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Speaker 1: No Willian, no doctor, welcome back eighty degrees in New

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Speaker 1: York City today, Samarriage is dressed very colorful, even though

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Speaker 1: it's raining.

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Speaker 2: It's not raining.

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Speaker 1: Who told you that?

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Speaker 2: I was just outside. It is raining out.

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Speaker 1: I can see the window from here.

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Speaker 2: Oh it's a little sprinkle at a stop. Don't worry.

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Speaker 1: It's eighty degrees. It's supposed to the sun is supposed to

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Speaker 1: come out at six o'clock. Yeah, yeah, I'm excited. You are. Well,

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Speaker 1: it's colder here, that is outside, but you usually have

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Speaker 1: to run inside once the sun comes up. I know,

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Speaker 1: but this is it's overcast. It's a perfect eighty degree.

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Speaker 1: You got your long sleeve of for me, Duck Dynasty

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Speaker 1: of Oh the shirt? No, this is Raven's clothing line,

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Speaker 1: apologize to Raven. I couldn't see it. I thought that

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Speaker 1: was Duck Dynasty. No, yeah, she did shirt like cameoufly

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Speaker 1: from this angle her photos that she did? Okay, but yeah,

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Speaker 1: how was how was last week? I missed you guys?

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Speaker 1: It was great.

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Speaker 3: I believe you have no idea how it was? Like

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Speaker 3: such a great atmosphere in here?

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Speaker 2: Do I do?

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Speaker 1: I bring like a chaotic, chaotic one.

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Speaker 3: Not chaotic, but it gets kind of like depressing and

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Speaker 3: school shoot vibes whenever. Okay, well, just keeps having on

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Speaker 3: the toes. Yeah, come on, man, I know, I'm just saying.

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Speaker 3: Last week, when you weren't here, it's more laid back.

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Speaker 1: It was more I leave for a few days, not

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Speaker 1: anyone in this room, but maybe somebody that's part of

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Speaker 1: our staff.

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Speaker 2: Not anyone here.

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Speaker 1: I find out I leave for a few days, they're

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Speaker 1: getting jerked off by strangers. They're going to bath houses.

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Speaker 1: Like all order was gone.

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Speaker 2: When I told you.

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Speaker 3: It's great when never getting done here, so many activities happened.

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Speaker 1: People find themselves.

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Speaker 2: When I asked me to go, I'm like, oh, it's

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Speaker 2: not that you don't want to be hanging with me,

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Speaker 2: you just don't be wanting to hang with me. And Rory,

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Speaker 2: I get it.

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Speaker 1: I asked you to go to lunch.

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Speaker 2: Why you couldn't just roll with Oh?

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Speaker 1: Even every time y'all have to go out, I don't

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Speaker 1: go out with you guys. I usually have stuff to

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Speaker 1: do afterwards. So let's let's just let's live with my

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Speaker 1: reality of it instead of maybe what the truth is.

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Speaker 2: Okay, cool brow things to do?

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Speaker 1: LA was good, La was l a video shooting. Great,

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Speaker 1: it was you know, two day shoots, so it was

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Speaker 1: more working than anything. But I did go to Harriet's

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Speaker 1: and yeah, I don't know if I'm ever gonna go

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Speaker 1: to a club again.

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Speaker 3: I don't think, oh, now you're finally there. I tried

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Speaker 3: to tell you clubing is so trash.

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Speaker 1: But again, the only time we'll club will go to

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Speaker 1: Highlight Room. I can take because it's outside in their space,

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Speaker 1: like Harriets is like a club.

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Speaker 3: That's and that's that's funny that it's that now, because

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Speaker 3: it wasn't like that.

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Speaker 1: It was jam packed in there with a bunch of

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Speaker 1: people born after two thousand. Oh yeah, no, I'm cool.

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Speaker 1: It was that scares me, No, it was it was weird. Yeah,

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Speaker 1: And and I wanted to go hugamar as soon as

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Speaker 1: I got home. I saw a lot of a lot

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Speaker 1: of bad parenting and where it lands people in that spot.

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Speaker 1: Not to judge, not everyone that goes to the club is,

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Speaker 1: but listen man. And then I had a few conversations

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Speaker 1: just for research purposes with like some of the younger

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Speaker 1: women that were around.

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Speaker 3: Yeah, but you mean you don't see the bat signal

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Speaker 3: in the air when a girl said she has daddy issues.

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Speaker 1: Oh yes I did. But that's not a bad single

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Speaker 1: that I want my daughter to throw up in the sky. No, no,

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Speaker 1: not you.

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Speaker 2: I don't want I don't got them.

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Speaker 1: You know you don't want that for your daughter.

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Speaker 3: But you know, whenever a woman is outside the club

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Speaker 3: and she's like, I don't know my daddy.

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Speaker 2: But when the funk would she say that? In the club,

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Speaker 2: she's just having a conversation with you want to say.

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Speaker 1: Dad, back up on it? Game time really, especially especially

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Speaker 1: on the holidays, but you can pick up on it.

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Speaker 1: Girls that love going out Christmas to the club? Where's

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Speaker 1: your dad? And with the biggest red flags for me,

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Speaker 1: it wasn't strict daddy issues. It was the amount of

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Speaker 1: women that go to the club by themselves. Mmm, Like

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Speaker 1: it's odds, like you literally just like you know a promoter,

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Speaker 1: friends that you went by yourself, and now like the

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Speaker 1: three of y'all are clicked up, like, how y'all know

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Speaker 1: each other?

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Speaker 2: We just met tonight? Friends?

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Speaker 1: Those are working girls. Okay, I mean I didn't know.

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Speaker 2: I'm not true. They're just young girls that want to party, y'all, Yes,

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Speaker 2: stay on, are all miserable asses out there. I wasn't

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Speaker 2: enjoyed myself in there fucking judging and shipping asking where

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Speaker 2: their daddy's at? Stay on old as.

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Speaker 1: Where their father the day of my life, I actually

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Speaker 1: prefer not to know where your father is. I've never asked,

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Speaker 1: you know, so where's your dad? You think I've actually

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Speaker 1: a woman that before. And don't even do that to

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Speaker 1: marrus because these aren't the young girls that when you

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Speaker 1: were a young girl, that were there to try to party.

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Speaker 1: Let's dance, hear our favorite songs. They're doing nothing. It's

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Speaker 1: not like my old energy is killing the vibe.

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Speaker 2: They're enjoying it. They're doing nothing. They're enjoying the music

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Speaker 2: and being cute, and you sitting up there miserable looking around.

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Speaker 1: I wasn't miss Delle was there, Chase was there. Like

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Speaker 1: I saw people I haven't seen it in a while.

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Speaker 1: I was having a great time catching up with friends

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Speaker 1: while people watching and observing where the downfall of this

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Speaker 1: country is at. A woman going to the club by

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Speaker 1: herself with no friends as a red flag. I don't

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Speaker 1: care what. You sit over behind your desk and tell

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Speaker 1: me the marrus.

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Speaker 3: Okay, a woman get dressed, go to the club and

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Speaker 3: her girls ain't with where your homegirls at.

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Speaker 2: You're going.

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Speaker 3: First of all, that's not safe. Let's start there. Yep,

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Speaker 3: that's it's not even safe to do that.

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Speaker 2: Young girls do a lot of shit that ain't safe.

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Speaker 2: We take the subway drunk, we do a bunch of shit.

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Speaker 3: That okay, So that put that right in that same

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Speaker 3: foul cabinet. Going to the club by yourself is not safe.

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Speaker 2: No, it's not safe. But I can't lie and say that.

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Speaker 2: When I was young in my twenty twenty one, twenty two,

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Speaker 2: and one of my homegirls that want to go out

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Speaker 2: with me, and I knew a promoter, and I went

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Speaker 2: and met girls through the promoter. Some of the girls

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Speaker 2: still my friends to this day. Like that, young girls

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Speaker 2: do shit like that. Y'all are just old and of

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Speaker 2: course you know better and all wise old wise once

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Speaker 2: stay all old ass, hold next to the fire. I

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Speaker 2: haven't come across that way.

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Speaker 1: I don't orders tell you what happened. I stay out

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Speaker 1: your way. You ain't go see me in the club.

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Speaker 1: That ain't happening. I ain't going.

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Speaker 3: Yeah, but we are back sponsored by mobile unlimited talk,

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Speaker 3: texts and data.

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Speaker 1: And on top of that, like at Highlight Room. This

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Speaker 1: is going to sound like really corny where, but Highlight

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Speaker 1: Room has a lot of famous people, so I'm you're

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Speaker 1: one of them. No, I'm pretty much left alone at

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Speaker 1: Highlight Room, and they't come on. They run down on you.

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Speaker 1: Those twenty year olds, those twenty one year olds at

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Speaker 1: Harriet's only saw that I had a section, and all

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Speaker 1: of a sudden, I was desired. When I knew that

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Speaker 1: I was not that desirable that night, they probably thought

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Speaker 1: I went from the video shoot to that. I thought

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Speaker 1: you was Canelo, And so you think the young twenty

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Speaker 1: win yers who Canelo is? They saw that they thought

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Speaker 1: you was Jack Carlow. Jack is not right? YEA jacket

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Speaker 1: is right there right, h yeah, sort of. Yeah, he's

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Speaker 1: strawberry blondish. I guess dark. I don't know. Yeah, he's

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Speaker 1: on it.

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Speaker 2: He's right there, chocolate covered strawberry. It was dark in

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Speaker 2: there and it ain't no the fucking difference. You hat

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Speaker 2: shades on. I know you had shadeson.

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Speaker 1: No, you know he had his shades on in the club.

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Speaker 1: I did not know. I now you already said he

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Speaker 1: did not. If I see a picture of video of

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Speaker 1: you and Harriet's pro highlight room with shades on. It's

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Speaker 1: gonna be. I didn't go to Holler room, but I

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Speaker 1: promise you I did not have It was very It's

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Speaker 1: really dark in Harriet's like really dark. I mean it's

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Speaker 1: the rooftop. Yeah, I don't know. It had been a

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Speaker 1: while for me, but I mean other than that, it

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Speaker 1: was it was a good trip. I also went to

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Speaker 1: this amazing restaurant Summerville, which I think East has some

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Speaker 1: some connection to Someville.

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Speaker 2: Yeah.

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Speaker 1: On Slaughson Live Music, they had Colin Green Lasagna that demeris.

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Speaker 1: I made the same face.

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Speaker 2: It's her. It's her restaurant. Summerville is her restaurant.

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Speaker 1: Shout out to to AJ who has part of it

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Speaker 1: as well. That invited Sean and I. It's live music.

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Speaker 1: It's it's incredible, Like it's it's a good date spot.

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Speaker 1: It's a good friends going out spot. And the food

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Speaker 1: is really really good. Like I wanted to live in

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Speaker 1: that Collegreen Lazagna. All right, I gotta check it out.

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Speaker 1: It really vibes shout out the Eastern.

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Speaker 2: Ye you was outside in La can get you outside

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Speaker 2: in New York. It's a whole lot of weird.

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Speaker 1: Ship I went.

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Speaker 2: I went.

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Speaker 1: I went out one night and that was after the

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Speaker 1: second day of the video shoot. Before that, I was

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Speaker 1: in bed by, had six sam call times. I didn't

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Speaker 1: do ship, but the night before I left, that was it.

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Speaker 3: That's how you usually supposed to do it, don't. Yeah,

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Speaker 3: well the night before, just get it all in. See

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Speaker 3: everybody yo yo boom boo boom. And then that ship

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Speaker 3: shaped the airport.

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Speaker 1: But it was cool with video set, had friends raising, came,

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Speaker 1: sim became, and Clemens came Homegirl Go came like it

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Speaker 1: was Austin came.

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Speaker 2: It was fun.

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Speaker 1: One friend affair. Yeah, that was a gang gang gang.

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Speaker 1: It was a gang bang.

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Speaker 3: Oh what that doesn't have to have a negative connotation

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Speaker 3: to it.

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Speaker 1: It was a gang bang, meaning we all friends. We're

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Speaker 1: just here in the same room banging, bang and hanging

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Speaker 1: and banging. We just hanging and banging. That's what nobody was.

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Speaker 1: Nobody was banging. Body was banging a set. It was

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Speaker 1: a ganging person. No, it was not banging a person,

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Speaker 1: but you.

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Speaker 2: Know, someone's banging the drugs. Even went out. A group

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Speaker 2: of seven niggas went out and not one out of seven.

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Speaker 2: Guy asked, y'all trash?

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Speaker 1: It was on my videos.

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Speaker 2: That's the worst gang ever.

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Speaker 1: A group of seven men, group of.

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Speaker 2: Seven men that nobody went own ass trash.

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Speaker 1: Well, that's weird in general. Just seven men going out together.

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Speaker 1: Those are nice things. We're not allowed to have, Like

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Speaker 1: seven girls go out, but seven guys, seven guys, No,

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Speaker 1: seven guys can even a four top is a little risky.

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Speaker 2: Yeah, four was going at the table. Y'all at yourself. Gross.

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Speaker 2: It's like men's empowerment, Like men's empowerment. I don't need

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Speaker 2: to be empowered by no niggast it. Men's empowerment more powerful.

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Speaker 2: Together we get the fuck out of men.

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Speaker 3: They can see that the table all hating on each

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Speaker 3: other on the low men's empowerment. We don't talk about

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Speaker 3: women's empowerment. That's the worst shit that that is. Women's

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Speaker 3: empowerment might be one of the worst things.

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Speaker 2: To come out.

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Speaker 3: And I'm just saying, hey, women's empowerment because some of

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Speaker 3: the women is actually the empowerment.

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Speaker 2: Brunches.

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Speaker 1: Y'all don't even like each other. How y'all sitting there

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Speaker 1: taking affliction. I hear how y'all talk about each other

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Speaker 1: when y'all not together. The powers from the negativity that

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Speaker 1: they feel better about themselves.

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Speaker 3: I don't want to go to no women's empowerment, men's

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Speaker 3: If I don't empower me, don't still with it.

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Speaker 2: Who empowers you?

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Speaker 1: God? Allah mmmm that's who? Who empowers you?

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Speaker 4: Me?

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Speaker 1: Tequila or pisado, that's.

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Speaker 2: And what the fuck about it?

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Speaker 1: Side effects may include Side effects may include nausey. Yeah,

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Speaker 1: I was though. The last time like thirteen people got together,

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Speaker 1: someone got crucified, like you can't. You can't trust a

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Speaker 1: bunch of men eating dinner together.

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Speaker 3: And I was only to die now I think about it,

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Speaker 3: I would totally have like a last supper type of

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Speaker 3: thing and the niggas. I know, I know some of

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Speaker 3: y'all don't like me, some of y'all out of here

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Speaker 3: eating for free and all of that. Is it me jesus, Yeah,

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Speaker 3: it's my Violet. I know some of y'all don't like me.

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Speaker 3: It's cool though, eat up, enjoy any.

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Speaker 1: Separate checks for sure. The last supper definitely niggas was all.

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Speaker 1: You know, That's what the pictures about, Like your who

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Speaker 1: had I had this? Like like yo, who had that?

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Speaker 2: He was the only one that ate the my throat?

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Speaker 1: Yeah, hey, we were putting too much like behind these

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Speaker 1: It ain't that them niggas at the table arguing about

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Speaker 1: who ordered what and who ate what. That's what that

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Speaker 1: whole ship was about.

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Speaker 2: Niggas had the calculator out.

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Speaker 1: Yeah, like he trying to get me pay for his ship.

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Speaker 1: This nigga ain't no way he knew it was his

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Speaker 1: last day and wasn't just you know, thrashing out Mary,

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Speaker 1: what's what's the whore's name?

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Speaker 2: That was his wife? Why are you so freaked out?

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Speaker 2: She was legitimately a whore? Yeah, Like why are you

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Speaker 2: bringing her up?

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Speaker 1: He was there because that that that's not Yeah, the

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Speaker 1: conspiracy that she was taken out of the photo. They've

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Speaker 1: even like traced and found her in it. That was

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Speaker 1: taken out. Like I think he would like, if you

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Speaker 1: knew you were gonna get, you get some ass, Like

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Speaker 1: I'm not trying to hang with the Fellas tonight. Yeah,

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Speaker 1: Oh we're bringing pluses. I didn't know that I would

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Speaker 1: have brought. It was supposed to be just the Fellas

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Speaker 1: did come this bitch killing the vibe.

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Speaker 2: Very Magdalen, y'all are going to hell.

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Speaker 1: It's okay, it's warm down there, and no I'm not

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Speaker 1: because after that dinner solidified that I will not Jesus

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Speaker 1: died for your since I'm a Catholic MM true and

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Speaker 1: through true and through m peace be with you, also

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Speaker 1: with you and also with you.

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Speaker 2: Check us out on Netflix.

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Speaker 1: Yes, if you're listening on audio, we are on Netflix.

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Speaker 1: You can see bts intros and all fun stuff. And

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Speaker 1: we just look good on Netflix.

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Speaker 2: On yeah, ain't gonna lie. I can see what shorts

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Speaker 2: I got on right now? What on Netflix?

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Speaker 1: Can see? The short got on.

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Speaker 2: Through the table, through.

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Speaker 3: The table, NEXTIX, see through the table. That's what's up.

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Speaker 3: I didn't even know that.

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Speaker 1: That's how Crisp cy four k everything. She threw tables

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Speaker 1: on them, but not really. How was the week I

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Speaker 1: saw the clips? I was busy. The clips were very funny.

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Speaker 1: I laughed, Jamaricus is funny. I really laughed at at

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Speaker 1: that clip. If you're fucking mall right now, you don't

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Speaker 1: get a ticket? Like I really laughed out loud on

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Speaker 1: the plane. I was just full of hate, wasn't it.

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Speaker 2: I know mo clicking. I felt bad later. I'm like,

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Speaker 2: damn yo, because like I know, multiple bitches just like yo,

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Speaker 2: Like yeah, she got a point. My favorite part was being.

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Speaker 1: Out of pos like she.

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Speaker 2: Got me point Memphis Bleak laughed and said, now she

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Speaker 2: fould like, I know you can't get tickets, but like

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Speaker 2: we I'm still gonna try to get by the fuck.

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Speaker 1: That was hate. I just want to point that out.

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Speaker 1: That that was he.

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Speaker 3: Wait to the next burgers and bottles? Watch how do

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Speaker 3: you watch? I do you?

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Speaker 2: Yo? Don't do that.

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Speaker 1: If you in the marriage box and you can't get

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Speaker 1: a burger or bottle, don't do that. If you and

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Speaker 1: her burger and not getting a burger, if you and

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Speaker 1: her buns and can't getting nobody.

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Speaker 2: I can't wait. I can't wait for the next burgess.

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Speaker 2: You ain't popping her?

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00:14:17,640 --> 00:14:22,360
Speaker 1: Yeah, Yo, I cannot wait. I can't wait.

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Speaker 2: When is the next wavey d Rea coming to New

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Speaker 2: York June?

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Speaker 1: Right around the water so it's it's burger bottles and

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Speaker 1: it's old oh ship. I can't wait.

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Speaker 2: Please relax, thank you.

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Speaker 1: I know you would never talk to multiple people at once.

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Speaker 2: Never.

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Speaker 1: Now that you like are part of an event, you

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Speaker 1: got to take your pick, yo, Like who could be?

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Speaker 3: It gets it gets sticky when I'm saying niggas walking together,

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Speaker 3: I'm working.

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Speaker 1: I don't know love to be working.

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Speaker 2: Yeah, if you saw me with my earpiece on the polls.

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Speaker 2: I was working, yo, Ice, Ice like work you get

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Speaker 2: me backstage? Nah, click working, I'm workingang me, Yeah, I'm working.

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Speaker 2: I had to walk.

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Speaker 1: Young And why did y'all kill me so much from

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Speaker 1: that for years?

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Speaker 3: No, because it was just it was the power walk

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Speaker 3: that you had to make sure she got to the stage.

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Speaker 2: We were late. No, No, I get it, look at

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Speaker 2: I understand it.

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Speaker 3: But it's always funny when your boys you see your

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Speaker 3: boy actually working, it's like, Yo, what this bum ass le?

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Speaker 2: Look for you to take this in piece. You don't

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Speaker 2: want to be like, that's what we do.

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Speaker 1: When you see your boys working doing shit, you gotta

348
00:15:25,160 --> 00:15:28,680
Speaker 1: crack jokes after I got young me on stage age

349
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Speaker 1: saying you didn't think she knew where the stage was.

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Speaker 1: You didn't think she would have found an artist knows

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Speaker 1: that she knows exactly where the stage is at. Bro.

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Speaker 3: You can turn the microphone on that problem. Yeah, man,

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Speaker 3: But it's always fun making fun of your friends at work.

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Speaker 1: It's the funny. You gotta do that.

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Speaker 2: Yeah, so you was watching our clips to make sure

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Speaker 2: we did a good job.

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Speaker 1: And as no, I'm a fan of you guys. Yeah,

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Speaker 1: I was laughing at the clips were great. I do

359
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Speaker 1: want to watch the full episodes now that I'm back home.

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Speaker 2: Zip did a good job saying free k f D

361
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Speaker 2: just to you know, spite Jada's a little crazy, but

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Speaker 2: you know.

363
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Speaker 1: That shit had me dying freaking FD what nigga, Zip

364
00:16:07,800 --> 00:16:12,960
Speaker 1: is crazy? That's that's so so many sick layers.

365
00:16:14,160 --> 00:16:16,040
Speaker 2: Like when he said it, I was just kind of like, damn,

366
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Speaker 2: do we take this out? Like, hell, no, this is crazy.

367
00:16:18,960 --> 00:16:19,760
Speaker 2: You need to hear that.

368
00:16:20,280 --> 00:16:23,040
Speaker 1: I just just saw a clip a few minutes ago

369
00:16:23,360 --> 00:16:25,320
Speaker 1: Will Smith talking to Martin Lawrence saying he likes to

370
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Speaker 1: piece sitting down, and I was like, I think we

371
00:16:27,320 --> 00:16:29,160
Speaker 1: could have guessed that. Come on, man, that's like not

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Speaker 1: a shock.

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Speaker 2: Or to it.

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Speaker 3: They say, you actually are supposed to be sitting down though, Man, no,

375
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Speaker 3: because it helps you relax and actually empty out.

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Speaker 1: Okay, you know what I mean. But I don't usually

377
00:16:37,840 --> 00:16:40,120
Speaker 1: piece it down unless I gotta take a ship. Well,

378
00:16:40,120 --> 00:16:43,440
Speaker 1: I mean t m I but my stay at my

379
00:16:43,440 --> 00:16:46,040
Speaker 1: cousin's house and he has the squatty potty thing. The greatest.

380
00:16:46,240 --> 00:16:48,560
Speaker 1: I should have listened to you, greatest, seven years, the greatest.

381
00:16:48,560 --> 00:16:50,720
Speaker 2: I'm trying to you have all them problems. I thought

382
00:16:50,720 --> 00:16:52,120
Speaker 2: you would have been on a squatty.

383
00:16:51,760 --> 00:16:53,880
Speaker 1: Pot I just I was in my head about it

384
00:16:53,920 --> 00:16:56,760
Speaker 1: of like having my leg you're feeling, you're actually feeling powered.

385
00:16:56,800 --> 00:16:59,440
Speaker 3: Bro, it's the best shit ever. It's the best literally,

386
00:16:59,760 --> 00:17:04,240
Speaker 3: it's the best ship. It is the best ship you

387
00:17:04,280 --> 00:17:06,920
Speaker 3: will ever take. It's with a squatty potty.

388
00:17:07,359 --> 00:17:08,800
Speaker 1: A plane as a kid and they let you see

389
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Speaker 1: like the cockpit.

390
00:17:09,600 --> 00:17:10,320
Speaker 2: Yeah like that.

391
00:17:10,359 --> 00:17:12,040
Speaker 1: It was the same feeling as an adult, like when

392
00:17:12,040 --> 00:17:13,639
Speaker 1: I got in there and how you're sitting.

393
00:17:13,720 --> 00:17:16,080
Speaker 3: Yeah, it's like knees up, you relax, It's like, oh

394
00:17:16,280 --> 00:17:18,800
Speaker 3: this shit just it's like somebody just hit a button

395
00:17:18,880 --> 00:17:21,920
Speaker 3: and oh yeah, I don't have to sit until my

396
00:17:21,960 --> 00:17:23,120
Speaker 3: legs getting them anymore.

397
00:17:23,320 --> 00:17:24,120
Speaker 1: Yeah, you know what I mean.

398
00:17:24,280 --> 00:17:26,520
Speaker 2: If you hug your knees, like really like hugging knees,

399
00:17:26,520 --> 00:17:27,400
Speaker 2: it's great.

400
00:17:28,320 --> 00:17:30,200
Speaker 3: There's a theory going around that you're not supposed to

401
00:17:30,240 --> 00:17:32,600
Speaker 3: do that on planes and take a ship. I agree, No,

402
00:17:32,720 --> 00:17:35,200
Speaker 3: well that too, but that the whole brace for impact,

403
00:17:35,200 --> 00:17:37,239
Speaker 3: when they tell you to put your head down like

404
00:17:37,320 --> 00:17:40,560
Speaker 3: that actually is designed to probably kill you more than

405
00:17:40,560 --> 00:17:43,080
Speaker 3: it is to help you survive. Because if your head

406
00:17:43,119 --> 00:17:44,639
Speaker 3: and neck goes into the seat in front of you.

407
00:17:45,880 --> 00:17:48,840
Speaker 1: Yeah, they had. They did some reports saying that when

408
00:17:48,840 --> 00:17:52,159
Speaker 1: people survived crashes on planes, most people that survived were

409
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Speaker 1: sitting up right.

410
00:17:53,280 --> 00:17:54,720
Speaker 2: And we're sleep usually.

411
00:17:55,200 --> 00:17:59,120
Speaker 1: Yeah, so because who's been sleep during a plane crash? Yeah,

412
00:17:59,280 --> 00:18:00,480
Speaker 1: like I know what happens.

413
00:18:00,520 --> 00:18:02,320
Speaker 2: Quick Like he's tell me who's who was knocked? I

414
00:18:02,359 --> 00:18:02,960
Speaker 2: would be knocked?

415
00:18:04,400 --> 00:18:05,120
Speaker 1: What I sleep?

416
00:18:05,240 --> 00:18:07,280
Speaker 3: I sleep on the flight. But I'm not gonna be

417
00:18:07,480 --> 00:18:09,800
Speaker 3: if I hear niggas panick and yelling. You think I'm

418
00:18:09,800 --> 00:18:10,320
Speaker 3: gonna be like.

419
00:18:11,640 --> 00:18:14,560
Speaker 2: I missed the God, the turbulence, I miss everything.

420
00:18:14,600 --> 00:18:18,240
Speaker 3: I'll be certain turbulees wake you up though, Hell yeah,

421
00:18:18,440 --> 00:18:19,080
Speaker 3: certain turbulence.

422
00:18:19,119 --> 00:18:19,399
Speaker 1: I don't care.

423
00:18:19,440 --> 00:18:21,200
Speaker 3: I see when I wake upout, I'll flip that visor

424
00:18:21,280 --> 00:18:25,000
Speaker 3: right and make sure we're still good, all right, as

425
00:18:25,000 --> 00:18:26,200
Speaker 3: long as I don't see ship.

426
00:18:26,119 --> 00:18:27,879
Speaker 2: Kind of leaning and we go like, all right, what

427
00:18:27,960 --> 00:18:29,000
Speaker 2: we doing? All right?

428
00:18:29,080 --> 00:18:31,560
Speaker 1: Just a little air pocket? That ain't nothing. I do

429
00:18:31,600 --> 00:18:32,879
Speaker 1: the same thing. Why, like, what are we looking for?

430
00:18:32,920 --> 00:18:35,479
Speaker 2: The cloud? We hear? I need to know.

431
00:18:35,480 --> 00:18:37,080
Speaker 3: You gotta kind of It's like when the elevator is

432
00:18:37,119 --> 00:18:38,760
Speaker 3: going down, you gotta know when to jump right before

433
00:18:38,760 --> 00:18:39,399
Speaker 3: it's the floor.

434
00:18:39,840 --> 00:18:41,600
Speaker 1: Yeah, it's like plane is going down.

435
00:18:41,640 --> 00:18:43,680
Speaker 3: I need to know, like which side is gonna hit first,

436
00:18:43,680 --> 00:18:46,000
Speaker 3: Like we lean into my side or them niggas over there,

437
00:18:46,040 --> 00:18:47,040
Speaker 3: Like I need to know.

438
00:18:47,600 --> 00:18:49,199
Speaker 1: I mean, I get the brace for impact ship, but

439
00:18:49,359 --> 00:18:52,760
Speaker 1: you are in like a speeding bullet full of fuel. Yeah,

440
00:18:54,359 --> 00:18:56,520
Speaker 1: take my chance. Sit the way you want the way

441
00:18:57,400 --> 00:19:01,840
Speaker 1: going either way, it's gonna hurt. Good a few minutes. Yourself.

442
00:19:02,200 --> 00:19:07,120
Speaker 3: Get comfortable. Get comfortable. He's like you like to like this, man,

443
00:19:07,280 --> 00:19:09,320
Speaker 3: take your pants off. Do whatever you feel like you

444
00:19:09,320 --> 00:19:10,919
Speaker 3: got to do in these last thirty seconds.

445
00:19:10,920 --> 00:19:13,639
Speaker 1: But take your pants off, getting naked, do whatever you do.

446
00:19:13,760 --> 00:19:15,840
Speaker 2: You think a plane will take like thirty seconds to crash.

447
00:19:15,920 --> 00:19:18,320
Speaker 2: I feel like it would like it.

448
00:19:18,320 --> 00:19:22,080
Speaker 1: Depends how high where you're at. It is variables. Yeah,

449
00:19:22,160 --> 00:19:25,160
Speaker 1: Denzel flying, you're go inverted, keep us up. Great movie,

450
00:19:25,200 --> 00:19:26,880
Speaker 1: don't do that. It's a great movie. I love flight.

451
00:19:27,000 --> 00:19:28,840
Speaker 1: I think it's ironic they put it on planes now,

452
00:19:29,400 --> 00:19:31,320
Speaker 1: like that's the wild. When I saw a flight on

453
00:19:31,359 --> 00:19:34,920
Speaker 1: a flight, I was like, this is all right, what's

454
00:19:34,960 --> 00:19:37,800
Speaker 1: flight about? I never saw uh, you never saw a

455
00:19:37,840 --> 00:19:41,600
Speaker 1: flight with Denzel. Denzel is a pilot that's also an

456
00:19:41,640 --> 00:19:44,919
Speaker 1: alcoholic and oh so he's he's drinking on the plane

457
00:19:44,920 --> 00:19:46,840
Speaker 1: and the plane breaks, not because he's an alcoholic, it

458
00:19:46,880 --> 00:19:47,240
Speaker 1: just breaks.

459
00:19:47,280 --> 00:19:49,040
Speaker 3: Yeah, something went wrong and he had to like he

460
00:19:49,080 --> 00:19:52,359
Speaker 3: actually saved like the people on board with his skills

461
00:19:52,359 --> 00:19:54,719
Speaker 3: to be able to like flip the plane upside down

462
00:19:54,800 --> 00:19:58,199
Speaker 3: and kind of glide, yeah, and you know, laying it

463
00:19:58,240 --> 00:20:01,720
Speaker 3: as safely as possible. Some people died on the flight,

464
00:20:01,760 --> 00:20:04,480
Speaker 3: but he saved most of the people on board. But

465
00:20:04,520 --> 00:20:06,880
Speaker 3: then they found out obviously he had to he because

466
00:20:07,040 --> 00:20:07,800
Speaker 3: it knocked him out.

467
00:20:07,800 --> 00:20:08,600
Speaker 1: He was in the hospital.

468
00:20:09,600 --> 00:20:12,080
Speaker 3: Naturally, they got they got they gotta take your blood alcohol,

469
00:20:12,480 --> 00:20:13,640
Speaker 3: you know what I mean, Like that's just a part

470
00:20:13,680 --> 00:20:14,400
Speaker 3: of the protocol.

471
00:20:14,920 --> 00:20:16,840
Speaker 1: And they found that he had alcohol and during the flight.

472
00:20:16,880 --> 00:20:19,560
Speaker 3: So it's like okay and coke and coke, so like, okay,

473
00:20:19,680 --> 00:20:21,639
Speaker 3: was it that or was like something wrong with the

474
00:20:21,640 --> 00:20:23,960
Speaker 3: flight And he was like, nah, something was wrong with

475
00:20:23,960 --> 00:20:25,840
Speaker 3: the flight. Like I actually was able to save people

476
00:20:25,880 --> 00:20:29,280
Speaker 3: even though I was you know, So it was good.

477
00:20:29,280 --> 00:20:30,720
Speaker 1: It's great movie though, And I don't want to spoil

478
00:20:31,119 --> 00:20:33,080
Speaker 1: too much, but it's been out forever so you're just

479
00:20:33,080 --> 00:20:34,640
Speaker 1: gonna have to get a spoiler on it. They also

480
00:20:34,720 --> 00:20:37,359
Speaker 1: found like three little smearing off bottles that he was

481
00:20:37,400 --> 00:20:40,080
Speaker 1: drinking like on the plane, but he was also fucking

482
00:20:40,080 --> 00:20:42,200
Speaker 1: one of the flight attendants and she also had coke

483
00:20:42,240 --> 00:20:44,720
Speaker 1: and alcohol in her system. But she died, But she

484
00:20:44,840 --> 00:20:47,600
Speaker 1: died saving some kids and all Denzel had to do

485
00:20:47,840 --> 00:20:52,239
Speaker 1: his lawyers on her. Yeah, and then yeah, Denzel had

486
00:20:52,240 --> 00:20:56,399
Speaker 1: to have like some moral revelation during the hearing.

487
00:20:56,720 --> 00:20:58,200
Speaker 2: Yeah, because you need to take it, because if you

488
00:20:58,240 --> 00:21:01,480
Speaker 2: don't take accountability for your actions, you you'll keep going.

489
00:21:02,040 --> 00:21:03,600
Speaker 1: You need to have the rest kind of the theme

490
00:21:03,880 --> 00:21:05,919
Speaker 1: the plane crash happens in the first two minutes of

491
00:21:06,000 --> 00:21:09,240
Speaker 1: the movie. Like they get that out the way right away. Okay,

492
00:21:09,320 --> 00:21:11,200
Speaker 1: the movie is about what you're talking about. It's taking

493
00:21:11,240 --> 00:21:12,480
Speaker 1: accountability of addiction.

494
00:21:12,600 --> 00:21:14,680
Speaker 3: And I've seen mad people take accountability and keep doing

495
00:21:14,680 --> 00:21:16,840
Speaker 3: the same shit. So like that doing they think that's

496
00:21:16,880 --> 00:21:17,600
Speaker 3: the step that cleans.

497
00:21:17,640 --> 00:21:20,560
Speaker 1: No, accountability don't mean it that you start again.

498
00:21:20,600 --> 00:21:22,560
Speaker 2: You're saying, I'm sorry, it is.

499
00:21:22,680 --> 00:21:26,200
Speaker 1: Not doing that behavior anymore. Yeah, accountability, that don't mean.

500
00:21:26,080 --> 00:21:26,960
Speaker 2: Ship I will.

501
00:21:27,119 --> 00:21:30,359
Speaker 1: I will say though in that situation, if I died

502
00:21:30,920 --> 00:21:32,800
Speaker 1: and you're my my people, you can blame that on

503
00:21:32,880 --> 00:21:34,200
Speaker 1: me to.

504
00:21:34,080 --> 00:21:36,719
Speaker 2: Not go to jail for manslaughter. Yeah, blame that don't mean.

505
00:21:37,040 --> 00:21:39,239
Speaker 3: Yeah, put that on if it's to keep you out

506
00:21:39,280 --> 00:21:42,320
Speaker 3: of je I'm going go find a rehabit some ship.

507
00:21:42,480 --> 00:21:44,480
Speaker 3: But yeah, you know, put it on me. It's okay.

508
00:21:44,680 --> 00:21:46,359
Speaker 3: I'm not gonna be mad at you from the grave.

509
00:21:46,720 --> 00:21:47,440
Speaker 3: We'll give it a fuck.

510
00:21:48,000 --> 00:21:51,520
Speaker 2: Yeah, but don't certainly, Yeah, okay, hear you don't what nothing?

511
00:21:53,440 --> 00:21:55,120
Speaker 2: When you li inte a bitch, don't swear on me.

512
00:21:56,600 --> 00:21:58,119
Speaker 1: If I'm lying to when you lion see a.

513
00:21:58,119 --> 00:21:59,960
Speaker 2: Bitch, I'm like, where did the mars? Don't swear me?

514
00:22:00,440 --> 00:22:01,600
Speaker 1: Why you dead?

515
00:22:01,920 --> 00:22:05,040
Speaker 2: Oh you dad? Yeah, nigga, I'm dead. Don't what difference

516
00:22:05,040 --> 00:22:06,400
Speaker 2: do it make because I'm not about to be getting

517
00:22:06,400 --> 00:22:08,480
Speaker 2: electrocuted in the fucking grave every time you lie on

518
00:22:08,520 --> 00:22:09,160
Speaker 2: my fucking body.

519
00:22:09,840 --> 00:22:12,160
Speaker 1: Happens that don't happen. How you know you ain't ever

520
00:22:12,280 --> 00:22:15,159
Speaker 1: died more them niggas don't feel nothing that great?

521
00:22:16,359 --> 00:22:20,920
Speaker 2: What you ain't never died before? Yo? What Jesus died

522
00:22:20,920 --> 00:22:22,600
Speaker 2: for saying? So we'd be like yo o god o.

523
00:22:22,840 --> 00:22:27,879
Speaker 1: God o, god own god. I'm lying right, That's what

524
00:22:27,960 --> 00:22:28,960
Speaker 1: Jesus had to dinner for.

525
00:22:29,320 --> 00:22:32,240
Speaker 2: That's what your friends mostly, Dad, grandmother and grandma just

526
00:22:32,320 --> 00:22:33,480
Speaker 2: unraveling in the cast.

527
00:22:33,560 --> 00:22:36,399
Speaker 1: Yeah, grandma, no, my heart ship. She know she know

528
00:22:36,480 --> 00:22:37,080
Speaker 1: her grandson.

529
00:22:37,280 --> 00:22:40,320
Speaker 3: Yeah, and that's what grandma's are for. Yeah, long, grandma

530
00:22:40,440 --> 00:22:44,280
Speaker 3: put it on granny son. It's okay, what else is

531
00:22:44,280 --> 00:22:44,919
Speaker 3: the grandmother for?

532
00:22:45,800 --> 00:22:50,200
Speaker 2: They this mant Come on, huh is your grandmother alive?

533
00:22:50,240 --> 00:22:51,720
Speaker 1: No? I don't have none of my grandparents.

534
00:22:52,040 --> 00:22:53,520
Speaker 2: Did you have them like in your lifetime?

535
00:22:53,960 --> 00:22:56,840
Speaker 3: Well, I was very young when my mom's mom died.

536
00:22:56,920 --> 00:22:59,240
Speaker 3: I was like maybe almost two.

537
00:22:59,760 --> 00:23:01,520
Speaker 2: Yeah, that's why you don't respect grandparents.

538
00:23:01,880 --> 00:23:03,119
Speaker 1: I respect grandparents.

539
00:23:03,160 --> 00:23:05,080
Speaker 3: I just know that my grandmother would not be mad

540
00:23:05,080 --> 00:23:07,320
Speaker 3: if I put some lives on to get me out

541
00:23:07,320 --> 00:23:07,760
Speaker 3: of some ship.

542
00:23:08,280 --> 00:23:10,040
Speaker 1: Go on, baby, put it on me. And for the

543
00:23:10,119 --> 00:23:11,919
Speaker 1: last five years of my grandmother's life she had dementia,

544
00:23:12,000 --> 00:23:12,800
Speaker 1: so she ain't no better.

545
00:23:12,920 --> 00:23:15,200
Speaker 3: Oh that's even that's like a that's that's a flash

546
00:23:15,240 --> 00:23:17,680
Speaker 3: pass of six flash pass for lies.

547
00:23:17,760 --> 00:23:21,280
Speaker 1: Right, Grandma don't even know what's happening. And then she

548
00:23:21,359 --> 00:23:23,639
Speaker 1: even telling me like she's she's no idea.

549
00:23:24,440 --> 00:23:25,560
Speaker 2: That's what granny's staying for.

550
00:23:25,600 --> 00:23:28,320
Speaker 1: Give me a hug and in live come on, it's okay.

551
00:23:29,520 --> 00:23:31,840
Speaker 1: I know people that have killed their grandparents multiple times

552
00:23:31,840 --> 00:23:34,200
Speaker 1: in stories and there's still a lot. See, I don't.

553
00:23:34,240 --> 00:23:36,280
Speaker 1: I don't go that. No, that's sick. I don't do that.

554
00:23:36,840 --> 00:23:39,320
Speaker 1: But I'll be like no, I was told once my

555
00:23:39,320 --> 00:23:42,560
Speaker 1: grandmother house, Like no I didn't.

556
00:23:42,960 --> 00:23:46,200
Speaker 2: Yeah. I hate when people like lie on like they're

557
00:23:46,320 --> 00:23:49,359
Speaker 2: like kids or like I remember I was dating this

558
00:23:49,400 --> 00:23:50,840
Speaker 2: guy and like we were on a date and when

559
00:23:50,840 --> 00:23:53,280
Speaker 2: I went through his phone later he has said, like

560
00:23:53,280 --> 00:23:54,040
Speaker 2: he actually right.

561
00:23:54,000 --> 00:23:55,720
Speaker 1: There, start break there and I'm just gloss over there.

562
00:23:56,200 --> 00:23:57,560
Speaker 1: Why did you go through that boys phone?

563
00:23:57,560 --> 00:23:59,480
Speaker 2: Because he was going through my Now back to what

564
00:23:59,520 --> 00:24:00,280
Speaker 2: I was saying, I just.

565
00:24:00,280 --> 00:24:01,560
Speaker 3: Go through each other's phone. That was a part of

566
00:24:01,560 --> 00:24:03,600
Speaker 3: our relationship. Like did y'all know what y'all was sneaking

567
00:24:03,600 --> 00:24:06,000
Speaker 3: going through each other's phone? Like how you know he

568
00:24:06,040 --> 00:24:07,439
Speaker 3: went through your phone? Like he said, he went through it.

569
00:24:07,520 --> 00:24:09,280
Speaker 3: I woke up and he was going through it. You

570
00:24:09,320 --> 00:24:11,280
Speaker 3: woke up and he was just still sitting there scrolling.

571
00:24:11,840 --> 00:24:13,480
Speaker 3: He ain't even throw the phone and try to like

572
00:24:14,640 --> 00:24:14,919
Speaker 3: he was.

573
00:24:14,920 --> 00:24:15,600
Speaker 1: He was caught.

574
00:24:16,040 --> 00:24:16,440
Speaker 2: Ain't nothing.

575
00:24:16,480 --> 00:24:17,399
Speaker 1: Really, that's sick.

576
00:24:17,640 --> 00:24:19,240
Speaker 3: Your girl wake up while you're going through her phone

577
00:24:19,240 --> 00:24:22,440
Speaker 3: and you keep scrolling. You supposed to throw the phone

578
00:24:22,480 --> 00:24:27,000
Speaker 3: to get under the blanket, Like sitting up still scrolling like.

579
00:24:27,680 --> 00:24:29,720
Speaker 2: Bro, the phone is mad hot, Like you can't sit

580
00:24:29,800 --> 00:24:32,160
Speaker 2: up there and just right. I don't know why it's hot.

581
00:24:32,200 --> 00:24:35,560
Speaker 2: Your battery is fucking up. Like I woke up and

582
00:24:35,600 --> 00:24:37,960
Speaker 2: he was he was scrowed. I noticed him before he

583
00:24:38,040 --> 00:24:40,320
Speaker 2: noticed me. It was too late. The point is he

584
00:24:40,400 --> 00:24:44,119
Speaker 2: had told this girl that. He was like, oh. She

585
00:24:44,200 --> 00:24:45,800
Speaker 2: was like, why you're not answering your phone, You're being weird.

586
00:24:45,840 --> 00:24:47,159
Speaker 2: He was on the day with me and he was like, noah,

587
00:24:47,240 --> 00:24:50,040
Speaker 2: my daughter's sick. I was like that, don't even do today.

588
00:24:50,359 --> 00:24:51,399
Speaker 2: Don't line that baby.

589
00:24:52,400 --> 00:24:54,320
Speaker 1: Oh yeah, oh he said his daughter is sick. Yeah,

590
00:24:54,640 --> 00:24:57,200
Speaker 1: oh yeah, nah, he tripping. I haven't done that yet.

591
00:24:57,240 --> 00:24:59,760
Speaker 1: But I'm not saying I'm not above it. I'm not

592
00:25:00,160 --> 00:25:02,040
Speaker 1: not above I'm not above it. That isn't that kind

593
00:25:02,040 --> 00:25:04,359
Speaker 1: of the point of like the benefit of having a

594
00:25:04,480 --> 00:25:05,359
Speaker 1: child that you could just.

595
00:25:05,840 --> 00:25:10,479
Speaker 2: And a daddy. Oh you niggas lying life for your

596
00:25:10,560 --> 00:25:12,080
Speaker 2: kids all day. Now. I got my daughter, I got

597
00:25:12,200 --> 00:25:13,760
Speaker 2: you do not have your daughter. You don't.

598
00:25:13,800 --> 00:25:15,320
Speaker 3: But I think if you're a good dad, like you're

599
00:25:15,320 --> 00:25:17,560
Speaker 3: in your kids lives, you can lie on your kids.

600
00:25:18,200 --> 00:25:21,040
Speaker 3: Like if he says Amar is sick nine times out

601
00:25:21,040 --> 00:25:23,000
Speaker 3: of ten, Amara is going to be sick in a minute.

602
00:25:23,000 --> 00:25:24,960
Speaker 3: Like that's what kids get past germs, they get sick.

603
00:25:25,040 --> 00:25:28,320
Speaker 3: So he technically not lying, he's technically she's not sick today.

604
00:25:28,560 --> 00:25:32,480
Speaker 1: She actually she stayed out from school today. Actually she's sick.

605
00:25:32,520 --> 00:25:35,639
Speaker 1: Come on, look at the universe. You kidding me? And

606
00:25:35,880 --> 00:25:38,399
Speaker 1: like she can you know, she can talk, but you

607
00:25:38,400 --> 00:25:42,120
Speaker 1: can't talk talk. I'm just assuming she's sick. She didn't

608
00:25:42,160 --> 00:25:44,760
Speaker 1: tell me. I mean I could just you know, I

609
00:25:44,960 --> 00:25:46,880
Speaker 1: have confirmation her forehead was hot.

610
00:25:47,359 --> 00:25:50,000
Speaker 3: Yeah, he laughs, she has, you know not and he

611
00:25:50,000 --> 00:25:52,280
Speaker 3: had a vibration in her throat when she laughs that cough,

612
00:25:52,840 --> 00:25:53,880
Speaker 3: you know cold is coming.

613
00:25:53,920 --> 00:25:54,639
Speaker 1: That's what kids do.

614
00:25:55,280 --> 00:25:59,440
Speaker 2: I'm not dating no more fathers. You niggas are horrible, horrible.

615
00:25:59,560 --> 00:26:01,880
Speaker 3: How if I'm in my child's life, if I take

616
00:26:01,880 --> 00:26:03,359
Speaker 3: care of my child and I just put a little

617
00:26:03,400 --> 00:26:03,880
Speaker 3: lie on my kid.

618
00:26:04,560 --> 00:26:06,680
Speaker 2: Just because you're a good father doesn't mean like you're

619
00:26:06,720 --> 00:26:09,480
Speaker 2: a good partner. You could be a terrible boyfriend, terrible person,

620
00:26:09,520 --> 00:26:10,280
Speaker 2: but be a good father.

621
00:26:10,760 --> 00:26:13,400
Speaker 1: What's worse. I lie on Amar a few times saying

622
00:26:13,440 --> 00:26:16,080
Speaker 1: she's sick and I'm a great father, or I don't,

623
00:26:16,080 --> 00:26:17,680
Speaker 1: and she ends up at Harriet's in twenty years.

624
00:26:18,280 --> 00:26:21,560
Speaker 2: Mm Amara probably will go to Harriet's in twenty years

625
00:26:22,359 --> 00:26:26,280
Speaker 2: and enjoy her life. We'll all be gone. This world

626
00:26:26,280 --> 00:26:27,639
Speaker 2: won't be blown up like that.

627
00:26:27,760 --> 00:26:31,400
Speaker 1: Oh my god, I think Harriet's will be a thing

628
00:26:31,440 --> 00:26:33,520
Speaker 1: in twenty years. You think clubbing will be a thing.

629
00:26:33,880 --> 00:26:37,840
Speaker 1: Oh survival, We're gonna be living paradise for real.

630
00:26:38,200 --> 00:26:40,520
Speaker 2: Niggas will find a way to party in every fucking

631
00:26:40,680 --> 00:26:43,400
Speaker 2: like End of the World movie show that you've ever seen,

632
00:26:43,480 --> 00:26:46,240
Speaker 2: Niggas found a way to shake some ass like party

633
00:26:46,320 --> 00:26:46,960
Speaker 2: will survive.

634
00:26:47,040 --> 00:26:50,280
Speaker 1: Oh yeah, you got to back to the Last Supper.

635
00:26:50,359 --> 00:26:52,800
Speaker 1: I'm about to die. It's about let's party. Yeah, have

636
00:26:52,840 --> 00:26:56,200
Speaker 1: something to eat, some wine, call some holes, just lit

637
00:26:56,600 --> 00:26:58,840
Speaker 1: the killers at the table. Yeah, I know what I know, y'all.

638
00:26:59,080 --> 00:27:06,920
Speaker 1: It's like Payton fully that's the last supper. The same

639
00:27:06,960 --> 00:27:11,240
Speaker 1: things were paid for that. Speaking of TV shows, did

640
00:27:11,280 --> 00:27:14,120
Speaker 1: you guys watch first episode of You for You? No?

641
00:27:14,240 --> 00:27:16,320
Speaker 1: I didn't see it yet. I watched it this morning.

642
00:27:16,480 --> 00:27:24,240
Speaker 1: Was it okay? Thumbs down? Thumbs down? It's not bad.

643
00:27:24,560 --> 00:27:28,280
Speaker 1: It's just the first time season one and two. It's

644
00:27:28,280 --> 00:27:30,720
Speaker 1: about high school kids in high school with different high

645
00:27:30,720 --> 00:27:34,000
Speaker 1: school storylines. Now they're out and I don't know where

646
00:27:34,000 --> 00:27:37,240
Speaker 1: they're gonna take the show. Yes, like RW is she's

647
00:27:37,280 --> 00:27:39,080
Speaker 1: a fucking drug mutic Is this about to be a

648
00:27:39,119 --> 00:27:42,000
Speaker 1: Mexican cartel show? Or is this gonna be nice? Like,

649
00:27:42,240 --> 00:27:43,439
Speaker 1: I don't know where they're gonna go with it. I

650
00:27:43,440 --> 00:27:46,199
Speaker 1: really didn't mind it. Why I'm not shitting on it

651
00:27:46,200 --> 00:27:49,359
Speaker 1: the way other people are is because the storylines are

652
00:27:49,400 --> 00:27:52,760
Speaker 1: completely new now and having developed. Everyone has a different storyline.

653
00:27:54,000 --> 00:27:55,920
Speaker 1: I hope they don't lean too much into like all

654
00:27:55,960 --> 00:27:59,560
Speaker 1: the only fans. I think they're they're writings above that,

655
00:28:00,080 --> 00:28:02,440
Speaker 1: like save that for other shows. But it wasn't bad.

656
00:28:02,520 --> 00:28:06,240
Speaker 1: It's just doing a lot like one one girl works

657
00:28:06,320 --> 00:28:08,919
Speaker 1: in Hollywood, wheen's a drug mule, one's a housewife that

658
00:28:08,960 --> 00:28:11,000
Speaker 1: wants to do only fans. One's a construction, like it's

659
00:28:11,040 --> 00:28:13,879
Speaker 1: it's weird. Everyone's just doing their own thing, and I

660
00:28:13,880 --> 00:28:15,280
Speaker 1: don't know where they're gonna take it. That's all.

661
00:28:16,440 --> 00:28:17,159
Speaker 2: It was a lot going on.

662
00:28:17,160 --> 00:28:18,800
Speaker 3: That's the first episode, so you got to give the

663
00:28:18,880 --> 00:28:21,720
Speaker 3: calm to kind of just build into the new characters,

664
00:28:21,720 --> 00:28:24,359
Speaker 3: well not new characters, but the new lives of the characters. Yeah,

665
00:28:24,400 --> 00:28:25,800
Speaker 3: and where they are, and I mean that's not far

666
00:28:25,880 --> 00:28:27,800
Speaker 3: fits to go to high school with someone and then

667
00:28:27,840 --> 00:28:29,239
Speaker 3: a couple years of a high school find out they

668
00:28:29,359 --> 00:28:30,280
Speaker 3: now work for the cartel.

669
00:28:30,440 --> 00:28:32,520
Speaker 2: Oh no, no, I know it makes sense to me,

670
00:28:32,760 --> 00:28:33,320
Speaker 2: makes sense to me.

671
00:28:33,359 --> 00:28:34,240
Speaker 1: I know a few of them.

672
00:28:34,359 --> 00:28:34,960
Speaker 2: That's what I'm saying.

673
00:28:35,000 --> 00:28:37,800
Speaker 1: They did do a good job of everyone from that

674
00:28:37,880 --> 00:28:40,600
Speaker 1: high school kind of representing a different person that you

675
00:28:40,600 --> 00:28:42,440
Speaker 1: went to high school with, and they ended up doing

676
00:28:43,080 --> 00:28:45,400
Speaker 1: like again, one was a housewife right out the gate,

677
00:28:45,560 --> 00:28:47,360
Speaker 1: and one took over his father's costruction business.

678
00:28:47,520 --> 00:28:48,320
Speaker 2: Same high school.

679
00:28:48,760 --> 00:28:51,920
Speaker 1: Now she's literally swallowing fentanyl and running across the border. There.

680
00:28:51,960 --> 00:28:53,920
Speaker 1: You go, like, yeah, no, I mean it's it's accurate

681
00:28:53,920 --> 00:28:55,840
Speaker 1: with people you go to high They got to let it.

682
00:28:55,920 --> 00:28:57,560
Speaker 2: Let this split the story and fold, and it's a

683
00:28:57,600 --> 00:29:00,920
Speaker 2: five year time jump the fucking actor and actresses have.

684
00:29:01,120 --> 00:29:03,160
Speaker 2: They're like seven years older than they were when the

685
00:29:03,200 --> 00:29:05,320
Speaker 2: show first started. Like that that's tough.

686
00:29:06,160 --> 00:29:08,880
Speaker 1: Yeah, I mean they all still They also look same,

687
00:29:10,240 --> 00:29:13,760
Speaker 1: like it's Hollywood makeup. Everyone looks like they just graduated

688
00:29:14,560 --> 00:29:16,760
Speaker 1: from when they were not seven years from, but they

689
00:29:16,760 --> 00:29:18,320
Speaker 1: looked older when they were high I'm saying they all

690
00:29:18,320 --> 00:29:20,080
Speaker 1: just looked the same. Yeah, seven years you don't really

691
00:29:20,080 --> 00:29:20,840
Speaker 1: look that different.

692
00:29:20,600 --> 00:29:22,680
Speaker 2: From high school, but they weren't high school age when

693
00:29:22,680 --> 00:29:25,120
Speaker 2: they were playing. That's all looked the same.

694
00:29:25,240 --> 00:29:27,120
Speaker 1: Still, they looked way older than what they should have

695
00:29:27,120 --> 00:29:28,440
Speaker 1: been for high school, well at least when I went

696
00:29:28,480 --> 00:29:30,280
Speaker 1: to high school. That's not what kids look like. Maybe

697
00:29:30,320 --> 00:29:33,479
Speaker 1: they do now with makeup. But they have a crazy

698
00:29:33,480 --> 00:29:36,680
Speaker 1: scene in there where for when her friend swallowed the

699
00:29:36,760 --> 00:29:40,080
Speaker 1: fucking fentanyl balloons, like a whole bowl of them and

700
00:29:40,200 --> 00:29:43,080
Speaker 1: that process. Yeah, I did, like look away. Really, I

701
00:29:43,120 --> 00:29:48,120
Speaker 1: cannot believe, like I had to look away.

702
00:29:49,000 --> 00:29:49,960
Speaker 2: He got queasy.

703
00:29:51,000 --> 00:29:54,880
Speaker 1: I had to look away. Shut the fucking No, it's

704
00:29:55,080 --> 00:29:58,400
Speaker 1: most most if you had, Like the only time I

705
00:29:58,440 --> 00:30:00,600
Speaker 1: want to hear gag is when I'm getting Like it

706
00:30:00,680 --> 00:30:04,400
Speaker 1: was just so gross and fucking swallowing fitting ol balloons.

707
00:30:04,560 --> 00:30:07,280
Speaker 2: It was just like this fucking big You had to

708
00:30:07,280 --> 00:30:07,760
Speaker 2: look away.

709
00:30:08,640 --> 00:30:12,160
Speaker 1: They dragged the scene off like, no, they went extra

710
00:30:12,280 --> 00:30:13,600
Speaker 1: like they went extra.

711
00:30:13,320 --> 00:30:15,360
Speaker 2: In with It's an HBO scene, so they probably did

712
00:30:15,480 --> 00:30:18,280
Speaker 2: make it extra disgusting on purpose, like they.

713
00:30:18,080 --> 00:30:20,920
Speaker 1: Were throwing up and ship basically yeah, and then like

714
00:30:21,000 --> 00:30:24,760
Speaker 1: they then because they have to drive from Mexico back

715
00:30:24,800 --> 00:30:28,600
Speaker 1: to California and they can't ship. Yeah, it's just the

716
00:30:28,640 --> 00:30:31,920
Speaker 1: scene then she ends up shitting herself and the dog

717
00:30:32,000 --> 00:30:35,280
Speaker 1: starts licking the ship, and then the dogs.

718
00:30:35,440 --> 00:30:38,000
Speaker 2: No spoilers, but there you go, spoiling the whole damn shit.

719
00:30:38,040 --> 00:30:39,760
Speaker 2: I mean, I'm not it's not anything.

720
00:30:39,480 --> 00:30:42,160
Speaker 1: That's I'll probably skip that anyone. I don't see dogs.

721
00:30:42,200 --> 00:30:45,000
Speaker 1: And then you know they ship in like the strainer. Yeah,

722
00:30:45,040 --> 00:30:46,400
Speaker 1: they got to get the balloon. And then right when

723
00:30:46,400 --> 00:30:49,360
Speaker 1: the scene cuts, the cuts to the strainer and spaghetti

724
00:30:49,560 --> 00:30:52,920
Speaker 1: goes in it as if now they're eating dinner with

725
00:30:53,000 --> 00:30:54,440
Speaker 1: the same got it.

726
00:30:54,440 --> 00:30:57,000
Speaker 3: It's just a lot that like, we didn't need that

727
00:30:57,120 --> 00:30:58,959
Speaker 3: scene just yeah, we didn't need that. We didn't need

728
00:30:58,960 --> 00:30:59,920
Speaker 3: that that visual detail.

729
00:31:00,240 --> 00:31:00,719
Speaker 2: I mean it did.

730
00:31:00,880 --> 00:31:04,320
Speaker 1: I've never thought about drug mules before, and like the process.

731
00:31:04,360 --> 00:31:06,160
Speaker 1: Of course, I've heard of people swallowing things and shopping

732
00:31:06,200 --> 00:31:08,440
Speaker 1: them out, but I never thought of how hard that

733
00:31:08,480 --> 00:31:13,480
Speaker 1: process must be because it was a full ball. Would

734
00:31:13,480 --> 00:31:14,440
Speaker 1: you ever be a drug mule?

735
00:31:15,120 --> 00:31:17,040
Speaker 3: The marriage if somebody was like, listen, you take this

736
00:31:17,320 --> 00:31:21,520
Speaker 3: across the border, we give you eight hundred thousand, No,

737
00:31:22,400 --> 00:31:22,840
Speaker 3: that wouldn't.

738
00:31:22,840 --> 00:31:23,440
Speaker 1: You wouldn't do it.

739
00:31:23,480 --> 00:31:27,320
Speaker 2: I'm a scary I'm really scary. Mm hmm. Okay, No,

740
00:31:27,640 --> 00:31:29,320
Speaker 2: I bought drugs out of the country before.

741
00:31:30,200 --> 00:31:32,360
Speaker 1: No, you know, you get the same penalty. They gonna

742
00:31:32,440 --> 00:31:35,240
Speaker 1: kill you either way. Yeah, I know, but like, yeah,

743
00:31:35,240 --> 00:31:37,000
Speaker 1: we don't wt have to trade you for another terrorist.

744
00:31:38,120 --> 00:31:41,240
Speaker 3: Yeah we got hosed in that deal. I still I

745
00:31:41,240 --> 00:31:43,000
Speaker 3: don't know what Britain grind is average. And I still

746
00:31:43,000 --> 00:31:43,840
Speaker 3: don't know what she's average.

747
00:31:44,480 --> 00:31:46,200
Speaker 1: I just said I don't know what are her numbers? Like?

748
00:31:46,360 --> 00:31:48,560
Speaker 1: Can we pull the numbers up? What is she average?

749
00:31:48,640 --> 00:31:51,720
Speaker 1: Is the trade? I'm just saying, I don't know. I

750
00:31:51,720 --> 00:31:54,120
Speaker 1: don't need a merchant another merchant of death room to

751
00:31:54,360 --> 00:31:55,160
Speaker 1: obay for damriage.

752
00:31:55,240 --> 00:31:56,840
Speaker 2: I don't need that. I mean, why I would be

753
00:31:56,880 --> 00:31:59,360
Speaker 2: worth a lot going on? I wouldn't be worth it

754
00:31:59,520 --> 00:32:02,320
Speaker 2: the merchant death? No, like the world?

755
00:32:02,400 --> 00:32:03,520
Speaker 1: Yeah, well the.

756
00:32:03,520 --> 00:32:05,320
Speaker 2: World's been fucking fine. What is the merchant of death?

757
00:32:05,440 --> 00:32:07,040
Speaker 2: Was his numbers since he got released?

758
00:32:07,080 --> 00:32:13,200
Speaker 1: He's putting up there was a reason he was doing life.

759
00:32:15,200 --> 00:32:18,280
Speaker 3: Okay, she averaged eighteen and seven and twenty twenty three.

760
00:32:18,960 --> 00:32:22,880
Speaker 1: Okay, I'm telling you that ten and five. Okay, numbers

761
00:32:22,920 --> 00:32:25,920
Speaker 1: slipping a little bit, but all right, he averages eighteen

762
00:32:26,600 --> 00:32:29,960
Speaker 1: per second. Yeah, Death's responsible. His numbers are up there

763
00:32:30,040 --> 00:32:33,680
Speaker 1: for sure. What else? But yeah, everyone should check out

764
00:32:33,720 --> 00:32:36,160
Speaker 1: you for you, I'm gonna check it. I was kind

765
00:32:36,160 --> 00:32:37,959
Speaker 1: of shocked that people were shitting on it, like like

766
00:32:38,200 --> 00:32:38,560
Speaker 1: they were.

767
00:32:38,840 --> 00:32:41,640
Speaker 2: Why would you be shocked? The internet loves to hate things. No,

768
00:32:42,560 --> 00:32:46,960
Speaker 2: sometimes it's fun to enjoy shows. Yeah, that concepts. Everybody

769
00:32:47,040 --> 00:32:49,000
Speaker 2: was looking for it. They were shitting on the trailer.

770
00:32:49,040 --> 00:32:51,240
Speaker 2: I don't need to see this, Ryan, I'm telling it.

771
00:32:51,240 --> 00:32:51,640
Speaker 1: It's a lot.

772
00:32:52,160 --> 00:32:53,680
Speaker 2: They were shitting on the trailer when it came out.

773
00:32:53,720 --> 00:32:56,200
Speaker 2: They were like, it's not like glittery and euphoric like

774
00:32:56,240 --> 00:32:59,200
Speaker 2: it was before. And people just don't like change, so

775
00:32:59,440 --> 00:33:01,280
Speaker 2: they don't like. I don't like when you say the same.

776
00:33:01,360 --> 00:33:02,840
Speaker 2: You can't make a very happier.

777
00:33:03,000 --> 00:33:04,640
Speaker 1: I mean, the only way I want the only fans

778
00:33:04,640 --> 00:33:09,640
Speaker 1: want to keep going is like if they show hold.

779
00:33:09,360 --> 00:33:11,600
Speaker 1: They have a really cool rollout thing that they could

780
00:33:11,640 --> 00:33:14,600
Speaker 1: do right now. They could really make Sidney Sweeney doing

781
00:33:14,680 --> 00:33:19,640
Speaker 1: only fans. Oh all right, she can double up and

782
00:33:19,640 --> 00:33:23,959
Speaker 1: play both characters, but make it realm. But yeah, they

783
00:33:23,960 --> 00:33:25,520
Speaker 1: got to. I mean, you gotta show hold if you're

784
00:33:25,640 --> 00:33:27,600
Speaker 1: trying to keep it as real as Euphoria always has,

785
00:33:27,680 --> 00:33:30,080
Speaker 1: you got to show hold. If you're doing only fans,

786
00:33:30,200 --> 00:33:31,760
Speaker 1: roll on ephor your shop.

787
00:33:33,440 --> 00:33:36,160
Speaker 2: They said Jacob Alordy was phoning it in. They're like,

788
00:33:36,240 --> 00:33:40,000
Speaker 2: he's not. He's not dedicated to the role anymore because

789
00:33:40,040 --> 00:33:43,400
Speaker 2: of you know, he's done a lot. Yeah, since that rule.

790
00:33:43,360 --> 00:33:45,160
Speaker 1: We're trying to happen. But again, give it some time.

791
00:33:45,240 --> 00:33:49,720
Speaker 2: Who knows no wall.

792
00:33:49,760 --> 00:33:51,840
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793
00:33:51,880 --> 00:33:54,280
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794
00:33:54,800 --> 00:33:57,200
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795
00:33:57,240 --> 00:34:00,640
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796
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797
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798
00:34:05,480 --> 00:34:07,160
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799
00:34:07,200 --> 00:34:09,640
Speaker 1: tricky little devils and mall. You always keep your same

800
00:34:09,680 --> 00:34:12,120
Speaker 1: phone number, your same phone, whatever you want to do,

801
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Speaker 1: and you save up to six hundred dollars a year

802
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803
00:34:15,719 --> 00:34:18,440
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804
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805
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806
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807
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808
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809
00:34:36,000 --> 00:34:39,799
Speaker 1: But real life Euphoria Coachella. Coachella to me is real

810
00:34:39,800 --> 00:34:41,560
Speaker 1: life you for you? Oh for sure, like you're walking

811
00:34:41,560 --> 00:34:45,080
Speaker 1: into the set of of Euphoria when you're at Coachella day.

812
00:34:45,080 --> 00:34:47,319
Speaker 1: Want to watch any of the live streams, any any

813
00:34:47,360 --> 00:34:50,800
Speaker 1: of the clips I watched. The Beebes Beabs is the

814
00:34:50,800 --> 00:34:52,839
Speaker 1: one that I saw as well. I didn't see anything else.

815
00:34:53,120 --> 00:34:55,400
Speaker 1: What did you think about the beaver thing? Was it

816
00:34:55,480 --> 00:34:58,600
Speaker 1: lazy or was it creative? I think it could be

817
00:34:58,719 --> 00:35:00,480
Speaker 1: a mixture of both.

818
00:35:00,640 --> 00:35:03,640
Speaker 2: But I was seeing rumors that because Scooter Brown owns

819
00:35:03,640 --> 00:35:06,960
Speaker 2: his catalog, he can only perform his old songs through YouTube.

820
00:35:06,960 --> 00:35:08,600
Speaker 2: I don't know how accurate that is.

821
00:35:09,680 --> 00:35:12,440
Speaker 1: Yeah, I know a lot of artists that are in

822
00:35:12,520 --> 00:35:15,879
Speaker 1: really shitty deals and still can perform. Yeah, so their

823
00:35:15,920 --> 00:35:21,080
Speaker 1: stuff even on live streams that are free. Yeah, I

824
00:35:21,080 --> 00:35:23,640
Speaker 1: thought it was all right. I can totally understand someone

825
00:35:23,840 --> 00:35:28,040
Speaker 1: that is looking for a Coachella full on performance. I

826
00:35:28,120 --> 00:35:31,960
Speaker 1: can happily see someone going, you know, I paid this

827
00:35:32,120 --> 00:35:34,480
Speaker 1: much money and the headliner needs to put on a

828
00:35:34,520 --> 00:35:37,840
Speaker 1: fucking show. But it did kind of adapt to the times,

829
00:35:37,840 --> 00:35:39,439
Speaker 1: Like I think that is kind of cool. To sit

830
00:35:39,520 --> 00:35:42,919
Speaker 1: and watch your favorite artists go through his YouTube shit

831
00:35:43,040 --> 00:35:46,200
Speaker 1: like this is what society is now, Like we watch

832
00:35:46,280 --> 00:35:48,200
Speaker 1: streamers that just do that all day too, of like

833
00:35:48,200 --> 00:35:50,360
Speaker 1: pull up stuff, and like, I think it was a

834
00:35:50,480 --> 00:35:52,640
Speaker 1: cool way that we've never seen a superstar do something

835
00:35:52,640 --> 00:35:52,879
Speaker 1: like that.

836
00:35:53,120 --> 00:35:54,880
Speaker 2: And that wasn't his full performance, No, of.

837
00:35:54,880 --> 00:35:59,319
Speaker 1: Course there was. There was great set design, but yeah,

838
00:35:59,400 --> 00:36:01,279
Speaker 1: I thought it was a cool add on and to

839
00:36:01,320 --> 00:36:04,359
Speaker 1: watch someone that's been famous forever go back to their

840
00:36:04,360 --> 00:36:07,239
Speaker 1: old videos and like, I don't know, I think it

841
00:36:07,640 --> 00:36:11,920
Speaker 1: matches the times. I'll say that if you hate it,

842
00:36:11,960 --> 00:36:15,600
Speaker 1: I get it, but it matches twenty twenty six what

843
00:36:15,880 --> 00:36:19,160
Speaker 1: younger people do all day. So I didn't think it

844
00:36:19,200 --> 00:36:22,160
Speaker 1: was that bad. If it was the whole set, then

845
00:36:22,160 --> 00:36:23,840
Speaker 1: I'll been like, all right, man, I don't know if I've.

846
00:36:23,719 --> 00:36:26,520
Speaker 3: Ever seen a Justin Bieber performance. That was like incredible,

847
00:36:26,520 --> 00:36:29,600
Speaker 3: though he's that's not him, Like I've never seen. I

848
00:36:29,600 --> 00:36:31,239
Speaker 3: don't I'm just sitting there. I'm trying to think, like

849
00:36:31,680 --> 00:36:34,359
Speaker 3: I've never seen Justin and Justin is He's dope. He's

850
00:36:34,400 --> 00:36:37,279
Speaker 3: an incredible artist, but I've never seen a performance of

851
00:36:37,320 --> 00:36:40,040
Speaker 3: his and was like, yo, that was the production in

852
00:36:40,040 --> 00:36:42,839
Speaker 3: the stage, everything was incredible. I don't know if I've

853
00:36:42,880 --> 00:36:45,520
Speaker 3: ever the songs are dope, but they's performing but he

854
00:36:45,600 --> 00:36:46,439
Speaker 3: sounds good live.

855
00:36:46,560 --> 00:36:48,040
Speaker 1: But well, I mean, you guys know how I feel

856
00:36:48,040 --> 00:36:50,479
Speaker 1: about the grandest Ukon performance. But I hear what you're saying,

857
00:36:50,560 --> 00:36:52,040
Speaker 1: like if you were to go to an Usher show

858
00:36:52,040 --> 00:36:53,920
Speaker 1: at Chris Brown show, Yeah, like it's not on that.

859
00:36:54,239 --> 00:36:58,040
Speaker 1: I don't know if that's always been like Beab's strongest. No,

860
00:36:58,200 --> 00:37:01,240
Speaker 1: he's just like the handsome white boy who plays guitar.

861
00:37:02,200 --> 00:37:04,160
Speaker 1: You know, he guys tats. He looks like he just

862
00:37:04,280 --> 00:37:06,360
Speaker 1: ran out of seven to eleven from getting a fucking

863
00:37:07,120 --> 00:37:09,759
Speaker 1: a big slurpy. His new look looks like it could

864
00:37:09,760 --> 00:37:10,279
Speaker 1: be on you phone.

865
00:37:10,320 --> 00:37:12,200
Speaker 3: Yeah, it's just like all right, cool and it's like,

866
00:37:12,239 --> 00:37:14,960
Speaker 3: oh he can actually he can sing. But it's never

867
00:37:15,000 --> 00:37:17,440
Speaker 3: been a wow performance from Justin Bieber. I don't have

868
00:37:17,440 --> 00:37:20,240
Speaker 3: never seen a Justin Bieber performance where I was like wow,

869
00:37:20,360 --> 00:37:21,960
Speaker 3: like that guy is somebody I need to go see

870
00:37:21,960 --> 00:37:25,200
Speaker 3: on tour, like yeah, and he has the records, like

871
00:37:25,280 --> 00:37:28,799
Speaker 3: the records incredible, but his stage performance has never been.

872
00:37:29,160 --> 00:37:30,759
Speaker 3: So I don't understand why people were that upset, but

873
00:37:30,840 --> 00:37:32,080
Speaker 3: it I was like, I don't never know if I've

874
00:37:32,080 --> 00:37:34,040
Speaker 3: ever seen a Justin Bieber performance where it was like

875
00:37:34,520 --> 00:37:35,719
Speaker 3: he really moved the needle.

876
00:37:35,520 --> 00:37:38,440
Speaker 1: With that one. I hear you, he might have moved

877
00:37:38,480 --> 00:37:40,160
Speaker 1: the needle with this one if we were keeping it.

878
00:37:40,560 --> 00:37:42,640
Speaker 1: And when we were having that initial Justin Bieber conversation

879
00:37:42,680 --> 00:37:44,959
Speaker 1: after the Grammy's other saying he needs to be brought

880
00:37:45,000 --> 00:37:47,279
Speaker 1: up in that pop star conversation, I will say, is

881
00:37:47,280 --> 00:37:50,560
Speaker 1: is Achilles heel in that conversation? Would be a live performance, yeah,

882
00:37:50,600 --> 00:37:53,839
Speaker 1: like talent wise, yeah, hate checks every box over there.

883
00:37:53,880 --> 00:37:55,960
Speaker 1: But yeah, I don't know if there's been that one

884
00:37:56,080 --> 00:37:59,400
Speaker 1: tour that I mean, maybe to well they're probably not

885
00:37:59,400 --> 00:38:02,880
Speaker 1: young anymore, but the people that were ten years old

886
00:38:03,160 --> 00:38:05,239
Speaker 1: when Justin Bieber came out with Baby, I don't know.

887
00:38:05,239 --> 00:38:08,680
Speaker 1: Maybe one of those tours is huge to them. But

888
00:38:08,760 --> 00:38:12,080
Speaker 1: I've never also sing one that was like holy shit. Yeah,

889
00:38:12,120 --> 00:38:12,680
Speaker 1: Like I don't know.

890
00:38:12,680 --> 00:38:14,960
Speaker 3: I mean, great music, great songs, but I don't know

891
00:38:15,000 --> 00:38:16,960
Speaker 3: if there's live performance is the one that we're supposed

892
00:38:16,960 --> 00:38:18,960
Speaker 3: to look at like, oh, he's supposed to set the

893
00:38:18,960 --> 00:38:20,239
Speaker 3: bar like I just don't look at.

894
00:38:20,200 --> 00:38:22,600
Speaker 1: Justin for that because I like the Yukon performance so much.

895
00:38:22,640 --> 00:38:27,640
Speaker 1: That's maybe That's why I liked some of that. The underwear, Yeah,

896
00:38:27,800 --> 00:38:29,680
Speaker 1: you enjoyed that.

897
00:38:28,680 --> 00:38:30,120
Speaker 2: I that live.

898
00:38:30,360 --> 00:38:32,480
Speaker 1: I'm not not the performance of him and his underwear.

899
00:38:32,520 --> 00:38:36,080
Speaker 1: That that audio like him singing that version of Yukon

900
00:38:36,520 --> 00:38:38,680
Speaker 1: Like I play that in, like the acoustic version, yeah,

901
00:38:39,000 --> 00:38:41,000
Speaker 1: and without the pitch because he has pitched up on

902
00:38:41,000 --> 00:38:43,280
Speaker 1: the album, which I don't mind, but hearing his actual

903
00:38:43,320 --> 00:38:45,600
Speaker 1: voice on it. I played that version more. But like

904
00:38:45,640 --> 00:38:51,360
Speaker 1: I closed my YouTube app and I'm not in the

905
00:38:51,360 --> 00:38:54,880
Speaker 1: car like looking at Beebs dash putting the phone on

906
00:38:54,920 --> 00:38:58,320
Speaker 1: the dash to watch Bieber and his underwear any zoom

907
00:38:58,360 --> 00:39:04,319
Speaker 1: in Like I think we he's looking.

908
00:39:06,400 --> 00:39:09,759
Speaker 2: I like.

909
00:39:09,800 --> 00:39:17,839
Speaker 1: Jesus wax. He's waxed and wagged. He's waxed. Ina. Well,

910
00:39:17,840 --> 00:39:20,040
Speaker 1: maybe that's why I like the YouTube, like stripped down

911
00:39:20,400 --> 00:39:22,360
Speaker 1: version of Beams, because I think that's cooler and it

912
00:39:22,400 --> 00:39:24,920
Speaker 1: highlights how good his voice is, because again, he's not

913
00:39:25,040 --> 00:39:28,719
Speaker 1: the He can dance sort of, but not the way

914
00:39:28,920 --> 00:39:31,600
Speaker 1: like Chris Brown. He's not justin timberlay, but you know,

915
00:39:31,680 --> 00:39:34,880
Speaker 1: he's you know. But I mean, that's that's all I

916
00:39:34,880 --> 00:39:39,080
Speaker 1: saw it with Coach. Was there any other highlights? Again?

917
00:39:39,200 --> 00:39:42,200
Speaker 1: I was working during all of the Coachella ship was there.

918
00:39:42,680 --> 00:39:43,560
Speaker 1: I didn't see none of it.

919
00:39:43,840 --> 00:39:46,480
Speaker 2: I saw on stage with giving on perform and folded.

920
00:39:46,600 --> 00:39:48,320
Speaker 2: That's a highlight to me. I don't know about the

921
00:39:48,360 --> 00:39:48,879
Speaker 2: rest of the world.

922
00:39:49,080 --> 00:39:50,560
Speaker 1: Yeah, of course.

923
00:39:51,400 --> 00:39:53,239
Speaker 2: Do you guys think Coachella is falling off or like

924
00:39:53,320 --> 00:39:54,800
Speaker 2: losing losing its appeal?

925
00:39:55,239 --> 00:39:59,160
Speaker 3: Everything is losing its appeal. Nothing has much allore anymore.

926
00:40:01,640 --> 00:40:02,960
Speaker 3: I mean, when it comes to this type of shit,

927
00:40:02,960 --> 00:40:05,520
Speaker 3: we see, we've seen everything, Like what else can we

928
00:40:06,520 --> 00:40:08,600
Speaker 3: Like Kanye literally had to cut the world in half

929
00:40:08,600 --> 00:40:10,360
Speaker 3: and bring it to so Far Stadium for us to

930
00:40:10,360 --> 00:40:13,319
Speaker 3: be like, wow, that was great. Like if you're not

931
00:40:13,360 --> 00:40:16,120
Speaker 3: doing that, like if your level of production is not that,

932
00:40:16,760 --> 00:40:18,160
Speaker 3: it's like we've seen it already.

933
00:40:19,000 --> 00:40:21,520
Speaker 2: I think that might be the issue with Coachella too.

934
00:40:21,560 --> 00:40:25,000
Speaker 2: I think Beachella kind of fuckedsh it up, like afterwards,

935
00:40:25,040 --> 00:40:27,879
Speaker 2: like because Coachella didn't used to be the headliners, didn't

936
00:40:27,960 --> 00:40:31,040
Speaker 2: used to be this huge, huge production and then she

937
00:40:31,160 --> 00:40:32,200
Speaker 2: did that, and it's like.

938
00:40:33,000 --> 00:40:37,160
Speaker 1: No, they did, but nothing can really compare to that. Yeah,

939
00:40:37,360 --> 00:40:39,880
Speaker 1: but yeah, they used to. It was still a big

940
00:40:39,960 --> 00:40:40,520
Speaker 1: thing for that.

941
00:40:40,600 --> 00:40:41,839
Speaker 2: I mean it was a bit I'm not I'm talking

942
00:40:41,840 --> 00:40:43,719
Speaker 2: about like I'm not talking about big as in like

943
00:40:43,840 --> 00:40:46,799
Speaker 2: I'm talking about Obviously it was big and they had

944
00:40:46,840 --> 00:40:49,879
Speaker 2: big headliners, but as far as production wise of the show,

945
00:40:50,000 --> 00:40:52,239
Speaker 2: it was not like a huge thing.

946
00:40:52,520 --> 00:40:56,000
Speaker 1: Yeah, I get I feel like there's like not very

947
00:40:56,080 --> 00:40:59,160
Speaker 1: many moments left and maybe that that falls on the

948
00:40:59,200 --> 00:41:01,040
Speaker 1: superstar being on and all the other stuff that we

949
00:41:01,440 --> 00:41:05,799
Speaker 1: talk about within the music industry. Coachelle is great for

950
00:41:05,960 --> 00:41:08,960
Speaker 1: moments like Frank Ocean was, oh my god, he's headlining,

951
00:41:09,000 --> 00:41:11,320
Speaker 1: we get a great moment. It's unfortunate that his performance

952
00:41:11,400 --> 00:41:13,560
Speaker 1: ended up sucking Weekend one and they didn't even show

953
00:41:13,640 --> 00:41:18,719
Speaker 1: up weekend two. But moments aren't really there anymore. Like

954
00:41:18,760 --> 00:41:21,840
Speaker 1: what would be a big moment of even nostalgic artists

955
00:41:21,840 --> 00:41:23,359
Speaker 1: that you'd be like, oh shit, we gotta go see

956
00:41:23,360 --> 00:41:27,960
Speaker 1: that Usher Chris Brown together. Yeah, I mean they have

957
00:41:28,160 --> 00:41:31,440
Speaker 1: the tour. I could see that being a thing. That's

958
00:41:31,440 --> 00:41:34,239
Speaker 1: what niggas gotta do. You gotta do shit like that. Yeah,

959
00:41:34,320 --> 00:41:37,600
Speaker 1: Usher and Chris Brown. Look look at what uh a

960
00:41:37,719 --> 00:41:39,040
Speaker 1: list legends have to do.

961
00:41:39,320 --> 00:41:40,839
Speaker 2: Keep up well not but not them too.

962
00:41:40,920 --> 00:41:44,960
Speaker 3: They've they've they've went on batteries and have done incredible,

963
00:41:45,000 --> 00:41:47,800
Speaker 3: you know shows themselves. But I think that them announcing

964
00:41:48,040 --> 00:41:50,919
Speaker 3: to a joint tour together is like, damn, I don't

965
00:41:50,920 --> 00:41:53,960
Speaker 3: know if we've two R and B acts like this?

966
00:41:54,400 --> 00:41:57,040
Speaker 1: Have we ever had this? I don't think at this

967
00:41:57,120 --> 00:41:59,640
Speaker 1: level though, No, definitely, this is crazy. Do you think

968
00:41:59,760 --> 00:42:05,120
Speaker 1: artist at that level still have that Coachella checklist thing

969
00:42:05,280 --> 00:42:09,480
Speaker 1: in their their brain? I don't know if Usher or

970
00:42:09,600 --> 00:42:11,759
Speaker 1: Chris Brown really care, because that could be a thing too.

971
00:42:11,800 --> 00:42:13,680
Speaker 1: I don't know if the artists that are going to

972
00:42:13,719 --> 00:42:18,359
Speaker 1: create the huge moments are really have that like on

973
00:42:18,440 --> 00:42:21,880
Speaker 1: their whiteboard every year, like, you know what, for my career,

974
00:42:22,080 --> 00:42:23,719
Speaker 1: I gotta win a Grammy, I gotta I gotta do that.

975
00:42:23,800 --> 00:42:25,560
Speaker 1: I have to do my world tour. I have to

976
00:42:25,560 --> 00:42:27,440
Speaker 1: do Coachella. I don't know if that's like on everyone's

977
00:42:27,440 --> 00:42:32,080
Speaker 1: board anymore, No doubt it. I mean, of course ten

978
00:42:32,080 --> 00:42:34,560
Speaker 1: million dollars would, yes, what they pay. Got to get

979
00:42:34,560 --> 00:42:37,160
Speaker 1: it done, it's great. Got to get me to Coachella.

980
00:42:37,480 --> 00:42:40,600
Speaker 1: Can you say I'll be there? I don't know if

981
00:42:40,640 --> 00:42:42,960
Speaker 1: Chris and Usher really I'm pretty sure they got it.

982
00:42:43,000 --> 00:42:47,080
Speaker 1: They've they've definitely been offered Coachella before. They both haven't done.

983
00:42:47,120 --> 00:42:49,000
Speaker 1: I mean, Chris goes to Coachella every year. He hasn't

984
00:42:49,040 --> 00:42:49,480
Speaker 1: done it before.

985
00:42:49,520 --> 00:42:52,200
Speaker 3: He's definitely he's definitely been offered to do it without

986
00:42:52,200 --> 00:42:55,319
Speaker 3: a doubt. I think we can pretty much guarantee that

987
00:42:55,400 --> 00:42:59,279
Speaker 3: Chris Brown has been offered a Coachella headline before. Like

988
00:42:59,320 --> 00:43:02,279
Speaker 3: what hasn't Chris Brown and offered before? Like, so we

989
00:43:02,360 --> 00:43:05,160
Speaker 3: know that he just probably just doesn't didn't obviously didn't,

990
00:43:05,160 --> 00:43:05,719
Speaker 3: didn't do it.

991
00:43:05,880 --> 00:43:08,680
Speaker 1: So Usher has appeared on Coachella, but he was a

992
00:43:08,680 --> 00:43:11,759
Speaker 1: special guest, not a headliner. Oh yeah, next year, Chris

993
00:43:11,760 --> 00:43:14,879
Speaker 1: Brown and Usher coming off their tour. I can see

994
00:43:14,920 --> 00:43:19,080
Speaker 1: that being a moment, like in the desert ushering Forris Brown,

995
00:43:19,120 --> 00:43:21,399
Speaker 1: I think guess that that brings him a lure back

996
00:43:21,400 --> 00:43:24,719
Speaker 1: to Coachella, at least in our world. Yeah, but either way,

997
00:43:24,760 --> 00:43:28,960
Speaker 1: Coachella has become I think we're thinking of music a

998
00:43:29,000 --> 00:43:33,719
Speaker 1: lower Coachella is just fucking an influencer weekend. Like it's

999
00:43:33,840 --> 00:43:35,560
Speaker 1: just it has a lowre it's just not a lore

1000
00:43:35,640 --> 00:43:39,880
Speaker 1: that Yeah, it's still there, it's just not what we

1001
00:43:40,000 --> 00:43:41,280
Speaker 1: you spook at the stars.

1002
00:43:41,600 --> 00:43:43,600
Speaker 2: I don't even think it's that. I think we, like

1003
00:43:43,680 --> 00:43:46,040
Speaker 2: many things, we've aged out of it, and I hate

1004
00:43:46,040 --> 00:43:48,000
Speaker 2: when people say things, oh, it's just for influencers. Now,

1005
00:43:48,200 --> 00:43:50,799
Speaker 2: just because you see all your favorite influencers there does

1006
00:43:50,800 --> 00:43:54,440
Speaker 2: not mean there's hundreds of thousands of However, many people

1007
00:43:54,440 --> 00:43:55,320
Speaker 2: that are there that are.

1008
00:43:55,200 --> 00:43:57,520
Speaker 1: Just normal people who oh no, no, no, no, I agree

1009
00:43:57,560 --> 00:44:01,160
Speaker 1: to I'm saying that the allure of it is even

1010
00:44:01,200 --> 00:44:03,880
Speaker 1: people going to see their influencers that are just happened

1011
00:44:03,880 --> 00:44:06,960
Speaker 1: to be there, and like, it's become just a content weekend.

1012
00:44:06,960 --> 00:44:10,200
Speaker 1: Even if you're just a regular person that doesn't do that,

1013
00:44:10,520 --> 00:44:16,759
Speaker 1: You're you're mainly there to do content. Okay, Listen, I

1014
00:44:16,800 --> 00:44:22,080
Speaker 1: went to Coachella when Emotional Oranges was Yeah, i mean,

1015
00:44:22,520 --> 00:44:25,759
Speaker 1: nobody was off their phone, I'll put it that way, But.

1016
00:44:25,719 --> 00:44:28,040
Speaker 2: I mean I just feel like that's that's just how

1017
00:44:28,080 --> 00:44:29,600
Speaker 2: the world is now. Even when you go to a

1018
00:44:29,640 --> 00:44:32,239
Speaker 2: concert now, people aren't influencers because they have their phone out.

1019
00:44:32,239 --> 00:44:33,400
Speaker 2: There's just normal people recording that.

1020
00:44:33,440 --> 00:44:34,880
Speaker 1: Yeah, but there's only so much Like when you and

1021
00:44:34,920 --> 00:44:39,480
Speaker 1: I went to what's the one in Newark the Stadium Prudential,

1022
00:44:40,040 --> 00:44:42,760
Speaker 1: there's only so much content you can grab at Prudential

1023
00:44:43,760 --> 00:44:46,440
Speaker 1: a weekend. You have the desert, you have the stage

1024
00:44:46,480 --> 00:44:48,600
Speaker 1: of other people, you have camping. You're like, it's a

1025
00:44:48,600 --> 00:44:52,240
Speaker 1: full content weekend. We can only get so many videos

1026
00:44:52,280 --> 00:44:53,680
Speaker 1: different activations.

1027
00:44:54,520 --> 00:44:57,120
Speaker 2: Yeah, which is which is fun, but that doesn't make people.

1028
00:44:57,560 --> 00:44:59,880
Speaker 2: I just feel like, Okay, that's things for people to enjoy, Like,

1029
00:45:00,000 --> 00:45:01,960
Speaker 2: I don't think that that makes them content creators. I

1030
00:45:01,960 --> 00:45:04,200
Speaker 2: feel everybody's a content creator these days. If that's the case,

1031
00:45:04,239 --> 00:45:06,160
Speaker 2: people are recording stuff on their phone, they're having a ball.

1032
00:45:06,360 --> 00:45:09,239
Speaker 2: I just don't want to give I feel like influencers

1033
00:45:09,239 --> 00:45:11,399
Speaker 2: get a lot of slack. I don't want to give

1034
00:45:11,560 --> 00:45:15,760
Speaker 2: people the idea that regular things or for like rolling

1035
00:45:15,840 --> 00:45:18,279
Speaker 2: Loud or music festivals that people enjoy, that it's just

1036
00:45:18,320 --> 00:45:20,480
Speaker 2: for content creators or that's all people are doing there.

1037
00:45:20,520 --> 00:45:22,560
Speaker 2: People are there enjoying the music. If their phones are

1038
00:45:22,560 --> 00:45:24,200
Speaker 2: out their phones, Oh yeah, some people are definitely they

1039
00:45:24,239 --> 00:45:25,080
Speaker 2: are just enjoying.

1040
00:45:25,080 --> 00:45:27,239
Speaker 3: But it's one hundred The reason why I said the

1041
00:45:27,320 --> 00:45:29,400
Speaker 3: law is going is because you don't even have to

1042
00:45:29,400 --> 00:45:32,080
Speaker 3: go to an event and still experience the entire event.

1043
00:45:32,760 --> 00:45:35,960
Speaker 3: I can literally just sit on social media and just

1044
00:45:36,239 --> 00:45:38,000
Speaker 3: watch certain people that are at events and feel like

1045
00:45:38,080 --> 00:45:39,880
Speaker 3: I've seen everything that went on at that event.

1046
00:45:40,160 --> 00:45:41,080
Speaker 1: But I'm actually going.

1047
00:45:41,160 --> 00:45:43,960
Speaker 3: Now be four years ago when people didn't even really

1048
00:45:44,040 --> 00:45:46,480
Speaker 3: know what Coachella was the law was different because then

1049
00:45:46,520 --> 00:45:48,640
Speaker 3: you just had stories when people came back from the

1050
00:45:48,680 --> 00:45:51,120
Speaker 3: desert after the week and like yo, it was let yo,

1051
00:45:51,200 --> 00:45:53,120
Speaker 3: this person performed, brought this person you like what, So

1052
00:45:53,200 --> 00:45:56,880
Speaker 3: the law feels a little different versus now everybody's recording

1053
00:45:56,920 --> 00:45:59,640
Speaker 3: it and posting it and live streaming or whatever, and

1054
00:45:59,640 --> 00:46:02,560
Speaker 3: it's just like like, oh, okay, that was cool, I

1055
00:46:02,600 --> 00:46:04,760
Speaker 3: guess you know what I'm saying. So that that factor

1056
00:46:04,880 --> 00:46:09,440
Speaker 3: of not being there and just hearing people talk about it,

1057
00:46:09,440 --> 00:46:10,880
Speaker 3: it was like something with you feel like, damn, I

1058
00:46:10,880 --> 00:46:13,440
Speaker 3: got to experience that for myself one day. And now

1059
00:46:13,480 --> 00:46:15,360
Speaker 3: you don't even have to go and you can experience everything.

1060
00:46:15,360 --> 00:46:16,920
Speaker 1: And I'm really not saying it in a bad way

1061
00:46:16,960 --> 00:46:19,399
Speaker 1: of the influencer thing. I'm not. I just think more

1062
00:46:19,400 --> 00:46:24,799
Speaker 1: people probably watched Coachella vlogs than the performances, like as

1063
00:46:24,840 --> 00:46:27,800
Speaker 1: far as on their phone with clips. Like the allures

1064
00:46:28,040 --> 00:46:30,320
Speaker 1: is that experience. It's not so much the music anymore

1065
00:46:30,600 --> 00:46:33,440
Speaker 1: because it used to be to your point, when it

1066
00:46:33,520 --> 00:46:35,719
Speaker 1: used to just be like a camping thing like that

1067
00:46:35,840 --> 00:46:38,160
Speaker 1: was the allure. Coachell was the music festival you could

1068
00:46:38,160 --> 00:46:41,000
Speaker 1: camp at on the West Coast. It was like woodstock

1069
00:46:41,160 --> 00:46:43,920
Speaker 1: for the West Coast, and yes, you can still do that,

1070
00:46:44,360 --> 00:46:48,640
Speaker 1: but now it's it's like influencer tents and yeah, you know,

1071
00:46:48,800 --> 00:46:52,920
Speaker 1: give people engagement. You know, I saw some of the

1072
00:46:53,600 --> 00:46:56,720
Speaker 1: luxury tents set up. I would do that. That seemed

1073
00:46:56,800 --> 00:46:58,359
Speaker 1: kind of fun, not mad at it.

1074
00:46:58,680 --> 00:47:03,560
Speaker 3: Give people, give influencers and created some opportunities to you know, create,

1075
00:47:03,640 --> 00:47:06,000
Speaker 3: create content and make some money while in the desert.

1076
00:47:05,800 --> 00:47:06,280
Speaker 1: For the weekend.

1077
00:47:06,520 --> 00:47:10,160
Speaker 2: To go next year as a group, I'm cool next year.

1078
00:47:11,480 --> 00:47:14,560
Speaker 1: Listen when I went with EO with with all the

1079
00:47:14,640 --> 00:47:16,800
Speaker 1: access in the world that you could want at Coachella,

1080
00:47:16,920 --> 00:47:21,040
Speaker 1: I drove in that day and I left after their performance.

1081
00:47:21,640 --> 00:47:23,920
Speaker 1: I did not need festivals. It's just a lot going on.

1082
00:47:24,280 --> 00:47:27,720
Speaker 1: It's a lot, a lot, But mainly that's because I

1083
00:47:27,760 --> 00:47:29,839
Speaker 1: my skin can't handle the desert. I don't know how

1084
00:47:30,040 --> 00:47:32,759
Speaker 1: that many white people go to Coachella. You know how

1085
00:47:33,200 --> 00:47:41,360
Speaker 1: souths Green fifteen fifty fifty yet teen ain't.

1086
00:47:41,200 --> 00:47:42,320
Speaker 2: Doing ship fifteen.

1087
00:47:43,160 --> 00:47:47,440
Speaker 1: Yeah. I got were sunscret every day, every depending the

1088
00:47:47,480 --> 00:47:51,440
Speaker 1: sun scring she is, depending which one you use. It's

1089
00:47:51,440 --> 00:47:53,160
Speaker 1: good for you no matter what your skin zone is,

1090
00:47:53,560 --> 00:47:55,440
Speaker 1: Like just SPF in general, it's good for your skin.

1091
00:47:55,560 --> 00:47:58,560
Speaker 1: Who told you that the world it is? And I'm

1092
00:47:58,640 --> 00:47:59,799
Speaker 1: pro friends aging too.

1093
00:47:59,840 --> 00:48:01,960
Speaker 2: I'm prone to like dark mark Like, if I get

1094
00:48:01,960 --> 00:48:04,640
Speaker 2: a pimples, I'm gonna turn dark like. I'm prone to scarring.

1095
00:48:04,760 --> 00:48:06,440
Speaker 2: So if you're out in the sun a lot, your

1096
00:48:06,440 --> 00:48:08,640
Speaker 2: scars will get darker. So yeah, wear And I don't

1097
00:48:08,640 --> 00:48:11,200
Speaker 2: want to age. I want to look young forever. I

1098
00:48:11,200 --> 00:48:13,560
Speaker 2: want to be Angela Bassett. So you have to wear

1099
00:48:13,560 --> 00:48:17,399
Speaker 2: sun screen every day. Beat juice, I mean that too.

1100
00:48:18,200 --> 00:48:23,120
Speaker 2: Navy Beans, take beat supplements. You need.

1101
00:48:23,280 --> 00:48:27,560
Speaker 1: Yeah, you need actual institutionalize.

1102
00:48:29,080 --> 00:48:34,120
Speaker 2: Fucking hotep. What am my institutionalized.

1103
00:48:36,719 --> 00:48:41,040
Speaker 1: Of? What sourceris Brown are going on.

1104
00:48:43,280 --> 00:48:45,560
Speaker 3: And b tour Raymond and Brown. This is gonna be incredible.

1105
00:48:45,560 --> 00:48:47,600
Speaker 3: This is gonna be some of the best performances. Hey,

1106
00:48:47,719 --> 00:48:50,040
Speaker 3: justin you should go to every show. You should you

1107
00:48:51,320 --> 00:48:52,680
Speaker 3: should go to every one of these shows.

1108
00:48:52,680 --> 00:48:53,840
Speaker 1: Well, no, he's beefing with us here.

1109
00:48:54,200 --> 00:48:55,799
Speaker 3: That's why you need to go. You need to learn something.

1110
00:48:56,560 --> 00:48:59,160
Speaker 3: But no, this this this Raymond and Brown Tour. I

1111
00:48:59,160 --> 00:49:02,080
Speaker 3: think it's something that uh Usher and Chris have kind

1112
00:49:02,080 --> 00:49:04,600
Speaker 3: of like played with and you know, the idea for

1113
00:49:04,719 --> 00:49:07,239
Speaker 3: a few years and form to finally announce that they

1114
00:49:07,239 --> 00:49:10,040
Speaker 3: are going on tour together. This will be one of

1115
00:49:10,120 --> 00:49:12,920
Speaker 3: the most iconic tours. Well, let me not say that,

1116
00:49:12,920 --> 00:49:15,080
Speaker 3: because I thought Jay Z R. Kelly was gonna be

1117
00:49:15,280 --> 00:49:18,640
Speaker 3: iconic tour as well, and it was iconic we know

1118
00:49:18,680 --> 00:49:18,960
Speaker 3: how that.

1119
00:49:19,400 --> 00:49:22,799
Speaker 1: But I don't see uh, Usher and Chris having any

1120
00:49:23,160 --> 00:49:25,160
Speaker 1: any issues or problems on their tour. I think it's

1121
00:49:25,200 --> 00:49:25,759
Speaker 1: gonna be great.

1122
00:49:26,160 --> 00:49:28,800
Speaker 3: This is kind of like, you know, the Elder Statesman,

1123
00:49:28,960 --> 00:49:31,920
Speaker 3: kind of like passing the torch to you know, the

1124
00:49:32,840 --> 00:49:34,759
Speaker 3: new King of R and B.

1125
00:49:35,040 --> 00:49:37,200
Speaker 1: Well, Chriss White being to King R and B for

1126
00:49:37,200 --> 00:49:39,640
Speaker 1: some years now. But I think it's gonna be dope. Man.

1127
00:49:39,719 --> 00:49:41,400
Speaker 3: I think it's gonna be How are they gonna do

1128
00:49:41,400 --> 00:49:43,319
Speaker 3: this stuf? Is Its gonna be like a like a

1129
00:49:43,400 --> 00:49:46,120
Speaker 3: versus the whole tour like Chris does a song, Usher

1130
00:49:46,160 --> 00:49:46,640
Speaker 3: does a song.

1131
00:49:46,840 --> 00:49:49,360
Speaker 2: No, it's probably gonna be not probably like.

1132
00:49:50,040 --> 00:49:51,480
Speaker 3: This is where you're getting this. This is where you're

1133
00:49:51,480 --> 00:49:54,759
Speaker 3: getting this sticky and show business. The marriage you start

1134
00:49:54,800 --> 00:49:57,879
Speaker 3: telling Usher he got to open for Chris. It's gonna

1135
00:49:57,880 --> 00:50:00,600
Speaker 3: be some diva ego energy backs as going on.

1136
00:50:00,640 --> 00:50:02,520
Speaker 1: I'm telling you that right now. I think they'll do

1137
00:50:02,600 --> 00:50:05,839
Speaker 1: like what Brandy Monica did of just like ten minute

1138
00:50:05,840 --> 00:50:10,000
Speaker 1: different sets. Yeah, different at least, And I think Chris,

1139
00:50:10,719 --> 00:50:14,280
Speaker 1: in a humble way, would start just because just because

1140
00:50:14,360 --> 00:50:15,320
Speaker 1: ushers shit.

1141
00:50:15,800 --> 00:50:16,200
Speaker 2: Not me.

1142
00:50:17,000 --> 00:50:19,520
Speaker 3: I just sold out every football stadium America.

1143
00:50:19,520 --> 00:50:20,760
Speaker 1: I ain't open it for nobody.

1144
00:50:21,120 --> 00:50:24,120
Speaker 2: But it's not opening. Yes, it is doing it together.

1145
00:50:24,200 --> 00:50:29,279
Speaker 2: They're gone, they're gonna have it. Who's opening for Chris?

1146
00:50:29,320 --> 00:50:30,399
Speaker 2: Anybody good?

1147
00:50:30,560 --> 00:50:33,319
Speaker 1: And see that's from that, not just anybody, not just

1148
00:50:33,360 --> 00:50:35,480
Speaker 1: anybody back with the Bruno Marsha right now is doing

1149
00:50:35,480 --> 00:50:37,680
Speaker 1: stadiums like. You don't think that. You don't think Kaylne

1150
00:50:37,719 --> 00:50:40,080
Speaker 1: could be added to this bill or something? For Chris

1151
00:50:40,080 --> 00:50:42,719
Speaker 1: Brown it was it was Summer Walker. Yeah, who else?

1152
00:50:43,000 --> 00:50:45,400
Speaker 1: There was another big actam that Chris and Usher? I

1153
00:50:45,440 --> 00:50:48,520
Speaker 1: don't know though, That ain't just that's that's a lot.

1154
00:50:48,600 --> 00:50:50,480
Speaker 1: I wouldn't want to open that, you know what I'm saying.

1155
00:50:50,520 --> 00:50:52,959
Speaker 3: That's none of No, that's that's a totally different question

1156
00:50:53,280 --> 00:50:57,400
Speaker 3: I would open for. I'm about who is going to

1157
00:50:57,480 --> 00:51:00,120
Speaker 3: go up there and really like entertain the audience like

1158
00:51:00,200 --> 00:51:02,680
Speaker 3: and try to Nobody's going to match that level of

1159
00:51:02,800 --> 00:51:03,440
Speaker 3: energy that those.

1160
00:51:03,280 --> 00:51:05,400
Speaker 1: Who have, you know. But even when I went to

1161
00:51:05,440 --> 00:51:08,080
Speaker 1: the Breezy Bowls summer Bryson, Tailler Jenay was not the

1162
00:51:08,080 --> 00:51:11,160
Speaker 1: one that I went to, but Summer and Bryson, I mean,

1163
00:51:11,280 --> 00:51:13,719
Speaker 1: it was great. The stadium was engaged the entire time.

1164
00:51:14,480 --> 00:51:17,000
Speaker 1: They both have hit records. Yeah, it wasn't. Usher wasn't

1165
00:51:17,040 --> 00:51:20,680
Speaker 1: coming out too though it's a lot. Breezy rocked for

1166
00:51:20,760 --> 00:51:24,680
Speaker 1: three hours and was flying around the stadium like yeah,

1167
00:51:24,719 --> 00:51:26,200
Speaker 1: and it was still okay with the openers.

1168
00:51:26,239 --> 00:51:28,520
Speaker 3: No, I'm not saying listen some of Walker Bryson that

1169
00:51:28,560 --> 00:51:30,960
Speaker 3: they're dope, but I'm just saying we can't just say

1170
00:51:31,000 --> 00:51:32,879
Speaker 3: anybody can open for these two.

1171
00:51:33,000 --> 00:51:35,160
Speaker 1: No, you gotta have the right artists.

1172
00:51:35,480 --> 00:51:37,920
Speaker 3: It has to be a certain level of entertainment before

1173
00:51:37,920 --> 00:51:40,200
Speaker 3: those who hit the stage. It has to be this

1174
00:51:40,320 --> 00:51:42,960
Speaker 3: is the best of the best, Like there's no like

1175
00:51:43,320 --> 00:51:46,640
Speaker 3: either or it's Usher or Chris, pick your favorite.

1176
00:51:46,840 --> 00:51:47,840
Speaker 2: You know what I liked them.

1177
00:51:49,200 --> 00:51:53,200
Speaker 1: Was I went to the Lemonade tour and Khalid and

1178
00:51:53,280 --> 00:51:56,399
Speaker 1: Friends opened up at each show, which was pretty cool.

1179
00:51:56,440 --> 00:51:59,520
Speaker 1: Like if it was JD and Friends or something, and

1180
00:52:00,040 --> 00:52:02,040
Speaker 1: Kalid like picked a certain amount of whatever region he

1181
00:52:02,160 --> 00:52:04,040
Speaker 1: was in and those people would fly for that region

1182
00:52:04,080 --> 00:52:06,560
Speaker 1: they'd go to each one. That could be cool because

1183
00:52:06,560 --> 00:52:08,320
Speaker 1: now you have like the surprise of which guest is

1184
00:52:08,360 --> 00:52:10,440
Speaker 1: coming out and it's only hit records. I think that

1185
00:52:10,480 --> 00:52:14,040
Speaker 1: could be kind of cool, just a more DJ guest

1186
00:52:14,120 --> 00:52:17,399
Speaker 1: base thing instead of a performance. Okay, speaking in calig

1187
00:52:17,480 --> 00:52:21,680
Speaker 1: that song was kind of rough. Man, I haven't heard yet.

1188
00:52:21,719 --> 00:52:22,120
Speaker 2: It's good.

1189
00:52:22,600 --> 00:52:28,120
Speaker 3: Hove loved it good and terrible. No, he didn't don't

1190
00:52:28,160 --> 00:52:29,960
Speaker 3: do that see loasion go.

1191
00:52:30,880 --> 00:52:32,400
Speaker 1: Was he like, you didn't see what I put in

1192
00:52:32,440 --> 00:52:34,200
Speaker 1: the chat said Damn Hope is a good liar.

1193
00:52:36,360 --> 00:52:38,320
Speaker 2: That ship ours for us everything.

1194
00:52:39,000 --> 00:52:42,640
Speaker 1: No, man like, yeah, I think this this rap shit

1195
00:52:42,719 --> 00:52:44,040
Speaker 1: is overWe That's what he told.

1196
00:52:44,120 --> 00:52:46,480
Speaker 3: That's what he told. One you have to I think

1197
00:52:46,560 --> 00:52:52,600
Speaker 3: rap is in trouble. That song is trash. That song

1198
00:52:52,760 --> 00:52:54,799
Speaker 3: is bruh. I listened to that shit twice.

1199
00:52:54,840 --> 00:52:58,120
Speaker 1: I was like, nah, it's just it's it's more of

1200
00:52:58,200 --> 00:53:01,920
Speaker 1: like the same. I like when Kalied pushed the envelope

1201
00:53:01,960 --> 00:53:06,120
Speaker 1: with the collapse and the producer. It's just like I

1202
00:53:06,200 --> 00:53:07,759
Speaker 1: have this song a thousand times. Yeah.

1203
00:53:07,760 --> 00:53:09,759
Speaker 2: Putting little Baby and featuring a song is just kind

1204
00:53:09,760 --> 00:53:10,480
Speaker 2: of like it's.

1205
00:53:10,280 --> 00:53:14,360
Speaker 1: Not even that you find unique ways to do. It's

1206
00:53:14,440 --> 00:53:15,440
Speaker 1: just it's the same.

1207
00:53:15,520 --> 00:53:17,319
Speaker 3: It's not about putting up to on the song. It's

1208
00:53:17,520 --> 00:53:19,480
Speaker 3: because those two can make hit records.

1209
00:53:19,160 --> 00:53:21,759
Speaker 1: To get Oh for sure, that song is just bad

1210
00:53:21,880 --> 00:53:24,200
Speaker 1: though it's the same pocket.

1211
00:53:23,880 --> 00:53:26,200
Speaker 3: Like, I don't I don't care what strip club they

1212
00:53:26,239 --> 00:53:28,040
Speaker 3: play that in. I don't care what girls are on

1213
00:53:28,080 --> 00:53:31,000
Speaker 3: stage shaking ads to it. That song, you know, that

1214
00:53:31,080 --> 00:53:33,879
Speaker 3: song is a that's that's a bad song. They'll work

1215
00:53:33,960 --> 00:53:36,160
Speaker 3: the record. You'll hear it. Yeah, you're gonna hear it

1216
00:53:36,239 --> 00:53:39,839
Speaker 3: for use you got to, But it ain't.

1217
00:53:39,160 --> 00:53:45,359
Speaker 1: It's not Khaled's catalog level. In my opinion. The song

1218
00:53:45,480 --> 00:53:48,239
Speaker 1: is bad, but it's a it's a weird record to

1219
00:53:49,440 --> 00:53:52,520
Speaker 1: roll out with, That's all. That's what I'm saying. Well,

1220
00:53:52,560 --> 00:53:54,920
Speaker 1: I mean he had to, he had to get the pivot.

1221
00:53:55,920 --> 00:53:57,799
Speaker 1: You know my issue? How come you didn't kill hold

1222
00:53:57,840 --> 00:54:00,600
Speaker 1: for the way he was bobbing? Said? The two times

1223
00:54:01,239 --> 00:54:04,080
Speaker 1: you've killed me for that is when Jim Jones played

1224
00:54:04,120 --> 00:54:07,399
Speaker 1: me l coppo and when I heard Leon Thomas Mutt

1225
00:54:07,400 --> 00:54:08,920
Speaker 1: for the first time and I was two for two

1226
00:54:09,000 --> 00:54:10,839
Speaker 1: on that I had. I had a right to make

1227
00:54:10,840 --> 00:54:13,719
Speaker 1: the stank face for both those and y'all still clown me.

1228
00:54:14,400 --> 00:54:16,080
Speaker 1: Come on, have the same energy for hope for this

1229
00:54:16,560 --> 00:54:19,080
Speaker 1: for this nonsense. I just I was just clown. I said, ho,

1230
00:54:19,880 --> 00:54:23,440
Speaker 1: you have rappers in trouble. He didn't like that song. No,

1231
00:54:23,600 --> 00:54:25,560
Speaker 1: he didn't like that song. When was the last time

1232
00:54:25,600 --> 00:54:26,920
Speaker 1: you made the stank face at the studio and you

1233
00:54:26,920 --> 00:54:30,200
Speaker 1: didn't believe it? It's been some years.

1234
00:54:31,600 --> 00:54:33,359
Speaker 2: Yeah, I used to do that, like pretend that like

1235
00:54:33,400 --> 00:54:34,200
Speaker 2: some shit was firing.

1236
00:54:34,280 --> 00:54:36,080
Speaker 3: It wasn't, no, because you could be bopping and had

1237
00:54:36,080 --> 00:54:37,680
Speaker 3: a stink face and it'd be a bad song.

1238
00:54:37,719 --> 00:54:41,759
Speaker 1: Still there's actually stink. Yeah, you like smell it?

1239
00:54:41,880 --> 00:54:46,279
Speaker 3: Yeah, as you smell it, something like some bullshit coming

1240
00:54:46,320 --> 00:54:46,880
Speaker 3: through the speakers.

1241
00:54:49,880 --> 00:54:52,480
Speaker 1: Yeah, No, I've definitely, because I mean on the on

1242
00:54:52,560 --> 00:54:55,120
Speaker 1: the bigs, no matter what, you're gonna bop your head,

1243
00:54:55,120 --> 00:54:57,640
Speaker 1: even if it's horseshit, but you can tell that it's

1244
00:54:57,640 --> 00:54:59,520
Speaker 1: horse shit. You just got to make up things like

1245
00:54:59,600 --> 00:55:01,360
Speaker 1: oh yeah, now you gotta get the right feature for that.

1246
00:55:01,400 --> 00:55:03,160
Speaker 1: And that's out of here if I was.

1247
00:55:03,680 --> 00:55:06,160
Speaker 3: And niggas gotta stop saying that. I don't want to

1248
00:55:06,200 --> 00:55:08,000
Speaker 3: hear that out of here. I don't want to hear

1249
00:55:08,120 --> 00:55:10,719
Speaker 3: us out of here from nobody else. Again, don't tell

1250
00:55:10,760 --> 00:55:11,719
Speaker 3: me nothing is out of here.

1251
00:55:11,760 --> 00:55:14,080
Speaker 1: Just last time I said it, it was Leon Thomas

1252
00:55:14,160 --> 00:55:17,359
Speaker 1: Mutt well, yes, if you said that, I haven't said

1253
00:55:17,400 --> 00:55:19,360
Speaker 1: that in quite some time or anything.

1254
00:55:19,840 --> 00:55:22,640
Speaker 2: Last time I said that was full this So I

1255
00:55:22,680 --> 00:55:24,280
Speaker 2: love being right on the right side of history.

1256
00:55:24,440 --> 00:55:26,840
Speaker 1: But then I also thought four or five Seconds with Rihanna,

1257
00:55:26,960 --> 00:55:28,759
Speaker 1: Kanye and Paul McCartney, was gonna be the biggest song

1258
00:55:28,800 --> 00:55:29,280
Speaker 1: of all times.

1259
00:55:29,320 --> 00:55:31,480
Speaker 2: It was, I'm very big song. I'm wrong. Four or

1260
00:55:31,520 --> 00:55:33,320
Speaker 2: five seconds was a very big song.

1261
00:55:33,800 --> 00:55:35,520
Speaker 1: It didn't land the way I thought it was gonna land.

1262
00:55:35,920 --> 00:55:38,440
Speaker 1: And I saw the gap commercial video, I was like, oh.

1263
00:55:38,280 --> 00:55:41,040
Speaker 2: Four or five seconds was a huge song.

1264
00:55:41,520 --> 00:55:43,600
Speaker 1: It was it full five seconds?

1265
00:55:44,000 --> 00:55:46,360
Speaker 2: Wow, that's that record is hard to me.

1266
00:55:48,040 --> 00:55:50,000
Speaker 1: I think you're Misremember that record got a lot of

1267
00:55:50,040 --> 00:55:53,600
Speaker 1: flak Rihanna, Kanye and Paul McCartney.

1268
00:55:54,160 --> 00:55:58,239
Speaker 2: It should have it. It should have been huge. It

1269
00:55:58,280 --> 00:55:59,799
Speaker 2: went to four on the Billboard Hot one.

1270
00:56:00,520 --> 00:56:01,920
Speaker 1: That's the only time the three that I never went

1271
00:56:02,000 --> 00:56:02,439
Speaker 1: number four.

1272
00:56:04,360 --> 00:56:05,400
Speaker 2: That might be a fact.

1273
00:56:06,000 --> 00:56:10,000
Speaker 1: That might be a super fact. That's a big fil

1274
00:56:10,040 --> 00:56:13,880
Speaker 1: for sir Paul McCarthy. What do your fucking mean? Lie?

1275
00:56:15,800 --> 00:56:21,239
Speaker 1: That's how he thought. You never in Liverpool? Yeah, like

1276
00:56:21,239 --> 00:56:24,920
Speaker 1: you never heard him speak before. But yeah, I was

1277
00:56:24,960 --> 00:56:27,480
Speaker 1: definitely wrong about that. I thought that was taking over

1278
00:56:27,480 --> 00:56:27,840
Speaker 1: the world.

1279
00:56:27,960 --> 00:56:30,279
Speaker 2: I don't know. I always thought I considered it a

1280
00:56:30,320 --> 00:56:32,000
Speaker 2: pretty big song. I think we're a little hard on

1281
00:56:32,040 --> 00:56:32,760
Speaker 2: people sometimes.

1282
00:56:32,920 --> 00:56:34,040
Speaker 1: No, that song was trash.

1283
00:56:34,239 --> 00:56:35,800
Speaker 2: That song was like trash.

1284
00:56:36,000 --> 00:56:37,600
Speaker 1: Well you never one of the last time you listened

1285
00:56:37,600 --> 00:56:38,400
Speaker 1: to that record.

1286
00:56:38,239 --> 00:56:42,000
Speaker 2: I go to jail tonight, primis You'll pay my feel.

1287
00:56:42,600 --> 00:56:44,120
Speaker 2: I liked that song.

1288
00:56:45,280 --> 00:56:47,160
Speaker 1: Whatever, good and terrible.

1289
00:56:48,200 --> 00:56:50,200
Speaker 2: If I was But if I was jay Z and

1290
00:56:50,239 --> 00:56:52,440
Speaker 2: I was in a studio, I would become accustomed to

1291
00:56:52,440 --> 00:56:54,799
Speaker 2: bopping my head at everything too, because somebody might go

1292
00:56:54,800 --> 00:56:57,120
Speaker 2: into a midlife crisis if they're in the studio playing

1293
00:56:57,120 --> 00:56:59,279
Speaker 2: a song for jay Z and he sits there and.

1294
00:56:59,400 --> 00:57:02,120
Speaker 1: So then on it don't invite me. Well they're all

1295
00:57:02,200 --> 00:57:05,279
Speaker 1: the same age. What that means?

1296
00:57:05,280 --> 00:57:05,879
Speaker 2: What that means?

1297
00:57:06,960 --> 00:57:10,319
Speaker 1: Like Kalis of that age too, So why he would

1298
00:57:10,360 --> 00:57:11,399
Speaker 1: play it for people his age?

1299
00:57:12,320 --> 00:57:13,239
Speaker 2: Where did you?

1300
00:57:13,320 --> 00:57:15,040
Speaker 1: Yeah, he's gonna play it for j and then do

1301
00:57:15,120 --> 00:57:18,400
Speaker 1: exactly what he did use the videos promo. Yeah, jaz oh,

1302
00:57:18,440 --> 00:57:21,960
Speaker 1: for sure, I know I get that. But yeah, you're

1303
00:57:21,960 --> 00:57:24,400
Speaker 1: acting like it was a young artist trying to pitch

1304
00:57:24,400 --> 00:57:27,200
Speaker 1: something to an old guy. No, it's not about age.

1305
00:57:28,400 --> 00:57:29,520
Speaker 1: I miss understand what you were saying.

1306
00:57:29,600 --> 00:57:32,080
Speaker 2: No, I'm saying like if I'm playing a song for

1307
00:57:32,200 --> 00:57:36,320
Speaker 2: jay Z and it he don't bop, like I'm gonna

1308
00:57:36,440 --> 00:57:39,160
Speaker 2: have a crisis, Like I'm gonna go into crisis. So

1309
00:57:39,480 --> 00:57:41,920
Speaker 2: I think he's just become accustomed to bopping at everything

1310
00:57:42,160 --> 00:57:45,040
Speaker 2: because he probably sees the fucking because if he doesn't bop,

1311
00:57:45,120 --> 00:57:46,680
Speaker 2: niggas is gonna turn the music off and like, Jay,

1312
00:57:46,720 --> 00:57:50,400
Speaker 2: what can I do differently? That's a good thing. But

1313
00:57:50,480 --> 00:57:52,560
Speaker 2: I'm sure, but it's not just Jack. It's tired.

1314
00:57:53,280 --> 00:57:55,960
Speaker 3: He's a rapper first though, So if he's in the

1315
00:57:55,960 --> 00:57:59,840
Speaker 3: studio on here his music, naturally the rapper is gonna start.

1316
00:58:00,120 --> 00:58:01,600
Speaker 1: He gonna try to find a pocket.

1317
00:58:01,800 --> 00:58:04,840
Speaker 3: He's sublimited, like he's indirectly writing balls in his head.

1318
00:58:04,920 --> 00:58:08,160
Speaker 1: Yeah, he's approaching the record. Yeah, it's different.

1319
00:58:08,200 --> 00:58:10,480
Speaker 3: So he's he's he's he's listening to it like, Okay,

1320
00:58:10,480 --> 00:58:13,400
Speaker 3: what would I have done with this record? So that's

1321
00:58:13,400 --> 00:58:15,560
Speaker 3: what a lot of the bopping is, that's that's him, right,

1322
00:58:15,600 --> 00:58:17,960
Speaker 3: And when he's doing that, when he's doing this, he's right,

1323
00:58:18,000 --> 00:58:19,960
Speaker 3: he got he got eight balls already as soon as

1324
00:58:19,960 --> 00:58:23,320
Speaker 3: he hit But it's I mean, I'm pretty sure once

1325
00:58:23,360 --> 00:58:24,360
Speaker 3: he really sat and listened to.

1326
00:58:24,400 --> 00:58:26,200
Speaker 1: What they did with it. He was probably like, yeah, no,

1327
00:58:26,280 --> 00:58:28,160
Speaker 1: I don't know, respectfully, I don't know if that's what

1328
00:58:28,160 --> 00:58:30,840
Speaker 1: I would have did with it. And I think when Kalin,

1329
00:58:30,880 --> 00:58:32,720
Speaker 1: obviously he has a partnership with jay Z, but I

1330
00:58:32,720 --> 00:58:35,240
Speaker 1: think a lot of times when he plays music for Hope,

1331
00:58:35,240 --> 00:58:38,040
Speaker 1: he's trying to find the one that Jay would get on.

1332
00:58:38,960 --> 00:58:42,120
Speaker 1: Like whatever cald picks, they'll they'll work the record the

1333
00:58:42,120 --> 00:58:44,680
Speaker 1: way they should work the record. They don't need Hove's

1334
00:58:44,680 --> 00:58:46,080
Speaker 1: approval on that one. I think he's trying to play

1335
00:58:46,080 --> 00:58:49,320
Speaker 1: ship that like you like that? You want to you

1336
00:58:49,360 --> 00:58:50,680
Speaker 1: want to what you want to do with that? Like you?

1337
00:58:50,840 --> 00:58:53,040
Speaker 2: I never want to hear Jay with future A little baby,

1338
00:58:54,040 --> 00:58:54,360
Speaker 2: he did it.

1339
00:58:54,400 --> 00:58:55,000
Speaker 1: I Got the Key.

1340
00:58:55,280 --> 00:58:56,680
Speaker 2: I like I Got the Key. I love I Got

1341
00:58:56,720 --> 00:58:58,440
Speaker 2: the Keys. Yeah, A little baby. But I know some

1342
00:58:58,480 --> 00:59:01,960
Speaker 2: people could I like that record. I didn't like the

1343
00:59:02,040 --> 00:59:04,280
Speaker 2: chorus when I first heard it. It was a little annoying.

1344
00:59:04,680 --> 00:59:06,960
Speaker 3: I didn't want to repeat I Got the keys, the

1345
00:59:07,040 --> 00:59:07,560
Speaker 3: Keys the key.

1346
00:59:07,640 --> 00:59:09,280
Speaker 2: That ship was annoying as fun when I first heard it,

1347
00:59:09,320 --> 00:59:09,880
Speaker 2: but it g me.

1348
00:59:11,240 --> 00:59:13,640
Speaker 1: We predicted We're in the plus Atlanta House. I put

1349
00:59:13,680 --> 00:59:15,400
Speaker 1: an Instagram video U when they announced it without the

1350
00:59:15,400 --> 00:59:18,200
Speaker 1: snippet and I did the hook with Austin. I said,

1351
00:59:18,240 --> 00:59:21,400
Speaker 1: I guarantee you I remember that the hook on this

1352
00:59:21,480 --> 00:59:24,080
Speaker 1: is I got the keys keys and we were completely right.

1353
00:59:24,440 --> 00:59:29,440
Speaker 1: That's not a bad hook, though, Okay, it's.

1354
00:59:29,240 --> 00:59:31,640
Speaker 2: Not a great one. It's not a great one.

1355
00:59:32,000 --> 00:59:33,040
Speaker 1: Love, it's not bad.

1356
00:59:33,360 --> 00:59:36,000
Speaker 2: Top Off is way better, significantly better.

1357
00:59:36,640 --> 00:59:37,960
Speaker 1: How's that? The raps is just?

1358
00:59:39,680 --> 00:59:40,280
Speaker 2: Huh?

1359
00:59:40,440 --> 00:59:41,920
Speaker 1: Is it just? I got the top of it over

1360
00:59:41,960 --> 00:59:42,280
Speaker 1: and over.

1361
00:59:43,200 --> 00:59:44,920
Speaker 2: I said, it's the Beyonce, I said, the top of

1362
00:59:45,000 --> 00:59:49,440
Speaker 2: the may Man. I said, remember, yes, future Beyonce.

1363
00:59:49,680 --> 00:59:50,760
Speaker 1: Yeah, like that one.

1364
00:59:51,000 --> 00:59:54,000
Speaker 2: You didn't like top Off? When Beyonce went off.

1365
00:59:54,280 --> 00:59:58,480
Speaker 1: I didn't like the hook. I ain't really like the hook. Okay,

1366
00:59:59,040 --> 01:00:02,720
Speaker 1: song was okay, but I ain't like the right What

1367
01:00:02,720 --> 01:00:04,280
Speaker 1: would you just said to Jack in the studio now

1368
01:00:04,520 --> 01:00:07,360
Speaker 1: that the dust is settled, like all twenty twenty hindsight,

1369
01:00:09,600 --> 01:00:11,440
Speaker 1: this was just a passion project for Jack, and it

1370
01:00:11,520 --> 01:00:14,280
Speaker 1: was just the wrong time, the wrong time.

1371
01:00:14,800 --> 01:00:16,960
Speaker 2: You saw what your friend said about him? Who's my friend,

1372
01:00:17,120 --> 01:00:20,880
Speaker 2: not your friend his friend? No, you didn't see what

1373
01:00:20,960 --> 01:00:21,760
Speaker 2: Johnsie said.

1374
01:00:22,000 --> 01:00:24,360
Speaker 1: Oh oh oh yeah that entire thing cool. Yeah, I

1375
01:00:24,360 --> 01:00:26,720
Speaker 1: do want to get to that that as well. But

1376
01:00:27,120 --> 01:00:28,840
Speaker 1: I was curious because I haven't seen y'all since the

1377
01:00:28,960 --> 01:00:31,240
Speaker 1: Say Hello music video came out, and he had he

1378
01:00:31,280 --> 01:00:34,960
Speaker 1: had the hat from Harry Potter that speaks in just

1379
01:00:35,000 --> 01:00:36,880
Speaker 1: like but the neo soul version of it, Like you

1380
01:00:36,920 --> 01:00:38,480
Speaker 1: can see the mouth on the hat, like, oh that

1381
01:00:38,600 --> 01:00:41,880
Speaker 1: that it talks like that that hat talks for sure?

1382
01:00:41,920 --> 01:00:46,760
Speaker 1: Those heavy is the head?

1383
01:00:46,760 --> 01:00:53,000
Speaker 2: Many fucks, that's so funny, the neo Sol sorting hat.

1384
01:00:53,040 --> 01:00:56,360
Speaker 1: It's hilarious and like, all right, So I'll ask you, guys,

1385
01:00:57,920 --> 01:01:00,680
Speaker 1: what do you do after? Because I think there would

1386
01:01:00,680 --> 01:01:02,920
Speaker 1: have been a different response, not a great one, but

1387
01:01:02,920 --> 01:01:05,920
Speaker 1: a different response had that clip of I Got Blacker

1388
01:01:06,600 --> 01:01:09,760
Speaker 1: didn't lead the album out. I'm just saying it wouldn't

1389
01:01:09,760 --> 01:01:13,240
Speaker 1: have gone as crazy. Do you just keep leaning into it?

1390
01:01:13,280 --> 01:01:15,800
Speaker 1: I'm sure maybe this video was already shot. I see

1391
01:01:15,840 --> 01:01:18,000
Speaker 1: that he stopped doing press completely. I don't think that

1392
01:01:18,080 --> 01:01:19,720
Speaker 1: was a plan. I don't know that to be a thing.

1393
01:01:19,720 --> 01:01:20,960
Speaker 1: But after that, I think he was just like, you

1394
01:01:21,040 --> 01:01:25,560
Speaker 1: know what, I shouldn't speak? Do you just keep going

1395
01:01:25,640 --> 01:01:29,240
Speaker 1: and leaning in like this video? Listen, man, I feel

1396
01:01:29,280 --> 01:01:31,400
Speaker 1: like so maybe you just have to lean into it. Listen,

1397
01:01:31,960 --> 01:01:34,880
Speaker 1: he got a skin on thats in now, But I

1398
01:01:34,920 --> 01:01:36,920
Speaker 1: thought that was Jack at first. Listen when he slid

1399
01:01:36,920 --> 01:01:38,680
Speaker 1: into I was like, oh, this is a good idea.

1400
01:01:38,920 --> 01:01:40,640
Speaker 1: So I was like, oh, this is a this is

1401
01:01:40,800 --> 01:01:42,840
Speaker 1: really a joke, like you said.

1402
01:01:43,040 --> 01:01:44,880
Speaker 3: I think Rory said it last week, like you know

1403
01:01:45,800 --> 01:01:47,760
Speaker 3: press or press is good press, something like that, Right,

1404
01:01:47,800 --> 01:01:50,480
Speaker 3: I said that, you said that. I'm sorry he got

1405
01:01:50,480 --> 01:01:54,320
Speaker 3: a skin on now. Yes, people are making fun of him,

1406
01:01:54,640 --> 01:01:57,200
Speaker 3: people are cracking jokes that had is viral.

1407
01:01:57,000 --> 01:01:57,400
Speaker 4: And all of this.

1408
01:01:57,880 --> 01:02:01,080
Speaker 1: Yeah, but our conversation with that, because yes, all good

1409
01:02:01,160 --> 01:02:04,200
Speaker 1: all press can be good press. Does it translate to anything. Yes,

1410
01:02:04,400 --> 01:02:06,439
Speaker 1: there's a skit on SNL that's making fun of them,

1411
01:02:06,680 --> 01:02:08,720
Speaker 1: and Jack was a good sport about it. He posted

1412
01:02:08,720 --> 01:02:11,120
Speaker 1: my hobby thought it was me whatever. I don't think

1413
01:02:11,160 --> 01:02:13,160
Speaker 1: that trans I don't think the SNL audience, dup or

1414
01:02:13,160 --> 01:02:14,840
Speaker 1: west Side was like, you know what, let me check

1415
01:02:14,880 --> 01:02:18,320
Speaker 1: that out. I don't think it translates to clicks or

1416
01:02:18,360 --> 01:02:21,000
Speaker 1: new fans or people to go back to the album.

1417
01:02:21,200 --> 01:02:23,080
Speaker 1: I just think it's now your name's back in the

1418
01:02:23,080 --> 01:02:26,520
Speaker 1: algorithm for some shit. You don't want your name to

1419
01:02:26,520 --> 01:02:27,560
Speaker 1: be an algorithm.

1420
01:02:27,120 --> 01:02:29,760
Speaker 3: For I mean, if people are watching the video just

1421
01:02:29,760 --> 01:02:31,720
Speaker 3: to see the hat, well that was.

1422
01:02:31,920 --> 01:02:34,720
Speaker 1: That was a good touch of leaning into it because

1423
01:02:34,720 --> 01:02:37,880
Speaker 1: now there's a conversation speech outside because the trailer when

1424
01:02:37,880 --> 01:02:39,479
Speaker 1: the album came out, he was just walking around, soho

1425
01:02:39,520 --> 01:02:40,600
Speaker 1: the same the same way.

1426
01:02:40,680 --> 01:02:43,560
Speaker 2: Yeah, I'm sure that video was already shot. But as

1427
01:02:43,560 --> 01:02:45,240
Speaker 2: far as what you were saying, all it's the same

1428
01:02:45,240 --> 01:02:47,680
Speaker 2: thing with sometimes I've realized, even just being in the

1429
01:02:47,720 --> 01:02:52,280
Speaker 2: business that we're in, sometimes it might not translate to

1430
01:02:52,400 --> 01:02:56,400
Speaker 2: clicks or new fans, but it can make you. It

1431
01:02:56,440 --> 01:02:59,680
Speaker 2: can give you more lasting power with name recognition. You

1432
01:02:59,680 --> 01:03:03,240
Speaker 2: can have lasting power with name recognition. When people know

1433
01:03:03,280 --> 01:03:05,080
Speaker 2: who you more people know who you are, is growing

1434
01:03:05,120 --> 01:03:06,080
Speaker 2: your name recognition.

1435
01:03:06,280 --> 01:03:10,439
Speaker 1: So but my thing is, does this hurt his name

1436
01:03:10,480 --> 01:03:12,160
Speaker 1: recognition for the next time he wants to come back?

1437
01:03:12,200 --> 01:03:13,520
Speaker 1: I mean everyone's gonna be like, all right now, we

1438
01:03:13,560 --> 01:03:14,960
Speaker 1: got to see what Jack is going to do. So

1439
01:03:14,960 --> 01:03:18,560
Speaker 1: you are right there. Where's the hat? Hey, Jack? Where's

1440
01:03:18,560 --> 01:03:22,280
Speaker 1: that hat? Yeah? Where's that? Where's the hat? Jack? That

1441
01:03:22,320 --> 01:03:23,320
Speaker 1: should be the name of his neck.

1442
01:03:23,360 --> 01:03:26,120
Speaker 2: Where's the hat? Where's where's the hat?

1443
01:03:26,200 --> 01:03:33,280
Speaker 1: Jack? No, that's the out of cover, just the hat

1444
01:03:33,360 --> 01:03:36,320
Speaker 1: like on the ground, Like he took the hat off. Yeah,

1445
01:03:36,440 --> 01:03:42,400
Speaker 1: I took the hat off. I took the hat off. Yeah, yeah,

1446
01:03:43,080 --> 01:03:46,680
Speaker 1: you know what's fight because I don't want to act

1447
01:03:47,280 --> 01:03:49,880
Speaker 1: like a fucking know it all, like in hindsight, like, yeah,

1448
01:03:49,880 --> 01:03:53,320
Speaker 1: somebody should have told Jack no, the music on the project.

1449
01:03:53,360 --> 01:03:55,320
Speaker 1: Like if I were in this bad, if I were

1450
01:03:55,320 --> 01:03:57,360
Speaker 1: in that studio, I wouldn't sit there and be like

1451
01:03:57,400 --> 01:03:59,640
Speaker 1: this is bad. I wouldn't because I was sitting with

1452
01:03:59,880 --> 01:04:02,720
Speaker 1: I wouldn't say that like us cool. I would probably think,

1453
01:04:02,800 --> 01:04:05,919
Speaker 1: how do you want to? Like pivot? I think less

1454
01:04:05,920 --> 01:04:06,320
Speaker 1: about But.

1455
01:04:06,280 --> 01:04:08,160
Speaker 3: We said that when it dropped. Yeah, the music isn't terrible,

1456
01:04:08,520 --> 01:04:10,840
Speaker 3: is Jack? And we were not expecting this from Jack Harlow.

1457
01:04:10,840 --> 01:04:12,400
Speaker 1: That's all so that. I mean, that's kind of my

1458
01:04:12,480 --> 01:04:14,400
Speaker 1: thing too with people that are like, yo, you need

1459
01:04:14,400 --> 01:04:16,080
Speaker 1: more friends in the studio now, sometimes you need more

1460
01:04:16,120 --> 01:04:20,240
Speaker 1: friends on your marketing plan. Yeah, because again it's not

1461
01:04:20,480 --> 01:04:21,280
Speaker 1: terribly not terrible.

1462
01:04:22,040 --> 01:04:23,720
Speaker 3: We were not expecting us from Jack call and we

1463
01:04:23,720 --> 01:04:25,080
Speaker 3: didn't ask for this and we didn't want this.

1464
01:04:25,480 --> 01:04:26,360
Speaker 2: Yeah, we get them all.

1465
01:04:28,280 --> 01:04:32,200
Speaker 3: We were expecting it, we didn't want it. It's a

1466
01:04:32,240 --> 01:04:35,480
Speaker 3: hard pivot from was it nail Tech and all the

1467
01:04:34,960 --> 01:04:37,280
Speaker 3: other super hard pivot from all of that ship. But

1468
01:04:38,000 --> 01:04:39,800
Speaker 3: I mean, listen, if this is what as an artist,

1469
01:04:39,840 --> 01:04:41,959
Speaker 3: if this is what he you know, if this made

1470
01:04:42,000 --> 01:04:44,840
Speaker 3: him happy and fulfilled as an artists when he left

1471
01:04:44,840 --> 01:04:47,120
Speaker 3: the studio, and I mean, you know, he just has

1472
01:04:47,160 --> 01:04:50,240
Speaker 3: to deal with skits on CNL and you know, the

1473
01:04:50,280 --> 01:04:52,160
Speaker 3: hat going viral and he he has to deal with

1474
01:04:52,160 --> 01:04:54,600
Speaker 3: all that as well. I'm pretty sure you know he's

1475
01:04:55,040 --> 01:04:56,920
Speaker 3: again you have to kind of like lean into it

1476
01:04:56,960 --> 01:04:59,320
Speaker 3: and you know, go with the jokes as well. You

1477
01:04:59,360 --> 01:05:02,160
Speaker 3: can't fight again instant. But what does this mean, like

1478
01:05:02,240 --> 01:05:04,800
Speaker 3: what we're saying, like now, what from Jack like moving forward?

1479
01:05:05,000 --> 01:05:06,280
Speaker 1: What is his next project sound?

1480
01:05:06,400 --> 01:05:06,480
Speaker 2: Like?

1481
01:05:06,760 --> 01:05:09,040
Speaker 1: Can he go back to just rapping? I don't think

1482
01:05:09,080 --> 01:05:09,400
Speaker 1: he can.

1483
01:05:10,920 --> 01:05:12,520
Speaker 3: I don't think he can go back to rapping just

1484
01:05:13,040 --> 01:05:16,080
Speaker 3: ever like fully rap album after this, and it's going

1485
01:05:16,160 --> 01:05:17,400
Speaker 3: to be like, all right, bro, you just now you

1486
01:05:17,520 --> 01:05:19,920
Speaker 3: just you're just doing whatever you want to do now,

1487
01:05:20,240 --> 01:05:21,480
Speaker 3: like your fans are confused.

1488
01:05:21,520 --> 01:05:22,880
Speaker 1: We don't know what to expect from you.

1489
01:05:24,000 --> 01:05:25,600
Speaker 3: So that's the only reason why I didn't understand him

1490
01:05:25,600 --> 01:05:27,160
Speaker 3: putting out an album like this right now is that

1491
01:05:27,160 --> 01:05:30,200
Speaker 3: he still didn't develop his sound. And you know where

1492
01:05:30,240 --> 01:05:32,760
Speaker 3: people know him for a certain thing and we thought

1493
01:05:32,760 --> 01:05:35,120
Speaker 3: it was rap. And now obviously it's a Monica as well.

1494
01:05:35,200 --> 01:05:39,520
Speaker 1: So yeah, the Jazzi shit was definitely not good timing

1495
01:05:39,560 --> 01:05:42,200
Speaker 1: for him, Like when things are already piling of how

1496
01:05:42,240 --> 01:05:46,840
Speaker 1: you're looking a little culture vultui. But yeah, Jozzy was

1497
01:05:46,840 --> 01:05:50,240
Speaker 1: doing an interview and basically said we did some great

1498
01:05:50,240 --> 01:05:52,000
Speaker 1: work together. He texted me a long voice note, I

1499
01:05:52,040 --> 01:05:54,200
Speaker 1: love working with you, but I don't want nobody to

1500
01:05:54,280 --> 01:05:56,360
Speaker 1: know we are working. Pretty much wanted me to be

1501
01:05:56,360 --> 01:05:58,160
Speaker 1: a ghost writer. That shit hurt me. I was like,

1502
01:05:58,440 --> 01:06:00,840
Speaker 1: if the song comes out and I'm letting y'all know

1503
01:06:00,880 --> 01:06:03,080
Speaker 1: I wrote it, so we never so we never worked

1504
01:06:03,120 --> 01:06:05,840
Speaker 1: after that. I respect him to hit me with that

1505
01:06:06,520 --> 01:06:08,439
Speaker 1: and what he wanted in return, I hit him with

1506
01:06:08,520 --> 01:06:11,880
Speaker 1: what I was going to do. I mean, I don't

1507
01:06:11,880 --> 01:06:14,080
Speaker 1: really see I don't understand why Jack would want that, though,

1508
01:06:15,440 --> 01:06:18,400
Speaker 1: well he would want Jozzi to write for him. No,

1509
01:06:18,480 --> 01:06:23,400
Speaker 1: to ghost write. What's wrong with crediting one of the

1510
01:06:23,520 --> 01:06:28,600
Speaker 1: best writers we have right now? I don't understand that part. Yeah,

1511
01:06:28,840 --> 01:06:32,320
Speaker 1: like Jozzi's a a hit maker, Like you wouldn't want

1512
01:06:32,360 --> 01:06:36,200
Speaker 1: to have Jozzi. We're talking about O Monica like this. No, No,

1513
01:06:36,240 --> 01:06:38,920
Speaker 1: this was actually for the kid's missie. This wasn't even

1514
01:06:38,960 --> 01:06:42,560
Speaker 1: on Monica. We blew my mind too, because I faced

1515
01:06:42,560 --> 01:06:45,760
Speaker 1: on Jozzi from the video shoot once that that clip

1516
01:06:45,840 --> 01:06:48,560
Speaker 1: dropped and she was like, nah, shit was on the

1517
01:06:48,600 --> 01:06:51,520
Speaker 1: other Wait what Yeah, because I assumed too, just because

1518
01:06:51,560 --> 01:06:53,760
Speaker 1: Jozzi is such an incredible R and B artist. Who

1519
01:06:53,800 --> 01:06:55,400
Speaker 1: wouldn't want to tap in with JAZZI if you're making

1520
01:06:55,440 --> 01:06:57,960
Speaker 1: a Neils whole project, Like that makes total sense. Now,

1521
01:06:58,040 --> 01:06:59,960
Speaker 1: I was on the other one come Home with Kids.

1522
01:07:00,120 --> 01:07:02,600
Speaker 3: But you know, you know, rap gets that stain of

1523
01:07:02,640 --> 01:07:04,640
Speaker 3: it's supposed to be your bars, like you if you

1524
01:07:04,640 --> 01:07:07,080
Speaker 3: didn't write it, It's like it gets frowned upon. It's

1525
01:07:07,120 --> 01:07:08,600
Speaker 3: the only genre that that gets that.

1526
01:07:09,200 --> 01:07:11,760
Speaker 1: But even if you go back to that whole album,

1527
01:07:11,840 --> 01:07:15,160
Speaker 1: like there's so many bridges and hooks and like, I

1528
01:07:15,160 --> 01:07:18,120
Speaker 1: don't know it. I'm sure if you go through the

1529
01:07:18,120 --> 01:07:21,600
Speaker 1: credits on Spotify, there's probably a bunch of writers and

1530
01:07:21,600 --> 01:07:25,400
Speaker 1: ship on everything. Yeah, I just don't I don't get it.

1531
01:07:25,560 --> 01:07:27,240
Speaker 1: I'd like to know the context from Jack because I

1532
01:07:27,280 --> 01:07:30,360
Speaker 1: don't want to like assume and put something on somebody.

1533
01:07:30,880 --> 01:07:34,000
Speaker 1: But I don't know if that's the first time he's

1534
01:07:34,000 --> 01:07:37,320
Speaker 1: ever made that call mm hmmm. Because if you're if

1535
01:07:37,320 --> 01:07:45,000
Speaker 1: you're having that call with with Jozzi, who is certified,

1536
01:07:45,080 --> 01:07:48,600
Speaker 1: especially at that time of making hits and people wanting

1537
01:07:48,640 --> 01:07:50,720
Speaker 1: to work with her. Now it's like the cat is

1538
01:07:50,720 --> 01:07:53,320
Speaker 1: out of the back. Everyone doesn't know Jazzi. But at

1539
01:07:53,320 --> 01:07:55,200
Speaker 1: that time it was like the secret, like you got

1540
01:07:55,240 --> 01:07:58,000
Speaker 1: to work with Jazzi, that's she'll get you a hit record.

1541
01:07:59,680 --> 01:08:03,320
Speaker 1: If you having that conversation with a writer and artist

1542
01:08:03,440 --> 01:08:07,160
Speaker 1: like that, what did you say to the other ones

1543
01:08:07,320 --> 01:08:09,200
Speaker 1: that weren't as big? Yeah?

1544
01:08:09,280 --> 01:08:11,000
Speaker 2: Who else is not credited on that album?

1545
01:08:11,080 --> 01:08:12,240
Speaker 1: And I don't want to put that on Jack. I'm

1546
01:08:12,280 --> 01:08:14,360
Speaker 1: not here to say Jack has a bunch of fucking

1547
01:08:14,360 --> 01:08:16,960
Speaker 1: ghostwriters or anything. I'm not putting that on someone where

1548
01:08:17,000 --> 01:08:19,519
Speaker 1: I don't know the actual facts of any of the sessions.

1549
01:08:19,520 --> 01:08:22,200
Speaker 1: I've never been in a session with Jack. I've never

1550
01:08:22,560 --> 01:08:25,960
Speaker 1: no one's told me that. I just am saying, if

1551
01:08:26,000 --> 01:08:29,800
Speaker 1: you're saying that to Jossy Puff didn't even say that

1552
01:08:29,800 --> 01:08:33,760
Speaker 1: to Jossi, who else are you saying it to?

1553
01:08:34,840 --> 01:08:36,519
Speaker 2: Would you write for Jack?

1554
01:08:37,960 --> 01:08:40,240
Speaker 1: Write for Jack? Like Raps?

1555
01:08:41,479 --> 01:08:43,360
Speaker 2: Well, he just did R and B album, so oh,

1556
01:08:43,360 --> 01:08:44,519
Speaker 2: I would assoi.

1557
01:08:44,560 --> 01:08:46,280
Speaker 1: I would definitely. I would definitely love to do a

1558
01:08:46,320 --> 01:08:50,680
Speaker 1: writing session for anything to deal So I can't rap

1559
01:08:50,720 --> 01:08:53,080
Speaker 1: as good as Jack, So yeah, no, I.

1560
01:08:53,080 --> 01:08:55,120
Speaker 2: Wouldn't suggest you write his raps I was talking about

1561
01:08:55,160 --> 01:08:55,920
Speaker 2: like he has cool.

1562
01:08:55,760 --> 01:08:58,479
Speaker 1: Oh hell yeah absolutely. I mean I don't rap as

1563
01:08:58,520 --> 01:09:00,439
Speaker 1: good as Jack, but if somebody wrote it for me, rep,

1564
01:09:01,120 --> 01:09:03,200
Speaker 1: someone would write something that you would do a reference

1565
01:09:03,200 --> 01:09:07,000
Speaker 1: for Jet, So you just be a mintalman to deliver

1566
01:09:08,200 --> 01:09:13,160
Speaker 1: sup Like I imagine being a ghost writer and someone

1567
01:09:13,200 --> 01:09:15,760
Speaker 1: ghost wrote your ghost bat.

1568
01:09:15,720 --> 01:09:16,920
Speaker 2: Like, how many points is that?

1569
01:09:17,040 --> 01:09:17,120
Speaker 1: Like?

1570
01:09:17,120 --> 01:09:18,880
Speaker 2: What point? How many points do you get on that song?

1571
01:09:19,600 --> 01:09:20,240
Speaker 1: That's hilarious?

1572
01:09:20,240 --> 01:09:21,960
Speaker 2: When I write songs, I'm always afraid to do like

1573
01:09:22,000 --> 01:09:24,720
Speaker 2: a reference, Like I can't. I know, like I've heard

1574
01:09:24,800 --> 01:09:27,439
Speaker 2: Rory's references. I know it's supposed to sound silly, but

1575
01:09:27,520 --> 01:09:27,920
Speaker 2: I can't.

1576
01:09:28,040 --> 01:09:29,840
Speaker 1: You guys just gotta throw a lot of tune on

1577
01:09:29,880 --> 01:09:33,040
Speaker 1: it just so you get your ideas out. Okay, yeah,

1578
01:09:33,120 --> 01:09:34,599
Speaker 1: just grab one of these mics. Don't go on the booth.

1579
01:09:34,720 --> 01:09:37,200
Speaker 1: Just grab one of these mics and sit in the studio.

1580
01:09:37,880 --> 01:09:40,280
Speaker 1: Let it run through speakers, throw some tune on and

1581
01:09:40,400 --> 01:09:43,160
Speaker 1: keep the good parts. But if you're working with Jozzi,

1582
01:09:43,280 --> 01:09:47,840
Speaker 1: just let Jozzy do it. That's all I'm saying. And

1583
01:09:47,880 --> 01:09:51,879
Speaker 1: then I wasn't fully sure if she was saying not featured,

1584
01:09:52,160 --> 01:09:54,920
Speaker 1: like if there was Jozzy vocals that she wrote to

1585
01:09:55,080 --> 01:09:57,120
Speaker 1: and he just didn't want to stay featuring Jozzy because

1586
01:09:57,720 --> 01:10:00,600
Speaker 1: he had it featuring Pharrell or whatever. But yeah, I

1587
01:10:00,600 --> 01:10:02,360
Speaker 1: don't know, I don't understand that the ghost writing thing.

1588
01:10:02,520 --> 01:10:05,799
Speaker 1: I don't think there's anything wrong with somebody being credited

1589
01:10:05,800 --> 01:10:08,120
Speaker 1: on your sell on the rope. It's not. I mean,

1590
01:10:08,200 --> 01:10:09,600
Speaker 1: I think I think it's weird when you say I

1591
01:10:09,640 --> 01:10:11,280
Speaker 1: don't want to credit you on the song for right now,

1592
01:10:11,840 --> 01:10:14,639
Speaker 1: That's where it's weird that like, what do you mean.

1593
01:10:16,479 --> 01:10:18,559
Speaker 3: Like that that means you you know that it feels

1594
01:10:18,560 --> 01:10:20,680
Speaker 3: like there's something wrong with it, Like and it's not

1595
01:10:20,800 --> 01:10:22,160
Speaker 3: like if you have somebody has a pen and it

1596
01:10:22,240 --> 01:10:24,280
Speaker 3: can kind of like help you with a record and

1597
01:10:24,280 --> 01:10:26,760
Speaker 3: you can hear things that you can't like. As an

1598
01:10:26,840 --> 01:10:28,840
Speaker 3: artist is supposed to be to create the best art, right.

1599
01:10:29,320 --> 01:10:32,360
Speaker 1: Yeah. And on top of that too, I feel like

1600
01:10:32,479 --> 01:10:34,559
Speaker 1: artists should look out for each other in that regard,

1601
01:10:34,640 --> 01:10:36,800
Speaker 1: like if you were because I mean, Johnsy's now a

1602
01:10:36,800 --> 01:10:39,720
Speaker 1: full full on artist. At that time, she was more

1603
01:10:39,800 --> 01:10:43,599
Speaker 1: writing and hadn't really worked out her full solo career.

1604
01:10:45,200 --> 01:10:49,559
Speaker 1: That's kind of like that's like their LinkedIn like within

1605
01:10:50,840 --> 01:10:53,799
Speaker 1: artist world. Who you work with this Joszi, Okay, connect

1606
01:10:53,800 --> 01:10:55,599
Speaker 1: me with Jozzy. If she's writing that shit for you,

1607
01:10:56,080 --> 01:10:58,200
Speaker 1: I need to work with her as well like that.

1608
01:10:58,200 --> 01:11:01,479
Speaker 1: That's that's a big thing for artist's livelihood when they're

1609
01:11:01,479 --> 01:11:04,479
Speaker 1: writing that way. I need to be credited here so

1610
01:11:04,560 --> 01:11:06,240
Speaker 1: I can continue to get more work and people know

1611
01:11:06,240 --> 01:11:09,599
Speaker 1: what timent is with me. Yeah, shard Quint Miller Man,

1612
01:11:09,960 --> 01:11:12,880
Speaker 1: I'll go for sure. No, definitely shout out to quinlan

1613
01:11:14,320 --> 01:11:15,800
Speaker 1: ay all was wrong with that push the t shit,

1614
01:11:15,840 --> 01:11:23,200
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Speaker 1: Y'all saw all said, come out like he got shot

1649
01:12:51,680 --> 01:12:54,640
Speaker 1: at Quad Studios. This shit is a simulation.

1650
01:12:55,080 --> 01:12:55,519
Speaker 2: This isn't real.

1651
01:12:55,560 --> 01:12:57,160
Speaker 1: When you think your who do you think I picture

1652
01:12:57,240 --> 01:12:59,320
Speaker 1: character in the simulation? Like who you think got the controller?

1653
01:13:00,080 --> 01:13:00,280
Speaker 2: Ah?

1654
01:13:01,439 --> 01:13:04,200
Speaker 1: Okay, roll? Who you think I got your control? God engineered?

1655
01:13:04,800 --> 01:13:10,320
Speaker 1: All right? So off Set came, he came out. This

1656
01:13:10,439 --> 01:13:12,479
Speaker 1: was whoever did has a very weird sense of humor.

1657
01:13:12,520 --> 01:13:13,240
Speaker 1: I'll just put it that way.

1658
01:13:13,320 --> 01:13:16,479
Speaker 3: This was this was This was, I guess offsets version

1659
01:13:16,520 --> 01:13:20,120
Speaker 3: of when Snoop had just beat his murder just murder

1660
01:13:20,200 --> 01:13:22,559
Speaker 3: trial and came out at the war show.

1661
01:13:22,640 --> 01:13:25,040
Speaker 1: For murder was the case? What do you think was better?

1662
01:13:25,120 --> 01:13:26,519
Speaker 1: That was the question I was going to ask you, guys. No,

1663
01:13:26,720 --> 01:13:29,800
Speaker 1: that's not the question. Really, I swear guys prepared to

1664
01:13:29,840 --> 01:13:32,559
Speaker 1: ask you specifically, was this better than murder? Was the case?

1665
01:13:33,280 --> 01:13:36,400
Speaker 1: This was? Yeah? Listen, man, you know I've never been

1666
01:13:37,080 --> 01:13:39,599
Speaker 1: he's so strong. Yeah. I can't I can't tear him down.

1667
01:13:39,640 --> 01:13:43,479
Speaker 3: I can't speak to it. But off Set, I don't know.

1668
01:13:43,560 --> 01:13:45,120
Speaker 3: I think you should just like just chill for a

1669
01:13:45,160 --> 01:13:47,160
Speaker 3: little bit. Just go sit down and just you know,

1670
01:13:47,240 --> 01:13:50,240
Speaker 3: he'll and you know, get your energy right and get

1671
01:13:50,280 --> 01:13:52,559
Speaker 3: you know, just just relax. I don't think we needed

1672
01:13:52,600 --> 01:13:53,240
Speaker 3: this performance.

1673
01:13:54,200 --> 01:13:56,000
Speaker 1: The amount of people that came out. I'm sure you

1674
01:13:56,000 --> 01:13:58,200
Speaker 1: guys fully spoke about it, but amount of people that

1675
01:13:58,240 --> 01:13:59,960
Speaker 1: came out and said that Offset, ohs the money was

1676
01:14:00,360 --> 01:14:01,680
Speaker 1: the funniest part about the start thing.

1677
01:14:01,760 --> 01:14:02,120
Speaker 2: Oh yeah.

1678
01:14:02,400 --> 01:14:04,280
Speaker 1: On my video set, people were telling me Offset of

1679
01:14:04,320 --> 01:14:09,480
Speaker 1: the money, I'm not, I swear to God. And ironically

1680
01:14:09,600 --> 01:14:11,720
Speaker 1: was all at super Bowl. He bet with everybody at

1681
01:14:11,720 --> 01:14:13,240
Speaker 1: super Bowl. That's all he was doing, was walking around

1682
01:14:13,280 --> 01:14:19,040
Speaker 1: like bet it. But that's why I don't bet. Why

1683
01:14:19,280 --> 01:14:22,120
Speaker 1: because I don't want to get into this this this stuff,

1684
01:14:22,120 --> 01:14:23,760
Speaker 1: like those type of bets. I bet on hard rock

1685
01:14:23,800 --> 01:14:26,120
Speaker 1: because I don't have to deal with the app. I'm

1686
01:14:26,120 --> 01:14:28,800
Speaker 1: not dealing with Offset and Crew with my bets. Did

1687
01:14:28,840 --> 01:14:30,439
Speaker 1: also want to set right in my phone? Did he

1688
01:14:30,479 --> 01:14:32,639
Speaker 1: say that on his on his letter? Life's a gamble

1689
01:14:32,680 --> 01:14:37,120
Speaker 1: and I'm still playing to win. See you see what

1690
01:14:37,160 --> 01:14:41,960
Speaker 1: I'm saying. You see the games niggas play, Life's of gambling.

1691
01:14:42,760 --> 01:14:44,439
Speaker 2: I'm still playing a win period.

1692
01:14:44,880 --> 01:14:46,840
Speaker 3: Well, off Set says thank you to everyone who's checked

1693
01:14:46,840 --> 01:14:48,760
Speaker 3: in on me and showed me love. I'm good, but

1694
01:14:48,800 --> 01:14:50,639
Speaker 3: I'm planning to be better. I'm focused with my family,

1695
01:14:50,720 --> 01:14:53,120
Speaker 3: my recovery and getting back to the music. Realizing that

1696
01:14:53,160 --> 01:14:55,800
Speaker 3: life is made of quiet wins and loud losses, lifes

1697
01:14:55,880 --> 01:14:58,720
Speaker 3: of gamble, and I'm still playing to win. Well, we

1698
01:14:58,840 --> 01:15:01,439
Speaker 3: do this, ju you know, pray for Offset and hopefully

1699
01:15:01,479 --> 01:15:02,479
Speaker 3: he's he's healed.

1700
01:15:02,479 --> 01:15:07,680
Speaker 1: One ghost written by Forrest Gumes. Mom, I mean no,

1701
01:15:07,840 --> 01:15:12,719
Speaker 1: of course, I don't want Offset to be harmed. Of course,

1702
01:15:13,040 --> 01:15:17,160
Speaker 1: avoid violence at all costs. But I'm not condoning the

1703
01:15:17,200 --> 01:15:21,599
Speaker 1: ship though. But pay your debts, like well, it's kind

1704
01:15:21,640 --> 01:15:26,160
Speaker 1: of like the understand that there's ship with gamb Like

1705
01:15:26,840 --> 01:15:32,200
Speaker 1: unfortunately with take off, that was an unfortunate situation that

1706
01:15:32,400 --> 01:15:36,040
Speaker 1: clearly could have been avoided of that dice game. But

1707
01:15:36,200 --> 01:15:39,200
Speaker 1: if that could have been avoided. But if you are

1708
01:15:39,280 --> 01:15:43,720
Speaker 1: constantly as betting people and not paying them back, that

1709
01:15:43,880 --> 01:15:47,200
Speaker 1: is your fault. I'm sorry, it's your fault. You can't

1710
01:15:47,200 --> 01:15:50,280
Speaker 1: go around the world betting with people and not paying

1711
01:15:50,320 --> 01:15:53,519
Speaker 1: them and think everything's gonna be okay the world. Of course,

1712
01:15:53,520 --> 01:15:55,439
Speaker 1: I don't want anyone, do I live in the real world.

1713
01:15:55,560 --> 01:15:57,040
Speaker 1: Do we know that that's what really happened.

1714
01:15:57,240 --> 01:15:57,960
Speaker 2: We don't know.

1715
01:15:58,040 --> 01:16:00,000
Speaker 1: We don't know what that's really if that's what really happened.

1716
01:16:00,439 --> 01:16:04,120
Speaker 2: But if that is.

1717
01:16:05,600 --> 01:16:09,840
Speaker 1: A pattern for somebody and you're gambling and then you

1718
01:16:09,880 --> 01:16:12,720
Speaker 1: find out that they were shot in the ass, one

1719
01:16:12,760 --> 01:16:17,200
Speaker 1: could assume it could have been about something else. I

1720
01:16:17,240 --> 01:16:17,519
Speaker 1: don't know.

1721
01:16:17,880 --> 01:16:20,840
Speaker 3: Yeah, I'm saying they're saying that him and TJ was

1722
01:16:20,840 --> 01:16:24,160
Speaker 3: fighting and he was beating TJ up and then TJ's

1723
01:16:24,160 --> 01:16:25,000
Speaker 3: man shot him.

1724
01:16:25,240 --> 01:16:27,400
Speaker 1: Okay, well, I don't I don't know about any of

1725
01:16:27,400 --> 01:16:31,360
Speaker 1: that or whatever. I'm just saying, if you continue to

1726
01:16:31,479 --> 01:16:34,639
Speaker 1: bet people and not pay them, you're not really a victim.

1727
01:16:34,680 --> 01:16:40,599
Speaker 1: To me, You're not if you continue to bet people

1728
01:16:40,600 --> 01:16:44,400
Speaker 1: and not paying As if I stop paying my mortgage

1729
01:16:44,960 --> 01:16:48,520
Speaker 1: today and the bank takes my house, am I a victim?

1730
01:16:48,560 --> 01:16:51,200
Speaker 2: Taking your house and potentially taking your life are two

1731
01:16:51,240 --> 01:16:52,160
Speaker 2: completely different things?

1732
01:16:52,160 --> 01:16:54,479
Speaker 1: Oh no, again, I don't like violence. I just I

1733
01:16:54,520 --> 01:16:59,440
Speaker 1: live in the real world though, like and and with mortgages,

1734
01:16:59,560 --> 01:17:01,320
Speaker 1: you deal with the bank, and how the bank shoots

1735
01:17:01,320 --> 01:17:02,920
Speaker 1: you in the ass is they take your house and

1736
01:17:02,920 --> 01:17:05,920
Speaker 1: they auction it. I'm saying, in that world, you get

1737
01:17:05,920 --> 01:17:10,800
Speaker 1: shot in the ass. Yeah, Yeah, in that world, that's

1738
01:17:11,040 --> 01:17:13,080
Speaker 1: That's that's what I'm saying, Like shot in your ass,

1739
01:17:13,560 --> 01:17:13,760
Speaker 1: is it?

1740
01:17:15,360 --> 01:17:18,840
Speaker 3: That's actually kind of like noble, like, yeah, usually you

1741
01:17:18,880 --> 01:17:19,679
Speaker 3: get shot in your head.

1742
01:17:19,760 --> 01:17:21,880
Speaker 1: But you know, like I hear everyone, and I want

1743
01:17:21,880 --> 01:17:23,960
Speaker 1: to live in the world too where it's all kumba y'all,

1744
01:17:24,080 --> 01:17:26,479
Speaker 1: and maybe we put Offset on a payment plan and hey,

1745
01:17:26,479 --> 01:17:29,040
Speaker 1: I'll get get you on the next one. But that's

1746
01:17:29,080 --> 01:17:32,240
Speaker 1: why I don't fuck with certain worlds because I know

1747
01:17:32,320 --> 01:17:36,160
Speaker 1: the consequences of those worlds. Yeah, don't don't step into

1748
01:17:36,160 --> 01:17:37,920
Speaker 1: the game and not not pay someone and be like,

1749
01:17:37,960 --> 01:17:39,040
Speaker 1: why why are you hitting me?

1750
01:17:40,400 --> 01:17:41,160
Speaker 2: That's the rules here.

1751
01:17:41,720 --> 01:17:42,639
Speaker 1: Yeah, that's the fact.

1752
01:17:44,040 --> 01:17:45,800
Speaker 2: Somebody had tweeted and was like, yo, so Cardi B

1753
01:17:45,960 --> 01:17:47,880
Speaker 2: was buying her own bags this whole time, and y'all

1754
01:17:47,880 --> 01:17:50,400
Speaker 2: think letting y'all think Offset was spoiling her and Krnatee

1755
01:17:50,520 --> 01:17:52,479
Speaker 2: responded to said never, I'm never the type to do

1756
01:17:52,600 --> 01:17:54,400
Speaker 2: lame shit like that. There was no money problems when

1757
01:17:54,439 --> 01:17:56,240
Speaker 2: I was regulating, you.

1758
01:17:56,240 --> 01:18:01,920
Speaker 1: Know, Cardi said, that, is that some fake AI ship? No,

1759
01:18:02,720 --> 01:18:05,040
Speaker 1: because I watched Justin Bieber and Tham's kiss and thought

1760
01:18:05,040 --> 01:18:07,360
Speaker 1: it was real at first. But that was the best

1761
01:18:07,760 --> 01:18:11,200
Speaker 1: I've ever seen in my life. Oh my god, that

1762
01:18:11,240 --> 01:18:15,880
Speaker 1: Ai was crazy. No, that was a a I'm kind

1763
01:18:15,880 --> 01:18:17,960
Speaker 1: of shocked Cardi is still talking about offset though, or

1764
01:18:18,040 --> 01:18:21,320
Speaker 1: like commenting at least. That's a lot odd to me.

1765
01:18:21,400 --> 01:18:26,160
Speaker 1: But anyways, Oh, everyone heals and specifically offset. Everyone gets

1766
01:18:26,160 --> 01:18:29,639
Speaker 1: paid the money that they're owed. And that's that's that's

1767
01:18:29,640 --> 01:18:33,120
Speaker 1: really where I land on everything. It's very noble you were,

1768
01:18:33,160 --> 01:18:37,160
Speaker 1: thank you for that. How much are using the costs

1769
01:18:37,160 --> 01:18:40,320
Speaker 1: for us to do the Iceman on the seats? He

1770
01:18:40,360 --> 01:18:42,560
Speaker 1: wanted ice seats, so yeah, should we talk to the

1771
01:18:42,640 --> 01:18:45,080
Speaker 1: raptors and see what the specs were? Yeah, we can

1772
01:18:45,080 --> 01:18:48,080
Speaker 1: get it done with some ice on these seats, right baby,

1773
01:18:48,120 --> 01:18:51,160
Speaker 1: he wants some ice on your seat? Now you happiest

1774
01:18:51,200 --> 01:18:51,880
Speaker 1: eighty degrees out?

1775
01:18:51,880 --> 01:18:53,840
Speaker 2: So yeah, I'm okay.

1776
01:18:53,600 --> 01:18:55,600
Speaker 1: You want the ice you seats? What ice? Pe seat up?

1777
01:18:56,439 --> 01:18:59,559
Speaker 1: Everybody got you? I would think the whole set. Just

1778
01:18:59,560 --> 01:18:59,960
Speaker 1: do some.

1779
01:19:01,880 --> 01:19:05,599
Speaker 2: One or wonder lamb put us in just the igloo man, yo,

1780
01:19:05,680 --> 01:19:08,240
Speaker 2: ma onkle she right. They got like bets like you

1781
01:19:08,240 --> 01:19:10,400
Speaker 2: could bet when Iceman is coming out? Can you help me?

1782
01:19:12,400 --> 01:19:14,200
Speaker 1: Can I help you when when Iceman is coming out?

1783
01:19:14,240 --> 01:19:15,200
Speaker 1: Like tell you when it's coming out?

1784
01:19:15,280 --> 01:19:17,320
Speaker 2: Yeah, you don't got told like everywhere, Like, tell me

1785
01:19:17,360 --> 01:19:18,200
Speaker 2: so I could bet.

1786
01:19:18,320 --> 01:19:20,880
Speaker 1: Like they started training. Maybe maybe take this out because

1787
01:19:20,960 --> 01:19:27,080
Speaker 1: like let's like actually do that, like maybe we should

1788
01:19:27,200 --> 01:19:35,519
Speaker 1: like I think maybe you're wanting something, oh ship, Yeah,

1789
01:19:35,720 --> 01:19:37,800
Speaker 1: like you know, and we can do it from a goat.

1790
01:19:37,840 --> 01:19:40,760
Speaker 1: Let's just do it on Ryan's account. Yeah, they don't

1791
01:19:40,760 --> 01:19:43,200
Speaker 1: know you, they don't know I don't know him. Mind

1792
01:19:43,360 --> 01:19:44,160
Speaker 1: get money.

1793
01:19:45,360 --> 01:19:48,120
Speaker 2: To shoot him and ask Yeah, playing that ship, but

1794
01:19:48,160 --> 01:19:49,880
Speaker 2: don't like but don't tell him it's like for us,

1795
01:19:49,880 --> 01:19:52,720
Speaker 2: because he's gonna give you the wrong date. Just ask him,

1796
01:19:52,720 --> 01:19:55,320
Speaker 2: like a sly the wrong date. Yeah, he like I

1797
01:19:55,400 --> 01:19:57,000
Speaker 2: wanted to give like if you're telling me old Ryan

1798
01:19:57,080 --> 01:19:58,000
Speaker 2: de Marrits want to bet on it?

1799
01:19:58,080 --> 01:20:00,320
Speaker 1: Oh so you got to get the exact date. Yeah.

1800
01:20:00,439 --> 01:20:08,840
Speaker 1: Oh oh oh then that's easier. Just vaguely tell us something.

1801
01:20:10,640 --> 01:20:11,200
Speaker 1: We'll be good.

1802
01:20:11,640 --> 01:20:13,760
Speaker 2: Baby. Baby, you need some shoes.

1803
01:20:14,640 --> 01:20:15,759
Speaker 1: Some new Joe fresh Goods.

1804
01:20:15,960 --> 01:20:22,480
Speaker 2: You need them. Joe fresh Goods is releasing like nineties

1805
01:20:22,720 --> 01:20:25,000
Speaker 2: R and B or nineties hip hop themed shoes. I

1806
01:20:25,040 --> 01:20:26,920
Speaker 2: sent them to them. All you think I'm gonna get them,

1807
01:20:27,240 --> 01:20:28,000
Speaker 2: let's bet I'm.

1808
01:20:27,840 --> 01:20:30,479
Speaker 3: That over under No, because I don't want to shoot you.

1809
01:20:32,240 --> 01:20:34,240
Speaker 3: I'm saying I can't get you that sells out, like

1810
01:20:35,840 --> 01:20:37,800
Speaker 3: I can't get if they sell out how much supposed get.

1811
01:20:37,680 --> 01:20:41,200
Speaker 2: It, but you can get definitely is though he definitely

1812
01:20:41,320 --> 01:20:45,559
Speaker 2: is like hit him beforehand them ship is fire. I

1813
01:20:45,600 --> 01:20:47,320
Speaker 2: want the Purple Ones because they're based on the What's

1814
01:20:47,320 --> 01:20:50,839
Speaker 2: It Gonna Be video with busting gin it fire.

1815
01:20:51,560 --> 01:20:53,760
Speaker 1: But then they said just send you something like two

1816
01:20:53,800 --> 01:20:56,479
Speaker 1: weeks ago. Both of them have send you stuff to

1817
01:20:56,479 --> 01:20:57,240
Speaker 1: this office.

1818
01:20:57,040 --> 01:20:57,519
Speaker 2: Like a month.

1819
01:20:57,720 --> 01:21:00,760
Speaker 1: Yeah they have. Okay, so shout out to nemicizing and

1820
01:21:00,880 --> 01:21:02,960
Speaker 1: stuff is probably on this. He sent you some joints.

1821
01:21:03,479 --> 01:21:08,160
Speaker 2: He shout out to Fresh. Yeah, yeah, Fresh, Yeah.

1822
01:21:08,400 --> 01:21:10,080
Speaker 3: I reached out to Joe, sayo, the mariage will kill

1823
01:21:10,120 --> 01:21:12,360
Speaker 3: me sin or something. He made it happen for you.

1824
01:21:12,400 --> 01:21:16,320
Speaker 2: I'm gonna reach out to him and be like him stranger.

1825
01:21:16,479 --> 01:21:18,080
Speaker 3: I don't know that's gonna work, but you know, sorry,

1826
01:21:18,080 --> 01:21:21,479
Speaker 3: you can try to shoot shoot I'm not.

1827
01:21:22,320 --> 01:21:24,240
Speaker 2: I at least post the secrets. That's the thing about me.

1828
01:21:25,280 --> 01:21:27,800
Speaker 2: I post my ships. I just wore my Joe Fresh

1829
01:21:28,160 --> 01:21:31,480
Speaker 2: in my music video did You Kick Your Feet Up Inact?

1830
01:21:31,320 --> 01:21:33,400
Speaker 2: That was on the DP And first they see that's

1831
01:21:33,400 --> 01:21:33,800
Speaker 2: not even on.

1832
01:21:33,840 --> 01:21:35,639
Speaker 1: Yeah, that's not on We don't put that on Roy.

1833
01:21:35,800 --> 01:21:36,559
Speaker 1: That wasn't a part of it.

1834
01:21:36,760 --> 01:21:39,479
Speaker 3: Got they didn't write that in, Like kick your feet

1835
01:21:39,520 --> 01:21:40,400
Speaker 3: up was not in the script.

1836
01:21:40,400 --> 01:21:42,000
Speaker 1: You can't do that to Rory. You don't do that. Yeah,

1837
01:21:42,040 --> 01:21:48,280
Speaker 1: product placement. Did anyone bet on hard Rock for Col's numbers?

1838
01:21:52,640 --> 01:21:56,760
Speaker 1: We're talk about sports, We're talking about betting. Yeah, you

1839
01:21:56,760 --> 01:21:59,240
Speaker 1: know it's a sports book for the magic and the

1840
01:21:59,240 --> 01:22:01,720
Speaker 1: the heat. I wasn't sure that's what's up for, Like

1841
01:22:01,760 --> 01:22:03,520
Speaker 1: them monkey Kings.

1842
01:22:04,439 --> 01:22:06,559
Speaker 2: Nah, pop y'all ship, don't half ass pop the ship,

1843
01:22:06,600 --> 01:22:07,800
Speaker 2: pop your ship, pop wood ship.

1844
01:22:07,840 --> 01:22:10,000
Speaker 1: I think I think it's cool that that you could

1845
01:22:10,000 --> 01:22:11,559
Speaker 1: just go to China and play basketball. I think it's

1846
01:22:11,840 --> 01:22:13,760
Speaker 1: cool you can know to West fourth from play basketball too.

1847
01:22:13,800 --> 01:22:15,799
Speaker 1: Right here down the block, I probably have the same stats.

1848
01:22:17,080 --> 01:22:17,519
Speaker 1: Half worse.

1849
01:22:17,560 --> 01:22:19,439
Speaker 2: You would not have the same stats. I wouldn't be

1850
01:22:20,040 --> 01:22:21,800
Speaker 2: niggas would never let you want on the floor.

1851
01:22:22,680 --> 01:22:27,080
Speaker 3: If they did, I would have those. Them stats ain't

1852
01:22:27,080 --> 01:22:29,759
Speaker 3: hard to get. I could promise you. I could promise

1853
01:22:29,760 --> 01:22:31,640
Speaker 3: you want to rebound and one assistance.

1854
01:22:32,840 --> 01:22:36,280
Speaker 1: That's not And sometimes some assists you don't deserve either.

1855
01:22:36,680 --> 01:22:38,360
Speaker 2: Yeah, like what was that did you really like?

1856
01:22:38,520 --> 01:22:40,920
Speaker 3: Did you really assist that or was he going to

1857
01:22:40,960 --> 01:22:42,880
Speaker 3: score that ball anyway with them without you pass?

1858
01:22:42,960 --> 01:22:43,000
Speaker 2: You?

1859
01:22:43,160 --> 01:22:45,200
Speaker 1: Like, Bro, if I hand the ball off to Steph

1860
01:22:45,240 --> 01:22:47,120
Speaker 1: Curry when he's at half court and he pulls up,

1861
01:22:47,280 --> 01:22:49,120
Speaker 1: is that my assist? I don't know. I just don't

1862
01:22:49,160 --> 01:22:50,800
Speaker 1: know if that's yours. I think Steph was gonna do

1863
01:22:50,840 --> 01:22:54,080
Speaker 1: that anyway. But yeah, uh but no, Demaris. You I

1864
01:22:54,080 --> 01:22:56,280
Speaker 1: always think I'm hating on coll I'm not. I think

1865
01:22:56,280 --> 01:22:57,720
Speaker 1: it's cool if you want to go to chot to

1866
01:22:57,800 --> 01:22:59,639
Speaker 1: have the power to just do that. I think that's

1867
01:22:59,680 --> 01:23:07,080
Speaker 1: cool and earned and and it's great. But it's also funny.

1868
01:23:07,640 --> 01:23:08,960
Speaker 1: I just don't think there's anything wrong with that.

1869
01:23:09,760 --> 01:23:11,759
Speaker 2: You niggas couldn't skip down the block without.

1870
01:23:11,600 --> 01:23:13,880
Speaker 1: Ja is a way better basketball player than me. I'm

1871
01:23:13,880 --> 01:23:15,559
Speaker 1: not here to clout him in that. It's just funny

1872
01:23:15,560 --> 01:23:17,040
Speaker 1: going over five. That ain't saying much.

1873
01:23:17,040 --> 01:23:17,719
Speaker 2: What's that saying?

1874
01:23:18,040 --> 01:23:19,680
Speaker 1: Like Ja Cole is a better basketball player than you?

1875
01:23:19,720 --> 01:23:23,280
Speaker 1: That ain't saying much? What is that? This is absolutely crazy? Man,

1876
01:23:24,280 --> 01:23:26,320
Speaker 1: cold give it up. The hoop dreams is over with Bro,

1877
01:23:26,640 --> 01:23:28,840
Speaker 1: just rap. I get it. You want to play in

1878
01:23:28,840 --> 01:23:29,200
Speaker 1: the league.

1879
01:23:29,240 --> 01:23:29,720
Speaker 2: I get it.

1880
01:23:30,080 --> 01:23:31,960
Speaker 1: His interview that he thought the window was closed he's

1881
01:23:31,960 --> 01:23:34,479
Speaker 1: getting older and wanted to do one more time. Is

1882
01:23:34,520 --> 01:23:36,639
Speaker 1: this the last time? I think that's what he was saying.

1883
01:23:36,880 --> 01:23:41,639
Speaker 1: We got waived. But you know the the mks, they're

1884
01:23:41,640 --> 01:23:43,760
Speaker 1: in a rebuilding year. Cole. Just come just me there,

1885
01:23:44,080 --> 01:23:45,880
Speaker 1: you know cold, Just meet up at La Fitness like

1886
01:23:45,880 --> 01:23:48,559
Speaker 1: anybody else. Man, Just come to La Fitness a Saturday. Man,

1887
01:23:48,640 --> 01:23:49,800
Speaker 1: we in there like you know what I mean, Just

1888
01:23:49,800 --> 01:23:51,000
Speaker 1: get some run noon.

1889
01:23:51,360 --> 01:23:54,679
Speaker 2: Niggas is not in there, y'all ain't in La Fitness running.

1890
01:23:54,680 --> 01:23:58,520
Speaker 1: No plays play. I don't think they don't want to play.

1891
01:23:58,800 --> 01:24:00,519
Speaker 3: Just get the ball and just if you got a shot,

1892
01:24:00,560 --> 01:24:01,400
Speaker 3: take it. It's not a place.

1893
01:24:01,560 --> 01:24:03,560
Speaker 2: They fitness as basketball all they do. That's why you

1894
01:24:03,600 --> 01:24:03,960
Speaker 2: said that.

1895
01:24:05,160 --> 01:24:08,160
Speaker 1: Or let's just go go to the park. That's it.

1896
01:24:08,160 --> 01:24:10,559
Speaker 1: It's all right. Decided to let that who dream go.

1897
01:24:10,640 --> 01:24:12,599
Speaker 1: Sometimes it's over right.

1898
01:24:13,720 --> 01:24:16,080
Speaker 3: Going over to China to get one point one rebound

1899
01:24:16,080 --> 01:24:17,880
Speaker 3: and one of this is absolutely fucking crazy.

1900
01:24:17,920 --> 01:24:20,480
Speaker 1: Some of us are just you know, we're annoying defenders

1901
01:24:20,520 --> 01:24:23,040
Speaker 1: or we just we penetrating dish. Just that's that's our thing.

1902
01:24:23,439 --> 01:24:24,800
Speaker 1: It's over man, not here to be a score.

1903
01:24:24,920 --> 01:24:28,439
Speaker 2: Sorry though your dreams, bro, keep doing whatever you want

1904
01:24:28,479 --> 01:24:31,360
Speaker 2: to do. So he's got to keep living his dreams exactly.

1905
01:24:31,360 --> 01:24:34,240
Speaker 2: It's not dreaming if you don't dream. So I just

1906
01:24:34,240 --> 01:24:36,360
Speaker 2: think sometimes we need to have a reality vill too.

1907
01:24:38,640 --> 01:24:41,160
Speaker 1: See that's your problem with real vill who signed a

1908
01:24:41,200 --> 01:24:45,400
Speaker 1: real vill the Grinch who signed the reality Ville. Like,

1909
01:24:45,479 --> 01:24:50,240
Speaker 1: come on, man, that's your problem. Ryan, How did you

1910
01:24:50,280 --> 01:24:53,800
Speaker 1: feel about this? Did you feel disrespected? I figured you would. No,

1911
01:24:53,960 --> 01:24:58,479
Speaker 1: But you don't do that because Ray Rice dropped thirty

1912
01:24:58,479 --> 01:25:00,759
Speaker 1: points on you at at the gym.

1913
01:25:00,960 --> 01:25:03,599
Speaker 3: Super Bowl Champion. He was supposed to He did what

1914
01:25:03,640 --> 01:25:04,320
Speaker 3: he was supposed to do.

1915
01:25:04,360 --> 01:25:06,080
Speaker 2: Okay, you don't think the talent and the CBA.

1916
01:25:06,400 --> 01:25:09,640
Speaker 1: Absolutely, Yeah, Cole's going against people that could end up

1917
01:25:09,640 --> 01:25:12,599
Speaker 1: playing in the NBA. He shouldn't be there. You shouldn't

1918
01:25:12,600 --> 01:25:14,600
Speaker 1: have been a d n F ray Rice. It was.

1919
01:25:14,800 --> 01:25:18,240
Speaker 3: It wasn't a professional league. He's a professional. Yeah, but okay,

1920
01:25:18,240 --> 01:25:19,240
Speaker 3: so he shouldn't have been there.

1921
01:25:20,080 --> 01:25:20,400
Speaker 2: Not me.

1922
01:25:20,680 --> 01:25:22,840
Speaker 3: I was where I was supposed to be. Coole ain't

1923
01:25:22,880 --> 01:25:24,960
Speaker 3: supposed to be there. I was right where I was

1924
01:25:25,000 --> 01:25:25,559
Speaker 3: supposed to be.

1925
01:25:25,640 --> 01:25:27,559
Speaker 1: Okay, when everyone's calling out who they got, did you

1926
01:25:27,640 --> 01:25:29,760
Speaker 1: just answer last? Is that why he was landing it

1927
01:25:29,760 --> 01:25:32,439
Speaker 1: on ray? I think you know whatever since I got

1928
01:25:32,200 --> 01:25:35,400
Speaker 1: him and was like, well, I guess I got Ray. No,

1929
01:25:35,479 --> 01:25:37,400
Speaker 1: I wasn't. I don't even remember. I think we just

1930
01:25:37,400 --> 01:25:39,080
Speaker 1: just ended up standing next to each other. I got

1931
01:25:39,120 --> 01:25:42,679
Speaker 1: rad is what it is. I got Ra. Ain't no bitch.

1932
01:25:45,240 --> 01:25:51,040
Speaker 1: That motherfucker was strong. Yeah, that motherfucker strong man. Nah,

1933
01:25:51,120 --> 01:25:54,800
Speaker 1: but come on, man, first game jitters. Yeah.

1934
01:25:54,840 --> 01:25:57,120
Speaker 3: I think he wrote a letter say uh some some

1935
01:25:57,160 --> 01:25:59,000
Speaker 3: common saying he was supposed to play three games.

1936
01:25:59,360 --> 01:26:00,479
Speaker 1: Okay, He's like, I think if.

1937
01:26:00,360 --> 01:26:03,080
Speaker 3: You would have more time to get practicing and you know, yeah,

1938
01:26:03,160 --> 01:26:05,439
Speaker 3: get his legs up under him. Long flight, long flight,

1939
01:26:05,479 --> 01:26:08,040
Speaker 3: you know, I go, man, Willy beaming through a pick.

1940
01:26:08,240 --> 01:26:11,160
Speaker 3: I get it first every game, like, yeah, you just

1941
01:26:11,160 --> 01:26:13,000
Speaker 3: gotta get get in the rhythm. That's that's what basketball is.

1942
01:26:13,040 --> 01:26:15,439
Speaker 1: You don't understanding that. Yeah, Cole, just come sit down though. Man,

1943
01:26:15,439 --> 01:26:17,120
Speaker 1: it's all right man, it's sorry. We're gonna listen to

1944
01:26:17,200 --> 01:26:19,040
Speaker 1: your music. It's so good. Just do what you do best.

1945
01:26:19,080 --> 01:26:21,600
Speaker 2: Rap, try to go on tour. You know what his

1946
01:26:22,000 --> 01:26:25,200
Speaker 2: repre Yous'm gonna get better. There you go, exercise, he

1947
01:26:25,200 --> 01:26:25,680
Speaker 2: gonna be good.

1948
01:26:25,680 --> 01:26:26,120
Speaker 1: There you go.

1949
01:26:26,479 --> 01:26:29,519
Speaker 2: That's his feel, that's his arena. Right there after he

1950
01:26:29,600 --> 01:26:31,120
Speaker 2: don't go back to the Monkey Kings, Like.

1951
01:26:31,200 --> 01:26:32,840
Speaker 3: Nah, he don't need to go back over there, not

1952
01:26:33,120 --> 01:26:35,040
Speaker 3: toa and go visit China, but don't go back to

1953
01:26:35,040 --> 01:26:35,679
Speaker 3: the Monkey Kings.

1954
01:26:35,760 --> 01:26:38,960
Speaker 1: What if during his concert, like in the middle of

1955
01:26:39,040 --> 01:26:42,600
Speaker 1: his set, because he loves interacting with the fans, he

1956
01:26:42,720 --> 01:26:45,840
Speaker 1: brings fans on stage and they play like twenty one or.

1957
01:26:45,760 --> 01:26:49,000
Speaker 2: Something toy on his man like five would be cool.

1958
01:26:49,280 --> 01:26:51,760
Speaker 1: Or like a quick two on two or something, and

1959
01:26:51,800 --> 01:26:53,759
Speaker 1: like Cole could get his shots in while he's also

1960
01:26:53,840 --> 01:26:55,679
Speaker 1: doing his tour, so it's killing too. But like y'all

1961
01:26:55,680 --> 01:26:57,040
Speaker 1: will come in here and say it's the most innovative

1962
01:26:57,040 --> 01:26:58,960
Speaker 1: ship we've ever seen a rap. I will say if J.

1963
01:26:59,160 --> 01:27:02,599
Speaker 1: Cole had fans on stage playing basketball against him during

1964
01:27:02,640 --> 01:27:05,360
Speaker 1: his concert at Madison Square Garden, yes, I would say

1965
01:27:05,360 --> 01:27:07,639
Speaker 1: that's that's really good. I think that would be cool

1966
01:27:07,640 --> 01:27:08,000
Speaker 1: as fuck.

1967
01:27:08,640 --> 01:27:09,599
Speaker 2: Yeah you don't.

1968
01:27:09,680 --> 01:27:11,599
Speaker 1: You don't like at halftime when they try to give

1969
01:27:11,600 --> 01:27:13,040
Speaker 1: away the big check for the guy to hit the

1970
01:27:13,040 --> 01:27:16,200
Speaker 1: half court shot. It's entertainment. Ye, you wouldn't want to

1971
01:27:16,200 --> 01:27:18,160
Speaker 1: see a drunk ass fan against J. Cole Midschfeld.

1972
01:27:18,280 --> 01:27:21,320
Speaker 2: Nope, I can't wait to be drunk singing when we

1973
01:27:21,360 --> 01:27:24,880
Speaker 2: survived to let out, Oh, I'm gonna have a ball.

1974
01:27:25,320 --> 01:27:28,200
Speaker 2: Tickets bought, Baby, it's a lit.

1975
01:27:28,360 --> 01:27:33,040
Speaker 3: That's your dream to be drunk screaming. I have a Yes,

1976
01:27:33,320 --> 01:27:34,920
Speaker 3: that's what you're looking forward to.

1977
01:27:36,640 --> 01:27:38,160
Speaker 2: So I'm staying alive for sure.

1978
01:27:38,800 --> 01:27:40,760
Speaker 1: Tickets Damn, I would have bought a ticket next to you,

1979
01:27:42,200 --> 01:27:42,920
Speaker 1: just live streaming.

1980
01:27:43,240 --> 01:27:47,680
Speaker 2: Tell nobody where's he at the Garden? I'm going to

1981
01:27:47,680 --> 01:27:50,479
Speaker 2: see him at Barclays. Yeah, but he is. He's at

1982
01:27:50,479 --> 01:27:53,320
Speaker 2: the garden two nights, Barclays two nights. I think ubs

1983
01:27:53,520 --> 01:27:55,960
Speaker 2: Arena one night or two, I can't remember, but yeah.

1984
01:27:55,840 --> 01:28:00,360
Speaker 1: Shout out the cold man. Yeah city? Are you in

1985
01:28:00,439 --> 01:28:01,320
Speaker 1: for for the j ship?

1986
01:28:01,400 --> 01:28:05,040
Speaker 2: I'm for the Oh they're having conversations.

1987
01:28:05,080 --> 01:28:11,560
Speaker 1: I'm too poor to understand me. Yeah, I don't have tickets. Okay,

1988
01:28:12,120 --> 01:28:16,679
Speaker 1: I'm at the Green Dot Fire. I'm excited. Write where

1989
01:28:16,680 --> 01:28:17,160
Speaker 1: you need to be?

1990
01:28:18,000 --> 01:28:18,599
Speaker 2: You bought those?

1991
01:28:20,439 --> 01:28:23,000
Speaker 1: Bought one ticket? I'll take one?

1992
01:28:24,920 --> 01:28:26,160
Speaker 2: Why did? Why wouldn't you buy two?

1993
01:28:26,160 --> 01:28:26,320
Speaker 1: Though?

1994
01:28:26,360 --> 01:28:27,599
Speaker 2: So he could take somebody with you?

1995
01:28:28,920 --> 01:28:29,759
Speaker 1: Are they're expensive?

1996
01:28:33,120 --> 01:28:33,759
Speaker 2: You are? Riso?

1997
01:28:34,360 --> 01:28:34,559
Speaker 1: Yeah?

1998
01:28:35,240 --> 01:28:36,120
Speaker 2: How much was Theresa?

1999
01:28:36,800 --> 01:28:39,880
Speaker 1: I don't want to admit. How much was mm hmm?

2000
01:28:42,120 --> 01:28:44,800
Speaker 1: What do you want from me? I'm gonna try to

2001
01:28:44,800 --> 01:28:47,760
Speaker 1: find more. I doubt my my g a ticket will

2002
01:28:47,760 --> 01:28:52,240
Speaker 1: get me there, but wave for we do a pod together.

2003
01:28:53,400 --> 01:28:55,360
Speaker 1: I know I know him, and they.

2004
01:28:55,280 --> 01:28:57,240
Speaker 2: Ain't gonna get That's the I'm gonna be. That's the

2005
01:28:57,240 --> 01:29:00,000
Speaker 2: type of security you be scared of places like that. Terrified.

2006
01:29:00,520 --> 01:29:01,000
Speaker 2: I'm cool.

2007
01:29:01,320 --> 01:29:03,439
Speaker 1: Oh no, absolutely well, Actually I don't know. Man, Me

2008
01:29:03,439 --> 01:29:06,360
Speaker 1: and my pop snuck down at the World Series to

2009
01:29:06,479 --> 01:29:07,400
Speaker 1: like damn near behind home.

2010
01:29:07,400 --> 01:29:09,479
Speaker 2: That's the World Series. That ain't the jay Z showing

2011
01:29:09,920 --> 01:29:10,759
Speaker 2: Yankee Stadium.

2012
01:29:10,960 --> 01:29:12,800
Speaker 1: I agree. I'm just saying a lot of the ticket

2013
01:29:12,880 --> 01:29:15,200
Speaker 1: ushers you can get close. I'm not saying you get

2014
01:29:15,200 --> 01:29:18,960
Speaker 1: backstage that's where Jazz Navy seals, but you could get closer. Yeah,

2015
01:29:19,040 --> 01:29:22,240
Speaker 1: Yankee Stadium. Still they'll let the gaps. Yeah, they'll they'll

2016
01:29:22,320 --> 01:29:25,599
Speaker 1: let you gas. I'm still kind of there with Yankee

2017
01:29:25,640 --> 01:29:28,599
Speaker 1: Stadia by a bleacher tickets. See how far you get,

2018
01:29:29,439 --> 01:29:32,960
Speaker 1: that's all. And then if you lost or say you're drunk, okay,

2019
01:29:33,080 --> 01:29:34,799
Speaker 1: go this way.

2020
01:29:34,360 --> 01:29:35,360
Speaker 2: Okay, now this way.

2021
01:29:36,800 --> 01:29:38,479
Speaker 1: So I asked some questions, like you at City Field

2022
01:29:38,520 --> 01:29:41,559
Speaker 1: and be like, sir, you're at the wrong You mean

2023
01:29:41,600 --> 01:29:46,439
Speaker 1: the Mets aren't playing? What do you mean the Mets

2024
01:29:46,439 --> 01:29:47,040
Speaker 1: aren't playing?

2025
01:29:47,200 --> 01:29:49,080
Speaker 2: Do you guys have anything else you're looking forward to

2026
01:29:49,080 --> 01:29:50,880
Speaker 2: this summer? Like, I know, I'm really looking forward to

2027
01:29:50,960 --> 01:29:53,759
Speaker 2: Kaeline going on tour. I'm looking forward to seeing Cole Finally,

2028
01:29:55,479 --> 01:29:58,120
Speaker 2: I'm looking forward to having a calm summer. Is there

2029
01:29:58,160 --> 01:30:01,639
Speaker 2: anything this summer you guys are looking forward to other

2030
01:30:01,720 --> 01:30:04,400
Speaker 2: than jay album?

2031
01:30:04,439 --> 01:30:08,840
Speaker 1: Shit, that's really where my focus is. Yeah, that's pretty

2032
01:30:08,880 --> 01:30:10,920
Speaker 1: much it. But I think I'm at the age of, like,

2033
01:30:10,960 --> 01:30:13,400
Speaker 1: I just don't get excited for things anymore. Welcome. I

2034
01:30:13,439 --> 01:30:15,479
Speaker 1: think that like it's just like it's it's past welcome

2035
01:30:15,520 --> 01:30:18,759
Speaker 1: to the club man, Like excitement, isn't there anymore?

2036
01:30:19,640 --> 01:30:22,439
Speaker 3: Excitement is for rookies. I act like you've been here before,

2037
01:30:23,320 --> 01:30:24,240
Speaker 3: put your game face on.

2038
01:30:24,320 --> 01:30:26,519
Speaker 2: I've been here long enough to understand that life is

2039
01:30:26,560 --> 01:30:28,439
Speaker 2: sure and you should be excited about the little things.

2040
01:30:28,680 --> 01:30:29,920
Speaker 2: I enjoyed.

2041
01:30:31,800 --> 01:30:33,439
Speaker 1: Reading that was an off letter.

2042
01:30:35,600 --> 01:30:38,240
Speaker 2: That was often don't actually my pen is kind of crazy.

2043
01:30:39,040 --> 01:30:41,320
Speaker 1: I mean, I know I enjoy moments, I just don't

2044
01:30:41,320 --> 01:30:44,920
Speaker 1: get like excited for things like when I when I'll

2045
01:30:44,960 --> 01:30:47,240
Speaker 1: get on the train to go see the jay Z show,

2046
01:30:47,280 --> 01:30:48,960
Speaker 1: I'll be happy that I'm going to a jay Z show,

2047
01:30:49,000 --> 01:30:51,519
Speaker 1: And like, you're not excited like I'm not sitting here

2048
01:30:51,560 --> 01:30:55,960
Speaker 1: like with like an avan calendar, like wait, wait, waiting

2049
01:30:56,000 --> 01:30:56,599
Speaker 1: for you wait.

2050
01:30:58,040 --> 01:30:59,599
Speaker 2: That's what gets me through. I have to have something

2051
01:30:59,640 --> 01:31:02,280
Speaker 2: to look for over to to like power through. Like

2052
01:31:02,360 --> 01:31:04,920
Speaker 2: That's why I continuously like plan vacations and things like that.

2053
01:31:04,920 --> 01:31:06,720
Speaker 2: It's like, Okay, I have this vacation, like don't quit

2054
01:31:06,720 --> 01:31:08,360
Speaker 2: your job, like go to work. Yeah, like you have

2055
01:31:08,400 --> 01:31:10,439
Speaker 2: to pay for it, now, I get that. Otherwise I

2056
01:31:10,439 --> 01:31:13,439
Speaker 2: would just like sleep. You got to look forward to

2057
01:31:13,479 --> 01:31:14,080
Speaker 2: things in life.

2058
01:31:14,600 --> 01:31:16,960
Speaker 1: Kids take excitement away from because the excitement is that

2059
01:31:18,160 --> 01:31:21,160
Speaker 1: you can't even think about the next day, just trying

2060
01:31:21,160 --> 01:31:24,080
Speaker 1: to get through this one and not have this child's

2061
01:31:24,439 --> 01:31:25,480
Speaker 1: like hurt themselves.

2062
01:31:25,680 --> 01:31:27,080
Speaker 2: So the album's coming out this summer.

2063
01:31:27,680 --> 01:31:31,920
Speaker 1: Yeah, I have like an official date, but Rory's album,

2064
01:31:32,160 --> 01:31:33,360
Speaker 1: I mean I have a date for the next single

2065
01:31:33,360 --> 01:31:34,800
Speaker 1: for the video that I shot with Lucky Day in

2066
01:31:34,800 --> 01:31:36,720
Speaker 1: Black Autist. When is that I'll say that on a

2067
01:31:36,720 --> 01:31:40,040
Speaker 1: different pot. But okay, I have the date, dope.

2068
01:31:39,720 --> 01:31:41,920
Speaker 2: So album before the end of the summer, oh yeah,

2069
01:31:41,920 --> 01:31:43,720
Speaker 2: for sure. The album release party before the end of

2070
01:31:43,760 --> 01:31:44,240
Speaker 2: the summer.

2071
01:31:44,800 --> 01:31:46,960
Speaker 1: Yeah, but I might just do it in like BRIT's backyards,

2072
01:31:47,000 --> 01:31:50,240
Speaker 1: Like oh it's gonna be at LA most likely. Yeah,

2073
01:31:50,240 --> 01:31:51,880
Speaker 1: because everyone that works on the album's out there. I'd

2074
01:31:51,960 --> 01:31:54,880
Speaker 1: rather like do it with everyone there. We'll try, but

2075
01:31:54,960 --> 01:31:56,599
Speaker 1: I know, but I think, like, I think we should

2076
01:31:56,600 --> 01:32:00,719
Speaker 1: do the pod like that Thursday there and then stay

2077
01:32:00,760 --> 01:32:04,679
Speaker 1: till Sunday or something. Fire. Yeah, I think we could

2078
01:32:04,680 --> 01:32:08,200
Speaker 1: do that. Sure, we can all stay at my cousin's house,

2079
01:32:08,280 --> 01:32:12,320
Speaker 1: just just us though, no plus ones after hours. It's

2080
01:32:12,360 --> 01:32:13,200
Speaker 1: not that type of party.

2081
01:32:13,360 --> 01:32:15,280
Speaker 2: Well, me and my plus one probably if I have

2082
01:32:15,320 --> 01:32:17,559
Speaker 2: a plus one, we'll get a hotel. But I mean.

2083
01:32:21,080 --> 01:32:24,240
Speaker 1: I need that hotel. Well, we need that hotel.

2084
01:32:24,439 --> 01:32:25,599
Speaker 2: We survived to let out.

2085
01:32:25,880 --> 01:32:28,000
Speaker 1: She survived up pull out.

2086
01:32:38,520 --> 01:32:40,960
Speaker 4: She survived. I'm not staying you, babydd.

2087
01:32:41,000 --> 01:32:43,519
Speaker 3: I'm just saying, well, she whoever she may be, will

2088
01:32:43,560 --> 01:32:45,439
Speaker 3: she survived up pull out?

2089
01:32:45,800 --> 01:32:49,600
Speaker 1: Well she survived. Uh, we survived. You know how this

2090
01:32:49,640 --> 01:32:50,280
Speaker 1: shit goes? Man?

2091
01:32:51,640 --> 01:32:55,400
Speaker 3: Oh man, I got my tickets for the Michael Jackson movie. Okay, yeah, man,

2092
01:32:55,400 --> 01:32:56,920
Speaker 3: I can't. I'm looking forward to that. I might be

2093
01:32:56,920 --> 01:32:57,680
Speaker 3: excited about that.

2094
01:32:57,880 --> 01:32:59,600
Speaker 1: So I had a crazy rumor that I mean, I

2095
01:32:59,640 --> 01:33:01,840
Speaker 1: don't if I'm allowed to say, with the Michael Jackson thing,

2096
01:33:02,439 --> 01:33:05,400
Speaker 1: but they had to spend a shit ton of money. Okay,

2097
01:33:05,439 --> 01:33:07,840
Speaker 1: you have the shit up here, so this is kind

2098
01:33:07,840 --> 01:33:10,679
Speaker 1: of common knowledge. If things were cut out. I heard

2099
01:33:10,680 --> 01:33:15,240
Speaker 1: the end of the movie was supposed to be Mike

2100
01:33:15,280 --> 01:33:17,880
Speaker 1: in the mirror and all like the cop cars like

2101
01:33:17,960 --> 01:33:20,680
Speaker 1: about to swarm nether Land and all that shit to

2102
01:33:20,720 --> 01:33:22,400
Speaker 1: go see like what his dick looked like if it

2103
01:33:22,479 --> 01:33:26,559
Speaker 1: matched the testimony, and then it cuts. But I guess

2104
01:33:26,600 --> 01:33:30,160
Speaker 1: the family was like, fucked that, and yeah, fifteen million

2105
01:33:30,200 --> 01:33:33,600
Speaker 1: dollars worth of reshoots they got it. That would have

2106
01:33:33,600 --> 01:33:35,439
Speaker 1: been a shitty ending for the Michael Jackson movie.

2107
01:33:35,600 --> 01:33:37,400
Speaker 2: Yeah, well I think it has a part two. So

2108
01:33:37,640 --> 01:33:39,320
Speaker 2: that's why he's gonna have a part two.

2109
01:33:39,479 --> 01:33:42,880
Speaker 1: It's gonna be another movie. Yes, oh wow, ok this

2110
01:33:42,960 --> 01:33:49,120
Speaker 1: one I'm nervous for why I love the NWA movie.

2111
01:33:49,160 --> 01:33:51,400
Speaker 1: It came out great, but if it ended up like

2112
01:33:51,560 --> 01:33:54,320
Speaker 1: not hitting the mark, like it would have been unfortunate.

2113
01:33:54,400 --> 01:34:01,160
Speaker 1: But we've seen biopics not land. This is the Michael Jackson.

2114
01:34:02,560 --> 01:34:02,600
Speaker 2: Do.

2115
01:34:02,760 --> 01:34:04,800
Speaker 1: A Michael Jackson movie is crazy to me.

2116
01:34:05,479 --> 01:34:07,760
Speaker 3: That's why I said I don't know if, because you know,

2117
01:34:07,800 --> 01:34:10,000
Speaker 3: we're hearing things that Janet wasn't mentioned in the movie.

2118
01:34:10,080 --> 01:34:14,160
Speaker 1: She's not in it. Sailumn was like, is there anything

2119
01:34:14,160 --> 01:34:16,559
Speaker 1: with Janet is saying we shouldn't support this. No, I

2120
01:34:16,560 --> 01:34:18,000
Speaker 1: haven't seen, but I haven't seen it. I mean the

2121
01:34:18,040 --> 01:34:21,640
Speaker 1: state already made them change the ending. Yeah. But if

2122
01:34:21,720 --> 01:34:23,040
Speaker 1: Janet was to come out to my and be like, yo,

2123
01:34:23,040 --> 01:34:25,720
Speaker 1: don't support this movie, I'm like, damn, Janet, I love you,

2124
01:34:25,760 --> 01:34:26,760
Speaker 1: but I'm still going to see it.

2125
01:34:27,400 --> 01:34:28,439
Speaker 2: I mean, I love little Kim.

2126
01:34:28,479 --> 01:34:30,320
Speaker 1: But she came out and said, don't see Notorious, and

2127
01:34:30,360 --> 01:34:34,960
Speaker 1: I saw it in theaters. Uh, I think I saw

2128
01:34:35,000 --> 01:34:35,639
Speaker 1: Edatorius in theaters.

2129
01:34:35,720 --> 01:34:37,040
Speaker 2: Yeah, Satorias and theaters.

2130
01:34:37,120 --> 01:34:40,160
Speaker 1: Yeah, No, I didn't see no tourists in theaters. Notorious

2131
01:34:40,240 --> 01:34:42,160
Speaker 1: was really wasn't a bad movie. I just felt like

2132
01:34:42,200 --> 01:34:42,720
Speaker 1: it was too soon.

2133
01:34:43,960 --> 01:34:45,800
Speaker 2: Yeah, you always say that, but I just disagree with you.

2134
01:34:45,920 --> 01:34:46,559
Speaker 2: It's a good movie.

2135
01:34:46,800 --> 01:34:49,559
Speaker 1: It's a really good movie. Patris Jackson said the film

2136
01:34:49,680 --> 01:34:50,400
Speaker 1: is not accurate.

2137
01:34:51,439 --> 01:34:54,080
Speaker 2: Okay, yeah we said that what Rory wasn't here, But yeah,

2138
01:34:54,120 --> 01:34:56,639
Speaker 2: Paris said, the film's not accurate. I like that it's

2139
01:34:56,800 --> 01:34:59,240
Speaker 2: very fan driven, like it's the movie is for his fans.

2140
01:34:59,280 --> 01:35:03,120
Speaker 2: It's not accurate. It like basically it's catering to his fandom,

2141
01:35:03,200 --> 01:35:03,840
Speaker 2: is what she said.

2142
01:35:04,360 --> 01:35:07,720
Speaker 1: Okay, is that I mean, I don't know, is that bad.

2143
01:35:09,000 --> 01:35:11,240
Speaker 3: I mean it's not, but I understand what his daughter

2144
01:35:11,320 --> 01:35:14,120
Speaker 3: is saying, like it's if you're gonna make the Michael

2145
01:35:14,160 --> 01:35:17,120
Speaker 3: Jackson movie, it should be about Michael Jackson, not about

2146
01:35:17,600 --> 01:35:19,120
Speaker 3: the fandom of Michael Jackson.

2147
01:35:19,200 --> 01:35:22,360
Speaker 1: So I can understand that. I'll get that. But even then,

2148
01:35:22,400 --> 01:35:24,840
Speaker 1: if you have the estate, not wanting certain things to

2149
01:35:24,880 --> 01:35:27,400
Speaker 1: be involved, like that kind of has to be your approach.

2150
01:35:27,479 --> 01:35:31,439
Speaker 1: No mm hm. But yeah, I don't know this one

2151
01:35:31,520 --> 01:35:33,360
Speaker 1: is there's just too much that goes with the Michael

2152
01:35:33,439 --> 01:35:36,960
Speaker 1: Jackson story outside of music that I'm just curious how

2153
01:35:36,960 --> 01:35:39,400
Speaker 1: they're going to go about it, Which is that that's all?

2154
01:35:39,640 --> 01:35:42,200
Speaker 2: Yeah, that's where I think Paris is like this this

2155
01:35:42,280 --> 01:35:44,640
Speaker 2: is just like more like this is stuff that his

2156
01:35:44,680 --> 01:35:46,840
Speaker 2: fans want to see. This isn't like real life like

2157
01:35:46,880 --> 01:35:49,479
Speaker 2: how shit really affected him or what really how we

2158
01:35:49,479 --> 01:35:50,960
Speaker 2: were affected? Things like that.

2159
01:35:51,080 --> 01:35:53,280
Speaker 1: So yeah, you know what blanket be on? Like what

2160
01:35:53,800 --> 01:36:00,200
Speaker 1: blank you be chilling? Blanket be chilling, blanket chilling? You know,

2161
01:36:00,280 --> 01:36:03,080
Speaker 1: blanket be chilling? Like word, I think We've gotten so

2162
01:36:03,160 --> 01:36:05,519
Speaker 1: used to like knowing about celebrities, kids and ship that

2163
01:36:05,640 --> 01:36:07,840
Speaker 1: like I just stee what blanket be on Yeah, for

2164
01:36:07,960 --> 01:36:10,360
Speaker 1: like Paris and like Blanket and have like just.

2165
01:36:10,720 --> 01:36:12,479
Speaker 2: I know, I loved I love that for them, like

2166
01:36:12,520 --> 01:36:13,120
Speaker 2: that they can.

2167
01:36:13,000 --> 01:36:15,120
Speaker 3: To be Michael Jackson kids. If Paris and Blankett walk

2168
01:36:15,120 --> 01:36:16,679
Speaker 3: past me right now, I wouldn't even know it was not.

2169
01:36:16,920 --> 01:36:20,160
Speaker 2: I would I would recognize Paris Blanket, who's actually he

2170
01:36:20,200 --> 01:36:22,680
Speaker 2: goes by Begi, I think or By. He changed his

2171
01:36:22,760 --> 01:36:26,160
Speaker 2: name to have more privacy. He focuses on filmmaking.

2172
01:36:26,479 --> 01:36:28,120
Speaker 1: You can't walk in the bank and say Blanket and

2173
01:36:28,160 --> 01:36:30,640
Speaker 1: no one turned be like that's gotta be Yeah. That

2174
01:36:30,720 --> 01:36:32,360
Speaker 1: kid could walk in here right now and I wouldn't

2175
01:36:32,360 --> 01:36:35,160
Speaker 1: know that was Michael Zero clon Yeah, but that man,

2176
01:36:35,160 --> 01:36:36,760
Speaker 1: excuse me, he would He could walk in here right

2177
01:36:36,800 --> 01:36:39,160
Speaker 1: now and I wouldn't know that was Michael Jacksonson. And

2178
01:36:39,200 --> 01:36:42,200
Speaker 1: then I mean, I know there's always been is that

2179
01:36:42,240 --> 01:36:43,400
Speaker 1: his biological child?

2180
01:36:43,760 --> 01:36:46,920
Speaker 2: I don't know. I wasn't there when they were fucking.

2181
01:36:46,320 --> 01:36:48,920
Speaker 1: I think people can say this is my kid, and

2182
01:36:48,920 --> 01:36:55,519
Speaker 1: it's another kid. That's true, Like Michael raised him, that's

2183
01:36:55,520 --> 01:37:02,559
Speaker 1: his father, but he's a Jackson. Hey, it's my daddy's name.

2184
01:37:02,560 --> 01:37:07,000
Speaker 1: We got his blood on it. It's my daddy's name.

2185
01:37:07,479 --> 01:37:09,280
Speaker 1: Just quickly before we get out of here with BT

2186
01:37:09,439 --> 01:37:14,000
Speaker 1: green lighting the Maury Povish, who's the baby daddy in

2187
01:37:14,000 --> 01:37:19,080
Speaker 1: this era? Hear me out With the amount of IG

2188
01:37:20,040 --> 01:37:24,200
Speaker 1: influencers celebrity, this could end up being a very funny show.

2189
01:37:24,200 --> 01:37:26,800
Speaker 1: Whereas Mari was people we did not know. They have

2190
01:37:26,880 --> 01:37:30,599
Speaker 1: an angle where people of notoriety on social media could

2191
01:37:30,640 --> 01:37:32,559
Speaker 1: end up being on this ship and it could be legendary.

2192
01:37:32,640 --> 01:37:37,280
Speaker 1: I'm just throwing it out there. It could get nuts.

2193
01:37:37,840 --> 01:37:40,320
Speaker 1: It's a different era, it's a different time. This could

2194
01:37:40,320 --> 01:37:44,519
Speaker 1: get insane. I like it. Oh, I'm tuning it, but

2195
01:37:44,600 --> 01:37:44,920
Speaker 1: now it.

2196
01:37:46,800 --> 01:37:48,920
Speaker 3: Can we vote to have the people on it though,

2197
01:37:48,960 --> 01:37:52,559
Speaker 3: like who we think should go on next see, because

2198
01:37:52,560 --> 01:37:54,240
Speaker 3: I'm just saying, like, we just need to do that.

2199
01:37:54,360 --> 01:37:56,240
Speaker 3: Like if they allow us to be like, nah, have

2200
01:37:56,439 --> 01:37:59,000
Speaker 3: so and so up there next week, then this show

2201
01:37:59,080 --> 01:38:00,800
Speaker 3: might be the greatest show on beats.

2202
01:38:00,840 --> 01:38:03,760
Speaker 1: This might beat like video soul and.

2203
01:38:03,760 --> 01:38:05,800
Speaker 2: Like and like.

2204
01:38:07,680 --> 01:38:11,880
Speaker 1: Of course, I'm not using to the level of offset

2205
01:38:12,400 --> 01:38:14,760
Speaker 1: trolling Cardi saying that that's his kid, but imagine the

2206
01:38:14,840 --> 01:38:18,880
Speaker 1: level of like Carti Stefan Teke's an offset doing this show.

2207
01:38:19,400 --> 01:38:21,680
Speaker 1: It would be it would be of course, they of

2208
01:38:21,720 --> 01:38:23,680
Speaker 1: course they wouldn't do it. But I'm saying at a

2209
01:38:23,680 --> 01:38:25,679
Speaker 1: lower level of them, of people that we still see

2210
01:38:25,680 --> 01:38:28,080
Speaker 1: on social media that go through this, like they tell

2211
01:38:28,160 --> 01:38:31,920
Speaker 1: us without us asking, this would be like this rival

2212
01:38:31,960 --> 01:38:32,639
Speaker 1: Trump numbers.

2213
01:38:34,160 --> 01:38:36,720
Speaker 3: You tell me CARDI be all setting step on on

2214
01:38:36,880 --> 01:38:39,360
Speaker 3: BT tomorrow on Who's the Baby Daddy? I know that

2215
01:38:39,400 --> 01:38:42,800
Speaker 3: would never have IM just saying Trump's addressed to the

2216
01:38:42,920 --> 01:38:44,680
Speaker 3: Union for sure.

2217
01:38:44,680 --> 01:38:50,120
Speaker 1: You get me. Who's not watching that's with Robert Kraft?

2218
01:38:50,200 --> 01:38:52,840
Speaker 1: Yeah I want you get me. I'm watching that. No,

2219
01:38:53,000 --> 01:38:56,080
Speaker 1: But I do think that the social media influencers, they

2220
01:38:56,080 --> 01:38:57,760
Speaker 1: will end up on it. I really do think it'll happen.

2221
01:38:58,120 --> 01:39:02,040
Speaker 1: It has to, And of course I get that the backlash,

2222
01:39:02,080 --> 01:39:03,320
Speaker 1: I get it. Who's the Baby Daddy?

2223
01:39:04,680 --> 01:39:09,600
Speaker 3: Of course it's always backlash. Everyone's lash in the back o.

2224
01:39:10,120 --> 01:39:12,360
Speaker 3: Fuck watch the damn show.

2225
01:39:13,240 --> 01:39:16,439
Speaker 1: And if people want to find out, why not. I

2226
01:39:16,520 --> 01:39:18,320
Speaker 1: just think you can find out without going on Maury.

2227
01:39:18,360 --> 01:39:19,240
Speaker 1: But that's just me.

2228
01:39:19,880 --> 01:39:21,960
Speaker 3: We don't have to go the more board doesn't have

2229
01:39:22,000 --> 01:39:25,920
Speaker 3: to host and read like my fucking DNA results Like

2230
01:39:25,960 --> 01:39:31,640
Speaker 3: you don't have to do that, but yeah, you gotta

2231
01:39:32,320 --> 01:39:34,320
Speaker 3: the camera guy if they're gonna have all of that

2232
01:39:34,439 --> 01:39:34,600
Speaker 3: or not.

2233
01:39:34,720 --> 01:39:35,960
Speaker 1: BT one with this one.

2234
01:39:36,120 --> 01:39:38,360
Speaker 3: If they're got a camera, got chasing the dude, the

2235
01:39:38,600 --> 01:39:40,559
Speaker 3: girl off stage when she finds out that the dude

2236
01:39:40,600 --> 01:39:41,280
Speaker 3: she said, is the father.

2237
01:39:41,960 --> 01:39:44,400
Speaker 1: You can't do the show without that. Yeah, that's that's

2238
01:39:44,520 --> 01:39:47,519
Speaker 1: that's the that's the show. That's the button. That's Yeah,

2239
01:39:47,720 --> 01:39:50,080
Speaker 1: make sure they have to watch. Yeah, how to write

2240
01:39:50,080 --> 01:39:53,400
Speaker 1: sneakers on and yo, the amount of TikTok dances that exist. Now,

2241
01:39:54,360 --> 01:39:56,040
Speaker 1: let a do find out that's not his kid and

2242
01:39:56,840 --> 01:40:00,720
Speaker 1: have a dance a millionaire and because of TikTok, have

2243
01:40:00,760 --> 01:40:02,519
Speaker 1: a happy dance. I think this show has a lot

2244
01:40:02,520 --> 01:40:04,760
Speaker 1: more potential in twenty twenty six than we think it does.

2245
01:40:04,840 --> 01:40:05,240
Speaker 1: That's all.

2246
01:40:05,400 --> 01:40:07,479
Speaker 3: I'm not mad at this as funny as you know,

2247
01:40:07,560 --> 01:40:10,960
Speaker 3: I'm tuning it. I'm definitely watching it though. All Right,

2248
01:40:11,000 --> 01:40:13,120
Speaker 3: baby d good.

2249
01:40:12,880 --> 01:40:13,760
Speaker 1: To see you.

2250
01:40:13,800 --> 01:40:14,599
Speaker 2: Good to see you too.

2251
01:40:15,280 --> 01:40:16,880
Speaker 1: Now you can go outside and enjoy the rest of

2252
01:40:16,920 --> 01:40:17,280
Speaker 1: your day.

2253
01:40:17,320 --> 01:40:18,160
Speaker 2: Oh, I'm going home.

2254
01:40:18,280 --> 01:40:19,080
Speaker 1: You ain't going home.

2255
01:40:19,400 --> 01:40:23,320
Speaker 2: I never believed a really going home. I'm that nigga.

2256
01:40:23,000 --> 01:40:27,800
Speaker 2: He didn't dressed this way to Once again, it's nice outside.

2257
01:40:28,240 --> 01:40:29,719
Speaker 2: I'm going home, bro, I'm tired.

2258
01:40:30,120 --> 01:40:31,000
Speaker 1: What you tired from?

2259
01:40:31,240 --> 01:40:33,920
Speaker 2: I'm just tired. I've been I went. In the past week.

2260
01:40:33,960 --> 01:40:37,280
Speaker 2: I've been to Syracuse, DC, in New York twice, like

2261
01:40:37,360 --> 01:40:38,639
Speaker 2: I've been traveling all week.

2262
01:40:38,720 --> 01:40:40,200
Speaker 1: Been to New York. You live in New York.

2263
01:40:40,280 --> 01:40:42,160
Speaker 2: Yeah, but I went from one place to the next

2264
01:40:42,160 --> 01:40:44,040
Speaker 2: back home, just to hop on a train, just to

2265
01:40:44,040 --> 01:40:46,080
Speaker 2: come go to work, hop on a plane, like I've

2266
01:40:46,080 --> 01:40:47,840
Speaker 2: been moving around. I haven't sat in my house for

2267
01:40:47,880 --> 01:40:49,800
Speaker 2: more than a day in a week.

2268
01:40:49,880 --> 01:40:50,479
Speaker 1: So I'm tired.

2269
01:40:50,520 --> 01:40:53,599
Speaker 3: Why my bad booked and busy? Sound like you complain

2270
01:40:53,680 --> 01:40:57,360
Speaker 3: it I am. Don't complain. Be happy, be grateful.

2271
01:40:57,640 --> 01:40:59,320
Speaker 1: Is he a travel You get to go to DC,

2272
01:41:00,120 --> 01:41:02,160
Speaker 1: you get to go to Syracuse, you get to go

2273
01:41:02,240 --> 01:41:06,000
Speaker 1: home to a home. Count your blessings. Don't let them

2274
01:41:06,000 --> 01:41:09,120
Speaker 1: count you until next week. We'll talk to y'all soon.

2275
01:41:09,280 --> 01:41:11,799
Speaker 1: Be safe, be blessed on that nigga. He's just ginger peace,

2276
01:41:12,160 --> 01:41:13,200
Speaker 1: No wid