1 00:00:02,800 --> 00:00:04,960 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,240 --> 00:00:16,160 Speaker 1: phone represents show. This is gonna be a lot of fun. 3 00:00:16,239 --> 00:00:17,720 Speaker 1: You guys have no idea what we're about to do. 4 00:00:18,400 --> 00:00:20,919 Speaker 1: So around the room we have Gandhi, we have Scary, 5 00:00:20,960 --> 00:00:23,720 Speaker 1: we have Dave Brody with great team. Pay attention to Tea. 6 00:00:25,200 --> 00:00:29,840 Speaker 1: There's Danielle. All right. So so Garrett has a friend 7 00:00:29,840 --> 00:00:32,480 Speaker 1: he's going to bring in and he's gonna sit right here. 8 00:00:33,440 --> 00:00:35,120 Speaker 1: You've never met him. You saw him out in the 9 00:00:36,600 --> 00:00:38,680 Speaker 1: We've never met him before. So now we're going to 10 00:00:38,760 --> 00:00:44,360 Speaker 1: try to guess what he does. That now, just what 11 00:00:44,400 --> 00:00:47,560 Speaker 1: he does. So ready, Garrett, bring in your friend. Good morning, 12 00:00:47,640 --> 00:00:51,800 Speaker 1: mystery friend, come on in. Thank you for coming into that. 13 00:00:51,920 --> 00:00:55,639 Speaker 1: We appreciate it. Pleasure being here. Well, it's it's as 14 00:00:55,680 --> 00:00:57,360 Speaker 1: my dad used to say, it's good to be anywhere. 15 00:00:57,760 --> 00:01:01,040 Speaker 1: You know what I'm saying. Anyway, So you know, you know, 16 00:01:01,160 --> 00:01:04,240 Speaker 1: no one here has ever met you, right right, and oh, 17 00:01:04,400 --> 00:01:06,600 Speaker 1: Garrett knows who you are. So this is Garrett's idea. 18 00:01:06,720 --> 00:01:08,760 Speaker 1: So all right, so I want you to meet clay 19 00:01:08,959 --> 00:01:11,680 Speaker 1: En knows. That's all I'm gonna tell you. Okay, hold on, 20 00:01:12,080 --> 00:01:15,360 Speaker 1: put your phones down, no googling, and and if you're 21 00:01:15,360 --> 00:01:17,240 Speaker 1: listening right now, don't google, because I think you can 22 00:01:17,240 --> 00:01:19,120 Speaker 1: play along as well. So I think it would be 23 00:01:19,160 --> 00:01:22,240 Speaker 1: fun if you figure out what Clay does for a living, 24 00:01:22,800 --> 00:01:25,480 Speaker 1: and you can ask one or two questions. You can 25 00:01:25,520 --> 00:01:27,880 Speaker 1: ask her answer yes or no, and then after that 26 00:01:27,959 --> 00:01:29,759 Speaker 1: we could talk about what Clay does for a list. 27 00:01:29,800 --> 00:01:31,160 Speaker 1: So this is just a yes or no. You can 28 00:01:31,240 --> 00:01:33,880 Speaker 1: only answer ask yes or no questions if you feel 29 00:01:33,920 --> 00:01:36,240 Speaker 1: that the question is important enough where he could give 30 00:01:36,240 --> 00:01:38,720 Speaker 1: a little bit more. I believe he could if he feels. 31 00:01:38,959 --> 00:01:40,840 Speaker 1: Now if you if you feel that someone in the 32 00:01:40,920 --> 00:01:43,880 Speaker 1: room has asked a question of Clay that would force 33 00:01:43,959 --> 00:01:46,040 Speaker 1: him to give too much information to end the game early, 34 00:01:46,160 --> 00:01:48,840 Speaker 1: then we can all vote that's too big of a question. Okay, 35 00:01:49,160 --> 00:01:51,480 Speaker 1: all right, I'm game. Who wants to start first? Alright, 36 00:01:51,560 --> 00:01:53,240 Speaker 1: we'll start with it. We're going on the room, Gandhi. 37 00:01:53,320 --> 00:01:55,960 Speaker 1: Al Right, I see you've brought an apparatus of some 38 00:01:56,120 --> 00:01:59,280 Speaker 1: sort with you. Is that a harness? It is a 39 00:01:59,320 --> 00:02:02,520 Speaker 1: form of harness. Yeah. They They're a critical part of 40 00:02:02,520 --> 00:02:05,400 Speaker 1: how I do my job. Okay, a form of harness? 41 00:02:07,480 --> 00:02:13,720 Speaker 1: Um does your job take you around the country? The world? 42 00:02:13,760 --> 00:02:19,640 Speaker 1: In fact? Is the harness for a human or an animal. 43 00:02:21,000 --> 00:02:24,600 Speaker 1: It's for me, so I'm going with both. I don't know. 44 00:02:25,000 --> 00:02:34,920 Speaker 1: It could be it's a it's it's my harness straps. Gregory. Um, uh, 45 00:02:35,840 --> 00:02:37,080 Speaker 1: can I come? Can you come back to me for 46 00:02:37,120 --> 00:02:41,440 Speaker 1: one second? Yea question? You have a red room of pain. 47 00:02:42,639 --> 00:02:44,160 Speaker 1: But I knew that it's a bit of a red 48 00:02:44,240 --> 00:02:47,280 Speaker 1: herring on that front, isn't it. No? I do not. Okay, 49 00:02:48,320 --> 00:02:51,040 Speaker 1: do you have a question? Do you make a living 50 00:02:51,120 --> 00:02:54,440 Speaker 1: at you know, using this harness while traveling around the world. Yeah, 51 00:02:54,520 --> 00:02:58,519 Speaker 1: this is a part of my gear without being without 52 00:02:58,520 --> 00:03:02,520 Speaker 1: being too revealing. Yes, okay, all right, all right, all right? 53 00:03:04,000 --> 00:03:09,040 Speaker 1: Is your job in any way responsible for the safety 54 00:03:09,240 --> 00:03:18,320 Speaker 1: of others? No? Anybody have any more questions? Should we 55 00:03:18,320 --> 00:03:22,799 Speaker 1: go around one more time? Okay? Um? Is your job 56 00:03:23,360 --> 00:03:26,800 Speaker 1: something that puts you in a dangerous place when you 57 00:03:26,840 --> 00:03:35,360 Speaker 1: do it? No? Okay, that's gary. Family and friends okay, 58 00:03:35,360 --> 00:03:38,080 Speaker 1: started start. That was so loud. Alright, go ahead. Why 59 00:03:38,360 --> 00:03:42,120 Speaker 1: your family and friends were they skeptical when you first 60 00:03:42,520 --> 00:03:48,240 Speaker 1: got this job? What was the reaction? Excitement? Excitement? Okay, alright, 61 00:03:48,480 --> 00:03:51,760 Speaker 1: with a certain reluctance for anything. I'm gonna be a 62 00:03:51,800 --> 00:03:54,600 Speaker 1: little revealing here. No, don't. Don't, don't be real, not 63 00:03:54,640 --> 00:03:58,720 Speaker 1: at all at all? Okay, excitement do you do you're 64 00:03:58,720 --> 00:04:01,040 Speaker 1: a man with a harness? How more? Well? Strap? I 65 00:04:01,160 --> 00:04:05,720 Speaker 1: refer to them as straps, straps revealing? Can you be yes? 66 00:04:06,920 --> 00:04:09,560 Speaker 1: Do you have three questions? Like? All right? Do you 67 00:04:10,400 --> 00:04:13,240 Speaker 1: do you? Did you have to train a long time 68 00:04:13,280 --> 00:04:18,480 Speaker 1: to be able to do this job? No? Right, I 69 00:04:18,560 --> 00:04:23,039 Speaker 1: do have a degree. Okay, can you come back to me? 70 00:04:23,080 --> 00:04:29,080 Speaker 1: Because because my question was something, don't don't, don't tell 71 00:04:29,160 --> 00:04:30,800 Speaker 1: us anymore? Stop it, Daniel? Do you have any come 72 00:04:30,839 --> 00:04:34,000 Speaker 1: back to be a man of less work? All right, Daniel, 73 00:04:38,000 --> 00:04:45,560 Speaker 1: I have so many questions. Are there animals involved? Rarely? Rarely? 74 00:04:46,040 --> 00:04:52,720 Speaker 1: Rarely do people pay to watch you do this job? Unfortunately? Not? 75 00:04:55,160 --> 00:04:58,400 Speaker 1: Back to me here? Okay, um, I noticed that you're tall, 76 00:04:59,320 --> 00:05:02,600 Speaker 1: So does your what you do for a living with 77 00:05:02,640 --> 00:05:05,800 Speaker 1: this harness? Does it? Can you? Can a person be 78 00:05:05,839 --> 00:05:08,520 Speaker 1: a certain height a weight or do you have to 79 00:05:08,560 --> 00:05:12,360 Speaker 1: be a certain poor the same body type to do this? No? 80 00:05:12,480 --> 00:05:14,400 Speaker 1: My straps help me do my job, but they aren't 81 00:05:14,880 --> 00:05:19,680 Speaker 1: all right, gandhi, how did you meet Garrett? Garrett and 82 00:05:19,720 --> 00:05:22,839 Speaker 1: I share a mutual friend in the world of media 83 00:05:22,880 --> 00:05:27,400 Speaker 1: and publicity, okay, all right. Would your job be considered 84 00:05:27,400 --> 00:05:32,920 Speaker 1: a fetish fetish? No, that gives me. That does give 85 00:05:32,920 --> 00:05:37,560 Speaker 1: me an idea about how I could Wow. Okay, when 86 00:05:37,560 --> 00:05:39,280 Speaker 1: you're playing a game like this, when you answer, when 87 00:05:39,279 --> 00:05:41,120 Speaker 1: you ask a question like that and he says no, 88 00:05:41,279 --> 00:05:44,920 Speaker 1: it eliminates so many different things we can do. Yeah, 89 00:05:44,960 --> 00:05:47,159 Speaker 1: this is a red ring. I say, we eliminate scary 90 00:05:47,200 --> 00:05:50,400 Speaker 1: from the game for everyone. Have a question. Uh, No, 91 00:05:50,560 --> 00:05:52,520 Speaker 1: it's it's it's brodis time. Okay, you and Garrett have 92 00:05:52,560 --> 00:05:54,839 Speaker 1: a mutual friend. What would that? Friends say you do 93 00:05:54,920 --> 00:05:58,880 Speaker 1: for a living? No? No, okay, this job that you do, 94 00:05:58,920 --> 00:06:02,280 Speaker 1: you say you do it all around the world. Do 95 00:06:02,400 --> 00:06:04,640 Speaker 1: you choose to go to those countries or do they 96 00:06:04,640 --> 00:06:08,719 Speaker 1: call you to come do it? I'm I'm hired to go. 97 00:06:11,279 --> 00:06:14,479 Speaker 1: Why are you mad? Great? Because I always sit behind Prody. 98 00:06:14,560 --> 00:06:18,440 Speaker 1: He's asking the questions I wanted. Okay, with another question? 99 00:06:20,160 --> 00:06:27,400 Speaker 1: You all right? Yes, Daniel, you're out. Yeah, it's question. Uh, 100 00:06:27,600 --> 00:06:30,760 Speaker 1: in the job you do around the world with this harness? Uh? 101 00:06:30,839 --> 00:06:33,640 Speaker 1: Does it involve other people connected to the harnesses or 102 00:06:33,680 --> 00:06:35,800 Speaker 1: connected to you as well? Or just you? No? No, 103 00:06:35,920 --> 00:06:39,919 Speaker 1: just me and what I connect to it? Though it 104 00:06:40,040 --> 00:06:42,040 Speaker 1: is a team. I am a team player. I'm not 105 00:06:42,120 --> 00:06:47,200 Speaker 1: working alone as a rule. Okay, all right, I'm the 106 00:06:47,240 --> 00:06:49,920 Speaker 1: only one wearing them. But and they cause a bit 107 00:06:49,960 --> 00:06:52,520 Speaker 1: of They always get people's attention. It's part of why 108 00:06:52,560 --> 00:06:54,840 Speaker 1: I brought them, I would think. So, Okay, I got 109 00:06:54,880 --> 00:06:58,120 Speaker 1: a question. Is what you do for a living? Would 110 00:06:58,200 --> 00:07:00,960 Speaker 1: some would would? Would the masses consider what you do 111 00:07:01,040 --> 00:07:06,760 Speaker 1: for a living? Odd? No, they're envious, so jealous? Alright? 112 00:07:06,839 --> 00:07:12,920 Speaker 1: Not on the harness? I think it's can I guess? Yeah? Sure? 113 00:07:13,040 --> 00:07:15,600 Speaker 1: Do you pull cars? Like? Do you attach to the 114 00:07:15,640 --> 00:07:17,360 Speaker 1: harness to you and then attach it to a car? 115 00:07:19,440 --> 00:07:23,680 Speaker 1: Attached the harness? He's putting the harness straps and I 116 00:07:23,720 --> 00:07:28,480 Speaker 1: attached things to it, So you put the harness on 117 00:07:28,520 --> 00:07:30,640 Speaker 1: his back? I got it. Okay, I have a question 118 00:07:30,680 --> 00:07:33,160 Speaker 1: for you. I like that harness. There's a hard that's 119 00:07:33,200 --> 00:07:35,480 Speaker 1: exactly what a lot of people say. They like that. Okay, 120 00:07:35,920 --> 00:07:38,520 Speaker 1: it involves a harness. Does this harness keep you out 121 00:07:38,600 --> 00:07:42,360 Speaker 1: of harm's way? Okay? All right, so didn't put you 122 00:07:42,400 --> 00:07:49,520 Speaker 1: in harm's way? Just a just a tool? God? Come on? Well, 123 00:07:49,560 --> 00:07:52,760 Speaker 1: I was going to guess some type of rock climbing um, 124 00:07:52,800 --> 00:07:54,600 Speaker 1: But then the way you put that harness on. It 125 00:07:54,640 --> 00:07:57,120 Speaker 1: doesn't look like a rock climbing type of harm. Okay, 126 00:07:57,280 --> 00:08:01,640 Speaker 1: so scary? Would your job be considered something awe inspiring 127 00:08:01,720 --> 00:08:05,920 Speaker 1: like a stuntman or a daredevil of sort? Not quite 128 00:08:05,920 --> 00:08:12,200 Speaker 1: that inspiring, but but you're warm with stunt man. But 129 00:08:12,280 --> 00:08:14,640 Speaker 1: I'm in no danger whatsoever? Are you a body double 130 00:08:14,680 --> 00:08:17,960 Speaker 1: of some sort for somebody? Wait, that wasn't your turn 131 00:08:19,640 --> 00:08:25,400 Speaker 1: to something? Go on, come on, Brodie, come on? Three times? 132 00:08:25,400 --> 00:08:28,360 Speaker 1: You did it? Okay? Attaches himself to other things, and 133 00:08:28,400 --> 00:08:31,840 Speaker 1: people would be envious some kind of naked girl dog 134 00:08:31,840 --> 00:08:35,880 Speaker 1: sled No, no, no, okay, Um, it looks like you 135 00:08:35,920 --> 00:08:38,319 Speaker 1: have hooks on your all over your your straps. What 136 00:08:38,400 --> 00:08:39,960 Speaker 1: people would have to use those little like that? You 137 00:08:40,000 --> 00:08:41,760 Speaker 1: pull the thing back and you hook onto you. So 138 00:08:41,880 --> 00:08:44,480 Speaker 1: some things get hooked onto you, and people would be 139 00:08:44,559 --> 00:08:47,880 Speaker 1: envious of those things being hooked onto Youka, but it's 140 00:08:47,880 --> 00:08:51,199 Speaker 1: not a lifesaving thing. What would be hooked onto okay? 141 00:08:51,400 --> 00:08:53,960 Speaker 1: The things that are hooked onto you? Would any of 142 00:08:54,040 --> 00:08:57,880 Speaker 1: us ever own those things? You do? I do own them. 143 00:08:57,920 --> 00:09:00,000 Speaker 1: He already knows we do, and we do own them. 144 00:09:00,080 --> 00:09:02,880 Speaker 1: So and envious of you if you strapped them on you? 145 00:09:03,040 --> 00:09:08,080 Speaker 1: Daniel All right, yeah, Gregg. Less question from Greg Tea 146 00:09:08,120 --> 00:09:13,240 Speaker 1: because yeah, because I was not gonna ask that. Okay, Um, 147 00:09:13,520 --> 00:09:16,080 Speaker 1: I would assume I'm thinking that you're like some some 148 00:09:16,080 --> 00:09:20,880 Speaker 1: some sort of a heavy lifting delivery guy of some sort. 149 00:09:20,960 --> 00:09:22,480 Speaker 1: I like that that might be how I go, but 150 00:09:22,520 --> 00:09:28,120 Speaker 1: I'm absolutely not. Alright, alright, I said I could give 151 00:09:28,120 --> 00:09:32,160 Speaker 1: a hint, a photographic hint. The thing is, no one, 152 00:09:32,520 --> 00:09:37,920 Speaker 1: no one listening could understand still photographer for movies of Aquaman, 153 00:09:38,040 --> 00:09:41,040 Speaker 1: Wonder Woman, Stars Born, Justice League, and Watchman. All the 154 00:09:41,160 --> 00:09:44,280 Speaker 1: movie posters you see in the world. Clay has shot those, 155 00:09:45,480 --> 00:09:48,200 Speaker 1: and so you have. You have lots of cameras hanging 156 00:09:48,200 --> 00:09:54,680 Speaker 1: off your heart my cameras jealous, that's so cool. What 157 00:09:54,720 --> 00:09:57,040 Speaker 1: beautiful photography you've done. I bet can we see a 158 00:09:57,120 --> 00:09:59,080 Speaker 1: few of those and we can get most of you 159 00:09:59,800 --> 00:10:02,400 Speaker 1: to if I didn't do Aquaman, but I did wonder Woman. 160 00:10:02,440 --> 00:10:04,920 Speaker 1: We just finished the new Wonder Woman as well, and 161 00:10:04,960 --> 00:10:06,920 Speaker 1: he was on set of Stars Born, so we shot 162 00:10:06,960 --> 00:10:09,920 Speaker 1: Lady Gaga. Bradley Cooper. Let me ask a question, how 163 00:10:10,040 --> 00:10:12,560 Speaker 1: do you get this? Like, how did you become so 164 00:10:12,600 --> 00:10:15,439 Speaker 1: famous for this? You're the guy that they call you know, 165 00:10:15,960 --> 00:10:17,680 Speaker 1: it's always a little bit of who knows you in 166 00:10:17,679 --> 00:10:22,679 Speaker 1: the world. And I went to college with Zack Snyder's wife, 167 00:10:23,280 --> 00:10:27,040 Speaker 1: zach Levi Snyder, Zack Snyder the director. So give me 168 00:10:27,040 --> 00:10:29,360 Speaker 1: an opportunity a dozen years ago to work on Watchman. 169 00:10:29,400 --> 00:10:32,480 Speaker 1: I've been doing it ever since. So they hire you 170 00:10:32,559 --> 00:10:35,120 Speaker 1: to work on set, behind the scenes, to take pictures 171 00:10:35,120 --> 00:10:38,960 Speaker 1: of them while they're shooting these films. Correct, So they can, 172 00:10:39,000 --> 00:10:41,240 Speaker 1: they can have they can they can chronicle what it 173 00:10:41,320 --> 00:10:47,120 Speaker 1: was like to shoot the films. Unbelievable. Cool. Yeah, what 174 00:10:47,200 --> 00:10:49,240 Speaker 1: a cool job. So you'll do weddings and stuff like 175 00:10:49,240 --> 00:10:53,320 Speaker 1: that Anymoreance was who who what photographer has never shot 176 00:10:53,360 --> 00:10:56,360 Speaker 1: a wedding? But you don't do it anymore? Look, I'll 177 00:10:56,360 --> 00:10:57,920 Speaker 1: do it. I'll do it tomorrow if a friend of 178 00:10:57,920 --> 00:11:01,439 Speaker 1: mine is getting married coming up. You know, I always 179 00:11:01,480 --> 00:11:04,199 Speaker 1: say that one of the congratulations, thank you with it 180 00:11:04,360 --> 00:11:07,240 Speaker 1: one of the one of the treats of being a photographers. 181 00:11:07,240 --> 00:11:09,800 Speaker 1: You can gift your service and gift your your talent 182 00:11:10,080 --> 00:11:11,880 Speaker 1: to your friends, and shooting a wedding is one of 183 00:11:11,880 --> 00:11:14,160 Speaker 1: the most beautiful ways to do such a thing. I 184 00:11:14,160 --> 00:11:16,720 Speaker 1: would never thought that would be the you know what, 185 00:11:16,720 --> 00:11:18,880 Speaker 1: what a what a beautiful thing to say about what 186 00:11:18,920 --> 00:11:20,680 Speaker 1: you do for a living, if anyone could, if you 187 00:11:20,720 --> 00:11:23,000 Speaker 1: can gift what you do for a living to anyone, Yeah, 188 00:11:23,200 --> 00:11:25,080 Speaker 1: it's all. What I do for a living is what 189 00:11:25,120 --> 00:11:29,040 Speaker 1: most people like to do on vacation. Right Clay was 190 00:11:29,080 --> 00:11:32,000 Speaker 1: on set where we're all guessing if Lady Gaga and 191 00:11:32,040 --> 00:11:35,400 Speaker 1: Bradley Cooper were actually a couple. Like Greg T. Clay 192 00:11:35,400 --> 00:11:37,160 Speaker 1: can actually say they were in a couple, they were 193 00:11:37,200 --> 00:11:42,120 Speaker 1: just very good actors. Falling in love on screen is 194 00:11:42,160 --> 00:11:45,240 Speaker 1: one of the most impressive performers I've ever witnessed. I 195 00:11:45,400 --> 00:11:48,480 Speaker 1: as a rule, partly the nature of the films I've shot. 196 00:11:48,559 --> 00:11:51,800 Speaker 1: I don't tear up at work. Right Batman, as big 197 00:11:51,800 --> 00:11:54,600 Speaker 1: a fan as I may be, isn't isn't tear jerking 198 00:11:55,720 --> 00:11:58,320 Speaker 1: Twice on the set of A Star Is Born, I 199 00:11:58,360 --> 00:12:01,600 Speaker 1: had to wipe tears from my eyes. That's awesome because 200 00:12:01,600 --> 00:12:04,080 Speaker 1: of her. Do you become friends with the people you're shooting? 201 00:12:04,160 --> 00:12:06,760 Speaker 1: You know, there are plenty of friendships that emerge you 202 00:12:06,800 --> 00:12:09,320 Speaker 1: spend enough time with each other. Yeah, yeah, for sure. 203 00:12:09,520 --> 00:12:11,520 Speaker 1: So you see each other on another set, on another 204 00:12:11,600 --> 00:12:13,920 Speaker 1: and another. Yeah, it just happened. I ended up at 205 00:12:13,960 --> 00:12:16,520 Speaker 1: the premiere of Triple Frontier and saw Oscar Isaac's if 206 00:12:16,559 --> 00:12:19,319 Speaker 1: I hadn't seen in ten years, and you know, you 207 00:12:19,440 --> 00:12:21,000 Speaker 1: just pick it up quickly and wish him well, and 208 00:12:21,040 --> 00:12:24,600 Speaker 1: it's a it's a lovely thing. Not everyone is charming 209 00:12:24,840 --> 00:12:26,720 Speaker 1: or has the time for the still photographer. We're not 210 00:12:26,760 --> 00:12:30,360 Speaker 1: exactly the critical piece of the puzzle, but I know, 211 00:12:30,400 --> 00:12:32,560 Speaker 1: but but a very important part of the history of 212 00:12:32,600 --> 00:12:35,760 Speaker 1: the project. Absolutely have you ever been an extra like 213 00:12:35,800 --> 00:12:37,080 Speaker 1: if they ever said, when you a guy who looks 214 00:12:37,080 --> 00:12:39,679 Speaker 1: like you, go over there, I've I've yes, I've been 215 00:12:39,720 --> 00:12:42,599 Speaker 1: given that opportunity, and they appropriately ended up on the 216 00:12:42,600 --> 00:12:47,000 Speaker 1: cutting room floor movie, but it was a suicide squad, 217 00:12:47,840 --> 00:12:50,880 Speaker 1: so we almost saw he was on the floor to 218 00:12:51,040 --> 00:12:53,280 Speaker 1: the cutting room floor most of his parts. And so 219 00:12:53,360 --> 00:12:55,640 Speaker 1: before we were before we wrap up in just a 220 00:12:55,640 --> 00:12:58,200 Speaker 1: couple of minutes, Clay is actually going to be uh 221 00:12:58,480 --> 00:13:01,280 Speaker 1: doing a class kind of down in Nashville next week. 222 00:13:01,360 --> 00:13:03,760 Speaker 1: So if you're down in Nashville, in and around the area, 223 00:13:03,760 --> 00:13:05,880 Speaker 1: you're a fan of photography and you want to learn 224 00:13:05,920 --> 00:13:08,840 Speaker 1: from a man who's been on set down in Nashville 225 00:13:08,880 --> 00:13:11,040 Speaker 1: and beautiful work. You know the dates because this is 226 00:13:11,080 --> 00:13:13,520 Speaker 1: a podcast and it's going to could be smart sixteenth 227 00:13:13,520 --> 00:13:15,760 Speaker 1: and seventeen, and you can you sign up on a 228 00:13:16,280 --> 00:13:19,840 Speaker 1: little uh ad free social network called Vero that's sort 229 00:13:19,840 --> 00:13:22,360 Speaker 1: of trying to force the big guys away from their 230 00:13:22,360 --> 00:13:26,440 Speaker 1: bad practices. Yeah, and uh, come on down because we're 231 00:13:27,200 --> 00:13:29,240 Speaker 1: for me he as a photographer. The best way to 232 00:13:29,280 --> 00:13:32,000 Speaker 1: teach his just hands on, one on one and absolutely okay, 233 00:13:32,000 --> 00:13:34,280 Speaker 1: so we need to have the information right now, so 234 00:13:34,400 --> 00:13:36,880 Speaker 1: very v e r O dot com, Vero dot ceo, 235 00:13:37,480 --> 00:13:40,280 Speaker 1: Vero dot ceo. And didn't do a search for Clay 236 00:13:40,320 --> 00:13:43,360 Speaker 1: you know Clay you know E n O s Yeah, 237 00:13:43,920 --> 00:13:47,600 Speaker 1: it correctly. I'm noticing, like how calm Clay is, how 238 00:13:47,679 --> 00:13:51,560 Speaker 1: relaxed he is. Yeah, he's unlike you. Yeah, he's in 239 00:13:51,600 --> 00:13:54,440 Speaker 1: a polar opposite. Yeah, you're you're in a in a 240 00:13:54,720 --> 00:13:57,840 Speaker 1: in a what's to help me out zone, in a 241 00:13:57,960 --> 00:14:01,360 Speaker 1: field that doesn't cause a lot of stress. You know 242 00:14:01,559 --> 00:14:04,000 Speaker 1: you just take Is that true? I mean it? Are 243 00:14:04,040 --> 00:14:06,520 Speaker 1: there stressful moments and what you do? Oh for sure. Look, 244 00:14:06,679 --> 00:14:09,640 Speaker 1: as an artist, of course, you're always challenged to make 245 00:14:09,679 --> 00:14:11,760 Speaker 1: good art, right, to make a good photograph and is 246 00:14:11,760 --> 00:14:14,280 Speaker 1: the set photographer, which I do most of the time, 247 00:14:14,640 --> 00:14:16,840 Speaker 1: You're always a little bit the the odd man out. 248 00:14:16,840 --> 00:14:18,920 Speaker 1: You're not the one making the movie, so at a 249 00:14:18,960 --> 00:14:21,440 Speaker 1: moment's notice, you could be shoot away or in the 250 00:14:21,560 --> 00:14:25,920 Speaker 1: dance of staying away from the filming cameras. Is can 251 00:14:25,960 --> 00:14:28,560 Speaker 1: be stressful, so great, it's not the stress that you 252 00:14:28,600 --> 00:14:30,960 Speaker 1: could have, it's how you handle the things that could 253 00:14:31,040 --> 00:14:34,880 Speaker 1: be stressful. It's how you handle it. We used to 254 00:14:34,880 --> 00:14:37,320 Speaker 1: play a clip of Christian Bale screaming at a guy 255 00:14:37,360 --> 00:14:40,800 Speaker 1: for walking in his light where the light was has 256 00:14:40,960 --> 00:14:42,360 Speaker 1: has a celebrity you don't have to mention the you 257 00:14:42,360 --> 00:14:44,080 Speaker 1: don't want to has a celebrity of a yelled at you, 258 00:14:44,200 --> 00:14:46,480 Speaker 1: or have been in the way, were like here, no 259 00:14:46,680 --> 00:14:49,920 Speaker 1: look on some level, low blood sugar happens to all 260 00:14:49,920 --> 00:14:55,840 Speaker 1: of us. Thank you very much. Play scota vero dot co. 261 00:14:56,000 --> 00:15:01,200 Speaker 1: Do a search for Clay fifteen minute morning show