WEBVTT - Gabriels

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<v Speaker 1>Pushkin. Today we're featuring one of the most thrilling new

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<v Speaker 1>groups and contemporary soul music, Gabriel's and Lucky for Us.

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<v Speaker 1>They performed three songs, one of which is still unreleased

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<v Speaker 1>live for Broken Record. The recordings were done in Austin

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<v Speaker 1>a few months ago while they were there opening for

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<v Speaker 1>Harry Styles and playing Austin City limits. Gabriel's consists of

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<v Speaker 1>three very distinct pillars of talent. Lead singer Jacob Lusk,

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<v Speaker 1>who was raised in comptoncing in gospel and went to

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<v Speaker 1>high school with Kendrick Lamar, keyboardist and producer Ryan Hope,

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<v Speaker 1>who grew up a lover of dance music in his

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<v Speaker 1>native UK, and Los Angeles native Ari Belusian, who serves

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<v Speaker 1>as Gabriel's in house composer and violinist. Gabriel's origin story

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<v Speaker 1>is as unconventional as their diverse musical backgrounds. In twenty sixteen,

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<v Speaker 1>Ryan Hope and Ari Blusian were hired to direct and

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<v Speaker 1>score a commercial with a gospel choir. After hearing the

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<v Speaker 1>choir director Jacob Blusk sing, a light went off for

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<v Speaker 1>the both of them. Over the course of the next

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<v Speaker 1>couple of years, the trio started to record him released

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<v Speaker 1>songs independently until twenty twenty one, when their music caught

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<v Speaker 1>fire online. Sir Elton John himself said their debut EP

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<v Speaker 1>was one of the most seminal records he's heard in

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<v Speaker 1>the last ten years. On today's episode, Rick Rubin sits

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<v Speaker 1>down with Gabriel's to hear how they were able to

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<v Speaker 1>create a working environment that allowed space for vulnerability and

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<v Speaker 1>musical exploration, and Jacob Blusk tells a harrowing story about

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<v Speaker 1>getting lost in the La County jail system in an

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<v Speaker 1>effort to clear his name so he could appear in

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<v Speaker 1>the finale of American Idol. This is broken record liner

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<v Speaker 1>notes for the digital Age. I'm justin Richard. Before we

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<v Speaker 1>hear Rick's interview with Gabriels, let's listen to them perform

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<v Speaker 1>their upcoming new single Offering, recorded live at Arlan Studio

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<v Speaker 1>and as in Texas. I don't want your love him

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<v Speaker 1>one no more. I want to sacrifice. I've shown him

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<v Speaker 1>proof down. I paid my does. Don't let you can

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<v Speaker 1>at tire Mama, Hein raised, no fool. I know, yeah,

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<v Speaker 1>you call the mocking bird right. My daughter told me

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<v Speaker 1>a thing a cool You're bad. I hain't my advice?

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<v Speaker 1>Show me this stingers man to me what he and something?

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<v Speaker 1>Man don't want you harm one more? I need more time.

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<v Speaker 1>You pick a bit. Damn it? Even your MoMA shap

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<v Speaker 1>wasn't I walk on woking glass? Damness? Show man? She

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<v Speaker 1>can't eve the shirt off my back to the fire. God,

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<v Speaker 1>damn it. I'm tired. Why can't shoot? Just give me?

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<v Speaker 1>Show me this thing was made to me? Whatever you

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<v Speaker 1>need to me? Something I can't leave without show all

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<v Speaker 1>of my dime. It's the true I watch the other

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<v Speaker 1>shot makes some good away a bad turn Jay looking

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<v Speaker 1>back as a start, but she can't do rag behind

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<v Speaker 1>some show me distinguishment to me, give me, tell me

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<v Speaker 1>I shouldn't it's me? Give me something whatever mention. Once again,

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<v Speaker 1>that was offering off Gabriel's debut album, Angels and Queen's

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<v Speaker 1>Part Two, recorded in one take at Arlan Studios in Austin, Texas.

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<v Speaker 1>And now here's Rick Rubin with Jacob Lusk, Ryan Hope

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<v Speaker 1>and r Belusian. First of all, why are you guys

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<v Speaker 1>in Texas? We opened for Harry Styles? How was that?

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<v Speaker 1>And how had that come to pass? Sha? I don't

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<v Speaker 1>even know now I say that he asked for us

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<v Speaker 1>to open for him. So he has a lot of

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<v Speaker 1>different people opening for him. So I was told that

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<v Speaker 1>he asks for us to open for him, Like he

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<v Speaker 1>was the one who made that happen. I don't know,

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<v Speaker 1>but it happened, and it was marvelous. He's actually a

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<v Speaker 1>really nice guy. Yes black, he's genuine, Yes he is.

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<v Speaker 1>I said, oh, this is what Alam Girls is going.

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<v Speaker 1>Graze absolutely was that first like really big gig. That's

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<v Speaker 1>where we did glass Glus where it wasn't it was

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<v Speaker 1>ten thousand. It was outside a little different. So we

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<v Speaker 1>did Elton John earlier this year, but it wasn't like

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<v Speaker 1>it was different. Elton John happened. He found out our AP.

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<v Speaker 1>I don't even know how he got it. We found

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<v Speaker 1>our AP and he basically he asked us to on

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<v Speaker 1>his Apple Music show. And this was before labels and everything.

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<v Speaker 1>This was when we yeah, we self released it with

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<v Speaker 1>like we put vinyl out ari and I you know,

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<v Speaker 1>we release our own records and soundtracks, sorry soundtracks. Some

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<v Speaker 1>kind of even was out on our label a Prayoser

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<v Speaker 1>because we have a production company called the Prayerser that

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<v Speaker 1>we released vinyl flu as well. It's just it's a

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<v Speaker 1>backyard operation, but it's a studio that R and I

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<v Speaker 1>worked through doing scoring and production, film production and stuff,

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<v Speaker 1>and it's it's awesome. The people that we work with,

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<v Speaker 1>you know, to like a boutique job, but they're putting

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<v Speaker 1>the vinyl out is very backyard operation. That's just something

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<v Speaker 1>we digs. We love to do it, like fucking put

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<v Speaker 1>it out. We put out vinyl. And then Elton John

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<v Speaker 1>some got old of it and he puts on his

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<v Speaker 1>app with Music Show and then he just yeah, he

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<v Speaker 1>said really nice things. He called the ape the most

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<v Speaker 1>seminar apa in the last ten years, incredible and he

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<v Speaker 1>listens to everything, so he knows, I'll tell you, he

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<v Speaker 1>listens to every everything. It's crazy great taste. Yeah, I

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<v Speaker 1>mean it was a big moment for us that really

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<v Speaker 1>kind of like put it to have that happened when

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<v Speaker 1>of course, you know, from something were just released, because

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<v Speaker 1>that was really the three of us just releasing our music.

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<v Speaker 1>It's like it never gets old when someone that do

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<v Speaker 1>you think makes great things like something you do, it

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<v Speaker 1>never gets Yeah, it's a great feeling. Yeah, yeah, exactly.

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<v Speaker 1>It just it was like, honestly, it was really just

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<v Speaker 1>I don't know, you know, the whole thing of like

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<v Speaker 1>the Blue getting on the radio. It seems like everything

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<v Speaker 1>so moved away from that. It's more streaming, it's more

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<v Speaker 1>like social media bullshit. When we signed out a record deal,

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<v Speaker 1>there wasn't one single photograph of the three of us.

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<v Speaker 1>Amazing in the same fucking real amazing. I think when

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<v Speaker 1>we signed the deal, I remember the masking for a

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<v Speaker 1>picture of us, and none of none of had a photograph.

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<v Speaker 1>We've known each other for years, living, none none of

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<v Speaker 1>us had a picture on our phones or anything. So

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<v Speaker 1>since the club show to playing with Harry Styles the

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<v Speaker 1>other night, have you guys done loads of shows or

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<v Speaker 1>a few shows? Maybe like thirty forty I'm not even

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<v Speaker 1>probably not that many. And where would you have played

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<v Speaker 1>Royal Albert Hall? Well we didn't. That haven't count all.

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<v Speaker 1>That was an hour show. I see. It was for

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<v Speaker 1>Letters Live, Letters Live one song. It was really cool, amazing,

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<v Speaker 1>it was incredible. You know, I know about you guys

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<v Speaker 1>tangentially because of Jamie who does Letters Live. Now? Is

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<v Speaker 1>that so Amy Sullivan is a friend of mine. I

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<v Speaker 1>think she works with Jamie and she was telling me

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<v Speaker 1>about your book. Yeah, is that Jamie is is that

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<v Speaker 1>who you did the book? Yes, Caningate is the publisher

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<v Speaker 1>who was publishing in the book in the UK. And

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<v Speaker 1>I was in London doing book related stuff right and

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<v Speaker 1>Jamie said, up this lunch at a place called Cocos,

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<v Speaker 1>which is a club, and I believe it was the

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<v Speaker 1>person from Cocos who said you might want to check

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<v Speaker 1>out this. I think you might like this. Nick shut out,

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<v Speaker 1>And that was just maybe three weeks ago. Wow, that's

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<v Speaker 1>three weeks ago. It's like, I feel like you might

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<v Speaker 1>like this. That's my guy. I'm driving. I'm driving in

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<v Speaker 1>the car and I put it on and he recommended

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<v Speaker 1>which what to start with and it comes on. I'm thinking, like,

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<v Speaker 1>I think it's a mistake because this sounds like this

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<v Speaker 1>maybe this is an old record, you know, like this

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<v Speaker 1>is something that came out in the sixties or seventies,

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<v Speaker 1>Like this is an old record. And then I look

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<v Speaker 1>and I look at the date twenty one. It's like,

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<v Speaker 1>is it a sample? It's like what already playing the drums,

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<v Speaker 1>already playing the case. I couldn't figure out what it was.

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<v Speaker 1>But it also it didn't sound retro. It just sound

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<v Speaker 1>und it like it was from another time. Yeah, it

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<v Speaker 1>didn't sound like it was trying to sound like another

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<v Speaker 1>It just sounded like what is this? And then it's

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<v Speaker 1>like I couldn't figure it out what it was that

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<v Speaker 1>that was the beginning of the Experienced. And then I

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<v Speaker 1>sent that to my friend Justin who yeah we met here, Yeah, yeah,

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<v Speaker 1>who does the podcast. I just said, what's up with

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<v Speaker 1>these guys? And he's like, believe it or not, they're

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<v Speaker 1>gonna be in Texas. When you're going to be there,

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<v Speaker 1>it's like, okay, get the fuck out. Meant to be.

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<v Speaker 1>But honestly, because you know, like yeah, you're he'd been

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<v Speaker 1>a huge inspiration for us, like particularly for like Ari

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<v Speaker 1>and I, you know, it produces. It's kind of like

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<v Speaker 1>this thing where we were like, whoa, we're doing this

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<v Speaker 1>right now. But to hear how it came around, it's

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<v Speaker 1>just crazy. It's sexual conversation. Put it on just like

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<v Speaker 1>I want to know more. And I still I didn't

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<v Speaker 1>even know is it a group? Yeah? I thought Gabriel's

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<v Speaker 1>maybe it's like brothers and sisters. Yeah, you know, maybe

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<v Speaker 1>it's a family. I had no idea of that family idea. Also,

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<v Speaker 1>because it was harmony, it's like, oh, maybe it's like

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<v Speaker 1>a family that sings together. Amazing. That's why it sounds

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<v Speaker 1>so no, no, no, that's why it sounds familiar because

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<v Speaker 1>it's your voice. But you know how when brothers and

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<v Speaker 1>sisters sing together, it's like there's a blend that doesn't

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<v Speaker 1>happen when it's just random people. Yeah. Yeah, And I'm

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<v Speaker 1>a little weird. I've done a lot of studio sessions,

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<v Speaker 1>so I like trying to tweak my voice sometimes and

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<v Speaker 1>I do the harmonies and stuff. It's great. Weird, but

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<v Speaker 1>it's great. Wow, that's a crazy story. Yeah, amazing, Yeah,

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<v Speaker 1>I come, yeah so wild. We'd love to play some

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<v Speaker 1>songs for play some song. Let's play some songs. Shock,

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<v Speaker 1>gosh time, Oh you come Shore Fi all the sun

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<v Speaker 1>It's bad, but not for me. Don't bring the truth

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<v Speaker 1>to the shame. I ken that shit show good a

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<v Speaker 1>pump me to my knees about all the good and

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<v Speaker 1>love and the WoT shavement. Cobley, all the eye, bring Coble,

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<v Speaker 1>all running in my van. Dobble. I can't escape you, Dobble.

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<v Speaker 1>I've asted eye all times, had people changed the same?

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<v Speaker 1>We go dance, You'll be k me robid and everybody

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<v Speaker 1>knows I must be sinking a head down. Fuck, I

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<v Speaker 1>can't let you ship so sweet down sugar cane, gut

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<v Speaker 1>me on my knees. But it's no way. I'm right

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<v Speaker 1>only running in my vag candescape stit alright, another da

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<v Speaker 1>old as time, Another four lost his mind. That was

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<v Speaker 1>Gabriel's performing Taboo Live. We'll be right back with more

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<v Speaker 1>from their conversation with Rick Rubin after a break, We're

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<v Speaker 1>back with more of Rick Rubin and Gabriel's. So how

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<v Speaker 1>did this project come to be? I was in college

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<v Speaker 1>and at UCLA and from originally Los Angeles, the Valley,

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<v Speaker 1>and I kind of stopped doing music in college. I

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<v Speaker 1>was like classically trained on the viola or whatever, so

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<v Speaker 1>I was kind of playing in orchestras and stuff. But

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<v Speaker 1>then I lost interest in like being a professional musician whatever.

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<v Speaker 1>So I was studying like linguistics and stuff, and then

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<v Speaker 1>I just started getting into working on my friends, like

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<v Speaker 1>short films and stuff like that. So I did one

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<v Speaker 1>thing with someone who was an intern at the company.

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<v Speaker 1>Ryan was signed to as a commercial music video director.

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<v Speaker 1>I should say still I'm sign at the moment, so

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<v Speaker 1>let's just get back. But yeah, it was kind of

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<v Speaker 1>like a string quartet, church hymn kind of thing that

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<v Speaker 1>was done to this kind of practical effects little film

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<v Speaker 1>my friend had made. So then yeah, it was amazing.

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<v Speaker 1>I mean I heard it. That's kind of how I

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<v Speaker 1>read out to him because I was just that. It

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<v Speaker 1>was my first week actually moving to la I used

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<v Speaker 1>to from Sunderland and the northeast of England originally and

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<v Speaker 1>then via London. I got approached by Roman Coppler's company

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<v Speaker 1>to move over and I was directing a video for

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<v Speaker 1>Farrell and two Chains actually some music films. My background

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<v Speaker 1>and all about backgrounds. Really as are he says with

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<v Speaker 1>their researcher. Actually he was like putting together the treatment

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<v Speaker 1>for the job and I heard Ari's music because I

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<v Speaker 1>loved it. Really that was about ten years ago now,

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<v Speaker 1>And next thing I knew, I was in Ari's apartment

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<v Speaker 1>and his apartment was tiny, it was fifty percent bed

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<v Speaker 1>and then he had two Timpanies in there and didn't

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<v Speaker 1>have the Internet. And immediately was like, this is my guy,

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<v Speaker 1>you know, seeing I was like, anybody who's just shipped

0:16:50.436 --> 0:16:53.196
<v Speaker 1>two Timpanies from Detroit to take up fifty percent of

0:16:53.276 --> 0:16:57.156
<v Speaker 1>your apartment, I'm down with. So anywhere we basically became

0:16:57.196 --> 0:16:59.956
<v Speaker 1>really good friends and we were He cooked me up

0:16:59.956 --> 0:17:03.196
<v Speaker 1>with the studio in North Hollywood. We were making music

0:17:03.276 --> 0:17:06.876
<v Speaker 1>together for years for film and we were making films

0:17:06.916 --> 0:17:09.916
<v Speaker 1>together as well. And that's how you met Jacob, who

0:17:09.956 --> 0:17:11.996
<v Speaker 1>came into a custing for a job that I was doing.

0:17:12.436 --> 0:17:14.516
<v Speaker 1>And they were the fourth choir who him in. He

0:17:14.596 --> 0:17:17.996
<v Speaker 1>was a choir director and I basically just I mean,

0:17:18.076 --> 0:17:22.876
<v Speaker 1>it doesn't take a science. So they have very guerrilla tactics.

0:17:23.556 --> 0:17:27.436
<v Speaker 1>So they booked the choir. I auditions really stressed me out.

0:17:27.596 --> 0:17:29.556
<v Speaker 1>My aunt was like, well, Jacob, can you take the

0:17:29.676 --> 0:17:31.716
<v Speaker 1>church choir? And I was just like, yeah, I'm not

0:17:31.836 --> 0:17:33.436
<v Speaker 1>really want to audition and do all that, Like I

0:17:33.436 --> 0:17:36.036
<v Speaker 1>don't want to go through that. So she talked really

0:17:36.116 --> 0:17:38.836
<v Speaker 1>bad about me. So I ended up doing it anyway,

0:17:39.116 --> 0:17:40.756
<v Speaker 1>Like who do you think you are? You think you're hot? Shit?

0:17:40.956 --> 0:17:43.756
<v Speaker 1>Huh fuck you? So I did it. And they how

0:17:43.756 --> 0:17:47.756
<v Speaker 1>many were in the choir? Fifteen maybe yeah, twelve maybe

0:17:47.756 --> 0:17:49.956
<v Speaker 1>it's yeah. And it was the church choir. So these

0:17:49.996 --> 0:17:52.436
<v Speaker 1>are like the pastor was in the choir. These are

0:17:52.476 --> 0:17:56.236
<v Speaker 1>like normal everyday working class They weren't like professional singers,

0:17:56.836 --> 0:17:58.796
<v Speaker 1>and so they booked them. I think they booked them

0:17:58.876 --> 0:18:01.876
<v Speaker 1>because of the energy and the vibe. They could sing too,

0:18:02.036 --> 0:18:04.076
<v Speaker 1>but we're like a family church. Everyone was really close

0:18:05.116 --> 0:18:08.636
<v Speaker 1>in Lamurt Park, like Crenshaw area. So they booked the

0:18:08.716 --> 0:18:11.916
<v Speaker 1>choir and then they went to Ari's studio. I didn't

0:18:11.916 --> 0:18:14.236
<v Speaker 1>go because I was like, I'm not going. Y'all can

0:18:14.316 --> 0:18:17.876
<v Speaker 1>go so that Sunday and true Ryan is the kind

0:18:17.916 --> 0:18:20.156
<v Speaker 1>of person and Ari too. If they want to get

0:18:20.196 --> 0:18:21.716
<v Speaker 1>it done, they're gonna get it done. But it was

0:18:21.716 --> 0:18:26.396
<v Speaker 1>always idea. He was like, I was just kind of

0:18:26.596 --> 0:18:29.836
<v Speaker 1>like I was so involved up. It was always idea,

0:18:29.876 --> 0:18:32.916
<v Speaker 1>which was a pretty divided in Did you already know

0:18:33.316 --> 0:18:35.716
<v Speaker 1>in your minds it's a group or no, not at all.

0:18:36.356 --> 0:18:38.316
<v Speaker 1>I know this is a long story. I still not

0:18:38.436 --> 0:18:41.876
<v Speaker 1>sure it is. So they come to the church and

0:18:41.916 --> 0:18:43.636
<v Speaker 1>when I get out of church, they have set up

0:18:43.676 --> 0:18:46.956
<v Speaker 1>a remote studio in the choir room. Now at this

0:18:47.076 --> 0:18:49.196
<v Speaker 1>point they hadn't heard me sing, but I think the

0:18:49.236 --> 0:18:51.076
<v Speaker 1>people in the choir were like, oh, Jacob is the

0:18:51.156 --> 0:18:53.636
<v Speaker 1>guy who do sings and does all this. We just

0:18:53.756 --> 0:18:55.316
<v Speaker 1>do what he tells us to do. No, we saw

0:18:55.396 --> 0:18:58.036
<v Speaker 1>you sing in the church service. Oh you did? Okay?

0:18:58.316 --> 0:19:01.316
<v Speaker 1>Afterwards that if he tried to it with most Like

0:19:01.676 --> 0:19:04.876
<v Speaker 1>he literally just was like this was at the early stages,

0:19:05.116 --> 0:19:07.556
<v Speaker 1>and this this wasn't even just trying to like be

0:19:07.636 --> 0:19:09.076
<v Speaker 1>a group or anything. We were just trying to get

0:19:09.156 --> 0:19:12.636
<v Speaker 1>the job were j It just became really clear at

0:19:12.676 --> 0:19:15.316
<v Speaker 1>a certain point where Jacob was direct, he knew all

0:19:15.356 --> 0:19:17.716
<v Speaker 1>the parts, you know, he could arrange the whole choir,

0:19:17.836 --> 0:19:20.236
<v Speaker 1>and he was leading everybody, and the job was still

0:19:20.996 --> 0:19:24.516
<v Speaker 1>a piece of music for a movie. That's kind of

0:19:24.596 --> 0:19:26.116
<v Speaker 1>like that we started there. So it was like this

0:19:26.236 --> 0:19:29.036
<v Speaker 1>thing where we ended up getting to really good friends

0:19:29.116 --> 0:19:31.436
<v Speaker 1>went in the process and we were just sort of

0:19:31.516 --> 0:19:33.676
<v Speaker 1>like mating up at either are his place or my

0:19:33.796 --> 0:19:36.956
<v Speaker 1>place out in the desert, and these guys would come

0:19:36.996 --> 0:19:39.596
<v Speaker 1>out and stay and we were honestly just making music,

0:19:39.996 --> 0:19:42.756
<v Speaker 1>really failing our way of how to make songs. And

0:19:42.876 --> 0:19:44.876
<v Speaker 1>there was something where like I can think speak on

0:19:44.956 --> 0:19:46.916
<v Speaker 1>be off the three of us that when we left

0:19:46.996 --> 0:19:49.636
<v Speaker 1>these times when we like would come together hang out

0:19:49.636 --> 0:19:51.196
<v Speaker 1>for a few minutes, I mean, these guys stay at

0:19:51.236 --> 0:19:53.076
<v Speaker 1>my house, and it was like all of a sudden,

0:19:53.116 --> 0:19:55.516
<v Speaker 1>like Jake was like this guy's like were stay in

0:19:55.596 --> 0:20:00.396
<v Speaker 1>his house, Like Yeah, Jacob to this day never really

0:20:00.436 --> 0:20:02.596
<v Speaker 1>he never he never stays out anywhere. He's like he's

0:20:02.676 --> 0:20:06.356
<v Speaker 1>really a little bit. But he really didn't. He didn't

0:20:06.436 --> 0:20:08.796
<v Speaker 1>let us know that that he was like honestly, it

0:20:08.876 --> 0:20:13.476
<v Speaker 1>was just something internally was like crazy, actually see this out. Yeah,

0:20:13.596 --> 0:20:16.316
<v Speaker 1>And we just were making music for fun, and we

0:20:16.356 --> 0:20:18.236
<v Speaker 1>would stay for like a week, and we were just

0:20:18.436 --> 0:20:21.276
<v Speaker 1>really slow process. Maybe stay for a week, maybe get

0:20:21.396 --> 0:20:24.236
<v Speaker 1>like one or two songs, like little ideas, and we

0:20:24.316 --> 0:20:26.996
<v Speaker 1>were kind of seeing where we all, this is happening

0:20:27.036 --> 0:20:30.116
<v Speaker 1>in La or was this happening I was happening in

0:20:30.156 --> 0:20:32.356
<v Speaker 1>the desert at the time, because I moved out there

0:20:32.396 --> 0:20:34.996
<v Speaker 1>to write the film with somebody who key would coop

0:20:35.036 --> 0:20:36.996
<v Speaker 1>came to live with me for a year. So these

0:20:37.036 --> 0:20:40.636
<v Speaker 1>guys would come in week one. So everybody lives in California, now, yeah,

0:20:40.876 --> 0:20:44.796
<v Speaker 1>well I'm half of I live in LA but it's

0:20:44.796 --> 0:20:46.996
<v Speaker 1>spent a lot of time in the UK. I see yeah,

0:20:47.156 --> 0:20:49.316
<v Speaker 1>I see yeah. And I live up in Pinion Crest,

0:20:49.396 --> 0:20:51.236
<v Speaker 1>up in the mountains and just got a place out there,

0:20:51.236 --> 0:20:54.436
<v Speaker 1>and then Ari's in Burbank. And then as we started

0:20:54.556 --> 0:20:56.956
<v Speaker 1>when we did Loyalty, that was the first song we

0:20:57.036 --> 0:20:59.876
<v Speaker 1>actually really finished. Was for a proud of commercial that

0:21:00.076 --> 0:21:02.996
<v Speaker 1>R and I were working on, and we did the

0:21:03.276 --> 0:21:06.876
<v Speaker 1>song basically for the commercial and then the song was

0:21:06.956 --> 0:21:10.116
<v Speaker 1>just strong. All these people were like hit so just like, oh,

0:21:10.156 --> 0:21:11.756
<v Speaker 1>you've got any more material and we're like yeah, and

0:21:11.796 --> 0:21:13.396
<v Speaker 1>we had fuck all you know what I mean? We

0:21:14.316 --> 0:21:20.916
<v Speaker 1>because that twenty eight thing. Yeah, yeah, and that was

0:21:20.956 --> 0:21:22.516
<v Speaker 1>the first thing that felt like we were like, oh

0:21:22.596 --> 0:21:24.716
<v Speaker 1>we have us this is a song, you know. And

0:21:24.836 --> 0:21:27.276
<v Speaker 1>it was strange because we actually wrote the length of

0:21:27.316 --> 0:21:30.356
<v Speaker 1>a whole song or was it just sixty second and

0:21:30.436 --> 0:21:33.076
<v Speaker 1>then we were like add an extra verse and it

0:21:33.796 --> 0:21:35.916
<v Speaker 1>back and yeah, and then we made it a complete

0:21:36.116 --> 0:21:38.196
<v Speaker 1>and then it ended up on Radio one in the UK,

0:21:38.636 --> 0:21:40.436
<v Speaker 1>like and we had it was or there were any

0:21:40.476 --> 0:21:43.356
<v Speaker 1>other songs nothing. Yeah. What was funny was we wrote

0:21:43.396 --> 0:21:46.156
<v Speaker 1>the lyrics based on what the little short film was

0:21:46.196 --> 0:21:49.116
<v Speaker 1>about in a weird way, so it just gave immediate

0:21:49.236 --> 0:21:51.876
<v Speaker 1>content to write about in this way, which is very

0:21:51.956 --> 0:21:54.156
<v Speaker 1>much the style of what we've developed. Right. It's like

0:21:54.236 --> 0:21:56.996
<v Speaker 1>it started like it's like that, but really like even

0:21:57.156 --> 0:21:59.516
<v Speaker 1>we just did the Taboos, our most recent song right

0:21:59.596 --> 0:22:02.156
<v Speaker 1>like that we wrote Yeah, we we literally wrote that

0:22:02.316 --> 0:22:04.156
<v Speaker 1>third song. We just played that. We wrote that like

0:22:04.236 --> 0:22:07.716
<v Speaker 1>eight weeks ago. Oh yeah, seven weeks ago. But but

0:22:07.836 --> 0:22:10.836
<v Speaker 1>our writing vibe is it's very cinematic and that we

0:22:11.356 --> 0:22:13.356
<v Speaker 1>and I've done some acting in some theater and stuff.

0:22:13.676 --> 0:22:16.076
<v Speaker 1>We literally in TV and film whatever, but we literally

0:22:16.116 --> 0:22:18.396
<v Speaker 1>sit ourselves in the room of whatever it is, What

0:22:18.476 --> 0:22:20.636
<v Speaker 1>does it smell like, what does it feel like? And

0:22:20.836 --> 0:22:24.716
<v Speaker 1>once we get that clear, the songs just like the

0:22:24.876 --> 0:22:26.756
<v Speaker 1>thing what's been like the thing that's been a real

0:22:26.836 --> 0:22:29.316
<v Speaker 1>cutlast that we've been wrangling with is like that's been

0:22:29.436 --> 0:22:31.716
<v Speaker 1>the thing that we've done from get go. I mean,

0:22:31.756 --> 0:22:33.676
<v Speaker 1>I met Ari is like a composer. You know, he

0:22:33.796 --> 0:22:36.396
<v Speaker 1>was composing films when I met him, and it's like

0:22:36.516 --> 0:22:38.956
<v Speaker 1>this thing where the three of us about this film thing.

0:22:39.076 --> 0:22:42.196
<v Speaker 1>But we've kind of been through this process where that

0:22:42.396 --> 0:22:47.036
<v Speaker 1>just yeah to technique for writing lyrics. But what's the point, right,

0:22:47.076 --> 0:22:49.876
<v Speaker 1>It's kind of like something we've been development of getting

0:22:50.156 --> 0:22:53.396
<v Speaker 1>the heart into that from a personal angle is what

0:22:53.636 --> 0:22:55.516
<v Speaker 1>we've been working on. And in order to do that,

0:22:55.716 --> 0:22:58.156
<v Speaker 1>you kind of need to trust each other. And I

0:22:58.236 --> 0:23:00.116
<v Speaker 1>think like the thing we've learned the most is like

0:23:00.196 --> 0:23:03.236
<v Speaker 1>trust is the gear keeper of the real thing, and

0:23:03.796 --> 0:23:05.236
<v Speaker 1>you have to know each other for a long time.

0:23:05.316 --> 0:23:07.356
<v Speaker 1>When you create it from people from around the world,

0:23:07.876 --> 0:23:10.836
<v Speaker 1>different stuff. And that's kind of when the magic really

0:23:10.876 --> 0:23:14.116
<v Speaker 1>started coming in, when it was actually that rather than

0:23:14.436 --> 0:23:17.316
<v Speaker 1>just writing film stuff. Yeah, and it was just us

0:23:17.476 --> 0:23:21.716
<v Speaker 1>coming as very different people disagreeing on things, you know,

0:23:21.876 --> 0:23:24.876
<v Speaker 1>like how we live our lives, how we see the world,

0:23:25.076 --> 0:23:29.236
<v Speaker 1>but we can agree to disagree and also where we

0:23:29.436 --> 0:23:32.156
<v Speaker 1>kind of come in the center and becomes what it is.

0:23:32.156 --> 0:23:35.596
<v Speaker 1>It's like fifty teach and learning thing, you know, where

0:23:35.596 --> 0:23:38.316
<v Speaker 1>it feels great. Yeah. Likewise, it's like this thing where

0:23:38.796 --> 0:23:41.396
<v Speaker 1>you know, somebody once said to me once that that's

0:23:41.436 --> 0:23:43.756
<v Speaker 1>the definition of joy, beauty and happiness is when an

0:23:43.836 --> 0:23:47.116
<v Speaker 1>energy fails in fifty fifty balance with any other energy failed,

0:23:47.276 --> 0:23:50.436
<v Speaker 1>it's when the experience of joy, beauty or happiness occurs.

0:23:50.716 --> 0:23:53.956
<v Speaker 1>And that is like teaching and learning becoming the same thing,

0:23:54.276 --> 0:23:56.756
<v Speaker 1>by the way, and like that's what I really truly

0:23:56.836 --> 0:23:59.036
<v Speaker 1>believe that, Like the songs that we have that are

0:23:59.476 --> 0:24:02.956
<v Speaker 1>the good ones come out of that. Yeah, beautiful, when

0:24:03.036 --> 0:24:04.636
<v Speaker 1>did you start singing in church? How old were you?

0:24:05.116 --> 0:24:07.836
<v Speaker 1>So here's the thing, I really wasn't that good. I

0:24:07.996 --> 0:24:12.276
<v Speaker 1>was younger. Yeah, I could just be honest. Were you

0:24:12.396 --> 0:24:13.916
<v Speaker 1>in the choir when you were young or no. I

0:24:13.996 --> 0:24:16.036
<v Speaker 1>wasn't allowed to get into the choir until I was

0:24:16.156 --> 0:24:18.116
<v Speaker 1>like ten or eleven because you have to like be

0:24:18.196 --> 0:24:20.036
<v Speaker 1>filled with the holy ghosts and stuff. It's this whole thing.

0:24:21.036 --> 0:24:23.556
<v Speaker 1>And then when I got in the choir, I was

0:24:23.836 --> 0:24:27.436
<v Speaker 1>loud and I had all this stuff, but I didn't

0:24:27.436 --> 0:24:29.356
<v Speaker 1>know what to do with it. And the church I

0:24:29.476 --> 0:24:31.916
<v Speaker 1>grew up in the pastor sons were kind of famous musicians,

0:24:31.996 --> 0:24:35.516
<v Speaker 1>so we had like all these amazing singers and musicians

0:24:35.556 --> 0:24:39.436
<v Speaker 1>and stuff, so there wasn't really space for this kid

0:24:39.596 --> 0:24:42.476
<v Speaker 1>who's a mess, and not in a negative way. It

0:24:42.596 --> 0:24:45.356
<v Speaker 1>just I just didn't know what I was doing. It's

0:24:45.396 --> 0:24:47.316
<v Speaker 1>like you have a toolbox and you're just like throwing

0:24:47.356 --> 0:24:49.636
<v Speaker 1>a hammer at a nail. It's like, what is he doing?

0:24:50.356 --> 0:24:52.676
<v Speaker 1>And then I started singing in school, and I kind

0:24:52.716 --> 0:24:55.756
<v Speaker 1>of got recognized pretty quickly in school because it once you,

0:24:56.436 --> 0:24:58.236
<v Speaker 1>once you like put me on the path, I can

0:24:58.356 --> 0:25:00.636
<v Speaker 1>like fly. So in school, they put you on the path.

0:25:00.796 --> 0:25:03.116
<v Speaker 1>And when I got my in my senior high school,

0:25:03.116 --> 0:25:04.796
<v Speaker 1>I realized I wanted to do music, but it was

0:25:04.876 --> 0:25:08.236
<v Speaker 1>kind of like not realistic, and so I was going

0:25:08.276 --> 0:25:10.836
<v Speaker 1>to join the millet Terry. They offered me a hundred

0:25:10.876 --> 0:25:14.436
<v Speaker 1>grand to join. Sometimes I still regret it not going.

0:25:14.676 --> 0:25:16.396
<v Speaker 1>So I moved down. I kind of moved out like

0:25:16.476 --> 0:25:18.116
<v Speaker 1>pretty much on. Mom was like, if you ain't doing that,

0:25:18.156 --> 0:25:20.036
<v Speaker 1>you ain't gonna be an his house singing. So I

0:25:20.076 --> 0:25:22.316
<v Speaker 1>went to college, not studying music. I took a voice

0:25:22.356 --> 0:25:24.276
<v Speaker 1>class and the lady was like, you were born to sing.

0:25:24.596 --> 0:25:26.116
<v Speaker 1>So I was going to do classical music. That was

0:25:26.196 --> 0:25:28.276
<v Speaker 1>my thought, because that's a plan. I can go to school,

0:25:28.276 --> 0:25:30.036
<v Speaker 1>I can get a degree, and even if I'm in

0:25:30.076 --> 0:25:32.196
<v Speaker 1>the chorus at the met I'll make seventy five grand

0:25:32.196 --> 0:25:34.156
<v Speaker 1>a year. Like that's I could do. You'll be work

0:25:34.476 --> 0:25:37.156
<v Speaker 1>a working singer. Yes, I could do that. And then

0:25:37.556 --> 0:25:40.396
<v Speaker 1>I started answer going to Craigslist and answering ads on

0:25:40.476 --> 0:25:43.796
<v Speaker 1>Craigslist where there was an ad for a hip hop

0:25:43.956 --> 0:25:47.596
<v Speaker 1>artist looking for background singers for a Christmas project. So

0:25:47.756 --> 0:25:49.596
<v Speaker 1>I went. I auditioned, I saying I believe in you,

0:25:49.676 --> 0:25:51.436
<v Speaker 1>and me ended it up being Nate Dog. I don't

0:25:51.436 --> 0:25:53.236
<v Speaker 1>know if you know who Nate Dog is. So it

0:25:53.316 --> 0:25:55.636
<v Speaker 1>was a Nate Dog. And when was this? This was

0:25:55.716 --> 0:25:59.196
<v Speaker 1>two thousand and six or seven a while ago, Oh

0:25:59.276 --> 0:26:01.116
<v Speaker 1>my god. Yes, And you've been doing it for a while.

0:26:01.196 --> 0:26:03.236
<v Speaker 1>Oh my god, a lot of time. Okay, So I

0:26:03.356 --> 0:26:05.996
<v Speaker 1>did that and then I was a good experience. It

0:26:06.076 --> 0:26:11.676
<v Speaker 1>was a great experience. I dropped out of college. I

0:26:11.836 --> 0:26:13.596
<v Speaker 1>dropped out of college. I was like, I'm gonna be

0:26:13.676 --> 0:26:16.356
<v Speaker 1>a singer. That was it. It was like nay dog.

0:26:16.436 --> 0:26:18.436
<v Speaker 1>And then I and he kind of took I missed

0:26:18.436 --> 0:26:21.036
<v Speaker 1>the train one night and I lived maybe a three

0:26:21.076 --> 0:26:23.876
<v Speaker 1>hour train ride from the place, and I saw I

0:26:23.956 --> 0:26:25.996
<v Speaker 1>spent the night and we talked and I started writing

0:26:26.076 --> 0:26:27.636
<v Speaker 1>with him, and that was like and he had a

0:26:27.716 --> 0:26:30.356
<v Speaker 1>stroke and I could. We went in work for a while,

0:26:30.356 --> 0:26:32.476
<v Speaker 1>and then I did Idol and then that. You know,

0:26:32.516 --> 0:26:34.996
<v Speaker 1>it was a beautiful experience. Tell me about that. I

0:26:35.196 --> 0:26:37.996
<v Speaker 1>know very little about that whole world. It's great. How

0:26:38.036 --> 0:26:39.356
<v Speaker 1>do you first of all, how do you get picked?

0:26:39.396 --> 0:26:41.556
<v Speaker 1>How many people are there competing to even be on

0:26:41.636 --> 0:26:44.196
<v Speaker 1>the show. Maybe one hundred and twenty five thousand, I

0:26:44.236 --> 0:26:46.116
<v Speaker 1>think the year I did a lot. There's a lot

0:26:46.236 --> 0:26:47.756
<v Speaker 1>a lot. So how did it get down from one

0:26:47.796 --> 0:26:49.916
<v Speaker 1>hundred and twenty five thousand to you? Well, I audition

0:26:50.076 --> 0:26:52.196
<v Speaker 1>four times. You should tell Rick how you got on

0:26:52.276 --> 0:26:55.796
<v Speaker 1>this show. Yeah, you should tell him that this is

0:26:55.956 --> 0:26:58.036
<v Speaker 1>this is like this is a big part of like

0:27:01.476 --> 0:27:04.356
<v Speaker 1>audition four times, yes, twice. The year I made it,

0:27:04.596 --> 0:27:06.836
<v Speaker 1>they added la last minute and I went by myself.

0:27:06.916 --> 0:27:08.396
<v Speaker 1>I had just got a job, and I was like,

0:27:08.436 --> 0:27:09.996
<v Speaker 1>oh my god, I got I fucked this American out

0:27:10.036 --> 0:27:12.876
<v Speaker 1>of bullshit. They're gonna tell me no anyway, Well, the

0:27:13.196 --> 0:27:14.956
<v Speaker 1>job hired too many people, so I had to wait

0:27:14.996 --> 0:27:17.556
<v Speaker 1>a week to train my grandmother. I didn't have any money.

0:27:17.596 --> 0:27:19.956
<v Speaker 1>She gave me fifteen dollars for the bus. I didn't

0:27:19.996 --> 0:27:22.076
<v Speaker 1>have my ID at the time. Like I should not

0:27:22.156 --> 0:27:23.916
<v Speaker 1>have been able to audition. I was able to audition.

0:27:24.036 --> 0:27:26.596
<v Speaker 1>I made it through. And then I was like, hey,

0:27:26.676 --> 0:27:29.156
<v Speaker 1>I have these tickets, you know, because you can't so

0:27:29.196 --> 0:27:31.076
<v Speaker 1>you can't have an open ticket. So let's say today

0:27:31.516 --> 0:27:34.476
<v Speaker 1>you ran to stop signing. You got a ticket. You

0:27:34.556 --> 0:27:36.276
<v Speaker 1>can't be on American idol. It has to be paid

0:27:36.316 --> 0:27:38.316
<v Speaker 1>off and cleared. You can't have any pinning court cases.

0:27:38.396 --> 0:27:41.116
<v Speaker 1>So I had tons of them. I had. I got

0:27:41.236 --> 0:27:44.476
<v Speaker 1>a school a ticket for ditching school. I had tickets

0:27:44.516 --> 0:27:47.076
<v Speaker 1>for not riding the train without my ticket, like hopping

0:27:47.116 --> 0:27:49.236
<v Speaker 1>on the train. So I had warrants all kinds of

0:27:49.236 --> 0:27:52.196
<v Speaker 1>stuff for like stupid. Yeah, little things. So I go

0:27:52.316 --> 0:27:54.076
<v Speaker 1>there and then like okay. So I was like, hey, guys,

0:27:54.156 --> 0:27:55.636
<v Speaker 1>have these tickets. Are like, well, why don't you make

0:27:55.636 --> 0:27:57.516
<v Speaker 1>it first, because you probably ain't even gonna make it,

0:27:58.036 --> 0:28:00.596
<v Speaker 1>so just chill out. But I let them know. So

0:28:01.036 --> 0:28:02.636
<v Speaker 1>I go through all the steps and I finally get

0:28:02.676 --> 0:28:06.156
<v Speaker 1>to the celebrity judges and I make it You're going

0:28:06.196 --> 0:28:08.676
<v Speaker 1>to Hollywood. So then they send you to a private

0:28:08.716 --> 0:28:11.676
<v Speaker 1>invested They ask you all these questions about your life. Yeah,

0:28:11.756 --> 0:28:13.076
<v Speaker 1>have you done this, have you done this? Have you

0:28:13.116 --> 0:28:14.356
<v Speaker 1>done this? Have you been here? Have you been there?

0:28:14.436 --> 0:28:17.036
<v Speaker 1>Have you been here? And they say it's to protect yourself,

0:28:17.076 --> 0:28:19.636
<v Speaker 1>but also to protect the show so if anything comes out,

0:28:19.716 --> 0:28:21.876
<v Speaker 1>like they know what's going on. So go through all

0:28:21.956 --> 0:28:23.796
<v Speaker 1>that and then I was like, well I have these tickets.

0:28:23.796 --> 0:28:25.356
<v Speaker 1>You're like okay, well you have to have these tickets

0:28:25.396 --> 0:28:29.316
<v Speaker 1>cleared up by Thanksgiving because Hollywood Week is in December

0:28:29.836 --> 0:28:32.356
<v Speaker 1>and you can't come here with these tickets. And I

0:28:32.476 --> 0:28:34.756
<v Speaker 1>was like, okay, I'm on it. So the next day,

0:28:35.276 --> 0:28:37.436
<v Speaker 1>in the same clothes, I go to the courthouse and

0:28:37.516 --> 0:28:39.236
<v Speaker 1>I go, hey, have these sickts I want to getting

0:28:39.236 --> 0:28:41.116
<v Speaker 1>cleared up. They go, okay, well, you can get a

0:28:41.156 --> 0:28:43.596
<v Speaker 1>court date for January fifth. It'll take care of the warrants,

0:28:43.636 --> 0:28:45.476
<v Speaker 1>but you'll I was like, no, that's not gonna work

0:28:45.716 --> 0:28:48.076
<v Speaker 1>because I can't I can't wait till jan I need

0:28:48.116 --> 0:28:50.276
<v Speaker 1>to see a judge right now. Well there's no available time,

0:28:50.396 --> 0:28:53.276
<v Speaker 1>so you can't kiss grits or you can pay for it.

0:28:53.716 --> 0:28:56.476
<v Speaker 1>It's five thousand dollars. Well, I ain't got five thousand

0:28:56.476 --> 0:28:58.916
<v Speaker 1>dollars and I wouldn't even think to ask my grandma

0:28:58.996 --> 0:29:01.156
<v Speaker 1>to ask five thousand dollars, so I'm not to go

0:29:01.236 --> 0:29:03.436
<v Speaker 1>on American idol like are you stupid? That's not gonna work.

0:29:03.996 --> 0:29:07.516
<v Speaker 1>So it quickly cocked up an idea. I was like,

0:29:07.636 --> 0:29:10.076
<v Speaker 1>leave it alone, don't touch it. So I go next door.

0:29:10.356 --> 0:29:12.356
<v Speaker 1>I go to the police station and I say, hey,

0:29:12.876 --> 0:29:14.916
<v Speaker 1>i'd like to turn myself in. I have warrants. I

0:29:14.996 --> 0:29:16.756
<v Speaker 1>need to go to jail. I'm happy as a lark.

0:29:17.356 --> 0:29:19.956
<v Speaker 1>And they're like, oh, well no, we can't. We can't

0:29:19.996 --> 0:29:21.396
<v Speaker 1>do that. I was like, well, yes, you can't. I

0:29:21.436 --> 0:29:23.596
<v Speaker 1>have warrants. Well no, these are like like these are

0:29:23.676 --> 0:29:25.316
<v Speaker 1>train tickets, buddy, We're not going to take you to

0:29:25.396 --> 0:29:28.236
<v Speaker 1>jail for train tickets and stuff like we're not, and

0:29:28.316 --> 0:29:29.716
<v Speaker 1>I was like, no, I really need to go. And

0:29:29.796 --> 0:29:32.476
<v Speaker 1>now what's interesting is I was an explorer at this

0:29:32.676 --> 0:29:36.796
<v Speaker 1>same police station the year before. Explores like a little

0:29:36.836 --> 0:29:39.476
<v Speaker 1>mini police officer. Cool. So they like train people in

0:29:39.556 --> 0:29:41.596
<v Speaker 1>the hood to get them comfortable with the police and

0:29:41.636 --> 0:29:43.556
<v Speaker 1>then delt you know, it's a feeding thing, you become

0:29:43.596 --> 0:29:46.676
<v Speaker 1>police officer. So I was ironically explore at the same

0:29:46.676 --> 0:29:49.116
<v Speaker 1>police station. She felt comfortable going there. Yeah, I was like,

0:29:49.196 --> 0:29:52.156
<v Speaker 1>take me to jail, bron. They would not take me

0:29:52.396 --> 0:29:54.836
<v Speaker 1>to jail, so I sat there for an entire hour.

0:29:55.436 --> 0:29:57.396
<v Speaker 1>Two hours goes by. I'm not gonna say he can

0:29:57.436 --> 0:29:59.996
<v Speaker 1>y'all please take me. I'll call my grandma. My grandma mother,

0:30:00.156 --> 0:30:02.596
<v Speaker 1>go to jail. She's like, no, what are you talking about?

0:30:02.716 --> 0:30:04.516
<v Speaker 1>And then my phone goes dead because I don't realize

0:30:04.556 --> 0:30:08.756
<v Speaker 1>how serious jail is. Yes, anyway, fast forward, so they

0:30:09.116 --> 0:30:13.236
<v Speaker 1>I finally take me to jail. Finally, after like hours

0:30:13.276 --> 0:30:15.196
<v Speaker 1>and hours, I'm like, I am trying to do the

0:30:15.316 --> 0:30:18.236
<v Speaker 1>right thing. Take me to jail. I really only want

0:30:18.236 --> 0:30:19.956
<v Speaker 1>to go so that I can see a judge, because

0:30:19.956 --> 0:30:21.596
<v Speaker 1>they have to, and then I can get the tickets

0:30:21.676 --> 0:30:24.196
<v Speaker 1>taken care of. So they finally picked me up. So

0:30:24.236 --> 0:30:26.236
<v Speaker 1>I get in the car and he's like, Okay, what

0:30:26.476 --> 0:30:28.796
<v Speaker 1>is your deal, bro? Like, what is your problem? Like,

0:30:28.996 --> 0:30:30.596
<v Speaker 1>you're a good looking guy. What the fuck is wrong

0:30:30.596 --> 0:30:32.036
<v Speaker 1>with what? You're trying to go jail? Like what's the problem.

0:30:32.396 --> 0:30:34.556
<v Speaker 1>So I say, well, I'm auditioned for the show. Yeah. Yeah,

0:30:34.636 --> 0:30:35.876
<v Speaker 1>and that's the only way I can see a judge.

0:30:35.916 --> 0:30:38.436
<v Speaker 1>He was like, oh, okay. Cool. So he's like, well,

0:30:38.436 --> 0:30:40.276
<v Speaker 1>you shouldn't go to jail with those nice clothes on,

0:30:40.476 --> 0:30:42.876
<v Speaker 1>like this is jail. So I was like, I was like, well, oh,

0:30:42.916 --> 0:30:44.476
<v Speaker 1>He's like, we I'll stop you. I'll stop by your

0:30:44.556 --> 0:30:46.596
<v Speaker 1>mom's house and let you change clothes. I think he

0:30:46.756 --> 0:30:48.916
<v Speaker 1>was trying to like, now that I'm thinking about it,

0:30:49.076 --> 0:30:50.916
<v Speaker 1>like hopefully someone will come and help me and tell

0:30:50.996 --> 0:30:52.956
<v Speaker 1>me don't go to jail, like it's not a game. Yes.

0:30:53.396 --> 0:30:54.956
<v Speaker 1>So I get to my mom's house. She left the

0:30:55.036 --> 0:30:56.796
<v Speaker 1>door open for me. He goes, she left the door

0:30:56.836 --> 0:30:58.716
<v Speaker 1>open for you. Why would she do that? And I

0:30:58.876 --> 0:31:01.116
<v Speaker 1>was like, well, because my mom has thinking about giving

0:31:01.116 --> 0:31:02.756
<v Speaker 1>me a key to her house. This is her house, like,

0:31:02.996 --> 0:31:05.596
<v Speaker 1>and I don't live there. So he goes in gun drawn.

0:31:05.676 --> 0:31:09.516
<v Speaker 1>The neighbors see him going in Wow, guns are drawn. Yeah,

0:31:09.756 --> 0:31:11.676
<v Speaker 1>So he brings out my clothes. I changed clothes. I

0:31:11.716 --> 0:31:13.516
<v Speaker 1>go to jail. So I go to Lindwo Jim. I'm sorry,

0:31:13.556 --> 0:31:15.156
<v Speaker 1>this is a long story. No, it's fine, all right,

0:31:15.196 --> 0:31:17.236
<v Speaker 1>I'm curious. I go to Linwood. Y'all do my mug shot.

0:31:17.276 --> 0:31:19.556
<v Speaker 1>I'm like, I gotta look fierce and look too happy

0:31:19.796 --> 0:31:22.276
<v Speaker 1>because I know. I know that if I make it

0:31:22.356 --> 0:31:23.836
<v Speaker 1>on the show and I do well, which is what

0:31:23.916 --> 0:31:26.636
<v Speaker 1>I'm hoping will happen, yes, this is gonna come out. Yeah.

0:31:26.676 --> 0:31:28.476
<v Speaker 1>So I do my face, I do my photo. So

0:31:28.516 --> 0:31:30.716
<v Speaker 1>I go to the courthouse right now, mind you, this

0:31:30.876 --> 0:31:33.476
<v Speaker 1>is like stupid ticket bullshit. So it's gonna get clear.

0:31:33.556 --> 0:31:35.636
<v Speaker 1>It's gonna be done, of course. So I go and

0:31:35.716 --> 0:31:38.276
<v Speaker 1>he's like, okay, great, all right, well just dismiss the ticket.

0:31:38.316 --> 0:31:39.956
<v Speaker 1>You're fine, buddy, you don't worry about it. It's gun

0:31:40.396 --> 0:31:42.516
<v Speaker 1>you've been in here, you've been to jail. Nowaday, it's

0:31:42.596 --> 0:31:45.996
<v Speaker 1>all taken care of. Well, that didn't happen. So after

0:31:46.116 --> 0:31:48.516
<v Speaker 1>I see the judge, I go back and it's getting

0:31:48.596 --> 0:31:50.836
<v Speaker 1>later and later. I'm like, hey, guys, I'm supposed to

0:31:50.836 --> 0:31:55.036
<v Speaker 1>go home, and they're like yeah, sure, and I'm like no, no, no,

0:31:55.116 --> 0:31:57.236
<v Speaker 1>I'm really supposed to go home, Like this is not like,

0:31:57.396 --> 0:31:59.956
<v Speaker 1>this is just you know, Linwood is like I still

0:31:59.996 --> 0:32:02.476
<v Speaker 1>have my clothes on, like it was my own little room,

0:32:02.876 --> 0:32:04.716
<v Speaker 1>Like oh okay, sure. So now it's like six or

0:32:04.756 --> 0:32:07.676
<v Speaker 1>seven o'clock and now they put me in shackles and

0:32:07.796 --> 0:32:10.796
<v Speaker 1>now I'm going to Twin Towns, which is not cute.

0:32:11.076 --> 0:32:12.876
<v Speaker 1>So now I'm in Twin Towers for three days. I

0:32:12.956 --> 0:32:15.636
<v Speaker 1>get lost in the system. Wow, So it doesn't even

0:32:15.676 --> 0:32:18.076
<v Speaker 1>show that I'm in jail, so nobody knows where I am.

0:32:18.836 --> 0:32:20.556
<v Speaker 1>I can't get out. I don't and I've never been

0:32:20.556 --> 0:32:21.756
<v Speaker 1>to jail before, so I was like, well, I'll just

0:32:21.796 --> 0:32:24.596
<v Speaker 1>sit here. The Lord will make away. So after a

0:32:24.676 --> 0:32:27.156
<v Speaker 1>couple of days, I finally get out, like and I

0:32:27.276 --> 0:32:29.076
<v Speaker 1>run home in the rain. It was very like, very

0:32:29.156 --> 0:32:31.716
<v Speaker 1>much like a movie. I caught the train without a

0:32:31.836 --> 0:32:36.236
<v Speaker 1>fair again. I got on the train and did not

0:32:36.356 --> 0:32:38.996
<v Speaker 1>pay my fair. Again. Yes, it's the purple line that

0:32:39.076 --> 0:32:41.156
<v Speaker 1>people leaves are never run the purple line. Yeah. And

0:32:41.756 --> 0:32:43.876
<v Speaker 1>I run home in the rain, and then you know,

0:32:44.076 --> 0:32:45.996
<v Speaker 1>and then I do. Then I get to Hollywood Week

0:32:46.516 --> 0:32:48.796
<v Speaker 1>and it seems like every step there was like a

0:32:48.796 --> 0:32:50.276
<v Speaker 1>thing where I should have been cut, but I wasn't.

0:32:50.316 --> 0:32:51.796
<v Speaker 1>So I did Hollywood Week and then I sang a

0:32:51.836 --> 0:32:54.156
<v Speaker 1>song called Goblin's a Child, which I said it was

0:32:54.196 --> 0:32:55.996
<v Speaker 1>like the best ever auditioned on the Idol. Then I

0:32:56.076 --> 0:32:57.716
<v Speaker 1>did the show and the show was beautiful. You become

0:32:57.756 --> 0:33:00.716
<v Speaker 1>famous overnight, like it's nuts. You're in magazines and you know,

0:33:01.196 --> 0:33:04.276
<v Speaker 1>I placed fifth, the winner of Scotty McCurry amazing to

0:33:04.356 --> 0:33:06.156
<v Speaker 1>think of. Everyone was really great in my season. The

0:33:06.276 --> 0:33:09.596
<v Speaker 1>judges were incredible, like Jail taught me how to wear

0:33:09.676 --> 0:33:11.516
<v Speaker 1>my in ears. Like it was a beautiful experience. What

0:33:11.676 --> 0:33:15.396
<v Speaker 1>they don't prepare you for is the social media craziness

0:33:15.436 --> 0:33:17.796
<v Speaker 1>because they'd never had social media before. So I was

0:33:17.916 --> 0:33:20.876
<v Speaker 1>not like it was crazy. The comments people say, they

0:33:20.956 --> 0:33:22.356
<v Speaker 1>say a lot of nice things to say a lot

0:33:22.396 --> 0:33:25.236
<v Speaker 1>of bad things. I wasn't ready for it. And then

0:33:25.276 --> 0:33:27.956
<v Speaker 1>they don't prepare you for the fall after, because I was.

0:33:28.116 --> 0:33:30.076
<v Speaker 1>They make you feel like, if you do the show

0:33:30.556 --> 0:33:32.316
<v Speaker 1>and you do well, I did place fifth that no

0:33:32.436 --> 0:33:35.156
<v Speaker 1>matter what. And actually someone told me this, you have

0:33:35.236 --> 0:33:36.836
<v Speaker 1>enough money to live on for the rest of your life.

0:33:37.636 --> 0:33:39.756
<v Speaker 1>That was a lie. Yes, So I get off the

0:33:39.796 --> 0:33:43.196
<v Speaker 1>show and you have nothing. I had a couple deals

0:33:43.276 --> 0:33:44.636
<v Speaker 1>here and there that were off and on. But it

0:33:44.756 --> 0:33:46.836
<v Speaker 1>was a struggle like being an artist. It was like

0:33:46.956 --> 0:33:49.516
<v Speaker 1>starting over from scratch, even worse because people want to

0:33:49.556 --> 0:33:51.276
<v Speaker 1>touch you because you're on the show. You're on the show.

0:33:52.036 --> 0:33:53.796
<v Speaker 1>So I had some ups and downs and went through

0:33:53.836 --> 0:33:55.476
<v Speaker 1>that and in and out. Had a church gig here

0:33:55.516 --> 0:33:57.276
<v Speaker 1>at a church there. There, I had a management situation

0:33:57.316 --> 0:33:59.396
<v Speaker 1>that ended kind of badly. They canceled all my gigs

0:33:59.436 --> 0:34:02.116
<v Speaker 1>for the rest of the year and dropped me and

0:34:02.436 --> 0:34:05.036
<v Speaker 1>took and kept the money. Wow. And so I was like, well,

0:34:05.036 --> 0:34:07.756
<v Speaker 1>I'm gonna get a job. And I worked for a

0:34:07.836 --> 0:34:11.356
<v Speaker 1>sunglasses company called Good and that helped kind of push

0:34:11.436 --> 0:34:13.436
<v Speaker 1>me into this, Like I had never been an environment

0:34:14.036 --> 0:34:16.556
<v Speaker 1>where I was like loved and told to be myself

0:34:16.636 --> 0:34:19.796
<v Speaker 1>and be comfortable on who you are. And even in music,

0:34:20.076 --> 0:34:21.796
<v Speaker 1>I had never really felt that way because you got

0:34:21.876 --> 0:34:23.396
<v Speaker 1>to think, I have my start writing, so when you're

0:34:23.396 --> 0:34:26.796
<v Speaker 1>writing for the artists, you're writing in their style. Yeah, right,

0:34:26.876 --> 0:34:29.796
<v Speaker 1>And so I had never had a space to really

0:34:30.156 --> 0:34:35.316
<v Speaker 1>find what naturally just comes out of my body. Right,

0:34:35.676 --> 0:34:37.596
<v Speaker 1>even in church I'm doing a church thing, I never

0:34:37.716 --> 0:34:41.036
<v Speaker 1>got to what naturally just comes out. But this has

0:34:41.076 --> 0:34:45.436
<v Speaker 1>allowed me to really just whatever naturally comes out, and

0:34:45.436 --> 0:34:47.796
<v Speaker 1>they've pushed me to do that, and it's been a

0:34:47.876 --> 0:34:50.316
<v Speaker 1>safe place for me to do that. So it's just

0:34:50.476 --> 0:34:55.196
<v Speaker 1>been absolutely life changing between Goodder and these two white men,

0:34:55.316 --> 0:34:56.996
<v Speaker 1>even though he's not why he's technically are I meaning

0:34:56.996 --> 0:35:03.516
<v Speaker 1>an American, it's been it's between Goodder and them. It's

0:35:03.596 --> 0:35:06.396
<v Speaker 1>been in the last few years. I never you're not

0:35:06.516 --> 0:35:08.036
<v Speaker 1>you dream of a thing, but you're like, I don't

0:35:08.036 --> 0:35:10.076
<v Speaker 1>know if it's really gonna happen, and I don't know.

0:35:10.676 --> 0:35:12.356
<v Speaker 1>I don't know what I would have done. Tell me

0:35:12.436 --> 0:35:15.396
<v Speaker 1>more about your family. I grew up in Compton. My

0:35:15.636 --> 0:35:19.036
<v Speaker 1>father died when I was twelve. Really suddenly, my mom

0:35:19.196 --> 0:35:21.556
<v Speaker 1>is from Georgia. My grandmother is from Georgia's where they

0:35:21.636 --> 0:35:23.996
<v Speaker 1>moved to la when they were younger. When my mom

0:35:24.156 --> 0:35:27.836
<v Speaker 1>was very little, my grandmother remarried. Her husband died in

0:35:27.876 --> 0:35:30.676
<v Speaker 1>a car accident, and she had never worked, so they

0:35:31.196 --> 0:35:34.356
<v Speaker 1>My family experienced a lot of death in tragedy, like

0:35:34.476 --> 0:35:36.556
<v Speaker 1>a lot of it. It's kind of nuts. My uncle

0:35:36.596 --> 0:35:39.156
<v Speaker 1>committed suicide a few years ago. He jumped off a building,

0:35:39.236 --> 0:35:44.196
<v Speaker 1>and it's been like, it's nuts, But there's this thing

0:35:44.716 --> 0:35:47.836
<v Speaker 1>I kind of interviewed my grandmother when we re released

0:35:47.876 --> 0:35:51.196
<v Speaker 1>the EP and for her to experience all that, and

0:35:51.316 --> 0:35:54.076
<v Speaker 1>she said she was she learned really young. There are

0:35:54.156 --> 0:35:56.796
<v Speaker 1>no mountains too high to climb, yes, And I was

0:35:56.876 --> 0:35:58.836
<v Speaker 1>just like, oh my god, this little lady, this is

0:35:58.876 --> 0:36:01.236
<v Speaker 1>what she thinks. And there's a little bit of me

0:36:01.276 --> 0:36:02.796
<v Speaker 1>that kind of feels ouay too. But anyway, I'm an

0:36:02.836 --> 0:36:05.796
<v Speaker 1>only child, only grandchild on my mom's side, so I

0:36:05.876 --> 0:36:08.356
<v Speaker 1>was very kind of sheltered. And I grew up in Compton.

0:36:08.356 --> 0:36:09.796
<v Speaker 1>This is a little hood, you know what I'm saying.

0:36:10.196 --> 0:36:12.356
<v Speaker 1>But my mother did everything that she could to make

0:36:12.436 --> 0:36:15.876
<v Speaker 1>sure that I was able to experience other things and

0:36:16.036 --> 0:36:18.036
<v Speaker 1>know that there was another way of life for me

0:36:18.596 --> 0:36:21.036
<v Speaker 1>where she fucked up what she made me feel like

0:36:21.276 --> 0:36:24.916
<v Speaker 1>I could be anything. And so I really believe that

0:36:25.316 --> 0:36:27.276
<v Speaker 1>even sometimes when you don't like you have those normals

0:36:27.316 --> 0:36:28.916
<v Speaker 1>where you doubt it and you're like, nah, it's not

0:36:28.956 --> 0:36:31.916
<v Speaker 1>gonna happen, there's always this little bitty piece of me

0:36:32.036 --> 0:36:35.676
<v Speaker 1>that's like looking at ten million dollar houses in Pasadena. Yeah,

0:36:35.916 --> 0:36:38.756
<v Speaker 1>but maybe maybe this band wouldn't wouldn't have happened if

0:36:38.796 --> 0:36:42.436
<v Speaker 1>you didn't keep that thought alive. You know, it's impossible

0:36:42.476 --> 0:36:45.476
<v Speaker 1>to know, impossible to know. And I'll say this, the

0:36:45.796 --> 0:36:49.516
<v Speaker 1>world and the music industry in particular has not been

0:36:49.556 --> 0:36:55.556
<v Speaker 1>a place that I felt like harbored individuality. It did

0:36:55.636 --> 0:36:57.556
<v Speaker 1>not feel like ace. And this is no I'm not

0:36:57.676 --> 0:37:00.556
<v Speaker 1>bashing anyone. I had beautiful experiences. I've worked to some

0:37:00.596 --> 0:37:03.036
<v Speaker 1>of the most basic people in the industry. But it

0:37:03.156 --> 0:37:08.156
<v Speaker 1>doesn't harbor people being themselves. It doesn't harbor people being

0:37:08.276 --> 0:37:11.276
<v Speaker 1>comfortable in themselves. And then you even get people who

0:37:11.356 --> 0:37:14.596
<v Speaker 1>are enemy needs ministry. He really shouldn't be because it doesn't.

0:37:14.676 --> 0:37:16.636
<v Speaker 1>It's not a safe place for that's people that's really

0:37:16.676 --> 0:37:20.716
<v Speaker 1>their heart. And so with this experience, it's allowed me

0:37:20.836 --> 0:37:22.836
<v Speaker 1>and pushed me to like, this is the most of

0:37:22.876 --> 0:37:28.236
<v Speaker 1>myself I've ever been congratulationship. That's crazy. I'm gonna tell

0:37:28.236 --> 0:37:30.956
<v Speaker 1>you how old I am man a guy. But it's

0:37:31.756 --> 0:37:34.396
<v Speaker 1>to now be at this place where I'm actually starting

0:37:34.476 --> 0:37:37.836
<v Speaker 1>to look at myself and like be okay with myself,

0:37:38.716 --> 0:37:41.156
<v Speaker 1>Like when I was younger and fine and had body

0:37:41.196 --> 0:37:44.356
<v Speaker 1>ya ya ya yadi. Oh my god, what would have

0:37:44.436 --> 0:37:47.196
<v Speaker 1>happened if I was able to embrace myself and my

0:37:47.516 --> 0:37:51.436
<v Speaker 1>voice and who I and and really fine, my real voice.

0:37:51.476 --> 0:37:56.076
<v Speaker 1>Then oh my god, it's this long. And my hope

0:37:56.236 --> 0:37:59.316
<v Speaker 1>is that when people grab onto that, like when they

0:37:59.396 --> 0:38:01.756
<v Speaker 1>see our shows, like, oh well shit, let me be

0:38:01.956 --> 0:38:05.516
<v Speaker 1>myself too, and find out what really makes me happy,

0:38:05.996 --> 0:38:08.876
<v Speaker 1>what really makes me hold whatever that is, even if

0:38:08.916 --> 0:38:10.476
<v Speaker 1>it's not because some people, I think a lot of

0:38:10.476 --> 0:38:12.196
<v Speaker 1>people doing shit they don't really want to fucking do

0:38:12.756 --> 0:38:16.636
<v Speaker 1>still want to fucking work that job. Most find what

0:38:16.876 --> 0:38:20.996
<v Speaker 1>really makes you happy. I'm sorry, I'm going on a rant. Beautiful,

0:38:21.156 --> 0:38:24.716
<v Speaker 1>I am the most happy with these guys. Yeah, I

0:38:24.836 --> 0:38:27.716
<v Speaker 1>am the most happy. I want it's just us. Yes,

0:38:27.996 --> 0:38:32.276
<v Speaker 1>these fucking white boys who are completely different than me, Yes,

0:38:32.476 --> 0:38:34.756
<v Speaker 1>who are like, oh damn, these are my brothers, Like

0:38:34.796 --> 0:38:36.956
<v Speaker 1>these are my bros. That's beautiful and it's been the

0:38:36.996 --> 0:38:39.196
<v Speaker 1>best experience in my life. I'm sorry, No, I love it.

0:38:39.556 --> 0:38:42.516
<v Speaker 1>I love It's beautiful. And now you, hopefully you'll be

0:38:42.556 --> 0:38:46.756
<v Speaker 1>in a position to turn other people onto that possibility. Yes,

0:38:46.916 --> 0:38:48.876
<v Speaker 1>and maybe it's not just through the shows, but maybe

0:38:48.916 --> 0:38:51.636
<v Speaker 1>there are other ways, and it'd be interesting for us

0:38:51.636 --> 0:38:53.036
<v Speaker 1>to talk about that and figure out what that is.

0:38:53.076 --> 0:38:56.836
<v Speaker 1>Because I love the idea of spreading that message because

0:38:56.956 --> 0:38:59.356
<v Speaker 1>ultimately it's good for everybody. It's good for it's good

0:38:59.436 --> 0:39:02.316
<v Speaker 1>for you to feel like yourself. But then we get

0:39:02.356 --> 0:39:06.076
<v Speaker 1>to hear the music that's true coming from you because

0:39:06.116 --> 0:39:08.636
<v Speaker 1>you feel like yourself. And if artists don't feel like

0:39:09.116 --> 0:39:11.996
<v Speaker 1>it can be themselves, what do we get to listen to?

0:39:12.116 --> 0:39:13.836
<v Speaker 1>What do we get to, what do we get to see?

0:39:14.316 --> 0:39:16.556
<v Speaker 1>It all becomes the same. You know, it's all just

0:39:17.396 --> 0:39:20.356
<v Speaker 1>everybody trying to be someone else, and none of it's

0:39:20.396 --> 0:39:23.716
<v Speaker 1>interesting and none of it's good, and nobody cares, and

0:39:23.796 --> 0:39:27.436
<v Speaker 1>people making it don't care about it. The people scrolling

0:39:27.516 --> 0:39:29.596
<v Speaker 1>through what they're going to choose don't choose it because

0:39:29.636 --> 0:39:31.916
<v Speaker 1>it's all the same and it's all cookie cutter and

0:39:31.996 --> 0:39:35.276
<v Speaker 1>it doesn't matter. So the fact that you're having this experience,

0:39:35.436 --> 0:39:38.036
<v Speaker 1>you're getting to work on something different that excites you.

0:39:38.996 --> 0:39:42.836
<v Speaker 1>It's the best advertisement for more good things to come.

0:39:43.236 --> 0:39:45.076
<v Speaker 1>And when I say more good things come, I don't

0:39:45.076 --> 0:39:48.676
<v Speaker 1>mean copying what you're doing. I mean people doing their

0:39:49.156 --> 0:39:52.876
<v Speaker 1>their own thing, whatever it is. Okay, I'm ranting with you.

0:39:56.276 --> 0:39:58.556
<v Speaker 1>We feel like we feel exactly. They couldn't have said it.

0:39:58.756 --> 0:40:01.036
<v Speaker 1>You pretty much just said exactly what goes on when

0:40:01.076 --> 0:40:04.276
<v Speaker 1>we're halfway between ordering chick fil I'm watching a Brittany documentary.

0:40:06.036 --> 0:40:07.956
<v Speaker 1>We have to take a quick break here, but we'll

0:40:07.996 --> 0:40:21.076
<v Speaker 1>be back with more from Rick Ruben and Gabriel's baby

0:40:21.276 --> 0:40:28.876
<v Speaker 1>Girl is finding nineteen, raised on Cafish and cold green,

0:40:31.076 --> 0:40:38.076
<v Speaker 1>brown ass, smugging real schweet kid in time with a

0:40:38.156 --> 0:40:48.036
<v Speaker 1>strong heartbeat. Michael said, she's gonna break my heart and

0:40:48.116 --> 0:41:05.516
<v Speaker 1>then take my should she try to help me stop

0:41:06.036 --> 0:41:15.276
<v Speaker 1>in Mangan shame bitch done in fashion sheet show the

0:41:15.476 --> 0:41:25.356
<v Speaker 1>shore beauty twink, I slow them shame. Nobody said that

0:41:25.396 --> 0:41:27.876
<v Speaker 1>you ain't got the basic changing game and change in eye.

0:41:29.636 --> 0:41:37.636
<v Speaker 1>You're just another motherfucker looking up at the nerrorball just

0:41:37.876 --> 0:41:50.676
<v Speaker 1>where I could show somebody helped me. I've been feeling

0:41:54.036 --> 0:42:05.796
<v Speaker 1>behind and sweep been needing you. It's time down for

0:42:06.116 --> 0:42:14.716
<v Speaker 1>me to come this spichit thing the sky cra still

0:42:14.876 --> 0:42:26.316
<v Speaker 1>like we cock you win. I can cook a ren again.

0:42:27.356 --> 0:42:31.516
<v Speaker 1>I don't need nothing but time. It will be just fine.

0:42:32.436 --> 0:42:37.796
<v Speaker 1>We think went from no matter what, STA trail me

0:42:38.116 --> 0:42:41.556
<v Speaker 1>up some down and I sad that I came shot

0:42:50.756 --> 0:43:34.236
<v Speaker 1>speak Ja gets always Ja like it's always. That was

0:43:34.316 --> 0:43:37.676
<v Speaker 1>Gabriel's performing their song Angels and Queens Live for Us

0:43:37.956 --> 0:43:41.396
<v Speaker 1>at Arlan studio in Austin, Texas. Here's the rest of

0:43:41.436 --> 0:43:45.116
<v Speaker 1>their interview with Rick Rubin. How did it go from

0:43:45.796 --> 0:43:49.516
<v Speaker 1>the three of you to what we're experiencing you guys

0:43:49.596 --> 0:43:52.636
<v Speaker 1>playing as a live band. How did that happen? That happened?

0:43:52.676 --> 0:43:55.876
<v Speaker 1>I guess post COVID, because we had it kind of

0:43:55.996 --> 0:43:59.836
<v Speaker 1>all came to a head a bit in like we

0:44:00.076 --> 0:44:03.236
<v Speaker 1>had been working on it really sporadically, so that Loyalty

0:44:03.356 --> 0:44:07.356
<v Speaker 1>song kind of came out, and then some labels, people

0:44:07.396 --> 0:44:08.996
<v Speaker 1>who I had been working I was in another bit

0:44:09.116 --> 0:44:11.876
<v Speaker 1>and that was also signed to a label, and they

0:44:11.956 --> 0:44:14.436
<v Speaker 1>started reaching out to us like what's this, Like, you know,

0:44:14.556 --> 0:44:16.636
<v Speaker 1>do you have more music? Stuff like that? And then

0:44:16.676 --> 0:44:19.916
<v Speaker 1>we were like, oh no. And then we just kind

0:44:19.956 --> 0:44:23.476
<v Speaker 1>of got together back at my place and wrote a

0:44:23.596 --> 0:44:25.396
<v Speaker 1>bunch of stuff, one of which is actually one of

0:44:25.476 --> 0:44:27.716
<v Speaker 1>those songs we played here, which was that was in

0:44:27.796 --> 0:44:31.516
<v Speaker 1>twenty nineteen. Then we just started kind of putting it together.

0:44:31.596 --> 0:44:34.036
<v Speaker 1>I have some friends Ryan Us, some friends Jacobes of

0:44:34.116 --> 0:44:37.516
<v Speaker 1>friends that like play, so we had this little community

0:44:37.516 --> 0:44:39.676
<v Speaker 1>of musicians that we would bring in and then it

0:44:39.836 --> 0:44:42.796
<v Speaker 1>was like COVID. Actually our last session in the desert,

0:44:43.156 --> 0:44:46.916
<v Speaker 1>we wrote another song called stranger and then we were like,

0:44:47.516 --> 0:44:49.956
<v Speaker 1>we had one of our songs mastered, this one called

0:44:49.996 --> 0:44:51.876
<v Speaker 1>in Loving Memory, and he was like, maybe let's put

0:44:51.956 --> 0:44:55.196
<v Speaker 1>that out now because there's nothing going on whatever, and

0:44:56.236 --> 0:44:58.196
<v Speaker 1>then we could kind of put it into the ZP.

0:44:58.356 --> 0:45:01.916
<v Speaker 1>We had some songs at this point. Then we put

0:45:02.076 --> 0:45:04.556
<v Speaker 1>that song out and then it gained a lot of traction,

0:45:04.836 --> 0:45:09.956
<v Speaker 1>you know, like Giles Peterson played it and Virgil Ablow

0:45:10.036 --> 0:45:12.516
<v Speaker 1>played it on his radio show, which was amazing, and

0:45:13.316 --> 0:45:16.556
<v Speaker 1>we were just like, yeah, it was in the same week.

0:45:16.596 --> 0:45:17.996
<v Speaker 1>So then all of a sudden we were like, let's

0:45:18.036 --> 0:45:21.916
<v Speaker 1>get together this vinyl, you know, and we put it together,

0:45:22.036 --> 0:45:24.236
<v Speaker 1>put it out in December, and I remember just like

0:45:24.556 --> 0:45:26.876
<v Speaker 1>we put it on bandcamp and just seeing like the

0:45:26.996 --> 0:45:29.956
<v Speaker 1>band camp notifications on my phone. It was kind of crazy.

0:45:30.036 --> 0:45:33.476
<v Speaker 1>I was like, whoa, this is nuts. So it started

0:45:33.516 --> 0:45:36.036
<v Speaker 1>getting picked up, you know, BBC, especially in the UK,

0:45:36.276 --> 0:45:40.636
<v Speaker 1>they started really supporting it, and you know, it took

0:45:40.676 --> 0:45:42.156
<v Speaker 1>a bit of time, you know, and there was a

0:45:42.196 --> 0:45:46.276
<v Speaker 1>lot of talk, a lot of people coming in, you know, labels, managers,

0:45:46.396 --> 0:45:51.276
<v Speaker 1>different people, and I guess around early twenty twenty one,

0:45:51.956 --> 0:45:56.916
<v Speaker 1>we got like a DM from our manager now Duncan

0:45:57.316 --> 0:46:02.076
<v Speaker 1>and duncan Ellis, and we were big fans of Celeste,

0:46:02.796 --> 0:46:05.636
<v Speaker 1>who he also managed, so in our eyes were like,

0:46:05.716 --> 0:46:07.796
<v Speaker 1>maybe we could make a cool song with her, you know,

0:46:07.996 --> 0:46:11.156
<v Speaker 1>something like that. We you know, I like what he's done,

0:46:11.636 --> 0:46:14.876
<v Speaker 1>you know, and it seems like she's doing cool work.

0:46:15.436 --> 0:46:19.036
<v Speaker 1>And we were all obviously, you know, trying to figure

0:46:19.036 --> 0:46:20.716
<v Speaker 1>out how to make money and stuff like that, so

0:46:20.836 --> 0:46:25.556
<v Speaker 1>it felt like yeah, exactly. And then it was like,

0:46:25.676 --> 0:46:27.276
<v Speaker 1>all right, it feels like the right time because we

0:46:27.356 --> 0:46:30.676
<v Speaker 1>had kind of independently we self released that first EP,

0:46:30.876 --> 0:46:34.156
<v Speaker 1>you know, me and Ryan, like Jake, we invested all

0:46:34.196 --> 0:46:36.156
<v Speaker 1>our own money into it, you know. We made we

0:46:36.316 --> 0:46:38.876
<v Speaker 1>did a like a Calvin Klein campaign that had a

0:46:38.956 --> 0:46:40.716
<v Speaker 1>bunch of our songs in it, and that was a

0:46:40.796 --> 0:46:43.396
<v Speaker 1>really good marker for us because that was like this

0:46:43.636 --> 0:46:46.596
<v Speaker 1>really high end job. It was actually very artistic, and

0:46:47.156 --> 0:46:49.556
<v Speaker 1>we were just trying out these little ideas of new

0:46:49.636 --> 0:46:51.636
<v Speaker 1>songs on it, and then people were liking it, and

0:46:51.716 --> 0:46:55.596
<v Speaker 1>it was by the Calvin I'm very different from the

0:46:55.716 --> 0:46:58.116
<v Speaker 1>tent music that they had, so we'd just like they'd

0:46:58.156 --> 0:46:59.756
<v Speaker 1>give us tent, but then we'd just give them a

0:46:59.836 --> 0:47:02.716
<v Speaker 1>whole different song on it. That was like completely different,

0:47:02.796 --> 0:47:04.276
<v Speaker 1>and then they would just go with it and we

0:47:04.356 --> 0:47:06.756
<v Speaker 1>were like, that's cool, you know, And so does it

0:47:06.956 --> 0:47:11.156
<v Speaker 1>start as a jam? Am essentially like, is there a

0:47:11.316 --> 0:47:16.076
<v Speaker 1>musical jam? There's a music, there's a musical idea, there

0:47:16.276 --> 0:47:18.556
<v Speaker 1>is there a vocal idea, or you'll hear an instrumental

0:47:18.596 --> 0:47:21.236
<v Speaker 1>track and start singing just whatever comes. How does it work?

0:47:21.556 --> 0:47:25.916
<v Speaker 1>It's so usually they've done a musical kind of idea

0:47:26.076 --> 0:47:30.356
<v Speaker 1>of a song, but including the melody no, no, just

0:47:31.476 --> 0:47:36.436
<v Speaker 1>us a song that's written. Yeah. Now, sometimes in their

0:47:36.916 --> 0:47:40.556
<v Speaker 1>music discovery there may there may have been a melody

0:47:40.596 --> 0:47:42.516
<v Speaker 1>that they may pick up or whatever I see, but

0:47:42.636 --> 0:47:45.556
<v Speaker 1>we try to keep it as raw as possible, and

0:47:45.636 --> 0:47:48.556
<v Speaker 1>then when I come then we sometimes there might be

0:47:48.596 --> 0:47:51.556
<v Speaker 1>a melody idea. Sometimes we'll have a conversation. Sometimes we

0:47:51.716 --> 0:47:53.956
<v Speaker 1>would have watched like when we did Glory, we watched

0:47:54.036 --> 0:47:56.836
<v Speaker 1>the Tina Turner doc and then that kind of helps

0:47:57.156 --> 0:47:59.396
<v Speaker 1>influence it or in the in the music starts, but

0:47:59.476 --> 0:48:02.556
<v Speaker 1>it's always it's just a starting place. So the music changes,

0:48:02.916 --> 0:48:05.316
<v Speaker 1>the melody change, and the changes a few times in

0:48:05.436 --> 0:48:10.796
<v Speaker 1>the process. But it's for me, it's really allowing the

0:48:11.076 --> 0:48:15.276
<v Speaker 1>song to speak, yes, like allowing it to say yes

0:48:15.716 --> 0:48:18.676
<v Speaker 1>what it wants to say. Sometimes like Taboo when we

0:48:18.876 --> 0:48:22.556
<v Speaker 1>were writing it and I wanted to add this, like

0:48:22.636 --> 0:48:24.196
<v Speaker 1>I just let me just add I just want to

0:48:24.236 --> 0:48:26.236
<v Speaker 1>add this part where this musical breaking isn't just like

0:48:26.476 --> 0:48:29.516
<v Speaker 1>you know, the song doesn't doesn't need that, It doesn't

0:48:29.516 --> 0:48:30.956
<v Speaker 1>need that. Why are we Why are you just gonna

0:48:30.956 --> 0:48:34.076
<v Speaker 1>shove this in there? So it's really allowing the music,

0:48:34.156 --> 0:48:38.436
<v Speaker 1>the song, the lyric, the story to have its way.

0:48:38.956 --> 0:48:41.476
<v Speaker 1>The thing that I love is that we really do

0:48:41.636 --> 0:48:44.196
<v Speaker 1>write the songs completely together, like that's a real thing.

0:48:44.836 --> 0:48:47.796
<v Speaker 1>But there's also a thing because of that, we don't

0:48:47.836 --> 0:48:50.556
<v Speaker 1>allow our egos in the room. Yes, when we're doing that,

0:48:50.596 --> 0:48:52.316
<v Speaker 1>because like I gotta have my piece or I gotta

0:48:52.356 --> 0:48:54.796
<v Speaker 1>have mine or we don't have that issue because it's

0:48:54.956 --> 0:48:58.156
<v Speaker 1>ours and it really gives the song the space to

0:48:58.276 --> 0:49:00.796
<v Speaker 1>do whatever it wants to do. It's beautiful. It sounds

0:49:00.796 --> 0:49:02.636
<v Speaker 1>like if you're doing that, even if you were doing

0:49:02.716 --> 0:49:05.516
<v Speaker 1>that by yourself, there's not really room for ego because

0:49:05.996 --> 0:49:07.276
<v Speaker 1>do you know what I'm saying, If you want it

0:49:07.316 --> 0:49:11.596
<v Speaker 1>to be its best version of itself, it's bigger than us,

0:49:11.916 --> 0:49:14.916
<v Speaker 1>you know, It's it's coming from a different place. It's

0:49:15.076 --> 0:49:18.076
<v Speaker 1>coming from a different Okay, I'm gonna be a really

0:49:18.156 --> 0:49:20.316
<v Speaker 1>churchy so we got to think all the HOLI ghost right, Yeah,

0:49:20.396 --> 0:49:23.796
<v Speaker 1>I'm very churchy, yes, but I believe differently. I think

0:49:24.156 --> 0:49:26.716
<v Speaker 1>love is for everyone, even if we like I think

0:49:26.756 --> 0:49:29.436
<v Speaker 1>we're supposed to believe differently like and that's fine, and

0:49:29.516 --> 0:49:31.556
<v Speaker 1>there's nothing wrong with that. I think there is this

0:49:31.756 --> 0:49:35.516
<v Speaker 1>other thing in the universe. Maybe you call it the universe.

0:49:35.636 --> 0:49:40.396
<v Speaker 1>Maybe it's energy, Maybe it's something that everything carries. And

0:49:40.516 --> 0:49:43.916
<v Speaker 1>I think music carries that same thing. And if you

0:49:44.116 --> 0:49:46.596
<v Speaker 1>just let it lead the way and let it have

0:49:46.796 --> 0:49:51.436
<v Speaker 1>its way, it will. But oftentimes we get in the way. Yeah,

0:49:51.596 --> 0:49:54.116
<v Speaker 1>I mean that's like fay much just a life. You know.

0:49:54.356 --> 0:49:56.156
<v Speaker 1>It's the thing where people just can't get out there,

0:49:56.156 --> 0:49:58.476
<v Speaker 1>own't go done with, you know. And it's like but

0:49:59.036 --> 0:50:01.516
<v Speaker 1>in terms of like how it starts, usually with the music,

0:50:01.636 --> 0:50:04.076
<v Speaker 1>like the starting process, and usually are of like written

0:50:04.116 --> 0:50:06.316
<v Speaker 1>the music. He'll like get the structure of us. This

0:50:06.396 --> 0:50:08.436
<v Speaker 1>is what I mean about what like I've learned from him,

0:50:08.516 --> 0:50:11.156
<v Speaker 1>and like he with the Gabriel songs, he'll write the

0:50:11.276 --> 0:50:13.316
<v Speaker 1>music of the verse, the chorus, the bride. There'll be

0:50:13.356 --> 0:50:16.836
<v Speaker 1>a structured thing yes, that's very clearly like developed and

0:50:16.996 --> 0:50:19.396
<v Speaker 1>lay it out for little cut and then then he'll

0:50:19.476 --> 0:50:21.476
<v Speaker 1>give me a call out come in. We'll tweak a

0:50:21.516 --> 0:50:23.636
<v Speaker 1>little bit what's usually he's written and done it. It's

0:50:23.636 --> 0:50:25.716
<v Speaker 1>already down the line. What my input in that is

0:50:25.876 --> 0:50:28.236
<v Speaker 1>very minor compared to what are he does. And then

0:50:28.436 --> 0:50:30.116
<v Speaker 1>at a point when like we'll be like, all right,

0:50:30.316 --> 0:50:32.436
<v Speaker 1>this is something that we can then bring the Jacob

0:50:32.516 --> 0:50:34.396
<v Speaker 1>because you just have to give him a litop. I

0:50:34.436 --> 0:50:36.436
<v Speaker 1>mean you've heard he like he just needs a leop.

0:50:36.636 --> 0:50:39.476
<v Speaker 1>And it'll sometimes be like it'll be like we've worked

0:50:39.516 --> 0:50:41.436
<v Speaker 1>through a bunch of tracks, you know, and we pick

0:50:41.556 --> 0:50:45.236
<v Speaker 1>through what feels like it's going to serve and it's

0:50:45.356 --> 0:50:49.476
<v Speaker 1>interesting exactly I imagine sometimes depending on what the vocal does,

0:50:50.356 --> 0:50:52.476
<v Speaker 1>it happens again where it's like, oh, the vocal wants

0:50:52.516 --> 0:50:54.596
<v Speaker 1>it to go in this direction. Yeah, we thought it

0:50:54.676 --> 0:50:59.436
<v Speaker 1>was going to go this way. Change it, you know, Hey,

0:50:59.596 --> 0:51:02.956
<v Speaker 1>can we try to do this or can we change

0:51:03.036 --> 0:51:06.316
<v Speaker 1>the key? Or can we But there has to be

0:51:06.436 --> 0:51:08.676
<v Speaker 1>trust that oh, he's really doing this for the sake

0:51:08.716 --> 0:51:11.036
<v Speaker 1>of the side. Yes, But there's also a thing. Here's

0:51:11.036 --> 0:51:15.356
<v Speaker 1>the other thing, and this is where having being securing

0:51:15.436 --> 0:51:18.356
<v Speaker 1>yourself or like being okay, I had a job, they

0:51:18.476 --> 0:51:21.716
<v Speaker 1>had their thing. This was literally just for the love

0:51:21.836 --> 0:51:25.156
<v Speaker 1>of the music. Yes, that's the key though, like doing

0:51:25.196 --> 0:51:27.236
<v Speaker 1>it for the love of the music. That's why it's good.

0:51:27.476 --> 0:51:30.716
<v Speaker 1>If it ever turns into a job, it won't be

0:51:30.836 --> 0:51:33.676
<v Speaker 1>the same. It's funny, ever since we did kind of

0:51:33.796 --> 0:51:39.196
<v Speaker 1>get into you know, a partnership, just being honest, it started,

0:51:39.436 --> 0:51:41.956
<v Speaker 1>you know, we were like, you know, we're here, we're ourselves,

0:51:41.996 --> 0:51:43.716
<v Speaker 1>and I'm like, you know, we we all felt like

0:51:43.836 --> 0:51:46.156
<v Speaker 1>this is going to be amazing. Yes, and then you know,

0:51:46.236 --> 0:51:48.276
<v Speaker 1>a lot of other forces, a lot of people come

0:51:48.356 --> 0:51:50.316
<v Speaker 1>and start trying to tell you how this can be

0:51:50.436 --> 0:51:53.436
<v Speaker 1>bigger and how this can be better. And then to

0:51:53.716 --> 0:51:55.636
<v Speaker 1>me and us, it felt like, I'm like, you know,

0:51:55.756 --> 0:51:58.636
<v Speaker 1>I don't want to like look myself in the mirror

0:51:58.956 --> 0:52:01.476
<v Speaker 1>and have a song I hate even if I'm like

0:52:02.636 --> 0:52:05.716
<v Speaker 1>rich as fuck, like, and they might not be right,

0:52:05.916 --> 0:52:08.156
<v Speaker 1>if that's another part of us, they're wrong. It's just

0:52:08.276 --> 0:52:10.956
<v Speaker 1>another idea. It's another idea, And chances are what they're

0:52:10.956 --> 0:52:14.356
<v Speaker 1>telling you is based on what worked for someone else,

0:52:14.556 --> 0:52:18.036
<v Speaker 1>not what worked for you. So it's it's impossible to know.

0:52:18.436 --> 0:52:21.516
<v Speaker 1>It's impossible to know. Yeah, and then you're just you know,

0:52:21.596 --> 0:52:24.236
<v Speaker 1>and then what are you contributing. You're just it's the

0:52:24.356 --> 0:52:27.636
<v Speaker 1>same music made by the same people for the same audience.

0:52:27.796 --> 0:52:31.116
<v Speaker 1>So then there's no new ideas. Yeah, if you if

0:52:31.196 --> 0:52:36.116
<v Speaker 1>you are making your favorite stuff together, that's the best

0:52:36.196 --> 0:52:37.956
<v Speaker 1>chance you have of anyone else liking it. It's the

0:52:38.036 --> 0:52:41.796
<v Speaker 1>best chance, better than anything, better than any second guessing

0:52:41.876 --> 0:52:44.796
<v Speaker 1>that you can do, or any opinions from someone who

0:52:44.876 --> 0:52:48.076
<v Speaker 1>knows better. If you love it all of if you

0:52:48.316 --> 0:52:52.036
<v Speaker 1>collectively love it and would be excited to play it

0:52:52.156 --> 0:52:57.316
<v Speaker 1>for your friends, there is no better test. That's it, absolutely,

0:52:57.356 --> 0:52:58.916
<v Speaker 1>Because it was like when we were making up in

0:52:58.956 --> 0:53:01.836
<v Speaker 1>these sporadic times and you know these twill be mine

0:53:01.956 --> 0:53:03.676
<v Speaker 1>'ll be will be in a laa whatever it was

0:53:04.396 --> 0:53:07.516
<v Speaker 1>like in the weeks after way it hung out and

0:53:07.716 --> 0:53:10.356
<v Speaker 1>done something, no matter how raw it was. In the

0:53:10.436 --> 0:53:13.996
<v Speaker 1>weeks afterwards, I'd be working some other ship and I'd

0:53:14.036 --> 0:53:15.956
<v Speaker 1>be like, God, I'd just be listening to that drumlobe.

0:53:16.476 --> 0:53:17.996
<v Speaker 1>I would I'll be going back to that thing and

0:53:17.996 --> 0:53:20.796
<v Speaker 1>I'd be like feeling that thing of like, oh that

0:53:21.036 --> 0:53:23.116
<v Speaker 1>that makes me look in the mirr. That's what I'll

0:53:23.196 --> 0:53:25.396
<v Speaker 1>do well. That's what I want to do, do you

0:53:25.436 --> 0:53:26.596
<v Speaker 1>know what I mean? It was like and I'd be

0:53:26.676 --> 0:53:28.756
<v Speaker 1>doing this other stuff that people might think is cool

0:53:28.916 --> 0:53:30.876
<v Speaker 1>or make money and whatever. We're like, yeah, I'm fucking

0:53:30.996 --> 0:53:33.236
<v Speaker 1>hit it, you know, I really did. And like that's

0:53:33.516 --> 0:53:35.356
<v Speaker 1>when I met Ari, like ten years ago. I was

0:53:35.716 --> 0:53:37.476
<v Speaker 1>I was sick of people telling me my work look

0:53:37.556 --> 0:53:40.596
<v Speaker 1>great and I just felt nothing. Yeah, Honestly, when I

0:53:40.676 --> 0:53:42.356
<v Speaker 1>looked at it, I was kind of like I felt

0:53:42.396 --> 0:53:44.796
<v Speaker 1>like I really didn't fit it look good. And I'm

0:53:44.836 --> 0:53:46.116
<v Speaker 1>good at what I do when I do, you know,

0:53:46.396 --> 0:53:48.556
<v Speaker 1>kind of creatively, I'm pretty good at shape and stuff.

0:53:49.036 --> 0:53:51.796
<v Speaker 1>And it's like this thing where I just didn't feel anything. Man,

0:53:52.036 --> 0:53:53.876
<v Speaker 1>And like meeting Marie, it was like this weird thing

0:53:53.956 --> 0:53:56.556
<v Speaker 1>where I was working on stuff. This is before we started.

0:53:56.636 --> 0:54:00.476
<v Speaker 1>I was like I would leave working with him and

0:54:00.556 --> 0:54:02.236
<v Speaker 1>the work that happened and the thing I told him,

0:54:02.236 --> 0:54:05.436
<v Speaker 1>I'd feel like legit, Yeah I would, And then like

0:54:05.556 --> 0:54:07.556
<v Speaker 1>that would be the same feeling that would then carry

0:54:07.596 --> 0:54:09.876
<v Speaker 1>on the three of us. Like when we would lave it,

0:54:09.916 --> 0:54:12.156
<v Speaker 1>I'd be like, damn listening, you know this that's just

0:54:12.356 --> 0:54:14.796
<v Speaker 1>got something. It's got that thing. And if you think

0:54:14.876 --> 0:54:17.436
<v Speaker 1>of all of the people who make things trying to

0:54:17.556 --> 0:54:22.156
<v Speaker 1>get on the radio and don't. Yeh, I make something

0:54:22.316 --> 0:54:25.516
<v Speaker 1>exactly that's just your taste that you never think would

0:54:25.556 --> 0:54:28.196
<v Speaker 1>get on the radio, and that gets on the radio.

0:54:28.756 --> 0:54:33.836
<v Speaker 1>Trust yourself, that's it. That's the test case. Remember that,

0:54:34.596 --> 0:54:39.316
<v Speaker 1>Remember how it started. Than we needed that. It's funny.

0:54:39.356 --> 0:54:41.956
<v Speaker 1>It's funny. It's funny that you say that. In my case,

0:54:42.676 --> 0:54:46.396
<v Speaker 1>it wasn't even trust myself. It was trust them yea,

0:54:46.796 --> 0:54:49.476
<v Speaker 1>and trust the as like Jacob, this is the best

0:54:49.636 --> 0:54:55.076
<v Speaker 1>music you've ever done. Yes, fuck it, like literally black black,

0:54:55.076 --> 0:54:58.516
<v Speaker 1>because I was like, well, no, I need to do this, Jacob,

0:54:58.596 --> 0:55:02.036
<v Speaker 1>just chill the fuck out. What that's what y'all want

0:55:02.076 --> 0:55:04.156
<v Speaker 1>to do? All right, that's fine, you want me to

0:55:04.236 --> 0:55:08.596
<v Speaker 1>do what? Okay? Fine. As a rule, try everything if

0:55:08.636 --> 0:55:11.996
<v Speaker 1>you ever and I idea that's different, try it also, Yeah,

0:55:12.116 --> 0:55:16.476
<v Speaker 1>and then we do. That's one thing we do. Rule

0:55:16.596 --> 0:55:19.956
<v Speaker 1>like that. You never know. You never know. I've tried,

0:55:20.636 --> 0:55:24.436
<v Speaker 1>but you can. It doesn't always work. It's fine, it's fine,

0:55:24.836 --> 0:55:27.556
<v Speaker 1>but he is. Trust That process is fun, you know.

0:55:27.676 --> 0:55:30.156
<v Speaker 1>It's like we love to just even recut, like take

0:55:30.276 --> 0:55:33.556
<v Speaker 1>everything out here, just vocal and bass or something random

0:55:33.676 --> 0:55:36.636
<v Speaker 1>and it's like that's exciting to us. That's where like

0:55:36.836 --> 0:55:40.036
<v Speaker 1>we'll just Jacob will just give us something amazing and

0:55:40.116 --> 0:55:42.156
<v Speaker 1>then we can nerd. You know. It's like because that's

0:55:42.196 --> 0:55:47.596
<v Speaker 1>the thing with Bloodline Stranger even Stranger completely reworked and

0:55:47.676 --> 0:55:48.996
<v Speaker 1>I came back and I cried. I was like, what

0:55:49.276 --> 0:55:52.556
<v Speaker 1>it's like. But again, it's just you can't try everything

0:55:52.716 --> 0:55:56.956
<v Speaker 1>if you have a fear of anything, right and trust.

0:55:57.036 --> 0:55:58.796
<v Speaker 1>Trust is that That's what I was trying to say.

0:55:58.836 --> 0:56:00.516
<v Speaker 1>It's like the one thing I've learned and the one

0:56:00.556 --> 0:56:02.236
<v Speaker 1>thing I'll share you right now if I was to

0:56:02.316 --> 0:56:05.796
<v Speaker 1>give any advice to anybody in my short, very very short,

0:56:05.916 --> 0:56:10.036
<v Speaker 1>your long music career, what are you talking like? You

0:56:10.156 --> 0:56:13.836
<v Speaker 1>the fun? Do I think I've been making you? Because

0:56:13.836 --> 0:56:15.756
<v Speaker 1>you go ago? And I want to be unogize about

0:56:15.796 --> 0:56:17.916
<v Speaker 1>this right now if I do feel it's impolish as

0:56:17.996 --> 0:56:20.676
<v Speaker 1>it's just as an artist just to share that trust

0:56:20.956 --> 0:56:23.916
<v Speaker 1>is the one thing that will be the key to

0:56:24.156 --> 0:56:26.956
<v Speaker 1>work flaw and you can if you trust teacher of

0:56:27.036 --> 0:56:30.356
<v Speaker 1>your trust, I'm safe to try something like you're going

0:56:30.396 --> 0:56:33.116
<v Speaker 1>to nurture that environment. That's true, right, because you're not

0:56:33.316 --> 0:56:36.276
<v Speaker 1>nurturing that environment for people around you. To feel safe.

0:56:36.436 --> 0:56:38.516
<v Speaker 1>They've got to trust you to feel safe to try

0:56:38.596 --> 0:56:41.356
<v Speaker 1>shit and be wrong, nothing wrong with being wrong, and

0:56:41.476 --> 0:56:44.276
<v Speaker 1>like the thing is is like that is what, that's

0:56:44.316 --> 0:56:46.716
<v Speaker 1>what kind of we've been building that garden to me,

0:56:46.756 --> 0:56:49.916
<v Speaker 1>and I will say Ryan's been a very strong part

0:56:49.996 --> 0:56:53.516
<v Speaker 1>in that for me and Jake. I think he's because

0:56:54.076 --> 0:56:56.196
<v Speaker 1>you know, I think Jacob and I have a said

0:56:56.316 --> 0:56:58.756
<v Speaker 1>to kind of be hard on ourselves in certain ways.

0:56:58.956 --> 0:57:05.716
<v Speaker 1>As most genius is, then Yan's always there to encourage

0:57:05.796 --> 0:57:08.756
<v Speaker 1>and even stuff that we might not think is something

0:57:08.836 --> 0:57:11.796
<v Speaker 1>that are just trying, He'll be like, no, keep that

0:57:11.916 --> 0:57:14.756
<v Speaker 1>that's sick, like really cool, and then you listen to

0:57:14.876 --> 0:57:17.996
<v Speaker 1>it and it's like that has been invaluable in this

0:57:18.196 --> 0:57:22.676
<v Speaker 1>experience for you know, anyone, because so cool. I also

0:57:22.756 --> 0:57:27.196
<v Speaker 1>say this in life in general, we need to create

0:57:27.556 --> 0:57:32.636
<v Speaker 1>spaces where people are safe and they can cut the

0:57:32.716 --> 0:57:35.516
<v Speaker 1>bullshit because a lot of us are doing bullshit that's

0:57:35.556 --> 0:57:38.476
<v Speaker 1>not real musically in life absolutely, and we're making these

0:57:38.596 --> 0:57:43.476
<v Speaker 1>standards and creating these stories for people and people you're

0:57:44.156 --> 0:57:47.116
<v Speaker 1>fifty sixty years old and you still don't have a

0:57:47.196 --> 0:57:49.316
<v Speaker 1>clue of who you really are, what you really want,

0:57:49.436 --> 0:57:52.436
<v Speaker 1>what you what's really in your heart, what's really you know,

0:57:52.676 --> 0:57:55.436
<v Speaker 1>And so you've been bullshitting for fifty years. Yeah, now

0:57:55.476 --> 0:58:00.116
<v Speaker 1>you're sixty five, and now you've realized, Oh, I'm actually

0:58:00.156 --> 0:58:01.716
<v Speaker 1>don't need all that. I really don't have to do

0:58:01.796 --> 0:58:05.876
<v Speaker 1>all that. I really don't. But even musically, that's what

0:58:06.196 --> 0:58:10.076
<v Speaker 1>I think we've created where it's like, we know the truth.

0:58:10.116 --> 0:58:13.956
<v Speaker 1>You can't bullshit me in here, chick, come on. Really,

0:58:14.276 --> 0:58:18.676
<v Speaker 1>that's what and that is what my prayer is that

0:58:18.956 --> 0:58:22.316
<v Speaker 1>the world is able to have that where we can

0:58:22.356 --> 0:58:25.836
<v Speaker 1>stop bullshitting each other. Beautiful, whatever it is, whatever that is,

0:58:25.956 --> 0:58:27.676
<v Speaker 1>whatever it is, this is what, This is what brings

0:58:27.716 --> 0:58:30.036
<v Speaker 1>me peace. This is what I don't want to fucking

0:58:30.116 --> 0:58:32.476
<v Speaker 1>work a job or whatever it is, whatever it is,

0:58:33.036 --> 0:58:35.996
<v Speaker 1>just and even if it's even if you have to

0:58:36.116 --> 0:58:39.716
<v Speaker 1>do something that you're uncomfortable with, yes, at least the

0:58:39.956 --> 0:58:44.116
<v Speaker 1>truth is known, yes, And it's like knowledge yes, because

0:58:44.156 --> 0:58:47.196
<v Speaker 1>then you're able to move absolutely beautiful. You never have

0:58:47.276 --> 0:58:52.916
<v Speaker 1>to apologize to me, You never have to apologize. I

0:58:53.076 --> 0:58:55.276
<v Speaker 1>go on these ramps and I get lost in space.

0:58:55.396 --> 0:59:03.276
<v Speaker 1>It's beautiful. Point is it's beautiful? All good. Congratulations on yeah,

0:59:03.276 --> 0:59:06.836
<v Speaker 1>congratulations on finding each other, and congratulations on making beautiful stuff.

0:59:08.276 --> 0:59:11.996
<v Speaker 1>Nothing better, all right, Thank you for doing this man,

0:59:12.236 --> 0:59:20.756
<v Speaker 1>Thank you, Yeah, thanks again to Gabriel's I also want

0:59:20.756 --> 0:59:22.316
<v Speaker 1>to give a shout out to the folks who made

0:59:22.356 --> 0:59:25.196
<v Speaker 1>that live session sound as beautiful as it does. The

0:59:25.276 --> 0:59:28.356
<v Speaker 1>whole band, of course, plus Lisa Fletcher at Oreland Studios

0:59:28.396 --> 0:59:32.196
<v Speaker 1>in Austin, Texas. Chris Shaw who engineered that session in

0:59:32.316 --> 0:59:35.076
<v Speaker 1>Beach Noise who mixed the songs. You can hear all

0:59:35.076 --> 0:59:37.676
<v Speaker 1>of our favorite Gabriel songs on the playlist at broken

0:59:37.756 --> 0:59:40.756
<v Speaker 1>Record podcast dot com. Be sure to subscribe to our

0:59:40.756 --> 0:59:44.276
<v Speaker 1>YouTube channel at YouTube dot com slash Broken Record Podcast,

0:59:44.436 --> 0:59:47.356
<v Speaker 1>where you can find all of our new episodes. You

0:59:47.396 --> 0:59:50.516
<v Speaker 1>can follow us on Twitter at broken Record. Broken Record

0:59:50.636 --> 0:59:54.476
<v Speaker 1>is produced with help from Leah Rose, Jason Gambrel, Ben Holliday,

0:59:54.916 --> 0:59:59.796
<v Speaker 1>Eric Sandler, Jennifer Sanchez, our editor Sophie Crane. Our executive

0:59:59.796 --> 1:00:03.876
<v Speaker 1>producer is Mia LaBelle. Broken Record is a production of

1:00:03.996 --> 1:00:07.556
<v Speaker 1>Pushkin Industries. If you love this show and others from Pushkin,

1:00:07.676 --> 1:00:11.436
<v Speaker 1>consider subscribing to push com Plus. Pushkm plus is a

1:00:11.516 --> 1:00:15.556
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1:00:15.596 --> 1:00:18.676
<v Speaker 1>listening for four ninety nine a month. Look for push

1:00:18.756 --> 1:00:22.356
<v Speaker 1>com Plus on Apple Podcasts, subscriptions, and if you like

1:00:22.436 --> 1:00:24.956
<v Speaker 1>our show, please remember to share, rate, and review us

1:00:25.156 --> 1:00:28.156
<v Speaker 1>on your podcast app Our theme musics by Kenny Beats

1:00:28.556 --> 1:00:29.596
<v Speaker 1>on Justin Richmond