1 00:00:04,240 --> 00:00:07,040 Speaker 1: Well on Buzz's Night, the host of the Taking a 2 00:00:07,120 --> 00:00:14,000 Speaker 1: Walk podcast and you can find us on Apple Podcasts, Spotify, iHeart, 3 00:00:14,120 --> 00:00:16,880 Speaker 1: or wherever you get your podcast. And if you like 4 00:00:16,960 --> 00:00:21,160 Speaker 1: the podcast, please share this with your friends, your relatives, 5 00:00:21,520 --> 00:00:22,520 Speaker 1: share it with the world. 6 00:00:22,760 --> 00:00:24,280 Speaker 2: We want to take a look at. 7 00:00:24,200 --> 00:00:28,600 Speaker 1: Music history for the week of November the eighteenth, and 8 00:00:28,680 --> 00:00:32,040 Speaker 1: for that I want to turn to the Taking a 9 00:00:32,120 --> 00:00:35,200 Speaker 1: Walk Music History Desk to a dear friend of mine, 10 00:00:35,240 --> 00:00:39,120 Speaker 1: a partner in crime, a co conspirator for a long time, 11 00:00:39,720 --> 00:00:40,599 Speaker 1: Harry Jacobs. 12 00:00:40,680 --> 00:00:43,559 Speaker 2: We have a long history going back to our days. 13 00:00:44,080 --> 00:00:48,000 Speaker 1: At w ZX in Boston and maybe even before that 14 00:00:48,120 --> 00:00:51,280 Speaker 1: period in time. Harry is the host of a new 15 00:00:51,400 --> 00:00:55,800 Speaker 1: podcast called The Rachel Cancer Scam. But I want to 16 00:00:55,840 --> 00:00:59,200 Speaker 1: take it over to Harry at the Taking a Walk 17 00:00:59,280 --> 00:01:02,360 Speaker 1: Music History ask for a look at the week. 18 00:01:02,520 --> 00:01:05,360 Speaker 2: Harry, Nice to see you. Well, it's a pleasure to 19 00:01:05,400 --> 00:01:06,120 Speaker 2: see you as well. 20 00:01:06,160 --> 00:01:08,400 Speaker 3: And it's funny because I feel like I've heard a 21 00:01:08,440 --> 00:01:10,199 Speaker 3: lot here I'm taking a Walk. 22 00:01:10,560 --> 00:01:11,000 Speaker 2: That's right. 23 00:01:11,200 --> 00:01:14,200 Speaker 1: Well, you're the opening announcer that you give a little, 24 00:01:15,040 --> 00:01:17,280 Speaker 1: you know, preview of what folks are going to hear, 25 00:01:17,480 --> 00:01:20,240 Speaker 1: and then there is also a little you know, taking 26 00:01:20,280 --> 00:01:24,039 Speaker 1: a Walk theme. In fact, it's your music, So why 27 00:01:24,040 --> 00:01:27,520 Speaker 1: don't you give a few riffs of the theme there, Harry. 28 00:01:31,959 --> 00:01:35,640 Speaker 3: Welcome to this episode of Taking a Walk where your 29 00:01:35,640 --> 00:01:38,640 Speaker 3: host Plus Night speaks to Harry Jacobs. 30 00:01:38,760 --> 00:01:40,959 Speaker 2: There you go, I love it. Listen. 31 00:01:41,000 --> 00:01:44,200 Speaker 3: We're both music nuts, right, That's why we're here. That's 32 00:01:44,280 --> 00:01:48,080 Speaker 3: why you started this and that's why I'm along for 33 00:01:48,120 --> 00:01:50,760 Speaker 3: the ride. And one of the things that's joined us 34 00:01:50,760 --> 00:01:54,960 Speaker 3: in our friendship is the mutual love of music. 35 00:01:55,040 --> 00:01:58,280 Speaker 1: I know every week has its twists and turns in 36 00:01:58,360 --> 00:02:03,800 Speaker 1: terms of music histories. So what happened on this particular week, 37 00:02:03,920 --> 00:02:06,320 Speaker 1: the week of November eighteenth. 38 00:02:06,680 --> 00:02:12,280 Speaker 3: This is an interesting week for music when you think 39 00:02:12,280 --> 00:02:15,040 Speaker 3: about I mean, there's so much opportunity for us to 40 00:02:15,960 --> 00:02:20,440 Speaker 3: talk every single week. In nineteen ninety four, the Stones 41 00:02:21,240 --> 00:02:25,359 Speaker 3: actually became the first band to live stream a concert. 42 00:02:25,639 --> 00:02:28,800 Speaker 3: Nirvana was on MTV Unplugged in New York. And this 43 00:02:28,880 --> 00:02:31,200 Speaker 3: week in nineteen ninety three, this is the week that 44 00:02:31,240 --> 00:02:33,480 Speaker 3: the Beatles released the White Album in the UK. 45 00:02:33,880 --> 00:02:36,119 Speaker 2: I would imagine in any week. 46 00:02:35,919 --> 00:02:38,120 Speaker 3: That we choose to do this, there's going to be 47 00:02:38,160 --> 00:02:39,440 Speaker 3: some sort of Beatles news. 48 00:02:40,080 --> 00:02:42,720 Speaker 1: Oh, without a doubt from the week, Oh yeah, from 49 00:02:42,760 --> 00:02:45,680 Speaker 1: Minutia to Big News, no doubt. 50 00:02:45,760 --> 00:02:49,519 Speaker 3: Yeah, and that White album, I mean was just a historic, 51 00:02:50,000 --> 00:02:53,600 Speaker 3: you know, double album, and it meant so much, as 52 00:02:53,600 --> 00:02:54,880 Speaker 3: so much of their music does to. 53 00:02:54,840 --> 00:02:55,320 Speaker 2: All of us. 54 00:02:55,560 --> 00:03:00,400 Speaker 1: Going back to the Stones, Harry, the Stones broke some 55 00:03:00,520 --> 00:03:05,040 Speaker 1: ground years before that when they were the first band 56 00:03:05,160 --> 00:03:09,120 Speaker 1: that I think I knew of that had that sponsorship. 57 00:03:09,160 --> 00:03:13,880 Speaker 1: Remember Joe Vaughn was the sponsor of the Stones tour. 58 00:03:14,360 --> 00:03:17,880 Speaker 1: People went nuts. They couldn't understand why the Stones sold out. 59 00:03:18,000 --> 00:03:21,920 Speaker 1: And now, come on, it's commonplace for bands to be sponsored. 60 00:03:22,320 --> 00:03:24,519 Speaker 3: You know, these guys when you look when you look 61 00:03:24,560 --> 00:03:29,160 Speaker 3: at at guys that run bands, that do it really well. 62 00:03:29,200 --> 00:03:33,320 Speaker 3: And you got Mick Jagger, who you know has an 63 00:03:33,400 --> 00:03:36,520 Speaker 3: unbelievable brain on him. You look at Gene Simmons from Kiss. 64 00:03:36,560 --> 00:03:39,920 Speaker 3: You look at these guys that looked at their brands, 65 00:03:40,480 --> 00:03:42,040 Speaker 3: their bands as brands. 66 00:03:42,160 --> 00:03:45,480 Speaker 2: And Jagger did that with Joe Vn, he did that. 67 00:03:46,360 --> 00:03:50,200 Speaker 3: You know, Hey, they embraced disco when it wasn't popular 68 00:03:50,320 --> 00:03:53,640 Speaker 3: for stations like the ones you and I worked for 69 00:03:53,880 --> 00:03:56,440 Speaker 3: to be playing disco. But you think about you know, 70 00:03:56,840 --> 00:04:01,720 Speaker 3: nineteen seventy eight for some girls and they wrapped their 71 00:04:01,800 --> 00:04:04,600 Speaker 3: arms around something that wasn't a popular thing for rock 72 00:04:04,680 --> 00:04:05,680 Speaker 3: bands at that point. 73 00:04:06,000 --> 00:04:09,040 Speaker 2: Think about that, Yeah, Trailblazers to this day. 74 00:04:09,680 --> 00:04:12,080 Speaker 3: In nineteen ninety four, Paul was part of the Bob 75 00:04:12,160 --> 00:04:15,360 Speaker 3: Geldoff band Aid project. Do they know It's a Christmas Time? 76 00:04:15,400 --> 00:04:18,280 Speaker 3: Along with it just a slew of huge artists at 77 00:04:18,320 --> 00:04:20,280 Speaker 3: the time, But Paul was a big part of that. 78 00:04:20,560 --> 00:04:23,200 Speaker 2: Yeah, I had forgotten his role there. 79 00:04:23,279 --> 00:04:27,279 Speaker 1: I remember the song and obviously the mission of why 80 00:04:27,320 --> 00:04:30,960 Speaker 1: the song came out, but I had forgotten McCartney's role 81 00:04:31,000 --> 00:04:34,760 Speaker 1: in it for some reason. The guy is a genius 82 00:04:34,800 --> 00:04:39,360 Speaker 1: of our time. But sure, you know, obviously most respected 83 00:04:39,400 --> 00:04:43,360 Speaker 1: for his catalog rather than the new music he creates. 84 00:04:43,400 --> 00:04:46,479 Speaker 1: Don't you find that a little sad in that regard? 85 00:04:47,240 --> 00:04:50,240 Speaker 3: I do, you know, especially when you look at what 86 00:04:50,360 --> 00:04:52,760 Speaker 3: they're doing. You know, we have such little patients these 87 00:04:52,839 --> 00:04:55,960 Speaker 3: days for what people put out for new music. But 88 00:04:56,000 --> 00:04:59,239 Speaker 3: when you listen to what guys like McCartney are putting 89 00:04:59,240 --> 00:05:03,240 Speaker 3: out now, how holds eighty eighty or eighty one years old? 90 00:05:03,320 --> 00:05:05,719 Speaker 2: Yeah, boy, he's putting out magnificent music. 91 00:05:05,920 --> 00:05:09,279 Speaker 3: And it also shouldn't be lost on anyone that has 92 00:05:09,279 --> 00:05:13,359 Speaker 3: an appreciation for music that McCartney's a guy that plays guitar, 93 00:05:13,960 --> 00:05:16,960 Speaker 3: plays bass, he plays piano, he plays drums, or have 94 00:05:17,040 --> 00:05:20,560 Speaker 3: been a number of his projects where he's played everything. 95 00:05:20,839 --> 00:05:25,840 Speaker 3: He listened we love Ringo, but he helped Ringo, you know, 96 00:05:25,920 --> 00:05:28,640 Speaker 3: with his drumming, and Ringo's widely considered to be a 97 00:05:29,600 --> 00:05:32,600 Speaker 3: very good drummer. So he's a multi talented guy. 98 00:05:33,520 --> 00:05:36,720 Speaker 1: I just interviewed for a Future taking a walk to 99 00:05:37,279 --> 00:05:45,360 Speaker 1: photographer and filmmaker, producer, musician even Lynn Goldsmith, who just 100 00:05:45,400 --> 00:05:48,880 Speaker 1: wrote this new book about or Patty Smith. Actually her 101 00:05:48,920 --> 00:05:53,400 Speaker 1: photographs make up this book on Patty Smith. And we 102 00:05:53,400 --> 00:05:57,240 Speaker 1: were talking because she saw in the background the. 103 00:05:56,520 --> 00:05:57,520 Speaker 2: Photos back there. 104 00:05:57,600 --> 00:06:03,200 Speaker 1: One of them is a picture of McCartney's well actually 105 00:06:03,200 --> 00:06:06,240 Speaker 1: it's a cover of the Beatles albums, you know, signed 106 00:06:06,240 --> 00:06:10,320 Speaker 1: by McCartney. And I knew Lynn came from the camp 107 00:06:10,400 --> 00:06:14,960 Speaker 1: of Rolling Stones rather than Beatles, you know, because there 108 00:06:14,960 --> 00:06:18,240 Speaker 1: were those camps. But she said something interesting, she said, 109 00:06:18,240 --> 00:06:21,760 Speaker 1: you know, I have to just really after watching the 110 00:06:22,720 --> 00:06:25,799 Speaker 1: most recent documentary on the Beatles, I have to really 111 00:06:25,800 --> 00:06:29,720 Speaker 1: give Paul the props because he didn't do this real 112 00:06:29,800 --> 00:06:32,400 Speaker 1: pile on to John about the whole Yoko thing. 113 00:06:32,480 --> 00:06:36,120 Speaker 2: He kind of, you know, came around to it by saying. 114 00:06:35,800 --> 00:06:39,080 Speaker 1: Look, that's that's his choice of the person that he loves, 115 00:06:39,160 --> 00:06:42,880 Speaker 1: and far be it from me to kind of single 116 00:06:42,960 --> 00:06:43,680 Speaker 1: her out. 117 00:06:43,640 --> 00:06:46,200 Speaker 2: For, you know, breaking up the Beatles or whatever. 118 00:06:46,360 --> 00:06:51,240 Speaker 1: So in Lynn's view, Paul was elevated even further because 119 00:06:51,279 --> 00:06:54,080 Speaker 1: of that sort of classy response to all that. 120 00:06:54,480 --> 00:06:55,480 Speaker 2: I love that response. 121 00:06:55,520 --> 00:06:58,279 Speaker 3: But my you know, my question for Paul would be, 122 00:06:59,560 --> 00:07:01,640 Speaker 3: that's great that you say that now, and it's wonderful, 123 00:07:01,640 --> 00:07:02,600 Speaker 3: and it's. 124 00:07:02,560 --> 00:07:05,640 Speaker 2: You know, it's you know, all you need is love, right, 125 00:07:05,839 --> 00:07:08,520 Speaker 2: it's noble. It's noble right at this moment. 126 00:07:08,880 --> 00:07:13,560 Speaker 3: But how did he feel in nineteen sixty eight, in 127 00:07:13,640 --> 00:07:17,000 Speaker 3: nineteen sixty nine when that was going on, and she, 128 00:07:18,720 --> 00:07:22,440 Speaker 3: you know, inserted herself into their process. 129 00:07:23,040 --> 00:07:25,520 Speaker 1: She was there in the midst of it all, just 130 00:07:25,720 --> 00:07:29,000 Speaker 1: there now, you know, she was kind of observing. It 131 00:07:29,040 --> 00:07:31,880 Speaker 1: was a little odd how she was just observing. But yeah, 132 00:07:31,960 --> 00:07:33,440 Speaker 1: you're you make a good point. 133 00:07:33,480 --> 00:07:36,080 Speaker 3: I guess to your point of you know Stones or 134 00:07:37,040 --> 00:07:40,840 Speaker 3: or Beatles, did you? I know you're a huge fan 135 00:07:40,880 --> 00:07:43,760 Speaker 3: of both, but I would imagine that that you were 136 00:07:43,880 --> 00:07:46,960 Speaker 3: more in the Beatles camp, knowing what I know about 137 00:07:46,960 --> 00:07:49,680 Speaker 3: you and what you know, what a nut you are 138 00:07:49,920 --> 00:07:52,680 Speaker 3: for the Beatles, and what a big deal their music 139 00:07:52,880 --> 00:07:54,480 Speaker 3: has always been for you. 140 00:07:54,800 --> 00:07:59,880 Speaker 1: At first I was the Beatles camp, no doubt, you know, 141 00:08:00,560 --> 00:08:04,040 Speaker 1: getting everything new that came out as soon as I 142 00:08:04,080 --> 00:08:07,280 Speaker 1: could get it days before it was officially available, that 143 00:08:07,400 --> 00:08:10,000 Speaker 1: kind of thing. So yes, at first I was in 144 00:08:10,040 --> 00:08:14,200 Speaker 1: that Beatles camp. But after then seeing the Stones for 145 00:08:14,240 --> 00:08:17,920 Speaker 1: the first time, then I was like, Okay, I'm not 146 00:08:18,000 --> 00:08:19,560 Speaker 1: really siding with camps. 147 00:08:19,680 --> 00:08:23,240 Speaker 2: I love both these bands. You know so much, you know. 148 00:08:23,640 --> 00:08:25,480 Speaker 3: And when the music comes out, you know, you and 149 00:08:25,480 --> 00:08:30,160 Speaker 3: I were together in I guess nineteen ninety five when 150 00:08:30,200 --> 00:08:33,840 Speaker 3: the anthology stuff came out, so the first couple events. 151 00:08:33,880 --> 00:08:36,440 Speaker 3: I think there were three of those, but maybe the 152 00:08:36,440 --> 00:08:39,040 Speaker 3: first two had come out, and it was a huge 153 00:08:39,200 --> 00:08:41,800 Speaker 3: deal for you. I remember looking at you as the 154 00:08:42,360 --> 00:08:45,920 Speaker 3: as the merchandise came into the to the radio station. 155 00:08:46,480 --> 00:08:48,599 Speaker 3: They sent pins and they sent little you know, we 156 00:08:48,679 --> 00:08:51,120 Speaker 3: call them Chatsky's right that it's an all I think 157 00:08:51,120 --> 00:08:54,320 Speaker 3: it's a Yiddish expression, but they sent you know. I 158 00:08:54,360 --> 00:08:56,839 Speaker 3: still have the pins that they that they sent out 159 00:08:56,880 --> 00:08:58,120 Speaker 3: that you that you gave me. 160 00:08:58,559 --> 00:09:02,280 Speaker 2: I came along with it, but looking at you is 161 00:09:02,320 --> 00:09:03,800 Speaker 2: a memory I'll have forever. 162 00:09:04,280 --> 00:09:07,840 Speaker 3: When those anthologies came out because of how important that 163 00:09:08,000 --> 00:09:11,160 Speaker 3: music was, and then how engrossed you became. 164 00:09:11,600 --> 00:09:13,840 Speaker 2: I remember talking to you a day later or two. 165 00:09:13,760 --> 00:09:16,400 Speaker 3: Days later after we had the music, and you asked 166 00:09:16,400 --> 00:09:18,920 Speaker 3: me what I listened to and listened for. And I 167 00:09:19,040 --> 00:09:21,720 Speaker 3: wasn't that kind of Beatles nut at that point, but 168 00:09:21,800 --> 00:09:23,319 Speaker 3: you were listening, you know, the outtakes. 169 00:09:23,400 --> 00:09:27,640 Speaker 2: Everything meant something to you. It was incredible to see that. Yeah, 170 00:09:27,679 --> 00:09:30,200 Speaker 2: we dissected it to death, you know. 171 00:09:30,400 --> 00:09:33,440 Speaker 1: Yeah, and it was a good way, you know, and 172 00:09:34,480 --> 00:09:37,600 Speaker 1: you know, the Beatles estate, you know, really had a 173 00:09:37,640 --> 00:09:41,440 Speaker 1: sense on how to keep pumping stuff out, to keep 174 00:09:41,480 --> 00:09:44,880 Speaker 1: it you know, vital, you know, for quite some time. 175 00:09:45,120 --> 00:09:45,320 Speaker 2: You know. 176 00:09:45,520 --> 00:09:50,040 Speaker 3: Yeah, this is also an just kind of from a 177 00:09:50,080 --> 00:09:53,640 Speaker 3: pop culture perspective, and this expressed on everyone's mind. And 178 00:09:54,320 --> 00:09:56,920 Speaker 3: I'm guessing that we're going to release this, you know, 179 00:09:57,040 --> 00:09:59,600 Speaker 3: next week during this week, but this is the week 180 00:10:00,080 --> 00:10:04,680 Speaker 3: we record this. On November twenty second, that Mike Tyson 181 00:10:04,760 --> 00:10:08,680 Speaker 3: won the heavyweight championship of the world. 182 00:10:08,760 --> 00:10:11,679 Speaker 2: He was the youngest heavyweight champion and as. 183 00:10:11,480 --> 00:10:16,800 Speaker 3: We sit here right now, in two days, Mike Tyson 184 00:10:16,840 --> 00:10:21,080 Speaker 3: fights again for the first time at fifty eight years old. 185 00:10:21,080 --> 00:10:23,400 Speaker 3: He fights twenty seven year old Jake Paul and I 186 00:10:23,480 --> 00:10:26,160 Speaker 3: have been a Mike Tyson Nutt for as long as. 187 00:10:26,360 --> 00:10:30,160 Speaker 2: As I can recall. He gave me boxing lessons. He 188 00:10:30,200 --> 00:10:30,839 Speaker 2: did give me. 189 00:10:30,800 --> 00:10:34,040 Speaker 3: A boxing lesson, and I will never forget because I 190 00:10:34,440 --> 00:10:35,440 Speaker 3: in another year is term. 191 00:10:35,480 --> 00:10:38,200 Speaker 2: I hawked him for days. After I met him. 192 00:10:38,240 --> 00:10:40,920 Speaker 3: We did some work for him in his house and 193 00:10:40,960 --> 00:10:43,640 Speaker 3: I said, listen, I want your help. I'm a guy 194 00:10:43,640 --> 00:10:46,679 Speaker 3: who's been around martial arts and boxing for a long time. 195 00:10:46,960 --> 00:10:48,080 Speaker 2: And I said, I want your help. 196 00:10:48,200 --> 00:10:50,840 Speaker 3: Just watch me box, watch me stand up, watch my 197 00:10:50,920 --> 00:10:53,840 Speaker 3: hands and feet move. And I bothered him and I 198 00:10:53,920 --> 00:10:55,680 Speaker 3: bothered him, and then one day I got him in 199 00:10:55,720 --> 00:10:58,480 Speaker 3: his house alone and he came up to me. He's 200 00:10:58,600 --> 00:11:01,960 Speaker 3: very manic. He's really hot and happy or he's really low. 201 00:11:02,000 --> 00:11:04,679 Speaker 3: And one day when he was really high and happy, 202 00:11:04,960 --> 00:11:06,600 Speaker 3: he grabbed me by the arm and he pulled me 203 00:11:06,600 --> 00:11:08,680 Speaker 3: into his office and he said, stand up and show 204 00:11:08,720 --> 00:11:09,120 Speaker 3: me what. 205 00:11:09,040 --> 00:11:10,840 Speaker 2: You got and I'll never forget it. 206 00:11:10,920 --> 00:11:13,760 Speaker 3: And I put my hands up and he sat on 207 00:11:13,800 --> 00:11:16,440 Speaker 3: his chair and he said, you're not moving your feet. 208 00:11:16,480 --> 00:11:19,559 Speaker 3: You're gonna get killed. He said, but your hands look great. 209 00:11:19,800 --> 00:11:22,280 Speaker 3: He said, I'm surprised, and I said well, you never 210 00:11:22,360 --> 00:11:25,760 Speaker 3: moved your feet, because he didn't if you think about 211 00:11:25,800 --> 00:11:28,200 Speaker 3: how he thought he shoveled his feet. And then I 212 00:11:28,240 --> 00:11:32,240 Speaker 3: thought to myself, you just told Mike Tyson that he 213 00:11:32,240 --> 00:11:33,520 Speaker 3: didn't move his feet. 214 00:11:33,760 --> 00:11:36,520 Speaker 2: And you're arguing at a boxing lesson who do you 215 00:11:36,559 --> 00:11:39,840 Speaker 2: think you are? And this is what he did. He 216 00:11:39,880 --> 00:11:40,280 Speaker 2: stood up. 217 00:11:40,320 --> 00:11:42,920 Speaker 3: I'll never forget this, and he took off his jacket 218 00:11:42,960 --> 00:11:45,679 Speaker 3: and he took the cigar out of his mouth, and 219 00:11:45,720 --> 00:11:48,520 Speaker 3: he put his hands up, his fists up, and he 220 00:11:48,559 --> 00:11:50,800 Speaker 3: did what we call measuring and fighting. And he put 221 00:11:50,800 --> 00:11:53,439 Speaker 3: his hands in my chests and took a step back 222 00:11:53,440 --> 00:11:56,280 Speaker 3: so that he was still touching my chest, just barely, 223 00:11:56,640 --> 00:12:01,800 Speaker 3: and he said, don't move, don't blink, don't breathe, and 224 00:12:01,840 --> 00:12:04,800 Speaker 3: he let his fists fly and I felt the wind 225 00:12:04,840 --> 00:12:07,360 Speaker 3: of his fist going by my face and I looked 226 00:12:07,360 --> 00:12:10,120 Speaker 3: at that tattoo and I thought, I will never. 227 00:12:09,960 --> 00:12:12,360 Speaker 2: Forget this for as long as I live. Oh wow. 228 00:12:12,400 --> 00:12:14,320 Speaker 2: And that's my So we don't know, as we're sitting here. 229 00:12:14,360 --> 00:12:16,560 Speaker 3: We don't know whether he beat j Paul, which is 230 00:12:16,600 --> 00:12:19,520 Speaker 3: my prediction, or whether the twenty eight year old YouTuber 231 00:12:20,040 --> 00:12:21,920 Speaker 3: you know ended up beating him. But yeah, I'm a 232 00:12:22,000 --> 00:12:24,880 Speaker 3: huge Tyson fan. I'm gonna put me too. I'm gonna 233 00:12:24,920 --> 00:12:26,440 Speaker 3: put my money on him. I don't know. 234 00:12:26,600 --> 00:12:29,800 Speaker 1: I just feel from what I understand, he's been supremely 235 00:12:30,240 --> 00:12:33,320 Speaker 1: prepared for this and is not taking it lightly. So 236 00:12:33,600 --> 00:12:37,760 Speaker 1: I'm gonna but maybe no money. It's just that sounds 237 00:12:38,000 --> 00:12:40,319 Speaker 1: a braggadocio. I'm gonna put my money on my. 238 00:12:40,400 --> 00:12:43,880 Speaker 3: Tyson listen as a gentleman's bet. I you know I'm 239 00:12:43,960 --> 00:12:46,240 Speaker 3: on your side with that as well. I just think 240 00:12:46,600 --> 00:12:49,240 Speaker 3: that he now has something to prove. His last bunch 241 00:12:49,280 --> 00:12:52,040 Speaker 3: of professional fights he didn't care about. He wasn't the 242 00:12:52,160 --> 00:12:54,800 Speaker 3: animal that he was, And I feel like now at 243 00:12:54,800 --> 00:12:57,720 Speaker 3: this point, I've been watching the lead up on Netflix 244 00:12:57,760 --> 00:12:58,120 Speaker 3: with it. 245 00:12:58,559 --> 00:13:01,160 Speaker 2: He's a dangerous man. At fifty eight years old. 246 00:13:01,240 --> 00:13:03,040 Speaker 3: He may not be as fast as he was, but 247 00:13:03,120 --> 00:13:06,200 Speaker 3: he's faster than Jake Paul and he's incredibly powerful. 248 00:13:06,200 --> 00:13:09,120 Speaker 2: And I think it's gonna be a great fight either way. 249 00:13:09,600 --> 00:13:14,400 Speaker 1: The only questions are what Cannabis has done to him, 250 00:13:14,800 --> 00:13:18,839 Speaker 1: positively or negatively, or what what is that the other 251 00:13:18,880 --> 00:13:21,960 Speaker 1: thing he was into snake mushroom or something in mushroom. 252 00:13:21,960 --> 00:13:23,160 Speaker 2: I don't know about the snake venoms. 253 00:13:23,160 --> 00:13:24,920 Speaker 3: But they you know, they claimed he was eating raw meat, 254 00:13:24,960 --> 00:13:27,800 Speaker 3: which he doesn't do because he's a vegan, and that 255 00:13:27,920 --> 00:13:31,160 Speaker 3: was nonsense. But the mushrooms and the and the weed, 256 00:13:31,600 --> 00:13:34,360 Speaker 3: and he claims to not be on either of them. 257 00:13:34,400 --> 00:13:38,040 Speaker 3: But he's still very fast and he hits harder. His 258 00:13:38,280 --> 00:13:41,200 Speaker 3: trainer is a guy named Rafael Cordero, and I saw 259 00:13:41,240 --> 00:13:44,959 Speaker 3: some video of him hitting Rafael training last week. And 260 00:13:45,200 --> 00:13:47,440 Speaker 3: Rafael is wearing this big body suit that's like five 261 00:13:47,480 --> 00:13:49,600 Speaker 3: inches thick, and Tyson hit him through it. 262 00:13:49,720 --> 00:13:52,679 Speaker 2: And knocked knocked him on the ground, knocked. I mean 263 00:13:52,760 --> 00:13:53,400 Speaker 2: it hurt him. 264 00:13:53,480 --> 00:13:56,080 Speaker 3: So I think he's I think he's still got it, 265 00:13:56,160 --> 00:13:57,600 Speaker 3: so I believe any right. 266 00:13:58,240 --> 00:13:58,440 Speaker 2: You know. 267 00:13:58,520 --> 00:14:02,040 Speaker 3: One one other odd thing of note musically, November twenty first, 268 00:14:02,520 --> 00:14:05,240 Speaker 3: that was the date that that Don Henley, who were 269 00:14:05,280 --> 00:14:08,160 Speaker 3: both huge fans of because of his work in the 270 00:14:08,200 --> 00:14:12,559 Speaker 3: Wallden Project, got arrested after paramedics found a teenage girl 271 00:14:12,960 --> 00:14:15,280 Speaker 3: in his home suffering from an overdose. 272 00:14:15,320 --> 00:14:18,280 Speaker 2: And that that hurt the band for a minute. 273 00:14:17,960 --> 00:14:21,240 Speaker 1: And that that was a difficult thing with that recent 274 00:14:22,000 --> 00:14:27,200 Speaker 1: trial that he went through over the theft of his music, 275 00:14:28,280 --> 00:14:31,760 Speaker 1: you know, the sheets, original sheets to stuff that was 276 00:14:32,000 --> 00:14:35,520 Speaker 1: you know that really sent that trial into kind of 277 00:14:35,560 --> 00:14:38,080 Speaker 1: a different place when that was you know, brought up 278 00:14:38,120 --> 00:14:43,080 Speaker 1: in that. So, you know, even though he and the 279 00:14:43,120 --> 00:14:46,040 Speaker 1: band certainly were able to move on from that, it's 280 00:14:46,040 --> 00:14:48,360 Speaker 1: still something you know, he's had to deal with to 281 00:14:48,400 --> 00:14:52,600 Speaker 1: this day. And if I recall his comments, certainly his 282 00:14:52,680 --> 00:14:56,920 Speaker 1: comments to the court were certainly feeling you know, bad and. 283 00:14:56,880 --> 00:14:59,280 Speaker 2: Embarrassed and sorry for what had happened. 284 00:15:00,320 --> 00:15:03,000 Speaker 3: You know, I always found interesting about him and what 285 00:15:03,080 --> 00:15:06,560 Speaker 3: he said about the band, and it was a selfless 286 00:15:06,560 --> 00:15:09,120 Speaker 3: thing from a guy who I didn't always find to 287 00:15:09,160 --> 00:15:12,480 Speaker 3: be selfless in the way he conducted himself interview wise. 288 00:15:12,480 --> 00:15:15,000 Speaker 3: There was always an element of ego to me with Henley, 289 00:15:15,520 --> 00:15:19,200 Speaker 3: but he during the documentary that we saw, he said, 290 00:15:19,400 --> 00:15:23,040 Speaker 3: this is Glenn's band, right, this is I have no 291 00:15:23,560 --> 00:15:25,760 Speaker 3: He didn't mince any words about it, even though the 292 00:15:26,240 --> 00:15:29,920 Speaker 3: Henley Fry credits are there on all the songs that matter. 293 00:15:30,600 --> 00:15:32,040 Speaker 2: This is Glenn's band. 294 00:15:32,200 --> 00:15:34,720 Speaker 3: And I thought that was an incredibly selfless thing of 295 00:15:34,840 --> 00:15:39,360 Speaker 3: him to say, certainly before Glenn died, and he's continued 296 00:15:39,400 --> 00:15:41,680 Speaker 3: to say that after the passing plant. 297 00:15:42,240 --> 00:15:45,600 Speaker 1: And then of course you know, as we're talking, the 298 00:15:45,640 --> 00:15:48,240 Speaker 1: band is in your Neck of the Woods at the 299 00:15:48,320 --> 00:15:53,880 Speaker 1: Sphere in Las Vegas, breaking records. Certainly with these performances 300 00:15:54,680 --> 00:15:58,080 Speaker 1: rake it in some big cash. Anybody that I've sort 301 00:15:58,080 --> 00:16:01,920 Speaker 1: of communicated with who's been there to see the Eagles 302 00:16:01,920 --> 00:16:04,720 Speaker 1: at the Sphere has just completely raved about it. 303 00:16:05,200 --> 00:16:06,920 Speaker 2: This is an interesting thing to me. 304 00:16:07,160 --> 00:16:10,880 Speaker 3: This is I think this is the the you know, 305 00:16:10,920 --> 00:16:15,040 Speaker 3: the golden ticket, if you will, for musicians to get 306 00:16:15,080 --> 00:16:18,560 Speaker 3: an act in Vegas like this. The Sphere is a 307 00:16:18,560 --> 00:16:23,440 Speaker 3: whole another universe, however you think about it. From their perspective. 308 00:16:23,880 --> 00:16:27,040 Speaker 3: These guys get to come to Vegas two days a week, 309 00:16:27,800 --> 00:16:31,160 Speaker 3: every weekend for as long as they want. They're probably 310 00:16:31,160 --> 00:16:34,760 Speaker 3: making a quarter million bucks a pop to work ninety minutes. 311 00:16:34,800 --> 00:16:37,960 Speaker 3: They're probably staying at the you know, at the Four Seasons, 312 00:16:38,320 --> 00:16:41,080 Speaker 3: you know, or at one of Steve one Wins property 313 00:16:41,160 --> 00:16:44,400 Speaker 3: right next door to the to the Sphere, and they 314 00:16:44,440 --> 00:16:46,640 Speaker 3: get to play their hits. And I guarantee you that 315 00:16:46,680 --> 00:16:49,920 Speaker 3: they're walking into that beautiful building that there's only one 316 00:16:49,960 --> 00:16:52,640 Speaker 3: of in the entire world and looking around at the 317 00:16:52,680 --> 00:16:56,000 Speaker 3: desert scenery behind them, and every time they play Hotel 318 00:16:56,040 --> 00:16:58,680 Speaker 3: California or Take It Easy or Life in the Fast Lane, 319 00:16:58,720 --> 00:17:01,680 Speaker 3: they're thinking this is our life and. 320 00:17:02,040 --> 00:17:04,919 Speaker 2: They earned it. They earned it, and I have not 321 00:17:05,080 --> 00:17:05,920 Speaker 2: gotten to see it yet. 322 00:17:05,920 --> 00:17:08,760 Speaker 3: I'm looking forward to to go and to see that show. 323 00:17:08,800 --> 00:17:12,200 Speaker 3: But it's it's interesting to see that, to see that happen. 324 00:17:12,240 --> 00:17:16,120 Speaker 3: But they've they've they've hit the pinnacle, I think for. 325 00:17:16,080 --> 00:17:17,320 Speaker 2: Sure, Harry. 326 00:17:17,359 --> 00:17:20,320 Speaker 1: Before we close out, I want to throw out for 327 00:17:20,480 --> 00:17:24,320 Speaker 1: this week what will be out for the Taking a 328 00:17:24,359 --> 00:17:28,520 Speaker 1: Walk podcast, And we haven't really gotten to talk about this. 329 00:17:28,400 --> 00:17:29,440 Speaker 2: Episode too much. 330 00:17:30,200 --> 00:17:34,159 Speaker 1: Got to speak with Noodles, the great guitarists from the 331 00:17:34,200 --> 00:17:39,359 Speaker 1: band The Offspring, who has been added cranking out great 332 00:17:39,640 --> 00:17:44,359 Speaker 1: rock music and punk music for decades, still out creating. 333 00:17:45,560 --> 00:17:49,080 Speaker 1: Really enjoyed talking to him, just a genuine good soul, 334 00:17:50,400 --> 00:17:55,439 Speaker 1: really sharing in terms of the stories there and really 335 00:17:55,800 --> 00:17:59,520 Speaker 1: still enjoying the creative process with the band. He in 336 00:17:59,640 --> 00:18:02,920 Speaker 1: dex Or from the band have known each other since 337 00:18:02,960 --> 00:18:07,399 Speaker 1: they were kids, and they still enjoy the love of 338 00:18:07,440 --> 00:18:11,479 Speaker 1: the road, the love of creating, and he certainly shares 339 00:18:11,600 --> 00:18:13,840 Speaker 1: that and more on an episode. 340 00:18:13,920 --> 00:18:16,879 Speaker 2: So it was really cool to talk to Noodles. 341 00:18:17,240 --> 00:18:20,760 Speaker 3: I love you know, by the way, noodle is an 342 00:18:20,800 --> 00:18:25,439 Speaker 3: expression that we as guitar players have, So when I 343 00:18:25,480 --> 00:18:26,240 Speaker 3: pick up a guitar. 344 00:18:26,400 --> 00:18:27,920 Speaker 2: If I walk into someone's house. 345 00:18:27,800 --> 00:18:29,520 Speaker 3: Or if I sit on my couch, or I grab 346 00:18:29,560 --> 00:18:31,800 Speaker 3: this guitar that's right next to me, what do I 347 00:18:31,840 --> 00:18:34,800 Speaker 3: do with it? I noodle around. You know, I don't 348 00:18:34,840 --> 00:18:39,680 Speaker 3: necessarily pick up to play a song. I noodle on something. 349 00:18:39,760 --> 00:18:43,359 Speaker 3: And I would be very curious to see what to 350 00:18:43,440 --> 00:18:47,400 Speaker 3: see what noodles noodles with? And if that's how he 351 00:18:47,440 --> 00:18:49,440 Speaker 3: came up with that name, well he. 352 00:18:49,440 --> 00:18:51,919 Speaker 1: Did, and you'll be happy to know I didn't go 353 00:18:52,040 --> 00:18:55,200 Speaker 1: the cheesebag route and ask him what his favorite noodles 354 00:18:55,200 --> 00:18:57,000 Speaker 1: were because I knew. 355 00:18:56,720 --> 00:18:58,840 Speaker 2: That it came from the noodling, So. 356 00:18:58,880 --> 00:19:01,520 Speaker 3: I would I would love well And to me, as 357 00:19:01,560 --> 00:19:03,080 Speaker 3: a guitar player, would say, listen, I don't want to 358 00:19:03,080 --> 00:19:05,280 Speaker 3: talk about noodles because I also am a noodle fan. 359 00:19:05,920 --> 00:19:08,359 Speaker 2: But my question would be when you pick up. 360 00:19:08,240 --> 00:19:10,320 Speaker 3: A guitar, if you walk in, if you were to 361 00:19:10,320 --> 00:19:13,280 Speaker 3: pick up my you know, my Yamaha here and pick 362 00:19:13,359 --> 00:19:15,760 Speaker 3: that up, what would you noodle around with? What would 363 00:19:15,800 --> 00:19:18,440 Speaker 3: you what would you play? Would you ask me would 364 00:19:18,440 --> 00:19:19,320 Speaker 3: I like to play with it? 365 00:19:19,359 --> 00:19:20,679 Speaker 2: What do you know? What's your go to? 366 00:19:20,720 --> 00:19:22,359 Speaker 3: And as a guitar player, I love it when you 367 00:19:22,359 --> 00:19:25,680 Speaker 3: interview guitar guys, right, because the more I know about 368 00:19:25,720 --> 00:19:27,320 Speaker 3: their process and what they're doing. 369 00:19:27,400 --> 00:19:30,880 Speaker 2: So I'm curious to hear what Noodles you know, has 370 00:19:30,920 --> 00:19:31,439 Speaker 2: to say. 371 00:19:31,680 --> 00:19:34,080 Speaker 1: I love talking to them, and I love just saying 372 00:19:34,119 --> 00:19:35,320 Speaker 1: the name Noodles, you know. 373 00:19:35,440 --> 00:19:37,960 Speaker 2: Yeah, well yeah, there you go. Fun and I love. 374 00:19:37,880 --> 00:19:40,879 Speaker 1: Noodles as well, But Noodles from the offspring on taking 375 00:19:40,920 --> 00:19:41,320 Speaker 1: a walk. 376 00:19:41,520 --> 00:19:43,760 Speaker 2: And the last thing I'll say is, I'm just. 377 00:19:43,720 --> 00:19:49,639 Speaker 1: Going to tease this upcoming that will release probably early 378 00:19:49,760 --> 00:19:50,720 Speaker 1: in December. 379 00:19:51,520 --> 00:19:52,760 Speaker 2: Let's just say, a. 380 00:19:54,240 --> 00:19:59,359 Speaker 1: Big piece of one of the biggest bands, if not 381 00:19:59,400 --> 00:20:03,520 Speaker 1: the biggest band in music history, not from that band, 382 00:20:03,680 --> 00:20:07,280 Speaker 1: but from that tree, from that lineage. So that's all 383 00:20:07,320 --> 00:20:11,840 Speaker 1: I'm going to say, and really super excited and wanting 384 00:20:11,960 --> 00:20:15,000 Speaker 1: to promote that one in the upcoming weeks. 385 00:20:15,280 --> 00:20:17,040 Speaker 3: I will tell you that when you told me that 386 00:20:17,080 --> 00:20:19,920 Speaker 3: this was a possibility before you even had it, before 387 00:20:20,000 --> 00:20:23,639 Speaker 3: it was even booked, I hung up the phone with you, 388 00:20:23,840 --> 00:20:27,760 Speaker 3: and I wrote the introduction and pulled out my guitar 389 00:20:28,880 --> 00:20:33,359 Speaker 3: and couldn't wait to be able to hear my voice 390 00:20:33,760 --> 00:20:37,880 Speaker 3: introduce that guy who we have to remain nameless right now. 391 00:20:37,680 --> 00:20:39,560 Speaker 1: But yeah, we're going to keep it that way just 392 00:20:39,600 --> 00:20:42,480 Speaker 1: because I don't want to be an idiot and jinx it, 393 00:20:42,880 --> 00:20:47,560 Speaker 1: but well listen, Harry, thanks for giving us a look 394 00:20:47,600 --> 00:20:52,800 Speaker 1: at music history for the week of November the eighteenth, 395 00:20:52,880 --> 00:20:53,680 Speaker 1: and it was. 396 00:20:53,640 --> 00:20:58,520 Speaker 2: Great to be able to noodle around with you. I 397 00:20:58,600 --> 00:21:01,920 Speaker 2: love that buzz night. Thank you so much for having 398 00:21:01,960 --> 00:21:02,040 Speaker 2: me 399 00:21:02,080 --> 00:21:05,679 Speaker 1: Here, and please check out the Take in a Walk podcast, 400 00:21:05,800 --> 00:21:08,880 Speaker 1: share episodes with your friends, and thanks for listening.