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Speaker 1: Well, fan Ritos, and welcome to another episode of How

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Speaker 1: Rude tan Ritos. Today, we are thrilled to have David

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Speaker 1: Lipper on the podcast with us. You'll recognize David from

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Speaker 1: his role as Viper in season eight A Full House,

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Speaker 1: where he played a cool and confident guitar player in

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Speaker 1: Jesse's band who immediately caught DJ's attention. We can't wait

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Speaker 1: to talk to him about his time on Full House

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Speaker 1: and beyond.

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Speaker 2: So welcome David.

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Speaker 3: Yay.

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Speaker 4: Oh well, David, welcome to the show. We just sort

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Speaker 4: of jump right in with our interviews. We don't warn

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Speaker 4: our guests because we like to surprise attack people. But no,

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Speaker 4: we just jump right in to the interview. So we

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Speaker 4: are so happy to have you here. I know that

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Speaker 4: we you know, we're reviewing the show, so we have

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Speaker 4: made it to what season three, episode nine, so we

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Speaker 4: are we have not met we haven't met Bert yet.

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Speaker 3: But the original full House.

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Speaker 2: The original full House.

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Speaker 4: Yeah, we're going back and watching the original full House

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Speaker 4: because we've never watched it.

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Speaker 1: Yeah, it's a true no, not as an adult, we did,

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Speaker 1: but we did see you. We we've been reunited more

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Speaker 1: recently on Fuller House because you came back the high

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Speaker 1: school reunion episode.

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Speaker 2: Much fun, so much fun. Oh my goodness.

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Speaker 1: Yeah, Viper and Nelson got to uh got to square

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Speaker 1: off again with Nelson.

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Speaker 4: Yes, yep, yeah, House Sparks was the new Nelson. Now

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Speaker 4: for those that I mean, since we haven't made it

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Speaker 4: to season eight in Viper's appearance yet, let's give a

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Speaker 4: little background as to Viper. And he was in Jesse's band, right,

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Speaker 4: He was like the new young hot dude in Jesse's band, which,

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Speaker 4: of course Jesse was a little you know, a little

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Speaker 4: threatened by.

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Speaker 2: And then and then.

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Speaker 3: Then monkey Puppets, by the way, was the name of

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Speaker 3: the what was it again, Hot Daddy and the Monkey Puppets.

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Speaker 3: And I was a monkey puppet.

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Speaker 2: Wow.

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Speaker 4: We've all had to be a monkey puppet at one

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Speaker 4: point in our lives.

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Speaker 2: Wow. But you didn't have to dress as a monkey puppet, luckily, No.

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Speaker 3: I did have to wear leader hose in one episode.

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Speaker 3: If you remember, I do, I do?

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Speaker 1: I remember your your sleeveless shirts, like they always had

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Speaker 1: you in sleeveless shirts.

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Speaker 3: They like to show the muscles.

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Speaker 2: Yes, he it was a gun show every week. I

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Speaker 2: loved it.

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Speaker 4: Yeah, but yeah, it was so you you know, he

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Speaker 4: was the new confident dude in the band. And of

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Speaker 4: course at this point season eight, DJ was, you know,

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Speaker 4: senior in high school, graduating high school.

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Speaker 2: Yeah, so they the Viper. DJ was there.

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Speaker 3: Welcome back Carter band as a kid, and John Travolta's

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Speaker 3: Finny Barberino right of that character. So I tried to

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Speaker 3: bring some of that into into Viper and kind of

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Speaker 3: some rocker version.

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Speaker 2: Yeah, I was going to say, what was how did you?

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Speaker 4: I mean, were you were you close to a monkey

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Speaker 4: puppet in real life or were you were you like

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Speaker 4: totally the opposite of a monkey puppet, like like.

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Speaker 3: A music guy. I was all through high school, I

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Speaker 3: was a singer.

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Speaker 2: I mean, with hair like that, you had to be David.

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Speaker 3: I'm sorry, now that's where the hair requirement and I

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Speaker 3: you know, we peaked, I would say when I was

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Speaker 3: about eighteen and we won the Battle of the Bands

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Speaker 3: at Montreal. It was a big deal. But what happened

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Speaker 3: is I went off to college and I was a

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Speaker 3: musical theater major, which is very strange.

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Speaker 2: Because I'm a theater kid myself. Yeah.

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Speaker 3: Yeah, I was that had kid who played varsity hockey

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Speaker 3: and also was a musical.

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Speaker 2: Theater guy, I love rad. It's so rad like and

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Speaker 2: I just said rad, but yeah, it's like that's I

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Speaker 2: love that. I love people that are like, no, I

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Speaker 2: can do. I'm like sports and creative.

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Speaker 1: You know.

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Speaker 3: Yeah, I don't care. I don't fit in with either

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Speaker 3: of you groups. So what I'm saying, I'm going to dance.

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Speaker 3: I was in chorus line in yellow tights, prancing through

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Speaker 3: the stage, and then the hockey guys were like really.

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Speaker 2: And You're like yeah.

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Speaker 4: And I also have incredible flexibility and endurance because I

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Speaker 4: dance and.

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Speaker 3: One of two straight guys in the entire musical theater department.

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Speaker 2: You killed you killed my friend, yep, yep, good times.

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Speaker 2: I love it.

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Speaker 3: Yes, I think I dated every dancer in the dance company.

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Speaker 3: It was pretty much my entire data.

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Speaker 4: I mean, I feel like as the like the handful

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Speaker 4: of straight men in a theater department, that's just the requirement, particularly.

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Speaker 3: In college department, the musical theater department.

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Speaker 2: Right, That's what I mean. Yeah, the music it is not. Yeah,

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Speaker 2: your your your odds are good.

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Speaker 3: We'll put it in that that's were very good. The

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Speaker 3: ratio was good, The odds were good.

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Speaker 2: I got to be honest, ye, forge and now you

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Speaker 2: can sing the music man, you know what I mean.

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Speaker 2: So it's really winning all around. Yeah, that's so great.

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Speaker 2: Where did you go? Where did you go to college? David?

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Speaker 3: I went to Emerson College and bo okay cool. Notable

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Speaker 3: alumni include Kevin Bright, who was a producer on Friends

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Speaker 3: and what happened funny enough is they kept Bright, Coff

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Speaker 3: and Crane. They were making two pilots at Warner Brothers.

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Speaker 3: One was Friends and the other was little show called

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Speaker 3: The Secret Life of Harry Green, and then they decided

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Speaker 3: to cast me as Harry Green. And then they changed

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Speaker 3: the name's reality Check. But this was like a big,

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Speaker 3: big this was they actually thought this was had a

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Speaker 3: better shot than Friends because we tested so uh like

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Speaker 3: huge test scores eighty five, eighty seven. And when I'm

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Speaker 3: talking about test scores, of course some time about test

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Speaker 3: audiences before they released a pilot, and I love it.

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Speaker 4: He knows, like sometimes you get the little thing people

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Speaker 4: are like, wait, you have to take a test to

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Speaker 4: become an accurately now sat right?

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Speaker 2: Yeah?

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Speaker 4: No, They basically like make people watch your stuff and

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Speaker 4: then go, so what did you think?

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Speaker 2: And then they score.

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Speaker 3: And so we ranked like the highest Warner Brothers pilot.

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Speaker 3: It was an unbelievable, unbelievably funny show that starred me

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Speaker 3: and then my co stars were these little people who've

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Speaker 3: kind of had decent careers Giovanni Ribisi, Hillary Swank who

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Speaker 3: may have won a couple of Oscars. Made my girlfriend,

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Speaker 3: and my little sister was played by somebody who really

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Speaker 3: went nowhere, Killy Coco.

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Speaker 2: Oh, just her right.

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Speaker 3: And of course I was a star of this show.

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Speaker 3: And Fox got the rights to ball Over the Summer,

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Speaker 3: and that the last second they pulled us because we

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Speaker 3: were going to be on Sundays between Married with Children

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Speaker 3: and The Simpsons.

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Speaker 2: Oh my god, what a slot.

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Speaker 3: And then they pulled us. Like I was celebrating in

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Speaker 3: club bed and I got back. My manager's like, I

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Speaker 3: don't know what happened. I don't know what happened.

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Speaker 2: Oh like the business, this is the business.

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Speaker 3: Wow, resident of Warner Brothers at the time, Warner Brothers Television.

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Speaker 3: He said to me said, look, we're you're we're fans.

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Speaker 3: I'm a fan. We're going to put you on another show.

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Speaker 3: And that's when they put me on Full House.

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Speaker 2: Ah. So that was it. Yeah, amazing.

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Speaker 1: We lucked out because of that, although I feel bad

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Speaker 1: that you lost. What an amazing opportunity and it was.

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Speaker 3: Such a good show. In fact, if you go on

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Speaker 3: the YouTube and you type in reality check David Lipper,

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Speaker 3: it'll pop up and you can see the pilot. It's

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Speaker 3: it's up on there.

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Speaker 2: Oh okay, oh my god.

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Speaker 3: It's really actually wild to see a very young Hilary Swank,

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Speaker 3: a very young Jewe right, and a really young Kailee

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Speaker 3: Coco who's like like twelve or ten.

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Speaker 2: That's crazy. It was like when Yeah, I'm in Bob

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Speaker 2: did the show and bree uh uh, Lawrence lars Larson

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Speaker 2: excuse me, bre Larsen, Yeah, played his daughter or whatever.

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Speaker 2: You know, it's just the weird sort of the weird

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Speaker 2: circles that happen and then someone goes and shoots off

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Speaker 2: in one trajectory and you know, yeah.

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Speaker 3: And don't forget back in those days, the nineties, they

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Speaker 3: made like twenty five half hours and twenty five hour

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Speaker 3: pilots for each network.

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Speaker 4: Right, Yeah, it was, and it was the heyday of

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Speaker 4: great like sitcoms and TV appointment television, all of that

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Speaker 4: kind of stuff. Yeah, we we got to have the

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Speaker 4: fun of that experience in the nineties because it's definitely

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Speaker 4: it was just a.

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Speaker 3: Much more profitable, easier business. In those days you only

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Speaker 3: had four channels, you know, really forming channels. You had

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Speaker 3: most people watching television and not diverted now to social

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Speaker 3: media and all these other places, and so the advertising

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Speaker 3: dollars could really focus on these places and know that,

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Speaker 3: you know, everyone felt comfortable, residuals were good, like all

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Speaker 3: that stuff worked. Now it's tricky, you know, the streamers

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Speaker 3: and the dilution of content everywhere. You know, there's so

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Speaker 3: many platforms, there's so many places to get content right,

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Speaker 3: really hard to get and it's very niche.

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Speaker 4: It's like there's there's a small audience that really rapidly

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Speaker 4: loves a particular thing and but then maybe nobody else

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Speaker 4: knows about it, you know what I mean. But it's

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Speaker 4: very popular with their which is great in some respects

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Speaker 4: because you know, we there's so much out there to watch,

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Speaker 4: but it does make it really hard to kind of

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Speaker 4: be successful now.

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Speaker 2: I have a question though, David, going back, who.

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Speaker 4: Was your influence in like theater and sports and were

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Speaker 4: your parents people that did that like that did theater

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Speaker 4: and sports or were they like or were you just

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Speaker 4: like you know, what I want to try everything, Like,

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Speaker 4: I'm just fascinated by that because most, but truly most,

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Speaker 4: like young guys would be like, if I play sports,

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Speaker 4: I don't want to do the other thing.

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Speaker 2: And I just I think it's so great.

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Speaker 3: Was My dad was an athlete football in high school.

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Speaker 3: He played basketball in high school and unfortunately his knees went,

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Speaker 3: but otherwise he probably would have been a pretty pretty

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Speaker 3: good star athlete going through college and went to McGill

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Speaker 3: where he married my mom in Montreal. My sister also

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Speaker 3: star athlete, my brother, star student. So I was kind

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Speaker 3: of like, geez, what can I do? And I was

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Speaker 3: a decent athlete, you know, I played hockey all through

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Speaker 3: high school, tennis, golf, like I do all those things,

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Speaker 3: and I'm decent. I was always a good player, good

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Speaker 3: enough to make varsity, but never great. You know, there

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Speaker 3: were always guys a lot better. The one thing I

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Speaker 3: could do that for some reason, you know, I didn't

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Speaker 3: think it was that hard, and everybody else was like, wow,

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Speaker 3: that's amazing you can do that was singing and act

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Speaker 3: and so I started doing musicals. I think as young

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Speaker 3: as eight, I did the years, and being a Jew,

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Speaker 3: it was pretty funny that I joined the church choir

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Speaker 3: to do the Gondoliers at a church.

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Speaker 2: I mean the opportunities where you know, you go where they.

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Speaker 3: Are non denominational.

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Speaker 2: Yeah, yeah, there you got.

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Speaker 3: So I just went, okay, you just like to sing.

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Speaker 3: I like, get them out of the house, go sing

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Speaker 3: with people who sing. And that's kind of where it happened.

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Speaker 3: And by the age of nine, I think I was

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Speaker 3: starring in a synagogue production again across the street from

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Speaker 3: the church, right, and I got these great reviews and like,

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Speaker 3: who's this kid who joined you know who? I was

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Speaker 3: like the youngest kid ever in this theater group, and

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Speaker 3: people started started giving me all these compliments. And I

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Speaker 3: just kept booking the leads in musicals, which I did

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Speaker 3: all through high school, and just always kept getting great

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Speaker 3: parts and great reviews and whatever these reviews meant from

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Speaker 3: these local papers or whatever. And then eventually just said

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Speaker 3: I'm going to go do this in college, got my

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Speaker 3: degree in musical theater, and then really just never wavered

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Speaker 3: from my moving to LA and I'm going to do this.

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Speaker 3: And you know, I put a lot of pressure on myself.

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Speaker 3: I said I'm going to give it one year. You know,

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Speaker 3: I made a deal with my family. You were like, listen,

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Speaker 3: you're on your own. You got to pay your own bills.

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Speaker 3: Good luck to you.

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Speaker 2: How old were you?

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Speaker 3: I'm struggling. My dad said, call me go to business school.

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Speaker 3: I'll pay for everything. So I'm like, like, after n

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Speaker 3: I struggling, Like should I just go get an MBA

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Speaker 3: and just be done with this? And then like boom,

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Speaker 3: I booked like three things and I'm like, I got

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Speaker 3: enough money for the next year. I'm staying right, yes,

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Speaker 3: And that's it. Never looked back, you know. By the

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Speaker 3: next year, I'd booked this pilot and then after that

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Speaker 3: I was on full house.

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Speaker 2: How old were you at the sign, David, I moved to.

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Speaker 3: LA at twenty one.

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Speaker 2: Wow.

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Speaker 1: Yeah, that's great luck too for someone just starting out

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Speaker 1: out in LA to book a pilot and then book

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Speaker 1: a recording career.

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Speaker 3: On my audition, here's what happened. I knew one guy

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Speaker 3: who had been a counselor at the theater camp I

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Speaker 3: went to. I went to a theater camp called Stage

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Speaker 3: Doore Manor in New York in the Catskills, and a

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Speaker 3: lot of great people came out of there. Johnny Cryer

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Speaker 3: came out of there, Josh Charles came out of there

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Speaker 3: a lot of really talented people, and so I was

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Speaker 3: I was already like super focused. This is what I'm

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Speaker 3: going to do this, this is how I'm going to

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Speaker 3: make it. I didn't realize what was going to happen

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Speaker 3: is I was going to shift from musical theater into

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Speaker 3: straight acting, and I just kind of said, I'm going

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Speaker 3: to go with the flow. But what was so great

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Speaker 3: about Full House is I got to do both. And

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Speaker 3: that's really the last time I had this opportunity to

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Speaker 3: also do music and also do the acting in one piece.

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Speaker 3: And I'll never forget that, and like how special that

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Speaker 3: was for me because I could see this trajectory happening

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Speaker 3: where I think I'd made an album. I made a CD.

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Speaker 2: We had CDs back and ordered it on actual tape.

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Speaker 3: Yes, we had reels.

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Speaker 2: It was an actual physical thing you could touch.

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Speaker 3: You know, it's on my website by the way, David

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Speaker 3: Lipper dot com. But you know, I just could see

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Speaker 3: that was not going to be the thing. And acting

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Speaker 3: was really.

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Speaker 2: Really as brutal as acting is. To break into music

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Speaker 2: is like, oh my god, it's.

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Speaker 3: It's so hard. And but this one guy who was

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Speaker 3: a counselor at this theater camp. I called him up

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Speaker 3: when I got to La. I'm here for two weeks, right,

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Speaker 3: I got my little Honda Civic and staying at a

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Speaker 3: family relative house. And this guy Mark Sachs, who was

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Speaker 3: a big casting director. He goes, listen, I'm going to

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Speaker 3: do you one favor because I loved you in Fiddler.

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Speaker 3: He said, here's what I'm going to do. I have

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Speaker 3: a friend Ted Han who's casting the show called Step

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Speaker 3: by Step. I think you're perfect for it. I'm getting

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Speaker 3: you a pre read. Don't ask me for another favor. Unbelievable.

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Speaker 3: I got a preread. What's a preread? Okay, let's go.

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Speaker 3: I go down to by the Way. I just remember

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Speaker 3: it was called Laura mar Oh yeah, yeah, that was

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Speaker 3: where we yet, right. So I go down. I meet

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Speaker 3: with this guy is like, oh, yeah, you're you're a

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Speaker 3: Mark's friend. All right, let's go. Let's and read. Let's go.

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Speaker 3: And he was like, oh, you're pretty good. Let's let's sorry.

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Speaker 3: Can we start again, Let's start again.

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Speaker 4: It's always great when you go into a casting director

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Speaker 4: and they're like, hey, you're going to suck, but go

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Speaker 4: for it.

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Speaker 2: You're just like Yeah. It's that part of in person

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Speaker 2: auditions when you're like, wow, I should just I'm just

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Speaker 2: gonna go. They won't notice whether.

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Speaker 3: He's staying does not want to see me. But then

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Speaker 3: he's like, you're fantastic. I'm like, I keep telling people this, okay.

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Speaker 3: So he goes, I'm going to bring you to producers.

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Speaker 3: I'm like, unbelievable. I don't even know what it means,

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Speaker 3: but let's go go to the producers. They're like, I'm

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Speaker 3: you're fantastic. I'm like, okay, do I have the part? No,

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Speaker 3: you got to go to studio studio.

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Speaker 4: Yeah. It's like the video game. You just keep increasing

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Speaker 4: boss levels to fight.

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Speaker 3: I don't know what's happening. I don't have an agent.

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Speaker 3: I don't have like and so he goes, look, I

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Speaker 3: got to get you an agent. I go okay. He goes,

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Speaker 3: you're going to get some phone calls. My phone starts

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Speaker 3: going off the hook. Every manager agent's like, we heard

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Speaker 3: you're testing for this show. And it was already picked

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Speaker 3: up because it was a Miller Boyett show. They were

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Speaker 3: already on for twenty two and I was up for anyway.

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Speaker 3: Came down to me and Sasha Mitchell for this role

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Speaker 3: of Cody, the cousin who lives in the vand right,

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Speaker 3: and for some reason it was at Sony and I

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Speaker 3: can't remember why made no sense, but anyway, we're at

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Speaker 3: the Sony lot, which is a huge lot for those

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Speaker 3: who don't know, and I go in crush it. Really

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Speaker 3: the Viper character is the way I did it, you know,

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Speaker 3: the Vinnie Barberina ball cap on. This is like, so

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Speaker 3: I already like felt really good about this kind of

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Speaker 3: character that I that I've been working on. And they're hysterics.

337
00:17:02,640 --> 00:17:05,840
Speaker 3: They're like, listen, Sasha is still not here. If he

338
00:17:05,840 --> 00:17:08,679
Speaker 3: doesn't show up in five minutes, it's yours because we

339
00:17:08,720 --> 00:17:12,240
Speaker 3: absolutely love you. And and it was my birthday on

340
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Speaker 3: top of everything. Was it was August thirteenth, so I

341
00:17:15,359 --> 00:17:18,760
Speaker 3: was like, oh my god, okay, it's my birthday. It's right.

342
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Speaker 3: This is unbelievable. And at four minutes and fifty seconds

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Speaker 3: in Walksasha Mitchell.

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Speaker 2: Oh and he tackle them in the hallway.

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Speaker 3: Now it's like I got so lost. His place is

346
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Speaker 3: so big. It's like, man, I'm like, I'm not going

347
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Speaker 3: to lose to this idiot. Am I in like wait

348
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Speaker 3: a second. The character is an idiot, right, Oh no,

349
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Speaker 3: And so then he comes out. They go in, They go, David,

350
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Speaker 3: can you come back in? I go sure. They're like,

351
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Speaker 3: we love everything you did. There was something about him,

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Speaker 3: there's a Midwest thing. Could you do the same performance,

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Speaker 3: take out the New York accent? And I'm like, oh,

354
00:17:53,840 --> 00:17:57,520
Speaker 3: the whole Pinny Babrino thing that I just worked on. Okay, yeah, sure,

355
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Speaker 3: I'll anyway, I do that. We go back, We go

356
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Speaker 3: for it now. As you know, usually they make the

357
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Speaker 3: pilot decisions in the room. They took three days. Oh wow.

358
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Speaker 3: Apparently this went back and forth. I think maybe Miller

359
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Speaker 3: and Boyette themselves were at odds on it. I don't

360
00:18:13,400 --> 00:18:16,320
Speaker 3: remember whatever happened. It took three days, and then finally

361
00:18:16,359 --> 00:18:19,360
Speaker 3: they decided to give it to Sasha, and the casting

362
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Speaker 3: director I'll never forget this, told me the final decision

363
00:18:22,280 --> 00:18:24,880
Speaker 3: was a marketing person who said they thought Sasha would

364
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Speaker 3: sell more lunchboxes and that was the end.

365
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Speaker 2: Wow.

366
00:18:29,000 --> 00:18:30,840
Speaker 3: So but whatever, I got an agent out of.

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Speaker 2: It, step lunch box.

368
00:18:32,720 --> 00:18:37,760
Speaker 3: Step, step by step lunch lunchboxes. Apparently that was a thing.

369
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Speaker 2: That's ridiculous. That was the deciding factor. A lunchbox.

370
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Speaker 3: I never had a lunch box. I have never used

371
00:18:44,560 --> 00:18:47,800
Speaker 3: a lunch box, but apparently it's a thing. So so

372
00:18:47,840 --> 00:18:54,240
Speaker 3: that's how it started. This was two weeks as same

373
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Speaker 3: suits that decided Reality Check should be replaced by a

374
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Speaker 3: sports show, so they don't.

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Speaker 4: Well they lunchboxes again. You know, you just keep getting

376
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Speaker 4: screwed over by the lunchbox.

377
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Speaker 3: And I you know, I had a bag, a paper bag.

378
00:19:07,160 --> 00:19:08,800
Speaker 2: That's yeah, you're like, I didn't even carry it in

379
00:19:08,840 --> 00:19:09,160
Speaker 2: a box.

380
00:19:09,280 --> 00:19:11,800
Speaker 3: Yeah, never got it. So that's what happened.

381
00:19:12,000 --> 00:19:16,080
Speaker 4: Wow, what a what an interesting sort of I mean

382
00:19:17,160 --> 00:19:21,680
Speaker 4: circuitous adventure to get I mean, and that's so many

383
00:19:21,680 --> 00:19:22,000
Speaker 4: of us.

384
00:19:22,119 --> 00:19:27,000
Speaker 2: Can you spell securities circuituitus see I R C U

385
00:19:27,240 --> 00:19:30,679
Speaker 2: I t O U S. I believe that sounds right

386
00:19:30,720 --> 00:19:30,919
Speaker 2: to me.

387
00:19:31,440 --> 00:19:32,960
Speaker 3: Every now and then a word I don't.

388
00:19:32,720 --> 00:19:34,200
Speaker 2: Know, Yeah, circuit.

389
00:19:35,200 --> 00:19:39,119
Speaker 4: It means looping and uh sort of not a direct path,

390
00:19:39,320 --> 00:19:43,600
Speaker 4: but yeah, like one of these like so like kind

391
00:19:43,600 --> 00:19:46,840
Speaker 4: of looping and going around and going all around the

392
00:19:46,840 --> 00:19:50,360
Speaker 4: place that you want to be, uh but not necessarily there.

393
00:19:50,400 --> 00:19:52,400
Speaker 2: Yeah, there you go. There's your vocab word for the day. Guys.

394
00:19:52,400 --> 00:19:56,200
Speaker 2: You're welcome. Occasionally I come out with something smart.

395
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Speaker 3: I love it. This is a good word I use

396
00:19:58,640 --> 00:19:59,240
Speaker 3: this word.

397
00:19:59,520 --> 00:20:02,000
Speaker 4: Oh I please do give me word credit. I don't

398
00:20:02,000 --> 00:20:05,679
Speaker 4: know what that means, but just if you need to

399
00:20:05,680 --> 00:20:08,639
Speaker 4: be like you get at the bottom of the sentence

400
00:20:08,640 --> 00:20:10,399
Speaker 4: about Jody's sweetenedn't.

401
00:20:09,880 --> 00:20:12,320
Speaker 3: With that word get a residual?

402
00:20:13,000 --> 00:20:15,560
Speaker 2: Right, Look, these streamers are screwing us a whole, you

403
00:20:15,560 --> 00:20:16,760
Speaker 2: know what I mean. We got to take it where

404
00:20:16,760 --> 00:20:19,560
Speaker 2: we can. But speaking of.

405
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Speaker 4: I mean working together and weird looping, you know sort

406
00:20:25,080 --> 00:20:27,439
Speaker 4: of things. You and I got to do a movie together,

407
00:20:29,840 --> 00:20:31,720
Speaker 4: just wipe. You and I got to do a movie together.

408
00:20:32,119 --> 00:20:36,880
Speaker 4: And it was during the pandemic that we shot it,

409
00:20:37,480 --> 00:20:42,080
Speaker 4: and we you also produced it, which you and Elizabeth

410
00:20:42,119 --> 00:20:44,760
Speaker 4: Blake Thomas, who I'm still dear friends with, who is

411
00:20:44,800 --> 00:20:48,919
Speaker 4: such a sweetheart. Yeah, she was directing it and you

412
00:20:49,000 --> 00:20:52,080
Speaker 4: were producing it and and we were all and it

413
00:20:52,119 --> 00:20:57,240
Speaker 4: was Alec Mappa and Danielle Perez and you and me.

414
00:20:59,440 --> 00:21:02,720
Speaker 2: And and oh my god, it was tell me everything.

415
00:21:02,720 --> 00:21:06,520
Speaker 2: Where did you shoot this? Well was in Woodland Hills.

416
00:21:06,520 --> 00:21:07,600
Speaker 2: But whose house was that?

417
00:21:07,840 --> 00:21:09,320
Speaker 3: Frank Sinatra's old estate?

418
00:21:09,640 --> 00:21:13,119
Speaker 4: Right, Okay, there's a beautiful estate up there in Woodland

419
00:21:13,200 --> 00:21:15,000
Speaker 4: Hills that's all like gated, and.

420
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Speaker 3: This weird thing happened in twenty twenty called a pandemic. Yes,

421
00:21:20,160 --> 00:21:24,440
Speaker 3: I had directed my first film called Deathlink, and Elizabeth

422
00:21:24,560 --> 00:21:28,480
Speaker 3: was my first eighty eight and so in the middle

423
00:21:28,480 --> 00:21:31,960
Speaker 3: of my shoot, pandemic happened, and so all of a

424
00:21:32,000 --> 00:21:35,520
Speaker 3: sudden it was like, Okay, I lost crew, I lost people.

425
00:21:36,240 --> 00:21:38,600
Speaker 3: I don't know how I finished this film, except you know,

426
00:21:39,560 --> 00:21:41,719
Speaker 3: coming as actors, we have thick skins and we just

427
00:21:41,760 --> 00:21:44,000
Speaker 3: go we can do it, no matter what it is

428
00:21:44,160 --> 00:21:48,600
Speaker 3: to make it work. I can drive a plane, I put.

429
00:21:48,400 --> 00:21:51,160
Speaker 2: It on my Yeah, exactly right, and I yes, that's

430
00:21:51,200 --> 00:21:53,679
Speaker 2: some of my special skills. Absolutely, yes.

431
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Speaker 3: So that's what we did and we got this movie done,

432
00:21:56,600 --> 00:21:59,640
Speaker 3: and Elizabeth was great and helped me a lot as

433
00:21:59,680 --> 00:22:01,439
Speaker 3: my first first when we had to cut date, we

434
00:22:01,480 --> 00:22:03,359
Speaker 3: had to cut a whole week off the schedule because.

435
00:22:03,119 --> 00:22:07,080
Speaker 2: Lockdown happened, right like that doesn't have any more experience.

436
00:22:07,440 --> 00:22:09,600
Speaker 3: Elizabeth said, look, I've got this script. I want you

437
00:22:09,640 --> 00:22:12,240
Speaker 3: to be the lead, and we helped me produce it,

438
00:22:12,280 --> 00:22:13,919
Speaker 3: and I said, let me read it. And I read it.

439
00:22:13,960 --> 00:22:16,880
Speaker 3: I was like, wow, this is an unbelievable script. It's

440
00:22:16,920 --> 00:22:20,240
Speaker 3: about two people who meet in lockdown, which was right

441
00:22:20,280 --> 00:22:22,560
Speaker 3: what we were in the middle of going through and

442
00:22:22,600 --> 00:22:26,560
Speaker 3: because of that, two people who normally wouldn't date because

443
00:22:26,840 --> 00:22:29,760
Speaker 3: we can't physically see each other because we're in lockdown,

444
00:22:30,520 --> 00:22:32,879
Speaker 3: we end up striking up a friendship and getting to

445
00:22:32,920 --> 00:22:34,560
Speaker 3: know each other kind of the way dating used to be.

446
00:22:35,320 --> 00:22:37,359
Speaker 3: It was like, let's have sex and Hi, who are you?

447
00:22:38,640 --> 00:22:40,840
Speaker 3: So we're just kind of flipped back to the way

448
00:22:40,960 --> 00:22:43,240
Speaker 3: it used to be. We know each other, we become friends,

449
00:22:43,359 --> 00:22:45,480
Speaker 3: and then you know, can have a real relationship.

450
00:22:45,760 --> 00:22:45,960
Speaker 2: Yeah.

451
00:22:45,960 --> 00:22:49,280
Speaker 3: And so it was a really nice moral to that

452
00:22:49,440 --> 00:22:51,560
Speaker 3: story on kind of you know, maybe it's time to

453
00:22:51,600 --> 00:22:53,560
Speaker 3: slow down and go back to the basics on dating.

454
00:22:54,280 --> 00:22:57,320
Speaker 3: And when I read the script and she said let's

455
00:22:57,320 --> 00:23:02,159
Speaker 3: talk about the female lead, I immediately said Jody. I

456
00:23:02,160 --> 00:23:04,240
Speaker 3: picked up the phone. I called Rachel, who we both

457
00:23:04,320 --> 00:23:06,840
Speaker 3: are managed by, and I said, Rachel, can you put

458
00:23:06,880 --> 00:23:09,440
Speaker 3: this in Jodie's hands and and see what she says?

459
00:23:10,119 --> 00:23:12,720
Speaker 3: And uh, And that's what happened. And I know it's

460
00:23:12,800 --> 00:23:15,800
Speaker 3: strange that I went from dating Canvas.

461
00:23:15,440 --> 00:23:19,800
Speaker 4: On the show, right from Viper to Yeah, but I

462
00:23:19,880 --> 00:23:22,520
Speaker 4: really thought this was the right the right move for Jody.

463
00:23:22,640 --> 00:23:25,960
Speaker 3: And it was first off, we had a really impressively

464
00:23:26,080 --> 00:23:31,320
Speaker 3: diverse cast in this movie. You know, like Jody brought

465
00:23:31,400 --> 00:23:34,200
Speaker 3: up Perez, she's actually in a wheelchair. We wanted to

466
00:23:34,240 --> 00:23:36,520
Speaker 3: have somebody who is.

467
00:23:36,800 --> 00:23:39,399
Speaker 2: Yeah, and she's hilarious. By the way I had her.

468
00:23:39,600 --> 00:23:40,800
Speaker 4: She was going to be a guest on one of

469
00:23:40,840 --> 00:23:43,280
Speaker 4: my stand up family Dinner shows that I do at

470
00:23:43,280 --> 00:23:45,359
Speaker 4: the Bourbon Room and then wound up being out of town.

471
00:23:45,440 --> 00:23:49,160
Speaker 4: But but yeah, she's a really hilarious comedian. And Alec

472
00:23:49,240 --> 00:23:51,840
Speaker 4: Mapa is out of his mind one of the live

473
00:23:51,920 --> 00:23:52,760
Speaker 4: he's really just.

474
00:23:53,080 --> 00:23:55,680
Speaker 3: He's just so funny and he's so perfect in this movie.

475
00:23:56,200 --> 00:24:00,600
Speaker 3: And then the guy who played his partner, Steven, it

476
00:24:00,640 --> 00:24:02,560
Speaker 3: was somebody who was in my film Death Link.

477
00:24:02,520 --> 00:24:05,560
Speaker 2: Yes, Stephen, when that's right, I forgot I've brought yeah

478
00:24:05,880 --> 00:24:06,399
Speaker 2: so sad.

479
00:24:06,480 --> 00:24:08,280
Speaker 3: We just brought our team the same like crew and

480
00:24:08,320 --> 00:24:10,719
Speaker 3: people we've been working with. And so the whole idea was,

481
00:24:11,040 --> 00:24:14,800
Speaker 3: if we're locked in a house for eight days, maybe

482
00:24:14,840 --> 00:24:17,160
Speaker 3: we can get through this movie with no one getting sick,

483
00:24:17,200 --> 00:24:20,240
Speaker 3: because in those days, this is pre vaccine, right, this

484
00:24:20,440 --> 00:24:24,200
Speaker 3: is twenty twenty, the end of like late twenty twenty,

485
00:24:24,320 --> 00:24:25,200
Speaker 3: where people that's.

486
00:24:25,119 --> 00:24:27,040
Speaker 4: Right, it was it was late twenty twenty, it was

487
00:24:27,119 --> 00:24:32,399
Speaker 4: right around Thanksgiving, because every we were heading into the

488
00:24:32,440 --> 00:24:34,640
Speaker 4: holidays and it was getting worse and worse and worse,

489
00:24:34,720 --> 00:24:35,359
Speaker 4: and we were like.

490
00:24:35,560 --> 00:24:37,560
Speaker 2: Just get through the last like forty eight hours of this.

491
00:24:37,840 --> 00:24:40,240
Speaker 2: You were like, not again, not again. We're not shutting

492
00:24:40,240 --> 00:24:40,760
Speaker 2: down again.

493
00:24:41,040 --> 00:24:43,800
Speaker 3: No, no, And that's I said to Elizabeth, we're going

494
00:24:43,880 --> 00:24:45,720
Speaker 3: to do this. We got to knock it out in

495
00:24:45,800 --> 00:24:50,120
Speaker 3: like a week. So let's do like six days, one

496
00:24:50,200 --> 00:24:52,840
Speaker 3: day off, two days, like yeah, that kind of schedule

497
00:24:52,880 --> 00:24:56,479
Speaker 3: because because anything past that, someone's going to test positive

498
00:24:56,480 --> 00:24:57,040
Speaker 3: and we're screwed.

499
00:24:57,320 --> 00:24:59,960
Speaker 2: Yeah, And these were like the deep nose to.

500
00:25:01,880 --> 00:25:02,240
Speaker 3: Every other.

501
00:25:02,320 --> 00:25:05,840
Speaker 5: Yeah yeah, We're like yeah yeah.

502
00:25:05,960 --> 00:25:08,800
Speaker 3: And testing every day with the rapids and it was

503
00:25:08,840 --> 00:25:10,679
Speaker 3: you know, and that was really hard to shoot like that,

504
00:25:10,680 --> 00:25:12,399
Speaker 3: by the way, because it's a lot to put a

505
00:25:12,440 --> 00:25:15,159
Speaker 3: whole crew through testing and waiting ten minutes for the

506
00:25:15,160 --> 00:25:16,040
Speaker 3: results and all right.

507
00:25:16,280 --> 00:25:19,400
Speaker 4: So some of you guys were living, we're staying at

508
00:25:19,480 --> 00:25:20,840
Speaker 4: the some of the crew were.

509
00:25:20,720 --> 00:25:23,119
Speaker 3: Living in the house, a huge, huge house. And what

510
00:25:23,160 --> 00:25:25,560
Speaker 3: we realized is if we just contained the whole movie

511
00:25:25,680 --> 00:25:28,000
Speaker 3: in this one house, we can get it done in

512
00:25:28,080 --> 00:25:31,480
Speaker 3: eight days and we can dress the rooms are so different.

513
00:25:31,920 --> 00:25:34,600
Speaker 4: Yeah, it's such a big property and big estate you could.

514
00:25:34,880 --> 00:25:37,160
Speaker 4: I mean it's like any you know, small feature film

515
00:25:37,160 --> 00:25:40,400
Speaker 4: that you're doing. You're like, I have seven locations right

516
00:25:40,440 --> 00:25:42,600
Speaker 4: in this house, I've got all I need.

517
00:25:43,119 --> 00:25:45,199
Speaker 3: Yeah, in the guest house. We even made I think,

518
00:25:45,840 --> 00:25:49,200
Speaker 3: you know one one apartment and then that's true, Yeah,

519
00:25:49,240 --> 00:25:49,960
Speaker 3: which was yours.

520
00:25:49,960 --> 00:25:51,600
Speaker 4: I think it was my apartment. Yeah, my apartment was

521
00:25:51,600 --> 00:25:53,879
Speaker 4: a guest house. We had a little putting green. We

522
00:25:54,280 --> 00:25:58,639
Speaker 4: had a beautiful like the beautiful hill side off the

523
00:25:58,680 --> 00:25:59,359
Speaker 4: hood by the.

524
00:25:59,359 --> 00:26:02,080
Speaker 3: Way that that you see me make. I actually made it.

525
00:26:02,160 --> 00:26:04,679
Speaker 3: And that was a lopsided, bumpy grain that was not

526
00:26:04,760 --> 00:26:05,640
Speaker 3: an easy putt to make.

527
00:26:06,240 --> 00:26:08,320
Speaker 2: I mean it didn't have a windmill, so I'm not

528
00:26:08,359 --> 00:26:09,000
Speaker 2: as impressed.

529
00:26:09,160 --> 00:26:10,520
Speaker 3: No, no windmill, No.

530
00:26:10,600 --> 00:26:12,640
Speaker 4: But no, that was such a it was such a fun.

531
00:26:13,119 --> 00:26:14,919
Speaker 4: I mean it was you know. Again, we shot it

532
00:26:14,960 --> 00:26:16,760
Speaker 4: in eight days eight.

533
00:26:16,720 --> 00:26:18,719
Speaker 3: Days, and I will tell you I did something that

534
00:26:18,760 --> 00:26:22,320
Speaker 3: I don't know how except again, we have to do it.

535
00:26:22,920 --> 00:26:27,200
Speaker 3: I shot fifty five pages of my coverage in one day.

536
00:26:27,760 --> 00:26:31,440
Speaker 3: I remember that we talked like this, right, like.

537
00:26:31,680 --> 00:26:33,640
Speaker 2: Everything was shot over zoom or.

538
00:26:33,560 --> 00:26:37,840
Speaker 6: Not over zoom, but everything was shot as so it

539
00:26:37,920 --> 00:26:40,000
Speaker 6: was like me talking to her, I'm talking to camera.

540
00:26:40,080 --> 00:26:41,560
Speaker 3: So I have a locked off camera here and there

541
00:26:41,560 --> 00:26:44,159
Speaker 3: was another camera basically here in my world and the

542
00:26:44,200 --> 00:26:45,280
Speaker 3: same thing on Jody's end.

543
00:26:45,640 --> 00:26:48,120
Speaker 2: So we would do like all our coverage in one

544
00:26:48,200 --> 00:26:49,200
Speaker 2: room on one day.

545
00:26:49,320 --> 00:26:53,040
Speaker 3: I did my entire coverage for the whole thing in

546
00:26:53,080 --> 00:26:55,600
Speaker 3: one day because we were just like, how are we

547
00:26:55,600 --> 00:26:57,400
Speaker 3: going to make this schedule? And I'm like, oh, I'll

548
00:26:57,400 --> 00:27:00,800
Speaker 3: handle it. And it was just like it was insane.

549
00:27:00,800 --> 00:27:03,359
Speaker 3: It was like I was doing theater. I mean it was.

550
00:27:03,440 --> 00:27:07,320
Speaker 4: It was literally like jumping in and doing monologues of

551
00:27:07,359 --> 00:27:09,399
Speaker 4: pages and pages of That's a lot to memory.

552
00:27:09,960 --> 00:27:11,679
Speaker 3: And by the way, I want to tell you something

553
00:27:12,480 --> 00:27:15,520
Speaker 3: Jody talk about a pro and consider it for the

554
00:27:15,520 --> 00:27:18,280
Speaker 3: other actors. She was there for every line of off camera.

555
00:27:18,359 --> 00:27:19,920
Speaker 3: She's like, Nope, I'm going to be there. I'm like,

556
00:27:19,960 --> 00:27:21,800
Speaker 3: you don't have to be I am going to be there.

557
00:27:21,960 --> 00:27:22,560
Speaker 2: I love that.

558
00:27:23,080 --> 00:27:26,480
Speaker 3: I love actors, single line of her off camera and

559
00:27:26,520 --> 00:27:27,879
Speaker 3: that I got to tell you, I don't know if

560
00:27:27,880 --> 00:27:30,080
Speaker 3: I've told you this greatly appreciated that.

561
00:27:38,520 --> 00:27:42,720
Speaker 4: Yes, it's I always unless there is some particular scheduling

562
00:27:42,760 --> 00:27:45,240
Speaker 4: reason where I have to be changing or in hair

563
00:27:45,280 --> 00:27:48,320
Speaker 4: and makeup or something while the other person is shooting.

564
00:27:48,359 --> 00:27:51,200
Speaker 4: I always want to give the other actor the courtesy

565
00:27:51,359 --> 00:27:54,000
Speaker 4: of an actual scene.

566
00:27:54,320 --> 00:27:56,359
Speaker 3: Yeah, and that's important because.

567
00:27:56,080 --> 00:27:58,560
Speaker 2: It's you can't. I'm like, why would I?

568
00:27:58,640 --> 00:28:02,159
Speaker 4: Why would I object another actor who's supposed to be

569
00:28:02,200 --> 00:28:05,440
Speaker 4: my partner in a scene? Why would I make them

570
00:28:05,480 --> 00:28:07,480
Speaker 4: go I'm going to have you guess what I'm going

571
00:28:07,560 --> 00:28:09,600
Speaker 4: to give you and react to something that may or

572
00:28:09,680 --> 00:28:12,920
Speaker 4: may not have happened. Yeah, Like, I just would never

573
00:28:13,000 --> 00:28:15,400
Speaker 4: dream of doing that if I like I, I one

574
00:28:15,800 --> 00:28:20,560
Speaker 4: percent think as an actor, it's it's disrespectful to your

575
00:28:20,600 --> 00:28:24,280
Speaker 4: other actor to not be reading the stuff off camera

576
00:28:24,359 --> 00:28:27,600
Speaker 4: unless there is some sort of scheduling reason or or

577
00:28:27,640 --> 00:28:29,120
Speaker 4: you can't be there whatever.

578
00:28:29,760 --> 00:28:32,159
Speaker 2: I just for me, it's a personal thing that I

579
00:28:32,240 --> 00:28:34,240
Speaker 2: just think. I don't think any actor should leave another

580
00:28:34,280 --> 00:28:37,359
Speaker 2: actor abandoned out there doing a scene. It's completely different

581
00:28:37,359 --> 00:28:39,040
Speaker 2: when you're reading with the scripty.

582
00:28:38,840 --> 00:28:41,480
Speaker 3: If the script supervisor who's reading with you, who half

583
00:28:41,480 --> 00:28:44,160
Speaker 3: the time they're from some foreign country and they are like, David,

584
00:28:45,040 --> 00:28:46,320
Speaker 3: I love you very much.

585
00:28:46,320 --> 00:28:48,760
Speaker 4: Right, And you're like, that's I appreciate you, thank you

586
00:28:48,840 --> 00:28:52,400
Speaker 4: for trying. But like, it's not, I can't. I can't

587
00:28:52,680 --> 00:28:54,280
Speaker 4: give you anything off of this.

588
00:28:54,440 --> 00:28:57,480
Speaker 2: It takes you out of the moment, you know. Yeah, yeah,

589
00:28:57,760 --> 00:29:02,080
Speaker 2: so well thank you. I It's just that's just what

590
00:29:02,120 --> 00:29:04,520
Speaker 2: we do as actors. But we had so much fun

591
00:29:04,720 --> 00:29:05,080
Speaker 2: doing that.

592
00:29:05,200 --> 00:29:07,720
Speaker 4: But it definitely was It was crazy and then yeah,

593
00:29:07,760 --> 00:29:11,720
Speaker 4: we wrapped like right before Thanksgiving and we were all like, okay,

594
00:29:11,760 --> 00:29:14,240
Speaker 4: we made it and yeah, and then we just went

595
00:29:14,280 --> 00:29:15,480
Speaker 4: into the holidays.

596
00:29:15,640 --> 00:29:18,880
Speaker 3: Nobody got sick.

597
00:29:18,920 --> 00:29:19,560
Speaker 2: We were so.

598
00:29:21,080 --> 00:29:23,480
Speaker 4: We were I mean, I will say I mean we

599
00:29:23,480 --> 00:29:30,040
Speaker 4: were also a small, tight crew and everybody worked their

600
00:29:30,080 --> 00:29:32,880
Speaker 4: ass off because everyone was doing like in almost an

601
00:29:33,000 --> 00:29:35,360
Speaker 4: entire department's job pretty much, because it was like you

602
00:29:35,400 --> 00:29:37,960
Speaker 4: had to really narrow it down to like, we don't

603
00:29:37,960 --> 00:29:40,160
Speaker 4: have an art department, we have art person.

604
00:29:40,520 --> 00:29:44,360
Speaker 2: You we have a guy, right, and it was like, okay,

605
00:29:44,480 --> 00:29:45,800
Speaker 2: we'll create, we'll do you know.

606
00:29:46,000 --> 00:29:51,400
Speaker 4: It was it was weirdly like the fun of independent filmmaking,

607
00:29:51,440 --> 00:29:56,720
Speaker 4: which is sort of the the hectic, craziness, weird stress

608
00:29:56,720 --> 00:30:00,000
Speaker 4: of it that's almost enjoyable.

609
00:30:00,280 --> 00:30:03,120
Speaker 3: I love those, you know, those those smaller budget films

610
00:30:03,120 --> 00:30:06,440
Speaker 3: that are short shoots and contained like that. Those are

611
00:30:06,480 --> 00:30:08,440
Speaker 3: just like where you're really everybody's doing it for the

612
00:30:08,480 --> 00:30:10,959
Speaker 3: love of the movie, and it's like I'm doing you know,

613
00:30:11,000 --> 00:30:13,560
Speaker 3: I'm producing a lot of bigger films these days, Like

614
00:30:13,600 --> 00:30:16,440
Speaker 3: we're doing a Liam Neeson action film right now, and

615
00:30:17,320 --> 00:30:19,600
Speaker 3: you know, it's like we're getting into the thirty million

616
00:30:19,640 --> 00:30:20,560
Speaker 3: plus territory.

617
00:30:20,760 --> 00:30:21,040
Speaker 2: Wow.

618
00:30:21,160 --> 00:30:25,600
Speaker 3: And it's just it's so much like stress over things.

619
00:30:25,600 --> 00:30:28,120
Speaker 3: It's nobody everyone's worrying about how much money they're making

620
00:30:28,160 --> 00:30:30,200
Speaker 3: and this and that. It's like, you know, and it's

621
00:30:30,400 --> 00:30:33,960
Speaker 3: it's it's very different from nobody's getting paid.

622
00:30:34,160 --> 00:30:38,000
Speaker 2: Everybody like over time, what's that you raise?

623
00:30:39,880 --> 00:30:43,760
Speaker 3: Yeah, tag ultra low budget agreement. And it's just but

624
00:30:44,240 --> 00:30:46,760
Speaker 3: there's something so beautiful about those movies. I really kind

625
00:30:46,760 --> 00:30:51,000
Speaker 3: of miss those. Yeah, And you know, I like it's

626
00:30:51,040 --> 00:30:52,480
Speaker 3: like everybody chipped in, you know.

627
00:30:52,560 --> 00:30:53,200
Speaker 2: You know, it's funny.

628
00:30:53,240 --> 00:30:56,280
Speaker 4: I've never really i mean, other than like doing TV

629
00:30:56,440 --> 00:31:00,920
Speaker 4: stuff that's bigger production money. Most of the UH films

630
00:31:00,920 --> 00:31:04,640
Speaker 4: I've done have been like smaller or you know, not

631
00:31:04,800 --> 00:31:07,440
Speaker 4: small but Hallmark or whatever ones that we've done or whatever.

632
00:31:08,000 --> 00:31:11,760
Speaker 4: And I just hear from other people on these huge

633
00:31:11,760 --> 00:31:17,040
Speaker 4: movies about this very same thing, cruise. Everybody are like

634
00:31:17,200 --> 00:31:20,160
Speaker 4: it's just like everyone's in their own little world and

635
00:31:20,240 --> 00:31:24,680
Speaker 4: like nobody it's not as collaborative because everyone's like kind

636
00:31:24,720 --> 00:31:27,920
Speaker 4: of weirdly protective of their job and their you know,

637
00:31:27,960 --> 00:31:30,640
Speaker 4: and it's just it's a it's a different like there's

638
00:31:30,640 --> 00:31:35,400
Speaker 4: something about that small indie film vibe where everyone's just like,

639
00:31:35,440 --> 00:31:37,360
Speaker 4: we're just doing this because we're all a little bit

640
00:31:37,360 --> 00:31:39,640
Speaker 4: insane and we love what we do, and you know.

641
00:31:41,800 --> 00:31:45,080
Speaker 3: And you know, there on top of that, nobody was working.

642
00:31:45,240 --> 00:31:46,760
Speaker 3: It was long, that's true. Nobody.

643
00:31:46,840 --> 00:31:48,160
Speaker 2: Yeah, we were just so happy to.

644
00:31:48,080 --> 00:31:51,360
Speaker 3: Be there, so grateful to be working when everybody else

645
00:31:51,400 --> 00:31:52,200
Speaker 3: was at home going.

646
00:31:52,080 --> 00:31:56,040
Speaker 6: Can you can I we're really really yeah, I'm going

647
00:31:56,080 --> 00:31:59,680
Speaker 6: crazy and lo and behold that's what happened. And a

648
00:31:59,680 --> 00:32:02,480
Speaker 6: few my later we made Curse of Wolf Mountain, and

649
00:32:02,800 --> 00:32:05,440
Speaker 6: my great idea was where I teamed up with with

650
00:32:05,560 --> 00:32:08,400
Speaker 6: Kelly Price, said let's do a movie in the woods,

651
00:32:08,520 --> 00:32:10,960
Speaker 6: because then there's even less of a chance, right because

652
00:32:10,960 --> 00:32:12,520
Speaker 6: we're outside and what.

653
00:32:12,480 --> 00:32:15,080
Speaker 3: Do we call it? Wolf Mountain? There's a wolf guy

654
00:32:15,160 --> 00:32:20,000
Speaker 3: in the mountain. And of course shooting a horror movie

655
00:32:20,000 --> 00:32:22,120
Speaker 3: where you kill ten people is much more difficult to

656
00:32:22,120 --> 00:32:24,400
Speaker 3: do in eight days than the house.

657
00:32:25,000 --> 00:32:28,680
Speaker 4: While the hard way, yeah yeah, yeah, and the action

658
00:32:28,840 --> 00:32:33,160
Speaker 4: scenes are take a whole other thing out of you

659
00:32:33,200 --> 00:32:33,600
Speaker 4: can do.

660
00:32:33,600 --> 00:32:35,840
Speaker 2: Fifty five pages a day for that.

661
00:32:35,560 --> 00:32:39,720
Speaker 5: Would be no with a whole other schmacggy which fifty

662
00:32:39,720 --> 00:32:42,640
Speaker 5: five pages a day just so everyone knows, Okay, on

663
00:32:42,840 --> 00:32:46,800
Speaker 5: a big budget movie, they'll do like they can spend

664
00:32:47,320 --> 00:32:49,720
Speaker 5: days on a half a page.

665
00:32:49,280 --> 00:32:50,880
Speaker 2: And then you can do we have that in our

666
00:32:52,080 --> 00:32:54,680
Speaker 2: one day, that one day, that's a half a page.

667
00:32:54,960 --> 00:32:55,480
Speaker 3: That's right.

668
00:32:55,720 --> 00:33:00,880
Speaker 4: On small independent movies like the ones we you know,

669
00:33:01,040 --> 00:33:03,080
Speaker 4: usually Hallmark and stuff like that, a lot of times

670
00:33:03,080 --> 00:33:06,960
Speaker 4: you're shooting ten to twelve pages a day, which most

671
00:33:07,080 --> 00:33:11,040
Speaker 4: people are like, that is a lot. And you know,

672
00:33:11,160 --> 00:33:13,400
Speaker 4: so I think when normal people hear like ten to

673
00:33:13,440 --> 00:33:16,840
Speaker 4: twelve page, you're like, everything it does not take as

674
00:33:16,840 --> 00:33:17,720
Speaker 4: short as you think it does.

675
00:33:17,760 --> 00:33:19,840
Speaker 3: Everything takes stage as a day as normal.

676
00:33:20,320 --> 00:33:22,600
Speaker 4: Six stages a day is normal, and that's and even

677
00:33:22,640 --> 00:33:24,280
Speaker 4: then you're that's a you know, an eight to ten

678
00:33:24,320 --> 00:33:28,000
Speaker 4: hour day, like you're busy, So ten to twelve is

679
00:33:28,000 --> 00:33:29,560
Speaker 4: a lot, but fifty five is like.

680
00:33:30,200 --> 00:33:32,320
Speaker 3: In here, that's a lot of pages.

681
00:33:32,440 --> 00:33:32,760
Speaker 2: We did.

682
00:33:32,800 --> 00:33:35,920
Speaker 4: I did fourteen on a movie recently because we had

683
00:33:35,920 --> 00:33:39,480
Speaker 4: the weather and we had to add it was a.

684
00:33:40,760 --> 00:33:41,640
Speaker 2: Thirteen It was.

685
00:33:41,640 --> 00:33:45,640
Speaker 4: A thirteen dayer, but one half of one day we

686
00:33:45,720 --> 00:33:49,640
Speaker 4: got lost to rain, so you crammed everything else in

687
00:33:49,680 --> 00:33:51,960
Speaker 4: and it was farm animals and all sorts of wild

688
00:33:52,160 --> 00:33:54,640
Speaker 4: you know, yeah, but there's but at the same time

689
00:33:54,680 --> 00:33:57,040
Speaker 4: you're like, this is great everyone, Like, I mean, what

690
00:33:57,080 --> 00:33:59,080
Speaker 4: do you do? You just you make it work, like

691
00:33:59,120 --> 00:34:02,800
Speaker 4: there's something sort of fun about that gorilla kind of

692
00:34:02,840 --> 00:34:06,440
Speaker 4: filmmaking where it's you know, all hands on deck. Well,

693
00:34:06,640 --> 00:34:08,879
Speaker 4: that was such a great episode, you guys, and that

694
00:34:09,120 --> 00:34:11,880
Speaker 4: is David Lipper. So thank you so much for joining

695
00:34:11,920 --> 00:34:14,720
Speaker 4: us for part one of our episode with uh with David,

696
00:34:15,080 --> 00:34:17,960
Speaker 4: and we are gonna get to spend some more time

697
00:34:17,960 --> 00:34:20,520
Speaker 4: with Viper. We are so glad that you fanar Rito's

698
00:34:20,560 --> 00:34:22,719
Speaker 4: got to tune in for this incredible interview. So join

699
00:34:22,800 --> 00:34:26,080
Speaker 4: us for Part two with David coming this Friday. And

700
00:34:26,160 --> 00:34:28,440
Speaker 4: in the meantime, if you want to find us on Instagram.

701
00:34:28,680 --> 00:34:33,080
Speaker 4: On the Instagram you can you can follow us at

702
00:34:33,120 --> 00:34:35,560
Speaker 4: how Rude Podcast. You can also send us an email

703
00:34:35,600 --> 00:34:37,800
Speaker 4: at howarudpodcast at gmail dot com.

704
00:34:38,080 --> 00:34:40,000
Speaker 2: And you know what I say, make sure that you're

705
00:34:40,040 --> 00:34:42,600
Speaker 2: liking and subscribing to the podcast wherever you're listening to it,

706
00:34:42,640 --> 00:34:44,719
Speaker 2: because you want to get those newest episodes as soon

707
00:34:44,760 --> 00:34:46,560
Speaker 2: as they come out like part two with David.

708
00:34:47,120 --> 00:34:49,640
Speaker 4: So we will see you next time, everybody, and remember

709
00:34:51,040 --> 00:34:51,920
Speaker 4: the world is small.

710
00:34:54,040 --> 00:35:01,000
Speaker 1: But the but the but the the the microphone is loud.

711
00:35:01,160 --> 00:35:04,520
Speaker 2: No, the the hair, the mule, the mullet is curly?

712
00:35:05,600 --> 00:35:05,920
Speaker 1: Does it?

713
00:35:05,920 --> 00:35:07,600
Speaker 2: Did he have a curly mullet? He did have a

714
00:35:07,640 --> 00:35:10,479
Speaker 2: curly mullet. He did have a curly The house is full.

715
00:35:10,880 --> 00:35:12,719
Speaker 2: How about that? The house is full, but the royalties

716
00:35:12,719 --> 00:35:16,080
Speaker 2: are yours. Yeah, yeah, there we go.

717
00:35:16,360 --> 00:35:19,040
Speaker 4: Because you know John so kindly gave him that. So yeah,

718
00:35:20,800 --> 00:35:23,319
Speaker 4: all right, until next time, folks may