WEBVTT - Bad Santa with Alonso Duralde

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<v Speaker 1>On the Bechdelcast, the questions asked if movies have women

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<v Speaker 1>and them, are all their discussions just boyfriends and husbands

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<v Speaker 1>or do they have individualism? It's the patriarchy. Zephyn bast

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<v Speaker 1>start changing with the Bechdel Cast.

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<v Speaker 2>Hello, and welcome to Bad Bechdel Cast. I'm bad, Caitlin.

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<v Speaker 1>And I'm bad Jamie. And this is our podcast. That's

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<v Speaker 1>not I was. This is our bad podcast. This is

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<v Speaker 1>this is our good podcast about bad movies about bad

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<v Speaker 1>well you know, not every week, but.

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<v Speaker 2>Uh, but a lot of theme.

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<v Speaker 1>So this is our podcast where we take a look

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<v Speaker 1>at your favorite movies using an intersectional feminist lens, using

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<v Speaker 1>the Bechdel test as a jumping off point for a discussion.

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<v Speaker 1>Which is going to be hilarious this week because I

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<v Speaker 1>think the main interaction between women in this movie is

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<v Speaker 1>lorlike Gilmore stealing Grandma's socks. I think that that is

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<v Speaker 1>that is about the beginning, middle, and end, but we'll

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<v Speaker 1>talk about it. It is the Bad Santa episode. I think,

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<v Speaker 1>continuing the trend on the show recently of now that

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<v Speaker 1>we've been around for almost ten years, like movies that

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<v Speaker 1>you would think we would have covered by now, but

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<v Speaker 1>for whatever reason, it never quite wins in a poll.

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<v Speaker 1>Whatever it is, we are covering Bad Santa. But first, Caitlin,

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<v Speaker 1>what the hell is the Bechdel Test? So we can

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<v Speaker 1>be certain this movie doesn't pass it, which it.

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<v Speaker 2>Doesn't, certainly. It is a media metric created by our

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<v Speaker 2>very best friend in the whole wide world, Alison Bechdel.

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<v Speaker 2>We've met her twice. Yeah, different versions of the test.

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<v Speaker 2>The one that we use is this, do two characters

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<v Speaker 2>of a marginalized gender have names? Do they speak to

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<v Speaker 2>each other? And is the conversation about something other than

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<v Speaker 2>a man? And then we also like it when it's

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<v Speaker 2>a narratively meaningful conversation and not just throw away dialogue.

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<v Speaker 1>Which I don't even think. The saw the SoC thing

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<v Speaker 1>is kind of just a side gag that doesn't really

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<v Speaker 1>serve a narrative purpose, does it? I would say no,

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<v Speaker 1>A lot of things in this movie don't serve a

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<v Speaker 1>narrative purpose. It's very a vibes it's a vibes based film.

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<v Speaker 1>But we so to bring on Bad Santa. We have

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<v Speaker 1>an incredible guest who is an expert in this field,

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<v Speaker 1>not in being Bad Santa, but in holiday movies specifically,

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<v Speaker 1>so let's get him in here.

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<v Speaker 2>Absolutely. He's a film critic, podcast host, and author of

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<v Speaker 2>the book Have Yourself a Movie, Little Christmas. It's Alonso

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<v Speaker 2>de Aldi.

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<v Speaker 3>Hello, welcome, Thank you for having me. I once did

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<v Speaker 3>a Comic Con panel with Alison Bechdel.

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<v Speaker 2>Actually, oh, oh gosh, so she's your best friend too, that's

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<v Speaker 2>how that works.

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<v Speaker 1>Yes, yeah, you've spent probably a comparable amount of time

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<v Speaker 1>the exactly we love her here obviously. Yes, I I'm

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<v Speaker 1>so curious to hear about the book and updating the book.

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<v Speaker 1>But to ask you a question I'm sure everyone does

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<v Speaker 1>all the time. What is your favorite holiday movie? Oh?

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<v Speaker 3>Man, it's hard for me to pick one. I mean,

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<v Speaker 3>I think it's sort of inescapably. You know, It's a

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<v Speaker 3>Wonderful Life is a movie that has become kind of

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<v Speaker 3>a cornerstone of American cinema in general. That is also,

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<v Speaker 3>you know, a Christmas movie. But so much of it

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<v Speaker 3>depends on kind of what mood I'm in, Like if

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<v Speaker 3>you look at the book, you know, I've got chapters

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<v Speaker 3>about tearjerkers and about you know, horror movies and action films,

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<v Speaker 3>So it sort of depends on you know, I think

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<v Speaker 3>what's great about the idea of Christmas movies is that

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<v Speaker 3>whatever you're in the mood for and whatever kind of

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<v Speaker 3>film flows your boat, you will find something that dovetails

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<v Speaker 3>with you know, Christmas.

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<v Speaker 2>It's true.

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<v Speaker 1>It is such as you were saying that, I'm like,

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<v Speaker 1>I actually don't. I had to think for a second

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<v Speaker 1>to figure out my answer to that question. Caitlin, do

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<v Speaker 1>you know what your favorite holiday movie is?

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<v Speaker 2>Yes? I have two. Muppet Christmas Carol.

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<v Speaker 1>That's tied for my first one too. Yeah, and Batman Returns.

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<v Speaker 3>Right.

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<v Speaker 1>Oh, okay, I think's Muppet Christmas Carol. And I don't

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<v Speaker 1>know if this is an embarrassing one or not, but

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<v Speaker 1>I love Jim Carrey Grinch. I love it.

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<v Speaker 2>No, that's that's great.

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<v Speaker 1>That's a good Okay, Okay, I'm sensing a tepid reception

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<v Speaker 1>and the chat that's fun. That's fun.

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<v Speaker 3>Not my favorite. It's hitting twenty five this year and

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<v Speaker 3>they're actually doing I think it's going to be back

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<v Speaker 3>in theaters and they're putting out like a four K.

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<v Speaker 3>It's a whole thing.

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<v Speaker 1>We saw it in theaters last year as well. I

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<v Speaker 1>think like at the end of the day that movie

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<v Speaker 1>came out when I was seven, and that is probably

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<v Speaker 1>why I still love it so much.

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<v Speaker 3>We have a recurring thing on Breakfast all Day called

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<v Speaker 3>was it great? Or were you eight?

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<v Speaker 1>Very much what this wants, which, weirdly, I think comes

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<v Speaker 1>into play for a lot of people with the movie

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<v Speaker 1>we were talking about today, Bad Santa. But before we

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<v Speaker 1>get there, Alansa, what was it like revising the book

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<v Speaker 1>and the re release? Tell us more about it?

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<v Speaker 3>Well, you know, it's funny. I think if you have

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<v Speaker 3>like a website or a podcast, you can constantly be

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<v Speaker 3>updating it and bringing it, you know, up to speed.

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<v Speaker 3>But once you've written a book, it's just dunk. It's there,

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<v Speaker 3>you know, and it's sitting there and there's nothing you

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<v Speaker 3>can do to change it. So pretty much from the

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<v Speaker 3>moment the first edition came out back in twenty ten,

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<v Speaker 3>I've been thinking in my head, Oh, I got to

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<v Speaker 3>add this. I want to add this. I hope I

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<v Speaker 3>can do this again so I can put in these

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<v Speaker 3>other movies, and not just the many new films that

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<v Speaker 3>have opened since twenty ten. But I'm constantly finding things

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<v Speaker 3>that I had missed before, Like thanks to TCM, I

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<v Speaker 3>was introduced to the whole world of Christmas Noir, which

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<v Speaker 3>I had just completely missed the boat on. So now

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<v Speaker 3>I've got films like Blast of Silence and Cash on Demand.

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<v Speaker 3>You know, I got to circle back and put in

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<v Speaker 3>So yeah, it was It was a treat because it

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<v Speaker 3>sort of allowed the book to be a living document

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<v Speaker 3>again that I could sort of update and talk about

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<v Speaker 3>certain things, and you know, never mentioned the movie about

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<v Speaker 3>the boy Wizard again and you know, all of that

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<v Speaker 3>stuff to kind of bring it to twenty twenty five.

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<v Speaker 2>Amazing.

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<v Speaker 1>Oh that is amazing. Thank you for Like the second

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<v Speaker 1>you said that sub genre, You're like, yeah, of course

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<v Speaker 1>that exists, but occurred to me. I'm excited to get

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<v Speaker 1>a copy of the book. I'm stoked.

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<v Speaker 3>Oh, thank you.

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<v Speaker 1>And we come to this place today for magic, and

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<v Speaker 1>by that I mean a discussion of the two thousand

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<v Speaker 1>and three movie Bad Santa, which I think is I

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<v Speaker 1>do feel like Caitlin. Over the years we have covered

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<v Speaker 1>truly a staggering amount of movies that came out in

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<v Speaker 1>the year two thousand and three. Again, I think probably

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<v Speaker 1>just a youth bias of the time. Alonza. We'll start

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<v Speaker 1>with you, what is your history with the movie Bad Santa?

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<v Speaker 1>And I guess at this point, the Bad Santa cinematic universe.

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<v Speaker 3>Yeah, Weirdly, I can't remember if I saw it in

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<v Speaker 3>theaters or not. Surely I must have, if only because

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<v Speaker 3>I was a huge fan of Ghost World, which was

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<v Speaker 3>Terry's Waggoff's previous film, which is a total Bechdel Test passer.

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<v Speaker 3>I want to say it is as a non expert,

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<v Speaker 3>but I don't remember vividly seeing it, but I know

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<v Speaker 3>it was certainly when I when I wrote the book

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<v Speaker 3>the first time around it it was one that I

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<v Speaker 3>knew had to go in there. And it's a film

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<v Speaker 3>that I appreciate, and I get why people like it,

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<v Speaker 3>and I get why people need that kind of Christmas

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<v Speaker 3>movie in their diet in December, if they're just like

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<v Speaker 3>oding on sugar plums and they need a little, you know,

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<v Speaker 3>a little saltiness in there. I get the role that

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<v Speaker 3>it plays in a balanced, you know, holiday diet. And

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<v Speaker 3>I remember kind of not hating Bad Santa two as

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<v Speaker 3>much as most people did. Not that I'm not going

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<v Speaker 3>to die on the hill of that movie, but I

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<v Speaker 3>was kinder to it, I think than a lot of

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<v Speaker 3>other critics were. But generally speaking, these have been ones

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<v Speaker 3>where there are a lot of films in the book

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<v Speaker 3>that was like, I knew I had to include them

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<v Speaker 3>because they have a following, because they have spawned you know,

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<v Speaker 3>Christmas tree ornaments, and you know they get screened every year,

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<v Speaker 3>you know your National Lampoon, Christmas vacations. You know. I

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<v Speaker 3>was way too old for the home alone phenomenon. I

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<v Speaker 3>was in my twenties when the first one came out,

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<v Speaker 3>so I don't have the attachment to it, to the

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<v Speaker 3>people who were you know, seven when it came out

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<v Speaker 3>have but you know, I get why they're there. I

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<v Speaker 3>get why people love them. And this is in that

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<v Speaker 3>category of like if you like Bad Santa, I get it.

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<v Speaker 3>I understand what it's bringing to you every December.

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<v Speaker 1>Right, it is definitely I guess I'm like, where would

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<v Speaker 1>I put I would put this in the same category

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<v Speaker 1>as National landpun. I think I would also include Eight

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<v Speaker 1>Crazy Nights in like the Edge Lord Christmas Cannon that

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<v Speaker 1>this is firmly a part.

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<v Speaker 2>Of Yeah, yeah, Winter Holiday, Like Edge Lord, highly problematic

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<v Speaker 2>movie or subgenre.

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<v Speaker 1>So like a lot of broad comedies, it doesn't age

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<v Speaker 1>particularly well.

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<v Speaker 3>Right, I mean, weirdly a Christmas story. When it first

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<v Speaker 3>came out in nine eighty three was designed to be

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<v Speaker 3>kind of an anti Christmas Christmas movie. It was designed

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<v Speaker 3>to poke holes in nostalgia and the idea of looking

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<v Speaker 3>back on this sort of rosy Norman Rockwell past and

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<v Speaker 3>sort of showing that it was actually a lot messier

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<v Speaker 3>than we give it credit for. But over the years

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<v Speaker 3>that movie has it's self become this object of nostalgia

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<v Speaker 3>that I think it's kind of dulled the original intent

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<v Speaker 3>of being sort of spiky.

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<v Speaker 2>And I mean, I, as a self proclaimed grne, like

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<v Speaker 2>the idea of a movie that subverts the notion that

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<v Speaker 2>Christmas is this sweet, joyous time where everything is nice

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<v Speaker 2>and wonderful, Like I don't like super saccerin holiday movies typically,

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<v Speaker 2>so something like Bad Santa.

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<v Speaker 3>In theory, you should be the target Audioce is.

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<v Speaker 2>More aligned with what I would like. But just I

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<v Speaker 2>guess to say my history with this movie, I saw

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<v Speaker 2>it around the time it came out, and I hated

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<v Speaker 2>it then and I hate it now. I did not

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<v Speaker 2>think it was funny. I don't like the humor of

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<v Speaker 2>this movie at all, for the same reason back then

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<v Speaker 2>as I do like that's how problematic so many of

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<v Speaker 2>the jokes are in this movie that even in two

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<v Speaker 2>thousand and four or whenever I saw it, I was like,

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<v Speaker 2>you can't say that, so so I really don't care

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<v Speaker 2>for this movie. What about you, Jamie, what's your relationship

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<v Speaker 2>with it?

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<v Speaker 1>I'd never seen it before. I yeah, I'm also coming

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<v Speaker 1>in as a hater. But it's a rich text. It

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<v Speaker 1>is a rich text that we and there is I

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<v Speaker 1>think a lot of like production information about this movie

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<v Speaker 1>that I was kind of interested in that Like, once

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<v Speaker 1>I learned it, I was like, oh, I guess this

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<v Speaker 1>is like a worse Coen Brothers premise, Like if the

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<v Speaker 1>Coen Brothers had actually written this movie, it could have

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<v Speaker 1>maybe been not quite what it is, but like it

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<v Speaker 1>was almost so many different movies that I found learning

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<v Speaker 1>about the production history interesting. You know, is it shocking

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<v Speaker 1>to find out the Weinsteins have fingerprints on this? Certainly not.

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<v Speaker 1>But I remember, I mean I was too young to

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<v Speaker 1>see it when it came out, But I also remember

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<v Speaker 1>I remember them marketing very clearly because I was not

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<v Speaker 1>too young to be watching Gilmore Girls, which I was

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<v Speaker 1>very much watching in two thousand and three, and all

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<v Speaker 1>of the children and their mothers watching Gilmore Girls. It

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<v Speaker 1>was kind of a scandalous thing that Laura, like Gilmore

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<v Speaker 1>is in Bad Santa licking Billy Bob Thornton on TV,

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<v Speaker 1>and you're like, that's an upstanding citizen of Stars Harlow, Connecticut.

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<v Speaker 1>Like she would not be caught dead saying fuck me

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<v Speaker 1>Santa in a car. But that's the range that Lauren

0:11:19.800 --> 0:11:25.600
<v Speaker 1>Graham has. I love Lauren Graham does exactly what would

0:11:25.760 --> 0:11:30.640
<v Speaker 1>Rory Rory would be just Rory's home. You have to imagine, like,

0:11:30.720 --> 0:11:34.800
<v Speaker 1>especially because her character exists in this like fuck void,

0:11:34.920 --> 0:11:38.880
<v Speaker 1>as many women in broad comedies do that, I feel

0:11:38.920 --> 0:11:41.320
<v Speaker 1>like you can be like, this is like Laura, like

0:11:41.360 --> 0:11:46.680
<v Speaker 1>Gilmore on an absolute bender like Rory's home studying and

0:11:46.720 --> 0:11:51.199
<v Speaker 1>she's fucking Santa. I just I understand now why Lauren

0:11:51.240 --> 0:11:53.800
<v Speaker 1>Graham did this at this point in her career to

0:11:53.880 --> 0:11:56.520
<v Speaker 1>be like, hey, I'm not just Laura like Gilmore, I

0:11:56.559 --> 0:12:00.280
<v Speaker 1>can also fuck Santa. I also understand why I have

0:12:00.400 --> 0:12:02.760
<v Speaker 1>sounded like a good idea to do this movie at

0:12:02.800 --> 0:12:04.520
<v Speaker 1>the time, and it was successful, so you know, you

0:12:04.520 --> 0:12:09.080
<v Speaker 1>could argue, and you know Bernie Mac smoking a cigarette

0:12:09.160 --> 0:12:13.360
<v Speaker 1>and mixing a laxative. I was laughing. I wasn't laughing

0:12:13.440 --> 0:12:16.120
<v Speaker 1>very much, but I was laughing. Then, Yeah, I did

0:12:16.120 --> 0:12:20.000
<v Speaker 1>not like the movie. I did not, but I am

0:12:20.120 --> 0:12:23.199
<v Speaker 1>interested to talk about it because it is like, it's

0:12:23.240 --> 0:12:28.080
<v Speaker 1>an interesting subgenre that I like and I wish like

0:12:28.120 --> 0:12:30.440
<v Speaker 1>I think there is like a version of this movie

0:12:30.520 --> 0:12:32.400
<v Speaker 1>I would like or this premise.

0:12:32.440 --> 0:12:35.280
<v Speaker 3>I guess there's a thing we get into with comedies

0:12:35.280 --> 0:12:38.240
<v Speaker 3>of I think, certainly in this era. And yeah, I

0:12:38.240 --> 0:12:41.360
<v Speaker 3>think Edge Lord is a fair descriptor, at least in

0:12:41.440 --> 0:12:44.880
<v Speaker 3>terms of the audience, where I think that maybe people

0:12:44.960 --> 0:12:49.199
<v Speaker 3>set out to portray behavior that was appalling and audiences

0:12:49.200 --> 0:12:52.120
<v Speaker 3>were like, ooh yeah, like I'm down for this, Like

0:12:52.559 --> 0:12:55.920
<v Speaker 3>the generations of dudes who had to be explained that

0:12:55.960 --> 0:12:59.880
<v Speaker 3>Swingers was not a how to, that Swingers was not asked,

0:13:00.640 --> 0:13:03.040
<v Speaker 3>but they took it that way anyway. And I think

0:13:03.080 --> 0:13:07.400
<v Speaker 3>it's telling that the Cherry's Wygoff director's cut of this

0:13:07.480 --> 0:13:10.560
<v Speaker 3>movie is the shortest of all the cuts, and it's

0:13:10.600 --> 0:13:13.560
<v Speaker 3>the cut that makes the Billy Bob Thornton's character the

0:13:13.679 --> 0:13:17.400
<v Speaker 3>least appealing, like everything, where he's sort of nice to

0:13:17.480 --> 0:13:20.360
<v Speaker 3>the kid he takes out, so he is not interested

0:13:20.480 --> 0:13:24.960
<v Speaker 3>in making his protagonist like appealing to the audience or

0:13:25.120 --> 0:13:27.960
<v Speaker 3>somebody that we root for or empathize with. And but

0:13:28.200 --> 0:13:30.080
<v Speaker 3>so I mean, yeah, I think you're right. A lot

0:13:30.080 --> 0:13:31.920
<v Speaker 3>of it is on paper, and it's in the film,

0:13:31.960 --> 0:13:33.280
<v Speaker 3>and it's in the text, and we have to deal

0:13:33.280 --> 0:13:35.160
<v Speaker 3>with that. But I think there is also that thing

0:13:35.200 --> 0:13:39.440
<v Speaker 3>where the audience decides, oh, hey, you know Freddy Krueger,

0:13:39.480 --> 0:13:43.120
<v Speaker 3>he's so funny, you know, like that they they imbue

0:13:43.720 --> 0:13:45.680
<v Speaker 3>a character who is to be a hero with heroic

0:13:45.720 --> 0:13:47.200
<v Speaker 3>tendencies because they feel like it.

0:13:47.600 --> 0:13:49.960
<v Speaker 1>Yeah, I was. That was another thing that I was

0:13:50.040 --> 0:13:53.920
<v Speaker 1>really interested to talk about with you both, is how

0:13:53.960 --> 0:13:57.200
<v Speaker 1>wildly different the various cuts of this movie seem to be.

0:13:57.520 --> 0:14:00.800
<v Speaker 1>I watched a bad Er Santa, which I think is

0:14:00.840 --> 0:14:05.040
<v Speaker 1>the longest version of this movie. Yes, and that is

0:14:05.080 --> 0:14:08.680
<v Speaker 1>the version that somehow the movie Joker is going to

0:14:08.679 --> 0:14:11.960
<v Speaker 1>become relevant in a moment because Todd Phillips was brought

0:14:11.960 --> 0:14:16.280
<v Speaker 1>in to direct a couple of scenes Terry's Wygoff. So

0:14:16.760 --> 0:14:18.959
<v Speaker 1>Terry's Wygoff. We've covered ghost World on the show. You

0:14:18.960 --> 0:14:21.600
<v Speaker 1>can go to that episode. We've got takes on ghost World.

0:14:21.920 --> 0:14:25.160
<v Speaker 1>But yeah, like I mean, he directs infrequently, and so

0:14:25.400 --> 0:14:27.440
<v Speaker 1>it is it is kind of I didn't know he

0:14:27.480 --> 0:14:29.240
<v Speaker 1>had directed this, and I was like, Wow, this really

0:14:29.240 --> 0:14:34.840
<v Speaker 1>doesn't seem like the movie he directs, and it's clear that,

0:14:35.000 --> 0:14:37.760
<v Speaker 1>like everyone had a slightly different creative vision here, like

0:14:38.120 --> 0:14:41.000
<v Speaker 1>Terry's Wygoff wants to make a movie about a despicable

0:14:41.040 --> 0:14:44.240
<v Speaker 1>person and does not want you to feel you know,

0:14:44.440 --> 0:14:47.480
<v Speaker 1>bad for him, which I think is like most clearly

0:14:47.480 --> 0:14:51.040
<v Speaker 1>illustrated by basically cutting out the relationship between him and

0:14:51.800 --> 0:14:56.240
<v Speaker 1>young Roger his young Ward Thurman. Oh my god, wait

0:14:56.240 --> 0:14:57.480
<v Speaker 1>did someone calls him Roger?

0:14:57.760 --> 0:14:59.040
<v Speaker 3>Roger is Thurman's dad?

0:14:59.680 --> 0:15:05.440
<v Speaker 1>Oh okay, see this okay, and also a monologue at

0:15:05.480 --> 0:15:07.200
<v Speaker 1>the beginning of the movie. I don't think is in

0:15:07.200 --> 0:15:11.120
<v Speaker 1>this wygof cut that basically gives you a framework for

0:15:11.440 --> 0:15:16.120
<v Speaker 1>why bad Santa is the way he is, where it

0:15:16.160 --> 0:15:19.600
<v Speaker 1>implies that he had an abusive upbringing and you know,

0:15:19.640 --> 0:15:23.520
<v Speaker 1>you're given a framework that doesn't justify the behavior but

0:15:23.560 --> 0:15:26.760
<v Speaker 1>contextualizes it. Terry's Wygoff has no interest in that. The

0:15:27.120 --> 0:15:29.760
<v Speaker 1>theatrical cut, and then even more so, the longer cut,

0:15:30.640 --> 0:15:33.440
<v Speaker 1>has more of an interest in doing what you know,

0:15:33.720 --> 0:15:36.920
<v Speaker 1>like commercial movies do, which is give him a redemption arc,

0:15:37.120 --> 0:15:40.480
<v Speaker 1>give him a you know, I gotta get this selevant

0:15:40.640 --> 0:15:44.600
<v Speaker 1>to this little kid then blah blah blah, and you know,

0:15:44.800 --> 0:15:48.520
<v Speaker 1>and I honestly don't know which version of it I that.

0:15:49.480 --> 0:15:51.960
<v Speaker 1>I couldn't really decide. I'm like, I don't really want

0:15:52.000 --> 0:15:55.280
<v Speaker 1>a redemption narrative for this guy, but I also like

0:15:55.400 --> 0:15:58.760
<v Speaker 1>it's you know, zwygov Has will disagree, but I don't

0:15:58.800 --> 0:16:02.800
<v Speaker 1>like watching a terrible person for eighty five uninterrupted minutes,

0:16:02.920 --> 0:16:06.040
<v Speaker 1>nor I So I don't know. It's a It's a

0:16:06.080 --> 0:16:07.560
<v Speaker 1>sticky wicket this one.

0:16:07.880 --> 0:16:12.040
<v Speaker 2>It really is. And we'll get into it, but first

0:16:12.160 --> 0:16:15.240
<v Speaker 2>let's take a quick break and then we'll come back

0:16:15.440 --> 0:16:28.920
<v Speaker 2>for the recap. We're back, ho ho hoick.

0:16:29.080 --> 0:16:32.240
<v Speaker 1>Quick question before we get into the recap. Do we

0:16:32.360 --> 0:16:35.000
<v Speaker 1>think that John Ritter would want this movie to be

0:16:35.080 --> 0:16:42.000
<v Speaker 1>dedicated to him? Oh? Rip. I love John Ritter, and

0:16:42.040 --> 0:16:44.520
<v Speaker 1>I understand why it was dedicated to him, it's his

0:16:44.560 --> 0:16:46.720
<v Speaker 1>last film appearance. But I'm like, I don't know. I

0:16:46.720 --> 0:16:48.560
<v Speaker 1>don't know if I would be like, yeah, slap my

0:16:48.640 --> 0:16:50.720
<v Speaker 1>name at the end. I want to be forever associated

0:16:50.720 --> 0:16:51.000
<v Speaker 1>with this.

0:16:51.320 --> 0:16:54.040
<v Speaker 2>Well in the same way that Clorus Leachman is in

0:16:54.080 --> 0:16:57.280
<v Speaker 2>this movie but uncredited, and I have to imagine it's

0:16:57.320 --> 0:16:59.840
<v Speaker 2>because she's like I don't want my name.

0:17:00.440 --> 0:17:02.120
<v Speaker 1>Yeah, she's like, oh, I'm so sorry. I thought I

0:17:02.160 --> 0:17:03.440
<v Speaker 1>was in a Cohen Brothers movie.

0:17:03.760 --> 0:17:04.320
<v Speaker 3>I didn't.

0:17:05.160 --> 0:17:06.800
<v Speaker 1>I feel like that's how a lot of these people

0:17:06.840 --> 0:17:10.000
<v Speaker 1>get involved because it's a great cast, and some people

0:17:10.040 --> 0:17:12.280
<v Speaker 1>think that they're going to be in a Terry's Wygoff movie.

0:17:12.320 --> 0:17:14.480
<v Speaker 1>That's going to be allowed to be a Terry's Wygoff movie.

0:17:14.640 --> 0:17:16.439
<v Speaker 1>Some people think they're in a Cohen Brothers movie, and

0:17:16.520 --> 0:17:19.360
<v Speaker 1>kind of like they're in a Weinstein Brothers movie, which

0:17:19.359 --> 0:17:20.360
<v Speaker 1>is the worst case scenario.

0:17:20.600 --> 0:17:22.520
<v Speaker 3>I think there's an onion piece that's written from the

0:17:22.520 --> 0:17:24.320
<v Speaker 3>point of view of somebody who had an episode of

0:17:24.320 --> 0:17:28.239
<v Speaker 3>Ironica's Closet dedicated to them. So yeah, I think it's

0:17:28.280 --> 0:17:29.680
<v Speaker 3>just one of those things where you never know when

0:17:29.680 --> 0:17:32.560
<v Speaker 3>you're gonna go. So like any any project could be

0:17:32.640 --> 0:17:33.280
<v Speaker 3>your last.

0:17:34.240 --> 0:17:36.879
<v Speaker 1>That's a really that's a very harsh reality because I

0:17:36.880 --> 0:17:39.199
<v Speaker 1>mean John Ritter was also I mean he was he

0:17:39.280 --> 0:17:41.439
<v Speaker 1>was in his fifties. I feel like he, you know,

0:17:41.760 --> 0:17:43.760
<v Speaker 1>if he knew he was living on borrow time, this

0:17:43.880 --> 0:17:46.119
<v Speaker 1>maybe would not have been the one, but who knows,

0:17:46.200 --> 0:17:46.760
<v Speaker 1>We'll never know.

0:17:48.359 --> 0:17:52.199
<v Speaker 2>In any case, here's the recap of the movie. So

0:17:52.640 --> 0:17:57.520
<v Speaker 2>we meet Willie played by Billy Bob Thornton. He works

0:17:57.600 --> 0:18:01.320
<v Speaker 2>as a mall Santa, but he's not very good at

0:18:01.320 --> 0:18:06.360
<v Speaker 2>his job. You might even say he's a bad Santa

0:18:06.480 --> 0:18:10.240
<v Speaker 2>because he's mean to children. He gets drunk on the job,

0:18:10.480 --> 0:18:15.880
<v Speaker 2>he pisses himself. He also works with Marcus played by

0:18:15.920 --> 0:18:20.360
<v Speaker 2>Tony Cox, who is a little person who dresses up

0:18:20.680 --> 0:18:23.560
<v Speaker 2>as an elf. And then we get a reveal that

0:18:23.600 --> 0:18:27.440
<v Speaker 2>Willy and Marcus break into the mall after hours and

0:18:27.760 --> 0:18:32.520
<v Speaker 2>that their Santa slash Elf jobs are just a cover

0:18:32.720 --> 0:18:36.240
<v Speaker 2>so that they can steal stuff on Christmas Eve, where

0:18:36.440 --> 0:18:40.240
<v Speaker 2>Marcus takes a bunch of merchandise. Willy is a safe

0:18:40.280 --> 0:18:43.919
<v Speaker 2>cracker by trade and he steals a bunch of cash

0:18:44.080 --> 0:18:46.400
<v Speaker 2>from the safe and we find out they've been doing

0:18:46.480 --> 0:18:50.360
<v Speaker 2>this every Christmas Eve for the past seven or so years.

0:18:51.440 --> 0:18:55.080
<v Speaker 2>And after they successfully pull off this heist, they go

0:18:55.119 --> 0:18:58.840
<v Speaker 2>out to celebrate and Willie contemplates trying to get his

0:18:58.880 --> 0:19:01.720
<v Speaker 2>life together. He's like, oh, maybe I'll stop drinking, maybe

0:19:01.760 --> 0:19:04.679
<v Speaker 2>I'll open up business and settle down and get married.

0:19:05.400 --> 0:19:09.600
<v Speaker 2>But he's forgetting that he's a bad Santa. And eleven

0:19:09.640 --> 0:19:14.879
<v Speaker 2>months pass of him being a drunken degenerate.

0:19:14.480 --> 0:19:15.840
<v Speaker 1>Bad off season Santa.

0:19:16.640 --> 0:19:19.159
<v Speaker 2>Yeah, he's bad off season and off season.

0:19:19.480 --> 0:19:22.679
<v Speaker 1>It is very I mean, he's a bad dude. But

0:19:22.760 --> 0:19:25.320
<v Speaker 1>this man is just he's just so actively in despair.

0:19:25.440 --> 0:19:30.159
<v Speaker 1>From frame one where you're just like it's I'm worried

0:19:30.160 --> 0:19:32.800
<v Speaker 1>about him. I'm thinking of him like an uncle.

0:19:33.080 --> 0:19:35.480
<v Speaker 3>There's a John Cassavetti's version of this movie where it's

0:19:35.480 --> 0:19:37.679
<v Speaker 3>just about a guy who's an alcoholic who also is

0:19:37.680 --> 0:19:39.359
<v Speaker 3>a Santa you know, yeah.

0:19:39.280 --> 0:19:41.640
<v Speaker 1>Yeah, I mean it seems like that sounds like it's

0:19:41.680 --> 0:19:44.640
<v Speaker 1>closer to what Terry's Waygoff wanted and they're like, oh no,

0:19:44.720 --> 0:19:46.919
<v Speaker 1>we have to give him. He needs to be a

0:19:46.960 --> 0:19:48.720
<v Speaker 1>father by the end of the movie.

0:19:49.000 --> 0:19:51.960
<v Speaker 2>Like does he well also to speak to like the

0:19:51.960 --> 0:19:55.840
<v Speaker 2>Coen Brothers conceit of it all because originally the Coen

0:19:55.880 --> 0:19:58.760
<v Speaker 2>Brothers developed the concept for this movie, and then they

0:19:58.800 --> 0:20:02.000
<v Speaker 2>brought on another writing team to write the script, but

0:20:02.040 --> 0:20:04.719
<v Speaker 2>the Coen Brothers were still involved to some degree in

0:20:04.760 --> 0:20:07.960
<v Speaker 2>the development of the script. It seems like they added

0:20:08.080 --> 0:20:11.840
<v Speaker 2>some crass jokes seemingly not too far from what ends

0:20:11.920 --> 0:20:15.440
<v Speaker 2>up in the movie, and then the Coen Brothers stay

0:20:15.440 --> 0:20:20.119
<v Speaker 2>attached as executive producers, but any of the cleverness and

0:20:20.280 --> 0:20:24.199
<v Speaker 2>tact that I think usually appears in a movie that

0:20:24.240 --> 0:20:28.200
<v Speaker 2>the Coen Brothers are involved with, is mostly absent from

0:20:28.400 --> 0:20:32.679
<v Speaker 2>Bad Santa. But like if this was maybe like The

0:20:32.720 --> 0:20:37.320
<v Speaker 2>Big Lebowski but the dude Moonlight says as Santa Claus

0:20:37.400 --> 0:20:38.919
<v Speaker 2>or something like that. So if it's like a character

0:20:39.080 --> 0:20:42.520
<v Speaker 2>like the dude who is way more redeemable than this

0:20:43.200 --> 0:20:46.200
<v Speaker 2>Willy character, like that's a movie I can get behind.

0:20:46.520 --> 0:20:51.160
<v Speaker 2>But Willy is so I guess intentionally despicable, but also

0:20:51.359 --> 0:20:54.840
<v Speaker 2>just by virtue of like having him be the protagonist,

0:20:55.760 --> 0:20:58.560
<v Speaker 2>and like this is the character we're following and laughing at.

0:20:58.600 --> 0:21:02.439
<v Speaker 2>We're laughing at all the joke he says, and like

0:21:02.520 --> 0:21:05.040
<v Speaker 2>so many people love this movie for the wrong reasons,

0:21:05.080 --> 0:21:08.000
<v Speaker 2>like you were saying, Alonzo. So like it's just it's

0:21:08.000 --> 0:21:09.600
<v Speaker 2>so hard to get behind for me.

0:21:10.200 --> 0:21:10.640
<v Speaker 1>Yeah.

0:21:10.680 --> 0:21:17.040
<v Speaker 2>But anyway, So about a year passes and then Willie

0:21:17.080 --> 0:21:21.040
<v Speaker 2>gets a call from Marcus. It's that time of year again,

0:21:21.640 --> 0:21:26.600
<v Speaker 2>and they show up at a department store in Phoenix, Arizona,

0:21:26.880 --> 0:21:31.160
<v Speaker 2>in their Santa and Elf costumes. Willy is once again

0:21:31.359 --> 0:21:35.320
<v Speaker 2>horrible at his job. He's drunk, he's cruel to the children,

0:21:35.680 --> 0:21:38.600
<v Speaker 2>he swears in front of his boss played by John Ritter,

0:21:39.320 --> 0:21:43.840
<v Speaker 2>who goes to the security manager of the store, Bernie Mack,

0:21:44.520 --> 0:21:47.000
<v Speaker 2>and asks him to keep an eye on Willie.

0:21:47.400 --> 0:21:52.440
<v Speaker 1>Bernie Mack is funny in everything. Yes, he's just never

0:21:52.840 --> 0:21:54.119
<v Speaker 1>not amazing.

0:21:54.720 --> 0:21:56.840
<v Speaker 2>I know, he's too good for this movie.

0:21:57.200 --> 0:21:57.800
<v Speaker 1>Yeah.

0:21:57.880 --> 0:22:03.479
<v Speaker 2>Then we meet a child named Thurman Merman. Although we

0:22:03.560 --> 0:22:07.280
<v Speaker 2>won't learn his name for a really long time.

0:22:07.720 --> 0:22:10.199
<v Speaker 1>It's so it's I clocked it at least in the

0:22:10.280 --> 0:22:13.520
<v Speaker 1>Batter Santa cut. It's thirty two minutes in where you

0:22:13.560 --> 0:22:16.840
<v Speaker 1>get a name for this character, which doesn't feel like

0:22:16.840 --> 0:22:20.000
<v Speaker 1>a strategic reveal. It just I kept writing down child

0:22:20.160 --> 0:22:22.520
<v Speaker 1>question mark because it just takes a really long time

0:22:22.560 --> 0:22:23.520
<v Speaker 1>to learn what his name is.

0:22:23.680 --> 0:22:27.399
<v Speaker 2>Well, the idea is that Willie doesn't bother to find

0:22:27.400 --> 0:22:30.840
<v Speaker 2>out his name for we know, and then finally he's

0:22:30.920 --> 0:22:32.880
<v Speaker 2>like toward the end of the movie, he's looking at

0:22:32.880 --> 0:22:36.280
<v Speaker 2>Thurman's report card and he's like, Thurman, who is that?

0:22:36.720 --> 0:22:38.320
<v Speaker 1>Is that you? Merman?

0:22:38.480 --> 0:22:40.159
<v Speaker 2>Yeah, so we don't really know what his name is

0:22:40.200 --> 0:22:43.240
<v Speaker 2>for a long time, but I'll call him Thurman because

0:22:43.240 --> 0:22:48.080
<v Speaker 2>that's his name. He's played by Brett Kelly.

0:22:47.760 --> 0:22:52.960
<v Speaker 1>Who reprises the role in Bad Santa too, and also

0:22:53.560 --> 0:22:57.480
<v Speaker 1>has a really funny paragraph in his Wikipedia page I

0:22:57.480 --> 0:22:59.720
<v Speaker 1>would like to share. Oh please, I don't know who

0:23:00.160 --> 0:23:02.080
<v Speaker 1>has it in for this guy and included this on

0:23:02.119 --> 0:23:05.720
<v Speaker 1>his Wikipedia page. He was a contestant on the October

0:23:05.760 --> 0:23:08.840
<v Speaker 1>twenty third, twenty twenty four episode of Jeopardy. He ended

0:23:08.880 --> 0:23:12.320
<v Speaker 1>Double Jeopardy with zero dollars, thus did not qualify for

0:23:12.359 --> 0:23:16.119
<v Speaker 1>Final Jeopardy and therefore finished in third place. Someone hates

0:23:16.160 --> 0:23:19.040
<v Speaker 1>this guy? Why would you put that on that? It

0:23:19.160 --> 0:23:22.560
<v Speaker 1>is such a short Wikipedia page, and that's one of

0:23:22.600 --> 0:23:23.560
<v Speaker 1>the things I have.

0:23:23.880 --> 0:23:26.160
<v Speaker 3>I have a nice Brett Kelly thing to add to.

0:23:27.480 --> 0:23:30.480
<v Speaker 3>So he appears in another Christmas comedy that I like

0:23:30.560 --> 0:23:34.560
<v Speaker 3>quite a bit called Unaccompanied Minors. Oh yes, Paul fig directed,

0:23:35.000 --> 0:23:39.640
<v Speaker 3>and Lewis Black plays the sort of harried airport manager

0:23:39.680 --> 0:23:42.560
<v Speaker 3>in that movie. And he actually said, he goes, I

0:23:42.600 --> 0:23:44.240
<v Speaker 3>took the movie because I wanted to work with the

0:23:44.280 --> 0:23:45.480
<v Speaker 3>kid from Bad Santa.

0:23:45.760 --> 0:23:47.480
<v Speaker 1>Oh that's really sweet.

0:23:47.680 --> 0:23:49.639
<v Speaker 3>So you actually told him on set, Yeah, you're the

0:23:49.640 --> 0:23:51.959
<v Speaker 3>reason I'm here, kid, I wanted to work with you.

0:23:52.119 --> 0:23:55.000
<v Speaker 3>So you know, that's that's a Brett Kelly positive.

0:23:55.440 --> 0:23:59.440
<v Speaker 1>True, That's that must have been so exciting. God, I mean,

0:23:59.560 --> 0:24:03.159
<v Speaker 1>it's he he's adorable in this movie, He's not, you know,

0:24:03.680 --> 0:24:05.159
<v Speaker 1>he's he's just a boy.

0:24:07.240 --> 0:24:14.520
<v Speaker 2>I know. And he is frequently bullied by other kids by.

0:24:14.440 --> 0:24:21.360
<v Speaker 1>Literally like bullied dot like jpeg, like like he's just some.

0:24:21.280 --> 0:24:27.120
<v Speaker 2>Kid, yeah bully TM. He's also bullied by Willie when

0:24:27.200 --> 0:24:30.439
<v Speaker 2>Thurman comes into Santa's workshop at the department store and

0:24:30.480 --> 0:24:34.560
<v Speaker 2>sits on Willy's lap, and Thurman asks him a bunch

0:24:34.600 --> 0:24:37.840
<v Speaker 2>of questions about being Santa because he thinks that Willy

0:24:38.040 --> 0:24:41.800
<v Speaker 2>is the real Santa Claus and is enamored by him.

0:24:42.680 --> 0:24:48.200
<v Speaker 2>Later that night, Willie meets a bartender named Sue I think,

0:24:48.840 --> 0:24:52.439
<v Speaker 2>but that's the Lauren Graham character, and she has a

0:24:52.520 --> 0:24:56.919
<v Speaker 2>Santa kink, so she buys him a few drinks and

0:24:56.960 --> 0:24:59.919
<v Speaker 2>then has sex with him in his car in the parking.

0:25:00.960 --> 0:25:03.840
<v Speaker 1>Fuck me Santa, Fuck me Santa, Fuck me Santa. Correct,

0:25:03.960 --> 0:25:08.000
<v Speaker 1>and then we are introduced to for the little screen

0:25:08.040 --> 0:25:11.560
<v Speaker 1>time she has. All of it is just completely like irrational.

0:25:12.359 --> 0:25:15.280
<v Speaker 1>I'm so curious at what point this love story became

0:25:15.600 --> 0:25:18.600
<v Speaker 1>like I'm curious if this is a studio mandated romance,

0:25:19.840 --> 0:25:22.800
<v Speaker 1>because it just wasn't. I don't know, like her whole

0:25:22.840 --> 0:25:24.320
<v Speaker 1>thing where it's like, okay, it's one thing to have

0:25:24.359 --> 0:25:27.479
<v Speaker 1>a Santa cank, Fine, okay, But then at the end

0:25:27.480 --> 0:25:30.240
<v Speaker 1>she's like, I like you, I think you're You're like, no,

0:25:30.400 --> 0:25:30.960
<v Speaker 1>you don't.

0:25:31.240 --> 0:25:34.679
<v Speaker 2>Come on, what do you like about him? He is

0:25:34.720 --> 0:25:37.320
<v Speaker 2>the most despicable person imaginable.

0:25:37.359 --> 0:25:38.760
<v Speaker 1>He's mean, any stinks.

0:25:39.200 --> 0:25:43.359
<v Speaker 2>Yeah, anyways, I know, we'll talk about it. But so

0:25:43.920 --> 0:25:45.960
<v Speaker 2>they have sex in the car, and then right after this,

0:25:46.680 --> 0:25:51.760
<v Speaker 2>a man who was at the bar aggressively approaches Willie.

0:25:52.280 --> 0:25:56.080
<v Speaker 2>And it's unclear exactly what is going on here, but

0:25:56.280 --> 0:25:57.760
<v Speaker 2>we do know that it's homophobic.

0:25:57.920 --> 0:26:00.399
<v Speaker 1>You're like, oh, we we see this person again. No, no, no,

0:26:00.440 --> 0:26:02.960
<v Speaker 1>we will not see this person again. He's here to

0:26:03.440 --> 0:26:05.880
<v Speaker 1>be a I don't know plot device.

0:26:06.040 --> 0:26:10.560
<v Speaker 2>Yeah, and so he attacks Willie, but Thurman intervenes and

0:26:10.640 --> 0:26:14.480
<v Speaker 2>kind of saves Willy. So he gives Thurman a ride home,

0:26:15.080 --> 0:26:19.080
<v Speaker 2>where he lives in a big house with his grandma

0:26:19.240 --> 0:26:23.960
<v Speaker 2>played by Chloris Leachman, who seems completely oblivious to her surroundings.

0:26:24.359 --> 0:26:28.240
<v Speaker 2>And Thurman again is incredibly naive and he still thinks

0:26:28.280 --> 0:26:32.880
<v Speaker 2>Willy is the real Santa Claus. So Willi takes advantage

0:26:33.000 --> 0:26:38.080
<v Speaker 2>of this situation and steals money and a car from them,

0:26:38.440 --> 0:26:43.600
<v Speaker 2>and Thurman's just like, whatever you need, Santa. Then Willy

0:26:44.200 --> 0:26:48.040
<v Speaker 2>continues to be bad Santa. He has sex with a

0:26:48.080 --> 0:26:51.000
<v Speaker 2>woman in the dressing room at work, and he gets

0:26:51.040 --> 0:26:54.719
<v Speaker 2>caught by John Ritter, but he manages to weasel his

0:26:54.760 --> 0:26:59.159
<v Speaker 2>way out of getting fired. Then he thinks maybe a

0:26:59.280 --> 0:27:02.080
<v Speaker 2>cop is snoop around his motel room, and he worries

0:27:02.160 --> 0:27:05.959
<v Speaker 2>that the police are onto him and Marcus for their robberies.

0:27:06.240 --> 0:27:07.960
<v Speaker 1>I did think it was very funny. I don't know

0:27:08.000 --> 0:27:09.639
<v Speaker 1>if this was a joke or just like how the

0:27:09.680 --> 0:27:12.720
<v Speaker 1>scene ended up. But he's like loudly making a phone

0:27:12.760 --> 0:27:17.080
<v Speaker 1>call about this like basically hotel. He's like, hey, I

0:27:17.119 --> 0:27:21.720
<v Speaker 1>think they're onto us, yeah, which is just like, ah,

0:27:21.840 --> 0:27:23.520
<v Speaker 1>movies are fun.

0:27:23.640 --> 0:27:26.480
<v Speaker 2>Also, Octavia Spencer's in this scene and we're like.

0:27:26.560 --> 0:27:30.560
<v Speaker 1>Oh, they really be the Octavier. The early roles of

0:27:30.600 --> 0:27:33.480
<v Speaker 1>Octavia Spencer like she deserves.

0:27:33.119 --> 0:27:36.840
<v Speaker 3>Peace, seven pounds, seven pounds.

0:27:37.240 --> 0:27:39.920
<v Speaker 1>It's gracious. And then she came back for the sequel

0:27:40.080 --> 0:27:43.480
<v Speaker 1>and we're just like, she's too nice. She's too nice.

0:27:43.960 --> 0:27:46.000
<v Speaker 2>I did watch the sequel to prep for this.

0:27:46.040 --> 0:27:48.000
<v Speaker 1>Okay, yes, and thoughts.

0:27:48.160 --> 0:27:52.320
<v Speaker 2>I have regrets. I'll share my thoughts when we get

0:27:52.359 --> 0:27:53.160
<v Speaker 2>to the discussion.

0:27:53.280 --> 0:27:55.760
<v Speaker 1>But okay, I did not watch. I did not watch

0:27:55.800 --> 0:27:56.280
<v Speaker 1>the sequel.

0:27:56.440 --> 0:27:59.040
<v Speaker 3>Also, by the way, speaking of Gilmore Girls, Alex Borstein

0:27:59.080 --> 0:28:00.640
<v Speaker 3>pops up in here as well, yes.

0:28:01.119 --> 0:28:04.680
<v Speaker 1>Which also feels like a two thousand and three comedy requisite,

0:28:04.720 --> 0:28:08.080
<v Speaker 1>like she has to be there and I'm always happy

0:28:08.119 --> 0:28:08.600
<v Speaker 1>to see her.

0:28:08.720 --> 0:28:11.080
<v Speaker 2>This is like peak mad TV era.

0:28:11.600 --> 0:28:14.920
<v Speaker 1>Yeah, yeah, it's Lois for crying out loud. I'm always

0:28:14.960 --> 0:28:15.800
<v Speaker 1>happy to see her.

0:28:16.400 --> 0:28:20.120
<v Speaker 2>Okay. So Willy's like, oh no, the cops are onto us.

0:28:20.400 --> 0:28:23.639
<v Speaker 2>So he decides to go back to Thurman's house and

0:28:23.760 --> 0:28:26.640
<v Speaker 2>hide out there for a while, and Thurman is all

0:28:26.840 --> 0:28:30.600
<v Speaker 2>too happy about this. He keeps asking more questions about

0:28:30.840 --> 0:28:34.160
<v Speaker 2>Santa and the North Pole and the reindeer and everything else.

0:28:34.760 --> 0:28:38.840
<v Speaker 2>And sometimes it seems like Willy and Thurman are hanging

0:28:38.840 --> 0:28:43.600
<v Speaker 2>out because they're like playing checkers and stuff. But mostly

0:28:43.600 --> 0:28:48.960
<v Speaker 2>Willy just treats Thurman horribly and has Lauren Graham's character

0:28:49.240 --> 0:28:52.160
<v Speaker 2>over for sex in one of.

0:28:52.200 --> 0:28:55.760
<v Speaker 1>I think the most baffling seeds. It just I don't

0:28:55.760 --> 0:28:58.680
<v Speaker 1>know the Lauren Graham character, like you have you gotta

0:28:58.760 --> 0:29:02.840
<v Speaker 1>laugh or what can you do? But this scene where

0:29:03.040 --> 0:29:07.400
<v Speaker 1>we've established because she is a woman. She loves kids

0:29:07.480 --> 0:29:10.360
<v Speaker 1>and she wants kids, and you know, true of a

0:29:10.360 --> 0:29:12.600
<v Speaker 1>lot of women, but I think it's a default mode

0:29:13.120 --> 0:29:16.440
<v Speaker 1>for women in movies. You know, she loves kids, but

0:29:16.560 --> 0:29:20.560
<v Speaker 1>she's totally fine with being caught having sex in front

0:29:20.560 --> 0:29:23.440
<v Speaker 1>of a kid. Does not make any effort to move,

0:29:23.560 --> 0:29:27.200
<v Speaker 1>She just sort of passively watches the conversation as if

0:29:27.200 --> 0:29:30.640
<v Speaker 1>the writer for baby It's just it just pisses me.

0:29:30.720 --> 0:29:33.920
<v Speaker 1>And then at the end she's like, Wow, he's such

0:29:33.960 --> 0:29:36.200
<v Speaker 1>a great kid. I was like, what is this? What

0:29:36.880 --> 0:29:39.000
<v Speaker 1>is this? Does she like kids or not?

0:29:39.640 --> 0:29:47.160
<v Speaker 2>She also sees Willie be horrible too, thermin and says.

0:29:46.880 --> 0:29:50.400
<v Speaker 1>Nothing, and she's like, I can fix him, question Mark.

0:29:50.840 --> 0:29:55.960
<v Speaker 1>But ultimately she like, you know, the reasons that Willy changes,

0:29:56.120 --> 0:29:58.959
<v Speaker 1>at least in the theatrical cut of this movie, have

0:29:59.360 --> 0:30:02.240
<v Speaker 1>little to nothing to do with her. They have almost

0:30:02.240 --> 0:30:06.200
<v Speaker 1>everything to do with Thurman Merman, which I'm not upset about,

0:30:06.360 --> 0:30:08.400
<v Speaker 1>but like, also, you're just like, what is the function

0:30:08.480 --> 0:30:10.800
<v Speaker 1>of this character other than this is a comedy and

0:30:10.840 --> 0:30:13.800
<v Speaker 1>therefore we need a hot woman in it.

0:30:14.440 --> 0:30:17.000
<v Speaker 2>Right. I should have mentioned also that I believe the

0:30:17.120 --> 0:30:20.200
<v Speaker 2>version that I watched and am doing the recap on

0:30:20.480 --> 0:30:24.720
<v Speaker 2>is the theatrical cut. Okay, so anyway, we see Willy

0:30:24.800 --> 0:30:27.880
<v Speaker 2>and Thurman hanging out. There's also a scene where Thurman

0:30:28.000 --> 0:30:31.880
<v Speaker 2>badly cuts his hand and Willy kind of helps him

0:30:32.040 --> 0:30:36.600
<v Speaker 2>and kind of shows a little concern and maybe Willy

0:30:36.840 --> 0:30:41.400
<v Speaker 2>is growing and changing question mark. He even cooks dinner

0:30:41.840 --> 0:30:46.880
<v Speaker 2>for Thurman and his grandmother. But then Thurman gets beaten

0:30:47.000 --> 0:30:50.280
<v Speaker 2>up by his bullies and he goes to Willy for help,

0:30:50.360 --> 0:30:51.960
<v Speaker 2>and Willy's like, well, what do you want me to

0:30:52.000 --> 0:30:54.440
<v Speaker 2>do about it? Leave me alone? So I guess he

0:30:54.560 --> 0:30:59.600
<v Speaker 2>still has some growing and learning to do. Meanwhile, John

0:30:59.720 --> 0:31:04.520
<v Speaker 2>Richard has asked Bernie Mack if he can help him

0:31:04.720 --> 0:31:09.200
<v Speaker 2>get Willy fired. So Bernie Mack starts doing some digging

0:31:09.520 --> 0:31:13.200
<v Speaker 2>on Willie and Marcus, and he tells John Ritter's character

0:31:13.760 --> 0:31:19.200
<v Speaker 2>that their track record is clean, but he knows actually

0:31:19.280 --> 0:31:23.480
<v Speaker 2>that they are thieves, and he approaches Willy and Marcus

0:31:23.520 --> 0:31:26.920
<v Speaker 2>to blackmail them and be like, give me half and

0:31:26.960 --> 0:31:27.880
<v Speaker 2>I won't turn you in.

0:31:28.160 --> 0:31:30.760
<v Speaker 1>See, And now it's feeling like a Coen Brothers movie again.

0:31:31.360 --> 0:31:35.960
<v Speaker 2>Right right, And they have no choice but to agree

0:31:36.000 --> 0:31:40.600
<v Speaker 2>to this. The next day, Willie shows up to work

0:31:41.040 --> 0:31:44.800
<v Speaker 2>as Santa Drunker than ever he makes a scene. It

0:31:44.840 --> 0:31:48.440
<v Speaker 2>seems like he has hit rock bottom, especially when he

0:31:48.520 --> 0:31:53.800
<v Speaker 2>attempts suicide. But then Thurman comes in and Willy sees

0:31:53.880 --> 0:31:57.360
<v Speaker 2>that his face is bruised, so Willy decides not to

0:31:57.480 --> 0:32:01.200
<v Speaker 2>end his life, and instead he beats up the children

0:32:01.280 --> 0:32:06.160
<v Speaker 2>who have been bullying Thurman because Willy is feeling parental

0:32:06.360 --> 0:32:11.920
<v Speaker 2>towards Thurman now or something. So now Willie feels like

0:32:12.000 --> 0:32:15.000
<v Speaker 2>he has helped Thurman and he feels good about himself,

0:32:15.600 --> 0:32:19.360
<v Speaker 2>and he gets Marcus to help him teach Thurman how

0:32:19.400 --> 0:32:22.560
<v Speaker 2>to defend himself, and so he's like doing all of

0:32:22.600 --> 0:32:26.840
<v Speaker 2>these what he thinks are nice gestures. And then a

0:32:26.840 --> 0:32:30.680
<v Speaker 2>little while later, Thurman gives Willie the Christmas present he

0:32:30.760 --> 0:32:34.200
<v Speaker 2>made for him, a wooden pickle, which is how he

0:32:34.240 --> 0:32:37.120
<v Speaker 2>cut his hand in the previous scene.

0:32:37.560 --> 0:32:40.800
<v Speaker 1>Literally gives a phallic item with his blood in it,

0:32:40.880 --> 0:32:45.840
<v Speaker 1>and you're like, huh, okay, wow, the themes are so subtle.

0:32:46.120 --> 0:32:48.200
<v Speaker 1>I don't know, but.

0:32:48.280 --> 0:32:51.080
<v Speaker 2>Willy seems really touched by this.

0:32:51.600 --> 0:32:51.840
<v Speaker 1>Yeah.

0:32:52.640 --> 0:32:56.720
<v Speaker 2>Then Thurman reveals that he has not received any presence

0:32:56.960 --> 0:33:00.400
<v Speaker 2>from Santa for the past couple years, and he thinks

0:33:00.400 --> 0:33:04.960
<v Speaker 2>maybe it's because he's a no good loser and Willy

0:33:05.360 --> 0:33:09.360
<v Speaker 2>is like, well, look kid, I'm not Santa. In fact,

0:33:09.440 --> 0:33:12.720
<v Speaker 2>there is no Santa, and Thurman is like, well, I

0:33:12.840 --> 0:33:15.320
<v Speaker 2>know that. I just thought maybe you'd want to give

0:33:15.360 --> 0:33:18.920
<v Speaker 2>me a present because we're friends. And Willy's like, oh

0:33:19.040 --> 0:33:20.520
<v Speaker 2>damn so true.

0:33:20.920 --> 0:33:22.840
<v Speaker 1>And you can tell that same was added in because

0:33:22.880 --> 0:33:26.080
<v Speaker 1>shortly after Thurban just goes back to calling him Santa

0:33:26.280 --> 0:33:27.920
<v Speaker 1>and trading him like he's real Santa.

0:33:29.720 --> 0:33:35.560
<v Speaker 2>Right then, Willy has Lauren Graham's character over to spend

0:33:35.680 --> 0:33:39.600
<v Speaker 2>Christmas eve Day with him and Thurman and they do

0:33:39.680 --> 0:33:46.160
<v Speaker 2>lots of Christmas e things. Meanwhile, Marcus and his girlfriend

0:33:46.240 --> 0:33:49.720
<v Speaker 2>who we see occasionally, but don't worry, we won't learn

0:33:49.760 --> 0:33:50.720
<v Speaker 2>anything about.

0:33:50.440 --> 0:33:52.240
<v Speaker 3>Her for your wife, I'm not sure.

0:33:52.480 --> 0:33:54.320
<v Speaker 2>Yeah, some Romanta partner.

0:33:54.480 --> 0:33:58.640
<v Speaker 1>I also there was a shot in at least I

0:33:58.680 --> 0:34:02.239
<v Speaker 1>think this might differ tween cuts. There's a shot that

0:34:02.320 --> 0:34:06.320
<v Speaker 1>I was like, I guess confused by in the longer

0:34:06.840 --> 0:34:10.640
<v Speaker 1>in Batter Santa, where I thought she was gonna like

0:34:11.760 --> 0:34:13.880
<v Speaker 1>egg on my face. I thought she's gonna do something

0:34:14.360 --> 0:34:17.400
<v Speaker 1>that was her idea, but it turned out I was wrong.

0:34:18.080 --> 0:34:20.840
<v Speaker 1>But there there is a scene where you know they're

0:34:20.880 --> 0:34:26.200
<v Speaker 1>in the mal cafeteria and Tony Cox calls Bad Santa

0:34:26.239 --> 0:34:29.440
<v Speaker 1>a scumbag. His girlfriend is there, and then she's like

0:34:29.680 --> 0:34:32.880
<v Speaker 1>taking notes as Billy Bob Thornton is making a confession

0:34:32.880 --> 0:34:35.000
<v Speaker 1>about the details of what's being done, and I was like,

0:34:35.280 --> 0:34:37.760
<v Speaker 1>is she gonna blackmail him? Is she gonna? Is she gonna,

0:34:37.840 --> 0:34:40.040
<v Speaker 1>you know, go off on her own and do something?

0:34:40.520 --> 0:34:44.800
<v Speaker 1>But then she doesn't, so never mind, So never mind

0:34:45.520 --> 0:34:47.920
<v Speaker 1>she does A woman almost had an idea, but then

0:34:47.960 --> 0:34:52.000
<v Speaker 1>it was like, oh wait, I misunderstood.

0:34:50.880 --> 0:34:55.560
<v Speaker 2>No note, that would never happen in a movie, Jamie. Sorry.

0:34:56.200 --> 0:35:02.160
<v Speaker 2>So Marcus and his partner killed Bernie mack by run.

0:35:02.280 --> 0:35:05.359
<v Speaker 1>I did not see that come over with their van

0:35:06.280 --> 0:35:09.440
<v Speaker 1>kind of signs style that I associate that kind of

0:35:09.480 --> 0:35:10.440
<v Speaker 1>death was signed.

0:35:11.800 --> 0:35:15.200
<v Speaker 2>Yes, absolutely, yeah, And I guess the idea is that

0:35:16.120 --> 0:35:19.880
<v Speaker 2>they won't have to give him half of whatever they steal.

0:35:20.880 --> 0:35:25.120
<v Speaker 2>And then Marcus and Willie get to work on their

0:35:25.400 --> 0:35:29.560
<v Speaker 2>usual robbing the department store on Christmas Eve, and Willie

0:35:29.640 --> 0:35:32.799
<v Speaker 2>cracks the safe and then he's like, oh wait, one

0:35:32.880 --> 0:35:36.400
<v Speaker 2>last thing, and he grabs the stuffed elephant toy that

0:35:36.520 --> 0:35:41.840
<v Speaker 2>Thurman mentioned he wanted. But then Marcus pulls a gun

0:35:42.080 --> 0:35:43.000
<v Speaker 2>on Willie.

0:35:43.120 --> 0:35:47.120
<v Speaker 1>The heel turn of Marcus is so like this ten

0:35:47.160 --> 0:35:49.160
<v Speaker 1>minutes is a journey for I was like, this is

0:35:49.200 --> 0:35:51.640
<v Speaker 1>not who I understood this man to be. Wow.

0:35:52.800 --> 0:35:56.600
<v Speaker 2>Yeah, it's almost like the screenwriting is not very.

0:35:56.480 --> 0:36:02.400
<v Speaker 1>Good, written by forty five different people. Yeah, kind of fun, but.

0:36:01.680 --> 0:36:05.000
<v Speaker 2>But Willy's like, I can't count on you anymore. You're

0:36:05.160 --> 0:36:09.160
<v Speaker 2>drunk and unreliable Willie. And then he's about to shoot

0:36:09.239 --> 0:36:12.560
<v Speaker 2>him and take all the money for himself, but then

0:36:12.840 --> 0:36:17.759
<v Speaker 2>a bunch of deis X security guards pop out and

0:36:18.080 --> 0:36:22.120
<v Speaker 2>Willie manages to get away, and he's hell bent on

0:36:22.239 --> 0:36:26.000
<v Speaker 2>giving Thurman the Christmas gift, so he goes back to

0:36:26.040 --> 0:36:29.120
<v Speaker 2>Thurman's house with the stuffed elephant, but the cops are

0:36:29.160 --> 0:36:33.200
<v Speaker 2>chasing him and they shoot Willy on the stoop of

0:36:33.280 --> 0:36:37.680
<v Speaker 2>the house, but Willy survives somehow, even though he had

0:36:37.719 --> 0:36:38.960
<v Speaker 2>like eight bullet wounds.

0:36:39.239 --> 0:36:41.520
<v Speaker 1>Does he die in this Terry's wyof cut?

0:36:41.880 --> 0:36:44.440
<v Speaker 3>I oh, I don't think he dies on any of them,

0:36:44.480 --> 0:36:45.960
<v Speaker 3>but it's been a while since I've seen it, so

0:36:46.000 --> 0:36:46.880
<v Speaker 3>don't quote me on that.

0:36:47.200 --> 0:36:47.879
<v Speaker 1>Interesting.

0:36:47.960 --> 0:36:49.800
<v Speaker 2>It would be wild if he died in that cut.

0:36:49.840 --> 0:36:52.879
<v Speaker 2>And then there's still somehow a sequel where he's.

0:36:54.080 --> 0:36:54.520
<v Speaker 3>Good point.

0:36:54.640 --> 0:36:57.920
<v Speaker 1>Well, Terry's Wagoff also had nothing to do with the sequel,

0:36:57.920 --> 0:36:59.839
<v Speaker 1>and he also says that they kind of wait, he's

0:37:00.200 --> 0:37:02.839
<v Speaker 1>something that was kind of bitchy that I thought was

0:37:02.880 --> 0:37:07.200
<v Speaker 1>funny in a piece I read it. He said something

0:37:07.280 --> 0:37:09.520
<v Speaker 1>like I will not be seeing it, the best of

0:37:09.600 --> 0:37:12.399
<v Speaker 1>luck to all involved, kind of thing. He said, I'd

0:37:12.440 --> 0:37:14.080
<v Speaker 1>like to see the sequel Shore. So far, I've only

0:37:14.080 --> 0:37:16.239
<v Speaker 1>seen the trailer. Tony Cox looks hilarious in it. The

0:37:16.280 --> 0:37:18.759
<v Speaker 1>rest not so promising, but I wish of luck.

0:37:18.960 --> 0:37:22.040
<v Speaker 4>I was like, wow, bitchy it well, and he had

0:37:22.040 --> 0:37:24.520
<v Speaker 4>to sorry, just real quick. He had to fight for

0:37:24.600 --> 0:37:28.400
<v Speaker 4>Tony Cox. The Wine scenes did not they were. They

0:37:28.400 --> 0:37:31.080
<v Speaker 4>wanted like Mickey Rourke or something, you know, to play

0:37:31.120 --> 0:37:31.480
<v Speaker 4>that role.

0:37:31.520 --> 0:37:34.000
<v Speaker 3>So they didn't. They didn't appreciate the Tony Cox casting.

0:37:34.040 --> 0:37:37.240
<v Speaker 3>They really didn't appreciate the Brett Kelly casting. They wanted

0:37:37.320 --> 0:37:40.919
<v Speaker 3>like a sort of Zach Efferny Disney kid, and so

0:37:41.120 --> 0:37:42.920
<v Speaker 3>that they actually came up with a kid who looks

0:37:42.960 --> 0:37:46.120
<v Speaker 3>like a genuine, you know, kid on kind of nerd. Yeah,

0:37:46.160 --> 0:37:49.480
<v Speaker 3>a regular looking kid. Uh, you know. These were not

0:37:49.560 --> 0:37:51.480
<v Speaker 3>the not the movie the Wine Scenes had in mind,

0:37:51.480 --> 0:37:54.320
<v Speaker 3>and they obviously wanted something softer and kinder and gentler,

0:37:54.360 --> 0:37:56.839
<v Speaker 3>which is why I did not want to give them.

0:37:57.120 --> 0:37:59.720
<v Speaker 1>It's interesting because it feels like, yeah, this is uh.

0:38:00.040 --> 0:38:02.480
<v Speaker 1>I always find like production notes on movies like this interesting,

0:38:02.520 --> 0:38:04.440
<v Speaker 1>where it's like there's so many cooks in the kitchen

0:38:04.440 --> 0:38:08.560
<v Speaker 1>and everyone wants something that is like pretty wildly different,

0:38:08.680 --> 0:38:12.239
<v Speaker 1>and so it ends up so it ends up being

0:38:12.280 --> 0:38:13.960
<v Speaker 1>like a little bit of all of it, and it

0:38:14.160 --> 0:38:17.480
<v Speaker 1>just is is a weird thing, and you're just like, well,

0:38:17.520 --> 0:38:19.560
<v Speaker 1>what version of this? So you just have to be like,

0:38:19.600 --> 0:38:23.120
<v Speaker 1>what version of this movie would I have liked to see?

0:38:23.680 --> 0:38:24.680
<v Speaker 3>Choose your adventure?

0:38:25.360 --> 0:38:29.799
<v Speaker 2>Yeah, to go back to the sequel really quick. That

0:38:29.920 --> 0:38:34.480
<v Speaker 2>movie was directed by Mark Waters of Mister Mengl Mean

0:38:34.520 --> 0:38:40.200
<v Speaker 2>Girl's Fame, Freaky Friday Fame, another like huge departure from

0:38:40.760 --> 0:38:44.920
<v Speaker 2>what he normally does, Like why are all these guys

0:38:44.960 --> 0:38:48.799
<v Speaker 2>directing bad Santa movies when they had previously done like

0:38:49.360 --> 0:38:51.600
<v Speaker 2>movies about teen girls, Like.

0:38:52.320 --> 0:38:54.919
<v Speaker 1>Well, I think it's it's weird, it's a pivot. It's

0:38:54.920 --> 0:38:57.160
<v Speaker 1>not my least favorite pivot. I feel like my least

0:38:57.160 --> 0:39:01.479
<v Speaker 1>favorite pivot was like twenty nineteen ish, when every guy

0:39:01.520 --> 0:39:04.560
<v Speaker 1>who directed a broad comedy like an offensive broad comedy

0:39:04.560 --> 0:39:06.719
<v Speaker 1>of the early two thousands was like I'm making a

0:39:06.800 --> 0:39:08.719
<v Speaker 1>me too movie and I was like, no, you're not.

0:39:11.040 --> 0:39:12.200
<v Speaker 1>Why are we letting you do that?

0:39:13.160 --> 0:39:15.160
<v Speaker 3>Well, I remember in the two thousands it was a

0:39:15.200 --> 0:39:19.960
<v Speaker 3>definite like queer Indie to mainstream teen girl pipeline, Like

0:39:20.000 --> 0:39:22.080
<v Speaker 3>you know, Jim Fall went from Trick to the Lizzie

0:39:22.120 --> 0:39:28.120
<v Speaker 3>McGuire movie, and you know, Tommy o'hager did get over it,

0:39:28.200 --> 0:39:32.080
<v Speaker 3>and the guy who did kissing Jessica Stein did like,

0:39:32.160 --> 0:39:34.520
<v Speaker 3>you know, legally Blonde two. Like that was that was

0:39:34.560 --> 0:39:35.120
<v Speaker 3>the segue.

0:39:35.520 --> 0:39:39.520
<v Speaker 1>It's interesting, Yeah, like these bizarro pipelines that you're like,

0:39:39.840 --> 0:39:41.680
<v Speaker 1>I guess it made sense to them. I don't know

0:39:42.320 --> 0:39:45.239
<v Speaker 1>really well in the same way that like, for at least,

0:39:45.280 --> 0:39:46.920
<v Speaker 1>I feel like it's kind of winding down now. But

0:39:46.960 --> 0:39:49.160
<v Speaker 1>it's like, if you made a really good A twenty

0:39:49.200 --> 0:39:52.320
<v Speaker 1>four movie, you would then make a really horrible Marvel movie.

0:39:52.880 --> 0:39:55.520
<v Speaker 3>What did the director of Minari just do? It was

0:39:55.560 --> 0:39:59.359
<v Speaker 3>something like it's like not a fast and furious movie,

0:39:59.400 --> 0:40:02.279
<v Speaker 3>but something like that. We're like, really, oh wait, that's

0:40:02.280 --> 0:40:04.960
<v Speaker 3>you're okay. Oh Twisters, Twisters?

0:40:05.239 --> 0:40:07.320
<v Speaker 1>Oh I kind of liked Twisters.

0:40:07.360 --> 0:40:09.239
<v Speaker 3>I gotta say no, it was fun, but it was

0:40:09.320 --> 0:40:11.279
<v Speaker 3>just like, this is who we're Okay. I mean, I

0:40:11.680 --> 0:40:13.640
<v Speaker 3>guess you understand small town America, you.

0:40:13.600 --> 0:40:18.040
<v Speaker 1>Know, like Barry Barry Jenkins mufassa like that. Yeah, that

0:40:18.160 --> 0:40:21.480
<v Speaker 1>kind of good example. It is weird, it is. I

0:40:21.520 --> 0:40:24.600
<v Speaker 1>don't know why it feels particularly weird for Terry's wagoff

0:40:24.680 --> 0:40:26.640
<v Speaker 1>to have made this jump, but it does.

0:40:27.600 --> 0:40:32.760
<v Speaker 3>He's just I think again, and I think we're grappling

0:40:32.760 --> 0:40:35.640
<v Speaker 3>with the movie they thought they were making and the

0:40:35.640 --> 0:40:37.480
<v Speaker 3>movie that different people wanted to make. In the movie

0:40:37.520 --> 0:40:40.040
<v Speaker 3>that wounds up happening, and I can see a through

0:40:40.080 --> 0:40:44.160
<v Speaker 3>line of Terry's wygof and the kind of sort of

0:40:45.239 --> 0:40:50.000
<v Speaker 3>archly bitter observational humor of Ghosts World, and of his

0:40:50.239 --> 0:40:51.799
<v Speaker 3>documentary work. I mean, this is the guy who did

0:40:51.800 --> 0:40:54.279
<v Speaker 3>the Crumb documentary, Let's not forget. I can see that

0:40:54.400 --> 0:40:59.160
<v Speaker 3>segueing into a version of Bad Santa, which is bleakly

0:40:59.239 --> 0:41:02.560
<v Speaker 3>funny and no way trying to make its lead character huggable.

0:41:02.920 --> 0:41:06.160
<v Speaker 3>And I think he's up against the Cohen brothers and

0:41:06.200 --> 0:41:10.319
<v Speaker 3>the Weinstein brothers having different visions entirely, and so we're

0:41:10.400 --> 0:41:14.400
<v Speaker 3>left with this sort of mulligan stew of everybody's different

0:41:14.480 --> 0:41:18.319
<v Speaker 3>flavor profile thrown in, and then it comes down to like, well,

0:41:18.320 --> 0:41:19.400
<v Speaker 3>who's cut are you watching?

0:41:19.520 --> 0:41:23.200
<v Speaker 1>You know? Yeah, it's it's interesting. I mean, I guess

0:41:23.760 --> 0:41:25.920
<v Speaker 1>it's hard to know where to start with this movie.

0:41:26.320 --> 0:41:28.640
<v Speaker 2>Yeah, well there's a couple of minutes left.

0:41:29.080 --> 0:41:31.719
<v Speaker 1>Oh god, Oh yeah, there's e Bilog right right.

0:41:31.640 --> 0:41:35.439
<v Speaker 2>Right, Yes, So he survives all these gunshot wounds. Willy

0:41:35.560 --> 0:41:40.840
<v Speaker 2>does and recovers kind of off screen in a hospital,

0:41:41.680 --> 0:41:45.840
<v Speaker 2>but we're seeing Thurman at home. He's opening a gift

0:41:46.080 --> 0:41:50.279
<v Speaker 2>from Willy as well as a letter which explains that

0:41:50.360 --> 0:41:53.360
<v Speaker 2>Willy is off the hook for the crimes he committed

0:41:53.440 --> 0:41:57.640
<v Speaker 2>because the cops shouldn't have opened fired on an unarmed

0:41:57.800 --> 0:42:02.560
<v Speaker 2>Santa and because he rated out Marcus or something.

0:42:02.600 --> 0:42:02.920
<v Speaker 3>I don't know.

0:42:02.960 --> 0:42:07.640
<v Speaker 2>I was like really barely following this point. But then

0:42:07.680 --> 0:42:11.880
<v Speaker 2>there's a final beat of the movie where Thurman's bully

0:42:12.280 --> 0:42:17.920
<v Speaker 2>shows up to harass him again and Thurman, per Willie's

0:42:18.440 --> 0:42:24.040
<v Speaker 2>fatherly guidance, kicks the bully in the nuts the end

0:42:24.680 --> 0:42:26.000
<v Speaker 2>Merry Christmas.

0:42:26.239 --> 0:42:28.440
<v Speaker 1>They're like, yeah, I guess that that should happen in

0:42:28.480 --> 0:42:31.640
<v Speaker 1>this movie at some point. I guess they make you

0:42:31.680 --> 0:42:32.319
<v Speaker 1>work for it.

0:42:32.880 --> 0:42:35.600
<v Speaker 2>So that's the movie. Let's take another quick break and

0:42:35.719 --> 0:42:47.280
<v Speaker 2>we'll come back to discuss.

0:42:48.440 --> 0:42:53.600
<v Speaker 1>We're back, okay, really quick. I found a hopefully this

0:42:53.719 --> 0:42:57.439
<v Speaker 1>IMDb user. It seems like they were thorough, but this

0:42:57.480 --> 0:43:00.439
<v Speaker 1>is my source. There is an IMDb us or who

0:43:00.880 --> 0:43:03.560
<v Speaker 1>wrote out all of the differences between the three versions

0:43:03.600 --> 0:43:06.279
<v Speaker 1>of this movie. Oh wow, okay, so thank you, thank you,

0:43:06.800 --> 0:43:09.960
<v Speaker 1>thank you so much. So that was how I sort

0:43:09.960 --> 0:43:14.040
<v Speaker 1>of started figuring out what I saw versus what actually

0:43:14.040 --> 0:43:16.080
<v Speaker 1>happens in the theatrical cut, which I guess we have

0:43:16.120 --> 0:43:19.000
<v Speaker 1>to sort of take his cannon, but I think that

0:43:19.239 --> 0:43:22.200
<v Speaker 1>he so just to read the end of the director's cut,

0:43:22.239 --> 0:43:24.359
<v Speaker 1>I think we are to believe that he's dead. All

0:43:24.400 --> 0:43:26.279
<v Speaker 1>scenes of Willy trying to teach the kid to stand

0:43:26.320 --> 0:43:29.240
<v Speaker 1>up for himself, including the boxing scene which Terry's Weggoff

0:43:29.239 --> 0:43:32.880
<v Speaker 1>didn't even direct, are removed. The car death scene is

0:43:32.920 --> 0:43:34.960
<v Speaker 1>the same as on the unrated version, which I think

0:43:35.040 --> 0:43:37.080
<v Speaker 1>is just like more violent.

0:43:37.080 --> 0:43:41.440
<v Speaker 2>The Bernie mac One no no, the bad Santa car chase,

0:43:41.719 --> 0:43:44.759
<v Speaker 2>oh okay, when he dies and alternate car chase scene.

0:43:44.840 --> 0:43:46.719
<v Speaker 1>Also, Willy does not say this is Christmas and the

0:43:46.800 --> 0:43:49.040
<v Speaker 1>kids getting as fucking present, because this is the version

0:43:49.040 --> 0:43:52.239
<v Speaker 1>with no moral. The ending is changed to the kid

0:43:52.400 --> 0:43:57.240
<v Speaker 1>scrubbing Willy's blood off the front porch, so I think

0:43:57.320 --> 0:44:00.960
<v Speaker 1>he is cooked in the Terry's Wagoff for which is

0:44:01.040 --> 0:44:04.120
<v Speaker 1>like a version that it wouldn't be my favorite movie.

0:44:04.200 --> 0:44:07.000
<v Speaker 1>He's not my favorite director, but like, I think that

0:44:07.000 --> 0:44:09.920
<v Speaker 1>that at least has like there's a vision there, you know,

0:44:10.400 --> 0:44:13.480
<v Speaker 1>to like, here is this despicable piece of shit. I

0:44:13.520 --> 0:44:16.160
<v Speaker 1>would be surprised if all of the not that there

0:44:16.200 --> 0:44:18.480
<v Speaker 1>would be a lack of offensive jokes in that version,

0:44:18.560 --> 0:44:22.400
<v Speaker 1>but there is such a commercial version of these jokes

0:44:22.400 --> 0:44:25.120
<v Speaker 1>that I think we hear. I don't know, it's just

0:44:25.280 --> 0:44:29.239
<v Speaker 1>it's puzzling. Where should we start because this is obviously

0:44:29.320 --> 0:44:30.960
<v Speaker 1>I mean, we've talked about movies like this on the

0:44:31.000 --> 0:44:34.120
<v Speaker 1>show before. This is a movie whose objective is to

0:44:34.200 --> 0:44:37.120
<v Speaker 1>be offensive to as many people as possible, Like that

0:44:37.280 --> 0:44:41.000
<v Speaker 1>is part of why this movie exists. So it's not

0:44:41.120 --> 0:44:45.000
<v Speaker 1>shocking that it happens, but it is uh yeah, I

0:44:45.000 --> 0:44:48.400
<v Speaker 1>mean it again not my favorite and also still no

0:44:48.880 --> 0:44:51.560
<v Speaker 1>matter when that kind of movie comes out, it's very

0:44:51.600 --> 0:44:55.920
<v Speaker 1>reflective of like what is considered shocking and also but

0:44:56.040 --> 0:44:59.000
<v Speaker 1>like not so shocking that you can't do a huge

0:44:59.400 --> 0:45:01.799
<v Speaker 1>you know, commerci movie around it that I think would

0:45:01.800 --> 0:45:02.560
<v Speaker 1>be very different now.

0:45:02.920 --> 0:45:05.720
<v Speaker 3>Well, I think, for instance, the whole you know, Lauren

0:45:05.760 --> 0:45:07.920
<v Speaker 3>Graham has a Santa Kink thing is a thing that

0:45:07.960 --> 0:45:11.000
<v Speaker 3>we hadn't seen in a Christmas movie up to that point.

0:45:11.520 --> 0:45:16.080
<v Speaker 3>And so just having it there, having her yell that out,

0:45:16.200 --> 0:45:19.160
<v Speaker 3>and having that be the thing that drives her character

0:45:20.320 --> 0:45:23.279
<v Speaker 3>was you know, enough of a novelty that that was like, well,

0:45:23.280 --> 0:45:26.719
<v Speaker 3>we're gonna do that, of course, you know. And does

0:45:26.760 --> 0:45:29.000
<v Speaker 3>it say much for her character? Does it make sense

0:45:29.040 --> 0:45:31.440
<v Speaker 3>in the larger context of who she's supposed to be

0:45:31.520 --> 0:45:34.560
<v Speaker 3>and how her relationship with him grows over the course

0:45:34.560 --> 0:45:38.040
<v Speaker 3>of the film. I mean not really. They didn't. Yeah,

0:45:38.080 --> 0:45:41.080
<v Speaker 3>they didn't give much thought to that, But I mean, yeah,

0:45:41.120 --> 0:45:43.200
<v Speaker 3>it is a thing where when you saw that add

0:45:43.239 --> 0:45:45.040
<v Speaker 3>on Gilmore Girls in two thousand and three, it was

0:45:45.080 --> 0:45:48.960
<v Speaker 3>shocking because you'd never heard anybody say that before, much

0:45:49.040 --> 0:45:50.480
<v Speaker 3>less America's Sweetheart, you know.

0:45:51.000 --> 0:45:54.799
<v Speaker 1>Yeah, I mean it's I guess if we're starting with her,

0:45:54.840 --> 0:45:56.919
<v Speaker 1>I mean, it doesn't even feel like a particularly long

0:45:56.960 --> 0:46:00.560
<v Speaker 1>conversation because it's like, I don't think I know enough

0:46:00.560 --> 0:46:03.200
<v Speaker 1>about her character to know if her character changes at

0:46:03.200 --> 0:46:06.560
<v Speaker 1>all throughout the movie. It seems like kind of from

0:46:06.560 --> 0:46:09.000
<v Speaker 1>the jump, she has a Santa kink, She's gonna show

0:46:09.080 --> 0:46:11.319
<v Speaker 1>up every once in a while out of context. Why

0:46:11.320 --> 0:46:12.640
<v Speaker 1>does she have no one in her life to spend

0:46:12.680 --> 0:46:14.080
<v Speaker 1>Christmas with? We don't know, we don't care.

0:46:14.239 --> 0:46:17.440
<v Speaker 2>Why does she completely ignore all the times in which

0:46:18.200 --> 0:46:20.879
<v Speaker 2>Willie says something horrible, does something.

0:46:20.640 --> 0:46:23.680
<v Speaker 1>Horrible in front of a child, but she loves children?

0:46:23.880 --> 0:46:26.600
<v Speaker 3>Like if she has a Santa kink, wouldn't this be

0:46:26.640 --> 0:46:28.799
<v Speaker 3>like a busy time of year for her? Like, wouldn't she,

0:46:28.920 --> 0:46:33.240
<v Speaker 3>you know, she'd have something lined up for her Decembers right, gorgeous?

0:46:33.280 --> 0:46:36.320
<v Speaker 1>She should be making the round Like why Santa?

0:46:36.400 --> 0:46:38.360
<v Speaker 3>I think it's safe to say like this. The women

0:46:38.400 --> 0:46:42.000
<v Speaker 3>in this movie are essentially an afterthoughts in terms of

0:46:42.040 --> 0:46:45.759
<v Speaker 3>their their participation in the story and in the you know,

0:46:46.120 --> 0:46:50.520
<v Speaker 3>overall character arcs of the men, like they're set dressing.

0:46:50.920 --> 0:46:54.600
<v Speaker 2>Yeah, each woman is basically some caricature of a person

0:46:55.280 --> 0:47:00.000
<v Speaker 2>where you have like Marcus's girlfriend or wife or whatever

0:47:00.080 --> 0:47:03.920
<v Speaker 2>partner played by Lauren Tom she uh, I don't even

0:47:03.920 --> 0:47:06.279
<v Speaker 2>know if we learn her name in the movie, like

0:47:06.320 --> 0:47:07.400
<v Speaker 2>her character's name.

0:47:07.600 --> 0:47:11.520
<v Speaker 1>And she's like she's so accomplished and you're.

0:47:11.440 --> 0:47:12.880
<v Speaker 3>Just she's Lois.

0:47:13.400 --> 0:47:16.320
<v Speaker 2>Yes, oh okay, okay, she's her characters name is Lowis.

0:47:16.400 --> 0:47:19.319
<v Speaker 1>She's Lowess And now it doesn't make any sense, but

0:47:19.440 --> 0:47:21.839
<v Speaker 1>like she's in the Joy Luck Club. She's like a

0:47:21.880 --> 0:47:24.279
<v Speaker 1>big stage actor. Like I was just like, I hope

0:47:24.280 --> 0:47:26.840
<v Speaker 1>that they paid her well for this because this is

0:47:27.000 --> 0:47:27.600
<v Speaker 1>beneath her.

0:47:27.960 --> 0:47:31.600
<v Speaker 2>I don't imagine they did, but we can hope. But yeah,

0:47:31.600 --> 0:47:36.000
<v Speaker 2>I mean, like it's her character is almost presented as

0:47:36.040 --> 0:47:41.200
<v Speaker 2>Marcus's sidekick, like she kind of helps with the robberies sometimes,

0:47:41.239 --> 0:47:44.360
<v Speaker 2>like she seems to be the getaway driver maybe, but

0:47:44.520 --> 0:47:48.359
<v Speaker 2>like why isn't she more integrated into the like the

0:47:48.520 --> 0:47:53.040
<v Speaker 2>robbery crew or not that I'm like, but I'm also like,

0:47:53.120 --> 0:47:54.839
<v Speaker 2>well maybe women should steal more.

0:47:54.920 --> 0:47:56.759
<v Speaker 1>But I mean, if we're gonna have a robbery crew,

0:47:56.800 --> 0:47:58.720
<v Speaker 1>let's get her involved, let's get her involved.

0:47:59.040 --> 0:48:03.240
<v Speaker 2>But mostly her character is there to display a series

0:48:03.320 --> 0:48:07.400
<v Speaker 2>of racist stereotypes and that's pretty much.

0:48:07.480 --> 0:48:10.960
<v Speaker 1>It, yeah for her. Yeah, I mean whatever we could.

0:48:11.000 --> 0:48:13.160
<v Speaker 1>Cinema sends this to death. But like in the in

0:48:13.200 --> 0:48:17.400
<v Speaker 1>the like logic of I I don't know why Marcus

0:48:17.480 --> 0:48:22.120
<v Speaker 1>is it, like she's my main conspirator, Like why is

0:48:22.320 --> 0:48:24.719
<v Speaker 1>Beds I know that you need I guess for this

0:48:24.800 --> 0:48:28.360
<v Speaker 1>scheme to work, you need a Santa. But again, why

0:48:28.400 --> 0:48:31.239
<v Speaker 1>this Santa? The same I'm asking the same question as

0:48:31.320 --> 0:48:33.840
<v Speaker 1>the Lauren Graham. Why this Santa?

0:48:33.880 --> 0:48:36.399
<v Speaker 3>Well, because he's a safe cracker. I think that's I mean,

0:48:36.719 --> 0:48:39.319
<v Speaker 3>he's not a Santa who is a safe cracker. He's

0:48:39.320 --> 0:48:42.920
<v Speaker 3>a safe cracker who pretends Santa to get inside. And

0:48:42.960 --> 0:48:45.799
<v Speaker 3>I think Lois is mainly there to sort of give

0:48:45.880 --> 0:48:49.960
<v Speaker 3>Marcus a shopping list of specific consumer items that she

0:48:50.080 --> 0:48:53.000
<v Speaker 3>wants him to take from the department store while while

0:48:53.040 --> 0:48:55.320
<v Speaker 3>Marcus is draining the safe of the cas.

0:48:55.280 --> 0:49:00.520
<v Speaker 1>Because women be shopping, maybe they truly be. And yeah,

0:49:00.560 --> 0:49:03.000
<v Speaker 1>I guess it's like I don't think it would have

0:49:03.080 --> 0:49:05.200
<v Speaker 1>changed things very much to have her like a little

0:49:05.200 --> 0:49:09.680
<v Speaker 1>more actively involved in those schemes. And I also feel

0:49:09.680 --> 0:49:11.320
<v Speaker 1>like she's well, let me know what you think. I

0:49:11.840 --> 0:49:15.520
<v Speaker 1>also feel like she's kind of there to make Marcus

0:49:15.560 --> 0:49:19.480
<v Speaker 1>seem like a better person, Like she serves kind of

0:49:19.719 --> 0:49:24.760
<v Speaker 1>another function where bad Santa, he can't hold down a relationship,

0:49:24.800 --> 0:49:27.799
<v Speaker 1>he's a mess, blah blah blah. Marcus says explicitly at

0:49:27.800 --> 0:49:31.399
<v Speaker 1>one point, like I am in a monogamous relationship. I'm

0:49:31.480 --> 0:49:33.840
<v Speaker 1>very happy blah blah blah. And it's like she I

0:49:33.840 --> 0:49:37.239
<v Speaker 1>think she's there as set dressing. She's there to be

0:49:37.360 --> 0:49:41.239
<v Speaker 1>this broad you know, stereotype, and she's also there to

0:49:41.440 --> 0:49:44.960
<v Speaker 1>like make us feel a certain way about Marcus. Like

0:49:45.040 --> 0:49:48.000
<v Speaker 1>everything about her has very little to do with her.

0:49:48.080 --> 0:49:50.760
<v Speaker 1>She's which is the story of women in broad comedies

0:49:50.800 --> 0:49:53.200
<v Speaker 1>for the most part, it's just like she's there to

0:49:53.239 --> 0:49:56.800
<v Speaker 1>tell you something about this guy, for sure. So I

0:49:58.080 --> 0:50:01.520
<v Speaker 1>don't know, there's another there's you know, we don't need

0:50:01.560 --> 0:50:04.080
<v Speaker 1>to go shot for shot, but there's you know a

0:50:04.080 --> 0:50:10.040
<v Speaker 1>lot of very leering POV bad Santa gazing on women's bodies.

0:50:10.280 --> 0:50:14.040
<v Speaker 1>Often that's how we meet women characters is from the

0:50:14.040 --> 0:50:17.200
<v Speaker 1>bottom up. It is his POV. But again there's like

0:50:17.640 --> 0:50:20.799
<v Speaker 1>it's not commenting on anything. If we then go on

0:50:20.920 --> 0:50:23.840
<v Speaker 1>to not get to know this woman at all and

0:50:24.080 --> 0:50:28.080
<v Speaker 1>she's just like ugh, or she's like I like that. Yeah.

0:50:29.120 --> 0:50:31.920
<v Speaker 3>The fact that he is he finds sort of plus

0:50:31.960 --> 0:50:34.719
<v Speaker 3>size women appealing, I think is the movie treats as

0:50:34.719 --> 0:50:38.360
<v Speaker 3>being as funny as Lauren Graham having a Santa Fetters ca.

0:50:39.760 --> 0:50:43.759
<v Speaker 3>Yeah totally, yes, yes, I can right, yeah, No.

0:50:43.760 --> 0:50:46.440
<v Speaker 1>That's played as a joke and then bringing Octavia Spencer

0:50:46.480 --> 0:50:49.480
<v Speaker 1>into it, it just makes it even worse. Leave her

0:50:49.560 --> 0:50:50.320
<v Speaker 1>out of it.

0:50:50.440 --> 0:50:53.359
<v Speaker 2>My takeaway from her involvement in the story. So, she

0:50:53.400 --> 0:50:57.680
<v Speaker 2>plays a sex worker named Opal, and like you mentioned, Jamie,

0:50:57.800 --> 0:51:00.560
<v Speaker 2>she's in the sequel for some reason, she's just.

0:51:00.520 --> 0:51:02.600
<v Speaker 1>Too nice for her own good. She's in a lot

0:51:02.640 --> 0:51:06.120
<v Speaker 1>of like weirdly bad movies. It seems like to do

0:51:06.239 --> 0:51:07.200
<v Speaker 1>a favor to a friend.

0:51:07.640 --> 0:51:12.319
<v Speaker 2>But the way that Willy is presented, basically it's like

0:51:12.440 --> 0:51:17.239
<v Speaker 2>everything that Willy does or anyone who he's involved with

0:51:17.560 --> 0:51:22.680
<v Speaker 2>or whatever, everything everything associated with him is bad because

0:51:22.719 --> 0:51:25.919
<v Speaker 2>he's Bad Santa, and so him knowing Opal, I feel

0:51:25.960 --> 0:51:28.600
<v Speaker 2>like this movie is sort of is anti sex work

0:51:28.760 --> 0:51:31.960
<v Speaker 2>just by virtue of like she knows him and everyone

0:51:32.000 --> 0:51:35.520
<v Speaker 2>that he knows is bad, and then she's in one

0:51:35.640 --> 0:51:38.239
<v Speaker 2>quick scene and then we never see or hear from

0:51:38.239 --> 0:51:38.720
<v Speaker 2>her again.

0:51:39.000 --> 0:51:41.480
<v Speaker 1>Yeah. There's also I think that this is only in

0:51:41.520 --> 0:51:44.920
<v Speaker 1>the Badder Santa cut which makes sense because it feels

0:51:45.040 --> 0:51:49.120
<v Speaker 1>very like why is this here. There is a cutaway

0:51:49.120 --> 0:51:52.759
<v Speaker 1>scene towards the beginning during these like eleven last months

0:51:52.840 --> 0:51:55.880
<v Speaker 1>where Bad Santa is spending all his Bad Santa money

0:51:56.200 --> 0:52:00.879
<v Speaker 1>where he brings sex worker home and then just kind

0:52:00.920 --> 0:52:03.480
<v Speaker 1>of like beerates her for a while and then the

0:52:03.520 --> 0:52:05.799
<v Speaker 1>phone rings and it's Marcus and he's like, guess what,

0:52:05.880 --> 0:52:08.520
<v Speaker 1>it's November. And then we cut to that and you're like, well,

0:52:08.560 --> 0:52:11.640
<v Speaker 1>I'm glad they caught that out, but it was I

0:52:11.640 --> 0:52:15.000
<v Speaker 1>think kind of solidifies your your thinking there where there's

0:52:15.040 --> 0:52:18.440
<v Speaker 1>another scene with I think a sex worker who's somehow

0:52:18.520 --> 0:52:21.759
<v Speaker 1>characterized even less we really just meet her and then

0:52:21.760 --> 0:52:26.520
<v Speaker 1>she's told that she smells and she sucks. So, yeah,

0:52:26.560 --> 0:52:29.719
<v Speaker 1>this is a movie written by so like getting into

0:52:29.760 --> 0:52:32.400
<v Speaker 1>the production a little bit and then we'll definitely go

0:52:32.520 --> 0:52:34.320
<v Speaker 1>back to the characters. There's a lot to talk about,

0:52:34.440 --> 0:52:38.759
<v Speaker 1>but just so Terry's Wygoff was set to direct this.

0:52:38.880 --> 0:52:42.919
<v Speaker 1>It was written by Glenn Fakara and John Recua, who

0:52:43.000 --> 0:52:45.840
<v Speaker 1>are a team who I believe.

0:52:46.840 --> 0:52:49.840
<v Speaker 3>They they did I Love You, Philip Morris, which I

0:52:49.840 --> 0:52:50.480
<v Speaker 3>am a fan of.

0:52:50.560 --> 0:52:54.480
<v Speaker 1>Actually it's really they They didn't. They did crazy stupid

0:52:54.480 --> 0:52:57.120
<v Speaker 1>love right, and then they do the thing that these

0:52:57.280 --> 0:52:59.279
<v Speaker 1>that these guys often do, which is they take a

0:52:59.320 --> 0:53:01.399
<v Speaker 1>serious turn and it kind of doesn't work. They did

0:53:01.680 --> 0:53:05.680
<v Speaker 1>Whiskey Tango Foxtrot later on. Oh and then they go

0:53:05.760 --> 0:53:09.600
<v Speaker 1>back to comedy, and they did Jungle Cruise. I've never

0:53:09.640 --> 0:53:12.160
<v Speaker 1>seen I Love You, Philip Morris. I have seen the

0:53:12.200 --> 0:53:16.600
<v Speaker 1>Billy Bob Thornton Bad News Bears, which is interesting in

0:53:16.640 --> 0:53:18.840
<v Speaker 1>retrospect because it sounds like that's what the Coen Brothers

0:53:18.920 --> 0:53:22.080
<v Speaker 1>kind of wanted from this movie. There were almost a

0:53:22.160 --> 0:53:25.080
<v Speaker 1>million different Bad Santas. It was almost James s. Gandelfini.

0:53:26.239 --> 0:53:28.520
<v Speaker 1>There was almost Bill Murray, it was almost Jack Nicholson,

0:53:28.560 --> 0:53:30.799
<v Speaker 1>it was almost de Niro, Like.

0:53:31.880 --> 0:53:35.200
<v Speaker 2>Well, DeNiro would go on to be Bad Grandpa, I think.

0:53:35.560 --> 0:53:38.839
<v Speaker 1>Yes, which is a far worse movie than this, which

0:53:38.920 --> 0:53:42.080
<v Speaker 1>is wild. I have not seen Bad Grandpa, but I do.

0:53:42.200 --> 0:53:44.759
<v Speaker 1>I'm like, I wonder how common that is that, Like,

0:53:45.560 --> 0:53:47.880
<v Speaker 1>if you work long enough, you're gonna be bad something

0:53:49.719 --> 0:53:50.440
<v Speaker 1>Bad Moms.

0:53:50.440 --> 0:53:53.359
<v Speaker 3>Well it's like you know, well, yeah, no. The bad

0:53:53.400 --> 0:53:55.600
<v Speaker 3>prefix definitely got very popular for a one of the

0:53:55.640 --> 0:53:57.560
<v Speaker 3>run I was thinking about, like, yeah, turning down Bad

0:53:57.600 --> 0:54:00.160
<v Speaker 3>Santa and then doing Bad Grandpa is like when on

0:54:00.200 --> 0:54:02.160
<v Speaker 3>Connery turned down Lord of the Rings and then said

0:54:02.200 --> 0:54:06.320
<v Speaker 3>yes to Leave of Extraordinary Gentlemen. You never know, You

0:54:07.480 --> 0:54:08.200
<v Speaker 3>just never know.

0:54:08.440 --> 0:54:10.959
<v Speaker 1>Everything is a gamble. I love I feel like there's

0:54:11.000 --> 0:54:13.520
<v Speaker 1>a I can't remember what my favorite example of that is,

0:54:13.760 --> 0:54:18.040
<v Speaker 1>but yeah, So anyways, just like speaking to the all

0:54:18.080 --> 0:54:20.600
<v Speaker 1>over the place nature of the movie there, when the

0:54:20.640 --> 0:54:25.080
<v Speaker 1>sequel came out, there was a an oral history of

0:54:25.400 --> 0:54:29.400
<v Speaker 1>the first one that released that gets at what you

0:54:29.440 --> 0:54:32.480
<v Speaker 1>were talking about earlier. Alonzo that Tony Cox was an

0:54:32.520 --> 0:54:35.440
<v Speaker 1>actor that Terry Swagoff really had to fight for and

0:54:35.480 --> 0:54:38.040
<v Speaker 1>he sort of it sounds like there's conflicting accounts, but

0:54:38.080 --> 0:54:41.160
<v Speaker 1>that he kind of threatened to walk if he didn't

0:54:41.200 --> 0:54:44.480
<v Speaker 1>get the cast that he wanted and really went to

0:54:44.520 --> 0:54:48.480
<v Speaker 1>bat for Tony Cox and Brad Kelly, who seemed to

0:54:48.480 --> 0:54:51.160
<v Speaker 1>have a lot of love for him. Billy Bob Tharton

0:54:51.600 --> 0:54:54.960
<v Speaker 1>seems like maybe not as much, which brings us to

0:54:56.280 --> 0:54:58.239
<v Speaker 1>I don't know, like the less said about the Weinstein's,

0:54:58.239 --> 0:55:01.000
<v Speaker 1>the better they're involved, you've seen them. It's not chocking.

0:55:01.840 --> 0:55:05.080
<v Speaker 1>But brings us back to Marcus, who again it's like

0:55:05.239 --> 0:55:09.240
<v Speaker 1>there from scene to scene, I feel like his character

0:55:09.400 --> 0:55:11.640
<v Speaker 1>is treated very differently. There is a version of this

0:55:11.719 --> 0:55:16.719
<v Speaker 1>character that I think is better, but I get like

0:55:16.760 --> 0:55:19.560
<v Speaker 1>there there were this movie did have me sometimes for

0:55:19.680 --> 0:55:21.920
<v Speaker 1>like a scene or two where you're like, oh, that's interesting,

0:55:22.120 --> 0:55:23.880
<v Speaker 1>right where I don't know.

0:55:23.920 --> 0:55:26.760
<v Speaker 3>Well, there's a base level of pragmatism of like, dude,

0:55:27.320 --> 0:55:30.960
<v Speaker 3>you're drunk. We have to keep it together if we're gonna,

0:55:31.320 --> 0:55:33.960
<v Speaker 3>you know, do this heist, and if you are like

0:55:34.239 --> 0:55:36.560
<v Speaker 3>urinating on children and having sex with women in the

0:55:36.600 --> 0:55:39.080
<v Speaker 3>dressing room, that's not gonna help us. Like, you've got

0:55:39.120 --> 0:55:40.719
<v Speaker 3>to keep it together long enough for us to do

0:55:40.760 --> 0:55:42.920
<v Speaker 3>our thing. And I think if they had focused on that,

0:55:42.960 --> 0:55:45.320
<v Speaker 3>where he's just like trying to get the job done

0:55:45.719 --> 0:55:50.560
<v Speaker 3>and not tolerant of you know, Willie's shenanigans, that's a character,

0:55:50.640 --> 0:55:52.439
<v Speaker 3>but they don't. They don't stay on.

0:55:52.360 --> 0:55:54.399
<v Speaker 1>That, they don't quite commit to it. Yeah, I felt

0:55:54.400 --> 0:55:57.120
<v Speaker 1>the same way, where it's like it is an interesting

0:55:57.360 --> 0:55:59.880
<v Speaker 1>premise to me that we have Tony Cox, who is

0:56:00.320 --> 0:56:02.720
<v Speaker 1>a little person. He has been in a ton of movies,

0:56:02.960 --> 0:56:06.080
<v Speaker 1>but his character, unlike so many little people in movies,

0:56:06.360 --> 0:56:10.640
<v Speaker 1>is not defined by that quality. He is first and

0:56:10.719 --> 0:56:15.040
<v Speaker 1>foremost robbing department stores, and like it's a broad comedy,

0:56:15.080 --> 0:56:18.239
<v Speaker 1>it's not a huge, you know, in depth life, but.

0:56:18.320 --> 0:56:20.920
<v Speaker 3>Like he's willing to use his status as a little

0:56:20.920 --> 0:56:25.280
<v Speaker 3>person to get the elf gigs, which right in another movie,

0:56:25.280 --> 0:56:27.399
<v Speaker 3>I think that becomes a smarter thing of like, well,

0:56:27.560 --> 0:56:29.560
<v Speaker 3>I'm a little person, you're a safe cracker. I know

0:56:29.760 --> 0:56:33.520
<v Speaker 3>we'll do this, and that becomes our stick. And I

0:56:33.560 --> 0:56:36.600
<v Speaker 3>think the fact that he is resentful of the fact

0:56:36.600 --> 0:56:39.360
<v Speaker 3>that he's spending nearly the entire movie dressed as an elf,

0:56:39.960 --> 0:56:42.359
<v Speaker 3>but he's doing it as a means to an end

0:56:42.480 --> 0:56:45.680
<v Speaker 3>is an interesting way to portray a little person character

0:56:45.760 --> 0:56:47.920
<v Speaker 3>that a lot of other movies weren't maybe smart enough

0:56:47.960 --> 0:56:48.120
<v Speaker 3>to do.

0:56:48.760 --> 0:56:52.040
<v Speaker 1>I guess it's the thing that really bumps for me,

0:56:52.120 --> 0:56:54.279
<v Speaker 1>and I'd be curious what our listeners think as well,

0:56:54.400 --> 0:56:57.120
<v Speaker 1>is that it's so often I feel like every time

0:56:57.160 --> 0:56:59.439
<v Speaker 1>we get a little closer to having a fuller idea

0:56:59.480 --> 0:57:03.120
<v Speaker 1>of his character, it just like the concept of his

0:57:03.320 --> 0:57:06.279
<v Speaker 1>taking advantage of other people's assumptions about him to get

0:57:06.280 --> 0:57:10.160
<v Speaker 1>what he wants, that's an interesting premise, But then it

0:57:10.239 --> 0:57:14.279
<v Speaker 1>sometimes just devolves into jokes about little people that feel like,

0:57:14.440 --> 0:57:17.080
<v Speaker 1>you know, the elements of this kind of movie that

0:57:17.160 --> 0:57:19.680
<v Speaker 1>really don't work for me, where it's just like piling

0:57:19.720 --> 0:57:21.600
<v Speaker 1>it on and piling it on and piling it on

0:57:22.080 --> 0:57:24.560
<v Speaker 1>to the port where it feels like improvised, of like,

0:57:24.600 --> 0:57:26.760
<v Speaker 1>what's the worst thing you can think of? To say

0:57:26.800 --> 0:57:27.600
<v Speaker 1>about this man.

0:57:27.760 --> 0:57:31.280
<v Speaker 2>You know, right, the movie waffles back and forth between

0:57:31.440 --> 0:57:36.439
<v Speaker 2>scenes where other characters will be talking about him and

0:57:37.160 --> 0:57:40.080
<v Speaker 2>they're not sure what language to use to describe him,

0:57:40.120 --> 0:57:43.480
<v Speaker 2>and they end up using disparaging language and using slurs,

0:57:44.200 --> 0:57:46.840
<v Speaker 2>and you know, Bernie mac finally comes in and has

0:57:46.920 --> 0:57:50.640
<v Speaker 2>to say, like, you know, the correct languages, little people.

0:57:51.480 --> 0:57:55.400
<v Speaker 2>And you could argue that there's commentary there kind of

0:57:55.720 --> 0:58:00.920
<v Speaker 2>in people fumbling over the right language who use and

0:58:01.080 --> 0:58:05.200
<v Speaker 2>getting it wrong and being ablest along the way, But

0:58:05.960 --> 0:58:09.560
<v Speaker 2>that gets undercut when in all of the other scenes

0:58:10.400 --> 0:58:19.040
<v Speaker 2>you have various other characters, namely Willie constantly insulting Marcus

0:58:19.320 --> 0:58:24.880
<v Speaker 2>and being entirely ablest toward him, and sometimes Marcus pushes

0:58:24.920 --> 0:58:27.240
<v Speaker 2>back on that and he calls him out.

0:58:27.320 --> 0:58:30.040
<v Speaker 1>I think pretty frequently he does, which is which I did,

0:58:30.120 --> 0:58:33.920
<v Speaker 1>which again I appreciate it. Yeah, of like there's multiple

0:58:33.960 --> 0:58:38.240
<v Speaker 1>scenes where Marcus is like I think it's it's a

0:58:38.280 --> 0:58:40.280
<v Speaker 1>scene towards the end where he's like, yeah, go ahead

0:58:40.280 --> 0:58:42.600
<v Speaker 1>and say, like say something about how I'm a little person,

0:58:42.680 --> 0:58:44.880
<v Speaker 1>like you're the weakest man in the entire world, and

0:58:44.920 --> 0:58:46.760
<v Speaker 1>like that's kind of all you have on me because

0:58:46.800 --> 0:58:48.960
<v Speaker 1>I'm a person and you're a piece of shit. And

0:58:49.000 --> 0:58:51.200
<v Speaker 1>so it's like there are these moments of like lucidity

0:58:51.280 --> 0:58:53.680
<v Speaker 1>that you're like, oh, now we're going somewhere. But then

0:58:53.720 --> 0:58:56.600
<v Speaker 1>it like the turn that Marcus's character takes toward the

0:58:56.680 --> 0:58:59.400
<v Speaker 1>end didn't really scan for me, like totally.

0:58:59.480 --> 0:59:02.280
<v Speaker 3>It's just sometimes it's eating its cake and having it

0:59:02.320 --> 0:59:04.640
<v Speaker 3>tube and like we're acknowledging that this is terrible, but

0:59:04.680 --> 0:59:06.720
<v Speaker 3>we're also doing it because you're going to find it funny,

0:59:06.720 --> 0:59:06.960
<v Speaker 3>you know.

0:59:07.080 --> 0:59:12.240
<v Speaker 2>Yeah, it's also a lot of Willy saying slurs and

0:59:12.280 --> 0:59:15.280
<v Speaker 2>that's played for laughs, and that's Oh, you're the audience

0:59:15.320 --> 0:59:17.080
<v Speaker 2>is supposed to laugh at that. Oh, we're supposed to

0:59:17.080 --> 0:59:17.720
<v Speaker 2>find that funny.

0:59:17.920 --> 0:59:20.080
<v Speaker 3>So I do want to get Billy Bob Thornton credit

0:59:20.160 --> 0:59:22.920
<v Speaker 3>for not trying to make this character lovable. Yeah, Like

0:59:23.000 --> 0:59:26.280
<v Speaker 3>I think he is committed to the Zwygoff version of this,

0:59:26.360 --> 0:59:28.160
<v Speaker 3>which is that this guy is a piece of shit.

0:59:28.760 --> 0:59:31.240
<v Speaker 3>And I think there are other characters who would play

0:59:31.280 --> 0:59:33.200
<v Speaker 3>it with a wink, who would play with oh I'm

0:59:33.200 --> 0:59:36.000
<v Speaker 3>a scamp, but you love me, and Billy Bob Thornton

0:59:36.040 --> 0:59:38.080
<v Speaker 3>just feels like he is going full on no, no,

0:59:38.280 --> 0:59:41.200
<v Speaker 3>I am this is an alcoholic hitting rock Bottom in

0:59:41.240 --> 0:59:42.000
<v Speaker 3>a Santa suit.

0:59:42.400 --> 0:59:44.880
<v Speaker 1>Yeah, it's like that's I think that's It's like everyone

0:59:44.960 --> 0:59:47.160
<v Speaker 1>is kind of in a different movie here at different moments,

0:59:47.200 --> 0:59:50.919
<v Speaker 1>because it does feel like, I don't know's there's Billy

0:59:50.960 --> 0:59:54.680
<v Speaker 1>Bob Thornton performances I really really enjoy and like his

0:59:54.680 --> 0:59:57.160
<v Speaker 1>his whole Like we can't even get into the Billy

0:59:57.160 --> 0:59:59.479
<v Speaker 1>Bob Thornton of it all. There's just so much going

0:59:59.480 --> 1:00:02.360
<v Speaker 1>on with that guy. I also didn't realize he was

1:00:02.400 --> 1:00:05.360
<v Speaker 1>in his seventies. Now he's like also weirdly ageless in

1:00:05.400 --> 1:00:08.720
<v Speaker 1>my mind. But but yeah, it seems like he's he's

1:00:08.800 --> 1:00:12.600
<v Speaker 1>playing the version of this character who dies at the end.

1:00:12.920 --> 1:00:15.520
<v Speaker 1>He's not playing the version of this character that forms

1:00:15.560 --> 1:00:19.160
<v Speaker 1>a meaningful Christmas bond with a bullied.

1:00:18.840 --> 1:00:19.560
<v Speaker 3>Child and.

1:00:21.080 --> 1:00:23.560
<v Speaker 1>Right right, so he Yeah, that's a good point, Like

1:00:23.600 --> 1:00:27.240
<v Speaker 1>he is playing an irredeemable piece of shit in you know,

1:00:27.360 --> 1:00:31.240
<v Speaker 1>more of like an art housey Terry's Wygoff movie, and

1:00:31.280 --> 1:00:34.680
<v Speaker 1>then it's like Frankenstein into being this other thing and

1:00:34.720 --> 1:00:37.280
<v Speaker 1>it just doesn't work. And I also, I mean, like

1:00:37.680 --> 1:00:40.600
<v Speaker 1>I don't know, there is a lot of speaking to

1:00:40.600 --> 1:00:44.600
<v Speaker 1>your point, Heitlen, a lot of ablest dated language that

1:00:44.840 --> 1:00:48.120
<v Speaker 1>was very normalized to say in a shock context in

1:00:48.160 --> 1:00:52.080
<v Speaker 1>the two thousands that now just is like does not age. Well,

1:00:52.280 --> 1:00:57.960
<v Speaker 1>it's weirdly making a comeback, and that's also horrible. But

1:00:58.160 --> 1:01:01.200
<v Speaker 1>we see that a lot. We see that, you know,

1:01:01.400 --> 1:01:04.480
<v Speaker 1>with relation to Tony Cox's character. We see that with

1:01:04.600 --> 1:01:09.960
<v Speaker 1>relation to Thermimon's character quite a bit, whether it's like

1:01:10.000 --> 1:01:13.400
<v Speaker 1>fat shaming or dropping the R word, which comedy is

1:01:13.400 --> 1:01:18.680
<v Speaker 1>in the two thousands did constantly because that was what

1:01:18.720 --> 1:01:21.640
<v Speaker 1>it was like watching a movie. Then yeah, I don't know,

1:01:21.760 --> 1:01:24.920
<v Speaker 1>it's I think we keep kind of circling back to

1:01:24.960 --> 1:01:28.280
<v Speaker 1>the same point where it's like this, if this movie

1:01:28.320 --> 1:01:31.360
<v Speaker 1>is this tone, just just kill him, just kill the guy.

1:01:31.840 --> 1:01:35.200
<v Speaker 1>But then also I'm like, there were scenes that I

1:01:35.280 --> 1:01:37.440
<v Speaker 1>was like, I like Therman Merman. I don't want to

1:01:37.440 --> 1:01:39.120
<v Speaker 1>get rid of Thurm and Merman. I think he's a

1:01:39.120 --> 1:01:41.680
<v Speaker 1>sweet kid. I want the best for him.

1:01:42.000 --> 1:01:44.840
<v Speaker 3>What's funny about steering away from the ending in which

1:01:44.880 --> 1:01:48.680
<v Speaker 3>he dies is that it basically turns Bad Santa into

1:01:48.800 --> 1:01:51.840
<v Speaker 3>the kind of Christmas movie that people who love Bad

1:01:51.880 --> 1:01:53.920
<v Speaker 3>Santa would, on the for the most part, say they

1:01:53.960 --> 1:01:57.520
<v Speaker 3>don't like you know, if you're turning to this movie

1:01:57.520 --> 1:01:59.880
<v Speaker 3>as an alternative from the sort of sweetness and light

1:02:00.160 --> 1:02:03.000
<v Speaker 3>or from the kind of redemption arcs of you know,

1:02:03.240 --> 1:02:05.640
<v Speaker 3>it's a Wonderful life or a Christmas Carol or whatever,

1:02:06.080 --> 1:02:09.160
<v Speaker 3>then you would want that character dead. But if you don't,

1:02:09.200 --> 1:02:12.120
<v Speaker 3>and you want to see him improve and become a

1:02:12.160 --> 1:02:15.080
<v Speaker 3>better person because of the magic of Christmas or whatever,

1:02:15.320 --> 1:02:18.920
<v Speaker 3>then really you do like that kind of movie. You

1:02:19.080 --> 1:02:21.320
<v Speaker 3>just can't admit it, and so we have to dress

1:02:21.320 --> 1:02:23.800
<v Speaker 3>it up in this sort of like badass, you know,

1:02:23.960 --> 1:02:26.600
<v Speaker 3>thing that you can feel like a tough guy about.

1:02:26.640 --> 1:02:29.640
<v Speaker 3>But it's it. It has been edited to be that

1:02:29.720 --> 1:02:31.000
<v Speaker 3>movie eventually, but.

1:02:31.040 --> 1:02:33.160
<v Speaker 1>Yeah, it still wants you to like have the like

1:02:33.320 --> 1:02:37.040
<v Speaker 1>warm ish fuzzies at the end where they're like, he's okay,

1:02:37.120 --> 1:02:38.240
<v Speaker 1>you guys, He's okay.

1:02:38.440 --> 1:02:41.960
<v Speaker 2>It's like not too far from the narrative that we've

1:02:42.000 --> 1:02:45.440
<v Speaker 2>seen over and over as far as especially father and

1:02:45.680 --> 1:02:51.240
<v Speaker 2>Son Redemption are Christmas stories, because that's the Santa Claus.

1:02:51.720 --> 1:02:58.080
<v Speaker 2>That's Jack Frost, feminist masterpiece, Michael Keaton's Jack Frost.

1:02:58.200 --> 1:03:00.200
<v Speaker 3>I mean Elf, even Elf, Like.

1:03:00.160 --> 1:03:03.000
<v Speaker 1>It's so it's so many this movie coming out the

1:03:03.000 --> 1:03:05.680
<v Speaker 1>same year as Elf is wild What a wild year

1:03:05.840 --> 1:03:06.720
<v Speaker 1>for love?

1:03:06.800 --> 1:03:10.680
<v Speaker 3>Actually yes, have y'all done a love actually episode?

1:03:10.760 --> 1:03:12.840
<v Speaker 2>It was like one of our first episodes.

1:03:12.520 --> 1:03:14.840
<v Speaker 3>I would hope, So Okay, yes, I think.

1:03:14.680 --> 1:03:16.720
<v Speaker 1>We're due for a revisit, though, I mean, I think

1:03:16.720 --> 1:03:20.240
<v Speaker 1>it's a long time. We just watched The Family Stone

1:03:20.600 --> 1:03:23.560
<v Speaker 1>for the first time and I was I'm like, I need,

1:03:23.680 --> 1:03:25.680
<v Speaker 1>I need to like go on a walk, I need

1:03:25.720 --> 1:03:29.320
<v Speaker 1>to promise the event since the film. But but yeah,

1:03:29.360 --> 1:03:33.360
<v Speaker 1>for this one. In the theatrical cut, it seems like

1:03:33.400 --> 1:03:37.640
<v Speaker 1>and certainly in the extended cut, I mean I wrote

1:03:37.680 --> 1:03:40.200
<v Speaker 1>down tells you it's a fathers and sons movie in

1:03:40.400 --> 1:03:44.080
<v Speaker 1>record time, tells you in ad r in the opening

1:03:44.080 --> 1:03:48.240
<v Speaker 1>shot or in narration in the opening shot. And interestingly,

1:03:48.400 --> 1:03:50.760
<v Speaker 1>I've gotten in the habit of looking at some of

1:03:50.800 --> 1:03:54.240
<v Speaker 1>the top letterbox reviews, especially for broad comedies that I

1:03:54.280 --> 1:03:56.680
<v Speaker 1>don't like, because you can you can almost always find

1:03:56.840 --> 1:03:58.920
<v Speaker 1>someone's reasoning for like why this movie means a lot

1:03:58.960 --> 1:04:01.360
<v Speaker 1>to them, and I think it's interest to look into it,

1:04:01.800 --> 1:04:05.400
<v Speaker 1>and a handful of them for this movie specifically references

1:04:05.480 --> 1:04:09.800
<v Speaker 1>that opening monologue as like what really hooked them? So

1:04:10.200 --> 1:04:12.720
<v Speaker 1>I'm like, you know, probably this zygoth version of this

1:04:12.760 --> 1:04:15.480
<v Speaker 1>movie wouldn't have been commercially successful, but it would definitely

1:04:15.520 --> 1:04:20.040
<v Speaker 1>make more sense. But yeah, I mean that opening monologue

1:04:20.440 --> 1:04:22.840
<v Speaker 1>is also like paints him out to be a despicable person.

1:04:22.880 --> 1:04:27.120
<v Speaker 1>He says something racist within it. It sort of solidifies that,

1:04:27.200 --> 1:04:31.240
<v Speaker 1>like we're playing into negative stereotypes around veterans. We're playing that,

1:04:31.280 --> 1:04:33.840
<v Speaker 1>you know, certainly around addiction. That is the premise of

1:04:33.840 --> 1:04:36.480
<v Speaker 1>the movie, right. But starting the movie by being like

1:04:36.640 --> 1:04:40.680
<v Speaker 1>I was like abused by a father with anger issues

1:04:41.440 --> 1:04:44.920
<v Speaker 1>and like have gone on to live this like aimless,

1:04:44.920 --> 1:04:49.680
<v Speaker 1>self destructive life and I hate Christmas but I'm Santa,

1:04:49.800 --> 1:04:52.880
<v Speaker 1>it like sets you up for the Weinstein version of

1:04:52.920 --> 1:04:55.880
<v Speaker 1>the movie of like what his I mean, it's also

1:04:55.960 --> 1:05:00.200
<v Speaker 1>the moral of Jurassic Park, where it's like this the

1:05:00.240 --> 1:05:03.720
<v Speaker 1>Crouch needs to learn how to be a father yesterday.

1:05:03.640 --> 1:05:03.960
<v Speaker 2>And.

1:05:05.560 --> 1:05:09.480
<v Speaker 1>Which sounds like the Zwygoff cut has like no interest

1:05:09.480 --> 1:05:12.640
<v Speaker 1>in whatsoever. Nope, Yeah, I don't know. I'm like, I

1:05:12.640 --> 1:05:15.480
<v Speaker 1>guess I prefer like I don't really prefer one over

1:05:15.640 --> 1:05:19.960
<v Speaker 1>the other. But seeing them sort of Frankenstein together is

1:05:19.720 --> 1:05:21.440
<v Speaker 1>a is a very weird experience.

1:05:21.800 --> 1:05:23.840
<v Speaker 3>I mean, sadly, I guess this is an example in

1:05:23.880 --> 1:05:27.440
<v Speaker 3>which like studio notes and interference do make a movie

1:05:27.480 --> 1:05:30.439
<v Speaker 3>more successful, because you're right. I think the Zwygoth version

1:05:30.440 --> 1:05:32.360
<v Speaker 3>of Bad Santa would have been like an art house

1:05:33.480 --> 1:05:35.800
<v Speaker 3>curio and it would you know, would have a tiny

1:05:35.880 --> 1:05:38.240
<v Speaker 3>cult that watched every year, But it would not have

1:05:38.320 --> 1:05:42.560
<v Speaker 3>become what it became because again I think it's it

1:05:42.640 --> 1:05:45.760
<v Speaker 3>is a movie that stealthily is delivering the kind of

1:05:45.840 --> 1:05:48.880
<v Speaker 3>Christmas movie that Bad Santa fans would claim that they

1:05:48.880 --> 1:05:49.880
<v Speaker 3>were too cool for.

1:05:50.240 --> 1:05:54.080
<v Speaker 1>Yeah, everyone secretly like I feel like wants the Grouch

1:05:54.280 --> 1:05:56.600
<v Speaker 1>to reform. It's the screw.

1:05:56.720 --> 1:05:59.000
<v Speaker 3>The Grinch is hard to grow three sizes, right.

1:05:59.520 --> 1:06:07.560
<v Speaker 2>Jim Christian for Michael Caine screwge to look at cratch

1:06:07.600 --> 1:06:10.800
<v Speaker 2>It and be like, here's a Christmas goose.

1:06:11.280 --> 1:06:14.040
<v Speaker 1>But it's just like beyond the pale here because the

1:06:14.080 --> 1:06:18.240
<v Speaker 1>original version of this character is kind of irredeemably horrible.

1:06:18.560 --> 1:06:21.600
<v Speaker 2>Well that's the thing, Like whatever, if there has to

1:06:21.640 --> 1:06:25.680
<v Speaker 2>be a male redemption story like a fine I would

1:06:25.680 --> 1:06:29.680
<v Speaker 2>there have rather men always redeem themselves than a bad

1:06:29.960 --> 1:06:35.840
<v Speaker 2>man go on staying horrible for the rest of his life. Right, Yeah,

1:06:35.880 --> 1:06:38.640
<v Speaker 2>so like in realized like how it always happens in

1:06:38.680 --> 1:06:43.400
<v Speaker 2>real life. But the movie is just so riddled with

1:06:43.920 --> 1:06:49.320
<v Speaker 2>slur after slur after problematic joke after reductive stereotype after.

1:06:49.360 --> 1:06:52.040
<v Speaker 1>You know it, like, which is like the two thousands

1:06:52.480 --> 1:06:53.440
<v Speaker 1>right in comedy.

1:06:53.640 --> 1:06:57.320
<v Speaker 2>It's just it can't. I mean, there's we could get

1:06:57.320 --> 1:07:03.320
<v Speaker 2>into the representation of alcoholism, the agism with the grandmother

1:07:03.480 --> 1:07:07.120
<v Speaker 2>character being so oblivious that she doesn't notice that an

1:07:07.160 --> 1:07:10.680
<v Speaker 2>adult man with a balaclava is in her house about

1:07:10.720 --> 1:07:12.560
<v Speaker 2>to rob her everything.

1:07:12.880 --> 1:07:16.000
<v Speaker 1>Like yeah, I mean, it's like it's so deeply of

1:07:16.040 --> 1:07:20.160
<v Speaker 1>its time and like ven some and so to be asked,

1:07:20.680 --> 1:07:24.200
<v Speaker 1>I think kind of then Anne now to be like,

1:07:24.960 --> 1:07:27.959
<v Speaker 1>we love this guy, he's a lovable rogue, Like I don't.

1:07:28.880 --> 1:07:33.480
<v Speaker 1>It's sell It's the it's the rule of if you

1:07:33.480 --> 1:07:35.560
<v Speaker 1>were her child when you saw this movie, I'm sure that,

1:07:35.720 --> 1:07:39.000
<v Speaker 1>like it is something that you carry a little torch

1:07:39.080 --> 1:07:42.080
<v Speaker 1>for in your heart. But yeah, having seen it for

1:07:42.120 --> 1:07:44.360
<v Speaker 1>the first time, for this, I'm like, I just I

1:07:44.400 --> 1:07:48.960
<v Speaker 1>simply cannot, I cannot participate in loving this movie. But

1:07:49.320 --> 1:07:52.200
<v Speaker 1>Bernie Mack did still manage to make me laugh and

1:07:52.280 --> 1:07:55.960
<v Speaker 1>basically every scene he was in I mean fair, that's

1:07:56.320 --> 1:07:58.160
<v Speaker 1>just kind of the rule of Mac.

1:07:59.360 --> 1:08:03.000
<v Speaker 2>I'll touch on the sequel really quick because I'm like, well,

1:08:03.080 --> 1:08:04.840
<v Speaker 2>if I watched it, because you've both seen it.

1:08:04.960 --> 1:08:07.120
<v Speaker 3>Yes, I saw it when it came out, not since,

1:08:07.160 --> 1:08:08.600
<v Speaker 3>so I don't really remember it.

1:08:09.280 --> 1:08:11.400
<v Speaker 2>I watched it yesterday, so it's quite fresh.

1:08:11.560 --> 1:08:12.280
<v Speaker 3>Okay. Tell me.

1:08:12.600 --> 1:08:14.800
<v Speaker 2>The main reason I wanted to watch it is because

1:08:14.840 --> 1:08:17.560
<v Speaker 2>it came out in twenty sixteen, and this is around

1:08:17.680 --> 1:08:23.680
<v Speaker 2>the time that movies started to be less overtly problematic

1:08:23.920 --> 1:08:29.160
<v Speaker 2>and slightly more conscious about how things were being represented

1:08:29.240 --> 1:08:31.800
<v Speaker 2>and what language was being used and all of that

1:08:31.840 --> 1:08:32.360
<v Speaker 2>kind of stuff.

1:08:32.360 --> 1:08:34.120
<v Speaker 1>Our show came out this week.

1:08:33.960 --> 1:08:39.080
<v Speaker 2>Exactly, so I was curious if you fixed everything we actually.

1:08:38.680 --> 1:08:42.280
<v Speaker 1>Fixed Well, I don't know, take a survey. I don't

1:08:42.320 --> 1:08:43.479
<v Speaker 1>know that we've made much of a dent.

1:08:44.800 --> 1:08:48.880
<v Speaker 2>But I was curious if this sequel scaled back on

1:08:49.080 --> 1:08:54.240
<v Speaker 2>any of the ableism, racism, fat phobia, agism, et cetera

1:08:54.680 --> 1:08:58.160
<v Speaker 2>that we see in the original movie, because I feel

1:08:58.160 --> 1:09:02.679
<v Speaker 2>like you will see sequels that come out like whatever, ten, fifteen,

1:09:02.760 --> 1:09:07.480
<v Speaker 2>twenty years later that will sort of update whatever.

1:09:07.200 --> 1:09:08.559
<v Speaker 1>The story the world.

1:09:09.160 --> 1:09:13.559
<v Speaker 2>Yeah, things feel slightly updated and slightly adjusted for the time.

1:09:13.720 --> 1:09:17.960
<v Speaker 1>Bad Santa hates woke. I just know he hates woke.

1:09:18.120 --> 1:09:22.519
<v Speaker 2>This movie did not do that. This movie doubled down

1:09:22.800 --> 1:09:27.000
<v Speaker 2>and even added some stuff like it was just as problematic,

1:09:27.080 --> 1:09:31.720
<v Speaker 2>if not more than the two thousand and three original movie.

1:09:31.720 --> 1:09:33.920
<v Speaker 1>Which is I mean, I think the only thing that

1:09:34.080 --> 1:09:36.400
<v Speaker 1>is like, I don't know, I mean, yeah, I didn't

1:09:36.400 --> 1:09:39.760
<v Speaker 1>see it. I had it up and I was like,

1:09:39.880 --> 1:09:42.599
<v Speaker 1>I cannot press play it, Like I just can't do it.

1:09:43.240 --> 1:09:48.000
<v Speaker 1>But clearly an interest in this style of comedy in

1:09:48.040 --> 1:09:50.960
<v Speaker 1>the mid twenty tens wasn't there, because this Is the

1:09:52.120 --> 1:09:54.040
<v Speaker 1>sequel did not do well. It didn't even make its

1:09:54.080 --> 1:09:54.679
<v Speaker 1>budget back.

1:09:55.120 --> 1:09:57.760
<v Speaker 3>And I'm and not that I'm in any way defending it,

1:09:57.800 --> 1:09:59.439
<v Speaker 3>but I think, of course, if you're gonna make a

1:09:59.479 --> 1:10:01.880
<v Speaker 3>bad Sant sequel, you're gonna think, well, what do people

1:10:01.960 --> 1:10:04.639
<v Speaker 3>love about the first one? What is it that keeps

1:10:04.640 --> 1:10:07.679
<v Speaker 3>them coming back and rewatching it every year? The easy

1:10:07.760 --> 1:10:10.519
<v Speaker 3>answer is, oh, well, the shocking humor and the you know,

1:10:10.960 --> 1:10:13.720
<v Speaker 3>the the sort of bleak point of view and the

1:10:13.760 --> 1:10:17.479
<v Speaker 3>no holds barred offensiveness. You know. So now let's have

1:10:17.600 --> 1:10:19.800
<v Speaker 3>Kathy Bates say all that stuff. You know.

1:10:21.280 --> 1:10:23.840
<v Speaker 1>Yeah, oh yeah, I guess that that is the twenty

1:10:23.880 --> 1:10:27.479
<v Speaker 1>sixteen twists. They're like, now, women are horrible. We wrote

1:10:27.479 --> 1:10:29.639
<v Speaker 1>a woman character and she's awful.

1:10:29.840 --> 1:10:31.960
<v Speaker 3>You're like equity, all right.

1:10:32.240 --> 1:10:38.000
<v Speaker 2>Also, Kathy Bates plays his mother and she's only seven

1:10:38.120 --> 1:10:39.920
<v Speaker 2>years older than Billy Bob Thornton.

1:10:40.400 --> 1:10:46.080
<v Speaker 3>So that's the it's the Angela Lansbury condition, you know. Yeah,

1:10:46.240 --> 1:10:48.840
<v Speaker 3>she spent the entire nineteen sixties playing the moms of

1:10:48.840 --> 1:10:51.360
<v Speaker 3>people she was like less than a decade older than Yeah,

1:10:51.960 --> 1:10:54.880
<v Speaker 3>urion Canada. Yeah, I'll fall down. Yeah.

1:10:54.960 --> 1:10:59.120
<v Speaker 1>Why, it's just like, can a woman just have a

1:10:59.120 --> 1:11:03.000
<v Speaker 1>Bob in peace without it being a big, a whole thing?

1:11:03.680 --> 1:11:08.920
<v Speaker 1>Evidently not? Well, thank you for watching Bad Santa, both

1:11:08.960 --> 1:11:13.800
<v Speaker 1>of you and it's best of but also Lauren Lauren

1:11:13.840 --> 1:11:16.599
<v Speaker 1>Graham didn't come back. She was like, I'm correct you No.

1:11:16.720 --> 1:11:20.800
<v Speaker 1>I just this year I read both of her memoirs

1:11:21.360 --> 1:11:24.360
<v Speaker 1>because I am a millennial woman, and I had a

1:11:24.360 --> 1:11:27.160
<v Speaker 1>great time. She's a really great funny writer.

1:11:27.560 --> 1:11:31.160
<v Speaker 3>Nice to check those out. She's quite good. Uh. In

1:11:31.200 --> 1:11:34.200
<v Speaker 3>the remake of the Best Christmas Pageant Ever that came

1:11:34.200 --> 1:11:34.880
<v Speaker 3>out last year.

1:11:35.400 --> 1:11:38.559
<v Speaker 1>Oh, I haven't seen Pete Holmes movie.

1:11:38.680 --> 1:11:41.920
<v Speaker 3>Yes, because she she narrates and so, you know, which

1:11:41.920 --> 1:11:43.479
<v Speaker 3>gives it a little Christmas story flavor.

1:11:43.720 --> 1:11:45.680
<v Speaker 1>And then she was in Twinless this year, which I

1:11:45.720 --> 1:11:47.200
<v Speaker 1>didn't see, but I know you did. Caitlyn.

1:11:47.280 --> 1:11:48.560
<v Speaker 2>Yes, I loved that movie.

1:11:48.920 --> 1:11:51.880
<v Speaker 1>And then she's in one of the Colleen Hoover slop

1:11:52.000 --> 1:11:57.519
<v Speaker 1>movies that I'm kind of play. She plays Mommy question Mark,

1:11:57.600 --> 1:12:02.160
<v Speaker 1>probably in a movie called Remind Him. I'm just like

1:12:02.280 --> 1:12:06.120
<v Speaker 1>the Colling Hoover movie is. It's I will never see them,

1:12:06.120 --> 1:12:09.000
<v Speaker 1>but I do kind of delight in seeing the trailers

1:12:09.560 --> 1:12:14.600
<v Speaker 1>aggressively shoveled at me, where it's like, nice, try nice, triasshole.

1:12:14.720 --> 1:12:18.120
<v Speaker 2>You're not getting me in that room. There's a few

1:12:18.160 --> 1:12:20.120
<v Speaker 2>other things with this movie, like specific things that we

1:12:20.880 --> 1:12:23.800
<v Speaker 2>haven't touched on that you know, we don't need to

1:12:23.880 --> 1:12:27.880
<v Speaker 2>necessarily go into a lot of detail on. I'm thinking

1:12:28.000 --> 1:12:31.200
<v Speaker 2>especially of the scene in which the random man from

1:12:31.240 --> 1:12:32.920
<v Speaker 2>the bar, oh yeah.

1:12:32.840 --> 1:12:34.920
<v Speaker 1>Tax the homophobia jumps care.

1:12:35.240 --> 1:12:41.320
<v Speaker 2>Yeah, that's a character played by A. J. Nadou, who

1:12:41.360 --> 1:12:45.160
<v Speaker 2>plays Samir from Office Space. I was like, oh my god,

1:12:45.200 --> 1:12:48.120
<v Speaker 2>that's Samir. But anyway, the scene is so bizarre.

1:12:48.240 --> 1:12:52.680
<v Speaker 1>Also, the character is named Hindustani troublemaker yeah, which is like,

1:12:52.760 --> 1:12:54.680
<v Speaker 1>if there was any question of how much regard the

1:12:54.720 --> 1:12:56.240
<v Speaker 1>script has for the character.

1:12:56.000 --> 1:12:56.840
<v Speaker 2>There there you go.

1:12:57.040 --> 1:12:59.000
<v Speaker 1>But it manages to be everything at once. I mean,

1:12:59.000 --> 1:13:02.840
<v Speaker 1>it manages to be so many horrible stereotypes that it's

1:13:02.960 --> 1:13:07.800
<v Speaker 1>like almost impressive that it's like homophobic, it is hostile

1:13:07.960 --> 1:13:11.880
<v Speaker 1>to any brown person who's ever existed. It's like, it's

1:13:12.000 --> 1:13:16.080
<v Speaker 1>just so I does feel like that. Yeah, I was like,

1:13:16.120 --> 1:13:16.640
<v Speaker 1>what is it?

1:13:16.680 --> 1:13:19.760
<v Speaker 2>I think it's supposed to be a joke about like

1:13:20.080 --> 1:13:25.240
<v Speaker 2>repressed homo eroticism, which is manifesting as homophobia in the character.

1:13:25.320 --> 1:13:28.240
<v Speaker 2>But I'm just like I could barely make sense of it.

1:13:28.240 --> 1:13:29.519
<v Speaker 2>It's such a bizarre scene.

1:13:29.600 --> 1:13:32.040
<v Speaker 1>The character never comes back. It is based off of

1:13:32.120 --> 1:13:33.840
<v Speaker 1>a look in the bar.

1:13:34.240 --> 1:13:37.160
<v Speaker 2>It's just bizarre. So it's a it's a handful of

1:13:37.200 --> 1:13:40.240
<v Speaker 2>things like that throughout the movie, on top of all

1:13:40.360 --> 1:13:48.000
<v Speaker 2>the just slurs that are ablest, racist, sexist, fat phobic, homophobics,

1:13:48.000 --> 1:13:53.320
<v Speaker 2>et cetera. And I and and it doesn't pass.

1:13:53.120 --> 1:13:53.800
<v Speaker 3>The bechd.

1:13:55.840 --> 1:13:59.160
<v Speaker 1>And it doesn't even come close to passing the Bechdel test,

1:13:59.360 --> 1:14:02.479
<v Speaker 1>so we can got to just skip over that. Usually

1:14:02.560 --> 1:14:06.240
<v Speaker 1>there's at least a spirited debate going on in the

1:14:06.280 --> 1:14:11.240
<v Speaker 1>comments of Bechdel test dot com, but here for this one,

1:14:11.600 --> 1:14:16.240
<v Speaker 1>everyone's pretty like, no, Nope. Lauren Graham touches clorus Leachman's foot,

1:14:16.760 --> 1:14:19.479
<v Speaker 1>and that is that is as far as we got.

1:14:20.800 --> 1:14:25.320
<v Speaker 1>So yeah, So let's get to the more important metric,

1:14:25.360 --> 1:14:28.559
<v Speaker 1>and perhaps the most important metrics, the Bechdel Cast Nipple scale.

1:14:28.840 --> 1:14:31.840
<v Speaker 2>Yes, the scale where we rate the movie zero to

1:14:31.880 --> 1:14:35.639
<v Speaker 2>five nipples based on examining it through an intersectional feminist lens.

1:14:36.320 --> 1:14:40.000
<v Speaker 2>I will give this movie zero nipples. Can you imagine that.

1:14:40.400 --> 1:14:44.559
<v Speaker 1>It's kind of an easy one. I'm going to join

1:14:44.640 --> 1:14:49.280
<v Speaker 1>you with zero nipples. Look, the movie got some chuckles

1:14:49.280 --> 1:14:50.320
<v Speaker 1>out of me, but.

1:14:51.000 --> 1:14:52.160
<v Speaker 2>This is a sinister movie.

1:14:52.240 --> 1:14:54.400
<v Speaker 1>It does have a bit of a dark aura. I

1:14:54.400 --> 1:14:57.680
<v Speaker 1>would say it's again, it's like if Terry's Wygoff had

1:14:57.720 --> 1:15:00.479
<v Speaker 1>been able to commit to his vision, it's still wouldn't

1:15:00.520 --> 1:15:03.080
<v Speaker 1>be a movie I liked, but it would be a

1:15:03.120 --> 1:15:04.839
<v Speaker 1>movie that made sense.

1:15:05.280 --> 1:15:08.320
<v Speaker 2>But maybe that was saying something that was like trying

1:15:08.320 --> 1:15:10.679
<v Speaker 2>to make a statement. But this just ends up being

1:15:10.840 --> 1:15:14.360
<v Speaker 2>a statementless.

1:15:13.479 --> 1:15:15.880
<v Speaker 1>Because he really, like I mean, outside of I mean,

1:15:15.920 --> 1:15:19.280
<v Speaker 1>I guess the change that takes place with him has

1:15:19.360 --> 1:15:21.640
<v Speaker 1>to do with Thurman Merman, but it doesn't have to

1:15:21.640 --> 1:15:25.320
<v Speaker 1>do with anyone else. And there are so many characters

1:15:25.360 --> 1:15:27.320
<v Speaker 1>that it's bizarre that it doesn't have to do with

1:15:27.360 --> 1:15:30.160
<v Speaker 1>anyone else. And I guess we touched on this, but

1:15:30.160 --> 1:15:33.160
<v Speaker 1>my last thing said because I have no nipples to award,

1:15:33.640 --> 1:15:36.520
<v Speaker 1>is that I felt like they really sold out Marcus's

1:15:36.600 --> 1:15:41.759
<v Speaker 1>character based on who I thought he was. I felt betrayed.

1:15:41.760 --> 1:15:44.280
<v Speaker 1>I was like this, he is so like I mean,

1:15:44.800 --> 1:15:48.559
<v Speaker 1>he's not a genius, mastermind, criminal, but he is at

1:15:48.640 --> 1:15:53.120
<v Speaker 1>least thoughtful in how these things committed to. Yeah, so

1:15:53.280 --> 1:15:57.400
<v Speaker 1>for him to randomly murder someone who people are certainly

1:15:57.439 --> 1:16:00.559
<v Speaker 1>going to miss, it just felt like, so.

1:16:01.000 --> 1:16:02.679
<v Speaker 2>That's sloppy, that's sloppy work.

1:16:02.920 --> 1:16:05.840
<v Speaker 1>It was a sloppy He's presented as.

1:16:05.720 --> 1:16:10.360
<v Speaker 2>Being the far more competent of the two between him

1:16:10.400 --> 1:16:14.360
<v Speaker 2>and Willie. He's on top of stuff, he's making a

1:16:14.400 --> 1:16:17.760
<v Speaker 2>list and checking it twice. You might say he truly is,

1:16:17.920 --> 1:16:21.760
<v Speaker 2>and then suddenly he's like a murderer, Like where did

1:16:21.760 --> 1:16:25.640
<v Speaker 2>this come from? Is very bizarre, it's something else. It's yeah,

1:16:26.040 --> 1:16:30.960
<v Speaker 2>so yeah, zero nipples boo to this movie. Alonso, How

1:16:31.000 --> 1:16:32.880
<v Speaker 2>about you? What do you? What say you?

1:16:33.000 --> 1:16:33.160
<v Speaker 1>Oh?

1:16:33.200 --> 1:16:36.920
<v Speaker 3>Well, if we're talking the scale is purely about intersectional feminism.

1:16:37.320 --> 1:16:39.599
<v Speaker 3>I think a zero was the only way to go

1:16:39.800 --> 1:16:41.519
<v Speaker 3>if we were rating out on like you know, a

1:16:41.560 --> 1:16:47.559
<v Speaker 3>poisonous missiletoe displays or you know, empty cans of bud light.

1:16:47.600 --> 1:16:50.360
<v Speaker 3>It might be something else, but yeah, on the nipple scale,

1:16:50.400 --> 1:16:51.760
<v Speaker 3>it is a It is a big goose egg.

1:16:52.640 --> 1:16:55.320
<v Speaker 2>Indeed. Well, thank you so much for joining us for

1:16:55.360 --> 1:16:56.160
<v Speaker 2>this discussion.

1:16:56.400 --> 1:16:57.360
<v Speaker 3>Thank you for having me.

1:16:57.520 --> 1:17:03.120
<v Speaker 2>What a holiday treat. Where can people follow you online?

1:17:03.400 --> 1:17:07.200
<v Speaker 2>Check out your podcasts and your books and everything else.

1:17:07.720 --> 1:17:10.160
<v Speaker 3>Well, you can read my reviews of current films at

1:17:10.240 --> 1:17:13.320
<v Speaker 3>the film Verdict at the film verdict dot com. And

1:17:13.360 --> 1:17:15.960
<v Speaker 3>I'm on various podcasts. My husband Dave White and I

1:17:15.960 --> 1:17:20.400
<v Speaker 3>do the show Linoleum Knife, which just celebrated its fifteenth anniversary. Right,

1:17:21.320 --> 1:17:24.360
<v Speaker 3>thank you. Yeah, we are the literal gray old men

1:17:24.439 --> 1:17:28.439
<v Speaker 3>of movie podcasting. Also, you can hear me on Breakfast

1:17:28.479 --> 1:17:30.599
<v Speaker 3>All Day with Christy Lemire. The two of us used

1:17:30.600 --> 1:17:32.160
<v Speaker 3>to do a show called What the Flick, but now

1:17:32.160 --> 1:17:35.000
<v Speaker 3>we've started We've had Breakfast all Day going for several

1:17:35.040 --> 1:17:39.559
<v Speaker 3>years on YouTube, the Maximum Fun show Maximum Film with

1:17:39.680 --> 1:17:43.280
<v Speaker 3>Drea Clark and Kevin Avery, and I pop in regularly

1:17:43.320 --> 1:17:46.200
<v Speaker 3>to Deck the Hallmark to talk about Chris's movies of

1:17:46.280 --> 1:17:49.799
<v Speaker 3>various stripes. I'm the easiest person on earth to Google,

1:17:49.840 --> 1:17:53.120
<v Speaker 3>but I'm a Duraldi on Blue Sky and Alonzo dot

1:17:53.160 --> 1:17:56.639
<v Speaker 3>Duraldi at Instagram. And my new book is the revised

1:17:56.680 --> 1:17:59.160
<v Speaker 3>and updated second edition of Have Yourself a Movie, Little Christmas.

1:17:59.160 --> 1:18:02.120
<v Speaker 3>It's available wherever you buy books online, in person at

1:18:02.120 --> 1:18:04.799
<v Speaker 3>your local library. It's a book, book and an ebook.

1:18:05.080 --> 1:18:06.480
<v Speaker 3>Pick one up this holiday.

1:18:06.160 --> 1:18:09.160
<v Speaker 1>Season, please do, Aliza, thank you so much. I a

1:18:09.200 --> 1:18:11.880
<v Speaker 1>longtime fan of your work, so it's like its cool

1:18:11.920 --> 1:18:15.760
<v Speaker 1>and surreal to talk to you about this perfect movie.

1:18:15.840 --> 1:18:20.840
<v Speaker 3>No notes. If y'all haven't done Carol yet, you know,

1:18:20.880 --> 1:18:22.320
<v Speaker 3>I think there'd be a lot more to dig into.

1:18:22.439 --> 1:18:23.479
<v Speaker 2>We have done Carol.

1:18:24.040 --> 1:18:24.840
<v Speaker 3>You have done Carol?

1:18:24.880 --> 1:18:28.000
<v Speaker 1>Okay, yeah, yeah, that is That is the That is

1:18:28.080 --> 1:18:32.519
<v Speaker 1>the Christmas movie that does follow. You can find us

1:18:32.560 --> 1:18:34.960
<v Speaker 1>in all the regular places, mostly on Instagram. You can

1:18:35.000 --> 1:18:38.880
<v Speaker 1>also join our Patreon aka Matreon, where for five dollars

1:18:38.920 --> 1:18:42.120
<v Speaker 1>a month, you can listen to two bonus episodes every

1:18:42.240 --> 1:18:45.920
<v Speaker 1>month and also vote on what movies you want to

1:18:45.920 --> 1:18:50.639
<v Speaker 1>hear about. So this this month, the Matrons have voted

1:18:50.760 --> 1:18:54.760
<v Speaker 1>on the Family Stone and The Original Black Christmas. So

1:18:54.800 --> 1:18:56.880
<v Speaker 1>if you want to hear those episodes or our back

1:18:56.920 --> 1:19:00.639
<v Speaker 1>catalog of nearly two hundred episodes, I think now sign

1:19:00.880 --> 1:19:03.719
<v Speaker 1>up in the Lincoln description give.

1:19:03.600 --> 1:19:06.320
<v Speaker 2>Yourself a little holiday gift, give someone else a little

1:19:06.360 --> 1:19:10.479
<v Speaker 2>holiday gift of the Bechdel Cast Matreon And.

1:19:10.520 --> 1:19:17.000
<v Speaker 1>With that, let's either die on the front doorstep and

1:19:17.240 --> 1:19:20.799
<v Speaker 1>or go on to live a long, healthy life. Ho

1:19:20.800 --> 1:19:29.560
<v Speaker 1>Ho ho bye. The Bechdel Cast is a production of iHeartMedia,

1:19:29.680 --> 1:19:32.559
<v Speaker 1>hosted and produced by Me Jamie Loftus and.

1:19:32.600 --> 1:19:37.439
<v Speaker 2>Me Caitlyn Dorante. The podcast is also produced by Sophie Lichtermann.

1:19:37.200 --> 1:19:39.880
<v Speaker 1>And edited by Caitlyn Dorante. Ever heard of them?

1:19:40.400 --> 1:19:43.840
<v Speaker 2>That's me and our logo and merch and all of

1:19:43.840 --> 1:19:47.599
<v Speaker 2>our artwork in fact are designed by Jamie Loftis, ever

1:19:47.640 --> 1:19:48.080
<v Speaker 2>heard of her?

1:19:48.280 --> 1:19:51.280
<v Speaker 1>Oh my God? And our theme song, by the way,

1:19:51.400 --> 1:19:53.200
<v Speaker 1>was composed by Mike Kaplan.

1:19:53.040 --> 1:19:56.120
<v Speaker 2>With vocals by Katherine Vosskrasinski.

1:19:55.720 --> 1:19:58.519
<v Speaker 1>Iconic and a special thanks to the one and only

1:19:58.880 --> 1:19:59.880
<v Speaker 1>Aristotle Asve.

1:20:00.680 --> 1:20:04.479
<v Speaker 2>For more information about the podcast, please visit Linktree Slash

1:20:04.520 --> 1:20:05.320
<v Speaker 2>Spectelcast