WEBVTT - Terry "TR" Ross

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<v Speaker 1>Speaks to the planet.

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<v Speaker 2>I go by the name of Charlamagne Tha God and

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<v Speaker 2>guess what, I can't wait to see y'all at the

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<v Speaker 2>third annual Black Effect Podcast Festival. That's right, We're coming

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<v Speaker 2>back to Atlanta, Georgia, Saturday, April twenty six at Poeman

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<v Speaker 2>Yards and it's hosted by none other than Decisions Decisions,

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<v Speaker 2>Mandy B and Weezy. Okay, we got the R and

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<v Speaker 2>B Money podcast, were taking Jay Valentine. We got the

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<v Speaker 2>Woman of All podcasts with Sarah Jake Roberts. We got

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<v Speaker 2>Good Mom's Bad Choices. Carrie Champion will be there with

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<v Speaker 2>her next sports podcast and the Trap Nerds podcast with

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<v Speaker 2>more to be announced. And of course it's bigger than podcasts.

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<v Speaker 2>We're bringing the Black Effect marketplace with black owned businesses plus.

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<v Speaker 1>The food truck court to keep you fed while you

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<v Speaker 1>visit us. All right, listen, you don't want to miss this.

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<v Speaker 2>Tap in and grab your tickets now at Black Effect

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<v Speaker 2>dot Com Flash Podcast Festival.

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<v Speaker 3>R and B Money, we second take balance out. We

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<v Speaker 3>are the authority.

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<v Speaker 4>Ladies and gentleman Mon him his tank Valentine and this

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<v Speaker 4>is the only funny podcast Tell what it is Aday

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<v Speaker 4>on Days al, I'm in the motherfucking building.

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<v Speaker 3>I'm talking family m Burn.

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<v Speaker 4>Yes, sir, I'm talking day one, dear o'donal, I go

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<v Speaker 4>to place.

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<v Speaker 1>Baby when I already read it. Let's go, Tank, I

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<v Speaker 1>talk about it.

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<v Speaker 4>May who saw my doughs and my gish fron.

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<v Speaker 3>Of me game and so I love that guy. Yeah,

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<v Speaker 3>real executive.

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<v Speaker 5>I put money in that guy's broken. Yes, I take

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<v Speaker 5>this guy. Freach Man Pratis since the new time day. Yes,

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<v Speaker 5>man preaching, Mandy.

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<v Speaker 1>Man. Yes, let's go man, let's go. Man, don't know,

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<v Speaker 1>they don't know. They don't have nigga trenches, trenches.

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<v Speaker 4>Nig like like y'all what y'all had when I when

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<v Speaker 4>I first met you at noon time, it wasn't a trench,

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<v Speaker 4>but it was trench mentality, trench mentality one hundred. It

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<v Speaker 4>was sun up, sundown, getting here.

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<v Speaker 3>And get to it. Made the best man win.

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<v Speaker 1>That's it. That's it.

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<v Speaker 3>I walked in there like that's how you get cracking. Oh,

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<v Speaker 3>these niggas is monstros That's.

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<v Speaker 1>How that's how we that's how we made it happen.

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<v Speaker 1>That's how that's what we did.

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<v Speaker 3>Teddy, Bishop.

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<v Speaker 4>Jazzy Faye, Brian Michael Brian Michael Cox, Jada Dent, Donnie Skants,

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<v Speaker 4>that was it, John Tea Austin, Yes, the Twins, Yeah, Jagged, Yeah,

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<v Speaker 4>nigga only they're like, what the fuck is going every room?

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<v Speaker 1>I'm gonna tell I'm gonna tell y'all some ship real quick.

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<v Speaker 1>And I was at a party. I was at Sal's

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<v Speaker 1>house the weekend, the weekends manager, and Mike Karen walks

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<v Speaker 1>over to me and he says, I'm gonna tell you

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<v Speaker 1>something I never told anybody. He was like, I patterned

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<v Speaker 1>my whole company afternoon time, he said, when I came

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<v Speaker 1>down to Atlanta and saw what y'all had, and how

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<v Speaker 1>y'all had those producers in each room, and them niggas

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<v Speaker 1>was always competing against each other because they leave their

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<v Speaker 1>doors open. So if Jazzy's in there making the beat,

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<v Speaker 1>Teddy hit at me like, oh ship, nigg I gotta

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<v Speaker 1>make it. I gotta make a fire beating Jade up here.

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<v Speaker 1>You know what I'm saying. And that's how, that's how

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<v Speaker 1>the competitive spirit with between all of them made them

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<v Speaker 1>better than you know, Iron Shopping's iron. So they was

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<v Speaker 1>all competing against each other and they knew people we

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<v Speaker 1>I mean dude, you gotta understand not want every artist

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<v Speaker 1>R and B artists came through, came to noontime, absolutely

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<v Speaker 1>came through time. You had to come through that. You

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<v Speaker 1>had to come through there, you know what I'm saying.

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<v Speaker 1>So that was it, man, it was And and you

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<v Speaker 1>came through there, you saw it. Mike came through there,

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<v Speaker 1>he saw it, and it was just like yo. And

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<v Speaker 1>the good thing about us was we weren't never wanted

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<v Speaker 1>to be in front of the camera, so we were

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<v Speaker 1>we were always in the back and we were doing

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<v Speaker 1>the business part aspect of it. So a lot of times,

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<v Speaker 1>you know, like the Puffs and the JDS, and they

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<v Speaker 1>were in front of the camera. So it's different that

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<v Speaker 1>when you when you and those kind of camps. So

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<v Speaker 1>when you were in the camp, niggas just handling your business.

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<v Speaker 1>So we just handled the business and that was it.

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<v Speaker 1>And they appreciated it because we weren't trying to take

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<v Speaker 1>their shine. We let them do their thing, the producers,

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<v Speaker 1>you know what I'm saying. So that was it. That's

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<v Speaker 1>why it weren't for how however long it worked. That's

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<v Speaker 1>why it worked.

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<v Speaker 3>It was good competition too.

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<v Speaker 1>Competition.

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<v Speaker 3>It wasn't like a hateful competition.

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<v Speaker 6>What was the setup of now time as far as

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<v Speaker 6>just the partners in it?

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<v Speaker 3>Who were the people? I mean, you know for people

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<v Speaker 3>who So.

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<v Speaker 1>Let me give you the backstory on that. So I'm

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<v Speaker 1>born and raised in DC. My partners Chris and Ryan,

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<v Speaker 1>they from Oakland, right, so they came down. They were

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<v Speaker 1>going to school at Howard HM from from Oakland, so

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<v Speaker 1>they came to d C. So this is this is

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<v Speaker 1>this is a crazy story. So the reason how we

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<v Speaker 1>really hooked up was because Chris has some cousins out

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<v Speaker 1>here that was heavy in the game, like deep deep

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<v Speaker 1>in the game, and we can uh, my mom lived

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<v Speaker 1>in Oakland. My mom lived in Oakland, Nolan Parks Ship

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<v Speaker 1>you know, yeah gas station, yeah right there, yeah, yeah, yeah, yeah.

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<v Speaker 1>So I used to come out to Oakland all the time.

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<v Speaker 3>But you didn't know them at this point. No.

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<v Speaker 1>I knew Chris. I knew I knew Chris. My mom

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<v Speaker 1>and Chris's mom were like friends. So I've known Chris

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<v Speaker 1>my whole life. So one day, you know, I was

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<v Speaker 1>and it's it's crazy. My mom was like, you need

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<v Speaker 1>to meet Chris's cousins, his cousins, and in LA I

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<v Speaker 1>was like okay, So I met I hadn't seen Christ

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<v Speaker 1>in years, went up to his high school, said Chris,

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<v Speaker 1>I need to meet your cousins in Oakland. Man. Somebody

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<v Speaker 1>told me I need to meet them. So I went

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<v Speaker 1>to went to go meet them, went to go talk

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<v Speaker 1>to Chris and in the school and they was like, well,

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<v Speaker 1>you know, we'll we'll connect with you. Make sure you

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<v Speaker 1>take care of Chris when he comes up to d

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<v Speaker 1>c embrace him, put him, put him under your wing.

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<v Speaker 1>I was like, no problem. So Chris came, Ryan was

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<v Speaker 1>Ryan King came up there. So we started this this company,

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<v Speaker 1>a booking agency. So during that time too short, Luke juvenile,

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<v Speaker 1>not but he was juvenile, but the trick daddy. So

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<v Speaker 1>we used to book shows at the College at Howard

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<v Speaker 1>for for for you know, going around the city booking

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<v Speaker 1>these shows with these with these artists. So we started

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<v Speaker 1>this company. It was called Ivory Coast. It was me

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<v Speaker 1>and Chris and Ryan. So we did these shows and

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<v Speaker 1>then Cassine went to Howard. It was like, yo, you

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<v Speaker 1>guys need to come down to Cassin reed. Yeah, he

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<v Speaker 1>went to Howard. He was like, you guys need to

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<v Speaker 1>come down to this thing in Atlanta. Called Freaknick. It

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<v Speaker 1>was like Freaknick. Fuck is that? What is that? So

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<v Speaker 1>so we said, all right, So we did this show

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<v Speaker 1>and Atlanta. I mean, dog we had I mean we

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<v Speaker 1>had the big This was actually the biggest show in

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<v Speaker 1>the history of Freak Nick. We had too short Luke

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<v Speaker 1>outcasts before our casts even came out. Uh, what's the

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<v Speaker 1>other groups? It was a bunch of groups. I have

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<v Speaker 1>the flyer, show it to you. But we did this

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<v Speaker 1>show and we made we made. We made a good

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<v Speaker 1>amount of money. Right. So Nooney was already in Atlanta

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<v Speaker 1>because he grew up in Oakland too. You know, he

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<v Speaker 1>grew up in Oakland too. He was already in Atlanta

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<v Speaker 1>trying to do some music things. So when we got

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<v Speaker 1>to Atlanta, I'm like, Yo, this ship is sexy. Like

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<v Speaker 1>you you black, you can move around to police, don't

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<v Speaker 1>pull you over. I'm like this, saint, how we function

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<v Speaker 1>in DC? Like nigga, you got a nice car, nigga.

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<v Speaker 1>That said, So we moved down. We moved down to

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<v Speaker 1>Atlanta and we're here. Yeah. See, but when we came

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<v Speaker 1>down there, niggas was already getting money in DC like

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<v Speaker 1>heavy Like niggas an' sayd how heavy. I wasn't any

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<v Speaker 1>game like it. Yes, So when we moved to Atlanta,

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<v Speaker 1>we already had. When I moved to Atlanta, let me

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<v Speaker 1>tell you, I had a brand new the eight fifties

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<v Speaker 1>before anybody had. I had a Black One. I had

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<v Speaker 1>a three hundred z X Turbo. I had a McLaren. Listen,

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<v Speaker 1>I had a McLaren and I had the brand new

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<v Speaker 1>SEC four hundred. Remember the joints, the convertible joints, the

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<v Speaker 1>lexus when they came out. I had. I had all

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<v Speaker 1>of that. You shipped all that to Atlanta. Ship all

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<v Speaker 1>of that to Atlanta, right, Chris had the range rover

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<v Speaker 1>Ryan had. I think Ryan had a range Rover. So

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<v Speaker 1>when we get down there, niggas was like, who is niggas?

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<v Speaker 1>These niggas ain't playing no ball, they ain't they ain't

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<v Speaker 1>no artists, Like, who is these niggas like? So that

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<v Speaker 1>kind of attracted all of the the Jazzy's and the

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<v Speaker 1>Brian's and the Teddies too to what we were doing

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<v Speaker 1>because we weren't. We weren't we weren't. We weren't in

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<v Speaker 1>the you know, we weren't in the game like that.

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<v Speaker 1>As far as as far as artists and you know,

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<v Speaker 1>being that ballplayer or you know that kind of that

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<v Speaker 1>kind of thing. So we just set up shop. We

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<v Speaker 1>set up shop. We figured out how to do it,

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<v Speaker 1>and the reason why we really got put on where

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<v Speaker 1>we really what really set us off was how we

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<v Speaker 1>parlayed the play. So what happened with that was we

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<v Speaker 1>had a group called Absolutely. I don't even remember, y'all remember.

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<v Speaker 3>Don't tell me, don't don't do that, don't act like that.

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<v Speaker 1>We had a group called Absolute, so we remember Absolute.

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<v Speaker 1>That was our first group we had. So we were

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<v Speaker 1>trying to shop Absolute. We were shopping them to the

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<v Speaker 1>labels and Puff Puff. Kevin Wells, my Man Wells took

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<v Speaker 1>us to Puff and we he Puff loved the group.

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<v Speaker 1>He was like, Yo, I want to sign him, blah

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<v Speaker 1>blah blah, let's go. So we was like, fuck, bro,

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<v Speaker 1>we don't want, we want. We're trying to be were

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<v Speaker 1>trying to be our own back. Yah, fucking what you come.

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<v Speaker 1>So we took them. We did it. We had another

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<v Speaker 1>deal on the table with with le or Death Jam,

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<v Speaker 1>so he was like, we're gonna go to death. Tina Davis, Yeah,

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<v Speaker 1>yeah girl. She signed and she was like I love

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<v Speaker 1>this group. Let's signed the group. So we said, all right,

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<v Speaker 1>let's do it. So we said we're gonna take the

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<v Speaker 1>group to Death Jam, and we took the group to

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<v Speaker 1>Death Jam. But Puff kind of got he was a

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<v Speaker 1>little salty about it because we didn't bring the group

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<v Speaker 1>over him. So he was like, yo, who the fuck

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<v Speaker 1>is who produced the records? Like who are the producers

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<v Speaker 1>on the records? And we was like it was at

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<v Speaker 1>that time it was just Jade up and Death had

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<v Speaker 1>produced the records on Absolute and Teddy too. So he

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<v Speaker 1>was like, man, let me, let me, let me sign

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<v Speaker 1>and then let me sign the producers. We was like,

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<v Speaker 1>all right. So what we did was we said, listen,

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<v Speaker 1>we're gonna let him sign the producers, but every time

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<v Speaker 1>it has to say read produced by Bad Boy Slash Noontime, right.

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<v Speaker 3>Because at this point, Nooney is part of Yeah.

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<v Speaker 1>Yeah, yeah, we came together. Yeah, we came together. We

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<v Speaker 1>all came together. We knew he he originally had the

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<v Speaker 1>name Noontime.

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<v Speaker 4>Okay, y'all meet, if we can back if we can

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<v Speaker 4>back track for once, you and you and Nooney, you

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<v Speaker 4>already you, Chris.

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<v Speaker 1>Me and Chris already already. But then when we came

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<v Speaker 1>to freak. Nick knew he was already in Atlanta, he

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<v Speaker 1>was already moved there. He was the first one to

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<v Speaker 1>move there. So we came down. He had he was

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<v Speaker 1>trying to do music. He was doing his music thing.

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<v Speaker 1>So we just when we came down, we was like, yo,

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<v Speaker 1>we know a lot of people. Let's just start. Let's

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<v Speaker 1>just do the record label together. So we all we all,

0:12:54.960 --> 0:12:57.840
<v Speaker 1>all four of us came together. So Nooney had money.

0:12:57.840 --> 0:12:59.960
<v Speaker 1>He was getting money in the streets. He had money.

0:13:00.160 --> 0:13:02.320
<v Speaker 1>We had money, so we just put it together. We

0:13:02.360 --> 0:13:07.720
<v Speaker 1>bought a building. You remember that we bought a building.

0:13:08.320 --> 0:13:10.760
<v Speaker 1>We bought the little thing was on Walker Street and

0:13:10.800 --> 0:13:14.880
<v Speaker 1>then we moved to We paid let me tell you something,

0:13:15.600 --> 0:13:18.320
<v Speaker 1>you know King Cloud, right, that's what you probably came

0:13:18.480 --> 0:13:21.319
<v Speaker 1>King Plod was the was the building that we bought.

0:13:21.480 --> 0:13:22.959
<v Speaker 1>We paid three fifty.

0:13:22.559 --> 0:13:25.040
<v Speaker 3>Four on the railroad track.

0:13:25.160 --> 0:13:27.280
<v Speaker 1>Yes, yes, okay, that's the one you came to. But

0:13:27.400 --> 0:13:29.640
<v Speaker 1>we had one, we had one before that was on

0:13:29.679 --> 0:13:32.160
<v Speaker 1>Walker Street and when he came to was the one

0:13:32.160 --> 0:13:34.880
<v Speaker 1>we bought. We paid three fifty four for a building,

0:13:35.040 --> 0:13:39.960
<v Speaker 1>a building, ten thousand square foot building, ten thousand square

0:13:39.960 --> 0:13:43.200
<v Speaker 1>foot building on King like this is plant prime real

0:13:43.280 --> 0:13:45.560
<v Speaker 1>estate right now in Atlanta. That's how much the building

0:13:45.600 --> 0:13:52.040
<v Speaker 1>is working now, three million, three million. They going for

0:13:52.080 --> 0:13:55.040
<v Speaker 1>three million over there's prime real estate three fifty and

0:13:55.080 --> 0:13:57.680
<v Speaker 1>we sold it. We sold it with.

0:13:59.679 --> 0:14:01.880
<v Speaker 3>Yeah whatever whatever.

0:14:02.679 --> 0:14:07.439
<v Speaker 1>So Puff wants to producers, so we said, long as

0:14:07.720 --> 0:14:11.160
<v Speaker 1>it is produced by Bad Boy slash Noontime. I mean yeah, yeah,

0:14:11.200 --> 0:14:15.480
<v Speaker 1>bad Boy slash New Time. So in that run we

0:14:15.520 --> 0:14:17.719
<v Speaker 1>were on everything. Jada Up and Den were on all

0:14:17.720 --> 0:14:22.200
<v Speaker 1>the stuff over a bad Boy, the Faiths, Biggie Mace,

0:14:22.960 --> 0:14:26.360
<v Speaker 1>all those records, all those records, and it was Jada

0:14:26.440 --> 0:14:30.760
<v Speaker 1>Up produced by Bad Boy Noontime. So people started noticing,

0:14:30.880 --> 0:14:33.080
<v Speaker 1>like who the fuck is these noontime niggas? Like where

0:14:33.160 --> 0:14:36.400
<v Speaker 1>they come from? So I'll tell you a funny story.

0:14:36.480 --> 0:14:40.880
<v Speaker 1>So we had we can't meet. Let me tell you

0:14:40.960 --> 0:14:44.040
<v Speaker 1>this story. Me and Shakira came out here to start

0:14:44.120 --> 0:14:48.400
<v Speaker 1>Noontime West. Okay, So Shakira was a part of Noontime

0:14:48.400 --> 0:14:49.320
<v Speaker 1>in the beginning as well.

0:14:49.640 --> 0:14:52.080
<v Speaker 6>I didn't know that, like he was. I don't know

0:14:52.120 --> 0:14:55.200
<v Speaker 6>how involved he was, but he was supposed to be

0:14:55.240 --> 0:14:57.120
<v Speaker 6>the fifth fifth guy.

0:14:57.560 --> 0:14:59.840
<v Speaker 1>Him and Neony. I don't know what happened they whatever,

0:15:00.640 --> 0:15:03.520
<v Speaker 1>something happened. I don't know the dynamic that happened between them,

0:15:03.760 --> 0:15:07.560
<v Speaker 1>but something happened Shaki. We didn't, we didn't become a part,

0:15:07.640 --> 0:15:09.160
<v Speaker 1>but me and him came out here at to start

0:15:09.280 --> 0:15:11.680
<v Speaker 1>Noontoime West. So we were just going off to all

0:15:11.680 --> 0:15:12.120
<v Speaker 1>the labels.

0:15:12.200 --> 0:15:15.280
<v Speaker 6>Yeah Young, remember Yah yab Young and.

0:15:15.200 --> 0:15:18.680
<v Speaker 1>We went to Yeah. Erica Grayson was over a Sony

0:15:18.760 --> 0:15:24.480
<v Speaker 1>music publisher, right remember her. So Erica was one of

0:15:24.520 --> 0:15:27.360
<v Speaker 1>the first people out here to embrace us. So she

0:15:27.760 --> 0:15:31.800
<v Speaker 1>so we did a deal, and this is we did.

0:15:31.920 --> 0:15:36.480
<v Speaker 1>Jada didn't have not one record out. He did a

0:15:36.520 --> 0:15:40.480
<v Speaker 1>seven hundred and fifty thousand dollars publishing deal with no records,

0:15:41.120 --> 0:15:45.600
<v Speaker 1>zero records out. All she had was the shit that

0:15:45.720 --> 0:15:47.520
<v Speaker 1>was coming out. No, this ship that was supposed to

0:15:47.520 --> 0:15:49.080
<v Speaker 1>be coming out on bad Boy.

0:15:49.600 --> 0:15:50.160
<v Speaker 7>That was it.

0:15:50.640 --> 0:15:53.480
<v Speaker 1>This is coming out on bad Boy. Seven hundred and

0:15:53.520 --> 0:15:58.640
<v Speaker 1>fifty thousand dollars publishing deal with no records in the marketplace.

0:15:59.480 --> 0:16:05.280
<v Speaker 1>And then goes and does Survivor and gets he gets Shape,

0:16:05.480 --> 0:16:08.720
<v Speaker 1>gave him a five hundred thousand dollars publis publishing deal.

0:16:09.960 --> 0:16:13.400
<v Speaker 6>Oh yeah, I was just getting money off of one record.

0:16:14.360 --> 0:16:20.120
<v Speaker 1>So yeah, So then b Cox comes, Jazzy comes, you know,

0:16:20.160 --> 0:16:22.280
<v Speaker 1>what I mean. This is after j and Dent, but

0:16:22.360 --> 0:16:26.000
<v Speaker 1>Jazzy comes, b Cox comes, and b Cox's story is

0:16:26.000 --> 0:16:29.000
<v Speaker 1>crazy like he he used to he came. He was

0:16:29.000 --> 0:16:32.320
<v Speaker 1>coming as like an engineer, like you know most producers coming.

0:16:32.400 --> 0:16:34.560
<v Speaker 1>He came in as an engineer. Think it's passing out.

0:16:35.040 --> 0:16:37.880
<v Speaker 1>We were passing our flyers on the clock Atlanta campus

0:16:38.320 --> 0:16:41.160
<v Speaker 1>and niggas like we was looking for engineers. So b

0:16:41.360 --> 0:16:44.240
<v Speaker 1>Cox came and he used to come over there engineer.

0:16:44.760 --> 0:16:47.920
<v Speaker 1>So I one day you know how you were in

0:16:47.920 --> 0:16:50.720
<v Speaker 1>a student remember late late at night and Jay you

0:16:50.760 --> 0:16:53.240
<v Speaker 1>remember this too, Like you would be in the studio

0:16:54.040 --> 0:16:56.760
<v Speaker 1>and NIGGASO just be sitting around kicking and talking and talking.

0:16:56.920 --> 0:17:00.440
<v Speaker 1>And this is the time we had dat's So b

0:17:00.640 --> 0:17:04.000
<v Speaker 1>Cox was real slick. So he would just put his

0:17:04.119 --> 0:17:13.440
<v Speaker 1>dats in while we're sitting around talking. Yo. That ship

0:17:13.640 --> 0:17:20.360
<v Speaker 1>yeah yeah, I produce Okay, ship sounds good. And that's

0:17:20.400 --> 0:17:23.240
<v Speaker 1>how he got to be, you know, came on as

0:17:23.240 --> 0:17:26.399
<v Speaker 1>a producer. Yeah, just being in the studio he wasn't

0:17:26.480 --> 0:17:29.600
<v Speaker 1>you know. And then Jazzy came on and Jazz you

0:17:29.640 --> 0:17:31.200
<v Speaker 1>know how flamboyant Jackue he was.

0:17:31.520 --> 0:17:37.120
<v Speaker 6>You know what I mean, he's a physical so him

0:17:37.119 --> 0:17:40.080
<v Speaker 6>and noone he had a relationship, and then that's how

0:17:40.119 --> 0:17:40.720
<v Speaker 6>that develops.

0:17:40.800 --> 0:17:42.040
<v Speaker 1>Nestles they all came in.

0:17:43.400 --> 0:17:47.800
<v Speaker 3>How was it set up though? Okay, so because you're

0:17:47.840 --> 0:17:54.439
<v Speaker 3>saying y'all signed them two other entities though, right, Like

0:17:54.480 --> 0:17:56.640
<v Speaker 3>you what did you share in man?

0:17:57.880 --> 0:18:00.959
<v Speaker 6>Yeah, we had the we owned the publishing Okay, well

0:18:01.000 --> 0:18:02.320
<v Speaker 6>you got that a publishing company.

0:18:02.400 --> 0:18:04.240
<v Speaker 3>Yeah, okay, we got over.

0:18:04.200 --> 0:18:07.040
<v Speaker 6>And you and you managed nine hundred copyrights and you

0:18:07.160 --> 0:18:09.240
<v Speaker 6>managed them as producers.

0:18:09.320 --> 0:18:10.320
<v Speaker 3>Yeah okay, and.

0:18:10.280 --> 0:18:12.760
<v Speaker 1>We managed them as producers. So the same thing with

0:18:12.880 --> 0:18:16.399
<v Speaker 1>JD we did with b Cos Okay, same thing we

0:18:16.440 --> 0:18:17.600
<v Speaker 1>did with Puff we did would be.

0:18:17.720 --> 0:18:19.400
<v Speaker 3>I was there when y'all did that, and.

0:18:19.320 --> 0:18:25.040
<v Speaker 1>You know how that developed was because somehow, I don't

0:18:25.040 --> 0:18:29.919
<v Speaker 1>know remember Jagged Edge, right, So b Cox started working

0:18:29.960 --> 0:18:34.840
<v Speaker 1>with them after nobody really wanted was really messing with

0:18:34.920 --> 0:18:38.040
<v Speaker 1>jacket Is. So they came up with these incredible records

0:18:38.840 --> 0:18:41.199
<v Speaker 1>and j D heard him and was like, oh this

0:18:41.280 --> 0:18:45.240
<v Speaker 1>ship is he's as fire. And that's how b Cox

0:18:45.520 --> 0:18:48.080
<v Speaker 1>got on with the Jacket Edge. That's what put him

0:18:48.080 --> 0:18:49.879
<v Speaker 1>on on the map with some jacket Is because they

0:18:49.920 --> 0:18:50.560
<v Speaker 1>was working together.

0:18:50.680 --> 0:18:50.840
<v Speaker 3>Yeah.

0:18:51.280 --> 0:18:54.000
<v Speaker 4>Yeah, I used to go over there with him and

0:18:54.119 --> 0:18:56.400
<v Speaker 4>he used to first go over there with them with

0:18:56.800 --> 0:19:00.000
<v Speaker 4>uh with Jacket Elk and Jacket Edge.

0:19:00.160 --> 0:19:00.360
<v Speaker 1>Yeah.

0:19:00.520 --> 0:19:02.120
<v Speaker 3>So they used to be over there working of course

0:19:02.160 --> 0:19:02.760
<v Speaker 3>at New Time.

0:19:03.000 --> 0:19:06.280
<v Speaker 4>Yeah, yes, and it will be it would be be

0:19:06.480 --> 0:19:09.720
<v Speaker 4>Cox Beats or whatever that they actually wrote a song

0:19:09.800 --> 0:19:12.280
<v Speaker 4>for me that's not really how I see you. Not

0:19:12.400 --> 0:19:15.560
<v Speaker 4>cool with them, yes, And then they were like, we're

0:19:15.560 --> 0:19:17.959
<v Speaker 4>going over to j D's and I was like, Jermaine

0:19:18.000 --> 0:19:21.359
<v Speaker 4>the pre JD. Yeah, it's like yeah. I was like

0:19:21.480 --> 0:19:24.439
<v Speaker 4>I want to go. So Donny was like, yeah, let's go.

0:19:24.520 --> 0:19:24.800
<v Speaker 3>Let's go.

0:19:24.920 --> 0:19:27.399
<v Speaker 4>Donnie's CAAs, let's go. And I was like, cool, let's go.

0:19:28.160 --> 0:19:30.200
<v Speaker 4>We go over to the studio and that's where I'm

0:19:30.200 --> 0:19:36.800
<v Speaker 4>seeing b Cox and j D kind of developed.

0:19:37.119 --> 0:19:38.320
<v Speaker 3>And I'm watching him.

0:19:38.600 --> 0:19:41.560
<v Speaker 4>You know, I don't want to say specifically that he

0:19:42.240 --> 0:19:46.000
<v Speaker 4>coached be Cox into DJing, but that's where I first

0:19:46.000 --> 0:19:49.840
<v Speaker 4>saw b Cox getting behind the turntables, that's probably and

0:19:49.920 --> 0:19:50.920
<v Speaker 4>learning how to DJ.

0:19:51.080 --> 0:19:51.520
<v Speaker 1>That's probably.

0:19:51.560 --> 0:19:53.600
<v Speaker 3>That's probably, know what I'm saying. Yes, And I was like,

0:19:53.600 --> 0:19:54.000
<v Speaker 3>what are you doing?

0:19:54.040 --> 0:19:56.080
<v Speaker 4>He said, yeah, you know, JD DJ, I got to

0:19:56.119 --> 0:19:58.200
<v Speaker 4>learn how to DJ. And I was like, oh, okay, Ship,

0:19:58.280 --> 0:20:01.159
<v Speaker 4>I'm in there just watching this nigga funk up the

0:20:01.440 --> 0:20:02.160
<v Speaker 4>DJ equipment.

0:20:02.200 --> 0:20:04.360
<v Speaker 3>But I'm like, all right, niggas, don't go with that record.

0:20:04.400 --> 0:20:07.320
<v Speaker 3>That's that's where.

0:20:07.119 --> 0:20:09.560
<v Speaker 1>He yeah, that's where he prove round.

0:20:09.560 --> 0:20:12.520
<v Speaker 4>And then Jacket is like, yeah, nigga we hoop. I

0:20:12.560 --> 0:20:15.520
<v Speaker 4>was like, Nigga, I don't hoop and nigga we do hoop.

0:20:15.560 --> 0:20:18.000
<v Speaker 4>And I was like, well, let's go hoop. And there

0:20:18.040 --> 0:20:19.439
<v Speaker 4>was a nigga j got a gym. I was like,

0:20:19.680 --> 0:20:21.640
<v Speaker 4>gym a little bat.

0:20:23.000 --> 0:20:26.240
<v Speaker 3>Right down the hallway. I was like, down the hallway.

0:20:26.280 --> 0:20:28.800
<v Speaker 3>Get it showed. This time I was at that studio.

0:20:29.480 --> 0:20:31.480
<v Speaker 3>This niggas has oh this is everything.

0:20:31.200 --> 0:20:32.800
<v Speaker 1>Is park Nigga.

0:20:33.160 --> 0:20:37.159
<v Speaker 3>It was niggas so crazy. You know, when we bring

0:20:37.280 --> 0:20:42.280
<v Speaker 3>him on the go, they gotta validated this is it's

0:20:42.480 --> 0:20:43.400
<v Speaker 3>real or not? Tank?

0:20:43.680 --> 0:20:48.320
<v Speaker 1>I mean, I mean Tank been dunking for you.

0:20:47.960 --> 0:20:50.080
<v Speaker 3>Like the fifth grade nigga was flying.

0:20:50.560 --> 0:20:52.119
<v Speaker 1>I didn't think you because I couldn't think you can.

0:20:52.320 --> 0:20:55.120
<v Speaker 1>Nobody ever did. I didn't think I ever did. I've

0:20:55.119 --> 0:20:56.800
<v Speaker 1>seen the nigga. We played one day and I said,

0:20:56.800 --> 0:20:58.840
<v Speaker 1>this niggas jumping out of the gym doing all these

0:20:58.880 --> 0:21:01.080
<v Speaker 1>crazy I you.

0:21:01.000 --> 0:21:04.160
<v Speaker 6>Know, the nigga will dunk off Burt nah, I ain't

0:21:04.200 --> 0:21:08.159
<v Speaker 6>no way.

0:21:09.600 --> 0:21:09.800
<v Speaker 1>Yeah.

0:21:10.560 --> 0:21:16.840
<v Speaker 3>So that all was pivotal, yeah for me, all of that, and.

0:21:16.880 --> 0:21:19.240
<v Speaker 1>Pivotal for us too, because that's how LaToya came in

0:21:19.240 --> 0:21:20.760
<v Speaker 1>to play, because you know, she was dating one of

0:21:20.800 --> 0:21:23.480
<v Speaker 1>the guys, okay, and that's how we met. That's how

0:21:23.520 --> 0:21:27.440
<v Speaker 1>Toya came to us. It was from that, From that, that.

0:21:27.480 --> 0:21:37.840
<v Speaker 4>Relationship, it's I got I got so many questions. I mean,

0:21:37.880 --> 0:21:39.439
<v Speaker 4>I know you too, you my friends, but it's still like,

0:21:39.440 --> 0:21:40.800
<v Speaker 4>I got so many questions, you know what I'm saying,

0:21:40.800 --> 0:21:46.080
<v Speaker 4>because getting into the inner workings of like your business

0:21:46.240 --> 0:21:49.000
<v Speaker 4>is a different type of conversation, you know what I'm saying,

0:21:49.000 --> 0:21:54.160
<v Speaker 4>Because there comes a point where for us outside looking

0:21:54.200 --> 0:21:58.280
<v Speaker 4>in noontime is it right? Noon time is a real

0:21:58.800 --> 0:22:01.120
<v Speaker 4>one stop shot where you can get.

0:22:01.400 --> 0:22:03.600
<v Speaker 1>Your good And that's what that's that's what we were,

0:22:03.760 --> 0:22:03.919
<v Speaker 1>you know.

0:22:03.880 --> 0:22:04.280
<v Speaker 3>What I'm saying.

0:22:04.960 --> 0:22:07.760
<v Speaker 4>And and then there comes a point in time where

0:22:08.760 --> 0:22:16.159
<v Speaker 4>it's not anymore. It dissolves and and the bosses are

0:22:16.240 --> 0:22:19.920
<v Speaker 4>kind of going in different directions.

0:22:20.400 --> 0:22:21.760
<v Speaker 1>And that's exactly what happened.

0:22:22.560 --> 0:22:23.439
<v Speaker 3>And what is.

0:22:24.840 --> 0:22:29.960
<v Speaker 4>If if not too much too much into it, how

0:22:30.000 --> 0:22:31.399
<v Speaker 4>does how does that happen?

0:22:32.920 --> 0:22:35.600
<v Speaker 1>Because you know the downfall of black men. Ro it's

0:22:35.640 --> 0:22:38.639
<v Speaker 1>two things that that kill us. It's our egos and

0:22:38.680 --> 0:22:39.920
<v Speaker 1>we don't share resources.

0:22:40.359 --> 0:22:40.639
<v Speaker 3>Mhm.

0:22:41.359 --> 0:22:45.080
<v Speaker 1>So it was egos. It was egos. It was it

0:22:45.119 --> 0:22:47.600
<v Speaker 1>was it was the egos man, like you know, and

0:22:47.600 --> 0:22:51.240
<v Speaker 1>and that that was our downfall and had we had

0:22:51.280 --> 0:22:56.280
<v Speaker 1>we stuck it out and like you said, like you said,

0:22:56.760 --> 0:23:00.399
<v Speaker 1>all other people people admire what we did, like they

0:23:00.560 --> 0:23:03.720
<v Speaker 1>like this, that nobody did it like that and in

0:23:03.720 --> 0:23:06.960
<v Speaker 1>that fashion. And yeah, it was the egos man. It

0:23:07.040 --> 0:23:07.920
<v Speaker 1>was just egos.

0:23:08.480 --> 0:23:10.879
<v Speaker 4>It became like the it became a model. It was

0:23:10.880 --> 0:23:15.080
<v Speaker 4>a it was a we need somebody.

0:23:14.800 --> 0:23:18.600
<v Speaker 1>Had producers at one studio this studio, that studio, that studio,

0:23:18.640 --> 0:23:26.440
<v Speaker 1>and you know puff did with gar of our guys,

0:23:26.520 --> 0:23:28.680
<v Speaker 1>but they weren't I don't, I don't. I don't know

0:23:29.280 --> 0:23:31.800
<v Speaker 1>how that he had. I think he had like one

0:23:31.880 --> 0:23:35.040
<v Speaker 1>or two rooms maybe, and Daddy House we had.

0:23:34.880 --> 0:23:38.080
<v Speaker 3>Four or five rooms, so continuously.

0:23:37.400 --> 0:23:41.280
<v Speaker 1>Going, continuously going with the producers had their own room.

0:23:41.800 --> 0:23:44.960
<v Speaker 1>You know what I'm saying. We built the rooms specifically

0:23:45.040 --> 0:23:47.480
<v Speaker 1>for them to have their own rooms.

0:23:47.880 --> 0:23:50.199
<v Speaker 4>It's because I watched you all individually. I watched the

0:23:50.240 --> 0:23:52.679
<v Speaker 4>things that you all have have have moved into and

0:23:52.680 --> 0:23:56.160
<v Speaker 4>accomplished individually, and I'm thinking about all of that being

0:23:56.320 --> 0:23:58.760
<v Speaker 4>under one run Jesus.

0:23:58.920 --> 0:24:03.960
<v Speaker 1>And it's not like the amount of executives that we

0:24:04.240 --> 0:24:06.639
<v Speaker 1>that we that we put out, like Jaha used to

0:24:06.720 --> 0:24:10.399
<v Speaker 1>work for us, Secure used to work April used to

0:24:10.440 --> 0:24:15.679
<v Speaker 1>work for us. Wow, Seante Page used to work for us.

0:24:16.640 --> 0:24:20.200
<v Speaker 1>Know what I mean? All came through noon time. Yeah,

0:24:20.240 --> 0:24:20.960
<v Speaker 1>they all came through.

0:24:21.240 --> 0:24:23.679
<v Speaker 3>How long did you guys have the company?

0:24:25.400 --> 0:24:30.719
<v Speaker 1>We started two thousand now, nineteen ninety probably ninety seven,

0:24:31.240 --> 0:24:35.040
<v Speaker 1>because we moved ninety seven to about I would say

0:24:35.040 --> 0:24:41.680
<v Speaker 1>two thousand and seven late about ten years, yeah, about

0:24:41.680 --> 0:24:46.480
<v Speaker 1>ten And then Nooney and Jazzy started showing up, which

0:24:46.640 --> 0:24:52.200
<v Speaker 1>was yeah, which was Sierra and yeah Sierra. What was

0:24:52.280 --> 0:24:54.840
<v Speaker 1>the other group they had Cherish?

0:24:55.119 --> 0:25:00.399
<v Speaker 6>Yeah, yeah, Cherishes with the sisters tw Yeah they were

0:25:00.600 --> 0:25:03.040
<v Speaker 6>yeah yeah wait so because that was what I was

0:25:03.080 --> 0:25:04.560
<v Speaker 6>going to ask you about noontime.

0:25:05.359 --> 0:25:09.720
<v Speaker 3>So you have all these producers Polo was a part

0:25:09.720 --> 0:25:11.840
<v Speaker 3>of about to say, yeah, Polo absolute.

0:25:13.320 --> 0:25:17.080
<v Speaker 1>Same as him, nobody really respect Yes, he was in

0:25:17.080 --> 0:25:17.720
<v Speaker 1>a group.

0:25:17.520 --> 0:25:22.200
<v Speaker 3>Called Jim's in Jim Crow. He was in Jim Crow.

0:25:22.640 --> 0:25:26.879
<v Speaker 6>We got to deal with Jimmy Ivan and and DJ

0:25:27.119 --> 0:25:28.400
<v Speaker 6>and that was a noon time DJ.

0:25:28.760 --> 0:25:34.040
<v Speaker 1>Yes, DJ was just coming out of he was in

0:25:34.080 --> 0:25:37.360
<v Speaker 1>college in Boston College. He was in Boston College. We

0:25:37.440 --> 0:25:40.840
<v Speaker 1>met up there with Jimmy. DJ brought us to meet

0:25:40.840 --> 0:25:46.640
<v Speaker 1>with Jimmy to sign jim Crow right, and Jimmy was like, Yo,

0:25:46.960 --> 0:25:50.960
<v Speaker 1>hey guys, I love this group. This group is fantastic.

0:25:51.000 --> 0:25:52.800
<v Speaker 1>We're going to sign them, but I want you to

0:25:52.840 --> 0:25:55.600
<v Speaker 1>listen to something. Can you please take a listen to

0:25:55.680 --> 0:25:56.800
<v Speaker 1>something and tell me what you think.

0:25:56.840 --> 0:25:59.400
<v Speaker 3>Always want you to listen, Always want you to.

0:25:59.480 --> 0:26:03.000
<v Speaker 1>Said, he said, take a listen to something. Hi, my

0:26:03.119 --> 0:26:10.800
<v Speaker 1>name is. Hi, my name is. He was like, guys,

0:26:10.960 --> 0:26:12.320
<v Speaker 1>what do you think about this guy?

0:26:13.480 --> 0:26:14.240
<v Speaker 3>Like who is that?

0:26:14.359 --> 0:26:17.960
<v Speaker 1>He was like, this kid was about to sign eminem

0:26:18.119 --> 0:26:21.200
<v Speaker 1>It's like, oh, I mean the record was it was.

0:26:21.320 --> 0:26:24.159
<v Speaker 1>It was a record. You can hear that from the beginning.

0:26:24.160 --> 0:26:25.639
<v Speaker 1>As soon as you heard that record, you know.

0:26:25.720 --> 0:26:26.359
<v Speaker 3>What that was.

0:26:27.760 --> 0:26:30.119
<v Speaker 1>And uh yeah, so he signed, So he signed the group.

0:26:30.560 --> 0:26:33.560
<v Speaker 1>Polo was a part of that group. But Polo was like,

0:26:33.680 --> 0:26:37.000
<v Speaker 1>you like, nobody like he used to produce, but nobody

0:26:37.200 --> 0:26:39.720
<v Speaker 1>we wouldn't take him seriously, you know what I mean?

0:26:39.840 --> 0:26:44.480
<v Speaker 1>But Polo was a really fucking dope producer, saying super.

0:26:44.280 --> 0:26:46.440
<v Speaker 6>Dumb, because that's what I was going to ask as

0:26:46.440 --> 0:26:49.480
<v Speaker 6>far as like the transition of having.

0:26:51.280 --> 0:26:55.480
<v Speaker 3>All these producers, when did the artist come?

0:26:55.680 --> 0:26:57.800
<v Speaker 6>You know what I'm saying, because obviously that is that

0:26:57.960 --> 0:27:00.480
<v Speaker 6>is the pivot, right that you have the you got

0:27:00.520 --> 0:27:01.160
<v Speaker 6>the music, you got.

0:27:01.040 --> 0:27:03.760
<v Speaker 1>The people don't know this, but we was. We signed

0:27:03.800 --> 0:27:05.200
<v Speaker 1>to Shanty when she was sixteen.

0:27:06.040 --> 0:27:06.280
<v Speaker 3>Ship.

0:27:06.840 --> 0:27:11.840
<v Speaker 1>Yes, Ashanti was signing the noon time. Yes, Kendall Mintor,

0:27:11.840 --> 0:27:16.919
<v Speaker 1>you remember Kendall Mentor, the attorney Kendall Mentor was introduced

0:27:17.000 --> 0:27:23.200
<v Speaker 1>us to her. We signed her, did a bunch of

0:27:23.240 --> 0:27:25.840
<v Speaker 1>crazy that. Yeah, we did a bunch of crazy records

0:27:25.880 --> 0:27:30.879
<v Speaker 1>on her, and then we got we got our first deal.

0:27:31.000 --> 0:27:35.600
<v Speaker 1>We got our first deal with Sony uh Ron uh Ron,

0:27:35.800 --> 0:27:40.520
<v Speaker 1>what's his name, Dave Sweeney? You know remember day day

0:27:40.560 --> 0:27:43.480
<v Speaker 1>Sweeney was over there? Ron what was that? No, not

0:27:43.600 --> 0:27:47.919
<v Speaker 1>Ron Gillyard attorney, He was an attorney, but he ran Sony.

0:27:48.440 --> 0:27:52.960
<v Speaker 1>But anyway, so we shined Ashanti and we did all

0:27:52.960 --> 0:27:56.640
<v Speaker 1>of these like huge, big record I mean, like really

0:27:56.680 --> 0:28:01.600
<v Speaker 1>dope records, and we went over to Sony and Dave

0:28:01.680 --> 0:28:06.040
<v Speaker 1>McPherson was like, I don't know about her. We was

0:28:06.119 --> 0:28:09.200
<v Speaker 1>like really, so when I tell you this other name,

0:28:09.200 --> 0:28:11.160
<v Speaker 1>you're gonna be like, damn, I forgot about that, remember.

0:28:11.800 --> 0:28:18.840
<v Speaker 1>Of course, So we had a female rapper, right, so

0:28:19.600 --> 0:28:22.840
<v Speaker 1>they was like, we like her, y'all need to put

0:28:22.840 --> 0:28:26.359
<v Speaker 1>all your money behind her. Let's put let's put the

0:28:26.440 --> 0:28:31.119
<v Speaker 1>bag behind her. And that's what they did. They we

0:28:31.200 --> 0:28:34.280
<v Speaker 1>had trick Daddy, we had Juvenile, we had jar Rule.

0:28:35.720 --> 0:28:40.000
<v Speaker 1>Went to go pay jay Z five hundred thousand dollars cash,

0:28:40.560 --> 0:28:44.720
<v Speaker 1>we'll get on her record. Yes, yes, on cha's record

0:28:46.240 --> 0:28:53.600
<v Speaker 1>cash cash you no, No, I don't know what happened.

0:28:54.000 --> 0:28:55.840
<v Speaker 1>He was going to do it. He wanted to do it.

0:28:55.920 --> 0:28:57.760
<v Speaker 1>I'm gonna tell you he wanted to do it. But

0:28:57.800 --> 0:29:02.280
<v Speaker 1>when I tell you, she had absolutely everybody who was

0:29:02.320 --> 0:29:06.680
<v Speaker 1>hot at that time on her record. And Sony was like, yo,

0:29:06.760 --> 0:29:08.360
<v Speaker 1>this is the artist. We want to get behind it.

0:29:08.440 --> 0:29:10.480
<v Speaker 1>We we you know, we knew in the game. We

0:29:10.600 --> 0:29:13.120
<v Speaker 1>just this is our first role. Were just like, fuck it, man,

0:29:13.160 --> 0:29:18.200
<v Speaker 1>y'all gonna put the money behind her. So what happened

0:29:18.280 --> 0:29:22.800
<v Speaker 1>was Ashanti we still had her sign and you know

0:29:22.880 --> 0:29:25.920
<v Speaker 1>how you know how artists you feel like you're not

0:29:26.120 --> 0:29:34.160
<v Speaker 1>paying attention to yes man, and let me out yes, yes, yes,

0:29:34.800 --> 0:29:38.440
<v Speaker 1>so and I remember this like like like yesterday. So

0:29:38.520 --> 0:29:41.640
<v Speaker 1>the straw with the shanty was she had got into

0:29:41.640 --> 0:29:46.520
<v Speaker 1>a car accident right down in Atlanta, and they were

0:29:46.960 --> 0:29:50.520
<v Speaker 1>her and her mom were calling the guys down in

0:29:50.520 --> 0:29:54.880
<v Speaker 1>Atlanta about about you know, trying to get her help

0:29:54.920 --> 0:29:56.640
<v Speaker 1>or helping her out or whatever, trying to you know

0:29:56.680 --> 0:29:59.440
<v Speaker 1>what I'm saying. So I guess they didn't nobody return

0:29:59.520 --> 0:30:02.000
<v Speaker 1>the calls of you know, talk to the mom or whatever.

0:30:02.360 --> 0:30:04.040
<v Speaker 1>So they called I was out here and now like

0:30:04.160 --> 0:30:08.280
<v Speaker 1>I had already like relocated out here. They called me

0:30:08.720 --> 0:30:12.080
<v Speaker 1>and they were like, Terry, Ashanti's just got into an accident.

0:30:12.200 --> 0:30:15.920
<v Speaker 1>She's crying, she's upset. You guys, you guys are not

0:30:16.160 --> 0:30:18.440
<v Speaker 1>You're not You're not doing right by her. We want

0:30:18.480 --> 0:30:22.760
<v Speaker 1>to get out of the contract. So talk to the guys.

0:30:22.760 --> 0:30:24.640
<v Speaker 1>We had a meeting about it. Talk to the guys.

0:30:25.400 --> 0:30:27.080
<v Speaker 1>We had a meeting and we were just like, yo,

0:30:27.080 --> 0:30:28.640
<v Speaker 1>we're just going We just hated to let her go,

0:30:30.880 --> 0:30:36.640
<v Speaker 1>and we let her go and her picked her up history,

0:30:37.240 --> 0:30:39.040
<v Speaker 1>but we had her signed to sixteen.

0:30:39.520 --> 0:30:46.400
<v Speaker 4>Absolute absolutely crow Ashanti. Yeah, Sierra, Sierra.

0:30:46.560 --> 0:30:51.040
<v Speaker 6>Oh, he got another guy, he got another like hiding Jim.

0:30:51.120 --> 0:30:51.600
<v Speaker 1>I got that.

0:30:51.920 --> 0:30:57.520
<v Speaker 4>That didn't turn out to be an artist. Who tell

0:30:57.600 --> 0:31:01.200
<v Speaker 4>us about the groups you signed? Oh they got they

0:31:01.280 --> 0:31:04.840
<v Speaker 4>got a certain famous, super famous actor in it.

0:31:05.280 --> 0:31:10.360
<v Speaker 1>Oh so so the first group. So the first group

0:31:10.400 --> 0:31:13.040
<v Speaker 1>I signed. This is a crazy story too. The first

0:31:13.040 --> 0:31:17.920
<v Speaker 1>group I signed was this group group called Quatro Quatro.

0:31:18.000 --> 0:31:21.880
<v Speaker 1>Everybody out of DC group qua Quatro. I didn't know

0:31:21.920 --> 0:31:25.200
<v Speaker 1>anything about music, dang. I just know growing up I

0:31:25.280 --> 0:31:27.960
<v Speaker 1>love music. My grandmother used to play the records and

0:31:28.000 --> 0:31:29.520
<v Speaker 1>I just to listen to him. I just love R

0:31:29.520 --> 0:31:31.960
<v Speaker 1>and B. So I just I always wanted to be so,

0:31:32.880 --> 0:31:35.000
<v Speaker 1>you know, doing the street shit I was doing. I

0:31:35.040 --> 0:31:36.520
<v Speaker 1>was like, yo, I want to be an entrepreneur. I

0:31:36.520 --> 0:31:38.800
<v Speaker 1>don't want to be. I don't want to be. You

0:31:38.840 --> 0:31:42.000
<v Speaker 1>can't do wrong, fab, It's not gonna happen. So you

0:31:42.080 --> 0:31:44.240
<v Speaker 1>told you this, old you to have king Pin dreams.

0:31:44.800 --> 0:31:47.200
<v Speaker 3>No doing this to get to something.

0:31:47.240 --> 0:31:49.280
<v Speaker 1>I'm doing this to get to something because the old

0:31:49.280 --> 0:31:51.240
<v Speaker 1>man told me. One time I sat down with him,

0:31:51.600 --> 0:31:53.719
<v Speaker 1>so dude, hustling dude. He was like, yo, bro, let

0:31:53.720 --> 0:31:56.360
<v Speaker 1>me tell you something. You ever heard the law of averages?

0:31:56.680 --> 0:31:59.800
<v Speaker 1>And I was like, what is that? He was like,

0:32:00.200 --> 0:32:03.640
<v Speaker 1>a lot of averages. Mean, at some point, at some time,

0:32:04.560 --> 0:32:07.240
<v Speaker 1>something's going to catch up to you. It's called a

0:32:07.280 --> 0:32:11.320
<v Speaker 1>lot of averages. Can you do something enough, it's going

0:32:11.400 --> 0:32:14.200
<v Speaker 1>to catch it. And he said, you can't. You can't.

0:32:14.240 --> 0:32:17.520
<v Speaker 1>You have to have a mentality. You have a hustle's mentality,

0:32:17.680 --> 0:32:20.600
<v Speaker 1>but you got to channel that in another in another way.

0:32:21.400 --> 0:32:23.320
<v Speaker 1>So that's what I was doing. So that's how we

0:32:23.360 --> 0:32:26.080
<v Speaker 1>started the music. And then you know, once the new

0:32:26.520 --> 0:32:29.600
<v Speaker 1>music executive, the new drug dealer was the new music.

0:32:30.520 --> 0:32:33.000
<v Speaker 1>The new music exactly became the new that was a

0:32:33.080 --> 0:32:36.080
<v Speaker 1>sexy You was sexy if you was you had the music.

0:32:36.240 --> 0:32:38.960
<v Speaker 1>He was doing music. So that's what that's what I did.

0:32:39.040 --> 0:32:42.080
<v Speaker 1>So I had this. I started. I was like, y'all,

0:32:42.080 --> 0:32:43.560
<v Speaker 1>I want to do something. Man let me put so

0:32:43.720 --> 0:32:48.440
<v Speaker 1>schante page. I never knew. I didn't anything about studio,

0:32:48.560 --> 0:32:51.080
<v Speaker 1>never been to a studio, never been anywhere. She's like,

0:32:51.120 --> 0:32:53.160
<v Speaker 1>I got this group. She's like, Terry. She called me

0:32:53.160 --> 0:32:55.400
<v Speaker 1>one day and was like, YO, you got all this money.

0:32:55.600 --> 0:32:57.640
<v Speaker 1>What are you doing with it? And I was like,

0:32:58.240 --> 0:33:01.120
<v Speaker 1>I don't know. Shante. She was like, she's like, why

0:33:01.120 --> 0:33:03.000
<v Speaker 1>don't you help me manage this group? Why don't you

0:33:03.320 --> 0:33:04.960
<v Speaker 1>pay for some of this stuff and help me manage

0:33:04.960 --> 0:33:09.520
<v Speaker 1>this group. I was like, all right, so we go manager.

0:33:10.080 --> 0:33:12.800
<v Speaker 1>I started managing the group with her, started, you know,

0:33:12.840 --> 0:33:16.600
<v Speaker 1>buying records, sold my first record, first time I ever

0:33:16.680 --> 0:33:20.360
<v Speaker 1>went to a studio. Ever. I go into the studio,

0:33:20.480 --> 0:33:24.360
<v Speaker 1>chante WeGo. I'm like, damn this shit sixty like this

0:33:24.400 --> 0:33:26.680
<v Speaker 1>is this is a vibe right now, this is a

0:33:26.760 --> 0:33:31.720
<v Speaker 1>hell of a vibe studio music. And we go get

0:33:31.720 --> 0:33:36.600
<v Speaker 1>a beat from this producer. Two hundred and fifty dollars

0:33:38.200 --> 0:33:42.080
<v Speaker 1>for the beat. Guess who the producer was, Checkie Thompson.

0:33:42.280 --> 0:33:43.800
<v Speaker 3>Get the fuck out of his Nigga bought.

0:33:43.640 --> 0:33:49.640
<v Speaker 6>A Checkie Thompson beat for two hundred and fifty fucking dollars.

0:33:49.960 --> 0:33:50.960
<v Speaker 3>No way, I.

0:33:50.960 --> 0:33:54.720
<v Speaker 1>Swear to god, two hundred and fifty dollars. Two hundred

0:33:54.720 --> 0:33:58.040
<v Speaker 1>and fifty dollars. So going back to what he says,

0:33:58.280 --> 0:34:01.600
<v Speaker 1>one of the dudes in the group was Michael Eeley.

0:34:02.240 --> 0:34:07.000
<v Speaker 4>Get the fuck out here about get the fuck out

0:34:07.040 --> 0:34:08.560
<v Speaker 4>of here, Michael.

0:34:10.000 --> 0:34:10.920
<v Speaker 1>I'll show you the picture.

0:34:11.040 --> 0:34:12.880
<v Speaker 3>Michael, we need you on the crib.

0:34:13.840 --> 0:34:14.239
<v Speaker 1>Hold on.

0:34:14.360 --> 0:34:15.560
<v Speaker 3>I didn't know what you'd be saying.

0:34:15.800 --> 0:34:17.160
<v Speaker 1>Can I show the table?

0:34:17.200 --> 0:34:17.600
<v Speaker 3>Blue eyes?

0:34:20.480 --> 0:34:21.760
<v Speaker 1>He got the kid.

0:34:23.800 --> 0:34:24.520
<v Speaker 3>Nigga said, he.

0:34:25.560 --> 0:34:26.000
<v Speaker 1>Who is that?

0:34:26.280 --> 0:34:29.840
<v Speaker 4>Who's that in that picture. That was my first group nigga.

0:34:30.400 --> 0:34:32.520
<v Speaker 4>That is crazy.

0:34:33.600 --> 0:34:35.280
<v Speaker 3>That's crazy. That's crazy.

0:34:36.320 --> 0:34:38.160
<v Speaker 1>So did you were you able to get them moving

0:34:38.239 --> 0:34:38.520
<v Speaker 1>at all?

0:34:38.880 --> 0:34:39.720
<v Speaker 3>I didn't nothing.

0:34:39.920 --> 0:34:46.719
<v Speaker 1>We actually actually kind disorder, kind disorder, you know who

0:34:46.719 --> 0:34:50.040
<v Speaker 1>we fuck with? What's the dude they used to manage

0:34:50.080 --> 0:34:55.960
<v Speaker 1>Teddy Teddy? Uh? Yes, okay, we was gonna sign him

0:34:55.960 --> 0:35:00.480
<v Speaker 1>to Jane Griffy with some backdoor deal. I don't even know.

0:34:59.719 --> 0:35:05.000
<v Speaker 1>I you know, I didn't have no clue what the

0:35:05.000 --> 0:35:06.000
<v Speaker 1>contract looked like.

0:35:06.320 --> 0:35:07.520
<v Speaker 3>It was ugly.

0:35:07.600 --> 0:35:09.320
<v Speaker 1>It was gonna be ugly, you know what I'm saying.

0:35:09.719 --> 0:35:12.479
<v Speaker 1>So j Griffy because he lived in DC, he lived

0:35:12.520 --> 0:35:15.040
<v Speaker 1>actually lived up the street. He know, he was actually

0:35:15.080 --> 0:35:17.640
<v Speaker 1>messing with this chick that lived up the street the

0:35:17.640 --> 0:35:20.200
<v Speaker 1>neighborhood I grew up in, and I used to see

0:35:20.239 --> 0:35:23.800
<v Speaker 1>this red this range rover and like in the neighbor

0:35:23.840 --> 0:35:26.359
<v Speaker 1>I'm like, who is this thing? Who's who is this dude?

0:35:26.360 --> 0:35:28.319
<v Speaker 1>And then Shauntey told me she was like, yeah, Dan

0:35:28.960 --> 0:35:31.839
<v Speaker 1>Dream Griffy, he's being being back and forth in DC.

0:35:32.000 --> 0:35:34.560
<v Speaker 1>So yeah, we were, we were going to do a

0:35:34.800 --> 0:35:35.759
<v Speaker 1>situation with him.

0:35:36.040 --> 0:35:37.759
<v Speaker 3>He used to be messing with Cliff and Jerry and

0:35:37.800 --> 0:35:38.200
<v Speaker 3>him out.

0:35:38.120 --> 0:35:41.919
<v Speaker 1>There yes, that was your first That was my first

0:35:42.000 --> 0:35:43.800
<v Speaker 1>interest interest in music, music business?

0:35:43.800 --> 0:35:44.799
<v Speaker 3>How old are you at this point?

0:35:45.320 --> 0:35:51.239
<v Speaker 1>I was probably like this was it probably like twenty three,

0:35:51.360 --> 0:35:51.879
<v Speaker 1>twenty four.

0:35:52.040 --> 0:35:55.839
<v Speaker 6>Yeah, so by this time you're like, listen, I'm the

0:35:55.840 --> 0:35:56.760
<v Speaker 6>money's going somewhere.

0:35:56.840 --> 0:35:59.719
<v Speaker 1>Yes, it's going somewhere else. I can't know because I've

0:35:59.760 --> 0:36:02.160
<v Speaker 1>seen so many people locked up there, like you know

0:36:02.160 --> 0:36:03.960
<v Speaker 1>what I'm saying. Like I had to, I had that

0:36:04.280 --> 0:36:07.080
<v Speaker 1>wherewithal to know that you can't you can't keep doing

0:36:07.120 --> 0:36:09.520
<v Speaker 1>this because it's going to lead to something crazy.

0:36:10.200 --> 0:36:11.879
<v Speaker 3>And how long were you in.

0:36:11.920 --> 0:36:18.759
<v Speaker 6>It before you guys leave to Atlanta? Like so you

0:36:19.120 --> 0:36:21.879
<v Speaker 6>had already been trying to figure the music thing out.

0:36:22.440 --> 0:36:25.280
<v Speaker 1>I had a video store, opened up, a video store.

0:36:25.440 --> 0:36:29.160
<v Speaker 1>Tank did I have a lot? I had a video store.

0:36:29.160 --> 0:36:32.359
<v Speaker 1>I had a carrier service, and then you know it

0:36:32.400 --> 0:36:35.000
<v Speaker 1>was a crazy I had a video store.

0:36:35.040 --> 0:36:39.160
<v Speaker 4>I bought a video So you mean video store videos.

0:36:38.160 --> 0:36:42.359
<v Speaker 1>Like Blockbuster the corner. Blockbuster had a corner block List

0:36:43.520 --> 0:36:49.959
<v Speaker 1>on ninth streak ninth and uh was it s ninth

0:36:50.000 --> 0:36:51.319
<v Speaker 1>and s get the.

0:36:51.680 --> 0:36:54.520
<v Speaker 3>Out of yo was getting money?

0:36:54.600 --> 0:36:57.760
<v Speaker 1>Yeah, listen, so listen, let me tell you some crazy.

0:36:58.160 --> 0:36:59.719
<v Speaker 1>So I had a video store so they had a

0:36:59.760 --> 0:37:02.280
<v Speaker 1>base spend in the video store. Right, I had never

0:37:02.560 --> 0:37:06.120
<v Speaker 1>I bought the store, never been down in the basement

0:37:06.160 --> 0:37:06.640
<v Speaker 1>in the store.

0:37:06.800 --> 0:37:07.920
<v Speaker 3>You never knew it had a basement.

0:37:08.200 --> 0:37:10.560
<v Speaker 1>Never knew it had a basement. But guess what was

0:37:10.560 --> 0:37:15.440
<v Speaker 1>in the basement All X rated videos. That's where they

0:37:15.520 --> 0:37:17.879
<v Speaker 1>kept it. That's where the X rated ship was down

0:37:17.920 --> 0:37:19.759
<v Speaker 1>in the basement. And I didn't even know it. So

0:37:19.880 --> 0:37:24.120
<v Speaker 1>one of the employees that was working there said, Yo,

0:37:24.360 --> 0:37:26.640
<v Speaker 1>do you know there's a downstairs and do you know

0:37:26.719 --> 0:37:29.239
<v Speaker 1>what's down there? And I'm like, no, what is down there?

0:37:29.320 --> 0:37:32.080
<v Speaker 1>She's like, extra, that's where the X rated videos are

0:37:32.680 --> 0:37:34.200
<v Speaker 1>naked is? That's what the butt naked is.

0:37:34.360 --> 0:37:44.319
<v Speaker 4>That's why I spent a lot of my time. I

0:37:44.320 --> 0:37:48.160
<v Speaker 4>hate when I look back on myself back in the

0:37:48.239 --> 0:37:50.959
<v Speaker 4>video store times and I st.

0:37:51.080 --> 0:37:54.200
<v Speaker 1>To no, I snig.

0:37:54.480 --> 0:37:56.120
<v Speaker 3>I just had to get up the nerve because there's

0:37:56.120 --> 0:37:56.960
<v Speaker 3>too many people in here.

0:37:58.440 --> 0:38:02.279
<v Speaker 4>Walk into the black door, because that that door was

0:38:02.320 --> 0:38:05.560
<v Speaker 4>always a different color, and niggas knew when you walk

0:38:05.680 --> 0:38:08.560
<v Speaker 4>back there, what you was going to do was going

0:38:08.600 --> 0:38:14.799
<v Speaker 4>to get that and these people to serve myself so

0:38:15.360 --> 0:38:15.759
<v Speaker 4>that you.

0:38:15.719 --> 0:38:22.319
<v Speaker 1>Know what I'm saying, they had Hey, that video store

0:38:22.360 --> 0:38:24.839
<v Speaker 1>down the street. Oh yeah, that's a nice one.

0:38:24.840 --> 0:38:26.160
<v Speaker 3>Man. How long you had a video store?

0:38:26.400 --> 0:38:29.600
<v Speaker 1>Probably like nine months? Just trying to figure it out.

0:38:29.600 --> 0:38:31.640
<v Speaker 1>I'm just trying to figure it out. I'm trying to

0:38:31.640 --> 0:38:33.400
<v Speaker 1>figure it out. I know, Like I said, I know,

0:38:33.480 --> 0:38:34.360
<v Speaker 1>I can't keep doing this.

0:38:34.520 --> 0:38:35.399
<v Speaker 3>I got to figure it out.

0:38:36.280 --> 0:38:36.799
<v Speaker 1>You know what I mean?

0:38:38.880 --> 0:38:43.720
<v Speaker 6>How much money did you blow initially in the music

0:38:43.760 --> 0:38:46.920
<v Speaker 6>business because people be thinking like, Okay, I'm gonna just

0:38:47.080 --> 0:38:51.320
<v Speaker 6>take this money from overwherever, getting it from.

0:38:51.200 --> 0:38:53.080
<v Speaker 3>From my income tax, and I'm gonna.

0:38:52.880 --> 0:38:56.560
<v Speaker 1>Be cracking a music in a week. You know what

0:38:56.600 --> 0:38:59.680
<v Speaker 1>it was? It was it was kind of like the

0:38:59.719 --> 0:39:02.120
<v Speaker 1>money that we did was we put the good use

0:39:02.160 --> 0:39:05.120
<v Speaker 1>because we bought a building. We had a building. But

0:39:05.160 --> 0:39:14.480
<v Speaker 1>even before that, the throw it was okay, it wasn't

0:39:14.520 --> 0:39:17.200
<v Speaker 1>It wasn't that. It wasn't that much. I wasn't spending

0:39:17.200 --> 0:39:19.800
<v Speaker 1>a whole bunch of mo like that on that. I

0:39:19.840 --> 0:39:22.920
<v Speaker 1>was spending money on Goofy ship, but not that in

0:39:22.960 --> 0:39:24.960
<v Speaker 1>the beginning, because I was just I was like, okay,

0:39:25.000 --> 0:39:28.600
<v Speaker 1>this is this is cool. Like but you know, niggas

0:39:28.640 --> 0:39:30.839
<v Speaker 1>was flying in Vegas and doing all the Goofy ship,

0:39:30.920 --> 0:39:33.399
<v Speaker 1>buying the cars and all that ship that we do

0:39:34.080 --> 0:39:36.520
<v Speaker 1>go to Vegas. You know, you know what I mean,

0:39:37.960 --> 0:39:42.480
<v Speaker 1>taking trips, broads, you know what I mean, not the.

0:39:44.480 --> 0:39:47.719
<v Speaker 4>Don't you do it, don't do it, don't do it.

0:39:48.640 --> 0:39:53.880
<v Speaker 4>We're all beautiful and we are the Lord made somebody

0:39:53.920 --> 0:39:57.560
<v Speaker 4>for somebody at a certain level. Stop it, stop you stop,

0:39:58.200 --> 0:39:58.719
<v Speaker 4>cut it out.

0:39:59.160 --> 0:40:13.279
<v Speaker 7>Well yeah, so let me ask you a question.

0:40:15.160 --> 0:40:17.840
<v Speaker 3>The history, because first of all, it's crazy. Yeah.

0:40:17.880 --> 0:40:20.359
<v Speaker 1>I got another one though that nobody really knows about it.

0:40:21.680 --> 0:40:24.640
<v Speaker 1>I signed her when she was thirteen, Tory Kelly.

0:40:25.239 --> 0:40:26.040
<v Speaker 3>You signed her?

0:40:26.480 --> 0:40:29.319
<v Speaker 1>Yes, I signed Tory Kelly. She was signed to my

0:40:29.960 --> 0:40:36.520
<v Speaker 1>production company. What yes, thirteen and what was going on?

0:40:38.160 --> 0:40:42.160
<v Speaker 1>So I signed her to geffin huge deal they gave.

0:40:42.440 --> 0:40:44.480
<v Speaker 1>Let me tell you at this time they gave us.

0:40:44.800 --> 0:40:47.400
<v Speaker 1>You know, back then people was getting thirteen fourteen points.

0:40:47.440 --> 0:40:50.360
<v Speaker 1>I got a twenty eight point deal with Tory Kelly.

0:40:50.640 --> 0:40:54.000
<v Speaker 1>Shit back then, Yeah, because back then it was thirteen

0:40:54.160 --> 0:40:58.480
<v Speaker 1>fourteen points and twenty eight points twenty eight points. Got

0:40:58.520 --> 0:41:02.480
<v Speaker 1>a consultant deal out of it. And you know who

0:41:02.560 --> 0:41:04.960
<v Speaker 1>and you you probably remember her. You know who signed

0:41:05.280 --> 0:41:10.719
<v Speaker 1>was Polyanthony. Yeah, yeah, Polyanthony Signeder was like, Terry, this

0:41:10.800 --> 0:41:11.800
<v Speaker 1>is I've never heard.

0:41:11.719 --> 0:41:14.120
<v Speaker 3>This before Jojo comes out?

0:41:14.400 --> 0:41:18.160
<v Speaker 6>Or is it this is after right, we've seen the

0:41:18.239 --> 0:41:23.360
<v Speaker 6>success yes of what Jojo is, Yes, cooking an R

0:41:23.360 --> 0:41:24.959
<v Speaker 6>and B doing her thing, young girl.

0:41:25.000 --> 0:41:27.000
<v Speaker 1>I don't know what's Jojo in a minute.

0:41:26.719 --> 0:41:33.080
<v Speaker 3>Because Jojo came out in like two thousand and five, four, Yeah,

0:41:33.120 --> 0:41:33.759
<v Speaker 3>something like that.

0:41:34.520 --> 0:41:37.480
<v Speaker 1>Okay, yeah, then it might have been. It might have been,

0:41:38.560 --> 0:41:41.240
<v Speaker 1>it might have been. Yeah, well Toy was only thirteen.

0:41:41.280 --> 0:41:43.680
<v Speaker 4>So y'all do so you signed her? Y'all do a

0:41:43.680 --> 0:41:45.200
<v Speaker 4>major level deal the whole thing.

0:41:45.440 --> 0:41:47.239
<v Speaker 1>Yes, I did it that well, they gave me this.

0:41:47.400 --> 0:41:49.520
<v Speaker 1>They gave like I said, they gave me a consultant deal.

0:41:49.840 --> 0:41:53.319
<v Speaker 1>They gave us twenty eight points. And back then, you know,

0:41:53.400 --> 0:41:55.719
<v Speaker 1>like I said, fourteen points, do you get that's for

0:41:55.840 --> 0:41:59.560
<v Speaker 1>the artist and the fucking like production cartopped up. Yeah,

0:41:59.560 --> 0:42:02.400
<v Speaker 1>everybody got to chop that up. So I got twenty

0:42:02.440 --> 0:42:05.000
<v Speaker 1>eight points and Polly was like, Terry, we're going to

0:42:05.080 --> 0:42:08.960
<v Speaker 1>put the money behind this man. We love her. Guess

0:42:09.000 --> 0:42:12.000
<v Speaker 1>what happened, You know what happens in the industry. Somebody

0:42:12.080 --> 0:42:12.879
<v Speaker 1>knew comes in.

0:42:14.800 --> 0:42:15.800
<v Speaker 3>Oh, the new new regime.

0:42:15.880 --> 0:42:17.000
<v Speaker 1>Yeah, the new regimes.

0:42:17.200 --> 0:42:19.120
<v Speaker 3>I used to hate that. That was that was the

0:42:19.120 --> 0:42:20.880
<v Speaker 3>worst of the day. That's the worst thing I can

0:42:20.880 --> 0:42:21.040
<v Speaker 3>have it.

0:42:21.160 --> 0:42:24.240
<v Speaker 1>Yeah, the new regime turnover was feeling the new regime

0:42:24.520 --> 0:42:25.040
<v Speaker 1>a coach.

0:42:25.520 --> 0:42:26.200
<v Speaker 3>It's a new coach.

0:42:26.400 --> 0:42:28.800
<v Speaker 1>The new regime comes in. Guess who the new regime

0:42:28.880 --> 0:42:30.600
<v Speaker 1>is Ron Fair?

0:42:31.200 --> 0:42:31.600
<v Speaker 3>Mm hmm.

0:42:32.239 --> 0:42:34.880
<v Speaker 1>And he said, hey, guess what. I don't want to

0:42:35.360 --> 0:42:38.440
<v Speaker 1>drop her. Immediately they dropped her.

0:42:39.239 --> 0:42:39.719
<v Speaker 7>He dropped it.

0:42:39.840 --> 0:42:40.839
<v Speaker 3>Ron Fair dropped her.

0:42:40.920 --> 0:42:41.440
<v Speaker 1>Dropped her.

0:42:41.520 --> 0:42:45.200
<v Speaker 3>Yeah, she that lines up with him.

0:42:45.360 --> 0:42:46.319
<v Speaker 1>Yeah, he dropped her.

0:42:46.320 --> 0:42:48.840
<v Speaker 3>Big voice. Oh yeah, he dropped her.

0:42:49.680 --> 0:42:55.080
<v Speaker 1>Wow, he dropped her. So I'm in a dilemma now

0:42:55.480 --> 0:42:58.880
<v Speaker 1>Ron Fair dropped her. Now I have the opportunity to

0:42:59.080 --> 0:43:01.480
<v Speaker 1>go and get her another deal, because you know, you

0:43:01.600 --> 0:43:04.160
<v Speaker 1>only got a certain time. They go get her another deal.

0:43:05.080 --> 0:43:09.359
<v Speaker 1>So I'm searching to I'm not even searching to get

0:43:09.400 --> 0:43:13.319
<v Speaker 1>another deal. Actually, somebody called me from MTV and they

0:43:13.360 --> 0:43:16.960
<v Speaker 1>wanted to do this. Has been when MTV when they

0:43:17.000 --> 0:43:19.920
<v Speaker 1>were doing the backstories on artists and they you know,

0:43:20.080 --> 0:43:22.960
<v Speaker 1>they were doing these like reality things. They first started

0:43:23.360 --> 0:43:26.080
<v Speaker 1>doing this kind of shows. They were like, Yo, we

0:43:26.120 --> 0:43:28.360
<v Speaker 1>want to do we want to do we want to

0:43:28.400 --> 0:43:30.640
<v Speaker 1>do a story on Toy. We want to follow her

0:43:30.680 --> 0:43:34.960
<v Speaker 1>and her family and her journey and I'm like, yo, okay,

0:43:35.040 --> 0:43:38.640
<v Speaker 1>now we can get some traction. So I said, all right,

0:43:38.920 --> 0:43:41.640
<v Speaker 1>So I called her mom and dad and by this time,

0:43:42.440 --> 0:43:47.480
<v Speaker 1>Toy was she was fifteen going on sixteen. And by

0:43:47.520 --> 0:43:50.080
<v Speaker 1>this time I called her mom and I said, hey,

0:43:50.080 --> 0:43:52.400
<v Speaker 1>I got these people from MTV. They want to fly

0:43:52.480 --> 0:43:53.920
<v Speaker 1>out and talk to you guys, and what they want

0:43:53.920 --> 0:43:56.279
<v Speaker 1>to do a show. They want to do a show

0:43:56.320 --> 0:44:00.520
<v Speaker 1>on Toy called the Toy Diaries or something did something.

0:44:00.520 --> 0:44:05.879
<v Speaker 1>It was really dope, right, and she they flew out,

0:44:05.960 --> 0:44:09.120
<v Speaker 1>they met the parents and then after that, I was like, okay,

0:44:09.160 --> 0:44:10.879
<v Speaker 1>what are we doing? Like are we going to do this?

0:44:11.320 --> 0:44:14.840
<v Speaker 1>So the mom said to me, she was like, Terry,

0:44:15.480 --> 0:44:18.280
<v Speaker 1>We're we have a dilimma. I'm like, what's the problem.

0:44:18.840 --> 0:44:22.320
<v Speaker 1>She's like, Toy wants to Toy wants to do American Idol.

0:44:22.640 --> 0:44:26.080
<v Speaker 1>She'll be sixteen. She can go on there. Now. I'm

0:44:26.160 --> 0:44:30.120
<v Speaker 1>like what. I'm like, no, no, no, no, can't. I can't.

0:44:30.239 --> 0:44:32.120
<v Speaker 1>And then I called my attorney and I'm like, yo,

0:44:32.600 --> 0:44:35.600
<v Speaker 1>he was like, she signed to you. You know you

0:44:35.680 --> 0:44:39.200
<v Speaker 1>have the opportunity to go get her another deal. So

0:44:39.239 --> 0:44:44.160
<v Speaker 1>I contemplated and contemplated. Man and her mom, you know,

0:44:44.560 --> 0:44:46.400
<v Speaker 1>she she was crying one day on the phone and

0:44:46.480 --> 0:44:48.040
<v Speaker 1>she was just like, we don't know what to do.

0:44:48.120 --> 0:44:52.000
<v Speaker 1>She really wants to be on American Idol, and they

0:44:52.080 --> 0:44:55.480
<v Speaker 1>gave me this story. Like you know, she's been ever

0:44:55.560 --> 0:44:59.600
<v Speaker 1>since she's been an artist, we've been giving her, we've

0:44:59.600 --> 0:45:02.040
<v Speaker 1>been telling her what to do. Now that she's sixteen,

0:45:02.120 --> 0:45:05.560
<v Speaker 1>she wants to do something that she wants to, you

0:45:05.600 --> 0:45:09.200
<v Speaker 1>know what I mean. And I remember this like it

0:45:09.239 --> 0:45:13.080
<v Speaker 1>was yesterday. Man. I was. I was in DC, and

0:45:13.200 --> 0:45:17.000
<v Speaker 1>she had she had she had went the idol. But

0:45:17.480 --> 0:45:23.000
<v Speaker 1>once you go past a certain thing, that's when they started. Yeah,

0:45:23.840 --> 0:45:27.040
<v Speaker 1>so she was I guess she had got past a

0:45:27.080 --> 0:45:30.560
<v Speaker 1>certain thing. And the mom called me and was like, Terry,

0:45:30.640 --> 0:45:34.879
<v Speaker 1>this is this is the last day that we can

0:45:35.640 --> 0:45:40.399
<v Speaker 1>move forward being under your contract. And I'm driving in DC.

0:45:40.520 --> 0:45:45.000
<v Speaker 1>I'm down on down in Chinatown and I'm driving and

0:45:45.040 --> 0:45:47.719
<v Speaker 1>I'm like, damn, man. I'm like, man, this girl is

0:45:47.760 --> 0:45:53.360
<v Speaker 1>fucking amazing, Like she's incredible, Like you can't let her go.

0:45:54.960 --> 0:46:00.120
<v Speaker 1>I was like, I contemplated, contemplating, and I drove and

0:46:00.160 --> 0:46:04.120
<v Speaker 1>I said, I saw a fed AX. I pulled over

0:46:04.400 --> 0:46:06.200
<v Speaker 1>and told her mom to faxed me the papers to

0:46:06.239 --> 0:46:09.360
<v Speaker 1>the FED ax and I signed the release at the

0:46:09.400 --> 0:46:13.400
<v Speaker 1>fed X in DC. Wow, and let her out. I

0:46:13.440 --> 0:46:15.759
<v Speaker 1>was like, you know what, it'll come back somehow, you

0:46:15.800 --> 0:46:18.120
<v Speaker 1>know what I mean. This is something she want to follow,

0:46:18.160 --> 0:46:20.080
<v Speaker 1>her dreams. She want to be on American Night. And

0:46:20.080 --> 0:46:22.960
<v Speaker 1>I told her, I was like that, like man who

0:46:23.239 --> 0:46:25.520
<v Speaker 1>runs on I knowed the people that win, I don't really,

0:46:25.600 --> 0:46:28.160
<v Speaker 1>like really really like a lot of them don't really

0:46:28.200 --> 0:46:30.440
<v Speaker 1>do anything. There's only a couple of them that really

0:46:31.040 --> 0:46:34.239
<v Speaker 1>really really made yeah, really take it. Then say you

0:46:34.320 --> 0:46:36.759
<v Speaker 1>sure you wanted to be on idol? Well, this is

0:46:36.800 --> 0:46:39.680
<v Speaker 1>you know, this is something she wants to do. So

0:46:40.560 --> 0:46:44.360
<v Speaker 1>that was it, and I let her out and that

0:46:44.480 --> 0:46:44.839
<v Speaker 1>was it.

0:46:45.239 --> 0:46:48.799
<v Speaker 3>People don't know how many of those.

0:46:50.480 --> 0:46:53.800
<v Speaker 6>How many of those situations that we all come around,

0:46:54.000 --> 0:46:58.239
<v Speaker 6>are come across where we have to make human decisions

0:46:59.320 --> 0:47:02.600
<v Speaker 6>of an artist is in front of you or signed

0:47:02.640 --> 0:47:04.600
<v Speaker 6>to you, or whatever this case may be, when you're

0:47:04.640 --> 0:47:09.120
<v Speaker 6>doing business and there's another opportunity for them that you

0:47:09.200 --> 0:47:12.279
<v Speaker 6>don't want to stand in front of right that you

0:47:12.320 --> 0:47:14.960
<v Speaker 6>want to give them that opportunity right to go. Because

0:47:15.000 --> 0:47:16.680
<v Speaker 6>there are a lot of people in this business that

0:47:16.760 --> 0:47:19.600
<v Speaker 6>would have said, oh, you signing me, I don't care yeah, okay,

0:47:19.600 --> 0:47:22.000
<v Speaker 6>what level. And I was at that point, but you know,

0:47:23.160 --> 0:47:23.719
<v Speaker 6>like I.

0:47:23.680 --> 0:47:24.399
<v Speaker 1>Don't, I don't.

0:47:24.440 --> 0:47:26.600
<v Speaker 6>I don't like the function like that. Like I don't

0:47:26.640 --> 0:47:28.200
<v Speaker 6>like the function like that. And as I know, it's

0:47:28.200 --> 0:47:31.680
<v Speaker 6>gonna come back to me. Absolutely it has and it has.

0:47:31.400 --> 0:47:33.960
<v Speaker 1>You know what I mean. And like we had LaToya

0:47:34.200 --> 0:47:37.280
<v Speaker 1>like and the this was around the same time LaToya

0:47:37.480 --> 0:47:40.279
<v Speaker 1>was was was taken off, you know what I mean.

0:47:41.120 --> 0:47:44.239
<v Speaker 1>We got LaToya and I remember this too when we

0:47:44.360 --> 0:47:47.680
<v Speaker 1>when we signed LaToya, we made her album out here.

0:47:47.719 --> 0:47:50.520
<v Speaker 1>I don't even know you remember Molly of.

0:47:50.480 --> 0:47:52.920
<v Speaker 3>Course I remember Molly after in the valley.

0:47:52.400 --> 0:47:55.759
<v Speaker 4>Yes, yes, yes, you don't remember. I can't think of

0:47:55.760 --> 0:47:58.799
<v Speaker 4>the name of that street studio. It's hung off the time.

0:47:58.880 --> 0:48:01.759
<v Speaker 4>That's my studio, man. Yeahs.

0:48:02.120 --> 0:48:05.400
<v Speaker 1>Molly was this little white girl. She had a studio, studio,

0:48:05.480 --> 0:48:12.000
<v Speaker 1>fire studio upstairs, yeah, compound studio. Right. So that's what

0:48:12.080 --> 0:48:15.799
<v Speaker 1>we recorded La Toya's album. We recorded the day we

0:48:15.840 --> 0:48:18.920
<v Speaker 1>did Torn. We did it there, we did Torn, and

0:48:19.680 --> 0:48:23.920
<v Speaker 1>we did it there and got Toyo Dalic Capital.

0:48:25.440 --> 0:48:27.279
<v Speaker 3>You guys did Torn before you ever did the deal.

0:48:28.080 --> 0:48:33.799
<v Speaker 1>Yes, okay, yeah, yeah, okay, So what the Toya we

0:48:33.840 --> 0:48:40.120
<v Speaker 1>was like listen, you gotta be so far from that's

0:48:40.200 --> 0:48:42.480
<v Speaker 1>the child thing. Like you your ship gotta be you

0:48:42.520 --> 0:48:45.239
<v Speaker 1>gotta be doing some ghetto ship like. Your ship gotta

0:48:45.280 --> 0:48:49.279
<v Speaker 1>be straight, ghetto like damn near rat beats. So it

0:48:49.320 --> 0:48:52.040
<v Speaker 1>won't be no confusion. You ain't trying to do this,

0:48:52.120 --> 0:48:54.520
<v Speaker 1>You ain't trying to do that. This is what you're

0:48:54.520 --> 0:48:57.799
<v Speaker 1>gonna do. And that's what we did. We like, that's

0:48:57.960 --> 0:49:00.520
<v Speaker 1>that's a sample that that that torn right, you know

0:49:00.560 --> 0:49:03.160
<v Speaker 1>what I mean. So we made sure we did so

0:49:03.440 --> 0:49:05.200
<v Speaker 1>R and B, so R and B so they won't

0:49:05.200 --> 0:49:11.000
<v Speaker 1>be no confusion. And came out first week she had

0:49:11.000 --> 0:49:13.000
<v Speaker 1>the number one self. She was numb one. Number one's

0:49:13.000 --> 0:49:16.000
<v Speaker 1>the number one sevend when she sold three hundred thousand

0:49:16.000 --> 0:49:21.200
<v Speaker 1>records her first week. Wow, her first week.

0:49:22.520 --> 0:49:24.600
<v Speaker 3>And that's the thing though, because people had they had

0:49:24.600 --> 0:49:26.239
<v Speaker 3>written her off. Yeah, they had.

0:49:26.160 --> 0:49:32.080
<v Speaker 1>Written off right, completely written her off, completely written her off. Man.

0:49:32.640 --> 0:49:35.440
<v Speaker 1>But that's why we like, you gotta be anti whatever

0:49:35.520 --> 0:49:39.120
<v Speaker 1>they were. You gotta be totally different, totally different, totally different.

0:49:39.200 --> 0:49:41.319
<v Speaker 1>That's the only way you're gonna win, because you're gonna

0:49:41.360 --> 0:49:43.439
<v Speaker 1>have so much hate on you if you come out

0:49:43.440 --> 0:49:45.799
<v Speaker 1>trying to be in the comparison.

0:49:46.600 --> 0:49:48.960
<v Speaker 3>That's the conversation. Yes, is how good her music is?

0:49:49.040 --> 0:49:51.239
<v Speaker 1>Yeah, yeah, exactly. So we made it. We made it.

0:49:51.280 --> 0:49:55.680
<v Speaker 1>Were just anti anti Destiny's Child. It worked, and it

0:49:55.760 --> 0:50:00.000
<v Speaker 1>worked and it worked. Now I'll tell you another story.

0:50:00.200 --> 0:50:06.120
<v Speaker 1>So I had Toya, I had Toy. This is all

0:50:06.160 --> 0:50:10.960
<v Speaker 1>around the same time. So you know, I got another one.

0:50:11.480 --> 0:50:16.719
<v Speaker 1>So I'm sitting up in Capitol's office. Steve O Steve O.

0:50:17.000 --> 0:50:21.319
<v Speaker 1>Pud was the an R. And you know how in

0:50:21.400 --> 0:50:26.040
<v Speaker 1>the offices back then, people would send in CDs, and

0:50:26.280 --> 0:50:28.920
<v Speaker 1>he had a box of CDs in his office.

0:50:29.400 --> 0:50:30.720
<v Speaker 3>Right, she can't get to everything.

0:50:30.800 --> 0:50:32.279
<v Speaker 1>You can't get to everything. It was a box of

0:50:32.320 --> 0:50:36.000
<v Speaker 1>CDs and shit everywhere. So I'm looking in the box

0:50:36.040 --> 0:50:41.440
<v Speaker 1>one day and I'm looking. I was like, wait, fuck it,

0:50:41.640 --> 0:50:47.200
<v Speaker 1>help brod. It's gorgeous. I'm like, who if she can sing?

0:50:48.080 --> 0:50:52.640
<v Speaker 1>I said wow. So I put the thing in and

0:50:52.680 --> 0:50:58.640
<v Speaker 1>the songs were horrendous, bro terrible songs, terrible songs. And

0:50:58.680 --> 0:51:02.200
<v Speaker 1>then one last song she did a cover, a Minie

0:51:02.239 --> 0:51:05.479
<v Speaker 1>Rippleton cover, and I was like, oh, this bro can

0:51:05.560 --> 0:51:06.400
<v Speaker 1>sing sing?

0:51:07.080 --> 0:51:14.120
<v Speaker 6>Right, Leona Lewis no way, iWar to God, I swear

0:51:14.160 --> 0:51:14.440
<v Speaker 6>to God.

0:51:15.960 --> 0:51:20.640
<v Speaker 1>No lie. So Leona Lewis. So I look on the CD.

0:51:20.800 --> 0:51:22.719
<v Speaker 1>I look on the call. The dude on the back.

0:51:22.800 --> 0:51:27.279
<v Speaker 1>I was like, hey, bro, like, is she's signing you like?

0:51:28.360 --> 0:51:30.400
<v Speaker 1>He was like nah, man. She was like, you know,

0:51:30.480 --> 0:51:32.960
<v Speaker 1>her dad comes over here. They come over here. They're

0:51:33.000 --> 0:51:35.120
<v Speaker 1>just trying to they're trying to figure it out, and

0:51:35.160 --> 0:51:37.359
<v Speaker 1>I'm just helping him out. She's not signing me, She's

0:51:37.360 --> 0:51:40.880
<v Speaker 1>not signing anyone. I said, well, okay, I want to

0:51:41.040 --> 0:51:45.400
<v Speaker 1>I want to bring her over here, right. So the

0:51:46.000 --> 0:51:48.680
<v Speaker 1>dude says, okay, let me tell her dad. Her and

0:51:48.719 --> 0:51:53.160
<v Speaker 1>her dad, and I was like, all right, waiting. Two

0:51:53.239 --> 0:51:54.919
<v Speaker 1>days went by and I'm like, damn, this dude hadn't

0:51:54.920 --> 0:51:57.920
<v Speaker 1>called me. So I called him. I was like, he's like, hey, bro,

0:51:58.000 --> 0:51:59.279
<v Speaker 1>I was just about to call you.

0:51:59.320 --> 0:51:59.440
<v Speaker 2>Man.

0:51:59.560 --> 0:52:02.560
<v Speaker 1>Talked to her dad and her and they've heard about

0:52:02.600 --> 0:52:04.759
<v Speaker 1>noon time and then all the stuff that all the

0:52:04.800 --> 0:52:06.000
<v Speaker 1>success that you guys had.

0:52:06.600 --> 0:52:09.200
<v Speaker 6>She's she wants to she wants to listen, she wants

0:52:09.239 --> 0:52:10.239
<v Speaker 6>to have a conversation.

0:52:11.080 --> 0:52:13.279
<v Speaker 1>So I said, okay, So I get her and her

0:52:13.320 --> 0:52:14.799
<v Speaker 1>dad on the phone and I hear her sing on

0:52:14.840 --> 0:52:16.480
<v Speaker 1>the phone. I was like, yo, you need to come.

0:52:16.520 --> 0:52:20.440
<v Speaker 1>I need to bring you over here. Immediately, bring over here,

0:52:20.600 --> 0:52:23.440
<v Speaker 1>me set up and uh, what's the studio that used

0:52:23.440 --> 0:52:28.320
<v Speaker 1>to be on Sunset by cross from the mass Chinese

0:52:28.320 --> 0:52:30.319
<v Speaker 1>stayed and all of that. It was a studio over there.

0:52:30.400 --> 0:52:34.120
<v Speaker 1>Somebody had a studio over there. Me and b Cox.

0:52:34.160 --> 0:52:36.799
<v Speaker 1>I brought be Cox, I brew blew bee Cox out

0:52:36.840 --> 0:52:39.840
<v Speaker 1>here and we started working on her out working on

0:52:39.880 --> 0:52:43.400
<v Speaker 1>her project. Did about four or five songs, and then

0:52:43.440 --> 0:52:46.520
<v Speaker 1>she goes back to No first, let me go back.

0:52:47.760 --> 0:52:50.799
<v Speaker 1>So when she's here. While she's here, I take her

0:52:50.800 --> 0:52:55.439
<v Speaker 1>to poly Anthony to Jaha. Now Jaha had a deal

0:52:55.560 --> 0:53:01.040
<v Speaker 1>over He was a an r at, he was an

0:53:01.040 --> 0:53:03.960
<v Speaker 1>an ARTI gapper. He's the one who signed Toy. He

0:53:04.080 --> 0:53:08.920
<v Speaker 1>signed Toy and I brought him Leona and he was like, yo,

0:53:09.160 --> 0:53:11.560
<v Speaker 1>I want to sign her too. Let's take her to Polly.

0:53:12.000 --> 0:53:14.560
<v Speaker 1>So I take Leona up to Polly. She sings for

0:53:15.480 --> 0:53:19.960
<v Speaker 1>and incredible voice, and Polly was just like, I don't

0:53:20.000 --> 0:53:22.560
<v Speaker 1>think she's After the meetings, she was like, Terry, I

0:53:22.640 --> 0:53:24.560
<v Speaker 1>like her, but I don't think she's a star. I

0:53:24.600 --> 0:53:27.759
<v Speaker 1>want to concentrate on Toy, right. She was like, let's

0:53:27.800 --> 0:53:30.279
<v Speaker 1>just do Toy. So I don't even think it was

0:53:30.320 --> 0:53:34.319
<v Speaker 1>about her, like not really liking her, but I think

0:53:34.400 --> 0:53:37.520
<v Speaker 1>she didn't want to have two girls to singing girls

0:53:37.520 --> 0:53:41.600
<v Speaker 1>like that, even though Toy was thirteen and Leona was

0:53:41.640 --> 0:53:45.239
<v Speaker 1>probably about eighteen or nineteen, so she probably didn't want

0:53:45.239 --> 0:53:49.200
<v Speaker 1>to have two girls like that. So Leona went back

0:53:49.239 --> 0:53:56.240
<v Speaker 1>over to Europe and Toya was taken off. Right now,

0:53:56.520 --> 0:54:00.319
<v Speaker 1>I told I had a year to get Leona deal.

0:54:00.520 --> 0:54:02.359
<v Speaker 1>Twelve months. I had a year to get over your

0:54:02.360 --> 0:54:05.000
<v Speaker 1>holding period. That was my holding period in her contract.

0:54:05.280 --> 0:54:08.920
<v Speaker 1>She had a year. So she goes back over to London,

0:54:10.200 --> 0:54:12.960
<v Speaker 1>probably like a month or two goes by. I start

0:54:13.040 --> 0:54:16.439
<v Speaker 1>getting the phone calls from the dad like, hey man,

0:54:16.840 --> 0:54:20.200
<v Speaker 1>what are we doing? Like are we gonna you guys

0:54:20.280 --> 0:54:21.680
<v Speaker 1>going to get us a deal? I was like, we'll do.

0:54:21.760 --> 0:54:24.000
<v Speaker 1>It's only been two months, Like I got ten more months,

0:54:24.040 --> 0:54:26.600
<v Speaker 1>Like so this is toy. Toy is taken off, like

0:54:26.680 --> 0:54:29.480
<v Speaker 1>a record of Day already came out.

0:54:28.960 --> 0:54:30.120
<v Speaker 3>So we do.

0:54:31.600 --> 0:54:34.399
<v Speaker 1>Toya does this show. She gets booked for this show

0:54:34.440 --> 0:54:37.880
<v Speaker 1>over and Europe called the Moboles. You heard of that.

0:54:38.440 --> 0:54:40.960
<v Speaker 1>It's like it's like it's a warshow, It's like our

0:54:41.040 --> 0:54:45.560
<v Speaker 1>soul train bet like BT. So we get booked over there.

0:54:45.640 --> 0:54:48.560
<v Speaker 1>So I've called it dad. I'm like, yo, man, I'm like,

0:54:48.640 --> 0:54:51.799
<v Speaker 1>we're on our way over there. I want to sit

0:54:51.880 --> 0:54:53.480
<v Speaker 1>down with you guys and figure this out. I and't

0:54:53.480 --> 0:54:56.600
<v Speaker 1>want to bring Lee on the back. Let's do this.

0:54:57.280 --> 0:54:59.960
<v Speaker 1>So he was like, okay, yeah. It was like that's exciting.

0:55:00.280 --> 0:55:02.000
<v Speaker 1>I was like, I wanted to invite you guys to

0:55:02.040 --> 0:55:04.799
<v Speaker 1>the MOBOs. Right. I get over there, I go meet

0:55:04.840 --> 0:55:07.120
<v Speaker 1>with the dad. We sit down, we talk. He's like,

0:55:07.200 --> 0:55:09.839
<v Speaker 1>Leona is excited about going, she wants to go, She's

0:55:09.880 --> 0:55:10.720
<v Speaker 1>going to go, pick.

0:55:10.520 --> 0:55:13.279
<v Speaker 6>Out her outfit. Blah blah blah blah blah blah. Next

0:55:13.400 --> 0:55:17.560
<v Speaker 6>day comes, they don't show up. I'm like, what the

0:55:17.560 --> 0:55:18.520
<v Speaker 6>fuck is going on?

0:55:19.520 --> 0:55:29.040
<v Speaker 1>So come to find out she was doing X Factor

0:55:29.400 --> 0:55:35.759
<v Speaker 1>over there. The American writer. Crazy, shit, she's doing X

0:55:35.800 --> 0:55:40.080
<v Speaker 1>Factor right. So I get back and I hit the data.

0:55:40.080 --> 0:55:42.560
<v Speaker 1>I'm like, yo, man, what was that shit about? Like, like,

0:55:42.760 --> 0:55:45.640
<v Speaker 1>what's going on? He was like, oh man, you know

0:55:45.960 --> 0:55:49.319
<v Speaker 1>you got you guys are taking too long. I said, well, listen, man,

0:55:49.360 --> 0:55:51.840
<v Speaker 1>you got you got another seven months, six months on

0:55:51.880 --> 0:55:53.879
<v Speaker 1>your contract. I want to bring her back over there,

0:55:54.280 --> 0:55:57.239
<v Speaker 1>back back over here and finish her project. I want

0:55:57.239 --> 0:55:58.600
<v Speaker 1>to get her a deal. I know I can get

0:55:58.640 --> 0:56:01.799
<v Speaker 1>her a deal. And he was like all right. So

0:56:02.680 --> 0:56:06.000
<v Speaker 1>I started getting these frantic phone calls like Yo, hey,

0:56:06.080 --> 0:56:07.800
<v Speaker 1>what are we doing. We got to get out of

0:56:07.880 --> 0:56:10.840
<v Speaker 1>this contract. I'm like, I'm like nah. I said, listen,

0:56:11.239 --> 0:56:16.000
<v Speaker 1>what I will do is whatever she does over there

0:56:16.880 --> 0:56:18.560
<v Speaker 1>until it comes back to America, then I have the

0:56:18.640 --> 0:56:21.120
<v Speaker 1>rights for that when it comes back over to America.

0:56:22.120 --> 0:56:24.680
<v Speaker 1>And he was like, okay, okay, let's let's figure that out.

0:56:24.760 --> 0:56:28.919
<v Speaker 1>Let's work that out. So make a long story short,

0:56:29.400 --> 0:56:34.080
<v Speaker 1>she was winning on X Factor. So the reason why

0:56:34.120 --> 0:56:38.120
<v Speaker 1>she didn't go to the award show is because people

0:56:38.120 --> 0:56:39.799
<v Speaker 1>would start recognizing.

0:56:39.920 --> 0:56:44.160
<v Speaker 6>They would recognize her, but I didn't know what she

0:56:44.239 --> 0:56:49.160
<v Speaker 6>was right, so they would recognize. So then I get

0:56:49.160 --> 0:56:51.840
<v Speaker 6>this call late at night one day. They was like, Yo,

0:56:53.360 --> 0:56:55.720
<v Speaker 6>my man called me. And was like, my man, damon,

0:56:56.000 --> 0:56:58.799
<v Speaker 6>you know, damon, my guy.

0:56:59.239 --> 0:57:02.360
<v Speaker 1>He caused me. It was like, YO, read this article

0:57:02.800 --> 0:57:09.880
<v Speaker 1>and it was like Clive Davis signs the first X

0:57:09.960 --> 0:57:13.800
<v Speaker 1>Factor artist to the USA, And I was like, huh.

0:57:14.560 --> 0:57:18.880
<v Speaker 1>I was like what. I'm like, no fucking way. I

0:57:18.960 --> 0:57:21.680
<v Speaker 1>was like, dog, she's still in our contract. He was

0:57:21.720 --> 0:57:24.720
<v Speaker 1>like I know. He's like, what the fuck is going on,

0:57:25.720 --> 0:57:29.080
<v Speaker 1>and I said, man, listen, bro, this is some shit.

0:57:29.760 --> 0:57:34.320
<v Speaker 1>So guess what this is so crazy? Now Jaha is

0:57:34.400 --> 0:57:39.560
<v Speaker 1>working for Sony. He's working for Clive and Larry. Right,

0:57:39.880 --> 0:57:44.000
<v Speaker 1>he went from Geffen to Sony. So I immediately called

0:57:44.080 --> 0:57:48.200
<v Speaker 1>y'ah like, joh yo, I said, dog, y'all got this

0:57:48.280 --> 0:57:51.440
<v Speaker 1>girl over there. He was like who. I was like,

0:57:51.480 --> 0:57:52.880
<v Speaker 1>you remember the girl I bought? You was like, who

0:57:52.880 --> 0:57:57.440
<v Speaker 1>are you talking about. I was like, Leona Lewis. He said,

0:57:58.280 --> 0:58:03.600
<v Speaker 1>we just had a company and she is fucking priority

0:58:03.680 --> 0:58:07.240
<v Speaker 1>over here. I said, I said, Jaha. I said, you know,

0:58:07.360 --> 0:58:11.360
<v Speaker 1>she's still signing me. She was like, oh, ship, that's

0:58:11.520 --> 0:58:15.720
<v Speaker 1>right she is. I said, Jaha, I'm about to send

0:58:15.760 --> 0:58:17.800
<v Speaker 1>you this contract and I need you to go tell

0:58:17.800 --> 0:58:20.720
<v Speaker 1>the people that Sony that this girl is in a

0:58:20.760 --> 0:58:25.080
<v Speaker 1>production situation and that this is a problem. This is

0:58:25.080 --> 0:58:28.840
<v Speaker 1>a fucking huge problem. Right. So he was like he

0:58:28.920 --> 0:58:31.720
<v Speaker 1>goes back to the company and then Sony was like,

0:58:31.960 --> 0:58:35.000
<v Speaker 1>we ain't got nothing to do with that. That's X factor.

0:58:36.040 --> 0:58:38.000
<v Speaker 1>You guys need to talk to the people that X

0:58:38.040 --> 0:58:40.800
<v Speaker 1>Factor or what Simon Cowell, whoever the fuck it.

0:58:41.080 --> 0:58:43.439
<v Speaker 3>That's the furnishing company has done.

0:58:44.080 --> 0:58:46.720
<v Speaker 1>So you need to talk to them. So I'm like,

0:58:47.040 --> 0:58:49.920
<v Speaker 1>all right. So I go to my attorney and I'm like, yo,

0:58:52.120 --> 0:58:53.400
<v Speaker 1>and you know who it is. It used to be

0:58:53.400 --> 0:58:58.760
<v Speaker 1>Barrier's attorney. What's his name? Man? What's his fucking name? No?

0:58:58.800 --> 0:58:59.240
<v Speaker 1>Not Joah.

0:58:59.240 --> 0:59:02.920
<v Speaker 4>He worked for joh Okay, he worked with John.

0:59:03.000 --> 0:59:08.520
<v Speaker 1>I worked for him. Uh, big attorney, big huge attorney,

0:59:08.680 --> 0:59:14.440
<v Speaker 1>black attorney. Anyway, So I go to him and he's like, bro,

0:59:14.520 --> 0:59:17.720
<v Speaker 1>we gotta we gotta see him. So you're gonna have

0:59:17.720 --> 0:59:19.440
<v Speaker 1>to see him. You have to threaten to swing him.

0:59:20.160 --> 0:59:24.920
<v Speaker 1>So we sued him and settle. We settled. But yeah,

0:59:25.840 --> 0:59:27.960
<v Speaker 1>she was, she was, she she was signed to me

0:59:28.080 --> 0:59:30.560
<v Speaker 1>and she was she wanted to expact over there and

0:59:30.600 --> 0:59:35.000
<v Speaker 1>then toy went to uh America American idol over here.

0:59:35.960 --> 0:59:38.280
<v Speaker 3>So did you ever catch the fade with Simon cow

0:59:38.360 --> 0:59:39.280
<v Speaker 3>or not? Did y'all fight?

0:59:40.040 --> 0:59:42.640
<v Speaker 1>Did we just? We just we settled out. We we

0:59:42.800 --> 0:59:45.560
<v Speaker 1>we got it. We got it straight, We got it straight,

0:59:45.880 --> 0:59:46.600
<v Speaker 1>We worked it out.

0:59:47.280 --> 0:59:50.800
<v Speaker 3>I'll tell you this. You can know how to pick him.

0:59:51.400 --> 0:59:54.400
<v Speaker 1>That's one thing I do now. Female artists, you know

0:59:54.440 --> 0:59:55.680
<v Speaker 1>how to pick him.

0:59:56.600 --> 0:59:59.240
<v Speaker 3>You're you are, you're eight eight.

1:00:00.320 --> 1:00:02.760
<v Speaker 1>I'm good at that. I'm good at that's one thing

1:00:02.760 --> 1:00:07.200
<v Speaker 1>I know. A female artist is good. And we even

1:00:07.240 --> 1:00:15.320
<v Speaker 1>had what your column signed to us, man uh Nivia nib.

1:00:15.240 --> 1:00:17.480
<v Speaker 3>It was noon time. Yeah, I didn't know that. I

1:00:17.480 --> 1:00:20.240
<v Speaker 3>did actually that we.

1:00:20.240 --> 1:00:22.320
<v Speaker 1>Had Nivia super cool.

1:00:22.520 --> 1:00:23.479
<v Speaker 3>Yeah, I love Nivva.

1:00:23.480 --> 1:00:25.640
<v Speaker 4>I used to be on the road always doing a

1:00:25.640 --> 1:00:29.040
<v Speaker 4>bunch of days and ship together. Downside we had Nivia too.

1:00:29.400 --> 1:00:29.600
<v Speaker 1>Yeah.

1:00:30.240 --> 1:00:32.000
<v Speaker 3>As you were getting as you as you guys were

1:00:32.040 --> 1:00:36.160
<v Speaker 3>separating from the now time thing, your mentality was, I

1:00:36.160 --> 1:00:37.200
<v Speaker 3>got to keep the ball roller.

1:00:37.240 --> 1:00:38.440
<v Speaker 1>I got to keep the ball roller.

1:00:38.600 --> 1:00:39.960
<v Speaker 3>Because everybody didn't stand music.

1:00:40.440 --> 1:00:46.320
<v Speaker 1>No, everybody started yeah fashion yeah, yeah yeah, fashion.

1:00:46.360 --> 1:00:50.520
<v Speaker 4>Yeah, Brian was doing Ryan Kenny.

1:00:50.720 --> 1:00:53.600
<v Speaker 1>Yeah, Chris went actually Chris went to Depth Jam. He

1:00:53.680 --> 1:00:58.280
<v Speaker 1>was over there with l A and then and then

1:00:58.720 --> 1:01:01.080
<v Speaker 1>and then noon was yeah, they had showed up.

1:01:01.120 --> 1:01:05.000
<v Speaker 6>They were still working working show enough and then I

1:01:05.120 --> 1:01:09.040
<v Speaker 6>just I just came out here and start started.

1:01:08.720 --> 1:01:12.920
<v Speaker 1>Managing you know Jason, Yeah, the guru of mixing.

1:01:13.400 --> 1:01:16.640
<v Speaker 3>How does that happen? Because at one point that.

1:01:16.680 --> 1:01:21.360
<v Speaker 1>Happened because the same partners. Yes, but but Jason used

1:01:21.360 --> 1:01:25.640
<v Speaker 1>to be the used to work at DreamWorks. He was

1:01:25.640 --> 1:01:28.520
<v Speaker 1>in A and R. I know this right, So so

1:01:28.560 --> 1:01:30.080
<v Speaker 1>that's how we got close exactly.

1:01:30.160 --> 1:01:32.560
<v Speaker 4>That's how that's how all of us got well, that's

1:01:32.560 --> 1:01:35.000
<v Speaker 4>how we was already he was already cool. But then

1:01:35.040 --> 1:01:37.440
<v Speaker 4>that's how I got close with Jason because of the

1:01:37.520 --> 1:01:37.960
<v Speaker 4>dream Works.

1:01:38.120 --> 1:01:41.040
<v Speaker 1>Because the dream Works. Yeah, yeah, Jason was at dream Works.

1:01:41.360 --> 1:01:44.160
<v Speaker 1>He was an R. I was consulting over their dream Works.

1:01:44.440 --> 1:01:47.160
<v Speaker 1>So that's how me and him met. And the crazy

1:01:47.240 --> 1:01:49.720
<v Speaker 1>thing about that is when I first came out here,

1:01:49.760 --> 1:01:52.240
<v Speaker 1>I didn't even know what mixing was. Like. He was like,

1:01:53.000 --> 1:01:55.120
<v Speaker 1>we were like, we had a record, and he was like, bro,

1:01:55.200 --> 1:01:57.120
<v Speaker 1>we got to go mix this record. And I'm like, mixed.

1:01:57.160 --> 1:01:59.760
<v Speaker 1>What the fuck is that? He was like, that's what

1:01:59.800 --> 1:02:02.560
<v Speaker 1>they separate all the sounds. And I was like, okay,

1:02:02.720 --> 1:02:04.360
<v Speaker 1>And that was the first time I even knew what

1:02:04.440 --> 1:02:07.640
<v Speaker 1>mixing was. And he he was he was a producer. Actually,

1:02:07.760 --> 1:02:08.840
<v Speaker 1>Jason was a producer.

1:02:09.720 --> 1:02:12.520
<v Speaker 3>He's produced Beckett beck Att.

1:02:13.440 --> 1:02:14.840
<v Speaker 1>Yes, Jason was producing.

1:02:15.520 --> 1:02:17.880
<v Speaker 3>Jason didn't really know song structure though.

1:02:18.320 --> 1:02:22.000
<v Speaker 1>Yes he did, he did not. He knew a lot

1:02:22.080 --> 1:02:24.400
<v Speaker 1>about a lot about that he taught me about I

1:02:24.440 --> 1:02:25.120
<v Speaker 1>didn't know about it.

1:02:25.160 --> 1:02:26.120
<v Speaker 3>I taught him some ship.

1:02:26.160 --> 1:02:28.000
<v Speaker 1>Okay, well you taught him some You might have taught

1:02:28.040 --> 1:02:31.480
<v Speaker 1>him some ship, but he yes, okay, because.

1:02:31.120 --> 1:02:35.480
<v Speaker 4>He definitely wasn't no mixed engineer at that time. No,

1:02:35.680 --> 1:02:36.360
<v Speaker 4>not even close.

1:02:36.480 --> 1:02:37.880
<v Speaker 1>No, he wasn't.

1:02:38.160 --> 1:02:43.680
<v Speaker 4>No, he was a marketing partner in what initially Well, okay,

1:02:43.720 --> 1:02:46.480
<v Speaker 4>so maybe I have it wrong because the Daggio was

1:02:46.560 --> 1:02:49.360
<v Speaker 4>your group group and he took to Jason and he

1:02:49.440 --> 1:02:53.000
<v Speaker 4>facilitates the deal at dream always thought y'all were him and.

1:02:53.000 --> 1:02:57.439
<v Speaker 1>Joel Busby that's like his God. Yes, right, so that's

1:02:57.440 --> 1:02:59.360
<v Speaker 1>how that that all played out the dream.

1:02:59.120 --> 1:03:02.080
<v Speaker 3>Works and you end up getting a consultancy.

1:03:01.560 --> 1:03:04.320
<v Speaker 1>Yes, yes, at DreamWorks.

1:03:04.320 --> 1:03:07.480
<v Speaker 3>Okay, so now you guys start working together making this.

1:03:07.720 --> 1:03:12.320
<v Speaker 1>Start working together. And then one day Jason went over

1:03:12.520 --> 1:03:15.880
<v Speaker 1>went off to he was doing marketing for some marketing company.

1:03:16.280 --> 1:03:18.440
<v Speaker 1>And then I get a call one day and he's like, Yo,

1:03:18.800 --> 1:03:21.960
<v Speaker 1>I'm over here at Larrybie and I'm mixing. Now I'm

1:03:21.960 --> 1:03:24.720
<v Speaker 1>like mixing. What are you? What are you talking about?

1:03:25.440 --> 1:03:27.640
<v Speaker 1>He was like, Yo, I'm I'm I'm over here. I'm

1:03:27.640 --> 1:03:30.240
<v Speaker 1>a runnerunner.

1:03:30.280 --> 1:03:33.000
<v Speaker 3>In the beginning, he was assistant.

1:03:33.280 --> 1:03:36.680
<v Speaker 1>He was a run No, everyone wasn't even assistant. He

1:03:36.760 --> 1:03:43.440
<v Speaker 1>was a runner first, yes, you know, yes, yeah, and

1:03:43.440 --> 1:03:47.840
<v Speaker 1>then he became an assistant for Dave he became an

1:03:47.840 --> 1:03:51.960
<v Speaker 1>assistant for David Soo and he called me and was like, bro,

1:03:52.480 --> 1:03:54.560
<v Speaker 1>I'm gonna need you, I'm gonna need you. I was

1:03:54.600 --> 1:03:58.760
<v Speaker 1>like what He was like, I'm mixing now and me

1:03:58.800 --> 1:04:01.840
<v Speaker 1>and Dave. So I started managing me, and Damon started

1:04:01.840 --> 1:04:04.000
<v Speaker 1>managing Dave and Jason.

1:04:04.880 --> 1:04:09.000
<v Speaker 4>So they used to I don't know, I managed David

1:04:09.240 --> 1:04:13.919
<v Speaker 4>and uh Jason, and they had they were That's where

1:04:13.920 --> 1:04:15.160
<v Speaker 4>the Pensado group came from.

1:04:15.200 --> 1:04:20.800
<v Speaker 1>That's that was Jason and Daves mixing entity. So Jason

1:04:22.080 --> 1:04:24.680
<v Speaker 1>and I remember this is crazy too. How Jason really

1:04:24.880 --> 1:04:27.200
<v Speaker 1>how he got his first record that he mixed on

1:04:27.240 --> 1:04:32.920
<v Speaker 1>his own. I got a call from this is when

1:04:32.960 --> 1:04:35.760
<v Speaker 1>he was working real happy with Tricky and Dream and

1:04:35.800 --> 1:04:39.240
<v Speaker 1>all of them, and they called and they was like,

1:04:39.920 --> 1:04:43.360
<v Speaker 1>we want this record to be mixed, but we want

1:04:43.440 --> 1:04:46.800
<v Speaker 1>Jason to mix it. We was like, what record is that?

1:04:48.160 --> 1:04:50.880
<v Speaker 1>They was like mm hm this record called single Ladies,

1:04:57.080 --> 1:05:03.680
<v Speaker 1>So so listen. So we get we get a call

1:05:03.760 --> 1:05:06.040
<v Speaker 1>and he's in the dilemma like, Hey, what am I

1:05:06.080 --> 1:05:08.200
<v Speaker 1>going to do? They want me to mix this without Dave?

1:05:08.320 --> 1:05:12.880
<v Speaker 1>How am you know what I mean? So that was

1:05:12.920 --> 1:05:16.120
<v Speaker 1>the first record he mixed on his own. What single ladies.

1:05:17.640 --> 1:05:20.480
<v Speaker 3>Get the fuck out of here, single ladies. That's the

1:05:20.520 --> 1:05:21.280
<v Speaker 3>way to kick it off.

1:05:21.480 --> 1:05:23.200
<v Speaker 1>That's the way to get them.

1:05:25.400 --> 1:05:25.880
<v Speaker 3>Yeah.

1:05:26.080 --> 1:05:27.920
<v Speaker 1>Thanks the Tricky you know what I mean. Tricky and

1:05:28.000 --> 1:05:30.200
<v Speaker 1>Dream You know what I mean. Tricky and Dream brought

1:05:30.240 --> 1:05:31.760
<v Speaker 1>him that record. They wanted him to do it on

1:05:31.760 --> 1:05:34.160
<v Speaker 1>his own, and that was and they gave him a chance.

1:05:34.240 --> 1:05:36.760
<v Speaker 1>He did it and killed it. Yeah, and the rest

1:05:36.800 --> 1:05:37.280
<v Speaker 1>is history.

1:05:37.440 --> 1:05:39.880
<v Speaker 3>Oh my god. And this had been the first time

1:05:39.920 --> 1:05:42.080
<v Speaker 3>you had ever managed.

1:05:41.640 --> 1:05:44.360
<v Speaker 1>A mixing Yeah, this is the first time I ever managed.

1:05:44.120 --> 1:05:46.640
<v Speaker 6>Before him and Dave, Like at that point you were

1:05:46.680 --> 1:05:48.720
<v Speaker 6>purely just artists, artist.

1:05:48.440 --> 1:05:51.480
<v Speaker 1>Producers, writers, Yeah, yeah, yeah, yeah.

1:05:50.960 --> 1:05:54.600
<v Speaker 3>Because what's the what's the difference in managing.

1:05:55.960 --> 1:05:58.040
<v Speaker 6>I know, I know the difference between managing the artists

1:05:58.040 --> 1:06:01.000
<v Speaker 6>and managing even producer or you know, someone on from

1:06:01.000 --> 1:06:05.360
<v Speaker 6>the behind the scenes. But there has to be differences

1:06:05.400 --> 1:06:09.440
<v Speaker 6>in managing a producer writer then managing the mixer.

1:06:09.960 --> 1:06:12.960
<v Speaker 1>Yeah, it's a big difference. It's a huge And.

1:06:13.040 --> 1:06:15.080
<v Speaker 3>You kind of give us some insight on how you.

1:06:17.000 --> 1:06:20.200
<v Speaker 4>Like is it traditional selling? Like you know what I'm saying,

1:06:20.200 --> 1:06:23.640
<v Speaker 4>Like you go into the office and like you want

1:06:23.640 --> 1:06:25.200
<v Speaker 4>to mix, Oh no, I got to mix for you

1:06:25.680 --> 1:06:30.000
<v Speaker 4>listen to this, like, no, that was that itself.

1:06:30.120 --> 1:06:33.400
<v Speaker 1>Yes, it was organic, you know what I mean, Like

1:06:33.840 --> 1:06:38.040
<v Speaker 1>it was an organic type of situation that manifested with that.

1:06:38.160 --> 1:06:40.760
<v Speaker 1>Like that's something I mean, you can go do that

1:06:41.040 --> 1:06:44.360
<v Speaker 1>and say, hey, I managed this mixing in here's what

1:06:44.400 --> 1:06:47.520
<v Speaker 1>he's done. But a lot of that was just.

1:06:47.920 --> 1:06:50.800
<v Speaker 4>You kind of walked you well, you kind of walked

1:06:50.840 --> 1:06:52.920
<v Speaker 4>into something that had some legs to it.

1:06:53.200 --> 1:06:54.480
<v Speaker 1>Yeah, and because.

1:06:57.280 --> 1:06:58.600
<v Speaker 3>Popping, you know what I'm saying.

1:06:58.960 --> 1:07:02.400
<v Speaker 1>They already he was already you know, people went to him.

1:07:02.480 --> 1:07:05.000
<v Speaker 1>You know, they loved his vocals, they loved how he

1:07:05.160 --> 1:07:07.640
<v Speaker 1>made their vocals sound. And that's what made Jason so

1:07:07.760 --> 1:07:10.400
<v Speaker 1>dope is because he's knew how to make your beats

1:07:10.480 --> 1:07:14.000
<v Speaker 1>keep knocking, but your vocals focus on and a lot

1:07:14.000 --> 1:07:15.800
<v Speaker 1>of a lot of mixing engineers don't know how to

1:07:15.840 --> 1:07:16.240
<v Speaker 1>do both.

1:07:17.120 --> 1:07:23.400
<v Speaker 4>Yeah, and now you have the new kid whose whose

1:07:23.440 --> 1:07:28.000
<v Speaker 4>first solo mix is this big fucking this big fucking

1:07:28.200 --> 1:07:33.280
<v Speaker 4>so it's like the calling card, Yes you don't there's

1:07:33.320 --> 1:07:34.120
<v Speaker 4>nothing else to sell.

1:07:34.600 --> 1:07:37.840
<v Speaker 1>There's there's nothing else to sell. So he pretty much

1:07:38.080 --> 1:07:41.000
<v Speaker 1>you know, he's that's like pretty much like self contained,

1:07:41.040 --> 1:07:42.360
<v Speaker 1>like yeah, you know what I mean.

1:07:43.680 --> 1:07:46.800
<v Speaker 3>And you guys have been working together. How many years? Now?

1:07:48.440 --> 1:07:50.760
<v Speaker 1>When was that when we because that's when I first

1:07:50.960 --> 1:07:53.320
<v Speaker 1>met him? When you where was that that was? That

1:07:53.360 --> 1:08:02.840
<v Speaker 1>was two nineteen ninety money thousand, two thousand, two thousand. Yes,

1:08:03.640 --> 1:08:05.600
<v Speaker 1>that's when I first met Jason. I mean I had

1:08:05.640 --> 1:08:08.760
<v Speaker 1>known him probably for like a year when he came around.

1:08:09.480 --> 1:08:11.919
<v Speaker 6>Ye, let's talk about when he came around. Sure, let's

1:08:11.920 --> 1:08:14.440
<v Speaker 6>talk about when he came around. Man, you know you

1:08:14.520 --> 1:08:17.360
<v Speaker 6>say this nigga life, Man, I did damn right, I

1:08:17.439 --> 1:08:23.400
<v Speaker 6>did save I did save save Jay. I'll just say

1:08:23.400 --> 1:08:27.840
<v Speaker 6>I just said. I'll just say I believed. Listen, I believe.

1:08:27.880 --> 1:08:30.680
<v Speaker 1>But I heard, Okay, I heard a few things, and

1:08:30.760 --> 1:08:31.879
<v Speaker 1>I was like this kid.

1:08:32.120 --> 1:08:33.519
<v Speaker 3>Nice, there's a difference.

1:08:33.920 --> 1:08:34.200
<v Speaker 1>Nice.

1:08:34.320 --> 1:08:40.479
<v Speaker 4>There's a difference between believing and your money putting your

1:08:40.600 --> 1:08:41.160
<v Speaker 4>money up.

1:08:41.560 --> 1:08:42.680
<v Speaker 1>Yes, it is.

1:08:42.920 --> 1:08:45.639
<v Speaker 3>There is a great difference. I have seen the nigga

1:08:45.840 --> 1:08:51.920
<v Speaker 3>like you.

1:08:49.000 --> 1:08:50.400
<v Speaker 1>Help me with my talent.

1:08:51.120 --> 1:08:55.639
<v Speaker 3>Ship back to me. No, No, this nigga was like this, Nah, nigga,

1:08:56.439 --> 1:08:57.360
<v Speaker 3>come to the studio.

1:08:58.439 --> 1:09:02.959
<v Speaker 4>I need songs. I had my equipment on deck. Nigga,

1:09:03.200 --> 1:09:04.679
<v Speaker 4>nigga way before a computer.

1:09:04.760 --> 1:09:08.080
<v Speaker 1>N he did you came in with your PC keyboarding?

1:09:08.240 --> 1:09:09.200
<v Speaker 3>There let's work.

1:09:10.000 --> 1:09:16.840
<v Speaker 4>Yes, I wrote the song, yes, yes, everything. He had

1:09:16.880 --> 1:09:19.200
<v Speaker 4>all everything, yo, Nigga.

1:09:19.280 --> 1:09:23.400
<v Speaker 1>He came to the studio with his keyboard. Niggas like,

1:09:24.040 --> 1:09:27.880
<v Speaker 1>create a song. I'm ready to work, and so came

1:09:27.960 --> 1:09:30.400
<v Speaker 1>in there, laid it down.

1:09:31.680 --> 1:09:32.000
<v Speaker 3>Gat him.

1:09:32.040 --> 1:09:35.439
<v Speaker 4>Niggas they parts sing this ship nigga, let's God. And

1:09:35.479 --> 1:09:38.160
<v Speaker 4>that nigga was like, nigga because.

1:09:37.880 --> 1:09:39.520
<v Speaker 3>How old are you? Just played like twenty.

1:09:39.240 --> 1:09:40.760
<v Speaker 1>One, twenty twenty.

1:09:42.000 --> 1:09:43.599
<v Speaker 3>Two or twenty three? Wow?

1:09:44.360 --> 1:09:47.760
<v Speaker 4>Yeah, and niggas this Niggas like nigga, No nigga, Yeah, yeah,

1:09:47.840 --> 1:09:48.280
<v Speaker 4>you got it.

1:09:48.600 --> 1:09:50.559
<v Speaker 3>We're gonna do. How to introduce you?

1:09:50.800 --> 1:09:53.200
<v Speaker 4>I got to introduce you to Jerald Yeah, him and

1:09:53.280 --> 1:09:56.479
<v Speaker 4>Jameson gotta introduce you, Jail nigga and I I went

1:09:56.520 --> 1:10:01.840
<v Speaker 4>and said you and and Dreino has my my background.

1:10:01.439 --> 1:10:04.519
<v Speaker 3>Singers, yes who. I'm working on their ship too. At

1:10:04.560 --> 1:10:07.000
<v Speaker 3>the same time I'm working on his. You have a record.

1:10:07.400 --> 1:10:08.479
<v Speaker 3>I have a record record.

1:10:08.720 --> 1:10:10.840
<v Speaker 4>That's why I'm out there in l ah It was

1:10:10.840 --> 1:10:14.719
<v Speaker 4>a litt quiet, little wife and my hotel is about

1:10:14.720 --> 1:10:17.800
<v Speaker 4>to run out le Montross.

1:10:17.439 --> 1:10:19.760
<v Speaker 3>Are you gonna one of the other one?

1:10:20.760 --> 1:10:23.960
<v Speaker 4>My hotel was getting running the fuck out, telling me

1:10:24.000 --> 1:10:26.080
<v Speaker 4>that I think I'm not to not have nowhere to.

1:10:26.080 --> 1:10:26.560
<v Speaker 3>Stay all that.

1:10:27.800 --> 1:10:30.679
<v Speaker 1>No, he was, you know, niggas niggas be lying, No.

1:10:31.800 --> 1:10:34.280
<v Speaker 4>No, I said, niggas. Shit is almost open. Niggas handling

1:10:34.800 --> 1:10:37.160
<v Speaker 4>and nigga. Joe Buzzy said, I like your tunes.

1:10:37.760 --> 1:10:41.759
<v Speaker 3>Yeah, I like your tone. These are good, good tunes,

1:10:41.800 --> 1:10:42.599
<v Speaker 3>good records. Man.

1:10:43.520 --> 1:10:45.240
<v Speaker 4>I like, I like, I like what you're doing, and

1:10:45.240 --> 1:10:48.160
<v Speaker 4>I'm I'm I'm I'm gonna give you seventeen to five.

1:10:49.080 --> 1:10:50.439
<v Speaker 4>You know, I was like this, IM about to get

1:10:50.479 --> 1:10:54.640
<v Speaker 4>seventeen thousand and five. I was like, I was like, okay,

1:10:55.280 --> 1:10:57.240
<v Speaker 4>I said, thank you so much. You know what I'm saying,

1:10:57.280 --> 1:11:00.679
<v Speaker 4>like you're grabbing, you know, seventeen five. Okay, He's okay,

1:11:00.680 --> 1:11:02.559
<v Speaker 4>So that's the total, he said, this is it? No,

1:11:03.560 --> 1:11:07.400
<v Speaker 4>it is seventeen five for two. Do you want two

1:11:07.439 --> 1:11:09.760
<v Speaker 4>records for seventeen five? That's fine, I'll tell you, no,

1:11:10.080 --> 1:11:11.320
<v Speaker 4>I want two records.

1:11:11.600 --> 1:11:22.519
<v Speaker 8>Third, I'll say, ooh, and one is.

1:11:22.439 --> 1:11:22.960
<v Speaker 3>For your group.

1:11:23.800 --> 1:11:26.599
<v Speaker 1>Yes, yes, that was the first one.

1:11:26.760 --> 1:11:27.120
<v Speaker 3>The first one.

1:11:27.360 --> 1:11:31.040
<v Speaker 1>I was the one who I should have supposed to.

1:11:31.160 --> 1:11:32.720
<v Speaker 1>Don't get that twisted. Jay I was the one to

1:11:32.840 --> 1:11:33.240
<v Speaker 1>wash it the.

1:11:33.520 --> 1:11:35.760
<v Speaker 3>Second ones as a producer. Second one was going to mo.

1:11:36.360 --> 1:11:41.120
<v Speaker 1>Yes, the second I was going to text, yeah the dog.

1:11:42.439 --> 1:11:44.160
<v Speaker 3>You were first, brother, Okay, you were first.

1:11:44.200 --> 1:11:46.200
<v Speaker 1>Want everybody to know. I don't want niggas to be

1:11:46.200 --> 1:11:48.439
<v Speaker 1>getting confused. I heard somebody else say that they was

1:11:48.479 --> 1:11:50.639
<v Speaker 1>the first one to give you producer. But I heard

1:11:50.680 --> 1:11:53.760
<v Speaker 1>now somebody said that Bryan Alexander was the first one

1:11:53.800 --> 1:11:58.200
<v Speaker 1>to believe. I have to give him that, Bernard. Bernard

1:11:58.200 --> 1:12:00.400
<v Speaker 1>Alexander was the first one to believe. I have to

1:12:00.439 --> 1:12:04.520
<v Speaker 1>give him that because he heard maybe I deserve before anybody,

1:12:04.760 --> 1:12:05.640
<v Speaker 1>and he was sending me.

1:12:06.080 --> 1:12:09.200
<v Speaker 3>He was sending it. He was the check was the day.

1:12:09.560 --> 1:12:12.840
<v Speaker 4>It was okay, And Barry Hankerson called and said, if

1:12:12.880 --> 1:12:14.519
<v Speaker 4>you sell that song, I'm gonna kill you.

1:12:15.439 --> 1:12:18.880
<v Speaker 3>I said, but you told me to sell it, and.

1:12:18.880 --> 1:12:19.880
<v Speaker 1>Now everybody wants it.

1:12:20.040 --> 1:12:34.360
<v Speaker 4>Now we can't collect that. Yeah, okay, he was. He

1:12:34.520 --> 1:12:35.280
<v Speaker 4>was about.

1:12:35.000 --> 1:12:37.479
<v Speaker 1>To see that's the one. That's the I'm about to do.

1:12:37.680 --> 1:12:41.080
<v Speaker 4>You got No, it wasn't his fault. He ran up

1:12:41.120 --> 1:12:44.160
<v Speaker 4>against the monster. But if he paid for it, if

1:12:44.200 --> 1:12:47.240
<v Speaker 4>you pay for it time, No, No, it was a

1:12:47.360 --> 1:12:50.080
<v Speaker 4>day late. It was a day late and a dollar short,

1:12:50.160 --> 1:12:52.519
<v Speaker 4>and Barry Hankerson wasn't wasn't no, he wasn't nobody to

1:12:52.560 --> 1:12:55.439
<v Speaker 4>play with it. That wasn't you don't you don't really

1:12:55.439 --> 1:12:56.400
<v Speaker 4>play with him at that time.

1:12:57.600 --> 1:12:58.400
<v Speaker 3>Not the first nigga.

1:12:58.760 --> 1:13:02.120
<v Speaker 1>Good cut right here, same the cutter.

1:13:05.439 --> 1:13:08.000
<v Speaker 3>About to kick you. Listen.

1:13:08.240 --> 1:13:11.639
<v Speaker 4>The Mantos always sent you away with a chocolate chip,

1:13:11.680 --> 1:13:16.800
<v Speaker 4>cookies and a strawberry, so you already giving you They

1:13:16.880 --> 1:13:19.880
<v Speaker 4>gave my notice here put that chocolate chip on your pillow.

1:13:21.240 --> 1:13:24.639
<v Speaker 1>Sir. You got to get out of here.

1:13:25.200 --> 1:13:27.400
<v Speaker 4>You gotta get the funk out, and I had nowhere

1:13:27.439 --> 1:13:31.599
<v Speaker 4>to stay. It's all right, and listen, believe when man

1:13:31.600 --> 1:13:33.519
<v Speaker 4>I knew you was going to be you know what happened.

1:13:34.280 --> 1:13:35.599
<v Speaker 4>I went and bought some rims.

1:13:36.479 --> 1:13:38.320
<v Speaker 1>Understood you had twelve cards.

1:13:40.680 --> 1:13:44.760
<v Speaker 3>I definitely you know, also had a video store. I

1:13:44.760 --> 1:13:45.680
<v Speaker 3>had the video.

1:13:48.320 --> 1:13:52.880
<v Speaker 4>Yeah, yeah, you listen, here's what's so crazy about you

1:13:52.880 --> 1:13:53.719
<v Speaker 4>having a video store.

1:13:54.000 --> 1:13:55.840
<v Speaker 3>I used to go get so many videos from the

1:13:55.920 --> 1:13:58.479
<v Speaker 3>video store. The niggas will borrow videos from me.

1:13:59.520 --> 1:14:01.680
<v Speaker 4>What you think he might still have some videos that

1:14:01.880 --> 1:14:04.639
<v Speaker 4>were from tr didn't even know if.

1:14:04.520 --> 1:14:08.360
<v Speaker 1>You, yeah, you might have had them joints killing him.

1:14:08.400 --> 1:14:09.960
<v Speaker 3>Then they started doing a DVD.

1:14:10.360 --> 1:14:12.920
<v Speaker 6>I have insurance on those like because nigga usually just

1:14:13.000 --> 1:14:15.320
<v Speaker 6>keep the videos, man, Like, how did you.

1:14:14.840 --> 1:14:18.760
<v Speaker 1>Know niggas used to have to call and harass the

1:14:18.840 --> 1:14:22.280
<v Speaker 1>people videos? Yo, when did you bring in the video back?

1:14:22.520 --> 1:14:24.920
<v Speaker 3>Like I just I just want to hear your voice.

1:14:24.640 --> 1:14:29.320
<v Speaker 4>Saying kin and rewind Please, hey, my nigga, my nigga

1:14:30.600 --> 1:14:34.960
<v Speaker 4>a video. Bro, you got Sally those black five days late? Nigga,

1:14:36.120 --> 1:14:41.120
<v Speaker 4>you got Sally Goes black talents. You had to for

1:14:41.520 --> 1:14:44.280
<v Speaker 4>two months? Now what are we doing? Come on, my nigga.

1:14:44.439 --> 1:14:46.120
<v Speaker 4>Oh man, you gotta be done with them.

1:14:47.560 --> 1:14:50.040
<v Speaker 1>You have to call number Blockbuster used to call you.

1:14:50.120 --> 1:14:53.320
<v Speaker 1>What Blockbusters would be on the nigga calling you like them?

1:14:54.120 --> 1:14:55.960
<v Speaker 4>But think about that though. They have to be a

1:14:56.000 --> 1:14:59.080
<v Speaker 4>real honor system for you to just bring something.

1:14:58.760 --> 1:15:02.840
<v Speaker 3>Back because you wanted something. Yeah, but yeah, but think

1:15:02.880 --> 1:15:03.639
<v Speaker 3>about right now.

1:15:04.320 --> 1:15:10.559
<v Speaker 1>Oh no, no, good luck, good luck with that, Good

1:15:10.640 --> 1:15:13.400
<v Speaker 1>luck with that, with your videos. Think in your video

1:15:17.120 --> 1:15:21.559
<v Speaker 1>come get me, get find me at that bogus address

1:15:24.680 --> 1:15:28.200
<v Speaker 1>a more serious note, how does.

1:15:28.080 --> 1:15:30.120
<v Speaker 3>All this lead.

1:15:31.080 --> 1:15:34.479
<v Speaker 6>You then becoming a board member and being on the

1:15:34.520 --> 1:15:35.920
<v Speaker 6>board of Carnegie Hall?

1:15:39.120 --> 1:15:41.960
<v Speaker 1>How does that happen? So Jay? That kind of came

1:15:42.000 --> 1:15:47.360
<v Speaker 1>about because my whole life I value relationships like that

1:15:47.800 --> 1:15:49.320
<v Speaker 1>to me is more important than anything.

1:15:49.640 --> 1:15:52.120
<v Speaker 3>We've never not been friends, you know.

1:15:52.120 --> 1:15:54.519
<v Speaker 1>What I'm saying, Like, I don't have I can't, I

1:15:54.560 --> 1:15:57.160
<v Speaker 1>can't even I don't know. I don't have any enemies.

1:15:57.880 --> 1:16:00.400
<v Speaker 1>I don't know anybody that you were men my name

1:16:00.439 --> 1:16:01.080
<v Speaker 1>and niggas be.

1:16:01.040 --> 1:16:03.200
<v Speaker 3>Like that, niggas fuck nigga.

1:16:03.320 --> 1:16:05.559
<v Speaker 1>I don't fuck with him like every it's every I'm

1:16:05.640 --> 1:16:09.559
<v Speaker 1>just cool because I know how valuable valuable relationships are.

1:16:09.680 --> 1:16:11.720
<v Speaker 1>That's the most important, more than money to me, man,

1:16:11.720 --> 1:16:14.320
<v Speaker 1>because you can get money and lose money. I've had money,

1:16:14.360 --> 1:16:17.759
<v Speaker 1>lost money, but this kind of relationships are the ones

1:16:17.800 --> 1:16:21.920
<v Speaker 1>that you know, keep you going. So I just develop

1:16:21.960 --> 1:16:27.400
<v Speaker 1>a lot of relationships. So one day I'm doing I'm

1:16:27.439 --> 1:16:30.200
<v Speaker 1>into political shit. This girl calls me and like, Yo,

1:16:30.680 --> 1:16:33.479
<v Speaker 1>you know all of these celebrities, you know these people.

1:16:34.000 --> 1:16:36.880
<v Speaker 1>Biden is trying to, you know, figure out what he's

1:16:36.880 --> 1:16:40.080
<v Speaker 1>wanting to do for his first hundred days in office,

1:16:40.200 --> 1:16:43.200
<v Speaker 1>and we need you to, you know, get these celebrities

1:16:43.240 --> 1:16:47.479
<v Speaker 1>and get these influences to come on board for this.

1:16:47.600 --> 1:16:49.680
<v Speaker 1>And I'm like sure, I'm like you know what I mean.

1:16:49.680 --> 1:16:52.519
<v Speaker 1>So we used to do these zoom calls and it

1:16:52.520 --> 1:16:54.519
<v Speaker 1>would be all these political people, and there'd be like

1:16:54.680 --> 1:16:58.519
<v Speaker 1>sixty people on these calls. And this this girl from DC,

1:16:58.600 --> 1:17:03.120
<v Speaker 1>her name is Lelania, her mom is was the widow

1:17:03.160 --> 1:17:09.560
<v Speaker 1>of Man Barry, so there she's collect connected heavily in

1:17:09.640 --> 1:17:14.519
<v Speaker 1>the political game. So we used to do these zoom

1:17:14.560 --> 1:17:19.240
<v Speaker 1>calls and I used to be on there and we

1:17:19.280 --> 1:17:23.360
<v Speaker 1>would have calls about all of this stuff, and then

1:17:23.479 --> 1:17:26.519
<v Speaker 1>I would always speak up and be like, listen, y'all

1:17:26.600 --> 1:17:29.960
<v Speaker 1>keep going after all of these celebrities, these older celebrities.

1:17:30.320 --> 1:17:32.439
<v Speaker 1>You're trying to get these kids. You got to get

1:17:32.439 --> 1:17:34.800
<v Speaker 1>somebody that they're going to relate to, Like, they're not

1:17:34.840 --> 1:17:38.160
<v Speaker 1>going to relate to these old people, these older these

1:17:38.200 --> 1:17:42.120
<v Speaker 1>older athletes or these older entertainers. So let's focus on

1:17:42.160 --> 1:17:44.759
<v Speaker 1>getting like some of these somebody who's in the political

1:17:44.840 --> 1:17:47.880
<v Speaker 1>space that's young that they're going to listen to. They're

1:17:47.880 --> 1:17:51.439
<v Speaker 1>not going to listen to these other people. So the dude,

1:17:51.439 --> 1:17:53.080
<v Speaker 1>one of the dudes that was on the call called

1:17:53.120 --> 1:17:56.120
<v Speaker 1>me offline one day and was like, hey man, He

1:17:56.280 --> 1:17:58.880
<v Speaker 1>was like, bro, like you'd be on these calls and

1:17:59.040 --> 1:18:01.600
<v Speaker 1>I look the way you hand yourself and you know

1:18:01.640 --> 1:18:04.240
<v Speaker 1>a lot of people, what do you think about Carnegie Hall,

1:18:04.280 --> 1:18:08.519
<v Speaker 1>and I was like, Carnegie Hall. That's the fucking like,

1:18:08.760 --> 1:18:14.599
<v Speaker 1>that's the krim Della Krima venues. Like. He was like, yeah,

1:18:14.720 --> 1:18:16.799
<v Speaker 1>you know, Robert Smith is the chairman of the board

1:18:16.880 --> 1:18:20.799
<v Speaker 1>and they really want to bring culture over to Carnegie.

1:18:20.840 --> 1:18:23.600
<v Speaker 1>And I'm like, I'm like, yeah, I'm in. And he

1:18:23.720 --> 1:18:25.720
<v Speaker 1>was like all right, I want to. I really fuck

1:18:25.760 --> 1:18:27.360
<v Speaker 1>with you. I'll rock with you. I want I think you,

1:18:27.600 --> 1:18:29.719
<v Speaker 1>I think you would be perfect for this. I was like, okay,

1:18:30.439 --> 1:18:31.960
<v Speaker 1>let me, let me do what I need to do.

1:18:32.000 --> 1:18:33.640
<v Speaker 1>He was like, okay, I want to introduce you to

1:18:34.200 --> 1:18:36.360
<v Speaker 1>the people that Carnegie. You meet me up in New York.

1:18:37.240 --> 1:18:40.040
<v Speaker 1>Have you go meet to people at Carnegie. So I went.

1:18:40.800 --> 1:18:44.600
<v Speaker 1>You know, it's a Carnegie Hall. They don't do the

1:18:44.640 --> 1:18:49.479
<v Speaker 1>business we do, especially not the music, right. Everything is

1:18:49.960 --> 1:18:52.840
<v Speaker 1>chopped like when they say they gonna do stop, this

1:18:52.880 --> 1:18:56.519
<v Speaker 1>gets done there. Like they booked stuff Street they booked

1:18:56.600 --> 1:18:58.800
<v Speaker 1>like three and four years out right. That's not ship

1:18:58.880 --> 1:19:04.920
<v Speaker 1>we used to So I'm coming in. So so I

1:19:04.960 --> 1:19:07.040
<v Speaker 1>went up there and I met with them and they

1:19:07.040 --> 1:19:09.559
<v Speaker 1>were like, yo, we want to bring you on. I

1:19:09.600 --> 1:19:12.439
<v Speaker 1>was like okay, And then I'm in the hallway right

1:19:13.120 --> 1:19:18.280
<v Speaker 1>of Carnegie and there there's these pictures, old pictures of

1:19:19.520 --> 1:19:22.679
<v Speaker 1>people in the old show, like black and white pictures.

1:19:23.160 --> 1:19:25.880
<v Speaker 1>I'm looking at the pictures thinking, and I'm like, I say, goddamn,

1:19:25.920 --> 1:19:30.200
<v Speaker 1>everybody's dressed up. Like we don't get dressed up. No,

1:19:31.400 --> 1:19:33.920
<v Speaker 1>Like people don't go to concerts. They don't get dressed up.

1:19:33.960 --> 1:19:37.760
<v Speaker 1>No more So, I said, yo, I told my man.

1:19:37.800 --> 1:19:40.240
<v Speaker 1>I was like, man, listen, if we do anything over here, bro,

1:19:40.400 --> 1:19:43.360
<v Speaker 1>it has to be black tie and it has to

1:19:43.400 --> 1:19:47.400
<v Speaker 1>be an orchestra company. The artists like, that's what we

1:19:47.479 --> 1:19:50.479
<v Speaker 1>gotta do. I said, I want to make this where

1:19:50.640 --> 1:19:54.479
<v Speaker 1>it's totally an experience. This ain't going like going to

1:19:54.520 --> 1:19:57.280
<v Speaker 1>the Barclays or going to Apollo. You got to get

1:19:57.360 --> 1:19:59.200
<v Speaker 1>dressed up. And if you can't get dressed up, this

1:19:59.200 --> 1:20:02.559
<v Speaker 1>ain't ain't venue spanked the venue for you. Maybe you

1:20:02.640 --> 1:20:05.080
<v Speaker 1>go to another one another, go see this artist at

1:20:05.120 --> 1:20:08.160
<v Speaker 1>another another venue, but not here. I ain't having no

1:20:08.240 --> 1:20:10.320
<v Speaker 1>hoodies and none of that ship. So the people at

1:20:10.360 --> 1:20:13.120
<v Speaker 1>Carnege was like, okay, let's let's let's let's rock out

1:20:14.439 --> 1:20:18.599
<v Speaker 1>and let's do it. So it's this funny story, so crazy.

1:20:18.680 --> 1:20:22.200
<v Speaker 1>So we're in the studio Jason's mixing the record of

1:20:22.280 --> 1:20:25.679
<v Speaker 1>D Nice. He's mixing it, mixing the D Nice record.

1:20:26.400 --> 1:20:28.160
<v Speaker 1>So I'm in a studio and I keep looking at

1:20:28.200 --> 1:20:28.599
<v Speaker 1>D Nice.

1:20:28.600 --> 1:20:31.800
<v Speaker 3>I'm like, quart is that when he had the D

1:20:31.920 --> 1:20:33.000
<v Speaker 3>Nice and Neo record.

1:20:33.400 --> 1:20:36.599
<v Speaker 1>No, it was a it was a record that they

1:20:36.800 --> 1:20:39.240
<v Speaker 1>it was an older record that he came back and redid.

1:20:41.240 --> 1:20:43.719
<v Speaker 1>And I'm looking at him and jajas you know, Jaha

1:20:44.120 --> 1:20:46.720
<v Speaker 1>and d and Nice were they were rocking together. And

1:20:46.760 --> 1:20:50.280
<v Speaker 1>I'm looking at D Nice and I'm like club Quarantine

1:20:50.400 --> 1:20:54.320
<v Speaker 1>Carnegie Yah. I kept thinking this in my fucking head,

1:20:54.640 --> 1:20:56.439
<v Speaker 1>and so I said, D Nice. I went over to him.

1:20:56.479 --> 1:21:01.080
<v Speaker 1>I said, Yo, what do you think about carnegi y'all?

1:21:01.080 --> 1:21:03.600
<v Speaker 1>Would you want to perform at Carnegie Hall? And he

1:21:03.680 --> 1:21:06.920
<v Speaker 1>looked at me. He said what He was like, nigga,

1:21:06.920 --> 1:21:11.840
<v Speaker 1>that's on my bucket list? I said really, I said,

1:21:11.880 --> 1:21:13.880
<v Speaker 1>all right? I said, what do you think if I

1:21:13.880 --> 1:21:16.160
<v Speaker 1>could make it happen like I could, if I could

1:21:16.520 --> 1:21:20.360
<v Speaker 1>make it happen, he was like me, how how are

1:21:20.400 --> 1:21:23.559
<v Speaker 1>you gonna get me? You're gonna get me at Carnegie Hall?

1:21:24.520 --> 1:21:28.120
<v Speaker 1>I'm like, man, let me let me figure it out.

1:21:28.400 --> 1:21:31.280
<v Speaker 1>So I sent the people. I said, listen, we should

1:21:31.320 --> 1:21:35.360
<v Speaker 1>do Club Quarantine at Carnegie Hall. And they were like,

1:21:36.400 --> 1:21:40.120
<v Speaker 1>who is the nice? I was like, so of course

1:21:40.120 --> 1:21:42.599
<v Speaker 1>they wouldn't google him. Coach said he was. He was.

1:21:42.760 --> 1:21:46.439
<v Speaker 1>He was a guy doing COVID. You know. He had

1:21:46.520 --> 1:21:50.919
<v Speaker 1>everybody from from Obama to Oprah to Bien to everybody

1:21:50.960 --> 1:21:54.719
<v Speaker 1>on his fucking on his line playing music during COVID

1:21:54.760 --> 1:21:57.720
<v Speaker 1>because nobody couldn't go out. And I said, he went

1:21:57.720 --> 1:22:00.640
<v Speaker 1>from ten thousand followers to three million followers, you know

1:22:00.680 --> 1:22:03.040
<v Speaker 1>what I mean. And they were like, oh, this one

1:22:03.080 --> 1:22:05.040
<v Speaker 1>might be this might be nice. Well let's do it.

1:22:05.760 --> 1:22:07.719
<v Speaker 1>So I hit Jajah back and I told her, I said,

1:22:07.720 --> 1:22:09.920
<v Speaker 1>tell the nice I got. We we can do this

1:22:10.000 --> 1:22:14.840
<v Speaker 1>show at Carnegie. He was like, no way. I was

1:22:14.880 --> 1:22:18.360
<v Speaker 1>like yeah, So we did the show. The first show

1:22:18.400 --> 1:22:23.120
<v Speaker 1>we ever did was Club Quarantine and cardig y'all. When

1:22:23.160 --> 1:22:29.280
<v Speaker 1>I tell you man, people dressed up. It was I'm

1:22:29.320 --> 1:22:32.879
<v Speaker 1>looking at I'm looking at people walking in with gowns

1:22:32.920 --> 1:22:41.519
<v Speaker 1>and niggas with tuxedos on, and I'm like, this is

1:22:41.560 --> 1:22:47.880
<v Speaker 1>Carnegie Hall. So I said, So the show was on

1:22:47.920 --> 1:22:50.599
<v Speaker 1>and you know, people was up and and racticst Niggas

1:22:50.600 --> 1:22:52.840
<v Speaker 1>was singing and dancing. Because you know, the nice play

1:22:52.880 --> 1:22:55.760
<v Speaker 1>all a dope music. He had Queen Ladieth would come out,

1:22:56.400 --> 1:22:59.160
<v Speaker 1>he had Slick Rick come out, He had all these

1:22:59.200 --> 1:23:03.280
<v Speaker 1>people come out foreman, and everybody's dressed up and having

1:23:03.320 --> 1:23:06.760
<v Speaker 1>a good time. So there's the guy over there who

1:23:08.040 --> 1:23:12.120
<v Speaker 1>is the chairman of Carnegie, who runs Carnegie. He was like, here,

1:23:12.120 --> 1:23:13.760
<v Speaker 1>we were in the booth together, you know, they got

1:23:13.800 --> 1:23:15.880
<v Speaker 1>them little booths. And he looked at me and he

1:23:15.960 --> 1:23:17.519
<v Speaker 1>was like, Terry. He was like, I've been over here

1:23:17.520 --> 1:23:20.120
<v Speaker 1>for twenty years, man, and I've never seen a hall

1:23:20.240 --> 1:23:23.720
<v Speaker 1>rocking life. It's never felt like this. This energy is crazy.

1:23:24.640 --> 1:23:26.599
<v Speaker 1>And I said, I was like, thank you, and he

1:23:26.680 --> 1:23:29.519
<v Speaker 1>was like and I was like, even better. I said,

1:23:29.520 --> 1:23:31.839
<v Speaker 1>look around at here. And we started looking around in

1:23:31.560 --> 1:23:34.960
<v Speaker 1>the in the audience right and I said, ninety nine

1:23:35.040 --> 1:23:37.840
<v Speaker 1>percent of the people who are in here now have

1:23:38.200 --> 1:23:42.080
<v Speaker 1>never been to fucking Carnegie Hall. And I said, we

1:23:42.200 --> 1:23:48.200
<v Speaker 1>did this. I said, we did this, and I've changed

1:23:48.200 --> 1:23:50.800
<v Speaker 1>the culture at Carnegie Hall, completely changed the culture at

1:23:50.840 --> 1:23:56.360
<v Speaker 1>Carnegie like now, before I used to say stuff, So

1:23:56.400 --> 1:23:58.760
<v Speaker 1>they starting to pivot for me, because you know, we

1:23:58.840 --> 1:24:01.080
<v Speaker 1>don't fink like we don't function like that. So I

1:24:01.160 --> 1:24:02.840
<v Speaker 1>might call and say I need to book a show

1:24:03.600 --> 1:24:07.040
<v Speaker 1>for a fucking May of this year, Terry. You know

1:24:07.080 --> 1:24:10.000
<v Speaker 1>we can't do that. The show's already booked. So they'll

1:24:10.040 --> 1:24:12.080
<v Speaker 1>start to go find dates and stuff and to find

1:24:12.120 --> 1:24:14.360
<v Speaker 1>people who ain't you know what I mean. You know

1:24:14.400 --> 1:24:17.720
<v Speaker 1>what I'm saying, so so then you know that. So

1:24:18.320 --> 1:24:20.960
<v Speaker 1>it's just it's just it's just a wonderful experience, man.

1:24:20.960 --> 1:24:22.960
<v Speaker 1>And the people that I have lined up coming over

1:24:23.000 --> 1:24:26.800
<v Speaker 1>there is just it's insane, Like justin Timberlake, US. Sure.

1:24:27.080 --> 1:24:29.240
<v Speaker 1>I mean these people that I've already talked to him,

1:24:29.520 --> 1:24:31.920
<v Speaker 1>they want to be I talk to you about y'all

1:24:31.960 --> 1:24:32.400
<v Speaker 1>coming over.

1:24:34.040 --> 1:24:39.360
<v Speaker 4>Big band at Carnegie Hall? Okay, big band in orchestra

1:24:39.760 --> 1:24:41.040
<v Speaker 4>at Carnegie Hall.

1:24:41.280 --> 1:24:41.559
<v Speaker 1>Done?

1:24:42.120 --> 1:24:43.160
<v Speaker 3>Frank Sinatra?

1:24:43.960 --> 1:24:54.280
<v Speaker 4>Uh uh uh? What's the other album? Marvin Gaye's big

1:24:54.320 --> 1:24:59.520
<v Speaker 4>band album. I want to grab pieces, big band pieces

1:25:00.560 --> 1:25:01.080
<v Speaker 4>go crazy.

1:25:01.160 --> 1:25:04.759
<v Speaker 1>That's great. That's that's that's amazing. That's amazing.

1:25:04.760 --> 1:25:07.240
<v Speaker 3>With my tucks on a shirt and.

1:25:07.160 --> 1:25:11.519
<v Speaker 1>A shirt and you can take it off whatever if

1:25:11.520 --> 1:25:14.880
<v Speaker 1>you want to. You want to conduct the orchestra too,

1:25:16.520 --> 1:25:17.080
<v Speaker 1>you want to sing?

1:25:17.240 --> 1:25:22.400
<v Speaker 3>Okay, all right, and we want Michael buffer an announce.

1:25:25.280 --> 1:25:28.400
<v Speaker 1>We can have that. We can have that, brother, brother,

1:25:28.439 --> 1:25:29.320
<v Speaker 1>what do you do to UFC?

1:25:31.320 --> 1:25:33.280
<v Speaker 3>We get the I need it?

1:25:33.320 --> 1:25:36.240
<v Speaker 1>So Jay is are we confirming this?

1:25:36.320 --> 1:25:42.519
<v Speaker 3>Absolutely? I need on? If he confirms, we confer, I.

1:25:42.439 --> 1:25:47.400
<v Speaker 4>Need glasper or Tim carrmon on piano like I need things.

1:25:47.720 --> 1:25:49.960
<v Speaker 1>Okay, let's do it.

1:25:49.960 --> 1:25:52.000
<v Speaker 4>Feels like it can happen. You know what I loved,

1:25:52.040 --> 1:25:53.600
<v Speaker 4>I love and wine in the summertime.

1:25:54.240 --> 1:25:55.160
<v Speaker 1>It's the best time.

1:25:55.360 --> 1:25:56.920
<v Speaker 3>I feel like we can do it. This summer. We

1:25:56.920 --> 1:25:59.400
<v Speaker 3>get a summertime. Can you find can you find me

1:25:59.400 --> 1:25:59.920
<v Speaker 3>a summer day?

1:26:00.320 --> 1:26:02.000
<v Speaker 1>Let me find let me, let me let me find

1:26:02.000 --> 1:26:02.920
<v Speaker 1>out R and.

1:26:02.920 --> 1:26:08.840
<v Speaker 9>B money uh constituents. We will be at Carnegie Hall,

1:26:10.360 --> 1:26:13.760
<v Speaker 9>suited and booted. Yeah, tuxt and.

1:26:13.840 --> 1:26:20.720
<v Speaker 4>Buck ah man this summer doing the standards, doing the standards,

1:26:21.040 --> 1:26:26.760
<v Speaker 4>big voice, big band, all curated, one sound and one sound.

1:26:26.800 --> 1:26:28.920
<v Speaker 1>Let me ask you a question curated by Let me

1:26:28.920 --> 1:26:31.479
<v Speaker 1>ask you a question. Yes, would this be your first

1:26:31.560 --> 1:26:32.959
<v Speaker 1>time performing at Carnia?

1:26:33.720 --> 1:26:34.240
<v Speaker 3>Absolutely?

1:26:34.320 --> 1:26:44.880
<v Speaker 4>Yeah, damn to another, I'm another first pause, Yes, I'm yep, yep,

1:26:45.320 --> 1:26:46.720
<v Speaker 4>damn come on, make come on.

1:26:46.680 --> 1:26:50.360
<v Speaker 1>Make key collected, baby, I gotta keep collecting collected, you know,

1:26:50.560 --> 1:26:54.120
<v Speaker 1>come on, man, you know what I'm saying. Summertime, summertime,

1:26:55.040 --> 1:26:56.800
<v Speaker 1>when I leave here, I'm gonna call and see if

1:26:56.800 --> 1:26:58.040
<v Speaker 1>we got any days in the summertime.

1:26:58.080 --> 1:26:58.439
<v Speaker 3>Perfect.

1:26:58.760 --> 1:27:01.200
<v Speaker 1>We're gonna make it happen. I can't wait for the show.

1:27:01.400 --> 1:27:05.800
<v Speaker 6>It's going to happen. That's going to happen. Date and

1:27:05.840 --> 1:27:07.719
<v Speaker 6>Take is putting it out there that he wants to something.

1:27:07.840 --> 1:27:08.080
<v Speaker 3>Date.

1:27:08.680 --> 1:27:12.240
<v Speaker 4>Okay, he wants the he want tell me a date

1:27:13.360 --> 1:27:16.960
<v Speaker 4>so we can get the cooking. I'm talking charting chart.

1:27:17.040 --> 1:27:19.560
<v Speaker 1>And you start looking for the nigga charts.

1:27:20.720 --> 1:27:23.920
<v Speaker 3>I'm in I'm talking in here, nigga. That's what you're

1:27:23.960 --> 1:27:27.400
<v Speaker 3>gonna do. You know, you go three your own streams.

1:27:28.040 --> 1:27:30.080
<v Speaker 3>I'm oh ship upright.

1:27:30.600 --> 1:27:36.640
<v Speaker 1>Yeah. I want to say another story that that a

1:27:36.680 --> 1:27:39.240
<v Speaker 1>lot of people don't know too. I used to manage

1:27:39.320 --> 1:27:41.000
<v Speaker 1>him tunk and got him his deal and.

1:27:42.520 --> 1:27:47.040
<v Speaker 6>Yeah yeah, oh yeah, y'all robbed the bank too, and

1:27:47.120 --> 1:27:48.120
<v Speaker 6>y'all came through with that one.

1:27:48.200 --> 1:27:49.360
<v Speaker 3>Y'all had no mask on.

1:27:50.520 --> 1:27:53.680
<v Speaker 1>From Toya, you know him and Toya. Yeah, so I

1:27:53.720 --> 1:27:57.360
<v Speaker 1>got I got him his deal that tennis through Jaha,

1:27:57.680 --> 1:27:58.639
<v Speaker 1>I can wow.

1:28:00.000 --> 1:28:03.160
<v Speaker 3>And then that ended up going to for real at first, right, that's.

1:28:03.080 --> 1:28:08.360
<v Speaker 1>In the whole night. It was, it was, it was

1:28:10.360 --> 1:28:15.200
<v Speaker 1>I'll tell that story. Slim called me one night late night,

1:28:15.520 --> 1:28:19.720
<v Speaker 1>like yo, because you know, and at Interscope or at

1:28:20.600 --> 1:28:26.120
<v Speaker 1>Jimmy always puts a producer with the artist. So Slim

1:28:26.200 --> 1:28:30.760
<v Speaker 1>calls me and was like, man, Yo, g man, they

1:28:30.800 --> 1:28:33.200
<v Speaker 1>want to put me in with They wanted Pharrell to

1:28:33.360 --> 1:28:37.200
<v Speaker 1>do my whole album. And I'm like what, I'm like,

1:28:37.720 --> 1:28:41.360
<v Speaker 1>I don't like Slim, I'm like, yo, I said, man,

1:28:41.439 --> 1:28:45.080
<v Speaker 1>that's pretty sound you got. Is like, that's a real,

1:28:45.160 --> 1:28:49.040
<v Speaker 1>right thing. That's a real thing. Nobody's fu heard that.

1:28:49.479 --> 1:28:52.600
<v Speaker 1>Nobody's doing that. I said. I mean, I said, you

1:28:52.640 --> 1:28:54.479
<v Speaker 1>know you for Rella is incredible. I'm like, I know

1:28:54.560 --> 1:28:58.400
<v Speaker 1>for and he's he's on fire. That's when he Farrell

1:28:58.520 --> 1:29:00.560
<v Speaker 1>was on fire. I said, but his sound is a

1:29:00.600 --> 1:29:02.360
<v Speaker 1>little too clean for you. I said, what we should

1:29:02.439 --> 1:29:04.599
<v Speaker 1>do is get two or three songs for the for

1:29:04.640 --> 1:29:07.160
<v Speaker 1>the females, like half forhar Real, do the songs for

1:29:07.280 --> 1:29:10.759
<v Speaker 1>the for the brods. You keep that same old tipping

1:29:10.840 --> 1:29:15.720
<v Speaker 1>on four folds. And because nobody, he was like, man, man,

1:29:16.000 --> 1:29:17.880
<v Speaker 1>I've been listening to these songs for all these years.

1:29:17.920 --> 1:29:20.680
<v Speaker 1>I was like Slim, when I first heard it, it

1:29:20.720 --> 1:29:22.400
<v Speaker 1>was something different.

1:29:23.680 --> 1:29:23.960
<v Speaker 3>Us.

1:29:24.240 --> 1:29:25.760
<v Speaker 1>Everybody else is gonna feel the same way.

1:29:25.800 --> 1:29:28.800
<v Speaker 6>I felt like, let's keep that same energy and then

1:29:28.840 --> 1:29:32.200
<v Speaker 6>you then you him, yes, then you do the.

1:29:32.160 --> 1:29:37.000
<v Speaker 1>For real joints. He was like, man, they want me

1:29:37.040 --> 1:29:38.960
<v Speaker 1>to do this. I was like, man, I was like, man,

1:29:39.040 --> 1:29:42.680
<v Speaker 1>I love pharreal Real is incredible. But that sound, your

1:29:42.760 --> 1:29:46.679
<v Speaker 1>sound is your sound, and nobody's doing that right now,

1:29:46.800 --> 1:29:48.679
<v Speaker 1>you know what I mean. That's coming straight out of Texas.

1:29:48.680 --> 1:29:51.519
<v Speaker 1>Nobody's doing that. Nobody on the heast is hearing that.

1:29:52.240 --> 1:29:55.600
<v Speaker 1>Andy he went, you know, and did the thing with

1:29:56.360 --> 1:29:57.679
<v Speaker 1>he did, and then.

1:29:57.560 --> 1:30:00.599
<v Speaker 6>Then it worked out for him because if it's and

1:30:00.640 --> 1:30:02.600
<v Speaker 6>he just really got all of his ship back, he

1:30:02.680 --> 1:30:05.680
<v Speaker 6>got all that money. Yeah, did that deal? Yeah, the

1:30:05.760 --> 1:30:09.560
<v Speaker 6>deal didn't pan out the way. He got all his ownership,

1:30:09.640 --> 1:30:12.960
<v Speaker 6>he got all and really his independence.

1:30:12.760 --> 1:30:15.519
<v Speaker 1>He got his independence, but she had and I begged him.

1:30:16.000 --> 1:30:18.920
<v Speaker 1>I begged like like and I heard him. And the

1:30:18.960 --> 1:30:21.120
<v Speaker 1>reason why I heard him because when Toyo brought him

1:30:21.200 --> 1:30:23.080
<v Speaker 1>up to me and she you know, they was going

1:30:23.080 --> 1:30:25.640
<v Speaker 1>out or whatever. She was like, you never heard of

1:30:25.680 --> 1:30:28.559
<v Speaker 1>slim Thing. I was like, no, I never heard of him. Noah,

1:30:28.640 --> 1:30:30.720
<v Speaker 1>I never heard of him. So one day we was

1:30:30.760 --> 1:30:33.160
<v Speaker 1>in the studio and I was sleep. You know how

1:30:33.160 --> 1:30:35.040
<v Speaker 1>you be half of sleep in the studio, but you

1:30:35.080 --> 1:30:38.040
<v Speaker 1>can still hear the music. And I'm in there. I'm late,

1:30:38.120 --> 1:30:41.400
<v Speaker 1>I'm asleep. And then he was rapping on one of

1:30:41.400 --> 1:30:44.240
<v Speaker 1>these songs. He I was like, what the fuck is that?

1:30:44.439 --> 1:30:47.599
<v Speaker 1>I said, I said, Toya, that's him. She was like, yeah,

1:30:47.600 --> 1:30:50.439
<v Speaker 1>that's Slim. I was like, Oh, that Nigga's incredible. I said, Bro,

1:30:50.520 --> 1:30:53.120
<v Speaker 1>you don't want a deal. He was like, nah, gee,

1:30:53.160 --> 1:30:55.760
<v Speaker 1>I don't want no deal. Man, I'm staying independent. I

1:30:55.800 --> 1:30:56.639
<v Speaker 1>don't want no deal.

1:30:56.840 --> 1:30:59.960
<v Speaker 3>Was like, this is way before independent was even the thing. Yeah,

1:31:00.080 --> 1:31:01.519
<v Speaker 3>And that was like he understood it.

1:31:02.320 --> 1:31:04.160
<v Speaker 1>And I was like, he was like, nah, I don't

1:31:04.200 --> 1:31:07.200
<v Speaker 1>want no deal. So one day he called me, he

1:31:07.240 --> 1:31:11.439
<v Speaker 1>was like, gee, I'm ready. He's like, go get my deal.

1:31:11.800 --> 1:31:15.559
<v Speaker 1>I said, all right, went right over to Jaja, ran

1:31:15.640 --> 1:31:19.960
<v Speaker 1>over to Geff, got him his deal, big deal for

1:31:20.080 --> 1:31:21.840
<v Speaker 1>him and his boss Hog because he had a crew

1:31:21.880 --> 1:31:22.759
<v Speaker 1>called boss Hogs.

1:31:23.280 --> 1:31:25.960
<v Speaker 6>Got him in his deal. Deal deal a crew, his

1:31:26.040 --> 1:31:30.080
<v Speaker 6>crew are deal? Sure did that's crazy. I did not

1:31:30.200 --> 1:31:33.400
<v Speaker 6>know that I've been doing.

1:31:33.400 --> 1:31:36.160
<v Speaker 1>You know. I used to manage Dave Hollis too.

1:31:37.120 --> 1:31:38.479
<v Speaker 3>With with Bernard Yeah.

1:31:38.320 --> 1:31:41.360
<v Speaker 1>Wellerd he was signed to them. He was I managed. Yeah,

1:31:41.400 --> 1:31:42.160
<v Speaker 1>I managed him.

1:31:43.240 --> 1:31:48.080
<v Speaker 6>That's how That's how I got to to Uh I

1:31:48.120 --> 1:31:54.000
<v Speaker 6>did the album or Jason? Yeah, yeah, yeah, Dave.

1:31:55.800 --> 1:31:57.760
<v Speaker 1>I was in his first video. Actually, I was in

1:31:57.800 --> 1:32:00.960
<v Speaker 1>his first video, the video to his first Yeah.

1:32:01.400 --> 1:32:04.200
<v Speaker 3>I was like, so, who Who's what's called?

1:32:05.360 --> 1:32:08.479
<v Speaker 1>He was signed to? He was signed to Eric's label.

1:32:08.640 --> 1:32:12.160
<v Speaker 3>Listen, I mean you you again around the block, your

1:32:12.360 --> 1:32:17.599
<v Speaker 3>your your your relationships, like speak to who you are. Yeah.

1:32:17.720 --> 1:32:20.960
<v Speaker 4>The fact the fact that you've been able to get

1:32:21.080 --> 1:32:24.479
<v Speaker 4>so much done, you know what I mean, speaks to

1:32:25.080 --> 1:32:27.479
<v Speaker 4>how the people in those positions view you.

1:32:27.560 --> 1:32:28.759
<v Speaker 3>Right, you know what I'm saying.

1:32:29.000 --> 1:32:33.840
<v Speaker 4>They know they know you're worth worth the investment, worth

1:32:33.840 --> 1:32:38.720
<v Speaker 4>the time, worth the opportunity, and that that continues.

1:32:38.240 --> 1:32:40.879
<v Speaker 3>To ring still.

1:32:41.800 --> 1:32:51.000
<v Speaker 4>But you start doing music in ninety seven.

1:32:46.760 --> 1:32:48.680
<v Speaker 1>Yea.

1:32:49.760 --> 1:32:51.680
<v Speaker 3>A long more fucking time. I think you.

1:32:51.960 --> 1:32:53.640
<v Speaker 1>Then I did the Freaknik document I don't know if you.

1:32:53.960 --> 1:32:56.000
<v Speaker 3>Yeah, listen, you know I watched it.

1:32:56.000 --> 1:32:56.519
<v Speaker 1>Did you watch it?

1:32:56.960 --> 1:33:01.040
<v Speaker 4>I haven't seen it? Disrespectful bro, Yeah watch it. I

1:33:01.040 --> 1:33:04.599
<v Speaker 4>didn't know you did it. You do so many things.

1:33:05.360 --> 1:33:09.559
<v Speaker 4>I didn't know you did Treaknick documentary. Absolutely not, and

1:33:09.600 --> 1:33:11.120
<v Speaker 4>it's all that's not you called me and tell me

1:33:11.200 --> 1:33:11.840
<v Speaker 4>that you're doing it.

1:33:12.120 --> 1:33:13.280
<v Speaker 6>I mean, it makes sense for you to do the

1:33:13.320 --> 1:33:15.880
<v Speaker 6>documentary if that's the ship.

1:33:16.800 --> 1:33:21.920
<v Speaker 1>Listen, listen, listen. It went full circle. Yeah, I went

1:33:21.960 --> 1:33:24.640
<v Speaker 1>to Atlanta for Freak Nick and my first film was

1:33:24.640 --> 1:33:28.639
<v Speaker 1>a Freaknick documentary, right, so it was full watch it.

1:33:30.320 --> 1:33:31.200
<v Speaker 3>And that's what I was going to say.

1:33:31.200 --> 1:33:34.640
<v Speaker 6>I feel like when I when I look at you,

1:33:34.640 --> 1:33:37.200
<v Speaker 6>know your career and how long I've known you, I

1:33:37.200 --> 1:33:40.200
<v Speaker 6>feel like you've just mastered the art of the pivot.

1:33:40.760 --> 1:33:44.600
<v Speaker 6>You've always figured out the next move for yourself. You

1:33:44.600 --> 1:33:46.960
<v Speaker 6>don't get too caught up in because that's the other

1:33:47.000 --> 1:33:49.439
<v Speaker 6>thing in this business. It's like, and we talk about this,

1:33:49.880 --> 1:33:51.640
<v Speaker 6>it's the nigga who got this. He's been trying to

1:33:51.640 --> 1:33:56.040
<v Speaker 6>sell the same song, yeah, for ten years and that

1:33:56.200 --> 1:34:00.000
<v Speaker 6>and that, and that connects to everybody in this business.

1:34:00.040 --> 1:34:00.360
<v Speaker 3>M hmm.

1:34:00.920 --> 1:34:03.559
<v Speaker 6>Maybe it's not the actual song, but yes, whatever you're

1:34:03.640 --> 1:34:06.400
<v Speaker 6>doing so you're trying to do the same song and

1:34:06.520 --> 1:34:09.800
<v Speaker 6>dance that. At some point it's like, yo, maybe you

1:34:09.800 --> 1:34:14.920
<v Speaker 6>should try something different. Maybe maybe your talents fit somewhere else.

1:34:16.560 --> 1:34:18.080
<v Speaker 6>And you know what I mean, And I and I

1:34:18.120 --> 1:34:20.920
<v Speaker 6>think you know, watching your careers. Even for me, it's

1:34:20.960 --> 1:34:24.719
<v Speaker 6>definitely been an inspiration for me seeing someone like yourself

1:34:24.720 --> 1:34:27.200
<v Speaker 6>and being like you know, and obviously understanding what you

1:34:27.280 --> 1:34:29.800
<v Speaker 6>come from, understanding what I come from, he comes from.

1:34:30.080 --> 1:34:30.240
<v Speaker 1>Like.

1:34:31.960 --> 1:34:34.240
<v Speaker 6>Saying, you know, because we were all supposed to be

1:34:34.439 --> 1:34:40.360
<v Speaker 6>something whatever people thought that was. But we've all evolved,

1:34:41.040 --> 1:34:41.360
<v Speaker 6>you have.

1:34:41.520 --> 1:34:42.640
<v Speaker 3>Other things, you know.

1:34:42.680 --> 1:34:44.519
<v Speaker 6>I mean, nobody ever thought that we would be sitting

1:34:44.520 --> 1:34:45.839
<v Speaker 6>here behind them a fucking microphone.

1:34:47.240 --> 1:34:48.200
<v Speaker 3>What I'm saying, like, we.

1:34:48.280 --> 1:34:50.639
<v Speaker 4>Do this ship all the time at the studio, We'll

1:34:50.680 --> 1:34:54.600
<v Speaker 4>sit at the table fucking Jason Johnson dog bit me.

1:34:55.680 --> 1:34:59.360
<v Speaker 1>But you don't but y'all, but but what would I

1:34:59.360 --> 1:35:01.160
<v Speaker 1>say about all the we know how to pivot?

1:35:01.520 --> 1:35:04.639
<v Speaker 4>Well, you know what's crazy too, is that is that

1:35:05.960 --> 1:35:09.599
<v Speaker 4>we weren't necessarily taught the pivot. No no, right, because

1:35:09.920 --> 1:35:13.360
<v Speaker 4>because we come from a time where you do a

1:35:13.400 --> 1:35:17.120
<v Speaker 4>thing and that's the thing you do, and you do

1:35:17.200 --> 1:35:20.679
<v Speaker 4>it until you can't do it no more. You we've

1:35:20.720 --> 1:35:28.240
<v Speaker 4>been we've been blessed to see opportunities outside of our

1:35:28.360 --> 1:35:34.040
<v Speaker 4>main thing and understand how it could benefit you, understand

1:35:34.400 --> 1:35:37.400
<v Speaker 4>the benefit everything and everybody that we're like, you know

1:35:37.439 --> 1:35:40.799
<v Speaker 4>what that that could add to or that could be dope?

1:35:40.840 --> 1:35:44.400
<v Speaker 4>If and we don't come from that, which is crazy

1:35:44.439 --> 1:35:47.519
<v Speaker 4>because like when if you were to get a branding

1:35:47.640 --> 1:35:51.479
<v Speaker 4>deal back in the nineties or early two thousands or like,

1:35:51.640 --> 1:35:53.640
<v Speaker 4>that was just like what, oh you got a what

1:35:53.760 --> 1:35:54.280
<v Speaker 4>how'd you get?

1:35:54.439 --> 1:36:00.280
<v Speaker 3>Like? Seeing Tyree's model was like, how do you do that? Yeah?

1:36:00.400 --> 1:36:03.519
<v Speaker 6>I remember talking to Tyree when he was first got

1:36:03.520 --> 1:36:07.000
<v Speaker 6>his VJ job. Nigga, wait, you're doing what.

1:36:06.560 --> 1:36:07.160
<v Speaker 3>What are you doing?

1:36:08.960 --> 1:36:11.400
<v Speaker 6>Like nobody was I'm gonna introduce this and then I'm

1:36:11.400 --> 1:36:14.600
<v Speaker 6>gonna I'm Like people.

1:36:14.360 --> 1:36:17.240
<v Speaker 3>In the record business were like frowning, frowning upon that.

1:36:17.280 --> 1:36:17.960
<v Speaker 1>You shouldn't do that.

1:36:18.040 --> 1:36:21.240
<v Speaker 4>Yeah, you gotta focus on your music. You gotta your artistry.

1:36:21.800 --> 1:36:27.120
<v Speaker 4>But all of that lended to him being superstar. Yeah,

1:36:27.439 --> 1:36:29.360
<v Speaker 4>and we didn't know that then. It's something that they

1:36:29.400 --> 1:36:32.280
<v Speaker 4>grew on us and that as those opportunities came, we

1:36:32.280 --> 1:36:35.400
<v Speaker 4>were smart enough say no, no, give me that.

1:36:36.360 --> 1:36:38.760
<v Speaker 1>But but but I would say, all three of us,

1:36:38.920 --> 1:36:41.599
<v Speaker 1>we're just not gonna let people put us in a box.

1:36:42.520 --> 1:36:44.400
<v Speaker 1>Like I'm never gonna be put in the fucking box.

1:36:44.600 --> 1:36:45.679
<v Speaker 1>You can't put me in a box.

1:36:47.600 --> 1:36:48.000
<v Speaker 3>You can't.

1:36:48.520 --> 1:36:52.120
<v Speaker 1>I'm gonna fight the fucking way. I'm gonna my way out.

1:36:52.360 --> 1:36:55.120
<v Speaker 3>You gotta hear J say, tank, that's too far, that's.

1:36:57.200 --> 1:37:01.680
<v Speaker 1>I mean you. I mean because we all need that too, though,

1:37:01.720 --> 1:37:05.120
<v Speaker 1>But you don't need you know why, because we want

1:37:05.120 --> 1:37:09.080
<v Speaker 1>the reward and you can't get to that reward unless

1:37:09.120 --> 1:37:09.719
<v Speaker 1>you take chance.

1:37:10.160 --> 1:37:10.360
<v Speaker 3>Yeah.

1:37:10.560 --> 1:37:14.400
<v Speaker 1>Yeah, high risk, high reward at the end of the day.

1:37:14.439 --> 1:37:16.120
<v Speaker 6>But you gotta tell you gotta have the nigga in

1:37:16.160 --> 1:37:18.439
<v Speaker 6>the car with you that says we got too much dope?

1:37:19.760 --> 1:37:25.160
<v Speaker 1>You too much help? Is that too much dope?

1:37:25.880 --> 1:37:27.479
<v Speaker 3>I cannot confirm, n.

1:37:29.160 --> 1:37:29.439
<v Speaker 1>We can.

1:37:29.479 --> 1:37:31.360
<v Speaker 3>How many keys are too many keys?

1:37:31.439 --> 1:37:32.360
<v Speaker 1>I don't think anything.

1:37:33.960 --> 1:37:37.080
<v Speaker 4>I think once you get over a certain amount, the

1:37:37.200 --> 1:37:40.040
<v Speaker 4>charge is still the same car.

1:37:41.880 --> 1:37:46.599
<v Speaker 1>Life is I've got, You're gonna get the same amount

1:37:46.640 --> 1:37:46.880
<v Speaker 1>of time.

1:37:47.000 --> 1:37:50.680
<v Speaker 3>Yeah, your intent is to distribute.

1:37:50.600 --> 1:37:55.519
<v Speaker 4>Yes, let's just take nine once can get to like

1:37:55.560 --> 1:37:57.680
<v Speaker 4>when you go to the think and how much do

1:37:57.800 --> 1:37:58.519
<v Speaker 4>y'all report this?

1:38:02.760 --> 1:38:05.280
<v Speaker 3>Yeah? I can't report, okay, but you.

1:38:05.240 --> 1:38:07.640
<v Speaker 1>Do need that, but sometimes you do need you know,

1:38:07.760 --> 1:38:09.000
<v Speaker 1>we all agree.

1:38:08.760 --> 1:38:12.120
<v Speaker 4>We all need that, right, we all need because the

1:38:12.240 --> 1:38:15.320
<v Speaker 4>voice that we trust, Yeah, right, And I think that

1:38:15.360 --> 1:38:17.840
<v Speaker 4>for us that's been so big for us because we

1:38:17.920 --> 1:38:21.800
<v Speaker 4>both trust each other's voice so much that it starts there.

1:38:22.320 --> 1:38:24.719
<v Speaker 3>It starts with respect. It starts with respect.

1:38:24.840 --> 1:38:25.759
<v Speaker 1>Y'all are great together.

1:38:27.160 --> 1:38:28.160
<v Speaker 3>That was a great guy, man.

1:38:28.479 --> 1:38:31.800
<v Speaker 1>I really great to like this guy. They all look

1:38:31.800 --> 1:38:35.479
<v Speaker 1>great together. Man. I like that man. He's always been

1:38:35.520 --> 1:38:38.080
<v Speaker 1>the game. When I first met him, tank Man, he

1:38:38.240 --> 1:38:42.200
<v Speaker 1>was introduced me to him man our brother, and I

1:38:42.240 --> 1:38:45.200
<v Speaker 1>was like, that's a that niggas that young niggas nice man.

1:38:45.479 --> 1:38:48.639
<v Speaker 1>He got some swag to him, you know what I mean.

1:38:49.400 --> 1:38:51.920
<v Speaker 1>And then when I found out he could really play basketball,

1:38:52.600 --> 1:38:55.120
<v Speaker 1>that's when the app That's when the real respect came out.

1:38:55.320 --> 1:38:57.360
<v Speaker 3>That's normally where it starts.

1:38:57.880 --> 1:39:00.840
<v Speaker 1>A lot of them say that they can play, but they.

1:39:01.120 --> 1:39:03.840
<v Speaker 3>Don't they understand.

1:39:04.520 --> 1:39:08.000
<v Speaker 6>That's a whole other part of basketball. Right, especially as

1:39:08.040 --> 1:39:10.519
<v Speaker 6>we've gotten older, you start to you start to you

1:39:10.560 --> 1:39:12.760
<v Speaker 6>start to have a different love and respect for guys

1:39:12.800 --> 1:39:14.280
<v Speaker 6>who understand basketball.

1:39:14.720 --> 1:39:19.120
<v Speaker 3>It's like, my nigga, if you don't know certain basic things.

1:39:18.840 --> 1:39:24.160
<v Speaker 1>Basic things, you the basic He's fundamental, He's fundamentally make

1:39:24.240 --> 1:39:26.799
<v Speaker 1>the read.

1:39:29.720 --> 1:39:32.320
<v Speaker 6>You know what I'm saying, and it's and listen, it

1:39:32.439 --> 1:39:35.120
<v Speaker 6>is only a few of us then understand it. In

1:39:35.200 --> 1:39:38.960
<v Speaker 6>this business, we played basketball with everyone like this nigga.

1:39:39.360 --> 1:39:42.720
<v Speaker 6>Yes he's athletic, Yes, he can move and get to

1:39:42.760 --> 1:39:44.800
<v Speaker 6>the spot. He I don't know if he can play

1:39:44.920 --> 1:39:48.840
<v Speaker 6>basket right the right way. If he understands the guy

1:39:48.880 --> 1:39:51.200
<v Speaker 6>that's on his team can shoot the ship out the ball.

1:39:51.760 --> 1:39:53.400
<v Speaker 6>This guy needs to have the ball in his hand

1:39:54.280 --> 1:39:55.920
<v Speaker 6>and he needs to have it at this spot.

1:39:57.720 --> 1:39:58.720
<v Speaker 3>This is a different.

1:39:58.439 --> 1:40:01.040
<v Speaker 1>Understanding, totally different. On standard makes the game.

1:40:01.000 --> 1:40:04.160
<v Speaker 3>More fun and it's more fluids. You know, we played

1:40:04.160 --> 1:40:06.320
<v Speaker 3>a lot of basketball, a lot of and a lot

1:40:06.360 --> 1:40:07.000
<v Speaker 3>of random mass.

1:40:07.479 --> 1:40:08.919
<v Speaker 1>I remember the league, man.

1:40:09.479 --> 1:40:13.680
<v Speaker 3>I got what championships and here you go with these

1:40:13.760 --> 1:40:15.519
<v Speaker 3>championship rings in that league.

1:40:15.520 --> 1:40:21.440
<v Speaker 4>Man, that league manage n B A E lee.

1:40:22.120 --> 1:40:23.400
<v Speaker 1>He was doing your thing over there.

1:40:23.760 --> 1:40:26.639
<v Speaker 3>Doing I was doing my boy brought him.

1:40:26.640 --> 1:40:27.720
<v Speaker 1>My retirement.

1:40:28.840 --> 1:40:30.439
<v Speaker 3>Is that I'm back.

1:40:31.360 --> 1:40:33.000
<v Speaker 1>Taket went and played an adult league.

1:40:33.000 --> 1:40:37.120
<v Speaker 4>Man, I don't even do that in the district.

1:40:37.280 --> 1:40:39.400
<v Speaker 6>Listen, I don't even do that. I'll playing the runs

1:40:40.000 --> 1:40:42.479
<v Speaker 6>the private Russ. I'm not going to play no dot.

1:40:45.920 --> 1:40:46.120
<v Speaker 1>Rest.

1:40:47.160 --> 1:40:48.400
<v Speaker 3>I wanted to be with the refs.

1:40:49.400 --> 1:40:50.479
<v Speaker 1>He always liked the rafts.

1:40:50.479 --> 1:40:52.520
<v Speaker 4>I don't want to be where people are reffing themselves

1:40:53.200 --> 1:40:54.440
<v Speaker 4>like himself.

1:40:54.439 --> 1:40:57.479
<v Speaker 1>He hated that man because.

1:40:57.280 --> 1:40:59.200
<v Speaker 4>I'm not gonna call it. But I'm like you don't

1:40:59.280 --> 1:41:03.080
<v Speaker 4>call far. Yeah, you do know what you just did.

1:41:03.120 --> 1:41:06.679
<v Speaker 4>Come on, you gotta call it all right. He don't

1:41:06.720 --> 1:41:08.160
<v Speaker 4>call fucking foul anyway.

1:41:08.640 --> 1:41:12.440
<v Speaker 3>Your Top five R and B.

1:41:13.800 --> 1:41:22.879
<v Speaker 1>Artists Prince shaw Day, Michael Jackson, Stevie Wonder and USU.

1:41:23.360 --> 1:41:27.880
<v Speaker 6>Mm hmmm cold fire, Cold five Quick, too quick, quick

1:41:28.320 --> 1:41:32.400
<v Speaker 6>niggas smart quick, on his feet on his tools, m M.

1:41:33.240 --> 1:41:36.600
<v Speaker 3>Top five R and B songs.

1:41:37.439 --> 1:41:46.479
<v Speaker 1>Purple Rain, Cherish Today, Uh, isn't she lovely? You remind me?

1:41:48.360 --> 1:41:55.599
<v Speaker 1>And what's the other one? Jodasy song, Jodasy All my.

1:41:55.600 --> 1:42:00.000
<v Speaker 3>Life mm hmmm, All my Life is different?

1:42:00.720 --> 1:42:03.920
<v Speaker 1>Different, hit different? That hit different? When I heard different?

1:42:04.280 --> 1:42:07.559
<v Speaker 3>That real? But that's Kasey and Jojo. It is technically

1:42:13.840 --> 1:42:14.719
<v Speaker 3>because it's tough.

1:42:15.240 --> 1:42:19.519
<v Speaker 4>It's tough to follow Joe Tosy even as Casey and

1:42:19.640 --> 1:42:25.839
<v Speaker 4>Jojo right with something completely different. No, that was completely

1:42:26.120 --> 1:42:33.519
<v Speaker 4>and knock it out the park, super smash. Let's make

1:42:33.520 --> 1:42:38.720
<v Speaker 4>a vultron. You're super R and B artists. We need

1:42:38.760 --> 1:42:42.639
<v Speaker 4>an art every category. You put one artist in the vocal,

1:42:43.200 --> 1:42:47.799
<v Speaker 4>the performance style, the styling and the passion of the artists.

1:42:48.080 --> 1:42:52.760
<v Speaker 4>Choose one vocal in history to make your Super R

1:42:52.800 --> 1:42:55.080
<v Speaker 4>and B artists what one vocal are you getting.

1:42:55.320 --> 1:42:57.360
<v Speaker 1>All Luther hm hmmm.

1:42:58.120 --> 1:43:03.440
<v Speaker 3>Doom doom, doom, doom doom. Yeah, yeah, yeah, yeah.

1:43:03.439 --> 1:43:05.280
<v Speaker 1>I loved it, loved it.

1:43:05.280 --> 1:43:07.840
<v Speaker 4>It's something about a nigga that can sing so good.

1:43:08.160 --> 1:43:10.320
<v Speaker 4>He don't got to do nothing else but sing.

1:43:12.120 --> 1:43:16.679
<v Speaker 3>Yeah, yeah, like think about that, just sit there saying,

1:43:17.040 --> 1:43:22.559
<v Speaker 3>just stand there, that's it and sing the song and

1:43:22.600 --> 1:43:23.680
<v Speaker 3>we are amazed.

1:43:24.360 --> 1:43:25.480
<v Speaker 1>Did you see this documentary?

1:43:26.400 --> 1:43:33.040
<v Speaker 3>That's how you know you can sing on a level

1:43:33.080 --> 1:43:36.360
<v Speaker 3>that is godly. Shout out to Fox for that too.

1:43:36.560 --> 1:43:40.360
<v Speaker 3>You know Fox is a producer on that document know that. Okay.

1:43:40.760 --> 1:43:41.160
<v Speaker 1>Yeah.

1:43:42.000 --> 1:43:47.559
<v Speaker 4>Performance style, m J. I gotta go with roll with

1:43:47.560 --> 1:43:50.400
<v Speaker 4>that Luther voice.

1:43:50.840 --> 1:43:51.040
<v Speaker 3>M J.

1:43:51.280 --> 1:43:56.000
<v Speaker 4>Performance definitely has one of us is gonna die at this.

1:43:56.320 --> 1:43:59.920
<v Speaker 4>You don't faint. Folks can go in the cardiac a

1:44:00.080 --> 1:44:01.960
<v Speaker 4>rest at that show.

1:44:02.120 --> 1:44:02.360
<v Speaker 1>Yeah.

1:44:03.000 --> 1:44:06.599
<v Speaker 3>Yeah. The styling of the artists. I gotta say, Marvin style.

1:44:07.160 --> 1:44:10.719
<v Speaker 3>I knew you were going to say that. I knew

1:44:10.760 --> 1:44:11.680
<v Speaker 3>you were going to say that.

1:44:11.720 --> 1:44:18.920
<v Speaker 6>I got to say his style, his style, superfly, he

1:44:19.080 --> 1:44:21.639
<v Speaker 6>was he was just yeah, just on him.

1:44:21.760 --> 1:44:26.920
<v Speaker 1>Yeah, his thoughts. I loved his thoughts. Yeah, uh hm.

1:44:27.840 --> 1:44:30.880
<v Speaker 3>The passion of the artists, the passion of the artists

1:44:30.880 --> 1:44:31.400
<v Speaker 3>who mean it.

1:44:31.720 --> 1:44:36.760
<v Speaker 1>You know who I really really like I love I

1:44:36.840 --> 1:44:41.080
<v Speaker 1>love I love her, I love her love but her

1:44:41.240 --> 1:44:42.479
<v Speaker 1>just her like her passion.

1:44:42.840 --> 1:44:45.559
<v Speaker 3>It was just her passion exudes in her aura.

1:44:46.000 --> 1:44:50.439
<v Speaker 1>Yeah, absolutely, that's what that's her aura. Yeah, like she

1:44:50.640 --> 1:44:53.920
<v Speaker 1>was diverish, but not like super diverish.

1:44:54.320 --> 1:44:55.040
<v Speaker 3>Yeah she did.

1:44:55.320 --> 1:44:58.040
<v Speaker 1>She had to. She didn't have to be I didn't

1:44:58.040 --> 1:44:59.519
<v Speaker 1>feel mean yes, I feel me.

1:44:59.600 --> 1:45:00.599
<v Speaker 3>She didn't have to say it.

1:45:00.680 --> 1:45:02.120
<v Speaker 1>Yeah, she didn't have to say it.

1:45:02.320 --> 1:45:05.080
<v Speaker 3>That's for a lot of people. It stated yes, she.

1:45:05.040 --> 1:45:05.960
<v Speaker 1>Didn't have to say it.

1:45:06.080 --> 1:45:08.240
<v Speaker 3>You just she walked in.

1:45:08.600 --> 1:45:13.439
<v Speaker 4>You knew, Yes, who's in the motherfucking building. Roll out

1:45:13.479 --> 1:45:17.280
<v Speaker 4>that motherfucking red carpet? Put it on white gloves? Yes,

1:45:17.680 --> 1:45:19.040
<v Speaker 4>and act and act like you.

1:45:18.960 --> 1:45:22.000
<v Speaker 1>Know, yes, I loved her. I loved her her?

1:45:22.240 --> 1:45:27.719
<v Speaker 3>Or who would manage your artist? Hm? Who would manage

1:45:27.720 --> 1:45:28.160
<v Speaker 3>this artist?

1:45:31.720 --> 1:45:32.599
<v Speaker 1>Are you talking about?

1:45:38.479 --> 1:45:39.320
<v Speaker 7>Who asked what that for?

1:45:39.840 --> 1:45:41.799
<v Speaker 3>That would be some something? Because I say no to everybody.

1:45:43.360 --> 1:45:44.280
<v Speaker 1>You wouldn't say no to that.

1:45:44.520 --> 1:45:44.960
<v Speaker 3>I wouldn't.

1:45:47.000 --> 1:45:52.759
<v Speaker 1>Let's go get this, spin them around, get these white gloves,

1:45:53.080 --> 1:45:54.519
<v Speaker 1>keep it, keep it the moving high.

1:45:55.400 --> 1:45:57.200
<v Speaker 6>You know, we we had this very important part of

1:45:57.240 --> 1:46:00.840
<v Speaker 6>the show. Now we tell us a story funny or

1:46:00.880 --> 1:46:05.360
<v Speaker 6>fucked up? Are funny and fucked up? The only rude

1:46:05.360 --> 1:46:07.720
<v Speaker 6>to the game, which is easy for you, you know,

1:46:07.800 --> 1:46:09.720
<v Speaker 6>we know what you come from. Is you can't say

1:46:09.800 --> 1:46:11.320
<v Speaker 6>no that you got.

1:46:12.840 --> 1:46:13.160
<v Speaker 3>Videos.

1:46:15.160 --> 1:46:19.880
<v Speaker 1>I forgot the name. We were in d C. As

1:46:19.960 --> 1:46:24.920
<v Speaker 1>artist I was working with had a show and her

1:46:26.160 --> 1:46:33.679
<v Speaker 1>DJ kept messing with me and kept, you know, trying

1:46:33.720 --> 1:46:41.960
<v Speaker 1>to antagonize me. So I beat up the DJ. But

1:46:42.120 --> 1:46:45.040
<v Speaker 1>you can't, you can't, Okay, Yeah, I beat up her

1:46:45.120 --> 1:46:50.000
<v Speaker 1>DJ and the dancers and all the thing was in

1:46:50.080 --> 1:46:53.160
<v Speaker 1>there screaming, get up off of them, please leave them alone.

1:46:56.040 --> 1:47:01.160
<v Speaker 1>Then once the artists found out, she was like, why

1:47:01.200 --> 1:47:05.599
<v Speaker 1>did you do that at my show? And I was like, listen,

1:47:05.960 --> 1:47:09.560
<v Speaker 1>your man tested me, and I had to. I had to.

1:47:09.680 --> 1:47:11.640
<v Speaker 1>I had to show him what it was about. We

1:47:11.840 --> 1:47:13.280
<v Speaker 1>was in d C too. I was like, yeah, I

1:47:13.360 --> 1:47:15.920
<v Speaker 1>really really wanted them to know. And you and my

1:47:16.000 --> 1:47:18.600
<v Speaker 1>home city, I'm gonna I'm gonna show you something. And

1:47:18.680 --> 1:47:21.519
<v Speaker 1>I beat up the DJ on show on show night

1:47:21.840 --> 1:47:24.719
<v Speaker 1>before the show, right before the show. Was he able

1:47:24.760 --> 1:47:30.320
<v Speaker 1>to DJ the show dj DJ? But he didn't. He didn't.

1:47:30.439 --> 1:47:32.160
<v Speaker 1>He didn't say nothing else to me for the rest

1:47:32.200 --> 1:47:32.599
<v Speaker 1>of the tour.

1:47:33.439 --> 1:47:36.839
<v Speaker 3>Oh he stayed on tour. Yeah, he stayed because you professional.

1:47:37.040 --> 1:47:38.080
<v Speaker 3>It wasn't like, yeah, I want.

1:47:41.439 --> 1:47:42.200
<v Speaker 1>We had to let him know.

1:47:42.280 --> 1:47:43.880
<v Speaker 3>We gotta get this little dust uff going.

1:47:44.040 --> 1:47:45.800
<v Speaker 1>Yes, I just had to. I just had to dust

1:47:45.880 --> 1:47:46.400
<v Speaker 1>them up a little.

1:47:47.840 --> 1:47:52.040
<v Speaker 3>It's called a friendly fade. Niggas have to get back

1:47:52.160 --> 1:47:52.400
<v Speaker 3>to the.

1:47:52.880 --> 1:47:57.479
<v Speaker 1>Friendly I mean. And you know, Jay, I, me and

1:47:57.560 --> 1:47:59.840
<v Speaker 1>you were kind of like, we don't, we don't, we don't.

1:48:00.240 --> 1:48:02.479
<v Speaker 1>You know what I'm saying, Like, I like, it takes

1:48:02.520 --> 1:48:04.720
<v Speaker 1>a lot to really push me over there. But once

1:48:04.760 --> 1:48:07.559
<v Speaker 1>you do that, there's no no, there's no turn.

1:48:07.439 --> 1:48:10.920
<v Speaker 6>Off here because we didn't get into this to still

1:48:10.960 --> 1:48:13.599
<v Speaker 6>be doing that, right. And I think that's the thing

1:48:13.800 --> 1:48:16.360
<v Speaker 6>that a lot of cats don't understand. They try to

1:48:16.439 --> 1:48:18.800
<v Speaker 6>take it from Oh I was such and such in

1:48:18.800 --> 1:48:21.040
<v Speaker 6>the streets and i'mp and now I'm going to be

1:48:21.240 --> 1:48:23.960
<v Speaker 6>this in the music business too, Like, so why did

1:48:24.000 --> 1:48:24.479
<v Speaker 6>you get into this?

1:48:24.640 --> 1:48:24.800
<v Speaker 3>Then?

1:48:25.160 --> 1:48:27.840
<v Speaker 6>You know what I'm saying, Like, now, if somebody pushes

1:48:27.880 --> 1:48:29.960
<v Speaker 6>you to a point, we're all men, We're gonna protect

1:48:30.000 --> 1:48:31.400
<v Speaker 6>ourselves and we got to handle our business.

1:48:31.439 --> 1:48:32.760
<v Speaker 1>And that that is what it is, right.

1:48:33.600 --> 1:48:37.200
<v Speaker 6>That's the part I never understood about where it becomes

1:48:37.240 --> 1:48:40.360
<v Speaker 6>the bullying. And that's what I'm going to be in

1:48:40.479 --> 1:48:43.680
<v Speaker 6>this space, right because could have left that ship over there.

1:48:43.920 --> 1:48:44.920
<v Speaker 1>Yeah you know what I mean.

1:48:44.920 --> 1:48:48.000
<v Speaker 6>And that's why you've blasted so long in this space

1:48:48.080 --> 1:48:50.120
<v Speaker 6>because you understand, like, Okay, it's some.

1:48:50.240 --> 1:48:52.439
<v Speaker 3>Things I'm going to have to handle, but I'm not

1:48:52.560 --> 1:48:53.479
<v Speaker 3>running around being.

1:48:53.400 --> 1:48:56.200
<v Speaker 1>Up there right. No, does it make sense?

1:48:56.600 --> 1:48:59.920
<v Speaker 3>Yeah? Not even wearing who I was on my show.

1:49:00.080 --> 1:49:02.479
<v Speaker 1>Your it's not good. It's not good for business.

1:49:04.160 --> 1:49:08.240
<v Speaker 3>But that one, I like, let's just it was let's

1:49:08.280 --> 1:49:11.200
<v Speaker 3>just get it on. Just yeah, and after we're done, cool?

1:49:11.240 --> 1:49:11.679
<v Speaker 3>Were you good?

1:49:11.760 --> 1:49:14.840
<v Speaker 1>You thought you thought something was different and you found

1:49:14.880 --> 1:49:18.000
<v Speaker 1>out something wasn't you thought it was sweet on this

1:49:18.160 --> 1:49:18.920
<v Speaker 1>side of the street.

1:49:19.360 --> 1:49:24.360
<v Speaker 3>Yeah, yeah, yeah, he had to be saying something outland ship.

1:49:26.000 --> 1:49:30.680
<v Speaker 1>He called me a bitch as no way, that's no

1:49:31.320 --> 1:49:35.200
<v Speaker 1>way that he pulled that one out.

1:49:35.320 --> 1:49:39.880
<v Speaker 3>What did you Doank?

1:49:40.560 --> 1:49:42.760
<v Speaker 1>I just lost it man. Like I said, Bro, I'm

1:49:42.920 --> 1:49:46.920
<v Speaker 1>very calm, and but once you get me on that side,

1:49:47.160 --> 1:49:48.040
<v Speaker 1>if there's no turn.

1:49:49.040 --> 1:49:56.680
<v Speaker 3>I've I've never imagined on this side somebody calling you that.

1:49:57.040 --> 1:49:57.639
<v Speaker 3>I could never.

1:49:57.880 --> 1:50:00.320
<v Speaker 1>I couldn't either, I've never That's the first time I've

1:50:00.360 --> 1:50:02.880
<v Speaker 1>ever been called that. So that's why it just took

1:50:02.920 --> 1:50:06.040
<v Speaker 1>me to the other side. I blacked I blacked out. Really,

1:50:07.200 --> 1:50:11.640
<v Speaker 1>I was like, a DJ nigga call you that in

1:50:11.840 --> 1:50:15.880
<v Speaker 1>front of Oh, come on, I could I wouldn't even

1:50:15.960 --> 1:50:18.320
<v Speaker 1>know how to I couldn't even know how to live

1:50:18.400 --> 1:50:22.680
<v Speaker 1>without living, leaving living, leaving there knowing that I let

1:50:22.840 --> 1:50:26.559
<v Speaker 1>somebody that, Like, that's the whole that's total disrespect from everybody.

1:50:27.960 --> 1:50:30.920
<v Speaker 1>Everybody's gonna disrespect you. Let the DJ call you that.

1:50:32.600 --> 1:50:37.519
<v Speaker 1>Never So I beat them up pretty bad in front

1:50:37.560 --> 1:50:41.800
<v Speaker 1>of him, the dancers and all of that, and that

1:50:42.000 --> 1:50:44.080
<v Speaker 1>was it. You ever had a friendly frame.

1:50:45.560 --> 1:50:48.240
<v Speaker 3>A bunch of friendly face. At a certain age, people

1:50:48.320 --> 1:50:49.200
<v Speaker 3>just stop wanting to fight me.

1:50:50.479 --> 1:50:52.960
<v Speaker 1>You you did.

1:50:54.880 --> 1:50:59.799
<v Speaker 3>With It always starts with Bob, always started it somehow.

1:50:59.840 --> 1:51:01.160
<v Speaker 1>I oh, you.

1:51:03.360 --> 1:51:07.760
<v Speaker 3>Mean like we don't Yeah, yeah, but you know, and I.

1:51:07.760 --> 1:51:09.679
<v Speaker 4>Always got to hear about nigga. You don't hear about

1:51:09.720 --> 1:51:15.400
<v Speaker 4>Bob and Jack. It's always convenient that I'm never there.

1:51:16.760 --> 1:51:18.839
<v Speaker 4>It's always when I'm never there, because.

1:51:19.200 --> 1:51:21.559
<v Speaker 3>Then you know, niggas play hoop together again.

1:51:21.640 --> 1:51:24.679
<v Speaker 4>It's funny because you've probably been around somebody that happened

1:51:24.720 --> 1:51:27.320
<v Speaker 4>with But like you said, it's that was a moment.

1:51:28.520 --> 1:51:30.439
<v Speaker 3>I never speak on that. We never gonna talk about that,

1:51:30.600 --> 1:51:33.280
<v Speaker 3>like that ship that happened this dude.

1:51:34.040 --> 1:51:35.280
<v Speaker 1>Yeah, let me tell you something.

1:51:35.320 --> 1:51:36.320
<v Speaker 3>I right know where this story goes.

1:51:36.439 --> 1:51:36.920
<v Speaker 1>No you don't know what.

1:51:38.160 --> 1:51:41.599
<v Speaker 6>No, you don't know where this one's going. He got

1:51:41.760 --> 1:51:44.960
<v Speaker 6>somebody to give somebody a friendly faith.

1:51:45.360 --> 1:51:46.080
<v Speaker 3>I know that story.

1:51:46.120 --> 1:51:48.600
<v Speaker 1>See at the gym, I know that story. That was

1:51:48.720 --> 1:51:51.479
<v Speaker 1>beyond vicious man, and it was all because of him.

1:51:51.720 --> 1:51:55.639
<v Speaker 3>You know he was not because it was on that though.

1:51:55.760 --> 1:51:57.599
<v Speaker 3>I take the blame. You take the blame because that's

1:51:57.640 --> 1:51:58.080
<v Speaker 3>my friend.

1:51:58.920 --> 1:52:01.960
<v Speaker 1>Yeah, but you're gonna let him I'm not the blank

1:52:02.400 --> 1:52:03.240
<v Speaker 1>you with that ball.

1:52:03.600 --> 1:52:07.880
<v Speaker 3>It's it's the equivalent. So you letting the DJ call you?

1:52:11.600 --> 1:52:14.120
<v Speaker 1>Yo, you're gonna let that dude you with that ball?

1:52:14.880 --> 1:52:18.600
<v Speaker 3>Oh man, it was I didn't even say that.

1:52:19.600 --> 1:52:20.760
<v Speaker 1>I don't even know what you said.

1:52:21.240 --> 1:52:24.240
<v Speaker 3>I looked at it. Knock him though.

1:52:31.760 --> 1:52:33.320
<v Speaker 1>You know the story story.

1:52:35.000 --> 1:52:37.320
<v Speaker 3>I told the story by the people that were there,

1:52:37.320 --> 1:52:38.240
<v Speaker 3>everyone that was there.

1:52:38.160 --> 1:52:40.680
<v Speaker 1>So you might hear that story when yeah, your next

1:52:40.800 --> 1:52:44.360
<v Speaker 1>knock him the fuck up. I remember that like it

1:52:44.479 --> 1:52:46.280
<v Speaker 1>was yesterday, man, that niggas threw.

1:52:46.160 --> 1:52:52.640
<v Speaker 4>The ball and it wasn't so much it wasn't. It

1:52:52.840 --> 1:52:58.600
<v Speaker 4>was the way he looked at me. Oh, Jay, is

1:52:58.680 --> 1:53:01.720
<v Speaker 4>the way Jason looked at me. Me, He looked at

1:53:01.800 --> 1:53:04.679
<v Speaker 4>me it had it happened? He looked at me, said,

1:53:06.439 --> 1:53:13.960
<v Speaker 4>and I said, it was almost like he wanted to

1:53:14.160 --> 1:53:19.920
<v Speaker 4>let it slide. And he was looking to me to

1:53:20.040 --> 1:53:22.440
<v Speaker 4>see if it was okay, okay.

1:53:24.360 --> 1:53:29.840
<v Speaker 3>To not let it slide. And I said, not today, brother,

1:53:31.240 --> 1:53:31.840
<v Speaker 3>fuck him up.

1:53:32.560 --> 1:53:36.720
<v Speaker 1>You know that costs him a lot of money, Dude,

1:53:39.040 --> 1:53:41.519
<v Speaker 1>a lot of money. Sue the hell out of her.

1:53:42.640 --> 1:53:45.759
<v Speaker 3>That's not a friendly. That's not a friendly. That's not friendly.

1:53:45.920 --> 1:53:48.320
<v Speaker 3>That wasn't really they didn't know each other. It wasn't

1:53:48.360 --> 1:53:49.560
<v Speaker 3>cool like that friendly.

1:53:49.360 --> 1:53:51.879
<v Speaker 1>Face is like, hey man, we got a mutual respect.

1:53:51.960 --> 1:53:53.640
<v Speaker 3>We don't really want to hurt each other like that,

1:53:53.760 --> 1:53:57.040
<v Speaker 3>but you know, let's go. Let's go take care. Then

1:53:57.280 --> 1:54:06.120
<v Speaker 3>don't hit people in the face with basketballs on purpose.

1:54:07.120 --> 1:54:07.560
<v Speaker 1>I don't do.

1:54:08.960 --> 1:54:16.679
<v Speaker 3>And then sue. Wow mm hmmm. H For another part, brother,

1:54:17.240 --> 1:54:26.120
<v Speaker 3>Terry Ross, Terry, like you are a brother and a friend.

1:54:27.720 --> 1:54:28.479
<v Speaker 1>You are a.

1:54:30.520 --> 1:54:34.320
<v Speaker 4>A name, You are an entity. You are an important

1:54:34.400 --> 1:54:37.800
<v Speaker 4>piece to this whole university.

1:54:37.840 --> 1:54:41.800
<v Speaker 6>We are all a part of a great father, great father,

1:54:42.200 --> 1:54:47.080
<v Speaker 6>great father of that because that has to be spoken about, right,

1:54:47.760 --> 1:54:48.840
<v Speaker 6>especially in what we do.

1:54:50.280 --> 1:54:54.120
<v Speaker 3>This this this thing we do takes so much of

1:54:54.240 --> 1:54:56.200
<v Speaker 3>our minds, of our time.

1:54:57.160 --> 1:55:00.400
<v Speaker 6>So to say to yourself, I'm going to still be

1:55:00.680 --> 1:55:04.360
<v Speaker 6>active and still like we've been in the gym together

1:55:04.480 --> 1:55:08.960
<v Speaker 6>with our son, been at graduations, been at like I

1:55:09.120 --> 1:55:12.720
<v Speaker 6>know about you going across the border to get your son.

1:55:13.400 --> 1:55:15.720
<v Speaker 6>Have to go see it like these are things that

1:55:16.680 --> 1:55:20.120
<v Speaker 6>a lot of people don't do for whatever reason. But

1:55:20.760 --> 1:55:23.800
<v Speaker 6>for the guys that do, we always like to give

1:55:23.920 --> 1:55:25.640
<v Speaker 6>them their flowers for being that.

1:55:25.800 --> 1:55:28.480
<v Speaker 1>I appreciate that. I appreciate that, you know what I mean.

1:55:28.840 --> 1:55:32.440
<v Speaker 6>That's a that's a real thing, and that is going

1:55:32.560 --> 1:55:35.720
<v Speaker 6>to last us longer than this ship is, you know

1:55:35.760 --> 1:55:38.240
<v Speaker 6>what I mean. Would our kids become how they feel

1:55:38.240 --> 1:55:40.480
<v Speaker 6>about us, how they you know, appreciate us, man, so

1:55:40.600 --> 1:55:42.880
<v Speaker 6>and you know all your kids, man, you do so

1:55:44.320 --> 1:55:46.040
<v Speaker 6>I gotta I gotta make sure I give you that,

1:55:47.000 --> 1:55:51.000
<v Speaker 6>make sure that father the father, yea fathers.

1:55:52.320 --> 1:55:52.680
<v Speaker 1>Important.

1:55:53.080 --> 1:55:55.840
<v Speaker 3>Absolutely Well. We thank you, brother, We thank you for

1:55:55.960 --> 1:55:56.280
<v Speaker 3>your time.

1:55:56.360 --> 1:56:00.360
<v Speaker 1>Man. We appreciate you. I love what you got, the

1:56:00.440 --> 1:56:03.800
<v Speaker 1>utmost respect for both of y'all. And this is I

1:56:04.120 --> 1:56:04.480
<v Speaker 1>just love it.

1:56:04.640 --> 1:56:06.560
<v Speaker 3>I love I love it and we'll see you this

1:56:06.640 --> 1:56:09.320
<v Speaker 3>summer kind again. Understand what I'm saying.

1:56:09.880 --> 1:56:13.600
<v Speaker 4>Yeah, ladies and gentlemen, Money is Tank and this is

1:56:13.640 --> 1:56:17.000
<v Speaker 4>the R and B Money Podcast, the authority on all

1:56:17.200 --> 1:56:18.760
<v Speaker 4>things R and B.

1:56:20.680 --> 1:56:22.560
<v Speaker 3>I can't say enough about this brother man.

1:56:22.680 --> 1:56:26.120
<v Speaker 4>He is who he is, and anytime you hear that name,

1:56:27.520 --> 1:56:31.120
<v Speaker 4>respect it and appreciate it our brother Terry T. R.

1:56:31.200 --> 1:56:35.240
<v Speaker 1>Ross. Yeah, appreciate it by

1:56:36.800 --> 1:56:37.000
<v Speaker 4>Yeah