WEBVTT - The Gangs

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<v Speaker 1>Warning. This episode contains references to extreme violence. Please use

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<v Speaker 1>discretion when listening.

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<v Speaker 2>Okay, wait to hear others.

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<v Speaker 3>Please join an audio.

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<v Speaker 4>White Fine, Sorry, I'm a millennial.

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<v Speaker 5>What are you?

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<v Speaker 4>You're gen x No, I'm not you are Okay, new recording. Okay,

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<v Speaker 4>it's on.

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<v Speaker 1>Hi. Wendy, Hie. That's my older sister, Wendy. She got

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<v Speaker 1>up extra early one morning so that she could drop

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<v Speaker 1>off her three kids at school before getting on a

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<v Speaker 1>zoom with me. For the record, she is technically a millennial,

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<v Speaker 1>but I think she acts more like a gen xer.

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<v Speaker 1>I wanted to talk to Wendy because we finally got

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<v Speaker 1>into a part of the story that I kind of remember.

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<v Speaker 1>Wendy and I are eight years apart, but we both

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<v Speaker 1>grew up in La My parents left El Salvador in

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<v Speaker 1>nineteen eighty one, a year when the Civil War was

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<v Speaker 1>at its worst. They ended up in Los Angeles, along

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<v Speaker 1>with thousands of other Salvadorans who were fleeing the war.

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<v Speaker 1>They slept on kitchen floors and couches until they could

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<v Speaker 1>get on their feet. Eventually, they scraped together enough money

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<v Speaker 1>to buy an old rundown house, the one that me

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<v Speaker 1>and my sister Wendy grew up in But do you

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<v Speaker 1>remember how often we would get rats from the park.

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<v Speaker 4>Oh, my god, that was the most disgusting part. Yeah,

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<v Speaker 4>the rats and the.

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<v Speaker 5>I think you got bit by one one time.

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<v Speaker 4>Yeah.

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<v Speaker 1>I tried to pet it, but I was scared to

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<v Speaker 1>pet it with my hands, so I pet it with my.

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<v Speaker 2>Foot and bit my toe.

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<v Speaker 4>It bit your I didn't even know what it did,

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<v Speaker 4>but I just remember, like, yeah, you got bit by it.

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<v Speaker 2>Oh.

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<v Speaker 1>My family spent the nineties trying to survive in that

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<v Speaker 1>beat up old house. It was in south central LA

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<v Speaker 1>on a street that had an hourly motel on one

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<v Speaker 1>corner and a crack house on the other. It was

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<v Speaker 1>dangerous in more ways than one. My parents had very

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<v Speaker 1>strict rules for me and my sisters. No playing outside

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<v Speaker 1>after dark, no walking anywhere alone, go straight to school

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<v Speaker 1>and come straight home. Honestly, it sucked. We ended up

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<v Speaker 1>staying inside and playing Super Mario a lot. But there

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<v Speaker 1>was only so much that they could protect us from

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<v Speaker 1>because the reality of living in the hood was inescapable. Like,

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<v Speaker 1>at what point did you become aware that there were

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<v Speaker 1>gangs in the area that we were living in? Right

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<v Speaker 1>awayway gangs, mostly divided by race, were everywhere in our neighborhood.

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<v Speaker 1>The Crips and the Bloods, which were mostly black gangs,

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<v Speaker 1>and the Mexican mafia were fighting it out for control

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<v Speaker 1>of the streets of La and in response to the

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<v Speaker 1>gang violence, thousands of Salvadoran refugees that had come fleeing

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<v Speaker 1>the war would start to create gangs of their own.

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<v Speaker 4>I had like a little boyfriend I remember if it

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<v Speaker 4>was like seventh grade or eighth grade. I think probably

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<v Speaker 4>eighth grade. It was the one that gave me the

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<v Speaker 4>teddy bear that my dad like ripped up to shreds

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<v Speaker 4>the second I got home. But he, unfortunately, I ended

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<v Speaker 4>up learning like months later like that he had gotten

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<v Speaker 4>like shot and killed because he was like a little

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<v Speaker 4>gang member and howen was he was probably thirteen.

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<v Speaker 1>Gang violence that started out in our neighborhood in LA

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<v Speaker 1>would transform life for Salvadorans, and not just the ones

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<v Speaker 1>in Los Angeles, but in El Salvador too. While the

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<v Speaker 1>war in El Salvador was ending, Salvadoran gangs in La

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<v Speaker 1>were forming MS thirteen and Barriodicioccho, two of the most

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<v Speaker 1>notorious gangs in the world, were born in my backyard

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<v Speaker 1>in La These gangs would rule the next thirty years

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<v Speaker 1>of Salvador in life and cause more death than the

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<v Speaker 1>entire Civil War put together.

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<v Speaker 3>Tonight we take you inside one of the most dangerous

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<v Speaker 3>countries on Earth, a place where criminal gangs control entire neighborhoods,

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<v Speaker 3>and these gangs from El Salvador are now operating in

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<v Speaker 3>nearly every corner of America.

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<v Speaker 1>I'm Jasmine Romero and this is Sacred Scandal, Nation of Saints,

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<v Speaker 1>Episode nine, The Gangs. We'll be right back after the break.

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<v Speaker 1>If you ask the average American what they know about

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<v Speaker 1>El Salvador, they will probably answer you with one of

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<v Speaker 1>two things, either one ubusas and to be fair, they

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<v Speaker 1>are delicious, or two gangs. Since the end of the

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<v Speaker 1>Civil War, Al Salvador's gang problem has been the number

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<v Speaker 1>one news item about the country.

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<v Speaker 5>El Salvador has long been plagued by stratospheric levels of

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<v Speaker 5>gang violence.

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<v Speaker 1>Like tens of thousands of people who grew up in

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<v Speaker 1>the shadow of the Civil War perpetuated the cycle of

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<v Speaker 1>violence by joining the street gangs. In twenty fifteen, there

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<v Speaker 1>were more than six and a half thousand murders in

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<v Speaker 1>El Salvadore the worst murder rates in the world. But

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<v Speaker 1>these gangs, they didn't just spring up out of nowhere.

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<v Speaker 1>They came out of the US, specifically California, from families

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<v Speaker 1>like mine who came fleeing the war and found that

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<v Speaker 1>California wasn't the peaceful paradise they were hoping for.

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<v Speaker 5>They started off as young stoner kids who, out of

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<v Speaker 5>immigrant lowliness, would come together to smoke pot listen to

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<v Speaker 5>Ronnie James, Dio, Metallica and Cumbia's and other music on

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<v Speaker 5>their boomboxes.

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<v Speaker 1>That's He's a Salvadoran American journalist, professor, and writer who

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<v Speaker 1>grew up in California. He was one of those lonely

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<v Speaker 1>immigrant kids. In the late eighties, while the war in

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<v Speaker 1>El Salvador was at its peak, he was in California

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<v Speaker 1>working with an outreach group for recent migrants and he

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<v Speaker 1>started noticing some strange patterns.

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<v Speaker 5>But they started going to schools like in the San

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<v Speaker 5>Fernando Valley and other places in Sherman Oaks, and they

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<v Speaker 5>were facing crips, bloods, and Mexican kids who were linked

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<v Speaker 5>to the Mexican mafia.

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<v Speaker 1>Now migrants coming into low income areas were easy targets

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<v Speaker 1>for the more established gangs that already existed. So these

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<v Speaker 1>Salvadoran migrant kids, they start banding together and creating little

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<v Speaker 1>gangs of their own.

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<v Speaker 5>So these Savadorin kids found themselves being threatened by crip

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<v Speaker 5>gang and Mexican mafia, and so to defend themselves, they

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<v Speaker 5>started taking on machettis that I would see them buy

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<v Speaker 5>at a store like at Liborios in Pico Union. Turns

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<v Speaker 5>out that we're using them to defend themselves against heavily

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<v Speaker 5>armed gangs.

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<v Speaker 1>Barrio Disiocho and MS thirteen get their start as small

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<v Speaker 1>street gangs, but as the violence in La escalated, more

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<v Speaker 1>and more of these on immigrant gang members started being

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<v Speaker 1>sent to California prisons, prisons where long established gangs were

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<v Speaker 1>in charge. And these little disorganized Salvadorn gangs, when they

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<v Speaker 1>start taking notes, they begin to transform.

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<v Speaker 5>And so that's where MS thirteen starts taking on the

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<v Speaker 5>structures and culture and practices like jumping in for thirteen seconds,

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<v Speaker 5>getting beat up to join the gang for thirteen seconds, right,

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<v Speaker 5>And so then the language, the tattoos, the violence, and

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<v Speaker 5>the very structured nature of these gangs comes from California.

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<v Speaker 1>La Maras a ra Drucha, also known as MS thirteen

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<v Speaker 1>becomes the hardened and sophisticated gang we know today. Within

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<v Speaker 1>those California prisons, they learn how to run extortion rings,

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<v Speaker 1>how to exert control over territory using violence and fear,

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<v Speaker 1>how to turn a gang into a business. And in

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<v Speaker 1>the early nineties, the US decides that it doesn't really

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<v Speaker 1>want to deal with these gangs anymore. Just as the

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<v Speaker 1>salvador In Civil War is coming to an end, the

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<v Speaker 1>US starts deporting thousands of migrants, especially those with criminal records.

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<v Speaker 5>We are a nation of immigrants, but we are also

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<v Speaker 5>a nation of laws. That's why our administration has moved

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<v Speaker 5>aggressively to secure our borders.

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<v Speaker 6>More.

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<v Speaker 7>We will try to do more to speed the deportation

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<v Speaker 7>of illegal aliens who are arrested for crimes.

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<v Speaker 1>The mass deportations really get started in nineteen eighty six

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<v Speaker 1>under President Bill Clinton. His administration passed a law that

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<v Speaker 1>made it easier to deport immigrants with criminal records.

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<v Speaker 5>And pretty soon this country that's just coming out of

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<v Speaker 5>the war in the early nine nineties has all kinds

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<v Speaker 5>of guns everywhere because they were left over. Nobody not

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<v Speaker 5>all of them were destroyed. So these kids, who are

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<v Speaker 5>already exposed to Mexican gang cultures and structures, start implanting

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<v Speaker 5>where the violence gets put on steroids. Because of the

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<v Speaker 5>availability of guns.

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<v Speaker 1>It was like an infection meeting an open wound. Not

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<v Speaker 1>only was Alsavador still full of guns left over from

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<v Speaker 1>the war, it was also full of people who had

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<v Speaker 1>been in that war. Children who had grown up traumatized

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<v Speaker 1>by extreme levels of violence, kids who had one or

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<v Speaker 1>both parents killed in the war, or kids that were

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<v Speaker 1>left behind by parents who had immigrated to the US,

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<v Speaker 1>kids looking for a family. By the late nineties, alsavor

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<v Speaker 1>was one of the poorest countries in the world. The

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<v Speaker 1>economy never truly recovered after the war, and young people

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<v Speaker 1>had very few opportunities to advance. So these newly deported

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<v Speaker 1>gangs move in and they solve two societal problems for

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<v Speaker 1>thousands of angry young people. They provide a sense of

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<v Speaker 1>family of community, and they provide a job by charging

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<v Speaker 1>rent to regular Salvadorans a fee for living within gang territory.

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<v Speaker 1>By the mid two thousands, what had started as little

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<v Speaker 1>cliques in La had become one of the world's most

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<v Speaker 1>deadly and organized criminal organizations, and it became the only

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<v Speaker 1>story that the world knew about Ol Salvador.

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<v Speaker 6>In l Salvador, these days, there's one murder an hour

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<v Speaker 6>for a pretty small country, only six million people. It

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<v Speaker 6>doesn't take long when you're, you know, going out at

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<v Speaker 6>night to stumble upon a scene like this with a

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<v Speaker 6>body laying dead in the streets. And that's that's pretty

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<v Speaker 6>much what people here are living with. These just constant

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<v Speaker 6>shootings and murders. Right now, El Salvador is on track

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<v Speaker 6>to be the nation with the highest homicide rate in

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<v Speaker 6>the world.

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<v Speaker 1>The gangs were the warnings of the murdered Jesuits come

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<v Speaker 1>to life. Father Ignacio Martin Barot had theorized that the

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<v Speaker 1>trauma of war would leave the Salvadoran society with a

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<v Speaker 1>militarized mind, that violence would become the default solution for

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<v Speaker 1>all of society's problems, and that was true not just

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<v Speaker 1>for the gangs, but also for the government. Over the years,

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<v Speaker 1>the Salvadoran government has tried to handle the gang problem

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<v Speaker 1>by meeting violence with violence. In two thousand and three,

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<v Speaker 1>the Arena led government put in place it's blan Manodura

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<v Speaker 1>Plan iron Fist, a police crackdown on these gangs followed

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<v Speaker 1>in two thousand and four by the creatively named Blan

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<v Speaker 1>super Manodura sup Iron Fist, and these crackdowns led to

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<v Speaker 1>the rise of an old tactic death squads, police officers

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<v Speaker 1>going out in the dead of night to kidnap, torture

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<v Speaker 1>and kill, but this time targeting the gangs. And though

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<v Speaker 1>there have been attempts to rehabilitate gang members too, overwhelmingly

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<v Speaker 1>the plans that have received the most funding and support

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<v Speaker 1>in El Salvador were ones led by the military and police.

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<v Speaker 1>For most of my life, the gangs have been the

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<v Speaker 1>only story told about Al Salvador, and it's one that

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<v Speaker 1>I know really well because my family has lived at firsthand.

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<v Speaker 1>We've had people in the gangs, and we've had people

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<v Speaker 1>killed by the gangs. It's a cycle that's best explained

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<v Speaker 1>by someone you've heard from before.

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<v Speaker 8>Mitievilma Mala mala poor ky Lo loke.

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<v Speaker 2>Ma fel.

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<v Speaker 1>I've known a lot of people in the gangs, she says,

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<v Speaker 1>like the ones who killed my son. That's after the break.

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<v Speaker 7>Me nores Will says, so the Salvador San Miguel Oriente.

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<v Speaker 8>Ute yo sooi and relations and so dia, so you Natiya.

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<v Speaker 1>That's my Tavilma. You might remember her from previous episode.

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<v Speaker 1>She's the aunt that takes no ship. She's little, about

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<v Speaker 1>five four, but I've seen her cuss out men that

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<v Speaker 1>are twice her size, which is why it was always

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<v Speaker 1>so strange that her son, Tulio, my cousin, was such

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<v Speaker 1>a sweet kid.

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<v Speaker 2>Bienko to para black.

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<v Speaker 1>Julio was small like his mom, but with a big mouth.

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<v Speaker 1>I remember hanging out with him when I was a

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<v Speaker 1>kid on our yearly trips to Olsavador. He was about

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<v Speaker 1>my sister's age, eight years older than me, with cocoa

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<v Speaker 1>brown skin and dark eyes that were crowded with thick eyelashes,

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<v Speaker 1>and he always had this sly smile on his face.

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<v Speaker 2>Into into in pre.

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<v Speaker 1>Yeah, yeah, just like with my Tia Margarita, my Tia

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<v Speaker 1>Vilma had a real soft spot for Tulio. Tulio was

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<v Speaker 1>always the one telling her not to be so loud

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<v Speaker 1>or crass, chastising her with a mommy. Toulu grew up

0:16:38.080 --> 0:16:41.000
<v Speaker 1>in San Miguel, and because he was small for his age,

0:16:41.440 --> 0:16:43.760
<v Speaker 1>he was able to get through most of his childhood unscathed.

0:16:44.920 --> 0:16:47.880
<v Speaker 1>But when he turned fifteen, he finally arrived at a

0:16:47.960 --> 0:16:52.520
<v Speaker 1>right of passage for suv Orn boys, and.

0:16:56.520 --> 0:16:59.920
<v Speaker 2>Marie Juel del Piero be.

0:17:05.840 --> 0:17:12.879
<v Speaker 1>Did he He was jumped beat up by some boys

0:17:12.880 --> 0:17:16.119
<v Speaker 1>at school, boys that wanted him to join their gang.

0:17:17.440 --> 0:17:20.320
<v Speaker 1>This was pretty typical. Once the boy was of a

0:17:20.320 --> 0:17:23.080
<v Speaker 1>certain age, he was expected to join the gang that

0:17:23.119 --> 0:17:26.159
<v Speaker 1>controlled the territory that he lived in, and for Tulio

0:17:27.000 --> 0:17:31.679
<v Speaker 1>that meant Ms thirteen. When he came home from school

0:17:31.720 --> 0:17:35.199
<v Speaker 1>covered in bruises, Matia Vilma got her machete off the

0:17:35.200 --> 0:17:38.280
<v Speaker 1>wall and told Tulio to point out the kids that

0:17:38.280 --> 0:17:52.320
<v Speaker 1>had beat him up. Matia Vilma whooped their asses. She

0:17:52.440 --> 0:17:54.720
<v Speaker 1>went straight over to those kids' houses and in front

0:17:54.720 --> 0:17:57.440
<v Speaker 1>of their moms, whooped their asses with the flat side

0:17:57.440 --> 0:18:00.800
<v Speaker 1>of her machete. And she told them that the next

0:18:00.800 --> 0:18:03.480
<v Speaker 1>time they jumped her kid, they wouldn't be dealing with her,

0:18:04.280 --> 0:18:07.600
<v Speaker 1>they'd be dealing with his father, a colonel in the military,

0:18:09.200 --> 0:18:13.120
<v Speaker 1>which is totally not true, but the lie worked.

0:18:13.600 --> 0:18:14.560
<v Speaker 2>They left Julio.

0:18:14.320 --> 0:18:19.919
<v Speaker 1>Alone for a while, but when he turned seventeen, the

0:18:19.960 --> 0:18:41.119
<v Speaker 1>beating started again. But worse, Mila, these weren't just kids

0:18:41.200 --> 0:18:45.639
<v Speaker 1>jumping him in anymore. These were grown men sending Tulio

0:18:45.760 --> 0:18:50.879
<v Speaker 1>a message. Mitia realized that if Tulio stayed in San Miguel,

0:18:51.560 --> 0:18:54.440
<v Speaker 1>he'd either end up in one of the gangs or dead.

0:18:56.119 --> 0:18:59.199
<v Speaker 1>She had watched my other cousin, Chico, join m S

0:18:59.240 --> 0:19:05.159
<v Speaker 1>thirteen and watched him slowly cover himself with tattoos. Eventually,

0:19:05.680 --> 0:19:10.399
<v Speaker 1>Chico landed in a salvador In prison for life. It

0:19:10.440 --> 0:19:14.160
<v Speaker 1>was a future that she didn't want for her son.

0:19:16.480 --> 0:19:20.600
<v Speaker 1>Mitiavilma decided to send Tulio north to the US. Another

0:19:20.600 --> 0:19:23.240
<v Speaker 1>one of my aunts was planning on crossing over, and

0:19:23.320 --> 0:19:27.639
<v Speaker 1>Vilma asked if she would bring Tullia along. Tulio crossed

0:19:27.680 --> 0:19:31.280
<v Speaker 1>the border in nineteen ninety nine. For a while, he

0:19:31.320 --> 0:19:33.760
<v Speaker 1>stayed with an aunt in La Then he stayed with

0:19:33.760 --> 0:19:38.480
<v Speaker 1>another cousin. But there's a saying in Spanish about guests

0:19:38.880 --> 0:19:41.840
<v Speaker 1>and the dead that they both start to stink after

0:19:41.880 --> 0:19:47.439
<v Speaker 1>three days. After CouchSurfing with various family members, Duliu had

0:19:47.480 --> 0:19:51.040
<v Speaker 1>to find his own way. He ended up working odd jobs,

0:19:51.440 --> 0:19:55.840
<v Speaker 1>delivering newspapers, packing boxes at a juice factory, and sending

0:19:55.840 --> 0:19:58.000
<v Speaker 1>money back to mythea whenever he got a chance.

0:20:02.840 --> 0:20:13.960
<v Speaker 7>Almes Conlin Tamamil Lobi.

0:20:20.520 --> 0:20:23.920
<v Speaker 1>And my Tia Vilma needed a lot of help because

0:20:23.960 --> 0:20:27.879
<v Speaker 1>back in San Miguel, m S. Thirteen was extorting everyone,

0:20:28.680 --> 0:20:32.680
<v Speaker 1>charging rent for living in their territory, even someone like

0:20:32.760 --> 0:20:35.280
<v Speaker 1>Vilma who didn't have a lot of money and was

0:20:35.320 --> 0:20:38.240
<v Speaker 1>still loading baskets full of chilate to sell in the market.

0:20:39.960 --> 0:20:41.760
<v Speaker 1>She came home one day to find that her neighbor

0:20:41.760 --> 0:20:42.919
<v Speaker 1>had a message for her.

0:20:45.119 --> 0:20:47.439
<v Speaker 2>Mediela vecina a.

0:20:55.800 --> 0:21:05.800
<v Speaker 1>Yo a Manila envelope. The neighbor said that she didn't

0:21:05.880 --> 0:21:09.440
<v Speaker 1>know who it was from. Inside the envelope was a

0:21:09.520 --> 0:21:11.480
<v Speaker 1>flip phone and a note.

0:21:13.200 --> 0:21:21.879
<v Speaker 7>Yela Senora senoras e Liz Damoselando di la.

0:21:30.080 --> 0:21:37.440
<v Speaker 1>The note said, miss Vilma, greetings from MS. Thirteen. At first,

0:21:37.840 --> 0:21:40.440
<v Speaker 1>my Thea thought it was a joke or something, but

0:21:40.560 --> 0:21:44.119
<v Speaker 1>she quickly realized that this was serious. The note was

0:21:44.160 --> 0:21:48.399
<v Speaker 1>full of details about my Tia Vilma's life Don.

0:21:48.280 --> 0:21:51.440
<v Speaker 2>De Villa Familia doos.

0:21:55.680 --> 0:21:58.439
<v Speaker 1>The note warned her that if she wanted to stay alive,

0:21:59.119 --> 0:22:01.040
<v Speaker 1>she would have to start hang rent to the gang.

0:22:02.400 --> 0:22:05.760
<v Speaker 1>Within minutes of her opening the envelope, the flip phone

0:22:05.800 --> 0:22:26.520
<v Speaker 1>that was inside started ringing capasom it was a gang

0:22:26.600 --> 0:22:31.280
<v Speaker 1>member calling to get her response to the note. As

0:22:31.320 --> 0:22:33.640
<v Speaker 1>my Thea was telling me this story, I could feel

0:22:33.720 --> 0:22:35.479
<v Speaker 1>the hairs on the back of my neck stand up.

0:22:36.480 --> 0:22:38.960
<v Speaker 1>If it was me, I probably would have lost it.

0:22:40.680 --> 0:22:44.720
<v Speaker 1>But my Dea, well, she's made of tougher stuff.

0:22:52.400 --> 0:22:57.760
<v Speaker 2>Quin Quin gris.

0:23:08.400 --> 0:23:12.320
<v Speaker 1>She got on the phone and she told him, listen up,

0:23:12.359 --> 0:23:14.719
<v Speaker 1>you little ship. I don't know who you think you are,

0:23:15.200 --> 0:23:17.920
<v Speaker 1>but I'm not paying you a dime. I've got two

0:23:18.119 --> 0:23:20.200
<v Speaker 1>sons who are higher rank than you and the gangs,

0:23:20.480 --> 0:23:22.639
<v Speaker 1>and if you don't leave me alone, I'll have them

0:23:22.720 --> 0:23:27.320
<v Speaker 1>take care of you, which was completely not true, but

0:23:28.080 --> 0:23:31.000
<v Speaker 1>she did have my cousin, Chico, the one who was

0:23:31.080 --> 0:23:34.800
<v Speaker 1>in prison. She called the prison that my cousin was

0:23:34.840 --> 0:23:37.439
<v Speaker 1>in and asked him if he would back her up

0:23:37.840 --> 0:23:41.760
<v Speaker 1>and get the gangs to leave her alone. She said

0:23:41.800 --> 0:23:43.719
<v Speaker 1>the whole time that she was on the phone, her

0:23:43.800 --> 0:23:46.639
<v Speaker 1>legs were shaking so hard that it rattled the table.

0:23:58.760 --> 0:24:03.679
<v Speaker 1>The relationship with my cousin Chico is complicated. He had

0:24:03.760 --> 0:24:06.439
<v Speaker 1>lent his name to the family before offering them protection

0:24:06.640 --> 0:24:10.920
<v Speaker 1>through his connection with the gangs, but we also suspect

0:24:11.080 --> 0:24:14.119
<v Speaker 1>that he's responsible for some shootings that have happened around

0:24:14.160 --> 0:24:19.600
<v Speaker 1>my family, including one that killed my uncle Chico agreed

0:24:19.640 --> 0:24:23.200
<v Speaker 1>to cover Mathia, and after that phone call, the gangs

0:24:23.280 --> 0:24:27.080
<v Speaker 1>left Mathia alone for the most part. But that's just

0:24:27.200 --> 0:24:31.240
<v Speaker 1>how it was in Alsavador. There was no escaping the gangs.

0:24:32.440 --> 0:24:36.760
<v Speaker 1>They were a part of everyday life, and every day

0:24:37.359 --> 0:24:40.440
<v Speaker 1>Mythia was thankful that my cousin Thulia was in the US,

0:24:41.080 --> 0:24:45.800
<v Speaker 1>far away from that life. But about eight years after

0:24:45.880 --> 0:24:49.680
<v Speaker 1>Thulil left to live in California, he suddenly appeared on

0:24:49.720 --> 0:24:52.360
<v Speaker 1>her doorstep back in San Miguel.

0:24:53.160 --> 0:25:02.440
<v Speaker 8>Iporkiseviotulio dess no Stella el medj Here.

0:25:03.840 --> 0:25:06.280
<v Speaker 1>He told Mitya Avilma that he'd come back to visit her,

0:25:07.240 --> 0:25:12.240
<v Speaker 1>but the truth was he'd been deported. While in the US,

0:25:12.840 --> 0:25:14.720
<v Speaker 1>he and a bunch of friends had started an illegal

0:25:14.800 --> 0:25:18.119
<v Speaker 1>street racing ring. He was one of the organizers, and

0:25:18.200 --> 0:25:20.159
<v Speaker 1>he got arrested in two thousand and seven for his

0:25:20.280 --> 0:25:24.080
<v Speaker 1>part in it. When he got back to Olsavador, he

0:25:24.160 --> 0:25:26.159
<v Speaker 1>told Matievilma that he was only going to stay for

0:25:26.280 --> 0:25:30.320
<v Speaker 1>six months until May tenth, Mother's Day so that he

0:25:30.359 --> 0:25:34.120
<v Speaker 1>could celebrate with her. Then he'd figure out a way

0:25:34.160 --> 0:25:36.520
<v Speaker 1>to get back across the border and get back to work.

0:25:38.200 --> 0:25:43.040
<v Speaker 7>Gestavarresim Benilo Taos. He saw Louja Pasarda de la madreco

0:25:43.119 --> 0:25:45.359
<v Speaker 7>mio querl dias de mayu.

0:25:46.320 --> 0:25:51.760
<v Speaker 2>Yeah, there is de Mayo il dia de la Cruzieki.

0:25:53.000 --> 0:25:55.240
<v Speaker 1>On the afternoon of May third, he went out to

0:25:55.280 --> 0:25:57.359
<v Speaker 1>play soccer with some other guys in the neighborhood.

0:25:58.320 --> 0:26:14.800
<v Speaker 2>I mean, memo, beat you a ya mami javengko you know,

0:26:17.000 --> 0:26:17.280
<v Speaker 2>he said.

0:26:18.880 --> 0:26:20.479
<v Speaker 1>My tia told him not to go out for too

0:26:20.560 --> 0:26:24.320
<v Speaker 1>long because she was making him lunch, his favorite tomato stew.

0:26:26.040 --> 0:26:28.560
<v Speaker 1>A few minutes later, a kid from the neighborhood came

0:26:28.600 --> 0:26:29.640
<v Speaker 1>running up to my aunt's door.

0:26:31.240 --> 0:26:43.720
<v Speaker 2>Mammy, Mammy, mammy, miss yo, you can't see.

0:26:44.960 --> 0:26:48.359
<v Speaker 1>She thought they were kidding. At first, the words didn't

0:26:48.359 --> 0:26:52.840
<v Speaker 1>even register, but they kept yelling at her. They killed,

0:26:53.800 --> 0:26:58.359
<v Speaker 1>they killed. She ran to the playground where he'd been playing,

0:26:59.480 --> 0:27:04.360
<v Speaker 1>and she found her son crumpled on the floor Guano.

0:27:08.040 --> 0:27:09.119
<v Speaker 2>Lanco to.

0:27:14.760 --> 0:27:19.600
<v Speaker 1>What startled her most was the color, the bright white

0:27:19.760 --> 0:27:26.160
<v Speaker 1>color of Tulio's skull. He'd been shot three times, once

0:27:26.240 --> 0:27:29.639
<v Speaker 1>in the chest, once in the back, and once in

0:27:29.680 --> 0:27:33.560
<v Speaker 1>the back of his head. She knelt down beside his

0:27:33.640 --> 0:27:36.160
<v Speaker 1>body and cradled her son in her arms.

0:27:38.840 --> 0:27:49.280
<v Speaker 2>You gotta the moment the vaster.

0:27:48.680 --> 0:27:52.000
<v Speaker 1>She prayed over him, told him how much she loved him.

0:27:53.320 --> 0:27:56.680
<v Speaker 1>She asked God to take care of him. She doesn't

0:27:56.720 --> 0:28:00.880
<v Speaker 1>know how much time passed. The next thing she remembers

0:28:01.520 --> 0:28:04.920
<v Speaker 1>as a policeman asking her to step away from the body.

0:28:17.840 --> 0:28:22.560
<v Speaker 2>Carr Porte.

0:28:41.880 --> 0:28:45.560
<v Speaker 1>The details around Tulio's death are uncertain. I spoke to

0:28:45.640 --> 0:28:48.240
<v Speaker 1>a lot of family and people who knew at the time,

0:28:49.080 --> 0:28:51.600
<v Speaker 1>and they all have different theories about why he was killed.

0:28:53.040 --> 0:28:55.160
<v Speaker 1>Some say that a couple of days before his death,

0:28:55.680 --> 0:28:58.120
<v Speaker 1>he'd gotten into an argument with a security guard who

0:28:58.160 --> 0:29:02.080
<v Speaker 1>had connections to the gangs. Others say that Tulio had

0:29:02.120 --> 0:29:05.760
<v Speaker 1>witnessed a gang murder and that's why they came after him.

0:29:07.240 --> 0:29:09.560
<v Speaker 1>But the thing that everyone I spoke to agreed on

0:29:10.880 --> 0:29:14.200
<v Speaker 1>was that Tulio wasn't in a gang himself, and that

0:29:14.320 --> 0:29:16.920
<v Speaker 1>he was killed by m s thirteen.

0:29:18.200 --> 0:29:25.440
<v Speaker 7>Mi vinti sulo mataro hey turo is doro solo cannos

0:29:25.480 --> 0:29:30.760
<v Speaker 7>have it unserqurido de la manu to.

0:29:32.480 --> 0:29:33.000
<v Speaker 2>Pandias.

0:29:34.680 --> 0:29:38.120
<v Speaker 1>In the aftermath of Tulio's murder, Matia Vilma was asked

0:29:38.160 --> 0:29:40.920
<v Speaker 1>to go to the police station to look at mugshots

0:29:41.160 --> 0:29:44.640
<v Speaker 1>and try to identify his killers, but she never did.

0:29:46.320 --> 0:29:49.959
<v Speaker 1>The fact is everyone in the neighborhood knew who had

0:29:50.000 --> 0:29:53.960
<v Speaker 1>done it. MS thirteen did little to hide their responsibility

0:29:53.960 --> 0:29:58.360
<v Speaker 1>for Tulio's murder, but to identify them would have been

0:29:58.360 --> 0:30:02.160
<v Speaker 1>a death sentence. They just come and kill you next,

0:30:03.280 --> 0:30:05.680
<v Speaker 1>and your family too, just to prove a point.

0:30:06.960 --> 0:30:29.160
<v Speaker 2>USI the local, I l lay de la lay de la.

0:30:36.520 --> 0:30:37.600
<v Speaker 9>You have.

0:30:43.920 --> 0:30:47.920
<v Speaker 1>I don't believe in man's justice, she says, it's corrupt,

0:30:49.200 --> 0:30:52.760
<v Speaker 1>but you don't play with God's justice. Whoever did this,

0:30:53.760 --> 0:31:01.720
<v Speaker 1>they'll have to answer to the Lord. I don't know

0:31:02.600 --> 0:31:06.200
<v Speaker 1>if they'll ever answer to the Lord or not. All

0:31:06.280 --> 0:31:07.880
<v Speaker 1>I know is the suffering that I see on my

0:31:07.960 --> 0:31:13.480
<v Speaker 1>aunt's face, the loss first of a sister to the

0:31:13.520 --> 0:31:23.840
<v Speaker 1>death squads, then of a son to the gangs. As

0:31:23.920 --> 0:31:27.040
<v Speaker 1>of this recording, seven of my family members are in

0:31:27.160 --> 0:31:31.320
<v Speaker 1>prison for gang related crimes and six have been killed

0:31:31.400 --> 0:31:41.600
<v Speaker 1>in gang related violence. I'll be honest here. For most

0:31:41.640 --> 0:31:45.240
<v Speaker 1>of my life, Al Salvador felt like a place beyond saving.

0:31:47.160 --> 0:31:49.280
<v Speaker 1>My parents have always talked about it with a love

0:31:49.360 --> 0:31:54.800
<v Speaker 1>and affection that I didn't understand, like Al Salvador was

0:31:55.040 --> 0:31:58.840
<v Speaker 1>the one that got away when they would talk about

0:31:58.880 --> 0:32:02.280
<v Speaker 1>wanting to go back there to attire. My first thought

0:32:02.400 --> 0:32:12.640
<v Speaker 1>was always why, what for? But in twenty nineteen something

0:32:12.720 --> 0:32:15.920
<v Speaker 1>happened that changed the way that my parents thought about

0:32:15.920 --> 0:32:19.840
<v Speaker 1>Ol Salvador. They changed the way that the whole world

0:32:20.280 --> 0:32:21.280
<v Speaker 1>thought about Ol Salvador.

0:32:24.200 --> 0:32:30.280
<v Speaker 9>Yes, it is Alotoria, he almost excavated. Juntos nostra pais

0:32:30.440 --> 0:32:35.240
<v Speaker 9>is common in your fermo, no stock cala todos quarlo

0:32:36.440 --> 0:32:39.760
<v Speaker 9>no stock coloratos, tom poco, and is in a marga

0:32:40.160 --> 0:32:43.920
<v Speaker 9>no stock aloratoos so freedom poco, no stock aloratos and

0:32:44.760 --> 0:32:51.360
<v Speaker 9>lord as to miRNA starts comermandos saka Atlanta oestra Familia

0:32:51.520 --> 0:32:52.720
<v Speaker 9>and nostro pas.

0:32:52.920 --> 0:33:01.720
<v Speaker 1>Salvador President Nai Buke, the self proclaimed world's coolest dictator

0:33:02.720 --> 0:33:06.880
<v Speaker 1>and the future of El Salvador. That's on the next

0:33:06.920 --> 0:33:17.720
<v Speaker 1>episode of Nation of Saints Sacred Scandal. Nation of Saints

0:33:17.880 --> 0:33:21.280
<v Speaker 1>is a production of AJA Podcasts in partnership with Iheart's

0:33:21.320 --> 0:33:24.600
<v Speaker 1>Michaultura podcast network, and is hosted and written by me

0:33:25.040 --> 0:33:30.000
<v Speaker 1>Jasmine Romero, produced by Jazmin Romero with help from Alvaro Espelees.

0:33:30.600 --> 0:33:34.720
<v Speaker 1>Research and reporting by Jasmine Romero, edited by Sayre Kevelo.

0:33:35.320 --> 0:33:37.440
<v Speaker 1>Nation of Saints was recorded in New York City at

0:33:37.480 --> 0:33:40.800
<v Speaker 1>the Relic Room, with engineering by Brett Tugan. Mixing and

0:33:40.920 --> 0:33:45.480
<v Speaker 1>sound designed by Paciquinones. Original music by Golden Mindes, Darko

0:33:45.640 --> 0:33:50.200
<v Speaker 1>and Aaeme based on Patrick Hart's original composition, fact checking

0:33:50.280 --> 0:33:55.320
<v Speaker 1>by Erendira Aquino Ayala. Executive producers are Carman geratol Isaac

0:33:55.400 --> 0:33:59.040
<v Speaker 1>Lee rose Red, and Nando Villa. Our executive producers at

0:33:59.080 --> 0:34:03.560
<v Speaker 1>iHeart are Giselle Fansis and Arlene Santana. Sacred Scandal was

0:34:03.600 --> 0:34:07.720
<v Speaker 1>created by Melanie Bartley and Baulavadro's. For more podcasts, go

0:34:07.800 --> 0:34:10.279
<v Speaker 1>to the iHeartRadio app or anywhere you listen to your

0:34:10.320 --> 0:34:11.160
<v Speaker 1>favorite podcasts