1 00:00:01,000 --> 00:00:02,240 Speaker 1: Taking a Walk nash Still. 2 00:00:02,360 --> 00:00:05,480 Speaker 2: Hey y'all, thanks for tuning in today. It's Sarah Harrelson, 3 00:00:05,720 --> 00:00:09,799 Speaker 2: your host of Taking a Walk Nashville. Today, I am 4 00:00:09,960 --> 00:00:16,319 Speaker 2: sitting down with Nashville songwriter and singer Kelly Lange. You 5 00:00:16,560 --> 00:00:20,160 Speaker 2: may have heard her song I'm Not Going Anywhere if 6 00:00:20,200 --> 00:00:25,920 Speaker 2: you have seen the Ascension Saint Thomas Hospital national commercials. 7 00:00:25,960 --> 00:00:29,680 Speaker 2: That is her song. Her new single, I Reached for 8 00:00:29,840 --> 00:00:33,199 Speaker 2: Red is out. She also just dropped a single Hollywood 9 00:00:33,920 --> 00:00:39,559 Speaker 2: and her album will be out later this summer. She 10 00:00:39,920 --> 00:00:44,640 Speaker 2: is married to country artist TG Shephard. She recently did 11 00:00:44,720 --> 00:00:48,760 Speaker 2: a Christmas album with him, and she's had songs recorded 12 00:00:48,760 --> 00:00:53,880 Speaker 2: by Ricky Skaggs, Crystal Gaale Mickey, Kelly, George Jones, and 13 00:00:53,960 --> 00:00:58,080 Speaker 2: the list goes on. Her song Under the Tennessee Moon. 14 00:00:58,440 --> 00:01:02,080 Speaker 2: Did you know that it's a Tennis state song. There's 15 00:01:02,160 --> 00:01:05,039 Speaker 2: a lot to dive in with her today, so join 16 00:01:05,120 --> 00:01:07,559 Speaker 2: me as I sit down with Kelly Lange. 17 00:01:12,240 --> 00:01:15,760 Speaker 3: Welcome to Taking a Walk Nashville with your hosts singer 18 00:01:15,840 --> 00:01:20,480 Speaker 3: songwriter Sarah Harrelson. Hi everyone, this is Sarah Harrelson, your 19 00:01:20,520 --> 00:01:23,720 Speaker 3: host of Taking a Walk Nashville, and joining us today 20 00:01:23,800 --> 00:01:27,800 Speaker 3: is a true Nashville powerhouse whose voice and storytelling who 21 00:01:27,840 --> 00:01:31,639 Speaker 3: has touched millions. She is a multi award winning singer, 22 00:01:31,720 --> 00:01:34,680 Speaker 3: songwriter and author who has shared the stage with legends 23 00:01:35,000 --> 00:01:39,680 Speaker 3: and seeing her own songs recorded by icons like George Jones, Ricky. 24 00:01:39,400 --> 00:01:41,880 Speaker 4: Skaggs, and Bristol Gaale. 25 00:01:42,000 --> 00:01:45,200 Speaker 3: She is fresh off a beautiful duets project, Chemistry with 26 00:01:45,280 --> 00:01:48,600 Speaker 3: her husband TG Shepherd, and is currently gearing up for 27 00:01:48,640 --> 00:01:50,920 Speaker 3: a massive summer album release. 28 00:01:51,560 --> 00:01:54,280 Speaker 2: Kelly, thank you so much for being on Taking a Walk, Nash, but. 29 00:01:54,240 --> 00:01:54,880 Speaker 4: Thank you today. 30 00:01:55,040 --> 00:01:57,200 Speaker 1: Thank you so much. I'm looking forward to my album 31 00:01:57,240 --> 00:01:59,920 Speaker 1: coming out. But meanwhile, we've got our first single off 32 00:02:00,040 --> 00:02:02,760 Speaker 1: the album coming out tomorrow, so I'm really excited to 33 00:02:02,760 --> 00:02:03,600 Speaker 1: share it with everyone. 34 00:02:03,760 --> 00:02:06,040 Speaker 4: You do. And that's I Reach for Red correct. 35 00:02:06,280 --> 00:02:10,080 Speaker 3: Yeah, what does red represent in the context of the song. 36 00:02:10,120 --> 00:02:13,960 Speaker 1: Well, it actually is for Red Wine, but there's so 37 00:02:14,040 --> 00:02:16,400 Speaker 1: many things in the video that comes out tomorrow as 38 00:02:16,440 --> 00:02:18,440 Speaker 1: well that you'll see that I've read screeched for. 39 00:02:18,720 --> 00:02:20,240 Speaker 4: So it's not just the wine. 40 00:02:20,520 --> 00:02:23,480 Speaker 1: But it's written about a friend of mine that just 41 00:02:23,600 --> 00:02:26,440 Speaker 1: loved wine for everything, like every occasion. 42 00:02:26,480 --> 00:02:29,520 Speaker 4: It was like happy, sad, celebrative, and she would like 43 00:02:29,800 --> 00:02:31,840 Speaker 4: somebody sold their dogs, she would let go. 44 00:02:32,120 --> 00:02:34,880 Speaker 1: She was like an excuse to drink wine, and so 45 00:02:35,000 --> 00:02:37,040 Speaker 1: I would just tease with her, I'm like, girl, I 46 00:02:37,080 --> 00:02:39,880 Speaker 1: need to crutch right, But it was just. 47 00:02:39,880 --> 00:02:42,040 Speaker 4: I don't even drink red wine that much. But it 48 00:02:42,120 --> 00:02:43,600 Speaker 4: was just a fun song that things sing. 49 00:02:43,480 --> 00:02:45,200 Speaker 1: About, and I realized there's a lot of people out 50 00:02:45,200 --> 00:02:47,040 Speaker 1: there that really do like their red wine. 51 00:02:47,120 --> 00:02:47,320 Speaker 4: Yeah. 52 00:02:47,800 --> 00:02:49,360 Speaker 2: Yeah, I can't wait to hear that. 53 00:02:49,520 --> 00:02:54,079 Speaker 3: And following that release you have Holly Wood, is there 54 00:02:54,280 --> 00:02:57,799 Speaker 3: a narrative that connects these two singles as we had 55 00:02:58,000 --> 00:02:59,160 Speaker 3: towards your next album? 56 00:02:59,320 --> 00:03:02,919 Speaker 1: Nothing really connect those particular songs, but the album as 57 00:03:02,960 --> 00:03:08,440 Speaker 1: a whole, it's like a PG thirteen Okay, maybe fourteen actually, 58 00:03:08,760 --> 00:03:11,680 Speaker 1: but everything is a little bit more adult contemporary and 59 00:03:11,840 --> 00:03:14,080 Speaker 1: it's got an adult theme. So those two songs seem 60 00:03:14,120 --> 00:03:17,640 Speaker 1: to fit the album properly, you know. And as the 61 00:03:17,720 --> 00:03:20,079 Speaker 1: album progresses, you see just like a little bit more 62 00:03:20,160 --> 00:03:23,880 Speaker 1: evolution in to why they're connected, not in particular of 63 00:03:23,880 --> 00:03:25,520 Speaker 1: those two side by side. 64 00:03:25,680 --> 00:03:29,359 Speaker 3: Yeah, And is there like a play on words with Hollywood? 65 00:03:29,400 --> 00:03:32,840 Speaker 3: Is it regarding Hollywood or is it a specific character both? 66 00:03:33,280 --> 00:03:36,200 Speaker 4: Okay, I'd have to glad to hear it. Yeah, I'm 67 00:03:36,480 --> 00:03:37,720 Speaker 4: very excited to hear it. 68 00:03:37,760 --> 00:03:41,040 Speaker 3: In all of the upcoming music and addition, in addition 69 00:03:41,080 --> 00:03:43,320 Speaker 3: to your new music, you have a few shows coming 70 00:03:43,400 --> 00:03:47,280 Speaker 3: up with your husband. Can fans expect of tour or 71 00:03:47,320 --> 00:03:48,839 Speaker 3: additional performances this year? 72 00:03:49,120 --> 00:03:51,720 Speaker 1: Yeah, we actually do shows throughout the year, but right 73 00:03:51,720 --> 00:03:54,400 Speaker 1: now we're doing show this Sunday night in Franklin, Tennessee 74 00:03:54,440 --> 00:03:56,880 Speaker 1: at the Franklin Theater her col So I'm very excited 75 00:03:56,880 --> 00:03:57,280 Speaker 1: about that. 76 00:03:57,440 --> 00:03:59,280 Speaker 4: But we also have, you know, shows that we do 77 00:03:59,360 --> 00:03:59,920 Speaker 4: on our own. 78 00:04:00,040 --> 00:04:01,960 Speaker 1: You can go to my website Kelly Lang dot net 79 00:04:01,960 --> 00:04:03,200 Speaker 1: and check out the tour schedule. 80 00:04:03,480 --> 00:04:06,720 Speaker 3: Great. Yeah, and you have been busy recording with your 81 00:04:06,800 --> 00:04:11,400 Speaker 3: husband as well. You recently released a duets album title Chemistry. 82 00:04:11,720 --> 00:04:13,880 Speaker 4: How did you pick the songs for that album. 83 00:04:14,240 --> 00:04:16,240 Speaker 1: Well, we had done an album many years ago called 84 00:04:16,400 --> 00:04:19,320 Speaker 1: Iconic Duets, and it was just a fun project to do, 85 00:04:19,400 --> 00:04:22,080 Speaker 1: and we waited a long time in between to record again, 86 00:04:22,200 --> 00:04:24,400 Speaker 1: and there was just some love songs that we had 87 00:04:24,600 --> 00:04:27,240 Speaker 1: had in mind on the first project we never got 88 00:04:27,240 --> 00:04:29,920 Speaker 1: to so it's just kind of like a two point zero 89 00:04:30,200 --> 00:04:31,800 Speaker 1: and it was a fun time to get back in 90 00:04:31,839 --> 00:04:34,280 Speaker 1: there with him, and I don't know, we just had 91 00:04:34,360 --> 00:04:35,880 Speaker 1: enough time on our hands to be able to pull 92 00:04:35,880 --> 00:04:38,760 Speaker 1: a project together, and it just was a blatch recording it. 93 00:04:38,800 --> 00:04:39,760 Speaker 4: I had a really good time. 94 00:04:39,960 --> 00:04:42,719 Speaker 3: Yeah, such beautiful songs. I love your take on Because 95 00:04:42,760 --> 00:04:45,960 Speaker 3: You Love Me and some of the other songs. You 96 00:04:46,040 --> 00:04:49,360 Speaker 3: also wrote the song I'm Not Going Anywhere before your 97 00:04:49,400 --> 00:04:52,760 Speaker 3: own breast cancer diagnosis, and it later became a national 98 00:04:52,839 --> 00:04:57,760 Speaker 3: anthem for caregivers through the Ascension Hospital commercials. How has 99 00:04:57,800 --> 00:05:01,200 Speaker 3: your relationship with that song of all, now that it 100 00:05:01,240 --> 00:05:02,400 Speaker 3: has its own legacy in. 101 00:05:02,360 --> 00:05:03,240 Speaker 4: The healthcare world. 102 00:05:04,480 --> 00:05:07,960 Speaker 1: Well, I didn't see it coming, honestly. It actually ended 103 00:05:08,000 --> 00:05:09,919 Speaker 1: up also being the title of my book. I have 104 00:05:09,920 --> 00:05:12,919 Speaker 1: an autobiography that the Olivia Newton John wrote thee forward 105 00:05:13,000 --> 00:05:15,640 Speaker 1: for and it's all about my experience with breast cancer 106 00:05:15,680 --> 00:05:19,359 Speaker 1: and the music industry. And that song I just I 107 00:05:19,400 --> 00:05:22,560 Speaker 1: really just wrote as an instrumental and then I later 108 00:05:23,080 --> 00:05:25,120 Speaker 1: added words to it, and it just kind of set 109 00:05:25,160 --> 00:05:28,120 Speaker 1: there for like fifteen years, and all of a sudden, 110 00:05:28,480 --> 00:05:30,880 Speaker 1: you know, there took a totally upswing on that, and 111 00:05:30,920 --> 00:05:34,359 Speaker 1: the hospital took care of that, and I don't know, 112 00:05:34,400 --> 00:05:36,919 Speaker 1: it made my career take up a notch and people 113 00:05:36,960 --> 00:05:39,920 Speaker 1: took me more seriously as a writer, and my writing 114 00:05:39,960 --> 00:05:42,880 Speaker 1: career has really taken off since that project, so I 115 00:05:42,920 --> 00:05:45,719 Speaker 1: always added in all my shows, and for some reason, 116 00:05:45,760 --> 00:05:49,359 Speaker 1: people seem to be sentimentally attached to that from a 117 00:05:49,400 --> 00:05:50,520 Speaker 1: caregiver's perspective. 118 00:05:50,640 --> 00:05:53,000 Speaker 4: So yeah, it's really cool. Yeah, it's so beautiful. 119 00:05:53,040 --> 00:05:54,719 Speaker 3: I definitely hear it all the time when I see 120 00:05:54,720 --> 00:05:59,080 Speaker 3: the Assumpsion commercials. Another song that you have under the 121 00:05:59,120 --> 00:06:02,320 Speaker 3: Tennessee Moon, and that was recently named an official Tennessee 122 00:06:02,360 --> 00:06:03,400 Speaker 3: State song, which is. 123 00:06:03,720 --> 00:06:05,359 Speaker 2: A massive honor. 124 00:06:05,400 --> 00:06:06,840 Speaker 4: When you were writing that song. 125 00:06:06,680 --> 00:06:09,800 Speaker 3: Did you think there would become a Tennessee state song? 126 00:06:10,440 --> 00:06:12,760 Speaker 1: Again, I have a weird thing that happens I write 127 00:06:12,760 --> 00:06:16,320 Speaker 1: something and fifteen years later that's what happened with this 128 00:06:16,360 --> 00:06:16,800 Speaker 1: one too. 129 00:06:16,920 --> 00:06:18,000 Speaker 4: I wrote it for my mom. 130 00:06:18,080 --> 00:06:18,240 Speaker 3: You know. 131 00:06:18,320 --> 00:06:21,200 Speaker 1: She was just saying, Kelly, I love Tennessee so much. 132 00:06:21,279 --> 00:06:22,880 Speaker 1: Can you just look at it through my eyes and 133 00:06:22,920 --> 00:06:25,720 Speaker 1: how beautiful the hills are and the heritage and the music. 134 00:06:25,800 --> 00:06:28,359 Speaker 4: And she said, please write a song about Tennessee for me, 135 00:06:28,400 --> 00:06:31,320 Speaker 4: And I'm like, how do you do that? You know? 136 00:06:31,440 --> 00:06:32,640 Speaker 4: So I did. I wrote. 137 00:06:32,640 --> 00:06:34,600 Speaker 1: I went home that evening and started writing it and 138 00:06:34,760 --> 00:06:37,200 Speaker 1: just as a gift to her, And I did not 139 00:06:37,600 --> 00:06:39,000 Speaker 1: see this coming at all. 140 00:06:39,080 --> 00:06:40,919 Speaker 4: That when the Governor of Tennessee. 141 00:06:41,080 --> 00:06:44,480 Speaker 1: Governor Lee gave me a proclamation in his office. My 142 00:06:44,520 --> 00:06:46,480 Speaker 1: mom was here to see that. She got to hear 143 00:06:46,520 --> 00:06:49,080 Speaker 1: me sing it on the opry, and she passed four 144 00:06:49,080 --> 00:06:51,280 Speaker 1: months later, So it was a real full circle moment 145 00:06:51,320 --> 00:06:52,479 Speaker 1: for me to have her see that. 146 00:06:52,720 --> 00:06:55,080 Speaker 3: Yeah, I'm so glad she got to hear the song 147 00:06:55,160 --> 00:06:56,560 Speaker 3: and see your performer. 148 00:06:56,680 --> 00:06:57,839 Speaker 4: That's so special. 149 00:06:57,960 --> 00:07:01,440 Speaker 3: And you've also had songs recorded by George Jones, Ricky 150 00:07:01,520 --> 00:07:05,039 Speaker 3: Skagg's Crystal Gale. When you're writing, how do you know 151 00:07:05,200 --> 00:07:08,479 Speaker 3: if a song is for you or how do you 152 00:07:08,600 --> 00:07:11,160 Speaker 3: know if it's for another artist? 153 00:07:11,240 --> 00:07:13,120 Speaker 4: During that process? That's a great question. 154 00:07:14,880 --> 00:07:18,560 Speaker 1: Well, if somebody hires me or you know, asks that 155 00:07:18,560 --> 00:07:20,880 Speaker 1: if I could do something for this particular project, I 156 00:07:21,040 --> 00:07:22,800 Speaker 1: tend to not think about my own feelings. 157 00:07:22,840 --> 00:07:26,000 Speaker 4: I try to body myself with what they would say. 158 00:07:26,600 --> 00:07:28,680 Speaker 1: For instance, there's a song on my album right now 159 00:07:28,720 --> 00:07:31,760 Speaker 1: that's coming out called I Know Me, and I actually 160 00:07:31,800 --> 00:07:35,760 Speaker 1: wrote it for Johnny Lee of the Urban Cowboy fame 161 00:07:36,320 --> 00:07:40,400 Speaker 1: and he recorded it and it was from a men's perspective, 162 00:07:40,520 --> 00:07:43,240 Speaker 1: is how I wrote the song. But I had several 163 00:07:43,240 --> 00:07:46,160 Speaker 1: people go, why didn't you record that? And I'm like, hm, 164 00:07:46,240 --> 00:07:48,000 Speaker 1: I never thought about it being from a girl's spot. 165 00:07:48,280 --> 00:07:50,960 Speaker 1: So I have re you know, structured the song and 166 00:07:51,400 --> 00:07:54,760 Speaker 1: made it my own. And it's weird though I'm not 167 00:07:54,880 --> 00:07:58,640 Speaker 1: as connected to it lyrically because it wasn't for me, 168 00:07:58,880 --> 00:08:02,120 Speaker 1: you know, so there's a mental separation with it. It's 169 00:08:02,160 --> 00:08:04,360 Speaker 1: still an interesting song and I added it on the 170 00:08:04,400 --> 00:08:08,040 Speaker 1: project because it fits, but there is a difference. There's 171 00:08:08,080 --> 00:08:11,320 Speaker 1: really like when I wrote for Laurie's album, Laurie Morgan's album, 172 00:08:11,920 --> 00:08:14,480 Speaker 1: we said and we talked about her life, what happened 173 00:08:14,520 --> 00:08:16,680 Speaker 1: in your day, who were you involved with, you know, 174 00:08:16,720 --> 00:08:19,920 Speaker 1: and so all of the songs that we wrote for her, 175 00:08:20,240 --> 00:08:22,000 Speaker 1: if I were to go back and record them, it 176 00:08:22,000 --> 00:08:24,480 Speaker 1: wouldn't sound the same, right, Yeah, It'll be totally a 177 00:08:24,480 --> 00:08:25,280 Speaker 1: different vibe. 178 00:08:25,520 --> 00:08:28,360 Speaker 3: And that's so important that you brought up earlier that 179 00:08:28,480 --> 00:08:30,760 Speaker 3: you know, sometimes a song, you write it and nothing 180 00:08:30,840 --> 00:08:32,480 Speaker 3: happens with the ten years later. 181 00:08:32,600 --> 00:08:35,360 Speaker 4: And that's the great thing about music is that it. 182 00:08:35,280 --> 00:08:38,160 Speaker 3: Can be so timeless. And then you know, a lot 183 00:08:38,160 --> 00:08:41,120 Speaker 3: of evergreen, newer artists are thinking they need to get 184 00:08:41,120 --> 00:08:43,720 Speaker 3: a song out right now or get it cut right now, but. 185 00:08:43,679 --> 00:08:45,000 Speaker 2: Sometimes it's un the same. 186 00:08:45,040 --> 00:08:46,760 Speaker 4: Everything breathe of time. 187 00:08:46,840 --> 00:08:48,960 Speaker 1: Yeah, the one thing I've really learned that older I 188 00:08:49,000 --> 00:08:51,839 Speaker 1: have gotten, which is, you know, wisdom comes with as 189 00:08:51,880 --> 00:08:55,400 Speaker 1: thank God, you know. But it's just patience, you know, 190 00:08:55,559 --> 00:08:58,680 Speaker 1: and that nothing is created in vain. And I don't 191 00:08:58,840 --> 00:09:02,160 Speaker 1: take anything personally, don't get distraught if something doesn't get 192 00:09:02,200 --> 00:09:04,600 Speaker 1: cut or something. I just patiently go. If that's meant 193 00:09:04,600 --> 00:09:07,440 Speaker 1: to be, it will happen. And if not, you know, 194 00:09:07,480 --> 00:09:09,600 Speaker 1: maybe it's just not the right time, you know. So 195 00:09:09,720 --> 00:09:12,520 Speaker 1: I just patiently just I don't even I don't even 196 00:09:12,559 --> 00:09:15,160 Speaker 1: promote my music. I don't even tell really anybody about it. 197 00:09:15,160 --> 00:09:17,360 Speaker 1: This kind of organically tidy. It takes care of itself, 198 00:09:17,360 --> 00:09:18,480 Speaker 1: which is it. 199 00:09:18,760 --> 00:09:22,720 Speaker 4: It's helpful to me because I don't feel stressed about it. Absolutely. Yeah, 200 00:09:22,720 --> 00:09:25,840 Speaker 4: that's such beautiful advice, Kelly. 201 00:09:26,040 --> 00:09:27,440 Speaker 2: I have one more question for you. 202 00:09:27,440 --> 00:09:30,480 Speaker 3: We're on taking a walk Nashville, and Nashville has changed 203 00:09:30,720 --> 00:09:31,280 Speaker 3: so much. 204 00:09:31,360 --> 00:09:34,840 Speaker 4: So you think if we were walking. 205 00:09:34,559 --> 00:09:38,680 Speaker 3: Down Broadway or Music Row ten years ago versus today, 206 00:09:39,000 --> 00:09:42,840 Speaker 3: what's the biggest landmark in your memory that's no longer there. 207 00:09:43,840 --> 00:09:46,560 Speaker 4: Well, I'm gonna take you back thirty years. 208 00:09:46,880 --> 00:09:50,080 Speaker 1: So when I was hanging out on Music Row, when 209 00:09:50,080 --> 00:09:52,760 Speaker 1: it was really Music Row, there were little houses that 210 00:09:52,800 --> 00:09:55,240 Speaker 1: you pop into, you know, and you would go from 211 00:09:55,240 --> 00:09:57,360 Speaker 1: house to house to house, and they were publishing houses, 212 00:09:57,400 --> 00:10:00,520 Speaker 1: and you would a either write with somebody, or grab 213 00:10:00,600 --> 00:10:02,400 Speaker 1: somebody from that house to go lunch with the guy 214 00:10:02,400 --> 00:10:03,280 Speaker 1: from the next house. 215 00:10:03,400 --> 00:10:05,199 Speaker 4: Or there was a lot of hopping around. 216 00:10:05,200 --> 00:10:07,480 Speaker 1: And there was a little place called Maud's Vineyard that 217 00:10:07,559 --> 00:10:09,520 Speaker 1: we all would hang out at and it was. 218 00:10:09,559 --> 00:10:11,920 Speaker 4: Just a quaint little luncheon spot. 219 00:10:12,080 --> 00:10:16,959 Speaker 1: Every body, every artist, every publisher, every producer, everybody hung 220 00:10:17,000 --> 00:10:21,000 Speaker 1: out there and it was just such a quaint, little 221 00:10:21,040 --> 00:10:22,760 Speaker 1: off the beaten path kind of place. 222 00:10:22,840 --> 00:10:23,480 Speaker 4: I miss that. 223 00:10:23,559 --> 00:10:25,280 Speaker 1: There's a couple of little places like that, but I 224 00:10:25,320 --> 00:10:28,280 Speaker 1: miss that it is no longer, and I'm disgrateful to 225 00:10:28,320 --> 00:10:30,920 Speaker 1: have been part of that history. I've been here since 226 00:10:30,960 --> 00:10:34,160 Speaker 1: seventy six, so it is changed tremendously. 227 00:10:34,520 --> 00:10:36,000 Speaker 4: I don't even recognize it anymore. 228 00:10:36,080 --> 00:10:39,000 Speaker 3: Yeah, I know, there's so many places closing all the time. 229 00:10:39,080 --> 00:10:42,160 Speaker 4: Oh my gosh, it just looks like one big high rise. 230 00:10:42,320 --> 00:10:42,559 Speaker 3: I know. 231 00:10:43,200 --> 00:10:44,520 Speaker 2: Yeah. 232 00:10:44,559 --> 00:10:47,200 Speaker 4: Well, thank you for sharing that, Kelly, Thank you so 233 00:10:47,280 --> 00:10:47,600 Speaker 4: much for. 234 00:10:47,559 --> 00:10:50,520 Speaker 3: Being on taking a walk Nashville to say listeners can 235 00:10:50,600 --> 00:10:53,560 Speaker 3: check out your new singles. I reach for Red and 236 00:10:53,880 --> 00:10:57,760 Speaker 3: Hollywood and We're excited to see even more ofcoming music 237 00:10:57,800 --> 00:10:58,080 Speaker 3: from you. 238 00:10:58,160 --> 00:11:00,679 Speaker 4: This here, thank you. Actually it's mod Courtyard. 239 00:11:01,360 --> 00:11:06,760 Speaker 3: Okay, thanks for listening to Taking a Walk Nashville with 240 00:11:06,880 --> 00:11:10,319 Speaker 3: Sarah Harrelson. Please check out our other shows produced by 241 00:11:10,360 --> 00:11:15,240 Speaker 3: Buzznight Media Productions Comedy Save Me and Music Save Me 242 00:11:15,679 --> 00:11:19,560 Speaker 3: hosted by Lynn Hoffman, and Take It a Walk hosted 243 00:11:19,559 --> 00:11:25,480 Speaker 3: by Yours Truly Buzznight. All shows are available on Apple Podcasts, Spotify, 244 00:11:25,800 --> 00:11:28,240 Speaker 3: and are part of the iHeart podcast network