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Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I

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Speaker 1: am your host. Movie Mike joined today with my wife

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Speaker 1: and co host Kelsey Hya Lolan. Ooh, that sounds so good.

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Speaker 1: That's a great sound. Can you identify that sound if

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Speaker 1: you're listening at home at the gym and your car?

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Speaker 1: What does that sound? One more time? Will you now

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Speaker 1: reveal the sound? Everybody have your answers in what is

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Speaker 1: that sound?

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Speaker 2: It's a nice almond milklawte with honey, cinnamon and an

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Speaker 2: extra shot of espresso.

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Speaker 1: You always have to shake a nice coffee to get

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Speaker 1: that get that mixture down. Yeah, I'm also having a coffee,

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Speaker 1: but there's no sound. It is a can and I

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Speaker 1: already opened it because I need a caffeine right now.

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Speaker 2: Sam. That's why I went to get a coffee.

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Speaker 1: But this week we are doing our best and worst

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Speaker 1: of the month. February was a pretty slow month, so

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Speaker 1: we'll give you that.

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Speaker 2: Slow in terms of movies. The month itself went by

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Speaker 2: so fast.

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Speaker 1: Yeah, I never really experienced February. It was here and

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Speaker 1: it was gone gone. I have my top three movie

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Speaker 1: news stories of the month. We'll give our TV show

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Speaker 1: recommend in the movie review I'll be talking about the

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Speaker 1: new Bill Murray and Pete Davidson movie called Riff Raff.

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Speaker 1: And in the trailer park, there's a new very realistic

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Speaker 1: war movie coming out. All unfold in real time and

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Speaker 1: is written by real life veteran who served in the

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Speaker 1: Iraq War. He's also co directing this movie. It is

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Speaker 1: called Warfare. We'll get into that. Thank you for being here,

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Speaker 1: Thank you for being subscribed. Shout out to the Monday

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Speaker 1: Morning Movie crew. And now let's talk movies from the

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Speaker 1: Nustville Podcast Network. This is movie Mike Movie all right.

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Speaker 1: I am gonna kick us off this week. Like we

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Speaker 1: mentioned earlier, February was a pretty slow month. It is

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Speaker 1: the last of the dump months in movies, so hopefully

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Speaker 1: by March we'll ramp up. We have Mickey seventeen coming out,

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Speaker 1: so I feel like some good stuff will come out

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Speaker 1: in March, but for the best in February, I am

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Speaker 1: going with the Monkey. The Primate family has had quite

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Speaker 1: the run at the box office lately. You love a

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Speaker 1: movie about a monkey, think with a monkey or a primate.

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Speaker 1: Some people called me out for saying that certain primates

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Speaker 1: were monkeys. They're not all monkeys. I just see it

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Speaker 1: as monkeys.

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Speaker 2: It's giving all squares are rectangles a rectangles a.

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Speaker 1: Square like, I get it. But you see a big

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Speaker 1: furry creatures like is a monkey And I think there's

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Speaker 1: something animalistic in me to like movies with monkeys. They're

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Speaker 1: just funny. In the nineties, I feel like there were

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Speaker 1: a lot of those dumb comedies that just had a

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Speaker 1: monkey in them, like the Georgia of the Jungle movie

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Speaker 1: had primates it.

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Speaker 2: Have you not ever seen my personal favorite Dunston checks in?

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Speaker 1: No, I have not seen that.

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Speaker 2: You've never seen Dunston checks in. No.

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Speaker 1: Oh my god.

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Speaker 2: It's about a monkey or an ape gorilla whatever that

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Speaker 2: lives at a hotel. It's so good.

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Speaker 1: Wait, let me look this up.

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Speaker 2: I love it.

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Speaker 1: I feel like this is one of those ones that

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Speaker 1: I've seen saw at the video store. A lot growing

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Speaker 1: around owned it. It came out and oh, I recognized

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Speaker 1: this cover. I've never saw this movie. Dunst then checks

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Speaker 1: in from nineteen ninety six. Yeah great, it's an orangutang.

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Speaker 2: Yeah so good.

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Speaker 1: Oh I should do an episode about my favorite monkey

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Speaker 1: movies and by watching this movie so you can only

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Speaker 1: rent it for three seventy nine.

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Speaker 2: I think we can afford that.

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Speaker 1: Oh this looks right up my ass. See. I'm going

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Speaker 1: to get into later in the movie review why you

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Speaker 1: can't have mid movies anymore, But Dunstan checks in as

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Speaker 1: a great example of that. We don't have dumb, ridiculous

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Speaker 1: comedies like that anymore that exist that we grew up

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Speaker 1: with in our childhood.

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Speaker 2: Yeah, we grew up in like the golden age of

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Speaker 2: movies that had no purpose other than to entertain us.

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Speaker 2: I mean, have you seen a Mary Kay Nashley film.

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Speaker 1: That's the other thing, because I instantly recognized this movie

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Speaker 1: from seeing the poster of it.

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Speaker 2: Let me see the cover again.

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Speaker 1: Here you go. Yep, what I heard? That is. As

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Speaker 1: soon as you started talking about it more, I'm like, Okay,

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Speaker 1: I know I've seen this at least at the video

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Speaker 1: store back in the day.

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Speaker 2: Who's the main actor in it? Did it go on

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Speaker 2: to do anything else?

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Speaker 1: Eric Lloyd? I don't recognize him from anything else, but

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Speaker 1: Jason Alexander is also in this movie.

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Speaker 2: Mm hmm.

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Speaker 1: Paul Rubens is in this movie. I'm gonna go watch

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Speaker 1: this right after. Okay, the kid. It also was in

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Speaker 1: the Santa Claus two, which I remember that and in

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Speaker 1: the Santa Claus one. I think he's a kid, so

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Speaker 1: he was in some mother ston.

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Speaker 2: That's a good movie. I loved them, And.

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Speaker 1: That's what I'm talking about. I miss movies like that,

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Speaker 1: movies I just remember because we never rented movies at Blockbuster.

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Speaker 1: We would only go to there was a video store

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Speaker 1: inside a Walmart that we would rent movies from, or

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Speaker 1: the video station, which was really old school. But there

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Speaker 1: was always these movies that I remember seeing that we

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Speaker 1: just never ran and I couldn't convince my parents. And

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Speaker 1: this was one I always wanted to watch but never did.

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Speaker 2: I owned it on VHS.

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Speaker 1: God, that's a classic. Well, I mean I haven't seen it,

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Speaker 1: but just the image of it is a classic. So

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Speaker 1: I will watch this movie. Maybe I'll do my best

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Speaker 1: monkey movies.

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Speaker 2: There are so many movies that I had on VHS

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Speaker 2: that I wish I had, just for like the Relics,

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Speaker 2: but they were at my grandparents and they lost their

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Speaker 2: house on a fire when I was in high school.

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Speaker 2: And so like all of like my childhood movies that

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Speaker 2: I had in my books, and I feel so sad

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Speaker 2: about those because I'm like I had Harry Potter and

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Speaker 2: the Sorcerer's Stone on VHS.

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Speaker 1: Wow, I know that was even in the age of DVDs.

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Speaker 2: I know, well Sorcerer's Stone came out two thousand and one.

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Speaker 1: Yeah, but I mean that's that's early Yeah, that's early

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Speaker 1: days of DVDs.

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Speaker 2: That was when you could still buy both and my

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Speaker 2: grandparents didn't have a DVD player at the time.

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Speaker 1: Yeah, my parents still have all the old Disney VHS

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Speaker 1: cartridge like the big thick ones like those are classics.

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Speaker 1: I don't think they're worth anything because they're open if

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Speaker 1: they were sealed, but just like being able to hold

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Speaker 1: and feel a movie like that that takes you back.

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Speaker 2: I wish I had all those. I also I was

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Speaker 2: part of the Hello.

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Speaker 1: Kiddy Craft Club Tell Me More.

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Speaker 2: Every month you got like a book and it walked

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Speaker 2: you through like a step by step craft. And my

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Speaker 2: grandma was an elementary school teacher and we loved doing

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Speaker 2: crafts and so we would get I was just I

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Speaker 2: talked to my grandparents earlier and my grandma sent me

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Speaker 2: a sweet text after and she's like, we had so

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Speaker 2: much fun when you were growing up, and like I

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Speaker 2: would go to my grandparents for any new like d

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Speaker 2: com premiering, and my grandma would watch every single Disney

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Speaker 2: Channel movie with me and we do like Craft of

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Speaker 2: the Month.

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Speaker 1: Your favorite d com?

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Speaker 2: High School School?

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Speaker 1: That's later. Yeah, that's kind of passed where I was

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Speaker 1: super into Dcom's twelve it was two and six. Yeah,

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Speaker 1: I was fifteen. Yeah, I was kind of past that phase.

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Speaker 1: But Johnny Tsunami for me, loved that movie.

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Speaker 2: Yeah. I what else did I love? Yeah? High School?

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Speaker 2: Mu School, smart.

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Speaker 1: House That's yeah, that's more than the my.

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Speaker 2: Toss up, but I love I mean, I still love

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Speaker 2: the soundtrack.

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Speaker 1: It's like bigger than a d com, but it was.

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Speaker 1: It was a d coom.

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Speaker 2: Uh.

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Speaker 1: That kind of reminds me of something I always wanted

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Speaker 1: as a kid but never got, was a subscription to

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Speaker 1: the Nickelodeon magazine. Do you remember those commercials?

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Speaker 2: I might have had it.

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Speaker 1: You had Nickelodeon Magazine.

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Speaker 2: I might have Oh, I had a lot of magazine subscriptions.

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Speaker 1: You were so lucky. I remember the commercials, like trying

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Speaker 1: to convince your parents to get It's like Nickelodeon magazine. Please.

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Speaker 2: I had, oh, what was it Zoo lights or something?

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Speaker 1: Oh the Zoo, Yeah, the Zoo magazine. Yeah, I remember

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Speaker 1: those we.

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Speaker 2: Had highlights, which was a kid when I kime the

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Speaker 2: Zoom one. Now it was Zoo books. Zoo books, that's

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Speaker 2: what it had, Zuo books at a highlight. I might

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Speaker 2: have had the Nickelodeon. I don't know what as a kid,

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Speaker 2: I was an only child for twelve years, Like what

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Speaker 2: did you want for me?

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Speaker 1: Spoiled ultimate thing? I hope I can describe it accurately.

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Speaker 1: It was like that art kit where you could make

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Speaker 1: art and it like it was like these sponges.

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Speaker 2: What we were talking about. I don't know what it's called, yes,

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Speaker 2: and it was the it was almost like the magnet thing.

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Speaker 2: You'd put it down and you'd turn them different.

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Speaker 1: And it was like it's cleanup. It's so easy, you

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Speaker 1: just wipe it away. That was like the ultimate thing

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Speaker 1: of like, oh I want.

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Speaker 2: That commercials on like Nicked Night. There was the do

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Speaker 2: you remember the one? It was the hair tool and

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Speaker 2: it had four different plates and one crimped hair, one

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Speaker 2: straightened your hair, and one major hair wavy.

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Speaker 1: I vaguely remember that I did.

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Speaker 2: Ask for that for Christmas when you're didn't really do

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Speaker 2: my hair though well, And a Nickelodeon infomercial got me, You're.

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Speaker 1: A kid who actually got stuff from the television. I know,

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Speaker 1: I feel like a No. I mean I was I

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Speaker 1: envied those kids, like, man, you actually order something from

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Speaker 1: a catalog.

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Speaker 2: Honestly, I think my mom and my grandparents just feel

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Speaker 2: bad thing because my dad died, so they just spoiled me.

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Speaker 1: Yeah. I would take having my dad over that over

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Speaker 1: some new books.

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Speaker 2: I just got a lot of things. Is that where

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Speaker 2: my obsession material possessions came from? God? Am I about

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Speaker 2: to unpack my.

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Speaker 1: Whole joo therapy? But anyway, like I was saying, but

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Speaker 1: a monkey and anything, and I'm gonna watch that movie.

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Speaker 1: The Monkey was my favorite.

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Speaker 2: Oh yeah, I forgot what we were talking about.

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Speaker 1: That was my favorite of the month because I enjoy

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Speaker 1: a horror movie that doesn't take itself too seriously, I think,

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Speaker 1: And no, I would say, I think even if you

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Speaker 1: watched it, you would find some parts about it that

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Speaker 1: you enjoyed. But it was pretty bloody and gory because

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Speaker 1: it all centers around people dying in really unique ways.

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Speaker 1: I'm good like getting in Pale a lot of wild things.

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Speaker 2: I can't do impalement. I can't hate it.

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Speaker 1: Yeah, I could do in Pale I can do everything

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Speaker 1: I can. The weird thing is I can watch a

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Speaker 1: horror movie like this.

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Speaker 2: You can't watch a medical show.

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Speaker 1: But I can't watch a medical show.

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Speaker 2: When I'm watching Er or Grays or The Pit and

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Speaker 2: somebody's impaled on something, you're.

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Speaker 1: Like or like bones breaking, Yeah, you don't do good

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Speaker 1: with that. Oh boy?

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Speaker 2: See and that I can. If it's on a medical show,

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Speaker 2: I can handle it. But if it's like a horror

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Speaker 2: movie for some reason, I can't because it's less like

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Speaker 2: clinical to me.

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Speaker 1: Anyway. That is my best of the month. It's still

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Speaker 1: in theaters, but I don't feel like it's one you

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Speaker 1: have to see in theaters, especially if you're kind of

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Speaker 1: on the fence about it. But I think it isn't

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Speaker 1: one that you'll lose that scary. It's not really super scary,

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Speaker 1: but you'll lose that vibe by watching it at home,

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Speaker 1: because sometimes I feel like a horror movie when you

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Speaker 1: experience it in a dark theater, it adds to that level.

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Speaker 1: Sometimes I get at a point five for me, this one.

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Speaker 1: I think you could wait at home and watch it.

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Speaker 1: What about you? For your best?

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Speaker 2: So I only saw one movie in theaters this month.

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Speaker 2: Low number so it's gonna be my best and my worst.

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Speaker 2: So it was Captain America, Brave, New World best because

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Speaker 2: it was entertaining. A Marvel movie could be bottom of

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Speaker 2: the barrel, and I'm probably still entertained.

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Speaker 1: Marvel, even at its worst, is still better than most movies.

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Speaker 2: And it was also the worst of the month because

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Speaker 2: I did want it to feel better.

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Speaker 1: Yeah, it lacked a lot of is how I describe it,

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Speaker 1: because I wanted the action to be more throughout and

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Speaker 1: almost felt like everything that kind of happened was very predictable.

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Speaker 1: It kind of just went through the motions of like

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Speaker 1: a Marvel movie, and it didn't even feel like it's

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Speaker 1: setting up the next space. But I have forgotten about

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Speaker 1: that movie after seeing it. I am more excited for

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Speaker 1: the Fantastic Four movie coming out later this summer.

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Speaker 2: Except for that that looks good, I'm except for Thunderbolts.

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Speaker 1: I kind of forget about Thunderbolts. I think it's just

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Speaker 1: because I don't have an attachment to any of those characters.

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Speaker 2: I love Florence Pugh, I like the cast.

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Speaker 1: It just feels that we've already had like the ragtag

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Speaker 1: group of heroes inside of all Marvel and DC or

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Speaker 1: we've had like three iterations or two iterations of the

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Speaker 1: Suicide Squad. It kind of feels like Marvel Suicide Squad.

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Speaker 2: Good point.

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Speaker 1: So I don't know if people are gonna go watch

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Speaker 1: that and it's really going to cut through, but I

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Speaker 1: think it'll be good. I think it's going to be

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Speaker 1: better than Captain America actually, because I do think the

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Speaker 1: villains in that movie will liketually be a little bit

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Speaker 1: more of a threat and maybe play a bigger part

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Speaker 1: in the phases that follow. But best and worst Captain America,

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Speaker 1: Brave New World, My Worst. I went with Presents, which

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Speaker 1: I guess. I went both horror movies for my best

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Speaker 1: and worst, and it was almost.

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Speaker 2: Want to see those alone. Yeah, you went to like

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Speaker 2: a ten am movie on the Saturday.

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Speaker 1: For both of these. I went to really early Lotdat

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Speaker 1: because I almost thought that I could get an entire

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Speaker 1: theater by myself and with regal. Since we pay monthly

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Speaker 1: to go to one movie, it only costs US fifty

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Speaker 1: five cents. I guess we pay like what some surcharge or.

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Speaker 2: Some it's those stupid like processing fees. Don't even get

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Speaker 2: me started on fees.

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Speaker 1: But all we have to do to get a booking

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Speaker 1: is paid fifty five cents, and I wanted to do

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Speaker 1: a video like this is how I rent it out

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Speaker 1: of a theater for fifty five cents. You go to an

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Speaker 1: eleven am screening and I went and there was like

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Speaker 1: a lot of people lay in the monkey. There was

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Speaker 1: only like one other person for presents. But I was like, man,

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Speaker 1: I thought that would I feel like to do that.

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Speaker 1: I can't go opening weekend. I would have to go

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Speaker 1: like at least a second or third week of.

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Speaker 2: A last week in theaters.

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Speaker 1: Like that's how you could get a movie theater for

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Speaker 1: fifty five cents.

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Speaker 2: But you've just told everyone that your video is gonna

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Speaker 2: be clickbait.

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Speaker 1: Well, I can't make the video if you ever do,

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Speaker 1: you literally just admitted that it's gonna be. Everybody listening

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Speaker 1: could be in on them. I'm just trying to scam

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Speaker 1: everybody on the internet for clickbait. Okay, can't you see

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Speaker 1: that TikTok video? This is how I read it out

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Speaker 1: of video for fifty five or a theater for fifty

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Speaker 1: five cents.

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Speaker 2: Yeah, and that would be the one that goes like

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Speaker 2: viral like BuzzFeed Man explains that he got a movie

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Speaker 2: theater to himself for fifty five cents.

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Speaker 1: And then everybody in the comments complaining like this is this.

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Speaker 2: Is truting, This isn't really fifty per cents, it's subscription.

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Speaker 1: Actually painting thirty dollars them. Yeah whatever, that's.

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Speaker 2: How we imitate people who annoy us online.

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Speaker 1: Oh yeah, but Presence, I just thought there was gonna

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Speaker 1: be a little bit more to it. I like the

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Speaker 1: idea of it, especially when I covered it in the

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Speaker 1: trailer park, where it is a horror movie but it's

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Speaker 1: from the perspective of the demonic force inside of the house.

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Speaker 1: Hell no, which exactly like I thought it was gonna

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Speaker 1: be scarier, And the trailer made it seem so much

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Speaker 1: more intense because they use a lot of like these

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Speaker 1: hovering shots and then like people like the camera running

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Speaker 1: up on characters and the camera shaking and like the

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Speaker 1: whole house is gonna go. But there wasn't that much

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Speaker 1: of that action inside the actual movie. It was really

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Speaker 1: just the story about this family going through a traumatic

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Speaker 1: time in their life, and the Presence was kind of

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Speaker 1: just watching their story unfold but doesn't really mess with

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Speaker 1: them a whole lot.

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Speaker 2: Presence would take me out, I hear a scary noise

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Speaker 2: and I just think I hear like the floor creak

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Speaker 2: in the house, and I'm like, well, it's my time.

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Speaker 2: I'm gonna lay here and wait, and then like five

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Speaker 2: minutes go by and I'm like, okay, I think that

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Speaker 2: was just the floor.

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Speaker 1: I have my top three movie news stories of the

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Speaker 1: last couple weeks or so. I have Zendeia has joined

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Speaker 1: Shrek five. I saw not and Shrek five is coming

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Speaker 1: out in twenty twenty six. Not a whole lot that

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Speaker 1: they put out about the plot, but it looks like

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Speaker 1: it takes place maybe twelve fifteen years after the last

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Speaker 1: Shrek movie.

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Speaker 2: I'm gonna say it, I don't think we needed a

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Speaker 2: Shrek five.

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Speaker 1: Got there were Shrek four To.

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Speaker 2: Be honest, you don't think we needed to continue the franchise.

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Speaker 2: But Cameron Diaz said, I'm back to acting, so.

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Speaker 1: Mike Myers, Eddie Murphy, They're all back and to love Donkey.

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Speaker 1: Zn Deya is playing their daughter, who in the last

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Speaker 1: movie they had triplets. She was a baby in that movie.

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Speaker 1: Now they're grown up. They made Shrek and Fiona and

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Speaker 1: even even Donkey look older, which it kind of looks

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Speaker 1: like Shrek had work done, like in the I watched

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Speaker 1: the little teaser of it, and I'm like, dang, did

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Speaker 1: Shrek get botox? Because they like aged them up a

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Speaker 1: little bit, but they also kind of changed the animation

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Speaker 1: and it kind of looks like it looks like Shrek

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Speaker 1: but also looks like a different version of Shrek. And

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Speaker 1: it almost feels like they regressed in the animation. Botox

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Speaker 1: for ores, Yeah, everybody getting botogs in Hollywood. There's a

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Speaker 1: little clip of the Shrek teaser. Hey, Magic Mayram, who's

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Speaker 1: the fairest of them all? Why Shrek? Of course.

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Speaker 2: You?

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Speaker 1: Dad, mom Light, who's making this stuff? Fuck me? So

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Speaker 1: it kind of seems like all the same jokes that

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Speaker 1: you come to expect from a Shrek movie. Shrek wanted

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Speaker 1: to were great. After that, I feel like it became

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Speaker 1: too much of a It was such a beast that

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Speaker 1: they continued to make them because they continued to make

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Speaker 1: a lot of money. Talking about DVD sales earlier, like

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Speaker 1: that was a dominant DVD Shrek too.

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Speaker 2: The karaoke game I talk about this often. It's memorable

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Speaker 2: because it had had the DVD menu back then, and

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Speaker 2: if you couldn't find the remote to the DVD player.

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Speaker 2: You couldn't play special features, you.

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Speaker 1: Could just play Oh yeah, that was a sad times

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Speaker 1: on the.

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Speaker 2: DVD remote was always a real bummer.

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Speaker 1: And then the menu just keep playing over and over again.

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Speaker 1: You're like, I know all these jokes, get it off

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Speaker 1: of hair.

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Speaker 2: Oh you go to a sleepover and you all like

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Speaker 2: fall asleep, and then you wake up and it's just

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00:15:46,760 --> 00:15:49,120
Speaker 2: the music blaring on the menu, and you're.

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Speaker 1: Like, oh, but Shrek five.

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Speaker 2: Too many.

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Speaker 1: It's a lot of Shrek.

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Speaker 2: It's too many. We didn't need. We didn't need that.

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Speaker 1: Shrek is I feel pretty beloved in the Elder not

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Speaker 1: even Elder Milan, just a millennial movie. I feel like

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Speaker 1: gen Z is pretty big on Shrek because of the

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Speaker 1: memes that have kind of come back in the last

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Speaker 1: I mean really in the last decade. Shrek has been

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Speaker 1: still a part of pop culture. But I feel like

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Speaker 1: a Shrek five is a little bit too much. And

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Speaker 1: after seeing the animation, I'm like, I don't know, it's

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00:16:22,800 --> 00:16:25,440
Speaker 1: gonna be very good, but it will probably still make

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Speaker 1: a lot of money. The crazy thing about Zendea, She's

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Speaker 1: going to be in four major movie releases in twenty

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Speaker 1: twenty six. She's going to be in the Odyssey, which

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Speaker 1: is the new Christopher Nolan movie that also has Tom

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Speaker 1: Holland in it, that comes out on July seventeenth, Spider

401
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Speaker 1: Man four which comes out on July thirty first, and

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Speaker 1: this is all twenty twenty six, twenty twenty six. After

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Speaker 1: that it is Dude Messiah that comes out on December eighteenth.

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Speaker 2: Twenty other Dune, Oh God.

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Speaker 1: And then this will be the fourth release in twenty

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Speaker 1: twenty six, Shrek five on December twenty third.

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Speaker 2: This is how you break the news to me that

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Speaker 2: there's another Dune. I thought we were done with the Dunes.

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Speaker 1: I mean good for the day of though.

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Speaker 2: I just saw footage online of they are actually filming Euphoria,

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Speaker 2: so it's actually happening. It's filming right now. It's happening, I.

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Speaker 1: Believe when I see it, Like, what did they get

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Speaker 1: halfway through? And we don't have anything else?

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Speaker 2: I mean, I am gonna have to go back and

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Speaker 2: watch the first two seasons.

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Speaker 1: Number two on my list. Speaking of Zendia and Tom Holland,

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Speaker 1: Spider Man four is has been delayed. Well, it's all.

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Speaker 1: I got pushed back a week because they're trying to

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Speaker 1: space it out between Yeah, Odyssey, which is I feel

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Speaker 1: like that's hard on Tom Holland and they in particular

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Speaker 1: because they're going to be promoting Spider Man. I feel

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Speaker 1: more both in both of those movies. So it's hard

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Speaker 1: for an actor to promote two movies at the same time.

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Speaker 1: I don't know how. I mean, there has to be

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Speaker 1: some kind of contract issue there, but I guess what's happening.

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Speaker 1: But they haven't started filming Spider Man for yet. They

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Speaker 1: have started filming the Odyssey movie. I've seen a few

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Speaker 1: stills out of it, and people are already rippingneath to shred,

429
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Speaker 1: saying that it's not historically accurate. It's like, come on,

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Speaker 1: it's a movie.

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Speaker 2: It is meant for entertainment.

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Speaker 1: My favorite quote is the director of Gladiator to basically

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Speaker 1: say Regally Scott, like were you there? Like what were

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Speaker 1: you there about the sharks? Yeah, But that gets pushed

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Speaker 1: back a little bit. I think I was just of

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Speaker 1: the mindset of I honestly didn't think they were gonna

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Speaker 1: make another Spider Man after the last one.

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Speaker 2: I'm glad they are.

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Speaker 1: I'm glad they are. They start filming this summer. Hopefully

440
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Speaker 1: that continues and goes down and it actually comes out

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Speaker 1: when they're saying it's gonna come out now. But I

442
00:18:38,520 --> 00:18:41,960
Speaker 1: almost feel like Tom Holland is ready to move past that.

443
00:18:42,720 --> 00:18:44,000
Speaker 1: I feel like he could have said, you know what,

444
00:18:44,040 --> 00:18:47,200
Speaker 1: after the last one, all we accomplished with that made

445
00:18:47,200 --> 00:18:49,159
Speaker 1: a lot of money, was really impactful, one of the

446
00:18:49,160 --> 00:18:51,280
Speaker 1: best Marvel movies of the twenty twenties, if not the

447
00:18:51,280 --> 00:18:53,520
Speaker 1: best one. He could have ended on that. Look at

448
00:18:53,520 --> 00:18:56,480
Speaker 1: all the other roles he's getting. He's booked NonStop, being

449
00:18:56,520 --> 00:18:59,240
Speaker 1: in a Christopher Nolan movie. That's like, that's the next level.

450
00:18:59,400 --> 00:19:02,080
Speaker 2: I love Sandaya. Give me more of them on the screen,

451
00:19:02,160 --> 00:19:04,119
Speaker 2: Give me every movie that's all agree to real they

452
00:19:04,160 --> 00:19:05,080
Speaker 2: officially engaged?

453
00:19:05,119 --> 00:19:06,040
Speaker 1: Did they ever say there?

454
00:19:06,160 --> 00:19:08,440
Speaker 2: And it didn't. But it's an engagement ring, okay. I

455
00:19:08,480 --> 00:19:11,879
Speaker 2: think their families confirmed it. And she also kept wearing

456
00:19:11,920 --> 00:19:15,400
Speaker 2: that ring on that finger like multiple times. She wouldn't

457
00:19:15,440 --> 00:19:16,639
Speaker 2: do if it was just a costume.

458
00:19:16,760 --> 00:19:17,560
Speaker 1: Jury makes sense.

459
00:19:17,640 --> 00:19:19,600
Speaker 2: Great for them, love them together. I hope they have

460
00:19:19,920 --> 00:19:23,000
Speaker 2: the most blissfully happy life. They seem adorable. They seem

461
00:19:23,040 --> 00:19:23,640
Speaker 2: very supportive.

462
00:19:24,000 --> 00:19:26,920
Speaker 1: Because he also said that once he has kids, he's

463
00:19:26,960 --> 00:19:29,119
Speaker 1: stop acting. Yeah, so maybe that's why he's doing all

464
00:19:29,160 --> 00:19:32,320
Speaker 1: these movies. Good for him, Yeah, make the money. Now

465
00:19:32,560 --> 00:19:35,240
Speaker 1: get us Spider Man four, maybe a couple appearances and

466
00:19:35,320 --> 00:19:37,679
Speaker 1: Avengers and then I'm good. Go live your life, do

467
00:19:37,720 --> 00:19:38,320
Speaker 1: what you want to do.

468
00:19:38,520 --> 00:19:38,960
Speaker 2: Go forth.

469
00:19:39,200 --> 00:19:42,280
Speaker 1: And my third movie news story is Aoadbris from the

470
00:19:42,280 --> 00:19:45,560
Speaker 1: Bear is going to write and start in a movie

471
00:19:45,600 --> 00:19:48,639
Speaker 1: about Barney. Yes, the movie he is coming to us

472
00:19:48,680 --> 00:19:51,640
Speaker 1: from A twenty four It has been in development since

473
00:19:51,680 --> 00:19:54,080
Speaker 1: twenty nineteen. There's not a lot of details on what

474
00:19:54,160 --> 00:19:55,600
Speaker 1: it's going to entail.

475
00:19:55,840 --> 00:19:57,800
Speaker 2: Like is it a movie about the creation of Barney

476
00:19:57,840 --> 00:19:58,200
Speaker 2: the show?

477
00:19:59,240 --> 00:20:01,480
Speaker 1: It kind of sound like it's going to be about

478
00:20:01,520 --> 00:20:03,719
Speaker 1: the creation of the show. So I have to imagine

479
00:20:03,720 --> 00:20:06,280
Speaker 1: it's going to be like a drama of maybe them

480
00:20:06,440 --> 00:20:09,520
Speaker 1: filming it, maybe some kind of story surrounding Barney, because

481
00:20:09,560 --> 00:20:10,879
Speaker 1: it doesn't feel like it's going to be just a

482
00:20:10,920 --> 00:20:14,320
Speaker 1: Barney movie like made for kids. I have to imagine

483
00:20:14,320 --> 00:20:16,240
Speaker 1: it's going to be about the making of the show.

484
00:20:16,320 --> 00:20:19,600
Speaker 1: If it's a very a twenty four s type of movie.

485
00:20:19,800 --> 00:20:20,960
Speaker 2: Yeah, but I.

486
00:20:20,920 --> 00:20:23,439
Speaker 1: Know that they are trying to partner more with like

487
00:20:23,520 --> 00:20:26,359
Speaker 1: Mattel and everybody's trying to create like their own kind

488
00:20:26,400 --> 00:20:29,040
Speaker 1: of universe. So I feel like this could be a

489
00:20:29,119 --> 00:20:31,560
Speaker 1: movie in that kind of era of like, Okay, let's

490
00:20:31,600 --> 00:20:35,560
Speaker 1: make movies about childhood shows. Were you a Barney kid

491
00:20:35,560 --> 00:20:36,040
Speaker 1: growing up?

492
00:20:36,560 --> 00:20:37,080
Speaker 2: I was.

493
00:20:37,359 --> 00:20:38,760
Speaker 1: I was a Barney kid growing up.

494
00:20:38,880 --> 00:20:40,520
Speaker 2: Barney Baby Bop b J.

495
00:20:41,720 --> 00:20:47,320
Speaker 1: I remember watching it pretty much NonStop my entire entire childhood.

496
00:20:47,400 --> 00:20:50,080
Speaker 1: I had the Barney stuffed animal.

497
00:20:50,520 --> 00:20:51,119
Speaker 2: That's cute.

498
00:20:51,200 --> 00:20:56,119
Speaker 1: I had. I think I had like Barney slippers that

499
00:20:56,160 --> 00:20:58,080
Speaker 1: were very popular in the nineties.

500
00:20:58,160 --> 00:21:01,000
Speaker 2: That's so cute because you were tricky kid.

501
00:21:00,880 --> 00:21:03,639
Speaker 1: Where it was like the ones where like the tops

502
00:21:03,680 --> 00:21:06,159
Speaker 1: of them are kind of like sock material, so you

503
00:21:06,160 --> 00:21:08,359
Speaker 1: would exactly what you're talking. They had those in like

504
00:21:08,400 --> 00:21:10,320
Speaker 1: every character in the nineties where you would just put

505
00:21:10,320 --> 00:21:13,040
Speaker 1: your foot through the character's head and then it had

506
00:21:13,040 --> 00:21:15,240
Speaker 1: like the little socks on the end of it. But

507
00:21:15,320 --> 00:21:19,840
Speaker 1: I love Barney. I think I probably stopped watching whenever

508
00:21:19,880 --> 00:21:21,440
Speaker 1: Selena Gomez was on this show.

509
00:21:21,600 --> 00:21:24,159
Speaker 2: It's like I stopped watching yesterday. I just got a

510
00:21:24,200 --> 00:21:26,760
Speaker 2: new episode this week. Yeah, I was never into it,

511
00:21:26,800 --> 00:21:29,359
Speaker 2: and Selena and Demi were on it, I don't think not.

512
00:21:29,359 --> 00:21:31,040
Speaker 2: I thought I would have known who they were as kids.

513
00:21:31,200 --> 00:21:34,359
Speaker 2: So I actually can't confirm her deny when I stopped yeah, I.

514
00:21:34,320 --> 00:21:36,320
Speaker 1: Can't remember all of the I mean, I don't know

515
00:21:36,359 --> 00:21:37,879
Speaker 1: any of the cast on there. There were just the

516
00:21:38,000 --> 00:21:39,040
Speaker 1: kids on Barn.

517
00:21:39,080 --> 00:21:40,679
Speaker 2: Yeah. It's not like Sasame Street where it was like

518
00:21:40,760 --> 00:21:41,960
Speaker 2: memorable humans.

519
00:21:42,359 --> 00:21:44,840
Speaker 1: I guess they just swapped kids out right. There wasn't

520
00:21:44,880 --> 00:21:46,960
Speaker 1: like a continuing storyline with the kids like there is

521
00:21:47,000 --> 00:21:48,800
Speaker 1: in any kid shows.

522
00:21:48,640 --> 00:21:51,280
Speaker 2: Kids show I loved. I'm totally derailing this, but this

523
00:21:51,359 --> 00:21:54,000
Speaker 2: is good. What snow You weren't a Disney Channel kid though?

524
00:21:54,800 --> 00:21:55,399
Speaker 1: Nah?

525
00:21:55,480 --> 00:21:56,800
Speaker 2: Do you ever watch out of the Box.

526
00:21:57,240 --> 00:21:58,520
Speaker 1: I don't even think I know what that is. Let

527
00:21:58,520 --> 00:21:59,080
Speaker 1: me look it up.

528
00:21:59,320 --> 00:22:02,840
Speaker 2: Out of the Box. They would literally take like a

529
00:22:02,880 --> 00:22:05,000
Speaker 2: cardboard box and create worlds with it.

530
00:22:05,280 --> 00:22:08,840
Speaker 1: I've never seen this show. I don't even recognize it.

531
00:22:08,880 --> 00:22:15,200
Speaker 1: What about I remember Ly Short and Round because it

532
00:22:15,240 --> 00:22:17,879
Speaker 1: came on in the mornings, and I think I wasn't

533
00:22:17,920 --> 00:22:20,359
Speaker 1: into those shows at that time when I was watching

534
00:22:20,359 --> 00:22:21,720
Speaker 1: Disney Channel, and I was like, I gotta wait for

535
00:22:21,760 --> 00:22:23,800
Speaker 1: this show to finish so I can watch some of

536
00:22:23,840 --> 00:22:27,439
Speaker 1: the other Disney programming. I remember that one. You were

537
00:22:27,440 --> 00:22:28,640
Speaker 1: a straight up Disney kid, huh.

538
00:22:28,680 --> 00:22:30,800
Speaker 2: I loved it all. I was one thing about me,

539
00:22:31,000 --> 00:22:33,959
Speaker 2: I'm a TV person since I was a child.

540
00:22:34,240 --> 00:22:38,200
Speaker 1: I was more of a Nickelodeon kid. So my TV

541
00:22:38,280 --> 00:22:40,600
Speaker 1: shows I grew up with very young. It was a

542
00:22:40,600 --> 00:22:44,080
Speaker 1: shining time station. I love Thomas the Tank Engine, We

543
00:22:44,160 --> 00:22:46,320
Speaker 1: know that, which was another cool thing of being able

544
00:22:46,400 --> 00:22:50,399
Speaker 1: to recently meet Ringo Starr because he was the narrator

545
00:22:50,440 --> 00:22:52,640
Speaker 1: and conductor on the first two seasons of that show.

546
00:22:52,720 --> 00:22:54,560
Speaker 2: Your mom tells stories about she wouldn't be able to

547
00:22:54,600 --> 00:22:56,880
Speaker 2: go to the grocery store in the morning because you'd

548
00:22:56,880 --> 00:22:58,480
Speaker 2: be like, no, I'm watching Thomas.

549
00:22:58,720 --> 00:23:01,520
Speaker 1: So we're talking early childhood that was up there. Number one,

550
00:23:01,600 --> 00:23:04,159
Speaker 1: Number two was probably Barney, and then number three was

551
00:23:04,200 --> 00:23:06,639
Speaker 1: Bananas and Pajamas. Oh my god, you love that sh

552
00:23:06,760 --> 00:23:09,480
Speaker 1: That was my jam and for I think my fifth

553
00:23:09,560 --> 00:23:13,480
Speaker 1: or sixth birthday, probably fifth birthday, I got B two,

554
00:23:13,600 --> 00:23:16,359
Speaker 1: which was the second banana in pajama. It was like

555
00:23:16,359 --> 00:23:18,440
Speaker 1: a stuffed animal. He was wearing his blue and white

556
00:23:18,480 --> 00:23:20,960
Speaker 1: striped pajamas and I get that thing forever.

557
00:23:21,320 --> 00:23:22,000
Speaker 2: That's so cute.

558
00:23:22,080 --> 00:23:24,359
Speaker 1: I think eventually we sold a yard sale.

559
00:23:24,480 --> 00:23:26,000
Speaker 2: I love the stories about your childhood.

560
00:23:26,320 --> 00:23:26,520
Speaker 1: Yeah.

561
00:23:26,600 --> 00:23:30,240
Speaker 2: I was a speak kind of TV early on anything,

562
00:23:31,080 --> 00:23:32,719
Speaker 2: and I would like to say I probably had a

563
00:23:32,720 --> 00:23:34,680
Speaker 2: lot of screen time and I turned out fine.

564
00:23:34,840 --> 00:23:35,800
Speaker 1: I mean, yeah, I watched the lot.

565
00:23:36,200 --> 00:23:37,320
Speaker 2: I like the silence there.

566
00:23:37,440 --> 00:23:40,159
Speaker 1: You were really well. I was just I was I

567
00:23:40,200 --> 00:23:42,280
Speaker 1: was thinking how we talk about kids' screen time now

568
00:23:42,400 --> 00:23:45,760
Speaker 1: we don't have kids, obviously, and how much that affects people.

569
00:23:46,320 --> 00:23:48,159
Speaker 1: We watched a lot of TV growing up, Like I

570
00:23:48,200 --> 00:23:51,880
Speaker 1: remember random commercials from the nineties, like the Seer's commercial

571
00:23:51,920 --> 00:23:54,240
Speaker 1: about the wife trying to get the husband to call

572
00:23:54,280 --> 00:23:56,639
Speaker 1: about the air conditioner. Why do I remember that?

573
00:23:56,920 --> 00:23:59,879
Speaker 2: I wonder though, if it's because we were watching a TV.

574
00:24:00,240 --> 00:24:02,560
Speaker 2: It wasn't like a tablet or a phone where you're

575
00:24:02,560 --> 00:24:05,400
Speaker 2: doing like a lot of different things in different tasks.

576
00:24:05,400 --> 00:24:07,760
Speaker 2: Like we were just seated and we had to watch commercials.

577
00:24:08,320 --> 00:24:10,560
Speaker 2: Nothing was instant. You had to wait for something to

578
00:24:10,600 --> 00:24:10,920
Speaker 2: be on.

579
00:24:12,280 --> 00:24:15,120
Speaker 1: Yeah, because I still remember that commercial I'll call tomorrow,

580
00:24:15,640 --> 00:24:18,880
Speaker 1: you'll call now, I'll call now. I remember that too,

581
00:24:20,320 --> 00:24:23,040
Speaker 1: Like that can't be good for my brain. I remember

582
00:24:23,080 --> 00:24:24,480
Speaker 1: more commercials than anything.

583
00:24:24,920 --> 00:24:28,560
Speaker 2: I remember all the infomercials easy Bake, oven light bright,

584
00:24:29,000 --> 00:24:30,399
Speaker 2: the little art thing we were talking about.

585
00:24:30,640 --> 00:24:33,120
Speaker 1: But that was my early childhood TV. When it came

586
00:24:33,160 --> 00:24:37,040
Speaker 1: to like more elementary school level, I was like rug

587
00:24:37,119 --> 00:24:40,960
Speaker 1: Rats all on Nickelodeon. Hey, Arnold, anything on Nickelodeon.

588
00:24:41,000 --> 00:24:43,359
Speaker 2: I was all about that's one of those things that

589
00:24:43,440 --> 00:24:45,680
Speaker 2: I know. I loved those things. But I don't really

590
00:24:45,680 --> 00:24:48,120
Speaker 2: have I don't really know when I have the first memory.

591
00:24:48,480 --> 00:24:50,520
Speaker 2: I don't know. I don't I can't really put my

592
00:24:50,520 --> 00:24:52,199
Speaker 2: finger on what my first memory as a kid is.

593
00:24:52,400 --> 00:24:56,040
Speaker 1: Really. Yeah, I feel like my earliest memory is probably

594
00:24:56,480 --> 00:24:58,280
Speaker 1: going to kindergarten for the first time.

595
00:24:58,560 --> 00:25:01,960
Speaker 2: I think again, it's the whole Dad Diane childhood trauma. Yeah, yeah,

596
00:25:02,320 --> 00:25:04,840
Speaker 2: I do remember. I don't know if I've told the

597
00:25:04,840 --> 00:25:07,840
Speaker 2: story in here. I think I did that. I could

598
00:25:07,880 --> 00:25:12,240
Speaker 2: read really early, and my kindergarten teacher didn't like that

599
00:25:12,320 --> 00:25:13,240
Speaker 2: because I'd get bored.

600
00:25:13,480 --> 00:25:15,359
Speaker 1: Your way had all the kids, Yeah.

601
00:25:15,200 --> 00:25:17,000
Speaker 2: And I was like, no, my phone, everyone else is stupid.

602
00:25:18,400 --> 00:25:20,920
Speaker 2: She'd be like, Kelsey, are you paying attention. I've read

603
00:25:20,920 --> 00:25:23,880
Speaker 2: the whole book. She's like, we're on page one. I've

604
00:25:23,880 --> 00:25:25,639
Speaker 2: read the whole book. You're like, I read all the

605
00:25:25,640 --> 00:25:29,000
Speaker 2: books on your desk, read them all. Do we want

606
00:25:29,040 --> 00:25:32,200
Speaker 2: to do our normal TV recommendation of the month. I'm

607
00:25:32,200 --> 00:25:32,880
Speaker 2: already off the rails.

608
00:25:32,920 --> 00:25:36,280
Speaker 1: We've already done our childhood recap from the nineties and

609
00:25:36,359 --> 00:25:37,320
Speaker 1: early two thousands.

610
00:25:37,520 --> 00:25:40,440
Speaker 2: Hope that unlocks something and someone's brain. I love being

611
00:25:40,440 --> 00:25:41,560
Speaker 2: reminded of nostalgia.

612
00:25:41,720 --> 00:25:45,400
Speaker 1: Your favorite TV show of the last month, we.

613
00:25:45,320 --> 00:25:47,200
Speaker 2: Watched a lot. We've been doing this thing called enjoying

614
00:25:47,200 --> 00:25:47,879
Speaker 2: our rent.

615
00:25:48,320 --> 00:25:50,560
Speaker 1: Staying home, not going out, where we don't leave the.

616
00:25:50,480 --> 00:25:53,200
Speaker 2: House because the outside world is expensive. Well, I did

617
00:25:53,240 --> 00:25:56,080
Speaker 2: watch forty two episodes of Summer House in six days.

618
00:25:56,520 --> 00:25:58,760
Speaker 2: Can't decide if I'm proud of that, but I did

619
00:25:58,760 --> 00:26:01,920
Speaker 2: catch up the new season IVO. Overall, I don't remember

620
00:26:01,920 --> 00:26:05,159
Speaker 2: if you mentioned Paradise last month that we're watching on Hulu.

621
00:26:05,240 --> 00:26:07,880
Speaker 2: I don't think one of the greatest shows ever made,

622
00:26:08,119 --> 00:26:11,200
Speaker 2: not over yet at the phenomena in this prime. Target's

623
00:26:11,200 --> 00:26:13,200
Speaker 2: a really good one on Apple. And then we binged

624
00:26:13,240 --> 00:26:16,880
Speaker 2: to Zero Day on Netflix, which was a like political

625
00:26:17,160 --> 00:26:21,720
Speaker 2: kind of conspiracy. Internet power grids get shut off.

626
00:26:21,960 --> 00:26:24,600
Speaker 1: Yeah, there's a cyber attack that shuts down all technology

627
00:26:24,640 --> 00:26:26,520
Speaker 1: for like it was like a minute, right, but in

628
00:26:26,560 --> 00:26:29,640
Speaker 1: that minute, thousands of people died. Robert Niro is a

629
00:26:29,680 --> 00:26:33,440
Speaker 1: former US president and then kind of leads the investigation

630
00:26:33,600 --> 00:26:35,439
Speaker 1: of figuring out what happens and trying to stop it

631
00:26:35,480 --> 00:26:36,400
Speaker 1: before it happens again.

632
00:26:36,800 --> 00:26:39,360
Speaker 2: So good. I'm loving the like intense dramas.

633
00:26:39,640 --> 00:26:42,280
Speaker 1: There's a lot of CIA crime d I feel like

634
00:26:42,280 --> 00:26:45,560
Speaker 1: they're maybe a little bit cheaper to produce, so maybe

635
00:26:45,640 --> 00:26:47,879
Speaker 1: that's why studios are leaning into them right now. I

636
00:26:47,920 --> 00:26:49,800
Speaker 1: feel like everybody kind of jumps on a genre for

637
00:26:49,840 --> 00:26:50,359
Speaker 1: a minute, But.

638
00:26:50,400 --> 00:26:53,480
Speaker 2: If you're not watching Paradise, you're missing out truly on

639
00:26:53,480 --> 00:26:55,640
Speaker 2: one of the best shows that will be winning awards.

640
00:26:55,880 --> 00:26:59,440
Speaker 2: They're getting a second season. Sterling K. Brown is phenomenal

641
00:26:59,440 --> 00:27:00,960
Speaker 2: in it. I think we did talk about it because

642
00:27:01,000 --> 00:27:03,040
Speaker 2: I remember now saying that it's from the creator of

643
00:27:03,080 --> 00:27:05,840
Speaker 2: This is Us Any Yeah, yeah, for Stirling K. Brown.

644
00:27:05,920 --> 00:27:07,720
Speaker 1: That was way early. That was lifetimes ago.

645
00:27:07,960 --> 00:27:10,960
Speaker 2: Yeah, it's gotten even better. So I'm trying to think

646
00:27:11,000 --> 00:27:13,440
Speaker 2: if I've watched anything else. You know, I'm all about

647
00:27:13,440 --> 00:27:15,600
Speaker 2: a cheesy Netflix show. But I'm watching season four of

648
00:27:15,600 --> 00:27:19,399
Speaker 2: Sweet Agnolias, and it is so painfully cheesy that I

649
00:27:19,520 --> 00:27:21,200
Speaker 2: paused the TV. When you walk in the room because

650
00:27:21,200 --> 00:27:22,080
Speaker 2: I am embarrassed that I'm.

651
00:27:21,960 --> 00:27:23,719
Speaker 1: Watching it, You're like, I'm gonna go ahead and pause this.

652
00:27:23,960 --> 00:27:26,679
Speaker 2: Yeah, I think that's everything for me.

653
00:27:27,000 --> 00:27:31,399
Speaker 1: I finished Dragon Ball Super All one hundred and thirty

654
00:27:31,440 --> 00:27:34,359
Speaker 1: plus one hundred and thirty one episodes. I was not

655
00:27:34,400 --> 00:27:36,119
Speaker 1: able to finish on Hulu like I thought it was

656
00:27:36,160 --> 00:27:37,800
Speaker 1: because they took it off of Hulus. We know have

657
00:27:37,800 --> 00:27:41,879
Speaker 1: another subscription, Crunchy Roll, which I finished it there, and

658
00:27:41,920 --> 00:27:44,399
Speaker 1: I've now started dragonball Z, but that's like two hundred

659
00:27:44,440 --> 00:27:46,640
Speaker 1: and thirty episodes two hundred and fifty, so that's gonna

660
00:27:46,680 --> 00:27:49,840
Speaker 1: take me a while. But I did watch Your Friendly

661
00:27:49,880 --> 00:27:53,000
Speaker 1: Neighborhood spider Man, which is the animated show on Disney Plus.

662
00:27:53,880 --> 00:27:58,639
Speaker 1: It is focused more on the science version of Peter Parker,

663
00:27:59,400 --> 00:28:03,040
Speaker 1: highly in fluenced by the comics, and not even the

664
00:28:03,200 --> 00:28:05,680
Speaker 1: nineties spider Man TV show, but more so the nineteen

665
00:28:05,760 --> 00:28:08,560
Speaker 1: sixties version of Spider Man, and I thought it was

666
00:28:08,560 --> 00:28:11,399
Speaker 1: pretty good. The animation style was a little bit weird

667
00:28:11,760 --> 00:28:13,800
Speaker 1: because I thought it looked kind of cheap whenever they

668
00:28:13,800 --> 00:28:15,880
Speaker 1: first put out the trailer, because it's kind of supposed

669
00:28:15,880 --> 00:28:18,240
Speaker 1: to look like a comic book art, but I feel

670
00:28:18,240 --> 00:28:21,240
Speaker 1: like the comic book art they tried to make looks

671
00:28:21,280 --> 00:28:23,160
Speaker 1: really cheap and like they were trying to cut corners.

672
00:28:23,680 --> 00:28:25,800
Speaker 1: But as the season went along, I got a little

673
00:28:25,800 --> 00:28:27,280
Speaker 1: bit more used to it in the story and it's

674
00:28:27,280 --> 00:28:30,200
Speaker 1: actually really good, so I feel like overall it won

675
00:28:30,280 --> 00:28:33,360
Speaker 1: me over. I wouldn't say it's my favorite Spider Man

676
00:28:33,400 --> 00:28:36,360
Speaker 1: project yet, but I feel like it's good to have

677
00:28:36,560 --> 00:28:39,280
Speaker 1: a balance of having something that's not really connected to

678
00:28:39,320 --> 00:28:41,840
Speaker 1: anything else, and probably like a lot of young kids

679
00:28:41,840 --> 00:28:44,200
Speaker 1: are watching that, that's like their introduction to this level

680
00:28:44,200 --> 00:28:47,480
Speaker 1: of Spider Man. For that, it's like great quality. But

681
00:28:47,680 --> 00:28:51,320
Speaker 1: that has been my nerdy TV show watching your book.

682
00:28:51,440 --> 00:28:53,040
Speaker 2: Why did I read this month? I'm still going through

683
00:28:53,040 --> 00:28:56,360
Speaker 2: Harry Potter on my book club. Read The Favorites by

684
00:28:56,440 --> 00:28:59,680
Speaker 2: Lane Fargo, which was good, So I give that. It

685
00:28:59,680 --> 00:29:04,120
Speaker 2: was like these two like teenage ice dancers, basically a

686
00:29:04,160 --> 00:29:06,640
Speaker 2: soap oper book. It was good. It was a little

687
00:29:06,640 --> 00:29:08,360
Speaker 2: longer than it needed to be, could have cut some

688
00:29:08,400 --> 00:29:11,000
Speaker 2: things out, but overall I enjoyed that, so I'd give that.

689
00:29:11,080 --> 00:29:12,920
Speaker 2: The ANSWER's been a lot of me reading Harry Potter

690
00:29:12,960 --> 00:29:13,280
Speaker 2: at night.

691
00:29:13,400 --> 00:29:14,000
Speaker 1: Well, book are you on?

692
00:29:14,280 --> 00:29:16,560
Speaker 2: I am? According to my Kendle, sixty seven percent of

693
00:29:16,560 --> 00:29:17,960
Speaker 2: the way done with Order of the Phoenix.

694
00:29:18,200 --> 00:29:20,480
Speaker 1: You're almost deltable, I know, but six.

695
00:29:20,360 --> 00:29:22,400
Speaker 2: And seven are really long. It's taking me a while.

696
00:29:22,520 --> 00:29:25,120
Speaker 1: I forget. It's basically like a dictionary encyclopedia.

697
00:29:25,240 --> 00:29:27,840
Speaker 2: Yeah, so this one's even taking me a while because

698
00:29:27,880 --> 00:29:30,239
Speaker 2: I roll over read with my kindle and I make

699
00:29:30,280 --> 00:29:32,120
Speaker 2: it through about a chapter and then I get sleepy.

700
00:29:32,680 --> 00:29:36,120
Speaker 1: For my book. You gifted me a few graphic novels

701
00:29:36,120 --> 00:29:39,040
Speaker 1: for Christmas, and I read The Killing Joke, which is

702
00:29:39,120 --> 00:29:41,640
Speaker 1: all about the origin story of the Joker. It cover

703
00:29:41,680 --> 00:29:44,760
Speaker 1: scares me and how one bad day could change your

704
00:29:44,880 --> 00:29:48,440
Speaker 1: entire life, and it was interesting because I've never seen

705
00:29:48,560 --> 00:29:51,800
Speaker 1: this origin story of the Joker, and it makes a

706
00:29:51,800 --> 00:29:55,920
Speaker 1: statement on how Joker's life had one bad day and

707
00:29:56,000 --> 00:29:59,760
Speaker 1: he chose the path of being evil. Batman's life had

708
00:29:59,800 --> 00:30:01,680
Speaker 1: one and bad day and he chose a life of

709
00:30:01,680 --> 00:30:04,600
Speaker 1: being a vigilanti trying to do good. So it's showing

710
00:30:04,680 --> 00:30:08,640
Speaker 1: how similar they are in ways, and how it's not

711
00:30:08,800 --> 00:30:11,840
Speaker 1: what happens to you, it's how you react to it

712
00:30:11,880 --> 00:30:15,040
Speaker 1: which impacts your life, which is a pretty profound thing

713
00:30:15,040 --> 00:30:16,680
Speaker 1: for a graphic novel, especially as they came out as

714
00:30:16,680 --> 00:30:17,520
Speaker 1: long ago as it did.

715
00:30:17,600 --> 00:30:18,960
Speaker 2: I mean, yeah, I feel like it's getting at the

716
00:30:19,000 --> 00:30:20,680
Speaker 2: like nature versus nurture.

717
00:30:20,760 --> 00:30:24,720
Speaker 1: Which when it comes watching or reading comics, I feel

718
00:30:24,760 --> 00:30:27,880
Speaker 1: like I lean more towards Batman's stuff because I feel

719
00:30:27,920 --> 00:30:31,400
Speaker 1: like it does have quote unquote adult themes that you

720
00:30:31,440 --> 00:30:35,800
Speaker 1: could actually learn things from like that. When it comes

721
00:30:35,840 --> 00:30:38,520
Speaker 1: to Marvel stuff, it's a little bit more like fluffy

722
00:30:38,600 --> 00:30:43,040
Speaker 1: and fun, shiny, easy breezy. I'm like way into that

723
00:30:43,160 --> 00:30:45,240
Speaker 1: right now. But that has been one of my favorite

724
00:30:45,240 --> 00:30:48,080
Speaker 1: It's not my favorite Batman graphic novel. It'll always be

725
00:30:48,160 --> 00:30:51,520
Speaker 1: The Dark Knight Returns. But it's not there. It's good.

726
00:30:51,840 --> 00:30:54,560
Speaker 2: There's so many good books coming out in March. The

727
00:30:55,120 --> 00:30:58,600
Speaker 2: so the TV show We Were the Lucky Ones that

728
00:30:58,640 --> 00:31:03,360
Speaker 2: I watched on Hulu, World War two book that they

729
00:31:03,440 --> 00:31:06,080
Speaker 2: made into a show. The author has another book coming

730
00:31:06,080 --> 00:31:08,360
Speaker 2: out this week, and then Hunger Games, Sunraise on the

731
00:31:08,400 --> 00:31:09,520
Speaker 2: Reaping comes out this month.

732
00:31:09,560 --> 00:31:11,400
Speaker 1: Oh yeah, I cannot wait for that.

733
00:31:12,920 --> 00:31:15,720
Speaker 2: And that's been your book report. I do remember, also,

734
00:31:15,880 --> 00:31:18,960
Speaker 2: to anyone listening, I did promise to start doing like

735
00:31:19,080 --> 00:31:23,000
Speaker 2: reels about books I read. I forget to record them

736
00:31:23,040 --> 00:31:25,240
Speaker 2: when I actually look decent to be on camera, like

737
00:31:25,280 --> 00:31:28,240
Speaker 2: my hair and makeup done. So I owe people We'll

738
00:31:28,240 --> 00:31:32,680
Speaker 2: start with February. It's coming, I promise. I just you know,

739
00:31:32,800 --> 00:31:35,200
Speaker 2: my editor is really busy.

740
00:31:35,600 --> 00:31:37,640
Speaker 1: Yeah, but if you do want to watch clips that

741
00:31:37,680 --> 00:31:40,880
Speaker 1: we do, you can subscribe on YouTube. Yes, YouTube dot

742
00:31:40,880 --> 00:31:43,320
Speaker 1: com slash Mike Distro or find the link in the

743
00:31:43,360 --> 00:31:44,840
Speaker 1: episode notes anything else.

744
00:31:45,280 --> 00:31:46,480
Speaker 2: No, I need to finish my coffee.

745
00:31:46,560 --> 00:31:48,840
Speaker 1: Stah me too. I'm starting to wake up over here.

746
00:31:48,840 --> 00:31:51,000
Speaker 1: All right, we'll come back. I'll give my spoiler free

747
00:31:51,080 --> 00:31:58,120
Speaker 1: review of Riffraff. Let's get into it now. A spoiler

748
00:31:58,160 --> 00:32:01,000
Speaker 1: free movie review of Riffraff, not to be confused with

749
00:32:01,040 --> 00:32:05,000
Speaker 1: the rapper riff Raff tiptoeing in My Jordan's No. This

750
00:32:05,040 --> 00:32:09,040
Speaker 1: is a movie starring Bill Murray, Pete Davidson, Jennifer Coolidge,

751
00:32:09,600 --> 00:32:12,120
Speaker 1: Ed Harris. It is an ensemble cast. And sometimes when

752
00:32:12,160 --> 00:32:14,600
Speaker 1: I see ensemble cast, that is like a red flag

753
00:32:14,640 --> 00:32:17,280
Speaker 1: to me, like, oh, they're really selling this movie with

754
00:32:17,360 --> 00:32:19,280
Speaker 1: all the big names attached to it, There's no way

755
00:32:19,280 --> 00:32:21,360
Speaker 1: it could be good. In this case, I don't think

756
00:32:21,360 --> 00:32:24,000
Speaker 1: it was a victim of that. What Riffraff is about.

757
00:32:24,440 --> 00:32:26,800
Speaker 1: You have Ed Harris, who plays a character named Vincent.

758
00:32:27,320 --> 00:32:30,040
Speaker 1: Used to be involved in some crime, doing some shady

759
00:32:30,080 --> 00:32:33,720
Speaker 1: things with Bill Murray, and then he wants out of

760
00:32:33,720 --> 00:32:35,600
Speaker 1: the business. He has to get out. He marries a

761
00:32:35,640 --> 00:32:39,440
Speaker 1: new person, moves away, goes under the radar. They can't

762
00:32:39,480 --> 00:32:42,920
Speaker 1: find him, living a quiet peaceful life all up until

763
00:32:42,960 --> 00:32:45,760
Speaker 1: this day where his son shows up on his doorstep

764
00:32:45,800 --> 00:32:48,680
Speaker 1: and he's in trouble, and suddenly these two bad guys

765
00:32:48,720 --> 00:32:52,200
Speaker 1: played by Bill Murray and Pete Davidson, who are murderers,

766
00:32:52,360 --> 00:32:55,160
Speaker 1: are now on the trace to find his son and

767
00:32:55,200 --> 00:32:57,960
Speaker 1: to find Ed Harris, and that is what the movie

768
00:32:58,080 --> 00:33:01,160
Speaker 1: is about. This movie reminded me of a lot of things,

769
00:33:01,280 --> 00:33:03,520
Speaker 1: and the big question I want to talk about is

770
00:33:03,800 --> 00:33:08,000
Speaker 1: why can't mid movies exist anymore. I'll be very upfront

771
00:33:08,000 --> 00:33:11,160
Speaker 1: about this movie. Is it the best thing I've ever seen? Now?

772
00:33:11,280 --> 00:33:14,400
Speaker 1: Is it a terrible movie? By no means, But sometimes

773
00:33:14,400 --> 00:33:17,840
Speaker 1: you watch a movie and you think that was pretty good. Okay,

774
00:33:18,480 --> 00:33:20,760
Speaker 1: I enjoyed parts of it. I don't feel like it

775
00:33:20,920 --> 00:33:22,960
Speaker 1: changed me as a person. I don't think this is

776
00:33:23,000 --> 00:33:25,000
Speaker 1: going to become one of my favorite movies. But I

777
00:33:25,040 --> 00:33:27,280
Speaker 1: feel like we've gotten to a point in the world

778
00:33:27,920 --> 00:33:30,680
Speaker 1: where mid movies can't exist anymore. You either have to

779
00:33:30,720 --> 00:33:33,040
Speaker 1: have something that is so great on a level of

780
00:33:33,080 --> 00:33:36,120
Speaker 1: life changing makes millions of dollars at the box office,

781
00:33:36,160 --> 00:33:39,840
Speaker 1: regardless of its budget. But the problem is we can't

782
00:33:39,840 --> 00:33:42,800
Speaker 1: have mid movies anymore because if a movie like this

783
00:33:42,880 --> 00:33:45,920
Speaker 1: doesn't do well in the box office, doesn't have the

784
00:33:45,960 --> 00:33:48,440
Speaker 1: biggest word of mouth, and even with those A list

785
00:33:48,520 --> 00:33:51,200
Speaker 1: actors at the top of the bill, if you don't

786
00:33:51,240 --> 00:33:53,280
Speaker 1: get people going to see it in theaters, it is

787
00:33:53,320 --> 00:33:57,080
Speaker 1: seen as a failure. And a big problem that movies

788
00:33:57,120 --> 00:34:01,080
Speaker 1: have right now is initial reviews come out and that

789
00:34:01,160 --> 00:34:03,360
Speaker 1: influences people going to see them. And I know I'm

790
00:34:03,360 --> 00:34:06,200
Speaker 1: saying that as somebody who reviews movies on his podcast

791
00:34:06,240 --> 00:34:09,160
Speaker 1: on YouTube right here, maybe at times I'm part of

792
00:34:09,200 --> 00:34:11,719
Speaker 1: the problem. But that's why I like doing reviews and

793
00:34:11,800 --> 00:34:14,920
Speaker 1: long form on a podcast is because there is nuance

794
00:34:15,000 --> 00:34:17,000
Speaker 1: to it when you see a written review, when you

795
00:34:17,040 --> 00:34:20,120
Speaker 1: see a Rotten Tomatoes score, that is it. When I

796
00:34:20,120 --> 00:34:22,200
Speaker 1: talk about what I like and don't like about a movie,

797
00:34:22,440 --> 00:34:24,040
Speaker 1: and maybe if it didn't move me in a way

798
00:34:24,080 --> 00:34:25,600
Speaker 1: that I thought was something that you need to rush

799
00:34:25,640 --> 00:34:27,799
Speaker 1: to the theater to see, I do talk about the

800
00:34:27,840 --> 00:34:30,520
Speaker 1: things that other people might enjoy about that movie, but

801
00:34:30,560 --> 00:34:33,400
Speaker 1: it takes another layer for somebody to find a review

802
00:34:33,480 --> 00:34:36,160
Speaker 1: like that. That's why I enjoy sharing my thoughts with you,

803
00:34:36,360 --> 00:34:38,840
Speaker 1: hearing what you have to say, because it builds a

804
00:34:38,880 --> 00:34:42,239
Speaker 1: film community and it's more important, and it resonates more

805
00:34:42,320 --> 00:34:45,920
Speaker 1: because not every movie has to be life changing. But

806
00:34:45,960 --> 00:34:49,360
Speaker 1: the problem is if a movie gets bad reviews, doesn't

807
00:34:49,400 --> 00:34:53,440
Speaker 1: do well opening weekend, it just flutters into this category

808
00:34:53,520 --> 00:34:55,279
Speaker 1: of I'm not even going to watch that once it

809
00:34:55,360 --> 00:34:58,520
Speaker 1: hits streaming. But it's becoming harder and harder for a

810
00:34:58,560 --> 00:35:02,919
Speaker 1: movie like Riff Raff to just be mid. And back

811
00:35:02,960 --> 00:35:06,439
Speaker 1: in the nineties and early two thousands, a movie could

812
00:35:06,480 --> 00:35:10,440
Speaker 1: be mid, come out in theaters and you know, be recepted, Okay,

813
00:35:10,480 --> 00:35:13,720
Speaker 1: it's kind of all right, but then make its money

814
00:35:13,760 --> 00:35:17,040
Speaker 1: on the back end. There is a vast history of

815
00:35:17,160 --> 00:35:21,280
Speaker 1: movies that bombed in theaters but then had this second

816
00:35:21,320 --> 00:35:24,440
Speaker 1: life once it found its audience on DVD rentals, on

817
00:35:24,560 --> 00:35:27,520
Speaker 1: VHS rentals, going back even further, and there are some

818
00:35:27,640 --> 00:35:30,840
Speaker 1: movies that have become cult classics that way. But movies

819
00:35:30,880 --> 00:35:33,719
Speaker 1: don't have that anymore. And you have directors like the

820
00:35:33,800 --> 00:35:36,560
Speaker 1: director of Anora out here saying we need this. It

821
00:35:36,640 --> 00:35:38,959
Speaker 1: is such a hard time for indie directors right now

822
00:35:39,160 --> 00:35:42,240
Speaker 1: because of that, we don't have that luxury of something

823
00:35:42,360 --> 00:35:46,439
Speaker 1: having success post its theater run, and you think, well,

824
00:35:46,520 --> 00:35:49,320
Speaker 1: what does that even matter anyway, It's because these filmmakers

825
00:35:49,360 --> 00:35:53,040
Speaker 1: spend two, three, four, five years of their life making

826
00:35:53,080 --> 00:35:57,600
Speaker 1: these movies, spending at times their own money. And even

827
00:35:57,600 --> 00:36:00,359
Speaker 1: if they are not spending their own money, they're not

828
00:36:00,400 --> 00:36:02,440
Speaker 1: really making a whole lot of money off of these

829
00:36:02,480 --> 00:36:04,600
Speaker 1: movies because they aren't doing that well at the box

830
00:36:04,640 --> 00:36:07,560
Speaker 1: office and they have nothing on the back end. There's

831
00:36:07,560 --> 00:36:10,440
Speaker 1: no physical media anymore like there used to be to

832
00:36:10,560 --> 00:36:14,000
Speaker 1: bring movies like this back to life. Even the director

833
00:36:14,080 --> 00:36:17,080
Speaker 1: of The Brutalists was saying he made zero dollars from

834
00:36:17,120 --> 00:36:20,040
Speaker 1: that movie. He made nothing. It's getting hard to have

835
00:36:20,280 --> 00:36:23,839
Speaker 1: just a mid movie that you can't even watch on

836
00:36:23,920 --> 00:36:26,960
Speaker 1: Saturday Mattinees on television, which I used to watch a

837
00:36:27,040 --> 00:36:29,360
Speaker 1: lot of movies that way, movies I didn't have a

838
00:36:29,480 --> 00:36:31,880
Speaker 1: chance to see in theaters, would never think to rent.

839
00:36:32,360 --> 00:36:34,520
Speaker 1: But they don't even have a second life there. All

840
00:36:34,560 --> 00:36:37,279
Speaker 1: you get is streaming and there's no return on that.

841
00:36:37,680 --> 00:36:39,520
Speaker 1: And you say, oh, well, that is a victim of

842
00:36:39,560 --> 00:36:43,680
Speaker 1: their own product. Movie studios didn't ask for streaming services.

843
00:36:44,160 --> 00:36:47,480
Speaker 1: Netflix came changed the game. They've made a lot of

844
00:36:47,480 --> 00:36:49,640
Speaker 1: money off of that. But I feel that even Netflix

845
00:36:49,640 --> 00:36:52,280
Speaker 1: at times and a lot of the other streaming services

846
00:36:52,760 --> 00:36:56,799
Speaker 1: are losing money. But you can't put the toothpaste back

847
00:36:56,840 --> 00:37:00,040
Speaker 1: into the tube. We have come accustomed to being a

848
00:37:00,239 --> 00:37:03,520
Speaker 1: to watch anything with the click instantly and not having

849
00:37:03,560 --> 00:37:06,000
Speaker 1: to pay any more for it, And now whenever I

850
00:37:06,040 --> 00:37:07,799
Speaker 1: do have to pay five bucks to rent a movie,

851
00:37:07,800 --> 00:37:09,879
Speaker 1: even that is like, oh man, even though I could

852
00:37:09,960 --> 00:37:12,279
Speaker 1: just go down the street buy a drink and a

853
00:37:12,320 --> 00:37:14,680
Speaker 1: snack for like seven to eight bucks at the gas station,

854
00:37:14,800 --> 00:37:17,680
Speaker 1: and that I have no problem spending money with, but

855
00:37:17,719 --> 00:37:20,720
Speaker 1: sometimes just clicking a button and thinking this should be free.

856
00:37:21,239 --> 00:37:24,600
Speaker 1: So I think we need to start thinking about the

857
00:37:24,760 --> 00:37:29,000
Speaker 1: value of art moving forward, because we just think of

858
00:37:29,040 --> 00:37:32,120
Speaker 1: it as things that we consume and things that should

859
00:37:32,200 --> 00:37:34,520
Speaker 1: just be readily available for us, and it just kind

860
00:37:34,520 --> 00:37:37,120
Speaker 1: of changes over time. Same way with music. When's the

861
00:37:37,200 --> 00:37:40,600
Speaker 1: last time you bought music. I try to support artists

862
00:37:40,600 --> 00:37:42,359
Speaker 1: as much as I can. If I have an artist

863
00:37:42,440 --> 00:37:44,560
Speaker 1: I really love, I'll get their record, Like you see

864
00:37:44,640 --> 00:37:47,319
Speaker 1: behind me on YouTube right now if you're watching, I

865
00:37:47,400 --> 00:37:50,919
Speaker 1: buy actual physical copies of things so I can show

866
00:37:50,960 --> 00:37:54,640
Speaker 1: those artists support. As much as I love movies, it's

867
00:37:54,840 --> 00:37:56,839
Speaker 1: very rare that I get to do that. Would I

868
00:37:56,920 --> 00:38:00,000
Speaker 1: like to collect more Blu rays? Yeah? But I think

869
00:38:00,000 --> 00:38:05,600
Speaker 1: I unlike records. You can't really display blu rays like

870
00:38:05,640 --> 00:38:07,600
Speaker 1: you would a record. I used to keep a couple

871
00:38:07,640 --> 00:38:09,279
Speaker 1: in here of my favorite movie that i'd take them down.

872
00:38:09,320 --> 00:38:11,920
Speaker 1: I still have the Batman up there. Yeah, it is

873
00:38:11,920 --> 00:38:14,200
Speaker 1: harder to display things like that, so I try to

874
00:38:14,239 --> 00:38:17,080
Speaker 1: buy merch. I try to support in some way aside

875
00:38:17,120 --> 00:38:19,720
Speaker 1: from just going to the theater to watch these movies.

876
00:38:20,200 --> 00:38:22,359
Speaker 1: But when I watched riff Raff, I know I got

877
00:38:22,360 --> 00:38:25,560
Speaker 1: into a big exposition there on movies, but I felt

878
00:38:25,600 --> 00:38:28,839
Speaker 1: that while watching riff rafft because it reminded me of

879
00:38:28,880 --> 00:38:31,560
Speaker 1: some of my favorite eighties crime movies, movies like See

880
00:38:31,640 --> 00:38:34,600
Speaker 1: No Evil, Hear No Evil, Something Wild with ray Li

881
00:38:34,719 --> 00:38:38,160
Speaker 1: Yoda and Jeff Daniels, even crime comedies from the two

882
00:38:38,160 --> 00:38:41,200
Speaker 1: thousands like Double Whammy with Dennis Leary. Those are all

883
00:38:41,239 --> 00:38:43,439
Speaker 1: movies I was exposed to because I would watch them

884
00:38:43,480 --> 00:38:46,080
Speaker 1: on TV at times when there was nothing else to

885
00:38:46,160 --> 00:38:48,600
Speaker 1: watch and I was a loner. I had no friends,

886
00:38:48,920 --> 00:38:51,960
Speaker 1: so I'd watched a lot of movies on Saturday matinees

887
00:38:52,360 --> 00:38:54,160
Speaker 1: and that's where I was exposed to a lot of

888
00:38:54,160 --> 00:38:57,719
Speaker 1: these movies that again, I would never probably call any

889
00:38:57,760 --> 00:39:00,240
Speaker 1: of those movies some of my favorite movies of all time,

890
00:39:00,800 --> 00:39:03,000
Speaker 1: but they have this unique place in my heart and

891
00:39:03,080 --> 00:39:05,880
Speaker 1: my memory that I associate with, Oh, those are actually

892
00:39:05,920 --> 00:39:08,080
Speaker 1: pretty good movies. Not a lot of people have seen

893
00:39:08,120 --> 00:39:11,040
Speaker 1: them or would call them their favorite movies, but there's

894
00:39:11,080 --> 00:39:14,600
Speaker 1: this high tier level of mid movies that become parts

895
00:39:14,880 --> 00:39:17,840
Speaker 1: of our DNA that when we find somebody else who's

896
00:39:17,840 --> 00:39:20,440
Speaker 1: actually watched those movies and enjoys those movies, you have

897
00:39:20,560 --> 00:39:22,800
Speaker 1: this bond with because they might not be the biggest

898
00:39:22,840 --> 00:39:25,359
Speaker 1: movies of all time, but it's this level of mid

899
00:39:25,400 --> 00:39:28,960
Speaker 1: movie that doesn't exist anymore that I worry what is

900
00:39:29,000 --> 00:39:31,440
Speaker 1: going to be that in ten years? Is it just

901
00:39:31,440 --> 00:39:34,080
Speaker 1: going to be the straight to streaming movie? Which not

902
00:39:34,280 --> 00:39:36,880
Speaker 1: every straight to streaming movie is bad. It just feels

903
00:39:36,880 --> 00:39:39,600
Speaker 1: sometimes when a movie doesn't have a theater run, you

904
00:39:39,680 --> 00:39:41,640
Speaker 1: think a little less than of it. But back to

905
00:39:41,760 --> 00:39:44,239
Speaker 1: Riff Raff. It is directed by Dido Montielle, who I

906
00:39:44,239 --> 00:39:47,000
Speaker 1: am fascinated with. He was part of an eighties hardcore

907
00:39:47,040 --> 00:39:49,200
Speaker 1: band back in the day. It was also in a

908
00:39:49,239 --> 00:39:52,920
Speaker 1: band called gutter Boy, and I very much felt the

909
00:39:52,960 --> 00:39:56,120
Speaker 1: punk rock eighties influence in this film. There were a

910
00:39:56,160 --> 00:39:58,280
Speaker 1: couple of songs that I was like, ah, that's definitely

911
00:39:58,280 --> 00:40:00,319
Speaker 1: his taste in there, and it really adds to it.

912
00:40:00,360 --> 00:40:02,520
Speaker 1: And I feel like there is this level of punk

913
00:40:02,640 --> 00:40:05,960
Speaker 1: rock authenticity to this movie that comes through in an

914
00:40:06,000 --> 00:40:08,719
Speaker 1: indie film. When it comes to our stars of the movie,

915
00:40:08,719 --> 00:40:12,080
Speaker 1: you have Bill Murray, who, surprisingly, at age seventy four,

916
00:40:12,239 --> 00:40:14,720
Speaker 1: I felt he put a lot more effort into this character.

917
00:40:15,200 --> 00:40:17,640
Speaker 1: He plays one of the hit man he is paired

918
00:40:17,680 --> 00:40:21,440
Speaker 1: with Pete Davidson. Pete Davidson, for the most part, has

919
00:40:21,480 --> 00:40:24,120
Speaker 1: played himself in about every single movie from King of

920
00:40:24,160 --> 00:40:28,120
Speaker 1: Staten Island, Bodies, Body's Bodies, even in the romantic comedy

921
00:40:28,160 --> 00:40:30,400
Speaker 1: he did with Glenn Powell Set it Up. But in

922
00:40:30,440 --> 00:40:32,880
Speaker 1: this one he gave a slightly different look. It was

923
00:40:32,920 --> 00:40:35,560
Speaker 1: like whenever Coke came out with new Coke. Still tastes

924
00:40:35,640 --> 00:40:37,960
Speaker 1: like coke, but the packaging is a little bit different.

925
00:40:38,280 --> 00:40:40,120
Speaker 1: So you could kind of convince me that he played

926
00:40:40,120 --> 00:40:42,200
Speaker 1: a little bit of a different character. But there was

927
00:40:42,239 --> 00:40:46,160
Speaker 1: something just unique about him and Bill Murray together, which

928
00:40:46,160 --> 00:40:49,600
Speaker 1: when you think about one comedy legend, one maybe future

929
00:40:49,640 --> 00:40:52,640
Speaker 1: comedy legend working together, I had to imagine, or I

930
00:40:52,640 --> 00:40:54,440
Speaker 1: want to believe that a lot of that was improv

931
00:40:54,440 --> 00:40:57,320
Speaker 1: because Bill Murray is a person who, according to legend

932
00:40:57,320 --> 00:40:59,680
Speaker 1: on the internet, doesn't even have a cell phone, doesn't

933
00:40:59,680 --> 00:41:02,680
Speaker 1: have a manager. You have to contact him via a

934
00:41:02,760 --> 00:41:06,120
Speaker 1: one eight hundred number. He is also historically late or

935
00:41:06,440 --> 00:41:08,319
Speaker 1: doesn't show up, or you never know when he's going

936
00:41:08,400 --> 00:41:10,960
Speaker 1: to show up on set. This was the case even

937
00:41:11,000 --> 00:41:12,960
Speaker 1: with the last Ghostbusters movie. It was kind of like,

938
00:41:12,960 --> 00:41:14,680
Speaker 1: I don't know when Bill's gonna show up, but we'll

939
00:41:14,719 --> 00:41:16,960
Speaker 1: kind of wait around for him because he is Bill Murray.

940
00:41:17,160 --> 00:41:19,560
Speaker 1: So I feel that the days they actually had with

941
00:41:19,640 --> 00:41:22,920
Speaker 1: him and Pete Davidson were probably very few because I

942
00:41:22,920 --> 00:41:25,400
Speaker 1: feel like he rolls in, he knows what he's gonna do.

943
00:41:25,760 --> 00:41:28,600
Speaker 1: He probably takes some direction to set him up a

944
00:41:28,640 --> 00:41:31,160
Speaker 1: little bit, but I kind of feel at this point

945
00:41:31,160 --> 00:41:33,319
Speaker 1: in his career that is what you get. You get

946
00:41:33,320 --> 00:41:36,120
Speaker 1: Bill Murray. He's gonna be Bill Murray. He's gonna follow

947
00:41:36,160 --> 00:41:38,359
Speaker 1: along with the script, but he's going to give you

948
00:41:38,480 --> 00:41:40,640
Speaker 1: what he wants to give you. But even though I

949
00:41:40,640 --> 00:41:43,080
Speaker 1: felt like his time was limited on this movie, I

950
00:41:43,160 --> 00:41:45,960
Speaker 1: still feel like he actually gave a crap, which is

951
00:41:46,160 --> 00:41:48,239
Speaker 1: big for Bill Murray. I actually feel like he cared

952
00:41:48,239 --> 00:41:51,400
Speaker 1: about it. He was as menacing as Bill Murray can be.

953
00:41:51,480 --> 00:41:54,120
Speaker 1: At seventy four, the person I wanted to see more

954
00:41:54,160 --> 00:41:57,359
Speaker 1: of was Jennifer Coolidge, who has had a resurgence due

955
00:41:57,400 --> 00:42:00,800
Speaker 1: to White Lotus that everybody is reminded of how funny

956
00:42:00,800 --> 00:42:03,200
Speaker 1: and awesome she is. So overall of the movie was

957
00:42:03,239 --> 00:42:05,240
Speaker 1: a game of cat and mouse. He had some comedy

958
00:42:05,320 --> 00:42:09,040
Speaker 1: sprinkled here and there, some crimes sprinkled here and there,

959
00:42:09,120 --> 00:42:12,520
Speaker 1: some violence and shooting and blood here and there. It

960
00:42:12,600 --> 00:42:15,319
Speaker 1: had a mixture of everything. I wouldn't call this movie

961
00:42:15,360 --> 00:42:18,600
Speaker 1: a slow burn. I would say overall there are a

962
00:42:18,600 --> 00:42:21,600
Speaker 1: lot of lulls here and there, but I almost think

963
00:42:21,680 --> 00:42:24,200
Speaker 1: or hope that was intentional because it allows the movie

964
00:42:24,200 --> 00:42:26,320
Speaker 1: to breathe. And the lulls that kind of happened where

965
00:42:26,800 --> 00:42:31,800
Speaker 1: it's just people hanging out, talking, driving around, I almost

966
00:42:31,800 --> 00:42:35,120
Speaker 1: feel like that is a representation of life, especially considering

967
00:42:35,160 --> 00:42:41,040
Speaker 1: the circumstances of them possibly being tracked down by two murderers.

968
00:42:41,640 --> 00:42:44,120
Speaker 1: It has time to breathe, and the interactions between the

969
00:42:44,200 --> 00:42:47,319
Speaker 1: characters are pretty authentic to where I feel that the

970
00:42:47,400 --> 00:42:50,600
Speaker 1: director almost probably gave them little direction. I don't know

971
00:42:50,600 --> 00:42:53,160
Speaker 1: if that's an insult to him, but I feel like

972
00:42:53,200 --> 00:42:56,280
Speaker 1: it was more of a representation of how humans actually

973
00:42:56,280 --> 00:42:58,680
Speaker 1: talk to each other, which was interesting in the dialogue

974
00:42:58,800 --> 00:43:01,320
Speaker 1: the Sun in this movie set some things and deliver

975
00:43:01,400 --> 00:43:03,280
Speaker 1: them in a way that I hadn't really seen before,

976
00:43:03,320 --> 00:43:05,200
Speaker 1: and it felt kind of refreshing. I don't know if

977
00:43:05,200 --> 00:43:07,239
Speaker 1: that was on purpose or just a result of it

978
00:43:07,320 --> 00:43:10,360
Speaker 1: being a smaller film, but I enjoyed that the characters

979
00:43:10,400 --> 00:43:13,640
Speaker 1: had time to breathe, and I feel that the director

980
00:43:13,719 --> 00:43:16,480
Speaker 1: just kind of let them go and the interactions unfold.

981
00:43:16,800 --> 00:43:18,440
Speaker 1: Maybe that could have been changed with some of the

982
00:43:18,560 --> 00:43:20,840
Speaker 1: editing to tighten up those moments a bit, but like

983
00:43:20,880 --> 00:43:23,480
Speaker 1: I said, I enjoyed that aspect of it. It felt

984
00:43:23,480 --> 00:43:25,600
Speaker 1: like one of those movies I would watch on a

985
00:43:25,640 --> 00:43:29,279
Speaker 1: Saturday afternoon where it's crisp and sunny outside and you

986
00:43:29,320 --> 00:43:32,160
Speaker 1: just kind of get lost sitting on the couch watching

987
00:43:32,239 --> 00:43:35,840
Speaker 1: a movie without any expectation. And that is the experience

988
00:43:36,080 --> 00:43:38,719
Speaker 1: we're kind of being robbed of. We can't just sit

989
00:43:38,800 --> 00:43:40,640
Speaker 1: down and watch a movie and think, ah, that was

990
00:43:40,680 --> 00:43:44,480
Speaker 1: actually pretty good. And I experienced that from a reviewer standpoint,

991
00:43:44,520 --> 00:43:47,960
Speaker 1: where if I find myself enjoying a movie that other

992
00:43:48,000 --> 00:43:50,319
Speaker 1: people are ripping the shreds, and I shared that I

993
00:43:50,360 --> 00:43:52,200
Speaker 1: will share that I do know straight away from that,

994
00:43:52,520 --> 00:43:54,480
Speaker 1: I don't have any agenda. I don't feel like I

995
00:43:54,480 --> 00:43:56,400
Speaker 1: need to come off anyway. If I like a movie,

996
00:43:56,480 --> 00:43:58,680
Speaker 1: I'm gonna tell you about it. But when I posted

997
00:43:58,680 --> 00:44:01,200
Speaker 1: about it, you got people meter stretch like, how could

998
00:44:01,239 --> 00:44:02,840
Speaker 1: you recommend this movie? You're in near to it? I

999
00:44:02,880 --> 00:44:05,600
Speaker 1: don't believe you anymore. And then on the other end,

1000
00:44:06,000 --> 00:44:08,200
Speaker 1: when I don't like a movie that most people like,

1001
00:44:08,480 --> 00:44:10,920
Speaker 1: I can't win because people are like, you're only bashing

1002
00:44:10,960 --> 00:44:13,840
Speaker 1: this movie because of this. All you movie reviewers are

1003
00:44:13,960 --> 00:44:16,719
Speaker 1: the same, So there's no winning right now. I'm just

1004
00:44:16,800 --> 00:44:19,319
Speaker 1: happy that a movie like this can exist because it's

1005
00:44:19,360 --> 00:44:22,160
Speaker 1: so hard for a movie to get made nowadays. It

1006
00:44:22,280 --> 00:44:25,279
Speaker 1: is so much harder for smaller budget movies to even

1007
00:44:25,320 --> 00:44:27,600
Speaker 1: see the light of day, to even make it to theaters.

1008
00:44:28,000 --> 00:44:30,880
Speaker 1: We need to bring back mid movies. Otherwise those movies

1009
00:44:30,920 --> 00:44:33,799
Speaker 1: that formed us, even though we didn't know it at

1010
00:44:33,800 --> 00:44:37,160
Speaker 1: the time, are gonna go away. But overall, for riff Raff,

1011
00:44:37,239 --> 00:44:39,399
Speaker 1: I give it three out of five assassins.

1012
00:44:43,160 --> 00:44:45,280
Speaker 2: It's time to head down to movie.

1013
00:44:45,360 --> 00:44:49,680
Speaker 3: Mike Trey lar Pard, Warfair looks awesome, and I feel

1014
00:44:49,719 --> 00:44:51,719
Speaker 3: a little bit conflicted in saying that this is my

1015
00:44:51,800 --> 00:44:55,759
Speaker 3: favorite type of war movie because this movie is set

1016
00:44:55,800 --> 00:44:59,480
Speaker 3: in two thousand and six the Iraq War, and I

1017
00:44:59,480 --> 00:45:00,120
Speaker 3: think it's beca.

1018
00:45:00,000 --> 00:45:03,240
Speaker 1: Because I was alive during that time, so I feel

1019
00:45:03,680 --> 00:45:05,759
Speaker 1: a connection to it because I was aware of what

1020
00:45:05,880 --> 00:45:09,000
Speaker 1: was going on. And the reason it's my favorite type

1021
00:45:09,040 --> 00:45:11,840
Speaker 1: of war movie is because it has a sense of realism.

1022
00:45:12,760 --> 00:45:16,640
Speaker 1: Sometimes when I watch war movies from back in the day,

1023
00:45:17,360 --> 00:45:19,759
Speaker 1: the plot feels a little bit like they center on

1024
00:45:19,760 --> 00:45:22,280
Speaker 1: one character and it's a little bit larger than life.

1025
00:45:22,880 --> 00:45:25,759
Speaker 1: And I think for me, I enjoy war movies that

1026
00:45:26,680 --> 00:45:29,560
Speaker 1: are closer to what actually happened, especially when they're from

1027
00:45:29,680 --> 00:45:32,799
Speaker 1: real accounts of people who experience that, and that is

1028
00:45:32,840 --> 00:45:35,760
Speaker 1: what you have in warfare. The writer of this movie

1029
00:45:36,040 --> 00:45:39,879
Speaker 1: is named Raymondoza. He's an actual veteran. These are all

1030
00:45:40,000 --> 00:45:44,840
Speaker 1: real life accounts from him. He wrote this script based

1031
00:45:44,920 --> 00:45:48,400
Speaker 1: on memory. The movie unfolds in real time. He also

1032
00:45:48,480 --> 00:45:51,960
Speaker 1: co directed it with Alex Garland, who last year did

1033
00:45:52,000 --> 00:45:54,640
Speaker 1: Civil War, which is another A twenty four movie that

1034
00:45:54,760 --> 00:45:58,080
Speaker 1: I also loved. And I think the reason I enjoy

1035
00:45:58,120 --> 00:46:01,560
Speaker 1: a war movie like this is because it takes away

1036
00:46:01,719 --> 00:46:04,919
Speaker 1: the glitz and the glamour of Hollywood and just gives

1037
00:46:05,000 --> 00:46:07,960
Speaker 1: you the story. When you watch this trailer, you feel

1038
00:46:08,000 --> 00:46:11,799
Speaker 1: that there's not a whole lot of music whatsoever, very

1039
00:46:11,880 --> 00:46:16,600
Speaker 1: little score. What you hear and what you see is gunfire,

1040
00:46:17,080 --> 00:46:20,680
Speaker 1: you see planes flying through the sky, you see explosions.

1041
00:46:21,080 --> 00:46:23,960
Speaker 1: You feel it. But it allows me to place it

1042
00:46:24,080 --> 00:46:28,759
Speaker 1: into real world terms and see somebody who could be

1043
00:46:28,840 --> 00:46:32,400
Speaker 1: my neighbor, who could be a relative, in that moment,

1044
00:46:32,560 --> 00:46:36,200
Speaker 1: in that scene. So the reason I feel conflicted in

1045
00:46:36,239 --> 00:46:39,960
Speaker 1: saying that is because I imagine making a movie like

1046
00:46:40,000 --> 00:46:44,120
Speaker 1: this is really tough for Raymondoza, who lived it. I

1047
00:46:44,160 --> 00:46:46,680
Speaker 1: think he wanted to make this to show people like

1048
00:46:46,800 --> 00:46:49,520
Speaker 1: me who don't have the guts to go to war,

1049
00:46:50,040 --> 00:46:53,400
Speaker 1: what it's actually like, because I think we don't know.

1050
00:46:53,840 --> 00:46:57,360
Speaker 1: We don't see it. We've had friends and family, husbands

1051
00:46:57,360 --> 00:46:59,720
Speaker 1: and wives go over there and fight for this country,

1052
00:47:00,480 --> 00:47:04,320
Speaker 1: but unless you're there experiencing it, you have no idea

1053
00:47:04,360 --> 00:47:06,800
Speaker 1: what it's really like. And I guess I feel bad

1054
00:47:06,840 --> 00:47:10,520
Speaker 1: in saying that I find entertainment value in it, but

1055
00:47:10,600 --> 00:47:13,799
Speaker 1: it's because I want to know what actually happened. I

1056
00:47:13,800 --> 00:47:16,959
Speaker 1: want to feel this so I can be even more

1057
00:47:17,040 --> 00:47:21,040
Speaker 1: appreciative of the people who have done this. I look

1058
00:47:21,080 --> 00:47:23,560
Speaker 1: at it even though it's not a documentary, it is

1059
00:47:23,680 --> 00:47:27,920
Speaker 1: a real life tale and depiction of what that life

1060
00:47:28,000 --> 00:47:31,440
Speaker 1: is like. So I applaud it for bringing that to

1061
00:47:31,560 --> 00:47:34,400
Speaker 1: light and sharing it with people and putting it in

1062
00:47:34,480 --> 00:47:37,560
Speaker 1: a form in a medium, in film, in art, in

1063
00:47:37,600 --> 00:47:40,600
Speaker 1: a way that we can accept and understand. So I

1064
00:47:40,600 --> 00:47:44,040
Speaker 1: think there is a major power in a war movie

1065
00:47:44,120 --> 00:47:47,000
Speaker 1: like this. Even just the title Warfare shows you this

1066
00:47:47,080 --> 00:47:49,560
Speaker 1: movie is gonna have a lot of grit to it.

1067
00:47:49,840 --> 00:47:52,680
Speaker 1: You feel it in this trailer, the moments where you

1068
00:47:52,680 --> 00:47:56,440
Speaker 1: see characters faces covered in blood, covered and dirt. The

1069
00:47:56,520 --> 00:48:00,080
Speaker 1: posters for this movie have been fantastic. So I just

1070
00:48:00,080 --> 00:48:01,680
Speaker 1: feel a little bit guilty and saying like, oh, I

1071
00:48:01,719 --> 00:48:03,839
Speaker 1: love a movie like this because I could just go

1072
00:48:03,920 --> 00:48:07,399
Speaker 1: to the theater, watch it and experience it and walk out.

1073
00:48:07,600 --> 00:48:10,120
Speaker 1: And I imagine for somebody who is a veteran in

1074
00:48:10,160 --> 00:48:13,279
Speaker 1: this country, this could even be a movie that it

1075
00:48:13,320 --> 00:48:15,440
Speaker 1: could be hard for you to go watch because just

1076
00:48:15,520 --> 00:48:17,400
Speaker 1: like we could just stroll in watch a movie like

1077
00:48:17,440 --> 00:48:21,759
Speaker 1: this and leave without any attachment, I imagine seeing that,

1078
00:48:22,040 --> 00:48:25,960
Speaker 1: hearing that, putting yourself back into that position to recount

1079
00:48:26,000 --> 00:48:29,280
Speaker 1: these things might not be the healthiest thing for some veterans.

1080
00:48:29,360 --> 00:48:33,160
Speaker 1: But I think it's the power of the film to

1081
00:48:33,200 --> 00:48:36,319
Speaker 1: share this story, to get it across to people who

1082
00:48:36,360 --> 00:48:39,080
Speaker 1: maybe don't know about some of these accounts. Is why

1083
00:48:39,120 --> 00:48:41,840
Speaker 1: a movie like this is important. But it's coming out

1084
00:48:41,880 --> 00:48:45,000
Speaker 1: in theaters on April eleventh. Want to talk more about

1085
00:48:45,000 --> 00:48:47,080
Speaker 1: it before I do. Here's just a little bit of

1086
00:48:47,120 --> 00:48:53,080
Speaker 1: the warfare trailer wing activity converging on your north and south.

1087
00:48:54,560 --> 00:48:56,640
Speaker 1: This is progmst six Romeo. We need a defact at

1088
00:48:56,640 --> 00:49:05,200
Speaker 1: our last known position. We have severely wounded. Got you

1089
00:49:05,320 --> 00:49:07,680
Speaker 1: one word marketing too coming to you or you coming

1090
00:49:07,719 --> 00:49:09,560
Speaker 1: to us? We'll let you know where we're inbound.

1091
00:49:10,040 --> 00:49:12,000
Speaker 2: There's a plant ea five minute doba.

1092
00:49:12,120 --> 00:49:14,279
Speaker 1: The scouts are gonna lead us out, and I'm bringing

1093
00:49:14,360 --> 00:49:15,200
Speaker 1: up the rear clap.

1094
00:49:15,280 --> 00:49:18,040
Speaker 2: Smoke smoke out. We are all.

1095
00:49:17,880 --> 00:49:21,759
Speaker 1: Coming back to this. So this movie follows a team

1096
00:49:21,800 --> 00:49:24,800
Speaker 1: of seals in the Iraq War, set in two thousand

1097
00:49:24,840 --> 00:49:28,560
Speaker 1: and six. The entire movie, as they say, unfolds in

1098
00:49:28,600 --> 00:49:31,520
Speaker 1: real time, which I have to imagine was probably a

1099
00:49:31,560 --> 00:49:33,520
Speaker 1: hard thing to do. You can kind of get a

1100
00:49:33,560 --> 00:49:36,600
Speaker 1: sense of how you're gonna feel as the viewer dropped

1101
00:49:36,600 --> 00:49:39,239
Speaker 1: into this situation, which I think is gonna invoke a

1102
00:49:39,280 --> 00:49:42,480
Speaker 1: lot of anxiety, But that ability to put you there

1103
00:49:42,480 --> 00:49:45,000
Speaker 1: and make you feel it is already when I'm getting

1104
00:49:45,040 --> 00:49:47,600
Speaker 1: across in this trailer, So it looks like it's all

1105
00:49:47,640 --> 00:49:50,759
Speaker 1: gonna take place in one day from the memories of

1106
00:49:50,880 --> 00:49:53,799
Speaker 1: actual American service members who fought their way out of

1107
00:49:53,800 --> 00:49:58,040
Speaker 1: an insurgent attack. Like I mentioned earlier, Raymondoza is the

1108
00:49:58,080 --> 00:50:01,080
Speaker 1: writer of this movie. He co directed it with Alex Garland.

1109
00:50:01,400 --> 00:50:04,560
Speaker 1: Mendoza is a former US Navy seal. He served in

1110
00:50:04,600 --> 00:50:07,680
Speaker 1: the Iraq War, and the movie is following his accounts

1111
00:50:07,719 --> 00:50:10,240
Speaker 1: of what happened that day. I have to imagine writing

1112
00:50:10,280 --> 00:50:14,560
Speaker 1: that and then directing somebody to play you has to

1113
00:50:14,600 --> 00:50:18,000
Speaker 1: feel like quite the euphoric experience, and having to put

1114
00:50:18,040 --> 00:50:21,040
Speaker 1: yourself back into that day over and over while filming,

1115
00:50:21,400 --> 00:50:24,040
Speaker 1: I have to imagine was quite taxing. I can only

1116
00:50:24,080 --> 00:50:28,120
Speaker 1: imagine leaving the set and just being completely drained on

1117
00:50:28,160 --> 00:50:31,160
Speaker 1: some of these days where you're having to relive some

1118
00:50:31,239 --> 00:50:34,400
Speaker 1: of the most vicious memories you have in your life

1119
00:50:34,400 --> 00:50:36,520
Speaker 1: and one of the hardest days. Because by the looks

1120
00:50:36,520 --> 00:50:38,040
Speaker 1: of this trailer, it looks like it's going to get

1121
00:50:38,040 --> 00:50:40,000
Speaker 1: pretty intense. The thing that always gets me about a

1122
00:50:40,000 --> 00:50:43,279
Speaker 1: movie like this is the scenes where it shows everybody

1123
00:50:43,360 --> 00:50:46,120
Speaker 1: hanging out having a good time, and they do this

1124
00:50:46,160 --> 00:50:48,440
Speaker 1: at the end of the trailer, and then it cuts

1125
00:50:48,480 --> 00:50:52,160
Speaker 1: it in between shots of them going through probably one

1126
00:50:52,200 --> 00:50:55,360
Speaker 1: of the worst days of their life, where people are wounded,

1127
00:50:55,400 --> 00:50:58,000
Speaker 1: people are bloody, they have people shooting at them. But

1128
00:50:58,080 --> 00:51:00,960
Speaker 1: it keeps going back and forth between all them having

1129
00:51:01,000 --> 00:51:03,760
Speaker 1: a good time and knowing that some of them aren't

1130
00:51:03,800 --> 00:51:06,120
Speaker 1: going to make it. That moment hit me, and this

1131
00:51:06,160 --> 00:51:09,440
Speaker 1: trailer alone, that moment hit me, that idea, that theme

1132
00:51:09,520 --> 00:51:14,000
Speaker 1: came across of how much, for granted, we take just

1133
00:51:14,120 --> 00:51:17,799
Speaker 1: everyday life and having a job where you don't know

1134
00:51:17,880 --> 00:51:20,000
Speaker 1: what is going to happen on a day to day basis,

1135
00:51:20,040 --> 00:51:22,799
Speaker 1: you're going into some of the most hostile environments. I

1136
00:51:22,840 --> 00:51:26,239
Speaker 1: can only imagine looking back on a movie like this

1137
00:51:26,560 --> 00:51:29,319
Speaker 1: about your life and seeing those good moments where you

1138
00:51:29,320 --> 00:51:33,279
Speaker 1: were bonding and at times having to find joy in

1139
00:51:33,320 --> 00:51:36,560
Speaker 1: a situation where there really is not any where. There

1140
00:51:36,600 --> 00:51:38,880
Speaker 1: are no colors in the world. It's all just black

1141
00:51:38,920 --> 00:51:42,759
Speaker 1: and white and just awful. But forming a bond with

1142
00:51:42,840 --> 00:51:46,080
Speaker 1: these people that you're having to work with every day

1143
00:51:46,239 --> 00:51:48,200
Speaker 1: and have to watch each other's back. So you see

1144
00:51:48,239 --> 00:51:51,720
Speaker 1: that scene of them all happy, having a good time

1145
00:51:51,920 --> 00:51:55,279
Speaker 1: and then just going through it. Will Poulter is in

1146
00:51:55,320 --> 00:51:57,760
Speaker 1: this movie, who maybe you know from where the miller's

1147
00:51:58,200 --> 00:52:00,520
Speaker 1: You also have Joseph Quinn, who has has been in

1148
00:52:00,600 --> 00:52:03,880
Speaker 1: a lot of movies lately Send Stranger Things, and I

1149
00:52:03,920 --> 00:52:06,080
Speaker 1: feel like he's one of those actors who's kind of

1150
00:52:06,080 --> 00:52:10,600
Speaker 1: being forced upon us right now. Every five years or so,

1151
00:52:10,719 --> 00:52:14,440
Speaker 1: Hollywood really doubles down on a couple of actors and

1152
00:52:14,560 --> 00:52:18,000
Speaker 1: puts them in everything and says, Okay, we're gonna make

1153
00:52:18,040 --> 00:52:21,400
Speaker 1: these people work. We're gonna put them in everything, and

1154
00:52:21,440 --> 00:52:23,759
Speaker 1: it's up to us as an audience whether they're gonna

1155
00:52:23,760 --> 00:52:26,239
Speaker 1: stick or not do we accept them. I think right

1156
00:52:26,280 --> 00:52:28,480
Speaker 1: now it's working out for Joseph Quinn. He's gonna be

1157
00:52:28,480 --> 00:52:30,960
Speaker 1: in this movie, he's gonna be in the Fantastic Four movie.

1158
00:52:31,480 --> 00:52:35,160
Speaker 1: He was just a gladiator too. He was also in

1159
00:52:35,200 --> 00:52:38,279
Speaker 1: the Quiet Place prequel, So I think he's getting there

1160
00:52:38,600 --> 00:52:41,799
Speaker 1: as far as being validated by audiences, because sometimes they

1161
00:52:41,840 --> 00:52:44,839
Speaker 1: just keep forcing people down our throats and we never

1162
00:52:44,880 --> 00:52:47,239
Speaker 1: accept them and they never really click and they never

1163
00:52:47,280 --> 00:52:50,160
Speaker 1: really last. And there's always those movies you look back

1164
00:52:50,160 --> 00:52:52,160
Speaker 1: on like John Carter, like man, they really try to

1165
00:52:52,160 --> 00:52:54,879
Speaker 1: make that guy happen just didn't work. I think, above all,

1166
00:52:54,960 --> 00:52:58,600
Speaker 1: I am just really fascinated with Raymond Doozes, who after

1167
00:52:58,640 --> 00:53:01,480
Speaker 1: he got out of the military, he did serve as

1168
00:53:01,520 --> 00:53:05,279
Speaker 1: an advisor in Hollywood to present a more accurate portrayal

1169
00:53:05,360 --> 00:53:08,120
Speaker 1: of the military on movies like Loan Survivor. He also

1170
00:53:08,160 --> 00:53:10,400
Speaker 1: did the series The Terminal List, where he was an

1171
00:53:10,400 --> 00:53:13,440
Speaker 1: advisor as well, and I think it's important for TV

1172
00:53:13,520 --> 00:53:15,919
Speaker 1: shows and movies like that to feel authentic. But now

1173
00:53:16,000 --> 00:53:18,120
Speaker 1: for him to be able to tell his own story

1174
00:53:18,320 --> 00:53:20,919
Speaker 1: of this battle that happened in two thousand and six,

1175
00:53:21,160 --> 00:53:22,840
Speaker 1: I think it's a way for him to bring everything

1176
00:53:22,840 --> 00:53:25,680
Speaker 1: full circle. And I'm also curious to see how a

1177
00:53:25,800 --> 00:53:28,960
Speaker 1: movie like this pans out for a twenty four who

1178
00:53:29,160 --> 00:53:32,839
Speaker 1: put in a lot of money in marketing into Civil War.

1179
00:53:32,920 --> 00:53:35,479
Speaker 1: Last year, they spent fifty million dollars to make that movie.

1180
00:53:35,520 --> 00:53:38,280
Speaker 1: I think another twenty five million dollars to market that movie.

1181
00:53:38,520 --> 00:53:40,640
Speaker 1: The movie ended up making over one hundred and twenty

1182
00:53:40,719 --> 00:53:44,680
Speaker 1: six million dollars worldwide, so one of their biggest successes

1183
00:53:44,760 --> 00:53:47,799
Speaker 1: so far. And I don't really consider them to be

1184
00:53:47,960 --> 00:53:50,919
Speaker 1: that small of a studio anymore, because they are getting

1185
00:53:51,000 --> 00:53:52,920
Speaker 1: up there and starting to play in the big leagues,

1186
00:53:53,239 --> 00:53:56,680
Speaker 1: focusing on movies like this that have a bit of

1187
00:53:56,719 --> 00:53:59,759
Speaker 1: a wider appeal. They'll always put out their little more

1188
00:53:59,800 --> 00:54:02,960
Speaker 1: in dependent style, just what you come to expect from

1189
00:54:03,000 --> 00:54:05,240
Speaker 1: A twenty four, but I like that they are putting

1190
00:54:05,239 --> 00:54:08,520
Speaker 1: out more movies like this that have that same authentic

1191
00:54:08,719 --> 00:54:12,000
Speaker 1: feel that you can't really get in every single big

1192
00:54:12,040 --> 00:54:15,920
Speaker 1: budget Hollywood movie. So it still feels very A twenty four,

1193
00:54:16,440 --> 00:54:19,760
Speaker 1: but also feels like something that my parents could go watch.

1194
00:54:19,800 --> 00:54:22,840
Speaker 1: They're not watching your typical every A twenty four movie,

1195
00:54:23,200 --> 00:54:24,719
Speaker 1: but I think a movie like this they would be

1196
00:54:24,760 --> 00:54:26,879
Speaker 1: more interested in watching. So I don't know if they're

1197
00:54:26,880 --> 00:54:29,680
Speaker 1: going to go as heavily on the marketing for warfare

1198
00:54:29,760 --> 00:54:32,239
Speaker 1: that they did with Civil War, but I think if

1199
00:54:32,280 --> 00:54:35,640
Speaker 1: they do, I honestly think this movie could do better

1200
00:54:35,760 --> 00:54:39,600
Speaker 1: at the box office, because while I enjoyed Civil War,

1201
00:54:39,760 --> 00:54:42,520
Speaker 1: I feel like the marketing kind of painted that movie

1202
00:54:42,600 --> 00:54:45,120
Speaker 1: in a different light. What we ended up getting was

1203
00:54:45,200 --> 00:54:48,360
Speaker 1: more a story of war journalism and some of the

1204
00:54:48,400 --> 00:54:51,360
Speaker 1: moral dilemmas that arise from that. This one feels like

1205
00:54:51,400 --> 00:54:55,840
Speaker 1: a much more realistic movie actually focused on well the warfare,

1206
00:54:55,880 --> 00:54:58,000
Speaker 1: which is what it's called. But again it's coming out

1207
00:54:58,000 --> 00:54:58,600
Speaker 1: in theaters.

1208
00:54:58,640 --> 00:55:02,279
Speaker 3: On April eleventh, said that Bar is this week's edition

1209
00:55:02,480 --> 00:55:03,440
Speaker 3: of movie by.

1210
00:55:03,880 --> 00:55:06,000
Speaker 1: Framer Bar and that is going to do it for

1211
00:55:06,040 --> 00:55:08,600
Speaker 1: another episode here of the podcast. But before I go,

1212
00:55:08,680 --> 00:55:11,000
Speaker 1: I gotta give my listeners shout out of the week.

1213
00:55:11,239 --> 00:55:13,719
Speaker 1: This week, I'm going over to Instagram. I got a

1214
00:55:13,800 --> 00:55:16,600
Speaker 1: DM from Rachel Mason who said, have you watched the

1215
00:55:16,640 --> 00:55:19,719
Speaker 1: movie Amber Alert from twenty twenty four with Hayden Penetier.

1216
00:55:19,840 --> 00:55:22,200
Speaker 1: I don't know why, but I immediately thought of you,

1217
00:55:22,520 --> 00:55:25,080
Speaker 1: but in my opinion, it was really great four point

1218
00:55:25,120 --> 00:55:27,960
Speaker 1: five out of five ride shares. If you've seen it,

1219
00:55:28,080 --> 00:55:31,359
Speaker 1: I'd love to know your thoughts, Rachel. Not only did

1220
00:55:31,400 --> 00:55:35,440
Speaker 1: I watch Amber Alert, I also interviewed the director and

1221
00:55:35,560 --> 00:55:38,680
Speaker 1: producer who our husband and wife on this podcast on

1222
00:55:38,719 --> 00:55:41,360
Speaker 1: an episode back in September when it came out. So

1223
00:55:41,400 --> 00:55:43,680
Speaker 1: I'm glad you said that because maybe some other people

1224
00:55:43,719 --> 00:55:46,560
Speaker 1: have missed episodes here and there, but that one was

1225
00:55:46,600 --> 00:55:49,520
Speaker 1: one I really enjoyed. If you want to find that episode,

1226
00:55:49,520 --> 00:55:52,200
Speaker 1: you can just google movie Mike Amber Alert. And the

1227
00:55:52,239 --> 00:55:54,560
Speaker 1: wild thing about AI now is that gives you that

1228
00:55:54,640 --> 00:55:58,160
Speaker 1: overview when you google something and they have everything detail

1229
00:55:58,239 --> 00:56:00,960
Speaker 1: about what went down in this interview. Here's the overview,

1230
00:56:00,960 --> 00:56:03,759
Speaker 1: it says. Mike Distro interviewed Carrie in Summer Blessa, the

1231
00:56:03,800 --> 00:56:07,600
Speaker 1: director and producer of the twenty twenty four Amberlert movie,

1232
00:56:07,640 --> 00:56:10,759
Speaker 1: on his podcast movie Mike's Movie Podcast. The movie is

1233
00:56:10,800 --> 00:56:14,440
Speaker 1: about two people who spot a kidnappers car after receiving

1234
00:56:14,440 --> 00:56:18,400
Speaker 1: an Amberler on their phones. What's in the interview? Ai

1235
00:56:18,560 --> 00:56:21,200
Speaker 1: asks how the movie came to be, including the inspiration

1236
00:56:21,280 --> 00:56:24,239
Speaker 1: from seeing an Amberler on the highway, the challenges of

1237
00:56:24,320 --> 00:56:26,760
Speaker 1: working together as a husband and wife, and the hopes

1238
00:56:26,800 --> 00:56:30,120
Speaker 1: that this movie will start a conversation. AI out here

1239
00:56:30,160 --> 00:56:33,160
Speaker 1: doing a bunch for a small podcaster like me. It's

1240
00:56:33,200 --> 00:56:35,279
Speaker 1: the work of an intern right there. I don't have

1241
00:56:35,280 --> 00:56:38,720
Speaker 1: any interns. It's all me recording and writing this entire podcast.

1242
00:56:38,719 --> 00:56:41,600
Speaker 1: So I appreciate that. But if you do want to

1243
00:56:41,640 --> 00:56:43,319
Speaker 1: listen to that episode, all you have to do is

1244
00:56:43,360 --> 00:56:46,560
Speaker 1: google movie Mike Amberler. It shows up before you're right

1245
00:56:46,560 --> 00:56:51,040
Speaker 1: there with that overview, click it on iHeartRadio, on Apple Podcasts, Spotify,

1246
00:56:51,080 --> 00:56:55,320
Speaker 1: wherever you listen to podcasts. So I appreciate that message. Rachel.

1247
00:56:55,400 --> 00:56:57,520
Speaker 1: I'm sure you watch that movie on Hulu because it

1248
00:56:57,560 --> 00:57:00,120
Speaker 1: did get added rather recently. So if you want to

1249
00:57:00,120 --> 00:57:02,640
Speaker 1: go watch that, check it out on Hulu, check out

1250
00:57:02,640 --> 00:57:05,480
Speaker 1: the interview. Thank you for listening, thank you for being subscribed,

1251
00:57:05,760 --> 00:57:09,000
Speaker 1: and until next time, go out and watch good movies

1252
00:57:09,040 --> 00:57:10,919
Speaker 1: and I will talk to you later