18,120
Speaker 1: six seven. Any worries about you, We me about a

1815
01:51:18,200 --> 01:51:21,840
Speaker 1: bunch of docs and nurses and a janitor who I

1816
01:51:22,040 --> 01:51:28,400
Speaker 1: said he's the stories. Never should know, So geta around you.

1817
01:51:28,640 --> 01:51:32,679
Speaker 1: Here are gata around you, Here are restrict free watch

1818
01:51:32,720 --> 01:51:33,439
Speaker 1: your wins and