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Speaker 1: Can I tell you one time? One time I was

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Speaker 1: hosting a show the one time and the microphone hit

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Speaker 1: my mouth and I was like, yeah, because you know

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Speaker 1: when a microphone hits your mouth, it's like your mouth

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Speaker 1: has hit like a toilet seat. The thing has got stories, backstory.

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Speaker 1: Hey everyone, welcome to adult Ting. I'm Michelle Buteux, I'm

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Speaker 1: Jordan Carlos. What's up? My co from Go is here?

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Speaker 1: My sister from another miss that's right. And microphones are dirty?

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Speaker 2: Yeah, they are dirty ass microphones. I mean, you've ever

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Speaker 2: gone up to the mic and it's just like you

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Speaker 2: can smell what the other person has been drinking, what

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Speaker 2: they have been like eating, that they've had a cigarette break.

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Speaker 1: It's just a combo, a tuna platter of all of them.

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Speaker 1: It's the worst. And then it's just like make me laugh,

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Speaker 1: you know what it is? I don't I think people

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Speaker 1: understand that part of stand up comedy when you grab

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Speaker 1: the mic, it isn't just the one person's breath, it's

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Speaker 1: the culmination of everyone's breath in this little space that

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Speaker 1: you have to put right next to your mouth. God forbid,

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Speaker 1: you gotta act out. You have an act out on

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Speaker 1: your mic. Absolutely, it's so funny. There was Tom McCaffrey.

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Speaker 1: It's a hilarious comedian when we were like coming up.

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Speaker 1: I don't know if he still does comedy. I don't

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Speaker 1: know where Tom McCaffrey. Where you at? Tom definitely still

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Speaker 1: does comedy. He wrote a book. Even Yeah, good job Tom,

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Speaker 1: Let's get him on the show. I actually do an

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Speaker 1: impression of Tom McCaffrey. Can you do it? Because help?

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Speaker 1: He was like the closest, like you know when you

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Speaker 1: see a white boy rapper, you're like, okay, that is

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Speaker 1: definitely in him. He didn't just look at chetthanks to

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Speaker 1: study that like that is he is, you know what

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Speaker 1: I mean. It's giving Malcolmore, it's giving Eminem, it's giving

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Speaker 1: who sings Ice Ice Baby of Vanilla eyes. But that's awful.

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Speaker 2: He's definitely. I mean, listen, Tom was born and raised

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Speaker 2: in the Stuyvesant projects. He's he's got it in him.

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Speaker 2: It's the culture. And he just happens to talk like this.

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Speaker 2: I love how he talks.

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Speaker 1: Yeah, but then like he holds the mic up like

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Speaker 1: a rapper and he like cups like it's not part

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Speaker 1: of it. And I kind of missed people doing that

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Speaker 1: because when people cut the mic like that, you know

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Speaker 1: in a comedy show, they're usually about to do like

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Speaker 1: a helicopter impression or like some sort of like sound effect.

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Speaker 2: A one too, A one too like. He looked like

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Speaker 2: he was always poised to beat box. Yeah, but he

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Speaker 2: was not going to do that. Shout out to Tom McCaffrey.

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Speaker 1: Have you ever been in a Yo Mama off? Yes,

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Speaker 1: as a child really in church? Okay, that took a turn.

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Speaker 2: No, I thought you meant, Oh, you mean like a

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Speaker 2: stand up show where it's like Yo Mama di and that.

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Speaker 1: No, it was no. Not a stand up show like

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Speaker 1: in a parking lot, like your Mama's so fat, like

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Speaker 1: your mama's so stupid. You remember that back in the

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Speaker 1: day when people be like Yo Mama.

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Speaker 2: I was so glad that I was able to just

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Speaker 2: like outlast those like Wilmer Valmarama. Thank you so much

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Speaker 2: for your service he made. He made Yo Mama very popular,

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Speaker 2: very one note comedy.

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Speaker 1: He made a T shirt. Sorry, A TV show, Yeah,

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Speaker 1: on MTV. A TV show on MTV might as well

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Speaker 1: be a T shirt in my mind because I'm like

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Speaker 1: what it was on MTV.

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Speaker 2: It was filmed under like a like a railroad trestle

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Speaker 2: or an underpass.

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Speaker 1: Oh god, because it was urban, Oh god. And it

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Speaker 1: was on after school. Also, when I think of like

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Speaker 1: people dissing people in a parking lot, I'm not thinking

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Speaker 1: of Wilder.

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Speaker 2: Oh no, is that his name, Fez, You're not thinking

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Speaker 2: of Wilmer.

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Speaker 1: Wilmer whatever. Like I'm not thinking of that guy, you

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Speaker 1: know what I mean? Like, I'm not thinking of that guy.

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Speaker 1: It's it's definitely someone.

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Speaker 2: Else, Fez. It's like glass houses. Okay, I tried those,

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Speaker 2: but I was always like, your mother has such an

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Speaker 2: amazing work ethic, you.

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Speaker 1: Know, yeah, she's holding it down.

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Speaker 2: Oh my, your mother is ageless.

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Speaker 1: I hosted a pilot in two thousand and eight, still

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Speaker 1: waiting to hear for gets picked up, and it was

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Speaker 1: supposed to be like yo, mama, but yeah, with women

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Speaker 1: in a hairshop. Okay, what was the pilot like? Terrible?

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Speaker 1: It's funny hair shops are so there's no circulation. I'm

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Speaker 1: like none. You can't open the door because then people

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Speaker 1: think you can get your hair done for free somehow. Yeah,

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Speaker 1: everybody comes in to like get some change for the bus.

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Speaker 2: I used to shoot this show with Dan Soder back

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Speaker 2: in the day and it was like the Man Plan

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Speaker 2: or something like that, and we shot it one hundred

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Speaker 2: and twenty fifth Street in the offices of the Source magazine

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Speaker 2: people the Source, what was left of the Source. Ooh,

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Speaker 2: that place got zero mics. Okay, it was terrible, but

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Speaker 2: you know what, it was a gig. My daughter had

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Speaker 2: just been born. It was whoo the pampers of it all.

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Speaker 2: I bought the diaper Genie off of that. I bought

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Speaker 2: the bed off of that. Like I'm very happy to

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Speaker 2: have that money. But damn, honey, it was.

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Speaker 1: It was real. Ain't nothing funny.

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Speaker 2: And then Morgan Spurlock, who was the EP, then he

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Speaker 2: I always need to say this right he me tooed

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Speaker 2: himself and it.

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Speaker 1: Was like, yeah, you better. It was over. I was like, okay,

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Speaker 1: we are dropping so much info, like just a whole

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Speaker 1: TBT Flashback Friday info in the chat. It's shady, it's real.

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Speaker 1: You can fact check us, is what it is? Have

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Speaker 1: I been shady this whole time? I'm here for I

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Speaker 1: love it. We've loved on Tom McCaffrey and we loved it.

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Speaker 1: We posted here's the deal. We loved on him. But

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Speaker 1: somebody else could say otherwise, like I posted a picture

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Speaker 1: of myself a couple of days ago in a beautiful dress,

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Speaker 1: and you know how, people were like, what were you wearing?

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Speaker 1: What were you wearing? I was like, what was I wearing?

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Speaker 1: My top? Titty meat? And somebody commented and they were like,

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Speaker 1: this is pretty crude. Don't talk about yourself like that.

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Speaker 1: I wish you would think better yourself. And I just

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Speaker 1: want like, I don't reply, but I want to. I'm

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Speaker 1: just like, bitch, ain't nobody gotta love me but me?

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Speaker 1: This is how I talk. The fact that you want

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Speaker 1: to even police me about how I should say something

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Speaker 1: about myself is crude, So crude, so crude. Can I

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Speaker 1: ask you a question? I have to ask you an

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Speaker 1: adulting question. Oh no, yeah, I've come to you. I'm nervous.

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Speaker 1: I've come to you this hour of need. Oh Mike,

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Speaker 1: and my Queen of the Knight, what is happening Kevin Costner? Costner?

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Speaker 1: You know she tied with She had a syllable Kevin Cosiner. Moon.

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Speaker 2: Michelle does this when she breaks down words and then

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Speaker 2: like I become unconvinced of how you said.

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Speaker 1: Something that's been.

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Speaker 2: Bed rock in my mind since I was a child.

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Speaker 2: Is Kevin Costner until this moment, you're like Kevin Costain

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Speaker 2: at a French ending.

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Speaker 1: Ken bestwhile just we Cossina.

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Speaker 2: I believe his name is Idris Elba. That's the Blackbirds.

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Speaker 2: Now here's the question. Yes, my wife's longtime hairdresser. Oh,

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Speaker 2: he's moving back to France. He's been her hairdresser for

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Speaker 2: twenty years.

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Speaker 1: She's talked about him. Yeah, yeah, Christoph. We love you, Christoph.

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Speaker 1: Shout out to Christoph, You're the best with a K

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Speaker 1: go on.

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Speaker 2: I'm so sorry he's moving back to France, to Paris,

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Speaker 2: and they've been quite a combo. And wife has asked

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Speaker 2: that I, yeah, turn in my frequent Flyer miles so

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Speaker 2: that she may on Mother's Day fly to France for

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Speaker 2: the weekend with her mother. Yeah, and get her hair

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Speaker 2: done by Christoph.

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Speaker 1: Thoughts, that's wonderful, and I feel it if you ain't

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Speaker 1: getting what you need, if you're not getting nourished in

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Speaker 1: America or wherever you are, and you just have the

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Speaker 1: means to actually go somewhere and fucking do it, Because

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Speaker 1: oh my god, what am I on? Edsy happy wife,

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Speaker 1: happy life? Think about how nourished she's gonna be when

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Speaker 1: she comes back and then you're gonna seem like a

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Speaker 1: fucking hero, do you know what I mean? So this

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Speaker 1: is a win win across the board. Now, how many

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Speaker 1: like how wolf was? She got to get this trimmed?

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Speaker 1: Because that's a lot, a lot of miles. I will

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Speaker 1: say I used to go to Paris a lot in

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Speaker 1: my twenties and I just would fly on a cheaper

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Speaker 1: flight on Air India because what happens is when you

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Speaker 1: take a flight that's going to connect somewhere because they

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Speaker 1: have you know, they're going somewhere else, that flight's usually cheaper. Okay.

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Speaker 1: I love Air India because I love to see brown

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Speaker 1: families and eat good food. And so I mean that's

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Speaker 1: a little true. And I don't know if you can

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Speaker 1: like mix your miles. You know, sometimes you can do

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Speaker 1: that because the world is one big place. But I

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Speaker 1: say yes, Also, Christoph probably mentoreds somebody like you know

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Speaker 1: who's the mentee in the peripheral circle? You know, who

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Speaker 1: does Christophe love? So it's like when your therapist leaves,

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Speaker 1: they always kind of say, well, I have a friend,

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Speaker 1: so you know, if she's in a pinch and whatnot?

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Speaker 1: Who att that's a wonderful thought. Last Mother's Day, I

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Speaker 1: went to Jamaica with my friends and they were pretty

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Speaker 1: much all moms and it was very wild to be like, hey,

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Speaker 1: this is the one day you're supposed to be celebrated

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Speaker 1: by your child. Let's go nourish ourselves and just wear

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Speaker 1: our top titty meat in tank kinnis to the pool

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Speaker 1: for some tequila and other tea words. Thank you, Thank

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Speaker 1: you for checking in with me about this, because I

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Speaker 1: was just like, ways, I'm torn as this too much.

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Speaker 1: But I also know your wife and like, you know,

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Speaker 1: not even for any person, for any person who feels

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Speaker 1: the best they could ever feel with, like their wardrobe stylists,

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Speaker 1: their makeup person, their hair person. You know, you want

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Speaker 1: to keep that feeling that you have when you leave

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Speaker 1: your chair. Yeah, and you just can't put your trust

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Speaker 1: in anybody because now we're on some grown woman's shit.

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Speaker 1: We can't be trying new shit. I went to Supercuts

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Speaker 1: for a haircut when I was like twenty, and I

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Speaker 1: haven't cut my hair ever since. I'll trim, but I'm

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Speaker 1: not doing no more cuts because it was giving. I'm

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Speaker 1: trying to get into the military, but I haven't been

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Speaker 1: passed yet. Trying to get into basic training. That's right. Look,

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Speaker 1: I I hoard miles. I hoard the miles, you know, yeah,

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Speaker 1: but you got to use them. Yeah, I do too.

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Speaker 1: I'm like, what am I going to take the whole

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Speaker 1: family to Hawaiian?

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Speaker 2: No?

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Speaker 1: That's too fun, you know what I mean? Yeah, you're right,

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Speaker 1: what are you waiting for? What am I? I don't know?

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Speaker 1: Miles sometimes do feel like money in the account, Like

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Speaker 1: I like to see the high number. But you know,

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Speaker 1: make a memory. We're not promised tomorrow. These miles are

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Speaker 1: fucking fake. Thank you, Michelle. This feels like I've been

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Speaker 1: through therapy, Like it really feels like I need it. Well,

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Speaker 1: now that we've had a breakthrough, what's your schedule like

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Speaker 1: next week? Because I should did this weekly? Sho did

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Speaker 1: this bi weekly. Look, I'm excited. I'm excited for her,

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Speaker 1: and I'm even excited for you guys listening to the

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Speaker 1: podcast because we've got a live show for you. And yeah,

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Speaker 1: it's a whole ass dinner party with no dinner, but

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Speaker 1: it's definitely a party. Maybe it's just a party. We

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Speaker 1: ate later.

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Speaker 2: They were such a vibe. Yeah you won't know this

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Speaker 2: because you're listening. Oh my gosh, their wardrobe, head to toe,

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Speaker 2: tip to tip, amazing, amazing.

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Speaker 1: From head to but toe. You got to go to

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Speaker 1: their Instagram page. So let me just give you the Blackground. Okay. Yes,

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Speaker 1: our guests are the Illustrious Blacks. It's a duo Manchild

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Speaker 1: Black and Monster Black. Okay. And it is like an

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Speaker 1: art installation that also is giving you music, like original music.

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Speaker 1: It's afro electric disco, space punk rock. It's just beyond

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Speaker 1: if you ever heard of afropunk, it's giving nine to

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Speaker 1: five afropunk realness. They're just delicious. Yeah, when you think

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Speaker 1: about couples that work together, it's like what Kelly Ripa

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Speaker 1: like it. I love LUSA, you know.

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Speaker 2: What I mean.

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Speaker 1: And then it's like Illustrious Blacks like that's what it is.

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Speaker 1: And they just dropped a new anthem, a new new well.

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Speaker 1: I call it an anthem, but it's a new song illusion.

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Speaker 1: It is an anthem though. It's like that thing you

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Speaker 1: put on when you get dressed to go out, and

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Speaker 1: then you put it on when you're walking to like

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Speaker 1: an interviewer date. But anyways, enough of our tired black

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Speaker 1: asses in JOI the episode with Illustrious Guys.

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Speaker 3: Yes, I'll get up.

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Speaker 1: O can't. I got a Charlie horse right there. I

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Speaker 1: can't do that. I can't do that to adulting everybody.

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Speaker 1: What's up y'all? Oh my god, this is a very

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Speaker 1: warm room. This is a very warm warmer than my crotch.

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Speaker 1: Let me tell you this, plas baby, I am baking

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Speaker 1: a fucking sour Doughe bread between my legs right now,

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Speaker 1: roofing the dog. Paul Hollywood need to come over and

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Speaker 1: fingerfuck my croissant and tell me if I got a handshakeer,

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Speaker 1: I got a soggy bottom? Yes, yes, and.

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Speaker 3: Oh my god, wait.

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Speaker 1: A minute, just order and shout out to the motherfuckers

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Speaker 1: in the front that we're here last night. Yes, shout

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Speaker 1: out to New York one. You're the one right there?

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Speaker 1: Is it new York one? Yeah, he works for New

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Speaker 1: York One. Oh shit, Oh no, too long? Hi, just kidding.

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Speaker 1: Thank you for coming. Thank you. I'm an asshole. It's

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Speaker 1: what happens when I'm trying to give you, like missy

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Speaker 1: Elliott nine to five realness. You know, I love pleasure

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Speaker 1: back in the day. Now, I know why we don't

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Speaker 1: wear it. It is what I got the titty sweat

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Speaker 1: you good, don't you look good.

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Speaker 2: Take a fucking twirwl take a fucking twirl, thank you,

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Speaker 2: thank you.

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Speaker 1: And they got the goddamn.

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Speaker 2: Pythons and the motherfucking pythons at the bottom.

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Speaker 1: I didn't see the shoes. You didn't need the shortest.

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Speaker 1: You know. My onion is crying, bitch. I want to

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Speaker 1: buy like one size nine and a half in the

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Speaker 1: other size ten just for the left foot. Oh, people

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Speaker 1: see my feet. They're like, are you a ballerina? I

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Speaker 1: say you cute? I said no, I've just been tiptoe

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Speaker 1: for the patriarchy for forty six years too air whar

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Speaker 1: thank you? Oh man.

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Speaker 2: Meanwhile, my outfit is cool Brooklyn dad, and they cool.

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Speaker 1: But I would down no relatively. No, No, it's a

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Speaker 1: good Brooklyn honest. It's an honest man. It's the it's

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Speaker 1: the man that goes the directions. Hold up, stand the

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Speaker 1: funk up, sir. Look at this another fucking lumbers.

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Speaker 2: Lumber sexual lumber sexual man that is overboard, that is

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Speaker 2: over It.

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Speaker 1: Looks like an Icero trucker.

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Speaker 2: I look like I look like I could serve you

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Speaker 2: at the at the Hungry Ghost.

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Speaker 1: No, you are definitely the manager at the Hungry Ghost.

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Speaker 1: You're not thanking. Put your time in bitch, thank you son,

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Speaker 1: but don't do that. Yes, you're right, you're right.

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Speaker 2: No, but I would work the counter and then at

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Speaker 2: the tip part, you know, it's like you have to tip.

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Speaker 1: I look away, this is it? Wait a minute, did

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Speaker 1: you put this outpha together yourself?

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Speaker 2: It's more an it's nice magic eight bottle situation. Yes,

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Speaker 2: I just grabbed some clean clothes. I cooked for my

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Speaker 2: family before.

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Speaker 1: And uh you every time, now, don't you supposed to eat?

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Speaker 1: Come on now, every time a man does something, you

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Speaker 1: need an award. I'm relax.

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Speaker 2: Excuse me. I will say that there. It was like

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Speaker 2: a holiday last week, and people need to quit. Like

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Speaker 2: I was walking my kids around Manhattan holding their hands

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Speaker 2: and like people kept smiling at me, like look at

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Speaker 2: that dad doing it.

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Speaker 1: It's so it's such a low bar. It's so annoying.

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Speaker 1: It's so fucking annoying. So you know what people tell me,

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Speaker 1: they try to give me, like tips and tricks. You

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Speaker 1: know what you should do? Shut up they give you.

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Speaker 1: You know, you know, my sisters got a kid. Shut

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Speaker 1: the fuck up. Don't tell you to say anything. Send

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Speaker 1: a bottle of rose and watch her kids shut the fuckin.

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Speaker 1: People try to give me, tell me what to do.

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Speaker 1: I'm just like, I'm sorry. Are you with the arapist?

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Speaker 1: How do you? Is there a degree on your wall?

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Speaker 1: How do you feel? Can I ask you this?

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Speaker 2: Like I try to be a stroller hero guy on

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Speaker 2: the okay, okay, I'm always like I got it and

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Speaker 2: then I have a Charlie horse at the end.

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Speaker 1: Or like my back gives out. You got to put

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Speaker 1: your back into it. Some of these kids. You gotta

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Speaker 1: pat your back. Have you ever seen Meg the sallion?

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Speaker 1: Just work out? Do that? Yeah, stick.

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Speaker 2: On repeat favorite. I don't think I've ever done that before.

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Speaker 2: Like stuck my stuck my booty out. Yeah, it's like this.

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Speaker 2: You gotta go like that, and then you bend. When

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00:17:38,000 --> 00:17:39,920
Speaker 2: you bend, you gotta bend like you are a video

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Speaker 2: how and training?

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Speaker 1: Sure do it.

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00:17:42,160 --> 00:17:46,920
Speaker 2: I can do more of like a kettlebells squat, stick

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Speaker 2: my booty out like this.

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Speaker 1: This is way worse than I thought. No, no, no,

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Speaker 1: but arch your back a little bit. Oh god, they

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Speaker 1: don't want to see this. They do your back is

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Speaker 1: that it? Now? Pop your butt? Pop your butt out?

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Speaker 2: Yeah, family here tonight.

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Speaker 1: I don't know and I'm so sorry. Yeah, no, okay, perfect,

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Speaker 1: you know what? This is like a lifetime movie, sad

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Speaker 1: but helpful. Yeah, well that happened. I don't Yeah what

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Speaker 1: am I scared when people do shit? I love helping

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00:18:24,520 --> 00:18:28,080
Speaker 1: people do shit. I love like helping strangers. Sometimes I

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00:18:28,160 --> 00:18:30,680
Speaker 1: make too much eye contact. We were just talking before

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Speaker 1: the show about like riding your bike in Amsterdam because

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00:18:33,520 --> 00:18:35,920
Speaker 1: you have to, and so I don't mind. I really

337
00:18:35,960 --> 00:18:37,960
Speaker 1: can't see my feet with these titties, but I'll try,

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00:18:38,080 --> 00:18:41,639
Speaker 1: you know. And especially when you see black people floating

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00:18:41,720 --> 00:18:43,959
Speaker 1: on their bike, you just want to be like hey said,

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Speaker 1: And most of the time we do that, but when

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00:18:46,920 --> 00:18:49,320
Speaker 1: they're in a rush, they don't want to, like say hi.

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00:18:49,440 --> 00:18:52,240
Speaker 1: But I'm so excited to see them that I just

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Speaker 1: kind of go in the direction they're going because I'm

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Speaker 1: just like, where are you going? Where do we go? Here?

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Speaker 2: Is there like a is there a Harlem? Because Harlem

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00:19:04,720 --> 00:19:07,359
Speaker 2: is the Dutches. It's actually called Harlem. It is Dutch.

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00:19:07,800 --> 00:19:09,600
Speaker 1: Oh that's so, I can't believe you didn't know that

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00:19:09,640 --> 00:19:10,240
Speaker 1: you know everything?

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00:19:10,320 --> 00:19:12,680
Speaker 2: Well, no, I mean, so is it like is that

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00:19:12,720 --> 00:19:13,959
Speaker 2: Harlem like our Harlem?

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00:19:14,400 --> 00:19:17,080
Speaker 1: Okay, our Harlem is a different Harlem. For different reasons.

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00:19:18,040 --> 00:19:18,800
Speaker 1: What's that Harlem?

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Speaker 4: Like?

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00:19:19,000 --> 00:19:25,600
Speaker 1: Happy Black History Months? Everybody is the last. It's twenty

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Speaker 1: four hours, but it feels magical.

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Speaker 2: Yes, Black History Day. Yeah, it's the leapier Black History Months.

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Speaker 2: So it's just like extra extra black extra blackness. Yeah,

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Speaker 2: extra blackness for you, for you. Oh my gosh, I

359
00:19:43,720 --> 00:19:45,840
Speaker 2: love it. I asked me anything about black history because

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Speaker 2: I grew up in the suburbs, so like my parents

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Speaker 2: had to like they were like the first black man

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Speaker 2: ever was so and so, and they would have to

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Speaker 2: teach us all these things about black history that we

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Speaker 2: couldn't get from the white world.

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Speaker 1: You know what I'm saying. They would have to like

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Speaker 1: come in. How much has changed?

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00:20:00,400 --> 00:20:05,399
Speaker 2: What excuse me? These are air Max's which I just

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00:20:07,920 --> 00:20:09,800
Speaker 2: listen preferred on Wednesday Max.

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Speaker 1: Okay, yeah, yeah, yeah. I remember being actually in college

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Speaker 1: when I learned about Juneteenth, not from because I'm from

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Speaker 1: Jersey and nobody, Oh shit, y'all from Jersey or live

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00:20:23,640 --> 00:20:28,200
Speaker 1: in Jersey. You live in Jersey and came here tonight

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00:20:28,280 --> 00:20:33,160
Speaker 1: for this security please? Now I gotta show everybody my titty.

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00:20:33,359 --> 00:20:44,800
Speaker 1: That is so nice. Jersey is showing out what is happening?

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00:20:46,400 --> 00:20:48,600
Speaker 1: I do like your your ear rings. If for those

376
00:20:49,280 --> 00:20:51,600
Speaker 1: at home, these are you want to jump through them?

377
00:20:51,680 --> 00:20:51,720
Speaker 3: No?

378
00:20:52,200 --> 00:20:57,520
Speaker 1: No, the hey know no, they're like the bamber ear rings.

379
00:20:57,560 --> 00:21:00,160
Speaker 1: At least you here like the Hello, cool Jade, thank

380
00:21:00,200 --> 00:21:08,080
Speaker 1: you for getting through that sentence. Door knockers, door knockers?

381
00:21:08,119 --> 00:21:10,040
Speaker 1: Am I did it again? And you did it again?

382
00:21:10,200 --> 00:21:13,160
Speaker 1: I did it. I know what doorknockers are, everybody, I'm

383
00:21:13,200 --> 00:21:14,720
Speaker 1: fucking cool. You know what it is too when you

384
00:21:14,800 --> 00:21:17,240
Speaker 1: wear when you wear some bamboo ear rings, I don't know,

385
00:21:17,400 --> 00:21:19,560
Speaker 1: it just feels like a staple. I love it. It's

386
00:21:19,640 --> 00:21:22,119
Speaker 1: just what it is. But people really think, you know,

387
00:21:22,400 --> 00:21:23,879
Speaker 1: fucking directions. And I'm like, what.

388
00:21:26,720 --> 00:21:27,240
Speaker 3: Do you know what I mean?

389
00:21:27,359 --> 00:21:29,440
Speaker 1: Like, yes, I'm from here, I'm bad at directions. I'm

390
00:21:29,480 --> 00:21:31,479
Speaker 1: no Christopher Columbus, move on, you know what I mean?

391
00:21:31,600 --> 00:21:33,639
Speaker 1: Like even he was bad at directions, he was.

392
00:21:33,680 --> 00:21:38,800
Speaker 2: Really bad at directions. Good oppression, bad directions. That's but

393
00:21:39,320 --> 00:21:47,280
Speaker 2: too soon, Hey, I heard he was a bad guy.

394
00:21:47,480 --> 00:21:54,960
Speaker 1: Out followed him the first gentrifier. All right, oh my twins,

395
00:21:55,000 --> 00:21:56,560
Speaker 1: you know what my little boy otis said to me.

396
00:21:56,600 --> 00:21:58,920
Speaker 1: Who's so sweet? He's sort of like Bruno Mars and

397
00:21:58,920 --> 00:22:01,080
Speaker 1: Benjamin Button had a baby you know what I mean.

398
00:22:01,240 --> 00:22:04,000
Speaker 1: He's just like an old little Hawaiian five year old.

399
00:22:04,240 --> 00:22:07,240
Speaker 1: You know, he's so sweet. He even blink slow. He's

400
00:22:07,280 --> 00:22:13,560
Speaker 1: just like Mama, Mama, it's so cute. And like I

401
00:22:13,720 --> 00:22:15,359
Speaker 1: just gave him an umbrella the other day because it

402
00:22:15,400 --> 00:22:17,760
Speaker 1: was raining and he started walking like mister peenan. I

403
00:22:17,880 --> 00:22:21,560
Speaker 1: was like, it's too cute. And I picked him up

404
00:22:21,840 --> 00:22:24,760
Speaker 1: from school and I'm like, how is your day? He's

405
00:22:24,840 --> 00:22:28,160
Speaker 1: like good, He goes, how was your days? So nice?

406
00:22:29,680 --> 00:22:31,040
Speaker 1: I said, I did a lot of work. I got

407
00:22:31,040 --> 00:22:33,240
Speaker 1: a lot of work done. And he goes, yeah, but Mama,

408
00:22:33,280 --> 00:22:35,280
Speaker 1: do you do community service? Like what do you do

409
00:22:35,400 --> 00:22:36,040
Speaker 1: for the community?

410
00:22:36,160 --> 00:22:36,600
Speaker 5: I was like.

411
00:22:39,000 --> 00:22:43,280
Speaker 1: Yeah, I'll say who sent you boy? I'll say who

412
00:22:43,480 --> 00:22:44,240
Speaker 1: sent you boy?

413
00:22:44,480 --> 00:22:45,480
Speaker 3: Like what is he? Even?

414
00:22:46,000 --> 00:22:48,280
Speaker 1: Did you learn about a firefighter? Now you want to

415
00:22:48,280 --> 00:22:51,159
Speaker 1: come for me? Okay, Like I'm not gonna tell you

416
00:22:51,160 --> 00:22:53,360
Speaker 1: about season two of Survival the Thickest how I'm trying

417
00:22:53,400 --> 00:22:57,960
Speaker 1: to fucking safe lives and hire that black round where

418
00:22:58,320 --> 00:23:01,239
Speaker 1: motherfuckers and write our story so the world can see them.

419
00:23:01,359 --> 00:23:04,679
Speaker 1: Excuse me creating fucking generational fucking wealth so I can

420
00:23:04,720 --> 00:23:10,600
Speaker 1: create generational health for you. Otith just year no I

421
00:23:10,680 --> 00:23:12,960
Speaker 1: said it with my face. Oh okay, okay, got it.

422
00:23:15,119 --> 00:23:17,680
Speaker 1: You can't talk to them like that. I know, I

423
00:23:17,840 --> 00:23:20,200
Speaker 1: know you can't. But the other day, baby girl, Hazel,

424
00:23:20,200 --> 00:23:21,480
Speaker 1: I know you were saying something, but let me just

425
00:23:21,520 --> 00:23:23,320
Speaker 1: say it before I forget. No, no, no, what s

426
00:23:23,520 --> 00:23:28,960
Speaker 1: did you want to say something? Anyways, baby girl Hazel, Man,

427
00:23:29,560 --> 00:23:32,320
Speaker 1: go ahead. You know I hadn't worked out in a

428
00:23:32,359 --> 00:23:34,560
Speaker 1: couple of weeks, so I was a little bloaded because

429
00:23:34,560 --> 00:23:36,680
Speaker 1: I had a little bout with sciatica. You know, saiatica.

430
00:23:37,800 --> 00:23:42,520
Speaker 1: Oh I love a grown ass crowd. Yes, I feel

431
00:23:42,520 --> 00:23:46,200
Speaker 1: it was you're a chiropractor. I love it. Let's talk

432
00:23:46,280 --> 00:23:46,639
Speaker 1: about it.

433
00:23:47,520 --> 00:23:48,239
Speaker 3: And uh.

434
00:23:48,960 --> 00:23:51,240
Speaker 1: She looked at my belly and she's like, Mama, is

435
00:23:51,280 --> 00:23:54,159
Speaker 1: there a baby in there? And I knew what the

436
00:23:54,280 --> 00:23:58,159
Speaker 1: fuck she meant, but I couldn't say that. I was

437
00:23:58,240 --> 00:24:02,680
Speaker 1: just like, why do you ask me that? No, She's like,

438
00:24:02,800 --> 00:24:04,359
Speaker 1: this looks like there's a baby, and man, I was

439
00:24:04,480 --> 00:24:06,920
Speaker 1: just like, there's no baby. It's just a lot of

440
00:24:07,000 --> 00:24:10,680
Speaker 1: love for you. I do. I don't have kids.

441
00:24:10,840 --> 00:24:14,200
Speaker 2: Yeah, I do love the affliction of sciatica because I

442
00:24:14,280 --> 00:24:16,760
Speaker 2: only heard about it when I came up to the Northeast.

443
00:24:16,880 --> 00:24:19,120
Speaker 2: It's and it sounds like a town in Long Island

444
00:24:19,240 --> 00:24:23,480
Speaker 2: or something like that. Only New Yorkers get Sciatica, like

445
00:24:23,720 --> 00:24:26,880
Speaker 2: like only yeah, yeah in the South. I had never

446
00:24:26,960 --> 00:24:28,639
Speaker 2: heard of it, but I come up here like, oh

447
00:24:28,760 --> 00:24:32,960
Speaker 2: my Sianica. Like it's like, what is the Sciatica?

448
00:24:33,280 --> 00:24:34,199
Speaker 3: I don't like.

449
00:24:36,400 --> 00:24:39,960
Speaker 2: It sounds like the jail, like Siantica, Siantica all and nothing, you.

450
00:24:40,000 --> 00:24:40,280
Speaker 3: Know, like.

451
00:24:42,160 --> 00:24:44,440
Speaker 1: A person from Texas saying, oh my Sciatica.

452
00:24:44,600 --> 00:24:46,920
Speaker 2: We don't We're just like Malayics out you know, like

453
00:24:47,480 --> 00:24:55,000
Speaker 2: you know, I would say, like my Sianic name sounds

454
00:24:55,040 --> 00:24:59,399
Speaker 2: like a county like I feel, I feel attacks, I

455
00:24:59,520 --> 00:25:02,240
Speaker 2: feel it's it's nothing but love. It's nothing but love.

456
00:25:02,320 --> 00:25:04,600
Speaker 2: I have to get used to the Northeast, like after

457
00:25:04,680 --> 00:25:06,360
Speaker 2: all these years, Like, for instance.

458
00:25:06,040 --> 00:25:07,800
Speaker 1: You've been here for forty years. I can't.

459
00:25:10,840 --> 00:25:12,800
Speaker 2: And it's like an English guy that doesn't lose his accent,

460
00:25:12,880 --> 00:25:14,600
Speaker 2: you know, those people that have been for so long

461
00:25:14,640 --> 00:25:16,560
Speaker 2: and then you're still I'm.

462
00:25:16,520 --> 00:25:17,480
Speaker 1: Just so knock good.

463
00:25:17,920 --> 00:25:22,880
Speaker 6: Not I'll check my schedule when I should have momims.

464
00:25:23,760 --> 00:25:26,480
Speaker 6: I've been in New York for fifty years, but I

465
00:25:26,680 --> 00:25:31,720
Speaker 6: love aluminium, you know, like, oh no, when Shaggy just

466
00:25:31,800 --> 00:25:34,440
Speaker 6: went by aluminium in it.

467
00:25:38,520 --> 00:25:41,680
Speaker 1: It's so annoying when people are like very proud to

468
00:25:41,720 --> 00:25:44,520
Speaker 1: be from a place that's done horrible things. Yeah, oh

469
00:25:44,560 --> 00:25:50,000
Speaker 1: you're talking about me. I could also be talking about Texas.

470
00:25:50,040 --> 00:25:53,119
Speaker 1: I'll talk about England. Yes, yes, right, I have to

471
00:25:53,160 --> 00:25:55,479
Speaker 1: bring up our guests. Okay, bring out our guests. That's exciting.

472
00:25:55,600 --> 00:25:59,280
Speaker 2: Yes, so our guests tonight are a dynamic DJ duo,

473
00:25:59,720 --> 00:26:02,679
Speaker 2: no other than Mantosh and Manchild. Please give it up

474
00:26:02,720 --> 00:26:10,040
Speaker 2: for the illustrious please, yes, yes, so illustrious.

475
00:26:11,600 --> 00:26:22,800
Speaker 5: Thank you, please please please please please Wow the fish, the.

476
00:26:22,920 --> 00:26:30,440
Speaker 1: Fish, the fish from never lose a moment. Wait a minute,

477
00:26:30,480 --> 00:26:39,200
Speaker 1: wait a minute, A reveal, a reveal? Yes, who thought

478
00:26:39,280 --> 00:26:44,720
Speaker 1: fashion Week was prairie sleep? But make it disco. We

479
00:26:44,960 --> 00:26:49,840
Speaker 1: like them to be erect. Yes, same, same, I think everyone,

480
00:26:50,520 --> 00:26:53,440
Speaker 1: no matter where you're from. Oh my goodness. Okay, so

481
00:26:53,560 --> 00:26:57,600
Speaker 1: please everybody tell everybody who you is, what y'all do,

482
00:26:58,080 --> 00:27:01,200
Speaker 1: so we can get on the same page with this fabulousness. So,

483
00:27:01,320 --> 00:27:04,440
Speaker 1: what's up, y'all? My name is Manchild Black. What's up, y'all?

484
00:27:05,080 --> 00:27:06,480
Speaker 1: My name is Monster Black.

485
00:27:06,560 --> 00:27:14,159
Speaker 7: And together we are the other industrious Blacks, and we

486
00:27:14,440 --> 00:27:19,480
Speaker 7: are musical artists and DJs and life partners and husbands.

487
00:27:19,560 --> 00:27:23,399
Speaker 1: Actually, let me get that right, husbands for a long,

488
00:27:23,600 --> 00:27:27,840
Speaker 1: long time, long long long how long? Last year we

489
00:27:27,960 --> 00:27:35,040
Speaker 1: celebrated twenty years American airhorns Black Love, Love to see It.

490
00:27:35,520 --> 00:27:39,720
Speaker 1: We met in the playground. Yes, is that what we're

491
00:27:39,760 --> 00:27:44,879
Speaker 1: calling it? We'll call it a sandbox. Well, that was

492
00:27:44,920 --> 00:27:48,560
Speaker 1: the name of the club we met it. How did

493
00:27:48,640 --> 00:27:49,040
Speaker 1: y'all meet?

494
00:27:50,040 --> 00:27:52,879
Speaker 7: Oh gosh, we met any club for real, though it

495
00:27:53,119 --> 00:27:55,600
Speaker 7: was not called the playground nor the standbox, but it

496
00:27:55,760 --> 00:27:58,160
Speaker 7: was in a club. We met under a disco ball.

497
00:27:58,359 --> 00:28:03,199
Speaker 7: We danced, and we danced together until the lights came up.

498
00:28:04,280 --> 00:28:08,000
Speaker 1: Who approached to or was it like mutual approach towards

499
00:28:08,040 --> 00:28:10,240
Speaker 1: each other? Just backed it up a little bit. It

500
00:28:10,400 --> 00:28:14,200
Speaker 1: was more like we collided and then realized that each

501
00:28:14,280 --> 00:28:17,600
Speaker 1: other was there Like that. That's kind of how it happened.

502
00:28:17,960 --> 00:28:20,760
Speaker 1: That's true. That is true. We were both very shy.

503
00:28:21,040 --> 00:28:23,320
Speaker 1: You're both you were both very shy, we were, but

504
00:28:23,440 --> 00:28:28,080
Speaker 1: we twerked into each other. Wait, that should be wedding vowels.

505
00:28:28,800 --> 00:28:29,760
Speaker 1: How did you get there?

506
00:28:30,720 --> 00:28:31,320
Speaker 5: So I met?

507
00:28:31,800 --> 00:28:35,119
Speaker 1: I met the Illustrious Flags in Amsterdam at the Milkshake Festival,

508
00:28:35,160 --> 00:28:37,520
Speaker 1: which is a festival that's part of Pride Week because

509
00:28:37,560 --> 00:28:40,840
Speaker 1: Peppermint was hosting, and I was like, what and the

510
00:28:40,960 --> 00:28:44,040
Speaker 1: beautiful ass nuggets are going on? Where are my different sauces?

511
00:28:44,520 --> 00:28:46,520
Speaker 1: And I didn't get to see y'all perform, But like,

512
00:28:46,760 --> 00:28:50,280
Speaker 1: first of all, as a duo, we're not even married

513
00:28:50,280 --> 00:28:52,320
Speaker 1: to each other. I'm just like, fuck you again, but

514
00:28:52,480 --> 00:28:56,640
Speaker 1: like in the best way possible. What just that was

515
00:28:56,720 --> 00:28:57,920
Speaker 1: a total drive by.

516
00:28:58,080 --> 00:29:01,920
Speaker 2: I'm just like, oh, look at her out for it.

517
00:29:02,040 --> 00:29:05,920
Speaker 1: She was great, my friend. I love her. I'm fine,

518
00:29:05,960 --> 00:29:06,280
Speaker 1: I'm fine.

519
00:29:06,440 --> 00:29:06,840
Speaker 3: It's hard.

520
00:29:07,240 --> 00:29:09,760
Speaker 1: Look, I will say, it's hard working with people you

521
00:29:09,880 --> 00:29:11,920
Speaker 1: don't know sometimes, right, and that's supposed to be the

522
00:29:12,000 --> 00:29:14,120
Speaker 1: easiest because you know, there's like no skin in the game,

523
00:29:14,480 --> 00:29:16,440
Speaker 1: but you take on people's energy. That's why I don't

524
00:29:16,480 --> 00:29:18,479
Speaker 1: like to work with people I don't like and if

525
00:29:18,560 --> 00:29:20,200
Speaker 1: we get along, because I get along with people, if

526
00:29:20,200 --> 00:29:21,960
Speaker 1: I don't like your character, I'm not fucking with you.

527
00:29:22,840 --> 00:29:25,560
Speaker 1: Like I need to go ask moral compass and I

528
00:29:25,640 --> 00:29:27,320
Speaker 1: need you to like have a work ethic and we'll

529
00:29:27,360 --> 00:29:29,320
Speaker 1: start from there, you know what I mean. And then

530
00:29:29,360 --> 00:29:32,800
Speaker 1: working with a friend is even harder because if something

531
00:29:32,840 --> 00:29:35,760
Speaker 1: comes up, it's just like okay, I hope this doesn't

532
00:29:35,800 --> 00:29:38,920
Speaker 1: ruin the friendship, you know what I mean, it's this

533
00:29:39,040 --> 00:29:42,280
Speaker 1: confrontation with someone you love is so much harder. How

534
00:29:42,480 --> 00:29:45,560
Speaker 1: do y'all make it work? What was the idea to

535
00:29:45,680 --> 00:29:47,920
Speaker 1: even get into business together?

536
00:29:48,480 --> 00:29:52,200
Speaker 7: We both performed separately for many, many years, and people

537
00:29:52,240 --> 00:29:55,360
Speaker 7: would always say, oh, y'all should get together because you know,

538
00:29:55,440 --> 00:29:57,240
Speaker 7: it would be so magical, it would be so this.

539
00:29:58,040 --> 00:30:00,120
Speaker 7: So we tried it a couple of times and it

540
00:30:00,160 --> 00:30:05,120
Speaker 7: didn't quite work, and then we decided to really give

541
00:30:05,200 --> 00:30:08,280
Speaker 7: it a go. And it took trial and error. To

542
00:30:08,360 --> 00:30:11,280
Speaker 7: be honest, we had to negotiate working with each other

543
00:30:11,360 --> 00:30:13,320
Speaker 7: and being able to sleep in the same bed at night,

544
00:30:14,000 --> 00:30:18,320
Speaker 7: so you know. But now these many years later, I

545
00:30:18,400 --> 00:30:20,680
Speaker 7: feel like we've gotten a groove and it's working.

546
00:30:20,960 --> 00:30:25,440
Speaker 2: Is it because you fulfill separate roles? Like, I mean,

547
00:30:25,600 --> 00:30:27,800
Speaker 2: it's won the show and won the business, you know, Like,

548
00:30:27,960 --> 00:30:28,920
Speaker 2: what how does it go?

549
00:30:29,480 --> 00:30:31,440
Speaker 4: No, we tossed it back and forth. I would say

550
00:30:31,440 --> 00:30:35,120
Speaker 4: we both share equal amounts of the business and the show. Okay,

551
00:30:35,840 --> 00:30:38,120
Speaker 4: there are like I feel like all the elements now

552
00:30:38,160 --> 00:30:41,600
Speaker 4: they're involved, whether it's like the costuming or the choreography

553
00:30:41,800 --> 00:30:42,960
Speaker 4: or the selection of the music.

554
00:30:43,320 --> 00:30:45,520
Speaker 1: We all go back and forth. We try not to

555
00:30:45,600 --> 00:30:49,360
Speaker 1: occupy the same space at the same time. It's definitely, well,

556
00:30:49,440 --> 00:30:53,480
Speaker 1: that's what the world needs to learn. Well, there that is.

557
00:30:53,600 --> 00:31:02,800
Speaker 1: How about that anyways? So was that too soon? Centuries later? Imperialism?

558
00:31:02,880 --> 00:31:06,960
Speaker 1: Don't ad a bitch? So, speaking of music, can you

559
00:31:07,040 --> 00:31:12,160
Speaker 1: tell everybody what kind of music y'all be doing? We

560
00:31:12,360 --> 00:31:15,080
Speaker 1: say that we're afro electro disco space punks.

561
00:31:15,600 --> 00:31:20,120
Speaker 4: Yeah, oh my gosh, it's a mouthful. So that basically

562
00:31:20,280 --> 00:31:22,440
Speaker 4: means dance music that has a lot of house and

563
00:31:22,600 --> 00:31:25,640
Speaker 4: funk mixed up into little.

564
00:31:25,440 --> 00:31:29,320
Speaker 7: Disco spring sprint sprinkled in little tech sometimes and.

565
00:31:29,400 --> 00:31:31,920
Speaker 1: A dash of like Tonkin there too a little bit.

566
00:31:32,640 --> 00:31:36,720
Speaker 1: And who are your influencer influencers? I don't know. It's okay,

567
00:31:37,840 --> 00:31:40,840
Speaker 1: I'm fine. I'm like, oh, burn TikTok to the ground.

568
00:31:41,880 --> 00:31:44,320
Speaker 2: You want to know your musical influences. I think you

569
00:31:44,640 --> 00:31:47,760
Speaker 2: shared one that I was like, oh, thank you, that's amazing.

570
00:31:47,800 --> 00:31:48,400
Speaker 1: I had no idea.

571
00:31:48,400 --> 00:31:53,040
Speaker 2: It was like the superiors dynamics, Superior dynamics.

572
00:31:53,160 --> 00:31:53,840
Speaker 1: Okay. Yeah.

573
00:31:54,040 --> 00:31:56,640
Speaker 7: So for Black History Month, which we are at the

574
00:31:56,680 --> 00:31:59,920
Speaker 7: tail end of, we yeah, shout out, shout out everybody.

575
00:32:00,040 --> 00:32:01,720
Speaker 1: Black History black futures. All of that.

576
00:32:04,480 --> 00:32:08,800
Speaker 7: We would post daily or pretty much every weekday. A

577
00:32:08,920 --> 00:32:13,360
Speaker 7: black queer artist who's no longer here with us on

578
00:32:13,520 --> 00:32:17,840
Speaker 7: this plane and who inspired us, and so Tony Washington

579
00:32:17,880 --> 00:32:21,880
Speaker 7: of the Dynamic Superiors, great singer in the vein of

580
00:32:22,360 --> 00:32:25,880
Speaker 7: having a great falsetto sound like a Sylvester is influential

581
00:32:25,960 --> 00:32:26,239
Speaker 7: to us.

582
00:32:26,400 --> 00:32:30,360
Speaker 1: But we came up in a particular era. Although we

583
00:32:30,640 --> 00:32:39,800
Speaker 1: claim our age as infinite the waist down. I love that.

584
00:32:40,080 --> 00:32:44,560
Speaker 1: I claim my age is infinite, please, yes, reclaiming my age.

585
00:32:45,280 --> 00:32:52,880
Speaker 7: And we were greatly influenced by a lalla like acts

586
00:32:52,920 --> 00:32:57,480
Speaker 7: from the eighties new wave, but also yeah friends, of

587
00:32:57,560 --> 00:33:00,840
Speaker 7: course that Minneapolis sound, but also a lot of earlier

588
00:33:01,240 --> 00:33:05,960
Speaker 7: house like nineties house we love, but also disco and

589
00:33:06,040 --> 00:33:09,880
Speaker 7: Sylvester who we mentioned, Yes, big influenced dance musical artists,

590
00:33:10,280 --> 00:33:14,320
Speaker 7: Donna Summer, who else I mean Jones, Yes.

591
00:33:14,720 --> 00:33:18,080
Speaker 1: Yes, Grace Jones is shoot David Joe.

592
00:33:18,640 --> 00:33:21,320
Speaker 2: Yes, I want to know this much though, like you

593
00:33:21,520 --> 00:33:25,000
Speaker 2: described making a sound almost it sounded like you were

594
00:33:25,480 --> 00:33:27,680
Speaker 2: making a meal, like you're like, we throw this in

595
00:33:27,840 --> 00:33:29,960
Speaker 2: and dash of that and a bit of this, not

596
00:33:30,080 --> 00:33:32,480
Speaker 2: to sound like a million badialia, but like it felt like,

597
00:33:35,040 --> 00:33:37,800
Speaker 2: does it feel like you're cooking up there at all? Like,

598
00:33:37,920 --> 00:33:41,600
Speaker 2: does it feel like you're cooking something up? Just saying

599
00:33:42,360 --> 00:33:44,320
Speaker 2: my two great loves music and food.

600
00:33:44,400 --> 00:33:47,840
Speaker 1: Let's go. You know, it does feel like we're cooking

601
00:33:48,120 --> 00:33:48,920
Speaker 1: a lot of the times.

602
00:33:49,120 --> 00:33:52,000
Speaker 4: Just today, I felt like we were given an opportunity

603
00:33:52,040 --> 00:33:56,120
Speaker 4: to work on a track and we basically will get

604
00:33:56,200 --> 00:34:00,440
Speaker 4: the track and then separate and we will throw wow, okay,

605
00:34:00,480 --> 00:34:03,160
Speaker 4: well what are the ingredients that are getting influenced this track?

606
00:34:03,720 --> 00:34:06,280
Speaker 4: And then we'll work on it separately and then come

607
00:34:06,360 --> 00:34:08,200
Speaker 4: together and see what a lines?

608
00:34:09,160 --> 00:34:09,480
Speaker 1: Wow?

609
00:34:10,239 --> 00:34:10,399
Speaker 3: Wha.

610
00:34:11,239 --> 00:34:14,840
Speaker 1: We got to do that more often. I'll call you

611
00:34:15,000 --> 00:34:19,160
Speaker 1: back and we'll see the line yeah, oh my god,

612
00:34:19,640 --> 00:34:20,680
Speaker 1: why are we doing it together?

613
00:34:20,760 --> 00:34:20,800
Speaker 2: That?

614
00:34:23,800 --> 00:34:25,800
Speaker 1: Just to even find the time to do it to like,

615
00:34:25,880 --> 00:34:31,280
Speaker 1: it's just it. I'll talk to you later. Well, learning

616
00:34:31,280 --> 00:34:35,880
Speaker 1: a lot this evening. Really happy. I left the fucking house. Okay.

617
00:34:37,160 --> 00:34:39,279
Speaker 2: No, it's beautiful that you guys have that you're just

618
00:34:39,440 --> 00:34:41,600
Speaker 2: on this kind of like plane with each other.

619
00:34:41,680 --> 00:34:42,520
Speaker 1: It's a beautiful place.

620
00:34:42,520 --> 00:34:46,719
Speaker 7: That's like, so do you have the exact same musical taste? Well,

621
00:34:46,880 --> 00:34:49,000
Speaker 7: what I was gonna say was that when we first

622
00:34:49,080 --> 00:34:51,719
Speaker 7: went on our first date. A lot of what we

623
00:34:51,880 --> 00:34:53,759
Speaker 7: talked about was music.

624
00:34:53,960 --> 00:34:58,240
Speaker 1: Not knowing that we'd ever be working together anything past

625
00:34:58,320 --> 00:35:02,879
Speaker 1: that one date, but we talked about that you love language, yeah,

626
00:35:03,040 --> 00:35:06,360
Speaker 1: music because you love language, because I had Okay, this

627
00:35:06,560 --> 00:35:09,880
Speaker 1: was at a time when CDs were the rage. Have

628
00:35:10,000 --> 00:35:10,920
Speaker 1: you all heard of CDs?

629
00:35:11,200 --> 00:35:16,240
Speaker 7: I know what a CD looks like. I had stacks

630
00:35:16,280 --> 00:35:17,840
Speaker 7: and stacks and stacks of CDs.

631
00:35:17,920 --> 00:35:20,440
Speaker 1: I had a phone on a wall one time, a

632
00:35:20,520 --> 00:35:23,560
Speaker 1: phone on the wall. Yes, oh wow, yeah. One time

633
00:35:23,560 --> 00:35:31,359
Speaker 1: I had an email address all in caps. Oh my god,

634
00:35:31,480 --> 00:35:38,080
Speaker 1: so it was it was many laughs. I turned to Oh,

635
00:35:41,920 --> 00:35:44,640
Speaker 1: I love that though. I mean, this is it's an

636
00:35:44,719 --> 00:35:48,160
Speaker 1: obvious question, but it's an important question with the Supreme

637
00:35:48,200 --> 00:35:52,240
Speaker 1: Court the way it is right with I'm so sorry.

638
00:35:52,360 --> 00:35:56,600
Speaker 1: I promise you guys are fine, that you can see

639
00:35:56,600 --> 00:36:01,640
Speaker 1: a little bit. I'm fine. Just the stay of the world, right,

640
00:36:02,719 --> 00:36:08,720
Speaker 1: the fear, the fear mongering, the prices, the senseless, fucking deaths.

641
00:36:09,560 --> 00:36:12,040
Speaker 1: And then also, like music is the first thing that

642
00:36:12,080 --> 00:36:15,520
Speaker 1: gets cut, music and art and you guys being nothing

643
00:36:15,640 --> 00:36:20,920
Speaker 1: but joy and light and goodness and fecial. Why is

644
00:36:21,160 --> 00:36:22,520
Speaker 1: music and art important?

645
00:36:23,640 --> 00:36:26,800
Speaker 4: I feel like it's important because for us in particular,

646
00:36:27,520 --> 00:36:30,880
Speaker 4: the joy in the light that is on the package.

647
00:36:31,360 --> 00:36:32,719
Speaker 1: It is actually making it.

648
00:36:34,160 --> 00:36:36,200
Speaker 4: It's making it easier for people to come in and

649
00:36:36,280 --> 00:36:39,400
Speaker 4: actually hear what is actually happening in the content, because

650
00:36:39,400 --> 00:36:42,200
Speaker 4: a lot of times we'll be like, it's joy, happiness

651
00:36:42,320 --> 00:36:44,600
Speaker 4: or whatever, and we're reading the people in the crowd

652
00:36:45,200 --> 00:36:48,520
Speaker 4: or talking about what's happening, what's going on in the world.

653
00:36:48,840 --> 00:36:49,040
Speaker 1: Yeah.

654
00:36:49,239 --> 00:36:52,399
Speaker 4: So although it's like it's the party, if you listen

655
00:36:52,400 --> 00:36:54,760
Speaker 4: to the lyrics, you're actually getting a message.

656
00:36:55,000 --> 00:36:55,200
Speaker 1: Yeah.

657
00:36:55,600 --> 00:36:55,799
Speaker 3: Yeah.

658
00:36:55,880 --> 00:36:59,479
Speaker 7: We did a remake of this very popular nineties house

659
00:36:59,560 --> 00:37:03,080
Speaker 7: song h Funk That, and in it, the producer we

660
00:37:03,200 --> 00:37:05,640
Speaker 7: worked with allowed us to change the lyrics to fit

661
00:37:06,040 --> 00:37:09,480
Speaker 7: our sound and who we were. It starts with question,

662
00:37:09,640 --> 00:37:12,800
Speaker 7: why are we still in the twenty first century concerned

663
00:37:12,840 --> 00:37:15,600
Speaker 7: with what consenting adults are doing behind closed doors?

664
00:37:16,400 --> 00:37:17,200
Speaker 1: Funk that?

665
00:37:19,719 --> 00:37:20,480
Speaker 3: I got mine?

666
00:37:21,120 --> 00:37:24,920
Speaker 1: You get joys? Yeah, and if you don't have it,

667
00:37:25,120 --> 00:37:28,120
Speaker 1: try to find it, Try to find it, you know,

668
00:37:28,360 --> 00:37:30,080
Speaker 1: try to find it. It's worth finding.

669
00:37:30,560 --> 00:37:33,239
Speaker 2: I'm just saying, I think people just there's just such

670
00:37:33,239 --> 00:37:35,719
Speaker 2: a resentment of other people's joy, and I think that

671
00:37:35,840 --> 00:37:38,520
Speaker 2: that's what I get from the moral you know, like

672
00:37:38,719 --> 00:37:42,200
Speaker 2: moral outrage at a Queer Joy at Black Joy at

673
00:37:42,239 --> 00:37:46,200
Speaker 2: Black Queer Joy, people are just like you know, Buttles Titan.

674
00:37:46,360 --> 00:37:51,160
Speaker 1: It's bad and people but people, people hate it. They

675
00:37:51,320 --> 00:37:53,880
Speaker 1: just hate it. And it's what kind of people hate it?

676
00:37:55,280 --> 00:38:00,319
Speaker 1: Nobody like me? But but you know, like play again people.

677
00:38:00,320 --> 00:38:02,480
Speaker 1: I just want to get specific because but this is

678
00:38:02,520 --> 00:38:04,399
Speaker 1: a mixed ass crowd, right, this is a mixed crowd.

679
00:38:04,640 --> 00:38:06,800
Speaker 1: When people ask me about allyship, the first thing that

680
00:38:06,840 --> 00:38:10,160
Speaker 1: always comes to mind is it is important what you

681
00:38:10,320 --> 00:38:13,480
Speaker 1: do when people aren't looking. There is a mic. Now

682
00:38:13,719 --> 00:38:15,839
Speaker 1: I can say it. But am I living it? Am

683
00:38:15,880 --> 00:38:19,080
Speaker 1: I in those spaces where somebody has power over me,

684
00:38:19,200 --> 00:38:21,520
Speaker 1: they have a paycheck, they're about to write to me,

685
00:38:21,719 --> 00:38:23,880
Speaker 1: and they said some shit, Am I gonna say something?

686
00:38:24,160 --> 00:38:27,560
Speaker 1: The answer is fucking yes. And so I feel like

687
00:38:27,640 --> 00:38:29,799
Speaker 1: when we talk about allianship and who hates it, it's

688
00:38:29,840 --> 00:38:32,080
Speaker 1: just like and some people don't even know that they're

689
00:38:32,120 --> 00:38:34,719
Speaker 1: saying something fucked up, which is really crazy. They've just

690
00:38:34,840 --> 00:38:37,600
Speaker 1: been conditioned, do you know what I mean? So I

691
00:38:37,760 --> 00:38:41,160
Speaker 1: just feel like for me, art is wonderful because you

692
00:38:41,320 --> 00:38:43,759
Speaker 1: can say, well, look at this group and look at

693
00:38:43,800 --> 00:38:46,120
Speaker 1: that singer and look at that poet. Do you hate them?

694
00:38:46,520 --> 00:38:48,839
Speaker 1: That's cool. So why do you care if you're if

695
00:38:48,880 --> 00:38:51,000
Speaker 1: your child is with somebody so and so, if your

696
00:38:51,040 --> 00:38:52,680
Speaker 1: child is so and so, you know what I mean. Also,

697
00:38:53,560 --> 00:38:55,480
Speaker 1: you know, it's a meme that I posted, but I

698
00:38:55,560 --> 00:38:58,320
Speaker 1: still fucking feel like it, Like if you if you don't,

699
00:38:58,560 --> 00:39:00,000
Speaker 1: if you wouldn't be able to love a gay child,

700
00:39:00,239 --> 00:39:04,080
Speaker 1: don't have children like you need to. You need to

701
00:39:04,360 --> 00:39:08,719
Speaker 1: love your children. And everybody is someone's child. And so

702
00:39:08,840 --> 00:39:11,040
Speaker 1: the fact that somebody doesn't get that, I mean, I

703
00:39:11,080 --> 00:39:13,080
Speaker 1: can't even tell you the amount. It's like road rage

704
00:39:13,120 --> 00:39:15,360
Speaker 1: for me. It's my new road rage. Like the arguments

705
00:39:15,360 --> 00:39:17,719
Speaker 1: about trans woman and sports. I'm like, why do you

706
00:39:17,840 --> 00:39:21,160
Speaker 1: give a fuck humanity before sports? Bitch? I could give

707
00:39:21,200 --> 00:39:26,680
Speaker 1: a fuck about the ball you throw, right, But that's

708
00:39:26,800 --> 00:39:34,640
Speaker 1: just me. And this shirt is very hot. Yeah, I mean, listen,

709
00:39:35,320 --> 00:39:39,200
Speaker 1: the great writer Alexis to Tukville. We got a quote

710
00:39:41,880 --> 00:39:46,960
Speaker 1: who was who was not black? But yeah, here we

711
00:39:47,040 --> 00:39:54,160
Speaker 1: go this last day a bit, let's go, okay, well.

712
00:39:55,120 --> 00:39:58,960
Speaker 2: Alex to Toukville, but he said he said that Americans

713
00:39:58,960 --> 00:40:01,080
Speaker 2: don't give a shit about politic unless a road is

714
00:40:01,160 --> 00:40:02,600
Speaker 2: running through their yard.

715
00:40:02,800 --> 00:40:03,920
Speaker 1: You could even be homophobic.

716
00:40:03,960 --> 00:40:06,319
Speaker 2: But the moment like Dick Cheney the moment he had

717
00:40:06,400 --> 00:40:10,000
Speaker 2: a queer daughter, suddenly he's you know, pro gay marriage.

718
00:40:10,440 --> 00:40:14,400
Speaker 2: Like that is like conservatives usually care on a one

719
00:40:14,440 --> 00:40:16,600
Speaker 2: to one basis. When they think that they will be

720
00:40:16,680 --> 00:40:18,759
Speaker 2: replaced or there's a horde coming to get them with

721
00:40:18,800 --> 00:40:22,279
Speaker 2: an agenda, then they're exactly all right.

722
00:40:22,360 --> 00:40:26,840
Speaker 1: But like I'm welcome to my ted talk. But I

723
00:40:26,960 --> 00:40:29,600
Speaker 1: feel like that is what we're up against, right, That's

724
00:40:29,600 --> 00:40:30,240
Speaker 1: what we're up against.

725
00:40:30,280 --> 00:40:34,840
Speaker 2: And when I see musicians like yourself, you are you artists,

726
00:40:34,920 --> 00:40:36,680
Speaker 2: you are canaries in the coal mine.

727
00:40:37,080 --> 00:40:37,480
Speaker 5: You are.

728
00:40:38,400 --> 00:40:39,319
Speaker 1: You are the lesson of the.

729
00:40:39,360 --> 00:40:44,000
Speaker 2: Movie Cabaret when when the light of Jesus, I'm feeling

730
00:40:44,040 --> 00:40:45,240
Speaker 2: myself when the light.

731
00:40:48,520 --> 00:40:55,120
Speaker 1: It's definitely all five millies. But but that's what it is.

732
00:40:55,640 --> 00:40:56,279
Speaker 1: That's what it is.

733
00:40:56,880 --> 00:41:00,640
Speaker 2: You're going through this life, soba all right, twenty four

734
00:41:00,760 --> 00:41:08,520
Speaker 2: with no incorrect stay a little buzz from twenty twenty four.

735
00:41:08,560 --> 00:41:11,320
Speaker 2: That's my platform, all right. So I thank you for

736
00:41:11,440 --> 00:41:13,360
Speaker 2: your work and I thank you for your art in

737
00:41:13,440 --> 00:41:15,719
Speaker 2: a in a country that wants you to conform to

738
00:41:15,800 --> 00:41:19,440
Speaker 2: a fucking LinkedIn page, you are making waves.

739
00:41:19,280 --> 00:41:24,279
Speaker 1: You know on you. Yes, we frequencies. Yeah, that's very.

740
00:41:25,960 --> 00:41:30,640
Speaker 7: The one thing that we hope to impart just as

741
00:41:30,960 --> 00:41:34,920
Speaker 7: the humans that we are. It's just empathy. Yeah, I mean,

742
00:41:35,680 --> 00:41:40,160
Speaker 7: if you know that someone is attacking women's rights or

743
00:41:40,480 --> 00:41:45,239
Speaker 7: trans rights, black queer rights, I mean, just remember that

744
00:41:45,480 --> 00:41:50,239
Speaker 7: it could come to your door. You have friends who

745
00:41:50,320 --> 00:41:55,840
Speaker 7: are probably of different colors, different genders, different sexual orientations, religions,

746
00:41:55,840 --> 00:42:00,799
Speaker 7: socioeconomic backgrounds, all of that, and these things that are

747
00:42:00,880 --> 00:42:06,439
Speaker 7: happening right now, they're gonna come to you. So show

748
00:42:06,520 --> 00:42:10,239
Speaker 7: some grace, get a backbone, and stand up.

749
00:42:10,760 --> 00:42:14,800
Speaker 1: That's right, that's right. That's exactly what election took. What

750
00:42:14,920 --> 00:42:22,160
Speaker 1: was talking about? Wait, I didn't even ask where are

751
00:42:22,200 --> 00:42:28,400
Speaker 1: y'all from? I'm from Colonial Williamsburg, Virginia. No, you are

752
00:42:28,560 --> 00:42:34,640
Speaker 1: your ancestors. Wildest dream if George history Mom.

753
00:42:37,840 --> 00:42:41,839
Speaker 7: This is the reenactment I always wanted to do. He's

754
00:42:42,000 --> 00:42:43,440
Speaker 7: very good at making pancakes.

755
00:42:45,560 --> 00:42:48,399
Speaker 1: And where are you from? I am from New York City.

756
00:42:52,280 --> 00:42:54,120
Speaker 1: So we got some questions from the audience that we'd

757
00:42:54,200 --> 00:42:56,480
Speaker 1: like to try and answer the best to our ability.

758
00:42:56,560 --> 00:43:00,279
Speaker 1: You already the first question that I like, there's there's

759
00:43:00,360 --> 00:43:02,640
Speaker 1: a lot of long questions. You guys are very cute

760
00:43:02,680 --> 00:43:07,000
Speaker 1: and long. Win Okay, first question that was a very

761
00:43:07,120 --> 00:43:09,880
Speaker 1: long Okay, please tell me what to do with my life?

762
00:43:11,680 --> 00:43:18,320
Speaker 1: God damn, oh don't I need? I need direction? I

763
00:43:18,440 --> 00:43:20,759
Speaker 1: feel if Okay, this gets me. I feel afraid to

764
00:43:20,840 --> 00:43:25,560
Speaker 1: make a change. Okay, I am not a therapist. This

765
00:43:25,760 --> 00:43:31,399
Speaker 1: sounds like depression. You're stuck. And I always say, don't

766
00:43:31,400 --> 00:43:33,640
Speaker 1: tell yourself no before someone tells you no. Stop telling

767
00:43:33,680 --> 00:43:36,719
Speaker 1: yourself no. I don't know if people have a fear

768
00:43:36,840 --> 00:43:40,200
Speaker 1: of success or failure, but it sometimes it just feels

769
00:43:40,239 --> 00:43:43,840
Speaker 1: like a fear of trying. But whatever happens, you know

770
00:43:44,320 --> 00:43:47,960
Speaker 1: you it might not work out, but you'll still You'll

771
00:43:47,960 --> 00:43:49,480
Speaker 1: be where you are now, right, so you might as

772
00:43:49,560 --> 00:43:52,600
Speaker 1: well try to me. When I read this, I hear

773
00:43:52,800 --> 00:43:57,280
Speaker 1: a mom that like overproduced everything you did. You gotta

774
00:43:57,360 --> 00:44:00,640
Speaker 1: let your kids fuck up. So please tell me what

775
00:44:00,719 --> 00:44:03,160
Speaker 1: to do with my life. I need direction. I feel

776
00:44:03,239 --> 00:44:07,480
Speaker 1: afraid to make a change. Who wrote this? Can I

777
00:44:07,560 --> 00:44:10,759
Speaker 1: be a dick? Have you guys always been the light

778
00:44:10,880 --> 00:44:13,520
Speaker 1: you wanted to see? Were you afraid to make a change?

779
00:44:13,520 --> 00:44:20,360
Speaker 1: Were you afraid to leave fucking Williamsburg Colonial? Well, we were, like,

780
00:44:20,400 --> 00:44:21,200
Speaker 1: I gotta get out.

781
00:44:22,120 --> 00:44:24,359
Speaker 4: I feel like I was that person that always said yes,

782
00:44:24,840 --> 00:44:26,320
Speaker 4: I need I knew I needed to get out of

783
00:44:26,320 --> 00:44:28,879
Speaker 4: Williamsburg pretty much when I was born.

784
00:44:32,400 --> 00:44:36,239
Speaker 1: When you left the womb, you knew, Yeah, signed the gap.

785
00:44:36,880 --> 00:44:37,080
Speaker 3: Yeah.

786
00:44:37,320 --> 00:44:42,360
Speaker 7: I think for me, my road has been it's been winding.

787
00:44:43,520 --> 00:44:47,360
Speaker 7: And I think for me it's just all about hope,

788
00:44:47,600 --> 00:44:53,479
Speaker 7: all about having hope and somehow believing that the next

789
00:44:53,840 --> 00:44:56,319
Speaker 7: phase of the next road I travel.

790
00:44:56,120 --> 00:44:58,120
Speaker 1: Is going to be even better than the one before it.

791
00:44:58,480 --> 00:45:03,239
Speaker 7: Oh yeah, but faith, Faith is the biggest thing. But

792
00:45:03,440 --> 00:45:06,880
Speaker 7: also being unafraid to take chances.

793
00:45:07,920 --> 00:45:11,040
Speaker 1: You know, I know that a lot of us. Listen.

794
00:45:11,120 --> 00:45:14,600
Speaker 1: I've had to work nine to fives before. Yeah, they

795
00:45:15,080 --> 00:45:15,879
Speaker 1: deadened my soul.

796
00:45:16,160 --> 00:45:19,440
Speaker 7: Yes, So I made a commitment to be an artist

797
00:45:19,600 --> 00:45:21,759
Speaker 7: because that's what fed me and made me feel light

798
00:45:21,840 --> 00:45:23,640
Speaker 7: and made me feel happy and brought a smile to

799
00:45:23,719 --> 00:45:26,960
Speaker 7: my face and was contagious to other people in my life. Right,

800
00:45:27,520 --> 00:45:30,960
Speaker 7: And so I made that choice knowing it wouldn't be easy.

801
00:45:31,560 --> 00:45:33,520
Speaker 7: But this is who I am, and this is the

802
00:45:33,600 --> 00:45:35,160
Speaker 7: road I have to go down in order to make

803
00:45:35,200 --> 00:45:37,400
Speaker 7: myself happy. And so whoever that is that said that,

804
00:45:37,880 --> 00:45:41,160
Speaker 7: take the time, take a breath, take a beat, figure

805
00:45:41,200 --> 00:45:43,160
Speaker 7: out what it is you really want, what it is

806
00:45:43,280 --> 00:45:45,759
Speaker 7: you want to create in this life, yes, and then

807
00:45:45,880 --> 00:45:47,920
Speaker 7: move forward from there because.

808
00:45:47,640 --> 00:45:50,719
Speaker 1: This is this is your life. This is it right this? Ah,

809
00:45:50,800 --> 00:45:53,640
Speaker 1: you know, we may as well go for it. Yeah,

810
00:45:54,280 --> 00:45:56,160
Speaker 1: go for what your love. It reminds me of like

811
00:45:56,360 --> 00:45:58,920
Speaker 1: every time I meet an up and coming comedian, They're like,

812
00:45:59,120 --> 00:46:01,200
Speaker 1: can I pick your brain? And I'm like, there's not

813
00:46:01,320 --> 00:46:05,800
Speaker 1: much left what you want? But what you want? And

814
00:46:05,880 --> 00:46:08,320
Speaker 1: it's always the same thing. How do I get famous?

815
00:46:08,360 --> 00:46:10,800
Speaker 1: How do I make money? And I say, it's not

816
00:46:10,920 --> 00:46:14,000
Speaker 1: about money, It's about loving what you do. This is

817
00:46:14,000 --> 00:46:16,640
Speaker 1: an affliction. Fucking stand up? Why the fuck would I

818
00:46:16,680 --> 00:46:18,879
Speaker 1: want to get up in front of people? I don't

819
00:46:18,920 --> 00:46:20,840
Speaker 1: know when? I love to sit down brawlers, you know

820
00:46:20,880 --> 00:46:29,360
Speaker 1: what I mean? Why the fuck I wouldn't ready for that?

821
00:46:31,239 --> 00:46:36,520
Speaker 1: I like. I like the couch, Papa John's, the table, yes,

822
00:46:36,880 --> 00:46:42,960
Speaker 1: the banana papas who gonna get that last piece? Thank you?

823
00:46:44,200 --> 00:46:49,120
Speaker 1: I enjoy a fine whiskey and a bit of Hulu.

824
00:46:49,280 --> 00:46:58,480
Speaker 1: All right? Why do you sound like Bridgeton? Oh that's

825
00:46:58,520 --> 00:47:08,480
Speaker 1: how you relate Richardson? Is Netflix? By the way? Netflix? Yeah? Yeah? Place.

826
00:47:09,480 --> 00:47:10,040
Speaker 1: What's the question?

827
00:47:10,160 --> 00:47:12,840
Speaker 2: Joining At what age is it no longer appropriate to

828
00:47:12,960 --> 00:47:14,800
Speaker 2: date someone who still lives with their.

829
00:47:14,719 --> 00:47:20,480
Speaker 1: Parents in New York. I'm saying.

830
00:47:20,640 --> 00:47:31,640
Speaker 2: I'm saying, oh, we're all synced up, all right, let's

831
00:47:31,640 --> 00:47:32,800
Speaker 2: get her periods together.

832
00:47:37,120 --> 00:47:41,200
Speaker 1: Work wife, let's done.

833
00:47:41,480 --> 00:47:41,759
Speaker 3: You in.

834
00:47:44,440 --> 00:47:49,560
Speaker 1: I got the track a wrap. Well, I don't understand

835
00:47:49,560 --> 00:47:51,520
Speaker 1: why you'd give a fuck that someone lives with their parents.

836
00:47:51,560 --> 00:47:54,279
Speaker 1: They might love their parents. I healthy relationship with your parents, okay,

837
00:47:54,360 --> 00:47:58,959
Speaker 1: but like it depends on the relationship with their parents, right, Like, sure,

838
00:47:59,000 --> 00:48:00,560
Speaker 1: you don't want to hook up with some one when

839
00:48:00,680 --> 00:48:05,040
Speaker 1: mom's over there. But I think it's okay as long

840
00:48:05,080 --> 00:48:06,560
Speaker 1: as they have a plan and at least like one

841
00:48:06,680 --> 00:48:10,719
Speaker 1: common the bank account. Yea. Do they have ambition or

842
00:48:10,719 --> 00:48:13,360
Speaker 1: are they just there for the free ride? Is it

843
00:48:13,440 --> 00:48:15,759
Speaker 1: a nice place? I mean, is it a fucking brownstone?

844
00:48:15,880 --> 00:48:18,520
Speaker 1: You know what I'm saying. A lot of rooms in

845
00:48:18,560 --> 00:48:22,360
Speaker 1: a brownstone? Yeah, my wife, I tell you what. There

846
00:48:22,440 --> 00:48:25,040
Speaker 1: was a nice incentive when I first started dating my wife.

847
00:48:25,520 --> 00:48:27,640
Speaker 1: Her mom had a place right up here. I'll show you.

848
00:48:27,719 --> 00:48:33,279
Speaker 1: I'll show you the place. You sound like Obama's a

849
00:48:33,360 --> 00:48:37,560
Speaker 1: real estate agent. Yeah, I'll show you the house right now.

850
00:48:38,040 --> 00:48:38,160
Speaker 3: Uh.

851
00:48:38,920 --> 00:48:42,200
Speaker 1: Yeah, it's the Queen and Design with a nice landing.

852
00:48:42,440 --> 00:48:47,000
Speaker 1: And I was like, I am in to hang on

853
00:48:47,160 --> 00:48:49,319
Speaker 1: a brownstone all that shit. I don't know if there

854
00:48:49,400 --> 00:48:51,799
Speaker 1: was a city episode about that ship. Come on now.

855
00:48:51,840 --> 00:48:53,960
Speaker 1: I did a guy who was like, I have a roommate.

856
00:48:54,040 --> 00:48:57,520
Speaker 1: I said, who don't? And when I went, I was like,

857
00:48:57,760 --> 00:48:59,560
Speaker 1: is this your mama, because y'all look like is she

858
00:48:59,600 --> 00:49:01,839
Speaker 1: a little bit older? And he's like, yeah, but she's

859
00:49:01,880 --> 00:49:03,840
Speaker 1: my friend, she's my roommate. I said, that's not your roommate.

860
00:49:05,880 --> 00:49:07,719
Speaker 1: But he said, I have my own door with a

861
00:49:07,760 --> 00:49:12,359
Speaker 1: different key, and I said, stop it, boy, but did

862
00:49:12,480 --> 00:49:14,919
Speaker 1: we have sex? Yes? I enjoyed it, and I also

863
00:49:15,040 --> 00:49:16,759
Speaker 1: enjoyed never talking to him again because I was like,

864
00:49:17,040 --> 00:49:20,320
Speaker 1: you're a liar. She could be your best friend. But

865
00:49:20,440 --> 00:49:22,160
Speaker 1: that's your mama. You lovely your mom. So if to

866
00:49:22,360 --> 00:49:25,399
Speaker 1: be honest, I can't fault them for that. What's the y'all?

867
00:49:26,000 --> 00:49:29,719
Speaker 7: I say, listen, rents are high in New York. That's right, Yeah,

868
00:49:30,000 --> 00:49:34,200
Speaker 7: it's true. If the last deposit deposit.

869
00:49:36,480 --> 00:49:43,560
Speaker 4: Check stops right, yes, yes, yes, certified.

870
00:49:49,560 --> 00:49:50,279
Speaker 1: I think it's okay.

871
00:49:50,320 --> 00:49:52,120
Speaker 2: I think we live in an international city and that

872
00:49:52,280 --> 00:49:55,960
Speaker 2: is done like people live with the generational living.

873
00:49:56,120 --> 00:50:01,400
Speaker 1: That is okay. Yeah, you know, it's it's fine. It's fine, yeah, thanks,

874
00:50:01,440 --> 00:50:04,000
Speaker 1: thank you. Did you want to say something? It's fine.

875
00:50:04,200 --> 00:50:07,600
Speaker 1: I agree, that's exactly what. Yeah, go there, our mothers

876
00:50:07,640 --> 00:50:09,880
Speaker 1: were here, we'd be living with them now, yeah, they

877
00:50:09,920 --> 00:50:13,400
Speaker 1: were living here in New York. Okay, here right now.

878
00:50:13,920 --> 00:50:19,040
Speaker 1: Last question you guys, did you hear me fall asleep?

879
00:50:19,160 --> 00:50:21,239
Speaker 1: Did you do you smell that? That was my brain?

880
00:50:21,560 --> 00:50:27,719
Speaker 1: It was like an epis. That was a big titty

881
00:50:27,800 --> 00:50:32,040
Speaker 1: AI taking the fuck over. Yeah, let me get a

882
00:50:32,080 --> 00:50:37,160
Speaker 1: residual check for that. I've been married, So why do

883
00:50:37,200 --> 00:50:37,799
Speaker 1: you so long?

884
00:50:37,920 --> 00:50:38,120
Speaker 3: Y'all?

885
00:50:38,200 --> 00:50:43,759
Speaker 1: Fuck? I know there's commas and ship the parentheses. No,

886
00:50:44,320 --> 00:50:50,279
Speaker 1: there's a there's a this is giving Yahoo Personal two

887
00:50:50,320 --> 00:50:53,560
Speaker 1: thousand and twography when you had to fill it out

888
00:50:53,760 --> 00:50:58,920
Speaker 1: like it was a Monster dot Com resume? Anybody vintage

889
00:50:59,080 --> 00:51:04,400
Speaker 1: reference been, there's a preface Monster dot Com? Oh baby,

890
00:51:05,640 --> 00:51:07,399
Speaker 1: what were the free cards? You would get the free

891
00:51:07,440 --> 00:51:09,759
Speaker 1: car Oh yeah, I have been to the car print

892
00:51:10,360 --> 00:51:15,200
Speaker 1: print y'all? Remember the Wow, remember the past?

893
00:51:15,560 --> 00:51:16,319
Speaker 3: I was ready to.

894
00:51:23,320 --> 00:51:30,000
Speaker 1: Big shock take Okay, I've been married to my husband

895
00:51:30,080 --> 00:51:30,719
Speaker 1: for too long?

896
00:51:33,080 --> 00:51:33,319
Speaker 3: Wow?

897
00:51:33,840 --> 00:51:38,439
Speaker 1: Yes that's what it said. What an entrance? What is said?

898
00:51:38,840 --> 00:51:43,600
Speaker 1: I think Monster wrote this? I've been married to my

899
00:51:43,719 --> 00:51:48,440
Speaker 1: husband for too long? Parentheses thirty one years Okay, some

900
00:51:48,520 --> 00:51:53,840
Speaker 1: of y'all ain't thirty one years old? Why are you

901
00:51:54,040 --> 00:51:59,800
Speaker 1: trying to find them? This person like to the lights on?

902
00:52:03,280 --> 00:52:06,160
Speaker 1: So our twenty nine year old daughter doesn't hear any

903
00:52:06,320 --> 00:52:10,080
Speaker 1: of my relationship advice. What can you say to offer

904
00:52:10,239 --> 00:52:14,080
Speaker 1: this beautiful black woman courage in her pursuit of love

905
00:52:14,120 --> 00:52:14,720
Speaker 1: and marriage?

906
00:52:16,200 --> 00:52:16,359
Speaker 3: Oh?

907
00:52:16,800 --> 00:52:25,320
Speaker 1: That got beautiful. I'm sorry I started so shading. Okay, wow,

908
00:52:25,840 --> 00:52:31,239
Speaker 1: wow that you know what. Here's the deal. I love

909
00:52:31,280 --> 00:52:33,200
Speaker 1: when people laugh and it sounds like they need an EpiPen.

910
00:52:33,280 --> 00:52:44,480
Speaker 1: It's like, yeah, right, all right, chilled, I'm busy. So

911
00:52:45,280 --> 00:52:47,600
Speaker 1: what I can say is it might feel like your

912
00:52:47,680 --> 00:52:50,640
Speaker 1: kids aren't listening to you, but they absorb everything you

913
00:52:50,800 --> 00:52:53,360
Speaker 1: fucking do and say, for better or for worse. So

914
00:52:53,960 --> 00:52:56,680
Speaker 1: it's sort of like, keep calm, carry on, show her

915
00:52:56,760 --> 00:52:59,280
Speaker 1: what love is. By loving your husband and loving yourself,

916
00:53:01,200 --> 00:53:03,480
Speaker 1: you know what I mean, she gonna kind of get

917
00:53:03,560 --> 00:53:06,879
Speaker 1: what she needs to her friends. Also, this is why

918
00:53:07,080 --> 00:53:10,320
Speaker 1: art matters, you know, it just can't be love and

919
00:53:10,400 --> 00:53:14,920
Speaker 1: hip hop reunions. We have to show us, you know

920
00:53:14,920 --> 00:53:17,840
Speaker 1: what I mean, Like God bless Tyler Perry, but I

921
00:53:17,920 --> 00:53:22,000
Speaker 1: need to see a marriage that's working. You know what

922
00:53:22,120 --> 00:53:24,000
Speaker 1: it looks like when it works because you put the

923
00:53:24,080 --> 00:53:26,000
Speaker 1: work into it. You can't just come home from a

924
00:53:26,040 --> 00:53:27,839
Speaker 1: long day of work to find all your shit gone,

925
00:53:27,960 --> 00:53:30,320
Speaker 1: Like what are we doing? Sorry, I went down a

926
00:53:30,440 --> 00:53:45,560
Speaker 1: long road. That's miyakoopa, yes, but yeah, I mean you

927
00:53:45,680 --> 00:53:49,880
Speaker 1: guys have been together for a long time. Yeah, what's

928
00:53:49,920 --> 00:53:53,719
Speaker 1: some advice we can offer a beautiful black woman who's

929
00:53:53,719 --> 00:53:56,760
Speaker 1: twenty nine looking for love nine, I say, take your time.

930
00:53:57,040 --> 00:54:01,719
Speaker 1: Twenty nine is young, it's the new I will say

931
00:54:02,440 --> 00:54:06,120
Speaker 1: it is young, but for a woman who has a

932
00:54:06,239 --> 00:54:09,680
Speaker 1: plan and then our body has expiration dates. Got you

933
00:54:10,760 --> 00:54:13,680
Speaker 1: that's real? Yeah, like it's it's real. And so we

934
00:54:14,040 --> 00:54:17,000
Speaker 1: we become the hunter and the gatherer when we're looking,

935
00:54:18,320 --> 00:54:20,839
Speaker 1: you know what I mean. So it's different. I say,

936
00:54:22,280 --> 00:54:25,719
Speaker 1: intuition is everything. Listen to that ship and you gotta

937
00:54:25,719 --> 00:54:26,600
Speaker 1: put yourself out there.

938
00:54:27,040 --> 00:54:27,279
Speaker 5: You do.

939
00:54:27,840 --> 00:54:30,640
Speaker 1: I always use this terrible fucking example of Julia Roberts

940
00:54:31,239 --> 00:54:36,080
Speaker 1: runaway Bride, deep cut bitches. But this bitch kept running

941
00:54:36,080 --> 00:54:38,320
Speaker 1: away because she was like, I know it's not working.

942
00:54:38,360 --> 00:54:40,319
Speaker 1: It's just like, why are you walking down the fucking aisle, bitch?

943
00:54:40,719 --> 00:54:42,440
Speaker 1: And then at the end, Richard Gear was just like,

944
00:54:42,480 --> 00:54:44,239
Speaker 1: how do you like your eggs? And she's like, oh shit,

945
00:54:44,320 --> 00:54:46,040
Speaker 1: I don't know. I always like the eggs from the

946
00:54:46,120 --> 00:54:48,600
Speaker 1: dude I was with. So I always say, figure out

947
00:54:48,600 --> 00:54:51,040
Speaker 1: how you like your eggs, you gotta date yourself, and

948
00:54:51,160 --> 00:54:56,680
Speaker 1: then that will inform an oh, thank you, thank you

949
00:54:56,760 --> 00:55:01,480
Speaker 1: so much. I will share this. When we.

950
00:55:03,040 --> 00:55:07,680
Speaker 7: Dated the first time, it didn't last very long. We

951
00:55:07,800 --> 00:55:11,520
Speaker 7: dated for like a couple of months, right, and then

952
00:55:12,719 --> 00:55:15,920
Speaker 7: we just became friends for a long time, and then

953
00:55:16,040 --> 00:55:18,560
Speaker 7: years later we got back together and became a couple.

954
00:55:19,160 --> 00:55:23,319
Speaker 7: And what I found valuable in that is that after

955
00:55:23,440 --> 00:55:26,839
Speaker 7: we dated, we were friends. Or what it means when

956
00:55:26,880 --> 00:55:28,680
Speaker 7: I say friends, is that we were able to take

957
00:55:28,800 --> 00:55:32,719
Speaker 7: down the kind of the mask. You know, you put

958
00:55:32,760 --> 00:55:34,399
Speaker 7: on your best face when you go on a date,

959
00:55:34,520 --> 00:55:37,399
Speaker 7: you know, but when you were just vibing with someone

960
00:55:37,440 --> 00:55:39,120
Speaker 7: as a friend, you know, you let your guards down,

961
00:55:39,200 --> 00:55:40,160
Speaker 7: You share a lot more.

962
00:55:40,680 --> 00:55:41,840
Speaker 1: It's a lot less.

963
00:55:41,680 --> 00:55:43,719
Speaker 7: Judgment, you feel. At least that's how I think we

964
00:55:43,840 --> 00:55:46,560
Speaker 7: both felt. And so in that time we became really

965
00:55:46,600 --> 00:55:49,399
Speaker 7: good friends. And then by the time it came around again,

966
00:55:50,320 --> 00:55:53,160
Speaker 7: we were ready for it. So all that to say

967
00:55:53,360 --> 00:55:56,640
Speaker 7: is in that time we weren't together we both dated around.

968
00:55:57,400 --> 00:55:59,800
Speaker 7: We had our shares of ups and down separately.

969
00:56:00,080 --> 00:56:02,120
Speaker 1: Gotta have a whole face. Gotta have a whole face

970
00:56:02,160 --> 00:56:04,239
Speaker 1: before you sit on town. Okay, that's what I was saying,

971
00:56:04,280 --> 00:56:07,560
Speaker 1: and I will tell my kids that shit. You gotta

972
00:56:07,640 --> 00:56:10,680
Speaker 1: really own your sexuality, explore that ship, figure out what

973
00:56:10,760 --> 00:56:13,759
Speaker 1: you like, get a tattoo, travel, you know, do all

974
00:56:13,840 --> 00:56:15,880
Speaker 1: that shit. I don't have any tattoos. I can't make

975
00:56:15,880 --> 00:56:19,840
Speaker 1: decisions like that. But get a tattoo you didn't know

976
00:56:19,920 --> 00:56:26,399
Speaker 1: you got, you know. But yeah, we had that time

977
00:56:26,880 --> 00:56:30,200
Speaker 1: in between to really figure out what we like, what

978
00:56:30,320 --> 00:56:32,440
Speaker 1: we didn't like, what could work, what was important, and

979
00:56:32,520 --> 00:56:34,440
Speaker 1: what was not. And the main thing that I think

980
00:56:34,480 --> 00:56:36,680
Speaker 1: we both agree on that was most important was just

981
00:56:36,920 --> 00:56:40,319
Speaker 1: having a solid friendship and a solid person in your

982
00:56:40,360 --> 00:56:44,560
Speaker 1: life that you really genuinely want the best for. That

983
00:56:45,280 --> 00:56:46,120
Speaker 1: can take a minute.

984
00:56:46,320 --> 00:56:49,759
Speaker 7: So I know that there is sometimes that little bit

985
00:56:49,800 --> 00:56:55,560
Speaker 7: of time taking crunch, but when it comes you'll you'll know.

986
00:56:56,239 --> 00:56:59,319
Speaker 1: Slow simmers best. I love that. Okay. We asked all

987
00:56:59,400 --> 00:57:01,719
Speaker 1: our guests, what's the most adult thing you want to

988
00:57:01,760 --> 00:57:03,400
Speaker 1: do for yourself that you haven't had time to do.

989
00:57:03,480 --> 00:57:07,040
Speaker 1: It could be big or small. I would like to

990
00:57:07,160 --> 00:57:09,320
Speaker 1: build a container castle.

991
00:57:11,040 --> 00:57:13,360
Speaker 2: Oh oh, you're talking about the containers that are on

992
00:57:13,480 --> 00:57:17,920
Speaker 2: ships and things like that. Yes, okay, okay, whoa do it?

993
00:57:18,480 --> 00:57:24,920
Speaker 1: Yes? I love you that. I don't apparently tie a shoelace.

994
00:57:25,000 --> 00:57:28,200
Speaker 1: I don't understand container Okay, So you see me trying

995
00:57:28,240 --> 00:57:35,160
Speaker 1: to hook my brop and what about you? Run away?

996
00:57:35,400 --> 00:57:39,640
Speaker 1: Not quite run away, but take a just way, not hold? No, no, no,

997
00:57:40,120 --> 00:57:44,720
Speaker 1: what waits your husband? No, I'm gonna be in my

998
00:57:44,800 --> 00:57:49,840
Speaker 1: container castle alone. Who wants to come? What an awkward

999
00:57:50,000 --> 00:57:54,640
Speaker 1: ride home? That's messed up? Goddn't let me finish my sentence.

1000
00:57:56,040 --> 00:57:58,760
Speaker 1: Run away with my husband.

1001
00:58:01,800 --> 00:58:05,880
Speaker 7: On a vacation, Sean, because although we travel a lot

1002
00:58:06,240 --> 00:58:09,760
Speaker 7: for work, we need some time to just be somewhere

1003
00:58:10,160 --> 00:58:11,600
Speaker 7: and be there and just be.

1004
00:58:12,520 --> 00:58:12,720
Speaker 3: Yeah.

1005
00:58:14,520 --> 00:58:15,120
Speaker 1: I love that.

1006
00:58:15,600 --> 00:58:16,360
Speaker 2: Give it up for the.

1007
00:58:25,040 --> 00:58:29,960
Speaker 1: Wow, Jordan. I'm just saying. Yeah, I'm just saying. I mean,

1008
00:58:30,480 --> 00:58:34,000
Speaker 1: this is what it's about. It's about love. It's about

1009
00:58:34,400 --> 00:58:36,200
Speaker 1: being with somebody who makes you want to be a

1010
00:58:36,240 --> 00:58:41,120
Speaker 1: better person. It's about passing the baton, creating space, realizing

1011
00:58:41,160 --> 00:58:43,640
Speaker 1: when you should leave that space. You know, like, you

1012
00:58:43,800 --> 00:58:46,640
Speaker 1: can technically do everything yourself, but isn't it better with

1013
00:58:46,760 --> 00:58:51,240
Speaker 1: someone else and then whatever you need, right, you realize

1014
00:58:51,240 --> 00:58:54,000
Speaker 1: that that person will need to So I don't know,

1015
00:58:54,440 --> 00:58:58,840
Speaker 1: I mean, should the illustrious Blacks be my therapist?

1016
00:58:59,560 --> 00:59:02,520
Speaker 2: I think I think they already are for free and

1017
00:59:02,680 --> 00:59:05,040
Speaker 2: it's like, you know, I think what's great about them

1018
00:59:05,200 --> 00:59:07,800
Speaker 2: is they told this wonderful story of just like dovetailing,

1019
00:59:07,920 --> 00:59:10,240
Speaker 2: like they they were apart and they came back together

1020
00:59:10,320 --> 00:59:12,400
Speaker 2: and that is beautiful and it is harmony, and that

1021
00:59:12,520 --> 00:59:15,320
Speaker 2: they make music together is so wonderful. And if anybody

1022
00:59:15,400 --> 00:59:17,520
Speaker 2: lays a goddamn hand on these people, yeah, there's gonna

1023
00:59:17,560 --> 00:59:19,680
Speaker 2: there's gonna be a problem. There's gonna be a big problem. Yes,

1024
00:59:20,680 --> 00:59:25,280
Speaker 2: they were free, floating, wonderful, Oh great smelling. If you

1025
00:59:25,320 --> 00:59:28,920
Speaker 2: didn't notice spirits that like blessed our stage.

1026
00:59:28,800 --> 00:59:30,400
Speaker 1: It was like I was like, what is what is that?

1027
00:59:30,880 --> 00:59:31,320
Speaker 1: I love it?

1028
00:59:31,480 --> 00:59:31,760
Speaker 3: You know what.

1029
00:59:31,920 --> 00:59:33,560
Speaker 1: It's really cute when someone says it, but a little

1030
00:59:33,560 --> 00:59:36,120
Speaker 1: creepy when you say, but I do appreciate it. I

1031
00:59:36,160 --> 00:59:37,919
Speaker 1: think that's the thing too. You gotta find your scent

1032
00:59:38,240 --> 00:59:40,280
Speaker 1: because it's got to work with you. The chemistry starts

1033
00:59:40,320 --> 00:59:42,400
Speaker 1: popping and it's a lot and you know when people

1034
00:59:42,440 --> 00:59:43,960
Speaker 1: are just like I made this sent for you. I'm like,

1035
00:59:44,120 --> 00:59:46,120
Speaker 1: why why did you go somewhere to make a scent?

1036
00:59:46,360 --> 00:59:47,919
Speaker 1: What are you Julia Roberts in a movie?

1037
00:59:48,120 --> 00:59:48,160
Speaker 2: Like?

1038
00:59:49,120 --> 00:59:52,040
Speaker 1: Can I say something now? I'm so excited. We started

1039
00:59:52,400 --> 00:59:58,520
Speaker 1: this show talking about We did this show talking of

1040
00:59:58,720 --> 01:00:02,360
Speaker 1: smelly MIC's, and here we are talking about good smelling people.

1041
01:00:02,960 --> 01:00:10,320
Speaker 1: Here we are all right, all right, everybody, Okay, when

1042
01:00:10,360 --> 01:00:12,680
Speaker 1: you listen to this episode, like it, review it, do

1043
01:00:12,760 --> 01:00:15,160
Speaker 1: whatever you want with it, or just even like you know,

1044
01:00:15,400 --> 01:00:17,520
Speaker 1: go to our ig page Adulting the Pod and tell

1045
01:00:17,600 --> 01:00:21,040
Speaker 1: us what you like to smell. Keep it clean. Now bye.

1046
01:00:25,760 --> 01:00:28,640
Speaker 1: This has been an exactly right production. Our senior producer

1047
01:00:28,760 --> 01:00:32,000
Speaker 1: is g Holley. Art Associate producer is Christina Chamberlain. This

1048
01:00:32,160 --> 01:00:35,160
Speaker 1: episode was mixed by John Bradley. Our guest booker is

1049
01:00:35,200 --> 01:00:38,880
Speaker 1: Patrick Cotner. Additional production support from Hannah Kyle Crichton. Theme

1050
01:00:38,960 --> 01:00:41,439
Speaker 1: song and live show DJing is by DJ Don Will.

1051
01:00:41,760 --> 01:00:45,400
Speaker 1: Our live producer is Makala Konozovich. Artwork by Jamie Bechtel,

1052
01:00:45,680 --> 01:00:47,920
Speaker 1: Photography by Guys vander Most.

1053
01:00:48,280 --> 01:00:51,960
Speaker 2: Executive produced by Karen Kilgera, Georgia Hartstar and Daniel Kramer.

1054
01:00:52,240 --> 01:00:54,840
Speaker 1: Follow the show on Instagram at Adulting the Pod.

1055
01:00:55,040 --> 01:00:58,280
Speaker 2: Email your questions to Adulting Questions at gmail dot com.

1056
01:00:58,840 --> 01:00:59,200
Speaker 3: MMMM