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Speaker 1: Listen, my shirt doesn't pink, it's red like Zach Braff's body.

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Speaker 2: Holy, I know I made a bad decision, audience, right

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Speaker 2: before we make.

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Speaker 3: A bad decision.

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Speaker 1: This was like a freaking this was this was this

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Speaker 1: is involved, This is like, this is bad.

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Speaker 3: This is worse than bad.

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Speaker 2: It's not, it's not. I don't need to go to

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Speaker 2: the hospital. But I definitely didn't put it in.

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Speaker 3: The sweats tonight, Bro, you gotta.

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Speaker 2: Be I'm gonna put some alavera on my chest.

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Speaker 1: I'm allergic to I can't do that.

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Speaker 2: Why why can't you do alivera because.

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Speaker 3: I'm allergic to it? That ship breaks me out.

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Speaker 2: Donald, This is me and who's filling in for Daniel today?

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Speaker 3: Mea three blacks against one white? We went.

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Speaker 2: Why why is it? Why is it to be about that? Donald? Well,

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Speaker 2: just so y'all don't In case you don't know, this

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Speaker 2: is what sunburn is.

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Speaker 1: Mmmm oh yeah it does. Listen, Black people get sunburnt too.

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Speaker 3: You notice we do.

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Speaker 2: We do really well, maybe very anybody. I don't know.

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Speaker 1: You get something that y'all motherfuckers don't get. It's the worst.

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Speaker 1: It's called heat rash.

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Speaker 2: Oh my gosh, I've seen you get red actually on

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Speaker 2: holiday together red.

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Speaker 3: But we get heat rash too.

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Speaker 2: I have a question, and this is naive, but do

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Speaker 2: do black people need to be as conscious about wearing

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Speaker 2: sun block?

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Speaker 4: Yes? Where sunblock?

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Speaker 5: Hell?

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Speaker 3: Yeah, man, that should have killed us.

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Speaker 4: Now, sun block that very specifically four black.

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Speaker 2: Skin everybody, because I don't know that's the subject.

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Speaker 1: Bro, black people out there who feel like I don't

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Speaker 1: need sun block. I'm black. My melanie is gonna protect me.

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Speaker 1: It'll protect you from burning, but it ain't gonna protect

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Speaker 1: you from that cancer.

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Speaker 3: Get you that sun block on youall for real?

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Speaker 2: Well don't Well, what are your thoughts on this topic?

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Speaker 4: Skin cancer prevalent in the black community? Wear sunscreen? There's

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Speaker 4: also a ton of really great sunscreen that works for

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Speaker 4: black skins. So you have that like white ghostly cast

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Speaker 4: over your skin.

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Speaker 1: Yeah, I feel more protected with that. I feel like

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Speaker 1: that chalk shit protects you more than that other ship. Like,

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Speaker 1: straight up, it sounds horrible, it sounds white. It's sound

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Speaker 1: like a nigga want to be white now, But for real,

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Speaker 1: I feel like that chalk shit do.

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Speaker 3: Protect you a little bit better because the chalk.

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Speaker 2: But you don't need to have the white stuff on

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Speaker 2: your face. I don't I don't use that stuff. I

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Speaker 2: just use regular SPF. Dan couldn't make it today, audience, Joelle,

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Speaker 2: how have you been?

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Speaker 4: I think, man, great, really kick it loving this summer.

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Speaker 4: I see Megan. I think you're talking about that last time.

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Speaker 4: But she's shaking buttling great. And I got tickets to

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Speaker 4: see Usher Halloween with my mom. You're really excited about

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Speaker 4: so living it up, limit it up. You were just

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Speaker 4: on vacation Reasa.

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Speaker 2: I was in mom talk for a while. Yeah, and

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Speaker 2: it's so it was so beautiful at a good time.

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Speaker 2: Was brought a bunch of friends, including Sarah Chalk, who

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Speaker 2: was always full.

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Speaker 4: On vacation.

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Speaker 1: Vacation.

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Speaker 2: She's just so silly.

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Speaker 1: It's just a lot of fun.

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Speaker 2: It's like having a gesture.

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Speaker 1: Oh, I don't know about it. She's not a fool.

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Speaker 2: Well, I think she's a little bit of a fool.

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Speaker 4: Did you come back with any great Sarah stories to

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Speaker 4: share with us?

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Speaker 2: Anything?

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Speaker 3: I can't tell somebody.

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Speaker 2: No, I won't tell anything private, but I will tell

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Speaker 2: you that, like, yeah, there's definitely several times where she

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Speaker 2: got something caught in her throat and we were like,

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Speaker 2: what is She's like there's something in my throat and

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Speaker 2: we all start getting nervous and then we're like, there's

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Speaker 2: nothing in your throat. Just swallow, have some water, and

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Speaker 2: like in fact, like something really weird, like like you

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Speaker 2: know how they put like flower like flowers as on

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Speaker 2: food like that you're at her edible, like a tiny

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Speaker 2: tiny stem got caught like in a visible part of

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Speaker 2: her throat and she's like, I can't get it dislodged

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Speaker 2: and uh. And someone was like, someone was like, go

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Speaker 2: get Tweezers, and she was like, oh, and so someone went,

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Speaker 2: god Tweezers. And then people were holding up their iPhones

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Speaker 2: and then someone went in and they plucked out the

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Speaker 2: little stem that was like just sitting behind next to

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Speaker 2: her lap. Every time, everything, without fail, without fail, everything

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Speaker 2: happens with Sarah.

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Speaker 1: You know, a lot of people believe that some of

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Speaker 1: these stories are made up, because you know, every time

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Speaker 1: you talk to her, it's okay.

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Speaker 3: So this is what happened.

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Speaker 1: I was in the restroom and all of a sudden,

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Speaker 1: an alligator came out of a baby alligator came out

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Speaker 1: of the toilet hole. You're not going to be almost

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Speaker 1: bit me on my cuckoo. I was like, oh my god.

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Speaker 2: It's the police in Vancouver. The Mounties say, it's never

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Speaker 2: happened before.

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Speaker 3: Alligators in the winter.

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Speaker 2: What Another thing I realized about Sarah is that she

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Speaker 2: has this bit of a tick that she does where

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Speaker 2: she goes into whisper mode. Even if you're sitting alone

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Speaker 2: in a big house in a living room and no

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Speaker 2: one's there and you're like, you ask her some question,

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Speaker 2: like oh, whatever happened with that story you told me?

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Speaker 2: And even if it's not even if it's not a secret,

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Speaker 2: but if let's say it's mildly serious, she just whispers.

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Speaker 2: She switches to whisper mode. She's like, oh, so I

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Speaker 2: didn't tell you what happened with John and Sarah. We

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Speaker 2: are in mom talk in that house, like no one

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Speaker 2: can hear us, and even the people that are here

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Speaker 2: don't know the story, Like there's no need for you

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Speaker 2: to be whispering. But even after I called around and

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Speaker 2: jokes about it, she did it like ten more times.

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Speaker 2: It's just even if you like, if it's not silly silly,

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Speaker 2: she's loud and she's being stupid and she's being like

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Speaker 2: crazy Sarah. The second you're like, oh wait, I think

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Speaker 2: I burned my chest. She goes, Oh, did I ever

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Speaker 2: tell you that mine sister once burned her chest so bad? Like?

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Speaker 2: Why the fuck you whispering?

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Speaker 4: Wait, you guysn't seen Johnny SE's new podcast yet.

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Speaker 2: Johnny Seeds killing it.

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Speaker 4: I know it's I know we did. Nobody talked to

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Speaker 4: us about him.

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Speaker 3: I know we got it.

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Speaker 2: We got listening. I got to give a shout. Joelle

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Speaker 2: remind me, we got to talk to will about folding

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Speaker 2: Johnny c into the iHeart family, because I want to

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Speaker 2: thank you Joel for reminding me to give a shout out. JOHNNYE.

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Speaker 2: McGinley just kind of went rogue on his own. I'd

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Speaker 2: meant rogue meaning not affiliated with any companies. I understand

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Speaker 2: and start. He knows so many smart, amazing, creative people.

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Speaker 2: I imagine he got inspired by us. I would assume

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Speaker 2: I have no idea, but he started interviewing some of

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Speaker 2: his friends and he's getting these huge guests. He just

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Speaker 2: did a Peter Berg, you know, meg major filmmaker. He

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Speaker 2: did Eric Wagozian, a wonderful actor writer, and he's obviously

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Speaker 2: wonderful about it. And they talk about the craft of acting.

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Speaker 2: It's called connective tissue for those of you who want

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Speaker 2: to check it out. I want to give Johnny a

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Speaker 2: shout out, but but also I feel like Joel, we

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Speaker 2: should talk to Will about bringing him into the iHeart family.

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Speaker 2: He's really he made something amazing.

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Speaker 4: It's amazing. I'm obsessed with Eric be Gosi and I've

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Speaker 4: been watching an interview with a vampire obsessively lately. Eric

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Speaker 4: plays a reporter on that. He's brilliant, and so that's

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Speaker 4: kind of how I stumbled into the show. And yeah,

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Speaker 4: Johnny se some incredible host. Does you know he would be?

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Speaker 4: He's such a lovely guest every time he's on our show,

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Speaker 4: so I'm not not too surprised.

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Speaker 2: But he's also Johnny and Donald can speak to this.

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Speaker 2: Johnny is so genuinely interested in people, like he's not.

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Speaker 2: He's the you know these people that are like, how

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Speaker 2: are you doing?

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Speaker 4: Oh?

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Speaker 2: Greg, Greg? Greg, He's the polar opposite. He's like, he

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Speaker 2: won't sit there and interview.

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Speaker 1: You listen too. Like that's the great thing about him.

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Speaker 1: It's like you can tell he's listening his faces. You know,

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Speaker 1: you can tell when somebody's not listening to you and

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Speaker 1: when they're trying to get to the next conversation.

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Speaker 3: He is listening every time.

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Speaker 1: It could be a party filled with a bunch of

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Speaker 1: people and you and him, and he's he's.

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Speaker 2: Locked in on you. Yeah, the whole Christmas birthday party,

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Speaker 2: Christian Miller's birth part. I didn't se josh Raden the

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Speaker 2: whole party. I still had the best time. You and

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Speaker 2: I were dancing. We had the best time. At the

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Speaker 2: end of the party, like the night's ending, I see Joshua,

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Speaker 2: where were you? Was like, Oh, I was just in

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Speaker 2: the corner talking to Johnny. See you said the best.

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Speaker 2: I'm like, talk to Johnny c. Johnny just locked him

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Speaker 2: in and like Johnny Seed loves rating. But they he

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Speaker 2: locked him in and they were like in this intense

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Speaker 2: conversation the whole time. So anyway, check out connected tissue anyone, Donald,

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Speaker 2: How are you? You had a big birthday?

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Speaker 1: I did. I turned fifty. I'm a grown man. Uh

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Speaker 1: and all of a sudden shit started going wrong. I

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Speaker 1: got to get my blood pressure down. Exercising is a must.

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Speaker 2: Yeah, well you knew that. You knew. Did a doctor

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Speaker 2: call you out on your blood pressure?

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Speaker 1: Yes? I played golf yesterday. I would over five miles.

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Speaker 1: Let me tell you something right now in my hands. Listen,

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Speaker 1: I was killing Listen, this is how you know you're

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Speaker 1: out of shape. People will be people be like, but

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Speaker 1: golf isn't really that fucking much of an athletic sport, motherfucker.

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Speaker 3: I walked over five miles yesterday.

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Speaker 2: Did you carry the bag though?

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Speaker 1: And I know I pushed it in a cart and

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Speaker 1: pulled it in a cart, which is heavy. I'm saying,

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Speaker 1: bowing man, that shit is not no right. So the

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Speaker 1: first half I was killing it. First nine holes. Donald

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Speaker 1: Fason was I haven't played in two years. My player's

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Speaker 1: card said, so two years was the last time I played.

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Speaker 1: First half of golf. First half of around first nine holes,

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Speaker 1: I was doing pretty good. I was on target to

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Speaker 1: be in the seventies. Second half, that shit got long,

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Speaker 1: that course got and my body could not keep up.

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Speaker 1: I was literally pouting while playing golf, like, fuck.

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Speaker 2: Yeah, we got enough hole, then you got all upset.

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Speaker 1: I didn't get I tried. I kept saying to myself,

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Speaker 1: stay in the game. You can be angry about the conditions,

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Speaker 1: and you can be angry about all of this other stuff,

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Speaker 1: but try and stay in the game. And that was

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Speaker 1: still hard to do because my body started to fail.

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Speaker 1: I couldn't get my hips around fast enough. So now

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Speaker 1: my hands were moving too fast for your hips, lying everything.

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Speaker 1: My hips were totally lying, totally lying.

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Speaker 2: I'm glad that you are playing golf. I'm glad you're exercising,

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Speaker 2: because that's important to me that you stay alive. I

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Speaker 2: went and had a I had to have a CT

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Speaker 2: scan in my heart today.

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Speaker 1: How are you?

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Speaker 2: My heart's amazing. I gotta tell you this is when

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Speaker 2: they put they put contrast into your veins. When you

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Speaker 2: get to be our age. Doctor wants to have a

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Speaker 2: CT scan of your heart. And also my father had

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Speaker 2: stants and stuff, so I need to just check check

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Speaker 2: out whether there's any blockage, and I can show you

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Speaker 2: a picture. You want to see a picture. This is amazing.

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Speaker 2: I asked the doctor if I could take a picture.

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Speaker 2: This is just one of the angle. That's my actual heart.

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Speaker 4: WHOA, that's crazy, that crazy. Wow, it's surreal.

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Speaker 2: It was. It was really cool, And I just wanted

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Speaker 2: to say one thing, since we are fake doctor's real friends.

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Speaker 2: If you're a if you're a smoker, you might need

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Speaker 2: to hear this. I realize I've been doing all these

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Speaker 2: tests just because I'm going to turn I'm forty nine.

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Speaker 2: I'm on the cusp of turning fifty. Getting every test

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Speaker 2: you can get done and every single questionnaire every single

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Speaker 2: doctor without fail. I always noted it all starts with

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Speaker 2: do you smoke?

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Speaker 1: You know?

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Speaker 2: I know, and I'm thinking about you smoker. Someoney out

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Speaker 2: there listening needs to hear this today. There's a reason

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Speaker 2: why every single doctor, in every single form starts out

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Speaker 2: with do you smoke? So stop smoking? Because that's the

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Speaker 2: first question they all want to know.

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Speaker 1: No, you know what, you're right, And with my with

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Speaker 1: my high blood pressure, that was the first question they asked,

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Speaker 1: you smoke?

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Speaker 4: You weed?

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Speaker 1: Okay?

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Speaker 2: Yeah, Well I'm not sure about I mean, I'm just

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Speaker 2: always feel I always feel very proud and smug to

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Speaker 2: write never smoked.

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Speaker 1: You're a little bit like that man, because you're a

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Speaker 1: little bit like Okay, gets up in here before we

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Speaker 1: get up in there.

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Speaker 3: Yeah, Joelle, have you been watching a Yeah?

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Speaker 1: Do you like it?

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Speaker 3: Do you like it?

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Speaker 4: I like many parts of it. They gave me a

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Speaker 4: sexy to sith, so I can't complain. There are a

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Speaker 4: hell of black women want to give it. An outstanding

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Speaker 4: performance of her career is so beautiful.

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Speaker 2: It looks good.

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Speaker 4: Listen, No, listen, it looks good. It's it's what's frustrating

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Speaker 4: about it is I see all of the potential in

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Speaker 4: it and it didn't quite hit it, and that is frustrating.

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Speaker 4: I hope the season two can get to do better

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Speaker 4: because Leslie headlind is an incredible writer and showrunner. I'm

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Speaker 4: not sure what happened. I was a budget issuer or

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Speaker 4: what went sideways. I'm hoping they can't get a best.

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Speaker 1: So much wrong but that there's so much good and

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Speaker 1: there's so much wrong with the show man deep there's

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Speaker 1: so much good, There's so much good, but there's so

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Speaker 1: much wrong. You know what I mean?

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Speaker 2: Like, you're watching House of the Dragon.

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Speaker 4: No, yeah, oh, hell deep In.

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Speaker 2: And you're watching Us to the Dragon.

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Speaker 5: I haven't seen Game Thrones, so I'm I've got to

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Speaker 5: get to that first.

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Speaker 2: Oh yeah on your list?

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Speaker 5: Okay, thank you?

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Speaker 1: What are you watching? What are the kids your age watching? Yeah?

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Speaker 2: What is the twenty five year olds watching?

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Speaker 5: I haven't been watching any series. I go to the

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Speaker 5: movies a lot.

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Speaker 1: I go to the theater a lot.

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Speaker 2: What's the last movie you saw that you liked?

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Speaker 4: I liked Long legs.

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Speaker 2: Oh hell yeah, that's horror.

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Speaker 5: Right, yeah, that's horror.

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Speaker 4: Yeah, Nicholas Cage.

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Speaker 2: Did you Okay, all right, thank you, miam. All right, Joelle.

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Speaker 2: House of Dragons.

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Speaker 4: Stunning, stunning.

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Speaker 2: Not only is it amazing, but there's this companion behind

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Speaker 2: the scenes series. Are you watching that?

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Speaker 4: Oh yeah, oh yeah, all of it, all the aspects

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Speaker 4: of After.

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Speaker 2: Each episode, they do a twenty minute thing on how

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Speaker 2: they made it. It's incredible.

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Speaker 1: My kids and I are watching Stranger Things.

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Speaker 2: Strangers that's a lovely watch with the children.

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Speaker 4: That's nice.

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Speaker 1: Well not season four.

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Speaker 2: Why they scaring them?

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Speaker 1: They saw that motherfucker Vicram whatever his name is, and

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Speaker 1: they got that ship that was the fucking Demi Gordon,

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Speaker 1: all of that stuff. None of that really scared them.

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Speaker 1: But then they saw that motherfucker Victrum is that his name, Victim.

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Speaker 4: Like that whatever it is, that was a rap.

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Speaker 1: Stranger Things season four took a pause.

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Speaker 4: They were like, they said, we'll be back when we're

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Speaker 4: a little older. They got time.

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Speaker 1: Okay, So look, I feel like there's too much Star Wars.

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Speaker 1: I'm gonna be honest with you. WHOA, I feel like

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Speaker 1: I love it.

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Speaker 3: Still, That's what I'm talking about.

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Speaker 1: I kind of feel like there's too much right now.

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Speaker 2: You're just realizing that.

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Speaker 4: Well, I mean, too much is the troblem.

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Speaker 1: It worked for Marvel, like Marvel had a lot going on,

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Speaker 1: and now we're sideways.

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Speaker 2: Like if I like raspberries, yeah, and I have raspberry jam,

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Speaker 2: and I have raspberries on my cereal, and I have

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Speaker 2: raspberry sun and I have a raspberry taste in my

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Speaker 2: sparkling water. At a certain point, I'm gonna be sick

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Speaker 2: of raspberries.

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Speaker 1: I don't know, man, I don't know that's totally fair

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Speaker 1: in a butter cups, you know what I mean, You're

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Speaker 1: still like there's certain things that.

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Speaker 2: I'm saying you're saturated. You as a consumer oversaturated.

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Speaker 1: I disagree, home boy. I don't think Star Wars is

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Speaker 1: that not overset.

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Speaker 3: But I don't think I'm I don't think.

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Speaker 1: I don't think I'm oversaturated with Star Wars like I don't.

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Speaker 1: I mean, I think there's too much Star Wars storytelling

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Speaker 1: right now. I don't. It's hard to explain because my

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Speaker 1: life is Star Wars. Look at my background Star Wars.

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Speaker 1: I adamate Star Wars. So I don't think there's too

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Speaker 1: much Star Wars. But there's too much Star Wars, you

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Speaker 1: know what I mean, Like it's just like Star Wars total.

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Speaker 4: And that's the problem, Like there's not enough Star Wars

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Speaker 4: that is working currently, and that's really the problem. I

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Speaker 4: feel like with if two shows this year, maybe we

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Speaker 4: don't even know if we're gonna get the No. Three

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Speaker 4: potentially three, if they decided to release a skeleton crew

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Speaker 4: at the end of the year. I think I would

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Speaker 4: love for them to do a pause like they did

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Speaker 4: on the movies with the TV shows and be like,

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Speaker 4: what was really making and Or and I think it's

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Speaker 4: two of the Mandalorian work.

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Speaker 2: You hit on the heil, the nail on the head drawl.

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Speaker 2: I think and Or fucked everything up because.

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Speaker 4: It really did.

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Speaker 1: I know. Rogue one is the beginning of it. Rogue

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Speaker 1: one was the beginning of it because it got a

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Speaker 1: little bit, it got a little bit more gritty in

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Speaker 1: Rogue one, and then and Or fucking shot everything down.

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Speaker 3: And Or.

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Speaker 2: So I'm watching House House of Dragons, and I know

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Speaker 2: that that Star Wars needs to be family friendly, I'm told,

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Speaker 2: But the level of production, the level of filmmaking, design sets, costumes,

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Speaker 2: script acting, oh my god, if it you know if

364
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Speaker 2: Star Wars could be on that level like I think

365
00:16:56,440 --> 00:16:59,360
Speaker 2: and Or was, But I mean, you'd have a new

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Speaker 2: fan in me. This gentleman that we are lucky enough

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Speaker 2: to have on the show is someone I've always found hilarious.

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Speaker 2: So I'm very excited to have Tony Hale on the

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Speaker 2: show today. Donald, do you know this little bit of

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Speaker 2: trivia that Joelle gave us in our notes that I'm

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Speaker 2: sure you didn't read that he was in a live

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Speaker 2: stage reading of Star Wars The Phantom Menace and he

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Speaker 2: played Qui gone gin.

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Speaker 3: Qui gon jin qui, gon jin qi gone?

375
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Speaker 2: Yeah, Qui gone gin.

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Speaker 1: Well, we will have to discuss that with him.

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Speaker 2: Yeah, maybe he's a Star Wars head like you if

378
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Speaker 2: he's doing live readings.

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Speaker 1: I mean either that or he was trying to get

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Speaker 1: into a Star Wars.

381
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Speaker 2: Yeah, like you did you know that he played Did

382
00:17:40,600 --> 00:17:44,200
Speaker 2: you know that he is Chucky's dad on Rugrats the original?

383
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Speaker 4: No, in the remake from twenty twenty one going forward, though,

384
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Speaker 4: which is really cool.

385
00:17:48,600 --> 00:17:51,560
Speaker 1: I think, Yeah, yeah, I audition for that. I didn't

386
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Speaker 1: get it, So I did you really that? I'm going

387
00:17:53,720 --> 00:17:55,280
Speaker 1: to have to call my mom and tell my mom

388
00:17:55,320 --> 00:17:58,159
Speaker 1: it's not going to happen. You did an audition for that,

389
00:18:02,080 --> 00:18:03,600
Speaker 1: do you remember that it's not going to happen?

390
00:18:03,680 --> 00:18:03,920
Speaker 6: Mom?

391
00:18:04,240 --> 00:18:06,760
Speaker 2: Oh, my parents. My dad was the worst. He'd be like,

392
00:18:06,800 --> 00:18:08,920
Speaker 2: whatever happened with that thing? And you have to be like, Dad,

393
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Speaker 2: I auditioned for that like four months ago. I promise you.

394
00:18:13,359 --> 00:18:15,280
Speaker 2: I promise you. And then a lot of people out

395
00:18:15,320 --> 00:18:18,600
Speaker 2: there listening know how your parents can be whether even

396
00:18:18,640 --> 00:18:20,560
Speaker 2: if you're not an actor, it's your job. They're like,

397
00:18:20,640 --> 00:18:23,920
Speaker 2: whatever happened to that thing? And I'm like, I promise you.

398
00:18:23,920 --> 00:18:25,600
Speaker 2: You will be the first person I call when there's

399
00:18:25,600 --> 00:18:30,800
Speaker 2: good news. Literally literally, I will get the good news.

400
00:18:31,200 --> 00:18:32,760
Speaker 2: I will hang up and call it.

401
00:18:33,080 --> 00:18:33,240
Speaker 3: Right.

402
00:18:33,359 --> 00:18:36,880
Speaker 2: That's what happened with Scrubs. I literally called you ten

403
00:18:36,960 --> 00:18:40,840
Speaker 2: seconds after I talked to Bill Laurence. So every time

404
00:18:40,880 --> 00:18:42,480
Speaker 2: my dad would be like oh oh, and then he

405
00:18:42,520 --> 00:18:46,040
Speaker 2: would literally go ah, disappointed, And I'm like, you're disappointed.

406
00:18:46,480 --> 00:18:50,000
Speaker 2: I'm disappointed. I'm disabouting. Now I have to go because

407
00:18:50,000 --> 00:18:52,200
Speaker 2: I've got four tables set and I don't even think

408
00:18:52,240 --> 00:18:57,840
Speaker 2: I put the absent on table four. I'm disappointed. Yeah, Dad,

409
00:18:57,880 --> 00:19:01,040
Speaker 2: I'm disappointed too. I told you what he said. We

410
00:19:01,080 --> 00:19:05,280
Speaker 2: saw Titanic right, we went to ze Titanic together. I

411
00:19:05,320 --> 00:19:08,679
Speaker 2: told this, sorry, no, we come out of Titanic and

412
00:19:08,720 --> 00:19:10,840
Speaker 2: I've got like swiping away tears and we're all just

413
00:19:10,880 --> 00:19:13,159
Speaker 2: so blown away by how incredible the movie was in

414
00:19:13,200 --> 00:19:15,679
Speaker 2: the theater and and there's got a long pause and

415
00:19:15,720 --> 00:19:20,560
Speaker 2: my dad goes, huh that Leo, he's about your age, isn't.

416
00:19:20,320 --> 00:19:27,560
Speaker 4: He Jesus Christ? Oh yeah, it's like that line from

417
00:19:27,640 --> 00:19:30,000
Speaker 4: Fleabag and what had Jesus done by thirty three?

418
00:19:30,840 --> 00:19:31,040
Speaker 1: Oh?

419
00:19:31,160 --> 00:19:34,040
Speaker 2: Man? I was like, yeah, Dad, yeah, same h. You

420
00:19:34,119 --> 00:19:37,200
Speaker 2: gotta get home and charge the Walkies for tomorrow's music video.

421
00:19:37,320 --> 00:19:41,720
Speaker 2: Oh my gosh, all right, let's let let's bring in

422
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Speaker 2: the legendary Tony Hale kind of stories.

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Speaker 7: I'm not sure we made about a bunch of he

424
00:19:54,440 --> 00:20:26,160
Speaker 7: said he's a story.

425
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Speaker 2: Hi, Tony.

426
00:20:15,200 --> 00:20:17,919
Speaker 5: I was thrown with a no zoom. I didn't know

427
00:20:17,960 --> 00:20:18,840
Speaker 5: what was happening.

428
00:20:18,920 --> 00:20:21,640
Speaker 2: We want to fancy, we have a fancier thing now

429
00:20:21,680 --> 00:20:24,080
Speaker 2: because we want to have a beautiful four K image

430
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Speaker 2: of your face.

431
00:20:26,160 --> 00:20:29,360
Speaker 1: And they can they can get it on this.

432
00:20:29,880 --> 00:20:33,040
Speaker 5: That's really nice, guys. I'm a fan of both hosts,

433
00:20:33,080 --> 00:20:33,800
Speaker 5: not just one.

434
00:20:34,800 --> 00:20:36,679
Speaker 3: We are a fan of you. Thank you, thank you.

435
00:20:36,720 --> 00:20:39,800
Speaker 2: And Tony. That's our producer Joel and our engineer Mia.

436
00:20:40,280 --> 00:20:42,840
Speaker 5: Hi, guys, I'm sorry for the delay and my tech,

437
00:20:42,920 --> 00:20:44,919
Speaker 5: my tech, my handicap of technology.

438
00:20:45,080 --> 00:20:46,880
Speaker 2: No, it's fine. We're so happy you're here.

439
00:20:46,960 --> 00:20:47,120
Speaker 4: Man.

440
00:20:47,240 --> 00:20:50,639
Speaker 2: We are major fans of yours and we're very geekd

441
00:20:50,680 --> 00:20:54,560
Speaker 2: to have you on the show. Yes, yes, you know

442
00:20:54,680 --> 00:20:57,879
Speaker 2: you and sitting and I was sitting thinking about Tony

443
00:20:57,920 --> 00:21:00,719
Speaker 2: Hale before I came on the show, and don't you

444
00:21:01,480 --> 00:21:04,000
Speaker 2: I was trying to think of actors who have achieved

445
00:21:04,600 --> 00:21:07,920
Speaker 2: the very rare feat of going from one hit comedy

446
00:21:08,040 --> 00:21:12,280
Speaker 2: directly into another hit coming into another, like do you know,

447
00:21:12,359 --> 00:21:13,720
Speaker 2: are you guys in a secret club?

448
00:21:14,040 --> 00:21:14,240
Speaker 1: Oh?

449
00:21:14,240 --> 00:21:17,760
Speaker 5: It's so weird. Do you ask? I can't talk about it. No,

450
00:21:18,040 --> 00:21:20,640
Speaker 5: I I was thinking the other day somebody asked me, like, Tony,

451
00:21:20,720 --> 00:21:23,800
Speaker 5: you know, your career made such great choices, And I

452
00:21:23,840 --> 00:21:26,800
Speaker 5: thought when I started out, I wasn't in a place

453
00:21:26,840 --> 00:21:29,760
Speaker 5: to make choices. I was just so grateful for a gig,

454
00:21:30,040 --> 00:21:32,920
Speaker 5: you know, and then just you know, by God's grace,

455
00:21:33,000 --> 00:21:35,240
Speaker 5: then Veep came along and they wanted me, you know,

456
00:21:35,280 --> 00:21:37,280
Speaker 5: I was like just so thankful to be there. So

457
00:21:37,960 --> 00:21:39,440
Speaker 5: I don't know how it happened just to be on

458
00:21:39,480 --> 00:21:39,880
Speaker 5: these grades.

459
00:21:39,920 --> 00:21:42,080
Speaker 1: So you look at so you look at do you

460
00:21:42,119 --> 00:21:47,280
Speaker 1: look at Veep as the ultimate success? So I look

461
00:21:47,320 --> 00:21:52,879
Speaker 1: at it like this mel Brooks put out young Frankenstein

462
00:21:53,320 --> 00:21:58,040
Speaker 1: and so good and blazing saddles back to back. Right,

463
00:21:58,680 --> 00:22:01,600
Speaker 1: that's a feat that when it comes to comedy. I'm sorry,

464
00:22:01,680 --> 00:22:02,280
Speaker 1: I don't know who.

465
00:22:03,359 --> 00:22:04,160
Speaker 3: There are very.

466
00:22:04,000 --> 00:22:06,639
Speaker 1: Few actors out there that can go from a show

467
00:22:07,200 --> 00:22:08,159
Speaker 1: like Arrested.

468
00:22:07,760 --> 00:22:12,320
Speaker 3: Development YEP to Veep's. That's like unheard of.

469
00:22:12,480 --> 00:22:14,520
Speaker 2: I was trying to think of anybody else who's done it.

470
00:22:15,080 --> 00:22:18,240
Speaker 2: I gave I gave myself Kelsey Grammar, but it's a

471
00:22:18,240 --> 00:22:20,840
Speaker 2: little bit cheating going from Cheers to Fraser's a little bit.

472
00:22:20,840 --> 00:22:23,240
Speaker 3: Cheating spin off.

473
00:22:23,600 --> 00:22:25,520
Speaker 2: Then I want to shout out Neil Flynn, who did

474
00:22:25,520 --> 00:22:29,080
Speaker 2: go from Scrubs to the Middle at all. But Tony,

475
00:22:29,160 --> 00:22:31,959
Speaker 2: I just think that Arrested to Veep is pretty major.

476
00:22:32,080 --> 00:22:36,960
Speaker 2: I mean they were both pivotal, pivotal, beloved mega comedies.

477
00:22:38,080 --> 00:22:41,880
Speaker 5: Yeah, I am like, you're still just so grateful. I mean,

478
00:22:41,960 --> 00:22:45,200
Speaker 5: keep in mind, like there was about five, five or

479
00:22:45,240 --> 00:22:47,399
Speaker 5: six years between them where there were times when I

480
00:22:47,440 --> 00:22:48,840
Speaker 5: was like, as my wife, I was like, are we

481
00:22:48,880 --> 00:22:52,080
Speaker 5: gonna have to sell our house. So it's you know,

482
00:22:52,160 --> 00:22:57,600
Speaker 5: it's they didn't happen right after. But I don't know, man,

483
00:22:57,760 --> 00:23:01,000
Speaker 5: I'm just so grateful because you know, I mean, we've

484
00:23:01,040 --> 00:23:04,359
Speaker 5: all done gigs that were not necessarily huge fans of

485
00:23:04,400 --> 00:23:07,120
Speaker 5: the writing. You know, you do something and you're obviously

486
00:23:07,119 --> 00:23:10,600
Speaker 5: we're always grateful for work, but sometimes you're doing something

487
00:23:10,640 --> 00:23:12,159
Speaker 5: you're like, oh, I wouldn't do it this way. But

488
00:23:12,200 --> 00:23:14,800
Speaker 5: I'm just, you know, keep thankful for the job to

489
00:23:14,800 --> 00:23:17,480
Speaker 5: be a part of something that I found funny. Yeah,

490
00:23:17,840 --> 00:23:20,520
Speaker 5: you know, like into and you guys know, like what's

491
00:23:20,560 --> 00:23:22,399
Speaker 5: so great for a comic actor is the element of

492
00:23:22,440 --> 00:23:25,080
Speaker 5: surprise where it's like you're reading it and all this

493
00:23:25,640 --> 00:23:27,840
Speaker 5: all of a sudden arrested developments, like you know, by

494
00:23:27,880 --> 00:23:30,439
Speaker 5: the way a seal's going to eat your hand, you know,

495
00:23:30,480 --> 00:23:33,320
Speaker 5: and you're like, sorry, that was not in the framework

496
00:23:33,440 --> 00:23:33,800
Speaker 5: at all.

497
00:23:34,000 --> 00:23:38,240
Speaker 2: I love that show so much, dude. I I was

498
00:23:38,280 --> 00:23:38,640
Speaker 2: on it.

499
00:23:38,680 --> 00:23:40,480
Speaker 5: I was, and you were on the gag reel, which

500
00:23:40,520 --> 00:23:42,560
Speaker 5: I've watched over and over and over. Do you know

501
00:23:42,600 --> 00:23:43,320
Speaker 5: what I'm talking about?

502
00:23:43,280 --> 00:23:44,560
Speaker 2: You know, but I would love to see it.

503
00:23:44,720 --> 00:23:46,719
Speaker 5: Oh, dude, I'll send it. I'll send it to you

504
00:23:46,760 --> 00:23:49,600
Speaker 5: if you get your personal information. That's why I just

505
00:23:49,640 --> 00:23:50,440
Speaker 5: want to get your person.

506
00:23:51,000 --> 00:23:55,400
Speaker 2: It's four two four public. But I but I got

507
00:23:55,440 --> 00:23:56,800
Speaker 2: to tell you, I was so honored to be on

508
00:23:56,800 --> 00:23:59,280
Speaker 2: the show, and I I just wanted to be a

509
00:23:59,280 --> 00:24:01,639
Speaker 2: part of that universe because I was so crazy. But

510
00:24:01,960 --> 00:24:04,440
Speaker 2: tell us a little about getting it, because I think

511
00:24:04,480 --> 00:24:06,720
Speaker 2: our audience likes to hear these stories. Donald and I

512
00:24:06,520 --> 00:24:11,480
Speaker 2: have shared our stories on Scrubs. But did you feel

513
00:24:11,760 --> 00:24:15,040
Speaker 2: that it just fit you like a glove? Because for me,

514
00:24:15,119 --> 00:24:17,840
Speaker 2: I auditioned for so many things and didn't get anywhere,

515
00:24:18,200 --> 00:24:20,200
Speaker 2: and then when I read Scrubs, I was like, oh,

516
00:24:20,320 --> 00:24:23,200
Speaker 2: I genuinely find this hilarious. I bet I'm going to

517
00:24:23,240 --> 00:24:25,960
Speaker 2: be able to do a much better audition. Was that

518
00:24:26,040 --> 00:24:26,840
Speaker 2: a similar thing for you?

519
00:24:26,960 --> 00:24:29,240
Speaker 1: We heard? But before you can do and also speak

520
00:24:29,280 --> 00:24:32,440
Speaker 1: on if you will, it's a place double question speak

521
00:24:32,480 --> 00:24:34,760
Speaker 1: on to four years in between and like what that's

522
00:24:34,840 --> 00:24:37,600
Speaker 1: like because when I started off, I got clueless and

523
00:24:37,640 --> 00:24:39,879
Speaker 1: I thought that's it. I'm off and we're fire and

524
00:24:39,960 --> 00:24:42,640
Speaker 1: here we go. And it took years until Scrubs came

525
00:24:42,640 --> 00:24:43,240
Speaker 1: along again.

526
00:24:43,359 --> 00:24:46,320
Speaker 5: Totally. I am so getting it well, I had been.

527
00:24:46,600 --> 00:24:48,200
Speaker 5: I don't know if you guys have lived in New York.

528
00:24:48,240 --> 00:24:50,080
Speaker 5: I was in New York for about six or seven

529
00:24:50,160 --> 00:24:52,639
Speaker 5: years doing commercials, and I mean before that, I was

530
00:24:52,680 --> 00:24:54,199
Speaker 5: doing like every job under the sun, just to make

531
00:24:54,280 --> 00:24:56,720
Speaker 5: ends meet. But then when commercials came around, I was

532
00:24:56,760 --> 00:24:58,840
Speaker 5: kind of I was kind of typecast as the guy

533
00:24:58,840 --> 00:25:02,159
Speaker 5: who's not all there. And I just started getting these

534
00:25:02,160 --> 00:25:04,359
Speaker 5: commercials of like just the guy wide eyed and like

535
00:25:04,400 --> 00:25:06,720
Speaker 5: what you know, just that kind of guy. Yeah, and

536
00:25:07,240 --> 00:25:09,600
Speaker 5: having a great time. I met my wife in New York,

537
00:25:09,720 --> 00:25:12,680
Speaker 5: just so thankful to be working. And then a commercial

538
00:25:12,720 --> 00:25:14,639
Speaker 5: casting director. Well, let me say this, it took me

539
00:25:14,720 --> 00:25:17,119
Speaker 5: like six years to find a manager and an agent

540
00:25:17,119 --> 00:25:18,680
Speaker 5: to send me out for a TV and film because

541
00:25:18,680 --> 00:25:21,240
Speaker 5: they just saw me as a commercial actor. And so

542
00:25:21,760 --> 00:25:23,560
Speaker 5: finally when I got someone to kind of see me

543
00:25:23,640 --> 00:25:27,800
Speaker 5: beyond that. Then Marcia de Bonis, who was cast commercials,

544
00:25:27,880 --> 00:25:31,360
Speaker 5: she was casting arrested development, and since I was kind

545
00:25:31,400 --> 00:25:34,000
Speaker 5: of in this maybe type, she was like, huh, buster

546
00:25:34,160 --> 00:25:37,320
Speaker 5: is not all there? Let me just bring in Tony,

547
00:25:38,200 --> 00:25:40,439
Speaker 5: And you know, I went in and I just remember

548
00:25:40,480 --> 00:25:44,480
Speaker 5: at the time, Christopher Guest movies were really like waiting

549
00:25:44,480 --> 00:25:46,400
Speaker 5: for Guffman to just come out, and just like really

550
00:25:46,480 --> 00:25:48,840
Speaker 5: kind of out of the box. And I remember reading

551
00:25:48,840 --> 00:25:52,560
Speaker 5: this and thinking, God, this is so different because typically

552
00:25:52,760 --> 00:25:56,520
Speaker 5: before this with comedy, people weren't really you were really

553
00:25:56,560 --> 00:25:58,800
Speaker 5: thinking about it. Like on a drama, you really take

554
00:25:58,840 --> 00:26:00,320
Speaker 5: the time to like, oy, so what is that mean?

555
00:26:00,359 --> 00:26:02,440
Speaker 5: And who's this person? And you really happened to think.

556
00:26:02,600 --> 00:26:04,880
Speaker 5: With comedy people just kind of liked it washing over

557
00:26:04,960 --> 00:26:06,840
Speaker 5: you. You didn't really want to take the time. It wasn't

558
00:26:06,880 --> 00:26:10,600
Speaker 5: really dense material, whereas Arrested it was so dense. There

559
00:26:10,600 --> 00:26:13,040
Speaker 5: were so many jokes, there were so many callbacks, like

560
00:26:13,080 --> 00:26:15,560
Speaker 5: Tobias joined the Blue Man group because he thought I

561
00:26:15,560 --> 00:26:17,679
Speaker 5: was a support group for to press men, you know,

562
00:26:17,760 --> 00:26:20,320
Speaker 5: and it was like it was like all these levels,

563
00:26:20,600 --> 00:26:23,760
Speaker 5: you know, and like I was had massive motherish, I mean,

564
00:26:23,800 --> 00:26:25,960
Speaker 5: all this kind of stuff, and so I was like, God,

565
00:26:26,000 --> 00:26:28,639
Speaker 5: this is so intense. I'm surprisedly when this gets made.

566
00:26:29,200 --> 00:26:33,000
Speaker 5: And so finally I got cast, which was completely blew

567
00:26:33,040 --> 00:26:36,240
Speaker 5: my mind. I remember when I got casts weird. We

568
00:26:36,240 --> 00:26:38,560
Speaker 5: immediately shot the pilot when I was out there, and

569
00:26:38,640 --> 00:26:40,880
Speaker 5: I remember my only memory is I had to run

570
00:26:40,920 --> 00:26:42,720
Speaker 5: to Old Knavy because I ran out of underwear because

571
00:26:42,720 --> 00:26:46,240
Speaker 5: I hadn't packed enough underwear, like to like finish shooting

572
00:26:46,280 --> 00:26:49,440
Speaker 5: the show, and so I did that and then came

573
00:26:49,480 --> 00:26:50,879
Speaker 5: back and I was like, I get that was a

574
00:26:50,920 --> 00:26:53,320
Speaker 5: great experience. And then ten days before I got married,

575
00:26:53,640 --> 00:26:55,400
Speaker 5: the show got picked up and I was like, honey,

576
00:26:55,440 --> 00:26:58,320
Speaker 5: I think, I think we're moving to LA and I

577
00:26:58,440 --> 00:27:00,280
Speaker 5: just kind of and it was, you know, it's one

578
00:27:00,320 --> 00:27:01,800
Speaker 5: of those things. And I talk about this a lot,

579
00:27:01,840 --> 00:27:04,479
Speaker 5: and I apologize if people have heard it, but I

580
00:27:04,640 --> 00:27:08,400
Speaker 5: was so overwhelmed. I had never been on a studio lot.

581
00:27:08,480 --> 00:27:11,439
Speaker 5: I had never had that much, you know, I don't know,

582
00:27:11,600 --> 00:27:13,800
Speaker 5: just I didn't I didn't know what a manager was.

583
00:27:13,840 --> 00:27:16,479
Speaker 5: I didn't know. I was just so overwhelmed, and I

584
00:27:16,520 --> 00:27:19,639
Speaker 5: remember having this moment of oh man, I thought I

585
00:27:19,640 --> 00:27:22,720
Speaker 5: would feel differently, you know, because I had given so

586
00:27:22,960 --> 00:27:25,119
Speaker 5: much power to I just wanted to sitcom. I just

587
00:27:25,119 --> 00:27:27,679
Speaker 5: wanted a sitcom. And those first two years were like

588
00:27:27,720 --> 00:27:32,280
Speaker 5: a real awakening of huh this, I've given this a

589
00:27:32,320 --> 00:27:34,880
Speaker 5: lot of weight, and nothing can match the weight I've

590
00:27:34,880 --> 00:27:37,440
Speaker 5: given it. And so it was it was a kind

591
00:27:37,440 --> 00:27:41,800
Speaker 5: of like a two years of feeling kind of what now.

592
00:27:42,280 --> 00:27:46,040
Speaker 5: And then after that, you know, I kind of got

593
00:27:46,040 --> 00:27:48,639
Speaker 5: into therapy and I realized I haven't been present for

594
00:27:48,720 --> 00:27:51,440
Speaker 5: most of my life, you know. I it's that whole

595
00:27:51,440 --> 00:27:53,080
Speaker 5: thing if and I've said this, but like, if you're

596
00:27:53,080 --> 00:27:55,159
Speaker 5: not practicing contentment where you are, you're not going to

597
00:27:55,160 --> 00:27:57,439
Speaker 5: be content when you get what you want. And I

598
00:27:57,520 --> 00:27:59,679
Speaker 5: got what I want and I just had not been

599
00:27:59,720 --> 00:28:01,280
Speaker 5: practic to seeing being present most.

600
00:28:01,480 --> 00:28:03,520
Speaker 2: I love that so much, you know. And I fell

601
00:28:03,560 --> 00:28:05,600
Speaker 2: as somewhere I feel a similar thing, and I think

602
00:28:05,640 --> 00:28:09,119
Speaker 2: I related. I I think I continue to relate in

603
00:28:09,119 --> 00:28:12,920
Speaker 2: my own life now where I no matter where you are, sorry,

604
00:28:12,920 --> 00:28:14,880
Speaker 2: I only should speak for myself. No matter where I am,

605
00:28:15,240 --> 00:28:17,359
Speaker 2: I find myself going what's next, what's next?

606
00:28:17,520 --> 00:28:18,119
Speaker 5: What course?

607
00:28:19,359 --> 00:28:23,400
Speaker 2: And I really, like you just said, aspire so much

608
00:28:23,480 --> 00:28:25,280
Speaker 2: to be to focus on being the same.

609
00:28:25,320 --> 00:28:27,480
Speaker 5: And it's not even thinking that you're kind of as

610
00:28:27,520 --> 00:28:29,879
Speaker 5: in this business and we're all grateful to be in it,

611
00:28:29,920 --> 00:28:32,320
Speaker 5: but you get that guys, that question like what's next

612
00:28:32,320 --> 00:28:34,639
Speaker 5: for you? What's next for you? And we're kind of

613
00:28:34,680 --> 00:28:37,879
Speaker 5: trained to think like that. And you to your question, Donald,

614
00:28:37,920 --> 00:28:40,680
Speaker 5: like when it was over, I was like, shit, what

615
00:28:41,800 --> 00:28:45,920
Speaker 5: is next? And when nothing came, it was a big lesson.

616
00:28:45,960 --> 00:28:47,680
Speaker 5: And this is I love to talk to kind of

617
00:28:47,760 --> 00:28:51,040
Speaker 5: acting students, you know, and they always ask about, you know,

618
00:28:51,040 --> 00:28:53,120
Speaker 5: how did you do it? And stuff? And I always

619
00:28:53,120 --> 00:28:55,560
Speaker 5: love to say, first, hey, if you're getting into this business,

620
00:28:55,560 --> 00:28:58,800
Speaker 5: there is so much rejection, invest in your community before

621
00:28:58,800 --> 00:29:02,680
Speaker 5: you vest in your career, because it's the community that's

622
00:29:02,720 --> 00:29:05,920
Speaker 5: going to give you longevity, because this business sees you

623
00:29:06,000 --> 00:29:08,680
Speaker 5: one way, and your friends and your community will see

624
00:29:08,720 --> 00:29:11,680
Speaker 5: you beyond how they see you. And that is what

625
00:29:11,880 --> 00:29:13,880
Speaker 5: really those five or six years and to this day,

626
00:29:13,920 --> 00:29:16,800
Speaker 5: I mean, we're gig the gig. It is my family,

627
00:29:16,880 --> 00:29:19,680
Speaker 5: my friends who see me beyond that that really keep

628
00:29:19,720 --> 00:29:21,800
Speaker 5: me on it. I mean that's one hundred percent Troo.

629
00:29:22,160 --> 00:29:22,800
Speaker 1: I love that.

630
00:29:23,600 --> 00:29:26,080
Speaker 2: I think that all the time. I mean, it's funny

631
00:29:26,120 --> 00:29:28,080
Speaker 2: what you were saying about why did you take when

632
00:29:28,240 --> 00:29:31,000
Speaker 2: reporters ask you, why did you, you know, take this

633
00:29:31,120 --> 00:29:34,760
Speaker 2: route with this role, Like I love that girl, that girl,

634
00:29:35,120 --> 00:29:37,880
Speaker 2: young woman, Rachel Zegler. She was on some press line

635
00:29:37,920 --> 00:29:39,320
Speaker 2: and they were like, why did you do that? Why

636
00:29:39,320 --> 00:29:41,040
Speaker 2: did you why this movie? Rachel? And she was like,

637
00:29:41,600 --> 00:29:45,160
Speaker 2: I needed a job. I always feel that way as

638
00:29:45,160 --> 00:29:47,960
Speaker 2: an actor, you know, unless it's some little indie you did,

639
00:29:48,240 --> 00:29:51,000
Speaker 2: I'm always like because they wanted to hire me.

640
00:29:53,440 --> 00:29:57,280
Speaker 1: Exactly. It's Indy, You're like, why did you take it? Well,

641
00:29:57,800 --> 00:30:02,760
Speaker 1: first of all, they said, we want you.

642
00:30:03,760 --> 00:30:07,560
Speaker 5: Totally, totally, and I love I love that you guys

643
00:30:07,640 --> 00:30:11,320
Speaker 5: have stayed so close because you've just the I think

644
00:30:11,360 --> 00:30:14,800
Speaker 5: the power again of the community of it. It's beyond

645
00:30:15,000 --> 00:30:18,440
Speaker 5: it's beyond the work. It's the relationships. And you know,

646
00:30:18,440 --> 00:30:21,520
Speaker 5: I'm really close and I see the arrested guys every

647
00:30:21,560 --> 00:30:23,720
Speaker 5: now and then, but really close with the veep Vat

648
00:30:23,800 --> 00:30:26,880
Speaker 5: community like Veep family, and man, that's the stuff that

649
00:30:26,920 --> 00:30:28,920
Speaker 5: has carried on. I mean, we're so the show is

650
00:30:28,920 --> 00:30:32,760
Speaker 5: so fun, but just laughing about memories and like, oh yeah,

651
00:30:32,760 --> 00:30:33,920
Speaker 5: that's just everything.

652
00:30:33,680 --> 00:30:35,720
Speaker 2: Some of the best and beyond the scrubs cast that

653
00:30:35,960 --> 00:30:39,840
Speaker 2: I'm still we're all still close. I did a play.

654
00:30:39,960 --> 00:30:42,520
Speaker 2: I did a Broadway show and I'm some of the

655
00:30:42,520 --> 00:30:46,120
Speaker 2: best friends of my life doing that show. Yeah, it's

656
00:30:46,000 --> 00:30:50,320
Speaker 2: a long outlasted the six month run we had, and yeah,

657
00:30:50,880 --> 00:30:51,400
Speaker 2: what was that?

658
00:30:51,520 --> 00:30:53,880
Speaker 5: Can I ask what was I was in it? I

659
00:30:53,880 --> 00:30:56,400
Speaker 5: did a play about three years ago and it really was.

660
00:30:57,840 --> 00:30:59,280
Speaker 5: I'm so glad I did it because it got me

661
00:30:59,280 --> 00:31:00,000
Speaker 5: past a lot of.

662
00:31:00,960 --> 00:31:03,240
Speaker 2: I want to talk about that because I read I

663
00:31:03,360 --> 00:31:06,000
Speaker 2: read a little something you had said. Because my brilliant

664
00:31:06,280 --> 00:31:09,920
Speaker 2: producer Joelle gave us some homework on you. I wanted

665
00:31:09,960 --> 00:31:12,040
Speaker 2: to talk to you about that because I have stage

666
00:31:12,120 --> 00:31:13,920
Speaker 2: fright too, and I think a lot of people be

667
00:31:13,960 --> 00:31:17,040
Speaker 2: surprised to hear like, oh, you seem like someone who

668
00:31:17,040 --> 00:31:19,160
Speaker 2: wouldn't and I was reading that you dealt with it too.

669
00:31:19,320 --> 00:31:22,040
Speaker 1: The person that doesn't have stage fright is Hugh Jackman.

670
00:31:22,360 --> 00:31:24,760
Speaker 1: He the only one that is like, God, I'm the

671
00:31:24,760 --> 00:31:27,560
Speaker 1: stage here I come. He's the only one.

672
00:31:27,840 --> 00:31:28,440
Speaker 2: Do you know why?

673
00:31:28,840 --> 00:31:30,680
Speaker 1: I will keep it one hundred with you. There are

674
00:31:30,680 --> 00:31:33,920
Speaker 1: so many actors that don't do theater, really good actors.

675
00:31:33,920 --> 00:31:35,680
Speaker 1: You know why, because they're scared.

676
00:31:36,080 --> 00:31:40,360
Speaker 2: Yes, goodness, truth, I'm very scared, and my fear is

677
00:31:40,480 --> 00:31:43,440
Speaker 2: mainly going up on the lines and not knowing where

678
00:31:43,480 --> 00:31:46,440
Speaker 2: the hell I am. I did a production of I

679
00:31:46,560 --> 00:31:48,880
Speaker 2: never said this to anybody, I don't think, but I

680
00:31:48,920 --> 00:31:51,440
Speaker 2: did a production of Romeo and Juliet in regional theater

681
00:31:51,520 --> 00:31:55,400
Speaker 2: in Connecticut when I was out of Northwestern, and I

682
00:31:55,440 --> 00:31:58,600
Speaker 2: would go early and our dressing room it was an

683
00:31:58,600 --> 00:32:00,600
Speaker 2: outdoor production in front of like two twenty five hundred

684
00:32:00,600 --> 00:32:02,760
Speaker 2: people in the summer, and if you know the Romeo

685
00:32:02,760 --> 00:32:05,600
Speaker 2: and Juliet Romeo starts talking and doesn't really stop that

686
00:32:05,800 --> 00:32:09,080
Speaker 2: much for three hours. And I would go early and

687
00:32:09,160 --> 00:32:13,640
Speaker 2: sit in this church in the pews and recite every

688
00:32:13,680 --> 00:32:16,400
Speaker 2: single one of my lines for the show, because I

689
00:32:16,480 --> 00:32:21,080
Speaker 2: was so nervous the concept, the idea that I would

690
00:32:21,080 --> 00:32:24,959
Speaker 2: forget the poetry of three hours of poetry. And there

691
00:32:25,040 --> 00:32:26,720
Speaker 2: was the only thing I could think to do that

692
00:32:26,800 --> 00:32:29,360
Speaker 2: would sue it would be to get there early and

693
00:32:29,480 --> 00:32:32,560
Speaker 2: run the whole play before you show. Yeah, but so

694
00:32:32,600 --> 00:32:34,240
Speaker 2: speak to your version.

695
00:32:33,960 --> 00:32:37,360
Speaker 5: Of My version of that is that I would have

696
00:32:37,400 --> 00:32:40,560
Speaker 5: a panic attack on stage. My version was that I

697
00:32:40,600 --> 00:32:43,400
Speaker 5: would you know, I was doing it. This play I

698
00:32:43,440 --> 00:32:46,640
Speaker 5: did at American Conservatory Theater was a pretty much a

699
00:32:46,640 --> 00:32:49,240
Speaker 5: one man play and then an actor comes in toward

700
00:32:49,320 --> 00:32:52,520
Speaker 5: like seventy five percent into it, and I thought, oh

701
00:32:52,600 --> 00:32:54,040
Speaker 5: this Every night, I was like, this is the night

702
00:32:54,040 --> 00:32:56,200
Speaker 5: I'm going to have a panic attack on stage. Because

703
00:32:56,200 --> 00:32:58,880
Speaker 5: I had a panic attack when high school. And it's

704
00:32:58,920 --> 00:33:01,440
Speaker 5: amazing how things get really locked in. And I had

705
00:33:01,520 --> 00:33:03,240
Speaker 5: one in high school, and ever since then it just

706
00:33:03,280 --> 00:33:08,600
Speaker 5: had become this you know, almost dark terror. And I

707
00:33:08,600 --> 00:33:11,000
Speaker 5: remember going to this therapist and doing I had started

708
00:33:11,000 --> 00:33:14,400
Speaker 5: doing cognitive behavioral therapy where you kind of rather than

709
00:33:15,080 --> 00:33:16,760
Speaker 5: rather than being such a victim to your thoughts and

710
00:33:16,800 --> 00:33:19,240
Speaker 5: your feelings, you're a little more of an observer to

711
00:33:19,280 --> 00:33:22,280
Speaker 5: your thoughts and your feelings. And I remember every night

712
00:33:22,320 --> 00:33:24,440
Speaker 5: he would say, hey, when you kind of hear those

713
00:33:25,200 --> 00:33:28,480
Speaker 5: thoughts or those voices or you have those feelings, turned

714
00:33:28,520 --> 00:33:31,520
Speaker 5: to that fear. I remember Bill Hayter said something about

715
00:33:31,520 --> 00:33:33,920
Speaker 5: this recently, kind of like this too, but turn to

716
00:33:33,960 --> 00:33:36,240
Speaker 5: that fear and say, hey, I appreciate you being here.

717
00:33:36,480 --> 00:33:38,600
Speaker 5: I know you're trying to help. I'm going to go

718
00:33:38,640 --> 00:33:42,480
Speaker 5: to the play and I'll be back. And it was

719
00:33:42,520 --> 00:33:45,280
Speaker 5: the first time because before what I would do is

720
00:33:45,320 --> 00:33:48,160
Speaker 5: like Tony, just buck up, almost just try to block

721
00:33:48,200 --> 00:33:51,960
Speaker 5: it out. You got this and psych yourself up. And

722
00:33:52,040 --> 00:33:53,840
Speaker 5: for me, I'm not saying for anybody else. For me,

723
00:33:54,040 --> 00:33:57,440
Speaker 5: it only made it bigger. It only made that anxiety

724
00:33:57,440 --> 00:34:00,400
Speaker 5: and fear bigger. And the minute I started kind of

725
00:34:00,440 --> 00:34:03,200
Speaker 5: embracing it and not trying to cut it off, it

726
00:34:03,520 --> 00:34:05,440
Speaker 5: just it's not like it wasn't there, but I was

727
00:34:05,520 --> 00:34:08,239
Speaker 5: more of like, I mean, this kind of relates to

728
00:34:08,520 --> 00:34:10,600
Speaker 5: that I just did inside out too, and it's like

729
00:34:10,680 --> 00:34:13,600
Speaker 5: a little more like, hey, this emotion is trying is

730
00:34:13,680 --> 00:34:16,200
Speaker 5: actually trying to help you, you know, it's it's thinking,

731
00:34:16,239 --> 00:34:19,279
Speaker 5: it's helping you, and just kind of have a little

732
00:34:19,280 --> 00:34:23,040
Speaker 5: more compassion towards it. And it every night it dissipated it.

733
00:34:23,120 --> 00:34:25,719
Speaker 5: I still had those feelings when I was right before,

734
00:34:25,760 --> 00:34:29,040
Speaker 5: but I was like, hey, man, I really appreciate it.

735
00:34:29,080 --> 00:34:30,520
Speaker 5: I know you're trying to help. I'm gonna go do

736
00:34:30,600 --> 00:34:31,359
Speaker 5: it and I'll be back.

737
00:34:31,960 --> 00:34:37,839
Speaker 1: We can have this conversation after, yeah, sure we could.

738
00:34:37,960 --> 00:34:39,920
Speaker 1: We could, we could go through this after, but right now,

739
00:34:39,920 --> 00:34:41,759
Speaker 1: I need to go and handle this business real quick.

740
00:34:42,080 --> 00:34:44,640
Speaker 5: Yes, exactly exactly.

741
00:34:44,760 --> 00:34:47,319
Speaker 2: And also part of it is excitement. I think it's

742
00:34:47,960 --> 00:34:52,080
Speaker 2: the adrenaline. It's an adrenaline rush, right totally. So part

743
00:34:52,120 --> 00:34:55,359
Speaker 2: of that adrenaline is I'm so excited to go out

744
00:34:55,360 --> 00:34:58,400
Speaker 2: there and kick ass, and it isn't And it is

745
00:34:58,440 --> 00:35:01,439
Speaker 2: a tightwire act because you know, they might not laugh

746
00:35:01,480 --> 00:35:03,080
Speaker 2: at one of the jokes and I need to just

747
00:35:03,120 --> 00:35:05,280
Speaker 2: pick up and keep going. There might be I remember

748
00:35:05,320 --> 00:35:07,480
Speaker 2: doing bullets were probably there was someone literally asleep in

749
00:35:07,480 --> 00:35:09,680
Speaker 2: the front row one night, like you just don't know

750
00:35:09,719 --> 00:35:12,919
Speaker 2: what you're gonna see. I never told you that story.

751
00:35:12,960 --> 00:35:17,480
Speaker 2: I say out red bull and intermission to the person, Wow.

752
00:35:19,239 --> 00:35:20,719
Speaker 1: You got wow?

753
00:35:20,760 --> 00:35:25,120
Speaker 2: I listen. It was so distracting. I think I assume

754
00:35:25,120 --> 00:35:26,960
Speaker 2: it was a tourist. I made this up, so I

755
00:35:27,000 --> 00:35:28,480
Speaker 2: don't know, but the story I made in my head

756
00:35:28,600 --> 00:35:30,200
Speaker 2: was that it was a tourist who had just flown

757
00:35:30,200 --> 00:35:33,040
Speaker 2: in and was jet lagged. None of that I don't

758
00:35:33,080 --> 00:35:36,719
Speaker 2: have any confirmation about. But but he or she I

759
00:35:36,760 --> 00:35:40,680
Speaker 2: forgot was asleep past asleep in the front row and

760
00:35:40,680 --> 00:35:42,719
Speaker 2: an intermission, which is very hard because when you're an

761
00:35:42,760 --> 00:35:45,680
Speaker 2: actor on stage those of you who aren't stage actors.

762
00:35:46,400 --> 00:35:48,000
Speaker 2: Depending on the lighting, but for the most part, I

763
00:35:48,000 --> 00:35:50,799
Speaker 2: could say, and doing Broadway, I could only see the

764
00:35:50,800 --> 00:35:53,560
Speaker 2: first five or so rose. Everything else is in darkness,

765
00:35:54,120 --> 00:35:56,480
Speaker 2: so it's very distracting because it was front and center,

766
00:35:56,640 --> 00:35:58,880
Speaker 2: front row. So I said to the one of the

767
00:35:59,239 --> 00:36:01,759
Speaker 2: stage managers, I said, will you will you give this

768
00:36:01,880 --> 00:36:05,319
Speaker 2: red bull to to that person and and just say like, hey,

769
00:36:06,160 --> 00:36:09,480
Speaker 2: here's this is from Zach And it's a little distracting

770
00:36:10,160 --> 00:36:12,160
Speaker 2: having you having you sleep in her role. So I

771
00:36:12,160 --> 00:36:14,719
Speaker 2: get out there for act too, and it was like

772
00:36:14,760 --> 00:36:17,880
Speaker 2: weekend at Bernie's. They had taken you know, these cushions

773
00:36:17,880 --> 00:36:20,160
Speaker 2: they have for for like kids, like a booster seat,

774
00:36:20,520 --> 00:36:23,760
Speaker 2: and they had wedged them behind and beside the person

775
00:36:24,239 --> 00:36:30,640
Speaker 2: and they were sort of propped upward, and they were

776
00:36:30,760 --> 00:36:33,720
Speaker 2: and they were holding the red bull but still nacked

777
00:36:33,920 --> 00:36:35,280
Speaker 2: f down fast asleep.

778
00:36:35,440 --> 00:36:38,279
Speaker 5: Wow. It's also like you want to you kind of

779
00:36:38,280 --> 00:36:39,720
Speaker 5: want to get him a gift card to the restaurant

780
00:36:39,760 --> 00:36:41,719
Speaker 5: next door. Just be like, hey, man, go and joer

781
00:36:41,719 --> 00:36:43,200
Speaker 5: yourself over there, or just.

782
00:36:43,200 --> 00:36:44,319
Speaker 2: Or like go lie down.

783
00:36:44,440 --> 00:36:48,640
Speaker 1: You're very Yeah. I got two stories for you, go ahead. One.

784
00:36:48,719 --> 00:36:51,359
Speaker 1: I was in the audience when I was on stage. One.

785
00:36:51,520 --> 00:36:54,239
Speaker 1: I fell asleep when I was very young, in front

786
00:36:54,200 --> 00:36:58,000
Speaker 1: of Jason Robards, and at the end of the play,

787
00:36:58,200 --> 00:37:03,879
Speaker 1: he blew a kiss to me, like you mother, good night,

788
00:37:04,840 --> 00:37:08,239
Speaker 1: Or at least that's how I looked at it, because to.

789
00:37:08,160 --> 00:37:09,719
Speaker 2: This day you don't know. It might have been his

790
00:37:10,000 --> 00:37:11,560
Speaker 2: relative right behind him, right, that.

791
00:37:11,640 --> 00:37:12,439
Speaker 3: Might have been his thing.

792
00:37:12,520 --> 00:37:14,400
Speaker 1: But he blew a kiss to the audio, but it

793
00:37:14,440 --> 00:37:16,719
Speaker 1: looked like he was looking at me when he blew

794
00:37:16,760 --> 00:37:17,120
Speaker 1: that shit.

795
00:37:17,320 --> 00:37:17,799
Speaker 5: Right, YEA.

796
00:37:18,760 --> 00:37:21,200
Speaker 3: One night I was. I feel like I was.

797
00:37:21,160 --> 00:37:25,880
Speaker 1: The cause for why the show didn't go well. I

798
00:37:25,960 --> 00:37:30,120
Speaker 1: was doing Picasso at the Lapent Jill at the Old

799
00:37:30,520 --> 00:37:36,040
Speaker 1: theater and it's me and Justin Long Lisa Lapiro, who

800
00:37:36,080 --> 00:37:41,120
Speaker 1: you just worked with on Inside Out to a bunch

801
00:37:41,120 --> 00:37:44,080
Speaker 1: of people. Right. So, anyway, I start the show off

802
00:37:44,120 --> 00:37:48,160
Speaker 1: with the joke there's something in the air tonight and

803
00:37:48,239 --> 00:37:52,480
Speaker 1: I sneeze, right, Yeah, that starts the show off every night.

804
00:37:52,560 --> 00:37:56,279
Speaker 1: It gets a laugh. This night, something got caught in

805
00:37:56,320 --> 00:37:59,520
Speaker 1: my throat, but I had to get the sneeze out

806
00:38:00,040 --> 00:38:06,279
Speaker 1: and a lot of mucuses came, oh so much so

807
00:38:06,480 --> 00:38:08,560
Speaker 1: that the person in the front row. The people in

808
00:38:08,600 --> 00:38:12,640
Speaker 1: the front row went ill like it was that bad.

809
00:38:15,520 --> 00:38:19,839
Speaker 1: Oh god, I've now look, I've fallen on stage. I've

810
00:38:19,920 --> 00:38:22,839
Speaker 1: hurt myself and kept going and people be like, oh wow,

811
00:38:22,880 --> 00:38:25,480
Speaker 1: he hurt himself. This was the first time where I

812
00:38:25,520 --> 00:38:29,360
Speaker 1: could tell I'm not everybody's out everybody, I have just

813
00:38:29,480 --> 00:38:33,040
Speaker 1: ruined the fucking show. Justin comes on stage. He's the

814
00:38:33,040 --> 00:38:35,319
Speaker 1: first person on the second person on stage. We have

815
00:38:35,360 --> 00:38:41,680
Speaker 1: a conversation. His joke, his first joke, nobody laughs, his

816
00:38:41,800 --> 00:38:46,080
Speaker 1: second joke, nobody laughs, My next joke, nobody laughs. We

817
00:38:46,080 --> 00:38:48,640
Speaker 1: look at each other and we kind of smirk, like,

818
00:38:48,960 --> 00:38:50,600
Speaker 1: oh shit, this is gonna be a long night.

819
00:38:50,880 --> 00:38:52,919
Speaker 3: But it was also one of these one.

820
00:38:52,840 --> 00:38:56,560
Speaker 1: Of those motherfuckers, like, who's gonna go big enough to

821
00:38:56,640 --> 00:38:57,440
Speaker 1: try and get Are you.

822
00:38:57,360 --> 00:38:58,879
Speaker 5: Gonna go big enough to get this last?

823
00:38:59,560 --> 00:39:01,200
Speaker 3: You're gonna I can try and hold it back.

824
00:39:01,880 --> 00:39:04,520
Speaker 1: It was one of the but it started because of

825
00:39:04,560 --> 00:39:07,480
Speaker 1: a tickle in the throat that I tried to surpass

826
00:39:07,560 --> 00:39:08,280
Speaker 1: and keep going.

827
00:39:08,400 --> 00:39:10,879
Speaker 3: Oh man, it was yeah, but it was one.

828
00:39:10,800 --> 00:39:11,680
Speaker 1: Of the worst nights.

829
00:39:11,880 --> 00:39:14,200
Speaker 5: But then it becomes a game that it's.

830
00:39:14,120 --> 00:39:16,880
Speaker 3: Like now, are like, now, now let's play.

831
00:39:17,000 --> 00:39:20,320
Speaker 5: Let's yeah, yeah, yeah, you know when you guys were talking,

832
00:39:20,400 --> 00:39:22,759
Speaker 5: it's I always think like it's all for me. It's

833
00:39:22,800 --> 00:39:26,279
Speaker 5: all based in the terror of shame and embarrassment.

834
00:39:26,800 --> 00:39:27,000
Speaker 1: You know.

835
00:39:27,120 --> 00:39:29,600
Speaker 5: It's like, you know, if you forget your lines, if

836
00:39:29,640 --> 00:39:32,160
Speaker 5: you spit you know the mucus, if I have a pant,

837
00:39:32,239 --> 00:39:34,440
Speaker 5: It's like, what is that going to be like? When

838
00:39:34,520 --> 00:39:39,560
Speaker 5: I'm that exposed, when I'm that terrified, you know, And

839
00:39:39,600 --> 00:39:41,960
Speaker 5: it's like ever since I was a kid, that's the

840
00:39:42,000 --> 00:39:42,640
Speaker 5: base of it.

841
00:39:42,800 --> 00:39:42,960
Speaker 1: You know.

842
00:39:43,040 --> 00:39:47,560
Speaker 2: I once hosted SNL and I was it was like

843
00:39:47,640 --> 00:39:49,600
Speaker 2: my dream come true and everyone was like, were you

844
00:39:49,680 --> 00:39:53,480
Speaker 2: so nervous? And I said, of course. But I have

845
00:39:53,560 --> 00:39:56,520
Speaker 2: to say my biggest fear in performing is that I'm

846
00:39:56,520 --> 00:39:58,960
Speaker 2: going to forget my lines, whereas when I hosted said,

847
00:39:58,960 --> 00:40:00,839
Speaker 2: now my lines are everywhere that you know, there's so

848
00:40:00,840 --> 00:40:03,799
Speaker 2: many there's four sets of que card people. So I was,

849
00:40:03,840 --> 00:40:06,800
Speaker 2: of course nervous. It was live TV. But my biggest

850
00:40:06,840 --> 00:40:10,319
Speaker 2: performing fear that I'm gonna somehow And the second you

851
00:40:10,360 --> 00:40:13,719
Speaker 2: forget a line for a second, ones adrenaline can then

852
00:40:13,800 --> 00:40:16,160
Speaker 2: surge and start talking to you, and you're like, you're

853
00:40:16,160 --> 00:40:17,880
Speaker 2: not gonna remember anything.

854
00:40:18,280 --> 00:40:20,960
Speaker 5: Yes, were you calmer? Were you calmer with those lines

855
00:40:21,000 --> 00:40:22,760
Speaker 5: in front of you?

856
00:40:22,760 --> 00:40:22,920
Speaker 7: You know?

857
00:40:22,960 --> 00:40:25,319
Speaker 2: Obviously it was balanced out by the insanity of like,

858
00:40:25,360 --> 00:40:27,360
Speaker 2: oh my god, I'm doing this like life change and

859
00:40:27,440 --> 00:40:29,000
Speaker 2: it's live and it's tests to know and all that.

860
00:40:29,280 --> 00:40:33,200
Speaker 2: But I but I remember feeling like way less nervous

861
00:40:33,400 --> 00:40:34,960
Speaker 2: that the lines were everywhere. I mean, I feel like

862
00:40:35,000 --> 00:40:36,719
Speaker 2: I could do any play any day if the lines

863
00:40:36,760 --> 00:40:40,160
Speaker 2: are everywhere. You know, these older these older folks, now

864
00:40:40,320 --> 00:40:44,480
Speaker 2: you have have some some older actors now use an earwig,

865
00:40:44,480 --> 00:40:46,160
Speaker 2: which is a tiny lit layer piece that goes in

866
00:40:46,160 --> 00:40:49,320
Speaker 2: your ear. Uh, So they have the comfort of knowing

867
00:40:49,400 --> 00:40:51,520
Speaker 2: like if you forget the line, someone's gonna whisper it

868
00:40:51,520 --> 00:40:51,719
Speaker 2: to you.

869
00:40:54,120 --> 00:40:57,960
Speaker 5: Uh, that would be kind of stabilizing for me, there

870
00:40:57,960 --> 00:40:59,320
Speaker 5: are people that can actually do that.

871
00:40:59,360 --> 00:41:00,920
Speaker 1: I've worked with somebody who does it.

872
00:41:01,000 --> 00:41:01,280
Speaker 4: Wow.

873
00:41:01,960 --> 00:41:03,799
Speaker 2: Well, no, film acting is different than the theater.

874
00:41:03,880 --> 00:41:06,480
Speaker 1: Bro. You can continue to talk and they can continue

875
00:41:06,520 --> 00:41:09,320
Speaker 1: to save their lines and they're just regurgitating what they.

876
00:41:09,200 --> 00:41:12,920
Speaker 2: Hear and live like like like like live.

877
00:41:13,120 --> 00:41:17,320
Speaker 1: Yeah, that's pretty impressive. It's like that's a skill in itself.

878
00:41:17,560 --> 00:41:17,799
Speaker 5: Yeah.

879
00:41:17,960 --> 00:41:20,200
Speaker 1: The fact that you can't remember the lines, the fact

880
00:41:20,200 --> 00:41:22,960
Speaker 1: that you can hear this motherfucker talking to you over

881
00:41:23,040 --> 00:41:26,279
Speaker 1: your over your voice right now is impressive.

882
00:41:26,480 --> 00:41:28,200
Speaker 5: But also don't sorry ahead.

883
00:41:28,040 --> 00:41:29,960
Speaker 2: Go ahead, Tony, you're the guests.

884
00:41:30,239 --> 00:41:33,840
Speaker 5: No please. Also, does it remind you of every uh,

885
00:41:34,239 --> 00:41:36,279
Speaker 5: everybody in the A D Department when they're talking to

886
00:41:36,280 --> 00:41:39,200
Speaker 5: you on set. Uh, they always got those those ear

887
00:41:39,239 --> 00:41:40,799
Speaker 5: pieces and they're kind of talking to you, and all

888
00:41:40,800 --> 00:41:45,520
Speaker 5: of a sudden they just kind of dis else.

889
00:41:45,680 --> 00:41:47,239
Speaker 1: You're like some of them, some of them have at

890
00:41:47,320 --> 00:41:49,000
Speaker 1: least the courtesy to put their hand up, like.

891
00:41:49,800 --> 00:41:51,359
Speaker 5: Yeah, yeah, not most of them.

892
00:41:51,520 --> 00:41:53,360
Speaker 2: All Right, we're gonna take a quick break and then

893
00:41:53,360 --> 00:41:54,960
Speaker 2: when we come out back, we're gonn talking about VIEB

894
00:41:55,040 --> 00:41:57,480
Speaker 2: for a second, because I don't know if there's ever

895
00:41:57,520 --> 00:41:59,600
Speaker 2: been a show that made me laugh as hard as

896
00:42:00,560 --> 00:42:11,840
Speaker 2: so We'll be right back. Oh my god, that was

897
00:42:11,880 --> 00:42:17,759
Speaker 2: a long breakication. Yeah, Tony, wasn't that awesome audience. I

898
00:42:17,840 --> 00:42:19,640
Speaker 2: wish we could go through all the things we talked

899
00:42:19,640 --> 00:42:23,920
Speaker 2: about on break, but we don't have time. Tony. I

900
00:42:23,960 --> 00:42:25,759
Speaker 2: heard a rumor, and tell me if this is true

901
00:42:25,760 --> 00:42:30,120
Speaker 2: that you guys would actually really rehearse or improvise and

902
00:42:30,160 --> 00:42:33,320
Speaker 2: the scripts would be written from that can, which which

903
00:42:33,840 --> 00:42:36,480
Speaker 2: is nothing I've ever heard of before and sounds amazing.

904
00:42:36,680 --> 00:42:37,160
Speaker 2: What is that?

905
00:42:37,640 --> 00:42:40,160
Speaker 5: Yeah, it's not I mean they, I mean I. I

906
00:42:40,200 --> 00:42:42,399
Speaker 5: came more from a sketch background. I didn't come from

907
00:42:42,400 --> 00:42:45,600
Speaker 5: an improv background. And when you're working with someone like

908
00:42:45,600 --> 00:42:47,880
Speaker 5: Matt Walls, she was one of the founders of Upright

909
00:42:47,920 --> 00:42:50,880
Speaker 5: Citizens Brigade, I was a little intimidating because I was like, Oh, crap,

910
00:42:51,000 --> 00:42:53,399
Speaker 5: is this like a totally improv show? And it wasn't.

911
00:42:53,520 --> 00:42:56,200
Speaker 5: It was Armanda Nucci who created the show and all

912
00:42:56,200 --> 00:42:59,279
Speaker 5: of his writers, and then David Mandel took over. They

913
00:42:59,360 --> 00:43:03,080
Speaker 5: really gave us like a script and then we would

914
00:43:03,120 --> 00:43:04,279
Speaker 5: just kind of put it on its feet just to

915
00:43:04,360 --> 00:43:06,319
Speaker 5: kind of see if it gelled. And that to me,

916
00:43:06,480 --> 00:43:10,520
Speaker 5: what that afforded was oh, we got words, we got

917
00:43:10,520 --> 00:43:13,520
Speaker 5: a base, and then if anything else comes out, you know,

918
00:43:13,520 --> 00:43:15,400
Speaker 5: if any kind of funny bits comes out, any kind

919
00:43:15,400 --> 00:43:18,200
Speaker 5: of funny physicality. Like Julia and I, I was obviously

920
00:43:18,239 --> 00:43:21,200
Speaker 5: her kind of bag man, and we would always be like, Okay,

921
00:43:21,200 --> 00:43:23,239
Speaker 5: we got the words. Now let's play and see if

922
00:43:23,280 --> 00:43:25,040
Speaker 5: like Okay, if you drop your code here, I'll try

923
00:43:25,040 --> 00:43:27,480
Speaker 5: to snag it here. You know, then we kind of

924
00:43:27,480 --> 00:43:29,279
Speaker 5: fund out come up with a lot of fun physicality.

925
00:43:29,360 --> 00:43:32,520
Speaker 2: During those rehearsals before shooting.

926
00:43:32,640 --> 00:43:35,759
Speaker 5: Yeah, yeah, yeah, like they we would. When Ormanda was

927
00:43:35,760 --> 00:43:39,880
Speaker 5: in charge, we would rehearse sometimes like a week and

928
00:43:39,920 --> 00:43:41,760
Speaker 5: we would rehearse like three or four scripts.

929
00:43:41,960 --> 00:43:46,800
Speaker 1: And that's never I think that, but because I hate

930
00:43:46,800 --> 00:43:48,759
Speaker 1: the fact when you go home, I hate going home

931
00:43:48,800 --> 00:43:51,120
Speaker 1: feeling like I should have done it this way. I

932
00:43:51,239 --> 00:43:54,560
Speaker 1: left this on the table and told every actor feels

933
00:43:54,560 --> 00:43:57,160
Speaker 1: that way no matter what, no matter how long the

934
00:43:57,239 --> 00:44:00,840
Speaker 1: day is. At some point in the take you're like,

935
00:44:00,880 --> 00:44:02,480
Speaker 1: all right, I gotta get through this shit, man.

936
00:44:02,600 --> 00:44:06,640
Speaker 5: Fuck yeah. And then you got that you.

937
00:44:06,560 --> 00:44:08,839
Speaker 2: Got to clarify for the audience just in case everyone else.

938
00:44:09,000 --> 00:44:11,120
Speaker 2: For the most part, when we do Cereal television, like this,

939
00:44:11,440 --> 00:44:14,040
Speaker 2: we get the scripts, we rehearse the scene in the

940
00:44:14,040 --> 00:44:16,480
Speaker 2: morning or what let's just say it's the morning scene,

941
00:44:16,800 --> 00:44:18,480
Speaker 2: and then we block it out, we figure out what

942
00:44:18,520 --> 00:44:20,000
Speaker 2: the jokes, how everyone's going to be, and then we

943
00:44:20,040 --> 00:44:23,399
Speaker 2: go and film film it. In this rare case, they

944
00:44:23,440 --> 00:44:26,520
Speaker 2: were actually rehearsing as you would play.

945
00:44:26,600 --> 00:44:27,680
Speaker 3: For three weeks.

946
00:44:28,360 --> 00:44:30,800
Speaker 5: Yeah, like yeah, sometimes like there was way one or

947
00:44:30,840 --> 00:44:33,240
Speaker 5: two weeks, like but a lot of scripts and then

948
00:44:34,000 --> 00:44:36,759
Speaker 5: but to your point, Donald, the worst is because that

949
00:44:36,920 --> 00:44:39,160
Speaker 5: is incredibly rare, and I was very fortunate to go

950
00:44:39,160 --> 00:44:43,840
Speaker 5: through imp I know. And typically to your point, Donald,

951
00:44:43,880 --> 00:44:46,279
Speaker 5: when you I would say something and you're like, oh,

952
00:44:46,360 --> 00:44:48,640
Speaker 5: I know there's something else. I know I could do more,

953
00:44:48,640 --> 00:44:51,160
Speaker 5: and then they're like, all right, let's turn around, meaning

954
00:44:51,400 --> 00:44:53,200
Speaker 5: let's go to the other angle away from me. And

955
00:44:53,239 --> 00:44:56,759
Speaker 5: I'm like, ah, I don't think I did. Can I

956
00:44:56,800 --> 00:44:57,160
Speaker 5: do it? Yeah?

957
00:44:57,239 --> 00:44:59,680
Speaker 1: Yeah, yeah, you know what I mean. On television you

958
00:44:59,680 --> 00:45:03,480
Speaker 1: get like literally, really if you're if if the show's

959
00:45:03,520 --> 00:45:04,800
Speaker 1: moving well, you'll.

960
00:45:04,600 --> 00:45:06,960
Speaker 3: Get three takes, four takes, and.

961
00:45:07,040 --> 00:45:10,759
Speaker 1: Then they're moving on you. It's pretty ballsy for them

962
00:45:10,760 --> 00:45:12,760
Speaker 1: to say, Okay, we're gonna move on. It's pretty ballsy

963
00:45:12,800 --> 00:45:14,600
Speaker 1: for not to be like, can I get another one?

964
00:45:15,080 --> 00:45:17,239
Speaker 1: And then you feel like a right, and then they

965
00:45:17,239 --> 00:45:20,560
Speaker 1: give it to you, and then afterwards you like, can I.

966
00:45:20,520 --> 00:45:21,279
Speaker 5: Get one more?

967
00:45:23,160 --> 00:45:24,000
Speaker 2: We're on of chances.

968
00:45:24,000 --> 00:45:25,239
Speaker 1: You got to you gotta get.

969
00:45:25,160 --> 00:45:27,400
Speaker 5: The yeah, you know what I mean, or you get that,

970
00:45:27,520 --> 00:45:29,200
Speaker 5: or you get that look after you do it when

971
00:45:29,239 --> 00:45:31,279
Speaker 5: you ask for one more and they're like, I didn't

972
00:45:31,280 --> 00:45:32,000
Speaker 5: see anything different.

973
00:45:32,560 --> 00:45:35,120
Speaker 2: It's what did you do?

974
00:45:35,239 --> 00:45:35,759
Speaker 4: What did you do?

975
00:45:36,000 --> 00:45:37,000
Speaker 3: What would you do different?

976
00:45:37,200 --> 00:45:37,359
Speaker 1: Right?

977
00:45:38,840 --> 00:45:41,560
Speaker 2: You must have laughed so hard. I mean I I

978
00:45:42,480 --> 00:45:44,399
Speaker 2: just thought that show was so fun. I didn't want

979
00:45:44,400 --> 00:45:47,080
Speaker 2: it to end. I just thought it was And now,

980
00:45:47,120 --> 00:45:48,719
Speaker 2: more than ever, I think so much of it is

981
00:45:48,840 --> 00:45:50,120
Speaker 2: it feels like it's real life.

982
00:45:50,360 --> 00:45:52,920
Speaker 5: Uh. I think that's why a part of why we

983
00:45:52,960 --> 00:45:56,200
Speaker 5: did stop because it started to Julia says, when you

984
00:45:56,360 --> 00:45:58,520
Speaker 5: kind of think you're doing a bit of a documentary,

985
00:45:58,840 --> 00:46:02,280
Speaker 5: you know, you're like this. The parallel that was happening

986
00:46:02,320 --> 00:46:05,320
Speaker 5: in politics was a little it was its own sitcom.

987
00:46:06,120 --> 00:46:08,840
Speaker 2: And also I think that's universal to both parties. It

988
00:46:08,840 --> 00:46:11,320
Speaker 2: seems to me is that I never really see anything

989
00:46:11,360 --> 00:46:14,319
Speaker 2: about the vice president, Like they get in office and

990
00:46:14,360 --> 00:46:16,840
Speaker 2: then I don't really know what in either party what

991
00:46:16,880 --> 00:46:18,600
Speaker 2: they're doing, and the two.

992
00:46:18,520 --> 00:46:21,960
Speaker 1: Most famous vice presidents are Bush and Biden, and that's

993
00:46:22,000 --> 00:46:24,360
Speaker 1: because they became president after they were vice president.

994
00:46:24,400 --> 00:46:26,080
Speaker 2: No, but I'm just saying if you just use Kamala

995
00:46:26,160 --> 00:46:29,640
Speaker 2: and Pence just as an example, Okay, it's so I

996
00:46:29,640 --> 00:46:32,279
Speaker 2: can say that. I think it's universal. Like I don't

997
00:46:32,280 --> 00:46:35,120
Speaker 2: know what either of them have really done. It seems

998
00:46:35,160 --> 00:46:37,759
Speaker 2: like they have a really interesting story to tell. And

999
00:46:37,760 --> 00:46:39,879
Speaker 2: that's why I appreciated about the comedy of it all.

1000
00:46:40,239 --> 00:46:43,200
Speaker 5: You know what that makes me think of Gary would

1001
00:46:43,239 --> 00:46:46,400
Speaker 5: always stand behind Julia and he wasn't allowed to talk

1002
00:46:46,480 --> 00:46:49,520
Speaker 5: like Julia Selena never really wanted Gary to talk, to

1003
00:46:49,560 --> 00:46:52,120
Speaker 5: the point where I was called a bitchy mime because

1004
00:46:52,160 --> 00:46:55,640
Speaker 5: I just all I had was my nonverbal And it

1005
00:46:55,840 --> 00:46:57,759
Speaker 5: kind of think the vice president's kind of like that,

1006
00:46:57,840 --> 00:46:59,680
Speaker 5: like they just kind of stand back and just give

1007
00:46:59,760 --> 00:47:01,319
Speaker 5: some nonverbal.

1008
00:47:00,800 --> 00:47:02,120
Speaker 2: Every now and then. Yeah, just not.

1009
00:47:02,680 --> 00:47:04,719
Speaker 1: Can we go back to what you said when you

1010
00:47:04,760 --> 00:47:08,920
Speaker 1: said you guys would improvisee you guys would improvise physicality. Yeah,

1011
00:47:09,080 --> 00:47:13,600
Speaker 1: that's that's a different form of improvisation right there. So

1012
00:47:13,680 --> 00:47:17,000
Speaker 1: we just turn into stunts with this turned into pratfalls

1013
00:47:17,080 --> 00:47:18,040
Speaker 1: like any of your stuff.

1014
00:47:18,120 --> 00:47:20,399
Speaker 5: Yeah, yeah, I mean a good I love a good

1015
00:47:20,400 --> 00:47:24,040
Speaker 5: prat fall. It was I think because because Gary really

1016
00:47:24,040 --> 00:47:27,759
Speaker 5: couldn't speak, physicality was his language, Like that was kind

1017
00:47:27,800 --> 00:47:30,520
Speaker 5: of like the face. And Selena as the president and

1018
00:47:30,560 --> 00:47:33,680
Speaker 5: the vice president, couldn't really be honest with her speeches.

1019
00:47:34,160 --> 00:47:38,080
Speaker 5: But my character had this like my nonverbal could be

1020
00:47:38,160 --> 00:47:40,080
Speaker 5: her honesty. So she was talking to someone who was

1021
00:47:40,160 --> 00:47:42,120
Speaker 5: kind of an ass and she was all nice. I

1022
00:47:42,200 --> 00:47:46,960
Speaker 5: was just in the back, like what a do? And

1023
00:47:47,040 --> 00:47:50,360
Speaker 5: so that was really fine, but also something there was.

1024
00:47:50,400 --> 00:47:53,040
Speaker 5: I remember there was one scene where we were at

1025
00:47:53,040 --> 00:47:55,520
Speaker 5: a museum and she wasn't president anymore, and they had

1026
00:47:55,520 --> 00:47:58,640
Speaker 5: like roped off the president desk and she just wanted

1027
00:47:58,640 --> 00:48:00,920
Speaker 5: a taste of like what it felt again to be

1028
00:48:00,960 --> 00:48:02,680
Speaker 5: at the president's deskin. She went over, She went over

1029
00:48:02,680 --> 00:48:05,120
Speaker 5: the rope and sat there, and then people came in

1030
00:48:05,400 --> 00:48:07,239
Speaker 5: and that's when we were like, okay, now we can

1031
00:48:07,280 --> 00:48:09,239
Speaker 5: have some fun. So I tried to get her over

1032
00:48:09,320 --> 00:48:11,520
Speaker 5: the railing and then she I caught her right before

1033
00:48:11,520 --> 00:48:14,920
Speaker 5: her face hit before. I mean that kind of fun

1034
00:48:15,160 --> 00:48:17,000
Speaker 5: like stuff to make you know.

1035
00:48:17,239 --> 00:48:18,759
Speaker 1: How many cameras did you guys have?

1036
00:48:19,600 --> 00:48:22,280
Speaker 5: We had? It was single yeah.

1037
00:48:21,920 --> 00:48:25,280
Speaker 1: Okay, so on arrested you guys had like five cameras,

1038
00:48:25,360 --> 00:48:27,040
Speaker 1: but it's still camera.

1039
00:48:26,920 --> 00:48:27,560
Speaker 2: Not five.

1040
00:48:27,920 --> 00:48:30,640
Speaker 3: I had so many, but it's still considered single.

1041
00:48:30,600 --> 00:48:34,520
Speaker 2: How many you're confusing our audience, not.

1042
00:48:34,480 --> 00:48:36,319
Speaker 3: Because you know what you guys know what I mean.

1043
00:48:36,360 --> 00:48:37,439
Speaker 3: You can bring I know.

1044
00:48:37,360 --> 00:48:41,319
Speaker 2: But terms let me explain for the audience, just because

1045
00:48:41,360 --> 00:48:44,160
Speaker 2: this can get confusing. Traditionally it used to be multiicam

1046
00:48:44,239 --> 00:48:46,880
Speaker 2: meant the old school live in front of an audience

1047
00:48:46,920 --> 00:48:50,160
Speaker 2: with a laugh track, like Friends, for example, And then

1048
00:48:50,239 --> 00:48:53,000
Speaker 2: when the new show started coming along, like Scrubs and

1049
00:48:53,080 --> 00:48:56,480
Speaker 2: like The Office and like Arrested, they started calling them

1050
00:48:56,480 --> 00:48:58,680
Speaker 2: single camera, meaning we were shooting them like a movie

1051
00:48:58,960 --> 00:49:03,000
Speaker 2: on sets there was no audience. And then for time

1052
00:49:03,160 --> 00:49:06,600
Speaker 2: and budget, people started adding more cameras, being like, let's

1053
00:49:06,640 --> 00:49:10,040
Speaker 2: get more coverage at the same time, so we would

1054
00:49:10,040 --> 00:49:15,040
Speaker 2: shoot two cameras for the most part on Scrub. We

1055
00:49:15,080 --> 00:49:18,400
Speaker 2: still shoot two or three on on Shrinking these days.

1056
00:49:19,040 --> 00:49:21,480
Speaker 2: And I remember Arrested was was at least when I was,

1057
00:49:21,520 --> 00:49:23,680
Speaker 2: there was at least two handheld right because it was

1058
00:49:23,680 --> 00:49:26,520
Speaker 2: supposed to be a documentary, so that was all handheld style, right.

1059
00:49:27,200 --> 00:49:30,759
Speaker 5: Yeah, yeah, because they kind of pitched it like documentary style.

1060
00:49:30,800 --> 00:49:33,560
Speaker 5: We had some I think sometimes when they had three cameras,

1061
00:49:33,600 --> 00:49:35,279
Speaker 5: we were like, oh, this is a this is a

1062
00:49:35,320 --> 00:49:40,120
Speaker 5: special day. And nowadays three camera for a single for

1063
00:49:40,200 --> 00:49:43,240
Speaker 5: a single camera show, which does I know that's confusing,

1064
00:49:43,600 --> 00:49:44,560
Speaker 5: that's kind of typical.

1065
00:49:44,600 --> 00:49:46,560
Speaker 2: I feel, Yeah, that's what we do. That's what we're

1066
00:49:46,560 --> 00:49:49,759
Speaker 2: doing on shrinking and h and it's pretty great. It's

1067
00:49:49,800 --> 00:49:51,040
Speaker 2: pretty Yuh. I like it.

1068
00:49:51,280 --> 00:49:54,280
Speaker 1: You can get so much, but get to Cara asking,

1069
00:49:54,360 --> 00:49:56,680
Speaker 1: that's what I was asking. If you do a pratfall

1070
00:49:56,760 --> 00:49:59,520
Speaker 1: like that, you can't the chances of getting that comedy

1071
00:49:59,600 --> 00:50:00,560
Speaker 1: right over and again.

1072
00:50:00,719 --> 00:50:04,319
Speaker 5: Yes, yes, good call. And it's even with improv because

1073
00:50:04,320 --> 00:50:06,680
Speaker 5: it not just physicality, but it's like with improv when

1074
00:50:06,680 --> 00:50:08,759
Speaker 5: people are coming up with stuff on the fly, you

1075
00:50:08,800 --> 00:50:11,040
Speaker 5: want those two cameras on either sides to catch.

1076
00:50:11,440 --> 00:50:11,640
Speaker 1: Yeah.

1077
00:50:11,680 --> 00:50:13,839
Speaker 2: Actually, that's a big thing now more than ever. That's

1078
00:50:13,840 --> 00:50:17,239
Speaker 2: another thing audience is called cross covering, when we never

1079
00:50:17,360 --> 00:50:21,200
Speaker 2: used to do back in the day. But the cinematographers

1080
00:50:21,560 --> 00:50:25,120
Speaker 2: finding ways to shoot both directions at the same time.

1081
00:50:25,239 --> 00:50:27,480
Speaker 2: So if an actor is improving left and right, the

1082
00:50:27,520 --> 00:50:29,680
Speaker 2: other person can be improving back and you're not having this.

1083
00:50:30,040 --> 00:50:31,600
Speaker 2: You're not having to go back and go, Okay, what

1084
00:50:31,640 --> 00:50:33,239
Speaker 2: were the funny things that you said, because I now

1085
00:50:33,280 --> 00:50:34,279
Speaker 2: want to respond to them.

1086
00:50:34,520 --> 00:50:38,239
Speaker 5: And the challenge with that is it's really hard not

1087
00:50:38,360 --> 00:50:41,600
Speaker 5: to break because when people are coming up with stuff

1088
00:50:41,640 --> 00:50:45,480
Speaker 5: on the fly and you're like, you need a super here,

1089
00:50:46,200 --> 00:50:49,320
Speaker 5: supernatural power to not laugh. And when Julia Louis Drives

1090
00:50:49,360 --> 00:50:50,920
Speaker 5: is next to you and she's come up with stuff.

1091
00:50:51,520 --> 00:50:53,799
Speaker 5: She told me once and I've said this many times,

1092
00:50:53,840 --> 00:50:55,920
Speaker 5: but she told me this once, like Tony, you know

1093
00:50:55,960 --> 00:50:57,720
Speaker 5: you're not watching the show. You're in the show.

1094
00:50:58,400 --> 00:51:01,000
Speaker 2: Because I just could not.

1095
00:51:01,520 --> 00:51:05,800
Speaker 5: I could not keep it together. There was one scene

1096
00:51:05,800 --> 00:51:09,240
Speaker 5: where she had her character told me like she wanted

1097
00:51:09,280 --> 00:51:12,200
Speaker 5: me to break up with her boyfriend for her, and

1098
00:51:12,239 --> 00:51:15,239
Speaker 5: we were we were face to face, so close, I

1099
00:51:15,360 --> 00:51:19,520
Speaker 5: was kissing, and I was like, this is a supernatural

1100
00:51:19,560 --> 00:51:22,960
Speaker 5: strength to keep it together. My body was shaking and

1101
00:51:23,000 --> 00:51:25,040
Speaker 5: I had to make I mean, it's like, forget about it.

1102
00:51:25,080 --> 00:51:27,319
Speaker 2: I mean, we do that to Donald and I would

1103
00:51:27,400 --> 00:51:30,360
Speaker 2: crack each other up and we couldn't. We'd have to.

1104
00:51:30,440 --> 00:51:31,440
Speaker 2: I remember trying to.

1105
00:51:31,360 --> 00:51:32,480
Speaker 1: Do it was on film too.

1106
00:51:32,640 --> 00:51:35,240
Speaker 2: I would try remember like bite, I would bite my cheek,

1107
00:51:35,360 --> 00:51:40,400
Speaker 2: I would bite, would places myself and then you get thinking.

1108
00:51:40,160 --> 00:51:43,200
Speaker 5: About sad stories. Like I would think about, like someone dying.

1109
00:51:43,480 --> 00:51:45,680
Speaker 2: I would think everyone's pissed at me. I was like,

1110
00:51:45,760 --> 00:51:48,319
Speaker 2: everyone's doesn't. No one thinks this is funny. Everybody wants

1111
00:51:48,360 --> 00:51:50,759
Speaker 2: to go home. Stop giggling. You get the giggles, and

1112
00:51:50,760 --> 00:51:51,520
Speaker 2: then you're screwed.

1113
00:51:51,680 --> 00:51:52,760
Speaker 5: You do get the giggles.

1114
00:51:53,040 --> 00:51:53,759
Speaker 1: Let's take a break.

1115
00:51:53,880 --> 00:52:04,200
Speaker 2: We'll be right back after these fine words. Let's talk

1116
00:52:04,200 --> 00:52:06,560
Speaker 2: about your new show, because I watched the pilot and

1117
00:52:06,600 --> 00:52:07,680
Speaker 2: it was really really.

1118
00:52:08,080 --> 00:52:09,319
Speaker 5: Yes, yes, thank you.

1119
00:52:09,480 --> 00:52:11,799
Speaker 1: I watched it too, and I don't watch it, but

1120
00:52:11,960 --> 00:52:14,480
Speaker 1: I watched the pilot and I am going to continue

1121
00:52:14,480 --> 00:52:14,879
Speaker 1: to watch.

1122
00:52:15,080 --> 00:52:19,400
Speaker 2: It's really how do you say it? The Decameron, the Cameron,

1123
00:52:19,600 --> 00:52:22,080
Speaker 2: the Cameron.

1124
00:52:22,480 --> 00:52:22,680
Speaker 1: You know.

1125
00:52:22,719 --> 00:52:28,360
Speaker 5: We we shot in Italy for six it's beautiful.

1126
00:52:29,120 --> 00:52:30,840
Speaker 3: So these are all practical sets.

1127
00:52:30,880 --> 00:52:32,960
Speaker 2: Then this is no, no, that's there's definitely a big

1128
00:52:33,000 --> 00:52:33,600
Speaker 2: as set.

1129
00:52:33,640 --> 00:52:35,800
Speaker 5: Right well we yeah, the big asset was in the villa,

1130
00:52:35,880 --> 00:52:39,719
Speaker 5: which yeah, beautiful. It was chi Chiita. These are, by

1131
00:52:39,719 --> 00:52:42,200
Speaker 5: the way, these names, these Italian names. I say, I

1132
00:52:42,400 --> 00:52:44,920
Speaker 5: completely left up the per first three weeks of being there,

1133
00:52:44,920 --> 00:52:46,839
Speaker 5: and then after after time I got used to it.

1134
00:52:46,880 --> 00:52:50,000
Speaker 5: But Cheta is where we shot, and and then when

1135
00:52:50,040 --> 00:52:52,160
Speaker 5: we did exteriorst like the castle. We would go to

1136
00:52:52,200 --> 00:52:54,200
Speaker 5: these gorgeous places and do that stuff.

1137
00:52:54,320 --> 00:52:57,719
Speaker 2: It's so beautiful, beautiful. I was so envious looking at

1138
00:52:57,760 --> 00:53:01,799
Speaker 2: all these exterior locations. I never know, other than when

1139
00:53:01,840 --> 00:53:03,800
Speaker 2: Donald and I went to the Bahamas for scrubs, I

1140
00:53:03,800 --> 00:53:07,879
Speaker 2: don't think I've ever worked in some place as it

1141
00:53:08,000 --> 00:53:08,600
Speaker 2: was beautiful.

1142
00:53:08,719 --> 00:53:11,080
Speaker 5: And the Italians are very I mean, They're artistry is great.

1143
00:53:11,120 --> 00:53:13,880
Speaker 5: They're honest people. They're honest people.

1144
00:53:13,920 --> 00:53:14,239
Speaker 1: I was.

1145
00:53:14,480 --> 00:53:17,279
Speaker 5: I had this costume, I war had this belt, and

1146
00:53:17,280 --> 00:53:19,839
Speaker 5: it's well. For those who don't know, it takes place

1147
00:53:19,920 --> 00:53:23,040
Speaker 5: during the Bubonic plague during thirteen forty eight.

1148
00:53:23,200 --> 00:53:26,279
Speaker 2: I think The Great is a good reference point. Yes, yeah,

1149
00:53:26,320 --> 00:53:28,759
Speaker 2: if people know the show The Great, it's sort of

1150
00:53:28,760 --> 00:53:32,520
Speaker 2: a highly stylized period style. It was very modern elements

1151
00:53:32,520 --> 00:53:36,880
Speaker 2: in modern music, but set you know in what fourteen.

1152
00:53:36,560 --> 00:53:40,600
Speaker 5: Something, yeah, fourteenth century, thirteen forty eight, And it's kind

1153
00:53:40,600 --> 00:53:43,560
Speaker 5: of the writer Kathleen Jordan wrote it during the pandemic

1154
00:53:43,600 --> 00:53:45,840
Speaker 5: as a way of kind of processing the uncertainty and

1155
00:53:45,920 --> 00:53:48,919
Speaker 5: fear that we were all experiencing. And it's it's kind

1156
00:53:48,960 --> 00:53:52,000
Speaker 5: of like a I play the kind of and if

1157
00:53:52,000 --> 00:53:53,400
Speaker 5: you think of doubt Nabbey. I kind of played like

1158
00:53:53,440 --> 00:53:55,799
Speaker 5: the carson, like the kind of the head of the

1159
00:53:55,800 --> 00:53:58,680
Speaker 5: downstairs right. I would say very darker.

1160
00:53:58,960 --> 00:54:01,719
Speaker 2: Glory nabb Glory's wig glorious, oh my.

1161
00:54:01,960 --> 00:54:05,759
Speaker 5: Just gorgeous, I mean my hair. And the Italians, I'm

1162
00:54:05,760 --> 00:54:08,359
Speaker 5: not kidding, they would always say, Tony your head, that hey,

1163
00:54:08,360 --> 00:54:11,560
Speaker 5: that wig looks so beautiful, so beautiful. And after a

1164
00:54:11,600 --> 00:54:13,799
Speaker 5: while I was like, hard not to be insulted because

1165
00:54:13,800 --> 00:54:16,040
Speaker 5: I'm like, this is not my hair does not look

1166
00:54:16,120 --> 00:54:17,760
Speaker 5: this good, and I have to take this off.

1167
00:54:18,000 --> 00:54:19,520
Speaker 2: They're getting credit like it's your hair.

1168
00:54:19,600 --> 00:54:21,840
Speaker 5: Yeah, And I said, guys, I can't glue this on

1169
00:54:21,880 --> 00:54:23,879
Speaker 5: my head every day, and this one Italian goes, ah,

1170
00:54:24,000 --> 00:54:29,839
Speaker 5: maybe you should, and I was like, okay, let's settle down, man.

1171
00:54:30,239 --> 00:54:32,520
Speaker 5: And then there's another guy. I had my costume and

1172
00:54:32,560 --> 00:54:34,680
Speaker 5: I said, hey, can you make this belt a little tighter?

1173
00:54:34,680 --> 00:54:38,680
Speaker 5: And he goes, no, you have an odd shape. And

1174
00:54:38,760 --> 00:54:41,640
Speaker 5: I was like sorry, and he goes, what you do you.

1175
00:54:44,000 --> 00:54:47,280
Speaker 2: I loved about the show is that other than you.

1176
00:54:47,160 --> 00:54:50,479
Speaker 5: And Sasha Sasha Mammot good Saja Mammon.

1177
00:54:50,560 --> 00:54:52,320
Speaker 2: Sorry. I would never said her name out loud, but

1178
00:54:52,360 --> 00:54:55,319
Speaker 2: she's very funny. But I'll youtwo. I hadn't seen any

1179
00:54:55,360 --> 00:54:58,720
Speaker 2: of these people before, and I love shows that introduced

1180
00:54:58,760 --> 00:55:01,040
Speaker 2: me to all these new actors.

1181
00:55:01,080 --> 00:55:03,960
Speaker 5: It was a lot of funny Sias Shamanica Jackson who

1182
00:55:04,000 --> 00:55:06,840
Speaker 5: was on that show Dairy Girls, which I started watching

1183
00:55:06,840 --> 00:55:09,360
Speaker 5: when I got this. So funny, I mean, just a

1184
00:55:09,400 --> 00:55:12,040
Speaker 5: lot of Tanya Reynolds, who is I did not watch it,

1185
00:55:12,080 --> 00:55:14,840
Speaker 5: but the show Sex Education, and just a lot of

1186
00:55:14,960 --> 00:55:17,240
Speaker 5: UK actors and really funny.

1187
00:55:17,440 --> 00:55:20,480
Speaker 2: Who's the woman who plays the main the woman who

1188
00:55:20,560 --> 00:55:22,440
Speaker 2: steals the identity of her of her?

1189
00:55:22,560 --> 00:55:26,520
Speaker 5: Yeah, Tanya Reynolds, she's the one. Very very good, very good,

1190
00:55:26,920 --> 00:55:30,280
Speaker 5: And it's just it was so fun and I also

1191
00:55:30,360 --> 00:55:33,520
Speaker 5: I will say it wasn't just the script is so

1192
00:55:33,640 --> 00:55:36,560
Speaker 5: good and shows really and it has an arc. I

1193
00:55:36,560 --> 00:55:38,360
Speaker 5: don't I was talking to somebody about this recently. I

1194
00:55:38,360 --> 00:55:40,200
Speaker 5: don't know if you guys. I don't think you guys did,

1195
00:55:40,280 --> 00:55:43,279
Speaker 5: because you guys did. But what my other characters like

1196
00:55:43,320 --> 00:55:46,160
Speaker 5: Buster or Gary, they kind of get stuck in a

1197
00:55:46,280 --> 00:55:48,960
Speaker 5: kind of an emasculated role and that's kind of the funny,

1198
00:55:49,040 --> 00:55:51,680
Speaker 5: like they never really grow. Yeah, it was really nice

1199
00:55:51,680 --> 00:55:54,080
Speaker 5: on the show to have a full arc, like it's

1200
00:55:54,120 --> 00:55:57,040
Speaker 5: a limited series. You really see you know, he has

1201
00:55:57,080 --> 00:55:59,160
Speaker 5: an awareness and he makes mistakes and then he kind

1202
00:55:59,200 --> 00:56:01,399
Speaker 5: of retreats and comes back. And that was nice.

1203
00:56:01,520 --> 00:56:03,399
Speaker 2: Well the pilot. I only saw the pilot, but man,

1204
00:56:03,480 --> 00:56:06,400
Speaker 2: it sets up so much mayhem. Yes, I thought that

1205
00:56:06,480 --> 00:56:09,560
Speaker 2: was It's a really good pilot because you go just

1206
00:56:09,920 --> 00:56:12,200
Speaker 2: I mean, it's a testament to the writing because not

1207
00:56:12,239 --> 00:56:16,000
Speaker 2: only does it set up so many characters, but so

1208
00:56:16,120 --> 00:56:19,120
Speaker 2: many different subplots and stories, and I.

1209
00:56:19,120 --> 00:56:22,040
Speaker 1: Would say it takes its time to bring it all

1210
00:56:22,080 --> 00:56:24,479
Speaker 1: together and just filing alone. Yeah.

1211
00:56:24,760 --> 00:56:27,640
Speaker 5: Yeah, that's something she was talking about recently that she

1212
00:56:27,760 --> 00:56:31,520
Speaker 5: was inspired kind of by Amadeus and like the favorite

1213
00:56:31,600 --> 00:56:34,560
Speaker 5: and and there was a sense of kind of sitting

1214
00:56:34,640 --> 00:56:38,400
Speaker 5: in the tension a lot like and also there we

1215
00:56:38,480 --> 00:56:41,360
Speaker 5: all use our dialect where it's not the same dialect

1216
00:56:41,640 --> 00:56:44,160
Speaker 5: very because she said, similar to Amadeus, and she kind

1217
00:56:44,160 --> 00:56:45,000
Speaker 5: of like, yeah.

1218
00:56:44,800 --> 00:56:49,680
Speaker 2: Well, Denzel. People have been joking about the the New

1219
00:56:49,719 --> 00:56:52,279
Speaker 2: Gladiator siler because Denzel is just like, I'm just going

1220
00:56:52,320 --> 00:56:52,960
Speaker 2: to be Denzel.

1221
00:56:55,800 --> 00:56:59,400
Speaker 1: I'm surprised he's like not my man. In the trailer.

1222
00:57:00,239 --> 00:57:02,120
Speaker 4: We like it, my man, I love it.

1223
00:57:02,520 --> 00:57:06,560
Speaker 2: Listen, nobody cares, by the way. Everyone just like.

1224
00:57:07,719 --> 00:57:09,920
Speaker 3: He got a bow and arrow. At some point, I'm like,

1225
00:57:09,960 --> 00:57:11,520
Speaker 3: this motherfucker kick ass.

1226
00:57:14,840 --> 00:57:15,840
Speaker 5: Did you say there's a trailer?

1227
00:57:16,080 --> 00:57:18,920
Speaker 3: Yeah, now this is what they got me.

1228
00:57:19,160 --> 00:57:19,440
Speaker 2: Listen.

1229
00:57:19,560 --> 00:57:23,200
Speaker 1: He was under the impression that it's the Mandalorian dude

1230
00:57:23,240 --> 00:57:24,120
Speaker 1: that's the start a.

1231
00:57:24,120 --> 00:57:25,680
Speaker 5: Movie, Petroscal.

1232
00:57:25,800 --> 00:57:27,040
Speaker 3: Yeah, it's not him.

1233
00:57:27,160 --> 00:57:31,160
Speaker 1: It's his lookalike brother dude, like the dude, the dude

1234
00:57:31,160 --> 00:57:34,360
Speaker 1: that they got to play here the it's.

1235
00:57:34,560 --> 00:57:36,920
Speaker 2: It looks like you don't know. This guy is very famous.

1236
00:57:36,920 --> 00:57:42,040
Speaker 2: Donald what's his name, Paul Paul something, Paul Mescal, Paul Scow.

1237
00:57:42,240 --> 00:57:50,400
Speaker 8: He even got the same name, Peal, Paul Paul. I'm

1238
00:57:50,440 --> 00:57:54,640
Speaker 8: just saying, man, it kind of sound the same, potato

1239
00:57:54,760 --> 00:57:56,400
Speaker 8: Potato Pascal.

1240
00:57:56,640 --> 00:57:59,919
Speaker 2: They're both incredible. Pedro Piscal even in the movie.

1241
00:58:00,440 --> 00:58:02,040
Speaker 3: Yes, yes he is in the movie.

1242
00:58:04,200 --> 00:58:05,680
Speaker 2: To be honest, I just saw the memes. I have

1243
00:58:05,760 --> 00:58:09,160
Speaker 2: yet to see the trailer, but I saw all they

1244
00:58:09,320 --> 00:58:10,560
Speaker 2: fight a rhino.

1245
00:58:12,800 --> 00:58:16,080
Speaker 5: I think that they came. I think they were there

1246
00:58:16,200 --> 00:58:18,720
Speaker 5: or came right after we finished a camera and at

1247
00:58:18,720 --> 00:58:20,160
Speaker 5: the stages that we were shooting.

1248
00:58:21,560 --> 00:58:24,720
Speaker 3: Yea, there's a scene which was a quirky sidekick.

1249
00:58:26,520 --> 00:58:27,240
Speaker 1: That motherfucker.

1250
00:58:27,640 --> 00:58:31,160
Speaker 2: I'm here, there's a rewrite. Denzel Denzel now has a

1251
00:58:31,240 --> 00:58:33,480
Speaker 2: quirky Hey.

1252
00:58:33,320 --> 00:58:38,720
Speaker 5: Denzel, you look dirty.

1253
00:58:40,760 --> 00:58:43,200
Speaker 1: I'm just saying, man, there's a scene where they fill

1254
00:58:43,280 --> 00:58:46,520
Speaker 1: the Colosseum up with water and have a boat fight

1255
00:58:46,960 --> 00:58:47,920
Speaker 1: in the coliseum.

1256
00:58:48,400 --> 00:58:50,600
Speaker 2: I don't know who told was a real thing.

1257
00:58:50,720 --> 00:58:51,520
Speaker 3: Yeah, it was me and you.

1258
00:58:51,600 --> 00:58:54,240
Speaker 1: That's what we were having this conversation with somebody. They

1259
00:58:54,400 --> 00:58:55,080
Speaker 1: used to do that.

1260
00:58:55,600 --> 00:58:58,280
Speaker 5: Oh yeah, if you that's one thing I did do

1261
00:58:58,480 --> 00:59:02,520
Speaker 5: a lot's go to the Colisseum and it was fascinating.

1262
00:59:02,560 --> 00:59:03,560
Speaker 2: What do you do there?

1263
00:59:04,360 --> 00:59:06,880
Speaker 5: Just walking around? I just walked around and then they

1264
00:59:06,920 --> 00:59:09,680
Speaker 5: you kind of go downstairs where you know, they brought

1265
00:59:09,680 --> 00:59:12,040
Speaker 5: the animals up and then yeah, and the and the

1266
00:59:12,080 --> 00:59:17,080
Speaker 5: fighters and just it was so atrocious. It's so atrocious.

1267
00:59:17,080 --> 00:59:21,919
Speaker 5: But there was also something really, I don't know, existential

1268
00:59:21,960 --> 00:59:24,720
Speaker 5: about it, Like at the time it was the just

1269
00:59:24,880 --> 00:59:27,760
Speaker 5: pinnacle of wealth and then you just now everything's been

1270
00:59:27,760 --> 00:59:30,400
Speaker 5: stripped away, and it's like, man, just that's what happens

1271
00:59:30,400 --> 00:59:33,040
Speaker 5: with that equation is just that atrocious.

1272
00:59:33,160 --> 00:59:35,440
Speaker 1: And it happened like that too. It was like the

1273
00:59:35,480 --> 00:59:36,800
Speaker 1: Fall of Rome was like that.

1274
00:59:37,240 --> 00:59:40,080
Speaker 2: I'm sorry this is a dumb question, but is the

1275
00:59:40,080 --> 00:59:43,520
Speaker 2: coliseum just a museum thing you visit or can they

1276
00:59:43,640 --> 00:59:45,160
Speaker 2: still throw shows there.

1277
00:59:45,480 --> 00:59:48,280
Speaker 5: No, it's not a stupid question. It's right now. It's

1278
00:59:48,280 --> 00:59:49,080
Speaker 5: a it's a museum.

1279
00:59:49,160 --> 00:59:51,280
Speaker 2: It's good because probably suck it up. They'd get all

1280
00:59:51,360 --> 00:59:53,080
Speaker 2: drunk and like, piss on it.

1281
00:59:53,800 --> 00:59:55,880
Speaker 5: Yeah, just just piss on it.

1282
00:59:56,120 --> 00:59:59,320
Speaker 2: No, you know you can't trust What are you going

1283
00:59:59,400 --> 00:59:59,880
Speaker 2: to do tonight?

1284
01:00:00,000 --> 01:00:02,320
Speaker 1: I'm going to go.

1285
01:00:02,120 --> 01:00:04,120
Speaker 2: Getting done to your hammer And you're at the concert

1286
01:00:04,200 --> 01:00:06,560
Speaker 2: and you're like, I got to pee. The toilets are

1287
01:00:06,600 --> 01:00:10,920
Speaker 2: so far Just be here, bro, all right, I'll pee you.

1288
01:00:10,680 --> 01:00:13,200
Speaker 5: Just sounds like a personal experience for you, Zach.

1289
01:00:16,360 --> 01:00:18,680
Speaker 2: I'm just saying I want to protect nice things and

1290
01:00:19,760 --> 01:00:20,960
Speaker 2: can't have nice things.

1291
01:00:21,560 --> 01:00:24,440
Speaker 5: Cut to tomorrow's story, Zach, bravit Taylor Swift and just

1292
01:00:24,480 --> 01:00:27,160
Speaker 5: peeing on the I.

1293
01:00:28,040 --> 01:00:29,920
Speaker 2: Went and Donald was my date to Taylor Swift and

1294
01:00:29,960 --> 01:00:31,920
Speaker 2: I used the toilet.

1295
01:00:32,520 --> 01:00:35,000
Speaker 5: Can we talk about just for two seconds.

1296
01:00:34,560 --> 01:00:35,400
Speaker 2: Anything you want? You the.

1297
01:00:37,120 --> 01:00:41,080
Speaker 5: Thank you for reminding me the the movement. My my

1298
01:00:41,080 --> 01:00:44,240
Speaker 5: my daughter is a swiftye and the the coding of

1299
01:00:44,280 --> 01:00:48,320
Speaker 5: it all is fascinating to me. Like she I guess

1300
01:00:48,400 --> 01:00:50,439
Speaker 5: she went to some her premiere and she was wearing

1301
01:00:50,440 --> 01:00:52,880
Speaker 5: a blue dress that had kind of cuts in the

1302
01:00:52,960 --> 01:00:54,640
Speaker 5: dress and I was like, oh, that's interesting. It looks

1303
01:00:54,640 --> 01:00:56,520
Speaker 5: like and my daughter goes, oh no, no, no. She was

1304
01:00:56,520 --> 01:00:58,440
Speaker 5: wearing this nail polish in this concert and it was

1305
01:00:58,480 --> 01:01:00,160
Speaker 5: light blue and there was lines in it and was

1306
01:01:00,160 --> 01:01:02,440
Speaker 5: really into this album. And I'm like, this is like

1307
01:01:02,480 --> 01:01:03,280
Speaker 5: an escape room.

1308
01:01:03,520 --> 01:01:07,320
Speaker 1: Yeah. She she sincerely drops Easter eggs with everything she does.

1309
01:01:07,360 --> 01:01:11,200
Speaker 2: Man, it's like a show lost. Yeah, there's so many clues.

1310
01:01:11,600 --> 01:01:13,600
Speaker 1: Yeah, and you have to be a fan. You have

1311
01:01:13,640 --> 01:01:16,959
Speaker 1: to be a real die hard fan to understand it. Yeah,

1312
01:01:17,000 --> 01:01:20,800
Speaker 1: you know that. Does Beyonce do that too? Like I

1313
01:01:20,840 --> 01:01:24,480
Speaker 1: feel like she does all kind of do that.

1314
01:01:24,560 --> 01:01:26,560
Speaker 2: Joelle is furiously nodding audience.

1315
01:01:26,800 --> 01:01:30,240
Speaker 5: She does when I did that commercial.

1316
01:01:30,440 --> 01:01:33,280
Speaker 2: Yea commercial. By the way, we had that in common.

1317
01:01:33,320 --> 01:01:37,480
Speaker 2: We we both are of us, all four of us,

1318
01:01:37,560 --> 01:01:40,920
Speaker 2: not only Superman. You you chill for another brand that

1319
01:01:41,000 --> 01:01:48,560
Speaker 2: shall not be mentioned. But we have to ask you

1320
01:01:48,880 --> 01:01:54,200
Speaker 2: to mention him and you try and men out. Yeah

1321
01:01:54,240 --> 01:01:57,880
Speaker 2: we are a T mobile podcast. But but wait, Tony,

1322
01:01:58,000 --> 01:02:02,040
Speaker 2: we're bearing the lead. What was it like working with Beyonce, babe?

1323
01:02:03,280 --> 01:02:06,760
Speaker 5: Well, I mean, I uh so I got First of all,

1324
01:02:06,800 --> 01:02:08,720
Speaker 5: they called and and say, hey, are you interested in

1325
01:02:08,760 --> 01:02:10,600
Speaker 5: doing a Super Bowl ad? Which, by the way, anytime

1326
01:02:10,600 --> 01:02:13,160
Speaker 5: they say are you interested, it's like, why are you?

1327
01:02:13,240 --> 01:02:15,960
Speaker 5: Why don't you just book me and just say show.

1328
01:02:15,800 --> 01:02:19,240
Speaker 2: Up, Hey, Tony, it's Beyonce and a giant check. What

1329
01:02:19,280 --> 01:02:20,480
Speaker 2: are you doing? Are you busy?

1330
01:02:20,920 --> 01:02:23,240
Speaker 5: Oh, it's so funny. I'm having coffee with a friend.

1331
01:02:23,280 --> 01:02:26,840
Speaker 5: Can't but I uh so they said that, and then

1332
01:02:26,840 --> 01:02:28,960
Speaker 5: they said it's with a music artist and I was like, oh,

1333
01:02:29,080 --> 01:02:31,040
Speaker 5: that's cool. And then they said Beyonce and I was

1334
01:02:31,080 --> 01:02:35,400
Speaker 5: like sorry, and my daughter had just been to her concert,

1335
01:02:35,720 --> 01:02:38,320
Speaker 5: and I, you know, I don't get a lot of

1336
01:02:38,360 --> 01:02:41,400
Speaker 5: cool dad points. You know, it's she doesn't really anything

1337
01:02:41,440 --> 01:02:44,320
Speaker 5: I do. She's she's I mean, first of all, buster Bluth,

1338
01:02:44,400 --> 01:02:46,160
Speaker 5: like what she could be like my dad's Buster Blue

1339
01:02:47,640 --> 01:02:50,959
Speaker 5: but no, no, but it's no, she is very proper,

1340
01:02:50,960 --> 01:02:52,800
Speaker 5: but like she doesn't watch a lot of this stuff.

1341
01:02:52,840 --> 01:02:55,600
Speaker 5: But I couldn't tell her that I would have done

1342
01:02:55,600 --> 01:02:58,400
Speaker 5: this because we signed an NDA and it wasn't until it,

1343
01:02:58,560 --> 01:03:00,640
Speaker 5: you know, it aired, that she was able to see it.

1344
01:03:00,640 --> 01:03:02,680
Speaker 5: But my point in that was that we did some

1345
01:03:02,760 --> 01:03:05,960
Speaker 5: kind of teasers before it, kind of some coding, and

1346
01:03:06,000 --> 01:03:07,960
Speaker 5: I was at a lemonade stand and then I was

1347
01:03:08,000 --> 01:03:14,040
Speaker 5: next to the horse. What's the horse name? The glittered horse?

1348
01:03:14,320 --> 01:03:23,160
Speaker 6: Oh my god, yes, but my daughter, you know the

1349
01:03:23,160 --> 01:03:27,320
Speaker 6: picture of the horse, just a picture of the horse house.

1350
01:03:27,400 --> 01:03:30,000
Speaker 5: She is, She's amazing. But my daughter immediately got it

1351
01:03:30,040 --> 01:03:32,960
Speaker 5: because they're so used to this coding, like everything.

1352
01:03:32,680 --> 01:03:34,959
Speaker 2: Is beyon Is it Beyonce's horse?

1353
01:03:36,000 --> 01:03:37,920
Speaker 5: It was Beyond? She uses it in her concert.

1354
01:03:38,040 --> 01:03:39,240
Speaker 2: Mia. Yes, Mia, you.

1355
01:03:39,200 --> 01:03:40,160
Speaker 5: Know, I don't know.

1356
01:03:40,200 --> 01:03:40,720
Speaker 4: I'm sorry.

1357
01:03:40,920 --> 01:03:42,200
Speaker 2: You on muted and lean forward.

1358
01:03:42,240 --> 01:03:48,320
Speaker 1: I'm say something and lean forward. You gotta say something,

1359
01:03:49,520 --> 01:03:52,160
Speaker 1: you can't mute.

1360
01:03:53,080 --> 01:03:56,360
Speaker 2: I wish the audience furiously see Joel googling Beyond.

1361
01:03:57,880 --> 01:04:00,280
Speaker 1: Her eyes are like this on the screen, going back

1362
01:04:00,320 --> 01:04:02,480
Speaker 1: and back and forth really fast.

1363
01:04:03,320 --> 01:04:04,640
Speaker 2: But how was the experience?

1364
01:04:04,840 --> 01:04:08,040
Speaker 5: Oh, it's great, it was great. It was I think

1365
01:04:08,040 --> 01:04:10,160
Speaker 5: we shot from like six am to like five am

1366
01:04:10,200 --> 01:04:13,240
Speaker 5: the next day. Wow. Wow, and I but it went

1367
01:04:13,280 --> 01:04:14,640
Speaker 5: by like I was just like it was like a

1368
01:04:14,640 --> 01:04:17,960
Speaker 5: front row seat to get experience, you know. And she

1369
01:04:18,040 --> 01:04:20,360
Speaker 5: had like nine costume changes. I was in the same outfit,

1370
01:04:20,400 --> 01:04:22,200
Speaker 5: so I just sat around at Craftservice all day.

1371
01:04:22,280 --> 01:04:24,760
Speaker 3: So you shot that whole commercial in one day.

1372
01:04:25,080 --> 01:04:29,760
Speaker 5: Well, I came back the next day to shoot kind

1373
01:04:29,760 --> 01:04:33,480
Speaker 5: of my reaction shots and then her and I stuff

1374
01:04:33,680 --> 01:04:34,520
Speaker 5: was that first day?

1375
01:04:34,760 --> 01:04:39,480
Speaker 2: Did you feel nervous working with her? Did you give

1376
01:04:39,520 --> 01:04:42,680
Speaker 2: yourself any I've said on this podcast before sometimes when

1377
01:04:42,680 --> 01:04:46,160
Speaker 2: I'm working with someone of that stature, of like holy

1378
01:04:46,240 --> 01:04:49,200
Speaker 2: shit stature, that I give myself a little pep talks

1379
01:04:49,240 --> 01:04:52,280
Speaker 2: like don't don't be in your head like you don't

1380
01:04:52,280 --> 01:04:54,400
Speaker 2: want to when everyone sees this. You don't want to

1381
01:04:54,400 --> 01:04:55,320
Speaker 2: look like nervous guy.

1382
01:04:55,560 --> 01:04:58,120
Speaker 1: You're so full of shit. Bro. When we first started,

1383
01:04:58,240 --> 01:05:00,400
Speaker 1: I remember we would go out and it would be

1384
01:05:00,480 --> 01:05:02,400
Speaker 1: all of these fun There's only one time where I

1385
01:05:02,440 --> 01:05:05,280
Speaker 1: saw him losing shit. But we would see so many

1386
01:05:05,280 --> 01:05:08,200
Speaker 1: famous people, and this motherfucker would be able to hand.

1387
01:05:08,280 --> 01:05:09,840
Speaker 3: He would handle it no problem.

1388
01:05:09,960 --> 01:05:12,520
Speaker 2: Like I'm not talking about out drinking. I'm talking about

1389
01:05:12,520 --> 01:05:14,080
Speaker 2: like directing Morgan Freeman.

1390
01:05:15,120 --> 01:05:16,280
Speaker 5: Oh well, I mean.

1391
01:05:16,320 --> 01:05:18,720
Speaker 1: Well that's different, bro, Okay, all right, hold.

1392
01:05:18,480 --> 01:05:21,160
Speaker 5: On now, I would think that's interesting directing. I don't

1393
01:05:21,200 --> 01:05:25,920
Speaker 5: know about this. This felt a little more. I think

1394
01:05:25,960 --> 01:05:30,640
Speaker 5: if it's maybe it's not my age and I'm fifty

1395
01:05:30,680 --> 01:05:34,200
Speaker 5: almost fifty four years old, and I get excited. I

1396
01:05:34,240 --> 01:05:37,560
Speaker 5: get more excited now with these kind of experiences because

1397
01:05:37,600 --> 01:05:40,640
Speaker 5: it's an opportunity. I don't know, as someone who is

1398
01:05:40,720 --> 01:05:45,360
Speaker 5: so on a pedestal and just like she mean, she's

1399
01:05:45,400 --> 01:05:48,160
Speaker 5: so talented. I get excited about kind of seeing the

1400
01:05:48,240 --> 01:05:51,440
Speaker 5: humanity of someone, you know, and like she's so sweet

1401
01:05:51,560 --> 01:05:54,840
Speaker 5: and she's humble, and you know, she's a girl in

1402
01:05:54,880 --> 01:05:59,560
Speaker 5: the middle of this kind of you know, whirlwind of

1403
01:05:59,680 --> 01:06:02,440
Speaker 5: talent and praise and stuff, and I don't know, just

1404
01:06:02,480 --> 01:06:04,120
Speaker 5: kind of seeing that humanity.

1405
01:06:04,360 --> 01:06:05,120
Speaker 2: As about.

1406
01:06:06,400 --> 01:06:09,360
Speaker 5: Jesus Odd, I would say fifty percent of our conversation

1407
01:06:09,440 --> 01:06:12,120
Speaker 5: is talking about Joel. Yeah, to day, I didn't know,

1408
01:06:12,200 --> 01:06:13,000
Speaker 5: And now I know.

1409
01:06:15,640 --> 01:06:17,160
Speaker 3: She's right about that.

1410
01:06:17,320 --> 01:06:21,800
Speaker 1: Her and her and and uh Taylor Swift. Beyonce and

1411
01:06:21,840 --> 01:06:25,240
Speaker 1: Taylor Swift are starting a revolution right now. Man, musical

1412
01:06:25,440 --> 01:06:28,000
Speaker 1: revolution amongst these young ladies and.

1413
01:06:28,120 --> 01:06:30,480
Speaker 5: Cowboy is incredible.

1414
01:06:31,280 --> 01:06:32,320
Speaker 3: Yeah, oh man, come.

1415
01:06:32,200 --> 01:06:33,720
Speaker 5: On, it is incredible.

1416
01:06:33,880 --> 01:06:35,840
Speaker 1: But you know what I'm gonna say one thing. This

1417
01:06:35,960 --> 01:06:37,640
Speaker 1: is the one thing that I'm gonna say about it.

1418
01:06:37,680 --> 01:06:40,200
Speaker 1: All they knew who to go to for the hit.

1419
01:06:40,680 --> 01:06:42,360
Speaker 1: They both went to that post.

1420
01:06:42,360 --> 01:06:44,920
Speaker 3: The Malone guy. I just didna put it out there.

1421
01:06:45,320 --> 01:06:50,560
Speaker 1: They both threw it into the post, mounted down for

1422
01:06:50,720 --> 01:06:58,360
Speaker 1: them and late it is there. Okay, best song on

1423
01:06:58,440 --> 01:07:01,840
Speaker 1: both albums, Best song gonna boat that album post Malone,

1424
01:07:02,520 --> 01:07:03,920
Speaker 1: I will throw something at.

1425
01:07:03,800 --> 01:07:07,000
Speaker 4: Least to Donald I'll fight you right now.

1426
01:07:07,440 --> 01:07:09,439
Speaker 1: All right, wait too, Most wanted his dope to Most

1427
01:07:09,480 --> 01:07:10,520
Speaker 1: wanted his dope Like.

1428
01:07:10,640 --> 01:07:13,480
Speaker 5: The bunking bunk is a bunk bunk bucket.

1429
01:07:13,800 --> 01:07:19,520
Speaker 4: Sweet honey bucket, Like I love that.

1430
01:07:20,760 --> 01:07:26,800
Speaker 5: Thing. I love. And there's also like it's a snap.

1431
01:07:26,840 --> 01:07:29,400
Speaker 5: There's like a snap snap snap snap thing. And I'm like.

1432
01:07:31,400 --> 01:07:33,400
Speaker 4: Dolly Parton hang man.

1433
01:07:34,560 --> 01:07:38,640
Speaker 3: Yeah, there's a lot of good telling you. They threw

1434
01:07:38,680 --> 01:07:39,480
Speaker 3: it into the post.

1435
01:07:39,920 --> 01:07:42,680
Speaker 1: They threw it into the post, and he backed him

1436
01:07:42,720 --> 01:07:44,120
Speaker 1: down and dunked it for him.

1437
01:07:44,520 --> 01:07:47,440
Speaker 5: What do you tell me what is unique about because

1438
01:07:47,440 --> 01:07:51,040
Speaker 5: I mean again I'm old about post Malone that they

1439
01:07:51,080 --> 01:07:52,200
Speaker 5: both went that guy.

1440
01:07:52,960 --> 01:07:56,160
Speaker 1: It's just because his sound, his sound is way different

1441
01:07:56,200 --> 01:08:00,000
Speaker 1: than everybody else's. It's real, it's it's it comes from

1442
01:08:00,360 --> 01:08:06,240
Speaker 1: the eighties, but it's different. Man, Like something about post Malone. Listen,

1443
01:08:06,280 --> 01:08:08,560
Speaker 1: I'm a fifty year old man right now. I think

1444
01:08:08,600 --> 01:08:12,880
Speaker 1: he has the melodies that I'm taking that I just

1445
01:08:12,880 --> 01:08:14,880
Speaker 1: want to because he says the same shit that everybody

1446
01:08:14,920 --> 01:08:18,280
Speaker 1: else says. He sings trap music, but he just has

1447
01:08:18,320 --> 01:08:22,440
Speaker 1: a melody to his stuff that's really, really, really good?

1448
01:08:22,840 --> 01:08:23,799
Speaker 5: Am I wrong, Joel?

1449
01:08:24,960 --> 01:08:27,280
Speaker 4: Not at all. He's very musically gifted where I think,

1450
01:08:27,439 --> 01:08:29,759
Speaker 4: you know, like he can do a lot of different

1451
01:08:29,800 --> 01:08:32,920
Speaker 4: things musically, which obviously elevates you and allows you to

1452
01:08:32,960 --> 01:08:35,919
Speaker 4: be fluid between genres in a way that not everybody

1453
01:08:35,960 --> 01:08:36,280
Speaker 4: can be.

1454
01:08:37,880 --> 01:08:40,719
Speaker 2: All right, we've kept it Tony long enough. Tony, remind

1455
01:08:40,800 --> 01:08:44,559
Speaker 2: us how to say your show? De Cameron, Cameron see

1456
01:08:44,600 --> 01:08:48,320
Speaker 2: the Cameron got it Cameron? And it's on Netflix? And

1457
01:08:48,360 --> 01:08:49,360
Speaker 2: when can people see it?

1458
01:08:49,880 --> 01:08:56,439
Speaker 5: I know Netflix, We're happy to support a startup. It

1459
01:08:56,520 --> 01:08:58,599
Speaker 5: airs the July twenty fifth.

1460
01:08:58,920 --> 01:09:01,160
Speaker 2: July twenty fifth, Everybody.

1461
01:09:00,840 --> 01:09:04,200
Speaker 3: This show is epic, guys, check it out.

1462
01:09:04,439 --> 01:09:07,920
Speaker 1: It's very funny, and it tells a real it tells

1463
01:09:07,920 --> 01:09:10,519
Speaker 1: a story, and you love to follow the characters.

1464
01:09:10,640 --> 01:09:13,360
Speaker 2: So and I got to say, and if you happen

1465
01:09:13,400 --> 01:09:16,360
Speaker 2: to be a Scrubbs fan who has not ever watched REEP,

1466
01:09:16,560 --> 01:09:19,240
Speaker 2: you're really missing out. It's a very similar sense of

1467
01:09:19,320 --> 01:09:21,759
Speaker 2: humor and you will definitely love.

1468
01:09:21,920 --> 01:09:25,840
Speaker 1: How they got nominated for not Yeah they got nominated

1469
01:09:25,880 --> 01:09:26,880
Speaker 1: for everything, and.

1470
01:09:26,840 --> 01:09:28,920
Speaker 2: Yeah they were way more high falutin for you, guys.

1471
01:09:29,000 --> 01:09:30,280
Speaker 5: I know you get this question all the time. Do

1472
01:09:30,280 --> 01:09:32,120
Speaker 5: you get the question all the time about like bringing

1473
01:09:32,160 --> 01:09:32,479
Speaker 5: it back.

1474
01:09:33,120 --> 01:09:34,639
Speaker 1: Yeah, yeah, absolutely, we're going.

1475
01:09:34,600 --> 01:09:36,479
Speaker 2: To bring it back in some capacity. It's just that

1476
01:09:36,560 --> 01:09:40,840
Speaker 2: our overlord and showrunner Bill Lawrence is a very busy man,

1477
01:09:42,200 --> 01:09:43,880
Speaker 2: but he wants to bring it back, and we all

1478
01:09:43,880 --> 01:09:45,320
Speaker 2: want to bring it back. It's just a matter of

1479
01:09:45,880 --> 01:09:48,479
Speaker 2: It's like the slot machine. It's a matter of all

1480
01:09:48,479 --> 01:09:50,160
Speaker 2: the things lining up and getting.

1481
01:09:50,240 --> 01:09:52,360
Speaker 5: Chairs, and it's a lot. It's a big cast. It's

1482
01:09:52,439 --> 01:09:53,240
Speaker 5: challenging to do that.

1483
01:09:53,800 --> 01:09:56,479
Speaker 2: Yeah, but I think once Bill is like, this is

1484
01:09:56,520 --> 01:09:58,920
Speaker 2: the moment where I can do it, and I think

1485
01:09:58,960 --> 01:09:59,519
Speaker 2: it'll happen.

1486
01:10:00,000 --> 01:10:02,320
Speaker 5: I know that it's such a joy. That would be

1487
01:10:02,360 --> 01:10:03,560
Speaker 5: such a joy to reunite.

1488
01:10:03,840 --> 01:10:06,400
Speaker 2: Yeah, even if it's just for for some sort of

1489
01:10:06,479 --> 01:10:08,160
Speaker 2: short run, would be a blast.

1490
01:10:08,600 --> 01:10:10,160
Speaker 1: You get that. I get that question a lot.

1491
01:10:11,160 --> 01:10:12,519
Speaker 5: I used to with the rest of it, and then

1492
01:10:12,520 --> 01:10:15,120
Speaker 5: they they kind of, oh, you guys did it. Yeah,

1493
01:10:15,160 --> 01:10:18,080
Speaker 5: we did it and Veep uh that would be fun.

1494
01:10:18,240 --> 01:10:20,920
Speaker 5: We kind of if you said, the finale kind of

1495
01:10:20,960 --> 01:10:22,880
Speaker 5: jumps ahead and she does well that's a.

1496
01:10:22,880 --> 01:10:24,559
Speaker 2: Spoiler, but its tony.

1497
01:10:24,800 --> 01:10:26,280
Speaker 5: But there could be something in the middle.

1498
01:10:26,320 --> 01:10:29,479
Speaker 2: Maybe I hope you bring I hope you bring Veeep back.

1499
01:10:29,720 --> 01:10:31,880
Speaker 1: You could go back and tell more stories. That's how

1500
01:10:31,880 --> 01:10:32,280
Speaker 1: we're looking.

1501
01:10:32,520 --> 01:10:33,840
Speaker 3: That's what I think is going to happen.

1502
01:10:34,080 --> 01:10:36,479
Speaker 1: I think we're going to go back into the exact

1503
01:10:36,600 --> 01:10:39,880
Speaker 1: moment where we were all in the hospital together and

1504
01:10:39,960 --> 01:10:40,799
Speaker 1: just tell the stories.

1505
01:10:41,040 --> 01:10:44,599
Speaker 2: I feel a lot of Scrubs fans feel about Scrubs Tony.

1506
01:10:44,680 --> 01:10:47,280
Speaker 2: I feel like I would be so giddy if there

1507
01:10:47,320 --> 01:10:49,639
Speaker 2: was some announcement they're going to do a limited twelve

1508
01:10:49,720 --> 01:10:52,320
Speaker 2: episodes Veep is back. They're going to tell a story

1509
01:10:52,320 --> 01:10:53,240
Speaker 2: they didn't tell. I would.

1510
01:10:53,280 --> 01:10:56,280
Speaker 5: I'd be so in that would be so dope, same same.

1511
01:10:56,320 --> 01:10:57,880
Speaker 2: All right, brother, thank you for wishing that.

1512
01:10:57,880 --> 01:10:59,960
Speaker 5: For you guys. Thank you guys. It was a delay.

1513
01:11:00,200 --> 01:11:10,679
Speaker 2: Thanks for so much. That was amazing. What a great

1514
01:11:10,680 --> 01:11:15,400
Speaker 2: guest hunt, Joel, great producing. These are your flowers and

1515
01:11:15,439 --> 01:11:16,120
Speaker 2: your snaps.

1516
01:11:16,800 --> 01:11:18,760
Speaker 4: I'm seeing them and appreciating them.

1517
01:11:19,479 --> 01:11:21,000
Speaker 3: Great engineering to me.

1518
01:11:21,200 --> 01:11:21,880
Speaker 1: Amazing.

1519
01:11:22,520 --> 01:11:24,479
Speaker 2: Now I can't believe that Daniel.

1520
01:11:24,920 --> 01:11:28,360
Speaker 1: Daniel is in danger. I know, Ranger.

1521
01:11:28,840 --> 01:11:30,640
Speaker 3: I mean, you get rid of whatever that sound is

1522
01:11:30,680 --> 01:11:33,560
Speaker 3: in your background if you can.

1523
01:11:33,160 --> 01:11:34,639
Speaker 5: I'm trying to figure it out.

1524
01:11:34,640 --> 01:11:36,920
Speaker 2: I will if you can figure out why it sounds

1525
01:11:37,000 --> 01:11:39,000
Speaker 2: like you live on a train. Yea, we would love

1526
01:11:39,040 --> 01:11:39,679
Speaker 2: to have you back.

1527
01:11:40,200 --> 01:11:45,040
Speaker 4: It's probably what's that if your computer fan is on

1528
01:11:45,040 --> 01:11:47,280
Speaker 4: on our laptop, that will create that sound right next

1529
01:11:47,320 --> 01:11:48,240
Speaker 4: to the mic. Yeah.

1530
01:11:48,439 --> 01:11:52,759
Speaker 2: Well, Joelle, if Daniel's ever unable to make it again,

1531
01:11:53,000 --> 01:11:55,960
Speaker 2: I want you to book Mia and her new sound system.

1532
01:12:00,040 --> 01:12:00,879
Speaker 1: A gotcha.

1533
01:12:01,760 --> 01:12:03,839
Speaker 2: But Tony was a great guest, and Joelle, I seriously

1534
01:12:03,880 --> 01:12:07,959
Speaker 2: want to thank you. Your prep notes were really helpful

1535
01:12:08,120 --> 01:12:11,519
Speaker 2: and and I really you know, we're learning how to

1536
01:12:11,520 --> 01:12:13,479
Speaker 2: do this interview thing. It's not what Donald and I

1537
01:12:13,760 --> 01:12:15,639
Speaker 2: are school then. But it's a lot of fun talking

1538
01:12:15,640 --> 01:12:17,240
Speaker 2: to actors, isn't it.

1539
01:12:17,240 --> 01:12:20,160
Speaker 3: It really is. I like that the most, to be

1540
01:12:20,200 --> 01:12:20,800
Speaker 3: honest with you.

1541
01:12:20,760 --> 01:12:24,439
Speaker 1: It's cool to talk to people who are interesting. Well,

1542
01:12:24,479 --> 01:12:26,880
Speaker 1: I like talking about sex two sec. We all do,

1543
01:12:27,240 --> 01:12:33,200
Speaker 1: But I definitely like talking to people who have gone

1544
01:12:33,200 --> 01:12:35,600
Speaker 1: through the exact same experiences that we have. And I

1545
01:12:35,600 --> 01:12:37,880
Speaker 1: think it's something that I hope it's something that the

1546
01:12:37,920 --> 01:12:42,960
Speaker 1: listeners want to talk about also, because I mean, it

1547
01:12:43,040 --> 01:12:45,680
Speaker 1: seems glitz and glamory, but that shit, it's not you

1548
01:12:45,720 --> 01:12:48,400
Speaker 1: know what I mean, it's work. There's another side to it.

1549
01:12:48,640 --> 01:12:50,920
Speaker 1: And that's what he was trying to say. When you know,

1550
01:12:50,960 --> 01:12:53,280
Speaker 1: you get that first sitcom, you're like all I wanted.

1551
01:12:53,280 --> 01:12:54,920
Speaker 1: All I wanted was a sitcom and you get that

1552
01:12:54,960 --> 01:12:57,320
Speaker 1: shit and it's not exactly what you thought it was

1553
01:12:57,400 --> 01:12:57,960
Speaker 1: going to be.

1554
01:12:58,120 --> 01:13:00,400
Speaker 2: Yeah, and then I would have never thought that. After arrested,

1555
01:13:00,439 --> 01:13:02,000
Speaker 2: he was like, are we gonna have to sell our house?

1556
01:13:03,320 --> 01:13:03,559
Speaker 1: Yeah?

1557
01:13:03,600 --> 01:13:06,080
Speaker 2: Man, you know he had that anxiety. You know, I

1558
01:13:06,120 --> 01:13:08,720
Speaker 2: was I misunderstood. I thought Veep kind of went right.

1559
01:13:08,760 --> 01:13:10,559
Speaker 2: I went right in. I didn't realize there was such

1560
01:13:10,560 --> 01:13:11,759
Speaker 2: a big split in the years.

1561
01:13:11,880 --> 01:13:13,960
Speaker 1: There's not a lot of work out there, bro and

1562
01:13:14,520 --> 01:13:18,200
Speaker 1: what everybody sees is the work that you got at

1563
01:13:18,200 --> 01:13:22,200
Speaker 1: the time. But there's times where you're not working for years.

1564
01:13:22,240 --> 01:13:27,320
Speaker 1: If you're counting on acting to pay your bills, and

1565
01:13:27,360 --> 01:13:31,000
Speaker 1: you are blessed enough to have that ability or have

1566
01:13:31,080 --> 01:13:36,200
Speaker 1: that opportunity, you got to understand that in between jobs

1567
01:13:36,800 --> 01:13:38,880
Speaker 1: is where that money needs to be put, you know

1568
01:13:38,920 --> 01:13:41,160
Speaker 1: what I mean. It's just a lot of people don't

1569
01:13:41,160 --> 01:13:42,519
Speaker 1: know that. A lot of people look at it as

1570
01:13:42,600 --> 01:13:45,240
Speaker 1: I got all of this money, I'm bawling and then

1571
01:13:45,320 --> 01:13:48,800
Speaker 1: the freaking then you go down that roller coaster hill and.

1572
01:13:48,920 --> 01:13:50,800
Speaker 2: Yeah, moist shocked when you see these new people that

1573
01:13:50,880 --> 01:13:53,400
Speaker 2: blew up and they're like driving like a Bentley I'm like,

1574
01:13:53,560 --> 01:13:54,679
Speaker 2: you shouldn't be buying a Bentley.

1575
01:13:54,880 --> 01:13:59,240
Speaker 1: Go buy a Bentley bro. Go buy a Bentley bro.

1576
01:13:59,360 --> 01:14:01,400
Speaker 2: You see this in only would though like someone's famous

1577
01:14:01,439 --> 01:14:03,160
Speaker 2: for a day and they're driving around a Bentley.

1578
01:14:03,200 --> 01:14:05,880
Speaker 4: It's like, oh, bro, the first check if you burning

1579
01:14:05,880 --> 01:14:06,839
Speaker 4: a hole in your pocket.

1580
01:14:08,000 --> 01:14:10,960
Speaker 1: I remember that first check, that first I spent the

1581
01:14:11,120 --> 01:14:14,439
Speaker 1: whole clueless check on a car. I'll never forget that.

1582
01:14:16,120 --> 01:14:17,920
Speaker 1: I got a Jeep Cherokee.

1583
01:14:18,240 --> 01:14:19,280
Speaker 3: I'll never forget it.

1584
01:14:19,320 --> 01:14:22,200
Speaker 1: And my mom, my mom said, red Jeep Cherokee, Laredo.

1585
01:14:22,520 --> 01:14:25,960
Speaker 1: My mom said to this is fucking hilarious. My mom

1586
01:14:26,040 --> 01:14:27,760
Speaker 1: said to me, she goes, did you learn your lesson?

1587
01:14:27,760 --> 01:14:34,720
Speaker 1: I said, yeah, I need to make some more money.

1588
01:14:34,840 --> 01:14:37,639
Speaker 2: All right, audience, thank you for tuning in. We appreciate you,

1589
01:14:37,760 --> 01:14:41,519
Speaker 2: We love you. Stay safe out there, be kind. Donald

1590
01:14:41,720 --> 01:14:44,160
Speaker 2: counts out.

1591
01:14:45,360 --> 01:14:53,160
Speaker 7: I'm not sure we made about a bunch, said, he's

1592
01:14:53,200 --> 01:14:55,120
Speaker 7: a story net.

1593
01:14:58,520 --> 01:14:59,840
Speaker 5: Around you here.

1594
01:15:00,400 --> 01:15:05,360
Speaker 7: Yadu Rajuhir Hobs were free, Raju Viz and Dano