WEBVTT - Some Time With... David Lipper (Part 1)

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<v Speaker 1>Well, fan Ritos, and welcome to another episode of How

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<v Speaker 1>Rude tan Ritos. Today, we are thrilled to have David

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<v Speaker 1>Lipper on the podcast with us. You'll recognize David from

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<v Speaker 1>his role as Viper in season eight A Full House,

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<v Speaker 1>where he played a cool and confident guitar player in

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<v Speaker 1>Jesse's band who immediately caught DJ's attention. We can't wait

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<v Speaker 1>to talk to him about his time on Full House

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<v Speaker 1>and beyond.

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<v Speaker 2>So welcome David.

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<v Speaker 3>Yay.

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<v Speaker 4>Oh well, David, welcome to the show. We just sort

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<v Speaker 4>of jump right in with our interviews. We don't warn

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<v Speaker 4>our guests because we like to surprise attack people. But no,

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<v Speaker 4>we just jump right in to the interview. So we

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<v Speaker 4>are so happy to have you here. I know that

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<v Speaker 4>we you know, we're reviewing the show, so we have

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<v Speaker 4>made it to what season three, episode nine, so we

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<v Speaker 4>are we have not met we haven't met Bert yet.

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<v Speaker 3>But the original full House.

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<v Speaker 2>The original full House.

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<v Speaker 4>Yeah, we're going back and watching the original full House

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<v Speaker 4>because we've never watched it.

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<v Speaker 1>Yeah, it's a true no, not as an adult, we did,

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<v Speaker 1>but we did see you. We we've been reunited more

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<v Speaker 1>recently on Fuller House because you came back the high

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<v Speaker 1>school reunion episode.

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<v Speaker 2>Much fun, so much fun. Oh my goodness.

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<v Speaker 1>Yeah, Viper and Nelson got to uh got to square

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<v Speaker 1>off again with Nelson.

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<v Speaker 4>Yes, yep, yeah, House Sparks was the new Nelson. Now

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<v Speaker 4>for those that I mean, since we haven't made it

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<v Speaker 4>to season eight in Viper's appearance yet, let's give a

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<v Speaker 4>little background as to Viper. And he was in Jesse's band, right,

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<v Speaker 4>He was like the new young hot dude in Jesse's band, which,

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<v Speaker 4>of course Jesse was a little you know, a little

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<v Speaker 4>threatened by.

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<v Speaker 2>And then and then.

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<v Speaker 3>Then monkey Puppets, by the way, was the name of

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<v Speaker 3>the what was it again, Hot Daddy and the Monkey Puppets.

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<v Speaker 3>And I was a monkey puppet.

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<v Speaker 2>Wow.

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<v Speaker 4>We've all had to be a monkey puppet at one

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<v Speaker 4>point in our lives.

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<v Speaker 2>Wow. But you didn't have to dress as a monkey puppet, luckily, No.

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<v Speaker 3>I did have to wear leader hose in one episode.

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<v Speaker 3>If you remember, I do, I do?

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<v Speaker 1>I remember your your sleeveless shirts, like they always had

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<v Speaker 1>you in sleeveless shirts.

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<v Speaker 3>They like to show the muscles.

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<v Speaker 2>Yes, he it was a gun show every week. I

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<v Speaker 2>loved it.

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<v Speaker 4>Yeah, but yeah, it was so you you know, he

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<v Speaker 4>was the new confident dude in the band. And of

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<v Speaker 4>course at this point season eight, DJ was, you know,

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<v Speaker 4>senior in high school, graduating high school.

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<v Speaker 2>Yeah, so they the Viper. DJ was there.

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<v Speaker 3>Welcome back Carter band as a kid, and John Travolta's

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<v Speaker 3>Finny Barberino right of that character. So I tried to

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<v Speaker 3>bring some of that into into Viper and kind of

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<v Speaker 3>some rocker version.

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<v Speaker 2>Yeah, I was going to say, what was how did you?

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<v Speaker 4>I mean, were you were you close to a monkey

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<v Speaker 4>puppet in real life or were you were you like

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<v Speaker 4>totally the opposite of a monkey puppet, like like.

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<v Speaker 3>A music guy. I was all through high school, I

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<v Speaker 3>was a singer.

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<v Speaker 2>I mean, with hair like that, you had to be David.

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<v Speaker 3>I'm sorry, now that's where the hair requirement and I

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<v Speaker 3>you know, we peaked, I would say when I was

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<v Speaker 3>about eighteen and we won the Battle of the Bands

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<v Speaker 3>at Montreal. It was a big deal. But what happened

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<v Speaker 3>is I went off to college and I was a

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<v Speaker 3>musical theater major, which is very strange.

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<v Speaker 2>Because I'm a theater kid myself. Yeah.

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<v Speaker 3>Yeah, I was that had kid who played varsity hockey

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<v Speaker 3>and also was a musical.

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<v Speaker 2>Theater guy, I love rad. It's so rad like and

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<v Speaker 2>I just said rad, but yeah, it's like that's I

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<v Speaker 2>love that. I love people that are like, no, I

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<v Speaker 2>can do. I'm like sports and creative.

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<v Speaker 1>You know.

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<v Speaker 3>Yeah, I don't care. I don't fit in with either

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<v Speaker 3>of you groups. So what I'm saying, I'm going to dance.

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<v Speaker 3>I was in chorus line in yellow tights, prancing through

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<v Speaker 3>the stage, and then the hockey guys were like really.

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<v Speaker 2>And You're like yeah.

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<v Speaker 4>And I also have incredible flexibility and endurance because I

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<v Speaker 4>dance and.

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<v Speaker 3>One of two straight guys in the entire musical theater department.

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<v Speaker 2>You killed you killed my friend, yep, yep, good times.

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<v Speaker 2>I love it.

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<v Speaker 3>Yes, I think I dated every dancer in the dance company.

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<v Speaker 3>It was pretty much my entire data.

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<v Speaker 4>I mean, I feel like as the like the handful

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<v Speaker 4>of straight men in a theater department, that's just the requirement, particularly.

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<v Speaker 3>In college department, the musical theater department.

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<v Speaker 2>Right, That's what I mean. Yeah, the music it is not. Yeah,

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<v Speaker 2>your your your odds are good.

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<v Speaker 3>We'll put it in that that's were very good. The

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<v Speaker 3>ratio was good, The odds were good.

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<v Speaker 2>I got to be honest, ye, forge and now you

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<v Speaker 2>can sing the music man, you know what I mean.

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<v Speaker 2>So it's really winning all around. Yeah, that's so great.

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<v Speaker 2>Where did you go? Where did you go to college? David?

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<v Speaker 3>I went to Emerson College and bo okay cool. Notable

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<v Speaker 3>alumni include Kevin Bright, who was a producer on Friends

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<v Speaker 3>and what happened funny enough is they kept Bright, Coff

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<v Speaker 3>and Crane. They were making two pilots at Warner Brothers.

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<v Speaker 3>One was Friends and the other was little show called

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<v Speaker 3>The Secret Life of Harry Green, and then they decided

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<v Speaker 3>to cast me as Harry Green. And then they changed

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<v Speaker 3>the name's reality Check. But this was like a big,

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<v Speaker 3>big this was they actually thought this was had a

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<v Speaker 3>better shot than Friends because we tested so uh like

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<v Speaker 3>huge test scores eighty five, eighty seven. And when I'm

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<v Speaker 3>talking about test scores, of course some time about test

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<v Speaker 3>audiences before they released a pilot, and I love it.

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<v Speaker 4>He knows, like sometimes you get the little thing people

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<v Speaker 4>are like, wait, you have to take a test to

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<v Speaker 4>become an accurately now sat right?

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<v Speaker 2>Yeah?

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<v Speaker 4>No, They basically like make people watch your stuff and

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<v Speaker 4>then go, so what did you think?

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<v Speaker 2>And then they score.

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<v Speaker 3>And so we ranked like the highest Warner Brothers pilot.

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<v Speaker 3>It was an unbelievable, unbelievably funny show that starred me

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<v Speaker 3>and then my co stars were these little people who've

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<v Speaker 3>kind of had decent careers Giovanni Ribisi, Hillary Swank who

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<v Speaker 3>may have won a couple of Oscars. Made my girlfriend,

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<v Speaker 3>and my little sister was played by somebody who really

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<v Speaker 3>went nowhere, Killy Coco.

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<v Speaker 2>Oh, just her right.

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<v Speaker 3>And of course I was a star of this show.

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<v Speaker 3>And Fox got the rights to ball Over the Summer,

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<v Speaker 3>and that the last second they pulled us because we

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<v Speaker 3>were going to be on Sundays between Married with Children

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<v Speaker 3>and The Simpsons.

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<v Speaker 2>Oh my god, what a slot.

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<v Speaker 3>And then they pulled us. Like I was celebrating in

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<v Speaker 3>club bed and I got back. My manager's like, I

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<v Speaker 3>don't know what happened. I don't know what happened.

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<v Speaker 2>Oh like the business, this is the business.

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<v Speaker 3>Wow, resident of Warner Brothers at the time, Warner Brothers Television.

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<v Speaker 3>He said to me said, look, we're you're we're fans.

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<v Speaker 3>I'm a fan. We're going to put you on another show.

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<v Speaker 3>And that's when they put me on Full House.

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<v Speaker 2>Ah. So that was it. Yeah, amazing.

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<v Speaker 1>We lucked out because of that, although I feel bad

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<v Speaker 1>that you lost. What an amazing opportunity and it was.

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<v Speaker 3>Such a good show. In fact, if you go on

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<v Speaker 3>the YouTube and you type in reality check David Lipper,

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<v Speaker 3>it'll pop up and you can see the pilot. It's

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<v Speaker 3>it's up on there.

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<v Speaker 2>Oh okay, oh my god.

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<v Speaker 3>It's really actually wild to see a very young Hilary Swank,

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<v Speaker 3>a very young Jewe right, and a really young Kailee

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<v Speaker 3>Coco who's like like twelve or ten.

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<v Speaker 2>That's crazy. It was like when Yeah, I'm in Bob

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<v Speaker 2>did the show and bree uh uh, Lawrence lars Larson

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<v Speaker 2>excuse me, bre Larsen, Yeah, played his daughter or whatever.

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<v Speaker 2>You know, it's just the weird sort of the weird

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<v Speaker 2>circles that happen and then someone goes and shoots off

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<v Speaker 2>in one trajectory and you know, yeah.

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<v Speaker 3>And don't forget back in those days, the nineties, they

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<v Speaker 3>made like twenty five half hours and twenty five hour

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<v Speaker 3>pilots for each network.

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<v Speaker 4>Right, Yeah, it was, and it was the heyday of

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<v Speaker 4>great like sitcoms and TV appointment television, all of that

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<v Speaker 4>kind of stuff. Yeah, we we got to have the

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<v Speaker 4>fun of that experience in the nineties because it's definitely

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<v Speaker 4>it was just a.

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<v Speaker 3>Much more profitable, easier business. In those days you only

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<v Speaker 3>had four channels, you know, really forming channels. You had

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<v Speaker 3>most people watching television and not diverted now to social

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<v Speaker 3>media and all these other places, and so the advertising

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<v Speaker 3>dollars could really focus on these places and know that,

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<v Speaker 3>you know, everyone felt comfortable, residuals were good, like all

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<v Speaker 3>that stuff worked. Now it's tricky, you know, the streamers

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<v Speaker 3>and the dilution of content everywhere. You know, there's so

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<v Speaker 3>many platforms, there's so many places to get content right,

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<v Speaker 3>really hard to get and it's very niche.

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<v Speaker 4>It's like there's there's a small audience that really rapidly

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<v Speaker 4>loves a particular thing and but then maybe nobody else

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<v Speaker 4>knows about it, you know what I mean. But it's

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<v Speaker 4>very popular with their which is great in some respects

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<v Speaker 4>because you know, we there's so much out there to watch,

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<v Speaker 4>but it does make it really hard to kind of

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<v Speaker 4>be successful now.

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<v Speaker 2>I have a question though, David, going back, who.

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<v Speaker 4>Was your influence in like theater and sports and were

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<v Speaker 4>your parents people that did that like that did theater

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<v Speaker 4>and sports or were they like or were you just

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<v Speaker 4>like you know, what I want to try everything, Like,

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<v Speaker 4>I'm just fascinated by that because most, but truly most,

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<v Speaker 4>like young guys would be like, if I play sports,

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<v Speaker 4>I don't want to do the other thing.

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<v Speaker 2>And I just I think it's so great.

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<v Speaker 3>Was My dad was an athlete football in high school.

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<v Speaker 3>He played basketball in high school and unfortunately his knees went,

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<v Speaker 3>but otherwise he probably would have been a pretty pretty

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<v Speaker 3>good star athlete going through college and went to McGill

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<v Speaker 3>where he married my mom in Montreal. My sister also

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<v Speaker 3>star athlete, my brother, star student. So I was kind

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<v Speaker 3>of like, geez, what can I do? And I was

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<v Speaker 3>a decent athlete, you know, I played hockey all through

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<v Speaker 3>high school, tennis, golf, like I do all those things,

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<v Speaker 3>and I'm decent. I was always a good player, good

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<v Speaker 3>enough to make varsity, but never great. You know, there

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<v Speaker 3>were always guys a lot better. The one thing I

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<v Speaker 3>could do that for some reason, you know, I didn't

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<v Speaker 3>think it was that hard, and everybody else was like, wow,

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<v Speaker 3>that's amazing you can do that was singing and act

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<v Speaker 3>and so I started doing musicals. I think as young

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<v Speaker 3>as eight, I did the years, and being a Jew,

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<v Speaker 3>it was pretty funny that I joined the church choir

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<v Speaker 3>to do the Gondoliers at a church.

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<v Speaker 2>I mean the opportunities where you know, you go where they.

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<v Speaker 3>Are non denominational.

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<v Speaker 2>Yeah, yeah, there you got.

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<v Speaker 3>So I just went, okay, you just like to sing.

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<v Speaker 3>I like, get them out of the house, go sing

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<v Speaker 3>with people who sing. And that's kind of where it happened.

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<v Speaker 3>And by the age of nine, I think I was

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<v Speaker 3>starring in a synagogue production again across the street from

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<v Speaker 3>the church, right, and I got these great reviews and like,

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<v Speaker 3>who's this kid who joined you know who? I was

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<v Speaker 3>like the youngest kid ever in this theater group, and

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<v Speaker 3>people started started giving me all these compliments. And I

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<v Speaker 3>just kept booking the leads in musicals, which I did

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<v Speaker 3>all through high school, and just always kept getting great

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<v Speaker 3>parts and great reviews and whatever these reviews meant from

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<v Speaker 3>these local papers or whatever. And then eventually just said

0:12:03.960 --> 0:12:06.200
<v Speaker 3>I'm going to go do this in college, got my

0:12:06.280 --> 0:12:10.120
<v Speaker 3>degree in musical theater, and then really just never wavered

0:12:10.120 --> 0:12:13.200
<v Speaker 3>from my moving to LA and I'm going to do this.

0:12:13.559 --> 0:12:16.360
<v Speaker 3>And you know, I put a lot of pressure on myself.

0:12:16.360 --> 0:12:18.480
<v Speaker 3>I said I'm going to give it one year. You know,

0:12:18.559 --> 0:12:21.040
<v Speaker 3>I made a deal with my family. You were like, listen,

0:12:21.080 --> 0:12:23.400
<v Speaker 3>you're on your own. You got to pay your own bills.

0:12:23.400 --> 0:12:24.040
<v Speaker 3>Good luck to you.

0:12:24.800 --> 0:12:25.320
<v Speaker 2>How old were you?

0:12:25.480 --> 0:12:28.760
<v Speaker 3>I'm struggling. My dad said, call me go to business school.

0:12:28.800 --> 0:12:31.880
<v Speaker 3>I'll pay for everything. So I'm like, like, after n

0:12:31.960 --> 0:12:34.760
<v Speaker 3>I struggling, Like should I just go get an MBA

0:12:34.840 --> 0:12:37.320
<v Speaker 3>and just be done with this? And then like boom,

0:12:37.320 --> 0:12:39.200
<v Speaker 3>I booked like three things and I'm like, I got

0:12:39.280 --> 0:12:42.720
<v Speaker 3>enough money for the next year. I'm staying right, yes,

0:12:42.760 --> 0:12:46.000
<v Speaker 3>And that's it. Never looked back, you know. By the

0:12:46.040 --> 0:12:48.600
<v Speaker 3>next year, I'd booked this pilot and then after that

0:12:48.640 --> 0:12:49.520
<v Speaker 3>I was on full house.

0:12:50.040 --> 0:12:53.040
<v Speaker 2>How old were you at the sign, David, I moved to.

0:12:54.280 --> 0:12:55.120
<v Speaker 3>LA at twenty one.

0:12:55.679 --> 0:12:56.679
<v Speaker 2>Wow.

0:12:57.400 --> 0:12:59.960
<v Speaker 1>Yeah, that's great luck too for someone just starting out

0:13:00.000 --> 0:13:02.400
<v Speaker 1>out in LA to book a pilot and then book

0:13:02.400 --> 0:13:03.240
<v Speaker 1>a recording career.

0:13:03.480 --> 0:13:06.160
<v Speaker 3>On my audition, here's what happened. I knew one guy

0:13:07.080 --> 0:13:09.280
<v Speaker 3>who had been a counselor at the theater camp I

0:13:09.280 --> 0:13:10.920
<v Speaker 3>went to. I went to a theater camp called Stage

0:13:10.960 --> 0:13:14.160
<v Speaker 3>Doore Manor in New York in the Catskills, and a

0:13:14.160 --> 0:13:16.120
<v Speaker 3>lot of great people came out of there. Johnny Cryer

0:13:16.200 --> 0:13:18.480
<v Speaker 3>came out of there, Josh Charles came out of there

0:13:19.400 --> 0:13:25.560
<v Speaker 3>a lot of really talented people, and so I was

0:13:26.600 --> 0:13:29.480
<v Speaker 3>I was already like super focused. This is what I'm

0:13:29.520 --> 0:13:31.640
<v Speaker 3>going to do this, this is how I'm going to

0:13:31.679 --> 0:13:33.600
<v Speaker 3>make it. I didn't realize what was going to happen

0:13:33.720 --> 0:13:36.280
<v Speaker 3>is I was going to shift from musical theater into

0:13:36.360 --> 0:13:38.240
<v Speaker 3>straight acting, and I just kind of said, I'm going

0:13:38.280 --> 0:13:40.160
<v Speaker 3>to go with the flow. But what was so great

0:13:40.160 --> 0:13:42.880
<v Speaker 3>about Full House is I got to do both. And

0:13:42.880 --> 0:13:46.000
<v Speaker 3>that's really the last time I had this opportunity to

0:13:46.120 --> 0:13:50.120
<v Speaker 3>also do music and also do the acting in one piece.

0:13:50.200 --> 0:13:52.600
<v Speaker 3>And I'll never forget that, and like how special that

0:13:52.720 --> 0:13:55.640
<v Speaker 3>was for me because I could see this trajectory happening

0:13:55.679 --> 0:13:58.320
<v Speaker 3>where I think I'd made an album. I made a CD.

0:13:58.880 --> 0:14:03.800
<v Speaker 2>We had CDs back and ordered it on actual tape.

0:14:04.040 --> 0:14:05.160
<v Speaker 3>Yes, we had reels.

0:14:05.800 --> 0:14:07.920
<v Speaker 2>It was an actual physical thing you could touch.

0:14:08.280 --> 0:14:10.160
<v Speaker 3>You know, it's on my website by the way, David

0:14:10.200 --> 0:14:13.760
<v Speaker 3>Lipper dot com. But you know, I just could see

0:14:13.800 --> 0:14:16.760
<v Speaker 3>that was not going to be the thing. And acting

0:14:16.840 --> 0:14:17.319
<v Speaker 3>was really.

0:14:17.600 --> 0:14:21.600
<v Speaker 2>Really as brutal as acting is. To break into music

0:14:21.720 --> 0:14:26.120
<v Speaker 2>is like, oh my god, it's.

0:14:24.520 --> 0:14:27.080
<v Speaker 3>It's so hard. And but this one guy who was

0:14:27.120 --> 0:14:29.680
<v Speaker 3>a counselor at this theater camp. I called him up

0:14:29.680 --> 0:14:32.240
<v Speaker 3>when I got to La. I'm here for two weeks, right,

0:14:32.280 --> 0:14:35.760
<v Speaker 3>I got my little Honda Civic and staying at a

0:14:35.800 --> 0:14:42.400
<v Speaker 3>family relative house. And this guy Mark Sachs, who was

0:14:42.440 --> 0:14:45.600
<v Speaker 3>a big casting director. He goes, listen, I'm going to

0:14:45.680 --> 0:14:48.360
<v Speaker 3>do you one favor because I loved you in Fiddler.

0:14:49.280 --> 0:14:51.120
<v Speaker 3>He said, here's what I'm going to do. I have

0:14:51.160 --> 0:14:53.400
<v Speaker 3>a friend Ted Han who's casting the show called Step

0:14:53.440 --> 0:14:55.960
<v Speaker 3>by Step. I think you're perfect for it. I'm getting

0:14:56.000 --> 0:14:59.320
<v Speaker 3>you a pre read. Don't ask me for another favor. Unbelievable.

0:14:59.320 --> 0:15:01.920
<v Speaker 3>I got a preread. What's a preread? Okay, let's go.

0:15:02.240 --> 0:15:04.800
<v Speaker 3>I go down to by the Way. I just remember

0:15:04.840 --> 0:15:07.640
<v Speaker 3>it was called Laura mar Oh yeah, yeah, that was

0:15:07.640 --> 0:15:10.520
<v Speaker 3>where we yet, right. So I go down. I meet

0:15:10.520 --> 0:15:12.200
<v Speaker 3>with this guy is like, oh, yeah, you're you're a

0:15:12.200 --> 0:15:15.960
<v Speaker 3>Mark's friend. All right, let's go. Let's and read. Let's go.

0:15:16.000 --> 0:15:20.320
<v Speaker 3>And he was like, oh, you're pretty good. Let's let's sorry.

0:15:20.360 --> 0:15:21.800
<v Speaker 3>Can we start again, Let's start again.

0:15:22.080 --> 0:15:24.520
<v Speaker 4>It's always great when you go into a casting director

0:15:24.560 --> 0:15:26.040
<v Speaker 4>and they're like, hey, you're going to suck, but go

0:15:26.120 --> 0:15:26.400
<v Speaker 4>for it.

0:15:26.520 --> 0:15:30.720
<v Speaker 2>You're just like Yeah. It's that part of in person

0:15:30.720 --> 0:15:34.000
<v Speaker 2>auditions when you're like, wow, I should just I'm just

0:15:34.040 --> 0:15:44.960
<v Speaker 2>gonna go. They won't notice whether.

0:15:44.800 --> 0:15:47.080
<v Speaker 3>He's staying does not want to see me. But then

0:15:47.080 --> 0:15:50.760
<v Speaker 3>he's like, you're fantastic. I'm like, I keep telling people this, okay.

0:15:51.280 --> 0:15:53.760
<v Speaker 3>So he goes, I'm going to bring you to producers.

0:15:53.800 --> 0:15:55.680
<v Speaker 3>I'm like, unbelievable. I don't even know what it means,

0:15:55.720 --> 0:16:00.000
<v Speaker 3>but let's go go to the producers. They're like, I'm

0:16:00.440 --> 0:16:03.280
<v Speaker 3>you're fantastic. I'm like, okay, do I have the part? No,

0:16:03.600 --> 0:16:05.200
<v Speaker 3>you got to go to studio studio.

0:16:05.680 --> 0:16:08.800
<v Speaker 4>Yeah. It's like the video game. You just keep increasing

0:16:08.880 --> 0:16:09.920
<v Speaker 4>boss levels to fight.

0:16:10.040 --> 0:16:11.920
<v Speaker 3>I don't know what's happening. I don't have an agent.

0:16:12.000 --> 0:16:15.480
<v Speaker 3>I don't have like and so he goes, look, I

0:16:15.520 --> 0:16:18.720
<v Speaker 3>got to get you an agent. I go okay. He goes,

0:16:18.920 --> 0:16:20.960
<v Speaker 3>you're going to get some phone calls. My phone starts

0:16:21.000 --> 0:16:24.040
<v Speaker 3>going off the hook. Every manager agent's like, we heard

0:16:24.040 --> 0:16:26.960
<v Speaker 3>you're testing for this show. And it was already picked

0:16:27.000 --> 0:16:29.280
<v Speaker 3>up because it was a Miller Boyett show. They were

0:16:29.280 --> 0:16:34.000
<v Speaker 3>already on for twenty two and I was up for anyway.

0:16:34.080 --> 0:16:36.680
<v Speaker 3>Came down to me and Sasha Mitchell for this role

0:16:36.720 --> 0:16:38.960
<v Speaker 3>of Cody, the cousin who lives in the vand right,

0:16:39.560 --> 0:16:41.760
<v Speaker 3>and for some reason it was at Sony and I

0:16:41.760 --> 0:16:44.200
<v Speaker 3>can't remember why made no sense, but anyway, we're at

0:16:44.240 --> 0:16:46.400
<v Speaker 3>the Sony lot, which is a huge lot for those

0:16:46.440 --> 0:16:50.320
<v Speaker 3>who don't know, and I go in crush it. Really

0:16:50.360 --> 0:16:52.400
<v Speaker 3>the Viper character is the way I did it, you know,

0:16:52.440 --> 0:16:55.120
<v Speaker 3>the Vinnie Barberina ball cap on. This is like, so

0:16:55.160 --> 0:16:58.080
<v Speaker 3>I already like felt really good about this kind of

0:16:58.160 --> 0:17:02.640
<v Speaker 3>character that I that I've been working on. And they're hysterics.

0:17:02.640 --> 0:17:05.840
<v Speaker 3>They're like, listen, Sasha is still not here. If he

0:17:05.840 --> 0:17:08.679
<v Speaker 3>doesn't show up in five minutes, it's yours because we

0:17:08.720 --> 0:17:12.240
<v Speaker 3>absolutely love you. And and it was my birthday on

0:17:12.280 --> 0:17:15.239
<v Speaker 3>top of everything. Was it was August thirteenth, so I

0:17:15.359 --> 0:17:18.760
<v Speaker 3>was like, oh my god, okay, it's my birthday. It's right.

0:17:19.280 --> 0:17:23.840
<v Speaker 3>This is unbelievable. And at four minutes and fifty seconds

0:17:23.840 --> 0:17:25.320
<v Speaker 3>in Walksasha Mitchell.

0:17:25.560 --> 0:17:28.399
<v Speaker 2>Oh and he tackle them in the hallway.

0:17:28.440 --> 0:17:30.800
<v Speaker 3>Now it's like I got so lost. His place is

0:17:30.840 --> 0:17:33.800
<v Speaker 3>so big. It's like, man, I'm like, I'm not going

0:17:33.880 --> 0:17:35.520
<v Speaker 3>to lose to this idiot. Am I in like wait

0:17:35.560 --> 0:17:38.200
<v Speaker 3>a second. The character is an idiot, right, Oh no,

0:17:39.119 --> 0:17:42.840
<v Speaker 3>And so then he comes out. They go in, They go, David,

0:17:42.880 --> 0:17:45.280
<v Speaker 3>can you come back in? I go sure. They're like,

0:17:45.320 --> 0:17:48.000
<v Speaker 3>we love everything you did. There was something about him,

0:17:48.080 --> 0:17:50.440
<v Speaker 3>there's a Midwest thing. Could you do the same performance,

0:17:50.560 --> 0:17:53.640
<v Speaker 3>take out the New York accent? And I'm like, oh,

0:17:53.840 --> 0:17:57.520
<v Speaker 3>the whole Pinny Babrino thing that I just worked on. Okay, yeah, sure,

0:17:57.560 --> 0:17:59.639
<v Speaker 3>I'll anyway, I do that. We go back, We go

0:17:59.720 --> 0:18:02.080
<v Speaker 3>for it now. As you know, usually they make the

0:18:02.440 --> 0:18:06.440
<v Speaker 3>pilot decisions in the room. They took three days. Oh wow.

0:18:06.960 --> 0:18:10.960
<v Speaker 3>Apparently this went back and forth. I think maybe Miller

0:18:11.000 --> 0:18:13.400
<v Speaker 3>and Boyette themselves were at odds on it. I don't

0:18:13.400 --> 0:18:16.320
<v Speaker 3>remember whatever happened. It took three days, and then finally

0:18:16.359 --> 0:18:19.360
<v Speaker 3>they decided to give it to Sasha, and the casting

0:18:19.400 --> 0:18:22.240
<v Speaker 3>director I'll never forget this, told me the final decision

0:18:22.280 --> 0:18:24.880
<v Speaker 3>was a marketing person who said they thought Sasha would

0:18:24.920 --> 0:18:27.960
<v Speaker 3>sell more lunchboxes and that was the end.

0:18:28.600 --> 0:18:28.879
<v Speaker 2>Wow.

0:18:29.000 --> 0:18:30.840
<v Speaker 3>So but whatever, I got an agent out of.

0:18:30.760 --> 0:18:32.480
<v Speaker 2>It, step lunch box.

0:18:32.720 --> 0:18:37.760
<v Speaker 3>Step, step by step lunch lunchboxes. Apparently that was a thing.

0:18:38.280 --> 0:18:41.600
<v Speaker 2>That's ridiculous. That was the deciding factor. A lunchbox.

0:18:41.640 --> 0:18:44.560
<v Speaker 3>I never had a lunch box. I have never used

0:18:44.560 --> 0:18:47.800
<v Speaker 3>a lunch box, but apparently it's a thing. So so

0:18:47.840 --> 0:18:54.240
<v Speaker 3>that's how it started. This was two weeks as same

0:18:54.280 --> 0:18:58.119
<v Speaker 3>suits that decided Reality Check should be replaced by a

0:18:58.160 --> 0:19:00.040
<v Speaker 3>sports show, so they don't.

0:19:00.000 --> 0:19:03.520
<v Speaker 4>Well they lunchboxes again. You know, you just keep getting

0:19:03.520 --> 0:19:04.879
<v Speaker 4>screwed over by the lunchbox.

0:19:05.080 --> 0:19:07.120
<v Speaker 3>And I you know, I had a bag, a paper bag.

0:19:07.160 --> 0:19:08.800
<v Speaker 2>That's yeah, you're like, I didn't even carry it in

0:19:08.840 --> 0:19:09.160
<v Speaker 2>a box.

0:19:09.280 --> 0:19:11.800
<v Speaker 3>Yeah, never got it. So that's what happened.

0:19:12.000 --> 0:19:16.080
<v Speaker 4>Wow, what a what an interesting sort of I mean

0:19:17.160 --> 0:19:21.680
<v Speaker 4>circuitous adventure to get I mean, and that's so many

0:19:21.680 --> 0:19:22.000
<v Speaker 4>of us.

0:19:22.119 --> 0:19:27.000
<v Speaker 2>Can you spell securities circuituitus see I R C U

0:19:27.240 --> 0:19:30.679
<v Speaker 2>I t O U S. I believe that sounds right

0:19:30.720 --> 0:19:30.919
<v Speaker 2>to me.

0:19:31.440 --> 0:19:32.960
<v Speaker 3>Every now and then a word I don't.

0:19:32.720 --> 0:19:34.200
<v Speaker 2>Know, Yeah, circuit.

0:19:35.200 --> 0:19:39.119
<v Speaker 4>It means looping and uh sort of not a direct path,

0:19:39.320 --> 0:19:43.600
<v Speaker 4>but yeah, like one of these like so like kind

0:19:43.600 --> 0:19:46.840
<v Speaker 4>of looping and going around and going all around the

0:19:46.840 --> 0:19:50.360
<v Speaker 4>place that you want to be, uh but not necessarily there.

0:19:50.400 --> 0:19:52.400
<v Speaker 2>Yeah, there you go. There's your vocab word for the day. Guys.

0:19:52.400 --> 0:19:56.200
<v Speaker 2>You're welcome. Occasionally I come out with something smart.

0:19:56.280 --> 0:19:58.600
<v Speaker 3>I love it. This is a good word I use

0:19:58.640 --> 0:19:59.240
<v Speaker 3>this word.

0:19:59.520 --> 0:20:02.000
<v Speaker 4>Oh I please do give me word credit. I don't

0:20:02.000 --> 0:20:05.679
<v Speaker 4>know what that means, but just if you need to

0:20:05.680 --> 0:20:08.639
<v Speaker 4>be like you get at the bottom of the sentence

0:20:08.640 --> 0:20:10.399
<v Speaker 4>about Jody's sweetenedn't.

0:20:09.880 --> 0:20:12.320
<v Speaker 3>With that word get a residual?

0:20:13.000 --> 0:20:15.560
<v Speaker 2>Right, Look, these streamers are screwing us a whole, you

0:20:15.560 --> 0:20:16.760
<v Speaker 2>know what I mean. We got to take it where

0:20:16.760 --> 0:20:19.560
<v Speaker 2>we can. But speaking of.

0:20:21.240 --> 0:20:25.080
<v Speaker 4>I mean working together and weird looping, you know sort

0:20:25.080 --> 0:20:27.439
<v Speaker 4>of things. You and I got to do a movie together,

0:20:29.840 --> 0:20:31.720
<v Speaker 4>just wipe. You and I got to do a movie together.

0:20:32.119 --> 0:20:36.880
<v Speaker 4>And it was during the pandemic that we shot it,

0:20:37.480 --> 0:20:42.080
<v Speaker 4>and we you also produced it, which you and Elizabeth

0:20:42.119 --> 0:20:44.760
<v Speaker 4>Blake Thomas, who I'm still dear friends with, who is

0:20:44.800 --> 0:20:48.919
<v Speaker 4>such a sweetheart. Yeah, she was directing it and you

0:20:49.000 --> 0:20:52.080
<v Speaker 4>were producing it and and we were all and it

0:20:52.119 --> 0:20:57.240
<v Speaker 4>was Alec Mappa and Danielle Perez and you and me.

0:20:59.440 --> 0:21:02.720
<v Speaker 2>And and oh my god, it was tell me everything.

0:21:02.720 --> 0:21:06.520
<v Speaker 2>Where did you shoot this? Well was in Woodland Hills.

0:21:06.520 --> 0:21:07.600
<v Speaker 2>But whose house was that?

0:21:07.840 --> 0:21:09.320
<v Speaker 3>Frank Sinatra's old estate?

0:21:09.640 --> 0:21:13.119
<v Speaker 4>Right, Okay, there's a beautiful estate up there in Woodland

0:21:13.200 --> 0:21:15.000
<v Speaker 4>Hills that's all like gated, and.

0:21:15.480 --> 0:21:19.160
<v Speaker 3>This weird thing happened in twenty twenty called a pandemic. Yes,

0:21:20.160 --> 0:21:24.440
<v Speaker 3>I had directed my first film called Deathlink, and Elizabeth

0:21:24.560 --> 0:21:28.480
<v Speaker 3>was my first eighty eight and so in the middle

0:21:28.480 --> 0:21:31.960
<v Speaker 3>of my shoot, pandemic happened, and so all of a

0:21:32.000 --> 0:21:35.520
<v Speaker 3>sudden it was like, Okay, I lost crew, I lost people.

0:21:36.240 --> 0:21:38.600
<v Speaker 3>I don't know how I finished this film, except you know,

0:21:39.560 --> 0:21:41.719
<v Speaker 3>coming as actors, we have thick skins and we just

0:21:41.760 --> 0:21:44.000
<v Speaker 3>go we can do it, no matter what it is

0:21:44.160 --> 0:21:48.600
<v Speaker 3>to make it work. I can drive a plane, I put.

0:21:48.400 --> 0:21:51.160
<v Speaker 2>It on my Yeah, exactly right, and I yes, that's

0:21:51.200 --> 0:21:53.679
<v Speaker 2>some of my special skills. Absolutely, yes.

0:21:53.840 --> 0:21:56.600
<v Speaker 3>So that's what we did and we got this movie done,

0:21:56.600 --> 0:21:59.640
<v Speaker 3>and Elizabeth was great and helped me a lot as

0:21:59.680 --> 0:22:01.439
<v Speaker 3>my first first when we had to cut date, we

0:22:01.480 --> 0:22:03.359
<v Speaker 3>had to cut a whole week off the schedule because.

0:22:03.119 --> 0:22:07.080
<v Speaker 2>Lockdown happened, right like that doesn't have any more experience.

0:22:07.440 --> 0:22:09.600
<v Speaker 3>Elizabeth said, look, I've got this script. I want you

0:22:09.640 --> 0:22:12.240
<v Speaker 3>to be the lead, and we helped me produce it,

0:22:12.280 --> 0:22:13.919
<v Speaker 3>and I said, let me read it. And I read it.

0:22:13.960 --> 0:22:16.880
<v Speaker 3>I was like, wow, this is an unbelievable script. It's

0:22:16.920 --> 0:22:20.240
<v Speaker 3>about two people who meet in lockdown, which was right

0:22:20.280 --> 0:22:22.560
<v Speaker 3>what we were in the middle of going through and

0:22:22.600 --> 0:22:26.560
<v Speaker 3>because of that, two people who normally wouldn't date because

0:22:26.840 --> 0:22:29.760
<v Speaker 3>we can't physically see each other because we're in lockdown,

0:22:30.520 --> 0:22:32.879
<v Speaker 3>we end up striking up a friendship and getting to

0:22:32.920 --> 0:22:34.560
<v Speaker 3>know each other kind of the way dating used to be.

0:22:35.320 --> 0:22:37.359
<v Speaker 3>It was like, let's have sex and Hi, who are you?

0:22:38.640 --> 0:22:40.840
<v Speaker 3>So we're just kind of flipped back to the way

0:22:40.960 --> 0:22:43.240
<v Speaker 3>it used to be. We know each other, we become friends,

0:22:43.359 --> 0:22:45.480
<v Speaker 3>and then you know, can have a real relationship.

0:22:45.760 --> 0:22:45.960
<v Speaker 2>Yeah.

0:22:45.960 --> 0:22:49.280
<v Speaker 3>And so it was a really nice moral to that

0:22:49.440 --> 0:22:51.560
<v Speaker 3>story on kind of you know, maybe it's time to

0:22:51.600 --> 0:22:53.560
<v Speaker 3>slow down and go back to the basics on dating.

0:22:54.280 --> 0:22:57.320
<v Speaker 3>And when I read the script and she said let's

0:22:57.320 --> 0:23:02.159
<v Speaker 3>talk about the female lead, I immediately said Jody. I

0:23:02.160 --> 0:23:04.240
<v Speaker 3>picked up the phone. I called Rachel, who we both

0:23:04.320 --> 0:23:06.840
<v Speaker 3>are managed by, and I said, Rachel, can you put

0:23:06.880 --> 0:23:09.440
<v Speaker 3>this in Jodie's hands and and see what she says?

0:23:10.119 --> 0:23:12.720
<v Speaker 3>And uh, And that's what happened. And I know it's

0:23:12.800 --> 0:23:15.800
<v Speaker 3>strange that I went from dating Canvas.

0:23:15.440 --> 0:23:19.800
<v Speaker 4>On the show, right from Viper to Yeah, but I

0:23:19.880 --> 0:23:22.520
<v Speaker 4>really thought this was the right the right move for Jody.

0:23:22.640 --> 0:23:25.960
<v Speaker 3>And it was first off, we had a really impressively

0:23:26.080 --> 0:23:31.320
<v Speaker 3>diverse cast in this movie. You know, like Jody brought

0:23:31.400 --> 0:23:34.200
<v Speaker 3>up Perez, she's actually in a wheelchair. We wanted to

0:23:34.240 --> 0:23:36.520
<v Speaker 3>have somebody who is.

0:23:36.800 --> 0:23:39.399
<v Speaker 2>Yeah, and she's hilarious. By the way I had her.

0:23:39.600 --> 0:23:40.800
<v Speaker 4>She was going to be a guest on one of

0:23:40.840 --> 0:23:43.280
<v Speaker 4>my stand up family Dinner shows that I do at

0:23:43.280 --> 0:23:45.359
<v Speaker 4>the Bourbon Room and then wound up being out of town.

0:23:45.440 --> 0:23:49.160
<v Speaker 4>But but yeah, she's a really hilarious comedian. And Alec

0:23:49.240 --> 0:23:51.840
<v Speaker 4>Mapa is out of his mind one of the live

0:23:51.920 --> 0:23:52.760
<v Speaker 4>he's really just.

0:23:53.080 --> 0:23:55.680
<v Speaker 3>He's just so funny and he's so perfect in this movie.

0:23:56.200 --> 0:24:00.600
<v Speaker 3>And then the guy who played his partner, Steven, it

0:24:00.640 --> 0:24:02.560
<v Speaker 3>was somebody who was in my film Death Link.

0:24:02.520 --> 0:24:05.560
<v Speaker 2>Yes, Stephen, when that's right, I forgot I've brought yeah

0:24:05.880 --> 0:24:06.399
<v Speaker 2>so sad.

0:24:06.480 --> 0:24:08.280
<v Speaker 3>We just brought our team the same like crew and

0:24:08.320 --> 0:24:10.719
<v Speaker 3>people we've been working with. And so the whole idea was,

0:24:11.040 --> 0:24:14.800
<v Speaker 3>if we're locked in a house for eight days, maybe

0:24:14.840 --> 0:24:17.160
<v Speaker 3>we can get through this movie with no one getting sick,

0:24:17.200 --> 0:24:20.240
<v Speaker 3>because in those days, this is pre vaccine, right, this

0:24:20.440 --> 0:24:24.200
<v Speaker 3>is twenty twenty, the end of like late twenty twenty,

0:24:24.320 --> 0:24:25.200
<v Speaker 3>where people that's.

0:24:25.119 --> 0:24:27.040
<v Speaker 4>Right, it was it was late twenty twenty, it was

0:24:27.119 --> 0:24:32.399
<v Speaker 4>right around Thanksgiving, because every we were heading into the

0:24:32.440 --> 0:24:34.640
<v Speaker 4>holidays and it was getting worse and worse and worse,

0:24:34.720 --> 0:24:35.359
<v Speaker 4>and we were like.

0:24:35.560 --> 0:24:37.560
<v Speaker 2>Just get through the last like forty eight hours of this.

0:24:37.840 --> 0:24:40.240
<v Speaker 2>You were like, not again, not again. We're not shutting

0:24:40.240 --> 0:24:40.760
<v Speaker 2>down again.

0:24:41.040 --> 0:24:43.800
<v Speaker 3>No, no, And that's I said to Elizabeth, we're going

0:24:43.880 --> 0:24:45.720
<v Speaker 3>to do this. We got to knock it out in

0:24:45.800 --> 0:24:50.120
<v Speaker 3>like a week. So let's do like six days, one

0:24:50.200 --> 0:24:52.840
<v Speaker 3>day off, two days, like yeah, that kind of schedule

0:24:52.880 --> 0:24:56.479
<v Speaker 3>because because anything past that, someone's going to test positive

0:24:56.480 --> 0:24:57.040
<v Speaker 3>and we're screwed.

0:24:57.320 --> 0:24:59.960
<v Speaker 2>Yeah, And these were like the deep nose to.

0:25:01.880 --> 0:25:02.240
<v Speaker 3>Every other.

0:25:02.320 --> 0:25:05.840
<v Speaker 5>Yeah yeah, We're like yeah yeah.

0:25:05.960 --> 0:25:08.800
<v Speaker 3>And testing every day with the rapids and it was

0:25:08.840 --> 0:25:10.679
<v Speaker 3>you know, and that was really hard to shoot like that,

0:25:10.680 --> 0:25:12.399
<v Speaker 3>by the way, because it's a lot to put a

0:25:12.440 --> 0:25:15.159
<v Speaker 3>whole crew through testing and waiting ten minutes for the

0:25:15.160 --> 0:25:16.040
<v Speaker 3>results and all right.

0:25:16.280 --> 0:25:19.400
<v Speaker 4>So some of you guys were living, we're staying at

0:25:19.480 --> 0:25:20.840
<v Speaker 4>the some of the crew were.

0:25:20.720 --> 0:25:23.119
<v Speaker 3>Living in the house, a huge, huge house. And what

0:25:23.160 --> 0:25:25.560
<v Speaker 3>we realized is if we just contained the whole movie

0:25:25.680 --> 0:25:28.000
<v Speaker 3>in this one house, we can get it done in

0:25:28.080 --> 0:25:31.480
<v Speaker 3>eight days and we can dress the rooms are so different.

0:25:31.920 --> 0:25:34.600
<v Speaker 4>Yeah, it's such a big property and big estate you could.

0:25:34.880 --> 0:25:37.160
<v Speaker 4>I mean it's like any you know, small feature film

0:25:37.160 --> 0:25:40.400
<v Speaker 4>that you're doing. You're like, I have seven locations right

0:25:40.440 --> 0:25:42.600
<v Speaker 4>in this house, I've got all I need.

0:25:43.119 --> 0:25:45.199
<v Speaker 3>Yeah, in the guest house. We even made I think,

0:25:45.840 --> 0:25:49.200
<v Speaker 3>you know one one apartment and then that's true, Yeah,

0:25:49.240 --> 0:25:49.960
<v Speaker 3>which was yours.

0:25:49.960 --> 0:25:51.600
<v Speaker 4>I think it was my apartment. Yeah, my apartment was

0:25:51.600 --> 0:25:53.879
<v Speaker 4>a guest house. We had a little putting green. We

0:25:54.280 --> 0:25:58.639
<v Speaker 4>had a beautiful like the beautiful hill side off the

0:25:58.680 --> 0:25:59.359
<v Speaker 4>hood by the.

0:25:59.359 --> 0:26:02.080
<v Speaker 3>Way that that you see me make. I actually made it.

0:26:02.160 --> 0:26:04.679
<v Speaker 3>And that was a lopsided, bumpy grain that was not

0:26:04.760 --> 0:26:05.640
<v Speaker 3>an easy putt to make.

0:26:06.240 --> 0:26:08.320
<v Speaker 2>I mean it didn't have a windmill, so I'm not

0:26:08.359 --> 0:26:09.000
<v Speaker 2>as impressed.

0:26:09.160 --> 0:26:10.520
<v Speaker 3>No, no windmill, No.

0:26:10.600 --> 0:26:12.640
<v Speaker 4>But no, that was such a it was such a fun.

0:26:13.119 --> 0:26:14.919
<v Speaker 4>I mean it was you know. Again, we shot it

0:26:14.960 --> 0:26:16.760
<v Speaker 4>in eight days eight.

0:26:16.720 --> 0:26:18.719
<v Speaker 3>Days, and I will tell you I did something that

0:26:18.760 --> 0:26:22.320
<v Speaker 3>I don't know how except again, we have to do it.

0:26:22.920 --> 0:26:27.200
<v Speaker 3>I shot fifty five pages of my coverage in one day.

0:26:27.760 --> 0:26:31.440
<v Speaker 3>I remember that we talked like this, right, like.

0:26:31.680 --> 0:26:33.640
<v Speaker 2>Everything was shot over zoom or.

0:26:33.560 --> 0:26:37.840
<v Speaker 6>Not over zoom, but everything was shot as so it

0:26:37.920 --> 0:26:40.000
<v Speaker 6>was like me talking to her, I'm talking to camera.

0:26:40.080 --> 0:26:41.560
<v Speaker 3>So I have a locked off camera here and there

0:26:41.560 --> 0:26:44.159
<v Speaker 3>was another camera basically here in my world and the

0:26:44.200 --> 0:26:45.280
<v Speaker 3>same thing on Jody's end.

0:26:45.640 --> 0:26:48.120
<v Speaker 2>So we would do like all our coverage in one

0:26:48.200 --> 0:26:49.200
<v Speaker 2>room on one day.

0:26:49.320 --> 0:26:53.040
<v Speaker 3>I did my entire coverage for the whole thing in

0:26:53.080 --> 0:26:55.600
<v Speaker 3>one day because we were just like, how are we

0:26:55.600 --> 0:26:57.400
<v Speaker 3>going to make this schedule? And I'm like, oh, I'll

0:26:57.400 --> 0:27:00.800
<v Speaker 3>handle it. And it was just like it was insane.

0:27:00.800 --> 0:27:03.359
<v Speaker 3>It was like I was doing theater. I mean it was.

0:27:03.440 --> 0:27:07.320
<v Speaker 4>It was literally like jumping in and doing monologues of

0:27:07.359 --> 0:27:09.399
<v Speaker 4>pages and pages of That's a lot to memory.

0:27:09.960 --> 0:27:11.679
<v Speaker 3>And by the way, I want to tell you something

0:27:12.480 --> 0:27:15.520
<v Speaker 3>Jody talk about a pro and consider it for the

0:27:15.520 --> 0:27:18.280
<v Speaker 3>other actors. She was there for every line of off camera.

0:27:18.359 --> 0:27:19.920
<v Speaker 3>She's like, Nope, I'm going to be there. I'm like,

0:27:19.960 --> 0:27:21.800
<v Speaker 3>you don't have to be I am going to be there.

0:27:21.960 --> 0:27:22.560
<v Speaker 2>I love that.

0:27:23.080 --> 0:27:26.480
<v Speaker 3>I love actors, single line of her off camera and

0:27:26.520 --> 0:27:27.879
<v Speaker 3>that I got to tell you, I don't know if

0:27:27.880 --> 0:27:30.080
<v Speaker 3>I've told you this greatly appreciated that.

0:27:38.520 --> 0:27:42.720
<v Speaker 4>Yes, it's I always unless there is some particular scheduling

0:27:42.760 --> 0:27:45.240
<v Speaker 4>reason where I have to be changing or in hair

0:27:45.280 --> 0:27:48.320
<v Speaker 4>and makeup or something while the other person is shooting.

0:27:48.359 --> 0:27:51.200
<v Speaker 4>I always want to give the other actor the courtesy

0:27:51.359 --> 0:27:54.000
<v Speaker 4>of an actual scene.

0:27:54.320 --> 0:27:56.359
<v Speaker 3>Yeah, and that's important because.

0:27:56.080 --> 0:27:58.560
<v Speaker 2>It's you can't. I'm like, why would I?

0:27:58.640 --> 0:28:02.159
<v Speaker 4>Why would I object another actor who's supposed to be

0:28:02.200 --> 0:28:05.440
<v Speaker 4>my partner in a scene? Why would I make them

0:28:05.480 --> 0:28:07.480
<v Speaker 4>go I'm going to have you guess what I'm going

0:28:07.560 --> 0:28:09.600
<v Speaker 4>to give you and react to something that may or

0:28:09.680 --> 0:28:12.920
<v Speaker 4>may not have happened. Yeah, Like, I just would never

0:28:13.000 --> 0:28:15.400
<v Speaker 4>dream of doing that if I like I, I one

0:28:15.800 --> 0:28:20.560
<v Speaker 4>percent think as an actor, it's it's disrespectful to your

0:28:20.600 --> 0:28:24.280
<v Speaker 4>other actor to not be reading the stuff off camera

0:28:24.359 --> 0:28:27.600
<v Speaker 4>unless there is some sort of scheduling reason or or

0:28:27.640 --> 0:28:29.120
<v Speaker 4>you can't be there whatever.

0:28:29.760 --> 0:28:32.159
<v Speaker 2>I just for me, it's a personal thing that I

0:28:32.240 --> 0:28:34.240
<v Speaker 2>just think. I don't think any actor should leave another

0:28:34.280 --> 0:28:37.359
<v Speaker 2>actor abandoned out there doing a scene. It's completely different

0:28:37.359 --> 0:28:39.040
<v Speaker 2>when you're reading with the scripty.

0:28:38.840 --> 0:28:41.480
<v Speaker 3>If the script supervisor who's reading with you, who half

0:28:41.480 --> 0:28:44.160
<v Speaker 3>the time they're from some foreign country and they are like, David,

0:28:45.040 --> 0:28:46.320
<v Speaker 3>I love you very much.

0:28:46.320 --> 0:28:48.760
<v Speaker 4>Right, And you're like, that's I appreciate you, thank you

0:28:48.840 --> 0:28:52.400
<v Speaker 4>for trying. But like, it's not, I can't. I can't

0:28:52.680 --> 0:28:54.280
<v Speaker 4>give you anything off of this.

0:28:54.440 --> 0:28:57.480
<v Speaker 2>It takes you out of the moment, you know. Yeah, yeah,

0:28:57.760 --> 0:29:02.080
<v Speaker 2>so well thank you. I It's just that's just what

0:29:02.120 --> 0:29:04.520
<v Speaker 2>we do as actors. But we had so much fun

0:29:04.720 --> 0:29:05.080
<v Speaker 2>doing that.

0:29:05.200 --> 0:29:07.720
<v Speaker 4>But it definitely was It was crazy and then yeah,

0:29:07.760 --> 0:29:11.720
<v Speaker 4>we wrapped like right before Thanksgiving and we were all like, okay,

0:29:11.760 --> 0:29:14.240
<v Speaker 4>we made it and yeah, and then we just went

0:29:14.280 --> 0:29:15.480
<v Speaker 4>into the holidays.

0:29:15.640 --> 0:29:18.880
<v Speaker 3>Nobody got sick.

0:29:18.920 --> 0:29:19.560
<v Speaker 2>We were so.

0:29:21.080 --> 0:29:23.480
<v Speaker 4>We were I mean, I will say I mean we

0:29:23.480 --> 0:29:30.040
<v Speaker 4>were also a small, tight crew and everybody worked their

0:29:30.080 --> 0:29:32.880
<v Speaker 4>ass off because everyone was doing like in almost an

0:29:33.000 --> 0:29:35.360
<v Speaker 4>entire department's job pretty much, because it was like you

0:29:35.400 --> 0:29:37.960
<v Speaker 4>had to really narrow it down to like, we don't

0:29:37.960 --> 0:29:40.160
<v Speaker 4>have an art department, we have art person.

0:29:40.520 --> 0:29:44.360
<v Speaker 2>You we have a guy, right, and it was like, okay,

0:29:44.480 --> 0:29:45.800
<v Speaker 2>we'll create, we'll do you know.

0:29:46.000 --> 0:29:51.400
<v Speaker 4>It was it was weirdly like the fun of independent filmmaking,

0:29:51.440 --> 0:29:56.720
<v Speaker 4>which is sort of the the hectic, craziness, weird stress

0:29:56.720 --> 0:30:00.000
<v Speaker 4>of it that's almost enjoyable.

0:30:00.280 --> 0:30:03.120
<v Speaker 3>I love those, you know, those those smaller budget films

0:30:03.120 --> 0:30:06.440
<v Speaker 3>that are short shoots and contained like that. Those are

0:30:06.480 --> 0:30:08.440
<v Speaker 3>just like where you're really everybody's doing it for the

0:30:08.480 --> 0:30:10.959
<v Speaker 3>love of the movie, and it's like I'm doing you know,

0:30:11.000 --> 0:30:13.560
<v Speaker 3>I'm producing a lot of bigger films these days, Like

0:30:13.600 --> 0:30:16.440
<v Speaker 3>we're doing a Liam Neeson action film right now, and

0:30:17.320 --> 0:30:19.600
<v Speaker 3>you know, it's like we're getting into the thirty million

0:30:19.640 --> 0:30:20.560
<v Speaker 3>plus territory.

0:30:20.760 --> 0:30:21.040
<v Speaker 2>Wow.

0:30:21.160 --> 0:30:25.600
<v Speaker 3>And it's just it's so much like stress over things.

0:30:25.600 --> 0:30:28.120
<v Speaker 3>It's nobody everyone's worrying about how much money they're making

0:30:28.160 --> 0:30:30.200
<v Speaker 3>and this and that. It's like, you know, and it's

0:30:30.400 --> 0:30:33.960
<v Speaker 3>it's it's very different from nobody's getting paid.

0:30:34.160 --> 0:30:38.000
<v Speaker 2>Everybody like over time, what's that you raise?

0:30:39.880 --> 0:30:43.760
<v Speaker 3>Yeah, tag ultra low budget agreement. And it's just but

0:30:44.240 --> 0:30:46.760
<v Speaker 3>there's something so beautiful about those movies. I really kind

0:30:46.760 --> 0:30:51.000
<v Speaker 3>of miss those. Yeah, And you know, I like it's

0:30:51.040 --> 0:30:52.480
<v Speaker 3>like everybody chipped in, you know.

0:30:52.560 --> 0:30:53.200
<v Speaker 2>You know, it's funny.

0:30:53.240 --> 0:30:56.280
<v Speaker 4>I've never really i mean, other than like doing TV

0:30:56.440 --> 0:31:00.920
<v Speaker 4>stuff that's bigger production money. Most of the UH films

0:31:00.920 --> 0:31:04.640
<v Speaker 4>I've done have been like smaller or you know, not

0:31:04.800 --> 0:31:07.440
<v Speaker 4>small but Hallmark or whatever ones that we've done or whatever.

0:31:08.000 --> 0:31:11.760
<v Speaker 4>And I just hear from other people on these huge

0:31:11.760 --> 0:31:17.040
<v Speaker 4>movies about this very same thing, cruise. Everybody are like

0:31:17.200 --> 0:31:20.160
<v Speaker 4>it's just like everyone's in their own little world and

0:31:20.240 --> 0:31:24.680
<v Speaker 4>like nobody it's not as collaborative because everyone's like kind

0:31:24.720 --> 0:31:27.920
<v Speaker 4>of weirdly protective of their job and their you know,

0:31:27.960 --> 0:31:30.640
<v Speaker 4>and it's just it's a it's a different like there's

0:31:30.640 --> 0:31:35.400
<v Speaker 4>something about that small indie film vibe where everyone's just like,

0:31:35.440 --> 0:31:37.360
<v Speaker 4>we're just doing this because we're all a little bit

0:31:37.360 --> 0:31:39.640
<v Speaker 4>insane and we love what we do, and you know.

0:31:41.800 --> 0:31:45.080
<v Speaker 3>And you know, there on top of that, nobody was working.

0:31:45.240 --> 0:31:46.760
<v Speaker 3>It was long, that's true. Nobody.

0:31:46.840 --> 0:31:48.160
<v Speaker 2>Yeah, we were just so happy to.

0:31:48.080 --> 0:31:51.360
<v Speaker 3>Be there, so grateful to be working when everybody else

0:31:51.400 --> 0:31:52.200
<v Speaker 3>was at home going.

0:31:52.080 --> 0:31:56.040
<v Speaker 6>Can you can I we're really really yeah, I'm going

0:31:56.080 --> 0:31:59.680
<v Speaker 6>crazy and lo and behold that's what happened. And a

0:31:59.680 --> 0:32:02.480
<v Speaker 6>few my later we made Curse of Wolf Mountain, and

0:32:02.800 --> 0:32:05.440
<v Speaker 6>my great idea was where I teamed up with with

0:32:05.560 --> 0:32:08.400
<v Speaker 6>Kelly Price, said let's do a movie in the woods,

0:32:08.520 --> 0:32:10.960
<v Speaker 6>because then there's even less of a chance, right because

0:32:10.960 --> 0:32:12.520
<v Speaker 6>we're outside and what.

0:32:12.480 --> 0:32:15.080
<v Speaker 3>Do we call it? Wolf Mountain? There's a wolf guy

0:32:15.160 --> 0:32:20.000
<v Speaker 3>in the mountain. And of course shooting a horror movie

0:32:20.000 --> 0:32:22.120
<v Speaker 3>where you kill ten people is much more difficult to

0:32:22.120 --> 0:32:24.400
<v Speaker 3>do in eight days than the house.

0:32:25.000 --> 0:32:28.680
<v Speaker 4>While the hard way, yeah yeah, yeah, and the action

0:32:28.840 --> 0:32:33.160
<v Speaker 4>scenes are take a whole other thing out of you

0:32:33.200 --> 0:32:33.600
<v Speaker 4>can do.

0:32:33.600 --> 0:32:35.840
<v Speaker 2>Fifty five pages a day for that.

0:32:35.560 --> 0:32:39.720
<v Speaker 5>Would be no with a whole other schmacggy which fifty

0:32:39.720 --> 0:32:42.640
<v Speaker 5>five pages a day just so everyone knows, Okay, on

0:32:42.840 --> 0:32:46.800
<v Speaker 5>a big budget movie, they'll do like they can spend

0:32:47.320 --> 0:32:49.720
<v Speaker 5>days on a half a page.

0:32:49.280 --> 0:32:50.880
<v Speaker 2>And then you can do we have that in our

0:32:52.080 --> 0:32:54.680
<v Speaker 2>one day, that one day, that's a half a page.

0:32:54.960 --> 0:32:55.480
<v Speaker 3>That's right.

0:32:55.720 --> 0:33:00.880
<v Speaker 4>On small independent movies like the ones we you know,

0:33:01.040 --> 0:33:03.080
<v Speaker 4>usually Hallmark and stuff like that, a lot of times

0:33:03.080 --> 0:33:06.960
<v Speaker 4>you're shooting ten to twelve pages a day, which most

0:33:07.080 --> 0:33:11.040
<v Speaker 4>people are like, that is a lot. And you know,

0:33:11.160 --> 0:33:13.400
<v Speaker 4>so I think when normal people hear like ten to

0:33:13.440 --> 0:33:16.840
<v Speaker 4>twelve page, you're like, everything it does not take as

0:33:16.840 --> 0:33:17.720
<v Speaker 4>short as you think it does.

0:33:17.760 --> 0:33:19.840
<v Speaker 3>Everything takes stage as a day as normal.

0:33:20.320 --> 0:33:22.600
<v Speaker 4>Six stages a day is normal, and that's and even

0:33:22.640 --> 0:33:24.280
<v Speaker 4>then you're that's a you know, an eight to ten

0:33:24.320 --> 0:33:28.000
<v Speaker 4>hour day, like you're busy, So ten to twelve is

0:33:28.000 --> 0:33:29.560
<v Speaker 4>a lot, but fifty five is like.

0:33:30.200 --> 0:33:32.320
<v Speaker 3>In here, that's a lot of pages.

0:33:32.440 --> 0:33:32.760
<v Speaker 2>We did.

0:33:32.800 --> 0:33:35.920
<v Speaker 4>I did fourteen on a movie recently because we had

0:33:35.920 --> 0:33:39.480
<v Speaker 4>the weather and we had to add it was a.

0:33:40.760 --> 0:33:41.640
<v Speaker 2>Thirteen It was.

0:33:41.640 --> 0:33:45.640
<v Speaker 4>A thirteen dayer, but one half of one day we

0:33:45.720 --> 0:33:49.640
<v Speaker 4>got lost to rain, so you crammed everything else in

0:33:49.680 --> 0:33:51.960
<v Speaker 4>and it was farm animals and all sorts of wild

0:33:52.160 --> 0:33:54.640
<v Speaker 4>you know, yeah, but there's but at the same time

0:33:54.680 --> 0:33:57.040
<v Speaker 4>you're like, this is great everyone, Like, I mean, what

0:33:57.080 --> 0:33:59.080
<v Speaker 4>do you do? You just you make it work, like

0:33:59.120 --> 0:34:02.800
<v Speaker 4>there's something sort of fun about that gorilla kind of

0:34:02.840 --> 0:34:06.440
<v Speaker 4>filmmaking where it's you know, all hands on deck. Well,

0:34:06.640 --> 0:34:08.879
<v Speaker 4>that was such a great episode, you guys, and that

0:34:09.120 --> 0:34:11.880
<v Speaker 4>is David Lipper. So thank you so much for joining

0:34:11.920 --> 0:34:14.720
<v Speaker 4>us for part one of our episode with uh with David,

0:34:15.080 --> 0:34:17.960
<v Speaker 4>and we are gonna get to spend some more time

0:34:17.960 --> 0:34:20.520
<v Speaker 4>with Viper. We are so glad that you fanar Rito's

0:34:20.560 --> 0:34:22.719
<v Speaker 4>got to tune in for this incredible interview. So join

0:34:22.800 --> 0:34:26.080
<v Speaker 4>us for Part two with David coming this Friday. And

0:34:26.160 --> 0:34:28.440
<v Speaker 4>in the meantime, if you want to find us on Instagram.

0:34:28.680 --> 0:34:33.080
<v Speaker 4>On the Instagram you can you can follow us at

0:34:33.120 --> 0:34:35.560
<v Speaker 4>how Rude Podcast. You can also send us an email

0:34:35.600 --> 0:34:37.800
<v Speaker 4>at howarudpodcast at gmail dot com.

0:34:38.080 --> 0:34:40.000
<v Speaker 2>And you know what I say, make sure that you're

0:34:40.040 --> 0:34:42.600
<v Speaker 2>liking and subscribing to the podcast wherever you're listening to it,

0:34:42.640 --> 0:34:44.719
<v Speaker 2>because you want to get those newest episodes as soon

0:34:44.760 --> 0:34:46.560
<v Speaker 2>as they come out like part two with David.

0:34:47.120 --> 0:34:49.640
<v Speaker 4>So we will see you next time, everybody, and remember

0:34:51.040 --> 0:34:51.920
<v Speaker 4>the world is small.

0:34:54.040 --> 0:35:01.000
<v Speaker 1>But the but the but the the the microphone is loud.

0:35:01.160 --> 0:35:04.520
<v Speaker 2>No, the the hair, the mule, the mullet is curly?

0:35:05.600 --> 0:35:05.920
<v Speaker 1>Does it?

0:35:05.920 --> 0:35:07.600
<v Speaker 2>Did he have a curly mullet? He did have a

0:35:07.640 --> 0:35:10.479
<v Speaker 2>curly mullet. He did have a curly The house is full.

0:35:10.880 --> 0:35:12.719
<v Speaker 2>How about that? The house is full, but the royalties

0:35:12.719 --> 0:35:16.080
<v Speaker 2>are yours. Yeah, yeah, there we go.

0:35:16.360 --> 0:35:19.040
<v Speaker 4>Because you know John so kindly gave him that. So yeah,

0:35:20.800 --> 0:35:23.319
<v Speaker 4>all right, until next time, folks may