1 00:00:03,640 --> 00:00:06,840 Speaker 1: Hey, everybody, I'm Katie Curic here to share a bonus 2 00:00:06,880 --> 00:00:10,840 Speaker 1: episode of Next Question, Like a Lot of You. I 3 00:00:10,920 --> 00:00:13,560 Speaker 1: first came to know Daisy Edgar Jones when she played 4 00:00:13,560 --> 00:00:17,360 Speaker 1: Mary Anne and the hit BBC adaptation of the Sadly 5 00:00:17,440 --> 00:00:22,119 Speaker 1: Rooney novel Normal People. You look really well. I know. 6 00:00:23,040 --> 00:00:26,320 Speaker 1: It's classic Me came to college and got pretty. You're 7 00:00:26,320 --> 00:00:30,160 Speaker 1: always pretty, very pretty. The series was released in the 8 00:00:30,200 --> 00:00:33,320 Speaker 1: early days of the pandemic, and for a moment, it 9 00:00:33,400 --> 00:00:38,320 Speaker 1: seemed like everyone was watching and talking about Daisy. That 10 00:00:38,440 --> 00:00:41,599 Speaker 1: role earned her a Golden Globe nomination, and she's been 11 00:00:41,640 --> 00:00:45,839 Speaker 1: working non stop ever since. Already this year, she's appeared 12 00:00:45,840 --> 00:00:48,239 Speaker 1: in the f X mini series under the banner of 13 00:00:48,280 --> 00:00:51,159 Speaker 1: Heaven with Andrew Garfield I'm Going to Put an End 14 00:00:51,200 --> 00:00:56,280 Speaker 1: to This Wickedness it Is, and the black comedy thriller 15 00:00:56,440 --> 00:01:03,560 Speaker 1: Fresh opposite Sebastian Stand What's going on? Step, I'm gonna 16 00:01:03,600 --> 00:01:06,360 Speaker 1: tell you what You're going to freak out. Her most 17 00:01:06,360 --> 00:01:10,880 Speaker 1: recent project is another adaptation. She plays Kaya Clark a 18 00:01:11,040 --> 00:01:13,720 Speaker 1: k A. The marsh Girl in the film version of 19 00:01:13,800 --> 00:01:19,080 Speaker 1: Delia Owens mega bestselling novel where the Crawdads sing your girlfriend, 20 00:01:19,080 --> 00:01:24,480 Speaker 1: Now do you want to be Annam Feathers, but the 21 00:01:24,480 --> 00:01:29,679 Speaker 1: other girls don't know Feathers. All right there. We talked 22 00:01:29,680 --> 00:01:32,919 Speaker 1: about how she prepared for that role, but also about 23 00:01:32,920 --> 00:01:35,880 Speaker 1: her life growing up in London as an only child, 24 00:01:36,280 --> 00:01:39,520 Speaker 1: her acting debut as a very feisty seven year old 25 00:01:39,560 --> 00:01:47,240 Speaker 1: Am Boleyn, and what she's planning next. So enjoy everyone, Daisy, 26 00:01:47,280 --> 00:01:50,160 Speaker 1: I am so excited to meet you. First of all, 27 00:01:50,200 --> 00:01:53,639 Speaker 1: I'm obsessed with you. I loved you in Normal People, 28 00:01:53,880 --> 00:01:56,600 Speaker 1: I loved you in Under the Banner of Heaven and 29 00:01:56,680 --> 00:01:59,400 Speaker 1: now where the Crawdads sing, I loved you, And that 30 00:01:59,600 --> 00:02:03,600 Speaker 1: is well, you are having a moment, to say the least. 31 00:02:03,640 --> 00:02:07,600 Speaker 1: How is it feeling right now too? Honestly, have so 32 00:02:07,640 --> 00:02:11,679 Speaker 1: many exciting roles and to be so in demand. Oh 33 00:02:11,800 --> 00:02:14,680 Speaker 1: that's so kind. First of all, thank you. I think 34 00:02:14,720 --> 00:02:18,440 Speaker 1: it's like, yeah, I feel so luckier. You know, I've 35 00:02:18,440 --> 00:02:21,640 Speaker 1: been acting now since I was about seventeen, and you know, 36 00:02:21,840 --> 00:02:23,920 Speaker 1: it's like to be able to play some of the 37 00:02:24,000 --> 00:02:26,200 Speaker 1: roles I've played is like such a dream come true. 38 00:02:26,240 --> 00:02:27,920 Speaker 1: And to work with the people I've been able to 39 00:02:27,919 --> 00:02:30,239 Speaker 1: work with, like, I don't know, I still I still 40 00:02:30,240 --> 00:02:32,760 Speaker 1: can't really believe I'm I'm I'm able to do that. 41 00:02:32,840 --> 00:02:36,160 Speaker 1: So I just feel very very lucky. Really. So I 42 00:02:36,200 --> 00:02:39,320 Speaker 1: know that your parents are both or were in the business. 43 00:02:39,360 --> 00:02:41,880 Speaker 1: I'm not sure if they still are. But tell us 44 00:02:41,919 --> 00:02:46,920 Speaker 1: how you caught the acting bug in the first place, Daisy. Yeah, 45 00:02:46,919 --> 00:02:48,880 Speaker 1: so I you know, my mom, my mom, before I 46 00:02:48,880 --> 00:02:51,520 Speaker 1: was born, was a film editor and then for many 47 00:02:51,600 --> 00:02:54,760 Speaker 1: years and so and then she she stopped to bring 48 00:02:54,800 --> 00:02:57,160 Speaker 1: me up. Um And my dad, yeah, he does work 49 00:02:57,160 --> 00:03:01,000 Speaker 1: in TV. He's slightly different, um uh, sort of realm. 50 00:03:01,080 --> 00:03:02,959 Speaker 1: But I guess I definitely grew up in a nati 51 00:03:03,040 --> 00:03:05,840 Speaker 1: family who also knew what it was to be self employed, 52 00:03:05,840 --> 00:03:08,160 Speaker 1: which I think is the scariest part of an actor really. 53 00:03:08,720 --> 00:03:10,720 Speaker 1: But for me, like I, you know, I joined the 54 00:03:10,760 --> 00:03:13,160 Speaker 1: show a company called the National Youth Theater when I 55 00:03:13,240 --> 00:03:16,200 Speaker 1: was fifteen, because before that I had no idea sort 56 00:03:16,240 --> 00:03:18,000 Speaker 1: of how you became an actor. I didn't know what 57 00:03:18,040 --> 00:03:20,080 Speaker 1: an agent was, I didn't really know about drama school 58 00:03:20,160 --> 00:03:22,440 Speaker 1: or any of those things. Um, And I was really 59 00:03:22,520 --> 00:03:25,280 Speaker 1: lucky I got into that company and I had an 60 00:03:25,280 --> 00:03:27,760 Speaker 1: open casting. They did these open castings for a for 61 00:03:27,800 --> 00:03:29,919 Speaker 1: a film called The Little Moment. They were going to 62 00:03:30,000 --> 00:03:31,919 Speaker 1: do a live action version of the Little Mermaid, which 63 00:03:31,960 --> 00:03:34,680 Speaker 1: never ended up happening, but the auditioned for that, and 64 00:03:34,960 --> 00:03:38,040 Speaker 1: the woman who who cast was casting it knew my 65 00:03:38,080 --> 00:03:40,880 Speaker 1: agent was looking for somebody my age, and I met 66 00:03:40,880 --> 00:03:44,400 Speaker 1: with Chris, who I've now been with a very long time, 67 00:03:44,440 --> 00:03:46,800 Speaker 1: and really then I got to start auditioning. So it's 68 00:03:46,800 --> 00:03:49,720 Speaker 1: just really lucky that I went to that audition. You 69 00:03:49,840 --> 00:03:53,240 Speaker 1: also played Ample in when you were seven years old 70 00:03:53,520 --> 00:03:56,600 Speaker 1: and the school play. At that moment, did you think 71 00:03:56,800 --> 00:03:59,080 Speaker 1: I'm pretty good at this? I'd like to pursue it. 72 00:04:00,200 --> 00:04:02,800 Speaker 1: I really enjoyed that. Yeah, we were doing so we 73 00:04:02,840 --> 00:04:04,960 Speaker 1: were learning about King Henry the Eighth and all his vibes, 74 00:04:04,960 --> 00:04:07,240 Speaker 1: and we were doing a sort of chat show where 75 00:04:07,240 --> 00:04:09,320 Speaker 1: Henry the Eighth was on and all of his wives 76 00:04:09,360 --> 00:04:11,400 Speaker 1: came on to burate him. And I played Amblen, who 77 00:04:11,440 --> 00:04:12,840 Speaker 1: was one of the most pissed off because she had 78 00:04:12,840 --> 00:04:15,240 Speaker 1: her head chopped off. And I was always quite like 79 00:04:15,480 --> 00:04:18,159 Speaker 1: quiet and quite like a good girl, I guess, and 80 00:04:18,200 --> 00:04:19,880 Speaker 1: it was really fun to come in and be like 81 00:04:20,360 --> 00:04:22,640 Speaker 1: really angry and sassy, and I think I was like, oh, 82 00:04:22,680 --> 00:04:25,080 Speaker 1: this is fun. I can get away with saying things 83 00:04:25,200 --> 00:04:27,839 Speaker 1: I can't get away with saying as myself. So I 84 00:04:27,880 --> 00:04:29,560 Speaker 1: think that's when I sort of caught the bug and 85 00:04:29,680 --> 00:04:32,719 Speaker 1: I and I really, I really loved it. You are 86 00:04:32,760 --> 00:04:35,680 Speaker 1: an only child, You spent a lot of time when 87 00:04:35,720 --> 00:04:39,560 Speaker 1: you were growing up alone. Do you think that's somehow 88 00:04:39,640 --> 00:04:45,440 Speaker 1: fed into your imagination and creativity and desire to be 89 00:04:45,520 --> 00:04:49,760 Speaker 1: in the arts. I think you definitely probably had a 90 00:04:49,800 --> 00:04:52,280 Speaker 1: real effect. And I think also, you know, as an 91 00:04:52,320 --> 00:04:54,719 Speaker 1: only child, I because I did spend a lot of 92 00:04:54,720 --> 00:04:56,919 Speaker 1: time on my own, I also spent a lot of 93 00:04:56,960 --> 00:04:59,520 Speaker 1: time trying to make friends. Because you know, if I 94 00:04:59,600 --> 00:05:02,480 Speaker 1: was on HO a day and those two siblings playing, 95 00:05:02,680 --> 00:05:04,480 Speaker 1: I would, you know, have to ask to join in. 96 00:05:04,560 --> 00:05:06,640 Speaker 1: And and I think, I I love I love that 97 00:05:06,680 --> 00:05:08,320 Speaker 1: aspect of what I do is that you get to 98 00:05:08,360 --> 00:05:11,000 Speaker 1: meet such a multitude of people and and you know 99 00:05:11,200 --> 00:05:13,360 Speaker 1: and play with them basically and create with them. And 100 00:05:13,720 --> 00:05:16,440 Speaker 1: so I think, um, perhaps that kind of helped me 101 00:05:16,480 --> 00:05:19,800 Speaker 1: in you know, being more able to make friends quite quickly. 102 00:05:19,839 --> 00:05:21,880 Speaker 1: But but yeah, I guess I would spend a lot 103 00:05:21,880 --> 00:05:24,520 Speaker 1: of time, you know, imagining these worlds which we all 104 00:05:24,600 --> 00:05:27,200 Speaker 1: do as children, and you know, I feel lucky as 105 00:05:27,240 --> 00:05:29,360 Speaker 1: an adult that I get to kind of continue doing that. 106 00:05:30,680 --> 00:05:35,000 Speaker 1: Let's talk about your latest role in as Kaya and 107 00:05:35,040 --> 00:05:38,240 Speaker 1: Where the craw Dads saying, how did you get involved 108 00:05:38,440 --> 00:05:41,520 Speaker 1: in this project? And of course this film is going 109 00:05:41,560 --> 00:05:48,000 Speaker 1: to be so highly anticipated because it was such a 110 00:05:48,080 --> 00:05:53,840 Speaker 1: hugely popular book by Delia Owens. Yeah, so I I UM. 111 00:05:54,000 --> 00:05:57,440 Speaker 1: I got the audition through UM I think the summer 112 00:05:57,480 --> 00:06:02,200 Speaker 1: of and and I met with Livy who directed it 113 00:06:02,279 --> 00:06:05,479 Speaker 1: and UM and we spoke about Kaya and the part. 114 00:06:05,560 --> 00:06:07,080 Speaker 1: And then I got the book and I read it 115 00:06:07,120 --> 00:06:09,479 Speaker 1: in like two days, and so I was I really 116 00:06:09,480 --> 00:06:12,080 Speaker 1: read it, you know, imagining how I would go about 117 00:06:12,080 --> 00:06:15,400 Speaker 1: bringing KaiA to life, and I I just really found her, 118 00:06:15,480 --> 00:06:18,320 Speaker 1: which I think everyone did a very enigmatic character in 119 00:06:18,880 --> 00:06:21,320 Speaker 1: UM and I really wanted to be, you know, to 120 00:06:21,360 --> 00:06:23,840 Speaker 1: get that part. So so then I auditioned over Zoom, 121 00:06:23,880 --> 00:06:26,800 Speaker 1: which was a strange experience. I've never auditioned over Zoom before. 122 00:06:27,400 --> 00:06:29,840 Speaker 1: UM And yeah, and and then I got the part. 123 00:06:29,920 --> 00:06:32,200 Speaker 1: So it's kind of wild. Why do you think, and 124 00:06:32,240 --> 00:06:34,599 Speaker 1: I can't wait to hear how you prepare for the role, 125 00:06:34,680 --> 00:06:40,559 Speaker 1: because obviously Kaya has a southern accent, is the swamp girl, 126 00:06:40,640 --> 00:06:45,320 Speaker 1: et cetera. But why do you think this book captivated 127 00:06:45,560 --> 00:06:48,560 Speaker 1: so many people? What about this story? Do you think 128 00:06:48,680 --> 00:06:54,359 Speaker 1: Daisy made people just gravitate towards it? Yes, well, I 129 00:06:54,400 --> 00:06:57,880 Speaker 1: think I think, you know, I think the story is 130 00:06:57,880 --> 00:07:00,760 Speaker 1: is although you know, the the circumstance that KaiA finds 131 00:07:00,760 --> 00:07:03,280 Speaker 1: herself under is quite unique. I guess, you know, she's 132 00:07:03,680 --> 00:07:06,520 Speaker 1: abandoned in this marsh and she she she survives and 133 00:07:06,560 --> 00:07:08,920 Speaker 1: grows up alone. There's so many aspects of her as 134 00:07:08,920 --> 00:07:11,120 Speaker 1: a character that I think are incredibly relatable. She's a 135 00:07:11,160 --> 00:07:13,640 Speaker 1: very resilient person. And I think we as humans are 136 00:07:13,640 --> 00:07:15,840 Speaker 1: incredibly resilient. You know. We we suffer a lot of 137 00:07:15,880 --> 00:07:18,160 Speaker 1: knocks through our life and we get back up again 138 00:07:18,160 --> 00:07:20,600 Speaker 1: and we keep going. And I think that aspect of 139 00:07:20,680 --> 00:07:23,360 Speaker 1: kai is one that I think we all see in ourselves. 140 00:07:23,400 --> 00:07:26,840 Speaker 1: And also sort of the way that the environment is 141 00:07:26,880 --> 00:07:29,240 Speaker 1: depicted in the Nature is so sort of all encompassing 142 00:07:29,240 --> 00:07:31,600 Speaker 1: that you almost lose yourself in the book when you're 143 00:07:31,600 --> 00:07:33,800 Speaker 1: reading it. It feels like you are in that environment. 144 00:07:33,880 --> 00:07:36,680 Speaker 1: It's painted so vividly. And and then also this sort 145 00:07:36,680 --> 00:07:38,840 Speaker 1: of murder mystery aspect of it means that there's always 146 00:07:39,040 --> 00:07:41,040 Speaker 1: it's very you know, page turn and you can't really 147 00:07:41,040 --> 00:07:43,840 Speaker 1: put it down. And so yeah, I think there's something 148 00:07:43,920 --> 00:07:47,160 Speaker 1: in it for everyone. Really, there's love, there's there's loss, 149 00:07:47,200 --> 00:07:51,360 Speaker 1: there's nature, there's there's sort of intrigue and mystery, so 150 00:07:51,760 --> 00:07:55,520 Speaker 1: you know, there's just there's something for everyone. Really, we'll 151 00:07:55,520 --> 00:08:11,160 Speaker 1: have more with Daisy after the break. Were you worried 152 00:08:11,200 --> 00:08:14,640 Speaker 1: at all or intimidated at the prospect of taking on 153 00:08:14,720 --> 00:08:19,920 Speaker 1: a role that was, you know, grew and people's imaginations. 154 00:08:20,000 --> 00:08:22,360 Speaker 1: You know, sometimes when a book is so loved and 155 00:08:22,400 --> 00:08:27,200 Speaker 1: it becomes so personal to each and every reader, it's 156 00:08:27,240 --> 00:08:30,880 Speaker 1: hard to take on that that role. Um did that 157 00:08:30,920 --> 00:08:33,880 Speaker 1: weigh on you at all? I think there's definitely a 158 00:08:33,960 --> 00:08:36,679 Speaker 1: sense of responsibility and a sort of slight pressure when 159 00:08:36,720 --> 00:08:39,400 Speaker 1: you know that the character has already been realized in 160 00:08:39,440 --> 00:08:42,040 Speaker 1: so many people's minds, and you know, it's the second 161 00:08:42,040 --> 00:08:44,120 Speaker 1: time I've taken on a literary character. And you know, 162 00:08:44,160 --> 00:08:45,959 Speaker 1: I didn't feel that way when I did Normal People. 163 00:08:46,000 --> 00:08:48,440 Speaker 1: But at the time I had no reference for the 164 00:08:48,440 --> 00:08:50,240 Speaker 1: shows that are being watched in a wide way because 165 00:08:50,280 --> 00:08:52,360 Speaker 1: I've never been in anything that was watched in a 166 00:08:52,360 --> 00:08:54,679 Speaker 1: wide way, so I sort of didn't really know what 167 00:08:54,720 --> 00:08:56,960 Speaker 1: that felt like. So definitely there was a pressure. But 168 00:08:57,360 --> 00:08:59,960 Speaker 1: I think what's what's the magical thing is with filmmaker. 169 00:09:00,120 --> 00:09:03,040 Speaker 1: It takes so many people's imagination to bring to life something, 170 00:09:03,120 --> 00:09:06,040 Speaker 1: So you know, the performance is only a tiny aspect 171 00:09:06,040 --> 00:09:08,000 Speaker 1: of It's also the edit and the music and the 172 00:09:08,040 --> 00:09:10,000 Speaker 1: costume in the set, and it takes all of these 173 00:09:10,000 --> 00:09:12,520 Speaker 1: people to kind of come together and and and have 174 00:09:12,559 --> 00:09:15,280 Speaker 1: a sort of symbiotic realization of a of a of 175 00:09:15,320 --> 00:09:17,920 Speaker 1: a book. And I think I think that's what's really fun, 176 00:09:18,000 --> 00:09:21,560 Speaker 1: is leaning into enjoying being part of the creative team 177 00:09:21,600 --> 00:09:23,200 Speaker 1: and you're all in it together and you can only 178 00:09:23,240 --> 00:09:25,880 Speaker 1: do your best. You know, let me ask you about 179 00:09:26,120 --> 00:09:29,959 Speaker 1: becoming Kaya, because obviously you were born and raised in London. 180 00:09:30,679 --> 00:09:35,000 Speaker 1: How did you perfect this southern accent of Kaya's and 181 00:09:35,040 --> 00:09:39,160 Speaker 1: you would never guess that you were, uh from London 182 00:09:39,320 --> 00:09:44,720 Speaker 1: born and bread? Yeah, London. Well, I tend to work 183 00:09:44,720 --> 00:09:48,360 Speaker 1: in accents. I I think I feel more comfortable acting 184 00:09:48,400 --> 00:09:51,120 Speaker 1: and in accents because I think it's sort of access 185 00:09:51,160 --> 00:09:55,360 Speaker 1: as a whole different type of physicality or characterization that 186 00:09:55,400 --> 00:09:58,160 Speaker 1: you might necessary might not necessarily found. So you know, 187 00:09:58,600 --> 00:10:01,280 Speaker 1: with that accent, it's so miracle and it's so gentle 188 00:10:01,440 --> 00:10:04,160 Speaker 1: and and musical. I think that it really helped me 189 00:10:04,200 --> 00:10:07,320 Speaker 1: to capture that kind of essence of kaya, it wouldn't 190 00:10:07,320 --> 00:10:09,520 Speaker 1: have worked in my accent, which is naturally quite like 191 00:10:09,600 --> 00:10:13,280 Speaker 1: self conscious and a bit awkward. I think, I think, 192 00:10:13,320 --> 00:10:15,800 Speaker 1: you know. I work with an accent coach called Francie, 193 00:10:15,800 --> 00:10:18,559 Speaker 1: and I'd worked with her on a film called Fresh 194 00:10:18,640 --> 00:10:22,000 Speaker 1: the previous month, so it was great because for Fresh, 195 00:10:22,040 --> 00:10:24,640 Speaker 1: I worked with her just before we started filming on Zoom, 196 00:10:24,720 --> 00:10:26,840 Speaker 1: whereas with this I got to actually have her on 197 00:10:26,920 --> 00:10:28,679 Speaker 1: set and she was great, so she would run in 198 00:10:28,679 --> 00:10:31,600 Speaker 1: and say, we'll just tweet this will change this. But yeah, 199 00:10:31,640 --> 00:10:34,200 Speaker 1: I find, you know, the more if I can just 200 00:10:34,240 --> 00:10:36,600 Speaker 1: sort of listen and listen and listen, listen, soon I'll 201 00:10:36,640 --> 00:10:38,480 Speaker 1: be able to kind of tune into the sound of it. 202 00:10:38,640 --> 00:10:40,240 Speaker 1: But I grew up in a house full of accents, 203 00:10:40,240 --> 00:10:42,560 Speaker 1: so I have a bit of an advantage there. How 204 00:10:42,679 --> 00:10:46,280 Speaker 1: So your parents are yes, and my mom is Northern Irish, 205 00:10:46,360 --> 00:10:49,160 Speaker 1: my dad's Scottish so and I'm from London, um, so 206 00:10:49,240 --> 00:10:52,520 Speaker 1: there was definitely different, different sort of tuning and voices 207 00:10:52,559 --> 00:10:54,880 Speaker 1: to listen to and and kind of get an ear 208 00:10:54,920 --> 00:10:56,960 Speaker 1: for it. For I was gonna say, you must have 209 00:10:57,040 --> 00:10:59,440 Speaker 1: an ear for accents, given the fact that you grew 210 00:10:59,520 --> 00:11:02,800 Speaker 1: up in this sort of multicultural home, if you will. 211 00:11:03,160 --> 00:11:08,400 Speaker 1: And what about actually shooting uh in the marsh of 212 00:11:08,720 --> 00:11:13,760 Speaker 1: Louisiana a k a. North Carolina. What was that experience 213 00:11:13,840 --> 00:11:18,199 Speaker 1: like because it looked very marshy, daisy it was very 214 00:11:18,280 --> 00:11:21,520 Speaker 1: mr I have to say, it's funny when you when 215 00:11:21,520 --> 00:11:24,320 Speaker 1: you watch the film, you can't also feel the intense 216 00:11:24,400 --> 00:11:27,320 Speaker 1: humidity in the mosquito bites. But but no, it was. 217 00:11:27,440 --> 00:11:29,679 Speaker 1: I wondered about that, I really did. I was like, 218 00:11:29,880 --> 00:11:33,240 Speaker 1: I wonder four daisies being eaten alive by mosquitoes right now? 219 00:11:33,280 --> 00:11:36,000 Speaker 1: Because I'm from I'm from Virginia and I spent a 220 00:11:36,000 --> 00:11:38,880 Speaker 1: lot of time in the South in the summer um. 221 00:11:39,000 --> 00:11:41,560 Speaker 1: I'm not sure when you filmed this, but I thought, oh, 222 00:11:41,720 --> 00:11:44,840 Speaker 1: this must not be really a lot of fun. Yeah, 223 00:11:44,960 --> 00:11:48,520 Speaker 1: no it was. We luckily we were marched till June, lie, 224 00:11:48,720 --> 00:11:52,160 Speaker 1: so it wasn't. We were just before the like intense humidity, 225 00:11:52,240 --> 00:11:59,000 Speaker 1: but getting there sweaty and definitely mosquitoes like larger miscues 226 00:11:59,000 --> 00:12:02,160 Speaker 1: than I've ever seen. They were huge. But no, it was. 227 00:12:02,200 --> 00:12:04,440 Speaker 1: It was a wonderful place to film, and you know, 228 00:12:04,440 --> 00:12:06,280 Speaker 1: obviously it was. It was sort of we were in 229 00:12:06,600 --> 00:12:09,400 Speaker 1: so the biou of Louisiana and it was kind of 230 00:12:09,520 --> 00:12:14,000 Speaker 1: um it was you know, um moding for North Carolina, 231 00:12:14,040 --> 00:12:16,280 Speaker 1: and it was really helpful to film in that environment 232 00:12:16,320 --> 00:12:18,960 Speaker 1: because it really you could not ignore the nature and 233 00:12:19,280 --> 00:12:21,959 Speaker 1: like it was everywhere you looked there was egrets and 234 00:12:22,000 --> 00:12:26,320 Speaker 1: alligators and dragonflies and crazy thunder lightning and it was 235 00:12:26,440 --> 00:12:29,320 Speaker 1: it was a beautiful place and it really helped me, 236 00:12:29,360 --> 00:12:31,520 Speaker 1: I think, to get into Kaya's kind of head. Really 237 00:12:31,840 --> 00:12:35,120 Speaker 1: it almost felt primordial, you know in a way to 238 00:12:35,240 --> 00:12:39,679 Speaker 1: see the moss and and sort of the water and 239 00:12:39,760 --> 00:12:43,200 Speaker 1: you could almost feel that the humidity when you were 240 00:12:43,240 --> 00:12:46,160 Speaker 1: watching it. But also the beauty issue said with the 241 00:12:46,360 --> 00:12:50,400 Speaker 1: beautiful birds and wildlife, and I read that you did 242 00:12:50,520 --> 00:12:53,040 Speaker 1: did your own stunts and you even jumped into some 243 00:12:53,360 --> 00:12:59,080 Speaker 1: alligator infested waters. Really, yes, although I don't think at 244 00:12:59,080 --> 00:13:01,839 Speaker 1: the time I knew how alligator invested they were, which 245 00:13:01,840 --> 00:13:03,920 Speaker 1: I think was a good thing. I think had I known, 246 00:13:04,800 --> 00:13:06,840 Speaker 1: I always felt very safe and looked after. And we 247 00:13:06,880 --> 00:13:09,720 Speaker 1: had people there, we had like wildlife experts who you know, 248 00:13:09,840 --> 00:13:12,480 Speaker 1: made sure we were safe. But yes, there was there 249 00:13:12,520 --> 00:13:16,040 Speaker 1: was alligators everywhere you looked, um, which I yeah, I 250 00:13:16,040 --> 00:13:17,760 Speaker 1: don't know if I'd be able to do that now actually, 251 00:13:17,800 --> 00:13:20,800 Speaker 1: but at the time I was like, yeah, I be fine, Sure, 252 00:13:20,800 --> 00:13:22,800 Speaker 1: I'll be fine. But and it was so you know, 253 00:13:23,400 --> 00:13:28,880 Speaker 1: And what about the stunts. Were any of those particularly memorable? Well? 254 00:13:28,920 --> 00:13:31,960 Speaker 1: I remember we had because you know, I had a 255 00:13:31,960 --> 00:13:34,839 Speaker 1: lot of diving. There was one scene where at the 256 00:13:34,880 --> 00:13:38,600 Speaker 1: start where Car is being chased, um and um. So 257 00:13:38,640 --> 00:13:40,240 Speaker 1: it was a scene on the boat where had to 258 00:13:40,280 --> 00:13:43,440 Speaker 1: go really fast around a cordiner and like more up 259 00:13:43,440 --> 00:13:45,800 Speaker 1: and then leap out and run and it was like, 260 00:13:45,960 --> 00:13:47,640 Speaker 1: you know, quite trucky because it was like I had 261 00:13:47,679 --> 00:13:49,640 Speaker 1: to get through a goal post sort of of trees, 262 00:13:50,240 --> 00:13:52,760 Speaker 1: um at a really sharp angle, and you know I 263 00:13:52,840 --> 00:13:55,800 Speaker 1: was going quite quite you know, quite fast. So that 264 00:13:55,920 --> 00:13:57,880 Speaker 1: was probably the most memorable where I was like, this 265 00:13:57,920 --> 00:14:01,520 Speaker 1: is actually quite dangerous. Um, but really it sounds bad. 266 00:14:01,640 --> 00:14:06,760 Speaker 1: I'm glad. I I also love the supporting cast. Well, 267 00:14:06,800 --> 00:14:10,440 Speaker 1: actually they're more than that. The other stars. I should say. 268 00:14:10,520 --> 00:14:14,920 Speaker 1: I love David Straythorne and always have, and I love 269 00:14:15,120 --> 00:14:19,160 Speaker 1: the both men who play Chase and take two very 270 00:14:19,280 --> 00:14:24,920 Speaker 1: different individuals um and kind of the the good and 271 00:14:25,040 --> 00:14:29,760 Speaker 1: evil of relationships. Um. How was it working with all 272 00:14:29,840 --> 00:14:33,080 Speaker 1: three of those characters? Yeah, Well it was really it 273 00:14:33,160 --> 00:14:35,760 Speaker 1: was such a joy, you know, like you said that 274 00:14:35,920 --> 00:14:39,160 Speaker 1: there's such a star star ensemble cast, and they're also 275 00:14:39,600 --> 00:14:42,360 Speaker 1: brilliant and give such different flavors. And I think, you know, 276 00:14:42,440 --> 00:14:45,480 Speaker 1: with Taylor, like his gentleness and kindness that sort of 277 00:14:45,480 --> 00:14:49,200 Speaker 1: really shone through in that character. And actually Harris, who 278 00:14:49,200 --> 00:14:52,040 Speaker 1: plays Chase, is one of the loveliest boys I know, um, 279 00:14:52,160 --> 00:14:54,040 Speaker 1: and I think he did such an incredible job of 280 00:14:54,120 --> 00:14:56,920 Speaker 1: like painting Chase with with nuance. You know, we we 281 00:14:57,000 --> 00:14:59,720 Speaker 1: get a insight into why he acts the way he does, 282 00:14:59,760 --> 00:15:02,920 Speaker 1: and you know, he's complicated. He isn't just straightforward evil, 283 00:15:03,000 --> 00:15:06,280 Speaker 1: so you know that's true. But I did hate him, yeah, 284 00:15:06,320 --> 00:15:08,640 Speaker 1: I think, And that's again Harris is the Horrors being 285 00:15:08,640 --> 00:15:11,480 Speaker 1: amazing because he's very hard to hate in real life really, 286 00:15:12,800 --> 00:15:14,760 Speaker 1: And then I love working with David stra there, and 287 00:15:14,800 --> 00:15:18,520 Speaker 1: like I spent a whole week of court room scenes 288 00:15:18,560 --> 00:15:20,760 Speaker 1: just watching him act and and I didn't have anything 289 00:15:20,840 --> 00:15:22,560 Speaker 1: to say, you know, because I was just sort of 290 00:15:22,560 --> 00:15:26,840 Speaker 1: sets up looking quite sad. But watching him performer, you know, 291 00:15:27,080 --> 00:15:29,840 Speaker 1: he's obviously done a lot of film and TV, but 292 00:15:29,880 --> 00:15:32,680 Speaker 1: also it's like an incredible theater actor, and I just 293 00:15:32,720 --> 00:15:35,880 Speaker 1: loved watching him, like take apart these big monologues and 294 00:15:35,880 --> 00:15:38,640 Speaker 1: and and find light and shade and view them with 295 00:15:38,720 --> 00:15:41,120 Speaker 1: so much. And he was such a kind person too, 296 00:15:41,160 --> 00:15:43,080 Speaker 1: so I just yeah, those were some of my favorite days. 297 00:15:43,080 --> 00:15:47,360 Speaker 1: Actually was filming with him. Of course Reese Witherspoon's company, 298 00:15:47,520 --> 00:15:51,560 Speaker 1: Hello Sunshine, so one that option the book and produced 299 00:15:51,600 --> 00:15:54,800 Speaker 1: the film, and I know Reese was on on the set. 300 00:15:55,360 --> 00:15:58,360 Speaker 1: I saw a picture of her with you all. So 301 00:15:58,680 --> 00:16:01,160 Speaker 1: is that the first time you had at her? And 302 00:16:02,040 --> 00:16:05,560 Speaker 1: does she inspire you to kind of take greater control 303 00:16:05,600 --> 00:16:09,160 Speaker 1: of your career instead of kind of waiting for roles 304 00:16:09,680 --> 00:16:14,560 Speaker 1: to come to you actually seeking out and creating projects 305 00:16:14,600 --> 00:16:18,240 Speaker 1: that you'd like to participate in. Yes, so we The 306 00:16:18,320 --> 00:16:20,720 Speaker 1: first time I met her was when she came to 307 00:16:20,880 --> 00:16:23,800 Speaker 1: visit a set, and that was really cool, very exciting 308 00:16:23,840 --> 00:16:26,760 Speaker 1: because I grew up watching We you know, and have 309 00:16:26,840 --> 00:16:28,440 Speaker 1: been a fan of hers for a very long time. 310 00:16:28,480 --> 00:16:30,280 Speaker 1: So to meet her and then also to sort of 311 00:16:30,320 --> 00:16:32,080 Speaker 1: see her take in the set the first for the 312 00:16:32,120 --> 00:16:33,920 Speaker 1: first time the way I because I remember when I 313 00:16:33,960 --> 00:16:37,720 Speaker 1: stepped on and it was kaya Shack on this beautiful lagoon. 314 00:16:37,760 --> 00:16:39,480 Speaker 1: I was like, of course, this was lifted from my 315 00:16:39,520 --> 00:16:42,280 Speaker 1: imagination really in the book so to see her see 316 00:16:42,440 --> 00:16:45,080 Speaker 1: that set too, it's really cool. And yeah, I think 317 00:16:45,080 --> 00:16:48,240 Speaker 1: she's incredibly inspiring and and you know her her kind 318 00:16:48,240 --> 00:16:51,960 Speaker 1: of company are all about putting women in leadership roles 319 00:16:52,000 --> 00:16:55,200 Speaker 1: and and and you know, complicated women at the forefront 320 00:16:55,240 --> 00:16:57,920 Speaker 1: of stories and and I think it's really important. And 321 00:16:57,960 --> 00:17:00,400 Speaker 1: I had so exciting as a young actor to see 322 00:17:00,440 --> 00:17:02,760 Speaker 1: that and go, you know that is that, you know, 323 00:17:02,880 --> 00:17:04,240 Speaker 1: that is the way to do it really is to 324 00:17:05,160 --> 00:17:06,960 Speaker 1: seek how it roles. But also if they aren't there, 325 00:17:07,000 --> 00:17:09,359 Speaker 1: if you create them yourself. You know that that really 326 00:17:09,359 --> 00:17:12,840 Speaker 1: put women in and you know, in the forefront, because 327 00:17:12,880 --> 00:17:15,640 Speaker 1: I think we need more of that, and and actors too, 328 00:17:15,840 --> 00:17:19,720 Speaker 1: you know, giving them much more power and making them 329 00:17:20,000 --> 00:17:25,240 Speaker 1: less at the you know, left sort of the whims 330 00:17:25,359 --> 00:17:29,120 Speaker 1: of the quote unquote people in charge. To to take 331 00:17:29,200 --> 00:17:32,360 Speaker 1: charge of your own career and your own destiny, uh, 332 00:17:32,600 --> 00:17:38,680 Speaker 1: must be incredibly empowering and liberating for anyone in the business. Totally. Yeah, 333 00:17:38,720 --> 00:17:42,760 Speaker 1: I would really agree. Yeah, you have been doing so 334 00:17:42,800 --> 00:17:49,840 Speaker 1: many interesting, exciting roles, and I'm curious what's next for you, Daisy. Well, 335 00:17:49,880 --> 00:17:52,520 Speaker 1: I think, um, I think I just like to continue 336 00:17:52,520 --> 00:17:55,080 Speaker 1: working with filmmakers. I really admire you know. I think 337 00:17:55,119 --> 00:17:57,760 Speaker 1: what I love so much about film and TV is 338 00:17:57,800 --> 00:18:00,679 Speaker 1: that you are part of such a kind of collaborate 339 00:18:00,920 --> 00:18:04,320 Speaker 1: collaboration and such a team. Um, and it takes all 340 00:18:04,359 --> 00:18:06,920 Speaker 1: of you, you know, to bring your best to kind 341 00:18:06,960 --> 00:18:09,639 Speaker 1: of create something wonderful, and I just love that. So 342 00:18:09,680 --> 00:18:12,720 Speaker 1: I think working with a filmmaker that I admire, you know, 343 00:18:12,960 --> 00:18:15,720 Speaker 1: working with more filmmakers I admire something I'm interested in, 344 00:18:15,800 --> 00:18:17,880 Speaker 1: but also playing characters that I have not played before 345 00:18:17,880 --> 00:18:21,040 Speaker 1: and really sort of h yeah, making the unexpected choices, 346 00:18:21,080 --> 00:18:24,120 Speaker 1: I guess would be cool. Have you signed up for anything? 347 00:18:24,119 --> 00:18:26,840 Speaker 1: Are you working on anything now that we can look 348 00:18:26,880 --> 00:18:30,119 Speaker 1: forward to? Yes, nothing that I can so say, but 349 00:18:31,880 --> 00:18:37,000 Speaker 1: you're gonna have to tell me if you tell me, yeah, 350 00:18:37,080 --> 00:18:39,600 Speaker 1: and you give us a hand or not really badly 351 00:18:39,600 --> 00:18:42,440 Speaker 1: not but but things I'm very excited about. And one 352 00:18:42,480 --> 00:18:45,040 Speaker 1: that is also a book adaptation, which is yeah, I 353 00:18:45,080 --> 00:18:48,720 Speaker 1: don't know why I keep doing this to myself, but yeah, well, 354 00:18:49,200 --> 00:18:53,040 Speaker 1: Daisy After Jones, it's so wonderful actually to spend some 355 00:18:53,080 --> 00:18:56,679 Speaker 1: time chatting with you. I'm really happy for your success. 356 00:18:56,840 --> 00:19:00,760 Speaker 1: I think you're just enormously talented it and you just 357 00:19:00,880 --> 00:19:04,359 Speaker 1: light up the screen and whatever you're in um. Thank 358 00:19:04,400 --> 00:19:06,960 Speaker 1: you for for chatty with us about Where the Claw 359 00:19:07,040 --> 00:19:10,680 Speaker 1: Dads Sing, and I look forward to seeing whatever you're 360 00:19:10,680 --> 00:19:14,240 Speaker 1: doing next, even though you can't tell me. Thank you 361 00:19:14,359 --> 00:19:21,400 Speaker 1: so much for having me than Where the Crawdads Sing 362 00:19:21,520 --> 00:19:30,920 Speaker 1: is playing in theaters now. Next Question with Katie Kurik 363 00:19:31,000 --> 00:19:33,919 Speaker 1: is a production of My Heart Media and Katie Kurk Media. 364 00:19:34,200 --> 00:19:38,320 Speaker 1: The executive producers Army, Katie Curic, and Courtney Litz. The 365 00:19:38,400 --> 00:19:43,320 Speaker 1: supervising producer is Lauren Hansen. Associate producers Derek Clements and 366 00:19:43,520 --> 00:19:48,199 Speaker 1: Adriana Fasio. The show is edited and mixed by Derrick Clements. 367 00:19:48,240 --> 00:19:51,159 Speaker 1: For more information about today's episode, or to sign up 368 00:19:51,200 --> 00:19:53,919 Speaker 1: for my morning newsletter, Wake Up Paul, go to Katie 369 00:19:53,920 --> 00:19:56,600 Speaker 1: Currek dot com. You can also find me at Katie 370 00:19:56,640 --> 00:20:00,320 Speaker 1: Curic on Instagram and all my social media channels. For 371 00:20:00,400 --> 00:20:03,560 Speaker 1: more podcasts from I Heart Radio, visit the I Heart 372 00:20:03,640 --> 00:20:07,160 Speaker 1: Radio app, Apple Podcast, or wherever you listen to your 373 00:20:07,200 --> 00:20:09,000 Speaker 1: favorite shows. H