WEBVTT - Sleeping Beauty

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<v Speaker 1>School of Humans.

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<v Speaker 2>This episode discusses sensitive topics. Please listen with care. My

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<v Speaker 2>name is Miranda Hawkins. Welcome to the Deep Dark Woods.

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<v Speaker 2>Today's story is at U four ten, or Sleeping Beauty.

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<v Speaker 3>In pastimes, there were a king and queen who said

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<v Speaker 3>every day, oh, if only we had a child, but

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<v Speaker 3>they never received one. Then it happened one day, while

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<v Speaker 3>the queen was sitting in her bath, that a frog

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<v Speaker 3>crept out of the water onto the ground and said

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<v Speaker 3>to her, your wish shall be fulfilled, and before a

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<v Speaker 3>year passes, you will bring a daughter into the world.

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<v Speaker 3>What the frog said did happen, and the queen gave

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<v Speaker 3>birth to a girl who was so beautiful that the

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<v Speaker 3>king could not contain himself for joy, and he ordered

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<v Speaker 3>a great celebration. He invited not only his relatives, friends,

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<v Speaker 3>and acquaintances, but also the wise women, so that they

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<v Speaker 3>would be kindly disposed toward the child. There were thirteen

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<v Speaker 3>of them in this kingdom, but because he had only

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<v Speaker 3>twelve golden plates from which they were to eat, one

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<v Speaker 3>of them had to remain at home. The feast was

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<v Speaker 3>celebrated with great splendor, and at its conclusion, the wise

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<v Speaker 3>women presented the child with their magic gifts. The one

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<v Speaker 3>gave her virtue, the second one beauty, the third one wealth,

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<v Speaker 3>and so on with everything that one could wish for

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<v Speaker 3>on earth. The eleventh one had just pronounced her blessing

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<v Speaker 3>when the thirteenth one suddenly walked in. She wanted to

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<v Speaker 3>avenge herself for not having been invited, and without greeting

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<v Speaker 3>anyone or even looking at them, she cried out with

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<v Speaker 3>a loud voice, in the princess's fifteenth year, she shall

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<v Speaker 3>prick herself with a spindle and fall over dead. And

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<v Speaker 3>without saying another word, she turned around and left the hall.

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<v Speaker 3>Every One was horrified, and the twelfth wise Woman, who

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<v Speaker 3>had not yet offered her wish, stepped forward because she

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<v Speaker 3>was unable to undo the wicked wish, but only to

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<v Speaker 3>soften it. She said, it shall not be her death.

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<v Speaker 3>The princess will only fall into a hundred year deep asleep.

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<v Speaker 3>The king, wanting to rescue his dear child, issued an

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<v Speaker 3>order that all the spindles in the entire kingdom should

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<v Speaker 3>be burned. The wise Woman's gifts were all fulfilled on

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<v Speaker 3>the girl, for she was so beautiful, well behaved, friendly

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<v Speaker 3>and intelligent that anyone who saw her had to love

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<v Speaker 3>her now. It happened that on the day when she

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<v Speaker 3>turned fifteen years of age, the King and Queen were

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<v Speaker 3>not at home, and the girl was all alone in

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<v Speaker 3>the castle. She walked around from one place to the next,

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<v Speaker 3>looking into rooms and chambers as her heart desired. Finally

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<v Speaker 3>she came to an old tower. She climbed up the narrow,

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<v Speaker 3>winding stairs and arrived at a small door. In the lock,

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<v Speaker 3>there was a rusty key, and when she turned it,

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<v Speaker 3>the door sprang open. There in a small room sat

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<v Speaker 3>an old woman with a spindle, busily spinning her flax.

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<v Speaker 3>Good day, old woman, said the princess. What are you

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<v Speaker 3>doing there? I am spinning, said the old woman, nodding

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<v Speaker 3>her head. What is that thing that is so merrily

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<v Speaker 3>bouncing about, asked the girl, taking hold of the spindle,

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<v Speaker 3>for she too wanted to spin. She no sooner had

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<v Speaker 3>touched the spindle when the magic curse was fulfilled, as

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<v Speaker 3>she pricked herself in the finger the inn that she

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<v Speaker 3>felt the prick, she fell onto a bed that was

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<v Speaker 3>standing there, and she lay there in a deep sleep,

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<v Speaker 3>And this sleep spread throughout the entire castle. The King

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<v Speaker 3>and Queen, who had just returned home walked into the

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<v Speaker 3>hall and began falling asleep, and all of their attendants

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<v Speaker 3>as well. The horses fell asleep in their stalls, the

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<v Speaker 3>dogs in the courtyard, the pigeons on the roof, the

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<v Speaker 3>flies on the wall, and even the fire on the

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<v Speaker 3>hearth flickered and stopped moving and fell asleep. The roast

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<v Speaker 3>stopped sizzling. The cook, who was about to pull the

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<v Speaker 3>kitchen boy's hair for having done something wrong, let him

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<v Speaker 3>loose and fell asleep. The wind stopped blowing, and outside

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<v Speaker 3>the castle not a leaf was stirring. In the trees.

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<v Speaker 3>Round about the castle, A thorn hedge began to grow,

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<v Speaker 3>and every year it became higher, until it finally surrounded

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<v Speaker 3>and covered the entire castle. Finally, nothing at all could

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<v Speaker 3>be seen of it, not even the flag on the roof.

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<v Speaker 3>A legend circulated throughout the land about the beautiful, sleeping

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<v Speaker 3>little briar rose, for so the princess was called. Legends

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<v Speaker 3>also told that from time to time princes came, wanting

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<v Speaker 3>to force their way through the hedge into the castle. However,

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<v Speaker 3>they did not succeed, for the thorns held firmly together

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<v Speaker 3>as though they had hands, and the young men became

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<v Speaker 3>stuck in them, could not free themselves, and died miserably.

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<v Speaker 3>Many long, long years later, once again a prince came

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<v Speaker 3>to the country. He heard an old man telling about

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<v Speaker 3>the Thorn Hedge. It was said that there was a

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<v Speaker 3>castle behind it, in which a beautiful princess named Little

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<v Speaker 3>Briar Rose had been asleep for a hundred years, and

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<v Speaker 3>with her the King and Queen and all their royal

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<v Speaker 3>attendants were sleeping. He also knew from his grandfather that

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<v Speaker 3>many princes had come and tried to penetrate the Thorn Hedge,

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<v Speaker 3>but they had become stuck in it and died a

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<v Speaker 3>sorrowful death. Then the young men said, I am not afraid.

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<v Speaker 3>I will go there and see the beautiful Little Briar Rose.

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<v Speaker 3>However much the good old man tried to dissuade him,

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<v Speaker 3>the prince would not listen to his words. The hundred

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<v Speaker 3>years had just passed, and the day had come when

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<v Speaker 3>Little Briar Rose was to awaken. When the prince approached

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<v Speaker 3>the Thorn Hedge, it was nothing but large, beautiful flowers

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<v Speaker 3>that separated by themselves, allowing him to pass without harm,

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<v Speaker 3>but then behind him closed back into a hedge in

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<v Speaker 3>the courtyard, he saw the horses and spotted hunting dogs

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<v Speaker 3>lying there asleep, and on the roof the pigeons perched

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<v Speaker 3>with their little heads tucked under their wings. When he

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<v Speaker 3>walked inside, the flies were asleep on the wall. The

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<v Speaker 3>cook in the kitchen was holding up his hand as

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<v Speaker 3>if he wanted to grabbed the boy, and the maid

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<v Speaker 3>was sitting in front of the black chicken that was

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<v Speaker 3>supposed to be plucked. He walked further and saw all

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<v Speaker 3>the attendants lying asleep in the hall, and above them,

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<v Speaker 3>near the throne, the King and the Queen were lying.

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<v Speaker 3>He walked on still further, and it was so quiet

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<v Speaker 3>that he could hear his own breath. Finally, he came

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<v Speaker 3>to the tower and opened the door to the room

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<v Speaker 3>where Little Briar Rose was sleeping. There she lay, and

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<v Speaker 3>she was so beautiful that he could not take his

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<v Speaker 3>eyes off her. He bent over and gave her a kiss.

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<v Speaker 3>When he touched her with the kiss, little Briar Rose

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<v Speaker 3>opened her eyes, awoke and looked at him kindly. They

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<v Speaker 3>went downstairs together, and the King awoke, and the Queen

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<v Speaker 3>and all the royal attendants, and they looked at one

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<v Speaker 3>another in amazement. The horses in the courtyard stood up

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<v Speaker 3>and shook themselves. The hunting dogs jumped and ragged their tails.

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<v Speaker 3>The pigeons on the roof pulled their heads out from

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<v Speaker 3>beneath their wings, looked around, and flew into the field.

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<v Speaker 3>The flies on the walls crept around again. The fire

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<v Speaker 3>in the kitchen rose up, broke into flames, and cooked

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<v Speaker 3>the food. The roast began to sizzle once again. The

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<v Speaker 3>cook boxed the boy's ears, causing him to cry, and

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<v Speaker 3>the maid finished plucking the chicken. And then the Prince's

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<v Speaker 3>marriage to little Briar Rose was celebrated with great splendor,

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<v Speaker 3>and they lived happily until they died.

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<v Speaker 2>This fairy till was the most difficult one for me

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<v Speaker 2>to get through, because sleeping beauty isn't beautiful at all.

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<v Speaker 2>Stories of royal children being isolated from the world for

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<v Speaker 2>their protection dates back to ancient Egypt, in this case

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<v Speaker 2>around the eighteenth dynasty. The story known as the Doomed

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<v Speaker 2>Prince is a winding tale about a prince evading his fate.

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<v Speaker 2>A king wants a son more than anything. The gods

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<v Speaker 2>grant the king's wish, but the seven hath or fates,

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<v Speaker 2>predict the prince will die suddenly by a crocodile, serpent,

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<v Speaker 2>or dog. The king builds a royal house in the

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<v Speaker 2>middle of the mountains to protect his son from his fate. There,

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<v Speaker 2>the prince grows big and strong. One day, he climbs

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<v Speaker 2>to the roof and sees a man with a dog.

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<v Speaker 2>When the prince learns what the animal is, he begs

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<v Speaker 2>his father for one. Despite the curse, the king acquiesces

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<v Speaker 2>and gives the young prince a boar hunting puppy. As

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<v Speaker 2>the prince becomes a young man, he gets tired of

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<v Speaker 2>being locked up and petitions his father to travel. The

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<v Speaker 2>king relents and sends his son out with weapons and

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<v Speaker 2>his dog. The prince travels north until he comes upon

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<v Speaker 2>another kingdom. The chief fair has a beautiful daughter who

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<v Speaker 2>he keeps in a seven hundred foot tower with seventy windows.

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<v Speaker 2>Her beauty is famed across the land. The chief promised

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<v Speaker 2>whoever can climb the tower and reach her can have

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<v Speaker 2>her hand in marriage. The young prince asks to join

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<v Speaker 2>the other suitors in the climb, and they agree. As

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<v Speaker 2>he climbs, he and the maiden lock eyes, and when

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<v Speaker 2>he reaches the top, she embraces and kisses him. When

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<v Speaker 2>the chief discovers who reached the top of the tower,

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<v Speaker 2>he's angry that it was the Egyptian prince, for the

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<v Speaker 2>prince had told others of how he had left his

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<v Speaker 2>kingdom because he was fleeing from his stepmother. I'm unsure

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<v Speaker 2>if the prince is lying or if this was another

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<v Speaker 2>reason he wanted to leave his kingdom, because the story

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<v Speaker 2>doesn't say either way. The chief doesn't want his daughter

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<v Speaker 2>to marry an Egyptian fugitive. Two times the king tells

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<v Speaker 2>the prince to leave, and two times the chief's daughter protests.

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<v Speaker 2>The third time, the chief calls for the prince to

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<v Speaker 2>meet him. The prince is wary, but the chief receives

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<v Speaker 2>him with open arms and tells the prince he will

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<v Speaker 2>love him as if he were his own son. The

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<v Speaker 2>prince and chief's daughter Mary. The Egyptian prince then tells

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<v Speaker 2>the chief and his new wife about his fate, that

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<v Speaker 2>he will die from a serpent, crocodile, or dog. The

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<v Speaker 2>wife wants to kill the prince's dog because she's afraid

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<v Speaker 2>the animal will hurt her new husband, but the prince

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<v Speaker 2>would not have it. Later, the prince and his bride

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<v Speaker 2>returned to the prince's home in the mountains. But while

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<v Speaker 2>the prince has been away, a giant has taken residence

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<v Speaker 2>and his royal house. The giant won't let the prince

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<v Speaker 2>venture out after dark because a crocodile emerges from the

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<v Speaker 2>river each night. Two months go by, and the prince

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<v Speaker 2>holds a great feast. Later that same night, after he

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<v Speaker 2>has gone to bed, his wife sees a serpent rise

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<v Speaker 2>up to sting the prince. The princess orders a servant

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<v Speaker 2>to fill a bowl with milk and honeyed wine for

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<v Speaker 2>the snake to drink from. Once the snake is drunk,

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<v Speaker 2>the princess draws her dagger and slays the serpent. Many

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<v Speaker 2>days later, the prince and his dog take a walk

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<v Speaker 2>that leads him far from home. The dog catches an

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<v Speaker 2>animal in flight. The prince chases after them until they

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<v Speaker 2>reach a river bank. Now, the dog ends up beside

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<v Speaker 2>the crocodile, but the giant also happens to be there.

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<v Speaker 2>The giant bewitches the crocodile so the reptile can't harm

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<v Speaker 2>the prince, but the crocodile promises that if he and

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<v Speaker 2>the prince meet again, the prophecy will come true and

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<v Speaker 2>the prince will meet his doom, and this is where

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<v Speaker 2>the story ends. No one knows what happens next, and

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<v Speaker 2>no one ever will, because the end of the tail

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<v Speaker 2>was destroyed. The unknown author of the story wrote this

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<v Speaker 2>tale on a piece of papyrus, which was later stolen

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<v Speaker 2>by the British when they excavated the tomb of King

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<v Speaker 2>Into and put it on view at the British Museum

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<v Speaker 2>under the name Harris five hundred. The sheet contains love

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<v Speaker 2>poems and another story. Egyptologists have trace a tale back

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<v Speaker 2>to the Eighteenth Dynasty, which is from fifteen fifty BC

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<v Speaker 2>to twelve ninety two BC, but part of the scroll

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<v Speaker 2>was burned off, so the ending of the Doomed Prince

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<v Speaker 2>remains one of the greatest mysteries in folklore. This story

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<v Speaker 2>represents the deep ties the Egyptians had and believing that

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<v Speaker 2>a person's fate begins at their birth. In fact, one's

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<v Speaker 2>fate was integral to how they interacted with the world

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<v Speaker 2>around them, and The Doomed Prince might not seem like

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<v Speaker 2>a sleeping beauty tale at first glance, but the central

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<v Speaker 2>theme of agency and escaping one's fate aligned with the

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<v Speaker 2>sleeping beauty lineage. It also includes the idea of isolating

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<v Speaker 2>one's child, although in the prince's case it's for protection,

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<v Speaker 2>not a curse or punishment. Another story that could be

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<v Speaker 2>an early sleeping beauty tale comes from Norse mythology. It's

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<v Speaker 2>from the thirteenth century Icelandic saga called the Saga of

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<v Speaker 2>the volsungs Valkyrie. Princess Brunhild is tasked to decide the

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<v Speaker 2>winner and a war between two kings. She chooses Ognar

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<v Speaker 2>and kills the other king, but Odin, the ruler of

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<v Speaker 2>Asgard and father of Thor and Loki, wanted the other

0:14:32.725 --> 0:14:37.085
<v Speaker 2>king to win. In his anger, Odin strikes Princess Brunhild

0:14:37.085 --> 0:14:39.685
<v Speaker 2>with a sleeping thorn and puts her in a castle

0:14:39.765 --> 0:14:43.845
<v Speaker 2>surrounded by fire. However, the princess has the power to

0:14:43.925 --> 0:14:47.405
<v Speaker 2>modify her punishment and makes it so that only Sigurd

0:14:47.725 --> 0:14:50.765
<v Speaker 2>can ride through the fire and awaken her with a kiss.

0:14:51.245 --> 0:14:53.765
<v Speaker 2>When he comes to her, she wakes, and the two

0:14:53.845 --> 0:14:58.325
<v Speaker 2>spend three nights together and fall in love. Brunhild's story

0:14:58.445 --> 0:15:02.205
<v Speaker 2>is a long saga with adventure and betrayal, but this

0:15:02.245 --> 0:15:05.085
<v Speaker 2>is where we leave her. The slumber in her castle

0:15:05.205 --> 0:15:09.285
<v Speaker 2>is where her connection to Sleeping Beauty ends. So how

0:15:09.325 --> 0:15:11.885
<v Speaker 2>did this tale start from a doomed prince and a

0:15:11.965 --> 0:15:16.965
<v Speaker 2>valkyrie to become the third Disney Princess. Well, the next

0:15:16.965 --> 0:15:30.085
<v Speaker 2>story takes our princess down her darkest path yet. Sometime

0:15:30.125 --> 0:15:34.285
<v Speaker 2>between thirteen hundred and thirteen forty four, an anonymous author

0:15:34.325 --> 0:15:37.325
<v Speaker 2>wrote a tale called the Story of Troilus and the

0:15:37.365 --> 0:15:41.325
<v Speaker 2>Beautiful Zelandine. It was written in French and a region

0:15:41.365 --> 0:15:44.365
<v Speaker 2>of Europe called the Low Countries, which are Belgium, the

0:15:44.405 --> 0:15:49.165
<v Speaker 2>Netherlands and Luxembourg. The story appeared in a multi volume

0:15:49.165 --> 0:15:53.605
<v Speaker 2>collection called Perciferist. It's in book three where Prince Troylis

0:15:53.605 --> 0:15:57.525
<v Speaker 2>finds the sleeping Princess Celidine and what happens after he

0:15:57.605 --> 0:16:02.165
<v Speaker 2>finds her is horrific. When Zeladeine was a baby, she

0:16:02.365 --> 0:16:05.445
<v Speaker 2>was cursed by the goddess Themis, who presided over her

0:16:05.565 --> 0:16:09.805
<v Speaker 2>her birth with two other goddesses. themUS was angered that

0:16:09.885 --> 0:16:12.925
<v Speaker 2>she wasn't given as nice a knife as the other two,

0:16:13.605 --> 0:16:17.565
<v Speaker 2>so Themis cast her curse. She said, when Zeladein touched

0:16:17.605 --> 0:16:20.525
<v Speaker 2>a piece of flax, it would stab her finger and

0:16:20.605 --> 0:16:22.925
<v Speaker 2>put her into a sleep from which she could not

0:16:23.085 --> 0:16:26.965
<v Speaker 2>be awakened, but Venus, one of the other two goddesses

0:16:27.005 --> 0:16:30.485
<v Speaker 2>at the birth, decided to use her powers to save Zeladeine.

0:16:31.845 --> 0:16:34.485
<v Speaker 2>There are different interpretations of the next part, but what

0:16:34.605 --> 0:16:39.605
<v Speaker 2>happens to Zeladeine remains the same. Venus sends Zeladein's love

0:16:39.725 --> 0:16:43.325
<v Speaker 2>Troilis to save her. He rides a bird to Zeladin's

0:16:43.405 --> 0:16:48.005
<v Speaker 2>room in the tower. Once there, he finds her asleep naked.

0:16:48.565 --> 0:16:51.525
<v Speaker 2>Although Troilis is nervous and knows better than to touch

0:16:51.565 --> 0:16:54.685
<v Speaker 2>a maiden while she sleeps, he reminds himself of the

0:16:54.725 --> 0:16:58.925
<v Speaker 2>healing power of kisses. He asks the dormant Zeladein if

0:16:58.925 --> 0:17:03.925
<v Speaker 2>he can kiss her. With no answer, he proceeds. When

0:17:04.005 --> 0:17:07.845
<v Speaker 2>she does not wake, he is beside himself, but then

0:17:08.205 --> 0:17:11.005
<v Speaker 2>the goddess Venus pushes him to have sex with the

0:17:11.045 --> 0:17:16.205
<v Speaker 2>sleeping Zeladein. At first, Troilis hesitates, but then is overcome

0:17:16.285 --> 0:17:21.205
<v Speaker 2>with desire. The text says he takes Celandine's quote write

0:17:21.285 --> 0:17:24.925
<v Speaker 2>to the name of maiden. Afterward, he jumps back on

0:17:24.965 --> 0:17:29.965
<v Speaker 2>the bird and flies away. Nine months later, Zeladeine gives

0:17:29.965 --> 0:17:33.005
<v Speaker 2>birth to a son. She wakes up when the baby

0:17:33.085 --> 0:17:36.965
<v Speaker 2>sucks the splinter out of her thumb. Zeladein and Troilis

0:17:37.045 --> 0:17:42.085
<v Speaker 2>are then reunited. Zeladein struggles with guilt but ultimately loves Troilis.

0:17:45.325 --> 0:17:48.725
<v Speaker 2>I couldn't believe this was a sleeping beauty story. It's

0:17:48.765 --> 0:17:51.485
<v Speaker 2>so far removed from the Walt Disney film I grew

0:17:51.565 --> 0:17:54.805
<v Speaker 2>up on. I didn't really care for the Walt Disney film,

0:17:55.045 --> 0:17:58.965
<v Speaker 2>but still I was horrified to learn Zeladein had been raped,

0:17:59.285 --> 0:18:04.245
<v Speaker 2>and angry, angry that she wasn't protected, and disgusted that

0:18:04.325 --> 0:18:07.365
<v Speaker 2>it was another woman who encourage this to happen to her,

0:18:07.685 --> 0:18:12.845
<v Speaker 2>regardless of the fact that she's a goddess. Unfortunately, throughout

0:18:12.885 --> 0:18:16.965
<v Speaker 2>the centuries, sexual assault is common and sleeping beauty tales.

0:18:17.725 --> 0:18:21.525
<v Speaker 2>It's also typical to have mythic god's encouraging bad behavior

0:18:21.565 --> 0:18:25.365
<v Speaker 2>among humans or doing it themselves, like in Leda and

0:18:25.405 --> 0:18:28.845
<v Speaker 2>the Swan, where the Greek god Zeus disguises himself as

0:18:28.885 --> 0:18:33.405
<v Speaker 2>a swan and rapes and impregnates the human Lina. We

0:18:33.525 --> 0:18:36.285
<v Speaker 2>don't know who the writer is of Zeladein's story, but

0:18:36.445 --> 0:18:39.885
<v Speaker 2>it's apparent they knew rape is wrong. That is made

0:18:40.005 --> 0:18:43.725
<v Speaker 2>clear from what Troylis says about understanding consent and him

0:18:43.765 --> 0:18:47.085
<v Speaker 2>feeling bad. There is also part in the story where

0:18:47.205 --> 0:18:50.325
<v Speaker 2>Zeladein makes a sound while he's raping her and he

0:18:50.365 --> 0:18:54.645
<v Speaker 2>pulls back ready to act all innocent. This tale stays

0:18:54.685 --> 0:18:57.725
<v Speaker 2>true to the central themes in many sleeping beauty stories,

0:18:58.125 --> 0:19:01.565
<v Speaker 2>a lack of agency or inability to escape your fate.

0:19:02.765 --> 0:19:06.125
<v Speaker 2>In this version, Zeladeine has no say in what happens

0:19:06.165 --> 0:19:10.485
<v Speaker 2>to her. As for Toilis, this story presents Venus driving

0:19:10.565 --> 0:19:15.325
<v Speaker 2>him to override his judgment or to indulge in his lust.

0:19:16.245 --> 0:19:18.925
<v Speaker 2>It could be interpreted that none of us have agency

0:19:18.965 --> 0:19:22.565
<v Speaker 2>over our lives, which would make sense considering how strongly

0:19:22.605 --> 0:19:25.525
<v Speaker 2>people followed religion back in those days. Because a lack

0:19:25.525 --> 0:19:28.845
<v Speaker 2>of human agency in the face of the supernatural tracks

0:19:28.845 --> 0:19:31.965
<v Speaker 2>with the Catholic belief systems that govern every part of

0:19:32.045 --> 0:19:38.125
<v Speaker 2>life in the Middle Ages. Then in sixteen thirty four,

0:19:38.485 --> 0:19:44.285
<v Speaker 2>Italian author John Patiste Bazille published Sun, Moon and Talia.

0:19:44.365 --> 0:19:47.765
<v Speaker 2>His story is similar to Zeladine's, but he treats the

0:19:47.885 --> 0:19:54.525
<v Speaker 2>rape trope in a less compassionate way. A great lord

0:19:54.645 --> 0:19:58.005
<v Speaker 2>asks some wise men and astrologers to predict the future

0:19:58.125 --> 0:20:01.285
<v Speaker 2>of his daughter Talia. They say she will be endangered

0:20:01.285 --> 0:20:03.845
<v Speaker 2>by the splinter from a piece of flax. The plant

0:20:03.965 --> 0:20:07.565
<v Speaker 2>used to make linen. The lord then forbade all flax

0:20:07.765 --> 0:20:12.085
<v Speaker 2>from entering his house. Years later, when the girl is grown,

0:20:12.325 --> 0:20:16.525
<v Speaker 2>she sees a woman spinning and is curious. Talia asks

0:20:16.565 --> 0:20:18.805
<v Speaker 2>the woman to come to her and begins playing with

0:20:18.845 --> 0:20:22.885
<v Speaker 2>a distaff or spindle and the flax yarn winds around

0:20:22.965 --> 0:20:26.325
<v Speaker 2>while spinning, but Talia gets a splinter under her nail

0:20:26.525 --> 0:20:32.805
<v Speaker 2>and immediately falls down dead. The terrified old woman runs away.

0:20:33.605 --> 0:20:36.325
<v Speaker 2>The lord is so distraught he has his daughter placed

0:20:36.405 --> 0:20:39.005
<v Speaker 2>upon a bed in one of their country homes and

0:20:39.045 --> 0:20:44.885
<v Speaker 2>then closes the doors forever. After a time, a king

0:20:44.965 --> 0:20:47.045
<v Speaker 2>is hunting in the woods when one of his falcons

0:20:47.045 --> 0:20:50.285
<v Speaker 2>flies off. He sees the bird fly through a window

0:20:50.365 --> 0:20:53.365
<v Speaker 2>of a shuttered house, and he uses a ladder to

0:20:53.405 --> 0:20:57.245
<v Speaker 2>climb through the same window. He doesn't find anyone in

0:20:57.285 --> 0:21:01.085
<v Speaker 2>the house until he happens upon Talia's body in the parlor.

0:21:02.405 --> 0:21:05.165
<v Speaker 2>He is so struck by her beauty that he carries

0:21:05.165 --> 0:21:08.525
<v Speaker 2>her to a bed where he quote gathered the first

0:21:08.565 --> 0:21:12.485
<v Speaker 2>fruits of love. Then he leaves and thinks nothing of it.

0:21:13.925 --> 0:21:18.405
<v Speaker 2>Nine months later, Talia gives birth to twins. Fairies try

0:21:18.445 --> 0:21:21.245
<v Speaker 2>to help the babies find her nipples, but when they can't,

0:21:21.605 --> 0:21:24.925
<v Speaker 2>the two babies begin to suck at her fingers. The

0:21:24.965 --> 0:21:28.045
<v Speaker 2>splinter of the flax comes out, and Talia wakes as

0:21:28.085 --> 0:21:32.765
<v Speaker 2>if from a long sleep. Upon waking to her two children,

0:21:33.085 --> 0:21:36.605
<v Speaker 2>Talia finds them dearer to her than her own life.

0:21:36.685 --> 0:21:37.565
<v Speaker 3>She names them.

0:21:37.525 --> 0:21:42.085
<v Speaker 2>Sun and Moon. As time goes on, the king finds

0:21:42.165 --> 0:21:45.285
<v Speaker 2>himself thinking of Talia and decides to hunt again in

0:21:45.325 --> 0:21:48.645
<v Speaker 2>that part of the forest. This time he finds not

0:21:48.725 --> 0:21:52.965
<v Speaker 2>only her, but also the twins. The king explains that

0:21:53.045 --> 0:21:54.965
<v Speaker 2>it is he who had sex with her while she

0:21:55.045 --> 0:21:58.685
<v Speaker 2>slept and father the twins. The two become friends while

0:21:58.685 --> 0:22:01.485
<v Speaker 2>he stays with her for a few days before promising

0:22:01.525 --> 0:22:04.685
<v Speaker 2>to return and take her to his kingdom. But when

0:22:04.725 --> 0:22:08.685
<v Speaker 2>he gets back, he can't sleep. He's preoccupied with thoughts

0:22:08.685 --> 0:22:13.045
<v Speaker 2>of Talia, Sun and Moon. The king has a wife

0:22:13.205 --> 0:22:17.365
<v Speaker 2>who now suspects something isn't right and becomes jealous. She

0:22:17.485 --> 0:22:20.685
<v Speaker 2>threatens a king's secretary into telling her what's going on.

0:22:21.405 --> 0:22:24.485
<v Speaker 2>When he does, the queen orders a secretary to go

0:22:24.565 --> 0:22:27.605
<v Speaker 2>to Talia and ask for Sun and Moon to accompany

0:22:27.725 --> 0:22:31.165
<v Speaker 2>him back to the kingdom because the king wishes to

0:22:31.205 --> 0:22:35.725
<v Speaker 2>see them. With great joy. Talia does as she's told.

0:22:36.605 --> 0:22:39.205
<v Speaker 2>The queen then commands a cook to kill the kids

0:22:39.245 --> 0:22:41.685
<v Speaker 2>and serve them to the king, but the cook is

0:22:41.765 --> 0:22:47.885
<v Speaker 2>tenderhearted and cannot. Instead, he serves two lambs. The Queen's

0:22:48.005 --> 0:22:51.725
<v Speaker 2>rage isn't satisfied, and she bids a secretary to bring

0:22:51.805 --> 0:22:54.925
<v Speaker 2>Talia to her under the guise of the king wanting

0:22:54.965 --> 0:22:58.765
<v Speaker 2>to see her. When Talia arrives, the queen blames her

0:22:58.805 --> 0:23:01.965
<v Speaker 2>for her husband's misdeeds and has a large fire built

0:23:01.965 --> 0:23:06.725
<v Speaker 2>in the courtyard for Talia to be thrown into. Before

0:23:06.885 --> 0:23:09.965
<v Speaker 2>being tossed in the flames, Talia asks if she can

0:23:10.045 --> 0:23:13.405
<v Speaker 2>at least remove her robes, and the greedy queen says yes,

0:23:14.045 --> 0:23:19.085
<v Speaker 2>eyeing the golden pearls from Talia's magnificent gown. As Talia

0:23:19.125 --> 0:23:24.125
<v Speaker 2>removes each piece, she lets out a scream. Talia lets

0:23:24.125 --> 0:23:26.885
<v Speaker 2>out the loudest will as she takes off the last

0:23:26.965 --> 0:23:30.925
<v Speaker 2>piece of clothing. The king arrives as she is about

0:23:30.925 --> 0:23:34.605
<v Speaker 2>to be tossed into the fires. The king, learning of

0:23:34.685 --> 0:23:38.525
<v Speaker 2>his queen's misdeeds, tosses her and the secretary into the fire.

0:23:40.325 --> 0:23:43.165
<v Speaker 2>The cook is spared and rewarded for saving the children.

0:23:44.285 --> 0:23:47.285
<v Speaker 2>The king marries Talia and the family of four enjoy

0:23:47.365 --> 0:23:52.005
<v Speaker 2>their life to the last of their days. The moral

0:23:52.045 --> 0:23:55.205
<v Speaker 2>Basillie wrote at the end of the story says, those

0:23:55.245 --> 0:23:58.845
<v Speaker 2>whom fortune favors find good luck even in their sleep.

0:24:03.925 --> 0:24:06.845
<v Speaker 2>I had such a hard time with this story. It's

0:24:06.925 --> 0:24:10.565
<v Speaker 2>the first time I found myself crying because what happened

0:24:10.565 --> 0:24:14.965
<v Speaker 2>to these women is absolutely heartbreaking. But then you add

0:24:14.965 --> 0:24:20.285
<v Speaker 2>this moral, and what the fuck? This moral is downright andsane.

0:24:21.085 --> 0:24:24.605
<v Speaker 2>Not only is Basilli's version almost worse because a king

0:24:24.725 --> 0:24:30.005
<v Speaker 2>thinks he did nothing wrong, but neither does Talia. If anything,

0:24:30.285 --> 0:24:32.765
<v Speaker 2>the moral at the end of this tale feels like

0:24:32.845 --> 0:24:35.645
<v Speaker 2>it's saying Talia should be thankful a king chose to

0:24:35.725 --> 0:24:40.165
<v Speaker 2>rape her. There is such a different perspective of rape

0:24:40.165 --> 0:24:44.365
<v Speaker 2>between Basilei and the unknown author. Zeladein's story was about

0:24:44.405 --> 0:24:47.005
<v Speaker 2>a goddess trying to save her from a curse, although

0:24:47.125 --> 0:24:49.805
<v Speaker 2>saving someone through the act of rape is just about

0:24:49.805 --> 0:24:53.805
<v Speaker 2>as messed up as you can get. But as I

0:24:53.845 --> 0:24:57.525
<v Speaker 2>said previously, there are elements in the story that shows

0:24:57.645 --> 0:25:02.405
<v Speaker 2>the characters new rape was wrong. But in Talia's story

0:25:02.605 --> 0:25:06.005
<v Speaker 2>there is no remorse or anything to elude to rape

0:25:06.085 --> 0:25:09.805
<v Speaker 2>being considered wrong. Instead, it's used as a way for

0:25:09.845 --> 0:25:13.445
<v Speaker 2>the king to get his happily. Ever, after all of

0:25:13.485 --> 0:25:18.045
<v Speaker 2>it is mind boggling, and not in a good way.

0:25:20.925 --> 0:25:24.845
<v Speaker 2>French author Charles Perrot's story builds off of Bazilli's story,

0:25:25.245 --> 0:25:29.165
<v Speaker 2>but thank goodness, not in the way you think. In

0:25:29.485 --> 0:25:32.885
<v Speaker 2>The Sleeping Beauty in the Wood, seven resident fairies of

0:25:32.925 --> 0:25:35.845
<v Speaker 2>a kingdom are invited to celebrate the birth of a princess.

0:25:36.405 --> 0:25:40.285
<v Speaker 2>As the bank would start. Another older fairy arrives. No

0:25:40.285 --> 0:25:42.965
<v Speaker 2>one had invited her because they all thought she was

0:25:43.045 --> 0:25:46.445
<v Speaker 2>dead or bewitched. The king tries to have a place

0:25:46.485 --> 0:25:49.485
<v Speaker 2>set for her, but only seven settings had been made.

0:25:50.165 --> 0:25:53.525
<v Speaker 2>The fairy thinks they slighted her on purpose, so as

0:25:53.525 --> 0:25:57.525
<v Speaker 2>her gift, she curses the princess. She says the girl

0:25:57.565 --> 0:26:00.245
<v Speaker 2>will prick her finger on a spinning wheel and die,

0:26:01.445 --> 0:26:05.045
<v Speaker 2>But a younger fairy who hid behind a tapestry comes

0:26:05.085 --> 0:26:08.645
<v Speaker 2>forward changes the curse so that the girl will sleep

0:26:08.685 --> 0:26:11.605
<v Speaker 2>for one hundred years, at which time a prince will

0:26:11.605 --> 0:26:16.005
<v Speaker 2>awaken her. When the girl reaches fifteen or sixteen, she

0:26:16.125 --> 0:26:18.845
<v Speaker 2>is exploring the castle and climbs to the top of

0:26:18.885 --> 0:26:22.365
<v Speaker 2>a tower, where she comes upon a woman spinning. The

0:26:22.445 --> 0:26:25.765
<v Speaker 2>young princess pricks her finger on the wheel and falls

0:26:25.845 --> 0:26:30.885
<v Speaker 2>into a deep sleep. The seven fairies then put everyone

0:26:30.925 --> 0:26:34.125
<v Speaker 2>else to sleep except the king and queen, although the

0:26:34.205 --> 0:26:38.365
<v Speaker 2>story doesn't say why the two were the exception. Within

0:26:38.485 --> 0:26:42.765
<v Speaker 2>fifteen minutes, a dense forest of brambles and thorns encompasses

0:26:42.805 --> 0:26:47.005
<v Speaker 2>the castle and hides a sleeping princess and slumbering citizens

0:26:47.005 --> 0:26:51.325
<v Speaker 2>from prying eyes. One hundred years pass and another king

0:26:51.365 --> 0:26:54.005
<v Speaker 2>and queen sit on the throne and a different castle.

0:26:54.085 --> 0:26:57.325
<v Speaker 2>Of course, the prince is hunting when he sees a

0:26:57.365 --> 0:27:01.045
<v Speaker 2>tower in the distance. He's heard many rumors about the tower,

0:27:01.565 --> 0:27:04.885
<v Speaker 2>including one that tells of an ogre capturing children and

0:27:04.965 --> 0:27:07.965
<v Speaker 2>dragging them into the forest to eat, But when he

0:27:07.965 --> 0:27:11.205
<v Speaker 2>hears the story of a sleeping princess waiting to be

0:27:11.245 --> 0:27:15.005
<v Speaker 2>awakened by a prince, he instantly heads that way. Intrigued

0:27:17.165 --> 0:27:20.645
<v Speaker 2>when he arrives, the thorns and brambles part before him.

0:27:21.485 --> 0:27:23.285
<v Speaker 2>He makes his way to the top of the tower

0:27:23.405 --> 0:27:26.765
<v Speaker 2>and sees the beautiful princess. He falls to his knees

0:27:26.805 --> 0:27:30.325
<v Speaker 2>beside her, and at that moment their curses lifted and

0:27:30.405 --> 0:27:35.525
<v Speaker 2>she wakes up. In Pirout's story, the prince does not

0:27:35.805 --> 0:27:39.285
<v Speaker 2>kiss the princess to break the curse, is it you,

0:27:39.485 --> 0:27:42.685
<v Speaker 2>dear prince, She says, you have been long in coming.

0:27:43.765 --> 0:27:46.685
<v Speaker 2>As she slept, the fairies had blessed the princess with

0:27:46.845 --> 0:27:49.885
<v Speaker 2>pleasant dreams so she would be prepared to meet the prince.

0:27:51.005 --> 0:27:53.565
<v Speaker 2>The prince, on the other hand, is shy and awkward

0:27:53.925 --> 0:27:56.925
<v Speaker 2>and not ready for this, but her words are pleasing

0:27:56.965 --> 0:28:00.085
<v Speaker 2>to him, and the two fall in love. They talk

0:28:00.205 --> 0:28:04.165
<v Speaker 2>for hours. Meanwhile, the other people in the castle wake up,

0:28:04.285 --> 0:28:08.565
<v Speaker 2>and they are hungry. Finally, the two lovers are interrupted

0:28:08.645 --> 0:28:14.085
<v Speaker 2>and called to dinner. After supper, they marry. When the

0:28:14.125 --> 0:28:17.045
<v Speaker 2>prince returns to his home the next day, he lies

0:28:17.085 --> 0:28:20.405
<v Speaker 2>and tells his parents he got lost. His mother doesn't

0:28:20.445 --> 0:28:23.805
<v Speaker 2>believe him. The prince hides his marriage for the next

0:28:23.845 --> 0:28:27.525
<v Speaker 2>two years, but his mother notices that he slips away

0:28:27.645 --> 0:28:30.405
<v Speaker 2>two to three nights a week and is sure he's

0:28:30.445 --> 0:28:34.165
<v Speaker 2>meeting a lover. During this time, the prince and princess

0:28:34.205 --> 0:28:37.605
<v Speaker 2>have two kids. The first is a daughter named Dawn.

0:28:37.885 --> 0:28:41.605
<v Speaker 2>The second is a boy named Day. The queen keeps

0:28:41.645 --> 0:28:44.085
<v Speaker 2>trying to get the prince to spill his secret, but

0:28:44.125 --> 0:28:47.445
<v Speaker 2>he won't. He is scared of his mother, who comes

0:28:47.445 --> 0:28:50.085
<v Speaker 2>from a line of ogres and has a hard time

0:28:50.165 --> 0:28:54.885
<v Speaker 2>controlling herself around children. But after two years, the king

0:28:55.005 --> 0:28:59.365
<v Speaker 2>dies and the prince takes the throne. He then announces

0:28:59.405 --> 0:29:02.645
<v Speaker 2>his marriage and brings forth his wife and two children.

0:29:03.725 --> 0:29:06.685
<v Speaker 2>Not long after, the country goes to war and the

0:29:06.725 --> 0:29:09.965
<v Speaker 2>new king has to leave for the summer. He entrusts

0:29:10.005 --> 0:29:12.805
<v Speaker 2>his wife and kids to his mother, the Queen Regent.

0:29:13.805 --> 0:29:16.205
<v Speaker 2>The queen sends a family to the country to help

0:29:16.245 --> 0:29:19.725
<v Speaker 2>stifle her cravings, but the next time she visits them,

0:29:20.005 --> 0:29:23.605
<v Speaker 2>she tells the steward to cook dawn for supper. When

0:29:23.645 --> 0:29:27.565
<v Speaker 2>it's time to kill the girl, the steward cannot. Instead,

0:29:27.925 --> 0:29:31.085
<v Speaker 2>the steward's wife hides dawn and he serves lamb to

0:29:31.125 --> 0:29:35.725
<v Speaker 2>the queen. Eight days later, the queen once again summons

0:29:35.725 --> 0:29:38.525
<v Speaker 2>a steward. This time she tells him she will eat

0:29:38.685 --> 0:29:42.405
<v Speaker 2>day for supper. Again, the steward serves lamb while his

0:29:42.485 --> 0:29:46.365
<v Speaker 2>wife hides a boy. Then the queen approaches the steward

0:29:46.445 --> 0:29:49.685
<v Speaker 2>a third time, asking for the princess to be served

0:29:49.725 --> 0:29:53.485
<v Speaker 2>in the same sauls her children are served in. The

0:29:53.525 --> 0:29:56.445
<v Speaker 2>steward means to kill the princess, thinking he has no

0:29:56.565 --> 0:30:00.205
<v Speaker 2>way out, but in the end he cannot. His wife

0:30:00.325 --> 0:30:03.245
<v Speaker 2>hides her too, and the steward finds another animal to

0:30:03.285 --> 0:30:07.605
<v Speaker 2>serve the queen la The queen overhears the two children

0:30:07.645 --> 0:30:10.765
<v Speaker 2>and the princess. When she learns she has been tricked,

0:30:10.965 --> 0:30:13.285
<v Speaker 2>she orders a vat to be filled with as many

0:30:13.325 --> 0:30:18.245
<v Speaker 2>creatures as possible, vipers and toads, and snakes and serpents

0:30:18.245 --> 0:30:21.885
<v Speaker 2>of every kind. The princess and her two kids are

0:30:21.925 --> 0:30:25.085
<v Speaker 2>brought out with their hands tied behind their backs. As

0:30:25.125 --> 0:30:27.325
<v Speaker 2>they are about to be tossed into the vat, the

0:30:27.405 --> 0:30:31.805
<v Speaker 2>king rides up. He's arrived earlier than expected. At such

0:30:31.805 --> 0:30:35.285
<v Speaker 2>a turn of events, the queen tosses herself into the vat.

0:30:37.045 --> 0:30:39.805
<v Speaker 2>The king is at first upset that he loses his mother,

0:30:40.125 --> 0:30:42.845
<v Speaker 2>but in the end he finds peace with his wife

0:30:42.845 --> 0:30:48.525
<v Speaker 2>and beautiful kids. As with Little Red riding Hood, Perrot

0:30:48.565 --> 0:30:53.245
<v Speaker 2>adds a moral to the end of this story. Too

0:30:53.565 --> 0:30:56.525
<v Speaker 2>many a girl has waited long for a husband brave

0:30:56.725 --> 0:30:59.845
<v Speaker 2>or strong. But I'm sure I never met any sort

0:30:59.885 --> 0:31:03.045
<v Speaker 2>of woman yet who could wait a hundred years, free

0:31:03.045 --> 0:31:07.085
<v Speaker 2>from fretting, free from fears. Now, our story seems to

0:31:07.125 --> 0:31:10.565
<v Speaker 2>show that a century or so later, early matters not

0:31:10.965 --> 0:31:14.485
<v Speaker 2>true love comes by fairy lot. Some old folk will

0:31:14.525 --> 0:31:18.325
<v Speaker 2>even say it grows better by delay. Yet this good advice,

0:31:18.365 --> 0:31:22.645
<v Speaker 2>I fear helps us neither there nor hear. Though philosophers

0:31:22.645 --> 0:31:25.925
<v Speaker 2>may prate how much wiser tis to wait, maids will

0:31:25.965 --> 0:31:29.245
<v Speaker 2>be a sighing still young blood must when young blood will.

0:31:34.045 --> 0:31:38.045
<v Speaker 2>Despite the many adventures throughout the story, Pero's moral was simple.

0:31:38.525 --> 0:31:42.405
<v Speaker 2>He advocated to take time falling in love A complete

0:31:42.485 --> 0:31:46.045
<v Speaker 2>one to eighty from bazile A, I will say, for

0:31:46.085 --> 0:31:49.285
<v Speaker 2>the time period Perou lived in and wrote his versions

0:31:49.325 --> 0:31:52.445
<v Speaker 2>of Little Red, Riding Hood and Sleeping Beauty, he was

0:31:52.565 --> 0:31:55.365
<v Speaker 2>kinder to women than most in an era that wasn't

0:31:55.445 --> 0:31:59.605
<v Speaker 2>even remotely woman forward. There's discussion on if he was

0:31:59.645 --> 0:32:03.165
<v Speaker 2>a feminist. Even though he was kinder toward women, his

0:32:03.365 --> 0:32:07.005
<v Speaker 2>version of feminism was held through the male gaze, which

0:32:07.045 --> 0:32:10.365
<v Speaker 2>is that women were meant to uphold moral character regardless

0:32:10.405 --> 0:32:14.085
<v Speaker 2>of what happened to them. But other than the doomed prince,

0:32:14.525 --> 0:32:16.925
<v Speaker 2>Perot's tale is the only one not to involve a

0:32:17.005 --> 0:32:20.365
<v Speaker 2>kiss or rape, or any unconsenting touch to Wig the

0:32:20.405 --> 0:32:25.605
<v Speaker 2>sleeping Maiden. However, the princess still doesn't have agency, and

0:32:25.765 --> 0:32:29.605
<v Speaker 2>she still relies on the prince to save her. Once

0:32:29.685 --> 0:32:31.845
<v Speaker 2>the story made its way to the Brothers Grim, though

0:32:31.965 --> 0:32:35.525
<v Speaker 2>the kiss was back. The brothers Grim heard this story

0:32:35.565 --> 0:32:38.605
<v Speaker 2>through the hausen Fluch sisters, who we learned about in

0:32:38.685 --> 0:32:42.205
<v Speaker 2>the Little Red riding Hood episode, and the brothers almost

0:32:42.245 --> 0:32:45.725
<v Speaker 2>rejected adding Sleeping Beauty or Briar Rose as she was

0:32:45.725 --> 0:32:48.005
<v Speaker 2>called in their version of the tale to their collection.

0:32:48.845 --> 0:32:51.645
<v Speaker 2>They knew the story was by Perrot and therefore it

0:32:51.725 --> 0:32:55.245
<v Speaker 2>wasn't German enough, But it was Brunehild's story in the

0:32:55.325 --> 0:32:59.445
<v Speaker 2>Norse Mythology Saga that convinced the brothers it was authentically German.

0:33:01.165 --> 0:33:04.205
<v Speaker 2>Notice how Brunehild and the Egyptian prince had agency in

0:33:04.245 --> 0:33:07.445
<v Speaker 2>their tales. They might have been cursed, but both took

0:33:07.525 --> 0:33:11.925
<v Speaker 2>action to change their fates. Not so Frizelendine and Talia,

0:33:11.965 --> 0:33:15.125
<v Speaker 2>who are fully stripped of all agency. It did not

0:33:15.285 --> 0:33:18.245
<v Speaker 2>matter what they did, they could not escape their fate.

0:33:19.765 --> 0:33:23.205
<v Speaker 2>Even though Pirot's story is the kindest to Maidan's, Sleeping

0:33:23.245 --> 0:33:26.325
<v Speaker 2>Beauty continue to be a passive character through both his

0:33:26.525 --> 0:33:30.005
<v Speaker 2>and the Grim stories. So the big question now is

0:33:30.565 --> 0:33:49.605
<v Speaker 2>has that changed today? On January twenty ninth, nineteen fifty nine,

0:33:49.645 --> 0:33:54.165
<v Speaker 2>Walt Disney released its third animated Princess film Sleeping Beauty.

0:33:54.885 --> 0:33:58.365
<v Speaker 2>It was largely based on Perrot's version of the tale,

0:33:58.445 --> 0:34:02.725
<v Speaker 2>but unlike Cinderella and snow White, we barely see or

0:34:02.845 --> 0:34:07.725
<v Speaker 2>hear from the Princess Aurora, only eighteen lines and a

0:34:07.805 --> 0:34:11.805
<v Speaker 2>little less than eighteen minutes of screen time, and of course,

0:34:12.005 --> 0:34:16.005
<v Speaker 2>the prince kisses her without consent. To top that off,

0:34:16.165 --> 0:34:19.805
<v Speaker 2>Aurora doesn't say a word after she has awakened, and

0:34:19.885 --> 0:34:23.525
<v Speaker 2>again she's powerless over of fate already decided for her.

0:34:24.685 --> 0:34:29.085
<v Speaker 2>Contemporary versions have also focused on other characters in the story,

0:34:29.845 --> 0:34:34.005
<v Speaker 2>like we've seen with Rumpel, Stilskin and the Wolf, storytellers

0:34:34.125 --> 0:34:38.205
<v Speaker 2>focused on the villain and Sleeping Beauty. In twenty fourteen,

0:34:38.525 --> 0:34:43.005
<v Speaker 2>Disney released the feature length film Molificent, starring Angelina Jolie.

0:34:44.045 --> 0:34:47.525
<v Speaker 2>Doctor Claudia Schwabe is a professor of German studies at

0:34:47.605 --> 0:34:51.765
<v Speaker 2>Utah State University. She says, even though the movie puts

0:34:51.805 --> 0:34:55.805
<v Speaker 2>the evil fairy in context, it revives similar themes to

0:34:55.845 --> 0:35:00.205
<v Speaker 2>the medieval tales, including sexual assault.

0:35:00.525 --> 0:35:06.645
<v Speaker 1>This entire film is mostly about Malificent and not Sleeping Beauty, right,

0:35:06.725 --> 0:35:09.525
<v Speaker 1>so she sort of fades into the background a little bit,

0:35:10.125 --> 0:35:15.285
<v Speaker 1>but it's all about Maleficent's backstory and the attempt to

0:35:15.405 --> 0:35:22.045
<v Speaker 1>then rehabilitate the villain to enlighten the audience why did

0:35:22.125 --> 0:35:25.525
<v Speaker 1>she even turn evil in the first place. But what's

0:35:25.605 --> 0:35:29.445
<v Speaker 1>interesting to me is that in this version with Angelina Jolie,

0:35:29.925 --> 0:35:33.685
<v Speaker 1>she has these big wings, bat like wings, and we

0:35:33.805 --> 0:35:37.325
<v Speaker 1>have a scene where his name is Stephahn, like she's

0:35:37.325 --> 0:35:40.965
<v Speaker 1>in love with him and he is allegedly in love

0:35:40.965 --> 0:35:45.485
<v Speaker 1>with her, but then he decides to cut off her wings,

0:35:45.765 --> 0:35:50.045
<v Speaker 1>which is metaphoric for rape.

0:35:51.565 --> 0:35:56.005
<v Speaker 2>Another film that explores this plot device is Netflix's Sleeping

0:35:56.085 --> 0:36:00.645
<v Speaker 2>Beauty from twenty eleven. The story is set in contemporary

0:36:00.725 --> 0:36:04.205
<v Speaker 2>times and follows broke college student Lucy, who ends up

0:36:04.245 --> 0:36:07.965
<v Speaker 2>taking a job with Madam Clara. The madam serves tea

0:36:08.005 --> 0:36:10.645
<v Speaker 2>to Lucy that puts her to sleep, while clients are

0:36:10.685 --> 0:36:13.485
<v Speaker 2>allowed to come in and do as they please to

0:36:13.525 --> 0:36:18.965
<v Speaker 2>the girl as long as there's no penetration. As Lucy's

0:36:18.965 --> 0:36:21.845
<v Speaker 2>life begins to spiral, she asks if she can put

0:36:21.845 --> 0:36:24.485
<v Speaker 2>a camera in the room to see what's happening during

0:36:24.525 --> 0:36:29.365
<v Speaker 2>these sessions. The madam refuses, citing the possibility that clients

0:36:29.365 --> 0:36:33.805
<v Speaker 2>would be worried about blackmail, but Lucy secretly installs one anyway.

0:36:34.685 --> 0:36:39.605
<v Speaker 2>Spoiler alert. During the final scene, Lucy's very first client returns.

0:36:40.205 --> 0:36:42.925
<v Speaker 2>This time he drinks the tea with her, but in

0:36:42.965 --> 0:36:47.245
<v Speaker 2>a much larger dose. The next morning, the madam comes

0:36:47.285 --> 0:36:50.165
<v Speaker 2>in to find the man dead, but when she tries

0:36:50.205 --> 0:36:53.965
<v Speaker 2>to wake Lucy and finds her unresponsive, she panics and

0:36:54.045 --> 0:36:57.685
<v Speaker 2>gives Lucy mouth to mouth. Lucy awakens to find the

0:36:57.805 --> 0:37:01.245
<v Speaker 2>naked dead man beside her and screams. The last shot

0:37:01.285 --> 0:37:03.645
<v Speaker 2>is a still from the hidden camera of a sleeping

0:37:03.725 --> 0:37:06.605
<v Speaker 2>Lucy and the dead man lying together in the same bed.

0:37:07.485 --> 0:37:10.645
<v Speaker 2>It's not Truelove's kiss that breaks a curse, but mouth

0:37:10.685 --> 0:37:15.765
<v Speaker 2>to mouth resuscitation that awakens Lucy to a nightmare. The

0:37:15.805 --> 0:37:19.565
<v Speaker 2>film is unsettling at best, but it does raise critical

0:37:19.645 --> 0:37:23.565
<v Speaker 2>questions about the nature of consent. The update does give

0:37:23.645 --> 0:37:26.045
<v Speaker 2>Lucy agency to find a way to make a living,

0:37:26.365 --> 0:37:29.285
<v Speaker 2>but at what cost, because at the end of the day,

0:37:29.485 --> 0:37:35.645
<v Speaker 2>she's still getting drugged. Sleeping Beauty is dark. In most

0:37:35.765 --> 0:37:39.765
<v Speaker 2>versions of the tale, the storyteller removes the woman's ability

0:37:39.805 --> 0:37:43.805
<v Speaker 2>to act in her own interest. She can't speak or

0:37:43.925 --> 0:37:47.685
<v Speaker 2>move to avenge her father's sins. She can't protest as

0:37:47.765 --> 0:37:50.605
<v Speaker 2>men do what they want with her. Then she's alive

0:37:50.645 --> 0:37:53.765
<v Speaker 2>again and grateful to the men that saved her. But

0:37:53.805 --> 0:37:57.805
<v Speaker 2>doctor Schwabe says that's not necessarily the only way to

0:37:57.845 --> 0:37:58.205
<v Speaker 2>read it.

0:38:00.285 --> 0:38:03.405
<v Speaker 1>I also want to mention which is often overlooked. I

0:38:03.445 --> 0:38:08.005
<v Speaker 1>think that, especially Sleeping Beauty, she is also an adventurer,

0:38:08.445 --> 0:38:12.685
<v Speaker 1>so the fact that she is exploring the castle when

0:38:12.845 --> 0:38:15.005
<v Speaker 1>as soon as her parents are gone and she's sort

0:38:15.045 --> 0:38:18.565
<v Speaker 1>of left to her own devices. She is actually quite

0:38:18.605 --> 0:38:22.885
<v Speaker 1>active and she is curious. The only difference is that

0:38:23.125 --> 0:38:29.645
<v Speaker 1>her curiosity is punished, whereas the princess curiosity is rewarded.

0:38:29.845 --> 0:38:33.605
<v Speaker 1>In a sense, she is actually not as passive as

0:38:33.645 --> 0:38:34.485
<v Speaker 1>people might think.

0:38:36.645 --> 0:38:40.125
<v Speaker 2>Author Alex E. Harrow took a different approach to the

0:38:40.165 --> 0:38:44.085
<v Speaker 2>tale and her twenty twenty one book A Spindle Splintered.

0:38:44.965 --> 0:38:47.325
<v Speaker 2>I want to take a moment and say how much

0:38:47.365 --> 0:38:50.365
<v Speaker 2>this book impacted me. It's all I could think about

0:38:50.445 --> 0:38:53.085
<v Speaker 2>for weeks after reading it, and every time I found

0:38:53.085 --> 0:38:56.965
<v Speaker 2>myself getting so sad. I related to the idea of

0:38:57.005 --> 0:39:00.805
<v Speaker 2>feeling stuck, of not having a say in my own life.

0:39:02.605 --> 0:39:05.005
<v Speaker 2>Zinia is a modern day girl who is dying from

0:39:05.045 --> 0:39:08.525
<v Speaker 2>a rare People who have this disease never make it

0:39:08.565 --> 0:39:12.405
<v Speaker 2>past twenty one. She's obsessed with a story Sleeping Beauty

0:39:12.485 --> 0:39:16.485
<v Speaker 2>and compares herself to the princess. Here's a quote. I

0:39:16.605 --> 0:39:20.725
<v Speaker 2>used to see Sleeping Beauty as my wildest, most aspirational fantasy,

0:39:21.285 --> 0:39:25.005
<v Speaker 2>a dying girl who didn't die, a tragedy turned into

0:39:25.085 --> 0:39:29.045
<v Speaker 2>a romance. But suddenly I saw her as my mere reflection,

0:39:29.685 --> 0:39:32.845
<v Speaker 2>a girl with a shitty story, a girl whose choices

0:39:32.965 --> 0:39:37.405
<v Speaker 2>were stolen from her. On Zinia's twenty first birthday, her

0:39:37.445 --> 0:39:39.805
<v Speaker 2>best friend throws her a sleeping beauty party in an

0:39:39.845 --> 0:39:43.885
<v Speaker 2>abandoned tower in their town. Spindle included as a dare.

0:39:44.085 --> 0:39:47.805
<v Speaker 2>Zinina touches a spindle, but when she does, she's transported

0:39:47.845 --> 0:39:51.645
<v Speaker 2>back in time into a sleeping beauty tale. In this story,

0:39:51.685 --> 0:39:57.005
<v Speaker 2>the princess's name is Primrose. Zinnia's arrival interrupts Primrose just

0:39:57.045 --> 0:39:59.045
<v Speaker 2>as she's about to prick her finger on the spindle.

0:39:59.645 --> 0:40:02.965
<v Speaker 2>She convinces Primrose that they can change her fate, so

0:40:03.005 --> 0:40:05.245
<v Speaker 2>the two pack up to find the wicked Fairy and

0:40:05.525 --> 0:40:08.605
<v Speaker 2>ask her to remove the curse. What they find is

0:40:08.645 --> 0:40:12.965
<v Speaker 2>not what they expected. The evil fairy is not evil

0:40:13.005 --> 0:40:16.765
<v Speaker 2>at all. It's Zelandine, the woman who was raped by

0:40:16.805 --> 0:40:21.085
<v Speaker 2>her lover. In this adaptation, Zelandine was taken in by

0:40:21.125 --> 0:40:24.405
<v Speaker 2>the fairies after she woke and learned magic, and ever

0:40:24.485 --> 0:40:28.685
<v Speaker 2>since she's been trying to help women like herself. Zelandine

0:40:28.685 --> 0:40:30.725
<v Speaker 2>tells it too that the point of the curse is

0:40:30.765 --> 0:40:35.245
<v Speaker 2>to save Primrose when she awakens, hopefully it will be

0:40:35.405 --> 0:40:38.245
<v Speaker 2>during a time that Primrose would have more control over

0:40:38.285 --> 0:40:42.685
<v Speaker 2>her life. Also in this version, Primrose is queer and

0:40:42.845 --> 0:40:47.005
<v Speaker 2>doesn't want to marry the prince. Zelandine tells them she

0:40:47.165 --> 0:40:50.885
<v Speaker 2>can't remove the curse. Primrose and Zinia returned to the

0:40:50.965 --> 0:40:55.045
<v Speaker 2>castle as night falls, and Primrose falls under the spell

0:40:55.125 --> 0:40:59.125
<v Speaker 2>that leads her to the spindle. Zenia follows, hoping she

0:40:59.205 --> 0:41:02.125
<v Speaker 2>can get back home to her time, but the two

0:41:02.245 --> 0:41:05.325
<v Speaker 2>are intercepted by the King's guards and Zenia is thrown

0:41:05.365 --> 0:41:10.405
<v Speaker 2>in jail. In another twist, Zinia falls asleep and travels

0:41:10.445 --> 0:41:13.285
<v Speaker 2>through the other versions of Sleeping Beauty, calling for help.

0:41:13.805 --> 0:41:16.005
<v Speaker 2>Her call is answered by her best friend and two

0:41:16.005 --> 0:41:22.285
<v Speaker 2>other women, one being Brunehild. The group successfully interrupts Primrose's

0:41:22.285 --> 0:41:25.525
<v Speaker 2>marriage to the prince, but as the running away, it

0:41:25.645 --> 0:41:29.445
<v Speaker 2>seems time has run out for Zenia and she passes out.

0:41:29.725 --> 0:41:33.645
<v Speaker 2>But this is still a fairy tale. Zinia awakens in

0:41:33.685 --> 0:41:36.845
<v Speaker 2>a hospital room. Her best friend is there. In surprise,

0:41:37.165 --> 0:41:41.205
<v Speaker 2>so is Primrose. Turns out, Zinia's best friend is primroses

0:41:41.405 --> 0:41:45.685
<v Speaker 2>Nidas and shining Armor. And as for Zinnia's disease, it's

0:41:45.725 --> 0:41:48.845
<v Speaker 2>still there, but all the blockage that had been building

0:41:48.885 --> 0:41:52.405
<v Speaker 2>for twenty one years is gone. Zinia is still on

0:41:52.565 --> 0:41:55.885
<v Speaker 2>borrow time, but it's a chance to do things differently.

0:41:56.645 --> 0:41:59.565
<v Speaker 2>It's a story of hope, of righting wrongs, and a

0:41:59.685 --> 0:42:03.565
<v Speaker 2>chance for Sleeping Beauty to take charge of her own destiny.

0:42:03.645 --> 0:42:07.205
<v Speaker 2>It's the closest to a true happy ending I've run across.

0:42:09.965 --> 0:42:12.805
<v Speaker 2>Sleeping Beauty reminds us how far we've come in terms

0:42:12.805 --> 0:42:17.205
<v Speaker 2>of women's agency. Minus the blatantly wrong rape troop. Women

0:42:17.245 --> 0:42:19.445
<v Speaker 2>were meant to be passive and to rely on men

0:42:19.565 --> 0:42:23.445
<v Speaker 2>for everything. They were also meant to be thankful, regardless

0:42:23.445 --> 0:42:26.685
<v Speaker 2>if they were thinking those who hurt them. But we're

0:42:26.685 --> 0:42:29.845
<v Speaker 2>starting to see modern Sleeping Beauty tales with the princess

0:42:29.885 --> 0:42:33.565
<v Speaker 2>defying the role she's meant to play. She has agency,

0:42:33.925 --> 0:42:37.045
<v Speaker 2>and she uses that agency to take fate into her

0:42:37.045 --> 0:42:41.125
<v Speaker 2>own hands, with or without a prince, and the idea

0:42:41.285 --> 0:42:45.885
<v Speaker 2>of having control over one's fate. Well, that's something everybody

0:42:45.925 --> 0:42:53.885
<v Speaker 2>can relate to. Next time, tall towers are made to

0:42:53.885 --> 0:43:00.765
<v Speaker 2>be climbed with golden hair. The Deep Dark Woods is

0:43:00.765 --> 0:43:04.525
<v Speaker 2>a production of School of Humans and iHeart Podcasts. It

0:43:04.605 --> 0:43:09.045
<v Speaker 2>was created, written, and hosted by me Miranda Hawkins. This

0:43:09.125 --> 0:43:13.365
<v Speaker 2>episode was produced by mikel. June was senior producer Gabby Watts.

0:43:13.925 --> 0:43:18.725
<v Speaker 2>Executive producers are Virginia Prescott, Brandon Barr, Elsie Crowley, and

0:43:18.805 --> 0:43:23.565
<v Speaker 2>Maya Howard. Stories were voiced by Julia Christgau. Theme song

0:43:23.685 --> 0:43:27.805
<v Speaker 2>was composed by Jesse Niswanger. This episode was sound designed

0:43:27.845 --> 0:43:31.325
<v Speaker 2>and mixed by Chris Childs. If you enjoyed the show,

0:43:31.565 --> 0:43:34.685
<v Speaker 2>please leave a review and you can follow along with

0:43:34.765 --> 0:43:44.565
<v Speaker 2>the show on Instagram at School of Humans.